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Speaker 1: I can have Hi, sir, are you recording or can

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Speaker 1: you record? Please?

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Speaker 2: Yeah? I can? Is that him? He's doing it? Now?

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Speaker 3: Yeah?

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Speaker 2: There, hold on, it's Paul, right, you said, sir, So

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Speaker 2: it is Paul.

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Speaker 4: I heard, sir? Is that are you talking to Paul?

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Speaker 4: I can't see anything because I'm because you have.

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Speaker 2: Your hand over the Yeah. Why are you doing? Why

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Speaker 2: are you surprise? Surprise? Surprise? What's the what's the surprise?

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Speaker 2: Somebody on birthday?

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Speaker 4: It was somebody's birthday who's at some point, wasn't it?

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Speaker 2: I mean, well, yeah, I mean I guess that's true.

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Speaker 2: It was somebody's birthday at some point.

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Speaker 4: Perfect, perfect, amazing, amazing, incredible.

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Speaker 2: So Kevin, right, exciting for you? You are you fired

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Speaker 2: up now? Kevin?

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Speaker 1: Yeah? This is perfect? Happy later birthday?

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Speaker 5: Paul.

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Speaker 4: Oh yeah, it's no, it is. But I don't know

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Speaker 4: if you remember, and there's really no reason that you would.

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Speaker 2: But the last time we had you there was.

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Speaker 4: We did this like surprise birthday party thing, and Kevin

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Speaker 4: was really happy with it.

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Speaker 2: It was like a really special were you.

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Speaker 6: I was absolutely fine with it to what I to

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Speaker 6: the extent I remember it at all, It.

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Speaker 4: Totally went fine. I didn't have any issues with it.

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Speaker 4: I guess the.

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Speaker 7: Only issue I do have That quality was adequate, if

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Speaker 7: not good. But I think posting process, oh my god,

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Speaker 7: the way it was uploaded and the you can stop,

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Speaker 7: you can stop data.

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Speaker 2: I get it. I get it. But but I'll say

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Speaker 2: is my only issue with.

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Speaker 4: It is is that it it was this sort of special,

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Speaker 4: singular moment in time and creating that the way we

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Speaker 4: posted it was I mean that will never happen again.

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Speaker 4: Very that will never happen again.

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Speaker 2: Each upload process is different in its own way.

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Speaker 4: Yes, people don't realize this, but that but this is

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Speaker 4: this is sort of beautiful.

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Speaker 2: This is what I wanted to say.

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Speaker 6: Some are scary, some are sad. Sometimes you just like

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Speaker 6: watch it go, you know, like waving goodbye to it

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Speaker 6: a little bit, just a.

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Speaker 4: Balloon floating off into this into the horizon, and you go,

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Speaker 4: like a.

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Speaker 2: Bird is a bird flies as well?

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Speaker 4: I mean anything, I bound you wouldn't wave goodbye to

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Speaker 4: a balloon? What if I drew a little face on it? Yes,

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Speaker 4: what if I put a little word bubble at it's

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Speaker 4: saying bye? And I also have a hand balloon next

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Speaker 4: to it that looks like it's waving.

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Speaker 2: A what a hand balloon? A hand balloon like you'd

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Speaker 2: blow up like a surgical glove fill a surgical glove

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Speaker 2: with helium. Mm hmm, yeah, okay, or a hand balloon. Yeah,

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Speaker 2: and then I would use I would use a pipe

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Speaker 2: cleaner to to make sure that it gives the illusion

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Speaker 2: of like, you don't want to just like banging into

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Speaker 2: the balloon head, so you want some distance from it

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Speaker 2: so it looks like it's waving. No, we don't wave,

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Speaker 2: we don't. We don't wave by constantly smacking our hand

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Speaker 2: to wave it. And you need some separation between the

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Speaker 2: hand and the torso, yeah, separation between hand and torso

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Speaker 2: not that I mean.

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Speaker 6: Great if your hand is connected directly to your torso

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Speaker 6: that's fine to me. It's amazing. Actually it's better. But

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Speaker 6: for balloon purposes.

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Speaker 2: Yeah, I'm waving like this now, you know, to justify

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Speaker 2: a hand balloon.

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Speaker 4: Well, I'm just saying, like it's I'm just saying the

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Speaker 4: pipe cleaner is a good idea because of all the

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Speaker 4: ways that it could go wrong if you just kind

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Speaker 4: of let it go.

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Speaker 2: It has a graduates cap on that's going after college.

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Speaker 2: I don't know how you're going to manage that pipe cleaners.

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Speaker 4: And it's all pipe cleaners. Yeah, this thing's mostly pipe cleaners.

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Speaker 4: Now I'm afraid of probably, I'm afraid the way blimp there.

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Speaker 6: Is put a blimp up there as well that it

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Speaker 6: says college or is like painted like a college or

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Speaker 6: something like that.

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Speaker 2: I might have to put it out of a drone

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Speaker 2: like a college. Yes, that's cool, that's cool. Like the

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Speaker 2: muse of is college colored? Using the same the same

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Speaker 2: college used? Yep?

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Speaker 4: Okay, yeah you're using all the same. Yeah, you could

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Speaker 4: probably go. I mean a lot of these colleges probably

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Speaker 4: have a storage room where they just have the exact

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Speaker 4: color that they used for the original.

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Speaker 2: I hope so, yeah, I hope so. Or if you know,

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Speaker 2: on their computer, yeah, if they have a file just like.

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Speaker 4: Paint paint color file, you know, color dot jpg, yes

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Speaker 4: you pull.

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Speaker 6: What if you were trying to get pantone and you

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Speaker 6: accidentally got panotone? You guys ever had a big panotone?

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Speaker 6: You've never pantone?

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Speaker 2: No, I can't. I've got you for your birthday shampoo.

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Speaker 2: No it's not a shampoo.

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Speaker 6: What what if you were trying to get panotone and

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Speaker 6: you accidentally got panteen.

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Speaker 2: Pantone like you were trying to get panteen is much

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Speaker 2: like a marble to the watcher. But what would happen

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Speaker 2: if you went to get a dessert but instead you

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Speaker 2: got some shampoo? So you do know, right? One, I

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Speaker 2: know what it is now, Yes, now that you now.

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Speaker 2: It took you saying panteene for me to to put

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Speaker 2: the pantone in its.

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Speaker 4: Proper Panteine had been missing from the equation for a

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Speaker 4: little bit, and once it showed up, it was like

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Speaker 4: the part of one of the marbles what if, where

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Speaker 4: I finally figure out what's happening.

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Speaker 2: Yes, the infinity stones, et cetera.

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Speaker 4: Kevin was hearing pant one the whole time.

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Speaker 2: M hm is that true?

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Speaker 4: You have just that very first sound that escapes when

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Speaker 4: he's he's like Joey fat.

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Speaker 2: One, that's what I heard.

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Speaker 1: Is that weird?

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Speaker 2: It's so weird. I think it's a blue dress, gould

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Speaker 2: dress kind of thing. I love a dress.

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Speaker 6: He's talking about his house, he's talking about his home.

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Speaker 6: He's confusing what he's supposed to say when he gets lost,

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Speaker 6: when he's just like out of the world that he

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Speaker 6: gets found, he's supposed to tell You're not just.

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Speaker 2: Supposed to say address, yes, like yours address, right.

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Speaker 4: I love address. Excuse me, sir, I love address.

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Speaker 2: I'm lost. I love address it ultimately like yeah, you

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Speaker 2: want to go home. It's the same message. You love

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Speaker 2: a dress, doctor, I'm lost. I love address. Take me, officer.

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Speaker 4: That dress is my favorite. Teacher please teacher missus tam.

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Speaker 2: Mom, I mean teacher.

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Speaker 4: Oops, the worst, this is teacher Mommy.

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Speaker 2: To be lost lost. I love my address. If you're

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Speaker 2: a freshman, sometimes you like you're going to high school

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Speaker 2: and you're you're going to a bigger school than you

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Speaker 2: were at before. You can't get lost. Absolutely. Yeah. I

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Speaker 2: remember I went requirement. I went up the downstairs. Uh

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Speaker 2: and me and we were ridiculed, ridiculed.

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Speaker 6: The opposite of the cow that they put in there

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Speaker 6: as a brank.

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Speaker 2: I can't stand cringe comedy. Uh, I'm dying. Oh why

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Speaker 2: does it my stomach? No, it's his brand.

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Speaker 6: It's his brand, very confessional, very at times, very cringe Paul.

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Speaker 2: But I do it because I know there's somebody else

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Speaker 2: out there who walked up the downstairs.

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Speaker 4: It's visceral. No, that's why it's so effective. I didn't

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Speaker 4: just that but I you know, but I did something.

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Speaker 2: Probably you can watch it in some way. No, no, hay.

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Speaker 2: And what I do is I I take it nice

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Speaker 2: and I slip my myself open and I say, look

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Speaker 2: it's see anything, see anything you can relate to, see

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Speaker 2: anything you like? Well, I mean, I don't want people

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Speaker 2: to take my organs. I want. I want. What I'm

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Speaker 2: trying to do is say we're not so different. See

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Speaker 2: you don't like that? Part?

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Speaker 4: Is you see anything you don't like? That's your self

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Speaker 4: reflective back at you.

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Speaker 2: I like that. Okay, hey's go. We can only truly

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Speaker 2: hate what we reckon oblation the comedian. We can only

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Speaker 2: true hatred can be achieved by recognizing what we hate

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Speaker 2: in ourselves. And until you can do that, until you

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Speaker 2: take that first step, you can't truly hate. Is that

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Speaker 2: what you're saying?

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Speaker 4: How are you gonna hate until you hate yourself? You're

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Speaker 4: gonna go out there try to hate someone else where?

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Speaker 4: You haven't done the work to learn to hate yourself yet.

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Speaker 2: How are you? How are you gonna hate?

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Speaker 6: I'm sorry, no, I'm gonna hate from outside the guts

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Speaker 6: you can't even get in.

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Speaker 2: Mm hmmm. All to what obligation has the comedian mm

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Speaker 2: to offend, to offense, that's the obligation, delicious what I

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Speaker 2: do when I get on stage, I say, what do

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Speaker 2: these people like? I'm going to say the opposite of that,

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Speaker 2: But sometimes it just turns out that they like it.

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Speaker 6: So then well, to offend, and perhaps to defend yourself.

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Speaker 2: No, hey, oh, to defend yourself yourself. Yes, the number

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Speaker 2: one job of comedian. I offend you. It's just a joke.

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Speaker 2: Leave me alone. I offend you. It's just a joke.

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Speaker 2: How dare you? The stages of comedy.

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Speaker 6: The game has too. You know, there's two sides of

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Speaker 6: the field. There's offense and defense.

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Speaker 2: So you got to you gotta then I defend me.

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Speaker 4: Yes, And thus sometimes the best the best offense m is.

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Speaker 2: A very good off.

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Speaker 4: Sometimes sometimes the best offenses to be incredibly offensive, you know,

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Speaker 4: it's like and the best defense it's continue to offend.

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Speaker 6: Yeah, first one, the first offensive thing turned out to

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Speaker 6: be just a pump fake.

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Speaker 2: And then you and then you got it in the air.

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Speaker 4: Uh you up there, draw a little contact?

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Speaker 2: Yeah, finish strong? Are you off my job? Pay me now?

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Speaker 2: Pay my ass? Are you? Are you offended? And you're

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Speaker 2: yelling at me about it. No, you don't get to

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Speaker 2: do that. My job is to offend you. And also

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Speaker 2: it's just a joke. Don't even send me a message

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Speaker 2: about it. How dare you? You don't live in a

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Speaker 2: real place, keyboard warrior. Sick of these keyboard warriors. Look,

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Speaker 2: I get up there in front of a bunch of

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Speaker 2: people who are gonna love whatever I say, and I

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Speaker 2: say it, and so that's brave. And then these keyboard

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Speaker 2: warriors who are hiding behind a screen have the gall

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Speaker 2: because they weren't at the show. I guess to say

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Speaker 2: this sucks.

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Speaker 4: Couldn't make it to the show. So right there, you're weak,

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Speaker 4: You're a coward. Yeah, now suddenly you don't like what

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Speaker 4: I did. Okay, your labe, you suck, you weak coward.

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Speaker 4: Come to the show next time and don't tell me there.

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Speaker 2: Yeah, don't.

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Speaker 6: But yeah, but don't be like a person war you.

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Speaker 2: Don't like it? No, please don't be Please don't.

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Speaker 4: The worst thing, worst thing other than a keyboard warrior,

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Speaker 4: what I think I like even less is an in

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Speaker 4: person warrior who confronts me to my face about my behavior.

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Speaker 4: Any imagine warriors, what happened to our country, to our society.

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Speaker 2: If somebody walks up to me and says, hey, I

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Speaker 2: thought what you did was wrong, I'm like, this is disgusting. Cringe.

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Speaker 2: Don't I have the I'm trying to eat my dinner

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Speaker 2: or whatever. I'm trying to be in public, and now

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Speaker 2: you talk to me. That's not allowed. I'm trying to continue.

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Speaker 2: I'm trying to continue being rude. You know what I mean.

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Speaker 4: I'm in the middle of being rude to you, and

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Speaker 4: you're suddenly like putting in the context of the situation

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Speaker 4: and saying why my behavior is inappropriate and it's and

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Speaker 4: you're interrupting me. Yeah, and guess what, Like, I'm trying

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Speaker 4: to complete a task. Now you're going to make me

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Speaker 4: be ruder. You brought this.

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Speaker 2: I don't even want to do this. You're making me

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Speaker 2: do it.

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Speaker 4: I had chosen the level I was going to be

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Speaker 4: rude at. Yeah, now I need to do it louder

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Speaker 4: and twice as much because my feelings.

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Speaker 6: Are hurt and you're you're not compensated to do it.

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Speaker 6: I'm you're not, so that means you're not allowed. Yes,

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Speaker 6: you're allowed.

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Speaker 2: To want me to do this. I don't want you

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Speaker 2: to do what you're doing to me. Case closed. Look,

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Speaker 2: I was gonna be this rude and I was done

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Speaker 2: with it. Now I have to pick you because you're

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Speaker 2: doing this like I don't uh, no way, no way, no, no, no,

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Speaker 2: no no. You just ordered more exactly what you don't like. Yeah. Yeah,

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Speaker 2: I wasn't even gonna do more comedy, but now I

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Speaker 2: guess I gotta go back and do it and address this.

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Speaker 4: Kevin, Can we just sort of now my comedy is

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Speaker 4: about you. Now, my comedy is about you not liking

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Speaker 4: my comedy because you you did a joke.

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Speaker 2: I just want to you don't get jokes. I just

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Speaker 2: want to address framing. Shut up, pace, shut up. Wow, whoa,

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Speaker 2: Oh you're doing rude comedy. Now I'm doing comedy on you. Yes, yes,

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Speaker 2: and I like it.

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Speaker 6: This is I have a normal reaction to this, which

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Speaker 6: I'm like, he's like laughing and having that kicks.

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Speaker 2: Ass told me I suck it again.

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Speaker 4: I'm looking at I'm looking to get it.

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Speaker 2: Slaps it. It's a pop. Uh, it's busting. It's giving

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Speaker 2: me life. I want to carve out a little just like,

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Speaker 2: let's okay, we'll get back to this, but let's let's

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Speaker 2: take some time.

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Speaker 6: The conversation with Kevin, just like composition is what I want? No, no, no,

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Speaker 6: backed doubt. Well now you actually look like it. No

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Speaker 6: go back up, no no, no, go back up to

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Speaker 6: where you were Now he looks like a funny dog,

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Speaker 6: actually looks like Brian, Like who like Brian?

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Speaker 2: The dogs from from Family Guy? Brian?

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Speaker 6: Can we talk about So? When I was at Family Guy,

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Speaker 6: we lost Bryan. You know, I don't know if anyone remembered,

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Speaker 6: like it probably affected me a little more than you guys,

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Speaker 6: because I was actually there, but we.

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Speaker 2: Did lose Brian.

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Speaker 3: Uh.

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Speaker 2: Sorry that.

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Speaker 4: Yeah, you don't get to tell me how I felt

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Speaker 4: about Brian, Like, well, I understand you were there. I

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Speaker 4: understand you were affected by.

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Speaker 2: I know how much. You don't know how much I

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Speaker 2: know how Brian has been to me. Yeah, hayst did

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Speaker 2: what happened? Was it that the dog who does the

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Speaker 2: voice died? In real life?

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Speaker 6: The dog Brian was struck by a car on camera?

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Speaker 2: Uh? And he died?

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Speaker 6: To put it simply, he did, and so we and

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Speaker 6: even seeing Kevin like this now is really bringing back

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Speaker 6: all the all those evotions they're flooding back for me.

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Speaker 6: But I want to honor someone who when we need

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Speaker 6: We were all just like we could. We're like walking

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Speaker 6: around the office like Zion. We could very like do

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Speaker 6: the job, you know, to like have this like family,

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Speaker 6: like stay together.

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Speaker 2: Think about how I know and you can't have a job.

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Speaker 6: Yes, so and who comes along? But Tony si Rico

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Speaker 6: to voice Vinnie the replacement dog for Brian, exactly when

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Speaker 6: we needed him.

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Speaker 2: Didn't even have to call him. He was right there.

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Speaker 2: And I don't see anyone And that's what do you

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Speaker 2: mean to him? He was right there. He was just

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Speaker 2: he was at the offices of Family Guy flipping a coin.

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Speaker 2: You can feel.

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Speaker 4: When when Family Guy needs you, you.

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Speaker 2: Feel it like those cats in the nursing homes. Yea,

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Speaker 2: And Stuie was very reluctant to accept Vinnie. Stuie's the baby.

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Speaker 2: M hm, no problem. Then he continued, you know, like

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Speaker 2: continues doing his services.

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Speaker 4: Sorry, Paul, thank you for saying that if people forget that.

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Speaker 2: He's a baby. It's very easy to forget a baby.

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Speaker 2: And this this is a baby we're talking about. This

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Speaker 2: is a baby.

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Speaker 4: So yeah, it's gonna take a minute to adjust to Vinnie. Yeah,

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Speaker 4: but go ahead, Hayes.

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Speaker 6: You were saying and then of course like Stewie again

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Speaker 6: once again, And I feel I have to remind everyone actually,

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Speaker 6: given what I'm about to say, that this is a baby.

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Speaker 6: Stewie gets his time machine that he had destroyed.

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Speaker 2: Sorry, Hayes. Do you think that some people when they

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Speaker 2: hear the name Stewie they think that he's like a

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Speaker 2: pot of stew? No, I'm do you think that? But

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Speaker 2: I mean, I'm not saying, I'm saying, do you think

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Speaker 2: that's possible that there's somebody out there they hear the

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Speaker 2: name Stewie and they're like, oh, one of the characters

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Speaker 2: on the show is a boat. Is like a pot

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Speaker 2: of stew that talks.

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Speaker 4: Fun to imagine, that's fun to imagine. Yeah, it's fun

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Speaker 4: to imagine the stew. And it's fun to imagine the

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Speaker 4: person who thinks of the stew.

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Speaker 2: Yeah, and the stew is piping hot at all times,

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Speaker 2: and it's just is it always? I guess it's just

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Speaker 2: always on the stove. So any scene that takes place

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Speaker 2: in the kitchen you're likely to hear from.

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Speaker 6: So it is a pot. So yeah, you said bowl

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Speaker 6: for a second. But I made a mistake.

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Speaker 2: I made a mistake, and I I maybe I was

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Speaker 2: thinking it would be nice to have a bowl of

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Speaker 2: stew from that pot of stew. Yeah, so I haven't

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Speaker 2: had stew in a long time.

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Speaker 4: And what do you think the stew says, is it.

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Speaker 2: Is it hot in here? Is it just me? Something

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Speaker 2: like that. It's both stew, don't don't, don't eat me,

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Speaker 2: you're fat enough, your Griffin, the patriarch of the the

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Speaker 2: Griffin family. It's both. It's a summer stew.

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Speaker 4: Whatever you're walking through, and you go, man, I could

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Speaker 4: go for some stew. I wonder if this stew's finally ready.

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Speaker 2: And then the stew goes not yet.

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Speaker 4: Not quite yet, another another few minutes, and just you

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Speaker 4: live forever that way, you know, always go like and

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Speaker 4: then and then the person walks away.

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Speaker 2: Then the person walks away, and then this and then

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Speaker 2: the stews like says to himself, like, low and slow, baby,

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Speaker 2: low and slow, because the stew started a bubble. And

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Speaker 2: then you turn it. Somebody turns it down. Maybe lowest,

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Speaker 2: turn down the wife, the family lows and slowest and slowest.

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Speaker 2: That that I feel like could be merch sure for

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Speaker 2: Family Guy, the TV show. If I mean, if in

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Speaker 2: the in the world where the stew is a character,

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Speaker 2: the sentience character.

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Speaker 4: He was a pot of stew Yeah, who was saying

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Speaker 4: and it was the and what it said was you

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Speaker 4: know what we landed on maybe third or fourth then uh,

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Speaker 4: and then part of the story was that the heat

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Speaker 4: was turned down by Lois.

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Speaker 2: Yeah. Did they ever? Did they ever do a crossover?

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Speaker 2: A family guy an American dad? Wow?

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Speaker 4: Could they even be American guy family family dad, family dad?

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Speaker 7: They both were both. Honestly, you actually have to change

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Speaker 7: you both the way. It should be an hour It

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Speaker 7: should be an hour long episode.

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Speaker 2: American guy, calm, the family dad.

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Speaker 6: So they did a Simpsons crossover. This is my first

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Speaker 6: episode on the show. Do you remember what the Simpsons

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Speaker 6: crossover was called?

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Speaker 2: You do?

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Speaker 6: You were inspired by the Simpson Simpsons Guy, Simpsons guy,

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Speaker 6: don't overthink it. Simpsons guy is fine.

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Speaker 2: That seems like that's that's a very for your first episode.

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Speaker 2: That seems like a very harrowing episode to have to

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Speaker 2: write do all by myself?

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Speaker 6: Yeah, oh my god, I have to learned who all

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Speaker 6: these different Simpsons are.

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Speaker 4: They throw me into the deep end. I go, well,

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Speaker 4: I work for Family, I don't work for the Simpsons.

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Speaker 4: It wasn't my job to know who every Simpsons was.

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Speaker 2: Yeah, so you make the Simpsons look bad like they're not.

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Speaker 2: They don't get any joke lines. That's the trick. They're

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Speaker 2: just for information. Yeah, well, Kevin has I think that

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Speaker 2: would be very very entertaining.

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Speaker 6: Kevin has some kind of little thing, so little you

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Speaker 6: want to like, you have some birthday, your little treats.

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Speaker 2: So is this to celebrate my birthday from last September

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Speaker 2: or to is a pre September? That was okay? Yeah,

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Speaker 2: I was curious about that was the idea.

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Speaker 6: This was this was what Kevin was sort of, I

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Speaker 6: haven't seen you since, and I thought, like, I don't

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Speaker 6: think so. The other time we did it, I was

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Speaker 6: sort of thinking it would lead to like invited onto

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Speaker 6: something live show, podcast something like that.

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Speaker 2: Didn't work out that way, and okay, of my life.

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Speaker 6: Kevin suggested that I figure, i've it couldn't hurt to

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Speaker 6: rev the engine again. See see what you know? I'm

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Speaker 6: gonna try to shake the tree.

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Speaker 2: You see what falls at Okay, braiding that God kills me.

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Speaker 1: Here's your first message.

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Speaker 2: Philadelphia.

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00:23:16,560 --> 00:23:18,120
Speaker 1: Wait, Paul, do you know where this is?

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Speaker 2: Dang it?

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Speaker 4: He spoiled it.

404
00:23:19,760 --> 00:23:20,800
Speaker 2: The Philadelphia Zoo.

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00:23:21,359 --> 00:23:26,840
Speaker 4: Yeah, yeah, I do aquarium.

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Speaker 8: The penguins at Philadelphia Zoo and Logan would like to

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Speaker 8: wish you a very happy birthday. We hope to see

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Speaker 8: you soon and we hope you have an awesome day.

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Speaker 2: Which one's Logan there is unbelievable. I like that sound

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00:23:46,000 --> 00:23:49,320
Speaker 2: of their little feet. The unbelievable that we pay for

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Speaker 2: Kevin to take an entire trip to the Philadelphia Zoo

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Speaker 2: and this is what this is what he brings back,

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Speaker 2: this is what comes back. Wait, Kevin, was that your voice?

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00:24:01,040 --> 00:24:03,239
Speaker 1: No, that was my friend Jared who works there.

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Speaker 2: He didn't even he didn't even film it himself.

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Speaker 1: Well, I had to take a second trip because the

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Speaker 1: first works.

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00:24:09,320 --> 00:24:13,040
Speaker 6: He worked there before you met him there were you

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Speaker 6: became he became friends with her there and you didn't

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Speaker 6: work there.

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Speaker 1: Well, that was my second trip.

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Speaker 6: You feed it, You getting to feed the like you know,

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00:24:22,840 --> 00:24:26,439
Speaker 6: give the penguins kippers and you don't work there. You

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Speaker 6: being a part of the show, like.

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Speaker 2: Like if you feed goats at a petting zoo, you

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Speaker 2: give them a little peloty.

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Speaker 4: You're not an employees, you're not perform but you're performing

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Speaker 4: the task that is a task of the workers.

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Speaker 2: Sure, but sure, they're the same as like, you know,

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Speaker 2: being a volunteer at a magic show, you're not a magician.

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Speaker 4: Well, but when you're a volunteer at a magic show,

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Speaker 4: the performing one of the tasks that the magician would

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Speaker 4: normally do.

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Speaker 2: But then why are you there at all if you're not.

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Speaker 4: Like the magician or would never be picking a card.

436
00:24:58,400 --> 00:25:01,080
Speaker 4: Only the volunteer picks a card. But why do you,

437
00:25:01,520 --> 00:25:04,280
Speaker 4: penguin that is the task of the employee.

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Speaker 2: Well, they could have, but yeah, okay, all right, you

439
00:25:09,280 --> 00:25:12,720
Speaker 2: know what. Okay, Yeah, that's fair. That's fair. That's that's fair.

440
00:25:13,160 --> 00:25:15,880
Speaker 2: Let's work there. Yeah, that's fair. That's absolutely fair. That's

441
00:25:15,880 --> 00:25:17,760
Speaker 2: absolutely fair. And it was a flawed example on my part,

442
00:25:17,760 --> 00:25:21,439
Speaker 2: and I apologize. I then I guess it's like if you,

443
00:25:21,640 --> 00:25:25,480
Speaker 2: if you, if you, if you, if you are if.

444
00:25:25,359 --> 00:25:27,919
Speaker 4: You go to a do you want to take five men?

445
00:25:28,000 --> 00:25:28,960
Speaker 4: You want to jump out of this.

446
00:25:29,240 --> 00:25:34,119
Speaker 2: And just cool? No? No, it's like if you go

447
00:25:34,160 --> 00:25:35,640
Speaker 2: to if you go to a baseball game and you're

448
00:25:35,640 --> 00:25:36,680
Speaker 2: wearing a jersey the.

449
00:25:36,600 --> 00:25:38,560
Speaker 4: First pitch, how about throwing out the first pitch at

450
00:25:38,600 --> 00:25:39,440
Speaker 4: the baseball game?

451
00:25:40,320 --> 00:25:43,480
Speaker 2: Yes, thank you? That doesn't not be a player for

452
00:25:43,560 --> 00:25:45,520
Speaker 2: the team. No, you're not on the team. Even if

453
00:25:45,520 --> 00:25:47,920
Speaker 2: you're wearing a jersey, that doesn't you're not on the team.

454
00:25:48,520 --> 00:25:52,399
Speaker 2: That is something the players do. But you're not. But

455
00:25:52,520 --> 00:25:55,640
Speaker 2: you're you're not. No, you're not getting paid to do that.

456
00:25:55,840 --> 00:25:58,560
Speaker 2: You didn't go to baseball college. You you you are.

457
00:25:58,640 --> 00:26:02,080
Speaker 4: And that's the equivalent of feeding penguins. Yes, thank you, Yeah,

458
00:26:02,160 --> 00:26:03,479
Speaker 4: thank you. I appreciate that.

459
00:26:03,520 --> 00:26:07,119
Speaker 2: Good example, Paul, and Paul thinks that they shouldn't be

460
00:26:07,200 --> 00:26:10,760
Speaker 2: paid for throwing a pitch in a baseball game like that.

461
00:26:11,240 --> 00:26:12,160
Speaker 4: The child's game.

462
00:26:12,840 --> 00:26:15,160
Speaker 2: Yeah, I'm saying that's That's what I'm saying. Nobody should

463
00:26:15,160 --> 00:26:15,480
Speaker 2: be paid.

464
00:26:16,119 --> 00:26:18,880
Speaker 6: That's why you're wearing a Philly's cap. You're like, does

465
00:26:18,880 --> 00:26:19,760
Speaker 6: this look hard to you?

466
00:26:20,240 --> 00:26:23,720
Speaker 2: Yeah? I did this myself. Here's what I think can

467
00:26:23,760 --> 00:26:26,320
Speaker 2: I I think I get a billion bucks? Now here's

468
00:26:26,359 --> 00:26:28,879
Speaker 2: what I think baseball put it to baseball players if

469
00:26:28,920 --> 00:26:31,880
Speaker 2: they want, if they want to earn money and earn

470
00:26:32,400 --> 00:26:35,000
Speaker 2: you know, like literally earn it, they should just get

471
00:26:35,040 --> 00:26:37,080
Speaker 2: a cut of the door. That's how we should do it.

472
00:26:38,119 --> 00:26:40,360
Speaker 2: And the more the better they play, the more fans come,

473
00:26:40,520 --> 00:26:43,320
Speaker 2: the more money they make. Okay, and maybe they get

474
00:26:43,320 --> 00:26:45,680
Speaker 2: some of the concessions too, like they get twenty percent

475
00:26:45,720 --> 00:26:47,040
Speaker 2: of the concessions.

476
00:26:46,680 --> 00:26:50,080
Speaker 4: If they're really moving units, if they're if they're able to,

477
00:26:50,280 --> 00:26:54,720
Speaker 4: like as they're playing, push some of the higher end concessions.

478
00:26:54,880 --> 00:26:57,240
Speaker 2: And it should be it should be a bringer. It

479
00:26:57,240 --> 00:26:59,440
Speaker 2: should be a baseball game should be bringer events.

480
00:27:01,080 --> 00:27:05,359
Speaker 4: You should start you should definitely start out having having

481
00:27:05,400 --> 00:27:08,360
Speaker 4: to do that. And then when you're super established, when

482
00:27:08,359 --> 00:27:10,879
Speaker 4: you become like a big star, like I don't know

483
00:27:10,920 --> 00:27:12,840
Speaker 4: the name of any baseball stars because I just don't

484
00:27:12,840 --> 00:27:13,360
Speaker 4: believe in.

485
00:27:13,320 --> 00:27:15,639
Speaker 2: That don drives difference, well, you start to get the

486
00:27:15,680 --> 00:27:19,800
Speaker 2: biggest cheers. That's how they know who people like the most.

487
00:27:20,000 --> 00:27:22,840
Speaker 2: And look as far as the bringer aspect goes each player,

488
00:27:22,960 --> 00:27:26,080
Speaker 2: if each player is responsible for four people both teams,

489
00:27:26,160 --> 00:27:30,400
Speaker 2: right and including like managers, coach, base coaches, stuff like that,

490
00:27:30,400 --> 00:27:33,160
Speaker 2: that's not that's not hard to do, right, and then

491
00:27:33,200 --> 00:27:38,000
Speaker 2: everybody else will bore people. No four people per per person,

492
00:27:38,080 --> 00:27:38,760
Speaker 2: sorry just in case.

493
00:27:38,800 --> 00:27:42,400
Speaker 4: Well, someone else might discover someone they you know they're

494
00:27:42,400 --> 00:27:45,160
Speaker 4: a big fan of because they came just as a favor,

495
00:27:45,640 --> 00:27:47,760
Speaker 4: like they're for their work friends, and all of a

496
00:27:47,760 --> 00:27:49,879
Speaker 4: sudden they're like, I found my new favorite baseball player.

497
00:27:49,880 --> 00:27:52,440
Speaker 2: Tonight. Yeah, and I think people would do that. I

498
00:27:52,480 --> 00:27:54,040
Speaker 2: think people would go. I think if you were a

499
00:27:54,040 --> 00:27:57,800
Speaker 2: successful baseball player, uh, you know, if you're like if

500
00:27:57,840 --> 00:28:00,480
Speaker 2: you're if you're like Mike Trout and you say, hey,

501
00:28:00,840 --> 00:28:04,280
Speaker 2: she talked to you know, like your wife, three of

502
00:28:04,320 --> 00:28:06,040
Speaker 2: your friends, you say, could you guys please come to

503
00:28:06,080 --> 00:28:10,880
Speaker 2: my baseball game? I think they would go. Sure. They

504
00:28:11,040 --> 00:28:14,159
Speaker 2: like you, they think you're good. You are No, you

505
00:28:14,240 --> 00:28:15,840
Speaker 2: have a big circle. Yeah no.

506
00:28:16,160 --> 00:28:19,679
Speaker 4: But for me, my thing about baseball I never have

507
00:28:19,800 --> 00:28:20,520
Speaker 4: to pay for it?

508
00:28:21,240 --> 00:28:22,480
Speaker 2: What is that? How how do you do?

509
00:28:22,560 --> 00:28:22,720
Speaker 9: That?

510
00:28:24,240 --> 00:28:26,560
Speaker 2: Just comes to him baseball?

511
00:28:27,200 --> 00:28:31,320
Speaker 4: I don't I don't pay Yeah by.

512
00:28:31,240 --> 00:28:34,200
Speaker 2: The cow, Yeah yeah, yeah, absolutely.

513
00:28:34,280 --> 00:28:36,639
Speaker 4: I think if if I want to see baseball, I

514
00:28:36,640 --> 00:28:37,879
Speaker 4: think I'll be able to find it.

515
00:28:38,080 --> 00:28:40,240
Speaker 6: He's just walking around, you know, you say the right things.

516
00:28:40,280 --> 00:28:41,640
Speaker 6: A little baseball game breaks out.

517
00:28:43,440 --> 00:28:47,960
Speaker 2: There's always baseball happening somewhere yep in In in major

518
00:28:48,000 --> 00:28:51,360
Speaker 2: metropolitan areas. People are listening. People listen.

519
00:28:51,400 --> 00:28:54,719
Speaker 6: If they aren't baseball people, they're hearing like trout and

520
00:28:55,120 --> 00:28:55,920
Speaker 6: dry stale.

521
00:28:57,320 --> 00:29:00,320
Speaker 2: Is this are these more stews? Is this stew again?

522
00:29:01,400 --> 00:29:06,160
Speaker 2: Trout is definitely a stew for sure, dry scale stew

523
00:29:07,880 --> 00:29:11,480
Speaker 2: not drying stale. I'm sorry, I think I I think

524
00:29:11,520 --> 00:29:18,560
Speaker 2: I wasn't enunciating properly. But Don Drysdale, who invented lemonade

525
00:29:18,560 --> 00:29:26,240
Speaker 2: and iced tea, Oh dandy Don Drysdale, and he used

526
00:29:26,240 --> 00:29:29,200
Speaker 2: to do the commercial lemonade and cool. I washing down

527
00:29:29,240 --> 00:29:33,320
Speaker 2: my stew with this. Yeah, yeah, my Drysdale stew.

528
00:29:33,440 --> 00:29:38,200
Speaker 6: M and he has Drysdale's own which famously all of

529
00:29:38,200 --> 00:29:39,960
Speaker 6: the profits go to him.

530
00:29:40,160 --> 00:29:45,080
Speaker 2: That's right, Yeah, and he reminds people, don't forget all

531
00:29:45,120 --> 00:29:50,040
Speaker 2: the profits go to me. I made it was my idea.

532
00:29:51,400 --> 00:29:52,280
Speaker 2: Was that the only video?

533
00:29:53,000 --> 00:29:54,360
Speaker 1: There's a seven more?

534
00:29:54,920 --> 00:29:58,560
Speaker 4: Yeah, so, Kevin, really, I just wanted to mention like

535
00:29:59,600 --> 00:30:02,560
Speaker 4: it's sort of pathetic to try to recapture, like art

536
00:30:02,600 --> 00:30:04,960
Speaker 4: doesn't work this way, Like you don't do whatever this

537
00:30:05,040 --> 00:30:08,600
Speaker 4: amazing first episode we did with the cameos.

538
00:30:09,360 --> 00:30:14,440
Speaker 2: You know, I can acknowledge that the upload counterpoint ted

539
00:30:14,480 --> 00:30:21,520
Speaker 2: two mm hmm. I almost say I might need a breather.

540
00:30:21,760 --> 00:30:23,680
Speaker 4: I mean, I feel like Paul when he brought up

541
00:30:23,680 --> 00:30:26,440
Speaker 4: the magician thing. I look like a total fucking idiot

542
00:30:26,520 --> 00:30:32,080
Speaker 4: right now because what I was saying he immediately dismantled.

543
00:30:33,120 --> 00:30:36,520
Speaker 4: And I'm almost unable to continue with the show. Can

544
00:30:36,560 --> 00:30:42,480
Speaker 4: I think of something? There have been bad sequels, right couple.

545
00:30:42,560 --> 00:30:46,760
Speaker 6: But Ted two, I think was the first birthday cameo

546
00:30:46,880 --> 00:30:53,960
Speaker 6: episode and Ted one is more like this one. So

547
00:30:54,040 --> 00:30:59,280
Speaker 6: the lightning in a bottle was Ted two, Ted one,

548
00:31:00,400 --> 00:31:02,920
Speaker 6: and Hey saved me. You know, Ted one. You gotta

549
00:31:03,640 --> 00:31:07,160
Speaker 6: open the bottle. You gotta like, you gotta put it outside,

550
00:31:07,200 --> 00:31:08,600
Speaker 6: all that stuff like you gotta do.

551
00:31:08,880 --> 00:31:12,200
Speaker 2: You gotta do the work. So Ted wons an every bottle, Yeah,

552
00:31:12,200 --> 00:31:14,280
Speaker 2: with a cork next to it. Yeah, sitting outside and

553
00:31:14,320 --> 00:31:15,960
Speaker 2: the outside and.

554
00:31:16,000 --> 00:31:18,800
Speaker 4: A little piece of filament in the wet yard track lightning.

555
00:31:20,960 --> 00:31:24,720
Speaker 2: That makes sense. I like, I buy it. I buy it.

556
00:31:24,720 --> 00:31:28,720
Speaker 5: It's related birthday wishes. You turned thirty on the twenty

557
00:31:28,840 --> 00:31:32,840
Speaker 5: second of this month. You love the show, and you're

558
00:31:32,920 --> 00:31:38,080
Speaker 5: part of the family business, and you enjoy the family dynamics.

559
00:31:38,520 --> 00:31:42,840
Speaker 5: Your wife is Victoria, and you have two daughters. The

560
00:31:42,920 --> 00:31:47,080
Speaker 5: cover boy of Housing wam mag as the twenty twenty

561
00:31:47,120 --> 00:31:51,440
Speaker 5: one right Rising Star Counsel in the Senate Banking and

562
00:31:51,560 --> 00:31:55,240
Speaker 5: drafted the Forbearance provision of the Cares Act. Oh my god,

563
00:31:55,560 --> 00:31:59,640
Speaker 5: what a smart fellow. Matt. You are clearly clearly, but

564
00:31:59,760 --> 00:32:03,040
Speaker 5: you do you tell people on a regular basis, which

565
00:32:03,080 --> 00:32:05,320
Speaker 5: you should tell him you don't want to get in

566
00:32:05,400 --> 00:32:08,040
Speaker 5: your face, Just tell him to fuck the fuck off.

567
00:32:08,720 --> 00:32:11,680
Speaker 5: That's what I do, and it seems to work.

568
00:32:13,400 --> 00:32:14,680
Speaker 2: Happy belated birthday.

569
00:32:16,320 --> 00:32:20,480
Speaker 4: So this is in case you, in case you sustain

570
00:32:20,560 --> 00:32:26,040
Speaker 4: an injury that erases your memory. We wanted to do

571
00:32:26,120 --> 00:32:30,520
Speaker 4: one cameo that was just someone reciting facts to you

572
00:32:30,600 --> 00:32:34,040
Speaker 4: about your life, details back in.

573
00:32:36,480 --> 00:32:39,720
Speaker 2: And then yeah, commentary, brief commentary at the end, Yeah.

574
00:32:40,240 --> 00:32:42,120
Speaker 4: A little yeah, a little bit of like and this

575
00:32:42,240 --> 00:32:46,400
Speaker 4: is you know, uh, and then an attempt to get

576
00:32:46,440 --> 00:32:48,640
Speaker 4: into his famous catchphrase.

577
00:32:49,880 --> 00:32:52,480
Speaker 2: Which I think is maybe he didn't want to do

578
00:32:52,560 --> 00:32:54,720
Speaker 2: the full fuck off because.

579
00:32:55,120 --> 00:32:56,840
Speaker 4: He gets Yeah, he gets paid a lot more to

580
00:32:56,880 --> 00:32:57,800
Speaker 4: say that exactly.

581
00:32:59,040 --> 00:33:01,000
Speaker 2: Why does he think people are gonna get in that

582
00:33:01,040 --> 00:33:04,560
Speaker 2: guy's face? Yeah, I should tell them, yeah, because I

583
00:33:04,560 --> 00:33:06,080
Speaker 2: didn't hear that on the list. I didn't hear that

584
00:33:06,120 --> 00:33:08,040
Speaker 2: unless you're always people always getting in your face.

585
00:33:09,440 --> 00:33:11,920
Speaker 4: But if you're when you're on the you wouldn't know this,

586
00:33:12,040 --> 00:33:14,320
Speaker 4: but or a lot of people wouldn't know this, I guess,

587
00:33:14,320 --> 00:33:17,040
Speaker 4: but maybe you would when you're on the cover of Housing,

588
00:33:17,040 --> 00:33:18,160
Speaker 4: Where's Magazine?

589
00:33:19,400 --> 00:33:22,920
Speaker 2: Housing, Where's mag Everybody what everyverybody.

590
00:33:23,000 --> 00:33:25,040
Speaker 4: It's the old gunslinger routine, right.

591
00:33:25,040 --> 00:33:27,160
Speaker 2: Yeah, yeah, yeah, everybody who.

592
00:33:27,040 --> 00:33:29,320
Speaker 4: Rolls in the town wants to prove themselves against the

593
00:33:29,440 --> 00:33:29,800
Speaker 4: chay app.

594
00:33:30,240 --> 00:33:34,440
Speaker 2: They want to make make a legend by killing a legend. Exactly.

595
00:33:34,680 --> 00:33:37,920
Speaker 2: It's sad. The gun slingers make me sad when I

596
00:33:37,920 --> 00:33:39,800
Speaker 2: think about them. You can.

597
00:33:40,320 --> 00:33:44,000
Speaker 4: It's a terrible trying every night about the guns thinking.

598
00:33:44,760 --> 00:33:47,360
Speaker 2: I pray for them mm hmm. I pray for them

599
00:33:47,360 --> 00:33:49,280
Speaker 2: when I say my prayers at night because I know

600
00:33:49,320 --> 00:33:52,680
Speaker 2: a lot of them are prayers. Yeah. Yeah, some are

601
00:33:52,680 --> 00:33:55,959
Speaker 2: in purgatory. Probably some as they killed, but they know

602
00:33:56,120 --> 00:33:57,040
Speaker 2: they're going now.

603
00:33:57,760 --> 00:34:01,160
Speaker 6: Yeah, they killed a lot of bad guys to Yeah, exactly,

604
00:34:01,560 --> 00:34:04,200
Speaker 6: there the gun slingers walking around and.

605
00:34:04,160 --> 00:34:08,640
Speaker 2: Thinking like, oh my god, I'm being like Dexter. But

606
00:34:08,719 --> 00:34:11,720
Speaker 2: you're you're you're waiting for this tally to come in crazy.

607
00:34:11,760 --> 00:34:15,399
Speaker 2: I'm being exactly like Dexter. Right now. How Dexter am

608
00:34:15,400 --> 00:34:15,960
Speaker 2: I right now?

609
00:34:16,680 --> 00:34:19,360
Speaker 4: Okay, I'm I'm on my Dexter ship.

610
00:34:20,760 --> 00:34:27,920
Speaker 6: I'm I'm giving Dexter. I'm killing bad bart. Is this

611
00:34:28,120 --> 00:34:29,200
Speaker 6: Dexter enough for you?

612
00:34:32,400 --> 00:34:36,520
Speaker 2: Okay? Big Dexter energy hashtag b D E B D.

613
00:34:37,200 --> 00:34:40,360
Speaker 2: There we go. Yes, there we go. That's fun. I

614
00:34:40,600 --> 00:34:41,600
Speaker 2: like that energy.

615
00:34:41,800 --> 00:34:46,400
Speaker 4: Yes, big dex energy, but big killing bad bart.

616
00:34:46,640 --> 00:34:50,000
Speaker 2: But people might think dex Shepherd if you're not because

617
00:34:50,000 --> 00:34:52,000
Speaker 2: it's if you got it quickly, this is going to

618
00:34:52,080 --> 00:34:54,799
Speaker 2: be written out. It has to be. This is all

619
00:34:54,840 --> 00:34:57,360
Speaker 2: going to do. Yeah. So it's like on the T

620
00:34:57,480 --> 00:34:59,920
Speaker 2: shirt come it's yeah, it's b D and the with

621
00:35:00,040 --> 00:35:02,720
Speaker 2: an asterisk and then at the bottom and small letters

622
00:35:02,719 --> 00:35:05,480
Speaker 2: spelled out big Dexter Energy. And then on the back

623
00:35:05,480 --> 00:35:06,240
Speaker 2: of the picture of Dexter.

624
00:35:06,760 --> 00:35:10,120
Speaker 4: Why not, Well, I wouldn't mind getting a picture of

625
00:35:10,160 --> 00:35:12,920
Speaker 4: Dexter in there. A nice looking guy and never a

626
00:35:12,960 --> 00:35:13,399
Speaker 4: bad thing.

627
00:35:13,440 --> 00:35:14,319
Speaker 2: To remember that.

628
00:35:15,800 --> 00:35:18,799
Speaker 4: When you hear about a bad serial killer that there

629
00:35:18,840 --> 00:35:22,040
Speaker 4: are some good ones who only kill other serial killers exactly.

630
00:35:23,360 --> 00:35:26,640
Speaker 2: You know, one one bad apple, right, Like don't for

631
00:35:26,719 --> 00:35:31,360
Speaker 2: every for every John Wayne Gacy, there's probably five Dexters.

632
00:35:32,640 --> 00:35:36,480
Speaker 4: Yeah, the Dexter's out number of the the other ones.

633
00:35:36,400 --> 00:35:38,000
Speaker 2: And we don't want to and we don't know about

634
00:35:38,000 --> 00:35:40,000
Speaker 2: them because they don't want to get caught, Like your

635
00:35:40,040 --> 00:35:43,959
Speaker 2: traditional serial killer is trying to get caught and eventually.

636
00:35:43,800 --> 00:35:46,920
Speaker 4: Somebody please stop me from doing what I'm doing exactly.

637
00:35:47,080 --> 00:35:48,920
Speaker 4: And then Dexter goes, well, I will stop you from

638
00:35:48,960 --> 00:35:49,680
Speaker 4: doing what you're doing.

639
00:35:49,920 --> 00:35:52,960
Speaker 2: That's right, And I'm not looking to get praised for it. Yeah,

640
00:35:52,960 --> 00:35:56,560
Speaker 2: I'm not trying to get famous. I'm just trying to

641
00:35:56,640 --> 00:35:58,560
Speaker 2: enjoy my orange juice that I have every morning.

642
00:35:58,840 --> 00:36:03,920
Speaker 4: Fresh podcasts are pretty good and and and so this

643
00:36:04,000 --> 00:36:05,800
Speaker 4: might be a really big episode.

644
00:36:05,360 --> 00:36:09,080
Speaker 2: For us because we mentioned true crime. We we got

645
00:36:09,120 --> 00:36:11,080
Speaker 2: all into we got into, you know.

646
00:36:11,080 --> 00:36:14,279
Speaker 4: All of the Dexter what Dexter has for breakfast. You

647
00:36:14,360 --> 00:36:16,560
Speaker 4: were just talking about the orange juice fast.

648
00:36:18,560 --> 00:36:23,000
Speaker 6: This is Yeah, Dexter Churs didn't So this is this

649
00:36:23,080 --> 00:36:25,439
Speaker 6: is a fake crime podcast, is what we're doing right now.

650
00:36:26,360 --> 00:36:30,359
Speaker 4: Oh, I guess that's right. I like this mentioning John

651
00:36:30,400 --> 00:36:31,000
Speaker 4: Wayne Gacy.

652
00:36:31,640 --> 00:36:35,160
Speaker 2: Yeah, oh yeah, that's true. But it's like when Wolf

653
00:36:35,160 --> 00:36:37,000
Speaker 2: Blitzer is in the Avengers or some ship, you know

654
00:36:37,040 --> 00:36:38,920
Speaker 2: what I mean. So that makes it, that makes the

655
00:36:38,960 --> 00:36:44,120
Speaker 2: world real. So we're we're by saying that John Wyn

656
00:36:44,120 --> 00:36:48,600
Speaker 2: Gacy and Dexter exist in the same universe. It legitimize are.

657
00:36:48,480 --> 00:36:53,600
Speaker 6: You think a Mission to Possible fallout when they needed

658
00:36:54,200 --> 00:37:00,680
Speaker 6: the scientists to give them the codes, and he would

659
00:37:00,719 --> 00:37:03,239
Speaker 6: only do so if they were to call Wolf Blitzer,

660
00:37:04,360 --> 00:37:10,439
Speaker 6: and so they would read his manifesto on air, which

661
00:37:10,480 --> 00:37:14,160
Speaker 6: is that there can be no peace without great sacrifice,

662
00:37:14,160 --> 00:37:17,359
Speaker 6: and the greater the sacrifice, the greater the piece. And

663
00:37:19,040 --> 00:37:24,960
Speaker 6: Ethan makes the call. Wolf begins reading the manifesto on

664
00:37:25,040 --> 00:37:29,319
Speaker 6: air to the delight of the scientists, and once it

665
00:37:29,360 --> 00:37:33,520
Speaker 6: has been read to his satisfaction, he delivers the access

666
00:37:33,560 --> 00:37:34,400
Speaker 6: codes for it's.

667
00:37:34,280 --> 00:37:37,200
Speaker 2: Too late, because he's as good as his word for it's.

668
00:37:37,080 --> 00:37:42,200
Speaker 6: Too late anyway, Yes, and he keeps his promises and

669
00:37:42,239 --> 00:37:45,160
Speaker 6: the style, and then Ethan declares.

670
00:37:45,560 --> 00:37:46,960
Speaker 2: Pull it at.

671
00:37:47,000 --> 00:37:53,080
Speaker 6: All four walls of the set that created drop at

672
00:37:53,120 --> 00:37:55,440
Speaker 6: the same time as you do when you rap when

673
00:37:55,440 --> 00:37:58,000
Speaker 6: it's time to strike. All right, everyone, that's a wrap.

674
00:37:58,480 --> 00:37:59,759
Speaker 6: Click four walls.

675
00:38:00,080 --> 00:38:03,520
Speaker 4: Yeah, it's very dangerous to finish production on anything because

676
00:38:03,520 --> 00:38:06,480
Speaker 4: they immediately collapse all of the structures that have been.

677
00:38:06,480 --> 00:38:09,680
Speaker 2: I mean seasoned people you know, know to get out

678
00:38:09,680 --> 00:38:14,279
Speaker 2: of the way. Yes, But you know what when I

679
00:38:14,280 --> 00:38:17,080
Speaker 2: I did a sleep study and the room that I

680
00:38:17,080 --> 00:38:20,920
Speaker 2: slept in felt very much like a fake room that

681
00:38:20,960 --> 00:38:24,560
Speaker 2: where they could pull the walls down immediately after I left. Wow,

682
00:38:25,560 --> 00:38:29,120
Speaker 2: so that up to a bunch of wires. I don't

683
00:38:29,120 --> 00:38:31,200
Speaker 2: know if you got that that wasn't even wolf Blitzer,

684
00:38:31,239 --> 00:38:35,840
Speaker 2: it was Benji, right, But here's okay, So maybe I

685
00:38:35,920 --> 00:38:38,160
Speaker 2: was thinking Avengers. Maybe I was thinking of Pat Kiernan,

686
00:38:38,239 --> 00:38:40,759
Speaker 2: who there must have been a real past. Ye Pat

687
00:38:40,840 --> 00:38:43,360
Speaker 2: Kiernan was she got shot by an arrow and the

688
00:38:43,480 --> 00:38:47,839
Speaker 2: avengered right there on the set of New York One.

689
00:38:49,160 --> 00:38:52,279
Speaker 6: Yeah, he's doing the newscasts, got shot. I have a

690
00:38:52,400 --> 00:38:59,080
Speaker 6: stray Hawkeyes arrow under the desk and he just got

691
00:38:59,080 --> 00:39:00,239
Speaker 6: it out, went through a cave.

692
00:39:00,280 --> 00:39:03,120
Speaker 2: And see you see like a little there's a little

693
00:39:03,160 --> 00:39:05,840
Speaker 2: moment of like, yeah.

694
00:39:06,239 --> 00:39:08,160
Speaker 4: What did you learn at your sleep study, Paul?

695
00:39:09,480 --> 00:39:11,520
Speaker 2: That I didn't have any problems, that I didn't need

696
00:39:11,560 --> 00:39:14,680
Speaker 2: to do it, that I slept fine, And what had

697
00:39:15,440 --> 00:39:18,640
Speaker 2: been concerning was that I had had more I'd had

698
00:39:18,640 --> 00:39:21,200
Speaker 2: some extra weight on me and that was causing me to,

699
00:39:21,440 --> 00:39:23,080
Speaker 2: uh to snore.

700
00:39:24,040 --> 00:39:25,719
Speaker 4: And well, you know what I always say, if you

701
00:39:25,760 --> 00:39:29,680
Speaker 4: want to sleep better, just study.

702
00:39:30,719 --> 00:39:34,600
Speaker 2: I get it makes me speaking of extra weight.

703
00:39:34,719 --> 00:39:37,080
Speaker 6: I feel like I kept waiting a long time for

704
00:39:37,920 --> 00:39:39,640
Speaker 6: this next video and video.

705
00:39:40,719 --> 00:39:43,040
Speaker 10: Hey, Paul, how are you my friend at your Olympic

706
00:39:43,080 --> 00:39:46,120
Speaker 10: Carol Kerdangle And I want to wish a very happy

707
00:39:46,160 --> 00:39:50,359
Speaker 10: thirty fifth birthday on December to twenty. First, I know

708
00:39:50,400 --> 00:39:52,880
Speaker 10: you want me to celebrate by chugging a glass of

709
00:39:52,920 --> 00:39:55,840
Speaker 10: milk on your birthday, but I can't right now because

710
00:39:55,840 --> 00:39:58,439
Speaker 10: I'm on vacation and there's no milk here.

711
00:39:59,000 --> 00:40:01,400
Speaker 2: But I promise you the day I meet you, we

712
00:40:01,480 --> 00:40:03,280
Speaker 2: will celebrate with a glass of milk.

713
00:40:04,000 --> 00:40:06,360
Speaker 10: Take care of God, bless and have a great birthday,

714
00:40:06,400 --> 00:40:07,160
Speaker 10: my friend.

715
00:40:07,400 --> 00:40:10,440
Speaker 2: Oh it's true. It's damn true.

716
00:40:11,920 --> 00:40:14,520
Speaker 6: Wow, even more conviction than when he did it in

717
00:40:14,560 --> 00:40:17,120
Speaker 6: the Ring. I don't know he was like holding back

718
00:40:17,239 --> 00:40:19,480
Speaker 6: all these all these years in the Ring.

719
00:40:19,880 --> 00:40:23,280
Speaker 2: Can I say he kind of he kind of knocked

720
00:40:23,280 --> 00:40:27,000
Speaker 2: Brian Cox's dick in the dirt, like he crushed it.

721
00:40:27,360 --> 00:40:30,840
Speaker 2: Compare comparatively. He didn't feel that's what he's built for you.

722
00:40:33,560 --> 00:40:35,919
Speaker 6: Into the catch RaSE, you just do the catch raise

723
00:40:36,040 --> 00:40:38,160
Speaker 6: every one of Brian Cox's cameos.

724
00:40:38,200 --> 00:40:40,120
Speaker 2: Just at the end he can go now fuck.

725
00:40:40,000 --> 00:40:43,000
Speaker 6: Off, Yeah, yeah, yeah, he doesn't have to come up

726
00:40:43,000 --> 00:40:46,160
Speaker 6: with this whole like build imaginary architecture.

727
00:40:47,040 --> 00:40:50,200
Speaker 2: I hope very much you are saying, or you remember

728
00:40:50,280 --> 00:40:54,360
Speaker 2: to say, you should be telling folks of what to

729
00:40:54,480 --> 00:40:57,960
Speaker 2: say of this when they try and to get it

730
00:40:58,120 --> 00:41:04,360
Speaker 2: near you as you besieged by that scoundrels.

731
00:41:03,400 --> 00:41:06,320
Speaker 6: Saying like and you know when people come up to

732
00:41:06,360 --> 00:41:08,920
Speaker 6: you and they say something along the lines of like,

733
00:41:09,160 --> 00:41:12,160
Speaker 6: oh it is today your birthday, it's it's my wish,

734
00:41:12,239 --> 00:41:17,040
Speaker 6: that you respond with, oh, it's true, it's damn true.

735
00:41:17,800 --> 00:41:21,040
Speaker 2: Where do you think he is that there's no milk? Gosh?

736
00:41:21,160 --> 00:41:24,400
Speaker 4: Yeah, I was curious about that as well. What I did, like,

737
00:41:24,719 --> 00:41:28,960
Speaker 4: I thought this was a very clever gambit is that he, yes,

738
00:41:29,480 --> 00:41:32,560
Speaker 4: he side steps the milk before you have time to

739
00:41:32,600 --> 00:41:35,399
Speaker 4: even put together that there probably is milk wherever he's

740
00:41:35,440 --> 00:41:40,440
Speaker 4: on vacation he goes, But I promise to chuck milk

741
00:41:40,440 --> 00:41:44,239
Speaker 4: with you when we meet in person. And it's like, oh,

742
00:41:44,280 --> 00:41:49,160
Speaker 4: we're gonna meet in person, it's like, well, no, it's not.

743
00:41:49,920 --> 00:41:53,200
Speaker 4: And now you're it's a safe thing to lock yourself into.

744
00:41:53,640 --> 00:41:56,520
Speaker 6: But now we get together, if you meet in person,

745
00:41:56,800 --> 00:41:59,080
Speaker 6: you're gonna have to drink a whole glass of milk

746
00:41:59,120 --> 00:42:01,600
Speaker 6: and the person is going to ask where you were

747
00:42:01,680 --> 00:42:02,840
Speaker 6: that there wasn't any milk.

748
00:42:02,920 --> 00:42:04,960
Speaker 2: This is the thing is that now he's got a

749
00:42:05,000 --> 00:42:08,400
Speaker 2: lot of time. This scenario that it is possible this

750
00:42:08,440 --> 00:42:12,399
Speaker 2: guy could meet Kurt Angle. The possibility that they meet

751
00:42:12,640 --> 00:42:15,960
Speaker 2: where there is milk readily available on hand. I think

752
00:42:16,200 --> 00:42:20,120
Speaker 2: that now possibility, that is very It's pretty out there

753
00:42:20,600 --> 00:42:22,759
Speaker 2: because it's just like when I was on vacation there's

754
00:42:22,800 --> 00:42:25,239
Speaker 2: no milk anywhere. Yeah, but then what if it's like

755
00:42:25,280 --> 00:42:29,680
Speaker 2: a Houdini situation where you know, he doesn't even know

756
00:42:29,680 --> 00:42:31,400
Speaker 2: who this Kurt Angle doesn't even know who this guy is,

757
00:42:31,719 --> 00:42:34,799
Speaker 2: but this guy's taking what Kurt Angle said very seriously. Yeah,

758
00:42:34,800 --> 00:42:38,120
Speaker 2: he knows he's gonna be somewhere. He finds him. He's

759
00:42:38,120 --> 00:42:43,359
Speaker 2: got two nice cold glasses of milk, and he's like, hey, Kurt,

760
00:42:43,440 --> 00:42:46,720
Speaker 2: and the Kurt turns around. He like somehow he gets

761
00:42:46,719 --> 00:42:50,160
Speaker 2: the milk down Kurt's throat when he's not ready for it,

762
00:42:52,280 --> 00:42:55,440
Speaker 2: and then that kills him hours later. Somehow.

763
00:42:55,960 --> 00:43:00,600
Speaker 6: Maybe he's on vacation in his car. Believe there's no

764
00:43:00,640 --> 00:43:02,920
Speaker 6: milk in there. There's not supposed to be like just.

765
00:43:02,920 --> 00:43:04,400
Speaker 2: Going like, hey, you know what, I'm going on a

766
00:43:04,480 --> 00:43:11,919
Speaker 2: vacation for a half hour in my car. I'm taking

767
00:43:12,000 --> 00:43:17,080
Speaker 2: my vacation. Maybe he thinks vacation is like the same

768
00:43:17,120 --> 00:43:23,200
Speaker 2: as break mm hmm, well it is. I mean, yeah,

769
00:43:23,840 --> 00:43:28,359
Speaker 2: why do people love making videos in their cars so much? Oh? Gosh, Paul,

770
00:43:28,520 --> 00:43:30,239
Speaker 2: is that a real question? I want?

771
00:43:30,480 --> 00:43:30,719
Speaker 9: Well?

772
00:43:30,880 --> 00:43:32,600
Speaker 2: Yeah, like, why did he do that in his car?

773
00:43:32,719 --> 00:43:35,880
Speaker 2: Why was that? I don't understand. Where would you have

774
00:43:36,000 --> 00:43:38,680
Speaker 2: him do it? He can do it in his home

775
00:43:40,800 --> 00:43:45,120
Speaker 2: on vacation. He's on vacation, I'm sorry, in his car? Okay?

776
00:43:45,160 --> 00:43:47,520
Speaker 2: All right? Yeah, so I guess all these people are

777
00:43:47,560 --> 00:43:50,319
Speaker 2: on vacation in their cars. I think so, and I'm

778
00:43:50,360 --> 00:43:51,040
Speaker 2: the weird one.

779
00:43:52,080 --> 00:43:54,360
Speaker 4: You just you're just overdue for a vacation, is what

780
00:43:54,440 --> 00:43:55,160
Speaker 4: it is, Paul.

781
00:43:55,719 --> 00:43:57,399
Speaker 2: I was in my car. Yes, I workaholic.

782
00:43:58,680 --> 00:44:00,520
Speaker 4: Now I was seeing a break man, go to your car,

783
00:44:00,640 --> 00:44:01,480
Speaker 4: make some videos.

784
00:44:01,600 --> 00:44:07,640
Speaker 2: We're unwined. You're so fucking tense, dude, I'm worried about you.

785
00:44:10,080 --> 00:44:13,479
Speaker 2: Late man. All right, well, thank you, and maybe maybe

786
00:44:13,520 --> 00:44:15,120
Speaker 2: I do need to take a lot.

787
00:44:15,760 --> 00:44:17,920
Speaker 4: I think you've earned a couple of videos in your car,

788
00:44:18,280 --> 00:44:22,839
Speaker 4: my man, what's a funny place to say that he's

789
00:44:22,880 --> 00:44:23,600
Speaker 4: on vacation?

790
00:44:23,800 --> 00:44:23,960
Speaker 3: There?

791
00:44:24,000 --> 00:44:27,879
Speaker 2: There's no milk? Can you think of one?

792
00:44:28,719 --> 00:44:34,959
Speaker 4: Peta pea headquarters, Peter headquarters? Okay, yeah, that's good. Yeah,

793
00:44:35,600 --> 00:44:39,920
Speaker 4: vegans has no milk. Yeah.

794
00:44:40,000 --> 00:44:42,480
Speaker 11: This week on the Patreon, the Boys teas an upcoming

795
00:44:42,560 --> 00:44:46,240
Speaker 11: pro version Carlinisan record a summertime hit, and the flager

796
00:44:46,320 --> 00:44:49,920
Speaker 11: Ones are mostly talking all things basketball. Check out all

797
00:44:49,960 --> 00:44:52,760
Speaker 11: these shows and the video for today's episode with PFT

798
00:44:53,160 --> 00:44:56,000
Speaker 11: at patreon dot com Slash the flagir Ones.

799
00:45:01,320 --> 00:45:04,319
Speaker 6: Kevin, you can just play the videos you don't. You

800
00:45:04,360 --> 00:45:06,279
Speaker 6: don't have to like this one.

801
00:45:06,280 --> 00:45:08,560
Speaker 11: I want to play like the first ten seconds and

802
00:45:08,560 --> 00:45:11,120
Speaker 11: then skip them in it in Okakay.

803
00:45:11,960 --> 00:45:21,880
Speaker 3: Paul, Hello, it's me Paul, Paul Paul Ball, Paul, Hey, Paul, listen,

804
00:45:23,400 --> 00:45:25,560
Speaker 3: thank you very much for being a big fan. I

805
00:45:25,640 --> 00:45:27,440
Speaker 3: really appreciate that, genuinely.

806
00:45:28,040 --> 00:45:28,320
Speaker 2: Okay.

807
00:45:28,360 --> 00:45:32,720
Speaker 1: He makes a bunch of movie references to Peweez the Adventure.

808
00:45:32,880 --> 00:45:40,680
Speaker 3: You said you loved the movie. Well, let's see what else.

809
00:45:41,120 --> 00:45:43,040
Speaker 3: I don't know where you're from. I don't know how

810
00:45:43,080 --> 00:45:47,600
Speaker 3: old you're Journey, but I would like to shout out

811
00:45:48,239 --> 00:45:52,480
Speaker 3: nay sing happy birthday to you.

812
00:45:52,880 --> 00:45:55,200
Speaker 2: He gets the rested again. The vice squad just comes

813
00:45:55,239 --> 00:45:58,839
Speaker 2: in from behind that curtain because he's at a peep show.

814
00:46:02,960 --> 00:46:06,960
Speaker 2: I thought you knew the terms. He You know.

815
00:46:07,120 --> 00:46:09,600
Speaker 4: What I like is how natural it feels. He didn't

816
00:46:09,680 --> 00:46:10,799
Speaker 4: overplan for this.

817
00:46:11,000 --> 00:46:14,960
Speaker 2: But no, when you get to the like what else?

818
00:46:15,160 --> 00:46:20,759
Speaker 2: What else? And you're not trying to get out of there. No,

819
00:46:21,040 --> 00:46:24,520
Speaker 2: and he's honest because he's saying, here's the things I

820
00:46:24,600 --> 00:46:26,880
Speaker 2: don't know about you. I was not provided this information,

821
00:46:27,280 --> 00:46:31,160
Speaker 2: as if to indicate I should have been provided this information.

822
00:46:31,880 --> 00:46:35,239
Speaker 2: Little shade at the request, absolutely and letting you know

823
00:46:35,280 --> 00:46:38,200
Speaker 2: it's not my fault and you can blame whoever bought

824
00:46:38,200 --> 00:46:41,399
Speaker 2: this this video for you. Oh, you're probably wondering why

825
00:46:41,400 --> 00:46:45,439
Speaker 2: I'm not mentioning some of this essential birthday message material. Yes,

826
00:46:46,320 --> 00:46:49,239
Speaker 2: it's because your loved one fucked up sin of a

827
00:46:49,320 --> 00:46:52,279
Speaker 2: mission they call it. Hey, Paul, what's up.

828
00:46:52,320 --> 00:46:54,800
Speaker 12: It's Tony Hawk. I just want to say happy birthday

829
00:46:54,880 --> 00:46:55,239
Speaker 12: to you.

830
00:46:55,680 --> 00:46:56,279
Speaker 2: Thirty four.

831
00:46:56,440 --> 00:46:59,279
Speaker 12: That seems you're so young to me. I'm fifty two.

832
00:47:00,120 --> 00:47:00,480
Speaker 2: So you have.

833
00:47:00,920 --> 00:47:03,080
Speaker 12: You have a bright fuser ahad of you. Thanks for

834
00:47:03,120 --> 00:47:06,040
Speaker 12: being a fan. I appreciate all the support, especially that

835
00:47:06,080 --> 00:47:09,279
Speaker 12: you played pro skater and underground. It doesn't matter if

836
00:47:09,280 --> 00:47:11,400
Speaker 12: you didn't skate, and yeah, I feel like that was

837
00:47:11,440 --> 00:47:13,400
Speaker 12: the idea of creating those games that you could you

838
00:47:13,400 --> 00:47:17,320
Speaker 12: could skate virtually and vicariously thought that was the characters

839
00:47:17,360 --> 00:47:21,279
Speaker 12: and come up with awesome tricks and big scores. Hey,

840
00:47:21,320 --> 00:47:22,919
Speaker 12: I'm still playing it too, I hope you might have got.

841
00:47:22,920 --> 00:47:24,839
Speaker 12: I hope you know that the remaster's out because it's

842
00:47:24,920 --> 00:47:28,960
Speaker 12: just as fun, I promise as the original. Anyway, keep

843
00:47:29,040 --> 00:47:31,320
Speaker 12: up with good work and uh stay positive.

844
00:47:33,239 --> 00:47:37,120
Speaker 4: But wait, if the point of the game is that

845
00:47:37,160 --> 00:47:40,640
Speaker 4: people who don't skate get enjoy skating, then why is

846
00:47:40,680 --> 00:47:42,040
Speaker 4: Tony Hawk playing the game.

847
00:47:42,840 --> 00:47:46,239
Speaker 2: It's true because he doesn't say you can play the

848
00:47:46,280 --> 00:47:50,240
Speaker 2: game even if you don't skate. He's saying, I, uh,

849
00:47:50,280 --> 00:47:53,120
Speaker 2: correct me if I'm wrong. But I thought the point

850
00:47:53,320 --> 00:47:55,879
Speaker 2: was you don't have to skate to play the game,

851
00:47:56,320 --> 00:47:58,879
Speaker 2: or you don't if you don't. Only what did he say?

852
00:47:58,920 --> 00:48:01,839
Speaker 2: He said, I thought the point was. I think that

853
00:48:01,920 --> 00:48:04,920
Speaker 2: was the point that only right that only people who

854
00:48:04,960 --> 00:48:07,400
Speaker 2: don't skate can play the game. I think, right? Is

855
00:48:07,400 --> 00:48:07,959
Speaker 2: that what he said?

856
00:48:08,400 --> 00:48:11,960
Speaker 4: I believe, if I recall correctly, what he said was,

857
00:48:12,800 --> 00:48:15,240
Speaker 4: I can't believe you played these two games.

858
00:48:15,320 --> 00:48:19,360
Speaker 2: That's rocking my fucking world right now. Yeah.

859
00:48:19,400 --> 00:48:22,720
Speaker 4: He also said you're guaranteed to have a bright future

860
00:48:22,800 --> 00:48:23,800
Speaker 4: because I'm.

861
00:48:23,680 --> 00:48:24,360
Speaker 2: Older than you.

862
00:48:26,440 --> 00:48:28,759
Speaker 4: He said, thirty four sounds so young. I'm fifty two,

863
00:48:28,800 --> 00:48:30,920
Speaker 4: so you have a really bright future ahead of you.

864
00:48:32,680 --> 00:48:36,480
Speaker 4: Then he said, it's okay that you didn't skate. Actually,

865
00:48:36,480 --> 00:48:39,600
Speaker 4: that's the whole fucking point, dumb ass. Yeah, is that

866
00:48:39,800 --> 00:48:42,080
Speaker 4: only people who don't skate can play the game?

867
00:48:42,800 --> 00:48:47,080
Speaker 2: Goes, I'm playing the game? What? Yeah? He really? He

868
00:48:47,120 --> 00:48:49,600
Speaker 2: does such a mind fuck on this kid, and I

869
00:48:49,680 --> 00:48:53,160
Speaker 2: love that. He he like sets it up like he's

870
00:48:53,480 --> 00:48:55,879
Speaker 2: this is it's it's gaslighting, and I love it. I'm

871
00:48:55,880 --> 00:48:58,200
Speaker 2: here for it. I love it. He's like, oh, you're

872
00:48:58,200 --> 00:49:00,880
Speaker 2: a big fan. I'm gonna fuck with your brain right now.

873
00:49:02,320 --> 00:49:06,400
Speaker 4: Yeah, just crawling set up shop inside your head, and

874
00:49:06,960 --> 00:49:08,960
Speaker 4: I'm going to be staying for a while.

875
00:49:09,440 --> 00:49:12,680
Speaker 2: Let me take a hammer and tongs to your cerebellum.

876
00:49:14,280 --> 00:49:19,120
Speaker 6: I like seeing his his house from like how it

877
00:49:19,160 --> 00:49:21,480
Speaker 6: looks on camera like compared to like in person.

878
00:49:21,520 --> 00:49:25,960
Speaker 2: That was interesting was his house in the video.

879
00:49:26,719 --> 00:49:30,120
Speaker 6: It's just it's his property. Sorry, it's not like his househouse,

880
00:49:30,200 --> 00:49:30,520
Speaker 6: but like.

881
00:49:30,600 --> 00:49:32,880
Speaker 2: I thought, like he traveled his yard like to a

882
00:49:32,960 --> 00:49:35,000
Speaker 2: valley over to get his house.

883
00:49:35,000 --> 00:49:38,759
Speaker 6: In the background, he lives you see, he lives in

884
00:49:38,880 --> 00:49:41,520
Speaker 6: like these roll at the top of this like big

885
00:49:41,640 --> 00:49:45,480
Speaker 6: hill that's covered in in tall grass, which he yeah,

886
00:49:45,600 --> 00:49:49,399
Speaker 6: but he could this the skater's temptation, he calls it,

887
00:49:49,480 --> 00:49:52,319
Speaker 6: because it's this amazing hill, but the grass is like

888
00:49:52,440 --> 00:49:54,040
Speaker 6: so tall, but he's thinking.

889
00:49:53,880 --> 00:49:58,480
Speaker 2: Like so hard. I could maybe can I can? I

890
00:49:58,560 --> 00:50:02,440
Speaker 2: maybe skate it? Okay, So there are skateboards, there's snowboards.

891
00:50:03,080 --> 00:50:06,759
Speaker 2: Why aren't there grass board? Why is this money being

892
00:50:06,840 --> 00:50:08,839
Speaker 2: left on the table? It makes me mad? What would

893
00:50:08,880 --> 00:50:10,640
Speaker 2: that look like? I guess it has a little mower

894
00:50:10,719 --> 00:50:11,640
Speaker 2: in the front.

895
00:50:11,640 --> 00:50:14,480
Speaker 4: It has little lawnmower blades in the front, and it's

896
00:50:14,520 --> 00:50:16,360
Speaker 4: got sort of taller wheels.

897
00:50:17,520 --> 00:50:20,319
Speaker 2: But then of course some kid is gonna get his

898
00:50:20,440 --> 00:50:23,160
Speaker 2: hand fucking chewed up by it, and then nobody can have.

899
00:50:23,120 --> 00:50:27,200
Speaker 6: Its right pitch forward on the grassboard.

900
00:50:27,239 --> 00:50:30,160
Speaker 2: And the warning labels on this grong mode up.

901
00:50:30,400 --> 00:50:35,280
Speaker 6: Yeah, huh, my kid was mode by your product.

902
00:50:36,480 --> 00:50:38,879
Speaker 2: Yeah, well you didn't teach them how to fall. Look

903
00:50:38,920 --> 00:50:40,400
Speaker 2: at my mode child.

904
00:50:41,080 --> 00:50:44,680
Speaker 4: When you bail off the grassboard, ma'am, you don't lie

905
00:50:44,800 --> 00:50:45,879
Speaker 4: out in front of it.

906
00:50:46,200 --> 00:50:49,680
Speaker 2: Yeah, there's a mower on it. It's a grassboard.

907
00:50:50,120 --> 00:50:54,120
Speaker 4: Yeah, Jesus Christ, you read the warning label man, the

908
00:50:54,160 --> 00:50:55,640
Speaker 4: stickers they put on this thing.

909
00:50:55,760 --> 00:50:57,719
Speaker 2: Huh. If I fell off the jungle yam when I

910
00:50:57,760 --> 00:51:00,920
Speaker 2: was a kid and I fell on the ground, then

911
00:51:00,920 --> 00:51:03,120
Speaker 2: I learned to climb the jungliam better. You know what

912
00:51:03,200 --> 00:51:10,160
Speaker 2: I'm saying or don't. Maybe mostly I learned to stay

913
00:51:10,160 --> 00:51:10,640
Speaker 2: away from it.

914
00:51:10,719 --> 00:51:13,200
Speaker 6: Yeah, isn't that how they braous that that beer where

915
00:51:13,239 --> 00:51:16,400
Speaker 6: you got from jingling?

916
00:51:18,200 --> 00:51:21,600
Speaker 2: It sounds the same to me. I can't help you.

917
00:51:21,640 --> 00:51:25,720
Speaker 2: I'm sorry. Okay.

918
00:51:25,880 --> 00:51:28,880
Speaker 1: Last three, Hey.

919
00:51:28,680 --> 00:51:31,479
Speaker 13: Paul, it's your girl Snoopy snooks and I just wanted

920
00:51:31,480 --> 00:51:34,680
Speaker 13: to say happy thirty fourth birthday. You're getting old, bitch.

921
00:51:35,320 --> 00:51:35,960
Speaker 4: I'm just kidding.

922
00:51:36,000 --> 00:51:36,719
Speaker 2: You're not getting old.

923
00:51:36,719 --> 00:51:41,000
Speaker 13: You're fabulous, keeping amazing. But I wanted to say thank

924
00:51:41,040 --> 00:51:42,080
Speaker 13: you for all of your support.

925
00:51:42,080 --> 00:51:42,960
Speaker 5: Oh my got my hair's a mess.

926
00:51:43,000 --> 00:51:45,080
Speaker 13: Sorry, but I want to say thank you for all

927
00:51:45,200 --> 00:51:49,040
Speaker 13: your support. I know you watched me on WrestleMania, and

928
00:51:49,080 --> 00:51:51,600
Speaker 13: I have to say that was like the top three

929
00:51:51,719 --> 00:51:55,200
Speaker 13: most amazing things I've ever done, So thank you for

930
00:51:55,440 --> 00:51:55,920
Speaker 13: loving me.

931
00:51:55,920 --> 00:51:57,360
Speaker 4: On that because I was so nervous.

932
00:51:58,840 --> 00:52:01,520
Speaker 13: But yeah, I just wanted to say happy thirty fourth birthday.

933
00:52:01,800 --> 00:52:05,640
Speaker 13: You are amazing, and I want you to spiral and

934
00:52:05,719 --> 00:52:09,600
Speaker 13: get drunk and enjoy yourself because you are amazing and

935
00:52:09,880 --> 00:52:12,240
Speaker 13: I love you so much, So happy birthday.

936
00:52:12,280 --> 00:52:18,120
Speaker 6: Boo well Snoopy snookes. She's a new MetLife mascot.

937
00:52:19,280 --> 00:52:21,800
Speaker 2: So it's like you see on the blimp, you see

938
00:52:22,760 --> 00:52:29,239
Speaker 2: Charili Brown like this Lucy snoopy snooks. Yeah, I didn't

939
00:52:29,239 --> 00:52:31,359
Speaker 2: realize she was involved in the world of wrestling now

940
00:52:32,120 --> 00:52:36,080
Speaker 2: mm hmm. Have really kept on either her or wrestling.

941
00:52:36,280 --> 00:52:41,520
Speaker 2: Chug's milk like everyone else? Is that mostly what they do?

942
00:52:42,080 --> 00:52:44,320
Speaker 2: Is that a trend that's that's happening in in wrestling

943
00:52:44,400 --> 00:52:47,120
Speaker 2: is they they're drinking a lot of milk. Milk? That

944
00:52:47,239 --> 00:52:52,719
Speaker 2: is that a signal to white supremacists like they're taking no,

945
00:52:52,760 --> 00:52:56,160
Speaker 2: it's taking it back. Oh what was supposed to do?

946
00:52:56,239 --> 00:52:58,480
Speaker 6: Not drink a big glass of milk now because these

947
00:52:58,480 --> 00:52:59,239
Speaker 6: guys are doing it.

948
00:52:59,320 --> 00:53:03,200
Speaker 2: No, because we're adults. I Like, it's like when when

949
00:53:03,440 --> 00:53:07,800
Speaker 2: when you two took back Helter Skelter from Charles Manson

950
00:53:08,120 --> 00:53:09,480
Speaker 2: for on behalf of the Beatles.

951
00:53:09,560 --> 00:53:14,439
Speaker 6: Yeah, and being being weird and wacky and random, Yes,

952
00:53:14,760 --> 00:53:19,399
Speaker 6: like all the stuff that he tried to like make

953
00:53:19,560 --> 00:53:21,640
Speaker 6: this is like a bad thing being random?

954
00:53:22,080 --> 00:53:23,799
Speaker 2: Yeah, no, it was.

955
00:53:23,880 --> 00:53:26,560
Speaker 4: It was really hard to be random for a while

956
00:53:28,440 --> 00:53:31,360
Speaker 4: and not drawn unfavorable comparison.

957
00:53:31,320 --> 00:53:37,600
Speaker 2: Making like little noises. Wow, we can't do that anymore.

958
00:53:37,960 --> 00:53:41,360
Speaker 2: Like a Charles Fleischer type personality soon like a crazy

959
00:53:41,760 --> 00:53:47,279
Speaker 2: face going like, it's pretty random. And then in the

960
00:53:47,360 --> 00:53:49,720
Speaker 2: early seventies they would compare you to Charles Manson.

961
00:53:50,480 --> 00:53:55,319
Speaker 4: Yeah, and that was so unfortunate because it's like noises,

962
00:53:55,920 --> 00:53:58,919
Speaker 4: take away our little noises that we make when we're

963
00:53:58,960 --> 00:54:01,600
Speaker 4: just hanging around being random with our friends.

964
00:54:01,800 --> 00:54:05,000
Speaker 2: And if you were under five seven, people were like,

965
00:54:05,120 --> 00:54:09,280
Speaker 2: you're like Charles Manson. Yeah, people crossing the street. Yeah,

966
00:54:09,320 --> 00:54:10,520
Speaker 2: and now we have short kings.

967
00:54:10,960 --> 00:54:13,600
Speaker 4: Yes, well, if you're squatting on a ranch, remember you

968
00:54:13,880 --> 00:54:18,360
Speaker 4: anytime you would squat on an old man's squad goals? Yeah,

969
00:54:18,400 --> 00:54:22,000
Speaker 4: it was oh oh, it was major squat goals for me.

970
00:54:22,239 --> 00:54:23,880
Speaker 4: But then I would go like, what is this like

971
00:54:23,920 --> 00:54:25,160
Speaker 4: another Manson situation?

972
00:54:25,239 --> 00:54:30,200
Speaker 6: I'd go, oh ye oh yeah, no, yes, you know,

973
00:54:30,480 --> 00:54:32,280
Speaker 6: I mean making your followers kill.

974
00:54:33,360 --> 00:54:35,960
Speaker 2: Yeah, trying to start a race war. If you if

975
00:54:36,000 --> 00:54:38,440
Speaker 2: you there was a time where if you get that,

976
00:54:38,440 --> 00:54:40,040
Speaker 2: people would compare you to Charles Manson.

977
00:54:40,600 --> 00:54:44,160
Speaker 4: No, if you were if you were genuinely trying to

978
00:54:44,200 --> 00:54:47,200
Speaker 4: start an innocent race war and not even saying which

979
00:54:47,560 --> 00:54:50,160
Speaker 4: who you were rooting for or anything, and you were

980
00:54:50,200 --> 00:54:52,840
Speaker 4: sort of building an underground bunker a race war, that

981
00:54:52,920 --> 00:54:57,200
Speaker 4: was just no, you were your whole thing was you

982
00:54:57,200 --> 00:54:58,919
Speaker 4: were just gonna wait it out. You weren't even going

983
00:54:58,920 --> 00:55:02,520
Speaker 4: to fight in the war. You were going to chill out,

984
00:55:02,520 --> 00:55:03,920
Speaker 4: and then when it was done, you were gonna come

985
00:55:03,920 --> 00:55:04,399
Speaker 4: and go like.

986
00:55:04,560 --> 00:55:09,000
Speaker 2: Hey, watch with all the race wars, everybody, can we

987
00:55:09,040 --> 00:55:13,920
Speaker 2: relax and cool it. I've got an idea. He followed me.

988
00:55:15,400 --> 00:55:18,080
Speaker 2: He did not do a good job of that.

989
00:55:18,120 --> 00:55:21,000
Speaker 6: I think we can say now, Yeah, and I sort

990
00:55:21,040 --> 00:55:24,280
Speaker 6: of wonder if his followers were like hearing the plan

991
00:55:24,400 --> 00:55:27,520
Speaker 6: and being like, what is this gonna gonna start a

992
00:55:27,640 --> 00:55:28,080
Speaker 6: race war?

993
00:55:28,160 --> 00:55:31,880
Speaker 2: I think in retrospect, you're not really doing it. In retrospect,

994
00:55:31,920 --> 00:55:33,480
Speaker 2: we can look back at Charles Manson and what he

995
00:55:33,520 --> 00:55:36,480
Speaker 2: did and say, this guy was not perfect and he

996
00:55:36,520 --> 00:55:39,399
Speaker 2: didn't have it all figured out. I'm not offended by that.

997
00:55:40,120 --> 00:55:41,240
Speaker 2: I think it is okay.

998
00:55:41,480 --> 00:55:43,680
Speaker 4: I think it is okay to criticize in that way

999
00:55:43,760 --> 00:55:50,759
Speaker 4: and say, hey, some of the methodology you know was flawed.

1000
00:55:51,200 --> 00:55:54,560
Speaker 4: It was flawed, and it's hard to see it when

1001
00:55:54,560 --> 00:55:56,719
Speaker 4: you're up close to it. But with some distance, I

1002
00:55:56,800 --> 00:56:00,160
Speaker 4: think we can say some of what Charles Manson did

1003
00:56:01,200 --> 00:56:02,160
Speaker 4: was in error.

1004
00:56:02,640 --> 00:56:08,680
Speaker 2: Yeah. Helter Skelter, the song Helter Skelter is a living document, and.

1005
00:56:08,640 --> 00:56:11,279
Speaker 6: I guess we only saw phase one of the plan too, Like,

1006
00:56:11,320 --> 00:56:15,000
Speaker 6: who knows how it could have that's fair maybe killing

1007
00:56:15,920 --> 00:56:19,760
Speaker 6: the producer who the Beach Boys producer who rejected.

1008
00:56:19,280 --> 00:56:24,520
Speaker 2: His songs, yeah, or whoever was in their house today.

1009
00:56:24,960 --> 00:56:28,480
Speaker 6: Yeah, that that could have kicked off a race were

1010
00:56:28,640 --> 00:56:31,879
Speaker 6: like two steps later potentially.

1011
00:56:32,080 --> 00:56:32,400
Speaker 2: Yeah.

1012
00:56:32,480 --> 00:56:36,120
Speaker 4: I mean it's like, I guess here, I I sit

1013
00:56:36,280 --> 00:56:41,759
Speaker 4: with twenty twenty hindsight vision and say, why don't you

1014
00:56:41,880 --> 00:56:45,200
Speaker 4: check who even lived in the house, Like it wasn't

1015
00:56:45,200 --> 00:56:48,400
Speaker 4: even the person in the house who was your intended target?

1016
00:56:49,000 --> 00:56:52,520
Speaker 2: And then you know, now I'm being rude.

1017
00:56:52,680 --> 00:56:54,919
Speaker 6: Do you say it's twenty twenty No, no, he says,

1018
00:56:54,920 --> 00:56:58,239
Speaker 6: twenty twenty hindsight because that the glasses have the.

1019
00:56:58,200 --> 00:57:04,040
Speaker 2: Two Because of glasses you doesn't rarely see. Yeah, m

1020
00:57:05,360 --> 00:57:07,960
Speaker 2: you wouldn't be able to tell kept that would have

1021
00:57:08,000 --> 00:57:10,160
Speaker 2: been perfect. Perfect, That would have been perfect.

1022
00:57:11,040 --> 00:57:13,480
Speaker 1: This is a different Penguin video. I just wanted to

1023
00:57:13,520 --> 00:57:16,400
Speaker 1: showcase their that looks like logan to me, I think

1024
00:57:16,440 --> 00:57:17,720
Speaker 1: this is logan, and I think this.

1025
00:57:17,800 --> 00:57:18,920
Speaker 2: Is stepping on the food.

1026
00:57:19,280 --> 00:57:22,960
Speaker 1: I just wanted to showcase their like improvement and production value.

1027
00:57:23,280 --> 00:57:25,400
Speaker 2: So here it is. It's still in portrait.

1028
00:57:25,440 --> 00:57:28,320
Speaker 8: The Penguins at Philadelphia Zoo want to say congratulations to

1029
00:57:28,440 --> 00:57:31,560
Speaker 8: Jane and all the tax warriors at Drunker and Scassetti.

1030
00:57:32,200 --> 00:57:34,800
Speaker 1: Thirty years of success is a wonderful milestone.

1031
00:57:34,840 --> 00:57:37,800
Speaker 8: Wow, the panes are waddling with excitement and celebrating with

1032
00:57:37,840 --> 00:57:39,920
Speaker 8: you from all of us here at the Zoo.

1033
00:57:40,240 --> 00:57:42,600
Speaker 1: Congratulations and cheers to thirty more.

1034
00:57:49,080 --> 00:57:53,920
Speaker 4: And cut, guys, Cut and cut. That's a cut, we

1035
00:57:54,080 --> 00:57:57,919
Speaker 4: have it. Cut the camera stop film stop cut means

1036
00:57:57,920 --> 00:57:58,600
Speaker 4: stop filming.

1037
00:57:58,640 --> 00:58:01,680
Speaker 2: Oh were you talking to me? That's how Yeah, that's

1038
00:58:01,680 --> 00:58:03,160
Speaker 2: how played it. Guys.

1039
00:58:04,960 --> 00:58:09,080
Speaker 6: We had a great year at drugger In Scassetti, so

1040
00:58:09,280 --> 00:58:12,200
Speaker 6: we had you know, we like, we've been very fortunate.

1041
00:58:12,240 --> 00:58:14,440
Speaker 6: We had a little extra money around. We were able

1042
00:58:14,480 --> 00:58:17,880
Speaker 6: to put together sort of a gift for all of you.

1043
00:58:17,880 --> 00:58:26,520
Speaker 6: What a great boss future did the lights please? Scissetti

1044
00:58:26,560 --> 00:58:28,440
Speaker 6: would have we lost trying to send this.

1045
00:58:28,320 --> 00:58:30,080
Speaker 2: To the to the screen. Trying to send this to

1046
00:58:30,120 --> 00:58:34,040
Speaker 2: the screen, I'm pressing the little it's like the looks

1047
00:58:34,040 --> 00:58:36,560
Speaker 2: like a little TV. Right. I pressed that. H Scissetti

1048
00:58:36,720 --> 00:58:41,240
Speaker 2: was he was the tech guy who another great year

1049
00:58:41,240 --> 00:58:46,080
Speaker 2: of taxes. And I know how much everyone probably loves penguins.

1050
00:58:47,360 --> 00:58:50,680
Speaker 2: Mm hmm. Our as one.

1051
00:58:51,600 --> 00:58:54,360
Speaker 9: Hey, Paul, Alice Cooper here going to be thirty four.

1052
00:58:54,800 --> 00:58:56,800
Speaker 9: All right, well, you know I'm going to do your

1053
00:58:56,800 --> 00:58:59,320
Speaker 9: birthday song a little bit later. But when you talk

1054
00:58:59,320 --> 00:59:03,320
Speaker 9: about cameos and movies, you know, if you pick certain

1055
00:59:03,320 --> 00:59:05,480
Speaker 9: movies that you think that you can do well in.

1056
00:59:06,680 --> 00:59:09,080
Speaker 9: I'm up for a part as the third fastest gun

1057
00:59:09,120 --> 00:59:12,560
Speaker 9: in the West in this other movie coming up. And

1058
00:59:13,080 --> 00:59:16,840
Speaker 9: it's right, everything's been postponed because of COVID, so we'll

1059
00:59:16,880 --> 00:59:18,920
Speaker 9: see what happens on that one. I get a lot

1060
00:59:18,920 --> 00:59:21,440
Speaker 9: of movie offers and I just kind of I take

1061
00:59:21,440 --> 00:59:23,600
Speaker 9: the ones that I think will be most interesting.

1062
00:59:24,760 --> 00:59:25,240
Speaker 2: To the character.

1063
00:59:25,520 --> 00:59:28,040
Speaker 9: Anyways, I am gonna sing a song for you, Paul.

1064
00:59:28,680 --> 00:59:29,560
Speaker 2: Im here we go.

1065
00:59:30,840 --> 00:59:35,640
Speaker 9: I wrote the song in just a minute, and Paul said,

1066
00:59:36,800 --> 00:59:42,080
Speaker 9: this is your birthday song. It is in very long. Well,

1067
00:59:42,080 --> 00:59:44,200
Speaker 9: you're only gonna be thirty four, so you don't get

1068
00:59:44,200 --> 00:59:46,080
Speaker 9: the rest of the song to you're sixty eight. You

1069
00:59:46,120 --> 00:59:55,960
Speaker 9: have to double your age. Okay, Happy birthday.

1070
00:59:58,360 --> 01:00:01,680
Speaker 2: The no scratch at the wow, his assistant does not

1071
01:00:02,120 --> 01:00:02,560
Speaker 2: like him.

1072
01:00:02,760 --> 01:00:06,960
Speaker 4: But the realist thing, I just imagine movie.

1073
01:00:07,040 --> 01:00:09,360
Speaker 2: Showing him showing him and then taking the phone away

1074
01:00:09,360 --> 01:00:12,400
Speaker 2: before the no scratch like, yeah, you're good. Okay. God,

1075
01:00:14,040 --> 01:00:15,320
Speaker 2: he does get a lot of movie offers.

1076
01:00:15,400 --> 01:00:17,400
Speaker 4: I got a lot of movie offers, but I picked

1077
01:00:17,400 --> 01:00:19,240
Speaker 4: the ones that I think are gonna be interesting to me.

1078
01:00:19,400 --> 01:00:22,280
Speaker 4: And he also, it seems, has some sympathy for the

1079
01:00:22,320 --> 01:00:26,080
Speaker 4: gun slinger mm hmm, the dexter type gun slinger that

1080
01:00:26,120 --> 01:00:29,440
Speaker 4: we thought of before. He wants to get get inside

1081
01:00:29,480 --> 01:00:32,760
Speaker 4: their bones and really embody them.

1082
01:00:33,200 --> 01:00:35,560
Speaker 6: He wants to do, he wants to do, have his

1083
01:00:35,680 --> 01:00:38,600
Speaker 6: makeup on, and his assistant told him that, like if

1084
01:00:38,600 --> 01:00:40,360
Speaker 6: he sits in front of the greed screed, that can

1085
01:00:40,400 --> 01:00:42,000
Speaker 6: put it on later.

1086
01:00:43,760 --> 01:00:46,520
Speaker 2: Yeah. Sure, just sit in front of this greed screen. Yeah,

1087
01:00:46,560 --> 01:00:48,920
Speaker 2: I'll do all the post. We'll do We'll do all

1088
01:00:48,960 --> 01:00:51,200
Speaker 2: of it. I'll cut the thing at the end that

1089
01:00:51,240 --> 01:00:53,800
Speaker 2: you did. I'll send this to Skywalker and then they'll

1090
01:00:53,800 --> 01:00:56,960
Speaker 2: do their magic and then it'll go to the sky

1091
01:00:58,280 --> 01:01:00,760
Speaker 2: Everyone is I don't know if people realize that, but

1092
01:01:01,400 --> 01:01:03,560
Speaker 2: you can only buy a cameo for someone if they're

1093
01:01:03,600 --> 01:01:09,280
Speaker 2: in their mid thirties. Yeah, that's why all the ages

1094
01:01:09,320 --> 01:01:10,360
Speaker 2: worth thirty four.

1095
01:01:10,520 --> 01:01:15,120
Speaker 4: Thirty four, thirty four, thirty four, A lot of thirty four,

1096
01:01:15,200 --> 01:01:16,240
Speaker 4: couple thirty five's here.

1097
01:01:16,280 --> 01:01:18,040
Speaker 2: But what are they doing there. Yeah, they cut it

1098
01:01:18,040 --> 01:01:21,280
Speaker 2: off at thirty eight. That's the oldest age you can

1099
01:01:21,320 --> 01:01:22,440
Speaker 2: be to receive a cameo.

1100
01:01:24,560 --> 01:01:27,320
Speaker 4: Well, it's like you get a whole field of cameo

1101
01:01:27,440 --> 01:01:30,040
Speaker 4: requests and then you go, you get one for somebody

1102
01:01:30,040 --> 01:01:32,320
Speaker 4: who's like thirty nine. You're like, I'm not gonna do

1103
01:01:32,400 --> 01:01:32,960
Speaker 4: this shit.

1104
01:01:33,200 --> 01:01:34,760
Speaker 2: You should have grown out of it by that point.

1105
01:01:34,880 --> 01:01:37,800
Speaker 4: Yeah, pathetic, thirty nine year old loser.

1106
01:01:40,640 --> 01:01:47,160
Speaker 2: Even thirty it's true. It's true, even that tax business.

1107
01:01:47,480 --> 01:01:55,360
Speaker 2: True cameos for people or institutions from thirty to thirty eight,

1108
01:01:56,200 --> 01:01:58,360
Speaker 2: and that's it, and you shouldn't want it before then,

1109
01:01:58,480 --> 01:02:01,720
Speaker 2: and you certainly shouldn't want it after. Mm hmm. That's it. Goodbye,

1110
01:02:02,440 --> 01:02:05,000
Speaker 2: because thirty Hollywood, Hamburg