1 00:00:27,160 --> 00:00:30,200 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 2 00:00:30,360 --> 00:00:32,600 Speaker 1: like to call the after party. This is the show 3 00:00:32,640 --> 00:00:35,080 Speaker 1: after the show, the party after the party, the bridge 4 00:00:35,080 --> 00:00:37,199 Speaker 1: to get you from one full episode of Disgraceland to 5 00:00:37,240 --> 00:00:40,560 Speaker 1: the other. The backyard, to dig into the dirt, our 6 00:00:40,640 --> 00:00:42,720 Speaker 1: mission to uncover the truth, to confront the myth, to 7 00:00:42,800 --> 00:00:45,879 Speaker 1: reclaim the story. On this bonus episode, I'm giving you 8 00:00:45,920 --> 00:00:50,760 Speaker 1: my summer recommendations music, movies, books, television, a celebrated summer, 9 00:00:50,800 --> 00:00:52,599 Speaker 1: so to speak. We are also catching up with our 10 00:00:52,640 --> 00:00:56,240 Speaker 1: recent episode on Dolly Parton, previewing next week's news story 11 00:00:56,280 --> 00:00:58,800 Speaker 1: on Slipknot, where you'll find out about a darkness that 12 00:00:58,880 --> 00:01:01,360 Speaker 1: was unfolding in the myth of the band's success, and 13 00:01:01,400 --> 00:01:04,320 Speaker 1: we get into your emails, comments, dms, and as always 14 00:01:04,640 --> 00:01:06,760 Speaker 1: a whole lot of rosie. This is the podcast for 15 00:01:06,800 --> 00:01:09,720 Speaker 1: the musically obsessed, the outsiders, the independent thinkers who know 16 00:01:09,720 --> 00:01:11,959 Speaker 1: that the best history is the history that gets buried. 17 00:01:12,240 --> 00:01:14,880 Speaker 1: Disgraceland is where I tell the stories they didn't want told, 18 00:01:15,080 --> 00:01:17,640 Speaker 1: the kind you'll end up telling someone else. All right, discos, 19 00:01:17,959 --> 00:01:30,199 Speaker 1: let's get into it all right. The World Cup is over. 20 00:01:30,319 --> 00:01:32,880 Speaker 1: England broke my heart in many others as well, So 21 00:01:32,959 --> 00:01:35,720 Speaker 1: let's just move on, all right, okay, real quick, though, 22 00:01:35,760 --> 00:01:37,319 Speaker 1: England not being in the finals is more of a 23 00:01:37,360 --> 00:01:39,319 Speaker 1: loss for rock and roll than it was for England. 24 00:01:39,319 --> 00:01:41,600 Speaker 1: That's how I like to look at it. Anyhow, it 25 00:01:41,680 --> 00:01:44,160 Speaker 1: is summertime, discos, so I thought that I would do 26 00:01:44,240 --> 00:01:46,119 Speaker 1: a public service for you all in the after party 27 00:01:46,160 --> 00:01:49,760 Speaker 1: today and give you some of my summer recommendations. Books, records, 28 00:01:49,800 --> 00:01:52,240 Speaker 1: movie shows that I've been consuming, content that I have 29 00:01:52,360 --> 00:01:55,240 Speaker 1: consumed in the past. All of that appropriate summer fair 30 00:01:55,360 --> 00:01:58,680 Speaker 1: nothing too heavy. All right, we're gonna keep this stuff tight. 31 00:01:59,280 --> 00:02:02,520 Speaker 1: We're gonna keep this stuff light ish, I should say, 32 00:02:02,520 --> 00:02:05,520 Speaker 1: it's still disgraceland. See you get the point. There's gonna 33 00:02:05,560 --> 00:02:07,680 Speaker 1: be some darkness. This is the stuff that's meant though, 34 00:02:07,720 --> 00:02:10,720 Speaker 1: to be right on the beach, in a plane, at 35 00:02:10,760 --> 00:02:16,040 Speaker 1: the hotel, or at the airbnb wherever. First up Shindler's List. No, 36 00:02:16,160 --> 00:02:19,520 Speaker 1: I'm kidding. I'm tempted to recommend the film that I 37 00:02:19,560 --> 00:02:24,400 Speaker 1: watched last night, Bradley Cooper's Is This Thing On? Because 38 00:02:24,520 --> 00:02:29,360 Speaker 1: it is incredible Will Arnett, Laura Dern, Bradley Cooper's in it, 39 00:02:29,400 --> 00:02:31,720 Speaker 1: but it's mainly his film because he directed it. He's 40 00:02:31,760 --> 00:02:33,519 Speaker 1: got a small part in the movie. He's great, he 41 00:02:34,320 --> 00:02:37,440 Speaker 1: steals the show as always. But this movie's also a 42 00:02:37,520 --> 00:02:40,119 Speaker 1: tear fest, and that's not what we're doing today. We're 43 00:02:40,160 --> 00:02:44,000 Speaker 1: doing summer movies, okay, in summer music, and summer books 44 00:02:44,760 --> 00:02:50,120 Speaker 1: and summer TV series. So I'm gonna start with music, 45 00:02:50,200 --> 00:02:53,840 Speaker 1: because this is, after all, a music podcast, and so 46 00:02:54,080 --> 00:02:57,720 Speaker 1: may I direct your attention to the New Day Rising 47 00:02:57,800 --> 00:03:02,000 Speaker 1: album from Day Rih album from nineteen eighty five by 48 00:03:02,000 --> 00:03:06,960 Speaker 1: Minneapolis's Hoosker Do. This record is a great record, start 49 00:03:07,040 --> 00:03:11,359 Speaker 1: to finish, legit, no skips. But that's not why I'm 50 00:03:11,360 --> 00:03:15,000 Speaker 1: recommending it. I'm recommending it because ever since TV snack 51 00:03:15,040 --> 00:03:19,880 Speaker 1: Break made that Instagram meme of this album cover, the 52 00:03:21,919 --> 00:03:26,840 Speaker 1: New Day Rising album cover photoshopped with a still from Seinfeld, 53 00:03:26,840 --> 00:03:31,000 Speaker 1: the one where George George Costanza is lurking on the 54 00:03:31,000 --> 00:03:35,240 Speaker 1: beach behind his boss, mister Kroger's family and what was 55 00:03:35,280 --> 00:03:38,040 Speaker 1: presumably the Summer of George. I think that's what one 56 00:03:38,040 --> 00:03:42,040 Speaker 1: episode that was. I could be wrong and then put Costanza. Okay, 57 00:03:42,200 --> 00:03:44,520 Speaker 1: that's what the artist TV snack Break did. He put 58 00:03:44,520 --> 00:03:49,040 Speaker 1: Costanza in the iconic Hoosker Doo font with Kroger Day 59 00:03:49,120 --> 00:03:53,000 Speaker 1: Rising beneath it, obviously a spoof on Hohosker Doo's New 60 00:03:53,080 --> 00:03:57,600 Speaker 1: Day Rising. I have been blasting this album through the 61 00:03:57,600 --> 00:03:59,960 Speaker 1: speakers here in my studio for the last couple of weeks. 62 00:04:00,200 --> 00:04:02,720 Speaker 1: It's just incredible. I've loved this album since I was 63 00:04:02,760 --> 00:04:05,760 Speaker 1: fifteen years old. I've never gotten sick of it, and 64 00:04:05,840 --> 00:04:10,880 Speaker 1: specifically the song Celebrated Summer, which is just a perfect 65 00:04:11,520 --> 00:04:15,080 Speaker 1: pop song. It's one of those who skarodoo songs that 66 00:04:15,240 --> 00:04:18,359 Speaker 1: the punk rock purists hated, at least when I was 67 00:04:18,360 --> 00:04:20,480 Speaker 1: a kid. They hated it kids in my neighborhood who 68 00:04:20,480 --> 00:04:24,599 Speaker 1: were punks. It was just so catchy and it was poppy, 69 00:04:24,680 --> 00:04:28,440 Speaker 1: like I said, and dare I say, sentimental, But it's 70 00:04:28,440 --> 00:04:31,840 Speaker 1: the good kind of sentimental. It's kind of the only 71 00:04:31,880 --> 00:04:35,840 Speaker 1: kind of sentimental who skardoos Bob world does, meaning that 72 00:04:35,839 --> 00:04:40,120 Speaker 1: the sentimentality is arched up by a hidden layer of 73 00:04:40,320 --> 00:04:44,320 Speaker 1: melancholy and infinite sadness. Okay, go ask Billy Corgan about 74 00:04:44,320 --> 00:04:46,880 Speaker 1: these lyrics. Check them out. Listen. Love and Hate was 75 00:04:46,920 --> 00:04:50,160 Speaker 1: in the air like Paullen from a flower somewhere in 76 00:04:50,200 --> 00:04:53,400 Speaker 1: April time. They add another hour. I guess I'd better 77 00:04:53,440 --> 00:04:55,200 Speaker 1: think up a way to spend my time. Just when 78 00:04:55,200 --> 00:04:58,280 Speaker 1: I'm ready to sit inside. It's summertime. Should I go 79 00:04:58,320 --> 00:05:00,680 Speaker 1: swimming or get a friend to hang around? It's back 80 00:05:00,720 --> 00:05:03,440 Speaker 1: to summer, It's back to basics, hang around, getting drunk 81 00:05:03,440 --> 00:05:06,080 Speaker 1: on the beach or playing in a band. And getting 82 00:05:06,080 --> 00:05:08,120 Speaker 1: out of school meant getting out of hand? Was this 83 00:05:08,279 --> 00:05:12,120 Speaker 1: yours celebrated summer? Eat your heart out, Billy Corgan. I 84 00:05:12,160 --> 00:05:14,320 Speaker 1: don't mean to be giving Billy Corgan shit, even though 85 00:05:14,320 --> 00:05:15,840 Speaker 1: it sounds like I am. But I guess what I'm 86 00:05:15,839 --> 00:05:19,520 Speaker 1: saying is that without Bob Moold, you don't get Billy Corgan. 87 00:05:20,240 --> 00:05:23,040 Speaker 1: Despite all my rage, I'm still just a rat in 88 00:05:23,120 --> 00:05:26,400 Speaker 1: a cage. I don't know if that's good or bad, depends, 89 00:05:26,440 --> 00:05:28,839 Speaker 1: I guess on your feelings about Smashing Pumpkins. I like 90 00:05:28,880 --> 00:05:31,960 Speaker 1: Smashing Pumpkins. We've got a Smashing Pumpkins episode coming up 91 00:05:32,000 --> 00:05:34,120 Speaker 1: in a few weeks in the feed, and I don't 92 00:05:34,160 --> 00:05:36,360 Speaker 1: necessarily think it's gonna make Billy Corgan a fan of 93 00:05:36,400 --> 00:05:38,800 Speaker 1: disgrace Nound, which is a shame, because, like I said, 94 00:05:38,880 --> 00:05:40,960 Speaker 1: we're fans of his around here. Despite what Zeth wrote 95 00:05:40,960 --> 00:05:45,039 Speaker 1: in this episode. Anyway, That is my summer music recommendation 96 00:05:45,680 --> 00:05:49,480 Speaker 1: celebrated Summer of the song by Whoskerdoo off of Hohoskerdo's 97 00:05:49,600 --> 00:05:52,920 Speaker 1: New Day Rising. You can't go wrong with the entire album. 98 00:05:53,400 --> 00:05:57,280 Speaker 1: My summer book recommendation. I have two. Okay, the first 99 00:05:57,320 --> 00:06:01,480 Speaker 1: one I'm gonna give to the more you know, sophisticated. 100 00:06:01,560 --> 00:06:07,599 Speaker 1: Let's call them sophisticated. Listen, sophisticated readers. Excuse me because 101 00:06:07,640 --> 00:06:09,680 Speaker 1: the second one I'm going to give you is not 102 00:06:09,720 --> 00:06:13,320 Speaker 1: sophisticated at all. The first one I just read it 103 00:06:13,400 --> 00:06:17,640 Speaker 1: on vacation, Raymond Chandler's Farewell My Lovely Okay, it's incredible, 104 00:06:17,680 --> 00:06:22,440 Speaker 1: emblematic Raymond Chandler novel. If you've never read Raymond Chandler, 105 00:06:22,640 --> 00:06:24,760 Speaker 1: if you've never read a Chandler book with his iconic 106 00:06:24,800 --> 00:06:28,080 Speaker 1: Philip Marlow character, this is a great one to start with. 107 00:06:28,160 --> 00:06:35,000 Speaker 1: It's gumshoe noir. That's it's the blueprint for the detective novels. Okay, 108 00:06:35,000 --> 00:06:38,680 Speaker 1: it's fantastics. It's exactly what you'd expect. It's not going 109 00:06:38,720 --> 00:06:40,480 Speaker 1: to make you think too hard, but it might make 110 00:06:40,520 --> 00:06:43,000 Speaker 1: you drink a little more, which is a good enough 111 00:06:43,040 --> 00:06:45,599 Speaker 1: reason for me to call this an easy summer read, 112 00:06:45,680 --> 00:06:48,159 Speaker 1: but you know, it's kind of sophisticated. Okay, it's Raymond Chandler, 113 00:06:48,200 --> 00:06:52,680 Speaker 1: all right, but it's not as easy and it's not 114 00:06:52,760 --> 00:06:56,440 Speaker 1: as light as my next recommendation. It's gonna sound weird 115 00:06:56,480 --> 00:06:58,680 Speaker 1: to you. I also read this one on vacation. It's 116 00:06:58,920 --> 00:07:02,359 Speaker 1: Wise Guy by Nicholas Pelegie. Now, I was flying to 117 00:07:02,440 --> 00:07:06,560 Speaker 1: Europe on Lothunza Airlines, if I'm saying that correctly, Lothunsa, 118 00:07:08,400 --> 00:07:09,680 Speaker 1: and I was like, Hey, wouldn't it be cool to 119 00:07:09,680 --> 00:07:13,760 Speaker 1: read about the Lothunza heist on the flight? And that's 120 00:07:13,800 --> 00:07:16,560 Speaker 1: why I finally grabbed Wise Guy off my shelf, which 121 00:07:16,560 --> 00:07:20,040 Speaker 1: I've owned for some time but never read. And of course, 122 00:07:20,040 --> 00:07:22,800 Speaker 1: Wise Guy by Nicholas Pelegie is the book that they 123 00:07:22,840 --> 00:07:26,400 Speaker 1: based Goodfellows on, and I thought it was going to 124 00:07:26,440 --> 00:07:28,880 Speaker 1: be I don't really know what I thought, but I 125 00:07:28,920 --> 00:07:31,000 Speaker 1: got something a little different than what I was expecting. 126 00:07:32,040 --> 00:07:37,120 Speaker 1: I guess what I was expecting was a lot of 127 00:07:38,240 --> 00:07:42,160 Speaker 1: sort of vagueness in the storytelling, the kind of kernels 128 00:07:42,240 --> 00:07:46,080 Speaker 1: of what the stories became in the film. But god man, 129 00:07:46,240 --> 00:07:49,400 Speaker 1: some of the storytelling is verbatim from this book in 130 00:07:49,440 --> 00:07:54,520 Speaker 1: the language as well, and it's really great to see 131 00:07:54,840 --> 00:07:58,600 Speaker 1: how much of Henry Hill's voice, his storytelling voice, I 132 00:07:58,600 --> 00:08:04,160 Speaker 1: should say it up in the movie. Fantastic stuff and 133 00:08:04,400 --> 00:08:09,560 Speaker 1: just if you want like revelatory facts and crimes that 134 00:08:09,600 --> 00:08:11,680 Speaker 1: were committed that didn't make it in the movie. The 135 00:08:11,680 --> 00:08:13,960 Speaker 1: book is fantastic as well. There is one great anecdot 136 00:08:13,960 --> 00:08:16,080 Speaker 1: where they're talking about how they were just such thieves, 137 00:08:16,120 --> 00:08:20,960 Speaker 1: such scammers, and they had a guy. They had an 138 00:08:21,000 --> 00:08:23,600 Speaker 1: inn at a grocery store. I believe it was somewhere 139 00:08:23,600 --> 00:08:26,480 Speaker 1: in Queens or somewhere. No, it was somewhere in this 140 00:08:26,600 --> 00:08:28,760 Speaker 1: in like more of a suburban area of New York. 141 00:08:29,600 --> 00:08:32,440 Speaker 1: And this this guy who worked at the grocery store 142 00:08:32,600 --> 00:08:37,480 Speaker 1: brought in a construction company to build an eleventh aisle. Right, 143 00:08:37,520 --> 00:08:38,840 Speaker 1: you know, you have different aisles in the in the 144 00:08:38,880 --> 00:08:42,840 Speaker 1: grocery store, you know, I mean checkout aisle. You have 145 00:08:42,840 --> 00:08:45,200 Speaker 1: different lanes you can check out in. There were ten 146 00:08:45,200 --> 00:08:48,240 Speaker 1: of them. He had an eleventh built with another eleventh 147 00:08:48,360 --> 00:08:51,679 Speaker 1: cash register, and it was open. It was running for 148 00:08:51,760 --> 00:08:56,760 Speaker 1: like a year. In every dollar that that checkout lane 149 00:08:57,440 --> 00:09:03,280 Speaker 1: collected was stolen. It was pure profit for these gangsters. 150 00:09:03,440 --> 00:09:06,080 Speaker 1: They didn't catch up to the scam until this guy 151 00:09:06,160 --> 00:09:09,040 Speaker 1: went on like his summer vacation or something, and he 152 00:09:09,080 --> 00:09:11,600 Speaker 1: took some time off, and somebody else came in and 153 00:09:11,679 --> 00:09:13,839 Speaker 1: was like, Hey, what the fuck, We're not supposed to 154 00:09:13,840 --> 00:09:17,840 Speaker 1: have eleven checkout lanes and eleven cat registers. I thought 155 00:09:17,880 --> 00:09:19,440 Speaker 1: that was fascinating. There's a bunch of stuff like that 156 00:09:19,480 --> 00:09:21,320 Speaker 1: in the book. And that book is Wise Guy by 157 00:09:21,400 --> 00:09:24,520 Speaker 1: Nicholas Poleggi. He also co wrote the script with Scorsese. 158 00:09:24,600 --> 00:09:27,360 Speaker 1: You're gonna love it, all right, my movie Wreck, I 159 00:09:27,360 --> 00:09:30,480 Speaker 1: already kind of gave you the Bradley Cooper thing. Is 160 00:09:30,559 --> 00:09:32,520 Speaker 1: this thing on as a wreck, kind of sneaky wreck. 161 00:09:33,080 --> 00:09:35,679 Speaker 1: But it's not a feel good hit of the summer 162 00:09:35,720 --> 00:09:37,600 Speaker 1: as Faith No War, as Mike Patten would say. It's 163 00:09:38,360 --> 00:09:41,199 Speaker 1: so I gotta recommend something else. Okay, I'm currently also 164 00:09:41,240 --> 00:09:44,160 Speaker 1: watching Gomora, which is way too dark, so I can't 165 00:09:44,200 --> 00:09:46,920 Speaker 1: recommend that. So what I'm gonna do is I'm gonna 166 00:09:46,920 --> 00:09:50,880 Speaker 1: recommend Spike Lee's Clockers. And it's not feel good, so 167 00:09:51,000 --> 00:09:53,960 Speaker 1: to speak, but it does have a hot and sticky 168 00:09:54,080 --> 00:09:57,000 Speaker 1: summer vibe. And Zeth and I referenced a shit ton 169 00:09:57,080 --> 00:09:59,400 Speaker 1: in our new this film should be played loud episode 170 00:09:59,440 --> 00:10:02,400 Speaker 1: on Do the Right Thing, which is the ultimate summer 171 00:10:02,440 --> 00:10:04,319 Speaker 1: movie Do the Right Thing. So if you want to 172 00:10:04,360 --> 00:10:06,679 Speaker 1: frame a reference, then you can do no wrong by 173 00:10:06,720 --> 00:10:09,840 Speaker 1: watching Spike Lee's Clockers and by reading the novel by 174 00:10:09,920 --> 00:10:12,280 Speaker 1: Richard Price as well. It's because it's fantastic, though I 175 00:10:12,320 --> 00:10:15,599 Speaker 1: wouldn't call that a summer read, but it's also fantastic. 176 00:10:15,640 --> 00:10:21,000 Speaker 1: It's just great, all right. Summer TV series recommendation. Okay, 177 00:10:21,040 --> 00:10:25,880 Speaker 1: this one is big, it's scary, it's popcorny as hell, 178 00:10:27,000 --> 00:10:30,880 Speaker 1: so those things make it summary. But it's also super dark, 179 00:10:30,920 --> 00:10:33,080 Speaker 1: but not dark enough to take it off my list. 180 00:10:33,840 --> 00:10:37,600 Speaker 1: And that is the Cape Fear series, the remake of 181 00:10:37,640 --> 00:10:42,040 Speaker 1: the classic De Niro. Mitchim films the series on Apple 182 00:10:42,080 --> 00:10:45,560 Speaker 1: TV with Javey R. Bardem Is and Amy adams Is. 183 00:10:45,800 --> 00:10:49,400 Speaker 1: It's it's amazing. It's so good. It's the definition of 184 00:10:49,400 --> 00:10:51,640 Speaker 1: a great remake. For a million reasons. I don't want 185 00:10:51,640 --> 00:10:54,120 Speaker 1: to go into it here. Zeth can't stand this, he 186 00:10:54,240 --> 00:10:56,840 Speaker 1: hates it. I love it, and I'm thinking that maybe 187 00:10:56,960 --> 00:11:00,000 Speaker 1: Zeth and I should come on and debate this series. 188 00:11:00,160 --> 00:11:02,880 Speaker 1: I think that might be fun. It wraps in a 189 00:11:02,880 --> 00:11:05,240 Speaker 1: week or so, so it's available for all of you 190 00:11:05,280 --> 00:11:07,640 Speaker 1: to Binge right now on Apple TV. I cannot say 191 00:11:07,720 --> 00:11:12,559 Speaker 1: enough about this weird, fucked up thing, this remake, this series, 192 00:11:12,600 --> 00:11:14,560 Speaker 1: And I bet a bunch of you are already watching this, 193 00:11:14,640 --> 00:11:15,880 Speaker 1: and I want to hear what you have to say 194 00:11:15,920 --> 00:11:19,120 Speaker 1: about it. And I also think maybe a bunch of you, 195 00:11:19,200 --> 00:11:21,120 Speaker 1: like Zez, started it and just couldn't get into it. 196 00:11:21,120 --> 00:11:26,480 Speaker 1: And I want to hear why you don't like it. It's 197 00:11:24,720 --> 00:11:26,439 Speaker 1: it's just I love it. They even lose the air 198 00:11:26,440 --> 00:11:29,720 Speaker 1: conditioning in an episode, which is quintessential summer viewing. So 199 00:11:29,720 --> 00:11:33,360 Speaker 1: those are my res music New Day Rising with celebrated 200 00:11:33,400 --> 00:11:37,880 Speaker 1: Summer by Whoscardo Books, Raymond Chandler's Farewell, My Lovely, and 201 00:11:37,960 --> 00:11:43,480 Speaker 1: Nicholas Polegi's wise Guy movie, Clockers TV series, the New 202 00:11:43,559 --> 00:11:47,320 Speaker 1: Cape Fear remake. Listen, read, watch Binge and get back 203 00:11:47,320 --> 00:11:50,360 Speaker 1: to me at six one, seven nine oh six six 204 00:11:50,440 --> 00:11:52,000 Speaker 1: sixty three eight And let me know what you think 205 00:11:52,000 --> 00:11:53,760 Speaker 1: about these RECs. Do you love them? Do you hate them? 206 00:11:53,800 --> 00:11:56,640 Speaker 1: Are they summary? Are they not? Most important? I want 207 00:11:56,640 --> 00:11:59,760 Speaker 1: to know what you guys are recommending, What are you reading? 208 00:11:59,720 --> 00:12:02,040 Speaker 1: I'm up to New England. I'm gonna go sit on 209 00:12:02,040 --> 00:12:04,720 Speaker 1: a main beach a couple of days. I want to 210 00:12:05,040 --> 00:12:07,160 Speaker 1: you know, I need the res just as bad as 211 00:12:07,160 --> 00:12:09,960 Speaker 1: you do. Okay, so don't bogart the Rex is what 212 00:12:10,000 --> 00:12:11,559 Speaker 1: I'm saying. What are you listening to this summer? 213 00:12:11,559 --> 00:12:12,160 Speaker 2: What are you reading? 214 00:12:12,200 --> 00:12:14,560 Speaker 1: What are you watching? What are you binging? Hit me 215 00:12:14,720 --> 00:12:16,319 Speaker 1: and let me know six one seven nine oh six 216 00:12:16,360 --> 00:12:19,760 Speaker 1: six six three eight voicemail an text at disgracelam pod 217 00:12:19,880 --> 00:12:22,679 Speaker 1: on the socials that's going to give you his recommendations. 218 00:12:22,760 --> 00:12:25,160 Speaker 1: Over in the exclusive section of this after party, We're 219 00:12:25,200 --> 00:12:27,640 Speaker 1: gonna dig into all that, get into some more talk. 220 00:12:28,040 --> 00:12:30,040 Speaker 1: It's a great conversation. To be a part of this, 221 00:12:30,120 --> 00:12:31,840 Speaker 1: you gotta be an all access member. Go to disgrace 222 00:12:31,880 --> 00:12:34,079 Speaker 1: lampod dot com to sign out to become an all 223 00:12:34,120 --> 00:12:37,520 Speaker 1: Access member and unlock exclusive content like this conversation you 224 00:12:37,559 --> 00:12:41,800 Speaker 1: were about to hear, plus ad free listening tosgracelampod dot 225 00:12:41,840 --> 00:12:44,880 Speaker 1: com to become an all access member. All right interfeed 226 00:12:44,960 --> 00:12:47,840 Speaker 1: right now. Our Dolly Parton episode coming up next right 227 00:12:47,840 --> 00:12:50,040 Speaker 1: after this after party is our rewind episode from the 228 00:12:50,160 --> 00:12:55,440 Speaker 1: archive on Amy Winehouse, originally released on May fourteenth, twenty nineteen. 229 00:12:55,760 --> 00:12:57,600 Speaker 1: If you want to know more about the UK indie 230 00:12:57,600 --> 00:13:00,599 Speaker 1: slee scene that launched Amy's career, the madness of the 231 00:13:00,600 --> 00:13:02,920 Speaker 1: bright spotlight of fame that burned out one of the 232 00:13:02,960 --> 00:13:05,719 Speaker 1: greatest musical talents of the twenty first century. Then this 233 00:13:05,920 --> 00:13:09,760 Speaker 1: episode is for you. That's in the rewind slot coming 234 00:13:09,880 --> 00:13:13,440 Speaker 1: up this weekend, right after this bonus episode, all right 235 00:13:13,480 --> 00:13:15,920 Speaker 1: after that Amy Winehouse episode. Guys, we got a new 236 00:13:15,920 --> 00:13:18,840 Speaker 1: episode on Slipknot coming up next week. When you're listening 237 00:13:18,840 --> 00:13:20,800 Speaker 1: to the new Disgrace and on Slipnot episode, be thinking 238 00:13:20,800 --> 00:13:25,040 Speaker 1: about how music and lyrics influence its fans and give 239 00:13:25,080 --> 00:13:26,520 Speaker 1: us a call it six one seven nine oh six 240 00:13:26,559 --> 00:13:28,360 Speaker 1: sixty sixty three eight and I love this question. Let 241 00:13:28,440 --> 00:13:32,880 Speaker 1: us know what's the song that pushed you? Okay, what 242 00:13:33,080 --> 00:13:38,280 Speaker 1: lyrics pushed you to actually do something, to quit a job, 243 00:13:38,480 --> 00:13:40,880 Speaker 1: to start a band, to take a risk, to get 244 00:13:40,920 --> 00:13:43,920 Speaker 1: a shit together, to get a shit untogether. Let us know. 245 00:13:44,240 --> 00:13:46,680 Speaker 1: We all have those moments in life. We've all had them. 246 00:13:47,000 --> 00:13:50,640 Speaker 1: Where we're sitting there, lying in the field somewhere near 247 00:13:50,720 --> 00:13:54,000 Speaker 1: Walden Pond. We somehow managed to park our vespa in 248 00:13:54,040 --> 00:13:56,600 Speaker 1: the woods. Don't quite know how. Still to this day 249 00:13:56,640 --> 00:13:59,680 Speaker 1: we're lying there. Ticks are probably crawling all over us, 250 00:13:59,720 --> 00:14:01,880 Speaker 1: and we're thinking, you know what, I'm gonna get my 251 00:14:01,920 --> 00:14:04,960 Speaker 1: shit together and start a podcast. I'm just saying, we 252 00:14:05,040 --> 00:14:07,720 Speaker 1: all remember what song was playing when we came to 253 00:14:07,760 --> 00:14:11,240 Speaker 1: those realizations. Let us know six one seven, nine oh six, 254 00:14:11,320 --> 00:14:14,839 Speaker 1: six six three eight what lyrics compelled you. That's what 255 00:14:14,880 --> 00:14:16,400 Speaker 1: we want to talk about next week when we get 256 00:14:16,400 --> 00:14:18,160 Speaker 1: back in the after party. You can also email me 257 00:14:18,320 --> 00:14:21,320 Speaker 1: at Disgrace Lampod at gmail dot com, hit us on 258 00:14:21,360 --> 00:14:23,760 Speaker 1: socials at Disgrace Lampod, and you might hear your answer 259 00:14:23,800 --> 00:14:26,600 Speaker 1: on next week's after party. Art Disco's gonna get into 260 00:14:26,600 --> 00:14:29,120 Speaker 1: your voicemails, text, dms, and a whole lot more right 261 00:14:29,160 --> 00:14:48,320 Speaker 1: after this. All right, guys, I'm in the phone both 262 00:14:48,400 --> 00:14:50,520 Speaker 1: it is the one across the hall. I'm hanging on 263 00:14:50,560 --> 00:14:52,280 Speaker 1: the telephone with y'all six one seven, nine oh six 264 00:14:52,360 --> 00:14:55,160 Speaker 1: six sixty three eight, voicemail and text. We do a 265 00:14:55,200 --> 00:14:58,440 Speaker 1: grab bag of responses for y'all here, little round robin, 266 00:14:58,560 --> 00:15:01,240 Speaker 1: on any subject you want to talk talk about. All right, 267 00:15:01,320 --> 00:15:04,680 Speaker 1: let's go to this message from the five O three. 268 00:15:04,560 --> 00:15:08,280 Speaker 2: Jake, This is Johnny Magnifico from the five O three Man. 269 00:15:08,360 --> 00:15:10,440 Speaker 2: I hope I'm not late to the game. On the 270 00:15:10,440 --> 00:15:17,360 Speaker 2: best husband and wife bands. How could we forget the grittiest, grimiest, 271 00:15:17,880 --> 00:15:23,800 Speaker 2: true diy rock and roll band, Dead Moon from Portland, Oregon. 272 00:15:24,800 --> 00:15:28,560 Speaker 2: Fred and Trudy Cole married in nineteen sixty seven. Fred's 273 00:15:28,600 --> 00:15:30,440 Speaker 2: story alone is insane. 274 00:15:31,080 --> 00:15:31,440 Speaker 1: I mean, he. 275 00:15:31,960 --> 00:15:35,480 Speaker 2: Played with like soul acts in the nineteen sixties that 276 00:15:35,600 --> 00:15:38,120 Speaker 2: he opened up for Stevie Wonder under the name Deep 277 00:15:38,200 --> 00:15:42,160 Speaker 2: so Coal, was in the Weeds and the Lollipop Shop 278 00:15:42,160 --> 00:15:44,720 Speaker 2: that opened up for Janis Joplin and so many other 279 00:15:45,040 --> 00:15:47,760 Speaker 2: bands back in the day, and then dodging the Giraffe. 280 00:15:47,840 --> 00:15:51,640 Speaker 2: He his band broke down in Portland, Oregon, where he 281 00:15:51,640 --> 00:15:54,920 Speaker 2: met Tuty. They married in nineteen sixty seven. He was 282 00:15:54,960 --> 00:15:59,840 Speaker 2: in a million bands Zipper throughout the seventies. Eventually, fed 283 00:15:59,880 --> 00:16:02,840 Speaker 2: up up with flaky musicians, he got his wife to 284 00:16:02,880 --> 00:16:06,200 Speaker 2: play bass and they started a band throughout the eighties 285 00:16:06,320 --> 00:16:10,280 Speaker 2: called The Rats, which featured Sam Henry from the Wipers, 286 00:16:10,320 --> 00:16:15,120 Speaker 2: another great Portland band. Eventually they turned into Dead Moon 287 00:16:16,040 --> 00:16:18,560 Speaker 2: that played for years and years. I think they even 288 00:16:18,960 --> 00:16:22,480 Speaker 2: turned down touring with Nirvana because they already had a 289 00:16:22,560 --> 00:16:26,120 Speaker 2: prior engagement with anothern band they were supposed tour with. 290 00:16:26,640 --> 00:16:33,200 Speaker 2: Tody bought Fred the actual cutting vinyl cutting machine that 291 00:16:33,600 --> 00:16:38,280 Speaker 2: cut the infamous Louis Louis Steven Inch from the Kingsmen, 292 00:16:38,760 --> 00:16:43,640 Speaker 2: who were also from Portland, and they would record themselves 293 00:16:43,680 --> 00:16:47,240 Speaker 2: and actually cut their own vinyl records on this machine. 294 00:16:47,920 --> 00:16:51,360 Speaker 2: Their stories insane, and eventually started a band called Pierced 295 00:16:51,480 --> 00:16:57,480 Speaker 2: Arrows that's also just gritty and raw and amazing. Until 296 00:16:58,240 --> 00:17:03,200 Speaker 2: Fred died and she's now playing kind of keeping the 297 00:17:03,200 --> 00:17:05,640 Speaker 2: Dead Moon thing alive. So she's out on the road 298 00:17:05,680 --> 00:17:08,480 Speaker 2: touring right now. But yes, Fred and Judy Cole, they're 299 00:17:08,480 --> 00:17:10,200 Speaker 2: amazing dead Moon. Check them out. 300 00:17:10,520 --> 00:17:13,800 Speaker 1: Holy shit, Johnny Magnifico, thank you so much. I know 301 00:17:13,960 --> 00:17:17,680 Speaker 1: nothing about this. I know so little about Dead Moon 302 00:17:18,560 --> 00:17:22,680 Speaker 1: Fred and Judy Cole that I'm almost questioning whether or 303 00:17:22,720 --> 00:17:24,520 Speaker 1: not you're making this whole thing up to fuck with me. 304 00:17:25,160 --> 00:17:27,840 Speaker 1: But I don't think you are. And if you are, congratulations, 305 00:17:27,960 --> 00:17:30,880 Speaker 1: because you know, working in the Wipers and the whole 306 00:17:30,920 --> 00:17:35,359 Speaker 1: you know what I mean, the Louis Louis machine that 307 00:17:35,400 --> 00:17:38,680 Speaker 1: cut the seven and she's pretty good. If you're making 308 00:17:38,720 --> 00:17:41,520 Speaker 1: it up, kudos, my friend. But I don't think you're 309 00:17:41,520 --> 00:17:43,439 Speaker 1: making it up. And I don't know anything about this, 310 00:17:43,600 --> 00:17:45,320 Speaker 1: and I am I know what I'm listening to on 311 00:17:45,400 --> 00:17:47,840 Speaker 1: my ride to the barbershop later today. So thanks so much. 312 00:17:47,840 --> 00:17:50,080 Speaker 1: I'm going to dig into this. Fred and Judy, you 313 00:17:50,200 --> 00:17:53,760 Speaker 1: got a fan here in Johnny Magnifico Disco's. Let's all 314 00:17:53,880 --> 00:17:56,959 Speaker 1: check out Dead Moon and let Johnny know what we think. 315 00:17:57,480 --> 00:18:00,680 Speaker 1: Awesome stuff, man, Thank you. All right, let's go to 316 00:18:00,720 --> 00:18:04,840 Speaker 1: the nine seven eight Jake rock a rolla man Helltown. 317 00:18:05,200 --> 00:18:09,040 Speaker 1: Mark here two things. I'm less than one year behind 318 00:18:09,160 --> 00:18:13,160 Speaker 1: on the playlist and it's freaking huge. Also an idea 319 00:18:13,359 --> 00:18:16,399 Speaker 1: you Fortunately, nothing More has given you some material to 320 00:18:16,440 --> 00:18:20,840 Speaker 1: work with, specifically regarding sexual allegations towards their tech and 321 00:18:21,000 --> 00:18:25,240 Speaker 1: the band management covering up wicked bummer for a great band. 322 00:18:25,680 --> 00:18:28,840 Speaker 1: And then thanks, I appreciate the rest of your message here. 323 00:18:28,920 --> 00:18:31,800 Speaker 1: I will let you know Mark, thank you. I don't 324 00:18:31,800 --> 00:18:34,639 Speaker 1: know much about nothing More. I'll check this out, appreciate 325 00:18:34,680 --> 00:18:38,600 Speaker 1: the tip on. As for the playlist, guys that Mark 326 00:18:38,680 --> 00:18:41,320 Speaker 1: is alluding to. Mark has gone through and he's made 327 00:18:41,400 --> 00:18:46,760 Speaker 1: this giant playlist of every song referenced in all two 328 00:18:46,840 --> 00:18:51,320 Speaker 1: hundred and sixty whatever episodes of Disgraceland. It's mammoth. If 329 00:18:51,320 --> 00:18:52,680 Speaker 1: you want to be in on that, you got to 330 00:18:52,680 --> 00:18:54,960 Speaker 1: be well, you can get it. I think it's on Spotify, 331 00:18:55,000 --> 00:18:57,400 Speaker 1: but Mark's in the Patreon chat all the time we've 332 00:18:57,400 --> 00:19:00,000 Speaker 1: posted in there. He keeps us updated on his prom 333 00:19:00,000 --> 00:19:03,840 Speaker 1: progress and Patreon as well. Susie hits us up from 334 00:19:03,840 --> 00:19:05,439 Speaker 1: the three four to six. Hey there, I wanted to 335 00:19:05,440 --> 00:19:07,679 Speaker 1: make a suggestion for a new topic. You might not 336 00:19:07,760 --> 00:19:11,679 Speaker 1: have thought about. Juan Gabrielle al Divo de Juarez. He 337 00:19:11,800 --> 00:19:15,240 Speaker 1: literally had the voice that granted him life, literally in 338 00:19:15,280 --> 00:19:19,400 Speaker 1: a time where being feminine, slash flamboyant and gay was unthinkable. 339 00:19:20,000 --> 00:19:22,800 Speaker 1: There's a story of him getting into trouble with cartels 340 00:19:22,840 --> 00:19:25,960 Speaker 1: and local law enforcement. I can't wait for your take, 341 00:19:26,160 --> 00:19:32,320 Speaker 1: loveoll Susie. Susie, fantastic recommendation. Juan Gabrielle al Divo de 342 00:19:32,520 --> 00:19:38,080 Speaker 1: Juarez is going on the list. Appreciate you. Nine one 343 00:19:38,200 --> 00:19:42,400 Speaker 1: seven writes in Adele. Where's the Fiona Apple episode? Look 344 00:19:42,440 --> 00:19:45,280 Speaker 1: up Kanye West obsession with her before her first album 345 00:19:45,320 --> 00:19:49,280 Speaker 1: came out. Yo, I just read nine one seven. I 346 00:19:49,520 --> 00:19:52,359 Speaker 1: just read talk about summer reads. I should have recommended this. 347 00:19:52,400 --> 00:19:55,359 Speaker 1: I'm recommending this. I read this on vacation too. The 348 00:19:55,400 --> 00:19:57,320 Speaker 1: third book I read on vacation. I can't believe I 349 00:19:57,359 --> 00:20:00,159 Speaker 1: didn't fucking recommend this one. I think I mentioned to 350 00:20:00,200 --> 00:20:04,240 Speaker 1: you guys a couple of weeks ago, Jonathan Ames. Wake up, sir, hysterical, 351 00:20:04,320 --> 00:20:06,560 Speaker 1: Jonathan Ames. I did mention this because I talked about 352 00:20:06,560 --> 00:20:10,119 Speaker 1: Board to Death with Jason Schwartzman and Ted Danson. Great 353 00:20:10,160 --> 00:20:13,359 Speaker 1: summer read if you're looking for one. Anyways, I'm like, 354 00:20:13,720 --> 00:20:15,359 Speaker 1: I don't know much about this. Jonathan names guy and 355 00:20:15,400 --> 00:20:17,040 Speaker 1: I started looking him up. He used to date, or 356 00:20:17,040 --> 00:20:21,600 Speaker 1: maybe he still does date, Fiona Apple, which is just incredible, amazing. 357 00:20:22,000 --> 00:20:22,520 Speaker 2: So there you go. 358 00:20:22,640 --> 00:20:24,480 Speaker 1: Nine one seven. I don't know where the Fiona Apple 359 00:20:24,520 --> 00:20:26,479 Speaker 1: episode is. It was on the list, it's still on 360 00:20:26,520 --> 00:20:29,120 Speaker 1: the list. I just don't know a good way into 361 00:20:29,160 --> 00:20:31,440 Speaker 1: her story, you know. I kind of want to write 362 00:20:31,440 --> 00:20:33,120 Speaker 1: it as like it's like a one act where she's 363 00:20:33,160 --> 00:20:36,200 Speaker 1: trapped in a room for all night with Paul Thomas 364 00:20:36,280 --> 00:20:39,240 Speaker 1: Anderson and Quentin Tarantino and Amanda Cocaine, and she she 365 00:20:39,359 --> 00:20:44,320 Speaker 1: somehow survives that fucking atrocity. But I just I don't 366 00:20:44,520 --> 00:20:49,960 Speaker 1: have a good angle on Fiona Apple yet, you know, Adele, 367 00:20:50,280 --> 00:20:52,280 Speaker 1: To answer your question, nine one seven, it's a huge 368 00:20:52,280 --> 00:20:55,320 Speaker 1: true true crime. A fan and a huge fan of 369 00:20:55,359 --> 00:20:57,840 Speaker 1: true crime of crime movies. Excuse me, so that was 370 00:20:57,840 --> 00:21:00,400 Speaker 1: our in there three oh three rights saying hey, I'm 371 00:21:00,400 --> 00:21:02,800 Speaker 1: surprised you didn't know about the wax and the Philippines. 372 00:21:02,840 --> 00:21:06,680 Speaker 1: But more importantly, yes, Cheap Trick is from Rockford, Illinois. 373 00:21:06,840 --> 00:21:10,320 Speaker 1: Just like adult star ginger Linn, I can tie almost 374 00:21:10,359 --> 00:21:15,240 Speaker 1: anything back to porn stars and playmates from the three 375 00:21:15,280 --> 00:21:18,440 Speaker 1: to three and Cheap Trick apparently three O three. Now 376 00:21:18,440 --> 00:21:20,400 Speaker 1: I did not know about the wax and the Philippines, 377 00:21:20,440 --> 00:21:22,680 Speaker 1: Now I do? I love it? Eight six o rights 378 00:21:22,720 --> 00:21:24,280 Speaker 1: in hey, Jake trip from the eight to six to 379 00:21:24,280 --> 00:21:26,480 Speaker 1: oh the New Marson episode is, in a word great. 380 00:21:26,560 --> 00:21:29,480 Speaker 1: I've been a doors freak for forty years. There was 381 00:21:29,480 --> 00:21:31,800 Speaker 1: stuff in it that I had no clue about. I 382 00:21:31,920 --> 00:21:34,160 Speaker 1: was under the assumption in the gym, and Pan didn't 383 00:21:34,160 --> 00:21:36,080 Speaker 1: meet the count until the end of the band, not 384 00:21:36,200 --> 00:21:38,920 Speaker 1: the beginning of it. The whole UCLA connection was wild, 385 00:21:39,280 --> 00:21:40,760 Speaker 1: and at the end of the day Jim died due 386 00:21:40,800 --> 00:21:43,720 Speaker 1: to general self abuse with the booze and drugs, and 387 00:21:43,760 --> 00:21:47,240 Speaker 1: it's possible did hed on something. Thanks Jake. This episode 388 00:21:47,280 --> 00:21:50,200 Speaker 1: was in the top five best Disgraceland episodes hands down. 389 00:21:50,240 --> 00:21:52,879 Speaker 1: I really appreciate that. Eighty six. Oh, I appreciate that. 390 00:21:53,359 --> 00:21:58,200 Speaker 1: From a heavy doors head like yourself. This story kicked 391 00:21:58,320 --> 00:22:01,119 Speaker 1: up a bunch of controversy off a lot of people. 392 00:22:01,240 --> 00:22:03,480 Speaker 1: So many people want to hang on to their theories 393 00:22:03,840 --> 00:22:06,760 Speaker 1: about how these folks died, especially Jim Morrison. So many 394 00:22:06,800 --> 00:22:10,320 Speaker 1: people want to want to point to the more conspiracy 395 00:22:10,400 --> 00:22:14,520 Speaker 1: oriented takes on his death. So many people want to 396 00:22:14,560 --> 00:22:17,639 Speaker 1: believe that that, you know, something else happened, like he 397 00:22:18,040 --> 00:22:20,760 Speaker 1: just you know, he disappeared or you know, his body 398 00:22:20,880 --> 00:22:23,720 Speaker 1: it was brought back from the club. And and I've 399 00:22:23,720 --> 00:22:26,280 Speaker 1: already told you what I think, and I stand by 400 00:22:26,320 --> 00:22:29,479 Speaker 1: my research. You can check all our sources. You can 401 00:22:29,520 --> 00:22:32,360 Speaker 1: read the same stuff I read. It's all on our website. 402 00:22:32,400 --> 00:22:35,240 Speaker 1: Go to the Jim Morrison page on disgracelinepod dot com. 403 00:22:35,840 --> 00:22:39,520 Speaker 1: Five one oh hey, Jake Greg Alman's autobiography is rad 404 00:22:40,600 --> 00:22:43,440 Speaker 1: I can only imagine going an Alman Brothers episode coming 405 00:22:43,520 --> 00:22:47,480 Speaker 1: up soon, very soon. Six one seven nine oh six 406 00:22:47,600 --> 00:22:49,199 Speaker 1: six six three eight. You guys want to hit me, 407 00:22:49,320 --> 00:22:51,200 Speaker 1: talk about whatever you want to talk about, I'm here 408 00:22:51,240 --> 00:22:54,720 Speaker 1: for it. Take a quick break back after this with 409 00:22:54,840 --> 00:23:08,520 Speaker 1: more of me and more of you. All right, guys, 410 00:23:08,520 --> 00:23:10,240 Speaker 1: we are back when I hit an email here from 411 00:23:10,280 --> 00:23:15,000 Speaker 1: listener Kendon Smith, subject average White Band. Now. I'm choosing 412 00:23:15,000 --> 00:23:18,720 Speaker 1: this because not only is this a thoughtful email, but 413 00:23:18,920 --> 00:23:21,800 Speaker 1: Zeth and I were just talking. I can't remember if 414 00:23:21,840 --> 00:23:23,920 Speaker 1: it was in the after party or if it was 415 00:23:23,920 --> 00:23:27,680 Speaker 1: in the wrap party about his hatred of average white band, 416 00:23:27,840 --> 00:23:30,040 Speaker 1: and I get to say, I'm feeling like there's an 417 00:23:30,080 --> 00:23:33,879 Speaker 1: average White Band episode coming thanks to mister Kenden Smith 418 00:23:34,280 --> 00:23:37,280 Speaker 1: and Zeth. Don't worry, I won't make you write it. 419 00:23:37,760 --> 00:23:41,720 Speaker 1: Here comes the average White band message. Okay, I just 420 00:23:41,760 --> 00:23:44,320 Speaker 1: listened to your Jim Morrison death episode and it all 421 00:23:44,359 --> 00:23:48,200 Speaker 1: sounds very plausible. The tale of mistaking horse for snow 422 00:23:48,320 --> 00:23:51,480 Speaker 1: that's heroin for cocaine reminds me of the sad tale 423 00:23:51,520 --> 00:23:53,680 Speaker 1: of the average White Band who were then riding high 424 00:23:53,720 --> 00:23:56,919 Speaker 1: on the novelty of being a great funk band from Scotland, 425 00:23:57,359 --> 00:24:01,320 Speaker 1: only to almost lose it all in disgraceful The tale 426 00:24:01,400 --> 00:24:04,920 Speaker 1: of Robbie McIntosh seems like a story perfect for an episode. Anyway. 427 00:24:04,960 --> 00:24:07,000 Speaker 1: A little while back, you're asking people about artists who 428 00:24:07,000 --> 00:24:09,240 Speaker 1: took an experimental left turn, and I wanted to submit 429 00:24:09,359 --> 00:24:12,159 Speaker 1: sound effects by the jam Before this much of their 430 00:24:12,160 --> 00:24:15,680 Speaker 1: output didn't stray far from the jangly retropop mod nods 431 00:24:16,080 --> 00:24:19,640 Speaker 1: to the Kinks, the Small Faces and the Who sound effects. 432 00:24:20,040 --> 00:24:23,280 Speaker 1: Was their departure with angular new wave, perhaps inspired by 433 00:24:23,440 --> 00:24:26,399 Speaker 1: XTC Gang of Four and perhaps the success of the 434 00:24:26,400 --> 00:24:30,120 Speaker 1: Police with lots of dub influenced studio experimentation that leaned 435 00:24:30,119 --> 00:24:33,959 Speaker 1: into art school way more than the reputation previously suggested. 436 00:24:34,400 --> 00:24:36,359 Speaker 1: I loved the one Yo Williams episode. I wanted to 437 00:24:36,359 --> 00:24:38,160 Speaker 1: go back in time, knock the gun away and tell 438 00:24:38,160 --> 00:24:40,879 Speaker 1: her that the twenty first century needs her. But I digress. 439 00:24:41,280 --> 00:24:43,680 Speaker 1: My rock and roll time machine will be working overtime 440 00:24:43,760 --> 00:24:45,639 Speaker 1: to try to get to Otis Redding before we stepped 441 00:24:45,680 --> 00:24:47,800 Speaker 1: on that plane and walking me as about a home 442 00:24:47,840 --> 00:24:50,080 Speaker 1: on that night. It's late as I type, and I 443 00:24:50,080 --> 00:24:53,119 Speaker 1: got work to do, so Jake Zeth and company, you 444 00:24:53,480 --> 00:24:55,800 Speaker 1: have all my love for what you do. That's from 445 00:24:55,880 --> 00:24:58,920 Speaker 1: Kenden Smith. Kenden, thank you so much. And I read 446 00:24:58,920 --> 00:25:01,479 Speaker 1: this because of the average White band reference. Thank you 447 00:25:01,800 --> 00:25:04,840 Speaker 1: don't know much about them. Perhaps yes there is an 448 00:25:04,840 --> 00:25:07,280 Speaker 1: episode I was joking earlier, but perhaps there may be. 449 00:25:07,320 --> 00:25:09,439 Speaker 1: But I also I really like this thing about the 450 00:25:09,520 --> 00:25:13,200 Speaker 1: jam Paul Weller and sound effects. I had no idea 451 00:25:13,320 --> 00:25:17,359 Speaker 1: about this album and it's plausible. The whole XTC Gang 452 00:25:17,359 --> 00:25:20,200 Speaker 1: of four influence. I love it. Thanks Kendon, appreciate you guys. 453 00:25:20,320 --> 00:25:23,399 Speaker 1: Hit me up Disgrace lampod at gmail dot com. You 454 00:25:23,440 --> 00:25:25,280 Speaker 1: want to hit me to a story, you want to 455 00:25:25,320 --> 00:25:27,600 Speaker 1: hit me to an album I should be listening to. 456 00:25:27,640 --> 00:25:29,240 Speaker 1: You want to get in on answers to any of 457 00:25:29,240 --> 00:25:32,520 Speaker 1: our questions, any of our subjects that we are discussing. 458 00:25:32,560 --> 00:25:36,359 Speaker 1: Disgrace lampod at gmail dot com great place to do it. 459 00:25:36,400 --> 00:25:40,160 Speaker 1: Also at disgracelampod on these socials and you can jump 460 00:25:40,200 --> 00:25:43,200 Speaker 1: into the Patreon chat anytime you want. Zeth and I 461 00:25:43,320 --> 00:25:46,600 Speaker 1: will be chatting in Patreon coming up in just a moment. 462 00:25:46,640 --> 00:25:48,920 Speaker 1: We're gonna be talking about Ze's summer recommendations and a 463 00:25:48,960 --> 00:25:51,680 Speaker 1: whole lot of other stuff. It's a great conversation. Can't 464 00:25:51,720 --> 00:25:53,040 Speaker 1: wait for you to get in near with us. If 465 00:25:53,040 --> 00:25:54,760 Speaker 1: you want to be part of that exclusive conversation, go 466 00:25:54,800 --> 00:25:58,040 Speaker 1: to disgracelampod dot com sign up, become an all access member. 467 00:25:58,040 --> 00:25:59,719 Speaker 1: That will not only get you this convot, I'll get 468 00:25:59,760 --> 00:26:02,160 Speaker 1: you free listening. Okay, it's also gonna get you into 469 00:26:02,200 --> 00:26:04,200 Speaker 1: the Patreon chat with the rest of the discos over 470 00:26:04,280 --> 00:26:06,600 Speaker 1: on Patreon. All right, go to disgrace slampod dot com 471 00:26:06,600 --> 00:26:09,080 Speaker 1: to sign up now before we do that, Before we 472 00:26:09,119 --> 00:26:11,000 Speaker 1: do that, before we jump into that. This is my 473 00:26:11,119 --> 00:26:15,840 Speaker 1: reminder this film should be played loud. Okay, new episode 474 00:26:15,880 --> 00:26:18,040 Speaker 1: on Do the Right Thing, You're not gonna want to 475 00:26:18,080 --> 00:26:20,800 Speaker 1: miss it. All access gets you into that action as well. 476 00:26:20,840 --> 00:26:22,840 Speaker 1: Disgrace lampod dot com to sign up, you get our 477 00:26:22,840 --> 00:26:25,760 Speaker 1: monthly video podcasts. This film should be played loud where 478 00:26:25,760 --> 00:26:28,560 Speaker 1: we talk about our favorite music in our favorite movies. 479 00:26:28,720 --> 00:26:31,680 Speaker 1: There's a new film for every episode. This episode again 480 00:26:31,760 --> 00:26:33,240 Speaker 1: is on Spike Lee's Do the Right Thing. You're not 481 00:26:33,280 --> 00:26:35,440 Speaker 1: gonna want to miss it. Go to disgrace slampod dot 482 00:26:35,480 --> 00:26:37,639 Speaker 1: com to sign up, and of course you can catch 483 00:26:37,800 --> 00:26:40,200 Speaker 1: me and Zeth in the wrap party in the Hollywood 484 00:26:40,240 --> 00:26:43,880 Speaker 1: Land feed every week as well. Make sure you're following 485 00:26:43,920 --> 00:26:46,840 Speaker 1: Hollywood Land on Apple Podcasts. I heard a ready at 486 00:26:46,840 --> 00:26:49,159 Speaker 1: wherever you get your podcasts? All right, back right after this, 487 00:27:02,680 --> 00:27:04,440 Speaker 1: All right, we are back. We are ready to split. 488 00:27:04,480 --> 00:27:06,160 Speaker 1: But before we do, just want to say we mentioned 489 00:27:06,240 --> 00:27:08,680 Speaker 1: a ton of episodes. Guys, over two hundred and sixty 490 00:27:08,720 --> 00:27:11,760 Speaker 1: five episodes in the archive, and yet there is no 491 00:27:12,000 --> 00:27:14,840 Speaker 1: Paul Weller in the Jam episode. We talk about artists 492 00:27:14,920 --> 00:27:17,200 Speaker 1: every single week, and like I said, so many of 493 00:27:17,240 --> 00:27:19,520 Speaker 1: them have been covered in Disgraceland. If you guys want 494 00:27:19,720 --> 00:27:22,639 Speaker 1: if you want info on how to best navigate to 495 00:27:22,760 --> 00:27:26,080 Speaker 1: these artists, hit us up Disgracelandpod at gmail dot com. 496 00:27:26,400 --> 00:27:29,360 Speaker 1: Email you can call six one seven nine six sixty 497 00:27:29,359 --> 00:27:31,200 Speaker 1: six three eight voicemail and text and we'll point you 498 00:27:31,200 --> 00:27:33,960 Speaker 1: in the right direction. Let's recap shally because I get 499 00:27:34,000 --> 00:27:35,600 Speaker 1: it out of here. Number one this week, our new 500 00:27:35,640 --> 00:27:37,879 Speaker 1: episode on Dolly Parton that's available for you right now. 501 00:27:37,960 --> 00:27:39,919 Speaker 1: Number two in the rebind slot this weekend. Our classic 502 00:27:39,920 --> 00:27:43,320 Speaker 1: episode on Amy Winehouse. Number three next week coming up, 503 00:27:43,359 --> 00:27:46,440 Speaker 1: our new episode on slip Knot. Number four is that's 504 00:27:46,440 --> 00:27:48,119 Speaker 1: going to give you those Hollywood and crime vibes and 505 00:27:48,119 --> 00:27:50,600 Speaker 1: the Hollywood land feeds. So make sure you are subscribed. 506 00:27:50,640 --> 00:27:52,439 Speaker 1: You're gonna get the wrap party over there. Current this 507 00:27:52,480 --> 00:27:55,199 Speaker 1: film should be played loud video podcast episode on Do 508 00:27:55,359 --> 00:27:59,159 Speaker 1: the Right Thing that's July twenty ninth. Go to disgracelandpod 509 00:27:59,200 --> 00:28:01,320 Speaker 1: dot com to sign up. Become an all access member 510 00:28:01,359 --> 00:28:04,480 Speaker 1: to unlock exclusive content. Just like this along with ad 511 00:28:04,520 --> 00:28:06,919 Speaker 1: forree listening number six six one seven ninet of six 512 00:28:07,000 --> 00:28:08,959 Speaker 1: six six three eight. Your voice keeps us digging into 513 00:28:08,960 --> 00:28:10,959 Speaker 1: the dark corners of music history. So keep calling, keep 514 00:28:11,000 --> 00:28:13,200 Speaker 1: texting for your answers to this week's question of the week, 515 00:28:13,280 --> 00:28:15,240 Speaker 1: or with whatever else you want to talk about. Number seven. 516 00:28:15,240 --> 00:28:18,160 Speaker 1: Don't forget this goes. This isn't just content. It's a community, 517 00:28:18,160 --> 00:28:21,200 Speaker 1: a community of the obsessed, and no one cares about music, books, 518 00:28:21,200 --> 00:28:23,240 Speaker 1: records in the crime and grime that ties them all 519 00:28:23,240 --> 00:28:26,320 Speaker 1: together like you do. And well that's a disgrace, all right. 520 00:28:26,320 --> 00:28:30,000 Speaker 1: Back on March twenty seventh, nineteen seventy six, the second 521 00:28:30,080 --> 00:28:33,320 Speaker 1: night of Dolly Parton's Jamboree, and this is what America 522 00:28:33,359 --> 00:28:36,280 Speaker 1: was listening to on that day, according to the Billboard Charts, 523 00:28:37,400 --> 00:28:41,160 Speaker 1: Number one December nineteen sixty three, Oh What a Night, 524 00:28:41,760 --> 00:28:46,720 Speaker 1: The Four Seasons. Last week one Peap position one weeks 525 00:28:46,760 --> 00:28:51,960 Speaker 1: on Chart fourteen, number two, Dream Weaver Gary Wright, last 526 00:28:51,960 --> 00:28:57,560 Speaker 1: week three Peap position two weeks on Chart thirteen, number three, 527 00:28:58,040 --> 00:29:02,040 Speaker 1: Lonely Night, Angel Face Aptin Ma Tale, last week's on 528 00:29:02,320 --> 00:29:05,920 Speaker 1: five Keep position number three weeks on Sure five Test 529 00:29:06,560 --> 00:29:11,360 Speaker 1: number four all Bye bye, positions, Eric curring last week 530 00:29:11,720 --> 00:29:32,920 Speaker 1: to pea physicians to trusts, quit talking, and start mixing