WEBVTT - Night Lights

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild.

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<v Speaker 2>Our world is full of the unexplainable, and if history

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<v Speaker 2>is an open book, all of these amazing tales are

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<v Speaker 2>right there on display, just waiting for us to explore.

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<v Speaker 2>Welcome to the Cabinet of Curiosities. There is no name

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<v Speaker 2>more controversial in modern Indian politics than oring Zeb. But

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<v Speaker 2>he's not a modern politician.

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<v Speaker 1>No. He was an emperor who ruled from sixteen fifty

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<v Speaker 1>eight to seventeen oh seven. Indian Muslims see him as

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<v Speaker 1>a national hero, while Indian Hindus see him as a

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<v Speaker 1>murdering tyrant, and because of this, frequent violent clashes have

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<v Speaker 1>erupted over his tomb as recently as last year. It's amazing,

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<v Speaker 1>but perhaps not surprising, that someone from hundreds of years

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<v Speaker 1>ago could still be having such an impact today. All

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<v Speaker 1>countries like to co opt certain historical figures and push

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<v Speaker 1>a modern narrative, but for the curious, the actual historical

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<v Speaker 1>details can bring us closer to the truth. Oringzeb's childhood

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<v Speaker 1>is a familiar one to cabinet listeners. Born into royalty,

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<v Speaker 1>he had to murder or imprison his family in order

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<v Speaker 1>to become king. The most notable detail from his childhood

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<v Speaker 1>has to do with his mother's death. You've heard of

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<v Speaker 1>taj Mahal right, well, that was his mother's tomb, built

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<v Speaker 1>by his grief stricken father. However, Oringzeb was less interested

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<v Speaker 1>in building monuments and more interested in expanding his power.

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<v Speaker 1>His kingdom, known as the Mughal Empire, was a Sunni

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<v Speaker 1>Muslim empire with its origin in modern day Afghanistan. His

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<v Speaker 1>great grandfather had expanded it to cover half of India,

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<v Speaker 1>but Oringzeb thought that he could unite the entire Soub continent.

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<v Speaker 1>He believed that he could do this through Islam, bringing

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<v Speaker 1>various regional princes under his control by forcing them to

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<v Speaker 1>more closely obey religious law. Once he had done this,

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<v Speaker 1>he started to tax Hindus and Shia Muslims at double

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<v Speaker 1>the rate of Sunni Muslims. This was obviously unpopular, to

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<v Speaker 1>say the least, but Oringzeb would put down any resistance,

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<v Speaker 1>violently burning the temples of those who didn't comply. However,

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<v Speaker 1>he would spare those who did and adamantly protected their communities. Ultimately,

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<v Speaker 1>only a small fraction of Hindu temples were ever destroyed.

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<v Speaker 1>There are several cases of Muslims harassing Hindu temples and citizens,

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<v Speaker 1>and in such cases Orringzeb often sided with the Hindus

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<v Speaker 1>and had them protected and compensated. But his taxation policy

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<v Speaker 1>did more than create violence. It inherently made Hindus into

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<v Speaker 1>a second class citizen, and Oringzeb's protective tendencies only extended

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<v Speaker 1>so far. Three major challenges to his rule would test

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<v Speaker 1>his power and lead him into violent action. First, the

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<v Speaker 1>Sikh Guru of the time, the leader of that entire faith,

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<v Speaker 1>had a popular following within India. He was said to

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<v Speaker 1>perform miracles and was actively converting people to his faith,

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<v Speaker 1>which was in direct conflict with Oringzeb's policies. On top

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<v Speaker 1>of this, he had a large nomadic army that sometimes

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<v Speaker 1>followed him around. Oringzeb couldn't allow this threat to his rule,

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<v Speaker 1>and so he had the Guru captured and executed. Second,

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<v Speaker 1>he didn't anticipate what would become his greatest rival of all,

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<v Speaker 1>the Marata Empire. It was a Hindu empire in southern

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<v Speaker 1>India that had only recently risen against the previous oppressors

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<v Speaker 1>and started to expand once Oringzeb encountered them, he found

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<v Speaker 1>their hit and run guerrilla tactics hard to contend with.

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<v Speaker 1>By sixteen eighty one, the Marata Empire was led by

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<v Speaker 1>King Sambachi, whose men were known for their violent burning

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<v Speaker 1>of villages and the raping of women. This was in

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<v Speaker 1>contrast to Oringzeb's treatment of women, which was traditional and

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<v Speaker 1>tricked by any modern standard, but still afforded them protection

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<v Speaker 1>and certain rights. Simbaji contributed to Orringzeb's third great challenge,

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<v Speaker 1>the defection of his fourth son, Akbar. Akbar had been

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<v Speaker 1>sent to put down rebellions in the south, but was

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<v Speaker 1>instead tempted to join them and depose his father. When

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<v Speaker 1>this failed, Simbaji took him in and tried to help

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<v Speaker 1>him muster more support. When this didn't happen, Simbaji sent

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<v Speaker 1>Akbar to safety in Persia, while Oringzeb ultimately captured Simbaji

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<v Speaker 1>and had him executed in sixteen eighty six. Oringzeb never

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<v Speaker 1>did find his son Akbar, but he swore that he

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<v Speaker 1>would outlive him if nothing else. Oringzeb would continue to

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<v Speaker 1>fight rebellions his entire reign, but by the end of

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<v Speaker 1>his life in seventeen oh seven, he had conquered almost

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<v Speaker 1>the entirety of India. Despite all of the turmoil, his

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<v Speaker 1>kingdom was incredibly wealthy, producing more goods than any other

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<v Speaker 1>on the planet at the time. He was more powerful

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<v Speaker 1>than contemporaries such as Louis the fourteenth and Frank and

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<v Speaker 1>the Qing dynasty emperors in China. His strict religious policies

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<v Speaker 1>may have led to violence, but they did bring about

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<v Speaker 1>a unification that India wouldn't enjoy again for decades after.

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<v Speaker 1>Following his reign, infighting among the different groups in his

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<v Speaker 1>empire made India an easy target for British invasion. This

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<v Speaker 1>also gets blamed on Oringzeb but it's hard to know

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<v Speaker 1>if a more pluralized India would have stood a better chance. Ultimately,

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<v Speaker 1>he was less the tyrant that modern pundits paint him

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<v Speaker 1>as and more a stern, traditional leader, no more violent

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<v Speaker 1>than any other leader of the time, And for those

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<v Speaker 1>who are curious, he lived to the age of eighty eight,

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<v Speaker 1>outliving his hated son Akbar by just one year. A

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<v Speaker 1>long time ago, a stagecoach was rolling through the Wealth countryside,

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<v Speaker 1>not far from the town of Clandilo. The road ran

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<v Speaker 1>alongside a river. As the passengers looked out over the water,

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<v Speaker 1>they noticed a strange phenomenon, three red lights hovering over

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<v Speaker 1>the waves. Not knowing what to make of it, the

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<v Speaker 1>coach rolled on and the passengers put the strange sight

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<v Speaker 1>out of their minds. Soon after, three men found themselves

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<v Speaker 1>traveling down that very same river in a small boat

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<v Speaker 1>known as a coricle. They fought against the raging currents. However,

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<v Speaker 1>their boat overturned and all three were drowned in exactly

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<v Speaker 1>the same spot where the lights had been seen hovering

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<v Speaker 1>over the water. These lights, of course, have a special

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<v Speaker 1>name in Welsh folklore. They're known as a corpse candle.

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<v Speaker 1>They're rarely depicted as literal candles with wax and a wick.

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<v Speaker 1>There more often just lights hovering in the dark like fireflies.

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<v Speaker 1>Whenever a corpse candle appears, it's said to be an

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<v Speaker 1>omen of impending death, sometimes for someone nearby and other

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<v Speaker 1>times for the person who saw them. Their size can

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<v Speaker 1>correlate to how old the victim will be, and the

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<v Speaker 1>location can show where their final resting place will be.

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<v Speaker 1>When the lights are red, the doomed individual will be

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<v Speaker 1>a man, and when they are white, it will be

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<v Speaker 1>a woman. If the light is tall, it means that

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<v Speaker 1>they'll be old and if it's short, they'll be a child.

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<v Speaker 1>The earliest corpse candle stories are much like the one

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<v Speaker 1>with the men on the boat, simple ambiguous tales of

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<v Speaker 1>strange phenomena connected to the dead. Of course, if there

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<v Speaker 1>was a connection between the lights and the deaths, it

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<v Speaker 1>was a circumstantial one. The candles pointed to a location

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<v Speaker 1>where death would lurk, but they did little more than

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<v Speaker 1>shine ominously in the dark. Travelers saw them beside long

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<v Speaker 1>and lonely roads, pointing off into the gloom. Some of

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<v Speaker 1>these are known as corpse roads, which usually lead to

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<v Speaker 1>a cemetery or a churchyard, a place for rest for

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<v Speaker 1>those who have passed on. But as the legends expanded,

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<v Speaker 1>corpse candles were more than just a creepy signpost. If

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<v Speaker 1>you followed them, they said, you might find where some

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<v Speaker 1>or forgotten soul had died or been buried. One particularly

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<v Speaker 1>vivid story tells of a roving corpse candle that perfectly

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<v Speaker 1>traced a future funeral procession, right down to a fifteen

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<v Speaker 1>minute pause they had to make along the road to

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<v Speaker 1>the churchyard. Over time, they began to serve a dual purpose,

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<v Speaker 1>both as an omen and as a memorial. At first, glance,

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<v Speaker 1>it's impossible to tell if the corpse candle signals a

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<v Speaker 1>death that will happen or one that already has. If

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<v Speaker 1>you see one, you might even foretell your own impending doom. Later,

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<v Speaker 1>Welsh legends tell of corpse candles burning from within the

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<v Speaker 1>mouth of a dead man, or bringing a ghost to

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<v Speaker 1>pronounced doom upon a household. It became the proverbial light

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<v Speaker 1>that dying men and women would see as they passed on.

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<v Speaker 1>Like many folk tales, though these stories were first documented

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<v Speaker 1>in the eighteenth and nineteenth centuries, with their origin stretching

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<v Speaker 1>back into oral tradition, finding the very start of such

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<v Speaker 1>legends can be nearly impossible, even for experts in the

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<v Speaker 1>but of course folklorists have their own theories. Some have

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<v Speaker 1>suggested that the essential roots of the story, that is,

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<v Speaker 1>someone seeing a mysterious light on a road, are true,

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<v Speaker 1>and the supernatural elements are what came in later. According

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<v Speaker 1>to them, the story of the stagecoach near Clandilo may

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<v Speaker 1>not have literally happened, but someone might have had a

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<v Speaker 1>similar sighting and related it into the world of legend.

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<v Speaker 1>But what they saw wasn't an impossible flame floating over

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<v Speaker 1>a river. Now theories suggest that the first corpse candles

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<v Speaker 1>were in fact glow worms or electrical phenomena in the air,

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<v Speaker 1>natural things that the early Welsh people wouldn't have understood,

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<v Speaker 1>but would have been awed by all the same. Our brains,

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<v Speaker 1>after all, love to make connections. It's easy to imagine

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<v Speaker 1>that someone saw one of these optical effects and then

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<v Speaker 1>heard the story of a drowning nearby, and simply connected

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<v Speaker 1>the two. Rumors and speculations about deaths are temporary things,

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<v Speaker 1>but once a rumor becomes a ghost story, it tends

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<v Speaker 1>to have a much longer afterlife. I hope you enjoyed

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<v Speaker 1>today's guided tour through the Cabinet of Curiosities. This show

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<v Speaker 1>was created by me Aaron Manke in partnership with iHeart Podcasts,

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<v Speaker 1>researched and written by the Grim and Mild team, and

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<v Speaker 1>produced by Jesse Funk. Learn more about the show and

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<v Speaker 1>the people who make it over at Grimandmild dot com

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<v Speaker 1>slash Curiosities. You'll also find a link to the official

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<v Speaker 1>Cabinet of Curiosity's hardcover book, available in bookstores and online,

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<v Speaker 1>as well as ebook and audiobook, and if you're looking

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<v Speaker 1>for an ad free option, consider joining our Patreon. It's

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<v Speaker 1>all the same stories, but without the interruption for.

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<v Speaker 2>A small monthly fee. Learn more and sign up over

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<v Speaker 2>at patreon dot com. Slash Grimandmild, and until next time,

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<v Speaker 2>stay curious.