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Speaker 1: Yeah, man, ain't got ain't get in with you two?

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Speaker 1: Show a song. You know the song. I don't know

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Speaker 1: what you got, don't know the ship the work I

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Speaker 1: play got that was having a brain. You don't know

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Speaker 1: where that song came from? All right? Hold up? Maybe

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Speaker 1: backstory outside? Yeah, welt that down. I want to me

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Speaker 1: what you say? We all need want to clearly drink that.

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Speaker 1: But I'm gonna drink this. It's okay before you kill

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Speaker 1: it up? How do you come? How did that come about?

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Speaker 1: It was a whole another song it was called up

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Speaker 1: you just a bitch. A little John had a song

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Speaker 1: called I Like Them, Girls like Them, girls like girls

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Speaker 1: like everybody like because one song ain't nothing like pep

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Speaker 1: at the end side and the b side was just

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Speaker 1: a bit. Hold on, I'm asking so at the end

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Speaker 1: of one of your songs, is ain't nothing like Pemper?

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Speaker 1: Doing the ad lives ain't nothing like pamper? You know

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Speaker 1: that's a top notch Hold just a bitch? What do

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Speaker 1: you say? I want a bit? That's a top notch

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Speaker 1: Hold just a bid? Come right behind? Motherfuck you damn

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Speaker 1: ship head bed. So we gotta ask this, We gotta

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Speaker 1: ask this bitch too short. Favorite word man, you know,

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Speaker 1: I don't want to say it like short. I don't know.

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Speaker 1: It's kind of like take a little bit of all

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Speaker 1: the elements of what of what influences you. I was like,

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Speaker 1: you know, like the mac no fucking what's my man?

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Speaker 1: Doler mite? Yeah, right there coming, And just like you know,

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Speaker 1: you gotta figure out who your character gonna be, you know,

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Speaker 1: reading all the fucking Donald Boys books, I'm like, you know,

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Speaker 1: who's your character gonna be. That's another one of my question.

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Speaker 1: I was gonna ask you your top family. So it's

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Speaker 1: like you drunk mother judgment, I'm gonna check out at

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Speaker 1: my bucket list. You're talking about ship, you say bitch.

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Speaker 1: You say bitch, and then you say, I'm saying that

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Speaker 1: just just kind of pre Chris, Oh, that's class. And

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Speaker 1: then you get in front of the crowd and you're rocky,

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Speaker 1: like you know, everybody all our rappers was like somebody

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Speaker 1: that who who? I was like, I'm gonna stays nobot say,

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Speaker 1: she's where the craziest place that you saw that reaction

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Speaker 1: that you didn't think that you would see the reaction

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Speaker 1: you say bitch and everybody in the crowd it blew

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Speaker 1: your mind, and that many people said, bit when you

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Speaker 1: go to them places where they don't speak English, but

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Speaker 1: they know that ship. You know what I mean, They

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Speaker 1: don't speak no fucking English. You see motherfucker wrapping your song.

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Speaker 1: And then you'd be like, oh boy, you know all

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Speaker 1: the words and then don't even know English. You're like

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Speaker 1: the only words he know in English? Your words? Yeah?

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Speaker 1: Why they do that ship? What's the strangest request from

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Speaker 1: my lady? This is my next question. Listen to this.

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Speaker 1: Everybody know this song right? In fact, play another word.

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Speaker 1: It's way harder than this virgin. It's called You're just

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Speaker 1: a bit, Little John, You're just a bit. You might

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Speaker 1: have to send that to that nigger. I don't know

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Speaker 1: if that one on the end, and that it's how

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Speaker 1: many songs do you got? Called matches of songs they played?

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Speaker 1: Play met a bit that you got to say that

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Speaker 1: the bitch? How the people ran off with him? You said,

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Speaker 1: false singers take traps? That was a long time did

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Speaker 1: you count? Hold up? This is my question. What's the

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Speaker 1: strangest request from a lady that came up to you

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Speaker 1: and said, called me a bit? They said that every day,

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Speaker 1: every day, Please like you ever been shocked? Blood you

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Speaker 1: shore they are here. I called my lady, So it

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Speaker 1: is the original being made here. This is a clean

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Speaker 1: version at about to do right. And they came back

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Speaker 1: with being vegh because they can't get a rare gets

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Speaker 1: original right now shooting you. She's been by by none

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Speaker 1: ship get your I ain't putting my head up. They

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Speaker 1: really don't know when they were inventing COMI right, I

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Speaker 1: was standing right there. I'm the sucking room every studio session,

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Speaker 1: I was on the the songs. I was here. Yeah,

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Speaker 1: and then it goes It's like, okay, it's all h

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Speaker 1: T l s. It's the eggs, ain't I'm like, I

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Speaker 1: remember when it was lympist Yeah, yeah, turned it into

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Speaker 1: something big and better stuff. Look give me some min

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Speaker 1: he wrong? Wrong? Hey? Wrong? Which? And I don't don't

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Speaker 1: remember the don't remember the pends here And if you man,

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Speaker 1: y'all know that where that music came from? Man that

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Speaker 1: Thretty six mathia Mike, Hey, that's the perfect time to

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Speaker 1: tell these folks welcome back to the You see what

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Speaker 1: do you see? What we got this year is what

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Speaker 1: you're called merchant. But on the merchend it say it's

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Speaker 1: getto legends. We're going to another level with this trap ship.

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Speaker 1: We got a real laugh. Get o leegend, Come on

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Speaker 1: in here with us today. Come man, we can really

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Speaker 1: introduce this man for twenty minutes. Man, man, and I'll

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Speaker 1: tell you what. If you're watching this right now, go

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Speaker 1: get your mama and tell her we got too short short.

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Speaker 1: We're not some along total. We got some much ground

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Speaker 1: the cover of the night ship. It's a man that

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Speaker 1: he put his work in, all the way he put

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Speaker 1: his work in. He used to have my two short tapest.

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Speaker 1: My mama told me, I don't get what you live,

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Speaker 1: said too, but you've been I'm talking about. He was

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Speaker 1: the whole generation of young men. What to do if

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Speaker 1: you just so evident to stumble upon of it? Not

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Speaker 1: a lady, not your girlfriend, Hey names. I met this

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Speaker 1: colonla the way I brought on the microphone when I

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Speaker 1: met you, I took her came nigger. She was just

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Speaker 1: like a dog. He all on my bomb. So he

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Speaker 1: brought a ghetto Bible, exactly the ghetto Bible. Just the

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Speaker 1: same man that told us Nancy Reagan came to his out,

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Speaker 1: gave him a blue job, lick the dick up and

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Speaker 1: down like it was calling on the cop and niggas

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Speaker 1: actually believed it. But he ain't had no reason a lot.

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Speaker 1: But what happened you tell me, you know what happened later?

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Speaker 1: What they say Nancy raising was Nancy guiltiest guilt you know,

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Speaker 1: was a big star captain, keep it name. I don't

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Speaker 1: blame it. I heard you used to runt out too,

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Speaker 1: but that's nothing of our that's none of our business.

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Speaker 1: World leaders. A lot of Nancy's got skills. Though you

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Speaker 1: finished the intro okay world, We're now speaker, better motivational talker,

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Speaker 1: O G brap Come on, pimp player on Mcaroni had

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Speaker 1: one of the hardest hits in the middle of the

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Speaker 1: crack era. Come on, man, rapid streaming wasn't even the thatch.

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Speaker 1: Nigger got an eight track he put out. Come on man,

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Speaker 1: come on man, come on man, just born and don't

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Speaker 1: forget the song that don't Never go away? Which one

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Speaker 1: is that? Now? The one that maver go away? You

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Speaker 1: want to go? You want to hear that ship everywhere

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Speaker 1: you go, Ladies and gentlemen, none others give it too short.

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Speaker 1: Before we started, you in the room for the comedians,

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Speaker 1: and I want to say thank you because when you

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Speaker 1: said all the skin of girls, let Bruce, Bruce hit it. Yeah,

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Speaker 1: she gave comedians hope you shout out how too. I

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Speaker 1: always with the comedian really is my homie. So I

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Speaker 1: was like, not just trying to rhyme. I was like

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Speaker 1: my homie and play. He came over and held about that.

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Speaker 1: You got that man so much pussy one Bruce. But

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Speaker 1: y'all don't know that, y'all. Y'all do know he was

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Speaker 1: like the biggest best comedian in Atlanta for ye people

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Speaker 1: a comedy in Atlanta for a long time, a long time.

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Speaker 1: He was that guy like Bruce. Chris Rucker would have

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Speaker 1: been somewhere going Bruce, put me on ye next time

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Speaker 1: you feeling generous too. I've been putting it down ever

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Speaker 1: since he left. Come on, my turn gives pot exactly.

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Speaker 1: So actually, what year did it all start for me? Yeah? Uh, well,

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Speaker 1: you know I jumped off the porch like in nineteen eighty. Yeah,

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Speaker 1: I was like like fourteen years old then I was.

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Speaker 1: I started running behind my brother in the streets of Oakland.

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Speaker 1: I started wrapping at the same time and kind of

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Speaker 1: um we did. We used to do the street hustle

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Speaker 1: and just selling tapes and ship was pretty popular. We

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Speaker 1: used to do customized tapes for the kingpins, you know,

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Speaker 1: the drug kingpins, and then all the foot soldiers we

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Speaker 1: give them like you know, differ a little mixed tapes

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Speaker 1: and ship. And I finally got to make a record

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Speaker 1: in five that's um. It's called Don't Stop Rapping And basically,

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Speaker 1: you know, all my ship comes from, like like the

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Speaker 1: street ship. Like the way I got that first album

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Speaker 1: ever was through some street niggas, you know, the way

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Speaker 1: I've got my ship out on the streets. And when

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Speaker 1: we're starting tapes street niggas, you know what I mean,

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Speaker 1: Like we only we only sold tapes to drug dealers

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Speaker 1: and then somebody else to be copying them and let

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Speaker 1: all the civilians get it. But I fucking um eighty

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Speaker 1: five devil went this independent level called seventy five Girls

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Speaker 1: and it's a real player ship seventy five Girls and

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Speaker 1: nigga who owned it was a real player and it

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Speaker 1: was real like real players ship, like you walk up.

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Speaker 1: He supposed to be going to the studio, holiday the

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Speaker 1: label owner or whatever. The bitches and their panties they

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Speaker 1: party in this music. You know, he even like even

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Speaker 1: like you know, it was giving me like game like

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Speaker 1: little learning lessons and ship like help, like had the

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Speaker 1: brought um push up on me like his he had

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Speaker 1: his little girlfriend pull up on me and be like, hey, yeah,

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Speaker 1: shut um, if you tell me some dirt on on Dean,

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Speaker 1: I can get some pussy. I'm a little nigger, right,

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Speaker 1: I'm like ship the bitch next, don't come over every

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Speaker 1: time you leave and they put me back like he

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Speaker 1: know how, don't be doing to be like that? Like

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Speaker 1: you know, you know what I'm saying. You're in this invitment, bro,

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Speaker 1: you got to keep it playing, so you know exactly

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Speaker 1: put my car anyway definitely for more to use. You're tripping, No,

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Speaker 1: you didn't miss the poor It was a throw that woman.

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Speaker 1: I'm a little like she went in the room, so

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Speaker 1: I'll be right back to let the rope slip open

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Speaker 1: a little bit. That maybe over here all the time,

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Speaker 1: but my game, the game, and later on I got

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Speaker 1: all this all this game from him about how to

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Speaker 1: self independent records. You know the studio, the magnf s

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Speaker 1: for the you know where the pressing up where the

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Speaker 1: motherfucking who distributed him through all kind of ship and

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Speaker 1: I I started my own ship with some new partners

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Speaker 1: in eight seven. That's freaky. Tells all this ship you

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Speaker 1: on roll every sing so I don't know where you

189
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Speaker 1: where it starts because the nigga been famous since like

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Speaker 1: Levon Grade but six first album. Okay, but I want

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Speaker 1: to ask this about the mixtape. So you just catering

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Speaker 1: the straight to the to the campaigns and you're dropping

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Speaker 1: their name with you wrap partner named Freddie B. Okay.

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Speaker 1: Freddie B was from West Oakland, but he lived in

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Speaker 1: East Oakland. He'd been in like Juvenile Hall and the

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Speaker 1: in the Bad Kids camping all that ship. He knew

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Speaker 1: all the street niggas. I didn't really know all the

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Speaker 1: niggas like like all over the city. So Freddy B

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Speaker 1: was a rapper. I was a rapper. They try to

200
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Speaker 1: pit us against each other. That's what they did back

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Speaker 1: in the day, like my homeboy rap my home you know,

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Speaker 1: so we're getting there, we're supposed to be battling or whatever.

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Speaker 1: He ended up being like homies and we made a

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Speaker 1: tape and the niggas. He was like, nigga, we could

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Speaker 1: sell this ship. You know, we're little niggas. I'm like

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Speaker 1: soon we're gonna sell it too. Ain't nobody out at

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Speaker 1: the time, but sucking like run DMC and something. It's

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Speaker 1: back in the day. This Grandmaster Flash nigga said, Man,

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Speaker 1: the niggas over there something. We right down the street

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Speaker 1: and we rolled over there. One tape. Nigga said, you

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Speaker 1: want to buy this tape. A couple of niggas new him.

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Speaker 1: Let us walk up on him. I want to buy

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Speaker 1: this tape. Take what nigga, Just listen to it. So

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Speaker 1: Homy opened up the car door popping and he got

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Speaker 1: the loud stereo and we're bumping in and ship and

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Speaker 1: then one of the niggas just slid in the front seat.

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Speaker 1: H e Jack was like, how much you want for it?

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Speaker 1: Five hours? The other niggas like, nigg I want want too,

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Speaker 1: Like Nick, we only got one. We'll be back tomorrow.

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Speaker 1: We come back tomorrow. The niggas we had I've been right.

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Speaker 1: We was at the Royal Park and niggas said the

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Speaker 1: nigga's pull up on them too, were like all ship.

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Speaker 1: So we we were just like living in the moment.

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Speaker 1: But when the nigga said the niggas on eighty four

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Speaker 1: step pull up, We're like nickea. Let's go hit every

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Speaker 1: turf ware they sell dope and we start doing that.

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Speaker 1: We just walked up on all the drugs dealer The

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Speaker 1: first time they'd be like, nigg who's who's your nigga

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Speaker 1: is like check the music out, but then the word

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Speaker 1: was reading them, so uh a nigger named Freddie Pratt.

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Speaker 1: My rap part the name is Freddie B. So the

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Speaker 1: nigga name Freddie Pratt. I feel like he was like

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Speaker 1: a fan of Freddie B because Freddie P. But he

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Speaker 1: was like, man, I can wrap two, should come to

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Speaker 1: my spot. So we pulled up with Freddy Pratty take

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Speaker 1: us to like a dopehouse and he got like way

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Speaker 1: better equipment than us, but he can't really wrap that good.

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Speaker 1: But it's like we feel like we're moving up a

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Speaker 1: little bit in the world, you know what I'm saying.

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Speaker 1: And the nigga who spot it was he was like

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Speaker 1: a like a real reptable town nigga. So we try

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Speaker 1: to go to the boss man and say, hey, you

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Speaker 1: gonna hear one of these tapes. He was like, man,

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Speaker 1: I'm gonna hear that fucking whack ass rap shitty like

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Speaker 1: he said, fucking raps You know, nig dope, listen to

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Speaker 1: the tower. I wouldn't listen to rap sh and lets

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Speaker 1: that ship was about me. But he was like really

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Speaker 1: not focused on us. He just said it walked off.

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Speaker 1: Next day, Nick, we got a song about you. Nigga

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Speaker 1: say no, we didn't tell him that. We just said

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Speaker 1: listen to this. So one day we're walking down the street.

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Speaker 1: I don't know if it was days later, weeks later,

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Speaker 1: we're just walking down. Dude, who we get to tape too?

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Speaker 1: He was on like ninety fourth, ninety six, ninety seconds

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Speaker 1: Sunnyside were right down on eighty nine a few blocks away.

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Speaker 1: This nigga roll up hyper like, nigga, you wrap niggas.

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Speaker 1: He's like, oh yeah, yeah. He's like he said, my

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Speaker 1: name is King d. He said, you niggas on my

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Speaker 1: block right now, this is my block. And then he said,

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Speaker 1: I y'all don't get me one of them tapes, Like

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Speaker 1: y'all met that nigked, y'all made that nigked been like

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Speaker 1: come around here no moment. Next day, bam, all the

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Speaker 1: Kingpins started coming to get us. They were sending niggas

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Speaker 1: like like box niggers in the town. They're like bringing

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Speaker 1: the rap niggas. To me, niggas was a messenger service.

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Speaker 1: Bring the next Like, hey man, big guys wanted to

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Speaker 1: let you get the car. You're like, what nick take

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Speaker 1: its way to some hood. I want one of them tapes, bro.

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Speaker 1: We started making for the all the king pins. See

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Speaker 1: you said something that was interesting. You said that back

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Speaker 1: then was nothing but run DMC and Grand Master Flash

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Speaker 1: that when a lot of rappings was come from New

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Speaker 1: Yord with y'all making the music y'all made, did y'all

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Speaker 1: ever get any pressure to try to sound like what

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Speaker 1: was popular? See me and me and Freddie b we

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Speaker 1: wouldn't do that. We was really on some like local ship.

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Speaker 1: We was whatever the fucking slang was whoever was doing acting.

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Speaker 1: We was like fucking telling you the streets in the songs.

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Speaker 1: And then you know, little ast East Oakland like ship

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Speaker 1: was it was ours, you know what I'm saying. And

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Speaker 1: then on top of that, we used to DJ the

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Speaker 1: fucking hood parties that nobody would you know, the niggas

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Speaker 1: wouldn't do that. So we was doing that. We started

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Speaker 1: doing a little, a little, a little rapping in front

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Speaker 1: of the crowd. Ship all this ship works so fast

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Speaker 1: forward to start of my own label, Freaky Tails, and

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Speaker 1: they had all that experience, but all them you know,

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Speaker 1: he talking about them ten thousand hours, ten thou hours

289
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Speaker 1: in your expert they gotta put them ten thousand in.

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Speaker 1: So when I got to boring the Mac and all

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Speaker 1: that ship, I was already a fucking season he man.

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Speaker 1: The way you put it together with Buddy said, I'm

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Speaker 1: only gonna listen to rapp if it's about me, And

294
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Speaker 1: that ship clicked with you and you figured out what

295
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Speaker 1: to do. That ship so far ahead of the curve

296
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Speaker 1: for yeah, yeah, we would have been rappers. But but

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Speaker 1: when that little one thing happened that we went from

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Speaker 1: being dope rappers to niggas. Like you know, you gotta

299
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Speaker 1: fight all the ful navigate your city there like all

300
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Speaker 1: the big niggas likes alone, we just walked through, you know,

301
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Speaker 1: the little niggas hood Now ain't getting nowhere to the

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Speaker 1: house where boss at. We went the way let the

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Speaker 1: rap niggas to so we worked that sh out. It

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Speaker 1: was it was Lucky the Freaky Tails man. What was

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Speaker 1: the reaction when you like, when you first let some

306
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Speaker 1: my head completed, Like, what was the reaction that you

307
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Speaker 1: got do you remember where that was a lot of

308
00:19:04,320 --> 00:19:06,880
Speaker 1: the songs y'all know, was songs that we was making

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Speaker 1: in the streets and we kind of like remade them

310
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Speaker 1: later in life. I was like bringing the lyrics back.

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Speaker 1: Freaky Tells was, um, it was a song about sixteen homes,

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Speaker 1: and then it, uh so this is I had a

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Speaker 1: line this song. I was like, I had sixteen holes

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Speaker 1: second ten toes and people still like giggling ship at

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Speaker 1: the line. So I was like, I'm gonna write a

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Speaker 1: song about them sixteen homes. And I wrote a song

317
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Speaker 1: like how I met each one of the sixteen holes,

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Speaker 1: and I called it Freaky Tales, and I was probably

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Speaker 1: like I was in high school until later on. I

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Speaker 1: did another version with seventy five girls, but it was

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Speaker 1: too long. So the version, y'all everything that corny wasn't

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Speaker 1: like the best of the best, seventy seconds be Yeah,

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Speaker 1: I just didn't. People won't go to my mama said,

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Speaker 1: you knew what she do. The hosts just like me crazy,

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Speaker 1: that's amazing, But it's our game though, man's I was.

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Speaker 1: I was studying the pimp game and I was interpreted

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Speaker 1: in the songs, and I was, yeah, that's you who

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Speaker 1: your top five Okland pimps were. I mean the most

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Speaker 1: famous Oakland pimps is uh is the Ward Brothers. That's

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Speaker 1: who they made the movie to mack about it. And

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Speaker 1: you're looking at that movie, you see like all the

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Speaker 1: anybody's not an actor, it's an Oakland pimp, like the

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Speaker 1: Oakland Oland. They used the real pimps to make the

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Speaker 1: movie in the real host the Maximo movie. You ain't

335
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Speaker 1: no soundtrack even even when you got out satisfied, then

336
00:20:55,520 --> 00:21:02,600
Speaker 1: that go get the bitch bitch here. You never honestly

337
00:21:02,640 --> 00:21:04,200
Speaker 1: you see pretty Tony and the new ship. He'd be

338
00:21:04,280 --> 00:21:09,399
Speaker 1: doing like pretty. You never not seeing when done. Abody

339
00:21:09,440 --> 00:21:13,600
Speaker 1: was on Sesame Street for thirty years teaching out of

340
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Speaker 1: count Yeah he was. You think you're so tough, put

341
00:21:22,720 --> 00:21:28,000
Speaker 1: your hundred dollar coach and your dirty black bitches working

342
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Speaker 1: for you. Ken, I got that one of my favorites.

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Speaker 1: Um uh my. When I was a little nigger, my

344
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Speaker 1: little hero my hero was was Gangster Brown and Gangster Brown.

345
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Speaker 1: It was my hero because out of all the way

346
00:21:46,280 --> 00:21:48,560
Speaker 1: to pimps used to ride and just ride by you

347
00:21:48,640 --> 00:21:51,600
Speaker 1: and ship. He would literally look over at you and

348
00:21:51,680 --> 00:21:54,040
Speaker 1: like wave, get your way with up a little homie

349
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Speaker 1: with the niggus to ride around the brown limousine with

350
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Speaker 1: all the holes in the back, and he'll be driving,

351
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Speaker 1: you know, nigger drops on you know what, you know

352
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Speaker 1: you're pimping right, You gotta roll the back windows down

353
00:22:06,760 --> 00:22:08,840
Speaker 1: so the little nick we see this nick out limo

354
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Speaker 1: fuller hole. They all his old. Then I went to

355
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Speaker 1: school with the nick name Frank the Bank, Frank Smith.

356
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Speaker 1: That nigga went to our school, and his whole went

357
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Speaker 1: to our school too. What the fu the hole used

358
00:22:20,600 --> 00:22:22,320
Speaker 1: to drop them off in school because she was older,

359
00:22:23,000 --> 00:22:24,960
Speaker 1: and then she picked him up at the school, top down,

360
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Speaker 1: pick him up the bank and turn his homework in

361
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Speaker 1: to Frank the bank in like like bitch, please, bitch

362
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Speaker 1: pass how your cake said? What's in the capital the Frank?

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Speaker 1: I gotta frank out the teacher telling he might have

364
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Speaker 1: been then nigger, we're all being our little jeans and

365
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Speaker 1: nikes or whatever. His nigga slacks and shoes about twenty

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Speaker 1: gold chains he got the fucking college with the little

367
00:23:00,040 --> 00:23:03,440
Speaker 1: gold hanging on the back. How old was this nigger?

368
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Speaker 1: Goddamn Frank was a young nigga, long ass parme. He

369
00:23:06,000 --> 00:23:08,320
Speaker 1: looked like the Mac the movie. He was like a ship.

370
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Speaker 1: He was putting in high school straight up. I think

371
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Speaker 1: a little decay in school. They came up, this is

372
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Speaker 1: the eighties. Bro Sneaker came to school first day temp grader.

373
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Speaker 1: He probably was he probably had hundreds of thousands of

374
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Speaker 1: dollars man millions, who knows. They came to school first

375
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Speaker 1: day in school temh grade with the army. Snicker had

376
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Speaker 1: on you know when you're twelth grade to get your

377
00:23:28,359 --> 00:23:30,399
Speaker 1: good ring and Snicker had like twenty of them on

378
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Speaker 1: the gold chain as the timph grade. The first day school,

379
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Speaker 1: we came with class rings on on a gold rope

380
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Speaker 1: and then Skinny Rope came in with an army and

381
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Speaker 1: they beat up a couple of people. They were like,

382
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Speaker 1: see this little nigga, nobody touches him every day and lunch,

383
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Speaker 1: the whole twenty niggers that didn't go to our school

384
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Speaker 1: showed up to be his leg secret service and every

385
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Speaker 1: day and they get you got a problem with his nack,

386
00:24:00,000 --> 00:24:01,760
Speaker 1: saying how the nigga his job used to be carried

387
00:24:01,800 --> 00:24:04,680
Speaker 1: the big gas radio. You just hold the big radio

388
00:24:04,720 --> 00:24:08,600
Speaker 1: in the eight batteries, and they just they was in

389
00:24:08,640 --> 00:24:12,480
Speaker 1: the school, didn't they like Tim Greek coming in my Yeah,

390
00:24:12,480 --> 00:24:14,720
Speaker 1: I didn't know. He went to tool every day, graduated everything.

391
00:24:14,800 --> 00:24:19,280
Speaker 1: But when does say what's up to him? You gotta

392
00:24:19,280 --> 00:24:21,439
Speaker 1: be like this nigga Tim grad and friend. You gotta say,

393
00:24:21,520 --> 00:24:24,400
Speaker 1: man's cool? But I say what's up to d When

394
00:24:24,560 --> 00:24:29,119
Speaker 1: I spent at see God, that was a little bit

395
00:24:29,119 --> 00:24:33,760
Speaker 1: of high school came here. I ain't never heard no

396
00:24:33,880 --> 00:24:37,440
Speaker 1: ship like this. Let's go so me between class, you're

397
00:24:37,440 --> 00:24:41,480
Speaker 1: like yourself, motherfuck you want to hurry? Nigger and you

398
00:24:41,680 --> 00:24:46,879
Speaker 1: behind the pimp and this nigga walking slow? Don't nobody passed?

399
00:24:47,440 --> 00:24:51,640
Speaker 1: Don't about to pass? Then pass? You got to wait.

400
00:24:51,800 --> 00:24:57,119
Speaker 1: It's real. That's kind of how it was. Nigger the

401
00:24:57,359 --> 00:25:00,840
Speaker 1: teacher though, fun you man, that's crazy. I didn't seen

402
00:25:00,840 --> 00:25:02,960
Speaker 1: the punishment too. They were like, you know, deal, what

403
00:25:03,080 --> 00:25:05,200
Speaker 1: up one of the honeyes? Just bring you a little

404
00:25:05,240 --> 00:25:07,160
Speaker 1: bit like bred. You didn't get author rights to say

405
00:25:07,200 --> 00:25:14,119
Speaker 1: that Bill was the diplomat and high school. I'm not.

406
00:25:14,280 --> 00:25:15,880
Speaker 1: I won't say what's up to say that. I don't

407
00:25:15,880 --> 00:25:23,800
Speaker 1: speak to nobody anymore. So what happened and you're spoping

408
00:25:23,840 --> 00:25:29,960
Speaker 1: to look, you haven't seen it. They had to move

409
00:25:30,040 --> 00:25:34,440
Speaker 1: that nigger back to the eighth grade. You know what

410
00:25:34,440 --> 00:25:40,200
Speaker 1: I'm calling with truth, Right, I'm trying to kidn't ready

411
00:25:40,200 --> 00:25:43,920
Speaker 1: to go to school the big kids. You would not

412
00:25:44,040 --> 00:25:46,359
Speaker 1: even to say that to me, Right, we're going back

413
00:25:46,400 --> 00:25:50,680
Speaker 1: to this man. Yeah, right before we started there, we were,

414
00:25:50,880 --> 00:25:52,880
Speaker 1: we were we now wanted not to get to talk

415
00:25:52,920 --> 00:25:56,560
Speaker 1: about Yeah, yeah, we bo the staff know we was

416
00:25:56,720 --> 00:26:00,800
Speaker 1: talking about us some crunk ship and some ship, Right,

417
00:26:00,920 --> 00:26:05,200
Speaker 1: I said, motherfucker's don't ever say that when krunk was

418
00:26:05,320 --> 00:26:08,840
Speaker 1: being invented, Right, you're from the cradle. I was right

419
00:26:08,920 --> 00:26:11,399
Speaker 1: there in the sessions. I was here in Atlanta, I

420
00:26:11,520 --> 00:26:14,440
Speaker 1: was on the songs. I was there, and I went

421
00:26:14,520 --> 00:26:17,440
Speaker 1: on to say, I know that where it came from.

422
00:26:17,520 --> 00:26:20,359
Speaker 1: It came from Memphis, right, I said, a TM bought

423
00:26:20,400 --> 00:26:23,320
Speaker 1: it and made it bigger and better and blew that

424
00:26:23,359 --> 00:26:25,600
Speaker 1: ship up. And then when the bank head bounce came

425
00:26:25,640 --> 00:26:29,000
Speaker 1: in ninety four, right, it was a wrap that was it.

426
00:26:29,160 --> 00:26:31,440
Speaker 1: So explained it because I'm a ninety two back. I

427
00:26:31,520 --> 00:26:33,640
Speaker 1: remember the bank head. But that was a proment dance

428
00:26:33,680 --> 00:26:36,280
Speaker 1: for us for like eighteen years. And she didn't do

429
00:26:36,359 --> 00:26:43,320
Speaker 1: the shoulder. It was a few different what's every side

430
00:26:43,320 --> 00:26:47,919
Speaker 1: of the time. This is My Thumb Bankhead Bounce Donkey

431
00:26:48,000 --> 00:26:56,760
Speaker 1: called this is My Bounds Donkey call from Twins wrote

432
00:26:56,840 --> 00:27:01,639
Speaker 1: the bank Head Bounce song, which one which was he

433
00:27:01,720 --> 00:27:06,200
Speaker 1: from Bankinghead. Yeah, he wrote that song really really I

434
00:27:06,359 --> 00:27:09,199
Speaker 1: remember it being more like when the Outcast album came out,

435
00:27:09,280 --> 00:27:11,440
Speaker 1: the first one and then the Goodie Mob album followed it,

436
00:27:11,840 --> 00:27:15,280
Speaker 1: and that was the essence of of a t L.

437
00:27:15,400 --> 00:27:18,000
Speaker 1: We started getting the sack going Nigga we Atlanta Nigga

438
00:27:18,080 --> 00:27:20,320
Speaker 1: like that was that was, It was no more turning

439
00:27:20,359 --> 00:27:22,359
Speaker 1: back from it. But speaking of like, I heard a

440
00:27:22,400 --> 00:27:24,440
Speaker 1: song that I had never heard in Atlanta, and that's

441
00:27:24,520 --> 00:27:26,240
Speaker 1: the crazy thing is I thought about you when I

442
00:27:26,320 --> 00:27:28,200
Speaker 1: heard the song, just because of the context that that

443
00:27:28,480 --> 00:27:34,280
Speaker 1: I met this girl and big boy do you when

444
00:27:34,320 --> 00:27:36,639
Speaker 1: you hit do you know what? That was one of

445
00:27:36,640 --> 00:27:41,160
Speaker 1: the first stars out here being around during that time,

446
00:27:41,280 --> 00:27:42,919
Speaker 1: Like do you take it? Like? You know what? I mean?

447
00:27:43,240 --> 00:27:45,719
Speaker 1: I'm that big of an influence. Do you see your

448
00:27:45,760 --> 00:27:48,159
Speaker 1: influence in them type of song? I mean I was

449
00:27:48,200 --> 00:27:49,480
Speaker 1: trying to be a part of it, man, I was,

450
00:27:49,720 --> 00:27:51,200
Speaker 1: I was there. I was. I used to be on

451
00:27:51,400 --> 00:27:55,880
Speaker 1: fucking uh Old National Highway at uh shooters Pool Hall

452
00:27:55,920 --> 00:27:58,480
Speaker 1: when they put on that the m J G and

453
00:27:58,560 --> 00:28:00,760
Speaker 1: eighth Ball album coming out hard and let the whole

454
00:28:00,800 --> 00:28:05,040
Speaker 1: album play, and then the whole album play, dancing food

455
00:28:05,320 --> 00:28:07,840
Speaker 1: they drinking. Just let him just let it play, like

456
00:28:08,000 --> 00:28:11,480
Speaker 1: for real. So I mean, Nigga, I can tell you.

457
00:28:11,600 --> 00:28:14,280
Speaker 1: I can tell you Atlantic history, Nigga, nothing too lucky

458
00:28:14,359 --> 00:28:20,639
Speaker 1: to come. Bro. I come back when Playboy Palace fucking

459
00:28:20,720 --> 00:28:25,160
Speaker 1: up Nikki's on Stewart, So they changed the name down

460
00:28:25,200 --> 00:28:31,640
Speaker 1: the street from here. That was the ship Lance made

461
00:28:31,680 --> 00:28:33,520
Speaker 1: me do it to find out the table that naked

462
00:28:33,840 --> 00:28:36,399
Speaker 1: like you heard about that open was like Nigga was like, hey, nigga,

463
00:28:38,160 --> 00:28:40,920
Speaker 1: about to find out the table dance. You got Magic

464
00:28:41,000 --> 00:28:43,760
Speaker 1: City ten out of the table dance on. You got

465
00:28:43,840 --> 00:28:45,960
Speaker 1: the Gold Club up there talking about tennant twenty and

466
00:28:45,960 --> 00:28:48,960
Speaker 1: all that ship and they anybody going there the club

467
00:28:49,760 --> 00:28:58,840
Speaker 1: fight out of busting, busting, open up, get one dollars.

468
00:28:59,040 --> 00:29:01,240
Speaker 1: Ain't nothing by the time the time, keep it up,

469
00:29:01,320 --> 00:29:04,840
Speaker 1: keep it up. You're the regular nigg You coming up

470
00:29:05,040 --> 00:29:06,720
Speaker 1: twenty dollars to get you one drink. Bust of the

471
00:29:07,000 --> 00:29:12,640
Speaker 1: regular lead Like, yeah, now I didn't get the table days.

472
00:29:13,240 --> 00:29:16,240
Speaker 1: I can't say that you have been here that long. Yeah, yeah, Yeah,

473
00:29:16,520 --> 00:29:20,040
Speaker 1: she was amazing. Oh man, this nigga boy, that's all

474
00:29:20,080 --> 00:29:23,160
Speaker 1: we did after every show table. We brought one country

475
00:29:23,200 --> 00:29:25,640
Speaker 1: as home. But but he and this motherucker ran up

476
00:29:25,680 --> 00:29:28,200
Speaker 1: three hundred dollars worth of five dollar dances talking about

477
00:29:28,360 --> 00:29:31,479
Speaker 1: I'm talking about about healing me. What get your stupid

478
00:29:31,560 --> 00:29:36,400
Speaker 1: up for the best three hundred dollars? I say, how

479
00:29:36,480 --> 00:29:38,960
Speaker 1: many dances that? That's what I said, After how many?

480
00:29:40,400 --> 00:29:42,000
Speaker 1: I mean that you're gonna get? He said, I knew

481
00:29:42,040 --> 00:29:44,760
Speaker 1: the ship wasn't going in well when the nigga came back, like, man,

482
00:29:44,760 --> 00:29:52,800
Speaker 1: I think you like me? Like ship works? Hell? He

483
00:29:53,000 --> 00:29:57,040
Speaker 1: locking the eyes, hell, the nigga said. The nigga said,

484
00:29:57,080 --> 00:30:02,480
Speaker 1: I don't know. Man. She vibed. Father got sitting in

485
00:30:02,560 --> 00:30:05,840
Speaker 1: there and had the money to freak the bank. You'd

486
00:30:05,840 --> 00:30:11,040
Speaker 1: be like god and no bullshit. They worked in deal.

487
00:30:11,680 --> 00:30:13,880
Speaker 1: But it wasn't like there was a low buddy over

488
00:30:14,000 --> 00:30:17,080
Speaker 1: the one. It was like, I'll show you the pictures, nigger,

489
00:30:17,880 --> 00:30:22,640
Speaker 1: you got sucking um all the clubs. Cameraman to the cameraman.

490
00:30:22,720 --> 00:30:25,080
Speaker 1: You like you like the way she danced like when

491
00:30:25,080 --> 00:30:27,120
Speaker 1: she lived. You like cameraman, let me get a picture

492
00:30:27,120 --> 00:30:30,280
Speaker 1: with her. Bust it open I was put a picture.

493
00:30:30,840 --> 00:30:32,960
Speaker 1: You're the girl you've been blacking all night but ass

494
00:30:33,040 --> 00:30:36,200
Speaker 1: naked fat if I was, I had that ship boned

495
00:30:36,280 --> 00:30:38,360
Speaker 1: up your sound like you can say, busting open like

496
00:30:38,560 --> 00:30:42,000
Speaker 1: that bending over, busting open. You can say, let me

497
00:30:42,080 --> 00:30:50,240
Speaker 1: hold it in the picture plank, how got the pictures?

498
00:30:50,320 --> 00:30:56,920
Speaker 1: Let me hold it? And detaining, I got you, I

499
00:30:57,000 --> 00:30:59,440
Speaker 1: got a picture of magest City. Ones on this side,

500
00:31:00,040 --> 00:31:05,240
Speaker 1: ones on that side. Legendary man. Tell them about freak

501
00:31:05,320 --> 00:31:07,680
Speaker 1: Nick for the people that didn't go, because you said

502
00:31:08,200 --> 00:31:10,920
Speaker 1: you hurt and I feel like you had to have

503
00:31:11,040 --> 00:31:13,320
Speaker 1: an influence on freak Nick. All the ship he was

504
00:31:13,400 --> 00:31:17,600
Speaker 1: doing that Freak Nick. Probably we could Eric so nine

505
00:31:18,440 --> 00:31:21,040
Speaker 1: the right ninety two. We get a phone call after

506
00:31:21,120 --> 00:31:24,120
Speaker 1: this ship already happened. We get the word like man

507
00:31:24,200 --> 00:31:26,360
Speaker 1: that stay having in Atlanta. It's called the freak niggers.

508
00:31:26,680 --> 00:31:29,520
Speaker 1: You know, because we got Oakland niggas that's out here

509
00:31:29,560 --> 00:31:37,760
Speaker 1: going to school. We had a couple of niggas doing

510
00:31:40,000 --> 00:31:43,400
Speaker 1: on the roll town bill. Hello good. We got we

511
00:31:43,440 --> 00:31:48,440
Speaker 1: got that around Clark and and who and what's what's

512
00:31:50,080 --> 00:31:51,520
Speaker 1: We got a little hoummies at all of them. So

513
00:31:51,960 --> 00:31:55,360
Speaker 1: we get the word. It's a cool party Pimond part

514
00:31:55,760 --> 00:31:58,840
Speaker 1: freak Nick Big Gas pic Nick Big Gas part we

515
00:31:59,000 --> 00:32:01,520
Speaker 1: come back from nine three the ship, I guess a

516
00:32:01,560 --> 00:32:03,200
Speaker 1: lot of people told the people where they was from,

517
00:32:03,600 --> 00:32:07,000
Speaker 1: and the ship spilled out the park onto the streets. Nigger.

518
00:32:07,160 --> 00:32:10,520
Speaker 1: That's that's probably the first time I just seen like

519
00:32:11,320 --> 00:32:16,240
Speaker 1: like like just disrespectful daisy dukes just just just hanging

520
00:32:16,280 --> 00:32:19,160
Speaker 1: out rufe hanging out the drop top. They're hanging out

521
00:32:19,200 --> 00:32:21,640
Speaker 1: the window. They on the on the coner. It went

522
00:32:21,800 --> 00:32:24,040
Speaker 1: good for two years. You see the little problem. They

523
00:32:24,040 --> 00:32:26,840
Speaker 1: do a little show for you, kicking as ass chicks

524
00:32:26,840 --> 00:32:28,040
Speaker 1: hanging out. We don't got nothing like that on the

525
00:32:28,080 --> 00:32:30,480
Speaker 1: West Coast at the time. Ain't no ass chicks hanging

526
00:32:30,480 --> 00:32:46,640
Speaker 1: out of jeans ships doesn't exist. But when did you

527
00:32:46,680 --> 00:32:50,320
Speaker 1: get some of that? We got moment? Men? Can you

528
00:32:50,520 --> 00:32:54,200
Speaker 1: imagine as a black man the first time you see

529
00:32:54,240 --> 00:32:57,480
Speaker 1: some telling it happened in black man history? Like what

530
00:32:57,680 --> 00:33:00,400
Speaker 1: the fun? You know, what did you do for the girl?

531
00:33:02,360 --> 00:33:07,040
Speaker 1: She she ain't had no ass, but yeah, gene short

532
00:33:07,080 --> 00:33:09,880
Speaker 1: cut him. Man, hain't not. You know what I missed.

533
00:33:10,080 --> 00:33:12,440
Speaker 1: I missed when you see a big old ass and

534
00:33:12,520 --> 00:33:14,760
Speaker 1: you knew it was a big old ass. I don't

535
00:33:14,800 --> 00:33:23,920
Speaker 1: know what you did. You hit their motherfucker fail. I

536
00:33:23,960 --> 00:33:25,880
Speaker 1: know some girls now would big go asswers from their

537
00:33:25,920 --> 00:33:29,360
Speaker 1: grandmama and maybe like that just the funked up the game. Yeah,

538
00:33:29,600 --> 00:33:32,040
Speaker 1: they're getting sweating for the big old natural ass, right

539
00:33:32,480 --> 00:33:35,320
Speaker 1: and they're like your fake booty, like that's grand hand

540
00:33:35,360 --> 00:33:37,160
Speaker 1: me down. You know, well you see a real ass.

541
00:33:37,240 --> 00:33:40,000
Speaker 1: It's it's a thing to see you should you still

542
00:33:40,080 --> 00:33:42,760
Speaker 1: right here? You know what? Maybe you ain't seen enough,

543
00:33:44,920 --> 00:33:47,480
Speaker 1: but it's ever since a young even know what, I'll

544
00:33:47,520 --> 00:33:50,120
Speaker 1: do it. Yeah, your reality still, I don't know they

545
00:33:50,200 --> 00:33:52,440
Speaker 1: get that good doctor that them legs hit you wrong.

546
00:33:52,560 --> 00:33:58,000
Speaker 1: Thought show you got to get freak Nick ninety three

547
00:33:58,520 --> 00:34:01,120
Speaker 1: was the one that fucking just it was legendary and

548
00:34:01,200 --> 00:34:05,720
Speaker 1: then and then luckily it was ninety four is magical

549
00:34:05,920 --> 00:34:08,440
Speaker 1: because even like we went to ninety three weeks like

550
00:34:09,160 --> 00:34:10,839
Speaker 1: when y'all get back home, like eight of us went,

551
00:34:11,120 --> 00:34:13,359
Speaker 1: don't tell not a narrow oaka nigga about this ship.

552
00:34:18,120 --> 00:34:22,520
Speaker 1: We gotta nigga's cold. Yeah, I'm not gonna tell nigga.

553
00:34:24,040 --> 00:34:30,480
Speaker 1: Video tape hanging waned. I went down there, bro, I

554
00:34:30,560 --> 00:34:36,239
Speaker 1: see five guys is hanging out the bottoms. Get this, please, bro,

555
00:34:36,520 --> 00:34:40,040
Speaker 1: we gotta go to Atlanta. Listen, my brother, when I'm

556
00:34:40,160 --> 00:34:45,400
Speaker 1: telling you they down there well in Atlanta, Georgia. I

557
00:34:45,480 --> 00:34:51,319
Speaker 1: think y'all on just enough shorts, just enough pussy hanging

558
00:34:51,360 --> 00:34:55,000
Speaker 1: out the side. You say that, pussy hanging out the side,

559
00:34:55,120 --> 00:34:59,440
Speaker 1: And I see this another another moment in blackness. Pussy

560
00:34:59,480 --> 00:35:02,280
Speaker 1: don't even got the sad no more. These buzzes directly

561
00:35:02,320 --> 00:35:09,040
Speaker 1: in the middle, perfectly in the pants. Ain't no extra

562
00:35:09,160 --> 00:35:19,960
Speaker 1: meat hanging out right now too, because they jumping on

563
00:35:20,040 --> 00:35:28,160
Speaker 1: top of Carl ninety niggas trait and everybody called, everybody,

564
00:35:28,520 --> 00:35:30,960
Speaker 1: Miami niggas coming up, everybody New York knigas. They all

565
00:35:31,040 --> 00:35:33,319
Speaker 1: out here looking at the thing. And it went off good.

566
00:35:33,760 --> 00:35:36,439
Speaker 1: The girls doing the twerk. It was still going. You know, bam,

567
00:35:36,600 --> 00:35:38,320
Speaker 1: take a picture, you know you get you get the

568
00:35:38,360 --> 00:35:40,840
Speaker 1: camera something, not a camera phone. Would you like have

569
00:35:40,920 --> 00:35:45,839
Speaker 1: a real camera, big with the VHS and it in fact,

570
00:35:46,520 --> 00:35:48,160
Speaker 1: you like that hitting it, she's hitting it for you.

571
00:35:48,520 --> 00:35:52,040
Speaker 1: Keep it moving cool. I don't know what happened after that.

572
00:35:52,480 --> 00:35:54,759
Speaker 1: I don't know if you'll heard about Freak ninety six,

573
00:35:55,360 --> 00:35:59,960
Speaker 1: Nigga Freak Nick ninety five. Its first day, I think

574
00:36:00,000 --> 00:36:02,160
Speaker 1: got with someone like the underground. You know, we worked

575
00:36:02,160 --> 00:36:05,080
Speaker 1: working Pea street. Walking around these niggas seem like a

576
00:36:05,120 --> 00:36:09,160
Speaker 1: cute girl, whole much room and Nigga's run over tour.

577
00:36:10,360 --> 00:36:16,840
Speaker 1: She come out running but ass naked. They're pulling, they're grabbing,

578
00:36:17,200 --> 00:36:20,040
Speaker 1: they like trying to grab like Nigga freak Nick ninety

579
00:36:20,040 --> 00:36:24,000
Speaker 1: six was all dudes. No females came, but that wasn't

580
00:36:24,040 --> 00:36:31,799
Speaker 1: freaking it was, but it wasn't. It wasn't the sea.

581
00:36:31,920 --> 00:36:33,440
Speaker 1: They didn't even try to have an except it was

582
00:36:33,520 --> 00:36:35,640
Speaker 1: so bad. That was dick Nick. There was no freaking

583
00:36:35,840 --> 00:36:40,160
Speaker 1: the picture they were taking women that got too fuity.

584
00:36:40,719 --> 00:36:43,120
Speaker 1: They couldn't just stand back and enjoy the beauty of

585
00:36:43,160 --> 00:36:45,479
Speaker 1: what they was presenting. That's why you ain't want Nigga

586
00:36:45,520 --> 00:36:47,759
Speaker 1: to tell nobody, because you knew the world can't get

587
00:36:48,239 --> 00:36:57,680
Speaker 1: people and not a sen Yeah, it could have kept

588
00:36:57,719 --> 00:37:00,680
Speaker 1: on to this day and niggas wasn't too freaking it.

589
00:37:00,760 --> 00:37:07,239
Speaker 1: Now we can't remap it. That's that's that landed to

590
00:37:07,320 --> 00:37:11,040
Speaker 1: my next question, Like you times back then, like you

591
00:37:11,120 --> 00:37:15,400
Speaker 1: didn't transition through times, nig It's amazing that you can

592
00:37:15,440 --> 00:37:17,400
Speaker 1: still be you and don't have to change you you

593
00:37:17,520 --> 00:37:20,920
Speaker 1: are as the culture has changed where everybody so offended

594
00:37:21,280 --> 00:37:23,879
Speaker 1: by ship. What do you think separates you from having

595
00:37:23,920 --> 00:37:25,799
Speaker 1: to deal with the you know, the type of ship

596
00:37:25,880 --> 00:37:28,880
Speaker 1: that people think is offensive now, Well, I me personally,

597
00:37:28,880 --> 00:37:33,359
Speaker 1: I wasn't just being uh like disrespectful in my song.

598
00:37:33,520 --> 00:37:35,480
Speaker 1: I was like, you're a bad bitch, and now like

599
00:37:35,520 --> 00:37:37,080
Speaker 1: you're a punk bitch. I like you. You know what

600
00:37:37,160 --> 00:37:52,040
Speaker 1: I'm saying, I was talking there, you know, I'm just

601
00:37:52,120 --> 00:37:54,080
Speaker 1: saying the way the way that ship evolved. Man, I

602
00:37:54,200 --> 00:37:56,880
Speaker 1: kind of put myself in a position where, if you notice,

603
00:37:57,160 --> 00:37:59,480
Speaker 1: listen to the old two short songs, listen to the

604
00:37:59,560 --> 00:38:01,440
Speaker 1: new two or a song when I walked in, y'all

605
00:38:01,520 --> 00:38:03,719
Speaker 1: was playing like I ain't gonna do it. They all

606
00:38:03,800 --> 00:38:05,520
Speaker 1: got a little bit of humor in it. So if

607
00:38:05,520 --> 00:38:07,279
Speaker 1: you're gonna sit here and like kind of like say

608
00:38:07,360 --> 00:38:10,879
Speaker 1: something about the bitch, at least make her smile, saying

609
00:38:10,960 --> 00:38:13,279
Speaker 1: at least the logic, do you get this ship, you're

610
00:38:13,280 --> 00:38:15,279
Speaker 1: gonna talk about the bitch, at least talk about it.

611
00:38:18,280 --> 00:38:21,480
Speaker 1: Always us to look look at this segment right now,

612
00:38:21,560 --> 00:38:24,040
Speaker 1: we are not talking to you specifically. Don't be in

613
00:38:24,160 --> 00:38:26,680
Speaker 1: the comments, don't try to responded to the ship that

614
00:38:26,760 --> 00:38:29,600
Speaker 1: we're saying. This is not directed to you. This is

615
00:38:29,680 --> 00:38:35,680
Speaker 1: about the bits I said. I always deflect, so I say,

616
00:38:35,800 --> 00:38:38,239
Speaker 1: listen to it. I write the song. I'm like, she

617
00:38:39,080 --> 00:38:41,719
Speaker 1: did this ship. She's a bitch. I never say you

618
00:38:41,880 --> 00:38:44,080
Speaker 1: a bit to the girls. You know what I'm saying.

619
00:38:44,400 --> 00:38:47,120
Speaker 1: I always get the female the option to wrap along

620
00:38:47,160 --> 00:38:49,120
Speaker 1: with me. And you know, the first defense is gonna

621
00:38:49,160 --> 00:38:58,000
Speaker 1: be like, who hurt you? Freak? They always want to

622
00:38:58,080 --> 00:39:02,279
Speaker 1: know who heard? It's the culture. Ever heard me? When

623
00:39:02,320 --> 00:39:04,439
Speaker 1: they when they told me the rules, and I was like, wow,

624
00:39:05,000 --> 00:39:08,800
Speaker 1: those are the rules. Standard that at the bottom, and

625
00:39:08,920 --> 00:39:12,360
Speaker 1: it really is those are the rule I like the

626
00:39:12,360 --> 00:39:13,719
Speaker 1: pimp and rules. So I was like, I think I'm

627
00:39:13,719 --> 00:39:16,800
Speaker 1: gonna go with this ship. Stick with this. Treat me

628
00:39:16,880 --> 00:39:19,200
Speaker 1: like a pen. Maybe I ain't got no holes. Treat

629
00:39:19,239 --> 00:39:24,319
Speaker 1: me like a pimp ship. That's the cold ship. If

630
00:39:24,360 --> 00:39:28,520
Speaker 1: I ain't got no holes, treat me like like we're

631
00:39:28,520 --> 00:39:32,960
Speaker 1: gonna We're gonna put two short quotes saying like that.

632
00:39:33,160 --> 00:39:34,719
Speaker 1: That's what it is. It's like, I don't care what

633
00:39:34,800 --> 00:39:36,719
Speaker 1: you do in life, if you walking there with the attitude.

634
00:39:37,000 --> 00:39:39,759
Speaker 1: Females are allowed to think like that too. Treat me

635
00:39:39,840 --> 00:39:42,040
Speaker 1: like a motherfucking pimp. Even if I ain't got no

636
00:39:42,160 --> 00:39:45,680
Speaker 1: getting my fingernails done all day, I count money. Uh, bitches,

637
00:39:45,760 --> 00:39:49,399
Speaker 1: run my weed for me for I don't do ship

638
00:39:49,520 --> 00:39:51,239
Speaker 1: to kick back. And if I walk in the room

639
00:39:51,280 --> 00:39:53,600
Speaker 1: and you disrespect me, I ain't working with you. If

640
00:39:53,640 --> 00:39:55,680
Speaker 1: I walk in the room and you ain't got my money,

641
00:39:56,040 --> 00:39:59,040
Speaker 1: I ain't working with you. Ship. Hell, yeah, that's the

642
00:39:59,120 --> 00:40:01,879
Speaker 1: one right there. Just cut it off. I still want

643
00:40:01,880 --> 00:40:04,160
Speaker 1: my ship, but I ain't working with you. Still ship,

644
00:40:04,400 --> 00:40:09,000
Speaker 1: give me like them even though I'm sorry, I got business.

645
00:40:09,560 --> 00:40:11,880
Speaker 1: You might have just changed my whole thought process. I

646
00:40:11,960 --> 00:40:14,120
Speaker 1: don't know. Really, go home and get cuts the funk

647
00:40:14,160 --> 00:40:25,200
Speaker 1: out roll we don't get. Don't come back with no

648
00:40:25,320 --> 00:40:36,600
Speaker 1: black up. She started swinging, I don't know work, you

649
00:40:36,680 --> 00:40:40,040
Speaker 1: know choosing fee? Right? Yeah? Get the choosing feels like

650
00:40:40,200 --> 00:40:42,480
Speaker 1: that's that's rule number one. I don't say I don't know. No,

651
00:40:42,640 --> 00:40:44,520
Speaker 1: I don't know room because I think I ain't. I

652
00:40:44,560 --> 00:40:46,480
Speaker 1: don't know what guyline I was gonna be. So you

653
00:40:46,560 --> 00:40:48,640
Speaker 1: allowed her in her in your life. You gotta put

654
00:40:48,680 --> 00:40:50,279
Speaker 1: a number on it. She has to pay to get

655
00:40:50,320 --> 00:40:54,160
Speaker 1: in your life. Your number, five grand, ten grand, or hired.

656
00:40:54,320 --> 00:40:59,839
Speaker 1: You had a discount that cute thank you? Who hears

657
00:40:59,880 --> 00:41:11,080
Speaker 1: you cold? He's colder? Who came up and had to

658
00:41:11,120 --> 00:41:19,520
Speaker 1: fly that long CBS present on soup? That's hilarous. Choosing price,

659
00:41:19,640 --> 00:41:22,839
Speaker 1: that's what you got, okay, okay, choosing choosing fee, it's

660
00:41:22,840 --> 00:41:27,480
Speaker 1: not a prince, it's not okay, you like me, there's

661
00:41:27,520 --> 00:41:31,840
Speaker 1: a fee if you like put another on? What about

662
00:41:31,920 --> 00:41:40,919
Speaker 1: a hundred? And what do you got it? Okay? I ain't.

663
00:41:43,520 --> 00:41:46,160
Speaker 1: You can't keep going down. But look at this, don't

664
00:41:46,160 --> 00:41:50,960
Speaker 1: look at this. I'm choosing thief. I'm just trying. Just

665
00:41:51,200 --> 00:41:54,800
Speaker 1: just try one day, a little chick gonna be with whatever.

666
00:41:55,160 --> 00:41:58,880
Speaker 1: Choosing just try, just say shutting. I really would want

667
00:41:58,880 --> 00:42:00,719
Speaker 1: to shop, but you got to give me at least

668
00:42:00,760 --> 00:42:05,840
Speaker 1: thousand dollars. Made me look your way. You won't hit me.

669
00:42:05,880 --> 00:42:08,000
Speaker 1: Get me your number before I try this ship. Hold

670
00:42:08,280 --> 00:42:11,879
Speaker 1: I ever had of your direct contact. Hold stop stop

671
00:42:11,960 --> 00:42:20,120
Speaker 1: real quick, real quick. She ain't going forward. Say that's

672
00:42:20,120 --> 00:42:23,000
Speaker 1: the worst thing you can say. No, that's the worst

673
00:42:23,080 --> 00:42:25,439
Speaker 1: gonna happen. You're gonna say him no, how many times

674
00:42:25,480 --> 00:42:29,520
Speaker 1: in the day doing chick tiller nigga hit the cashop nigga? Yeah, first,

675
00:42:29,560 --> 00:42:32,640
Speaker 1: reversing what happens. Yeah, because they definitely do that. Won't

676
00:42:32,640 --> 00:42:35,239
Speaker 1: be like what even get the game from from us?

677
00:42:36,960 --> 00:42:39,520
Speaker 1: No wonder they got the game for money? Reverse of ship.

678
00:42:39,560 --> 00:42:42,279
Speaker 1: She would happen. It works, It really works. You me,

679
00:42:42,360 --> 00:42:44,479
Speaker 1: I want the first I'm like, I want on stock.

680
00:42:44,600 --> 00:42:47,759
Speaker 1: She coming in and saw it go short. You tell

681
00:42:47,800 --> 00:42:51,480
Speaker 1: me so short that want you gotta craz I wan't

682
00:42:51,520 --> 00:42:57,120
Speaker 1: expect didn't do that. I want to. I want two

683
00:42:57,200 --> 00:43:02,000
Speaker 1: thousand dollars with us. You gotta you gotta give her,

684
00:43:02,719 --> 00:43:06,759
Speaker 1: you gotta give her some motivation. But what that type

685
00:43:06,760 --> 00:43:09,800
Speaker 1: of game they called it? Get it off my shopping?

686
00:43:09,880 --> 00:43:12,240
Speaker 1: This do you have to be in a certain position

687
00:43:12,320 --> 00:43:14,680
Speaker 1: as a man to be able to have that work

688
00:43:14,800 --> 00:43:17,080
Speaker 1: for you because you can say their work. Because but nigga,

689
00:43:17,080 --> 00:43:18,719
Speaker 1: you feel like I'm gonna say that to the camera.

690
00:43:18,840 --> 00:43:21,400
Speaker 1: Niggas that you know. Nigga, you should be able to

691
00:43:21,440 --> 00:43:24,239
Speaker 1: pay from zero. You should better come up from zero

692
00:43:25,280 --> 00:43:28,600
Speaker 1: from zero, you must just the gift of gaps, which

693
00:43:29,480 --> 00:43:31,360
Speaker 1: you should be able to come up on nothing. You

694
00:43:31,400 --> 00:43:33,320
Speaker 1: should look at the mirror, nigga, we're gonna get it

695
00:43:33,360 --> 00:43:37,840
Speaker 1: to date. The nigga that don't got it here with

696
00:43:38,000 --> 00:43:41,200
Speaker 1: gap give it. There's some places that they would go

697
00:43:41,320 --> 00:43:44,120
Speaker 1: to get it from. Give them a few places for

698
00:43:44,160 --> 00:43:46,279
Speaker 1: the niggas that don't have the ability to be able

699
00:43:46,320 --> 00:43:50,840
Speaker 1: to you feel like I don't highly recommend probably listening

700
00:43:50,880 --> 00:43:59,640
Speaker 1: too short album about you. So education for the little

701
00:43:59,680 --> 00:44:02,960
Speaker 1: education the motherfucker Pippin ain't always about having to be

702
00:44:03,080 --> 00:44:06,120
Speaker 1: selling some pus. It's always it's the game for this.

703
00:44:06,280 --> 00:44:09,320
Speaker 1: It's like the games, that's what now. You ain't like

704
00:44:09,480 --> 00:44:11,560
Speaker 1: the mother. You got mother in them, like, oh, they're

705
00:44:11,560 --> 00:44:23,200
Speaker 1: telling my selling socks stupid. I wouldn't go hold this

706
00:44:23,400 --> 00:44:26,879
Speaker 1: bitch and he digsbout to breathe. You know what, ain't

707
00:44:26,880 --> 00:44:31,239
Speaker 1: realized these homes and pipping. Of course they're running it

708
00:44:31,360 --> 00:44:34,719
Speaker 1: loud and cleared. Niggas don't see what's going on. But yeah,

709
00:44:34,800 --> 00:44:37,560
Speaker 1: that's that's that one. When I meet you clocking in

710
00:44:37,600 --> 00:44:39,839
Speaker 1: and nigga's just doing it. You get the game. That's

711
00:44:39,840 --> 00:44:42,040
Speaker 1: where the game coming. Like I was always told that,

712
00:44:42,160 --> 00:44:44,800
Speaker 1: you know, the ones that really are successful in the

713
00:44:44,880 --> 00:44:49,359
Speaker 1: game and the ones that this big is stupid bad.

714
00:44:57,600 --> 00:44:59,520
Speaker 1: I ain't breathing until you put it in my head.

715
00:45:00,640 --> 00:45:03,319
Speaker 1: Did you heard of her photo? Man? She said DC,

716
00:45:03,480 --> 00:45:06,000
Speaker 1: you had the funny you had of funny. I just

717
00:45:06,080 --> 00:45:09,320
Speaker 1: want to sunk with you, like my life is complicated

718
00:45:09,400 --> 00:45:14,160
Speaker 1: right now. It's gonna probably take five uncomplicated in fact,

719
00:45:14,880 --> 00:45:17,200
Speaker 1: I mean I need tooth that lot of work right

720
00:45:20,560 --> 00:45:25,600
Speaker 1: I'm telling you I can't. You gotta be bad where

721
00:45:25,600 --> 00:45:27,359
Speaker 1: you do a little bit. I need socks right now.

722
00:45:28,840 --> 00:45:30,960
Speaker 1: It's crazy. I did try to I try to pick

723
00:45:31,000 --> 00:45:35,560
Speaker 1: on one time. What did you do? It looked like

724
00:45:35,640 --> 00:45:37,600
Speaker 1: I was a man. I was like, you got some

725
00:45:37,960 --> 00:45:41,960
Speaker 1: because I gotta hold me that he put up in

726
00:45:42,000 --> 00:45:45,520
Speaker 1: the bence, chake her to his nice house, spend a

727
00:45:45,560 --> 00:45:47,600
Speaker 1: little dough on her. Then he double back on her

728
00:45:47,640 --> 00:45:51,240
Speaker 1: and say, man, I'm in this fucking business situation about

729
00:45:51,239 --> 00:45:53,920
Speaker 1: the greatest deal in the world. I'm about tim g short.

730
00:45:54,760 --> 00:45:56,840
Speaker 1: He didn't show her all the money. He got everything.

731
00:45:57,480 --> 00:46:01,640
Speaker 1: She like, think I got you if she if this

732
00:46:01,760 --> 00:46:04,080
Speaker 1: was this was his job. If she didn't go for it,

733
00:46:04,360 --> 00:46:06,400
Speaker 1: he was left with day last date, didn't meet a

734
00:46:06,440 --> 00:46:08,360
Speaker 1: new one because he signed you up like you like

735
00:46:08,400 --> 00:46:11,040
Speaker 1: you got a little paper to check the female. He's

736
00:46:11,080 --> 00:46:12,719
Speaker 1: just like he showed. He showed her the money first,

737
00:46:13,680 --> 00:46:15,360
Speaker 1: spend a little bit there like damn, I got the

738
00:46:15,440 --> 00:46:19,800
Speaker 1: situation about ten show yeah, you know you're suing with

739
00:46:19,880 --> 00:46:21,840
Speaker 1: growing ass women with a little savement She's like going

740
00:46:21,920 --> 00:46:25,239
Speaker 1: to get it help you didn't knock it down, you

741
00:46:25,280 --> 00:46:26,719
Speaker 1: know what I'm saying, knock it down, you know, you know,

742
00:46:27,120 --> 00:46:30,840
Speaker 1: knocking down, get sucking like shoulder that you ain't know

743
00:46:30,920 --> 00:46:33,160
Speaker 1: broke me getting your house flies car. But what if

744
00:46:33,200 --> 00:46:35,200
Speaker 1: he went through like six girls and they really didn't

745
00:46:35,200 --> 00:46:38,960
Speaker 1: have it? But he no, he didn't. You know, it's

746
00:46:39,000 --> 00:46:45,360
Speaker 1: been too too too too man. Real. No, it's not

747
00:46:45,440 --> 00:46:48,960
Speaker 1: a problem, no problem, No, not a problem you ever had,

748
00:46:49,200 --> 00:46:51,120
Speaker 1: like you ever been in a relationship or had a

749
00:46:51,200 --> 00:46:54,080
Speaker 1: girlfriend or anything like that. Yeah, I mean by you

750
00:46:54,160 --> 00:46:56,960
Speaker 1: know what I'm saving with that mentality? Do they have

751
00:46:57,080 --> 00:46:59,880
Speaker 1: to accept or treat you like a pimp even when

752
00:46:59,880 --> 00:47:02,320
Speaker 1: you ain't got no hole something like the pimp. I

753
00:47:02,360 --> 00:47:05,640
Speaker 1: didn't say it was a pimp. I never because this game,

754
00:47:05,719 --> 00:47:08,160
Speaker 1: this ship out, this ship pay me way better than

755
00:47:08,239 --> 00:47:11,399
Speaker 1: anything I could do trying to pimp holes. And then,

756
00:47:13,000 --> 00:47:15,000
Speaker 1: as you know in hip hop right now, I was

757
00:47:15,080 --> 00:47:17,359
Speaker 1: kind of like ahead of my curve back in the day.

758
00:47:17,400 --> 00:47:21,480
Speaker 1: I'm like, well, ship, if I wrap about pimping, and

759
00:47:21,560 --> 00:47:26,480
Speaker 1: then I started pimping, I'm going to jail I'm not

760
00:47:26,560 --> 00:47:29,080
Speaker 1: gonna wrap about some criminal ship and then do the crimes.

761
00:47:30,680 --> 00:47:34,960
Speaker 1: I basically verse ychot it. Even the pimps, all the

762
00:47:35,000 --> 00:47:37,200
Speaker 1: pimps that know that I represent the game, and all

763
00:47:37,200 --> 00:47:39,359
Speaker 1: the pips that me, they know what I was doing.

764
00:47:39,560 --> 00:47:41,960
Speaker 1: They're like nig he wrapping the game, making the kind

765
00:47:42,000 --> 00:47:44,160
Speaker 1: of news that we like to ride to. My one homie,

766
00:47:44,160 --> 00:47:46,840
Speaker 1: he used to um. It was a reward for his

767
00:47:46,960 --> 00:47:50,200
Speaker 1: hose if she would hold up enough. He had many holes.

768
00:47:50,560 --> 00:47:52,759
Speaker 1: If she would hold up enough. Did you get to

769
00:47:52,800 --> 00:48:05,960
Speaker 1: me too short? He's like, where the thing? Like one time,

770
00:48:06,120 --> 00:48:09,359
Speaker 1: one time he said, you feel so hard? One time

771
00:48:09,400 --> 00:48:16,640
Speaker 1: he said this stay what's that savor like you doing? Girl?

772
00:48:16,640 --> 00:48:19,000
Speaker 1: I heard you was a superstar getting that ship girl

773
00:48:19,160 --> 00:48:28,359
Speaker 1: up time team more effective too? Then you how up

774
00:48:28,840 --> 00:48:30,600
Speaker 1: you get to me? To get to me too short?

775
00:48:31,040 --> 00:48:34,720
Speaker 1: I did that for my mommy. That what you're saying?

776
00:48:34,760 --> 00:48:37,400
Speaker 1: That Like, what does authenticity mean to you in this

777
00:48:37,600 --> 00:48:39,719
Speaker 1: in this game, like in the rap game? What is that?

778
00:48:40,040 --> 00:48:42,920
Speaker 1: Because you just said I got a problem with authenticity

779
00:48:43,040 --> 00:48:45,200
Speaker 1: right now this day these days, because it got too real,

780
00:48:46,239 --> 00:48:49,160
Speaker 1: it got to funk real this like you wanted it to.

781
00:48:49,719 --> 00:48:52,360
Speaker 1: You wanted to paint a picture that felt real and

782
00:48:52,640 --> 00:48:54,839
Speaker 1: look real in the video whatever you wanted to paint

783
00:48:54,880 --> 00:49:04,000
Speaker 1: a picture. Compository scams like jay Z and E forty

784
00:49:04,280 --> 00:49:07,680
Speaker 1: and a few other niggas, they perfectly talk about retro

785
00:49:07,880 --> 00:49:12,200
Speaker 1: san slinging cocaine in a in a non incriminating way.

786
00:49:14,520 --> 00:49:17,600
Speaker 1: So much do not I sell so much? And they

787
00:49:17,640 --> 00:49:20,440
Speaker 1: did the ship, you know, thinking I'm not about to

788
00:49:20,480 --> 00:49:24,040
Speaker 1: incriminate myself. Rap got hella real man. So I'm like,

789
00:49:24,719 --> 00:49:28,600
Speaker 1: authenticity was a thing. I think it's like it's a

790
00:49:28,640 --> 00:49:30,960
Speaker 1: bad thing now. I think that. I mean it's I

791
00:49:31,040 --> 00:49:34,840
Speaker 1: think that because when you started the rap game was

792
00:49:34,920 --> 00:49:37,719
Speaker 1: a representation of the streets, and now it's kind of

793
00:49:37,760 --> 00:49:41,000
Speaker 1: reversed with the you know, the streets is raped, you

794
00:49:41,040 --> 00:49:44,080
Speaker 1: know what it turned into the reverse. So and speaking

795
00:49:44,120 --> 00:49:46,239
Speaker 1: of that, like you've been around for a long time,

796
00:49:46,360 --> 00:49:48,400
Speaker 1: I personally have a theory where I think the streets

797
00:49:48,440 --> 00:49:50,800
Speaker 1: was way worse than the eighties and the nineties. But

798
00:49:51,239 --> 00:49:53,080
Speaker 1: I believe now that we got the fact that we

799
00:49:53,160 --> 00:49:55,680
Speaker 1: could see all of the crime happening and it's so readily,

800
00:49:55,760 --> 00:49:58,920
Speaker 1: it just seems like it's worse. The numbers are not

801
00:49:59,000 --> 00:50:01,600
Speaker 1: as hot. So do you believe that it was. You know,

802
00:50:01,680 --> 00:50:03,560
Speaker 1: you hear people say now all the time that being

803
00:50:03,600 --> 00:50:05,640
Speaker 1: a rapper is the most dangerous job in the world.

804
00:50:06,160 --> 00:50:08,640
Speaker 1: And you know rest in piece of the brother benb Rocked,

805
00:50:08,719 --> 00:50:11,000
Speaker 1: But do you believe it as a rapper as long

806
00:50:11,080 --> 00:50:13,120
Speaker 1: as you have that it truly is the most dangerous

807
00:50:13,200 --> 00:50:22,800
Speaker 1: job in the world. I think that is if we

808
00:50:22,880 --> 00:50:24,560
Speaker 1: get we're about to get into the energy ship now,

809
00:50:24,560 --> 00:50:27,359
Speaker 1: because I think the energy is real and you sit there,

810
00:50:27,400 --> 00:50:29,600
Speaker 1: you could go back and look at rappers like Spice One,

811
00:50:30,120 --> 00:50:33,560
Speaker 1: who was who was? You know he wouldn't found his

812
00:50:33,640 --> 00:50:35,320
Speaker 1: way in the world and did ship. But in the

813
00:50:35,360 --> 00:50:38,279
Speaker 1: early days of his career, a lot of people wanted

814
00:50:38,280 --> 00:50:39,880
Speaker 1: to like funk with him and fighting because he was

815
00:50:39,960 --> 00:50:41,880
Speaker 1: like I'm gonna killer him, like you know that he

816
00:50:41,920 --> 00:50:44,480
Speaker 1: had to like go through some trials tripulations on getting

817
00:50:44,560 --> 00:50:47,680
Speaker 1: past saying I'm the toughest nigg out here taking nigga

818
00:50:47,719 --> 00:50:51,560
Speaker 1: like DJ Quick right now, nigga's nigga has been blunted

819
00:50:51,640 --> 00:50:54,839
Speaker 1: up forever, right think blood this red Red ragg It's

820
00:50:54,840 --> 00:50:58,879
Speaker 1: all and its commercializes everywhere. But when DJ Quick first

821
00:50:58,920 --> 00:51:01,080
Speaker 1: started making records, he's saying I'm a blood from confident.

822
00:51:01,480 --> 00:51:03,800
Speaker 1: It was a whole lot of crypt niggas in l

823
00:51:03,880 --> 00:51:05,520
Speaker 1: A and around the country. That was kind of like

824
00:51:05,719 --> 00:51:08,640
Speaker 1: a little bit more out there, and the blood ship

825
00:51:08,719 --> 00:51:11,000
Speaker 1: was like bloods used to stick together. The numbers was lower,

826
00:51:11,600 --> 00:51:14,440
Speaker 1: and it was like they wasn't really like flaughting that

827
00:51:14,480 --> 00:51:16,759
Speaker 1: ship like that. It was some real ship, but they

828
00:51:16,840 --> 00:51:19,439
Speaker 1: wasn't really going. You know, in the rap song yeah

829
00:51:19,440 --> 00:51:22,000
Speaker 1: I'm a Blood that DJ Quick did, it called a

830
00:51:22,040 --> 00:51:23,840
Speaker 1: lot of flat like he had to go through a

831
00:51:23,920 --> 00:51:27,920
Speaker 1: lot of ship to blaze that trail. But now you

832
00:51:27,960 --> 00:51:30,560
Speaker 1: know what I'm saying niggas is like I'm from this specifics,

833
00:51:31,239 --> 00:51:36,000
Speaker 1: from this hood. These are my enemies on a daily basis.

834
00:51:36,040 --> 00:51:38,840
Speaker 1: We try to kill these niggas and then when they

835
00:51:38,880 --> 00:51:41,640
Speaker 1: do kill a nigga, they'd be like, yeah we got someone,

836
00:51:41,719 --> 00:51:48,680
Speaker 1: so yeah, now you're flaming the mother. You're fucking like

837
00:51:48,800 --> 00:51:51,719
Speaker 1: fan in the flames and fun like telling yourself like

838
00:51:51,800 --> 00:51:54,279
Speaker 1: it's it's it's just got too real. And I think

839
00:51:54,320 --> 00:51:56,600
Speaker 1: that the reason why I got a problem with is

840
00:51:56,640 --> 00:52:01,720
Speaker 1: because the rap fans already saying, I ain't finished support

841
00:52:01,760 --> 00:52:03,160
Speaker 1: you if I if I find out you're not the

842
00:52:03,239 --> 00:52:05,799
Speaker 1: real deal. So then niggas who really wouldn't have been

843
00:52:05,840 --> 00:52:08,120
Speaker 1: rappers in my day because they was just too real

844
00:52:08,200 --> 00:52:11,359
Speaker 1: for it. They're the rappers now. Like the nigga who's

845
00:52:11,400 --> 00:52:14,160
Speaker 1: the prolific writer with the insight, the little you know,

846
00:52:14,280 --> 00:52:17,600
Speaker 1: the just get in the head, he can't even get

847
00:52:17,600 --> 00:52:19,600
Speaker 1: in now because he ain't got no got that Doug

848
00:52:20,080 --> 00:52:24,719
Speaker 1: track record difference. Back then, they was pulling up on you,

849
00:52:24,840 --> 00:52:27,400
Speaker 1: making you make tapes about the right days, nigga, Like

850
00:52:27,719 --> 00:52:29,520
Speaker 1: with the studio that I'm gonna make a song about me,

851
00:52:31,640 --> 00:52:33,799
Speaker 1: make a song nigga about the little nigga sixth grade

852
00:52:33,800 --> 00:52:39,080
Speaker 1: selling cigarettes. Niggna have to shoot I was in the

853
00:52:39,160 --> 00:52:47,960
Speaker 1: selling cigarette. Yeah it did. But I mean, you know,

854
00:52:48,160 --> 00:52:50,520
Speaker 1: as a hip hop fan and we all like we

855
00:52:50,680 --> 00:52:53,840
Speaker 1: love the music. Like I remember being young and thinking

856
00:52:54,239 --> 00:52:58,440
Speaker 1: that Master P really was Master P Nigga the ice

857
00:52:58,520 --> 00:53:01,200
Speaker 1: cream man, because you don't have nothing differentiate because you

858
00:53:01,560 --> 00:53:04,120
Speaker 1: it's the narration of the environment that you come from

859
00:53:08,160 --> 00:53:11,759
Speaker 1: cream ice cream. Like this we need to have right

860
00:53:12,400 --> 00:53:15,200
Speaker 1: for real, This we need to happen right now right

861
00:53:15,280 --> 00:53:18,480
Speaker 1: the funk now, Uh, the little niggas, the young niggas

862
00:53:18,560 --> 00:53:20,440
Speaker 1: is getting all this fucking money. Need to look up

863
00:53:20,480 --> 00:53:24,279
Speaker 1: and realize the main nigga is the bag. Niggad you

864
00:53:24,400 --> 00:53:26,279
Speaker 1: have a bag, nigger. He's like the leader of your crew.

865
00:53:26,360 --> 00:53:29,040
Speaker 1: He's the one who generates the income. We all eating

866
00:53:29,080 --> 00:53:32,280
Speaker 1: off what he's doing. We got to protect this nigga

867
00:53:32,640 --> 00:53:35,840
Speaker 1: to all ends. Like he's motherfucking Barack Obama. This nigga

868
00:53:35,920 --> 00:53:40,040
Speaker 1: needs a little d security detail. Like my little homie

869
00:53:40,080 --> 00:53:42,480
Speaker 1: that went to high school with You need to watch

870
00:53:42,560 --> 00:53:45,239
Speaker 1: these niggas like that from now on, Like niggad, you're

871
00:53:45,280 --> 00:53:47,759
Speaker 1: gonna go where now and you ain't going there. Three

872
00:53:47,800 --> 00:53:49,640
Speaker 1: homies with the things with you, like, we gotta do

873
00:53:49,760 --> 00:53:52,920
Speaker 1: that forever. I call it protect the bag. We're not

874
00:53:53,080 --> 00:53:57,480
Speaker 1: protecting the bag if you let Okay, we all niggas

875
00:53:57,560 --> 00:54:00,680
Speaker 1: right right. He are star. We're about to get in

876
00:54:00,719 --> 00:54:03,440
Speaker 1: the fight. He can't fight with us black niggas. Two

877
00:54:03,520 --> 00:54:08,279
Speaker 1: niggas with the bank take him back. Yeah, we need

878
00:54:08,360 --> 00:54:11,160
Speaker 1: him to keep the gun. Damn job, black nigging. Somebody

879
00:54:11,280 --> 00:54:14,880
Speaker 1: really gotta really gotta take the fun fall for the money. Man.

880
00:54:15,239 --> 00:54:18,319
Speaker 1: You gotta do it. Man. You're like, nigga, I'm gonna

881
00:54:18,320 --> 00:54:21,480
Speaker 1: shoot this nigga for you get caught or not. You

882
00:54:21,560 --> 00:54:23,719
Speaker 1: ain't going never head to worry about that. And then

883
00:54:23,760 --> 00:54:26,480
Speaker 1: you're gonna make sure that nigga great. Yeah, and that's

884
00:54:26,520 --> 00:54:29,359
Speaker 1: why I'm supposed to go. But we ain't upg ain't

885
00:54:29,360 --> 00:54:32,719
Speaker 1: trained like that. I'm telling him right now. Man them

886
00:54:32,800 --> 00:54:35,800
Speaker 1: back nigga, like, treat this nigga like he's the president.

887
00:54:35,960 --> 00:54:38,120
Speaker 1: If he's a nigga bringing the money to your neighborhood,

888
00:54:38,120 --> 00:54:42,200
Speaker 1: the block to your crew, protect that nig man even

889
00:54:42,239 --> 00:54:43,920
Speaker 1: if he want to come run to the fight. He

890
00:54:44,000 --> 00:54:45,960
Speaker 1: want to be in there, he want to stay, take

891
00:54:46,040 --> 00:54:48,160
Speaker 1: his gun stopping. And you don't gotta fight the more

892
00:54:48,200 --> 00:54:50,960
Speaker 1: nig your start. Let's see that. That's that was I

893
00:54:51,000 --> 00:54:52,959
Speaker 1: would think that was easier to do back. You gotta

894
00:54:53,040 --> 00:54:57,800
Speaker 1: go back to it. We got got to do that.

895
00:54:57,960 --> 00:55:02,920
Speaker 1: When everybody got the better to show what they're doing. Seven.

896
00:55:04,320 --> 00:55:06,680
Speaker 1: You're a bag right. Let's say it's nineteen eighty five

897
00:55:06,719 --> 00:55:09,560
Speaker 1: and that mentality. It's easy for us to run that mentality.

898
00:55:09,640 --> 00:55:12,759
Speaker 1: But when everybody got somebody, hey, man, man, you ain't

899
00:55:12,760 --> 00:55:14,760
Speaker 1: got no change. You ain't got this in your comments.

900
00:55:14,800 --> 00:55:16,640
Speaker 1: Every time you post the picture and do something to

901
00:55:16,680 --> 00:55:21,400
Speaker 1: make you want to be the president. Now you're the

902
00:55:21,480 --> 00:55:23,440
Speaker 1: real thug in the crew. You nigga that do the

903
00:55:23,480 --> 00:55:25,799
Speaker 1: most of the heavy work for the crew. You gotta

904
00:55:25,880 --> 00:55:28,399
Speaker 1: override that nigga and his his new thinking that God

905
00:55:28,480 --> 00:55:32,200
Speaker 1: like niked, no, you can't go nowhere no more, you can't.

906
00:55:32,400 --> 00:55:34,000
Speaker 1: My niggas just told me that. They say, O G,

907
00:55:34,960 --> 00:55:36,440
Speaker 1: we gotta stop you from floating around. And when you

908
00:55:36,480 --> 00:55:38,880
Speaker 1: floating around because it's she's getting crazy out here, and

909
00:55:38,960 --> 00:55:40,320
Speaker 1: I'm like, dam I've been floating like this for a

910
00:55:40,360 --> 00:55:43,959
Speaker 1: long time. They're like, nah, it's just different, like they're

911
00:55:43,960 --> 00:55:46,080
Speaker 1: looking like, damn this. We clipped the bag. Even though

912
00:55:46,080 --> 00:55:47,640
Speaker 1: you're the O G. We still can't clip the bag.

913
00:55:48,239 --> 00:55:52,719
Speaker 1: We gotta keep the bag. Man, protect the bag. The

914
00:55:52,840 --> 00:55:55,200
Speaker 1: main nigging might not understand it. You that's why you

915
00:55:55,280 --> 00:55:58,160
Speaker 1: did the hardest nigging the crew. Protect this nigga man,

916
00:55:59,120 --> 00:56:01,800
Speaker 1: like even he don't even want you to do it,

917
00:56:01,880 --> 00:56:05,799
Speaker 1: do it anyway. And they ain't tough. Ash you go home,

918
00:56:05,880 --> 00:56:07,839
Speaker 1: you can't come out. You're gonna look at your food

919
00:56:07,880 --> 00:56:10,759
Speaker 1: to bring it back like that and is too hot, man.

920
00:56:11,000 --> 00:56:19,279
Speaker 1: They shoot R and D niggas man right, and they

921
00:56:19,360 --> 00:56:21,799
Speaker 1: got one of my favorite Hella maminad shot. I don't

922
00:56:21,800 --> 00:56:25,400
Speaker 1: even know that it was Hella mad. That should be crazy.

923
00:56:25,520 --> 00:56:28,040
Speaker 1: Hell of weird and niggas gotta understand. We've got to

924
00:56:28,040 --> 00:56:30,840
Speaker 1: stop letting the senseless niggas to be able to approach

925
00:56:31,200 --> 00:56:37,080
Speaker 1: certain people. You see what I'm saying, little right, he

926
00:56:37,120 --> 00:56:40,879
Speaker 1: said what's up? To say what's up? They cain't walking

927
00:56:40,960 --> 00:56:42,879
Speaker 1: him on fucking president. And then you see the White

928
00:56:42,960 --> 00:56:45,879
Speaker 1: House every day, but a walking on his grass, they'll

929
00:56:45,880 --> 00:56:49,800
Speaker 1: walk up with you. They phone out, Damn. That's what

930
00:56:49,840 --> 00:56:52,560
Speaker 1: I'm saying. Like, that's the difference in being a celebrity

931
00:56:52,640 --> 00:56:55,520
Speaker 1: now versus being a celebrity when you came out. That's

932
00:56:55,560 --> 00:56:58,000
Speaker 1: another question for you. Do you think that it's Do

933
00:56:58,120 --> 00:57:00,560
Speaker 1: you enjoy being a celebrity back then when fame was

934
00:57:00,640 --> 00:57:03,080
Speaker 1: what it was when you first hit versus now when

935
00:57:03,120 --> 00:57:05,440
Speaker 1: you have all the acts. Everything on planet Earth was

936
00:57:05,520 --> 00:57:09,600
Speaker 1: better before social media, nigga, everything was better. Everything. The

937
00:57:09,640 --> 00:57:11,640
Speaker 1: only thing wasn't better with all the platforms and getting

938
00:57:11,640 --> 00:57:15,160
Speaker 1: all that money. But oh my god, life life You

939
00:57:15,200 --> 00:57:18,920
Speaker 1: could live a night and that night stay there, nigga.

940
00:57:19,120 --> 00:57:22,439
Speaker 1: Nobody was captured the image of that night. Oh my god,

941
00:57:22,520 --> 00:57:24,720
Speaker 1: can you imagine living that life? I always say that

942
00:57:24,720 --> 00:57:27,600
Speaker 1: I felt like I've been famous and natives that night

943
00:57:27,680 --> 00:57:31,640
Speaker 1: that you live nobody got one picture. Nobody had a

944
00:57:31,640 --> 00:57:39,240
Speaker 1: goddamn camera. It's a word about this way autograph that

945
00:57:39,320 --> 00:57:42,520
Speaker 1: nobody had a pence on the more pin. It was cool.

946
00:57:43,680 --> 00:57:46,760
Speaker 1: See you like tell them to get a picture? Should

947
00:57:46,760 --> 00:57:51,120
Speaker 1: get back? Then was what my nigga with? You? With

948
00:57:51,160 --> 00:57:54,640
Speaker 1: you like giving nigga moment that was I was needed.

949
00:57:55,360 --> 00:57:57,120
Speaker 1: Do you'll remember y'all old enough for this? Do you'll

950
00:57:57,160 --> 00:58:00,080
Speaker 1: remember when a nigga could not ask another nigga for

951
00:58:00,160 --> 00:58:03,040
Speaker 1: a picture, like like dare take a selfie with two

952
00:58:03,120 --> 00:58:09,840
Speaker 1: niggas but self just like I couldn't imagine that they

953
00:58:10,080 --> 00:58:11,960
Speaker 1: taking a selfie with it. Back then they could put

954
00:58:11,960 --> 00:58:19,240
Speaker 1: out the polar Board five. They got the realm wind

955
00:58:19,280 --> 00:58:21,280
Speaker 1: it back now. That was a different go get all

956
00:58:21,280 --> 00:58:29,160
Speaker 1: the pictures day from here down about don't way more structure.

957
00:58:30,080 --> 00:58:32,280
Speaker 1: We lost a lot of structure with with the fucking

958
00:58:32,360 --> 00:58:34,840
Speaker 1: internet ship. I don't know who the people be trying

959
00:58:34,880 --> 00:58:36,800
Speaker 1: to impress. They just I don't know what the funk

960
00:58:36,840 --> 00:58:40,160
Speaker 1: they think they're gonna post. The people just magically show

961
00:58:40,240 --> 00:58:43,760
Speaker 1: up and be like wow, motherfuckers talking out of turnout.

962
00:58:43,800 --> 00:58:47,920
Speaker 1: You know who did it? It was DJ Kellett and Snapchat.

963
00:58:49,080 --> 00:58:51,160
Speaker 1: Well he took that fucking was the snapchat when he

964
00:58:51,240 --> 00:58:54,640
Speaker 1: took that camera and showed everybody, well he was at jop.

965
00:58:54,720 --> 00:58:57,320
Speaker 1: Everybody crazy. Everybody wanted to show you what they was

966
00:58:57,360 --> 00:58:59,520
Speaker 1: at after that. I mean it's deeper than that. They

967
00:58:59,720 --> 00:59:02,800
Speaker 1: showing you what they ain't today, what color they shoe

968
00:59:02,840 --> 00:59:05,840
Speaker 1: strings is and everything like, it's just it's like, if

969
00:59:05,880 --> 00:59:08,480
Speaker 1: you don't show it on social media, never happened when

970
00:59:08,520 --> 00:59:15,160
Speaker 1: you was coming up. When if that's what you gotta

971
00:59:15,160 --> 00:59:17,720
Speaker 1: be like, I don't know who then is that from

972
00:59:17,800 --> 00:59:20,520
Speaker 1: sharing the overshare? But on the positive side, the funny

973
00:59:20,520 --> 00:59:24,680
Speaker 1: ship is winning. I'll stay in tune with social media platforms,

974
00:59:24,960 --> 00:59:27,640
Speaker 1: and the funny ship is outnumbering all the other goofy

975
00:59:27,680 --> 00:59:30,320
Speaker 1: ships standing by cars it ain't yours and and fucking

976
00:59:31,400 --> 00:59:33,400
Speaker 1: lying about your day. That ship kind of like moving

977
00:59:33,440 --> 00:59:36,320
Speaker 1: to the side of the funny ship is winning. Everybody

978
00:59:36,360 --> 00:59:38,280
Speaker 1: like niggas ain't even funny, and like won't come like

979
00:59:38,360 --> 00:59:41,240
Speaker 1: nigga about stuff being funny even though they ain't funny.

980
00:59:41,280 --> 00:59:47,800
Speaker 1: He's still try down. But I think it's I really

981
00:59:47,880 --> 00:59:52,320
Speaker 1: think social media is taking care of itself by being funny,

982
00:59:53,080 --> 00:59:55,560
Speaker 1: and the informative ship is dope, like the dope parts

983
00:59:55,600 --> 00:59:58,080
Speaker 1: about it, the fake ship. You know what I'm saying.

984
00:59:58,080 --> 00:59:59,960
Speaker 1: I feel like I feel bad for all the chicks

985
01:00:00,000 --> 01:00:02,440
Speaker 1: who fund their body up for social media, and I

986
01:00:02,480 --> 01:00:04,880
Speaker 1: feel really bad, like I wish they wouldn't did that.

987
01:00:05,080 --> 01:00:06,520
Speaker 1: Like you, you want to take a picture and get

988
01:00:06,560 --> 01:00:11,200
Speaker 1: a million followers yourself with influencer, he said. We had

989
01:00:11,280 --> 01:00:13,840
Speaker 1: one girl she said, I want to be an influencer

990
01:00:14,080 --> 01:00:18,120
Speaker 1: and we were like, oh, ship, that became a goal.

991
01:00:18,360 --> 01:00:22,080
Speaker 1: Now you want to influence people to do what you do?

992
01:00:22,240 --> 01:00:24,760
Speaker 1: What she didn't know? What? She didn't know what I did.

993
01:00:24,800 --> 01:00:27,800
Speaker 1: We were like, what you're here from? Natural beauty is

994
01:00:27,840 --> 01:00:31,360
Speaker 1: a winner? Is the one of the latest? Come on,

995
01:00:32,080 --> 01:00:34,680
Speaker 1: you know you got that point you already time you

996
01:00:34,760 --> 01:00:38,880
Speaker 1: try to tell them all like you already five. You

997
01:00:38,920 --> 01:00:40,840
Speaker 1: ain't gotta do that of that beautiful. But I like

998
01:00:40,960 --> 01:00:43,240
Speaker 1: the turn is taken down with you know, the creative ship,

999
01:00:43,360 --> 01:00:46,080
Speaker 1: all the new little edits and ship and you know,

1000
01:00:46,240 --> 01:00:47,720
Speaker 1: making people be a little more cree. I like that.

1001
01:00:48,040 --> 01:00:50,440
Speaker 1: They said you came from the forward or the video

1002
01:00:50,640 --> 01:00:53,520
Speaker 1: vixing that don't exist no more. It's all Instagram models now.

1003
01:00:53,640 --> 01:00:55,240
Speaker 1: But you were back in the time when there was

1004
01:00:55,640 --> 01:01:01,640
Speaker 1: the video vixing smooth magazine. You know what I mean,

1005
01:01:01,800 --> 01:01:05,080
Speaker 1: Like you come from out that error. You come from

1006
01:01:05,080 --> 01:01:06,920
Speaker 1: out a different earth. So like you didn't walk through

1007
01:01:07,000 --> 01:01:09,880
Speaker 1: so many different decades and errors in this game. Like

1008
01:01:10,320 --> 01:01:12,640
Speaker 1: what's your favorite decade? I mean, what's your favorite error

1009
01:01:13,240 --> 01:01:16,200
Speaker 1: in hip hop? I told you my years in Atlanta

1010
01:01:16,400 --> 01:01:20,560
Speaker 1: was very special. That would have been um oh eight,

1011
01:01:21,480 --> 01:01:25,400
Speaker 1: that was like dam that was like that was you

1012
01:01:25,560 --> 01:01:27,919
Speaker 1: had a lot of fun and freaking Nick. You moved

1013
01:01:28,000 --> 01:01:34,840
Speaker 1: to it right and years. It's the water off the

1014
01:01:35,040 --> 01:01:41,680
Speaker 1: Man three A lot of ship that I remember when

1015
01:01:41,720 --> 01:01:47,120
Speaker 1: you the Magic City and you know the bad girl

1016
01:01:47,160 --> 01:01:49,400
Speaker 1: in there they dancing ship. He was like what you're

1017
01:01:49,400 --> 01:01:52,080
Speaker 1: doing later and she'd be like, I don't know. I'm

1018
01:01:52,080 --> 01:01:54,680
Speaker 1: like just smell that weird Like I'm coming with you.

1019
01:01:58,200 --> 01:02:00,040
Speaker 1: I tried to ship one day. Ship like Nick, I

1020
01:02:00,040 --> 01:02:04,080
Speaker 1: don't wanna do nothing the thousand dollars nigging fast? Did

1021
01:02:04,160 --> 01:02:07,840
Speaker 1: you with your own ship? I'm just saying it got

1022
01:02:07,920 --> 01:02:11,120
Speaker 1: it started like oh four oh four oh five. It

1023
01:02:11,320 --> 01:02:13,360
Speaker 1: was like we used to get strippers, like just kind

1024
01:02:13,400 --> 01:02:17,040
Speaker 1: of video shoot, just too just to hang out. I

1025
01:02:17,080 --> 01:02:18,680
Speaker 1: don't knock the stripper, like, man, I'm about to go

1026
01:02:18,720 --> 01:02:22,600
Speaker 1: get some pieces and I'm going to the house like

1027
01:02:22,680 --> 01:02:23,800
Speaker 1: it was. It was like, I just want to hang

1028
01:02:23,840 --> 01:02:28,720
Speaker 1: out with you, nig oh five oh four. I'm like,

1029
01:02:29,320 --> 01:02:31,640
Speaker 1: I love how you got specific days when the game

1030
01:02:31,800 --> 01:02:33,920
Speaker 1: got up, like I'm shooting the video she like, and

1031
01:02:36,440 --> 01:02:37,960
Speaker 1: I'm like, get like about eight girls pull up on

1032
01:02:38,000 --> 01:02:40,919
Speaker 1: the video Saturday, like we want to two thousand each?

1033
01:02:41,120 --> 01:02:45,000
Speaker 1: Like what, yeah, seriously, that's weed right here? What's wrong

1034
01:02:45,040 --> 01:02:47,520
Speaker 1: with you? You said it was an evolution, though you

1035
01:02:47,600 --> 01:02:50,280
Speaker 1: said it was like, I want to foot was evolution.

1036
01:02:50,720 --> 01:02:55,680
Speaker 1: Let's let's thrill. The credit card swiped down, the ass,

1037
01:02:56,520 --> 01:02:59,880
Speaker 1: prices went up, bro, everything went up. Don't bite your

1038
01:03:00,280 --> 01:03:02,360
Speaker 1: don't be scared the same being man. That was that

1039
01:03:02,480 --> 01:03:08,600
Speaker 1: time about garbage bags full of ones. And I was

1040
01:03:08,640 --> 01:03:11,240
Speaker 1: talking to a bit that was my friends, my friend,

1041
01:03:11,320 --> 01:03:13,520
Speaker 1: I know her. You know you got your strip club friends.

1042
01:03:13,720 --> 01:03:15,840
Speaker 1: We chopping it up. We're laughing. Ain'tbody no, damn you

1043
01:03:16,000 --> 01:03:18,760
Speaker 1: my home girl, right, and then the niggas walked in

1044
01:03:18,840 --> 01:03:23,880
Speaker 1: with the trash bags. How did you? Later shout He

1045
01:03:24,000 --> 01:03:29,000
Speaker 1: never got to me like that later the yeah, in

1046
01:03:29,120 --> 01:03:32,080
Speaker 1: making rains, he wasn't even called making right for him?

1047
01:03:32,280 --> 01:03:36,680
Speaker 1: What was it called nothing? Throwing holding money, hanging out,

1048
01:03:38,640 --> 01:03:40,800
Speaker 1: let me get a honey once? Can I get a

1049
01:03:40,880 --> 01:03:42,920
Speaker 1: honey one? Listen to Niga song? What NI said? The song?

1050
01:03:43,440 --> 01:03:46,080
Speaker 1: I'm told the DJ, can I get another hunted one?

1051
01:03:46,320 --> 01:03:48,680
Speaker 1: Holding the club? Nigga hunted on was the ship and

1052
01:03:49,040 --> 01:03:50,680
Speaker 1: let me get a hunt of ones. D had the

1053
01:03:50,760 --> 01:03:56,800
Speaker 1: money right, the DJ had honey still to the right,

1054
01:03:59,120 --> 01:04:02,680
Speaker 1: the flavors showing you can y'all have a moment for

1055
01:04:02,720 --> 01:04:09,400
Speaker 1: the flame. Yeah, I say through story just for herd

1056
01:04:09,440 --> 01:04:13,919
Speaker 1: of the integrity of really supposed to be. It's never

1057
01:04:14,040 --> 01:04:17,680
Speaker 1: been strip club down here before, Like you never seen

1058
01:04:17,680 --> 01:04:19,720
Speaker 1: the feeling of the flames. No, no, no, no, no.

1059
01:04:19,920 --> 01:04:22,480
Speaker 1: Less'm gonna tall the story. I had never been me

1060
01:04:22,600 --> 01:04:24,560
Speaker 1: and loose riding around. We had just got we had

1061
01:04:24,600 --> 01:04:26,920
Speaker 1: just came from doing something. It's like two thirty in

1062
01:04:26,960 --> 01:04:28,960
Speaker 1: the morning. I'm like, bro, it's I'm hardly. Take me

1063
01:04:29,000 --> 01:04:32,320
Speaker 1: to check us real quick. He was like checkers. I

1064
01:04:32,440 --> 01:04:34,240
Speaker 1: was like, all right, that nigga said, we're going to

1065
01:04:34,320 --> 01:04:37,440
Speaker 1: the flame. I was like, whatever, Nigga, beat we go

1066
01:04:37,560 --> 01:04:39,160
Speaker 1: to the strip club. I'm like, Nigga, you know I

1067
01:04:39,200 --> 01:04:41,360
Speaker 1: don't funk with the strip club like that. He said, Nigga,

1068
01:04:41,480 --> 01:04:44,200
Speaker 1: just come on nigga. By the time I got their food,

1069
01:04:44,240 --> 01:04:46,480
Speaker 1: they brought out that kitchen. I was eating macaroni and

1070
01:04:46,560 --> 01:04:48,800
Speaker 1: cheese and big chicken and call the crazy and you

1071
01:04:48,920 --> 01:04:51,200
Speaker 1: look up as mitch as everywhere. I'm like, I don't think,

1072
01:04:51,200 --> 01:04:53,640
Speaker 1: I don't want to leave. Here is the most amazing

1073
01:04:55,000 --> 01:04:57,040
Speaker 1: one night and nig it was a casket in the

1074
01:04:57,120 --> 01:04:59,480
Speaker 1: mother perking lot. They were like the nigga whoever was

1075
01:04:59,480 --> 01:05:02,440
Speaker 1: in the casket, he liked the flame so much. They

1076
01:05:02,560 --> 01:05:05,240
Speaker 1: just brought his body there to just hang out. And

1077
01:05:05,880 --> 01:05:15,200
Speaker 1: the man he did like him watching who know who

1078
01:05:15,320 --> 01:05:17,480
Speaker 1: that is? But they ain't gonna say that it might

1079
01:05:17,560 --> 01:05:19,480
Speaker 1: happen one time, but I was it ain't it was.

1080
01:05:21,160 --> 01:05:26,640
Speaker 1: It's it's a it's a it's a tradition, like niggas

1081
01:05:26,680 --> 01:05:29,360
Speaker 1: from the from the west side pull up to the flame,

1082
01:05:30,240 --> 01:05:33,280
Speaker 1: through the flame. Ain't got that on my weel. I'm

1083
01:05:33,320 --> 01:05:37,080
Speaker 1: saying that ship now. I'm just saying, bro, he's like nigga.

1084
01:05:37,320 --> 01:05:40,200
Speaker 1: A lot of niggaw place like a lot of niggas

1085
01:05:41,920 --> 01:05:44,320
Speaker 1: right the flag. Yeah, I got an amendment to make

1086
01:05:46,000 --> 01:05:50,160
Speaker 1: through the flames. They do like the family do that, like, yeah,

1087
01:05:50,200 --> 01:05:54,720
Speaker 1: shouted who did it? But he wasn't the first one

1088
01:05:54,760 --> 01:05:59,240
Speaker 1: to do it. This is the Westside thing. You're from

1089
01:05:59,320 --> 01:06:01,320
Speaker 1: the West Side. I didn't know that that was part

1090
01:06:01,400 --> 01:06:03,400
Speaker 1: of the going in mind. Now, I didn't just come

1091
01:06:03,440 --> 01:06:08,880
Speaker 1: to celebrities and ship you were the celebrity. I can't

1092
01:06:09,120 --> 01:06:10,920
Speaker 1: I linked in with the celeb I did that ship,

1093
01:06:10,960 --> 01:06:13,440
Speaker 1: but I mean that I was. I went deep east.

1094
01:06:13,720 --> 01:06:18,080
Speaker 1: How you linking with Little John? Uhbody saw who you?

1095
01:06:18,160 --> 01:06:22,080
Speaker 1: Who you're with? Who are you with? I tried to

1096
01:06:22,120 --> 01:06:24,160
Speaker 1: get the UM. I tried to get the remix on that,

1097
01:06:25,320 --> 01:06:27,280
Speaker 1: and I said, I said, I used to see Little

1098
01:06:27,360 --> 01:06:30,880
Speaker 1: John rocking the parties. And I never really, like probably

1099
01:06:30,920 --> 01:06:33,320
Speaker 1: say nothing more than what's up. I knew who exactly

1100
01:06:33,360 --> 01:06:35,760
Speaker 1: who he was. He knew who I was. But one

1101
01:06:35,840 --> 01:06:37,439
Speaker 1: day I just I just wrote up and I said,

1102
01:06:37,600 --> 01:06:39,240
Speaker 1: you need to let me um. You need to let

1103
01:06:39,280 --> 01:06:41,240
Speaker 1: me wrap on that remix. Who didn't have no wrapper?

1104
01:06:41,680 --> 01:06:47,080
Speaker 1: It was all chance to nobody. Nobody busted any kind

1105
01:06:47,120 --> 01:06:49,200
Speaker 1: of bars. I was like, nigga, let me wrap on that.

1106
01:06:49,280 --> 01:06:51,680
Speaker 1: And then later in life, who wrapped on it? The row?

1107
01:06:52,360 --> 01:06:54,840
Speaker 1: I just been paid job, fucking head. I've been telling

1108
01:06:55,240 --> 01:06:58,439
Speaker 1: let me wrap on it. He said, Nah, we gotta

1109
01:06:58,440 --> 01:07:00,120
Speaker 1: make something new. That's what we make, couldn't be a

1110
01:07:00,200 --> 01:07:03,880
Speaker 1: better player. And uh, the day he came by the studio,

1111
01:07:04,040 --> 01:07:06,440
Speaker 1: my studio, I wasn't there, y'all know where my studio

1112
01:07:06,560 --> 01:07:19,520
Speaker 1: was at Oakland City nigga stopped and you found old Yeah,

1113
01:07:23,600 --> 01:07:27,280
Speaker 1: you know what the Atlanta Na don't put the studio

1114
01:07:27,320 --> 01:07:33,040
Speaker 1: over there night like Deal Street Niggas day Home song,

1115
01:07:33,120 --> 01:07:36,880
Speaker 1: Open Look Nigga, Oakland City. I went straight to the

1116
01:07:37,000 --> 01:07:39,480
Speaker 1: niggas like nigga, what's up mal love y'all, Nigga, Deal

1117
01:07:39,520 --> 01:07:43,840
Speaker 1: Street Love y'all niggers. Nigg's right around the fucking Nicki's

1118
01:07:43,960 --> 01:07:47,720
Speaker 1: Nikki's a stewart around corner running shoot all that ship.

1119
01:07:48,480 --> 01:07:50,440
Speaker 1: What's your studio on the corner? And I was in

1120
01:07:50,520 --> 01:07:53,120
Speaker 1: the middle Cross Street from that middle schools in the middle. Okay,

1121
01:07:53,920 --> 01:07:56,160
Speaker 1: man that some two little brick builders in the middle

1122
01:07:56,160 --> 01:08:01,480
Speaker 1: of what y'all men? They said the Open City nigga

1123
01:08:01,520 --> 01:08:03,200
Speaker 1: was robbing everybody. I don't know if that's true, but

1124
01:08:03,240 --> 01:08:07,479
Speaker 1: they were like, little John made you got together, y'all

1125
01:08:07,560 --> 01:08:11,200
Speaker 1: made the joint. And then you said, we can't making songs,

1126
01:08:11,240 --> 01:08:13,200
Speaker 1: but we just can't making a song, Little John. I

1127
01:08:13,480 --> 01:08:18,840
Speaker 1: don't I don't know. Story tell the story Little John

1128
01:08:19,760 --> 01:08:22,559
Speaker 1: was in a contract and I bought the contract out.

1129
01:08:22,560 --> 01:08:25,040
Speaker 1: He was like in a contract dispute with somebody, and

1130
01:08:25,160 --> 01:08:27,840
Speaker 1: I was, you know, he couldn't do what he wanted

1131
01:08:27,880 --> 01:08:30,360
Speaker 1: to do right, And I just knew the nigga who

1132
01:08:30,400 --> 01:08:32,160
Speaker 1: had the contract, and I was like, here there were

1133
01:08:32,280 --> 01:08:34,479
Speaker 1: no gangster ship, was no tough ship. I was just like,

1134
01:08:35,200 --> 01:08:36,920
Speaker 1: I was like, bro, what's up with you? And John? Like, John,

1135
01:08:37,240 --> 01:08:39,519
Speaker 1: the money ain't letting them money's contract? Like how much money?

1136
01:08:39,560 --> 01:08:42,280
Speaker 1: Tell me the moutain. I was like, bam. I was

1137
01:08:42,360 --> 01:08:44,840
Speaker 1: like a little John like what I Oh yeah. I

1138
01:08:44,880 --> 01:08:53,240
Speaker 1: was like, nigga, just give me beats. Forever I knew

1139
01:08:53,280 --> 01:08:55,200
Speaker 1: he was the ship, I didn't. I didn't want to

1140
01:08:55,280 --> 01:08:57,600
Speaker 1: sign him because he was already A and R so

1141
01:08:57,760 --> 01:09:00,519
Speaker 1: so deaf the record the records were doing, he was

1142
01:09:00,600 --> 01:09:03,519
Speaker 1: breaking them. Couldn't be mad of plan. And then he

1143
01:09:03,600 --> 01:09:06,720
Speaker 1: had been he was breaking those record stories through his

1144
01:09:06,800 --> 01:09:09,080
Speaker 1: fucking channels are being a DJ and being an A

1145
01:09:09,160 --> 01:09:11,240
Speaker 1: and R so so Dad. He's sending it out and

1146
01:09:11,280 --> 01:09:13,880
Speaker 1: the ship immediately blow up. So I'm like, I'm not

1147
01:09:14,000 --> 01:09:16,439
Speaker 1: trying to be his boss, like nig I want to

1148
01:09:16,479 --> 01:09:19,960
Speaker 1: be your homie. Nigg like here, let's go, so you know,

1149
01:09:20,479 --> 01:09:22,760
Speaker 1: who are some of the other people that you caught

1150
01:09:22,920 --> 01:09:27,400
Speaker 1: before they blew up to where you was a lot.

1151
01:09:27,760 --> 01:09:29,360
Speaker 1: I mean we had we had the rim Shop. You

1152
01:09:29,360 --> 01:09:32,840
Speaker 1: don't know about the ram Shop, Peach Tree, Rapaghett the shop. Yeah,

1153
01:09:33,720 --> 01:09:35,720
Speaker 1: they called the ear rim Shop. You know. It was

1154
01:09:36,080 --> 01:09:38,120
Speaker 1: it was all of us. It was it was. It

1155
01:09:38,280 --> 01:09:40,120
Speaker 1: was red man, it was the lost Boys and a

1156
01:09:40,160 --> 01:09:42,160
Speaker 1: lot of mother like a lot of Tuo pockets coming

1157
01:09:42,240 --> 01:09:44,120
Speaker 1: all the time. It was right now, if you go

1158
01:09:44,200 --> 01:09:46,559
Speaker 1: to that corner where that rim shop was, they tore

1159
01:09:46,640 --> 01:09:49,639
Speaker 1: that motherfucker down. It's a parking lot where it wasn't

1160
01:09:50,160 --> 01:09:55,439
Speaker 1: Ralph McGill. It's a church right there. You gotta give

1161
01:09:55,520 --> 01:10:00,840
Speaker 1: us a Tuopac story and then story two black story.

1162
01:10:00,880 --> 01:10:07,200
Speaker 1: But they Nigga is uh that nigga is a different

1163
01:10:07,280 --> 01:10:09,120
Speaker 1: nigga everything you see him. I've never seen the same

1164
01:10:09,120 --> 01:10:11,479
Speaker 1: two pack twice. He was like they be trying to

1165
01:10:11,840 --> 01:10:13,880
Speaker 1: maybe trying to show the image of what Tupac was,

1166
01:10:13,960 --> 01:10:18,519
Speaker 1: and like he was always like drastically different like most

1167
01:10:18,600 --> 01:10:22,720
Speaker 1: gim and I young saying, just Nigga's just brown two

1168
01:10:22,760 --> 01:10:27,439
Speaker 1: pack stories. I used to um. I used to really

1169
01:10:27,479 --> 01:10:29,560
Speaker 1: like when Tupac was in Oakland before you know. He

1170
01:10:29,640 --> 01:10:31,360
Speaker 1: came out here for a long time too. He was

1171
01:10:31,360 --> 01:10:33,600
Speaker 1: Atlantic for a long time. He was in l A

1172
01:10:33,720 --> 01:10:36,439
Speaker 1: for a long time, and he was open in the bay.

1173
01:10:37,840 --> 01:10:40,000
Speaker 1: I knew a lot of his homies that he hung

1174
01:10:40,080 --> 01:10:43,519
Speaker 1: with because it was in music circles. And I was

1175
01:10:43,600 --> 01:10:45,920
Speaker 1: older than the niggas. I'm older than like all you niggas,

1176
01:10:46,479 --> 01:10:50,720
Speaker 1: so so I always feel like I'm platinum. I've been

1177
01:10:50,720 --> 01:10:55,760
Speaker 1: platinum before most niggas. You know. Shot G was the

1178
01:10:56,000 --> 01:10:58,160
Speaker 1: leader of just the Underground, but Tupac was a little

1179
01:10:58,160 --> 01:10:59,960
Speaker 1: homie in the crew. You can go look at it

1180
01:11:00,040 --> 01:11:02,840
Speaker 1: old video. I put out It's like short Dogs in

1181
01:11:02,880 --> 01:11:05,960
Speaker 1: the House live and concert or something, and shot his

1182
01:11:06,120 --> 01:11:09,960
Speaker 1: backstage being like the the behind the scenes host for

1183
01:11:10,080 --> 01:11:13,160
Speaker 1: my for my video. And Tupac is a little nigg

1184
01:11:13,160 --> 01:11:15,080
Speaker 1: in the background just day. He's a little HOMEI But

1185
01:11:15,200 --> 01:11:19,240
Speaker 1: Tupac started he started coming of age, and I really um.

1186
01:11:19,479 --> 01:11:21,760
Speaker 1: I looked at him and I was like, I liked

1187
01:11:21,800 --> 01:11:23,760
Speaker 1: the nigger, right, I looked at him. I see it,

1188
01:11:24,400 --> 01:11:26,760
Speaker 1: but I'm I'm e soukling nigga, right, and I'm like

1189
01:11:27,280 --> 01:11:30,000
Speaker 1: I seen him. He used to always keep his little thing.

1190
01:11:30,439 --> 01:11:32,679
Speaker 1: He was not a punk. He was like ready for whatever.

1191
01:11:32,760 --> 01:11:34,200
Speaker 1: He was a real one. But I was like, I

1192
01:11:34,360 --> 01:11:38,400
Speaker 1: cannot bring this nigga around my homies because they it's

1193
01:11:38,439 --> 01:11:40,360
Speaker 1: gonna be like oil and fire. And I was like,

1194
01:11:40,720 --> 01:11:43,040
Speaker 1: like when Tupac got to l A and they let

1195
01:11:43,120 --> 01:11:46,240
Speaker 1: him get around, he went ten thousand miles an hour,

1196
01:11:46,800 --> 01:11:48,400
Speaker 1: I knew it. I was like, I cannot bring this

1197
01:11:48,479 --> 01:11:52,479
Speaker 1: nigg around my homies. So I literally made a conscious

1198
01:11:52,560 --> 01:11:56,040
Speaker 1: effort to not ever bring Tupac too. Like he got

1199
01:11:56,560 --> 01:11:59,680
Speaker 1: he found his way to Richie rich Richie rich pluged him.

1200
01:11:59,680 --> 01:12:01,680
Speaker 1: They know all that Brender's got a baby and all

1201
01:12:01,720 --> 01:12:05,280
Speaker 1: that think. You know there one of my favorite songs

1202
01:12:05,320 --> 01:12:07,880
Speaker 1: that my homies called, remember my homies call that's Richie

1203
01:12:08,000 --> 01:12:09,920
Speaker 1: rich in the in the drop Top. And you know

1204
01:12:10,000 --> 01:12:12,640
Speaker 1: he he you know, he gave part the town. But

1205
01:12:13,120 --> 01:12:15,200
Speaker 1: I said I wouldn't do it because I didn't want

1206
01:12:15,240 --> 01:12:19,160
Speaker 1: that guilt of I knew he was like he was

1207
01:12:19,200 --> 01:12:22,599
Speaker 1: gonna take to that ship, like, yeah, he didn't bring

1208
01:12:22,680 --> 01:12:24,560
Speaker 1: him around the niggas because the cant niggas I was

1209
01:12:24,600 --> 01:12:26,680
Speaker 1: running with at the time then have been like, oh

1210
01:12:26,760 --> 01:12:29,760
Speaker 1: you want to be a come on, come on, let's

1211
01:12:29,760 --> 01:12:32,280
Speaker 1: go be a. I'm not doing that to him. I wouldn't.

1212
01:12:32,479 --> 01:12:44,880
Speaker 1: I wouldn't do that to now y'all. Yeah, A good game,

1213
01:12:44,920 --> 01:12:49,040
Speaker 1: were too short. Today it's up man called Los Miller

1214
01:12:49,080 --> 01:12:51,160
Speaker 1: of the eighty five South Show, and I appreciate you

1215
01:12:51,320 --> 01:12:54,200
Speaker 1: checking out my guests. Oh we're not three yet. Click

1216
01:12:54,320 --> 01:12:56,080
Speaker 1: the link so you can check out part two of

1217
01:12:56,160 --> 01:12:59,519
Speaker 1: this interview with my special guest that's right. Click that link.

1218
01:12:59,680 --> 01:13:00,280
Speaker 1: Paul too,