1 00:00:00,000 --> 00:00:02,480 Speaker 1: Hey, everybody, Scott Patterson, I am all in podcast. We're 2 00:00:02,520 --> 00:00:06,560 Speaker 1: gonna sit down at Epics and Chill Fan Convention uh 3 00:00:06,600 --> 00:00:09,520 Speaker 1: in Charleston, South Carolina, have a little discussion with John Cabrera, 4 00:00:09,600 --> 00:00:16,759 Speaker 1: Yannie Truesdale, Matt Super Here it is Hello, that's just you. 5 00:00:25,040 --> 00:00:27,800 Speaker 1: I am all in with Scott Patterson and I Heart 6 00:00:27,880 --> 00:00:31,760 Speaker 1: Radio podcast. Everybody's Scott Patterson. I am all in podcast. 7 00:00:31,800 --> 00:00:34,680 Speaker 1: I Heart Radio one eleven Productions. I am sitting here 8 00:00:35,440 --> 00:00:39,920 Speaker 1: in a convention venue in Charleston, South Carolina with none 9 00:00:39,920 --> 00:00:45,040 Speaker 1: other than John Cabrera and Yannick Truesdale. Gentlemen, Hello, how 10 00:00:45,080 --> 00:00:47,600 Speaker 1: are you? Hello? Mr Patterson, how are you? He came 11 00:00:47,640 --> 00:00:51,279 Speaker 1: in from came in from Canada, but two days ago 12 00:00:51,440 --> 00:00:55,440 Speaker 1: was in Greece. I'm all over the place, my usual. 13 00:00:57,040 --> 00:01:01,120 Speaker 1: Are you having the usual airline trauma that we all Well, 14 00:01:01,200 --> 00:01:04,160 Speaker 1: you had a worse one than mine, I believe. Yeah, 15 00:01:04,200 --> 00:01:08,200 Speaker 1: they're they're they're not great experiences, but the seats are cushy. Yeah. 16 00:01:08,360 --> 00:01:14,400 Speaker 1: I want to see the video of last night you 17 00:01:14,600 --> 00:01:17,800 Speaker 1: and I almost had to call security. I want to 18 00:01:17,840 --> 00:01:19,960 Speaker 1: see that you sold my seat out from under me 19 00:01:20,080 --> 00:01:25,560 Speaker 1: when I was in the air You I think I went. 20 00:01:25,640 --> 00:01:27,520 Speaker 1: I went right up to the line where it was 21 00:01:27,560 --> 00:01:31,920 Speaker 1: like security. Yeah, yeah, that was something. John. How are 22 00:01:31,920 --> 00:01:34,520 Speaker 1: you doing. I'm good, I'm good. So how how was 23 00:01:34,560 --> 00:01:38,320 Speaker 1: your traveling? You came in from California? No, I came 24 00:01:38,360 --> 00:01:40,360 Speaker 1: in from the surface of the Sun also known as 25 00:01:40,440 --> 00:01:46,080 Speaker 1: Las Vegas. I'm living in Vegas now, Vegas, baby, Okay, Vegas. 26 00:01:47,200 --> 00:01:50,920 Speaker 1: I'm living in the same city as Sebastian. Yeah. Is 27 00:01:50,960 --> 00:01:53,400 Speaker 1: he out there? Yeah? Have you seen? You know? But 28 00:01:53,720 --> 00:01:57,920 Speaker 1: I moved just just like right when he was doing 29 00:01:57,920 --> 00:02:00,840 Speaker 1: a concert downtown and I I wanted to see it, 30 00:02:00,840 --> 00:02:02,840 Speaker 1: but it was just too crazy with the movies. But 31 00:02:02,920 --> 00:02:07,680 Speaker 1: he's still rocking. That's voice. Oh yeah, he's the voice. 32 00:02:07,920 --> 00:02:10,920 Speaker 1: He'll never never. I did a night out with with 33 00:02:11,000 --> 00:02:14,080 Speaker 1: Sebastian on the Sunset Strip. We went to the Rainbow 34 00:02:14,560 --> 00:02:18,359 Speaker 1: and back. Yeah, I remember that. I mean we used 35 00:02:18,400 --> 00:02:19,440 Speaker 1: to go. He and I used to go to the 36 00:02:19,440 --> 00:02:22,160 Speaker 1: Sunset Strip all the time after shows. God, it was 37 00:02:22,440 --> 00:02:27,320 Speaker 1: just fantastic. Do you have you ever seen him with fans? Yes, 38 00:02:27,639 --> 00:02:31,799 Speaker 1: he's incredible because we went to the but he's he's 39 00:02:31,840 --> 00:02:36,640 Speaker 1: just amazing. Every single fan that he meets, he gives 40 00:02:36,680 --> 00:02:40,519 Speaker 1: them the likes like the special you are the greatest 41 00:02:40,600 --> 00:02:43,600 Speaker 1: thing treatment And I remember I said, when like like 42 00:02:43,639 --> 00:02:46,280 Speaker 1: after like five or six fans just trying to get 43 00:02:46,440 --> 00:02:48,840 Speaker 1: from one block to another. I was like, man, you 44 00:02:48,960 --> 00:02:53,880 Speaker 1: are amazing with fans, and He's like, I love them there. 45 00:02:53,960 --> 00:02:56,040 Speaker 1: I mean, I wouldn't be here with them, right, I 46 00:02:56,040 --> 00:03:00,360 Speaker 1: wouldn't be here. Well, um he um. He had a 47 00:03:00,480 --> 00:03:05,480 Speaker 1: really funny quote. Uh. The next day, I don't think 48 00:03:05,480 --> 00:03:06,960 Speaker 1: it was the next day, but the next Monday, he's 49 00:03:06,960 --> 00:03:10,080 Speaker 1: sitting in the makeup trailer and so I was telling 50 00:03:10,160 --> 00:03:12,440 Speaker 1: everybody before he got it. We did this magical night 51 00:03:12,520 --> 00:03:14,360 Speaker 1: and the fans and it was craziness and they were 52 00:03:14,400 --> 00:03:16,079 Speaker 1: lining up to get his autograph and just to take 53 00:03:16,120 --> 00:03:17,760 Speaker 1: a picture with him in this and we're just sitting 54 00:03:17,760 --> 00:03:20,880 Speaker 1: there having having a cocktail at the Rainbow Room and 55 00:03:20,919 --> 00:03:22,600 Speaker 1: then we're going to the Rosy to see a show, 56 00:03:22,639 --> 00:03:26,000 Speaker 1: that kind of thing. And he said, he said, I 57 00:03:26,040 --> 00:03:29,160 Speaker 1: don't know how I got here, you know, me and 58 00:03:29,200 --> 00:03:35,040 Speaker 1: Gilmore girls, it's so wrong, it's so wrong. It's right screaming, 59 00:03:36,560 --> 00:03:39,520 Speaker 1: and it's so true. It's so true. So anyway, what 60 00:03:40,120 --> 00:03:43,920 Speaker 1: have you been up to, sir? Well? Since I spoke 61 00:03:44,080 --> 00:03:47,280 Speaker 1: with you, when did we speak last? Year. I can't remember. 62 00:03:47,280 --> 00:03:49,440 Speaker 1: I have no memory. I mean when you came on 63 00:03:49,480 --> 00:03:51,960 Speaker 1: the show. Yeah, yeah, it's when I first started. Yeah, 64 00:03:51,960 --> 00:03:54,800 Speaker 1: I think you were the you are the first. You 65 00:03:54,800 --> 00:03:58,080 Speaker 1: are made in voyage. But yeah, uh, well I ended 66 00:03:58,160 --> 00:04:01,280 Speaker 1: up going to Australia after I spoke with you, which 67 00:04:01,320 --> 00:04:05,360 Speaker 1: was a life changing experience, fell in love with the country, 68 00:04:05,520 --> 00:04:08,320 Speaker 1: shooting a Netflix series that came out God's Favorite Idiot 69 00:04:08,320 --> 00:04:14,640 Speaker 1: with Melissa did Melissa Brilliant show? Yes, my Friends and 70 00:04:15,080 --> 00:04:18,160 Speaker 1: we had a grand time. And then I came back 71 00:04:18,200 --> 00:04:22,640 Speaker 1: and shot season two of my Canadian show Li mecuh 72 00:04:23,080 --> 00:04:26,360 Speaker 1: right after that, and uh and yeah, and then I 73 00:04:26,400 --> 00:04:29,360 Speaker 1: shot a couple of movies with the miss Tony Braxton 74 00:04:29,800 --> 00:04:34,880 Speaker 1: of all people. Yeah, in Toronto. We became friends. She's lovely. Yeah. 75 00:04:35,200 --> 00:04:38,919 Speaker 1: So it's been a busy, busy stretch. Yeah. And you 76 00:04:39,000 --> 00:04:40,760 Speaker 1: just came in from Greece where you Yeah, I just 77 00:04:40,760 --> 00:04:46,599 Speaker 1: came in from vacation. Yes. I must have been a 78 00:04:46,640 --> 00:04:51,640 Speaker 1: Greek man in another life. I love it there. Yeah. Yeah, well, yeah, 79 00:04:51,680 --> 00:04:56,480 Speaker 1: that's that's there. I was a Mikinos. I was telling 80 00:04:56,480 --> 00:05:00,560 Speaker 1: them this funny quote to the Greeks, which they didn't do. 81 00:05:00,640 --> 00:05:04,839 Speaker 1: You know that quote Greeks invented sex and Italians shared 82 00:05:04,880 --> 00:05:15,960 Speaker 1: it with women. It was I was coming through customs 83 00:05:16,080 --> 00:05:19,240 Speaker 1: uh to get here uh in Halifax, and there was 84 00:05:19,360 --> 00:05:21,240 Speaker 1: I think there was. He was a Greek gentleman and 85 00:05:21,279 --> 00:05:23,440 Speaker 1: he was he was working in the snack bar and 86 00:05:23,480 --> 00:05:24,919 Speaker 1: that was the only thing that was open because it 87 00:05:24,960 --> 00:05:27,520 Speaker 1: was it was like one flight to Philadelphia, right and 88 00:05:27,560 --> 00:05:29,960 Speaker 1: that that was it. That was the international section of 89 00:05:29,960 --> 00:05:31,920 Speaker 1: the airport. And he said, you know, he was chatting 90 00:05:31,960 --> 00:05:34,559 Speaker 1: everybody up. He was a good natured fellow, obviously pretty 91 00:05:34,640 --> 00:05:36,800 Speaker 1: educated guy, and he was just like up, up, up, 92 00:05:36,839 --> 00:05:39,440 Speaker 1: and he you know, it came to my turn, and 93 00:05:39,440 --> 00:05:40,840 Speaker 1: I was like, I wonder what kind of chatter I'm 94 00:05:40,839 --> 00:05:43,200 Speaker 1: gonna get from this guy. And he goes, well, you know, no, 95 00:05:43,200 --> 00:05:45,279 Speaker 1: no, no no, no, And then he said, he said, you know, 96 00:05:45,440 --> 00:05:47,719 Speaker 1: better to better to be alive than dead, and what 97 00:05:47,760 --> 00:05:49,400 Speaker 1: don't you think? And I'm like, you know, it's better 98 00:05:49,400 --> 00:05:51,400 Speaker 1: to be six ft above ground than six ft under 99 00:05:51,440 --> 00:05:53,800 Speaker 1: and I said, I just I don't know. I just said, uh, 100 00:05:54,160 --> 00:05:55,919 Speaker 1: I don't know if I'm qualified. I don't know what 101 00:05:55,960 --> 00:05:57,600 Speaker 1: it's like to be dead, so I can't answer that. 102 00:06:01,360 --> 00:06:05,799 Speaker 1: And he goes, he goes, you got me there speaking 103 00:06:05,800 --> 00:06:12,599 Speaker 1: of Greeks, John, what are you working on now? Uh yeah, 104 00:06:12,600 --> 00:06:15,280 Speaker 1: that was an interesting segue. I was gonna actually say. 105 00:06:15,320 --> 00:06:18,960 Speaker 1: My sister was just yeah, my sister was in Greece 106 00:06:19,080 --> 00:06:22,400 Speaker 1: probably the same time you were. And um, I don't 107 00:06:22,520 --> 00:06:27,120 Speaker 1: think so. She her my my brother in law. He's Greek, 108 00:06:27,200 --> 00:06:30,279 Speaker 1: I mean full Greek, and uh yeah, they were visiting family. 109 00:06:30,279 --> 00:06:34,040 Speaker 1: My sister just had a baby. Um, it's coming. I 110 00:06:34,080 --> 00:06:44,000 Speaker 1: think we might have might have another guest. Un thanks 111 00:06:44,000 --> 00:06:48,120 Speaker 1: for coming in. We have just been joined by Mr 112 00:06:49,160 --> 00:06:51,320 Speaker 1: He just came in. Not good to see you. You're 113 00:06:51,320 --> 00:06:54,360 Speaker 1: looking well. Thank you, Thank you guys for having me 114 00:06:54,920 --> 00:07:00,200 Speaker 1: having me on here. We gotta get close. I have 115 00:07:00,279 --> 00:07:05,279 Speaker 1: no problem with that. Man. This is cool. This is 116 00:07:05,400 --> 00:07:07,320 Speaker 1: very cool. It's great to see you guys. So, so 117 00:07:07,360 --> 00:07:10,960 Speaker 1: how you been what you've been busy? Huh yeah, good good? 118 00:07:11,200 --> 00:07:13,400 Speaker 1: You know, um doing a show right now called The 119 00:07:13,440 --> 00:07:16,720 Speaker 1: Resident right right now for a little bit right six 120 00:07:16,760 --> 00:07:22,200 Speaker 1: seasons we were talking about, thank you, thank you, and uh, 121 00:07:22,240 --> 00:07:25,760 Speaker 1: of course it's been fun to relive Gilmore girls as 122 00:07:25,800 --> 00:07:27,840 Speaker 1: I was coming to do this and think about all 123 00:07:27,880 --> 00:07:29,600 Speaker 1: those memories together. So now it's good to see you 124 00:07:29,600 --> 00:07:32,800 Speaker 1: guys in person. Tell us about how you got the job, 125 00:07:33,080 --> 00:07:36,040 Speaker 1: the audition process, you know, the whole beginning of it. 126 00:07:36,440 --> 00:07:39,880 Speaker 1: You know, I I auditioned for Logan either it was 127 00:07:39,920 --> 00:07:42,760 Speaker 1: at least once, uh, for a previous character. I think 128 00:07:42,760 --> 00:07:48,280 Speaker 1: it was Marty. Actually I auditioned for that character. I 129 00:07:48,320 --> 00:07:50,960 Speaker 1: believe so, and then it may have been another character too. 130 00:07:51,040 --> 00:07:55,360 Speaker 1: So I think I auditioned twice before Logan. And you know, 131 00:07:55,680 --> 00:07:58,240 Speaker 1: I had seen the show, and so I had that 132 00:07:58,320 --> 00:08:00,960 Speaker 1: advantage coming into that first issue where if you didn't 133 00:08:01,000 --> 00:08:03,320 Speaker 1: know the show, of course, that the pace of it 134 00:08:04,040 --> 00:08:05,640 Speaker 1: the way the way it is, and you're you're not 135 00:08:05,640 --> 00:08:08,360 Speaker 1: gonna call that pace. I don't know when you auditioned 136 00:08:08,400 --> 00:08:10,040 Speaker 1: for it, but the pace of the show was not 137 00:08:10,120 --> 00:08:12,680 Speaker 1: as fast when we first started the show. Do you 138 00:08:12,680 --> 00:08:17,120 Speaker 1: remember season one? We were talking normal and I don't 139 00:08:17,120 --> 00:08:20,640 Speaker 1: know what happened. Amy had too many coffees, and I 140 00:08:20,680 --> 00:08:22,840 Speaker 1: think that it was that the scripts were getting longer. 141 00:08:23,560 --> 00:08:26,760 Speaker 1: Realized that we might not be able to get this 142 00:08:26,880 --> 00:08:31,480 Speaker 1: into minutes less Dan Dan fill the syringe again. But 143 00:08:31,560 --> 00:08:38,920 Speaker 1: your character was introduced with season season five. Yeah, I 144 00:08:39,000 --> 00:08:42,679 Speaker 1: was introduced in season three, and I remember my agent said, Hey, 145 00:08:42,960 --> 00:08:45,160 Speaker 1: just so you know, when you go into the audition, 146 00:08:45,400 --> 00:08:48,880 Speaker 1: it's the Gilmore speed. I was like, I don't know 147 00:08:48,960 --> 00:08:52,280 Speaker 1: exactly what that means. But by season three they were 148 00:08:52,280 --> 00:08:55,280 Speaker 1: already Yeah. But season one definitely, if you watched season one, 149 00:08:55,360 --> 00:08:58,920 Speaker 1: we we don't talk fast. I talk normal, right, I didn't. 150 00:08:58,920 --> 00:09:02,000 Speaker 1: That's that's I didn't know that. Yeah. Yeah, I came 151 00:09:02,040 --> 00:09:08,360 Speaker 1: in in the in the fast, just like the only 152 00:09:08,400 --> 00:09:12,000 Speaker 1: notes we'd get from directors are we really like what 153 00:09:12,040 --> 00:09:15,880 Speaker 1: you're doing and you go faster? Yeah? Yeah, I don't 154 00:09:15,920 --> 00:09:18,280 Speaker 1: feel like, man, I don't. I don't feel like Logan 155 00:09:18,880 --> 00:09:23,280 Speaker 1: spoke particularly fast. Maybe, but that's the reason, Glad, you know, 156 00:09:23,600 --> 00:09:26,400 Speaker 1: that's the reason that character is so memorable because you 157 00:09:26,480 --> 00:09:29,720 Speaker 1: did do your own rhythm and you did your own rhythm. 158 00:09:30,280 --> 00:09:33,240 Speaker 1: But I mean you were a little faster fast, but 159 00:09:33,320 --> 00:09:36,040 Speaker 1: you did your own rhythm and kept it cool. Right. 160 00:09:36,240 --> 00:09:39,640 Speaker 1: You didn't get caught up in in Lauren and Alexis 161 00:09:39,640 --> 00:09:43,160 Speaker 1: because that's hard to stay. I wouldn't have fit now 162 00:09:43,200 --> 00:09:46,320 Speaker 1: i'm reflecting on your character. Wouldn't have fit him talking 163 00:09:46,360 --> 00:09:48,800 Speaker 1: super fast like we we did. I feel like you 164 00:09:48,960 --> 00:09:51,560 Speaker 1: you had a more normal but I feel like talking 165 00:09:55,640 --> 00:09:58,920 Speaker 1: You did a scene at the beach with Greg Henry 166 00:09:59,040 --> 00:10:01,160 Speaker 1: and he came in and he was very upset and 167 00:10:01,200 --> 00:10:03,360 Speaker 1: you guys had a fight. Yes, yes, yes, And that 168 00:10:03,440 --> 00:10:05,480 Speaker 1: scene is one of the best scenes I've ever seen 169 00:10:05,520 --> 00:10:08,880 Speaker 1: in the show, just to the pace going back and forth, 170 00:10:08,920 --> 00:10:11,520 Speaker 1: but the smoothness that you gave it, and it didn't 171 00:10:11,640 --> 00:10:15,280 Speaker 1: feel like you were sort of acting and being fast 172 00:10:15,320 --> 00:10:18,000 Speaker 1: about it than you just had a very natural float. 173 00:10:18,080 --> 00:10:21,640 Speaker 1: But that scene was wow. Oh that's very wow. I 174 00:10:21,679 --> 00:10:23,920 Speaker 1: mean that was first of all, I feel like I 175 00:10:23,960 --> 00:10:30,000 Speaker 1: was I was talking pretty fast, guys, but I just 176 00:10:30,040 --> 00:10:35,040 Speaker 1: thought you were speaking really slow right now. But thank 177 00:10:35,040 --> 00:10:38,280 Speaker 1: you for saying that, because that was my intention coming in, 178 00:10:38,360 --> 00:10:40,400 Speaker 1: is is you know the challenge with that dialogue. I mean, 179 00:10:40,400 --> 00:10:42,920 Speaker 1: it's so beautifully written, as we all know Amy Dan 180 00:10:43,080 --> 00:10:47,160 Speaker 1: and and shout out to them, and just every word matters, 181 00:10:47,320 --> 00:10:49,480 Speaker 1: and it it should matter for a reason because the 182 00:10:49,520 --> 00:10:51,880 Speaker 1: writing is so good. At the same time, when I 183 00:10:51,920 --> 00:10:54,559 Speaker 1: saw the show, with it being so fast, you can 184 00:10:54,559 --> 00:10:56,600 Speaker 1: see how you can just get caught up and if 185 00:10:56,600 --> 00:10:58,960 Speaker 1: you're at two in the morning and everybody saying, hey, 186 00:10:59,160 --> 00:11:02,560 Speaker 1: go faster. I was trying to come in and still 187 00:11:02,679 --> 00:11:06,040 Speaker 1: have my character thoughts while speaking Frost and I didn't 188 00:11:06,040 --> 00:11:09,240 Speaker 1: achieve that. Of course, all the time. But that was 189 00:11:09,320 --> 00:11:11,720 Speaker 1: my goal. And our friend George Bell would come up 190 00:11:11,760 --> 00:11:15,600 Speaker 1: and say, hey, this that you know script. Yeah, our 191 00:11:15,679 --> 00:11:17,800 Speaker 1: dialogue coach, so he would come up and say that. 192 00:11:17,880 --> 00:11:20,560 Speaker 1: But so I wanted to honor that that pace. You 193 00:11:20,559 --> 00:11:23,400 Speaker 1: have to honor that tone. You want to say every 194 00:11:23,440 --> 00:11:26,199 Speaker 1: word right because they the writing is so beautiful. But 195 00:11:26,240 --> 00:11:28,319 Speaker 1: at the same time, I wanted to try and convey 196 00:11:29,360 --> 00:11:32,240 Speaker 1: the thoughts of the character. So that's a really nice compliment. 197 00:11:32,520 --> 00:11:36,440 Speaker 1: But this is when I discovered how good you were. 198 00:11:37,120 --> 00:11:40,000 Speaker 1: Was when I was amazed at how how good Greg 199 00:11:40,920 --> 00:11:43,600 Speaker 1: nailed that scene, because because you know, you know, actors 200 00:11:43,640 --> 00:11:47,120 Speaker 1: have to decide and they kind of instinctively know, oh 201 00:11:47,160 --> 00:11:50,320 Speaker 1: this is Greg scene like this is Greg, you know, 202 00:11:50,559 --> 00:11:53,600 Speaker 1: this is fireworks and man he you know, and when 203 00:11:53,720 --> 00:11:58,199 Speaker 1: somebody's driving that like that with that writing, your job 204 00:11:58,520 --> 00:12:02,680 Speaker 1: is so hard because man, if you just miss a 205 00:12:02,800 --> 00:12:04,880 Speaker 1: little time and you can throw them off in the 206 00:12:04,880 --> 00:12:07,520 Speaker 1: whole scene on rabbles. But man, you were just right 207 00:12:07,640 --> 00:12:10,760 Speaker 1: in there. Your cues were perfect, perfect, perfect. That's when 208 00:12:10,760 --> 00:12:13,880 Speaker 1: I realized how good you were. That's very kind of you. 209 00:12:13,040 --> 00:12:16,000 Speaker 1: I mean, really how much to do? That's the for me, 210 00:12:16,080 --> 00:12:18,120 Speaker 1: that's the toughest thing to do is not to screw 211 00:12:18,200 --> 00:12:20,880 Speaker 1: up Lauren, you know, when she's on her when she's 212 00:12:20,880 --> 00:12:24,320 Speaker 1: in her in her state, right, And that's the hardest 213 00:12:24,360 --> 00:12:26,280 Speaker 1: thing to do. And I think that for all of 214 00:12:26,360 --> 00:12:28,600 Speaker 1: us we can speak to the challenge of that pace, 215 00:12:29,120 --> 00:12:33,520 Speaker 1: but also um how unique that made the show and uh, 216 00:12:33,600 --> 00:12:36,199 Speaker 1: that combination of the challenge is an actor to try 217 00:12:36,240 --> 00:12:39,840 Speaker 1: and make that come alive was very difficult for us. 218 00:12:39,840 --> 00:12:42,360 Speaker 1: But at the same time, that's why we're we're here 219 00:12:42,440 --> 00:12:44,440 Speaker 1: still talking about the show. That's why we had that 220 00:12:44,559 --> 00:12:49,479 Speaker 1: reunion in That's why we had the reboot, because generations 221 00:12:50,040 --> 00:12:52,200 Speaker 1: have now watched the show. I mean, it's amazing in 222 00:12:52,320 --> 00:12:56,040 Speaker 1: terms of the mother daughter connection, which is the fundamental 223 00:12:56,040 --> 00:12:58,680 Speaker 1: aspect of the show. But how many mothers and daughters 224 00:12:59,760 --> 00:13:02,720 Speaker 1: to this day are watching it And that's a credit 225 00:13:02,800 --> 00:13:05,920 Speaker 1: I'd like to think too. Obviously, again, Amy and Dan 226 00:13:06,120 --> 00:13:10,120 Speaker 1: and then all the actors who are able to create uh, 227 00:13:10,320 --> 00:13:13,240 Speaker 1: like you said, each everybody, every character has their own 228 00:13:13,240 --> 00:13:16,840 Speaker 1: own voice. Apparently I was the one who talked really slow. 229 00:13:19,280 --> 00:13:26,160 Speaker 1: I was the slow voice. You you were the guy 230 00:13:26,240 --> 00:13:30,079 Speaker 1: that never looked broke character, who stayed in character because 231 00:13:30,120 --> 00:13:33,600 Speaker 1: to hang with Greg henry Man, you gotta be good 232 00:13:33,640 --> 00:13:36,520 Speaker 1: to hang with that, and you were dressed in the 233 00:13:36,640 --> 00:13:39,920 Speaker 1: pocket just riding that out and doing your job. You 234 00:13:39,960 --> 00:13:43,280 Speaker 1: have a job to do, right, and it's like thank you, wow, wow, wow, 235 00:13:43,320 --> 00:13:45,719 Speaker 1: thank you, So kudos to you for that. That's when 236 00:13:45,760 --> 00:13:48,240 Speaker 1: I that's when I sat forward and said, Jesus, that 237 00:13:48,360 --> 00:13:51,880 Speaker 1: guy's good because I've been in that situation. It's like 238 00:13:52,160 --> 00:13:54,280 Speaker 1: I choked a few times. It's like, oh, boy, man, 239 00:13:54,520 --> 00:13:57,360 Speaker 1: that's your job. You got to stay in there and 240 00:13:57,400 --> 00:14:05,400 Speaker 1: feed and feed and feed. It's not easy. Matt, Gotta 241 00:14:05,440 --> 00:14:07,720 Speaker 1: ask you burning question here. Who do you think the 242 00:14:07,720 --> 00:14:13,760 Speaker 1: baby daddies? Yeah, you know, my answer is always the 243 00:14:13,800 --> 00:14:16,360 Speaker 1: same on that of just I feel like if Amy 244 00:14:16,440 --> 00:14:19,040 Speaker 1: and Dan want to say that, then they should be 245 00:14:19,080 --> 00:14:24,960 Speaker 1: the ones. But and and maybe I'm on darts coming 246 00:14:24,960 --> 00:14:31,520 Speaker 1: in John and maybe they they'll change their minds. So 247 00:14:31,560 --> 00:14:35,680 Speaker 1: I've always um, I'm I'm putting my money on Mike Tyson. 248 00:14:35,760 --> 00:14:38,440 Speaker 1: I I just I think it's the best piece of 249 00:14:38,440 --> 00:14:41,320 Speaker 1: stunt casting there is. And I wanted to be Mike 250 00:14:41,320 --> 00:14:44,080 Speaker 1: Tyson because I want to work with Mike Tyson's maybe 251 00:14:44,120 --> 00:14:48,040 Speaker 1: a little bit, now, why not I think you're on something. 252 00:14:48,120 --> 00:14:51,440 Speaker 1: I think it's not can you support me on? Thank you? 253 00:14:52,200 --> 00:14:55,760 Speaker 1: Um so, so tell us a little bit no, so, 254 00:14:55,760 --> 00:14:58,440 Speaker 1: so get into the hole like when you got the 255 00:14:58,520 --> 00:15:01,440 Speaker 1: job in your first day, at your first impressions of 256 00:15:01,480 --> 00:15:04,640 Speaker 1: the of of being at Warner Brothers, and like what 257 00:15:04,720 --> 00:15:08,840 Speaker 1: it was all happening. Yes, I mentioned at least auditioned once. 258 00:15:08,880 --> 00:15:13,080 Speaker 1: I think it was twice for two different characters, and uh, 259 00:15:13,320 --> 00:15:16,400 Speaker 1: thankfully you know Amy and and Dan saw something in 260 00:15:16,440 --> 00:15:19,280 Speaker 1: that there that uh, and then I had a third 261 00:15:19,320 --> 00:15:22,760 Speaker 1: audition for for Logan. So that was a unique journey 262 00:15:22,800 --> 00:15:25,600 Speaker 1: in of itself to audition twice for that show and 263 00:15:25,600 --> 00:15:31,160 Speaker 1: then have a third opportunity didn't come back that that's yeah, 264 00:15:31,240 --> 00:15:33,920 Speaker 1: that's how I remember why it's so special to me. 265 00:15:34,040 --> 00:15:39,480 Speaker 1: Is really my first kind of um big job, and 266 00:15:40,160 --> 00:15:41,760 Speaker 1: it was either the second or third, I want to 267 00:15:41,800 --> 00:15:45,040 Speaker 1: say third and um and then also that was the 268 00:15:45,080 --> 00:15:48,400 Speaker 1: first job where after that was able to support myself 269 00:15:48,440 --> 00:15:52,560 Speaker 1: as an actor. So very again, so grateful to Amy 270 00:15:52,600 --> 00:15:55,280 Speaker 1: and Dan in a lot of ways of them taking 271 00:15:55,320 --> 00:15:58,040 Speaker 1: a chance on me. Really I didn't have many credits 272 00:15:58,080 --> 00:16:01,880 Speaker 1: and um, and so that's that's really really special to me. 273 00:16:02,360 --> 00:16:05,120 Speaker 1: And then to be a part of a show like 274 00:16:05,160 --> 00:16:09,160 Speaker 1: we've talked about UM that was so unique, so interesting, 275 00:16:09,400 --> 00:16:13,320 Speaker 1: so well written, and then UM for it too, as 276 00:16:13,320 --> 00:16:16,000 Speaker 1: we mentioned, be on Netflix and to have to be 277 00:16:16,080 --> 00:16:19,040 Speaker 1: able to do a reboot and have generations after generations 278 00:16:19,120 --> 00:16:21,240 Speaker 1: love it. I mean, that's what we all do, is 279 00:16:21,440 --> 00:16:23,480 Speaker 1: we're trying to do as actors, is to try and 280 00:16:23,520 --> 00:16:27,720 Speaker 1: make something that um impacts the audience and to be 281 00:16:27,800 --> 00:16:31,360 Speaker 1: on something that really resonates with with people and makes 282 00:16:31,400 --> 00:16:34,520 Speaker 1: a difference in their lives, whether it be just they're 283 00:16:34,560 --> 00:16:37,800 Speaker 1: folding laundry, whether watching the show, or they connect to 284 00:16:37,840 --> 00:16:40,960 Speaker 1: the relationship that you had with Laurel or whatever it 285 00:16:41,040 --> 00:16:43,200 Speaker 1: may be. That's what we're trying to do. So we 286 00:16:43,200 --> 00:16:45,240 Speaker 1: were able to do that with the show. UM. When 287 00:16:45,280 --> 00:16:47,880 Speaker 1: I first came on there, in terms of that question, 288 00:16:48,000 --> 00:16:51,000 Speaker 1: I was very nervous. You know, I was a new 289 00:16:51,040 --> 00:16:53,880 Speaker 1: actor and I didn't know what it meant to really 290 00:16:53,960 --> 00:16:57,600 Speaker 1: hit my mark and find my light and uh I 291 00:16:57,680 --> 00:17:00,640 Speaker 1: remember the DP kind of just you know, take from 292 00:17:00,640 --> 00:17:02,600 Speaker 1: my shoulders and say you feel that light there, you 293 00:17:02,640 --> 00:17:05,480 Speaker 1: feel this mark here, and don't be an alexis is life. 294 00:17:06,720 --> 00:17:09,879 Speaker 1: So those some of some of those basic fundamentals were 295 00:17:09,960 --> 00:17:13,160 Speaker 1: what I was experiencing there. And then like we talked 296 00:17:13,200 --> 00:17:16,200 Speaker 1: about the pace of the show being so unique, So 297 00:17:17,240 --> 00:17:20,200 Speaker 1: that were some of the highlights for me in terms 298 00:17:20,240 --> 00:17:23,400 Speaker 1: of that job. Just taking a quick pull, how many 299 00:17:23,480 --> 00:17:27,960 Speaker 1: of y'all and I'm included in this have I thought 300 00:17:27,960 --> 00:17:30,399 Speaker 1: they've done a brilliant take, but sorry, I can't use it. 301 00:17:30,440 --> 00:17:32,840 Speaker 1: You were standing, you were out of your light, you 302 00:17:32,880 --> 00:17:36,560 Speaker 1: were off your mark, you're out of focus. We have 303 00:17:36,600 --> 00:17:39,000 Speaker 1: to go again. I'm guilmar I don't think I've had that. 304 00:17:39,240 --> 00:17:43,640 Speaker 1: Oh no, no, didn't happen, Gilmore Girls. That happened. But 305 00:17:43,640 --> 00:17:47,840 Speaker 1: but worse would be would be a line that I 306 00:17:48,320 --> 00:17:51,640 Speaker 1: tongue twisted or flubbed that I'm that that they then 307 00:17:51,760 --> 00:17:54,359 Speaker 1: moved on like they were and then I'm like, oh no, 308 00:17:54,720 --> 00:17:56,679 Speaker 1: please tell me that this is not going to be 309 00:17:56,680 --> 00:17:59,280 Speaker 1: the one that they use. And sure enough, it must 310 00:17:59,320 --> 00:18:02,439 Speaker 1: have been perfect for every other every other person in 311 00:18:02,440 --> 00:18:07,160 Speaker 1: the scene because that we can't use your best take 312 00:18:07,200 --> 00:18:10,320 Speaker 1: because they were really good at that. So tell us 313 00:18:10,320 --> 00:18:13,920 Speaker 1: a little bit. What was it like working with Alexis. Yeah, 314 00:18:14,000 --> 00:18:16,960 Speaker 1: she you know, as you know, she's she's very private 315 00:18:17,359 --> 00:18:22,040 Speaker 1: and she's um very you know, in terms of coming 316 00:18:22,040 --> 00:18:24,679 Speaker 1: into that. The reason I loved the character we're just 317 00:18:24,720 --> 00:18:27,800 Speaker 1: talking about the character of it um was. I felt 318 00:18:27,800 --> 00:18:32,240 Speaker 1: Logan was somebody who could push her uh to try 319 00:18:32,560 --> 00:18:36,240 Speaker 1: and you know, challenge herself, to push her to uh 320 00:18:36,440 --> 00:18:40,119 Speaker 1: live a different life in terms of outside the box 321 00:18:40,160 --> 00:18:41,720 Speaker 1: a little bit. So that's what I loved about the 322 00:18:41,800 --> 00:18:44,879 Speaker 1: character of Logan in terms of the positive side, was 323 00:18:44,920 --> 00:18:48,200 Speaker 1: just trying to inspire her to to push her outside 324 00:18:48,240 --> 00:18:52,320 Speaker 1: the box. That's what I loved about the Rory Logan relationship. 325 00:18:52,640 --> 00:18:54,960 Speaker 1: And then in terms of Alexis, you know she was 326 00:18:55,440 --> 00:19:00,040 Speaker 1: she just had so much on her shoulders from a 327 00:19:00,160 --> 00:19:05,760 Speaker 1: very young age and so much attention on that show. 328 00:19:05,840 --> 00:19:08,199 Speaker 1: We talked about a show again that has been so 329 00:19:08,280 --> 00:19:12,600 Speaker 1: popular for so long, and and she had so much 330 00:19:12,640 --> 00:19:16,560 Speaker 1: of that burden and so and she was very private 331 00:19:16,720 --> 00:19:20,280 Speaker 1: and kept to herself, and so mostly I was just 332 00:19:20,359 --> 00:19:23,439 Speaker 1: trying to in any way I could protect that and 333 00:19:23,520 --> 00:19:26,760 Speaker 1: honor that on set in a lot of ways, whether 334 00:19:26,800 --> 00:19:31,280 Speaker 1: it be outside when we were ever together, outside uh 335 00:19:31,560 --> 00:19:35,240 Speaker 1: of work or at work, of just trying to respect 336 00:19:35,280 --> 00:19:39,359 Speaker 1: her her privacy and really not bother her too much 337 00:19:39,480 --> 00:19:42,800 Speaker 1: because I feel like she was just in the spotlight 338 00:19:42,920 --> 00:19:46,280 Speaker 1: so much and had so much attention. I felt noticed 339 00:19:46,320 --> 00:19:49,480 Speaker 1: that very early on that she was so private and 340 00:19:49,480 --> 00:19:52,720 Speaker 1: and um and wanted time to herself whenever she could 341 00:19:52,760 --> 00:19:54,760 Speaker 1: have it, so that I felt was my job was 342 00:19:54,840 --> 00:19:57,919 Speaker 1: to kind of felt an instinct to protect her in 343 00:19:57,960 --> 00:20:01,959 Speaker 1: that way. Yeah, she Uh, I don't think she realized 344 00:20:02,000 --> 00:20:04,760 Speaker 1: what she was getting into, and well, no one knew 345 00:20:04,760 --> 00:20:06,760 Speaker 1: what the show was going to go. But I mean 346 00:20:06,800 --> 00:20:10,240 Speaker 1: she was a call to show. She was eighteen years old. 347 00:20:10,320 --> 00:20:12,880 Speaker 1: She was sixteen years old when she started the show. 348 00:20:12,920 --> 00:20:16,800 Speaker 1: I believe I'm right she was sixteen. She was sixteen 349 00:20:16,920 --> 00:20:18,960 Speaker 1: unless she was she was an n y U, which 350 00:20:18,960 --> 00:20:21,480 Speaker 1: did she graduate high school early? I would have to 351 00:20:21,520 --> 00:20:24,359 Speaker 1: google that information, but I'm pretty sure she was sixteen. 352 00:20:26,240 --> 00:20:30,080 Speaker 1: I mean, no, now, yeah, I think I think eighteen 353 00:20:33,200 --> 00:20:37,520 Speaker 1: yeah nine, she was nineteen. Oh my god, I'm completely wrong. Okay. 354 00:20:37,840 --> 00:20:39,879 Speaker 1: And the reboot, I mean, I don't know about you 355 00:20:39,880 --> 00:20:43,399 Speaker 1: guys had a blast with that. It was kind of 356 00:20:43,400 --> 00:20:45,520 Speaker 1: the case of just coming you get to go back 357 00:20:45,560 --> 00:20:47,000 Speaker 1: to college in a way, and you didn't know you're 358 00:20:47,000 --> 00:20:49,840 Speaker 1: gonna ever go back to college, and uh, that was 359 00:20:49,880 --> 00:20:52,440 Speaker 1: just a blast. I mean, I don't know, we may 360 00:20:52,480 --> 00:20:55,000 Speaker 1: not have I don't know if I even saw you 361 00:20:55,040 --> 00:20:57,160 Speaker 1: guys on the reboot. When we were shooting. I don't 362 00:20:57,160 --> 00:21:01,119 Speaker 1: think so stories, but it was uh, you know as 363 00:21:01,160 --> 00:21:04,439 Speaker 1: a blast. I love that, right, So tell us what 364 00:21:04,520 --> 00:21:10,159 Speaker 1: are your favorite moments of filming the show episode wise? 365 00:21:10,359 --> 00:21:13,399 Speaker 1: Of course? Uh, you know the first episode I was 366 00:21:13,440 --> 00:21:16,320 Speaker 1: on Written in the Stars. I think that was episode 367 00:21:16,359 --> 00:21:19,480 Speaker 1: three of season five, just a special one because it 368 00:21:19,520 --> 00:21:22,960 Speaker 1: was the first one. Um you jump, I jump Jack 369 00:21:23,400 --> 00:21:27,119 Speaker 1: is uh in that season as well, that fifth season, 370 00:21:27,640 --> 00:21:29,800 Speaker 1: that's the first episode where I feel we had the 371 00:21:29,840 --> 00:21:33,119 Speaker 1: whole life and Death Brigade aspect. And for me, the 372 00:21:33,200 --> 00:21:36,919 Speaker 1: Life and Death Brigade aspect captured the best parts of 373 00:21:36,960 --> 00:21:39,440 Speaker 1: who Logan was and the best parts of who was 374 00:21:39,520 --> 00:21:44,120 Speaker 1: for Rory in terms of just again that that out 375 00:21:44,160 --> 00:21:48,320 Speaker 1: of the box thinking, that adventure seeking, of pushing things 376 00:21:48,359 --> 00:21:50,439 Speaker 1: to the limit, and I feel like for Logan that 377 00:21:50,520 --> 00:21:53,439 Speaker 1: was a place where he could escape exactly the pieces 378 00:21:53,480 --> 00:21:55,520 Speaker 1: that you were talking about that you didn't love about 379 00:21:55,520 --> 00:21:58,200 Speaker 1: the character, in terms of whether it be the entitlement 380 00:21:58,560 --> 00:22:01,920 Speaker 1: or he was always eston to work for his father 381 00:22:02,000 --> 00:22:07,399 Speaker 1: or whatever. I mean, Master and Commander. That's that's in 382 00:22:07,400 --> 00:22:11,399 Speaker 1: the first episode this guy. Yeah, and of course I 383 00:22:11,440 --> 00:22:13,560 Speaker 1: love that piece of them too for me, but I 384 00:22:13,600 --> 00:22:16,800 Speaker 1: can see as an audience member. Um, you know that 385 00:22:16,880 --> 00:22:20,960 Speaker 1: was the duality moment, no question, It's a really really 386 00:22:20,960 --> 00:22:23,480 Speaker 1: cool moment, really cool, cool character. I haven't seen it 387 00:22:23,520 --> 00:22:26,240 Speaker 1: all right, sorry, sorry, you just recently watched the show. 388 00:22:26,280 --> 00:22:28,400 Speaker 1: I haven't seen the show in twenty years, so it's 389 00:22:28,440 --> 00:22:32,600 Speaker 1: for me. It's so vague. So did you get a 390 00:22:32,640 --> 00:22:36,359 Speaker 1: lot of offers from film and TV to play a 391 00:22:36,440 --> 00:22:40,000 Speaker 1: character like that? I did get a little bit. I 392 00:22:40,040 --> 00:22:45,840 Speaker 1: think of that that kind of an entitled aspect character 393 00:22:45,880 --> 00:22:48,159 Speaker 1: to play. I mean, to play that your whole career. 394 00:22:48,240 --> 00:22:51,720 Speaker 1: That's that puts you in some pretty good movies. I mean, 395 00:22:51,760 --> 00:22:54,679 Speaker 1: and I love that character logan, you know, and I 396 00:22:54,760 --> 00:22:58,359 Speaker 1: loved all those aspects of them, the duality of that 397 00:22:58,560 --> 00:23:01,840 Speaker 1: and everything. So I loved that character. But you know, 398 00:23:01,880 --> 00:23:05,280 Speaker 1: of course, as as actors, you're trying to marry the 399 00:23:05,359 --> 00:23:08,199 Speaker 1: business and the artistic side of it. So there was 400 00:23:08,280 --> 00:23:12,560 Speaker 1: certainly at the beginning certain um jobs that felt very 401 00:23:12,600 --> 00:23:17,400 Speaker 1: close to that character that UM I turned out. Can 402 00:23:17,480 --> 00:23:20,960 Speaker 1: you describe one name one um? Interesting enough? There was 403 00:23:21,000 --> 00:23:24,479 Speaker 1: a pilot the stories. Yeah, I love like what I 404 00:23:24,480 --> 00:23:28,040 Speaker 1: didn't get and what I turned on. There was a 405 00:23:28,080 --> 00:23:30,159 Speaker 1: pilot I can't remember the name of it. Didn't end 406 00:23:30,240 --> 00:23:36,400 Speaker 1: up going. But um, interestingly enough, the producer of that 407 00:23:37,000 --> 00:23:40,399 Speaker 1: pilot was also the producer who produced The Good Wife, 408 00:23:40,440 --> 00:23:43,760 Speaker 1: which I ended up doing right after that. So um, 409 00:23:44,320 --> 00:23:47,080 Speaker 1: that was a job that that pilot didn't end up going, 410 00:23:47,119 --> 00:23:49,600 Speaker 1: but that was a character was very similar to to Logan. 411 00:23:49,640 --> 00:23:54,240 Speaker 1: And that's just one example of that, right right, Okay, Uh, 412 00:23:54,400 --> 00:23:59,120 Speaker 1: they need you. I'm gonna see you later. You all later, 413 00:24:00,119 --> 00:24:07,840 Speaker 1: We'll see you around. Thank you guys. Yeah. One thing 414 00:24:07,920 --> 00:24:11,479 Speaker 1: that Matt made me think of the when we were 415 00:24:11,480 --> 00:24:15,120 Speaker 1: talking about the pace of the show, the fact that 416 00:24:15,160 --> 00:24:18,719 Speaker 1: we all had to speak so fast. It made the 417 00:24:18,840 --> 00:24:24,320 Speaker 1: actors be very specific about their intentions and who they were, 418 00:24:24,560 --> 00:24:27,480 Speaker 1: because you didn't have time. If you weren't specific, your 419 00:24:27,520 --> 00:24:30,640 Speaker 1: work was not going to come through. And so that 420 00:24:30,880 --> 00:24:34,679 Speaker 1: is kind of like the hidden gift of talking fast. 421 00:24:34,840 --> 00:24:37,119 Speaker 1: I think, you know what. I think it worked for 422 00:24:37,160 --> 00:24:40,919 Speaker 1: a lot of scenes. Other scenes I wish for sure 423 00:24:41,320 --> 00:24:43,159 Speaker 1: because on the thing I'm doing now, I'm finding you know, 424 00:24:43,440 --> 00:24:47,600 Speaker 1: you slow it down and you'll find all these great beats. Um, 425 00:24:47,920 --> 00:24:52,879 Speaker 1: talk a little bit unique about you, know you have 426 00:24:53,400 --> 00:24:57,600 Speaker 1: and you are ultra specific as an actor, and we're 427 00:24:57,720 --> 00:25:03,320 Speaker 1: enjoying you so much. On every episode lately that we've 428 00:25:03,320 --> 00:25:07,479 Speaker 1: been podcasting about, and some of the episodes I'm not 429 00:25:07,480 --> 00:25:09,720 Speaker 1: crazy about, you know, I and I go into it. 430 00:25:09,720 --> 00:25:13,040 Speaker 1: I'm pretty pretty honest about it um as to why, 431 00:25:13,200 --> 00:25:15,359 Speaker 1: and I sort of, you know, break it down a 432 00:25:15,359 --> 00:25:18,240 Speaker 1: little bit, we all break it down. But the saving 433 00:25:18,280 --> 00:25:20,240 Speaker 1: grace for the last I don't know, four or five, 434 00:25:20,640 --> 00:25:24,200 Speaker 1: what do you think? Yeah about like the last four 435 00:25:24,240 --> 00:25:26,760 Speaker 1: or five? You just have these one lines that we 436 00:25:26,760 --> 00:25:28,960 Speaker 1: we all were just you were our favorite line in 437 00:25:29,119 --> 00:25:32,760 Speaker 1: every episode. Yeah, well, the lines, it's all Amy and 438 00:25:32,840 --> 00:25:37,399 Speaker 1: Dan and the writing. The writing for Michelle was very 439 00:25:37,680 --> 00:25:45,359 Speaker 1: very specific. His voice was very specific, and so for me, 440 00:25:45,440 --> 00:25:50,240 Speaker 1: I grew up watching comedies and sitcoms and I literally 441 00:25:50,240 --> 00:25:53,920 Speaker 1: grew up watching Golden Girls with my grandmother. And yeah, 442 00:25:54,320 --> 00:25:56,760 Speaker 1: that's how I learned English basically, because I didn't speak 443 00:25:56,760 --> 00:26:01,720 Speaker 1: English before. And the characters were so specific, and you 444 00:26:01,840 --> 00:26:05,199 Speaker 1: laugh every time because you knew it was coming, and 445 00:26:05,320 --> 00:26:08,600 Speaker 1: it came, and then you felt rewarded and then you laugh. 446 00:26:09,080 --> 00:26:12,520 Speaker 1: And Michelle isn't a bit in that vein. You kind 447 00:26:12,560 --> 00:26:14,920 Speaker 1: of know what he's thinking, and then when he says 448 00:26:14,960 --> 00:26:18,240 Speaker 1: it out loud, you're like, right, right, right, But so 449 00:26:18,440 --> 00:26:23,000 Speaker 1: you know to me what you did with Michelle. I mean, 450 00:26:23,040 --> 00:26:26,160 Speaker 1: it's like what Peter Sellers did with Clouseau. I mean 451 00:26:26,160 --> 00:26:31,480 Speaker 1: it's so ultra specific and so memorable and so overwhelmingly funny. 452 00:26:31,520 --> 00:26:34,520 Speaker 1: Where did you get this guy? I don't know. It's 453 00:26:34,600 --> 00:26:39,680 Speaker 1: just his I I understood the first time my audition 454 00:26:39,760 --> 00:26:43,359 Speaker 1: and I read the script and the lines for him. 455 00:26:43,480 --> 00:26:51,120 Speaker 1: I understood his sarcasm and his dryness and being French Canadian, 456 00:26:51,119 --> 00:26:54,560 Speaker 1: which is not like being a French from Paris. But 457 00:26:54,720 --> 00:26:58,399 Speaker 1: I certainly have uh have met many and I have 458 00:26:58,560 --> 00:27:03,520 Speaker 1: many in my life, and this sense of having an 459 00:27:03,520 --> 00:27:08,000 Speaker 1: opinion on everything, and they love to argue, and they 460 00:27:08,119 --> 00:27:11,439 Speaker 1: love to share their opinion in the sense that they 461 00:27:11,480 --> 00:27:15,480 Speaker 1: always feel their opinion is the most valid and prove 462 00:27:15,640 --> 00:27:18,600 Speaker 1: me wrong, prove me otherwise if you haven't that, and 463 00:27:18,640 --> 00:27:22,400 Speaker 1: they love that debate. And so I understand that kind 464 00:27:22,520 --> 00:27:26,359 Speaker 1: of thinking. And so he comes from that place where 465 00:27:26,359 --> 00:27:31,719 Speaker 1: he feels that he needs to educate people Americans because 466 00:27:31,760 --> 00:27:35,159 Speaker 1: they're not educated, and so it comes almost from a 467 00:27:35,320 --> 00:27:40,840 Speaker 1: good place, a place of wanting to share and elevate them. 468 00:27:41,040 --> 00:27:45,680 Speaker 1: And so it's not means spirited, it means it's done 469 00:27:45,720 --> 00:27:49,320 Speaker 1: in a way to help and elevate and educate. Its 470 00:27:49,359 --> 00:27:54,080 Speaker 1: beautiful yea. Um, so so what are you drawing from? 471 00:27:54,160 --> 00:27:56,320 Speaker 1: And it's and I mean, is there is there another 472 00:27:56,720 --> 00:28:01,040 Speaker 1: actor who gave a performance? Now, it's just memories, inner 473 00:28:01,560 --> 00:28:07,000 Speaker 1: emotional memories of my imagination of of what it is 474 00:28:07,040 --> 00:28:10,200 Speaker 1: to be French. What's your favorite line that you delivered 475 00:28:10,240 --> 00:28:14,080 Speaker 1: on Gilmorgural? Do you remember so many? But I remember 476 00:28:14,160 --> 00:28:17,160 Speaker 1: the last couple episodes. What was cracking us up so much? 477 00:28:18,280 --> 00:28:21,760 Speaker 1: I mean the line with the elderly woman. I like, 478 00:28:21,840 --> 00:28:28,040 Speaker 1: I like when lines are really inappropriate, something about furniture. Yeah, 479 00:28:28,040 --> 00:28:30,240 Speaker 1: she wanted to She said, excuse me, sir, where can 480 00:28:30,280 --> 00:28:34,200 Speaker 1: I find the best antiques? And Michelle responded at your 481 00:28:34,200 --> 00:28:41,680 Speaker 1: househead guest, Yeah, it's so inappropriate and it's so funny 482 00:28:41,680 --> 00:28:46,920 Speaker 1: to me. Um, yeah that was a great line. Yeah. Wait, yeah, 483 00:28:46,960 --> 00:28:49,200 Speaker 1: you're killings because we vote at the end of the podcast. 484 00:28:49,200 --> 00:28:53,000 Speaker 1: Now who who stole the who stole the shows? Uh? 485 00:28:53,240 --> 00:28:57,560 Speaker 1: You're you're you're saving the show like the Clunker episodes, 486 00:28:57,720 --> 00:29:01,400 Speaker 1: which is like kind of all over the place. Yeah. Um, 487 00:29:01,440 --> 00:29:03,840 Speaker 1: you know the lack of utilization of Richard and Emily 488 00:29:04,480 --> 00:29:10,240 Speaker 1: participation of you know, celebrating Rory's admission into Yarvard, Harvard, Yale, Yarvard, 489 00:29:10,480 --> 00:29:15,280 Speaker 1: you know Harvard, Harvard, Yale and Princeton Um. You know 490 00:29:15,320 --> 00:29:17,960 Speaker 1: you always come through. Well, thank you, sir. We thought 491 00:29:18,040 --> 00:29:21,680 Speaker 1: we we when the puppy thing, right, the puppies and 492 00:29:21,760 --> 00:29:23,960 Speaker 1: you fell in love with the puppies, Yes, we we 493 00:29:23,960 --> 00:29:30,960 Speaker 1: were wanting. We loved it, but we wanted more hard edge. Yeah, Michelle, Yeah, 494 00:29:31,000 --> 00:29:34,480 Speaker 1: that when the when one of my puppies die, that 495 00:29:34,640 --> 00:29:39,480 Speaker 1: was season seven or something. I pitched that idea because 496 00:29:39,520 --> 00:29:42,480 Speaker 1: I said he should lose a puppy, he should be devastated, 497 00:29:42,640 --> 00:29:45,800 Speaker 1: it should be like because I wanted to have more 498 00:29:45,880 --> 00:29:50,120 Speaker 1: moments for him where you saw a bit of his vulnerability. 499 00:29:50,800 --> 00:29:53,920 Speaker 1: So we're so we're we're really enjoying. Well, thank you 500 00:29:54,240 --> 00:29:58,040 Speaker 1: what you're doing. And um, all right, gentlemen, all right, 501 00:29:58,400 --> 00:30:31,120 Speaker 1: thank you, thank you. Okay, Zonta, Hey, everybody, and don't 502 00:30:31,160 --> 00:30:34,640 Speaker 1: forget follow us on Instagram at I Am all In 503 00:30:34,920 --> 00:30:40,560 Speaker 1: podcast and Emailie at Gilmore at I heart radio dot com. 504 00:30:40,600 --> 00:30:42,360 Speaker 1: Oh you Gilmore fans. If you're looking for the best 505 00:30:42,400 --> 00:30:45,240 Speaker 1: cup of coffee in the world, go to my website 506 00:30:45,280 --> 00:30:48,360 Speaker 1: for my company, Scott ep dot com. S CEO t 507 00:30:48,360 --> 00:30:51,480 Speaker 1: t y P dot com, scotty p dot com Grade 508 00:30:51,480 --> 00:30:53,360 Speaker 1: one Specialty Coffee,