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Speaker 1: Hey, there he is.

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Speaker 2: Bye.

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Speaker 3: Babe.

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Speaker 4: Well, what's up? Guys who listen to you?

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Speaker 1: Oh, Halsey, that's what that is?

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Speaker 3: This song that that song is like eight years old.

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Speaker 4: And I don't always find things like everyone else does.

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Speaker 3: Donald, I would tell you it's fire. Listen, you don't

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Speaker 3: think that song is fire.

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Speaker 4: I'm late to the Halsey party.

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Speaker 3: Like seven years ago.

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Speaker 4: It's better late than never to the Halsey party. Donald,

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Speaker 4: there you go.

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Speaker 3: Why are you yelling?

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Speaker 4: Man?

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Speaker 3: Calm down.

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Speaker 4: I know I'm taking on. I'm taking I'm so rusty

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Speaker 4: with this podcast. I'm being you. I become you. I

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Speaker 4: am so excited to see you guys and to talk

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Speaker 4: to our audience that I've become Donald Faison and I'm

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Speaker 4: screaming off the top.

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Speaker 3: Speaking of fire records, you know it's fires that scissor

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Speaker 3: record man. Yeah, from front to and it's old too.

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Speaker 3: You guys can clown me if you want to.

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Speaker 4: I only I only know the song I just killed

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Speaker 4: Kill Bill is a great song.

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Speaker 3: There's so many great ones on that album.

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Speaker 4: Not the best idea.

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Speaker 3: There's a song called special. Oh my gosh, I missed

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Speaker 3: you guys.

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Speaker 4: I miss you too, bro, I really really missed you.

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Speaker 3: Did you see Guardians at the Galaxy?

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Speaker 4: No, but I'm told that people are crying. Bill Lawrence

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Speaker 4: even told me he shed a tear.

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Speaker 3: It's very hard not to cry in this movie. You

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Speaker 3: have to have a you have to have a heart

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Speaker 3: of stone and hate.

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Speaker 4: Well, I don't have a heart of stone or hate.

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Speaker 4: I will guess I'll cry too. Oh, I'm gonna go.

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Speaker 4: I'm gonna go, Joelle, did you love it?

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Speaker 5: I did really enjoy it. It's it was a really

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Speaker 5: fun ride. It was a wonderful Like if you go

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Speaker 5: back and watch the first two Guardians, you're like, man,

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Speaker 5: this story for Rocket really pays off.

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Speaker 3: It's okay, I'm I mean, everybody's story kind of pays

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Speaker 3: off at the right.

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Speaker 5: I have that underground story where you were kind of like, oh,

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Speaker 5: I know a little bit about his past but not

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Speaker 5: a lot, and what's really going on? And then this

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Speaker 5: whole beautiful arch about like where he came from and

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Speaker 5: how he came to be the guy, you know, and

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Speaker 5: then such redemption and it's really good.

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Speaker 3: It's so great. It was. It was a lot of fun,

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Speaker 3: and it was hard not to cry. And I tried

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Speaker 3: my hardest. I tried my hardest.

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Speaker 4: Why do I tried not to cry? I don't understand

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Speaker 4: this like this, I know.

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Speaker 3: Because it makes it feel better. It feels better when

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Speaker 3: you try.

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Speaker 4: It's like edging. You're edging.

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Speaker 3: Yeah, you know what I mean. It's like it's like

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Speaker 3: it's like right when you go, you know, like, Okay,

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Speaker 3: So I got my colonoscopy a couple of years ago,

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Speaker 3: and I remember.

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Speaker 4: Did you come?

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Speaker 1: What a transition?

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Speaker 3: So hard?

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Speaker 4: But don't be afraid. Don't be afraid of what happens.

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Speaker 4: Happens in the doctor's office. He can't tell the one

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Speaker 4: he's not tell anybody.

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Speaker 3: Well, let's just put it this way. I said to

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Speaker 3: the doctor. I said, listen, because somebody told me a

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Speaker 3: friend of mine who who unfortunately has cancer and had

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Speaker 3: it for a really long time, it has to get

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Speaker 3: colonoscopies a lot. It was like when they give you

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Speaker 3: the sedative, the thing to knock you out, tell them

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Speaker 3: to tell you before you get it, so you know,

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Speaker 3: and you can feel the difference.

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Speaker 4: Oh okay, and then oh so you tried to hold

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Speaker 4: onto it so you can enjoy the drugs.

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Speaker 3: Exactly. Yes, So it's the exact same thing.

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Speaker 4: I just had to have a prostate exam. I guess

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Speaker 4: that's what I meant, because I guess you can't really

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Speaker 4: have those feelings unless you're awake. And it didn't It

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Speaker 4: wasn't really for me.

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Speaker 3: You didn't like them.

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Speaker 4: No, I'm glad to have it done to make sure

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Speaker 4: my prostate is correct. But while it was happening, I

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Speaker 4: wasn't like, this is awesome.

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Speaker 1: Oh god, So no, comm then that's.

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Speaker 4: Checked that on his chart. He was like, did you come,

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Speaker 4: I said, not checked it on his chart? All right, Sorry,

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Speaker 4: We've already made Joelle cover her face twice and we

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Speaker 4: just started. I really did miss you, guys. It's been

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Speaker 4: too long an audience. I'm so sorry it took us

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Speaker 4: so long. Donald was making a new what's soon to

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Speaker 4: be I'm sure a giant comedic hit.

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Speaker 3: I totally hope. So we were in the middle of

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Speaker 3: we were in the middle of an episode when things

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Speaker 3: changed in Hollywood.

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Speaker 4: Yes, we are in a strike. For those who don't know,

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Speaker 4: the Writer's Guild has put their pencils, their figurative pencils

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Speaker 4: down until they get a fair deal from the studios,

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Speaker 4: and so nothing new can be written. People are still

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Speaker 4: doing shooting things that have been written, but that may

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Speaker 4: come to a halt if the Director's Guild goes on strike,

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Speaker 4: which will know eminently and then he need any moment,

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Speaker 4: right joelletly.

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Speaker 3: You guys, there isn't the negotiations is up today? Is

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Speaker 3: it today?

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Speaker 4: I don't know when it's up. I think they're at

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Speaker 4: the table now. What's interesting is that the writers aren't

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Speaker 4: even talking to the A m TP. Is that it

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Speaker 4: too well a belief whatever it is the Producers Association

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Speaker 4: of all the studios, it's not a producer associating, it's

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Speaker 4: all the studios collectively, because the writers aren't are on

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Speaker 4: strike and they're not even negotiating with with with this

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Speaker 4: with the streamers and the studios because they're now trying

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Speaker 4: to negotiate with the directors. And by the way, whether

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Speaker 4: directors get a deal or they don't sag. The Screen

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Speaker 4: Actors Guild is up in June.

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Speaker 3: Yep.

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Speaker 4: So this is going to be a waterfall.

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Speaker 3: And uh it is like the perfect storm, dude.

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Speaker 4: It's in the worst, in the worst, in the worst scenario.

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Speaker 4: Nothing's getting made this year. That's that's that involves Union Writers,

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Speaker 4: Directors and Actors d g.

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Speaker 5: A is at the table right now the d GA.

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Speaker 4: It'll really be interesting to see what happens with the

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Speaker 4: d G a UH. That will be a bell weather

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Speaker 4: for things to come, because you can still continue to

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Speaker 4: film things now if they're if they've been written. But

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Speaker 4: if the directors go on strike, you can't make anything right.

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Speaker 3: Well, didn't they what about the UH like Grips and

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Speaker 3: Electric and all of them, didn't they go?

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Speaker 4: They're not.

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Speaker 3: Isn't their contract up to their's.

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Speaker 5: Is coming up shortly and they're marching. A lot of

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Speaker 5: them are marching with the writers right now.

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Speaker 4: So I went that.

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Speaker 3: I went.

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Speaker 4: I went in and walk the picket line around Disney

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Speaker 4: with Brett Goldstein and Bill Lawrence and the and the

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Speaker 4: shrinking UH writing team. It was really cool. And by

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Speaker 4: the way, if you want to support people, you don't

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Speaker 4: need to be in these guilds to go march with

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Speaker 4: them and strike with them. There's no requirement if you

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Speaker 4: just want to be I saw someone posted something like, Hey,

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Speaker 4: I'm a writer, I'm an aspiring writer, but I'm not

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Speaker 4: in the guild yet. Am I allowed to? Of course,

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Speaker 4: you're everyone is welcome. They want to make as much

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Speaker 4: of a I should keep saying, Hey, I'm in the

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Speaker 4: Writers Guild. We want to make as much a ruckus

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Speaker 4: as as possible. And if you're confused about what this

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Speaker 4: is all about, I really want it in the shortest form.

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Speaker 4: I just wanted to say that obviously everything has changed

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Speaker 4: in the industry, but the way that writers are paid

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Speaker 4: has not been changed at all. And I wanted to

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Speaker 4: mention that this.

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Speaker 3: Actually, it's actually been it's actually it's actually gotten harder

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Speaker 3: for writers to get paid because of the way the

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Speaker 3: format has changed so rapidly. Actually within the last ten

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Speaker 3: to fifteen years.

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Speaker 4: The last writer's startup since the launch of Netflix, making

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Speaker 4: content that wasn't just sending out DVDs was really the

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Speaker 4: first big.

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Speaker 3: Right, But that if you remember, the last writers strike

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Speaker 3: was about DVDs actually and getting residuals on DVDs. What's

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Speaker 3: interesting to me is this, And I'm not trying to

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Speaker 3: be political, I'm not trying to to start up.

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Speaker 4: Speak your mind, friend, this is your podcast.

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Speaker 3: But look, okay, So when the DVD thing was coming up,

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Speaker 3: the studios knew that in a few years the DVD

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Speaker 3: would be the way of the DODO and nobody would

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Speaker 3: be using DVDs anymore, right, But they still held out

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Speaker 3: for ninety days, dude, for ninety days.

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Speaker 4: Well, in a lot of ways, you know, the cynics

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Speaker 4: would say, in a lot of ways, they have nothing

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Speaker 4: to lose, They have plenty of content. They can just

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Speaker 4: you know, force the writers to wait it out. And

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Speaker 4: I don't know, it's really a big mess. It's not

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Speaker 4: an easy solft. I wanted to recommend a podcast that

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Speaker 4: really explains it very well if you're curious. It's the

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Speaker 4: New York Times podcast The Daily, which is just a

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Speaker 4: wonderful podcast. But I even I, who know a lot,

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Speaker 4: because basically, Bill, who's mister know Everything, explained it to

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Speaker 4: me very well. But even this was clear than Bill.

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Speaker 4: It's the title. It was six days ago on The Daily.

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Speaker 4: It's called how Streaming Hurt Hollywood Writers, And it really

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Speaker 4: breaks down the whole strike and the whole conundrum and

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Speaker 4: quagmire of it all if you're curious as to what's

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Speaker 4: going on. And also I want to just say, don't

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Speaker 4: conflate this strike when you think of celebrity, famous writers

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Speaker 4: like Bill and Shonda Rhymes and JJ Abrams. This is

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Speaker 4: not about those people. This is about the young people

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Speaker 4: coming up and people who live check to check on

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Speaker 4: being a writer, and it certainly it's certainly about the

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Speaker 4: next wave of writers and whether this will be a

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Speaker 4: viable career path where someone can make a decent living

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Speaker 4: wage doing it, you know, And let you know, Bill

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Speaker 4: said it in a really good way. He goes, unless

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Speaker 4: you've got rich parents, they're going to help you out,

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Speaker 4: this won't be a viable career path for young writers

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Speaker 4: at all. Right, And I think you got to think

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Speaker 4: of it like that, right, Joelle.

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Speaker 5: One hundred percent. I mean, we've already seen this sort

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Speaker 5: of happen in the entertainment writing space. So if you

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Speaker 5: give your magazine or newspapers, et cetera, if you look

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Speaker 5: into a lot of the people who are working and

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Speaker 5: have made a career, a lot of them either had

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Speaker 5: partners who were willing to support them through lean time

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Speaker 5: so they can sue a career, or were born into

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Speaker 5: wealth and had enough money that you know, they could

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Speaker 5: pursue their passion. And it really sucks if you're born

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Speaker 5: outside of that circle and this is your passion and

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Speaker 5: your drive, and you have the talent and you just

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Speaker 5: can't do enough to make you know, it's expensive to

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Speaker 5: live in la And I think a lot of people

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Speaker 5: when they see the numbers, they're like, oh, that's so

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Speaker 5: much money. I could you know, live very well off that.

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Speaker 5: And you have to got to look at real estate

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Speaker 5: out here, got to look at what groceries cost.

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Speaker 4: It's it's also just like being just like being an actor,

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Speaker 4: a starting out actor, not someone's who's been successful. Everything

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Speaker 4: is in fits and spurts. So you might make a

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Speaker 4: you might make a big check because you sold a script,

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Speaker 4: but then that's gonna last. That's gonna last to you

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Speaker 4: a year.

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Speaker 3: And so well, what was great about the old days

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Speaker 3: was if you did have a show on the air.

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Speaker 3: Let's say you had a show that ran for two

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Speaker 3: years or three years and it's sold into syndication, you

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Speaker 3: would get residuals on the show. Now, because of streaming,

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Speaker 3: there's no such thing as resi. So you you get

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Speaker 3: paid up front, and so whatever it is that you

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Speaker 3: get paid upfront has to last after the show is gone,

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Speaker 3: when you're swimming back out into the ocean trying to

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Speaker 3: catch that next wave.

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Speaker 4: We were when we were coming up on Scrubs, the

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Speaker 4: television show. It would then when you had a hit show,

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Speaker 4: like we were lucky enough to be a part of it.

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Speaker 4: You would then get syndicated. So when you saw it

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Speaker 4: in reruns, remember reruns on like actual television, that was

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Speaker 4: that was extra residual money for for the cast. That

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Speaker 4: doesn't exist anymore for writers or actors.

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Speaker 3: So what if you only had one show ever in

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Speaker 3: your life, one show, and it was a span of

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Speaker 3: three years, and let's say you didn't see the incoming

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Speaker 3: you know what I mean, that at least helped out. Okay,

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Speaker 3: all right, look next year when the show runs for

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Speaker 3: wherever it is on w p i X in New York,

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Speaker 3: I know, I got a little bit of money coming

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Speaker 3: my way while I hustle and try to make it

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Speaker 3: to the next thing. Right now, it's like, once the

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Speaker 3: show is over, you have to get another job in

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Speaker 3: order to sustain whatever it is your living space is,

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Speaker 3: however it is you're living.

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Speaker 1: Yeah.

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Speaker 4: The other problem on the studio side is that it's

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Speaker 4: not really I mean, both Daniel and Joel please correct

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Speaker 4: me if you know more about this than I do.

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Speaker 4: The streamers seem to be out of humans. I mean

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Speaker 4: they anyone who's going to sign up for their product

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Speaker 4: has kind of signed up.

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Speaker 3: Yeah.

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Speaker 5: My understanding is that a couple of things have happened.

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Speaker 5: So one, everybody has a streaming service now and so

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Speaker 5: it's no longer the like, you know, oh I have

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Speaker 5: Netflix in Hulu and that was enough and I'll pay

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Speaker 5: my like twenty bucks a month or whatever. And so

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Speaker 5: there's been a lot of like people dropping out of

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Speaker 5: one to join the other, or they're only coming on

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Speaker 5: to watch that one show they really love and then leaving,

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Speaker 5: and so it definitely seems like they've sort of there's

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Speaker 5: not much more to offer. He knows exactly what you're

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Speaker 5: getting out of streaming service. You know what shows, you

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Speaker 5: know what their brand is, and so yeah, there's and

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Speaker 5: you know, they didn't build in a revenue source to

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Speaker 5: keep growing, unfortunately, and so that's been a real struggle

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Speaker 5: for them. And while why you'll definitely see more ads

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Speaker 5: coming in, Like I think, yeah.

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Speaker 4: Someone told me that Wholo's showing ads even if you

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Speaker 4: have a subscription. Someone told me, yeah, you got I

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Speaker 4: have like what I do too. But this person must

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Speaker 4: have had had a plan, were they.

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Speaker 5: Yeah, there's like a third one in between, and I

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Speaker 5: know Hulu and Disney just announced they're going to go

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Speaker 5: into one one service by the emerging Yeah, what.

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Speaker 4: About HBO MAX calling themselves Max is like the great brand?

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Speaker 4: Why do you ship that out of the title?

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Speaker 3: I don't want to Max and Max is associated with Cinemax,

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Speaker 3: which is associated with Skinemax, which is also like Max.

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Speaker 3: Come on, like for real, HBO was straight up like

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Speaker 3: that was forever, that was forever Home Box Office, yo'

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Speaker 3: they have.

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Speaker 4: I heard the reason I heard the grapevine was that

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Speaker 4: they want to expand and be for all ages and

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Speaker 4: that John Q. Citizen thinks of HBO as an adult brand.

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Speaker 5: Right, which is fair. I mean, they got Harry Potter,

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Speaker 5: they have Sesame Street. I still think it's foolish. If

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Speaker 5: you had wanted to find a space, you have Discovery

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Speaker 5: right there. Yeah, Discovery Kids, which is a channel A

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Speaker 5: lot of children are familiar with it. If they're not,

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Speaker 5: you can absolutely branch it out.

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Speaker 3: Aren't those all Disney products? Now?

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Speaker 4: They're Warner Brothers. Warner Brothers.

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Speaker 5: Oh wow, yeah, so it's Warner Brother's Discovery now, and

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Speaker 5: so they have like Geral Discovery right everything. You have

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Speaker 5: an endless like space, and you could have left the

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Speaker 5: thing that was working well because as a person who

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Speaker 5: likes HBO, you know there's many of us. It's weird

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Speaker 5: to be like, okay and now they'll be kids. Content

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Speaker 5: makes me that's a confusing landscape to try to navigate

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Speaker 5: when you already have something clean that was working.

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Speaker 4: That they have all the testing and they have all

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Speaker 4: the data. But to me, it's like you losing your

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Speaker 4: like legacy amazing.

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Speaker 3: Yeah, but you got to go after all of the money, man,

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Speaker 3: I mean, let's let's keep it one high. It really is.

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Speaker 3: At the end of the day, it is all about

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Speaker 3: the money. The reason why they're picketing outside of Disney,

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Speaker 3: the reason why you got on that line. It's all

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Speaker 3: about the money. And the only way you can make

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Speaker 3: more money is if you can find more subscribers, and

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Speaker 3: so you gotta Now.

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Speaker 4: I get it, Like I said, this is this decision

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Speaker 4: wasn't made outside of nine thousand test audiences. I'm sure,

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Speaker 4: I just think. But I'm sure you thought, why would

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Speaker 4: you get rid of the name we all grew up on?

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Speaker 3: Like I thought that was crazy too, But I get

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Speaker 3: I mean, I totally get it, but I thought I couldn't.

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Speaker 3: I just couldn't believe they chose Max, Like, isn't there

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Speaker 3: another version of HBO that could you know what I

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Speaker 3: mean like there was HBO Go, there was HBO Max, there.

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Speaker 1: Was h went Away, HBO Go, HBO Gone.

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Speaker 4: I'm the HBO Gone. That's funny.

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Speaker 3: Yah.

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Speaker 4: I like the HBO brand. I think he's a great brand.

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Speaker 4: I love their shows. I think they make great shows.

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Speaker 3: Yeah, if you really think about it, if you really

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Speaker 3: think about it, in order to launch a successful streaming service,

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Speaker 3: you have to have a good show. You know, Disney

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Speaker 3: had the Mandalorian. I don't know what HBOS was. Uh.

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Speaker 5: If you're the back half of Dragons to launch games

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Speaker 5: right right?

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Speaker 3: Apple Plus had all of those shows that signed Oprah. Right,

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Speaker 3: you have to have something great?

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Speaker 4: Yeah, Apple take.

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Speaker 3: Off right now that you change your name to Max,

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Speaker 3: what is your launching what's your launching platform? Now? What's

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Speaker 3: it gonna be?

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Speaker 5: Series?

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Speaker 4: They they'll have everything. I mean it's Warner Brothers and

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Speaker 4: I mean they're gonna have extraordinary stuff. I just don't

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Speaker 4: understand the name change, but I think we understand it

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Speaker 4: on paper. It's just we grew up with HBO.

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Speaker 3: Yeah, man, I remember the music did it?

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Speaker 4: Sometimes?

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Speaker 3: The long opening was it?

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Speaker 4: You never knew when they were going to drop the

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Speaker 4: long open open, right, But the long.

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Speaker 3: Opening was stop motion animation, too amazing, dropped through the

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Speaker 3: freaking whole Nabors.

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Speaker 4: For those of you listening who are who are too young,

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Speaker 4: go I'm sure it's on YouTube. Go up, look the law.

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Speaker 4: I don't know what it would be under, like the

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Speaker 4: old school long HBO opening, and you never knew when

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Speaker 4: you chose something. You just you didn't actually didn't choose.

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Speaker 4: It was just on. When it was on, you didn't

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Speaker 4: know if you were gonna get short or long. But

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Speaker 4: when it was long, like, oh, this must be good,

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Speaker 4: this must be a banger.

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Speaker 3: This is gonna.

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Speaker 4: They chose.

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Speaker 3: Long open. It's the premiere.

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Speaker 4: It's the premiere premiere.

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Speaker 3: It's premiere in the night on HBO.

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Speaker 4: You guys watching Succession.

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Speaker 3: My wife loves it.

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Speaker 1: We just started. Stephanie and I are fire.

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Speaker 3: That opening, that opening is fire. That fire is.

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Speaker 4: Mitchell's who wrote the theme? Mm that theme is It's

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Speaker 4: so good. I want to I want to listen to

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Speaker 4: on a remix with like.

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Speaker 3: I was sitting there just go like this yo, yeah,

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Speaker 3: nig us kick it like all day long.

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Speaker 4: I really think that someone needs to put a beat

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Speaker 4: on that on that theme song because it's fire.

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Speaker 3: I think.

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Speaker 1: That that's out there on that's go on TikTok hip

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Speaker 1: hop Succession.

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Speaker 4: Oh really, I'm sure, but.

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Speaker 5: You know, fans, if you want to send us your

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Speaker 5: remix versions.

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Speaker 4: Fans, please send us your Succession theme song remixes. I

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Speaker 4: don't go to the clurb, but if I was at

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Speaker 4: the clurb and that came on, I'd scream with you

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Speaker 4: DONALDA check you.

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Speaker 5: Off before we go too far off the strike. Can

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Speaker 5: I just drop? Uh? There's something called the Entertainment Community

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Speaker 5: Fund used to be known as the Actors Fund. If

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Speaker 5: you want to support writers that are striking, but you

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Speaker 5: don't live in LA and can't join the picket line,

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00:19:02,359 --> 00:19:05,040
Speaker 5: you can donate money here. Just go drop down TV

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Speaker 5: and film. They help out of work folks, help folks

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Speaker 5: buy groceries. Is a really beautiful organization. And also drop

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Speaker 5: the link in the show notes.

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Speaker 4: That's great.

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Speaker 3: Yeah, but you know, before you say what you're gonna say, Zach,

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Speaker 3: I just want to say real quick, I'm sorry to

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Speaker 3: cut you off. First of all, sorry, very sorry for that,

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Speaker 3: but you're absolutely right, Joelle. You know, people see actors

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Speaker 3: on television and it's a very glamorous job, and it

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Speaker 3: seems like it should pay the bills and pay for

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Speaker 3: everyone to live. But at the end of the day,

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Speaker 3: there are a lot of actors that are on your

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Speaker 3: favorite shows that still kind of live. Check to check,

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Speaker 3: you understand, and so and and and and it's I

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Speaker 3: know it's hard to imagine that, and I know it's

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Speaker 3: hard to to it's hard to fathom and understand that.

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Speaker 3: But this isn't This is a reality. And it's the

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Speaker 3: same thing with writers, and it's the same thing with directors.

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Speaker 4: There's a guy on I'm gonna interrupt you back. There

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Speaker 4: was a guy who's a writer on The Bear and

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Speaker 4: he wrote a tweet thread that was like, I was

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Speaker 4: nominated for writing The Bear and I was applying and

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Speaker 4: rejected from a job at Target.

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Speaker 5: That's real, child, man, this is negative account balance. When

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Speaker 5: he accepted his.

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Speaker 4: Award, yeah that's what he said.

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Speaker 3: Yeah, that's real talk. This is but people don't know

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Speaker 3: this because you look at television and you think that's

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Speaker 3: it's glamorous. You know, there's lights.

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Speaker 4: I think what you're trying to say, and I agree with,

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Speaker 4: is that please don't conflate the stars you know, and

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00:20:37,600 --> 00:20:40,399
Speaker 4: the super successful people you know with these people who

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Speaker 4: are striking even though everyone's in the same guild. This

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Speaker 4: is about the future of these professions being a viable

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Speaker 4: option for creative people. And also if you live in

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Speaker 4: places where they shoot, you go join. You can go

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00:20:54,200 --> 00:20:56,480
Speaker 4: support these people, even if you want to bring them

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Speaker 4: some pizzas or you want to go join the picket line.

443
00:20:59,400 --> 00:21:03,640
Speaker 4: You might even be your future partner. Obviously, New York

444
00:21:03,760 --> 00:21:07,360
Speaker 4: l A. Atlanta is where most of it's happening.

445
00:21:07,720 --> 00:21:09,560
Speaker 1: Bottled water is a big one because they can bring

446
00:21:09,600 --> 00:21:11,879
Speaker 1: it water next day, bring bottled water. It's hot out there,

447
00:21:11,920 --> 00:21:14,560
Speaker 1: people are walking. They need that obviously, haunt your horns

448
00:21:14,560 --> 00:21:15,080
Speaker 1: and support.

449
00:21:17,480 --> 00:21:19,240
Speaker 3: I want where you're going, where you go. I'm going

450
00:21:19,280 --> 00:21:20,280
Speaker 3: to the picket line for.

451
00:21:20,280 --> 00:21:22,520
Speaker 4: What they did a singles one by the way.

452
00:21:22,600 --> 00:21:24,680
Speaker 3: Zack told me I might, I might meet my.

453
00:21:25,000 --> 00:21:26,560
Speaker 4: Yeah by the way by the way. And if you

454
00:21:26,600 --> 00:21:28,560
Speaker 4: go there, you tell them that Zach and Donald's and

455
00:21:28,600 --> 00:21:30,479
Speaker 4: Joel and Daniell sent you. By the way they did.

456
00:21:30,640 --> 00:21:32,120
Speaker 4: They did. This is how they're trying to make sure

457
00:21:32,119 --> 00:21:34,560
Speaker 4: everyone goes. You suppose you're required to go, but they

458
00:21:34,680 --> 00:21:37,159
Speaker 4: try and give you incentives. So they said there's a

459
00:21:37,240 --> 00:21:41,879
Speaker 4: singles one at Universal Studios, and it's like it's like

460
00:21:41,880 --> 00:21:43,639
Speaker 4: a singles picket line.

461
00:21:44,800 --> 00:21:46,360
Speaker 1: Walk around all day? Great first date.

462
00:21:47,880 --> 00:21:50,159
Speaker 4: No, I just thought it was a funny concept, like

463
00:21:50,160 --> 00:21:52,159
Speaker 4: they're just trying to make to make everyone turn up.

464
00:21:52,160 --> 00:21:56,320
Speaker 4: They're like, okay, Wednesday at noon at Universal Lot is

465
00:21:56,359 --> 00:21:57,720
Speaker 4: the singles picket line.

466
00:21:58,160 --> 00:22:01,440
Speaker 3: If you if you listen, man, if you're a writer

467
00:22:02,240 --> 00:22:04,320
Speaker 3: and you're just in the room all day.

468
00:22:04,920 --> 00:22:06,679
Speaker 4: No, if you're gonna be, if you're gonna be, if

469
00:22:06,680 --> 00:22:09,359
Speaker 4: you're gonna be strolling around in front of gates trying

470
00:22:09,359 --> 00:22:11,680
Speaker 4: to stop trucks from going in, you might as well

471
00:22:11,680 --> 00:22:12,960
Speaker 4: meet the love of your life.

472
00:22:13,920 --> 00:22:17,600
Speaker 3: Or the love of the night. WU tak forever night.

473
00:22:17,680 --> 00:22:18,920
Speaker 4: I never heard you make that up.

474
00:22:19,359 --> 00:22:20,680
Speaker 3: Just now, baby, that's fun.

475
00:22:23,359 --> 00:22:26,199
Speaker 4: That's good, that's funny. Donald, that's a good lyric for

476
00:22:26,240 --> 00:22:28,119
Speaker 4: a song. You want to be the love of my life,

477
00:22:28,119 --> 00:22:29,400
Speaker 4: but the love of the night.

478
00:22:30,880 --> 00:22:31,280
Speaker 3: Bars.

479
00:22:31,880 --> 00:22:35,840
Speaker 4: I'm so happy to be back on my computer. I

480
00:22:35,920 --> 00:22:38,520
Speaker 4: have to thank Daniel who told me I had to

481
00:22:38,520 --> 00:22:43,119
Speaker 4: put my computer down. I'm sorry you guys. Do you

482
00:22:43,160 --> 00:22:45,399
Speaker 4: guys feel this with it? Your computer? You're so loyal

483
00:22:45,440 --> 00:22:47,640
Speaker 4: to it, Like so much has happened, so much life

484
00:22:47,680 --> 00:22:50,600
Speaker 4: is happening. I wrote a good person on it. I've

485
00:22:50,600 --> 00:22:52,840
Speaker 4: written so many other things on it. I've done the

486
00:22:53,040 --> 00:22:56,080
Speaker 4: entire podcast on it. And my assistant told me that

487
00:22:56,119 --> 00:22:58,760
Speaker 4: the computer repairment and said that it has to go.

488
00:22:58,880 --> 00:23:02,560
Speaker 4: And I was like, no, I'm asking Daniel. Daniel knows

489
00:23:02,600 --> 00:23:05,840
Speaker 4: everything about computers, and I'm gonna call Daniel. We are

490
00:23:05,880 --> 00:23:09,160
Speaker 4: not putting this down. And my assistant inamed Daniel talks

491
00:23:09,200 --> 00:23:10,840
Speaker 4: and he gave them all the all the information, and

492
00:23:10,920 --> 00:23:13,160
Speaker 4: Daniel texts me he's like, yo, dude, that computer from

493
00:23:13,160 --> 00:23:14,600
Speaker 4: twenty fifteen, it's gotta go.

494
00:23:16,840 --> 00:23:17,440
Speaker 3: Long ago.

495
00:23:17,880 --> 00:23:21,560
Speaker 1: No, yes, in computer years.

496
00:23:21,640 --> 00:23:24,280
Speaker 3: Unfortunately it is okay, but this is what I don't understand.

497
00:23:24,400 --> 00:23:26,680
Speaker 4: Don't got to put it down. Computers.

498
00:23:26,680 --> 00:23:31,520
Speaker 3: I've seen people with older laptops, older laptops that's newer.

499
00:23:31,840 --> 00:23:34,000
Speaker 4: No, but I can't get Daniel, I can't get the

500
00:23:34,160 --> 00:23:36,640
Speaker 4: latest operating system because they won't.

501
00:23:37,200 --> 00:23:40,720
Speaker 1: It goes like this, As your software gets newer, its

502
00:23:40,720 --> 00:23:43,920
Speaker 1: ability to run on old hardware gets worse. So it's

503
00:23:44,000 --> 00:23:46,840
Speaker 1: like it demands more and your computer has less, and

504
00:23:46,880 --> 00:23:49,120
Speaker 1: it just like becomes this thing where it's like it's like, yeah,

505
00:23:49,160 --> 00:23:51,440
Speaker 1: upgrade to the new operating system and it's just making

506
00:23:51,480 --> 00:23:55,400
Speaker 1: your computer run slower. Okay, So these are my last

507
00:23:55,400 --> 00:23:58,480
Speaker 1: three computers right here. I keep them forever, never getting

508
00:23:58,520 --> 00:24:01,040
Speaker 1: rid of the data he's got, by the way, audience.

509
00:24:00,720 --> 00:24:03,600
Speaker 4: He's holding like drives that are the size of playing cards.

510
00:24:03,640 --> 00:24:05,600
Speaker 4: I don't know how to do that, Danel, So I

511
00:24:05,640 --> 00:24:07,040
Speaker 4: just keep the whole computer.

512
00:24:06,760 --> 00:24:12,720
Speaker 3: Somewhere same here. Yes, can you please come over and

513
00:24:12,760 --> 00:24:14,520
Speaker 3: pull them out of all of my laptops.

514
00:24:14,640 --> 00:24:18,240
Speaker 4: I feel like I feel like it's like remember short

515
00:24:18,280 --> 00:24:20,560
Speaker 4: Circuit Donald. I feel like it's number five and I'm

516
00:24:20,600 --> 00:24:22,840
Speaker 4: trying to live. Yeah, I feel like I'm trying to

517
00:24:22,920 --> 00:24:23,680
Speaker 4: kill number five.

518
00:24:23,840 --> 00:24:25,800
Speaker 3: Johnny five is a lie.

519
00:24:26,480 --> 00:24:27,680
Speaker 4: Five is a lie.

520
00:24:28,920 --> 00:24:35,240
Speaker 3: Johnny five is a line? Is a lie? It's like,

521
00:24:35,280 --> 00:24:37,639
Speaker 3: that's like the it was the freaking roboty t.

522
00:24:38,320 --> 00:24:42,600
Speaker 4: Yeah, it was roboty T. Hey guys were guys and gals.

523
00:24:42,600 --> 00:24:46,160
Speaker 4: We're doing our our very first live show in Seattle

524
00:24:46,280 --> 00:24:52,720
Speaker 4: on the one almost exactly a month. It's almost sold out.

525
00:24:52,760 --> 00:24:54,560
Speaker 4: I mean all of the I think all of the

526
00:24:55,560 --> 00:24:58,480
Speaker 4: assigned seats whatever they call it, are sold out already.

527
00:24:58,680 --> 00:25:01,679
Speaker 4: There is a general admission area that still has some

528
00:25:01,680 --> 00:25:04,720
Speaker 4: tickets left, so please come if you're there.

529
00:25:04,800 --> 00:25:07,720
Speaker 3: Ain't no party like a general admission party. That's where

530
00:25:07,760 --> 00:25:10,399
Speaker 3: the real stuff happens. Yeah, that's where they be cooking

531
00:25:10,440 --> 00:25:11,199
Speaker 3: the sausage.

532
00:25:11,480 --> 00:25:13,720
Speaker 4: Yeah, that's where you can you could probably you could

533
00:25:13,760 --> 00:25:16,800
Speaker 4: probably work on someone in the general mission.

534
00:25:17,240 --> 00:25:23,280
Speaker 3: Okay, not only not only not only that, you could barbecue.

535
00:25:23,400 --> 00:25:25,280
Speaker 4: And we don't want you. We don't want you.

536
00:25:25,560 --> 00:25:29,640
Speaker 1: We don't think the thrilling. It's not a tailgate, it's

537
00:25:29,720 --> 00:25:32,600
Speaker 1: not no we forgiveness than as week.

538
00:25:32,960 --> 00:25:34,280
Speaker 4: Yeah, well we don't want you. We don't want people.

539
00:25:34,280 --> 00:25:36,200
Speaker 4: Bring a habachies please. It's it is a show.

540
00:25:36,920 --> 00:25:38,480
Speaker 3: It's get hungry.

541
00:25:38,760 --> 00:25:40,960
Speaker 4: It's going to be a really good show. The four

542
00:25:41,000 --> 00:25:42,439
Speaker 4: of us are going to be there. There's lots of

543
00:25:42,440 --> 00:25:43,520
Speaker 4: surprises planned.

544
00:25:44,280 --> 00:25:47,240
Speaker 3: There are. I'm surprised that you said there are.

545
00:25:47,440 --> 00:25:49,120
Speaker 4: Well I'm gonna tell you what some of the surprises, Daniel.

546
00:25:49,160 --> 00:25:49,880
Speaker 4: You can bleep them.

547
00:25:50,080 --> 00:25:50,920
Speaker 5: I will.

548
00:25:51,119 --> 00:25:53,119
Speaker 1: I'm curious to we all want to know.

549
00:25:53,200 --> 00:25:55,320
Speaker 4: All right, Well, Dan will bleep this. The first surprise

550
00:25:55,720 --> 00:26:00,160
Speaker 4: is that.

551
00:25:58,440 --> 00:26:03,080
Speaker 3: Just how are you going to bleep that Outnel? Leave

552
00:26:03,119 --> 00:26:03,879
Speaker 3: that out? Daniel?

553
00:26:03,920 --> 00:26:05,640
Speaker 4: One long, deep, one long beep.

554
00:26:07,000 --> 00:26:10,480
Speaker 3: The first one is.

555
00:26:12,400 --> 00:26:13,280
Speaker 5: The second one.

556
00:26:13,600 --> 00:26:17,080
Speaker 4: The second one isn't confirmed. Do you want me to

557
00:26:17,080 --> 00:26:19,639
Speaker 4: tell you? But Daniel, I have to keep it of course.

558
00:26:20,280 --> 00:26:20,600
Speaker 3: Is that?

559
00:26:20,840 --> 00:26:28,200
Speaker 5: Uh, Oh my god, what a wonderful thing that could

560
00:26:28,240 --> 00:26:30,160
Speaker 5: happen as surprise.

561
00:26:30,520 --> 00:26:33,119
Speaker 4: I need to know this is all just potential, So

562
00:26:33,160 --> 00:26:34,000
Speaker 4: don't get too excited.

563
00:26:34,040 --> 00:26:35,400
Speaker 5: Oh okay, I'm gonna tamper it down.

564
00:26:37,160 --> 00:26:37,720
Speaker 4: And then.

565
00:26:40,640 --> 00:26:47,679
Speaker 5: Right now I'm excited and I wanted to happen.

566
00:26:47,840 --> 00:26:51,359
Speaker 3: If that happens, this would be oh my gosh.

567
00:26:50,680 --> 00:26:51,639
Speaker 5: Oh my god.

568
00:26:51,920 --> 00:26:54,360
Speaker 4: Anyway, the point is audience, it's gonna be fun. And obviously,

569
00:26:54,400 --> 00:26:56,320
Speaker 4: if this works and we feel like we did a

570
00:26:56,359 --> 00:26:59,960
Speaker 4: good job and the audience is happy, we're brainstorming about

571
00:27:00,119 --> 00:27:02,240
Speaker 4: doing more of them. Right, we're brainstorming.

572
00:27:02,359 --> 00:27:06,360
Speaker 3: How about this? We're brainstorming about the possibilities of what

573
00:27:06,400 --> 00:27:08,240
Speaker 3: would come next? How about that?

574
00:27:08,920 --> 00:27:09,639
Speaker 4: Where do you want to go?

575
00:27:12,119 --> 00:27:15,440
Speaker 3: I have always wanted to take the podcast to Australia.

576
00:27:15,720 --> 00:27:18,560
Speaker 4: I know we haven't in Australia.

577
00:27:18,680 --> 00:27:22,879
Speaker 3: Yeah, I've always wanted to do that ever since always

578
00:27:22,960 --> 00:27:26,440
Speaker 3: dream Boy went on that television show with the with

579
00:27:26,480 --> 00:27:31,440
Speaker 3: the fake doctor's real friends Onesie with the bald head.

580
00:27:31,800 --> 00:27:37,280
Speaker 3: Oh Mitch, yeah, when Mitch, Yeah, Life's of Mitchy Mitch.

581
00:27:38,720 --> 00:27:40,800
Speaker 3: I knew they'n and there. We need to go to Australia.

582
00:27:40,800 --> 00:27:42,240
Speaker 4: It could be a lot of fun. But we'll start

583
00:27:42,240 --> 00:27:44,320
Speaker 4: with the United States of America because that's easiest. I

584
00:27:44,320 --> 00:27:46,639
Speaker 4: don't think the tour bus with our faces on the

585
00:27:46,720 --> 00:27:49,360
Speaker 4: side is going to be doable.

586
00:27:49,760 --> 00:27:52,080
Speaker 3: But what about the UK? Can? Can?

587
00:27:53,200 --> 00:27:55,240
Speaker 4: That's all possible because you know what.

588
00:27:55,359 --> 00:28:00,679
Speaker 3: My favorite cities are. I have two favorite cities. London, Yeah, hm,

589
00:28:00,760 --> 00:28:05,560
Speaker 3: it's great city. Toronto, that's one of my favorite cities. Donald,

590
00:28:06,400 --> 00:28:07,280
Speaker 3: We'll meet some Toronto.

591
00:28:08,440 --> 00:28:11,840
Speaker 4: The truth is is that we elarny know it's a

592
00:28:11,960 --> 00:28:14,920
Speaker 4: draw because it's close to being sold out and we're

593
00:28:14,920 --> 00:28:17,879
Speaker 4: a month and we're a month out, and hopefully people

594
00:28:18,000 --> 00:28:20,680
Speaker 4: in Seattle hearing that there's still a few tickets left

595
00:28:20,720 --> 00:28:22,840
Speaker 4: will sell it out when they hear this on Tuesday.

596
00:28:22,880 --> 00:28:24,760
Speaker 3: But what if you live in New York, would you

597
00:28:24,840 --> 00:28:26,520
Speaker 3: travel all the way to Seattle to see it?

598
00:28:26,640 --> 00:28:28,879
Speaker 4: There are people traveling. I've seen people right on my

599
00:28:28,880 --> 00:28:30,360
Speaker 4: socials people that are traveling.

600
00:28:30,480 --> 00:28:31,919
Speaker 1: I've gotten some Instagram dms.

601
00:28:32,480 --> 00:28:34,959
Speaker 3: Have you gotten anybody from like the UK that was like, yo,

602
00:28:35,080 --> 00:28:35,840
Speaker 3: fuck it, I'm.

603
00:28:35,640 --> 00:28:39,040
Speaker 4: Going No, But I had no.

604
00:28:40,240 --> 00:28:42,720
Speaker 3: Imagine what are you getting your visa for? I need

605
00:28:42,760 --> 00:28:43,160
Speaker 3: to go see.

606
00:28:44,160 --> 00:28:46,240
Speaker 5: A question we asked during the shows, like who figure

607
00:28:46,240 --> 00:28:48,400
Speaker 5: out who came from furthest away that.

608
00:28:48,320 --> 00:28:50,040
Speaker 4: Would be how we should do that. By the way

609
00:28:50,040 --> 00:28:52,000
Speaker 4: we're doing it, We're gonna do a Q and A

610
00:28:52,000 --> 00:28:54,880
Speaker 4: as part of it. So uh, those of you who

611
00:28:54,920 --> 00:28:58,080
Speaker 4: are coming, think of good questions. It's gonna be fun

612
00:28:58,080 --> 00:29:00,360
Speaker 4: and it will always be fun because it's our first

613
00:29:00,400 --> 00:29:03,040
Speaker 4: time doing this, and I just think it's gonna We're

614
00:29:03,040 --> 00:29:05,880
Speaker 4: gonna have a blast. Donald and I. I've never done

615
00:29:06,080 --> 00:29:09,040
Speaker 4: stand up and doing this show is kind of like

616
00:29:09,360 --> 00:29:13,880
Speaker 4: our chance to do our own. It's the closest thing

617
00:29:13,920 --> 00:29:15,600
Speaker 4: Donald and I are going to get to being a

618
00:29:15,600 --> 00:29:19,160
Speaker 4: stand up comedian. And we're doing the musical episode. Some

619
00:29:19,240 --> 00:29:21,800
Speaker 4: of you asked, why do it again, because we don't

620
00:29:21,840 --> 00:29:25,040
Speaker 4: want to invite eighteen hundred people to a theater and

621
00:29:25,040 --> 00:29:28,240
Speaker 4: and uh and do like just whatever episode happens to

622
00:29:28,280 --> 00:29:30,760
Speaker 4: come up. We want to do one of the great episodes,

623
00:29:30,800 --> 00:29:33,959
Speaker 4: which we both love. And also there's a chance we

624
00:29:34,040 --> 00:29:38,000
Speaker 4: might sing a tune or two that you can be unbelieved.

625
00:29:38,080 --> 00:29:40,760
Speaker 3: Donald, Yeah, there's a there's a there's a there's a

626
00:29:40,840 --> 00:29:44,480
Speaker 3: chance that what Zach said could happen.

627
00:29:45,480 --> 00:29:46,520
Speaker 4: The facts about.

628
00:29:46,400 --> 00:29:50,120
Speaker 3: No, no, you can't do it now, I'm just I'm

629
00:29:50,120 --> 00:29:52,160
Speaker 3: just warming up. You can't do it now?

630
00:29:52,440 --> 00:29:54,520
Speaker 4: All right, let's get into the show. Let's I'll kind of.

631
00:29:54,520 --> 00:30:06,760
Speaker 6: Say we made about a bunch of said he's a stormy.

632
00:30:10,320 --> 00:30:10,920
Speaker 3: So ya.

633
00:30:13,000 --> 00:30:17,480
Speaker 4: Ya.

634
00:30:19,960 --> 00:30:23,680
Speaker 1: It's so good to be back. You honored me.

635
00:30:23,760 --> 00:30:25,160
Speaker 4: I really just missed you, guys.

636
00:30:25,480 --> 00:30:26,400
Speaker 3: It's been a long time.

637
00:30:26,680 --> 00:30:30,080
Speaker 4: It has been so long Donald you were doing your show.

638
00:30:30,360 --> 00:30:31,400
Speaker 3: Do you know how long it's been.

639
00:30:31,440 --> 00:30:33,400
Speaker 4: We did two shows without you. You probably didn't listen

640
00:30:33,440 --> 00:30:34,800
Speaker 4: to them, but we did two shows without you.

641
00:30:36,360 --> 00:30:37,240
Speaker 3: About a good person.

642
00:30:37,880 --> 00:30:41,120
Speaker 4: Yeah. We did a one with Florence Pugh, the legendary actress,

643
00:30:41,120 --> 00:30:43,800
Speaker 4: and we did one with my therapist, doctor Fader, who.

644
00:30:43,680 --> 00:30:46,320
Speaker 3: Was, uh holy you got episodes.

645
00:30:46,440 --> 00:30:48,320
Speaker 4: Yeah, that was a good one. They were both.

646
00:30:48,320 --> 00:30:49,600
Speaker 1: Doctor Fader was a legend.

647
00:30:49,800 --> 00:30:52,560
Speaker 4: Doctor Fader was great. Right, we should have him back Florence.

648
00:30:52,560 --> 00:30:54,520
Speaker 3: Of course he's not the Penis doctor though, right.

649
00:30:54,680 --> 00:30:57,239
Speaker 4: No, I do need doctor Penis back, though, Joelle, can

650
00:30:57,240 --> 00:30:59,760
Speaker 4: you book him? I have some penis questions?

651
00:31:00,080 --> 00:31:00,480
Speaker 5: Have Penis?

652
00:31:00,520 --> 00:31:00,640
Speaker 3: Really?

653
00:31:00,800 --> 00:31:04,360
Speaker 4: I have prostate questions because uh, just get an expert

654
00:31:04,360 --> 00:31:07,640
Speaker 4: on his book, Doctor Penis, and say, just mentioned to

655
00:31:07,680 --> 00:31:10,000
Speaker 4: doctor Penis that the area is going to be well,

656
00:31:10,080 --> 00:31:13,480
Speaker 4: all areas, but but the prostate. We're going to focus

657
00:31:13,520 --> 00:31:14,480
Speaker 4: on the prostate.

658
00:31:14,200 --> 00:31:17,840
Speaker 1: Focusing on the prostate, an area that he made not

659
00:31:17,880 --> 00:31:18,600
Speaker 1: be expert.

660
00:31:18,880 --> 00:31:21,880
Speaker 4: You know, he is urologists. That's the prostates, their thing,

661
00:31:22,280 --> 00:31:22,600
Speaker 4: is it?

662
00:31:23,080 --> 00:31:25,360
Speaker 3: I thought it was only the shaft that was their thing.

663
00:31:25,560 --> 00:31:28,000
Speaker 4: No, you think their job stops at the shaft?

664
00:31:28,240 --> 00:31:31,960
Speaker 3: I thought, doctor, I thought, just right, that's right. I thought.

665
00:31:32,000 --> 00:31:34,120
Speaker 3: I thought there was a young doctor, and then there

666
00:31:34,160 --> 00:31:40,600
Speaker 3: was a tip doctor. Then there was a big ball.

667
00:31:39,040 --> 00:31:42,760
Speaker 1: A cubist mons doctor, my job, My job was a doctor.

668
00:31:43,040 --> 00:31:46,600
Speaker 4: All I do is I just do tank. That would

669
00:31:46,640 --> 00:31:49,520
Speaker 4: be a boring job. It's not enough taints enough work.

670
00:31:52,640 --> 00:31:52,920
Speaker 1: Wow.

671
00:31:53,960 --> 00:31:55,880
Speaker 4: The doctor was just all I do is shaft. When

672
00:31:56,000 --> 00:31:58,760
Speaker 4: second you get to pubist mons balls, I'm out.

673
00:32:00,960 --> 00:32:02,880
Speaker 3: What about tip? No, just shaft.

674
00:32:03,400 --> 00:32:05,280
Speaker 4: I once had to have a camera. Did I say,

675
00:32:05,280 --> 00:32:07,360
Speaker 4: this stuck up my down my shaft?

676
00:32:08,720 --> 00:32:09,160
Speaker 1: How was that?

677
00:32:09,440 --> 00:32:12,560
Speaker 4: And the door? The doctor said? The doctor said, I

678
00:32:12,600 --> 00:32:14,560
Speaker 4: know the tip. I was like, what about the rest?

679
00:32:16,040 --> 00:32:20,080
Speaker 4: It's horrible, And I'm like, oh my gosh, I don't

680
00:32:20,120 --> 00:32:23,920
Speaker 4: recommend it. It's horrible. Imagine a camera, and this is

681
00:32:23,960 --> 00:32:32,360
Speaker 4: not a small camera. This was like a VHS camcord.

682
00:32:32,920 --> 00:32:35,280
Speaker 1: It's like they're filming a nineties music video.

683
00:32:35,480 --> 00:32:37,800
Speaker 4: Say still talking about your willis Sorr.

684
00:32:37,920 --> 00:32:39,720
Speaker 3: It's like a whole group of people that are like,

685
00:32:39,800 --> 00:32:41,640
Speaker 3: what the fuck is a VHS?

686
00:32:42,320 --> 00:32:44,440
Speaker 4: VHS is so large? He said, I don't know our

687
00:32:44,480 --> 00:32:46,160
Speaker 4: audience is that they.

688
00:32:46,200 --> 00:32:48,080
Speaker 3: Know there are people that don't know what a fucking

689
00:32:48,120 --> 00:32:49,360
Speaker 3: floppy disc is.

690
00:32:49,520 --> 00:32:52,120
Speaker 4: I know these two didn't these two all right?

691
00:32:52,280 --> 00:32:52,760
Speaker 3: All right?

692
00:32:53,040 --> 00:32:55,400
Speaker 1: I really got dragged for that on Twitter because I

693
00:32:55,400 --> 00:32:57,360
Speaker 1: posted a picture. They're like, Daniel, you didn't know what

694
00:32:57,400 --> 00:32:57,800
Speaker 1: that was.

695
00:32:57,880 --> 00:33:02,160
Speaker 4: I was like, your mister computer guy, bro, I know

696
00:33:02,200 --> 00:33:02,840
Speaker 4: what it is.

697
00:33:02,880 --> 00:33:06,440
Speaker 1: I just never used them alas, I'll take my dragging.

698
00:33:06,480 --> 00:33:08,160
Speaker 1: That's fine, all right, take it.

699
00:33:08,240 --> 00:33:10,760
Speaker 4: You can drag down when the Techi computer guy doesn't

700
00:33:10,760 --> 00:33:22,680
Speaker 4: know what a floppy all right? This was written and

701
00:33:22,800 --> 00:33:26,200
Speaker 4: directed by Bill Lawrence, and it's called my ABC's and

702
00:33:26,240 --> 00:33:30,760
Speaker 4: it's the It's the Sesame Street episode of Scrubs.

703
00:33:30,800 --> 00:33:31,480
Speaker 5: So good.

704
00:33:32,200 --> 00:33:34,040
Speaker 3: Now I have a question I didn't get a chance

705
00:33:34,080 --> 00:33:34,720
Speaker 3: to open.

706
00:33:34,800 --> 00:33:37,120
Speaker 4: I didn't even open Scrubs Wiki, so I gotta open it.

707
00:33:37,320 --> 00:33:39,480
Speaker 3: Are there are two versions of this? Is there? The

708
00:33:39,480 --> 00:33:42,480
Speaker 3: Sesame Street and then the Muppet version? Did we have

709
00:33:42,560 --> 00:33:47,240
Speaker 3: one where Piggy and Kermit and Fozzy were on the show? Also?

710
00:33:48,280 --> 00:33:50,680
Speaker 4: I think that was a special we did. I think

711
00:33:50,720 --> 00:33:53,880
Speaker 4: we did, like as we did a Muppets movie. We

712
00:33:53,920 --> 00:33:56,640
Speaker 4: did cameos in a Muppets movie. Is that right?

713
00:33:57,120 --> 00:33:58,480
Speaker 3: What it was? I wasn't in that.

714
00:33:59,000 --> 00:33:59,560
Speaker 4: Yeah, you were.

715
00:34:00,200 --> 00:34:01,560
Speaker 3: All of you guys were except for me.

716
00:34:01,760 --> 00:34:03,320
Speaker 4: Why didn't you do it? You don't like them?

717
00:34:03,680 --> 00:34:05,440
Speaker 3: Now? I think I was doing a movie at the

718
00:34:05,480 --> 00:34:06,240
Speaker 3: time or some shit.

719
00:34:06,360 --> 00:34:08,319
Speaker 4: Oh. I think we got asked to do it and

720
00:34:08,360 --> 00:34:12,320
Speaker 4: it was, you know, an ABC sort of crossover thing. Maybe.

721
00:34:12,800 --> 00:34:15,920
Speaker 3: Okay, so this is but this is the Sesame Street episode.

722
00:34:16,160 --> 00:34:18,800
Speaker 4: Yes here, I'm pulling up scrubs wikie for some from data.

723
00:34:18,880 --> 00:34:22,880
Speaker 4: This is episode five of season eight. It aired on

724
00:34:23,360 --> 00:34:30,520
Speaker 4: January twenty seventh, two thousand and nine, and it has

725
00:34:30,600 --> 00:34:33,200
Speaker 4: all the interns. Azz plays a very big part in

726
00:34:33,239 --> 00:34:39,239
Speaker 4: this episode. Oh, Josh Rayden sings the acoustic can you

727
00:34:39,280 --> 00:34:41,040
Speaker 4: tell me how to get to Sesame Street?

728
00:34:41,160 --> 00:34:45,000
Speaker 3: He sings the melancholic version of it will kick you

729
00:34:45,080 --> 00:34:45,680
Speaker 3: in your heart?

730
00:34:45,920 --> 00:34:48,960
Speaker 5: Oh my god, it was.

731
00:34:48,960 --> 00:34:53,640
Speaker 3: It's like I lost old ass motherfucker who wants to

732
00:34:53,719 --> 00:34:59,800
Speaker 3: just be a kid again. Yes, can tell me how again?

733
00:35:00,600 --> 00:35:03,120
Speaker 4: Okay? Here it is Donald in two thousand and two

734
00:35:04,080 --> 00:35:08,000
Speaker 4: most most but not Donald Faison of the main Scrubs

735
00:35:08,120 --> 00:35:11,719
Speaker 4: cast appeared as their Scrubs characters in quote, it's a

736
00:35:11,880 --> 00:35:14,960
Speaker 4: very merry Muppet Christmas movie.

737
00:35:16,880 --> 00:35:18,879
Speaker 3: How come THEYDA and asked Black Scrubs to be in that?

738
00:35:18,920 --> 00:35:20,759
Speaker 4: Oh my yuess, well it sounds like you were doing

739
00:35:20,840 --> 00:35:21,880
Speaker 4: a movie.

740
00:35:22,280 --> 00:35:26,080
Speaker 3: Oh, we'll see two thousand and what two thousand and two? Yeah,

741
00:35:26,160 --> 00:35:26,879
Speaker 3: let me look that up.

742
00:35:27,760 --> 00:35:31,440
Speaker 4: Zach Braff and Donald Faison appeared in episodes of Sesame Street.

743
00:35:31,760 --> 00:35:36,040
Speaker 4: Faison held a recurring role in the early nineties I did,

744
00:35:36,360 --> 00:35:40,239
Speaker 4: and Braff appeared in a twenty fifteen episode explaining the

745
00:35:40,280 --> 00:35:43,600
Speaker 4: word anxiety. It's very funny. If you haven't seen it,

746
00:35:43,640 --> 00:35:47,560
Speaker 4: go on the youtubes and look up my name Anxiety

747
00:35:47,719 --> 00:35:48,600
Speaker 4: and Sesame Street.

748
00:35:49,200 --> 00:35:52,840
Speaker 3: This episode was It had some moments. I don't think

749
00:35:53,160 --> 00:35:59,399
Speaker 3: anyone has ever seen the Muppets this way before. Yeah,

750
00:35:59,400 --> 00:36:03,000
Speaker 3: we want they were one well other than Oscar to

751
00:36:03,040 --> 00:36:06,160
Speaker 3: Grouch who was in the trash. Can I mean that

752
00:36:06,280 --> 00:36:08,800
Speaker 3: joke about I know what's wrong? I think I figured

753
00:36:08,800 --> 00:36:12,160
Speaker 3: out what's wrong with you. Give it to me straight, Doc,

754
00:36:12,960 --> 00:36:14,680
Speaker 3: you gotta hand up you.

755
00:36:14,239 --> 00:36:19,120
Speaker 4: Go inside of you. Well, this makes sense. This bit

756
00:36:19,160 --> 00:36:22,520
Speaker 4: of trivia makes sense because I was confused about the

757
00:36:22,600 --> 00:36:28,680
Speaker 4: story sequencing because this felt like it was going back

758
00:36:28,719 --> 00:36:29,440
Speaker 4: a little bit, and.

759
00:36:29,400 --> 00:36:31,480
Speaker 3: This felt like it was the first episode as.

760
00:36:31,640 --> 00:36:34,319
Speaker 4: It does Donald. And also there's a pun in the

761
00:36:34,360 --> 00:36:36,640
Speaker 4: my ABC's because this is the first year we were

762
00:36:36,640 --> 00:36:41,239
Speaker 4: on ABC, so that was my ABC's, but also the

763
00:36:41,320 --> 00:36:44,319
Speaker 4: pun being its sesame street. But here we go. This

764
00:36:44,360 --> 00:36:46,960
Speaker 4: episode was originally planned to be the first episode of

765
00:36:47,000 --> 00:36:51,239
Speaker 4: season eight, which explains some inconsistencies in the story, such

766
00:36:51,239 --> 00:36:55,120
Speaker 4: as JD being surprised that Denise's abrupt bedside manner or

767
00:36:55,160 --> 00:36:59,160
Speaker 4: her being or her being surprised at being called Joe

768
00:36:59,200 --> 00:37:02,360
Speaker 4: despite that nickname already having been used, and everyone in

769
00:37:02,400 --> 00:37:07,480
Speaker 4: the hospital commenting on JD's new beard. In addition, JD.

770
00:37:08,560 --> 00:37:10,880
Speaker 3: A through story through the whole episode.

771
00:37:10,760 --> 00:37:13,399
Speaker 4: Yeah chicks digging his beard making more sense as he's

772
00:37:13,440 --> 00:37:16,440
Speaker 4: meant to be dating Elliott again at this point. That

773
00:37:16,560 --> 00:37:18,400
Speaker 4: was I was confused by all that, But this is

774
00:37:18,440 --> 00:37:19,799
Speaker 4: this is.

775
00:37:19,280 --> 00:37:21,960
Speaker 3: It's it's well, it's not out of order. It's the

776
00:37:22,160 --> 00:37:24,880
Speaker 3: order that they decided to air the show. You know,

777
00:37:25,000 --> 00:37:27,120
Speaker 3: that really fucks up the show sometimes, you know what

778
00:37:27,160 --> 00:37:29,680
Speaker 3: I mean? I know that I know that Bill was

779
00:37:29,719 --> 00:37:33,920
Speaker 3: saying that Scrubs. He tried to make it So Scrubs

780
00:37:34,000 --> 00:37:36,400
Speaker 3: was one of those shows where you could tune in

781
00:37:36,520 --> 00:37:39,239
Speaker 3: whenever you wanted to, and it didn't you didn't have

782
00:37:39,320 --> 00:37:43,040
Speaker 3: to follow any storyline. If you tuned in, you could

783
00:37:43,280 --> 00:37:45,840
Speaker 3: easily be caught up in it right because there was

784
00:37:45,880 --> 00:37:49,000
Speaker 3: no linear story line through the whole thing. And I

785
00:37:49,000 --> 00:37:53,359
Speaker 3: feel like with certain seasons, especially like this season and

786
00:37:54,040 --> 00:37:57,319
Speaker 3: you know, the season that Keith and Elliott break up

787
00:37:57,360 --> 00:37:59,600
Speaker 3: and everything like that, when it was out of order,

788
00:37:59,640 --> 00:38:02,680
Speaker 3: it kind of fox up the rhythm of how you want,

789
00:38:02,719 --> 00:38:05,800
Speaker 3: you know what I mean? And so this definitely felt

790
00:38:05,840 --> 00:38:08,080
Speaker 3: really weird. It was like, why is everybody so caught

791
00:38:08,160 --> 00:38:11,399
Speaker 3: up on his beard? I just remember the whole Joe

792
00:38:11,400 --> 00:38:14,640
Speaker 3: sequence coming this way, starting this way, and then us

793
00:38:14,680 --> 00:38:16,640
Speaker 3: going into Yeah, it's weird.

794
00:38:16,480 --> 00:38:19,399
Speaker 4: Because it's already been discussed, like we've seen we've seen

795
00:38:19,440 --> 00:38:21,720
Speaker 4: this Joe is Cold thing before. It's weird.

796
00:38:22,320 --> 00:38:23,000
Speaker 3: Yeah.

797
00:38:23,000 --> 00:38:27,400
Speaker 4: Wait, did you hit record on your quick Time? Donald?

798
00:38:27,719 --> 00:38:27,799
Speaker 3: No?

799
00:38:28,400 --> 00:38:29,640
Speaker 4: Did you hit record?

800
00:38:29,960 --> 00:38:30,160
Speaker 3: No?

801
00:38:30,640 --> 00:38:33,000
Speaker 1: You said you've been recording. Wait, yeah, because he records

802
00:38:33,000 --> 00:38:34,319
Speaker 1: on the zoom, he's not using quick Time?

803
00:38:35,080 --> 00:38:36,240
Speaker 4: Did you record on your zoom?

804
00:38:36,880 --> 00:38:37,280
Speaker 3: Yeah?

805
00:38:37,719 --> 00:38:43,000
Speaker 4: I fucked up, Daniel. I got so excited to see

806
00:38:43,000 --> 00:38:46,000
Speaker 4: you guys. I didn't hit it, hit it before you

807
00:38:46,080 --> 00:38:46,759
Speaker 4: hit it.

808
00:38:46,800 --> 00:38:48,960
Speaker 1: Is the quality set too high or maximum?

809
00:38:49,120 --> 00:38:52,000
Speaker 4: I'm so disappointed, dude, I'm rusty. I got so excited.

810
00:38:54,000 --> 00:38:55,520
Speaker 1: If you want my changing it to maximum, that would

811
00:38:55,520 --> 00:38:56,080
Speaker 1: be great.

812
00:38:57,000 --> 00:38:58,479
Speaker 4: Daniel, I really let us down.

813
00:38:58,680 --> 00:39:02,359
Speaker 3: It's okay, you totally let everybody down. America so mad

814
00:39:02,360 --> 00:39:02,920
Speaker 3: at you right now?

815
00:39:03,920 --> 00:39:05,799
Speaker 4: No, but Daniel, I feel sad about this.

816
00:39:05,920 --> 00:39:08,200
Speaker 3: I know what they're really upset. They're upset in Australia.

817
00:39:08,239 --> 00:39:09,160
Speaker 3: Australia is like this.

818
00:39:09,480 --> 00:39:13,160
Speaker 4: Listen, audience, audience, you're gonna notice that my sound quality

819
00:39:13,200 --> 00:39:14,280
Speaker 4: is going to get good.

820
00:39:14,239 --> 00:39:17,080
Speaker 3: Right the UK is pissed, audience.

821
00:39:17,160 --> 00:39:21,400
Speaker 4: My sound quality is gonna get good right now. I'm sorry.

822
00:39:21,440 --> 00:39:23,799
Speaker 4: I was so excited to see these guys like a

823
00:39:23,840 --> 00:39:28,000
Speaker 4: little fucking kid that either faces their face.

824
00:39:28,239 --> 00:39:31,360
Speaker 3: Got no kids, like a little fucking.

825
00:39:31,080 --> 00:39:34,600
Speaker 1: Kids, like someone who does have kids.

826
00:39:34,600 --> 00:39:37,120
Speaker 4: And when I saw them, I was bouncing and I

827
00:39:37,160 --> 00:39:39,919
Speaker 4: didn't hit record on my quick time down. I feel

828
00:39:39,920 --> 00:39:41,319
Speaker 4: like I let you down. I let the audience down.

829
00:39:41,320 --> 00:39:42,960
Speaker 4: But audience, don't sound much better now?

830
00:39:43,040 --> 00:39:44,839
Speaker 1: You sound great, silky smooth.

831
00:39:44,600 --> 00:39:46,880
Speaker 4: Now, Dann, will my sound effects have come through or not?

832
00:39:47,040 --> 00:39:47,279
Speaker 3: Yes?

833
00:39:50,760 --> 00:39:54,720
Speaker 4: Okay, good? Yes, all the show all right, so Kelso

834
00:39:55,320 --> 00:39:58,279
Speaker 4: doesn't work again. This is reintroducing something we already know

835
00:39:58,400 --> 00:40:00,840
Speaker 4: because guess what it was supposed to be the premiere episode.

836
00:40:01,760 --> 00:40:05,680
Speaker 4: Kelso gets muffins every day at the hospital and doesn't

837
00:40:05,840 --> 00:40:09,920
Speaker 4: um it doesn't He gets free muffins for life and

838
00:40:10,040 --> 00:40:12,960
Speaker 4: hangs out every day at.

839
00:40:12,880 --> 00:40:17,600
Speaker 3: The coffee Bucks. Yeah, coffee Bucks. And and he's still

840
00:40:17,840 --> 00:40:20,680
Speaker 3: he still is a mean person.

841
00:40:21,400 --> 00:40:23,080
Speaker 4: He's not. This is what we know about Kelso. He's

842
00:40:23,120 --> 00:40:28,360
Speaker 4: still mean. He has no life outside of the hospital. Still,

843
00:40:28,800 --> 00:40:33,240
Speaker 4: he gets free muffins from a guy named Donnie, and

844
00:40:33,960 --> 00:40:37,240
Speaker 4: that's his existence. At the beginning of season eight.

845
00:40:37,360 --> 00:40:42,520
Speaker 3: We learned that Cox hates Deal or No Deal. Yes, wow,

846
00:40:42,600 --> 00:40:45,840
Speaker 3: now I have no clue. I'm just he starts the

847
00:40:45,960 --> 00:40:51,960
Speaker 3: episode off Dealer No Deal in turns raise their hands,

848
00:40:52,760 --> 00:40:53,799
Speaker 3: get the fuck out of here.

849
00:40:54,760 --> 00:40:57,160
Speaker 4: I assume it's because the show must have been very

850
00:40:57,160 --> 00:40:59,520
Speaker 4: hot at the moment, and I don't think Cox likes

851
00:40:59,560 --> 00:41:03,040
Speaker 4: things that are culturally very zeitgeisty. I think he hates that.

852
00:41:03,280 --> 00:41:05,160
Speaker 3: Why does he hate Hugh Jackman.

853
00:41:05,719 --> 00:41:08,560
Speaker 4: I think he hates Hugh Jackman because Hugh Jackman at

854
00:41:08,560 --> 00:41:12,920
Speaker 4: the time and obviously still was such a popular movie

855
00:41:12,960 --> 00:41:16,200
Speaker 4: star and he was good at everything, that that Cox

856
00:41:16,280 --> 00:41:18,759
Speaker 4: is an alpha male, was jealous of the fact that

857
00:41:18,840 --> 00:41:21,560
Speaker 4: Hugh Jackman could do anything and everything. He could be

858
00:41:21,640 --> 00:41:24,040
Speaker 4: the star of a musical, he could be a tough

859
00:41:24,080 --> 00:41:25,000
Speaker 4: guy in the movies.

860
00:41:25,040 --> 00:41:28,200
Speaker 3: And do you think Hugh Jackman took offense to any

861
00:41:28,239 --> 00:41:28,440
Speaker 3: of this?

862
00:41:29,600 --> 00:41:31,399
Speaker 4: Well, I'm sure he didn't love it. Who the hell

863
00:41:31,440 --> 00:41:33,040
Speaker 4: wants to have a joke on the show be like

864
00:41:33,200 --> 00:41:34,200
Speaker 4: I hate that person?

865
00:41:34,320 --> 00:41:37,839
Speaker 5: Yeah, right, except everybody on the show was like, you're

866
00:41:37,840 --> 00:41:38,880
Speaker 5: crazy for that opinion.

867
00:41:39,440 --> 00:41:44,080
Speaker 4: Yes, right, but I still think you're not, like, yay, yay,

868
00:41:44,320 --> 00:41:46,920
Speaker 4: the character on a TV show that's popular hates me.

869
00:41:47,719 --> 00:41:49,520
Speaker 1: Look, nobody likes catching strays on TV.

870
00:41:49,640 --> 00:41:53,200
Speaker 3: It's just like, yes, you know what, we all know

871
00:41:53,320 --> 00:41:54,280
Speaker 3: this for a fact.

872
00:41:54,960 --> 00:41:56,960
Speaker 1: That's just true.

873
00:41:57,520 --> 00:41:59,440
Speaker 4: We called it straight. I was watching the Emmys and

874
00:41:59,600 --> 00:42:02,160
Speaker 4: Family do we talk about this? The Family Guy characters

875
00:42:02,200 --> 00:42:05,080
Speaker 4: were hosting the Emmys. They were doing the opening monologue.

876
00:42:05,080 --> 00:42:08,360
Speaker 4: Obviously it was a it was an animation video. But

877
00:42:09,080 --> 00:42:11,359
Speaker 4: I'm like Donald and I like tune in, like time

878
00:42:11,400 --> 00:42:14,600
Speaker 4: for the Emmys. Here we go and they're singing a

879
00:42:14,640 --> 00:42:18,279
Speaker 4: song and and the lyric was one of the It

880
00:42:18,320 --> 00:42:21,239
Speaker 4: was dissing. It was like a roast, but it was, Yeah,

881
00:42:21,239 --> 00:42:24,120
Speaker 4: it was dissing me. The song was. And on NBC

882
00:42:24,239 --> 00:42:28,040
Speaker 4: we have the lovable Zach Braff who reminds us that

883
00:42:28,080 --> 00:42:32,440
Speaker 4: a sitcom doesn't have to make us laugh. Come on.

884
00:42:32,840 --> 00:42:34,879
Speaker 4: I was like, I was like, I just sat down

885
00:42:34,920 --> 00:42:36,120
Speaker 4: to watch the Emmys.

886
00:42:35,960 --> 00:42:38,360
Speaker 3: That is like straight up shot.

887
00:42:39,840 --> 00:42:43,319
Speaker 4: And I remember, like, WHOA do I watch the rest

888
00:42:43,360 --> 00:42:45,640
Speaker 4: of the Emmys.

889
00:42:47,200 --> 00:42:49,200
Speaker 3: God, yeah, he wasn't a fan. Ude.

890
00:42:49,760 --> 00:42:52,439
Speaker 4: Yeah, McFarlane wasn't a fan. I mean he he did

891
00:42:52,440 --> 00:42:54,399
Speaker 4: that whole white Scrubs, black Scrubs thing.

892
00:42:55,120 --> 00:42:58,200
Speaker 3: It's got some great He's cool outside, it's cool outside.

893
00:42:59,200 --> 00:43:00,000
Speaker 1: But he was so nice.

894
00:43:00,960 --> 00:43:02,120
Speaker 3: It's so nice when I'm.

895
00:43:02,960 --> 00:43:05,680
Speaker 4: Well, I think, I don't know that he ever even

896
00:43:05,719 --> 00:43:07,920
Speaker 4: watched the show. I just knew that we were popular

897
00:43:08,000 --> 00:43:10,080
Speaker 4: and he loved taking digs at us.

898
00:43:11,239 --> 00:43:11,759
Speaker 3: That's all right.

899
00:43:12,080 --> 00:43:16,200
Speaker 5: You caught a positive stray on The Great North, which

900
00:43:16,239 --> 00:43:20,400
Speaker 5: is a new Fox animated like family sitcom style show,

901
00:43:20,960 --> 00:43:24,040
Speaker 5: where one of the characters was describing something they were like,

902
00:43:24,200 --> 00:43:26,759
Speaker 5: I can't remember the exact quote, was like it's luminescent.

903
00:43:26,800 --> 00:43:28,920
Speaker 5: They're like, like, Zach brast smile. I was like, that's.

904
00:43:28,760 --> 00:43:30,200
Speaker 3: So so sweet.

905
00:43:31,920 --> 00:43:35,520
Speaker 4: Second, another positive stray I caught was on thirty Rock,

906
00:43:35,560 --> 00:43:40,400
Speaker 4: which at its height, which I loved, And Kenneth sneaks

907
00:43:40,480 --> 00:43:45,439
Speaker 4: on to Conan's set and pretends and when no one's there,

908
00:43:45,760 --> 00:43:47,520
Speaker 4: and he's sitting on the couch like he's and he's

909
00:43:47,520 --> 00:43:50,879
Speaker 4: imagining he's a guest, and he does this whole thing

910
00:43:50,880 --> 00:43:54,279
Speaker 4: about why, yes, Conan, my career has taken off. My

911
00:43:54,400 --> 00:43:56,719
Speaker 4: roommate Zach Braff and I love Ta da da Da

912
00:43:56,800 --> 00:44:04,560
Speaker 4: da da. And this fantasy was that we were roommates. Amazing, amazing,

913
00:44:07,120 --> 00:44:09,880
Speaker 4: all right, So a these this, this is Azas is

914
00:44:10,239 --> 00:44:13,799
Speaker 4: big introduction I think into the show, or I know

915
00:44:13,880 --> 00:44:15,920
Speaker 4: he's has he appeared another one. I forgot.

916
00:44:16,160 --> 00:44:18,000
Speaker 3: He has appeared in other ones, but this is the

917
00:44:18,320 --> 00:44:19,960
Speaker 3: this was meant to be meant.

918
00:44:19,719 --> 00:44:22,399
Speaker 4: To be his introduction. Yeah, and he says wah, which

919
00:44:22,440 --> 00:44:24,560
Speaker 4: I don't really get, but that's like he's saying.

920
00:44:24,440 --> 00:44:31,920
Speaker 7: Wah when whenever, Yeah, whenever an intern because the intern

921
00:44:32,000 --> 00:44:35,440
Speaker 7: got because Katie got roasted by doctor Cox.

922
00:44:36,239 --> 00:44:39,960
Speaker 3: He swah because he was sick of her being the

923
00:44:40,440 --> 00:44:42,240
Speaker 3: know it all in turn.

924
00:44:42,360 --> 00:44:44,520
Speaker 4: Right, I didn't think it was did you think it

925
00:44:44,600 --> 00:44:45,040
Speaker 4: was funny?

926
00:44:45,320 --> 00:44:46,759
Speaker 3: Well, it's to pay off for the end of the

927
00:44:46,760 --> 00:44:48,640
Speaker 3: it's to pay off for the end of the show.

928
00:44:48,760 --> 00:44:51,839
Speaker 4: So when I know, but I think, don't get me wrong,

929
00:44:51,880 --> 00:44:53,839
Speaker 4: I think he's is funny. I just didn't think, whoa

930
00:44:54,320 --> 00:44:54,920
Speaker 4: it was funny.

931
00:44:55,800 --> 00:44:59,319
Speaker 3: I don't know, man, I mean Cox was pretty hard

932
00:44:59,400 --> 00:45:00,520
Speaker 3: up on you Stone.

933
00:45:01,000 --> 00:45:02,239
Speaker 4: Were you high when you watched it?

934
00:45:02,520 --> 00:45:04,080
Speaker 3: I mean, come on, bro.

935
00:45:04,840 --> 00:45:06,719
Speaker 4: I thought you'd take a weed break. I don't know.

936
00:45:07,200 --> 00:45:16,800
Speaker 3: Nigga were on strike? You forever? Forever?

937
00:45:17,680 --> 00:45:19,719
Speaker 4: You ran to that fucking men's store, isn't he?

938
00:45:21,480 --> 00:45:23,600
Speaker 3: There was like we strike and I was like, we striking?

939
00:45:24,280 --> 00:45:27,200
Speaker 4: Did Donald? Donald ran past seven picking lines to get

940
00:45:27,239 --> 00:45:27,760
Speaker 4: to the weed.

941
00:45:27,600 --> 00:45:32,320
Speaker 3: Store, walked right up and well, were on strike?

942
00:45:33,600 --> 00:45:35,280
Speaker 4: Sorry, honey, we're on strike.

943
00:45:36,280 --> 00:45:38,200
Speaker 3: She's like, what you're doing today? Striking?

944
00:45:40,080 --> 00:45:42,880
Speaker 4: All right? Maybe is funny if you're baked. I wasn't baked.

945
00:45:43,840 --> 00:45:48,319
Speaker 4: So we're all assigned interns. No, we're gonna sign. We're

946
00:45:48,320 --> 00:45:49,760
Speaker 4: taking one under our wings.

947
00:45:50,000 --> 00:45:53,800
Speaker 3: Yes, you're you're you're choosing of the from the bunch

948
00:45:53,880 --> 00:45:58,960
Speaker 3: of interns. You're choosing one to mentor so uh uh.

949
00:45:59,440 --> 00:46:06,719
Speaker 3: Elliott chooses Katie, Cox chooses Ed, and j D chooses

950
00:46:06,960 --> 00:46:10,320
Speaker 3: Denise better known as Joe.

951
00:46:10,640 --> 00:46:13,440
Speaker 4: He calls her Joe, which is for some reason, he

952
00:46:13,520 --> 00:46:17,760
Speaker 4: thinks she reminds him of Joe from Facts of Life because.

953
00:46:17,560 --> 00:46:19,360
Speaker 3: She because she's kind of like tough and a.

954
00:46:19,480 --> 00:46:21,920
Speaker 4: Tomboy, a tomboy butchy tomboy.

955
00:46:22,040 --> 00:46:26,279
Speaker 3: And she says, you know, she goes, you called me Joe,

956
00:46:26,320 --> 00:46:27,839
Speaker 3: and he said, I thought you might like it from

957
00:46:27,880 --> 00:46:30,160
Speaker 3: the Facts of Life. She goes, yeah, it's kind of butchy,

958
00:46:30,880 --> 00:46:33,880
Speaker 3: which is weird because you know, I like banging dudes.

959
00:46:34,440 --> 00:46:37,440
Speaker 4: Yeah, she talks like that and she has no I

960
00:46:37,440 --> 00:46:39,840
Speaker 4: mean almost to a cartoonish level. It bothered me a

961
00:46:39,920 --> 00:46:42,840
Speaker 4: little bit, like is she even a human being? I

962
00:46:42,880 --> 00:46:48,600
Speaker 4: mean she she had absolutely no I'm talking about bedside matter.

963
00:46:48,719 --> 00:46:50,600
Speaker 4: She had negative bedside manners.

964
00:46:50,719 --> 00:46:50,959
Speaker 3: Zero.

965
00:46:51,360 --> 00:46:54,040
Speaker 4: She rudely admonished someone.

966
00:46:54,160 --> 00:46:57,200
Speaker 3: Wouldn't that have been a lawsuit to talk to someone

967
00:46:57,239 --> 00:46:57,600
Speaker 3: that way?

968
00:46:57,719 --> 00:46:59,440
Speaker 4: And I don't know if you're allowed to sue. I'm

969
00:46:59,520 --> 00:47:03,759
Speaker 4: sure that any logic person would have complained, And I

970
00:47:03,760 --> 00:47:06,040
Speaker 4: mean it was It was upsetting to watch. I know

971
00:47:06,080 --> 00:47:08,400
Speaker 4: that that's the reaction Bill wanted from the audience, and

972
00:47:08,840 --> 00:47:11,920
Speaker 4: it worked, but it also felt like whoa Like what

973
00:47:12,080 --> 00:47:13,480
Speaker 4: a fucking bitch?

974
00:47:13,920 --> 00:47:14,000
Speaker 3: Like?

975
00:47:14,080 --> 00:47:15,000
Speaker 4: Who is say that?

976
00:47:15,880 --> 00:47:19,040
Speaker 5: As how she's going to be redeemable at the end

977
00:47:19,080 --> 00:47:22,200
Speaker 5: of the episode, because I was like, I don't like, obviously,

978
00:47:22,239 --> 00:47:24,120
Speaker 5: Denise is a fun character and we enjoy.

979
00:47:24,000 --> 00:47:26,080
Speaker 1: Her as a show goes on, but like Eliza.

980
00:47:25,800 --> 00:47:27,920
Speaker 5: Cooper, yeah, at the end of this year, like I

981
00:47:28,000 --> 00:47:29,840
Speaker 5: really don't want to see this woman again.

982
00:47:29,920 --> 00:47:30,560
Speaker 3: That's so mean.

983
00:47:30,640 --> 00:47:31,800
Speaker 5: This one's losing her husband.

984
00:47:32,920 --> 00:47:37,360
Speaker 3: But that was that actually turned into her character trait

985
00:47:37,560 --> 00:47:41,040
Speaker 3: that lasted all the way up until season nine. I

986
00:47:41,080 --> 00:47:44,879
Speaker 3: don't think she's that way in season nine, but for

987
00:47:45,160 --> 00:47:46,319
Speaker 3: all of season eight.

988
00:47:48,719 --> 00:47:50,960
Speaker 4: But this was like, this was like so, I granted,

989
00:47:51,239 --> 00:47:54,239
Speaker 4: I understand that Bill is setting her up to have

990
00:47:54,280 --> 00:47:56,560
Speaker 4: an arc of redemption and everything, so you got to

991
00:47:56,600 --> 00:47:59,120
Speaker 4: start off at like a really low point to give

992
00:47:59,160 --> 00:48:04,040
Speaker 4: her an arc. But I was more shocked than JD was.

993
00:48:04,200 --> 00:48:07,440
Speaker 4: I was like, who would ever telling a patient to

994
00:48:07,760 --> 00:48:09,759
Speaker 4: turn someone off life support like that? It just felt like,

995
00:48:10,560 --> 00:48:12,240
Speaker 4: I don't know, bizarre.

996
00:48:13,280 --> 00:48:17,120
Speaker 3: Yeah, when it happened, it was like that's not realistic.

997
00:48:18,040 --> 00:48:19,279
Speaker 3: Thought automatically, I was like.

998
00:48:19,239 --> 00:48:21,400
Speaker 4: No, no, it's like it's like, yeah, to me, it

999
00:48:21,440 --> 00:48:23,239
Speaker 4: felt like one step too far, like yeah, make her

1000
00:48:23,280 --> 00:48:28,440
Speaker 4: make her cold, but she was like mean, yeah, yeah,

1001
00:48:28,480 --> 00:48:31,240
Speaker 4: So the janitor pushes in Oscar the groud.

1002
00:48:31,320 --> 00:48:33,640
Speaker 3: Wait wish it right. Let's start having We're going back

1003
00:48:33,680 --> 00:48:34,160
Speaker 3: to the beginning.

1004
00:48:34,160 --> 00:48:38,280
Speaker 4: Okay, cool Janitor pushes in Oscar the Grouche, which begins

1005
00:48:38,400 --> 00:48:42,359
Speaker 4: the the the sort of template, if you will, that

1006
00:48:42,360 --> 00:48:44,680
Speaker 4: that the Sesame Street characters are going to be worked

1007
00:48:44,719 --> 00:48:49,799
Speaker 4: into JD's fantasies in this particular episode. And j D says,

1008
00:48:49,840 --> 00:48:53,400
Speaker 4: I grew up on the street, not the hood, the

1009
00:48:53,440 --> 00:48:55,239
Speaker 4: Sesame He.

1010
00:48:55,239 --> 00:48:56,280
Speaker 3: Goes, no, not the hood.

1011
00:48:58,480 --> 00:49:00,480
Speaker 4: How about how I walk into the how about I

1012
00:49:00,480 --> 00:49:05,919
Speaker 4: walk into the breakroom and I'm like, oh, is he's here?

1013
00:49:06,000 --> 00:49:08,040
Speaker 4: I wanted to watch? And then I see that you're

1014
00:49:08,040 --> 00:49:10,839
Speaker 4: watching Sesame Street. I'm like, oh, yes, like that's what

1015
00:49:10,920 --> 00:49:14,120
Speaker 4: JD plans to watch. And then Turk goes, it's a

1016
00:49:14,160 --> 00:49:21,279
Speaker 4: good one. The letter's J No a curly or a

1017
00:49:21,400 --> 00:49:21,960
Speaker 4: letter J.

1018
00:49:22,520 --> 00:49:23,960
Speaker 3: You know, I'm gonna be honest with you. So when

1019
00:49:24,000 --> 00:49:27,960
Speaker 3: I was on Sesame Street, I actually did watch Sesame Street.

1020
00:49:28,880 --> 00:49:31,719
Speaker 3: I don't know why, but Sesame Street worked for a

1021
00:49:31,760 --> 00:49:34,560
Speaker 3: really long time. Maybe it was the music. Maybe I

1022
00:49:35,800 --> 00:49:37,560
Speaker 3: want to say it was the music, and also the

1023
00:49:37,600 --> 00:49:41,600
Speaker 3: comedy of the Muppets. If you watch the Muppets, or

1024
00:49:41,680 --> 00:49:46,040
Speaker 3: if you watch Sesame Street as a parent and have

1025
00:49:46,080 --> 00:49:48,920
Speaker 3: to sit with your child. The jokes that they do

1026
00:49:49,000 --> 00:49:52,560
Speaker 3: on the show fly over the kid's head and hit

1027
00:49:52,640 --> 00:49:54,439
Speaker 3: you right in the face, you know what I mean.

1028
00:49:55,320 --> 00:49:58,320
Speaker 3: And it's so good and it's and it's so clever,

1029
00:49:58,840 --> 00:50:03,200
Speaker 3: and I wish, you know, there's some footage out there,

1030
00:50:03,840 --> 00:50:06,480
Speaker 3: but I wish you could see what it would like

1031
00:50:07,040 --> 00:50:12,440
Speaker 3: working on the set with characters from these shows being

1032
00:50:12,520 --> 00:50:17,400
Speaker 3: on Sesame Street, just in between takes, when the actors

1033
00:50:17,440 --> 00:50:20,560
Speaker 3: were waiting for you know, whatever it was for sound

1034
00:50:20,560 --> 00:50:23,000
Speaker 3: to catch up, or for the lighting, the lights to

1035
00:50:23,040 --> 00:50:27,720
Speaker 3: be shifted, whatever it was. The entertainment was the puppet,

1036
00:50:27,800 --> 00:50:31,239
Speaker 3: the puppeteers and the puppets, and they would make you

1037
00:50:31,360 --> 00:50:36,759
Speaker 3: laugh so hard and would never break character until they

1038
00:50:36,840 --> 00:50:39,840
Speaker 3: left from under you know, until the curtain was pulled

1039
00:50:39,880 --> 00:50:42,239
Speaker 3: back and they left from under it. And that used

1040
00:50:42,239 --> 00:50:45,640
Speaker 3: to be so much fun to be a part. So

1041
00:50:45,680 --> 00:50:49,160
Speaker 3: when we did this and everyone got to experience that,

1042
00:50:49,280 --> 00:50:50,680
Speaker 3: it was really cool. And it was also good to

1043
00:50:50,680 --> 00:50:53,759
Speaker 3: see Carol, who's recently who passed away a few years ago.

1044
00:50:54,000 --> 00:50:58,080
Speaker 3: But Carol played Oscar the Grouch and Big Bird, and

1045
00:50:58,640 --> 00:51:00,760
Speaker 3: a lot of the stuff that I did on Sesame

1046
00:51:00,800 --> 00:51:02,920
Speaker 3: Street was with him, and so it was great to

1047
00:51:02,960 --> 00:51:03,439
Speaker 3: see him.

1048
00:51:03,880 --> 00:51:05,400
Speaker 4: I agree with what you said, Donald, It was so

1049
00:51:05,520 --> 00:51:08,960
Speaker 4: fun to watch these amazing puppeteers. And they they stay

1050
00:51:09,000 --> 00:51:11,680
Speaker 4: in character as the puppet once once and even when

1051
00:51:11,719 --> 00:51:15,480
Speaker 4: like yeah, but in between takes, they just keep chatting

1052
00:51:15,560 --> 00:51:18,160
Speaker 4: away in the voice and the style of the character,

1053
00:51:18,800 --> 00:51:20,879
Speaker 4: and you kind of forget sometimes you're just sitting there,

1054
00:51:20,920 --> 00:51:24,960
Speaker 4: like during downtime and just like having a conversation with Grover, like,

1055
00:51:25,280 --> 00:51:27,240
Speaker 4: wait a second, I'm talking about puppet.

1056
00:51:27,480 --> 00:51:31,520
Speaker 3: But that's what happens, man, It's so amazing. It's so amazing.

1057
00:51:31,960 --> 00:51:34,920
Speaker 3: And we had Grover on the show. We had Oscar

1058
00:51:34,960 --> 00:51:36,279
Speaker 3: and we had Grover, and.

1059
00:51:36,239 --> 00:51:39,640
Speaker 4: We had Elmo, and we had and I don't know

1060
00:51:39,640 --> 00:51:42,840
Speaker 4: who the oh the woman, well the woman, the puppet,

1061
00:51:42,880 --> 00:51:44,400
Speaker 4: the puppet that has the hand inside her.

1062
00:51:44,520 --> 00:51:46,719
Speaker 5: I don't I think she was just a Their name

1063
00:51:46,840 --> 00:51:49,680
Speaker 5: is x ray, which I thought was hilarious. I had

1064
00:51:49,680 --> 00:51:51,439
Speaker 5: to look it up because I didn't know them up either,

1065
00:51:51,840 --> 00:51:55,480
Speaker 5: But it's x ex space ray R A y amazing funny.

1066
00:51:55,560 --> 00:52:01,400
Speaker 4: That's that's a really funny joke. I'm so Jad mentions

1067
00:52:01,480 --> 00:52:06,359
Speaker 4: Neil and Garrett, who who are two who are two

1068
00:52:06,440 --> 00:52:10,439
Speaker 4: interns that are always inviting him to go rollerblading.

1069
00:52:10,239 --> 00:52:13,040
Speaker 3: And one of them is Kip Kroger. Yeah, I don't

1070
00:52:13,040 --> 00:52:15,960
Speaker 3: know if you guys know this. Kip Kroger started off,

1071
00:52:16,080 --> 00:52:18,320
Speaker 3: You guys definitely don't notice. He started off in the

1072
00:52:18,480 --> 00:52:20,520
Speaker 3: editing department in Scrubs.

1073
00:52:20,120 --> 00:52:23,920
Speaker 4: As like a PA. Now one of Bill's main producers.

1074
00:52:23,400 --> 00:52:26,960
Speaker 3: Yeah, freak. He jumps up on stage at the freaking

1075
00:52:27,000 --> 00:52:30,600
Speaker 3: Golden Globes with everybody and at the end, yeah you

1076
00:52:30,640 --> 00:52:32,799
Speaker 3: see his head, his bald ass had and this he

1077
00:52:32,920 --> 00:52:36,279
Speaker 3: freaking uh lair for last.

1078
00:52:36,600 --> 00:52:39,279
Speaker 4: For last and tricking. He's he's Bill's company. He's like

1079
00:52:39,320 --> 00:52:41,880
Speaker 4: one of the top producers that a douser, and he

1080
00:52:42,040 --> 00:52:44,759
Speaker 4: started with with Bill when he was a PA. And

1081
00:52:44,800 --> 00:52:47,279
Speaker 4: now but anyway, this is his cameo. He plays one

1082
00:52:47,280 --> 00:52:49,560
Speaker 4: of the roller blading maybe gay.

1083
00:52:49,760 --> 00:52:53,920
Speaker 3: Interns, maybe gay interns, maybe.

1084
00:52:53,719 --> 00:52:55,880
Speaker 4: Get that's you what they're called, the maybe gay interns.

1085
00:52:56,120 --> 00:52:58,319
Speaker 5: His name is Neil and his writing partner right because

1086
00:52:58,320 --> 00:52:59,279
Speaker 5: one of them was Neil.

1087
00:52:59,440 --> 00:53:01,880
Speaker 4: Yeah. Part of it, sorry, there's a second part of

1088
00:53:01,880 --> 00:53:04,200
Speaker 4: it in that there was a writing duo who wrote

1089
00:53:04,320 --> 00:53:07,520
Speaker 4: some of our best episodes and they were Neil and

1090
00:53:07,560 --> 00:53:08,360
Speaker 4: Garrett and.

1091
00:53:08,880 --> 00:53:11,200
Speaker 3: Going on to do I mean, Neil is going on

1092
00:53:11,239 --> 00:53:11,440
Speaker 3: to do.

1093
00:53:11,760 --> 00:53:14,120
Speaker 4: Neil is one of the head writers of Shrinking with

1094
00:53:14,160 --> 00:53:17,880
Speaker 4: Bill and I was on the picket line with him.

1095
00:53:18,200 --> 00:53:21,680
Speaker 4: Neil Goldman, very very funny man. I think he occasionally

1096
00:53:21,719 --> 00:53:25,399
Speaker 4: listens to the podcast, do you think so? Yeah, he talks.

1097
00:53:25,560 --> 00:53:27,520
Speaker 3: He's gonna love that shout out you just gave him.

1098
00:53:27,560 --> 00:53:31,120
Speaker 4: Yeah, Neil, you are so funny and talented, and Shrinking

1099
00:53:31,239 --> 00:53:33,960
Speaker 4: is very funny, and a lot of it is due

1100
00:53:34,000 --> 00:53:35,520
Speaker 4: to your genius brain.

1101
00:53:36,160 --> 00:53:38,880
Speaker 3: Neil. I've been saying this to you for a really

1102
00:53:38,920 --> 00:53:42,920
Speaker 3: long time. If the script stars, if our stars ever collide,

1103
00:53:43,800 --> 00:53:45,640
Speaker 3: I would love to make a show with you. Bro.

1104
00:53:46,000 --> 00:53:47,839
Speaker 4: He's already taken. He's the head writer of.

1105
00:53:48,120 --> 00:53:51,280
Speaker 3: Shut the fuck Up. I'm shooting my shot. Let shoot

1106
00:53:51,320 --> 00:53:53,399
Speaker 3: my shot, well shot.

1107
00:53:53,520 --> 00:53:56,200
Speaker 4: The scripts for Shrinking have been written already, Donald. So

1108
00:53:56,280 --> 00:53:57,520
Speaker 4: you're not going to be in season two?

1109
00:53:59,360 --> 00:54:02,320
Speaker 3: Why not? Why you saying ain't no black people and

1110
00:54:02,400 --> 00:54:06,080
Speaker 3: Shrinking too, ain't no guests black people?

1111
00:54:06,600 --> 00:54:08,040
Speaker 4: People who are the stars of the show. You should

1112
00:54:08,040 --> 00:54:09,440
Speaker 4: watch it. It's good tell you telling me.

1113
00:54:09,960 --> 00:54:11,680
Speaker 3: You're telling me, you're telling me that there ain't gonna

1114
00:54:11,680 --> 00:54:12,640
Speaker 3: be nobody else coming in.

1115
00:54:13,040 --> 00:54:15,080
Speaker 4: Do you know which one of your scrubs cast members

1116
00:54:15,120 --> 00:54:16,399
Speaker 4: did a cameo on the show.

1117
00:54:18,120 --> 00:54:21,520
Speaker 3: Yeah, of course, who Bob clandessin.

1118
00:54:22,760 --> 00:54:26,719
Speaker 4: First of all, it's Bob clintnnon and no, Neil Flynn

1119
00:54:26,760 --> 00:54:29,400
Speaker 4: does it. Neil Flynn plays one of Harrison Ford's patients.

1120
00:54:29,400 --> 00:54:31,319
Speaker 3: And oh I saw that. Yeah, I did see that.

1121
00:54:31,800 --> 00:54:33,279
Speaker 4: All right, We're gonna take a break because I have

1122
00:54:33,320 --> 00:54:37,080
Speaker 4: to pee. Donald thinks that a urologist is only in

1123
00:54:37,160 --> 00:54:40,680
Speaker 4: charge of the shaft. Yeah, he thinks it's a different

1124
00:54:40,719 --> 00:54:42,000
Speaker 4: doctor when it switches to the.

1125
00:54:41,920 --> 00:54:45,120
Speaker 3: Balls and the tip and the tip.

1126
00:54:45,360 --> 00:54:49,360
Speaker 4: Oh between you think between balls and tip is is

1127
00:54:49,400 --> 00:54:51,400
Speaker 4: eurologists and the tip has its own specialty.

1128
00:54:51,480 --> 00:54:55,080
Speaker 3: Yeah, the tip doctor, the shaft doctor, and the balls doctor.

1129
00:54:55,239 --> 00:54:57,439
Speaker 4: Listen, if you ever have to get a camera put there,

1130
00:54:59,080 --> 00:55:01,400
Speaker 4: if you make sure he numbs more than just the

1131
00:55:01,440 --> 00:55:03,200
Speaker 4: tim because I can tell you it was horrible. We'll

1132
00:55:03,200 --> 00:55:03,719
Speaker 4: be right back.

1133
00:55:03,920 --> 00:55:11,040
Speaker 3: That's what I'm talking about.

1134
00:55:11,400 --> 00:55:13,320
Speaker 4: And we're back.

1135
00:55:14,080 --> 00:55:17,360
Speaker 1: Zach and Donald newlyweds in house arrest.

1136
00:55:19,480 --> 00:55:23,120
Speaker 4: I love that guy. So it says Elliott and jd

1137
00:55:23,200 --> 00:55:26,479
Speaker 4: are dating again? Is I lost track? Are they dating again?

1138
00:55:26,719 --> 00:55:29,160
Speaker 3: Not in this episode? Yeah?

1139
00:55:29,320 --> 00:55:32,799
Speaker 5: No, because to me the first episode they were back

1140
00:55:32,800 --> 00:55:36,520
Speaker 5: together at the top of the season briefly, remember you

1141
00:55:36,600 --> 00:55:38,719
Speaker 5: all started dating for a little bit and then get

1142
00:55:38,760 --> 00:55:39,600
Speaker 5: that whole right.

1143
00:55:40,200 --> 00:55:42,279
Speaker 3: No, No, they just was saying they were going to

1144
00:55:42,320 --> 00:55:43,960
Speaker 3: hang out. They were going to hang out more.

1145
00:55:44,120 --> 00:55:46,080
Speaker 4: I know. But there's a line in this episode where

1146
00:55:46,200 --> 00:55:49,120
Speaker 4: someone we or someone says Elliott and JD are dating.

1147
00:55:49,520 --> 00:55:50,440
Speaker 3: Yeah, I don't know.

1148
00:55:51,320 --> 00:55:53,120
Speaker 4: I was confused. It's hard to keep track, especially when

1149
00:55:53,120 --> 00:55:55,600
Speaker 4: they're out of order. All right, And now now a

1150
00:55:55,719 --> 00:56:00,480
Speaker 4: Zesu's character, Ed says syphilis, syphilis when.

1151
00:56:00,320 --> 00:56:01,960
Speaker 3: He does the turntable spin.

1152
00:56:02,560 --> 00:56:03,400
Speaker 4: He used to be a DJ.

1153
00:56:03,719 --> 00:56:06,440
Speaker 3: Yeah, yeah, he does a simplest simpling and then does

1154
00:56:06,480 --> 00:56:10,040
Speaker 3: the spin, simple and simplest. That ship was fucking dude.

1155
00:56:10,080 --> 00:56:12,239
Speaker 4: See I wasn't high, so I was kind of like

1156
00:56:12,360 --> 00:56:14,800
Speaker 4: not getting it. But it was meant for stoners. I think.

1157
00:56:17,120 --> 00:56:19,520
Speaker 3: You don't think of Jesus comedy is meant for stoners.

1158
00:56:20,640 --> 00:56:23,120
Speaker 4: No, I'm saying the exact thing I'm saying. I thought

1159
00:56:23,120 --> 00:56:26,480
Speaker 4: these Ed slashes, these jokes were very stonery.

1160
00:56:26,760 --> 00:56:30,239
Speaker 3: And man, come on, you ever see a DJ doist thing?

1161
00:56:30,760 --> 00:56:34,040
Speaker 4: Yeah, I've seen a DJ do their thing right.

1162
00:56:34,080 --> 00:56:38,120
Speaker 3: It's like this, fuck your sepuck yourself right, But you

1163
00:56:38,120 --> 00:56:41,719
Speaker 3: ever see them try to throw flares? In there. He

1164
00:56:41,800 --> 00:56:45,080
Speaker 3: threw the flare and with the spin simplest, simplest, simplest simple,

1165
00:56:45,120 --> 00:56:46,719
Speaker 3: and then he did the spin around and everything. That

1166
00:56:47,040 --> 00:56:47,920
Speaker 3: was hilarious.

1167
00:56:48,000 --> 00:56:51,120
Speaker 4: Dude, all right, little beat juggle, A beat juggle. Daniel

1168
00:56:51,160 --> 00:56:52,520
Speaker 4: knows the lingo because he's a DJ.

1169
00:56:52,760 --> 00:56:55,240
Speaker 1: I have to DJ Danel that simply must.

1170
00:56:55,560 --> 00:56:58,280
Speaker 4: What are your twitch in these days? Daniel? Uh?

1171
00:56:58,320 --> 00:56:59,759
Speaker 1: Well, by the time that this comes out, I'll be

1172
00:56:59,800 --> 00:57:01,680
Speaker 1: twiching the new Zelda Tears of the Kingdom.

1173
00:57:01,960 --> 00:57:03,120
Speaker 4: Yeah, when is that cut?

1174
00:57:03,200 --> 00:57:03,920
Speaker 3: When does it drop?

1175
00:57:04,080 --> 00:57:08,040
Speaker 1: It comes out Friday, May twelfth, but it releases nine

1176
00:57:08,120 --> 00:57:15,160
Speaker 1: pm on Thursday, May eleventh, which is today. Oh shoot, when.

1177
00:57:15,040 --> 00:57:18,160
Speaker 3: We're recording mine, Rocco's about to lose his.

1178
00:57:18,240 --> 00:57:19,920
Speaker 4: Are you playing the Star Wars game? Donald?

1179
00:57:20,080 --> 00:57:21,600
Speaker 3: Hell? Yeah, I'm playing jediur.

1180
00:57:22,280 --> 00:57:24,280
Speaker 4: You said you weren't going to play, and then I

1181
00:57:24,320 --> 00:57:25,920
Speaker 4: saw Billboard and I brought it up to you and

1182
00:57:25,920 --> 00:57:28,520
Speaker 4: you're like, I'm not playing. And then my nephew, who's

1183
00:57:28,560 --> 00:57:31,160
Speaker 4: a video game slash Star Wars fanatics, said it's off

1184
00:57:31,200 --> 00:57:34,400
Speaker 4: the hook, and I said, Donald, apparently the game is

1185
00:57:34,440 --> 00:57:36,240
Speaker 4: off the hook, and now you love it.

1186
00:57:36,880 --> 00:57:40,000
Speaker 3: No, So what happened was in between the time and

1187
00:57:40,000 --> 00:57:42,680
Speaker 3: that I had said that, and now I had started

1188
00:57:42,720 --> 00:57:44,160
Speaker 3: playing Jedi Fallen Order.

1189
00:57:45,600 --> 00:57:46,840
Speaker 4: You hadn't been the first game.

1190
00:57:47,040 --> 00:57:50,920
Speaker 3: I hadn't played the first game, and so you know,

1191
00:57:51,960 --> 00:57:53,560
Speaker 3: Jedi Fallen Order is a lot of fun.

1192
00:57:53,640 --> 00:57:54,320
Speaker 1: It's real good.

1193
00:57:54,440 --> 00:58:01,320
Speaker 3: It's actually really good. The one thing that I disagree

1194
00:58:01,360 --> 00:58:04,960
Speaker 3: with with all of it is is that you're blocking

1195
00:58:05,400 --> 00:58:09,080
Speaker 3: should be able to last for really long. It shouldn't

1196
00:58:09,280 --> 00:58:12,080
Speaker 3: be something that's depleted. And so if you've got it

1197
00:58:12,240 --> 00:58:15,640
Speaker 3: on slide, yeah, yeah, but if somebody's attacking you with

1198
00:58:16,000 --> 00:58:19,680
Speaker 3: like major combos and stuff like that, as these characters,

1199
00:58:19,720 --> 00:58:25,280
Speaker 3: as the bosses do in the game, you know, it's tough. Tough. Yeah,

1200
00:58:25,280 --> 00:58:32,440
Speaker 3: it gets between blocking and dodging. It makes it really Difficult's.

1201
00:58:30,560 --> 00:58:31,880
Speaker 4: Grid to the show because no one cares about this

1202
00:58:31,880 --> 00:58:33,840
Speaker 4: except video game You good the one that brought it up.

1203
00:58:35,120 --> 00:58:36,760
Speaker 4: Please don't call me fu face. And I just want

1204
00:58:36,760 --> 00:58:39,080
Speaker 4: to say that I think with the video game talk,

1205
00:58:39,160 --> 00:58:41,720
Speaker 4: everyone likes it, doesn't mind a little sprinkle like salt Bay.

1206
00:58:42,200 --> 00:58:43,600
Speaker 4: But then when y'all go deep.

1207
00:58:44,240 --> 00:58:49,640
Speaker 3: Doesn't put a little salt on that motherfucker salt a

1208
00:58:49,720 --> 00:58:50,960
Speaker 3: fistful of salt.

1209
00:58:51,240 --> 00:58:53,160
Speaker 4: Listen. The way I feel about video games with our

1210
00:58:53,200 --> 00:58:56,920
Speaker 4: audience is that there's definitely a percentage that loved the chat.

1211
00:58:57,560 --> 00:58:59,480
Speaker 4: But we got to just do a sprinkle sprinkle of

1212
00:58:59,480 --> 00:59:02,800
Speaker 4: Salt Bay get out. Well, look and all five of

1213
00:59:02,840 --> 00:59:03,840
Speaker 4: them are going to come say hi to me.

1214
00:59:04,280 --> 00:59:06,680
Speaker 3: Let's get this ship out the way. We didn't talk

1215
00:59:06,680 --> 00:59:12,120
Speaker 3: about the Mandalorian yet, whole seasons off the series.

1216
00:59:12,400 --> 00:59:14,960
Speaker 4: I couldn't watch it out. I couldn't watch it. And

1217
00:59:15,120 --> 00:59:16,160
Speaker 4: Or ruined everything.

1218
00:59:15,840 --> 00:59:17,840
Speaker 3: For me, and Or ruined a lot for a lot

1219
00:59:17,880 --> 00:59:18,280
Speaker 3: of people.

1220
00:59:18,520 --> 00:59:22,160
Speaker 4: I got to say, and Or was like, oh, it's

1221
00:59:22,240 --> 00:59:24,919
Speaker 4: like that, and then I went back and I tried,

1222
00:59:24,960 --> 00:59:26,720
Speaker 4: and it wasn't for me. I'm sorry.

1223
00:59:27,440 --> 00:59:30,040
Speaker 3: I disagree with you wholeheartedly, Joelle.

1224
00:59:30,120 --> 00:59:32,520
Speaker 4: Do you disagree with me? You're another Star Wars megafan.

1225
00:59:33,320 --> 00:59:35,720
Speaker 5: I don't disagree with you that and Or has set

1226
00:59:35,920 --> 00:59:36,560
Speaker 5: a new bar.

1227
00:59:37,000 --> 00:59:39,040
Speaker 3: Certainly, thank you for Star Wars. I was different.

1228
00:59:39,280 --> 00:59:42,160
Speaker 5: But I do think that the Mandalorian is a very

1229
00:59:42,720 --> 00:59:44,800
Speaker 5: man If you watch The Mandalorian like you would watch

1230
00:59:44,920 --> 00:59:49,000
Speaker 5: say Gun Smoke Children, that is an old Western show

1231
00:59:49,040 --> 00:59:51,840
Speaker 5: that was meant to go on forever. The story didn't

1232
00:59:51,840 --> 00:59:53,840
Speaker 5: really connect to much else. It was just like, here

1233
00:59:53,880 --> 00:59:56,760
Speaker 5: are these characters. They don't grow Revolve. They face similar

1234
00:59:56,840 --> 00:59:58,920
Speaker 5: challenges every episode. But you love that ship because it's

1235
00:59:58,920 --> 01:00:02,240
Speaker 5: a Western get into it. That's Mandalorian, and that has

1236
01:00:02,280 --> 01:00:04,040
Speaker 5: made it more enjoyable for me to watch.

1237
01:00:04,560 --> 01:00:07,680
Speaker 3: But once you geta once you get passed. Once you

1238
01:00:07,760 --> 01:00:10,440
Speaker 3: get past that, and Or is a special type of

1239
01:00:10,480 --> 01:00:15,240
Speaker 3: Star Wars and that, uh, it could alms. It could

1240
01:00:15,280 --> 01:00:18,560
Speaker 3: almost be construed as else World's you know what I mean,

1241
01:00:18,640 --> 01:00:22,200
Speaker 3: because of there's cursing, there's a bunch of things in it. Anyway,

1242
01:00:23,000 --> 01:00:25,600
Speaker 3: once you get past all of that, Star Wars is

1243
01:00:25,600 --> 01:00:30,080
Speaker 3: still enjoyable. It will always be enjoyable from from for kids,

1244
01:00:30,200 --> 01:00:33,080
Speaker 3: from kids to adults. I just always be able to find.

1245
01:00:33,120 --> 01:00:37,280
Speaker 4: I'm not saying it's not quality, and there's tons of talent, obviously,

1246
01:00:37,320 --> 01:00:39,240
Speaker 4: I'm just saying it just felt way more aimed at

1247
01:00:39,280 --> 01:00:43,160
Speaker 4: children to me after consuming and Or.

1248
01:00:43,520 --> 01:00:48,440
Speaker 3: Yeah, okay, that's fine to say. I'll agree with that.

1249
01:00:49,240 --> 01:00:51,160
Speaker 4: I don't have any of them kids style. My dog

1250
01:00:51,160 --> 01:00:52,120
Speaker 4: Billy doesn't want to watch.

1251
01:00:54,200 --> 01:00:56,200
Speaker 3: I'm telling you need to put it on that. Billy

1252
01:00:56,440 --> 01:00:57,320
Speaker 3: like that ship, all.

1253
01:00:57,320 --> 01:00:59,040
Speaker 4: Right, I'll give it. You guys are so passionate. I'll

1254
01:00:59,040 --> 01:01:03,560
Speaker 4: give it another chance. When Joe says, I like banging dudes.

1255
01:01:03,640 --> 01:01:09,479
Speaker 4: JD says, I've heard that's nice. He's heard, he's heard

1256
01:01:09,480 --> 01:01:13,720
Speaker 4: through the grapevine that that's a nice thing. Chicks dig

1257
01:01:13,800 --> 01:01:17,600
Speaker 4: the extra fuzz regarding his beard, which is we now

1258
01:01:17,680 --> 01:01:20,440
Speaker 4: know meant to be a new thing, this glorious beard.

1259
01:01:21,520 --> 01:01:26,000
Speaker 4: And Grover appears and says, tell me about it, and uh.

1260
01:01:25,800 --> 01:01:27,640
Speaker 3: And it's four paws, four hands up.

1261
01:01:28,080 --> 01:01:31,240
Speaker 4: Yeah, and he says that's only two percent of your body.

1262
01:01:31,400 --> 01:01:33,840
Speaker 4: And then what happens. Grover gets oh oh, then he

1263
01:01:33,920 --> 01:01:37,760
Speaker 4: asks for a hive four, a high four and todd

1264
01:01:37,880 --> 01:01:40,280
Speaker 4: high foursm across the ICU.

1265
01:01:40,960 --> 01:01:44,360
Speaker 3: Now, this is a play on This is a play

1266
01:01:44,520 --> 01:01:51,320
Speaker 3: on Grover doing Hey Froggy Baby and running up on

1267
01:01:51,560 --> 01:01:54,240
Speaker 3: Kermit the frog and hitting him in the back and

1268
01:01:54,320 --> 01:01:56,240
Speaker 3: Kermit falling off the wall. Do you remember that?

1269
01:01:56,680 --> 01:01:58,480
Speaker 4: No, what's that from?

1270
01:01:58,600 --> 01:02:01,200
Speaker 3: It's also a play on Super grow Over where Grover

1271
01:02:01,280 --> 01:02:05,520
Speaker 3: would fly and always crash land. So back in the day,

1272
01:02:06,200 --> 01:02:10,080
Speaker 3: in early sesame street days, there were there was Kermit

1273
01:02:10,160 --> 01:02:14,440
Speaker 3: and Grover always had like a segment together and it

1274
01:02:14,520 --> 01:02:16,680
Speaker 3: always would start off with Kermit sitting on the wall

1275
01:02:17,000 --> 01:02:20,960
Speaker 3: and Grover would come running from behind, Hey Froggy Baby

1276
01:02:21,520 --> 01:02:25,280
Speaker 3: and run and smack Kermit in the back, and Kermit

1277
01:02:25,320 --> 01:02:27,520
Speaker 3: would fall off the wall and they'd have to climb

1278
01:02:27,520 --> 01:02:29,959
Speaker 3: back up right. So it's a part of a play

1279
01:02:30,000 --> 01:02:32,800
Speaker 3: on that, and it's part of the play on super Grover,

1280
01:02:33,280 --> 01:02:36,240
Speaker 3: who later on in light they created this character super

1281
01:02:36,280 --> 01:02:38,240
Speaker 3: Grover who wore a freaking spartan helmet.

1282
01:02:42,120 --> 01:02:42,840
Speaker 4: I don't remember that.

1283
01:02:43,400 --> 01:02:46,600
Speaker 3: You don't remember super Grover with the gold helmet, and

1284
01:02:46,640 --> 01:02:49,160
Speaker 3: the helmet would fall over his eyes sometimes. Anyway, so

1285
01:02:49,200 --> 01:02:50,000
Speaker 3: they create the stick.

1286
01:02:50,880 --> 01:02:52,680
Speaker 4: He's my favorite. Grover is my favorite.

1287
01:02:52,840 --> 01:02:55,040
Speaker 3: And when he would land, he could never land on

1288
01:02:55,040 --> 01:02:57,640
Speaker 3: his feet. He would always crash, like the greatest American hero.

1289
01:02:58,680 --> 01:03:02,120
Speaker 3: So that's funny. And so that was a play on

1290
01:03:02,320 --> 01:03:05,240
Speaker 3: both of the things, one from his long run and

1291
01:03:05,280 --> 01:03:07,120
Speaker 3: then him crashing from.

1292
01:03:06,880 --> 01:03:10,280
Speaker 4: The Remember Grover's book the monster at the end of

1293
01:03:10,320 --> 01:03:12,760
Speaker 4: the book where the story.

1294
01:03:13,120 --> 01:03:15,360
Speaker 3: No, you remember that kid's book where here's the monster

1295
01:03:15,400 --> 01:03:17,200
Speaker 3: at the end of the story.

1296
01:03:17,400 --> 01:03:19,480
Speaker 4: Yeah, he's like, it's a great kids book. He's like,

1297
01:03:19,560 --> 01:03:21,320
Speaker 4: he's like so afraid that there's a monster at the

1298
01:03:21,360 --> 01:03:23,200
Speaker 4: end of the book. He's like, stop turning the pages,

1299
01:03:23,720 --> 01:03:25,840
Speaker 4: are you crazy? There's a monster at the end of

1300
01:03:25,880 --> 01:03:29,680
Speaker 4: this book. And obviously the kids laughing and turning the pages,

1301
01:03:29,760 --> 01:03:32,720
Speaker 4: and he's like, are you out of your mind? I'm

1302
01:03:32,760 --> 01:03:34,520
Speaker 4: telling you, Nasa, it's really cute.

1303
01:03:34,560 --> 01:03:35,400
Speaker 1: That's really cute.

1304
01:03:35,960 --> 01:03:38,520
Speaker 3: Well, and then yeah, go ahead. At the end of

1305
01:03:38,560 --> 01:03:39,920
Speaker 3: the book, the Monster's Grover.

1306
01:03:40,520 --> 01:03:49,640
Speaker 4: Spoilers, donal spoilers. Okay, so is He's first Pooh in

1307
01:03:49,720 --> 01:03:52,640
Speaker 4: the potty? We all have flip phones, which is which

1308
01:03:52,680 --> 01:03:57,680
Speaker 4: is just funny to see. But uh, Turk gets a

1309
01:03:57,720 --> 01:04:01,720
Speaker 4: text of Isy's first Pooh in the potty and he

1310
01:04:01,840 --> 01:04:03,880
Speaker 4: hands it to j D, and j D says, I

1311
01:04:03,920 --> 01:04:07,920
Speaker 4: can't take my eyes off of it. It's gorgeous, and

1312
01:04:07,960 --> 01:04:11,600
Speaker 4: he accidentally hit sends, which is confusing because who is

1313
01:04:11,640 --> 01:04:14,720
Speaker 4: on this text chain? Because when he hit the whole hospital,

1314
01:04:14,840 --> 01:04:20,520
Speaker 4: the whole hospital gets this Pooh. The janitor sees it

1315
01:04:20,600 --> 01:04:25,560
Speaker 4: and he says they're back, yeah, meaning the he thinks

1316
01:04:25,560 --> 01:04:28,680
Speaker 4: that is he's poo is an invading species.

1317
01:04:29,080 --> 01:04:32,400
Speaker 3: I guess so it looks like.

1318
01:04:33,880 --> 01:04:35,720
Speaker 4: And Ed says my new screensaver.

1319
01:04:36,600 --> 01:04:41,120
Speaker 3: Yes, okay. So Elliott has a great story about someone

1320
01:04:41,160 --> 01:04:46,000
Speaker 3: named Gina who gets watched taking a whiz through a hole.

1321
01:04:48,000 --> 01:04:50,080
Speaker 4: Yeah, yeah, do.

1322
01:04:50,120 --> 01:04:53,360
Speaker 3: You remember the movie Porky's Back in the Day, saw Porky.

1323
01:04:53,720 --> 01:04:56,080
Speaker 3: You can never. Yeah, it could never. It could never

1324
01:04:56,120 --> 01:04:57,240
Speaker 3: come out now, but no.

1325
01:04:57,320 --> 01:04:59,040
Speaker 4: I know, but I remember, I remember, like I was

1326
01:04:59,040 --> 01:05:00,920
Speaker 4: too young at the time, and then I just never

1327
01:05:00,960 --> 01:05:01,720
Speaker 4: got around to it.

1328
01:05:02,160 --> 01:05:06,480
Speaker 3: So this it's a movie. There's three of them. It's

1329
01:05:06,480 --> 01:05:08,840
Speaker 3: a movie about a bunch of kids who want to

1330
01:05:08,840 --> 01:05:13,880
Speaker 3: go party at the adult bar across the river, Porky's,

1331
01:05:14,880 --> 01:05:17,560
Speaker 3: but along the way. The most famous part of the

1332
01:05:17,600 --> 01:05:20,080
Speaker 3: movie is them looking through being freaking a bunch of

1333
01:05:20,680 --> 01:05:24,840
Speaker 3: peeping toms and checking out girls in the shower at

1334
01:05:24,880 --> 01:05:28,280
Speaker 3: school through a peephole, right, So that was the poster.

1335
01:05:28,400 --> 01:05:29,320
Speaker 3: It was their eye.

1336
01:05:29,920 --> 01:05:31,680
Speaker 4: Crazy, it's crazy. That was the poster.

1337
01:05:32,160 --> 01:05:34,880
Speaker 3: That was the poster. Yeah, their eye looking through the hole, right.

1338
01:05:35,520 --> 01:05:37,960
Speaker 3: So that's where all the nudity comes in. But at

1339
01:05:38,000 --> 01:05:39,600
Speaker 3: the end of the day they go to so they

1340
01:05:39,600 --> 01:05:43,040
Speaker 3: go to Porky's and it doesn't go well for them.

1341
01:05:43,040 --> 01:05:45,080
Speaker 3: As a matter of fact, Porky comes out and fucks

1342
01:05:45,160 --> 01:05:47,800
Speaker 3: up their car and all of this stuff and then

1343
01:05:47,880 --> 01:05:50,360
Speaker 3: sends them on their way. The cops are involved with it,

1344
01:05:50,960 --> 01:05:55,120
Speaker 3: and they plan their revenge on Porky and that's the that's.

1345
01:05:54,920 --> 01:05:59,800
Speaker 4: The of these three of them. Are there any known

1346
01:05:59,840 --> 01:06:01,919
Speaker 4: now actors whose names we know they're in them.

1347
01:06:02,720 --> 01:06:04,240
Speaker 3: I mean there's a couple of them. Some of them

1348
01:06:04,240 --> 01:06:06,880
Speaker 3: are in like movies like The Wanderers, and like there's

1349
01:06:06,920 --> 01:06:08,000
Speaker 3: a bunch of people. You know.

1350
01:06:08,520 --> 01:06:12,000
Speaker 4: It's Porky's has escaped me. But I think I'll skip it.

1351
01:06:12,040 --> 01:06:19,120
Speaker 4: I think I'll skip it, all right, what else, Donald,

1352
01:06:19,600 --> 01:06:22,160
Speaker 4: we spoke about the hand that's inside of you joke.

1353
01:06:23,280 --> 01:06:26,240
Speaker 4: So again, mister Fremont is my patient that is dying

1354
01:06:26,240 --> 01:06:29,280
Speaker 4: of cancer. He has an eight year old son. Jad

1355
01:06:29,800 --> 01:06:32,880
Speaker 4: gets the scans back and it does not look good

1356
01:06:32,920 --> 01:06:37,560
Speaker 4: at all, and and he thinks that this is going

1357
01:06:37,600 --> 01:06:40,200
Speaker 4: to be a lesson for Denise slash Joe, to teach

1358
01:06:40,200 --> 01:06:43,120
Speaker 4: her about bedside manner, to teach her about giving bad news.

1359
01:06:43,960 --> 01:06:47,080
Speaker 4: And that turns out not to be the case at all,

1360
01:06:47,240 --> 01:06:54,480
Speaker 4: because she is very rude and disrespectful, disrespectful to this

1361
01:06:54,640 --> 01:06:59,480
Speaker 4: woman's telling her that she needs to take her husband

1362
01:06:59,520 --> 01:07:00,800
Speaker 4: off life support.

1363
01:07:00,440 --> 01:07:02,960
Speaker 3: Immediately because she's going to wind up doing it anyway.

1364
01:07:03,600 --> 01:07:07,960
Speaker 4: Yes, and so that's meant to Meanwhile, JD has tears

1365
01:07:07,960 --> 01:07:11,560
Speaker 4: in his eyes because he's just such an empathetic, loving

1366
01:07:12,480 --> 01:07:14,880
Speaker 4: doctor with the giant, giant heart.

1367
01:07:15,320 --> 01:07:17,720
Speaker 3: Well, all of all the three of you guys have dilemmas.

1368
01:07:17,760 --> 01:07:23,080
Speaker 3: So Elliott is trying to get Katie into Turk's intern program.

1369
01:07:23,240 --> 01:07:25,320
Speaker 4: It's certainly I think you're writing, you're writing a paper

1370
01:07:25,400 --> 01:07:28,160
Speaker 4: or something, and she's trying to help. She's trying to

1371
01:07:28,160 --> 01:07:29,800
Speaker 4: help her be the one chosen to help you.

1372
01:07:30,280 --> 01:07:34,440
Speaker 3: And then, uh, Cox can't figure out why he hates

1373
01:07:34,640 --> 01:07:35,280
Speaker 3: Ed so much.

1374
01:07:36,000 --> 01:07:39,080
Speaker 4: Somebody Ed makes it obvious he's not a very likable guy.

1375
01:07:40,080 --> 01:07:42,240
Speaker 3: No, well, you know, he's joking and stuff like that.

1376
01:07:42,320 --> 01:07:45,320
Speaker 3: But all of that's acceptable if you're a good doctor,

1377
01:07:45,480 --> 01:07:47,920
Speaker 3: you know what I mean. Like JD was clingy. J

1378
01:07:48,080 --> 01:07:50,440
Speaker 3: D was always trying to get a hug out of

1379
01:07:51,000 --> 01:07:54,480
Speaker 3: But you don't think that's annoying.

1380
01:07:53,600 --> 01:07:57,120
Speaker 4: I think I think Ed as an audience member, I'm

1381
01:07:57,120 --> 01:08:02,120
Speaker 4: going this guy's annoying. I mean, at rounds he's listening

1382
01:08:02,160 --> 01:08:04,200
Speaker 4: to the Da Vinci Code Book on tape.

1383
01:08:04,680 --> 01:08:11,200
Speaker 3: Oh it was that guy.

1384
01:08:14,280 --> 01:08:19,040
Speaker 4: All right, Look, it was that guy. Some people love it,

1385
01:08:19,320 --> 01:08:22,519
Speaker 4: some people don't. I don't know. I I guess I

1386
01:08:22,640 --> 01:08:25,360
Speaker 4: felt annoyed by him. I was like, he's not taking

1387
01:08:25,360 --> 01:08:27,840
Speaker 4: this seriously at all. This is such a huge opportunity

1388
01:08:28,720 --> 01:08:32,760
Speaker 4: and he just seems so you know, checked out like,

1389
01:08:32,840 --> 01:08:35,400
Speaker 4: aren't you excited to be a doctor. You're finally you're

1390
01:08:35,439 --> 01:08:40,559
Speaker 4: finally in a hospital working, and he's just so vacant absent.

1391
01:08:41,040 --> 01:08:44,000
Speaker 3: Well, it turns out that's that's his character flaw. That's

1392
01:08:44,040 --> 01:08:47,120
Speaker 3: his At the end of the episode, we learned each

1393
01:08:47,200 --> 01:08:52,439
Speaker 3: intern's character flaw. You know. Uh, Denise's is when you know,

1394
01:08:52,600 --> 01:08:54,320
Speaker 3: straight up, when somebody tells you who they are, you

1395
01:08:54,360 --> 01:08:56,559
Speaker 3: need to believe that shit right away. And she told

1396
01:08:56,600 --> 01:08:59,320
Speaker 3: you straight up who she was, and you try and

1397
01:08:59,400 --> 01:09:01,479
Speaker 3: I mean she told JD straight up who she was,

1398
01:09:01,520 --> 01:09:05,160
Speaker 3: and JD tried to fix it and it's all for

1399
01:09:05,320 --> 01:09:08,639
Speaker 3: not at the and when it all comes down to it. Uh,

1400
01:09:08,920 --> 01:09:12,200
Speaker 3: same thing with Cox. Cox finds out that Ed is lazy,

1401
01:09:13,479 --> 01:09:16,960
Speaker 3: and Ed's question is, well, you know, am I doing

1402
01:09:16,960 --> 01:09:21,479
Speaker 3: a bad job? And Cox is like, you're better than most,

1403
01:09:23,120 --> 01:09:25,559
Speaker 3: but you nailed it. He wasn't there, He's not there

1404
01:09:25,600 --> 01:09:26,360
Speaker 3: for Yeah.

1405
01:09:26,400 --> 01:09:29,360
Speaker 4: Well, I think Cox sees like, hey, you're you're actually

1406
01:09:29,400 --> 01:09:33,160
Speaker 4: a really smart guy. Why aren't you showing up? What

1407
01:09:33,200 --> 01:09:35,479
Speaker 4: the fuck is this? You're like half You're like half here.

1408
01:09:35,560 --> 01:09:37,840
Speaker 4: You got to be present and you have talent, you

1409
01:09:37,880 --> 01:09:40,960
Speaker 4: have skill. Why aren't you Why aren't why are you

1410
01:09:41,000 --> 01:09:42,599
Speaker 4: phoning it in? You just started?

1411
01:09:43,439 --> 01:09:46,080
Speaker 3: And he's like, well, is me phoning it in? Is

1412
01:09:46,120 --> 01:09:49,559
Speaker 3: it a bad am? I doing a bad job? I

1413
01:09:49,560 --> 01:09:53,160
Speaker 3: mean that sucks. I mean that that that's that's one

1414
01:09:53,240 --> 01:09:55,280
Speaker 3: a gift and it's a curse. You know, if you

1415
01:09:55,360 --> 01:09:59,200
Speaker 3: get easy for him, Yeah, if everything is easy, you're

1416
01:09:59,240 --> 01:10:02,080
Speaker 3: never going to get the same satisfactory that you that

1417
01:10:02,160 --> 01:10:05,000
Speaker 3: you're searching for. If I remember kids, is too easy.

1418
01:10:05,160 --> 01:10:08,320
Speaker 4: I remember kids at Northwestern that would party like crazy,

1419
01:10:08,360 --> 01:10:10,879
Speaker 4: and they were pre med and they would drink like

1420
01:10:11,360 --> 01:10:13,679
Speaker 4: ship faced every night and they were just getting fucking

1421
01:10:13,720 --> 01:10:16,800
Speaker 4: straight a's and meds in pre med. They're just it

1422
01:10:16,840 --> 01:10:17,760
Speaker 4: was it was easy for them.

1423
01:10:17,840 --> 01:10:20,960
Speaker 3: It comes to that. It's you know, look at acting

1424
01:10:21,000 --> 01:10:22,960
Speaker 3: for look at acting for us, you know what I mean,

1425
01:10:22,960 --> 01:10:26,080
Speaker 3: look at look at directing and writing for you know,

1426
01:10:26,240 --> 01:10:28,960
Speaker 3: it might be difficult for you, but it looks easy

1427
01:10:29,400 --> 01:10:32,280
Speaker 3: to you make it what it looks easy. You make

1428
01:10:32,360 --> 01:10:34,519
Speaker 3: it look easy to everyone else.

1429
01:10:34,720 --> 01:10:36,840
Speaker 4: None of it's easy for me. Maybe it's easy for you.

1430
01:10:37,560 --> 01:10:42,320
Speaker 4: I'm not. I don't think in regards to.

1431
01:10:42,760 --> 01:10:45,160
Speaker 3: Yeah, I don't think any of this ship is easy.

1432
01:10:45,600 --> 01:10:49,080
Speaker 3: I don't think any of it is easy. But I'm saying, dude,

1433
01:10:49,280 --> 01:10:51,640
Speaker 3: you've been working for a very long time. You've been

1434
01:10:51,720 --> 01:10:54,240
Speaker 3: lucky enough to have a job for a very long time.

1435
01:10:54,640 --> 01:10:57,200
Speaker 3: There are people that look at that and think of

1436
01:10:57,240 --> 01:11:02,400
Speaker 3: it as it's something that come came naturally to you.

1437
01:11:03,040 --> 01:11:05,080
Speaker 3: They don't. There aren't a lot of people, you know,

1438
01:11:05,160 --> 01:11:06,840
Speaker 3: there are. I'm sure there are a lot of people

1439
01:11:06,840 --> 01:11:08,320
Speaker 3: that are like, oh, he worked really hard for it.

1440
01:11:08,520 --> 01:11:13,200
Speaker 3: But for the most part, the world America believes acting

1441
01:11:13,280 --> 01:11:16,120
Speaker 3: is an easy job that anyone can do, you know

1442
01:11:16,120 --> 01:11:19,200
Speaker 3: what I mean. But it's only because the greats make

1443
01:11:19,280 --> 01:11:21,280
Speaker 3: it look easy, you know what I'm saying.

1444
01:11:23,800 --> 01:11:25,600
Speaker 4: No, No, I'm just trying to follow your train of

1445
01:11:25,600 --> 01:11:27,480
Speaker 4: thought with regards to Ed, because.

1446
01:11:27,360 --> 01:11:31,880
Speaker 3: So Ed is one of those cats who, you know,

1447
01:11:32,360 --> 01:11:34,280
Speaker 3: I'm sure he had to do some type of study

1448
01:11:34,320 --> 01:11:36,280
Speaker 3: and to get to the level that he's at right now.

1449
01:11:36,320 --> 01:11:39,280
Speaker 3: So he did. He definitely studied and he retained a lot.

1450
01:11:39,680 --> 01:11:43,040
Speaker 3: But now he's on the he's on the other side

1451
01:11:43,040 --> 01:11:45,120
Speaker 3: of it where he's like, well, I know what I

1452
01:11:45,160 --> 01:11:47,200
Speaker 3: got to do to succeed. I know what has to

1453
01:11:47,240 --> 01:11:51,800
Speaker 3: be done to be successful in this career. It's show up,

1454
01:11:51,920 --> 01:11:53,880
Speaker 3: do my job, and that's it. I don't need to

1455
01:11:53,920 --> 01:11:54,760
Speaker 3: go the extra mile.

1456
01:11:55,000 --> 01:11:57,759
Speaker 4: Well, we'll see it with any of these interns evolve.

1457
01:11:57,920 --> 01:11:59,880
Speaker 4: Because I don't honestly remember what there are.

1458
01:12:00,360 --> 01:12:03,080
Speaker 3: I can tell you everything that happens, well.

1459
01:12:03,080 --> 01:12:05,680
Speaker 4: I don't even remember, but don't spoil it for me,

1460
01:12:05,720 --> 01:12:08,120
Speaker 4: because I'm gonna watch it fresh because I have no

1461
01:12:08,240 --> 01:12:12,320
Speaker 4: memory of the season. It's very and I'm not even

1462
01:12:12,360 --> 01:12:14,559
Speaker 4: in season nine barely, So I'm really gonna.

1463
01:12:14,880 --> 01:12:16,760
Speaker 3: If you're like in half a season nine, shut the

1464
01:12:16,800 --> 01:12:18,280
Speaker 3: fuck up and half of it.

1465
01:12:18,400 --> 01:12:20,519
Speaker 4: I never watched a single episode of season nine. I

1466
01:12:20,520 --> 01:12:22,760
Speaker 4: will be genuinely watching that for the first time, Zach.

1467
01:12:22,880 --> 01:12:25,479
Speaker 3: I've only watched like five episodes of Scrubs until this.

1468
01:12:29,960 --> 01:12:33,040
Speaker 4: No, but nine is gonna be surreal for me because I,

1469
01:12:33,080 --> 01:12:36,960
Speaker 4: at least these I vaguely. Of course, I remember big moments.

1470
01:12:37,000 --> 01:12:39,960
Speaker 4: I remember the obviously, I remember Sesame Street characters being there,

1471
01:12:40,680 --> 01:12:43,559
Speaker 4: but I don't remember so much of it. Which is

1472
01:12:43,600 --> 01:12:47,080
Speaker 4: this particularly surreal exercise for you and I because we

1473
01:12:46,720 --> 01:12:49,360
Speaker 4: we we we are these characters, but this many years later,

1474
01:12:49,400 --> 01:12:52,639
Speaker 4: we get to watch back and and see ourselves doing

1475
01:12:52,640 --> 01:12:53,679
Speaker 4: things we barely remember.

1476
01:12:54,920 --> 01:13:01,559
Speaker 3: You know, I yeah, it's it's you know, maybe because

1477
01:13:01,560 --> 01:13:03,400
Speaker 3: we had this break and I went away and I

1478
01:13:03,439 --> 01:13:07,200
Speaker 3: did something else that this is the crazy thing. Okay,

1479
01:13:07,280 --> 01:13:08,800
Speaker 3: so we had this break, I went away and did

1480
01:13:08,840 --> 01:13:11,559
Speaker 3: something else in a couple of years. I'm not going

1481
01:13:11,640 --> 01:13:14,919
Speaker 3: to remember that I did that unless the show's the success.

1482
01:13:15,080 --> 01:13:16,679
Speaker 4: Yeah, it might be a big hit and you'll still

1483
01:13:16,720 --> 01:13:17,160
Speaker 4: on it.

1484
01:13:17,280 --> 01:13:20,920
Speaker 3: That'd be from your mouth. That'd be a wonderful thing. Right.

1485
01:13:21,160 --> 01:13:22,360
Speaker 4: Did you enjoy doing it?

1486
01:13:22,520 --> 01:13:24,120
Speaker 3: I had a great time. I had such a great

1487
01:13:24,120 --> 01:13:29,960
Speaker 3: time working with John Cryer, Abigail Spencer, michael'malley. So when

1488
01:13:30,000 --> 01:13:31,479
Speaker 3: you're doing it, Clark came in.

1489
01:13:31,840 --> 01:13:34,559
Speaker 4: When you're doing it, yeah, you're you're having a blast.

1490
01:13:34,880 --> 01:13:36,960
Speaker 4: Did you have a live audience because it's a traditional

1491
01:13:37,200 --> 01:13:39,679
Speaker 4: sitcom and from an audience, right, yes, we had.

1492
01:13:39,560 --> 01:13:44,120
Speaker 3: A live audience. It was a you know, it's it's

1493
01:13:44,200 --> 01:13:46,800
Speaker 3: really interesting because I did a show before where we

1494
01:13:46,840 --> 01:13:49,880
Speaker 3: had a live audience, and with a live audience, that

1495
01:13:49,920 --> 01:13:51,680
Speaker 3: would be the day that you turn up, you know

1496
01:13:51,720 --> 01:13:53,760
Speaker 3: what I mean. If you were at A five on

1497
01:13:53,960 --> 01:13:56,720
Speaker 3: Monday when the show's when the showtime, in front of

1498
01:13:56,760 --> 01:13:59,240
Speaker 3: a live audience on Friday, you're out of twenty five,

1499
01:13:59,360 --> 01:14:04,479
Speaker 3: you know, I mean twenty five out of ten. And

1500
01:14:04,560 --> 01:14:06,679
Speaker 3: this one they were like don't lean into the audience.

1501
01:14:06,720 --> 01:14:10,800
Speaker 3: The audience is there to be the you know, to

1502
01:14:10,920 --> 01:14:13,880
Speaker 3: help with the timing and to help with the you know,

1503
01:14:14,000 --> 01:14:15,639
Speaker 3: to help move the story along.

1504
01:14:16,080 --> 01:14:18,160
Speaker 4: But don't don't milk it.

1505
01:14:18,520 --> 01:14:20,320
Speaker 3: Don't try and get laughs just to try, you know

1506
01:14:20,360 --> 01:14:20,720
Speaker 3: what I mean?

1507
01:14:20,760 --> 01:14:23,200
Speaker 4: Like that, I would be so bad at that, seem such.

1508
01:14:23,120 --> 01:14:25,600
Speaker 3: Because I'm such a laugh whore. Well you're such a

1509
01:14:25,680 --> 01:14:26,200
Speaker 3: laugh whore.

1510
01:14:26,640 --> 01:14:29,360
Speaker 4: You're a clown, and I'm a clown. And when you

1511
01:14:29,400 --> 01:14:31,680
Speaker 4: have all those people laughing at shit you're doing, it's

1512
01:14:31,680 --> 01:14:33,560
Speaker 4: hard not to lean into it.

1513
01:14:33,560 --> 01:14:34,719
Speaker 3: It's really hard.

1514
01:14:35,320 --> 01:14:39,000
Speaker 4: It's I remember remember doing your show the Exes and

1515
01:14:39,120 --> 01:14:43,160
Speaker 4: in between Donald's and the audience like singing, dancing, like yeah, man,

1516
01:14:43,600 --> 01:14:47,120
Speaker 4: Donald Donald's putting on a whole show in the audience.

1517
01:14:47,320 --> 01:14:48,320
Speaker 4: Did you do that this time?

1518
01:14:48,920 --> 01:14:48,960
Speaker 5: No?

1519
01:14:49,240 --> 01:14:51,360
Speaker 3: I never went into the audience, but I definitely talked

1520
01:14:51,360 --> 01:14:53,080
Speaker 3: to the audience quite a bit. Right.

1521
01:14:53,200 --> 01:14:54,040
Speaker 4: They must have loved that.

1522
01:14:54,560 --> 01:14:57,479
Speaker 3: They did. They do. It's interaction, you know what I mean.

1523
01:14:57,560 --> 01:14:59,400
Speaker 4: So you had what you're saying is is an actor

1524
01:15:00,120 --> 01:15:02,759
Speaker 4: got direction to be like, hey, this in this show,

1525
01:15:04,439 --> 01:15:05,040
Speaker 4: just don't.

1526
01:15:05,040 --> 01:15:06,920
Speaker 3: Don't play for the laugh, you know what I mean.

1527
01:15:07,000 --> 01:15:09,960
Speaker 3: Don't play for the audience's laugh. The joke is fun,

1528
01:15:10,160 --> 01:15:12,559
Speaker 3: you know, it's like scrubs. We didn't play in for

1529
01:15:12,600 --> 01:15:15,280
Speaker 3: the audience laugh because there was no there was no

1530
01:15:15,600 --> 01:15:18,000
Speaker 3: studio audience there to laugh at our jokes.

1531
01:15:18,520 --> 01:15:21,679
Speaker 4: We would try, we try to make each other laugh,

1532
01:15:21,680 --> 01:15:23,040
Speaker 4: and we tried the crew laugh.

1533
01:15:23,280 --> 01:15:26,080
Speaker 3: Right, but they couldn't laugh during the take. That would

1534
01:15:26,120 --> 01:15:27,800
Speaker 3: be that would suck up the take, right, So you

1535
01:15:27,920 --> 01:15:30,400
Speaker 3: try to. So you do that in rehearsal, and then

1536
01:15:30,479 --> 01:15:34,040
Speaker 3: when you're shooting it, it all of a sudden became grounded,

1537
01:15:34,160 --> 01:15:37,479
Speaker 3: you know. And so in doing this show, and uh,

1538
01:15:37,600 --> 01:15:40,040
Speaker 3: they were like, listen, let's try and keep this grounded.

1539
01:15:40,560 --> 01:15:42,759
Speaker 3: When we did the exes that we went.

1540
01:15:42,680 --> 01:15:46,360
Speaker 4: Off the rail, off the rail. That was a much

1541
01:15:46,800 --> 01:15:49,840
Speaker 4: that was a much broader comedy right way broad I

1542
01:15:49,840 --> 01:15:52,120
Speaker 4: remember being on what I remember being on what's his

1543
01:15:52,240 --> 01:15:53,559
Speaker 4: Name's back? What's his name?

1544
01:15:54,040 --> 01:15:55,120
Speaker 3: David Allen Base.

1545
01:15:55,120 --> 01:15:57,400
Speaker 4: David Allen Base, he's very funny. I remember being on

1546
01:15:57,439 --> 01:16:01,439
Speaker 4: his back, supposedly giving him a massage, just milking the

1547
01:16:01,600 --> 01:16:02,320
Speaker 4: fuck out of it.

1548
01:16:02,320 --> 01:16:07,000
Speaker 3: It was milking it, milking the moment, milking the moment.

1549
01:16:07,720 --> 01:16:09,880
Speaker 4: They must they have to cut the audience down because

1550
01:16:09,880 --> 01:16:11,680
Speaker 4: otherwise the show will be an hour long because the

1551
01:16:11,680 --> 01:16:13,400
Speaker 4: audience is laughing so fucking hard.

1552
01:16:13,640 --> 01:16:15,280
Speaker 3: Well, you know who did it the best was Married

1553
01:16:15,280 --> 01:16:17,559
Speaker 3: with Children? Married with the audience was a part of

1554
01:16:17,600 --> 01:16:19,519
Speaker 3: the show. Was married with children, you know what I mean?

1555
01:16:19,880 --> 01:16:21,880
Speaker 3: Like they would you would kiss on married with children

1556
01:16:21,960 --> 01:16:22,439
Speaker 3: and the audience?

1557
01:16:24,120 --> 01:16:25,720
Speaker 4: Don't they do that on ever? Reason? Come? They?

1558
01:16:25,880 --> 01:16:29,760
Speaker 3: Oh? It was just well, like if they're doing it

1559
01:16:29,800 --> 01:16:31,720
Speaker 3: on your sitcom.

1560
01:16:31,520 --> 01:16:35,680
Speaker 4: You're doing something wrong. Yeah. If then you kiss, the

1561
01:16:35,760 --> 01:16:39,680
Speaker 4: audience goes, oh right, or it might not be on

1562
01:16:39,720 --> 01:16:40,280
Speaker 4: the right show.

1563
01:16:40,640 --> 01:16:44,200
Speaker 3: Right. You got to earn that. You got to earn that.

1564
01:16:44,479 --> 01:16:47,320
Speaker 3: Like when it happened on Friends, it was earned. It

1565
01:16:47,400 --> 01:16:48,040
Speaker 3: took time.

1566
01:16:48,160 --> 01:16:50,440
Speaker 4: Oh did they do it on Friends? Oh?

1567
01:16:50,520 --> 01:16:52,960
Speaker 3: Everybody and their mama went nuts when Ross and Rachel

1568
01:16:53,000 --> 01:16:55,280
Speaker 3: kiss for the first time. The freaking if there was

1569
01:16:55,320 --> 01:16:59,000
Speaker 3: a studio audience that remember that, didn't.

1570
01:16:58,760 --> 01:17:01,679
Speaker 5: It sounds like the sanding of like it's very loud.

1571
01:17:02,040 --> 01:17:03,719
Speaker 5: Really yeah, for sure?

1572
01:17:04,479 --> 01:17:12,519
Speaker 4: Uh, because they'd edge the audience for so many years.

1573
01:17:13,360 --> 01:17:16,920
Speaker 3: Imagine you're shitting, Imagine you're sitting at home, right, sounds

1574
01:17:17,640 --> 01:17:19,640
Speaker 3: that sounds like a standing ovation. They got to.

1575
01:17:23,120 --> 01:17:27,680
Speaker 4: It's a standing ovation. That's so funny. That's so funny.

1576
01:17:27,960 --> 01:17:28,839
Speaker 4: People are invested.

1577
01:17:29,960 --> 01:17:30,479
Speaker 3: We all were.

1578
01:17:30,600 --> 01:17:32,720
Speaker 4: Come on, man, I didn't watch it. I didn't watch it.

1579
01:17:32,960 --> 01:17:34,760
Speaker 3: I didn't watch frends either. But I've seen it, and

1580
01:17:35,040 --> 01:17:35,920
Speaker 3: I want to watch it.

1581
01:17:35,960 --> 01:17:36,879
Speaker 4: I want to watch.

1582
01:17:36,800 --> 01:17:40,280
Speaker 3: Watched it so much that it's look, I don't I

1583
01:17:40,280 --> 01:17:44,160
Speaker 3: don't watch Succession, Succession. I don't watch any of these shows.

1584
01:17:44,160 --> 01:17:48,680
Speaker 4: You watch anything if it doesn't say Star Wars.

1585
01:17:47,320 --> 01:17:50,800
Speaker 3: Pretty much or some type of super you watch.

1586
01:17:50,920 --> 01:17:53,559
Speaker 4: You watch a bachelorette, Bachelor.

1587
01:17:53,640 --> 01:17:55,479
Speaker 3: Oh you know what I just got into. Oh my god,

1588
01:17:55,720 --> 01:17:59,640
Speaker 3: Vander Palmer Dance Moms Dance.

1589
01:18:01,960 --> 01:18:04,760
Speaker 4: Because your little girl wants to dance. Your wife's gonna

1590
01:18:04,760 --> 01:18:05,719
Speaker 4: become a dance mom.

1591
01:18:06,040 --> 01:18:09,160
Speaker 3: Oh my god. That show is the funniest ship. It

1592
01:18:09,280 --> 01:18:12,479
Speaker 3: is a wild life. Look. First of all, First of all,

1593
01:18:12,479 --> 01:18:14,559
Speaker 3: these kids are all grown now, so I can talk

1594
01:18:14,600 --> 01:18:19,320
Speaker 3: shit on the parents and stuff. But holy well, I

1595
01:18:19,320 --> 01:18:21,240
Speaker 3: don't know if it well, yeah, I guess it is.

1596
01:18:21,280 --> 01:18:25,680
Speaker 3: I mean. The lady who was the star of the

1597
01:18:25,720 --> 01:18:27,559
Speaker 3: show was in jail for a bit. She just got

1598
01:18:27,880 --> 01:18:28,839
Speaker 3: financial troubles.

1599
01:18:29,000 --> 01:18:32,120
Speaker 5: She stopped paying studios like dance studios where she was

1600
01:18:32,160 --> 01:18:34,439
Speaker 5: practicing and holding events, and that got.

1601
01:18:34,360 --> 01:18:37,840
Speaker 3: Up to it. She listened man at first when I

1602
01:18:37,840 --> 01:18:39,559
Speaker 3: first watched the show, I was like, man, who does

1603
01:18:39,600 --> 01:18:42,000
Speaker 3: this woman think she is talking to these mothers like that?

1604
01:18:42,320 --> 01:18:44,800
Speaker 3: But then as you watch the show, you realize, oh,

1605
01:18:45,080 --> 01:18:48,439
Speaker 3: she knows what she's talking about, and these mothers, yeah,

1606
01:18:48,479 --> 01:18:52,280
Speaker 3: these mothers are crazy. And then when that switch happens,

1607
01:18:53,080 --> 01:18:55,880
Speaker 3: When that switch happens, the show becomes the best show

1608
01:18:56,840 --> 01:19:02,040
Speaker 3: on the planet. Like it's like they find reasons just

1609
01:19:02,080 --> 01:19:04,760
Speaker 3: to like, they'll win, They'll win first place. I've never

1610
01:19:04,760 --> 01:19:07,320
Speaker 3: seen anything like this before in my life except for

1611
01:19:07,400 --> 01:19:09,599
Speaker 3: one time. And I don't want it. It's a long story,

1612
01:19:09,640 --> 01:19:13,400
Speaker 3: but don't tell I'm gonna tell it anyway. They'll they'll win,

1613
01:19:13,520 --> 01:19:18,960
Speaker 3: They'll win first place, and then start arguing about how

1614
01:19:19,000 --> 01:19:22,439
Speaker 3: they won first place, like you just won this ship,

1615
01:19:23,600 --> 01:19:26,800
Speaker 3: you won the whole thing. And they're like, but you know,

1616
01:19:26,920 --> 01:19:29,880
Speaker 3: next time, I think Missy needs to dance solos in

1617
01:19:29,920 --> 01:19:34,240
Speaker 3: the motherfucker. You know, they go in. I played basketball

1618
01:19:34,240 --> 01:19:37,080
Speaker 3: with this kid. We won a game. We won a game.

1619
01:19:37,120 --> 01:19:40,599
Speaker 3: He scored twenty five points, had nine rebounds. We're all

1620
01:19:40,640 --> 01:19:43,120
Speaker 3: in the locker room, right, We're all in the locker

1621
01:19:43,160 --> 01:19:46,600
Speaker 3: room after cheering and going around and circle, like you know,

1622
01:19:46,640 --> 01:19:48,600
Speaker 3: it's the playoffs. We're talking about what needs to be

1623
01:19:48,640 --> 01:19:52,559
Speaker 3: done for the next game. This motherfucker says, next game,

1624
01:19:52,640 --> 01:19:55,840
Speaker 3: y'all need to pass me the ball more Oh shit,

1625
01:19:57,200 --> 01:20:00,960
Speaker 3: And we were like, what you'd had twenty something points

1626
01:20:01,000 --> 01:20:03,880
Speaker 3: in nine read like you did your thing. That's what

1627
01:20:03,920 --> 01:20:06,559
Speaker 3: you want to say to all of us, Pat, give

1628
01:20:06,560 --> 01:20:10,280
Speaker 3: you the ball more granted? Yeah, sure, dude, whatever, Dude,

1629
01:20:10,360 --> 01:20:14,040
Speaker 3: you got it. You you got the neck. But that's

1630
01:20:14,080 --> 01:20:15,800
Speaker 3: what you want to say. And that's what it feels

1631
01:20:15,840 --> 01:20:17,880
Speaker 3: like when you watch Dance Moms. It doesn't matter if

1632
01:20:17,920 --> 01:20:20,080
Speaker 3: you want to lose. There's a complaint behind it. And

1633
01:20:20,080 --> 01:20:20,960
Speaker 3: I think that's great teller.

1634
01:20:21,040 --> 01:20:23,439
Speaker 4: I think Zach. I think Zach and Donald's this new

1635
01:20:23,479 --> 01:20:25,559
Speaker 4: show should be a rewatch of Dance Moms.

1636
01:20:25,640 --> 01:20:29,040
Speaker 3: Oh my god, please please, please please.

1637
01:20:34,680 --> 01:20:36,559
Speaker 4: All were take a quick break and when we come back,

1638
01:20:36,600 --> 01:20:39,280
Speaker 4: we will finish the show. We love you. Let's hear

1639
01:20:39,320 --> 01:20:40,320
Speaker 4: what this button does.

1640
01:20:40,439 --> 01:20:50,800
Speaker 2: Everybody likes little as you know, and we're bad.

1641
01:20:51,760 --> 01:20:54,960
Speaker 3: Speaking of being back Chico artist, dude.

1642
01:20:55,040 --> 01:20:57,360
Speaker 4: Yeah, we would put her out of a job. She

1643
01:20:57,400 --> 01:20:59,040
Speaker 4: hasn't been producing.

1644
01:20:58,600 --> 01:21:01,240
Speaker 3: In a while, been putting a bunch of stuff.

1645
01:21:01,479 --> 01:21:03,559
Speaker 4: Oh really, she's not tagging me, Come on, cheek, artists.

1646
01:21:03,560 --> 01:21:05,720
Speaker 4: I need to see that ship on my Insta tags.

1647
01:21:06,560 --> 01:21:07,400
Speaker 4: What she what she do?

1648
01:21:07,920 --> 01:21:10,400
Speaker 3: She she's just putting like a bunch of behind the scenes.

1649
01:21:10,520 --> 01:21:16,560
Speaker 4: Now she's doing shorts. Now she's doing short.

1650
01:21:15,720 --> 01:21:17,519
Speaker 3: But you know what, you know what her famous one,

1651
01:21:17,720 --> 01:21:19,840
Speaker 3: one of her favorite ones is what to do is

1652
01:21:20,360 --> 01:21:21,360
Speaker 3: whether it be a poop?

1653
01:21:21,680 --> 01:21:22,400
Speaker 4: Yeah, a finger?

1654
01:21:23,439 --> 01:21:23,960
Speaker 3: Yeah?

1655
01:21:24,160 --> 01:21:28,680
Speaker 4: I love cheeko artists. She's so funny. All right, let's

1656
01:21:28,720 --> 01:21:31,840
Speaker 4: finish up the show for the audience, guys. So none

1657
01:21:31,880 --> 01:21:34,559
Speaker 4: of these interns are really that that that nice because

1658
01:21:34,560 --> 01:21:38,240
Speaker 4: we find out that not only is Denise so cold,

1659
01:21:39,400 --> 01:21:41,719
Speaker 4: but she's playing.

1660
01:21:41,800 --> 01:21:42,360
Speaker 3: She's playing.

1661
01:21:43,080 --> 01:21:49,360
Speaker 4: Katie is playing Elliott. Turns out that Katie used Elliott

1662
01:21:49,760 --> 01:21:52,600
Speaker 4: to get Turk to pick her to use her for

1663
01:21:52,680 --> 01:21:57,320
Speaker 4: the research paper. Yeah, and we find that out because

1664
01:21:57,320 --> 01:21:59,800
Speaker 4: we learned that Katie was the very first person to

1665
01:21:59,840 --> 01:22:03,200
Speaker 4: say meanwhile, she told Elliott, I don't have the courage

1666
01:22:03,200 --> 01:22:06,160
Speaker 4: to sign up. And we know that Ed signed up

1667
01:22:06,360 --> 01:22:09,000
Speaker 4: solely because he had one of those pens that you

1668
01:22:09,040 --> 01:22:11,200
Speaker 4: can click down three different colors and he wanted to

1669
01:22:11,280 --> 01:22:11,599
Speaker 4: use it.

1670
01:22:12,040 --> 01:22:13,800
Speaker 3: And that's why Turk wanted to pick them.

1671
01:22:13,760 --> 01:22:16,280
Speaker 4: And picked him because he thought that was cool too.

1672
01:22:16,920 --> 01:22:19,160
Speaker 3: So this is so these are this is something else.

1673
01:22:19,680 --> 01:22:24,439
Speaker 3: There's an undertone in here that's very misogynistic as far

1674
01:22:24,520 --> 01:22:28,240
Speaker 3: as the way Turk uh. The reason why Turk doesn't

1675
01:22:28,280 --> 01:22:32,800
Speaker 3: pick Katie is because you know, the surgical department is

1676
01:22:32,880 --> 01:22:36,479
Speaker 3: the surgery department is a boys club. The reason why

1677
01:22:37,000 --> 01:22:43,600
Speaker 3: uh uh? At least this is what I got. I

1678
01:22:43,680 --> 01:22:46,439
Speaker 3: thought that, and then it changed up, and then it

1679
01:22:46,520 --> 01:22:48,679
Speaker 3: changed up on me. But I thought that the reason

1680
01:22:48,720 --> 01:22:54,080
Speaker 3: why j D was chose a girl was because he

1681
01:22:54,160 --> 01:22:57,680
Speaker 3: could find someone who would be more in touch with

1682
01:22:57,720 --> 01:23:01,080
Speaker 3: their feelings than a boy would. And I thought, that's

1683
01:23:01,080 --> 01:23:04,000
Speaker 3: why JD chose a girl, which is a little massage

1684
01:23:04,040 --> 01:23:07,320
Speaker 3: andistic also you know what I mean in some way,

1685
01:23:08,640 --> 01:23:10,720
Speaker 3: just to assume that that would be the way. And

1686
01:23:10,760 --> 01:23:15,160
Speaker 3: so the great lesson in the episode was don't judge

1687
01:23:15,160 --> 01:23:18,080
Speaker 3: a book by its cover, because he chooses Denise, and

1688
01:23:18,120 --> 01:23:20,760
Speaker 3: Denise turns out to be completely opposite.

1689
01:23:21,840 --> 01:23:22,640
Speaker 4: A sociopath.

1690
01:23:25,200 --> 01:23:26,160
Speaker 3: That's exactly what she is.

1691
01:23:27,080 --> 01:23:31,200
Speaker 4: She has no conscience, no emotions, she's cold as ice.

1692
01:23:31,680 --> 01:23:35,640
Speaker 5: Yeah, And Elliot chooses her intern because she looks like

1693
01:23:35,680 --> 01:23:37,360
Speaker 5: her yeah yeah.

1694
01:23:37,600 --> 01:23:40,519
Speaker 4: And Elliot's always dying for female friends. So she's like,

1695
01:23:41,040 --> 01:23:42,800
Speaker 4: she's like, you know, the vibe is like, oh, I'm

1696
01:23:42,840 --> 01:23:44,639
Speaker 4: also going to have a cute new buddy.

1697
01:23:45,280 --> 01:23:47,320
Speaker 3: I just thought that was very interesting. I thought that

1698
01:23:47,720 --> 01:23:51,679
Speaker 3: And at the end of it nothing gets resolved either.

1699
01:23:52,200 --> 01:23:55,840
Speaker 3: That was also something that I thought was, you know,

1700
01:23:56,400 --> 01:24:00,479
Speaker 3: really usually at the end of every episode, you know,

1701
01:24:00,880 --> 01:24:02,840
Speaker 3: at the end of the day, you know.

1702
01:24:02,920 --> 01:24:05,240
Speaker 4: Right, But I think this again, this was meant to

1703
01:24:05,240 --> 01:24:07,280
Speaker 4: be the premiere of season eight, so it's setting up

1704
01:24:07,439 --> 01:24:09,519
Speaker 4: the you know, these main lead interns who are going

1705
01:24:09,600 --> 01:24:11,240
Speaker 4: to be the interns for the season, thought.

1706
01:24:11,080 --> 01:24:14,680
Speaker 3: Dot dot, you know, right, And then Elliot, you really

1707
01:24:14,720 --> 01:24:17,080
Speaker 3: don't like the interns at the end of this episode.

1708
01:24:17,160 --> 01:24:20,520
Speaker 4: You know, I don't like any of them.

1709
01:24:21,120 --> 01:24:24,479
Speaker 3: They're a bunch of little shits. And and I get

1710
01:24:24,479 --> 01:24:27,880
Speaker 3: that that's supposed to be like, you know, hindsight being

1711
01:24:27,920 --> 01:24:30,320
Speaker 3: twenty twenty, so were j D. Elliott and Turk when

1712
01:24:30,320 --> 01:24:32,200
Speaker 3: they were interns and stuff like that, But we like

1713
01:24:32,280 --> 01:24:34,879
Speaker 3: but the story, Yeah, but the story is told so different.

1714
01:24:35,080 --> 01:24:38,160
Speaker 3: You know, they're they're they're they're uh.

1715
01:24:38,400 --> 01:24:39,920
Speaker 4: Oh, I see what you're saying. I think I get

1716
01:24:39,920 --> 01:24:42,760
Speaker 4: what you're saying. You're saying, we're now seeing it from

1717
01:24:42,800 --> 01:24:46,480
Speaker 4: a different perspective. We're seeing it from the doctor's perspective.

1718
01:24:46,880 --> 01:24:50,240
Speaker 4: When when when Scrubs audiences first met our characters in

1719
01:24:50,960 --> 01:24:54,160
Speaker 4: one on one, they were seeing it from the interns perspective.

1720
01:24:54,800 --> 01:24:59,400
Speaker 4: Perhaps Bill specifically made them annoyings because we're experiencing them

1721
01:24:59,479 --> 01:25:04,920
Speaker 4: from the now jaded doctor's perspective. I don't know, well,

1722
01:25:04,920 --> 01:25:07,080
Speaker 4: I did get goosebumps in the end as Josh Raden

1723
01:25:07,160 --> 01:25:12,439
Speaker 4: sings the Sesame Street song and JD says, always play nice,

1724
01:25:12,960 --> 01:25:16,240
Speaker 4: always try your hardest, and it's okay to cry.

1725
01:25:17,280 --> 01:25:20,599
Speaker 5: This is such a classic Bill episode, like, oh my God,

1726
01:25:20,800 --> 01:25:23,479
Speaker 5: like I didn't check to see he wrote and directed

1727
01:25:23,520 --> 01:25:26,840
Speaker 5: it first, so whoever wrote this is a genius. But

1728
01:25:26,960 --> 01:25:28,679
Speaker 5: all the set up was so great and it gets

1729
01:25:28,720 --> 01:25:30,760
Speaker 5: like the heart of Bill Lawrence, which is always like

1730
01:25:30,880 --> 01:25:33,200
Speaker 5: past your torch of knowledge, because I feel like the

1731
01:25:33,560 --> 01:25:35,800
Speaker 5: through line of all of his work is about like,

1732
01:25:35,840 --> 01:25:38,439
Speaker 5: how do you pass like love and knowledge down to

1733
01:25:38,520 --> 01:25:41,040
Speaker 5: the next generation and what does that trouble look like?

1734
01:25:41,720 --> 01:25:46,719
Speaker 3: This the number one lesson, Joah tells Luke Skywalker before

1735
01:25:46,760 --> 01:25:51,479
Speaker 3: he passes away, pass on what you've learned. That is

1736
01:25:51,520 --> 01:25:52,479
Speaker 3: why we are here.

1737
01:25:55,520 --> 01:25:57,000
Speaker 5: Gospel m m.

1738
01:25:58,520 --> 01:26:03,840
Speaker 4: Mm feeling well, I miss you guys, an audience, We

1739
01:26:04,320 --> 01:26:06,760
Speaker 4: are back. We are going to be doing this now

1740
01:26:06,840 --> 01:26:11,120
Speaker 4: because our town is on strike, so we certainly don't well,

1741
01:26:11,120 --> 01:26:14,880
Speaker 4: we'll not have jobs for the foreseeable future. What are

1742
01:26:14,920 --> 01:26:17,200
Speaker 4: some announcements. If you're going to be in the Seattle

1743
01:26:17,200 --> 01:26:19,400
Speaker 4: area on June tenth, please buy a ticket. You get

1744
01:26:19,439 --> 01:26:21,760
Speaker 4: them on ticket Master by putting in fake doctors, it'll

1745
01:26:21,760 --> 01:26:25,720
Speaker 4: come up. There's a few seats left, and hopefully if

1746
01:26:25,720 --> 01:26:29,080
Speaker 4: that goes well and we don't totally embarrass ourselves, we'll

1747
01:26:30,200 --> 01:26:33,320
Speaker 4: do more of them. Thank you all. I just want

1748
01:26:33,360 --> 01:26:36,240
Speaker 4: to say about a good Person. Thank you all for

1749
01:26:36,439 --> 01:26:38,680
Speaker 4: who've watched so far and for all the love. I

1750
01:26:38,720 --> 01:26:42,160
Speaker 4: really really really appreciate you. You can rent it on

1751
01:26:42,640 --> 01:26:46,120
Speaker 4: iTunes or Amazon or any place you rent movies. And

1752
01:26:46,160 --> 01:26:50,639
Speaker 4: two important dates that are coming up May sixteenth, which

1753
01:26:50,720 --> 01:26:53,880
Speaker 4: is when is this episode air? Joel, this is air?

1754
01:26:54,040 --> 01:26:55,200
Speaker 5: Stay May sixteenth.

1755
01:26:55,880 --> 01:27:00,160
Speaker 4: Oh well, guys, guess what today you can buy? You

1756
01:27:00,200 --> 01:27:04,200
Speaker 4: can officially buy a Good Person if you want to

1757
01:27:04,200 --> 01:27:07,680
Speaker 4: own it on iTunes or Amazon or any place you

1758
01:27:07,720 --> 01:27:11,679
Speaker 4: buy movies. And then the next important date is May thirtieth,

1759
01:27:11,760 --> 01:27:14,320
Speaker 4: when the rental price will come down to whatever the

1760
01:27:14,360 --> 01:27:17,320
Speaker 4: low normal rental price is. I realized the rental price

1761
01:27:17,360 --> 01:27:20,120
Speaker 4: is still high. It goes without saying I don't control

1762
01:27:20,160 --> 01:27:21,559
Speaker 4: any of this, but I just want everyone to know

1763
01:27:21,600 --> 01:27:23,760
Speaker 4: the dates. May sixteen so you can own it, which

1764
01:27:23,800 --> 01:27:27,960
Speaker 4: is today, and May thirtieth is not only a rental

1765
01:27:27,960 --> 01:27:31,400
Speaker 4: ble day where the rent officially drops to the lower

1766
01:27:31,840 --> 01:27:33,880
Speaker 4: probably five dollars price, I'm not sure what it is.

1767
01:27:34,120 --> 01:27:35,960
Speaker 4: Also on May thirtieth, if you're someone who likes to

1768
01:27:35,960 --> 01:27:39,719
Speaker 4: buy physical discs, that's when they officially go on sale.

1769
01:27:39,840 --> 01:27:42,800
Speaker 4: The blu ray of a good person, so those are

1770
01:27:43,080 --> 01:27:43,759
Speaker 4: a good person.

1771
01:27:44,680 --> 01:27:48,160
Speaker 3: There's another date that we didn't talk about. We did

1772
01:27:48,200 --> 01:27:50,040
Speaker 3: talk about it, but it doesn't have to do with

1773
01:27:50,080 --> 01:27:52,240
Speaker 3: a good person. But on June tenth, I don't want

1774
01:27:52,280 --> 01:27:53,959
Speaker 3: you all to forget we're going to be in Seattle.

1775
01:27:54,640 --> 01:27:56,960
Speaker 3: Y'all need to come out and see us. Yeah, we

1776
01:27:57,040 --> 01:27:59,559
Speaker 3: got you the tickets left. There's only a few left.

1777
01:28:00,080 --> 01:28:02,519
Speaker 4: Talking about that, you know, and you know about it

1778
01:28:02,520 --> 01:28:03,120
Speaker 4: in the beginning.

1779
01:28:03,120 --> 01:28:05,080
Speaker 3: We talked about it in the beginning. I'm just reiterating

1780
01:28:05,160 --> 01:28:06,599
Speaker 3: everyone they were.

1781
01:28:06,800 --> 01:28:08,040
Speaker 4: Did you do a bong hit? Did you do a

1782
01:28:08,040 --> 01:28:11,400
Speaker 4: bong hit? Below the screens because within these end announcements

1783
01:28:11,479 --> 01:28:15,439
Speaker 4: I mentioned probably less than two minutes ago yes, literally, guys,

1784
01:28:15,479 --> 01:28:16,400
Speaker 4: weed not even once.

1785
01:28:18,800 --> 01:28:22,840
Speaker 3: Listen, guys, yeah, if you want everything to always be

1786
01:28:23,000 --> 01:28:29,960
Speaker 3: like brand new, like you just like yo, live like Memento.

1787
01:28:30,880 --> 01:28:34,600
Speaker 4: We don't know that a good advertisement. Would you like

1788
01:28:34,640 --> 01:28:37,200
Speaker 4: to live like the movie in the Mento? That's how

1789
01:28:37,240 --> 01:28:44,000
Speaker 4: Donald loves all right? Five fucking five fucking six seven

1790
01:28:44,040 --> 01:28:46,439
Speaker 4: are here's some stories I'm.

1791
01:28:46,320 --> 01:28:50,439
Speaker 6: Not sure we made about a bunch of talks and

1792
01:28:50,600 --> 01:28:51,240
Speaker 6: nurses and.

1793
01:28:53,160 --> 01:28:55,760
Speaker 3: He said he's a story net.

1794
01:28:56,760 --> 01:29:02,960
Speaker 6: No, soa around you here, hobby yead around you here, hobbit.

1795
01:29:03,040 --> 01:29:07,759
Speaker 1: Suppose we watch rubies and no, mm hmmm