1 00:00:00,760 --> 00:00:17,680 Speaker 1: I am all in. That's just I am all in 2 00:00:17,960 --> 00:00:21,479 Speaker 1: with Scott Patterson and I heart radio podcast. I will 3 00:00:21,520 --> 00:00:25,040 Speaker 1: tell you this though, I am on the Matt Zukre 4 00:00:25,200 --> 00:00:29,760 Speaker 1: band Way and there there was no there's no room 5 00:00:29,840 --> 00:00:33,080 Speaker 1: on it because it's all Amy's bags on there. It's 6 00:00:33,120 --> 00:00:37,040 Speaker 1: like every every the bandwagon comes by and you want 7 00:00:37,080 --> 00:00:39,000 Speaker 1: to get on it, and it's all the signs. It's 8 00:00:39,040 --> 00:00:43,800 Speaker 1: like reserved for Amy Sugar because there's no space. I know. 9 00:00:44,040 --> 00:00:46,040 Speaker 1: I sometimes I wonder if I'm team Logan or if 10 00:00:46,040 --> 00:00:51,760 Speaker 1: I'm Team Matt Zukari. We're team Matt Zukri, right, I agree. 11 00:00:51,920 --> 00:00:59,680 Speaker 1: Tara was in the room like he' said darling boy? 12 00:01:00,080 --> 00:01:07,959 Speaker 1: Yeah he darling what you know my impressions of him 13 00:01:08,000 --> 00:01:11,000 Speaker 1: and I haven't seen him in all these years and 14 00:01:11,160 --> 00:01:14,320 Speaker 1: he comes in and he is such a you know, 15 00:01:14,400 --> 00:01:22,760 Speaker 1: to coin a term, a menscha. He is a grounded, solid, humble, courteous, 16 00:01:23,640 --> 00:01:28,440 Speaker 1: self deprecating um have I said humble. We also like 17 00:01:28,560 --> 00:01:31,640 Speaker 1: to say aging like a fine wine, because he looks 18 00:01:31,640 --> 00:01:34,640 Speaker 1: exactly the same. I googled how old he hasn't had 19 00:01:34,680 --> 00:01:36,600 Speaker 1: no idea? I was like, I thought he was, like 20 00:01:37,160 --> 00:01:43,160 Speaker 1: it is like thirty. What he's forty five because I 21 00:01:43,280 --> 00:01:46,080 Speaker 1: was curious and I was like, there's no way, but 22 00:01:46,160 --> 00:01:48,920 Speaker 1: he is just like he lights up a room when 23 00:01:48,920 --> 00:01:51,680 Speaker 1: he walks into Like, but but the thing is, he 24 00:01:51,760 --> 00:01:54,680 Speaker 1: doesn't try no, not at all. It's not about ego. 25 00:01:54,800 --> 00:01:57,840 Speaker 1: It's just like, it's just who he is in his essence, 26 00:01:58,640 --> 00:02:01,960 Speaker 1: you know. Oh God, I just I loved interviewing him. 27 00:02:02,040 --> 00:02:06,120 Speaker 1: He is just such a fantastic guy. And I mean, 28 00:02:06,280 --> 00:02:07,680 Speaker 1: you know, when I tweeted out this, you know, and 29 00:02:07,720 --> 00:02:11,880 Speaker 1: I'm I finally got to see the ending of No 30 00:02:12,040 --> 00:02:18,040 Speaker 1: Time to Die on the airplane and I finally saw 31 00:02:18,080 --> 00:02:19,400 Speaker 1: the end of it. Kind of wish I hadn't seen 32 00:02:19,440 --> 00:02:22,760 Speaker 1: the end of it, but I did love the ending 33 00:02:22,800 --> 00:02:25,079 Speaker 1: when you know, I liked how he went down and 34 00:02:25,120 --> 00:02:27,320 Speaker 1: it was very emotional the whole thing. But leading up 35 00:02:27,320 --> 00:02:29,120 Speaker 1: to that, I wasn't so crazy about it. Um but 36 00:02:29,200 --> 00:02:31,240 Speaker 1: the first two and a half hours that movie were superb, 37 00:02:31,360 --> 00:02:35,600 Speaker 1: super anyway. I thought, you know, he's Matt's got some 38 00:02:35,720 --> 00:02:40,040 Speaker 1: qualities that are very similar to Daniel Craig. There's a ground. Ye, 39 00:02:40,280 --> 00:02:42,840 Speaker 1: it's not a totally weird. I couldn't figure out where 40 00:02:42,840 --> 00:02:45,440 Speaker 1: you were going with that. I was like, but yeah, 41 00:02:45,480 --> 00:02:49,280 Speaker 1: that's not that you're yeah right, but Matt looks capable 42 00:02:49,320 --> 00:02:53,840 Speaker 1: of handling any bad guys, any situation, any physical situation. 43 00:02:53,880 --> 00:02:56,560 Speaker 1: And we know he's got the acting chops, right, we 44 00:02:56,639 --> 00:02:58,880 Speaker 1: know he can do that part of it. But he 45 00:02:59,040 --> 00:03:02,120 Speaker 1: draws you in, and that's what's so fascinating. But he 46 00:03:02,160 --> 00:03:04,520 Speaker 1: does draw you in. That's why I love how Tar 47 00:03:04,639 --> 00:03:07,120 Speaker 1: described it. He lights up a room and he really does. 48 00:03:07,280 --> 00:03:12,359 Speaker 1: And you all should watch The Resident because he is badass. 49 00:03:12,560 --> 00:03:17,040 Speaker 1: He is freaking like doctor. I think he's like an 50 00:03:17,120 --> 00:03:21,040 Speaker 1: army vet or Yeah. Actually was like in the with 51 00:03:21,120 --> 00:03:23,440 Speaker 1: his tattoos. I thought those tattoos. I was like, are 52 00:03:23,480 --> 00:03:25,880 Speaker 1: they real? Are they fake? I'm pretty sure they're fake. Well, 53 00:03:25,960 --> 00:03:28,480 Speaker 1: also his outfit that he was wearing at the convention 54 00:03:28,520 --> 00:03:30,640 Speaker 1: you guys were at totally like when he wears on 55 00:03:30,680 --> 00:03:33,200 Speaker 1: the Resident, I was like a tight black shirt. He 56 00:03:33,360 --> 00:03:36,160 Speaker 1: just is uh. I will say there was a charming 57 00:03:36,320 --> 00:03:40,360 Speaker 1: stud There was a moment um. Scott asked me if 58 00:03:40,400 --> 00:03:43,360 Speaker 1: I could ask Matt for like another interview because we 59 00:03:43,360 --> 00:03:45,040 Speaker 1: we got him for like a little bit with like 60 00:03:45,160 --> 00:03:47,440 Speaker 1: you know, all the guys, and then you know, we 61 00:03:47,480 --> 00:03:49,680 Speaker 1: want to get another one, just one on one. And 62 00:03:49,720 --> 00:03:50,720 Speaker 1: I was like Oh my god, how do I go 63 00:03:50,800 --> 00:03:51,920 Speaker 1: up to him? How do I go up to And 64 00:03:51,960 --> 00:03:53,960 Speaker 1: he was just like standing, he was just standing around. 65 00:03:54,280 --> 00:03:56,080 Speaker 1: I was like, hi, Like, I went up to him 66 00:03:56,120 --> 00:03:57,240 Speaker 1: and I was like, you know, I want to know 67 00:03:57,240 --> 00:04:00,200 Speaker 1: if you have like ten minutes, He's like, of worse, 68 00:04:00,360 --> 00:04:02,520 Speaker 1: as long as you want, Like, I'll do it no 69 00:04:02,560 --> 00:04:05,080 Speaker 1: matter what. And then he he went to go do 70 00:04:06,040 --> 00:04:08,960 Speaker 1: meet and greets. The convention came back like two hours later. 71 00:04:09,480 --> 00:04:11,920 Speaker 1: I saw Scott and I and was like, don't worry, 72 00:04:11,920 --> 00:04:14,080 Speaker 1: I'm coming. I was gonna use the restroom, coming right down. 73 00:04:14,160 --> 00:04:16,200 Speaker 1: Like that's the kind of person here. I know, dude, 74 00:04:16,240 --> 00:04:20,560 Speaker 1: he's been forget guy. He's been like that since the 75 00:04:20,600 --> 00:04:23,880 Speaker 1: beginning because we interviewed him back back back when he 76 00:04:24,040 --> 00:04:28,880 Speaker 1: first rolled in as logan. Yeah, he's awesome. I actually 77 00:04:28,880 --> 00:04:33,039 Speaker 1: went back and watched the revival after our weekend in 78 00:04:33,160 --> 00:04:36,359 Speaker 1: South Carolina. I know we'll get to it, but I 79 00:04:36,400 --> 00:04:39,520 Speaker 1: think my mind has changed about the show overall. After 80 00:04:39,640 --> 00:04:44,440 Speaker 1: rewatching the revival, I'm very eager to see I'm eager 81 00:04:44,480 --> 00:04:46,120 Speaker 1: to get to episode five, not that I want to 82 00:04:46,160 --> 00:04:48,080 Speaker 1: rush through it, but I think that's when he appears. 83 00:04:48,440 --> 00:04:52,560 Speaker 1: And season five he comes in. He comes in season five. 84 00:04:52,600 --> 00:04:55,880 Speaker 1: I think like around the second or third episode that's 85 00:04:55,880 --> 00:04:58,479 Speaker 1: going to be fun um. And he was so gracious. 86 00:04:58,480 --> 00:05:01,520 Speaker 1: I mean it was five thirty six o'clock at the 87 00:05:01,680 --> 00:05:04,039 Speaker 1: end of the day. He came in and it ran 88 00:05:04,320 --> 00:05:08,320 Speaker 1: you know, I said, listen, it's gonna bey r And 89 00:05:08,360 --> 00:05:11,040 Speaker 1: I said, listen, I am so sorry for for running 90 00:05:11,040 --> 00:05:13,080 Speaker 1: over he because you know what, Scott, take as much 91 00:05:13,160 --> 00:05:15,160 Speaker 1: time as you want. I will sit here with you 92 00:05:15,880 --> 00:05:18,800 Speaker 1: as long as you want. I love talking and I 93 00:05:18,839 --> 00:05:20,880 Speaker 1: love talking to you and catching up in the whole time. 94 00:05:20,920 --> 00:05:25,800 Speaker 1: I mean, what a guy, what a guy? Man? I 95 00:05:25,839 --> 00:05:28,400 Speaker 1: know you were you nailed it. You you know you 96 00:05:28,920 --> 00:05:34,760 Speaker 1: told me um not being said though not too quickly transition. 97 00:05:35,480 --> 00:05:37,160 Speaker 1: We would never do, we would never think of that. 98 00:05:38,480 --> 00:05:42,520 Speaker 1: I have to say this this episode that we're talking about, 99 00:05:42,520 --> 00:05:48,279 Speaker 1: say good night, Gracie. I thought you were phenomenal, phenomenal. 100 00:05:48,480 --> 00:05:52,680 Speaker 1: You had three scenes that really I kept writing down. 101 00:05:52,720 --> 00:05:57,560 Speaker 1: Excellent scene. The scene right out the gate when you're 102 00:05:58,240 --> 00:06:02,040 Speaker 1: the damage, when you're at the park party number two. 103 00:06:03,520 --> 00:06:10,520 Speaker 1: Rob hastis brilliant casting that scene was phenomenal, from what 104 00:06:10,560 --> 00:06:13,040 Speaker 1: you said to just your body language, your face to 105 00:06:13,200 --> 00:06:17,240 Speaker 1: the scene with Milo like this was your best episode 106 00:06:17,520 --> 00:06:20,599 Speaker 1: of everything we've seen in my opinion, Well thanks, Uh 107 00:06:20,760 --> 00:06:23,520 Speaker 1: you know what, what what can I say? You know, Andy, 108 00:06:23,880 --> 00:06:28,920 Speaker 1: Andy Amy hands me this gold and uh, I just 109 00:06:28,960 --> 00:06:31,160 Speaker 1: tried not to screw it up. I really just you know, 110 00:06:31,200 --> 00:06:33,880 Speaker 1: you you give yourself over to it and you let 111 00:06:33,880 --> 00:06:36,840 Speaker 1: it take you where the words want you to go? 112 00:06:37,440 --> 00:06:40,160 Speaker 1: Do you also where it took me? Think that because 113 00:06:40,240 --> 00:06:42,760 Speaker 1: Jamie babbittt I know she was one of your favorite directors, 114 00:06:43,160 --> 00:06:46,520 Speaker 1: was directing you in this that it helped your performance 115 00:06:47,720 --> 00:06:51,920 Speaker 1: without a question, and you know, working opposite. And another 116 00:06:51,960 --> 00:06:55,240 Speaker 1: thing that I'm discovering about Milo was I'm watching him 117 00:06:55,480 --> 00:06:59,240 Speaker 1: is he's got the same kind of smoothness and quickness 118 00:06:59,400 --> 00:07:03,479 Speaker 1: and fle aim that um that all of those young 119 00:07:03,520 --> 00:07:06,839 Speaker 1: guys have. I mean, they're all so good, but they 120 00:07:06,920 --> 00:07:09,800 Speaker 1: make it look effortless. And that's what I loved about 121 00:07:09,960 --> 00:07:12,680 Speaker 1: Matt too. It was all it's all just so effortless. 122 00:07:13,640 --> 00:07:16,080 Speaker 1: And I you know, I I raved and raved and 123 00:07:16,120 --> 00:07:18,920 Speaker 1: raved about that scene with his father, with Logan, with 124 00:07:19,160 --> 00:07:24,400 Speaker 1: Mr Huntsberger at the the beach House whatever, the Olivia 125 00:07:24,640 --> 00:07:28,160 Speaker 1: John's X beach House, whatever it was. For people listening, 126 00:07:28,160 --> 00:07:30,080 Speaker 1: we haven't gotten to this yet but Scott's talking about 127 00:07:30,120 --> 00:07:32,800 Speaker 1: something that you'll see in the future. Oh yeah, we haven't. 128 00:07:33,720 --> 00:07:39,120 Speaker 1: But I do remember that before right now, I mentioned 129 00:07:39,360 --> 00:07:42,080 Speaker 1: I mentioned that episode because we we rarely went on 130 00:07:42,120 --> 00:07:46,239 Speaker 1: location and here we are in Malibu at this movie 131 00:07:46,280 --> 00:07:49,040 Speaker 1: stars houses singing Olivia in John's house. I believe it was, 132 00:07:49,160 --> 00:07:54,960 Speaker 1: and it was you know you remember that. Um. But anyway, uh, yeah, 133 00:07:55,040 --> 00:07:59,600 Speaker 1: so thank you. Yes, I just listen, Amy, you know, 134 00:07:59,720 --> 00:08:01,960 Speaker 1: just ailed it on these scenes, and I think I 135 00:08:02,040 --> 00:08:05,360 Speaker 1: do agree with you. Rob Estis was the Oh my god, 136 00:08:05,960 --> 00:08:09,120 Speaker 1: he looked like him. Oh my god. Just've seen this 137 00:08:09,160 --> 00:08:12,520 Speaker 1: episode many times, but I think I really focused in 138 00:08:12,560 --> 00:08:15,640 Speaker 1: on Rob on this one for some reason. And he 139 00:08:16,040 --> 00:08:22,360 Speaker 1: really must have watched Milo to be the Father because 140 00:08:22,360 --> 00:08:24,880 Speaker 1: he looks like him. And then obviously in that one 141 00:08:24,920 --> 00:08:27,720 Speaker 1: scene where they're doing the same beat to the music. 142 00:08:28,040 --> 00:08:31,120 Speaker 1: But in other ways, he really had his manner. I 143 00:08:31,160 --> 00:08:34,559 Speaker 1: thought he was amazing. Yeah, so listen before we get 144 00:08:34,600 --> 00:08:38,559 Speaker 1: too deep, let's uh, let's uh, let's get the synopsis. 145 00:08:38,679 --> 00:08:43,200 Speaker 1: Is Danielle. Yeah, this is season three, episode twenty, say 146 00:08:43,240 --> 00:08:46,040 Speaker 1: good Night to not too Grazy. Just say good night 147 00:08:46,120 --> 00:08:53,440 Speaker 1: Grazy three. Um, this is another episode with so much 148 00:08:53,440 --> 00:08:56,439 Speaker 1: happening but the day after the party, Rory and Jess's 149 00:08:56,520 --> 00:09:00,320 Speaker 1: relationship comes to a standstill. Well, Dean shares some big 150 00:09:00,400 --> 00:09:03,280 Speaker 1: news for him and Lindsay. Luke and Jess gin into 151 00:09:03,320 --> 00:09:06,160 Speaker 1: a huge fight, while Jess's real dad makes an appearance, 152 00:09:06,400 --> 00:09:08,480 Speaker 1: all leading up to Jess taking off on a bus 153 00:09:08,520 --> 00:09:11,520 Speaker 1: at the end of the episode. Meanwhile, Mrs Kim is 154 00:09:11,559 --> 00:09:15,880 Speaker 1: acting strange. After Lane's drunk phone call, Dave proclaims his 155 00:09:16,000 --> 00:09:18,080 Speaker 1: love for Lane. It ends up being a victory for 156 00:09:18,120 --> 00:09:21,560 Speaker 1: them both. Plus Fran the owner of the Dragonfly and dies, 157 00:09:21,760 --> 00:09:24,200 Speaker 1: and Suki and Lorelai make a move to try to 158 00:09:24,240 --> 00:09:27,360 Speaker 1: buy it. Can I just make one comment, really fat 159 00:09:28,240 --> 00:09:30,720 Speaker 1: if I have the DVDs and I read these synopsis, 160 00:09:30,920 --> 00:09:33,760 Speaker 1: I think I'd be pissed, like they're we telling too 161 00:09:33,880 --> 00:09:38,360 Speaker 1: much in the Do the DVD say them? I don't 162 00:09:38,360 --> 00:09:41,160 Speaker 1: know where do these or is this just something that's 163 00:09:41,200 --> 00:09:43,160 Speaker 1: on the internet. But it's not like I have the 164 00:09:43,240 --> 00:09:46,480 Speaker 1: DVDs behind me. Grab oh, I learned, we write it? Okay? 165 00:09:46,520 --> 00:09:52,400 Speaker 1: Got it? Is? This? Is it? Plural? Synopsis is not synopsis? Synopsis? 166 00:09:52,920 --> 00:09:57,880 Speaker 1: Synopsis is the plural. No, there's just when I read 167 00:09:57,920 --> 00:10:03,079 Speaker 1: these synopsis is it says when I read the synopsis 168 00:10:03,200 --> 00:10:09,360 Speaker 1: or SYNOPSI it's not synopsisis like you'd say when I 169 00:10:09,400 --> 00:10:12,600 Speaker 1: read this paragraph, when I read this synopsis? But what 170 00:10:12,679 --> 00:10:18,280 Speaker 1: about when I read the synopsis? Is No, there's no synopsis. Oh, 171 00:10:18,320 --> 00:10:27,400 Speaker 1: I see someone's telling synopsis. Synopsis is the plural, Daniel Red, 172 00:10:27,679 --> 00:10:31,679 Speaker 1: I just yeah, okay, um yeah, I want to know 173 00:10:31,760 --> 00:10:35,600 Speaker 1: your overall thoughts. Give us everything. I love the episode. 174 00:10:35,760 --> 00:10:39,360 Speaker 1: I really love the episode. Um. It moved along at 175 00:10:39,400 --> 00:10:42,720 Speaker 1: a at a nice pace. It wasn't too rushed. Um. 176 00:10:43,440 --> 00:10:47,280 Speaker 1: I thought I had some really really really devastating moments. Um. 177 00:10:48,480 --> 00:10:51,960 Speaker 1: I thought alexis uh it was some of her best 178 00:10:52,040 --> 00:10:54,040 Speaker 1: work because she got a little agitated in the car 179 00:10:54,160 --> 00:10:56,160 Speaker 1: with her mom and she was confused about Jess and 180 00:10:56,240 --> 00:10:59,160 Speaker 1: what's going on. And Dean, you know, told me he's 181 00:10:59,200 --> 00:11:05,160 Speaker 1: getting married to Jingle. What's her name, lind Lindsay? Sorry? Sorry, sorry, sorry, 182 00:11:06,280 --> 00:11:09,760 Speaker 1: I'm screwing up names. Yeah, I'm just screwing up. Sorry 183 00:11:09,760 --> 00:11:14,599 Speaker 1: about that. Not Tricksy. What's her name? Sorry? Tricks No? No, no, 184 00:11:15,080 --> 00:11:22,680 Speaker 1: h Lindsay Lindsay, do you just trick grandma? He said 185 00:11:22,720 --> 00:11:25,280 Speaker 1: Tricksy and I was like, wait, she's not She hasn't 186 00:11:25,320 --> 00:11:28,120 Speaker 1: been in a lot of scenes, so it's you know, lindsay, 187 00:11:28,160 --> 00:11:31,760 Speaker 1: yeah right, it's a quick marriage, right right, So like 188 00:11:31,840 --> 00:11:34,000 Speaker 1: I think you just met her, dude. But okay, okay, 189 00:11:34,120 --> 00:11:36,880 Speaker 1: So anyway, I thought it was a wonderful episode. I 190 00:11:37,480 --> 00:11:40,880 Speaker 1: I didn't find too many flaws. Uh none that I 191 00:11:40,960 --> 00:11:44,280 Speaker 1: can remember. Really, Yeah. I think I had one, which 192 00:11:44,320 --> 00:11:47,640 Speaker 1: it will get to. But but you know how it 193 00:11:47,760 --> 00:11:52,200 Speaker 1: starts out, is uh Amy take us through it? Well, 194 00:11:52,800 --> 00:11:56,400 Speaker 1: we start right out the gate, which I liked that 195 00:11:56,520 --> 00:12:01,040 Speaker 1: it was very um backs right up to the episode prior, 196 00:12:01,120 --> 00:12:03,760 Speaker 1: which I did see people on Instagram actually saying you 197 00:12:03,880 --> 00:12:07,560 Speaker 1: really need to watch these two together, which they are 198 00:12:07,720 --> 00:12:09,679 Speaker 1: right back. And I went back and watched the end 199 00:12:09,760 --> 00:12:13,160 Speaker 1: of the last one smart. So we are at the party. 200 00:12:13,200 --> 00:12:18,760 Speaker 1: We're cleaning up, Rory's got the barfie backpack. Um Laurela is. 201 00:12:19,320 --> 00:12:22,360 Speaker 1: I literally love her because she is the one parent 202 00:12:22,559 --> 00:12:25,920 Speaker 1: that's like, you go girls. She stoked her kid was 203 00:12:25,960 --> 00:12:30,439 Speaker 1: at a wild party. Did you ever know? You know? 204 00:12:30,640 --> 00:12:33,079 Speaker 1: I think that that was one of the better openings 205 00:12:33,520 --> 00:12:36,959 Speaker 1: of this show because it showed it showed Luke in 206 00:12:37,120 --> 00:12:40,680 Speaker 1: his element being Luke. It showed Rory and her element 207 00:12:40,800 --> 00:12:43,520 Speaker 1: sort of being Oh God, dear in the headlights, Um, 208 00:12:44,160 --> 00:12:46,480 Speaker 1: what have I done? And it showed Laurela and all 209 00:12:46,559 --> 00:12:49,240 Speaker 1: of her glory, all of her comedic glory with with 210 00:12:49,440 --> 00:12:53,040 Speaker 1: when she started singing the song she was it was funny. Yeah, 211 00:12:53,679 --> 00:13:02,160 Speaker 1: it was all good. And I think this episode's so 212 00:13:02,240 --> 00:13:04,640 Speaker 1: if we call this episode of drama, this episode had 213 00:13:04,800 --> 00:13:08,800 Speaker 1: more drama, but it did have comedy where some episodes 214 00:13:08,880 --> 00:13:14,439 Speaker 1: have more comedy. But anyway, so I literally Lucas hilarious 215 00:13:14,679 --> 00:13:19,160 Speaker 1: because he's just on his tirade about this nightmare. And 216 00:13:19,280 --> 00:13:23,160 Speaker 1: then you do have a very iconic walk. Is that 217 00:13:23,480 --> 00:13:27,280 Speaker 1: walk intentional or is it just like that's how your 218 00:13:27,320 --> 00:13:29,640 Speaker 1: body moves. So I did notice the walk when I 219 00:13:29,840 --> 00:13:32,480 Speaker 1: left that scene and started walking into the house, and 220 00:13:32,600 --> 00:13:35,679 Speaker 1: it was and I remember making the choice when I 221 00:13:35,720 --> 00:13:39,480 Speaker 1: saw the walk, Oh, do a slow walk because you 222 00:13:39,640 --> 00:13:41,559 Speaker 1: don't want to go in there. It's not like you're 223 00:13:41,640 --> 00:13:44,400 Speaker 1: rushing to get in there to pay write somebody a check. 224 00:13:44,840 --> 00:13:50,120 Speaker 1: You know, right now you have a very distinct finger 225 00:13:50,240 --> 00:13:54,800 Speaker 1: point too. I don't know what it is, but you 226 00:13:54,960 --> 00:13:56,760 Speaker 1: do it, and you do it on the zoom too, 227 00:13:57,280 --> 00:14:03,480 Speaker 1: like it's so luke. But that's you know, that's just 228 00:14:03,679 --> 00:14:07,319 Speaker 1: really part of the job. Right. It's part of the 229 00:14:07,400 --> 00:14:11,679 Speaker 1: acting assignment is get the walk right up to the 230 00:14:11,800 --> 00:14:14,480 Speaker 1: house because you're not in the scene anymore, but they 231 00:14:14,600 --> 00:14:17,439 Speaker 1: see you and you're still in the scene, so you 232 00:14:17,559 --> 00:14:19,560 Speaker 1: still have to do your part. So how are you 233 00:14:19,640 --> 00:14:22,680 Speaker 1: going to walk up that walkway to the house And 234 00:14:22,760 --> 00:14:24,880 Speaker 1: it's like, you know, go walk into the gallows because 235 00:14:24,920 --> 00:14:27,960 Speaker 1: you know you're only get hung. Well, I thought it 236 00:14:28,080 --> 00:14:31,160 Speaker 1: was I've seen the walk before, but it's very perfect 237 00:14:31,280 --> 00:14:37,320 Speaker 1: in this scene. Um. I thought interestingly that lor Lie 238 00:14:37,360 --> 00:14:40,320 Speaker 1: and Rory look amazing in this scene. Their hair is amazing, 239 00:14:40,400 --> 00:14:43,720 Speaker 1: their outfits were amazing. And I do love I do 240 00:14:43,840 --> 00:14:46,680 Speaker 1: have a fashion question that we'll get to. Um, maybe 241 00:14:46,720 --> 00:14:49,120 Speaker 1: all this usk it now the red coat when we 242 00:14:49,160 --> 00:14:50,720 Speaker 1: get to the funeral scene. I really want to talk 243 00:14:50,760 --> 00:14:54,280 Speaker 1: about the red coat. But anyway, back on this, they 244 00:14:54,440 --> 00:14:58,240 Speaker 1: looked great. You're mad, you know, and and so it's 245 00:14:58,280 --> 00:15:02,040 Speaker 1: all this sort of juxtaposition of everything going on. And 246 00:15:02,080 --> 00:15:04,640 Speaker 1: I also thought it was the worst Luke flannel that 247 00:15:04,720 --> 00:15:07,240 Speaker 1: I ever wore in any episode. I did not like 248 00:15:07,440 --> 00:15:09,800 Speaker 1: that flannel. It didn't fit right. It was too small, 249 00:15:09,920 --> 00:15:12,120 Speaker 1: so it bunched up my shoulders and it wasn't comfortable. 250 00:15:12,840 --> 00:15:18,440 Speaker 1: Lauren Graham plays this so perfectly because you're just like, 251 00:15:18,520 --> 00:15:21,640 Speaker 1: oh my god, she doesn't give a bleep that Rory 252 00:15:21,720 --> 00:15:23,560 Speaker 1: went to this party, and then it all turned into 253 00:15:23,600 --> 00:15:27,720 Speaker 1: a big giant ker fluffle fuffle. Even I thought she 254 00:15:27,880 --> 00:15:29,800 Speaker 1: was maybe going to be more piste when she finds 255 00:15:29,840 --> 00:15:32,760 Speaker 1: out that Dean and Jess were the ones fighting, and 256 00:15:32,920 --> 00:15:36,360 Speaker 1: so you just get the total that Midler song, and 257 00:15:36,440 --> 00:15:38,680 Speaker 1: I just was like, she's just proud that Rory went 258 00:15:38,760 --> 00:15:42,160 Speaker 1: to like a real high school party. Probably yeah, right 259 00:15:42,200 --> 00:15:47,680 Speaker 1: when you were fighting over right. Although I was waiting 260 00:15:47,760 --> 00:15:50,440 Speaker 1: for the moment for Rory to be like no, mom, 261 00:15:50,800 --> 00:15:53,600 Speaker 1: Like this was traumatic, you know, like because when she 262 00:15:53,640 --> 00:15:57,240 Speaker 1: went through thematic, you know, and I was waiting for 263 00:15:57,320 --> 00:16:00,160 Speaker 1: that to happen, But it was more like, oh, two 264 00:16:00,200 --> 00:16:02,400 Speaker 1: boys were fighting over it for you, over you at 265 00:16:02,440 --> 00:16:05,680 Speaker 1: the high school party. You know. You make a great point, Danielle, 266 00:16:05,680 --> 00:16:08,360 Speaker 1: because I think that's why we get the scene in 267 00:16:08,400 --> 00:16:12,600 Speaker 1: the jeep, because she's just dealing with all this build 268 00:16:12,680 --> 00:16:15,520 Speaker 1: up through all of it. He tried to buckle her 269 00:16:15,560 --> 00:16:18,720 Speaker 1: pants and it was that's traumatic, you know. She said 270 00:16:18,760 --> 00:16:22,560 Speaker 1: no and he kept going right, so yeah, I mean, 271 00:16:24,280 --> 00:16:26,560 Speaker 1: and then he got mad when he got rejected which 272 00:16:26,760 --> 00:16:30,800 Speaker 1: Lorala I said, well, that makes him a jerk, you know, correct, 273 00:16:32,040 --> 00:16:39,280 Speaker 1: although it's a very complicated situation. That scene from the 274 00:16:39,360 --> 00:16:43,040 Speaker 1: previous episode is extremely complicated and people do really want 275 00:16:43,120 --> 00:16:49,040 Speaker 1: us to have a conversation about that scene. Jess is complicated, 276 00:16:50,360 --> 00:16:54,920 Speaker 1: Jess is grappling, and that doesn't excuse the behavior or 277 00:16:55,960 --> 00:17:02,920 Speaker 1: how it made Rory feel. But I also think I 278 00:17:03,000 --> 00:17:07,120 Speaker 1: think Rory at it best. Rory said there's something going 279 00:17:07,240 --> 00:17:10,359 Speaker 1: on with him, and you can see that in that scene, 280 00:17:10,560 --> 00:17:14,760 Speaker 1: you know, like like I don't think that is Jess 281 00:17:15,680 --> 00:17:19,960 Speaker 1: in the scene, like as unexcusable as his behavior was, 282 00:17:20,080 --> 00:17:23,160 Speaker 1: Like you can tell as a as a viewer, something 283 00:17:24,200 --> 00:17:26,879 Speaker 1: is going on in Jess's head, and Rory is acknowledging 284 00:17:26,960 --> 00:17:30,240 Speaker 1: that too, so you know that there's something deep her 285 00:17:30,400 --> 00:17:33,879 Speaker 1: to this action that he's doing. Right, she acknowledges it 286 00:17:34,440 --> 00:17:37,159 Speaker 1: in the jeep when she says he got mad at 287 00:17:37,200 --> 00:17:39,640 Speaker 1: me or he wasn't mad at me, or he's mad? 288 00:17:40,000 --> 00:17:42,600 Speaker 1: Why is he mad? What is he mad at? Why 289 00:17:42,720 --> 00:17:46,919 Speaker 1: is he mad at me? And that was like sums 290 00:17:47,000 --> 00:17:50,600 Speaker 1: up so much of it. What a mess. She doesn't understand, 291 00:17:50,640 --> 00:17:52,840 Speaker 1: she don't understand where his rage comes from. And that 292 00:17:52,960 --> 00:17:56,240 Speaker 1: comes from being abandoned. I also think what's so important 293 00:17:56,240 --> 00:17:59,520 Speaker 1: about that is like she thinks it's her fault when 294 00:17:59,560 --> 00:18:03,320 Speaker 1: it's not. And I think that's why people because she 295 00:18:03,440 --> 00:18:06,199 Speaker 1: doesn't understand where the rage comes from. Because he has 296 00:18:06,240 --> 00:18:08,760 Speaker 1: been abandoned by both of his parents, So he's angry. 297 00:18:08,840 --> 00:18:11,840 Speaker 1: He doesn't fit in, and he doesn't want to fit in, 298 00:18:12,160 --> 00:18:13,920 Speaker 1: and he doesn't know how to fit in if he 299 00:18:14,000 --> 00:18:17,040 Speaker 1: wanted to fit in, So his behavior is aberant and 300 00:18:17,720 --> 00:18:20,560 Speaker 1: and the anger spills out in these high pressure situations. 301 00:18:20,600 --> 00:18:22,760 Speaker 1: And he's trying to be intimate and it's the one 302 00:18:22,880 --> 00:18:25,919 Speaker 1: person that he feels that understands him and he can trust. 303 00:18:26,400 --> 00:18:29,560 Speaker 1: And she rejects him too, so of course he's going 304 00:18:29,600 --> 00:18:32,240 Speaker 1: to get angry. But as a female, she she thinks 305 00:18:32,280 --> 00:18:34,359 Speaker 1: that it's her fault, and I think that's that's a 306 00:18:34,400 --> 00:18:37,840 Speaker 1: really big importance. She doesn't understand all that, right, but 307 00:18:38,000 --> 00:18:40,200 Speaker 1: she thinks also it could be like maybe because she 308 00:18:40,359 --> 00:18:42,960 Speaker 1: said no, maybe because she stopped him that, Like he's 309 00:18:43,000 --> 00:18:45,960 Speaker 1: mad because of that. Like it's a it's a domino 310 00:18:46,000 --> 00:18:49,800 Speaker 1: effect of just like rage, and that's a common thing 311 00:18:49,880 --> 00:18:54,520 Speaker 1: that young women especially experience, thinking they're mad at me 312 00:18:54,640 --> 00:18:58,960 Speaker 1: because I said no. Or they have shame or blame themselves, 313 00:18:59,080 --> 00:19:01,760 Speaker 1: or all these many things. I think one of the 314 00:19:01,840 --> 00:19:05,359 Speaker 1: things that we have to also understand is Jess is 315 00:19:05,480 --> 00:19:11,159 Speaker 1: so extraordinarily disappointed in himself because he not only is 316 00:19:11,200 --> 00:19:14,120 Speaker 1: he not graduating, which is a total f and disaster, right, 317 00:19:14,640 --> 00:19:18,080 Speaker 1: he cannot give Rory, this person he loves. The one 318 00:19:18,200 --> 00:19:20,479 Speaker 1: thing she wants and it may seem trivial to us, 319 00:19:20,760 --> 00:19:25,680 Speaker 1: the prom. He is devastated about not being able to 320 00:19:25,800 --> 00:19:27,600 Speaker 1: take her to the prom, which is why it's the 321 00:19:27,680 --> 00:19:31,119 Speaker 1: one thing he mentions. He's just it's an epic fail. 322 00:19:31,280 --> 00:19:35,280 Speaker 1: He feels like a complete failure in every aspect of 323 00:19:35,440 --> 00:19:39,199 Speaker 1: his life. You know, feel bad, feel bad for him, 324 00:19:39,440 --> 00:19:43,800 Speaker 1: And that last scene was devastating, really and I felt 325 00:19:44,400 --> 00:19:52,680 Speaker 1: horrible for Rory. I mean it is teen angst yea completely. 326 00:19:52,880 --> 00:19:55,920 Speaker 1: But this is why go ahead, sorry, no, you go no. 327 00:19:56,200 --> 00:19:58,000 Speaker 1: This is why Laurela I wanted her to stay away 328 00:19:58,000 --> 00:20:01,320 Speaker 1: from him. She understands this, She knows what she's going 329 00:20:01,400 --> 00:20:03,199 Speaker 1: to have to deal with with a kid that's been 330 00:20:03,240 --> 00:20:06,280 Speaker 1: rejected by his father, who was his father walked out 331 00:20:06,320 --> 00:20:09,800 Speaker 1: on when he was born, and his mother kicked him 332 00:20:09,800 --> 00:20:12,840 Speaker 1: out of the house, couldn't deal with him, that's that's 333 00:20:12,880 --> 00:20:16,760 Speaker 1: a recipe for disaster. Laura Lai knows this. And I 334 00:20:16,880 --> 00:20:21,840 Speaker 1: thought Laura Lae in the jeep handled that whole situation 335 00:20:23,480 --> 00:20:28,160 Speaker 1: so well. Also made me laugh because she's also ya, 336 00:20:28,240 --> 00:20:30,320 Speaker 1: so what happened, like you know, she really wants to know, 337 00:20:30,480 --> 00:20:33,480 Speaker 1: like what happened in the room, but you know, so 338 00:20:33,600 --> 00:20:36,000 Speaker 1: she's getting her information, but she also handled it. And 339 00:20:37,040 --> 00:20:39,879 Speaker 1: just as Rory says, I don't want to talk about 340 00:20:39,920 --> 00:20:43,000 Speaker 1: it anymore, Laura Lai, they continue to talk about it. 341 00:20:43,080 --> 00:20:46,760 Speaker 1: I just thought that scene is so authentic to like 342 00:20:47,400 --> 00:20:55,600 Speaker 1: their mother daughter relationship. Yeah, I listen. You know when 343 00:20:55,680 --> 00:20:59,800 Speaker 1: a girl says no, that means no. It just does. 344 00:21:00,240 --> 00:21:02,080 Speaker 1: And it doesn't mean that there has to be a 345 00:21:02,160 --> 00:21:04,320 Speaker 1: lack of intimacy in that moment. It's just a guy 346 00:21:05,359 --> 00:21:09,879 Speaker 1: slowing down, taking a breath and respecting the woman, you know. 347 00:21:10,200 --> 00:21:16,440 Speaker 1: And he because he was overwhelmed by yes, loss, and 348 00:21:17,000 --> 00:21:20,879 Speaker 1: he's confusing and yes, he's in deep, deep pain and 349 00:21:20,960 --> 00:21:23,080 Speaker 1: he's acting it out all over the place. I thought 350 00:21:23,200 --> 00:21:29,320 Speaker 1: that Rory made such an important point in that bedroom 351 00:21:29,480 --> 00:21:34,480 Speaker 1: scene saying it was never going to happen like this 352 00:21:35,119 --> 00:21:39,879 Speaker 1: at the drunk e messy party in like someone's I 353 00:21:39,920 --> 00:21:41,600 Speaker 1: don't even know if that was like the parents room 354 00:21:41,640 --> 00:21:44,040 Speaker 1: or the guest room at like Kyle's house. It's like 355 00:21:44,800 --> 00:21:48,000 Speaker 1: that to me was where she made such a point, 356 00:21:48,080 --> 00:21:50,840 Speaker 1: like she was never saying like I don't love you. 357 00:21:51,280 --> 00:21:54,920 Speaker 1: She was never even saying I'm never doing this with you. 358 00:21:55,400 --> 00:21:58,240 Speaker 1: It was like, this is not the way this is 359 00:21:58,320 --> 00:22:02,320 Speaker 1: going to go for or me or us. When you 360 00:22:02,760 --> 00:22:05,280 Speaker 1: and you look and you look at what Dean did 361 00:22:05,400 --> 00:22:07,720 Speaker 1: for her when they were together. I mean he made 362 00:22:07,840 --> 00:22:12,720 Speaker 1: everything special, didn't he. I mean he really, he really did, 363 00:22:13,280 --> 00:22:19,160 Speaker 1: And now she's not getting that. So yeah, it's really 364 00:22:19,800 --> 00:22:26,160 Speaker 1: tough position to be in for stuff, Danielle. I need 365 00:22:26,240 --> 00:22:29,399 Speaker 1: to know something from you. Did you know when that 366 00:22:29,600 --> 00:22:32,080 Speaker 1: dude was sitting there having coffee in the diner and 367 00:22:32,160 --> 00:22:34,520 Speaker 1: we'll go back and get into the order again. But no, 368 00:22:34,800 --> 00:22:37,240 Speaker 1: the answer is no, I didn't think what kind of 369 00:22:37,320 --> 00:22:38,960 Speaker 1: were you thinking? Were you just like this is just 370 00:22:39,000 --> 00:22:45,280 Speaker 1: a random customer that looks like a very famous person. Yeah, No, 371 00:22:45,480 --> 00:22:50,520 Speaker 1: I didn't think anything much of it until until Luke 372 00:22:50,560 --> 00:22:53,560 Speaker 1: showed up at the apartment, so like, and then it clicked, 373 00:22:53,840 --> 00:22:55,520 Speaker 1: like as soon as Luke was in there being like, 374 00:22:55,800 --> 00:22:59,040 Speaker 1: hey dude, I was like, oh, I know who that is. 375 00:22:59,520 --> 00:23:02,040 Speaker 1: But in the beginning, when they were just when it was, 376 00:23:02,160 --> 00:23:04,639 Speaker 1: you know, at the diner and Jess was waiting on 377 00:23:04,840 --> 00:23:08,240 Speaker 1: him and the coffee and him being like a prickly customer, 378 00:23:08,400 --> 00:23:10,960 Speaker 1: I just took it for what the scene was. He 379 00:23:11,119 --> 00:23:14,680 Speaker 1: was a prickly customer and whatever. But at the end, 380 00:23:15,040 --> 00:23:17,440 Speaker 1: you know, when we saw Luke had that confrontation with him, 381 00:23:17,520 --> 00:23:21,080 Speaker 1: I was like, oh, can I throw one plot hole? 382 00:23:21,640 --> 00:23:25,600 Speaker 1: How did Luke know where Jimmy was staying? Because it's 383 00:23:25,600 --> 00:23:32,600 Speaker 1: a small town, there's only so many But it's like, 384 00:23:32,840 --> 00:23:35,359 Speaker 1: you know, he well he had his driver's license right, 385 00:23:35,400 --> 00:23:38,200 Speaker 1: so that's his home address in California. Yeah, I know, 386 00:23:38,480 --> 00:23:41,639 Speaker 1: but it's maybe there was a receipt in there for 387 00:23:41,760 --> 00:23:44,320 Speaker 1: the hotel check in and where wherever we bet breakfast? 388 00:23:44,560 --> 00:23:48,280 Speaker 1: I mean, how many places are a small town right independently? 389 00:23:48,600 --> 00:23:51,920 Speaker 1: Maybe one other place. One thing is I was shocked. 390 00:23:52,280 --> 00:23:53,879 Speaker 1: I think the reason why I didn't think much of it. 391 00:23:54,280 --> 00:23:57,600 Speaker 1: I was shocked that that Luke didn't know it was 392 00:23:57,680 --> 00:24:00,600 Speaker 1: him right away, like when he first glanced at the table. 393 00:24:01,000 --> 00:24:04,040 Speaker 1: So I was like, maybe that's why I didn't think 394 00:24:04,119 --> 00:24:07,440 Speaker 1: much of it, because he didn't do anything did you 395 00:24:07,600 --> 00:24:12,040 Speaker 1: see him though? Did Luke see Jimmy, because only Milo 396 00:24:12,280 --> 00:24:15,920 Speaker 1: saw Jimmy. When did Jimmy leave the diner because Luke 397 00:24:16,000 --> 00:24:19,240 Speaker 1: found the wallet? Well, he got up and left. But 398 00:24:20,040 --> 00:24:22,399 Speaker 1: but Luke saw that. Luke saw this, But did he 399 00:24:22,480 --> 00:24:24,879 Speaker 1: maybe just see him quickly from the back, Like we 400 00:24:24,960 --> 00:24:27,400 Speaker 1: need to rewatch that scene with that in mind, because 401 00:24:27,760 --> 00:24:31,440 Speaker 1: he probably probably saw the back of him. Yeah, but yeah, 402 00:24:31,600 --> 00:24:33,560 Speaker 1: I don't think he sold his face now and then 403 00:24:33,680 --> 00:24:41,000 Speaker 1: obviously the driver's license, says Jimmy Marrinano Mariano. Jess Marianna, 404 00:24:41,040 --> 00:24:46,600 Speaker 1: Am I saying that? Right? Yeah? And so he's like WTF, right? 405 00:24:47,240 --> 00:24:50,399 Speaker 1: But yeah, another small plot hole. Wouldn't he have been like? 406 00:24:51,359 --> 00:24:55,680 Speaker 1: Because I get why my Milo, I get why Jess 407 00:24:55,720 --> 00:24:57,760 Speaker 1: doesn't know because he hasn't seen him since he was 408 00:24:58,040 --> 00:25:01,000 Speaker 1: a baby, so he would not know what he looked like. 409 00:25:01,080 --> 00:25:03,639 Speaker 1: But there isn't a photo around at all. He's never 410 00:25:03,720 --> 00:25:06,120 Speaker 1: been like, what does my dad look like? Plot twist 411 00:25:06,160 --> 00:25:08,720 Speaker 1: number two. Do we think he left his wallet on 412 00:25:08,800 --> 00:25:12,720 Speaker 1: purpose hoping that Jess would see it? That's a good point, 413 00:25:13,400 --> 00:25:17,240 Speaker 1: great question, But I think I know. I think he 414 00:25:17,400 --> 00:25:19,440 Speaker 1: was being hassled out of there. He's been run out 415 00:25:19,440 --> 00:25:22,160 Speaker 1: of there. You know, I think I have a small 416 00:25:22,280 --> 00:25:24,280 Speaker 1: plot hole. Guys, we got to talk about this. Jess 417 00:25:24,400 --> 00:25:26,639 Speaker 1: was really on him to order something, and he was 418 00:25:26,720 --> 00:25:30,440 Speaker 1: being mean to a customer. And that's what Liz doesn't 419 00:25:30,480 --> 00:25:33,920 Speaker 1: have any photos of Jimmy. It's not like they didn't 420 00:25:33,960 --> 00:25:38,960 Speaker 1: know who. We all know. That doesn't totally track for 421 00:25:39,080 --> 00:25:41,159 Speaker 1: me that Jess never was like, mom, what does my 422 00:25:41,240 --> 00:25:43,920 Speaker 1: dad look like? Here's a photo. My dad doesn't look 423 00:25:44,000 --> 00:25:48,040 Speaker 1: like he looks years ago. But but Jess also doesn't 424 00:25:48,040 --> 00:25:50,120 Speaker 1: really care. He's just trying to like get the job done. 425 00:25:50,160 --> 00:25:52,119 Speaker 1: He's like, what do you want, let me order your food. 426 00:25:52,200 --> 00:25:54,960 Speaker 1: Here you go. He's not really like paying attention to that, right, 427 00:25:55,080 --> 00:25:58,639 Speaker 1: good point. Good point. And plus it's been what e 428 00:25:58,920 --> 00:26:02,720 Speaker 1: seventeen years and he probably well, he probably looked pretty 429 00:26:02,760 --> 00:26:05,360 Speaker 1: much the same. Robes looks like he aged very well. 430 00:26:05,560 --> 00:26:11,080 Speaker 1: Oh my god, is being more hot? I love Robes 431 00:26:11,440 --> 00:26:16,600 Speaker 1: and I've never noticed until this, literally Milo he looks 432 00:26:16,680 --> 00:26:20,159 Speaker 1: like Milo he does? They do look similar. It was 433 00:26:20,240 --> 00:26:24,119 Speaker 1: great casting. Speaking of this scene, Um, when we were 434 00:26:24,119 --> 00:26:27,000 Speaker 1: at the convention, there was a fan that came up 435 00:26:27,080 --> 00:26:31,359 Speaker 1: to me and told me something that, Um, this is 436 00:26:31,359 --> 00:26:33,640 Speaker 1: not going to spoil anything for Danielle, but Amy, maybe 437 00:26:33,680 --> 00:26:36,560 Speaker 1: you would know the candy Man song from Willy Wonka 438 00:26:36,640 --> 00:26:38,440 Speaker 1: has an ongoing theme. Do you know what it is? 439 00:26:38,720 --> 00:26:40,440 Speaker 1: Don't you mean when Taylor comes in and he's like, 440 00:26:40,520 --> 00:26:45,000 Speaker 1: the candy Man can the candy Man can? Yeah, it 441 00:26:45,160 --> 00:26:47,320 Speaker 1: comes up again later on and so like, I'll bring 442 00:26:47,359 --> 00:26:49,199 Speaker 1: it up then. But I noticed it because a fan 443 00:26:49,320 --> 00:26:52,800 Speaker 1: told me, She's like, this is a reoccurring thing in 444 00:26:52,960 --> 00:26:54,440 Speaker 1: the show, and I had no idea. It was a 445 00:26:54,920 --> 00:26:59,000 Speaker 1: fascinating Wait, she shouldn't text you, text you on the side. Yeah, yeah, 446 00:26:59,040 --> 00:27:00,760 Speaker 1: I need to know because we got to talk about 447 00:27:00,800 --> 00:27:03,760 Speaker 1: that whole freaky thing with Taylor and those kind of 448 00:27:04,320 --> 00:27:14,080 Speaker 1: freaky looking dolls next to him, the whole thing. Okay, 449 00:27:14,119 --> 00:27:17,840 Speaker 1: So we go to the inn and on the topic 450 00:27:17,920 --> 00:27:21,120 Speaker 1: of the inn, it was burned down two episodes ago. 451 00:27:21,840 --> 00:27:23,720 Speaker 1: It still doesn't have a kitchen, though I think the 452 00:27:23,840 --> 00:27:30,600 Speaker 1: issue is there. They fixed up the main lobby or whatever. Fast, right, 453 00:27:31,000 --> 00:27:35,680 Speaker 1: it's very fast. That's called TV. We fought. This is 454 00:27:35,680 --> 00:27:38,159 Speaker 1: where we sort of learned that Rory has reconnected with 455 00:27:38,200 --> 00:27:44,560 Speaker 1: the grandparents, because you know, Suki Jackson's out of town sidebar. 456 00:27:44,680 --> 00:27:48,640 Speaker 1: Did everybody's spot who I'm jumping ahead, but does everybody 457 00:27:48,720 --> 00:27:51,399 Speaker 1: know who the guy is in the suit with the 458 00:27:51,880 --> 00:28:00,800 Speaker 1: at the funeral? Yeah, Melissa Carthy's husband. Yeah, I wrote it. 459 00:28:01,359 --> 00:28:04,560 Speaker 1: That's so cool. And there is a scene where when 460 00:28:04,640 --> 00:28:09,000 Speaker 1: they're walking with the casket. Did anyone notice that you 461 00:28:09,119 --> 00:28:13,760 Speaker 1: see Melissa looking at him so lovingly and crush ele 462 00:28:14,080 --> 00:28:16,640 Speaker 1: that you're like, oh my god, you can't stop yourself. Okay. 463 00:28:16,760 --> 00:28:19,800 Speaker 1: So often though, they appear in each other's projects, which 464 00:28:19,840 --> 00:28:22,560 Speaker 1: I really I think it's cool. Yeah, yeah, he's a 465 00:28:22,760 --> 00:28:25,240 Speaker 1: he's a terrific writer in its own right. And so 466 00:28:25,480 --> 00:28:28,359 Speaker 1: she said they write a lot together. Obviously, you know, 467 00:28:28,560 --> 00:28:31,840 Speaker 1: they seem like they really like each other. Yea, like 468 00:28:32,280 --> 00:28:34,600 Speaker 1: hopefully they don't get divorced tomorrow, but like they really 469 00:28:34,640 --> 00:28:37,119 Speaker 1: seem like they like each other. Okay. So anyway, so 470 00:28:39,440 --> 00:28:43,080 Speaker 1: we Suki kind of says to lower lie, you miss them, 471 00:28:43,360 --> 00:28:46,040 Speaker 1: meaning her parents, So that's kind of important. As we 472 00:28:46,600 --> 00:28:49,480 Speaker 1: continue on, then we find out that the church is 473 00:28:49,520 --> 00:28:53,680 Speaker 1: also a synagogue and they just lifted the thing and 474 00:28:53,960 --> 00:28:56,520 Speaker 1: that this is where we discovered that Mrs Kim has 475 00:28:56,600 --> 00:28:58,479 Speaker 1: said nothing and I need to know what you all 476 00:28:58,680 --> 00:29:02,040 Speaker 1: think boom, and this is one thing I will say, 477 00:29:02,640 --> 00:29:06,680 Speaker 1: um My Dad was really strict growing up, very strict, 478 00:29:06,960 --> 00:29:09,800 Speaker 1: kind of not as aggressive as Mrs Kim is, but 479 00:29:09,920 --> 00:29:14,160 Speaker 1: pretty pretty close. And when he was mad, I got 480 00:29:14,200 --> 00:29:18,240 Speaker 1: the silent treatment, and that's when I knew Dad was pissed. 481 00:29:19,560 --> 00:29:22,400 Speaker 1: But I don't know. I feel like with Mrs Kim, 482 00:29:22,520 --> 00:29:27,680 Speaker 1: I um, I don't know. I I think she is 483 00:29:27,920 --> 00:29:32,600 Speaker 1: a little sad and also a little bit kind of like, 484 00:29:34,640 --> 00:29:37,240 Speaker 1: I don't know. I Mrs Kim is confusing me right now, 485 00:29:37,360 --> 00:29:39,120 Speaker 1: That's what I have a hot take. But Scott, you 486 00:29:39,200 --> 00:29:44,040 Speaker 1: give your theory first on Mrs Kim's reaction, like why 487 00:29:44,200 --> 00:29:50,200 Speaker 1: is she not flying off the handle? Because she knows 488 00:29:50,440 --> 00:29:56,320 Speaker 1: that Davidowsky loves her daughter and sees because she knows 489 00:29:56,480 --> 00:30:01,560 Speaker 1: that Dave Dkowski sees her glorious order for what she 490 00:30:01,840 --> 00:30:07,120 Speaker 1: is and that and that makes her sad because he's 491 00:30:07,200 --> 00:30:10,000 Speaker 1: not Korean. But she knows she's got to make the 492 00:30:10,120 --> 00:30:14,720 Speaker 1: choice to allow this to happen, because why even though 493 00:30:14,840 --> 00:30:20,280 Speaker 1: she's so strict, why would she prevent a boy, a 494 00:30:20,440 --> 00:30:23,640 Speaker 1: good guy, a really good guy that sees her daughter 495 00:30:24,000 --> 00:30:27,800 Speaker 1: And now she's so now she's in that dilemma of 496 00:30:28,160 --> 00:30:32,360 Speaker 1: coming to America and breaking out of the tradition um 497 00:30:33,320 --> 00:30:38,320 Speaker 1: of of of how her family has accepted boys and girls. 498 00:30:38,320 --> 00:30:41,080 Speaker 1: I mean, it's all got to be you know, Korean, right, 499 00:30:41,200 --> 00:30:44,880 Speaker 1: So this, this is going to be a departure from that, 500 00:30:45,120 --> 00:30:47,360 Speaker 1: and she knows it's the right thing to do, and 501 00:30:47,520 --> 00:30:52,320 Speaker 1: she's admitting to herself that she's wrong on this. Somebody 502 00:30:52,480 --> 00:30:57,520 Speaker 1: sees my daughters, So how can the same take as 503 00:30:57,600 --> 00:31:00,280 Speaker 1: you've got? Pretty much like the great point? But why 504 00:31:00,320 --> 00:31:02,920 Speaker 1: didn't she get mad at the drunk call? Because I 505 00:31:03,040 --> 00:31:06,360 Speaker 1: think on some level she this is what Scott to 506 00:31:06,440 --> 00:31:11,080 Speaker 1: me was alluding to. She's taking some responsibility for it, saying, 507 00:31:11,400 --> 00:31:13,480 Speaker 1: maybe I play a part in this because I have 508 00:31:13,600 --> 00:31:19,600 Speaker 1: been so extraordinarily strict and controlling that my kid went 509 00:31:19,640 --> 00:31:23,040 Speaker 1: off the rails. I think there's some element of which, 510 00:31:23,120 --> 00:31:24,800 Speaker 1: by the way, is not going off the rails. She 511 00:31:25,160 --> 00:31:28,560 Speaker 1: was just being a high school kid totally, but her 512 00:31:28,640 --> 00:31:34,560 Speaker 1: kid wasn't off the rails. Drinking and broke calling burfing 513 00:31:34,600 --> 00:31:38,760 Speaker 1: all over her own backpack does bring me one of 514 00:31:38,800 --> 00:31:41,040 Speaker 1: my favorite lines of the episode. What is that smell 515 00:31:41,760 --> 00:31:47,200 Speaker 1: your backpack? Know? Scott? I think, great perspective there, I think, 516 00:31:47,480 --> 00:31:50,160 Speaker 1: but that's what that's what the Shakespeare quote is all about. 517 00:31:50,440 --> 00:31:53,680 Speaker 1: Oh yeah, we can you just tell us what was 518 00:31:54,040 --> 00:32:00,240 Speaker 1: what did the quote mean that that that a mind 519 00:32:00,320 --> 00:32:05,240 Speaker 1: man was was was given his sight by God and 520 00:32:05,360 --> 00:32:08,560 Speaker 1: the king. It's at St Albans. It's a scene in 521 00:32:08,640 --> 00:32:12,520 Speaker 1: Saint Albans and Henry the sixth, and that's what the 522 00:32:12,600 --> 00:32:16,920 Speaker 1: quote is referring to, that a man um God has 523 00:32:17,160 --> 00:32:19,480 Speaker 1: has given this man his sight back, and now he 524 00:32:19,680 --> 00:32:23,360 Speaker 1: sees everything. And the king hopes that his sins do 525 00:32:23,480 --> 00:32:26,680 Speaker 1: not multiply by what he sees because he never saw 526 00:32:26,720 --> 00:32:30,760 Speaker 1: it before. But it's really about it's a it's about 527 00:32:30,960 --> 00:32:35,400 Speaker 1: it's about seeing. It's about gaining your your sight back. 528 00:32:37,520 --> 00:32:41,760 Speaker 1: That's and that's and that's not only does does it 529 00:32:41,840 --> 00:32:45,160 Speaker 1: does the quote apply to Adam Brody seeing his daughter. 530 00:32:45,200 --> 00:32:49,680 Speaker 1: It applies to Mrs Kim who now is seeing what 531 00:32:49,880 --> 00:32:54,400 Speaker 1: her own behavior has maybe potentially damaged her daughters. Too 532 00:32:54,440 --> 00:32:58,520 Speaker 1: restrictive and we could have missed Dave Regolski from my 533 00:32:58,720 --> 00:33:02,840 Speaker 1: strict uh right, my my my guidelines and my rules 534 00:33:02,920 --> 00:33:06,959 Speaker 1: and my my tyranny right and my overprotective So now 535 00:33:07,480 --> 00:33:10,920 Speaker 1: her eyes are open as well. How hilarious when she says, 536 00:33:10,920 --> 00:33:17,080 Speaker 1: I like to go goof off now and then to read, Yeah, 537 00:33:17,360 --> 00:33:20,680 Speaker 1: I like I was like, oh my god, I'm dad. 538 00:33:21,040 --> 00:33:25,080 Speaker 1: Can we talk about that? Literally, the fact that Dave 539 00:33:25,200 --> 00:33:30,280 Speaker 1: just came running to Lane's house disheveled and like opened 540 00:33:30,320 --> 00:33:32,200 Speaker 1: up the door, and he's like, I read the Bible 541 00:33:32,640 --> 00:33:36,320 Speaker 1: three times last night. I can never find this like literally, 542 00:33:36,480 --> 00:33:43,360 Speaker 1: like I was like, Dave Regowski is our best, the best. 543 00:33:44,640 --> 00:33:48,640 Speaker 1: Adam Brody is a fricking genius. All right, who wants 544 00:33:48,680 --> 00:33:50,720 Speaker 1: to play Mrs Kim? Let's do this speech? No, I 545 00:33:50,840 --> 00:33:54,240 Speaker 1: want you to do the speech. The speech somebody started 546 00:33:54,280 --> 00:33:56,680 Speaker 1: playing Mrs Kim. Who's going to be Mrs Carrol will 547 00:33:56,720 --> 00:34:00,400 Speaker 1: play Mrs Kim. Want you to give that whole speech. 548 00:34:03,120 --> 00:34:04,920 Speaker 1: I'm not going to be able to do it like Dave. 549 00:34:05,000 --> 00:34:09,880 Speaker 1: But excuse me, Mrs Kim. I need to speak with you. 550 00:34:10,320 --> 00:34:12,719 Speaker 1: I'm busy, David. A few weeks ago, you told me 551 00:34:12,760 --> 00:34:14,319 Speaker 1: that Lane had a crush on me. Well, I had 552 00:34:14,360 --> 00:34:16,080 Speaker 1: a crush on her. I have a crush on her 553 00:34:16,120 --> 00:34:18,440 Speaker 1: too now and I already screwed it up. Let's do 554 00:34:18,480 --> 00:34:21,520 Speaker 1: it again. Excuse me, Mrs Kim, I need to speak 555 00:34:21,600 --> 00:34:24,120 Speaker 1: with you. I'm busy, David. A few weeks ago, you 556 00:34:24,200 --> 00:34:25,759 Speaker 1: told me that Lane had a crush on me. Well, 557 00:34:25,840 --> 00:34:27,880 Speaker 1: I have a crush on her too. Now. I know 558 00:34:27,960 --> 00:34:30,200 Speaker 1: you have very strict rules about dating and boys, and 559 00:34:30,239 --> 00:34:31,759 Speaker 1: I just wanted you to know that I'm a good person. 560 00:34:31,800 --> 00:34:34,239 Speaker 1: I don't drink, I don't smoke. I've never gotten a ticket. 561 00:34:34,280 --> 00:34:36,239 Speaker 1: I'm healthy, I take care of myself. I floss. I 562 00:34:36,320 --> 00:34:38,440 Speaker 1: never watched more than thirty minutes of television at night, 563 00:34:38,520 --> 00:34:40,200 Speaker 1: partly because I think it's a waste of time, partly 564 00:34:40,239 --> 00:34:42,800 Speaker 1: because there's nothing on. I respect my parents. I do 565 00:34:42,880 --> 00:34:44,759 Speaker 1: well in school. I never play video games in case 566 00:34:44,840 --> 00:34:47,160 Speaker 1: they someday proved that playing them can turn you into 567 00:34:47,200 --> 00:34:49,680 Speaker 1: a serial killer. I don't drink coffee. I hate soda 568 00:34:49,920 --> 00:34:53,000 Speaker 1: because the carbonation freaks me out. I'm happy to give 569 00:34:53,080 --> 00:34:55,040 Speaker 1: up meat if you feel strongly about it. I don't 570 00:34:55,080 --> 00:34:57,200 Speaker 1: mind wearing a tie. I enjoy playing those hymns on 571 00:34:57,280 --> 00:34:59,920 Speaker 1: my guitar. And I really really want to take your 572 00:35:00,040 --> 00:35:04,480 Speaker 1: daughter of the problem. Oh my god, it's so Mrs Kim. 573 00:35:05,920 --> 00:35:11,160 Speaker 1: Please please don't make me repeat that list again. Let 574 00:35:11,360 --> 00:35:14,880 Speaker 1: never day nor night on hollow pass. But still remember 575 00:35:14,920 --> 00:35:20,240 Speaker 1: what the Lord hath done. Okay, thank you. My favorite 576 00:35:20,280 --> 00:35:22,759 Speaker 1: is he just says okay, thank you with that understanding 577 00:35:25,400 --> 00:35:29,080 Speaker 1: that must have been so such a hard thing for 578 00:35:29,200 --> 00:35:32,719 Speaker 1: Adam Brody to do that whole speech perfectly with all. 579 00:35:32,960 --> 00:35:36,960 Speaker 1: I mean, Adam Brody is a stud that he is 580 00:35:37,120 --> 00:35:38,920 Speaker 1: so awesome on this show, and you get why he 581 00:35:38,960 --> 00:35:40,880 Speaker 1: has to go because he's got a star in his 582 00:35:40,960 --> 00:35:43,680 Speaker 1: own show. It's just like so when he said like 583 00:35:43,800 --> 00:35:45,800 Speaker 1: the hymns, I was like cracking up from like what 584 00:35:45,960 --> 00:35:48,120 Speaker 1: was it Christmas or Thanksgiving? When he was just playing 585 00:35:48,160 --> 00:35:52,759 Speaker 1: for hours? Yeah, oh god, I loved it so much. 586 00:35:52,880 --> 00:35:58,759 Speaker 1: I love Dave and Lane yeah so much, like so 587 00:35:59,120 --> 00:36:01,680 Speaker 1: so much, And I'm I'm happy that we have David 588 00:36:01,800 --> 00:36:04,960 Speaker 1: Lane because we have the mess of Rory and Jess 589 00:36:05,120 --> 00:36:07,880 Speaker 1: right now, so you have the you know juxtaposition of 590 00:36:08,160 --> 00:36:11,320 Speaker 1: oh my god, Lane and Dave like this is high school. 591 00:36:11,360 --> 00:36:14,440 Speaker 1: It's just high school right now. And Dave loves Lane 592 00:36:14,640 --> 00:36:18,680 Speaker 1: because no teenage boy is putting up with that scary 593 00:36:18,800 --> 00:36:23,360 Speaker 1: mom Oh hell, I mean he is really go he 594 00:36:23,600 --> 00:36:26,960 Speaker 1: loves her because he's like perfectly you know what I mean, 595 00:36:27,120 --> 00:36:31,480 Speaker 1: Like he is like, um, he is pulling the right 596 00:36:31,560 --> 00:36:35,799 Speaker 1: strings with Mrs Kim. There's nothing I'd love to see 597 00:36:35,840 --> 00:36:40,879 Speaker 1: more than another Gilmore Girls Reunion show movie and Dave 598 00:36:40,920 --> 00:36:45,720 Speaker 1: REGALSI comes back for Lane. Oh my god, that'd be amazing. Wait, okay, 599 00:36:45,840 --> 00:36:48,719 Speaker 1: so we have we're like five minutes into the show 600 00:36:48,760 --> 00:36:51,239 Speaker 1: and we have like twelve pages to go. So we 601 00:36:51,440 --> 00:36:53,279 Speaker 1: are back in the diner. We need to just talk 602 00:36:53,320 --> 00:36:56,719 Speaker 1: about the guitar. What did I do? You just gave 603 00:36:56,719 --> 00:37:00,880 Speaker 1: me a spoiler? But that's okay, No, I didn't. Oh 604 00:37:00,960 --> 00:37:03,440 Speaker 1: you mean that? Will you leave at some point? Now? Hello, 605 00:37:04,120 --> 00:37:06,200 Speaker 1: that's like not a spoiler. We've talked about the O 606 00:37:06,400 --> 00:37:10,320 Speaker 1: C five thousand times. Okay, Scott at asking, is that 607 00:37:10,400 --> 00:37:12,560 Speaker 1: the first time we see Caesar the Caesar we know 608 00:37:12,719 --> 00:37:17,560 Speaker 1: and love? Maybe it is because that, to me is 609 00:37:17,600 --> 00:37:21,680 Speaker 1: the first time we see Caesar, that Caesar speaking, and 610 00:37:21,880 --> 00:37:27,279 Speaker 1: Caesar becomes you know, heretofore so important? So ham ham 611 00:37:27,440 --> 00:37:31,239 Speaker 1: no ham. And then we see Rob Hastis. So I 612 00:37:31,280 --> 00:37:33,360 Speaker 1: guess we know. Danielle, you had no idea. You're like, 613 00:37:34,560 --> 00:37:37,840 Speaker 1: I guess that's just a hot du diner. Yeah, here's 614 00:37:37,880 --> 00:37:40,759 Speaker 1: my bone to pick. Yeah, why does the diner serve 615 00:37:40,880 --> 00:37:44,759 Speaker 1: Ego waffles? Like that waffle that Kurt Kirk received did 616 00:37:44,840 --> 00:37:51,080 Speaker 1: not look good. I want to apologize for that. How 617 00:37:51,120 --> 00:37:52,920 Speaker 1: do you know that they were waffles? Just because they 618 00:37:53,040 --> 00:37:57,480 Speaker 1: really looked like they did not look like Is that right? 619 00:37:57,760 --> 00:38:00,279 Speaker 1: Is that right? Sorry? So you don't think that they 620 00:38:00,320 --> 00:38:04,319 Speaker 1: were homemade and put into the the thing, because that's 621 00:38:04,600 --> 00:38:07,719 Speaker 1: we had one of those back there, the waff line. 622 00:38:07,760 --> 00:38:12,319 Speaker 1: Maybe I don't know, but anyway, so I think we've 623 00:38:12,600 --> 00:38:14,920 Speaker 1: welcome Caesar. Very happy to have you just blew up 624 00:38:14,920 --> 00:38:19,839 Speaker 1: the diner. You just blew up the hole. I don't 625 00:38:19,840 --> 00:38:25,360 Speaker 1: recommend the waffles. Taylor comes in very happy that the 626 00:38:25,600 --> 00:38:32,040 Speaker 1: candy Shoppy is opening. But that was crazy, you know, 627 00:38:32,200 --> 00:38:35,520 Speaker 1: that's my that's Michael Winners at his best. I mean, really, 628 00:38:36,000 --> 00:38:38,240 Speaker 1: how much joy was he getting out of that episode? 629 00:38:38,280 --> 00:38:42,680 Speaker 1: I really funny, so nutty ladies with him just giving 630 00:38:42,680 --> 00:38:45,480 Speaker 1: everyone taffy and Kirt going can have a taffy. I'm 631 00:38:45,480 --> 00:38:51,960 Speaker 1: gonna keep going with this crap. Okay. So then we 632 00:38:52,200 --> 00:38:55,560 Speaker 1: basically have a scene I believe, with Jess and Luke 633 00:38:56,320 --> 00:39:01,439 Speaker 1: talking about the damage. Am I right, You're right? Yeah? 634 00:39:01,680 --> 00:39:04,880 Speaker 1: And Luke tells Jess that Dean was there at the 635 00:39:04,960 --> 00:39:07,560 Speaker 1: house helping put up the fence. He already came up 636 00:39:07,600 --> 00:39:12,279 Speaker 1: with a plan to pay Kyle's parents back, and Jeff 637 00:39:12,360 --> 00:39:16,400 Speaker 1: hasn't done anything. It was this post funeral. No, no, 638 00:39:16,520 --> 00:39:19,680 Speaker 1: we're not my favorite line, and this is are you 639 00:39:19,760 --> 00:39:23,359 Speaker 1: trying to kill me? There were two Jess and Luke scenes, right, yeah, 640 00:39:23,360 --> 00:39:26,399 Speaker 1: this is the preliminary one. There's the real ones coming. 641 00:39:26,600 --> 00:39:28,640 Speaker 1: But I love the line are you trying to kill me? Nope, 642 00:39:28,680 --> 00:39:31,640 Speaker 1: it'll just be a perk. I mean, Jess was had 643 00:39:31,800 --> 00:39:35,440 Speaker 1: zingers coming because you say Dean was at Kyle's and 644 00:39:35,520 --> 00:39:38,960 Speaker 1: he goes he's a fine doormat, like Jess is just 645 00:39:39,600 --> 00:39:42,360 Speaker 1: filled with anger, but very hilarious line. And they just 646 00:39:42,440 --> 00:39:44,400 Speaker 1: did that right in front of all the customers, you know, 647 00:39:44,920 --> 00:39:49,719 Speaker 1: from behind the counters. It's so funny. People just keep 648 00:39:49,760 --> 00:39:51,920 Speaker 1: eating and the food and by the way, those are 649 00:39:52,200 --> 00:39:54,560 Speaker 1: those are not ego waffles, because if they were, people 650 00:39:54,560 --> 00:39:56,920 Speaker 1: will get up and leave food when that good and 651 00:39:57,239 --> 00:40:01,279 Speaker 1: not saying eggs are bad. I enjoy them. Uh. But yeah, 652 00:40:01,320 --> 00:40:03,400 Speaker 1: they just do that right out in the open, just 653 00:40:03,560 --> 00:40:05,279 Speaker 1: yell at each other right out in the open. You 654 00:40:05,360 --> 00:40:12,120 Speaker 1: know what, I will commend you. Luke's facial expressions we're 655 00:40:12,239 --> 00:40:17,800 Speaker 1: so perfect in this episode because there were multiple times 656 00:40:18,080 --> 00:40:21,520 Speaker 1: where you were forced to say everything with your face, 657 00:40:21,719 --> 00:40:23,879 Speaker 1: especially in the scene where Rory comes to the door. 658 00:40:24,080 --> 00:40:27,239 Speaker 1: Rory rocks Away just goes back to the door, and 659 00:40:27,400 --> 00:40:29,600 Speaker 1: you had to do full acting in your face, and 660 00:40:29,680 --> 00:40:33,280 Speaker 1: I thought, oh man, he is crushing the faace acting. 661 00:40:33,440 --> 00:40:40,640 Speaker 1: Thank you, Yeah, you crushed this episode. Listen, you're You're 662 00:40:40,719 --> 00:40:44,839 Speaker 1: only as good as the writing. Okay. The writing lifts 663 00:40:44,920 --> 00:40:48,319 Speaker 1: you to whatever heights that you can possibly go if 664 00:40:48,360 --> 00:40:50,719 Speaker 1: it's if it's great writing, it's great writing. Here's what 665 00:40:50,840 --> 00:40:53,200 Speaker 1: I say. I know you talk about how this show 666 00:40:53,320 --> 00:40:55,439 Speaker 1: never won Emmy's This would have been what I would 667 00:40:55,440 --> 00:40:58,279 Speaker 1: have submitted if I was your publicist at the time, 668 00:40:58,320 --> 00:40:59,880 Speaker 1: I would have said, this is the one you submit. 669 00:41:00,000 --> 00:41:03,080 Speaker 1: We did, we did? We did submit this, I do 670 00:41:03,520 --> 00:41:10,799 Speaker 1: we Yeah, I think we did submit this. Yeah. Then 671 00:41:10,880 --> 00:41:16,800 Speaker 1: we get to lore like calling Emily because you know, 672 00:41:16,920 --> 00:41:22,440 Speaker 1: even though it's minor, I think significant. Yeah. What do 673 00:41:22,480 --> 00:41:24,880 Speaker 1: you guys think? Well, I mean a whole you know, 674 00:41:25,000 --> 00:41:29,920 Speaker 1: a whole um narrative of the show is gone. It's 675 00:41:30,000 --> 00:41:33,239 Speaker 1: just been it's just missing. Now there's no Friday night dinner. 676 00:41:33,320 --> 00:41:35,759 Speaker 1: I mean, this is what the show is pretty much 677 00:41:35,840 --> 00:41:38,880 Speaker 1: based on, you know, virtually based on, and now we 678 00:41:38,960 --> 00:41:42,480 Speaker 1: don't get it um, but we are getting, you know, 679 00:41:42,680 --> 00:41:45,160 Speaker 1: we're getting more into kittie world and I like it. 680 00:41:45,680 --> 00:41:48,360 Speaker 1: I like where it's going. I like being in that 681 00:41:48,520 --> 00:41:52,000 Speaker 1: world now. Because something has to fill the void of 682 00:41:52,120 --> 00:41:54,680 Speaker 1: no Friday Night Dinners. Day can't open the episodes anymore 683 00:41:54,960 --> 00:41:59,040 Speaker 1: with Friday Night Dinners. We can't cut the Friday Night Dinners. 684 00:41:59,160 --> 00:42:02,640 Speaker 1: We can't use Friday Night Dinners as an excuse not 685 00:42:02,800 --> 00:42:04,839 Speaker 1: to do something or to do something else. And let's 686 00:42:04,880 --> 00:42:06,640 Speaker 1: lie to Emily and you know this kind of thing. 687 00:42:07,080 --> 00:42:09,920 Speaker 1: So this so that rooms out. So now they're focusing 688 00:42:10,000 --> 00:42:12,480 Speaker 1: on kid world and it's kind of fun. I like, 689 00:42:12,760 --> 00:42:17,480 Speaker 1: I like everybody, uh, you know, the kids are now 690 00:42:18,040 --> 00:42:20,840 Speaker 1: kind of carrying the show, which they never had to 691 00:42:20,920 --> 00:42:23,960 Speaker 1: do before. I know you won't say it, but I 692 00:42:24,320 --> 00:42:27,360 Speaker 1: do think this is such an important Luke episode. I 693 00:42:27,480 --> 00:42:31,040 Speaker 1: think there was a lot of Luke carrying this episode. 694 00:42:31,480 --> 00:42:36,000 Speaker 1: I think because this episode was so brilliant. I didn't 695 00:42:36,600 --> 00:42:40,880 Speaker 1: miss the Gilmore's Emily and Richard. Had this episode not 696 00:42:41,160 --> 00:42:44,920 Speaker 1: been as so well done and amazing, I think that 697 00:42:44,960 --> 00:42:48,200 Speaker 1: would have really felt like a void, like sucks, like 698 00:42:48,480 --> 00:42:50,760 Speaker 1: we need to get back to Friday Dinners. Anyway, Danielle, 699 00:42:50,840 --> 00:42:53,239 Speaker 1: what we were saying, that's a good point. Oh sorry, 700 00:42:54,000 --> 00:42:58,520 Speaker 1: So okay, I do think I think Paris. They work 701 00:42:58,600 --> 00:43:01,760 Speaker 1: in Paris. In the scene in the they're putting together 702 00:43:01,920 --> 00:43:05,759 Speaker 1: the you know issue, last issue, And I think it 703 00:43:05,880 --> 00:43:10,320 Speaker 1: was significant because we realized the significance of the prom 704 00:43:11,840 --> 00:43:14,480 Speaker 1: But it was especially funny because the punch line was 705 00:43:15,640 --> 00:43:19,120 Speaker 1: bringing back the bringing the golf team again, right because 706 00:43:19,160 --> 00:43:21,160 Speaker 1: we don't know what they're talking about, the blonde boys 707 00:43:21,200 --> 00:43:23,200 Speaker 1: and the whole thing and what background they're going to 708 00:43:23,280 --> 00:43:25,000 Speaker 1: look best again, and it was it was really funny. 709 00:43:25,040 --> 00:43:27,640 Speaker 1: It was there is some really what are they doing? 710 00:43:27,719 --> 00:43:30,200 Speaker 1: Staying true to who they are? So they're doing their 711 00:43:30,320 --> 00:43:36,360 Speaker 1: thing and you do hear Jamie legit. Dinner Helicopter was 712 00:43:37,000 --> 00:43:39,960 Speaker 1: dang and I'm glad to know that Jamie and Paris 713 00:43:40,040 --> 00:43:44,480 Speaker 1: are still doing okay despite the full meltdown from a 714 00:43:44,560 --> 00:43:48,399 Speaker 1: couple of weeks ago. Just right, because I could really 715 00:43:48,480 --> 00:43:51,319 Speaker 1: put a college guy, I'm not going to be able 716 00:43:51,320 --> 00:43:55,239 Speaker 1: to handle this. Maybe he doesn't know, maybe she hit 717 00:43:55,280 --> 00:43:57,359 Speaker 1: it from him. I'm not too sure, but Jamie sounds 718 00:43:57,400 --> 00:44:00,759 Speaker 1: like a big stud, uh law a lie. So then 719 00:44:00,800 --> 00:44:03,400 Speaker 1: we go to Lorlie and man her she had the 720 00:44:03,440 --> 00:44:06,160 Speaker 1: cutest jeans, the perfect jacket, the turquoise shirt. She's just 721 00:44:06,760 --> 00:44:10,080 Speaker 1: looking flawless in this whole episode and then we find 722 00:44:10,120 --> 00:44:14,080 Speaker 1: out about Fran m hmm. Fran passed away at the 723 00:44:14,160 --> 00:44:16,600 Speaker 1: age of eighty three. In Weston's was clean and they 724 00:44:16,680 --> 00:44:21,279 Speaker 1: care deeply and they were they were quite they were 725 00:44:21,760 --> 00:44:25,240 Speaker 1: sort of sad again another example of loyal lies, really 726 00:44:25,480 --> 00:44:32,960 Speaker 1: bad timing and inappropriateness, which makes which makes for the comedy, 727 00:44:33,200 --> 00:44:35,960 Speaker 1: right totally, because you're like to have that behave you 728 00:44:36,120 --> 00:44:40,200 Speaker 1: don't have that scene and we're not so invested invested 729 00:44:40,280 --> 00:44:43,360 Speaker 1: in Fran where it's gonna We're gonna have to you know, 730 00:44:43,560 --> 00:44:47,480 Speaker 1: park our emotions, right, so we can just sort of 731 00:44:47,520 --> 00:44:50,200 Speaker 1: focus on the comedy aspect, and man, did they want 732 00:44:50,239 --> 00:44:55,919 Speaker 1: that in? And that's significant. Yeah, you can feel less 733 00:44:55,960 --> 00:44:59,439 Speaker 1: sort of building towards the finale of season three here, Okay, 734 00:44:59,600 --> 00:45:03,440 Speaker 1: like what one or two more episodes of this season? Yeah? 735 00:45:03,520 --> 00:45:06,000 Speaker 1: I think three. So I thought I thought that scene 736 00:45:06,040 --> 00:45:09,520 Speaker 1: could have been funnier with the ball bear Ben Felcone 737 00:45:10,200 --> 00:45:14,000 Speaker 1: if he just objected more like what are you guys 738 00:45:14,160 --> 00:45:18,080 Speaker 1: doing We're walking into a no no, absolutely, but I 739 00:45:18,200 --> 00:45:22,000 Speaker 1: just I wanted more comedy. There was more comedy there 740 00:45:22,040 --> 00:45:24,759 Speaker 1: to glean, right, because that's because the scenes with you 741 00:45:25,160 --> 00:45:28,520 Speaker 1: play the inappropriate Nate like have Ben, what are you 742 00:45:28,560 --> 00:45:33,800 Speaker 1: guys doing? Yeah? You know? And that right, because the 743 00:45:33,920 --> 00:45:36,640 Speaker 1: scenes with you and Milo and the scenes with you 744 00:45:36,719 --> 00:45:40,120 Speaker 1: and Robs are so intense, and then the jeep scene 745 00:45:40,160 --> 00:45:43,040 Speaker 1: with Rory Lorla is so intense that yeah, we did 746 00:45:43,200 --> 00:45:49,560 Speaker 1: need those moments of comedy. Okay, so let's just talk 747 00:45:49,640 --> 00:45:52,520 Speaker 1: about the elephant in the room really quick. This is 748 00:45:52,560 --> 00:45:55,000 Speaker 1: not a spoiler, Daniete, but it isn't known fact that 749 00:45:55,200 --> 00:45:58,560 Speaker 1: they were. This was the lead up to next week's 750 00:45:58,600 --> 00:46:01,480 Speaker 1: episode that was inten did to be a spinoff of 751 00:46:01,560 --> 00:46:04,000 Speaker 1: the show. I completely never I never knew it was 752 00:46:04,000 --> 00:46:06,080 Speaker 1: supposed to be a spinoff, but I knew this was coming. 753 00:46:06,360 --> 00:46:10,920 Speaker 1: I never knew. It's just wherever he is, this bus 754 00:46:11,120 --> 00:46:15,680 Speaker 1: is taking him too. When you see Robsts like hello, 755 00:46:15,880 --> 00:46:19,960 Speaker 1: you don't get Robstis to play something and just use 756 00:46:20,040 --> 00:46:23,879 Speaker 1: him for one episode, like I love Jesus, nice gig. 757 00:46:24,400 --> 00:46:26,399 Speaker 1: He does one episode and then he gets his own show. 758 00:46:27,680 --> 00:46:32,600 Speaker 1: It's pretty good. That's pretty good, right, So okay, so 759 00:46:33,040 --> 00:46:34,800 Speaker 1: this is we we briefly touched on it. We do 760 00:46:34,920 --> 00:46:37,200 Speaker 1: have the scene at the diner where, first of all, 761 00:46:37,400 --> 00:46:47,080 Speaker 1: Luke look and handsome in the suit. Hello. Okay, so Rory. 762 00:46:49,880 --> 00:46:52,480 Speaker 1: You know, I separate. You're a different person than that guy. 763 00:46:52,640 --> 00:46:55,680 Speaker 1: But anyway, that's I didn't take it any other way, 764 00:46:57,080 --> 00:47:00,719 Speaker 1: making a pass. My love of Luke's strong. Okay, so 765 00:47:02,560 --> 00:47:07,279 Speaker 1: I'm always Scott so much, but yeah, yeah, it's such 766 00:47:07,320 --> 00:47:09,560 Speaker 1: a that is so funny. Bring it up because my 767 00:47:09,640 --> 00:47:12,520 Speaker 1: relationship with any you know, seven days a week and 768 00:47:12,680 --> 00:47:15,319 Speaker 1: twice on Sunday. But Scott, can you lock the door? 769 00:47:15,760 --> 00:47:21,000 Speaker 1: You leave? Like? I literally love Luke? And then Scott 770 00:47:21,040 --> 00:47:24,040 Speaker 1: will text us, Scott will put something in the group text. 771 00:47:24,120 --> 00:47:26,440 Speaker 1: I don't mean to call you out, just right back. No, 772 00:47:29,640 --> 00:47:35,840 Speaker 1: what have you ever done that? Just this morning? Let 773 00:47:35,920 --> 00:47:38,960 Speaker 1: me look, let me you had a decently bad idea. 774 00:47:42,960 --> 00:47:44,959 Speaker 1: I did a bait and switch. I don't you didn't 775 00:47:45,000 --> 00:47:47,960 Speaker 1: want to read the Shakespeare? Scott wanted, well, do you 776 00:47:48,000 --> 00:47:50,640 Speaker 1: don't want to perform the Sakespeare? I gave you? Apart 777 00:47:50,840 --> 00:47:53,959 Speaker 1: as the Queen, I was gonna play the king wanted 778 00:47:54,000 --> 00:47:57,080 Speaker 1: to re enact the Shakespeare scene, which was not a 779 00:47:57,160 --> 00:47:59,880 Speaker 1: bad idea because it is so important, but I was 780 00:48:02,239 --> 00:48:07,040 Speaker 1: we don't do that. But anyway, I have nothing but 781 00:48:07,200 --> 00:48:10,760 Speaker 1: love for Luke. So Luke standing there all just freaking handsome. 782 00:48:12,320 --> 00:48:15,680 Speaker 1: There's no talking. It's like Rory comes to the door, 783 00:48:16,000 --> 00:48:19,880 Speaker 1: she leaves Luke's face just freaking genius, Scott freaking genius. 784 00:48:20,640 --> 00:48:23,360 Speaker 1: Jess comes out, just goes to the door and just you. 785 00:48:23,920 --> 00:48:26,080 Speaker 1: That is not easy. That cannot be easy. What you 786 00:48:26,160 --> 00:48:31,439 Speaker 1: were doing full face acting? I don't know what. Oh 787 00:48:31,520 --> 00:48:38,719 Speaker 1: my god, that's so I don't know order. Where are 788 00:48:38,800 --> 00:48:47,920 Speaker 1: you order? Let me explain. So I was wasting so 789 00:48:48,040 --> 00:48:51,120 Speaker 1: much paper, so I started using fronds and backs and 790 00:48:51,200 --> 00:48:54,160 Speaker 1: I had to label five six and I went to 791 00:48:54,320 --> 00:48:59,399 Speaker 1: six before five. Okay, so now let's go back. We've 792 00:48:59,400 --> 00:49:02,359 Speaker 1: got the scene in the confrontation between thank you guys 793 00:49:02,400 --> 00:49:09,560 Speaker 1: for calling it out, between Jimmy and Luke talking about it. Wow, well, uh, 794 00:49:10,520 --> 00:49:13,560 Speaker 1: I don't know what did you do. It's just Luke 795 00:49:14,040 --> 00:49:18,160 Speaker 1: at his most protective. It's it's it's it's really just 796 00:49:18,400 --> 00:49:21,280 Speaker 1: you know, the bear coming out in him and listen, 797 00:49:21,880 --> 00:49:23,840 Speaker 1: come near him. I'll eat you. That's all there is 798 00:49:23,920 --> 00:49:27,279 Speaker 1: to it. And you know he cares. That's Luke showing here. 799 00:49:27,360 --> 00:49:30,480 Speaker 1: That's Luke loving Jess. You're saying, now you saw him, 800 00:49:30,520 --> 00:49:36,800 Speaker 1: now get out of here. I was like, man, because 801 00:49:36,880 --> 00:49:39,560 Speaker 1: you're no good and you're just gonna rip people apart, 802 00:49:39,840 --> 00:49:43,319 Speaker 1: and you know, Laurela probably feels the same way about 803 00:49:43,400 --> 00:49:46,480 Speaker 1: Jess at this point, you know, like get out or 804 00:49:46,560 --> 00:49:49,320 Speaker 1: she did. You know what, Laurela seems to be handling 805 00:49:49,400 --> 00:49:52,480 Speaker 1: this a bit better than I expected her to. Well, 806 00:49:52,560 --> 00:49:56,000 Speaker 1: she can't, she can't. She knows she can't stop it, right, 807 00:49:56,239 --> 00:50:00,200 Speaker 1: so she's just kind of like it's inevitable. She's sevent seen. 808 00:50:01,280 --> 00:50:03,120 Speaker 1: You know, I'm not going to stand in front of 809 00:50:03,160 --> 00:50:06,759 Speaker 1: this train anymore. So my note on that scene was 810 00:50:07,800 --> 00:50:12,960 Speaker 1: great scene. I thought it was a brilliant scene, just flawless, 811 00:50:13,000 --> 00:50:15,319 Speaker 1: and I wrote, great job, Scott, and look at the job. 812 00:50:15,480 --> 00:50:17,359 Speaker 1: Look at the job he did. Look at the job 813 00:50:17,520 --> 00:50:22,480 Speaker 1: rob did. Coming in too, coming in and nailing it 814 00:50:22,920 --> 00:50:28,400 Speaker 1: while simultaneously having to be Jess because we see the symbol, 815 00:50:28,520 --> 00:50:32,360 Speaker 1: like we see the similarities like that, yeah, Rob Esties 816 00:50:32,560 --> 00:50:36,080 Speaker 1: is Jess's dad. We'll get this to this later. But 817 00:50:36,160 --> 00:50:40,040 Speaker 1: the nodding to the music was like, oh, that was 818 00:50:40,080 --> 00:50:44,520 Speaker 1: a great scene, you know, just like and I love 819 00:50:44,760 --> 00:50:47,960 Speaker 1: Bowie as you all know, and that's one of my 820 00:50:48,080 --> 00:50:50,880 Speaker 1: favorite songs, Suffragist City. But why was that song in 821 00:50:50,920 --> 00:50:53,920 Speaker 1: the scene? Knowing what we know? I mean, you know 822 00:50:53,960 --> 00:50:57,680 Speaker 1: what Suffragette City is it's it's I don't know anything 823 00:50:57,680 --> 00:50:59,879 Speaker 1: about the music. I just think that that would be music. 824 00:51:00,000 --> 00:51:01,879 Speaker 1: They would, well, that's the right for women to vote 825 00:51:01,960 --> 00:51:04,640 Speaker 1: suffragette right. I didn't get into the weeds on why 826 00:51:04,760 --> 00:51:07,719 Speaker 1: that song selection, Oh yeah I did, because I was like, 827 00:51:07,760 --> 00:51:09,560 Speaker 1: why are they listening? I mean, I know why Jess 828 00:51:09,640 --> 00:51:11,400 Speaker 1: was listening to it, because he's listening to it. But 829 00:51:11,560 --> 00:51:15,440 Speaker 1: you know they nothing is by accident in these shows, 830 00:51:15,600 --> 00:51:18,200 Speaker 1: right right, It's all by design and there's a purpose 831 00:51:18,239 --> 00:51:20,480 Speaker 1: behind it. Meaning you couldn't pay money for that. So 832 00:51:20,600 --> 00:51:26,440 Speaker 1: there are good Lord, that's considered one of the top 833 00:51:26,560 --> 00:51:31,200 Speaker 1: albums of all time. Ziki Startus was considered like the album, um, 834 00:51:32,160 --> 00:51:35,399 Speaker 1: but it's you know, it's Suffragette City is a city 835 00:51:35,560 --> 00:51:39,080 Speaker 1: that allows women to vote, you know, in San Francisco 836 00:51:39,160 --> 00:51:42,120 Speaker 1: and I think Oakland were the last two to allow 837 00:51:42,239 --> 00:51:45,160 Speaker 1: women to vote, to women to vote in nineteen eleven. 838 00:51:46,560 --> 00:51:50,919 Speaker 1: The first wait, they were the last to actually yes 839 00:51:51,200 --> 00:51:55,520 Speaker 1: and so and so it's so weird but the but right, 840 00:51:55,600 --> 00:52:00,279 Speaker 1: it does, But like San Francisco would be first, would 841 00:52:00,320 --> 00:52:02,680 Speaker 1: seem like that, Yes, I'm gonna have to google this, 842 00:52:03,120 --> 00:52:07,920 Speaker 1: so but always meaning in the song was more about 843 00:52:08,160 --> 00:52:13,600 Speaker 1: his bisexuality, that he was telling his roommate slash lover 844 00:52:13,840 --> 00:52:16,920 Speaker 1: guy to get out of the apartment because he was 845 00:52:16,960 --> 00:52:20,759 Speaker 1: bringing a woman home. Right, don't lean on me, man, 846 00:52:20,800 --> 00:52:24,359 Speaker 1: you can't afford the ticket. I'm in Suffrald City. It's 847 00:52:24,480 --> 00:52:26,040 Speaker 1: you know, this kind of thing. That's what it was. 848 00:52:26,160 --> 00:52:28,600 Speaker 1: So why is that song playing in the time and 849 00:52:28,680 --> 00:52:31,640 Speaker 1: they're both nodding to it? What's it got to do? How? 850 00:52:31,680 --> 00:52:33,399 Speaker 1: I don't know because you bring up an excellent point 851 00:52:33,440 --> 00:52:35,120 Speaker 1: and I'm gonna have to really research, I mean, other 852 00:52:35,160 --> 00:52:37,319 Speaker 1: than that's just like you know, the baddest aass song 853 00:52:37,440 --> 00:52:40,279 Speaker 1: ever written? I mean, is it? Is it based off 854 00:52:40,360 --> 00:52:43,719 Speaker 1: your exploit nation? Right there? Is it? Like kind of like, yeah, 855 00:52:43,840 --> 00:52:55,480 Speaker 1: Jimmy can't afford this ticket, or like Jess can't Maybe, right, man, 856 00:52:55,600 --> 00:52:58,279 Speaker 1: you can't write so so Jimmy, don't lean on me. 857 00:52:58,360 --> 00:53:01,799 Speaker 1: You can't afford the ticket. We're back Suffrage City. Yeah, well, 858 00:53:02,080 --> 00:53:05,319 Speaker 1: like you don't get a vote or both in both 859 00:53:05,440 --> 00:53:09,239 Speaker 1: ways to like Jess too, like Jimmy get out, very 860 00:53:09,440 --> 00:53:13,280 Speaker 1: very good, that's what it is. Maybe, Yes, Wow, Danielle, 861 00:53:14,400 --> 00:53:18,399 Speaker 1: the significance to me of the scene and me you're 862 00:53:18,480 --> 00:53:23,120 Speaker 1: getting with the song is that Jimmy runs out. It 863 00:53:23,239 --> 00:53:25,680 Speaker 1: runs out out of nowhere, says nothing and just runs 864 00:53:26,239 --> 00:53:29,279 Speaker 1: kind of like how you would think Jess would. I 865 00:53:29,320 --> 00:53:31,440 Speaker 1: thought that was I was like, well, that is a 866 00:53:31,520 --> 00:53:36,360 Speaker 1: real d move of this guy. He just I felt 867 00:53:37,120 --> 00:53:40,080 Speaker 1: Jessice pain Milo acted that scene beautifully and the way 868 00:53:40,120 --> 00:53:42,640 Speaker 1: he sat down in the chair turned a little bit 869 00:53:42,680 --> 00:53:44,480 Speaker 1: away from him, and he wouldn't look at him, He's 870 00:53:44,520 --> 00:53:47,640 Speaker 1: giving him side glances. Boy, I tell you I really 871 00:53:47,719 --> 00:53:49,960 Speaker 1: felt for him. I think in that team at least, 872 00:53:50,000 --> 00:53:53,200 Speaker 1: what I picked up is Jimmy was looking at Jess 873 00:53:53,440 --> 00:53:55,440 Speaker 1: or they both weren't looking at each other, and then 874 00:53:55,560 --> 00:53:58,560 Speaker 1: Jimmy like looks up slightly and sees that Jess is 875 00:53:58,640 --> 00:54:02,359 Speaker 1: nodding the same way he is, and it freaked him out. 876 00:54:03,440 --> 00:54:07,320 Speaker 1: Oh that's what I That's what I gathered, like, Oh no, 877 00:54:07,680 --> 00:54:12,080 Speaker 1: this is my son, this is somebody I've abandoned for years. 878 00:54:12,280 --> 00:54:14,239 Speaker 1: Yet he's just like me. Oh my god, I didn't 879 00:54:14,280 --> 00:54:20,399 Speaker 1: think really good having either. He just blew my mind. 880 00:54:25,640 --> 00:54:28,840 Speaker 1: So do we do we feel that Jimmy shouldn't have come? Like, 881 00:54:29,840 --> 00:54:33,000 Speaker 1: you know, like I kept when I finished this episode, 882 00:54:33,120 --> 00:54:37,000 Speaker 1: I kept being like, like, I'm not mad that Jimmy came, 883 00:54:37,680 --> 00:54:41,960 Speaker 1: but like why, I don't know. I so question for everyone. 884 00:54:42,000 --> 00:54:43,919 Speaker 1: Should he have not come? Because he said, he said, 885 00:54:43,960 --> 00:54:46,560 Speaker 1: he's gotten his life together, he's got a job, he 886 00:54:46,640 --> 00:54:49,160 Speaker 1: wants to reconnect with his boy. I mean, imagine the 887 00:54:49,280 --> 00:54:51,920 Speaker 1: pain that he caused himself by running out as an 888 00:54:52,040 --> 00:54:56,640 Speaker 1: own kid, and he's he's back to, you know, take 889 00:54:56,719 --> 00:54:59,040 Speaker 1: the shots that he's going to have to inevitably take 890 00:54:59,160 --> 00:55:01,120 Speaker 1: for a couple of years, maybe before you can have 891 00:55:01,200 --> 00:55:05,600 Speaker 1: a normal, healthy, loving relationship with his son. I think 892 00:55:05,680 --> 00:55:09,680 Speaker 1: he should have come. I think for me, the life 893 00:55:09,800 --> 00:55:15,040 Speaker 1: lesson is always, even if you're late, show up, show up, 894 00:55:15,640 --> 00:55:19,520 Speaker 1: and even if you take the pain that you deserve 895 00:55:19,880 --> 00:55:23,800 Speaker 1: by being mad enough to stand there and take it 896 00:55:24,200 --> 00:55:26,360 Speaker 1: and not get emotional. I mean, you're gonna get emotional, 897 00:55:26,440 --> 00:55:29,360 Speaker 1: but don't react. Just take it, and you know what, 898 00:55:30,200 --> 00:55:34,080 Speaker 1: your kid will punch himself out psychologically speaking, and there 899 00:55:34,120 --> 00:55:37,160 Speaker 1: will be a moment where you can come together. It's 900 00:55:37,239 --> 00:55:39,839 Speaker 1: never too late to say I'm sorry. Never too late. 901 00:55:40,800 --> 00:55:43,799 Speaker 1: That's a nice message we can send out there, all 902 00:55:43,840 --> 00:55:48,000 Speaker 1: of you deadbeat dads. Get your act together, clean up, 903 00:55:48,480 --> 00:55:51,759 Speaker 1: get back to your kids. They need you. Man. Stay 904 00:55:51,840 --> 00:55:59,600 Speaker 1: on a lighter note, um terrible performance by a hat 905 00:56:00,160 --> 00:56:04,320 Speaker 1: on Laura with the bucket hat. I did not like that. 906 00:56:04,680 --> 00:56:07,879 Speaker 1: Funeral bucket hats are back in. I just bought one 907 00:56:08,360 --> 00:56:12,680 Speaker 1: who was wearing a bucket hat. Laura so bad. That 908 00:56:12,800 --> 00:56:16,880 Speaker 1: didn't look so bad. I liked that. It looked like 909 00:56:16,960 --> 00:56:20,040 Speaker 1: it looked, it looked appropriate. I thought it was fine. 910 00:56:20,120 --> 00:56:22,120 Speaker 1: I'm just like, can we just not give Loraa lae hat? 911 00:56:22,480 --> 00:56:25,040 Speaker 1: And why did you give her so many hats? And 912 00:56:25,160 --> 00:56:28,040 Speaker 1: if I had a hair, let her do. I liked it. 913 00:56:28,239 --> 00:56:30,080 Speaker 1: I liked the hat. I didn't mind the hat. It 914 00:56:30,160 --> 00:56:33,200 Speaker 1: wasn't bad. I didn't notice anything bad about it. I 915 00:56:33,280 --> 00:56:37,239 Speaker 1: thought it looked she thought. I thought, we've had three 916 00:56:37,360 --> 00:56:40,279 Speaker 1: atrocious hats that first of all, the worst was the 917 00:56:40,320 --> 00:56:46,280 Speaker 1: one we talked about recently. Was oh, the white bucket 918 00:56:46,320 --> 00:56:50,600 Speaker 1: hat was the hands. But she looked well, She looked 919 00:56:50,640 --> 00:56:54,400 Speaker 1: well put together. She looked like a classy. Do we 920 00:56:54,520 --> 00:56:57,080 Speaker 1: see any significance in the fact that everyone's in black 921 00:56:57,280 --> 00:57:02,399 Speaker 1: and Rory has a bright red coat? M she could 922 00:57:02,640 --> 00:57:05,680 Speaker 1: couldn't you know? They can't afford a proper black coat's 923 00:57:05,719 --> 00:57:08,080 Speaker 1: going to get a but I mean, really, it's a 924 00:57:08,200 --> 00:57:13,080 Speaker 1: big expense. I don't know that a kid have right. 925 00:57:13,960 --> 00:57:17,440 Speaker 1: I just thought it was interesting choice by the stylist 926 00:57:17,560 --> 00:57:21,360 Speaker 1: because everyone's in black and she so and Rory's in black. 927 00:57:21,600 --> 00:57:24,280 Speaker 1: Their whole room is in black, and Rory has this 928 00:57:24,920 --> 00:57:29,880 Speaker 1: bold red coat and is where I mean for Fran's 929 00:57:29,920 --> 00:57:34,000 Speaker 1: funeral too. I'm for it because, you know, celebrating the life. 930 00:57:34,040 --> 00:57:36,680 Speaker 1: But like a red coat at a funeral, there's got 931 00:57:36,760 --> 00:57:42,600 Speaker 1: to be something I'm missing. M hmm, anyone, I'm sure 932 00:57:42,680 --> 00:57:46,200 Speaker 1: we're missing something. I think maybe it's just a like 933 00:57:46,360 --> 00:57:49,360 Speaker 1: a a set choice in the sense of like to 934 00:57:49,520 --> 00:57:53,920 Speaker 1: have her stand out amongst the crowd, but like like uh, 935 00:57:55,080 --> 00:58:01,280 Speaker 1: metaphorically steaking. The symbolism is here's my here, let's zoom 936 00:58:01,320 --> 00:58:06,200 Speaker 1: in moment. Okay. So I don't know if anyone noticed this. 937 00:58:07,080 --> 00:58:09,600 Speaker 1: They're having the moment where they say, let's all bow 938 00:58:09,680 --> 00:58:15,960 Speaker 1: our heads right, and the band bebops through God one 939 00:58:16,200 --> 00:58:20,400 Speaker 1: dude in the crowd in the I watched it twice. 940 00:58:20,680 --> 00:58:25,480 Speaker 1: We got to show people one background actor because obviously 941 00:58:25,520 --> 00:58:29,320 Speaker 1: there's no music, right, Scott, the band's not really playing, right. 942 00:58:29,640 --> 00:58:33,880 Speaker 1: You've already taught us that one dude pops up too 943 00:58:33,960 --> 00:58:37,560 Speaker 1: early and makes a facial expression before the band played 944 00:58:39,880 --> 00:58:43,560 Speaker 1: that band may have been playing. That guy is a 945 00:58:43,640 --> 00:58:48,360 Speaker 1: bad background actor. What the background actor do? Okay, so 946 00:58:49,080 --> 00:58:51,400 Speaker 1: is there a way we can like show a clip 947 00:58:51,440 --> 00:58:53,200 Speaker 1: of this not right now, we don't. I mean, sure 948 00:58:53,280 --> 00:58:54,760 Speaker 1: we can show it now if anyone can grab it, 949 00:58:54,800 --> 00:58:57,360 Speaker 1: but can we also put it on Instagram? Not the 950 00:58:57,640 --> 00:59:04,520 Speaker 1: instagram on Instagram. So the guy says, every let's let's 951 00:59:04,560 --> 00:59:07,280 Speaker 1: bow our heads, you know, and have a moment for 952 00:59:07,400 --> 00:59:12,520 Speaker 1: fran or whatever, and then boom, boom, boom comes to band. 953 00:59:14,000 --> 00:59:17,080 Speaker 1: Dude's head goes up two seconds too early, and he 954 00:59:17,160 --> 00:59:20,320 Speaker 1: makes a face like like he's hearing the band, but 955 00:59:20,440 --> 00:59:24,439 Speaker 1: there's no band yet, And I'm like, oh god, yeah, 956 00:59:24,600 --> 00:59:29,160 Speaker 1: you guys gotta watch it. Okay, Okay, calm down, We'll 957 00:59:29,200 --> 00:59:36,080 Speaker 1: watch it. Watch it. About Miss Patty's story, I'm so 958 00:59:36,280 --> 00:59:41,520 Speaker 1: glad I had all that sex. Miss Patty's always pushes 959 00:59:41,520 --> 00:59:44,600 Speaker 1: it to a little PG thirteen, not Danielle where you 960 00:59:44,840 --> 00:59:49,080 Speaker 1: stunned when Dean said he was engaged. I'm not surprised. 961 00:59:49,080 --> 00:59:51,800 Speaker 1: I feel like Dean's character would do something like that. However, 962 00:59:52,040 --> 00:59:54,919 Speaker 1: I was just like, damnit, Dean, because right now I'm 963 00:59:54,960 --> 00:59:59,080 Speaker 1: on the Dean train. So I'm kind of like, uh, um, 964 01:00:00,360 --> 01:00:03,720 Speaker 1: but I'm not I'm not surprised. I thought it was 965 01:00:03,880 --> 01:00:08,560 Speaker 1: really telling. Um Rory's reaction of it. I mean, I 966 01:00:08,640 --> 01:00:11,720 Speaker 1: think anybody at that age would react that way, like it, 967 01:00:12,040 --> 01:00:15,560 Speaker 1: We're seventeen years old. What are you talking about? But um, 968 01:00:16,480 --> 01:00:18,520 Speaker 1: but yeah, I mean I'm not surprised because I feel 969 01:00:18,520 --> 01:00:20,880 Speaker 1: like Dean would do that. I feel like he would 970 01:00:20,920 --> 01:00:25,280 Speaker 1: get married at a young age, like his character is that. Um. 971 01:00:25,920 --> 01:00:28,760 Speaker 1: But yeah, you can tell that. Rory was like, oh, wow, 972 01:00:29,120 --> 01:00:33,560 Speaker 1: like I don't have my like he's out of my 973 01:00:33,680 --> 01:00:36,520 Speaker 1: hands now, which I thought was interesting. This guy that 974 01:00:36,600 --> 01:00:39,080 Speaker 1: has protected her for so long and has treated her 975 01:00:39,240 --> 01:00:44,160 Speaker 1: so well, and Dean says, don't be mad at me 976 01:00:44,240 --> 01:00:48,240 Speaker 1: just because you just treat you like dirt. That line. Yeah, 977 01:00:48,760 --> 01:00:52,000 Speaker 1: And then so like, oh, Rory is having this this 978 01:00:52,160 --> 01:00:55,280 Speaker 1: realization in her head that I let go of a 979 01:00:55,400 --> 01:00:58,880 Speaker 1: really really good guy that treated me like a princess. 980 01:00:59,760 --> 01:01:02,120 Speaker 1: She you be in love with this guy that like 981 01:01:03,040 --> 01:01:08,680 Speaker 1: like um um intellectually fulfilled her and this guy is 982 01:01:09,720 --> 01:01:14,840 Speaker 1: not treating her well, So what's better? You know. I 983 01:01:14,920 --> 01:01:17,480 Speaker 1: think that's what she's seeing in her head. Yeah, here's 984 01:01:17,480 --> 01:01:24,320 Speaker 1: my question for Scott. Does Jess treat Rory like dirt, yes, 985 01:01:24,440 --> 01:01:28,640 Speaker 1: but he doesn't do it intentionally. He's out of control 986 01:01:30,080 --> 01:01:34,440 Speaker 1: of his psychological and emotional state. He has no control 987 01:01:35,400 --> 01:01:39,160 Speaker 1: over what he thinks and what he feels. He's just 988 01:01:39,360 --> 01:01:46,680 Speaker 1: getting swept away emotionally and psychologically by his anger, by 989 01:01:46,760 --> 01:01:51,200 Speaker 1: his sense of loss. Um. And he's a very confused 990 01:01:51,280 --> 01:01:54,520 Speaker 1: young man. And it's it's heartbreaking to watch because this 991 01:01:54,600 --> 01:01:57,800 Speaker 1: happens to a lot of kids, male and female, you know, 992 01:01:58,080 --> 01:02:03,040 Speaker 1: and and he's just completely out of control. Um. That's yeah, 993 01:02:03,520 --> 01:02:05,560 Speaker 1: this is a question that I have because like when 994 01:02:05,640 --> 01:02:09,080 Speaker 1: we first saw saw Jess, like, yeah, we had the 995 01:02:09,160 --> 01:02:13,680 Speaker 1: understanding that he was um like you know, abandoned, and 996 01:02:13,800 --> 01:02:16,640 Speaker 1: Lucas taken him in and he's had something he you know, 997 01:02:16,680 --> 01:02:18,640 Speaker 1: it is rough around the edges, but he was a 998 01:02:18,800 --> 01:02:23,160 Speaker 1: confident guy and he like went for what he wanted. 999 01:02:23,240 --> 01:02:28,160 Speaker 1: That confidence. Well, keep off, that's not confidence. What do 1000 01:02:28,400 --> 01:02:34,160 Speaker 1: you think it is. It's cockiness, It's it's masking massive 1001 01:02:34,200 --> 01:02:38,720 Speaker 1: insecurity and massive pain. That's not confidence. Okay, fair enough, 1002 01:02:38,840 --> 01:02:41,360 Speaker 1: But now when you're you know, now you're seeing like 1003 01:02:41,440 --> 01:02:44,000 Speaker 1: that whole scene of Rory and him going you know, 1004 01:02:44,440 --> 01:02:46,360 Speaker 1: trying to go after each other. But then they walk 1005 01:02:46,360 --> 01:02:50,560 Speaker 1: away and whatever, and I'm like, this isn't really Jess 1006 01:02:50,760 --> 01:02:53,560 Speaker 1: to me, Like in the past, he would have been like, hey, 1007 01:02:53,640 --> 01:02:55,760 Speaker 1: why are you walking away? Like he would have saw 1008 01:02:55,840 --> 01:02:58,480 Speaker 1: that and like gone to Rory like he's done in 1009 01:02:58,560 --> 01:03:01,080 Speaker 1: the past. So right now I'm kind of watching it 1010 01:03:01,200 --> 01:03:05,800 Speaker 1: being like what why? Why is he like being kind 1011 01:03:05,840 --> 01:03:10,520 Speaker 1: of a coward because he's never He's never He wasn't 1012 01:03:10,640 --> 01:03:15,400 Speaker 1: raised properly. He he never saw an example of what 1013 01:03:15,680 --> 01:03:19,480 Speaker 1: normal was growing up between his mother and his father. 1014 01:03:19,600 --> 01:03:23,080 Speaker 1: His father was gone, and you know, Lord knows what 1015 01:03:23,280 --> 01:03:25,440 Speaker 1: his mother was up to when he was growing up, right, 1016 01:03:25,720 --> 01:03:27,960 Speaker 1: you know, Scott, you make such a good point there 1017 01:03:28,000 --> 01:03:30,400 Speaker 1: that he doesn't know what normal is. He doesn't know 1018 01:03:30,760 --> 01:03:33,560 Speaker 1: the rules of the game. He just sees something. He 1019 01:03:33,720 --> 01:03:37,400 Speaker 1: senses Rory can is an intellectual equal. That's what turns 1020 01:03:37,480 --> 01:03:40,800 Speaker 1: him on. She's obviously, you know, easy on the eyes, 1021 01:03:41,520 --> 01:03:44,320 Speaker 1: and she's an attractive girl, and he wants to be 1022 01:03:44,440 --> 01:03:47,080 Speaker 1: with her. He I think he falls for her pretty 1023 01:03:47,120 --> 01:03:51,920 Speaker 1: quickly and senses that this is a far more stable person. 1024 01:03:52,320 --> 01:03:54,400 Speaker 1: She's a lot like me in many ways, and I 1025 01:03:54,560 --> 01:03:57,040 Speaker 1: love her and I want her and no one standing 1026 01:03:57,080 --> 01:04:00,200 Speaker 1: in my way. He doesn't take the normal route he 1027 01:04:00,360 --> 01:04:04,560 Speaker 1: doesn't do the normal things to get her. He's he's 1028 01:04:04,760 --> 01:04:10,400 Speaker 1: a guy who's a maverick, a loner um, he's depressed, 1029 01:04:11,160 --> 01:04:14,560 Speaker 1: he's full of anxiety and rage, and he just doesn't 1030 01:04:14,680 --> 01:04:17,080 Speaker 1: know how to operate in the real world. He's never 1031 01:04:17,200 --> 01:04:21,439 Speaker 1: seen it, his parents never showed it to him. Because 1032 01:04:21,440 --> 01:04:23,600 Speaker 1: he's just getting it up. He's just guessing at what 1033 01:04:23,760 --> 01:04:26,600 Speaker 1: to do. We're very focused on Jimmy because Jimmy's in 1034 01:04:26,680 --> 01:04:28,720 Speaker 1: this episode, and like, should Jimmy have come back? Is 1035 01:04:28,800 --> 01:04:33,880 Speaker 1: Jimmy doing the right thing? Liz abandoned him, Yeah, his 1036 01:04:33,960 --> 01:04:38,960 Speaker 1: own mother kicked him out. Like, so I think that 1037 01:04:39,200 --> 01:04:42,920 Speaker 1: we sometimes take Jess like, you know, oh Jess, he's 1038 01:04:42,960 --> 01:04:45,600 Speaker 1: so smart, Oh you know this that, but like we 1039 01:04:45,680 --> 01:04:51,000 Speaker 1: aren't really thinking about how much damage truly Jess has 1040 01:04:51,080 --> 01:04:57,560 Speaker 1: experienced with his situation, and Luke is trying so hard, 1041 01:04:58,440 --> 01:05:02,640 Speaker 1: so hard, but there was so much to repair, There's 1042 01:05:02,680 --> 01:05:08,240 Speaker 1: so much to help Jes through. So I think, yeah, 1043 01:05:08,400 --> 01:05:10,560 Speaker 1: like when I going well, Jess as being a jerk, 1044 01:05:10,640 --> 01:05:13,720 Speaker 1: Like I'm taking it too lightly, Like this this is 1045 01:05:13,800 --> 01:05:18,040 Speaker 1: not a situation where Luke can rescue him. He's it's 1046 01:05:18,120 --> 01:05:21,080 Speaker 1: he's it's not possible. The kid needs to be in 1047 01:05:21,160 --> 01:05:24,280 Speaker 1: therapy and he needs to he needs to talk to 1048 01:05:24,360 --> 01:05:27,800 Speaker 1: a professional, and he needs to do it for over 1049 01:05:27,880 --> 01:05:31,360 Speaker 1: a long period of time. Luke is just gonna get 1050 01:05:31,440 --> 01:05:35,920 Speaker 1: chewed up doing this. Hopefully Luke can inspire in him 1051 01:05:36,960 --> 01:05:40,840 Speaker 1: um the strength to you know, look in the mirror 1052 01:05:41,120 --> 01:05:44,320 Speaker 1: and and say listen, I need help. I need real help. 1053 01:05:44,960 --> 01:05:48,480 Speaker 1: Because do you do you think Luke did the right 1054 01:05:48,720 --> 01:05:51,400 Speaker 1: thing or the wrong thing by saying you need to go, 1055 01:05:52,480 --> 01:05:55,200 Speaker 1: because you're saying to him you can do twelfth grade again, 1056 01:05:55,280 --> 01:05:58,040 Speaker 1: you can stay here. We're gonna figure this out. And 1057 01:05:58,200 --> 01:06:02,360 Speaker 1: Jess says no. And what would happen if Luke didn't 1058 01:06:02,360 --> 01:06:06,720 Speaker 1: get angry right and sat him down and loved the 1059 01:06:06,800 --> 01:06:10,320 Speaker 1: kid and said, listen, let's talk what's going And I know, 1060 01:06:10,640 --> 01:06:13,960 Speaker 1: just as impossible to talk to. But if he just 1061 01:06:14,160 --> 01:06:16,960 Speaker 1: sits him down and says, listen, these are all your 1062 01:06:17,040 --> 01:06:20,000 Speaker 1: choices that you're making, and choices have consequences, So you 1063 01:06:20,080 --> 01:06:24,520 Speaker 1: can do whatever you want, you know, but here's what's 1064 01:06:24,520 --> 01:06:27,920 Speaker 1: going to happen as a result. Right, you won't be 1065 01:06:28,000 --> 01:06:30,560 Speaker 1: able to live here because I won't tolerate it. And 1066 01:06:30,680 --> 01:06:33,400 Speaker 1: he I think he needs a Luke in his life, 1067 01:06:34,240 --> 01:06:36,560 Speaker 1: but not a screaming Luke, and I under and I 1068 01:06:36,760 --> 01:06:40,240 Speaker 1: understand that Luke is is upset, and I don't think 1069 01:06:40,360 --> 01:06:45,080 Speaker 1: Luke can handle this. It's not it's not something that 1070 01:06:45,200 --> 01:06:48,600 Speaker 1: he's equipped for because he doesn't have the experience raising 1071 01:06:48,640 --> 01:06:51,320 Speaker 1: a kid. He doesn't know how to raise a kid. 1072 01:06:51,400 --> 01:06:55,160 Speaker 1: He's never raised a kid. You know. It's you raise 1073 01:06:55,240 --> 01:06:58,640 Speaker 1: a kid and you acquire some real special skills that 1074 01:06:58,840 --> 01:07:03,640 Speaker 1: only other parents have, and it's you can pretend at it, 1075 01:07:03,760 --> 01:07:05,800 Speaker 1: but if you unless you have the experience, you're gonna 1076 01:07:05,880 --> 01:07:08,640 Speaker 1: go crazy. Because to be a parent is to be 1077 01:07:10,520 --> 01:07:16,920 Speaker 1: like a superhuman. Patience is required, and you can get 1078 01:07:16,920 --> 01:07:19,560 Speaker 1: in a situation that where you become so reactive and 1079 01:07:19,600 --> 01:07:21,240 Speaker 1: you just sort of go to this place and you 1080 01:07:21,360 --> 01:07:26,640 Speaker 1: can't do that. I can't do that with a child. Um, so, uh, 1081 01:07:28,280 --> 01:07:31,400 Speaker 1: you know, he's in over his head. He's just in 1082 01:07:31,520 --> 01:07:33,640 Speaker 1: over his head. It's it's it's bound to fail. That 1083 01:07:33,760 --> 01:07:38,000 Speaker 1: relationship is bound to fail, unfortunately, and it's entertaining to watch, 1084 01:07:38,440 --> 01:07:42,000 Speaker 1: and it's heartfelt and everybody's trying real hard and it's heartbreaking, 1085 01:07:42,080 --> 01:07:50,920 Speaker 1: but it's doomed to failure. Yeah, what about um just 1086 01:07:51,640 --> 01:07:56,520 Speaker 1: trying to dis Luke's job? How did you feel about that. 1087 01:07:59,080 --> 01:08:04,400 Speaker 1: It's just that's what Jess does. He always does that 1088 01:08:05,480 --> 01:08:08,520 Speaker 1: before he's done it before. Oh but boy, did Luke 1089 01:08:08,600 --> 01:08:13,280 Speaker 1: have the best come back. I put him in his place. Yeah, 1090 01:08:13,480 --> 01:08:16,160 Speaker 1: but it's interesting. Why is Luke so defensive about it 1091 01:08:16,280 --> 01:08:20,280 Speaker 1: because some you know, Wayward nephew made a car. I 1092 01:08:20,280 --> 01:08:22,439 Speaker 1: don't know. I think he's trying to teach Jess. I 1093 01:08:22,479 --> 01:08:28,880 Speaker 1: think he's really trying to teach Jess respect and work 1094 01:08:29,000 --> 01:08:34,559 Speaker 1: ethic and that like, you don't criticize that work ethic 1095 01:08:34,720 --> 01:08:42,519 Speaker 1: that Luke has. Right, you're month pal, and I'm paying 1096 01:08:42,600 --> 01:08:44,479 Speaker 1: for your roof over your head. I'm paying for this, 1097 01:08:44,600 --> 01:08:47,160 Speaker 1: and I'm paying for that, and I've given you a job. 1098 01:08:47,240 --> 01:08:49,200 Speaker 1: And I mean I would kick him out too. I 1099 01:08:49,840 --> 01:08:52,560 Speaker 1: probably would. I will say I think that Luke was 1100 01:08:52,640 --> 01:08:56,040 Speaker 1: as angry as he was because he realizes that just 1101 01:08:56,400 --> 01:08:58,639 Speaker 1: like Jess's dad is there, but that's not his dad, 1102 01:08:59,040 --> 01:09:00,720 Speaker 1: and his mom's not the a and Luke is the 1103 01:09:00,960 --> 01:09:05,680 Speaker 1: only backbone to a family that Jess has. And like 1104 01:09:06,160 --> 01:09:08,880 Speaker 1: the second that Luke said, then you're out of here. 1105 01:09:08,920 --> 01:09:10,679 Speaker 1: Because Luke was trying to come up with a plant, 1106 01:09:10,760 --> 01:09:13,240 Speaker 1: like he's like, right, stay while you're you're gonna go 1107 01:09:13,520 --> 01:09:15,240 Speaker 1: through twelfth grade again, We're gonna do all this And 1108 01:09:15,320 --> 01:09:17,160 Speaker 1: he's like no, and he's like, you're out. And when 1109 01:09:17,240 --> 01:09:19,600 Speaker 1: he said that, like you just saw Jesse's face like 1110 01:09:20,760 --> 01:09:23,880 Speaker 1: I messed Like finally. I think it took up until 1111 01:09:23,920 --> 01:09:27,760 Speaker 1: that moment for Jess to realize like I'm actually messed up, right, 1112 01:09:27,920 --> 01:09:30,320 Speaker 1: And Luke even says, you're gonna quit your job. You 1113 01:09:30,400 --> 01:09:32,920 Speaker 1: don't need to have these jobs, Like, I will take 1114 01:09:33,000 --> 01:09:36,720 Speaker 1: care of it right, focus on. You have to do this. 1115 01:09:37,080 --> 01:09:40,439 Speaker 1: You've got to graduate. Okay, So here's a here's a 1116 01:09:40,520 --> 01:09:44,160 Speaker 1: question for everybody. What what do you think Jess needs 1117 01:09:44,280 --> 01:09:47,320 Speaker 1: right now? Like, like I think he needed Rory, I 1118 01:09:47,400 --> 01:09:53,599 Speaker 1: thought he needed Luke. Like what does he need? Yeah, 1119 01:09:54,000 --> 01:09:57,439 Speaker 1: he needs to be either you know, private, one on 1120 01:09:57,600 --> 01:10:00,960 Speaker 1: one or a group situation. He is not ready to 1121 01:10:03,280 --> 01:10:07,040 Speaker 1: be in adult world. He's not prepared for it. He's 1122 01:10:07,080 --> 01:10:10,920 Speaker 1: going to fail. He's not doing that though, because he's 1123 01:10:11,000 --> 01:10:14,439 Speaker 1: on a bust of California. Yeah he is, man, he's 1124 01:10:14,920 --> 01:10:20,160 Speaker 1: you know, it's really interesting. Mm hmm. I mean I 1125 01:10:20,240 --> 01:10:22,639 Speaker 1: think he's going to be common. You know, he's set 1126 01:10:22,720 --> 01:10:26,880 Speaker 1: up to be, you know, a great actor, a great writer, 1127 01:10:27,080 --> 01:10:30,560 Speaker 1: a great musician, whatever. I don't think he plays a 1128 01:10:30,720 --> 01:10:34,240 Speaker 1: musical writer, but I think I think he's he's you know, 1129 01:10:34,400 --> 01:10:38,240 Speaker 1: he's a guy who's he's going to be alone a lot. 1130 01:10:38,479 --> 01:10:42,360 Speaker 1: He's going to have a different group of friends. Um, 1131 01:10:42,720 --> 01:10:44,320 Speaker 1: he might not have a lot of friends, but I 1132 01:10:44,439 --> 01:10:48,360 Speaker 1: think on his own, he's smart enough over time to 1133 01:10:48,479 --> 01:10:52,040 Speaker 1: figure it out and he'll make something of his life. 1134 01:10:52,120 --> 01:10:54,880 Speaker 1: I do believe that if he gets away from all 1135 01:10:55,000 --> 01:10:57,080 Speaker 1: of this, and that's why he's going to the coast Man, 1136 01:10:58,479 --> 01:11:00,719 Speaker 1: you know, because he wants to be three miles away 1137 01:11:00,760 --> 01:11:05,200 Speaker 1: from his pain. Right, Yeah, there you go yet. Well, 1138 01:11:05,240 --> 01:11:07,519 Speaker 1: and then he doesn't tell Rory that he's going, and 1139 01:11:09,360 --> 01:11:13,040 Speaker 1: he pulls the bag out. Hell, that's a selfless move. 1140 01:11:13,280 --> 01:11:18,120 Speaker 1: That's sparing her any further harm. He knows that he's toxic, 1141 01:11:18,280 --> 01:11:21,320 Speaker 1: he knows that he's harmful, and he's a smart he's 1142 01:11:21,320 --> 01:11:24,599 Speaker 1: a smart kid. He knows he couldn't hack it even 1143 01:11:24,720 --> 01:11:29,000 Speaker 1: in that little town, right, even with his uncle helping 1144 01:11:29,080 --> 01:11:31,880 Speaker 1: him out. He needed to get away and go find 1145 01:11:32,000 --> 01:11:36,200 Speaker 1: himself and go get his act together, and best to 1146 01:11:36,320 --> 01:11:39,000 Speaker 1: do it far away, right, Because he's smart enough to 1147 01:11:39,760 --> 01:11:41,800 Speaker 1: and resourceful enough that he's going to have an open 1148 01:11:42,640 --> 01:11:45,560 Speaker 1: He's going to have a little apartment somewhere. Right, his 1149 01:11:45,680 --> 01:11:49,120 Speaker 1: dad has dangled the carrot by making an appearance, so 1150 01:11:49,400 --> 01:11:51,840 Speaker 1: Jess it makes sense like Jess is going to go 1151 01:11:52,000 --> 01:11:55,360 Speaker 1: find him. I weirdly had like an aha moment, and 1152 01:11:55,479 --> 01:11:57,320 Speaker 1: I just don't know if it's right or not. Do 1153 01:11:57,400 --> 01:11:59,960 Speaker 1: you think the reason why he was working so hard 1154 01:12:00,000 --> 01:12:04,040 Speaker 1: hard at Walmart was to have an escape plan? Yes, 1155 01:12:05,000 --> 01:12:08,680 Speaker 1: exactly what it was. Yeah, because for a while I 1156 01:12:08,760 --> 01:12:11,040 Speaker 1: was like, why is he working so hard? You know? 1157 01:12:11,320 --> 01:12:13,479 Speaker 1: And now it's kind of like, oh, he had in 1158 01:12:13,560 --> 01:12:16,680 Speaker 1: California in the brain, but he didn't know his dad 1159 01:12:16,720 --> 01:12:20,400 Speaker 1: was in California. But maybe he had escape I think 1160 01:12:20,720 --> 01:12:24,000 Speaker 1: I think that he had heard from his mother that 1161 01:12:24,120 --> 01:12:29,479 Speaker 1: your father is in California. Probably so, and maybe he 1162 01:12:29,560 --> 01:12:32,000 Speaker 1: got a letter or two. Right, maybe it's a phone 1163 01:12:32,040 --> 01:12:34,800 Speaker 1: call every once in a while, but he knew. I 1164 01:12:34,880 --> 01:12:37,560 Speaker 1: don't think. So I don't know. Well, I don't know. 1165 01:12:38,120 --> 01:12:41,519 Speaker 1: First of all, really quickly, I do laugh because even 1166 01:12:41,600 --> 01:12:44,920 Speaker 1: in all the drama of this episode, when Jimmy says 1167 01:12:45,439 --> 01:12:50,679 Speaker 1: I'm your father and just says are you sure? That's 1168 01:12:50,680 --> 01:12:53,680 Speaker 1: amazing and a shout out to toe Futter, which I 1169 01:12:53,760 --> 01:12:58,599 Speaker 1: didn't know. But guys, abrupt transition here? Are we sure 1170 01:12:58,720 --> 01:13:02,599 Speaker 1: the red coat doesn't in anything? Because the prom dress 1171 01:13:02,680 --> 01:13:05,599 Speaker 1: that they looked at in the window was also bright red. 1172 01:13:06,479 --> 01:13:08,680 Speaker 1: I feel like, you know, like you know what it is, 1173 01:13:08,840 --> 01:13:11,200 Speaker 1: and you're like not telling us. No, I don't. I 1174 01:13:11,280 --> 01:13:13,880 Speaker 1: need help. I literally would tell you if I knew. 1175 01:13:13,920 --> 01:13:16,000 Speaker 1: But people are going to have to help. Is there 1176 01:13:16,120 --> 01:13:22,240 Speaker 1: some significant significant meanings they used to call British soldiers 1177 01:13:22,320 --> 01:13:25,240 Speaker 1: red coats? Someone's giving that. I don't think that's it. 1178 01:13:25,439 --> 01:13:29,240 Speaker 1: I have one to producer, Jackie, give us right, that's 1179 01:13:29,280 --> 01:13:31,639 Speaker 1: not it, Jackie, give us your give us your bone 1180 01:13:31,680 --> 01:13:34,680 Speaker 1: to pick, Tara. My one bone to pick is how 1181 01:13:34,800 --> 01:13:40,839 Speaker 1: did Rory not notice the giant sacks next to Jestly? Totally, 1182 01:13:41,040 --> 01:13:43,360 Speaker 1: but I guess we didn't notice. It was also two 1183 01:13:43,439 --> 01:13:45,840 Speaker 1: seconds that she was next to him. I know it 1184 01:13:45,880 --> 01:13:48,240 Speaker 1: could have been under the seat, right, yeah, but like 1185 01:13:48,840 --> 01:13:50,760 Speaker 1: I don't know because she walked towards him when I 1186 01:13:50,800 --> 01:13:54,080 Speaker 1: don't know that he was all kind of bound up 1187 01:13:54,080 --> 01:13:57,679 Speaker 1: in his leather jacket, which he gave her the bomb 1188 01:13:57,840 --> 01:14:00,679 Speaker 1: that she wasn't going to prom so like I think 1189 01:14:00,840 --> 01:14:04,080 Speaker 1: that she was focused on, yeah, she's really not going 1190 01:14:04,160 --> 01:14:08,320 Speaker 1: to problem. Yeah, and then when he said, I'll call you, 1191 01:14:08,479 --> 01:14:12,880 Speaker 1: and I'm like, that's because you're leaving, you're not staying around. Well, 1192 01:14:12,920 --> 01:14:16,280 Speaker 1: the red could mean you know, energy, action, passion, whatever. 1193 01:14:16,520 --> 01:14:19,879 Speaker 1: Who knows. She was the only one that was appropriate 1194 01:14:19,960 --> 01:14:23,400 Speaker 1: that didn't try to hassle some Paul barrels Bears bears 1195 01:14:23,439 --> 01:14:26,280 Speaker 1: to make a deal. I'd skipped a couple of important 1196 01:14:26,320 --> 01:14:29,360 Speaker 1: things too. When they read about Dean's engagement in the paper, 1197 01:14:29,439 --> 01:14:32,360 Speaker 1: which that was a lickety split paper, but also when 1198 01:14:33,200 --> 01:14:35,880 Speaker 1: about Lordline makes the joke about maybe he's just gonna 1199 01:14:35,960 --> 01:14:41,559 Speaker 1: grow so tall. I mean, the whole episode was great, 1200 01:14:41,640 --> 01:14:43,920 Speaker 1: Like we could go on for days. It's like, is 1201 01:14:43,960 --> 01:14:46,320 Speaker 1: there anything that stood out to anybody else that was 1202 01:14:46,360 --> 01:14:48,960 Speaker 1: super safe? I loved that Taylor was handing out the 1203 01:14:49,040 --> 01:14:53,719 Speaker 1: pamphlets at the door and said the the the opening 1204 01:14:53,920 --> 01:14:59,799 Speaker 1: is is now postponed. I said, these people are incredibly 1205 01:14:59,800 --> 01:15:03,280 Speaker 1: in a appropriate like all of them, you know, it's 1206 01:15:03,360 --> 01:15:09,680 Speaker 1: like Taylor Marlins. The only other things that the only 1207 01:15:09,720 --> 01:15:13,200 Speaker 1: other things I would say is like now, like we 1208 01:15:13,360 --> 01:15:15,760 Speaker 1: should emphasize that Lane is going to problem with Dave 1209 01:15:16,000 --> 01:15:21,840 Speaker 1: like that, like that is and with Mrs Kim knowing 1210 01:15:21,960 --> 01:15:25,840 Speaker 1: like young choose out, you know, like that's a I 1211 01:15:25,920 --> 01:15:30,519 Speaker 1: feel like that's big and then yeah, um, and then 1212 01:15:30,560 --> 01:15:32,680 Speaker 1: I would say the dragon fight, and I know that's 1213 01:15:32,680 --> 01:15:37,639 Speaker 1: going to be something very significant. Alright. So in honor Fran, 1214 01:15:38,120 --> 01:15:43,840 Speaker 1: let's rate this episode on one to ten Weston's Bakery cupcakes. 1215 01:15:44,640 --> 01:15:47,680 Speaker 1: How many cupcakes would you give it? I am a 1216 01:15:48,360 --> 01:15:52,080 Speaker 1: ten out of ten cup although twelve out of ten 1217 01:15:52,520 --> 01:15:55,160 Speaker 1: doesn't come doesn't I would say ten out of ten 1218 01:15:55,240 --> 01:15:58,160 Speaker 1: cup takes too. It was very hard for me not 1219 01:15:58,280 --> 01:16:02,400 Speaker 1: to watch the next episode, Like very hard. Yeah, ten 1220 01:16:02,439 --> 01:16:05,840 Speaker 1: out of ten. This episode foreshadowed a lot coming up, 1221 01:16:06,000 --> 01:16:09,560 Speaker 1: so that's why I loved it. Um, can we just 1222 01:16:09,680 --> 01:16:19,160 Speaker 1: favorite lines? After? How many cupcakes? Were there any flaws anything? No, 1223 01:16:19,360 --> 01:16:21,240 Speaker 1: it's just like two plot holes, like we had a 1224 01:16:21,320 --> 01:16:25,840 Speaker 1: couple of pot holes. Um, I'll give it, you know, 1225 01:16:26,080 --> 01:16:29,000 Speaker 1: ten yeah, ten out of ten. Yeah, I think it's 1226 01:16:29,040 --> 01:16:33,639 Speaker 1: a perfect ted. There's nothing to do, nothing to complain about. 1227 01:16:33,680 --> 01:16:38,880 Speaker 1: Their he's got their favorite lines. To go ahead. You 1228 01:16:38,920 --> 01:16:42,120 Speaker 1: only get to do one. You only get to do one. No, no, no, 1229 01:16:42,439 --> 01:16:46,320 Speaker 1: you will come back to you come on the last. 1230 01:16:46,880 --> 01:16:49,080 Speaker 1: Just in case somebody does my line, I'll one of 1231 01:16:49,120 --> 01:16:51,360 Speaker 1: the two. I'll save it. It's a wild guest, but 1232 01:16:51,439 --> 01:16:54,640 Speaker 1: I think it's rhyme rhymes with that, but I did 1233 01:16:54,680 --> 01:16:56,680 Speaker 1: it wrong. One it's a wild guest, but I think 1234 01:16:56,720 --> 01:16:59,920 Speaker 1: his name rhymes with tess. Go ahead, go ahead Tower. 1235 01:17:01,200 --> 01:17:03,280 Speaker 1: I like the line where Loura La says, so not 1236 01:17:03,400 --> 01:17:05,519 Speaker 1: only did you go to a cooporated party, but you 1237 01:17:05,600 --> 01:17:07,360 Speaker 1: were the cause of the fight that caused the rain. 1238 01:17:09,200 --> 01:17:11,800 Speaker 1: All right, Danielle, one, you get one, well, Amy said 1239 01:17:11,840 --> 01:17:13,920 Speaker 1: my one of my two, So that's good. My second 1240 01:17:14,000 --> 01:17:17,160 Speaker 1: one was from Dean de Rory when um, when he goes, now, 1241 01:17:17,240 --> 01:17:23,160 Speaker 1: you know, have a nice life. Yeah, yeah, right there. 1242 01:17:23,920 --> 01:17:30,400 Speaker 1: My favorite line was Adam Brody saying saying I'm I'm 1243 01:17:30,600 --> 01:17:36,160 Speaker 1: so tired. That was hysterical. He was up all nighties, 1244 01:17:36,160 --> 01:17:38,760 Speaker 1: I'll dishoveled him. You just really need an answer right now. 1245 01:17:41,840 --> 01:17:48,240 Speaker 1: Clown Pillow ily re emerged, Is that right? Yep? It 1246 01:17:48,400 --> 01:17:50,840 Speaker 1: was half of the clown Pillow when Lorea. I was 1247 01:17:50,880 --> 01:17:53,320 Speaker 1: talking to Emily on the phone trying to think if 1248 01:17:53,360 --> 01:17:57,800 Speaker 1: there's any other harsh criticism I read on the Instagram 1249 01:17:58,160 --> 01:18:04,400 Speaker 1: this past week. It was coming in hot. I think 1250 01:18:04,439 --> 01:18:06,920 Speaker 1: we got to it. Although they also don't like when 1251 01:18:07,000 --> 01:18:14,200 Speaker 1: I say the Instagram, yeah, it going to pick. You 1252 01:18:14,280 --> 01:18:17,439 Speaker 1: know what, I would love to incorporate what is fan 1253 01:18:17,600 --> 01:18:22,200 Speaker 1: thoughts for this show? Yeah, so you'd love to, like 1254 01:18:22,320 --> 01:18:25,479 Speaker 1: ask on the Instagram before on the instagram on Instagram 1255 01:18:25,720 --> 01:18:29,160 Speaker 1: before we recap an episode, what what are your fan 1256 01:18:29,280 --> 01:18:32,880 Speaker 1: thoughts of um the you know, KEG Max or whatever 1257 01:18:32,960 --> 01:18:34,640 Speaker 1: it is. And then we were some of them, so 1258 01:18:34,800 --> 01:18:36,960 Speaker 1: like if they're different than the four of ours, we 1259 01:18:37,040 --> 01:18:40,120 Speaker 1: can incorporate everyone's thoughts, right, or we take a moment 1260 01:18:40,960 --> 01:18:44,800 Speaker 1: like this week to acknowledge what we left up from 1261 01:18:44,840 --> 01:18:48,679 Speaker 1: the week before. Yeah, whatever it is, keep them coming, 1262 01:18:48,840 --> 01:18:53,240 Speaker 1: keep them coming, all right, let's uh, let's wrap it 1263 01:18:53,360 --> 01:18:55,800 Speaker 1: up here, thank you? What's next week? Oh? I know what? 1264 01:18:55,880 --> 01:18:59,720 Speaker 1: An ass? Here comes the Sun, Here comes the Sun 1265 01:19:00,040 --> 01:19:05,920 Speaker 1: episode get you get it? Here comes the California Son 1266 01:19:06,280 --> 01:19:12,320 Speaker 1: and here comes the Sun s n Hi, everybody, thanks 1267 01:19:12,400 --> 01:19:17,880 Speaker 1: for joining us, Amy Sugarman, Danielle Romo, Tara, I gotta 1268 01:19:17,960 --> 01:19:21,840 Speaker 1: get you. I can't call you, Tara s suits box, 1269 01:19:22,680 --> 01:19:28,200 Speaker 1: dude back, it's really hard. Suit back the Tara suit back. Okay, 1270 01:19:28,439 --> 01:19:31,840 Speaker 1: that should be easy enough, um Tara, right, Tara sup 1271 01:19:31,920 --> 01:19:38,400 Speaker 1: back the easiest name just saying the world. Um, thanks 1272 01:19:38,439 --> 01:19:41,720 Speaker 1: for downloading, everybody, love you guys, keep the cards and 1273 01:19:41,880 --> 01:19:45,640 Speaker 1: letters coming and the emails as well. We learned a 1274 01:19:45,720 --> 01:19:49,360 Speaker 1: great deal from your thoughts and opinions. We really really do. 1275 01:19:49,600 --> 01:19:54,040 Speaker 1: We really appreciate it, um, so please please give us 1276 01:19:54,080 --> 01:19:58,519 Speaker 1: your honest assessment of what we're doing here. Um. You're 1277 01:19:58,680 --> 01:20:00,800 Speaker 1: more in control of this podcast then you realize, so 1278 01:20:01,400 --> 01:20:04,240 Speaker 1: we do appreciate that. Anyway, Guys, we'll see you next time. 1279 01:20:05,680 --> 01:20:37,840 Speaker 1: Take care hot hey everybody, and don't forget follow us 1280 01:20:37,920 --> 01:20:42,120 Speaker 1: on Instagram at I Am all In podcast and email 1281 01:20:42,240 --> 01:20:46,599 Speaker 1: us at Gilmore at I heart radio dot com. Oh 1282 01:20:46,640 --> 01:20:48,200 Speaker 1: you gil More fans. If you're looking for the best 1283 01:20:48,320 --> 01:20:51,120 Speaker 1: cup of coffee in the world, go to my website 1284 01:20:51,160 --> 01:20:53,920 Speaker 1: for my company scott ep dot com, s c O 1285 01:20:54,040 --> 01:20:56,519 Speaker 1: T t y P dot com scotty p dot com 1286 01:20:56,960 --> 01:20:59,240 Speaker 1: Grade one Specialty Coffee