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Speaker 1: Qué tal

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Speaker 2: chicos? Bienvenidos a vuestro podcast favorito, Chiquis and Chill. Muchas

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Speaker 2: gracias por estar aquí, por volver semana tras semana. Lo aprecio.

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Speaker 2: Lo aprecio mucho. Y hoy tenemos un episodio muy especial.

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Speaker 2: Un invitado muy especial. Alguien al que me importa mucho.

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Speaker 2: Él es... He's an actor, he's a singer, and he's

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Speaker 2: also a host on a show that I happen to

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Speaker 2: be a judge on, and it is called La Academia,

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Speaker 2: so you might know who he is. Everyone, round of applause, please,

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Speaker 2: for Jaime Camil. A round of applause. You guys, estamos

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Speaker 2: de manteles largos. How do you say that in English?

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Speaker 2: Manteles largos. Uf.

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Speaker 3: Cómo se dice?¿ De gala? No. Estamos de gala. No sé.

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Speaker 2: No existe

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Speaker 3: Sabes qué pasa? Que

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Speaker 2: nuestro idioma

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Speaker 3: es

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Speaker 2: mucho más rico.

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Speaker 3: Es mucho más rico. Y

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Speaker 2: el léxico es mucho

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Speaker 3: más amplio que inglés.

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Speaker 2: Es cierto. Pues estamos en Manteles Largos. Es un honor

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Speaker 2: tener a Jaime Camil aquí en el podcast.

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Speaker 3: Estamos de long tablecloths.

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Speaker 2: Long tablecloths. Exactamente.¿ Y sabes lo que es lo más loco?

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Speaker 2: Es que estoy constantemente pensando cuando estamos en la academia. Sí. OK,

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Speaker 2: how do I say this? I'm always thinking in English

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Speaker 2: and I'm like, how do I translate it in Spanish? Claro,

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Speaker 2: a mí me pasó lo mismo.

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Speaker 3: Pero the thing is that for us, that we live

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Speaker 3: in this country, more you because you grew up here, right?

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Speaker 2: Yes.

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Speaker 3: Bueno, yo no. My kids,

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Speaker 2: they

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Speaker 3: grew up here. So they are, o sea, they're like

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Speaker 2: you. Yes

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Speaker 3: Hablan inglés, it's their

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Speaker 2: first language. OK.

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Speaker 3: And they do speak Spanish decent.

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Speaker 2: Yes.

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Speaker 3: Pero en inglés es su primera lengua

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Speaker 2: Y eso es lo

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Speaker 3: que pasa. Es muy normal para nosotros. No te da

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Speaker 3: mucha risa cuando tu tweets algo. Perdón, tu ex.¿ Cuál

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Speaker 3: es el nombre

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Speaker 2: ahora? ¿Qué? Oh, el ex

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Speaker 2: Yo también lo llamo Twitter. Para mí todavía es

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Speaker 3: Twitter. Sí, la verdad es que sí. Ahora es un

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Speaker 3: lugar muy hostil.

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Speaker 2: Sí.

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Speaker 3: Cuando tu tweets y dices algo en inglés, no te pasa.

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Speaker 3: tienes el nopal en la frente y ahora resulta que

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Speaker 3: eres gringo y la chingada y es no the thing

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Speaker 3: is that for us

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Speaker 2: that we live in

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Speaker 3: this country it's very natural for us to go back

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Speaker 3: and forth

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Speaker 2: de

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Speaker 3: inglés a español y de español

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Speaker 2: a inglés it's so yes I'm so grateful that I

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Speaker 2: speak both languages but sometimes I'm like If I'm doing

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Speaker 2: an interview, even if it's in English, I'm thinking in Spanish.

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Speaker 2: It's the weirdest thing. I don't know. Estoy hecha bolas.

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Speaker 2: Estoy hecha bolas. Claro, claro.¿ Cómo es decir? First of all,

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Speaker 3: thank you for being... I'm going to make this my show.

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Speaker 3: Thank you for being here, chiquis. You are amazing in

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Speaker 3: la academia. You are doing an amazing job. And people

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Speaker 3: might think, This is something that I now know. Correct

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Speaker 3: me if I'm wrong. Pero I think people might think that, oh,

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Speaker 3: she's afraid. She's afraid that if she's too harsh with

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Speaker 3: the kids, the fans are going to turn. No

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Speaker 3: Es que you're genuinely nice way.

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Speaker 2: Yeah. O sea,

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Speaker 3: you're genuinely nice

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Speaker 2: and you care about these kids. That's how I am.

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Speaker 3: Yes. And you really don't want to hurt their feelings

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Speaker 2: I don't. I don't. And I see sometimes the comments

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Speaker 2: and I'm just like, I have to ignore them, honestly.

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Speaker 3: Yo pensé, al principio, guilty. Yo

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Speaker 2: dije

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Speaker 3: no pasa nada que Chiquis... Si tiene algo que decir,

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Speaker 3: que lo diga. Luego dije, oh my God, no, she's

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Speaker 3: actually super nice, güey. She's

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Speaker 2: really, really nice. Thank you, Jamie. Thank you. It's been hard. Honestly,

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Speaker 2: I was very nervous. Cuando entré dije, I'm a little nervous.

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Speaker 2: Porque es una gran responsabilidad. It's a huge responsibility being

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Speaker 2: a critic because I've been criticized so much. So I

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Speaker 2: know what that is. Now to the point where I

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Speaker 2: was like, you know what? I'm not going to read

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Speaker 2: the comments. I'm just going to go do my job.

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Speaker 2: I'm going to be myself. The problem with people like

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Speaker 3: you and I is that when we come from high

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Speaker 3: profile parents. Yes. La escrutinía.

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Speaker 2: La escrutinía es todavía más... Más. Más. Más. Más. Más. Más. Más. Más. Más.

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Speaker 3: Más. Más.

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Speaker 2: Más. Más. Más. Más.

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Speaker 3: Más. Más. Es el clásico de, ¿sabes? Ok, ok. If

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Speaker 3: you want to act now and sing, that's fine. Pero

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Speaker 3: es el clásico de, what are you going to do?

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Speaker 2: O sea, what

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Speaker 3: do you do? I'm a singer. And what else? O,

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Speaker 2: qué eres

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Speaker 3: Soy cantante. Ah, no me digas.¿ Y en qué trabajas?

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Speaker 3: Se lo mismo, pendejo.

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Speaker 2: Exactly,

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Speaker 3: yeah. Our career is perceived as a hobby instead of

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Speaker 3: like a professional endeavor, right? So, yeah, he wanted me

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Speaker 3: to pursue business, of course, and everything. But, you know,

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Speaker 3: my mom from Brazil, she was a singer too. Ahora

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Speaker 3: ella pinta y es una compositora increíble.

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Speaker 2: Pero la artesanía fue

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Speaker 3: transmitida a mí a través del cordón umbilical.

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Speaker 2: And that's something you can't

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Speaker 3: deny. You can't deny it.

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Speaker 2: It's in you. It's in

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Speaker 3: your DNA.

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Speaker 2: It's in your DNA, exactly. Yeah, absolutely

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Speaker 3: Entonces, al final del día, hizo paz. Dijo adelante, ok.

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Speaker 3: Y en su muy particular forma de impulsarme a ser excelente,

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Speaker 3: like always pursue excellence, fue, mira, if you want to

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Speaker 3: shine shoes in the Zócalo of Mexico, that's fine. But

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Speaker 3: if I arrive to the Zócalo and they don't tell me, hey, sir,

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Speaker 3: there's a Camille guy in that corner, best shoes ever. Like,

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Speaker 3: in a way, he was telling me, always... Busca excelencia. Sí,

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Speaker 2: esa fue mi mamá. Sé lo mejor que

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Speaker 3: puedes.

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Speaker 2: Absolutamente. Sí. Sí, porque ella, como sabes, mi madre, ella

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Speaker 2: es una leyenda. De una vez, chiquis. Ahorita mismo cerramos

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Speaker 2: el pinche película.¡ A huevo! Chiquis, ya rom-com ahorita. No, chiquis,

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Speaker 2: yo decía que fuera la rom-com.

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Speaker 3: Quieres ser la que le roba? La que le roba.¿

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Speaker 3: Sabes que hay un proyecto ahorita buenísimo, chiquis

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Speaker 3: que I'm producing

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Speaker 2: Really

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Speaker 2: And you could be amazing. Jaime. Te lo juro que sí. OK. Sí.

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Speaker 2: I

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Speaker 3: would love to. I want to do it. I value people.¿

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Speaker 3: Sabes cómo es en nuestra industria, no?

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Speaker 2: Vente,

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Speaker 3: chiquis, pero hazlo gratis, ¿no? No, no, no. Bullshit. No,

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Speaker 2: aquí todo el mundo gana. I'll do it at a

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Speaker 2: good price.

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Speaker 3: No, no, no. Todo el mundo tiene que hacer bien.

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Speaker 3: Tiene que estar cómodo. Tiene que llegar a trabajar con

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Speaker 3: una sonrisa. Eso le decían a Antonio Banderas

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Speaker 2: en una

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Speaker 3: película un día. Oye... pero siente bien de venir, no

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Speaker 3: sé qué. Y me dice, mira, con lo que me pagan,

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Speaker 3: vengo con una sonrisa y le sirvo café a todo

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Speaker 3: el crew.

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Speaker 2: Ajá, exacto. You feel appreciated, you're going to do it

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Speaker 2: with more love. I agree, I agree. No, pero it's

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Speaker 2: a

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Speaker 3: good project.

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Speaker 2: Okay, awesome. Well, you let me know, estoy puesta. Tú

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Speaker 2: déjame saber. And then if I need some tips with

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Speaker 2: the acting, because I'm sure I will. No, hombre, it's

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Speaker 2: your

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Speaker 4: natural.

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Speaker 2: No, look, I have too much Botox. I need to like... No,

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Speaker 2: I swear, I've noticed that if you are an actor

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Speaker 2: or an act... It's not actress, right? It's actor for

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Speaker 2: both men and women. Either way.

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Speaker 3: Our language has genders. That's

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Speaker 2: how

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Speaker 3: Spanish

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Speaker 2: is.

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Speaker 3: It's not that it's not being inclusive or it's

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Speaker 2: not

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Speaker 3: being diverse. It's just how the language... Las reglas gramaticales

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Speaker 3: de nuestro idioma. It's

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Speaker 2: how it is. It is how it is.

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Speaker 3: Bueno, decir actores con

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Speaker 2: la E,

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Speaker 3: pero también actores en español es el plural

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Speaker 2: de

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Speaker 3: actor. O sea, es complicado

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Speaker 2: A mí me... La verdad, estoy súper... Pero bueno. Sí.

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Speaker 2: I will do it. I'll let this fade out, my Botox.

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Speaker 2: But

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Speaker 3: anyway. Sabes, te conozco muy bien. Ahorita

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Speaker 2: dijiste

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Speaker 3: Botox. I'm a good friend of Simon Orion. Have you

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Speaker 3: heard of Simon

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Speaker 2: Orion? Yes,

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Speaker 3: I went to see him once. He's a good friend

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Speaker 3: of mine and I had no idea who he was.

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Speaker 3: He's great. Y me dice, no mames, idiota

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Speaker 2: He's

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Speaker 3: amazing. Y dije,¿ y por qué yo no voy?

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Speaker 2: Tú te ves bien, you don't need it.

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Speaker 3: Pero sabes que veo...

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Speaker 2: Honestly, te ves muy bien.

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Speaker 3: Igualmente,

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Speaker 2: te ves

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Speaker 3: espectacular.

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Speaker 2: Pero viste lo

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Speaker 3: que hizo Did you see Brad Pitt's picture like maybe

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Speaker 3: a month ago? Que

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Speaker 2: se ve

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Speaker 3: espectacular. He

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Speaker 2: looks amazing. So he went to Simon? I don't know.

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Speaker 2: I don't know

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Speaker 3: what he

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Speaker 2: did. Oh, he probably did a little. Se hizo algo,

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Speaker 2: pero yo

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Speaker 3: no creo que sea cirugía porque eso you can tell, ¿no?

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Speaker 2: Yes. Te ves más caladito or whatever. Exacto. Entonces hizo algo.

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Speaker 2: I have to look

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Speaker 3: him up. Se ve espectacular. Es espectacular.

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Speaker 2: Sí.¿ Cuánto años tienes? Jaime, si no me importa

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Speaker 3: preguntar

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Speaker 2: 51. Honestamente, no, no lo hubiera pensado. La verdad, muy bien. Gracias.

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Speaker 2: Te cuidas bien. Eres feliz. Eres un hombre feliz.

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Speaker 3: Soy muy sano. Hago

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Speaker 2: ejercicio.

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Speaker 3: No me meto drogas. No tomo. O sea

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Speaker 2: no tomas

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Speaker 3: nada de alcohol. Fíjate que no. Eso es bueno. O sea,¿

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Speaker 3: cuánto

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Speaker 2: tiempo has estado? Me

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Speaker 3: tomaré un tequila una vez al mes.

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Speaker 2: Ok. Pero no es parte de tu vida. Un

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Speaker 3: reposado tequila rico

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Speaker 2: y me siento

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Speaker 3: increíble, pero definitivamente no es parte de mi

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Speaker 2: vida. Sí, eso es algo que ahora estoy en un descanso.

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Speaker 2: Ahora no estoy bebiendo hasta el 10 de septiembre. Bien.

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Speaker 2: Pero estar en la escena, los tequilas, ¿sabes? Es parte

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Speaker 2: de nuestra cultura. Y más de los palenques. Exactamente. Porque

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Speaker 5: si no brindas con

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Speaker 2: el

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Speaker 5: público, eres una sangrona, ¿no?

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Speaker 2: Exacto. Sí, claro, mijo.

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Speaker 5: Claro,

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Speaker 2: mijo. Y cuando no estoy bebiendo, tengo que pretender que

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Speaker 2: estoy bebiendo y es como un té o algo así.

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Speaker 2: Pero me gusta el tequila, pero... Sí, es horrible. Es

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Speaker 2: realmente malo. Ok, well, ahora... Oh, yes. So, I wanted

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Speaker 2: to ask you. So, talking about acting, how did you, like...

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Speaker 2: Because you sing. You're also a singer.

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Speaker 3: Sí

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Speaker 2: So, what came first, the acting or singing? Singing. Nice. So,

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Speaker 2: tell me about that. Sí.

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Speaker 3: Fíjate que Héctor Martínez,

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Speaker 2: el

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Speaker 3: director de la Academia, era en 94 o 1996. Tú

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00:09:23,050 --> 00:09:24,890
Speaker 3: no habías nacido, ¿verdad, chiquis? No, of course

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Speaker 2: not. No, no, no, no, not at all. I was

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Speaker 2: not born yet. I know. Well, that's the thing

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Speaker 3: So,

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Speaker 2: back in the day, there was a year

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Speaker 3: Known as 1996. Oh my gosh, it sounds, yeah. Y

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Speaker 3: Héctor era el A&R Director de EMI Music México. Entonces

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Speaker 3: yo firmé con él. Mario Ruiz era el presidente de

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Speaker 3: EMI Music México.

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Speaker 2: Y

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Speaker 3: firmé con él y saqué mi disco y le fue bien.

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Speaker 3: Pero en México, tú sabes que es difícil porque... No

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Speaker 3: sé por qué en Estados Unidos cuando alguien es tiene

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Speaker 3: multitalentos es como wow y en México o en América

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00:09:59,950 --> 00:10:02,010
Speaker 3: Latina es como pero decidete decidete

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00:10:02,679 --> 00:10:05,780
Speaker 2: Quieres ser actor o cantante? Oh, my goodness.¿ Por qué? Dime.

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Speaker 3: Porque tienen también malos ejemplos

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Speaker 2: de

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Speaker 3: que hay de repente actores que si les pega una novela,

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Speaker 2: uy, al

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Speaker 3: día siguiente sacan disco, venden gatos, castran. O sea, es

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Speaker 3: como quieren aprovechar, ¿no? Ven burro y se les antoja viaje, ¿no?

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Speaker 2: Como dicen

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Speaker 3: y es... Voy a voy con todo. Y es, no, man.

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Speaker 2: Yeah

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Speaker 3: Do only what you're good at.

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Speaker 2: Yes

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Speaker 3: Don't do all.

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Speaker 2: And if you're good at everything, I mean. Then amazing. Exactly.

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Speaker 2: Go for it. We're gods. I mean, yeah. Sí. Right.

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Speaker 2: Como

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Speaker 3: diríamos chiquis y yo,¿ por qué tanto talento a nosotros

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Speaker 3: y nada a los demás? No, no es cierto. I'm kidding.

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Speaker 3: I'm

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Speaker 2: kidding.

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Speaker 3: I mean.

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Speaker 2: I mean. Yeah. Okay. So it was singing. Okay.

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Speaker 3: Sí, singing, firmo, hago el disco, le va bien, nada

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Speaker 3: espectacular y mucho menos. Pero fue singing, yeah

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Speaker 2: Okay.

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Speaker 3: Arturo López Gavito

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Speaker 2: fue

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Speaker 3: el presidente de EMI, Music México.

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Speaker 2: Dude,

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Speaker 3: I did not know that. He was my president

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Speaker 2: Oh, my goodness. Y EMI

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Speaker 3: Music México.

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Speaker 2: Es muy buena onda él, eh

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Speaker 3: Es un tipazo. With the radio

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Speaker 2: back in the day,

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Speaker 3: pero sí.

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Speaker 2: Entonces

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00:11:02,640 --> 00:11:04,040
Speaker 3: empezó primero la cantada y...

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Speaker 2: Yeah.

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Speaker 3: You have to apologize, chiquis, because I'm very scattered, right?

303
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Speaker 2: It's okay. I love it.

304
00:11:10,510 --> 00:11:13,010
Speaker 3: So I started saying something and like to the squirrel

305
00:11:13,890 --> 00:11:18,770
Speaker 3: y I'm gone. Pero lo que preguntaste fue, sí. Luego

306
00:11:18,890 --> 00:11:21,570
Speaker 3: Lucero me habla y me dice Lucero, oye, Carl Estrada

307
00:11:21,590 --> 00:11:25,700
Speaker 3: está buscando al villain de su novela. Y dije, wow, perfecto, ok.

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Speaker 3: It's gonna help the album.

309
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Speaker 2: Ok.

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Speaker 3: Album. My age, album. Le digo, si hago esto y

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Speaker 3: estoy en pantalla, I'm gonna be able to sell more shows.

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00:11:36,940 --> 00:11:39,179
Speaker 3: And sure enough, I sold like 180 shows that year.

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Speaker 3: It was crazy. Live with live

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Speaker 2: band.

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Speaker 3: It was crazy. Y me fue muy bien. Pero yo

316
00:11:44,300 --> 00:11:48,530
Speaker 3: empecé a actuar para ayudar al disco. To help the CD, right?

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00:11:49,110 --> 00:11:51,790
Speaker 3: Y de repente... And I think it was life or

318
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Speaker 3: God or the universe throwing hints at me like, you

319
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Speaker 3: have to pursue acting. Acting

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Speaker 2: is for you.

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Speaker 3: It's not so much music. And that's

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Speaker 2: how I transitioned. And did your dad ever say, I'm

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Speaker 2: proud of you? Yes

324
00:12:05,020 --> 00:12:08,079
Speaker 3: Proud, yes. Eventually he was my biggest fan. Y lo

325
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Speaker 3: tenía que meter a los proyectos. Quería un papel, un

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Speaker 3: cameo here, cameo there. And at first I was very

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Speaker 3: muy resiliente, muy... No me gustaba eso. Sí. Porque decía, mira, pa,

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Speaker 3: the thing is this. They already say that you buy

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Speaker 3: my career, that you purchase my career, ¿no? Because I have,

330
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Speaker 3: you know, zero talent, whatever. So if you appear in

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Speaker 3: my projects, we're gonna kind of like, we're gonna kind

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Speaker 3: of like confirm that. Yeah

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Speaker 2: yeah,

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Speaker 3: yeah. So

335
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Speaker 2: Do we have a lot in common, Jaime? Y

336
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Speaker 3: luego dije,¿ sabes qué? Fuck that.

337
00:12:39,220 --> 00:12:39,580
Speaker 2: Si no les

338
00:12:39,600 --> 00:12:41,439
Speaker 3: parece que mi papá está en el... Pues es problema

339
00:12:41,460 --> 00:12:42,099
Speaker 3: de ellos, güey.

340
00:12:42,340 --> 00:12:43,120
Speaker 2: Exactamente. Que se pongan

341
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Speaker 3: de buenas y luego se pongan de malas y luego

342
00:12:44,640 --> 00:12:45,340
Speaker 3: de buenas otra vez. It's

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00:12:45,440 --> 00:12:48,780
Speaker 2: all... It's not... They're just projecting. Claro. It's their... Yeah.

344
00:12:49,000 --> 00:12:51,020
Speaker 2: And you know, now that you're saying that, it's so

345
00:12:51,059 --> 00:12:53,839
Speaker 2: crazy because a lot of... I mean, lo que estaba

346
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Speaker 2: diciendo ahorita que, ah, porque canto, porque tengo negocios, porque

347
00:12:57,200 --> 00:12:59,780
Speaker 2: tengo podcast y gracias a Dios tengo el tiempo, lo

348
00:12:59,830 --> 00:13:02,210
Speaker 2: voy a hacer y no... There's nothing wrong with it,

349
00:13:02,260 --> 00:13:04,330
Speaker 2: I feel like. Nothing wrong. I'm like, I love... Everything

350
00:13:04,350 --> 00:13:06,070
Speaker 2: that I do, I love it. It's not forced.

351
00:13:06,890 --> 00:13:08,060
Speaker 3: Y hay que decirlo como es,

352
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Speaker 2: ¿no?

353
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Speaker 3: Desafortunadamente, en América Latina, en México, la cultura, por tristeza,

354
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Speaker 3: es

355
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Speaker 2: de un

356
00:13:13,820 --> 00:13:15,179
Speaker 3: gran resentimiento social. Sí.

357
00:13:15,480 --> 00:13:16,300
Speaker 2: There's a lot of

358
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Speaker 3: social resentment, ¿no? Y es feo, porque el chiste del cangrejo,

359
00:13:20,809 --> 00:13:21,069
Speaker 2: ¿sabes? El

360
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Speaker 3: mexicano que jala

361
00:13:21,850 --> 00:13:22,140
Speaker 2: al cangrejo

362
00:13:22,410 --> 00:13:25,370
Speaker 3: Sí, sí. It is real. And I've seen that people,

363
00:13:26,610 --> 00:13:28,449
Speaker 3: social media also plays a big part of it, pero...

364
00:13:28,690 --> 00:13:35,520
Speaker 3: For sure. Now everybody thinks that we... O la gente

365
00:13:35,540 --> 00:13:37,000
Speaker 3: tiene que explicar todo.

366
00:13:37,020 --> 00:13:37,360
Speaker 2: Sí.

367
00:13:37,580 --> 00:13:38,920
Speaker 3: Todo tiene que ser explicado

368
00:13:39,620 --> 00:13:39,660
Speaker 2: Y

369
00:13:39,700 --> 00:13:42,250
Speaker 3: ahora todos piensan que todos tienen una opinión. Sí

370
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Speaker 2: Y que

371
00:13:43,120 --> 00:13:45,720
Speaker 3: esa opinión tiene que ser escuchada. Es como

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00:13:45,890 --> 00:13:46,290
Speaker 2: hombre, tu

373
00:13:46,350 --> 00:13:50,010
Speaker 3: opinión le vale tres toneladas de pepino a ti. Quizás

374
00:13:50,030 --> 00:13:53,429
Speaker 3: a tus ocho seguidores les importa mucho tu opinión, güey.

375
00:13:54,030 --> 00:13:56,700
Speaker 3: Pero a la gente en general no. Y luego, además

376
00:13:56,720 --> 00:13:58,840
Speaker 3: de eso, no son tan inteligentes

377
00:13:59,679 --> 00:14:00,580
Speaker 3: Y no son tan sabios.

378
00:14:00,760 --> 00:14:01,060
Speaker 2: Sí. Y no

379
00:14:01,100 --> 00:14:03,600
Speaker 3: entienden cómo funciona el sarcástico. Exactamente

380
00:14:04,220 --> 00:14:04,400
Speaker 2: Y tú

381
00:14:04,440 --> 00:14:07,080
Speaker 3: eres como, mi amor, estás hundiendo, ya, ya

382
00:14:07,210 --> 00:14:08,719
Speaker 2: Tú solito, o sea. Deja, sí

383
00:14:08,870 --> 00:14:10,970
Speaker 3: o sea, ayúdate, güey, ya mejor cállate, ¿no?

384
00:14:11,450 --> 00:14:12,590
Speaker 2: Oh, Dios mío. Pero es divertido

385
00:14:13,250 --> 00:14:16,230
Speaker 3: es divertido, y sí, eso sucede mucho, afortunadamente. Es verdad, afortunadamente.

386
00:14:16,250 --> 00:14:23,360
Speaker 3: Debemos celebrar, como personas latinoamericanas, debemos celebrar, no solamente regocijarnos

387
00:14:23,380 --> 00:14:26,800
Speaker 3: en los fracasos o en las tragedias de otros, el

388
00:14:27,640 --> 00:14:33,250
Speaker 3: momento en que nosotros, como sociedad, comenzamos a celebrar Y

389
00:14:33,320 --> 00:14:39,300
Speaker 3: aplaudir y enaltecer los logros de otros. Y aplaudir lo

390
00:14:39,480 --> 00:14:43,220
Speaker 3: que hacen los otros. En ese momento, las cosas van

391
00:14:43,300 --> 00:14:50,620
Speaker 3: a ir mejor para nosotros. Me encanta

392
00:14:50,680 --> 00:14:55,239
Speaker 2: esto, chicos. Me encanta el hecho de que sois iguales.

393
00:14:55,830 --> 00:14:58,190
Speaker 2: O sea, el que vemos en la televisión, el que

394
00:14:58,230 --> 00:15:00,890
Speaker 2: está sentado aquí, el que... I love that about you.

395
00:15:00,930 --> 00:15:04,270
Speaker 2: Has it always been like, since you started this, did

396
00:15:04,310 --> 00:15:06,080
Speaker 2: you ever feel you had to fake the funk?

397
00:15:06,380 --> 00:15:06,930
Speaker 3: Never,

398
00:15:06,980 --> 00:15:07,100
Speaker 2: never

399
00:15:07,250 --> 00:15:08,320
Speaker 3: That's so lame.

400
00:15:09,220 --> 00:15:10,020
Speaker 2: I have a lot of...

401
00:15:10,060 --> 00:15:12,640
Speaker 3: It's so lame. I have friends of mine that really

402
00:15:12,700 --> 00:15:16,760
Speaker 3: act like I'm the actor. I don't understand. I mean,

403
00:15:16,820 --> 00:15:24,210
Speaker 3: we do put on skins and emotions for our characters. Yes.

404
00:15:24,930 --> 00:15:27,890
Speaker 3: pero entonces es solo un trabajo. Sabes, es solo un trabajo.

405
00:15:27,930 --> 00:15:28,430
Speaker 3: Sabes cómo

406
00:15:28,480 --> 00:15:29,760
Speaker 2: separarlo. Exactamente. Actores o figuras públicas

407
00:15:30,140 --> 00:15:31,920
Speaker 3: y sé que te relacionas con esto porque eres un

408
00:15:32,000 --> 00:15:34,320
Speaker 3: ser humano hermoso y una hermosa alma. Algunas personas que

409
00:15:34,340 --> 00:15:36,520
Speaker 3: hacen lo que hacemos piensan que están curando el cáncer.

410
00:15:36,560 --> 00:15:50,740
Speaker 3: Es como, Like, no. You're not curing cancer. You're playing pretend.

411
00:15:51,450 --> 00:15:53,260
Speaker 3: And you're getting paid a shitload of money to play

412
00:15:53,280 --> 00:15:53,660
Speaker 3: pretend

413
00:15:54,280 --> 00:15:55,090
Speaker 3: That's what

414
00:15:55,170 --> 00:15:55,990
Speaker 2: you're

415
00:15:56,010 --> 00:15:59,160
Speaker 3: doing. You're playing pretend. You're not curing cancer

416
00:15:59,530 --> 00:15:59,660
Speaker 2: Entonces

417
00:16:00,430 --> 00:16:03,330
Speaker 3: no podemos tomar... Hay personas, hay colegas míos que de

418
00:16:03,350 --> 00:16:04,970
Speaker 3: veras se toman muy en serio lo que hacen y

419
00:16:05,010 --> 00:16:08,750
Speaker 3: de veras creen que sin ellos el mundo no gira. Dude,

420
00:16:08,830 --> 00:16:09,350
Speaker 3: we're fine

421
00:16:09,790 --> 00:16:11,870
Speaker 3: If you are not here tomorrow...

422
00:16:13,520 --> 00:16:13,700
Speaker 2: Abro

423
00:16:13,740 --> 00:16:14,880
Speaker 3: mi fósil y sigue saliendo

424
00:16:14,900 --> 00:16:19,780
Speaker 2: agua.¿ Eres un hombre de fe?¿ Eres un hombre religioso

425
00:16:19,820 --> 00:16:21,729
Speaker 2: o un hombre espiritual

426
00:16:22,340 --> 00:16:24,350
Speaker 3: Yo diría espiritual, porque la religión significa ir a la

427
00:16:24,370 --> 00:16:25,030
Speaker 3: iglesia o lo que sea,

428
00:16:25,050 --> 00:16:28,650
Speaker 2: ¿verdad? Sí, más como una estructura organizada. No, no,

429
00:16:28,670 --> 00:16:30,270
Speaker 3: soy muy espiritual. Yo creo en Dios. Yo creo en

430
00:16:30,330 --> 00:16:32,850
Speaker 3: quien sea más grande en el universo, en Dios, en

431
00:16:32,930 --> 00:16:34,490
Speaker 3: quien sea que crea algo más grande.

432
00:16:34,530 --> 00:16:36,310
Speaker 2: En tratar a las personas bien, en tratar a las

433
00:16:36,330 --> 00:16:37,430
Speaker 2: personas de la manera que

434
00:16:37,450 --> 00:16:37,790
Speaker 3: quieras.

435
00:16:37,790 --> 00:16:38,710
Speaker 2: 100%. 100%. Y eso es lo que enseño

436
00:16:38,990 --> 00:16:40,710
Speaker 3: a mis hijos. Sí, 100%.

437
00:16:40,710 --> 00:16:44,260
Speaker 2: Ok. And what do you feel is the biggest misconception

438
00:16:44,280 --> 00:16:45,860
Speaker 2: that people have said about you? Because, I'm going to

439
00:16:45,900 --> 00:16:47,220
Speaker 2: say something real quick before

440
00:16:47,240 --> 00:16:48,840
Speaker 3: you answer. I'm sure you were a victim of it.

441
00:16:49,060 --> 00:16:52,400
Speaker 2: I'm sure they told you. Yeah. And I was like, what?

442
00:16:52,420 --> 00:16:54,180
Speaker 2: They said something about, ah, que es muy

443
00:16:54,420 --> 00:16:54,620
Speaker 3: mamón

444
00:16:54,880 --> 00:16:57,350
Speaker 2: Ajá, es muy mamón. A mí también me ha dicho eso. Ay,

445
00:16:57,380 --> 00:17:02,270
Speaker 2: que eres muy prepotente. You're arrogant. And then I'm like, oh, ok, well,

446
00:17:02,290 --> 00:17:03,730
Speaker 2: maybe just sit down and talk to me a little bit.

447
00:17:03,750 --> 00:17:04,050
Speaker 2: You were like

448
00:17:04,270 --> 00:17:07,690
Speaker 5: wow, que buen actor es este cabrón. Que buen actor,

449
00:17:07,770 --> 00:17:08,670
Speaker 5: porque conmigo no.

450
00:17:08,690 --> 00:17:10,899
Speaker 2: You have been nice to a todos, y lo veo,

451
00:17:10,920 --> 00:17:12,899
Speaker 2: y esta es la única vez en la que hemos interactuado,

452
00:17:12,960 --> 00:17:14,359
Speaker 2: te he visto aquí, y vivimos en el mismo área,

453
00:17:14,380 --> 00:17:16,240
Speaker 2: pero soy muy observante, y eres agradable a los ejecutivos,

454
00:17:16,260 --> 00:17:20,150
Speaker 2: a la gente, a los trabajadores, y cuando me dijeron eso,

455
00:17:20,190 --> 00:17:28,949
Speaker 2: me preguntaron,¿ cómo está trabajando con Jaime? You know, he

456
00:17:28,990 --> 00:17:30,510
Speaker 2: doesn't want this, he doesn't want... And I'm like... He

457
00:17:30,530 --> 00:17:30,670
Speaker 2: doesn't

458
00:17:30,690 --> 00:17:30,939
Speaker 3: want what

459
00:17:31,510 --> 00:17:33,270
Speaker 2: Interviews, he doesn't want to give us interviews. Y no

460
00:17:33,310 --> 00:17:35,609
Speaker 2: sé qué tanto me dijeron. And I said, well, that's

461
00:17:35,690 --> 00:17:37,470
Speaker 2: okay if he doesn't want to give you interviews. No

462
00:17:37,490 --> 00:17:39,750
Speaker 2: hay nada de malo con eso. Pero es una muy

463
00:17:39,790 --> 00:17:41,650
Speaker 2: buena persona. O sea, y no nomás lo estoy diciendo.

464
00:17:41,850 --> 00:17:44,790
Speaker 2: Everyone on my team says the same thing. Gracias. And

465
00:17:44,810 --> 00:17:46,550
Speaker 2: to me, I was like, that is the craziest thing.

466
00:17:46,670 --> 00:17:48,690
Speaker 2: It is. Because I see it. I see how nice

467
00:17:48,770 --> 00:17:49,739
Speaker 2: you are to everyone. Gracias

468
00:17:49,880 --> 00:17:52,980
Speaker 3: Chiqui. No, it is... Pero, mira, this is the thing, right?

469
00:17:53,000 --> 00:17:56,980
Speaker 3: For example... Because of the misconception that if you come

470
00:17:57,000 --> 00:17:59,450
Speaker 3: from privilege, you're supposed to be mamón y creído y

471
00:17:59,650 --> 00:18:04,409
Speaker 3: pesado y prepotente, whatever. Yeah. It's just very simple, right? Like,

472
00:18:04,430 --> 00:18:08,150
Speaker 3: let's say on the interview thing. I'm like, sure, let's

473
00:18:08,190 --> 00:18:11,560
Speaker 3: sit down with cameras that you want and let's have

474
00:18:11,619 --> 00:18:12,280
Speaker 3: an interview

475
00:18:12,920 --> 00:18:14,859
Speaker 3: Yes. If I'm working on a show and it's live

476
00:18:14,980 --> 00:18:16,940
Speaker 3: and I have the pressure of doing a live show,

477
00:18:19,160 --> 00:18:21,920
Speaker 3: it's not cool for me in between commercial breaks. I agree.

478
00:18:22,060 --> 00:18:22,540
Speaker 2: To have 20

479
00:18:22,540 --> 00:18:27,030
Speaker 3: cameras on my face. Mm-hmm. asking me about what do

480
00:18:27,050 --> 00:18:32,070
Speaker 3: i think about miurka's longer nails

481
00:18:32,890 --> 00:18:33,820
Speaker 4: like

482
00:18:33,880 --> 00:18:36,939
Speaker 3: i have yes you're right i have a great responsibility

483
00:18:36,960 --> 00:18:37,360
Speaker 2: yes

484
00:18:37,500 --> 00:18:40,320
Speaker 3: in the show and during the commercial break they're feeding

485
00:18:40,359 --> 00:18:42,399
Speaker 3: me with information what's going to happen what's the

486
00:18:42,420 --> 00:18:43,300
Speaker 2: next focus

487
00:18:43,680 --> 00:18:49,280
Speaker 3: exactly ah pues que mamón pero porque mamón les estoy

488
00:18:49,300 --> 00:18:51,740
Speaker 3: diciendo hagamos la entrevista en un Set

489
00:18:51,760 --> 00:18:51,930
Speaker 2: place

490
00:18:52,460 --> 00:18:54,060
Speaker 3: set lugar, cómo se tienen que

491
00:18:54,080 --> 00:18:54,379
Speaker 2: hacer las

492
00:18:54,420 --> 00:18:57,380
Speaker 3: entrevistas para que les dé todo el tiempo que ustedes

493
00:18:57,420 --> 00:18:59,400
Speaker 3: se merecen. Sí. Y no correr.

494
00:18:59,770 --> 00:19:02,530
Speaker 2: Sí. Tienes, ya, tengo que aprender. Claro. Y

495
00:19:02,550 --> 00:19:04,810
Speaker 3: de repente se enojan.¿ Por qué? Ah, porque es un mamón. Bueno,

496
00:19:05,650 --> 00:19:08,189
Speaker 3: si crees que soy un mamón, por eso tienes dos problemas, güey.

497
00:19:08,230 --> 00:19:10,210
Speaker 3: Ese es problema tuyo. No es problema mío.

498
00:19:10,600 --> 00:19:10,730
Speaker 4: Ya.

499
00:19:11,760 --> 00:19:15,740
Speaker 3: True. Este, otra cosa, por ejemplo. Eh, eh,

500
00:19:15,840 --> 00:19:15,939
Speaker 4: eh.

501
00:19:17,600 --> 00:19:19,820
Speaker 3: Let's say the trailer. No, the trailer doesn't arrive at

502
00:19:19,820 --> 00:19:21,699
Speaker 3: 7 a.m. to the location that we're shooting. Oh, the

503
00:19:21,740 --> 00:19:25,510
Speaker 3: trailer is coming late. Why? No, porque no se... Whatever. No,

504
00:19:25,609 --> 00:19:28,070
Speaker 3: it's late. Okay.¿ A qué hora llega? The trailer is

505
00:19:28,090 --> 00:19:30,810
Speaker 3: going to be here in 40 minutes. But we already

506
00:19:30,830 --> 00:19:33,750
Speaker 3: talked to this fast food place in front of and

507
00:19:33,770 --> 00:19:36,320
Speaker 3: in the corner. And wardrobe is going to do like

508
00:19:36,340 --> 00:19:38,400
Speaker 3: a little tent for you with sheets so you can

509
00:19:38,460 --> 00:19:40,780
Speaker 3: change really quick. And we can start and do the

510
00:19:40,820 --> 00:19:44,140
Speaker 3: first scene. And that way, the day won't go longer.

511
00:19:44,160 --> 00:19:47,399
Speaker 3: And I'm like... Ok. Espera,¿ cuándo llega el trailer? Oh,

512
00:19:47,460 --> 00:19:49,359
Speaker 3: en 30 o 40 minutos. Ok, bueno, gracias por ofrecerme

513
00:19:49,380 --> 00:19:52,020
Speaker 3: esa opción, pero prefiero esperar porque no me siento cómodo

514
00:19:52,060 --> 00:19:54,920
Speaker 3: cambiando en un restaurante público de un lugar de comida

515
00:19:54,960 --> 00:20:03,649
Speaker 3: rápida donde Clients are walking in and out because it's

516
00:20:03,670 --> 00:20:05,630
Speaker 3: not like they close the place, the place is open.

517
00:20:05,650 --> 00:20:05,910
Speaker 3: So

518
00:20:06,030 --> 00:20:06,190
Speaker 2: I'd

519
00:20:06,330 --> 00:20:07,590
Speaker 3: rather wait 40 minutes

520
00:20:08,010 --> 00:20:08,109
Speaker 2: for

521
00:20:08,130 --> 00:20:10,260
Speaker 3: the trailer to arrive. But thank you for giving me

522
00:20:10,280 --> 00:20:10,820
Speaker 3: that option.

523
00:20:11,740 --> 00:20:13,900
Speaker 2: Yeah, o sea,

524
00:20:14,020 --> 00:20:16,740
Speaker 5: and they take it to a...¡ Pinche mamón! Sí.¡ Qué

525
00:20:16,780 --> 00:20:18,980
Speaker 5: le cuesta cambiarse!¡ Le resolvimos

526
00:20:19,060 --> 00:20:22,570
Speaker 3: el problema!¡ Se lo resolvimos! Pero claro, no se le

527
00:20:22,609 --> 00:20:25,629
Speaker 3: vaya a querer el manicure si entra a un baño público. Es...

528
00:20:25,690 --> 00:20:26,550
Speaker 3: What the fuck are you...

529
00:20:26,590 --> 00:20:29,590
Speaker 2: It sucks. Why? Why is it like that? No, I'd

530
00:20:29,609 --> 00:20:33,550
Speaker 3: rather wait for the trailer. Y por eso, soy un mamón.

531
00:20:34,080 --> 00:20:36,560
Speaker 2: nada que ver wey nada que ver you are not

532
00:20:36,580 --> 00:20:38,560
Speaker 2: at all you say please and thank you I have

533
00:20:38,619 --> 00:20:40,030
Speaker 2: seen it with my own eyes you guys have heard

534
00:20:40,050 --> 00:20:41,310
Speaker 2: it and I'm not just saying it because he's here

535
00:20:41,330 --> 00:20:43,670
Speaker 2: because I would probably say hey guy this isn't cool

536
00:20:43,830 --> 00:20:44,310
Speaker 3: it's crazy

537
00:20:44,410 --> 00:20:50,450
Speaker 2: lo que pasa es que¿ Sabes lo que quieres? Y

538
00:20:50,550 --> 00:20:52,410
Speaker 2: no hay nada malo con eso. Y tú dijiste, no

539
00:20:52,430 --> 00:20:55,540
Speaker 2: me importa esperar. Imagínate, hombre, que no voy a esperar

540
00:20:55,580 --> 00:20:58,400
Speaker 2: y me voy. Eso es una cosa muy diferente. Pero

541
00:20:58,500 --> 00:21:00,119
Speaker 2: de todos modos, estaba solo preguntando eso porque estaba como, ok,

542
00:21:00,140 --> 00:21:01,330
Speaker 2: siento que esa es la mayor desconcepción. Pero

543
00:21:01,390 --> 00:21:03,850
Speaker 3: esa es definitivamente la mayor desconcepción, 100%. Otra mayor desconcepción

544
00:21:03,869 --> 00:21:05,270
Speaker 3: que no más sucede porque soy un hombre de un

545
00:21:05,290 --> 00:21:09,000
Speaker 3: cierto edad. Era de que mi papá me pagaba la carrera.

546
00:21:09,140 --> 00:21:11,179
Speaker 3: That he paid for my career. I'm like, guys, come on.

547
00:21:11,270 --> 00:21:13,189
Speaker 3: O sea, el final de La Fea Más Bella, The

548
00:21:13,250 --> 00:21:15,850
Speaker 3: Ugly Betty, was seen by 80 million mexicanos. What are

549
00:21:15,869 --> 00:21:17,590
Speaker 3: you saying? That my dad went to 80 million houses

550
00:21:17,609 --> 00:21:17,910
Speaker 3: and gave a

551
00:21:17,930 --> 00:21:18,669
Speaker 2: check? And gave a check. Like,

552
00:21:18,690 --> 00:21:19,470
Speaker 3: please watch my son

553
00:21:19,570 --> 00:21:20,630
Speaker 2: Please watch my son. He sucks

554
00:21:20,830 --> 00:21:22,310
Speaker 3: Please watch my son. Please do me a favor. Do

555
00:21:22,330 --> 00:21:24,619
Speaker 3: me a solid. He sucks. Watch my son. Come on

556
00:21:24,710 --> 00:21:24,970
Speaker 2: Yeah.

557
00:21:25,310 --> 00:21:27,390
Speaker 3: Pero está bien. O sea, eso ya, eso ya, sabes

558
00:21:27,410 --> 00:21:29,520
Speaker 3: que como las generaciones van entrando y se van yendo

559
00:21:30,180 --> 00:21:32,460
Speaker 3: los dinosaurios, that's just a handful of people

560
00:21:32,520 --> 00:21:32,860
Speaker 2: that are

561
00:21:33,280 --> 00:21:36,940
Speaker 3: super, super resentful y no, ya sabes, no dejan ir.

562
00:21:37,190 --> 00:21:37,470
Speaker 2: They just

563
00:21:37,490 --> 00:21:38,960
Speaker 3: cannot let go

564
00:21:39,080 --> 00:21:42,300
Speaker 2: They can't. And that's fine. And yeah. I've learned now

565
00:21:42,320 --> 00:21:44,060
Speaker 2: being in this, I'm like, you know what, oídos sordos,

566
00:21:44,080 --> 00:21:47,100
Speaker 2: I can't let that stuff consume me. Ni modo. They're

567
00:21:47,119 --> 00:21:47,960
Speaker 2: going to say what they want.

568
00:21:48,180 --> 00:21:48,510
Speaker 3: Exacto.

569
00:21:48,609 --> 00:21:48,909
Speaker 2: That's it.

570
00:21:49,109 --> 00:21:52,670
Speaker 3: Porque puedes oír las cosas buenas, they might give you

571
00:21:52,690 --> 00:21:55,790
Speaker 3: a false sense of, oh, el mundo no giras en mí.

572
00:21:56,350 --> 00:22:00,880
Speaker 3: I'm the last... Coca-Cola. In the desert, ¿no? Yeah. O

573
00:22:01,340 --> 00:22:04,060
Speaker 3: los malos te pueden destruir. Right. Oh, my God, I suck.

574
00:22:04,160 --> 00:22:06,869
Speaker 3: I'm so bad at this. And it's like, no, you're not.

575
00:22:07,150 --> 00:22:10,689
Speaker 3: It's just, it's just, Mari Rodríguez, 3, 3, 3, 4, 5, 5, 5, 6,

576
00:22:10,690 --> 00:22:15,209
Speaker 3: with 8 followers, said that she doesn't like your hosting. Yeah. Ah, bueno.

577
00:22:18,760 --> 00:22:19,240
Speaker 3: Está bien, güey

578
00:22:19,359 --> 00:22:22,050
Speaker 2: It's fine. I can live with that. There's another freaking

579
00:22:22,050 --> 00:22:23,730
Speaker 2: 300 million that do. You know what I mean? So

580
00:22:23,770 --> 00:22:26,190
Speaker 2: we're good. As humans, sometimes we tend to focus, I

581
00:22:26,270 --> 00:22:27,350
Speaker 2: used to, on that negative thing.

582
00:22:27,369 --> 00:22:30,760
Speaker 3: Right? So, chiquis te amo, chiquis te amo, así, 500 mensajes,

583
00:22:30,840 --> 00:22:31,390
Speaker 2: chiquis lo máximo

584
00:22:31,619 --> 00:22:35,820
Speaker 3: chiquis tu mamá, la amaba, chiquis tu mamá, chiquis, apestas,

585
00:22:36,500 --> 00:22:41,030
Speaker 3: eres una pseudo cantante.¡ Hija de la chingada! Y a

586
00:22:41,050 --> 00:22:41,970
Speaker 3: esta le quieres contestar.

587
00:22:41,990 --> 00:22:42,030
Speaker 2: No,

588
00:22:42,150 --> 00:22:42,570
Speaker 3: and

589
00:22:42,590 --> 00:22:44,169
Speaker 2: you engage with that one.

590
00:22:44,430 --> 00:22:45,209
Speaker 3: Sí, and you're like

591
00:22:45,330 --> 00:22:45,950
Speaker 2: oye, mija de la chingada

592
00:22:46,130 --> 00:22:47,389
Speaker 3: Yes, chiquis,

593
00:22:48,290 --> 00:22:48,750
Speaker 2: chiquis

594
00:22:49,210 --> 00:22:53,530
Speaker 3: 850 personas antes te dijeron que te aman. Focus on

595
00:22:53,550 --> 00:22:54,000
Speaker 3: them

596
00:22:54,690 --> 00:22:57,070
Speaker 2: I will admit that I used to be that person.

597
00:22:57,090 --> 00:22:59,110
Speaker 2: We all are, we're humans. Y ahora te lo juro

598
00:22:59,130 --> 00:23:02,169
Speaker 2: que me vale madre. And it feels so good. I'm

599
00:23:02,250 --> 00:23:02,530
Speaker 3: like,

600
00:23:03,119 --> 00:23:05,450
Speaker 2: I like myself and if you don't like me, that's okay.

601
00:23:05,480 --> 00:23:05,620
Speaker 2: Chiquis

602
00:23:05,800 --> 00:23:08,469
Speaker 3: I don't open eggs. Yo no abro X. No abro

603
00:23:08,609 --> 00:23:09,030
Speaker 3: X en dos

604
00:23:09,210 --> 00:23:09,550
Speaker 2: meses. O

605
00:23:09,590 --> 00:23:10,369
Speaker 3: lo que sea, desde

606
00:23:10,390 --> 00:23:10,490
Speaker 2: que

607
00:23:10,510 --> 00:23:12,010
Speaker 3: comenzamos el programa. Yo

608
00:23:12,030 --> 00:23:12,270
Speaker 2: no abro

609
00:23:12,670 --> 00:23:13,949
Speaker 3: X. X no existe para mí ahora mismo

610
00:23:14,070 --> 00:23:14,109
Speaker 2: No

611
00:23:14,210 --> 00:23:16,010
Speaker 3: existe. Es X. Es X

612
00:23:16,270 --> 00:23:18,340
Speaker 2: Es mejor porque ahora mismo tienes que quedarte enfocado. Y

613
00:23:18,380 --> 00:23:20,240
Speaker 2: eso es lo que hago. Honestamente, me preguntan si lees comentarios.

614
00:23:21,500 --> 00:23:23,359
Speaker 2: La mayoría de la vez no lo hago. Voy a

615
00:23:23,400 --> 00:23:26,860
Speaker 2: entrar allí y a lo pronto que publico, por 10 minutos, boom, boom, boom, contesto,

616
00:23:26,900 --> 00:23:28,460
Speaker 2: ya me salgo. Eso es todo. Eso es

617
00:23:28,700 --> 00:23:30,970
Speaker 3: todo. No puedo. Se acaba de salir ahorita. Hacemos una

618
00:23:31,030 --> 00:23:34,290
Speaker 3: reacción el sábado y nos estamos divertiendo y nos estamos riendo.

619
00:23:34,310 --> 00:23:34,429
Speaker 3: Sabes

620
00:23:34,450 --> 00:23:34,690
Speaker 2: cómo es la

621
00:23:34,710 --> 00:23:36,209
Speaker 3: camaradería que tenemos con la

622
00:23:36,250 --> 00:23:36,730
Speaker 2: actriz y con el

623
00:23:36,770 --> 00:23:38,960
Speaker 3: productor y la... Y todo el mundo, we're having an

624
00:23:38,980 --> 00:23:42,070
Speaker 3: amazing time. And we're there. And then somebody on the

625
00:23:42,119 --> 00:23:44,869
Speaker 3: booth goes like, please hurry up because I need to

626
00:23:44,910 --> 00:23:47,510
Speaker 3: go to the Cruz Azul Stadium to watch América. And

627
00:23:47,530 --> 00:23:49,210
Speaker 3: you know how we give each other shit when you

628
00:23:49,230 --> 00:23:50,730
Speaker 3: don't support your team, right? Yeah, yeah, yeah. And I

629
00:23:50,750 --> 00:23:55,189
Speaker 3: go like,¡ Qué América huevos!¡ En América huevos! Right? So,

630
00:23:55,230 --> 00:23:59,180
Speaker 3: they are somebody, which is insane, in our super inner red,

631
00:23:59,220 --> 00:24:02,419
Speaker 3: not red, purple inner circle. Inside of the control booth,

632
00:24:02,780 --> 00:24:06,320
Speaker 3: someone is taking a video of that. Ellos tocan el

633
00:24:06,340 --> 00:24:08,620
Speaker 3: audio porque estamos disfrutando y riendo. Ellos tocan el audio,

634
00:24:08,740 --> 00:24:10,700
Speaker 3: incluso si estoy riendo y haciendo huevos riendo. Ellos tocan

635
00:24:10,800 --> 00:24:12,879
Speaker 3: el audio. Este es el tweet.¿ Listos para este? El

636
00:24:13,020 --> 00:24:13,939
Speaker 3: odio y la tensión

637
00:24:13,960 --> 00:24:14,140
Speaker 2: que

638
00:24:14,160 --> 00:24:18,619
Speaker 3: Jaime Camil tiene con Andrés Todar, con nuestro productor, es

639
00:24:19,020 --> 00:24:32,490
Speaker 3: completamente desagradable. En la última grabación y el sábado, le

640
00:24:32,550 --> 00:24:39,670
Speaker 3: hizo una seña obscena al productor y así es como

641
00:24:39,710 --> 00:24:44,920
Speaker 3: él trata a las personas. Y ellos taggean a Benjamín Salinas,

642
00:24:45,280 --> 00:24:47,680
Speaker 3: nuestro jefe, y ellos taggean a Andrés Tobar y ellos

643
00:24:47,700 --> 00:24:48,879
Speaker 3: taggean a Adrián Ortega.¿

644
00:24:48,960 --> 00:24:50,220
Speaker 2: Por qué

645
00:24:51,359 --> 00:24:52,740
Speaker 3: Estoy pensando sobre esto y pienso, Madre de Dios,¿ qué

646
00:24:52,780 --> 00:24:57,580
Speaker 3: es esto? Estoy pensando. Primero, alguien de nuestro círculo interior

647
00:24:57,660 --> 00:25:00,430
Speaker 3: está engañando la confianza de la compañía, del show y todo.¿

648
00:25:00,450 --> 00:25:02,740
Speaker 3: Y por qué esta persona está taggeando a los jefes?

649
00:25:02,760 --> 00:25:05,080
Speaker 3: Y luego me salió. Quieren sabotaje. Quieren que los jefes piensen...

650
00:25:15,600 --> 00:25:17,540
Speaker 3: que yo soy lo que dice

651
00:25:17,600 --> 00:25:19,109
Speaker 2: la gente que soy. Dios mío.

652
00:25:20,130 --> 00:25:22,109
Speaker 3: Y que yo trato mal a las personas y trato

653
00:25:22,130 --> 00:25:24,070
Speaker 3: mal al staff y trato mal a los empleados y

654
00:25:24,490 --> 00:25:25,709
Speaker 3: que para qué me traen azteca.

655
00:25:25,790 --> 00:25:26,510
Speaker 2: Yo te dejo. Que yo no me

656
00:25:26,550 --> 00:25:28,150
Speaker 3: merezco estar ahí. Pero it's

657
00:25:28,190 --> 00:25:29,210
Speaker 2: crazy. It is

658
00:25:29,250 --> 00:25:31,670
Speaker 3: crazy. Y gente

659
00:25:31,910 --> 00:25:34,560
Speaker 2: culera me da. Te lo juro. And then people believe

660
00:25:34,580 --> 00:25:36,420
Speaker 2: it is the worst part and I always tell people

661
00:25:36,460 --> 00:25:40,980
Speaker 2: don't assume. Guess what? Be smart and ask

662
00:25:41,040 --> 00:25:42,199
Speaker 3: and have a brain of your own. But guess what?

663
00:25:42,220 --> 00:25:42,600
Speaker 3: They don't believe

664
00:25:42,640 --> 00:25:43,020
Speaker 2: it. That's the thing

665
00:25:43,200 --> 00:25:45,350
Speaker 3: Okay, good. I mean, some do, some don't. Pero the

666
00:25:45,380 --> 00:25:50,109
Speaker 3: thing is that the reach is so minuscule. So, I

667
00:25:50,130 --> 00:25:51,770
Speaker 3: have a friend of mine that works in social media

668
00:25:52,170 --> 00:25:57,869
Speaker 3: and he tells me, listen, I studied this profile and

669
00:25:57,930 --> 00:26:03,119
Speaker 3: it has, on a very good date, 2,000 hits of

670
00:26:03,140 --> 00:26:04,199
Speaker 3: their posts

671
00:26:05,100 --> 00:26:05,620
Speaker 2: Pero luego,

672
00:26:05,980 --> 00:26:10,440
Speaker 3: como... Como media, they like to perpetuate this image of me,

673
00:26:10,480 --> 00:26:13,219
Speaker 3: el mamón, el pesado, porque I guess it gives them

674
00:26:13,240 --> 00:26:14,369
Speaker 3: a lot of clickbaits or I

675
00:26:14,400 --> 00:26:15,159
Speaker 2: don't know what it

676
00:26:15,180 --> 00:26:18,930
Speaker 3: is. A lot of media picks that story up. Of

677
00:26:18,950 --> 00:26:19,869
Speaker 2: course. And it makes it

678
00:26:19,930 --> 00:26:21,030
Speaker 3: a little bit bigger.

679
00:26:21,250 --> 00:26:24,610
Speaker 2: Yes, because as a society, unfortunately, people like the drama.

680
00:26:25,030 --> 00:26:27,469
Speaker 2: And it's sad, which is why I'm like, I'm out

681
00:26:27,510 --> 00:26:29,470
Speaker 2: here in the world, we have to spread positivity and

682
00:26:29,490 --> 00:26:31,290
Speaker 2: do our best. And there's always going to be, it's

683
00:26:31,310 --> 00:26:33,330
Speaker 2: the yin and the yang. Siempre va a haber cosas buenas,

684
00:26:33,369 --> 00:26:35,190
Speaker 2: cosas malas, and it is what it is, you know?

685
00:26:35,850 --> 00:26:38,350
Speaker 2: Are you going to sing more? I don't know. You

686
00:26:38,410 --> 00:26:38,550
Speaker 2: don't

687
00:26:39,170 --> 00:26:42,310
Speaker 3: know? I don't know. Estoy muy felizmente asumido como un

688
00:26:42,330 --> 00:26:42,950
Speaker 3: actor que canta.

689
00:26:43,130 --> 00:26:43,350
Speaker 2: Okay.

690
00:26:43,570 --> 00:26:43,790
Speaker 3: And

691
00:26:43,810 --> 00:26:44,690
Speaker 2: you're fine with that.

692
00:26:44,730 --> 00:26:47,149
Speaker 3: So I did the serie de Vicente Fernández serie and

693
00:26:47,170 --> 00:26:49,110
Speaker 3: I sang the songs. That's awesome. But I love to

694
00:26:49,150 --> 00:26:51,350
Speaker 3: do musical theater. That's what I love to do the most. Oh,

695
00:26:51,369 --> 00:26:53,169
Speaker 3: that's awesome. So it's a tool for my craft. Nice. Okay.

696
00:26:53,190 --> 00:26:57,260
Speaker 3: And you have anything new coming up? Anything in the...

697
00:27:03,150 --> 00:27:06,700
Speaker 2: En el Pipeline?¿ De Cantar? Bueno

698
00:27:07,000 --> 00:27:09,679
Speaker 3: Acapulco Season 4 fue capturado y estoy en la temporada

699
00:27:09,700 --> 00:27:13,850
Speaker 3: porque estuve como... En la temporada 3 estuve establecido como

700
00:27:13,980 --> 00:27:16,629
Speaker 3: el nuevo dueño, el villano del show, así que ahora

701
00:27:16,650 --> 00:27:18,129
Speaker 3: voy a ser más presente en la temporada 4.

702
00:27:18,130 --> 00:27:19,010
Speaker 4: Tenemos

703
00:27:19,050 --> 00:27:19,149
Speaker 3: a

704
00:27:19,190 --> 00:27:19,430
Speaker 2: López

705
00:27:19,470 --> 00:27:20,169
Speaker 3: vs. López, que

706
00:27:20,570 --> 00:27:20,649
Speaker 2: fue

707
00:27:20,670 --> 00:27:22,430
Speaker 3: capturado en la temporada 3.¡ Eso

708
00:27:22,450 --> 00:27:22,949
Speaker 2: es genial!

709
00:27:23,060 --> 00:27:24,220
Speaker 3: Así que voy a estar ahí también.

710
00:27:24,770 --> 00:27:25,929
Speaker 2: Mucho más. Sí,

711
00:27:25,950 --> 00:27:41,330
Speaker 3: claro. He estado con mi esposa como... I would say

712
00:27:41,350 --> 00:27:43,369
Speaker 3: I've been with Heidi with maybe 17 years

713
00:27:43,430 --> 00:27:43,710
Speaker 2: 17

714
00:27:43,710 --> 00:27:44,070
Speaker 3: years

715
00:27:44,450 --> 00:27:44,520
Speaker 2: I

716
00:27:44,540 --> 00:27:46,700
Speaker 3: mean, officially married. Yeah, maybe probably 10

717
00:27:46,700 --> 00:27:48,899
Speaker 2: or 11. That's beautiful. Okay, because I'm recently married. You

718
00:27:48,920 --> 00:27:50,700
Speaker 2: know Emilio. You'll probably see him in a little bit.

719
00:27:50,880 --> 00:27:51,409
Speaker 3: Sí, nice

720
00:27:51,840 --> 00:27:54,000
Speaker 2: Is there... I mean, because I met your daughter who

721
00:27:54,020 --> 00:27:54,960
Speaker 2: is beautiful. How old is she?

722
00:27:55,119 --> 00:27:56,090
Speaker 3: Elena, 12.

723
00:27:56,090 --> 00:27:58,220
Speaker 2: 12. Se ve más... Está alta. Sí,

724
00:27:58,240 --> 00:27:59,260
Speaker 3: she's tall. Beautiful.

725
00:27:59,380 --> 00:28:03,109
Speaker 2: Beautiful young lady. Very pretty. And you have how many kids? Two. Two. Okay. And, okay,

726
00:28:03,430 --> 00:28:04,350
Speaker 2: if you just have any word of

727
00:28:04,430 --> 00:28:04,610
Speaker 3: advice

728
00:28:04,850 --> 00:28:07,690
Speaker 2: because also I get a lot of these questions here

729
00:28:07,750 --> 00:28:14,970
Speaker 2: on the podcast... Porque siendo en esta industria, es difícil

730
00:28:15,030 --> 00:28:21,040
Speaker 2: encontrar a alguien que realmente te apoye y entienda tu trabajo.¿

731
00:28:21,060 --> 00:28:23,140
Speaker 2: Hay algún consejo que me puedas dar para nuestros

732
00:28:23,180 --> 00:28:25,080
Speaker 3: espectadores? 100%. Nunca compromínalos.

733
00:28:25,119 --> 00:28:25,760
Speaker 2: Primero

734
00:28:26,420 --> 00:28:27,880
Speaker 3: si no te tratan de la manera que te sientes

735
00:28:28,300 --> 00:28:32,740
Speaker 3: y crees que deberías ser tratado, nunca compromínalos. ¡Cámbale!¡ Cámbale

736
00:28:32,760 --> 00:28:32,980
Speaker 3: con eso!

737
00:28:33,010 --> 00:28:35,570
Speaker 2: No hay necesidad de soportar abuso de cualquier forma. Y

738
00:28:41,140 --> 00:28:45,150
Speaker 3: When you meet someone that makes you happy, and let's

739
00:28:45,190 --> 00:28:47,330
Speaker 3: say 60%, let's give a high number,

740
00:28:47,330 --> 00:28:47,410
Speaker 2: 60%,

741
00:28:47,410 --> 00:28:51,710
Speaker 3: everything that you love about that person, the 60% things

742
00:28:51,730 --> 00:28:55,970
Speaker 3: that you love about that person, it's amazing. Me hace reír,

743
00:28:56,020 --> 00:28:58,420
Speaker 3: me cago de risa, we have great sex, todo está perfecto,

744
00:28:58,460 --> 00:29:06,350
Speaker 3: es amazing. What is marriage? Marriage is dealing with the 40%

745
00:29:06,350 --> 00:29:09,850
Speaker 3: que quieres que te arruinen cada día. Ese

746
00:29:09,890 --> 00:29:11,390
Speaker 2: es el mejor consejo que tengo. Ese

747
00:29:11,450 --> 00:29:12,910
Speaker 3: es el matrimonio, porque

748
00:29:12,930 --> 00:29:13,190
Speaker 2: esa es una

749
00:29:13,230 --> 00:29:17,190
Speaker 3: elección. Cuando comites a alguien a un matrimonio, porque realmente

750
00:29:17,210 --> 00:29:18,150
Speaker 3: quieres cometer a esa

751
00:29:18,170 --> 00:29:18,430
Speaker 2: persona

752
00:29:18,930 --> 00:29:22,210
Speaker 3: porque cuando eres novio y abuelo, ese 40% es como,

753
00:29:22,270 --> 00:29:25,150
Speaker 3: váyase a la mierda. Ay, papá, te vas. Y te

754
00:29:25,210 --> 00:29:25,890
Speaker 3: buscas a otro,

755
00:29:25,950 --> 00:29:25,990
Speaker 2: ¿no

756
00:29:26,240 --> 00:29:26,420
Speaker 3: Siempre

757
00:29:26,680 --> 00:29:27,520
Speaker 2: eso fue yo antes, sí.

758
00:29:27,560 --> 00:29:31,540
Speaker 3: Pero si tú decides, es una elección ser casado con alguien,

759
00:29:31,560 --> 00:29:31,600
Speaker 3: es

760
00:29:31,660 --> 00:29:32,400
Speaker 2: un compromiso. Sí, sí.

761
00:29:33,050 --> 00:29:33,770
Speaker 3: and it needs to be a

762
00:29:35,680 --> 00:29:36,100
Speaker 2: conscious

763
00:29:36,210 --> 00:29:39,210
Speaker 3: una concienzuda, una choice concienzuda, right

764
00:29:39,830 --> 00:29:43,830
Speaker 3: Now I'm going to commit to this person. That person

765
00:29:43,850 --> 00:29:45,730
Speaker 3: is not going to change. It's not going to change.

766
00:29:45,750 --> 00:29:50,380
Speaker 3: People don't change. If any, los modismos y los vicios,

767
00:29:50,390 --> 00:29:51,120
Speaker 3: they get worse

768
00:29:51,540 --> 00:29:51,770
Speaker 2: Sí

769
00:29:52,100 --> 00:29:52,280
Speaker 3: ok.

770
00:29:52,960 --> 00:29:53,030
Speaker 2: Sí

771
00:29:53,180 --> 00:29:53,280
Speaker 3: if

772
00:29:53,300 --> 00:29:53,490
Speaker 2: any

773
00:29:53,740 --> 00:30:00,450
Speaker 3: So, it's a choice on how you decide to procesar

774
00:30:01,070 --> 00:30:03,969
Speaker 3: ese 40% que no puedes detener. Y es una cosa

775
00:30:04,050 --> 00:30:06,280
Speaker 3: que tienes que decidir. Ok, yo voy a lidiar, un

776
00:30:06,900 --> 00:30:12,340
Speaker 3: ejemplo estúpido, deja la pasta de dientes abierta. Me voy

777
00:30:12,380 --> 00:30:15,940
Speaker 3: a romper la madre todos los pinches días de este

778
00:30:16,000 --> 00:30:20,270
Speaker 3: matrimonio porque no cierra el tubo o lo cierro yo,

779
00:30:20,290 --> 00:30:20,850
Speaker 3: güey

780
00:30:21,470 --> 00:30:21,670
Speaker 2: Ajá.

781
00:30:26,170 --> 00:30:27,469
Speaker 3: Pick and choose the battles. Yes. Lo siento. Y pick

782
00:30:27,490 --> 00:30:30,490
Speaker 3: and choose the battles is very important. Again, if within

783
00:30:30,650 --> 00:30:34,980
Speaker 3: that 40%, there's any kind of abuse, any kind of

784
00:30:35,000 --> 00:30:36,180
Speaker 3: psychological abuse,

785
00:30:36,240 --> 00:30:36,500
Speaker 2: of

786
00:30:36,540 --> 00:30:40,100
Speaker 3: physical abuse, God forbid, I know that, out. Out. That's

787
00:30:40,120 --> 00:30:41,980
Speaker 3: something you don't endure. No one should endure that shit.

788
00:30:42,120 --> 00:30:43,140
Speaker 3: No one, right?

789
00:30:43,440 --> 00:30:44,840
Speaker 2: Listen to that, guys.

790
00:30:45,400 --> 00:30:47,930
Speaker 3: Pero ese 40% que no soportas de la persona, you

791
00:30:47,950 --> 00:30:49,710
Speaker 3: learn to deal with that.

792
00:30:49,770 --> 00:30:49,980
Speaker 2: Yes

793
00:30:50,230 --> 00:30:53,460
Speaker 3: And you learn to make it work. Consciousness. O sea,

794
00:30:53,760 --> 00:30:58,030
Speaker 3: con conciencia. Porque quieres hacerlo. Yes. Y así, apparently, if

795
00:30:58,050 --> 00:31:02,910
Speaker 3: it gets completely unbearable, then, you know, divorce doesn't mean fight,

796
00:31:03,030 --> 00:31:06,100
Speaker 3: doesn't mean a battle, doesn't mean that you're seeing someone else.

797
00:31:06,130 --> 00:31:09,959
Speaker 3: It just means that, hey, listen, amicably, let's, you know,

798
00:31:10,020 --> 00:31:10,960
Speaker 3: it's

799
00:31:11,000 --> 00:31:12,610
Speaker 2: better. Yeah, go our separate ways

800
00:31:12,840 --> 00:31:13,540
Speaker 3: Exactly,

801
00:31:13,580 --> 00:31:15,300
Speaker 2: exactly. Okay, I think I'm on the right track, I think.

802
00:31:15,320 --> 00:31:17,290
Speaker 2: Now that you told me this is confirmation, I think

803
00:31:17,570 --> 00:31:19,790
Speaker 2: I have a, I have a good shot at this.

804
00:31:20,030 --> 00:31:21,550
Speaker 2: Of course you do. Because I was very scared. My

805
00:31:21,570 --> 00:31:24,150
Speaker 2: second marriage. You're good. But yes, it was

806
00:31:24,170 --> 00:31:25,470
Speaker 3: the second. Yeah, of course, of

807
00:31:25,730 --> 00:31:28,060
Speaker 2: course. Hablas de eso o no hablas de eso? Hablo

808
00:31:28,100 --> 00:31:29,820
Speaker 2: de todo aquí. Hablo de todo. Así que tú me

809
00:31:29,880 --> 00:31:30,980
Speaker 2: puedes preguntar lo que tú quieras.¿ Cuánto

810
00:31:31,000 --> 00:31:32,290
Speaker 5: estuviste casada la primera vez

811
00:31:33,740 --> 00:31:34,200
Speaker 2: Ni un año.

812
00:31:34,740 --> 00:31:34,920
Speaker 5: Perfecto

813
00:31:35,220 --> 00:31:38,040
Speaker 2: No llegamos al año. Awesome. And it was, but you

814
00:31:38,060 --> 00:31:42,180
Speaker 2: know what I knew? I knew the day he proposed,

815
00:31:42,240 --> 00:31:45,790
Speaker 2: the day we got married, that it wasn't. Pero yo cerca. Exacto.¿

816
00:31:46,410 --> 00:31:48,150
Speaker 2: Y por qué chingados dijiste que sí? Because yo pensé

817
00:31:48,170 --> 00:31:50,560
Speaker 2: que lo podía cambiar. y dije lo voy a cambiar

818
00:31:50,620 --> 00:31:52,570
Speaker 2: I thought my silly ass thought I'm gonna change him

819
00:31:52,620 --> 00:31:57,130
Speaker 2: he's gonna change he loves me I

820
00:31:57,190 --> 00:31:57,430
Speaker 3: love

821
00:31:58,150 --> 00:31:59,010
Speaker 2: him he's gonna change

822
00:31:59,030 --> 00:31:59,890
Speaker 3: I'm gonna change him

823
00:31:59,930 --> 00:32:02,750
Speaker 2: nada I learned that no people don't change no they

824
00:32:02,790 --> 00:32:04,450
Speaker 2: will change if they wanna change and I have

825
00:32:04,490 --> 00:32:05,810
Speaker 3: to change myself well

826
00:32:05,830 --> 00:32:08,240
Speaker 2: they will modify they will modify exactly for a little

827
00:32:08,280 --> 00:32:12,120
Speaker 2: bit eventually it'll come around again and I learned that

828
00:32:12,700 --> 00:32:14,600
Speaker 2: so with this I had told myself I'm never gonna

829
00:32:14,620 --> 00:32:16,840
Speaker 2: get married again I'm just gonna date I'm just gonna

830
00:32:16,880 --> 00:32:32,810
Speaker 2: be single marriage is not for me Lo

831
00:32:32,870 --> 00:32:37,310
Speaker 3: más importante es que los dos tienen que celebrar y

832
00:32:37,370 --> 00:32:39,260
Speaker 3: enaltecerse mutuamente

833
00:32:39,890 --> 00:32:40,850
Speaker 2: Y celebrar lo que

834
00:32:40,870 --> 00:32:43,390
Speaker 3: hagas bien y celebrar tu trabajo. Eso es

835
00:32:43,450 --> 00:32:43,580
Speaker 2: muy

836
00:32:43,620 --> 00:32:47,560
Speaker 3: importante. Si eso no existe, si hay resentimiento... si

837
00:32:47,880 --> 00:32:47,960
Speaker 2: no

838
00:32:48,020 --> 00:32:49,900
Speaker 3: brilles tanto porque tu brillo me molesta

839
00:32:50,240 --> 00:32:51,180
Speaker 2: si hay algo

840
00:32:51,240 --> 00:32:52,540
Speaker 3: de eso yeah

841
00:32:52,640 --> 00:32:54,160
Speaker 2: it's gonna be a problem and I did so now

842
00:32:54,180 --> 00:32:54,820
Speaker 2: it's we're cool and

843
00:32:54,840 --> 00:32:54,940
Speaker 3: it's

844
00:32:55,020 --> 00:32:55,620
Speaker 2: a choice so now

845
00:32:55,640 --> 00:32:56,560
Speaker 3: it's yes even if he leaves

846
00:32:57,090 --> 00:33:01,790
Speaker 2: his shoes and you know I just pick them up

847
00:33:01,850 --> 00:33:08,150
Speaker 2: I'm not gonna argue I'll put them away because I

848
00:33:08,170 --> 00:33:09,910
Speaker 2: like to have it clean he doesn't

849
00:33:09,930 --> 00:33:10,150
Speaker 3: care

850
00:33:10,190 --> 00:33:12,060
Speaker 2: pero como a mi me gusta tener limpio ok yo

851
00:33:12,100 --> 00:33:12,840
Speaker 2: los voy a poner donde van y

852
00:33:12,860 --> 00:33:15,640
Speaker 3: se va a decir oye podrías ponerlos quizás uno ahí

853
00:33:15,660 --> 00:33:18,120
Speaker 3: y uno ahí no Dejarlos en el piso, no hay pedo,

854
00:33:18,190 --> 00:33:19,180
Speaker 3: pero ahí juntos los dos.

855
00:33:19,440 --> 00:33:20,260
Speaker 2: Ajá, exacto.

856
00:33:20,420 --> 00:33:21,040
Speaker 3: Y ahí está la modificación

857
00:33:21,300 --> 00:33:22,660
Speaker 2: Compromiso. Claro, compromiso, compromiso. Este es

858
00:33:22,680 --> 00:33:22,960
Speaker 3: el mejor

859
00:33:22,980 --> 00:33:25,620
Speaker 2: consejo. Sí, a ver, chicos, sí, gracias, Kimberly, sé que mi...

860
00:33:25,640 --> 00:33:31,530
Speaker 2: Por favor, escuchen, ¿vale? Ok, sí, no comprometas a la chica,

861
00:33:31,550 --> 00:33:33,010
Speaker 2: quiero decir, no comprometas, pero no

862
00:33:33,030 --> 00:33:34,510
Speaker 3: comprometas con,¿ sabes lo que quiero

863
00:33:34,530 --> 00:33:35,030
Speaker 2: decir?

864
00:33:35,230 --> 00:33:37,960
Speaker 3: Exactamente,¿ sabes lo que quiero decir? Y si necesitas a

865
00:33:37,980 --> 00:33:39,080
Speaker 3: alguien para desaparecer, díganos,

866
00:33:39,200 --> 00:33:39,740
Speaker 2: nos traeremos a esa

867
00:33:39,760 --> 00:33:45,880
Speaker 3: persona a México y nunca volverán. ¿Sí?¿ Qué digo?¿ Qué

868
00:33:45,920 --> 00:33:46,200
Speaker 3: digo

869
00:33:46,540 --> 00:33:48,360
Speaker 2: Qué digo?¿ Qué digo? Lo siento.¿ Cuánto edad tienes? Entonces,

870
00:33:48,380 --> 00:33:48,560
Speaker 2: tu

871
00:33:48,580 --> 00:33:49,660
Speaker 3: hija tiene nueve.

872
00:33:49,920 --> 00:33:52,590
Speaker 2: Nueve.¿ Más niños o ya están? No lo creo, creo

873
00:33:52,610 --> 00:33:54,830
Speaker 3: que debería ser el número de brazos, ¿verdad?

874
00:33:55,200 --> 00:33:59,790
Speaker 2: Because then if you're outnumbered, I hear that my sister

875
00:33:59,810 --> 00:34:00,150
Speaker 2: has four. Four or

876
00:34:00,170 --> 00:34:01,510
Speaker 3: five, four. Ajá. Es que hay gente que... Es que...

877
00:34:01,550 --> 00:34:02,510
Speaker 3: Either you have a village

878
00:34:02,910 --> 00:34:03,730
Speaker 2: or two. Yes

879
00:34:03,950 --> 00:34:05,670
Speaker 3: Pero eso de tres,

880
00:34:05,790 --> 00:34:06,130
Speaker 2: cuatro

881
00:34:06,530 --> 00:34:06,880
Speaker 3: no, no mames

882
00:34:07,010 --> 00:34:09,219
Speaker 2: Yeah. Is it bad that I only want to have one,

883
00:34:09,239 --> 00:34:09,500
Speaker 2: maybe

884
00:34:09,800 --> 00:34:10,000
Speaker 3: No,

885
00:34:10,040 --> 00:34:11,390
Speaker 2: it's amazing. No, I'm just like, I'm chilling

886
00:34:11,660 --> 00:34:13,259
Speaker 3: Eventually you're going to want two, but that's fine.

887
00:34:13,300 --> 00:34:13,700
Speaker 2: We all start

888
00:34:13,719 --> 00:34:15,660
Speaker 3: with one. I started with one. No, one, one, puta,

889
00:34:15,820 --> 00:34:16,200
Speaker 2: one.

890
00:34:16,280 --> 00:34:18,100
Speaker 3: Uno y ya. Porque claro, you get overwhelmed. It's

891
00:34:18,120 --> 00:34:18,560
Speaker 2: like, it's a lot

892
00:34:18,580 --> 00:34:20,680
Speaker 3: of responsibility. But then when you have the second one,

893
00:34:21,120 --> 00:34:24,110
Speaker 3: you realize that your heart doesn't... es bueno tener dos no,

894
00:34:24,210 --> 00:34:25,350
Speaker 3: estamos felices

895
00:34:26,190 --> 00:34:49,330
Speaker 2: con dos¿ cómo quieres tres? Pero

896
00:34:49,450 --> 00:34:51,830
Speaker 3: yo digo, no sé, porque le dije, tenemos que volver

897
00:34:51,890 --> 00:34:53,310
Speaker 3: a ser humanos. O sea, es genial ser su esclavo.

898
00:34:53,350 --> 00:34:53,629
Speaker 3: Es genial,

899
00:34:54,010 --> 00:34:54,150
Speaker 2: es

900
00:34:54,170 --> 00:34:58,070
Speaker 3: genial. Pero eventualmente, volvamos a ser humanos y volvamos a

901
00:34:58,090 --> 00:35:00,090
Speaker 3: viajar juntos. Y disfrutar juntos. Exactamente,

902
00:35:00,110 --> 00:35:01,850
Speaker 2: y saltar en el motocicleta y hacer una viaje a

903
00:35:01,870 --> 00:35:02,150
Speaker 2: todo el país

904
00:35:02,190 --> 00:35:04,200
Speaker 3: mientras están en la universidad o algo así. Eso es increíble,

905
00:35:04,219 --> 00:35:05,490
Speaker 3: eso es increíble. Y quiero conocer a tu esposa.

906
00:35:08,260 --> 00:35:09,920
Speaker 2: She's amazing. Is she going to be, is she going

907
00:35:09,940 --> 00:35:11,160
Speaker 2: to go over there? Sí, deberías después

908
00:35:11,180 --> 00:35:12,540
Speaker 5: del podcast, vente a la casa a comer.

909
00:35:12,580 --> 00:35:15,040
Speaker 2: She looks amazing. Yes, really? Oh my God, thank you.

910
00:35:15,060 --> 00:35:17,410
Speaker 2: Thank you so much. Yeah, I would love to meet her.

911
00:35:17,430 --> 00:35:20,330
Speaker 2: Me da gusto que tengas una pareja que te apoye,

912
00:35:20,390 --> 00:35:23,529
Speaker 2: que se quieran, que it's, because it's so, it is hard,

913
00:35:23,550 --> 00:35:26,210
Speaker 2: you guys, to find the... ¿Qué? ¿Qué? No, por

914
00:35:26,270 --> 00:35:28,759
Speaker 3: supuesto que tenemos nuestros desafíos, obviamente. Por supuesto,

915
00:35:28,780 --> 00:35:30,259
Speaker 2: absolutamente. No, ella es nuestra querida. Imagínate, yo voy a

916
00:35:30,280 --> 00:35:30,440
Speaker 2: México

917
00:35:30,480 --> 00:35:31,620
Speaker 3: cada fin de semana para hacer el show y ella

918
00:35:31,640 --> 00:35:31,800
Speaker 2: dice, ok,

919
00:35:31,840 --> 00:35:33,160
Speaker 3: tengo el Ford, váyase, está bien. Mira, eso es lo

920
00:35:33,180 --> 00:35:34,140
Speaker 3: que necesitas. Eso es exactamente

921
00:35:34,660 --> 00:35:34,839
Speaker 2: lo que

922
00:35:34,880 --> 00:35:36,960
Speaker 3: necesitas. Así que estoy feliz por ti. Ok,

923
00:35:37,020 --> 00:35:50,000
Speaker 2: así que ahora quiero preguntarte preguntas locas. Déjame saber qué piensas, ¿ok?¿

924
00:35:50,020 --> 00:35:51,770
Speaker 2: Cuál es tu color favorito?

925
00:35:52,250 --> 00:35:52,510
Speaker 3: Blanco.

926
00:35:52,890 --> 00:35:53,270
Speaker 2: Ok,¿ cuál es tu

927
00:35:55,350 --> 00:35:59,009
Speaker 3: tipo de comida favorita? Ok,¿ sleep on the left

928
00:35:59,050 --> 00:36:00,120
Speaker 2: side of the bed or the right side

929
00:36:00,190 --> 00:36:02,149
Speaker 3: What's that? Stage right. Is that left? No, stage right,

930
00:36:02,170 --> 00:36:02,750
Speaker 2: which is left. Ok. Ok.

931
00:36:20,860 --> 00:36:23,460
Speaker 3: hablando como actor stage right what can you

932
00:36:23,660 --> 00:36:25,640
Speaker 2: sleep with or without calcetines socks

933
00:36:25,660 --> 00:36:26,219
Speaker 3: without no

934
00:36:26,280 --> 00:36:27,040
Speaker 2: no que horrible

935
00:36:27,120 --> 00:36:30,390
Speaker 3: calcetines wey te sientes es como prisión es como esa

936
00:36:30,430 --> 00:36:33,150
Speaker 3: pregunta es como decirme prefieres sin calcetines o dormir en

937
00:36:33,190 --> 00:36:33,570
Speaker 3: la cárcel

938
00:36:33,710 --> 00:36:36,090
Speaker 2: just saying yes dude and people think I'm crazy but

939
00:36:36,110 --> 00:36:37,009
Speaker 2: I cannot sleep with socks on

940
00:36:37,170 --> 00:36:37,250
Speaker 3: no

941
00:36:37,550 --> 00:36:37,990
Speaker 2: Heidi

942
00:36:38,230 --> 00:36:41,569
Speaker 3: es de calcetines y aparte los Los calcetines que son

943
00:36:41,610 --> 00:36:42,550
Speaker 3: como gruesos.

944
00:36:42,930 --> 00:36:44,319
Speaker 2: Oh, I

945
00:36:44,700 --> 00:36:45,580
Speaker 3: can't. Como de,

946
00:36:45,600 --> 00:36:48,739
Speaker 2: como de, como de. The fuzzy ones? Sí. Ay, no puedo. No, no, no,

947
00:36:49,100 --> 00:36:49,759
Speaker 3: no puedo, no

948
00:36:49,880 --> 00:36:51,359
Speaker 2: puedo. I can't, I can't. No, no, no puedo. Heidi,

949
00:36:51,400 --> 00:36:52,540
Speaker 2: we love you, but I can't. Sí, pero

950
00:36:52,620 --> 00:36:52,799
Speaker 3: no.

951
00:36:53,060 --> 00:36:53,360
Speaker 2: No. Sí, pero

952
00:36:53,400 --> 00:36:54,440
Speaker 3: yes, pero no. Sí, pero no.

953
00:36:55,110 --> 00:36:55,489
Speaker 2: Sí, pero no.

954
00:36:55,640 --> 00:36:55,799
Speaker 3: Exacto

955
00:36:56,030 --> 00:36:58,149
Speaker 2: Do you have a favorite number, a lucky number?

956
00:36:58,750 --> 00:36:59,030
Speaker 3: Many.

957
00:36:59,310 --> 00:36:59,630
Speaker 2: Yes. I

958
00:36:59,710 --> 00:37:07,469
Speaker 3: have nine, five, twenty-five, seven.¿ Sabes por qué? Ese es

959
00:37:07,510 --> 00:37:09,830
Speaker 3: un poquito me not committing, para que siempre haya un

960
00:37:09,870 --> 00:37:10,430
Speaker 3: buen número, ¿sabes

961
00:37:11,150 --> 00:37:13,790
Speaker 3: ¡Ay, si no hay cinco! ¡Fuck! ¡Botas! ¡No, no!¡ Es

962
00:37:13,830 --> 00:37:16,210
Speaker 3: el nueve! Y mira, siete más dos, nueve. Entonces siempre

963
00:37:16,290 --> 00:37:16,489
Speaker 3: busco

964
00:37:17,210 --> 00:37:24,100
Speaker 2: así combinaciones. Exacto, exacto. De la

965
00:37:24,180 --> 00:37:25,739
Speaker 3: vida

966
00:37:27,560 --> 00:37:30,100
Speaker 3: Todo. Escucho, mira, me gusta, por ejemplo, hoy en el gimnasio,

967
00:37:31,010 --> 00:37:33,150
Speaker 3: Eso está en actor. O sea, I apologize. I apologize

968
00:37:33,190 --> 00:37:36,440
Speaker 3: in advance for this answer. My big apologies, ¿no? Pero

969
00:37:36,480 --> 00:37:38,279
Speaker 3: eso de Jimmy, Kendrick Lamarck, Jim Music, whatever.

970
00:37:38,300 --> 00:37:38,739
Speaker 2: It's not your

971
00:37:38,760 --> 00:37:39,060
Speaker 3: thing. The

972
00:37:39,080 --> 00:37:40,739
Speaker 2: Greatest

973
00:37:40,800 --> 00:37:41,400
Speaker 3: Showman

974
00:37:42,200 --> 00:37:43,080
Speaker 2: Oh,

975
00:37:43,140 --> 00:37:43,239
Speaker 3: nice.

976
00:37:43,300 --> 00:37:43,839
Speaker 2: Oh, my God, look.

977
00:37:43,940 --> 00:37:45,440
Speaker 3: Y I get so pumped porque

978
00:37:45,480 --> 00:37:46,279
Speaker 2: pues I like to

979
00:37:46,300 --> 00:37:48,160
Speaker 3: be on stage, right? And one of my dreams is

980
00:37:48,180 --> 00:37:51,460
Speaker 3: to do that show on Broadway. Oh

981
00:37:52,670 --> 00:37:54,550
Speaker 2: my gosh. We're going to manifest it, you guys. A

982
00:37:54,570 --> 00:37:54,870
Speaker 2: hundred percent.

983
00:37:54,890 --> 00:37:56,169
Speaker 3: Es otro dream que I'm willing to give a kidney

984
00:37:56,190 --> 00:37:58,390
Speaker 3: for it. I have to play De La Cruz when

985
00:37:58,410 --> 00:37:59,270
Speaker 3: they do Coco on Broadway.

986
00:38:00,410 --> 00:38:02,250
Speaker 2: Oh, my goodness. Yes, manifesting. I'm going to put it

987
00:38:02,270 --> 00:38:02,830
Speaker 2: on my vision board. It's

988
00:38:02,870 --> 00:38:03,489
Speaker 3: already out

989
00:38:03,550 --> 00:38:05,210
Speaker 2: there. Yeah, it's like, oh, nice. It's going to happen.

990
00:38:05,230 --> 00:38:05,540
Speaker 2: Boom

991
00:38:05,850 --> 00:38:06,270
Speaker 3: 100%.

992
00:38:06,270 --> 00:38:08,469
Speaker 2: El nombre sea de Dios. That's awesome. Así es. Amén.

993
00:38:08,489 --> 00:38:13,779
Speaker 2: Qué bueno. Do you work out every day? Me estás oyendo, Disney. Sí.

994
00:38:14,800 --> 00:38:14,940
Speaker 3: Sí.

995
00:38:15,239 --> 00:38:15,600
Speaker 2: Todos los días. I

996
00:38:15,640 --> 00:38:18,840
Speaker 3: work out todos los días, pero I do a lot

997
00:38:18,880 --> 00:38:22,780
Speaker 3: of boxing. Oh, I love boxing. To do the video, remember? Yes.

998
00:38:22,940 --> 00:38:26,049
Speaker 3: So I go boxing, pero ya me regañaron. Ya me

999
00:38:26,090 --> 00:38:30,760
Speaker 3: dijo Rulas, Raúl, el entrenador, físico de Saúl, del Canelo,

1000
00:38:31,219 --> 00:38:33,560
Speaker 3: me dijo, tienes que hacer más músculo, porque después de

1001
00:38:33,600 --> 00:38:36,840
Speaker 3: los 40, 50 años, ya no tenemos la capacidad to

1002
00:38:37,100 --> 00:38:41,009
Speaker 3: build muscle. So you have to not only be in an,

1003
00:38:42,710 --> 00:38:46,110
Speaker 3: I believe I'm in amazing shape, I can run 8

1004
00:38:46,110 --> 00:38:48,709
Speaker 3: miles no problem and do any Pilates class and I

1005
00:38:49,050 --> 00:38:52,600
Speaker 3: don't get tired, I'm in great shape. Pero it's not

1006
00:38:52,860 --> 00:38:56,189
Speaker 3: about that only. Tienes que levantar pesas. Las pesas

1007
00:38:56,590 --> 00:38:59,270
Speaker 3: Exactamente. Entonces ya estoy cambiando mi... Pero cuando voy a

1008
00:38:59,290 --> 00:39:02,350
Speaker 3: hacer pesas siento que no hago ejercicio porque no sudo,

1009
00:39:02,730 --> 00:39:03,069
Speaker 3: no como...

1010
00:39:03,170 --> 00:39:03,210
Speaker 2: I

1011
00:39:03,310 --> 00:39:05,489
Speaker 3: know what you mean. No quemo 750 calorías.

1012
00:39:05,730 --> 00:39:06,250
Speaker 2: Sí. I don't

1013
00:39:06,270 --> 00:39:08,549
Speaker 3: feel winded. Es como que, ok, ya, levante pesas y... Yeah,

1014
00:39:08,900 --> 00:39:11,660
Speaker 2: yeah, yeah. It's a different type of... It's a different type,

1015
00:39:11,680 --> 00:39:14,640
Speaker 3: pero es... What are the... O sea, es increíble como

1016
00:39:14,719 --> 00:39:15,960
Speaker 3: es quemas más grasa.

1017
00:39:16,400 --> 00:39:16,680
Speaker 2: Sí

1018
00:39:17,000 --> 00:39:17,760
Speaker 3: Levantando pesas.

1019
00:39:17,960 --> 00:39:21,489
Speaker 2: O sea... Ya tengo como con mi entrenador dos meses.

1020
00:39:21,510 --> 00:39:24,219
Speaker 2: Y siento la diferencia. Y siento, sí. Y estoy como, joder, sí.

1021
00:39:24,260 --> 00:39:26,080
Speaker 2: Tengo que mostrarles mis músculos

1022
00:39:26,320 --> 00:39:26,580
Speaker 3: Mira. Exacto.

1023
00:39:30,360 --> 00:39:33,640
Speaker 2: they're really nice honestly I was very scared I said

1024
00:39:33,680 --> 00:39:35,660
Speaker 2: oh my god they're gonna be so mean Lola was

1025
00:39:35,680 --> 00:39:37,919
Speaker 2: Peter Pan I did the hook and she was Peter

1026
00:39:37,940 --> 00:39:43,830
Speaker 2: Pan Yeah, she's wonderful. Sí. So talented. Es increíble

1027
00:39:44,290 --> 00:39:45,810
Speaker 2: Yeah, they're so nice, you guys. Yo

1028
00:39:45,850 --> 00:39:47,190
Speaker 3: no conocí a Espinosa. Qué lindo es, ¿no?

1029
00:39:47,390 --> 00:39:49,850
Speaker 2: Yeah, he's cool. He's so nice. Yeah, he's a cool guy.

1030
00:39:49,870 --> 00:39:51,110
Speaker 2: He's a cool guy. Y David es

1031
00:39:51,150 --> 00:39:52,169
Speaker 3: amigo mío de 30 años.

1032
00:39:52,370 --> 00:39:54,810
Speaker 2: Sí, I know. I noticed that right away. I was like, oh,

1033
00:39:54,850 --> 00:39:56,180
Speaker 2: you guys know each other for a long time and

1034
00:39:56,200 --> 00:39:59,360
Speaker 3: that's awesome. Pues mira, James. Yeah,

1035
00:39:59,640 --> 00:40:00,299
Speaker 2: he's a great guy. He's

1036
00:40:00,360 --> 00:40:01,660
Speaker 3: a great guy. He's a great project.

1037
00:40:02,100 --> 00:40:02,180
Speaker 2: I

1038
00:40:02,200 --> 00:40:04,180
Speaker 3: don't know. I'm not very familiar with La Academia.

1039
00:40:04,440 --> 00:40:04,680
Speaker 2: Yes.

1040
00:40:04,780 --> 00:40:08,239
Speaker 3: I wasn't very familiar with La Academia. But I can

1041
00:40:08,260 --> 00:40:10,560
Speaker 3: tell you that this generation, it's a very special one.

1042
00:40:10,930 --> 00:40:12,469
Speaker 3: Es un show muy especial, se siente

1043
00:40:12,510 --> 00:40:13,290
Speaker 2: tan especial. ¿Verdad?

1044
00:40:13,850 --> 00:40:20,560
Speaker 2: Te sientes lo mismo? Honestamente, he visto Academia, pero con ellos,

1045
00:40:20,960 --> 00:40:24,920
Speaker 2: los académicos, son tan dulces, tan respetuosos. Sí. And the

1046
00:40:24,940 --> 00:40:26,859
Speaker 2: ones que están ahorita, even more so, and I'm really,

1047
00:40:26,880 --> 00:40:28,960
Speaker 2: really happy. Les tengo cariño and I haven't even met them.

1048
00:40:28,980 --> 00:40:29,739
Speaker 2: I'm going to go to the house

1049
00:40:29,760 --> 00:40:29,950
Speaker 4: soon. Yes

1050
00:40:30,239 --> 00:40:32,140
Speaker 2: Yes. How was that experience? It was cool. It's amazing. Yeah,

1051
00:40:32,180 --> 00:40:33,120
Speaker 2: I need to go. It is amazing. I need to

1052
00:40:33,140 --> 00:40:35,259
Speaker 2: go see them and take them something because...

1053
00:40:35,280 --> 00:40:36,820
Speaker 3: Sí, mándales algo nice.

1054
00:40:36,920 --> 00:40:37,760
Speaker 2: Yeah,

1055
00:40:37,800 --> 00:40:39,660
Speaker 3: I am. I have a gift for them. So, I'm

1056
00:40:39,700 --> 00:40:43,840
Speaker 3: going to give them all Beats by Dre, the Studio Pros.

1057
00:40:44,330 --> 00:40:45,850
Speaker 3: I'm going to give them... I love that. I'm going

1058
00:40:45,870 --> 00:40:49,010
Speaker 3: to go like, you are professionals. Son profesionales de la música.

1059
00:40:49,580 --> 00:40:52,920
Speaker 3: Y tienen que tener un equipo profesional para escuchar sus pistas.

1060
00:40:52,940 --> 00:40:53,440
Speaker 3: I love that.

1061
00:40:53,460 --> 00:40:56,050
Speaker 2: That is an amazing freaking gift

1062
00:40:56,450 --> 00:40:57,850
Speaker 2: Sí. Sí les quiero llevar algo and I've been thinking

1063
00:40:57,890 --> 00:41:00,450
Speaker 2: about it, but that's freaking amazing. Qué bueno. La verdad.

1064
00:41:00,469 --> 00:41:02,029
Speaker 2: Lo otro de las ideas si quieres, we can do

1065
00:41:02,050 --> 00:41:02,390
Speaker 3: it together

1066
00:41:02,550 --> 00:41:02,600
Speaker 2: Sí

1067
00:41:02,690 --> 00:41:04,130
Speaker 3: Y así we split the cost.

1068
00:41:05,170 --> 00:41:06,830
Speaker 2: Lo que quieras. No, pero we can. Sí, claro. Oh, yeah.

1069
00:41:06,850 --> 00:41:08,489
Speaker 2: I would love that. Thank you so much. Awesome,

1070
00:41:08,510 --> 00:41:08,850
Speaker 3: awesome.

1071
00:41:08,870 --> 00:41:10,110
Speaker 2: Pero bueno, okay. Guilty pleasure.

1072
00:41:11,620 --> 00:41:14,359
Speaker 3: Motorcycle. I love to ride motorcycles every single

1073
00:41:14,400 --> 00:41:19,590
Speaker 2: weekend. I really wanted one. My mom said no. My

1074
00:41:19,610 --> 00:41:21,629
Speaker 3: mom said no. Your mom is very

1075
00:41:21,670 --> 00:41:22,390
Speaker 2: intelligent. That's awesome. I

1076
00:41:22,410 --> 00:41:24,859
Speaker 3: like to talk about my dad and your mom in person. Yeah,

1077
00:41:24,920 --> 00:41:25,120
Speaker 3: you're

1078
00:41:25,260 --> 00:41:27,420
Speaker 2: right. You're absolutely

1079
00:41:27,620 --> 00:41:32,580
Speaker 3: right. Sí, es nice... I love motorcycling. I ride every

1080
00:41:32,600 --> 00:41:35,379
Speaker 3: single week with my group here in California. California is

1081
00:41:35,400 --> 00:41:38,020
Speaker 3: the most beautiful place in the universe

1082
00:41:38,040 --> 00:41:39,020
Speaker 2: to ride. It's so pretty, huh?

1083
00:41:39,100 --> 00:41:42,239
Speaker 3: Oh my God, the canyons, Angeles Crest, this, that, no

1084
00:41:42,280 --> 00:41:44,359
Speaker 3: sé qué, Santa Barbara, you drive a little bit, you're

1085
00:41:44,380 --> 00:41:45,420
Speaker 3: in Ojai. I see it,

1086
00:41:45,440 --> 00:41:48,700
Speaker 2: the hair, la barba, I see it. What do you

1087
00:41:48,760 --> 00:41:50,580
Speaker 2: wear when you're on the motorcycle? Is there like a

1088
00:41:50,600 --> 00:41:51,210
Speaker 2: certain outfit

1089
00:41:51,440 --> 00:41:55,729
Speaker 3: Nothing but a leather jacket and a thong. Nice! No, hombre.

1090
00:41:55,750 --> 00:41:55,790
Speaker 3: Es

1091
00:41:56,050 --> 00:41:58,779
Speaker 2: que... No...¿ Sabes qué?¿ Sabes

1092
00:41:58,820 --> 00:41:58,980
Speaker 3: qué?

1093
00:41:59,380 --> 00:42:00,560
Speaker 2: Respectfully, guys. Respectfully.

1094
00:42:00,920 --> 00:42:08,970
Speaker 3: We ride... LA... We don't disguise ourselves as hell angels.

1095
00:42:08,989 --> 00:42:09,589
Speaker 3: Hell angels. Hell

1096
00:42:09,630 --> 00:42:10,469
Speaker 2: angels. No. We are...

1097
00:42:12,680 --> 00:42:14,950
Speaker 3: More of a coffee racer kind of vibe, you know?

1098
00:42:14,989 --> 00:42:15,630
Speaker 2: The way we

1099
00:42:15,690 --> 00:42:17,350
Speaker 3: dress and everything is more... And we're very safe and

1100
00:42:17,410 --> 00:42:19,009
Speaker 3: we have the helmet and we have the airbag. Like,

1101
00:42:19,050 --> 00:42:23,250
Speaker 3: we ride very, very safe. Pero no nos disfrazamos...¿ Viste

1102
00:42:23,770 --> 00:42:25,219
Speaker 3: el episodio de South Park?

1103
00:42:25,760 --> 00:42:25,840
Speaker 2: ¿Cuál?

1104
00:42:25,880 --> 00:42:26,400
Speaker 3: De los motos.

1105
00:42:26,719 --> 00:42:27,840
Speaker 5: No, no, es... Te mueres de la risa. I need

1106
00:42:27,860 --> 00:42:28,390
Speaker 5: to watch it now. Bueno

1107
00:42:28,580 --> 00:42:29,380
Speaker 3: no nos disfrazamos

1108
00:42:29,520 --> 00:42:34,819
Speaker 2: así. Nos

1109
00:42:34,840 --> 00:42:35,580
Speaker 3: vestimos más cool.

1110
00:42:37,340 --> 00:42:39,299
Speaker 2: Con eso te desestresas y toda la cosa. Porque

1111
00:42:39,340 --> 00:42:42,110
Speaker 3: es mindfulness. La gente piensa,¿ cómo te desestresas? Y no,

1112
00:42:42,160 --> 00:42:46,910
Speaker 3: es lo contrario, porque es mindfulness. En el motocicleta, es

1113
00:42:46,950 --> 00:42:49,950
Speaker 3: completamente mindfulness, porque estás ahí en el momento, en

1114
00:42:50,010 --> 00:42:50,730
Speaker 2: el momento preciso, en

1115
00:42:50,810 --> 00:42:54,110
Speaker 3: tu presente. Si te distraes, te matas.

1116
00:42:54,530 --> 00:42:55,550
Speaker 2: Así que tienes que estar

1117
00:42:55,610 --> 00:42:56,030
Speaker 3: ahí,

1118
00:42:56,070 --> 00:42:56,360
Speaker 2: zonado

1119
00:42:56,670 --> 00:42:57,320
Speaker 3: y eso es muy relajante

1120
00:42:58,810 --> 00:43:01,480
Speaker 2: Eso es genial. Tal vez, no sé, lo rentaré un poco,

1121
00:43:01,500 --> 00:43:02,879
Speaker 2: solo para ver. Con lo que eres, te puedo ayudar.

1122
00:43:02,900 --> 00:43:03,820
Speaker 3: Es tan agradable.¿ Estás

1123
00:43:03,920 --> 00:43:04,299
Speaker 2: bien en

1124
00:43:04,360 --> 00:43:06,050
Speaker 3: escribir? Sé honesto.

1125
00:43:07,719 --> 00:43:07,759
Speaker 2: es

1126
00:43:08,020 --> 00:43:10,880
Speaker 3: buenísimo te voy a platicar el guión you're gonna

1127
00:43:11,040 --> 00:43:12,439
Speaker 2: love it I can't right now porque es como medio

1128
00:43:12,460 --> 00:43:13,640
Speaker 2: undercover pero está pero está

1129
00:43:13,660 --> 00:43:14,020
Speaker 3: muy bueno

1130
00:43:28,890 --> 00:43:34,630
Speaker 2: Me encantaría, pero¿ qué

1131
00:43:34,650 --> 00:43:36,810
Speaker 3: canción hacemos? Porque ahí dijimos que reina más por decir,

1132
00:43:36,850 --> 00:43:36,969
Speaker 3: pero

1133
00:43:37,050 --> 00:43:39,230
Speaker 2: no, we have to choose a better song. A good song, right? Okay,

1134
00:43:39,250 --> 00:43:40,969
Speaker 2: let's think about it. We have some time, but I

1135
00:43:41,010 --> 00:43:43,489
Speaker 2: would love for you, your wife, your kids to come out.

1136
00:43:43,510 --> 00:43:46,640
Speaker 2: That would be awesome. That would be amazing. And no pressure.

1137
00:43:46,660 --> 00:43:48,360
Speaker 2: Si estás ocupado, no te preocupes. No, lo único es

1138
00:43:48,380 --> 00:43:48,600
Speaker 2: que me

1139
00:43:48,620 --> 00:43:51,299
Speaker 3: digan que no me han dado fechas de Acapulco

1140
00:43:51,360 --> 00:43:51,720
Speaker 2: shooting

1141
00:43:51,760 --> 00:43:53,379
Speaker 3: y no me han dado fechas de López versus López.

1142
00:43:53,700 --> 00:43:55,739
Speaker 3: Worst case scenario, que me digan you're going to be shooting. Shoot.

1143
00:43:55,760 --> 00:43:58,319
Speaker 3: Pero even so, You can say, hey, I had a

1144
00:43:58,360 --> 00:44:00,040
Speaker 3: previous engagement, so that

1145
00:44:00,080 --> 00:44:00,400
Speaker 2: day I

1146
00:44:00,420 --> 00:44:03,450
Speaker 3: have to fly back and forth. Porque Acapulco se filma

1147
00:44:03,489 --> 00:44:04,230
Speaker 3: en Puerto Vallarta.

1148
00:44:04,650 --> 00:44:05,590
Speaker 2: Okay, okay, nice. So I'm

1149
00:44:05,630 --> 00:44:07,569
Speaker 3: really, I can just, I'm like a 40-minute flight, so

1150
00:44:07,590 --> 00:44:08,710
Speaker 3: we can go back and forth.

1151
00:44:08,890 --> 00:44:11,969
Speaker 2: November 3rd. Sí. Okay, y ya cualquier cosa, lo que necesites,

1152
00:44:12,050 --> 00:44:14,569
Speaker 2: yo te agarro el avión privado y todo si quieres.

1153
00:44:14,680 --> 00:44:14,700
Speaker 2: Oh

1154
00:44:14,760 --> 00:44:17,440
Speaker 3: my God. ¿Qué? El Día de los Muertos. El 2, sí.

1155
00:44:17,700 --> 00:44:17,819
Speaker 2: No

1156
00:44:17,880 --> 00:44:18,540
Speaker 3: puedo.¿ Por

1157
00:44:18,580 --> 00:44:18,880
Speaker 2: qué?

1158
00:44:19,260 --> 00:44:22,560
Speaker 3: Porque creo que voy a estar haciendo una activación para

1159
00:44:22,620 --> 00:44:23,560
Speaker 3: mis amigos de Expedia.

1160
00:44:23,820 --> 00:44:26,700
Speaker 2: Ah, okay. Okay, pues bueno, no te preocupes. <HAL> <HAL>

1161
00:44:26,719 --> 00:44:28,940
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1162
00:44:28,960 --> 00:44:29,420
Speaker 3: <HAL> <HAL>

1163
00:44:29,560 --> 00:44:30,299
Speaker 2: <HAL> <HAL> <HAL> <HAL>

1164
00:44:30,400 --> 00:44:32,569
Speaker 3: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1165
00:44:32,620 --> 00:44:33,670
Speaker 3: <HAL> <HAL> <HAL>

1166
00:44:33,690 --> 00:44:35,950
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1167
00:44:35,989 --> 00:44:36,950
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1168
00:44:36,969 --> 00:44:37,410
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL>

1169
00:44:37,430 --> 00:44:37,670
Speaker 3: <HAL> <HAL> <HAL>

1170
00:44:37,690 --> 00:44:38,790
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1171
00:44:38,810 --> 00:44:39,830
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1172
00:44:39,850 --> 00:44:40,750
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1173
00:44:40,790 --> 00:44:41,730
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1174
00:44:41,750 --> 00:44:43,450
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1175
00:44:43,469 --> 00:44:44,650
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1176
00:44:44,690 --> 00:44:46,210
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1177
00:44:46,230 --> 00:44:47,370
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1178
00:44:47,390 --> 00:44:48,549
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1179
00:44:48,570 --> 00:44:49,469
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1180
00:44:49,489 --> 00:44:50,569
Speaker 2: <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL> <HAL>

1181
00:44:50,590 --> 00:44:52,170
Speaker 2: <HAL> <HAL> <HAL> If I hear it around me, I'm

1182
00:44:52,210 --> 00:44:53,689
Speaker 2: not going to let it happen. Hell no. He's not

1183
00:44:53,750 --> 00:44:56,540
Speaker 2: what you guys are saying. F that. So, anyways. Do

1184
00:44:57,200 --> 00:44:58,900
Speaker 2: you want to tell everyone where they can find you

1185
00:44:58,920 --> 00:45:00,239
Speaker 2: right now? I know that you're off the X or

1186
00:45:00,260 --> 00:45:00,780
Speaker 2: the Twitter.

1187
00:45:00,900 --> 00:45:01,719
Speaker 3: No, no. Estoy ahí. Nada

1188
00:45:01,739 --> 00:45:03,620
Speaker 2: más no me meto. O sea, no me meto a leer.

1189
00:45:04,460 --> 00:45:07,360
Speaker 3: Pero todas mis social medias son ad Jaime Camil.

1190
00:45:07,610 --> 00:45:08,810
Speaker 2: Jaime Camil. Perfect. Ad

1191
00:45:08,910 --> 00:45:12,109
Speaker 3: Jaime Camil.¿ En qué estoy? Estoy en X. In every

1192
00:45:12,130 --> 00:45:14,990
Speaker 3: single word and letter that I post

1193
00:45:15,250 --> 00:45:15,310
Speaker 2: is

1194
00:45:15,330 --> 00:45:16,210
Speaker 3: from my hands. Like,

1195
00:45:16,270 --> 00:45:17,150
Speaker 2: I don't have a team. I love that. That's

1196
00:45:17,270 --> 00:45:18,070
Speaker 3: awesome.

1197
00:45:18,090 --> 00:45:19,800
Speaker 2: Hands on. Está

1198
00:45:19,820 --> 00:45:23,650
Speaker 3: TikTok, está Instagram, está Facebook, está...¿ Qué

1199
00:45:24,290 --> 00:45:24,410
Speaker 2: más?

1200
00:45:24,489 --> 00:45:25,850
Speaker 3: TikTok.

1201
00:45:25,870 --> 00:45:28,390
Speaker 2: Threads. Oh, nice threads. Oh, ya los threads. Sí. OK.

1202
00:45:28,430 --> 00:45:28,830
Speaker 2: Yo creo

1203
00:45:28,850 --> 00:45:29,169
Speaker 3: que ya...

1204
00:45:29,790 --> 00:45:29,989
Speaker 2: Bueno. I

1205
00:45:30,010 --> 00:45:30,509
Speaker 3: think that's it. What's

1206
00:45:30,610 --> 00:45:31,700
Speaker 2: your favorite social media?

1207
00:45:32,010 --> 00:45:32,340
Speaker 3: Instagram.

1208
00:45:32,580 --> 00:45:33,420
Speaker 2: Instagram, nice. Yeah.

1209
00:45:33,440 --> 00:45:38,280
Speaker 3: Because I'm in a certain age. Yeah. Mucho

1210
00:45:38,480 --> 00:45:44,460
Speaker 2: drama, ¿verdad? Mucho drama. Es que yo no

1211
00:45:44,480 --> 00:45:44,980
Speaker 3: veo TikTok.

1212
00:45:45,260 --> 00:45:46,800
Speaker 2: Sí. A mí me gusta. I like to watch it,

1213
00:45:46,820 --> 00:45:47,920
Speaker 2: pero entrar ahí está cabrón. A

1214
00:45:47,940 --> 00:45:50,000
Speaker 3: mí me gusta TikTok porque todo lo que postean de

1215
00:45:50,040 --> 00:45:50,500
Speaker 3: la academia lo

1216
00:45:51,080 --> 00:45:51,400
Speaker 2: puedo ver

1217
00:45:51,420 --> 00:45:52,620
Speaker 3: y puedo manipular la speed.

1218
00:45:52,860 --> 00:45:53,540
Speaker 2: So

1219
00:45:53,600 --> 00:45:56,770
Speaker 3: when they post like 15 minute clips or whatever, I

1220
00:45:56,790 --> 00:45:58,529
Speaker 3: can see them at one and a half or two

1221
00:45:58,550 --> 00:46:01,230
Speaker 3: times the speed. And that helps me get, because tú

1222
00:46:01,310 --> 00:46:03,529
Speaker 3: no sabes la cantidad de material que veo yo de

1223
00:46:03,550 --> 00:46:06,890
Speaker 3: estos niños. 24-7. Because I have to know what

1224
00:46:06,910 --> 00:46:07,310
Speaker 2: the hell I'm

1225
00:46:07,330 --> 00:46:08,710
Speaker 3: talking about each Sunday.

1226
00:46:08,969 --> 00:46:10,750
Speaker 2: I love that. Profesional. Esa es la cantidad de información

1227
00:46:11,010 --> 00:46:11,830
Speaker 3: It's crazy the amount of information

1228
00:46:12,090 --> 00:46:12,230
Speaker 3: Okay,

1229
00:46:14,210 --> 00:46:15,049
Speaker 2: so I didn't know that you

1230
00:46:15,070 --> 00:46:16,569
Speaker 3: could do that on TikTok. Yes. Te vas a full

1231
00:46:16,590 --> 00:46:16,860
Speaker 2: screen. Se va

1232
00:46:16,880 --> 00:46:20,029
Speaker 3: hacia horizontal. Horizontal. y ahí le pones en play speed

1233
00:46:20,070 --> 00:46:22,230
Speaker 3: or something y te vas a uno, uno veinticinco, uno

1234
00:46:22,550 --> 00:46:23,270
Speaker 3: y medio o dos.

1235
00:46:23,650 --> 00:46:26,480
Speaker 2: Ah, nice. Ahí como el WhatsApp. Exacto. Ah, nice. Okay,

1236
00:46:26,500 --> 00:46:27,940
Speaker 2: because time is money, guys.

1237
00:46:27,980 --> 00:46:28,460
Speaker 3: Time is money.

1238
00:46:28,520 --> 00:46:28,800
Speaker 2: Yeah.

1239
00:46:28,860 --> 00:46:31,219
Speaker 3: WhatsApp, by the way, if you are my friend and

1240
00:46:31,300 --> 00:46:34,850
Speaker 3: you get my WhatsApps, don't never hear me at one speed.

1241
00:46:34,890 --> 00:46:42,810
Speaker 3: Never do yourself a favor. Ya soy esa persona, ¿sabes?

1242
00:46:42,850 --> 00:46:42,910
Speaker 2: Que

1243
00:46:43,010 --> 00:46:44,200
Speaker 3: mando whatsapps de dos minutos. Yo

1244
00:46:44,719 --> 00:46:47,180
Speaker 2: también. Me encantan los voice notes. Los amo.

1245
00:46:47,680 --> 00:46:50,420
Speaker 3: Yo también. Ya me reprimieron mucho mis amigos.

1246
00:46:51,060 --> 00:46:51,379
Speaker 2: Sabes qué?

1247
00:46:51,780 --> 00:46:52,660
Speaker 3: Ya siente ese señor.

1248
00:46:54,739 --> 00:46:57,450
Speaker 2: You're so awesome. Oh my God, you guys. I had

1249
00:46:57,489 --> 00:47:01,290
Speaker 2: a great conversation. Muchas gracias. Lo que necesites. Aquí estoy.

1250
00:47:02,270 --> 00:47:04,050
Speaker 2: Te lo agradezco mucho. Todavía tenemos que ir a comer

1251
00:47:04,250 --> 00:47:05,770
Speaker 2: nuestros tacos allá en el Califa.

1252
00:47:06,030 --> 00:47:07,049
Speaker 5: Tenemos que hablar con Héctor.

1253
00:47:07,070 --> 00:47:09,629
Speaker 2: We have to. Absolutely, yes. Y Héctor me dijo, ¿qué?¿

1254
00:47:09,690 --> 00:47:12,010
Speaker 2: Vamos a ir a comer el año que entra? So anyways,

1255
00:47:12,030 --> 00:47:13,029
Speaker 2: we're going to make it happen. But thank you. Es

1256
00:47:13,050 --> 00:47:13,110
Speaker 2: un

1257
00:47:13,130 --> 00:47:14,210
Speaker 5: poquito dramático el director,

1258
00:47:14,230 --> 00:47:16,189
Speaker 2: como ya sabes. He's honest y yo le tenía también

1259
00:47:16,250 --> 00:47:19,330
Speaker 2: mucho respeto. al señor pero nos o sea me dio

1260
00:47:19,489 --> 00:47:21,430
Speaker 2: muy buenos consejos sí es awesome I'm having a great

1261
00:47:21,450 --> 00:47:23,350
Speaker 2: time en la academia and you are honestly I'm not

1262
00:47:23,550 --> 00:47:25,290
Speaker 2: the best part you're so freaking awesome dude

1263
00:47:25,330 --> 00:47:25,790
Speaker 3: yo también Chiquis

1264
00:47:25,810 --> 00:47:25,910
Speaker 2: thank

1265
00:47:25,989 --> 00:47:26,469
Speaker 3: you very much thank

1266
00:47:26,489 --> 00:47:28,840
Speaker 2: you for having me of course anytime let's do this

1267
00:47:28,880 --> 00:47:30,779
Speaker 3: let's do this weekly ¿no?

1268
00:47:30,960 --> 00:47:32,140
Speaker 2: yeah let's do it

1269
00:47:32,180 --> 00:47:34,840
Speaker 3: heck yeah my new co-host Chiquis

1270
00:47:35,120 --> 00:47:39,060
Speaker 5: y yo con un Sharpie y Jaime

1271
00:47:39,080 --> 00:47:39,660
Speaker 2: heck yeah

1272
00:47:39,719 --> 00:47:40,379
Speaker 5: exacto

1273
00:47:40,440 --> 00:47:42,219
Speaker 2: thank you guys so much and I hope you enjoyed

1274
00:47:42,239 --> 00:47:42,720
Speaker 2: this episode

1275
00:47:42,900 --> 00:47:44,260
Speaker 3: yay thank

1276
00:47:44,360 --> 00:47:49,489
Speaker 2: you bye bye This is a production of iHeart Radio

1277
00:47:49,670 --> 00:47:53,430
Speaker 2: and My Cultura Podcast Network. Follow us on Instagram at

1278
00:47:53,530 --> 00:47:59,770
Speaker 2: My Cultura Podcasts and follow me, Chiquis, that's C-H-I-Q-U-I-S. For

1279
00:47:59,790 --> 00:48:03,890
Speaker 2: more podcasts from iHeart, visit the iHeart Radio app, Apple Podcasts,

1280
00:48:04,010 --> 00:48:05,770
Speaker 2: or wherever you get your favorite shows.