WEBVTT - S3/E5 | The Bridge

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<v Speaker 1>M Thirteen Days of Halloween, Devil's Night, a production of

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<v Speaker 1>I Heart three D audio Blumhouse Television and Grimm and

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<v Speaker 1>Mild from Aaron Mackey. Headphones Recommended. Listener discretion advised. Yeah,

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<v Speaker 1>m give me a come on. That's it. That's that's it.

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<v Speaker 1>I got you. You're all right, You're all right now.

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<v Speaker 1>I gotta camp fire. You get yourself dry man, drape

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<v Speaker 1>this only let me move that guitar. Two. Yeah, you're

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<v Speaker 1>a good bupper. What's his name? Friend? Arrow? Arrow, straight

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<v Speaker 1>and true and yours Max, and mine is barred, or

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<v Speaker 1>at least that's what VOTs call me on account of

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<v Speaker 1>my talents and proclivities. But enough about me. What you're

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<v Speaker 1>doing in the river? Max? Jump off a train? Oh,

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<v Speaker 1>the old railway bridge. I bet that's a story. You

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<v Speaker 1>ain't gotta tell me. But I bet that's a story

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<v Speaker 1>and a half. You're lucky i'm here, Otherwise you'd be

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<v Speaker 1>a mile down river by now. Thanks for pulling me up.

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<v Speaker 1>I I gotta get to town. Friend, you're sharing like

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<v Speaker 1>a cartoon dog, Warm up first smoke? Mm hmm, suit yourself.

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<v Speaker 1>Who's your friend? Friend? You mean Arrow? No? I mean

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<v Speaker 1>that other friend I saw two of you downstream. Hey,

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<v Speaker 1>calm yourself, it's just us. Now. Whoever you saw he

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<v Speaker 1>ain't my friend. Well you got a friend and Jesus

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<v Speaker 1>friend to a preacher too. Now I ain't taking that

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<v Speaker 1>up yet. I twisted my ankle and gotta rested a bit,

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<v Speaker 1>So I'm biding my time here beneath the bridge like

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<v Speaker 1>some kind of troll. The troll, Well, I ain't much

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<v Speaker 1>to look at, right, I live under a bridge, and

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<v Speaker 1>I know a few things about it's crossing. What's a troll?

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<v Speaker 1>If not that? If you say so, Mr town h. Bradberry,

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<v Speaker 1>isn't Yeah, h little ways off, but it's a straight shot.

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<v Speaker 1>It's the right road up there. But you're you're gonna

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<v Speaker 1>have to climb up that embankment cross overhead. Which road

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<v Speaker 1>is it? I don't know its name. I just know

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<v Speaker 1>where it goes. It'll take you straight in sure enough.

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<v Speaker 1>I'm guessing you'd rather stay off the main track. Lots

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<v Speaker 1>of curious folks out tonight. You might cut through the

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<v Speaker 1>woods and the hobo camp. But either way you gotta cross.

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<v Speaker 1>Thanks for the help, But I got a warden up there.

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<v Speaker 1>What bridges have wardens? Wardens above, wardens below? And here's

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<v Speaker 1>some free advice. It's the wardens above that you gotta

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<v Speaker 1>worry about it. They're the ones calling the shots. They're

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<v Speaker 1>the ones with the guns and dogs no offense. They're

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<v Speaker 1>the reason the whole damn world is in this mess,

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<v Speaker 1>and they're awake, dust and ruin. Remember that. Now, those

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<v Speaker 1>of us beneath the bridges, we look to the rivers

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<v Speaker 1>and streams, friend, the old ways, the old flow. When

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<v Speaker 1>they built the bridges, they bisected it. They linked lands

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<v Speaker 1>that shouldn't be linked. Spread the curse of road from

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<v Speaker 1>here to Timbuctoo. I don't think I understand what you're

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<v Speaker 1>trying to say. Bridges are unnatural things, and they collect

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<v Speaker 1>unnatural energies. Friend, there are a place where boundaries were thin.

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<v Speaker 1>They draw and loathsome souls who sometimes find sweet release

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<v Speaker 1>in the waters. Beneath the span, there are a place

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<v Speaker 1>of execution. To you saying, I'll tell your tale across

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<v Speaker 1>the sea over and Hint they have a bridge between

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<v Speaker 1>town and castle, and there the Count of Hint had

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<v Speaker 1>his headsmen ply the trade. Now, it's a shame when

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<v Speaker 1>a father and son both stand accused the same crime.

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<v Speaker 1>But that's what happened in this case, the crime was rebellion,

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<v Speaker 1>so the acts had to fall. But the Count was

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<v Speaker 1>a strange man. Into him, common ways were even stranger.

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<v Speaker 1>Most perplexing of all was love, and he wondered which

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<v Speaker 1>love is stronger, the love of a child for apparent

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<v Speaker 1>or apparent for a child. So the Count told the

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<v Speaker 1>father and son he'd spare whichever of them cut the

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<v Speaker 1>head from the other, work it out between the two

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<v Speaker 1>of you, said naturally, the father would only have it

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<v Speaker 1>one way, and the son reluctantly agreed, tears streaming down

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<v Speaker 1>his cheeks. The sun lifted the blade on high. He

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<v Speaker 1>brought it down with all the skill and precision he

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<v Speaker 1>could muster, amateur that he was. For Then something miraculous happened.

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<v Speaker 1>The sword shattered against his neck, Against his neck, what

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<v Speaker 1>could the Count do? He pardoned them both. He threw

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<v Speaker 1>the broken blade into the waters below the bridge, where

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<v Speaker 1>it said the heads of the executed swam and leapt excitedly,

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<v Speaker 1>for something had occurred to break the cycle of death

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<v Speaker 1>on that unwholesome span of brick and iron. You sure

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<v Speaker 1>know a lot about bridges. I know a lot about

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<v Speaker 1>some things, and almost nothing about most things. I can't

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<v Speaker 1>tell you who the president is, but I can tell

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<v Speaker 1>you about the mud monster of more right, no sit

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<v Speaker 1>for this one, friend, You're not drawn off yet by

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<v Speaker 1>half up in Ile. There's a bridge near Moor. They

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<v Speaker 1>say that's where a fellow drove to after he killed

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<v Speaker 1>the whole family. Some say his family with a great,

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<v Speaker 1>big bloody hammer. I know Ralph could think about impossible

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<v Speaker 1>to live with. Some say the cops took chase and

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<v Speaker 1>he drove off the bridge. Others insist he lashed that

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<v Speaker 1>big hammer to his own neck and just jumped into

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<v Speaker 1>the drink. Either way, they never found the body. It

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<v Speaker 1>sank beneath the gray waters. His face was never seen again.

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<v Speaker 1>But you know how these things go. For hid everything

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<v Speaker 1>that sinks the most surface, and everything thing that rises,

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<v Speaker 1>he keep back. So they say my beard's just a

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<v Speaker 1>tail to keep kids away from the bridge. But they

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<v Speaker 1>say what's left of him does rise up from the monk,

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<v Speaker 1>a body caked in mud and clay, smelling all catfish

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<v Speaker 1>and the crypt creeping with a pace of geology. He's

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<v Speaker 1>slow but unstoppable, and so folks who go messing around

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<v Speaker 1>the bridge at night. Sometimes hear odd sounds from the water,

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<v Speaker 1>amorous Couples who tarry too long might feel a cold

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<v Speaker 1>clay hand on thigh, and them's that sleep beneath the

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<v Speaker 1>bridge during the downpour may find themselves dragged into the depths.

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<v Speaker 1>All but I've done and scared your dog. We're fine here, buddy.

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<v Speaker 1>I gotta treat in my bag for you. One set.

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<v Speaker 1>I gotta go, mr. I know you do, friend, Uh,

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<v Speaker 1>I gotta advise you once more about the warden up there.

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<v Speaker 1>I'll sneak around him. It don't work like that. You

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<v Speaker 1>crossed the bridge, you cross his gaze, and then you

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<v Speaker 1>gotta deal with him directly. It'll look you in the eyes,

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<v Speaker 1>and if you don't know exactly what to do, you'll

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<v Speaker 1>be his no homecoming for max and hour. What do

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<v Speaker 1>I do? Then there's an exact course of action, and

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<v Speaker 1>I'll tell it to you for free. Friend of friend.

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<v Speaker 1>Legend tells of a goatherd who crossed an old bridge

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<v Speaker 1>every market day, and who should guard this bridge? But

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<v Speaker 1>a troll. Not a warden beneath, mind you, but a

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<v Speaker 1>warden above. This troll slept atop the bridge, blocking the

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<v Speaker 1>way with his loathsome bulk, and the slightest footsteps would

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<v Speaker 1>waken to demand payment a single goat, which he'd gobbled

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<v Speaker 1>down bones and all the goat hurt. Always paid up,

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<v Speaker 1>bade up and tried not to listen too hard to

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<v Speaker 1>the chewing sounds that followed. But then one market day

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<v Speaker 1>he encountered not one, but two trolls. They demanded two goats,

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<v Speaker 1>hardly fair at all, but he paid the toll. He

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<v Speaker 1>pinched his ears and walked on. Then one day he

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<v Speaker 1>came to cross and encountered three trolls, and him only

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<v Speaker 1>having three goats. You gotta goat for me to take

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<v Speaker 1>up there, no listen. The goatherd had something better, a

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<v Speaker 1>micah stone he picked up in the woods. It glittered

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<v Speaker 1>and shone like silver in the light, A shimmering silver coin,

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<v Speaker 1>it looked like it. And so when the three trolls

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<v Speaker 1>rose from their slumber, stretching their grotesque glenbs in the

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<v Speaker 1>morning light, the goatherd produced this false silver, held it

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<v Speaker 1>high for them to fathom, and then he threw it

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<v Speaker 1>off the bridge. Wouldn't you know those three troll brothers

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<v Speaker 1>fought and tripped over themselves to claim the coin, and

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<v Speaker 1>all fell into the river. They washed down stream, away

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<v Speaker 1>from their bridge and its power, where the sun turned

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<v Speaker 1>them into rocky aisles. I'm going you see silver, you

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<v Speaker 1>throw it over the side. Only way you're a get

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<v Speaker 1>at a cross friend at least tongue to put your

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<v Speaker 1>troll talk. Well, I didn't catch the others. I'm arresting you.

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<v Speaker 1>I wear up and nothing off, really, and you're wearing

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<v Speaker 1>a sheet would sit around your eyes? What are you

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<v Speaker 1>throwing the river? When I pulled up empty milk bottle?

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<v Speaker 1>Oh lord? What was the just deg and so hurricanic gas?

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<v Speaker 1>All the same, will be satisfied that you finally up

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<v Speaker 1>would kill someone. These cops are too tight. I reckon

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<v Speaker 1>they are. Hey, stop right there, boy, this one with you?

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<v Speaker 1>I don't know that kid. Boy you with him? No,

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<v Speaker 1>I head over here. Now, don't make me chase you.

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<v Speaker 1>I I'm not gonna ask again. Kid move, yes, sir.

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<v Speaker 1>If anyone's up to something, it's him. Officer shushing. He's

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<v Speaker 1>one of those wild boys. It looks like ship anymore

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<v Speaker 1>that from you, And I'm not dropping you theself. I'm

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<v Speaker 1>dropping you five miles down the road with a boot

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<v Speaker 1>in your grass. You got a junior kid. You aren't

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<v Speaker 1>threatened me. He means to bust me up. Buss you

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<v Speaker 1>up like hell like this, I'm dropping up both of

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<v Speaker 1>you and the sticks tit, I said Tom here. I

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<v Speaker 1>tried to warn him. I did, And now he sees

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<v Speaker 1>what that wardens all about. He sees where compliance will

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<v Speaker 1>get it dragged out to the county line and left

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<v Speaker 1>in the dark or worse. He's stuck now. But this

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<v Speaker 1>is when he sees it, gleaming silver in the moonlight,

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<v Speaker 1>pinned to the wardens shirt with the text police embossed across.

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<v Speaker 1>He realizes, now I told him, true, you see silver,

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<v Speaker 1>you shrow it over the side. Otherwise the gig is up,

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<v Speaker 1>I said Catherine over here, kiss stop, I didn't do anything.

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<v Speaker 1>You're all wet up. God damn. But this is the moment,

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<v Speaker 1>heavy swollen. It swallows up the whole night. The squad

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<v Speaker 1>car idling there like a beast, burning twin beams into

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<v Speaker 1>the dark, the teen in bedsheets, his nose bloody and

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<v Speaker 1>his eyes still sooted up like a skulk arrow tugging

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<v Speaker 1>at the policeman's pant let again. And there's that badge,

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<v Speaker 1>glowing silver in the moonlight like a promise ful max nose.

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<v Speaker 1>It's now or never. What the hell you doing like

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<v Speaker 1>that the team may be bloody, he ain't out. He

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<v Speaker 1>seizes the chance as well. The cop don't say anything,

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<v Speaker 1>you don't have to. His eyes are wild with rage,

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<v Speaker 1>trickle of blood flowing down his scalp because he leans

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<v Speaker 1>there against the side of the bridge. I think the

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<v Speaker 1>kids seen eyes like those before. I think he knows

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<v Speaker 1>what's gonna go next. A man like that's only gonna

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<v Speaker 1>respond to a certain kind of way. The kids horrified,

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<v Speaker 1>and he's even more horrified when he sees what comes

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<v Speaker 1>rising up behind him? What what? What the hellas that?

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<v Speaker 1>They stare agape as the earth itself rises up A

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<v Speaker 1>figure sculptor out of fetid muck, long and tuned in

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<v Speaker 1>river bottom clay. It's voice nothing but a mud choke

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<v Speaker 1>death rapp or. It wraps its dripping arms around the

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<v Speaker 1>policeman and pulls the cop over the side of the bridge.

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<v Speaker 1>Payment for passage. Just don't look back, don't look a back. See.

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<v Speaker 1>I knew he had a friend out there, someone to watch.

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<v Speaker 1>All were him in the night, a warden of the heart.

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<v Speaker 1>Mm hm. They have we triess and temptedships is their

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<v Speaker 1>trouble anywhere? We should never be scared. Take it to

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<v Speaker 1>the Lord in prayer. What a friend we have injurious Well?

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<v Speaker 1>I was wondering when you turn up again? Half was

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<v Speaker 1>some trick friend. You got a good kid there, yes,

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<v Speaker 1>stubborn but full of surprises. Thirteen Days of Halloween Devil's Night,

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<v Speaker 1>starring Carter Rockwood and Clancy Brown. Episode five, The Bridge,

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<v Speaker 1>written by Robert Lamb, edited by Zoe Shay, Sound designed

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<v Speaker 1>by Jesse Funk, featuring the voices of Joe Hart, Raphael

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<v Speaker 1>Corkill and Vinnie Belbo. And guitar playing by Joe Hart.

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<v Speaker 1>Directed by Alexander Williams. Script supervision by Nicolas Takowski. Casting

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<v Speaker 1>by Sunday Bowling c s A and Meg Mormon c

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<v Speaker 1>s A. Production coordinator Wayna Calderon. Production assistants Zoe Shay

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<v Speaker 1>and Amber Ferris. Animal recording by Ben James, closing theme

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<v Speaker 1>by Rose Azerte. Loyalty Freak Music dot Com. Recorded at

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<v Speaker 1>d G Entertainment in Los Angeles, California. Engineered by Gary

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<v Speaker 1>Forbes and Jody Abbott. Executive producers Aaron Manky, Noah Finberg,

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<v Speaker 1>Chris Dickey, Matt Frederick, and Alexander Williams. Supervising producers Trevor

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<v Speaker 1>Young and Josh Thane, producers Jesse Funk and rima Il Kali.

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<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

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<v Speaker 1>Alexander Williams and is a production of I Heeart three

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<v Speaker 1>D Audio, Blumhouse Television, and Grim and Mild from Aaron Mankey.

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<v Speaker 1>Learn more about the show at Grim and Mild dot com.

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<v Speaker 1>Slash thirteen Days and find more podcasts from I heart

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<v Speaker 1>Radio by visiting the i heart Radio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.