WEBVTT - Chely Wright, Country's Queer Icon

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<v Speaker 1>In my heart and who I am naturally is a

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<v Speaker 1>really authentic, open, honest person. But the hardest thing for

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<v Speaker 1>me to write in my book was I became a

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<v Speaker 1>skilled liar.

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<v Speaker 2>Welcome to Off the Cup, my personal anti anxiety antidote.

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<v Speaker 2>We talk a lot on this show, as you know,

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<v Speaker 2>about career arcs and how many lives we might get

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<v Speaker 2>to live or have to live, depending on your perspective.

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<v Speaker 2>And it's such a fascinating, rich topic for me because

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<v Speaker 2>I've been going through a kind of midlife something. It's

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<v Speaker 2>not a crisis per se, and it's not entirely just

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<v Speaker 2>because of my age, although that plays a part. It's

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<v Speaker 2>because of where I am in my career, where my

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<v Speaker 2>industry is, where the world is, and I know I'm

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<v Speaker 2>not alone and feeling angsty and anxious and confused. And

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<v Speaker 2>we get to these crossroads sometimes start asking some very

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<v Speaker 2>scary questions like who am I without this job? Do

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<v Speaker 2>I even like my job? Could I do something else?

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<v Speaker 2>What would that look like if I leave my job?

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<v Speaker 2>Can I ever come back if I want? Are they

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<v Speaker 2>kicking me out for good? Will I be good at

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<v Speaker 2>something else? So scary but also so important, And these

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<v Speaker 2>are the moments that can change our lives in ways

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<v Speaker 2>we can't even foresee, we can't imagine. And for people

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<v Speaker 2>like me who are like I need to know what's

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<v Speaker 2>on the other side of that door before I open it,

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<v Speaker 2>it's really scary.

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<v Speaker 3>And the thing you can't imagine on the.

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<v Speaker 2>Other side of the door might be better than whatever

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<v Speaker 2>you're predicting. So today's guest has lived many, many lives,

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<v Speaker 2>so many lives, and I really admire her for her strength,

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<v Speaker 2>her courage, her sense of adventure. She's someone who seems

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<v Speaker 2>to just constantly say I'm.

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<v Speaker 3>Just gonna go do that. I'm just gonna go do it,

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<v Speaker 3>And I love that so much.

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<v Speaker 2>I want to be more like that. She's an award

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<v Speaker 2>winning rue music artist. She's an activist, she's an author,

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<v Speaker 2>she's a corporate boss. Welcome to Off the Cops, Shelley, Right.

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<v Speaker 1>Essie, I'm so glad to be here with you. Wow,

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<v Speaker 1>what an intro.

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<v Speaker 3>I'm so glad.

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<v Speaker 2>I mean I could do your whole bio, which is great,

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<v Speaker 2>you have a very impressive bio.

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<v Speaker 3>But like hear it off the cup, these are.

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<v Speaker 2>The conversations we want to have, Yeah, asking ourselves the

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<v Speaker 2>scary questions and like how did you how'd you get

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<v Speaker 2>past that question?

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<v Speaker 3>How'd you answer it?

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<v Speaker 2>And I'm so glad we finally get to do this

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<v Speaker 2>together when I don't remember when we met.

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<v Speaker 3>When do you think we met?

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<v Speaker 1>Yeah? I was thinking about that a couple of weeks ago.

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<v Speaker 1>I feel like because I think my wife said, how

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<v Speaker 1>do you? How long have you known Essie? Obviously you

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<v Speaker 1>and I have history in the recent in recent years

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<v Speaker 1>working on a project together. We'll get into that. I

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<v Speaker 1>think that the first time you and I met was

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<v Speaker 1>at thirty Rock, and I think we were both in

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<v Speaker 1>the green room about to do a hit on either

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<v Speaker 1>an NBC or MSNBC. Is that close?

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<v Speaker 3>I think that's right. Would would this have been twenty

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<v Speaker 3>eleven or twelve?

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<v Speaker 1>Probably? Yes, probably around that time. So I came out

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<v Speaker 1>of the closet in twenty ten, And of course we'll

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<v Speaker 1>get to all of that, yep. But I you know,

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<v Speaker 1>in between twenty ten and twenty fifteen, I was there

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<v Speaker 1>a lot, doing a lot of stuff, and I feel

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<v Speaker 1>like that's when we met. And I feel like, too,

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<v Speaker 1>you it was the two of us in a green room,

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<v Speaker 1>and I want to say it was Mira Sorvino in

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<v Speaker 1>there with her Dad. Yes, Oh my god, yes, I

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<v Speaker 1>just that just came to me. I feel like I

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<v Speaker 1>feel like they had a project and they were talking

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<v Speaker 1>about it and it was just us and then in

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<v Speaker 1>walks Paul and Mira and I think you and I

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<v Speaker 1>both looked at one another like, whoa.

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<v Speaker 3>Shelley, You're so right.

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<v Speaker 2>And I would never have remembered that part of it,

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<v Speaker 2>But now that you say that, oh, it's vivid, right,

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<v Speaker 2>memory is vivid. Yeah, Oh, I remember even which green

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<v Speaker 2>room we were in, because okay, so here's the I

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<v Speaker 2>was at MSNBC.

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<v Speaker 3>I had a show at MSNBC.

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<v Speaker 2>I wasn't in the green room a lot because I

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<v Speaker 2>had an office there, but I was in the green

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<v Speaker 2>room this day because I was going on a show

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<v Speaker 2>I didn't normally go on. And I don't remember if

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<v Speaker 2>we were going on Morning Joe or we were going

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<v Speaker 2>on with like Chris Jansen or Thomas Roberts. But it

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<v Speaker 2>wasn't a show I was doing. All the time.

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<v Speaker 1>You were guesting. You were guesting on someone else's show

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<v Speaker 1>and you had a show there at the same time. Correct, Yes,

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<v Speaker 1>this all makes sense. And you know what.

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<v Speaker 3>All makes sense.

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<v Speaker 1>This is the new truth. We're allowed to make things up. Now,

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<v Speaker 1>even if this isn't true.

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<v Speaker 3>We'll just say it is. That's right, let's say that's

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<v Speaker 3>that's what it was. No, but I feel really good

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<v Speaker 3>about it. Yeah, I feel like that's for sure.

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<v Speaker 1>It Yeah, for sure.

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<v Speaker 3>I'm so glad you remembered that.

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<v Speaker 1>Okay, and as you were, I I may see as

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<v Speaker 1>you were kind of giving a little intro to me

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<v Speaker 1>at the top, but asking yourself out loud, those questions

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<v Speaker 1>you've asked yourself. I realized that those are all of

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<v Speaker 1>the question. You've nailed it. That is the full complement

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<v Speaker 1>of questions.

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<v Speaker 2>Yeah, done deal, Yes, well, and I can't We're going

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<v Speaker 2>to get to that part. But like, I know what

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<v Speaker 2>questions you're asking yourself because I'm here. Yeah, and I've

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<v Speaker 2>been here, so yeah, we just I feel like we

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<v Speaker 2>have a lot in common. We're gonna get to it,

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<v Speaker 2>and I want to talk about so many things. But first,

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<v Speaker 2>can I just get your take on a couple country

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<v Speaker 2>music adjacent news items.

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<v Speaker 1>Yeah, okay, I'm here for it.

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<v Speaker 2>Okay, Okay, this will be quick, but like you're here,

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<v Speaker 2>I need your take, Keith Urban, Nicole Kidman, your thoughts.

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<v Speaker 1>Ooh, I have met Nicole on a couple of occasions, quickly,

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<v Speaker 1>briefly in industry circles I have. I would consider Keith

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<v Speaker 1>a friend since the mid nineties. Yes, I think divorces

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<v Speaker 1>hard and breakups are hard, and they're hard whether you're

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<v Speaker 1>a publicly known person or not. But the lens of

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<v Speaker 1>fame and kids an intersection of all of that, it's

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<v Speaker 1>just it's hard. I just hope we can stay out

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<v Speaker 1>of it and let them have their Yeah, let them

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<v Speaker 1>have their marital breakdown. There's probably a lot going on

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<v Speaker 1>that we don't know, nor should we, nor is it

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<v Speaker 1>any of our business. But nineteen years married.

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<v Speaker 3>That's a giant success, agreeing to kids.

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<v Speaker 2>So I here's what's making me mad about this story.

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<v Speaker 3>People are.

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<v Speaker 2>Imposing an explanation onto this, like he was threatened by

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<v Speaker 2>her success.

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<v Speaker 3>That's what's let oh.

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<v Speaker 2>Really well, like I said, I don't know, we don't know, yeah, anything. Yeah,

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<v Speaker 2>And they're pointing to the fact that he, in past

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<v Speaker 2>interviews gets very reticent about talking about her, like this

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<v Speaker 2>is somehow proof.

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<v Speaker 1>That he's jealous of her.

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<v Speaker 3>Yeah.

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<v Speaker 2>Maybe she said, honey, don't talk about me because I

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<v Speaker 2>want these interviews to be about you. And when they

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<v Speaker 2>ask me about you just shut it down. I don't

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<v Speaker 2>need to be in your headline.

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<v Speaker 3>Maybe this was her.

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<v Speaker 2>I just feel like we psychologize these celebrities and it's

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<v Speaker 2>like we're inventing shit out of thin air.

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<v Speaker 1>Yeah. I wish we'd stop doing that. I mean, you know,

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<v Speaker 1>I look I like a soap operas next as much

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<v Speaker 1>as the next person. And same. You know, I remember

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<v Speaker 1>being a kid, and you know, there weren't that many

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<v Speaker 1>tabloids at the time, but I remember being interested in

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<v Speaker 1>you know, Glenn Campbell and Tanya Tucker. You know, breakups, breakdowns, breakthroughs, marriages, divorces,

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<v Speaker 1>kids out of wedlow, It's all happened. This has been

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<v Speaker 1>around forever. And you know, here's what I know. I

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<v Speaker 1>love Keith urban To in his just to his core,

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<v Speaker 1>in my core. And I assume that the woman he

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<v Speaker 1>made a life with for nineteen years and built a

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<v Speaker 1>family with is of his ilk.

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<v Speaker 3>And something worked.

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<v Speaker 1>Something worked, Yeah, something worked, And it's I think of

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<v Speaker 1>the what is that? What is that it's a poem about?

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<v Speaker 1>Instead of talking about how we're falling, let's think about

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<v Speaker 1>how long we were in the air.

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<v Speaker 3>Nice?

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<v Speaker 2>Yeah, great, Okay, have you heard about the new Beyonce rule.

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<v Speaker 1>I am aware at a high level of the new

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<v Speaker 1>Beyonce rule.

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<v Speaker 2>Okay, to explain for people, Beyonce wins Best Country Album

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<v Speaker 2>at the Grammys in February. It was a little controversial

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<v Speaker 2>inside country music circles. Four months later, the Recording Academy,

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<v Speaker 2>the Grammys breaks up the country category into two Best

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<v Speaker 2>Contemporary Country, Best Traditional Country. The Academy says it will

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<v Speaker 2>award modern country while still recognizing subgenres like Americana.

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<v Speaker 1>Your thoughts, Yeah, I don't love it. I listened to

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<v Speaker 1>the Beyonce record and to end, I put good headphones on,

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<v Speaker 1>you know, laid on the floor and gave it the

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<v Speaker 1>listen it deserves. It's as country a record as anything

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<v Speaker 1>else that is coming out of Nashville or has come

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<v Speaker 1>out of Nashville for decades. I would ask us to

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<v Speaker 1>be self reflective as an industry and ask ourselves what's different?

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<v Speaker 1>What's different about Beyonce? Why did that really? Bryal us up?

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<v Speaker 3>A good question? Good question.

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<v Speaker 1>I mean, I think back to when Shanaia Twain, you know,

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<v Speaker 1>obviously she had a couple of albums before she and

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<v Speaker 1>Mutt Lange teamed up and made you know, genre busting,

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<v Speaker 1>genre defining records, and people had the same complaints about, oh,

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<v Speaker 1>it's not country enough, and that said, you know, we

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<v Speaker 1>let her in, I mean, and she was a product

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<v Speaker 1>of Music Row by the way, she'd had a couple

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<v Speaker 1>of records out, you know, our Mercury records before those

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<v Speaker 1>records exploded. All of this is to say that Nashville

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<v Speaker 1>doesn't really do a great job. They're not ultra comfortable

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<v Speaker 1>with someone coming in that they didn't that didn't kiss

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<v Speaker 1>the ring, that they didn't raise it, that they didn't manufacture,

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<v Speaker 1>that they can't take credit for. And still, what is

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<v Speaker 1>different about Beyonce. She's a woman of color. This is

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<v Speaker 1>a black woman who owns all of her power and

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<v Speaker 1>brings it to bear in every space that she embodies.

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<v Speaker 1>And that is a country record by every metric that

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<v Speaker 1>we are looking at in contemporary country music today.

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<v Speaker 3>Okay, you heard it here.

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<v Speaker 1>And then for the for the new genre of the

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<v Speaker 1>classic the traditional country record, my vote, full stop goes

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<v Speaker 1>for Sonny Sweeney, her new record that let's just call it,

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<v Speaker 1>let's just we have a winner. Let's just say that.

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<v Speaker 3>Okay, we'll check back.

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<v Speaker 1>That's who I want.

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<v Speaker 2>That's why I went to okay Bad Bunny at the

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<v Speaker 2>super Bowl. A lot of country artists feel as though

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<v Speaker 2>country music keeps breaking all these records and then the

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<v Speaker 2>super Bowl keeps ignoring it.

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<v Speaker 1>Your thoughts, Yeah, well, we've had country artists at the

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<v Speaker 1>super Bowl before it's happened. Bad Bunny is the right choice.

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<v Speaker 1>I think his downloads have surpassed even Tailor's. Bad Bunny

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<v Speaker 1>is arguably the biggest artist right now in the world,

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<v Speaker 1>and given that the NFL is and has been aiming

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<v Speaker 1>toward a more global audience, it's the right choice. I

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<v Speaker 1>know that everyone wants to think it's a political play,

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<v Speaker 1>and maybe there's a tinge of that, but I don't

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<v Speaker 1>know that the wider, the big global NFL audience wants

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<v Speaker 1>something different country music in some incredible stars that are

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<v Speaker 1>filling stadiums, right yeah, Brian, Yeah, Morgan Wallin obviously Kenny

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<v Speaker 1>Chesney Can continues to do it. But I think the

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<v Speaker 1>Bad Bunny appointment it meets the moment of where we are.

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<v Speaker 1>And I'm an I'm a huge NFL fan, and I

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<v Speaker 1>know you are as well. I'm I'm here for it

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<v Speaker 1>and have I ever bought a Bad Bad Bunny record?

0:13:05.480 --> 0:13:08.640
<v Speaker 1>I have not but I went the other day and listen,

0:13:08.760 --> 0:13:10.480
<v Speaker 1>I was like, oh, I know that, I know that,

0:13:10.559 --> 0:13:13.240
<v Speaker 1>I know that. I can totally see why the NFL

0:13:13.280 --> 0:13:13.800
<v Speaker 1>made this time.

0:13:13.960 --> 0:13:17.600
<v Speaker 2>I saw Bobby Bones, who's a friend I know you

0:13:17.600 --> 0:13:21.160
<v Speaker 2>know him too. He was saying, listen, Bad Buddies not

0:13:21.240 --> 0:13:23.439
<v Speaker 2>for me. That's okay, Like not.

0:13:23.520 --> 0:13:28.120
<v Speaker 3>Everyone has not everyone has to be for everyone. What Yeah,

0:13:28.880 --> 0:13:29.679
<v Speaker 3>I like Bad Buddy.

0:13:29.720 --> 0:13:32.480
<v Speaker 2>It's fun, it's fun music. He's not my favorite, but

0:13:33.240 --> 0:13:33.800
<v Speaker 2>it's not for me.

0:13:33.840 --> 0:13:35.480
<v Speaker 3>That's okay. Is that okay?

0:13:35.720 --> 0:13:38.560
<v Speaker 1>And when you think about yeah again, I've it's not

0:13:38.960 --> 0:13:41.560
<v Speaker 1>I'm not going to a Bad Bunny concertor yeah, but

0:13:41.600 --> 0:13:45.640
<v Speaker 1>that's okay. But when I see what the NFL kind

0:13:45.679 --> 0:13:50.560
<v Speaker 1>of the pre show, the first half, how someone has

0:13:50.640 --> 0:13:53.000
<v Speaker 1>to be able to hold up that energy and that

0:13:53.120 --> 0:13:58.040
<v Speaker 1>viewership in that halftime show, which is just iconic, we

0:13:58.160 --> 0:14:01.959
<v Speaker 1>it makes sense. It makes so much sense. Okay, good job, that.

0:14:02.000 --> 0:14:02.440
<v Speaker 3>Was the news.

0:14:02.480 --> 0:14:06.439
<v Speaker 2>Thank you so much, Shelly Wright for your analysis.

0:14:06.600 --> 0:14:20.080
<v Speaker 1>Glad Toad, let's.

0:14:20.400 --> 0:14:22.280
<v Speaker 2>Get to you, and let's go back to the beginning.

0:14:22.400 --> 0:14:25.600
<v Speaker 2>I always like to ask, what kind of kid were you?

0:14:26.560 --> 0:14:32.840
<v Speaker 1>Oh, that's a great question. I was Okay, I was

0:14:33.040 --> 0:14:38.800
<v Speaker 1>a total weirdo. Still am a card carrying weirdo too.

0:14:39.000 --> 0:14:43.560
<v Speaker 1>I you know, I'm a nerd. I never got in trouble.

0:14:43.880 --> 0:14:46.840
<v Speaker 1>I was a brown noser. I sat on the front

0:14:47.120 --> 0:14:49.920
<v Speaker 1>row of class, I raised my hand, I always had

0:14:49.920 --> 0:14:55.600
<v Speaker 1>my homework done. Now part of this should be seen

0:14:55.680 --> 0:15:00.760
<v Speaker 1>through the lens of hypervigilance as a closeted queer. Yes,

0:15:01.080 --> 0:15:04.480
<v Speaker 1>in a town in Kansas where there were churches on

0:15:05.400 --> 0:15:06.600
<v Speaker 1>nearly every corner.

0:15:07.200 --> 0:15:08.000
<v Speaker 3>So were you can?

0:15:08.040 --> 0:15:10.640
<v Speaker 2>I just ask, yeah, partly because that were you a

0:15:10.640 --> 0:15:13.360
<v Speaker 2>pleaser if I please people?

0:15:14.360 --> 0:15:17.680
<v Speaker 1>Yes? And I had to be. And I was a

0:15:17.720 --> 0:15:20.760
<v Speaker 1>person of faith at a very young age, a genuine

0:15:21.120 --> 0:15:24.960
<v Speaker 1>My faith practice is really important to me, and it

0:15:25.000 --> 0:15:28.480
<v Speaker 1>always has been. I knew that I was a person

0:15:28.520 --> 0:15:32.600
<v Speaker 1>of faith before I knew I was gay. So it's

0:15:32.680 --> 0:15:38.400
<v Speaker 1>not that I ran toward religion to fix me. And

0:15:38.440 --> 0:15:41.840
<v Speaker 1>I put that in air quotes because I thought I

0:15:41.960 --> 0:15:46.160
<v Speaker 1>was spiritually you know, damned once I realized I was gay.

0:15:46.240 --> 0:15:53.200
<v Speaker 1>But so many kind of things coexisted in me that

0:15:53.440 --> 0:16:02.680
<v Speaker 1>I think are interesting in that people pleasers typically follow

0:16:02.800 --> 0:16:07.880
<v Speaker 1>a path and a trajectory that everyone else does. So

0:16:08.120 --> 0:16:13.240
<v Speaker 1>I followed the path of get give straight. A student

0:16:13.440 --> 0:16:18.680
<v Speaker 1>homecoming queen captain of my basketball team, president of the

0:16:18.720 --> 0:16:25.280
<v Speaker 1>band First Trumpet, dating boys, dating boys, I mean, you

0:16:25.360 --> 0:16:28.400
<v Speaker 1>can get into that fish. I did. I wasn't that

0:16:28.520 --> 0:16:31.920
<v Speaker 1>committed to it for obvious reasons. But so I would

0:16:32.000 --> 0:16:36.840
<v Speaker 1>take that path, but then I would diverge wildly from

0:16:36.920 --> 0:16:39.880
<v Speaker 1>the path, which got me in some trouble with my

0:16:40.000 --> 0:16:44.480
<v Speaker 1>peer group, caused some bullying. You know, I was the

0:16:44.520 --> 0:16:49.320
<v Speaker 1>recipient of some bullying. And then I also had this

0:16:49.560 --> 0:16:52.960
<v Speaker 1>crazy notion that I was going to go to Nashville

0:16:53.000 --> 0:16:56.320
<v Speaker 1>and become a country music singer and sing on the

0:16:56.400 --> 0:16:59.240
<v Speaker 1>radio and sing on the opry. So I think, through

0:16:59.360 --> 0:17:03.440
<v Speaker 1>a people pleasing lens, that was pretty wild.

0:17:04.119 --> 0:17:10.560
<v Speaker 2>Yeah, right, And I know you realized you were gay young.

0:17:11.000 --> 0:17:15.040
<v Speaker 2>After you realized you were a spiritual person. Love, faith

0:17:15.040 --> 0:17:19.400
<v Speaker 2>in religion was important, but you knew you couldn't live openly.

0:17:20.200 --> 0:17:22.520
<v Speaker 2>I think we can all imagine why the pressures, but

0:17:22.600 --> 0:17:25.280
<v Speaker 2>I just want to hear in your words, why did

0:17:25.320 --> 0:17:28.399
<v Speaker 2>you feel like you couldn't live openly? Identify those points

0:17:28.440 --> 0:17:29.679
<v Speaker 2>of resistance for you.

0:17:30.119 --> 0:17:33.119
<v Speaker 1>Yeah. So when I was I was baptized when I

0:17:33.200 --> 0:17:37.000
<v Speaker 1>was six in the Christian Church, which is you know,

0:17:37.119 --> 0:17:39.199
<v Speaker 1>there wasn't even a Catholic church in my town. It

0:17:39.280 --> 0:17:44.160
<v Speaker 1>was Methodists, Community Baptist, Baptist, all these kind of versions

0:17:44.160 --> 0:17:48.840
<v Speaker 1>of that. No one looked different in my town. Everyone

0:17:49.080 --> 0:17:52.760
<v Speaker 1>was white. We did have a couple of Catholics. No

0:17:52.920 --> 0:17:57.560
<v Speaker 1>Jews in my town, certainly no gay people, wink wink.

0:17:57.920 --> 0:18:03.040
<v Speaker 1>Yeah right. And when I was nine, I realized, and

0:18:03.119 --> 0:18:06.160
<v Speaker 1>I'll keep this brief, I was in third grade and

0:18:06.280 --> 0:18:10.600
<v Speaker 1>I had a beautiful teacher named Miss Smiley, Laura Smiley.

0:18:10.680 --> 0:18:13.919
<v Speaker 1>She was young, big, bright smile, you know, perfectly named.

0:18:14.680 --> 0:18:17.240
<v Speaker 1>Over the weekends, I just couldn't wait to get back

0:18:17.240 --> 0:18:19.679
<v Speaker 1>to school on Monday, and I just thought, I just wondered,

0:18:19.720 --> 0:18:23.719
<v Speaker 1>does she miss us? Does she miss the students like

0:18:24.000 --> 0:18:26.280
<v Speaker 1>we miss her? And I began to have kind of

0:18:26.280 --> 0:18:29.560
<v Speaker 1>little conversations with my friends, and I realized no one

0:18:29.720 --> 0:18:32.000
<v Speaker 1>was dying to get back to school on Monday like

0:18:32.080 --> 0:18:35.720
<v Speaker 1>I was. And then to see her. And then I realized,

0:18:36.040 --> 0:18:39.760
<v Speaker 1>uh oh, and why was this troubling that I had

0:18:39.760 --> 0:18:44.480
<v Speaker 1>a crush on my third grade teacher? Because everything being

0:18:44.600 --> 0:18:48.720
<v Speaker 1>talked about in my church, in my community, on the news,

0:18:49.040 --> 0:18:51.640
<v Speaker 1>and you know, I grew up in a farm community,

0:18:51.840 --> 0:18:55.840
<v Speaker 1>a ton of a thousand people. Teachers told gay jokes,

0:18:56.320 --> 0:19:02.000
<v Speaker 1>in my school, the word faggot was used by a

0:19:02.040 --> 0:19:05.800
<v Speaker 1>couple of teachers and Jim coaches, you know, and it

0:19:05.840 --> 0:19:08.120
<v Speaker 1>was widely used in the hallway, as no one got

0:19:08.119 --> 0:19:10.439
<v Speaker 1>in trouble for saying anything like that. There was a

0:19:10.480 --> 0:19:14.200
<v Speaker 1>game called smear the queer with the football, which meant

0:19:14.280 --> 0:19:16.439
<v Speaker 1>it's like a hot potato, you throw the foot. If

0:19:16.440 --> 0:19:18.800
<v Speaker 1>you can't get rid of it, everybody has license to

0:19:18.840 --> 0:19:21.919
<v Speaker 1>beat the crap out of you. And the preacher in

0:19:21.960 --> 0:19:27.080
<v Speaker 1>my preacher, Warren Skiles, talked about evil people and he

0:19:27.200 --> 0:19:30.120
<v Speaker 1>was a fantastic influence on my life. And he knew

0:19:30.200 --> 0:19:34.000
<v Speaker 1>not what he was doing. He would use the words

0:19:34.359 --> 0:19:40.560
<v Speaker 1>in his sermons drunkard, thief, adulterer, murderer, homosexual, and so

0:19:40.840 --> 0:19:44.919
<v Speaker 1>this is why I knew I could never ever share

0:19:44.960 --> 0:19:48.040
<v Speaker 1>my secret or be that. And then of course, when

0:19:48.040 --> 0:19:52.000
<v Speaker 1>I was nine, you know, realizing I was gay, I

0:19:51.760 --> 0:19:54.600
<v Speaker 1>had for five years had this dream of making it

0:19:54.600 --> 0:19:58.159
<v Speaker 1>to Nashville. So this wasn't And you know, people have

0:19:58.200 --> 0:20:00.360
<v Speaker 1>asked me, well, why did you decide to go into

0:20:00.359 --> 0:20:03.399
<v Speaker 1>country music once you realized you were gay? I'm like

0:20:03.880 --> 0:20:08.280
<v Speaker 1>being a country music artist. That dream predated my understanding

0:20:08.280 --> 0:20:09.240
<v Speaker 1>who I was as.

0:20:09.160 --> 0:20:11.280
<v Speaker 2>A and maybe it wasn't even a decision, it was

0:20:11.280 --> 0:20:12.600
<v Speaker 2>a calling, like how do you?

0:20:13.160 --> 0:20:13.440
<v Speaker 3>Yeah?

0:20:13.560 --> 0:20:17.960
<v Speaker 1>I mean, when I was obsessed with Loretta Lynn buck Owens,

0:20:18.040 --> 0:20:21.199
<v Speaker 1>Conway Twitty, Connie Smith, there was just there was there

0:20:21.240 --> 0:20:24.439
<v Speaker 1>was no options. So so and then I knew that

0:20:24.520 --> 0:20:27.920
<v Speaker 1>I was going into an industry in which no one

0:20:27.960 --> 0:20:30.960
<v Speaker 1>had ever identified being gay. And when I got to

0:20:31.040 --> 0:20:34.360
<v Speaker 1>Nashville in nineteen eighty nine, I just doubled down on

0:20:34.480 --> 0:20:36.840
<v Speaker 1>my yea, you know that, Well, it's sure not going

0:20:36.880 --> 0:20:39.040
<v Speaker 1>to be me. I'm not going to be the first

0:20:39.040 --> 0:20:41.800
<v Speaker 1>one out of the closet and lo and behold you know,

0:20:41.880 --> 0:20:45.920
<v Speaker 1>long story short. Twenty years later it was I you were.

0:20:46.119 --> 0:20:49.439
<v Speaker 2>Yeah, yeah, so you're young, you have a vision of

0:20:49.480 --> 0:20:53.119
<v Speaker 2>your future in no nowhere on the horizon is a

0:20:53.119 --> 0:20:56.680
<v Speaker 2>place where you can be yourself. That just doesn't it's

0:20:56.680 --> 0:20:59.840
<v Speaker 2>not it's not happening. And when you feel that, when

0:20:59.880 --> 0:21:01.560
<v Speaker 2>you feel shame as a child, when you have to

0:21:01.640 --> 0:21:04.840
<v Speaker 2>hide something that fundamental as a child, that's a trauma.

0:21:05.000 --> 0:21:07.600
<v Speaker 2>And as you know, traumas imprint on us, they show

0:21:07.640 --> 0:21:12.359
<v Speaker 2>up later. So how did your trauma from that show

0:21:12.440 --> 0:21:13.359
<v Speaker 2>up later in life?

0:21:14.440 --> 0:21:17.879
<v Speaker 1>Ooh, it's a really good question. I've been asked a

0:21:17.880 --> 0:21:21.280
<v Speaker 1>lot of questions, and I don't think anyone's asked me that.

0:21:21.280 --> 0:21:23.280
<v Speaker 3>That's my favorite thing to hear.

0:21:24.119 --> 0:21:26.159
<v Speaker 1>You're good at your work, guessie.

0:21:26.280 --> 0:21:26.600
<v Speaker 3>Thanks.

0:21:26.800 --> 0:21:31.480
<v Speaker 1>Let me just quickly just talk about the when I

0:21:31.520 --> 0:21:34.880
<v Speaker 1>was younger and thinking that's not a life I could ever,

0:21:35.040 --> 0:21:38.120
<v Speaker 1>I can't ever be myself as a gay person. Yeah.

0:21:38.440 --> 0:21:44.160
<v Speaker 1>The notion of that seems much more reasonable when you're nine, eleven, sixteen, nineteen,

0:21:44.640 --> 0:21:48.800
<v Speaker 1>because one doesn't at those ages really realize what weight

0:21:50.400 --> 0:21:54.439
<v Speaker 1>companionship and love have. Yeah, so when you're ten, you

0:21:54.480 --> 0:21:57.639
<v Speaker 1>can say, oh, I'll just never be that. I'll just

0:21:57.720 --> 0:22:02.639
<v Speaker 1>focus on the music. It's an unfair contract to sign

0:22:03.400 --> 0:22:06.600
<v Speaker 1>at that time. But to answer your question, how did

0:22:06.600 --> 0:22:11.080
<v Speaker 1>those traumas show up in my life later? I think

0:22:11.160 --> 0:22:20.280
<v Speaker 1>I developed such a muscle memory around perfection and a

0:22:20.440 --> 0:22:22.720
<v Speaker 1>skill set that I didn't and I wrote about this

0:22:22.800 --> 0:22:26.040
<v Speaker 1>in my book, a skill set that I didn't love,

0:22:26.400 --> 0:22:33.199
<v Speaker 1>which was having the ability to compartmentalize and in my

0:22:33.720 --> 0:22:37.240
<v Speaker 1>heart and who I am naturally is a really authentic, open,

0:22:37.680 --> 0:22:41.560
<v Speaker 1>honest person. But the hardest thing for me to write

0:22:41.600 --> 0:22:46.000
<v Speaker 1>in my book was I became a skilled liar and

0:22:48.119 --> 0:22:50.840
<v Speaker 1>coming out I had to really address that and own

0:22:50.920 --> 0:22:54.240
<v Speaker 1>that and hope that people instead of saying, see, I

0:22:54.280 --> 0:22:56.560
<v Speaker 1>knew it, You're a liar. You've been true, You've been

0:22:56.920 --> 0:22:59.879
<v Speaker 1>tricking us the whole time. I had to trust that

0:23:00.040 --> 0:23:03.640
<v Speaker 1>that the majority of people would say, tell me why

0:23:03.640 --> 0:23:05.760
<v Speaker 1>you felt like you had to be a liar? Yeah,

0:23:05.760 --> 0:23:08.159
<v Speaker 1>That's what I needed people to get to, and I

0:23:08.280 --> 0:23:10.240
<v Speaker 1>just had to trust that they would.

0:23:12.400 --> 0:23:18.480
<v Speaker 2>Your mom, how did your experience as a kid impact

0:23:18.520 --> 0:23:22.120
<v Speaker 2>the way you are seeing your children now? I came

0:23:22.160 --> 0:23:26.000
<v Speaker 2>across something you said were you talked about having sympathy

0:23:26.040 --> 0:23:29.480
<v Speaker 2>for the little you, and that resonates so much with

0:23:29.560 --> 0:23:31.800
<v Speaker 2>me because you know, in therapy we do that, we

0:23:31.920 --> 0:23:36.800
<v Speaker 2>try to show up for the little us as the

0:23:36.840 --> 0:23:40.080
<v Speaker 2>grown up us because maybe we felt as kids we

0:23:40.080 --> 0:23:43.520
<v Speaker 2>weren't being shown up for, and so seeing little us

0:23:43.680 --> 0:23:48.200
<v Speaker 2>now is just as important, It's crucial. So how are

0:23:48.240 --> 0:23:52.679
<v Speaker 2>you seeing your kids in a way that maybe you

0:23:52.720 --> 0:23:53.600
<v Speaker 2>wanted to be seen?

0:23:55.280 --> 0:23:59.040
<v Speaker 1>Yeah? So, my relationship with my mom and very different

0:23:59.080 --> 0:24:04.159
<v Speaker 1>than my reallyationship with my dad. Although they kind of

0:24:04.200 --> 0:24:06.439
<v Speaker 1>were one unit when I was a kid, they divorced

0:24:06.520 --> 0:24:09.119
<v Speaker 1>when I was twenty seven, and then kind of a

0:24:09.240 --> 0:24:15.639
<v Speaker 1>wild convergent convergence of relationships there. But my mom was

0:24:16.440 --> 0:24:22.359
<v Speaker 1>my biggest fan. As anything I did, she just said,

0:24:22.800 --> 0:24:24.640
<v Speaker 1>you can be the best at it. She just had

0:24:24.680 --> 0:24:30.679
<v Speaker 1>this real belief in my ability to excel. And she

0:24:30.880 --> 0:24:34.679
<v Speaker 1>also loved country music, so there was a particular delight

0:24:35.280 --> 0:24:38.159
<v Speaker 1>that she found in that I was not only wanted

0:24:38.160 --> 0:24:42.280
<v Speaker 1>to be a songwriter artist, musician, but that I was

0:24:42.359 --> 0:24:43.199
<v Speaker 1>actually good at it.

0:24:43.359 --> 0:24:45.800
<v Speaker 3>Yeah, that you could, which is always so.

0:24:45.920 --> 0:24:48.760
<v Speaker 1>Wild to me because I see so many people who

0:24:49.000 --> 0:24:50.520
<v Speaker 1>moved to Nashville and they want to do it, and

0:24:50.520 --> 0:24:54.080
<v Speaker 1>I'm like, that's probably not going to happen. I just

0:24:54.880 --> 0:24:59.320
<v Speaker 1>what a thrill that I actually had enough talent to

0:24:59.600 --> 0:25:01.720
<v Speaker 1>do it, to you know, cut and paste this thing

0:25:01.800 --> 0:25:06.119
<v Speaker 1>together and make it fly. My mother was complicated in

0:25:06.359 --> 0:25:12.000
<v Speaker 1>that she also was a polio survivor and that was traumatic.

0:25:12.440 --> 0:25:15.600
<v Speaker 1>So I think that there was unaddressed trauma for her,

0:25:15.760 --> 0:25:20.600
<v Speaker 1>and she gifted the trauma down to me. And my

0:25:20.760 --> 0:25:24.360
<v Speaker 1>siblings were all very hypervigilant in a number of ways,

0:25:24.400 --> 0:25:27.320
<v Speaker 1>and we get that from our mom that said, I'm

0:25:27.400 --> 0:25:31.119
<v Speaker 1>so glad to have that hypervigilance, that do sweat the

0:25:31.119 --> 0:25:35.040
<v Speaker 1>small stuff mentality, because I've built a career out of

0:25:35.359 --> 0:25:41.040
<v Speaker 1>sweating the small stuff. So cut to how do I

0:25:41.160 --> 0:25:46.440
<v Speaker 1>show up differently for my children? So I've got identical

0:25:46.480 --> 0:25:49.919
<v Speaker 1>twin boys, they're twelve, and my wife and I, you know,

0:25:50.800 --> 0:25:54.439
<v Speaker 1>we have a shared parenting style and then a different

0:25:54.480 --> 0:25:58.400
<v Speaker 1>parenting style in some ways no surprise to anyone. Both

0:25:58.400 --> 0:26:00.000
<v Speaker 1>of them want to be YouTubers.

0:26:00.560 --> 0:26:03.080
<v Speaker 3>Yes, that's all the kids want to be, Sitta.

0:26:02.960 --> 0:26:06.840
<v Speaker 1>That's all they want to be. And so my wife

0:26:06.920 --> 0:26:10.239
<v Speaker 1>will at times say, you know that you're not going

0:26:10.320 --> 0:26:12.399
<v Speaker 1>to be a YouTuber, like that's not a real and

0:26:12.960 --> 0:26:17.359
<v Speaker 1>I am very mindful to tell them I think you

0:26:17.359 --> 0:26:19.600
<v Speaker 1>can do it. I think you can do it. I

0:26:19.640 --> 0:26:22.240
<v Speaker 1>believe in you, and here are the things it takes

0:26:23.119 --> 0:26:26.080
<v Speaker 1>to be really great at something. And they're looking at,

0:26:26.119 --> 0:26:28.400
<v Speaker 1>you know, their YouTube channel and they have thirty five

0:26:28.480 --> 0:26:31.080
<v Speaker 1>followers and they're like, Mama, how do you have so

0:26:31.160 --> 0:26:34.080
<v Speaker 1>many followers? Yeah, I'm like, well, let me let me

0:26:34.119 --> 0:26:39.240
<v Speaker 1>talk you through what that looks like. And so I

0:26:39.240 --> 0:26:43.919
<v Speaker 1>I want my kids when I'm dead and gone and

0:26:43.960 --> 0:26:47.800
<v Speaker 1>while I'm here, frankly, I want them to never to

0:26:47.960 --> 0:26:51.600
<v Speaker 1>feel as if there was never a deficit in my

0:26:51.760 --> 0:26:54.879
<v Speaker 1>belief of their dreams. Because this is the kid me

0:26:55.840 --> 0:26:59.400
<v Speaker 1>who when she was four told the entire town of Wellsville, Kansas,

0:26:59.760 --> 0:27:01.680
<v Speaker 1>I'm to be on the Grand Ole Opry and I'm

0:27:01.720 --> 0:27:03.600
<v Speaker 1>going to sing on the radio and make records, and

0:27:03.640 --> 0:27:08.120
<v Speaker 1>I ktch you not si yea. My whole town said yeah,

0:27:08.200 --> 0:27:08.680
<v Speaker 1>let's go.

0:27:09.119 --> 0:27:09.600
<v Speaker 3>Yeah.

0:27:09.680 --> 0:27:13.520
<v Speaker 1>That was so big to me. And the older I get,

0:27:13.800 --> 0:27:17.440
<v Speaker 1>the more I realize how saying one's dreams out loud

0:27:17.680 --> 0:27:20.880
<v Speaker 1>as a kid and having people say, Okay, yeah, get

0:27:20.960 --> 0:27:23.400
<v Speaker 1>you know, get your work done, get good grades, stay

0:27:23.400 --> 0:27:26.200
<v Speaker 1>out of jail, do what you know. Yeah, follow the rules,

0:27:26.560 --> 0:27:28.720
<v Speaker 1>and you can do whatever you want. And so that

0:27:28.960 --> 0:27:31.320
<v Speaker 1>is my kind of a key tenant of my being

0:27:31.400 --> 0:27:31.960
<v Speaker 1>so exestile.

0:27:32.320 --> 0:27:36.320
<v Speaker 2>I'm so glad you said that, because, yeah, I need

0:27:36.359 --> 0:27:41.480
<v Speaker 2>to think about this more because my son, who's tenant, wants.

0:27:41.240 --> 0:27:44.359
<v Speaker 3>To be a YouTuber and I'm I'm your wife. I'm like, no,

0:27:44.440 --> 0:27:46.080
<v Speaker 3>you're not. That's not real. They're not.

0:27:47.000 --> 0:27:51.879
<v Speaker 2>But I really like what you said. I really like

0:27:52.920 --> 0:27:55.080
<v Speaker 2>shifting my perspective on that a little bit. I'm going

0:27:55.160 --> 0:27:57.800
<v Speaker 2>to think on that and maybe show up for him

0:27:58.200 --> 0:28:01.919
<v Speaker 2>a little differently. But I'm so scared of the YouTube stuff.

0:28:02.000 --> 0:28:02.639
<v Speaker 3>I'm scared of it.

0:28:02.880 --> 0:28:05.240
<v Speaker 1>I'm scared of it. I hate the screen, like This

0:28:05.320 --> 0:28:10.119
<v Speaker 1>is a major point of it's poison, you know. And

0:28:10.600 --> 0:28:12.560
<v Speaker 1>what I try to tell the boys is if your

0:28:12.640 --> 0:28:17.400
<v Speaker 1>frontal lobe is still prefrontal cortex is still in development

0:28:17.440 --> 0:28:20.560
<v Speaker 1>and won't be until it's twenty five, and you're having

0:28:20.560 --> 0:28:24.280
<v Speaker 1>this struggle, look at adults around you. Look on the train.

0:28:24.600 --> 0:28:27.960
<v Speaker 1>Everyone has their face in a screen. If it's hard

0:28:28.000 --> 0:28:31.760
<v Speaker 1>for adults, it's going to be doubly If not triple

0:28:32.160 --> 0:28:34.360
<v Speaker 1>or whatever multiple you want to put on, it very

0:28:34.400 --> 0:28:37.400
<v Speaker 1>hard for you. And and we can't really get them

0:28:37.440 --> 0:28:40.480
<v Speaker 1>off of screens because they learn on screens.

0:28:40.680 --> 0:28:44.560
<v Speaker 2>Yes, he just brought home a computer from class, like

0:28:44.840 --> 0:28:48.200
<v Speaker 2>he's going to be on screens. It's also the video

0:28:48.280 --> 0:28:50.800
<v Speaker 2>games and stuff. I really resisted for a long time

0:28:50.880 --> 0:28:53.440
<v Speaker 2>because I'm so scared of it, But it got to

0:28:53.480 --> 0:28:57.480
<v Speaker 2>a point where, like the video game We're thing was

0:28:58.640 --> 0:29:02.040
<v Speaker 2>a social access point for him. If he didn't have

0:29:02.080 --> 0:29:05.360
<v Speaker 2>that social access point to talk to his friends about

0:29:05.640 --> 0:29:08.720
<v Speaker 2>Super Mario Brothers and Pokemon and Minecraft, he would have

0:29:08.720 --> 0:29:11.640
<v Speaker 2>had no friends because he wasn't sporty. He's a bit

0:29:11.720 --> 0:29:16.600
<v Speaker 2>nerdy in the best way. He's on the spectrum. He's

0:29:16.600 --> 0:29:20.920
<v Speaker 2>socially a little developmentally, a little behind, and the kids

0:29:20.960 --> 0:29:24.520
<v Speaker 2>that are just like him are talking about video games,

0:29:24.640 --> 0:29:27.760
<v Speaker 2>and if I refused, he would.

0:29:27.560 --> 0:29:29.800
<v Speaker 3>Have had all like no social interactions.

0:29:29.840 --> 0:29:34.040
<v Speaker 2>So for me it became an opportunity. And so once

0:29:34.080 --> 0:29:37.120
<v Speaker 2>I opened to that door, you know, now I have

0:29:37.200 --> 0:29:41.160
<v Speaker 2>to I we're here, you can't close it. Yeah, and

0:29:41.200 --> 0:29:44.440
<v Speaker 2>so yeah, but I'm just very scared of the online stuff,

0:29:44.520 --> 0:29:45.520
<v Speaker 2>especially with boys.

0:29:45.600 --> 0:29:47.360
<v Speaker 3>I'm very scared of it. But I have to get

0:29:47.360 --> 0:29:49.440
<v Speaker 3>to a better place. And I'm really going to think

0:29:49.440 --> 0:29:50.200
<v Speaker 3>about what you said.

0:29:50.600 --> 0:29:56.440
<v Speaker 1>Perhaps we can rather than our seeing the conversations we

0:29:56.520 --> 0:29:59.840
<v Speaker 1>need to have with our kids, especially boys of the

0:30:00.160 --> 0:30:04.160
<v Speaker 1>this age, instead of the conversations we need to be

0:30:04.240 --> 0:30:07.040
<v Speaker 1>having with them, how about we add something to that,

0:30:07.160 --> 0:30:10.000
<v Speaker 1>and that is the conversations we need to be having

0:30:10.440 --> 0:30:16.400
<v Speaker 1>with their friends' parents, because they these boys want to

0:30:16.560 --> 0:30:19.640
<v Speaker 1>follow the pack of well, you know, Oscars on it

0:30:19.680 --> 0:30:23.120
<v Speaker 1>and Arthur's on it, and you know, and and I

0:30:23.360 --> 0:30:23.800
<v Speaker 1>get that.

0:30:25.360 --> 0:30:29.800
<v Speaker 3>But perhaps we can have a united front together.

0:30:30.000 --> 0:30:32.840
<v Speaker 1>And there's a not there's an organization in New Zealand

0:30:32.840 --> 0:30:35.320
<v Speaker 1>I've done some work with in my last role. Anyway,

0:30:35.440 --> 0:30:39.320
<v Speaker 1>long story short, they are mobilizing parents with one another

0:30:39.720 --> 0:30:43.640
<v Speaker 1>as cohorts to help kind of change the watermark on

0:30:43.800 --> 0:30:47.320
<v Speaker 1>screens and games, and I think I think there's not

0:30:47.440 --> 0:30:49.840
<v Speaker 1>a there's not a magic pill on this, but I

0:30:49.840 --> 0:30:52.760
<v Speaker 1>think it's going to be several things working in concert,

0:30:52.840 --> 0:30:55.560
<v Speaker 1>and I think conversations with parents great.

0:30:55.880 --> 0:31:10.800
<v Speaker 2>Yeah, I've been thinking about this in preparation for my

0:31:10.920 --> 0:31:11.520
<v Speaker 2>interview with you.

0:31:12.120 --> 0:31:14.960
<v Speaker 3>I can't decide if the fact.

0:31:14.800 --> 0:31:17.760
<v Speaker 2>That you become a giant country music star, top new

0:31:17.840 --> 0:31:22.120
<v Speaker 2>female vocalist at the ninety five CMS, et cetera, while

0:31:22.160 --> 0:31:26.040
<v Speaker 2>you're struggling with your sexuality, if that put you in

0:31:26.080 --> 0:31:28.560
<v Speaker 2>the worst possible place at the worst possible time or

0:31:28.560 --> 0:31:32.680
<v Speaker 2>the best right Because I'm sure it made you incredibly

0:31:32.720 --> 0:31:35.800
<v Speaker 2>strong and resilient, but I know it was tough. I'm

0:31:35.880 --> 0:31:39.120
<v Speaker 2>wondering how you'd answer that question.

0:31:40.800 --> 0:31:43.920
<v Speaker 1>If I told you that the thing I was convinced

0:31:44.000 --> 0:31:47.520
<v Speaker 1>for decades would be the thing that would end me

0:31:49.240 --> 0:31:53.560
<v Speaker 1>was actually my superpower. Yes, that would be effect a truth.

0:31:53.920 --> 0:31:54.360
<v Speaker 3>Say more.

0:31:54.400 --> 0:31:57.760
<v Speaker 1>Say more the effort and the skill set and the

0:31:57.920 --> 0:32:03.520
<v Speaker 1>energy and the strategy and the discipline that I had

0:32:03.520 --> 0:32:07.160
<v Speaker 1>to deploy to not only make it to Nashville, learn

0:32:07.200 --> 0:32:10.640
<v Speaker 1>the industry, get better as a songwriter, get signed, have

0:32:10.680 --> 0:32:14.200
<v Speaker 1>two failed records, get myself out of that major deal

0:32:14.400 --> 0:32:18.200
<v Speaker 1>and onto Universal Records. I was able to pull all

0:32:18.240 --> 0:32:23.960
<v Speaker 1>of that out because of my strategy and focus muscle.

0:32:24.520 --> 0:32:27.400
<v Speaker 1>And I have that strategy and focused muscle because I

0:32:27.440 --> 0:32:29.640
<v Speaker 1>had to hide who I was my whole life. You

0:32:29.680 --> 0:32:33.320
<v Speaker 1>get really good at stuff. And here's the kind of

0:32:33.360 --> 0:32:36.760
<v Speaker 1>the big reveal is that in twenty twenty, I was

0:32:36.800 --> 0:32:40.320
<v Speaker 1>on tour like every touring musician. I had to go

0:32:40.400 --> 0:32:44.160
<v Speaker 1>home like everybody, and it was a really uncertain time

0:32:44.200 --> 0:32:46.440
<v Speaker 1>and a really scary time for a lot of artists,

0:32:46.440 --> 0:32:51.240
<v Speaker 1>not just for their income but mental health wise, Like

0:32:51.360 --> 0:32:54.000
<v Speaker 1>this was a new normal. We'd no one had ever

0:32:54.040 --> 0:32:57.880
<v Speaker 1>done this before. Guess what I got to do. I

0:32:57.920 --> 0:33:01.800
<v Speaker 1>got to pivot into what was already for the past

0:33:01.880 --> 0:33:06.800
<v Speaker 1>ten years my side hustle, which is corporate consulting with

0:33:06.880 --> 0:33:11.840
<v Speaker 1>corporates around leadership, storytelling, D and I D E and

0:33:11.920 --> 0:33:15.400
<v Speaker 1>I D EIB whatever you call it. Were it not

0:33:15.640 --> 0:33:19.080
<v Speaker 1>for being a closeted country music singer who decided in

0:33:19.120 --> 0:33:21.080
<v Speaker 1>two thousand and six, I'm going to come out. Not

0:33:21.200 --> 0:33:22.960
<v Speaker 1>only am I going to come out, I'm going to

0:33:23.000 --> 0:33:25.320
<v Speaker 1>come out, well, I'm going to come out and tell

0:33:25.360 --> 0:33:28.360
<v Speaker 1>the whole truth and nothing but the truth and then

0:33:28.560 --> 0:33:32.000
<v Speaker 1>storytelling what I do very naturally. Just I had this

0:33:32.120 --> 0:33:36.160
<v Speaker 1>side hustle, and so I went from literally my tour

0:33:36.240 --> 0:33:41.160
<v Speaker 1>being canceled and picking right up and growing my client base.

0:33:42.240 --> 0:33:43.560
<v Speaker 1>What in the world?

0:33:44.320 --> 0:33:48.400
<v Speaker 3>What? Yeah? Yeah, I love that. But I love that.

0:33:48.400 --> 0:33:49.160
<v Speaker 3>That's why.

0:33:50.400 --> 0:33:52.440
<v Speaker 2>There's so many ways to tell a story. And one

0:33:52.440 --> 0:33:54.880
<v Speaker 2>of the stories is this was a really tough time

0:33:54.880 --> 0:33:56.520
<v Speaker 2>for you. You went into a space that was not

0:33:56.640 --> 0:34:00.600
<v Speaker 2>welcoming at a time where you needed to be welcomed.

0:34:01.440 --> 0:34:03.400
<v Speaker 2>But the other version is the story you just told.

0:34:03.720 --> 0:34:05.960
<v Speaker 2>And I knew there was going to be another version.

0:34:06.440 --> 0:34:11.040
<v Speaker 1>That's why s Sie. I love the tenant that my

0:34:11.120 --> 0:34:12.839
<v Speaker 1>parents taught me when I was a kid was plan

0:34:12.960 --> 0:34:17.080
<v Speaker 1>your work and work your plan. Now the nuance of

0:34:17.160 --> 0:34:20.239
<v Speaker 1>the work your plan piece. It doesn't it doesn't mean

0:34:20.360 --> 0:34:22.880
<v Speaker 1>plan A is an effort.

0:34:23.440 --> 0:34:24.840
<v Speaker 3>Yeah.

0:34:25.120 --> 0:34:28.080
<v Speaker 1>I In fact, I love it when plan A begins

0:34:28.120 --> 0:34:31.600
<v Speaker 1>to show its cracks. Yeah, because then I know that

0:34:31.840 --> 0:34:37.160
<v Speaker 1>the iteration process, much like in songwriting, the iteration, the editing,

0:34:37.360 --> 0:34:39.600
<v Speaker 1>the poking at it, that's putting it in the center,

0:34:39.719 --> 0:34:43.520
<v Speaker 1>walking around it and evolving it. That's how you get

0:34:43.520 --> 0:34:46.479
<v Speaker 1>a good song. That's how you get a stronger, better

0:34:46.600 --> 0:34:49.840
<v Speaker 1>keynote address I'll bet you were better at this podcast

0:34:49.880 --> 0:34:54.560
<v Speaker 1>than you were on episode one, right, So I love

0:34:54.600 --> 0:34:57.239
<v Speaker 1>the editing process, and the older I get, the more

0:34:57.400 --> 0:35:00.440
<v Speaker 1>I just want to shout from the mountaintop, and I

0:35:00.480 --> 0:35:05.319
<v Speaker 1>do shout from the mountaintops. What's behind that door? Do

0:35:05.400 --> 0:35:07.600
<v Speaker 1>as much work as you can plan for to knock

0:35:07.640 --> 0:35:11.239
<v Speaker 1>on that door, But there is always something better than

0:35:11.280 --> 0:35:13.880
<v Speaker 1>you can imagine that's right on the other side of the.

0:35:13.880 --> 0:35:16.280
<v Speaker 3>Door, and you can't imagine it, and you can't carry

0:35:17.040 --> 0:35:17.680
<v Speaker 3>for people.

0:35:17.840 --> 0:35:20.520
<v Speaker 2>I'm, you know, a type A. I also grew up

0:35:20.600 --> 0:35:24.080
<v Speaker 2>kind of a pleaser, a planner. I grew up very

0:35:24.120 --> 0:35:27.120
<v Speaker 2>anxious at a great childhood. I always have to say that,

0:35:27.160 --> 0:35:28.719
<v Speaker 2>because you know, I don't want it to sound like

0:35:28.760 --> 0:35:30.920
<v Speaker 2>I didn't, but I moved a lot and there was

0:35:30.960 --> 0:35:33.880
<v Speaker 2>a lot of expectation I put on myself.

0:35:34.000 --> 0:35:36.280
<v Speaker 3>And so when.

0:35:36.200 --> 0:35:38.440
<v Speaker 2>I am contemplating a door, like I said, and I

0:35:38.440 --> 0:35:40.600
<v Speaker 2>don't know what's on the other side, that's very scary

0:35:40.600 --> 0:35:40.800
<v Speaker 2>for me.

0:35:40.880 --> 0:35:42.040
<v Speaker 3>It makes me not want to open it.

0:35:42.480 --> 0:35:45.920
<v Speaker 2>Yeah, if I can't predict and plan for what the

0:35:45.960 --> 0:35:48.239
<v Speaker 2>next thing is going to be, that makes me not

0:35:48.280 --> 0:35:51.440
<v Speaker 2>want to even approach it. And that's like I said

0:35:51.480 --> 0:35:53.239
<v Speaker 2>at the beginning. I want to be more like you

0:35:54.239 --> 0:35:56.000
<v Speaker 2>and just fly fling the door open.

0:35:56.520 --> 0:35:59.799
<v Speaker 1>Let me just let me offer this. I don't know

0:35:59.880 --> 0:36:03.239
<v Speaker 1>that I've ever flung a door open. I think that

0:36:03.400 --> 0:36:09.560
<v Speaker 1>is an un fair way to characterize my life. The

0:36:09.640 --> 0:36:11.160
<v Speaker 1>chapters of my life.

0:36:10.880 --> 0:36:14.360
<v Speaker 2>The bravery, the bravery I see is you flinging the

0:36:14.440 --> 0:36:16.960
<v Speaker 2>door open, and you're saying it's more complicated than that.

0:36:17.719 --> 0:36:21.160
<v Speaker 1>It's I decided to come out in two thousand and six,

0:36:21.320 --> 0:36:25.840
<v Speaker 1>the morning after I didn't end my life. I actually

0:36:25.880 --> 0:36:30.680
<v Speaker 1>came out four years later. Now what did I do

0:36:30.760 --> 0:36:33.319
<v Speaker 1>in the middle of that? I did the work I

0:36:33.320 --> 0:36:36.000
<v Speaker 1>had planned my work work. My plan evolved the plan

0:36:36.080 --> 0:36:40.279
<v Speaker 1>A and to plan LMNOPQ. However, the letters go yeah,

0:36:40.320 --> 0:36:43.960
<v Speaker 1>forgotten the alphabet in this moment. But there was a

0:36:44.000 --> 0:36:52.880
<v Speaker 1>tremendous amount of risk analysis, financial planning again yeah yeah, preparation,

0:36:53.120 --> 0:36:56.319
<v Speaker 1>getting the right team together. I'm I'm a I'm no

0:36:56.440 --> 0:36:59.640
<v Speaker 1>smarter than the next guy or gal, But I know this.

0:37:00.640 --> 0:37:05.239
<v Speaker 1>If it's a matter of strategy and poking at it, interrogation,

0:37:05.480 --> 0:37:08.799
<v Speaker 1>planning for mitigating risks, there is no one better at

0:37:08.800 --> 0:37:10.319
<v Speaker 1>that than me. Oh yeah, no one.

0:37:10.520 --> 0:37:12.399
<v Speaker 3>I feel the same, Like I'm really good at that too.

0:37:12.520 --> 0:37:15.839
<v Speaker 1>Yeah. So the flinging of the door not the thing,

0:37:16.440 --> 0:37:19.040
<v Speaker 1>not the thing. It's like a show, right, it looks

0:37:19.040 --> 0:37:22.280
<v Speaker 1>like wow, you know Lebron James gets up there, Michael

0:37:22.360 --> 0:37:27.600
<v Speaker 1>Jordan goes, they slam duncan or yeah, what happens below

0:37:27.640 --> 0:37:32.120
<v Speaker 1>the iceberg? That is That's what I do really well.

0:37:32.200 --> 0:37:34.920
<v Speaker 1>So I don't think I've kicked any doors down or

0:37:34.960 --> 0:37:37.720
<v Speaker 1>flung any doors open. I am. Do you know my nickname?

0:37:37.840 --> 0:37:41.920
<v Speaker 1>Have I told you this before? My nickname amongst colleagues,

0:37:42.320 --> 0:37:46.920
<v Speaker 1>family friends, ban crew. My whole life is Captain's Safety.

0:37:47.880 --> 0:37:52.320
<v Speaker 2>Oh I love that, and I love.

0:37:52.120 --> 0:37:55.160
<v Speaker 1>That about me. Yes, I love that about me. I

0:37:55.200 --> 0:37:57.400
<v Speaker 1>always have a blanket and a gallon of water in

0:37:57.440 --> 0:37:59.400
<v Speaker 1>the back of my bar. Can I tell you how

0:37:59.440 --> 0:38:02.479
<v Speaker 1>many times have been first unseen at an accident where

0:38:02.480 --> 0:38:04.320
<v Speaker 1>the blanket and the water was needed?

0:38:04.560 --> 0:38:05.240
<v Speaker 3>How many times?

0:38:05.719 --> 0:38:08.600
<v Speaker 1>So many people have recks in front of me? People

0:38:08.800 --> 0:38:11.880
<v Speaker 1>old people fall on the street in front of me. Yeah,

0:38:12.000 --> 0:38:14.720
<v Speaker 1>you know, so I am. I'm Captain Safety.

0:38:14.840 --> 0:38:33.000
<v Speaker 2>So you date a few big country stars, Vince Gill,

0:38:33.880 --> 0:38:42.600
<v Speaker 2>Brad Paisley, people we all know. Were those relationships pr

0:38:43.640 --> 0:38:49.799
<v Speaker 2>Were they you trying to convince yourself were they like,

0:38:49.920 --> 0:38:53.960
<v Speaker 2>what was your intention? With no no judgment, I'm just

0:38:53.960 --> 0:38:58.000
<v Speaker 2>wondering what was your intention in dating very big you know,

0:38:58.760 --> 0:39:01.640
<v Speaker 2>mail stars at that time in your life.

0:39:02.239 --> 0:39:06.239
<v Speaker 1>Yeah, first of all, even if you asked this with

0:39:06.400 --> 0:39:11.160
<v Speaker 1>judge judgment, that's fine. Again, I yeah, I don't mind

0:39:11.200 --> 0:39:14.759
<v Speaker 1>being judged for it. In fact, when I came out,

0:39:14.760 --> 0:39:16.880
<v Speaker 1>I wanted to come out and tell the whole truth

0:39:16.960 --> 0:39:19.239
<v Speaker 1>and nothing but the truth. And that did include my

0:39:19.400 --> 0:39:25.120
<v Speaker 1>having to speak to what were you thinking? What was that?

0:39:27.040 --> 0:39:32.799
<v Speaker 1>And it was there was a p R benefit that

0:39:32.920 --> 0:39:39.959
<v Speaker 1>I realized. Was it my motivator? No? Did I appreciate

0:39:40.000 --> 0:39:42.200
<v Speaker 1>the cover it gave me when I was in a

0:39:42.239 --> 0:39:46.959
<v Speaker 1>relationship with a Brad or spending time with Vince Gill

0:39:47.239 --> 0:39:51.760
<v Speaker 1>or Brett farre or having a day with Troy Aikman,

0:39:52.280 --> 0:39:59.960
<v Speaker 1>all of I did. The benefit I did appreciate and acknowledge,

0:40:00.160 --> 0:40:05.480
<v Speaker 1>and the benefit was there not my motivator. So here's so,

0:40:05.600 --> 0:40:08.320
<v Speaker 1>I had a partner for twelve years during the zenith

0:40:08.360 --> 0:40:10.120
<v Speaker 1>of my career. We had a house, and we had

0:40:10.160 --> 0:40:13.920
<v Speaker 1>a Koi pond and pets, and we had a life. Yes,

0:40:14.400 --> 0:40:17.359
<v Speaker 1>we were deeply closeted. She didn't want to come out

0:40:17.440 --> 0:40:18.480
<v Speaker 1>I didn't want to come out.

0:40:19.960 --> 0:40:24.000
<v Speaker 3>It was is Julie. This is Julie, Julie in your book, okayeh, Julia.

0:40:23.960 --> 0:40:28.200
<v Speaker 1>Yep, And and it was just it was a non

0:40:28.320 --> 0:40:31.000
<v Speaker 1>starter to come out. That was just not ever going

0:40:31.040 --> 0:40:35.040
<v Speaker 1>to be something that happened. And in that twelve year period,

0:40:35.280 --> 0:40:38.439
<v Speaker 1>we had ups and downs and we had breaks. And

0:40:39.719 --> 0:40:44.680
<v Speaker 1>like many people who are like me gay, who know

0:40:44.840 --> 0:40:49.239
<v Speaker 1>that they can't exist as who they are, they make

0:40:49.320 --> 0:40:52.319
<v Speaker 1>decisions about partnering with people and it doesn't make that

0:40:52.360 --> 0:40:56.960
<v Speaker 1>other person a beard. Sometimes it is, but sometimes and

0:40:57.040 --> 0:41:00.399
<v Speaker 1>I the thousands of people I've heard from since I've

0:41:00.440 --> 0:41:04.080
<v Speaker 1>come out about this exact thing playing out. When one

0:41:04.120 --> 0:41:07.960
<v Speaker 1>knows that you can never be who you are in

0:41:08.080 --> 0:41:12.799
<v Speaker 1>terms of your sexual orientation, you begin to think tactically

0:41:13.600 --> 0:41:16.520
<v Speaker 1>and you begin to think, well, I knew I could

0:41:16.520 --> 0:41:19.239
<v Speaker 1>never live as an openly gay country music artist, and

0:41:19.320 --> 0:41:21.799
<v Speaker 1>I'm not going to go onto the dark web and

0:41:22.239 --> 0:41:25.920
<v Speaker 1>find someone to date. That just wasn't Yeah, that wasn't

0:41:25.920 --> 0:41:28.239
<v Speaker 1>something I was going to do. So I made decisions

0:41:28.320 --> 0:41:34.279
<v Speaker 1>about partnership companionship, and my thinking was, if I'm going

0:41:34.360 --> 0:41:39.560
<v Speaker 1>to have a partnership with someone, I'm going to pick

0:41:39.600 --> 0:41:42.800
<v Speaker 1>someone that I like and enjoy and that makes me laugh,

0:41:42.840 --> 0:41:45.440
<v Speaker 1>and that we write songs together and tour together and

0:41:45.520 --> 0:41:50.560
<v Speaker 1>have shared values. You'll settle for that, Yeah, because millions

0:41:50.600 --> 0:41:54.560
<v Speaker 1>of people have done it because they want to have

0:41:54.600 --> 0:41:57.520
<v Speaker 1>a family, or they want to stay in the town

0:41:57.560 --> 0:41:59.800
<v Speaker 1>that they live in and not get kicked out of

0:41:59.840 --> 0:42:03.879
<v Speaker 1>their church or their neighborhood. So, you know, 's talk

0:42:03.880 --> 0:42:08.120
<v Speaker 1>about Brad. You know many people are like, did he know?

0:42:08.480 --> 0:42:08.719
<v Speaker 3>Was he?

0:42:08.840 --> 0:42:12.719
<v Speaker 1>Or No? He didn't know. He had no idea. And

0:42:13.960 --> 0:42:19.239
<v Speaker 1>I could not have picked a better, funnier, more talented,

0:42:19.760 --> 0:42:23.200
<v Speaker 1>more kind of a person with whom I shared values

0:42:23.280 --> 0:42:28.399
<v Speaker 1>and similarities. He understood my work, I understood his work.

0:42:29.000 --> 0:42:32.359
<v Speaker 1>He was as lovely a human being, like if I'm

0:42:32.360 --> 0:42:36.000
<v Speaker 1>going to I've always dated really amazing men. Because that's

0:42:36.040 --> 0:42:40.640
<v Speaker 1>how I was thinking about it. Did in my wildest dreams,

0:42:40.680 --> 0:42:43.680
<v Speaker 1>did I ever think that I would come out? No,

0:42:44.800 --> 0:42:48.400
<v Speaker 1>So I wanted to have a life. Would it? Was

0:42:48.400 --> 0:42:52.000
<v Speaker 1>it the life that exactly would have brought me the

0:42:52.000 --> 0:42:54.520
<v Speaker 1>most joy. Again, I was in my twenties and thirties

0:42:54.600 --> 0:42:58.280
<v Speaker 1>making these decisions, still thinking I could keep this thing hidden.

0:42:58.960 --> 0:43:03.399
<v Speaker 1>So while there was a public relations benefit to it,

0:43:04.640 --> 0:43:07.960
<v Speaker 1>there was also a long take a kind of whiplash

0:43:08.160 --> 0:43:11.520
<v Speaker 1>of I knew that when I ended my relationship with

0:43:11.600 --> 0:43:15.000
<v Speaker 1>Brad that was going to garner a lot of questions,

0:43:15.239 --> 0:43:19.839
<v Speaker 1>a lot of speculation, and it did. So, Yeah, did

0:43:19.840 --> 0:43:22.800
<v Speaker 1>I answer your questions.

0:43:21.680 --> 0:43:22.520
<v Speaker 3>Really really well?

0:43:23.080 --> 0:43:24.799
<v Speaker 2>And I think the way you talk about it is

0:43:24.880 --> 0:43:27.120
<v Speaker 2>really relatable, even.

0:43:26.920 --> 0:43:32.000
<v Speaker 3>For someone who doesn't understand that. I think that makes

0:43:32.040 --> 0:43:34.120
<v Speaker 3>sense to a lot of people.

0:43:34.120 --> 0:43:36.680
<v Speaker 2>I remember I dated a guy in college very briefly,

0:43:36.719 --> 0:43:38.279
<v Speaker 2>and I liked him a lot, and it didn't last

0:43:38.360 --> 0:43:40.040
<v Speaker 2>long at all. But a few years later he called

0:43:40.040 --> 0:43:43.680
<v Speaker 2>me out of the blue just to say, okay, obviously

0:43:43.680 --> 0:43:46.279
<v Speaker 2>it was gay then, and I thought it was really

0:43:46.440 --> 0:43:51.760
<v Speaker 2>nice because he didn't owe me that personal private.

0:43:52.880 --> 0:43:53.360
<v Speaker 3>Revelation.

0:43:53.440 --> 0:43:55.680
<v Speaker 2>I would have found out at school we were in college,

0:43:55.680 --> 0:43:56.600
<v Speaker 2>I would have heard about it.

0:43:57.600 --> 0:44:02.760
<v Speaker 3>But it just honored I wasn't using you. I didn't

0:44:03.280 --> 0:44:03.880
<v Speaker 3>want to be this.

0:44:04.719 --> 0:44:06.600
<v Speaker 2>I didn't know if I had to be this as well,

0:44:06.719 --> 0:44:10.520
<v Speaker 2>you know, and I really liked you, and you know,

0:44:10.640 --> 0:44:13.360
<v Speaker 2>him telling that to me was I don't know, it

0:44:13.440 --> 0:44:13.840
<v Speaker 2>was nice.

0:44:14.000 --> 0:44:16.080
<v Speaker 3>It was a nice thing.

0:44:16.400 --> 0:44:21.120
<v Speaker 1>Yeah, And that is so nice. And so you know,

0:44:21.160 --> 0:44:25.680
<v Speaker 1>I dated a lot of men beyond famous people. Yeah,

0:44:25.960 --> 0:44:30.160
<v Speaker 1>and I had close friendships with men who did develop

0:44:30.360 --> 0:44:34.200
<v Speaker 1>feelings for me that I didn't reciprocate, and and that

0:44:34.440 --> 0:44:36.960
<v Speaker 1>there was a lot of There was a lot of

0:44:37.040 --> 0:44:41.320
<v Speaker 1>hurt that that I, as a closeted queer person left

0:44:41.480 --> 0:44:44.759
<v Speaker 1>in my wake. And that was another I talk about

0:44:44.760 --> 0:44:48.280
<v Speaker 1>this in my book as well, is that I caused

0:44:48.400 --> 0:44:52.439
<v Speaker 1>more harm to others trying to hide who I am

0:44:54.239 --> 0:44:58.560
<v Speaker 1>than then I than i'd ever have as an open link.

0:44:58.680 --> 0:45:00.840
<v Speaker 3>And then you would ever want to that. I wouldn't

0:45:01.080 --> 0:45:02.160
<v Speaker 3>want to do that.

0:45:02.680 --> 0:45:06.799
<v Speaker 1>Trying to talk your straight male friend who professes his

0:45:06.880 --> 0:45:09.919
<v Speaker 1>love for you into no, no, no, you don't really

0:45:09.920 --> 0:45:12.799
<v Speaker 1>love me. No I do I love I? Why can't

0:45:12.800 --> 0:45:16.040
<v Speaker 1>we be together? Like the And I have gone back

0:45:16.080 --> 0:45:18.719
<v Speaker 1>to a number of those men before I came out

0:45:18.760 --> 0:45:23.200
<v Speaker 1>and certainly posts coming out, and we've had that deep

0:45:23.239 --> 0:45:26.279
<v Speaker 1>conversation about you know, it wasn't you, It was me,

0:45:26.480 --> 0:45:29.160
<v Speaker 1>And if I were to want to ever love a man,

0:45:29.880 --> 0:45:33.000
<v Speaker 1>it would be you because you're amazing.

0:45:34.560 --> 0:45:37.920
<v Speaker 3>It's complicated, and think about this just quickly.

0:45:38.360 --> 0:45:41.160
<v Speaker 1>See when I've talked to so many men and women

0:45:41.239 --> 0:45:43.960
<v Speaker 1>over the years who have said, you know, my I

0:45:44.000 --> 0:45:46.920
<v Speaker 1>find I left my husband because I'm I'm gay, and

0:45:46.920 --> 0:45:49.880
<v Speaker 1>we've got kids together, and I just I feel so

0:45:49.960 --> 0:45:52.279
<v Speaker 1>guilty about it, or I left my wife. I'm gay,

0:45:52.360 --> 0:45:56.080
<v Speaker 1>have been you know that I've never and and number one,

0:45:56.120 --> 0:45:59.160
<v Speaker 1>I always say, okay, here, here's where you are. Good

0:45:59.200 --> 0:46:01.440
<v Speaker 1>for you. That to a lot of courage and the

0:46:01.520 --> 0:46:04.640
<v Speaker 1>gift that you've just given to the partner that you

0:46:04.920 --> 0:46:10.080
<v Speaker 1>ended the marriage with. They are now and it takes

0:46:10.120 --> 0:46:12.680
<v Speaker 1>a while to get there right. Heartbreak is real and

0:46:12.719 --> 0:46:16.440
<v Speaker 1>healing is real. But now that person that you finally

0:46:16.440 --> 0:46:19.799
<v Speaker 1>disclosed I'm gay, you deserve to be with someone who

0:46:19.880 --> 0:46:25.279
<v Speaker 1>is wired to love you completely. And that is such

0:46:25.320 --> 0:46:28.960
<v Speaker 1>a gift, painful as it is, rocky as the road

0:46:29.080 --> 0:46:32.400
<v Speaker 1>might be. I don't want to be married to someone

0:46:32.480 --> 0:46:35.400
<v Speaker 1>who isn't wired to love me completely.

0:46:35.440 --> 0:46:38.879
<v Speaker 3>Or forcing it or lying. Yeah, of course, I think

0:46:39.000 --> 0:46:40.680
<v Speaker 3>is a gift. That's a really good way of putting it.

0:46:40.760 --> 0:46:44.919
<v Speaker 1>Think of how many women are married to men who

0:46:45.080 --> 0:46:47.359
<v Speaker 1>haven't come out yet or don't want to acknowledge it.

0:46:47.760 --> 0:46:52.960
<v Speaker 1>Think of how un desirable she must feel. Think of

0:46:53.080 --> 0:46:54.000
<v Speaker 1>how many.

0:46:55.239 --> 0:46:58.839
<v Speaker 3>She's questioning herself, what does she do exactly? What's wrong

0:46:58.880 --> 0:47:00.880
<v Speaker 3>with me exactly?

0:47:01.000 --> 0:47:04.319
<v Speaker 1>That's a gift, A giant, It's a giant gift. I mean,

0:47:05.040 --> 0:47:08.080
<v Speaker 1>the truth really does open up a portal into so

0:47:08.200 --> 0:47:09.319
<v Speaker 1>many gifts like that. Yes, so.

0:47:12.400 --> 0:47:15.879
<v Speaker 2>I know you you lost some fans when you came out.

0:47:16.040 --> 0:47:17.360
<v Speaker 3>You would that happen today?

0:47:17.920 --> 0:47:22.520
<v Speaker 2>You know, if a big female artist came out today,

0:47:23.640 --> 0:47:24.520
<v Speaker 2>would the industry?

0:47:24.640 --> 0:47:27.920
<v Speaker 3>Would fans react? How would they react today?

0:47:29.600 --> 0:47:32.759
<v Speaker 1>It's a really good question. And I think had we

0:47:32.880 --> 0:47:36.120
<v Speaker 1>been talking about this five years ago, I would have

0:47:36.160 --> 0:47:41.719
<v Speaker 1>a different answer. I would say change is happening. There

0:47:41.719 --> 0:47:44.399
<v Speaker 1>will never have to be a first country music out

0:47:44.440 --> 0:47:48.000
<v Speaker 1>of the closet like that. Won't ever have to happen again. No,

0:47:49.160 --> 0:47:51.759
<v Speaker 1>And there have been many who have come out since

0:47:51.760 --> 0:47:57.160
<v Speaker 1>I came out in twenty ten that said a like

0:47:57.200 --> 0:47:59.840
<v Speaker 1>a current Are you talking about a current hit maker?

0:48:00.360 --> 0:48:04.680
<v Speaker 2>You don't know, big big star? How would that be

0:48:04.760 --> 0:48:05.400
<v Speaker 2>received today?

0:48:05.760 --> 0:48:11.560
<v Speaker 1>Let's just talk about the American electorate. Ould how would

0:48:11.600 --> 0:48:18.960
<v Speaker 1>you categorize the right in percentages versus the left? What

0:48:19.040 --> 0:48:21.600
<v Speaker 1>are those numbers? Tell me, se Cup what those number?

0:48:21.640 --> 0:48:22.240
<v Speaker 3>Fifty to fifty?

0:48:22.560 --> 0:48:27.280
<v Speaker 1>Fifty to fifty? Okay, take that metric and then distill

0:48:27.320 --> 0:48:33.960
<v Speaker 1>it down to a hyper historically hyper conservative industry that

0:48:34.040 --> 0:48:38.680
<v Speaker 1>has not been known as a bastion of diversity equity, inclusion,

0:48:38.800 --> 0:48:42.320
<v Speaker 1>and belonging, and so then do you think that fifty

0:48:42.360 --> 0:48:48.280
<v Speaker 1>to fifty would hold? No, Okay, so if the American

0:48:48.360 --> 0:48:52.400
<v Speaker 1>electorate at large is half and half, I would do

0:48:52.520 --> 0:48:55.200
<v Speaker 1>some retooling with the numbers. I wouldn't think it would

0:48:55.200 --> 0:48:57.120
<v Speaker 1>be half and half. I would think it would be.

0:48:58.440 --> 0:49:00.880
<v Speaker 1>Off the top of my head, I think there'd be

0:49:00.920 --> 0:49:02.760
<v Speaker 1>a seventy thirty, eighty twenty.

0:49:03.120 --> 0:49:04.560
<v Speaker 3>Yeah, right right.

0:49:05.280 --> 0:49:10.360
<v Speaker 1>But you know that's just my my hypothesis. I'm a

0:49:10.400 --> 0:49:11.960
<v Speaker 1>pretty informed.

0:49:11.680 --> 0:49:13.040
<v Speaker 3>I think no one knows better than you.

0:49:13.360 --> 0:49:16.680
<v Speaker 1>I mean, you know, I'm Nashville. Here's the thing. Tricky

0:49:16.719 --> 0:49:22.160
<v Speaker 1>thing about Nashville. The industry itself is very in many

0:49:22.200 --> 0:49:29.960
<v Speaker 1>ways progressive and liberal. That said that, the product we

0:49:30.080 --> 0:49:33.000
<v Speaker 1>have always known we are packaging up and selling to

0:49:33.120 --> 0:49:39.360
<v Speaker 1>America is is to a different demographic. So, you know,

0:49:39.400 --> 0:49:42.440
<v Speaker 1>a lot of gay people in the industry in you know,

0:49:42.520 --> 0:49:45.880
<v Speaker 1>at the record labels, publicists, hair and makeup artists, managers.

0:49:46.719 --> 0:49:51.360
<v Speaker 1>But the product we are selling I think has been

0:49:51.719 --> 0:49:57.240
<v Speaker 1>pretty proven to be being sold to a conservative audience.

0:49:57.280 --> 0:49:59.080
<v Speaker 1>And I would say it's and I would say it's

0:49:59.640 --> 0:50:02.120
<v Speaker 1>be becoming more galvanized in that direction.

0:50:02.719 --> 0:50:07.920
<v Speaker 2>Yeah, okay, Yeah, you're a boss. Now I want you

0:50:07.960 --> 0:50:14.080
<v Speaker 2>to talk about what you do in your corporate life and.

0:50:14.000 --> 0:50:16.319
<v Speaker 3>Whether it's as fulfilling as you hoped it would be.

0:50:16.840 --> 0:50:21.000
<v Speaker 1>Let me answer the latter, yes, yes, because it's actually

0:50:21.080 --> 0:50:25.080
<v Speaker 1>the same skill set I have used my entire life

0:50:25.120 --> 0:50:28.680
<v Speaker 1>and career. And remember, you know, as a country music singer.

0:50:29.560 --> 0:50:32.000
<v Speaker 1>Being in the music business, it was very heavy on

0:50:32.080 --> 0:50:35.520
<v Speaker 1>the business can I Actually I think I'm a pretty

0:50:35.520 --> 0:50:38.480
<v Speaker 1>good singer songwriter, But I think I tended to my

0:50:38.719 --> 0:50:41.280
<v Speaker 1>the business piece of it with a lot of focus

0:50:41.280 --> 0:50:43.480
<v Speaker 1>and strategy and discipline, which is why I think I

0:50:43.600 --> 0:50:47.240
<v Speaker 1>was lucky to have a career that spanned a few decades.

0:50:47.320 --> 0:50:51.560
<v Speaker 1>So and not all artists are that, not all artists

0:50:51.640 --> 0:50:54.479
<v Speaker 1>want to be that, but that was kind of how

0:50:54.560 --> 0:50:58.400
<v Speaker 1>I think I was seen in the industry and which

0:50:58.560 --> 0:51:06.600
<v Speaker 1>delights me. And so the skill set is entirely transferable. Storytelling, leadership,

0:51:06.760 --> 0:51:13.000
<v Speaker 1>attention to detail, being on time, being a really good listener,

0:51:13.120 --> 0:51:17.040
<v Speaker 1>being a good communicator, distilling information. Reading a crowd is

0:51:17.080 --> 0:51:22.000
<v Speaker 1>the exact same thing as reading a boardroom, and so

0:51:22.320 --> 0:51:27.319
<v Speaker 1>I currently so when COVID hit, I took a new

0:51:27.360 --> 0:51:29.839
<v Speaker 1>client and then took a full time role as chief

0:51:29.880 --> 0:51:34.239
<v Speaker 1>Diversity officer with a global design build firm called Unispace

0:51:34.360 --> 0:51:37.800
<v Speaker 1>based out of Australia, did that for four years and

0:51:37.920 --> 0:51:42.360
<v Speaker 1>now I've pivoted over to an even bigger company, a

0:51:42.440 --> 0:51:46.120
<v Speaker 1>Denmark based company. Three hundred and three hundred and twenty

0:51:46.160 --> 0:51:50.520
<v Speaker 1>thousand people in the company, and we do facilities management.

0:51:50.520 --> 0:51:55.879
<v Speaker 1>The company is called ISS, not International Space Station, not ISIS.

0:51:56.480 --> 0:52:01.120
<v Speaker 1>I do not want right, but we dodies management. I

0:52:01.280 --> 0:52:05.719
<v Speaker 1>e would simply put, we do janitorial technical services in

0:52:05.800 --> 0:52:09.799
<v Speaker 1>corporate dining. Yes, and so it is it. It is

0:52:09.920 --> 0:52:14.440
<v Speaker 1>so delightful and so rewarding that I get to I

0:52:14.960 --> 0:52:18.680
<v Speaker 1>lead up our corporate social responsibility and new market growth.

0:52:18.920 --> 0:52:21.560
<v Speaker 1>So I get to play in the spaces that I

0:52:21.680 --> 0:52:25.799
<v Speaker 1>love to play in. And it's really wild. What is

0:52:25.880 --> 0:52:28.440
<v Speaker 1>behind that door? Just wild?

0:52:28.960 --> 0:52:33.080
<v Speaker 3>I love that. I love that for you. Okay, this

0:52:33.239 --> 0:52:33.719
<v Speaker 3>is uh.

0:52:33.760 --> 0:52:35.920
<v Speaker 2>We're going to do a lightning round to end at

0:52:35.960 --> 0:52:37.319
<v Speaker 2>this incredible episode.

0:52:37.440 --> 0:52:39.719
<v Speaker 1>I hate that this is over. There's so much more

0:52:39.760 --> 0:52:40.839
<v Speaker 1>to talk about me too.

0:52:41.560 --> 0:52:44.600
<v Speaker 3>Literally could do this all day with you now.

0:52:44.640 --> 0:52:48.440
<v Speaker 1>If I get to come back to your podcast, Asie

0:52:49.160 --> 0:52:53.239
<v Speaker 1>is there is there are there pajamas like a two

0:52:53.320 --> 0:52:56.799
<v Speaker 1>time club. I know, Andy Astroy, our pal has like

0:52:56.960 --> 0:52:59.759
<v Speaker 1>our ropes, right, got a robe? I'm just remember on

0:53:00.040 --> 0:53:01.400
<v Speaker 1>did you ever do the Ellen Show?

0:53:02.000 --> 0:53:02.600
<v Speaker 3>I didn't know?

0:53:02.760 --> 0:53:07.800
<v Speaker 1>Okay, so she gave out these cute boxer brief boxer briefs,

0:53:07.800 --> 0:53:10.440
<v Speaker 1>but I still have mine. I'm really great for sleeping.

0:53:10.520 --> 0:53:14.280
<v Speaker 1>I just want you to just kind of begetting merch. Yeah,

0:53:14.360 --> 0:53:15.400
<v Speaker 1>I just I'm gonna.

0:53:15.200 --> 0:53:17.239
<v Speaker 2>Know that I've got lots of show swag too. And

0:53:19.000 --> 0:53:23.560
<v Speaker 2>we've never had a returning guest. Oh, so we'll have

0:53:23.600 --> 0:53:24.319
<v Speaker 2>to think about that.

0:53:24.440 --> 0:53:26.720
<v Speaker 1>How many years has have you had the podcast?

0:53:26.719 --> 0:53:27.720
<v Speaker 3>This is our second season.

0:53:27.960 --> 0:53:29.799
<v Speaker 1>Okay, so you're gonna have some returners.

0:53:29.840 --> 0:53:33.719
<v Speaker 2>Probably we're going to okay for sure, and uh, you'd

0:53:33.719 --> 0:53:36.000
<v Speaker 2>be top of the list. Okay, So I will start

0:53:36.040 --> 0:53:39.560
<v Speaker 2>thinking about a gift for repeat repeat offenders.

0:53:39.560 --> 0:53:40.800
<v Speaker 3>That's okay, great.

0:53:41.120 --> 0:53:44.440
<v Speaker 1>I just want to advocate for soft PaJaMo bottoms. I

0:53:44.520 --> 0:53:45.520
<v Speaker 1>love it, okay, Okay.

0:53:45.320 --> 0:53:47.520
<v Speaker 3>Great, great, great, that's very on brand for me too,

0:53:47.520 --> 0:53:49.240
<v Speaker 3>as you can. I like being comfortable.

0:53:49.480 --> 0:53:51.640
<v Speaker 1>Love it, okay. Lightning Round.

0:53:56.800 --> 0:53:59.200
<v Speaker 2>Two thousand and two, you're named one of People Magazine's

0:53:59.200 --> 0:54:03.960
<v Speaker 2>fifty most beauty full people. Totally deserved, but any insight

0:54:05.000 --> 0:54:06.719
<v Speaker 2>as to how that list comes to be?

0:54:07.120 --> 0:54:07.680
<v Speaker 3>What do you know.

0:54:08.160 --> 0:54:11.640
<v Speaker 1>Yeah, So it's all just a machinery of publicity. I

0:54:12.440 --> 0:54:16.640
<v Speaker 1>had a great publicist, Leslie Kilner at the time, and

0:54:16.760 --> 0:54:21.759
<v Speaker 1>she worked with my She with MCA Records, and they

0:54:21.840 --> 0:54:24.640
<v Speaker 1>just I my star was rising. I'd had a couple

0:54:24.680 --> 0:54:27.040
<v Speaker 1>of big hits, and that's just kind of one of

0:54:27.080 --> 0:54:28.160
<v Speaker 1>the things that they do.

0:54:28.480 --> 0:54:30.520
<v Speaker 3>I mean, that's how people what people assume.

0:54:31.000 --> 0:54:33.239
<v Speaker 1>Yeah, I mean, notice when you look at the list

0:54:33.280 --> 0:54:35.719
<v Speaker 1>when it comes out, it's no one who doesn't have

0:54:35.800 --> 0:54:41.200
<v Speaker 1>a project out. Yeah, right right, So, I mean, as

0:54:42.160 --> 0:54:44.960
<v Speaker 1>flattering at it as it is to be named, you know,

0:54:45.040 --> 0:54:48.480
<v Speaker 1>one of the fifty most beautiful people, it's just and

0:54:48.560 --> 0:54:52.839
<v Speaker 1>George Holtz took gorgeous photos. Yeah, and so, but it

0:54:52.880 --> 0:54:56.080
<v Speaker 1>was it's just it's a it's a pr piece, that's

0:54:56.120 --> 0:54:57.280
<v Speaker 1>that's all.

0:54:57.480 --> 0:54:59.560
<v Speaker 3>We both got married in Connecticut. Where did you tie

0:54:59.560 --> 0:54:59.880
<v Speaker 3>them up?

0:55:00.480 --> 0:55:02.960
<v Speaker 1>We got married, so I have two dates in my

0:55:03.000 --> 0:55:08.000
<v Speaker 1>wedding band. We planned our wedding for Litchfield, Connecticut in

0:55:08.000 --> 0:55:11.000
<v Speaker 1>twenty eleven because we were not allowed to get married

0:55:11.040 --> 0:55:11.920
<v Speaker 1>in New York City.

0:55:12.120 --> 0:55:12.279
<v Speaker 3>Yep.

0:55:12.360 --> 0:55:16.320
<v Speaker 1>But about a month or so before our actual wedding,

0:55:16.719 --> 0:55:20.480
<v Speaker 1>marriage equality became legal in New York City, so we

0:55:20.719 --> 0:55:23.319
<v Speaker 1>did that lottery system. Got chosen to get married in

0:55:23.360 --> 0:55:26.240
<v Speaker 1>Manhattan on the first day that marriage equality is legal,

0:55:26.520 --> 0:55:28.440
<v Speaker 1>So we have two dates in our wedding bands.

0:55:28.880 --> 0:55:32.879
<v Speaker 2>I love that new country or old country, and who's

0:55:32.920 --> 0:55:33.640
<v Speaker 2>the best from both?

0:55:34.400 --> 0:55:34.720
<v Speaker 3>Mmmm?

0:55:36.480 --> 0:55:41.280
<v Speaker 1>Well, Lorette Alynne is my favorite of all time. Great

0:55:41.640 --> 0:55:45.120
<v Speaker 1>new country. Gosh. I love Maren Morris.

0:55:45.440 --> 0:55:46.120
<v Speaker 3>Yeah, she's great.

0:55:46.160 --> 0:55:48.879
<v Speaker 1>I love Maren Morris. And you know, country country music

0:55:49.280 --> 0:55:52.719
<v Speaker 1>has had its way of kind of pushing her aside.

0:55:53.120 --> 0:55:56.200
<v Speaker 1>She's harry, outspoken. I think she has recently said she

0:55:56.360 --> 0:55:59.640
<v Speaker 1>might be a little by curious or yeah, right, her,

0:56:01.400 --> 0:56:06.319
<v Speaker 1>she her songwriting, her just everything. I just think she's fantastic.

0:56:07.719 --> 0:56:08.480
<v Speaker 3>Yeah.

0:56:08.520 --> 0:56:11.919
<v Speaker 1>And then Alison Krause, I know she's not a new artist,

0:56:12.040 --> 0:56:16.040
<v Speaker 1>but you just she's still touring, she's still making new records.

0:56:16.160 --> 0:56:20.880
<v Speaker 1>And then also, let me just say Leanne Womack Womac

0:56:21.320 --> 0:56:25.640
<v Speaker 1>and Trisha Yearwood and ty Herndon. Okay, the three biggest places.

0:56:26.040 --> 0:56:28.400
<v Speaker 1>I'm sorry, I just I can't stop. These are not

0:56:28.520 --> 0:56:31.680
<v Speaker 1>only are they all my pals, but they are I

0:56:31.840 --> 0:56:35.200
<v Speaker 1>go down to Leanne Womack hole sometimes I put on

0:56:35.320 --> 0:56:37.640
<v Speaker 1>the fool and then I'm done. I'm dying. Kids just

0:56:37.719 --> 0:56:40.239
<v Speaker 1>can't stop anyway. So a lot of good country music

0:56:40.320 --> 0:56:42.840
<v Speaker 1>out there, but in terms of traditional country Buck Owens,

0:56:42.880 --> 0:56:44.480
<v Speaker 1>Connie Smith, the Red Lynn.

0:56:44.480 --> 0:56:45.000
<v Speaker 3>Love It, that's it?

0:56:46.239 --> 0:56:52.160
<v Speaker 2>Okay, this is this is tough. What movie about country

0:56:52.400 --> 0:56:57.040
<v Speaker 2>music is the best? What's the best movie about country music?

0:56:57.239 --> 0:56:58.160
<v Speaker 1>Coal Miner's Daughter?

0:56:59.080 --> 0:57:04.680
<v Speaker 2>Okay, I I was thinking that's probably the correct answer.

0:57:05.840 --> 0:57:07.719
<v Speaker 2>I don't make cases for Walk the Line.

0:57:07.719 --> 0:57:09.680
<v Speaker 1>You could make a I didn't see Walk the Line.

0:57:10.280 --> 0:57:13.080
<v Speaker 3>That's fair. I could make a case for Rhinestone, which

0:57:13.120 --> 0:57:16.440
<v Speaker 3>I know is like pand but man is a kid?

0:57:16.480 --> 0:57:18.040
<v Speaker 3>I love that movie. I love that movie.

0:57:18.160 --> 0:57:20.400
<v Speaker 1>Yeah, really good stuff.

0:57:21.120 --> 0:57:22.960
<v Speaker 3>But Cole Miner's Daughter is like the right answer.

0:57:23.120 --> 0:57:25.840
<v Speaker 1>I mean anything Dolly is in like great.

0:57:25.720 --> 0:57:26.560
<v Speaker 3>Automatically great.

0:57:26.720 --> 0:57:29.240
<v Speaker 1>And I could also, if I wanted to, I could

0:57:29.280 --> 0:57:33.240
<v Speaker 1>make a case that Steel Magnolia's had a little country

0:57:33.360 --> 0:57:36.960
<v Speaker 1>music to it, maybe because Dolly was in it. Sure. Yeah,

0:57:37.280 --> 0:57:40.840
<v Speaker 1>And but I'm gonna I'm gonna go final answer Coal

0:57:40.920 --> 0:57:41.680
<v Speaker 1>Miner's Daughter.

0:57:41.880 --> 0:57:47.200
<v Speaker 2>That is I think fairly uncontroversial, inarguable, that's great.

0:57:47.360 --> 0:57:48.800
<v Speaker 3>What's your favorite thing to do alone?

0:57:49.840 --> 0:57:51.440
<v Speaker 1>Walk me too?

0:57:52.320 --> 0:57:54.120
<v Speaker 3>What's your sleep routine? Do you have one?

0:57:54.240 --> 0:57:54.360
<v Speaker 1>Is it?

0:57:54.640 --> 0:57:56.320
<v Speaker 3>Is it complicated? Is it interesting.

0:57:56.840 --> 0:58:00.840
<v Speaker 1>I have struggled with sleep my entire life. I can

0:58:01.040 --> 0:58:03.280
<v Speaker 1>have been up for forty hours and still have a

0:58:03.320 --> 0:58:06.720
<v Speaker 1>hard time falling asleep. I think all the years of

0:58:06.800 --> 0:58:11.440
<v Speaker 1>touring overriding my circadian rhythm probably mess me. Yeah. I

0:58:11.680 --> 0:58:13.840
<v Speaker 1>put lotion on my feet every night before I go

0:58:13.960 --> 0:58:17.520
<v Speaker 1>to bed. I am the softest person in Panit Earth.

0:58:20.080 --> 0:58:24.840
<v Speaker 1>I move a lot. I have to get into a

0:58:24.920 --> 0:58:28.560
<v Speaker 1>lot of different positions. I have a leg pillow. I

0:58:28.840 --> 0:58:30.760
<v Speaker 1>have to sleep in a king bed with my wife.

0:58:30.880 --> 0:58:33.360
<v Speaker 1>I don't even understand how people sleep in full and

0:58:33.440 --> 0:58:38.479
<v Speaker 1>queen beds. This morning, for instance, I've been awake since

0:58:38.560 --> 0:58:42.440
<v Speaker 1>three twenty eight. Oh that's bright so and I'm in menopause,

0:58:42.520 --> 0:58:46.160
<v Speaker 1>which tracks right. Ye, but sleep routine, I would say

0:58:46.280 --> 0:58:49.720
<v Speaker 1>my go to Lauren is in bed a good twenty

0:58:49.760 --> 0:58:50.640
<v Speaker 1>minutes before I am.

0:58:51.080 --> 0:58:53.560
<v Speaker 3>Is the crucial? Is it crucial that she's in bed first?

0:58:53.920 --> 0:58:53.960
<v Speaker 4>No?

0:58:54.240 --> 0:58:56.520
<v Speaker 1>She It kind of kills me, kind of makes me

0:58:56.640 --> 0:58:59.720
<v Speaker 1>mad sometimes because she doesn't have quite the reto I

0:58:59.800 --> 0:59:02.680
<v Speaker 1>take off my makeup. She doesn't really wear makeup. She's

0:59:02.800 --> 0:59:06.320
<v Speaker 1>just like lightning fast red meg. Yeah, and I resent

0:59:06.440 --> 0:59:09.040
<v Speaker 1>it so I sometimes want I heard it like stay up,

0:59:09.920 --> 0:59:12.200
<v Speaker 1>stay upright? Until I can get in bed too. But

0:59:12.280 --> 0:59:13.080
<v Speaker 1>that's that's fun.

0:59:13.440 --> 0:59:13.840
<v Speaker 3>I get it.

0:59:14.080 --> 0:59:15.840
<v Speaker 1>I don't know why it makes me Some days it

0:59:15.920 --> 0:59:19.480
<v Speaker 1>really makes me mad. But anyway, Yeah, the footloation that

0:59:19.600 --> 0:59:23.000
<v Speaker 1>I have a very Pavlovian kind of Oh it's bedtime

0:59:23.040 --> 0:59:24.160
<v Speaker 1>when I put on my foot loation.

0:59:24.400 --> 0:59:26.360
<v Speaker 3>Great. Yeah, we got to find what works.

0:59:27.200 --> 0:59:29.920
<v Speaker 2>As we mentioned, Beyonce crossed over to country last year

0:59:30.000 --> 0:59:32.480
<v Speaker 2>with a lot of success post Malone, Daaries Rucker or

0:59:32.520 --> 0:59:35.320
<v Speaker 2>others have done it. Who's an artist today you think

0:59:35.520 --> 0:59:37.160
<v Speaker 2>could and should make the crossover?

0:59:39.320 --> 0:59:42.080
<v Speaker 1>Well, I on my late walk last night, I was

0:59:42.160 --> 0:59:45.960
<v Speaker 1>listening to Amy Poehlar's podcast Good Hang.

0:59:46.320 --> 0:59:47.560
<v Speaker 3>Yes, I listened to it all the time.

0:59:47.560 --> 0:59:51.680
<v Speaker 1>It's a giant fan. Well, she had Kristin Wig on. Yes,

0:59:52.000 --> 0:59:54.320
<v Speaker 1>and at the end of the episode, you know, Kristen

0:59:54.440 --> 0:59:58.080
<v Speaker 1>sings and Kristin is like throwing out she was. Amy's like,

0:59:58.160 --> 1:00:00.560
<v Speaker 1>you should make a record, and Kristin is like, how

1:00:00.680 --> 1:00:02.240
<v Speaker 1>do I? I would love to. I don't even know

1:00:02.320 --> 1:00:04.720
<v Speaker 1>how to start. I have it in my head now

1:00:04.800 --> 1:00:08.480
<v Speaker 1>because she has a lovely voice. She actually so I

1:00:08.960 --> 1:00:12.600
<v Speaker 1>am a I'm I'm starting a movement and see you

1:00:12.720 --> 1:00:16.440
<v Speaker 1>can join me. Yes, I think the next artist should

1:00:16.440 --> 1:00:20.040
<v Speaker 1>be a crossover from Saturday Night Lives Kristin Wig to

1:00:20.640 --> 1:00:24.720
<v Speaker 1>Americana artist Kristin Wig. I know that sounds like a joke,

1:00:24.800 --> 1:00:26.680
<v Speaker 1>but I think she needs to make a record, and

1:00:26.800 --> 1:00:29.760
<v Speaker 1>I have a sense she really wants to make a record.

1:00:30.640 --> 1:00:32.000
<v Speaker 3>Let's speak it into existence.

1:00:32.360 --> 1:00:35.200
<v Speaker 1>I mean I could produce a couple sides as you can.

1:00:36.400 --> 1:00:41.160
<v Speaker 2>Yeah, Oh my gosh, well I love that. Fantastic talked

1:00:41.160 --> 1:00:44.200
<v Speaker 2>about country. But who's your favorite folk singer or folk band?

1:00:45.560 --> 1:00:52.360
<v Speaker 1>Rodney Growell? Okay, okay, cool stop. He produced, not only

1:00:52.680 --> 1:00:54.760
<v Speaker 1>and it's not because he produced a record of mine

1:00:54.800 --> 1:00:58.560
<v Speaker 1>and we've written songs together. But oh gosh, I'm going

1:00:58.600 --> 1:01:03.080
<v Speaker 1>to change my answer. Rodney and an equal measure, Roseanne Cash.

1:01:03.320 --> 1:01:06.920
<v Speaker 1>Yes they used to be married, Yes they share children

1:01:07.000 --> 1:01:10.600
<v Speaker 1>and grandchildren, and yes they are individual artists. But for

1:01:11.920 --> 1:01:15.840
<v Speaker 1>my money today, if you're looking at an important body

1:01:15.880 --> 1:01:20.080
<v Speaker 1>of work, yes, and two artists who reflect what is

1:01:20.200 --> 1:01:28.680
<v Speaker 1>happening in the world exquisitely, expertly, provocatively, empathetically with a

1:01:28.720 --> 1:01:31.960
<v Speaker 1>lot of intelligence. Yep, and that's what folk music is

1:01:32.000 --> 1:01:35.560
<v Speaker 1>supposed to do. Yes, it's Rodney Crowell and Roseanne Cash.

1:01:35.800 --> 1:01:39.480
<v Speaker 3>It's great. I love seven year ach. That's such a good.

1:01:39.440 --> 1:01:42.560
<v Speaker 1>Song, so good. What a backbeat like?

1:01:42.680 --> 1:01:43.400
<v Speaker 2>What a pucket?

1:01:43.440 --> 1:01:45.240
<v Speaker 1>It's so good, so good, so good.

1:01:46.200 --> 1:01:47.000
<v Speaker 3>This is the last question.

1:01:47.040 --> 1:01:49.680
<v Speaker 2>It's the most important to me. I'm spiritual about it.

1:01:50.720 --> 1:01:53.960
<v Speaker 2>It's culturally important to me. When is it iced coffee season?

1:01:55.680 --> 1:01:59.560
<v Speaker 1>Not for me? Okay, I'm hot coffee all year long.

1:02:00.040 --> 1:02:01.960
<v Speaker 3>Okay. But the important part is you like coffee?

1:02:02.600 --> 1:02:05.960
<v Speaker 1>Oh yeah, I love coffee. I have two cups, two

1:02:06.080 --> 1:02:09.840
<v Speaker 1>giant cups, every morning, and I don't typically have coffee

1:02:09.920 --> 1:02:12.480
<v Speaker 1>in the day after that. Now, if it's one hundred

1:02:12.480 --> 1:02:16.640
<v Speaker 1>and ten degrees out, I will get a rando iced coffee.

1:02:16.960 --> 1:02:19.680
<v Speaker 1>But I am kind of coffee. Yeah, hot coffee all

1:02:19.800 --> 1:02:20.960
<v Speaker 1>year long, every day.

1:02:21.800 --> 1:02:23.560
<v Speaker 3>It's not the correct answer, Shelley.

1:02:23.440 --> 1:02:27.960
<v Speaker 1>But American America runs on Duncan, and so does SI cup.

1:02:28.000 --> 1:02:30.280
<v Speaker 3>Well, I definitely do. But no, that's okay.

1:02:30.280 --> 1:02:32.960
<v Speaker 2>The correct answer is year round. But we just appreciate

1:02:33.000 --> 1:02:34.640
<v Speaker 2>hear it off the cup where coffee is very important

1:02:34.680 --> 1:02:36.360
<v Speaker 2>to us. We just appreciate that you like coffee.

1:02:36.920 --> 1:02:40.760
<v Speaker 1>I don't align with anyone who doesn't. In fact, I

1:02:40.960 --> 1:02:45.440
<v Speaker 1>question their ethics perfect. I've got a lot of colleagues

1:02:45.440 --> 1:02:47.240
<v Speaker 1>who say I don't drink coffee. I drink tea, and

1:02:47.280 --> 1:02:51.000
<v Speaker 1>I'm like dilete, I don't understand you.

1:02:51.480 --> 1:02:52.600
<v Speaker 3>We don't speak the same light.

1:02:52.680 --> 1:02:55.320
<v Speaker 1>Yet She's sorry if we're not aligned, our values don't align.

1:02:56.480 --> 1:03:00.920
<v Speaker 2>Lly right, this was incredible. I knew this was going

1:03:01.000 --> 1:03:03.800
<v Speaker 2>to be great, but even better than I thought. And

1:03:03.920 --> 1:03:05.760
<v Speaker 2>I'm just so glad we did it. And I'm so

1:03:05.880 --> 1:03:09.640
<v Speaker 2>glad you're in this world and sharing all of your

1:03:09.720 --> 1:03:13.600
<v Speaker 2>talents in all of the places, because everyone deserves to

1:03:14.440 --> 1:03:16.480
<v Speaker 2>be touched by you just a little bit in some way.

1:03:17.800 --> 1:03:23.080
<v Speaker 1>Essie, thank you for that. I love you, I admire you,

1:03:23.960 --> 1:03:28.240
<v Speaker 1>I see you. You are an expert thinker, and we

1:03:28.760 --> 1:03:34.080
<v Speaker 1>have to be thinking expertly in these moments. And there

1:03:34.120 --> 1:03:37.760
<v Speaker 1>are days when I feel like crawling under the blankets. Yeah,

1:03:38.760 --> 1:03:41.800
<v Speaker 1>and I don't, because we just don't have that luxury.

1:03:41.920 --> 1:03:45.240
<v Speaker 1>And it is voices like yours and brains like yours,

1:03:45.480 --> 1:03:49.080
<v Speaker 1>and you're a mosaic and I love all of your

1:03:49.120 --> 1:03:55.440
<v Speaker 1>pieces and you're really unique. And I don't know how

1:03:55.520 --> 1:03:59.600
<v Speaker 1>many times you have gotten me through a day since

1:04:00.200 --> 1:04:03.360
<v Speaker 1>you know, in the past, since I think COVID pre COVID.

1:04:04.200 --> 1:04:06.840
<v Speaker 1>I just am delighted and honored to be on your

1:04:06.920 --> 1:04:09.000
<v Speaker 1>podcast and to be your friend.

1:04:09.440 --> 1:04:11.880
<v Speaker 3>Thank you, It's mutual. Thank you, Lessie.

1:04:13.960 --> 1:04:15.960
<v Speaker 2>Coming up next week on Off the Cup, I sit

1:04:16.040 --> 1:04:18.760
<v Speaker 2>down with the west Wings Janelle Maloney.

1:04:19.520 --> 1:04:21.960
<v Speaker 4>There's this crazy thing now where it feels like I'm

1:04:22.000 --> 1:04:24.720
<v Speaker 4>on a hit show that I did twenty five years ago.

1:04:25.680 --> 1:04:26.160
<v Speaker 3>It's great.

1:04:26.280 --> 1:04:27.080
<v Speaker 1>Everyone's so great.

1:04:27.120 --> 1:04:30.280
<v Speaker 4>The fans are great, many many, many of them were

1:04:30.320 --> 1:04:33.120
<v Speaker 4>not born when we started West Wing.

1:04:35.400 --> 1:04:37.840
<v Speaker 2>Off the Cup is a production of iHeart Podcasts as

1:04:37.880 --> 1:04:39.280
<v Speaker 2>part of the Reason Choice Network.

1:04:39.560 --> 1:04:41.680
<v Speaker 3>If you want more, check out the other Reason.

1:04:41.560 --> 1:04:45.640
<v Speaker 2>Choice podcasts, Politics with Jamel Hill and Native Land pod.

1:04:46.120 --> 1:04:48.680
<v Speaker 2>For Off the Cup, I'm your host, Si Cup. Editing

1:04:48.720 --> 1:04:52.040
<v Speaker 2>and sound design by Derek Clements. Our executive producers are

1:04:52.160 --> 1:04:55.920
<v Speaker 2>me Si Coup, Lauren Hanson, and Lindsay Hoffman. Rate and

1:04:55.960 --> 1:04:59.720
<v Speaker 2>review wherever you get your podcasts. Follow or subscribe for

1:04:59.800 --> 1:05:01.400
<v Speaker 2>new episodes every Wednesday.

1:05:03.680 --> 1:05:03.720
<v Speaker 4>H