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Speaker 1: See I am Rapports stereo podcast come in live and direct.

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Speaker 1: So on today's podcast, we got special guests my man

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Speaker 1: Jay Farrow, Saturday Night Live alum, the star of Showtimes

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Speaker 1: White famous that I'm the co star of the ship

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Speaker 1: is funny, great great show Yo season finale right season

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Speaker 1: finale is on Sunday this Sunday. Um And I love

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Speaker 1: this dude. I was a fan of his before I

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Speaker 1: started doing the show. More over, for he's one of

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Speaker 1: these dudes who exudes talent, like just he has a

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Speaker 1: plethory of talent um the only other people that have

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Speaker 1: the similar talent. I'm not saying he's at that level yet,

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Speaker 1: but just the talent Eddie Murphy, Jamie Fox, like when

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Speaker 1: they tell a story, they tell a story and you're

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Speaker 1: captivated just to why they were, Like they'll do the voices,

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Speaker 1: not if he's doing like even in a person. She

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Speaker 1: could just be like I was in a cab and

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Speaker 1: they'll be like the cab said blah blah blah blah blah.

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Speaker 1: The way he does, you know, just a plut three

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Speaker 1: of talent. So we got my man Jay Farrell. But

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Speaker 1: first me and g Moody are gonna do what we

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Speaker 1: do best. Talk that good Iron Rapp Reports stereo podcast

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Speaker 1: where the ship talking is free. Believe it or not.

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Speaker 1: The Holidays is just around the corner. Okay, it's coming up.

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Speaker 1: And while that means plenty of parties, gifts and spending,

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Speaker 1: now use the promo code rappaport. All right, so here

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Speaker 1: we go. We're in New York City. We're chilling. It's

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Speaker 1: got a little bricker since you've been here. Got a

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Speaker 1: little brick girl, since I got here. I was out

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Speaker 1: there today with my my little coffee um waiting for

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Speaker 1: a cab because I've given up on Uber. Done because

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Speaker 1: your account is messed up or whatever, go to lift

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Speaker 1: or whatever. I'm not waiting out there for twenty minutes, Duke,

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Speaker 1: I don't want to like yo where you at? I'm

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Speaker 1: right here. I tried with the Uber the other day

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Speaker 1: and the guy literally hit me with the where you at?

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Speaker 1: You know, my man GPS and all that. Don't hit

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Speaker 1: me with the where you at? Do speak to me

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Speaker 1: like an adult. I'm forty seven years old. Don't don't

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Speaker 1: talk that where you at? Shipped to me? Well, you

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Speaker 1: don't want that, but you talk that to everybody else.

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Speaker 1: You know. I'm not. I'm not. I'm I'm the customer,

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Speaker 1: and why are you asking me where are you at?

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Speaker 1: I sent you the address. The address is fifty nine

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Speaker 1: blah blah blah street. That's it. That's where I'm at.

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Speaker 1: You obviously ain't where I'm at. So you're done with them,

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Speaker 1: done with them? So you have that a lot, that

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Speaker 1: happens a lot, or you just like yo, yo, I'm

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Speaker 1: just and I just want to clarify one thing about

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Speaker 1: my uber rating. My uber rating is four and a

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Speaker 1: half stars Duke, because some people were saying, maybe maybe

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Speaker 1: they don't want to pick you up that four and

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Speaker 1: a half his week, it's four and a half out

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Speaker 1: of five. I got four or six eight, not Duke,

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Speaker 1: not Duke. I got four and a half. So it

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Speaker 1: ain't me. You're screaming that to drive is doing all

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Speaker 1: the suckers ship in the back. They're supposed to downgrade

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Speaker 1: Joe ass. That's why they're not coming to pick you up.

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Speaker 1: You talk too much ship. You always want the guy

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Speaker 1: you're cracking on, the guy in the back you're getting

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Speaker 1: in the car. I've seen you do this. You're like

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Speaker 1: like if it stinks, if it maybe it's just sniffing,

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Speaker 1: So they they they downgrade you you don't have to

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Speaker 1: do that. You can be polite and tell the guy

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Speaker 1: in his ear listen, man, you got some freshness. But no,

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Speaker 1: here you go, strong nose. You know if money, if

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Speaker 1: Money's car smells like ship. So and I've been in

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Speaker 1: there where I've offered them pieces of gum and they say, no,

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Speaker 1: thank you. They got a record of all this. Man,

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Speaker 1: No wonder you got down graded. So you're saying it's

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Speaker 1: me partly you clean up your act just to get

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Speaker 1: people up to speed. So the other day we iconically

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Speaker 1: and infamously we're dealing with my end table situation at

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Speaker 1: the Los Angeles gloom Tom. How did that work out?

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Speaker 1: They delivered the fucking table yesterday morning, and they went

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Speaker 1: so far out of their way to deliver the table.

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Speaker 1: When I first bought the table, they didn't deliver the ship.

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Speaker 1: I want to think the listeners of the I m

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Speaker 1: Rappaport Stereo podcast, because I know at least a handful

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Speaker 1: of you cold up the store and said where that table,

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Speaker 1: lad Duke, Well, the tables now in my house. And

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Speaker 1: as I said, this wasn't a put on. G Moody

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Speaker 1: saw me call the guy up and I said to

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Speaker 1: him my man, I've been polite. I saw it. I've

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Speaker 1: been patient. Now, where the fund is the table at?

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Speaker 1: Where's the table at? Once I said, where the fucking

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Speaker 1: table at? And I don't know if it was me

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Speaker 1: going where the table at or the listeners fans of

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Speaker 1: the Iron Rapports stereo podcast the wrapper pack pulling up.

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Speaker 1: But nonetheless it took four and a half months and

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Speaker 1: then it was repaired and delivered in less than twenty

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Speaker 1: four hours. Interesting, you're very interesting. You don't do it

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Speaker 1: for the buyer, like for the you you brought it in.

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Speaker 1: You don't do it for the consumer. But when the

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Speaker 1: consumer turns the flame up, then you get on your job.

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Speaker 1: Then you get on your job. And they went so

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Speaker 1: they called for the delivery. That's how the go ahead

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Speaker 1: go ahead. Then they called to confirm that I got

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Speaker 1: the delivery, and then God is my witness, they called

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Speaker 1: two hours later to make sure everything was all right,

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Speaker 1: and I said, yeah, everything's good, dude. Do that for everyone,

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Speaker 1: maybe your business would turn the corner. That's how you

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Speaker 1: do it. That's how you treat the customer. The customers

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Speaker 1: always right, the first tenant of business. He's the guy

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Speaker 1: spending it. Yo, I was at the bar Stool offices

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Speaker 1: the other day. Dave Portnoy is one of the first

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Speaker 1: people to order them. I had them shipped in my hand.

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Speaker 1: How did they feel? How did they look? They look

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Speaker 1: like shit. That that that's unbiased. They look like ship.

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Speaker 1: You remember how Steph Curry's joints came out and everybody

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Speaker 1: remember when he came out with the all white hospital shoes,

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Speaker 1: the bobos. Remember when he came out with with with

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Speaker 1: the Steph Curry underwarmer bobos and and social media dragged him. Okay,

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Speaker 1: but that's like after like his tenth shoe. If you

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Speaker 1: make that many shoes, eventually one of them is gonna

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Speaker 1: be whacked. Remember they dragged him. This is what these were.

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Speaker 1: They were all white hospital shoes, bobos skips. They have

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Speaker 1: this little compartment in the middle of the shoe that

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Speaker 1: you could literally hide money in. It's like a little indentation,

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Speaker 1: like a little safe space that you could hide money in.

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Speaker 1: The tongue of the sneaker feels like a piece of bologny.

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Speaker 1: And I'm not talking about that good slice bologna from

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Speaker 1: the Delhi. I'm talking about the the Myers in the package.

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Speaker 1: Now my eyes is good. Yeah, but I'm saying you

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Speaker 1: want Myers is good for bologny, not for a sneaker tongue, right,

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Speaker 1: And then you're hating. I'm hating or you're hating on

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Speaker 1: Black Business, your same motherfucker's with dragged Steph Curry sneakers.

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Speaker 1: I mean that's right, I'm hating Ship just trash. It's

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Speaker 1: the consumer can review the shoe. I reviewed the shot trash,

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Speaker 1: just trash. You might like them. You want to walk

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Speaker 1: around in all white bobos do that? This is your opinion.

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Speaker 1: This is just trash, trash. Who had him in your hand?

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Speaker 1: I had him in my hand. The only thing I

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Speaker 1: why didn't wear them because they didn't they wear in

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Speaker 1: my side. Ship was flimsy. Dude. Am I gonna be

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Speaker 1: like Alonso? Like Alonso? If I could be like miss

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Speaker 1: the foul shots and missed the fucking shots, you're gonna do?

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Speaker 1: I want to be like Alonso. And then they in

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Speaker 1: the commercial they show that funked up looking jump shot

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Speaker 1: like Alonso. If I could be like Alonzo, the Lakers

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Speaker 1: put in a band, you can no longer speak to

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Speaker 1: the guests of the players. Sorry, you gotta play better.

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Speaker 1: And then his Pops came out talking more ship. They

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Speaker 1: need to let him. Yo, Yo, Do you coach a

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Speaker 1: AU team with a stack team? Your son was the

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Speaker 1: best at the in high school. Your other sons were

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Speaker 1: the best. You're blowing team. One of the kids scored

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Speaker 1: ninety points, sixty points. This is an a a U.

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Speaker 1: Who are you playing against? If you're hitting the hunted,

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Speaker 1: You're not a coach, LaVar Ball, you're coaching AU. I'm

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Speaker 1: a a U kid, I'm I'm I'm a championship coach

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Speaker 1: and trust me, I didn't have any stars on my team.

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Speaker 1: My team was straight shit, a rag tag group of

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Speaker 1: twelve and thirteen year old and maybe a fourteen year old.

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Speaker 1: We won the chip. If I could do it, LaVar

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Speaker 1: can do it. It It ain't no big thing. But you

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Speaker 1: don't see me suggesting what the Nicks should do with

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Speaker 1: the coaching. Yeah. I might talk greasy about James Dolan

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Speaker 1: and on, but you don't see me saying they should

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Speaker 1: play this one and play that one. People people that

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Speaker 1: say that don't know what they're talking about. He's out

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Speaker 1: front with it, and they don't listen. When your son

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Speaker 1: winds up in Utah, don't say a word when he

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Speaker 1: winds up playing from Memphis. Don't say a word. You

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Speaker 1: did it to yourself. I hope the brother could come

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Speaker 1: out of the funk or whatever. It's not even a funk.

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Speaker 1: It's like, this is how it's going, you know what

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Speaker 1: I mean? Like, you need to reevaluate your game. Dude,

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Speaker 1: tell your pops to cool out. You tell him and

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Speaker 1: start having fun. Lonzo Bay, I have nothing against you.

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Speaker 1: You need to start having fun. It's basketball. You look

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Speaker 1: miserable out there. Smile a little bit. Yeah, you're in

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Speaker 1: the league. Get yourself some NOx ema. Fix your skin up.

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Speaker 1: You made your your dream has come true. Enjoy yourself. Duke.

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Speaker 1: Even Ben Simmons the the injury, God forbid. You don't

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Speaker 1: want anybody be injured. But the fact that he had

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Speaker 1: the year off because of the injury, people sort of

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Speaker 1: forget about you. Then you come back and they're like,

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Speaker 1: oh Ship, he is that good. Donovan Mitchell, in my opinion,

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Speaker 1: the second best rookie in this first games, Utah Jazz

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Speaker 1: Harlem born Spider Mitchell. No one was talking about him.

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Speaker 1: His game got the recognition. Oh ship, look at he

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Speaker 1: banged on someone. Oh should he scored forty one? Oh Ship?

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Speaker 1: He came out, he scored thirty one. People know who

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Speaker 1: Donovan mitchell is did the EBB and Flow, the organic process.

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Speaker 1: Oklahoma City is in trouble, Carmelo. I think this is

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Speaker 1: for Carmelo. It's karma why you are on a team

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Speaker 1: with Russell Westbrook. So basically it's like Russell Westbrook is

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Speaker 1: saying to Uh Carmelo, I'm you like you were in

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Speaker 1: the Knicks. I shoot the ball, you don't get any shots,

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Speaker 1: and you have to accept it. I'm the alpha dog.

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Speaker 1: You came to my team, so I'm you on my team.

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Speaker 1: Now stand in the corner and I may or may

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Speaker 1: not pass. Exactly. Karma for Karmelo. Great, great, That's why

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Speaker 1: the man is the three time podcast co host of

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Speaker 1: the Year. Russell Westbrook doesn't defer to anybody. And I

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Speaker 1: saw Isaiah Thomas and then the other day they were like,

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Speaker 1: we need to finally stop saying how Russell needs to

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Speaker 1: play with these guys, and these guys Paul George Carmelo included,

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Speaker 1: need to figure out how to play with Russell Westbrook.

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Speaker 1: I don't know. Obviously, Russell Westbrook is better than Paul

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Speaker 1: George and and Carmelo is still very good, but he's

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Speaker 1: not in his prime, prime prime. This is not gonna

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Speaker 1: work out, dude. They're gonna be very competitive in the playoffs.

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Speaker 1: But yo, these guys their entire lives have been the

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Speaker 1: best players on the teams. Now they could say, well

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Speaker 1: in the Olympics, the Olympics don't counts. That don't count.

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Speaker 1: He's over there like yo, He's like over there like yo.

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Speaker 1: Now you know how it feels. You know how it feels.

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Speaker 1: Now you know how it feels, Carmel, Now you know

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Speaker 1: why you were scrutinous. I'm not passing you the ball

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Speaker 1: until until you're my You're my last option. Right when

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Speaker 1: I'm I'm coming down from a jump pass right, and

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Speaker 1: then I tried to drive that didn't work. I went

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Speaker 1: to shoot a jump shot that didn't work. And now

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Speaker 1: I'm coming down in mid air. You happen to be open,

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Speaker 1: or maybe Steven Adams happens to be open, or someone

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Speaker 1: else has to happen to be open. So instead of

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Speaker 1: getting a double tribble, I'm passing. And wherever you are,

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Speaker 1: the clock is that too. You gotta shoot shooting? Now

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Speaker 1: you know how Jeremy Lynn felt or who who else?

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Speaker 1: Chris stop. Everybody that was there, the Ples three of Nicks,

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Speaker 1: you are them? I fun with you, Mellow, but this

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Speaker 1: is Carmau for car Mellow. Jay Farrell? What up, my man?

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Speaker 1: What up? How are you feeling? Man? I'm good. I'm good.

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Speaker 1: I'm on the I'm on set right now. But you

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Speaker 1: know everything's going good and slowly? How do you know

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Speaker 1: what's up with you? Rapport? I'm here man, I'm hyped up. Man,

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Speaker 1: I'm hyped up about this finality to the show. Um

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Speaker 1: hype that you're on the Iron Rapp Report stereo podcast.

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Speaker 1: And how you feeling? How are you feeling about the show?

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Speaker 1: You're excited about the show? I mean it's been the

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Speaker 1: people are loving it. It's catching fire. And we got

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Speaker 1: the season finale, season one and I say season one

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Speaker 1: because we ain't done. How's the response being on your end? No,

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Speaker 1: it's been great man. You know it's been great, and

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Speaker 1: you know, thanks to you know, thanks uh you know

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Speaker 1: the people binge watching it. And of course you know

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Speaker 1: Charlemagne the guy shout out to him for you know,

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Speaker 1: giving a show a shout out. You know he watches

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Speaker 1: the avon Lee. So you know, I feel good about it, man,

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Speaker 1: it's uh, yeah, it's good, like but you know, you

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Speaker 1: gotta you gotta watch it. You gotta you gotta sit

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Speaker 1: and you gotta watch it. I mean, you gotta follow

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Speaker 1: the story and you gotta keep up to it. But

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Speaker 1: we've been building dogs, so it's great. Yeah, I'm loving it.

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Speaker 1: And and the the Obama sex tape thing. You know,

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Speaker 1: it's like I love being on Showtime, but I wish

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Speaker 1: everybody had Showtime because I love this fucking show so

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Speaker 1: much and it was just so much fun to do.

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Speaker 1: And it was just you know, like we never wanted

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Speaker 1: to leave, Like I know, I at least I know

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Speaker 1: I never wanted to leave. You might wanted to do

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Speaker 1: Get the funk out of here. It's crazy, motherfucker. I

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Speaker 1: always saying the F word and ship you all out

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Speaker 1: of head? How did you? I'm not gonna keep you

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Speaker 1: on because what do you want? Setup Right now, I'm

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Speaker 1: doing two minutes of thing. Mikat Williams, Kicky Palmer, Um,

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Speaker 1: you know, math Oaks man. So you know, I think

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Speaker 1: you see your flies like there's a you know, there's

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Speaker 1: a lot just just hilarious. Like there's a lot of

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Speaker 1: people in this ship man. So it's it's dope and

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Speaker 1: we're having fun like it's it's fun. Also, shout out

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Speaker 1: to Um, Shout out to Ron g He's in it too,

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Speaker 1: and Tony Roberts and a whole bunch of other comedians. Earthquake.

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Speaker 1: I think he's gonna stop doing do it? Man? Has

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Speaker 1: Cat Williams ever heard you do Cat Williams? Yeah? He has?

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Speaker 1: Who has? What was his response, like, if you were

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Speaker 1: doing Cat Williams responding to you Jay Farrell doing Cat Williams?

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Speaker 1: What did he take to it? Kindly? Because Cat's a

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Speaker 1: little temperamental. Now, Cat was fine with it. He said,

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Speaker 1: you're my favorite. Boo boo, you my favorite's father. It

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Speaker 1: goes you know, I've been watching. I think it's amazing.

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Speaker 1: It's phenomenal, Like it ain't. He was cool with It's phenomenal,

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Speaker 1: bubo like he's fine. Yeah, Cat's a cool dude. I

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Speaker 1: didn't know. I've never met him, so I didn't know

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Speaker 1: what to expect, but yeah, he cool dude. Jo Yo,

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Speaker 1: how did you wind up getting white famous? How did

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Speaker 1: that come to you? Because when you left Saturday and

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Speaker 1: Live there's I'm sure a ton of shit that you

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Speaker 1: had being thrown at you ideas, opportunities similar to sort

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Speaker 1: of like, you know, there's must have been a sort

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Speaker 1: of like a deja vu to the character in the show,

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Speaker 1: because you're like this hot comedian. You're off this hot show.

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Speaker 1: You know what's next? Because when I came there, you

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Speaker 1: guys had already shot the polo, Like how did it

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Speaker 1: all come about? And the whole Jamie Fox of it all? Well,

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Speaker 1: you know I had over the summer. You know, I

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Speaker 1: got sent the script and I loved the concept and

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Speaker 1: the idea, and you know, I realized Jamie Fox was

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Speaker 1: actually producing it. Uh So you know I went in

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Speaker 1: there audition, got it, and you know, basically that's it,

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Speaker 1: and you know, um, I became Floyd Mooney? Was it

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Speaker 1: bugged out for you to audition? Because you reach a

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Speaker 1: certain level of stardom fame quickly, like once you do

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Speaker 1: an episode of Saturday Live your first year, once you

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Speaker 1: do your first skit, not the whole world, but a

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Speaker 1: lot of the world knows who you are, and then

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Speaker 1: you know and then like because I I can't stand audition,

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Speaker 1: like I've always been kind of good at it, like

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Speaker 1: and it's like a separate skill people don't understand, like

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Speaker 1: getting jobs, and being a good auditioner is like a

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Speaker 1: separate skill from actually being a good actor. Oh, definitely, definitely, definitely. Um,

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Speaker 1: I mean, I know how it feels. I know what

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Speaker 1: you're saying. No, you get to a certain point you're like, man,

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Speaker 1: I got an audition, but also serious, I'm I'm straight,

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Speaker 1: I'm still I still be going on aution like that,

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Speaker 1: So it ain't you know what I mean Into that regard,

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Speaker 1: It's not like man, I was like, oh, I got

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Speaker 1: an audition for this, I'm too big for this. It

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Speaker 1: was like, nah, I was like, I hope, I hope

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Speaker 1: all my training over the years will transcend onto uh,

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Speaker 1: into the audition. Hopefully I get some work. But ain't

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Speaker 1: nothing better than a fucking awful That's nothing, nothing better

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Speaker 1: go because you get the little power in your hands,

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Speaker 1: like okay, they want me. You have some leverage, you know,

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Speaker 1: because there's there's nothing worse than going in from an

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Speaker 1: audition and the two three three days week, two weeks

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Speaker 1: to find out if you got something or didn't get

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Speaker 1: something that you actually want right right, or you walking

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Speaker 1: into an audition and you're seeing like Gerald Carmichael leave

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Speaker 1: and you're saying, uh, you're seeing Chadwick Bosman leave and

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Speaker 1: You're just like, what god thing, is there any other

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Speaker 1: any other young black they're gonna get for this? So

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Speaker 1: they just need they don't even need nobody. They don't

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Speaker 1: need nobody specifically, They just need young black. That's what

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Speaker 1: they need. Okay, I get you, I understand this. I'm

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Speaker 1: surprised you had to audition because the part, you know

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Speaker 1: obviously is they wrote the scripts, they started customizing it

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Speaker 1: to what you do. But I'm surprised you you had

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Speaker 1: to audition because like when I when I read it

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Speaker 1: and when I you know, saw it in like the

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Speaker 1: Jamie Fox because like I said this earlier, and I

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Speaker 1: keep this a hundred with you and I'm not kissing

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Speaker 1: your ass or whatever, but like in my opinion, there's

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Speaker 1: three people that I've been around that have immense talent.

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Speaker 1: Now I don't want you to be you know, you know,

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Speaker 1: but the three people that I have like immense talent

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Speaker 1: and like and I know you know these are your

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Speaker 1: guys too. But like I've worked with Eddie Murphy. I've

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Speaker 1: never worked with Jamie Fox, but I've been around him,

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Speaker 1: hang out with him, and I got to work with

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Speaker 1: you and and the similar thing that you guys have

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Speaker 1: is just this talent, you know, just this immense talent,

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Speaker 1: like you know, the way you tell a story, the impersonation.

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Speaker 1: Just it's like it's like true talent. Like some people

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Speaker 1: are good actors, some people have hustled their way in,

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Speaker 1: some people are good looking, you know, some women are beautiful.

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Speaker 1: But like that talent you have is crazy. So I'm

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Speaker 1: surprised you even had to audition. Yeah. Look, Michael, it's

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Speaker 1: just sad. A lot you would be like, yeah, man,

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Speaker 1: well you know, well you're not cute. You know what

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Speaker 1: I'm saying. You ain't really appelate to the app but

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Speaker 1: you know, you talent as fun. So you know, I

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Speaker 1: understand why you got that. You look like ship man.

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Speaker 1: So thank god you talent, because you look funked up.

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Speaker 1: Your breath is fucked up, your teeth the crooked and

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Speaker 1: all that ship crook, and I got bunions, you know

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Speaker 1: what I'm saying. Fuck Yeah, I mean you know I

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Speaker 1: can't I can't mind endurance. Well mine is pretty dope

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Speaker 1: because I run. I'm not even lied about that. But

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Speaker 1: everything else that you said it is true. Uh you know,

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Speaker 1: I'm trash in the face. Uh, you know, so out

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Speaker 1: of all the people, so I asked you about cal Williams,

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Speaker 1: out of all the people, you impersonated. Uh. And you

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Speaker 1: do impressions up through Saturday Live and now you know

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Speaker 1: the most bugged out Obama impression ever on episode nine

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Speaker 1: of White Famous Ever. It's one of the most bugged

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Speaker 1: out things you'll ever see. Who have you come across

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Speaker 1: that you've met? Uh? And you know that you've impersonated,

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Speaker 1: like have you met Denzel? Have you met? Have you

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Speaker 1: met jay Z? Who? Who have you come across? The

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Speaker 1: you met? I have met everybody but Denzel I met

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Speaker 1: jay Z? Was response. He was like, yeah, that's pretty good. Yeah,

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Speaker 1: he starts laughing. He said it's pretty good. Uh, Will Smith,

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Speaker 1: you don't sound like Mary. I don't think I sound

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Speaker 1: like him, even though we got authentical of Vocal Cords,

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Speaker 1: which is which is pretty cool. Uh. Jamie Foxx, Jamie

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Speaker 1: Foxx loves it. The only part I haven't met this

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Speaker 1: sale and the person that that I had that didn't

400
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Speaker 1: like it was Shannon Sharp. He hates that ship. It's fine.

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Speaker 1: Though it's fine. I get it. I understand why I

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Speaker 1: get it. The impression. I guess it's not flattering. I mean,

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Speaker 1: because I I can't believe you know a thing about everything. Michael,

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Speaker 1: Michael Grappa pull need to get a throne tolled and

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Speaker 1: it needs to be on television talking about both because

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Speaker 1: that man go viral every time it does. The video

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Speaker 1: every time. I think, I think, let them Michael rap Bloard.

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00:22:29,200 --> 00:22:31,399
Speaker 1: I think you are a world thought hip hop moving

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Speaker 1: I think tort video that that is an accomplishment that

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Speaker 1: in the comment you know what you need? You need

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Speaker 1: a BT Award to be a b T award, just

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Speaker 1: because I believe if I feel your skin back, you

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Speaker 1: would be black a period skin back. You're just gonna

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Speaker 1: geta That's what's gonna happen. Have you have you ever

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Speaker 1: met Eddie Murphy? I have met Eddie and that like

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Speaker 1: your dude, Like, you know what, I didn't say. I

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Speaker 1: didn't say this in response to what you was saying.

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Speaker 1: We started riffing. But I appreciate that. I appreciate you.

419
00:23:02,200 --> 00:23:04,639
Speaker 1: You know, it's it's high. It's a high honor to

420
00:23:04,720 --> 00:23:07,919
Speaker 1: even be mentioned with Jamie Foxx and Eddie Murphy. Man,

421
00:23:07,960 --> 00:23:10,760
Speaker 1: So I mean, I really appreciate that. It's true. Man,

422
00:23:10,840 --> 00:23:12,240
Speaker 1: I've said it to other people. And I wanted to

423
00:23:12,240 --> 00:23:14,520
Speaker 1: say it to you because just like that talent, you

424
00:23:14,600 --> 00:23:16,800
Speaker 1: know what I mean, Like everybody has their own little ship,

425
00:23:16,880 --> 00:23:19,640
Speaker 1: but like other people know like this motherfucker's on some ship.

426
00:23:20,119 --> 00:23:22,000
Speaker 1: But so so when you met Eddie, because you've done

427
00:23:22,080 --> 00:23:24,840
Speaker 1: Eddie like you know, like you came from side of life.

428
00:23:24,840 --> 00:23:26,960
Speaker 1: What is he like? What is what is like? Meeting him?

429
00:23:26,960 --> 00:23:30,280
Speaker 1: Like he was you know what. Eddie Murphy was cool,

430
00:23:30,440 --> 00:23:32,800
Speaker 1: laid bad. You know. I actually met him at the

431
00:23:32,920 --> 00:23:36,080
Speaker 1: SNL forty if it was it was me. I was

432
00:23:36,119 --> 00:23:40,239
Speaker 1: standing beside Louis c K before everything popped off, and um,

433
00:23:40,960 --> 00:23:43,040
Speaker 1: you know, he was like, Yo, this is Ed and

434
00:23:43,160 --> 00:23:44,960
Speaker 1: he was I was like, I saw Eddie Murphy. I

435
00:23:44,960 --> 00:23:46,480
Speaker 1: was like, yo, it's at edge. He was like, yeah,

436
00:23:46,520 --> 00:23:48,359
Speaker 1: that's Ed right there. He was like you want to

437
00:23:48,359 --> 00:23:50,200
Speaker 1: meet him? I said yeah. So he took me over

438
00:23:50,240 --> 00:23:52,639
Speaker 1: there to meet Eddie and he was like this is

439
00:23:52,720 --> 00:23:54,840
Speaker 1: Jay Ferry's a big fan of yours and here he

440
00:23:54,960 --> 00:23:57,880
Speaker 1: is and he just walks away and Eddie Murphy was like, oh, yeah,

441
00:23:58,000 --> 00:24:00,879
Speaker 1: j exactly what you are. Listen know we watched me

442
00:24:00,920 --> 00:24:04,080
Speaker 1: and Senio we watch your video. Was very talented, very funny,

443
00:24:04,320 --> 00:24:06,040
Speaker 1: you know, keep up the good work, young man. He

444
00:24:06,080 --> 00:24:09,000
Speaker 1: calls me young man. It's like I like I turned

445
00:24:09,040 --> 00:24:10,960
Speaker 1: the Menican when he said that, when he when he

446
00:24:11,040 --> 00:24:12,239
Speaker 1: just said all that, I was like, oh my dad,

447
00:24:12,320 --> 00:24:15,000
Speaker 1: I learn in the money, Eleni, I neverything about you,

448
00:24:15,000 --> 00:24:17,720
Speaker 1: you know, because you can't understand what Dominicans say half time.

449
00:24:17,840 --> 00:24:21,320
Speaker 1: Sounds like they like to have a sinus, a sinus infection.

450
00:24:21,359 --> 00:24:23,320
Speaker 1: Oh my dang, oh my dang. I don't even leave me.

451
00:24:23,400 --> 00:24:24,960
Speaker 1: I might got me in the muffy. I love you.

452
00:24:25,280 --> 00:24:31,080
Speaker 1: I let anythink about he walked away. By that point,

453
00:24:31,400 --> 00:24:33,439
Speaker 1: were you like having an outer body experience that he

454
00:24:33,480 --> 00:24:36,560
Speaker 1: even knew that you were breathing on the earth. Fuck? Yeah, man,

455
00:24:36,680 --> 00:24:40,400
Speaker 1: that's my idol, like the guy, that's my idol. And

456
00:24:40,560 --> 00:24:42,440
Speaker 1: it doesn't It don't help the fact that people have

457
00:24:42,560 --> 00:24:44,960
Speaker 1: pretty much told me I looked like him. I look

458
00:24:45,040 --> 00:24:48,200
Speaker 1: like him and remind them of him my whole damn life.

459
00:24:48,200 --> 00:24:51,399
Speaker 1: So I'm just like man, that guy. Man, he was cool.

460
00:24:51,480 --> 00:24:53,760
Speaker 1: He was cool and Nashley. Now it's like a family

461
00:24:53,840 --> 00:24:56,600
Speaker 1: thing because you know, Charlie Murphy's brother. He used to

462
00:24:56,680 --> 00:24:59,120
Speaker 1: take me on a role within him. Um, back when

463
00:24:59,160 --> 00:25:03,040
Speaker 1: I was nineteen and um, you know, and and and fund.

464
00:25:03,320 --> 00:25:07,520
Speaker 1: Another fact, when Charlie Murphy passed away Rest in peace, toy. Um,

465
00:25:07,560 --> 00:25:10,000
Speaker 1: I was actually on my way to headline for the

466
00:25:10,040 --> 00:25:12,920
Speaker 1: weekend the same club, the first club he actually took

467
00:25:12,960 --> 00:25:16,920
Speaker 1: me to. So it's really emotional. So that's family, that's dude.

468
00:25:16,960 --> 00:25:19,360
Speaker 1: The Murphy's a family. Like I'm cool with Eddie's son,

469
00:25:19,480 --> 00:25:21,080
Speaker 1: you know what I mean, Like we we hang out,

470
00:25:21,119 --> 00:25:24,240
Speaker 1: we chill like you know. Um, So it's just a

471
00:25:24,400 --> 00:25:25,960
Speaker 1: it's it's like a family thing that it was like

472
00:25:26,040 --> 00:25:28,480
Speaker 1: meeting my long lost uncle, you know what I'm saying.

473
00:25:28,960 --> 00:25:31,199
Speaker 1: That's really how it felt. Man. And um, you know,

474
00:25:31,280 --> 00:25:35,000
Speaker 1: I just I just hope to do everybody proud in

475
00:25:35,119 --> 00:25:37,399
Speaker 1: justice that really does believe in me, man. And I

476
00:25:37,440 --> 00:25:40,240
Speaker 1: know Jamie Fox, Jimmie Fox definitely believes in me. You

477
00:25:40,359 --> 00:25:44,080
Speaker 1: believe in me. I appreciate that, you know. Um, eighty

478
00:25:44,160 --> 00:25:45,800
Speaker 1: five percent of the world believes. I mean, the other

479
00:25:46,359 --> 00:25:50,200
Speaker 1: center on Twitter, and they fucking can suck a thick

480
00:25:49,840 --> 00:25:55,199
Speaker 1: on Twitter, man, because if they were in front of you,

481
00:25:55,240 --> 00:25:59,880
Speaker 1: they'd be asking for a selfie, asking you to exact

482
00:26:00,119 --> 00:26:02,399
Speaker 1: lee or asking me or asking me why am I

483
00:26:02,480 --> 00:26:04,800
Speaker 1: so tall? I thought you were shorter as I fetch.

484
00:26:04,840 --> 00:26:06,880
Speaker 1: I bet you dead thing, I will shoulder. But guess what,

485
00:26:07,080 --> 00:26:09,400
Speaker 1: I'm six ft two and I work out that means

486
00:26:09,400 --> 00:26:11,639
Speaker 1: I have been dorits. So if we get to the hands,

487
00:26:11,880 --> 00:26:15,119
Speaker 1: I can fock you up. He's motherfucker's I feel like

488
00:26:15,200 --> 00:26:18,800
Speaker 1: Charlie Murphy. You know, obviously he got his dude doing

489
00:26:18,800 --> 00:26:21,960
Speaker 1: the great stuff on the Chapelle Show. Talk about him

490
00:26:21,960 --> 00:26:24,520
Speaker 1: as a comedian and him as a personality, because he

491
00:26:24,640 --> 00:26:27,040
Speaker 1: was a funny. First of all, he was one of

492
00:26:27,040 --> 00:26:30,639
Speaker 1: the nicest people and the characters that he portrayed on

493
00:26:30,760 --> 00:26:33,159
Speaker 1: Chappelle and all, like he always played mean motherfucker's he

494
00:26:33,240 --> 00:26:36,120
Speaker 1: got that stern and that deep fucking voice. Talk about

495
00:26:36,200 --> 00:26:39,960
Speaker 1: Charlie Murphy as a talent, Charlie murder You want me

496
00:26:40,040 --> 00:26:41,320
Speaker 1: to do it, ask him or you want me to

497
00:26:41,359 --> 00:26:46,840
Speaker 1: just talk about just speaking either. Look, man, Charlie Murphy,

498
00:26:47,080 --> 00:26:50,280
Speaker 1: Charlie Murphy, even though he always came off and these

499
00:26:50,320 --> 00:26:53,639
Speaker 1: hard roles, because you know that's where Charlie was from.

500
00:26:54,160 --> 00:26:57,000
Speaker 1: Like Charlie got locked up. Charlie has been in jail,

501
00:26:57,080 --> 00:26:59,120
Speaker 1: He's been in the ship like he used to be.

502
00:26:59,320 --> 00:27:02,320
Speaker 1: He used to be right. But the thing niggers don't

503
00:27:02,400 --> 00:27:06,840
Speaker 1: understand it is. Yet Chalie Murphy isn't nice, motherfucking man.

504
00:27:06,880 --> 00:27:09,600
Speaker 1: He's genuine man. You know what I'm saying. If he

505
00:27:09,680 --> 00:27:11,920
Speaker 1: fucks with you, he fucks with you. It's not a

506
00:27:12,000 --> 00:27:14,520
Speaker 1: lot of people that Charlie Murphy don't funk with. You know,

507
00:27:14,840 --> 00:27:17,560
Speaker 1: you got really pissed Chalie Murphy, the funk wolf man

508
00:27:17,760 --> 00:27:19,840
Speaker 1: for him to be like, I don't funk with you, nigga,

509
00:27:20,160 --> 00:27:22,440
Speaker 1: if you come back again, I'm gonna kick you down

510
00:27:22,440 --> 00:27:24,600
Speaker 1: a flight of steps and I'm gonna go down the

511
00:27:24,680 --> 00:27:26,680
Speaker 1: flight of steps at the end of the bottom and

512
00:27:26,720 --> 00:27:30,199
Speaker 1: I'm gonna start mother holes stomping your face until the

513
00:27:30,280 --> 00:27:33,360
Speaker 1: side of your cheek has temperlant on it and it's

514
00:27:33,520 --> 00:27:37,719
Speaker 1: your mouth smells like shoot pology, nigga. You know what

515
00:27:37,720 --> 00:27:41,119
Speaker 1: I'm saying. He was a genuine dude man. He's helped

516
00:27:41,160 --> 00:27:43,919
Speaker 1: out a lot. He's helped out a lot of comedians.

517
00:27:43,960 --> 00:27:47,640
Speaker 1: But just like me as being that young, young, hot

518
00:27:47,680 --> 00:27:51,200
Speaker 1: comment from Virginia that didn't have any any outlet, didn't

519
00:27:51,240 --> 00:27:54,800
Speaker 1: have anybody willing to to, uh, really take a chance

520
00:27:54,840 --> 00:27:56,520
Speaker 1: on me or give me a shot. Man, he was

521
00:27:56,840 --> 00:27:58,639
Speaker 1: you know, he was that dude man, and you know,

522
00:27:58,840 --> 00:28:02,440
Speaker 1: genuine to the end, and we need more people like him. Seriously,

523
00:28:02,640 --> 00:28:05,080
Speaker 1: there was more people like Charlie Murphy, and I feel

524
00:28:05,119 --> 00:28:07,120
Speaker 1: like more people would be in the industry. You feel

525
00:28:07,160 --> 00:28:09,520
Speaker 1: me like what I'm trying to do. I'm trying to

526
00:28:09,520 --> 00:28:11,119
Speaker 1: do as a comedian. I mean, I know, and I

527
00:28:11,200 --> 00:28:14,520
Speaker 1: know I'm still young, but you know, if there's somebody

528
00:28:14,560 --> 00:28:16,919
Speaker 1: I see out there that's talented and midsty talented, man,

529
00:28:16,960 --> 00:28:19,040
Speaker 1: I'm like, yo, why not take them on the road,

530
00:28:19,119 --> 00:28:21,280
Speaker 1: Let them open up, let them get a spot, let

531
00:28:21,280 --> 00:28:24,159
Speaker 1: the let your audience see that person. Because at the

532
00:28:24,280 --> 00:28:27,040
Speaker 1: end of the day, when you when you got your

533
00:28:27,080 --> 00:28:29,840
Speaker 1: client and success and everything, when that person starts popping

534
00:28:30,200 --> 00:28:32,400
Speaker 1: or whatever happens, they'll pull you in and they'll work

535
00:28:32,440 --> 00:28:34,240
Speaker 1: with you as well, you know what I'm saying. Or

536
00:28:34,280 --> 00:28:37,480
Speaker 1: if they write a book or something, they can always um,

537
00:28:37,600 --> 00:28:39,440
Speaker 1: they can always go back to that moment and say,

538
00:28:39,480 --> 00:28:41,600
Speaker 1: you know what such and such game in my break,

539
00:28:41,680 --> 00:28:44,120
Speaker 1: such and such told me out and I'm forever grateful,

540
00:28:44,160 --> 00:28:49,200
Speaker 1: And that goes a long way in people's eyes. That's dope. Um.

541
00:28:49,200 --> 00:28:51,640
Speaker 1: At all the people that hosted Saturhead Live during your

542
00:28:51,640 --> 00:28:55,120
Speaker 1: tenure there, who were the most impressive, most talented people

543
00:28:55,160 --> 00:28:58,720
Speaker 1: like who are the three people that we're like guest

544
00:28:58,760 --> 00:29:01,120
Speaker 1: hosts that you were like this fucking guys Like I

545
00:29:01,160 --> 00:29:02,920
Speaker 1: could see why he's hosting this show. I can see

546
00:29:02,920 --> 00:29:05,840
Speaker 1: why this guy is, you know, like in that position

547
00:29:06,360 --> 00:29:14,200
Speaker 1: Kerry Washington one, Drake to and and Hathaway three? Why

548
00:29:14,320 --> 00:29:16,560
Speaker 1: those what I mean, like, what what was it about?

549
00:29:16,560 --> 00:29:18,800
Speaker 1: Like Drake? Well, I mean, I gotta be honest. As

550
00:29:18,880 --> 00:29:21,800
Speaker 1: much as I like to break his balls, he I

551
00:29:21,840 --> 00:29:25,040
Speaker 1: think he he's a good actor, like and I think

552
00:29:25,040 --> 00:29:27,560
Speaker 1: he's got a good sense of humor. Here's the thing.

553
00:29:27,760 --> 00:29:29,880
Speaker 1: Here's the thing though Drake is Um, Drake is a

554
00:29:29,960 --> 00:29:33,400
Speaker 1: multi He's a multitalent. Not only does he do music,

555
00:29:33,440 --> 00:29:35,800
Speaker 1: not only could he act, but you know, he's funny,

556
00:29:36,120 --> 00:29:37,960
Speaker 1: you know what I mean, he's I think he's I

557
00:29:38,000 --> 00:29:40,480
Speaker 1: think he's good. He knows how to take material that

558
00:29:40,560 --> 00:29:42,960
Speaker 1: you've written, and he knows how to sell. He knows

559
00:29:42,960 --> 00:29:45,200
Speaker 1: how to sell material like a lot of folks don't.

560
00:29:45,280 --> 00:29:47,360
Speaker 1: A lot of folks will get on and they won't know,

561
00:29:48,160 --> 00:29:50,760
Speaker 1: um you know, they will just they'll be lost. But

562
00:29:50,840 --> 00:29:52,760
Speaker 1: you know he's from like he did the Grassy and

563
00:29:52,800 --> 00:29:54,600
Speaker 1: all of that, and he does what do you think

564
00:29:54,600 --> 00:29:56,600
Speaker 1: about his music though you like his music, you know,

565
00:29:56,760 --> 00:30:00,480
Speaker 1: I think he's dope lyricist. To me, the thing about

566
00:30:00,520 --> 00:30:04,280
Speaker 1: Drake's music, it's his fucking voice. Just just me, like

567
00:30:04,320 --> 00:30:07,600
Speaker 1: I know his talent and like he's he makes good songs,

568
00:30:07,680 --> 00:30:09,680
Speaker 1: melodies and all that. Ship. I would never say he's

569
00:30:09,720 --> 00:30:12,880
Speaker 1: not dope. He's definitely dope. But it's just like sometimes

570
00:30:12,920 --> 00:30:14,880
Speaker 1: like you know, he's like almost like a hip hop

571
00:30:14,920 --> 00:30:17,520
Speaker 1: Albi Shure, Like you know, he does his ship for

572
00:30:17,560 --> 00:30:19,440
Speaker 1: the chicks. You know what I'm saying, Like, and that's dope,

573
00:30:19,440 --> 00:30:21,720
Speaker 1: And like I funk with Albi Shure, so I can't.

574
00:30:21,720 --> 00:30:23,560
Speaker 1: I can't shoot on Drake. I funk with Drake like

575
00:30:23,600 --> 00:30:27,440
Speaker 1: he's he's official. But if he sounded like this, yeah, hey,

576
00:30:27,480 --> 00:30:32,640
Speaker 1: I'm Drake, like you would love this, Like if he

577
00:30:32,800 --> 00:30:36,120
Speaker 1: sounded like this, oh my god, I'm Drake, it's amazing.

578
00:30:36,960 --> 00:30:41,160
Speaker 1: No I meant Drake's voices, I don't. Oh yeah yeah yeah,

579
00:30:41,240 --> 00:30:43,800
Speaker 1: Like you gotta get used, you gotta get used to it.

580
00:30:43,800 --> 00:30:47,160
Speaker 1: It's like Drake is like he's always like he's always

581
00:30:47,200 --> 00:30:49,680
Speaker 1: in a in a sinus infection like live there, like

582
00:30:49,760 --> 00:30:51,360
Speaker 1: that's just where he's at. You know what I'm saying

583
00:30:51,360 --> 00:30:53,920
Speaker 1: that you can't like but it's it's, but it's he

584
00:30:54,000 --> 00:30:56,520
Speaker 1: switches it off. He's an impresident man. He ses up

585
00:30:56,560 --> 00:30:59,920
Speaker 1: his voice so damn much, his motherfucking and sounded Jamaica.

586
00:31:00,400 --> 00:31:02,800
Speaker 1: He just sounded like he was from Houston. He just

587
00:31:02,880 --> 00:31:05,320
Speaker 1: sunled like he's from Canada. This motherfucker that sounded like

588
00:31:05,360 --> 00:31:07,920
Speaker 1: he was from Cali. I said, ship, what's next? What's

589
00:31:07,960 --> 00:31:10,480
Speaker 1: Nick gonna sound Asian or something like that? When Drake

590
00:31:10,560 --> 00:31:15,200
Speaker 1: starts saying, oh, yes, you'd be like, you need to stop.

591
00:31:15,240 --> 00:31:18,760
Speaker 1: You need right he is he is like an impressionist.

592
00:31:18,960 --> 00:31:21,080
Speaker 1: He's a talented motherfucker too. Now I'm not gonna say

593
00:31:21,120 --> 00:31:24,160
Speaker 1: he's in the the Jamie Fox, j Fire, Eddie Murphy category,

594
00:31:24,240 --> 00:31:28,680
Speaker 1: but he's a talented motherfucker. Yeah. Yeah. He has the

595
00:31:28,720 --> 00:31:32,360
Speaker 1: capability to take material and sell it. And that's something

596
00:31:32,440 --> 00:31:34,960
Speaker 1: that that's a that's a real good skill to have.

597
00:31:35,520 --> 00:31:37,280
Speaker 1: If people can't write for you, you you ain't gonna be

598
00:31:37,320 --> 00:31:39,360
Speaker 1: able to You know, people can't write for you, then

599
00:31:39,760 --> 00:31:42,959
Speaker 1: you know you're pretty much toast because you know, you know, yeah,

600
00:31:43,000 --> 00:31:46,360
Speaker 1: they can't write for you unless you can go yourself exactly.

601
00:31:47,120 --> 00:31:49,600
Speaker 1: Now now tell me this. I want you to clarify

602
00:31:49,720 --> 00:31:54,280
Speaker 1: the myth, because the myth is that why did you

603
00:31:54,360 --> 00:31:56,440
Speaker 1: leave Saturday and eight Live. I want you to explain

604
00:31:56,480 --> 00:31:57,600
Speaker 1: it to me once and for you don't have to

605
00:31:57,600 --> 00:31:59,880
Speaker 1: give me the long version, just give me like, so,

606
00:32:00,040 --> 00:32:02,440
Speaker 1: people like he got fired, he didn't get fired. You

607
00:32:02,560 --> 00:32:05,600
Speaker 1: said you didn't get fired. Clarified what the funk happened?

608
00:32:05,600 --> 00:32:09,200
Speaker 1: Why you were left Saturda Night Live. I mean it

609
00:32:09,320 --> 00:32:12,160
Speaker 1: was Mike, it was that time that it was that

610
00:32:12,200 --> 00:32:14,680
Speaker 1: time to go. What I'm saying, it was just you know,

611
00:32:14,720 --> 00:32:16,920
Speaker 1: I had you know, I converted to Will Ferrell. I

612
00:32:17,000 --> 00:32:18,920
Speaker 1: talked to him. I was like, Yo, when do you know?

613
00:32:19,000 --> 00:32:21,360
Speaker 1: He said, you you'll know when it's time to go,

614
00:32:21,480 --> 00:32:23,320
Speaker 1: You'll just feel it. It was just that it was

615
00:32:23,360 --> 00:32:25,920
Speaker 1: just that time to move on to something that you know,

616
00:32:26,040 --> 00:32:29,680
Speaker 1: could could show all of my talents in full spectrum,

617
00:32:29,760 --> 00:32:32,640
Speaker 1: you feel me? And um, I was looking. I was

618
00:32:32,680 --> 00:32:35,160
Speaker 1: just looking for a project that that kind of just

619
00:32:35,320 --> 00:32:38,600
Speaker 1: took it over to that level, and White Famous was

620
00:32:38,640 --> 00:32:43,200
Speaker 1: the perfect vehicle for that. So yeah, I got you. Yo, Jay, listen,

621
00:32:43,200 --> 00:32:45,280
Speaker 1: I'm gonna let you go. I appreciate you coming and

622
00:32:45,360 --> 00:32:47,000
Speaker 1: rock with me on the podcast. You know, we need

623
00:32:47,040 --> 00:32:49,880
Speaker 1: to do the full, the full j Foul Face to

624
00:32:49,960 --> 00:32:52,760
Speaker 1: Face Bug the funk Out Podcast. But I wanted let's

625
00:32:52,760 --> 00:32:55,080
Speaker 1: do that. We gotta do do that. We gotta finished

626
00:32:55,120 --> 00:32:57,080
Speaker 1: with this movie. When I'm done with this movie. I

627
00:32:57,160 --> 00:32:59,760
Speaker 1: promised you gut Yo, Honestly, I will come up there

628
00:33:00,320 --> 00:33:02,440
Speaker 1: and I will kick it if I gotta kick it

629
00:33:02,480 --> 00:33:05,960
Speaker 1: a day New York kicking to day. We'll shoot this ship.

630
00:33:06,080 --> 00:33:09,360
Speaker 1: We'll go out. We'll go out like you like Teddy.

631
00:33:09,400 --> 00:33:12,720
Speaker 1: I'm like Teddy. We'll go out. You know, we'll get glued.

632
00:33:13,800 --> 00:33:19,160
Speaker 1: Let us. But j Yo, finish up on your thing.

633
00:33:19,680 --> 00:33:22,840
Speaker 1: Everybody's gonna watch the finale Showtime's White Famous is a

634
00:33:22,880 --> 00:33:25,760
Speaker 1: pleasure of my man. I'll see you, Sue, my friend. Yes, sir,

635
00:33:25,960 --> 00:33:34,240
Speaker 1: my man, thank you, thank you Jack. Senator Al Franken

636
00:33:34,320 --> 00:33:37,959
Speaker 1: resigned because of the sexual allocation. Warren Moon got pitched.

637
00:33:37,960 --> 00:33:42,160
Speaker 1: Turn Moon got pinched, but his ship is Terry Crews

638
00:33:42,240 --> 00:33:46,680
Speaker 1: is suing the guy and the agency for his alleged

639
00:33:46,720 --> 00:33:52,680
Speaker 1: sexual assaults. Hashtag me to the me too movement. The

640
00:33:52,720 --> 00:33:55,520
Speaker 1: time they got him on Time Person of the Year, right,

641
00:33:55,640 --> 00:33:58,360
Speaker 1: the whole group of hey very brave to come out

642
00:33:58,400 --> 00:34:03,440
Speaker 1: and speak on the on these things A lot of shame, humiliation, fear.

643
00:34:04,560 --> 00:34:08,120
Speaker 1: I I absolutely support those women that have had the

644
00:34:08,120 --> 00:34:14,240
Speaker 1: courage to come out. Apparently Bizarro DMX had an incident

645
00:34:16,280 --> 00:34:18,800
Speaker 1: UM and we have we have his his his UH

646
00:34:19,000 --> 00:34:24,359
Speaker 1: confession tapes. He's part of the UH hashtag me too,

647
00:34:24,400 --> 00:34:27,239
Speaker 1: Motherfucker's it. I was out. Was at this party of

648
00:34:27,320 --> 00:34:29,960
Speaker 1: Beverly Hills when ship was popping. This was it ninety

649
00:34:30,040 --> 00:34:36,440
Speaker 1: nine exit just come out. My ship was popping in

650
00:34:36,440 --> 00:34:40,080
Speaker 1: the streets. I was at this party. I was up there,

651
00:34:40,080 --> 00:34:43,280
Speaker 1: sand I was up there the caprio also to pictures

652
00:34:43,280 --> 00:34:45,560
Speaker 1: White Girl of Black or everybody know me, Campbell swears

653
00:34:45,600 --> 00:34:47,640
Speaker 1: with your kids. I was with Swiss to Speeds. Me

654
00:34:47,680 --> 00:34:49,400
Speaker 1: and Sweezy was up there. We had some of the

655
00:34:49,480 --> 00:34:52,680
Speaker 1: riders up there with us. Un Money was looking at

656
00:34:52,719 --> 00:34:54,360
Speaker 1: me from across room. I'm like, yo, what did you

657
00:34:54,440 --> 00:34:57,680
Speaker 1: looking at? Do you step two? I didn't stopped to him.

658
00:34:57,719 --> 00:34:59,200
Speaker 1: I'm just like, yo, my man is looking at me.

659
00:34:59,239 --> 00:35:01,120
Speaker 1: He got the Paisley shoot on. He had mad Paige.

660
00:35:01,160 --> 00:35:03,560
Speaker 1: I'm like, your duke, it is not eighty nine while

661
00:35:03,600 --> 00:35:06,680
Speaker 1: you wearing Paisley. He looked at you, So what I'm

662
00:35:06,680 --> 00:35:08,320
Speaker 1: looking at him? He's looking at me and he starts

663
00:35:08,320 --> 00:35:12,520
Speaker 1: approaching me. I'm like, don't Swiss you no money? Swiss

664
00:35:12,520 --> 00:35:15,360
Speaker 1: Beach is like, now I don't know him. I'm like, whoa,

665
00:35:15,719 --> 00:35:19,839
Speaker 1: I had my pitt with me. Yeah, Boomer shout out

666
00:35:19,880 --> 00:35:23,319
Speaker 1: the boom he died. So what what kind of what

667
00:35:23,400 --> 00:35:25,919
Speaker 1: kind of face? Buddy was? Money had the funny face,

668
00:35:26,000 --> 00:35:29,200
Speaker 1: he had the swollen grill, he had that. He had

669
00:35:29,200 --> 00:35:31,200
Speaker 1: the swollen girl with the big levels like, he had

670
00:35:31,200 --> 00:35:33,520
Speaker 1: the ship all through the something. I'm like, oh, I've

671
00:35:33,560 --> 00:35:35,520
Speaker 1: never seen nobody like this. He had the paisley shirt

672
00:35:35,560 --> 00:35:37,359
Speaker 1: and the paisty pants and what the fund is you doing?

673
00:35:40,000 --> 00:35:43,120
Speaker 1: You look like Kwamie. Remember the rapper Kwami call me

674
00:35:43,200 --> 00:35:44,440
Speaker 1: used to come up with the dots. Money had the

675
00:35:44,440 --> 00:35:47,480
Speaker 1: pass on rug. So when he came over, he's like

676
00:35:47,480 --> 00:35:49,439
Speaker 1: looking at me, funny start. He hands me a crab

677
00:35:49,520 --> 00:35:51,560
Speaker 1: cake with his left hand. Money goes to grab my

678
00:35:51,600 --> 00:35:56,400
Speaker 1: local on my right. I'm like, fuckers, you're doing. Swiss

679
00:35:56,480 --> 00:35:58,000
Speaker 1: is like chill. I'm like, y'a, I'm about to bike

680
00:35:58,080 --> 00:36:01,879
Speaker 1: this man. I'm about the back. This is like, don't chill,

681
00:36:02,200 --> 00:36:03,919
Speaker 1: I see your money. What the fun is you're doing?

682
00:36:04,440 --> 00:36:08,000
Speaker 1: Boomers wilding? I had Boomer on the chain, I'm like,

683
00:36:08,000 --> 00:36:14,560
Speaker 1: what what what? When he said, no, I'm just playing.

684
00:36:14,560 --> 00:36:16,239
Speaker 1: I'm just playing, I said, but why you read my dick?

685
00:36:18,520 --> 00:36:23,319
Speaker 1: You know my day has stacked me too. They did

686
00:36:23,360 --> 00:36:24,800
Speaker 1: it to me too. They did it to the X,

687
00:36:25,120 --> 00:36:27,279
Speaker 1: they did it to the dog. If they do it

688
00:36:27,320 --> 00:36:29,120
Speaker 1: to the dog, they could do it to anybody. Yeah,

689
00:36:29,560 --> 00:36:33,200
Speaker 1: hash tag me too, didn't. I don't know why he

690
00:36:33,280 --> 00:36:37,120
Speaker 1: chose me. I'm not the one. A lot of people say, X,

691
00:36:37,160 --> 00:36:38,800
Speaker 1: why didn't you swing on it? Why don't you that

692
00:36:38,880 --> 00:36:43,279
Speaker 1: boomer attacking? Why whild I don't want to lawsuit. I

693
00:36:43,400 --> 00:36:45,640
Speaker 1: was bugging. I'm gonna keep it real. I was walking wrong.

694
00:36:47,480 --> 00:36:49,680
Speaker 1: I ain't wrapping or stereo podcast will be right back.

695
00:36:54,160 --> 00:37:01,280
Speaker 1: So the other day there was a screening that fans

696
00:37:01,360 --> 00:37:06,040
Speaker 1: paid money for of a film I like, I didn't

697
00:37:06,040 --> 00:37:09,719
Speaker 1: love it. Wagged the Dog, people considered a classic, was

698
00:37:09,719 --> 00:37:15,919
Speaker 1: definitely a political satire starring Mr Robert de Niro, Mr

699
00:37:16,000 --> 00:37:21,920
Speaker 1: Dustin Hoffman, directed by Mr Barry Levinson, amongst others. Yeah,

700
00:37:21,960 --> 00:37:26,440
Speaker 1: the Tribeca Film Festival had the screening. People paid money

701
00:37:26,440 --> 00:37:29,160
Speaker 1: to come to the screening, and then after the screening,

702
00:37:29,880 --> 00:37:33,440
Speaker 1: the Great DeNiro, the Great Dustin Hoffman, the great Barry Levinson,

703
00:37:33,600 --> 00:37:36,160
Speaker 1: amongst others from the film. We're gonna come out on

704
00:37:36,239 --> 00:37:39,840
Speaker 1: stage and have a discussion about the film. People paid

705
00:37:39,960 --> 00:37:45,440
Speaker 1: for this. The discussion was gonna be moderated by that

706
00:37:45,560 --> 00:37:49,640
Speaker 1: Harry Potter looking motherfucker, John Oliver, who I like. I

707
00:37:49,719 --> 00:37:52,080
Speaker 1: like his his commentary on the world and on Trump

708
00:37:52,120 --> 00:37:55,160
Speaker 1: and all that ship. But you pulled some sucker ship. Now.

709
00:37:55,239 --> 00:37:59,360
Speaker 1: I talked about this online. I got the hipster fuck

710
00:37:59,440 --> 00:38:04,200
Speaker 1: boys coming at me, the political correct police saying, how

711
00:38:04,239 --> 00:38:09,120
Speaker 1: could you say this? You're defending your all this bullshit

712
00:38:09,840 --> 00:38:14,040
Speaker 1: out here. Now Here's what I know. Before the screening started,

713
00:38:14,440 --> 00:38:17,840
Speaker 1: John Oliver was backstage with Mr de Niro, Mr Hoffman,

714
00:38:18,200 --> 00:38:21,760
Speaker 1: Mr Levison. There was exchanges made. Oh, just like hob

715
00:38:21,800 --> 00:38:24,960
Speaker 1: nobbing around fan of yours. Who knows. I don't know

716
00:38:25,000 --> 00:38:26,279
Speaker 1: what they said, but I know that they were in

717
00:38:26,280 --> 00:38:29,600
Speaker 1: front of each other, and nothing was brought up about uh,

718
00:38:29,760 --> 00:38:32,440
Speaker 1: sexual harassment allegations, none of that. Say as soon as

719
00:38:32,440 --> 00:38:35,879
Speaker 1: they get on stage, when people paid money to come

720
00:38:36,080 --> 00:38:42,040
Speaker 1: and see a conversation about the movie, yo, get that

721
00:38:42,120 --> 00:38:54,400
Speaker 1: motherfucking Willy hutshit. You know Willy Hutch here, that Willian,

722
00:38:54,960 --> 00:38:59,959
Speaker 1: John Oliver, Harry Potter glasses looking. I think them glad,

723
00:39:00,000 --> 00:39:01,600
Speaker 1: this is our prop Duke. I don't think you need

724
00:39:01,640 --> 00:39:03,759
Speaker 1: them glass. I think they go good with the whole

725
00:39:03,800 --> 00:39:07,279
Speaker 1: British nerve thing. Duke. When your papers at you ain't

726
00:39:07,280 --> 00:39:12,480
Speaker 1: even from here. You're getting too motherfucking comfortable, Duke. You're

727
00:39:12,520 --> 00:39:14,960
Speaker 1: up there with the great Dustin Hoffman and Bob d

728
00:39:15,360 --> 00:39:17,960
Speaker 1: Dustin Hoffman is eight. First of all, when you see him,

729
00:39:17,960 --> 00:39:20,040
Speaker 1: you speak to him, you say, Mr Hoffman, Duke, and

730
00:39:20,080 --> 00:39:23,239
Speaker 1: the elder. That's how you try. I don't know where

731
00:39:23,239 --> 00:39:27,480
Speaker 1: you're from. I don't know where where you're from. Where

732
00:39:27,520 --> 00:39:30,520
Speaker 1: I come from. Elders. You treat them without respect, and

733
00:39:30,600 --> 00:39:33,520
Speaker 1: you let the elders say, please call me Dustin. You

734
00:39:33,560 --> 00:39:35,720
Speaker 1: ain't know on a first name basis with this motherfucker.

735
00:39:36,280 --> 00:39:40,319
Speaker 1: You're getting too comfortable, Duke. So he went up there

736
00:39:40,360 --> 00:39:43,520
Speaker 1: and asking, He said, I have to ask you about this,

737
00:39:44,000 --> 00:39:47,040
Speaker 1: and he started asking about the sexual allegations, and Dustin

738
00:39:47,080 --> 00:39:59,680
Speaker 1: Hoffman answered, Miles, play that clip, oh, he answered him.

739
00:40:00,000 --> 00:40:01,880
Speaker 1: I appear to do is that if you get it

740
00:40:01,880 --> 00:40:06,120
Speaker 1: into it the student, it lends the argument. She comes

741
00:40:06,160 --> 00:40:08,279
Speaker 1: back and says this, I said that, and she says that,

742
00:40:09,480 --> 00:40:13,520
Speaker 1: So he said what he should do is just apologize.

743
00:40:14,200 --> 00:40:17,680
Speaker 1: But there's a key word that's left that in the code.

744
00:40:18,040 --> 00:40:20,840
Speaker 1: You know, I suppose around the world at a clothe

745
00:40:21,880 --> 00:40:26,320
Speaker 1: and that is if I did anything too that was

746
00:40:26,560 --> 00:40:30,920
Speaker 1: you know, out of source or advanced for our apologize

747
00:40:31,280 --> 00:40:34,959
Speaker 1: and the word if was important. Now it just says

748
00:40:35,040 --> 00:40:38,520
Speaker 1: he apologized. Yeah, it's actually might I mean did that

749
00:40:38,680 --> 00:40:41,560
Speaker 1: the intention to start? You said the almost respectable women

750
00:40:41,640 --> 00:40:44,920
Speaker 1: feel turned that anything I might have done could have

751
00:40:44,960 --> 00:40:47,479
Speaker 1: put it in an uncomfortable situation. I'm sorry, and gets

752
00:40:47,520 --> 00:40:51,360
Speaker 1: not reflective how I am today, and then leave that

753
00:40:51,480 --> 00:40:56,080
Speaker 1: up to Yeah, I though, but that's the difference what

754
00:40:56,280 --> 00:40:59,640
Speaker 1: you will stay. I mean, it's it's that put of it. Don't.

755
00:41:00,800 --> 00:41:03,680
Speaker 1: I'm not the moral artist of anything. It's just it's

756
00:41:03,719 --> 00:41:08,239
Speaker 1: not reflectment for it's that kind of responsibly stuff. This

757
00:41:08,520 --> 00:41:16,719
Speaker 1: is because he is reflective of who you were if

758
00:41:16,719 --> 00:41:20,279
Speaker 1: it happens, and you've given no evidence to show that

759
00:41:20,400 --> 00:41:23,359
Speaker 1: it didn't happen. Again, it almost a period in time

760
00:41:23,520 --> 00:41:26,560
Speaker 1: for all the while when you were creeping around women,

761
00:41:26,600 --> 00:41:31,279
Speaker 1: because I think it was like a cophouse to say, well,

762
00:41:31,360 --> 00:41:33,800
Speaker 1: this isn't mean did you understand how that feels? Aren't

763
00:41:33,800 --> 00:41:40,040
Speaker 1: dismissing it's difficult to ask that question you as you

764
00:41:40,160 --> 00:41:47,239
Speaker 1: did lad judgment before through quick judgment, and we were

765
00:41:47,400 --> 00:41:51,880
Speaker 1: doing this and to the breaker of actors, people are

766
00:41:52,239 --> 00:41:55,600
Speaker 1: creeping all these things you doesn't you say so set

767
00:41:55,920 --> 00:41:58,120
Speaker 1: One of the things was you kind of work out

768
00:41:58,160 --> 00:42:00,960
Speaker 1: one day the chess sex fren He brings it up.

769
00:42:01,080 --> 00:42:05,880
Speaker 1: Everyone was saying to each other, it's a say, but

770
00:42:06,080 --> 00:42:07,239
Speaker 1: you know, I don't know if you were a bit

771
00:42:07,280 --> 00:42:10,240
Speaker 1: of that kind of situation. But it becomes a family

772
00:42:10,680 --> 00:42:15,759
Speaker 1: in which you know, I said a stupid saying, you know,

773
00:42:15,840 --> 00:42:17,920
Speaker 1: but I said it in the midst of the crew,

774
00:42:18,560 --> 00:42:21,760
Speaker 1: and they said they're stupid says. But they were sexual

775
00:42:22,880 --> 00:42:26,520
Speaker 1: in in terms of the humor of it. But that's

776
00:42:26,719 --> 00:42:31,879
Speaker 1: that team. That's forty years ago. I got us. I

777
00:42:31,920 --> 00:42:35,160
Speaker 1: don't love that response. Even what work response do you want?

778
00:42:36,760 --> 00:42:38,680
Speaker 1: I always to what would you say? It's not for

779
00:42:38,760 --> 00:42:43,040
Speaker 1: me to say it just it seems like it dismissals

780
00:42:43,160 --> 00:42:46,320
Speaker 1: or re contextualizing it. He's not actually interesting. He doesn't

781
00:42:46,400 --> 00:42:50,719
Speaker 1: feel self reflective in the way that it seems to

782
00:42:50,719 --> 00:42:54,560
Speaker 1: be incident Tomols walking all it most reading There is

783
00:42:54,640 --> 00:42:57,760
Speaker 1: no if I get no pleasure from having this conversation.

784
00:42:57,840 --> 00:43:00,880
Speaker 1: But you and I am not the victims here. That

785
00:43:01,080 --> 00:43:05,240
Speaker 1: that's the thing I read to day in a diary.

786
00:43:05,320 --> 00:43:08,040
Speaker 1: She read his one line has been running around my head.

787
00:43:08,360 --> 00:43:12,320
Speaker 1: She said, No one is a hundred fat good, all bad, true, right,

788
00:43:12,800 --> 00:43:16,040
Speaker 1: dusting to pick but I like him a lot. We

789
00:43:16,160 --> 00:43:21,880
Speaker 1: did have all extremely generous and damning. Do you believe

790
00:43:21,960 --> 00:43:26,800
Speaker 1: this stuff that we read? I believe what she wrote, Yes, mine,

791
00:43:27,880 --> 00:43:33,680
Speaker 1: because there's no point in her mind. Well there is

792
00:43:33,719 --> 00:43:38,480
Speaker 1: a point in her not reading this up for four years.

793
00:43:38,560 --> 00:43:41,920
Speaker 1: There is a moody course. I did not say I

794
00:43:42,080 --> 00:43:44,520
Speaker 1: was growthing her. We were sitting next to each other.

795
00:43:44,600 --> 00:43:47,759
Speaker 1: You want to hear the story in context. We were

796
00:43:47,800 --> 00:43:51,080
Speaker 1: sitting on a bed. We had dumb trying to little

797
00:43:51,160 --> 00:43:54,320
Speaker 1: Masterlily out for gender, and as trying out for the graduate,

798
00:43:54,520 --> 00:43:58,320
Speaker 1: both of us. We were told three days before memorize

799
00:43:58,360 --> 00:44:01,920
Speaker 1: this dialogue had flown out from New York. Nicholas was

800
00:44:02,080 --> 00:44:04,040
Speaker 1: very unhappy was the way it was going, because it

801
00:44:04,160 --> 00:44:06,760
Speaker 1: wasn't going well. And we're sitting there and he's standing

802
00:44:06,800 --> 00:44:10,239
Speaker 1: there and he's like, let's let's try it again, and

803
00:44:10,320 --> 00:44:12,839
Speaker 1: she's looking down when she's very unhappy, and I'm very

804
00:44:12,920 --> 00:44:16,080
Speaker 1: unhappy and I'm sitting here and she's sitting there and

805
00:44:16,120 --> 00:44:19,680
Speaker 1: I went over and went like that no, and she

806
00:44:19,880 --> 00:44:22,680
Speaker 1: was very upset and she turned and she said, don't

807
00:44:22,680 --> 00:44:25,560
Speaker 1: you ever do that to me again? And it was

808
00:44:25,840 --> 00:44:28,480
Speaker 1: I thought an overreaction because of what was going on

809
00:44:28,640 --> 00:44:32,360
Speaker 1: the day. She later apologized. We were very good friends

810
00:44:32,400 --> 00:44:36,239
Speaker 1: on unfiling. But you take him this is this is

811
00:44:36,280 --> 00:44:40,279
Speaker 1: an assaulter. This is a female assaulter. He's admitted it.

812
00:44:41,480 --> 00:44:45,040
Speaker 1: It's it's it's so scumed. I mean, I don't even

813
00:44:45,040 --> 00:44:49,759
Speaker 1: need the same thing that's doing to me. Just I think, like,

814
00:44:50,400 --> 00:44:53,799
Speaker 1: be upset and you touch it and then somehow apologize

815
00:44:53,920 --> 00:44:59,080
Speaker 1: for me upsetting. But I think act I don't at

816
00:44:59,120 --> 00:45:02,000
Speaker 1: least get an example you are. I wasn't there, But

817
00:45:02,480 --> 00:45:04,720
Speaker 1: I guess the thing that you said that it's interested

818
00:45:04,760 --> 00:45:06,840
Speaker 1: to me is the thing that we the things that

819
00:45:06,960 --> 00:45:09,640
Speaker 1: we do between takes. I think it's the things that

820
00:45:09,680 --> 00:45:13,200
Speaker 1: we do between takes that these probably cultural ship with

821
00:45:13,239 --> 00:45:18,360
Speaker 1: at least to have because what's helping seeing from the

822
00:45:18,600 --> 00:45:25,360
Speaker 1: wings seem completely fine or normal to a certain group

823
00:45:25,360 --> 00:45:28,600
Speaker 1: of people can have victims of the other angels. So

824
00:45:28,680 --> 00:45:32,719
Speaker 1: the things that we do between take sounds belign if

825
00:45:32,719 --> 00:45:35,920
Speaker 1: it is, does that make sense? That's not normally doesn't

826
00:45:35,960 --> 00:45:39,520
Speaker 1: be because the crew and the actors are there, we

827
00:45:39,560 --> 00:45:42,520
Speaker 1: are one, We are a family. May I should maybe

828
00:45:42,560 --> 00:45:45,000
Speaker 1: I shouldn't have said things. We're trying to break up

829
00:45:45,120 --> 00:45:48,760
Speaker 1: the tension of shooting consisteen hours a day. They bringed

830
00:45:48,880 --> 00:45:53,160
Speaker 1: its interns on, they unset to watch. No one told us,

831
00:45:53,480 --> 00:45:56,080
Speaker 1: no one said both these girls are seventeen years old.

832
00:45:56,120 --> 00:45:58,879
Speaker 1: I didn't even know they were there. I really wish

833
00:45:58,960 --> 00:46:03,440
Speaker 1: you would watch the documentary. Law Hey, you should have

834
00:46:03,480 --> 00:46:05,759
Speaker 1: washed it before you brought the sun of this house.

835
00:46:05,880 --> 00:46:08,520
Speaker 1: And then John Oliver kept going, and then John Oliver said,

836
00:46:08,840 --> 00:46:10,960
Speaker 1: why I need to ask you this. I have to

837
00:46:11,000 --> 00:46:12,600
Speaker 1: ask your money? What? What? What? Are you a cop?

838
00:46:12,719 --> 00:46:17,240
Speaker 1: Fucking cop? Is you a cop? You you somebody anointed

839
00:46:17,320 --> 00:46:20,320
Speaker 1: you to be the cop, to be the fucking but

840
00:46:21,360 --> 00:46:24,919
Speaker 1: is you a cop? Be you a motherfucking cop? Dude?

841
00:46:27,520 --> 00:46:29,800
Speaker 1: That's not your place. I smell him. Is you a

842
00:46:29,880 --> 00:46:34,040
Speaker 1: motherfucking cop? That's that's your place? You on stage asking

843
00:46:34,120 --> 00:46:35,839
Speaker 1: him about this, and you say you had to do it.

844
00:46:36,040 --> 00:46:39,560
Speaker 1: Why didn't you ask Mr Hoffman these questions face to

845
00:46:39,680 --> 00:46:42,880
Speaker 1: face backstage? Since you had to do it, Since you

846
00:46:42,920 --> 00:46:45,760
Speaker 1: were so compelled to do, since you were so bothered

847
00:46:45,920 --> 00:46:48,560
Speaker 1: and disturbed by or why didn't you just pull out

848
00:46:48,600 --> 00:46:51,640
Speaker 1: from doing you? Since you're so bothered and disturbed by

849
00:46:51,840 --> 00:46:53,600
Speaker 1: once you knew he was down, why you ain't pull

850
00:46:53,640 --> 00:46:56,880
Speaker 1: out since you're so morally correct? Funk out of here,

851
00:46:56,960 --> 00:46:59,000
Speaker 1: You funk out of here, John Oliver, you try to

852
00:46:59,040 --> 00:47:03,600
Speaker 1: play that sucker ship. He answered the question. Now, if

853
00:47:03,600 --> 00:47:10,760
Speaker 1: it had been Sean Penn, somebody like that, Samuel Jackson,

854
00:47:10,960 --> 00:47:14,359
Speaker 1: somebody like that, somebody more in their prime, somebody who

855
00:47:14,480 --> 00:47:16,839
Speaker 1: Alec ball would you would ask him? Because Sean Penn

856
00:47:16,840 --> 00:47:20,399
Speaker 1: would have been like, yo, who you where the funk

857
00:47:20,440 --> 00:47:24,760
Speaker 1: are you from? And what's it to you? I already

858
00:47:24,760 --> 00:47:27,839
Speaker 1: dealt with this ship. I wrote my apology, and if

859
00:47:27,880 --> 00:47:30,000
Speaker 1: I say it to you, what you're gonna do? Money?

860
00:47:30,400 --> 00:47:32,160
Speaker 1: What the fund do you wanna do? He wouldn't have

861
00:47:32,160 --> 00:47:35,440
Speaker 1: asked Alec Ballwin, that Sam Jackson, that Sean Penn, eight

862
00:47:35,560 --> 00:47:38,120
Speaker 1: year old Dustin Hoffman, who by the way, is a

863
00:47:38,200 --> 00:47:42,160
Speaker 1: cancer survivor. He's eighty. He's never been a great public

864
00:47:42,200 --> 00:47:44,200
Speaker 1: speaker and in his prime is a shy, kind of

865
00:47:44,239 --> 00:47:46,520
Speaker 1: awkward public do and you're asking him this ship up

866
00:47:46,520 --> 00:47:49,239
Speaker 1: there that you had to do. You had to do

867
00:47:49,280 --> 00:47:51,360
Speaker 1: it because otherwise you lay your head on the pillow.

868
00:47:51,440 --> 00:47:53,319
Speaker 1: He said that ship, he said, I had to do

869
00:47:53,360 --> 00:47:54,960
Speaker 1: otherwise when I laid my head on the pillow. I

870
00:47:55,000 --> 00:47:57,640
Speaker 1: don't think I'm a very good person. Come on, money,

871
00:47:58,560 --> 00:48:02,719
Speaker 1: Come on, yo, you go, you go home, be with

872
00:48:02,800 --> 00:48:04,919
Speaker 1: your where's your wife? You know you're not worried about

873
00:48:05,000 --> 00:48:07,560
Speaker 1: Dustin Hoffman. Why the funk you thinking about Dustin Hoffen

874
00:48:07,600 --> 00:48:09,719
Speaker 1: when you got your motherfucking head on the pillow, Duke,

875
00:48:11,440 --> 00:48:15,240
Speaker 1: I'm asking you the questions now, why is Dustin Hoffman

876
00:48:15,239 --> 00:48:18,200
Speaker 1: on your mind, in the crib, in your crib on

877
00:48:18,280 --> 00:48:20,880
Speaker 1: the pillow. Why you ain't skeeting on your cast for mattress,

878
00:48:20,960 --> 00:48:23,640
Speaker 1: Duke fund? Does that matter with you and all these

879
00:48:23,640 --> 00:48:27,080
Speaker 1: people saying I'm an apologist and all this and all

880
00:48:27,120 --> 00:48:30,160
Speaker 1: that and all this and all that. I said he once,

881
00:48:30,160 --> 00:48:32,880
Speaker 1: I'm gonna say it again. I don't support sexual assault.

882
00:48:32,880 --> 00:48:36,879
Speaker 1: I don't support sexual harassment, and I don't support alleged

883
00:48:37,080 --> 00:48:44,279
Speaker 1: allegations about sexual harassment, muggings, killings, rapings, assault, any of that.

884
00:48:44,320 --> 00:48:47,080
Speaker 1: Ship of course, this is how motherfucker's wind up in

885
00:48:47,160 --> 00:48:49,640
Speaker 1: jail for twenty six years. They come out and you

886
00:48:49,840 --> 00:48:54,640
Speaker 1: John Olivers like, oh my god, wow, Mr Davis, so

887
00:48:54,719 --> 00:48:57,960
Speaker 1: sorry for your struggle because you motherfucker's are dighting people

888
00:48:58,280 --> 00:49:00,680
Speaker 1: in the court of public opinion and you're not even

889
00:49:00,760 --> 00:49:05,040
Speaker 1: from here, dude. No other country has a motherfucker has

890
00:49:05,080 --> 00:49:08,480
Speaker 1: a talk show every Sunday where you're talking. You know

891
00:49:08,640 --> 00:49:10,839
Speaker 1: you don't understand this culture, duke. You ain't from here?

892
00:49:10,880 --> 00:49:12,840
Speaker 1: Do you not from here? Now? Jimmy going to Spain

893
00:49:12,880 --> 00:49:15,480
Speaker 1: like y'all want to get on HBO Espanol and you you,

894
00:49:15,600 --> 00:49:18,120
Speaker 1: you the host, and you're talking about that country's culture

895
00:49:18,160 --> 00:49:21,960
Speaker 1: and everything. Literally, even London they wouldn't they don't have it,

896
00:49:22,000 --> 00:49:24,120
Speaker 1: but here they haven't. This motherfucker you're getting too comfortable,

897
00:49:24,200 --> 00:49:28,120
Speaker 1: dude when you see Dustin Hoffman, Duke, you say, Mr Hoffman,

898
00:49:28,760 --> 00:49:31,200
Speaker 1: if I had been at the trackback of film festival screening,

899
00:49:31,800 --> 00:49:33,560
Speaker 1: you're to know if I had been there, art to

900
00:49:33,600 --> 00:49:36,359
Speaker 1: been like, yo, I didn't pay my money for all

901
00:49:36,400 --> 00:49:41,279
Speaker 1: this ship, du grandstanding host the show man. We came

902
00:49:41,320 --> 00:49:44,640
Speaker 1: to talk about Wag the motherfucking dog, dude, like he

903
00:49:44,760 --> 00:49:47,200
Speaker 1: Alan Dershy was trying to fucking grill them. Motherfuck up,

904
00:49:47,280 --> 00:49:54,200
Speaker 1: you ain't Johnny Cochran, Dude, you ain't Johnny Cochrane. And

905
00:49:54,239 --> 00:49:57,319
Speaker 1: all these motherfucker's on Twitter, most of them probably don't

906
00:49:57,360 --> 00:50:00,840
Speaker 1: listen to the show. Would your little Twitter verified the

907
00:50:00,960 --> 00:50:05,759
Speaker 1: counts and you're seven hundred followers? You're four hundred followers,

908
00:50:05,880 --> 00:50:08,520
Speaker 1: followers whatever? Something about the falls. I don't know you, Duke.

909
00:50:08,560 --> 00:50:11,279
Speaker 1: I don't know why the funk you're verified? And why

910
00:50:11,360 --> 00:50:13,880
Speaker 1: do you want to be verified when you just the

911
00:50:14,000 --> 00:50:17,799
Speaker 1: punk asked motherfucker who states he's from Queens, but you

912
00:50:17,960 --> 00:50:21,279
Speaker 1: really from Minnesota because you live in Queens? Do you

913
00:50:21,440 --> 00:50:24,839
Speaker 1: claim where you're from? Don't claim our city. You gotta

914
00:50:24,880 --> 00:50:26,480
Speaker 1: be here twenty years to be in New New York,

915
00:50:26,520 --> 00:50:29,839
Speaker 1: New Yorker be and all these hipster cornball motherfucker's they

916
00:50:29,880 --> 00:50:32,480
Speaker 1: put their resume. I work here. Are nobody cares about

917
00:50:32,480 --> 00:50:35,520
Speaker 1: any of that ship? Will you work at? Man? I

918
00:50:35,560 --> 00:50:37,560
Speaker 1: don't give a fuck. We don't give a funk. Will

919
00:50:37,640 --> 00:50:41,200
Speaker 1: you work at? So proud of your verified check mark?

920
00:50:41,280 --> 00:50:44,080
Speaker 1: How much late? That's like getting a driver's license? You

921
00:50:44,120 --> 00:50:45,960
Speaker 1: know my ship was given to me, Duke. I didn't

922
00:50:46,000 --> 00:50:49,160
Speaker 1: ask nobody. They checked my ship. They could tell from

923
00:50:49,160 --> 00:50:51,959
Speaker 1: my disposition it was that's rap. He need that check.

924
00:50:52,280 --> 00:50:55,080
Speaker 1: Give him that check. Mark G. Moody, last name rhymes

925
00:50:55,080 --> 00:50:57,520
Speaker 1: the Duty the two times soon to be three time

926
00:50:57,640 --> 00:51:01,120
Speaker 1: podcast colds he's not verified, and I ain't sweating that

927
00:51:01,280 --> 00:51:03,600
Speaker 1: because I'm gonna get that, like my man got it.

928
00:51:05,440 --> 00:51:09,480
Speaker 1: This corny ass hipsters. I work here, I work here,

929
00:51:09,719 --> 00:51:12,640
Speaker 1: I used to work here. I used I'm a comedian.

930
00:51:12,719 --> 00:51:18,000
Speaker 1: But you ain't ship. You're not funny either. You're not funny. Stop.

931
00:51:18,719 --> 00:51:21,640
Speaker 1: I've been around talent since two eighty three. I was

932
00:51:21,680 --> 00:51:24,839
Speaker 1: at the Improv when Keenan Ivery Wains had motherfucking full

933
00:51:24,840 --> 00:51:29,040
Speaker 1: head of hair. To remember, Jerry Seinfeldt had his whole ship.

934
00:51:29,480 --> 00:51:31,919
Speaker 1: Jay Lennon was young and thin. I've seen all that ship.

935
00:51:32,680 --> 00:51:37,320
Speaker 1: Robert Townsend, we was there. We know funny. You're not funny.

936
00:51:37,520 --> 00:51:41,800
Speaker 1: You ain't You're not funny. I've seen Adam Sale in

937
00:51:41,840 --> 00:51:44,400
Speaker 1: the first time he performed in l A, Ben Stiller,

938
00:51:44,640 --> 00:51:52,240
Speaker 1: Sarah Silverman, Dave Chappelle, Eddie Murphy go up on stage

939
00:51:52,239 --> 00:51:55,520
Speaker 1: at the Improv Random. I've seen Keenan and every Wings

940
00:51:55,560 --> 00:51:58,520
Speaker 1: when he had a full afro. He's bald as funk

941
00:51:58,600 --> 00:52:00,759
Speaker 1: for the last twenty years, so I'm saying I saw

942
00:52:00,840 --> 00:52:03,359
Speaker 1: him before that. Trying to tell me you're funny. You're

943
00:52:03,400 --> 00:52:09,520
Speaker 1: not funny, dupe? See my man domarera seeing all of them? Yeah,

944
00:52:11,080 --> 00:52:16,200
Speaker 1: I'm a comedian. I'll tell you if you're funny, go

945
00:52:16,360 --> 00:52:22,040
Speaker 1: get your motherfucking coffee, all right, A and fall back.

946
00:52:23,680 --> 00:52:27,200
Speaker 1: John Oliver is up there with his motherfucking classes four, motherfucker,

947
00:52:27,600 --> 00:52:30,160
Speaker 1: take your motherfucking tea and crumpets and get the funk

948
00:52:30,200 --> 00:52:33,319
Speaker 1: out of New York. Yo. DeNiro didn't say nothing right.

949
00:52:33,480 --> 00:52:35,600
Speaker 1: What would have happened if I Yellow was in the

950
00:52:35,640 --> 00:52:37,839
Speaker 1: backstage and he was doing Suckers Ship in the back?

951
00:52:39,160 --> 00:52:41,240
Speaker 1: DeNiro didn't say that because that's not his get down

952
00:52:41,920 --> 00:52:44,479
Speaker 1: rest ashore. If Joe Pesci was in Wagged the Dog,

953
00:52:44,560 --> 00:52:45,880
Speaker 1: Joe would have been like, what do you fucking what

954
00:52:45,880 --> 00:52:49,080
Speaker 1: do your fucking asshole you're you're asking We're here to

955
00:52:49,120 --> 00:52:50,919
Speaker 1: do a movie. We're here to talk about the movie

956
00:52:50,920 --> 00:52:54,520
Speaker 1: you're asking him about. You're a fucking asshole, John. John

957
00:52:54,520 --> 00:52:58,239
Speaker 1: would have ship himself if John. If Joe Pesci had

958
00:52:58,239 --> 00:52:59,839
Speaker 1: been there and he was on Dave, Joe would have been,

959
00:53:00,040 --> 00:53:02,160
Speaker 1: can at you when we when we're not here to

960
00:53:02,160 --> 00:53:04,799
Speaker 1: talk about the fans paid to see? Uh, what are

961
00:53:04,800 --> 00:53:09,759
Speaker 1: you fucking you fucking cop, your fucking cop. Huh I

962
00:53:09,880 --> 00:53:12,080
Speaker 1: Yella would have been like, get the funk out of you,

963
00:53:12,600 --> 00:53:17,759
Speaker 1: fucking talking to Dusty like that, Get the funk outta here,

964
00:53:17,800 --> 00:53:24,560
Speaker 1: you tea and crupket cocksucker, you Winston Churchill, cocksucker. You're

965
00:53:24,680 --> 00:53:31,760
Speaker 1: Buckingham Palace, motherfucker. That's dusting fucking off me. He answers

966
00:53:31,800 --> 00:53:35,680
Speaker 1: your fucking question. Look, get the funk out of here

967
00:53:35,719 --> 00:53:42,960
Speaker 1: for I push your fucking British fucking head, and then

968
00:53:42,960 --> 00:53:48,040
Speaker 1: the sirens would have camp. All right, that's it. I

969
00:53:48,040 --> 00:53:51,200
Speaker 1: want to thank my man Jade Farrell for coming on

970
00:53:51,239 --> 00:53:54,520
Speaker 1: the Iron Rapperport Stereo Pockets. You could check him and

971
00:53:54,760 --> 00:53:59,720
Speaker 1: me and the whole dope ass cast on Showtime's White Famous.

972
00:54:00,239 --> 00:54:03,840
Speaker 1: The season finale is Sunday, December ten. You could download

973
00:54:03,880 --> 00:54:07,719
Speaker 1: all the other episodes Shows Dope Shows, Funny as Fuck, Me,

974
00:54:08,000 --> 00:54:12,920
Speaker 1: Jay Barrow, Jamie Fox, Great Cast a Reverend Ship Talking Extravaganza.

975
00:54:13,120 --> 00:54:18,200
Speaker 1: I even dropped some Stickman knowledge during the episodes. I

976
00:54:18,440 --> 00:54:21,840
Speaker 1: rapp for Stereo podcast me G Moody last name rhymes

977
00:54:21,840 --> 00:54:22,840
Speaker 1: for duty Proud