WEBVTT - Work in Progress: Lake Bell

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<v Speaker 1>Hey everyone, it's Sophia. Welcome to Work in Progress. Hello

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<v Speaker 1>whip smarties. Today we are joined by one of my

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<v Speaker 1>favorite smart, creative, I mean brilliant women, who also happens

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<v Speaker 1>to be one of the coolest chicks that I know.

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<v Speaker 1>Today's guest is actress, writer and director Lake Bell, who

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<v Speaker 1>is starring in the upcoming series The Chair Company on HBO,

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<v Speaker 1>and who has just released a book inspired by her daughter.

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<v Speaker 1>The book is called All About Brains, a Book about people,

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<v Speaker 1>and it is a whimsical story that celebrates the ways

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<v Speaker 1>all of our different brains make us special in a

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<v Speaker 1>lighthearted and you'll hear me crying emotional exploration of neurodiversity.

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<v Speaker 1>The book was inspired by Lake's own daughter, Nova, and

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<v Speaker 1>we're going to talk about what it's like to be

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<v Speaker 1>a parent of a brilliant and different kid, what both

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<v Speaker 1>of our journeys with families look like, and how she

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<v Speaker 1>views her career as both a personal sense of expression

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<v Speaker 1>and as a real responsibility. Because with a platform comes privilege,

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<v Speaker 1>and Lake is so amazing at mobilizing her privilege for

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<v Speaker 1>others in really beautiful and inclusive ways. Let's dive in

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<v Speaker 1>with Lake Bell. I was reading so many articles about

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<v Speaker 1>your audiobook because it fascinates me. And also I feel

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<v Speaker 1>like I needed to go back in time a little bit.

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<v Speaker 1>And when you were talking about having a voice, like

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<v Speaker 1>you have a voice similar to I'll.

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<v Speaker 2>Say you yeah, you were on the list of unique voices.

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<v Speaker 1>Well just in terms of what it was like as

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<v Speaker 1>a young actor, particularly not sounding like all a little

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<v Speaker 1>angen news.

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<v Speaker 2>Yeah. Yeah, I was like, oh my god, same girl.

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<v Speaker 1>I feel it.

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<v Speaker 2>Yeah, well I think it. I think, you know, definitely,

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<v Speaker 2>it's more. It affects more than you realize. I think

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<v Speaker 2>it's like, sure, you can look a certain way, you

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<v Speaker 2>can imbue a certain amount of qualities that isuesque, but

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<v Speaker 2>then if your sound is different, there's like a juna

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<v Speaker 2>sequa that might or either get you the role or

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<v Speaker 2>not get you the role. Yeah, or have someone even

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<v Speaker 2>in an interview situation or a meeting a potential partner

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<v Speaker 2>for the first time, you know, whatever it is, you're like, oh,

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<v Speaker 2>we're either going to get along or not. I mean

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<v Speaker 2>for me, I you know, there's like a vocal chemistry.

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<v Speaker 2>I think, yeah, that happens that I can be highly

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<v Speaker 2>adverse to certain sounds. Also because my ears, I think

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<v Speaker 2>are I call. I say to my kids, I'm like,

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<v Speaker 2>I have wolf hearing, so you got to take it

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<v Speaker 2>down or not. It's the same sensitive sensitive hearing, yeah,

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<v Speaker 2>which means I'm like picking up on all kinds of

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<v Speaker 2>you know, vocal little quirks and qualities and things that

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<v Speaker 2>are you know, what's also what's not there, you know,

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<v Speaker 2>resonance or like being really tinny, you know, and like pushing.

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<v Speaker 2>I'm like, where's your breath? You know?

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<v Speaker 1>Like yeah, like I science of sound and.

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<v Speaker 2>Science of sound and the kind of emotional uh sort

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<v Speaker 2>of qualities that I think really either pull you to someone.

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<v Speaker 2>It's like a magnet, you know. You hear someone's sound

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<v Speaker 2>and you're like, Ooh, I'm attracted to that sound, or

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<v Speaker 2>I'm oh god, I'm just repelled by that sound, yeah,

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<v Speaker 2>which is like sorry, but you know, it just is

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<v Speaker 2>one of those things. I think it's almost like pheromones,

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<v Speaker 2>you know, totally.

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<v Speaker 1>I love that well. And I think about particularly that

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<v Speaker 1>era we came up in as actors. We were in

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<v Speaker 1>the height of sort of sexy baby voice.

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<v Speaker 2>Yeah that like Paris hilt any sound Shurtney spears very sexy,

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<v Speaker 2>very young, very yeah, vile.

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<v Speaker 1>And I remember I can't recall. I think it must

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<v Speaker 1>have been the maybe the second or third season that

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<v Speaker 1>we were doing One Tree Hill in Wilmington. You came

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<v Speaker 1>to do your show.

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<v Speaker 2>Oh yeah, that's right.

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<v Speaker 1>We were there together, yes, and I remember hanging out

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<v Speaker 1>with you. I don't remember if it was the apartment

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<v Speaker 1>you were in or one of your castmates that used

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<v Speaker 1>to be Dennis Hoppers. It was yours, and I remember

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<v Speaker 1>just being like, this girl is so cool and I'm

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<v Speaker 1>so excited to be her friend. And then your show

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<v Speaker 1>moved on and then I was there, which was great,

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<v Speaker 1>but I was there alone mostly, and I was so

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<v Speaker 1>excited years later to see you again and be like,

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<v Speaker 1>hey girl, and it was like the rast ones, We're

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<v Speaker 1>still here.

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<v Speaker 2>It is. It's it's interesting. And your sound has just

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<v Speaker 2>now that i'm thinking about your sound, your sound and

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<v Speaker 2>my sound both have evolved. Like if we took a

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<v Speaker 2>clip of us during those earlier years in Williamsburg, Williamton.

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<v Speaker 3>What is it, Wilmington, Wilmington, I'm like, Williamsburg Williamsburg would

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<v Speaker 3>have been cool.

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<v Speaker 2>No, in Wilmington, you know, I bet those sounds have

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<v Speaker 2>you know, you know, the just the color of life,

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<v Speaker 2>you know has occurred where more rasp has coming out,

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<v Speaker 2>you know, or you know, also we've arrived in this

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<v Speaker 2>space to speak in mics, So my my sound, I'm

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<v Speaker 2>aware of my sound being a little more juicy and

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<v Speaker 2>a little more liquid than it might be if I'm

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<v Speaker 2>kind of just you know, talking to my daughter. I'm like,

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<v Speaker 2>that's enough, you know, Like maybe I'm not supporting my

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<v Speaker 2>voice as much when I'm when I'm parenting in in chaos.

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<v Speaker 2>But you know, I think all of those things are

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<v Speaker 2>just so sexy to me, Like you turned me on

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<v Speaker 2>so much. I love the things that we don't notice,

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<v Speaker 2>you know. And so if we looked back on and

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<v Speaker 2>listen to our voices in those early episodes of those shows,

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<v Speaker 2>ipekay would sound different than they are right now.

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<v Speaker 1>Oh my god, I would love Well. That sort of

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<v Speaker 1>leads me to the question I normally start with with guests,

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<v Speaker 1>because you know, you come in, you're promoting something, You've written, something,

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<v Speaker 1>you have a film coming out, whatever it is. You

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<v Speaker 1>have this gorgeous career and listeners know you as this person.

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<v Speaker 1>And I always am curious if you got to go

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<v Speaker 1>back in time and hang out with yourself when you

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<v Speaker 1>were a kid, maybe when you were your daughter's age,

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<v Speaker 1>would you see yourself in that little version of you?

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<v Speaker 1>And because it's you, I also want to know, was

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<v Speaker 1>that little girl obsessed with sound?

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<v Speaker 2>Yes, so I have to say I was like unabashedly

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<v Speaker 2>precocious and super into dorked out nerdy stuff like that.

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<v Speaker 2>And I used to put on these at Nova's age,

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<v Speaker 2>for sure, maybe even younger, as a procrastination tool to

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<v Speaker 2>go to bed. I did not want to go to

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<v Speaker 2>a night person, and I was like, I gotta entertain

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<v Speaker 2>the adults. So it would be that thing of I

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<v Speaker 2>put on voices and you know, play Harry Bellefonte and

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<v Speaker 2>you know, throw on an outfit and do a dance number,

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<v Speaker 2>you know, musical number. But definitely interested in from an

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<v Speaker 2>early age being from New York, especially where you are

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<v Speaker 2>surrounded by, whether you like it or not, just sounds

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<v Speaker 2>of the city, but then also of a thousand different

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<v Speaker 2>cultures and a thousand languages, you know, and how people

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<v Speaker 2>spoke even within New York. You know, you had just

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<v Speaker 2>this beautiful cacophony of accents and dialects and languages. And

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<v Speaker 2>I think that was very integral to my interest in

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<v Speaker 2>not just culture but character, you know.

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<v Speaker 1>Yeah, So Where do you think that bug came from?

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<v Speaker 1>When did you know you were studying people because you

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<v Speaker 1>wanted to play people?

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<v Speaker 2>I think it was super early. I knew I wanted

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<v Speaker 2>to be an actor before I understood what it is

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<v Speaker 2>to be an actor. I just knew that I wanted

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<v Speaker 2>to be characters before I knew that word. I remember

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<v Speaker 2>in the eighties growing up in the city, there was

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<v Speaker 2>always movie trucks on the side of the road, and

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<v Speaker 2>it was usually you know, there would be like Woody

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<v Speaker 2>Allen movies being shot and whatnot, or I just remember

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<v Speaker 2>this particular one because I was on the Upper East Side,

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<v Speaker 2>so you know, he definitely would have lots of things

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<v Speaker 2>shot there anyway. So I would be pouting like this

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<v Speaker 2>in the taxi cab, say, and my mom would say,

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<v Speaker 2>what's wrong, what's up. I'd be like, I'm not even

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<v Speaker 2>in that movie, and she's like, you're six, like you know,

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<v Speaker 2>and I'm like, yeah, but I didn't even, like, like

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<v Speaker 2>there's just movies happening, and like everyone's just making fun

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<v Speaker 2>things and I'm not even invited, and you know, and

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<v Speaker 2>she'd be like, well, when you grow up, if that's

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<v Speaker 2>still what you want to do, you know, you get

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<v Speaker 2>to do that. So I just remember being like knowing

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<v Speaker 2>I wanted to do it. I want to look, that's

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<v Speaker 2>so fun that thing that they do, and I want

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<v Speaker 2>to do that. I want to write stories. I want

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<v Speaker 2>to be in stories.

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<v Speaker 1>And so you did you have that? I think I

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<v Speaker 1>did weirdly, And it was an interesting thing because, you know,

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<v Speaker 1>it sort of occurred to me more recently somebody asked

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<v Speaker 1>me why I ride really hard for the crew at work,

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<v Speaker 1>like you know and not. It was partially a compliment

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<v Speaker 1>in the conversation and partially a call out of like,

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<v Speaker 1>you know, your job is to be focused on your job.

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<v Speaker 1>You don't always have to be making sure everyone else

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<v Speaker 1>has everything they need for their job, like that's kind

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<v Speaker 1>of their job. And so it was this neat interesting

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<v Speaker 1>thing because I was explaining, you know, when you are

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<v Speaker 1>in a cast, and certainly when you've worked your way

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<v Speaker 1>up to being in you know, the first four numbers,

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<v Speaker 1>let alone number one on the call sheet, like you

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<v Speaker 1>do have to really advocate for your people. And I

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<v Speaker 1>think it was a person pointing out to me maybe

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<v Speaker 1>having a slightly altered percentage of where my focus can

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<v Speaker 1>go just to ensure that I'm to your point, like

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<v Speaker 1>taking care of my instrument, doing the things that I

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<v Speaker 1>really need to do for me as well. And I

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<v Speaker 1>think it made me click into what it was like

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<v Speaker 1>to grow up going to work with my dad a lot,

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<v Speaker 1>because he was a photographer, you know, his whole career.

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<v Speaker 1>I always say he was, and then I'm like, he

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<v Speaker 1>didn't die, he just is retired. To my dad, it's scary,

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<v Speaker 1>but you know, I went to work with a crew dadah,

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<v Speaker 1>and so I got to see how talent behaved. I

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<v Speaker 1>got to see how visiting executives or creative directors behaved,

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<v Speaker 1>and I got to see how hard everybody else was

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<v Speaker 1>working and how their behavior affected a set though wasn't

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<v Speaker 1>often centered, and so I really I cherished that. And

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<v Speaker 1>so I think I think I learned how to be

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<v Speaker 1>a good crewe person and then eventual producer from working

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<v Speaker 1>with my dad. But I don't think I clued into

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<v Speaker 1>wanting to be a performer. I just knew art was fun.

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<v Speaker 1>And then I think there was a period similarly to you,

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<v Speaker 1>because I'm also a night owl where I never wanted

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<v Speaker 1>to go to bed, and so I would get caught

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<v Speaker 1>watching Dragnet like on Nick at Night or reruns of

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<v Speaker 1>mister ed like, I've truly been a grandfather for my

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<v Speaker 1>whole life. But then I realized if I could get

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<v Speaker 1>my parents to hang out with me, yeah, yeah, then

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<v Speaker 1>I could usually stay up a little later.

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<v Speaker 2>Really, do you like the show? Whatever show you guys

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<v Speaker 2>want to watch?

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<v Speaker 1>Yeah, And then I'd start doing like a, oh, well,

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<v Speaker 1>why don't you let me do the voices? Oh, like,

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<v Speaker 1>I'll give I'll give you a performances grandpa yeah and

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<v Speaker 1>all his friends in Teenac, you know, and like, then

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<v Speaker 1>then I could stay up a little later. And I

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<v Speaker 1>had not thought about it in that way until I

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<v Speaker 1>was reading your reflections on how you became obsessed with

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<v Speaker 1>voice acting, and I was like, oh my god, we

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<v Speaker 1>would have been cool a little bit kid friends.

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<v Speaker 2>For sure, we would have stayed up till like two

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<v Speaker 2>in the morning.

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<v Speaker 1>I still want to stay up till I know.

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<v Speaker 2>Well, kids, we'll be back in just a minute.

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<v Speaker 1>But here's a word from our sponsors. Okay, so this

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<v Speaker 1>is my question for you. Completely. Yeah, they were taking

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<v Speaker 1>a left turn, but it's perfect thinking about you and

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<v Speaker 1>your two kids. Now that I love someone with two kids,

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<v Speaker 1>I I am having to become a morning person. Yeah,

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<v Speaker 1>because children are mourning people.

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<v Speaker 2>They just want to get up.

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<v Speaker 1>And I am I am a night person and I

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<v Speaker 1>mean even like diagnosed circadian rhythm by a sleep doctor. Oh,

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<v Speaker 1>you're one of the rare eight percent of people who

0:13:15.720 --> 0:13:19.520
<v Speaker 1>is a true night owl. How do you do it

0:13:20.000 --> 0:13:26.640
<v Speaker 1>as a mom? You don't have a choice, You just shift.

0:13:26.679 --> 0:13:31.400
<v Speaker 2>Don't have a choice. Yeah, you don't have a choice

0:13:31.440 --> 0:13:35.760
<v Speaker 2>at all. And it's like I remember my ex husband,

0:13:36.000 --> 0:13:39.880
<v Speaker 2>who's awesome, Scott, was saying, you know, he knew I

0:13:39.960 --> 0:13:42.120
<v Speaker 2>was a night owl, and he's like, let's, you know,

0:13:42.320 --> 0:13:44.480
<v Speaker 2>drive for a kid. I'm like, yeah, totally, But what

0:13:44.559 --> 0:13:47.240
<v Speaker 2>if they're what if what if they're like early birds,

0:13:47.280 --> 0:13:50.000
<v Speaker 2>you know, like you? Because he's just like, he'll be

0:13:50.080 --> 0:13:53.720
<v Speaker 2>up at five. Oh no, And I am he knew

0:13:53.760 --> 0:13:56.360
<v Speaker 2>I was such a night owl. And he's like, I'll

0:13:56.400 --> 0:14:00.440
<v Speaker 2>take care of morning shift forever. Don't worry about it.

0:14:00.520 --> 0:14:06.880
<v Speaker 2>So you have a kid, and guess what your boobs

0:14:07.840 --> 0:14:11.200
<v Speaker 2>are on morning shift, whether you like it or not,

0:14:11.360 --> 0:14:15.240
<v Speaker 2>meaning you're attached to your boobs and therefore morning shift occurs,

0:14:15.400 --> 0:14:17.920
<v Speaker 2>and then you're just trained. And the truth is, when

0:14:17.960 --> 0:14:22.520
<v Speaker 2>you're pregnant, you are the reason. I feel like the

0:14:22.560 --> 0:14:25.200
<v Speaker 2>reason why the body keeps you up all hours of

0:14:25.240 --> 0:14:27.920
<v Speaker 2>the night and in the morning, and everything is because

0:14:27.960 --> 0:14:30.760
<v Speaker 2>the body is just training you to just you sorry,

0:14:31.080 --> 0:14:33.920
<v Speaker 2>You're going to have to be doing feedings every two hours.

0:14:34.240 --> 0:14:36.560
<v Speaker 2>This is part of the training system that we put

0:14:36.560 --> 0:14:40.600
<v Speaker 2>in place, and so the pregnant body just kind of

0:14:40.680 --> 0:14:44.239
<v Speaker 2>starts training you. And then by the time you're deposited

0:14:45.200 --> 0:14:48.400
<v Speaker 2>on the other side of this like epic life moment

0:14:48.640 --> 0:14:54.640
<v Speaker 2>of child birth, you are You're like, I guess I'm

0:14:54.680 --> 0:14:57.880
<v Speaker 2>a person who's up all night and also in the morning. Oh,

0:14:58.240 --> 0:15:00.760
<v Speaker 2>I know, And then you start to paper off a

0:15:00.800 --> 0:15:02.760
<v Speaker 2>little and right when you get comfy, it's like there's

0:15:02.760 --> 0:15:05.680
<v Speaker 2>sleep aggression, you know, And so you're just needed. And

0:15:05.720 --> 0:15:11.880
<v Speaker 2>the truth is just like you're chemically you're chemically connected

0:15:11.920 --> 0:15:16.640
<v Speaker 2>to the progeny and the little being that is wanting sustends,

0:15:17.280 --> 0:15:19.360
<v Speaker 2>and so your brain, you know, your body's just like

0:15:19.400 --> 0:15:20.240
<v Speaker 2>all right, I'll give you.

0:15:20.840 --> 0:15:21.560
<v Speaker 1>I guess I'm doing.

0:15:21.600 --> 0:15:25.920
<v Speaker 2>It's just like in the same in a similar way.

0:15:26.080 --> 0:15:31.840
<v Speaker 2>You know, it's different because it doesn't have the chemical component.

0:15:31.880 --> 0:15:34.160
<v Speaker 2>But I love what we do so much, right, Like

0:15:34.240 --> 0:15:38.720
<v Speaker 2>I it is so hugely a part of I feel

0:15:38.760 --> 0:15:41.560
<v Speaker 2>so grateful and privileged to be able to be a

0:15:41.600 --> 0:15:45.360
<v Speaker 2>writer and a director and create these stories as an

0:15:45.440 --> 0:15:47.440
<v Speaker 2>actor and oh wow, get to be a part of

0:15:47.440 --> 0:15:54.520
<v Speaker 2>this creative ecosystem, you know, family. And so when they

0:15:54.600 --> 0:15:57.920
<v Speaker 2>say you have to be on set at six a m.

0:15:58.720 --> 0:16:01.960
<v Speaker 2>To be inherent makeup, you're not psyched, but you totally

0:16:02.000 --> 0:16:04.120
<v Speaker 2>do it. Yep, you wake up. You gotta get up

0:16:04.160 --> 0:16:05.640
<v Speaker 2>at five because you're gonna have to get picked up

0:16:05.640 --> 0:16:09.440
<v Speaker 2>by the van IoT fifteen and then the locations X

0:16:09.480 --> 0:16:11.640
<v Speaker 2>amount of way. So you're just doing it. Yep, there's

0:16:11.640 --> 0:16:14.920
<v Speaker 2>no it's there's no ques. You just do it. And

0:16:15.000 --> 0:16:18.840
<v Speaker 2>I think the adjustment of anything in life as an adult,

0:16:18.880 --> 0:16:22.360
<v Speaker 2>you know, it's just that. But I hear you. Yeah,

0:16:22.400 --> 0:16:26.360
<v Speaker 2>it is when your like body wants to be asleep

0:16:26.400 --> 0:16:30.760
<v Speaker 2>at certain times, you know, you just gotta you just.

0:16:30.720 --> 0:16:33.200
<v Speaker 1>Gotta do it. You just gotta Well that's the thing. Yeah,

0:16:33.520 --> 0:16:36.600
<v Speaker 1>it's been really interesting and I've nerded out a little

0:16:36.600 --> 0:16:40.040
<v Speaker 1>bit on the you know, the sleep prep where I'm like, okay,

0:16:40.040 --> 0:16:42.200
<v Speaker 1>this is when I got to turn my screens off. Yeah, yase,

0:16:42.200 --> 0:16:44.960
<v Speaker 1>I if I'm watching TV, it's not even it's not

0:16:45.040 --> 0:16:48.960
<v Speaker 1>ten nineteen. If it hits ten twenty one, it's like

0:16:49.040 --> 0:16:52.760
<v Speaker 1>a little gremlin who's jolly. Yeah in me is like

0:16:52.880 --> 0:16:55.440
<v Speaker 1>it's my time now. Yeah, yeah, And I just I

0:16:55.480 --> 0:16:57.880
<v Speaker 1>want to reorganize. I want to do laundry. I want

0:16:57.880 --> 0:17:00.440
<v Speaker 1>to watch television. I want to watch eight episodes.

0:17:00.040 --> 0:17:01.680
<v Speaker 2>Of television, get the whole season.

0:17:02.120 --> 0:17:05.080
<v Speaker 1>It's just so crazy. So I'm kind of like, Okay,

0:17:05.400 --> 0:17:07.400
<v Speaker 1>i gotta wind down at nine thirty. I'm gonna put

0:17:07.400 --> 0:17:11.520
<v Speaker 1>on your blue light glasses. Two and four oh nah, yeah,

0:17:11.560 --> 0:17:13.840
<v Speaker 1>about to be three, okay, just tur and four in it.

0:17:14.040 --> 0:17:16.960
<v Speaker 1>Oh yeah. And and my partner's the sweetest human in

0:17:16.960 --> 0:17:20.000
<v Speaker 1>the world because she's like, you missed the like warm

0:17:20.080 --> 0:17:23.760
<v Speaker 1>loaf of bread, the sleepy baby stage, like you you

0:17:23.840 --> 0:17:26.879
<v Speaker 1>came into the this world, our world with two toddlers,

0:17:27.600 --> 0:17:30.960
<v Speaker 1>and they're just like up all the time and absolutely amped.

0:17:31.000 --> 0:17:33.960
<v Speaker 1>And they are my favorite little humans. Like they're so

0:17:34.200 --> 0:17:39.600
<v Speaker 1>funny and so charming and wonderful and wild. And my

0:17:39.680 --> 0:17:42.080
<v Speaker 1>godson is right in the age between the two of them,

0:17:42.200 --> 0:17:45.560
<v Speaker 1>so it's just like pack of babies everywhere. My two

0:17:45.600 --> 0:17:49.080
<v Speaker 1>best friends have have recent one year olds, and it's

0:17:49.160 --> 0:17:50.160
<v Speaker 1>just like that's.

0:17:50.000 --> 0:17:50.719
<v Speaker 2>A lot, it's a lot.

0:17:50.760 --> 0:17:52.040
<v Speaker 1>We're having the most fun.

0:17:52.280 --> 0:17:52.879
<v Speaker 2>Yeah.

0:17:52.920 --> 0:17:55.240
<v Speaker 1>But yeah, I was like Oh I didn't. I didn't

0:17:55.240 --> 0:17:59.719
<v Speaker 1>get the like mostly napping phase. There's just it's just

0:17:59.800 --> 0:18:01.760
<v Speaker 1>you sign up for the sleeplessness, you do.

0:18:01.920 --> 0:18:04.240
<v Speaker 2>Yeah, and then you realize, I can't believe that I'm

0:18:04.320 --> 0:18:09.000
<v Speaker 2>actually I'm getting through this like you do anyway. Yeah.

0:18:09.040 --> 0:18:12.800
<v Speaker 1>I also will say in some of the you know,

0:18:12.840 --> 0:18:14.720
<v Speaker 1>as stressful as things have been in our day job

0:18:14.760 --> 0:18:17.600
<v Speaker 1>world where no one knows what's happening to our beautiful

0:18:17.600 --> 0:18:21.119
<v Speaker 1>industry in the in the times where we're not on

0:18:21.200 --> 0:18:25.280
<v Speaker 1>set hours and things like this are scheduled early or late,

0:18:25.720 --> 0:18:29.280
<v Speaker 1>I'm like, oh, it's nap time. I'm gonna nap too. Well,

0:18:29.359 --> 0:18:30.919
<v Speaker 1>if that changes my life.

0:18:31.040 --> 0:18:36.359
<v Speaker 2>The world is exhausting right now, you know. So it's gee,

0:18:36.359 --> 0:18:37.800
<v Speaker 2>what do you mean you.

0:18:37.760 --> 0:18:39.520
<v Speaker 1>Mean twenty twenty five something going on?

0:18:39.840 --> 0:18:43.240
<v Speaker 2>Yeah, I mean I just feel like the the endurance

0:18:43.359 --> 0:18:46.040
<v Speaker 2>race that we've even been on since COVID, you know,

0:18:46.359 --> 0:18:54.200
<v Speaker 2>is really you know, it's if you you know, Carpe Naptom,

0:18:54.400 --> 0:18:57.080
<v Speaker 2>you know, I just like, if you have the great

0:18:57.119 --> 0:19:01.040
<v Speaker 2>and beautiful privilege to rest, please do that for your

0:19:01.040 --> 0:19:02.440
<v Speaker 2>own health and well being. Yeah.

0:19:02.520 --> 0:19:05.359
<v Speaker 1>Like, if I get in a nap a month, I

0:19:05.400 --> 0:19:07.040
<v Speaker 1>feel like there should be a thing in my little

0:19:07.040 --> 0:19:09.800
<v Speaker 1>health app that I can. I want like a button

0:19:09.920 --> 0:19:13.480
<v Speaker 1>that gives me a gold coin like in Zelda Luxury. Yeah.

0:19:13.560 --> 0:19:17.399
<v Speaker 2>Yeah, because it's like two nap is to say that

0:19:17.440 --> 0:19:22.080
<v Speaker 2>you're worth shutting your system down and taking that time

0:19:22.200 --> 0:19:23.840
<v Speaker 2>to be that loaf of bread as it were.

0:19:24.040 --> 0:19:27.560
<v Speaker 1>Yeah, well, I will never forget. Many years ago, my

0:19:27.600 --> 0:19:32.840
<v Speaker 1>therapist saying to me about a friend's recently born kid.

0:19:33.800 --> 0:19:36.640
<v Speaker 1>Would you ever let that baby go without sleep? Would

0:19:36.680 --> 0:19:38.960
<v Speaker 1>you ever let that baby go hungry? Would you ever?

0:19:39.560 --> 0:19:42.000
<v Speaker 1>You know? And it was this sort of series of questions,

0:19:42.000 --> 0:19:44.639
<v Speaker 1>and she said, why do you, as an adult woman,

0:19:44.680 --> 0:19:49.119
<v Speaker 1>think you deserve less care? And I went ooof because

0:19:49.160 --> 0:19:51.080
<v Speaker 1>we would We would do anything for our kids. We

0:19:51.119 --> 0:19:54.320
<v Speaker 1>would do anything for the kids in our village, our friends' kids,

0:19:54.359 --> 0:19:57.760
<v Speaker 1>like we show up for them in these ways. And yeah,

0:19:57.800 --> 0:20:00.760
<v Speaker 1>on the off month that I get a nap, I'm like,

0:20:00.960 --> 0:20:02.440
<v Speaker 1>look at me self care.

0:20:02.880 --> 0:20:06.600
<v Speaker 2>Yeah, I mean, I I feel I think the main

0:20:06.640 --> 0:20:11.280
<v Speaker 2>thing is you feel guilt. I think as a parent.

0:20:11.920 --> 0:20:17.120
<v Speaker 2>You know, I'm a parent of children with learning differences,

0:20:17.200 --> 0:20:21.600
<v Speaker 2>and I'm divorced, I'm a single mom. You know. I

0:20:21.720 --> 0:20:24.080
<v Speaker 2>we're fifty to fifty with everything, you know, so it's

0:20:24.119 --> 0:20:27.679
<v Speaker 2>like there's this sense of I need to be doing

0:20:27.760 --> 0:20:30.520
<v Speaker 2>something also as an activist, as somebody who gives a

0:20:30.600 --> 0:20:35.639
<v Speaker 2>shit about the world, and how oppression just is just

0:20:37.200 --> 0:20:44.800
<v Speaker 2>reeking through every orifice of this, of every systemic system.

0:20:44.960 --> 0:20:51.639
<v Speaker 2>I don't space, place, place, countries, continents, world, I mean environment.

0:20:52.000 --> 0:20:58.280
<v Speaker 2>I mean so through that, I think, you know, do

0:20:58.359 --> 0:21:00.600
<v Speaker 2>you I feel personally? At least I can only speak

0:21:00.600 --> 0:21:03.240
<v Speaker 2>for myself that I can feel a sense of guilt

0:21:03.680 --> 0:21:07.160
<v Speaker 2>of how dare you rest? How dare you rest when

0:21:07.200 --> 0:21:11.159
<v Speaker 2>so many cannot? So that's where I come from, And

0:21:11.200 --> 0:21:17.160
<v Speaker 2>then I go, hey, guess what, you know, it is

0:21:17.359 --> 0:21:21.080
<v Speaker 2>my It is my responsibility to take care of myself

0:21:22.480 --> 0:21:24.480
<v Speaker 2>in order to take care of my children, in order

0:21:24.560 --> 0:21:29.399
<v Speaker 2>to be an activist, in order to be a human

0:21:29.440 --> 0:21:32.080
<v Speaker 2>who supports the values that I believe in. You know. Yeah,

0:21:32.119 --> 0:21:33.359
<v Speaker 2>so it's like you have to do it.

0:21:33.480 --> 0:21:34.920
<v Speaker 1>You have to. And I think one of the things

0:21:34.960 --> 0:21:40.480
<v Speaker 1>that's so important about that is to take time for joy,

0:21:41.200 --> 0:21:43.240
<v Speaker 1>not just because you as a human deserve it, but

0:21:43.280 --> 0:21:46.359
<v Speaker 1>also because joy is fuel. How are you supposed to

0:21:46.440 --> 0:21:51.159
<v Speaker 1>keep fighting oppression? How are you supposed to advocate for

0:21:51.359 --> 0:21:55.159
<v Speaker 1>our equal protections under the law if you're just fried

0:21:56.119 --> 0:21:56.920
<v Speaker 1>all the time.

0:21:57.359 --> 0:22:00.960
<v Speaker 2>I do think, Yeah, I think I think it is Ye.

0:22:01.080 --> 0:22:03.439
<v Speaker 2>I think I think joy is essential. I think that

0:22:05.480 --> 0:22:08.199
<v Speaker 2>I'm trying to show my children. I mean, that's the

0:22:08.240 --> 0:22:12.000
<v Speaker 2>other thing through the lens of being a parent and

0:22:12.480 --> 0:22:18.600
<v Speaker 2>being you know, able to show up for these young

0:22:18.680 --> 0:22:21.920
<v Speaker 2>minds and say, hey, look here's how I live my life.

0:22:22.040 --> 0:22:25.520
<v Speaker 2>I hope that I can't say to you, read more books.

0:22:25.560 --> 0:22:27.199
<v Speaker 2>If I don't read books, you know, it's like you

0:22:27.280 --> 0:22:32.200
<v Speaker 2>must be a mirror and a model and thank God

0:22:32.240 --> 0:22:35.480
<v Speaker 2>for them for that reason, you know, because I am

0:22:35.520 --> 0:22:39.159
<v Speaker 2>also saying I will do I will experience joy as well,

0:22:39.200 --> 0:22:43.199
<v Speaker 2>because part of the human condition, you know, sort of

0:22:43.200 --> 0:22:50.320
<v Speaker 2>feeds on and needs joy. It needs sadness, it needs mourning,

0:22:50.520 --> 0:22:54.360
<v Speaker 2>it needs activity. You know all these.

0:22:54.160 --> 0:22:57.600
<v Speaker 1>Things when you think about all the things you've created,

0:22:57.760 --> 0:23:01.480
<v Speaker 1>you know, characters and stories, you know from the books

0:23:01.480 --> 0:23:03.840
<v Speaker 1>to the movies, and then you make this shift into

0:23:03.840 --> 0:23:07.840
<v Speaker 1>writing a children's book. To me, it reads like such

0:23:07.840 --> 0:23:11.480
<v Speaker 1>a love letter to your kid and to other people's kids.

0:23:12.119 --> 0:23:14.920
<v Speaker 1>Was it easier do you think to do because you've

0:23:14.920 --> 0:23:17.399
<v Speaker 1>written so much before, or did it almost feel like

0:23:18.200 --> 0:23:20.280
<v Speaker 1>it had more weight because it's for her?

0:23:20.760 --> 0:23:25.760
<v Speaker 2>Well, it's interesting I felt writing all about brains was

0:23:26.280 --> 0:23:30.040
<v Speaker 2>very intuitive and easy for me because it really was

0:23:30.080 --> 0:23:36.679
<v Speaker 2>born from a place of listening. Nova was my daughter

0:23:37.320 --> 0:23:42.359
<v Speaker 2>has epilepsy, and I say she has epilepsy even though

0:23:42.440 --> 0:23:45.159
<v Speaker 2>she is seizure free currently, because she has a genetic mutation.

0:23:45.840 --> 0:23:49.480
<v Speaker 2>And so once you kind of have seizures, just say

0:23:49.640 --> 0:23:52.640
<v Speaker 2>you have epilepsy, just for the sake of honoring your

0:23:52.640 --> 0:24:00.600
<v Speaker 2>brain systems. Nova, because she has this genetic mutation, will

0:24:00.600 --> 0:24:04.880
<v Speaker 2>always carry it right, and how it has shown up

0:24:04.880 --> 0:24:09.840
<v Speaker 2>for her from a neurological standpoint of how her brain functions,

0:24:09.880 --> 0:24:13.480
<v Speaker 2>and how she interacts with the world and interacts with academics,

0:24:13.520 --> 0:24:17.720
<v Speaker 2>and how she enters with social emotional interactions. You know,

0:24:17.840 --> 0:24:22.040
<v Speaker 2>it's it's present in a multitude of ways that are

0:24:23.359 --> 0:24:27.639
<v Speaker 2>you know that you sure you could write down on paper,

0:24:27.680 --> 0:24:30.400
<v Speaker 2>but to live it. It feels so unique to her

0:24:31.000 --> 0:24:34.480
<v Speaker 2>and it's what makes her great and what makes her

0:24:35.720 --> 0:24:41.480
<v Speaker 2>a poet, you know, and all of those superpowers, those

0:24:41.760 --> 0:24:48.360
<v Speaker 2>uniqueness that those unique qualities as it were, when I

0:24:48.400 --> 0:24:52.399
<v Speaker 2>look at her and I experience her as a little

0:24:52.440 --> 0:24:57.480
<v Speaker 2>person who is coming up, the way she takes ownership

0:24:57.520 --> 0:24:59.800
<v Speaker 2>of it and and lives in it is what I

0:24:59.840 --> 0:25:04.040
<v Speaker 2>think really inspired the book because of how she speaks

0:25:04.080 --> 0:25:08.240
<v Speaker 2>about her neurological differences to her peers, and so it

0:25:08.280 --> 0:25:12.040
<v Speaker 2>was so easy to kind of like listen and then

0:25:12.119 --> 0:25:16.480
<v Speaker 2>digest and then yes. Even as a screenwriter myself and

0:25:16.520 --> 0:25:20.560
<v Speaker 2>how I sort of take on writing, which is through

0:25:20.600 --> 0:25:24.080
<v Speaker 2>the lens of different characters, I could use her as

0:25:24.200 --> 0:25:28.680
<v Speaker 2>that sort of beacon of little narrative.

0:25:29.520 --> 0:25:31.520
<v Speaker 1>We'll be back in just a minute after a few

0:25:31.520 --> 0:25:39.960
<v Speaker 1>words from our favorite sponsors. Okay, so this makes me

0:25:40.000 --> 0:25:42.800
<v Speaker 1>really curious, loving words the way you do and grammar

0:25:42.840 --> 0:25:46.199
<v Speaker 1>the way you do. What were the things that Nova

0:25:46.240 --> 0:25:50.280
<v Speaker 1>started to say to you that made you realize, Oh,

0:25:50.359 --> 0:25:53.639
<v Speaker 1>that's a new phrase, that's a new way of thinking.

0:25:53.680 --> 0:25:57.639
<v Speaker 1>The way you experience your genetic makeup is something I

0:25:57.680 --> 0:25:58.639
<v Speaker 1>want to write down.

0:25:59.240 --> 0:26:02.919
<v Speaker 2>She there was a moment where she had a seizure

0:26:02.920 --> 0:26:07.439
<v Speaker 2>and she apologized for it, and I think that it

0:26:07.600 --> 0:26:14.399
<v Speaker 2>caused a massive reframe. Need to reframe the narrative of

0:26:14.560 --> 0:26:18.639
<v Speaker 2>epilepsy in our lives and in our family. This is

0:26:18.800 --> 0:26:23.879
<v Speaker 2>not something we apologize for. Right. Seizures, we explained to

0:26:23.920 --> 0:26:29.000
<v Speaker 2>her are electrical misfires really in the brain. That it's

0:26:29.000 --> 0:26:32.280
<v Speaker 2>simply that you know all of our brains are comprised

0:26:32.400 --> 0:26:37.840
<v Speaker 2>of this mysterious electrical energy that is hard to map

0:26:37.880 --> 0:26:43.960
<v Speaker 2>out precisely. So anyway, with Nova, you know, in explaining

0:26:44.119 --> 0:26:49.520
<v Speaker 2>these electrical systems, she sort of digested that as, Oh,

0:26:49.520 --> 0:26:52.719
<v Speaker 2>there's like this sparkling magic that's happening. So it's like

0:26:52.760 --> 0:26:57.760
<v Speaker 2>this sparkle, right, this like like this sparkler that occurs

0:26:57.760 --> 0:27:00.520
<v Speaker 2>because that's electrically, it looks electrical or something. It has

0:27:00.720 --> 0:27:08.439
<v Speaker 2>sort of personality of something that is sort of bright

0:27:08.920 --> 0:27:13.760
<v Speaker 2>and speck of light, you know, and it feels special.

0:27:13.840 --> 0:27:16.920
<v Speaker 2>It feels special, and it sounds special. So then her

0:27:17.119 --> 0:27:21.560
<v Speaker 2>explaining it to Peers is what I think got me

0:27:21.640 --> 0:27:26.040
<v Speaker 2>really excited to think about, Oh, how could I explain this?

0:27:27.520 --> 0:27:33.000
<v Speaker 2>How could I show this experience like Nova's experience, like

0:27:33.160 --> 0:27:39.119
<v Speaker 2>her experiential sort of flavors of how she feels what

0:27:40.200 --> 0:27:45.600
<v Speaker 2>an epileptic epileptic convulsion feels like. That's interesting too, you know.

0:27:45.640 --> 0:27:47.320
<v Speaker 2>She would start to explain to me yo with this,

0:27:47.560 --> 0:27:49.560
<v Speaker 2>because I'd ask, I'm like, what does it feel like?

0:27:50.000 --> 0:27:52.640
<v Speaker 2>I'm just curious. I've never had one. Yeah, So here

0:27:52.680 --> 0:27:56.159
<v Speaker 2>you are a six year old, You're experiencing something I

0:27:56.280 --> 0:27:59.920
<v Speaker 2>have never experienced. And she's like okay, well, you know,

0:28:00.080 --> 0:28:02.680
<v Speaker 2>and she would explain that there was kind of a

0:28:03.320 --> 0:28:07.159
<v Speaker 2>tingling in her mouth, so sparkling in the mouth kind of,

0:28:08.520 --> 0:28:12.159
<v Speaker 2>and then that things go black and that she doesn't

0:28:13.800 --> 0:28:16.879
<v Speaker 2>then she says she's out, and then she comes back

0:28:17.040 --> 0:28:20.119
<v Speaker 2>and all of her body is tired. So it was like, oh, okay,

0:28:20.200 --> 0:28:23.840
<v Speaker 2>this is such such great information. Wow, And then we

0:28:23.880 --> 0:28:27.520
<v Speaker 2>started talking about it in this way of like this,

0:28:27.800 --> 0:28:29.920
<v Speaker 2>you don't have to apologize for this. This means you're

0:28:29.960 --> 0:28:34.200
<v Speaker 2>just operating on a level of you are like a shaman,

0:28:34.560 --> 0:28:38.440
<v Speaker 2>like you are when you have these sparkles, you gotta

0:28:38.480 --> 0:28:40.520
<v Speaker 2>let me know because that means you're sparkling more magic

0:28:40.560 --> 0:28:42.760
<v Speaker 2>than I am right now, and maybe everyone in the

0:28:42.800 --> 0:28:47.120
<v Speaker 2>room or maybe anyone on the block. So let me know, girl,

0:28:47.240 --> 0:28:49.720
<v Speaker 2>because when you're sparkling, like because I had to write

0:28:49.760 --> 0:28:52.760
<v Speaker 2>it down anyway in a log. Yeah, So when she

0:28:52.800 --> 0:28:55.680
<v Speaker 2>would feel them come on, because some seizures, just so

0:28:55.720 --> 0:28:58.280
<v Speaker 2>you know, are like not all the big fancy grand

0:28:58.320 --> 0:29:00.640
<v Speaker 2>mal ones where you fall down and it's a whole thing.

0:29:01.920 --> 0:29:05.080
<v Speaker 2>There's also myoclonic seizures, which were the little mini ones

0:29:05.120 --> 0:29:07.680
<v Speaker 2>that she would get, which were more stuttered in the mouth,

0:29:07.840 --> 0:29:11.920
<v Speaker 2>so you like that. Yes, So when you're trying to

0:29:11.920 --> 0:29:16.120
<v Speaker 2>experience say something and it it it trips up, it

0:29:16.160 --> 0:29:20.440
<v Speaker 2>looks like an electrical uh yeah, fl miss flip.

0:29:20.640 --> 0:29:21.800
<v Speaker 1>Yeah.

0:29:21.880 --> 0:29:24.200
<v Speaker 2>So she would have those And then that was really

0:29:24.200 --> 0:29:26.200
<v Speaker 2>interesting because I was like, oh, thank you so much

0:29:26.200 --> 0:29:28.120
<v Speaker 2>for letting me know that you had a mini you know,

0:29:28.520 --> 0:29:30.520
<v Speaker 2>she'd be like, I'm just like really smart today.

0:29:30.560 --> 0:29:33.080
<v Speaker 1>I'm like, oh, oh, do you know?

0:29:33.200 --> 0:29:35.360
<v Speaker 2>So it became that instead of sorry.

0:29:35.040 --> 0:29:37.640
<v Speaker 1>But what an amazing thing that you, as a parent

0:29:38.760 --> 0:29:41.720
<v Speaker 1>were not only able to reframe it to get her

0:29:41.800 --> 0:29:45.719
<v Speaker 1>out of the feeling of needing to apologize for herself,

0:29:46.480 --> 0:29:49.760
<v Speaker 1>you know, because we all know the crazy research about

0:29:49.760 --> 0:29:53.120
<v Speaker 1>how much women say sorry all the time. So to

0:29:53.200 --> 0:29:57.920
<v Speaker 1>help stop that impulse, but also to take the fear

0:29:58.000 --> 0:30:01.160
<v Speaker 1>away for her, because you are you turning this into

0:30:01.200 --> 0:30:05.320
<v Speaker 1>something sparkly, letting her know she's doing something and you

0:30:05.360 --> 0:30:08.800
<v Speaker 1>want to know about it, and to take that what

0:30:08.880 --> 0:30:11.680
<v Speaker 1>I would imagine at first caused a lot of terror

0:30:11.720 --> 0:30:16.280
<v Speaker 1>and anxiety for your child, and to help her feel

0:30:16.960 --> 0:30:21.120
<v Speaker 1>powerful in her body instead like makes me want to sob.

0:30:21.280 --> 0:30:23.840
<v Speaker 2>It's what the book is about. So it's like it

0:30:24.880 --> 0:30:29.320
<v Speaker 2>me too. I mean the second I saw her shift

0:30:30.040 --> 0:30:35.000
<v Speaker 2>her perception of seizures and report one to me while

0:30:35.040 --> 0:30:36.920
<v Speaker 2>she was in the other room, come running in and say,

0:30:37.360 --> 0:30:41.480
<v Speaker 2>I'm smart today, you know, like I'm fired on all cylinders.

0:30:41.520 --> 0:30:43.320
<v Speaker 2>You know. It's like, oh you have a mini all

0:30:43.440 --> 0:30:46.440
<v Speaker 2>right girl, like a shoot. You know. Was such a

0:30:46.480 --> 0:30:53.560
<v Speaker 2>great moment. And so I think that the book with

0:30:53.720 --> 0:30:58.440
<v Speaker 2>that same respect of our neurological differences that we all

0:30:58.480 --> 0:31:03.160
<v Speaker 2>imbue in some shade. And my own feeling is like

0:31:03.640 --> 0:31:05.680
<v Speaker 2>I said to Nova. I say to Nova all the time,

0:31:05.720 --> 0:31:07.960
<v Speaker 2>like everybody's walking around here, and everybody's got a thing,

0:31:08.200 --> 0:31:09.719
<v Speaker 2>you know what I mean. You don't see it, but

0:31:09.880 --> 0:31:13.920
<v Speaker 2>they've got it some shade of something. Of course, I'm dyslexic,

0:31:14.080 --> 0:31:15.920
<v Speaker 2>like not running around going on.

0:31:16.600 --> 0:31:20.480
<v Speaker 1>As an adult, I got diagnosed with ADHD. Or He's like, wow, okay,

0:31:20.680 --> 0:31:23.480
<v Speaker 1>so does a lot of things really make more sense

0:31:23.640 --> 0:31:25.840
<v Speaker 1>for me? I wish I'd knowne this as a kid. Sure,

0:31:26.080 --> 0:31:29.800
<v Speaker 1>maybe I didn't have to white knuckle through the like

0:31:30.080 --> 0:31:35.080
<v Speaker 1>overachieving tendency of my neurospiciness mixed with like growing up

0:31:35.280 --> 0:31:40.280
<v Speaker 1>with an immigrant dad. Okay, but that that was so

0:31:40.520 --> 0:31:44.160
<v Speaker 1>special even for me as an adult reading the book

0:31:45.640 --> 0:31:49.440
<v Speaker 1>as nova opens up for our listeners at home to

0:31:49.480 --> 0:31:53.360
<v Speaker 1>her class. In this beautiful children's book, so many other

0:31:53.480 --> 0:31:58.120
<v Speaker 1>kids in the class begin to share their thing and

0:31:59.320 --> 0:32:03.120
<v Speaker 1>to read about her classmate sharing about her ADHD. I

0:32:03.240 --> 0:32:05.760
<v Speaker 1>was like, oh my god, I needed this book. It

0:32:05.800 --> 0:32:09.240
<v Speaker 1>made me feel so emo even in my adult body.

0:32:10.040 --> 0:32:14.600
<v Speaker 1>And what it really, I think beautifully reminds readers of,

0:32:15.560 --> 0:32:17.880
<v Speaker 1>is this thing you're saying that you remind your kid

0:32:17.960 --> 0:32:21.840
<v Speaker 1>in the world that everyone's got their own particular brain.

0:32:23.120 --> 0:32:27.280
<v Speaker 1>And I find it really refreshing in a time to

0:32:27.400 --> 0:32:30.840
<v Speaker 1>relate to our earlier conversation, which might sound sad, but

0:32:30.880 --> 0:32:34.440
<v Speaker 1>I think is actually really beautiful. In a time when

0:32:35.440 --> 0:32:42.120
<v Speaker 1>our exceptional leaps in our medical and psychological practices mean

0:32:42.160 --> 0:32:44.920
<v Speaker 1>that more and more people learn what their thing is

0:32:46.600 --> 0:32:50.160
<v Speaker 1>are advancements. Our ability to see people is actually being attacked,

0:32:50.760 --> 0:32:54.160
<v Speaker 1>and it's being scapegoaded so that people who want to

0:32:54.160 --> 0:32:57.000
<v Speaker 1>make a bunch of money selling you non approved vitamins

0:32:57.440 --> 0:33:00.680
<v Speaker 1>can convince you not to get the vaccine that you need.

0:33:02.120 --> 0:33:04.400
<v Speaker 1>It drives me crazy, you know, because people want to

0:33:04.440 --> 0:33:06.280
<v Speaker 1>talk about that, but they don't want to talk about

0:33:06.280 --> 0:33:07.680
<v Speaker 1>the fact they you know, they like to say, oh,

0:33:07.680 --> 0:33:10.640
<v Speaker 1>pharmacy pharma is a billion dollar a year industry, and

0:33:10.680 --> 0:33:13.080
<v Speaker 1>I'm like, yeah, the supplement industry is over four billion

0:33:13.160 --> 0:33:15.080
<v Speaker 1>dollars a year. So who do you think is grifting?

0:33:15.480 --> 0:33:18.680
<v Speaker 1>The doctors or the people who don't have to adhere

0:33:18.720 --> 0:33:23.840
<v Speaker 1>to medical standards. So it's like, for me, it hit home.

0:33:24.080 --> 0:33:26.400
<v Speaker 1>You know, you're not talking about politics in the book,

0:33:26.440 --> 0:33:28.120
<v Speaker 1>You're you're in a kid's classroom.

0:33:28.160 --> 0:33:31.320
<v Speaker 2>Yeah, who we talk about meds. We talk about medication exactly.

0:33:31.480 --> 0:33:35.320
<v Speaker 1>And what I loved is that without having to get

0:33:35.480 --> 0:33:40.360
<v Speaker 1>overtly political, what you're doing as a mom is celebrating

0:33:40.520 --> 0:33:44.400
<v Speaker 1>your own kid and everyone else's kids for whatever they

0:33:44.560 --> 0:33:48.040
<v Speaker 1>are and how lucky they are to know what they are.

0:33:48.120 --> 0:33:51.080
<v Speaker 1>Whether they have anxiety, or one kid is on the

0:33:51.120 --> 0:33:54.880
<v Speaker 1>autism spectrum, or your kid has epilepsy or another kid

0:33:54.920 --> 0:33:59.120
<v Speaker 1>has ADHD. They are being celebrated for the ways they

0:33:59.240 --> 0:34:04.160
<v Speaker 1>see their world, their friends, their classroom, their teacher, and

0:34:04.200 --> 0:34:08.080
<v Speaker 1>I just like it really makes me want to cry.

0:34:08.280 --> 0:34:11.000
<v Speaker 2>Well, no, it's beautiful, Thank you. I appreciate that. I

0:34:11.040 --> 0:34:13.600
<v Speaker 2>feel like we are in a time where I think

0:34:13.640 --> 0:34:18.680
<v Speaker 2>what keeps me up at night is not understanding how

0:34:18.800 --> 0:34:21.640
<v Speaker 2>I mean the core of our humanity and what makes us.

0:34:21.680 --> 0:34:28.680
<v Speaker 2>Human is caring for other humans and being in community

0:34:28.760 --> 0:34:36.600
<v Speaker 2>with other bodies, regardless of their brains, their shapes, their colors.

0:34:37.000 --> 0:34:41.240
<v Speaker 2>It's like we're you know, I religions, and I feel

0:34:41.239 --> 0:34:48.240
<v Speaker 2>like anything short of ultimately you know I, anything short

0:34:48.360 --> 0:35:01.399
<v Speaker 2>of ultimate radical kindness and love is just like violent. Yeah,

0:35:01.560 --> 0:35:05.680
<v Speaker 2>you know. It's like I really look around and I'm

0:35:05.719 --> 0:35:10.480
<v Speaker 2>just like, you know, yes, my book has this generosity

0:35:10.880 --> 0:35:14.839
<v Speaker 2>of spirit as anything that I'm going to write in

0:35:14.880 --> 0:35:20.600
<v Speaker 2>my life will always have that because I think of,

0:35:25.000 --> 0:35:28.680
<v Speaker 2>you know, if I can impart anything, I mean, in

0:35:31.160 --> 0:35:34.360
<v Speaker 2>the lives of young minds, but also in parents as well.

0:35:35.320 --> 0:35:39.799
<v Speaker 2>I just feel exhausted with the idea that somehow it's

0:35:39.920 --> 0:35:42.640
<v Speaker 2>radical to be inclusive.

0:35:43.440 --> 0:35:49.320
<v Speaker 1>Yeah. What strikes me constantly is this is the whole point,

0:35:50.040 --> 0:35:53.680
<v Speaker 1>the point of evolving as humans, of becoming a more

0:35:53.760 --> 0:36:00.000
<v Speaker 1>globally connected society, of having our most successful social media

0:36:00.200 --> 0:36:04.080
<v Speaker 1>app be for picture sharing so you can see where

0:36:04.200 --> 0:36:07.759
<v Speaker 1>and how other people live. The whole point is to

0:36:07.800 --> 0:36:11.960
<v Speaker 1>be nicer to each other. And people can sell this

0:36:12.680 --> 0:36:19.040
<v Speaker 1>really old world tribalism through fear, and I'm like, wouldn't

0:36:19.040 --> 0:36:21.880
<v Speaker 1>it be so much nicer for us all to not

0:36:22.000 --> 0:36:24.880
<v Speaker 1>be afraid and just I don't know, be able to

0:36:24.920 --> 0:36:27.680
<v Speaker 1>go to the doctor and breathe clean air. Like doesn't

0:36:27.680 --> 0:36:28.640
<v Speaker 1>that just sound better?

0:36:28.920 --> 0:36:31.000
<v Speaker 2>Yeah? I mean I was just talking about this with

0:36:31.000 --> 0:36:33.560
<v Speaker 2>the friend of mine who's an activist, and it's like, I,

0:36:33.840 --> 0:36:37.840
<v Speaker 2>you know, the systems, you know, It's like, uh, we

0:36:37.880 --> 0:36:40.080
<v Speaker 2>want to burn the systems down. I'm like, the systems

0:36:40.080 --> 0:36:43.480
<v Speaker 2>are like a knot. It's like your hair. It's like

0:36:43.680 --> 0:36:46.600
<v Speaker 2>knotted hair. They're tiny, tiny not It's not like you

0:36:46.640 --> 0:36:48.600
<v Speaker 2>can sit down in an afternoon and kind of like

0:36:49.680 --> 0:36:53.560
<v Speaker 2>undo them, right, And there's thousands and millions of them,

0:36:53.800 --> 0:36:56.200
<v Speaker 2>these systems, you know. Yes, so we have to be

0:36:57.760 --> 0:37:11.280
<v Speaker 2>within the systems radically conscientious and active and and kind

0:37:11.800 --> 0:37:20.239
<v Speaker 2>and and unrelent you know, relentless with our radical compassion.

0:37:20.480 --> 0:37:23.920
<v Speaker 1>Yeah, I think about it. You know. The difference, I

0:37:23.920 --> 0:37:26.920
<v Speaker 1>would say from becoming an activist in my twenties and

0:37:26.960 --> 0:37:30.319
<v Speaker 1>the version of that for me today is to use

0:37:30.360 --> 0:37:33.960
<v Speaker 1>your not analogy. It's not just that it's knotted like

0:37:34.080 --> 0:37:37.640
<v Speaker 1>your hair. It's your hair. If you burn it down,

0:37:37.880 --> 0:37:41.799
<v Speaker 1>you burn with it. And so the most radical kind

0:37:41.840 --> 0:37:43.920
<v Speaker 1>of care is to sit with people and help them

0:37:44.000 --> 0:37:48.680
<v Speaker 1>untake And I actually think that when you're younger and

0:37:49.200 --> 0:37:52.439
<v Speaker 1>less patient. The idea of burning a whole system down

0:37:52.560 --> 0:37:55.840
<v Speaker 1>sounds cool, but when you as you get older and

0:37:55.880 --> 0:37:58.520
<v Speaker 1>you actually learn to hold more things to be true

0:37:58.560 --> 0:37:59.799
<v Speaker 1>at the same time.

0:38:00.160 --> 0:38:02.920
<v Speaker 2>The nuanced For sure, the nuance matters.

0:38:03.320 --> 0:38:05.960
<v Speaker 1>And actually the way to be radical is to stay

0:38:05.960 --> 0:38:08.160
<v Speaker 1>in the fight for your whole life. Yes, I think

0:38:08.160 --> 0:38:09.799
<v Speaker 1>about activism.

0:38:09.680 --> 0:38:12.240
<v Speaker 2>Using voice right, like coming back to voice.

0:38:12.520 --> 0:38:15.640
<v Speaker 1>Yes, but I think about activism as the longest marriage

0:38:15.640 --> 0:38:18.759
<v Speaker 1>I'll ever be in. Right, you know, I am dedicated

0:38:18.800 --> 0:38:20.799
<v Speaker 1>to this place and how we leave it for our

0:38:20.880 --> 0:38:26.440
<v Speaker 1>kids first and foremost. And if you treat your activism

0:38:26.560 --> 0:38:28.840
<v Speaker 1>like your greatest love story, it's also going to be

0:38:28.920 --> 0:38:31.360
<v Speaker 1>ugly sometimes it's going to be it's going to require

0:38:31.440 --> 0:38:32.319
<v Speaker 1>patience and.

0:38:32.280 --> 0:38:34.799
<v Speaker 2>Like dadding sometimes, Yeah.

0:38:34.560 --> 0:38:38.240
<v Speaker 1>That's that's what I want, And I you know, someone

0:38:38.440 --> 0:38:40.759
<v Speaker 1>Some might say it's ironic for two divorced women to

0:38:40.800 --> 0:38:44.040
<v Speaker 1>be sitting here having this conversation, but I actually think

0:38:44.800 --> 0:38:47.000
<v Speaker 1>it's part of how I how I came to that

0:38:47.120 --> 0:38:51.440
<v Speaker 1>analogy because I went, oh, I get it. This, this

0:38:51.680 --> 0:38:54.200
<v Speaker 1>is the thing that I will actually be the most

0:38:54.200 --> 0:38:57.640
<v Speaker 1>patient with. I'm much more willing to wake up one

0:38:57.680 --> 0:39:00.160
<v Speaker 1>day and say, oh, I'm in the wrong thing and

0:39:00.280 --> 0:39:04.080
<v Speaker 1>move along for myself, but for us, I'm like, oh no,

0:39:04.400 --> 0:39:07.640
<v Speaker 1>I am married to this country. You can't get rid

0:39:07.719 --> 0:39:10.000
<v Speaker 1>of me. I mean, you are stuck with me forever.

0:39:10.560 --> 0:39:13.839
<v Speaker 2>I'm married to I think. You know, it's interesting when

0:39:13.840 --> 0:39:15.920
<v Speaker 2>you talk about that, the activism. Well you say I'm

0:39:15.920 --> 0:39:20.080
<v Speaker 2>married to this country, right, and I'm like, I think

0:39:21.440 --> 0:39:24.239
<v Speaker 2>this planet. Maybe, yeah, maybe I'm married. I'm married to

0:39:24.280 --> 0:39:27.520
<v Speaker 2>the to the planet and to the you know, to

0:39:27.640 --> 0:39:32.799
<v Speaker 2>humanity right where it's like, I can't first of all,

0:39:32.800 --> 0:39:40.200
<v Speaker 2>I can't unsee what we've seen, right possible, And I

0:39:41.080 --> 0:39:43.719
<v Speaker 2>am in solidarity with you. I feel the same way.

0:39:43.840 --> 0:39:47.520
<v Speaker 2>I do think that, you know, I'm kind of thinking, like,

0:39:47.560 --> 0:39:50.160
<v Speaker 2>why why is it so ironic the two divorced women

0:39:50.200 --> 0:39:52.520
<v Speaker 2>talking about that. I actually think it makes all the

0:39:52.560 --> 0:39:58.640
<v Speaker 2>sense in the world, you know. I'm so grateful to

0:39:58.800 --> 0:40:02.440
<v Speaker 2>be in this space now at my age. I'm in

0:40:02.520 --> 0:40:06.239
<v Speaker 2>my forties, and I know who I am, and I

0:40:06.360 --> 0:40:10.440
<v Speaker 2>understand that that little activist was inside me my whole life,

0:40:10.600 --> 0:40:13.720
<v Speaker 2>you know, and showing up in different ways and feeling

0:40:13.800 --> 0:40:16.279
<v Speaker 2>like I wasn't invited to the party of active, I

0:40:16.320 --> 0:40:20.000
<v Speaker 2>wasn't even allowed to be participatory, and it didn't feel

0:40:20.040 --> 0:40:26.640
<v Speaker 2>like I I mean, my mom was definitely showing me

0:40:27.160 --> 0:40:32.200
<v Speaker 2>some forms of active activism. But I think that how

0:40:32.280 --> 0:40:36.640
<v Speaker 2>great that we get to write our own, our own

0:40:36.719 --> 0:40:42.920
<v Speaker 2>path and then use our voices to be betrothed to this,

0:40:43.719 --> 0:40:49.520
<v Speaker 2>you know, to the cause of all bodies, you know.

0:40:50.480 --> 0:41:00.279
<v Speaker 1>And now for our sponsors. So much of your work, inquity,

0:41:01.480 --> 0:41:04.880
<v Speaker 1>you have focused in our industry for women and with

0:41:04.960 --> 0:41:09.080
<v Speaker 1>women in Film and everything that you do. How did

0:41:09.120 --> 0:41:12.120
<v Speaker 1>you find that kind of home for yourself.

0:41:12.680 --> 0:41:17.000
<v Speaker 2>It's interesting. I've served on the board for nine years

0:41:17.040 --> 0:41:19.480
<v Speaker 2>and then I had to cycle out and Women in

0:41:19.480 --> 0:41:22.640
<v Speaker 2>Film and I had such a tremendous experience there, I

0:41:22.640 --> 0:41:28.719
<v Speaker 2>think realizing that obviously culture moves with culture, right, so

0:41:29.000 --> 0:41:38.040
<v Speaker 2>in order to in order to really move things from

0:41:38.640 --> 0:41:41.720
<v Speaker 2>you know, in a way that people alter how people

0:41:41.760 --> 0:41:45.080
<v Speaker 2>think or open the minds of how people think, we

0:41:45.160 --> 0:41:48.320
<v Speaker 2>have to utilize storytelling. And so it felt like Women

0:41:48.360 --> 0:41:53.040
<v Speaker 2>in Film was and is still an organization really worth

0:41:54.480 --> 0:41:58.600
<v Speaker 2>supporting because it's helping create culture. And so there are

0:41:59.120 --> 0:42:03.440
<v Speaker 2>these and also highlighting where they are massive inequities within

0:42:03.760 --> 0:42:06.040
<v Speaker 2>our industry, which is the industry that I love and

0:42:06.080 --> 0:42:12.960
<v Speaker 2>care about. I think as I've expanded and had to

0:42:13.040 --> 0:42:15.880
<v Speaker 2>cycle off of the board. I still support women in

0:42:15.920 --> 0:42:21.439
<v Speaker 2>film tremendously, and now I am I'm working with Women

0:42:21.480 --> 0:42:27.960
<v Speaker 2>for Women International, who I love, and I stay within

0:42:29.400 --> 0:42:38.640
<v Speaker 2>organizations that I think are empowering and building a positive

0:42:38.920 --> 0:42:45.600
<v Speaker 2>system of support for women in their communities where they

0:42:45.680 --> 0:42:50.479
<v Speaker 2>are marginalized, but also just without infrastructure. So I think

0:42:52.760 --> 0:42:57.480
<v Speaker 2>that's where my voice and life force energy lie. And

0:42:57.760 --> 0:43:01.600
<v Speaker 2>also I'm with you and looking around and seeing the

0:43:01.680 --> 0:43:09.520
<v Speaker 2>gross discrimination of our within our country and the pain

0:43:09.719 --> 0:43:12.880
<v Speaker 2>and oppression that has been here for since this country

0:43:12.960 --> 0:43:18.880
<v Speaker 2>was founded. That is just a loud and front and center.

0:43:19.400 --> 0:43:21.360
<v Speaker 1>Is it kind of crazy to you that we've essentially

0:43:21.440 --> 0:43:25.000
<v Speaker 1>had one generation of virtual I'm not going to say

0:43:25.040 --> 0:43:28.279
<v Speaker 1>actual equity for men and women, but like closer than

0:43:28.320 --> 0:43:30.840
<v Speaker 1>ever before. You know, like my mom couldn't get a

0:43:30.840 --> 0:43:34.279
<v Speaker 1>credit card without a man's permission until nineteen seventy four, right,

0:43:34.360 --> 0:43:38.000
<v Speaker 1>so we're really the first generation. You know, Granted, we

0:43:38.080 --> 0:43:40.520
<v Speaker 1>know women get funded less, you know, our movies get made,

0:43:40.560 --> 0:43:43.080
<v Speaker 1>love like anywhere. Whatever. We know, we know all the stats,

0:43:43.400 --> 0:43:45.680
<v Speaker 1>but I'm like, god, we just started to get like

0:43:45.880 --> 0:43:49.319
<v Speaker 1>a little bit of freedom. We had one generation of

0:43:49.440 --> 0:43:51.440
<v Speaker 1>us who could get a credit card and file for

0:43:51.480 --> 0:43:54.399
<v Speaker 1>a no fault divorce, and now y'all want to roll

0:43:54.440 --> 0:43:56.480
<v Speaker 1>it back. Are you that scared of us?

0:43:57.080 --> 0:44:04.560
<v Speaker 2>I mean, I mean even you know, there is such

0:44:06.480 --> 0:44:15.560
<v Speaker 2>flagrant misogyny and white supremacy in this country that is

0:44:16.960 --> 0:44:24.880
<v Speaker 2>baked into the bedrock of so many of our systems

0:44:25.000 --> 0:44:29.720
<v Speaker 2>that it is like, I think, if anything, it's most

0:44:29.760 --> 0:44:36.920
<v Speaker 2>recent that the awakening of us all realizing, certainly as

0:44:36.960 --> 0:44:41.360
<v Speaker 2>white bodies, to realize that this has been going on

0:44:42.520 --> 0:44:45.560
<v Speaker 2>from day one. It's like when you have the privilege

0:44:45.600 --> 0:44:51.719
<v Speaker 2>of not you know, people who say, oh, you know,

0:44:52.000 --> 0:44:54.439
<v Speaker 2>I'm not really political, and I'm like, well, that's because

0:44:54.440 --> 0:44:55.400
<v Speaker 2>the system is working for you.

0:44:55.640 --> 0:44:57.160
<v Speaker 1>Yeah, Okay, you don't have to be.

0:44:57.280 --> 0:45:01.520
<v Speaker 2>That's a privilege to not be political. So I think

0:45:01.680 --> 0:45:07.160
<v Speaker 2>understanding that and being thoughtful and not being overly self righteous,

0:45:07.239 --> 0:45:08.920
<v Speaker 2>you know, but the idea that you're just like, I'm

0:45:08.960 --> 0:45:16.040
<v Speaker 2>aware and I'm wanting to be a part of educating

0:45:16.040 --> 0:45:21.840
<v Speaker 2>myself and being supportive of of real and true equity.

0:45:22.080 --> 0:45:28.880
<v Speaker 1>Yeah, and realizing that the scarcity mentality, yes, lie, And

0:45:28.960 --> 0:45:32.440
<v Speaker 1>when you feel like, oh god, if we achieve this,

0:45:32.560 --> 0:45:33.520
<v Speaker 1>will I lose?

0:45:33.840 --> 0:45:35.960
<v Speaker 2>That's what they want you to feel Yeah, I mean,

0:45:35.960 --> 0:45:39.959
<v Speaker 2>and it's like, no, if we win, we all win. Yeah,

0:45:40.000 --> 0:45:44.040
<v Speaker 2>if if if some are not free, then we're not free.

0:45:44.440 --> 0:45:46.520
<v Speaker 1>So yeah, because then it's just an illusion.

0:45:46.800 --> 0:45:50.560
<v Speaker 2>Yeah, it's it's it's like, but you have to like really,

0:45:53.680 --> 0:45:55.840
<v Speaker 2>I mean certainly I think in our generation too, I

0:45:55.840 --> 0:45:58.640
<v Speaker 2>think that, like you said, there's this oh we got it,

0:45:58.640 --> 0:46:01.120
<v Speaker 2>we can we can vote, we can get.

0:46:01.800 --> 0:46:04.000
<v Speaker 1>Look, we won all these rights and now they're set.

0:46:04.480 --> 0:46:06.279
<v Speaker 1>It's like they're not set. We got to hold on

0:46:06.280 --> 0:46:06.600
<v Speaker 1>to them.

0:46:06.719 --> 0:46:12.160
<v Speaker 2>You gotta hold onto them. And then also be aware

0:46:12.160 --> 0:46:16.680
<v Speaker 2>that so many other marginalized groups are in a constant

0:46:16.680 --> 0:46:20.839
<v Speaker 2>state and have never still still not thriving. So it's like, god,

0:46:20.920 --> 0:46:22.520
<v Speaker 2>damn it. You know, it's like we have so much

0:46:22.560 --> 0:46:26.319
<v Speaker 2>work to do. But then as at least we have megaphones,

0:46:26.400 --> 0:46:32.719
<v Speaker 2>you know, And you know, I really try to even

0:46:32.840 --> 0:46:38.360
<v Speaker 2>in non megaphone ways, I try to like live my

0:46:38.480 --> 0:46:41.440
<v Speaker 2>values as I walk down the street and sit in

0:46:41.480 --> 0:46:45.560
<v Speaker 2>the subway and who who you know, like how I interact,

0:46:45.600 --> 0:46:47.680
<v Speaker 2>how I pick up the trash from the you know,

0:46:48.160 --> 0:46:51.240
<v Speaker 2>this old woman across the street, you know, like trying

0:46:51.280 --> 0:46:54.799
<v Speaker 2>to show and also with my children, I'm like, yeah,

0:46:54.800 --> 0:46:57.000
<v Speaker 2>this is who we are, okay, it's like this is

0:46:57.000 --> 0:46:59.120
<v Speaker 2>where you're from, Okay, totally.

0:46:59.440 --> 0:47:03.040
<v Speaker 1>So yeah, it's little things. It's like it's funny that

0:47:03.080 --> 0:47:04.719
<v Speaker 1>you say, you know, you pick up the trash or

0:47:04.760 --> 0:47:07.160
<v Speaker 1>you do this thing, you set an example when no

0:47:07.200 --> 0:47:10.480
<v Speaker 1>one's watching. Also because it's who you are, you live

0:47:10.520 --> 0:47:14.040
<v Speaker 1>your values. And the other day, I was on a

0:47:14.040 --> 0:47:17.040
<v Speaker 1>couple of planes last week and I had a layover

0:47:17.239 --> 0:47:20.880
<v Speaker 1>in Denver Flags. Yeah, you know, sick layover was great,

0:47:21.400 --> 0:47:23.799
<v Speaker 1>and I went to the restroom in the airport as

0:47:23.840 --> 0:47:27.440
<v Speaker 1>one does, and you know, it's like midday. The whole

0:47:27.480 --> 0:47:30.719
<v Speaker 1>countertop in between every sink is wet, and I had

0:47:30.760 --> 0:47:33.720
<v Speaker 1>like a three hour layover, and I got extra paper

0:47:33.760 --> 0:47:37.080
<v Speaker 1>towels and just started like drying up the countertop and

0:47:37.719 --> 0:47:39.719
<v Speaker 1>I saw this woman at the other end of the

0:47:39.760 --> 0:47:43.640
<v Speaker 1>counter like kind of look at me, and I saw

0:47:43.680 --> 0:47:45.360
<v Speaker 1>her pause. I was doing the thing where I was

0:47:45.400 --> 0:47:47.520
<v Speaker 1>really watching out of my peripheral, which I think I've

0:47:47.520 --> 0:47:49.839
<v Speaker 1>gotten good at, because it's like on set, I need

0:47:49.840 --> 0:47:51.879
<v Speaker 1>to know when the person I'm not supposed to see

0:47:51.960 --> 0:47:54.320
<v Speaker 1>is coming, so I turned at the correct time for camera,

0:47:54.440 --> 0:47:57.359
<v Speaker 1>you know, to not get the shot. And so it's

0:47:57.400 --> 0:47:59.399
<v Speaker 1>so stupid, but I'm like, ooh, I have a really

0:47:59.440 --> 0:48:01.880
<v Speaker 1>wide per here, and I like see her and she

0:48:02.000 --> 0:48:03.840
<v Speaker 1>takes a beat and then she gets a couple of

0:48:03.840 --> 0:48:07.560
<v Speaker 1>paper towels and starts drying, and we literally met in

0:48:07.640 --> 0:48:09.719
<v Speaker 1>the middle of the counter and looked at each other

0:48:09.760 --> 0:48:14.399
<v Speaker 1>and just nodded and like went about our day. It was, oh,

0:48:14.520 --> 0:48:19.160
<v Speaker 1>girlhood is my It's like just my joy the countertops.

0:48:19.560 --> 0:48:21.359
<v Speaker 1>We were like, you know, we did it. We did

0:48:21.400 --> 0:48:23.560
<v Speaker 1>a nice thing, and nobody saw us, but I saw

0:48:23.600 --> 0:48:25.360
<v Speaker 1>you and you saw me, and this is cool.

0:48:25.880 --> 0:48:28.759
<v Speaker 2>And it's like she's a huge one tree hill fanto.

0:48:28.719 --> 0:48:30.839
<v Speaker 1>By the way, if she was, she played it so cool.

0:48:30.880 --> 0:48:36.000
<v Speaker 1>I have no idea, but like, it's just little things

0:48:36.000 --> 0:48:38.920
<v Speaker 1>are capable of having such a ripple effect and you

0:48:39.000 --> 0:48:41.960
<v Speaker 1>can pause and be generous in your space at any time.

0:48:42.600 --> 0:48:45.759
<v Speaker 2>It's it's so true, and I feel like, look, not

0:48:45.840 --> 0:48:47.759
<v Speaker 2>every day. Some days you're going to be like I'm

0:48:47.920 --> 0:48:48.520
<v Speaker 2>pissy today.

0:48:49.280 --> 0:48:51.879
<v Speaker 1>Some days you're the nightmare person at the airport, like

0:48:52.360 --> 0:48:52.839
<v Speaker 1>we try.

0:48:53.040 --> 0:48:56.040
<v Speaker 2>But but for the majority of the time, yeah, I mean,

0:48:57.719 --> 0:48:59.920
<v Speaker 2>you know, people I say to my kids too, I'm

0:48:59.920 --> 0:49:03.279
<v Speaker 2>like ninety nine point nine percent of the people as

0:49:03.280 --> 0:49:06.239
<v Speaker 2>you walk down the street are good. Yeah they are.

0:49:06.680 --> 0:49:09.080
<v Speaker 2>I mean, I'm just telling you there's a you know,

0:49:09.280 --> 0:49:12.920
<v Speaker 2>zero point one percent okay that are like born bad.

0:49:13.000 --> 0:49:14.520
<v Speaker 2>I guess I don't know whatever that means, and it

0:49:14.600 --> 0:49:18.960
<v Speaker 2>means we'd be like, you know, they want to harm

0:49:19.080 --> 0:49:22.160
<v Speaker 2>or something. But otherwise, I mean, people are pretty good.

0:49:22.160 --> 0:49:25.360
<v Speaker 2>They're gonna look different than you. They might have differences,

0:49:25.400 --> 0:49:29.560
<v Speaker 2>like you got differences, and it's okay. I'm just telling

0:49:29.600 --> 0:49:32.920
<v Speaker 2>you you don't have to like fear the world. Yeah, okay,

0:49:33.320 --> 0:49:35.480
<v Speaker 2>because this is the problem we're growing up because I

0:49:35.520 --> 0:49:37.920
<v Speaker 2>have to. I have to manage myself as well. Where

0:49:37.960 --> 0:49:44.600
<v Speaker 2>it's like, you know, how do I not fear the world?

0:49:44.800 --> 0:49:46.960
<v Speaker 2>The world? You know, we have so much anxiety. We're

0:49:47.000 --> 0:49:51.160
<v Speaker 2>reading in the news and you're just like, there's a

0:49:51.280 --> 0:49:56.279
<v Speaker 2>thousand ways to die today, Yeah for everyone. Yeah, and

0:49:56.320 --> 0:49:58.480
<v Speaker 2>it's just like Jesus Christ and.

0:49:58.440 --> 0:50:00.080
<v Speaker 1>You gotta combat it.

0:50:00.120 --> 0:50:01.200
<v Speaker 2>But do you take a nap?

0:50:01.920 --> 0:50:03.279
<v Speaker 1>Then once a month you get you.

0:50:03.360 --> 0:50:05.520
<v Speaker 2>Take a month, you take well maybe once a week

0:50:05.680 --> 0:50:06.520
<v Speaker 2>if you can't month.

0:50:06.880 --> 0:50:10.480
<v Speaker 1>I think it's really cool though, that you It sounds

0:50:10.480 --> 0:50:16.840
<v Speaker 1>to me like you are constantly able to claim the good,

0:50:18.560 --> 0:50:20.640
<v Speaker 1>not just for yourself, but because you're also modeling it

0:50:20.680 --> 0:50:21.560
<v Speaker 1>for your kids.

0:50:21.880 --> 0:50:25.000
<v Speaker 2>Yeah, I think it's kids. But then it's also like, oh,

0:50:25.239 --> 0:50:27.920
<v Speaker 2>like you said, you guys were wiping down those counters,

0:50:28.280 --> 0:50:30.839
<v Speaker 2>and there's just something about that woman's gonna then walk

0:50:30.880 --> 0:50:33.120
<v Speaker 2>on to hurt. You felt better, right that you had

0:50:33.120 --> 0:50:36.880
<v Speaker 2>a comrade in that, and you I believe in society

0:50:36.960 --> 0:50:39.920
<v Speaker 2>and yeah, I'm like, see people are good. Yeah, so

0:50:39.960 --> 0:50:42.960
<v Speaker 2>you're having that feeling, she's having that feeling. Yeah, and

0:50:43.000 --> 0:50:46.080
<v Speaker 2>then she's gonna you know, that's gonna ripple, like you

0:50:46.120 --> 0:50:48.440
<v Speaker 2>said to the person she's sitting next to, you know,

0:50:48.560 --> 0:50:52.279
<v Speaker 2>in Denver or whatever. So the point is, I'm with you.

0:50:52.560 --> 0:50:55.879
<v Speaker 2>I think that when you feel helpless, it's like, yes,

0:50:56.120 --> 0:50:57.799
<v Speaker 2>you're gonna do all the thing. You're going to go

0:50:57.840 --> 0:51:00.600
<v Speaker 2>to the protest. You're gonna go you know, you're gonna

0:51:00.600 --> 0:51:04.880
<v Speaker 2>call your representative. You're going to you know, write a

0:51:04.960 --> 0:51:06.960
<v Speaker 2>check if you can. You're gonna buy a T shirt

0:51:07.000 --> 0:51:09.600
<v Speaker 2>and support of X, Y or Z, and then you're

0:51:09.640 --> 0:51:11.520
<v Speaker 2>gonna pick up that piece of trash. You're gonna wipe

0:51:11.520 --> 0:51:13.920
<v Speaker 2>down a counter, You're gonna smile, you're gonna have a

0:51:13.960 --> 0:51:16.680
<v Speaker 2>conver Like I had a conversation with a guy who

0:51:16.760 --> 0:51:19.440
<v Speaker 2>came onto the subway and just was immediately like wanted

0:51:19.480 --> 0:51:23.120
<v Speaker 2>to start talking about the subway cars and the models

0:51:23.120 --> 0:51:25.239
<v Speaker 2>of the subway cars. He clear he's a delivery guy,

0:51:25.280 --> 0:51:26.800
<v Speaker 2>but he boy, he had all the answers.

0:51:27.160 --> 0:51:28.640
<v Speaker 1>Sounds like the little boy in your book.

0:51:29.000 --> 0:51:31.399
<v Speaker 2>Yes, totally, Yeah, there was totally. And I was thinking,

0:51:31.440 --> 0:51:34.640
<v Speaker 2>you know, I'm always under the impression that like, since

0:51:34.719 --> 0:51:37.759
<v Speaker 2>I have some neurodiversity, you have some everybody in this

0:51:37.880 --> 0:51:40.240
<v Speaker 2>room has some nerd adversity. They're looking at us rabbits.

0:51:41.000 --> 0:51:44.160
<v Speaker 2>But the point is like the whole you know, this

0:51:44.200 --> 0:51:47.600
<v Speaker 2>man walks in clearly like he's got some stuff going on,

0:51:47.640 --> 0:51:50.040
<v Speaker 2>and I'm like, let's get into it. It's like I

0:51:50.080 --> 0:51:51.840
<v Speaker 2>was like, you're kidding me. This was born Okay, so

0:51:52.040 --> 0:51:54.200
<v Speaker 2>these were made in Japan. What parts were we to

0:51:54.239 --> 0:51:57.000
<v Speaker 2>j We just went into it, put down my book

0:51:57.080 --> 0:52:02.040
<v Speaker 2>and we just like had a great conversation, and you know,

0:52:02.480 --> 0:52:04.400
<v Speaker 2>the New Yorker and me is like, this is what

0:52:04.719 --> 0:52:06.960
<v Speaker 2>I fall in love with New York every time I'm

0:52:07.040 --> 0:52:10.960
<v Speaker 2>here for that reason, because too you can you can

0:52:11.719 --> 0:52:15.319
<v Speaker 2>you can like participate with the city, or you can

0:52:15.360 --> 0:52:15.839
<v Speaker 2>sit back.

0:52:15.920 --> 0:52:19.120
<v Speaker 3>It's there for the taking. Well, you can engage or

0:52:19.160 --> 0:52:22.280
<v Speaker 3>watch totally. And I like that you can do whatever

0:52:22.320 --> 0:52:24.880
<v Speaker 3>you would ever given day. And I like that you

0:52:25.000 --> 0:52:27.879
<v Speaker 3>got the encyclopedic coverage. The subway cars, I.

0:52:27.800 --> 0:52:29.359
<v Speaker 2>Really didn't realize. I was like, oh yeah, the ones

0:52:29.400 --> 0:52:32.479
<v Speaker 2>with the orange and the yellow seats. That's different making

0:52:32.560 --> 0:52:34.680
<v Speaker 2>model right, And it's like, oh yeah, yeah.

0:52:34.480 --> 0:52:36.600
<v Speaker 1>Oh yeah, I had to really get Those are my

0:52:36.640 --> 0:52:39.960
<v Speaker 1>favorite the like seventies technicolor or something like cars are

0:52:39.960 --> 0:52:40.759
<v Speaker 1>my favorite ones.

0:52:40.760 --> 0:52:42.680
<v Speaker 2>Those are usually yeah, those go deep.

0:52:42.840 --> 0:52:44.880
<v Speaker 1>I love it. Okay, we have to take a subway

0:52:44.960 --> 0:52:46.000
<v Speaker 1>ride before you go home.

0:52:46.000 --> 0:52:48.680
<v Speaker 2>Indeed, and I'm going to do it tonight awest for

0:52:48.760 --> 0:52:49.759
<v Speaker 2>this same.

0:52:51.800 --> 0:52:54.000
<v Speaker 1>So tech tell the people. I know we're coming up

0:52:54.040 --> 0:52:56.919
<v Speaker 1>on time, because my poor producer is like, ladies, you're

0:52:56.920 --> 0:53:02.799
<v Speaker 1>not at lunch. Stop talking, but tell the people where

0:53:02.840 --> 0:53:06.280
<v Speaker 1>to find the book, where to find the audio book,

0:53:06.320 --> 0:53:08.319
<v Speaker 1>even though I know it's been a minute since it

0:53:08.360 --> 0:53:11.759
<v Speaker 1>came out, but it's my favorite, and about the new show,

0:53:12.040 --> 0:53:14.080
<v Speaker 1>and then I promise I'll let you go on the subway.

0:53:14.400 --> 0:53:19.239
<v Speaker 2>So first, All About Brains is the children's book that

0:53:19.280 --> 0:53:23.479
<v Speaker 2>you can purchase on pretty much any bookseller right now,

0:53:23.880 --> 0:53:27.160
<v Speaker 2>also at Simon and Schuster Kids. But then, yeah, I

0:53:27.160 --> 0:53:29.160
<v Speaker 2>mean you could go into the Barnes and Nobles as

0:53:29.200 --> 0:53:31.879
<v Speaker 2>it were. You could go on a mega site which

0:53:31.880 --> 0:53:36.239
<v Speaker 2>I will not even mention, go to bookshop. Yeah, you

0:53:36.280 --> 0:53:40.000
<v Speaker 2>can go to Libro or whatever. But yeah, you can

0:53:40.040 --> 0:53:46.760
<v Speaker 2>go to a multitude of local small bookshops and.

0:53:46.680 --> 0:53:49.359
<v Speaker 1>The Strand if you're in Manhattan one of the best. Yeah.

0:53:49.440 --> 0:53:54.480
<v Speaker 2>Yeah, it's actually it's kind of it's everywhere and that,

0:53:54.640 --> 0:53:56.879
<v Speaker 2>and I highly recommend it. And the age range because

0:53:56.880 --> 0:53:58.480
<v Speaker 2>a lot of people ask me that it's anywhere from

0:53:58.520 --> 0:54:03.279
<v Speaker 2>like four years old to twelve basically, but obviously you

0:54:03.360 --> 0:54:05.520
<v Speaker 2>also enjoyed it. Yeah you're a full grown woman.

0:54:06.320 --> 0:54:08.480
<v Speaker 1>Yeah, it made me cry, so that's cool. The age

0:54:08.560 --> 0:54:10.160
<v Speaker 1>range goes well past forty two.

0:54:10.200 --> 0:54:17.160
<v Speaker 2>Everyone past forty two. So, and then Inside Voice with

0:54:17.239 --> 0:54:21.200
<v Speaker 2>How We Sound is an audiobook that I highly recommend

0:54:21.239 --> 0:54:24.759
<v Speaker 2>it with Pushkin. It's still available with Malcolm Gladwell's Pushkin,

0:54:24.840 --> 0:54:28.520
<v Speaker 2>but also on I believe, on Audible and anywhere you

0:54:28.520 --> 0:54:32.240
<v Speaker 2>can get your sort of audiobooks. So that's a fun listen,

0:54:32.480 --> 0:54:35.840
<v Speaker 2>lots of really exciting interviews and whatnot with some of

0:54:35.840 --> 0:54:39.160
<v Speaker 2>the most iconic voices. And then the show that I'm

0:54:39.200 --> 0:54:45.080
<v Speaker 2>doing is called The Chair Company with Tim Robinson, great

0:54:45.080 --> 0:54:48.600
<v Speaker 2>comedian that I adore, and I'm so jazzed to be

0:54:48.640 --> 0:54:51.240
<v Speaker 2>a part of this series. It comes out on HBO

0:54:52.080 --> 0:54:52.560
<v Speaker 2>in the fall.

0:54:53.000 --> 0:54:56.120
<v Speaker 1>Can't wait. Yeah, I'm so excited. So we're caught up

0:54:56.120 --> 0:54:59.600
<v Speaker 1>on all of the work. And for my last question

0:54:59.719 --> 0:55:01.400
<v Speaker 1>for you, it can be a work thing, but it

0:55:01.480 --> 0:55:05.120
<v Speaker 1>might also be a personal thing. You've got a lot

0:55:05.840 --> 0:55:08.839
<v Speaker 1>kind of cooking at the moment. When you look at

0:55:08.880 --> 0:55:11.120
<v Speaker 1>the sort of landscape of life right now, what feels

0:55:11.160 --> 0:55:15.400
<v Speaker 1>like you're work in progress?

0:55:16.360 --> 0:55:19.120
<v Speaker 2>My work in progress will be forever being a parent,

0:55:19.480 --> 0:55:29.920
<v Speaker 2>I think being an activist. Those two are in me,

0:55:31.400 --> 0:55:33.840
<v Speaker 2>whether I like it or not, on a cellular level,

0:55:34.480 --> 0:55:37.239
<v Speaker 2>on a daily from the second I wake up in

0:55:37.239 --> 0:55:39.839
<v Speaker 2>the morning, as I go to sleep, and I you know,

0:55:39.920 --> 0:55:45.960
<v Speaker 2>these are the those are the two tenants of my

0:55:46.120 --> 0:55:49.960
<v Speaker 2>work in progress as a person. I would say as

0:55:49.960 --> 0:55:54.200
<v Speaker 2>a woman, but I think just as a person, and

0:55:54.320 --> 0:56:01.560
<v Speaker 2>so I know they're both a privilege to you know,

0:56:01.760 --> 0:56:05.880
<v Speaker 2>the privilege as you spoke of, to evolve, but really

0:56:05.920 --> 0:56:11.319
<v Speaker 2>to evolve within these tenets of activism and mothering and

0:56:11.360 --> 0:56:16.680
<v Speaker 2>being what it is to be a present. And I'm

0:56:16.680 --> 0:56:19.800
<v Speaker 2>not going to say good mother, because I think that's unfair.

0:56:19.800 --> 0:56:24.200
<v Speaker 2>I think just to be a present mother with love,

0:56:24.640 --> 0:56:27.799
<v Speaker 2>you know, mm hmm. And I'll lets you know if

0:56:27.840 --> 0:56:28.640
<v Speaker 2>that changes at all.

0:56:28.840 --> 0:56:32.200
<v Speaker 1>I think it's really beautiful. Thank you God.

0:56:32.239 --> 0:56:33.040
<v Speaker 2>I got a stretch