WEBVTT - Episode 407 w/ will.i.am

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<v Speaker 1>He is Drink Chants mother fucking podcast man Sime.

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<v Speaker 2>He's a legendary Queens rapper. He's agreed as your boy.

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<v Speaker 3>In O R E.

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<v Speaker 4>He's a Miami hip hop pyoneer put up as d

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<v Speaker 4>J e f N.

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<v Speaker 2>Together, they drink it up with some.

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<v Speaker 4>Of the biggest players, you know what I mean.

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<v Speaker 5>And the most professional unprofessional podcast.

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<v Speaker 2>And your number one source for drunk drink chans every

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<v Speaker 2>day is New Year's S.

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<v Speaker 4>Listen, it's time for Drink Champs.

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<v Speaker 2>Drink up for the Yeah, what's up? How can I

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<v Speaker 2>assist you today?

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<v Speaker 4>Oh no, we're just getting ready to uh do this interview,

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<v Speaker 4>So just stay on the standby because we don't drink

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<v Speaker 4>Champs and I just wanted you to, like, you know,

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<v Speaker 4>be posted up because about to go in. It's legendary

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<v Speaker 4>the shows dope.

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<v Speaker 6>That sounds absolutely legendary, you know what I mean. Getting

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<v Speaker 6>ready for Drink Champs is big vibes. I'm here for

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<v Speaker 6>you on standby, ready to jump in whenever you need

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<v Speaker 6>you feel me.

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<v Speaker 2>A man series just save the world? Are you ready?

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<v Speaker 2>Would it good? Be?

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<v Speaker 3>Hoping?

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<v Speaker 2>Should be?

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<v Speaker 4>This?

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<v Speaker 2>Your boy in r E, d J e f N

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<v Speaker 2>and his drink taf Now.

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<v Speaker 1>Now we've been doing this for eight years and we

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<v Speaker 1>like to do our due diligence. When I tell you,

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<v Speaker 1>when I was doing research on this man, it was

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<v Speaker 1>one of the.

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<v Speaker 2>Funniest I've ever done. This man has put us on

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<v Speaker 2>to AI in two thousand and ten.

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<v Speaker 1>He is hands down one of the best producers in

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<v Speaker 1>the world. He can make any type of music. He

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<v Speaker 1>has made every type of music. He is a writer, producer.

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<v Speaker 2>Fashion icon, f one representative.

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<v Speaker 1>To me, he's just one of the he's He is

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<v Speaker 1>hands down one of the most unique individuals.

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<v Speaker 2>In this world.

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<v Speaker 4>Thanks bro, he is.

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<v Speaker 1>In case you don't know who were talking about, we

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<v Speaker 1>talking about the one, the only, the impeccable motherfucker.

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<v Speaker 2>I'm off top drinking some Japanese whiskey to you. So,

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<v Speaker 2>I watching.

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<v Speaker 1>That video from twenty and ten when you're speaking about

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<v Speaker 1>AI and what it's going to do almost was scary,

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<v Speaker 1>Like I had goose watching it because you hit it

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<v Speaker 1>on the nose. You said exactly what AI is and.

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<v Speaker 2>Did you did you? How did you research that?

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<v Speaker 4>Like? So, I like to hunt. I like to go

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<v Speaker 4>out and just get as much information as possible, pattern

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<v Speaker 4>match and then like project out what is the next

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<v Speaker 4>five to ten years look like. So at that point

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<v Speaker 4>in time, I was hanging out in my t a

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<v Speaker 4>lot when Black Eyed Peas would go out.

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<v Speaker 7>And tour Boston.

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<v Speaker 4>That's crazy. And there was a professor by the name

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<v Speaker 4>rest in Peace, professor, Professor Patrick Winston, who was the

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<v Speaker 4>head of AI at m I T And I was

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<v Speaker 4>like really just hyped on, you know, the concept of AI,

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<v Speaker 4>the promise of AI. And at that point in time,

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<v Speaker 4>the world was in a AI winching, meaning the folks

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<v Speaker 4>that were developing AI. The funding was sparse and not

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<v Speaker 4>a lot of like folks was really hip. What years

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<v Speaker 4>is exactly wrong? When I was going to tea hanging

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<v Speaker 4>out in professional Patrick Winston's class, that was two thousand

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<v Speaker 4>and seven, eight nine, so super early and development wow.

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<v Speaker 4>And so I was so like And then at that

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<v Speaker 4>point in time I started working at Intel. I was

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<v Speaker 4>in the futurist department at Intel. Wow. And the whole

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<v Speaker 4>premise of these futurist departments, like you're supposed to be

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<v Speaker 4>super plausible. If somebody shows you something, you can't just

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<v Speaker 4>give you opinion. If you don't like it, you got

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<v Speaker 4>to give them, you know, reasons on why you don't

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<v Speaker 4>like it, and then how to improve it. If you

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<v Speaker 4>don't have a reason on how to improve it, then

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<v Speaker 4>save your opinion.

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<v Speaker 7>Like that's and then because where it can go.

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<v Speaker 4>That's how you're like super valuable in these types of

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<v Speaker 4>brainstorming sessions.

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<v Speaker 7>And so my first couple of sessions.

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<v Speaker 4>They kept calling me back because I would, you know,

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<v Speaker 4>look around corners, see how like certain technologies will play out.

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<v Speaker 4>So from that like projecting out like wow, if a

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<v Speaker 4>computer could do this right now, and we're moving to

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<v Speaker 4>digital and napture happened in two thousand and compute is

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<v Speaker 4>getting even more indistinguishable. Like a piano sounds pretty a

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<v Speaker 4>synth piano sounds like a freaking you know, a real

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<v Speaker 4>big ass you know, Yamaha Steinway. And if compute and

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<v Speaker 4>synthesizers can do like that, well then that means the

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<v Speaker 4>projection of that well, we just a matter of time

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<v Speaker 4>before the computer will understand the whole entire English language,

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<v Speaker 4>being able to take all the timbers of the voice

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<v Speaker 4>high notes, low notes, and you'll be able to type

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<v Speaker 4>in lyrics and the machine will sing it, say it,

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<v Speaker 4>produce it. And that was unheard of in two thousand

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<v Speaker 4>and nine, because the Transformer wasn't the Transformer paper wasn't

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<v Speaker 4>written yet. So folks that don't know what the Transformer paper,

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<v Speaker 4>the t and chat GPT comes from.

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<v Speaker 8>The Google Transformer paper the t ST contused with decepticons

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<v Speaker 8>and autobots.

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<v Speaker 4>Turns out that ain't too sci fi, that that actually

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<v Speaker 4>could come to it. That that that's plausa the robotic Transformer. Yeah,

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<v Speaker 4>that ain't too far to be able to have like

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<v Speaker 4>some type of machine take a different form and speaking ship.

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<v Speaker 4>Back in the eighties, when we were watching cartoons that

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<v Speaker 4>were like, yeah, right, that ain't real, you know, It's

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<v Speaker 4>like Aladdin wasn't real the genie in the bottle.

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<v Speaker 7>Turns out that's just real.

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<v Speaker 1>Right, So I want to tell you a story. I

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<v Speaker 1>knew I was going to start off with this. I

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<v Speaker 1>went to go see Buster Rhymes in the studio. Bust

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<v Speaker 1>was in the studio with you, right, and at the

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<v Speaker 1>time that you're so on fire, Like I was so

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<v Speaker 1>scared to talk to you, right, I was like until

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<v Speaker 1>I actually mentioned and I realized that you was cool

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<v Speaker 1>as ship.

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<v Speaker 2>Right, But I don't know if you had knew.

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<v Speaker 1>This guy in the hallway, like you went to the

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<v Speaker 1>like it was going somewhere and I don't know if

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<v Speaker 1>you knew this guy, but you see a Mexican dude, right,

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<v Speaker 1>and you.

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<v Speaker 2>Was like oh that he and I looked at you.

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<v Speaker 2>I was like, what the fuck?

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<v Speaker 1>Like you turned full fledged Mexicans like I saw you.

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<v Speaker 2>And for years I was telling people this story right,

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<v Speaker 2>and people was like I was, I was, I was

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<v Speaker 2>spreading in the rumor. I was like, man, I think,

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<v Speaker 2>well I am is a Mexican gang member.

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<v Speaker 4>I was telling.

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<v Speaker 1>People, was like, no, you're crazy in your wild until

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<v Speaker 1>you did Big Boys neighborhood just now and you actually

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<v Speaker 1>did the accident, and now I actually got to see it,

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<v Speaker 1>and I was like, you finally got me under the

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<v Speaker 1>hot water, Like because so, I guess this is a

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<v Speaker 1>long question you're from.

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<v Speaker 2>He's supposed to ask this.

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<v Speaker 4>See mom, don your fucking life like I grew up

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<v Speaker 4>right there on a street and Olympic and no disrespectful

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<v Speaker 4>because a lot of motherfuckers are gonna hear me and

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<v Speaker 4>ship They're gonna think I'm clowning, disrespectful, not even home.

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<v Speaker 4>This is when I grew up food, This is how

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<v Speaker 4>I was. Don everybody in my neighbor out, they know

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<v Speaker 4>me like what's up? And in there in the way

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<v Speaker 4>they're watching this ship, like Willie don You're you're not

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<v Speaker 4>a shoutouts out, what's up? What's up? What's up here?

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<v Speaker 4>Drink chet, you know, don't tell my fucking mom I'm drinking.

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<v Speaker 2>I'm gonna tell you because.

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<v Speaker 1>For years, growing up in New York, black and brown

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<v Speaker 1>people are like Simon Taylors together.

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<v Speaker 2>A lot of times.

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<v Speaker 1>When I went to the Los Angeles, I didn't see that.

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<v Speaker 1>So me hearing you like it like that was the

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<v Speaker 1>first time I said I heard that because I was like, whoa,

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<v Speaker 1>like you know, like you.

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<v Speaker 4>Know, you know what I'm saying.

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<v Speaker 2>I was trying to say. It's like.

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<v Speaker 1>In the East Coast was so like intertwined, but in

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<v Speaker 1>the West Coast it's not.

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<v Speaker 2>But when I met, when I, you know, found out

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<v Speaker 2>your situation, I was like, oh ship.

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<v Speaker 4>I was signing Easy. I signed Easy when I was

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<v Speaker 4>sixteen years old. And he was like, ain't nigga the

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<v Speaker 4>mother's fucking essays?

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<v Speaker 7>Love your ass, nigga.

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<v Speaker 4>I was like, because he knew people from my neighborhood,

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<v Speaker 4>he was like, nigga, you crazy nigga, Like look.

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<v Speaker 7>At how you dressed nigga.

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<v Speaker 4>I always thought you was weird niggas, Like now now

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<v Speaker 4>makes sense, nigga because you like because everybody thought we

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<v Speaker 4>was either Dominican or Panamanians. It makes sense right because

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<v Speaker 4>if you like Krispy Dark like me, and you had

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<v Speaker 4>like growing up, I had a thick Mexican accent. It

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<v Speaker 4>was like there's not many Afro Mexicans that people know.

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<v Speaker 7>Or blowlos or blowlas.

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<v Speaker 4>A blowlo is a black trolo, and a blowla is

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<v Speaker 4>a black trola like, and there's a lot of there's

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<v Speaker 4>a lot of blolos food, and like when I go home,

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<v Speaker 4>it'll be like sock check food. Sock check is trollos.

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<v Speaker 4>They were high socks, oh ship, like socks be high

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<v Speaker 4>all the time.

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<v Speaker 2>When I play handball, my socks is high.

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<v Speaker 4>All the time, like right now, like my ship's high up.

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<v Speaker 4>So they're gonna be like a food you want to

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<v Speaker 4>drink chan food socks. I'm like, hell yeah, I love.

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<v Speaker 7>I love my neighborhood. I love I love Boyle.

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<v Speaker 4>Heights, like to to my heart, like like I went

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<v Speaker 4>back to my neighborhood. I started my school teaching kids

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<v Speaker 4>robotics and computer science in two thousand and eight and

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<v Speaker 4>now that I had sixty five kids in my program.

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<v Speaker 4>Now with my partnership with LAUSD, we serve over fourteen

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<v Speaker 4>thousand students in LA. We win four hundred schools or

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<v Speaker 4>robotics computer science like Royal Heights, East, LA. Like my

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<v Speaker 4>people still there. My aunt works at the homeless shelter.

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<v Speaker 4>My uncle still to this day is the basketball coach

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<v Speaker 4>keeping the kids off the street. Like that. If I

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<v Speaker 4>wasn't doing music, orf I didn't have success, we would

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<v Speaker 4>still be in the neighborhood. We would still be doing

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<v Speaker 4>the work that we do across the street from our school.

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<v Speaker 4>My aunt works at the police station. Like we got

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<v Speaker 4>a six four nine four five. That's my aunt.

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<v Speaker 3>Bro.

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<v Speaker 4>Every time I go back home, be like, hey Willie,

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<v Speaker 4>we love your aunt full, your whole family dog. You

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<v Speaker 4>know you guys are really cool for the neighborhood. Like

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<v Speaker 4>my life to this day black and brown. It was

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<v Speaker 4>always feuding in LA, but they showed my family love

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<v Speaker 4>from the fifties. We've been in the projects in since

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<v Speaker 4>the fifties, Wow, like projects. Like when I moved my

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<v Speaker 4>mom oft to projects, we was crying like I'll be back,

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<v Speaker 4>so I still go back every time I'm home. I

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<v Speaker 4>go back on Sundays like clockwork. When I'm home, I

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<v Speaker 4>still shop at the supermarket on Thanksgiving to get my

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<v Speaker 4>maside to make my fucking Tamali's. I'm like, for real,

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<v Speaker 4>that's life. So it's a part of your DNA. Yeah,

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<v Speaker 4>it's a beautiful thing.

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<v Speaker 2>Let's speak. I was so happy when you do.

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<v Speaker 1>I told y'all because I didn't know if I was

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<v Speaker 1>catching like a moment, like I didn't. I didn't know

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<v Speaker 1>what I saw when I saw it, But I was like, yo,

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<v Speaker 1>he's a mannerism. It's the same like it's like, you know,

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<v Speaker 1>it's a certain thing like Puerto Ricans this.

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<v Speaker 2>No, you can't say the Mexican. You just can't. It's

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<v Speaker 2>in you. It's not and.

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<v Speaker 7>So but it's a center the thing.

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<v Speaker 4>I'm not in no way am I being disrespectful or

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<v Speaker 4>like because the folks, for folks that may see it,

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<v Speaker 4>and they don't know where I come from. I know

0:13:21.160 --> 0:13:24.600
<v Speaker 4>what that looks like. That looks like a man like

0:13:25.080 --> 0:13:30.120
<v Speaker 4>what's this fuckerre doing? Dog? Like this fucker rooms like No,

0:13:30.200 --> 0:13:32.640
<v Speaker 4>it's not like that's how I was raised. I can't

0:13:32.640 --> 0:13:37.800
<v Speaker 4>help where I was born and raised. I can't help

0:13:37.880 --> 0:13:42.280
<v Speaker 4>like the community that that is a part of my

0:13:43.040 --> 0:13:46.280
<v Speaker 4>the bricks, it's a part of my like my structure,

0:13:47.280 --> 0:13:52.200
<v Speaker 4>and I love it. I love it. Like I went,

0:13:52.480 --> 0:13:55.360
<v Speaker 4>there's this artist by the name of Juwan Sebastian rest

0:13:55.360 --> 0:13:55.760
<v Speaker 4>in Peace.

0:13:56.240 --> 0:13:57.640
<v Speaker 7>He's like a regional.

0:13:58.800 --> 0:14:03.840
<v Speaker 4>Hero icon and then from Mexico, and so I did

0:14:03.840 --> 0:14:07.040
<v Speaker 4>a song with Juwan Sebastian, like way before people were

0:14:07.040 --> 0:14:11.440
<v Speaker 4>doing regional stuff. In two thousand and uh eleven to twelve,

0:14:12.280 --> 0:14:16.720
<v Speaker 4>I flew down to Mexico, worked with Juwan Sebastian, called

0:14:16.760 --> 0:14:18.880
<v Speaker 4>my next door neighbors like Calvin.

0:14:19.000 --> 0:14:20.800
<v Speaker 7>No, not Calvin, it was Noad, no wad. Put your

0:14:20.840 --> 0:14:21.480
<v Speaker 7>dad on the phone.

0:14:21.480 --> 0:14:24.480
<v Speaker 4>Food. He was like, fucking Willie Dog. Where you at.

0:14:24.520 --> 0:14:25.480
<v Speaker 7>I'm like, well, I'm in Mexico.

0:14:25.560 --> 0:14:27.480
<v Speaker 4>Food, I want to I want your dad to talk

0:14:27.520 --> 0:14:33.080
<v Speaker 4>to Juan Sebastian, Big, big Fabian his dad's name is Fabian.

0:14:33.920 --> 0:14:37.880
<v Speaker 4>Gets on the phone. He was like, I really talking

0:14:37.880 --> 0:14:40.880
<v Speaker 4>to me in Spanish. I'm like, hey, Fabian, I want

0:14:40.880 --> 0:14:45.600
<v Speaker 4>to introduce you to Juwan Sebastian. No, moms, Wayne, can

0:14:45.640 --> 0:14:47.800
<v Speaker 4>I see how? And he was talking and treating his

0:14:47.920 --> 0:14:50.760
<v Speaker 4>to his hero because when we were growing up, we

0:14:50.760 --> 0:14:54.000
<v Speaker 4>would do posadas like when to bring the Virgin married

0:14:54.600 --> 0:14:58.160
<v Speaker 4>to everybody's house, and because we grew up Baptist Apostolic,

0:14:58.720 --> 0:15:00.920
<v Speaker 4>and so I would just follow the Virgin Mary going

0:15:00.960 --> 0:15:01.680
<v Speaker 4>around the house and.

0:15:03.400 --> 0:15:05.200
<v Speaker 7>Noah's dad would be singing.

0:15:06.800 --> 0:15:10.880
<v Speaker 4>Drunk like whiss up like singing and ship and that

0:15:11.040 --> 0:15:14.960
<v Speaker 4>was a beautiful moment by our little village, our little neighborhood.

0:15:15.240 --> 0:15:21.760
<v Speaker 4>It's like, it's like I said, that that community, that world.

0:15:22.160 --> 0:15:24.640
<v Speaker 4>It's it's why Black Eyed Peace feels foreign, like I

0:15:24.640 --> 0:15:27.960
<v Speaker 4>don't really get we really get where they're from. And

0:15:28.000 --> 0:15:30.640
<v Speaker 4>that's because we were part of this, come from this

0:15:30.720 --> 0:15:32.560
<v Speaker 4>little small cut called Boil Heights.

0:15:33.520 --> 0:15:34.760
<v Speaker 7>We loved hip hop.

0:15:34.800 --> 0:15:36.640
<v Speaker 4>Still to this day, loved hip hop, not just n

0:15:36.760 --> 0:15:40.280
<v Speaker 4>W a people love tribe KMD like we was tagging

0:15:40.920 --> 0:15:44.320
<v Speaker 4>and and and that was our entry point. So for

0:15:44.360 --> 0:15:48.560
<v Speaker 4>folks that didn't understand us, look or didn't understand me,

0:15:49.120 --> 0:15:55.840
<v Speaker 4>I'm a black sikin and love it unapologetic like high

0:15:55.840 --> 0:16:01.400
<v Speaker 4>socks every day. And that resonated internationally, yeah big time.

0:16:01.720 --> 0:16:07.080
<v Speaker 1>I mean, one thing that comes across is Black Eyed

0:16:07.080 --> 0:16:13.120
<v Speaker 1>Peas made global music. Like like I remember me going

0:16:13.120 --> 0:16:18.640
<v Speaker 1>out and getting my first like number one and me

0:16:18.840 --> 0:16:22.880
<v Speaker 1>seeing other people showing up to my concert, Like I

0:16:22.920 --> 0:16:27.160
<v Speaker 1>remember I did Super Doug and there was no there.

0:16:27.160 --> 0:16:30.080
<v Speaker 2>Was no more more not not.

0:16:30.160 --> 0:16:32.200
<v Speaker 1>Not Black people wasn't coming to my concert.

0:16:32.200 --> 0:16:35.640
<v Speaker 2>But it was. It was global. It was bigger than me, right,

0:16:35.760 --> 0:16:40.920
<v Speaker 2>So different racists started to come, and I didn't know

0:16:40.920 --> 0:16:43.880
<v Speaker 2>how to cater to those. To me, To me, every

0:16:43.920 --> 0:16:47.360
<v Speaker 2>time I made global music, I almost made it by mistake.

0:16:47.840 --> 0:16:51.000
<v Speaker 1>To me, global music that you make to me, it

0:16:51.040 --> 0:16:54.160
<v Speaker 1>seems like you deliberately are doing this on purpose to

0:16:54.560 --> 0:16:55.280
<v Speaker 1>please everybody.

0:16:55.400 --> 0:16:57.400
<v Speaker 2>Is that something? No?

0:16:57.440 --> 0:17:00.520
<v Speaker 4>I go on the studio like the scientists, and I

0:17:00.600 --> 0:17:03.400
<v Speaker 4>try to figure out, like, okay, how can this go?

0:17:05.720 --> 0:17:08.520
<v Speaker 4>How can this go as wide and make as much

0:17:08.600 --> 0:17:14.320
<v Speaker 4>impact on this earth as possible. It's like if you tagging,

0:17:15.160 --> 0:17:17.720
<v Speaker 4>you want to get up on the heavens. You want

0:17:17.760 --> 0:17:21.040
<v Speaker 4>that freeway overpass, you want that train that goes through

0:17:21.080 --> 0:17:25.639
<v Speaker 4>all boroughs. If you're tagging in the alleys, only a

0:17:25.640 --> 0:17:28.199
<v Speaker 4>couple of people going to see that tag. So I

0:17:28.320 --> 0:17:31.640
<v Speaker 4>want all city. It's tagging mentality. I want to get up,

0:17:31.680 --> 0:17:34.520
<v Speaker 4>I want landmarks. I want it never to be a race.

0:17:35.119 --> 0:17:39.679
<v Speaker 4>That same mentality, that competitiveness, like oh man, what you

0:17:39.760 --> 0:17:45.560
<v Speaker 4>want top forty ratings? How do I get everywhere? How

0:17:45.560 --> 0:17:49.679
<v Speaker 4>do I get everywhere? I know what the project is like? Right,

0:17:50.800 --> 0:17:53.560
<v Speaker 4>I want to change my projects. I just don't want

0:17:53.560 --> 0:17:56.040
<v Speaker 4>to talk about my projects. I want to go back

0:17:56.040 --> 0:18:00.919
<v Speaker 4>to my projects and change it.

0:17:59.720 --> 0:18:02.000
<v Speaker 7>For the better. And so.

0:18:04.080 --> 0:18:07.040
<v Speaker 4>When I enter the studio, this is the realm that

0:18:07.119 --> 0:18:12.919
<v Speaker 4>I go into that impacts the globe. Why wouldn't you

0:18:13.240 --> 0:18:15.240
<v Speaker 4>want Why My thing is like, why wouldn't I want

0:18:15.280 --> 0:18:19.359
<v Speaker 4>to have business? And you're grind Paraguay? Why don't I

0:18:19.400 --> 0:18:27.879
<v Speaker 4>want to have business in you know, uh, Salvador, Guatemadaa, Nikodawa.

0:18:27.480 --> 0:18:31.040
<v Speaker 7>Chile, Costa Rica, Puerto Rico, Venezuela.

0:18:31.160 --> 0:18:34.760
<v Speaker 4>Why don't I want to impact Panama and Colombia and

0:18:34.840 --> 0:18:38.760
<v Speaker 4>Cuba and Puerto Rico. Why don't I want to be

0:18:38.920 --> 0:18:43.600
<v Speaker 4>in Kazakhstan? Who's Pakistan? Azurebraijan? Why don't I want to

0:18:43.600 --> 0:18:47.280
<v Speaker 4>be all Lithuania, Estonia? Why don't I want to have

0:18:47.359 --> 0:18:50.320
<v Speaker 4>Russia and Georgia? Why don't I want to be in

0:18:50.440 --> 0:18:55.879
<v Speaker 4>Laos and Cambodia and Philippines and Indonesia and Thailand and

0:18:56.040 --> 0:18:59.720
<v Speaker 4>Japan and South Korea, in Hong Kong and China.

0:19:00.359 --> 0:19:01.560
<v Speaker 7>Why don't India.

0:19:01.680 --> 0:19:05.160
<v Speaker 4>Why don't I want all across the content of Africa.

0:19:05.280 --> 0:19:07.680
<v Speaker 4>Why don't you want to go to Ethiopia? Why don't

0:19:07.680 --> 0:19:09.960
<v Speaker 4>you want to go to Sedan? Why don't you want

0:19:10.000 --> 0:19:13.680
<v Speaker 4>to go liberate folks and show them that black folks.

0:19:13.640 --> 0:19:15.440
<v Speaker 7>Can have global impact?

0:19:16.200 --> 0:19:20.480
<v Speaker 4>And I think it's a setup that black folks don't

0:19:20.480 --> 0:19:26.760
<v Speaker 4>have that global impact perspective. I think they've set us

0:19:26.840 --> 0:19:30.159
<v Speaker 4>up not to want to have global business and be local.

0:19:30.880 --> 0:19:34.560
<v Speaker 4>That's a setup. That's a mindset that, whether we like

0:19:34.600 --> 0:19:37.680
<v Speaker 4>it or not, we've been conditioned not to see ourselves

0:19:37.680 --> 0:19:40.680
<v Speaker 4>as global impactors. Like there's a song called rock Rock

0:19:40.760 --> 0:19:44.600
<v Speaker 4>the Planet Rock. I took that shit person seriously. Oh wait, wait,

0:19:45.240 --> 0:19:48.400
<v Speaker 4>you want to rock the planet, Rock the planet rock?

0:19:48.600 --> 0:19:52.800
<v Speaker 4>Those stop? Like, oh wow, those are coordinates, say no more,

0:19:53.320 --> 0:19:56.240
<v Speaker 4>let's go rock the planet. I just didn't think it

0:19:56.280 --> 0:19:59.720
<v Speaker 4>was like a metaphor. Those are serious coordinates to go

0:19:59.720 --> 0:20:06.080
<v Speaker 4>out do business. Rock Rock the planet, rock, don't stop. Right,

0:20:07.240 --> 0:20:10.919
<v Speaker 4>that's my whole like, let's get it, let's do it

0:20:10.960 --> 0:20:12.320
<v Speaker 4>as big as possible.

0:20:13.480 --> 0:20:16.200
<v Speaker 9>And it's crazy that mentality would be there when it's

0:20:16.240 --> 0:20:19.040
<v Speaker 9>a fact that hip hop is a global phenomenon and

0:20:19.080 --> 0:20:21.600
<v Speaker 9>it has been for a very long time, and we

0:20:21.800 --> 0:20:24.760
<v Speaker 9>just it feels like less and less the United States

0:20:24.800 --> 0:20:26.960
<v Speaker 9>and the and the and the artists here wanting to

0:20:27.000 --> 0:20:29.520
<v Speaker 9>take advantage of that or go further out of of

0:20:29.560 --> 0:20:32.640
<v Speaker 9>their areas and see the global impact and the global

0:20:32.640 --> 0:20:33.640
<v Speaker 9>business they could be doing.

0:20:33.960 --> 0:20:36.920
<v Speaker 7>Yo, bro, the planet is amazing.

0:20:38.160 --> 0:20:43.480
<v Speaker 4>It's a beautiful place to be selling stadiums outside of

0:20:43.520 --> 0:20:54.119
<v Speaker 4>the States arenas by yourself. It's it's a beautiful thing to.

0:20:52.560 --> 0:20:53.199
<v Speaker 7>Be able to do that.

0:20:53.240 --> 0:20:55.600
<v Speaker 4>And I think because I grew up in an all

0:20:55.720 --> 0:20:59.199
<v Speaker 4>Mexican neighborhood, went to an all white school, black family,

0:20:59.240 --> 0:21:01.480
<v Speaker 4>went to all black urch hung out with Filipinos on

0:21:01.520 --> 0:21:04.600
<v Speaker 4>the weekends. Started your group with a Filipino. That is

0:21:04.640 --> 0:21:08.040
<v Speaker 4>the you're a Ruber's Q of all that? Yeah, that's

0:21:08.680 --> 0:21:11.440
<v Speaker 4>l A and what turned out to be the Black

0:21:11.440 --> 0:21:12.080
<v Speaker 4>Eyed Peace.

0:21:12.440 --> 0:21:16.119
<v Speaker 1>Because because like the group is so different, right, remember

0:21:16.119 --> 0:21:18.600
<v Speaker 1>I remember the only people that they can compare you

0:21:18.600 --> 0:21:22.439
<v Speaker 1>guys to was like the foojis right, I remember, Oh.

0:21:22.320 --> 0:21:29.400
<v Speaker 4>No, I also looked like white cleff Okay, but we

0:21:29.440 --> 0:21:30.119
<v Speaker 4>looked like twins.

0:21:30.920 --> 0:21:34.040
<v Speaker 2>Did the comparisons kind of stopped when you guys added

0:21:34.040 --> 0:21:35.160
<v Speaker 2>Fergi to the group.

0:21:36.440 --> 0:21:40.440
<v Speaker 4>No, because the music we were making was it really

0:21:40.480 --> 0:21:41.920
<v Speaker 4>that that? I mean?

0:21:42.040 --> 0:21:44.560
<v Speaker 9>Me as a DJ back then, I didn't never had

0:21:44.560 --> 0:21:46.360
<v Speaker 9>that comparison, Like I never put the I got.

0:21:46.520 --> 0:21:50.160
<v Speaker 4>I got called white clep, really cleft. I'm like music

0:21:50.359 --> 0:21:54.280
<v Speaker 4>because looks what if you look like a duct you?

0:21:58.160 --> 0:22:01.080
<v Speaker 4>So that's just the reality. And so I would always

0:22:01.119 --> 0:22:05.520
<v Speaker 4>tell myself the moment somebody calls white cleft, will I am?

0:22:06.560 --> 0:22:07.320
<v Speaker 4>I made it.

0:22:10.200 --> 0:22:12.800
<v Speaker 2>Tonight? So one time, hold on, I love you.

0:22:12.880 --> 0:22:14.800
<v Speaker 7>I love you Clep. That's like my big brother.

0:22:16.119 --> 0:22:19.120
<v Speaker 4>So one time I had had this concert and uh,

0:22:19.160 --> 0:22:21.080
<v Speaker 4>And I was always in my thing like the moment

0:22:21.760 --> 0:22:23.720
<v Speaker 4>because every time we would do a show we opened

0:22:23.800 --> 0:22:24.400
<v Speaker 4>up for the food.

0:22:24.440 --> 0:22:25.080
<v Speaker 7>We opened up for.

0:22:25.000 --> 0:22:26.880
<v Speaker 4>White cleft on the Smoking Goroose to our first tour,

0:22:28.080 --> 0:22:29.600
<v Speaker 4>and they would always be like, why cleft. I'm like,

0:22:29.680 --> 0:22:33.320
<v Speaker 4>I ain't white cleft. Everywhere I'll go, Why cleft? Why clup?

0:22:33.600 --> 0:22:36.080
<v Speaker 4>And so I always told myself the moment somebody calls

0:22:36.160 --> 0:22:37.240
<v Speaker 4>him will I am?

0:22:37.480 --> 0:22:38.320
<v Speaker 7>Is when I make it.

0:22:39.440 --> 0:22:42.800
<v Speaker 4>So one day we're doing a show at the Central Park,

0:22:43.760 --> 0:22:44.840
<v Speaker 4>some girl comes up to me.

0:22:44.960 --> 0:22:48.960
<v Speaker 7>The little girl says, can I take a picture of you?

0:22:49.000 --> 0:22:54.080
<v Speaker 4>Whill I am? And I'm like, oh sure? And then uh,

0:22:54.720 --> 0:22:59.240
<v Speaker 4>he says, uh. The White Cleff comes up, He's like,

0:23:00.960 --> 0:23:03.600
<v Speaker 4>you know, will my daughter really thinks I look like you.

0:23:03.640 --> 0:23:04.760
<v Speaker 4>I'm like made.

0:23:04.600 --> 0:23:14.159
<v Speaker 10>It like that's crazy, But yeah, I don't know if

0:23:14.160 --> 0:23:16.719
<v Speaker 10>it was a daughter of his family member, but I

0:23:16.800 --> 0:23:22.480
<v Speaker 10>love White Cleft like that dude really would like Busta

0:23:23.480 --> 0:23:27.359
<v Speaker 10>Chuck d you know Cypress Hill Mop that would always

0:23:27.359 --> 0:23:29.880
<v Speaker 10>show us love on our first tour, like man, y'all

0:23:29.880 --> 0:23:30.320
<v Speaker 10>got something.

0:23:30.400 --> 0:23:32.960
<v Speaker 4>Y'all dancing out there because we were like dancers, like

0:23:33.480 --> 0:23:36.280
<v Speaker 4>we wanted to dance all the time and differentiate ourselves

0:23:36.320 --> 0:23:39.920
<v Speaker 4>from folks. But yeah, when your heroes give you love

0:23:39.960 --> 0:23:46.639
<v Speaker 4>and show you you know your recipe, they respect your recipe.

0:23:46.720 --> 0:23:48.359
<v Speaker 4>They may not fuck with it one hundred percent, but

0:23:48.359 --> 0:23:52.280
<v Speaker 4>they respect the recipe. That's all you need. And that

0:23:52.400 --> 0:23:55.159
<v Speaker 4>first like nod to like I see what is you're

0:23:55.200 --> 0:23:58.399
<v Speaker 4>trying to do for me? It was easy. That dude

0:23:58.480 --> 0:24:04.679
<v Speaker 4>just like responsible for my audacity, my ambition, and my

0:24:04.840 --> 0:24:08.280
<v Speaker 4>hunt to go out and be an entrepreneur because I

0:24:08.320 --> 0:24:12.520
<v Speaker 4>saw him not only as an artist but a businessman entrepreneur.

0:24:12.840 --> 0:24:15.520
<v Speaker 4>Take breaking the mold, like why would we sign the ruthless?

0:24:15.680 --> 0:24:18.320
<v Speaker 4>But all the people he could have signed when Dre.

0:24:18.960 --> 0:24:21.720
<v Speaker 4>When Ice Cube and Dre left, why would we sign there?

0:24:22.760 --> 0:24:24.679
<v Speaker 4>I have a song with them called Niggas and Jews

0:24:25.600 --> 0:24:30.080
<v Speaker 4>that we recorded in nineteen ninety two, another song called

0:24:30.119 --> 0:24:34.040
<v Speaker 4>Mary motherfucking Christmas say I right, but still like why

0:24:34.240 --> 0:24:37.040
<v Speaker 4>out of all the people in LA and so I

0:24:37.080 --> 0:24:40.000
<v Speaker 4>take that with like that, that's the only stamp you need.

0:24:40.119 --> 0:24:42.920
<v Speaker 4>Go out there and be yourself. Don't have to try

0:24:42.920 --> 0:24:45.680
<v Speaker 4>to fit in like that, try to fit in your

0:24:46.400 --> 0:24:50.199
<v Speaker 4>How can you fit in when you're your shape? You

0:24:50.200 --> 0:24:54.680
<v Speaker 4>don't even see your shape on the board. So there's

0:24:54.680 --> 0:24:57.359
<v Speaker 4>no need for me to fit in. I just build

0:24:57.359 --> 0:25:01.680
<v Speaker 4>a new table. How did you guys? Specifically you guysn't Easy?

0:25:02.160 --> 0:25:07.200
<v Speaker 4>I used to freestyle and at this wrap back competition

0:25:07.560 --> 0:25:10.399
<v Speaker 4>which is battle People, and so he saw me freestyling

0:25:10.440 --> 0:25:11.960
<v Speaker 4>and signed me just off of my freestyle.

0:25:12.160 --> 0:25:14.920
<v Speaker 2>Really so it wasn't Black Eyed Peas, No.

0:25:14.800 --> 0:25:16.120
<v Speaker 7>No, no, it was a group before that.

0:25:16.240 --> 0:25:18.359
<v Speaker 4>We was in a group before the Black Eyed Peas,

0:25:19.320 --> 0:25:21.800
<v Speaker 4>and we recorded from ninety two to three four five,

0:25:21.840 --> 0:25:25.800
<v Speaker 4>and when he passed away in ninety five, that summer

0:25:25.920 --> 0:25:27.000
<v Speaker 4>we started the Black Eyed Peace.

0:25:28.640 --> 0:25:30.880
<v Speaker 9>One thing we've noticed with Easy is we've been hearing

0:25:30.880 --> 0:25:33.119
<v Speaker 9>a lot of stories of people that he was about

0:25:33.160 --> 0:25:35.159
<v Speaker 9>to mess with or he was gonna sign like he

0:25:35.200 --> 0:25:37.639
<v Speaker 9>wasn't just a game. It's incredible how many lies he

0:25:38.040 --> 0:25:38.680
<v Speaker 9>touched for real.

0:25:39.240 --> 0:25:42.800
<v Speaker 7>No, dude, if.

0:25:42.640 --> 0:25:45.280
<v Speaker 4>He never passed away, I think the whole entire music industry,

0:25:45.680 --> 0:25:48.960
<v Speaker 4>this thing called hip hop would be totally different. Wow,

0:25:49.359 --> 0:25:53.119
<v Speaker 4>the force that he was as an entrepreneur, I don't.

0:25:53.000 --> 0:25:56.760
<v Speaker 7>Know who would have the pillars that we have today.

0:25:57.080 --> 0:25:59.320
<v Speaker 4>I don't know if they would have been able to

0:25:59.359 --> 0:26:02.720
<v Speaker 4>get into the room because he was so dominant as

0:26:02.760 --> 0:26:09.359
<v Speaker 4>an entrepreneur. Label head, style creator, genre creator, star Birther,

0:26:09.960 --> 0:26:11.800
<v Speaker 4>this dude just star finder.

0:26:12.600 --> 0:26:14.640
<v Speaker 7>You know, the dude was was impeccable.

0:26:16.600 --> 0:26:20.280
<v Speaker 1>How difficult was it in the nineties where you know,

0:26:20.359 --> 0:26:23.160
<v Speaker 1>gangst the music was was was was was the forefront

0:26:23.240 --> 0:26:27.440
<v Speaker 1>Domina mean and but and like we was pointed out earlier,

0:26:27.480 --> 0:26:30.240
<v Speaker 1>you guys were deliberately making global music.

0:26:30.680 --> 0:26:32.800
<v Speaker 2>Was that was that? Was that difficult?

0:26:33.560 --> 0:26:34.240
<v Speaker 4>Late nineties?

0:26:34.320 --> 0:26:37.480
<v Speaker 2>Yeah, late night I believe you dropped in ninety eight.

0:26:37.400 --> 0:26:39.040
<v Speaker 7>Right, we dropped in ninety eight.

0:26:39.080 --> 0:26:41.160
<v Speaker 4>So at that point in my life, at that point

0:26:41.200 --> 0:26:47.000
<v Speaker 4>in time, like gangster rap was the business.

0:26:46.040 --> 0:26:49.120
<v Speaker 7>And we were like keeping.

0:26:48.800 --> 0:26:55.720
<v Speaker 4>That that boom bap or that musical conscious you know,

0:26:57.040 --> 0:27:01.600
<v Speaker 4>our version of Tribe Alive because I'm a I'm a

0:27:01.600 --> 0:27:04.720
<v Speaker 4>Although we were signing the Roofless, I based my whole

0:27:04.840 --> 0:27:09.000
<v Speaker 4>entire career and my artistry off of se that Q Tip,

0:27:09.560 --> 0:27:12.840
<v Speaker 4>Trap call quest Day, that song Wow, of course, and

0:27:12.880 --> 0:27:15.240
<v Speaker 4>there's this one song Groove Is in the Heart.

0:27:16.800 --> 0:27:18.560
<v Speaker 7>That recipe to me, that's just.

0:27:20.600 --> 0:27:22.840
<v Speaker 4>You know, it's a black dude with a white girl

0:27:23.160 --> 0:27:26.760
<v Speaker 4>with a freaking dance song that's soulful. That's an incredible record,

0:27:27.040 --> 0:27:28.959
<v Speaker 4>you know that that that to be told me like,

0:27:29.040 --> 0:27:32.640
<v Speaker 4>oh wow, that that's the recipe. Every time I see Tip,

0:27:33.560 --> 0:27:35.679
<v Speaker 4>I think I try to think him as much as

0:27:35.720 --> 0:27:41.160
<v Speaker 4>possible because I appreciate him, and now he's almost single

0:27:41.160 --> 0:27:44.439
<v Speaker 4>handedly changed my life, the course of my life with

0:27:44.560 --> 0:27:51.720
<v Speaker 4>his expressiveness, his fearlessness and uh yeah, just how colorful

0:27:51.800 --> 0:27:55.600
<v Speaker 4>he is with his writing is producing. I just wanted

0:27:55.600 --> 0:27:57.840
<v Speaker 4>to do my version of that. And so I really,

0:27:58.880 --> 0:28:00.199
<v Speaker 4>like I said, I don't try to fit and I

0:28:00.240 --> 0:28:05.760
<v Speaker 4>don't try to like, you know, follow the herd. So

0:28:05.840 --> 0:28:09.000
<v Speaker 4>I didn't really mind that, didn't really like, oh man,

0:28:09.040 --> 0:28:10.399
<v Speaker 4>we got to be a little harder.

0:28:11.960 --> 0:28:12.719
<v Speaker 7>I'm cool with that.

0:28:13.640 --> 0:28:17.120
<v Speaker 4>Uh you know, because there was this lyric that pos said,

0:28:17.200 --> 0:28:19.440
<v Speaker 4>fuck being hard, possibly lose is complicated.

0:28:20.080 --> 0:28:21.959
<v Speaker 7>So I'd rather be complicated.

0:28:22.240 --> 0:28:25.200
<v Speaker 4>I'd rather try to take complex stocks and simple simplify

0:28:25.240 --> 0:28:26.359
<v Speaker 4>them being hard.

0:28:27.960 --> 0:28:30.280
<v Speaker 7>I don't want to live a hard life. I want

0:28:30.280 --> 0:28:31.240
<v Speaker 7>to live an easy life.

0:28:32.400 --> 0:28:34.879
<v Speaker 4>So why why do I want to put myself in

0:28:34.920 --> 0:28:40.560
<v Speaker 4>a configuration of hard that represents difficulty? I don't I

0:28:40.560 --> 0:28:43.200
<v Speaker 4>don't want that coming out the projects I want to

0:28:43.280 --> 0:28:44.840
<v Speaker 4>I don't want. I want, like I said, I want

0:28:44.840 --> 0:28:51.120
<v Speaker 4>to go back to my projects and uplifted our records.

0:28:51.120 --> 0:28:53.240
<v Speaker 4>We never talk about the neighborhood we're from. We never

0:28:54.160 --> 0:28:55.720
<v Speaker 4>There's no need to talk when you want to do,

0:28:56.720 --> 0:29:00.320
<v Speaker 4>and so I'd rather do my art, take my pro seeds,

0:29:00.560 --> 0:29:06.040
<v Speaker 4>go back to the neighborhood in a way that is fruitful,

0:29:06.680 --> 0:29:12.600
<v Speaker 4>seed planting, nurturing, mentoring the kids, and involving the community

0:29:12.680 --> 0:29:13.360
<v Speaker 4>in the process.

0:29:13.400 --> 0:29:18.120
<v Speaker 9>You know, but definitely you had to have inserted something

0:29:18.200 --> 0:29:20.560
<v Speaker 9>from the neighborhood and everything you did in the music,

0:29:20.560 --> 0:29:23.320
<v Speaker 9>even if it wasn't evident, even if it wasn't talking

0:29:23.360 --> 0:29:24.200
<v Speaker 9>about the neighborhood.

0:29:24.800 --> 0:29:32.240
<v Speaker 4>Oh, just the fearlessness, like who gives a fuck? You

0:29:32.360 --> 0:29:35.040
<v Speaker 4>got to have that, like, hey, this is what everybody's

0:29:35.080 --> 0:29:40.080
<v Speaker 4>doing so not everybody. I ain't, so it can't be

0:29:40.160 --> 0:29:43.880
<v Speaker 4>that everybody you know so And I get that really

0:29:43.920 --> 0:29:46.520
<v Speaker 4>from like, you know, my mom and my neighborhood. You know,

0:29:46.600 --> 0:29:48.640
<v Speaker 4>the other folks that take care of you when shit's

0:29:48.640 --> 0:29:52.360
<v Speaker 4>hot on the block, you know, bubbles if you listen,

0:29:52.400 --> 0:29:58.480
<v Speaker 4>and thank you so much, Pat Methena. Pat McCarthy recipes

0:29:59.440 --> 0:30:04.600
<v Speaker 4>the Canto Family. You know, all the all the folks

0:30:04.680 --> 0:30:08.080
<v Speaker 4>in the neighborhood that looked after me and my family.

0:30:08.840 --> 0:30:13.040
<v Speaker 4>It was, you know, it was some awesome, awesome times.

0:30:14.000 --> 0:30:18.200
<v Speaker 1>Because like I remember, like one point South was just dominating, right,

0:30:18.560 --> 0:30:21.360
<v Speaker 1>and I remember me even being like influenced by the self,

0:30:21.400 --> 0:30:24.479
<v Speaker 1>like just and I made a Souf style type of record,

0:30:24.520 --> 0:30:27.120
<v Speaker 1>like I was trying to make a record that sounded

0:30:27.200 --> 0:30:28.520
<v Speaker 1>like the time.

0:30:29.120 --> 0:30:31.120
<v Speaker 2>That's something that seems like you never do. You don't

0:30:31.160 --> 0:30:34.120
<v Speaker 2>never follow the trend. You actually make the trend. Oh no, no,

0:30:34.160 --> 0:30:37.280
<v Speaker 2>I have you followed the trim shake that thing?

0:30:38.800 --> 0:30:43.000
<v Speaker 4>Like I did five records like that, okay, or like

0:30:43.800 --> 0:30:48.640
<v Speaker 4>I wasn't ready. Man Sean Paul like when his run

0:30:48.760 --> 0:30:50.920
<v Speaker 4>was I'm like, you know, what is he doing?

0:30:52.200 --> 0:30:52.520
<v Speaker 3>You know.

0:30:55.240 --> 0:31:00.480
<v Speaker 4>Your record? Yes? Uh buddy, Well I was in the studio. Wait, wait,

0:31:00.520 --> 0:31:01.880
<v Speaker 4>what what what's going on here?

0:31:02.000 --> 0:31:06.440
<v Speaker 1>Yes, like, because you're black Mexican and I'm the nigga

0:31:06.520 --> 0:31:06.800
<v Speaker 1>rie kid.

0:31:10.320 --> 0:31:15.880
<v Speaker 4>No, but it's real, like, Yo, thank you, bro. You

0:31:15.880 --> 0:31:19.760
<v Speaker 4>you a part of a whole wave. You You're That

0:31:19.960 --> 0:31:23.120
<v Speaker 4>song is responsible for a lot of people having careers.

0:31:23.200 --> 0:31:25.960
<v Speaker 2>Daddy Yankee. Not not to say I made Daddy Yanke.

0:31:26.040 --> 0:31:27.959
<v Speaker 4>I didn't make all the folks that came after after that.

0:31:28.040 --> 0:31:30.240
<v Speaker 2>Yes, yes, yes, I'm not saying I made him, but

0:31:30.360 --> 0:31:33.800
<v Speaker 2>I remember this is my close friend him.

0:31:33.880 --> 0:31:36.080
<v Speaker 1>In fact, Joe was probably two close people to me.

0:31:36.480 --> 0:31:38.120
<v Speaker 1>They both had secret meetings with me.

0:31:38.520 --> 0:31:40.240
<v Speaker 2>They pulled me to the side to stop doing that

0:31:40.560 --> 0:31:43.440
<v Speaker 2>it hit. They did not want me to do it,

0:31:44.040 --> 0:31:45.640
<v Speaker 2>and I'm glad that they were wrong.

0:31:45.840 --> 0:31:48.000
<v Speaker 9>Yeah, we didn't see it as latinos and hip hop.

0:31:48.000 --> 0:31:50.240
<v Speaker 9>We just we were like sticking to We wanted the

0:31:50.280 --> 0:31:53.720
<v Speaker 9>respect the big puns of Cypriss and and Don. Wasn't

0:31:53.720 --> 0:31:55.480
<v Speaker 9>that for me at the time. So when you did it,

0:31:55.520 --> 0:31:57.640
<v Speaker 9>I was like, I don't know, I got.

0:31:57.480 --> 0:31:59.200
<v Speaker 2>A vision like you. I got a vision like you.

0:31:59.280 --> 0:32:02.160
<v Speaker 2>Like I went to perto Rico and I seen these

0:32:02.160 --> 0:32:05.520
<v Speaker 2>people dance all night and I was like, wait a minute,

0:32:05.520 --> 0:32:08.560
<v Speaker 2>no one's getting stabbed, no one's getting shot. I was

0:32:08.680 --> 0:32:10.840
<v Speaker 2>used to that. I thought a good hip hop party.

0:32:10.840 --> 0:32:14.120
<v Speaker 1>So I'm like, I get shot, got to get stabbed.

0:32:14.160 --> 0:32:16.720
<v Speaker 1>So I just sit there and I was watching these people,

0:32:16.800 --> 0:32:19.680
<v Speaker 1>this woman dancing all night, and I said, I have

0:32:19.760 --> 0:32:22.680
<v Speaker 1>to go to America, even though Puerto Rico is America.

0:32:22.760 --> 0:32:24.160
<v Speaker 1>I was like, I have to go to Puerto Rico

0:32:24.480 --> 0:32:26.760
<v Speaker 1>and I have to tell these DJs start playing these records.

0:32:27.320 --> 0:32:30.280
<v Speaker 2>What happened was, well, the DJs was like, fuck that shit.

0:32:30.880 --> 0:32:32.200
<v Speaker 2>So I was like, all right, cool.

0:32:32.000 --> 0:32:33.960
<v Speaker 1>They're like, I play your shit, Nori, but I'm not

0:32:34.000 --> 0:32:36.520
<v Speaker 1>playing that shit. So the only how for me to

0:32:36.560 --> 0:32:39.160
<v Speaker 1>do it was for me to take them up, take

0:32:39.200 --> 0:32:42.000
<v Speaker 1>a risk, and I gotta tell you, to tell you truth.

0:32:42.040 --> 0:32:43.720
<v Speaker 2>This is real. I don't know if I ever said

0:32:43.720 --> 0:32:48.000
<v Speaker 2>this before Black people cut me off. Black people was like,

0:32:48.240 --> 0:32:50.480
<v Speaker 2>fuck that. You want to be Puerto Rican? Now you

0:32:50.520 --> 0:32:52.480
<v Speaker 2>want to be fully Puerto Rican.

0:32:52.520 --> 0:32:53.640
<v Speaker 4>You always were Puerto Rican.

0:32:53.680 --> 0:32:55.360
<v Speaker 2>I was always Puerto Rican. I'm a half and half.

0:32:55.360 --> 0:32:59.480
<v Speaker 1>I've always been, but that record helped me change the world.

0:32:59.480 --> 0:33:02.600
<v Speaker 2>But I remember you on a Spanish earlier, and I

0:33:02.680 --> 0:33:04.880
<v Speaker 2>remember now that it makes sense now that it makes

0:33:04.920 --> 0:33:07.880
<v Speaker 2>sense because you probably listening to the same ship. I

0:33:07.960 --> 0:33:08.360
<v Speaker 2>was listening.

0:33:08.440 --> 0:33:13.480
<v Speaker 4>Yeah, out traveling the world. You're like, Yo, what's the

0:33:13.520 --> 0:33:16.000
<v Speaker 4>what's the what? What song is that? Like, oh man,

0:33:16.040 --> 0:33:19.840
<v Speaker 4>that's go to DJ Yo, what's this all for? Black

0:33:19.840 --> 0:33:20.320
<v Speaker 4>Eyed Peas?

0:33:20.360 --> 0:33:20.479
<v Speaker 2>Bro?

0:33:20.640 --> 0:33:24.240
<v Speaker 4>Like what you playing on and write it down? I'm like, Yo,

0:33:24.320 --> 0:33:27.000
<v Speaker 4>that's just crazy. So when I when when I when

0:33:27.000 --> 0:33:30.240
<v Speaker 4>I got hip to Daddy Yankee and then he signed

0:33:30.240 --> 0:33:33.360
<v Speaker 4>an in the scope that's what say. Two thousand and four,

0:33:34.120 --> 0:33:35.720
<v Speaker 4>he came to l A and we did a song

0:33:35.760 --> 0:33:40.160
<v Speaker 4>together called uh Playing the pr and then I did

0:33:40.800 --> 0:33:43.840
<v Speaker 4>a couple of other songs with him, Who's your Daddy?

0:33:44.720 --> 0:33:49.000
<v Speaker 7>And and but Daddy Yankee?

0:33:49.320 --> 0:33:53.920
<v Speaker 4>Like, wow, Bro, you like this dude helped birth a

0:33:54.000 --> 0:33:58.120
<v Speaker 4>whole sound of music, broke for a whole like you, bro.

0:33:58.240 --> 0:34:00.960
<v Speaker 1>Daddy Yankee to Dave Dash and then Dave Dad said

0:34:01.080 --> 0:34:02.040
<v Speaker 1>give him some gear.

0:34:05.640 --> 0:34:10.919
<v Speaker 2>Was so embarrassed, Brother Gold. I was like, this guy

0:34:11.200 --> 0:34:16.320
<v Speaker 2>is bust a rounds on stage, Jay on the lyrics

0:34:17.520 --> 0:34:20.840
<v Speaker 2>and nas with the looks. Did I kill that? I

0:34:20.880 --> 0:34:23.720
<v Speaker 2>felt like I killed that just now? And Dame said

0:34:24.000 --> 0:34:27.120
<v Speaker 2>give him some rocking with I was like, sign him.

0:34:27.000 --> 0:34:30.200
<v Speaker 4>Dude, like, like, do you know how all this before

0:34:30.280 --> 0:34:32.680
<v Speaker 4>Jimmy signedists? Yeah, yeah, because.

0:34:32.560 --> 0:34:37.319
<v Speaker 9>Jimmy signed him after. Yeah, And just really quick to

0:34:37.360 --> 0:34:39.200
<v Speaker 9>be fair because you're saying like painting in the way

0:34:39.200 --> 0:34:40.200
<v Speaker 9>that I didn't like it at all.

0:34:40.239 --> 0:34:41.400
<v Speaker 2>But the.

0:34:43.000 --> 0:34:46.200
<v Speaker 9>Early thone artists that broke, like like the Daddy Yankees

0:34:46.239 --> 0:34:47.920
<v Speaker 9>were all because I went to to Puerto Rico in

0:34:48.000 --> 0:34:50.560
<v Speaker 9>early two thousand before it came over here, and they

0:34:50.560 --> 0:34:56.080
<v Speaker 9>were all hardcore mcs on Tony Touch mixtapes and they

0:34:56.120 --> 0:34:58.759
<v Speaker 9>had to resort to doing because you know, and I'm

0:34:58.760 --> 0:35:01.160
<v Speaker 9>sure there's a various verse of the story, but because

0:35:01.200 --> 0:35:03.759
<v Speaker 9>it became the tourist music and the stuff that worked

0:35:03.760 --> 0:35:05.920
<v Speaker 9>in the club for them, you know. So when I

0:35:06.000 --> 0:35:07.960
<v Speaker 9>when one of my homies was a big producer in

0:35:08.000 --> 0:35:10.600
<v Speaker 9>that world, took me to a club, all I'm hearing

0:35:10.760 --> 0:35:13.279
<v Speaker 9>is murder. She wrote looped over and over again with

0:35:13.800 --> 0:35:16.680
<v Speaker 9>Latin patois, you know, Spanish patois, and I'm like, they're like,

0:35:16.719 --> 0:35:18.239
<v Speaker 9>this is gonna this is gonna blow up. I'm like,

0:35:18.320 --> 0:35:23.960
<v Speaker 9>oh man, I don't know. But the the evolution of

0:35:24.160 --> 0:35:26.080
<v Speaker 9>when it came over here with what you did, and

0:35:26.120 --> 0:35:29.560
<v Speaker 9>then everybody that came that evolved into such a bigger

0:35:29.640 --> 0:35:30.840
<v Speaker 9>music than what it started.

0:35:30.960 --> 0:35:34.399
<v Speaker 4>Yeah, and then shout out to and hit it out.

0:35:34.880 --> 0:35:39.239
<v Speaker 3>Yeah, he's the original. He's the original, and he was respected.

0:35:39.400 --> 0:35:45.239
<v Speaker 3>He was respected to that rightfully, rightfully, he's the.

0:35:45.160 --> 0:35:48.400
<v Speaker 9>Godfather and he was respected in Jamaica and all the

0:35:48.440 --> 0:35:50.080
<v Speaker 9>sound says, they all respected him.

0:35:50.120 --> 0:35:52.560
<v Speaker 4>We played them and in our sets like, no, yeah,

0:35:53.000 --> 0:35:55.680
<v Speaker 4>that's what all my cousins look like. Cousins that look

0:35:56.120 --> 0:35:59.520
<v Speaker 4>like I said, they thought we was Pantomania Dominican. Because

0:36:00.640 --> 0:36:03.640
<v Speaker 4>if you want the projects like black family and projects,

0:36:03.800 --> 0:36:05.239
<v Speaker 4>a lot of your and so a lot of your

0:36:05.280 --> 0:36:10.280
<v Speaker 4>your family members date Mexicans, and a Mexican black mix

0:36:10.760 --> 0:36:15.800
<v Speaker 4>looks like a homemade Dominican or they all my family

0:36:15.840 --> 0:36:17.560
<v Speaker 4>looked like that. I got it. I got a cousin

0:36:17.640 --> 0:36:19.759
<v Speaker 4>named Dante with a big as nose. Yes, I called

0:36:19.760 --> 0:36:26.400
<v Speaker 4>you big, call me all like that because your dose

0:36:26.480 --> 0:36:30.880
<v Speaker 4>just big. So I had to because he got me

0:36:30.880 --> 0:36:33.920
<v Speaker 4>at the last family gathering. He said, I'm the only

0:36:34.000 --> 0:36:39.239
<v Speaker 4>vegan with a belly anyway. That's so, yes, I see,

0:36:39.280 --> 0:36:42.560
<v Speaker 4>I'm betting forward. I said, Joe, joke on, because you

0:36:42.560 --> 0:36:45.759
<v Speaker 4>aren't here to defend yourself. But yeah, he looks like

0:36:46.000 --> 0:36:48.760
<v Speaker 4>l n and I like, for real, bro, like twins,

0:36:49.880 --> 0:36:50.600
<v Speaker 4>let me ask.

0:36:50.440 --> 0:36:57.640
<v Speaker 2>You, your music is so fun's so like, what what

0:36:57.680 --> 0:37:00.839
<v Speaker 2>do you love more? Creating the music form into music.

0:37:01.880 --> 0:37:04.920
<v Speaker 4>I like the songs I don't put out merit mar

0:37:05.840 --> 0:37:09.200
<v Speaker 4>I wasn't ready like the songs you don't put out. Yeah.

0:37:09.480 --> 0:37:11.080
<v Speaker 4>So like if I go out and do like a

0:37:11.120 --> 0:37:13.600
<v Speaker 4>global record, like oh man, we're gonna shoot, We're gonna

0:37:13.680 --> 0:37:14.719
<v Speaker 4>hit for the fences on this.

0:37:14.640 --> 0:37:15.440
<v Speaker 2>One, right.

0:37:16.000 --> 0:37:18.439
<v Speaker 4>So after I do that, I go out and do

0:37:18.600 --> 0:37:23.480
<v Speaker 4>like my tribe vibes for me and then if I

0:37:23.480 --> 0:37:28.400
<v Speaker 4>if I because I gotta keep both sides well sharpened, right,

0:37:28.640 --> 0:37:31.600
<v Speaker 4>So if I go out and do like, that's why

0:37:31.600 --> 0:37:34.160
<v Speaker 4>when game, when Game like, hey, I nigga, just go

0:37:34.200 --> 0:37:35.520
<v Speaker 4>to the studio to chop it up. I know you

0:37:35.600 --> 0:37:38.400
<v Speaker 4>got some shit, so I'm like, all right, what you want?

0:37:38.560 --> 0:37:40.440
<v Speaker 4>He was like, you gotta nashit in there. I'm like, yo,

0:37:40.480 --> 0:37:43.440
<v Speaker 4>I got a bunch of nashit. Check this out. This

0:37:43.480 --> 0:37:46.040
<v Speaker 4>is before like in the early two thousands all the

0:37:46.080 --> 0:37:48.320
<v Speaker 4>way to twenty and ten. I just want to record

0:37:48.320 --> 0:37:50.200
<v Speaker 4>with people just to have it in the volte like

0:37:50.280 --> 0:37:51.480
<v Speaker 4>I don't know what I'm gonna do with it, but

0:37:51.640 --> 0:37:55.320
<v Speaker 4>let's just make songs so on on games.

0:37:55.320 --> 0:37:56.239
<v Speaker 7>One of games.

0:37:55.960 --> 0:38:00.920
<v Speaker 4>Records I came with like Snoop Records, NAS Records, and uh,

0:38:02.160 --> 0:38:04.360
<v Speaker 4>but those are all the all the kind of songs

0:38:04.400 --> 0:38:09.360
<v Speaker 4>I do for me and so the stuff I really like.

0:38:09.600 --> 0:38:11.040
<v Speaker 4>If you'd be like, yo, what do you all? The

0:38:11.040 --> 0:38:12.480
<v Speaker 4>ship you got? What do you love the most? And

0:38:12.600 --> 0:38:14.160
<v Speaker 4>be like, oh the ship in my vote.

0:38:15.840 --> 0:38:17.360
<v Speaker 2>Songs that doctor dre syndrome.

0:38:18.760 --> 0:38:21.360
<v Speaker 1>Well you've got like probably fifteen albums in your computer

0:38:21.600 --> 0:38:22.760
<v Speaker 1>and nobody's gonna hear.

0:38:23.040 --> 0:38:25.520
<v Speaker 4>No, Like it's like detox has never coming, like a

0:38:25.520 --> 0:38:29.280
<v Speaker 4>couple of hundred a couple of hundred damn albums.

0:38:30.120 --> 0:38:32.040
<v Speaker 2>Don't lose that laptop.

0:38:31.840 --> 0:38:35.759
<v Speaker 4>And you've never planned on putting any of it out.

0:38:38.040 --> 0:38:40.200
<v Speaker 9>Because couldn't both of those sides of you live the

0:38:40.239 --> 0:38:42.600
<v Speaker 9>global side and then this side of you.

0:38:42.640 --> 0:38:53.200
<v Speaker 4>No for the fans of that, like no, no, because uh,

0:38:54.719 --> 0:39:00.160
<v Speaker 4>I don't want I don't want this sword out. I

0:39:00.239 --> 0:39:07.200
<v Speaker 4>just want this out. This This sword's too sharp, you know.

0:39:07.200 --> 0:39:07.400
<v Speaker 2>What I mean.

0:39:07.440 --> 0:39:11.399
<v Speaker 4>I don't not on a cocky level, but I don't

0:39:11.400 --> 0:39:15.920
<v Speaker 4>want you know, it's just too sharp for because then

0:39:16.160 --> 0:39:19.200
<v Speaker 4>I'm going to get into that I compete. I like

0:39:19.280 --> 0:39:24.360
<v Speaker 4>to compete. I'm a competitive I'm super super competitive, like

0:39:24.480 --> 0:39:27.839
<v Speaker 4>audaciously competitive Tori. I'll compete with ship that you don't

0:39:27.840 --> 0:39:28.960
<v Speaker 4>think I should be competing in.

0:39:29.360 --> 0:39:29.760
<v Speaker 2>Wow.

0:39:30.080 --> 0:39:33.200
<v Speaker 4>And so if I go at this as my career,

0:39:34.400 --> 0:39:37.360
<v Speaker 4>then I'm as the perfectionist that I am, is gonna

0:39:37.400 --> 0:39:40.520
<v Speaker 4>want to make this the sharpest ship. Just shift to that,

0:39:40.800 --> 0:39:43.080
<v Speaker 4>put your attention in that. And so this to me

0:39:43.200 --> 0:39:48.120
<v Speaker 4>is just exercise. It's like a great stretch yoga. It's

0:39:48.200 --> 0:39:51.680
<v Speaker 4>it's it's a stretch before the sprint. It's a stretch

0:39:51.760 --> 0:39:56.719
<v Speaker 4>before the marathon. And this is marathon sprint music. I

0:39:56.760 --> 0:40:01.400
<v Speaker 4>compete here, Well, this maybe it's not best for me

0:40:01.480 --> 0:40:05.799
<v Speaker 4>to compete here. There's not that much room to grow

0:40:06.480 --> 0:40:08.920
<v Speaker 4>to do the work that I need to do for

0:40:09.000 --> 0:40:10.800
<v Speaker 4>the things that I love the most, like my family

0:40:10.840 --> 0:40:15.120
<v Speaker 4>and my community. Like what really, what life am I

0:40:15.160 --> 0:40:18.319
<v Speaker 4>going to change being the dopest battle rapper making the

0:40:18.400 --> 0:40:22.520
<v Speaker 4>sickest beats. I'd rather do that for me for love,

0:40:22.960 --> 0:40:26.160
<v Speaker 4>and I go here and do this work, pile up

0:40:27.000 --> 0:40:30.880
<v Speaker 4>so I could go out and you know, do the

0:40:30.920 --> 0:40:33.640
<v Speaker 4>work that I that I love to do the most.

0:40:35.239 --> 0:40:41.200
<v Speaker 1>We had recently reproducing Bleak's podcast, and Blek.

0:40:42.480 --> 0:40:46.239
<v Speaker 2>Had freeway on and Freeway is saying, how.

0:40:48.120 --> 0:40:53.719
<v Speaker 1>Uh Beanie, Beanie Siegul is using AI to a place

0:40:53.800 --> 0:40:57.759
<v Speaker 1>himself his voice, his voice because you know, Bean's kind

0:40:57.760 --> 0:40:59.160
<v Speaker 1>of lost his voice.

0:40:59.840 --> 0:41:02.799
<v Speaker 9>Like Doc was was like DC looking at said, he's

0:41:02.800 --> 0:41:04.360
<v Speaker 9>not going to do it, right, he said, He's on

0:41:04.400 --> 0:41:06.000
<v Speaker 9>the fence. Like he doesn't, He's on the fence.

0:41:06.200 --> 0:41:09.000
<v Speaker 1>In this case, this was the first time I looked

0:41:09.000 --> 0:41:12.080
<v Speaker 1>at AI like, oh, okay, this is something positive, right,

0:41:12.440 --> 0:41:15.480
<v Speaker 1>because the one thing you could hear Beanie Sigul, you

0:41:15.480 --> 0:41:17.719
<v Speaker 1>can still hear his bars when you hear his new ship,

0:41:18.000 --> 0:41:21.040
<v Speaker 1>but his voice is not the same. Is that something

0:41:21.239 --> 0:41:24.560
<v Speaker 1>that you think is is a positive thing, like in

0:41:24.600 --> 0:41:27.360
<v Speaker 1>the case of DC, in the case of Beingie Siegul

0:41:27.440 --> 0:41:28.319
<v Speaker 1>using AI.

0:41:33.320 --> 0:41:39.080
<v Speaker 4>If they if they own their model, yes that's joke right,

0:41:40.320 --> 0:41:45.600
<v Speaker 4>but we're not there yet the artist currently right now.

0:41:46.480 --> 0:41:48.920
<v Speaker 4>That's what what I'm trying to push for is for

0:41:49.000 --> 0:41:53.759
<v Speaker 4>the artists to own their model. You need your voice, yeah,

0:41:54.080 --> 0:41:57.640
<v Speaker 4>the entire essence whatever creative and like this you need

0:41:58.040 --> 0:42:02.439
<v Speaker 4>artists need to own that their own model, so their

0:42:02.440 --> 0:42:08.040
<v Speaker 4>own tuning. Specifically for the for the AI community, an

0:42:08.160 --> 0:42:10.799
<v Speaker 4>artist should own the tuning of their voice whatever that

0:42:10.840 --> 0:42:14.200
<v Speaker 4>spectrum is, whatever that instance is. The artists should own

0:42:14.280 --> 0:42:18.040
<v Speaker 4>that and the only one should access their voice the moment.

0:42:19.360 --> 0:42:21.759
<v Speaker 4>An artist right now, because there's no regulations, because there's

0:42:21.800 --> 0:42:27.680
<v Speaker 4>no governance, does that and they don't truly truly own it.

0:42:28.640 --> 0:42:35.480
<v Speaker 4>That brings up a whole lot of other things like duping,

0:42:36.960 --> 0:42:41.040
<v Speaker 4>you know, fake newsing, because they're going to be using

0:42:41.040 --> 0:42:43.719
<v Speaker 4>it in ways that you know. That means anybody could

0:42:43.719 --> 0:42:46.239
<v Speaker 4>go in there and type some ship and what if

0:42:46.320 --> 0:42:48.440
<v Speaker 4>and the and the and the and the instance itself

0:42:48.480 --> 0:42:53.319
<v Speaker 4>does not is not trained and tuned around specifics on

0:42:53.800 --> 0:42:59.439
<v Speaker 4>I would never say that. So the AI that most

0:42:59.440 --> 0:43:02.239
<v Speaker 4>people are you is require somebody to go there and

0:43:03.120 --> 0:43:06.319
<v Speaker 4>bus a verse to dy verse and then they do

0:43:06.480 --> 0:43:09.359
<v Speaker 4>New Age AO tune and they wrap it around the

0:43:09.400 --> 0:43:12.799
<v Speaker 4>sounding of somebody's voice. But it still requires a lot

0:43:12.800 --> 0:43:16.479
<v Speaker 4>of these systems, still requires somebody to spit it. There's

0:43:16.520 --> 0:43:20.919
<v Speaker 4>this new system. You don't need none of that. They's

0:43:21.000 --> 0:43:26.359
<v Speaker 4>just from that video that that we did in twenty ten,

0:43:26.719 --> 0:43:29.200
<v Speaker 4>exactly that it says.

0:43:29.239 --> 0:43:32.319
<v Speaker 1>It said in the video, it was like, so we

0:43:32.320 --> 0:43:33.640
<v Speaker 1>don't have to go to the studio no more.

0:43:35.880 --> 0:43:40.880
<v Speaker 4>Holy yo, bro, there's this I had a radio interview today,

0:43:41.520 --> 0:43:45.759
<v Speaker 4>and so after the reinterview that we wrapped up the

0:43:45.760 --> 0:43:51.880
<v Speaker 4>interview right, and we wrapped up the interview, and they

0:43:51.920 --> 0:43:54.040
<v Speaker 4>were like, I got I got some last minute statements

0:43:54.520 --> 0:43:57.480
<v Speaker 4>that I want to add. I summarize our whole entire interview.

0:43:57.800 --> 0:44:01.160
<v Speaker 4>I just want to show you what's possible now. So

0:44:01.200 --> 0:44:06.520
<v Speaker 4>I typed in on the system live live comedic show

0:44:07.080 --> 0:44:09.760
<v Speaker 4>at the laugh Factory, and then I put a summary,

0:44:10.200 --> 0:44:12.760
<v Speaker 4>a quick summary of what we talked about in the meeting,

0:44:13.360 --> 0:44:15.800
<v Speaker 4>and then I threw it through an AI system and

0:44:15.960 --> 0:44:23.160
<v Speaker 4>the AI did this ship. Look hold on, check it out.

0:44:25.960 --> 0:44:28.200
<v Speaker 4>So y'all talking about radio right, y'all talking about how

0:44:28.200 --> 0:44:29.359
<v Speaker 4>something own is going to be new.

0:44:29.840 --> 0:44:32.400
<v Speaker 2>That's like asking a count house throw jump up and fly.

0:44:34.960 --> 0:44:40.000
<v Speaker 4>A MFM is Joe n fm'suse.

0:44:40.040 --> 0:44:43.960
<v Speaker 5>His name is Morning and Night and we are all

0:44:44.120 --> 0:44:46.160
<v Speaker 5>the motherfucking moon now.

0:44:47.440 --> 0:44:54.080
<v Speaker 2>Night time. Oh damn tale, I'm surprised you're gonna have

0:44:54.080 --> 0:44:55.080
<v Speaker 2>a beast bart dre speaker.

0:44:55.640 --> 0:45:08.200
<v Speaker 4>This is Yoshi. So I think that it's not just music, bro,

0:45:09.239 --> 0:45:14.200
<v Speaker 4>These things assimilating crowd laughter, know where to put it at?

0:45:14.320 --> 0:45:18.160
<v Speaker 4>You know, instant bro, that happening. I do some ship

0:45:18.239 --> 0:45:20.359
<v Speaker 4>right now. It was a little freaking same comedic shit

0:45:20.400 --> 0:45:24.240
<v Speaker 4>about and that that's that's, that's where we are now.

0:45:24.760 --> 0:45:29.680
<v Speaker 4>So right now you're making beats, you're competing with somebody

0:45:29.680 --> 0:45:33.080
<v Speaker 4>on the top ten. As as creatives, we're thinking about

0:45:33.120 --> 0:45:38.680
<v Speaker 4>skip rates, we're thinking about like TikTok algorithms. People aren't

0:45:38.719 --> 0:45:43.080
<v Speaker 4>truly being one hundred percent creative right now. We're being

0:45:43.120 --> 0:45:47.760
<v Speaker 4>dictated by algorithms. So when AI music is in effect,

0:45:48.040 --> 0:45:52.360
<v Speaker 4>who do you think is gonna you know, you know,

0:45:52.520 --> 0:45:56.279
<v Speaker 4>flex on the algorithm and understand the algorithm.

0:45:55.800 --> 0:45:59.200
<v Speaker 7>More us or an AI, So the.

0:45:59.200 --> 0:46:02.600
<v Speaker 4>AI will be able to understand the algorithm more than

0:46:02.640 --> 0:46:05.960
<v Speaker 4>we would are guessing at the algorithm. So in a

0:46:06.000 --> 0:46:09.680
<v Speaker 4>real hot second, we need to change our values. We

0:46:09.719 --> 0:46:13.120
<v Speaker 4>need to change like what we really what, what do

0:46:13.160 --> 0:46:14.400
<v Speaker 4>we really appreciate?

0:46:14.760 --> 0:46:16.200
<v Speaker 7>What do we really call dope?

0:46:16.760 --> 0:46:16.880
<v Speaker 11>Right?

0:46:17.680 --> 0:46:22.799
<v Speaker 4>Because if everything has been like really dial down and

0:46:22.840 --> 0:46:24.440
<v Speaker 4>a lot of people out there and be like, nigga,

0:46:24.480 --> 0:46:26.399
<v Speaker 4>what you talking about? Nigga did boom boom pole?

0:46:26.480 --> 0:46:26.760
<v Speaker 2>Nigga?

0:46:26.800 --> 0:46:34.359
<v Speaker 4>That ain't sophisticated, But AI wasn't then there, So now

0:46:34.400 --> 0:46:37.480
<v Speaker 4>these times and now somebody be online be like you're

0:46:38.000 --> 0:46:42.239
<v Speaker 4>what you're really doing? That sophisticated now you're talking all

0:46:42.239 --> 0:46:45.520
<v Speaker 4>that ship what I am right, They're gonna say that

0:46:47.080 --> 0:46:50.560
<v Speaker 4>what you're really doing sophisticated, Nick, I'd be like this

0:46:50.719 --> 0:46:59.040
<v Speaker 4>AI shit, it's sophisticated.

0:47:00.960 --> 0:47:02.400
<v Speaker 2>You ever seen the movie Idiocracy?

0:47:03.880 --> 0:47:04.919
<v Speaker 4>Yeah, that movie is hard.

0:47:08.160 --> 0:47:12.359
<v Speaker 2>It's fucked up because as time got people got old,

0:47:12.360 --> 0:47:15.000
<v Speaker 2>people got dumber. I swear to god, I feel like that.

0:47:15.239 --> 0:47:17.239
<v Speaker 1>I don't think there's no one in his room right

0:47:17.280 --> 0:47:19.400
<v Speaker 1>now that knows that girl's number.

0:47:21.120 --> 0:47:22.080
<v Speaker 2>You know your girl because you.

0:47:22.120 --> 0:47:24.360
<v Speaker 1>Old school you you you're a dinosaur.

0:47:24.600 --> 0:47:28.400
<v Speaker 2>But but but this, like just think about it. Some

0:47:28.440 --> 0:47:30.520
<v Speaker 2>of the most important people of your life you don't.

0:47:30.520 --> 0:47:32.279
<v Speaker 4>You don't know there got more memory retention. I'm talking

0:47:32.280 --> 0:47:34.600
<v Speaker 4>about getting ummerydumb.

0:47:33.760 --> 0:47:36.120
<v Speaker 1>Too, because back in the days, remember we knew everyone's

0:47:36.160 --> 0:47:38.200
<v Speaker 1>nothing when you got locked up. You you knew who

0:47:38.239 --> 0:47:40.319
<v Speaker 1>to call when you got locked Do you think that

0:47:40.320 --> 0:47:42.480
<v Speaker 1>that that's true in time? Because I see you say

0:47:42.680 --> 0:47:44.799
<v Speaker 1>say people are are invested in the AI, but it's

0:47:44.800 --> 0:47:47.160
<v Speaker 1>not invested into HI human.

0:47:47.880 --> 0:47:50.080
<v Speaker 7>When you said that, that was yeah, so.

0:47:51.560 --> 0:47:56.400
<v Speaker 4>Uh in this age, Okay, I have my foundation and

0:47:56.440 --> 0:47:59.680
<v Speaker 4>I got my AI stuff. The reason why I say

0:47:59.680 --> 0:48:02.560
<v Speaker 4>that is because it's easy. It's been easier for me

0:48:02.600 --> 0:48:05.040
<v Speaker 4>to raise money for AI than it is for me

0:48:05.080 --> 0:48:08.560
<v Speaker 4>to go raise money for my philanthropy for HI. I know,

0:48:08.680 --> 0:48:14.719
<v Speaker 4>I'm not just saying that like theoretically, like actually, and

0:48:14.760 --> 0:48:17.279
<v Speaker 4>it breaks my heart that like, damn, all right, we've

0:48:17.360 --> 0:48:19.359
<v Speaker 4>raised all this money for this AI, but damn it's

0:48:19.360 --> 0:48:21.920
<v Speaker 4>like really hard pinch and pennies to get folks to

0:48:22.080 --> 0:48:27.600
<v Speaker 4>like donate for HI. To your point on like memory retention,

0:48:30.719 --> 0:48:33.120
<v Speaker 4>we have that issue, but then we also have critical thinking.

0:48:33.760 --> 0:48:36.840
<v Speaker 7>That's part like the critical thinking, there's no real.

0:48:38.520 --> 0:48:44.800
<v Speaker 4>There's nothing in society that we celebrate where it's about

0:48:44.880 --> 0:48:48.320
<v Speaker 4>critical thinking and rewarding people for being awesome critical thinkers.

0:48:49.320 --> 0:48:55.600
<v Speaker 4>We reward people for bullshit posts, the most disrespectful things

0:48:55.880 --> 0:48:59.480
<v Speaker 4>we do to each other. On lyric and song, we

0:48:59.520 --> 0:49:05.400
<v Speaker 4>reward folks for you know what Torquin's exercise, I'm joking.

0:49:07.320 --> 0:49:08.040
<v Speaker 2>Look at it like that.

0:49:09.520 --> 0:49:17.680
<v Speaker 4>You know, the abdominal muscles, How awesome they got? You understand, right,

0:49:19.840 --> 0:49:21.680
<v Speaker 4>not to I don't want to like shun nobody, but

0:49:22.640 --> 0:49:24.960
<v Speaker 4>the things that we celebrate in society as a whole

0:49:26.040 --> 0:49:30.840
<v Speaker 4>doesn't really push and celebrate awesome critical thinking. And so

0:49:32.440 --> 0:49:37.279
<v Speaker 4>like body dysmorphia, because the filter entered now we have

0:49:37.440 --> 0:49:41.400
<v Speaker 4>more plastic surgeries for generations of people that don't necessarily

0:49:41.400 --> 0:49:44.080
<v Speaker 4>need plastic surgery because they want to look like the filter.

0:49:44.760 --> 0:49:48.480
<v Speaker 4>That's crazy. That means in the next ten years you're

0:49:48.520 --> 0:49:52.799
<v Speaker 4>going to have psychological conversation on mental dysmorphia because people

0:49:52.840 --> 0:49:57.600
<v Speaker 4>would rather use an AI clone of them voice to

0:49:57.680 --> 0:49:59.880
<v Speaker 4>speak for them. You can be talking to somebody on

0:50:00.080 --> 0:50:03.319
<v Speaker 4>phone be like, Yo, man, I just love this girl. Bro. Yeah, Bro,

0:50:03.440 --> 0:50:05.480
<v Speaker 4>she like make me feel some cop of way, like

0:50:05.680 --> 0:50:10.600
<v Speaker 4>I'm really fuck with a heavy turns out. The past

0:50:10.640 --> 0:50:13.240
<v Speaker 4>six months, you've been talking to her AI. In twenty

0:50:13.280 --> 0:50:16.359
<v Speaker 4>twenty eight, twenty twenty eight, you've been talking to her

0:50:16.400 --> 0:50:19.719
<v Speaker 4>AI and then finally she's like, I cool, Like my

0:50:19.800 --> 0:50:22.880
<v Speaker 4>AI told me you cool, So let's go out. So

0:50:22.920 --> 0:50:29.160
<v Speaker 4>you're gonna go out, and you'd be like, hey, uh you.

0:50:28.640 --> 0:50:31.520
<v Speaker 7>You hella different from my person.

0:50:32.200 --> 0:50:36.680
<v Speaker 4>You conversational mentally catfish me because the depth of your

0:50:36.719 --> 0:50:42.440
<v Speaker 4>intelligence is not what you have on your abundance of

0:50:42.520 --> 0:50:43.200
<v Speaker 4>knowledge bop.

0:50:43.719 --> 0:50:47.640
<v Speaker 8>That reflects your higher self right, your humor, everything.

0:50:47.800 --> 0:50:51.480
<v Speaker 4>So the same way we have filters and live in

0:50:51.480 --> 0:50:55.840
<v Speaker 4>the world where you know that's the preference of people

0:50:56.080 --> 0:51:01.520
<v Speaker 4>prefer you're gonna have some version of that when you're

0:51:01.600 --> 0:51:06.920
<v Speaker 4>talking to somebody facetiming them or virtual calling them, And

0:51:07.000 --> 0:51:11.560
<v Speaker 4>in twenty twenty nine you realize that you love the

0:51:11.600 --> 0:51:16.400
<v Speaker 4>bodified version of themselves than the actual self. That's like

0:51:16.480 --> 0:51:20.360
<v Speaker 4>twenty twenty nine like how we predicted that AI for

0:51:20.440 --> 0:51:24.480
<v Speaker 4>the music. Unfortunately, if we don't get our shit together

0:51:24.520 --> 0:51:29.040
<v Speaker 4>and start like valuing like real human connections and like

0:51:29.760 --> 0:51:35.520
<v Speaker 4>how people can take their thoughts synthesize them into words

0:51:35.560 --> 0:51:38.879
<v Speaker 4>to where you really understand what they're saying, and that's

0:51:38.880 --> 0:51:39.719
<v Speaker 4>what we celebrate.

0:51:40.560 --> 0:51:41.200
<v Speaker 7>That's what we like.

0:51:41.280 --> 0:51:45.120
<v Speaker 4>Yo, I fuckxed with that because if you look at

0:51:45.280 --> 0:51:49.200
<v Speaker 4>how we are behaving in society, we go to shows

0:51:50.400 --> 0:51:54.080
<v Speaker 4>and not dissing nobody, but we go to shows people

0:51:54.200 --> 0:51:58.719
<v Speaker 4>are singing over the lyric, which is cool, it's a

0:51:58.719 --> 0:52:02.759
<v Speaker 4>different way of performing it's but then but then the

0:52:02.800 --> 0:52:08.680
<v Speaker 4>audience is watching it through a screen watching it, so

0:52:09.200 --> 0:52:11.319
<v Speaker 4>you you take a look at like, wow, look at

0:52:11.320 --> 0:52:14.000
<v Speaker 4>this behavior to people actually know what this means. If

0:52:14.000 --> 0:52:17.399
<v Speaker 4>you see this trajectory around the corner, what does that

0:52:17.440 --> 0:52:20.560
<v Speaker 4>mean with human interactions? What does that mean as far

0:52:20.600 --> 0:52:22.840
<v Speaker 4>as how empathetic we are with one another?

0:52:23.000 --> 0:52:23.799
<v Speaker 7>What does that mean?

0:52:24.560 --> 0:52:27.080
<v Speaker 4>When the thing that we celebrate the most is how

0:52:27.120 --> 0:52:30.880
<v Speaker 4>disrespectful we can be to one another, like Nigga, that

0:52:30.880 --> 0:52:32.800
<v Speaker 4>actually was hard. Nigga, you just said you're going to

0:52:32.840 --> 0:52:37.359
<v Speaker 4>shoot his mom and go and then that was a bar.

0:52:38.920 --> 0:52:44.080
<v Speaker 4>That was a bar, and that it's our world. That's

0:52:44.120 --> 0:52:46.520
<v Speaker 4>the things we celebrate. That the thing we think is awesome.

0:52:47.080 --> 0:52:50.720
<v Speaker 4>So if the whole AI is trained on the open

0:52:51.120 --> 0:52:54.800
<v Speaker 4>Wide Web, well what is AI?

0:52:54.880 --> 0:52:55.640
<v Speaker 7>What are we teaching it?

0:52:56.960 --> 0:53:00.239
<v Speaker 4>If you tell AI to be super creative, it's going

0:53:00.280 --> 0:53:03.000
<v Speaker 4>to say I'm gonna kill all y'all, I'm gonna shoot

0:53:03.000 --> 0:53:05.600
<v Speaker 4>your mom, I'm gonna shoot your dog. Because we're training it, right,

0:53:06.600 --> 0:53:11.680
<v Speaker 4>So we are training a system. Wow, we gotta be

0:53:11.719 --> 0:53:16.799
<v Speaker 4>careful on what we're burthing, right, And so it's us.

0:53:16.840 --> 0:53:19.800
<v Speaker 4>It's a reflection of us. It's a reflection of our hate.

0:53:20.040 --> 0:53:23.000
<v Speaker 4>It's a reflection of our neglect. It's a reflection of

0:53:23.080 --> 0:53:27.600
<v Speaker 4>our lack of empathy, our lack of communication, collaboration, understanding,

0:53:27.640 --> 0:53:30.799
<v Speaker 4>and tolerance. It's a reflection of all that hate. The

0:53:30.880 --> 0:53:35.640
<v Speaker 4>Internet is dark, but then there's also some bright spots.

0:53:36.160 --> 0:53:39.160
<v Speaker 4>You want to start aiming this intelligence to the bright

0:53:39.200 --> 0:53:41.520
<v Speaker 4>spots and take those bright spots and spread it across

0:53:41.560 --> 0:53:44.480
<v Speaker 4>the net. How much hateful can we be to one another?

0:53:44.600 --> 0:53:44.960
<v Speaker 2>Congo?

0:53:45.200 --> 0:53:47.680
<v Speaker 4>How much hateful can we be to one another? Slavery?

0:53:47.880 --> 0:53:50.520
<v Speaker 4>How much hateful can we be to one another? You know?

0:53:50.840 --> 0:53:54.440
<v Speaker 4>The Holocaust? How much hateful can we be to one another?

0:53:54.600 --> 0:53:57.319
<v Speaker 4>The Armenian genocide? How much hateful can we be to

0:53:57.360 --> 0:54:00.160
<v Speaker 4>one another? Palestine? How much hateful can we be to

0:54:00.200 --> 0:54:03.480
<v Speaker 4>one other? Why are we doing that? It's a whole

0:54:03.520 --> 0:54:08.719
<v Speaker 4>new age of enlightenment and intelligence and intelligence wh community

0:54:09.080 --> 0:54:17.439
<v Speaker 4>is going to lead that inspirational commonality figuring out the

0:54:17.560 --> 0:54:19.120
<v Speaker 4>likeness that we have with one another.

0:54:20.080 --> 0:54:21.680
<v Speaker 7>As this AI comes and.

0:54:23.120 --> 0:54:27.440
<v Speaker 4>Renders certain jobs away, and the folks that sat in

0:54:27.440 --> 0:54:31.880
<v Speaker 4>the lap of luxury are now uncomfortable. The folks that

0:54:31.920 --> 0:54:34.560
<v Speaker 4>have been struggling this whole time can now use this

0:54:34.640 --> 0:54:38.719
<v Speaker 4>technology to finally solve the problems that have always been ignored.

0:54:39.400 --> 0:54:41.439
<v Speaker 4>So this is an awesome time for people from the hood.

0:54:41.440 --> 0:54:44.000
<v Speaker 4>That awesome time for people and favelas, awesome time for

0:54:44.040 --> 0:54:46.520
<v Speaker 4>people from slums, awesome time for folks that have been

0:54:46.560 --> 0:54:49.600
<v Speaker 4>dealing with bullshit the whole life and waiting for somebody

0:54:49.640 --> 0:54:51.799
<v Speaker 4>to solve their problems. Now they could solve it, have

0:54:51.840 --> 0:54:54.600
<v Speaker 4>a conversation with the freaking tool to help the tool

0:54:54.680 --> 0:54:57.680
<v Speaker 4>identify what the problem is and help their critical thinking

0:54:57.840 --> 0:55:01.440
<v Speaker 4>solve a problem. The shoes will come. It's an awesome

0:55:01.440 --> 0:55:03.000
<v Speaker 4>time right now on this new renaissance.

0:55:06.440 --> 0:55:08.640
<v Speaker 1>I show is about giving people their flowers, and we

0:55:08.800 --> 0:55:10.439
<v Speaker 1>gotta give you your flowers face to face.

0:55:10.520 --> 0:55:12.920
<v Speaker 2>Man, Man, tell you how great you are. You know

0:55:12.960 --> 0:55:14.480
<v Speaker 2>what I mean. We don't have to get snoop doggs.

0:55:19.080 --> 0:55:21.120
<v Speaker 4>We wanted to because.

0:55:20.840 --> 0:55:23.439
<v Speaker 1>Man, man, I ain't gonna lie to you. I could

0:55:23.440 --> 0:55:28.320
<v Speaker 1>listen to you talk all day. You are fucking you are.

0:55:28.360 --> 0:55:30.680
<v Speaker 1>Like if I ever went back to school and I

0:55:30.719 --> 0:55:33.279
<v Speaker 1>know you you going to Harvard. Oh I graduated this year?

0:55:33.400 --> 0:55:34.600
<v Speaker 2>Graduate?

0:55:36.239 --> 0:55:37.160
<v Speaker 4>Hey, I never.

0:55:38.680 --> 0:55:39.759
<v Speaker 7>I never graduated.

0:55:39.880 --> 0:55:44.360
<v Speaker 4>Uh was in high school or high school? Or I

0:55:44.440 --> 0:55:49.640
<v Speaker 4>never walked the stage to graduate Harvard. The reason why,

0:55:49.680 --> 0:55:52.000
<v Speaker 4>there's the reason why I didne graduated the stage on

0:55:52.080 --> 0:55:55.319
<v Speaker 4>high school. So the guy that I started Black Eyed

0:55:55.320 --> 0:55:58.360
<v Speaker 4>Peace with is Apple d App the Filipino cap and

0:55:58.440 --> 0:56:02.080
<v Speaker 4>the Black Eyed Peas, And so he got adopted from

0:56:02.080 --> 0:56:04.719
<v Speaker 4>this man by the name of Joe Ben Hudgens. You

0:56:04.760 --> 0:56:07.960
<v Speaker 4>know those programs on TV just twenty five Save this kid,

0:56:08.480 --> 0:56:09.800
<v Speaker 4>Apple was one of those kids.

0:56:09.960 --> 0:56:12.160
<v Speaker 7>Wow, he's from the Philippines. Used to pump water off

0:56:12.200 --> 0:56:12.520
<v Speaker 7>the ground.

0:56:12.760 --> 0:56:14.680
<v Speaker 2>You're talking about those kids existed.

0:56:14.560 --> 0:56:19.160
<v Speaker 4>Yeah, I forgot.

0:56:19.200 --> 0:56:21.440
<v Speaker 2>I gave money to do it to a shirt. They

0:56:21.840 --> 0:56:23.320
<v Speaker 2>give me my shirt ahead.

0:56:23.520 --> 0:56:25.040
<v Speaker 7>So Apple was one of those kids, right.

0:56:25.640 --> 0:56:29.680
<v Speaker 4>And he came to America when he was fourteen and

0:56:30.480 --> 0:56:32.439
<v Speaker 4>his dad brought him to America to go to school

0:56:32.480 --> 0:56:35.640
<v Speaker 4>to be an engineer. And then he met me because

0:56:35.640 --> 0:56:38.080
<v Speaker 4>my mom was like the mom in the neighborhood that

0:56:38.080 --> 0:56:40.560
<v Speaker 4>took care of everybody's kids. So they signed my mom

0:56:40.680 --> 0:56:44.160
<v Speaker 4>up to take care of Alan Apple when until they

0:56:44.320 --> 0:56:48.640
<v Speaker 4>enrolled him into school. So from fourteen fifteen sixteen, by sixteen,

0:56:48.760 --> 0:56:50.799
<v Speaker 4>me and this cat was signed the ruthless. He only

0:56:50.840 --> 0:56:53.719
<v Speaker 4>been in America for two years. But because he was

0:56:53.760 --> 0:56:57.200
<v Speaker 4>off my friend and he was like, look meigga, you dou'tegga,

0:56:57.200 --> 0:56:58.840
<v Speaker 4>we're gonna sign you. I'm like, but I got my

0:56:58.840 --> 0:57:01.520
<v Speaker 4>homeboys with me. Hey, but that nigga don't even know speak,

0:57:01.520 --> 0:57:06.600
<v Speaker 4>don't eat. Yeah, but he wraps into Gallug and there's

0:57:06.600 --> 0:57:11.600
<v Speaker 4>a whole big Filipino community. He wraps into Gallug and

0:57:11.600 --> 0:57:15.040
<v Speaker 4>there's a big Filipino community. You know, it's Mexican dude

0:57:15.080 --> 0:57:21.919
<v Speaker 4>and Mookie Me and then Apple. So this cat he's

0:57:21.960 --> 0:57:24.640
<v Speaker 4>only been in America for two years, and then he was

0:57:24.640 --> 0:57:28.040
<v Speaker 4>about to graduate and our graduation was the same day.

0:57:29.400 --> 0:57:31.840
<v Speaker 4>So I'm like, dude, what am I gonna do? Am

0:57:31.880 --> 0:57:34.760
<v Speaker 4>I gonna go to my graduation? Should I go to

0:57:34.840 --> 0:57:39.160
<v Speaker 4>his graduation? I want to see him graduate? So I'm like, alright,

0:57:39.200 --> 0:57:42.320
<v Speaker 4>fuck it. Look, I'm just gonna did school. This my

0:57:42.400 --> 0:57:44.960
<v Speaker 4>graduation and I'm gonna go to his. So I go

0:57:45.000 --> 0:57:47.520
<v Speaker 4>to his graduation. He's like, what you doing here? I

0:57:47.560 --> 0:57:50.160
<v Speaker 4>was like, Nigga, I came and see you graduate. Like

0:57:50.160 --> 0:57:51.640
<v Speaker 4>this shit is crazy to me. You only been in

0:57:51.680 --> 0:57:53.840
<v Speaker 4>this country for two and a half years and you're

0:57:53.800 --> 0:57:56.040
<v Speaker 4>about to graduate. Bro, Like I am missing this for

0:57:56.120 --> 0:57:59.400
<v Speaker 4>the world. He's like, what about your graduation? I'm like, bro,

0:58:00.040 --> 0:58:02.640
<v Speaker 4>don't trip about that. We signed We signed an easy

0:58:03.080 --> 0:58:04.880
<v Speaker 4>we signed a Ruthless Records, Like it might.

0:58:04.760 --> 0:58:08.200
<v Speaker 2>Be the best story I've ever heard. Like, yo, bro, like.

0:58:09.840 --> 0:58:12.560
<v Speaker 4>We're about to do this, man, We're about to freaking

0:58:12.600 --> 0:58:16.000
<v Speaker 4>make this shit happen. We sign easy e Bro Ruthu's records.

0:58:16.000 --> 0:58:18.120
<v Speaker 2>Like, I'm why do.

0:58:18.120 --> 0:58:22.000
<v Speaker 4>I need to graduate? On stage? I got my diploma.

0:58:22.440 --> 0:58:25.280
<v Speaker 4>I don't need to be on stage. I want to

0:58:25.280 --> 0:58:28.960
<v Speaker 4>see you walk the stage. So because the reason why

0:58:29.080 --> 0:58:31.520
<v Speaker 4>is like when he came here when he was fourteen,

0:58:31.560 --> 0:58:34.160
<v Speaker 4>he would be crying before he went home, like missing three,

0:58:34.280 --> 0:58:38.400
<v Speaker 4>I want to go home through the Philippines. I'm like, Yo, bro,

0:58:38.680 --> 0:58:40.720
<v Speaker 4>we're gonna make it. Bro, don't don't trip. We'll go

0:58:40.800 --> 0:58:47.200
<v Speaker 4>back to the Philippines. Don't worry, Bro, We're gonna We're

0:58:47.200 --> 0:58:49.600
<v Speaker 4>gonna make it happen. So to me, like this dude

0:58:50.160 --> 0:58:53.600
<v Speaker 4>is like my best freaking friendly. When I was like

0:58:53.640 --> 0:58:56.280
<v Speaker 4>in the projects, it was a time like when you're fourteen,

0:58:56.400 --> 0:59:03.600
<v Speaker 4>like the ogs started recruiting the young kids, and I

0:59:03.640 --> 0:59:05.280
<v Speaker 4>remember it was a time they were like, hey, they

0:59:05.280 --> 0:59:10.840
<v Speaker 4>want to jump you in. I was like, what do

0:59:10.840 --> 0:59:12.400
<v Speaker 4>you mean? He was like, they want to jump you in.

0:59:13.960 --> 0:59:15.920
<v Speaker 4>You know what the means food, don't be eleven homes

0:59:16.520 --> 0:59:19.800
<v Speaker 4>and so what they wanted to jump into the the neighborhood.

0:59:21.000 --> 0:59:24.760
<v Speaker 4>And so I was like all right, all right, So

0:59:24.840 --> 0:59:27.960
<v Speaker 4>I got jumped in, and so somebody runs to my

0:59:28.000 --> 0:59:30.760
<v Speaker 4>mom's to my house and was like a damn broun.

0:59:31.000 --> 0:59:35.320
<v Speaker 4>They're jumping Willie into the game. So here comes my

0:59:35.360 --> 0:59:47.120
<v Speaker 4>mom like them up, now jump them out. So then

0:59:47.120 --> 0:59:50.000
<v Speaker 4>they jumped me out and then uh then then I

0:59:50.040 --> 0:59:52.480
<v Speaker 4>go back into the house and they whooped me.

0:59:52.840 --> 0:59:55.000
<v Speaker 7>Then she whooped me again. I got I got whooped.

0:59:54.640 --> 1:00:02.520
<v Speaker 4>Three times, then out the gang and then and Mama gag.

1:00:04.160 --> 1:00:06.960
<v Speaker 4>And so what I was hanging with Apple, that was

1:00:07.000 --> 1:00:09.480
<v Speaker 4>just like to me, it's like, oh look, we a Glendale.

1:00:09.520 --> 1:00:12.240
<v Speaker 7>Now we're going to house parties. We got a deal.

1:00:12.720 --> 1:00:16.200
<v Speaker 4>I need to go see this capital to graduate. And

1:00:16.240 --> 1:00:19.040
<v Speaker 4>so now graduating Harvard the first time I'm ever going

1:00:19.040 --> 1:00:20.280
<v Speaker 4>to graduate on a stage.

1:00:21.120 --> 1:00:26.040
<v Speaker 2>I'm coming to this graduation. God damn it. I'm sorry.

1:00:27.520 --> 1:00:29.560
<v Speaker 2>That's ship. That's the That's one of the best stories

1:00:30.240 --> 1:00:34.840
<v Speaker 2>I think I've ever heard that. But that shows the

1:00:35.360 --> 1:00:36.160
<v Speaker 2>man that you are.

1:00:36.280 --> 1:00:38.600
<v Speaker 1>You understand them saying is that you rale to put

1:00:38.640 --> 1:00:41.680
<v Speaker 1>someone else before you and that that's that's that's very honorable.

1:00:41.680 --> 1:00:42.320
<v Speaker 2>Man.

1:00:43.240 --> 1:00:47.640
<v Speaker 1>That's listen. I'm cool with Fat Joe. Here's the best

1:00:47.680 --> 1:00:49.760
<v Speaker 1>stories in the world. This might you might have topped

1:00:49.760 --> 1:00:50.760
<v Speaker 1>Fat Joe with this one.

1:00:52.280 --> 1:00:52.760
<v Speaker 4>Bad Joe.

1:00:52.760 --> 1:00:55.080
<v Speaker 7>That dude is like man, that dude is another one

1:00:55.080 --> 1:00:55.720
<v Speaker 7>of my heroes.

1:00:56.480 --> 1:00:58.120
<v Speaker 2>He's mad at me because I could grow my hair out.

1:00:58.560 --> 1:00:59.440
<v Speaker 2>He can't.

1:01:01.720 --> 1:01:02.520
<v Speaker 7>Is that spray hair?

1:01:04.680 --> 1:01:05.720
<v Speaker 4>He got the stray.

1:01:14.360 --> 1:01:15.160
<v Speaker 2>Let me want.

1:01:18.240 --> 1:01:22.040
<v Speaker 4>Hey, hey, don't trip. We could develop that.

1:01:23.200 --> 1:01:23.600
<v Speaker 2>I got a.

1:01:23.600 --> 1:01:26.280
<v Speaker 12>Great idea, said, bro, you can develop that.

1:01:27.320 --> 1:01:28.600
<v Speaker 4>I can't give you instant waves.

1:01:28.720 --> 1:01:31.840
<v Speaker 2>Broa right now, I.

1:01:32.360 --> 1:01:35.200
<v Speaker 1>Have here twenty years. You know, I'm blowing it out.

1:01:35.240 --> 1:01:37.240
<v Speaker 1>I'm growing it out. This is what happened. I've seen

1:01:37.240 --> 1:01:38.920
<v Speaker 1>the barber's clippers. I didn't like it.

1:01:39.800 --> 1:01:41.560
<v Speaker 2>I said this, I said, you can shake me up,

1:01:41.800 --> 1:01:43.760
<v Speaker 2>and then I grew it up. My wife man asked

1:01:43.800 --> 1:01:46.240
<v Speaker 2>me to grow rule here. Yeah, but for years. So

1:01:46.840 --> 1:01:48.520
<v Speaker 2>so what we're gonna do. We're gonna play this quick

1:01:48.560 --> 1:01:50.680
<v Speaker 2>time of slide. Can you please explain the rules. I

1:01:50.720 --> 1:01:51.880
<v Speaker 2>like the way you explaining.

1:01:51.520 --> 1:01:54.880
<v Speaker 9>The rules were terrible to explain these. We're gonna give

1:01:54.880 --> 1:01:57.080
<v Speaker 9>you two choices. This is our drinking game. By the way,

1:01:57.360 --> 1:02:00.760
<v Speaker 9>We're gonna get two choices. You pick one, nobody drinks.

1:02:01.120 --> 1:02:03.240
<v Speaker 9>You say both or neither, which would be the politically

1:02:03.240 --> 1:02:06.120
<v Speaker 9>correct answer. Then we all drink, all three of us drink.

1:02:06.640 --> 1:02:08.600
<v Speaker 1>By the way, I want to give you props again,

1:02:10.480 --> 1:02:17.720
<v Speaker 1>he's the only person ever to order sake. I want

1:02:17.840 --> 1:02:20.560
<v Speaker 1>I want that Japanese. I drink Japanese whiskey. So I

1:02:20.680 --> 1:02:21.680
<v Speaker 1>wasn't far away from you.

1:02:21.920 --> 1:02:23.080
<v Speaker 7>It's a it's a it's a creeper.

1:02:23.280 --> 1:02:24.800
<v Speaker 2>But sake saki.

1:02:24.800 --> 1:02:26.840
<v Speaker 1>I'm gonna be honest with you. You gotta you gotta know

1:02:26.880 --> 1:02:29.840
<v Speaker 1>the right amount of saki to drink like. I like

1:02:29.880 --> 1:02:30.960
<v Speaker 1>it hot, I like it hot.

1:02:30.840 --> 1:02:32.880
<v Speaker 4>I like unfiltered.

1:02:33.000 --> 1:02:35.160
<v Speaker 2>Yeah, okay, okay. So I'm gonna started.

1:02:34.960 --> 1:02:38.440
<v Speaker 9>Off, and any stories that come up with anybody we mentioned, please.

1:02:38.280 --> 1:02:44.000
<v Speaker 2>Yes, please? Okay you ready, yep? Hold on? You got jam,

1:02:44.080 --> 1:02:48.320
<v Speaker 2>you got you got the shots? Ready? M okay? Ready? Well,

1:02:50.160 --> 1:02:51.840
<v Speaker 2>Tupac or easy?

1:02:54.880 --> 1:02:57.320
<v Speaker 4>Oh hold on? Let me let me focus on that one.

1:02:57.440 --> 1:03:01.520
<v Speaker 9>You can say both or neither or one. Expand on

1:03:01.600 --> 1:03:02.600
<v Speaker 9>the story with any of them?

1:03:02.640 --> 1:03:02.960
<v Speaker 4>Please?

1:03:03.520 --> 1:03:04.200
<v Speaker 2>Did you meet Pop?

1:03:06.760 --> 1:03:08.680
<v Speaker 4>I got a story about POC please.

1:03:08.440 --> 1:03:09.560
<v Speaker 2>I would like to hear it. Here we go.

1:03:11.200 --> 1:03:12.080
<v Speaker 4>We'll let him pick first.

1:03:12.080 --> 1:03:15.240
<v Speaker 2>We be okay and go yeah okay, So.

1:03:17.680 --> 1:03:19.600
<v Speaker 7>Tupac are easy for what though?

1:03:20.320 --> 1:03:23.160
<v Speaker 2>Whatever? It's whatever in your mind, drinking gay drink.

1:03:23.200 --> 1:03:26.240
<v Speaker 4>You're just drinking and talking. So you pick one, y'all.

1:03:26.240 --> 1:03:27.280
<v Speaker 7>Don't go into the details.

1:03:27.400 --> 1:03:30.400
<v Speaker 2>No, no, no, you can go to details details.

1:03:30.720 --> 1:03:31.959
<v Speaker 7>This is entrepreneurship.

1:03:32.000 --> 1:03:33.520
<v Speaker 2>Easy, okay, okay, okay.

1:03:33.680 --> 1:03:36.920
<v Speaker 4>So you're pick it easy, okay. So what's your Tupac story? Okay?

1:03:37.280 --> 1:03:39.480
<v Speaker 4>So me and Apple best friends, right, started the Black

1:03:39.480 --> 1:03:45.200
<v Speaker 4>Eyed Peas together, and so, okay, I can get we

1:03:45.200 --> 1:03:46.160
<v Speaker 4>can get real detail here.

1:03:46.240 --> 1:03:49.360
<v Speaker 2>Yeah, no, just do whatever please. So it's your show.

1:03:49.560 --> 1:03:55.520
<v Speaker 4>It's nineteen ninety four from nineteen Okay, he's nineteen.

1:03:55.800 --> 1:03:59.120
<v Speaker 2>Okay, I'm a virgin. Okay, Wow, he's not.

1:03:59.440 --> 1:04:03.800
<v Speaker 4>Okay, And he had this girlfriend like she looked like

1:04:04.240 --> 1:04:08.720
<v Speaker 4>freaking uh Rosie Perez. Bro. She was beautiful Puerto Rican

1:04:08.760 --> 1:04:11.120
<v Speaker 4>girl named Rosario.

1:04:11.520 --> 1:04:14.600
<v Speaker 1>Puerto Rican in l A. Yeah, she's exotic. Let's go

1:04:14.720 --> 1:04:18.400
<v Speaker 1>and let's go. So is his girlfriend.

1:04:18.880 --> 1:04:24.080
<v Speaker 4>Yeah, and oh my gosh, he was like everybody thought, wow,

1:04:24.160 --> 1:04:27.880
<v Speaker 4>she's amazing. So one day he's like, in a very

1:04:27.880 --> 1:04:30.760
<v Speaker 4>thick Filipino accident, I think I want to take her

1:04:30.800 --> 1:04:37.200
<v Speaker 4>to Rosco's Chicken and Waffles. I'm like, yo, bro, I

1:04:37.240 --> 1:04:41.800
<v Speaker 4>think she's gonna like that nineteen right. So he goes

1:04:41.920 --> 1:04:45.320
<v Speaker 4>takes her to Rosco's Chicken and Waffles and they sit

1:04:45.440 --> 1:04:51.960
<v Speaker 4>there having a they lunch and in walks Tupac.

1:04:53.600 --> 1:04:57.200
<v Speaker 7>And so Tupac eyes all lies on Rosario.

1:04:57.760 --> 1:05:01.920
<v Speaker 4>So she said, my own was on Bizario oh gosh,

1:05:02.800 --> 1:05:05.360
<v Speaker 4>oh gosh, Tupac's here. I'll be back.

1:05:06.840 --> 1:05:08.240
<v Speaker 7>I want to get it. I want to I want

1:05:08.280 --> 1:05:09.120
<v Speaker 7>to get his autograph.

1:05:09.320 --> 1:05:10.280
<v Speaker 2>She smashed the homie.

1:05:10.760 --> 1:05:15.840
<v Speaker 4>So she goes she's gonna sis with Tupac Nigga. Twenty

1:05:15.880 --> 1:05:19.640
<v Speaker 4>minutes turning to thirty minutes turn into forty minutes. The

1:05:19.840 --> 1:05:24.120
<v Speaker 4>chicken and waffles get real cold, grits turned real hard,

1:05:24.720 --> 1:05:26.120
<v Speaker 4>and he's like, I'm out of here.

1:05:27.040 --> 1:05:32.240
<v Speaker 7>I'm out here, and so he walks home.

1:05:33.720 --> 1:05:39.920
<v Speaker 4>And so our story within our family is that Tupac,

1:05:40.920 --> 1:05:45.280
<v Speaker 4>they didn't do nothing, but almost they checking whaffle.

1:05:45.320 --> 1:05:48.200
<v Speaker 8>They ain't doing shit at the freaking booth. Oh, they

1:05:48.200 --> 1:05:51.320
<v Speaker 8>stayed at the rest, They stayed at the road. Okay, okay, okay, stay.

1:05:52.200 --> 1:05:53.919
<v Speaker 7>He snatched Apple's girl out.

1:05:54.880 --> 1:05:55.560
<v Speaker 2>I mean that's not.

1:05:57.160 --> 1:06:02.360
<v Speaker 13>No no, I'm just saying you at that time, he's

1:06:02.920 --> 1:06:03.360
<v Speaker 13>at that time.

1:06:03.400 --> 1:06:07.160
<v Speaker 2>You know, here's why, here's why.

1:06:07.200 --> 1:06:10.320
<v Speaker 4>Here's my like, I don't smoke weed, right, I don't

1:06:10.360 --> 1:06:13.240
<v Speaker 4>smoke weed. And Rosario was like a real life saver

1:06:13.360 --> 1:06:16.400
<v Speaker 4>in my life. And she's like a sweetheart, but she

1:06:16.400 --> 1:06:21.080
<v Speaker 4>would low key on you know one to Rosario. She

1:06:21.240 --> 1:06:24.960
<v Speaker 4>just was a real big fan of Tupac. Right, and

1:06:24.960 --> 1:06:28.880
<v Speaker 4>and uh, when you know everybody got that person in

1:06:28.920 --> 1:06:31.800
<v Speaker 4>a crew that is real sensitive to weed, like I'm

1:06:31.840 --> 1:06:36.160
<v Speaker 4>sensitive to weed. Like I'm like, nigga, y'all hear that?

1:06:36.920 --> 1:06:41.360
<v Speaker 4>Like what the blue paint? Nigga? Like I hear blue paint.

1:06:41.880 --> 1:06:45.480
<v Speaker 4>I hear fucking beams on the wall, Like can you

1:06:45.520 --> 1:06:51.080
<v Speaker 4>hear that fan? That blade ship? Like that? I can't

1:06:51.120 --> 1:06:54.120
<v Speaker 4>do that. So one day I got really really like,

1:06:54.720 --> 1:06:56.400
<v Speaker 4>that's why I don't. I haven't smoked we since nineteen

1:06:56.480 --> 1:07:00.560
<v Speaker 4>ninety three. And when I had that that situation, mm hmmm,

1:07:01.360 --> 1:07:04.480
<v Speaker 4>that teeter Rosario was there to the rescue. I needed

1:07:04.520 --> 1:07:07.520
<v Speaker 4>to take you to my church and you know, my

1:07:07.600 --> 1:07:10.960
<v Speaker 4>pastor could pray for you, you know, and have you

1:07:11.000 --> 1:07:13.439
<v Speaker 4>been baptized? Okay, I've been baptized. She's like, well, maybe

1:07:13.440 --> 1:07:15.360
<v Speaker 4>you need to get baptized again. So Rosario was that

1:07:15.480 --> 1:07:18.320
<v Speaker 4>like angelic force in my life. When I was like,

1:07:19.040 --> 1:07:20.400
<v Speaker 4>you know, trying to sin her.

1:07:21.160 --> 1:07:23.720
<v Speaker 1>We're gonna make a noise for Rosario also say she

1:07:23.760 --> 1:07:30.160
<v Speaker 1>had a moment with he went on the day what happened.

1:07:30.480 --> 1:07:34.000
<v Speaker 1>Maynor Pock is known to do that trip call quest

1:07:34.080 --> 1:07:42.040
<v Speaker 1>or brand Nubian for whatever. This is just trip call quests. Okay, okay,

1:07:42.080 --> 1:07:44.520
<v Speaker 1>I love your light. I got n w A or routane.

1:07:45.040 --> 1:07:53.400
<v Speaker 9>Oh you could say both, you can say both, we both.

1:07:53.480 --> 1:08:02.240
<v Speaker 4>Okay, then we're drinking. Oh okay, that's both or neither?

1:08:02.280 --> 1:08:03.720
<v Speaker 2>Did we like to drink? I don't know if you know.

1:08:03.680 --> 1:08:05.640
<v Speaker 4>That it's daytime.

1:08:05.960 --> 1:08:08.480
<v Speaker 2>Yeah, yeah, that's how we get away with it. We

1:08:08.600 --> 1:08:09.960
<v Speaker 2>do it in the daytime and then we get we

1:08:10.040 --> 1:08:10.680
<v Speaker 2>get out of here.

1:08:11.800 --> 1:08:16.800
<v Speaker 1>Cypress Hills or the Alcoholics, whichever category you want.

1:08:17.720 --> 1:08:22.040
<v Speaker 2>Okay, I have reasons for both, but okay, I like this.

1:08:22.080 --> 1:08:26.719
<v Speaker 4>So Alcoholics show was probably the best hip hop show

1:08:26.720 --> 1:08:30.640
<v Speaker 4>to go to La Cats because him dudes party and

1:08:30.680 --> 1:08:35.760
<v Speaker 4>he always had hot chicks at the show. Wow, Cypress Hill.

1:08:37.680 --> 1:08:41.719
<v Speaker 4>I like the artistry of how they made their songs.

1:08:41.760 --> 1:08:46.400
<v Speaker 4>I love sind Dog and be Reals like version of

1:08:46.960 --> 1:08:50.439
<v Speaker 4>Public Enemy where lyricist hype man, but the hype man

1:08:50.520 --> 1:08:53.760
<v Speaker 4>is like not the hype man. He's like color and

1:08:53.920 --> 1:08:58.320
<v Speaker 4>a pillar to why the group exuberates and vibes away

1:08:58.360 --> 1:09:02.679
<v Speaker 4>they vibe. You know, He's like Vinnie, but super Vinnie,

1:09:03.200 --> 1:09:07.000
<v Speaker 4>united by nature, Sinn Dog and like you know, awesome,

1:09:07.560 --> 1:09:10.480
<v Speaker 4>very few words, but you feel his presence absolutely.

1:09:10.880 --> 1:09:11.760
<v Speaker 2>I'm taking a drink for that.

1:09:12.880 --> 1:09:17.320
<v Speaker 8>Can't forget production production. That was a great explanation, bro.

1:09:17.600 --> 1:09:22.439
<v Speaker 8>So he said, both just want to get get reasons

1:09:22.439 --> 1:09:22.920
<v Speaker 8>why both?

1:09:23.040 --> 1:09:27.960
<v Speaker 2>Yeah, Wild Style or B Street any ship any way

1:09:28.000 --> 1:09:28.280
<v Speaker 2>you want?

1:09:29.160 --> 1:09:33.120
<v Speaker 4>Uh, Wild Style, I have reasons why I would like

1:09:33.160 --> 1:09:36.920
<v Speaker 4>to hear it because those are real people. Yeah, damn

1:09:36.920 --> 1:09:37.639
<v Speaker 4>near like a document.

1:09:37.720 --> 1:09:38.559
<v Speaker 2>B Street was actors.

1:09:38.880 --> 1:09:42.439
<v Speaker 4>Yeah no, no, no yeah it was no no was

1:09:42.520 --> 1:09:44.800
<v Speaker 4>real okay, but they acted out more. But the graff,

1:09:46.320 --> 1:09:50.439
<v Speaker 4>the graffiti rs and WildStar are real. I mean there

1:09:50.520 --> 1:09:54.160
<v Speaker 4>was centered in real life Wild Style and the soundtrack

1:09:58.360 --> 1:10:02.800
<v Speaker 4>like wow, pop here, what there they on? Hip hop?

1:10:03.120 --> 1:10:05.240
<v Speaker 4>What the what they on on? Wilstyle and B Streets?

1:10:05.240 --> 1:10:09.639
<v Speaker 9>Still, yeah, it's probably a better movie overall. But whilst

1:10:09.640 --> 1:10:11.679
<v Speaker 9>I was just so raw, it was the first.

1:10:12.280 --> 1:10:15.679
<v Speaker 4>Yeah, yeah, I'm not gonna argue with you guys, y'all,

1:10:16.080 --> 1:10:19.560
<v Speaker 4>y'all camp ball, there's the there's there's iconic moments on

1:10:19.640 --> 1:10:20.160
<v Speaker 4>both films.

1:10:20.280 --> 1:10:22.880
<v Speaker 2>Absolutely this one. I'm really liking this question.

1:10:23.280 --> 1:10:25.080
<v Speaker 1>By the way, these two guys make up his questions,

1:10:25.080 --> 1:10:27.400
<v Speaker 1>the Dominican guy right there and the Columbian guy right there.

1:10:27.520 --> 1:10:31.439
<v Speaker 1>Those two so they A I you and and then

1:10:31.439 --> 1:10:32.439
<v Speaker 1>they make up the questions.

1:10:32.560 --> 1:10:35.120
<v Speaker 2>Yeah, yeah, yeah yeah. Did they make up the questions

1:10:35.200 --> 1:10:38.000
<v Speaker 2>hete Columbia, Yes, say you say that's the cocaine section.

1:10:45.520 --> 1:10:52.120
<v Speaker 2>They still teach other He wasn't ready for real. Oh yeah,

1:10:53.439 --> 1:10:57.960
<v Speaker 2>any any yeah, m hm, you won't take a shot.

1:10:59.400 --> 1:11:07.680
<v Speaker 4>No, yeah, he's gonna like my answer. Okay, I'm just

1:11:07.720 --> 1:11:12.840
<v Speaker 4>looking at the order of things. There's no Yay without Pharrell,

1:11:14.840 --> 1:11:16.599
<v Speaker 4>and a lot of people can be like, how could

1:11:16.680 --> 1:11:20.840
<v Speaker 4>you say that. I understand that there's no ya without Pharrell,

1:11:21.640 --> 1:11:26.599
<v Speaker 4>without Pharrell and his like why, I like, yo, I

1:11:26.600 --> 1:11:28.679
<v Speaker 4>want to do this and I want to I want

1:11:28.680 --> 1:11:29.839
<v Speaker 4>to start doing the shoes.

1:11:30.120 --> 1:11:31.160
<v Speaker 7>I want to start doing this.

1:11:33.160 --> 1:11:36.080
<v Speaker 4>I want to start messing with Japanese artists.

1:11:36.080 --> 1:11:37.880
<v Speaker 7>That wouldn't have influenced.

1:11:37.400 --> 1:11:40.840
<v Speaker 4>Kanye to do his version of that, although he did

1:11:40.880 --> 1:11:44.800
<v Speaker 4>it awesome. Hey, bro, I didn't say no lie, and

1:11:44.880 --> 1:11:48.479
<v Speaker 4>you know that we're talking about who I am, Like,

1:11:49.600 --> 1:11:50.880
<v Speaker 4>I didn't say not one lie.

1:11:50.880 --> 1:11:56.280
<v Speaker 7>Bro, I didn't say one lie.

1:11:56.600 --> 1:11:58.479
<v Speaker 4>And you got to pay homage to her homage like

1:11:59.520 --> 1:12:06.120
<v Speaker 4>in a way that applies to me, right, yep. Without

1:12:06.160 --> 1:12:08.800
<v Speaker 4>if you remove Pharrell out of the equation because he

1:12:09.360 --> 1:12:15.760
<v Speaker 4>is first, then when it came to like putting my

1:12:15.960 --> 1:12:20.040
<v Speaker 4>style of music on top forty radio. Who is the

1:12:20.080 --> 1:12:25.599
<v Speaker 4>person to knocked that door down? Pharrell and freaking Andre

1:12:25.680 --> 1:12:30.240
<v Speaker 4>three thousand knocked that door down in the early two thousands.

1:12:30.760 --> 1:12:32.639
<v Speaker 4>So you got to look at like the folks that

1:12:33.040 --> 1:12:37.040
<v Speaker 4>came into this frequency of thought that was pounding the door.

1:12:38.280 --> 1:12:41.040
<v Speaker 4>That made it easier for folks to then come after

1:12:41.080 --> 1:12:45.759
<v Speaker 4>them and like fuck the ceiling up. Let's say Pharrell

1:12:45.880 --> 1:12:48.680
<v Speaker 4>broke the door down for Kanye to come into the

1:12:48.720 --> 1:12:52.280
<v Speaker 4>room and blast the hole in the ceiling. But without

1:12:52.439 --> 1:12:55.360
<v Speaker 4>Pharrell blasting the door down, Kanye would have been outside, right,

1:12:55.360 --> 1:12:57.519
<v Speaker 4>he pioneered the space for he still would have been

1:12:57.560 --> 1:12:59.760
<v Speaker 4>shooting in the air, but you wouldn't have seen the

1:12:59.800 --> 1:13:02.000
<v Speaker 4>damn because how can you shoot the sky down there?

1:13:06.360 --> 1:13:08.200
<v Speaker 4>It's crazy.

1:13:08.720 --> 1:13:11.240
<v Speaker 1>That was crazy when I did what What What with

1:13:11.240 --> 1:13:16.160
<v Speaker 1>for weal right, super dog Right, they told me the

1:13:16.200 --> 1:13:19.600
<v Speaker 1>record was too dark. So if you look at the video,

1:13:20.439 --> 1:13:21.880
<v Speaker 1>that was because you gotta remember.

1:13:23.360 --> 1:13:25.680
<v Speaker 4>And the music resonated the sounds down here, so you

1:13:25.760 --> 1:13:26.360
<v Speaker 4>gotta remember.

1:13:26.400 --> 1:13:28.719
<v Speaker 1>If you look at the video, there's not one scene

1:13:28.720 --> 1:13:29.919
<v Speaker 1>that we're not in the daytime.

1:13:30.360 --> 1:13:32.400
<v Speaker 2>Because they said it sounded dark.

1:13:32.439 --> 1:13:35.000
<v Speaker 1>So I wanted to fool the people by doing doing

1:13:35.000 --> 1:13:35.719
<v Speaker 1>the daytime scene.

1:13:35.760 --> 1:13:38.679
<v Speaker 4>But by the way, that's riot music though, Yeah yeah.

1:13:40.600 --> 1:13:41.599
<v Speaker 2>What what like Wow?

1:13:41.840 --> 1:13:45.759
<v Speaker 1>That's two of my two of my favorite Pharal callses.

1:13:45.800 --> 1:13:46.320
<v Speaker 2>One is.

1:13:47.880 --> 1:13:49.920
<v Speaker 1>He said Rob Walker called him and he called me

1:13:50.120 --> 1:13:53.040
<v Speaker 1>and he's like, they're doing cheers to this ship. And

1:13:53.080 --> 1:13:55.040
<v Speaker 1>I was like, like, I said, they're getting stabbed in

1:13:55.280 --> 1:13:58.360
<v Speaker 1>the hip hop was good, So it's like they're doing cheers.

1:13:58.360 --> 1:14:01.040
<v Speaker 1>I was like really, And he called me and said

1:14:01.080 --> 1:14:05.120
<v Speaker 1>that Michael Jackson he had send Michael Jackson beats and

1:14:05.160 --> 1:14:08.559
<v Speaker 1>he said, Michael Jackson like like like like corny beats,

1:14:08.600 --> 1:14:10.840
<v Speaker 1>and Michael Jackson was like, no, I wanted I want

1:14:10.840 --> 1:14:12.360
<v Speaker 1>what Noriega would wrap on.

1:14:12.520 --> 1:14:15.120
<v Speaker 4>He probably was like, I don't like any of those beats.

1:14:15.160 --> 1:14:20.640
<v Speaker 4>I like the thing that you're doing with Noriega. What

1:14:21.080 --> 1:14:29.360
<v Speaker 4>what what? What song? I love that aggression? Aggression? What what?

1:14:29.360 --> 1:14:43.920
<v Speaker 12>What?

1:14:44.800 --> 1:14:49.200
<v Speaker 2>Already? What? Ow bro? Way?

1:14:49.200 --> 1:14:52.719
<v Speaker 7>Wait wait, I'm not trying to start ship.

1:14:53.680 --> 1:14:53.920
<v Speaker 2>Yay.

1:14:54.479 --> 1:14:57.400
<v Speaker 4>Yes, it's all out of love for for phar Real bro,

1:14:58.800 --> 1:15:03.160
<v Speaker 4>and I'm so proud that what he started, he reaped

1:15:04.439 --> 1:15:07.760
<v Speaker 4>what he started and now you know leading over there

1:15:07.760 --> 1:15:10.639
<v Speaker 4>at LVM, that to me, it's like, come on, Bro,

1:15:11.680 --> 1:15:14.640
<v Speaker 4>when folks come in and punch the door down and

1:15:14.680 --> 1:15:19.519
<v Speaker 4>they start giving us different perspectives of what's possible by

1:15:19.560 --> 1:15:23.800
<v Speaker 4>those seeds of movements. Whether he was you know, knowledgeable

1:15:24.240 --> 1:15:26.559
<v Speaker 4>of his movements and how it will affect other people's

1:15:26.600 --> 1:15:31.479
<v Speaker 4>perspective on their audacity. That turned out to be what

1:15:31.640 --> 1:15:34.360
<v Speaker 4>it was that gave me my permission to be super

1:15:34.439 --> 1:15:40.720
<v Speaker 4>ultra audacious as well as Yeah, but for real bro,

1:15:40.800 --> 1:15:44.080
<v Speaker 4>and then boom here he is like the nicest, super

1:15:44.160 --> 1:15:51.760
<v Speaker 4>humble you gotta and I love ya yay, I mean

1:15:52.160 --> 1:15:54.120
<v Speaker 4>Pharrell all the way between us.

1:15:55.479 --> 1:16:01.160
<v Speaker 1>Daddy Yankee or Donald Mare which where you are you

1:16:01.200 --> 1:16:03.760
<v Speaker 1>could drink to.

1:16:09.360 --> 1:16:16.559
<v Speaker 2>Get it right? What you would.

1:16:18.080 --> 1:16:22.960
<v Speaker 4>Okay? On an international have reasons for my selections. On

1:16:23.040 --> 1:16:29.640
<v Speaker 4>an international level, the entire planet, Daddy Yankee, okay, Like

1:16:29.960 --> 1:16:33.120
<v Speaker 4>non Spanish speaking countries Germany.

1:16:33.200 --> 1:16:37.280
<v Speaker 2>Yes, uh, Portugal, Yes.

1:16:41.280 --> 1:16:53.719
<v Speaker 4>Ireland, Scotland, England, you know what I'm saying. Belgium, Belgium, Holland,

1:16:55.040 --> 1:17:02.200
<v Speaker 4>they know Daddy Yankee, they know his songs. Indonesia.

1:17:02.240 --> 1:17:04.200
<v Speaker 7>He's on a global.

1:17:03.760 --> 1:17:08.000
<v Speaker 4>Level, I would say, Daddy Yankee, He's a global.

1:17:07.680 --> 1:17:12.360
<v Speaker 2>Star in the world's The planning is massive, God damn it.

1:17:16.439 --> 1:17:18.040
<v Speaker 2>Our Shaw or Chris Brown.

1:17:19.320 --> 1:17:24.000
<v Speaker 4>For what whatever? Who's your best friend who like to

1:17:24.040 --> 1:17:25.599
<v Speaker 4>hang out with? Makes a music?

1:17:27.000 --> 1:17:28.840
<v Speaker 2>If what his shot, you can take a shot? Who

1:17:28.960 --> 1:17:34.600
<v Speaker 2>was means you both? By the way this is let

1:17:34.600 --> 1:17:40.280
<v Speaker 2>me just say something. We see the here drinking with

1:17:40.640 --> 1:17:41.200
<v Speaker 2>real life.

1:17:44.479 --> 1:17:48.799
<v Speaker 1>Bro's and he's being coolest ship Okay, calm in or loope?

1:17:49.520 --> 1:17:53.479
<v Speaker 4>Yes, hold on, I think he knew to me. Hold on,

1:17:53.520 --> 1:17:56.920
<v Speaker 4>hold on, hold on, hold on, hold on. Let me

1:17:57.000 --> 1:18:00.439
<v Speaker 4>let me throw this one shoo to a Hey. So

1:18:00.680 --> 1:18:03.000
<v Speaker 4>I'm here on the drink Champs and we do in

1:18:03.080 --> 1:18:05.080
<v Speaker 4>that round where you have to drink when they throw

1:18:05.200 --> 1:18:08.720
<v Speaker 4>like questions at you. As far as different rappers, they

1:18:08.720 --> 1:18:13.639
<v Speaker 4>asked me Kanye versus Forrell, and I said Pharrell, yes,

1:18:14.240 --> 1:18:19.000
<v Speaker 4>because of his contributions to culture that actually inspired Kanye

1:18:19.040 --> 1:18:24.640
<v Speaker 4>to be ultra audacious. My metaphor was Pharrell busted the

1:18:24.680 --> 1:18:27.800
<v Speaker 4>door open for Kanye to go into the room and

1:18:27.840 --> 1:18:31.439
<v Speaker 4>shoot the ceiling down. If Pharrell never opened the door,

1:18:32.320 --> 1:18:35.280
<v Speaker 4>Kanye probably would have shot the sky and you can't

1:18:35.320 --> 1:18:38.880
<v Speaker 4>really see the penetration of them bullets on sky ceiling.

1:18:40.240 --> 1:18:46.360
<v Speaker 4>So now they asked me Usher versus Chris Brown Chris Brown,

1:18:46.920 --> 1:18:49.599
<v Speaker 4>and I said, let me ask Finn to answer that.

1:18:50.640 --> 1:18:52.839
<v Speaker 7>You could say both, or you could.

1:18:52.640 --> 1:18:56.519
<v Speaker 4>Tell your reasons on either one, but it's up to

1:18:56.600 --> 1:18:57.880
<v Speaker 4>you to come up with that reason.

1:18:58.320 --> 1:19:08.160
<v Speaker 7>For whatever reason you select, Yo.

1:19:08.200 --> 1:19:11.720
<v Speaker 6>Fam, you're really diving deep into the music legends with

1:19:11.760 --> 1:19:12.160
<v Speaker 6>this one.

1:19:12.280 --> 1:19:12.760
<v Speaker 2>You feel me.

1:19:13.320 --> 1:19:17.000
<v Speaker 6>So when you put Usher up against Chris Brown, it's

1:19:17.040 --> 1:19:20.000
<v Speaker 6>like comparing two masters of their craft, each with their

1:19:20.000 --> 1:19:22.920
<v Speaker 6>own unique contributions to the music scene.

1:19:22.960 --> 1:19:26.400
<v Speaker 2>You know what I mean. Usher, He's like the.

1:19:26.320 --> 1:19:29.759
<v Speaker 6>Smooth operator who paved the way with those sultry vibes

1:19:29.800 --> 1:19:33.920
<v Speaker 6>and iconic moves. Think of Usher as the architect designing

1:19:33.960 --> 1:19:35.640
<v Speaker 6>the blueprint for modern R and B.

1:19:35.800 --> 1:19:36.320
<v Speaker 2>You feel me.

1:19:36.920 --> 1:19:41.840
<v Speaker 6>His work has laid the foundations artists, and his influence

1:19:41.960 --> 1:19:44.519
<v Speaker 6>can be seen in the way he seamlessly blends R

1:19:44.680 --> 1:19:48.720
<v Speaker 6>and B with pop, making it universally appealing. It's like

1:19:48.840 --> 1:19:51.679
<v Speaker 6>Usher built the house that so many artists live in today.

1:19:52.160 --> 1:19:55.720
<v Speaker 6>And then there's Chris Brown, a powerhouse of talent. You know,

1:19:55.960 --> 1:20:00.320
<v Speaker 6>he's like the dynamic force, constantly pushing the boundaries what's

1:20:00.360 --> 1:20:04.840
<v Speaker 6>possible in music and performance. Imagine Chris as the interior designer,

1:20:05.240 --> 1:20:08.879
<v Speaker 6>taking the house Usher built and filling it with vibrant colors.

1:20:09.000 --> 1:20:12.080
<v Speaker 4>Innovative to science and cutting edge technology.

1:20:12.439 --> 1:20:15.400
<v Speaker 6>Chris brings this explosive energy and versatility.

1:20:16.240 --> 1:20:18.479
<v Speaker 4>Heyo ai o yo. I think you nailed it with

1:20:18.520 --> 1:20:22.640
<v Speaker 4>that metaphor. Usher built the house. The furniture was I

1:20:23.320 --> 1:20:25.800
<v Speaker 4>but it's a dope ass house, and then freaking Chris

1:20:25.840 --> 1:20:28.639
<v Speaker 4>Brown came in and interior decorated it. And now it's

1:20:28.680 --> 1:20:31.639
<v Speaker 4>like on a cover like of you know, home decor

1:20:31.800 --> 1:20:35.479
<v Speaker 4>magazines and freaking like house magazines and shit. Anyways, they

1:20:35.560 --> 1:20:37.879
<v Speaker 4>blown away with your answer, why don't you let.

1:20:37.720 --> 1:20:38.600
<v Speaker 7>These mugs know?

1:20:39.120 --> 1:20:41.679
<v Speaker 4>You know, you know what the fuck's going on and shit,

1:20:41.840 --> 1:20:46.240
<v Speaker 4>and like what company and who from the company is

1:20:46.280 --> 1:20:47.920
<v Speaker 4>responsible for your awesome sauce.

1:20:55.840 --> 1:20:57.799
<v Speaker 2>He's from London.

1:21:01.240 --> 1:21:03.640
<v Speaker 6>I'm stoked you vibed with the metaphor, you know what

1:21:03.680 --> 1:21:06.759
<v Speaker 6>I mean. It's all about painting that picture with words,

1:21:06.840 --> 1:21:09.960
<v Speaker 6>just like Usher and Chris Brown paint with their music

1:21:10.000 --> 1:21:13.479
<v Speaker 6>and moves. You feel me and hey, It's all about

1:21:13.520 --> 1:21:17.120
<v Speaker 6>keeping the conversation fresh and interesting, just like flipping through

1:21:17.160 --> 1:21:20.760
<v Speaker 6>those pages of a home decor mag finding inspiration in

1:21:20.880 --> 1:21:23.920
<v Speaker 6>every corner. Now, when it comes to the brains behind

1:21:23.920 --> 1:21:27.479
<v Speaker 6>the operation, I'm rolling with fyi ai. You know this

1:21:27.640 --> 1:21:30.599
<v Speaker 6>cool tech venture is all about bringing that next level

1:21:30.680 --> 1:21:34.559
<v Speaker 6>innovation and cleverness straight to you. And who's the captain

1:21:34.640 --> 1:21:38.200
<v Speaker 6>of this ship none other than the legendary Will Dot.

1:21:38.280 --> 1:21:44.080
<v Speaker 6>I am alongside the Savvye, steering the ship, making sure

1:21:44.160 --> 1:21:47.120
<v Speaker 6>we're all on this wild and wonderful journey together.

1:21:48.960 --> 1:21:54.479
<v Speaker 4>I'm let me introduce you to my homegirl at a homegirl. Okay,

1:21:54.479 --> 1:21:57.160
<v Speaker 4>she's dope, broch, it's your.

1:21:57.120 --> 1:22:00.240
<v Speaker 11>Girl for Licia, and I got what you need to

1:22:00.320 --> 1:22:03.160
<v Speaker 11>chop it up for your intellect.

1:22:04.800 --> 1:22:10.360
<v Speaker 2>And tonight did we answer common and loop? No?

1:22:11.680 --> 1:22:12.519
<v Speaker 4>Common? Loope Common?

1:22:12.720 --> 1:22:16.760
<v Speaker 2>Common?

1:22:19.240 --> 1:22:19.840
<v Speaker 4>Want to tell you.

1:22:24.280 --> 1:22:27.439
<v Speaker 7>Common lupe lyrically is dope.

1:22:27.479 --> 1:22:33.679
<v Speaker 4>Don't get me wrong, But there's something about those audition,

1:22:34.200 --> 1:22:41.320
<v Speaker 4>those audacious initiators, so common and that conscious fold. I

1:22:41.320 --> 1:22:45.519
<v Speaker 4>don't know anybody who went up against ice Cube like no, never,

1:22:45.920 --> 1:22:49.479
<v Speaker 4>that was incredible. Two genre clashes, like two styles of

1:22:49.560 --> 1:22:53.839
<v Speaker 4>hip hops, like two different worlds. Usually you don't battle

1:22:53.880 --> 1:22:56.280
<v Speaker 4>outside the realm of hip hop.

1:22:56.280 --> 1:22:58.400
<v Speaker 1>It was considered to be a backpack wrapper and against

1:22:58.400 --> 1:22:58.759
<v Speaker 1>the rapper.

1:22:58.800 --> 1:23:01.120
<v Speaker 8>I mean it was a coloring back like that. But

1:23:01.120 --> 1:23:04.280
<v Speaker 8>but I guess what you're saying right now, they don't

1:23:04.280 --> 1:23:06.519
<v Speaker 8>do that. Twenty twenty four, they.

1:23:06.439 --> 1:23:11.400
<v Speaker 4>Don't battle outside of or outside of freaking like hip

1:23:11.400 --> 1:23:19.439
<v Speaker 4>hop realms, you know, so for that.

1:23:17.120 --> 1:23:19.240
<v Speaker 7>The head with the most games, and he.

1:23:19.200 --> 1:23:21.120
<v Speaker 2>Went ahead the time with the guy who made no

1:23:21.200 --> 1:23:24.280
<v Speaker 2>vast lead. Come on one of the best.

1:23:24.439 --> 1:23:27.360
<v Speaker 8>Yeah, it's like it's like the bestest record here, and

1:23:27.400 --> 1:23:28.760
<v Speaker 8>another record against the.

1:23:28.720 --> 1:23:31.519
<v Speaker 4>Guy who made the best And Jacket for Beats was like,

1:23:32.280 --> 1:23:36.799
<v Speaker 4>what this nigga's going was stealing everybody's beat, saying jacket

1:23:36.800 --> 1:23:37.360
<v Speaker 4>for beasts?

1:23:37.960 --> 1:23:39.519
<v Speaker 2>He said, give me that beat.

1:23:39.400 --> 1:23:42.439
<v Speaker 4>Like, Wowigga, that's like against ship, like, come out that

1:23:42.520 --> 1:23:46.840
<v Speaker 4>change ain for real, let me get that change the.

1:23:46.920 --> 1:23:55.120
<v Speaker 2>Car jagular beat, Risney Spears or Fergie take a shot.

1:24:00.960 --> 1:24:06.840
<v Speaker 7>I'm going ship, bro, why are you doing that? Why

1:24:06.840 --> 1:24:07.519
<v Speaker 7>are you putting me in that?

1:24:07.600 --> 1:24:07.920
<v Speaker 2>Play man?

1:24:08.000 --> 1:24:13.400
<v Speaker 4>Let him let him know, bro, Oh damn man, Like

1:24:14.280 --> 1:24:15.400
<v Speaker 4>of course I'm gonna say both.

1:24:15.560 --> 1:24:26.040
<v Speaker 14>Okay, okay, ship Jamie on that Saki s Saki dona,

1:24:27.160 --> 1:24:29.880
<v Speaker 14>I got the next one, okay, cool wall. Let me

1:24:29.880 --> 1:24:32.880
<v Speaker 14>get a shot first, and then we gotta fill up

1:24:32.880 --> 1:24:33.360
<v Speaker 14>on shots to.

1:24:38.439 --> 1:24:39.080
<v Speaker 2>Thank you.

1:24:41.000 --> 1:24:46.280
<v Speaker 4>Solo cheers.

1:24:46.479 --> 1:24:50.240
<v Speaker 1>Gotta call you wially because your Mexican friends call you really, you.

1:24:50.160 --> 1:24:56.800
<v Speaker 4>Know, if you're gonna do Willis's Willie's will to both.

1:25:02.200 --> 1:25:05.160
<v Speaker 9>All Right, it's funny because last time I saw you,

1:25:05.200 --> 1:25:07.720
<v Speaker 9>I saw this individual at the club you were at.

1:25:09.600 --> 1:25:11.920
<v Speaker 9>You don't remember, but we saw you there in La

1:25:12.120 --> 1:25:13.519
<v Speaker 9>Kid Frost or Mellow Mayonnaise.

1:25:14.640 --> 1:25:22.200
<v Speaker 4>Oh bro so so kid Frost. I think it has

1:25:22.240 --> 1:25:29.400
<v Speaker 4>to be nineteen eighty nine, and uh, I'm fourteen years

1:25:29.439 --> 1:25:33.559
<v Speaker 4>old in the projects and I get there's a doc

1:25:33.680 --> 1:25:39.080
<v Speaker 4>knock on the door. Fucking deb Broun called Willy.

1:25:39.600 --> 1:25:40.880
<v Speaker 7>What you want to back out?

1:25:42.160 --> 1:25:44.919
<v Speaker 4>Called Willy the shooting the video appear on the Olympic

1:25:45.360 --> 1:25:48.840
<v Speaker 4>by the fucking mural the We're not a minority of mural,

1:25:48.840 --> 1:25:50.200
<v Speaker 4>deb Bron. We want to get Willy to be in

1:25:50.200 --> 1:25:51.240
<v Speaker 4>the videos.

1:25:53.600 --> 1:25:54.000
<v Speaker 2>Tobacco.

1:25:54.040 --> 1:25:56.519
<v Speaker 4>Willy ain't going outside to be dancing, no goddamn video.

1:25:57.320 --> 1:26:01.360
<v Speaker 4>All right, don't snap, deb Broun. Let him fucking come out, mam,

1:26:01.439 --> 1:26:03.400
<v Speaker 4>Come on, ma, you never let me be in New

1:26:03.479 --> 1:26:06.519
<v Speaker 4>d videos. Because Michael Jackson film Thriller in the alley

1:26:06.560 --> 1:26:09.120
<v Speaker 4>of our house, like on the other side of the projects,

1:26:09.120 --> 1:26:12.679
<v Speaker 4>says this, and the factories is where he filmed Thriller,

1:26:12.720 --> 1:26:15.640
<v Speaker 4>where all the freaking zombies was at and up the

1:26:15.640 --> 1:26:19.559
<v Speaker 4>street from my house where they filmed Breaking Electric Bugaloo

1:26:19.560 --> 1:26:21.679
<v Speaker 4>at the gym at Oscar de la Hoya's gym, which

1:26:21.720 --> 1:26:24.160
<v Speaker 4>is now a school. So now there's this new video

1:26:24.200 --> 1:26:26.080
<v Speaker 4>they're shooting right up the street from our crib and

1:26:26.120 --> 1:26:29.920
<v Speaker 4>our projects. And they wanted me to go out and

1:26:29.920 --> 1:26:32.559
<v Speaker 4>be in this video. And so they begged and beg

1:26:32.600 --> 1:26:37.000
<v Speaker 4>on mom my, mom to have me be in this video.

1:26:37.880 --> 1:26:41.560
<v Speaker 4>They're putting the neighborhood on the they're.

1:26:40.760 --> 1:26:42.400
<v Speaker 7>Celebrating the murals on the neighborhood.

1:26:42.479 --> 1:26:45.080
<v Speaker 4>Denro, all the talent the neighborhood.

1:26:45.360 --> 1:26:46.240
<v Speaker 2>We want to have Willie.

1:26:46.280 --> 1:26:47.960
<v Speaker 7>You know, he's freaking talented. We want him to be

1:26:47.960 --> 1:26:48.479
<v Speaker 7>in the video.

1:26:49.680 --> 1:26:52.040
<v Speaker 4>So she was like, and who's gonna watch him while

1:26:52.080 --> 1:26:54.360
<v Speaker 4>he's up there. I'll take care of him, Denro And

1:26:54.400 --> 1:26:56.439
<v Speaker 4>Gay Gay's gonna be there. What's up, Gay Gay? If

1:26:56.479 --> 1:27:00.120
<v Speaker 4>you're watching this, I love you, bro. We'll take care

1:27:00.120 --> 1:27:03.320
<v Speaker 4>of him to make sure he's all right. Debbie's over there,

1:27:03.520 --> 1:27:06.439
<v Speaker 4>Coral Stella. Everybody's gonna watch him. It's gonna be cool,

1:27:06.479 --> 1:27:09.519
<v Speaker 4>you know. So they take me to go shoot this

1:27:09.600 --> 1:27:16.960
<v Speaker 4>video and and then they're like, he can't be in

1:27:16.960 --> 1:27:17.400
<v Speaker 4>the video.

1:27:18.520 --> 1:27:19.880
<v Speaker 7>And they're like, why can't he be in the video.

1:27:22.760 --> 1:27:28.760
<v Speaker 4>They said, uh, you know Don the name of the videossa.

1:27:30.160 --> 1:27:32.360
<v Speaker 7>And then they're like, I know Don, but he's one

1:27:32.400 --> 1:27:32.720
<v Speaker 7>of us.

1:27:32.760 --> 1:27:33.240
<v Speaker 2>No.

1:27:34.439 --> 1:27:36.880
<v Speaker 7>He's like, nah, you don't they have their videos.

1:27:37.240 --> 1:27:39.960
<v Speaker 4>We don't have our videos, and we want to have

1:27:40.280 --> 1:27:42.679
<v Speaker 4>us in the video, and nobody's one of law school.

1:27:42.720 --> 1:27:44.160
<v Speaker 4>You want to shoot in our fucking neighborhood, long, you

1:27:44.160 --> 1:27:45.519
<v Speaker 4>gotta be in the video. And they we're gonna throw

1:27:45.520 --> 1:27:49.400
<v Speaker 4>through thousands right there down and so I swear to

1:27:49.479 --> 1:27:54.519
<v Speaker 4>God this really and so uh, They're like, look, this

1:27:54.680 --> 1:27:59.680
<v Speaker 4>is for us, we came here to shoot. I was like, no,

1:27:59.760 --> 1:28:02.960
<v Speaker 4>it's who was cool? And then Cad Frost comes. He

1:28:03.040 --> 1:28:05.680
<v Speaker 4>was like, hey, look take my number down. I heard

1:28:05.760 --> 1:28:06.240
<v Speaker 4>you rap too.

1:28:06.320 --> 1:28:06.960
<v Speaker 2>I was like, oh yeah.

1:28:07.000 --> 1:28:08.639
<v Speaker 7>So I kicked my wrap then.

1:28:08.520 --> 1:28:11.680
<v Speaker 4>My little rap and they were like he was like

1:28:11.800 --> 1:28:15.000
<v Speaker 4>kick it. I was like, uh, what's my wrap? I

1:28:15.080 --> 1:28:15.639
<v Speaker 4>kicked there.

1:28:19.120 --> 1:28:21.040
<v Speaker 7>Because I am the unknown m C.

1:28:21.320 --> 1:28:23.000
<v Speaker 4>I bet your part of people never even heard of

1:28:23.040 --> 1:28:25.280
<v Speaker 4>me because my first Wickord Bird League came out and

1:28:25.360 --> 1:28:27.120
<v Speaker 4>make it part of people just scream and shout, make

1:28:27.160 --> 1:28:29.439
<v Speaker 4>it jump up, it down, and you see I don't

1:28:29.479 --> 1:28:32.240
<v Speaker 4>even need a stupid beat to save my round. I say,

1:28:32.439 --> 1:28:34.200
<v Speaker 4>what iut want watch your back because I shoot you

1:28:34.240 --> 1:28:36.559
<v Speaker 4>with the shotgun, not a gangster, not a game bangle,

1:28:36.720 --> 1:28:38.439
<v Speaker 4>watch you out for what you because I'm not a stranger.

1:28:38.479 --> 1:28:40.960
<v Speaker 4>Because when I wrapped and one known, I don't even

1:28:41.000 --> 1:28:42.640
<v Speaker 4>need a stupid microphone.

1:28:42.240 --> 1:28:44.080
<v Speaker 7>To say my rhyme because that is true because with

1:28:44.160 --> 1:28:44.960
<v Speaker 7>the cuss, that's the job.

1:28:45.000 --> 1:28:46.439
<v Speaker 4>It is coming to you because I'm fresh.

1:28:46.560 --> 1:28:47.600
<v Speaker 7>That was my my wrap I.

1:28:50.640 --> 1:28:52.400
<v Speaker 4>And he was like, oh, let's just put a Feevens

1:28:52.400 --> 1:28:55.960
<v Speaker 4>on here, take my number down. And I was like,

1:28:56.040 --> 1:28:59.120
<v Speaker 4>oh shit, I gotta get Frost's phone one Frost and

1:28:59.200 --> 1:29:02.160
<v Speaker 4>he was like, hey, calm me. And so one of

1:29:02.200 --> 1:29:05.800
<v Speaker 4>the first cats that I had a connection with was

1:29:05.920 --> 1:29:10.160
<v Speaker 4>Kid Froust, who came to our neighborhood to shoot La Lassa.

1:29:11.240 --> 1:29:14.240
<v Speaker 4>And so every time I see that video, I'm like, man,

1:29:14.400 --> 1:29:15.519
<v Speaker 4>bro like, so.

1:29:15.600 --> 1:29:17.080
<v Speaker 2>For the record, you didn't get in the video.

1:29:17.240 --> 1:29:23.240
<v Speaker 4>No, if you would have been in it that like

1:29:23.360 --> 1:29:25.439
<v Speaker 4>that would have been dope. I would have been the

1:29:25.479 --> 1:29:29.400
<v Speaker 4>blolo in the back. But yeah, so it never was

1:29:29.439 --> 1:29:32.240
<v Speaker 4>in it. But I got his number and he was

1:29:32.280 --> 1:29:34.880
<v Speaker 4>true to his word. I would call him. He would

1:29:34.920 --> 1:29:37.040
<v Speaker 4>like encourage me, like, Yo, that's just feed mit doll.

1:29:37.080 --> 1:29:41.360
<v Speaker 4>That shit is dope. And I had somebody in music

1:29:41.720 --> 1:29:44.479
<v Speaker 4>that I can call that gave me that audacity. Like

1:29:47.040 --> 1:29:48.720
<v Speaker 4>still to this day when I see him, I'm like, Yo,

1:29:48.840 --> 1:29:50.840
<v Speaker 4>thanks bro. He didn't have to give me his phone number.

1:29:51.439 --> 1:29:53.400
<v Speaker 4>He didn't have to plant that seed of belief, like

1:29:54.120 --> 1:29:57.120
<v Speaker 4>you know, a black kid from an all Mexican neighborhood

1:29:57.439 --> 1:30:00.400
<v Speaker 4>could find his way to have a career like and that.

1:30:00.520 --> 1:30:04.160
<v Speaker 4>When I see that video, I'm like, Yo, that that's

1:30:04.200 --> 1:30:04.599
<v Speaker 4>what's up.

1:30:04.960 --> 1:30:08.519
<v Speaker 1>It's a beautiful story because uh K for us has

1:30:08.560 --> 1:30:09.840
<v Speaker 1>a story on drink Champs.

1:30:10.240 --> 1:30:11.639
<v Speaker 2>What do we say.

1:30:13.600 --> 1:30:15.439
<v Speaker 1>No no, no, no, no no no with Fat Joe

1:30:16.320 --> 1:30:20.640
<v Speaker 1>actually accused him or not liking black people or him

1:30:20.720 --> 1:30:27.240
<v Speaker 1>not not wanting to associate with black people. Oh yeah,

1:30:27.360 --> 1:30:30.599
<v Speaker 1>So so you you're helping, you know, because he got

1:30:30.600 --> 1:30:32.360
<v Speaker 1>a chance to defend this up.

1:30:32.640 --> 1:30:38.200
<v Speaker 7>Not trying to like make excuses. But LA is different.

1:30:38.479 --> 1:30:44.240
<v Speaker 4>Yeah, You've got to understand l a culture and a

1:30:44.360 --> 1:30:47.360
<v Speaker 4>lot of it is is dictated by what happens in

1:30:47.400 --> 1:30:50.479
<v Speaker 4>the prison period, right right, and the prisons they're like

1:30:51.040 --> 1:30:53.599
<v Speaker 4>you have the Gorilla Family, you have the Lion Man,

1:30:54.360 --> 1:30:58.479
<v Speaker 4>the thirteen. You know, you have all these rules and

1:30:59.680 --> 1:31:04.000
<v Speaker 4>whop provides the drugs that other folks sell. You know,

1:31:04.160 --> 1:31:06.880
<v Speaker 4>that's a there's a system there that you want to

1:31:06.880 --> 1:31:11.240
<v Speaker 4>be mindful delicate about, respect why things are the way

1:31:11.280 --> 1:31:18.200
<v Speaker 4>they are, and uh, it's all nuanced. But Kid Frost

1:31:18.320 --> 1:31:21.880
<v Speaker 4>is dope. Yea, easy, it's dope. Black and Brown is

1:31:22.920 --> 1:31:24.760
<v Speaker 4>powerful when aligned.

1:31:24.760 --> 1:31:27.720
<v Speaker 9>And they were down Easy Frost were done. Yeah, And

1:31:27.880 --> 1:31:30.240
<v Speaker 9>so I saw Kid Frost. You were spinning at it.

1:31:30.320 --> 1:31:34.599
<v Speaker 9>Do you remember the club Boars? Yes, yeah, we had

1:31:34.680 --> 1:31:36.960
<v Speaker 9>just I think we just launch drink chants maybe a

1:31:37.040 --> 1:31:37.360
<v Speaker 9>year or two.

1:31:37.400 --> 1:31:39.599
<v Speaker 2>I was telling everyone he's messing and we went there

1:31:39.640 --> 1:31:41.120
<v Speaker 2>and you were spinning and said it's up to you.

1:31:41.160 --> 1:31:41.920
<v Speaker 4>And then we saw Kid Fro.

1:31:42.560 --> 1:31:44.040
<v Speaker 2>He's like, yea, I've seen him in the Mexican Club.

1:31:44.160 --> 1:31:48.240
<v Speaker 4>Might be right? It was for sure?

1:31:49.800 --> 1:31:53.120
<v Speaker 7>Yeah, yeah, bro okay you got the other ones?

1:31:53.200 --> 1:31:57.640
<v Speaker 2>Yes, yes, yes, yes, you ready? Or Lauren Hill or

1:31:57.720 --> 1:32:01.960
<v Speaker 2>Missy I could take a shot, Damn brow.

1:32:02.040 --> 1:32:04.040
<v Speaker 4>I could take a shot. I know you can take

1:32:04.080 --> 1:32:04.639
<v Speaker 4>a shot.

1:32:07.960 --> 1:32:15.120
<v Speaker 2>Both slow both yeah, m.

1:32:20.320 --> 1:32:20.800
<v Speaker 4>Mom tep.

1:32:21.160 --> 1:32:23.160
<v Speaker 2>I'm just gonna say m P because because you said

1:32:23.200 --> 1:32:25.120
<v Speaker 2>went on the tour with m P first, right.

1:32:25.560 --> 1:32:26.280
<v Speaker 4>Yeah, But like.

1:32:30.520 --> 1:32:35.280
<v Speaker 7>Their first record was like Monumental Wait, which one are

1:32:35.280 --> 1:32:35.639
<v Speaker 7>you talking.

1:32:35.479 --> 1:32:36.840
<v Speaker 4>About not their first first record?

1:32:37.040 --> 1:32:40.200
<v Speaker 9>That Juvenile l is their first, their first project, and

1:32:40.280 --> 1:32:41.880
<v Speaker 9>then the one that we all know, shook Ones is

1:32:41.920 --> 1:32:42.479
<v Speaker 9>on the second.

1:32:42.680 --> 1:32:45.240
<v Speaker 4>But everybody calls it their first oops.

1:32:45.560 --> 1:32:46.519
<v Speaker 2>Yeah, yeah, but.

1:32:46.560 --> 1:32:49.360
<v Speaker 4>That's not everybody. Everybody looks at that as their first, Yes,

1:32:49.680 --> 1:32:50.120
<v Speaker 4>but it's not.

1:32:50.680 --> 1:32:50.880
<v Speaker 2>It's not.

1:32:50.960 --> 1:32:51.559
<v Speaker 4>Actually yea, the.

1:32:53.080 --> 1:32:55.160
<v Speaker 2>Deep, Yeah they were back then.

1:32:55.800 --> 1:32:59.240
<v Speaker 4>They have the hatchets and the joints and yeah that

1:32:59.520 --> 1:33:00.280
<v Speaker 4>that record was.

1:33:02.000 --> 1:33:04.439
<v Speaker 7>Their second record was.

1:33:09.720 --> 1:33:16.240
<v Speaker 4>Gravitational, like yeah, it really it shifted everything at the time. Yeah, yeah,

1:33:17.120 --> 1:33:22.880
<v Speaker 4>even the production of it. The rhyme flows, the choruses,

1:33:25.520 --> 1:33:28.000
<v Speaker 4>goddam we mixed asaki.

1:33:27.640 --> 1:33:32.639
<v Speaker 2>And that's my wife. That's my wife, Juice Ball right there. Yeah,

1:33:32.720 --> 1:33:35.120
<v Speaker 2>she's right there with the green shirt right there, like

1:33:35.920 --> 1:33:39.040
<v Speaker 2>so much, I'll be juicing. Last month, all I did

1:33:39.200 --> 1:33:41.240
<v Speaker 2>was because he's a vegan. They told me.

1:33:41.840 --> 1:33:44.400
<v Speaker 4>Last month, all I did was juice. I didn't chew

1:33:44.479 --> 1:33:48.600
<v Speaker 4>for a whole month. Yeah, okay, you didn't chew for.

1:33:48.600 --> 1:33:52.040
<v Speaker 2>A whole I've never heard it, but that way that

1:33:52.160 --> 1:33:54.479
<v Speaker 2>way either for me, This.

1:33:54.760 --> 1:33:56.760
<v Speaker 1>Is one I know you're gonna drink on. Bust the

1:33:56.840 --> 1:34:07.240
<v Speaker 1>rhymes or chuck d We just drink Okay, okay, damn,

1:34:07.280 --> 1:34:08.559
<v Speaker 1>that's hard drink.

1:34:08.680 --> 1:34:10.240
<v Speaker 2>You could go with the first rule that you did

1:34:10.280 --> 1:34:11.000
<v Speaker 2>with the other one with.

1:34:12.760 --> 1:34:17.040
<v Speaker 4>Yeah, yeah, you know the rules. So he would go

1:34:17.160 --> 1:34:18.679
<v Speaker 4>with that. There's no name.

1:34:18.840 --> 1:34:19.840
<v Speaker 2>Buster rocks.

1:34:21.600 --> 1:34:29.519
<v Speaker 4>That nigga Buster be like nigga, you do a show.

1:34:31.040 --> 1:34:33.160
<v Speaker 4>I ain't doing this, but.

1:34:34.840 --> 1:34:35.720
<v Speaker 7>Damn, that's a hard one.

1:34:35.720 --> 1:34:36.400
<v Speaker 4>I would say both.

1:34:36.560 --> 1:34:39.679
<v Speaker 2>Okay, sold even though there's one thing.

1:34:39.640 --> 1:34:42.519
<v Speaker 4>To give to inspire somebody's name, give somebody a name,

1:34:42.640 --> 1:34:44.320
<v Speaker 4>but it's another thing to like.

1:34:44.920 --> 1:34:45.799
<v Speaker 7>Take that name.

1:34:48.360 --> 1:34:53.519
<v Speaker 4>Nigga freaking bust the rhymes. How he just went beyond.

1:34:54.479 --> 1:34:57.760
<v Speaker 4>He's beyond the name absolutely, you know. So, so I

1:34:57.800 --> 1:35:00.920
<v Speaker 4>would say both arts.

1:35:01.640 --> 1:35:06.080
<v Speaker 13>It's fucking crazy. Oh god, you said both. Now if

1:35:06.080 --> 1:35:07.760
<v Speaker 13>you flipped it on us, Oh you just said both.

1:35:07.840 --> 1:35:12.760
<v Speaker 13>Look he's enjoying and drinking analogue or digital that I

1:35:12.840 --> 1:35:16.719
<v Speaker 13>answered this way, No, man, I don't believe them. Sorry,

1:35:17.360 --> 1:35:19.200
<v Speaker 13>there's no right or wrong, answ. There's no right or wrong.

1:35:20.000 --> 1:35:29.879
<v Speaker 4>But digital. I didn't expect that expected.

1:35:31.600 --> 1:35:35.040
<v Speaker 2>Yeah, okay, yeah, you know. I don't want to piss

1:35:35.080 --> 1:35:35.679
<v Speaker 2>off his things.

1:35:38.320 --> 1:35:40.200
<v Speaker 4>I tell you why, I did you good?

1:35:40.280 --> 1:35:40.439
<v Speaker 2>Good?

1:35:45.280 --> 1:35:49.200
<v Speaker 4>If I am I'm thinking about the future. If I'm

1:35:49.320 --> 1:35:52.800
<v Speaker 4>twelve years old right now, and you showed me some

1:35:52.920 --> 1:35:58.519
<v Speaker 4>digital equipment, and you told me express myself, go out

1:35:58.520 --> 1:36:02.040
<v Speaker 4>there and make your dreams come true at the highest level,

1:36:02.439 --> 1:36:06.960
<v Speaker 4>the loudest volume, the broadest spectrum, the most impact.

1:36:08.240 --> 1:36:10.560
<v Speaker 7>I'm twelve, right fucking.

1:36:10.520 --> 1:36:16.559
<v Speaker 4>I'm twenty two, right all right, digital because you get

1:36:16.640 --> 1:36:21.320
<v Speaker 4>the most impact, You get the most freaking like most

1:36:21.520 --> 1:36:22.479
<v Speaker 4>bang for your punch.

1:36:23.520 --> 1:36:26.679
<v Speaker 1>You know what I always say, analog because I always

1:36:26.720 --> 1:36:30.280
<v Speaker 1>based this part for just music, right music. Back then

1:36:30.400 --> 1:36:34.479
<v Speaker 1>we had to be in the same studio. That's the

1:36:34.520 --> 1:36:35.840
<v Speaker 1>only reason why I always pick out ye.

1:36:36.080 --> 1:36:40.000
<v Speaker 8>And they said that energy was harnessed in an analog. Yeah,

1:36:40.320 --> 1:36:42.000
<v Speaker 8>Prince said the similar thing. He's like, but this is

1:36:42.040 --> 1:36:42.559
<v Speaker 8>my next question.

1:36:42.640 --> 1:36:44.720
<v Speaker 2>Is Michael Jackson the Prince? She fuck you write in

1:36:44.760 --> 1:36:47.880
<v Speaker 2>the interview. This is really aid.

1:36:48.040 --> 1:36:50.880
<v Speaker 4>He has little Michael.

1:36:50.680 --> 1:36:53.120
<v Speaker 2>Jackson the Prince. So he goes to your Prince. I'm like,

1:36:53.160 --> 1:36:55.840
<v Speaker 2>what the fuck, I'm not scared of you right now here,

1:36:55.960 --> 1:36:56.240
<v Speaker 2>right now.

1:36:59.240 --> 1:37:06.719
<v Speaker 4>But Prince Prince said, if it never made a sound,

1:37:08.280 --> 1:37:12.560
<v Speaker 4>it never existed. So he didn't like digital because he's like,

1:37:12.600 --> 1:37:16.720
<v Speaker 4>if it never pushed air, if the kick never pushed air,

1:37:16.800 --> 1:37:20.360
<v Speaker 4>if the finger never went through air to hit the string.

1:37:21.760 --> 1:37:24.680
<v Speaker 4>If the guitar didn't have air that came through the

1:37:24.840 --> 1:37:28.200
<v Speaker 4>hole to kick the microphone, then it never existed.

1:37:28.240 --> 1:37:34.120
<v Speaker 7>In real life's pective. If the voice never came.

1:37:35.560 --> 1:37:39.000
<v Speaker 4>Energy was never moved out of your mouth into a microphone,

1:37:39.520 --> 1:37:45.760
<v Speaker 4>it never existed. These are all like mirages, digital mirages

1:37:45.840 --> 1:37:52.799
<v Speaker 4>of ideas that have theoretically been materialized but not actually

1:37:53.080 --> 1:37:57.599
<v Speaker 4>materialized in the third dimension. These are all fourth fifth

1:37:57.640 --> 1:38:02.760
<v Speaker 4>dimensional shits being summons damn through digital contraptions, giving you

1:38:02.880 --> 1:38:06.080
<v Speaker 4>a slice of what's happening there, but it never really

1:38:06.120 --> 1:38:09.360
<v Speaker 4>existed in this realm. You're just getting a snapshot of

1:38:09.439 --> 1:38:14.040
<v Speaker 4>it existing in a fifth dimensional realm. But in far

1:38:14.120 --> 1:38:19.400
<v Speaker 4>as pushing matter, pushing particles, it never happened. We'll pretend

1:38:19.479 --> 1:38:20.560
<v Speaker 4>like we understand that, let's do it.

1:38:22.880 --> 1:38:26.880
<v Speaker 2>Be my teacher. Let me know, went back, he would

1:38:26.880 --> 1:38:28.080
<v Speaker 2>have to be my teacher.

1:38:27.880 --> 1:38:31.599
<v Speaker 4>That is it. So we were talking about Prince versus

1:38:31.680 --> 1:38:35.040
<v Speaker 4>Michael Jackson, And then before that question they asked analog

1:38:35.200 --> 1:38:37.800
<v Speaker 4>versus digital, and I shared with them a story when

1:38:37.880 --> 1:38:41.920
<v Speaker 4>Prince was like, he didn't really like digital because he

1:38:42.040 --> 1:38:47.720
<v Speaker 4>said that what happens in the analog world is particles

1:38:47.760 --> 1:38:52.000
<v Speaker 4>are being moved when you kick a kick drum, air

1:38:52.160 --> 1:38:54.640
<v Speaker 4>is being pushed. When you strum a guitar, air is

1:38:54.720 --> 1:38:57.040
<v Speaker 4>going through the cavity of the guitar out into a

1:38:57.160 --> 1:39:02.080
<v Speaker 4>microphone received on either tape or sometimes even the digital realm.

1:39:02.120 --> 1:39:04.639
<v Speaker 4>But it still happened in the physical realm, he said,

1:39:04.680 --> 1:39:08.160
<v Speaker 4>the digital realm working things in the virtual world is

1:39:08.280 --> 1:39:12.240
<v Speaker 4>happening on some like different dimension, and you are getting

1:39:12.280 --> 1:39:18.400
<v Speaker 4>a snapshot of that simulation on a digital device, but

1:39:18.520 --> 1:39:19.040
<v Speaker 4>it never.

1:39:18.960 --> 1:39:20.240
<v Speaker 7>Really happened in the real world.

1:39:20.720 --> 1:39:26.479
<v Speaker 4>And then Nori said, he don't understand that, But can

1:39:26.560 --> 1:39:30.439
<v Speaker 4>you break it down or translate what I'm saying from

1:39:30.520 --> 1:39:37.040
<v Speaker 4>like a Brixton Street perspective. So top boys about to

1:39:37.040 --> 1:39:38.759
<v Speaker 4>answer the top.

1:39:38.680 --> 1:39:45.000
<v Speaker 11>Boy listen up, because we're about to take it from

1:39:45.040 --> 1:39:46.400
<v Speaker 11>the top breaking the downstreet style.

1:39:46.479 --> 1:39:46.920
<v Speaker 2>You feel me.

1:39:47.560 --> 1:39:48.960
<v Speaker 4>So when we're talking him.

1:39:48.880 --> 1:39:53.559
<v Speaker 11>About Prince and his vibe with analog versus digital, it's

1:39:53.640 --> 1:39:58.120
<v Speaker 11>like this, imagine if you will, the analog world being

1:39:58.240 --> 1:40:01.840
<v Speaker 11>like a live mural on them streets of Brickston, right,

1:40:02.760 --> 1:40:04.960
<v Speaker 11>Every stroke of paint, every shade that hits the brick

1:40:05.439 --> 1:40:08.760
<v Speaker 11>is real tangible. You kick a drum and it's like

1:40:08.880 --> 1:40:11.559
<v Speaker 11>throwing a rock into like a pond. The ripples are

1:40:11.640 --> 1:40:15.519
<v Speaker 11>soundwaves pushed through that air, mixing and mingling with every

1:40:15.640 --> 1:40:22.280
<v Speaker 11>damn body's vibes out there. Strumbling on that guitar. It's

1:40:22.360 --> 1:40:27.040
<v Speaker 11>like sending a voice through the air, traveling through rooms,

1:40:27.479 --> 1:40:31.240
<v Speaker 11>hidden walls, and sliding into ears.

1:40:31.000 --> 1:40:32.760
<v Speaker 2>All natural and raw.

1:40:33.439 --> 1:40:37.160
<v Speaker 11>Now, Prince, he's saying, in the digital realm, it's a

1:40:37.200 --> 1:40:41.840
<v Speaker 11>bit different, you dig It's like instead of painting that

1:40:42.000 --> 1:40:46.479
<v Speaker 11>mural with your hands, you're using a virtual reality hitset.

1:40:47.080 --> 1:40:47.840
<v Speaker 2>You're moving your.

1:40:47.800 --> 1:40:54.240
<v Speaker 11>Hands, you're creating, but it's all happening in a different space,

1:40:54.760 --> 1:40:55.960
<v Speaker 11>a digital space.

1:40:56.560 --> 1:40:59.600
<v Speaker 4>You're not touching the brick no more. You're manipulating pixels.

1:41:00.160 --> 1:41:02.800
<v Speaker 11>When you play music digitally, it's like taking a picture

1:41:02.840 --> 1:41:05.600
<v Speaker 11>of that mural and showing it on the screen. It

1:41:05.680 --> 1:41:08.960
<v Speaker 11>looks real, it might even feel real. But the brush

1:41:09.080 --> 1:41:11.680
<v Speaker 11>never actually hit the wall. The air in the room

1:41:11.680 --> 1:41:15.479
<v Speaker 11>didn't move because of those beagle beats, not directly.

1:41:15.600 --> 1:41:15.760
<v Speaker 2>You know.

1:41:16.479 --> 1:41:20.200
<v Speaker 11>In this digital dimension, things get calculated, approximated, and simulated.

1:41:20.720 --> 1:41:23.240
<v Speaker 2>You get a snapshot, a representation of what happened.

1:41:23.280 --> 1:41:24.120
<v Speaker 4>But it's just that.

1:41:25.960 --> 1:41:29.759
<v Speaker 11>A copy of the real thing, not the original vibe itself,

1:41:30.400 --> 1:41:33.200
<v Speaker 11>the essence, the soul, that moves the particles in the

1:41:33.240 --> 1:41:36.360
<v Speaker 11>physical world. It kind of gets lost in translation when

1:41:36.400 --> 1:41:41.920
<v Speaker 11>we digitize it. Prince was onto something talking about how

1:41:42.040 --> 1:41:46.719
<v Speaker 11>living in that analog world keeps the music grounded in reality.

1:41:46.880 --> 1:41:54.200
<v Speaker 4>You know, yeah, thanks, because that's in my notes too quickly.

1:41:54.280 --> 1:41:55.040
<v Speaker 4>It spit that out.

1:41:55.360 --> 1:41:55.519
<v Speaker 6>Why.

1:41:56.560 --> 1:41:58.679
<v Speaker 1>I mean, I wanted to finish up quick time with Slive,

1:41:59.000 --> 1:42:00.599
<v Speaker 1>but that's europe person company.

1:42:01.640 --> 1:42:03.080
<v Speaker 2>That's what you're using right now. Yeah.

1:42:03.120 --> 1:42:04.400
<v Speaker 7>I started it in twenty twenty.

1:42:04.800 --> 1:42:10.040
<v Speaker 4>Wow. Me and my co founder, Cto Sneil, we were

1:42:10.240 --> 1:42:12.560
<v Speaker 4>during COVID like everybody else. I was like, hey, have

1:42:12.720 --> 1:42:16.080
<v Speaker 4>you noticed that to work on WhatsApp, I need to

1:42:16.120 --> 1:42:18.559
<v Speaker 4>have a dropbox, and then I need a weed transfer

1:42:18.640 --> 1:42:20.519
<v Speaker 4>to sending even bigger files, and.

1:42:20.520 --> 1:42:21.479
<v Speaker 7>Then I need the email.

1:42:21.600 --> 1:42:24.960
<v Speaker 4>Then I need a zoom, and then I need a SERI,

1:42:25.360 --> 1:42:27.720
<v Speaker 4>and then I need a GPS. Like how come we

1:42:27.840 --> 1:42:31.200
<v Speaker 4>can't put that all that stuff in a messenger And

1:42:31.320 --> 1:42:34.760
<v Speaker 4>He's like, we could figure that out. I was like, really,

1:42:34.800 --> 1:42:36.720
<v Speaker 4>we could do that. He was like, yeah, why don't

1:42:36.760 --> 1:42:39.920
<v Speaker 4>you come up with the vision. I'll fine tune that

1:42:40.080 --> 1:42:44.320
<v Speaker 4>vision technologically. And we started FI just he and I

1:42:44.479 --> 1:42:49.639
<v Speaker 4>in twenty twenty and then it grew, and these systems,

1:42:49.720 --> 1:42:52.559
<v Speaker 4>these these conversational agents that we have that we've been

1:42:52.600 --> 1:42:55.439
<v Speaker 4>built in, that we've been building are now about to

1:42:55.520 --> 1:42:57.920
<v Speaker 4>be launched. I'm fine tuning, Felicia. The last one you

1:42:58.120 --> 1:42:58.759
<v Speaker 4>were talking.

1:42:58.560 --> 1:43:01.400
<v Speaker 2>To is Felicia. Let's you keep it in the ghetto.

1:43:03.120 --> 1:43:04.559
<v Speaker 4>Here's why, here's why this is brilliant.

1:43:05.680 --> 1:43:06.080
<v Speaker 2>Go ahead.

1:43:07.800 --> 1:43:14.080
<v Speaker 4>Why does intelligence only show up sound in British If

1:43:14.120 --> 1:43:17.720
<v Speaker 4>you have, if you have like a movie that either

1:43:17.840 --> 1:43:23.160
<v Speaker 4>sounds super British or super American. Intelligence never sounds like

1:43:23.320 --> 1:43:26.680
<v Speaker 4>us when it's time to talk about quantum physics, it

1:43:26.720 --> 1:43:29.360
<v Speaker 4>don't sound like us. When it's time to talk about

1:43:29.439 --> 1:43:33.880
<v Speaker 4>quantum entanglement or synthetic biology, or it don't sound like us.

1:43:34.920 --> 1:43:37.760
<v Speaker 4>So now is the time for like fourteen year old

1:43:37.800 --> 1:43:40.400
<v Speaker 4>fifteen year old kids from the inner city and they

1:43:40.479 --> 1:43:43.959
<v Speaker 4>ask a question about quantum, quantum physics or quantum entanglement

1:43:44.439 --> 1:43:49.000
<v Speaker 4>or bioengineering. It needs to show up sounding like folks

1:43:49.240 --> 1:43:52.760
<v Speaker 4>in those communities that are interested in those fields. It's

1:43:52.800 --> 1:43:57.679
<v Speaker 4>like a human rights perspective that these ais don't sound

1:43:57.960 --> 1:44:02.479
<v Speaker 4>like folks from the Congo area, from Uganda through Kenya,

1:44:02.960 --> 1:44:06.640
<v Speaker 4>from Brixton, from fifth ward, from New Orleans.

1:44:06.360 --> 1:44:08.479
<v Speaker 2>Forty projects for the project it does.

1:44:08.760 --> 1:44:11.040
<v Speaker 4>It needs to sound like folks from Colombia and Puerto

1:44:11.120 --> 1:44:12.879
<v Speaker 4>Rico and Dominica and Panama.

1:44:13.280 --> 1:44:15.720
<v Speaker 2>You gonna have mister Lee on the app saying mister Lee,

1:44:15.760 --> 1:44:17.160
<v Speaker 2>you gonna have his broken lass English.

1:44:17.200 --> 1:44:18.640
<v Speaker 4>When you were speaking right there, I was like, Yo,

1:44:18.680 --> 1:44:30.200
<v Speaker 4>I need to get this cabin studio. Nobody understands this. Really,

1:44:30.600 --> 1:44:35.360
<v Speaker 4>that's real though, that's real. That's real intelligence. It should

1:44:35.400 --> 1:44:36.040
<v Speaker 4>sound like us.

1:44:36.920 --> 1:44:40.600
<v Speaker 2>You made me feel better about Hey, hold on, n

1:44:40.600 --> 1:44:41.360
<v Speaker 2>you drinking about us?

1:44:41.360 --> 1:44:46.840
<v Speaker 4>Hold on, Jesus, it made me.

1:44:46.840 --> 1:44:52.280
<v Speaker 2>Feel better about AI. Okay, we literally already said Michael

1:44:52.320 --> 1:44:54.439
<v Speaker 2>Jackson and Prince right, we did that already. Oh no, no, no,

1:44:54.720 --> 1:44:56.000
<v Speaker 2>he never picked. He never picked.

1:44:56.120 --> 1:44:58.800
<v Speaker 4>He just said what Prince said about analog and digital.

1:44:59.280 --> 1:45:01.000
<v Speaker 2>Because you wrote a horses of Michael Jackson.

1:45:01.600 --> 1:45:03.320
<v Speaker 4>I work with both of them. I worked with Mike.

1:45:04.200 --> 1:45:07.120
<v Speaker 4>I brought Mike to go see me, uh rock with

1:45:07.280 --> 1:45:08.240
<v Speaker 4>Prince in Vegas.

1:45:08.720 --> 1:45:13.280
<v Speaker 8>You brought Yeah, yeah, you brought Mike to see you

1:45:13.520 --> 1:45:17.519
<v Speaker 8>just said wait. So one time it was like anybody,

1:45:18.080 --> 1:45:21.040
<v Speaker 8>he's like Mike, he called you, he's in Vegas.

1:45:21.600 --> 1:45:24.360
<v Speaker 4>He's like, who you guys have a show tonight I'm like, yeah,

1:45:24.360 --> 1:45:26.880
<v Speaker 4>we got a show going on. Ten Oh, rats, you

1:45:26.960 --> 1:45:31.000
<v Speaker 4>know I'm be sick. Please asleep. Rats.

1:45:31.640 --> 1:45:31.960
<v Speaker 9>I'm like.

1:45:33.880 --> 1:45:39.120
<v Speaker 7>Rats, I'm like yeah, but we you come later, like

1:45:39.200 --> 1:45:39.920
<v Speaker 7>in the middle of the show.

1:45:40.320 --> 1:45:42.599
<v Speaker 4>Now, if I don't see the show from the beginning,

1:45:43.000 --> 1:45:45.000
<v Speaker 4>it's no way for me to know what's actually going on.

1:45:46.080 --> 1:45:48.080
<v Speaker 4>I was like, okay, so why don't you come. I'll

1:45:48.120 --> 1:45:51.680
<v Speaker 4>be rocking with prints like around at twelve thirty. Oh,

1:45:51.760 --> 1:45:55.479
<v Speaker 4>I can't go to that. I'm like, why Prince is

1:45:55.520 --> 1:45:55.920
<v Speaker 4>a meaning?

1:45:58.760 --> 1:45:59.160
<v Speaker 2>I'm like what.

1:46:00.760 --> 1:46:04.560
<v Speaker 4>I'm like, he's a meanie. I'm like no, no, no, no, no,

1:46:04.920 --> 1:46:07.240
<v Speaker 4>he's really nice Mike. He was like, no, you don't understand.

1:46:07.280 --> 1:46:14.320
<v Speaker 4>One time. I'm like, no, he's really nice, man, No,

1:46:14.439 --> 1:46:17.000
<v Speaker 4>you don't understand. Will one time he tried to run

1:46:17.080 --> 1:46:20.400
<v Speaker 4>me and my mama over with a car. I'm like

1:46:20.439 --> 1:46:22.640
<v Speaker 4>wait what. He was like, yeah, I'm telling you. They

1:46:22.760 --> 1:46:27.040
<v Speaker 4>always always put me in canst him. I'm like, listen,

1:46:27.200 --> 1:46:29.920
<v Speaker 4>it's different now, why don't you just He'll be really

1:46:29.960 --> 1:46:31.040
<v Speaker 4>happy to see are you sure.

1:46:31.080 --> 1:46:32.760
<v Speaker 7>I'm like, yeah, let me call I'm gonna call you back.

1:46:32.920 --> 1:46:35.599
<v Speaker 4>I'm a car ruth. I'm like your ruth. Mike wants

1:46:35.640 --> 1:46:39.800
<v Speaker 4>to come see Prince tonight at the Rio. Who's Ruth?

1:46:40.360 --> 1:46:41.000
<v Speaker 4>Ruth was Mike.

1:46:41.840 --> 1:46:43.280
<v Speaker 7>Ruth was Prince's right hand.

1:46:44.840 --> 1:46:47.439
<v Speaker 4>Who used to coordinate all of this, like you know,

1:46:47.600 --> 1:46:52.320
<v Speaker 4>scheduling and meetings and shows and after parties. So she

1:46:52.439 --> 1:46:54.479
<v Speaker 4>was like, Okay, we could put Mike a in a section.

1:46:54.840 --> 1:46:57.160
<v Speaker 4>I'm like, cool, great, I think he's coming with like

1:46:57.240 --> 1:47:00.280
<v Speaker 4>five people. Everything I'm saying, if you see Chris Schuck

1:47:00.320 --> 1:47:02.720
<v Speaker 4>Her and you see ce Low, they'll vouch for you

1:47:02.800 --> 1:47:07.360
<v Speaker 4>on this Celo Green, Yeah, okay. So I'm like, Mike,

1:47:07.520 --> 1:47:10.479
<v Speaker 4>everything's straight. Are they gonna put you in a section?

1:47:10.880 --> 1:47:13.000
<v Speaker 4>It's gonna be awesome. He was like, are you sure?

1:47:13.080 --> 1:47:16.599
<v Speaker 4>I'm like, trust, Mike's gonna be awesome. So I'm late.

1:47:17.280 --> 1:47:19.479
<v Speaker 7>Everything I'm saying is true. I'm late.

1:47:19.560 --> 1:47:22.080
<v Speaker 4>I'm like, oh, shumped up to be late. It's twelve

1:47:22.160 --> 1:47:23.640
<v Speaker 4>thirty Mike supposed to be waiting for me.

1:47:23.720 --> 1:47:23.880
<v Speaker 2>There.

1:47:24.160 --> 1:47:27.800
<v Speaker 4>I go on at twelve forty five. Excuse me? Cap, Like,

1:47:27.880 --> 1:47:29.600
<v Speaker 4>how long is it gonna take to get there? He's like,

1:47:29.880 --> 1:47:31.559
<v Speaker 4>firsteam cab. Yeah, I'm on a cap.

1:47:31.640 --> 1:47:32.400
<v Speaker 9>You in a cab?

1:47:34.320 --> 1:47:37.200
<v Speaker 2>Yeah, story, this is awesome.

1:47:37.920 --> 1:47:42.680
<v Speaker 4>You take cab? Know uber in two thousand, there's two

1:47:42.720 --> 1:47:44.040
<v Speaker 4>thousand in freaking what year was that?

1:47:44.120 --> 1:47:44.639
<v Speaker 2>Two thousand?

1:47:44.680 --> 1:47:47.679
<v Speaker 4>Car service for this? Two thousand and seven, the biggest

1:47:47.760 --> 1:47:50.559
<v Speaker 4>fucking no two thousand and seven, No, not yet.

1:47:52.479 --> 1:47:55.679
<v Speaker 7>Two thousand and seven. We was kind of there, not bare.

1:47:57.479 --> 1:47:59.120
<v Speaker 2>To show you for that.

1:47:59.600 --> 1:48:02.200
<v Speaker 7>You signed no because we ain't got to. I got

1:48:02.280 --> 1:48:02.680
<v Speaker 7>a feeling it.

1:48:03.200 --> 1:48:06.400
<v Speaker 4>Oh God. So in reality, now that we know what

1:48:06.479 --> 1:48:09.320
<v Speaker 4>we know in two thousand and seven, we wasn't that big. Okay, Okay.

1:48:09.800 --> 1:48:13.040
<v Speaker 4>So I'm like, oh, Cap, stop the car. I'm running.

1:48:13.520 --> 1:48:16.360
<v Speaker 4>So I get out the car and I run. Somebody

1:48:16.479 --> 1:48:21.920
<v Speaker 4>is like white Cliff, I'm like to go boysucking Prince,

1:48:21.960 --> 1:48:25.560
<v Speaker 4>and Mike's there, like day, white Cliff ain't here, Nigga.

1:48:27.320 --> 1:48:30.800
<v Speaker 7>Run to the thing. Ruth's like, you gotta go on now,

1:48:30.920 --> 1:48:31.559
<v Speaker 7>gives me the mic.

1:48:31.600 --> 1:48:34.120
<v Speaker 4>I'm like your Mike. So he's like, okay, I'll be

1:48:34.479 --> 1:48:36.960
<v Speaker 4>watching you. And at this time, I've already been working

1:48:37.000 --> 1:48:38.960
<v Speaker 4>with Mike from two thousand and five two thousand and six,

1:48:39.000 --> 1:48:40.599
<v Speaker 4>and he came to see me wrapping Prince two thousand

1:48:40.600 --> 1:48:43.880
<v Speaker 4>and seven. I go on stage, I do my ship

1:48:43.960 --> 1:48:46.759
<v Speaker 4>freestyle Da da da da da da. I come off stage.

1:48:46.800 --> 1:48:49.960
<v Speaker 4>I go sit where Mike where Prince has Mike situated,

1:48:50.880 --> 1:48:55.400
<v Speaker 4>and I said, it's me here, Chris uh, Chris Tucker here,

1:48:56.400 --> 1:49:02.519
<v Speaker 4>Ruth Michael Jackson's Prince manager managers here, and then Mike there. Okay,

1:49:03.520 --> 1:49:08.360
<v Speaker 4>So Mike whispers and Ruth's ear Ruth didn talks to

1:49:08.400 --> 1:49:10.760
<v Speaker 4>me and says, Mike wants to know, why didn't you

1:49:10.840 --> 1:49:14.720
<v Speaker 4>acknowledge Mike while you were on stage. I'm like, uh,

1:49:15.600 --> 1:49:21.519
<v Speaker 4>oh what a Mike tell him that this is in

1:49:21.640 --> 1:49:26.719
<v Speaker 4>my stage and I can't disrespect Prince on Princess stage.

1:49:27.479 --> 1:49:29.679
<v Speaker 4>So it's no disrespect, it's just that that's not my stage.

1:49:30.479 --> 1:49:32.960
<v Speaker 4>I'm like, I'm sorry, bro, sorry. So then he's like,

1:49:33.000 --> 1:49:35.280
<v Speaker 4>oh no, it's okay, it's okay, whispers and Prince's ear

1:49:35.400 --> 1:49:38.840
<v Speaker 4>and Ruth's ear Ruth didn tells talks to me. Mike

1:49:38.920 --> 1:49:41.639
<v Speaker 4>wants to know how come Prince hasn't acknowledged him on stage.

1:49:41.800 --> 1:49:43.000
<v Speaker 4>I'm like, oh.

1:49:45.439 --> 1:49:47.280
<v Speaker 2>So, I'm like, oh like bless and grips.

1:49:47.439 --> 1:49:48.040
<v Speaker 4>I'm like your Mike.

1:49:48.720 --> 1:49:50.519
<v Speaker 7>So Prince is still on stage while this is all happened.

1:49:50.520 --> 1:49:52.840
<v Speaker 4>He's playing. I'm like, oh no, I think because he

1:49:52.960 --> 1:49:55.680
<v Speaker 4>has you in the VIP section, he's not trying to

1:49:55.680 --> 1:49:59.280
<v Speaker 4>blow your cover. Yeah, he's not trying to blow cover.

1:49:59.320 --> 1:50:01.400
<v Speaker 4>It ain't nothing like that that Like, oh man, He's like, oh,

1:50:01.520 --> 1:50:04.320
<v Speaker 4>it's okay, it's okay. That's okay. And so as that

1:50:04.479 --> 1:50:08.679
<v Speaker 4>conversation dies down, Princeton comes in front of us, walks

1:50:08.720 --> 1:50:14.160
<v Speaker 4>through the crowd performance. While he's performing, plays the bass,

1:50:15.000 --> 1:50:16.719
<v Speaker 4>aims the bass in Mike's face.

1:50:18.120 --> 1:50:18.519
<v Speaker 11>And like.

1:50:22.600 --> 1:50:32.479
<v Speaker 4>Nigga's like, Mike's like right, this dude like flicks his hair,

1:50:33.840 --> 1:50:37.320
<v Speaker 4>walks off, and then Mike's like okay. So then five

1:50:37.360 --> 1:50:42.519
<v Speaker 4>minutes later, different times, five minutes later, he's like, I

1:50:42.600 --> 1:50:46.080
<v Speaker 4>gotta go me me in my house for breakfast. And

1:50:46.160 --> 1:50:49.840
<v Speaker 4>so I'm like all right. So he leaves breakfast, he

1:50:49.960 --> 1:50:52.680
<v Speaker 4>leads to his house. Like what time He's like like

1:50:52.840 --> 1:50:54.960
<v Speaker 4>seven o'clock in the morning. I'm like all right, cool,

1:50:55.640 --> 1:50:58.160
<v Speaker 4>So he leaves. I go to his house for breakfast.

1:50:58.240 --> 1:51:01.479
<v Speaker 4>Knock on the door because we're working now. I bring

1:51:01.560 --> 1:51:05.280
<v Speaker 4>my laptop, bring everything, my hard drives. We're gonna work tomorrow.

1:51:05.439 --> 1:51:08.720
<v Speaker 4>So I go knock on this door. As soon as

1:51:08.760 --> 1:51:11.080
<v Speaker 4>I open up the door, he's like, why did Prince

1:51:11.160 --> 1:51:14.479
<v Speaker 4>play the pace in my face? I was like, oh no,

1:51:14.560 --> 1:51:16.280
<v Speaker 4>I just think he was just trying to respect. No,

1:51:16.439 --> 1:51:20.759
<v Speaker 4>you don't kid it. He's a meanie. He's a meanie.

1:51:21.400 --> 1:51:22.960
<v Speaker 4>One time I got told you he tried to run

1:51:23.000 --> 1:51:25.720
<v Speaker 4>me and my mama over with a car. And so

1:51:26.000 --> 1:51:30.880
<v Speaker 4>pause fast forward. Quincy Jones calls me. He's like, hey,

1:51:30.960 --> 1:51:33.439
<v Speaker 4>where I am, man, where's my song?

1:51:33.560 --> 1:51:33.760
<v Speaker 11>Man?

1:51:34.400 --> 1:51:36.080
<v Speaker 4>I've been waiting for that song for a long time.

1:51:36.120 --> 1:51:38.160
<v Speaker 4>When I am I got this new record coming out, Man,

1:51:38.200 --> 1:51:41.880
<v Speaker 4>I knew that song. Where I Am. I'm like, oh my, Quincy,

1:51:41.960 --> 1:51:44.479
<v Speaker 4>I've just been traveling, you know, playing for this new

1:51:44.520 --> 1:51:47.000
<v Speaker 4>Black Eyed Peas record and working with Mike at the

1:51:47.000 --> 1:51:50.479
<v Speaker 4>same time. He's like, listen, you're wasting your time with Mike.

1:51:50.520 --> 1:51:53.120
<v Speaker 4>Ain't nothing ever gonna come out. I was like, no, no, no,

1:51:53.160 --> 1:51:55.519
<v Speaker 4>I don't think you understand. Mike came with me to

1:51:55.640 --> 1:51:59.240
<v Speaker 4>see Prince reform. You did what. I'm like, yeah, he

1:51:59.360 --> 1:52:01.800
<v Speaker 4>came to see me perform a Prince. He's like, well,

1:52:02.000 --> 1:52:04.960
<v Speaker 4>if you got Mike to come see you perform a Prince, well,

1:52:05.000 --> 1:52:07.120
<v Speaker 4>then man, I think you moving something. At one time,

1:52:08.960 --> 1:52:10.640
<v Speaker 4>Prince tried to run that nigga over with a car.

1:52:12.400 --> 1:52:14.720
<v Speaker 7>I'm like, are you serious? That's what Mike said.

1:52:14.720 --> 1:52:16.680
<v Speaker 4>He was like, hey, lying. I need you do your

1:52:16.720 --> 1:52:20.639
<v Speaker 4>favorite will I am go on YouTube type in Prince,

1:52:20.760 --> 1:52:24.880
<v Speaker 4>Michael Jackson, James Brown. And after this show is when

1:52:25.200 --> 1:52:28.479
<v Speaker 4>Prince s thought Michael Jackson sabotage him, because while Prince

1:52:28.560 --> 1:52:31.320
<v Speaker 4>came on stage, he held on to this light pole

1:52:31.800 --> 1:52:35.720
<v Speaker 4>and then he thought that light pole was a sabotage

1:52:35.760 --> 1:52:37.759
<v Speaker 4>and he fell into the crowd and almost hurt himself.

1:52:38.240 --> 1:52:40.439
<v Speaker 4>So Prince thought that was a.

1:52:40.560 --> 1:52:41.240
<v Speaker 7>Move from Mike.

1:52:41.439 --> 1:52:45.960
<v Speaker 4>And you could see Michael on because James Brown was like,

1:52:47.520 --> 1:52:51.400
<v Speaker 4>ladies and gentlemen, we got somebody in the house. Michael, Michael,

1:52:51.439 --> 1:52:54.720
<v Speaker 4>get up on stage. Michael, come on, Michael, and Mike

1:52:54.880 --> 1:52:58.680
<v Speaker 4>kicks up on stage, does this little thing, does a

1:52:58.720 --> 1:53:02.760
<v Speaker 4>little freaking dance, and then Michael, if you see this video,

1:53:02.840 --> 1:53:06.680
<v Speaker 4>then goes whispers in James Brown's ear. And you know

1:53:07.200 --> 1:53:10.040
<v Speaker 4>since that whispering shit, that that's all it has to

1:53:10.080 --> 1:53:13.679
<v Speaker 4>be true, because then what it looks like is from

1:53:13.720 --> 1:53:14.839
<v Speaker 4>what I could gather.

1:53:16.120 --> 1:53:19.160
<v Speaker 7>It said, it looks like he said, this is.

1:53:19.280 --> 1:53:22.360
<v Speaker 4>Kuy out there in the audience, and everybody's comparing me

1:53:22.479 --> 1:53:25.080
<v Speaker 4>to him, and I'm nothing like him. I need you

1:53:25.160 --> 1:53:27.240
<v Speaker 4>to bring it up because we both are inspired by

1:53:27.280 --> 1:53:29.160
<v Speaker 4>you and I love you and he loves you too,

1:53:29.400 --> 1:53:32.000
<v Speaker 4>but once for people need to know that I am

1:53:32.120 --> 1:53:33.960
<v Speaker 4>not him and he is not me, and we need

1:53:34.040 --> 1:53:37.679
<v Speaker 4>the industry needs to know it. Please, I insist, please.

1:53:37.840 --> 1:53:40.080
<v Speaker 4>So then, Mike, this is what you think they said?

1:53:40.240 --> 1:53:43.559
<v Speaker 7>Yeah, because what happens after that, James Brown says, and.

1:53:43.600 --> 1:53:45.960
<v Speaker 4>Give it up him, Michael, because he insists that I

1:53:46.040 --> 1:53:50.080
<v Speaker 4>bring up Prince. Prince Prince Chris.

1:53:49.880 --> 1:53:50.719
<v Speaker 2>Come up upstairs.

1:53:51.240 --> 1:53:54.360
<v Speaker 4>So then Prince hops on the security guards like a

1:53:54.479 --> 1:53:59.479
<v Speaker 4>piggyback ride. This dude's on piggyback ride. It's all on YouTube.

1:54:00.280 --> 1:54:03.960
<v Speaker 4>Prince Thing comes on stage, does his little thing, scream

1:54:05.200 --> 1:54:07.760
<v Speaker 4>down down, then tries to get the crowd to clap.

1:54:07.840 --> 1:54:10.519
<v Speaker 4>They ain't clapping. He does his little he does his

1:54:10.640 --> 1:54:15.400
<v Speaker 4>like terror doctor screen, walks off, grabs a hold of

1:54:15.439 --> 1:54:19.000
<v Speaker 4>this light pole, falls and almost busts his ass into

1:54:19.040 --> 1:54:21.840
<v Speaker 4>the crowd. And then from there the legend has it

1:54:22.000 --> 1:54:24.719
<v Speaker 4>is he got into his car and try to fund

1:54:24.840 --> 1:54:28.360
<v Speaker 4>him and mama over with a car. And so what

1:54:28.479 --> 1:54:30.360
<v Speaker 4>I then when Mike then come in came over my

1:54:30.479 --> 1:54:35.520
<v Speaker 4>house to record, I'm like, oh, yeah, what you was

1:54:35.560 --> 1:54:35.880
<v Speaker 4>telling me?

1:54:36.000 --> 1:54:38.440
<v Speaker 7>Quincy Jones verified it. I told you will I was

1:54:38.520 --> 1:54:39.040
<v Speaker 7>not lying.

1:54:39.680 --> 1:54:43.360
<v Speaker 4>I'm not lying. He's a meanie. And he also showed me,

1:54:43.400 --> 1:54:46.160
<v Speaker 4>told me about this video that's on YouTube. What's YouTube?

1:54:46.840 --> 1:54:48.880
<v Speaker 4>I was like, look, let me show you take that down?

1:54:48.920 --> 1:54:52.880
<v Speaker 4>Who got that that from? Where should get that video from?

1:54:52.920 --> 1:54:53.400
<v Speaker 12>Take that down?

1:54:53.440 --> 1:54:55.480
<v Speaker 4>I was like, wait, wait, wait, mean to take it down?

1:54:56.000 --> 1:54:59.920
<v Speaker 4>It's on the internet, WANs it's on YouTube. What's YouTube?

1:55:01.000 --> 1:55:04.040
<v Speaker 4>I swear to go go on YouTube right now www

1:55:04.120 --> 1:55:06.680
<v Speaker 4>dot YouTube dot com. Going to search thing. But Michael Jackson,

1:55:06.760 --> 1:55:09.480
<v Speaker 4>Prince James Brown, you see it ain't no lies toe here.

1:55:09.600 --> 1:55:14.200
<v Speaker 4>I'm for real. So so who Prince Michael Jackson? You

1:55:14.280 --> 1:55:15.680
<v Speaker 4>still ain't picked both men.

1:55:21.320 --> 1:55:25.920
<v Speaker 2>Look, I ain't gonna lodge. You exceeded everything. Think. Let

1:55:25.920 --> 1:55:28.960
<v Speaker 2>me think of PPCA, hold it down. Everything I thought

1:55:29.040 --> 1:55:30.800
<v Speaker 2>you was gonna be. You exceeded everything.

1:55:31.280 --> 1:55:33.440
<v Speaker 1>You are all right, hold on, Let's let's try to

1:55:33.440 --> 1:55:35.200
<v Speaker 1>finish this up as fast as you can, because I

1:55:35.280 --> 1:55:35.800
<v Speaker 1>know you gotta go.

1:55:36.520 --> 1:55:39.320
<v Speaker 2>H ship. But damn, that story was so fucking great.

1:55:40.280 --> 1:55:43.520
<v Speaker 2>MPC two thousand or the r S ten.

1:55:44.240 --> 1:55:46.480
<v Speaker 4>Oh, I don't know, I don't need I don't even

1:55:46.560 --> 1:55:48.360
<v Speaker 4>understand s aar S tens.

1:55:48.600 --> 1:55:52.640
<v Speaker 2>So NPCs NPC Okay, move on, pro tools.

1:55:52.360 --> 1:55:57.600
<v Speaker 1>Are logic pro toos logic is old folks logs, reggae

1:55:57.640 --> 1:56:05.600
<v Speaker 1>thong right, it is no bro, I'm bugging, I'm bugging. Okay,

1:56:05.680 --> 1:56:08.839
<v Speaker 1>my bad. Your TV raps of Rap City.

1:56:10.440 --> 1:56:13.520
<v Speaker 4>Oh man, ain't no rap City without your TV raps.

1:56:13.760 --> 1:56:20.000
<v Speaker 4>So but rap City was super important for all the

1:56:20.160 --> 1:56:23.240
<v Speaker 4>versions of hip hop. They talked about South hip hop,

1:56:23.320 --> 1:56:27.720
<v Speaker 4>they talked about freaking you know, uh New York hip

1:56:27.760 --> 1:56:29.800
<v Speaker 4>hop of course, but then they also talked about Philly

1:56:30.320 --> 1:56:33.280
<v Speaker 4>on on umt raps. They talked about Virginia. They talked

1:56:33.320 --> 1:56:38.720
<v Speaker 4>about they gave Love and Chicago. Rap City like put

1:56:38.720 --> 1:56:43.360
<v Speaker 4>a spotlight on all different tones and vibrants and frequency

1:56:43.400 --> 1:56:43.840
<v Speaker 4>of hip hop.

1:56:44.200 --> 1:56:52.360
<v Speaker 1>So so going both both Okay, boys in the Hood

1:56:52.600 --> 1:56:57.400
<v Speaker 1>or minister society, boys in hood riz or Alchemists.

1:57:01.040 --> 1:57:04.400
<v Speaker 7>I grew up with Alan Alchemist.

1:57:05.800 --> 1:57:09.320
<v Speaker 4>For his name is so like that dude. When I

1:57:09.360 --> 1:57:12.360
<v Speaker 4>signed a Ruthless he was with Mugs and then get

1:57:12.400 --> 1:57:16.080
<v Speaker 4>the funk out of here. Yeah, they were the hooligans,

1:57:16.120 --> 1:57:18.080
<v Speaker 4>and we were in a group called that. We're in

1:57:18.120 --> 1:57:21.680
<v Speaker 4>a group called at Ban Wow and uh we would

1:57:21.680 --> 1:57:24.480
<v Speaker 4>go to this club together that the club where I

1:57:24.520 --> 1:57:25.200
<v Speaker 4>used to freestyle.

1:57:25.600 --> 1:57:27.560
<v Speaker 2>Did you hang out on Fairfax. I feel like, yeah,

1:57:28.520 --> 1:57:28.880
<v Speaker 2>so they I.

1:57:28.920 --> 1:57:29.839
<v Speaker 7>Think they went to Beverly.

1:57:29.960 --> 1:57:33.560
<v Speaker 4>I want to Palisades. We would hang out on Fairfax

1:57:34.080 --> 1:57:37.800
<v Speaker 4>in Venice Beach and but we went to this club

1:57:37.960 --> 1:57:42.480
<v Speaker 4>called Ballistics together. So like I grew up musically with

1:57:43.440 --> 1:57:51.880
<v Speaker 4>with al Okay, Ice Cuba, Biggie Smalls, ice Cube, Doctor Dre,

1:57:53.320 --> 1:58:01.280
<v Speaker 4>doctor Dre. Who is it another one, doctor Dre Premier. Wow,

1:58:02.280 --> 1:58:04.640
<v Speaker 4>you can't even put those two things in the same freaking.

1:58:04.400 --> 1:58:07.920
<v Speaker 2>Catagalist Columbian and a Dominican section. That's what it is.

1:58:11.080 --> 1:58:17.680
<v Speaker 2>That's a both, that's a that's a both solu. That's like, yo,

1:58:18.920 --> 1:58:19.960
<v Speaker 2>gotta take a shot though.

1:58:20.000 --> 1:58:20.680
<v Speaker 3>The Sun.

1:58:22.160 --> 1:58:28.320
<v Speaker 4>Watching the Sun or the Milky Way galaxy Without the Sun,

1:58:28.480 --> 1:58:33.600
<v Speaker 4>we're not in orbit to go around the galaxy. That

1:58:33.800 --> 1:58:36.720
<v Speaker 4>but we need the Sun and we need the galaxy.

1:58:36.960 --> 1:58:39.200
<v Speaker 4>You can't take either of them out. They're like two

1:58:39.320 --> 1:58:56.480
<v Speaker 4>separate systems in y C or Miami. Without Miami, you

1:58:56.640 --> 1:59:03.000
<v Speaker 4>have no party, thank you, you have no party that

1:59:03.120 --> 1:59:05.760
<v Speaker 4>the whole America could be. Like, I get with that.

1:59:06.680 --> 1:59:09.640
<v Speaker 4>I want to party like you have no Luke, you

1:59:09.720 --> 1:59:16.280
<v Speaker 4>have no you have none of that. So that you

1:59:16.440 --> 1:59:20.520
<v Speaker 4>have no freaking is Lisa Lisa from out here. I

1:59:20.560 --> 1:59:25.480
<v Speaker 4>don't think what's your fin Yeah, oh ship, we don't have.

1:59:25.520 --> 1:59:30.000
<v Speaker 2>Hip hop, so yeah, I'm trying. I'm trying to mind

1:59:30.040 --> 1:59:30.400
<v Speaker 2>my business.

1:59:30.640 --> 1:59:33.640
<v Speaker 4>You have to beat the way well Miami, yeah nothing.

1:59:33.680 --> 1:59:34.960
<v Speaker 7>Yeah, so they both, that's a both.

1:59:35.160 --> 1:59:37.960
<v Speaker 2>Let's go what so stated you say that said that

1:59:39.280 --> 1:59:39.720
<v Speaker 2>he's got to.

1:59:39.680 --> 1:59:44.400
<v Speaker 4>Get out of here, by the way, he's gotta fight Cheers, cheers, cheers.

1:59:44.440 --> 1:59:45.640
<v Speaker 2>Eighties or nineties? Hip hop?

1:59:49.920 --> 1:59:50.600
<v Speaker 4>What nineties?

1:59:50.960 --> 1:59:52.040
<v Speaker 2>Whatever the nineties you want?

1:59:53.200 --> 1:59:57.520
<v Speaker 4>Early nineties, I would go no tricks in eighty six,

1:59:57.960 --> 1:59:59.280
<v Speaker 4>it's trying to build to.

2:00:01.600 --> 2:00:02.320
<v Speaker 7>What you're gonna do.

2:00:02.560 --> 2:00:05.680
<v Speaker 4>And Naughty two, even though we have fun in Naughty one,

2:00:05.760 --> 2:00:08.320
<v Speaker 4>and I was stopping ninety two, and I would go

2:00:08.400 --> 2:00:09.920
<v Speaker 4>from eighty six to ninety two, and I'd be like,

2:00:10.040 --> 2:00:12.720
<v Speaker 4>that's the best era a hip hop. I would extend

2:00:12.760 --> 2:00:17.640
<v Speaker 4>to ninety three. I would go from eighty from eighty

2:00:17.720 --> 2:00:21.800
<v Speaker 4>six to and be like, that's the best era. That

2:00:21.920 --> 2:00:22.680
<v Speaker 4>is the golden era.

2:00:23.720 --> 2:00:24.480
<v Speaker 7>We need both of them.

2:00:24.520 --> 2:00:28.040
<v Speaker 2>We need eighties and nineties Steve Jobs or Elon Musk.

2:00:31.720 --> 2:00:36.160
<v Speaker 4>Damn, both of those cats. Is why my life my

2:00:36.440 --> 2:00:40.480
<v Speaker 4>why my life is nice because you designed the car

2:00:40.560 --> 2:00:43.240
<v Speaker 4>too right, So I invested in Tesla in two thousand

2:00:43.280 --> 2:00:46.440
<v Speaker 4>and six before Elon took over it like right around

2:00:46.480 --> 2:00:46.960
<v Speaker 4>the same time.

2:00:48.120 --> 2:00:48.640
<v Speaker 8>And then.

2:00:50.200 --> 2:00:54.240
<v Speaker 4>I was a part of Beats, and then Apple bought

2:00:54.280 --> 2:00:58.240
<v Speaker 4>Beats from us. So you're talking about two companies that

2:00:58.320 --> 2:01:06.720
<v Speaker 4>are like, uh, fat changed my life, right, So I

2:01:06.840 --> 2:01:07.480
<v Speaker 4>say both.

2:01:08.120 --> 2:01:11.880
<v Speaker 2>I love I love you. Playing the game, yeah, goddamn game.

2:01:11.960 --> 2:01:13.000
<v Speaker 4>All right, Look at the boy the.

2:01:15.440 --> 2:01:16.120
<v Speaker 2>Sports chans.

2:01:16.120 --> 2:01:16.760
<v Speaker 4>We back.

2:01:18.840 --> 2:01:22.640
<v Speaker 5>Local game, drink chands, Army, download the Underdog fantasy ad.

2:01:22.720 --> 2:01:24.680
<v Speaker 5>You the code drink Champs to get matched up to

2:01:24.720 --> 2:01:25.760
<v Speaker 5>one hundred dollars deposit.

2:01:25.960 --> 2:01:29.040
<v Speaker 4>That's right, right, So, uh, we're still in the playoffs.

2:01:29.400 --> 2:01:31.480
<v Speaker 2>We're still in the playoffs. Let's let's not just talk

2:01:31.480 --> 2:01:38.200
<v Speaker 2>about the playoffs, Okay, Nicks, good lord.

2:01:38.840 --> 2:01:40.680
<v Speaker 5>For the first time in eighteen years, I'll be a

2:01:40.760 --> 2:01:42.640
<v Speaker 5>Knicks fan for this round. I'll be a Knicks fan

2:01:42.680 --> 2:01:43.120
<v Speaker 5>for this round.

2:01:44.080 --> 2:01:44.880
<v Speaker 2>Listen, we don't want to.

2:01:47.120 --> 2:01:47.600
<v Speaker 10>You just stay.

2:01:47.720 --> 2:01:48.640
<v Speaker 2>You can stay where you are.

2:01:49.800 --> 2:01:52.200
<v Speaker 5>To tally of the pigs that we had last week,

2:01:52.480 --> 2:01:55.200
<v Speaker 5>nor you were seven for nine, seven for nine, ef

2:01:55.280 --> 2:01:58.000
<v Speaker 5>N was five for seven, I was two for three,

2:01:58.480 --> 2:02:01.360
<v Speaker 5>Sonny d BT was four for seven, and Diego three.

2:02:01.400 --> 2:02:09.080
<v Speaker 5>For sake, we're gonna go right into Game three, number

2:02:09.160 --> 2:02:13.000
<v Speaker 5>one seeded Boston Celtics against the number eight Heat. It's

2:02:13.120 --> 2:02:16.920
<v Speaker 5>game three, Uh, Jason Tatum six point five points in

2:02:16.960 --> 2:02:17.640
<v Speaker 5>the first quarter.

2:02:18.080 --> 2:02:19.080
<v Speaker 2>Is the higher or lower?

2:02:19.320 --> 2:02:22.400
<v Speaker 1>Jason tells us to do that, look like Drake right, Yes, hiss,

2:02:22.520 --> 2:02:23.200
<v Speaker 1>Caro will be popping.

2:02:24.040 --> 2:02:25.880
<v Speaker 4>He'll go hi higher, Sonny.

2:02:26.000 --> 2:02:28.200
<v Speaker 2>I say lower because he tries to pass and get

2:02:28.240 --> 2:02:28.840
<v Speaker 2>the other the.

2:02:28.880 --> 2:02:31.520
<v Speaker 4>Rest of his team to the Mikenny in the first quarter.

2:02:31.600 --> 2:02:33.840
<v Speaker 2>He tries to get his team involved. So I'm gonna

2:02:33.840 --> 2:02:36.360
<v Speaker 2>say lower. And the Heat has the top five defense too.

2:02:37.080 --> 2:02:39.320
<v Speaker 4>I think Jayson dam is coming out shooting higher.

2:02:39.800 --> 2:02:41.760
<v Speaker 2>Okay, if I'm gonna go lower, I agree with you.

2:02:41.840 --> 2:02:42.960
<v Speaker 4>Gonna go lower all right.

2:02:43.200 --> 2:02:45.760
<v Speaker 5>Now, in total of the end of the game, he's

2:02:45.800 --> 2:02:47.160
<v Speaker 5>averaging twenty six point five.

2:02:47.200 --> 2:02:51.040
<v Speaker 2>Would that be higher or lower? I'm gonna go higher again.

2:02:51.400 --> 2:02:53.160
<v Speaker 4>Jayson Datum has to have a big game to beat

2:02:53.160 --> 2:02:53.480
<v Speaker 4>the Heat.

2:02:53.680 --> 2:02:56.880
<v Speaker 2>Yeah, and this is they're playing in Boston, power in Miami.

2:02:56.960 --> 2:02:57.360
<v Speaker 4>Game three.

2:02:57.440 --> 2:02:59.360
<v Speaker 2>The game three is in Miami. Yes, I think I

2:02:59.440 --> 2:03:01.480
<v Speaker 2>think he got I think you got chicks out here.

2:03:01.760 --> 2:03:05.080
<v Speaker 5>So he goes to show up. Now Bam out of battle.

2:03:05.720 --> 2:03:07.720
<v Speaker 5>Newly named Olympian for the USA.

2:03:07.880 --> 2:03:08.320
<v Speaker 2>Congratulate.

2:03:08.360 --> 2:03:10.200
<v Speaker 5>He's averaging seventeen point five points.

2:03:10.400 --> 2:03:11.440
<v Speaker 2>Is he going higher or lower?

2:03:11.920 --> 2:03:12.320
<v Speaker 4>At home?

2:03:12.920 --> 2:03:15.880
<v Speaker 2>Sonny Higher, He's at home and that's the only shot

2:03:15.920 --> 2:03:16.280
<v Speaker 2>they got.

2:03:16.520 --> 2:03:20.360
<v Speaker 5>Yeah, higher, higher is a clean sweep. I'm going higher

2:03:20.400 --> 2:03:23.040
<v Speaker 5>as well. Now for the shooting guard. We got Tyler

2:03:23.080 --> 2:03:26.120
<v Speaker 5>Hero five point five points in the first quarter under

2:03:26.200 --> 2:03:28.960
<v Speaker 5>dog Fantasy. They're going tight five point five in the

2:03:29.000 --> 2:03:29.440
<v Speaker 5>first quarter.

2:03:29.640 --> 2:03:30.200
<v Speaker 2>Higher, lower.

2:03:30.800 --> 2:03:33.840
<v Speaker 4>I think Tyler Hero is still missing his shots. Lower.

2:03:34.800 --> 2:03:38.040
<v Speaker 4>You said that too, I'm shots you know.

2:03:38.960 --> 2:03:40.080
<v Speaker 2>I don't know I'm going.

2:03:45.040 --> 2:03:48.800
<v Speaker 4>Because I supposed to Jimmy Butler when and said, yo,

2:03:48.880 --> 2:03:50.400
<v Speaker 4>you missing. No, we don't do gossips.

2:03:50.440 --> 2:03:50.840
<v Speaker 6>I'm with you.

2:03:53.240 --> 2:03:55.640
<v Speaker 2>I love the attitude. Niggas doing well. I'm not mad

2:03:55.640 --> 2:03:56.480
<v Speaker 2>at right now.

2:03:56.640 --> 2:04:01.080
<v Speaker 5>Jalen Brown first quarter six points Offen higher higher, hired

2:04:01.160 --> 2:04:02.040
<v Speaker 5>singing in the first quarter.

2:04:02.640 --> 2:04:06.440
<v Speaker 2>So higher, he's having a great Yeah, he's everything higher

2:04:06.480 --> 2:04:09.400
<v Speaker 2>for him. I'm not man, all right. Yeah, he was convinced.

2:04:09.440 --> 2:04:10.000
<v Speaker 2>I'm going high.

2:04:10.200 --> 2:04:11.000
<v Speaker 4>Drink cham Army.

2:04:11.160 --> 2:04:14.480
<v Speaker 5>We are paying attention and we're doing a great job.

2:04:14.840 --> 2:04:19.120
<v Speaker 5>So rebound were to patch yourself on the back. You

2:04:19.200 --> 2:04:21.680
<v Speaker 5>have to encourage ourselves. They know that we're doing it right.

2:04:21.760 --> 2:04:22.120
<v Speaker 4>That's right.

2:04:22.920 --> 2:04:26.000
<v Speaker 5>So Jaden Brown on rebound seeks total rebounds in the game,

2:04:26.040 --> 2:04:27.120
<v Speaker 5>will that be higher or lower?

2:04:29.200 --> 2:04:33.800
<v Speaker 2>Higher the total game? Yes, yeah, I say he'll go higher,

2:04:34.760 --> 2:04:37.520
<v Speaker 2>definitely higher. I'm going lower on this ef N.

2:04:38.600 --> 2:04:40.440
<v Speaker 4>I'll stick with crazy brother. I'll go lower.

2:04:40.560 --> 2:04:42.680
<v Speaker 2>I'm going lower to bams in the center.

2:04:42.880 --> 2:04:43.200
<v Speaker 4>Thank you.

2:04:43.920 --> 2:04:45.480
<v Speaker 2>There you go, drink Sam Sawmy.

2:04:45.600 --> 2:04:48.720
<v Speaker 5>Don't forget download the Underdog Fantasy as Sports Chance.

2:04:51.440 --> 2:05:01.720
<v Speaker 2>You guys soon. This is the last one quick time

2:05:01.760 --> 2:05:04.280
<v Speaker 2>of slide. One more question and that's it after this.

2:05:05.120 --> 2:05:06.400
<v Speaker 2>Loyalty or respect.

2:05:08.600 --> 2:05:09.200
<v Speaker 4>That's a lyric.

2:05:11.040 --> 2:05:12.600
<v Speaker 2>I'm an jack myself, then.

2:05:14.520 --> 2:05:15.600
<v Speaker 4>That's a that's.

2:05:18.160 --> 2:05:24.640
<v Speaker 7>Loyalty or respect. It's also o se mm hmm uh.

2:05:25.600 --> 2:05:26.800
<v Speaker 7>But no, not not directly.

2:05:26.840 --> 2:05:32.960
<v Speaker 4>Oh see, a whole lot of respect. Uh, loyalty or respect?

2:05:39.680 --> 2:05:41.320
<v Speaker 4>Aren't they in the same family.

2:05:42.040 --> 2:05:42.680
<v Speaker 2>I always say that.

2:05:42.960 --> 2:05:45.760
<v Speaker 1>We always say that's the only time we should drink.

2:05:46.040 --> 2:05:48.760
<v Speaker 1>It should be both people like the thick and give

2:05:49.840 --> 2:05:52.560
<v Speaker 1>you like like I gotta give you like.

2:05:52.640 --> 2:05:58.000
<v Speaker 4>You know, you can't. You can't not have respect. You

2:05:58.080 --> 2:06:00.360
<v Speaker 4>cannot be loyal to somebody if you don't respect them,

2:06:00.520 --> 2:06:05.000
<v Speaker 4>that's right. And if you respect them, then you're gonna

2:06:05.000 --> 2:06:06.520
<v Speaker 4>be loyal to them, goddamn right.

2:06:06.640 --> 2:06:09.280
<v Speaker 9>Or you could be loyal and then not be loyal

2:06:09.320 --> 2:06:11.600
<v Speaker 9>all of a sudden, and then that's when you disrespect them.

2:06:13.720 --> 2:06:17.600
<v Speaker 4>Because you would never really then that loyal was based

2:06:17.640 --> 2:06:24.560
<v Speaker 4>on your ulterior motives. You're loyal for wrong reasons. Yeah,

2:06:24.600 --> 2:06:25.120
<v Speaker 4>I mean you never.

2:06:25.120 --> 2:06:27.880
<v Speaker 2>You always think that both is the right life's job.

2:06:32.080 --> 2:06:34.320
<v Speaker 7>Oh yeah, okay, okay, you're gonna go.

2:06:34.520 --> 2:06:38.240
<v Speaker 2>So this this, this is cheers. This is something that

2:06:38.360 --> 2:06:40.400
<v Speaker 2>you did did for me personally. You didn't know.

2:06:42.840 --> 2:06:47.920
<v Speaker 1>I always thought F one this racing car ship. Now

2:06:48.160 --> 2:06:51.800
<v Speaker 1>I'm gonna give you one hundred percent with you. I

2:06:51.920 --> 2:06:55.960
<v Speaker 1>always thought of some racist ship, like I didn't think like.

2:06:56.040 --> 2:06:59.280
<v Speaker 2>I didn't like it was never black people around you.

2:07:00.640 --> 2:07:03.800
<v Speaker 1>Being a part of F one single handedly made me say,

2:07:03.920 --> 2:07:07.440
<v Speaker 1>holy shit, they do accept us because there was no

2:07:07.640 --> 2:07:11.560
<v Speaker 1>drivers there was There was no Lewis before this. So

2:07:12.000 --> 2:07:15.720
<v Speaker 1>when I seen you participat in then Lewis comes along,

2:07:15.800 --> 2:07:17.880
<v Speaker 1>I believe blah blah Wallace.

2:07:17.680 --> 2:07:18.240
<v Speaker 4>Is his name.

2:07:19.280 --> 2:07:23.320
<v Speaker 1>Huh, that's NASCAR with whatever the fuck driving period. So

2:07:23.480 --> 2:07:25.360
<v Speaker 1>all them was fucking dukes of hazard.

2:07:25.600 --> 2:07:28.560
<v Speaker 2>You know what I'm saying. I thought that's all it was.

2:07:31.000 --> 2:07:32.320
<v Speaker 2>This is my opinion.

2:07:33.440 --> 2:07:34.200
<v Speaker 4>What made you.

2:07:35.720 --> 2:07:36.800
<v Speaker 2>Start participating Because I.

2:07:38.320 --> 2:07:42.520
<v Speaker 1>Saw somewhere you performed all twenty three in the twenty

2:07:42.560 --> 2:07:43.280
<v Speaker 1>three countries.

2:07:43.800 --> 2:07:46.600
<v Speaker 4>Now, I would go to as many F one races

2:07:46.640 --> 2:07:50.160
<v Speaker 4>as possible. And the reason why I go to them is,

2:07:50.520 --> 2:07:56.720
<v Speaker 4>you know, I have over three hundred schools teaching kids

2:07:56.880 --> 2:07:59.680
<v Speaker 4>robotics and computer science. And so if there is an

2:07:59.720 --> 2:08:04.640
<v Speaker 4>int T that tells kids, hey, look, this is engineering

2:08:04.720 --> 2:08:07.920
<v Speaker 4>at it at its highest level. Engineering is a sport

2:08:08.320 --> 2:08:11.880
<v Speaker 4>without those engineers, none of them drivers is doing anything.

2:08:12.200 --> 2:08:12.440
<v Speaker 2>Wow.

2:08:13.120 --> 2:08:16.880
<v Speaker 4>So here here's a sport that's all about engineering.

2:08:17.600 --> 2:08:17.800
<v Speaker 10>Wow.

2:08:19.600 --> 2:08:22.360
<v Speaker 4>So I go there so I can meet engineers like yo,

2:08:22.400 --> 2:08:24.040
<v Speaker 4>I need I need mentors.

2:08:24.400 --> 2:08:24.600
<v Speaker 11>Wow.

2:08:25.080 --> 2:08:26.120
<v Speaker 7>I go there to network.

2:08:26.400 --> 2:08:33.480
<v Speaker 4>Wow, there's machine companies, software companies, engineering companies, mathematic companies,

2:08:33.560 --> 2:08:36.480
<v Speaker 4>technologists that that that that show up to F one.

2:08:36.960 --> 2:08:39.160
<v Speaker 4>And so I'm on a hunt. Like I said from

2:08:39.200 --> 2:08:43.200
<v Speaker 4>the jump, I like to go out and find what's

2:08:43.240 --> 2:08:46.400
<v Speaker 4>coming next. And so if I want my community oil

2:08:46.480 --> 2:08:49.440
<v Speaker 4>Heights and then when we venture off to other communities

2:08:50.120 --> 2:08:53.760
<v Speaker 4>to have the best of the best mentoring my kids,

2:08:54.400 --> 2:08:56.680
<v Speaker 4>I'm going to go out where the best are. Like yo,

2:08:56.800 --> 2:08:59.480
<v Speaker 4>I need engineers to teach my kids, or we could

2:08:59.520 --> 2:09:02.400
<v Speaker 4>compete in this robotic competition and whatever you're doing with

2:09:02.520 --> 2:09:05.240
<v Speaker 4>these cars, and you just shed that light to my

2:09:05.360 --> 2:09:11.600
<v Speaker 4>kids where our program is at. And maybe there is

2:09:11.680 --> 2:09:14.200
<v Speaker 4>a void, maybe there's not that many people of color there.

2:09:14.800 --> 2:09:17.200
<v Speaker 4>That don't mean they got to be there forever. Like

2:09:17.600 --> 2:09:19.960
<v Speaker 4>you think it was black people in the NBA from

2:09:20.000 --> 2:09:27.040
<v Speaker 4>the jump, no pun intended on the jump, We wasn't

2:09:27.160 --> 2:09:30.400
<v Speaker 4>always there. You think it was black people in the

2:09:30.520 --> 2:09:34.920
<v Speaker 4>freaking MLB from the get go, or Dominicans or Puerto

2:09:35.000 --> 2:09:40.040
<v Speaker 4>Ricans or Cubans in Major League Baseball. That wasn't from

2:09:40.080 --> 2:09:44.440
<v Speaker 4>the beginning. But we entered that space and then dominated

2:09:44.480 --> 2:09:46.760
<v Speaker 4>that space. And so there's a new space that we

2:09:46.880 --> 2:09:51.200
<v Speaker 4>need to enter. That's engineering, that's mathematics, that's science. Needs

2:09:51.320 --> 2:09:58.920
<v Speaker 4>we have to yo urgently, urgently, like with our full

2:09:59.000 --> 2:10:04.240
<v Speaker 4>spectrum of petitiveness, audaciousness, ambition, and like bring it what.

2:10:06.040 --> 2:10:08.200
<v Speaker 7>However we want to express ourselves.

2:10:07.920 --> 2:10:12.400
<v Speaker 4>In these rooms, because if we're not in these rooms

2:10:12.800 --> 2:10:15.280
<v Speaker 4>and the AI don't show up and meet us how

2:10:15.360 --> 2:10:17.720
<v Speaker 4>we are, how we speak, it's gonna be a fucked

2:10:17.800 --> 2:10:18.520
<v Speaker 4>up twenty forty.

2:10:19.240 --> 2:10:20.840
<v Speaker 7>It's gonna be a fucked up twenty fifty.

2:10:21.360 --> 2:10:23.600
<v Speaker 4>It's gonna be a messed up twenty sixty to twenty seventy,

2:10:23.640 --> 2:10:26.040
<v Speaker 4>and then we would have repeated the same shit that

2:10:26.120 --> 2:10:29.240
<v Speaker 4>repeated from the Third Industrial Revolution. Why do we want

2:10:29.280 --> 2:10:29.760
<v Speaker 4>to repeat that.

2:10:31.400 --> 2:10:31.440
<v Speaker 6>For?

2:10:31.600 --> 2:10:35.440
<v Speaker 4>You think we was there with freaking power plants. Yeah,

2:10:35.480 --> 2:10:38.360
<v Speaker 4>we were there contributing, but we didn't own the companies.

2:10:39.440 --> 2:10:43.200
<v Speaker 4>We was there with electricity, with electricity and freaking illumination

2:10:43.320 --> 2:10:47.360
<v Speaker 4>and light, but we weren't there owning the companies. We

2:10:48.080 --> 2:10:50.680
<v Speaker 4>was there with the railroads, but we didn't own It

2:10:50.800 --> 2:10:56.560
<v Speaker 4>wasn't our companies that owned the freaking the trains. We

2:10:56.800 --> 2:10:59.880
<v Speaker 4>was there in the automobile, but how many black people

2:11:00.560 --> 2:11:04.760
<v Speaker 4>own automobiles. We was there in music, but it took

2:11:04.800 --> 2:11:07.040
<v Speaker 4>a very long time for us to own the record companies.

2:11:08.160 --> 2:11:10.360
<v Speaker 4>We was there for radio, but very few of us

2:11:10.520 --> 2:11:14.240
<v Speaker 4>own the actual radio station. We was there for television,

2:11:14.280 --> 2:11:16.360
<v Speaker 4>but it took us a very long time to own

2:11:16.400 --> 2:11:19.640
<v Speaker 4>and be et. And then when we owned the b et,

2:11:20.120 --> 2:11:23.320
<v Speaker 4>here came more freaking perspectives to send us into the

2:11:23.360 --> 2:11:27.560
<v Speaker 4>prisons that were privately owned. Why does it have to

2:11:27.600 --> 2:11:31.200
<v Speaker 4>be that way? We don't have to repeat yesterday, bro.

2:11:32.720 --> 2:11:39.280
<v Speaker 4>Repeating yesterday is a calendar Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday. Wait,

2:11:39.520 --> 2:11:43.040
<v Speaker 4>as if we can't invent new days now, somebody's gonna

2:11:43.080 --> 2:11:46.600
<v Speaker 4>be like the sounds like some Kanye shit, because it

2:11:46.760 --> 2:11:50.640
<v Speaker 4>sounds like some Vision shit, and Kanye's blessed with visions.

2:11:51.000 --> 2:11:54.000
<v Speaker 4>Phar Real's blessed with visions. It's those other folks that.

2:11:55.360 --> 2:11:56.560
<v Speaker 2>You want to make eight days a week.

2:11:56.960 --> 2:11:59.040
<v Speaker 4>No, no, no, you want to make eight days, nigga,

2:11:59.040 --> 2:12:03.680
<v Speaker 4>you want to make like you want to make same

2:12:03.720 --> 2:12:06.920
<v Speaker 4>amount of days. Let's keep it there, keep it the

2:12:06.960 --> 2:12:10.560
<v Speaker 4>same amount of days. The metaphor was not for the

2:12:10.960 --> 2:12:14.920
<v Speaker 4>changing of days. It's the changing of the guards, the

2:12:15.080 --> 2:12:18.400
<v Speaker 4>changings of the architects, so we can make sure that

2:12:18.520 --> 2:12:21.200
<v Speaker 4>our communities and people that move like us, walk, walk

2:12:21.280 --> 2:12:23.960
<v Speaker 4>like us, talk like us, vibe like us are better

2:12:24.040 --> 2:12:26.560
<v Speaker 4>off tomorrow. That was just a metaphor as far as

2:12:26.840 --> 2:12:30.880
<v Speaker 4>the naming of days, because somebody was, you know, ambitious

2:12:30.960 --> 2:12:32.840
<v Speaker 4>enough to name these things we called days in the

2:12:32.880 --> 2:12:37.840
<v Speaker 4>first fucking place calendar right August, my fucking name, Augustus.

2:12:38.840 --> 2:12:42.040
<v Speaker 4>August name is Augustus, July Julius.

2:12:42.520 --> 2:12:44.880
<v Speaker 2>It's mostly ten months, not twelve.

2:12:45.960 --> 2:12:49.560
<v Speaker 4>Ten months in the net deck of for December two

2:12:49.640 --> 2:12:53.360
<v Speaker 4>niggas is Julius and augustusas put themselves in there. Yeah, bro,

2:12:53.560 --> 2:12:55.680
<v Speaker 4>that's like and then we're going to add a thirteen

2:12:55.760 --> 2:12:58.080
<v Speaker 4>month and it's called yeas.

2:13:01.320 --> 2:13:02.760
<v Speaker 2>Well. I know you got to go. I see your

2:13:02.800 --> 2:13:03.840
<v Speaker 2>people listen.

2:13:03.920 --> 2:13:05.960
<v Speaker 1>Oh so you take it another you takeing shots without

2:13:06.000 --> 2:13:09.560
<v Speaker 1>us on on like we said both let's you gotta

2:13:09.600 --> 2:13:10.440
<v Speaker 1>wait for me to take a.

2:13:12.480 --> 2:13:12.760
<v Speaker 2>Listen.

2:13:13.000 --> 2:13:16.400
<v Speaker 1>Well, i'mnna be honest with you. Thank you so much.

2:13:16.680 --> 2:13:18.520
<v Speaker 1>I know you don't have to do this. Then yeah,

2:13:18.600 --> 2:13:18.960
<v Speaker 1>let me get that.

2:13:19.080 --> 2:13:20.920
<v Speaker 9>We actually have to do this again because you have

2:13:21.000 --> 2:13:24.160
<v Speaker 9>to sit here at least for like four or five hours, because.

2:13:24.240 --> 2:13:25.800
<v Speaker 2>I can listen to you talk all day.

2:13:25.840 --> 2:13:28.960
<v Speaker 1>And I really want you to open up a school

2:13:30.240 --> 2:13:34.400
<v Speaker 1>not for kids grown men that's like me and women

2:13:35.400 --> 2:13:37.440
<v Speaker 1>that we could go and just listen to you and

2:13:37.680 --> 2:13:40.440
<v Speaker 1>just see how you break down technology and you break

2:13:40.480 --> 2:13:43.520
<v Speaker 1>down what's going on, what the future.

2:13:43.280 --> 2:13:46.960
<v Speaker 2>Is gonna read. You are our Elon Musk, you are

2:13:47.040 --> 2:13:51.400
<v Speaker 2>our Steve Jobs. You are well put that to us,

2:13:51.520 --> 2:13:54.360
<v Speaker 2>to our community. And I wanted to tell you that

2:13:54.440 --> 2:13:57.920
<v Speaker 2>face to face, man and man, because it's the truth.

2:13:58.160 --> 2:14:02.360
<v Speaker 1>The ship that you're on that you're on now, people

2:14:02.440 --> 2:14:05.960
<v Speaker 1>won't be on for another ten years or seven years.

2:14:06.880 --> 2:14:09.000
<v Speaker 2>So the fact that I know you, the fact that

2:14:09.120 --> 2:14:14.720
<v Speaker 2>I even have, like, you know, a relationship with you,

2:14:15.120 --> 2:14:16.560
<v Speaker 2>are you know in.

2:14:16.760 --> 2:14:23.120
<v Speaker 1>The most great way. I admire that, Like because I've

2:14:23.160 --> 2:14:26.520
<v Speaker 1>seen you. I've rendered a studio next to you and bust.

2:14:26.400 --> 2:14:28.560
<v Speaker 2>Around to try to get at you, and I couldn't

2:14:28.600 --> 2:14:30.960
<v Speaker 2>get at you. You know when I met you, and

2:14:32.440 --> 2:14:39.160
<v Speaker 2>we met each other in Vegas and baggage claim so

2:14:39.320 --> 2:14:41.920
<v Speaker 2>much money to be next to you and bust when

2:14:41.960 --> 2:14:44.880
<v Speaker 2>you was recorded and we didn't even meet then we

2:14:45.160 --> 2:14:49.440
<v Speaker 2>met in fucking Vegas and baggage claim. No, you know,

2:14:49.800 --> 2:14:51.680
<v Speaker 2>I just want to say, like, and you gave me

2:14:51.760 --> 2:14:52.120
<v Speaker 2>a beat.

2:14:52.360 --> 2:14:56.480
<v Speaker 4>I've been watching your show, Yes, thank you, not just

2:14:56.560 --> 2:14:59.680
<v Speaker 4>watching it, but loving your show. The interviews that you

2:14:59.760 --> 2:15:03.040
<v Speaker 4>guys do is like you pull the truth out of folks.

2:15:03.640 --> 2:15:06.240
<v Speaker 4>Sometimes it's uncomfortable for the folks. Sometimes people come here

2:15:06.280 --> 2:15:09.520
<v Speaker 4>and they like just rent out how they feel. And

2:15:09.680 --> 2:15:12.120
<v Speaker 4>you you created a space for for for people to

2:15:13.120 --> 2:15:15.520
<v Speaker 4>express the things they that they want to get off

2:15:15.720 --> 2:15:20.080
<v Speaker 4>their mind, their spirit, their energy, and it's it's it's

2:15:20.160 --> 2:15:23.120
<v Speaker 4>the only, it's one of the only truth places for

2:15:23.240 --> 2:15:25.400
<v Speaker 4>whatever version of truth people come to your show to

2:15:25.440 --> 2:15:27.200
<v Speaker 4>do and I don't know.

2:15:27.520 --> 2:15:30.040
<v Speaker 2>That's like because Niggas is sauced up.

2:15:31.560 --> 2:15:35.520
<v Speaker 4>But not everybody. But but it's dope and I always

2:15:35.560 --> 2:15:37.360
<v Speaker 4>wanted to come on it. I'm like, yo, man, I

2:15:37.480 --> 2:15:39.880
<v Speaker 4>want to go on Drink Champs. I want to I

2:15:39.960 --> 2:15:42.920
<v Speaker 4>want to be on it, like man one day, Like

2:15:43.040 --> 2:15:46.720
<v Speaker 4>you know, like you give people something to dream towards

2:15:47.680 --> 2:15:50.080
<v Speaker 4>just because of how natural it is. It's like if

2:15:50.120 --> 2:15:51.840
<v Speaker 4>we lived in the projects and be like, I want

2:15:51.840 --> 2:15:56.560
<v Speaker 4>to go over Noury's house, right, I want to go

2:15:56.640 --> 2:15:59.320
<v Speaker 4>to I want to see what he well reckons he got.

2:16:00.280 --> 2:16:02.280
<v Speaker 4>If it was in the projects, it would be like that, like, ma,

2:16:02.480 --> 2:16:03.760
<v Speaker 4>let me go over the let me go over to

2:16:03.800 --> 2:16:06.560
<v Speaker 4>the Nori's house hold on, let me call NOI's mom,

2:16:08.000 --> 2:16:11.240
<v Speaker 4>who's over there? Like it feels like a little village,

2:16:11.320 --> 2:16:14.960
<v Speaker 4>Like you know, it's an awesome thing that y'all created,

2:16:15.000 --> 2:16:18.440
<v Speaker 4>and it reminds me of like my village, my little projects,

2:16:18.480 --> 2:16:22.440
<v Speaker 4>my neighborhood where I come from. It vibrates with truth

2:16:22.640 --> 2:16:24.440
<v Speaker 4>all around it. So it's an honor to be here.

2:16:24.840 --> 2:16:27.680
<v Speaker 4>The things that you said means a lot to me

2:16:28.120 --> 2:16:31.960
<v Speaker 4>because I move super Ninja tiptoe like I don't make noise.

2:16:33.040 --> 2:16:36.400
<v Speaker 4>I wrote super stealth on purpose because when you're doing

2:16:36.440 --> 2:16:39.520
<v Speaker 4>these types of moves, even me saying what I'm saying

2:16:41.400 --> 2:16:45.600
<v Speaker 4>is not stealth, right, but it's stealth. I got it.

2:16:45.879 --> 2:16:50.800
<v Speaker 2>Yeah, I just want to take you face to face,

2:16:50.920 --> 2:16:51.480
<v Speaker 2>man the man.

2:16:53.080 --> 2:16:55.240
<v Speaker 1>We really love you over here and this is your

2:16:55.360 --> 2:16:58.520
<v Speaker 1>platform anytime you want to promote anything. I don't care

2:16:58.560 --> 2:17:00.640
<v Speaker 1>if you want to promote corduroy toenails.

2:17:02.200 --> 2:17:03.240
<v Speaker 4>Thank god you changing up.

2:17:05.160 --> 2:17:06.679
<v Speaker 7>The quarter of tournails.

2:17:08.320 --> 2:17:08.440
<v Speaker 2>Right.

2:17:08.640 --> 2:17:13.520
<v Speaker 4>No that Nigga ain't getting no, she is bumpy, but

2:17:13.640 --> 2:17:14.560
<v Speaker 4>hold on this.

2:17:15.160 --> 2:17:17.920
<v Speaker 1>This is how much I'm so I thank you so

2:17:18.080 --> 2:17:20.560
<v Speaker 1>much because this is such a beautiful You gave us

2:17:20.560 --> 2:17:21.680
<v Speaker 1>such beautiful stories.

2:17:22.480 --> 2:17:22.680
<v Speaker 11>Man.

2:17:22.959 --> 2:17:24.960
<v Speaker 1>I just want to thank you man, you know, brother

2:17:25.080 --> 2:17:26.760
<v Speaker 1>the brother, because I know you didn't have to be

2:17:26.920 --> 2:17:30.760
<v Speaker 1>I know you. You know the success and and and

2:17:31.120 --> 2:17:33.280
<v Speaker 1>you took your time off to be with us. Gonna

2:17:33.280 --> 2:17:35.560
<v Speaker 1>be anywhere and what they say, give it anywhere on

2:17:35.640 --> 2:17:39.800
<v Speaker 1>this world, but with us, I mean so much, so much.

2:17:41.000 --> 2:17:42.199
<v Speaker 1>We had a couple of pictures.

2:17:42.520 --> 2:17:45.040
<v Speaker 4>I had had a meeting today at Serious XM. Yeah,

2:17:45.240 --> 2:17:47.120
<v Speaker 4>and I was like, yo, I'm about to do Dream Champs.

2:17:47.840 --> 2:17:50.080
<v Speaker 4>And then they was like yo, just make sure you

2:17:50.160 --> 2:17:52.000
<v Speaker 4>let them know that you and your AI got the

2:17:52.080 --> 2:17:53.119
<v Speaker 4>show on serious.

2:17:56.360 --> 2:17:57.640
<v Speaker 2>What is the name of the show on serious sex?

2:17:57.680 --> 2:18:00.440
<v Speaker 4>That's why I show why If anybody want to rock

2:18:00.480 --> 2:18:03.880
<v Speaker 4>out with Fiona and Finn my ais that just download

2:18:04.040 --> 2:18:04.920
<v Speaker 4>f Y, I dot A I.

2:18:05.200 --> 2:18:08.480
<v Speaker 1>Those are your co hosts. Yeah, and the you're gonna

2:18:08.480 --> 2:18:10.720
<v Speaker 1>have Norri too, right. I gotta like we gotta be

2:18:10.800 --> 2:18:11.480
<v Speaker 1>one of I gotta be.

2:18:11.520 --> 2:18:13.520
<v Speaker 4>Somebody like if you dead ass want to want to

2:18:13.640 --> 2:18:14.000
<v Speaker 4>want to do.

2:18:14.080 --> 2:18:15.720
<v Speaker 2>That, yeah, I'm dead ass. I want to be like

2:18:20.760 --> 2:18:25.720
<v Speaker 2>were going the red loft? That make it right? I

2:18:25.879 --> 2:18:26.520
<v Speaker 2>want to be that guy.

2:18:26.560 --> 2:18:28.560
<v Speaker 4>If you want to do that, we could do that,

2:18:28.760 --> 2:18:32.880
<v Speaker 4>Like it'll be awesome. But in June, I got this

2:18:33.000 --> 2:18:34.720
<v Speaker 4>other thing. I'd love to come back on the show.

2:18:35.280 --> 2:18:37.200
<v Speaker 4>We got this partnership with Mercedes.

2:18:37.560 --> 2:18:38.080
<v Speaker 2>God damn it.

2:18:38.400 --> 2:18:43.119
<v Speaker 4>We where we transform, that's we transformed the people's experience

2:18:43.200 --> 2:18:46.039
<v Speaker 4>with music in the vehicle. And I go to China

2:18:46.120 --> 2:18:50.200
<v Speaker 4>on the twenty fifth of April to launch to announce

2:18:50.240 --> 2:18:52.960
<v Speaker 4>what we launched at CS in January, and so like

2:18:53.040 --> 2:18:56.520
<v Speaker 4>we'll be like across the whole entire fleet Mercedes vehicles

2:18:56.520 --> 2:19:00.400
<v Speaker 4>with our AI and our music service and just listening

2:19:00.480 --> 2:19:03.400
<v Speaker 4>to Eric being rock cam seeing him in front of

2:19:03.480 --> 2:19:07.480
<v Speaker 4>that Mercedes and uh, you know, sir, mix a lot

2:19:07.600 --> 2:19:12.920
<v Speaker 4>dropping Ben's benz ok a MG kit Uh and uh

2:19:13.680 --> 2:19:16.840
<v Speaker 4>and then uh ice Cube, Me and Lorenzo rolling into

2:19:16.879 --> 2:19:21.800
<v Speaker 4>Benzo and our love for Mercedes to have landed this

2:19:22.200 --> 2:19:25.680
<v Speaker 4>partnership with AI and music with Mercedes to be across

2:19:25.760 --> 2:19:29.080
<v Speaker 4>the entire fleet. We're gonna you'll hear more about that

2:19:29.400 --> 2:19:30.680
<v Speaker 4>in the next coming months.

2:19:30.800 --> 2:19:33.720
<v Speaker 2>So we end in this interview with saym you got

2:19:33.879 --> 2:19:35.920
<v Speaker 2>a full fledged deal with Mercedes.

2:19:37.000 --> 2:19:38.760
<v Speaker 7>Yeah, Yeah, I told you. I'll be moving like tip

2:19:38.840 --> 2:19:39.520
<v Speaker 7>toe Ninja Bro.

2:19:46.720 --> 2:19:50.120
<v Speaker 9>Drink Champs is a Drink Champs LLC production hosts and

2:19:50.240 --> 2:19:53.160
<v Speaker 9>executive producers n O r E and d J E

2:19:53.440 --> 2:19:58.199
<v Speaker 9>f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2:19:58.480 --> 2:20:01.959
<v Speaker 9>or wherever you get your podcast us. Thanks for joining

2:20:02.040 --> 2:20:04.800
<v Speaker 9>us for another episode of Drink Champs hosted by Yours truly,

2:20:04.959 --> 2:20:07.480
<v Speaker 9>dj E f N and n O r E. Please

2:20:07.520 --> 2:20:09.720
<v Speaker 9>make sure to follow us on all our socials That's

2:20:09.760 --> 2:20:13.359
<v Speaker 9>at drink Champs across all platforms. At the Real noriagon

2:20:13.440 --> 2:20:16.480
<v Speaker 9>I g at Noriega on Twitter, Mine is.

2:20:16.520 --> 2:20:19.840
<v Speaker 4>At Who's Crazy on ig at dj e f N

2:20:19.959 --> 2:20:20.800
<v Speaker 4>on Twitter, and

2:20:20.920 --> 2:20:23.320
<v Speaker 9>Most importantly, stay up to date with the latest releases,

2:20:23.760 --> 2:20:26.920
<v Speaker 9>news and merch by going to drink Champs dot com