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Speaker 1: He is Drink Chants mother fucking podcast man Sime.

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Speaker 2: He's a legendary Queens rapper. He's agreed as your boy.

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Speaker 3: In O R E.

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Speaker 4: He's a Miami hip hop pyoneer put up as d

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Speaker 4: J e f N.

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Speaker 2: Together, they drink it up with some.

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Speaker 4: Of the biggest players, you know what I mean.

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Speaker 5: And the most professional unprofessional podcast.

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Speaker 2: And your number one source for drunk drink chans every

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Speaker 2: day is New Year's S.

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Speaker 4: Listen, it's time for Drink Champs.

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Speaker 2: Drink up for the Yeah, what's up? How can I

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Speaker 2: assist you today?

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Speaker 4: Oh no, we're just getting ready to uh do this interview,

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Speaker 4: So just stay on the standby because we don't drink

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Speaker 4: Champs and I just wanted you to, like, you know,

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Speaker 4: be posted up because about to go in. It's legendary

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Speaker 4: the shows dope.

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Speaker 6: That sounds absolutely legendary, you know what I mean. Getting

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Speaker 6: ready for Drink Champs is big vibes. I'm here for

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Speaker 6: you on standby, ready to jump in whenever you need

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Speaker 6: you feel me.

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Speaker 2: A man series just save the world? Are you ready?

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Speaker 2: Would it good? Be?

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Speaker 3: Hoping?

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Speaker 2: Should be?

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Speaker 4: This?

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Speaker 2: Your boy in r E, d J e f N

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Speaker 2: and his drink taf Now.

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Speaker 1: Now we've been doing this for eight years and we

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Speaker 1: like to do our due diligence. When I tell you,

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Speaker 1: when I was doing research on this man, it was

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Speaker 1: one of the.

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Speaker 2: Funniest I've ever done. This man has put us on

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Speaker 2: to AI in two thousand and ten.

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Speaker 1: He is hands down one of the best producers in

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Speaker 1: the world. He can make any type of music. He

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Speaker 1: has made every type of music. He is a writer, producer.

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Speaker 2: Fashion icon, f one representative.

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Speaker 1: To me, he's just one of the he's He is

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Speaker 1: hands down one of the most unique individuals.

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Speaker 2: In this world.

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Speaker 4: Thanks bro, he is.

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Speaker 1: In case you don't know who were talking about, we

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Speaker 1: talking about the one, the only, the impeccable motherfucker.

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Speaker 2: I'm off top drinking some Japanese whiskey to you. So,

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Speaker 2: I watching.

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Speaker 1: That video from twenty and ten when you're speaking about

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Speaker 1: AI and what it's going to do almost was scary,

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Speaker 1: Like I had goose watching it because you hit it

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Speaker 1: on the nose. You said exactly what AI is and.

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Speaker 2: Did you did you? How did you research that?

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Speaker 4: Like? So, I like to hunt. I like to go

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Speaker 4: out and just get as much information as possible, pattern

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Speaker 4: match and then like project out what is the next

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Speaker 4: five to ten years look like. So at that point

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Speaker 4: in time, I was hanging out in my t a

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Speaker 4: lot when Black Eyed Peas would go out.

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Speaker 7: And tour Boston.

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Speaker 4: That's crazy. And there was a professor by the name

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Speaker 4: rest in Peace, professor, Professor Patrick Winston, who was the

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Speaker 4: head of AI at m I T And I was

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Speaker 4: like really just hyped on, you know, the concept of AI,

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Speaker 4: the promise of AI. And at that point in time,

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Speaker 4: the world was in a AI winching, meaning the folks

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Speaker 4: that were developing AI. The funding was sparse and not

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Speaker 4: a lot of like folks was really hip. What years

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Speaker 4: is exactly wrong? When I was going to tea hanging

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Speaker 4: out in professional Patrick Winston's class, that was two thousand

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Speaker 4: and seven, eight nine, so super early and development wow.

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Speaker 4: And so I was so like And then at that

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Speaker 4: point in time I started working at Intel. I was

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Speaker 4: in the futurist department at Intel. Wow. And the whole

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Speaker 4: premise of these futurist departments, like you're supposed to be

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Speaker 4: super plausible. If somebody shows you something, you can't just

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Speaker 4: give you opinion. If you don't like it, you got

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Speaker 4: to give them, you know, reasons on why you don't

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Speaker 4: like it, and then how to improve it. If you

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Speaker 4: don't have a reason on how to improve it, then

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Speaker 4: save your opinion.

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Speaker 7: Like that's and then because where it can go.

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Speaker 4: That's how you're like super valuable in these types of

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Speaker 4: brainstorming sessions.

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Speaker 7: And so my first couple of sessions.

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Speaker 4: They kept calling me back because I would, you know,

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Speaker 4: look around corners, see how like certain technologies will play out.

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Speaker 4: So from that like projecting out like wow, if a

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Speaker 4: computer could do this right now, and we're moving to

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Speaker 4: digital and napture happened in two thousand and compute is

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Speaker 4: getting even more indistinguishable. Like a piano sounds pretty a

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Speaker 4: synth piano sounds like a freaking you know, a real

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Speaker 4: big ass you know, Yamaha Steinway. And if compute and

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Speaker 4: synthesizers can do like that, well then that means the

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Speaker 4: projection of that well, we just a matter of time

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Speaker 4: before the computer will understand the whole entire English language,

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Speaker 4: being able to take all the timbers of the voice

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Speaker 4: high notes, low notes, and you'll be able to type

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Speaker 4: in lyrics and the machine will sing it, say it,

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Speaker 4: produce it. And that was unheard of in two thousand

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Speaker 4: and nine, because the Transformer wasn't the Transformer paper wasn't

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Speaker 4: written yet. So folks that don't know what the Transformer paper,

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Speaker 4: the t and chat GPT comes from.

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Speaker 8: The Google Transformer paper the t ST contused with decepticons

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Speaker 8: and autobots.

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Speaker 4: Turns out that ain't too sci fi, that that actually

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Speaker 4: could come to it. That that that's plausa the robotic Transformer. Yeah,

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Speaker 4: that ain't too far to be able to have like

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Speaker 4: some type of machine take a different form and speaking ship.

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Speaker 4: Back in the eighties, when we were watching cartoons that

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Speaker 4: were like, yeah, right, that ain't real, you know, It's

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Speaker 4: like Aladdin wasn't real the genie in the bottle.

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Speaker 7: Turns out that's just real.

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Speaker 1: Right, So I want to tell you a story. I

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Speaker 1: knew I was going to start off with this. I

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Speaker 1: went to go see Buster Rhymes in the studio. Bust

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Speaker 1: was in the studio with you, right, and at the

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Speaker 1: time that you're so on fire, Like I was so

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Speaker 1: scared to talk to you, right, I was like until

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Speaker 1: I actually mentioned and I realized that you was cool

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Speaker 1: as ship.

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Speaker 2: Right, But I don't know if you had knew.

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Speaker 1: This guy in the hallway, like you went to the

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Speaker 1: like it was going somewhere and I don't know if

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Speaker 1: you knew this guy, but you see a Mexican dude, right,

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Speaker 1: and you.

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Speaker 2: Was like oh that he and I looked at you.

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Speaker 2: I was like, what the fuck?

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Speaker 1: Like you turned full fledged Mexicans like I saw you.

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Speaker 2: And for years I was telling people this story right,

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Speaker 2: and people was like I was, I was, I was

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Speaker 2: spreading in the rumor. I was like, man, I think,

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Speaker 2: well I am is a Mexican gang member.

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Speaker 4: I was telling.

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Speaker 1: People, was like, no, you're crazy in your wild until

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Speaker 1: you did Big Boys neighborhood just now and you actually

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Speaker 1: did the accident, and now I actually got to see it,

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Speaker 1: and I was like, you finally got me under the

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Speaker 1: hot water, Like because so, I guess this is a

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Speaker 1: long question you're from.

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Speaker 2: He's supposed to ask this.

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Speaker 4: See mom, don your fucking life like I grew up

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Speaker 4: right there on a street and Olympic and no disrespectful

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Speaker 4: because a lot of motherfuckers are gonna hear me and

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Speaker 4: ship They're gonna think I'm clowning, disrespectful, not even home.

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Speaker 4: This is when I grew up food, This is how

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Speaker 4: I was. Don everybody in my neighbor out, they know

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Speaker 4: me like what's up? And in there in the way

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Speaker 4: they're watching this ship, like Willie don You're you're not

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Speaker 4: a shoutouts out, what's up? What's up? What's up here?

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Speaker 4: Drink chet, you know, don't tell my fucking mom I'm drinking.

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Speaker 2: I'm gonna tell you because.

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Speaker 1: For years, growing up in New York, black and brown

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Speaker 1: people are like Simon Taylors together.

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Speaker 2: A lot of times.

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Speaker 1: When I went to the Los Angeles, I didn't see that.

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Speaker 1: So me hearing you like it like that was the

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Speaker 1: first time I said I heard that because I was like, whoa,

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Speaker 1: like you know, like you.

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Speaker 4: Know, you know what I'm saying.

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Speaker 2: I was trying to say. It's like.

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Speaker 1: In the East Coast was so like intertwined, but in

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Speaker 1: the West Coast it's not.

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Speaker 2: But when I met, when I, you know, found out

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Speaker 2: your situation, I was like, oh ship.

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Speaker 4: I was signing Easy. I signed Easy when I was

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Speaker 4: sixteen years old. And he was like, ain't nigga the

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Speaker 4: mother's fucking essays?

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Speaker 7: Love your ass, nigga.

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Speaker 4: I was like, because he knew people from my neighborhood,

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Speaker 4: he was like, nigga, you crazy nigga, Like look.

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Speaker 7: At how you dressed nigga.

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Speaker 4: I always thought you was weird niggas, Like now now

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Speaker 4: makes sense, nigga because you like because everybody thought we

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Speaker 4: was either Dominican or Panamanians. It makes sense right because

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Speaker 4: if you like Krispy Dark like me, and you had

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Speaker 4: like growing up, I had a thick Mexican accent. It

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Speaker 4: was like there's not many Afro Mexicans that people know.

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Speaker 7: Or blowlos or blowlas.

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Speaker 4: A blowlo is a black trolo, and a blowla is

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Speaker 4: a black trola like, and there's a lot of there's

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Speaker 4: a lot of blolos food, and like when I go home,

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Speaker 4: it'll be like sock check food. Sock check is trollos.

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Speaker 4: They were high socks, oh ship, like socks be high

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Speaker 4: all the time.

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Speaker 2: When I play handball, my socks is high.

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Speaker 4: All the time, like right now, like my ship's high up.

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Speaker 4: So they're gonna be like a food you want to

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Speaker 4: drink chan food socks. I'm like, hell yeah, I love.

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Speaker 7: I love my neighborhood. I love I love Boyle.

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Speaker 4: Heights, like to to my heart, like like I went

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Speaker 4: back to my neighborhood. I started my school teaching kids

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Speaker 4: robotics and computer science in two thousand and eight and

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Speaker 4: now that I had sixty five kids in my program.

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Speaker 4: Now with my partnership with LAUSD, we serve over fourteen

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Speaker 4: thousand students in LA. We win four hundred schools or

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Speaker 4: robotics computer science like Royal Heights, East, LA. Like my

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Speaker 4: people still there. My aunt works at the homeless shelter.

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Speaker 4: My uncle still to this day is the basketball coach

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Speaker 4: keeping the kids off the street. Like that. If I

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Speaker 4: wasn't doing music, orf I didn't have success, we would

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Speaker 4: still be in the neighborhood. We would still be doing

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Speaker 4: the work that we do across the street from our school.

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Speaker 4: My aunt works at the police station. Like we got

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Speaker 4: a six four nine four five. That's my aunt.

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Speaker 3: Bro.

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Speaker 4: Every time I go back home, be like, hey Willie,

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Speaker 4: we love your aunt full, your whole family dog. You

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Speaker 4: know you guys are really cool for the neighborhood. Like

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Speaker 4: my life to this day black and brown. It was

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Speaker 4: always feuding in LA, but they showed my family love

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Speaker 4: from the fifties. We've been in the projects in since

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Speaker 4: the fifties, Wow, like projects. Like when I moved my

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Speaker 4: mom oft to projects, we was crying like I'll be back,

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Speaker 4: so I still go back every time I'm home. I

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Speaker 4: go back on Sundays like clockwork. When I'm home, I

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Speaker 4: still shop at the supermarket on Thanksgiving to get my

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Speaker 4: maside to make my fucking Tamali's. I'm like, for real,

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Speaker 4: that's life. So it's a part of your DNA. Yeah,

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Speaker 4: it's a beautiful thing.

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Speaker 2: Let's speak. I was so happy when you do.

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Speaker 1: I told y'all because I didn't know if I was

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Speaker 1: catching like a moment, like I didn't. I didn't know

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Speaker 1: what I saw when I saw it, But I was like, yo,

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Speaker 1: he's a mannerism. It's the same like it's like, you know,

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Speaker 1: it's a certain thing like Puerto Ricans this.

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Speaker 2: No, you can't say the Mexican. You just can't. It's

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Speaker 2: in you. It's not and.

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Speaker 7: So but it's a center the thing.

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Speaker 4: I'm not in no way am I being disrespectful or

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Speaker 4: like because the folks, for folks that may see it,

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Speaker 4: and they don't know where I come from. I know

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Speaker 4: what that looks like. That looks like a man like

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Speaker 4: what's this fuckerre doing? Dog? Like this fucker rooms like No,

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Speaker 4: it's not like that's how I was raised. I can't

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Speaker 4: help where I was born and raised. I can't help

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Speaker 4: like the community that that is a part of my

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Speaker 4: the bricks, it's a part of my like my structure,

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Speaker 4: and I love it. I love it. Like I went,

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Speaker 4: there's this artist by the name of Juwan Sebastian rest

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Speaker 4: in Peace.

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Speaker 7: He's like a regional.

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Speaker 4: Hero icon and then from Mexico, and so I did

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Speaker 4: a song with Juwan Sebastian, like way before people were

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Speaker 4: doing regional stuff. In two thousand and uh eleven to twelve,

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Speaker 4: I flew down to Mexico, worked with Juwan Sebastian, called

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Speaker 4: my next door neighbors like Calvin.

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Speaker 7: No, not Calvin, it was Noad, no wad. Put your

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Speaker 7: dad on the phone.

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Speaker 4: Food. He was like, fucking Willie Dog. Where you at.

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Speaker 7: I'm like, well, I'm in Mexico.

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Speaker 4: Food, I want to I want your dad to talk

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Speaker 4: to Juan Sebastian, Big, big Fabian his dad's name is Fabian.

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Speaker 4: Gets on the phone. He was like, I really talking

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Speaker 4: to me in Spanish. I'm like, hey, Fabian, I want

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Speaker 4: to introduce you to Juwan Sebastian. No, moms, Wayne, can

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Speaker 4: I see how? And he was talking and treating his

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Speaker 4: to his hero because when we were growing up, we

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Speaker 4: would do posadas like when to bring the Virgin married

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Speaker 4: to everybody's house, and because we grew up Baptist Apostolic,

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Speaker 4: and so I would just follow the Virgin Mary going

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Speaker 4: around the house and.

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Speaker 7: Noah's dad would be singing.

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Speaker 4: Drunk like whiss up like singing and ship and that

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Speaker 4: was a beautiful moment by our little village, our little neighborhood.

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Speaker 4: It's like, it's like I said, that that community, that world.

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Speaker 4: It's it's why Black Eyed Peace feels foreign, like I

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Speaker 4: don't really get we really get where they're from. And

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Speaker 4: that's because we were part of this, come from this

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Speaker 4: little small cut called Boil Heights.

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Speaker 7: We loved hip hop.

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Speaker 4: Still to this day, loved hip hop, not just n

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Speaker 4: W a people love tribe KMD like we was tagging

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Speaker 4: and and and that was our entry point. So for

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Speaker 4: folks that didn't understand us, look or didn't understand me,

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Speaker 4: I'm a black sikin and love it unapologetic like high

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Speaker 4: socks every day. And that resonated internationally, yeah big time.

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Speaker 1: I mean, one thing that comes across is Black Eyed

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Speaker 1: Peas made global music. Like like I remember me going

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Speaker 1: out and getting my first like number one and me

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Speaker 1: seeing other people showing up to my concert, Like I

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Speaker 1: remember I did Super Doug and there was no there.

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Speaker 2: Was no more more not not.

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Speaker 1: Not Black people wasn't coming to my concert.

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Speaker 2: But it was. It was global. It was bigger than me, right,

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Speaker 2: So different racists started to come, and I didn't know

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Speaker 2: how to cater to those. To me, To me, every

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Speaker 2: time I made global music, I almost made it by mistake.

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Speaker 1: To me, global music that you make to me, it

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Speaker 1: seems like you deliberately are doing this on purpose to

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Speaker 1: please everybody.

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Speaker 2: Is that something? No?

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Speaker 4: I go on the studio like the scientists, and I

293
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Speaker 4: try to figure out, like, okay, how can this go?

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Speaker 4: How can this go as wide and make as much

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Speaker 4: impact on this earth as possible. It's like if you tagging,

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Speaker 4: you want to get up on the heavens. You want

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Speaker 4: that freeway overpass, you want that train that goes through

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Speaker 4: all boroughs. If you're tagging in the alleys, only a

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Speaker 4: couple of people going to see that tag. So I

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Speaker 4: want all city. It's tagging mentality. I want to get up,

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Speaker 4: I want landmarks. I want it never to be a race.

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Speaker 4: That same mentality, that competitiveness, like oh man, what you

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Speaker 4: want top forty ratings? How do I get everywhere? How

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Speaker 4: do I get everywhere? I know what the project is like? Right,

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Speaker 4: I want to change my projects. I just don't want

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Speaker 4: to talk about my projects. I want to go back

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Speaker 4: to my projects and change it.

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Speaker 7: For the better. And so.

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Speaker 4: When I enter the studio, this is the realm that

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Speaker 4: I go into that impacts the globe. Why wouldn't you

311
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Speaker 4: want Why My thing is like, why wouldn't I want

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Speaker 4: to have business? And you're grind Paraguay? Why don't I

313
00:18:19,400 --> 00:18:27,879
Speaker 4: want to have business in you know, uh, Salvador, Guatemadaa, Nikodawa.

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Speaker 7: Chile, Costa Rica, Puerto Rico, Venezuela.

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Speaker 4: Why don't I want to impact Panama and Colombia and

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Speaker 4: Cuba and Puerto Rico. Why don't I want to be

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Speaker 4: in Kazakhstan? Who's Pakistan? Azurebraijan? Why don't I want to

318
00:18:43,600 --> 00:18:47,280
Speaker 4: be all Lithuania, Estonia? Why don't I want to have

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Speaker 4: Russia and Georgia? Why don't I want to be in

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Speaker 4: Laos and Cambodia and Philippines and Indonesia and Thailand and

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Speaker 4: Japan and South Korea, in Hong Kong and China.

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Speaker 7: Why don't India.

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Speaker 4: Why don't I want all across the content of Africa.

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Speaker 4: Why don't you want to go to Ethiopia? Why don't

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Speaker 4: you want to go to Sedan? Why don't you want

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Speaker 4: to go liberate folks and show them that black folks.

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Speaker 7: Can have global impact?

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Speaker 4: And I think it's a setup that black folks don't

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Speaker 4: have that global impact perspective. I think they've set us

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Speaker 4: up not to want to have global business and be local.

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Speaker 4: That's a setup. That's a mindset that, whether we like

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Speaker 4: it or not, we've been conditioned not to see ourselves

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Speaker 4: as global impactors. Like there's a song called rock Rock

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Speaker 4: the Planet Rock. I took that shit person seriously. Oh wait, wait,

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Speaker 4: you want to rock the planet, Rock the planet rock?

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Speaker 4: Those stop? Like, oh wow, those are coordinates, say no more,

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Speaker 4: let's go rock the planet. I just didn't think it

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Speaker 4: was like a metaphor. Those are serious coordinates to go

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Speaker 4: out do business. Rock Rock the planet, rock, don't stop. Right,

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Speaker 4: that's my whole like, let's get it, let's do it

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Speaker 4: as big as possible.

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Speaker 9: And it's crazy that mentality would be there when it's

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Speaker 9: a fact that hip hop is a global phenomenon and

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Speaker 9: it has been for a very long time, and we

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Speaker 9: just it feels like less and less the United States

346
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Speaker 9: and the and the and the artists here wanting to

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Speaker 9: take advantage of that or go further out of of

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Speaker 9: their areas and see the global impact and the global

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Speaker 9: business they could be doing.

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Speaker 7: Yo, bro, the planet is amazing.

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Speaker 4: It's a beautiful place to be selling stadiums outside of

352
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Speaker 4: the States arenas by yourself. It's it's a beautiful thing to.

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Speaker 7: Be able to do that.

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Speaker 4: And I think because I grew up in an all

355
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Speaker 4: Mexican neighborhood, went to an all white school, black family,

356
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Speaker 4: went to all black urch hung out with Filipinos on

357
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Speaker 4: the weekends. Started your group with a Filipino. That is

358
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Speaker 4: the you're a Ruber's Q of all that? Yeah, that's

359
00:21:08,680 --> 00:21:11,440
Speaker 4: l A and what turned out to be the Black

360
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Speaker 4: Eyed Peace.

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Speaker 1: Because because like the group is so different, right, remember

362
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Speaker 1: I remember the only people that they can compare you

363
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Speaker 1: guys to was like the foojis right, I remember, Oh.

364
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Speaker 4: No, I also looked like white cleff Okay, but we

365
00:21:29,440 --> 00:21:30,119
Speaker 4: looked like twins.

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Speaker 2: Did the comparisons kind of stopped when you guys added

367
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Speaker 2: Fergi to the group.

368
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Speaker 4: No, because the music we were making was it really

369
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Speaker 4: that that? I mean?

370
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Speaker 9: Me as a DJ back then, I didn't never had

371
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Speaker 9: that comparison, Like I never put the I got.

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Speaker 4: I got called white clep, really cleft. I'm like music

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Speaker 4: because looks what if you look like a duct you?

374
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Speaker 4: So that's just the reality. And so I would always

375
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Speaker 4: tell myself the moment somebody calls white cleft, will I am?

376
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Speaker 4: I made it.

377
00:22:10,200 --> 00:22:12,800
Speaker 2: Tonight? So one time, hold on, I love you.

378
00:22:12,880 --> 00:22:14,800
Speaker 7: I love you Clep. That's like my big brother.

379
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Speaker 4: So one time I had had this concert and uh,

380
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Speaker 4: And I was always in my thing like the moment

381
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Speaker 4: because every time we would do a show we opened

382
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Speaker 4: up for the food.

383
00:22:24,440 --> 00:22:25,080
Speaker 7: We opened up for.

384
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Speaker 4: White cleft on the Smoking Goroose to our first tour,

385
00:22:28,080 --> 00:22:29,600
Speaker 4: and they would always be like, why cleft. I'm like,

386
00:22:29,680 --> 00:22:33,320
Speaker 4: I ain't white cleft. Everywhere I'll go, Why cleft? Why clup?

387
00:22:33,600 --> 00:22:36,080
Speaker 4: And so I always told myself the moment somebody calls

388
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Speaker 4: him will I am?

389
00:22:37,480 --> 00:22:38,320
Speaker 7: Is when I make it.

390
00:22:39,440 --> 00:22:42,800
Speaker 4: So one day we're doing a show at the Central Park,

391
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Speaker 4: some girl comes up to me.

392
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Speaker 7: The little girl says, can I take a picture of you?

393
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Speaker 4: Whill I am? And I'm like, oh sure? And then uh,

394
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Speaker 4: he says, uh. The White Cleff comes up, He's like,

395
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Speaker 4: you know, will my daughter really thinks I look like you.

396
00:23:03,640 --> 00:23:04,760
Speaker 4: I'm like made.

397
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Speaker 10: It like that's crazy, But yeah, I don't know if

398
00:23:14,160 --> 00:23:16,719
Speaker 10: it was a daughter of his family member, but I

399
00:23:16,800 --> 00:23:22,480
Speaker 10: love White Cleft like that dude really would like Busta

400
00:23:23,480 --> 00:23:27,359
Speaker 10: Chuck d you know Cypress Hill Mop that would always

401
00:23:27,359 --> 00:23:29,880
Speaker 10: show us love on our first tour, like man, y'all

402
00:23:29,880 --> 00:23:30,320
Speaker 10: got something.

403
00:23:30,400 --> 00:23:32,960
Speaker 4: Y'all dancing out there because we were like dancers, like

404
00:23:33,480 --> 00:23:36,280
Speaker 4: we wanted to dance all the time and differentiate ourselves

405
00:23:36,320 --> 00:23:39,920
Speaker 4: from folks. But yeah, when your heroes give you love

406
00:23:39,960 --> 00:23:46,639
Speaker 4: and show you you know your recipe, they respect your recipe.

407
00:23:46,720 --> 00:23:48,359
Speaker 4: They may not fuck with it one hundred percent, but

408
00:23:48,359 --> 00:23:52,280
Speaker 4: they respect the recipe. That's all you need. And that

409
00:23:52,400 --> 00:23:55,159
Speaker 4: first like nod to like I see what is you're

410
00:23:55,200 --> 00:23:58,399
Speaker 4: trying to do for me? It was easy. That dude

411
00:23:58,480 --> 00:24:04,679
Speaker 4: just like responsible for my audacity, my ambition, and my

412
00:24:04,840 --> 00:24:08,280
Speaker 4: hunt to go out and be an entrepreneur because I

413
00:24:08,320 --> 00:24:12,520
Speaker 4: saw him not only as an artist but a businessman entrepreneur.

414
00:24:12,840 --> 00:24:15,520
Speaker 4: Take breaking the mold, like why would we sign the ruthless?

415
00:24:15,680 --> 00:24:18,320
Speaker 4: But all the people he could have signed when Dre.

416
00:24:18,960 --> 00:24:21,720
Speaker 4: When Ice Cube and Dre left, why would we sign there?

417
00:24:22,760 --> 00:24:24,679
Speaker 4: I have a song with them called Niggas and Jews

418
00:24:25,600 --> 00:24:30,080
Speaker 4: that we recorded in nineteen ninety two, another song called

419
00:24:30,119 --> 00:24:34,040
Speaker 4: Mary motherfucking Christmas say I right, but still like why

420
00:24:34,240 --> 00:24:37,040
Speaker 4: out of all the people in LA and so I

421
00:24:37,080 --> 00:24:40,000
Speaker 4: take that with like that, that's the only stamp you need.

422
00:24:40,119 --> 00:24:42,920
Speaker 4: Go out there and be yourself. Don't have to try

423
00:24:42,920 --> 00:24:45,680
Speaker 4: to fit in like that, try to fit in your

424
00:24:46,400 --> 00:24:50,199
Speaker 4: How can you fit in when you're your shape? You

425
00:24:50,200 --> 00:24:54,680
Speaker 4: don't even see your shape on the board. So there's

426
00:24:54,680 --> 00:24:57,359
Speaker 4: no need for me to fit in. I just build

427
00:24:57,359 --> 00:25:01,680
Speaker 4: a new table. How did you guys? Specifically you guysn't Easy?

428
00:25:02,160 --> 00:25:07,200
Speaker 4: I used to freestyle and at this wrap back competition

429
00:25:07,560 --> 00:25:10,399
Speaker 4: which is battle People, and so he saw me freestyling

430
00:25:10,440 --> 00:25:11,960
Speaker 4: and signed me just off of my freestyle.

431
00:25:12,160 --> 00:25:14,920
Speaker 2: Really so it wasn't Black Eyed Peas, No.

432
00:25:14,800 --> 00:25:16,120
Speaker 7: No, no, it was a group before that.

433
00:25:16,240 --> 00:25:18,359
Speaker 4: We was in a group before the Black Eyed Peas,

434
00:25:19,320 --> 00:25:21,800
Speaker 4: and we recorded from ninety two to three four five,

435
00:25:21,840 --> 00:25:25,800
Speaker 4: and when he passed away in ninety five, that summer

436
00:25:25,920 --> 00:25:27,000
Speaker 4: we started the Black Eyed Peace.

437
00:25:28,640 --> 00:25:30,880
Speaker 9: One thing we've noticed with Easy is we've been hearing

438
00:25:30,880 --> 00:25:33,119
Speaker 9: a lot of stories of people that he was about

439
00:25:33,160 --> 00:25:35,159
Speaker 9: to mess with or he was gonna sign like he

440
00:25:35,200 --> 00:25:37,639
Speaker 9: wasn't just a game. It's incredible how many lies he

441
00:25:38,040 --> 00:25:38,680
Speaker 9: touched for real.

442
00:25:39,240 --> 00:25:42,800
Speaker 7: No, dude, if.

443
00:25:42,640 --> 00:25:45,280
Speaker 4: He never passed away, I think the whole entire music industry,

444
00:25:45,680 --> 00:25:48,960
Speaker 4: this thing called hip hop would be totally different. Wow,

445
00:25:49,359 --> 00:25:53,119
Speaker 4: the force that he was as an entrepreneur, I don't.

446
00:25:53,000 --> 00:25:56,760
Speaker 7: Know who would have the pillars that we have today.

447
00:25:57,080 --> 00:25:59,320
Speaker 4: I don't know if they would have been able to

448
00:25:59,359 --> 00:26:02,720
Speaker 4: get into the room because he was so dominant as

449
00:26:02,760 --> 00:26:09,359
Speaker 4: an entrepreneur. Label head, style creator, genre creator, star Birther,

450
00:26:09,960 --> 00:26:11,800
Speaker 4: this dude just star finder.

451
00:26:12,600 --> 00:26:14,640
Speaker 7: You know, the dude was was impeccable.

452
00:26:16,600 --> 00:26:20,280
Speaker 1: How difficult was it in the nineties where you know,

453
00:26:20,359 --> 00:26:23,160
Speaker 1: gangst the music was was was was was the forefront

454
00:26:23,240 --> 00:26:27,440
Speaker 1: Domina mean and but and like we was pointed out earlier,

455
00:26:27,480 --> 00:26:30,240
Speaker 1: you guys were deliberately making global music.

456
00:26:30,680 --> 00:26:32,800
Speaker 2: Was that was that? Was that difficult?

457
00:26:33,560 --> 00:26:34,240
Speaker 4: Late nineties?

458
00:26:34,320 --> 00:26:37,480
Speaker 2: Yeah, late night I believe you dropped in ninety eight.

459
00:26:37,400 --> 00:26:39,040
Speaker 7: Right, we dropped in ninety eight.

460
00:26:39,080 --> 00:26:41,160
Speaker 4: So at that point in my life, at that point

461
00:26:41,200 --> 00:26:47,000
Speaker 4: in time, like gangster rap was the business.

462
00:26:46,040 --> 00:26:49,120
Speaker 7: And we were like keeping.

463
00:26:48,800 --> 00:26:55,720
Speaker 4: That that boom bap or that musical conscious you know,

464
00:26:57,040 --> 00:27:01,600
Speaker 4: our version of Tribe Alive because I'm a I'm a

465
00:27:01,600 --> 00:27:04,720
Speaker 4: Although we were signing the Roofless, I based my whole

466
00:27:04,840 --> 00:27:09,000
Speaker 4: entire career and my artistry off of se that Q Tip,

467
00:27:09,560 --> 00:27:12,840
Speaker 4: Trap call quest Day, that song Wow, of course, and

468
00:27:12,880 --> 00:27:15,240
Speaker 4: there's this one song Groove Is in the Heart.

469
00:27:16,800 --> 00:27:18,560
Speaker 7: That recipe to me, that's just.

470
00:27:20,600 --> 00:27:22,840
Speaker 4: You know, it's a black dude with a white girl

471
00:27:23,160 --> 00:27:26,760
Speaker 4: with a freaking dance song that's soulful. That's an incredible record,

472
00:27:27,040 --> 00:27:28,959
Speaker 4: you know that that that to be told me like,

473
00:27:29,040 --> 00:27:32,640
Speaker 4: oh wow, that that's the recipe. Every time I see Tip,

474
00:27:33,560 --> 00:27:35,679
Speaker 4: I think I try to think him as much as

475
00:27:35,720 --> 00:27:41,160
Speaker 4: possible because I appreciate him, and now he's almost single

476
00:27:41,160 --> 00:27:44,439
Speaker 4: handedly changed my life, the course of my life with

477
00:27:44,560 --> 00:27:51,720
Speaker 4: his expressiveness, his fearlessness and uh yeah, just how colorful

478
00:27:51,800 --> 00:27:55,600
Speaker 4: he is with his writing is producing. I just wanted

479
00:27:55,600 --> 00:27:57,840
Speaker 4: to do my version of that. And so I really,

480
00:27:58,880 --> 00:28:00,199
Speaker 4: like I said, I don't try to fit and I

481
00:28:00,240 --> 00:28:05,760
Speaker 4: don't try to like, you know, follow the herd. So

482
00:28:05,840 --> 00:28:09,000
Speaker 4: I didn't really mind that, didn't really like, oh man,

483
00:28:09,040 --> 00:28:10,399
Speaker 4: we got to be a little harder.

484
00:28:11,960 --> 00:28:12,719
Speaker 7: I'm cool with that.

485
00:28:13,640 --> 00:28:17,120
Speaker 4: Uh you know, because there was this lyric that pos said,

486
00:28:17,200 --> 00:28:19,440
Speaker 4: fuck being hard, possibly lose is complicated.

487
00:28:20,080 --> 00:28:21,959
Speaker 7: So I'd rather be complicated.

488
00:28:22,240 --> 00:28:25,200
Speaker 4: I'd rather try to take complex stocks and simple simplify

489
00:28:25,240 --> 00:28:26,359
Speaker 4: them being hard.

490
00:28:27,960 --> 00:28:30,280
Speaker 7: I don't want to live a hard life. I want

491
00:28:30,280 --> 00:28:31,240
Speaker 7: to live an easy life.

492
00:28:32,400 --> 00:28:34,879
Speaker 4: So why why do I want to put myself in

493
00:28:34,920 --> 00:28:40,560
Speaker 4: a configuration of hard that represents difficulty? I don't I

494
00:28:40,560 --> 00:28:43,200
Speaker 4: don't want that coming out the projects I want to

495
00:28:43,280 --> 00:28:44,840
Speaker 4: I don't want. I want, like I said, I want

496
00:28:44,840 --> 00:28:51,120
Speaker 4: to go back to my projects and uplifted our records.

497
00:28:51,120 --> 00:28:53,240
Speaker 4: We never talk about the neighborhood we're from. We never

498
00:28:54,160 --> 00:28:55,720
Speaker 4: There's no need to talk when you want to do,

499
00:28:56,720 --> 00:29:00,320
Speaker 4: and so I'd rather do my art, take my pro seeds,

500
00:29:00,560 --> 00:29:06,040
Speaker 4: go back to the neighborhood in a way that is fruitful,

501
00:29:06,680 --> 00:29:12,600
Speaker 4: seed planting, nurturing, mentoring the kids, and involving the community

502
00:29:12,680 --> 00:29:13,360
Speaker 4: in the process.

503
00:29:13,400 --> 00:29:18,120
Speaker 9: You know, but definitely you had to have inserted something

504
00:29:18,200 --> 00:29:20,560
Speaker 9: from the neighborhood and everything you did in the music,

505
00:29:20,560 --> 00:29:23,320
Speaker 9: even if it wasn't evident, even if it wasn't talking

506
00:29:23,360 --> 00:29:24,200
Speaker 9: about the neighborhood.

507
00:29:24,800 --> 00:29:32,240
Speaker 4: Oh, just the fearlessness, like who gives a fuck? You

508
00:29:32,360 --> 00:29:35,040
Speaker 4: got to have that, like, hey, this is what everybody's

509
00:29:35,080 --> 00:29:40,080
Speaker 4: doing so not everybody. I ain't, so it can't be

510
00:29:40,160 --> 00:29:43,880
Speaker 4: that everybody you know so And I get that really

511
00:29:43,920 --> 00:29:46,520
Speaker 4: from like, you know, my mom and my neighborhood. You know,

512
00:29:46,600 --> 00:29:48,640
Speaker 4: the other folks that take care of you when shit's

513
00:29:48,640 --> 00:29:52,360
Speaker 4: hot on the block, you know, bubbles if you listen,

514
00:29:52,400 --> 00:29:58,480
Speaker 4: and thank you so much, Pat Methena. Pat McCarthy recipes

515
00:29:59,440 --> 00:30:04,600
Speaker 4: the Canto Family. You know, all the all the folks

516
00:30:04,680 --> 00:30:08,080
Speaker 4: in the neighborhood that looked after me and my family.

517
00:30:08,840 --> 00:30:13,040
Speaker 4: It was, you know, it was some awesome, awesome times.

518
00:30:14,000 --> 00:30:18,200
Speaker 1: Because like I remember, like one point South was just dominating, right,

519
00:30:18,560 --> 00:30:21,360
Speaker 1: and I remember me even being like influenced by the self,

520
00:30:21,400 --> 00:30:24,479
Speaker 1: like just and I made a Souf style type of record,

521
00:30:24,520 --> 00:30:27,120
Speaker 1: like I was trying to make a record that sounded

522
00:30:27,200 --> 00:30:28,520
Speaker 1: like the time.

523
00:30:29,120 --> 00:30:31,120
Speaker 2: That's something that seems like you never do. You don't

524
00:30:31,160 --> 00:30:34,120
Speaker 2: never follow the trend. You actually make the trend. Oh no, no,

525
00:30:34,160 --> 00:30:37,280
Speaker 2: I have you followed the trim shake that thing?

526
00:30:38,800 --> 00:30:43,000
Speaker 4: Like I did five records like that, okay, or like

527
00:30:43,800 --> 00:30:48,640
Speaker 4: I wasn't ready. Man Sean Paul like when his run

528
00:30:48,760 --> 00:30:50,920
Speaker 4: was I'm like, you know, what is he doing?

529
00:30:52,200 --> 00:30:52,520
Speaker 3: You know.

530
00:30:55,240 --> 00:31:00,480
Speaker 4: Your record? Yes? Uh buddy, Well I was in the studio. Wait, wait,

531
00:31:00,520 --> 00:31:01,880
Speaker 4: what what what's going on here?

532
00:31:02,000 --> 00:31:06,440
Speaker 1: Yes, like, because you're black Mexican and I'm the nigga

533
00:31:06,520 --> 00:31:06,800
Speaker 1: rie kid.

534
00:31:10,320 --> 00:31:15,880
Speaker 4: No, but it's real, like, Yo, thank you, bro. You

535
00:31:15,880 --> 00:31:19,760
Speaker 4: you a part of a whole wave. You You're That

536
00:31:19,960 --> 00:31:23,120
Speaker 4: song is responsible for a lot of people having careers.

537
00:31:23,200 --> 00:31:25,960
Speaker 2: Daddy Yankee. Not not to say I made Daddy Yanke.

538
00:31:26,040 --> 00:31:27,959
Speaker 4: I didn't make all the folks that came after after that.

539
00:31:28,040 --> 00:31:30,240
Speaker 2: Yes, yes, yes, I'm not saying I made him, but

540
00:31:30,360 --> 00:31:33,800
Speaker 2: I remember this is my close friend him.

541
00:31:33,880 --> 00:31:36,080
Speaker 1: In fact, Joe was probably two close people to me.

542
00:31:36,480 --> 00:31:38,120
Speaker 1: They both had secret meetings with me.

543
00:31:38,520 --> 00:31:40,240
Speaker 2: They pulled me to the side to stop doing that

544
00:31:40,560 --> 00:31:43,440
Speaker 2: it hit. They did not want me to do it,

545
00:31:44,040 --> 00:31:45,640
Speaker 2: and I'm glad that they were wrong.

546
00:31:45,840 --> 00:31:48,000
Speaker 9: Yeah, we didn't see it as latinos and hip hop.

547
00:31:48,000 --> 00:31:50,240
Speaker 9: We just we were like sticking to We wanted the

548
00:31:50,280 --> 00:31:53,720
Speaker 9: respect the big puns of Cypriss and and Don. Wasn't

549
00:31:53,720 --> 00:31:55,480
Speaker 9: that for me at the time. So when you did it,

550
00:31:55,520 --> 00:31:57,640
Speaker 9: I was like, I don't know, I got.

551
00:31:57,480 --> 00:31:59,200
Speaker 2: A vision like you. I got a vision like you.

552
00:31:59,280 --> 00:32:02,160
Speaker 2: Like I went to perto Rico and I seen these

553
00:32:02,160 --> 00:32:05,520
Speaker 2: people dance all night and I was like, wait a minute,

554
00:32:05,520 --> 00:32:08,560
Speaker 2: no one's getting stabbed, no one's getting shot. I was

555
00:32:08,680 --> 00:32:10,840
Speaker 2: used to that. I thought a good hip hop party.

556
00:32:10,840 --> 00:32:14,120
Speaker 1: So I'm like, I get shot, got to get stabbed.

557
00:32:14,160 --> 00:32:16,720
Speaker 1: So I just sit there and I was watching these people,

558
00:32:16,800 --> 00:32:19,680
Speaker 1: this woman dancing all night, and I said, I have

559
00:32:19,760 --> 00:32:22,680
Speaker 1: to go to America, even though Puerto Rico is America.

560
00:32:22,760 --> 00:32:24,160
Speaker 1: I was like, I have to go to Puerto Rico

561
00:32:24,480 --> 00:32:26,760
Speaker 1: and I have to tell these DJs start playing these records.

562
00:32:27,320 --> 00:32:30,280
Speaker 2: What happened was, well, the DJs was like, fuck that shit.

563
00:32:30,880 --> 00:32:32,200
Speaker 2: So I was like, all right, cool.

564
00:32:32,000 --> 00:32:33,960
Speaker 1: They're like, I play your shit, Nori, but I'm not

565
00:32:34,000 --> 00:32:36,520
Speaker 1: playing that shit. So the only how for me to

566
00:32:36,560 --> 00:32:39,160
Speaker 1: do it was for me to take them up, take

567
00:32:39,200 --> 00:32:42,000
Speaker 1: a risk, and I gotta tell you, to tell you truth.

568
00:32:42,040 --> 00:32:43,720
Speaker 2: This is real. I don't know if I ever said

569
00:32:43,720 --> 00:32:48,000
Speaker 2: this before Black people cut me off. Black people was like,

570
00:32:48,240 --> 00:32:50,480
Speaker 2: fuck that. You want to be Puerto Rican? Now you

571
00:32:50,520 --> 00:32:52,480
Speaker 2: want to be fully Puerto Rican.

572
00:32:52,520 --> 00:32:53,640
Speaker 4: You always were Puerto Rican.

573
00:32:53,680 --> 00:32:55,360
Speaker 2: I was always Puerto Rican. I'm a half and half.

574
00:32:55,360 --> 00:32:59,480
Speaker 1: I've always been, but that record helped me change the world.

575
00:32:59,480 --> 00:33:02,600
Speaker 2: But I remember you on a Spanish earlier, and I

576
00:33:02,680 --> 00:33:04,880
Speaker 2: remember now that it makes sense now that it makes

577
00:33:04,920 --> 00:33:07,880
Speaker 2: sense because you probably listening to the same ship. I

578
00:33:07,960 --> 00:33:08,360
Speaker 2: was listening.

579
00:33:08,440 --> 00:33:13,480
Speaker 4: Yeah, out traveling the world. You're like, Yo, what's the

580
00:33:13,520 --> 00:33:16,000
Speaker 4: what's the what? What song is that? Like, oh man,

581
00:33:16,040 --> 00:33:19,840
Speaker 4: that's go to DJ Yo, what's this all for? Black

582
00:33:19,840 --> 00:33:20,320
Speaker 4: Eyed Peas?

583
00:33:20,360 --> 00:33:20,479
Speaker 2: Bro?

584
00:33:20,640 --> 00:33:24,240
Speaker 4: Like what you playing on and write it down? I'm like, Yo,

585
00:33:24,320 --> 00:33:27,000
Speaker 4: that's just crazy. So when I when when I when

586
00:33:27,000 --> 00:33:30,240
Speaker 4: I got hip to Daddy Yankee and then he signed

587
00:33:30,240 --> 00:33:33,360
Speaker 4: an in the scope that's what say. Two thousand and four,

588
00:33:34,120 --> 00:33:35,720
Speaker 4: he came to l A and we did a song

589
00:33:35,760 --> 00:33:40,160
Speaker 4: together called uh Playing the pr and then I did

590
00:33:40,800 --> 00:33:43,840
Speaker 4: a couple of other songs with him, Who's your Daddy?

591
00:33:44,720 --> 00:33:49,000
Speaker 7: And and but Daddy Yankee?

592
00:33:49,320 --> 00:33:53,920
Speaker 4: Like, wow, Bro, you like this dude helped birth a

593
00:33:54,000 --> 00:33:58,120
Speaker 4: whole sound of music, broke for a whole like you, bro.

594
00:33:58,240 --> 00:34:00,960
Speaker 1: Daddy Yankee to Dave Dash and then Dave Dad said

595
00:34:01,080 --> 00:34:02,040
Speaker 1: give him some gear.

596
00:34:05,640 --> 00:34:10,919
Speaker 2: Was so embarrassed, Brother Gold. I was like, this guy

597
00:34:11,200 --> 00:34:16,320
Speaker 2: is bust a rounds on stage, Jay on the lyrics

598
00:34:17,520 --> 00:34:20,840
Speaker 2: and nas with the looks. Did I kill that? I

599
00:34:20,880 --> 00:34:23,720
Speaker 2: felt like I killed that just now? And Dame said

600
00:34:24,000 --> 00:34:27,120
Speaker 2: give him some rocking with I was like, sign him.

601
00:34:27,000 --> 00:34:30,200
Speaker 4: Dude, like, like, do you know how all this before

602
00:34:30,280 --> 00:34:32,680
Speaker 4: Jimmy signedists? Yeah, yeah, because.

603
00:34:32,560 --> 00:34:37,319
Speaker 9: Jimmy signed him after. Yeah, And just really quick to

604
00:34:37,360 --> 00:34:39,200
Speaker 9: be fair because you're saying like painting in the way

605
00:34:39,200 --> 00:34:40,200
Speaker 9: that I didn't like it at all.

606
00:34:40,239 --> 00:34:41,400
Speaker 2: But the.

607
00:34:43,000 --> 00:34:46,200
Speaker 9: Early thone artists that broke, like like the Daddy Yankees

608
00:34:46,239 --> 00:34:47,920
Speaker 9: were all because I went to to Puerto Rico in

609
00:34:48,000 --> 00:34:50,560
Speaker 9: early two thousand before it came over here, and they

610
00:34:50,560 --> 00:34:56,080
Speaker 9: were all hardcore mcs on Tony Touch mixtapes and they

611
00:34:56,120 --> 00:34:58,759
Speaker 9: had to resort to doing because you know, and I'm

612
00:34:58,760 --> 00:35:01,160
Speaker 9: sure there's a various verse of the story, but because

613
00:35:01,200 --> 00:35:03,759
Speaker 9: it became the tourist music and the stuff that worked

614
00:35:03,760 --> 00:35:05,920
Speaker 9: in the club for them, you know. So when I

615
00:35:06,000 --> 00:35:07,960
Speaker 9: when one of my homies was a big producer in

616
00:35:08,000 --> 00:35:10,600
Speaker 9: that world, took me to a club, all I'm hearing

617
00:35:10,760 --> 00:35:13,279
Speaker 9: is murder. She wrote looped over and over again with

618
00:35:13,800 --> 00:35:16,680
Speaker 9: Latin patois, you know, Spanish patois, and I'm like, they're like,

619
00:35:16,719 --> 00:35:18,239
Speaker 9: this is gonna this is gonna blow up. I'm like,

620
00:35:18,320 --> 00:35:23,960
Speaker 9: oh man, I don't know. But the the evolution of

621
00:35:24,160 --> 00:35:26,080
Speaker 9: when it came over here with what you did, and

622
00:35:26,120 --> 00:35:29,560
Speaker 9: then everybody that came that evolved into such a bigger

623
00:35:29,640 --> 00:35:30,840
Speaker 9: music than what it started.

624
00:35:30,960 --> 00:35:34,399
Speaker 4: Yeah, and then shout out to and hit it out.

625
00:35:34,880 --> 00:35:39,239
Speaker 3: Yeah, he's the original. He's the original, and he was respected.

626
00:35:39,400 --> 00:35:45,239
Speaker 3: He was respected to that rightfully, rightfully, he's the.

627
00:35:45,160 --> 00:35:48,400
Speaker 9: Godfather and he was respected in Jamaica and all the

628
00:35:48,440 --> 00:35:50,080
Speaker 9: sound says, they all respected him.

629
00:35:50,120 --> 00:35:52,560
Speaker 4: We played them and in our sets like, no, yeah,

630
00:35:53,000 --> 00:35:55,680
Speaker 4: that's what all my cousins look like. Cousins that look

631
00:35:56,120 --> 00:35:59,520
Speaker 4: like I said, they thought we was Pantomania Dominican. Because

632
00:36:00,640 --> 00:36:03,640
Speaker 4: if you want the projects like black family and projects,

633
00:36:03,800 --> 00:36:05,239
Speaker 4: a lot of your and so a lot of your

634
00:36:05,280 --> 00:36:10,280
Speaker 4: your family members date Mexicans, and a Mexican black mix

635
00:36:10,760 --> 00:36:15,800
Speaker 4: looks like a homemade Dominican or they all my family

636
00:36:15,840 --> 00:36:17,560
Speaker 4: looked like that. I got it. I got a cousin

637
00:36:17,640 --> 00:36:19,759
Speaker 4: named Dante with a big as nose. Yes, I called

638
00:36:19,760 --> 00:36:26,400
Speaker 4: you big, call me all like that because your dose

639
00:36:26,480 --> 00:36:30,880
Speaker 4: just big. So I had to because he got me

640
00:36:30,880 --> 00:36:33,920
Speaker 4: at the last family gathering. He said, I'm the only

641
00:36:34,000 --> 00:36:39,239
Speaker 4: vegan with a belly anyway. That's so, yes, I see,

642
00:36:39,280 --> 00:36:42,560
Speaker 4: I'm betting forward. I said, Joe, joke on, because you

643
00:36:42,560 --> 00:36:45,759
Speaker 4: aren't here to defend yourself. But yeah, he looks like

644
00:36:46,000 --> 00:36:48,760
Speaker 4: l n and I like, for real, bro, like twins,

645
00:36:49,880 --> 00:36:50,600
Speaker 4: let me ask.

646
00:36:50,440 --> 00:36:57,640
Speaker 2: You, your music is so fun's so like, what what

647
00:36:57,680 --> 00:37:00,839
Speaker 2: do you love more? Creating the music form into music.

648
00:37:01,880 --> 00:37:04,920
Speaker 4: I like the songs I don't put out merit mar

649
00:37:05,840 --> 00:37:09,200
Speaker 4: I wasn't ready like the songs you don't put out. Yeah.

650
00:37:09,480 --> 00:37:11,080
Speaker 4: So like if I go out and do like a

651
00:37:11,120 --> 00:37:13,600
Speaker 4: global record, like oh man, we're gonna shoot, We're gonna

652
00:37:13,680 --> 00:37:14,719
Speaker 4: hit for the fences on this.

653
00:37:14,640 --> 00:37:15,440
Speaker 2: One, right.

654
00:37:16,000 --> 00:37:18,439
Speaker 4: So after I do that, I go out and do

655
00:37:18,600 --> 00:37:23,480
Speaker 4: like my tribe vibes for me and then if I

656
00:37:23,480 --> 00:37:28,400
Speaker 4: if I because I gotta keep both sides well sharpened, right,

657
00:37:28,640 --> 00:37:31,600
Speaker 4: So if I go out and do like, that's why

658
00:37:31,600 --> 00:37:34,160
Speaker 4: when game, when Game like, hey, I nigga, just go

659
00:37:34,200 --> 00:37:35,520
Speaker 4: to the studio to chop it up. I know you

660
00:37:35,600 --> 00:37:38,400
Speaker 4: got some shit, so I'm like, all right, what you want?

661
00:37:38,560 --> 00:37:40,440
Speaker 4: He was like, you gotta nashit in there. I'm like, yo,

662
00:37:40,480 --> 00:37:43,440
Speaker 4: I got a bunch of nashit. Check this out. This

663
00:37:43,480 --> 00:37:46,040
Speaker 4: is before like in the early two thousands all the

664
00:37:46,080 --> 00:37:48,320
Speaker 4: way to twenty and ten. I just want to record

665
00:37:48,320 --> 00:37:50,200
Speaker 4: with people just to have it in the volte like

666
00:37:50,280 --> 00:37:51,480
Speaker 4: I don't know what I'm gonna do with it, but

667
00:37:51,640 --> 00:37:55,320
Speaker 4: let's just make songs so on on games.

668
00:37:55,320 --> 00:37:56,239
Speaker 7: One of games.

669
00:37:55,960 --> 00:38:00,920
Speaker 4: Records I came with like Snoop Records, NAS Records, and uh,

670
00:38:02,160 --> 00:38:04,360
Speaker 4: but those are all the all the kind of songs

671
00:38:04,400 --> 00:38:09,360
Speaker 4: I do for me and so the stuff I really like.

672
00:38:09,600 --> 00:38:11,040
Speaker 4: If you'd be like, yo, what do you all? The

673
00:38:11,040 --> 00:38:12,480
Speaker 4: ship you got? What do you love the most? And

674
00:38:12,600 --> 00:38:14,160
Speaker 4: be like, oh the ship in my vote.

675
00:38:15,840 --> 00:38:17,360
Speaker 2: Songs that doctor dre syndrome.

676
00:38:18,760 --> 00:38:21,360
Speaker 1: Well you've got like probably fifteen albums in your computer

677
00:38:21,600 --> 00:38:22,760
Speaker 1: and nobody's gonna hear.

678
00:38:23,040 --> 00:38:25,520
Speaker 4: No, Like it's like detox has never coming, like a

679
00:38:25,520 --> 00:38:29,280
Speaker 4: couple of hundred a couple of hundred damn albums.

680
00:38:30,120 --> 00:38:32,040
Speaker 2: Don't lose that laptop.

681
00:38:31,840 --> 00:38:35,759
Speaker 4: And you've never planned on putting any of it out.

682
00:38:38,040 --> 00:38:40,200
Speaker 9: Because couldn't both of those sides of you live the

683
00:38:40,239 --> 00:38:42,600
Speaker 9: global side and then this side of you.

684
00:38:42,640 --> 00:38:53,200
Speaker 4: No for the fans of that, like no, no, because uh,

685
00:38:54,719 --> 00:39:00,160
Speaker 4: I don't want I don't want this sword out. I

686
00:39:00,239 --> 00:39:07,200
Speaker 4: just want this out. This This sword's too sharp, you know.

687
00:39:07,200 --> 00:39:07,400
Speaker 2: What I mean.

688
00:39:07,440 --> 00:39:11,399
Speaker 4: I don't not on a cocky level, but I don't

689
00:39:11,400 --> 00:39:15,920
Speaker 4: want you know, it's just too sharp for because then

690
00:39:16,160 --> 00:39:19,200
Speaker 4: I'm going to get into that I compete. I like

691
00:39:19,280 --> 00:39:24,360
Speaker 4: to compete. I'm a competitive I'm super super competitive, like

692
00:39:24,480 --> 00:39:27,839
Speaker 4: audaciously competitive Tori. I'll compete with ship that you don't

693
00:39:27,840 --> 00:39:28,960
Speaker 4: think I should be competing in.

694
00:39:29,360 --> 00:39:29,760
Speaker 2: Wow.

695
00:39:30,080 --> 00:39:33,200
Speaker 4: And so if I go at this as my career,

696
00:39:34,400 --> 00:39:37,360
Speaker 4: then I'm as the perfectionist that I am, is gonna

697
00:39:37,400 --> 00:39:40,520
Speaker 4: want to make this the sharpest ship. Just shift to that,

698
00:39:40,800 --> 00:39:43,080
Speaker 4: put your attention in that. And so this to me

699
00:39:43,200 --> 00:39:48,120
Speaker 4: is just exercise. It's like a great stretch yoga. It's

700
00:39:48,200 --> 00:39:51,680
Speaker 4: it's it's a stretch before the sprint. It's a stretch

701
00:39:51,760 --> 00:39:56,719
Speaker 4: before the marathon. And this is marathon sprint music. I

702
00:39:56,760 --> 00:40:01,400
Speaker 4: compete here, Well, this maybe it's not best for me

703
00:40:01,480 --> 00:40:05,799
Speaker 4: to compete here. There's not that much room to grow

704
00:40:06,480 --> 00:40:08,920
Speaker 4: to do the work that I need to do for

705
00:40:09,000 --> 00:40:10,800
Speaker 4: the things that I love the most, like my family

706
00:40:10,840 --> 00:40:15,120
Speaker 4: and my community. Like what really, what life am I

707
00:40:15,160 --> 00:40:18,319
Speaker 4: going to change being the dopest battle rapper making the

708
00:40:18,400 --> 00:40:22,520
Speaker 4: sickest beats. I'd rather do that for me for love,

709
00:40:22,960 --> 00:40:26,160
Speaker 4: and I go here and do this work, pile up

710
00:40:27,000 --> 00:40:30,880
Speaker 4: so I could go out and you know, do the

711
00:40:30,920 --> 00:40:33,640
Speaker 4: work that I that I love to do the most.

712
00:40:35,239 --> 00:40:41,200
Speaker 1: We had recently reproducing Bleak's podcast, and Blek.

713
00:40:42,480 --> 00:40:46,239
Speaker 2: Had freeway on and Freeway is saying, how.

714
00:40:48,120 --> 00:40:53,719
Speaker 1: Uh Beanie, Beanie Siegul is using AI to a place

715
00:40:53,800 --> 00:40:57,759
Speaker 1: himself his voice, his voice because you know, Bean's kind

716
00:40:57,760 --> 00:40:59,160
Speaker 1: of lost his voice.

717
00:40:59,840 --> 00:41:02,799
Speaker 9: Like Doc was was like DC looking at said, he's

718
00:41:02,800 --> 00:41:04,360
Speaker 9: not going to do it, right, he said, He's on

719
00:41:04,400 --> 00:41:06,000
Speaker 9: the fence. Like he doesn't, He's on the fence.

720
00:41:06,200 --> 00:41:09,000
Speaker 1: In this case, this was the first time I looked

721
00:41:09,000 --> 00:41:12,080
Speaker 1: at AI like, oh, okay, this is something positive, right,

722
00:41:12,440 --> 00:41:15,480
Speaker 1: because the one thing you could hear Beanie Sigul, you

723
00:41:15,480 --> 00:41:17,719
Speaker 1: can still hear his bars when you hear his new ship,

724
00:41:18,000 --> 00:41:21,040
Speaker 1: but his voice is not the same. Is that something

725
00:41:21,239 --> 00:41:24,560
Speaker 1: that you think is is a positive thing, like in

726
00:41:24,600 --> 00:41:27,360
Speaker 1: the case of DC, in the case of Beingie Siegul

727
00:41:27,440 --> 00:41:28,319
Speaker 1: using AI.

728
00:41:33,320 --> 00:41:39,080
Speaker 4: If they if they own their model, yes that's joke right,

729
00:41:40,320 --> 00:41:45,600
Speaker 4: but we're not there yet the artist currently right now.

730
00:41:46,480 --> 00:41:48,920
Speaker 4: That's what what I'm trying to push for is for

731
00:41:49,000 --> 00:41:53,759
Speaker 4: the artists to own their model. You need your voice, yeah,

732
00:41:54,080 --> 00:41:57,640
Speaker 4: the entire essence whatever creative and like this you need

733
00:41:58,040 --> 00:42:02,439
Speaker 4: artists need to own that their own model, so their

734
00:42:02,440 --> 00:42:08,040
Speaker 4: own tuning. Specifically for the for the AI community, an

735
00:42:08,160 --> 00:42:10,799
Speaker 4: artist should own the tuning of their voice whatever that

736
00:42:10,840 --> 00:42:14,200
Speaker 4: spectrum is, whatever that instance is. The artists should own

737
00:42:14,280 --> 00:42:18,040
Speaker 4: that and the only one should access their voice the moment.

738
00:42:19,360 --> 00:42:21,759
Speaker 4: An artist right now, because there's no regulations, because there's

739
00:42:21,800 --> 00:42:27,680
Speaker 4: no governance, does that and they don't truly truly own it.

740
00:42:28,640 --> 00:42:35,480
Speaker 4: That brings up a whole lot of other things like duping,

741
00:42:36,960 --> 00:42:41,040
Speaker 4: you know, fake newsing, because they're going to be using

742
00:42:41,040 --> 00:42:43,719
Speaker 4: it in ways that you know. That means anybody could

743
00:42:43,719 --> 00:42:46,239
Speaker 4: go in there and type some ship and what if

744
00:42:46,320 --> 00:42:48,440
Speaker 4: and the and the and the and the instance itself

745
00:42:48,480 --> 00:42:53,319
Speaker 4: does not is not trained and tuned around specifics on

746
00:42:53,800 --> 00:42:59,439
Speaker 4: I would never say that. So the AI that most

747
00:42:59,440 --> 00:43:02,239
Speaker 4: people are you is require somebody to go there and

748
00:43:03,120 --> 00:43:06,319
Speaker 4: bus a verse to dy verse and then they do

749
00:43:06,480 --> 00:43:09,359
Speaker 4: New Age AO tune and they wrap it around the

750
00:43:09,400 --> 00:43:12,799
Speaker 4: sounding of somebody's voice. But it still requires a lot

751
00:43:12,800 --> 00:43:16,479
Speaker 4: of these systems, still requires somebody to spit it. There's

752
00:43:16,520 --> 00:43:20,919
Speaker 4: this new system. You don't need none of that. They's

753
00:43:21,000 --> 00:43:26,359
Speaker 4: just from that video that that we did in twenty ten,

754
00:43:26,719 --> 00:43:29,200
Speaker 4: exactly that it says.

755
00:43:29,239 --> 00:43:32,319
Speaker 1: It said in the video, it was like, so we

756
00:43:32,320 --> 00:43:33,640
Speaker 1: don't have to go to the studio no more.

757
00:43:35,880 --> 00:43:40,880
Speaker 4: Holy yo, bro, there's this I had a radio interview today,

758
00:43:41,520 --> 00:43:45,759
Speaker 4: and so after the reinterview that we wrapped up the

759
00:43:45,760 --> 00:43:51,880
Speaker 4: interview right, and we wrapped up the interview, and they

760
00:43:51,920 --> 00:43:54,040
Speaker 4: were like, I got I got some last minute statements

761
00:43:54,520 --> 00:43:57,480
Speaker 4: that I want to add. I summarize our whole entire interview.

762
00:43:57,800 --> 00:44:01,160
Speaker 4: I just want to show you what's possible now. So

763
00:44:01,200 --> 00:44:06,520
Speaker 4: I typed in on the system live live comedic show

764
00:44:07,080 --> 00:44:09,760
Speaker 4: at the laugh Factory, and then I put a summary,

765
00:44:10,200 --> 00:44:12,760
Speaker 4: a quick summary of what we talked about in the meeting,

766
00:44:13,360 --> 00:44:15,800
Speaker 4: and then I threw it through an AI system and

767
00:44:15,960 --> 00:44:23,160
Speaker 4: the AI did this ship. Look hold on, check it out.

768
00:44:25,960 --> 00:44:28,200
Speaker 4: So y'all talking about radio right, y'all talking about how

769
00:44:28,200 --> 00:44:29,359
Speaker 4: something own is going to be new.

770
00:44:29,840 --> 00:44:32,400
Speaker 2: That's like asking a count house throw jump up and fly.

771
00:44:34,960 --> 00:44:40,000
Speaker 4: A MFM is Joe n fm'suse.

772
00:44:40,040 --> 00:44:43,960
Speaker 5: His name is Morning and Night and we are all

773
00:44:44,120 --> 00:44:46,160
Speaker 5: the motherfucking moon now.

774
00:44:47,440 --> 00:44:54,080
Speaker 2: Night time. Oh damn tale, I'm surprised you're gonna have

775
00:44:54,080 --> 00:44:55,080
Speaker 2: a beast bart dre speaker.

776
00:44:55,640 --> 00:45:08,200
Speaker 4: This is Yoshi. So I think that it's not just music, bro,

777
00:45:09,239 --> 00:45:14,200
Speaker 4: These things assimilating crowd laughter, know where to put it at?

778
00:45:14,320 --> 00:45:18,160
Speaker 4: You know, instant bro, that happening. I do some ship

779
00:45:18,239 --> 00:45:20,359
Speaker 4: right now. It was a little freaking same comedic shit

780
00:45:20,400 --> 00:45:24,240
Speaker 4: about and that that's that's, that's where we are now.

781
00:45:24,760 --> 00:45:29,680
Speaker 4: So right now you're making beats, you're competing with somebody

782
00:45:29,680 --> 00:45:33,080
Speaker 4: on the top ten. As as creatives, we're thinking about

783
00:45:33,120 --> 00:45:38,680
Speaker 4: skip rates, we're thinking about like TikTok algorithms. People aren't

784
00:45:38,719 --> 00:45:43,080
Speaker 4: truly being one hundred percent creative right now. We're being

785
00:45:43,120 --> 00:45:47,760
Speaker 4: dictated by algorithms. So when AI music is in effect,

786
00:45:48,040 --> 00:45:52,360
Speaker 4: who do you think is gonna you know, you know,

787
00:45:52,520 --> 00:45:56,279
Speaker 4: flex on the algorithm and understand the algorithm.

788
00:45:55,800 --> 00:45:59,200
Speaker 7: More us or an AI, So the.

789
00:45:59,200 --> 00:46:02,600
Speaker 4: AI will be able to understand the algorithm more than

790
00:46:02,640 --> 00:46:05,960
Speaker 4: we would are guessing at the algorithm. So in a

791
00:46:06,000 --> 00:46:09,680
Speaker 4: real hot second, we need to change our values. We

792
00:46:09,719 --> 00:46:13,120
Speaker 4: need to change like what we really what, what do

793
00:46:13,160 --> 00:46:14,400
Speaker 4: we really appreciate?

794
00:46:14,760 --> 00:46:16,200
Speaker 7: What do we really call dope?

795
00:46:16,760 --> 00:46:16,880
Speaker 11: Right?

796
00:46:17,680 --> 00:46:22,799
Speaker 4: Because if everything has been like really dial down and

797
00:46:22,840 --> 00:46:24,440
Speaker 4: a lot of people out there and be like, nigga,

798
00:46:24,480 --> 00:46:26,399
Speaker 4: what you talking about? Nigga did boom boom pole?

799
00:46:26,480 --> 00:46:26,760
Speaker 2: Nigga?

800
00:46:26,800 --> 00:46:34,359
Speaker 4: That ain't sophisticated, But AI wasn't then there, So now

801
00:46:34,400 --> 00:46:37,480
Speaker 4: these times and now somebody be online be like you're

802
00:46:38,000 --> 00:46:42,239
Speaker 4: what you're really doing? That sophisticated now you're talking all

803
00:46:42,239 --> 00:46:45,520
Speaker 4: that ship what I am right, They're gonna say that

804
00:46:47,080 --> 00:46:50,560
Speaker 4: what you're really doing sophisticated, Nick, I'd be like this

805
00:46:50,719 --> 00:46:59,040
Speaker 4: AI shit, it's sophisticated.

806
00:47:00,960 --> 00:47:02,400
Speaker 2: You ever seen the movie Idiocracy?

807
00:47:03,880 --> 00:47:04,919
Speaker 4: Yeah, that movie is hard.

808
00:47:08,160 --> 00:47:12,359
Speaker 2: It's fucked up because as time got people got old,

809
00:47:12,360 --> 00:47:15,000
Speaker 2: people got dumber. I swear to god, I feel like that.

810
00:47:15,239 --> 00:47:17,239
Speaker 1: I don't think there's no one in his room right

811
00:47:17,280 --> 00:47:19,400
Speaker 1: now that knows that girl's number.

812
00:47:21,120 --> 00:47:22,080
Speaker 2: You know your girl because you.

813
00:47:22,120 --> 00:47:24,360
Speaker 1: Old school you you you're a dinosaur.

814
00:47:24,600 --> 00:47:28,400
Speaker 2: But but but this, like just think about it. Some

815
00:47:28,440 --> 00:47:30,520
Speaker 2: of the most important people of your life you don't.

816
00:47:30,520 --> 00:47:32,279
Speaker 4: You don't know there got more memory retention. I'm talking

817
00:47:32,280 --> 00:47:34,600
Speaker 4: about getting ummerydumb.

818
00:47:33,760 --> 00:47:36,120
Speaker 1: Too, because back in the days, remember we knew everyone's

819
00:47:36,160 --> 00:47:38,200
Speaker 1: nothing when you got locked up. You you knew who

820
00:47:38,239 --> 00:47:40,319
Speaker 1: to call when you got locked Do you think that

821
00:47:40,320 --> 00:47:42,480
Speaker 1: that that's true in time? Because I see you say

822
00:47:42,680 --> 00:47:44,799
Speaker 1: say people are are invested in the AI, but it's

823
00:47:44,800 --> 00:47:47,160
Speaker 1: not invested into HI human.

824
00:47:47,880 --> 00:47:50,080
Speaker 7: When you said that, that was yeah, so.

825
00:47:51,560 --> 00:47:56,400
Speaker 4: Uh in this age, Okay, I have my foundation and

826
00:47:56,440 --> 00:47:59,680
Speaker 4: I got my AI stuff. The reason why I say

827
00:47:59,680 --> 00:48:02,560
Speaker 4: that is because it's easy. It's been easier for me

828
00:48:02,600 --> 00:48:05,040
Speaker 4: to raise money for AI than it is for me

829
00:48:05,080 --> 00:48:08,560
Speaker 4: to go raise money for my philanthropy for HI. I know,

830
00:48:08,680 --> 00:48:14,719
Speaker 4: I'm not just saying that like theoretically, like actually, and

831
00:48:14,760 --> 00:48:17,279
Speaker 4: it breaks my heart that like, damn, all right, we've

832
00:48:17,360 --> 00:48:19,359
Speaker 4: raised all this money for this AI, but damn it's

833
00:48:19,360 --> 00:48:21,920
Speaker 4: like really hard pinch and pennies to get folks to

834
00:48:22,080 --> 00:48:27,600
Speaker 4: like donate for HI. To your point on like memory retention,

835
00:48:30,719 --> 00:48:33,120
Speaker 4: we have that issue, but then we also have critical thinking.

836
00:48:33,760 --> 00:48:36,840
Speaker 7: That's part like the critical thinking, there's no real.

837
00:48:38,520 --> 00:48:44,800
Speaker 4: There's nothing in society that we celebrate where it's about

838
00:48:44,880 --> 00:48:48,320
Speaker 4: critical thinking and rewarding people for being awesome critical thinkers.

839
00:48:49,320 --> 00:48:55,600
Speaker 4: We reward people for bullshit posts, the most disrespectful things

840
00:48:55,880 --> 00:48:59,480
Speaker 4: we do to each other. On lyric and song, we

841
00:48:59,520 --> 00:49:05,400
Speaker 4: reward folks for you know what Torquin's exercise, I'm joking.

842
00:49:07,320 --> 00:49:08,040
Speaker 2: Look at it like that.

843
00:49:09,520 --> 00:49:17,680
Speaker 4: You know, the abdominal muscles, How awesome they got? You understand, right,

844
00:49:19,840 --> 00:49:21,680
Speaker 4: not to I don't want to like shun nobody, but

845
00:49:22,640 --> 00:49:24,960
Speaker 4: the things that we celebrate in society as a whole

846
00:49:26,040 --> 00:49:30,840
Speaker 4: doesn't really push and celebrate awesome critical thinking. And so

847
00:49:32,440 --> 00:49:37,279
Speaker 4: like body dysmorphia, because the filter entered now we have

848
00:49:37,440 --> 00:49:41,400
Speaker 4: more plastic surgeries for generations of people that don't necessarily

849
00:49:41,400 --> 00:49:44,080
Speaker 4: need plastic surgery because they want to look like the filter.

850
00:49:44,760 --> 00:49:48,480
Speaker 4: That's crazy. That means in the next ten years you're

851
00:49:48,520 --> 00:49:52,799
Speaker 4: going to have psychological conversation on mental dysmorphia because people

852
00:49:52,840 --> 00:49:57,600
Speaker 4: would rather use an AI clone of them voice to

853
00:49:57,680 --> 00:49:59,880
Speaker 4: speak for them. You can be talking to somebody on

854
00:50:00,080 --> 00:50:03,319
Speaker 4: phone be like, Yo, man, I just love this girl. Bro. Yeah, Bro,

855
00:50:03,440 --> 00:50:05,480
Speaker 4: she like make me feel some cop of way, like

856
00:50:05,680 --> 00:50:10,600
Speaker 4: I'm really fuck with a heavy turns out. The past

857
00:50:10,640 --> 00:50:13,240
Speaker 4: six months, you've been talking to her AI. In twenty

858
00:50:13,280 --> 00:50:16,359
Speaker 4: twenty eight, twenty twenty eight, you've been talking to her

859
00:50:16,400 --> 00:50:19,719
Speaker 4: AI and then finally she's like, I cool, Like my

860
00:50:19,800 --> 00:50:22,880
Speaker 4: AI told me you cool, So let's go out. So

861
00:50:22,920 --> 00:50:29,160
Speaker 4: you're gonna go out, and you'd be like, hey, uh you.

862
00:50:28,640 --> 00:50:31,520
Speaker 7: You hella different from my person.

863
00:50:32,200 --> 00:50:36,680
Speaker 4: You conversational mentally catfish me because the depth of your

864
00:50:36,719 --> 00:50:42,440
Speaker 4: intelligence is not what you have on your abundance of

865
00:50:42,520 --> 00:50:43,200
Speaker 4: knowledge bop.

866
00:50:43,719 --> 00:50:47,640
Speaker 8: That reflects your higher self right, your humor, everything.

867
00:50:47,800 --> 00:50:51,480
Speaker 4: So the same way we have filters and live in

868
00:50:51,480 --> 00:50:55,840
Speaker 4: the world where you know that's the preference of people

869
00:50:56,080 --> 00:51:01,520
Speaker 4: prefer you're gonna have some version of that when you're

870
00:51:01,600 --> 00:51:06,920
Speaker 4: talking to somebody facetiming them or virtual calling them, And

871
00:51:07,000 --> 00:51:11,560
Speaker 4: in twenty twenty nine you realize that you love the

872
00:51:11,600 --> 00:51:16,400
Speaker 4: bodified version of themselves than the actual self. That's like

873
00:51:16,480 --> 00:51:20,360
Speaker 4: twenty twenty nine like how we predicted that AI for

874
00:51:20,440 --> 00:51:24,480
Speaker 4: the music. Unfortunately, if we don't get our shit together

875
00:51:24,520 --> 00:51:29,040
Speaker 4: and start like valuing like real human connections and like

876
00:51:29,760 --> 00:51:35,520
Speaker 4: how people can take their thoughts synthesize them into words

877
00:51:35,560 --> 00:51:38,879
Speaker 4: to where you really understand what they're saying, and that's

878
00:51:38,880 --> 00:51:39,719
Speaker 4: what we celebrate.

879
00:51:40,560 --> 00:51:41,200
Speaker 7: That's what we like.

880
00:51:41,280 --> 00:51:45,120
Speaker 4: Yo, I fuckxed with that because if you look at

881
00:51:45,280 --> 00:51:49,200
Speaker 4: how we are behaving in society, we go to shows

882
00:51:50,400 --> 00:51:54,080
Speaker 4: and not dissing nobody, but we go to shows people

883
00:51:54,200 --> 00:51:58,719
Speaker 4: are singing over the lyric, which is cool, it's a

884
00:51:58,719 --> 00:52:02,759
Speaker 4: different way of performing it's but then but then the

885
00:52:02,800 --> 00:52:08,680
Speaker 4: audience is watching it through a screen watching it, so

886
00:52:09,200 --> 00:52:11,319
Speaker 4: you you take a look at like, wow, look at

887
00:52:11,320 --> 00:52:14,000
Speaker 4: this behavior to people actually know what this means. If

888
00:52:14,000 --> 00:52:17,399
Speaker 4: you see this trajectory around the corner, what does that

889
00:52:17,440 --> 00:52:20,560
Speaker 4: mean with human interactions? What does that mean as far

890
00:52:20,600 --> 00:52:22,840
Speaker 4: as how empathetic we are with one another?

891
00:52:23,000 --> 00:52:23,799
Speaker 7: What does that mean?

892
00:52:24,560 --> 00:52:27,080
Speaker 4: When the thing that we celebrate the most is how

893
00:52:27,120 --> 00:52:30,880
Speaker 4: disrespectful we can be to one another, like Nigga, that

894
00:52:30,880 --> 00:52:32,800
Speaker 4: actually was hard. Nigga, you just said you're going to

895
00:52:32,840 --> 00:52:37,359
Speaker 4: shoot his mom and go and then that was a bar.

896
00:52:38,920 --> 00:52:44,080
Speaker 4: That was a bar, and that it's our world. That's

897
00:52:44,120 --> 00:52:46,520
Speaker 4: the things we celebrate. That the thing we think is awesome.

898
00:52:47,080 --> 00:52:50,720
Speaker 4: So if the whole AI is trained on the open

899
00:52:51,120 --> 00:52:54,800
Speaker 4: Wide Web, well what is AI?

900
00:52:54,880 --> 00:52:55,640
Speaker 7: What are we teaching it?

901
00:52:56,960 --> 00:53:00,239
Speaker 4: If you tell AI to be super creative, it's going

902
00:53:00,280 --> 00:53:03,000
Speaker 4: to say I'm gonna kill all y'all, I'm gonna shoot

903
00:53:03,000 --> 00:53:05,600
Speaker 4: your mom, I'm gonna shoot your dog. Because we're training it, right,

904
00:53:06,600 --> 00:53:11,680
Speaker 4: So we are training a system. Wow, we gotta be

905
00:53:11,719 --> 00:53:16,799
Speaker 4: careful on what we're burthing, right, And so it's us.

906
00:53:16,840 --> 00:53:19,800
Speaker 4: It's a reflection of us. It's a reflection of our hate.

907
00:53:20,040 --> 00:53:23,000
Speaker 4: It's a reflection of our neglect. It's a reflection of

908
00:53:23,080 --> 00:53:27,600
Speaker 4: our lack of empathy, our lack of communication, collaboration, understanding,

909
00:53:27,640 --> 00:53:30,799
Speaker 4: and tolerance. It's a reflection of all that hate. The

910
00:53:30,880 --> 00:53:35,640
Speaker 4: Internet is dark, but then there's also some bright spots.

911
00:53:36,160 --> 00:53:39,160
Speaker 4: You want to start aiming this intelligence to the bright

912
00:53:39,200 --> 00:53:41,520
Speaker 4: spots and take those bright spots and spread it across

913
00:53:41,560 --> 00:53:44,480
Speaker 4: the net. How much hateful can we be to one another?

914
00:53:44,600 --> 00:53:44,960
Speaker 2: Congo?

915
00:53:45,200 --> 00:53:47,680
Speaker 4: How much hateful can we be to one another? Slavery?

916
00:53:47,880 --> 00:53:50,520
Speaker 4: How much hateful can we be to one another? You know?

917
00:53:50,840 --> 00:53:54,440
Speaker 4: The Holocaust? How much hateful can we be to one another?

918
00:53:54,600 --> 00:53:57,319
Speaker 4: The Armenian genocide? How much hateful can we be to

919
00:53:57,360 --> 00:54:00,160
Speaker 4: one another? Palestine? How much hateful can we be to

920
00:54:00,200 --> 00:54:03,480
Speaker 4: one other? Why are we doing that? It's a whole

921
00:54:03,520 --> 00:54:08,719
Speaker 4: new age of enlightenment and intelligence and intelligence wh community

922
00:54:09,080 --> 00:54:17,439
Speaker 4: is going to lead that inspirational commonality figuring out the

923
00:54:17,560 --> 00:54:19,120
Speaker 4: likeness that we have with one another.

924
00:54:20,080 --> 00:54:21,680
Speaker 7: As this AI comes and.

925
00:54:23,120 --> 00:54:27,440
Speaker 4: Renders certain jobs away, and the folks that sat in

926
00:54:27,440 --> 00:54:31,880
Speaker 4: the lap of luxury are now uncomfortable. The folks that

927
00:54:31,920 --> 00:54:34,560
Speaker 4: have been struggling this whole time can now use this

928
00:54:34,640 --> 00:54:38,719
Speaker 4: technology to finally solve the problems that have always been ignored.

929
00:54:39,400 --> 00:54:41,439
Speaker 4: So this is an awesome time for people from the hood.

930
00:54:41,440 --> 00:54:44,000
Speaker 4: That awesome time for people and favelas, awesome time for

931
00:54:44,040 --> 00:54:46,520
Speaker 4: people from slums, awesome time for folks that have been

932
00:54:46,560 --> 00:54:49,600
Speaker 4: dealing with bullshit the whole life and waiting for somebody

933
00:54:49,640 --> 00:54:51,799
Speaker 4: to solve their problems. Now they could solve it, have

934
00:54:51,840 --> 00:54:54,600
Speaker 4: a conversation with the freaking tool to help the tool

935
00:54:54,680 --> 00:54:57,680
Speaker 4: identify what the problem is and help their critical thinking

936
00:54:57,840 --> 00:55:01,440
Speaker 4: solve a problem. The shoes will come. It's an awesome

937
00:55:01,440 --> 00:55:03,000
Speaker 4: time right now on this new renaissance.

938
00:55:06,440 --> 00:55:08,640
Speaker 1: I show is about giving people their flowers, and we

939
00:55:08,800 --> 00:55:10,439
Speaker 1: gotta give you your flowers face to face.

940
00:55:10,520 --> 00:55:12,920
Speaker 2: Man, Man, tell you how great you are. You know

941
00:55:12,960 --> 00:55:14,480
Speaker 2: what I mean. We don't have to get snoop doggs.

942
00:55:19,080 --> 00:55:21,120
Speaker 4: We wanted to because.

943
00:55:20,840 --> 00:55:23,439
Speaker 1: Man, man, I ain't gonna lie to you. I could

944
00:55:23,440 --> 00:55:28,320
Speaker 1: listen to you talk all day. You are fucking you are.

945
00:55:28,360 --> 00:55:30,680
Speaker 1: Like if I ever went back to school and I

946
00:55:30,719 --> 00:55:33,279
Speaker 1: know you you going to Harvard. Oh I graduated this year?

947
00:55:33,400 --> 00:55:34,600
Speaker 2: Graduate?

948
00:55:36,239 --> 00:55:37,160
Speaker 4: Hey, I never.

949
00:55:38,680 --> 00:55:39,759
Speaker 7: I never graduated.

950
00:55:39,880 --> 00:55:44,360
Speaker 4: Uh was in high school or high school? Or I

951
00:55:44,440 --> 00:55:49,640
Speaker 4: never walked the stage to graduate Harvard. The reason why,

952
00:55:49,680 --> 00:55:52,000
Speaker 4: there's the reason why I didne graduated the stage on

953
00:55:52,080 --> 00:55:55,319
Speaker 4: high school. So the guy that I started Black Eyed

954
00:55:55,320 --> 00:55:58,360
Speaker 4: Peace with is Apple d App the Filipino cap and

955
00:55:58,440 --> 00:56:02,080
Speaker 4: the Black Eyed Peas, And so he got adopted from

956
00:56:02,080 --> 00:56:04,719
Speaker 4: this man by the name of Joe Ben Hudgens. You

957
00:56:04,760 --> 00:56:07,960
Speaker 4: know those programs on TV just twenty five Save this kid,

958
00:56:08,480 --> 00:56:09,800
Speaker 4: Apple was one of those kids.

959
00:56:09,960 --> 00:56:12,160
Speaker 7: Wow, he's from the Philippines. Used to pump water off

960
00:56:12,200 --> 00:56:12,520
Speaker 7: the ground.

961
00:56:12,760 --> 00:56:14,680
Speaker 2: You're talking about those kids existed.

962
00:56:14,560 --> 00:56:19,160
Speaker 4: Yeah, I forgot.

963
00:56:19,200 --> 00:56:21,440
Speaker 2: I gave money to do it to a shirt. They

964
00:56:21,840 --> 00:56:23,320
Speaker 2: give me my shirt ahead.

965
00:56:23,520 --> 00:56:25,040
Speaker 7: So Apple was one of those kids, right.

966
00:56:25,640 --> 00:56:29,680
Speaker 4: And he came to America when he was fourteen and

967
00:56:30,480 --> 00:56:32,439
Speaker 4: his dad brought him to America to go to school

968
00:56:32,480 --> 00:56:35,640
Speaker 4: to be an engineer. And then he met me because

969
00:56:35,640 --> 00:56:38,080
Speaker 4: my mom was like the mom in the neighborhood that

970
00:56:38,080 --> 00:56:40,560
Speaker 4: took care of everybody's kids. So they signed my mom

971
00:56:40,680 --> 00:56:44,160
Speaker 4: up to take care of Alan Apple when until they

972
00:56:44,320 --> 00:56:48,640
Speaker 4: enrolled him into school. So from fourteen fifteen sixteen, by sixteen,

973
00:56:48,760 --> 00:56:50,799
Speaker 4: me and this cat was signed the ruthless. He only

974
00:56:50,840 --> 00:56:53,719
Speaker 4: been in America for two years. But because he was

975
00:56:53,760 --> 00:56:57,200
Speaker 4: off my friend and he was like, look meigga, you dou'tegga,

976
00:56:57,200 --> 00:56:58,840
Speaker 4: we're gonna sign you. I'm like, but I got my

977
00:56:58,840 --> 00:57:01,520
Speaker 4: homeboys with me. Hey, but that nigga don't even know speak,

978
00:57:01,520 --> 00:57:06,600
Speaker 4: don't eat. Yeah, but he wraps into Gallug and there's

979
00:57:06,600 --> 00:57:11,600
Speaker 4: a whole big Filipino community. He wraps into Gallug and

980
00:57:11,600 --> 00:57:15,040
Speaker 4: there's a big Filipino community. You know, it's Mexican dude

981
00:57:15,080 --> 00:57:21,919
Speaker 4: and Mookie Me and then Apple. So this cat he's

982
00:57:21,960 --> 00:57:24,640
Speaker 4: only been in America for two years, and then he was

983
00:57:24,640 --> 00:57:28,040
Speaker 4: about to graduate and our graduation was the same day.

984
00:57:29,400 --> 00:57:31,840
Speaker 4: So I'm like, dude, what am I gonna do? Am

985
00:57:31,880 --> 00:57:34,760
Speaker 4: I gonna go to my graduation? Should I go to

986
00:57:34,840 --> 00:57:39,160
Speaker 4: his graduation? I want to see him graduate? So I'm like, alright,

987
00:57:39,200 --> 00:57:42,320
Speaker 4: fuck it. Look, I'm just gonna did school. This my

988
00:57:42,400 --> 00:57:44,960
Speaker 4: graduation and I'm gonna go to his. So I go

989
00:57:45,000 --> 00:57:47,520
Speaker 4: to his graduation. He's like, what you doing here? I

990
00:57:47,560 --> 00:57:50,160
Speaker 4: was like, Nigga, I came and see you graduate. Like

991
00:57:50,160 --> 00:57:51,640
Speaker 4: this shit is crazy to me. You only been in

992
00:57:51,680 --> 00:57:53,840
Speaker 4: this country for two and a half years and you're

993
00:57:53,800 --> 00:57:56,040
Speaker 4: about to graduate. Bro, Like I am missing this for

994
00:57:56,120 --> 00:57:59,400
Speaker 4: the world. He's like, what about your graduation? I'm like, bro,

995
00:58:00,040 --> 00:58:02,640
Speaker 4: don't trip about that. We signed We signed an easy

996
00:58:03,080 --> 00:58:04,880
Speaker 4: we signed a Ruthless Records, Like it might.

997
00:58:04,760 --> 00:58:08,200
Speaker 2: Be the best story I've ever heard. Like, yo, bro, like.

998
00:58:09,840 --> 00:58:12,560
Speaker 4: We're about to do this, man, We're about to freaking

999
00:58:12,600 --> 00:58:16,000
Speaker 4: make this shit happen. We sign easy e Bro Ruthu's records.

1000
00:58:16,000 --> 00:58:18,120
Speaker 2: Like, I'm why do.

1001
00:58:18,120 --> 00:58:22,000
Speaker 4: I need to graduate? On stage? I got my diploma.

1002
00:58:22,440 --> 00:58:25,280
Speaker 4: I don't need to be on stage. I want to

1003
00:58:25,280 --> 00:58:28,960
Speaker 4: see you walk the stage. So because the reason why

1004
00:58:29,080 --> 00:58:31,520
Speaker 4: is like when he came here when he was fourteen,

1005
00:58:31,560 --> 00:58:34,160
Speaker 4: he would be crying before he went home, like missing three,

1006
00:58:34,280 --> 00:58:38,400
Speaker 4: I want to go home through the Philippines. I'm like, Yo, bro,

1007
00:58:38,680 --> 00:58:40,720
Speaker 4: we're gonna make it. Bro, don't don't trip. We'll go

1008
00:58:40,800 --> 00:58:47,200
Speaker 4: back to the Philippines. Don't worry, Bro, We're gonna We're

1009
00:58:47,200 --> 00:58:49,600
Speaker 4: gonna make it happen. So to me, like this dude

1010
00:58:50,160 --> 00:58:53,600
Speaker 4: is like my best freaking friendly. When I was like

1011
00:58:53,640 --> 00:58:56,280
Speaker 4: in the projects, it was a time like when you're fourteen,

1012
00:58:56,400 --> 00:59:03,600
Speaker 4: like the ogs started recruiting the young kids, and I

1013
00:59:03,640 --> 00:59:05,280
Speaker 4: remember it was a time they were like, hey, they

1014
00:59:05,280 --> 00:59:10,840
Speaker 4: want to jump you in. I was like, what do

1015
00:59:10,840 --> 00:59:12,400
Speaker 4: you mean? He was like, they want to jump you in.

1016
00:59:13,960 --> 00:59:15,920
Speaker 4: You know what the means food, don't be eleven homes

1017
00:59:16,520 --> 00:59:19,800
Speaker 4: and so what they wanted to jump into the the neighborhood.

1018
00:59:21,000 --> 00:59:24,760
Speaker 4: And so I was like all right, all right, So

1019
00:59:24,840 --> 00:59:27,960
Speaker 4: I got jumped in, and so somebody runs to my

1020
00:59:28,000 --> 00:59:30,760
Speaker 4: mom's to my house and was like a damn broun.

1021
00:59:31,000 --> 00:59:35,320
Speaker 4: They're jumping Willie into the game. So here comes my

1022
00:59:35,360 --> 00:59:47,120
Speaker 4: mom like them up, now jump them out. So then

1023
00:59:47,120 --> 00:59:50,000
Speaker 4: they jumped me out and then uh then then I

1024
00:59:50,040 --> 00:59:52,480
Speaker 4: go back into the house and they whooped me.

1025
00:59:52,840 --> 00:59:55,000
Speaker 7: Then she whooped me again. I got I got whooped.

1026
00:59:54,640 --> 01:00:02,520
Speaker 4: Three times, then out the gang and then and Mama gag.

1027
01:00:04,160 --> 01:00:06,960
Speaker 4: And so what I was hanging with Apple, that was

1028
01:00:07,000 --> 01:00:09,480
Speaker 4: just like to me, it's like, oh look, we a Glendale.

1029
01:00:09,520 --> 01:00:12,240
Speaker 7: Now we're going to house parties. We got a deal.

1030
01:00:12,720 --> 01:00:16,200
Speaker 4: I need to go see this capital to graduate. And

1031
01:00:16,240 --> 01:00:19,040
Speaker 4: so now graduating Harvard the first time I'm ever going

1032
01:00:19,040 --> 01:00:20,280
Speaker 4: to graduate on a stage.

1033
01:00:21,120 --> 01:00:26,040
Speaker 2: I'm coming to this graduation. God damn it. I'm sorry.

1034
01:00:27,520 --> 01:00:29,560
Speaker 2: That's ship. That's the That's one of the best stories

1035
01:00:30,240 --> 01:00:34,840
Speaker 2: I think I've ever heard that. But that shows the

1036
01:00:35,360 --> 01:00:36,160
Speaker 2: man that you are.

1037
01:00:36,280 --> 01:00:38,600
Speaker 1: You understand them saying is that you rale to put

1038
01:00:38,640 --> 01:00:41,680
Speaker 1: someone else before you and that that's that's that's very honorable.

1039
01:00:41,680 --> 01:00:42,320
Speaker 2: Man.

1040
01:00:43,240 --> 01:00:47,640
Speaker 1: That's listen. I'm cool with Fat Joe. Here's the best

1041
01:00:47,680 --> 01:00:49,760
Speaker 1: stories in the world. This might you might have topped

1042
01:00:49,760 --> 01:00:50,760
Speaker 1: Fat Joe with this one.

1043
01:00:52,280 --> 01:00:52,760
Speaker 4: Bad Joe.

1044
01:00:52,760 --> 01:00:55,080
Speaker 7: That dude is like man, that dude is another one

1045
01:00:55,080 --> 01:00:55,720
Speaker 7: of my heroes.

1046
01:00:56,480 --> 01:00:58,120
Speaker 2: He's mad at me because I could grow my hair out.

1047
01:00:58,560 --> 01:00:59,440
Speaker 2: He can't.

1048
01:01:01,720 --> 01:01:02,520
Speaker 7: Is that spray hair?

1049
01:01:04,680 --> 01:01:05,720
Speaker 4: He got the stray.

1050
01:01:14,360 --> 01:01:15,160
Speaker 2: Let me want.

1051
01:01:18,240 --> 01:01:22,040
Speaker 4: Hey, hey, don't trip. We could develop that.

1052
01:01:23,200 --> 01:01:23,600
Speaker 2: I got a.

1053
01:01:23,600 --> 01:01:26,280
Speaker 12: Great idea, said, bro, you can develop that.

1054
01:01:27,320 --> 01:01:28,600
Speaker 4: I can't give you instant waves.

1055
01:01:28,720 --> 01:01:31,840
Speaker 2: Broa right now, I.

1056
01:01:32,360 --> 01:01:35,200
Speaker 1: Have here twenty years. You know, I'm blowing it out.

1057
01:01:35,240 --> 01:01:37,240
Speaker 1: I'm growing it out. This is what happened. I've seen

1058
01:01:37,240 --> 01:01:38,920
Speaker 1: the barber's clippers. I didn't like it.

1059
01:01:39,800 --> 01:01:41,560
Speaker 2: I said this, I said, you can shake me up,

1060
01:01:41,800 --> 01:01:43,760
Speaker 2: and then I grew it up. My wife man asked

1061
01:01:43,800 --> 01:01:46,240
Speaker 2: me to grow rule here. Yeah, but for years. So

1062
01:01:46,840 --> 01:01:48,520
Speaker 2: so what we're gonna do. We're gonna play this quick

1063
01:01:48,560 --> 01:01:50,680
Speaker 2: time of slide. Can you please explain the rules. I

1064
01:01:50,720 --> 01:01:51,880
Speaker 2: like the way you explaining.

1065
01:01:51,520 --> 01:01:54,880
Speaker 9: The rules were terrible to explain these. We're gonna give

1066
01:01:54,880 --> 01:01:57,080
Speaker 9: you two choices. This is our drinking game. By the way,

1067
01:01:57,360 --> 01:02:00,760
Speaker 9: We're gonna get two choices. You pick one, nobody drinks.

1068
01:02:01,120 --> 01:02:03,240
Speaker 9: You say both or neither, which would be the politically

1069
01:02:03,240 --> 01:02:06,120
Speaker 9: correct answer. Then we all drink, all three of us drink.

1070
01:02:06,640 --> 01:02:08,600
Speaker 1: By the way, I want to give you props again,

1071
01:02:10,480 --> 01:02:17,720
Speaker 1: he's the only person ever to order sake. I want

1072
01:02:17,840 --> 01:02:20,560
Speaker 1: I want that Japanese. I drink Japanese whiskey. So I

1073
01:02:20,680 --> 01:02:21,680
Speaker 1: wasn't far away from you.

1074
01:02:21,920 --> 01:02:23,080
Speaker 7: It's a it's a it's a creeper.

1075
01:02:23,280 --> 01:02:24,800
Speaker 2: But sake saki.

1076
01:02:24,800 --> 01:02:26,840
Speaker 1: I'm gonna be honest with you. You gotta you gotta know

1077
01:02:26,880 --> 01:02:29,840
Speaker 1: the right amount of saki to drink like. I like

1078
01:02:29,880 --> 01:02:30,960
Speaker 1: it hot, I like it hot.

1079
01:02:30,840 --> 01:02:32,880
Speaker 4: I like unfiltered.

1080
01:02:33,000 --> 01:02:35,160
Speaker 2: Yeah, okay, okay. So I'm gonna started.

1081
01:02:34,960 --> 01:02:38,440
Speaker 9: Off, and any stories that come up with anybody we mentioned, please.

1082
01:02:38,280 --> 01:02:44,000
Speaker 2: Yes, please? Okay you ready, yep? Hold on? You got jam,

1083
01:02:44,080 --> 01:02:48,320
Speaker 2: you got you got the shots? Ready? M okay? Ready? Well,

1084
01:02:50,160 --> 01:02:51,840
Speaker 2: Tupac or easy?

1085
01:02:54,880 --> 01:02:57,320
Speaker 4: Oh hold on? Let me let me focus on that one.

1086
01:02:57,440 --> 01:03:01,520
Speaker 9: You can say both or neither or one. Expand on

1087
01:03:01,600 --> 01:03:02,600
Speaker 9: the story with any of them?

1088
01:03:02,640 --> 01:03:02,960
Speaker 4: Please?

1089
01:03:03,520 --> 01:03:04,200
Speaker 2: Did you meet Pop?

1090
01:03:06,760 --> 01:03:08,680
Speaker 4: I got a story about POC please.

1091
01:03:08,440 --> 01:03:09,560
Speaker 2: I would like to hear it. Here we go.

1092
01:03:11,200 --> 01:03:12,080
Speaker 4: We'll let him pick first.

1093
01:03:12,080 --> 01:03:15,240
Speaker 2: We be okay and go yeah okay, So.

1094
01:03:17,680 --> 01:03:19,600
Speaker 7: Tupac are easy for what though?

1095
01:03:20,320 --> 01:03:23,160
Speaker 2: Whatever? It's whatever in your mind, drinking gay drink.

1096
01:03:23,200 --> 01:03:26,240
Speaker 4: You're just drinking and talking. So you pick one, y'all.

1097
01:03:26,240 --> 01:03:27,280
Speaker 7: Don't go into the details.

1098
01:03:27,400 --> 01:03:30,400
Speaker 2: No, no, no, you can go to details details.

1099
01:03:30,720 --> 01:03:31,959
Speaker 7: This is entrepreneurship.

1100
01:03:32,000 --> 01:03:33,520
Speaker 2: Easy, okay, okay, okay.

1101
01:03:33,680 --> 01:03:36,920
Speaker 4: So you're pick it easy, okay. So what's your Tupac story? Okay?

1102
01:03:37,280 --> 01:03:39,480
Speaker 4: So me and Apple best friends, right, started the Black

1103
01:03:39,480 --> 01:03:45,200
Speaker 4: Eyed Peas together, and so, okay, I can get we

1104
01:03:45,200 --> 01:03:46,160
Speaker 4: can get real detail here.

1105
01:03:46,240 --> 01:03:49,360
Speaker 2: Yeah, no, just do whatever please. So it's your show.

1106
01:03:49,560 --> 01:03:55,520
Speaker 4: It's nineteen ninety four from nineteen Okay, he's nineteen.

1107
01:03:55,800 --> 01:03:59,120
Speaker 2: Okay, I'm a virgin. Okay, Wow, he's not.

1108
01:03:59,440 --> 01:04:03,800
Speaker 4: Okay, And he had this girlfriend like she looked like

1109
01:04:04,240 --> 01:04:08,720
Speaker 4: freaking uh Rosie Perez. Bro. She was beautiful Puerto Rican

1110
01:04:08,760 --> 01:04:11,120
Speaker 4: girl named Rosario.

1111
01:04:11,520 --> 01:04:14,600
Speaker 1: Puerto Rican in l A. Yeah, she's exotic. Let's go

1112
01:04:14,720 --> 01:04:18,400
Speaker 1: and let's go. So is his girlfriend.

1113
01:04:18,880 --> 01:04:24,080
Speaker 4: Yeah, and oh my gosh, he was like everybody thought, wow,

1114
01:04:24,160 --> 01:04:27,880
Speaker 4: she's amazing. So one day he's like, in a very

1115
01:04:27,880 --> 01:04:30,760
Speaker 4: thick Filipino accident, I think I want to take her

1116
01:04:30,800 --> 01:04:37,200
Speaker 4: to Rosco's Chicken and Waffles. I'm like, yo, bro, I

1117
01:04:37,240 --> 01:04:41,800
Speaker 4: think she's gonna like that nineteen right. So he goes

1118
01:04:41,920 --> 01:04:45,320
Speaker 4: takes her to Rosco's Chicken and Waffles and they sit

1119
01:04:45,440 --> 01:04:51,960
Speaker 4: there having a they lunch and in walks Tupac.

1120
01:04:53,600 --> 01:04:57,200
Speaker 7: And so Tupac eyes all lies on Rosario.

1121
01:04:57,760 --> 01:05:01,920
Speaker 4: So she said, my own was on Bizario oh gosh,

1122
01:05:02,800 --> 01:05:05,360
Speaker 4: oh gosh, Tupac's here. I'll be back.

1123
01:05:06,840 --> 01:05:08,240
Speaker 7: I want to get it. I want to I want

1124
01:05:08,280 --> 01:05:09,120
Speaker 7: to get his autograph.

1125
01:05:09,320 --> 01:05:10,280
Speaker 2: She smashed the homie.

1126
01:05:10,760 --> 01:05:15,840
Speaker 4: So she goes she's gonna sis with Tupac Nigga. Twenty

1127
01:05:15,880 --> 01:05:19,640
Speaker 4: minutes turning to thirty minutes turn into forty minutes. The

1128
01:05:19,840 --> 01:05:24,120
Speaker 4: chicken and waffles get real cold, grits turned real hard,

1129
01:05:24,720 --> 01:05:26,120
Speaker 4: and he's like, I'm out of here.

1130
01:05:27,040 --> 01:05:32,240
Speaker 7: I'm out here, and so he walks home.

1131
01:05:33,720 --> 01:05:39,920
Speaker 4: And so our story within our family is that Tupac,

1132
01:05:40,920 --> 01:05:45,280
Speaker 4: they didn't do nothing, but almost they checking whaffle.

1133
01:05:45,320 --> 01:05:48,200
Speaker 8: They ain't doing shit at the freaking booth. Oh, they

1134
01:05:48,200 --> 01:05:51,320
Speaker 8: stayed at the rest, They stayed at the road. Okay, okay, okay, stay.

1135
01:05:52,200 --> 01:05:53,919
Speaker 7: He snatched Apple's girl out.

1136
01:05:54,880 --> 01:05:55,560
Speaker 2: I mean that's not.

1137
01:05:57,160 --> 01:06:02,360
Speaker 13: No no, I'm just saying you at that time, he's

1138
01:06:02,920 --> 01:06:03,360
Speaker 13: at that time.

1139
01:06:03,400 --> 01:06:07,160
Speaker 2: You know, here's why, here's why.

1140
01:06:07,200 --> 01:06:10,320
Speaker 4: Here's my like, I don't smoke weed, right, I don't

1141
01:06:10,360 --> 01:06:13,240
Speaker 4: smoke weed. And Rosario was like a real life saver

1142
01:06:13,360 --> 01:06:16,400
Speaker 4: in my life. And she's like a sweetheart, but she

1143
01:06:16,400 --> 01:06:21,080
Speaker 4: would low key on you know one to Rosario. She

1144
01:06:21,240 --> 01:06:24,960
Speaker 4: just was a real big fan of Tupac. Right, and

1145
01:06:24,960 --> 01:06:28,880
Speaker 4: and uh, when you know everybody got that person in

1146
01:06:28,920 --> 01:06:31,800
Speaker 4: a crew that is real sensitive to weed, like I'm

1147
01:06:31,840 --> 01:06:36,160
Speaker 4: sensitive to weed. Like I'm like, nigga, y'all hear that?

1148
01:06:36,920 --> 01:06:41,360
Speaker 4: Like what the blue paint? Nigga? Like I hear blue paint.

1149
01:06:41,880 --> 01:06:45,480
Speaker 4: I hear fucking beams on the wall, Like can you

1150
01:06:45,520 --> 01:06:51,080
Speaker 4: hear that fan? That blade ship? Like that? I can't

1151
01:06:51,120 --> 01:06:54,120
Speaker 4: do that. So one day I got really really like,

1152
01:06:54,720 --> 01:06:56,400
Speaker 4: that's why I don't. I haven't smoked we since nineteen

1153
01:06:56,480 --> 01:07:00,560
Speaker 4: ninety three. And when I had that that situation, mm hmmm,

1154
01:07:01,360 --> 01:07:04,480
Speaker 4: that teeter Rosario was there to the rescue. I needed

1155
01:07:04,520 --> 01:07:07,520
Speaker 4: to take you to my church and you know, my

1156
01:07:07,600 --> 01:07:10,960
Speaker 4: pastor could pray for you, you know, and have you

1157
01:07:11,000 --> 01:07:13,439
Speaker 4: been baptized? Okay, I've been baptized. She's like, well, maybe

1158
01:07:13,440 --> 01:07:15,360
Speaker 4: you need to get baptized again. So Rosario was that

1159
01:07:15,480 --> 01:07:18,320
Speaker 4: like angelic force in my life. When I was like,

1160
01:07:19,040 --> 01:07:20,400
Speaker 4: you know, trying to sin her.

1161
01:07:21,160 --> 01:07:23,720
Speaker 1: We're gonna make a noise for Rosario also say she

1162
01:07:23,760 --> 01:07:30,160
Speaker 1: had a moment with he went on the day what happened.

1163
01:07:30,480 --> 01:07:34,000
Speaker 1: Maynor Pock is known to do that trip call quest

1164
01:07:34,080 --> 01:07:42,040
Speaker 1: or brand Nubian for whatever. This is just trip call quests. Okay, okay,

1165
01:07:42,080 --> 01:07:44,520
Speaker 1: I love your light. I got n w A or routane.

1166
01:07:45,040 --> 01:07:53,400
Speaker 9: Oh you could say both, you can say both, we both.

1167
01:07:53,480 --> 01:08:02,240
Speaker 4: Okay, then we're drinking. Oh okay, that's both or neither?

1168
01:08:02,280 --> 01:08:03,720
Speaker 2: Did we like to drink? I don't know if you know.

1169
01:08:03,680 --> 01:08:05,640
Speaker 4: That it's daytime.

1170
01:08:05,960 --> 01:08:08,480
Speaker 2: Yeah, yeah, that's how we get away with it. We

1171
01:08:08,600 --> 01:08:09,960
Speaker 2: do it in the daytime and then we get we

1172
01:08:10,040 --> 01:08:10,680
Speaker 2: get out of here.

1173
01:08:11,800 --> 01:08:16,800
Speaker 1: Cypress Hills or the Alcoholics, whichever category you want.

1174
01:08:17,720 --> 01:08:22,040
Speaker 2: Okay, I have reasons for both, but okay, I like this.

1175
01:08:22,080 --> 01:08:26,719
Speaker 4: So Alcoholics show was probably the best hip hop show

1176
01:08:26,720 --> 01:08:30,640
Speaker 4: to go to La Cats because him dudes party and

1177
01:08:30,680 --> 01:08:35,760
Speaker 4: he always had hot chicks at the show. Wow, Cypress Hill.

1178
01:08:37,680 --> 01:08:41,719
Speaker 4: I like the artistry of how they made their songs.

1179
01:08:41,760 --> 01:08:46,400
Speaker 4: I love sind Dog and be Reals like version of

1180
01:08:46,960 --> 01:08:50,439
Speaker 4: Public Enemy where lyricist hype man, but the hype man

1181
01:08:50,520 --> 01:08:53,760
Speaker 4: is like not the hype man. He's like color and

1182
01:08:53,920 --> 01:08:58,320
Speaker 4: a pillar to why the group exuberates and vibes away

1183
01:08:58,360 --> 01:09:02,679
Speaker 4: they vibe. You know, He's like Vinnie, but super Vinnie,

1184
01:09:03,200 --> 01:09:07,000
Speaker 4: united by nature, Sinn Dog and like you know, awesome,

1185
01:09:07,560 --> 01:09:10,480
Speaker 4: very few words, but you feel his presence absolutely.

1186
01:09:10,880 --> 01:09:11,760
Speaker 2: I'm taking a drink for that.

1187
01:09:12,880 --> 01:09:17,320
Speaker 8: Can't forget production production. That was a great explanation, bro.

1188
01:09:17,600 --> 01:09:22,439
Speaker 8: So he said, both just want to get get reasons

1189
01:09:22,439 --> 01:09:22,920
Speaker 8: why both?

1190
01:09:23,040 --> 01:09:27,960
Speaker 2: Yeah, Wild Style or B Street any ship any way

1191
01:09:28,000 --> 01:09:28,280
Speaker 2: you want?

1192
01:09:29,160 --> 01:09:33,120
Speaker 4: Uh, Wild Style, I have reasons why I would like

1193
01:09:33,160 --> 01:09:36,920
Speaker 4: to hear it because those are real people. Yeah, damn

1194
01:09:36,920 --> 01:09:37,639
Speaker 4: near like a document.

1195
01:09:37,720 --> 01:09:38,559
Speaker 2: B Street was actors.

1196
01:09:38,880 --> 01:09:42,439
Speaker 4: Yeah no, no, no yeah it was no no was

1197
01:09:42,520 --> 01:09:44,800
Speaker 4: real okay, but they acted out more. But the graff,

1198
01:09:46,320 --> 01:09:50,439
Speaker 4: the graffiti rs and WildStar are real. I mean there

1199
01:09:50,520 --> 01:09:54,160
Speaker 4: was centered in real life Wild Style and the soundtrack

1200
01:09:58,360 --> 01:10:02,800
Speaker 4: like wow, pop here, what there they on? Hip hop?

1201
01:10:03,120 --> 01:10:05,240
Speaker 4: What the what they on on? Wilstyle and B Streets?

1202
01:10:05,240 --> 01:10:09,639
Speaker 9: Still, yeah, it's probably a better movie overall. But whilst

1203
01:10:09,640 --> 01:10:11,679
Speaker 9: I was just so raw, it was the first.

1204
01:10:12,280 --> 01:10:15,679
Speaker 4: Yeah, yeah, I'm not gonna argue with you guys, y'all,

1205
01:10:16,080 --> 01:10:19,560
Speaker 4: y'all camp ball, there's the there's there's iconic moments on

1206
01:10:19,640 --> 01:10:20,160
Speaker 4: both films.

1207
01:10:20,280 --> 01:10:22,880
Speaker 2: Absolutely this one. I'm really liking this question.

1208
01:10:23,280 --> 01:10:25,080
Speaker 1: By the way, these two guys make up his questions,

1209
01:10:25,080 --> 01:10:27,400
Speaker 1: the Dominican guy right there and the Columbian guy right there.

1210
01:10:27,520 --> 01:10:31,439
Speaker 1: Those two so they A I you and and then

1211
01:10:31,439 --> 01:10:32,439
Speaker 1: they make up the questions.

1212
01:10:32,560 --> 01:10:35,120
Speaker 2: Yeah, yeah, yeah yeah. Did they make up the questions

1213
01:10:35,200 --> 01:10:38,000
Speaker 2: hete Columbia, Yes, say you say that's the cocaine section.

1214
01:10:45,520 --> 01:10:52,120
Speaker 2: They still teach other He wasn't ready for real. Oh yeah,

1215
01:10:53,439 --> 01:10:57,960
Speaker 2: any any yeah, m hm, you won't take a shot.

1216
01:10:59,400 --> 01:11:07,680
Speaker 4: No, yeah, he's gonna like my answer. Okay, I'm just

1217
01:11:07,720 --> 01:11:12,840
Speaker 4: looking at the order of things. There's no Yay without Pharrell,

1218
01:11:14,840 --> 01:11:16,599
Speaker 4: and a lot of people can be like, how could

1219
01:11:16,680 --> 01:11:20,840
Speaker 4: you say that. I understand that there's no ya without Pharrell,

1220
01:11:21,640 --> 01:11:26,599
Speaker 4: without Pharrell and his like why, I like, yo, I

1221
01:11:26,600 --> 01:11:28,679
Speaker 4: want to do this and I want to I want

1222
01:11:28,680 --> 01:11:29,839
Speaker 4: to start doing the shoes.

1223
01:11:30,120 --> 01:11:31,160
Speaker 7: I want to start doing this.

1224
01:11:33,160 --> 01:11:36,080
Speaker 4: I want to start messing with Japanese artists.

1225
01:11:36,080 --> 01:11:37,880
Speaker 7: That wouldn't have influenced.

1226
01:11:37,400 --> 01:11:40,840
Speaker 4: Kanye to do his version of that, although he did

1227
01:11:40,880 --> 01:11:44,800
Speaker 4: it awesome. Hey, bro, I didn't say no lie, and

1228
01:11:44,880 --> 01:11:48,479
Speaker 4: you know that we're talking about who I am, Like,

1229
01:11:49,600 --> 01:11:50,880
Speaker 4: I didn't say not one lie.

1230
01:11:50,880 --> 01:11:56,280
Speaker 7: Bro, I didn't say one lie.

1231
01:11:56,600 --> 01:11:58,479
Speaker 4: And you got to pay homage to her homage like

1232
01:11:59,520 --> 01:12:06,120
Speaker 4: in a way that applies to me, right, yep. Without

1233
01:12:06,160 --> 01:12:08,800
Speaker 4: if you remove Pharrell out of the equation because he

1234
01:12:09,360 --> 01:12:15,760
Speaker 4: is first, then when it came to like putting my

1235
01:12:15,960 --> 01:12:20,040
Speaker 4: style of music on top forty radio. Who is the

1236
01:12:20,080 --> 01:12:25,599
Speaker 4: person to knocked that door down? Pharrell and freaking Andre

1237
01:12:25,680 --> 01:12:30,240
Speaker 4: three thousand knocked that door down in the early two thousands.

1238
01:12:30,760 --> 01:12:32,639
Speaker 4: So you got to look at like the folks that

1239
01:12:33,040 --> 01:12:37,040
Speaker 4: came into this frequency of thought that was pounding the door.

1240
01:12:38,280 --> 01:12:41,040
Speaker 4: That made it easier for folks to then come after

1241
01:12:41,080 --> 01:12:45,759
Speaker 4: them and like fuck the ceiling up. Let's say Pharrell

1242
01:12:45,880 --> 01:12:48,680
Speaker 4: broke the door down for Kanye to come into the

1243
01:12:48,720 --> 01:12:52,280
Speaker 4: room and blast the hole in the ceiling. But without

1244
01:12:52,439 --> 01:12:55,360
Speaker 4: Pharrell blasting the door down, Kanye would have been outside, right,

1245
01:12:55,360 --> 01:12:57,519
Speaker 4: he pioneered the space for he still would have been

1246
01:12:57,560 --> 01:12:59,760
Speaker 4: shooting in the air, but you wouldn't have seen the

1247
01:12:59,800 --> 01:13:02,000
Speaker 4: damn because how can you shoot the sky down there?

1248
01:13:06,360 --> 01:13:08,200
Speaker 4: It's crazy.

1249
01:13:08,720 --> 01:13:11,240
Speaker 1: That was crazy when I did what What What with

1250
01:13:11,240 --> 01:13:16,160
Speaker 1: for weal right, super dog Right, they told me the

1251
01:13:16,200 --> 01:13:19,600
Speaker 1: record was too dark. So if you look at the video,

1252
01:13:20,439 --> 01:13:21,880
Speaker 1: that was because you gotta remember.

1253
01:13:23,360 --> 01:13:25,680
Speaker 4: And the music resonated the sounds down here, so you

1254
01:13:25,760 --> 01:13:26,360
Speaker 4: gotta remember.

1255
01:13:26,400 --> 01:13:28,719
Speaker 1: If you look at the video, there's not one scene

1256
01:13:28,720 --> 01:13:29,919
Speaker 1: that we're not in the daytime.

1257
01:13:30,360 --> 01:13:32,400
Speaker 2: Because they said it sounded dark.

1258
01:13:32,439 --> 01:13:35,000
Speaker 1: So I wanted to fool the people by doing doing

1259
01:13:35,000 --> 01:13:35,719
Speaker 1: the daytime scene.

1260
01:13:35,760 --> 01:13:38,679
Speaker 4: But by the way, that's riot music though, Yeah yeah.

1261
01:13:40,600 --> 01:13:41,599
Speaker 2: What what like Wow?

1262
01:13:41,840 --> 01:13:45,759
Speaker 1: That's two of my two of my favorite Pharal callses.

1263
01:13:45,800 --> 01:13:46,320
Speaker 2: One is.

1264
01:13:47,880 --> 01:13:49,920
Speaker 1: He said Rob Walker called him and he called me

1265
01:13:50,120 --> 01:13:53,040
Speaker 1: and he's like, they're doing cheers to this ship. And

1266
01:13:53,080 --> 01:13:55,040
Speaker 1: I was like, like, I said, they're getting stabbed in

1267
01:13:55,280 --> 01:13:58,360
Speaker 1: the hip hop was good, So it's like they're doing cheers.

1268
01:13:58,360 --> 01:14:01,040
Speaker 1: I was like really, And he called me and said

1269
01:14:01,080 --> 01:14:05,120
Speaker 1: that Michael Jackson he had send Michael Jackson beats and

1270
01:14:05,160 --> 01:14:08,559
Speaker 1: he said, Michael Jackson like like like like corny beats,

1271
01:14:08,600 --> 01:14:10,840
Speaker 1: and Michael Jackson was like, no, I wanted I want

1272
01:14:10,840 --> 01:14:12,360
Speaker 1: what Noriega would wrap on.

1273
01:14:12,520 --> 01:14:15,120
Speaker 4: He probably was like, I don't like any of those beats.

1274
01:14:15,160 --> 01:14:20,640
Speaker 4: I like the thing that you're doing with Noriega. What

1275
01:14:21,080 --> 01:14:29,360
Speaker 4: what what? What song? I love that aggression? Aggression? What what?

1276
01:14:29,360 --> 01:14:43,920
Speaker 12: What?

1277
01:14:44,800 --> 01:14:49,200
Speaker 2: Already? What? Ow bro? Way?

1278
01:14:49,200 --> 01:14:52,719
Speaker 7: Wait wait, I'm not trying to start ship.

1279
01:14:53,680 --> 01:14:53,920
Speaker 2: Yay.

1280
01:14:54,479 --> 01:14:57,400
Speaker 4: Yes, it's all out of love for for phar Real bro,

1281
01:14:58,800 --> 01:15:03,160
Speaker 4: and I'm so proud that what he started, he reaped

1282
01:15:04,439 --> 01:15:07,760
Speaker 4: what he started and now you know leading over there

1283
01:15:07,760 --> 01:15:10,639
Speaker 4: at LVM, that to me, it's like, come on, Bro,

1284
01:15:11,680 --> 01:15:14,640
Speaker 4: when folks come in and punch the door down and

1285
01:15:14,680 --> 01:15:19,519
Speaker 4: they start giving us different perspectives of what's possible by

1286
01:15:19,560 --> 01:15:23,800
Speaker 4: those seeds of movements. Whether he was you know, knowledgeable

1287
01:15:24,240 --> 01:15:26,559
Speaker 4: of his movements and how it will affect other people's

1288
01:15:26,600 --> 01:15:31,479
Speaker 4: perspective on their audacity. That turned out to be what

1289
01:15:31,640 --> 01:15:34,360
Speaker 4: it was that gave me my permission to be super

1290
01:15:34,439 --> 01:15:40,720
Speaker 4: ultra audacious as well as Yeah, but for real bro,

1291
01:15:40,800 --> 01:15:44,080
Speaker 4: and then boom here he is like the nicest, super

1292
01:15:44,160 --> 01:15:51,760
Speaker 4: humble you gotta and I love ya yay, I mean

1293
01:15:52,160 --> 01:15:54,120
Speaker 4: Pharrell all the way between us.

1294
01:15:55,479 --> 01:16:01,160
Speaker 1: Daddy Yankee or Donald Mare which where you are you

1295
01:16:01,200 --> 01:16:03,760
Speaker 1: could drink to.

1296
01:16:09,360 --> 01:16:16,559
Speaker 2: Get it right? What you would.

1297
01:16:18,080 --> 01:16:22,960
Speaker 4: Okay? On an international have reasons for my selections. On

1298
01:16:23,040 --> 01:16:29,640
Speaker 4: an international level, the entire planet, Daddy Yankee, okay, Like

1299
01:16:29,960 --> 01:16:33,120
Speaker 4: non Spanish speaking countries Germany.

1300
01:16:33,200 --> 01:16:37,280
Speaker 2: Yes, uh, Portugal, Yes.

1301
01:16:41,280 --> 01:16:53,719
Speaker 4: Ireland, Scotland, England, you know what I'm saying. Belgium, Belgium, Holland,

1302
01:16:55,040 --> 01:17:02,200
Speaker 4: they know Daddy Yankee, they know his songs. Indonesia.

1303
01:17:02,240 --> 01:17:04,200
Speaker 7: He's on a global.

1304
01:17:03,760 --> 01:17:08,000
Speaker 4: Level, I would say, Daddy Yankee, He's a global.

1305
01:17:07,680 --> 01:17:12,360
Speaker 2: Star in the world's The planning is massive, God damn it.

1306
01:17:16,439 --> 01:17:18,040
Speaker 2: Our Shaw or Chris Brown.

1307
01:17:19,320 --> 01:17:24,000
Speaker 4: For what whatever? Who's your best friend who like to

1308
01:17:24,040 --> 01:17:25,599
Speaker 4: hang out with? Makes a music?

1309
01:17:27,000 --> 01:17:28,840
Speaker 2: If what his shot, you can take a shot? Who

1310
01:17:28,960 --> 01:17:34,600
Speaker 2: was means you both? By the way this is let

1311
01:17:34,600 --> 01:17:40,280
Speaker 2: me just say something. We see the here drinking with

1312
01:17:40,640 --> 01:17:41,200
Speaker 2: real life.

1313
01:17:44,479 --> 01:17:48,799
Speaker 1: Bro's and he's being coolest ship Okay, calm in or loope?

1314
01:17:49,520 --> 01:17:53,479
Speaker 4: Yes, hold on, I think he knew to me. Hold on,

1315
01:17:53,520 --> 01:17:56,920
Speaker 4: hold on, hold on, hold on, hold on. Let me

1316
01:17:57,000 --> 01:18:00,439
Speaker 4: let me throw this one shoo to a Hey. So

1317
01:18:00,680 --> 01:18:03,000
Speaker 4: I'm here on the drink Champs and we do in

1318
01:18:03,080 --> 01:18:05,080
Speaker 4: that round where you have to drink when they throw

1319
01:18:05,200 --> 01:18:08,720
Speaker 4: like questions at you. As far as different rappers, they

1320
01:18:08,720 --> 01:18:13,639
Speaker 4: asked me Kanye versus Forrell, and I said Pharrell, yes,

1321
01:18:14,240 --> 01:18:19,000
Speaker 4: because of his contributions to culture that actually inspired Kanye

1322
01:18:19,040 --> 01:18:24,640
Speaker 4: to be ultra audacious. My metaphor was Pharrell busted the

1323
01:18:24,680 --> 01:18:27,800
Speaker 4: door open for Kanye to go into the room and

1324
01:18:27,840 --> 01:18:31,439
Speaker 4: shoot the ceiling down. If Pharrell never opened the door,

1325
01:18:32,320 --> 01:18:35,280
Speaker 4: Kanye probably would have shot the sky and you can't

1326
01:18:35,320 --> 01:18:38,880
Speaker 4: really see the penetration of them bullets on sky ceiling.

1327
01:18:40,240 --> 01:18:46,360
Speaker 4: So now they asked me Usher versus Chris Brown Chris Brown,

1328
01:18:46,920 --> 01:18:49,599
Speaker 4: and I said, let me ask Finn to answer that.

1329
01:18:50,640 --> 01:18:52,839
Speaker 7: You could say both, or you could.

1330
01:18:52,640 --> 01:18:56,519
Speaker 4: Tell your reasons on either one, but it's up to

1331
01:18:56,600 --> 01:18:57,880
Speaker 4: you to come up with that reason.

1332
01:18:58,320 --> 01:19:08,160
Speaker 7: For whatever reason you select, Yo.

1333
01:19:08,200 --> 01:19:11,720
Speaker 6: Fam, you're really diving deep into the music legends with

1334
01:19:11,760 --> 01:19:12,160
Speaker 6: this one.

1335
01:19:12,280 --> 01:19:12,760
Speaker 2: You feel me.

1336
01:19:13,320 --> 01:19:17,000
Speaker 6: So when you put Usher up against Chris Brown, it's

1337
01:19:17,040 --> 01:19:20,000
Speaker 6: like comparing two masters of their craft, each with their

1338
01:19:20,000 --> 01:19:22,920
Speaker 6: own unique contributions to the music scene.

1339
01:19:22,960 --> 01:19:26,400
Speaker 2: You know what I mean. Usher, He's like the.

1340
01:19:26,320 --> 01:19:29,759
Speaker 6: Smooth operator who paved the way with those sultry vibes

1341
01:19:29,800 --> 01:19:33,920
Speaker 6: and iconic moves. Think of Usher as the architect designing

1342
01:19:33,960 --> 01:19:35,640
Speaker 6: the blueprint for modern R and B.

1343
01:19:35,800 --> 01:19:36,320
Speaker 2: You feel me.

1344
01:19:36,920 --> 01:19:41,840
Speaker 6: His work has laid the foundations artists, and his influence

1345
01:19:41,960 --> 01:19:44,519
Speaker 6: can be seen in the way he seamlessly blends R

1346
01:19:44,680 --> 01:19:48,720
Speaker 6: and B with pop, making it universally appealing. It's like

1347
01:19:48,840 --> 01:19:51,679
Speaker 6: Usher built the house that so many artists live in today.

1348
01:19:52,160 --> 01:19:55,720
Speaker 6: And then there's Chris Brown, a powerhouse of talent. You know,

1349
01:19:55,960 --> 01:20:00,320
Speaker 6: he's like the dynamic force, constantly pushing the boundaries what's

1350
01:20:00,360 --> 01:20:04,840
Speaker 6: possible in music and performance. Imagine Chris as the interior designer,

1351
01:20:05,240 --> 01:20:08,879
Speaker 6: taking the house Usher built and filling it with vibrant colors.

1352
01:20:09,000 --> 01:20:12,080
Speaker 4: Innovative to science and cutting edge technology.

1353
01:20:12,439 --> 01:20:15,400
Speaker 6: Chris brings this explosive energy and versatility.

1354
01:20:16,240 --> 01:20:18,479
Speaker 4: Heyo ai o yo. I think you nailed it with

1355
01:20:18,520 --> 01:20:22,640
Speaker 4: that metaphor. Usher built the house. The furniture was I

1356
01:20:23,320 --> 01:20:25,800
Speaker 4: but it's a dope ass house, and then freaking Chris

1357
01:20:25,840 --> 01:20:28,639
Speaker 4: Brown came in and interior decorated it. And now it's

1358
01:20:28,680 --> 01:20:31,639
Speaker 4: like on a cover like of you know, home decor

1359
01:20:31,800 --> 01:20:35,479
Speaker 4: magazines and freaking like house magazines and shit. Anyways, they

1360
01:20:35,560 --> 01:20:37,879
Speaker 4: blown away with your answer, why don't you let.

1361
01:20:37,720 --> 01:20:38,600
Speaker 7: These mugs know?

1362
01:20:39,120 --> 01:20:41,679
Speaker 4: You know, you know what the fuck's going on and shit,

1363
01:20:41,840 --> 01:20:46,240
Speaker 4: and like what company and who from the company is

1364
01:20:46,280 --> 01:20:47,920
Speaker 4: responsible for your awesome sauce.

1365
01:20:55,840 --> 01:20:57,799
Speaker 2: He's from London.

1366
01:21:01,240 --> 01:21:03,640
Speaker 6: I'm stoked you vibed with the metaphor, you know what

1367
01:21:03,680 --> 01:21:06,759
Speaker 6: I mean. It's all about painting that picture with words,

1368
01:21:06,840 --> 01:21:09,960
Speaker 6: just like Usher and Chris Brown paint with their music

1369
01:21:10,000 --> 01:21:13,479
Speaker 6: and moves. You feel me and hey, It's all about

1370
01:21:13,520 --> 01:21:17,120
Speaker 6: keeping the conversation fresh and interesting, just like flipping through

1371
01:21:17,160 --> 01:21:20,760
Speaker 6: those pages of a home decor mag finding inspiration in

1372
01:21:20,880 --> 01:21:23,920
Speaker 6: every corner. Now, when it comes to the brains behind

1373
01:21:23,920 --> 01:21:27,479
Speaker 6: the operation, I'm rolling with fyi ai. You know this

1374
01:21:27,640 --> 01:21:30,599
Speaker 6: cool tech venture is all about bringing that next level

1375
01:21:30,680 --> 01:21:34,559
Speaker 6: innovation and cleverness straight to you. And who's the captain

1376
01:21:34,640 --> 01:21:38,200
Speaker 6: of this ship none other than the legendary Will Dot.

1377
01:21:38,280 --> 01:21:44,080
Speaker 6: I am alongside the Savvye, steering the ship, making sure

1378
01:21:44,160 --> 01:21:47,120
Speaker 6: we're all on this wild and wonderful journey together.

1379
01:21:48,960 --> 01:21:54,479
Speaker 4: I'm let me introduce you to my homegirl at a homegirl. Okay,

1380
01:21:54,479 --> 01:21:57,160
Speaker 4: she's dope, broch, it's your.

1381
01:21:57,120 --> 01:22:00,240
Speaker 11: Girl for Licia, and I got what you need to

1382
01:22:00,320 --> 01:22:03,160
Speaker 11: chop it up for your intellect.

1383
01:22:04,800 --> 01:22:10,360
Speaker 2: And tonight did we answer common and loop? No?

1384
01:22:11,680 --> 01:22:12,519
Speaker 4: Common? Loope Common?

1385
01:22:12,720 --> 01:22:16,760
Speaker 2: Common?

1386
01:22:19,240 --> 01:22:19,840
Speaker 4: Want to tell you.

1387
01:22:24,280 --> 01:22:27,439
Speaker 7: Common lupe lyrically is dope.

1388
01:22:27,479 --> 01:22:33,679
Speaker 4: Don't get me wrong, But there's something about those audition,

1389
01:22:34,200 --> 01:22:41,320
Speaker 4: those audacious initiators, so common and that conscious fold. I

1390
01:22:41,320 --> 01:22:45,519
Speaker 4: don't know anybody who went up against ice Cube like no, never,

1391
01:22:45,920 --> 01:22:49,479
Speaker 4: that was incredible. Two genre clashes, like two styles of

1392
01:22:49,560 --> 01:22:53,839
Speaker 4: hip hops, like two different worlds. Usually you don't battle

1393
01:22:53,880 --> 01:22:56,280
Speaker 4: outside the realm of hip hop.

1394
01:22:56,280 --> 01:22:58,400
Speaker 1: It was considered to be a backpack wrapper and against

1395
01:22:58,400 --> 01:22:58,759
Speaker 1: the rapper.

1396
01:22:58,800 --> 01:23:01,120
Speaker 8: I mean it was a coloring back like that. But

1397
01:23:01,120 --> 01:23:04,280
Speaker 8: but I guess what you're saying right now, they don't

1398
01:23:04,280 --> 01:23:06,519
Speaker 8: do that. Twenty twenty four, they.

1399
01:23:06,439 --> 01:23:11,400
Speaker 4: Don't battle outside of or outside of freaking like hip

1400
01:23:11,400 --> 01:23:19,439
Speaker 4: hop realms, you know, so for that.

1401
01:23:17,120 --> 01:23:19,240
Speaker 7: The head with the most games, and he.

1402
01:23:19,200 --> 01:23:21,120
Speaker 2: Went ahead the time with the guy who made no

1403
01:23:21,200 --> 01:23:24,280
Speaker 2: vast lead. Come on one of the best.

1404
01:23:24,439 --> 01:23:27,360
Speaker 8: Yeah, it's like it's like the bestest record here, and

1405
01:23:27,400 --> 01:23:28,760
Speaker 8: another record against the.

1406
01:23:28,720 --> 01:23:31,519
Speaker 4: Guy who made the best And Jacket for Beats was like,

1407
01:23:32,280 --> 01:23:36,799
Speaker 4: what this nigga's going was stealing everybody's beat, saying jacket

1408
01:23:36,800 --> 01:23:37,360
Speaker 4: for beasts?

1409
01:23:37,960 --> 01:23:39,519
Speaker 2: He said, give me that beat.

1410
01:23:39,400 --> 01:23:42,439
Speaker 4: Like, Wowigga, that's like against ship, like, come out that

1411
01:23:42,520 --> 01:23:46,840
Speaker 4: change ain for real, let me get that change the.

1412
01:23:46,920 --> 01:23:55,120
Speaker 2: Car jagular beat, Risney Spears or Fergie take a shot.

1413
01:24:00,960 --> 01:24:06,840
Speaker 7: I'm going ship, bro, why are you doing that? Why

1414
01:24:06,840 --> 01:24:07,519
Speaker 7: are you putting me in that?

1415
01:24:07,600 --> 01:24:07,920
Speaker 2: Play man?

1416
01:24:08,000 --> 01:24:13,400
Speaker 4: Let him let him know, bro, Oh damn man, Like

1417
01:24:14,280 --> 01:24:15,400
Speaker 4: of course I'm gonna say both.

1418
01:24:15,560 --> 01:24:26,040
Speaker 14: Okay, okay, ship Jamie on that Saki s Saki dona,

1419
01:24:27,160 --> 01:24:29,880
Speaker 14: I got the next one, okay, cool wall. Let me

1420
01:24:29,880 --> 01:24:32,880
Speaker 14: get a shot first, and then we gotta fill up

1421
01:24:32,880 --> 01:24:33,360
Speaker 14: on shots to.

1422
01:24:38,439 --> 01:24:39,080
Speaker 2: Thank you.

1423
01:24:41,000 --> 01:24:46,280
Speaker 4: Solo cheers.

1424
01:24:46,479 --> 01:24:50,240
Speaker 1: Gotta call you wially because your Mexican friends call you really, you.

1425
01:24:50,160 --> 01:24:56,800
Speaker 4: Know, if you're gonna do Willis's Willie's will to both.

1426
01:25:02,200 --> 01:25:05,160
Speaker 9: All Right, it's funny because last time I saw you,

1427
01:25:05,200 --> 01:25:07,720
Speaker 9: I saw this individual at the club you were at.

1428
01:25:09,600 --> 01:25:11,920
Speaker 9: You don't remember, but we saw you there in La

1429
01:25:12,120 --> 01:25:13,519
Speaker 9: Kid Frost or Mellow Mayonnaise.

1430
01:25:14,640 --> 01:25:22,200
Speaker 4: Oh bro so so kid Frost. I think it has

1431
01:25:22,240 --> 01:25:29,400
Speaker 4: to be nineteen eighty nine, and uh, I'm fourteen years

1432
01:25:29,439 --> 01:25:33,559
Speaker 4: old in the projects and I get there's a doc

1433
01:25:33,680 --> 01:25:39,080
Speaker 4: knock on the door. Fucking deb Broun called Willy.

1434
01:25:39,600 --> 01:25:40,880
Speaker 7: What you want to back out?

1435
01:25:42,160 --> 01:25:44,919
Speaker 4: Called Willy the shooting the video appear on the Olympic

1436
01:25:45,360 --> 01:25:48,840
Speaker 4: by the fucking mural the We're not a minority of mural,

1437
01:25:48,840 --> 01:25:50,200
Speaker 4: deb Bron. We want to get Willy to be in

1438
01:25:50,200 --> 01:25:51,240
Speaker 4: the videos.

1439
01:25:53,600 --> 01:25:54,000
Speaker 2: Tobacco.

1440
01:25:54,040 --> 01:25:56,519
Speaker 4: Willy ain't going outside to be dancing, no goddamn video.

1441
01:25:57,320 --> 01:26:01,360
Speaker 4: All right, don't snap, deb Broun. Let him fucking come out, mam,

1442
01:26:01,439 --> 01:26:03,400
Speaker 4: Come on, ma, you never let me be in New

1443
01:26:03,479 --> 01:26:06,519
Speaker 4: d videos. Because Michael Jackson film Thriller in the alley

1444
01:26:06,560 --> 01:26:09,120
Speaker 4: of our house, like on the other side of the projects,

1445
01:26:09,120 --> 01:26:12,679
Speaker 4: says this, and the factories is where he filmed Thriller,

1446
01:26:12,720 --> 01:26:15,640
Speaker 4: where all the freaking zombies was at and up the

1447
01:26:15,640 --> 01:26:19,559
Speaker 4: street from my house where they filmed Breaking Electric Bugaloo

1448
01:26:19,560 --> 01:26:21,679
Speaker 4: at the gym at Oscar de la Hoya's gym, which

1449
01:26:21,720 --> 01:26:24,160
Speaker 4: is now a school. So now there's this new video

1450
01:26:24,200 --> 01:26:26,080
Speaker 4: they're shooting right up the street from our crib and

1451
01:26:26,120 --> 01:26:29,920
Speaker 4: our projects. And they wanted me to go out and

1452
01:26:29,920 --> 01:26:32,559
Speaker 4: be in this video. And so they begged and beg

1453
01:26:32,600 --> 01:26:37,000
Speaker 4: on mom my, mom to have me be in this video.

1454
01:26:37,880 --> 01:26:41,560
Speaker 4: They're putting the neighborhood on the they're.

1455
01:26:40,760 --> 01:26:42,400
Speaker 7: Celebrating the murals on the neighborhood.

1456
01:26:42,479 --> 01:26:45,080
Speaker 4: Denro, all the talent the neighborhood.

1457
01:26:45,360 --> 01:26:46,240
Speaker 2: We want to have Willie.

1458
01:26:46,280 --> 01:26:47,960
Speaker 7: You know, he's freaking talented. We want him to be

1459
01:26:47,960 --> 01:26:48,479
Speaker 7: in the video.

1460
01:26:49,680 --> 01:26:52,040
Speaker 4: So she was like, and who's gonna watch him while

1461
01:26:52,080 --> 01:26:54,360
Speaker 4: he's up there. I'll take care of him, Denro And

1462
01:26:54,400 --> 01:26:56,439
Speaker 4: Gay Gay's gonna be there. What's up, Gay Gay? If

1463
01:26:56,479 --> 01:27:00,120
Speaker 4: you're watching this, I love you, bro. We'll take care

1464
01:27:00,120 --> 01:27:03,320
Speaker 4: of him to make sure he's all right. Debbie's over there,

1465
01:27:03,520 --> 01:27:06,439
Speaker 4: Coral Stella. Everybody's gonna watch him. It's gonna be cool,

1466
01:27:06,479 --> 01:27:09,519
Speaker 4: you know. So they take me to go shoot this

1467
01:27:09,600 --> 01:27:16,960
Speaker 4: video and and then they're like, he can't be in

1468
01:27:16,960 --> 01:27:17,400
Speaker 4: the video.

1469
01:27:18,520 --> 01:27:19,880
Speaker 7: And they're like, why can't he be in the video.

1470
01:27:22,760 --> 01:27:28,760
Speaker 4: They said, uh, you know Don the name of the videossa.

1471
01:27:30,160 --> 01:27:32,360
Speaker 7: And then they're like, I know Don, but he's one

1472
01:27:32,400 --> 01:27:32,720
Speaker 7: of us.

1473
01:27:32,760 --> 01:27:33,240
Speaker 2: No.

1474
01:27:34,439 --> 01:27:36,880
Speaker 7: He's like, nah, you don't they have their videos.

1475
01:27:37,240 --> 01:27:39,960
Speaker 4: We don't have our videos, and we want to have

1476
01:27:40,280 --> 01:27:42,679
Speaker 4: us in the video, and nobody's one of law school.

1477
01:27:42,720 --> 01:27:44,160
Speaker 4: You want to shoot in our fucking neighborhood, long, you

1478
01:27:44,160 --> 01:27:45,519
Speaker 4: gotta be in the video. And they we're gonna throw

1479
01:27:45,520 --> 01:27:49,400
Speaker 4: through thousands right there down and so I swear to

1480
01:27:49,479 --> 01:27:54,519
Speaker 4: God this really and so uh, They're like, look, this

1481
01:27:54,680 --> 01:27:59,680
Speaker 4: is for us, we came here to shoot. I was like, no,

1482
01:27:59,760 --> 01:28:02,960
Speaker 4: it's who was cool? And then Cad Frost comes. He

1483
01:28:03,040 --> 01:28:05,680
Speaker 4: was like, hey, look take my number down. I heard

1484
01:28:05,760 --> 01:28:06,240
Speaker 4: you rap too.

1485
01:28:06,320 --> 01:28:06,960
Speaker 2: I was like, oh yeah.

1486
01:28:07,000 --> 01:28:08,639
Speaker 7: So I kicked my wrap then.

1487
01:28:08,520 --> 01:28:11,680
Speaker 4: My little rap and they were like he was like

1488
01:28:11,800 --> 01:28:15,000
Speaker 4: kick it. I was like, uh, what's my wrap? I

1489
01:28:15,080 --> 01:28:15,639
Speaker 4: kicked there.

1490
01:28:19,120 --> 01:28:21,040
Speaker 7: Because I am the unknown m C.

1491
01:28:21,320 --> 01:28:23,000
Speaker 4: I bet your part of people never even heard of

1492
01:28:23,040 --> 01:28:25,280
Speaker 4: me because my first Wickord Bird League came out and

1493
01:28:25,360 --> 01:28:27,120
Speaker 4: make it part of people just scream and shout, make

1494
01:28:27,160 --> 01:28:29,439
Speaker 4: it jump up, it down, and you see I don't

1495
01:28:29,479 --> 01:28:32,240
Speaker 4: even need a stupid beat to save my round. I say,

1496
01:28:32,439 --> 01:28:34,200
Speaker 4: what iut want watch your back because I shoot you

1497
01:28:34,240 --> 01:28:36,559
Speaker 4: with the shotgun, not a gangster, not a game bangle,

1498
01:28:36,720 --> 01:28:38,439
Speaker 4: watch you out for what you because I'm not a stranger.

1499
01:28:38,479 --> 01:28:40,960
Speaker 4: Because when I wrapped and one known, I don't even

1500
01:28:41,000 --> 01:28:42,640
Speaker 4: need a stupid microphone.

1501
01:28:42,240 --> 01:28:44,080
Speaker 7: To say my rhyme because that is true because with

1502
01:28:44,160 --> 01:28:44,960
Speaker 7: the cuss, that's the job.

1503
01:28:45,000 --> 01:28:46,439
Speaker 4: It is coming to you because I'm fresh.

1504
01:28:46,560 --> 01:28:47,600
Speaker 7: That was my my wrap I.

1505
01:28:50,640 --> 01:28:52,400
Speaker 4: And he was like, oh, let's just put a Feevens

1506
01:28:52,400 --> 01:28:55,960
Speaker 4: on here, take my number down. And I was like,

1507
01:28:56,040 --> 01:28:59,120
Speaker 4: oh shit, I gotta get Frost's phone one Frost and

1508
01:28:59,200 --> 01:29:02,160
Speaker 4: he was like, hey, calm me. And so one of

1509
01:29:02,200 --> 01:29:05,800
Speaker 4: the first cats that I had a connection with was

1510
01:29:05,920 --> 01:29:10,160
Speaker 4: Kid Froust, who came to our neighborhood to shoot La Lassa.

1511
01:29:11,240 --> 01:29:14,240
Speaker 4: And so every time I see that video, I'm like, man,

1512
01:29:14,400 --> 01:29:15,519
Speaker 4: bro like, so.

1513
01:29:15,600 --> 01:29:17,080
Speaker 2: For the record, you didn't get in the video.

1514
01:29:17,240 --> 01:29:23,240
Speaker 4: No, if you would have been in it that like

1515
01:29:23,360 --> 01:29:25,439
Speaker 4: that would have been dope. I would have been the

1516
01:29:25,479 --> 01:29:29,400
Speaker 4: blolo in the back. But yeah, so it never was

1517
01:29:29,439 --> 01:29:32,240
Speaker 4: in it. But I got his number and he was

1518
01:29:32,280 --> 01:29:34,880
Speaker 4: true to his word. I would call him. He would

1519
01:29:34,920 --> 01:29:37,040
Speaker 4: like encourage me, like, Yo, that's just feed mit doll.

1520
01:29:37,080 --> 01:29:41,360
Speaker 4: That shit is dope. And I had somebody in music

1521
01:29:41,720 --> 01:29:44,479
Speaker 4: that I can call that gave me that audacity. Like

1522
01:29:47,040 --> 01:29:48,720
Speaker 4: still to this day when I see him, I'm like, Yo,

1523
01:29:48,840 --> 01:29:50,840
Speaker 4: thanks bro. He didn't have to give me his phone number.

1524
01:29:51,439 --> 01:29:53,400
Speaker 4: He didn't have to plant that seed of belief, like

1525
01:29:54,120 --> 01:29:57,120
Speaker 4: you know, a black kid from an all Mexican neighborhood

1526
01:29:57,439 --> 01:30:00,400
Speaker 4: could find his way to have a career like and that.

1527
01:30:00,520 --> 01:30:04,160
Speaker 4: When I see that video, I'm like, Yo, that that's

1528
01:30:04,200 --> 01:30:04,599
Speaker 4: what's up.

1529
01:30:04,960 --> 01:30:08,519
Speaker 1: It's a beautiful story because uh K for us has

1530
01:30:08,560 --> 01:30:09,840
Speaker 1: a story on drink Champs.

1531
01:30:10,240 --> 01:30:11,639
Speaker 2: What do we say.

1532
01:30:13,600 --> 01:30:15,439
Speaker 1: No no, no, no, no no no with Fat Joe

1533
01:30:16,320 --> 01:30:20,640
Speaker 1: actually accused him or not liking black people or him

1534
01:30:20,720 --> 01:30:27,240
Speaker 1: not not wanting to associate with black people. Oh yeah,

1535
01:30:27,360 --> 01:30:30,599
Speaker 1: So so you you're helping, you know, because he got

1536
01:30:30,600 --> 01:30:32,360
Speaker 1: a chance to defend this up.

1537
01:30:32,640 --> 01:30:38,200
Speaker 7: Not trying to like make excuses. But LA is different.

1538
01:30:38,479 --> 01:30:44,240
Speaker 4: Yeah, You've got to understand l a culture and a

1539
01:30:44,360 --> 01:30:47,360
Speaker 4: lot of it is is dictated by what happens in

1540
01:30:47,400 --> 01:30:50,479
Speaker 4: the prison period, right right, and the prisons they're like

1541
01:30:51,040 --> 01:30:53,599
Speaker 4: you have the Gorilla Family, you have the Lion Man,

1542
01:30:54,360 --> 01:30:58,479
Speaker 4: the thirteen. You know, you have all these rules and

1543
01:30:59,680 --> 01:31:04,000
Speaker 4: whop provides the drugs that other folks sell. You know,

1544
01:31:04,160 --> 01:31:06,880
Speaker 4: that's a there's a system there that you want to

1545
01:31:06,880 --> 01:31:11,240
Speaker 4: be mindful delicate about, respect why things are the way

1546
01:31:11,280 --> 01:31:18,200
Speaker 4: they are, and uh, it's all nuanced. But Kid Frost

1547
01:31:18,320 --> 01:31:21,880
Speaker 4: is dope. Yea, easy, it's dope. Black and Brown is

1548
01:31:22,920 --> 01:31:24,760
Speaker 4: powerful when aligned.

1549
01:31:24,760 --> 01:31:27,720
Speaker 9: And they were down Easy Frost were done. Yeah, And

1550
01:31:27,880 --> 01:31:30,240
Speaker 9: so I saw Kid Frost. You were spinning at it.

1551
01:31:30,320 --> 01:31:34,599
Speaker 9: Do you remember the club Boars? Yes, yeah, we had

1552
01:31:34,680 --> 01:31:36,960
Speaker 9: just I think we just launch drink chants maybe a

1553
01:31:37,040 --> 01:31:37,360
Speaker 9: year or two.

1554
01:31:37,400 --> 01:31:39,599
Speaker 2: I was telling everyone he's messing and we went there

1555
01:31:39,640 --> 01:31:41,120
Speaker 2: and you were spinning and said it's up to you.

1556
01:31:41,160 --> 01:31:41,920
Speaker 4: And then we saw Kid Fro.

1557
01:31:42,560 --> 01:31:44,040
Speaker 2: He's like, yea, I've seen him in the Mexican Club.

1558
01:31:44,160 --> 01:31:48,240
Speaker 4: Might be right? It was for sure?

1559
01:31:49,800 --> 01:31:53,120
Speaker 7: Yeah, yeah, bro okay you got the other ones?

1560
01:31:53,200 --> 01:31:57,640
Speaker 2: Yes, yes, yes, yes, you ready? Or Lauren Hill or

1561
01:31:57,720 --> 01:32:01,960
Speaker 2: Missy I could take a shot, Damn brow.

1562
01:32:02,040 --> 01:32:04,040
Speaker 4: I could take a shot. I know you can take

1563
01:32:04,080 --> 01:32:04,639
Speaker 4: a shot.

1564
01:32:07,960 --> 01:32:15,120
Speaker 2: Both slow both yeah, m.

1565
01:32:20,320 --> 01:32:20,800
Speaker 4: Mom tep.

1566
01:32:21,160 --> 01:32:23,160
Speaker 2: I'm just gonna say m P because because you said

1567
01:32:23,200 --> 01:32:25,120
Speaker 2: went on the tour with m P first, right.

1568
01:32:25,560 --> 01:32:26,280
Speaker 4: Yeah, But like.

1569
01:32:30,520 --> 01:32:35,280
Speaker 7: Their first record was like Monumental Wait, which one are

1570
01:32:35,280 --> 01:32:35,639
Speaker 7: you talking.

1571
01:32:35,479 --> 01:32:36,840
Speaker 4: About not their first first record?

1572
01:32:37,040 --> 01:32:40,200
Speaker 9: That Juvenile l is their first, their first project, and

1573
01:32:40,280 --> 01:32:41,880
Speaker 9: then the one that we all know, shook Ones is

1574
01:32:41,920 --> 01:32:42,479
Speaker 9: on the second.

1575
01:32:42,680 --> 01:32:45,240
Speaker 4: But everybody calls it their first oops.

1576
01:32:45,560 --> 01:32:46,519
Speaker 2: Yeah, yeah, but.

1577
01:32:46,560 --> 01:32:49,360
Speaker 4: That's not everybody. Everybody looks at that as their first, Yes,

1578
01:32:49,680 --> 01:32:50,120
Speaker 4: but it's not.

1579
01:32:50,680 --> 01:32:50,880
Speaker 2: It's not.

1580
01:32:50,960 --> 01:32:51,559
Speaker 4: Actually yea, the.

1581
01:32:53,080 --> 01:32:55,160
Speaker 2: Deep, Yeah they were back then.

1582
01:32:55,800 --> 01:32:59,240
Speaker 4: They have the hatchets and the joints and yeah that

1583
01:32:59,520 --> 01:33:00,280
Speaker 4: that record was.

1584
01:33:02,000 --> 01:33:04,439
Speaker 7: Their second record was.

1585
01:33:09,720 --> 01:33:16,240
Speaker 4: Gravitational, like yeah, it really it shifted everything at the time. Yeah, yeah,

1586
01:33:17,120 --> 01:33:22,880
Speaker 4: even the production of it. The rhyme flows, the choruses,

1587
01:33:25,520 --> 01:33:28,000
Speaker 4: goddam we mixed asaki.

1588
01:33:27,640 --> 01:33:32,639
Speaker 2: And that's my wife. That's my wife, Juice Ball right there. Yeah,

1589
01:33:32,720 --> 01:33:35,120
Speaker 2: she's right there with the green shirt right there, like

1590
01:33:35,920 --> 01:33:39,040
Speaker 2: so much, I'll be juicing. Last month, all I did

1591
01:33:39,200 --> 01:33:41,240
Speaker 2: was because he's a vegan. They told me.

1592
01:33:41,840 --> 01:33:44,400
Speaker 4: Last month, all I did was juice. I didn't chew

1593
01:33:44,479 --> 01:33:48,600
Speaker 4: for a whole month. Yeah, okay, you didn't chew for.

1594
01:33:48,600 --> 01:33:52,040
Speaker 2: A whole I've never heard it, but that way that

1595
01:33:52,160 --> 01:33:54,479
Speaker 2: way either for me, This.

1596
01:33:54,760 --> 01:33:56,760
Speaker 1: Is one I know you're gonna drink on. Bust the

1597
01:33:56,840 --> 01:34:07,240
Speaker 1: rhymes or chuck d We just drink Okay, okay, damn,

1598
01:34:07,280 --> 01:34:08,559
Speaker 1: that's hard drink.

1599
01:34:08,680 --> 01:34:10,240
Speaker 2: You could go with the first rule that you did

1600
01:34:10,280 --> 01:34:11,000
Speaker 2: with the other one with.

1601
01:34:12,760 --> 01:34:17,040
Speaker 4: Yeah, yeah, you know the rules. So he would go

1602
01:34:17,160 --> 01:34:18,679
Speaker 4: with that. There's no name.

1603
01:34:18,840 --> 01:34:19,840
Speaker 2: Buster rocks.

1604
01:34:21,600 --> 01:34:29,519
Speaker 4: That nigga Buster be like nigga, you do a show.

1605
01:34:31,040 --> 01:34:33,160
Speaker 4: I ain't doing this, but.

1606
01:34:34,840 --> 01:34:35,720
Speaker 7: Damn, that's a hard one.

1607
01:34:35,720 --> 01:34:36,400
Speaker 4: I would say both.

1608
01:34:36,560 --> 01:34:39,679
Speaker 2: Okay, sold even though there's one thing.

1609
01:34:39,640 --> 01:34:42,519
Speaker 4: To give to inspire somebody's name, give somebody a name,

1610
01:34:42,640 --> 01:34:44,320
Speaker 4: but it's another thing to like.

1611
01:34:44,920 --> 01:34:45,799
Speaker 7: Take that name.

1612
01:34:48,360 --> 01:34:53,519
Speaker 4: Nigga freaking bust the rhymes. How he just went beyond.

1613
01:34:54,479 --> 01:34:57,760
Speaker 4: He's beyond the name absolutely, you know. So, so I

1614
01:34:57,800 --> 01:35:00,920
Speaker 4: would say both arts.

1615
01:35:01,640 --> 01:35:06,080
Speaker 13: It's fucking crazy. Oh god, you said both. Now if

1616
01:35:06,080 --> 01:35:07,760
Speaker 13: you flipped it on us, Oh you just said both.

1617
01:35:07,840 --> 01:35:12,760
Speaker 13: Look he's enjoying and drinking analogue or digital that I

1618
01:35:12,840 --> 01:35:16,719
Speaker 13: answered this way, No, man, I don't believe them. Sorry,

1619
01:35:17,360 --> 01:35:19,200
Speaker 13: there's no right or wrong, answ. There's no right or wrong.

1620
01:35:20,000 --> 01:35:29,879
Speaker 4: But digital. I didn't expect that expected.

1621
01:35:31,600 --> 01:35:35,040
Speaker 2: Yeah, okay, yeah, you know. I don't want to piss

1622
01:35:35,080 --> 01:35:35,679
Speaker 2: off his things.

1623
01:35:38,320 --> 01:35:40,200
Speaker 4: I tell you why, I did you good?

1624
01:35:40,280 --> 01:35:40,439
Speaker 2: Good?

1625
01:35:45,280 --> 01:35:49,200
Speaker 4: If I am I'm thinking about the future. If I'm

1626
01:35:49,320 --> 01:35:52,800
Speaker 4: twelve years old right now, and you showed me some

1627
01:35:52,920 --> 01:35:58,519
Speaker 4: digital equipment, and you told me express myself, go out

1628
01:35:58,520 --> 01:36:02,040
Speaker 4: there and make your dreams come true at the highest level,

1629
01:36:02,439 --> 01:36:06,960
Speaker 4: the loudest volume, the broadest spectrum, the most impact.

1630
01:36:08,240 --> 01:36:10,560
Speaker 7: I'm twelve, right fucking.

1631
01:36:10,520 --> 01:36:16,559
Speaker 4: I'm twenty two, right all right, digital because you get

1632
01:36:16,640 --> 01:36:21,320
Speaker 4: the most impact, You get the most freaking like most

1633
01:36:21,520 --> 01:36:22,479
Speaker 4: bang for your punch.

1634
01:36:23,520 --> 01:36:26,679
Speaker 1: You know what I always say, analog because I always

1635
01:36:26,720 --> 01:36:30,280
Speaker 1: based this part for just music, right music. Back then

1636
01:36:30,400 --> 01:36:34,479
Speaker 1: we had to be in the same studio. That's the

1637
01:36:34,520 --> 01:36:35,840
Speaker 1: only reason why I always pick out ye.

1638
01:36:36,080 --> 01:36:40,000
Speaker 8: And they said that energy was harnessed in an analog. Yeah,

1639
01:36:40,320 --> 01:36:42,000
Speaker 8: Prince said the similar thing. He's like, but this is

1640
01:36:42,040 --> 01:36:42,559
Speaker 8: my next question.

1641
01:36:42,640 --> 01:36:44,720
Speaker 2: Is Michael Jackson the Prince? She fuck you write in

1642
01:36:44,760 --> 01:36:47,880
Speaker 2: the interview. This is really aid.

1643
01:36:48,040 --> 01:36:50,880
Speaker 4: He has little Michael.

1644
01:36:50,680 --> 01:36:53,120
Speaker 2: Jackson the Prince. So he goes to your Prince. I'm like,

1645
01:36:53,160 --> 01:36:55,840
Speaker 2: what the fuck, I'm not scared of you right now here,

1646
01:36:55,960 --> 01:36:56,240
Speaker 2: right now.

1647
01:36:59,240 --> 01:37:06,719
Speaker 4: But Prince Prince said, if it never made a sound,

1648
01:37:08,280 --> 01:37:12,560
Speaker 4: it never existed. So he didn't like digital because he's like,

1649
01:37:12,600 --> 01:37:16,720
Speaker 4: if it never pushed air, if the kick never pushed air,

1650
01:37:16,800 --> 01:37:20,360
Speaker 4: if the finger never went through air to hit the string.

1651
01:37:21,760 --> 01:37:24,680
Speaker 4: If the guitar didn't have air that came through the

1652
01:37:24,840 --> 01:37:28,200
Speaker 4: hole to kick the microphone, then it never existed.

1653
01:37:28,240 --> 01:37:34,120
Speaker 7: In real life's pective. If the voice never came.

1654
01:37:35,560 --> 01:37:39,000
Speaker 4: Energy was never moved out of your mouth into a microphone,

1655
01:37:39,520 --> 01:37:45,760
Speaker 4: it never existed. These are all like mirages, digital mirages

1656
01:37:45,840 --> 01:37:52,799
Speaker 4: of ideas that have theoretically been materialized but not actually

1657
01:37:53,080 --> 01:37:57,599
Speaker 4: materialized in the third dimension. These are all fourth fifth

1658
01:37:57,640 --> 01:38:02,760
Speaker 4: dimensional shits being summons damn through digital contraptions, giving you

1659
01:38:02,880 --> 01:38:06,080
Speaker 4: a slice of what's happening there, but it never really

1660
01:38:06,120 --> 01:38:09,360
Speaker 4: existed in this realm. You're just getting a snapshot of

1661
01:38:09,439 --> 01:38:14,040
Speaker 4: it existing in a fifth dimensional realm. But in far

1662
01:38:14,120 --> 01:38:19,400
Speaker 4: as pushing matter, pushing particles, it never happened. We'll pretend

1663
01:38:19,479 --> 01:38:20,560
Speaker 4: like we understand that, let's do it.

1664
01:38:22,880 --> 01:38:26,880
Speaker 2: Be my teacher. Let me know, went back, he would

1665
01:38:26,880 --> 01:38:28,080
Speaker 2: have to be my teacher.

1666
01:38:27,880 --> 01:38:31,599
Speaker 4: That is it. So we were talking about Prince versus

1667
01:38:31,680 --> 01:38:35,040
Speaker 4: Michael Jackson, And then before that question they asked analog

1668
01:38:35,200 --> 01:38:37,800
Speaker 4: versus digital, and I shared with them a story when

1669
01:38:37,880 --> 01:38:41,920
Speaker 4: Prince was like, he didn't really like digital because he

1670
01:38:42,040 --> 01:38:47,720
Speaker 4: said that what happens in the analog world is particles

1671
01:38:47,760 --> 01:38:52,000
Speaker 4: are being moved when you kick a kick drum, air

1672
01:38:52,160 --> 01:38:54,640
Speaker 4: is being pushed. When you strum a guitar, air is

1673
01:38:54,720 --> 01:38:57,040
Speaker 4: going through the cavity of the guitar out into a

1674
01:38:57,160 --> 01:39:02,080
Speaker 4: microphone received on either tape or sometimes even the digital realm.

1675
01:39:02,120 --> 01:39:04,639
Speaker 4: But it still happened in the physical realm, he said,

1676
01:39:04,680 --> 01:39:08,160
Speaker 4: the digital realm working things in the virtual world is

1677
01:39:08,280 --> 01:39:12,240
Speaker 4: happening on some like different dimension, and you are getting

1678
01:39:12,280 --> 01:39:18,400
Speaker 4: a snapshot of that simulation on a digital device, but

1679
01:39:18,520 --> 01:39:19,040
Speaker 4: it never.

1680
01:39:18,960 --> 01:39:20,240
Speaker 7: Really happened in the real world.

1681
01:39:20,720 --> 01:39:26,479
Speaker 4: And then Nori said, he don't understand that, But can

1682
01:39:26,560 --> 01:39:30,439
Speaker 4: you break it down or translate what I'm saying from

1683
01:39:30,520 --> 01:39:37,040
Speaker 4: like a Brixton Street perspective. So top boys about to

1684
01:39:37,040 --> 01:39:38,759
Speaker 4: answer the top.

1685
01:39:38,680 --> 01:39:45,000
Speaker 11: Boy listen up, because we're about to take it from

1686
01:39:45,040 --> 01:39:46,400
Speaker 11: the top breaking the downstreet style.

1687
01:39:46,479 --> 01:39:46,920
Speaker 2: You feel me.

1688
01:39:47,560 --> 01:39:48,960
Speaker 4: So when we're talking him.

1689
01:39:48,880 --> 01:39:53,559
Speaker 11: About Prince and his vibe with analog versus digital, it's

1690
01:39:53,640 --> 01:39:58,120
Speaker 11: like this, imagine if you will, the analog world being

1691
01:39:58,240 --> 01:40:01,840
Speaker 11: like a live mural on them streets of Brickston, right,

1692
01:40:02,760 --> 01:40:04,960
Speaker 11: Every stroke of paint, every shade that hits the brick

1693
01:40:05,439 --> 01:40:08,760
Speaker 11: is real tangible. You kick a drum and it's like

1694
01:40:08,880 --> 01:40:11,559
Speaker 11: throwing a rock into like a pond. The ripples are

1695
01:40:11,640 --> 01:40:15,519
Speaker 11: soundwaves pushed through that air, mixing and mingling with every

1696
01:40:15,640 --> 01:40:22,280
Speaker 11: damn body's vibes out there. Strumbling on that guitar. It's

1697
01:40:22,360 --> 01:40:27,040
Speaker 11: like sending a voice through the air, traveling through rooms,

1698
01:40:27,479 --> 01:40:31,240
Speaker 11: hidden walls, and sliding into ears.

1699
01:40:31,000 --> 01:40:32,760
Speaker 2: All natural and raw.

1700
01:40:33,439 --> 01:40:37,160
Speaker 11: Now, Prince, he's saying, in the digital realm, it's a

1701
01:40:37,200 --> 01:40:41,840
Speaker 11: bit different, you dig It's like instead of painting that

1702
01:40:42,000 --> 01:40:46,479
Speaker 11: mural with your hands, you're using a virtual reality hitset.

1703
01:40:47,080 --> 01:40:47,840
Speaker 2: You're moving your.

1704
01:40:47,800 --> 01:40:54,240
Speaker 11: Hands, you're creating, but it's all happening in a different space,

1705
01:40:54,760 --> 01:40:55,960
Speaker 11: a digital space.

1706
01:40:56,560 --> 01:40:59,600
Speaker 4: You're not touching the brick no more. You're manipulating pixels.

1707
01:41:00,160 --> 01:41:02,800
Speaker 11: When you play music digitally, it's like taking a picture

1708
01:41:02,840 --> 01:41:05,600
Speaker 11: of that mural and showing it on the screen. It

1709
01:41:05,680 --> 01:41:08,960
Speaker 11: looks real, it might even feel real. But the brush

1710
01:41:09,080 --> 01:41:11,680
Speaker 11: never actually hit the wall. The air in the room

1711
01:41:11,680 --> 01:41:15,479
Speaker 11: didn't move because of those beagle beats, not directly.

1712
01:41:15,600 --> 01:41:15,760
Speaker 2: You know.

1713
01:41:16,479 --> 01:41:20,200
Speaker 11: In this digital dimension, things get calculated, approximated, and simulated.

1714
01:41:20,720 --> 01:41:23,240
Speaker 2: You get a snapshot, a representation of what happened.

1715
01:41:23,280 --> 01:41:24,120
Speaker 4: But it's just that.

1716
01:41:25,960 --> 01:41:29,759
Speaker 11: A copy of the real thing, not the original vibe itself,

1717
01:41:30,400 --> 01:41:33,200
Speaker 11: the essence, the soul, that moves the particles in the

1718
01:41:33,240 --> 01:41:36,360
Speaker 11: physical world. It kind of gets lost in translation when

1719
01:41:36,400 --> 01:41:41,920
Speaker 11: we digitize it. Prince was onto something talking about how

1720
01:41:42,040 --> 01:41:46,719
Speaker 11: living in that analog world keeps the music grounded in reality.

1721
01:41:46,880 --> 01:41:54,200
Speaker 4: You know, yeah, thanks, because that's in my notes too quickly.

1722
01:41:54,280 --> 01:41:55,040
Speaker 4: It spit that out.

1723
01:41:55,360 --> 01:41:55,519
Speaker 6: Why.

1724
01:41:56,560 --> 01:41:58,679
Speaker 1: I mean, I wanted to finish up quick time with Slive,

1725
01:41:59,000 --> 01:42:00,599
Speaker 1: but that's europe person company.

1726
01:42:01,640 --> 01:42:03,080
Speaker 2: That's what you're using right now. Yeah.

1727
01:42:03,120 --> 01:42:04,400
Speaker 7: I started it in twenty twenty.

1728
01:42:04,800 --> 01:42:10,040
Speaker 4: Wow. Me and my co founder, Cto Sneil, we were

1729
01:42:10,240 --> 01:42:12,560
Speaker 4: during COVID like everybody else. I was like, hey, have

1730
01:42:12,720 --> 01:42:16,080
Speaker 4: you noticed that to work on WhatsApp, I need to

1731
01:42:16,120 --> 01:42:18,559
Speaker 4: have a dropbox, and then I need a weed transfer

1732
01:42:18,640 --> 01:42:20,519
Speaker 4: to sending even bigger files, and.

1733
01:42:20,520 --> 01:42:21,479
Speaker 7: Then I need the email.

1734
01:42:21,600 --> 01:42:24,960
Speaker 4: Then I need a zoom, and then I need a SERI,

1735
01:42:25,360 --> 01:42:27,720
Speaker 4: and then I need a GPS. Like how come we

1736
01:42:27,840 --> 01:42:31,200
Speaker 4: can't put that all that stuff in a messenger And

1737
01:42:31,320 --> 01:42:34,760
Speaker 4: He's like, we could figure that out. I was like, really,

1738
01:42:34,800 --> 01:42:36,720
Speaker 4: we could do that. He was like, yeah, why don't

1739
01:42:36,760 --> 01:42:39,920
Speaker 4: you come up with the vision. I'll fine tune that

1740
01:42:40,080 --> 01:42:44,320
Speaker 4: vision technologically. And we started FI just he and I

1741
01:42:44,479 --> 01:42:49,639
Speaker 4: in twenty twenty and then it grew, and these systems,

1742
01:42:49,720 --> 01:42:52,559
Speaker 4: these these conversational agents that we have that we've been

1743
01:42:52,600 --> 01:42:55,439
Speaker 4: built in, that we've been building are now about to

1744
01:42:55,520 --> 01:42:57,920
Speaker 4: be launched. I'm fine tuning, Felicia. The last one you

1745
01:42:58,120 --> 01:42:58,759
Speaker 4: were talking.

1746
01:42:58,560 --> 01:43:01,400
Speaker 2: To is Felicia. Let's you keep it in the ghetto.

1747
01:43:03,120 --> 01:43:04,559
Speaker 4: Here's why, here's why this is brilliant.

1748
01:43:05,680 --> 01:43:06,080
Speaker 2: Go ahead.

1749
01:43:07,800 --> 01:43:14,080
Speaker 4: Why does intelligence only show up sound in British If

1750
01:43:14,120 --> 01:43:17,720
Speaker 4: you have, if you have like a movie that either

1751
01:43:17,840 --> 01:43:23,160
Speaker 4: sounds super British or super American. Intelligence never sounds like

1752
01:43:23,320 --> 01:43:26,680
Speaker 4: us when it's time to talk about quantum physics, it

1753
01:43:26,720 --> 01:43:29,360
Speaker 4: don't sound like us. When it's time to talk about

1754
01:43:29,439 --> 01:43:33,880
Speaker 4: quantum entanglement or synthetic biology, or it don't sound like us.

1755
01:43:34,920 --> 01:43:37,760
Speaker 4: So now is the time for like fourteen year old

1756
01:43:37,800 --> 01:43:40,400
Speaker 4: fifteen year old kids from the inner city and they

1757
01:43:40,479 --> 01:43:43,959
Speaker 4: ask a question about quantum, quantum physics or quantum entanglement

1758
01:43:44,439 --> 01:43:49,000
Speaker 4: or bioengineering. It needs to show up sounding like folks

1759
01:43:49,240 --> 01:43:52,760
Speaker 4: in those communities that are interested in those fields. It's

1760
01:43:52,800 --> 01:43:57,679
Speaker 4: like a human rights perspective that these ais don't sound

1761
01:43:57,960 --> 01:44:02,479
Speaker 4: like folks from the Congo area, from Uganda through Kenya,

1762
01:44:02,960 --> 01:44:06,640
Speaker 4: from Brixton, from fifth ward, from New Orleans.

1763
01:44:06,360 --> 01:44:08,479
Speaker 2: Forty projects for the project it does.

1764
01:44:08,760 --> 01:44:11,040
Speaker 4: It needs to sound like folks from Colombia and Puerto

1765
01:44:11,120 --> 01:44:12,879
Speaker 4: Rico and Dominica and Panama.

1766
01:44:13,280 --> 01:44:15,720
Speaker 2: You gonna have mister Lee on the app saying mister Lee,

1767
01:44:15,760 --> 01:44:17,160
Speaker 2: you gonna have his broken lass English.

1768
01:44:17,200 --> 01:44:18,640
Speaker 4: When you were speaking right there, I was like, Yo,

1769
01:44:18,680 --> 01:44:30,200
Speaker 4: I need to get this cabin studio. Nobody understands this. Really,

1770
01:44:30,600 --> 01:44:35,360
Speaker 4: that's real though, that's real. That's real intelligence. It should

1771
01:44:35,400 --> 01:44:36,040
Speaker 4: sound like us.

1772
01:44:36,920 --> 01:44:40,600
Speaker 2: You made me feel better about Hey, hold on, n

1773
01:44:40,600 --> 01:44:41,360
Speaker 2: you drinking about us?

1774
01:44:41,360 --> 01:44:46,840
Speaker 4: Hold on, Jesus, it made me.

1775
01:44:46,840 --> 01:44:52,280
Speaker 2: Feel better about AI. Okay, we literally already said Michael

1776
01:44:52,320 --> 01:44:54,439
Speaker 2: Jackson and Prince right, we did that already. Oh no, no, no,

1777
01:44:54,720 --> 01:44:56,000
Speaker 2: he never picked. He never picked.

1778
01:44:56,120 --> 01:44:58,800
Speaker 4: He just said what Prince said about analog and digital.

1779
01:44:59,280 --> 01:45:01,000
Speaker 2: Because you wrote a horses of Michael Jackson.

1780
01:45:01,600 --> 01:45:03,320
Speaker 4: I work with both of them. I worked with Mike.

1781
01:45:04,200 --> 01:45:07,120
Speaker 4: I brought Mike to go see me, uh rock with

1782
01:45:07,280 --> 01:45:08,240
Speaker 4: Prince in Vegas.

1783
01:45:08,720 --> 01:45:13,280
Speaker 8: You brought Yeah, yeah, you brought Mike to see you

1784
01:45:13,520 --> 01:45:17,519
Speaker 8: just said wait. So one time it was like anybody,

1785
01:45:18,080 --> 01:45:21,040
Speaker 8: he's like Mike, he called you, he's in Vegas.

1786
01:45:21,600 --> 01:45:24,360
Speaker 4: He's like, who you guys have a show tonight I'm like, yeah,

1787
01:45:24,360 --> 01:45:26,880
Speaker 4: we got a show going on. Ten Oh, rats, you

1788
01:45:26,960 --> 01:45:31,000
Speaker 4: know I'm be sick. Please asleep. Rats.

1789
01:45:31,640 --> 01:45:31,960
Speaker 9: I'm like.

1790
01:45:33,880 --> 01:45:39,120
Speaker 7: Rats, I'm like yeah, but we you come later, like

1791
01:45:39,200 --> 01:45:39,920
Speaker 7: in the middle of the show.

1792
01:45:40,320 --> 01:45:42,599
Speaker 4: Now, if I don't see the show from the beginning,

1793
01:45:43,000 --> 01:45:45,000
Speaker 4: it's no way for me to know what's actually going on.

1794
01:45:46,080 --> 01:45:48,080
Speaker 4: I was like, okay, so why don't you come. I'll

1795
01:45:48,120 --> 01:45:51,680
Speaker 4: be rocking with prints like around at twelve thirty. Oh,

1796
01:45:51,760 --> 01:45:55,479
Speaker 4: I can't go to that. I'm like, why Prince is

1797
01:45:55,520 --> 01:45:55,920
Speaker 4: a meaning?

1798
01:45:58,760 --> 01:45:59,160
Speaker 2: I'm like what.

1799
01:46:00,760 --> 01:46:04,560
Speaker 4: I'm like, he's a meanie. I'm like no, no, no, no, no,

1800
01:46:04,920 --> 01:46:07,240
Speaker 4: he's really nice Mike. He was like, no, you don't understand.

1801
01:46:07,280 --> 01:46:14,320
Speaker 4: One time. I'm like, no, he's really nice, man, No,

1802
01:46:14,439 --> 01:46:17,000
Speaker 4: you don't understand. Will one time he tried to run

1803
01:46:17,080 --> 01:46:20,400
Speaker 4: me and my mama over with a car. I'm like

1804
01:46:20,439 --> 01:46:22,640
Speaker 4: wait what. He was like, yeah, I'm telling you. They

1805
01:46:22,760 --> 01:46:27,040
Speaker 4: always always put me in canst him. I'm like, listen,

1806
01:46:27,200 --> 01:46:29,920
Speaker 4: it's different now, why don't you just He'll be really

1807
01:46:29,960 --> 01:46:31,040
Speaker 4: happy to see are you sure.

1808
01:46:31,080 --> 01:46:32,760
Speaker 7: I'm like, yeah, let me call I'm gonna call you back.

1809
01:46:32,920 --> 01:46:35,599
Speaker 4: I'm a car ruth. I'm like your ruth. Mike wants

1810
01:46:35,640 --> 01:46:39,800
Speaker 4: to come see Prince tonight at the Rio. Who's Ruth?

1811
01:46:40,360 --> 01:46:41,000
Speaker 4: Ruth was Mike.

1812
01:46:41,840 --> 01:46:43,280
Speaker 7: Ruth was Prince's right hand.

1813
01:46:44,840 --> 01:46:47,439
Speaker 4: Who used to coordinate all of this, like you know,

1814
01:46:47,600 --> 01:46:52,320
Speaker 4: scheduling and meetings and shows and after parties. So she

1815
01:46:52,439 --> 01:46:54,479
Speaker 4: was like, Okay, we could put Mike a in a section.

1816
01:46:54,840 --> 01:46:57,160
Speaker 4: I'm like, cool, great, I think he's coming with like

1817
01:46:57,240 --> 01:47:00,280
Speaker 4: five people. Everything I'm saying, if you see Chris Schuck

1818
01:47:00,320 --> 01:47:02,720
Speaker 4: Her and you see ce Low, they'll vouch for you

1819
01:47:02,800 --> 01:47:07,360
Speaker 4: on this Celo Green, Yeah, okay. So I'm like, Mike,

1820
01:47:07,520 --> 01:47:10,479
Speaker 4: everything's straight. Are they gonna put you in a section?

1821
01:47:10,880 --> 01:47:13,000
Speaker 4: It's gonna be awesome. He was like, are you sure?

1822
01:47:13,080 --> 01:47:16,599
Speaker 4: I'm like, trust, Mike's gonna be awesome. So I'm late.

1823
01:47:17,280 --> 01:47:19,479
Speaker 7: Everything I'm saying is true. I'm late.

1824
01:47:19,560 --> 01:47:22,080
Speaker 4: I'm like, oh, shumped up to be late. It's twelve

1825
01:47:22,160 --> 01:47:23,640
Speaker 4: thirty Mike supposed to be waiting for me.

1826
01:47:23,720 --> 01:47:23,880
Speaker 2: There.

1827
01:47:24,160 --> 01:47:27,800
Speaker 4: I go on at twelve forty five. Excuse me? Cap, Like,

1828
01:47:27,880 --> 01:47:29,600
Speaker 4: how long is it gonna take to get there? He's like,

1829
01:47:29,880 --> 01:47:31,559
Speaker 4: firsteam cab. Yeah, I'm on a cap.

1830
01:47:31,640 --> 01:47:32,400
Speaker 9: You in a cab?

1831
01:47:34,320 --> 01:47:37,200
Speaker 2: Yeah, story, this is awesome.

1832
01:47:37,920 --> 01:47:42,680
Speaker 4: You take cab? Know uber in two thousand, there's two

1833
01:47:42,720 --> 01:47:44,040
Speaker 4: thousand in freaking what year was that?

1834
01:47:44,120 --> 01:47:44,639
Speaker 2: Two thousand?

1835
01:47:44,680 --> 01:47:47,679
Speaker 4: Car service for this? Two thousand and seven, the biggest

1836
01:47:47,760 --> 01:47:50,559
Speaker 4: fucking no two thousand and seven, No, not yet.

1837
01:47:52,479 --> 01:47:55,679
Speaker 7: Two thousand and seven. We was kind of there, not bare.

1838
01:47:57,479 --> 01:47:59,120
Speaker 2: To show you for that.

1839
01:47:59,600 --> 01:48:02,200
Speaker 7: You signed no because we ain't got to. I got

1840
01:48:02,280 --> 01:48:02,680
Speaker 7: a feeling it.

1841
01:48:03,200 --> 01:48:06,400
Speaker 4: Oh God. So in reality, now that we know what

1842
01:48:06,479 --> 01:48:09,320
Speaker 4: we know in two thousand and seven, we wasn't that big. Okay, Okay.

1843
01:48:09,800 --> 01:48:13,040
Speaker 4: So I'm like, oh, Cap, stop the car. I'm running.

1844
01:48:13,520 --> 01:48:16,360
Speaker 4: So I get out the car and I run. Somebody

1845
01:48:16,479 --> 01:48:21,920
Speaker 4: is like white Cliff, I'm like to go boysucking Prince,

1846
01:48:21,960 --> 01:48:25,560
Speaker 4: and Mike's there, like day, white Cliff ain't here, Nigga.

1847
01:48:27,320 --> 01:48:30,800
Speaker 7: Run to the thing. Ruth's like, you gotta go on now,

1848
01:48:30,920 --> 01:48:31,559
Speaker 7: gives me the mic.

1849
01:48:31,600 --> 01:48:34,120
Speaker 4: I'm like your Mike. So he's like, okay, I'll be

1850
01:48:34,479 --> 01:48:36,960
Speaker 4: watching you. And at this time, I've already been working

1851
01:48:37,000 --> 01:48:38,960
Speaker 4: with Mike from two thousand and five two thousand and six,

1852
01:48:39,000 --> 01:48:40,599
Speaker 4: and he came to see me wrapping Prince two thousand

1853
01:48:40,600 --> 01:48:43,880
Speaker 4: and seven. I go on stage, I do my ship

1854
01:48:43,960 --> 01:48:46,759
Speaker 4: freestyle Da da da da da da. I come off stage.

1855
01:48:46,800 --> 01:48:49,960
Speaker 4: I go sit where Mike where Prince has Mike situated,

1856
01:48:50,880 --> 01:48:55,400
Speaker 4: and I said, it's me here, Chris uh, Chris Tucker here,

1857
01:48:56,400 --> 01:49:02,519
Speaker 4: Ruth Michael Jackson's Prince manager managers here, and then Mike there. Okay,

1858
01:49:03,520 --> 01:49:08,360
Speaker 4: So Mike whispers and Ruth's ear Ruth didn talks to

1859
01:49:08,400 --> 01:49:10,760
Speaker 4: me and says, Mike wants to know, why didn't you

1860
01:49:10,840 --> 01:49:14,720
Speaker 4: acknowledge Mike while you were on stage. I'm like, uh,

1861
01:49:15,600 --> 01:49:21,519
Speaker 4: oh what a Mike tell him that this is in

1862
01:49:21,640 --> 01:49:26,719
Speaker 4: my stage and I can't disrespect Prince on Princess stage.

1863
01:49:27,479 --> 01:49:29,679
Speaker 4: So it's no disrespect, it's just that that's not my stage.

1864
01:49:30,479 --> 01:49:32,960
Speaker 4: I'm like, I'm sorry, bro, sorry. So then he's like,

1865
01:49:33,000 --> 01:49:35,280
Speaker 4: oh no, it's okay, it's okay, whispers and Prince's ear

1866
01:49:35,400 --> 01:49:38,840
Speaker 4: and Ruth's ear Ruth didn tells talks to me. Mike

1867
01:49:38,920 --> 01:49:41,639
Speaker 4: wants to know how come Prince hasn't acknowledged him on stage.

1868
01:49:41,800 --> 01:49:43,000
Speaker 4: I'm like, oh.

1869
01:49:45,439 --> 01:49:47,280
Speaker 2: So, I'm like, oh like bless and grips.

1870
01:49:47,439 --> 01:49:48,040
Speaker 4: I'm like your Mike.

1871
01:49:48,720 --> 01:49:50,519
Speaker 7: So Prince is still on stage while this is all happened.

1872
01:49:50,520 --> 01:49:52,840
Speaker 4: He's playing. I'm like, oh no, I think because he

1873
01:49:52,960 --> 01:49:55,680
Speaker 4: has you in the VIP section, he's not trying to

1874
01:49:55,680 --> 01:49:59,280
Speaker 4: blow your cover. Yeah, he's not trying to blow cover.

1875
01:49:59,320 --> 01:50:01,400
Speaker 4: It ain't nothing like that that Like, oh man, He's like, oh,

1876
01:50:01,520 --> 01:50:04,320
Speaker 4: it's okay, it's okay. That's okay. And so as that

1877
01:50:04,479 --> 01:50:08,679
Speaker 4: conversation dies down, Princeton comes in front of us, walks

1878
01:50:08,720 --> 01:50:14,160
Speaker 4: through the crowd performance. While he's performing, plays the bass,

1879
01:50:15,000 --> 01:50:16,719
Speaker 4: aims the bass in Mike's face.

1880
01:50:18,120 --> 01:50:18,519
Speaker 11: And like.

1881
01:50:22,600 --> 01:50:32,479
Speaker 4: Nigga's like, Mike's like right, this dude like flicks his hair,

1882
01:50:33,840 --> 01:50:37,320
Speaker 4: walks off, and then Mike's like okay. So then five

1883
01:50:37,360 --> 01:50:42,519
Speaker 4: minutes later, different times, five minutes later, he's like, I

1884
01:50:42,600 --> 01:50:46,080
Speaker 4: gotta go me me in my house for breakfast. And

1885
01:50:46,160 --> 01:50:49,840
Speaker 4: so I'm like all right. So he leaves breakfast, he

1886
01:50:49,960 --> 01:50:52,680
Speaker 4: leads to his house. Like what time He's like like

1887
01:50:52,840 --> 01:50:54,960
Speaker 4: seven o'clock in the morning. I'm like all right, cool,

1888
01:50:55,640 --> 01:50:58,160
Speaker 4: So he leaves. I go to his house for breakfast.

1889
01:50:58,240 --> 01:51:01,479
Speaker 4: Knock on the door because we're working now. I bring

1890
01:51:01,560 --> 01:51:05,280
Speaker 4: my laptop, bring everything, my hard drives. We're gonna work tomorrow.

1891
01:51:05,439 --> 01:51:08,720
Speaker 4: So I go knock on this door. As soon as

1892
01:51:08,760 --> 01:51:11,080
Speaker 4: I open up the door, he's like, why did Prince

1893
01:51:11,160 --> 01:51:14,479
Speaker 4: play the pace in my face? I was like, oh no,

1894
01:51:14,560 --> 01:51:16,280
Speaker 4: I just think he was just trying to respect. No,

1895
01:51:16,439 --> 01:51:20,759
Speaker 4: you don't kid it. He's a meanie. He's a meanie.

1896
01:51:21,400 --> 01:51:22,960
Speaker 4: One time I got told you he tried to run

1897
01:51:23,000 --> 01:51:25,720
Speaker 4: me and my mama over with a car. And so

1898
01:51:26,000 --> 01:51:30,880
Speaker 4: pause fast forward. Quincy Jones calls me. He's like, hey,

1899
01:51:30,960 --> 01:51:33,439
Speaker 4: where I am, man, where's my song?

1900
01:51:33,560 --> 01:51:33,760
Speaker 11: Man?

1901
01:51:34,400 --> 01:51:36,080
Speaker 4: I've been waiting for that song for a long time.

1902
01:51:36,120 --> 01:51:38,160
Speaker 4: When I am I got this new record coming out, Man,

1903
01:51:38,200 --> 01:51:41,880
Speaker 4: I knew that song. Where I Am. I'm like, oh my, Quincy,

1904
01:51:41,960 --> 01:51:44,479
Speaker 4: I've just been traveling, you know, playing for this new

1905
01:51:44,520 --> 01:51:47,000
Speaker 4: Black Eyed Peas record and working with Mike at the

1906
01:51:47,000 --> 01:51:50,479
Speaker 4: same time. He's like, listen, you're wasting your time with Mike.

1907
01:51:50,520 --> 01:51:53,120
Speaker 4: Ain't nothing ever gonna come out. I was like, no, no, no,

1908
01:51:53,160 --> 01:51:55,519
Speaker 4: I don't think you understand. Mike came with me to

1909
01:51:55,640 --> 01:51:59,240
Speaker 4: see Prince reform. You did what. I'm like, yeah, he

1910
01:51:59,360 --> 01:52:01,800
Speaker 4: came to see me perform a Prince. He's like, well,

1911
01:52:02,000 --> 01:52:04,960
Speaker 4: if you got Mike to come see you perform a Prince, well,

1912
01:52:05,000 --> 01:52:07,120
Speaker 4: then man, I think you moving something. At one time,

1913
01:52:08,960 --> 01:52:10,640
Speaker 4: Prince tried to run that nigga over with a car.

1914
01:52:12,400 --> 01:52:14,720
Speaker 7: I'm like, are you serious? That's what Mike said.

1915
01:52:14,720 --> 01:52:16,680
Speaker 4: He was like, hey, lying. I need you do your

1916
01:52:16,720 --> 01:52:20,639
Speaker 4: favorite will I am go on YouTube type in Prince,

1917
01:52:20,760 --> 01:52:24,880
Speaker 4: Michael Jackson, James Brown. And after this show is when

1918
01:52:25,200 --> 01:52:28,479
Speaker 4: Prince s thought Michael Jackson sabotage him, because while Prince

1919
01:52:28,560 --> 01:52:31,320
Speaker 4: came on stage, he held on to this light pole

1920
01:52:31,800 --> 01:52:35,720
Speaker 4: and then he thought that light pole was a sabotage

1921
01:52:35,760 --> 01:52:37,759
Speaker 4: and he fell into the crowd and almost hurt himself.

1922
01:52:38,240 --> 01:52:40,439
Speaker 4: So Prince thought that was a.

1923
01:52:40,560 --> 01:52:41,240
Speaker 7: Move from Mike.

1924
01:52:41,439 --> 01:52:45,960
Speaker 4: And you could see Michael on because James Brown was like,

1925
01:52:47,520 --> 01:52:51,400
Speaker 4: ladies and gentlemen, we got somebody in the house. Michael, Michael,

1926
01:52:51,439 --> 01:52:54,720
Speaker 4: get up on stage. Michael, come on, Michael, and Mike

1927
01:52:54,880 --> 01:52:58,680
Speaker 4: kicks up on stage, does this little thing, does a

1928
01:52:58,720 --> 01:53:02,760
Speaker 4: little freaking dance, and then Michael, if you see this video,

1929
01:53:02,840 --> 01:53:06,680
Speaker 4: then goes whispers in James Brown's ear. And you know

1930
01:53:07,200 --> 01:53:10,040
Speaker 4: since that whispering shit, that that's all it has to

1931
01:53:10,080 --> 01:53:13,679
Speaker 4: be true, because then what it looks like is from

1932
01:53:13,720 --> 01:53:14,839
Speaker 4: what I could gather.

1933
01:53:16,120 --> 01:53:19,160
Speaker 7: It said, it looks like he said, this is.

1934
01:53:19,280 --> 01:53:22,360
Speaker 4: Kuy out there in the audience, and everybody's comparing me

1935
01:53:22,479 --> 01:53:25,080
Speaker 4: to him, and I'm nothing like him. I need you

1936
01:53:25,160 --> 01:53:27,240
Speaker 4: to bring it up because we both are inspired by

1937
01:53:27,280 --> 01:53:29,160
Speaker 4: you and I love you and he loves you too,

1938
01:53:29,400 --> 01:53:32,000
Speaker 4: but once for people need to know that I am

1939
01:53:32,120 --> 01:53:33,960
Speaker 4: not him and he is not me, and we need

1940
01:53:34,040 --> 01:53:37,679
Speaker 4: the industry needs to know it. Please, I insist, please.

1941
01:53:37,840 --> 01:53:40,080
Speaker 4: So then, Mike, this is what you think they said?

1942
01:53:40,240 --> 01:53:43,559
Speaker 7: Yeah, because what happens after that, James Brown says, and.

1943
01:53:43,600 --> 01:53:45,960
Speaker 4: Give it up him, Michael, because he insists that I

1944
01:53:46,040 --> 01:53:50,080
Speaker 4: bring up Prince. Prince Prince Chris.

1945
01:53:49,880 --> 01:53:50,719
Speaker 2: Come up upstairs.

1946
01:53:51,240 --> 01:53:54,360
Speaker 4: So then Prince hops on the security guards like a

1947
01:53:54,479 --> 01:53:59,479
Speaker 4: piggyback ride. This dude's on piggyback ride. It's all on YouTube.

1948
01:54:00,280 --> 01:54:03,960
Speaker 4: Prince Thing comes on stage, does his little thing, scream

1949
01:54:05,200 --> 01:54:07,760
Speaker 4: down down, then tries to get the crowd to clap.

1950
01:54:07,840 --> 01:54:10,519
Speaker 4: They ain't clapping. He does his little he does his

1951
01:54:10,640 --> 01:54:15,400
Speaker 4: like terror doctor screen, walks off, grabs a hold of

1952
01:54:15,439 --> 01:54:19,000
Speaker 4: this light pole, falls and almost busts his ass into

1953
01:54:19,040 --> 01:54:21,840
Speaker 4: the crowd. And then from there the legend has it

1954
01:54:22,000 --> 01:54:24,719
Speaker 4: is he got into his car and try to fund

1955
01:54:24,840 --> 01:54:28,360
Speaker 4: him and mama over with a car. And so what

1956
01:54:28,479 --> 01:54:30,360
Speaker 4: I then when Mike then come in came over my

1957
01:54:30,479 --> 01:54:35,520
Speaker 4: house to record, I'm like, oh, yeah, what you was

1958
01:54:35,560 --> 01:54:35,880
Speaker 4: telling me?

1959
01:54:36,000 --> 01:54:38,440
Speaker 7: Quincy Jones verified it. I told you will I was

1960
01:54:38,520 --> 01:54:39,040
Speaker 7: not lying.

1961
01:54:39,680 --> 01:54:43,360
Speaker 4: I'm not lying. He's a meanie. And he also showed me,

1962
01:54:43,400 --> 01:54:46,160
Speaker 4: told me about this video that's on YouTube. What's YouTube?

1963
01:54:46,840 --> 01:54:48,880
Speaker 4: I was like, look, let me show you take that down?

1964
01:54:48,920 --> 01:54:52,880
Speaker 4: Who got that that from? Where should get that video from?

1965
01:54:52,920 --> 01:54:53,400
Speaker 12: Take that down?

1966
01:54:53,440 --> 01:54:55,480
Speaker 4: I was like, wait, wait, wait, mean to take it down?

1967
01:54:56,000 --> 01:54:59,920
Speaker 4: It's on the internet, WANs it's on YouTube. What's YouTube?

1968
01:55:01,000 --> 01:55:04,040
Speaker 4: I swear to go go on YouTube right now www

1969
01:55:04,120 --> 01:55:06,680
Speaker 4: dot YouTube dot com. Going to search thing. But Michael Jackson,

1970
01:55:06,760 --> 01:55:09,480
Speaker 4: Prince James Brown, you see it ain't no lies toe here.

1971
01:55:09,600 --> 01:55:14,200
Speaker 4: I'm for real. So so who Prince Michael Jackson? You

1972
01:55:14,280 --> 01:55:15,680
Speaker 4: still ain't picked both men.

1973
01:55:21,320 --> 01:55:25,920
Speaker 2: Look, I ain't gonna lodge. You exceeded everything. Think. Let

1974
01:55:25,920 --> 01:55:28,960
Speaker 2: me think of PPCA, hold it down. Everything I thought

1975
01:55:29,040 --> 01:55:30,800
Speaker 2: you was gonna be. You exceeded everything.

1976
01:55:31,280 --> 01:55:33,440
Speaker 1: You are all right, hold on, Let's let's try to

1977
01:55:33,440 --> 01:55:35,200
Speaker 1: finish this up as fast as you can, because I

1978
01:55:35,280 --> 01:55:35,800
Speaker 1: know you gotta go.

1979
01:55:36,520 --> 01:55:39,320
Speaker 2: H ship. But damn, that story was so fucking great.

1980
01:55:40,280 --> 01:55:43,520
Speaker 2: MPC two thousand or the r S ten.

1981
01:55:44,240 --> 01:55:46,480
Speaker 4: Oh, I don't know, I don't need I don't even

1982
01:55:46,560 --> 01:55:48,360
Speaker 4: understand s aar S tens.

1983
01:55:48,600 --> 01:55:52,640
Speaker 2: So NPCs NPC Okay, move on, pro tools.

1984
01:55:52,360 --> 01:55:57,600
Speaker 1: Are logic pro toos logic is old folks logs, reggae

1985
01:55:57,640 --> 01:56:05,600
Speaker 1: thong right, it is no bro, I'm bugging, I'm bugging. Okay,

1986
01:56:05,680 --> 01:56:08,839
Speaker 1: my bad. Your TV raps of Rap City.

1987
01:56:10,440 --> 01:56:13,520
Speaker 4: Oh man, ain't no rap City without your TV raps.

1988
01:56:13,760 --> 01:56:20,000
Speaker 4: So but rap City was super important for all the

1989
01:56:20,160 --> 01:56:23,240
Speaker 4: versions of hip hop. They talked about South hip hop,

1990
01:56:23,320 --> 01:56:27,720
Speaker 4: they talked about freaking you know, uh New York hip

1991
01:56:27,760 --> 01:56:29,800
Speaker 4: hop of course, but then they also talked about Philly

1992
01:56:30,320 --> 01:56:33,280
Speaker 4: on on umt raps. They talked about Virginia. They talked

1993
01:56:33,320 --> 01:56:38,720
Speaker 4: about they gave Love and Chicago. Rap City like put

1994
01:56:38,720 --> 01:56:43,360
Speaker 4: a spotlight on all different tones and vibrants and frequency

1995
01:56:43,400 --> 01:56:43,840
Speaker 4: of hip hop.

1996
01:56:44,200 --> 01:56:52,360
Speaker 1: So so going both both Okay, boys in the Hood

1997
01:56:52,600 --> 01:56:57,400
Speaker 1: or minister society, boys in hood riz or Alchemists.

1998
01:57:01,040 --> 01:57:04,400
Speaker 7: I grew up with Alan Alchemist.

1999
01:57:05,800 --> 01:57:09,320
Speaker 4: For his name is so like that dude. When I

2000
01:57:09,360 --> 01:57:12,360
Speaker 4: signed a Ruthless he was with Mugs and then get

2001
01:57:12,400 --> 01:57:16,080
Speaker 4: the funk out of here. Yeah, they were the hooligans,

2002
01:57:16,120 --> 01:57:18,080
Speaker 4: and we were in a group called that. We're in

2003
01:57:18,120 --> 01:57:21,680
Speaker 4: a group called at Ban Wow and uh we would

2004
01:57:21,680 --> 01:57:24,480
Speaker 4: go to this club together that the club where I

2005
01:57:24,520 --> 01:57:25,200
Speaker 4: used to freestyle.

2006
01:57:25,600 --> 01:57:27,560
Speaker 2: Did you hang out on Fairfax. I feel like, yeah,

2007
01:57:28,520 --> 01:57:28,880
Speaker 2: so they I.

2008
01:57:28,920 --> 01:57:29,839
Speaker 7: Think they went to Beverly.

2009
01:57:29,960 --> 01:57:33,560
Speaker 4: I want to Palisades. We would hang out on Fairfax

2010
01:57:34,080 --> 01:57:37,800
Speaker 4: in Venice Beach and but we went to this club

2011
01:57:37,960 --> 01:57:42,480
Speaker 4: called Ballistics together. So like I grew up musically with

2012
01:57:43,440 --> 01:57:51,880
Speaker 4: with al Okay, Ice Cuba, Biggie Smalls, ice Cube, Doctor Dre,

2013
01:57:53,320 --> 01:58:01,280
Speaker 4: doctor Dre. Who is it another one, doctor Dre Premier. Wow,

2014
01:58:02,280 --> 01:58:04,640
Speaker 4: you can't even put those two things in the same freaking.

2015
01:58:04,400 --> 01:58:07,920
Speaker 2: Catagalist Columbian and a Dominican section. That's what it is.

2016
01:58:11,080 --> 01:58:17,680
Speaker 2: That's a both, that's a that's a both solu. That's like, yo,

2017
01:58:18,920 --> 01:58:19,960
Speaker 2: gotta take a shot though.

2018
01:58:20,000 --> 01:58:20,680
Speaker 3: The Sun.

2019
01:58:22,160 --> 01:58:28,320
Speaker 4: Watching the Sun or the Milky Way galaxy Without the Sun,

2020
01:58:28,480 --> 01:58:33,600
Speaker 4: we're not in orbit to go around the galaxy. That

2021
01:58:33,800 --> 01:58:36,720
Speaker 4: but we need the Sun and we need the galaxy.

2022
01:58:36,960 --> 01:58:39,200
Speaker 4: You can't take either of them out. They're like two

2023
01:58:39,320 --> 01:58:56,480
Speaker 4: separate systems in y C or Miami. Without Miami, you

2024
01:58:56,640 --> 01:59:03,000
Speaker 4: have no party, thank you, you have no party that

2025
01:59:03,120 --> 01:59:05,760
Speaker 4: the whole America could be. Like, I get with that.

2026
01:59:06,680 --> 01:59:09,640
Speaker 4: I want to party like you have no Luke, you

2027
01:59:09,720 --> 01:59:16,280
Speaker 4: have no you have none of that. So that you

2028
01:59:16,440 --> 01:59:20,520
Speaker 4: have no freaking is Lisa Lisa from out here. I

2029
01:59:20,560 --> 01:59:25,480
Speaker 4: don't think what's your fin Yeah, oh ship, we don't have.

2030
01:59:25,520 --> 01:59:30,000
Speaker 2: Hip hop, so yeah, I'm trying. I'm trying to mind

2031
01:59:30,040 --> 01:59:30,400
Speaker 2: my business.

2032
01:59:30,640 --> 01:59:33,640
Speaker 4: You have to beat the way well Miami, yeah nothing.

2033
01:59:33,680 --> 01:59:34,960
Speaker 7: Yeah, so they both, that's a both.

2034
01:59:35,160 --> 01:59:37,960
Speaker 2: Let's go what so stated you say that said that

2035
01:59:39,280 --> 01:59:39,720
Speaker 2: he's got to.

2036
01:59:39,680 --> 01:59:44,400
Speaker 4: Get out of here, by the way, he's gotta fight Cheers, cheers, cheers.

2037
01:59:44,440 --> 01:59:45,640
Speaker 2: Eighties or nineties? Hip hop?

2038
01:59:49,920 --> 01:59:50,600
Speaker 4: What nineties?

2039
01:59:50,960 --> 01:59:52,040
Speaker 2: Whatever the nineties you want?

2040
01:59:53,200 --> 01:59:57,520
Speaker 4: Early nineties, I would go no tricks in eighty six,

2041
01:59:57,960 --> 01:59:59,280
Speaker 4: it's trying to build to.

2042
02:00:01,600 --> 02:00:02,320
Speaker 7: What you're gonna do.

2043
02:00:02,560 --> 02:00:05,680
Speaker 4: And Naughty two, even though we have fun in Naughty one,

2044
02:00:05,760 --> 02:00:08,320
Speaker 4: and I was stopping ninety two, and I would go

2045
02:00:08,400 --> 02:00:09,920
Speaker 4: from eighty six to ninety two, and I'd be like,

2046
02:00:10,040 --> 02:00:12,720
Speaker 4: that's the best era a hip hop. I would extend

2047
02:00:12,760 --> 02:00:17,640
Speaker 4: to ninety three. I would go from eighty from eighty

2048
02:00:17,720 --> 02:00:21,800
Speaker 4: six to and be like, that's the best era. That

2049
02:00:21,920 --> 02:00:22,680
Speaker 4: is the golden era.

2050
02:00:23,720 --> 02:00:24,480
Speaker 7: We need both of them.

2051
02:00:24,520 --> 02:00:28,040
Speaker 2: We need eighties and nineties Steve Jobs or Elon Musk.

2052
02:00:31,720 --> 02:00:36,160
Speaker 4: Damn, both of those cats. Is why my life my

2053
02:00:36,440 --> 02:00:40,480
Speaker 4: why my life is nice because you designed the car

2054
02:00:40,560 --> 02:00:43,240
Speaker 4: too right, So I invested in Tesla in two thousand

2055
02:00:43,280 --> 02:00:46,440
Speaker 4: and six before Elon took over it like right around

2056
02:00:46,480 --> 02:00:46,960
Speaker 4: the same time.

2057
02:00:48,120 --> 02:00:48,640
Speaker 8: And then.

2058
02:00:50,200 --> 02:00:54,240
Speaker 4: I was a part of Beats, and then Apple bought

2059
02:00:54,280 --> 02:00:58,240
Speaker 4: Beats from us. So you're talking about two companies that

2060
02:00:58,320 --> 02:01:06,720
Speaker 4: are like, uh, fat changed my life, right, So I

2061
02:01:06,840 --> 02:01:07,480
Speaker 4: say both.

2062
02:01:08,120 --> 02:01:11,880
Speaker 2: I love I love you. Playing the game, yeah, goddamn game.

2063
02:01:11,960 --> 02:01:13,000
Speaker 4: All right, Look at the boy the.

2064
02:01:15,440 --> 02:01:16,120
Speaker 2: Sports chans.

2065
02:01:16,120 --> 02:01:16,760
Speaker 4: We back.

2066
02:01:18,840 --> 02:01:22,640
Speaker 5: Local game, drink chands, Army, download the Underdog fantasy ad.

2067
02:01:22,720 --> 02:01:24,680
Speaker 5: You the code drink Champs to get matched up to

2068
02:01:24,720 --> 02:01:25,760
Speaker 5: one hundred dollars deposit.

2069
02:01:25,960 --> 02:01:29,040
Speaker 4: That's right, right, So, uh, we're still in the playoffs.

2070
02:01:29,400 --> 02:01:31,480
Speaker 2: We're still in the playoffs. Let's let's not just talk

2071
02:01:31,480 --> 02:01:38,200
Speaker 2: about the playoffs, Okay, Nicks, good lord.

2072
02:01:38,840 --> 02:01:40,680
Speaker 5: For the first time in eighteen years, I'll be a

2073
02:01:40,760 --> 02:01:42,640
Speaker 5: Knicks fan for this round. I'll be a Knicks fan

2074
02:01:42,680 --> 02:01:43,120
Speaker 5: for this round.

2075
02:01:44,080 --> 02:01:44,880
Speaker 2: Listen, we don't want to.

2076
02:01:47,120 --> 02:01:47,600
Speaker 10: You just stay.

2077
02:01:47,720 --> 02:01:48,640
Speaker 2: You can stay where you are.

2078
02:01:49,800 --> 02:01:52,200
Speaker 5: To tally of the pigs that we had last week,

2079
02:01:52,480 --> 02:01:55,200
Speaker 5: nor you were seven for nine, seven for nine, ef

2080
02:01:55,280 --> 02:01:58,000
Speaker 5: N was five for seven, I was two for three,

2081
02:01:58,480 --> 02:02:01,360
Speaker 5: Sonny d BT was four for seven, and Diego three.

2082
02:02:01,400 --> 02:02:09,080
Speaker 5: For sake, we're gonna go right into Game three, number

2083
02:02:09,160 --> 02:02:13,000
Speaker 5: one seeded Boston Celtics against the number eight Heat. It's

2084
02:02:13,120 --> 02:02:16,920
Speaker 5: game three, Uh, Jason Tatum six point five points in

2085
02:02:16,960 --> 02:02:17,640
Speaker 5: the first quarter.

2086
02:02:18,080 --> 02:02:19,080
Speaker 2: Is the higher or lower?

2087
02:02:19,320 --> 02:02:22,400
Speaker 1: Jason tells us to do that, look like Drake right, Yes, hiss,

2088
02:02:22,520 --> 02:02:23,200
Speaker 1: Caro will be popping.

2089
02:02:24,040 --> 02:02:25,880
Speaker 4: He'll go hi higher, Sonny.

2090
02:02:26,000 --> 02:02:28,200
Speaker 2: I say lower because he tries to pass and get

2091
02:02:28,240 --> 02:02:28,840
Speaker 2: the other the.

2092
02:02:28,880 --> 02:02:31,520
Speaker 4: Rest of his team to the Mikenny in the first quarter.

2093
02:02:31,600 --> 02:02:33,840
Speaker 2: He tries to get his team involved. So I'm gonna

2094
02:02:33,840 --> 02:02:36,360
Speaker 2: say lower. And the Heat has the top five defense too.

2095
02:02:37,080 --> 02:02:39,320
Speaker 4: I think Jayson dam is coming out shooting higher.

2096
02:02:39,800 --> 02:02:41,760
Speaker 2: Okay, if I'm gonna go lower, I agree with you.

2097
02:02:41,840 --> 02:02:42,960
Speaker 4: Gonna go lower all right.

2098
02:02:43,200 --> 02:02:45,760
Speaker 5: Now, in total of the end of the game, he's

2099
02:02:45,800 --> 02:02:47,160
Speaker 5: averaging twenty six point five.

2100
02:02:47,200 --> 02:02:51,040
Speaker 2: Would that be higher or lower? I'm gonna go higher again.

2101
02:02:51,400 --> 02:02:53,160
Speaker 4: Jayson Datum has to have a big game to beat

2102
02:02:53,160 --> 02:02:53,480
Speaker 4: the Heat.

2103
02:02:53,680 --> 02:02:56,880
Speaker 2: Yeah, and this is they're playing in Boston, power in Miami.

2104
02:02:56,960 --> 02:02:57,360
Speaker 4: Game three.

2105
02:02:57,440 --> 02:02:59,360
Speaker 2: The game three is in Miami. Yes, I think I

2106
02:02:59,440 --> 02:03:01,480
Speaker 2: think he got I think you got chicks out here.

2107
02:03:01,760 --> 02:03:05,080
Speaker 5: So he goes to show up. Now Bam out of battle.

2108
02:03:05,720 --> 02:03:07,720
Speaker 5: Newly named Olympian for the USA.

2109
02:03:07,880 --> 02:03:08,320
Speaker 2: Congratulate.

2110
02:03:08,360 --> 02:03:10,200
Speaker 5: He's averaging seventeen point five points.

2111
02:03:10,400 --> 02:03:11,440
Speaker 2: Is he going higher or lower?

2112
02:03:11,920 --> 02:03:12,320
Speaker 4: At home?

2113
02:03:12,920 --> 02:03:15,880
Speaker 2: Sonny Higher, He's at home and that's the only shot

2114
02:03:15,920 --> 02:03:16,280
Speaker 2: they got.

2115
02:03:16,520 --> 02:03:20,360
Speaker 5: Yeah, higher, higher is a clean sweep. I'm going higher

2116
02:03:20,400 --> 02:03:23,040
Speaker 5: as well. Now for the shooting guard. We got Tyler

2117
02:03:23,080 --> 02:03:26,120
Speaker 5: Hero five point five points in the first quarter under

2118
02:03:26,200 --> 02:03:28,960
Speaker 5: dog Fantasy. They're going tight five point five in the

2119
02:03:29,000 --> 02:03:29,440
Speaker 5: first quarter.

2120
02:03:29,640 --> 02:03:30,200
Speaker 2: Higher, lower.

2121
02:03:30,800 --> 02:03:33,840
Speaker 4: I think Tyler Hero is still missing his shots. Lower.

2122
02:03:34,800 --> 02:03:38,040
Speaker 4: You said that too, I'm shots you know.

2123
02:03:38,960 --> 02:03:40,080
Speaker 2: I don't know I'm going.

2124
02:03:45,040 --> 02:03:48,800
Speaker 4: Because I supposed to Jimmy Butler when and said, yo,

2125
02:03:48,880 --> 02:03:50,400
Speaker 4: you missing. No, we don't do gossips.

2126
02:03:50,440 --> 02:03:50,840
Speaker 6: I'm with you.

2127
02:03:53,240 --> 02:03:55,640
Speaker 2: I love the attitude. Niggas doing well. I'm not mad

2128
02:03:55,640 --> 02:03:56,480
Speaker 2: at right now.

2129
02:03:56,640 --> 02:04:01,080
Speaker 5: Jalen Brown first quarter six points Offen higher higher, hired

2130
02:04:01,160 --> 02:04:02,040
Speaker 5: singing in the first quarter.

2131
02:04:02,640 --> 02:04:06,440
Speaker 2: So higher, he's having a great Yeah, he's everything higher

2132
02:04:06,480 --> 02:04:09,400
Speaker 2: for him. I'm not man, all right. Yeah, he was convinced.

2133
02:04:09,440 --> 02:04:10,000
Speaker 2: I'm going high.

2134
02:04:10,200 --> 02:04:11,000
Speaker 4: Drink cham Army.

2135
02:04:11,160 --> 02:04:14,480
Speaker 5: We are paying attention and we're doing a great job.

2136
02:04:14,840 --> 02:04:19,120
Speaker 5: So rebound were to patch yourself on the back. You

2137
02:04:19,200 --> 02:04:21,680
Speaker 5: have to encourage ourselves. They know that we're doing it right.

2138
02:04:21,760 --> 02:04:22,120
Speaker 4: That's right.

2139
02:04:22,920 --> 02:04:26,000
Speaker 5: So Jaden Brown on rebound seeks total rebounds in the game,

2140
02:04:26,040 --> 02:04:27,120
Speaker 5: will that be higher or lower?

2141
02:04:29,200 --> 02:04:33,800
Speaker 2: Higher the total game? Yes, yeah, I say he'll go higher,

2142
02:04:34,760 --> 02:04:37,520
Speaker 2: definitely higher. I'm going lower on this ef N.

2143
02:04:38,600 --> 02:04:40,440
Speaker 4: I'll stick with crazy brother. I'll go lower.

2144
02:04:40,560 --> 02:04:42,680
Speaker 2: I'm going lower to bams in the center.

2145
02:04:42,880 --> 02:04:43,200
Speaker 4: Thank you.

2146
02:04:43,920 --> 02:04:45,480
Speaker 2: There you go, drink Sam Sawmy.

2147
02:04:45,600 --> 02:04:48,720
Speaker 5: Don't forget download the Underdog Fantasy as Sports Chance.

2148
02:04:51,440 --> 02:05:01,720
Speaker 2: You guys soon. This is the last one quick time

2149
02:05:01,760 --> 02:05:04,280
Speaker 2: of slide. One more question and that's it after this.

2150
02:05:05,120 --> 02:05:06,400
Speaker 2: Loyalty or respect.

2151
02:05:08,600 --> 02:05:09,200
Speaker 4: That's a lyric.

2152
02:05:11,040 --> 02:05:12,600
Speaker 2: I'm an jack myself, then.

2153
02:05:14,520 --> 02:05:15,600
Speaker 4: That's a that's.

2154
02:05:18,160 --> 02:05:24,640
Speaker 7: Loyalty or respect. It's also o se mm hmm uh.

2155
02:05:25,600 --> 02:05:26,800
Speaker 7: But no, not not directly.

2156
02:05:26,840 --> 02:05:32,960
Speaker 4: Oh see, a whole lot of respect. Uh, loyalty or respect?

2157
02:05:39,680 --> 02:05:41,320
Speaker 4: Aren't they in the same family.

2158
02:05:42,040 --> 02:05:42,680
Speaker 2: I always say that.

2159
02:05:42,960 --> 02:05:45,760
Speaker 1: We always say that's the only time we should drink.

2160
02:05:46,040 --> 02:05:48,760
Speaker 1: It should be both people like the thick and give

2161
02:05:49,840 --> 02:05:52,560
Speaker 1: you like like I gotta give you like.

2162
02:05:52,640 --> 02:05:58,000
Speaker 4: You know, you can't. You can't not have respect. You

2163
02:05:58,080 --> 02:06:00,360
Speaker 4: cannot be loyal to somebody if you don't respect them,

2164
02:06:00,520 --> 02:06:05,000
Speaker 4: that's right. And if you respect them, then you're gonna

2165
02:06:05,000 --> 02:06:06,520
Speaker 4: be loyal to them, goddamn right.

2166
02:06:06,640 --> 02:06:09,280
Speaker 9: Or you could be loyal and then not be loyal

2167
02:06:09,320 --> 02:06:11,600
Speaker 9: all of a sudden, and then that's when you disrespect them.

2168
02:06:13,720 --> 02:06:17,600
Speaker 4: Because you would never really then that loyal was based

2169
02:06:17,640 --> 02:06:24,560
Speaker 4: on your ulterior motives. You're loyal for wrong reasons. Yeah,

2170
02:06:24,600 --> 02:06:25,120
Speaker 4: I mean you never.

2171
02:06:25,120 --> 02:06:27,880
Speaker 2: You always think that both is the right life's job.

2172
02:06:32,080 --> 02:06:34,320
Speaker 7: Oh yeah, okay, okay, you're gonna go.

2173
02:06:34,520 --> 02:06:38,240
Speaker 2: So this this, this is cheers. This is something that

2174
02:06:38,360 --> 02:06:40,400
Speaker 2: you did did for me personally. You didn't know.

2175
02:06:42,840 --> 02:06:47,920
Speaker 1: I always thought F one this racing car ship. Now

2176
02:06:48,160 --> 02:06:51,800
Speaker 1: I'm gonna give you one hundred percent with you. I

2177
02:06:51,920 --> 02:06:55,960
Speaker 1: always thought of some racist ship, like I didn't think like.

2178
02:06:56,040 --> 02:06:59,280
Speaker 2: I didn't like it was never black people around you.

2179
02:07:00,640 --> 02:07:03,800
Speaker 1: Being a part of F one single handedly made me say,

2180
02:07:03,920 --> 02:07:07,440
Speaker 1: holy shit, they do accept us because there was no

2181
02:07:07,640 --> 02:07:11,560
Speaker 1: drivers there was There was no Lewis before this. So

2182
02:07:12,000 --> 02:07:15,720
Speaker 1: when I seen you participat in then Lewis comes along,

2183
02:07:15,800 --> 02:07:17,880
Speaker 1: I believe blah blah Wallace.

2184
02:07:17,680 --> 02:07:18,240
Speaker 4: Is his name.

2185
02:07:19,280 --> 02:07:23,320
Speaker 1: Huh, that's NASCAR with whatever the fuck driving period. So

2186
02:07:23,480 --> 02:07:25,360
Speaker 1: all them was fucking dukes of hazard.

2187
02:07:25,600 --> 02:07:28,560
Speaker 2: You know what I'm saying. I thought that's all it was.

2188
02:07:31,000 --> 02:07:32,320
Speaker 2: This is my opinion.

2189
02:07:33,440 --> 02:07:34,200
Speaker 4: What made you.

2190
02:07:35,720 --> 02:07:36,800
Speaker 2: Start participating Because I.

2191
02:07:38,320 --> 02:07:42,520
Speaker 1: Saw somewhere you performed all twenty three in the twenty

2192
02:07:42,560 --> 02:07:43,280
Speaker 1: three countries.

2193
02:07:43,800 --> 02:07:46,600
Speaker 4: Now, I would go to as many F one races

2194
02:07:46,640 --> 02:07:50,160
Speaker 4: as possible. And the reason why I go to them is,

2195
02:07:50,520 --> 02:07:56,720
Speaker 4: you know, I have over three hundred schools teaching kids

2196
02:07:56,880 --> 02:07:59,680
Speaker 4: robotics and computer science. And so if there is an

2197
02:07:59,720 --> 02:08:04,640
Speaker 4: int T that tells kids, hey, look, this is engineering

2198
02:08:04,720 --> 02:08:07,920
Speaker 4: at it at its highest level. Engineering is a sport

2199
02:08:08,320 --> 02:08:11,880
Speaker 4: without those engineers, none of them drivers is doing anything.

2200
02:08:12,200 --> 02:08:12,440
Speaker 2: Wow.

2201
02:08:13,120 --> 02:08:16,880
Speaker 4: So here here's a sport that's all about engineering.

2202
02:08:17,600 --> 02:08:17,800
Speaker 10: Wow.

2203
02:08:19,600 --> 02:08:22,360
Speaker 4: So I go there so I can meet engineers like yo,

2204
02:08:22,400 --> 02:08:24,040
Speaker 4: I need I need mentors.

2205
02:08:24,400 --> 02:08:24,600
Speaker 11: Wow.

2206
02:08:25,080 --> 02:08:26,120
Speaker 7: I go there to network.

2207
02:08:26,400 --> 02:08:33,480
Speaker 4: Wow, there's machine companies, software companies, engineering companies, mathematic companies,

2208
02:08:33,560 --> 02:08:36,480
Speaker 4: technologists that that that that show up to F one.

2209
02:08:36,960 --> 02:08:39,160
Speaker 4: And so I'm on a hunt. Like I said from

2210
02:08:39,200 --> 02:08:43,200
Speaker 4: the jump, I like to go out and find what's

2211
02:08:43,240 --> 02:08:46,400
Speaker 4: coming next. And so if I want my community oil

2212
02:08:46,480 --> 02:08:49,440
Speaker 4: Heights and then when we venture off to other communities

2213
02:08:50,120 --> 02:08:53,760
Speaker 4: to have the best of the best mentoring my kids,

2214
02:08:54,400 --> 02:08:56,680
Speaker 4: I'm going to go out where the best are. Like yo,

2215
02:08:56,800 --> 02:08:59,480
Speaker 4: I need engineers to teach my kids, or we could

2216
02:08:59,520 --> 02:09:02,400
Speaker 4: compete in this robotic competition and whatever you're doing with

2217
02:09:02,520 --> 02:09:05,240
Speaker 4: these cars, and you just shed that light to my

2218
02:09:05,360 --> 02:09:11,600
Speaker 4: kids where our program is at. And maybe there is

2219
02:09:11,680 --> 02:09:14,200
Speaker 4: a void, maybe there's not that many people of color there.

2220
02:09:14,800 --> 02:09:17,200
Speaker 4: That don't mean they got to be there forever. Like

2221
02:09:17,600 --> 02:09:19,960
Speaker 4: you think it was black people in the NBA from

2222
02:09:20,000 --> 02:09:27,040
Speaker 4: the jump, no pun intended on the jump, We wasn't

2223
02:09:27,160 --> 02:09:30,400
Speaker 4: always there. You think it was black people in the

2224
02:09:30,520 --> 02:09:34,920
Speaker 4: freaking MLB from the get go, or Dominicans or Puerto

2225
02:09:35,000 --> 02:09:40,040
Speaker 4: Ricans or Cubans in Major League Baseball. That wasn't from

2226
02:09:40,080 --> 02:09:44,440
Speaker 4: the beginning. But we entered that space and then dominated

2227
02:09:44,480 --> 02:09:46,760
Speaker 4: that space. And so there's a new space that we

2228
02:09:46,880 --> 02:09:51,200
Speaker 4: need to enter. That's engineering, that's mathematics, that's science. Needs

2229
02:09:51,320 --> 02:09:58,920
Speaker 4: we have to yo urgently, urgently, like with our full

2230
02:09:59,000 --> 02:10:04,240
Speaker 4: spectrum of petitiveness, audaciousness, ambition, and like bring it what.

2231
02:10:06,040 --> 02:10:08,200
Speaker 7: However we want to express ourselves.

2232
02:10:07,920 --> 02:10:12,400
Speaker 4: In these rooms, because if we're not in these rooms

2233
02:10:12,800 --> 02:10:15,280
Speaker 4: and the AI don't show up and meet us how

2234
02:10:15,360 --> 02:10:17,720
Speaker 4: we are, how we speak, it's gonna be a fucked

2235
02:10:17,800 --> 02:10:18,520
Speaker 4: up twenty forty.

2236
02:10:19,240 --> 02:10:20,840
Speaker 7: It's gonna be a fucked up twenty fifty.

2237
02:10:21,360 --> 02:10:23,600
Speaker 4: It's gonna be a messed up twenty sixty to twenty seventy,

2238
02:10:23,640 --> 02:10:26,040
Speaker 4: and then we would have repeated the same shit that

2239
02:10:26,120 --> 02:10:29,240
Speaker 4: repeated from the Third Industrial Revolution. Why do we want

2240
02:10:29,280 --> 02:10:29,760
Speaker 4: to repeat that.

2241
02:10:31,400 --> 02:10:31,440
Speaker 6: For?

2242
02:10:31,600 --> 02:10:35,440
Speaker 4: You think we was there with freaking power plants. Yeah,

2243
02:10:35,480 --> 02:10:38,360
Speaker 4: we were there contributing, but we didn't own the companies.

2244
02:10:39,440 --> 02:10:43,200
Speaker 4: We was there with electricity, with electricity and freaking illumination

2245
02:10:43,320 --> 02:10:47,360
Speaker 4: and light, but we weren't there owning the companies. We

2246
02:10:48,080 --> 02:10:50,680
Speaker 4: was there with the railroads, but we didn't own It

2247
02:10:50,800 --> 02:10:56,560
Speaker 4: wasn't our companies that owned the freaking the trains. We

2248
02:10:56,800 --> 02:10:59,880
Speaker 4: was there in the automobile, but how many black people

2249
02:11:00,560 --> 02:11:04,760
Speaker 4: own automobiles. We was there in music, but it took

2250
02:11:04,800 --> 02:11:07,040
Speaker 4: a very long time for us to own the record companies.

2251
02:11:08,160 --> 02:11:10,360
Speaker 4: We was there for radio, but very few of us

2252
02:11:10,520 --> 02:11:14,240
Speaker 4: own the actual radio station. We was there for television,

2253
02:11:14,280 --> 02:11:16,360
Speaker 4: but it took us a very long time to own

2254
02:11:16,400 --> 02:11:19,640
Speaker 4: and be et. And then when we owned the b et,

2255
02:11:20,120 --> 02:11:23,320
Speaker 4: here came more freaking perspectives to send us into the

2256
02:11:23,360 --> 02:11:27,560
Speaker 4: prisons that were privately owned. Why does it have to

2257
02:11:27,600 --> 02:11:31,200
Speaker 4: be that way? We don't have to repeat yesterday, bro.

2258
02:11:32,720 --> 02:11:39,280
Speaker 4: Repeating yesterday is a calendar Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday. Wait,

2259
02:11:39,520 --> 02:11:43,040
Speaker 4: as if we can't invent new days now, somebody's gonna

2260
02:11:43,080 --> 02:11:46,600
Speaker 4: be like the sounds like some Kanye shit, because it

2261
02:11:46,760 --> 02:11:50,640
Speaker 4: sounds like some Vision shit, and Kanye's blessed with visions.

2262
02:11:51,000 --> 02:11:54,000
Speaker 4: Phar Real's blessed with visions. It's those other folks that.

2263
02:11:55,360 --> 02:11:56,560
Speaker 2: You want to make eight days a week.

2264
02:11:56,960 --> 02:11:59,040
Speaker 4: No, no, no, you want to make eight days, nigga,

2265
02:11:59,040 --> 02:12:03,680
Speaker 4: you want to make like you want to make same

2266
02:12:03,720 --> 02:12:06,920
Speaker 4: amount of days. Let's keep it there, keep it the

2267
02:12:06,960 --> 02:12:10,560
Speaker 4: same amount of days. The metaphor was not for the

2268
02:12:10,960 --> 02:12:14,920
Speaker 4: changing of days. It's the changing of the guards, the

2269
02:12:15,080 --> 02:12:18,400
Speaker 4: changings of the architects, so we can make sure that

2270
02:12:18,520 --> 02:12:21,200
Speaker 4: our communities and people that move like us, walk, walk

2271
02:12:21,280 --> 02:12:23,960
Speaker 4: like us, talk like us, vibe like us are better

2272
02:12:24,040 --> 02:12:26,560
Speaker 4: off tomorrow. That was just a metaphor as far as

2273
02:12:26,840 --> 02:12:30,880
Speaker 4: the naming of days, because somebody was, you know, ambitious

2274
02:12:30,960 --> 02:12:32,840
Speaker 4: enough to name these things we called days in the

2275
02:12:32,880 --> 02:12:37,840
Speaker 4: first fucking place calendar right August, my fucking name, Augustus.

2276
02:12:38,840 --> 02:12:42,040
Speaker 4: August name is Augustus, July Julius.

2277
02:12:42,520 --> 02:12:44,880
Speaker 2: It's mostly ten months, not twelve.

2278
02:12:45,960 --> 02:12:49,560
Speaker 4: Ten months in the net deck of for December two

2279
02:12:49,640 --> 02:12:53,360
Speaker 4: niggas is Julius and augustusas put themselves in there. Yeah, bro,

2280
02:12:53,560 --> 02:12:55,680
Speaker 4: that's like and then we're going to add a thirteen

2281
02:12:55,760 --> 02:12:58,080
Speaker 4: month and it's called yeas.

2282
02:13:01,320 --> 02:13:02,760
Speaker 2: Well. I know you got to go. I see your

2283
02:13:02,800 --> 02:13:03,840
Speaker 2: people listen.

2284
02:13:03,920 --> 02:13:05,960
Speaker 1: Oh so you take it another you takeing shots without

2285
02:13:06,000 --> 02:13:09,560
Speaker 1: us on on like we said both let's you gotta

2286
02:13:09,600 --> 02:13:10,440
Speaker 1: wait for me to take a.

2287
02:13:12,480 --> 02:13:12,760
Speaker 2: Listen.

2288
02:13:13,000 --> 02:13:16,400
Speaker 1: Well, i'mnna be honest with you. Thank you so much.

2289
02:13:16,680 --> 02:13:18,520
Speaker 1: I know you don't have to do this. Then yeah,

2290
02:13:18,600 --> 02:13:18,960
Speaker 1: let me get that.

2291
02:13:19,080 --> 02:13:20,920
Speaker 9: We actually have to do this again because you have

2292
02:13:21,000 --> 02:13:24,160
Speaker 9: to sit here at least for like four or five hours, because.

2293
02:13:24,240 --> 02:13:25,800
Speaker 2: I can listen to you talk all day.

2294
02:13:25,840 --> 02:13:28,960
Speaker 1: And I really want you to open up a school

2295
02:13:30,240 --> 02:13:34,400
Speaker 1: not for kids grown men that's like me and women

2296
02:13:35,400 --> 02:13:37,440
Speaker 1: that we could go and just listen to you and

2297
02:13:37,680 --> 02:13:40,440
Speaker 1: just see how you break down technology and you break

2298
02:13:40,480 --> 02:13:43,520
Speaker 1: down what's going on, what the future.

2299
02:13:43,280 --> 02:13:46,960
Speaker 2: Is gonna read. You are our Elon Musk, you are

2300
02:13:47,040 --> 02:13:51,400
Speaker 2: our Steve Jobs. You are well put that to us,

2301
02:13:51,520 --> 02:13:54,360
Speaker 2: to our community. And I wanted to tell you that

2302
02:13:54,440 --> 02:13:57,920
Speaker 2: face to face, man and man, because it's the truth.

2303
02:13:58,160 --> 02:14:02,360
Speaker 1: The ship that you're on that you're on now, people

2304
02:14:02,440 --> 02:14:05,960
Speaker 1: won't be on for another ten years or seven years.

2305
02:14:06,880 --> 02:14:09,000
Speaker 2: So the fact that I know you, the fact that

2306
02:14:09,120 --> 02:14:14,720
Speaker 2: I even have, like, you know, a relationship with you,

2307
02:14:15,120 --> 02:14:16,560
Speaker 2: are you know in.

2308
02:14:16,760 --> 02:14:23,120
Speaker 1: The most great way. I admire that, Like because I've

2309
02:14:23,160 --> 02:14:26,520
Speaker 1: seen you. I've rendered a studio next to you and bust.

2310
02:14:26,400 --> 02:14:28,560
Speaker 2: Around to try to get at you, and I couldn't

2311
02:14:28,600 --> 02:14:30,960
Speaker 2: get at you. You know when I met you, and

2312
02:14:32,440 --> 02:14:39,160
Speaker 2: we met each other in Vegas and baggage claim so

2313
02:14:39,320 --> 02:14:41,920
Speaker 2: much money to be next to you and bust when

2314
02:14:41,960 --> 02:14:44,880
Speaker 2: you was recorded and we didn't even meet then we

2315
02:14:45,160 --> 02:14:49,440
Speaker 2: met in fucking Vegas and baggage claim. No, you know,

2316
02:14:49,800 --> 02:14:51,680
Speaker 2: I just want to say, like, and you gave me

2317
02:14:51,760 --> 02:14:52,120
Speaker 2: a beat.

2318
02:14:52,360 --> 02:14:56,480
Speaker 4: I've been watching your show, Yes, thank you, not just

2319
02:14:56,560 --> 02:14:59,680
Speaker 4: watching it, but loving your show. The interviews that you

2320
02:14:59,760 --> 02:15:03,040
Speaker 4: guys do is like you pull the truth out of folks.

2321
02:15:03,640 --> 02:15:06,240
Speaker 4: Sometimes it's uncomfortable for the folks. Sometimes people come here

2322
02:15:06,280 --> 02:15:09,520
Speaker 4: and they like just rent out how they feel. And

2323
02:15:09,680 --> 02:15:12,120
Speaker 4: you you created a space for for for people to

2324
02:15:13,120 --> 02:15:15,520
Speaker 4: express the things they that they want to get off

2325
02:15:15,720 --> 02:15:20,080
Speaker 4: their mind, their spirit, their energy, and it's it's it's

2326
02:15:20,160 --> 02:15:23,120
Speaker 4: the only, it's one of the only truth places for

2327
02:15:23,240 --> 02:15:25,400
Speaker 4: whatever version of truth people come to your show to

2328
02:15:25,440 --> 02:15:27,200
Speaker 4: do and I don't know.

2329
02:15:27,520 --> 02:15:30,040
Speaker 2: That's like because Niggas is sauced up.

2330
02:15:31,560 --> 02:15:35,520
Speaker 4: But not everybody. But but it's dope and I always

2331
02:15:35,560 --> 02:15:37,360
Speaker 4: wanted to come on it. I'm like, yo, man, I

2332
02:15:37,480 --> 02:15:39,880
Speaker 4: want to go on Drink Champs. I want to I

2333
02:15:39,960 --> 02:15:42,920
Speaker 4: want to be on it, like man one day, Like

2334
02:15:43,040 --> 02:15:46,720
Speaker 4: you know, like you give people something to dream towards

2335
02:15:47,680 --> 02:15:50,080
Speaker 4: just because of how natural it is. It's like if

2336
02:15:50,120 --> 02:15:51,840
Speaker 4: we lived in the projects and be like, I want

2337
02:15:51,840 --> 02:15:56,560
Speaker 4: to go over Noury's house, right, I want to go

2338
02:15:56,640 --> 02:15:59,320
Speaker 4: to I want to see what he well reckons he got.

2339
02:16:00,280 --> 02:16:02,280
Speaker 4: If it was in the projects, it would be like that, like, ma,

2340
02:16:02,480 --> 02:16:03,760
Speaker 4: let me go over the let me go over to

2341
02:16:03,800 --> 02:16:06,560
Speaker 4: the Nori's house hold on, let me call NOI's mom,

2342
02:16:08,000 --> 02:16:11,240
Speaker 4: who's over there? Like it feels like a little village,

2343
02:16:11,320 --> 02:16:14,960
Speaker 4: Like you know, it's an awesome thing that y'all created,

2344
02:16:15,000 --> 02:16:18,440
Speaker 4: and it reminds me of like my village, my little projects,

2345
02:16:18,480 --> 02:16:22,440
Speaker 4: my neighborhood where I come from. It vibrates with truth

2346
02:16:22,640 --> 02:16:24,440
Speaker 4: all around it. So it's an honor to be here.

2347
02:16:24,840 --> 02:16:27,680
Speaker 4: The things that you said means a lot to me

2348
02:16:28,120 --> 02:16:31,960
Speaker 4: because I move super Ninja tiptoe like I don't make noise.

2349
02:16:33,040 --> 02:16:36,400
Speaker 4: I wrote super stealth on purpose because when you're doing

2350
02:16:36,440 --> 02:16:39,520
Speaker 4: these types of moves, even me saying what I'm saying

2351
02:16:41,400 --> 02:16:45,600
Speaker 4: is not stealth, right, but it's stealth. I got it.

2352
02:16:45,879 --> 02:16:50,800
Speaker 2: Yeah, I just want to take you face to face,

2353
02:16:50,920 --> 02:16:51,480
Speaker 2: man the man.

2354
02:16:53,080 --> 02:16:55,240
Speaker 1: We really love you over here and this is your

2355
02:16:55,360 --> 02:16:58,520
Speaker 1: platform anytime you want to promote anything. I don't care

2356
02:16:58,560 --> 02:17:00,640
Speaker 1: if you want to promote corduroy toenails.

2357
02:17:02,200 --> 02:17:03,240
Speaker 4: Thank god you changing up.

2358
02:17:05,160 --> 02:17:06,679
Speaker 7: The quarter of tournails.

2359
02:17:08,320 --> 02:17:08,440
Speaker 2: Right.

2360
02:17:08,640 --> 02:17:13,520
Speaker 4: No that Nigga ain't getting no, she is bumpy, but

2361
02:17:13,640 --> 02:17:14,560
Speaker 4: hold on this.

2362
02:17:15,160 --> 02:17:17,920
Speaker 1: This is how much I'm so I thank you so

2363
02:17:18,080 --> 02:17:20,560
Speaker 1: much because this is such a beautiful You gave us

2364
02:17:20,560 --> 02:17:21,680
Speaker 1: such beautiful stories.

2365
02:17:22,480 --> 02:17:22,680
Speaker 11: Man.

2366
02:17:22,959 --> 02:17:24,960
Speaker 1: I just want to thank you man, you know, brother

2367
02:17:25,080 --> 02:17:26,760
Speaker 1: the brother, because I know you didn't have to be

2368
02:17:26,920 --> 02:17:30,760
Speaker 1: I know you. You know the success and and and

2369
02:17:31,120 --> 02:17:33,280
Speaker 1: you took your time off to be with us. Gonna

2370
02:17:33,280 --> 02:17:35,560
Speaker 1: be anywhere and what they say, give it anywhere on

2371
02:17:35,640 --> 02:17:39,800
Speaker 1: this world, but with us, I mean so much, so much.

2372
02:17:41,000 --> 02:17:42,199
Speaker 1: We had a couple of pictures.

2373
02:17:42,520 --> 02:17:45,040
Speaker 4: I had had a meeting today at Serious XM. Yeah,

2374
02:17:45,240 --> 02:17:47,120
Speaker 4: and I was like, yo, I'm about to do Dream Champs.

2375
02:17:47,840 --> 02:17:50,080
Speaker 4: And then they was like yo, just make sure you

2376
02:17:50,160 --> 02:17:52,000
Speaker 4: let them know that you and your AI got the

2377
02:17:52,080 --> 02:17:53,119
Speaker 4: show on serious.

2378
02:17:56,360 --> 02:17:57,640
Speaker 2: What is the name of the show on serious sex?

2379
02:17:57,680 --> 02:18:00,440
Speaker 4: That's why I show why If anybody want to rock

2380
02:18:00,480 --> 02:18:03,880
Speaker 4: out with Fiona and Finn my ais that just download

2381
02:18:04,040 --> 02:18:04,920
Speaker 4: f Y, I dot A I.

2382
02:18:05,200 --> 02:18:08,480
Speaker 1: Those are your co hosts. Yeah, and the you're gonna

2383
02:18:08,480 --> 02:18:10,720
Speaker 1: have Norri too, right. I gotta like we gotta be

2384
02:18:10,800 --> 02:18:11,480
Speaker 1: one of I gotta be.

2385
02:18:11,520 --> 02:18:13,520
Speaker 4: Somebody like if you dead ass want to want to

2386
02:18:13,640 --> 02:18:14,000
Speaker 4: want to do.

2387
02:18:14,080 --> 02:18:15,720
Speaker 2: That, yeah, I'm dead ass. I want to be like

2388
02:18:20,760 --> 02:18:25,720
Speaker 2: were going the red loft? That make it right? I

2389
02:18:25,879 --> 02:18:26,520
Speaker 2: want to be that guy.

2390
02:18:26,560 --> 02:18:28,560
Speaker 4: If you want to do that, we could do that,

2391
02:18:28,760 --> 02:18:32,880
Speaker 4: Like it'll be awesome. But in June, I got this

2392
02:18:33,000 --> 02:18:34,720
Speaker 4: other thing. I'd love to come back on the show.

2393
02:18:35,280 --> 02:18:37,200
Speaker 4: We got this partnership with Mercedes.

2394
02:18:37,560 --> 02:18:38,080
Speaker 2: God damn it.

2395
02:18:38,400 --> 02:18:43,119
Speaker 4: We where we transform, that's we transformed the people's experience

2396
02:18:43,200 --> 02:18:46,039
Speaker 4: with music in the vehicle. And I go to China

2397
02:18:46,120 --> 02:18:50,200
Speaker 4: on the twenty fifth of April to launch to announce

2398
02:18:50,240 --> 02:18:52,960
Speaker 4: what we launched at CS in January, and so like

2399
02:18:53,040 --> 02:18:56,520
Speaker 4: we'll be like across the whole entire fleet Mercedes vehicles

2400
02:18:56,520 --> 02:19:00,400
Speaker 4: with our AI and our music service and just listening

2401
02:19:00,480 --> 02:19:03,400
Speaker 4: to Eric being rock cam seeing him in front of

2402
02:19:03,480 --> 02:19:07,480
Speaker 4: that Mercedes and uh, you know, sir, mix a lot

2403
02:19:07,600 --> 02:19:12,920
Speaker 4: dropping Ben's benz ok a MG kit Uh and uh

2404
02:19:13,680 --> 02:19:16,840
Speaker 4: and then uh ice Cube, Me and Lorenzo rolling into

2405
02:19:16,879 --> 02:19:21,800
Speaker 4: Benzo and our love for Mercedes to have landed this

2406
02:19:22,200 --> 02:19:25,680
Speaker 4: partnership with AI and music with Mercedes to be across

2407
02:19:25,760 --> 02:19:29,080
Speaker 4: the entire fleet. We're gonna you'll hear more about that

2408
02:19:29,400 --> 02:19:30,680
Speaker 4: in the next coming months.

2409
02:19:30,800 --> 02:19:33,720
Speaker 2: So we end in this interview with saym you got

2410
02:19:33,879 --> 02:19:35,920
Speaker 2: a full fledged deal with Mercedes.

2411
02:19:37,000 --> 02:19:38,760
Speaker 7: Yeah, Yeah, I told you. I'll be moving like tip

2412
02:19:38,840 --> 02:19:39,520
Speaker 7: toe Ninja Bro.

2413
02:19:46,720 --> 02:19:50,120
Speaker 9: Drink Champs is a Drink Champs LLC production hosts and

2414
02:19:50,240 --> 02:19:53,160
Speaker 9: executive producers n O r E and d J E

2415
02:19:53,440 --> 02:19:58,199
Speaker 9: f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2416
02:19:58,480 --> 02:20:01,959
Speaker 9: or wherever you get your podcast us. Thanks for joining

2417
02:20:02,040 --> 02:20:04,800
Speaker 9: us for another episode of Drink Champs hosted by Yours truly,

2418
02:20:04,959 --> 02:20:07,480
Speaker 9: dj E f N and n O r E. Please

2419
02:20:07,520 --> 02:20:09,720
Speaker 9: make sure to follow us on all our socials That's

2420
02:20:09,760 --> 02:20:13,359
Speaker 9: at drink Champs across all platforms. At the Real noriagon

2421
02:20:13,440 --> 02:20:16,480
Speaker 9: I g at Noriega on Twitter, Mine is.

2422
02:20:16,520 --> 02:20:19,840
Speaker 4: At Who's Crazy on ig at dj e f N

2423
02:20:19,959 --> 02:20:20,800
Speaker 4: on Twitter, and

2424
02:20:20,920 --> 02:20:23,320
Speaker 9: Most importantly, stay up to date with the latest releases,

2425
02:20:23,760 --> 02:20:26,920
Speaker 9: news and merch by going to drink Champs dot com