WEBVTT - Episode 236 w/ Hitmaka

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I heart radio and it's Drink Chas motherfucking podcast.

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<v Speaker 1>He's a legendary queen's rapper, He's screen is your boy

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<v Speaker 1>in O R. He's a Miami hippop pioneer. Up is

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<v Speaker 1>d j e FN. Together they drinking up with some

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<v Speaker 1>of the biggest players in the most professional unprofessional podcast.

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<v Speaker 1>And your number one sorts for drunk drink mother is

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<v Speaker 1>New year' z. That's time for Drink Champs. Trink Up Mother.

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<v Speaker 1>Would it could be hoping he wouldn't soon be. This

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<v Speaker 1>is your boy in Oh what up is dj e

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<v Speaker 1>F And this is Drink Chas motherfucker. Yeah, y'all makes

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<v Speaker 1>something right now when you look up the word reinvention,

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<v Speaker 1>when you look up the word you know, staying relevant,

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<v Speaker 1>staying in these people games, staying working with the top

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<v Speaker 1>ten people. This man has had like two or three careers,

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<v Speaker 1>maybe four. I feel like he maybe even have a

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<v Speaker 1>porn star career. I'm not sure, but the man has

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<v Speaker 1>been consect If you listen to the radio right now,

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<v Speaker 1>you don't hear that hashtag that what's it called? If

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<v Speaker 1>you don't hear that I don't think you're right gonna

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<v Speaker 1>get top to top ten. You need that right now.

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<v Speaker 1>I've seen have a run. I've seen Timberland have a run.

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<v Speaker 1>I've seen a lot of people have from Swiss Beach.

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<v Speaker 1>This man run right here is unmarketable. Bro. It's so

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<v Speaker 1>beautiful and he's a great person. You know, he's a

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<v Speaker 1>little bit of controversy, but he's a great person. And

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<v Speaker 1>his work speak for itself. He's done reality shows to

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<v Speaker 1>whatever whatever, to music for itself, and then his big

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<v Speaker 1>movies that being that big producer. I heard in fact

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<v Speaker 1>Joe say this puff Daddy does DJ Kale and then

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<v Speaker 1>this young bird. Now. Now, a lot of people don't

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<v Speaker 1>know because you fly flashy, you know what I'm saying.

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<v Speaker 1>You know, you know that type of dude. But you

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<v Speaker 1>from the rough streets of Chicago. I heard you even

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<v Speaker 1>burnt down the house at some point. Yea, bro, I

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<v Speaker 1>know what I'm talking about. There was an out building.

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<v Speaker 1>Ain't gonna so yeah, I'm from the South side of Chicago.

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<v Speaker 1>Sounds like I lived in my whole life. My dad

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<v Speaker 1>still litter man, ship Man, Chicago, different man. A lot

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<v Speaker 1>of people don't know. They probably think like when I

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<v Speaker 1>first came out as as young Berg the rapper, like, Oh,

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<v Speaker 1>he's a cute kid, let's do this. But I was

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<v Speaker 1>really hanging around like killers and people, you know what

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<v Speaker 1>I'm saying, Like before, I like as a child like

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<v Speaker 1>thirteen four a team moving around with the biggest dudes

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<v Speaker 1>in the city, shout out to all them and most

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<v Speaker 1>of them are dead and some are grown. So you know, yeah,

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<v Speaker 1>because that's that's what's what's crazy about it. It It is

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<v Speaker 1>like you, for lack of a better term, um, who's

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<v Speaker 1>using this world yesterday? You make sexy music. You make

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<v Speaker 1>music that make bitches, excuse me, make females wanna you know,

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<v Speaker 1>dance and and party. But how how could you do that?

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<v Speaker 1>Like I was saying that to Nikki Jam the other day,

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<v Speaker 1>Like Nikki Jam has a real rough life, and I

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<v Speaker 1>told him, I said, you should be making music like DMX.

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<v Speaker 1>Why are you making music that's that's sexy and like

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<v Speaker 1>she's like that, and so I kind of want to

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<v Speaker 1>ask you the same thing, like you could have made

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<v Speaker 1>music that reflect the South side of Chicago and you

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<v Speaker 1>know like that, Oh no, no no, no, I'll see that

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<v Speaker 1>that way. When I was when I got my deal

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<v Speaker 1>with d m X when I was you right, I

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<v Speaker 1>had like three different, four different lives in this game.

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<v Speaker 1>I started off in my name was Iceberg and I

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<v Speaker 1>was the first artist sign a Bloodline Records to d

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<v Speaker 1>m X, and yeah, like I used to fucking I

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<v Speaker 1>killed so many people in my wraps, like I was like,

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<v Speaker 1>I was like, I'm discussing, like I had more so

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<v Speaker 1>transition into making the more sexy and koind of music.

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<v Speaker 1>But when I was a rapper, rapper, like, man, I

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<v Speaker 1>promise you, like I was just straight street, all guns

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<v Speaker 1>and everything in Kanye West books, No I d they

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<v Speaker 1>did my demo and yeah, like I never forget this, Like, man,

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<v Speaker 1>I went to um how I met d m X,

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<v Speaker 1>these guys that no he was Okay, I was with

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<v Speaker 1>these guys called l E. P Yes and they from

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<v Speaker 1>Chicago and it was like the biggest street niggas in

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<v Speaker 1>Chicago at the time, so I had a big bid

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<v Speaker 1>and war going on. They took me to l A

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<v Speaker 1>some guy and the crew knew a guy that was

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<v Speaker 1>DMX and stylist at the time, and right now it

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<v Speaker 1>was that what he's been so yeah, what these bitches

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<v Speaker 1>weren't from a nigger video shoot? I came there and

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<v Speaker 1>I remember this ship I guessterday. I go to the

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<v Speaker 1>Paramount locked this on in Hollywood or whatever. It was

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<v Speaker 1>like two days shoot, I met Dragon, I met um

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<v Speaker 1>Aliyah was there like that's why I like Elias had

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<v Speaker 1>on me. It was a crazy, crazy time and um

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<v Speaker 1>I went and I met DMX for the first time

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<v Speaker 1>and they get like, yo, dm this is the young

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<v Speaker 1>guy we're telling you. And he was like, I'm gonna

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<v Speaker 1>go do this and then he opened hand he had

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<v Speaker 1>a bunch of button and saying a bunch of week,

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<v Speaker 1>like I'll get back to you. And I do this

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<v Speaker 1>like twelve and I'm like teaching, are you feel right way?

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<v Speaker 1>So it was like this was I don't know whatever.

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<v Speaker 1>What the bites from video was shouting when it came

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<v Speaker 1>out was so we there and he goes to smoke

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<v Speaker 1>his week and then um they're like, okay, you can

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<v Speaker 1>come in the trailer now. So X is in the

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<v Speaker 1>trailer and he's doing like excess on top of the world,

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<v Speaker 1>like at this time I'm talking about he had the

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<v Speaker 1>bitches in the trailer like I think man getting massage

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<v Speaker 1>his feet rubbed at the same time smoking a blunt

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<v Speaker 1>all types of ship. So the Nigga X was like,

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<v Speaker 1>so go ahead and sure specim ship from me. So

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<v Speaker 1>I'm like, yo, um, I say, I don't know. With

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<v Speaker 1>the smoking y'all be like some fast time. Yeah. And

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<v Speaker 1>then DMX I spent I did this loan drawn out

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<v Speaker 1>verse and dm mix is like, shorty, I don't understand one.

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<v Speaker 1>I was like yo. Then I spent another rap that

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<v Speaker 1>was more like this is how I used to wrap

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<v Speaker 1>back in there, like fuck the log just bubble up

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<v Speaker 1>and cut the wrong when the trade cock back at

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<v Speaker 1>a bush of John flutting. I was on that that

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<v Speaker 1>type of time. I spent that rap and he was like, yo,

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<v Speaker 1>you're amazing. He like, I funk with you. I'm a

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<v Speaker 1>vibe with your ship. The next day, I come back

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<v Speaker 1>to the video because it's a two days shooting, three

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<v Speaker 1>day shoot type ship. I'm sitting I'll come to the video.

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<v Speaker 1>D m X is blasting my demo out his trailer

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<v Speaker 1>now like this ship is going crazy. I'm sitting there

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<v Speaker 1>and Kevin Liles walked up to me like you ready

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<v Speaker 1>for your life to be changed. I'm like yeah, and

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<v Speaker 1>this is big Kevin, not skinny. Yes, it's a big

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<v Speaker 1>key and then X was like, I come in and

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<v Speaker 1>trail again. He's like so, he like, Shorty, I'm gonna

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<v Speaker 1>sign you. I'm getting my level. I'm gonna sign you.

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<v Speaker 1>It's not gonna be fast, but i'm gonna sign you.

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<v Speaker 1>And ship. I left that. I was on cloud nine

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<v Speaker 1>because X was like my favorite rapper at the time,

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<v Speaker 1>and then from their ship a beating war and sued

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<v Speaker 1>because once DMX wanted me, then now hold want to

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<v Speaker 1>sign me. And then I start meeting all different type

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<v Speaker 1>people shout to hip hop man, DMS, give you a dog.

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<v Speaker 1>I feel like that. My brother like, if he give

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<v Speaker 1>you a dog, damn, that's like giving you a chance.

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<v Speaker 1>You know, the dog has cut it on his back.

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<v Speaker 1>He gave me one of the litter from Boomer and

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<v Speaker 1>he was like, Shorty, he was locked in after that.

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<v Speaker 1>He's like, Shorty, you gotta take this dog every fucking

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<v Speaker 1>way you go. I do not want to see you

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<v Speaker 1>without this dog. So I'm like, damn, I'm like I

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<v Speaker 1>don't know, Like I'm now, I got my deal out

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<v Speaker 1>and flew to He moved me to Edgewater, New Jersey.

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<v Speaker 1>I'm up there and we're going in the depth Yam

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<v Speaker 1>building burning it down, have the dogs with the dog

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<v Speaker 1>with me everywhere, my dog with Ship in front of

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<v Speaker 1>Leo's office, and they wouldn't say nothing to me. They

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<v Speaker 1>would be like, that's Iceberg, that's DMX artists and Ship.

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<v Speaker 1>It was. It was a lovely time. Man, let's make

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<v Speaker 1>some noise for DMX. Man so so, but let's let's

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<v Speaker 1>get back so um alright, bouncing around, let's bee around right.

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<v Speaker 1>DMX was the hottest at that time. So everyone deals

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<v Speaker 1>with these discrepancies of people saying, um uh when you

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<v Speaker 1>signed to an artist, When you're signed to an artist,

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<v Speaker 1>was that something you faced immediately or that's something that

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<v Speaker 1>that I don't know. I was a kid, like my

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<v Speaker 1>my fondest memories where X is like, that's a ill nigger.

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<v Speaker 1>I remember X went to foot locker and ain't boby

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<v Speaker 1>you no damn shoes or whatever of shoes. I was

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<v Speaker 1>a kid. DMX stole my first piece of pussy that

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<v Speaker 1>ever was gonna get so first. Yes, I almost lost

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<v Speaker 1>my virginity. But DMX though my ple. We're in Toronto, Canada.

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<v Speaker 1>I'm with him. He's filming a movie with Steven Seagal,

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<v Speaker 1>Exit Wounds. We're out there We're going crazy, like Ex

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<v Speaker 1>is on top of the world. So we go to

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<v Speaker 1>this club because you know, Ex love to play pool,

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<v Speaker 1>so we like he bought out this whole little club

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<v Speaker 1>and had bitches like it was like only we were

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<v Speaker 1>the only niggers there, but it was full of bitches.

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<v Speaker 1>So X was like, Yo, you know what I'm saying,

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<v Speaker 1>do you, shorty? You know I like that little look

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<v Speaker 1>for you. I'm upstairs. This is my first time like

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<v Speaker 1>finger fucking a girl, Like I'm finger finger banging a

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<v Speaker 1>girl inside the club, like smelling me scratch and never

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<v Speaker 1>get my whole little vibe on. We get back to

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<v Speaker 1>the hotel. We're staying at the Sutton Place hotel. So

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<v Speaker 1>X had the big penthouse suite. I don't know. For

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<v Speaker 1>some reason, because I was an artist. He put me

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<v Speaker 1>in like the regular room right next to him. So

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<v Speaker 1>you know how this ship go. I'm in an entourage.

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<v Speaker 1>So the artist, you know, X, drive like a madman.

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<v Speaker 1>So he gets there before us. He go upstairs with

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<v Speaker 1>his vibe or whatever. I guess his vibe didn't work out.

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<v Speaker 1>I stayed in the car for the rest for like

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<v Speaker 1>Ali and all the other people to like take me upstairs.

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<v Speaker 1>I go upstairs. I'll never forget. I mean, I think

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<v Speaker 1>it was me and p K remember Pek Man. We

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<v Speaker 1>go up, I get off the elevator or whatever, and

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<v Speaker 1>I got the girl with me. I'm talking about. I'm

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<v Speaker 1>literally putting the key inside the hotel door and X

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<v Speaker 1>room open, like I think it's like a dog. For

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<v Speaker 1>he opened the door as soon as I'm walking in

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<v Speaker 1>my like a, uh, I think you love your person

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<v Speaker 1>in my room? Why you we've been thesees at the club.

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<v Speaker 1>He ain't never been to that bitch goes in d

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<v Speaker 1>m X room and he took me that I through

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<v Speaker 1>that bet you that chick somewhere needing to beat right now,

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<v Speaker 1>she probably needed a hit makings beating like right now,

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<v Speaker 1>I got your blessing, but the way to go through? So,

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<v Speaker 1>so what was the transition? Because obviously as artists, like

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<v Speaker 1>I think we spoke about this somewhat with d Knights

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<v Speaker 1>right like when you transition the fact is that most

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<v Speaker 1>people sit back and they said, well, you were supposed

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<v Speaker 1>to dominate this world, uh, before you go to this

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<v Speaker 1>next world. So was this something that you felt like

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<v Speaker 1>as an artist you didn't complete? Well, you know, the

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<v Speaker 1>crazy thing is that I got my deal and like

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<v Speaker 1>shout out to my partner, Billy J. Hit me with

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<v Speaker 1>me right now. We were like kids. So I was

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<v Speaker 1>Shinna's hype man, and you couldn't just say you can

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<v Speaker 1>just say that like d TPP just her hype man.

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<v Speaker 1>She got a dumps, she was getting some head right this, yeah, yeah,

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<v Speaker 1>that was the like, and that's when I was her

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<v Speaker 1>hype man. And from there, like just trans I got

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<v Speaker 1>from there. I met Billy because Billy worked for John Monopoly.

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<v Speaker 1>And then my manager at the time was my weed man.

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<v Speaker 1>Like I moved in with my weed man and he

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<v Speaker 1>became my manager on something I'm not sure. I was

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<v Speaker 1>stowing out the pound a lot. Then the worst part

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<v Speaker 1>is that I stole my manager slash we man credit

0:12:24.640 --> 0:12:28.720
<v Speaker 1>card and flew Billy to Los Angeles and then we

0:12:28.800 --> 0:12:30.640
<v Speaker 1>all became a team. Of course, the man was mad

0:12:30.679 --> 0:12:32.360
<v Speaker 1>at me. We all became a team at that point.

0:12:32.640 --> 0:12:34.960
<v Speaker 1>And then I had this record, Sexy Lady, that UM

0:12:35.280 --> 0:12:38.120
<v Speaker 1>I produced and I wrote as well, and um like

0:12:38.160 --> 0:12:40.560
<v Speaker 1>I was recording myself, like I had to press three

0:12:40.720 --> 0:12:42.760
<v Speaker 1>and go run to the mic and then recorded. I

0:12:42.800 --> 0:12:45.440
<v Speaker 1>did this whole song. It's a two track it's never

0:12:45.480 --> 0:12:48.400
<v Speaker 1>been mixed, it's never been mastered song. When number one,

0:12:48.559 --> 0:12:50.120
<v Speaker 1>it was the number one song in l A. And

0:12:50.160 --> 0:12:52.360
<v Speaker 1>that's how I got my first label deal as an artist.

0:12:52.400 --> 0:12:55.520
<v Speaker 1>And I was actually how it was or something like that.

0:12:56.360 --> 0:12:59.840
<v Speaker 1>And then from there, Charlie Walked was my CEO. And

0:13:00.160 --> 0:13:03.400
<v Speaker 1>love Charlie Walk because like, no disrespected Charlie. Like I

0:13:03.440 --> 0:13:05.400
<v Speaker 1>know Charlie was doing a bunch of coke Caine back

0:13:05.400 --> 0:13:08.160
<v Speaker 1>in the day or something, you know, like you love

0:13:09.280 --> 0:13:15.080
<v Speaker 1>d No. Come on, come on baby, I hope enough

0:13:15.120 --> 0:13:19.040
<v Speaker 1>you're in the build. Hold this. I don't know what's

0:13:19.080 --> 0:13:23.000
<v Speaker 1>going on. Just so Yeah, So Charlie walk was my guy,

0:13:23.080 --> 0:13:26.480
<v Speaker 1>and um, I never forget it, like I did. I did,

0:13:26.600 --> 0:13:28.760
<v Speaker 1>um Sexy Lady comes out. And then I had this

0:13:28.840 --> 0:13:30.760
<v Speaker 1>other song called the Business that I wanted to put

0:13:30.760 --> 0:13:34.520
<v Speaker 1>out and he was like, it's this song with ray J.

0:13:34.679 --> 0:13:37.720
<v Speaker 1>You need to try out. You guys need to get this. Yes.

0:13:38.000 --> 0:13:39.599
<v Speaker 1>So I hated this song because I thought I was

0:13:39.600 --> 0:13:41.600
<v Speaker 1>gonna be the sexiest Nack in the world. I'm like, yeah,

0:13:41.640 --> 0:13:44.720
<v Speaker 1>I just drop Sexy Lady. Now I'm coming with Sexy Can.

0:13:44.720 --> 0:13:46.960
<v Speaker 1>I like, why what the fun is going on? And

0:13:47.040 --> 0:13:49.600
<v Speaker 1>ray J was like, nah, bro, you gotta do the record. Bro,

0:13:49.800 --> 0:13:52.640
<v Speaker 1>like like it's a sexy movement we got going on.

0:13:52.760 --> 0:13:56.000
<v Speaker 1>I'm like, dog hell no. So they because I felt

0:13:56.040 --> 0:13:57.840
<v Speaker 1>like he had a taketop one while he said that,

0:13:57.840 --> 0:14:00.360
<v Speaker 1>and he was like he was looking his lips. I'm

0:14:00.400 --> 0:14:04.280
<v Speaker 1>just thinking that I can see the I can see

0:14:04.280 --> 0:14:06.600
<v Speaker 1>the scene of me. So they convinced I didn't want

0:14:06.640 --> 0:14:08.400
<v Speaker 1>to do the record. I went and I've seen Charlie

0:14:08.440 --> 0:14:10.520
<v Speaker 1>walk and I'm like, yo, you gotta buy me something,

0:14:10.559 --> 0:14:12.760
<v Speaker 1>buy me a chain. I'm like, I want to epic

0:14:12.800 --> 0:14:16.000
<v Speaker 1>record chain to do this record. He called Jason Badly

0:14:16.080 --> 0:14:18.520
<v Speaker 1>Hills the jeweler and brought me a chain that same day.

0:14:18.559 --> 0:14:20.240
<v Speaker 1>So now I had to do the record. But let

0:14:20.280 --> 0:14:22.160
<v Speaker 1>me just be clear. You had to be the only

0:14:22.240 --> 0:14:26.360
<v Speaker 1>nigger with the epic rank, epic history. Nobody wants to

0:14:26.800 --> 0:14:28.920
<v Speaker 1>epic records. No, I was just on some ship, like,

0:14:30.000 --> 0:14:33.160
<v Speaker 1>brought me a chain, hit maker. Why do you you don't

0:14:33.200 --> 0:14:35.280
<v Speaker 1>say that I had so many chains at that point,

0:14:35.320 --> 0:14:38.640
<v Speaker 1>Like it was signed. You sag him on a snoop dog.

0:14:40.200 --> 0:14:42.480
<v Speaker 1>You signed everywhere. My brother, I ain't gonna lie, but

0:14:42.760 --> 0:14:47.520
<v Speaker 1>you got contracts like a giraffe. The zo o brother

0:14:47.800 --> 0:14:50.160
<v Speaker 1>for real, bro, and I ain't gonna lie. I was

0:14:50.200 --> 0:14:53.080
<v Speaker 1>sitting there because it's mad labels, but I was like,

0:14:53.560 --> 0:14:56.720
<v Speaker 1>I was like, Yo, that's a lot of money. That's

0:14:56.760 --> 0:14:58.360
<v Speaker 1>a lot of money. Hold on them, I keep face

0:14:58.400 --> 0:15:01.960
<v Speaker 1>tilling me. Must be all right, I'm gonna calling a

0:15:02.160 --> 0:15:09.200
<v Speaker 1>drink test? Brother? What's calling on? Yo? Saturday? Had that

0:15:09.240 --> 0:15:13.320
<v Speaker 1>wine ready? Saturday? Saturday? Yeah? You got ghost is and

0:15:13.520 --> 0:15:17.560
<v Speaker 1>race showing behind lines? All right, look I got you,

0:15:17.640 --> 0:15:24.040
<v Speaker 1>I got you. I finished. Okay, who can you call? Yeah?

0:15:24.080 --> 0:15:29.120
<v Speaker 1>Call me? Hold on? Hold on? Who's that bad guys?

0:15:29.520 --> 0:15:33.640
<v Speaker 1>Who's that? Oh? Ship chip boo chap boo? Okay, makes

0:15:33.640 --> 0:15:38.160
<v Speaker 1>you who you? I loove y'all, loove y'all. Got your

0:15:38.160 --> 0:15:43.040
<v Speaker 1>Saturday Saturday. Let see your Saturday. Alright, cool man, this

0:15:43.400 --> 0:15:45.520
<v Speaker 1>is my porter weekt Mafia have to call you when

0:15:45.520 --> 0:15:47.600
<v Speaker 1>the porter we get mafia call you know. So I'm

0:15:47.600 --> 0:15:49.960
<v Speaker 1>bouncing for keep it. I told my mom, um was

0:15:50.080 --> 0:15:51.680
<v Speaker 1>Ray J licking his lips when he told you that

0:15:54.120 --> 0:16:00.720
<v Speaker 1>conversation that boy still happened though? Is about it? So

0:16:00.760 --> 0:16:03.720
<v Speaker 1>we do it? Um. This song, the Sexy Cannot Song,

0:16:03.920 --> 0:16:06.560
<v Speaker 1>Literally in Miami. We walked from I think I was

0:16:06.560 --> 0:16:09.520
<v Speaker 1>staying at the Della No to wet Willie's and I wrote,

0:16:09.720 --> 0:16:11.520
<v Speaker 1>this is a big chance we keep it real. First

0:16:11.520 --> 0:16:13.720
<v Speaker 1>of all, you don't have a drink. Have a drink,

0:16:13.920 --> 0:16:18.040
<v Speaker 1>that's one. But I feel like Sexy cannot had a

0:16:18.200 --> 0:16:22.520
<v Speaker 1>lot of cocaine on the video. Saxon no, no, hold

0:16:22.520 --> 0:16:30.760
<v Speaker 1>on no, that's the best. Let let's just say so,

0:16:31.040 --> 0:16:32.920
<v Speaker 1>that's the best part of having a budget to a

0:16:33.040 --> 0:16:36.040
<v Speaker 1>video is you actually have you wanna make some luch

0:16:36.080 --> 0:16:43.720
<v Speaker 1>of that drug budget? Come on being on death jap

0:16:45.240 --> 0:16:46.440
<v Speaker 1>to put it to the side. You know, you got

0:16:46.480 --> 0:16:50.320
<v Speaker 1>about Hunred and five right, what I had the we

0:16:51.040 --> 0:16:55.480
<v Speaker 1>Love Me but the video shoot, that's just yeah. So

0:16:55.640 --> 0:16:57.840
<v Speaker 1>the video of the Sexy kind of it was very

0:16:57.920 --> 0:17:00.200
<v Speaker 1>It was very ecstasy driven, like me and Raged did

0:17:00.240 --> 0:17:02.240
<v Speaker 1>a lot of ecstacy back in the day, Like ecstacy

0:17:02.320 --> 0:17:04.000
<v Speaker 1>used to be my thing. Like I was literally like,

0:17:04.119 --> 0:17:07.359
<v Speaker 1>would you say extacy ghostwriter? Yeah, it wrote a lot

0:17:07.440 --> 0:17:17.400
<v Speaker 1>of Gotti like they could be on that lifestyle, brew

0:17:17.480 --> 0:17:18.919
<v Speaker 1>up and made all these records. We live the next

0:17:18.920 --> 0:17:25.320
<v Speaker 1>story to each other. So John the story so so

0:17:25.480 --> 0:17:28.439
<v Speaker 1>John like he starts making these girl records. He got

0:17:28.520 --> 0:17:31.040
<v Speaker 1>to Badley, he got the ship. I don't like start

0:17:31.119 --> 0:17:34.000
<v Speaker 1>like hold up. So he's like, yeoh, man, I'm making

0:17:34.000 --> 0:17:37.720
<v Speaker 1>these records. I took ecstasy. I can't write a goddamn record.

0:17:38.440 --> 0:17:42.120
<v Speaker 1>I can't get an emotion though, just what I said.

0:17:42.840 --> 0:17:45.399
<v Speaker 1>But y'all, Ruler, you think it's made mother whole career

0:17:45.440 --> 0:17:47.600
<v Speaker 1>over that ship, I got super creative. Shout out to

0:17:47.720 --> 0:17:52.119
<v Speaker 1>John because they put me on that ship. Like Son video,

0:17:52.840 --> 0:17:56.000
<v Speaker 1>We're here in Miami. We're shooting the video. The song

0:17:56.200 --> 0:17:57.840
<v Speaker 1>isn't even out yet, you know what. We're trying to

0:17:57.880 --> 0:18:01.280
<v Speaker 1>shoot the video before the song comes out. So shout

0:18:01.320 --> 0:18:03.719
<v Speaker 1>out to um everybody. Man shouts all the people from

0:18:03.760 --> 0:18:07.119
<v Speaker 1>Cotch but Downhill, the people Alan Grumblad all them. I

0:18:07.160 --> 0:18:10.879
<v Speaker 1>still do business with him. Yeah. So we're at the

0:18:11.000 --> 0:18:13.480
<v Speaker 1>video and we're shooting the first shot of the day

0:18:13.640 --> 0:18:16.680
<v Speaker 1>near Ray J and a Lamborghini. We're smoking a blunt.

0:18:17.720 --> 0:18:20.600
<v Speaker 1>I threw the broach out the car. The police that

0:18:20.680 --> 0:18:23.920
<v Speaker 1>we're keeping us sable picked up the roach out the

0:18:24.040 --> 0:18:28.040
<v Speaker 1>Lamborghini smelt it. Locked my ass up a Mimi before

0:18:28.080 --> 0:18:30.720
<v Speaker 1>the first shot of the day. So I go to jail.

0:18:30.760 --> 0:18:34.560
<v Speaker 1>I'm in Dave. It was a roach and then we

0:18:34.680 --> 0:18:36.800
<v Speaker 1>were about I just threw it out because we're about

0:18:36.800 --> 0:18:38.920
<v Speaker 1>to shoot the first shot. He picked up the room,

0:18:41.680 --> 0:18:44.840
<v Speaker 1>he picked up their should up. I'm in jail, they're

0:18:44.840 --> 0:18:47.680
<v Speaker 1>shooting a video. I'm sick these niggas trying to bring

0:18:47.760 --> 0:18:49.800
<v Speaker 1>me but lonely sandwiches and all the type of ship.

0:18:49.920 --> 0:18:52.840
<v Speaker 1>I'm like, Nah, I'm young, berg so not niggas want

0:18:52.880 --> 0:18:56.119
<v Speaker 1>me to wrap foot in jail for that next thing.

0:18:56.200 --> 0:19:00.280
<v Speaker 1>I thought, they like, Ward comes the Lord, him out

0:19:00.400 --> 0:19:04.200
<v Speaker 1>my last main award. You never believe this ship. Shaquille

0:19:04.240 --> 0:19:06.359
<v Speaker 1>O'Neill billed me out of prison while I was down here,

0:19:06.359 --> 0:19:11.040
<v Speaker 1>because you know, Shaq a sheriff in Miami. Like that, Shaquille,

0:19:18.480 --> 0:19:20.720
<v Speaker 1>I don't even got nothing to see right now, he continued.

0:19:21.680 --> 0:19:23.919
<v Speaker 1>So shot comes and gets me. Not but it's nighttime,

0:19:23.960 --> 0:19:25.919
<v Speaker 1>like I've been in jail for probably like twelve hours now.

0:19:26.280 --> 0:19:30.359
<v Speaker 1>So shot comes how Because ray J and Shaq had

0:19:30.400 --> 0:19:33.720
<v Speaker 1>a partnership with that record, so they did business on that.

0:19:33.880 --> 0:19:36.680
<v Speaker 1>If you look at ray j Sexy County song, Shaquille

0:19:36.720 --> 0:19:40.720
<v Speaker 1>O'Neil's um imprints on it as well. So he came

0:19:40.800 --> 0:19:43.919
<v Speaker 1>and got me. We get there now, I'm heeding. Now

0:19:43.960 --> 0:19:46.040
<v Speaker 1>I'm trying to get as drunk as possible as quick

0:19:46.080 --> 0:19:49.360
<v Speaker 1>as I can. So we drink, drink, drink, drink, drink,

0:19:49.440 --> 0:19:51.800
<v Speaker 1>drink drink. I think I might have like fell in

0:19:51.840 --> 0:19:53.840
<v Speaker 1>a pool or some crazy, but we shocked the video

0:19:53.880 --> 0:19:56.280
<v Speaker 1>and it was success. It's the biggest song of my career,

0:19:56.520 --> 0:19:58.560
<v Speaker 1>honestly that I've ever been involved in. Ships sold ten

0:19:58.600 --> 0:20:00.240
<v Speaker 1>million records. Who would have thought that Me ray J

0:20:00.359 --> 0:20:05.640
<v Speaker 1>was sale? Tim? How do you Juanna, Marie? No? Yeah, yeah, yeah,

0:20:06.080 --> 0:20:08.920
<v Speaker 1>a little bit. So me and ray J was really cool.

0:20:09.160 --> 0:20:11.720
<v Speaker 1>You know, Loving hip Hop came around. You know, listen

0:20:11.800 --> 0:20:14.760
<v Speaker 1>to be careful because I watched every episode. Listen, all right,

0:20:16.840 --> 0:20:19.000
<v Speaker 1>every episode Love of hip Hop, Marriage, boot Camp. I'm

0:20:19.080 --> 0:20:21.119
<v Speaker 1>into all of that. I was a movie on that.

0:20:21.440 --> 0:20:22.840
<v Speaker 1>But it kind of was like it was a little

0:20:22.840 --> 0:20:26.760
<v Speaker 1>foul because you knew ray J was dating Diarra and

0:20:26.840 --> 0:20:29.960
<v Speaker 1>then the him and then the world was she gave

0:20:30.000 --> 0:20:32.320
<v Speaker 1>your head in the back seat? Let me this is

0:20:32.720 --> 0:20:35.359
<v Speaker 1>they were no, So it wasn't in a back seat

0:20:35.560 --> 0:20:39.159
<v Speaker 1>something like that. Apologize I'm just saying, but I'm just

0:20:39.320 --> 0:20:42.320
<v Speaker 1>you know, it's what I heard. I can't I can't lie,

0:20:42.400 --> 0:20:46.119
<v Speaker 1>so I'll just tell the truth. Basically, ray J. Me

0:20:46.200 --> 0:20:48.240
<v Speaker 1>and ray J was really cool, and we did a

0:20:48.280 --> 0:20:49.760
<v Speaker 1>lot of created a lot of history as well with

0:20:49.840 --> 0:20:52.320
<v Speaker 1>that record, and we got on the show and then

0:20:52.480 --> 0:20:56.240
<v Speaker 1>fucking um Ray was having his turmoil with his girl

0:20:56.480 --> 0:20:59.159
<v Speaker 1>at Princess at the time, and then Ray ended up

0:20:59.320 --> 0:21:01.720
<v Speaker 1>doubling back and dealing with Tierra Maria or whatever. So

0:21:02.160 --> 0:21:04.960
<v Speaker 1>the nigga Ray I told Ray, like, Ray was calling

0:21:05.000 --> 0:21:07.880
<v Speaker 1>my phone Whack one hundred, all these other niggas shout

0:21:07.960 --> 0:21:11.360
<v Speaker 1>to whack whack, we love you whatever, and like kind

0:21:11.359 --> 0:21:13.320
<v Speaker 1>of like threatening me, like pressing me a little bit

0:21:13.480 --> 0:21:15.640
<v Speaker 1>over you know what I'm saying, his chick over Tierra Marie.

0:21:16.200 --> 0:21:18.159
<v Speaker 1>And I'm like, and she's but she was setting it

0:21:18.280 --> 0:21:20.080
<v Speaker 1>up the whole time, like going back and I'm like, bro,

0:21:20.359 --> 0:21:22.840
<v Speaker 1>why are you pressing me? Like she just sucking my dick? Bro,

0:21:23.040 --> 0:21:27.600
<v Speaker 1>Like I ain't. I ain't go that crazy. He was like,

0:21:27.920 --> 0:21:30.720
<v Speaker 1>oh for real. He's like that's perfect because I want

0:21:30.760 --> 0:21:32.520
<v Speaker 1>to get back with Princess. And at the end of

0:21:32.560 --> 0:21:35.760
<v Speaker 1>the season, I kind of left with Tiera, so on

0:21:35.880 --> 0:21:39.560
<v Speaker 1>a reunion, you gotta tell them that she gave you top,

0:21:39.760 --> 0:21:43.080
<v Speaker 1>so everything a bit makes sense. And I was like, man,

0:21:43.320 --> 0:21:46.280
<v Speaker 1>hell no, I ain't kissing tail last nigga and the

0:21:46.359 --> 0:21:55.800
<v Speaker 1>head was five, So I'm like so basically at the reunion,

0:21:56.000 --> 0:21:58.119
<v Speaker 1>him and Whack one hundred pressured me to say, and

0:21:58.359 --> 0:22:01.200
<v Speaker 1>I'm bros over els. You know what I'm saying. So

0:22:01.320 --> 0:22:04.320
<v Speaker 1>I said it. I feel terrible about it. Tim. Marie

0:22:04.400 --> 0:22:06.880
<v Speaker 1>is a beautiful person. When you gave her a record though, yeah,

0:22:07.560 --> 0:22:09.560
<v Speaker 1>that recently, I gave a record while he was on

0:22:09.640 --> 0:22:11.800
<v Speaker 1>the show. The biggest scene that she had since she

0:22:12.160 --> 0:22:14.800
<v Speaker 1>was on Rockefeller or whatever. And you know, but she

0:22:14.920 --> 0:22:16.760
<v Speaker 1>was dealing with her issue. She was a drink champ

0:22:16.840 --> 0:22:18.679
<v Speaker 1>at that time. Now I feel like she sobered up

0:22:18.720 --> 0:22:22.920
<v Speaker 1>and she looking honest. I went to u uh was

0:22:23.080 --> 0:22:25.480
<v Speaker 1>dea think it was a depth jamn showcase and it

0:22:25.600 --> 0:22:29.359
<v Speaker 1>was Tierra movie, Rihanna and I think a Marie and

0:22:30.359 --> 0:22:33.520
<v Speaker 1>and you know who everyone was was was following to

0:22:35.280 --> 0:22:38.119
<v Speaker 1>and people were just looking over Rihanna, our kids. You not.

0:22:38.240 --> 0:22:48.080
<v Speaker 1>I know Hana remembers that party too. You remember that

0:22:48.200 --> 0:22:51.760
<v Speaker 1>ship whatever? You like that. But I ain't like that.

0:22:52.480 --> 0:22:56.679
<v Speaker 1>I ain't like that. Learning on me coming up? Oh

0:22:56.760 --> 0:23:00.960
<v Speaker 1>I was, but you coming down, y'all, you don't remember.

0:23:02.440 --> 0:23:04.840
<v Speaker 1>I just text you like I just texted him like

0:23:05.040 --> 0:23:06.760
<v Speaker 1>gui man and dissed me in a song, and I

0:23:07.000 --> 0:23:12.199
<v Speaker 1>did several singles on Gucci Man Time Out. Gucci Man

0:23:12.320 --> 0:23:14.520
<v Speaker 1>dished you on the song. He said, some ship like

0:23:14.560 --> 0:23:17.240
<v Speaker 1>I was going through, like some turmoil as a young

0:23:17.320 --> 0:23:19.000
<v Speaker 1>bird or whatever, and then he used me like as

0:23:19.000 --> 0:23:21.600
<v Speaker 1>a punch line. Oh but that's still all up and

0:23:21.640 --> 0:23:26.480
<v Speaker 1>that's my like like they said, like they said the

0:23:26.640 --> 0:23:28.960
<v Speaker 1>dude to do forty two for the two dogs. He

0:23:29.000 --> 0:23:31.639
<v Speaker 1>said before I go broke like jop. Yeah, it was

0:23:31.680 --> 0:23:33.960
<v Speaker 1>some ship like that. Yeah, it was like, oh, like

0:23:34.680 --> 0:23:36.720
<v Speaker 1>a bad experience that I had and he just, you

0:23:36.760 --> 0:23:38.280
<v Speaker 1>know what I'm saying, played it up on it. But

0:23:38.359 --> 0:23:39.680
<v Speaker 1>at the end of the day, now I look at it,

0:23:39.720 --> 0:23:41.640
<v Speaker 1>me and Gucci Man and sold millions of records together.

0:23:42.359 --> 0:23:43.920
<v Speaker 1>I mean, you don't get you don't actually have to

0:23:43.960 --> 0:23:46.359
<v Speaker 1>get along with the people you make music with. I

0:23:46.400 --> 0:23:48.679
<v Speaker 1>don't think you. I don't think that's I said, that's

0:23:48.680 --> 0:23:51.280
<v Speaker 1>a necessary what they say. It would be nice if

0:23:51.320 --> 0:23:53.600
<v Speaker 1>you could, but I don't think that every time, Like

0:23:54.200 --> 0:23:56.440
<v Speaker 1>people don't like I know, these people don't like me.

0:23:56.600 --> 0:23:59.600
<v Speaker 1>You know what I'm saying. I'm on at let me

0:23:59.640 --> 0:24:01.960
<v Speaker 1>tell you some I've interviewed. This is how many episodes

0:24:02.000 --> 0:24:05.040
<v Speaker 1>of this are we on almost two hundred, right, And

0:24:05.119 --> 0:24:06.560
<v Speaker 1>let me just tell you something. This is this. You

0:24:06.720 --> 0:24:09.719
<v Speaker 1>have your fan base. Let me tell you, but your

0:24:09.760 --> 0:24:12.080
<v Speaker 1>fans I kind of every time I interview somebody, I

0:24:12.119 --> 0:24:14.359
<v Speaker 1>go to Twitter, I go to Instagram, and I get

0:24:14.400 --> 0:24:16.480
<v Speaker 1>a field of your fan base. You have a very

0:24:16.560 --> 0:24:18.359
<v Speaker 1>unique fan base. But you have a real fan base,

0:24:18.600 --> 0:24:22.399
<v Speaker 1>meaning most of the time it's people they either really

0:24:22.560 --> 0:24:29.080
<v Speaker 1>really love you. Man, you don't have the in betweens.

0:24:29.119 --> 0:24:30.800
<v Speaker 1>When I hit and I was like, yeo, I got

0:24:31.359 --> 0:24:34.280
<v Speaker 1>hit Maker coming up, got young Bird and I kid

0:24:34.320 --> 0:24:37.440
<v Speaker 1>you not, it was fifty fifty down the line. I

0:24:37.520 --> 0:24:39.560
<v Speaker 1>was like, yo, man, he got he made a great

0:24:39.600 --> 0:24:42.320
<v Speaker 1>career of himself. And then other people was just like man,

0:24:42.480 --> 0:24:48.119
<v Speaker 1>you know so it's how does that affect you? Like

0:24:48.560 --> 0:24:51.760
<v Speaker 1>a rich or? You don't affect me, don't you know?

0:24:51.920 --> 0:24:54.080
<v Speaker 1>What I mean? Is what I mean is how do

0:24:54.119 --> 0:24:55.520
<v Speaker 1>you take the good with the bag? When it comes

0:24:55.560 --> 0:24:57.439
<v Speaker 1>with that? Everybody and shipped it on me. So now

0:24:57.560 --> 0:25:02.440
<v Speaker 1>it's just like it don't even matter. So you built,

0:25:02.560 --> 0:25:05.400
<v Speaker 1>you've been you've built thick skin, or you already had stick.

0:25:05.680 --> 0:25:08.200
<v Speaker 1>It was I had to build it because like man,

0:25:08.320 --> 0:25:09.720
<v Speaker 1>like I went through a lot of things. A lot

0:25:09.760 --> 0:25:11.440
<v Speaker 1>of things that I went through with young Burg wasn't

0:25:11.440 --> 0:25:13.879
<v Speaker 1>even really my beefs, so my issues. It was like

0:25:14.119 --> 0:25:19.600
<v Speaker 1>you know, I was just yeah, I'm going watermelon the baby.

0:25:20.000 --> 0:25:25.720
<v Speaker 1>I'm living off the stereotype. But I only say that

0:25:26.320 --> 0:25:28.800
<v Speaker 1>Donna laugh. But now I went through a bunch of turmoil,

0:25:29.040 --> 0:25:31.520
<v Speaker 1>Like I literally grew up in front of the camp

0:25:31.880 --> 0:25:34.399
<v Speaker 1>you know what I'm saying, Like I literally nickers can

0:25:34.480 --> 0:25:37.000
<v Speaker 1>see the good, the bad, ugly with me. So it's

0:25:37.040 --> 0:25:39.040
<v Speaker 1>kind of like and you own it. You own it.

0:25:39.080 --> 0:25:42.480
<v Speaker 1>That's what it is. What it is man like, at

0:25:42.520 --> 0:25:45.840
<v Speaker 1>the end of the day, it's about it's about longevity,

0:25:45.920 --> 0:25:48.919
<v Speaker 1>it's about having a real career, and it's just about money, bro,

0:25:49.560 --> 0:25:54.080
<v Speaker 1>because these people they don't. It's fickle man. Like went

0:25:54.520 --> 0:25:58.080
<v Speaker 1>three four years ago, I thought I had e bowler myself.

0:25:58.200 --> 0:26:00.600
<v Speaker 1>Nobody wanted to be near me. I'm talking about I

0:26:00.640 --> 0:26:02.600
<v Speaker 1>think I couldn't. It was like bad to bring like

0:26:02.680 --> 0:26:05.000
<v Speaker 1>don't I was nigga not to bring around, like don't

0:26:05.040 --> 0:26:06.960
<v Speaker 1>bring bro, or like I would be in the club

0:26:07.040 --> 0:26:09.080
<v Speaker 1>and like wrapp us with like not want me around

0:26:09.240 --> 0:26:11.399
<v Speaker 1>or something like that, to play me dirty. Now my

0:26:11.520 --> 0:26:15.240
<v Speaker 1>phone looked like the hot one hunting. No, but explain

0:26:15.359 --> 0:26:17.960
<v Speaker 1>that though, Explain like, what does that come from? People

0:26:18.000 --> 0:26:20.680
<v Speaker 1>thinking that he was taking advantage of you or something

0:26:20.720 --> 0:26:23.920
<v Speaker 1>like that? You get into the scripancy. It was the screpacy.

0:26:23.960 --> 0:26:25.639
<v Speaker 1>I guess it just wasn't cool to be around me.

0:26:25.960 --> 0:26:30.240
<v Speaker 1>I never forget this ship. So I on my transition

0:26:30.280 --> 0:26:34.119
<v Speaker 1>and from the Young Bird, we want one at I

0:26:34.160 --> 0:26:37.960
<v Speaker 1>don't know what. Okay, all right, so where's my shot? Special?

0:26:39.880 --> 0:26:41.720
<v Speaker 1>You know we like to rock overhead. You know what

0:26:41.720 --> 0:26:45.920
<v Speaker 1>I'm saying. We gotta just pick up just vote I

0:26:45.960 --> 0:26:48.400
<v Speaker 1>would and I want to be club focus in case

0:26:48.520 --> 0:26:51.400
<v Speaker 1>because the case far for anybody. Um young Berg from

0:26:51.480 --> 0:26:55.040
<v Speaker 1>the nineteen two recommended to Delhi Yard. Well, you know,

0:26:55.160 --> 0:26:59.800
<v Speaker 1>he's just old man. I'm gonna take a shot of solid.

0:27:02.600 --> 0:27:04.280
<v Speaker 1>This is to you, though, brother, This is to you, brother.

0:27:04.400 --> 0:27:06.800
<v Speaker 1>Let just so you know, I'll show it's about celebrating

0:27:06.840 --> 0:27:09.639
<v Speaker 1>all legends, and you're a motherfucking legend, my brother. Now

0:27:09.680 --> 0:27:17.640
<v Speaker 1>that's different, shot. Okay, it's different. I'm different. I felt

0:27:17.680 --> 0:27:20.280
<v Speaker 1>like Benny Hill, just now what are we talking about?

0:27:20.320 --> 0:27:24.200
<v Speaker 1>Because so look, this is a crazy thing, okay, because

0:27:25.160 --> 0:27:27.280
<v Speaker 1>that you're already making it think The first time I

0:27:27.359 --> 0:27:30.280
<v Speaker 1>said hit maker was probably it's on this song, well,

0:27:30.359 --> 0:27:32.920
<v Speaker 1>the first one that came out as a uh, DJ

0:27:33.160 --> 0:27:35.119
<v Speaker 1>infamous you have you know this guy, he's in Atlanta.

0:27:36.720 --> 0:27:40.000
<v Speaker 1>Do you have a catch for heating um hit heat makers? Nah?

0:27:40.680 --> 0:27:44.320
<v Speaker 1>But I love heatmakers. Yeah. So I did this record.

0:27:44.800 --> 0:27:49.240
<v Speaker 1>It's called Double Cup and it was DJ Infamous featuring myself, Jeez,

0:27:49.760 --> 0:27:54.719
<v Speaker 1>Juicy J, and Ludicrous. So I remember this ship, like yesterday,

0:27:54.720 --> 0:27:58.000
<v Speaker 1>were in Atlanta. We're shooting a video and we're on

0:27:58.160 --> 0:28:00.600
<v Speaker 1>set and like I'm watching these they can shoot the

0:28:00.640 --> 0:28:04.200
<v Speaker 1>whole video without like without me in it, like Jez

0:28:04.320 --> 0:28:06.239
<v Speaker 1>didn't want me in his shot or whatever, and all

0:28:06.320 --> 0:28:11.399
<v Speaker 1>this other ship the story. So listen, I had my

0:28:11.520 --> 0:28:13.600
<v Speaker 1>own shots, but Jeez didn't want me in his shot.

0:28:13.720 --> 0:28:15.280
<v Speaker 1>But it was the group shot and it's like I'm

0:28:15.280 --> 0:28:17.600
<v Speaker 1>actually wrapping the hook on this like it's my song.

0:28:17.840 --> 0:28:24.000
<v Speaker 1>Like so and you know, at the time, I'm guessing

0:28:24.440 --> 0:28:27.359
<v Speaker 1>Jess had that image to be a thing and know

0:28:27.359 --> 0:28:30.119
<v Speaker 1>what I'm saying, so so, um, I never forget it.

0:28:30.200 --> 0:28:32.880
<v Speaker 1>So I'm there and at that point I'm mad as hell.

0:28:33.000 --> 0:28:35.800
<v Speaker 1>I'm like, damn, I didn't. So I didn't. I threw

0:28:35.840 --> 0:28:38.280
<v Speaker 1>back a half a bottle. Now now I'm drunk. Now

0:28:38.360 --> 0:28:40.960
<v Speaker 1>I'm like, you know where fun this ship? They like

0:28:41.080 --> 0:28:44.480
<v Speaker 1>action I ran in, Jez shot you know what I'm

0:28:44.480 --> 0:28:46.760
<v Speaker 1>saying that start wrapping my ship or whatever. They like,

0:28:47.360 --> 0:28:49.160
<v Speaker 1>He's like, they don't want to go crip crazy on this.

0:28:50.720 --> 0:28:52.760
<v Speaker 1>I think it was mad as helling me or whatever.

0:28:52.840 --> 0:28:55.920
<v Speaker 1>But like now full circle man, me and Jez is

0:28:56.000 --> 0:28:58.280
<v Speaker 1>good man, Jeez want to work. You know he just

0:28:58.400 --> 0:29:00.640
<v Speaker 1>DM me recently or whatever. But I show you how

0:29:00.720 --> 0:29:03.440
<v Speaker 1>ship comes forward circle. I wasn't allowed in the video

0:29:03.560 --> 0:29:06.040
<v Speaker 1>next one. Now I'm able to you know what I'm

0:29:06.080 --> 0:29:08.400
<v Speaker 1>saying at work with these people, so like it's crazy

0:29:08.520 --> 0:29:11.440
<v Speaker 1>like my brother and how like I mean, I know

0:29:11.600 --> 0:29:15.000
<v Speaker 1>this is kind of sounds generic, but like, how do

0:29:15.080 --> 0:29:17.160
<v Speaker 1>you how do you deal with that? Like I know

0:29:17.200 --> 0:29:18.680
<v Speaker 1>we said we're rich. We we've dealt we dealt with

0:29:18.720 --> 0:29:22.040
<v Speaker 1>that part. We know moment because we're all human like

0:29:22.080 --> 0:29:24.680
<v Speaker 1>at the end of the day, like everyone hears right,

0:29:25.040 --> 0:29:27.680
<v Speaker 1>Like you know, I learned the industry or I've been

0:29:27.720 --> 0:29:29.560
<v Speaker 1>in this ship since a kid. Do you know how

0:29:29.640 --> 0:29:31.640
<v Speaker 1>this ship go? Because we listen when I did reggae

0:29:31.720 --> 0:29:35.040
<v Speaker 1>though I had the raybies like I have rabies, Black

0:29:35.080 --> 0:29:38.560
<v Speaker 1>people like we would hip hop and then look at

0:29:38.600 --> 0:29:42.760
<v Speaker 1>the ship that guys like holy lonely walk. I told

0:29:42.800 --> 0:29:45.720
<v Speaker 1>you I was sparing us for the beginning and to

0:29:45.800 --> 0:29:49.520
<v Speaker 1>get us everything. Everybody, Yeah, yeah, yeah, I had the coolies.

0:29:49.880 --> 0:29:51.920
<v Speaker 1>I went through that, so hopefully I had to go

0:29:52.000 --> 0:29:59.600
<v Speaker 1>through that. You know what's now, it's every artist goes

0:29:59.640 --> 0:30:02.200
<v Speaker 1>through that time you get the cooties, right, every artist,

0:30:02.280 --> 0:30:04.240
<v Speaker 1>every like I mean, I don't give an who he is.

0:30:04.600 --> 0:30:07.320
<v Speaker 1>Whether even even though as had the cooties, Jay had

0:30:07.360 --> 0:30:11.320
<v Speaker 1>the cooties, like like and Career were talking about that

0:30:11.840 --> 0:30:14.360
<v Speaker 1>after he did had the cooties. Yes he did, and

0:30:14.480 --> 0:30:17.200
<v Speaker 1>when he dropped that record where he actually was speaking

0:30:17.240 --> 0:30:20.960
<v Speaker 1>about like the girl like um the one that yeah,

0:30:21.080 --> 0:30:23.400
<v Speaker 1>that he had the cooties. Bro I mean, it might

0:30:23.400 --> 0:30:25.240
<v Speaker 1>have only been two weeks to two months, but the

0:30:25.280 --> 0:30:29.400
<v Speaker 1>cooties is the cooties. Nonetheless, Man, they're serious. I mean,

0:30:29.640 --> 0:30:31.760
<v Speaker 1>being rich and having the cooties is one thing. It's

0:30:31.760 --> 0:30:36.160
<v Speaker 1>still it's still the cooties. That's that's that's what covid

0:30:36.200 --> 0:30:40.400
<v Speaker 1>is is crazy. Being broke this probably and having couzies.

0:30:40.480 --> 0:30:46.720
<v Speaker 1>The body is the worse. But listen, I know Rick

0:30:47.760 --> 0:30:52.680
<v Speaker 1>insecure people, very insecure people. I like, I want to

0:30:52.720 --> 0:30:59.080
<v Speaker 1>say their name so bad, trust me, not the shot

0:30:59.800 --> 0:31:06.160
<v Speaker 1>get start. But listen, there's a lot of insecure people

0:31:06.720 --> 0:31:09.440
<v Speaker 1>out there, so just just just just know that. But

0:31:09.520 --> 0:31:12.840
<v Speaker 1>let's us move on, right, So you and ray Je,

0:31:13.080 --> 0:31:16.000
<v Speaker 1>remember how did y'all actually get put it together? Like

0:31:16.000 --> 0:31:20.280
<v Speaker 1>because your brothers now again, Yeah, nothing, that was it?

0:31:20.680 --> 0:31:23.640
<v Speaker 1>And then like ship, you know, like you gotta scool

0:31:23.640 --> 0:31:26.760
<v Speaker 1>the bike. No, if I wasn't hit maker right now,

0:31:26.840 --> 0:31:28.760
<v Speaker 1>ray J wouldn't funk with me, Like, let's be cool.

0:31:29.000 --> 0:31:30.800
<v Speaker 1>I don't know what was going there, but for it,

0:31:30.840 --> 0:31:33.680
<v Speaker 1>that's what are you talking about. I think that my success,

0:31:35.120 --> 0:31:37.120
<v Speaker 1>Like you have to acknowledge me now now it's like,

0:31:37.240 --> 0:31:39.240
<v Speaker 1>you know what, I always believe that you you always

0:31:39.280 --> 0:31:40.840
<v Speaker 1>had the air for this ship type of thing. Like

0:31:41.280 --> 0:31:43.160
<v Speaker 1>what you're saying this sounds a little crazy. You don't

0:31:43.200 --> 0:31:47.320
<v Speaker 1>think so No, no, I don't saying straight up, Jesu,

0:31:49.000 --> 0:31:57.560
<v Speaker 1>I gotta I gotta catch my shot cut WHOA, So

0:31:59.280 --> 0:32:03.840
<v Speaker 1>I mean that's kind of crazy. I understand what I'm

0:32:03.880 --> 0:32:09.720
<v Speaker 1>I'm gonna keep it because you know that's cool. I'm

0:32:09.760 --> 0:32:13.800
<v Speaker 1>sticking with sticking with the yall. You know what, I mean,

0:32:14.920 --> 0:32:17.479
<v Speaker 1>holy movie. I wasn't ready for the answer just now.

0:32:18.280 --> 0:32:22.719
<v Speaker 1>That's my though. I've just seen him. Listen. I famous

0:32:22.800 --> 0:32:26.040
<v Speaker 1>story is Leo. Leo run me to his house one

0:32:26.120 --> 0:32:29.280
<v Speaker 1>day and said, you like this house? I said yes.

0:32:29.360 --> 0:32:31.280
<v Speaker 1>He said, but make sure you had enough next year.

0:32:32.120 --> 0:32:37.520
<v Speaker 1>So I can't invite you back for that. Terrible story

0:32:37.640 --> 0:32:40.240
<v Speaker 1>but very rare. Yeah, right, because it's like he basically

0:32:40.280 --> 0:32:41.920
<v Speaker 1>told me, Yo, you paid the bill for deaf Jam

0:32:42.040 --> 0:32:44.200
<v Speaker 1>this year, you got the number one record, but make

0:32:44.240 --> 0:32:47.520
<v Speaker 1>sure you how you come back. You're saying that's what

0:32:47.760 --> 0:32:50.320
<v Speaker 1>you're in ray J's relationship. But I prefer to like

0:32:50.400 --> 0:32:52.320
<v Speaker 1>how Lee or is because it ain't no cut on that,

0:32:52.480 --> 0:32:54.560
<v Speaker 1>you know what I'm saying, Like certain people lead you

0:32:54.640 --> 0:32:56.600
<v Speaker 1>to believe that they're your best friend. You know what

0:32:56.640 --> 0:32:59.440
<v Speaker 1>I'm saying that they executive and the same executive you

0:32:59.560 --> 0:33:01.400
<v Speaker 1>get cold than they won't ever speak to you again.

0:33:01.560 --> 0:33:03.440
<v Speaker 1>I feel like you're trying to say, ray they did

0:33:03.560 --> 0:33:05.080
<v Speaker 1>that to you. I feel like, guess we're trying to

0:33:05.080 --> 0:33:08.560
<v Speaker 1>say ray J is a good first and foremost, ray

0:33:08.600 --> 0:33:10.520
<v Speaker 1>That's a good guy. He's a good guy. I've had

0:33:10.640 --> 0:33:13.560
<v Speaker 1>so many many experience ray J smashed everybody in the industry,

0:33:13.640 --> 0:33:15.240
<v Speaker 1>like I looked up to ray J. That's how we

0:33:15.360 --> 0:33:28.280
<v Speaker 1>got cool. I take it from ray J smash everything.

0:33:28.320 --> 0:33:30.479
<v Speaker 1>Take it from that. Ray J smashed everything else. At

0:33:30.520 --> 0:33:33.560
<v Speaker 1>one point he was back to back tour busses. Imagine

0:33:33.600 --> 0:33:36.080
<v Speaker 1>me and ray J on a sexy ken tour and

0:33:36.200 --> 0:33:39.040
<v Speaker 1>picturement what's going on. I'm married, I am a married man,

0:33:39.080 --> 0:33:41.320
<v Speaker 1>but I'm gonna live by Curious to you motherfucker's right now,

0:33:41.400 --> 0:33:49.800
<v Speaker 1>let's describe what happened, not bike Curious, rest in peace

0:33:49.960 --> 0:33:54.000
<v Speaker 1>to the lovely, the fucking legend. Let me tell y'all story.

0:33:54.680 --> 0:33:59.520
<v Speaker 1>How do we get to rest in peace? Oh, I'm

0:33:59.520 --> 0:34:06.960
<v Speaker 1>like you talking down. Let's me talking about killing. We

0:34:07.000 --> 0:34:10.200
<v Speaker 1>gotta take it people, some people, Okay, so talking about Hold,

0:34:10.360 --> 0:34:13.080
<v Speaker 1>let me just figure about what we're gonna Let me

0:34:13.120 --> 0:34:14.759
<v Speaker 1>figure about who we're gonna here, because we just I

0:34:14.840 --> 0:34:18.640
<v Speaker 1>feel like you give us a rage Whitney story. Yeah,

0:34:18.680 --> 0:34:26.160
<v Speaker 1>that's where we're going. Let's go. Let's go because probably

0:34:29.200 --> 0:34:32.160
<v Speaker 1>my biggest party is in the corner looking like looking

0:34:32.160 --> 0:34:35.520
<v Speaker 1>at me right now. So look be in Atlanta, and

0:34:36.200 --> 0:34:39.560
<v Speaker 1>um we staying at this hotel and then um we

0:34:39.680 --> 0:34:43.759
<v Speaker 1>have a show at Compound Nightclub. So I go get

0:34:43.840 --> 0:34:45.880
<v Speaker 1>in the car with Ray and Whitney Houston is in

0:34:45.920 --> 0:34:49.000
<v Speaker 1>the car with us. So like Whitney was a gamester

0:34:49.160 --> 0:34:52.279
<v Speaker 1>though she's a real ain't like y. I'm talking about,

0:34:52.400 --> 0:34:56.160
<v Speaker 1>like we get the compound well first and foremost, do

0:34:56.239 --> 0:34:58.680
<v Speaker 1>you understand what I'm saying. We took Whitney Houston to

0:34:58.800 --> 0:35:01.200
<v Speaker 1>compound and perform Say and Canna. I'm feeling like you're

0:35:01.200 --> 0:35:09.200
<v Speaker 1>saying kidnaps. No no, So we put a hoodie on her.

0:35:09.920 --> 0:35:13.640
<v Speaker 1>We're parking them back. I'm like, damn, like we need

0:35:13.760 --> 0:35:16.480
<v Speaker 1>some drinks. She like rolled out the window, sent the

0:35:16.560 --> 0:35:19.239
<v Speaker 1>security in the come out with the jumbo patron. It's

0:35:19.239 --> 0:35:21.799
<v Speaker 1>back when niggas drinking patrone. Me and Whitney I'm throwing

0:35:21.880 --> 0:35:25.320
<v Speaker 1>back patrol. I'm talking about like crazy crazy. She's smoking

0:35:25.360 --> 0:35:27.640
<v Speaker 1>and chain smoking squares. It was. It was a vibe.

0:35:27.680 --> 0:35:29.400
<v Speaker 1>So we go in the club, we do sexy can

0:35:29.560 --> 0:35:37.600
<v Speaker 1>I now mind you damn don't look that way. So

0:35:41.680 --> 0:35:43.800
<v Speaker 1>we had the hotel and like my hype man, I

0:35:43.880 --> 0:35:45.560
<v Speaker 1>think my hype man and one of the people that

0:35:45.680 --> 0:35:48.359
<v Speaker 1>was with me left, so like I had extra hotel rooms.

0:35:48.719 --> 0:35:51.200
<v Speaker 1>So Ray come to my hotel and he like yo

0:35:51.320 --> 0:35:53.560
<v Speaker 1>berg um, I got the bitches that I brought back, Like,

0:35:53.640 --> 0:35:55.960
<v Speaker 1>I know you got extra rooms, so go ahead and

0:35:56.080 --> 0:35:58.160
<v Speaker 1>like give me your keys to the other rooms. So

0:36:03.360 --> 0:36:07.239
<v Speaker 1>that's so, I give them the keys to the room.

0:36:07.320 --> 0:36:09.880
<v Speaker 1>But I gave him one wrong key. So I'm looking

0:36:09.960 --> 0:36:11.880
<v Speaker 1>for ray J. I'm going through and I'm like, when

0:36:11.880 --> 0:36:13.279
<v Speaker 1>I'm gonna go to this room and look for this thing.

0:36:13.840 --> 0:36:18.680
<v Speaker 1>I go on the room. I don't know where. Yeah,

0:36:18.880 --> 0:36:22.160
<v Speaker 1>I'm kind of nervous about this Witney Houston taking her

0:36:22.280 --> 0:36:24.560
<v Speaker 1>pants off. I walked in the room like she getting

0:36:24.640 --> 0:36:26.440
<v Speaker 1>naked and ray J room and she's like, hey out

0:36:26.480 --> 0:36:28.560
<v Speaker 1>here young and I'm like, oh my dad, I'm sorry,

0:36:29.120 --> 0:36:33.120
<v Speaker 1>and I ran out the room. Damn man, I don't

0:36:33.120 --> 0:36:38.879
<v Speaker 1>know how to answer this right now. And I thought

0:36:38.920 --> 0:36:42.840
<v Speaker 1>I've had every answer to everything and you're sucking me

0:36:42.960 --> 0:36:45.839
<v Speaker 1>up right now. I was like, no, this is consequences

0:36:45.920 --> 0:36:50.640
<v Speaker 1>to what I want to say. After they say I

0:36:50.719 --> 0:36:52.360
<v Speaker 1>don't know what I want to say because this is

0:36:52.600 --> 0:36:57.360
<v Speaker 1>I wasn't ready. He wasn't basically saying you sol Whitney

0:36:57.400 --> 0:37:02.960
<v Speaker 1>Houston nicking yeah, jeez, the wise. I don't know if

0:37:03.000 --> 0:37:04.800
<v Speaker 1>it makes a noise for this. Bobby Brown might be

0:37:04.920 --> 0:37:09.360
<v Speaker 1>mad we love. That's right, love Bobby, we love with me,

0:37:09.480 --> 0:37:11.640
<v Speaker 1>We love all that ship. I'm just telling y'all my life.

0:37:12.800 --> 0:37:15.760
<v Speaker 1>It's like my life. I can't seeing Maron menroll naked.

0:37:15.920 --> 0:37:26.880
<v Speaker 1>It was that's like, wow, who you see naked? I

0:37:26.880 --> 0:37:32.960
<v Speaker 1>don't kiss. The newest show is who Have? Who are

0:37:33.000 --> 0:37:39.040
<v Speaker 1>you see? I'm not gonna lie, but you live a life.

0:37:39.719 --> 0:37:43.160
<v Speaker 1>We must say that you live a life. Um, we've

0:37:43.200 --> 0:37:47.680
<v Speaker 1>been hearing about you knocking down a lot o Lord,

0:37:48.800 --> 0:37:51.000
<v Speaker 1>I'm living. Who was one thing you knocked down to

0:37:51.040 --> 0:37:55.360
<v Speaker 1>you was like whoa yo? I'm gonna tell you a

0:37:55.480 --> 0:38:01.239
<v Speaker 1>crazy I don't mean no disrespect. I don't know. I

0:38:01.239 --> 0:38:03.000
<v Speaker 1>don't know if you marry my I don't or whatever.

0:38:03.200 --> 0:38:05.480
<v Speaker 1>This ship is crazy, like this is the first time,

0:38:05.560 --> 0:38:09.920
<v Speaker 1>like I'm telling you my my young life. So after

0:38:10.360 --> 0:38:13.640
<v Speaker 1>the whole DMX ship folds, Troy Carter and Jay Irving

0:38:13.680 --> 0:38:16.440
<v Speaker 1>become my manager. Troy Carter, that's my man from Spotify.

0:38:16.480 --> 0:38:20.320
<v Speaker 1>I just made about all. So yeah, I used to

0:38:20.400 --> 0:38:23.600
<v Speaker 1>manage Eve and Eve's also my big sister mentors. Well,

0:38:23.719 --> 0:38:26.040
<v Speaker 1>she's the one who at my name was Iceberg. Eve

0:38:26.560 --> 0:38:28.759
<v Speaker 1>called me young Berg for the first time, and that

0:38:29.120 --> 0:38:35.759
<v Speaker 1>became my name. But she came. So I go to

0:38:36.000 --> 0:38:38.640
<v Speaker 1>l A and like, UM, I don't got ship going on.

0:38:38.760 --> 0:38:40.759
<v Speaker 1>I'm living in l A. I'm fucked up. And but

0:38:40.880 --> 0:38:42.640
<v Speaker 1>I was with Eve and Evens on top of the

0:38:42.719 --> 0:38:45.960
<v Speaker 1>world at this time, and then the boyfriend. Yet no, no, no, no,

0:38:46.600 --> 0:38:49.160
<v Speaker 1>let me blow your mind when step fire. I'm just

0:38:49.280 --> 0:38:52.400
<v Speaker 1>one of them. So she was working on the next album.

0:38:52.480 --> 0:38:54.960
<v Speaker 1>My first writing placement as a writer. I wrote the

0:38:55.040 --> 0:38:58.680
<v Speaker 1>title track hook to Eve Evolution. That was the name

0:38:58.719 --> 0:39:01.759
<v Speaker 1>of her album, Evolution. There's a song called Evolution on that.

0:39:02.120 --> 0:39:04.320
<v Speaker 1>I wrote the hook to the song. You can actually

0:39:04.320 --> 0:39:06.480
<v Speaker 1>still hear my vocals in the song and all other ship.

0:39:06.920 --> 0:39:08.880
<v Speaker 1>So she gave me my first placement as well. She

0:39:09.040 --> 0:39:11.360
<v Speaker 1>changed my name. She's been a big system, the mentor

0:39:11.480 --> 0:39:15.160
<v Speaker 1>of me. So I started Troy signed this artist named

0:39:15.200 --> 0:39:18.280
<v Speaker 1>Morgan Smith. This girl is beautiful. She was like around

0:39:18.320 --> 0:39:20.960
<v Speaker 1>my age. He like, yo, I'm gonna let you write

0:39:21.000 --> 0:39:23.120
<v Speaker 1>the album like you didn't do this by blah blah.

0:39:24.080 --> 0:39:27.120
<v Speaker 1>I wrote the album with um and I just got

0:39:27.200 --> 0:39:29.600
<v Speaker 1>one of them, remember them cross fires like the Chrysler

0:39:29.680 --> 0:39:31.759
<v Speaker 1>cross fire them a little to see the cars that

0:39:31.880 --> 0:39:34.520
<v Speaker 1>the cry. I got one of them. No, I'm sorry

0:39:34.520 --> 0:39:36.319
<v Speaker 1>I don't remember that. Yeah, I got one of them,

0:39:36.480 --> 0:39:38.239
<v Speaker 1>and I thought I was this ship, so like I

0:39:38.440 --> 0:39:40.960
<v Speaker 1>ended up meeting like the girls from three l W

0:39:41.680 --> 0:39:44.719
<v Speaker 1>remember that, ye remember that ain't one of them on

0:39:44.840 --> 0:39:47.960
<v Speaker 1>a fuel? No? Yes? And then the other girls don't.

0:39:48.040 --> 0:39:52.040
<v Speaker 1>The one that I smash is on power Okay, I

0:39:52.239 --> 0:39:58.040
<v Speaker 1>know what was gonna No, we weren't. So I'll never

0:39:58.160 --> 0:40:02.719
<v Speaker 1>forget this ship. This is the first time I ever like,

0:40:02.880 --> 0:40:07.160
<v Speaker 1>like I learned the real life lesson like this day. Listen.

0:40:07.400 --> 0:40:10.520
<v Speaker 1>So she I think she was living at some apartment

0:40:10.600 --> 0:40:12.520
<v Speaker 1>complex or where that we was cool. It was at

0:40:12.560 --> 0:40:14.719
<v Speaker 1>the art Stone if anybody in l A already know

0:40:14.760 --> 0:40:16.520
<v Speaker 1>about the art Stone. That's where all the artists used

0:40:16.520 --> 0:40:18.759
<v Speaker 1>to live. This in North Hollywood or whatever. So I

0:40:18.880 --> 0:40:21.399
<v Speaker 1>go to her crib. They're having a little party or whatever.

0:40:21.520 --> 0:40:23.400
<v Speaker 1>It's like all the little three or W girls and

0:40:23.480 --> 0:40:28.279
<v Speaker 1>ship and fucking uh we go on. We smash the

0:40:28.320 --> 0:40:32.399
<v Speaker 1>power one. Yeah okay, but I was like girl, Yeah,

0:40:32.440 --> 0:40:35.520
<v Speaker 1>I'm like girl, I'm like, it's the first smash girl.

0:40:35.560 --> 0:40:43.720
<v Speaker 1>Look at you. I'm like, it's something in her pussy.

0:40:44.080 --> 0:40:47.840
<v Speaker 1>Like when I thought about like, I didn't know what

0:40:47.880 --> 0:40:52.239
<v Speaker 1>he was going you're talking about because listen, this is

0:40:52.280 --> 0:40:56.000
<v Speaker 1>the first and first moments right keeps catching me, but

0:40:56.120 --> 0:40:58.480
<v Speaker 1>I don't even have a response. What did you say, sir?

0:40:58.560 --> 0:41:01.759
<v Speaker 1>I'm sorry, So it was like felt like a mouse

0:41:01.840 --> 0:41:04.920
<v Speaker 1>trapping up vain. I think you said damon or something.

0:41:05.760 --> 0:41:08.200
<v Speaker 1>And that's the first time I learned about birth control.

0:41:08.280 --> 0:41:18.440
<v Speaker 1>She had the U Okay, it's my first time. You

0:41:18.480 --> 0:41:25.160
<v Speaker 1>ain't never seen that, y'alla. You know, Oh my god,

0:41:25.239 --> 0:41:29.360
<v Speaker 1>this is crazy, but you live in life all and

0:41:29.440 --> 0:41:32.239
<v Speaker 1>I love you. This is years ago, this is twenty

0:41:32.320 --> 0:41:34.320
<v Speaker 1>years ago. This is because I feel like you was

0:41:34.400 --> 0:41:36.520
<v Speaker 1>being like I feel like like like he was getting

0:41:36.560 --> 0:41:39.759
<v Speaker 1>that light skin nigger pussy, right, you know, y'all light

0:41:39.800 --> 0:41:42.080
<v Speaker 1>skin niggers. Y'all get like kids and play. You're like

0:41:42.160 --> 0:41:50.200
<v Speaker 1>you weould kid, light skin you you you get to Drake,

0:41:50.640 --> 0:41:53.439
<v Speaker 1>drink us Drake Nani. So let's be clear. Let's be clear.

0:41:53.560 --> 0:41:55.839
<v Speaker 1>I think Drake got the best record in the game.

0:41:56.080 --> 0:41:57.960
<v Speaker 1>And then are you like number two or three? We

0:41:58.480 --> 0:42:01.160
<v Speaker 1>rank yourself or you're saying you up there with Drake.

0:42:02.760 --> 0:42:05.480
<v Speaker 1>To be honest, I think that we all have kind

0:42:05.520 --> 0:42:08.480
<v Speaker 1>of like entertained and dealt with the same women. But

0:42:08.800 --> 0:42:10.719
<v Speaker 1>I'm kind of off that now Like now I'm just

0:42:10.920 --> 0:42:13.600
<v Speaker 1>like now I'm an executive, like now that I'm you

0:42:13.640 --> 0:42:16.000
<v Speaker 1>know what I'm saying, like for vice president Lantic Records,

0:42:16.040 --> 0:42:18.160
<v Speaker 1>Like I a CEO of my own record company. Okay,

0:42:18.160 --> 0:42:19.840
<v Speaker 1>we're not talking about that two about the past and

0:42:19.920 --> 0:42:26.279
<v Speaker 1>it passed. Yeah, okay, my jersey is up there. Of

0:42:26.360 --> 0:42:31.759
<v Speaker 1>course we're tiring. Yeah, ok mm, interesting me ray J.

0:42:32.719 --> 0:42:38.160
<v Speaker 1>Keep doing the Hall of Fame is a wolf. He's

0:42:38.160 --> 0:42:41.200
<v Speaker 1>in the Hall of Fame's cheeping the wolf's clothing. Yeah,

0:42:42.239 --> 0:42:45.959
<v Speaker 1>that's a sniper lists. Yes, man, I like your guys.

0:42:46.000 --> 0:42:49.319
<v Speaker 1>Shout out to my brother. French is a sniper too.

0:42:49.760 --> 0:42:53.200
<v Speaker 1>He's a sniper and he got the list and also

0:42:53.280 --> 0:42:55.560
<v Speaker 1>on executive in French Montana's new album is about the

0:42:55.560 --> 0:42:57.920
<v Speaker 1>company to the album, Yeah, so shout out like a

0:42:57.960 --> 0:43:04.760
<v Speaker 1>lot of ecstasy in that ship. I love that. Sober

0:43:04.880 --> 0:43:07.640
<v Speaker 1>Friends is a different vibe different. I'm talking about the

0:43:07.680 --> 0:43:10.000
<v Speaker 1>name Cold Turkey, like to the part that you feel

0:43:10.040 --> 0:43:14.439
<v Speaker 1>bad even drinking in front of It's Cold Turkey. Brother.

0:43:16.880 --> 0:43:19.439
<v Speaker 1>I a lot though, because I'm like a little sensitive ruse.

0:43:19.440 --> 0:43:22.000
<v Speaker 1>I'm a little like I like eminem right, like, but

0:43:22.080 --> 0:43:24.320
<v Speaker 1>I like the drug outaminem a little bit more. That

0:43:24.360 --> 0:43:28.280
<v Speaker 1>makes me an up person. You love Cody Ain Wayne,

0:43:28.520 --> 0:43:32.840
<v Speaker 1>you love call Sir Away, you love the music, but

0:43:33.000 --> 0:43:36.040
<v Speaker 1>you're happy for the person. It's different. It's different. I'm

0:43:36.080 --> 0:43:37.799
<v Speaker 1>not sure. I think I love the person a little bit.

0:43:39.360 --> 0:43:42.400
<v Speaker 1>I don't care what drug drugs is like the drugs

0:43:42.480 --> 0:43:43.840
<v Speaker 1>is part of the music and like most of my

0:43:43.920 --> 0:43:53.000
<v Speaker 1>friends and drugs drugs like heroin, crazy, gonna lie like

0:43:53.600 --> 0:43:55.840
<v Speaker 1>I mean, now, I didn't want the person goes sober, sober,

0:43:55.880 --> 0:43:59.600
<v Speaker 1>I'll be like sober, but like I'm gonna be clod out.

0:44:00.040 --> 0:44:03.080
<v Speaker 1>French Montana sounds the best I've ever heard French Montana

0:44:03.360 --> 0:44:08.680
<v Speaker 1>life right now? What makes yeah? So he just went,

0:44:08.840 --> 0:44:11.239
<v Speaker 1>He just went. He just went, Walla, Walla. He was

0:44:11.280 --> 0:44:15.000
<v Speaker 1>a French Yeah. We got Yeah. He's just I don't know.

0:44:15.080 --> 0:44:17.040
<v Speaker 1>He has a documentary that's coming along with the album

0:44:17.120 --> 0:44:19.400
<v Speaker 1>that's explain I'm gonna let him explain his own journey

0:44:19.440 --> 0:44:21.040
<v Speaker 1>because I don't even know it. Like I'm one of

0:44:21.040 --> 0:44:23.120
<v Speaker 1>the niggas that I don't really ask too much questions,

0:44:23.120 --> 0:44:24.440
<v Speaker 1>you know what I'm saying, Like, I just want to

0:44:24.480 --> 0:44:27.000
<v Speaker 1>get the work done. So shout out to French man.

0:44:27.080 --> 0:44:30.279
<v Speaker 1>We got records man, We got we got one. He's

0:44:30.320 --> 0:44:32.879
<v Speaker 1>coming back with a vengeance I love. We were talking

0:44:32.920 --> 0:44:35.200
<v Speaker 1>about NAS earlier. We got French has one with John

0:44:35.280 --> 0:44:38.640
<v Speaker 1>Legend and Nas. That's amazing and ideas the second one

0:44:38.640 --> 0:44:41.680
<v Speaker 1>because didn't they have no that was Kanye. Okay, Yeah,

0:44:41.840 --> 0:44:44.319
<v Speaker 1>that's hard John. Let you and thank you, and you're

0:44:44.320 --> 0:44:48.399
<v Speaker 1>doing the whole album. Probably I'm executive producing the album, okay.

0:44:48.640 --> 0:44:53.040
<v Speaker 1>Meaning what that means. That means even when produce submit

0:44:53.120 --> 0:44:55.000
<v Speaker 1>beats that you you look over it now, like if

0:44:55.040 --> 0:44:57.080
<v Speaker 1>he does other songs with other producers, I might go

0:44:57.239 --> 0:44:59.520
<v Speaker 1>in and restructure it or tell him I don't save

0:44:59.600 --> 0:45:01.439
<v Speaker 1>this song. I don't feel it. You know what I'm saying?

0:45:01.520 --> 0:45:03.720
<v Speaker 1>Like just that type of ship, how much that cause

0:45:03.800 --> 0:45:07.960
<v Speaker 1>to get you to do? Um? It seems like a hot,

0:45:08.080 --> 0:45:14.640
<v Speaker 1>like a hot like mid six figures hot, short feast

0:45:15.120 --> 0:45:18.200
<v Speaker 1>feat stomp or hand clap, Let's let's try to feet

0:45:18.200 --> 0:45:27.399
<v Speaker 1>stop goddamn it. Okay, I'm giving fifty tho a track

0:45:27.520 --> 0:45:31.799
<v Speaker 1>right now. Ain't nobody getting fifty Nick is giving up

0:45:31.840 --> 0:45:38.239
<v Speaker 1>Beast Huntred five. We're getting fifty Bendos track. But and

0:45:38.280 --> 0:45:40.480
<v Speaker 1>the crazy thing is that I feel like as an

0:45:40.480 --> 0:45:43.160
<v Speaker 1>executive and just as a producer. It's my duty to

0:45:43.200 --> 0:45:45.320
<v Speaker 1>put people on game. And like all my co producers

0:45:45.320 --> 0:45:47.960
<v Speaker 1>that I work with, like, I'm probably the only person

0:45:48.160 --> 0:45:50.960
<v Speaker 1>in the business that has song deals with almost every

0:45:51.800 --> 0:45:54.920
<v Speaker 1>company in the game have song deals everywhere. So they

0:45:55.040 --> 0:45:57.719
<v Speaker 1>just paid me in bolt up front and then they

0:45:57.760 --> 0:46:02.919
<v Speaker 1>pay my nas song bill. So say, well, I say,

0:46:03.000 --> 0:46:05.600
<v Speaker 1>you work for Epic Records and you want to give

0:46:05.640 --> 0:46:08.040
<v Speaker 1>me you Silvi your own You say you know I wanna.

0:46:08.239 --> 0:46:10.040
<v Speaker 1>I want to lock in with you. You give me

0:46:11.000 --> 0:46:15.279
<v Speaker 1>pay me for twenty five songs for thirty thousand up

0:46:15.320 --> 0:46:17.680
<v Speaker 1>front and then take care of the co produce on

0:46:17.719 --> 0:46:26.080
<v Speaker 1>the back end. And then that's what I'm say. So

0:46:26.360 --> 0:46:30.080
<v Speaker 1>what does what the producers you? You collapse with man?

0:46:30.160 --> 0:46:33.960
<v Speaker 1>I love my people's um Well Smash David is one

0:46:34.000 --> 0:46:36.920
<v Speaker 1>of my guys. O G. Parker, Prince Frishan is my partner.

0:46:37.280 --> 0:46:40.680
<v Speaker 1>We do everything together. London J is an incredible person

0:46:40.760 --> 0:46:43.239
<v Speaker 1>I work with um Man, it's like it's an army

0:46:43.320 --> 0:46:46.400
<v Speaker 1>of us, like twelve of us. I don't produce in

0:46:46.440 --> 0:46:48.960
<v Speaker 1>a way that other people produce, like niggas make beats.

0:46:49.160 --> 0:46:52.400
<v Speaker 1>I'm like the puff daddy of this generation. Like and

0:46:52.520 --> 0:46:54.560
<v Speaker 1>I set out like I looked Puff his eyes and

0:46:54.680 --> 0:46:57.839
<v Speaker 1>told him, I'm you when you was on that ship,

0:46:58.040 --> 0:46:59.719
<v Speaker 1>I'm you would watch me bring it back? And then

0:46:59.760 --> 0:47:02.200
<v Speaker 1>you tell by radio like all the records has been flipped.

0:47:02.200 --> 0:47:05.560
<v Speaker 1>What do you mean by that? The samples a sample

0:47:05.640 --> 0:47:08.640
<v Speaker 1>wise and lifestyle wise. Well, now his lifestyle is a

0:47:08.680 --> 0:47:12.800
<v Speaker 1>little bit different than mine, but just like musically, like

0:47:12.920 --> 0:47:14.600
<v Speaker 1>the energy that he brought to the game at that

0:47:14.680 --> 0:47:17.640
<v Speaker 1>time of being a CEO, like, I'm I'm not reincarnated,

0:47:17.680 --> 0:47:20.399
<v Speaker 1>I'm the second coming to that right now? You know, God,

0:47:20.440 --> 0:47:25.279
<v Speaker 1>that makes some noise. That So what made you even

0:47:25.320 --> 0:47:27.160
<v Speaker 1>want to do to be out of the show thing though?

0:47:27.600 --> 0:47:30.200
<v Speaker 1>Because I was working with Nicki Minaj and Puff and

0:47:30.320 --> 0:47:39.480
<v Speaker 1>I was like, no, yeah, I was, uh, how does

0:47:39.560 --> 0:47:47.440
<v Speaker 1>that have anything to do with love? And so? But

0:47:47.520 --> 0:47:50.040
<v Speaker 1>that's your nicky old pump did not recommend you doing

0:47:50.239 --> 0:47:54.840
<v Speaker 1>another hip hop cap look it did. So let me

0:47:54.880 --> 0:47:57.400
<v Speaker 1>tell you all crazy story how man, Nicki Minaj. So,

0:47:58.000 --> 0:48:00.439
<v Speaker 1>I was at a studio called glenn Wood. It where

0:48:00.480 --> 0:48:04.560
<v Speaker 1>you came to see me a studio you had candles

0:48:04.600 --> 0:48:10.640
<v Speaker 1>as candles. I was at this studio. I see candles.

0:48:10.680 --> 0:48:13.080
<v Speaker 1>I'd be like, ship is calm, Like I'm sorry, I

0:48:13.200 --> 0:48:16.320
<v Speaker 1>went to So I came to see one of my

0:48:16.840 --> 0:48:21.000
<v Speaker 1>dear friends, Sounds. He's a producer also, and I was there,

0:48:21.120 --> 0:48:23.360
<v Speaker 1>but I was just there in like a homey capacity,

0:48:23.440 --> 0:48:25.320
<v Speaker 1>like I wasn't there like to work or nothing like that.

0:48:25.960 --> 0:48:29.680
<v Speaker 1>And my brother, who Doc, shout out, my brother Doc.

0:48:29.719 --> 0:48:31.680
<v Speaker 1>He was with me. He drove me to the session

0:48:32.239 --> 0:48:35.320
<v Speaker 1>and he's like, man, I think I've just seen Nicki Minas.

0:48:35.320 --> 0:48:37.719
<v Speaker 1>I think Nicki Minas was my studio. I'm like, what

0:48:38.880 --> 0:48:41.600
<v Speaker 1>So the night before you've never met Nicky Price. Never

0:48:41.920 --> 0:48:46.080
<v Speaker 1>the night before I did a record and I named

0:48:46.120 --> 0:48:48.400
<v Speaker 1>it Nicki and hit Maker. I did that Mike Karen studio.

0:48:48.480 --> 0:48:51.400
<v Speaker 1>Shout out to Mike Karen and I had it with

0:48:51.520 --> 0:48:54.320
<v Speaker 1>me and I was like, damn, this ship ain't no coincidence,

0:48:54.360 --> 0:48:56.000
<v Speaker 1>Like this ship must be real. So I told my

0:48:56.080 --> 0:48:58.879
<v Speaker 1>nigga Doc, just just throwing in the air, like tell

0:48:59.040 --> 0:49:01.440
<v Speaker 1>her that I want to play some record for us.

0:49:01.440 --> 0:49:04.600
<v Speaker 1>So you went to security and the security um when

0:49:04.760 --> 0:49:08.160
<v Speaker 1>and uh, they told me like give her twenty minutes.

0:49:08.880 --> 0:49:11.239
<v Speaker 1>So they came and got me in twenty minutes. I

0:49:11.400 --> 0:49:13.560
<v Speaker 1>was like, oh, ship, you had to go to her studio.

0:49:13.680 --> 0:49:15.920
<v Speaker 1>She was in an eight room. We was in like

0:49:16.000 --> 0:49:18.360
<v Speaker 1>a smaller room. So I went to the studio with

0:49:18.480 --> 0:49:22.200
<v Speaker 1>her and I'm just playing ship and like she started

0:49:22.239 --> 0:49:24.239
<v Speaker 1>working with it. I could tell like I'm going I'm

0:49:24.480 --> 0:49:27.799
<v Speaker 1>dropping bomb bang and like going crazy and then um

0:49:29.120 --> 0:49:31.880
<v Speaker 1>the fund The wildest thing of that whole day. What

0:49:32.000 --> 0:49:34.239
<v Speaker 1>was really inspirational for me and what like blew my

0:49:34.360 --> 0:49:36.719
<v Speaker 1>mind is that after all the songs have played, she

0:49:36.840 --> 0:49:39.480
<v Speaker 1>was like, you know what, Um, I ain't gonna lie

0:49:39.880 --> 0:49:42.680
<v Speaker 1>like I've been working with you since this and she

0:49:42.760 --> 0:49:44.839
<v Speaker 1>went and played my song in the Business as young

0:49:44.920 --> 0:49:47.960
<v Speaker 1>Burg or whatever her laptop and was dancing to it

0:49:48.000 --> 0:49:49.880
<v Speaker 1>and all other ships and like at that point, like

0:49:49.960 --> 0:49:52.640
<v Speaker 1>we we can't like brother and siss man like I did.

0:49:52.800 --> 0:49:56.400
<v Speaker 1>I think I did, uh six or six records on

0:49:56.440 --> 0:50:00.279
<v Speaker 1>the Pink Print album something like that. How was checks

0:50:00.320 --> 0:50:13.799
<v Speaker 1>looking pretty nice? Did the chess coming pink? Who's somebody that, um,

0:50:14.520 --> 0:50:16.319
<v Speaker 1>what's somebody that you worked with that you didn't think

0:50:16.400 --> 0:50:19.000
<v Speaker 1>in many years you would ever work with. I know

0:50:19.120 --> 0:50:21.360
<v Speaker 1>you've mentioned the j and the Gucci man earlier, but

0:50:21.440 --> 0:50:24.359
<v Speaker 1>who's somebody like you know, maybe didn't take a shot

0:50:24.440 --> 0:50:26.120
<v Speaker 1>at you, but you just didn't think we have a

0:50:26.200 --> 0:50:30.759
<v Speaker 1>call mm hmm. It's most awkward ship. What's the most

0:50:30.840 --> 0:50:34.399
<v Speaker 1>awkward ship? Dona ain't asked you to think about? Nah?

0:50:35.320 --> 0:50:38.200
<v Speaker 1>Ain't that really very awkward? My bro? Like it's like

0:50:38.360 --> 0:50:42.879
<v Speaker 1>I've had legendary ship though, like like for me um

0:50:43.040 --> 0:50:45.759
<v Speaker 1>working with Charlie Wilson, Like like Charlie Wilson coming in

0:50:45.880 --> 0:50:48.320
<v Speaker 1>my studio. That seeing some ship over. You know what

0:50:48.400 --> 0:50:52.080
<v Speaker 1>I'm saying, Like, what's epic for me? Um? And I

0:50:52.200 --> 0:50:54.759
<v Speaker 1>work with everybody who's left that you want to work with?

0:50:54.880 --> 0:51:00.480
<v Speaker 1>It it's only two and be honest. Then the person

0:51:00.560 --> 0:51:09.840
<v Speaker 1>coming through this door, that sunny d oh ship? Oh shit, sorry,

0:51:10.920 --> 0:51:13.000
<v Speaker 1>so he thought it was a sunny day. It's a

0:51:13.080 --> 0:51:15.720
<v Speaker 1>far of life. Bro. Oh so that's it? Just hoping

0:51:15.760 --> 0:51:21.360
<v Speaker 1>Beyonce you wont be oes no, and sure and you

0:51:21.680 --> 0:51:25.200
<v Speaker 1>got something with Kanye Yeah he did my demo. Yeah

0:51:25.320 --> 0:51:34.000
<v Speaker 1>that's right there. Okay, bro, everybody else has come, but

0:51:34.120 --> 0:51:37.680
<v Speaker 1>you can say it like that. What got signed a

0:51:37.760 --> 0:51:44.880
<v Speaker 1>DMX Yes, yeah, producer. He was under no idea at

0:51:44.880 --> 0:51:47.560
<v Speaker 1>that time though, go get us. What was his name,

0:51:47.960 --> 0:51:53.480
<v Speaker 1>kan West? Did he have a polo back then? He

0:51:53.600 --> 0:51:56.960
<v Speaker 1>used to live on ninety five in Western right across

0:51:56.960 --> 0:51:58.920
<v Speaker 1>the street from JJ's fish and like they had like

0:51:59.160 --> 0:52:00.880
<v Speaker 1>a little spot or whatever. We used to go in

0:52:00.960 --> 0:52:05.400
<v Speaker 1>there or whatever, and man, like the man's a legend.

0:52:05.440 --> 0:52:07.800
<v Speaker 1>Man like they just know where we come from. Like granted,

0:52:07.920 --> 0:52:09.960
<v Speaker 1>what's going on now like all the other stuff and

0:52:10.320 --> 0:52:15.239
<v Speaker 1>we know that like musically, like I respect him, you

0:52:15.280 --> 0:52:16.880
<v Speaker 1>know what I'm saying, Like I watched it like that

0:52:17.000 --> 0:52:19.319
<v Speaker 1>that kind of like what's the inspiration? That's what mag

0:52:19.360 --> 0:52:21.279
<v Speaker 1>niggas believe that you actually could get out the city.

0:52:21.880 --> 0:52:27.640
<v Speaker 1>It was not common. Comment is my brother, but comment

0:52:27.719 --> 0:52:30.239
<v Speaker 1>and twister my brother. But like you kind of took

0:52:30.280 --> 0:52:32.960
<v Speaker 1>it at leaps and bounds further and then you know

0:52:33.000 --> 0:52:36.200
<v Speaker 1>what in a in a fast time coming crop to

0:52:36.560 --> 0:52:39.040
<v Speaker 1>yeah now comment no ideas a producer was doing a

0:52:39.120 --> 0:52:42.719
<v Speaker 1>lot earlier. I remember like no I d was like

0:52:42.960 --> 0:52:53.600
<v Speaker 1>Yoda of Chicago, like and every good if no idea good?

0:52:53.800 --> 0:52:56.360
<v Speaker 1>Why the fun? I got to drinks? What happened? Because

0:52:56.400 --> 0:52:58.799
<v Speaker 1>one was a shot? I pull up my in the shot.

0:52:58.920 --> 0:53:00.920
<v Speaker 1>You didn't drink your shot. I don't know, that's my boy.

0:53:01.160 --> 0:53:04.839
<v Speaker 1>I'm get you. Come on, you ain't. You ain't saying nothing.

0:53:04.840 --> 0:53:09.520
<v Speaker 1>You ain't saying another shot. Listen, you've been patient about

0:53:09.600 --> 0:53:14.000
<v Speaker 1>doing drink champs. I really respect how we shout speak

0:53:14.080 --> 0:53:17.759
<v Speaker 1>to each other and our schedule conflicts didn't actually work. Yeah,

0:53:18.280 --> 0:53:20.239
<v Speaker 1>and you stuck around and I really appreciate that. I

0:53:20.360 --> 0:53:24.040
<v Speaker 1>really do you see your every day struggling and show

0:53:24.120 --> 0:53:31.319
<v Speaker 1>like that. I felt sorry for you. Shout yo, Joe

0:53:31.640 --> 0:53:33.799
<v Speaker 1>is oh, I'm gonna finish. It's crazy Joe didn't kind

0:53:33.800 --> 0:53:36.200
<v Speaker 1>of became my brother like and that's that's what's why

0:53:36.960 --> 0:53:39.040
<v Speaker 1>great god man, I'm trying to squash with him and

0:53:39.040 --> 0:53:41.800
<v Speaker 1>Gilly the Kid right now. Really, I love Gilly Angel.

0:53:41.920 --> 0:53:44.600
<v Speaker 1>I think they I think I think they're both tripping him.

0:53:44.719 --> 0:53:47.040
<v Speaker 1>But I think I think I think you know, you

0:53:47.120 --> 0:53:48.879
<v Speaker 1>know your like skinned brothers. You know how y'all get down.

0:53:49.520 --> 0:53:51.200
<v Speaker 1>You know when you're gonna skip me, and I'm gonna

0:53:51.239 --> 0:53:53.799
<v Speaker 1>keep it on. Honey, you already know what everybody beef

0:53:53.840 --> 0:54:01.120
<v Speaker 1>this over three things those hose ever, money and beef

0:54:01.160 --> 0:54:05.560
<v Speaker 1>is impossible to see that the nigger ego right something

0:54:05.600 --> 0:54:08.680
<v Speaker 1>to do with a women woman playing with that money.

0:54:08.840 --> 0:54:11.399
<v Speaker 1>So let's talk about some of yours because like when

0:54:11.440 --> 0:54:14.000
<v Speaker 1>you you know, obviously when we google you, I have

0:54:14.080 --> 0:54:17.040
<v Speaker 1>to do I have to do like else, So people

0:54:17.400 --> 0:54:20.520
<v Speaker 1>is google you like your your drama comes up, Like

0:54:20.880 --> 0:54:24.680
<v Speaker 1>why do you think that it even circles around you?

0:54:25.280 --> 0:54:28.720
<v Speaker 1>Like for instance, like main, no, right, like what happened

0:54:28.760 --> 0:54:35.640
<v Speaker 1>between you and man, I don't even nothing. Um, I

0:54:35.760 --> 0:54:39.160
<v Speaker 1>want to tell the truth so much about this, but

0:54:39.880 --> 0:54:45.920
<v Speaker 1>the way the situation was handled kind of like I

0:54:46.000 --> 0:54:47.960
<v Speaker 1>don't know what happened or that, and you know what

0:54:47.960 --> 0:54:50.320
<v Speaker 1>I'm saying, because I was really cool man, But like

0:54:52.120 --> 0:54:55.279
<v Speaker 1>all right, I'm gonna tell the story. So look, um,

0:54:55.640 --> 0:54:58.000
<v Speaker 1>we in this back in the Ecstasy days. I'm a

0:54:58.080 --> 0:55:01.719
<v Speaker 1>young bird the artist. We in Atlanta, and we we

0:55:02.480 --> 0:55:06.520
<v Speaker 1>go to the club this night and situation that happened

0:55:06.560 --> 0:55:08.640
<v Speaker 1>with me and Trick trick already So I had a

0:55:09.280 --> 0:55:12.640
<v Speaker 1>like they did like to transform a chain. I had

0:55:12.640 --> 0:55:15.440
<v Speaker 1>a long time about they did some duffer that in Detroit.

0:55:16.560 --> 0:55:18.799
<v Speaker 1>So I had a chip on my shoulder. And I'm

0:55:18.840 --> 0:55:20.719
<v Speaker 1>gonna tell the stories because like I want to be

0:55:20.760 --> 0:55:23.600
<v Speaker 1>transparent to everybody and so hopefully somebody can learn from ship.

0:55:24.000 --> 0:55:25.840
<v Speaker 1>So I had a chip on my shoulder. Me and

0:55:25.920 --> 0:55:27.600
<v Speaker 1>man it was cool man. It was on the remix

0:55:27.680 --> 0:55:29.480
<v Speaker 1>of my song and business like all that you know.

0:55:29.680 --> 0:55:32.680
<v Speaker 1>And from there, like I went in the club and

0:55:32.840 --> 0:55:36.960
<v Speaker 1>like I was annoying. I was tripping, like I was

0:55:37.200 --> 0:55:40.960
<v Speaker 1>bugging out this night like I performed. I was kissing

0:55:41.000 --> 0:55:43.520
<v Speaker 1>women on stage while I was performing, like I was

0:55:43.600 --> 0:55:46.239
<v Speaker 1>in a whole different bag, like like I was in

0:55:46.400 --> 0:55:51.560
<v Speaker 1>some real different and feeling Porto Rican in name women

0:55:52.320 --> 0:55:58.120
<v Speaker 1>and uh, I guess, I guess fucking I don't know.

0:55:58.200 --> 0:56:00.600
<v Speaker 1>I felt the way about something. And then like like

0:56:00.719 --> 0:56:02.400
<v Speaker 1>I kicked it off with men like I was just

0:56:02.520 --> 0:56:04.520
<v Speaker 1>on some boyshit, like I felt like he was trying

0:56:04.520 --> 0:56:07.320
<v Speaker 1>to play me for some reason he really wasn't, and

0:56:07.400 --> 0:56:09.759
<v Speaker 1>like I was at at the time, Yeah, yeah, and

0:56:09.840 --> 0:56:11.680
<v Speaker 1>I did some dumb ship, you know what I'm saying.

0:56:11.840 --> 0:56:17.320
<v Speaker 1>So from there, like we had spoke and uh, like

0:56:17.400 --> 0:56:19.320
<v Speaker 1>I talked to him after the whole incident because it

0:56:19.400 --> 0:56:22.160
<v Speaker 1>was like it was like a little situation like something happened.

0:56:22.160 --> 0:56:24.080
<v Speaker 1>I had security with me and these people went on.

0:56:24.160 --> 0:56:26.920
<v Speaker 1>It was like a little small, little scrumming skirmish. So

0:56:27.160 --> 0:56:29.360
<v Speaker 1>from there, um, I think t I put me on

0:56:29.400 --> 0:56:35.800
<v Speaker 1>the phone shot and what I'm saying TI, um like

0:56:36.280 --> 0:56:39.160
<v Speaker 1>shot it should be coming, shot, I'm ready to ye

0:56:41.400 --> 0:56:46.440
<v Speaker 1>to take it. M somebody from Grand Hustle at the time.

0:56:46.480 --> 0:56:48.479
<v Speaker 1>It put me in Maine on the phone after the fact,

0:56:48.600 --> 0:56:53.080
<v Speaker 1>let's just give out of props whatever, imagine. And I

0:56:53.239 --> 0:56:55.279
<v Speaker 1>was just and we spoke and I was just telling

0:56:55.360 --> 0:56:57.680
<v Speaker 1>him like my truth, like yo, bro, like I'm going

0:56:57.760 --> 0:57:00.920
<v Speaker 1>through it like then, you know, like it's like I'm

0:57:00.960 --> 0:57:03.000
<v Speaker 1>in a I'm in a wild space, like you know

0:57:03.040 --> 0:57:05.799
<v Speaker 1>what I'm saying, Like something happens, you know what I'm saying,

0:57:05.800 --> 0:57:08.000
<v Speaker 1>Things have happened to me that I don't really reflecting me.

0:57:08.000 --> 0:57:09.279
<v Speaker 1>And I just don't want to feel like, you know

0:57:09.320 --> 0:57:11.880
<v Speaker 1>what I'm saying, people feel that it's like they can

0:57:11.960 --> 0:57:13.560
<v Speaker 1>just try me in any moment, you know what I'm saying,

0:57:13.600 --> 0:57:15.120
<v Speaker 1>just talking to him, and he was like, yo, Birke,

0:57:15.160 --> 0:57:18.439
<v Speaker 1>I perspect you, um, but I don't like the people

0:57:18.480 --> 0:57:20.439
<v Speaker 1>that you're hanging around, like they don't mean no good

0:57:20.480 --> 0:57:22.600
<v Speaker 1>for you. And like he gave me some game and

0:57:22.680 --> 0:57:25.320
<v Speaker 1>I was like, yeo, I appreciate that, bro. And then ship.

0:57:26.240 --> 0:57:27.760
<v Speaker 1>When I hung up the phone, I never forget. I

0:57:27.880 --> 0:57:33.040
<v Speaker 1>was riding in my motherfucker range Rob and uh he

0:57:33.200 --> 0:57:36.040
<v Speaker 1>just started doing interviews and started talking about the incident

0:57:36.320 --> 0:57:38.720
<v Speaker 1>to due that he was talking about he may know,

0:57:38.880 --> 0:57:41.360
<v Speaker 1>just went and the interviews and talked about the incident.

0:57:45.160 --> 0:57:47.160
<v Speaker 1>I don't know, like this is my recollection, you know

0:57:47.200 --> 0:57:49.040
<v Speaker 1>what I'm saying, Like I thought on some g ship

0:57:49.120 --> 0:57:50.600
<v Speaker 1>we had spoke after the fact that this is the

0:57:50.720 --> 0:57:52.840
<v Speaker 1>next day, and like I was looking at him like

0:57:52.960 --> 0:57:56.240
<v Speaker 1>a big homie, you know what I'm saying. So, but

0:57:56.560 --> 0:57:59.040
<v Speaker 1>I mean they kind of like went I was, I was,

0:57:59.120 --> 0:58:01.240
<v Speaker 1>I was hot, shifted of time. So they kind of win,

0:58:01.320 --> 0:58:04.560
<v Speaker 1>and you know, used it for the beneficial of them.

0:58:04.640 --> 0:58:06.520
<v Speaker 1>You know what I'm saying. It's super lack for lack

0:58:06.560 --> 0:58:09.960
<v Speaker 1>of because I don't really really know. But why did

0:58:10.080 --> 0:58:12.680
<v Speaker 1>you even have problems? I didn't. I don't have no

0:58:12.800 --> 0:58:17.360
<v Speaker 1>problem with trick. Trick my brother wanted, well somebody that

0:58:17.480 --> 0:58:19.560
<v Speaker 1>was a part of my entourage who is also still

0:58:19.680 --> 0:58:23.080
<v Speaker 1>my brother that I really respect. Um, they had an

0:58:23.160 --> 0:58:26.400
<v Speaker 1>issue and I was just a casualty of that. I

0:58:26.520 --> 0:58:29.080
<v Speaker 1>never met that. I never met that man in Detroit,

0:58:29.160 --> 0:58:32.040
<v Speaker 1>in Chicago, like Jersey and New York, I never met

0:58:32.080 --> 0:58:34.520
<v Speaker 1>that man of damn my life. I don't know. I

0:58:34.560 --> 0:58:37.360
<v Speaker 1>don't know him. We've never spoken words or anything. I

0:58:37.520 --> 0:58:39.840
<v Speaker 1>was just a casualty because I was the star. So

0:58:40.040 --> 0:58:42.840
<v Speaker 1>say you're norry saying your man it gets into it

0:58:42.960 --> 0:58:45.600
<v Speaker 1>with something and y'all go shoot somebody or do some

0:58:45.720 --> 0:58:48.320
<v Speaker 1>crazy ship it falls all on you. You know what

0:58:48.400 --> 0:58:53.040
<v Speaker 1>I'm saying, And that was the whole situation. So imagine them.

0:58:53.160 --> 0:58:55.360
<v Speaker 1>You know what I'm saying, like actually had nothing to

0:58:55.400 --> 0:58:58.400
<v Speaker 1>do with me. You don't even understand where it's coming from.

0:58:58.440 --> 0:59:00.320
<v Speaker 1>I ain't know, dude. I know where it was coming from.

0:59:00.360 --> 0:59:02.240
<v Speaker 1>It was from somebody that was in my answer. Oh

0:59:02.440 --> 0:59:04.880
<v Speaker 1>so you understood that the person in your answer watch

0:59:05.000 --> 0:59:09.560
<v Speaker 1>had committed whatever whatever they was. I okay, I honestand yeah,

0:59:09.600 --> 0:59:11.960
<v Speaker 1>because I mean, man, you know what and you you

0:59:12.320 --> 0:59:14.880
<v Speaker 1>do it all bro. You wrote it's like a fucking phoenix, man,

0:59:15.360 --> 0:59:19.440
<v Speaker 1>Like that's real. Ship, Bro's real. Ind I'm a testimony.

0:59:19.520 --> 0:59:21.360
<v Speaker 1>That's why I like doing it Like this is rarely

0:59:21.440 --> 0:59:23.800
<v Speaker 1>that I really do interviews or whatever, Like it might

0:59:23.840 --> 0:59:26.040
<v Speaker 1>be breakfast club or one of the motherfucker's of this,

0:59:26.680 --> 0:59:29.960
<v Speaker 1>but dream chances like like, I really can say everything

0:59:30.400 --> 0:59:32.720
<v Speaker 1>I want people to be wanting to know. I'm just

0:59:32.840 --> 0:59:35.720
<v Speaker 1>an open book, and I think that's the disperation for

0:59:35.960 --> 0:59:38.640
<v Speaker 1>other motherfucker's. You know what I'm saying. Not one incident

0:59:38.720 --> 0:59:40.800
<v Speaker 1>that had me scared, it's one incident that had me

0:59:40.880 --> 0:59:44.240
<v Speaker 1>scared at all the incidents, like like I kind of

0:59:44.280 --> 0:59:46.200
<v Speaker 1>mind my business because that's just the person I am.

0:59:46.640 --> 0:59:51.640
<v Speaker 1>But after pop smoke, right, there was a something about

0:59:51.720 --> 0:59:57.760
<v Speaker 1>your house. Some girls invited. And now, like all the

0:59:57.840 --> 1:00:00.400
<v Speaker 1>other incidents, me and you, we knew each other, but

1:00:00.520 --> 1:00:03.040
<v Speaker 1>we didn't know each other. And through that, like you know,

1:00:03.240 --> 1:00:06.440
<v Speaker 1>seeing you engage, we developed a relationship. We changed it,

1:00:06.600 --> 1:00:08.960
<v Speaker 1>changed numbers. This was the first time I got I

1:00:09.040 --> 1:00:11.840
<v Speaker 1>got nervous, right, because everything else that kind of looked

1:00:11.880 --> 1:00:14.680
<v Speaker 1>like propaganda. But after pop smoke, I forget what happened.

1:00:14.680 --> 1:00:17.160
<v Speaker 1>It was something that a girl called police to you,

1:00:17.520 --> 1:00:22.560
<v Speaker 1>to your normal girl called gangsters to your house. I mean, um,

1:00:24.800 --> 1:00:29.440
<v Speaker 1>all right, I'll explain that situation because um, I'm just transparent,

1:00:29.560 --> 1:00:32.760
<v Speaker 1>like the truth of the truth. So that girl I

1:00:32.920 --> 1:00:34.720
<v Speaker 1>was dealing with, you know what I'm saying. She wasn't

1:00:34.720 --> 1:00:37.080
<v Speaker 1>my girlfriend and nothing like that, Like she was somebody

1:00:37.200 --> 1:00:39.560
<v Speaker 1>I was cool with. We just had a sexual relationship.

1:00:39.680 --> 1:00:42.240
<v Speaker 1>Like she put up on me. We smash and we

1:00:42.440 --> 1:00:46.040
<v Speaker 1>keep it moving. They've never been never been to the studio,

1:00:46.360 --> 1:00:48.760
<v Speaker 1>we've never been on a date. We never had no

1:00:48.920 --> 1:00:53.760
<v Speaker 1>interactions of any sort of that. So I hadn't spoke

1:00:53.840 --> 1:00:55.200
<v Speaker 1>to it for a while and like she was on

1:00:55.280 --> 1:01:00.000
<v Speaker 1>Instagram live and I just like, this is the first

1:01:00.000 --> 1:01:02.160
<v Speaker 1>is the quarantine? So like we was. I was in

1:01:02.240 --> 1:01:06.560
<v Speaker 1>the house all day, like yeah, no, no, I was

1:01:06.640 --> 1:01:15.160
<v Speaker 1>in the house all the day. I don't think. I

1:01:15.160 --> 1:01:19.760
<v Speaker 1>don't know why I said four I was. I was

1:01:19.880 --> 1:01:23.520
<v Speaker 1>basically in the house all day, like being creative, thinking

1:01:23.560 --> 1:01:26.360
<v Speaker 1>about samples, shopping, going back and forth with co producers.

1:01:26.400 --> 1:01:28.880
<v Speaker 1>I had drink and like day drinking, you know what

1:01:28.920 --> 1:01:31.360
<v Speaker 1>I'm saying, Like just just having a vibe about the

1:01:31.400 --> 1:01:35.920
<v Speaker 1>pool type ship. So, um, I fell asleep early, like

1:01:36.400 --> 1:01:38.920
<v Speaker 1>like seven, I woke up into in the morning and

1:01:39.000 --> 1:01:42.880
<v Speaker 1>then um, she uh she was on Instagram lib I

1:01:43.000 --> 1:01:45.400
<v Speaker 1>sent like a little emji and then she would she

1:01:45.560 --> 1:01:47.920
<v Speaker 1>text me like I haven't seen you in a wild babe,

1:01:48.040 --> 1:01:49.920
<v Speaker 1>Like let me pull up on you. So I sent

1:01:50.000 --> 1:01:53.480
<v Speaker 1>up within my crib and she got to my crib

1:01:54.040 --> 1:01:57.520
<v Speaker 1>and I put the alarm on in my house and like, uh,

1:01:58.480 --> 1:02:01.880
<v Speaker 1>we was just in the house chilling, and I think

1:02:01.920 --> 1:02:04.600
<v Speaker 1>I said something to it like and then she was like, yo,

1:02:04.680 --> 1:02:06.400
<v Speaker 1>say it again. I don't remember what, and then she

1:02:06.440 --> 1:02:10.280
<v Speaker 1>slapped the ship out of me. So now like I'm

1:02:10.360 --> 1:02:14.360
<v Speaker 1>seeing stars and this is not your usual relationship like

1:02:16.280 --> 1:02:25.960
<v Speaker 1>like that. I certain like and I'm telling this story

1:02:26.080 --> 1:02:28.080
<v Speaker 1>for anybody that's in l A because l A is

1:02:28.320 --> 1:02:33.320
<v Speaker 1>this ship treacherous. Right now, you're saying, Yo, I'm scared.

1:02:33.400 --> 1:02:35.880
<v Speaker 1>I got PTS. I can't even really entertained a woman

1:02:35.960 --> 1:02:38.720
<v Speaker 1>like I got security twenty four hours day. I can't.

1:02:38.760 --> 1:02:41.480
<v Speaker 1>You know what I'm saying. I'd like the Chinese guys. Sorry,

1:02:42.920 --> 1:02:46.240
<v Speaker 1>I just feel like he's gonna kick somebody head. Sorry,

1:02:47.680 --> 1:02:50.480
<v Speaker 1>shout bro, Sorry, I just feel like I just feel

1:02:50.520 --> 1:02:52.120
<v Speaker 1>like he's a he's a right guy. He's a right

1:02:52.160 --> 1:02:58.280
<v Speaker 1>guy security. Yeah, he's gonna kick somebody head off. I'm

1:02:58.320 --> 1:03:02.480
<v Speaker 1>telling keeping it real, bro, long story short, like she

1:03:02.560 --> 1:03:05.880
<v Speaker 1>slapped me. I pulled my phone out because you know

1:03:06.000 --> 1:03:08.240
<v Speaker 1>these times like I got cameras all in my house everybody,

1:03:08.280 --> 1:03:10.040
<v Speaker 1>but you know these times we live in and ship

1:03:10.120 --> 1:03:12.280
<v Speaker 1>just going on right now. That's how you showed down

1:03:12.320 --> 1:03:14.640
<v Speaker 1>or whatever she said. You threw out some footage. You said,

1:03:14.640 --> 1:03:23.720
<v Speaker 1>look at the y'all gonna pick you killed that. But

1:03:23.920 --> 1:03:27.120
<v Speaker 1>I mean, you know, like at the end of the day,

1:03:27.280 --> 1:03:30.200
<v Speaker 1>like yeah, so from they was trying it was it

1:03:30.320 --> 1:03:33.960
<v Speaker 1>was three guys, was three yallars. She was showing up okay,

1:03:34.120 --> 1:03:36.520
<v Speaker 1>and there was three guys with guns and ship like

1:03:36.640 --> 1:03:38.680
<v Speaker 1>that trying to come and kick in my crib and

1:03:39.160 --> 1:03:41.080
<v Speaker 1>I had the alarm on and then you know, and

1:03:41.240 --> 1:03:46.080
<v Speaker 1>like the crazy thing is like when it was happening,

1:03:47.080 --> 1:03:51.240
<v Speaker 1>instead of her being like a girl that was in

1:03:51.320 --> 1:03:53.640
<v Speaker 1>the midst of a home invasion, like I was like,

1:03:53.760 --> 1:03:57.040
<v Speaker 1>she was fighting me. She trying to fight me. She

1:03:57.160 --> 1:04:01.360
<v Speaker 1>punched me again when it happened, So I was like people, Yeah, yeah, bro,

1:04:01.560 --> 1:04:04.360
<v Speaker 1>it was Bro. I'm still like I'm still dealing with

1:04:04.600 --> 1:04:07.040
<v Speaker 1>PTSD from that ship. I'm trying to charge for you. Bro.

1:04:07.280 --> 1:04:09.880
<v Speaker 1>That's that's you shouldn't went through that, Bro. You worked

1:04:09.920 --> 1:04:12.800
<v Speaker 1>too hard. Bro. Yeah, So is this girl from l

1:04:12.840 --> 1:04:15.960
<v Speaker 1>A or she wished from Rancho Cucamonica. She from l A.

1:04:16.400 --> 1:04:18.440
<v Speaker 1>Let me tell you the craziest ship he goes. He

1:04:18.560 --> 1:04:24.240
<v Speaker 1>goes the craziest ship. So that happened immediately, like you know,

1:04:24.480 --> 1:04:27.000
<v Speaker 1>like I lawyered up, you know what I'm saying, got

1:04:27.000 --> 1:04:29.400
<v Speaker 1>all this ship and I came down here to Miami

1:04:29.720 --> 1:04:35.920
<v Speaker 1>and just laying low and fucking uh I casually like

1:04:36.560 --> 1:04:41.400
<v Speaker 1>I'm cool with pop smoke girlfriend or whatever. You know

1:04:41.400 --> 1:04:46.320
<v Speaker 1>what I'm saying, wrest in peace, and she had hit

1:04:46.440 --> 1:04:52.160
<v Speaker 1>me like yeo, like the same dude, dog Yeah, bro, wow,

1:04:52.840 --> 1:04:54.360
<v Speaker 1>that's why I don't even want to talk no more

1:04:54.360 --> 1:04:56.800
<v Speaker 1>about that. I get it, I get it, I get it.

1:04:56.880 --> 1:04:58.840
<v Speaker 1>But that's the reason why it was the same week

1:04:59.160 --> 1:05:02.160
<v Speaker 1>it got listen before you. You don't even have to

1:05:02.200 --> 1:05:03.760
<v Speaker 1>get into it. You don't have to say no more.

1:05:04.280 --> 1:05:07.680
<v Speaker 1>That's what I felt. I felt like because I don't.

1:05:07.720 --> 1:05:10.240
<v Speaker 1>I just I just felt that I felt that. I'm sorry, bro,

1:05:10.640 --> 1:05:12.720
<v Speaker 1>I'm sorry. I don't know. I was holding at you,

1:05:12.800 --> 1:05:15.840
<v Speaker 1>I was checking on you. Hopefully you've got those messages.

1:05:15.960 --> 1:05:18.600
<v Speaker 1>I appreciate. You know. My phone was like I had

1:05:18.640 --> 1:05:21.000
<v Speaker 1>to cut the phone off because you know, it was

1:05:21.040 --> 1:05:24.000
<v Speaker 1>too much like going off because it's like I don't

1:05:25.440 --> 1:05:28.120
<v Speaker 1>subscribe to people. I'm sorry to cut you off, but

1:05:28.120 --> 1:05:32.640
<v Speaker 1>I don't try to keep that. I don't know exactly, damn,

1:05:33.720 --> 1:05:36.479
<v Speaker 1>but describe how real that is in l A. Because

1:05:36.520 --> 1:05:39.880
<v Speaker 1>most people say, you think most people think you could

1:05:39.880 --> 1:05:41.920
<v Speaker 1>go to l A. You go avoid the gangs, hang

1:05:41.960 --> 1:05:45.040
<v Speaker 1>out the soul house, hang out their motherfucking you know,

1:05:45.320 --> 1:05:48.800
<v Speaker 1>uh fucking h ivy. You know what I'm saying, And

1:05:51.480 --> 1:05:58.320
<v Speaker 1>and boy hang out both Dantanna's no more the then

1:05:58.360 --> 1:06:00.080
<v Speaker 1>you could do that and then you go avoid the

1:06:00.200 --> 1:06:02.840
<v Speaker 1>gangs and whatever. But well, godless of what when youre

1:06:02.840 --> 1:06:05.160
<v Speaker 1>in l A, you evolved with politics. I don't even

1:06:05.200 --> 1:06:07.360
<v Speaker 1>know if it's gangs or whatever. You know what I'm saying,

1:06:07.400 --> 1:06:09.400
<v Speaker 1>because all the bloods and crypts. You know what I'm saying,

1:06:09.440 --> 1:06:11.360
<v Speaker 1>like that the people that I know that's bloods and

1:06:11.360 --> 1:06:14.960
<v Speaker 1>crips like shout out to big you, shout out to

1:06:15.040 --> 1:06:17.439
<v Speaker 1>you know what I'm saying, Like like we said whack one, honey.

1:06:19.840 --> 1:06:22.760
<v Speaker 1>But everybody CRIB and l A gets tempered with it

1:06:23.040 --> 1:06:26.600
<v Speaker 1>at some point. Yeah, because one person I don't know

1:06:28.760 --> 1:06:31.840
<v Speaker 1>I'm not even talking about, like people who moved to

1:06:32.080 --> 1:06:34.720
<v Speaker 1>l A. They even the game crip at one point,

1:06:34.920 --> 1:06:36.920
<v Speaker 1>I think that ship trendy right now, Like I think

1:06:36.960 --> 1:06:40.640
<v Speaker 1>that's just the thing. Wow, what is trying to with Crib?

1:06:41.600 --> 1:06:43.600
<v Speaker 1>Just scary though, you know what I'm saying, because it's like,

1:06:43.800 --> 1:06:47.960
<v Speaker 1>think about it, what you want you come in my

1:06:48.120 --> 1:06:52.000
<v Speaker 1>carib one. I might have a you might have something

1:06:52.080 --> 1:06:54.400
<v Speaker 1>some jury on you, but most of the ship put

1:06:54.520 --> 1:06:58.560
<v Speaker 1>up being only that everything is insured. Yeah, then I'm

1:06:58.640 --> 1:07:01.280
<v Speaker 1>hiding my ship like a nigger. Of course, this chain

1:07:01.440 --> 1:07:04.080
<v Speaker 1>is in a jacket pocket in the guest room or

1:07:04.120 --> 1:07:06.480
<v Speaker 1>something like that. Like I'd be losing the ship myself.

1:07:08.480 --> 1:07:10.920
<v Speaker 1>I can't tell you where the ship. Yeah, so you

1:07:10.960 --> 1:07:14.880
<v Speaker 1>want to you want to kill and along going off

1:07:14.960 --> 1:07:18.080
<v Speaker 1>the police on the way. Ah, what you're gonna do

1:07:18.160 --> 1:07:21.360
<v Speaker 1>on our point? Crazy? Oh God bless you, yo, bro man,

1:07:21.440 --> 1:07:24.120
<v Speaker 1>Now we got to take a shot to that, because

1:07:24.160 --> 1:07:26.720
<v Speaker 1>you know what, when I see you know, you know,

1:07:26.920 --> 1:07:31.320
<v Speaker 1>you know. I got a friend, right and he's here.

1:07:31.320 --> 1:07:33.479
<v Speaker 1>If he wants to claim this story, he can claim

1:07:33.520 --> 1:07:35.720
<v Speaker 1>this story. But he doesn't have to claim this story

1:07:35.800 --> 1:07:38.080
<v Speaker 1>at all. But I got a friend, and I really

1:07:38.120 --> 1:07:40.920
<v Speaker 1>wanted to pursue. He had to check the cane to

1:07:41.040 --> 1:07:50.400
<v Speaker 1>his christ. I feel like he was, Nah, come on,

1:07:50.640 --> 1:07:58.040
<v Speaker 1>I don't like to win this story, tender. That's why

1:08:00.000 --> 1:08:06.560
<v Speaker 1>you don't gotta clay you. But I said, yo, let's

1:08:06.560 --> 1:08:10.160
<v Speaker 1>get to private detective. I wanted to follow to y'all.

1:08:10.960 --> 1:08:14.880
<v Speaker 1>I wanted to see if she continues to do this

1:08:15.080 --> 1:08:19.679
<v Speaker 1>type of ship. They think the police knows that, but listen,

1:08:20.120 --> 1:08:23.960
<v Speaker 1>I actually wanted to a documentary be about these but

1:08:24.840 --> 1:08:28.200
<v Speaker 1>not in their favor, not in their favor I'm talking

1:08:28.240 --> 1:08:30.080
<v Speaker 1>about like I want to follow them, act like that

1:08:30.479 --> 1:08:33.200
<v Speaker 1>we're reporters and whatever whatever, but they don't really know

1:08:33.320 --> 1:08:36.680
<v Speaker 1>that we're setting them. They're lying the funk up. I'm

1:08:36.680 --> 1:08:39.840
<v Speaker 1>sorry I went I never wanted to be in that situation.

1:08:40.400 --> 1:08:42.840
<v Speaker 1>That ship was so unfortunate. I would never wish that

1:08:42.880 --> 1:08:45.240
<v Speaker 1>ship or nobody that ship like a nightmare, like a movie,

1:08:45.320 --> 1:08:47.679
<v Speaker 1>like I don't even know how to move after the fact.

1:08:47.760 --> 1:08:49.679
<v Speaker 1>You know what I'm saying, We're gonna We're gonna start

1:08:49.720 --> 1:08:55.599
<v Speaker 1>a revolution, but you know our own bitch, We're gonna

1:08:55.640 --> 1:08:58.120
<v Speaker 1>set them back up. Listen, I'm gonna watch all right,

1:08:58.240 --> 1:09:00.200
<v Speaker 1>I gonna come out of the documentary and three is

1:09:00.320 --> 1:09:03.880
<v Speaker 1>you think I'm bullshit? I'm finding a bit right. That

1:09:04.080 --> 1:09:09.200
<v Speaker 1>bitch that was came to Aventure. It's gonna care. I

1:09:09.240 --> 1:09:15.160
<v Speaker 1>don't know how. I'm sorry, yo yo home. Let's way

1:09:15.160 --> 1:09:17.320
<v Speaker 1>for the FEN, should we It's wait for your fen.

1:09:17.360 --> 1:09:18.680
<v Speaker 1>That's way for her fense, so we can do it

1:09:18.920 --> 1:09:20.960
<v Speaker 1>and then we're gonna go into positive ship. So sorry,

1:09:21.240 --> 1:09:22.519
<v Speaker 1>but I had to get this out there because I'm

1:09:22.640 --> 1:09:25.280
<v Speaker 1>a journalist. I'm a fernalist. You know what I'm saying.

1:09:27.120 --> 1:09:29.280
<v Speaker 1>I went too far. No you didn't go too far.

1:09:29.760 --> 1:09:32.000
<v Speaker 1>You didn't go too far. When who's the department? Maybe

1:09:33.760 --> 1:09:41.519
<v Speaker 1>we're talking that's my But this is great, This is great.

1:09:41.640 --> 1:09:45.920
<v Speaker 1>This islet just say, y'all know this is great media.

1:09:46.479 --> 1:09:48.560
<v Speaker 1>This that's what it is. It's real talk. You know

1:09:48.600 --> 1:09:51.200
<v Speaker 1>what I mean. You came see me yesterday, we were

1:09:51.240 --> 1:09:53.880
<v Speaker 1>sitting down, we drink, and you really it's a kill

1:09:53.920 --> 1:09:57.400
<v Speaker 1>a guy. Yeah, that's very that's very because to kill

1:09:57.439 --> 1:10:00.800
<v Speaker 1>us aggressive drink. Now, it's not hannessy, it's an aggressive drink.

1:10:00.800 --> 1:10:04.479
<v Speaker 1>I don't drink. Honestly, I don't know why you That's

1:10:04.479 --> 1:10:14.160
<v Speaker 1>what I'm saying. In my car used to carry who

1:10:14.200 --> 1:10:17.760
<v Speaker 1>are you talking about? Before the shot? Shot? So? Was

1:10:17.840 --> 1:10:21.600
<v Speaker 1>it was right? It was that wrong? Was right? I

1:10:21.640 --> 1:10:35.280
<v Speaker 1>didn't I just said someone random solo. Yeah. Hm, I'm

1:10:35.320 --> 1:10:41.200
<v Speaker 1>not gonna lie. I have a kamplaint. We've been doing

1:10:41.240 --> 1:10:44.599
<v Speaker 1>this for quite time. We know at some point we're

1:10:44.600 --> 1:10:49.280
<v Speaker 1>gonna take a shot. Why doesn't nobody chill the bottle?

1:10:49.400 --> 1:10:52.200
<v Speaker 1>None of our bottles are chilled. Yeah, I'm not gonna lie.

1:10:52.200 --> 1:10:58.840
<v Speaker 1>In Columbia, White, you haven't had COMMI White, Columbia. Let

1:10:58.880 --> 1:11:01.080
<v Speaker 1>me tell you something. If you want to slip cocaine

1:11:01.080 --> 1:11:05.000
<v Speaker 1>without slipping cocaine. Just hit that Columbia works. That is

1:11:05.040 --> 1:11:09.240
<v Speaker 1>a bit of my liquor right here. I want the ending.

1:11:10.080 --> 1:11:19.000
<v Speaker 1>No tequila, it's just all yeah, it's the national drink

1:11:19.000 --> 1:11:24.000
<v Speaker 1>of Colia. Practice. Yeah, you've never been a Columbia. Nah

1:11:24.120 --> 1:11:29.719
<v Speaker 1>on the outro. Maybe No, I'm not gonna likes him crazy.

1:11:29.920 --> 1:11:33.360
<v Speaker 1>I love him on my when I swear he's one

1:11:33.360 --> 1:11:35.320
<v Speaker 1>of my closest friend, I love him. But when it

1:11:35.400 --> 1:11:38.960
<v Speaker 1>comes to that, I agree with him promoting it, but

1:11:39.200 --> 1:11:43.040
<v Speaker 1>I want him to chill it. That's all put two.

1:11:44.280 --> 1:11:47.679
<v Speaker 1>I'm bugged that you never heard of you never had Columbia, bitch.

1:11:47.760 --> 1:11:52.680
<v Speaker 1>Come on, bro, you never heard you not thing down. Bro,

1:11:53.160 --> 1:12:00.880
<v Speaker 1>you never never had I drinks. But you know, it's

1:12:00.880 --> 1:12:04.080
<v Speaker 1>just like Ganya from Puerto Rico to It's the same

1:12:04.120 --> 1:12:09.200
<v Speaker 1>as Kanya. Listen. Listen is very similar. It's the process

1:12:09.240 --> 1:12:13.000
<v Speaker 1>before rom young Bird and everything. Man, trust me, brot

1:12:13.400 --> 1:12:15.479
<v Speaker 1>I know this roller decks man, I took me. I

1:12:15.600 --> 1:12:17.439
<v Speaker 1>know I know the dregs he took down. Bro, he

1:12:17.479 --> 1:12:19.000
<v Speaker 1>don't even want to he don't even want to make

1:12:19.040 --> 1:12:21.320
<v Speaker 1>some of that. I like it. I like that. That's

1:12:21.320 --> 1:12:26.479
<v Speaker 1>what makes some But you ever thinking like certain envisions

1:12:26.479 --> 1:12:29.200
<v Speaker 1>with you just for the beats, because I mean I

1:12:29.240 --> 1:12:33.519
<v Speaker 1>would take it just for the yea like now like

1:12:34.000 --> 1:12:36.080
<v Speaker 1>you know, like it's it's it's it's women that hit

1:12:36.160 --> 1:12:41.000
<v Speaker 1>me up that like one of um like well damn no,

1:12:41.240 --> 1:12:45.000
<v Speaker 1>Like I've experienced artists, right, not some random chick that's

1:12:45.000 --> 1:12:46.880
<v Speaker 1>just all suddenly want to be an artist. It's weird

1:12:46.920 --> 1:12:50.360
<v Speaker 1>because of like I'm taking to either story, like there's

1:12:50.360 --> 1:12:53.400
<v Speaker 1>a surge of female m c s now, you know

1:12:53.439 --> 1:12:56.120
<v Speaker 1>what I'm saying, So, like I think there are a

1:12:56.200 --> 1:12:58.080
<v Speaker 1>lot of women think that it's possible. You know what

1:12:58.160 --> 1:13:00.880
<v Speaker 1>I'm saying, upcoming girls. It's girls you don't even know of.

1:13:01.040 --> 1:13:03.639
<v Speaker 1>You know what I'm saying. I meet women that I'm

1:13:03.680 --> 1:13:06.680
<v Speaker 1>attracted to that I'm actually trying to date, and then

1:13:07.040 --> 1:13:11.960
<v Speaker 1>they'll be like but I rap two. So I don't

1:13:11.960 --> 1:13:13.880
<v Speaker 1>know if like I'm getting at this point they try

1:13:13.920 --> 1:13:17.120
<v Speaker 1>to take you, I don't know, you know what I'm saying.

1:13:17.160 --> 1:13:20.360
<v Speaker 1>Like it's weird because like it's like a mind gag

1:13:20.400 --> 1:13:23.120
<v Speaker 1>because like are you it's just a business meeting or

1:13:23.320 --> 1:13:26.680
<v Speaker 1>like a business meeting, like are you here to like

1:13:27.640 --> 1:13:30.320
<v Speaker 1>it's business way Okay, So I don't don't know. It's

1:13:30.320 --> 1:13:34.840
<v Speaker 1>a little weird. But are you looking for love? Yeah? Yeah,

1:13:35.240 --> 1:13:37.680
<v Speaker 1>I'm trying to get locked down locked I don't know.

1:13:38.080 --> 1:13:40.880
<v Speaker 1>I'm never just gonna be with one woman. Where is

1:13:40.920 --> 1:13:44.560
<v Speaker 1>this show going? I don't know. I never know what

1:13:44.720 --> 1:13:49.200
<v Speaker 1>this show is going to. You know, it's fantastic. We

1:13:50.000 --> 1:13:53.920
<v Speaker 1>don't have enough women here coming women? You know, I

1:13:54.000 --> 1:13:57.040
<v Speaker 1>forgot who then inself, I said, I don't think you

1:13:57.080 --> 1:13:59.439
<v Speaker 1>should bring your girl? Did not hear you say that?

1:13:59.560 --> 1:14:02.640
<v Speaker 1>All your shows are like a niggers things like we

1:14:02.680 --> 1:14:06.880
<v Speaker 1>got man Pool six No fool? Okay? But you know

1:14:07.040 --> 1:14:09.680
<v Speaker 1>what is this hip hop? And at the beginning the

1:14:09.760 --> 1:14:11.880
<v Speaker 1>only business that came to the parties was the business

1:14:11.880 --> 1:14:16.840
<v Speaker 1>with sneakers. I don't like the bitches sneakers. I like

1:14:16.960 --> 1:14:20.000
<v Speaker 1>rad bottom business. I'm sorry, I'm going to be be

1:14:20.840 --> 1:14:28.240
<v Speaker 1>barred to me again. I'm sorry. Let me know that,

1:14:28.640 --> 1:14:31.840
<v Speaker 1>all right? So, but right now you look like baby

1:14:31.960 --> 1:14:39.960
<v Speaker 1>ice Cube? Really baby? You know old black l a, right?

1:14:41.840 --> 1:14:45.120
<v Speaker 1>Is that rubbing off on you? Negative? You're gonna be

1:14:45.200 --> 1:14:47.120
<v Speaker 1>shot town nigga for the rest of your for sure

1:14:47.160 --> 1:14:49.040
<v Speaker 1>that that ship is embedded in me. But I mean no,

1:14:49.120 --> 1:14:52.080
<v Speaker 1>I'm at late nigger too, like a lot like Chicago

1:14:52.840 --> 1:15:00.120
<v Speaker 1>at fourteen years Yeah, yeah, I'm fourteen years after you.

1:15:00.280 --> 1:15:03.000
<v Speaker 1>You're a Miami, Miami. They I gotta I gotta claim it.

1:15:03.280 --> 1:15:06.320
<v Speaker 1>You're Miami. I'll be saying, I'll be saying back that up,

1:15:09.680 --> 1:15:18.560
<v Speaker 1>saying say yea, I went to New York with that.

1:15:18.680 --> 1:15:22.519
<v Speaker 1>They killed me. I was like, you go over there.

1:15:22.560 --> 1:15:32.200
<v Speaker 1>I was like, yeah, that up, Like I'll be there

1:15:33.640 --> 1:15:37.120
<v Speaker 1>because been that up somebody And that's why they all laugh.

1:15:37.200 --> 1:15:39.400
<v Speaker 1>So who the baddest beach that you smash? When you

1:15:39.680 --> 1:15:42.960
<v Speaker 1>say yo yo yo y I have my day. What

1:15:43.040 --> 1:15:45.439
<v Speaker 1>I'm saying, Yeah, back in the day, like when you

1:15:45.680 --> 1:15:51.840
<v Speaker 1>was super thut, Like, what's one? But like I guess

1:15:52.880 --> 1:15:57.439
<v Speaker 1>because you got me on here confessing ship. I ain't

1:15:57.439 --> 1:16:02.760
<v Speaker 1>gonna lie. I ain't gonna lie. I don't like famous bitches, yo,

1:16:03.760 --> 1:16:07.360
<v Speaker 1>I don't. I still don't. You never there's not one.

1:16:07.640 --> 1:16:16.479
<v Speaker 1>You're like, what are you going with this? I'm like, no,

1:16:17.720 --> 1:16:23.800
<v Speaker 1>I n man, I'm nicky man. No, don't even know

1:16:23.920 --> 1:16:26.200
<v Speaker 1>its man is my homie. I'm telling you, Like where

1:16:26.240 --> 1:16:28.960
<v Speaker 1>he from, I really know, Like he's a good dude,

1:16:29.360 --> 1:16:31.080
<v Speaker 1>like a lot of I don't know. I don't know,

1:16:31.280 --> 1:16:33.519
<v Speaker 1>but I never knocked I never I never really knocked

1:16:33.520 --> 1:16:36.560
<v Speaker 1>down famous business. Um, I never. I wasn't into the

1:16:36.600 --> 1:16:40.800
<v Speaker 1>points I like. I like famous, regular bitches famous, That's

1:16:40.840 --> 1:16:43.720
<v Speaker 1>what I like that I was. That's like Instagram. I

1:16:43.840 --> 1:16:46.760
<v Speaker 1>was in the Megan Stadion from forty projects, you know,

1:16:47.160 --> 1:16:50.000
<v Speaker 1>not Megan stuff. You know what I'm saying from one

1:16:50.040 --> 1:17:00.600
<v Speaker 1>fight too now, I say from high Lea. You know

1:17:01.040 --> 1:17:04.760
<v Speaker 1>that's the type of y'all video vixing famous one back

1:17:04.800 --> 1:17:07.160
<v Speaker 1>in the day, some famous video vixing. No, you know,

1:17:07.200 --> 1:17:08.840
<v Speaker 1>I would even called the little one a little crazy

1:17:08.880 --> 1:17:11.679
<v Speaker 1>on the video soup. That's that's one for the Hurricane

1:17:11.720 --> 1:17:22.040
<v Speaker 1>Cup Hurricane I was quarantining quarantine like sexy. Can I

1:17:22.120 --> 1:17:25.360
<v Speaker 1>believe you bring me ecstasy too? I don't like, I

1:17:25.400 --> 1:17:32.040
<v Speaker 1>don't ecstasy. And he don't mean to act like he was.

1:17:32.160 --> 1:17:38.519
<v Speaker 1>My dad never did I was. I never did, even

1:17:38.600 --> 1:17:42.240
<v Speaker 1>sitting back like you calling stock like why you right?

1:17:47.640 --> 1:17:52.640
<v Speaker 1>We put a lot of people, Yeah, he was. The

1:17:52.680 --> 1:17:56.720
<v Speaker 1>play was one stop, one stop with Miami. It kind

1:17:56.760 --> 1:17:59.280
<v Speaker 1>of was one stop. But this is the crazy about

1:17:59.280 --> 1:18:01.800
<v Speaker 1>ear Fin. He's gonna give you ecstasy, he's gonna give

1:18:01.800 --> 1:18:05.200
<v Speaker 1>you marijuana. Be's gonna get sixteen from you. It's going

1:18:05.240 --> 1:18:11.640
<v Speaker 1>to have the portable book had a portable booth. No,

1:18:12.040 --> 1:18:13.920
<v Speaker 1>you don't understand what I'm saying. Back in the day,

1:18:14.240 --> 1:18:16.880
<v Speaker 1>we had a two inch rail eight It's like a dork.

1:18:17.240 --> 1:18:19.000
<v Speaker 1>It was like you had to like, you know, a door,

1:18:19.320 --> 1:18:22.040
<v Speaker 1>I said, dark a doorf like a door like a

1:18:22.720 --> 1:18:26.599
<v Speaker 1>little people. Look, you had to pick it up. That's

1:18:26.600 --> 1:18:30.599
<v Speaker 1>the record. And this guy had the only portable student.

1:18:30.640 --> 1:18:34.400
<v Speaker 1>I never I never asked him, how the funk you

1:18:34.439 --> 1:18:37.200
<v Speaker 1>don't have an eight inch doorf with you? You got

1:18:37.280 --> 1:18:40.080
<v Speaker 1>the motherfucking recorded student that moves everywhere. He got it.

1:18:40.400 --> 1:18:43.360
<v Speaker 1>He got classic freestyles from me. I don't even remember doing.

1:18:44.640 --> 1:18:47.000
<v Speaker 1>I know he got like two albums worth the material,

1:18:51.600 --> 1:18:53.960
<v Speaker 1>But do you remember you don't even remember the rails

1:18:54.520 --> 1:19:01.439
<v Speaker 1>because you're too young, you know. Super Thrug was one

1:19:01.640 --> 1:19:07.360
<v Speaker 1>one one verse cap like he knows he likes this too.

1:19:07.439 --> 1:19:09.360
<v Speaker 1>That's why he's take cap because he wants me to

1:19:09.400 --> 1:19:17.040
<v Speaker 1>tell this cap one each two verses, how many verses

1:19:17.080 --> 1:19:20.720
<v Speaker 1>on verses? All three verses was the same tape, just

1:19:21.160 --> 1:19:23.679
<v Speaker 1>straight through. We didn't know how to do what take

1:19:23.920 --> 1:19:27.240
<v Speaker 1>was that. I ain't gonna lie. He might got me

1:19:27.320 --> 1:19:29.680
<v Speaker 1>on that and who's that singing in the background. Is

1:19:29.720 --> 1:19:34.160
<v Speaker 1>that Kalise? That was not Calise, never was Kalise. I

1:19:34.200 --> 1:19:38.160
<v Speaker 1>apologize for people who think that's Kalise because Plie came later.

1:19:38.320 --> 1:19:42.639
<v Speaker 1>But who's that? Damn you look Google man, you people

1:19:44.080 --> 1:19:48.120
<v Speaker 1>guests in in front of Come on bro, come on, Tammy, Lucas,

1:19:48.280 --> 1:19:51.120
<v Speaker 1>damn you correct. So that was the only part I

1:19:51.280 --> 1:19:54.120
<v Speaker 1>changed on Bird is when for roll gay to me,

1:19:54.840 --> 1:19:59.800
<v Speaker 1>she was singing. She was singing, yeah, yeah, yeah, yeah,

1:20:00.200 --> 1:20:14.320
<v Speaker 1>don't do it ever again. But it recreated that moment.

1:20:16.880 --> 1:20:19.320
<v Speaker 1>So I called for Road. I said, can I change

1:20:19.400 --> 1:20:25.759
<v Speaker 1>up to say what? Why? What? He was like, of course,

1:20:26.320 --> 1:20:28.400
<v Speaker 1>and he did that. And the thing is, I told

1:20:28.439 --> 1:20:30.439
<v Speaker 1>you this yesterday, but I'm gonna say it again. That's

1:20:30.479 --> 1:20:32.599
<v Speaker 1>how I used to count bars that was never supposed

1:20:32.600 --> 1:20:35.960
<v Speaker 1>to be a hook what what what? What? What? What? What? What? What? What? What? What? What?

1:20:36.479 --> 1:20:38.600
<v Speaker 1>To the place holder for the bars that heard you

1:20:38.680 --> 1:20:45.559
<v Speaker 1>back there? You still don't know how to count still

1:20:45.640 --> 1:20:52.680
<v Speaker 1>counterbars still don't come. And that's how. And it was

1:20:52.720 --> 1:20:55.479
<v Speaker 1>crazy because I was doing right track with colding studios,

1:20:55.880 --> 1:20:59.200
<v Speaker 1>and I remember I laid the whole ship and I

1:20:59.280 --> 1:21:02.360
<v Speaker 1>could see for Els and Chad and Rob Walker and

1:21:02.439 --> 1:21:04.240
<v Speaker 1>people that there was a kind of amazed, like, Yo,

1:21:04.400 --> 1:21:07.400
<v Speaker 1>this dude just laid the hole. But that's what I did,

1:21:08.240 --> 1:21:09.760
<v Speaker 1>because at that time, that's what I did. So I

1:21:09.880 --> 1:21:12.559
<v Speaker 1>just laid it. And how many takes did it take

1:21:12.680 --> 1:21:14.439
<v Speaker 1>to get that one? I don't want to show off,

1:21:14.520 --> 1:21:17.160
<v Speaker 1>but I think that was the first tape. I don't

1:21:17.160 --> 1:21:26.280
<v Speaker 1>want to but you went on that scene. No, definitely, precacy, definitely,

1:21:26.720 --> 1:21:28.679
<v Speaker 1>But I would love to give the excess to the proms.

1:21:28.760 --> 1:21:31.920
<v Speaker 1>Just trust me. But that was that era. You had

1:21:32.000 --> 1:21:34.599
<v Speaker 1>the song done before you got to the studio. Now

1:21:34.760 --> 1:21:36.960
<v Speaker 1>let me let me explain to you. This is the

1:21:37.000 --> 1:21:39.400
<v Speaker 1>first day I met for I walked in the studio

1:21:39.479 --> 1:21:41.800
<v Speaker 1>and Sound on Sound studios. A lot of people don't

1:21:41.800 --> 1:21:43.840
<v Speaker 1>know about Sound on Sound studio. Sound on Sound studiol

1:21:43.920 --> 1:21:47.960
<v Speaker 1>was across the street from Bad Boy Studios. It was

1:21:48.040 --> 1:21:51.880
<v Speaker 1>around the corner Biggie. It was so hot at the time.

1:21:52.000 --> 1:21:54.800
<v Speaker 1>Biggie didn't want to use bad Boy Studios, so he

1:21:54.920 --> 1:21:57.320
<v Speaker 1>would come around the corner and Sound on Sound with me.

1:21:58.479 --> 1:22:00.679
<v Speaker 1>So it's only two studios, but the Sound on Sounds

1:22:00.680 --> 1:22:04.439
<v Speaker 1>students upstairs and the downstairs. So Biggie we have upstairs

1:22:04.479 --> 1:22:06.800
<v Speaker 1>and I got downstairs and I'm looking like, yo, bag,

1:22:06.880 --> 1:22:09.400
<v Speaker 1>can you go back to bad boy? Like I'm on

1:22:09.520 --> 1:22:16.360
<v Speaker 1>the way. Too much pressure the baby. So anyway, okay,

1:22:16.360 --> 1:22:17.759
<v Speaker 1>well I was gonna bringing this up for I forgot

1:22:17.840 --> 1:22:20.280
<v Speaker 1>I was going. We were talking about one takes on real.

1:22:21.680 --> 1:22:25.840
<v Speaker 1>So I walk in there for all goals. He quotes

1:22:25.840 --> 1:22:27.920
<v Speaker 1>bloody money to me. He goes, you all get the

1:22:27.960 --> 1:22:30.400
<v Speaker 1>bloody money already, cash, a lot of things, smoke, we

1:22:30.760 --> 1:22:36.719
<v Speaker 1>call sta, You're sneak, quiet, talk about me, and I'm looking.

1:22:36.920 --> 1:22:39.280
<v Speaker 1>He just he knows every lyric because I'm looking. I

1:22:39.439 --> 1:22:42.360
<v Speaker 1>want to because I don't never say. I say, New York,

1:22:42.400 --> 1:22:44.680
<v Speaker 1>get the bloody money, dirty cash, live niggas, smoke, we

1:22:45.040 --> 1:22:48.160
<v Speaker 1>cast the stash, your monkey, walk on, hunch back, sneak, quiet,

1:22:48.760 --> 1:22:52.280
<v Speaker 1>talk about me, gossup, scared the death. When I pop up,

1:22:52.600 --> 1:22:56.639
<v Speaker 1>everyone says, talk about me, gossa. We think you're flipping

1:22:56.680 --> 1:23:03.880
<v Speaker 1>Spanish you. It's a lie. I said, talk about me

1:23:03.960 --> 1:23:06.800
<v Speaker 1>and gossip. So I was waiting for all to make

1:23:06.880 --> 1:23:10.720
<v Speaker 1>that mistake, and he said talk about me gossip. When

1:23:10.760 --> 1:23:15.400
<v Speaker 1>I looked and I said, he's on and what mind you?

1:23:15.560 --> 1:23:17.960
<v Speaker 1>Soon as he finished, he told me I'm not a

1:23:18.000 --> 1:23:21.760
<v Speaker 1>thug at all. He told him, Yes, it is the

1:23:21.840 --> 1:23:25.439
<v Speaker 1>most verse I've ever spit. He's like, I'm not a

1:23:25.479 --> 1:23:28.200
<v Speaker 1>thug at all. He's like, I have one thug bone

1:23:28.200 --> 1:23:30.080
<v Speaker 1>in my body. And I was like, I like this

1:23:30.160 --> 1:23:32.960
<v Speaker 1>guy immediate because I like that, like keep it real.

1:23:33.960 --> 1:23:35.560
<v Speaker 1>They played me one beat, play me another beat, and

1:23:35.560 --> 1:23:38.360
<v Speaker 1>he said this other beat, don't listen to. And that's

1:23:38.360 --> 1:23:41.519
<v Speaker 1>when I got on the plane landed in Miami Kid Hotel.

1:23:41.640 --> 1:23:49.479
<v Speaker 1>But never forget it. They can't I wash it when

1:23:49.520 --> 1:23:52.519
<v Speaker 1>it was still trash. It was dope trash. It was.

1:23:52.640 --> 1:23:55.160
<v Speaker 1>It was that time that we did the interview with academic.

1:23:55.240 --> 1:23:59.519
<v Speaker 1>Everybody know it's a kid hotel, Okay, I don't. I

1:23:59.560 --> 1:24:03.080
<v Speaker 1>don't know what every Yeah, I just went. I know.

1:24:03.200 --> 1:24:06.439
<v Speaker 1>I went downstairs and all my nigas was so happy

1:24:06.520 --> 1:24:09.840
<v Speaker 1>being downstairs because they didn't realize that every miss they

1:24:09.880 --> 1:24:12.680
<v Speaker 1>told to was a hooker. They didn't realize that. I

1:24:12.840 --> 1:24:16.519
<v Speaker 1>realized that. I realized the earlier on I looked at

1:24:16.560 --> 1:24:19.160
<v Speaker 1>the chicken. Chick said you don't want the party. I said, Uh,

1:24:19.560 --> 1:24:24.040
<v Speaker 1>it's either party means either coke gang whatever. Party. You

1:24:24.760 --> 1:24:31.479
<v Speaker 1>not with that? And I didn't got so. I remember

1:24:31.560 --> 1:24:35.080
<v Speaker 1>the room, but it was remember the I played the

1:24:35.200 --> 1:24:37.400
<v Speaker 1>seed and it's the first time I've ever seen that

1:24:37.479 --> 1:24:40.920
<v Speaker 1>the producer made a beat for me. It's just that man, well,

1:24:42.320 --> 1:24:44.439
<v Speaker 1>you know, And I was just like I had just

1:24:44.840 --> 1:24:48.519
<v Speaker 1>I had just google the English Channel and I was like,

1:24:48.640 --> 1:24:53.120
<v Speaker 1>the English Channel people run and swim, do ship like this,

1:24:53.840 --> 1:24:55.639
<v Speaker 1>and my man just died. So a lot of people

1:24:55.640 --> 1:24:58.120
<v Speaker 1>don't understand what I'm saying. In the first of all,

1:24:58.280 --> 1:25:01.120
<v Speaker 1>I say, I light a candle, light the camera because

1:25:01.200 --> 1:25:04.920
<v Speaker 1>my friend just died. Run laps around the English Channel

1:25:05.360 --> 1:25:07.400
<v Speaker 1>and that tunes. I got a cock of span you.

1:25:07.479 --> 1:25:11.439
<v Speaker 1>At the time, you was a pistol, so we was

1:25:11.640 --> 1:25:14.760
<v Speaker 1>naming it. So a lot of it was just like this,

1:25:14.880 --> 1:25:22.800
<v Speaker 1>think it don't make no sense, stupid the bridge that

1:25:23.040 --> 1:25:27.840
<v Speaker 1>this isn't like style that was after I can see

1:25:27.840 --> 1:25:30.280
<v Speaker 1>that might have been the greatest question I've ever got, asked, bro,

1:25:30.560 --> 1:25:32.519
<v Speaker 1>hold On, I have no idea, Bro, that has to

1:25:32.600 --> 1:25:34.240
<v Speaker 1>be for us doing I could see that being for

1:25:34.439 --> 1:25:37.040
<v Speaker 1>us doing that. He didn't ask. He didn't ask that.

1:25:37.240 --> 1:25:41.920
<v Speaker 1>He asked, wasn't there as I'm laying the verse because

1:25:41.920 --> 1:25:47.360
<v Speaker 1>he said the hook like it if I didn't think

1:25:47.400 --> 1:25:49.080
<v Speaker 1>it was there, I kind of I can now that

1:25:49.160 --> 1:25:51.280
<v Speaker 1>you say it because you sold me up that it

1:25:51.439 --> 1:25:55.120
<v Speaker 1>was such a great question. Is I think it was

1:25:55.200 --> 1:25:59.519
<v Speaker 1>dead when you're saying you recorded superdrug here? No I recorded.

1:25:59.760 --> 1:26:02.240
<v Speaker 1>I wrote super Thug in the kids Hotel. I wrote

1:26:02.320 --> 1:26:07.000
<v Speaker 1>it straight. Sometimes I heard somebody saying, listen at this time,

1:26:08.680 --> 1:26:12.360
<v Speaker 1>Pete Rock, you know they're not doing beats for you.

1:26:12.560 --> 1:26:14.400
<v Speaker 1>That's that they're saying. You come to the studio, you

1:26:14.479 --> 1:26:16.040
<v Speaker 1>do a beat for me. For all, did a beat

1:26:16.080 --> 1:26:19.559
<v Speaker 1>for me without me being the studio. And let's be clear,

1:26:19.760 --> 1:26:23.439
<v Speaker 1>that's very cocky and confident of him. He put my

1:26:23.720 --> 1:26:27.040
<v Speaker 1>name on it like he's going to take it that

1:26:27.439 --> 1:26:29.519
<v Speaker 1>that was hard. And I looked and I had the

1:26:29.560 --> 1:26:31.400
<v Speaker 1>number one record in New York. I thought it was

1:26:31.439 --> 1:26:33.960
<v Speaker 1>the number one in the world because I found like

1:26:34.000 --> 1:26:40.200
<v Speaker 1>New York the world in New York everywhere else and

1:26:40.320 --> 1:26:44.200
<v Speaker 1>when it was like and that was a groundbreaking record

1:26:44.240 --> 1:26:46.280
<v Speaker 1>because someone from New York, that record sound like a

1:26:46.360 --> 1:26:53.040
<v Speaker 1>South That was a South record on that motherfucker. Yeah,

1:26:54.840 --> 1:26:57.200
<v Speaker 1>listen to me. So I think this nig is a

1:26:57.400 --> 1:27:00.120
<v Speaker 1>motherfucker's smart dude. I don't gonna stop saying that. We

1:27:00.200 --> 1:27:08.120
<v Speaker 1>gotta stop it now that goes you're bringing it out

1:27:08.160 --> 1:27:10.120
<v Speaker 1>of me right now, I'm blaming you all the way.

1:27:12.439 --> 1:27:20.240
<v Speaker 1>I'm that's a joke. Everybody knows we're joking. But I'm

1:27:20.280 --> 1:27:24.320
<v Speaker 1>not gonna lie when I did that and I've seen

1:27:24.960 --> 1:27:29.439
<v Speaker 1>because what what was made up? I'm gonna say something

1:27:29.479 --> 1:27:35.120
<v Speaker 1>I probably never said before we did L A L

1:27:35.200 --> 1:27:39.519
<v Speaker 1>A the record. I was disgusted in this session because,

1:27:40.320 --> 1:27:42.920
<v Speaker 1>and I'm saying this will all due respect, but every

1:27:43.000 --> 1:27:46.800
<v Speaker 1>one of these guys are hyper dudes. But at the

1:27:46.880 --> 1:27:51.679
<v Speaker 1>time Niles was winning so much, everybody wanted to be smooth.

1:27:52.600 --> 1:27:58.560
<v Speaker 1>So everybody versus like, have you ever been to Queensbridge?

1:27:59.400 --> 1:28:04.560
<v Speaker 1>There's not a smooth person. There's not a smooth So

1:28:04.720 --> 1:28:07.640
<v Speaker 1>that's what what once was? What what? What? What? What?

1:28:08.280 --> 1:28:11.719
<v Speaker 1>Just looking like y'o what the funk? Why y'all acting

1:28:11.800 --> 1:28:19.880
<v Speaker 1>like it translated? I made some money off it, but

1:28:20.240 --> 1:28:22.040
<v Speaker 1>shout out to for real he produced it. Ship out

1:28:22.080 --> 1:28:24.599
<v Speaker 1>that motherfucker, Like I was saying a story like how

1:28:24.680 --> 1:28:27.640
<v Speaker 1>you ain't even know this and know that I've experienced

1:28:27.680 --> 1:28:30.640
<v Speaker 1>them type of situations like I've been that, Like that

1:28:31.120 --> 1:28:33.639
<v Speaker 1>was the hook and then if he comes. The hook

1:28:33.840 --> 1:28:38.320
<v Speaker 1>is the time when you like artists doubted you and

1:28:38.479 --> 1:28:41.240
<v Speaker 1>you had to like tell them that you please trust

1:28:41.320 --> 1:28:44.559
<v Speaker 1>me as a producer. As a producer, I know there

1:28:44.560 --> 1:28:49.800
<v Speaker 1>hasn't been plenty of times once. Uh. I think I

1:28:49.880 --> 1:28:52.080
<v Speaker 1>did a joint project with Jared Minds had all the

1:28:52.160 --> 1:28:54.160
<v Speaker 1>sign or whatever that was just like a producer we

1:28:54.240 --> 1:28:58.840
<v Speaker 1>got I feel like involved. Yeah it's um it's a

1:28:58.960 --> 1:29:02.560
<v Speaker 1>song called the Light that um I'll produced with A

1:29:02.760 --> 1:29:05.000
<v Speaker 1>on keys shout out to a on keys. And then

1:29:05.080 --> 1:29:08.000
<v Speaker 1>we did the record and they kind of like didn't

1:29:08.040 --> 1:29:09.560
<v Speaker 1>want it to be the single or like you know

1:29:09.600 --> 1:29:13.000
<v Speaker 1>what I'm saying, and um, not they but j J

1:29:13.200 --> 1:29:15.320
<v Speaker 1>probably Jeremiah was like I don't think it should be

1:29:15.360 --> 1:29:17.360
<v Speaker 1>the single, but like I kind of forced the hand

1:29:17.960 --> 1:29:19.760
<v Speaker 1>and that record got a plaque to it, you know

1:29:19.960 --> 1:29:21.840
<v Speaker 1>you know what I'm saying. So, but the job with you,

1:29:25.160 --> 1:29:29.760
<v Speaker 1>jeremiad changed my life. Jeremiah's like the Jeremiah Big Sean

1:29:29.840 --> 1:29:34.479
<v Speaker 1>hook Big Sean bounced back back. We did. Uh we

1:29:34.600 --> 1:29:37.640
<v Speaker 1>did that in my house. Yeah, show out to Jeremiah,

1:29:37.760 --> 1:29:41.120
<v Speaker 1>like he changed my life. Man Like after loving hip hop,

1:29:41.320 --> 1:29:43.839
<v Speaker 1>like I was feeling like I was getting the cooties

1:29:43.880 --> 1:29:47.920
<v Speaker 1>again twice. Yeah, I was like I was getting the coo.

1:29:48.400 --> 1:29:52.120
<v Speaker 1>I definitely had the Coolies four and then Jeremiah like

1:29:52.400 --> 1:29:55.760
<v Speaker 1>took me on tour with him and yeah, he went

1:29:55.840 --> 1:29:59.320
<v Speaker 1>on tour with j Cole, Big Sean and h y G.

1:29:59.640 --> 1:30:01.599
<v Speaker 1>And that's how I met Big Sean. I was able

1:30:01.640 --> 1:30:04.960
<v Speaker 1>to get him the song bounce Back or whatever. Jeremiah like,

1:30:05.120 --> 1:30:07.960
<v Speaker 1>he changed my hands down it. My life as hit

1:30:08.040 --> 1:30:10.360
<v Speaker 1>maker wouldn't be the same without Jeremiah. Let's make a

1:30:10.400 --> 1:30:16.240
<v Speaker 1>no for Jeremiah. By the way, Jeremiah, don't think I

1:30:16.400 --> 1:30:18.720
<v Speaker 1>forgot Jeremiah did a record with me. I forget who

1:30:18.800 --> 1:30:22.840
<v Speaker 1>produced the record. Was it S P. K Or or

1:30:22.920 --> 1:30:25.680
<v Speaker 1>Charlie Brown. He did a record for me and he

1:30:25.800 --> 1:30:27.800
<v Speaker 1>helped me down bro. I tried to evoid someone to

1:30:27.880 --> 1:30:29.519
<v Speaker 1>like give it what's up? And he just like, I

1:30:29.600 --> 1:30:32.640
<v Speaker 1>got your record with you with Jeremiah, you're scared to

1:30:32.680 --> 1:30:40.000
<v Speaker 1>put it out like you're scared by the way I

1:30:40.120 --> 1:30:46.680
<v Speaker 1>like his segments. Scott's good man, you ain't gonna lie.

1:30:47.200 --> 1:30:49.679
<v Speaker 1>It's your time for you to have your own podcast,

1:30:50.600 --> 1:30:53.320
<v Speaker 1>to be honest, because you know why, I don't gotta

1:30:53.360 --> 1:30:57.000
<v Speaker 1>beat the stories out of you. You liked story, you

1:30:57.240 --> 1:31:01.160
<v Speaker 1>like it, and I'm telling you that's that's a gift

1:31:01.400 --> 1:31:07.719
<v Speaker 1>that's a gift. Because I'm gonna be honest, I'm starting

1:31:07.800 --> 1:31:13.360
<v Speaker 1>to listen to people who have only fans. I thought,

1:31:15.080 --> 1:31:19.600
<v Speaker 1>are you listening to people? But the people that have this,

1:31:19.720 --> 1:31:22.160
<v Speaker 1>people own it is not naked. And I'm like, yeah,

1:31:22.160 --> 1:31:24.360
<v Speaker 1>that's Patreon, that's another form of Patreon. I don't know

1:31:24.360 --> 1:31:28.000
<v Speaker 1>what one of them apps that if you got only fans,

1:31:28.040 --> 1:31:30.840
<v Speaker 1>you ain't naked, go kill yourself. There's a lot of

1:31:32.080 --> 1:31:37.120
<v Speaker 1>people that's not naked. Especially think about think about thinking

1:31:37.120 --> 1:31:39.479
<v Speaker 1>about if you every tweet you you tweet it right,

1:31:39.800 --> 1:31:46.439
<v Speaker 1>and you can get hunted something to tweet right, and

1:31:46.520 --> 1:31:48.559
<v Speaker 1>that should just keep piling. But you're not thinking about

1:31:48.600 --> 1:31:51.599
<v Speaker 1>it that I'm thinking, like, I'm not saying I'm getting

1:31:51.640 --> 1:31:56.240
<v Speaker 1>only I'm about to say you are. You sound like

1:31:56.320 --> 1:32:00.920
<v Speaker 1>you crazy? But my point is not only fans. My

1:32:01.160 --> 1:32:04.840
<v Speaker 1>point is for podcasts. My point is the same way

1:32:04.840 --> 1:32:07.479
<v Speaker 1>you on Twitter, the same way you want fucking Facebook

1:32:07.479 --> 1:32:10.519
<v Speaker 1>and Instagram. You're just getting a like or whatever whatever

1:32:10.800 --> 1:32:13.040
<v Speaker 1>if you sit, because that's what the podcast is. A

1:32:13.120 --> 1:32:16.280
<v Speaker 1>podcast is like, let me just talk to my people. People.

1:32:16.320 --> 1:32:22.840
<v Speaker 1>I can't talk that much stories. I'm killing you. You

1:32:22.960 --> 1:32:29.680
<v Speaker 1>have been doing a great job. Do you think that

1:32:29.920 --> 1:32:33.840
<v Speaker 1>y'all my favorite podcast. Let me tell you something because

1:32:34.000 --> 1:32:36.800
<v Speaker 1>I'm being honest with you. You live an interest in life, bro,

1:32:37.320 --> 1:32:41.040
<v Speaker 1>and most people. I love the fact that you wake

1:32:41.160 --> 1:32:46.320
<v Speaker 1>up every day, not only because you're rich. But people

1:32:46.400 --> 1:32:49.599
<v Speaker 1>try to control your narrative, meaning they try to make

1:32:49.680 --> 1:32:53.160
<v Speaker 1>you your last situation. So if your last situation was what,

1:32:54.360 --> 1:32:57.040
<v Speaker 1>let me just say my secar or something right like

1:32:57.520 --> 1:33:02.160
<v Speaker 1>I went in that, I'm sorry, but they try to

1:33:02.200 --> 1:33:17.519
<v Speaker 1>define't wait wait yeah good, they're trying to define you

1:33:17.640 --> 1:33:20.280
<v Speaker 1>as that, So you want my se are good? I

1:33:20.400 --> 1:33:23.400
<v Speaker 1>love my secre. We just went to Mr Child's and

1:33:23.479 --> 1:33:31.960
<v Speaker 1>then we went the studio. My daughter's that I did.

1:33:32.439 --> 1:33:34.479
<v Speaker 1>I love her. I love her daughter like you know

1:33:34.520 --> 1:33:36.160
<v Speaker 1>what I'm saying. Like a daughter is like a start

1:33:36.240 --> 1:33:38.280
<v Speaker 1>to me, you know what I'm saying. But Maska is

1:33:38.360 --> 1:33:41.400
<v Speaker 1>also like she's your boss a bit and you're never

1:33:41.439 --> 1:33:45.800
<v Speaker 1>gonna get married, right, you know you have no ship? No,

1:33:48.080 --> 1:33:50.160
<v Speaker 1>I don't want I want to contract. I want to

1:33:50.200 --> 1:33:54.280
<v Speaker 1>do the contract. I'm cool. I cannot. I could be married,

1:33:54.360 --> 1:34:00.519
<v Speaker 1>but not legally that way, I don't have to, you know,

1:34:00.640 --> 1:34:02.479
<v Speaker 1>pre number you know what I'm saying, Like a offender.

1:34:02.560 --> 1:34:06.200
<v Speaker 1>One Dr dre outside right now, you see how outside

1:34:06.280 --> 1:34:16.080
<v Speaker 1>that sloop? You see the flaw I love, I love, y'all.

1:34:17.920 --> 1:34:20.280
<v Speaker 1>Was my man said to be nine, But didn't you

1:34:20.280 --> 1:34:23.519
<v Speaker 1>just see the bitch with him? Why y'all on the

1:34:23.640 --> 1:34:28.080
<v Speaker 1>lor laying down with your elbows up. Your elbow was

1:34:28.160 --> 1:34:33.120
<v Speaker 1>out way too fair. That was a great man. I'm

1:34:33.160 --> 1:34:36.040
<v Speaker 1>with that, but he'd be up. But that's what I'm saying.

1:34:36.080 --> 1:34:38.639
<v Speaker 1>I think, like you gotta like like falling like deep

1:34:38.720 --> 1:34:41.599
<v Speaker 1>love get funked up and then you have your daughter

1:34:42.040 --> 1:34:45.200
<v Speaker 1>Like it ain't no deep, No, this love ship ain't deep.

1:34:45.760 --> 1:34:48.960
<v Speaker 1>This ship is just a business like this. These girls

1:34:48.960 --> 1:34:52.240
<v Speaker 1>wants you when you got something and we ain't got

1:34:52.320 --> 1:34:55.640
<v Speaker 1>nothing on wants you. And then it's a rare percentage

1:34:56.280 --> 1:34:59.040
<v Speaker 1>that I actually down or whatever. But like I ain't

1:34:59.080 --> 1:35:01.320
<v Speaker 1>gonna lie, like I've live majority of my life in

1:35:01.400 --> 1:35:04.320
<v Speaker 1>a public form or whatever, and like I've been me

1:35:04.720 --> 1:35:07.320
<v Speaker 1>for so it's hard for me to gauge or say

1:35:07.439 --> 1:35:10.680
<v Speaker 1>like is it because you know what I'm saying, Like

1:35:10.840 --> 1:35:12.920
<v Speaker 1>you know how certain people be like, man, I know

1:35:13.040 --> 1:35:15.840
<v Speaker 1>my girl loved me ship, I ain't had nothing when

1:35:15.880 --> 1:35:18.760
<v Speaker 1>you're when you got money and then you meet a

1:35:18.840 --> 1:35:20.880
<v Speaker 1>girl it's kind of hard to you know what I'm saying. Shot,

1:35:21.880 --> 1:35:23.840
<v Speaker 1>So it's one of them. Jesus, So I'm gonna be

1:35:23.880 --> 1:35:27.840
<v Speaker 1>by myself. However, yeah no, but like like a bunch

1:35:27.880 --> 1:35:30.960
<v Speaker 1>of vibes, don't you know what I'm saying? You watch

1:35:31.040 --> 1:35:38.000
<v Speaker 1>the shot? No, very never watched the shot and you

1:35:38.080 --> 1:35:45.160
<v Speaker 1>formed the cargo. It's good. Where's your friends at right now?

1:35:45.240 --> 1:35:48.360
<v Speaker 1>Hold on, come over here, brother, You watch the shot?

1:35:48.600 --> 1:35:53.000
<v Speaker 1>All right? Cool? Yo? Wait a minute, what do you

1:35:53.040 --> 1:36:00.200
<v Speaker 1>say to the company. But I mean, I expect Billy

1:36:00.240 --> 1:36:02.880
<v Speaker 1>to watch this shot like Billy is fucking Billy is,

1:36:02.920 --> 1:36:08.000
<v Speaker 1>and Jack like he does everything expect shot. No, man,

1:36:08.040 --> 1:36:11.360
<v Speaker 1>you gotta expect me to be in the studio, give

1:36:11.400 --> 1:36:14.120
<v Speaker 1>me radio and keep killing. Honest, we all got a

1:36:14.200 --> 1:36:17.080
<v Speaker 1>little vices. We all got our little thing. Listen, this

1:36:17.160 --> 1:36:18.920
<v Speaker 1>is one thing that I need you to support from

1:36:19.000 --> 1:36:24.680
<v Speaker 1>your own city. I don't check it out. I'm not

1:36:24.800 --> 1:36:29.519
<v Speaker 1>gonna lie. I feel like I'm in your city every Sunday. Really,

1:36:29.600 --> 1:36:31.200
<v Speaker 1>it's one of them. Oh you know, you know I'm

1:36:31.200 --> 1:36:33.360
<v Speaker 1>black and Porter weekend. You know, like I have my

1:36:33.520 --> 1:36:37.760
<v Speaker 1>cousins from one side of Chicago and my cousin from

1:36:37.760 --> 1:36:40.040
<v Speaker 1>the other side called the street from each other. But

1:36:40.160 --> 1:36:41.840
<v Speaker 1>one is black and one is quarter week in thirty

1:36:41.920 --> 1:36:46.680
<v Speaker 1>years never death serious. I come to the shot and like,

1:36:47.000 --> 1:36:53.080
<v Speaker 1>holy shit, you're my cousin. Like, listen, that ship is

1:36:54.400 --> 1:36:58.640
<v Speaker 1>don't want to watch the shot? Okay, yeah, then you

1:36:58.720 --> 1:37:01.560
<v Speaker 1>gotta stop watching fucking shows, brol What the fund do

1:37:01.640 --> 1:37:04.000
<v Speaker 1>I want? I don't even do you watch it? I

1:37:04.120 --> 1:37:06.720
<v Speaker 1>don't watch TV, bro, you don't watch TV. I just work.

1:37:06.840 --> 1:37:11.960
<v Speaker 1>My whole life is dedicated to No. I mean I

1:37:12.080 --> 1:37:23.000
<v Speaker 1>just get on YouTube. You point no, you know I

1:37:23.040 --> 1:37:26.120
<v Speaker 1>can't believe anybody because we know what this would happened.

1:37:26.560 --> 1:37:29.320
<v Speaker 1>The other day, I'm watching the shot. This is how

1:37:29.320 --> 1:37:32.559
<v Speaker 1>I got put onto the shop. I was offended by

1:37:32.600 --> 1:37:35.679
<v Speaker 1>the way Lena white homie, we're gonna be gonna get holder.

1:37:36.600 --> 1:37:39.479
<v Speaker 1>But that's that's gotta do with this. One day I'm

1:37:39.520 --> 1:37:42.920
<v Speaker 1>sitting around talking and a friend, I forget what friends

1:37:42.920 --> 1:37:47.599
<v Speaker 1>says it. He said, the shot is better than the wire?

1:37:49.760 --> 1:37:53.280
<v Speaker 1>Is it in the same vein of the wire? It's

1:37:53.280 --> 1:37:56.760
<v Speaker 1>in the same vegor But k I threw a book

1:37:56.800 --> 1:38:00.800
<v Speaker 1>bag at the nigg what e it was next to

1:38:00.880 --> 1:38:02.479
<v Speaker 1>me when he said the shot is better than the

1:38:02.520 --> 1:38:07.439
<v Speaker 1>white stewish and he's like, I think I'm bullshit gonna

1:38:07.439 --> 1:38:10.160
<v Speaker 1>watch him now. He shouldn't have said it's better. He

1:38:10.160 --> 1:38:17.080
<v Speaker 1>should have said it, and we're ahead. When you feel,

1:38:17.080 --> 1:38:20.240
<v Speaker 1>when you feel, you feel, nah, I feel it is, Bro,

1:38:26.400 --> 1:38:27.960
<v Speaker 1>I can't tell you that. I can't tell you the

1:38:28.040 --> 1:38:30.720
<v Speaker 1>shot is not real. Bro, listen, I ain't gonna lie

1:38:30.760 --> 1:38:33.400
<v Speaker 1>to you because all right, so you guys been to Bortomore.

1:38:33.439 --> 1:38:37.120
<v Speaker 1>Obviously you guys been to Bortomore. Have you guys spend time?

1:38:37.160 --> 1:38:39.320
<v Speaker 1>I spend time in the shot, like my half of

1:38:39.400 --> 1:38:42.599
<v Speaker 1>my family, my old Bato Rican family. That's the only

1:38:42.680 --> 1:38:44.920
<v Speaker 1>thing missing in the show is that they ain't got

1:38:44.960 --> 1:38:51.760
<v Speaker 1>gonna Porto Ricans. That's the only thing it Mexicans. Yeah, bro,

1:38:51.880 --> 1:38:54.439
<v Speaker 1>it's Porto Rican and Mexican people. I know. That's the

1:38:54.520 --> 1:38:58.160
<v Speaker 1>only that's the only thing that I have got caught

1:38:58.160 --> 1:39:04.719
<v Speaker 1>out of out Chappo first operation was getting very emotions.

1:39:04.960 --> 1:39:08.600
<v Speaker 1>But holy sh it, so so all right, hit me out, now,

1:39:08.720 --> 1:39:10.720
<v Speaker 1>hit me out. So God says this is better than

1:39:10.800 --> 1:39:14.479
<v Speaker 1>the wire. So I throw a book bag out with books.

1:39:16.040 --> 1:39:18.280
<v Speaker 1>I'm just wondering. You know, it's you know his name,

1:39:18.360 --> 1:39:25.280
<v Speaker 1>it's probably so and then so my wife is watching it.

1:39:26.000 --> 1:39:28.760
<v Speaker 1>So I'm like, allright, cool, I'm just a hater, Like

1:39:28.840 --> 1:39:32.479
<v Speaker 1>I don't know want anybody. If you tell me anything,

1:39:32.520 --> 1:39:37.559
<v Speaker 1>it's better than Curb Your Enthusiasm, Sopranos or The Wire.

1:39:38.200 --> 1:39:42.960
<v Speaker 1>I don't like you is the greatest show of right

1:39:43.000 --> 1:39:51.400
<v Speaker 1>there with the right Okay. Yeah. So when the person

1:39:51.520 --> 1:39:53.599
<v Speaker 1>says that to me and I see my wife watching,

1:39:53.920 --> 1:39:55.640
<v Speaker 1>then one day I just like, you know what, fuck it?

1:39:56.560 --> 1:40:00.400
<v Speaker 1>So I watched one episode now watched it myself. And

1:40:00.800 --> 1:40:04.200
<v Speaker 1>if you're a person who performed in the House of

1:40:04.280 --> 1:40:09.720
<v Speaker 1>Blues in Chicago recently, were young person who went to

1:40:09.840 --> 1:40:15.760
<v Speaker 1>Sammy's and compete greenbrainy Green, you know, unless you went

1:40:15.800 --> 1:40:20.880
<v Speaker 1>to the other one. I'm just I've been to my

1:40:22.600 --> 1:40:30.400
<v Speaker 1>give me another one. They tore down Compretty Green. So

1:40:30.640 --> 1:40:32.760
<v Speaker 1>when I used to go to complete Listen, I was

1:40:32.880 --> 1:40:36.280
<v Speaker 1>com pretty Green one time and I pulled up in

1:40:36.360 --> 1:40:39.240
<v Speaker 1>Sammy's is a chicken spot? I say it on all

1:40:39.320 --> 1:40:42.080
<v Speaker 1>Kelly Chip, Sorry, did Kelly I used when I'm in

1:40:42.120 --> 1:40:44.800
<v Speaker 1>competely Green? You know, I hit Sammy's. So I went

1:40:44.880 --> 1:40:47.479
<v Speaker 1>to Sammy's. I came police pulling the guns on me.

1:40:48.160 --> 1:40:50.400
<v Speaker 1>The whole pride came out. I was like, that's normy

1:40:50.720 --> 1:40:53.679
<v Speaker 1>put your fucking gun down. That's when I new Chicago

1:40:53.880 --> 1:40:57.840
<v Speaker 1>is they came out like that, and I was like that,

1:40:58.000 --> 1:41:04.280
<v Speaker 1>oh ship, but I still came it about week. Help me,

1:41:05.280 --> 1:41:10.040
<v Speaker 1>let's make around this. Let me ask you this. Let

1:41:10.080 --> 1:41:14.479
<v Speaker 1>me ask you this. Being from Chicago. The problem that

1:41:14.600 --> 1:41:17.479
<v Speaker 1>I think that happened in Chicago is they took the

1:41:17.560 --> 1:41:20.680
<v Speaker 1>ogs away. When you got the Larry who was you

1:41:20.800 --> 1:41:24.280
<v Speaker 1>got all these people who was gang you know, and

1:41:24.360 --> 1:41:27.519
<v Speaker 1>they took them away. That means the youngest one wild

1:41:27.600 --> 1:41:30.640
<v Speaker 1>as you think that's the Chicago's problem. I mean, I

1:41:30.760 --> 1:41:34.400
<v Speaker 1>think that that culture or what we were talking about

1:41:34.600 --> 1:41:38.320
<v Speaker 1>was probably like my generation was probably the last of it.

1:41:39.280 --> 1:41:41.960
<v Speaker 1>And their kids, says younger than me, they don't even

1:41:42.120 --> 1:41:44.600
<v Speaker 1>know what that ship means. So ain't know O G.

1:41:45.600 --> 1:41:49.160
<v Speaker 1>And ain't like you do. That's the problem. Um No,

1:41:49.600 --> 1:41:58.160
<v Speaker 1>of course I think that that Joe was bugs all

1:41:58.200 --> 1:42:01.880
<v Speaker 1>these different people that I like, I have O G. Jason,

1:42:03.040 --> 1:42:06.080
<v Speaker 1>I got mad l A Reader's old G. I got

1:42:06.200 --> 1:42:08.599
<v Speaker 1>mad executive. You know what I'm saying Like that, I'm

1:42:08.680 --> 1:42:11.400
<v Speaker 1>not afraid to say, like these people no more than me,

1:42:11.479 --> 1:42:13.080
<v Speaker 1>and like I look up to these people and they

1:42:13.160 --> 1:42:16.080
<v Speaker 1>give me game. But I don't think that these things

1:42:16.120 --> 1:42:19.200
<v Speaker 1>out there ain't listening to none of that trip. So look,

1:42:20.240 --> 1:42:22.519
<v Speaker 1>listen to the shot that ain't you ain't drinking that

1:42:22.560 --> 1:42:29.360
<v Speaker 1>Columbian white yea, and Catherine, let's do it. You're gonna

1:42:29.360 --> 1:42:32.640
<v Speaker 1>do one. Yeah, I'll do it, little water, but you

1:42:32.720 --> 1:42:34.559
<v Speaker 1>know you gotta do it Columbian way. No, I don't

1:42:35.400 --> 1:42:39.600
<v Speaker 1>like that. Let me get another cut. I ain't doing this.

1:42:39.800 --> 1:42:44.400
<v Speaker 1>I ain't makeing with the rock. Yeah, I ain't gonna lie.

1:42:44.840 --> 1:42:46.800
<v Speaker 1>I'm just doing this too. Just do the just do

1:42:46.880 --> 1:42:52.680
<v Speaker 1>the one line. Trust. Yeah, that's why you gotta be

1:42:52.680 --> 1:42:58.120
<v Speaker 1>a little crazy us Like, come on, it's a different

1:42:58.160 --> 1:43:00.760
<v Speaker 1>it's a different thing. I see why you point. So

1:43:00.920 --> 1:43:03.000
<v Speaker 1>when is the time we're gonna we're gonna get this

1:43:03.000 --> 1:43:06.040
<v Speaker 1>shot going? But what is the time when you realize

1:43:06.080 --> 1:43:08.759
<v Speaker 1>you said, you know what fund this reed and model?

1:43:10.280 --> 1:43:14.200
<v Speaker 1>You said the line, are y'all really went for the line?

1:43:17.280 --> 1:43:23.280
<v Speaker 1>I don't know what? So what was the moment where

1:43:23.320 --> 1:43:26.280
<v Speaker 1>you like, I did this. I was an artist. I

1:43:26.400 --> 1:43:29.400
<v Speaker 1>did reality. But you know what, I'm gonna stick to

1:43:29.640 --> 1:43:34.000
<v Speaker 1>my motherfucking guns and produce number one records for everybody.

1:43:34.720 --> 1:43:37.000
<v Speaker 1>When was that moment? Was it like your finger pop

1:43:37.120 --> 1:43:40.040
<v Speaker 1>somebody and it was a big Shane bounced back moment.

1:43:40.120 --> 1:43:42.080
<v Speaker 1>It was. It was a lot of moments, but Jeremiah

1:43:42.120 --> 1:43:44.439
<v Speaker 1>walked the hook. Yeah, it was a lot of moments,

1:43:44.520 --> 1:43:49.040
<v Speaker 1>man Like it was. I already knew that niggas didn't

1:43:49.040 --> 1:43:51.680
<v Speaker 1>want to funk with me on artist ship. Like but

1:43:51.920 --> 1:43:54.519
<v Speaker 1>and I command anything anything that watching this ship. When

1:43:54.520 --> 1:43:56.519
<v Speaker 1>you realize that nigga don't funk with you on some

1:43:56.680 --> 1:43:59.200
<v Speaker 1>artist ship, go ahead, transition ship, next thing. Maybe your

1:43:59.280 --> 1:44:02.400
<v Speaker 1>next gift is gonna be don't be afraid, gonna way

1:44:02.439 --> 1:44:07.160
<v Speaker 1>too fast down. Um, So you thought people didn't foc

1:44:07.240 --> 1:44:10.759
<v Speaker 1>with you as an artist, Yeah, of course, Okay, explain

1:44:10.840 --> 1:44:14.320
<v Speaker 1>that I need expert. I mean they had great records,

1:44:14.400 --> 1:44:17.479
<v Speaker 1>like think about it, like like to me, like in

1:44:17.640 --> 1:44:20.880
<v Speaker 1>my history, I was like I was the first nigger

1:44:20.960 --> 1:44:23.240
<v Speaker 1>down of the sing on some damn auto tune before

1:44:23.320 --> 1:44:25.840
<v Speaker 1>Kanye did eight the Way some heartbreaks after Tea Pain

1:44:26.000 --> 1:44:31.320
<v Speaker 1>or whatever, and yeah yeah tea Pain like after Tea

1:44:31.400 --> 1:44:35.799
<v Speaker 1>Pain and ship like none of my all my records

1:44:35.840 --> 1:44:39.840
<v Speaker 1>are as an artist are attached with a plaque to him.

1:44:40.800 --> 1:44:42.880
<v Speaker 1>I've never not dropped the song as an artist that

1:44:43.000 --> 1:44:46.600
<v Speaker 1>ever had a plaque with it so, um, I don't know,

1:44:46.760 --> 1:44:48.679
<v Speaker 1>like people just didn't want What was the moment where

1:44:48.680 --> 1:44:51.120
<v Speaker 1>he was like, you know what, I'm gonna just stay

1:44:51.360 --> 1:44:53.479
<v Speaker 1>and it just felt like people didn't want the product

1:44:53.560 --> 1:44:56.880
<v Speaker 1>from me, and like me always being like I always

1:44:56.920 --> 1:44:59.439
<v Speaker 1>looked at myself as like a Verry Gordy, Like I

1:44:59.479 --> 1:45:03.040
<v Speaker 1>always to myself like that's on some ball ship. So like,

1:45:03.400 --> 1:45:05.880
<v Speaker 1>if you think about yeah, from the beginning, from the beginning,

1:45:05.920 --> 1:45:10.840
<v Speaker 1>it was me, my partner, Billy j it was Yeah,

1:45:10.880 --> 1:45:13.280
<v Speaker 1>it was it was like all these producers and everybody

1:45:13.320 --> 1:45:16.280
<v Speaker 1>that made my initial song, they were all we always

1:45:16.320 --> 1:45:20.800
<v Speaker 1>had a bose mentality. So it was never that and

1:45:20.880 --> 1:45:23.160
<v Speaker 1>I always thought about it like yeo, I'm gonna beat

1:45:23.200 --> 1:45:25.880
<v Speaker 1>the next the second coming up, these type of situations.

1:45:25.960 --> 1:45:28.759
<v Speaker 1>So I was always saying, like a boss vide forever.

1:45:29.479 --> 1:45:31.760
<v Speaker 1>So you said you did you had something to do

1:45:31.840 --> 1:45:35.439
<v Speaker 1>with the Fat Joe record, because now Fat Joe was

1:45:35.520 --> 1:45:39.720
<v Speaker 1>my brother man, Like damn. I did three records on

1:45:39.800 --> 1:45:42.720
<v Speaker 1>Fat Joe and or Cool and Trying Fat Joe. Which

1:45:42.800 --> 1:45:52.679
<v Speaker 1>one Fat Joe? Um, yes, the one feature will face

1:45:52.800 --> 1:45:56.080
<v Speaker 1>them and the crazy said and will I like like

1:45:58.760 --> 1:46:04.920
<v Speaker 1>I like that well, so like and the crazy thing

1:46:05.000 --> 1:46:08.040
<v Speaker 1>about that is that Joe was a cool and Dred

1:46:08.080 --> 1:46:11.400
<v Speaker 1>studio and like I came, I pulled up. I was

1:46:11.479 --> 1:46:14.679
<v Speaker 1>in a Rose Royce and I was with like four girls,

1:46:15.560 --> 1:46:17.960
<v Speaker 1>like we was lit. We had been day drinking. I

1:46:18.080 --> 1:46:21.000
<v Speaker 1>fell in the studio with a that's the name of

1:46:21.080 --> 1:46:26.880
<v Speaker 1>our record right now, day drinking. Yeah, okay, keep going,

1:46:27.680 --> 1:46:33.880
<v Speaker 1>Jeremiah the hook. I agree. From there we was shi

1:46:34.280 --> 1:46:37.559
<v Speaker 1>and Joe had that record cool and Dred, And then

1:46:37.600 --> 1:46:39.840
<v Speaker 1>that did it and it was a different structure, and

1:46:40.000 --> 1:46:42.559
<v Speaker 1>like he had wrapped one verse and like he had

1:46:42.600 --> 1:46:47.439
<v Speaker 1>said that yes as something in the verse, I was

1:46:47.560 --> 1:46:51.479
<v Speaker 1>like what basically Joe had had Like it was right now,

1:46:51.720 --> 1:46:53.920
<v Speaker 1>it was cool and rad ship and like we was

1:46:54.000 --> 1:46:56.400
<v Speaker 1>in there and like I really went. I was like

1:46:56.800 --> 1:46:59.200
<v Speaker 1>Joe had an engineer and all the type of I'm

1:46:59.240 --> 1:47:03.120
<v Speaker 1>like you get up. I set my engineer down, and

1:47:03.640 --> 1:47:06.479
<v Speaker 1>Joe allowed me to take his song and just basically

1:47:06.600 --> 1:47:09.040
<v Speaker 1>like how you said for reality, this making into the

1:47:09.120 --> 1:47:11.960
<v Speaker 1>hit that that yes as a faith that wasn't even

1:47:12.000 --> 1:47:14.479
<v Speaker 1>a hook. That's something he said in the verse. I

1:47:14.640 --> 1:47:18.080
<v Speaker 1>took that and made it the hook. Yes, I went

1:47:18.160 --> 1:47:20.479
<v Speaker 1>and transferred at what he said in the hook, I

1:47:20.600 --> 1:47:22.600
<v Speaker 1>went and chopped it up and made it into the

1:47:22.680 --> 1:47:26.040
<v Speaker 1>hook we need like young birds. That was our friends.

1:47:26.120 --> 1:47:31.840
<v Speaker 1>Come on, brother, continue, sir, continue, sir. So I went

1:47:32.000 --> 1:47:34.640
<v Speaker 1>chopped it up, made that the hook, and I was

1:47:34.680 --> 1:47:36.920
<v Speaker 1>faded that night, like we had a like I was,

1:47:37.120 --> 1:47:40.759
<v Speaker 1>I was. I was in my glory all my splet

1:47:41.560 --> 1:47:43.920
<v Speaker 1>if you worked card to B as well, because you

1:47:44.000 --> 1:47:49.160
<v Speaker 1>were a card to be and that one and we've

1:47:49.200 --> 1:47:51.400
<v Speaker 1>collaped me and CARDI collapsed on some ship or whatever.

1:47:51.439 --> 1:47:54.320
<v Speaker 1>It ain't came out though. Let's talk about this so

1:47:54.439 --> 1:48:12.639
<v Speaker 1>so much. Producing are you gonna yo? You stretch and yeah,

1:48:12.680 --> 1:48:20.320
<v Speaker 1>but it was what what made you get in the bag,

1:48:20.479 --> 1:48:23.280
<v Speaker 1>Like Afterwhids was like, Yo, you know what I presented

1:48:23.320 --> 1:48:26.800
<v Speaker 1>my artistreet I jumped in a couple of movies, I

1:48:26.880 --> 1:48:29.160
<v Speaker 1>did whatever, But you know what, I think I could

1:48:29.200 --> 1:48:32.960
<v Speaker 1>present all the people with hits. It was the first

1:48:33.040 --> 1:48:34.559
<v Speaker 1>one when he was like, yo, let me just make

1:48:34.640 --> 1:48:38.679
<v Speaker 1>this man prove this where you gave a person a record.

1:48:38.760 --> 1:48:40.639
<v Speaker 1>It was like, Yo, I want to prove that I'm

1:48:40.680 --> 1:48:44.800
<v Speaker 1>that guy. Damn. It was really a lot of like

1:48:44.960 --> 1:48:47.720
<v Speaker 1>Naked manis was like a time for me to prove

1:48:47.840 --> 1:48:51.759
<v Speaker 1>myself big for us. You gotta and I really wish

1:48:52.760 --> 1:48:55.040
<v Speaker 1>about a lot of VAM. I did a lot of

1:48:55.080 --> 1:48:56.880
<v Speaker 1>records on that Alpum. I wish that some of them

1:48:56.920 --> 1:48:59.559
<v Speaker 1>would have been like singles or whatever, like the biggest

1:48:59.640 --> 1:49:07.160
<v Speaker 1>ones or whatever. But if you got him, you just

1:49:07.240 --> 1:49:12.120
<v Speaker 1>got through talk about queens and here real when I

1:49:13.280 --> 1:49:18.920
<v Speaker 1>but um, I got a lot of north, a lot

1:49:19.040 --> 1:49:24.320
<v Speaker 1>of records, Like what's the record that you produced? And

1:49:24.720 --> 1:49:26.960
<v Speaker 1>and it didn't come out? And you want to like

1:49:28.200 --> 1:49:36.080
<v Speaker 1>fucking asshole, m hmm drop it probably my own because

1:49:36.080 --> 1:49:37.920
<v Speaker 1>I'm doing a producer album. You see how I did

1:49:37.960 --> 1:49:40.360
<v Speaker 1>the thought Box ship right, and I put like that

1:49:40.560 --> 1:49:42.680
<v Speaker 1>was so crazy. Like I did a song on from

1:49:42.720 --> 1:49:45.280
<v Speaker 1>my producer album called thought Box and it was me

1:49:45.800 --> 1:49:50.560
<v Speaker 1>a Buggie Tiger to chains and then I went and

1:49:50.640 --> 1:49:53.439
<v Speaker 1>then that didn't blow up like that ship. It kind

1:49:53.479 --> 1:49:55.519
<v Speaker 1>of it ain't do what it's supposed to do. So

1:49:55.760 --> 1:49:59.599
<v Speaker 1>I was in Vegas at a writer's camp for um

1:49:59.680 --> 1:50:01.840
<v Speaker 1>one of Chapel and like we was getting vaded, like

1:50:01.920 --> 1:50:10.080
<v Speaker 1>we was recording in the Palms Crossed hold on. We

1:50:10.240 --> 1:50:13.400
<v Speaker 1>was in Vegas. They all had a stand at the

1:50:13.439 --> 1:50:16.400
<v Speaker 1>Palm's Hotel. So it was like me murder beas Chris Shawn,

1:50:16.560 --> 1:50:23.000
<v Speaker 1>like the biggest Ya. This is the studio. Was in

1:50:23.120 --> 1:50:26.400
<v Speaker 1>the hotel, guys if niggas don't know, so we was

1:50:26.479 --> 1:50:28.400
<v Speaker 1>in there and we was getting lit and um, I

1:50:28.479 --> 1:50:30.240
<v Speaker 1>came up with the idea. I never forget. I was

1:50:30.280 --> 1:50:32.360
<v Speaker 1>fucked up. I'm like, man, I'm gonna put all girls

1:50:32.400 --> 1:50:34.519
<v Speaker 1>on that ship. But I'm not gonna go chase like

1:50:34.800 --> 1:50:37.599
<v Speaker 1>the Cardi Nikki. I'm gonna go put all the girls

1:50:37.680 --> 1:50:40.479
<v Speaker 1>that are really funk with on a record, and I

1:50:40.560 --> 1:50:42.320
<v Speaker 1>put them all on the record. Show I got a shot,

1:50:42.400 --> 1:50:44.280
<v Speaker 1>this is my shot. Put it on the record. He

1:50:44.320 --> 1:50:53.080
<v Speaker 1>put the girls on the record, Let's go, and the

1:50:53.200 --> 1:50:55.600
<v Speaker 1>song went gold. It's like a ladies night. It's like

1:50:55.640 --> 1:50:58.240
<v Speaker 1>one of them was on the record, was on a

1:50:58.360 --> 1:51:04.599
<v Speaker 1>lotto Chinese Kitty getting made Drezy and dream Dog. It's

1:51:04.640 --> 1:51:07.280
<v Speaker 1>called thought Box Shots. That's one of the biggest record

1:51:07.320 --> 1:51:10.519
<v Speaker 1>for the same dollars. Is probably one of the hardest

1:51:10.720 --> 1:51:13.960
<v Speaker 1>artists coming from New York City. I love her. I

1:51:14.080 --> 1:51:19.080
<v Speaker 1>think she's amazing, but I respect your judgment. Okay, but

1:51:19.320 --> 1:51:22.760
<v Speaker 1>holy minute at either go ahead and take another one, don't.

1:51:24.040 --> 1:51:27.720
<v Speaker 1>I don't drink the line, don't do the line. Take

1:51:27.760 --> 1:51:30.360
<v Speaker 1>a real shot. I ain't drinking there the line I

1:51:30.560 --> 1:51:36.720
<v Speaker 1>was like this, I was, I was talking about crack

1:51:36.800 --> 1:51:45.760
<v Speaker 1>interview earlier. No, no, take a shot of this. I'm

1:51:45.760 --> 1:51:50.120
<v Speaker 1>gonna be honest. I do like forty two. But Delon

1:51:50.320 --> 1:51:58.680
<v Speaker 1>is very batter the way your faces. This one. We're

1:51:58.680 --> 1:52:02.680
<v Speaker 1>gonna keep it hip, kind of nice. We're gonna keep you. Now.

1:52:02.920 --> 1:52:05.679
<v Speaker 1>If it was Kasa Zoo, I will break the rules.

1:52:06.280 --> 1:52:08.920
<v Speaker 1>But puff don't want he don't want the nineteen forty.

1:52:09.880 --> 1:52:13.639
<v Speaker 1>We love, we got enough. I love Christian. I'm chessing.

1:52:14.120 --> 1:52:17.599
<v Speaker 1>I don't know it was good. We're gonna stake. We're

1:52:17.600 --> 1:52:19.559
<v Speaker 1>just take him over ball. This is what we're doing.

1:52:19.600 --> 1:52:24.479
<v Speaker 1>This is what we do. And also shout out the

1:52:24.600 --> 1:52:28.400
<v Speaker 1>ViBe's house, because you know why. This is the house

1:52:28.479 --> 1:52:35.200
<v Speaker 1>of vibes, just like seeing the hook for a supertuck again,

1:52:39.680 --> 1:52:46.240
<v Speaker 1>this is I'm getting. I'll get vibe from leftover extacy

1:52:46.280 --> 1:52:53.800
<v Speaker 1>from thirteen years ago. No, no, it's turquoise. He was

1:52:53.840 --> 1:52:55.880
<v Speaker 1>my drug. I don't even like. I mean, I've been

1:52:55.920 --> 1:52:58.400
<v Speaker 1>mad at you, first person to put him on the ex.

1:52:58.920 --> 1:53:02.840
<v Speaker 1>Goddamnit be right. You might be right. Luis play the

1:53:02.920 --> 1:53:09.519
<v Speaker 1>road like you all clean and squee I play and

1:53:09.600 --> 1:53:11.479
<v Speaker 1>you don't. You don't fo with Champagne at all. This

1:53:11.720 --> 1:53:13.479
<v Speaker 1>You're just the hard court drinking. You just want to

1:53:14.160 --> 1:53:18.320
<v Speaker 1>that's it. Yeah, I do with Champagne. It's about energy.

1:53:18.600 --> 1:53:26.720
<v Speaker 1>It's about the situation. So if the situation proprile that

1:53:26.800 --> 1:53:31.320
<v Speaker 1>sounds like a drug, did I go to? I gotta realize,

1:53:31.560 --> 1:53:37.360
<v Speaker 1>come on to open book, your transparent, open book, transparency. No,

1:53:38.439 --> 1:53:41.320
<v Speaker 1>all right, that's good. That makes me. She's that. Go

1:53:41.479 --> 1:53:45.879
<v Speaker 1>be and get out Part two. You see how I'm flourishing.

1:53:47.160 --> 1:53:55.840
<v Speaker 1>Ask you y'all, holy we got weird. No, but do

1:53:55.920 --> 1:53:59.280
<v Speaker 1>you think that's crazy that Kanye is going to march president?

1:54:00.120 --> 1:54:04.839
<v Speaker 1>He ran, he's running, not gonna. I gotta be quiet.

1:54:04.960 --> 1:54:08.200
<v Speaker 1>I want to hear answer first. That doesn't change the

1:54:08.280 --> 1:54:13.479
<v Speaker 1>fact that he's But I don't know. I mean ship

1:54:13.680 --> 1:54:16.439
<v Speaker 1>it's hard to say what she will and won't do

1:54:16.600 --> 1:54:19.679
<v Speaker 1>when Donald Trump the president of our Contry's not gonna

1:54:19.680 --> 1:54:23.280
<v Speaker 1>be on the ballot on every stage though, Yeah no, No,

1:54:23.360 --> 1:54:26.400
<v Speaker 1>he's nothing that comes a lot of It's not hip hop.

1:54:26.720 --> 1:54:28.960
<v Speaker 1>He's not gonna be on the ballot. Be gonna bother

1:54:29.080 --> 1:54:32.959
<v Speaker 1>for every state. Were hip a great story, You're gone?

1:54:33.080 --> 1:54:38.320
<v Speaker 1>I would vote I will vote for Jack, where are

1:54:38.320 --> 1:54:41.840
<v Speaker 1>you going with this? I honestly will vote for whole too,

1:54:41.920 --> 1:54:44.240
<v Speaker 1>but at the same token, Man, I would rather vote

1:54:44.280 --> 1:54:47.240
<v Speaker 1>for somebody that really didn't did this ship their whole life,

1:54:47.320 --> 1:54:51.280
<v Speaker 1>like how we did music and like I don't really

1:54:51.320 --> 1:54:54.920
<v Speaker 1>like it. I want somebody that's really about this ship,

1:54:55.080 --> 1:54:59.120
<v Speaker 1>like the same way about the same way about making music,

1:54:59.320 --> 1:55:02.320
<v Speaker 1>the same way for about drink champs. We need somebody

1:55:02.400 --> 1:55:05.000
<v Speaker 1>that's in office that wants to be in that vibe. Bro,

1:55:07.960 --> 1:55:12.520
<v Speaker 1>look at your face, y'all sucking me up. Listen. Her

1:55:12.720 --> 1:55:17.440
<v Speaker 1>and Biden better than Trump. Bro better, I believe, so,

1:55:18.280 --> 1:55:20.320
<v Speaker 1>I believe you don't listen to walk I'm sorry, Walker,

1:55:20.520 --> 1:55:31.520
<v Speaker 1>no disrespect to you, but he taxes. Yeah, I can't

1:55:31.560 --> 1:55:34.080
<v Speaker 1>look at me. I'm looking like, walk up, don't get

1:55:34.320 --> 1:55:38.560
<v Speaker 1>your sentence because he's sitting there like what Trump is

1:55:39.400 --> 1:55:43.760
<v Speaker 1>he like? And I'm looking at like Walker, please, he's

1:55:44.240 --> 1:55:49.400
<v Speaker 1>got contact and I'm like, don't and said that. Yeah,

1:55:49.680 --> 1:55:51.280
<v Speaker 1>He's not the only one. There's a lot of people

1:55:51.320 --> 1:55:53.480
<v Speaker 1>that with Trump. I don't funk with Trump. I'm talking

1:55:53.480 --> 1:55:55.360
<v Speaker 1>on the hip hop side of things. There's a lot

1:55:55.800 --> 1:55:59.880
<v Speaker 1>of I mean, I funk with my people. Listen, I

1:56:00.040 --> 1:56:03.280
<v Speaker 1>and I'm not co signing anything, but pay hit me

1:56:03.320 --> 1:56:07.400
<v Speaker 1>out for one second. You're not. I ain't calling something.

1:56:08.120 --> 1:56:13.120
<v Speaker 1>But prior to, like six months ago, a year ago,

1:56:13.880 --> 1:56:19.440
<v Speaker 1>I had broke friends because I wanted to Why I'm

1:56:19.480 --> 1:56:21.440
<v Speaker 1>taking you to dinner? Man? What the funk? I'm here

1:56:21.480 --> 1:56:24.080
<v Speaker 1>for a month. I'm here. Yeah, what we got with?

1:56:24.240 --> 1:56:30.200
<v Speaker 1>Like you? I see your second spot yesterday. That's a

1:56:30.280 --> 1:56:32.880
<v Speaker 1>sexy spot. Now let's go. I want to see the oysters.

1:56:33.000 --> 1:56:47.480
<v Speaker 1>I want to see not they're okay. Borris him, him

1:56:47.520 --> 1:56:51.280
<v Speaker 1>and him to get cocaine, cocaine and they go to

1:56:51.320 --> 1:56:58.920
<v Speaker 1>a different type of ability cocaine. They cocaine fans. We

1:56:59.000 --> 1:57:02.240
<v Speaker 1>don't don't let you go there. Yeah, I ate the

1:57:02.360 --> 1:57:09.680
<v Speaker 1>whole oyster right on your TV show Sudden Yeah yeah yeah,

1:57:09.920 --> 1:57:14.400
<v Speaker 1>showers of delicacy from what he thinks. That's the crunch

1:57:14.480 --> 1:57:28.960
<v Speaker 1>in the monk that you have. Yeah, Ariana grand Dad

1:57:29.680 --> 1:57:34.520
<v Speaker 1>worked me. Uh two Chains. I did two Chains single

1:57:34.560 --> 1:57:41.720
<v Speaker 1>with Ariana Grande. I was dead. She got a plaque

1:57:41.760 --> 1:57:47.680
<v Speaker 1>attached to it and that studio. I ain't gonna lie

1:57:47.720 --> 1:57:49.480
<v Speaker 1>to you. I wasn't you know in a session when

1:57:49.560 --> 1:57:53.200
<v Speaker 1>she recorded that ship like I was know like her

1:57:53.280 --> 1:57:57.920
<v Speaker 1>and too Shames had like a remember she had put

1:57:57.960 --> 1:57:59.480
<v Speaker 1>out a song. I think she had put out a

1:57:59.560 --> 1:58:05.840
<v Speaker 1>song um ship using interpretation and to Shane ship. Yeah,

1:58:06.120 --> 1:58:10.680
<v Speaker 1>and from there I guess instead of being like petty,

1:58:11.080 --> 1:58:14.040
<v Speaker 1>they both saw it together as they came out, and

1:58:14.120 --> 1:58:16.400
<v Speaker 1>then they did a swap and two. Shane got on

1:58:16.600 --> 1:58:20.120
<v Speaker 1>her remix of that song, and then Ariana got on

1:58:20.760 --> 1:58:33.560
<v Speaker 1>to Shange singer. That's all. That's all. I didn't think

1:58:33.640 --> 1:58:36.920
<v Speaker 1>it was. I think it was even shrimp outline some

1:58:37.200 --> 1:58:41.840
<v Speaker 1>ship last night. You know what I'm saying, Like you know,

1:58:41.960 --> 1:58:46.800
<v Speaker 1>you know I got it too. You know I went

1:58:46.960 --> 1:58:48.600
<v Speaker 1>hard in my life to you know what I'm saying.

1:58:49.040 --> 1:58:53.400
<v Speaker 1>But I'm gonna be honest. I trust you. I actually

1:58:53.480 --> 1:58:56.200
<v Speaker 1>trust you because you know. Not only I trust you

1:58:56.760 --> 1:58:59.680
<v Speaker 1>because I know you personally, but I know how much

1:58:59.720 --> 1:59:02.400
<v Speaker 1>you up hip hop like a lot of people. That's

1:59:02.520 --> 1:59:06.080
<v Speaker 1>that's that's the biggest concern for me. A lot of

1:59:06.120 --> 1:59:10.080
<v Speaker 1>people think that you're just sampling records, but if you're

1:59:10.120 --> 1:59:15.520
<v Speaker 1>sampling the record, that means you actually know what life. Yeah,

1:59:15.560 --> 1:59:17.280
<v Speaker 1>I just know what I'm trying to say. So a

1:59:17.400 --> 1:59:19.920
<v Speaker 1>lot of people give you slack for the same thing,

1:59:21.600 --> 1:59:24.880
<v Speaker 1>but I love the fact that that you hold that. Yeah,

1:59:25.000 --> 1:59:29.640
<v Speaker 1>without didn't even puff, Like I never forget what like

1:59:29.720 --> 1:59:31.680
<v Speaker 1>I were saying, we were doing this ship for Puff.

1:59:32.520 --> 1:59:36.760
<v Speaker 1>I was doing money making Mitch with him, and I

1:59:36.920 --> 1:59:38.640
<v Speaker 1>think he really, you know what I'm saying, won't be

1:59:38.760 --> 1:59:40.560
<v Speaker 1>around like he was trying to figure out while I

1:59:40.680 --> 1:59:42.400
<v Speaker 1>was around, Like what the you know what I'm saying

1:59:42.440 --> 1:59:46.200
<v Speaker 1>like that flew me out shots and Neil. Neil put

1:59:46.280 --> 1:59:49.560
<v Speaker 1>me in part of the camp getting with not understand

1:59:51.960 --> 2:00:01.120
<v Speaker 1>so um they we had big a crib. He like,

2:00:02.680 --> 2:00:06.720
<v Speaker 1>he says, some crazy ship to me, come in you

2:00:06.840 --> 2:00:12.960
<v Speaker 1>pretty motherfucker. I'm like, he feel shot down, and he like,

2:00:13.280 --> 2:00:15.880
<v Speaker 1>if I could do such and such and such, I

2:00:15.960 --> 2:00:18.280
<v Speaker 1>could bring you back and bring your career back. I

2:00:18.440 --> 2:00:20.320
<v Speaker 1>promise you. I was like, this is what far was

2:00:20.360 --> 2:00:26.360
<v Speaker 1>here making. I was like, word, but I can't say,

2:00:26.800 --> 2:00:28.800
<v Speaker 1>you know what I'm saying the blanks. I can't feeling

2:00:28.840 --> 2:00:32.760
<v Speaker 1>them blanks because he's different and you know him. And

2:00:32.840 --> 2:00:39.640
<v Speaker 1>so I walk into it got a little crashy. That's real,

2:00:40.080 --> 2:00:47.640
<v Speaker 1>it really happens. But you're here, you, yeah, living your

2:00:47.760 --> 2:00:51.800
<v Speaker 1>motherfucking life. The best one card. Yeah, I don't even

2:00:51.840 --> 2:00:54.560
<v Speaker 1>know what kind of car that's under roaster. I don't know.

2:00:54.640 --> 2:01:02.920
<v Speaker 1>I got like, what's so like one? She's Louise Papa

2:01:03.040 --> 2:01:09.240
<v Speaker 1>cheese baby, So what the fund is that? Back then? Man,

2:01:09.320 --> 2:01:13.120
<v Speaker 1>I heard him the Minican talking to my back, So

2:01:13.320 --> 2:01:18.440
<v Speaker 1>I'm not gonna lie. Man, we've been talking ship. That's

2:01:18.480 --> 2:01:21.960
<v Speaker 1>how time. I feel like you want to keep going.

2:01:22.800 --> 2:01:24.440
<v Speaker 1>I think we can. We can wrap it up. We

2:01:24.520 --> 2:01:28.920
<v Speaker 1>can wrap it up. How long he's been here recording

2:01:29.800 --> 2:01:33.480
<v Speaker 1>y'all records? On huh, y'all record a hit? So I

2:01:33.640 --> 2:01:36.480
<v Speaker 1>want to record a hit because I feel like record

2:01:36.520 --> 2:01:39.680
<v Speaker 1>a hit right now. He's Cap, He's Cap. My brother

2:01:42.080 --> 2:01:52.080
<v Speaker 1>just back. It's Drake and young. He's trying, He's trying.

2:01:52.200 --> 2:01:55.640
<v Speaker 1>He wanted to get in and I'm more with that

2:01:57.280 --> 2:01:59.680
<v Speaker 1>hit me and said, can we do the studio first

2:01:59.760 --> 2:02:03.640
<v Speaker 1>and AD go to Drink Champs. I'm like, nigga, you

2:02:03.720 --> 2:02:15.040
<v Speaker 1>know student sober. I'm a sober. Let's do that. Let's

2:02:15.040 --> 2:02:27.760
<v Speaker 1>do it's a part of all. Thanks for joining us

2:02:27.800 --> 2:02:30.400
<v Speaker 1>for another episode of Drink Champs hosted by Yours Truly,

2:02:30.560 --> 2:02:33.120
<v Speaker 1>d J E F and n O R E. Please

2:02:33.160 --> 2:02:35.360
<v Speaker 1>make sure to follow us on all our socials. Let's

2:02:35.360 --> 2:02:38.960
<v Speaker 1>at Drink Champs across all platforms at the Real Noriegan

2:02:39.080 --> 2:02:42.600
<v Speaker 1>i g at Noriega on Twitter, mine is at Who's

2:02:42.640 --> 2:02:46.040
<v Speaker 1>Crazy on I g at d j e Fn on Twitter,

2:02:46.400 --> 2:02:48.959
<v Speaker 1>and most importantly, stay up to date with the latest releases,

2:02:49.360 --> 2:02:52.520
<v Speaker 1>news and merch by going to drink Champs dot com.

2:02:54.800 --> 2:02:57.839
<v Speaker 1>For more podcasts from My Heart Radio, visit the iHeart

2:02:57.920 --> 2:03:01.240
<v Speaker 1>Radio app, Apple podcast Us, or wherever you listen to

2:03:01.320 --> 2:03:02.120
<v Speaker 1>your favorite shows.