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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I heart radio and it's Drink Chas motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper, He's screen is your boy

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Speaker 1: in O R. He's a Miami hippop pioneer. Up is

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Speaker 1: d j e FN. Together they drinking up with some

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Speaker 1: of the biggest players in the most professional unprofessional podcast.

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Speaker 1: And your number one sorts for drunk drink mother is

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Speaker 1: New year' z. That's time for Drink Champs. Trink Up Mother.

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Speaker 1: Would it could be hoping he wouldn't soon be. This

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Speaker 1: is your boy in Oh what up is dj e

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Speaker 1: F And this is Drink Chas motherfucker. Yeah, y'all makes

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Speaker 1: something right now when you look up the word reinvention,

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Speaker 1: when you look up the word you know, staying relevant,

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Speaker 1: staying in these people games, staying working with the top

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Speaker 1: ten people. This man has had like two or three careers,

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Speaker 1: maybe four. I feel like he maybe even have a

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Speaker 1: porn star career. I'm not sure, but the man has

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Speaker 1: been consect If you listen to the radio right now,

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Speaker 1: you don't hear that hashtag that what's it called? If

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Speaker 1: you don't hear that I don't think you're right gonna

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Speaker 1: get top to top ten. You need that right now.

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Speaker 1: I've seen have a run. I've seen Timberland have a run.

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Speaker 1: I've seen a lot of people have from Swiss Beach.

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Speaker 1: This man run right here is unmarketable. Bro. It's so

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Speaker 1: beautiful and he's a great person. You know, he's a

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Speaker 1: little bit of controversy, but he's a great person. And

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Speaker 1: his work speak for itself. He's done reality shows to

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Speaker 1: whatever whatever, to music for itself, and then his big

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Speaker 1: movies that being that big producer. I heard in fact

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Speaker 1: Joe say this puff Daddy does DJ Kale and then

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Speaker 1: this young bird. Now. Now, a lot of people don't

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Speaker 1: know because you fly flashy, you know what I'm saying.

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Speaker 1: You know, you know that type of dude. But you

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Speaker 1: from the rough streets of Chicago. I heard you even

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Speaker 1: burnt down the house at some point. Yea, bro, I

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Speaker 1: know what I'm talking about. There was an out building.

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Speaker 1: Ain't gonna so yeah, I'm from the South side of Chicago.

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Speaker 1: Sounds like I lived in my whole life. My dad

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Speaker 1: still litter man, ship Man, Chicago, different man. A lot

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Speaker 1: of people don't know. They probably think like when I

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Speaker 1: first came out as as young Berg the rapper, like, Oh,

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Speaker 1: he's a cute kid, let's do this. But I was

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Speaker 1: really hanging around like killers and people, you know what

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Speaker 1: I'm saying, Like before, I like as a child like

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Speaker 1: thirteen four a team moving around with the biggest dudes

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Speaker 1: in the city, shout out to all them and most

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Speaker 1: of them are dead and some are grown. So you know, yeah,

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Speaker 1: because that's that's what's what's crazy about it. It It is

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Speaker 1: like you, for lack of a better term, um, who's

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Speaker 1: using this world yesterday? You make sexy music. You make

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Speaker 1: music that make bitches, excuse me, make females wanna you know,

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Speaker 1: dance and and party. But how how could you do that?

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Speaker 1: Like I was saying that to Nikki Jam the other day,

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Speaker 1: Like Nikki Jam has a real rough life, and I

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Speaker 1: told him, I said, you should be making music like DMX.

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Speaker 1: Why are you making music that's that's sexy and like

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Speaker 1: she's like that, and so I kind of want to

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Speaker 1: ask you the same thing, like you could have made

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Speaker 1: music that reflect the South side of Chicago and you

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Speaker 1: know like that, Oh no, no no, no, I'll see that

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Speaker 1: that way. When I was when I got my deal

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Speaker 1: with d m X when I was you right, I

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Speaker 1: had like three different, four different lives in this game.

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Speaker 1: I started off in my name was Iceberg and I

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Speaker 1: was the first artist sign a Bloodline Records to d

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Speaker 1: m X, and yeah, like I used to fucking I

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Speaker 1: killed so many people in my wraps, like I was like,

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Speaker 1: I was like, I'm discussing, like I had more so

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Speaker 1: transition into making the more sexy and koind of music.

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Speaker 1: But when I was a rapper, rapper, like, man, I

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Speaker 1: promise you, like I was just straight street, all guns

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Speaker 1: and everything in Kanye West books, No I d they

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Speaker 1: did my demo and yeah, like I never forget this, Like, man,

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Speaker 1: I went to um how I met d m X,

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Speaker 1: these guys that no he was Okay, I was with

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Speaker 1: these guys called l E. P Yes and they from

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Speaker 1: Chicago and it was like the biggest street niggas in

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Speaker 1: Chicago at the time, so I had a big bid

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Speaker 1: and war going on. They took me to l A

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Speaker 1: some guy and the crew knew a guy that was

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Speaker 1: DMX and stylist at the time, and right now it

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Speaker 1: was that what he's been so yeah, what these bitches

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Speaker 1: weren't from a nigger video shoot? I came there and

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Speaker 1: I remember this ship I guessterday. I go to the

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Speaker 1: Paramount locked this on in Hollywood or whatever. It was

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Speaker 1: like two days shoot, I met Dragon, I met um

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Speaker 1: Aliyah was there like that's why I like Elias had

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Speaker 1: on me. It was a crazy, crazy time and um

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Speaker 1: I went and I met DMX for the first time

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Speaker 1: and they get like, yo, dm this is the young

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Speaker 1: guy we're telling you. And he was like, I'm gonna

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Speaker 1: go do this and then he opened hand he had

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Speaker 1: a bunch of button and saying a bunch of week,

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Speaker 1: like I'll get back to you. And I do this

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Speaker 1: like twelve and I'm like teaching, are you feel right way?

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Speaker 1: So it was like this was I don't know whatever.

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Speaker 1: What the bites from video was shouting when it came

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Speaker 1: out was so we there and he goes to smoke

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Speaker 1: his week and then um they're like, okay, you can

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Speaker 1: come in the trailer now. So X is in the

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Speaker 1: trailer and he's doing like excess on top of the world,

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Speaker 1: like at this time I'm talking about he had the

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Speaker 1: bitches in the trailer like I think man getting massage

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Speaker 1: his feet rubbed at the same time smoking a blunt

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Speaker 1: all types of ship. So the Nigga X was like,

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Speaker 1: so go ahead and sure specim ship from me. So

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Speaker 1: I'm like, yo, um, I say, I don't know. With

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Speaker 1: the smoking y'all be like some fast time. Yeah. And

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Speaker 1: then DMX I spent I did this loan drawn out

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Speaker 1: verse and dm mix is like, shorty, I don't understand one.

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Speaker 1: I was like yo. Then I spent another rap that

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Speaker 1: was more like this is how I used to wrap

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Speaker 1: back in there, like fuck the log just bubble up

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Speaker 1: and cut the wrong when the trade cock back at

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Speaker 1: a bush of John flutting. I was on that that

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Speaker 1: type of time. I spent that rap and he was like, yo,

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Speaker 1: you're amazing. He like, I funk with you. I'm a

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Speaker 1: vibe with your ship. The next day, I come back

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Speaker 1: to the video because it's a two days shooting, three

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Speaker 1: day shoot type ship. I'm sitting I'll come to the video.

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Speaker 1: D m X is blasting my demo out his trailer

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Speaker 1: now like this ship is going crazy. I'm sitting there

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Speaker 1: and Kevin Liles walked up to me like you ready

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Speaker 1: for your life to be changed. I'm like yeah, and

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Speaker 1: this is big Kevin, not skinny. Yes, it's a big

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Speaker 1: key and then X was like, I come in and

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Speaker 1: trail again. He's like so, he like, Shorty, I'm gonna

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Speaker 1: sign you. I'm getting my level. I'm gonna sign you.

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Speaker 1: It's not gonna be fast, but i'm gonna sign you.

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Speaker 1: And ship. I left that. I was on cloud nine

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Speaker 1: because X was like my favorite rapper at the time,

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Speaker 1: and then from their ship a beating war and sued

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Speaker 1: because once DMX wanted me, then now hold want to

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Speaker 1: sign me. And then I start meeting all different type

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Speaker 1: people shout to hip hop man, DMS, give you a dog.

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Speaker 1: I feel like that. My brother like, if he give

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Speaker 1: you a dog, damn, that's like giving you a chance.

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Speaker 1: You know, the dog has cut it on his back.

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Speaker 1: He gave me one of the litter from Boomer and

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Speaker 1: he was like, Shorty, he was locked in after that.

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Speaker 1: He's like, Shorty, you gotta take this dog every fucking

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Speaker 1: way you go. I do not want to see you

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Speaker 1: without this dog. So I'm like, damn, I'm like I

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Speaker 1: don't know, Like I'm now, I got my deal out

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Speaker 1: and flew to He moved me to Edgewater, New Jersey.

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Speaker 1: I'm up there and we're going in the depth Yam

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Speaker 1: building burning it down, have the dogs with the dog

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Speaker 1: with me everywhere, my dog with Ship in front of

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Speaker 1: Leo's office, and they wouldn't say nothing to me. They

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Speaker 1: would be like, that's Iceberg, that's DMX artists and Ship.

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Speaker 1: It was. It was a lovely time. Man, let's make

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Speaker 1: some noise for DMX. Man so so, but let's let's

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Speaker 1: get back so um alright, bouncing around, let's bee around right.

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Speaker 1: DMX was the hottest at that time. So everyone deals

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Speaker 1: with these discrepancies of people saying, um uh when you

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Speaker 1: signed to an artist, When you're signed to an artist,

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Speaker 1: was that something you faced immediately or that's something that

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Speaker 1: that I don't know. I was a kid, like my

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Speaker 1: my fondest memories where X is like, that's a ill nigger.

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Speaker 1: I remember X went to foot locker and ain't boby

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Speaker 1: you no damn shoes or whatever of shoes. I was

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Speaker 1: a kid. DMX stole my first piece of pussy that

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Speaker 1: ever was gonna get so first. Yes, I almost lost

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Speaker 1: my virginity. But DMX though my ple. We're in Toronto, Canada.

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Speaker 1: I'm with him. He's filming a movie with Steven Seagal,

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Speaker 1: Exit Wounds. We're out there We're going crazy, like Ex

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Speaker 1: is on top of the world. So we go to

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Speaker 1: this club because you know, Ex love to play pool,

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Speaker 1: so we like he bought out this whole little club

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Speaker 1: and had bitches like it was like only we were

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Speaker 1: the only niggers there, but it was full of bitches.

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Speaker 1: So X was like, Yo, you know what I'm saying,

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Speaker 1: do you, shorty? You know I like that little look

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Speaker 1: for you. I'm upstairs. This is my first time like

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Speaker 1: finger fucking a girl, Like I'm finger finger banging a

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Speaker 1: girl inside the club, like smelling me scratch and never

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Speaker 1: get my whole little vibe on. We get back to

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Speaker 1: the hotel. We're staying at the Sutton Place hotel. So

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Speaker 1: X had the big penthouse suite. I don't know. For

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Speaker 1: some reason, because I was an artist. He put me

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Speaker 1: in like the regular room right next to him. So

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Speaker 1: you know how this ship go. I'm in an entourage.

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Speaker 1: So the artist, you know, X, drive like a madman.

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Speaker 1: So he gets there before us. He go upstairs with

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Speaker 1: his vibe or whatever. I guess his vibe didn't work out.

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Speaker 1: I stayed in the car for the rest for like

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Speaker 1: Ali and all the other people to like take me upstairs.

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Speaker 1: I go upstairs. I'll never forget. I mean, I think

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Speaker 1: it was me and p K remember Pek Man. We

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Speaker 1: go up, I get off the elevator or whatever, and

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Speaker 1: I got the girl with me. I'm talking about. I'm

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Speaker 1: literally putting the key inside the hotel door and X

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Speaker 1: room open, like I think it's like a dog. For

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Speaker 1: he opened the door as soon as I'm walking in

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Speaker 1: my like a, uh, I think you love your person

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Speaker 1: in my room? Why you we've been thesees at the club.

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Speaker 1: He ain't never been to that bitch goes in d

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Speaker 1: m X room and he took me that I through

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Speaker 1: that bet you that chick somewhere needing to beat right now,

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Speaker 1: she probably needed a hit makings beating like right now,

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Speaker 1: I got your blessing, but the way to go through? So,

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Speaker 1: so what was the transition? Because obviously as artists, like

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Speaker 1: I think we spoke about this somewhat with d Knights

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Speaker 1: right like when you transition the fact is that most

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Speaker 1: people sit back and they said, well, you were supposed

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Speaker 1: to dominate this world, uh, before you go to this

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Speaker 1: next world. So was this something that you felt like

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Speaker 1: as an artist you didn't complete? Well, you know, the

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Speaker 1: crazy thing is that I got my deal and like

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Speaker 1: shout out to my partner, Billy J. Hit me with

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Speaker 1: me right now. We were like kids. So I was

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Speaker 1: Shinna's hype man, and you couldn't just say you can

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Speaker 1: just say that like d TPP just her hype man.

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Speaker 1: She got a dumps, she was getting some head right this, yeah, yeah,

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Speaker 1: that was the like, and that's when I was her

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Speaker 1: hype man. And from there, like just trans I got

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Speaker 1: from there. I met Billy because Billy worked for John Monopoly.

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Speaker 1: And then my manager at the time was my weed man.

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Speaker 1: Like I moved in with my weed man and he

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Speaker 1: became my manager on something I'm not sure. I was

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Speaker 1: stowing out the pound a lot. Then the worst part

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Speaker 1: is that I stole my manager slash we man credit

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Speaker 1: card and flew Billy to Los Angeles and then we

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Speaker 1: all became a team. Of course, the man was mad

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Speaker 1: at me. We all became a team at that point.

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Speaker 1: And then I had this record, Sexy Lady, that UM

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Speaker 1: I produced and I wrote as well, and um like

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Speaker 1: I was recording myself, like I had to press three

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Speaker 1: and go run to the mic and then recorded. I

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Speaker 1: did this whole song. It's a two track it's never

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Speaker 1: been mixed, it's never been mastered song. When number one,

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Speaker 1: it was the number one song in l A. And

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Speaker 1: that's how I got my first label deal as an artist.

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Speaker 1: And I was actually how it was or something like that.

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Speaker 1: And then from there, Charlie Walked was my CEO. And

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Speaker 1: love Charlie Walk because like, no disrespected Charlie. Like I

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Speaker 1: know Charlie was doing a bunch of coke Caine back

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Speaker 1: in the day or something, you know, like you love

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Speaker 1: d No. Come on, come on baby, I hope enough

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Speaker 1: you're in the build. Hold this. I don't know what's

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Speaker 1: going on. Just so Yeah, So Charlie walk was my guy,

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Speaker 1: and um, I never forget it, like I did. I did,

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Speaker 1: um Sexy Lady comes out. And then I had this

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Speaker 1: other song called the Business that I wanted to put

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Speaker 1: out and he was like, it's this song with ray J.

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Speaker 1: You need to try out. You guys need to get this. Yes.

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Speaker 1: So I hated this song because I thought I was

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Speaker 1: gonna be the sexiest Nack in the world. I'm like, yeah,

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Speaker 1: I just drop Sexy Lady. Now I'm coming with Sexy Can.

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Speaker 1: I like, why what the fun is going on? And

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Speaker 1: ray J was like, nah, bro, you gotta do the record. Bro,

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Speaker 1: like like it's a sexy movement we got going on.

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Speaker 1: I'm like, dog hell no. So they because I felt

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Speaker 1: like he had a taketop one while he said that,

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Speaker 1: and he was like he was looking his lips. I'm

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Speaker 1: just thinking that I can see the I can see

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Speaker 1: the scene of me. So they convinced I didn't want

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Speaker 1: to do the record. I went and I've seen Charlie

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Speaker 1: walk and I'm like, yo, you gotta buy me something,

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Speaker 1: buy me a chain. I'm like, I want to epic

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Speaker 1: record chain to do this record. He called Jason Badly

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Speaker 1: Hills the jeweler and brought me a chain that same day.

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Speaker 1: So now I had to do the record. But let

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Speaker 1: me just be clear. You had to be the only

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Speaker 1: nigger with the epic rank, epic history. Nobody wants to

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Speaker 1: epic records. No, I was just on some ship, like,

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Speaker 1: brought me a chain, hit maker. Why do you you don't

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Speaker 1: say that I had so many chains at that point,

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Speaker 1: Like it was signed. You sag him on a snoop dog.

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Speaker 1: You signed everywhere. My brother, I ain't gonna lie, but

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Speaker 1: you got contracts like a giraffe. The zo o brother

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Speaker 1: for real, bro, and I ain't gonna lie. I was

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Speaker 1: sitting there because it's mad labels, but I was like,

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Speaker 1: I was like, Yo, that's a lot of money. That's

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Speaker 1: a lot of money. Hold on them, I keep face

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Speaker 1: tilling me. Must be all right, I'm gonna calling a

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Speaker 1: drink test? Brother? What's calling on? Yo? Saturday? Had that

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Speaker 1: wine ready? Saturday? Saturday? Yeah? You got ghost is and

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Speaker 1: race showing behind lines? All right, look I got you,

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Speaker 1: I got you. I finished. Okay, who can you call? Yeah?

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Speaker 1: Call me? Hold on? Hold on? Who's that bad guys?

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Speaker 1: Who's that? Oh? Ship chip boo chap boo? Okay, makes

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Speaker 1: you who you? I loove y'all, loove y'all. Got your

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Speaker 1: Saturday Saturday. Let see your Saturday. Alright, cool man, this

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Speaker 1: is my porter weekt Mafia have to call you when

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Speaker 1: the porter we get mafia call you know. So I'm

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Speaker 1: bouncing for keep it. I told my mom, um was

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Speaker 1: Ray J licking his lips when he told you that

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Speaker 1: conversation that boy still happened though? Is about it? So

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Speaker 1: we do it? Um. This song, the Sexy Cannot Song,

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Speaker 1: Literally in Miami. We walked from I think I was

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Speaker 1: staying at the Della No to wet Willie's and I wrote,

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Speaker 1: this is a big chance we keep it real. First

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Speaker 1: of all, you don't have a drink. Have a drink,

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Speaker 1: that's one. But I feel like Sexy cannot had a

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Speaker 1: lot of cocaine on the video. Saxon no, no, hold

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Speaker 1: on no, that's the best. Let let's just say so,

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Speaker 1: that's the best part of having a budget to a

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Speaker 1: video is you actually have you wanna make some luch

300
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Speaker 1: of that drug budget? Come on being on death jap

301
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Speaker 1: to put it to the side. You know, you got

302
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Speaker 1: about Hunred and five right, what I had the we

303
00:16:51,040 --> 00:16:55,480
Speaker 1: Love Me but the video shoot, that's just yeah. So

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Speaker 1: the video of the Sexy kind of it was very

305
00:16:57,920 --> 00:17:00,200
Speaker 1: It was very ecstasy driven, like me and Raged did

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00:17:00,240 --> 00:17:02,240
Speaker 1: a lot of ecstacy back in the day, Like ecstacy

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00:17:02,320 --> 00:17:04,000
Speaker 1: used to be my thing. Like I was literally like,

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Speaker 1: would you say extacy ghostwriter? Yeah, it wrote a lot

309
00:17:07,440 --> 00:17:17,400
Speaker 1: of Gotti like they could be on that lifestyle, brew

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Speaker 1: up and made all these records. We live the next

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Speaker 1: story to each other. So John the story so so

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Speaker 1: John like he starts making these girl records. He got

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Speaker 1: to Badley, he got the ship. I don't like start

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Speaker 1: like hold up. So he's like, yeoh, man, I'm making

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Speaker 1: these records. I took ecstasy. I can't write a goddamn record.

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Speaker 1: I can't get an emotion though, just what I said.

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Speaker 1: But y'all, Ruler, you think it's made mother whole career

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Speaker 1: over that ship, I got super creative. Shout out to

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Speaker 1: John because they put me on that ship. Like Son video,

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Speaker 1: We're here in Miami. We're shooting the video. The song

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Speaker 1: isn't even out yet, you know what. We're trying to

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Speaker 1: shoot the video before the song comes out. So shout

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00:18:01,320 --> 00:18:03,719
Speaker 1: out to um everybody. Man shouts all the people from

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00:18:03,760 --> 00:18:07,119
Speaker 1: Cotch but Downhill, the people Alan Grumblad all them. I

325
00:18:07,160 --> 00:18:10,879
Speaker 1: still do business with him. Yeah. So we're at the

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Speaker 1: video and we're shooting the first shot of the day

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Speaker 1: near Ray J and a Lamborghini. We're smoking a blunt.

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Speaker 1: I threw the broach out the car. The police that

329
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Speaker 1: we're keeping us sable picked up the roach out the

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Speaker 1: Lamborghini smelt it. Locked my ass up a Mimi before

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Speaker 1: the first shot of the day. So I go to jail.

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Speaker 1: I'm in Dave. It was a roach and then we

333
00:18:34,680 --> 00:18:36,800
Speaker 1: were about I just threw it out because we're about

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Speaker 1: to shoot the first shot. He picked up the room,

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Speaker 1: he picked up their should up. I'm in jail, they're

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Speaker 1: shooting a video. I'm sick these niggas trying to bring

337
00:18:47,760 --> 00:18:49,800
Speaker 1: me but lonely sandwiches and all the type of ship.

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Speaker 1: I'm like, Nah, I'm young, berg so not niggas want

339
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Speaker 1: me to wrap foot in jail for that next thing.

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Speaker 1: I thought, they like, Ward comes the Lord, him out

341
00:19:00,400 --> 00:19:04,200
Speaker 1: my last main award. You never believe this ship. Shaquille

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00:19:04,240 --> 00:19:06,359
Speaker 1: O'Neill billed me out of prison while I was down here,

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Speaker 1: because you know, Shaq a sheriff in Miami. Like that, Shaquille,

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00:19:18,480 --> 00:19:20,720
Speaker 1: I don't even got nothing to see right now, he continued.

345
00:19:21,680 --> 00:19:23,919
Speaker 1: So shot comes and gets me. Not but it's nighttime,

346
00:19:23,960 --> 00:19:25,919
Speaker 1: like I've been in jail for probably like twelve hours now.

347
00:19:26,280 --> 00:19:30,359
Speaker 1: So shot comes how Because ray J and Shaq had

348
00:19:30,400 --> 00:19:33,720
Speaker 1: a partnership with that record, so they did business on that.

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Speaker 1: If you look at ray j Sexy County song, Shaquille

350
00:19:36,720 --> 00:19:40,720
Speaker 1: O'Neil's um imprints on it as well. So he came

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00:19:40,800 --> 00:19:43,919
Speaker 1: and got me. We get there now, I'm heeding. Now

352
00:19:43,960 --> 00:19:46,040
Speaker 1: I'm trying to get as drunk as possible as quick

353
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Speaker 1: as I can. So we drink, drink, drink, drink, drink,

354
00:19:49,440 --> 00:19:51,800
Speaker 1: drink drink. I think I might have like fell in

355
00:19:51,840 --> 00:19:53,840
Speaker 1: a pool or some crazy, but we shocked the video

356
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Speaker 1: and it was success. It's the biggest song of my career,

357
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Speaker 1: honestly that I've ever been involved in. Ships sold ten

358
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Speaker 1: million records. Who would have thought that Me ray J

359
00:20:00,359 --> 00:20:05,640
Speaker 1: was sale? Tim? How do you Juanna, Marie? No? Yeah, yeah, yeah,

360
00:20:06,080 --> 00:20:08,920
Speaker 1: a little bit. So me and ray J was really cool.

361
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Speaker 1: You know, Loving hip Hop came around. You know, listen

362
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Speaker 1: to be careful because I watched every episode. Listen, all right,

363
00:20:16,840 --> 00:20:19,000
Speaker 1: every episode Love of hip Hop, Marriage, boot Camp. I'm

364
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Speaker 1: into all of that. I was a movie on that.

365
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Speaker 1: But it kind of was like it was a little

366
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Speaker 1: foul because you knew ray J was dating Diarra and

367
00:20:26,840 --> 00:20:29,960
Speaker 1: then the him and then the world was she gave

368
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Speaker 1: your head in the back seat? Let me this is

369
00:20:32,720 --> 00:20:35,359
Speaker 1: they were no, So it wasn't in a back seat

370
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Speaker 1: something like that. Apologize I'm just saying, but I'm just

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Speaker 1: you know, it's what I heard. I can't I can't lie,

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Speaker 1: so I'll just tell the truth. Basically, ray J. Me

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Speaker 1: and ray J was really cool, and we did a

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Speaker 1: lot of created a lot of history as well with

375
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Speaker 1: that record, and we got on the show and then

376
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Speaker 1: fucking um Ray was having his turmoil with his girl

377
00:20:56,480 --> 00:20:59,159
Speaker 1: at Princess at the time, and then Ray ended up

378
00:20:59,320 --> 00:21:01,720
Speaker 1: doubling back and dealing with Tierra Maria or whatever. So

379
00:21:02,160 --> 00:21:04,960
Speaker 1: the nigga Ray I told Ray, like, Ray was calling

380
00:21:05,000 --> 00:21:07,880
Speaker 1: my phone Whack one hundred, all these other niggas shout

381
00:21:07,960 --> 00:21:11,360
Speaker 1: to whack whack, we love you whatever, and like kind

382
00:21:11,359 --> 00:21:13,320
Speaker 1: of like threatening me, like pressing me a little bit

383
00:21:13,480 --> 00:21:15,640
Speaker 1: over you know what I'm saying, his chick over Tierra Marie.

384
00:21:16,200 --> 00:21:18,159
Speaker 1: And I'm like, and she's but she was setting it

385
00:21:18,280 --> 00:21:20,080
Speaker 1: up the whole time, like going back and I'm like, bro,

386
00:21:20,359 --> 00:21:22,840
Speaker 1: why are you pressing me? Like she just sucking my dick? Bro,

387
00:21:23,040 --> 00:21:27,600
Speaker 1: Like I ain't. I ain't go that crazy. He was like,

388
00:21:27,920 --> 00:21:30,720
Speaker 1: oh for real. He's like that's perfect because I want

389
00:21:30,760 --> 00:21:32,520
Speaker 1: to get back with Princess. And at the end of

390
00:21:32,560 --> 00:21:35,760
Speaker 1: the season, I kind of left with Tiera, so on

391
00:21:35,880 --> 00:21:39,560
Speaker 1: a reunion, you gotta tell them that she gave you top,

392
00:21:39,760 --> 00:21:43,080
Speaker 1: so everything a bit makes sense. And I was like, man,

393
00:21:43,320 --> 00:21:46,280
Speaker 1: hell no, I ain't kissing tail last nigga and the

394
00:21:46,359 --> 00:21:55,800
Speaker 1: head was five, So I'm like so basically at the reunion,

395
00:21:56,000 --> 00:21:58,119
Speaker 1: him and Whack one hundred pressured me to say, and

396
00:21:58,359 --> 00:22:01,200
Speaker 1: I'm bros over els. You know what I'm saying. So

397
00:22:01,320 --> 00:22:04,320
Speaker 1: I said it. I feel terrible about it. Tim. Marie

398
00:22:04,400 --> 00:22:06,880
Speaker 1: is a beautiful person. When you gave her a record though, yeah,

399
00:22:07,560 --> 00:22:09,560
Speaker 1: that recently, I gave a record while he was on

400
00:22:09,640 --> 00:22:11,800
Speaker 1: the show. The biggest scene that she had since she

401
00:22:12,160 --> 00:22:14,800
Speaker 1: was on Rockefeller or whatever. And you know, but she

402
00:22:14,920 --> 00:22:16,760
Speaker 1: was dealing with her issue. She was a drink champ

403
00:22:16,840 --> 00:22:18,679
Speaker 1: at that time. Now I feel like she sobered up

404
00:22:18,720 --> 00:22:22,920
Speaker 1: and she looking honest. I went to u uh was

405
00:22:23,080 --> 00:22:25,480
Speaker 1: dea think it was a depth jamn showcase and it

406
00:22:25,600 --> 00:22:29,359
Speaker 1: was Tierra movie, Rihanna and I think a Marie and

407
00:22:30,359 --> 00:22:33,520
Speaker 1: and you know who everyone was was was following to

408
00:22:35,280 --> 00:22:38,119
Speaker 1: and people were just looking over Rihanna, our kids. You not.

409
00:22:38,240 --> 00:22:48,080
Speaker 1: I know Hana remembers that party too. You remember that

410
00:22:48,200 --> 00:22:51,760
Speaker 1: ship whatever? You like that. But I ain't like that.

411
00:22:52,480 --> 00:22:56,679
Speaker 1: I ain't like that. Learning on me coming up? Oh

412
00:22:56,760 --> 00:23:00,960
Speaker 1: I was, but you coming down, y'all, you don't remember.

413
00:23:02,440 --> 00:23:04,840
Speaker 1: I just text you like I just texted him like

414
00:23:05,040 --> 00:23:06,760
Speaker 1: gui man and dissed me in a song, and I

415
00:23:07,000 --> 00:23:12,199
Speaker 1: did several singles on Gucci Man Time Out. Gucci Man

416
00:23:12,320 --> 00:23:14,520
Speaker 1: dished you on the song. He said, some ship like

417
00:23:14,560 --> 00:23:17,240
Speaker 1: I was going through, like some turmoil as a young

418
00:23:17,320 --> 00:23:19,000
Speaker 1: bird or whatever, and then he used me like as

419
00:23:19,000 --> 00:23:21,600
Speaker 1: a punch line. Oh but that's still all up and

420
00:23:21,640 --> 00:23:26,480
Speaker 1: that's my like like they said, like they said the

421
00:23:26,640 --> 00:23:28,960
Speaker 1: dude to do forty two for the two dogs. He

422
00:23:29,000 --> 00:23:31,639
Speaker 1: said before I go broke like jop. Yeah, it was

423
00:23:31,680 --> 00:23:33,960
Speaker 1: some ship like that. Yeah, it was like, oh, like

424
00:23:34,680 --> 00:23:36,720
Speaker 1: a bad experience that I had and he just, you

425
00:23:36,760 --> 00:23:38,280
Speaker 1: know what I'm saying, played it up on it. But

426
00:23:38,359 --> 00:23:39,680
Speaker 1: at the end of the day, now I look at it,

427
00:23:39,720 --> 00:23:41,640
Speaker 1: me and Gucci Man and sold millions of records together.

428
00:23:42,359 --> 00:23:43,920
Speaker 1: I mean, you don't get you don't actually have to

429
00:23:43,960 --> 00:23:46,359
Speaker 1: get along with the people you make music with. I

430
00:23:46,400 --> 00:23:48,679
Speaker 1: don't think you. I don't think that's I said, that's

431
00:23:48,680 --> 00:23:51,280
Speaker 1: a necessary what they say. It would be nice if

432
00:23:51,320 --> 00:23:53,600
Speaker 1: you could, but I don't think that every time, Like

433
00:23:54,200 --> 00:23:56,440
Speaker 1: people don't like I know, these people don't like me.

434
00:23:56,600 --> 00:23:59,600
Speaker 1: You know what I'm saying. I'm on at let me

435
00:23:59,640 --> 00:24:01,960
Speaker 1: tell you some I've interviewed. This is how many episodes

436
00:24:02,000 --> 00:24:05,040
Speaker 1: of this are we on almost two hundred, right, And

437
00:24:05,119 --> 00:24:06,560
Speaker 1: let me just tell you something. This is this. You

438
00:24:06,720 --> 00:24:09,719
Speaker 1: have your fan base. Let me tell you, but your

439
00:24:09,760 --> 00:24:12,080
Speaker 1: fans I kind of every time I interview somebody, I

440
00:24:12,119 --> 00:24:14,359
Speaker 1: go to Twitter, I go to Instagram, and I get

441
00:24:14,400 --> 00:24:16,480
Speaker 1: a field of your fan base. You have a very

442
00:24:16,560 --> 00:24:18,359
Speaker 1: unique fan base. But you have a real fan base,

443
00:24:18,600 --> 00:24:22,399
Speaker 1: meaning most of the time it's people they either really

444
00:24:22,560 --> 00:24:29,080
Speaker 1: really love you. Man, you don't have the in betweens.

445
00:24:29,119 --> 00:24:30,800
Speaker 1: When I hit and I was like, yeo, I got

446
00:24:31,359 --> 00:24:34,280
Speaker 1: hit Maker coming up, got young Bird and I kid

447
00:24:34,320 --> 00:24:37,440
Speaker 1: you not, it was fifty fifty down the line. I

448
00:24:37,520 --> 00:24:39,560
Speaker 1: was like, yo, man, he got he made a great

449
00:24:39,600 --> 00:24:42,320
Speaker 1: career of himself. And then other people was just like man,

450
00:24:42,480 --> 00:24:48,119
Speaker 1: you know so it's how does that affect you? Like

451
00:24:48,560 --> 00:24:51,760
Speaker 1: a rich or? You don't affect me, don't you know?

452
00:24:51,920 --> 00:24:54,080
Speaker 1: What I mean? Is what I mean is how do

453
00:24:54,119 --> 00:24:55,520
Speaker 1: you take the good with the bag? When it comes

454
00:24:55,560 --> 00:24:57,439
Speaker 1: with that? Everybody and shipped it on me. So now

455
00:24:57,560 --> 00:25:02,440
Speaker 1: it's just like it don't even matter. So you built,

456
00:25:02,560 --> 00:25:05,400
Speaker 1: you've been you've built thick skin, or you already had stick.

457
00:25:05,680 --> 00:25:08,200
Speaker 1: It was I had to build it because like man,

458
00:25:08,320 --> 00:25:09,720
Speaker 1: like I went through a lot of things. A lot

459
00:25:09,760 --> 00:25:11,440
Speaker 1: of things that I went through with young Burg wasn't

460
00:25:11,440 --> 00:25:13,879
Speaker 1: even really my beefs, so my issues. It was like

461
00:25:14,119 --> 00:25:19,600
Speaker 1: you know, I was just yeah, I'm going watermelon the baby.

462
00:25:20,000 --> 00:25:25,720
Speaker 1: I'm living off the stereotype. But I only say that

463
00:25:26,320 --> 00:25:28,800
Speaker 1: Donna laugh. But now I went through a bunch of turmoil,

464
00:25:29,040 --> 00:25:31,520
Speaker 1: Like I literally grew up in front of the camp

465
00:25:31,880 --> 00:25:34,399
Speaker 1: you know what I'm saying, Like I literally nickers can

466
00:25:34,480 --> 00:25:37,000
Speaker 1: see the good, the bad, ugly with me. So it's

467
00:25:37,040 --> 00:25:39,040
Speaker 1: kind of like and you own it. You own it.

468
00:25:39,080 --> 00:25:42,480
Speaker 1: That's what it is. What it is man like, at

469
00:25:42,520 --> 00:25:45,840
Speaker 1: the end of the day, it's about it's about longevity,

470
00:25:45,920 --> 00:25:48,919
Speaker 1: it's about having a real career, and it's just about money, bro,

471
00:25:49,560 --> 00:25:54,080
Speaker 1: because these people they don't. It's fickle man. Like went

472
00:25:54,520 --> 00:25:58,080
Speaker 1: three four years ago, I thought I had e bowler myself.

473
00:25:58,200 --> 00:26:00,600
Speaker 1: Nobody wanted to be near me. I'm talking about I

474
00:26:00,640 --> 00:26:02,600
Speaker 1: think I couldn't. It was like bad to bring like

475
00:26:02,680 --> 00:26:05,000
Speaker 1: don't I was nigga not to bring around, like don't

476
00:26:05,040 --> 00:26:06,960
Speaker 1: bring bro, or like I would be in the club

477
00:26:07,040 --> 00:26:09,080
Speaker 1: and like wrapp us with like not want me around

478
00:26:09,240 --> 00:26:11,399
Speaker 1: or something like that, to play me dirty. Now my

479
00:26:11,520 --> 00:26:15,240
Speaker 1: phone looked like the hot one hunting. No, but explain

480
00:26:15,359 --> 00:26:17,960
Speaker 1: that though, Explain like, what does that come from? People

481
00:26:18,000 --> 00:26:20,680
Speaker 1: thinking that he was taking advantage of you or something

482
00:26:20,720 --> 00:26:23,920
Speaker 1: like that? You get into the scripancy. It was the screpacy.

483
00:26:23,960 --> 00:26:25,639
Speaker 1: I guess it just wasn't cool to be around me.

484
00:26:25,960 --> 00:26:30,240
Speaker 1: I never forget this ship. So I on my transition

485
00:26:30,280 --> 00:26:34,119
Speaker 1: and from the Young Bird, we want one at I

486
00:26:34,160 --> 00:26:37,960
Speaker 1: don't know what. Okay, all right, so where's my shot? Special?

487
00:26:39,880 --> 00:26:41,720
Speaker 1: You know we like to rock overhead. You know what

488
00:26:41,720 --> 00:26:45,920
Speaker 1: I'm saying. We gotta just pick up just vote I

489
00:26:45,960 --> 00:26:48,400
Speaker 1: would and I want to be club focus in case

490
00:26:48,520 --> 00:26:51,400
Speaker 1: because the case far for anybody. Um young Berg from

491
00:26:51,480 --> 00:26:55,040
Speaker 1: the nineteen two recommended to Delhi Yard. Well, you know,

492
00:26:55,160 --> 00:26:59,800
Speaker 1: he's just old man. I'm gonna take a shot of solid.

493
00:27:02,600 --> 00:27:04,280
Speaker 1: This is to you, though, brother, This is to you, brother.

494
00:27:04,400 --> 00:27:06,800
Speaker 1: Let just so you know, I'll show it's about celebrating

495
00:27:06,840 --> 00:27:09,639
Speaker 1: all legends, and you're a motherfucking legend, my brother. Now

496
00:27:09,680 --> 00:27:17,640
Speaker 1: that's different, shot. Okay, it's different. I'm different. I felt

497
00:27:17,680 --> 00:27:20,280
Speaker 1: like Benny Hill, just now what are we talking about?

498
00:27:20,320 --> 00:27:24,200
Speaker 1: Because so look, this is a crazy thing, okay, because

499
00:27:25,160 --> 00:27:27,280
Speaker 1: that you're already making it think The first time I

500
00:27:27,359 --> 00:27:30,280
Speaker 1: said hit maker was probably it's on this song, well,

501
00:27:30,359 --> 00:27:32,920
Speaker 1: the first one that came out as a uh, DJ

502
00:27:33,160 --> 00:27:35,119
Speaker 1: infamous you have you know this guy, he's in Atlanta.

503
00:27:36,720 --> 00:27:40,000
Speaker 1: Do you have a catch for heating um hit heat makers? Nah?

504
00:27:40,680 --> 00:27:44,320
Speaker 1: But I love heatmakers. Yeah. So I did this record.

505
00:27:44,800 --> 00:27:49,240
Speaker 1: It's called Double Cup and it was DJ Infamous featuring myself, Jeez,

506
00:27:49,760 --> 00:27:54,719
Speaker 1: Juicy J, and Ludicrous. So I remember this ship, like yesterday,

507
00:27:54,720 --> 00:27:58,000
Speaker 1: were in Atlanta. We're shooting a video and we're on

508
00:27:58,160 --> 00:28:00,600
Speaker 1: set and like I'm watching these they can shoot the

509
00:28:00,640 --> 00:28:04,200
Speaker 1: whole video without like without me in it, like Jez

510
00:28:04,320 --> 00:28:06,239
Speaker 1: didn't want me in his shot or whatever, and all

511
00:28:06,320 --> 00:28:11,399
Speaker 1: this other ship the story. So listen, I had my

512
00:28:11,520 --> 00:28:13,600
Speaker 1: own shots, but Jeez didn't want me in his shot.

513
00:28:13,720 --> 00:28:15,280
Speaker 1: But it was the group shot and it's like I'm

514
00:28:15,280 --> 00:28:17,600
Speaker 1: actually wrapping the hook on this like it's my song.

515
00:28:17,840 --> 00:28:24,000
Speaker 1: Like so and you know, at the time, I'm guessing

516
00:28:24,440 --> 00:28:27,359
Speaker 1: Jess had that image to be a thing and know

517
00:28:27,359 --> 00:28:30,119
Speaker 1: what I'm saying, so so, um, I never forget it.

518
00:28:30,200 --> 00:28:32,880
Speaker 1: So I'm there and at that point I'm mad as hell.

519
00:28:33,000 --> 00:28:35,800
Speaker 1: I'm like, damn, I didn't. So I didn't. I threw

520
00:28:35,840 --> 00:28:38,280
Speaker 1: back a half a bottle. Now now I'm drunk. Now

521
00:28:38,360 --> 00:28:40,960
Speaker 1: I'm like, you know where fun this ship? They like

522
00:28:41,080 --> 00:28:44,480
Speaker 1: action I ran in, Jez shot you know what I'm

523
00:28:44,480 --> 00:28:46,760
Speaker 1: saying that start wrapping my ship or whatever. They like,

524
00:28:47,360 --> 00:28:49,160
Speaker 1: He's like, they don't want to go crip crazy on this.

525
00:28:50,720 --> 00:28:52,760
Speaker 1: I think it was mad as helling me or whatever.

526
00:28:52,840 --> 00:28:55,920
Speaker 1: But like now full circle man, me and Jez is

527
00:28:56,000 --> 00:28:58,280
Speaker 1: good man, Jeez want to work. You know he just

528
00:28:58,400 --> 00:29:00,640
Speaker 1: DM me recently or whatever. But I show you how

529
00:29:00,720 --> 00:29:03,440
Speaker 1: ship comes forward circle. I wasn't allowed in the video

530
00:29:03,560 --> 00:29:06,040
Speaker 1: next one. Now I'm able to you know what I'm

531
00:29:06,080 --> 00:29:08,400
Speaker 1: saying at work with these people, so like it's crazy

532
00:29:08,520 --> 00:29:11,440
Speaker 1: like my brother and how like I mean, I know

533
00:29:11,600 --> 00:29:15,000
Speaker 1: this is kind of sounds generic, but like, how do

534
00:29:15,080 --> 00:29:17,160
Speaker 1: you how do you deal with that? Like I know

535
00:29:17,200 --> 00:29:18,680
Speaker 1: we said we're rich. We we've dealt we dealt with

536
00:29:18,720 --> 00:29:22,040
Speaker 1: that part. We know moment because we're all human like

537
00:29:22,080 --> 00:29:24,680
Speaker 1: at the end of the day, like everyone hears right,

538
00:29:25,040 --> 00:29:27,680
Speaker 1: Like you know, I learned the industry or I've been

539
00:29:27,720 --> 00:29:29,560
Speaker 1: in this ship since a kid. Do you know how

540
00:29:29,640 --> 00:29:31,640
Speaker 1: this ship go? Because we listen when I did reggae

541
00:29:31,720 --> 00:29:35,040
Speaker 1: though I had the raybies like I have rabies, Black

542
00:29:35,080 --> 00:29:38,560
Speaker 1: people like we would hip hop and then look at

543
00:29:38,600 --> 00:29:42,760
Speaker 1: the ship that guys like holy lonely walk. I told

544
00:29:42,800 --> 00:29:45,720
Speaker 1: you I was sparing us for the beginning and to

545
00:29:45,800 --> 00:29:49,520
Speaker 1: get us everything. Everybody, Yeah, yeah, yeah, I had the coolies.

546
00:29:49,880 --> 00:29:51,920
Speaker 1: I went through that, so hopefully I had to go

547
00:29:52,000 --> 00:29:59,600
Speaker 1: through that. You know what's now, it's every artist goes

548
00:29:59,640 --> 00:30:02,200
Speaker 1: through that time you get the cooties, right, every artist,

549
00:30:02,280 --> 00:30:04,240
Speaker 1: every like I mean, I don't give an who he is.

550
00:30:04,600 --> 00:30:07,320
Speaker 1: Whether even even though as had the cooties, Jay had

551
00:30:07,360 --> 00:30:11,320
Speaker 1: the cooties, like like and Career were talking about that

552
00:30:11,840 --> 00:30:14,360
Speaker 1: after he did had the cooties. Yes he did, and

553
00:30:14,480 --> 00:30:17,200
Speaker 1: when he dropped that record where he actually was speaking

554
00:30:17,240 --> 00:30:20,960
Speaker 1: about like the girl like um the one that yeah,

555
00:30:21,080 --> 00:30:23,400
Speaker 1: that he had the cooties. Bro I mean, it might

556
00:30:23,400 --> 00:30:25,240
Speaker 1: have only been two weeks to two months, but the

557
00:30:25,280 --> 00:30:29,400
Speaker 1: cooties is the cooties. Nonetheless, Man, they're serious. I mean,

558
00:30:29,640 --> 00:30:31,760
Speaker 1: being rich and having the cooties is one thing. It's

559
00:30:31,760 --> 00:30:36,160
Speaker 1: still it's still the cooties. That's that's that's what covid

560
00:30:36,200 --> 00:30:40,400
Speaker 1: is is crazy. Being broke this probably and having couzies.

561
00:30:40,480 --> 00:30:46,720
Speaker 1: The body is the worse. But listen, I know Rick

562
00:30:47,760 --> 00:30:52,680
Speaker 1: insecure people, very insecure people. I like, I want to

563
00:30:52,720 --> 00:30:59,080
Speaker 1: say their name so bad, trust me, not the shot

564
00:30:59,800 --> 00:31:06,160
Speaker 1: get start. But listen, there's a lot of insecure people

565
00:31:06,720 --> 00:31:09,440
Speaker 1: out there, so just just just just know that. But

566
00:31:09,520 --> 00:31:12,840
Speaker 1: let's us move on, right, So you and ray Je,

567
00:31:13,080 --> 00:31:16,000
Speaker 1: remember how did y'all actually get put it together? Like

568
00:31:16,000 --> 00:31:20,280
Speaker 1: because your brothers now again, Yeah, nothing, that was it?

569
00:31:20,680 --> 00:31:23,640
Speaker 1: And then like ship, you know, like you gotta scool

570
00:31:23,640 --> 00:31:26,760
Speaker 1: the bike. No, if I wasn't hit maker right now,

571
00:31:26,840 --> 00:31:28,760
Speaker 1: ray J wouldn't funk with me, Like, let's be cool.

572
00:31:29,000 --> 00:31:30,800
Speaker 1: I don't know what was going there, but for it,

573
00:31:30,840 --> 00:31:33,680
Speaker 1: that's what are you talking about. I think that my success,

574
00:31:35,120 --> 00:31:37,120
Speaker 1: Like you have to acknowledge me now now it's like,

575
00:31:37,240 --> 00:31:39,240
Speaker 1: you know what, I always believe that you you always

576
00:31:39,280 --> 00:31:40,840
Speaker 1: had the air for this ship type of thing. Like

577
00:31:41,280 --> 00:31:43,160
Speaker 1: what you're saying this sounds a little crazy. You don't

578
00:31:43,200 --> 00:31:47,320
Speaker 1: think so No, no, I don't saying straight up, Jesu,

579
00:31:49,000 --> 00:31:57,560
Speaker 1: I gotta I gotta catch my shot cut WHOA, So

580
00:31:59,280 --> 00:32:03,840
Speaker 1: I mean that's kind of crazy. I understand what I'm

581
00:32:03,880 --> 00:32:09,720
Speaker 1: I'm gonna keep it because you know that's cool. I'm

582
00:32:09,760 --> 00:32:13,800
Speaker 1: sticking with sticking with the yall. You know what, I mean,

583
00:32:14,920 --> 00:32:17,479
Speaker 1: holy movie. I wasn't ready for the answer just now.

584
00:32:18,280 --> 00:32:22,719
Speaker 1: That's my though. I've just seen him. Listen. I famous

585
00:32:22,800 --> 00:32:26,040
Speaker 1: story is Leo. Leo run me to his house one

586
00:32:26,120 --> 00:32:29,280
Speaker 1: day and said, you like this house? I said yes.

587
00:32:29,360 --> 00:32:31,280
Speaker 1: He said, but make sure you had enough next year.

588
00:32:32,120 --> 00:32:37,520
Speaker 1: So I can't invite you back for that. Terrible story

589
00:32:37,640 --> 00:32:40,240
Speaker 1: but very rare. Yeah, right, because it's like he basically

590
00:32:40,280 --> 00:32:41,920
Speaker 1: told me, Yo, you paid the bill for deaf Jam

591
00:32:42,040 --> 00:32:44,200
Speaker 1: this year, you got the number one record, but make

592
00:32:44,240 --> 00:32:47,520
Speaker 1: sure you how you come back. You're saying that's what

593
00:32:47,760 --> 00:32:50,320
Speaker 1: you're in ray J's relationship. But I prefer to like

594
00:32:50,400 --> 00:32:52,320
Speaker 1: how Lee or is because it ain't no cut on that,

595
00:32:52,480 --> 00:32:54,560
Speaker 1: you know what I'm saying, Like certain people lead you

596
00:32:54,640 --> 00:32:56,600
Speaker 1: to believe that they're your best friend. You know what

597
00:32:56,640 --> 00:32:59,440
Speaker 1: I'm saying that they executive and the same executive you

598
00:32:59,560 --> 00:33:01,400
Speaker 1: get cold than they won't ever speak to you again.

599
00:33:01,560 --> 00:33:03,440
Speaker 1: I feel like you're trying to say, ray they did

600
00:33:03,560 --> 00:33:05,080
Speaker 1: that to you. I feel like, guess we're trying to

601
00:33:05,080 --> 00:33:08,560
Speaker 1: say ray J is a good first and foremost, ray

602
00:33:08,600 --> 00:33:10,520
Speaker 1: That's a good guy. He's a good guy. I've had

603
00:33:10,640 --> 00:33:13,560
Speaker 1: so many many experience ray J smashed everybody in the industry,

604
00:33:13,640 --> 00:33:15,240
Speaker 1: like I looked up to ray J. That's how we

605
00:33:15,360 --> 00:33:28,280
Speaker 1: got cool. I take it from ray J smash everything.

606
00:33:28,320 --> 00:33:30,479
Speaker 1: Take it from that. Ray J smashed everything else. At

607
00:33:30,520 --> 00:33:33,560
Speaker 1: one point he was back to back tour busses. Imagine

608
00:33:33,600 --> 00:33:36,080
Speaker 1: me and ray J on a sexy ken tour and

609
00:33:36,200 --> 00:33:39,040
Speaker 1: picturement what's going on. I'm married, I am a married man,

610
00:33:39,080 --> 00:33:41,320
Speaker 1: but I'm gonna live by Curious to you motherfucker's right now,

611
00:33:41,400 --> 00:33:49,800
Speaker 1: let's describe what happened, not bike Curious, rest in peace

612
00:33:49,960 --> 00:33:54,000
Speaker 1: to the lovely, the fucking legend. Let me tell y'all story.

613
00:33:54,680 --> 00:33:59,520
Speaker 1: How do we get to rest in peace? Oh, I'm

614
00:33:59,520 --> 00:34:06,960
Speaker 1: like you talking down. Let's me talking about killing. We

615
00:34:07,000 --> 00:34:10,200
Speaker 1: gotta take it people, some people, Okay, so talking about Hold,

616
00:34:10,360 --> 00:34:13,080
Speaker 1: let me just figure about what we're gonna Let me

617
00:34:13,120 --> 00:34:14,759
Speaker 1: figure about who we're gonna here, because we just I

618
00:34:14,840 --> 00:34:18,640
Speaker 1: feel like you give us a rage Whitney story. Yeah,

619
00:34:18,680 --> 00:34:26,160
Speaker 1: that's where we're going. Let's go. Let's go because probably

620
00:34:29,200 --> 00:34:32,160
Speaker 1: my biggest party is in the corner looking like looking

621
00:34:32,160 --> 00:34:35,520
Speaker 1: at me right now. So look be in Atlanta, and

622
00:34:36,200 --> 00:34:39,560
Speaker 1: um we staying at this hotel and then um we

623
00:34:39,680 --> 00:34:43,759
Speaker 1: have a show at Compound Nightclub. So I go get

624
00:34:43,840 --> 00:34:45,880
Speaker 1: in the car with Ray and Whitney Houston is in

625
00:34:45,920 --> 00:34:49,000
Speaker 1: the car with us. So like Whitney was a gamester

626
00:34:49,160 --> 00:34:52,279
Speaker 1: though she's a real ain't like y. I'm talking about,

627
00:34:52,400 --> 00:34:56,160
Speaker 1: like we get the compound well first and foremost, do

628
00:34:56,239 --> 00:34:58,680
Speaker 1: you understand what I'm saying. We took Whitney Houston to

629
00:34:58,800 --> 00:35:01,200
Speaker 1: compound and perform Say and Canna. I'm feeling like you're

630
00:35:01,200 --> 00:35:09,200
Speaker 1: saying kidnaps. No no, So we put a hoodie on her.

631
00:35:09,920 --> 00:35:13,640
Speaker 1: We're parking them back. I'm like, damn, like we need

632
00:35:13,760 --> 00:35:16,480
Speaker 1: some drinks. She like rolled out the window, sent the

633
00:35:16,560 --> 00:35:19,239
Speaker 1: security in the come out with the jumbo patron. It's

634
00:35:19,239 --> 00:35:21,799
Speaker 1: back when niggas drinking patrone. Me and Whitney I'm throwing

635
00:35:21,880 --> 00:35:25,320
Speaker 1: back patrol. I'm talking about like crazy crazy. She's smoking

636
00:35:25,360 --> 00:35:27,640
Speaker 1: and chain smoking squares. It was. It was a vibe.

637
00:35:27,680 --> 00:35:29,400
Speaker 1: So we go in the club, we do sexy can

638
00:35:29,560 --> 00:35:37,600
Speaker 1: I now mind you damn don't look that way. So

639
00:35:41,680 --> 00:35:43,800
Speaker 1: we had the hotel and like my hype man, I

640
00:35:43,880 --> 00:35:45,560
Speaker 1: think my hype man and one of the people that

641
00:35:45,680 --> 00:35:48,359
Speaker 1: was with me left, so like I had extra hotel rooms.

642
00:35:48,719 --> 00:35:51,200
Speaker 1: So Ray come to my hotel and he like yo

643
00:35:51,320 --> 00:35:53,560
Speaker 1: berg um, I got the bitches that I brought back, Like,

644
00:35:53,640 --> 00:35:55,960
Speaker 1: I know you got extra rooms, so go ahead and

645
00:35:56,080 --> 00:35:58,160
Speaker 1: like give me your keys to the other rooms. So

646
00:36:03,360 --> 00:36:07,239
Speaker 1: that's so, I give them the keys to the room.

647
00:36:07,320 --> 00:36:09,880
Speaker 1: But I gave him one wrong key. So I'm looking

648
00:36:09,960 --> 00:36:11,880
Speaker 1: for ray J. I'm going through and I'm like, when

649
00:36:11,880 --> 00:36:13,279
Speaker 1: I'm gonna go to this room and look for this thing.

650
00:36:13,840 --> 00:36:18,680
Speaker 1: I go on the room. I don't know where. Yeah,

651
00:36:18,880 --> 00:36:22,160
Speaker 1: I'm kind of nervous about this Witney Houston taking her

652
00:36:22,280 --> 00:36:24,560
Speaker 1: pants off. I walked in the room like she getting

653
00:36:24,640 --> 00:36:26,440
Speaker 1: naked and ray J room and she's like, hey out

654
00:36:26,480 --> 00:36:28,560
Speaker 1: here young and I'm like, oh my dad, I'm sorry,

655
00:36:29,120 --> 00:36:33,120
Speaker 1: and I ran out the room. Damn man, I don't

656
00:36:33,120 --> 00:36:38,879
Speaker 1: know how to answer this right now. And I thought

657
00:36:38,920 --> 00:36:42,840
Speaker 1: I've had every answer to everything and you're sucking me

658
00:36:42,960 --> 00:36:45,839
Speaker 1: up right now. I was like, no, this is consequences

659
00:36:45,920 --> 00:36:50,640
Speaker 1: to what I want to say. After they say I

660
00:36:50,719 --> 00:36:52,360
Speaker 1: don't know what I want to say because this is

661
00:36:52,600 --> 00:36:57,360
Speaker 1: I wasn't ready. He wasn't basically saying you sol Whitney

662
00:36:57,400 --> 00:37:02,960
Speaker 1: Houston nicking yeah, jeez, the wise. I don't know if

663
00:37:03,000 --> 00:37:04,800
Speaker 1: it makes a noise for this. Bobby Brown might be

664
00:37:04,920 --> 00:37:09,360
Speaker 1: mad we love. That's right, love Bobby, we love with me,

665
00:37:09,480 --> 00:37:11,640
Speaker 1: We love all that ship. I'm just telling y'all my life.

666
00:37:12,800 --> 00:37:15,760
Speaker 1: It's like my life. I can't seeing Maron menroll naked.

667
00:37:15,920 --> 00:37:26,880
Speaker 1: It was that's like, wow, who you see naked? I

668
00:37:26,880 --> 00:37:32,960
Speaker 1: don't kiss. The newest show is who Have? Who are

669
00:37:33,000 --> 00:37:39,040
Speaker 1: you see? I'm not gonna lie, but you live a life.

670
00:37:39,719 --> 00:37:43,160
Speaker 1: We must say that you live a life. Um, we've

671
00:37:43,200 --> 00:37:47,680
Speaker 1: been hearing about you knocking down a lot o Lord,

672
00:37:48,800 --> 00:37:51,000
Speaker 1: I'm living. Who was one thing you knocked down to

673
00:37:51,040 --> 00:37:55,360
Speaker 1: you was like whoa yo? I'm gonna tell you a

674
00:37:55,480 --> 00:38:01,239
Speaker 1: crazy I don't mean no disrespect. I don't know. I

675
00:38:01,239 --> 00:38:03,000
Speaker 1: don't know if you marry my I don't or whatever.

676
00:38:03,200 --> 00:38:05,480
Speaker 1: This ship is crazy, like this is the first time,

677
00:38:05,560 --> 00:38:09,920
Speaker 1: like I'm telling you my my young life. So after

678
00:38:10,360 --> 00:38:13,640
Speaker 1: the whole DMX ship folds, Troy Carter and Jay Irving

679
00:38:13,680 --> 00:38:16,440
Speaker 1: become my manager. Troy Carter, that's my man from Spotify.

680
00:38:16,480 --> 00:38:20,320
Speaker 1: I just made about all. So yeah, I used to

681
00:38:20,400 --> 00:38:23,600
Speaker 1: manage Eve and Eve's also my big sister mentors. Well,

682
00:38:23,719 --> 00:38:26,040
Speaker 1: she's the one who at my name was Iceberg. Eve

683
00:38:26,560 --> 00:38:28,759
Speaker 1: called me young Berg for the first time, and that

684
00:38:29,120 --> 00:38:35,759
Speaker 1: became my name. But she came. So I go to

685
00:38:36,000 --> 00:38:38,640
Speaker 1: l A and like, UM, I don't got ship going on.

686
00:38:38,760 --> 00:38:40,759
Speaker 1: I'm living in l A. I'm fucked up. And but

687
00:38:40,880 --> 00:38:42,640
Speaker 1: I was with Eve and Evens on top of the

688
00:38:42,719 --> 00:38:45,960
Speaker 1: world at this time, and then the boyfriend. Yet no, no, no, no,

689
00:38:46,600 --> 00:38:49,160
Speaker 1: let me blow your mind when step fire. I'm just

690
00:38:49,280 --> 00:38:52,400
Speaker 1: one of them. So she was working on the next album.

691
00:38:52,480 --> 00:38:54,960
Speaker 1: My first writing placement as a writer. I wrote the

692
00:38:55,040 --> 00:38:58,680
Speaker 1: title track hook to Eve Evolution. That was the name

693
00:38:58,719 --> 00:39:01,759
Speaker 1: of her album, Evolution. There's a song called Evolution on that.

694
00:39:02,120 --> 00:39:04,320
Speaker 1: I wrote the hook to the song. You can actually

695
00:39:04,320 --> 00:39:06,480
Speaker 1: still hear my vocals in the song and all other ship.

696
00:39:06,920 --> 00:39:08,880
Speaker 1: So she gave me my first placement as well. She

697
00:39:09,040 --> 00:39:11,360
Speaker 1: changed my name. She's been a big system, the mentor

698
00:39:11,480 --> 00:39:15,160
Speaker 1: of me. So I started Troy signed this artist named

699
00:39:15,200 --> 00:39:18,280
Speaker 1: Morgan Smith. This girl is beautiful. She was like around

700
00:39:18,320 --> 00:39:20,960
Speaker 1: my age. He like, yo, I'm gonna let you write

701
00:39:21,000 --> 00:39:23,120
Speaker 1: the album like you didn't do this by blah blah.

702
00:39:24,080 --> 00:39:27,120
Speaker 1: I wrote the album with um and I just got

703
00:39:27,200 --> 00:39:29,600
Speaker 1: one of them, remember them cross fires like the Chrysler

704
00:39:29,680 --> 00:39:31,759
Speaker 1: cross fire them a little to see the cars that

705
00:39:31,880 --> 00:39:34,520
Speaker 1: the cry. I got one of them. No, I'm sorry

706
00:39:34,520 --> 00:39:36,319
Speaker 1: I don't remember that. Yeah, I got one of them,

707
00:39:36,480 --> 00:39:38,239
Speaker 1: and I thought I was this ship, so like I

708
00:39:38,440 --> 00:39:40,960
Speaker 1: ended up meeting like the girls from three l W

709
00:39:41,680 --> 00:39:44,719
Speaker 1: remember that, ye remember that ain't one of them on

710
00:39:44,840 --> 00:39:47,960
Speaker 1: a fuel? No? Yes? And then the other girls don't.

711
00:39:48,040 --> 00:39:52,040
Speaker 1: The one that I smash is on power Okay, I

712
00:39:52,239 --> 00:39:58,040
Speaker 1: know what was gonna No, we weren't. So I'll never

713
00:39:58,160 --> 00:40:02,719
Speaker 1: forget this ship. This is the first time I ever like,

714
00:40:02,880 --> 00:40:07,160
Speaker 1: like I learned the real life lesson like this day. Listen.

715
00:40:07,400 --> 00:40:10,520
Speaker 1: So she I think she was living at some apartment

716
00:40:10,600 --> 00:40:12,520
Speaker 1: complex or where that we was cool. It was at

717
00:40:12,560 --> 00:40:14,719
Speaker 1: the art Stone if anybody in l A already know

718
00:40:14,760 --> 00:40:16,520
Speaker 1: about the art Stone. That's where all the artists used

719
00:40:16,520 --> 00:40:18,759
Speaker 1: to live. This in North Hollywood or whatever. So I

720
00:40:18,880 --> 00:40:21,399
Speaker 1: go to her crib. They're having a little party or whatever.

721
00:40:21,520 --> 00:40:23,400
Speaker 1: It's like all the little three or W girls and

722
00:40:23,480 --> 00:40:28,279
Speaker 1: ship and fucking uh we go on. We smash the

723
00:40:28,320 --> 00:40:32,399
Speaker 1: power one. Yeah okay, but I was like girl, Yeah,

724
00:40:32,440 --> 00:40:35,520
Speaker 1: I'm like girl, I'm like, it's the first smash girl.

725
00:40:35,560 --> 00:40:43,720
Speaker 1: Look at you. I'm like, it's something in her pussy.

726
00:40:44,080 --> 00:40:47,840
Speaker 1: Like when I thought about like, I didn't know what

727
00:40:47,880 --> 00:40:52,239
Speaker 1: he was going you're talking about because listen, this is

728
00:40:52,280 --> 00:40:56,000
Speaker 1: the first and first moments right keeps catching me, but

729
00:40:56,120 --> 00:40:58,480
Speaker 1: I don't even have a response. What did you say, sir?

730
00:40:58,560 --> 00:41:01,759
Speaker 1: I'm sorry, So it was like felt like a mouse

731
00:41:01,840 --> 00:41:04,920
Speaker 1: trapping up vain. I think you said damon or something.

732
00:41:05,760 --> 00:41:08,200
Speaker 1: And that's the first time I learned about birth control.

733
00:41:08,280 --> 00:41:18,440
Speaker 1: She had the U Okay, it's my first time. You

734
00:41:18,480 --> 00:41:25,160
Speaker 1: ain't never seen that, y'alla. You know, Oh my god,

735
00:41:25,239 --> 00:41:29,360
Speaker 1: this is crazy, but you live in life all and

736
00:41:29,440 --> 00:41:32,239
Speaker 1: I love you. This is years ago, this is twenty

737
00:41:32,320 --> 00:41:34,320
Speaker 1: years ago. This is because I feel like you was

738
00:41:34,400 --> 00:41:36,520
Speaker 1: being like I feel like like like he was getting

739
00:41:36,560 --> 00:41:39,759
Speaker 1: that light skin nigger pussy, right, you know, y'all light

740
00:41:39,800 --> 00:41:42,080
Speaker 1: skin niggers. Y'all get like kids and play. You're like

741
00:41:42,160 --> 00:41:50,200
Speaker 1: you weould kid, light skin you you you get to Drake,

742
00:41:50,640 --> 00:41:53,439
Speaker 1: drink us Drake Nani. So let's be clear. Let's be clear.

743
00:41:53,560 --> 00:41:55,839
Speaker 1: I think Drake got the best record in the game.

744
00:41:56,080 --> 00:41:57,960
Speaker 1: And then are you like number two or three? We

745
00:41:58,480 --> 00:42:01,160
Speaker 1: rank yourself or you're saying you up there with Drake.

746
00:42:02,760 --> 00:42:05,480
Speaker 1: To be honest, I think that we all have kind

747
00:42:05,520 --> 00:42:08,480
Speaker 1: of like entertained and dealt with the same women. But

748
00:42:08,800 --> 00:42:10,719
Speaker 1: I'm kind of off that now Like now I'm just

749
00:42:10,920 --> 00:42:13,600
Speaker 1: like now I'm an executive, like now that I'm you

750
00:42:13,640 --> 00:42:16,000
Speaker 1: know what I'm saying, like for vice president Lantic Records,

751
00:42:16,040 --> 00:42:18,160
Speaker 1: Like I a CEO of my own record company. Okay,

752
00:42:18,160 --> 00:42:19,840
Speaker 1: we're not talking about that two about the past and

753
00:42:19,920 --> 00:42:26,279
Speaker 1: it passed. Yeah, okay, my jersey is up there. Of

754
00:42:26,360 --> 00:42:31,759
Speaker 1: course we're tiring. Yeah, ok mm, interesting me ray J.

755
00:42:32,719 --> 00:42:38,160
Speaker 1: Keep doing the Hall of Fame is a wolf. He's

756
00:42:38,160 --> 00:42:41,200
Speaker 1: in the Hall of Fame's cheeping the wolf's clothing. Yeah,

757
00:42:42,239 --> 00:42:45,959
Speaker 1: that's a sniper lists. Yes, man, I like your guys.

758
00:42:46,000 --> 00:42:49,319
Speaker 1: Shout out to my brother. French is a sniper too.

759
00:42:49,760 --> 00:42:53,200
Speaker 1: He's a sniper and he got the list and also

760
00:42:53,280 --> 00:42:55,560
Speaker 1: on executive in French Montana's new album is about the

761
00:42:55,560 --> 00:42:57,920
Speaker 1: company to the album, Yeah, so shout out like a

762
00:42:57,960 --> 00:43:04,760
Speaker 1: lot of ecstasy in that ship. I love that. Sober

763
00:43:04,880 --> 00:43:07,640
Speaker 1: Friends is a different vibe different. I'm talking about the

764
00:43:07,680 --> 00:43:10,000
Speaker 1: name Cold Turkey, like to the part that you feel

765
00:43:10,040 --> 00:43:14,439
Speaker 1: bad even drinking in front of It's Cold Turkey. Brother.

766
00:43:16,880 --> 00:43:19,439
Speaker 1: I a lot though, because I'm like a little sensitive ruse.

767
00:43:19,440 --> 00:43:22,000
Speaker 1: I'm a little like I like eminem right, like, but

768
00:43:22,080 --> 00:43:24,320
Speaker 1: I like the drug outaminem a little bit more. That

769
00:43:24,360 --> 00:43:28,280
Speaker 1: makes me an up person. You love Cody Ain Wayne,

770
00:43:28,520 --> 00:43:32,840
Speaker 1: you love call Sir Away, you love the music, but

771
00:43:33,000 --> 00:43:36,040
Speaker 1: you're happy for the person. It's different. It's different. I'm

772
00:43:36,080 --> 00:43:37,799
Speaker 1: not sure. I think I love the person a little bit.

773
00:43:39,360 --> 00:43:42,400
Speaker 1: I don't care what drug drugs is like the drugs

774
00:43:42,480 --> 00:43:43,840
Speaker 1: is part of the music and like most of my

775
00:43:43,920 --> 00:43:53,000
Speaker 1: friends and drugs drugs like heroin, crazy, gonna lie like

776
00:43:53,600 --> 00:43:55,840
Speaker 1: I mean, now, I didn't want the person goes sober, sober,

777
00:43:55,880 --> 00:43:59,600
Speaker 1: I'll be like sober, but like I'm gonna be clod out.

778
00:44:00,040 --> 00:44:03,080
Speaker 1: French Montana sounds the best I've ever heard French Montana

779
00:44:03,360 --> 00:44:08,680
Speaker 1: life right now? What makes yeah? So he just went,

780
00:44:08,840 --> 00:44:11,239
Speaker 1: He just went. He just went, Walla, Walla. He was

781
00:44:11,280 --> 00:44:15,000
Speaker 1: a French Yeah. We got Yeah. He's just I don't know.

782
00:44:15,080 --> 00:44:17,040
Speaker 1: He has a documentary that's coming along with the album

783
00:44:17,120 --> 00:44:19,400
Speaker 1: that's explain I'm gonna let him explain his own journey

784
00:44:19,440 --> 00:44:21,040
Speaker 1: because I don't even know it. Like I'm one of

785
00:44:21,040 --> 00:44:23,120
Speaker 1: the niggas that I don't really ask too much questions,

786
00:44:23,120 --> 00:44:24,440
Speaker 1: you know what I'm saying, Like, I just want to

787
00:44:24,480 --> 00:44:27,000
Speaker 1: get the work done. So shout out to French man.

788
00:44:27,080 --> 00:44:30,279
Speaker 1: We got records man, We got we got one. He's

789
00:44:30,320 --> 00:44:32,879
Speaker 1: coming back with a vengeance I love. We were talking

790
00:44:32,920 --> 00:44:35,200
Speaker 1: about NAS earlier. We got French has one with John

791
00:44:35,280 --> 00:44:38,640
Speaker 1: Legend and Nas. That's amazing and ideas the second one

792
00:44:38,640 --> 00:44:41,680
Speaker 1: because didn't they have no that was Kanye. Okay, Yeah,

793
00:44:41,840 --> 00:44:44,319
Speaker 1: that's hard John. Let you and thank you, and you're

794
00:44:44,320 --> 00:44:48,399
Speaker 1: doing the whole album. Probably I'm executive producing the album, okay.

795
00:44:48,640 --> 00:44:53,040
Speaker 1: Meaning what that means. That means even when produce submit

796
00:44:53,120 --> 00:44:55,000
Speaker 1: beats that you you look over it now, like if

797
00:44:55,040 --> 00:44:57,080
Speaker 1: he does other songs with other producers, I might go

798
00:44:57,239 --> 00:44:59,520
Speaker 1: in and restructure it or tell him I don't save

799
00:44:59,600 --> 00:45:01,439
Speaker 1: this song. I don't feel it. You know what I'm saying?

800
00:45:01,520 --> 00:45:03,720
Speaker 1: Like just that type of ship, how much that cause

801
00:45:03,800 --> 00:45:07,960
Speaker 1: to get you to do? Um? It seems like a hot,

802
00:45:08,080 --> 00:45:14,640
Speaker 1: like a hot like mid six figures hot, short feast

803
00:45:15,120 --> 00:45:18,200
Speaker 1: feat stomp or hand clap, Let's let's try to feet

804
00:45:18,200 --> 00:45:27,399
Speaker 1: stop goddamn it. Okay, I'm giving fifty tho a track

805
00:45:27,520 --> 00:45:31,799
Speaker 1: right now. Ain't nobody getting fifty Nick is giving up

806
00:45:31,840 --> 00:45:38,239
Speaker 1: Beast Huntred five. We're getting fifty Bendos track. But and

807
00:45:38,280 --> 00:45:40,480
Speaker 1: the crazy thing is that I feel like as an

808
00:45:40,480 --> 00:45:43,160
Speaker 1: executive and just as a producer. It's my duty to

809
00:45:43,200 --> 00:45:45,320
Speaker 1: put people on game. And like all my co producers

810
00:45:45,320 --> 00:45:47,960
Speaker 1: that I work with, like, I'm probably the only person

811
00:45:48,160 --> 00:45:50,960
Speaker 1: in the business that has song deals with almost every

812
00:45:51,800 --> 00:45:54,920
Speaker 1: company in the game have song deals everywhere. So they

813
00:45:55,040 --> 00:45:57,719
Speaker 1: just paid me in bolt up front and then they

814
00:45:57,760 --> 00:46:02,919
Speaker 1: pay my nas song bill. So say, well, I say,

815
00:46:03,000 --> 00:46:05,600
Speaker 1: you work for Epic Records and you want to give

816
00:46:05,640 --> 00:46:08,040
Speaker 1: me you Silvi your own You say you know I wanna.

817
00:46:08,239 --> 00:46:10,040
Speaker 1: I want to lock in with you. You give me

818
00:46:11,000 --> 00:46:15,279
Speaker 1: pay me for twenty five songs for thirty thousand up

819
00:46:15,320 --> 00:46:17,680
Speaker 1: front and then take care of the co produce on

820
00:46:17,719 --> 00:46:26,080
Speaker 1: the back end. And then that's what I'm say. So

821
00:46:26,360 --> 00:46:30,080
Speaker 1: what does what the producers you? You collapse with man?

822
00:46:30,160 --> 00:46:33,960
Speaker 1: I love my people's um Well Smash David is one

823
00:46:34,000 --> 00:46:36,920
Speaker 1: of my guys. O G. Parker, Prince Frishan is my partner.

824
00:46:37,280 --> 00:46:40,680
Speaker 1: We do everything together. London J is an incredible person

825
00:46:40,760 --> 00:46:43,239
Speaker 1: I work with um Man, it's like it's an army

826
00:46:43,320 --> 00:46:46,400
Speaker 1: of us, like twelve of us. I don't produce in

827
00:46:46,440 --> 00:46:48,960
Speaker 1: a way that other people produce, like niggas make beats.

828
00:46:49,160 --> 00:46:52,400
Speaker 1: I'm like the puff daddy of this generation. Like and

829
00:46:52,520 --> 00:46:54,560
Speaker 1: I set out like I looked Puff his eyes and

830
00:46:54,680 --> 00:46:57,839
Speaker 1: told him, I'm you when you was on that ship,

831
00:46:58,040 --> 00:46:59,719
Speaker 1: I'm you would watch me bring it back? And then

832
00:46:59,760 --> 00:47:02,200
Speaker 1: you tell by radio like all the records has been flipped.

833
00:47:02,200 --> 00:47:05,560
Speaker 1: What do you mean by that? The samples a sample

834
00:47:05,640 --> 00:47:08,640
Speaker 1: wise and lifestyle wise. Well, now his lifestyle is a

835
00:47:08,680 --> 00:47:12,800
Speaker 1: little bit different than mine, but just like musically, like

836
00:47:12,920 --> 00:47:14,600
Speaker 1: the energy that he brought to the game at that

837
00:47:14,680 --> 00:47:17,640
Speaker 1: time of being a CEO, like, I'm I'm not reincarnated,

838
00:47:17,680 --> 00:47:20,399
Speaker 1: I'm the second coming to that right now? You know, God,

839
00:47:20,440 --> 00:47:25,279
Speaker 1: that makes some noise. That So what made you even

840
00:47:25,320 --> 00:47:27,160
Speaker 1: want to do to be out of the show thing though?

841
00:47:27,600 --> 00:47:30,200
Speaker 1: Because I was working with Nicki Minaj and Puff and

842
00:47:30,320 --> 00:47:39,480
Speaker 1: I was like, no, yeah, I was, uh, how does

843
00:47:39,560 --> 00:47:47,440
Speaker 1: that have anything to do with love? And so? But

844
00:47:47,520 --> 00:47:50,040
Speaker 1: that's your nicky old pump did not recommend you doing

845
00:47:50,239 --> 00:47:54,840
Speaker 1: another hip hop cap look it did. So let me

846
00:47:54,880 --> 00:47:57,400
Speaker 1: tell you all crazy story how man, Nicki Minaj. So,

847
00:47:58,000 --> 00:48:00,439
Speaker 1: I was at a studio called glenn Wood. It where

848
00:48:00,480 --> 00:48:04,560
Speaker 1: you came to see me a studio you had candles

849
00:48:04,600 --> 00:48:10,640
Speaker 1: as candles. I was at this studio. I see candles.

850
00:48:10,680 --> 00:48:13,080
Speaker 1: I'd be like, ship is calm, Like I'm sorry, I

851
00:48:13,200 --> 00:48:16,320
Speaker 1: went to So I came to see one of my

852
00:48:16,840 --> 00:48:21,000
Speaker 1: dear friends, Sounds. He's a producer also, and I was there,

853
00:48:21,120 --> 00:48:23,360
Speaker 1: but I was just there in like a homey capacity,

854
00:48:23,440 --> 00:48:25,320
Speaker 1: like I wasn't there like to work or nothing like that.

855
00:48:25,960 --> 00:48:29,680
Speaker 1: And my brother, who Doc, shout out, my brother Doc.

856
00:48:29,719 --> 00:48:31,680
Speaker 1: He was with me. He drove me to the session

857
00:48:32,239 --> 00:48:35,320
Speaker 1: and he's like, man, I think I've just seen Nicki Minas.

858
00:48:35,320 --> 00:48:37,719
Speaker 1: I think Nicki Minas was my studio. I'm like, what

859
00:48:38,880 --> 00:48:41,600
Speaker 1: So the night before you've never met Nicky Price. Never

860
00:48:41,920 --> 00:48:46,080
Speaker 1: the night before I did a record and I named

861
00:48:46,120 --> 00:48:48,400
Speaker 1: it Nicki and hit Maker. I did that Mike Karen studio.

862
00:48:48,480 --> 00:48:51,400
Speaker 1: Shout out to Mike Karen and I had it with

863
00:48:51,520 --> 00:48:54,320
Speaker 1: me and I was like, damn, this ship ain't no coincidence,

864
00:48:54,360 --> 00:48:56,000
Speaker 1: Like this ship must be real. So I told my

865
00:48:56,080 --> 00:48:58,879
Speaker 1: nigga Doc, just just throwing in the air, like tell

866
00:48:59,040 --> 00:49:01,440
Speaker 1: her that I want to play some record for us.

867
00:49:01,440 --> 00:49:04,600
Speaker 1: So you went to security and the security um when

868
00:49:04,760 --> 00:49:08,160
Speaker 1: and uh, they told me like give her twenty minutes.

869
00:49:08,880 --> 00:49:11,239
Speaker 1: So they came and got me in twenty minutes. I

870
00:49:11,400 --> 00:49:13,560
Speaker 1: was like, oh, ship, you had to go to her studio.

871
00:49:13,680 --> 00:49:15,920
Speaker 1: She was in an eight room. We was in like

872
00:49:16,000 --> 00:49:18,360
Speaker 1: a smaller room. So I went to the studio with

873
00:49:18,480 --> 00:49:22,200
Speaker 1: her and I'm just playing ship and like she started

874
00:49:22,239 --> 00:49:24,239
Speaker 1: working with it. I could tell like I'm going I'm

875
00:49:24,480 --> 00:49:27,799
Speaker 1: dropping bomb bang and like going crazy and then um

876
00:49:29,120 --> 00:49:31,880
Speaker 1: the fund The wildest thing of that whole day. What

877
00:49:32,000 --> 00:49:34,239
Speaker 1: was really inspirational for me and what like blew my

878
00:49:34,360 --> 00:49:36,719
Speaker 1: mind is that after all the songs have played, she

879
00:49:36,840 --> 00:49:39,480
Speaker 1: was like, you know what, Um, I ain't gonna lie

880
00:49:39,880 --> 00:49:42,680
Speaker 1: like I've been working with you since this and she

881
00:49:42,760 --> 00:49:44,839
Speaker 1: went and played my song in the Business as young

882
00:49:44,920 --> 00:49:47,960
Speaker 1: Burg or whatever her laptop and was dancing to it

883
00:49:48,000 --> 00:49:49,880
Speaker 1: and all other ships and like at that point, like

884
00:49:49,960 --> 00:49:52,640
Speaker 1: we we can't like brother and siss man like I did.

885
00:49:52,800 --> 00:49:56,400
Speaker 1: I think I did, uh six or six records on

886
00:49:56,440 --> 00:50:00,279
Speaker 1: the Pink Print album something like that. How was checks

887
00:50:00,320 --> 00:50:13,799
Speaker 1: looking pretty nice? Did the chess coming pink? Who's somebody that, um,

888
00:50:14,520 --> 00:50:16,319
Speaker 1: what's somebody that you worked with that you didn't think

889
00:50:16,400 --> 00:50:19,000
Speaker 1: in many years you would ever work with. I know

890
00:50:19,120 --> 00:50:21,360
Speaker 1: you've mentioned the j and the Gucci man earlier, but

891
00:50:21,440 --> 00:50:24,359
Speaker 1: who's somebody like you know, maybe didn't take a shot

892
00:50:24,440 --> 00:50:26,120
Speaker 1: at you, but you just didn't think we have a

893
00:50:26,200 --> 00:50:30,759
Speaker 1: call mm hmm. It's most awkward ship. What's the most

894
00:50:30,840 --> 00:50:34,399
Speaker 1: awkward ship? Dona ain't asked you to think about? Nah?

895
00:50:35,320 --> 00:50:38,200
Speaker 1: Ain't that really very awkward? My bro? Like it's like

896
00:50:38,360 --> 00:50:42,879
Speaker 1: I've had legendary ship though, like like for me um

897
00:50:43,040 --> 00:50:45,759
Speaker 1: working with Charlie Wilson, Like like Charlie Wilson coming in

898
00:50:45,880 --> 00:50:48,320
Speaker 1: my studio. That seeing some ship over. You know what

899
00:50:48,400 --> 00:50:52,080
Speaker 1: I'm saying, Like, what's epic for me? Um? And I

900
00:50:52,200 --> 00:50:54,759
Speaker 1: work with everybody who's left that you want to work with?

901
00:50:54,880 --> 00:51:00,480
Speaker 1: It it's only two and be honest. Then the person

902
00:51:00,560 --> 00:51:09,840
Speaker 1: coming through this door, that sunny d oh ship? Oh shit, sorry,

903
00:51:10,920 --> 00:51:13,000
Speaker 1: so he thought it was a sunny day. It's a

904
00:51:13,080 --> 00:51:15,720
Speaker 1: far of life. Bro. Oh so that's it? Just hoping

905
00:51:15,760 --> 00:51:21,360
Speaker 1: Beyonce you wont be oes no, and sure and you

906
00:51:21,680 --> 00:51:25,200
Speaker 1: got something with Kanye Yeah he did my demo. Yeah

907
00:51:25,320 --> 00:51:34,000
Speaker 1: that's right there. Okay, bro, everybody else has come, but

908
00:51:34,120 --> 00:51:37,680
Speaker 1: you can say it like that. What got signed a

909
00:51:37,760 --> 00:51:44,880
Speaker 1: DMX Yes, yeah, producer. He was under no idea at

910
00:51:44,880 --> 00:51:47,560
Speaker 1: that time though, go get us. What was his name,

911
00:51:47,960 --> 00:51:53,480
Speaker 1: kan West? Did he have a polo back then? He

912
00:51:53,600 --> 00:51:56,960
Speaker 1: used to live on ninety five in Western right across

913
00:51:56,960 --> 00:51:58,920
Speaker 1: the street from JJ's fish and like they had like

914
00:51:59,160 --> 00:52:00,880
Speaker 1: a little spot or whatever. We used to go in

915
00:52:00,960 --> 00:52:05,400
Speaker 1: there or whatever, and man, like the man's a legend.

916
00:52:05,440 --> 00:52:07,800
Speaker 1: Man like they just know where we come from. Like granted,

917
00:52:07,920 --> 00:52:09,960
Speaker 1: what's going on now like all the other stuff and

918
00:52:10,320 --> 00:52:15,239
Speaker 1: we know that like musically, like I respect him, you

919
00:52:15,280 --> 00:52:16,880
Speaker 1: know what I'm saying, Like I watched it like that

920
00:52:17,000 --> 00:52:19,319
Speaker 1: that kind of like what's the inspiration? That's what mag

921
00:52:19,360 --> 00:52:21,279
Speaker 1: niggas believe that you actually could get out the city.

922
00:52:21,880 --> 00:52:27,640
Speaker 1: It was not common. Comment is my brother, but comment

923
00:52:27,719 --> 00:52:30,239
Speaker 1: and twister my brother. But like you kind of took

924
00:52:30,280 --> 00:52:32,960
Speaker 1: it at leaps and bounds further and then you know

925
00:52:33,000 --> 00:52:36,200
Speaker 1: what in a in a fast time coming crop to

926
00:52:36,560 --> 00:52:39,040
Speaker 1: yeah now comment no ideas a producer was doing a

927
00:52:39,120 --> 00:52:42,719
Speaker 1: lot earlier. I remember like no I d was like

928
00:52:42,960 --> 00:52:53,600
Speaker 1: Yoda of Chicago, like and every good if no idea good?

929
00:52:53,800 --> 00:52:56,360
Speaker 1: Why the fun? I got to drinks? What happened? Because

930
00:52:56,400 --> 00:52:58,799
Speaker 1: one was a shot? I pull up my in the shot.

931
00:52:58,920 --> 00:53:00,920
Speaker 1: You didn't drink your shot. I don't know, that's my boy.

932
00:53:01,160 --> 00:53:04,839
Speaker 1: I'm get you. Come on, you ain't. You ain't saying nothing.

933
00:53:04,840 --> 00:53:09,520
Speaker 1: You ain't saying another shot. Listen, you've been patient about

934
00:53:09,600 --> 00:53:14,000
Speaker 1: doing drink champs. I really respect how we shout speak

935
00:53:14,080 --> 00:53:17,759
Speaker 1: to each other and our schedule conflicts didn't actually work. Yeah,

936
00:53:18,280 --> 00:53:20,239
Speaker 1: and you stuck around and I really appreciate that. I

937
00:53:20,360 --> 00:53:24,040
Speaker 1: really do you see your every day struggling and show

938
00:53:24,120 --> 00:53:31,319
Speaker 1: like that. I felt sorry for you. Shout yo, Joe

939
00:53:31,640 --> 00:53:33,799
Speaker 1: is oh, I'm gonna finish. It's crazy Joe didn't kind

940
00:53:33,800 --> 00:53:36,200
Speaker 1: of became my brother like and that's that's what's why

941
00:53:36,960 --> 00:53:39,040
Speaker 1: great god man, I'm trying to squash with him and

942
00:53:39,040 --> 00:53:41,800
Speaker 1: Gilly the Kid right now. Really, I love Gilly Angel.

943
00:53:41,920 --> 00:53:44,600
Speaker 1: I think they I think I think they're both tripping him.

944
00:53:44,719 --> 00:53:47,040
Speaker 1: But I think I think I think you know, you

945
00:53:47,120 --> 00:53:48,879
Speaker 1: know your like skinned brothers. You know how y'all get down.

946
00:53:49,520 --> 00:53:51,200
Speaker 1: You know when you're gonna skip me, and I'm gonna

947
00:53:51,239 --> 00:53:53,799
Speaker 1: keep it on. Honey, you already know what everybody beef

948
00:53:53,840 --> 00:54:01,120
Speaker 1: this over three things those hose ever, money and beef

949
00:54:01,160 --> 00:54:05,560
Speaker 1: is impossible to see that the nigger ego right something

950
00:54:05,600 --> 00:54:08,680
Speaker 1: to do with a women woman playing with that money.

951
00:54:08,840 --> 00:54:11,399
Speaker 1: So let's talk about some of yours because like when

952
00:54:11,440 --> 00:54:14,000
Speaker 1: you you know, obviously when we google you, I have

953
00:54:14,080 --> 00:54:17,040
Speaker 1: to do I have to do like else, So people

954
00:54:17,400 --> 00:54:20,520
Speaker 1: is google you like your your drama comes up, Like

955
00:54:20,880 --> 00:54:24,680
Speaker 1: why do you think that it even circles around you?

956
00:54:25,280 --> 00:54:28,720
Speaker 1: Like for instance, like main, no, right, like what happened

957
00:54:28,760 --> 00:54:35,640
Speaker 1: between you and man, I don't even nothing. Um, I

958
00:54:35,760 --> 00:54:39,160
Speaker 1: want to tell the truth so much about this, but

959
00:54:39,880 --> 00:54:45,920
Speaker 1: the way the situation was handled kind of like I

960
00:54:46,000 --> 00:54:47,960
Speaker 1: don't know what happened or that, and you know what

961
00:54:47,960 --> 00:54:50,320
Speaker 1: I'm saying, because I was really cool man, But like

962
00:54:52,120 --> 00:54:55,279
Speaker 1: all right, I'm gonna tell the story. So look, um,

963
00:54:55,640 --> 00:54:58,000
Speaker 1: we in this back in the Ecstasy days. I'm a

964
00:54:58,080 --> 00:55:01,719
Speaker 1: young bird the artist. We in Atlanta, and we we

965
00:55:02,480 --> 00:55:06,520
Speaker 1: go to the club this night and situation that happened

966
00:55:06,560 --> 00:55:08,640
Speaker 1: with me and Trick trick already So I had a

967
00:55:09,280 --> 00:55:12,640
Speaker 1: like they did like to transform a chain. I had

968
00:55:12,640 --> 00:55:15,440
Speaker 1: a long time about they did some duffer that in Detroit.

969
00:55:16,560 --> 00:55:18,799
Speaker 1: So I had a chip on my shoulder. And I'm

970
00:55:18,840 --> 00:55:20,719
Speaker 1: gonna tell the stories because like I want to be

971
00:55:20,760 --> 00:55:23,600
Speaker 1: transparent to everybody and so hopefully somebody can learn from ship.

972
00:55:24,000 --> 00:55:25,840
Speaker 1: So I had a chip on my shoulder. Me and

973
00:55:25,920 --> 00:55:27,600
Speaker 1: man it was cool man. It was on the remix

974
00:55:27,680 --> 00:55:29,480
Speaker 1: of my song and business like all that you know.

975
00:55:29,680 --> 00:55:32,680
Speaker 1: And from there, like I went in the club and

976
00:55:32,840 --> 00:55:36,960
Speaker 1: like I was annoying. I was tripping, like I was

977
00:55:37,200 --> 00:55:40,960
Speaker 1: bugging out this night like I performed. I was kissing

978
00:55:41,000 --> 00:55:43,520
Speaker 1: women on stage while I was performing, like I was

979
00:55:43,600 --> 00:55:46,239
Speaker 1: in a whole different bag, like like I was in

980
00:55:46,400 --> 00:55:51,560
Speaker 1: some real different and feeling Porto Rican in name women

981
00:55:52,320 --> 00:55:58,120
Speaker 1: and uh, I guess, I guess fucking I don't know.

982
00:55:58,200 --> 00:56:00,600
Speaker 1: I felt the way about something. And then like like

983
00:56:00,719 --> 00:56:02,400
Speaker 1: I kicked it off with men like I was just

984
00:56:02,520 --> 00:56:04,520
Speaker 1: on some boyshit, like I felt like he was trying

985
00:56:04,520 --> 00:56:07,320
Speaker 1: to play me for some reason he really wasn't, and

986
00:56:07,400 --> 00:56:09,759
Speaker 1: like I was at at the time, Yeah, yeah, and

987
00:56:09,840 --> 00:56:11,680
Speaker 1: I did some dumb ship, you know what I'm saying.

988
00:56:11,840 --> 00:56:17,320
Speaker 1: So from there, like we had spoke and uh, like

989
00:56:17,400 --> 00:56:19,320
Speaker 1: I talked to him after the whole incident because it

990
00:56:19,400 --> 00:56:22,160
Speaker 1: was like it was like a little situation like something happened.

991
00:56:22,160 --> 00:56:24,080
Speaker 1: I had security with me and these people went on.

992
00:56:24,160 --> 00:56:26,920
Speaker 1: It was like a little small, little scrumming skirmish. So

993
00:56:27,160 --> 00:56:29,360
Speaker 1: from there, um, I think t I put me on

994
00:56:29,400 --> 00:56:35,800
Speaker 1: the phone shot and what I'm saying TI, um like

995
00:56:36,280 --> 00:56:39,160
Speaker 1: shot it should be coming, shot, I'm ready to ye

996
00:56:41,400 --> 00:56:46,440
Speaker 1: to take it. M somebody from Grand Hustle at the time.

997
00:56:46,480 --> 00:56:48,479
Speaker 1: It put me in Maine on the phone after the fact,

998
00:56:48,600 --> 00:56:53,080
Speaker 1: let's just give out of props whatever, imagine. And I

999
00:56:53,239 --> 00:56:55,279
Speaker 1: was just and we spoke and I was just telling

1000
00:56:55,360 --> 00:56:57,680
Speaker 1: him like my truth, like yo, bro, like I'm going

1001
00:56:57,760 --> 00:57:00,920
Speaker 1: through it like then, you know, like it's like I'm

1002
00:57:00,960 --> 00:57:03,000
Speaker 1: in a I'm in a wild space, like you know

1003
00:57:03,040 --> 00:57:05,799
Speaker 1: what I'm saying, Like something happens, you know what I'm saying,

1004
00:57:05,800 --> 00:57:08,000
Speaker 1: Things have happened to me that I don't really reflecting me.

1005
00:57:08,000 --> 00:57:09,279
Speaker 1: And I just don't want to feel like, you know

1006
00:57:09,320 --> 00:57:11,880
Speaker 1: what I'm saying, people feel that it's like they can

1007
00:57:11,960 --> 00:57:13,560
Speaker 1: just try me in any moment, you know what I'm saying,

1008
00:57:13,600 --> 00:57:15,120
Speaker 1: just talking to him, and he was like, yo, Birke,

1009
00:57:15,160 --> 00:57:18,439
Speaker 1: I perspect you, um, but I don't like the people

1010
00:57:18,480 --> 00:57:20,439
Speaker 1: that you're hanging around, like they don't mean no good

1011
00:57:20,480 --> 00:57:22,600
Speaker 1: for you. And like he gave me some game and

1012
00:57:22,680 --> 00:57:25,320
Speaker 1: I was like, yeo, I appreciate that, bro. And then ship.

1013
00:57:26,240 --> 00:57:27,760
Speaker 1: When I hung up the phone, I never forget. I

1014
00:57:27,880 --> 00:57:33,040
Speaker 1: was riding in my motherfucker range Rob and uh he

1015
00:57:33,200 --> 00:57:36,040
Speaker 1: just started doing interviews and started talking about the incident

1016
00:57:36,320 --> 00:57:38,720
Speaker 1: to due that he was talking about he may know,

1017
00:57:38,880 --> 00:57:41,360
Speaker 1: just went and the interviews and talked about the incident.

1018
00:57:45,160 --> 00:57:47,160
Speaker 1: I don't know, like this is my recollection, you know

1019
00:57:47,200 --> 00:57:49,040
Speaker 1: what I'm saying, Like I thought on some g ship

1020
00:57:49,120 --> 00:57:50,600
Speaker 1: we had spoke after the fact that this is the

1021
00:57:50,720 --> 00:57:52,840
Speaker 1: next day, and like I was looking at him like

1022
00:57:52,960 --> 00:57:56,240
Speaker 1: a big homie, you know what I'm saying. So, but

1023
00:57:56,560 --> 00:57:59,040
Speaker 1: I mean they kind of like went I was, I was,

1024
00:57:59,120 --> 00:58:01,240
Speaker 1: I was hot, shifted of time. So they kind of win,

1025
00:58:01,320 --> 00:58:04,560
Speaker 1: and you know, used it for the beneficial of them.

1026
00:58:04,640 --> 00:58:06,520
Speaker 1: You know what I'm saying. It's super lack for lack

1027
00:58:06,560 --> 00:58:09,960
Speaker 1: of because I don't really really know. But why did

1028
00:58:10,080 --> 00:58:12,680
Speaker 1: you even have problems? I didn't. I don't have no

1029
00:58:12,800 --> 00:58:17,360
Speaker 1: problem with trick. Trick my brother wanted, well somebody that

1030
00:58:17,480 --> 00:58:19,560
Speaker 1: was a part of my entourage who is also still

1031
00:58:19,680 --> 00:58:23,080
Speaker 1: my brother that I really respect. Um, they had an

1032
00:58:23,160 --> 00:58:26,400
Speaker 1: issue and I was just a casualty of that. I

1033
00:58:26,520 --> 00:58:29,080
Speaker 1: never met that. I never met that man in Detroit,

1034
00:58:29,160 --> 00:58:32,040
Speaker 1: in Chicago, like Jersey and New York, I never met

1035
00:58:32,080 --> 00:58:34,520
Speaker 1: that man of damn my life. I don't know. I

1036
00:58:34,560 --> 00:58:37,360
Speaker 1: don't know him. We've never spoken words or anything. I

1037
00:58:37,520 --> 00:58:39,840
Speaker 1: was just a casualty because I was the star. So

1038
00:58:40,040 --> 00:58:42,840
Speaker 1: say you're norry saying your man it gets into it

1039
00:58:42,960 --> 00:58:45,600
Speaker 1: with something and y'all go shoot somebody or do some

1040
00:58:45,720 --> 00:58:48,320
Speaker 1: crazy ship it falls all on you. You know what

1041
00:58:48,400 --> 00:58:53,040
Speaker 1: I'm saying, And that was the whole situation. So imagine them.

1042
00:58:53,160 --> 00:58:55,360
Speaker 1: You know what I'm saying, like actually had nothing to

1043
00:58:55,400 --> 00:58:58,400
Speaker 1: do with me. You don't even understand where it's coming from.

1044
00:58:58,440 --> 00:59:00,320
Speaker 1: I ain't know, dude. I know where it was coming from.

1045
00:59:00,360 --> 00:59:02,240
Speaker 1: It was from somebody that was in my answer. Oh

1046
00:59:02,440 --> 00:59:04,880
Speaker 1: so you understood that the person in your answer watch

1047
00:59:05,000 --> 00:59:09,560
Speaker 1: had committed whatever whatever they was. I okay, I honestand yeah,

1048
00:59:09,600 --> 00:59:11,960
Speaker 1: because I mean, man, you know what and you you

1049
00:59:12,320 --> 00:59:14,880
Speaker 1: do it all bro. You wrote it's like a fucking phoenix, man,

1050
00:59:15,360 --> 00:59:19,440
Speaker 1: Like that's real. Ship, Bro's real. Ind I'm a testimony.

1051
00:59:19,520 --> 00:59:21,360
Speaker 1: That's why I like doing it Like this is rarely

1052
00:59:21,440 --> 00:59:23,800
Speaker 1: that I really do interviews or whatever, Like it might

1053
00:59:23,840 --> 00:59:26,040
Speaker 1: be breakfast club or one of the motherfucker's of this,

1054
00:59:26,680 --> 00:59:29,960
Speaker 1: but dream chances like like, I really can say everything

1055
00:59:30,400 --> 00:59:32,720
Speaker 1: I want people to be wanting to know. I'm just

1056
00:59:32,840 --> 00:59:35,720
Speaker 1: an open book, and I think that's the disperation for

1057
00:59:35,960 --> 00:59:38,640
Speaker 1: other motherfucker's. You know what I'm saying. Not one incident

1058
00:59:38,720 --> 00:59:40,800
Speaker 1: that had me scared, it's one incident that had me

1059
00:59:40,880 --> 00:59:44,240
Speaker 1: scared at all the incidents, like like I kind of

1060
00:59:44,280 --> 00:59:46,200
Speaker 1: mind my business because that's just the person I am.

1061
00:59:46,640 --> 00:59:51,640
Speaker 1: But after pop smoke, right, there was a something about

1062
00:59:51,720 --> 00:59:57,760
Speaker 1: your house. Some girls invited. And now, like all the

1063
00:59:57,840 --> 01:00:00,400
Speaker 1: other incidents, me and you, we knew each other, but

1064
01:00:00,520 --> 01:00:03,040
Speaker 1: we didn't know each other. And through that, like you know,

1065
01:00:03,240 --> 01:00:06,440
Speaker 1: seeing you engage, we developed a relationship. We changed it,

1066
01:00:06,600 --> 01:00:08,960
Speaker 1: changed numbers. This was the first time I got I

1067
01:00:09,040 --> 01:00:11,840
Speaker 1: got nervous, right, because everything else that kind of looked

1068
01:00:11,880 --> 01:00:14,680
Speaker 1: like propaganda. But after pop smoke, I forget what happened.

1069
01:00:14,680 --> 01:00:17,160
Speaker 1: It was something that a girl called police to you,

1070
01:00:17,520 --> 01:00:22,560
Speaker 1: to your normal girl called gangsters to your house. I mean, um,

1071
01:00:24,800 --> 01:00:29,440
Speaker 1: all right, I'll explain that situation because um, I'm just transparent,

1072
01:00:29,560 --> 01:00:32,760
Speaker 1: like the truth of the truth. So that girl I

1073
01:00:32,920 --> 01:00:34,720
Speaker 1: was dealing with, you know what I'm saying. She wasn't

1074
01:00:34,720 --> 01:00:37,080
Speaker 1: my girlfriend and nothing like that, Like she was somebody

1075
01:00:37,200 --> 01:00:39,560
Speaker 1: I was cool with. We just had a sexual relationship.

1076
01:00:39,680 --> 01:00:42,240
Speaker 1: Like she put up on me. We smash and we

1077
01:00:42,440 --> 01:00:46,040
Speaker 1: keep it moving. They've never been never been to the studio,

1078
01:00:46,360 --> 01:00:48,760
Speaker 1: we've never been on a date. We never had no

1079
01:00:48,920 --> 01:00:53,760
Speaker 1: interactions of any sort of that. So I hadn't spoke

1080
01:00:53,840 --> 01:00:55,200
Speaker 1: to it for a while and like she was on

1081
01:00:55,280 --> 01:01:00,000
Speaker 1: Instagram live and I just like, this is the first

1082
01:01:00,000 --> 01:01:02,160
Speaker 1: is the quarantine? So like we was. I was in

1083
01:01:02,240 --> 01:01:06,560
Speaker 1: the house all day, like yeah, no, no, I was

1084
01:01:06,640 --> 01:01:15,160
Speaker 1: in the house all the day. I don't think. I

1085
01:01:15,160 --> 01:01:19,760
Speaker 1: don't know why I said four I was. I was

1086
01:01:19,880 --> 01:01:23,520
Speaker 1: basically in the house all day, like being creative, thinking

1087
01:01:23,560 --> 01:01:26,360
Speaker 1: about samples, shopping, going back and forth with co producers.

1088
01:01:26,400 --> 01:01:28,880
Speaker 1: I had drink and like day drinking, you know what

1089
01:01:28,920 --> 01:01:31,360
Speaker 1: I'm saying, Like just just having a vibe about the

1090
01:01:31,400 --> 01:01:35,920
Speaker 1: pool type ship. So, um, I fell asleep early, like

1091
01:01:36,400 --> 01:01:38,920
Speaker 1: like seven, I woke up into in the morning and

1092
01:01:39,000 --> 01:01:42,880
Speaker 1: then um, she uh she was on Instagram lib I

1093
01:01:43,000 --> 01:01:45,400
Speaker 1: sent like a little emji and then she would she

1094
01:01:45,560 --> 01:01:47,920
Speaker 1: text me like I haven't seen you in a wild babe,

1095
01:01:48,040 --> 01:01:49,920
Speaker 1: Like let me pull up on you. So I sent

1096
01:01:50,000 --> 01:01:53,480
Speaker 1: up within my crib and she got to my crib

1097
01:01:54,040 --> 01:01:57,520
Speaker 1: and I put the alarm on in my house and like, uh,

1098
01:01:58,480 --> 01:02:01,880
Speaker 1: we was just in the house chilling, and I think

1099
01:02:01,920 --> 01:02:04,600
Speaker 1: I said something to it like and then she was like, yo,

1100
01:02:04,680 --> 01:02:06,400
Speaker 1: say it again. I don't remember what, and then she

1101
01:02:06,440 --> 01:02:10,280
Speaker 1: slapped the ship out of me. So now like I'm

1102
01:02:10,360 --> 01:02:14,360
Speaker 1: seeing stars and this is not your usual relationship like

1103
01:02:16,280 --> 01:02:25,960
Speaker 1: like that. I certain like and I'm telling this story

1104
01:02:26,080 --> 01:02:28,080
Speaker 1: for anybody that's in l A because l A is

1105
01:02:28,320 --> 01:02:33,320
Speaker 1: this ship treacherous. Right now, you're saying, Yo, I'm scared.

1106
01:02:33,400 --> 01:02:35,880
Speaker 1: I got PTS. I can't even really entertained a woman

1107
01:02:35,960 --> 01:02:38,720
Speaker 1: like I got security twenty four hours day. I can't.

1108
01:02:38,760 --> 01:02:41,480
Speaker 1: You know what I'm saying. I'd like the Chinese guys. Sorry,

1109
01:02:42,920 --> 01:02:46,240
Speaker 1: I just feel like he's gonna kick somebody head. Sorry,

1110
01:02:47,680 --> 01:02:50,480
Speaker 1: shout bro, Sorry, I just feel like I just feel

1111
01:02:50,520 --> 01:02:52,120
Speaker 1: like he's a he's a right guy. He's a right

1112
01:02:52,160 --> 01:02:58,280
Speaker 1: guy security. Yeah, he's gonna kick somebody head off. I'm

1113
01:02:58,320 --> 01:03:02,480
Speaker 1: telling keeping it real, bro, long story short, like she

1114
01:03:02,560 --> 01:03:05,880
Speaker 1: slapped me. I pulled my phone out because you know

1115
01:03:06,000 --> 01:03:08,240
Speaker 1: these times like I got cameras all in my house everybody,

1116
01:03:08,280 --> 01:03:10,040
Speaker 1: but you know these times we live in and ship

1117
01:03:10,120 --> 01:03:12,280
Speaker 1: just going on right now. That's how you showed down

1118
01:03:12,320 --> 01:03:14,640
Speaker 1: or whatever she said. You threw out some footage. You said,

1119
01:03:14,640 --> 01:03:23,720
Speaker 1: look at the y'all gonna pick you killed that. But

1120
01:03:23,920 --> 01:03:27,120
Speaker 1: I mean, you know, like at the end of the day,

1121
01:03:27,280 --> 01:03:30,200
Speaker 1: like yeah, so from they was trying it was it

1122
01:03:30,320 --> 01:03:33,960
Speaker 1: was three guys, was three yallars. She was showing up okay,

1123
01:03:34,120 --> 01:03:36,520
Speaker 1: and there was three guys with guns and ship like

1124
01:03:36,640 --> 01:03:38,680
Speaker 1: that trying to come and kick in my crib and

1125
01:03:39,160 --> 01:03:41,080
Speaker 1: I had the alarm on and then you know, and

1126
01:03:41,240 --> 01:03:46,080
Speaker 1: like the crazy thing is like when it was happening,

1127
01:03:47,080 --> 01:03:51,240
Speaker 1: instead of her being like a girl that was in

1128
01:03:51,320 --> 01:03:53,640
Speaker 1: the midst of a home invasion, like I was like,

1129
01:03:53,760 --> 01:03:57,040
Speaker 1: she was fighting me. She trying to fight me. She

1130
01:03:57,160 --> 01:04:01,360
Speaker 1: punched me again when it happened, So I was like people, Yeah, yeah, bro,

1131
01:04:01,560 --> 01:04:04,360
Speaker 1: it was Bro. I'm still like I'm still dealing with

1132
01:04:04,600 --> 01:04:07,040
Speaker 1: PTSD from that ship. I'm trying to charge for you. Bro.

1133
01:04:07,280 --> 01:04:09,880
Speaker 1: That's that's you shouldn't went through that, Bro. You worked

1134
01:04:09,920 --> 01:04:12,800
Speaker 1: too hard. Bro. Yeah, So is this girl from l

1135
01:04:12,840 --> 01:04:15,960
Speaker 1: A or she wished from Rancho Cucamonica. She from l A.

1136
01:04:16,400 --> 01:04:18,440
Speaker 1: Let me tell you the craziest ship he goes. He

1137
01:04:18,560 --> 01:04:24,240
Speaker 1: goes the craziest ship. So that happened immediately, like you know,

1138
01:04:24,480 --> 01:04:27,000
Speaker 1: like I lawyered up, you know what I'm saying, got

1139
01:04:27,000 --> 01:04:29,400
Speaker 1: all this ship and I came down here to Miami

1140
01:04:29,720 --> 01:04:35,920
Speaker 1: and just laying low and fucking uh I casually like

1141
01:04:36,560 --> 01:04:41,400
Speaker 1: I'm cool with pop smoke girlfriend or whatever. You know

1142
01:04:41,400 --> 01:04:46,320
Speaker 1: what I'm saying, wrest in peace, and she had hit

1143
01:04:46,440 --> 01:04:52,160
Speaker 1: me like yeo, like the same dude, dog Yeah, bro, wow,

1144
01:04:52,840 --> 01:04:54,360
Speaker 1: that's why I don't even want to talk no more

1145
01:04:54,360 --> 01:04:56,800
Speaker 1: about that. I get it, I get it, I get it.

1146
01:04:56,880 --> 01:04:58,840
Speaker 1: But that's the reason why it was the same week

1147
01:04:59,160 --> 01:05:02,160
Speaker 1: it got listen before you. You don't even have to

1148
01:05:02,200 --> 01:05:03,760
Speaker 1: get into it. You don't have to say no more.

1149
01:05:04,280 --> 01:05:07,680
Speaker 1: That's what I felt. I felt like because I don't.

1150
01:05:07,720 --> 01:05:10,240
Speaker 1: I just I just felt that I felt that. I'm sorry, bro,

1151
01:05:10,640 --> 01:05:12,720
Speaker 1: I'm sorry. I don't know. I was holding at you,

1152
01:05:12,800 --> 01:05:15,840
Speaker 1: I was checking on you. Hopefully you've got those messages.

1153
01:05:15,960 --> 01:05:18,600
Speaker 1: I appreciate. You know. My phone was like I had

1154
01:05:18,640 --> 01:05:21,000
Speaker 1: to cut the phone off because you know, it was

1155
01:05:21,040 --> 01:05:24,000
Speaker 1: too much like going off because it's like I don't

1156
01:05:25,440 --> 01:05:28,120
Speaker 1: subscribe to people. I'm sorry to cut you off, but

1157
01:05:28,120 --> 01:05:32,640
Speaker 1: I don't try to keep that. I don't know exactly, damn,

1158
01:05:33,720 --> 01:05:36,479
Speaker 1: but describe how real that is in l A. Because

1159
01:05:36,520 --> 01:05:39,880
Speaker 1: most people say, you think most people think you could

1160
01:05:39,880 --> 01:05:41,920
Speaker 1: go to l A. You go avoid the gangs, hang

1161
01:05:41,960 --> 01:05:45,040
Speaker 1: out the soul house, hang out their motherfucking you know,

1162
01:05:45,320 --> 01:05:48,800
Speaker 1: uh fucking h ivy. You know what I'm saying, And

1163
01:05:51,480 --> 01:05:58,320
Speaker 1: and boy hang out both Dantanna's no more the then

1164
01:05:58,360 --> 01:06:00,080
Speaker 1: you could do that and then you go avoid the

1165
01:06:00,200 --> 01:06:02,840
Speaker 1: gangs and whatever. But well, godless of what when youre

1166
01:06:02,840 --> 01:06:05,160
Speaker 1: in l A, you evolved with politics. I don't even

1167
01:06:05,200 --> 01:06:07,360
Speaker 1: know if it's gangs or whatever. You know what I'm saying,

1168
01:06:07,400 --> 01:06:09,400
Speaker 1: because all the bloods and crypts. You know what I'm saying,

1169
01:06:09,440 --> 01:06:11,360
Speaker 1: like that the people that I know that's bloods and

1170
01:06:11,360 --> 01:06:14,960
Speaker 1: crips like shout out to big you, shout out to

1171
01:06:15,040 --> 01:06:17,439
Speaker 1: you know what I'm saying, Like like we said whack one, honey.

1172
01:06:19,840 --> 01:06:22,760
Speaker 1: But everybody CRIB and l A gets tempered with it

1173
01:06:23,040 --> 01:06:26,600
Speaker 1: at some point. Yeah, because one person I don't know

1174
01:06:28,760 --> 01:06:31,840
Speaker 1: I'm not even talking about, like people who moved to

1175
01:06:32,080 --> 01:06:34,720
Speaker 1: l A. They even the game crip at one point,

1176
01:06:34,920 --> 01:06:36,920
Speaker 1: I think that ship trendy right now, Like I think

1177
01:06:36,960 --> 01:06:40,640
Speaker 1: that's just the thing. Wow, what is trying to with Crib?

1178
01:06:41,600 --> 01:06:43,600
Speaker 1: Just scary though, you know what I'm saying, because it's like,

1179
01:06:43,800 --> 01:06:47,960
Speaker 1: think about it, what you want you come in my

1180
01:06:48,120 --> 01:06:52,000
Speaker 1: carib one. I might have a you might have something

1181
01:06:52,080 --> 01:06:54,400
Speaker 1: some jury on you, but most of the ship put

1182
01:06:54,520 --> 01:06:58,560
Speaker 1: up being only that everything is insured. Yeah, then I'm

1183
01:06:58,640 --> 01:07:01,280
Speaker 1: hiding my ship like a nigger. Of course, this chain

1184
01:07:01,440 --> 01:07:04,080
Speaker 1: is in a jacket pocket in the guest room or

1185
01:07:04,120 --> 01:07:06,480
Speaker 1: something like that. Like I'd be losing the ship myself.

1186
01:07:08,480 --> 01:07:10,920
Speaker 1: I can't tell you where the ship. Yeah, so you

1187
01:07:10,960 --> 01:07:14,880
Speaker 1: want to you want to kill and along going off

1188
01:07:14,960 --> 01:07:18,080
Speaker 1: the police on the way. Ah, what you're gonna do

1189
01:07:18,160 --> 01:07:21,360
Speaker 1: on our point? Crazy? Oh God bless you, yo, bro man,

1190
01:07:21,440 --> 01:07:24,120
Speaker 1: Now we got to take a shot to that, because

1191
01:07:24,160 --> 01:07:26,720
Speaker 1: you know what, when I see you know, you know,

1192
01:07:26,920 --> 01:07:31,320
Speaker 1: you know. I got a friend, right and he's here.

1193
01:07:31,320 --> 01:07:33,479
Speaker 1: If he wants to claim this story, he can claim

1194
01:07:33,520 --> 01:07:35,720
Speaker 1: this story. But he doesn't have to claim this story

1195
01:07:35,800 --> 01:07:38,080
Speaker 1: at all. But I got a friend, and I really

1196
01:07:38,120 --> 01:07:40,920
Speaker 1: wanted to pursue. He had to check the cane to

1197
01:07:41,040 --> 01:07:50,400
Speaker 1: his christ. I feel like he was, Nah, come on,

1198
01:07:50,640 --> 01:07:58,040
Speaker 1: I don't like to win this story, tender. That's why

1199
01:08:00,000 --> 01:08:06,560
Speaker 1: you don't gotta clay you. But I said, yo, let's

1200
01:08:06,560 --> 01:08:10,160
Speaker 1: get to private detective. I wanted to follow to y'all.

1201
01:08:10,960 --> 01:08:14,880
Speaker 1: I wanted to see if she continues to do this

1202
01:08:15,080 --> 01:08:19,679
Speaker 1: type of ship. They think the police knows that, but listen,

1203
01:08:20,120 --> 01:08:23,960
Speaker 1: I actually wanted to a documentary be about these but

1204
01:08:24,840 --> 01:08:28,200
Speaker 1: not in their favor, not in their favor I'm talking

1205
01:08:28,240 --> 01:08:30,080
Speaker 1: about like I want to follow them, act like that

1206
01:08:30,479 --> 01:08:33,200
Speaker 1: we're reporters and whatever whatever, but they don't really know

1207
01:08:33,320 --> 01:08:36,680
Speaker 1: that we're setting them. They're lying the funk up. I'm

1208
01:08:36,680 --> 01:08:39,840
Speaker 1: sorry I went I never wanted to be in that situation.

1209
01:08:40,400 --> 01:08:42,840
Speaker 1: That ship was so unfortunate. I would never wish that

1210
01:08:42,880 --> 01:08:45,240
Speaker 1: ship or nobody that ship like a nightmare, like a movie,

1211
01:08:45,320 --> 01:08:47,679
Speaker 1: like I don't even know how to move after the fact.

1212
01:08:47,760 --> 01:08:49,679
Speaker 1: You know what I'm saying, We're gonna We're gonna start

1213
01:08:49,720 --> 01:08:55,599
Speaker 1: a revolution, but you know our own bitch, We're gonna

1214
01:08:55,640 --> 01:08:58,120
Speaker 1: set them back up. Listen, I'm gonna watch all right,

1215
01:08:58,240 --> 01:09:00,200
Speaker 1: I gonna come out of the documentary and three is

1216
01:09:00,320 --> 01:09:03,880
Speaker 1: you think I'm bullshit? I'm finding a bit right. That

1217
01:09:04,080 --> 01:09:09,200
Speaker 1: bitch that was came to Aventure. It's gonna care. I

1218
01:09:09,240 --> 01:09:15,160
Speaker 1: don't know how. I'm sorry, yo yo home. Let's way

1219
01:09:15,160 --> 01:09:17,320
Speaker 1: for the FEN, should we It's wait for your fen.

1220
01:09:17,360 --> 01:09:18,680
Speaker 1: That's way for her fense, so we can do it

1221
01:09:18,920 --> 01:09:20,960
Speaker 1: and then we're gonna go into positive ship. So sorry,

1222
01:09:21,240 --> 01:09:22,519
Speaker 1: but I had to get this out there because I'm

1223
01:09:22,640 --> 01:09:25,280
Speaker 1: a journalist. I'm a fernalist. You know what I'm saying.

1224
01:09:27,120 --> 01:09:29,280
Speaker 1: I went too far. No you didn't go too far.

1225
01:09:29,760 --> 01:09:32,000
Speaker 1: You didn't go too far. When who's the department? Maybe

1226
01:09:33,760 --> 01:09:41,519
Speaker 1: we're talking that's my But this is great, This is great.

1227
01:09:41,640 --> 01:09:45,920
Speaker 1: This islet just say, y'all know this is great media.

1228
01:09:46,479 --> 01:09:48,560
Speaker 1: This that's what it is. It's real talk. You know

1229
01:09:48,600 --> 01:09:51,200
Speaker 1: what I mean. You came see me yesterday, we were

1230
01:09:51,240 --> 01:09:53,880
Speaker 1: sitting down, we drink, and you really it's a kill

1231
01:09:53,920 --> 01:09:57,400
Speaker 1: a guy. Yeah, that's very that's very because to kill

1232
01:09:57,439 --> 01:10:00,800
Speaker 1: us aggressive drink. Now, it's not hannessy, it's an aggressive drink.

1233
01:10:00,800 --> 01:10:04,479
Speaker 1: I don't drink. Honestly, I don't know why you That's

1234
01:10:04,479 --> 01:10:14,160
Speaker 1: what I'm saying. In my car used to carry who

1235
01:10:14,200 --> 01:10:17,760
Speaker 1: are you talking about? Before the shot? Shot? So? Was

1236
01:10:17,840 --> 01:10:21,600
Speaker 1: it was right? It was that wrong? Was right? I

1237
01:10:21,640 --> 01:10:35,280
Speaker 1: didn't I just said someone random solo. Yeah. Hm, I'm

1238
01:10:35,320 --> 01:10:41,200
Speaker 1: not gonna lie. I have a kamplaint. We've been doing

1239
01:10:41,240 --> 01:10:44,599
Speaker 1: this for quite time. We know at some point we're

1240
01:10:44,600 --> 01:10:49,280
Speaker 1: gonna take a shot. Why doesn't nobody chill the bottle?

1241
01:10:49,400 --> 01:10:52,200
Speaker 1: None of our bottles are chilled. Yeah, I'm not gonna lie.

1242
01:10:52,200 --> 01:10:58,840
Speaker 1: In Columbia, White, you haven't had COMMI White, Columbia. Let

1243
01:10:58,880 --> 01:11:01,080
Speaker 1: me tell you something. If you want to slip cocaine

1244
01:11:01,080 --> 01:11:05,000
Speaker 1: without slipping cocaine. Just hit that Columbia works. That is

1245
01:11:05,040 --> 01:11:09,240
Speaker 1: a bit of my liquor right here. I want the ending.

1246
01:11:10,080 --> 01:11:19,000
Speaker 1: No tequila, it's just all yeah, it's the national drink

1247
01:11:19,000 --> 01:11:24,000
Speaker 1: of Colia. Practice. Yeah, you've never been a Columbia. Nah

1248
01:11:24,120 --> 01:11:29,719
Speaker 1: on the outro. Maybe No, I'm not gonna likes him crazy.

1249
01:11:29,920 --> 01:11:33,360
Speaker 1: I love him on my when I swear he's one

1250
01:11:33,360 --> 01:11:35,320
Speaker 1: of my closest friend, I love him. But when it

1251
01:11:35,400 --> 01:11:38,960
Speaker 1: comes to that, I agree with him promoting it, but

1252
01:11:39,200 --> 01:11:43,040
Speaker 1: I want him to chill it. That's all put two.

1253
01:11:44,280 --> 01:11:47,679
Speaker 1: I'm bugged that you never heard of you never had Columbia, bitch.

1254
01:11:47,760 --> 01:11:52,680
Speaker 1: Come on, bro, you never heard you not thing down. Bro,

1255
01:11:53,160 --> 01:12:00,880
Speaker 1: you never never had I drinks. But you know, it's

1256
01:12:00,880 --> 01:12:04,080
Speaker 1: just like Ganya from Puerto Rico to It's the same

1257
01:12:04,120 --> 01:12:09,200
Speaker 1: as Kanya. Listen. Listen is very similar. It's the process

1258
01:12:09,240 --> 01:12:13,000
Speaker 1: before rom young Bird and everything. Man, trust me, brot

1259
01:12:13,400 --> 01:12:15,479
Speaker 1: I know this roller decks man, I took me. I

1260
01:12:15,600 --> 01:12:17,439
Speaker 1: know I know the dregs he took down. Bro, he

1261
01:12:17,479 --> 01:12:19,000
Speaker 1: don't even want to he don't even want to make

1262
01:12:19,040 --> 01:12:21,320
Speaker 1: some of that. I like it. I like that. That's

1263
01:12:21,320 --> 01:12:26,479
Speaker 1: what makes some But you ever thinking like certain envisions

1264
01:12:26,479 --> 01:12:29,200
Speaker 1: with you just for the beats, because I mean I

1265
01:12:29,240 --> 01:12:33,519
Speaker 1: would take it just for the yea like now like

1266
01:12:34,000 --> 01:12:36,080
Speaker 1: you know, like it's it's it's it's women that hit

1267
01:12:36,160 --> 01:12:41,000
Speaker 1: me up that like one of um like well damn no,

1268
01:12:41,240 --> 01:12:45,000
Speaker 1: Like I've experienced artists, right, not some random chick that's

1269
01:12:45,000 --> 01:12:46,880
Speaker 1: just all suddenly want to be an artist. It's weird

1270
01:12:46,920 --> 01:12:50,360
Speaker 1: because of like I'm taking to either story, like there's

1271
01:12:50,360 --> 01:12:53,400
Speaker 1: a surge of female m c s now, you know

1272
01:12:53,439 --> 01:12:56,120
Speaker 1: what I'm saying, So, like I think there are a

1273
01:12:56,200 --> 01:12:58,080
Speaker 1: lot of women think that it's possible. You know what

1274
01:12:58,160 --> 01:13:00,880
Speaker 1: I'm saying, upcoming girls. It's girls you don't even know of.

1275
01:13:01,040 --> 01:13:03,639
Speaker 1: You know what I'm saying. I meet women that I'm

1276
01:13:03,680 --> 01:13:06,680
Speaker 1: attracted to that I'm actually trying to date, and then

1277
01:13:07,040 --> 01:13:11,960
Speaker 1: they'll be like but I rap two. So I don't

1278
01:13:11,960 --> 01:13:13,880
Speaker 1: know if like I'm getting at this point they try

1279
01:13:13,920 --> 01:13:17,120
Speaker 1: to take you, I don't know, you know what I'm saying.

1280
01:13:17,160 --> 01:13:20,360
Speaker 1: Like it's weird because like it's like a mind gag

1281
01:13:20,400 --> 01:13:23,120
Speaker 1: because like are you it's just a business meeting or

1282
01:13:23,320 --> 01:13:26,680
Speaker 1: like a business meeting, like are you here to like

1283
01:13:27,640 --> 01:13:30,320
Speaker 1: it's business way Okay, So I don't don't know. It's

1284
01:13:30,320 --> 01:13:34,840
Speaker 1: a little weird. But are you looking for love? Yeah? Yeah,

1285
01:13:35,240 --> 01:13:37,680
Speaker 1: I'm trying to get locked down locked I don't know.

1286
01:13:38,080 --> 01:13:40,880
Speaker 1: I'm never just gonna be with one woman. Where is

1287
01:13:40,920 --> 01:13:44,560
Speaker 1: this show going? I don't know. I never know what

1288
01:13:44,720 --> 01:13:49,200
Speaker 1: this show is going to. You know, it's fantastic. We

1289
01:13:50,000 --> 01:13:53,920
Speaker 1: don't have enough women here coming women? You know, I

1290
01:13:54,000 --> 01:13:57,040
Speaker 1: forgot who then inself, I said, I don't think you

1291
01:13:57,080 --> 01:13:59,439
Speaker 1: should bring your girl? Did not hear you say that?

1292
01:13:59,560 --> 01:14:02,640
Speaker 1: All your shows are like a niggers things like we

1293
01:14:02,680 --> 01:14:06,880
Speaker 1: got man Pool six No fool? Okay? But you know

1294
01:14:07,040 --> 01:14:09,680
Speaker 1: what is this hip hop? And at the beginning the

1295
01:14:09,760 --> 01:14:11,880
Speaker 1: only business that came to the parties was the business

1296
01:14:11,880 --> 01:14:16,840
Speaker 1: with sneakers. I don't like the bitches sneakers. I like

1297
01:14:16,960 --> 01:14:20,000
Speaker 1: rad bottom business. I'm sorry, I'm going to be be

1298
01:14:20,840 --> 01:14:28,240
Speaker 1: barred to me again. I'm sorry. Let me know that,

1299
01:14:28,640 --> 01:14:31,840
Speaker 1: all right? So, but right now you look like baby

1300
01:14:31,960 --> 01:14:39,960
Speaker 1: ice Cube? Really baby? You know old black l a, right?

1301
01:14:41,840 --> 01:14:45,120
Speaker 1: Is that rubbing off on you? Negative? You're gonna be

1302
01:14:45,200 --> 01:14:47,120
Speaker 1: shot town nigga for the rest of your for sure

1303
01:14:47,160 --> 01:14:49,040
Speaker 1: that that ship is embedded in me. But I mean no,

1304
01:14:49,120 --> 01:14:52,080
Speaker 1: I'm at late nigger too, like a lot like Chicago

1305
01:14:52,840 --> 01:15:00,120
Speaker 1: at fourteen years Yeah, yeah, I'm fourteen years after you.

1306
01:15:00,280 --> 01:15:03,000
Speaker 1: You're a Miami, Miami. They I gotta I gotta claim it.

1307
01:15:03,280 --> 01:15:06,320
Speaker 1: You're Miami. I'll be saying, I'll be saying back that up,

1308
01:15:09,680 --> 01:15:18,560
Speaker 1: saying say yea, I went to New York with that.

1309
01:15:18,680 --> 01:15:22,519
Speaker 1: They killed me. I was like, you go over there.

1310
01:15:22,560 --> 01:15:32,200
Speaker 1: I was like, yeah, that up, Like I'll be there

1311
01:15:33,640 --> 01:15:37,120
Speaker 1: because been that up somebody And that's why they all laugh.

1312
01:15:37,200 --> 01:15:39,400
Speaker 1: So who the baddest beach that you smash? When you

1313
01:15:39,680 --> 01:15:42,960
Speaker 1: say yo yo yo y I have my day. What

1314
01:15:43,040 --> 01:15:45,439
Speaker 1: I'm saying, Yeah, back in the day, like when you

1315
01:15:45,680 --> 01:15:51,840
Speaker 1: was super thut, Like, what's one? But like I guess

1316
01:15:52,880 --> 01:15:57,439
Speaker 1: because you got me on here confessing ship. I ain't

1317
01:15:57,439 --> 01:16:02,760
Speaker 1: gonna lie. I ain't gonna lie. I don't like famous bitches, yo,

1318
01:16:03,760 --> 01:16:07,360
Speaker 1: I don't. I still don't. You never there's not one.

1319
01:16:07,640 --> 01:16:16,479
Speaker 1: You're like, what are you going with this? I'm like, no,

1320
01:16:17,720 --> 01:16:23,800
Speaker 1: I n man, I'm nicky man. No, don't even know

1321
01:16:23,920 --> 01:16:26,200
Speaker 1: its man is my homie. I'm telling you, Like where

1322
01:16:26,240 --> 01:16:28,960
Speaker 1: he from, I really know, Like he's a good dude,

1323
01:16:29,360 --> 01:16:31,080
Speaker 1: like a lot of I don't know. I don't know,

1324
01:16:31,280 --> 01:16:33,519
Speaker 1: but I never knocked I never I never really knocked

1325
01:16:33,520 --> 01:16:36,560
Speaker 1: down famous business. Um, I never. I wasn't into the

1326
01:16:36,600 --> 01:16:40,800
Speaker 1: points I like. I like famous, regular bitches famous, That's

1327
01:16:40,840 --> 01:16:43,720
Speaker 1: what I like that I was. That's like Instagram. I

1328
01:16:43,840 --> 01:16:46,760
Speaker 1: was in the Megan Stadion from forty projects, you know,

1329
01:16:47,160 --> 01:16:50,000
Speaker 1: not Megan stuff. You know what I'm saying from one

1330
01:16:50,040 --> 01:17:00,600
Speaker 1: fight too now, I say from high Lea. You know

1331
01:17:01,040 --> 01:17:04,760
Speaker 1: that's the type of y'all video vixing famous one back

1332
01:17:04,800 --> 01:17:07,160
Speaker 1: in the day, some famous video vixing. No, you know,

1333
01:17:07,200 --> 01:17:08,840
Speaker 1: I would even called the little one a little crazy

1334
01:17:08,880 --> 01:17:11,679
Speaker 1: on the video soup. That's that's one for the Hurricane

1335
01:17:11,720 --> 01:17:22,040
Speaker 1: Cup Hurricane I was quarantining quarantine like sexy. Can I

1336
01:17:22,120 --> 01:17:25,360
Speaker 1: believe you bring me ecstasy too? I don't like, I

1337
01:17:25,400 --> 01:17:32,040
Speaker 1: don't ecstasy. And he don't mean to act like he was.

1338
01:17:32,160 --> 01:17:38,519
Speaker 1: My dad never did I was. I never did, even

1339
01:17:38,600 --> 01:17:42,240
Speaker 1: sitting back like you calling stock like why you right?

1340
01:17:47,640 --> 01:17:52,640
Speaker 1: We put a lot of people, Yeah, he was. The

1341
01:17:52,680 --> 01:17:56,720
Speaker 1: play was one stop, one stop with Miami. It kind

1342
01:17:56,760 --> 01:17:59,280
Speaker 1: of was one stop. But this is the crazy about

1343
01:17:59,280 --> 01:18:01,800
Speaker 1: ear Fin. He's gonna give you ecstasy, he's gonna give

1344
01:18:01,800 --> 01:18:05,200
Speaker 1: you marijuana. Be's gonna get sixteen from you. It's going

1345
01:18:05,240 --> 01:18:11,640
Speaker 1: to have the portable book had a portable booth. No,

1346
01:18:12,040 --> 01:18:13,920
Speaker 1: you don't understand what I'm saying. Back in the day,

1347
01:18:14,240 --> 01:18:16,880
Speaker 1: we had a two inch rail eight It's like a dork.

1348
01:18:17,240 --> 01:18:19,000
Speaker 1: It was like you had to like, you know, a door,

1349
01:18:19,320 --> 01:18:22,040
Speaker 1: I said, dark a doorf like a door like a

1350
01:18:22,720 --> 01:18:26,599
Speaker 1: little people. Look, you had to pick it up. That's

1351
01:18:26,600 --> 01:18:30,599
Speaker 1: the record. And this guy had the only portable student.

1352
01:18:30,640 --> 01:18:34,400
Speaker 1: I never I never asked him, how the funk you

1353
01:18:34,439 --> 01:18:37,200
Speaker 1: don't have an eight inch doorf with you? You got

1354
01:18:37,280 --> 01:18:40,080
Speaker 1: the motherfucking recorded student that moves everywhere. He got it.

1355
01:18:40,400 --> 01:18:43,360
Speaker 1: He got classic freestyles from me. I don't even remember doing.

1356
01:18:44,640 --> 01:18:47,000
Speaker 1: I know he got like two albums worth the material,

1357
01:18:51,600 --> 01:18:53,960
Speaker 1: But do you remember you don't even remember the rails

1358
01:18:54,520 --> 01:19:01,439
Speaker 1: because you're too young, you know. Super Thrug was one

1359
01:19:01,640 --> 01:19:07,360
Speaker 1: one one verse cap like he knows he likes this too.

1360
01:19:07,439 --> 01:19:09,360
Speaker 1: That's why he's take cap because he wants me to

1361
01:19:09,400 --> 01:19:17,040
Speaker 1: tell this cap one each two verses, how many verses

1362
01:19:17,080 --> 01:19:20,720
Speaker 1: on verses? All three verses was the same tape, just

1363
01:19:21,160 --> 01:19:23,679
Speaker 1: straight through. We didn't know how to do what take

1364
01:19:23,920 --> 01:19:27,240
Speaker 1: was that. I ain't gonna lie. He might got me

1365
01:19:27,320 --> 01:19:29,680
Speaker 1: on that and who's that singing in the background. Is

1366
01:19:29,720 --> 01:19:34,160
Speaker 1: that Kalise? That was not Calise, never was Kalise. I

1367
01:19:34,200 --> 01:19:38,160
Speaker 1: apologize for people who think that's Kalise because Plie came later.

1368
01:19:38,320 --> 01:19:42,639
Speaker 1: But who's that? Damn you look Google man, you people

1369
01:19:44,080 --> 01:19:48,120
Speaker 1: guests in in front of Come on bro, come on, Tammy, Lucas,

1370
01:19:48,280 --> 01:19:51,120
Speaker 1: damn you correct. So that was the only part I

1371
01:19:51,280 --> 01:19:54,120
Speaker 1: changed on Bird is when for roll gay to me,

1372
01:19:54,840 --> 01:19:59,800
Speaker 1: she was singing. She was singing, yeah, yeah, yeah, yeah,

1373
01:20:00,200 --> 01:20:14,320
Speaker 1: don't do it ever again. But it recreated that moment.

1374
01:20:16,880 --> 01:20:19,320
Speaker 1: So I called for Road. I said, can I change

1375
01:20:19,400 --> 01:20:25,759
Speaker 1: up to say what? Why? What? He was like, of course,

1376
01:20:26,320 --> 01:20:28,400
Speaker 1: and he did that. And the thing is, I told

1377
01:20:28,439 --> 01:20:30,439
Speaker 1: you this yesterday, but I'm gonna say it again. That's

1378
01:20:30,479 --> 01:20:32,599
Speaker 1: how I used to count bars that was never supposed

1379
01:20:32,600 --> 01:20:35,960
Speaker 1: to be a hook what what what? What? What? What? What? What? What? What? What? What? What?

1380
01:20:36,479 --> 01:20:38,600
Speaker 1: To the place holder for the bars that heard you

1381
01:20:38,680 --> 01:20:45,559
Speaker 1: back there? You still don't know how to count still

1382
01:20:45,640 --> 01:20:52,680
Speaker 1: counterbars still don't come. And that's how. And it was

1383
01:20:52,720 --> 01:20:55,479
Speaker 1: crazy because I was doing right track with colding studios,

1384
01:20:55,880 --> 01:20:59,200
Speaker 1: and I remember I laid the whole ship and I

1385
01:20:59,280 --> 01:21:02,360
Speaker 1: could see for Els and Chad and Rob Walker and

1386
01:21:02,439 --> 01:21:04,240
Speaker 1: people that there was a kind of amazed, like, Yo,

1387
01:21:04,400 --> 01:21:07,400
Speaker 1: this dude just laid the hole. But that's what I did,

1388
01:21:08,240 --> 01:21:09,760
Speaker 1: because at that time, that's what I did. So I

1389
01:21:09,880 --> 01:21:12,559
Speaker 1: just laid it. And how many takes did it take

1390
01:21:12,680 --> 01:21:14,439
Speaker 1: to get that one? I don't want to show off,

1391
01:21:14,520 --> 01:21:17,160
Speaker 1: but I think that was the first tape. I don't

1392
01:21:17,160 --> 01:21:26,280
Speaker 1: want to but you went on that scene. No, definitely, precacy, definitely,

1393
01:21:26,720 --> 01:21:28,679
Speaker 1: But I would love to give the excess to the proms.

1394
01:21:28,760 --> 01:21:31,920
Speaker 1: Just trust me. But that was that era. You had

1395
01:21:32,000 --> 01:21:34,599
Speaker 1: the song done before you got to the studio. Now

1396
01:21:34,760 --> 01:21:36,960
Speaker 1: let me let me explain to you. This is the

1397
01:21:37,000 --> 01:21:39,400
Speaker 1: first day I met for I walked in the studio

1398
01:21:39,479 --> 01:21:41,800
Speaker 1: and Sound on Sound studios. A lot of people don't

1399
01:21:41,800 --> 01:21:43,840
Speaker 1: know about Sound on Sound studio. Sound on Sound studiol

1400
01:21:43,920 --> 01:21:47,960
Speaker 1: was across the street from Bad Boy Studios. It was

1401
01:21:48,040 --> 01:21:51,880
Speaker 1: around the corner Biggie. It was so hot at the time.

1402
01:21:52,000 --> 01:21:54,800
Speaker 1: Biggie didn't want to use bad Boy Studios, so he

1403
01:21:54,920 --> 01:21:57,320
Speaker 1: would come around the corner and Sound on Sound with me.

1404
01:21:58,479 --> 01:22:00,679
Speaker 1: So it's only two studios, but the Sound on Sounds

1405
01:22:00,680 --> 01:22:04,439
Speaker 1: students upstairs and the downstairs. So Biggie we have upstairs

1406
01:22:04,479 --> 01:22:06,800
Speaker 1: and I got downstairs and I'm looking like, yo, bag,

1407
01:22:06,880 --> 01:22:09,400
Speaker 1: can you go back to bad boy? Like I'm on

1408
01:22:09,520 --> 01:22:16,360
Speaker 1: the way. Too much pressure the baby. So anyway, okay,

1409
01:22:16,360 --> 01:22:17,759
Speaker 1: well I was gonna bringing this up for I forgot

1410
01:22:17,840 --> 01:22:20,280
Speaker 1: I was going. We were talking about one takes on real.

1411
01:22:21,680 --> 01:22:25,840
Speaker 1: So I walk in there for all goals. He quotes

1412
01:22:25,840 --> 01:22:27,920
Speaker 1: bloody money to me. He goes, you all get the

1413
01:22:27,960 --> 01:22:30,400
Speaker 1: bloody money already, cash, a lot of things, smoke, we

1414
01:22:30,760 --> 01:22:36,719
Speaker 1: call sta, You're sneak, quiet, talk about me, and I'm looking.

1415
01:22:36,920 --> 01:22:39,280
Speaker 1: He just he knows every lyric because I'm looking. I

1416
01:22:39,439 --> 01:22:42,360
Speaker 1: want to because I don't never say. I say, New York,

1417
01:22:42,400 --> 01:22:44,680
Speaker 1: get the bloody money, dirty cash, live niggas, smoke, we

1418
01:22:45,040 --> 01:22:48,160
Speaker 1: cast the stash, your monkey, walk on, hunch back, sneak, quiet,

1419
01:22:48,760 --> 01:22:52,280
Speaker 1: talk about me, gossup, scared the death. When I pop up,

1420
01:22:52,600 --> 01:22:56,639
Speaker 1: everyone says, talk about me, gossa. We think you're flipping

1421
01:22:56,680 --> 01:23:03,880
Speaker 1: Spanish you. It's a lie. I said, talk about me

1422
01:23:03,960 --> 01:23:06,800
Speaker 1: and gossip. So I was waiting for all to make

1423
01:23:06,880 --> 01:23:10,720
Speaker 1: that mistake, and he said talk about me gossip. When

1424
01:23:10,760 --> 01:23:15,400
Speaker 1: I looked and I said, he's on and what mind you?

1425
01:23:15,560 --> 01:23:17,960
Speaker 1: Soon as he finished, he told me I'm not a

1426
01:23:18,000 --> 01:23:21,760
Speaker 1: thug at all. He told him, Yes, it is the

1427
01:23:21,840 --> 01:23:25,439
Speaker 1: most verse I've ever spit. He's like, I'm not a

1428
01:23:25,479 --> 01:23:28,200
Speaker 1: thug at all. He's like, I have one thug bone

1429
01:23:28,200 --> 01:23:30,080
Speaker 1: in my body. And I was like, I like this

1430
01:23:30,160 --> 01:23:32,960
Speaker 1: guy immediate because I like that, like keep it real.

1431
01:23:33,960 --> 01:23:35,560
Speaker 1: They played me one beat, play me another beat, and

1432
01:23:35,560 --> 01:23:38,360
Speaker 1: he said this other beat, don't listen to. And that's

1433
01:23:38,360 --> 01:23:41,519
Speaker 1: when I got on the plane landed in Miami Kid Hotel.

1434
01:23:41,640 --> 01:23:49,479
Speaker 1: But never forget it. They can't I wash it when

1435
01:23:49,520 --> 01:23:52,519
Speaker 1: it was still trash. It was dope trash. It was.

1436
01:23:52,640 --> 01:23:55,160
Speaker 1: It was that time that we did the interview with academic.

1437
01:23:55,240 --> 01:23:59,519
Speaker 1: Everybody know it's a kid hotel, Okay, I don't. I

1438
01:23:59,560 --> 01:24:03,080
Speaker 1: don't know what every Yeah, I just went. I know.

1439
01:24:03,200 --> 01:24:06,439
Speaker 1: I went downstairs and all my nigas was so happy

1440
01:24:06,520 --> 01:24:09,840
Speaker 1: being downstairs because they didn't realize that every miss they

1441
01:24:09,880 --> 01:24:12,680
Speaker 1: told to was a hooker. They didn't realize that. I

1442
01:24:12,840 --> 01:24:16,519
Speaker 1: realized that. I realized the earlier on I looked at

1443
01:24:16,560 --> 01:24:19,160
Speaker 1: the chicken. Chick said you don't want the party. I said, Uh,

1444
01:24:19,560 --> 01:24:24,040
Speaker 1: it's either party means either coke gang whatever. Party. You

1445
01:24:24,760 --> 01:24:31,479
Speaker 1: not with that? And I didn't got so. I remember

1446
01:24:31,560 --> 01:24:35,080
Speaker 1: the room, but it was remember the I played the

1447
01:24:35,200 --> 01:24:37,400
Speaker 1: seed and it's the first time I've ever seen that

1448
01:24:37,479 --> 01:24:40,920
Speaker 1: the producer made a beat for me. It's just that man, well,

1449
01:24:42,320 --> 01:24:44,439
Speaker 1: you know, And I was just like I had just

1450
01:24:44,840 --> 01:24:48,519
Speaker 1: I had just google the English Channel and I was like,

1451
01:24:48,640 --> 01:24:53,120
Speaker 1: the English Channel people run and swim, do ship like this,

1452
01:24:53,840 --> 01:24:55,639
Speaker 1: and my man just died. So a lot of people

1453
01:24:55,640 --> 01:24:58,120
Speaker 1: don't understand what I'm saying. In the first of all,

1454
01:24:58,280 --> 01:25:01,120
Speaker 1: I say, I light a candle, light the camera because

1455
01:25:01,200 --> 01:25:04,920
Speaker 1: my friend just died. Run laps around the English Channel

1456
01:25:05,360 --> 01:25:07,400
Speaker 1: and that tunes. I got a cock of span you.

1457
01:25:07,479 --> 01:25:11,439
Speaker 1: At the time, you was a pistol, so we was

1458
01:25:11,640 --> 01:25:14,760
Speaker 1: naming it. So a lot of it was just like this,

1459
01:25:14,880 --> 01:25:22,800
Speaker 1: think it don't make no sense, stupid the bridge that

1460
01:25:23,040 --> 01:25:27,840
Speaker 1: this isn't like style that was after I can see

1461
01:25:27,840 --> 01:25:30,280
Speaker 1: that might have been the greatest question I've ever got, asked, bro,

1462
01:25:30,560 --> 01:25:32,519
Speaker 1: hold On, I have no idea, Bro, that has to

1463
01:25:32,600 --> 01:25:34,240
Speaker 1: be for us doing I could see that being for

1464
01:25:34,439 --> 01:25:37,040
Speaker 1: us doing that. He didn't ask. He didn't ask that.

1465
01:25:37,240 --> 01:25:41,920
Speaker 1: He asked, wasn't there as I'm laying the verse because

1466
01:25:41,920 --> 01:25:47,360
Speaker 1: he said the hook like it if I didn't think

1467
01:25:47,400 --> 01:25:49,080
Speaker 1: it was there, I kind of I can now that

1468
01:25:49,160 --> 01:25:51,280
Speaker 1: you say it because you sold me up that it

1469
01:25:51,439 --> 01:25:55,120
Speaker 1: was such a great question. Is I think it was

1470
01:25:55,200 --> 01:25:59,519
Speaker 1: dead when you're saying you recorded superdrug here? No I recorded.

1471
01:25:59,760 --> 01:26:02,240
Speaker 1: I wrote super Thug in the kids Hotel. I wrote

1472
01:26:02,320 --> 01:26:07,000
Speaker 1: it straight. Sometimes I heard somebody saying, listen at this time,

1473
01:26:08,680 --> 01:26:12,360
Speaker 1: Pete Rock, you know they're not doing beats for you.

1474
01:26:12,560 --> 01:26:14,400
Speaker 1: That's that they're saying. You come to the studio, you

1475
01:26:14,479 --> 01:26:16,040
Speaker 1: do a beat for me. For all, did a beat

1476
01:26:16,080 --> 01:26:19,559
Speaker 1: for me without me being the studio. And let's be clear,

1477
01:26:19,760 --> 01:26:23,439
Speaker 1: that's very cocky and confident of him. He put my

1478
01:26:23,720 --> 01:26:27,040
Speaker 1: name on it like he's going to take it that

1479
01:26:27,439 --> 01:26:29,519
Speaker 1: that was hard. And I looked and I had the

1480
01:26:29,560 --> 01:26:31,400
Speaker 1: number one record in New York. I thought it was

1481
01:26:31,439 --> 01:26:33,960
Speaker 1: the number one in the world because I found like

1482
01:26:34,000 --> 01:26:40,200
Speaker 1: New York the world in New York everywhere else and

1483
01:26:40,320 --> 01:26:44,200
Speaker 1: when it was like and that was a groundbreaking record

1484
01:26:44,240 --> 01:26:46,280
Speaker 1: because someone from New York, that record sound like a

1485
01:26:46,360 --> 01:26:53,040
Speaker 1: South That was a South record on that motherfucker. Yeah,

1486
01:26:54,840 --> 01:26:57,200
Speaker 1: listen to me. So I think this nig is a

1487
01:26:57,400 --> 01:27:00,120
Speaker 1: motherfucker's smart dude. I don't gonna stop saying that. We

1488
01:27:00,200 --> 01:27:08,120
Speaker 1: gotta stop it now that goes you're bringing it out

1489
01:27:08,160 --> 01:27:10,120
Speaker 1: of me right now, I'm blaming you all the way.

1490
01:27:12,439 --> 01:27:20,240
Speaker 1: I'm that's a joke. Everybody knows we're joking. But I'm

1491
01:27:20,280 --> 01:27:24,320
Speaker 1: not gonna lie when I did that and I've seen

1492
01:27:24,960 --> 01:27:29,439
Speaker 1: because what what was made up? I'm gonna say something

1493
01:27:29,479 --> 01:27:35,120
Speaker 1: I probably never said before we did L A L

1494
01:27:35,200 --> 01:27:39,519
Speaker 1: A the record. I was disgusted in this session because,

1495
01:27:40,320 --> 01:27:42,920
Speaker 1: and I'm saying this will all due respect, but every

1496
01:27:43,000 --> 01:27:46,800
Speaker 1: one of these guys are hyper dudes. But at the

1497
01:27:46,880 --> 01:27:51,679
Speaker 1: time Niles was winning so much, everybody wanted to be smooth.

1498
01:27:52,600 --> 01:27:58,560
Speaker 1: So everybody versus like, have you ever been to Queensbridge?

1499
01:27:59,400 --> 01:28:04,560
Speaker 1: There's not a smooth person. There's not a smooth So

1500
01:28:04,720 --> 01:28:07,640
Speaker 1: that's what what once was? What what? What? What? What?

1501
01:28:08,280 --> 01:28:11,719
Speaker 1: Just looking like y'o what the funk? Why y'all acting

1502
01:28:11,800 --> 01:28:19,880
Speaker 1: like it translated? I made some money off it, but

1503
01:28:20,240 --> 01:28:22,040
Speaker 1: shout out to for real he produced it. Ship out

1504
01:28:22,080 --> 01:28:24,599
Speaker 1: that motherfucker, Like I was saying a story like how

1505
01:28:24,680 --> 01:28:27,640
Speaker 1: you ain't even know this and know that I've experienced

1506
01:28:27,680 --> 01:28:30,640
Speaker 1: them type of situations like I've been that, Like that

1507
01:28:31,120 --> 01:28:33,639
Speaker 1: was the hook and then if he comes. The hook

1508
01:28:33,840 --> 01:28:38,320
Speaker 1: is the time when you like artists doubted you and

1509
01:28:38,479 --> 01:28:41,240
Speaker 1: you had to like tell them that you please trust

1510
01:28:41,320 --> 01:28:44,559
Speaker 1: me as a producer. As a producer, I know there

1511
01:28:44,560 --> 01:28:49,800
Speaker 1: hasn't been plenty of times once. Uh. I think I

1512
01:28:49,880 --> 01:28:52,080
Speaker 1: did a joint project with Jared Minds had all the

1513
01:28:52,160 --> 01:28:54,160
Speaker 1: sign or whatever that was just like a producer we

1514
01:28:54,240 --> 01:28:58,840
Speaker 1: got I feel like involved. Yeah it's um it's a

1515
01:28:58,960 --> 01:29:02,560
Speaker 1: song called the Light that um I'll produced with A

1516
01:29:02,760 --> 01:29:05,000
Speaker 1: on keys shout out to a on keys. And then

1517
01:29:05,080 --> 01:29:08,000
Speaker 1: we did the record and they kind of like didn't

1518
01:29:08,040 --> 01:29:09,560
Speaker 1: want it to be the single or like you know

1519
01:29:09,600 --> 01:29:13,000
Speaker 1: what I'm saying, and um, not they but j J

1520
01:29:13,200 --> 01:29:15,320
Speaker 1: probably Jeremiah was like I don't think it should be

1521
01:29:15,360 --> 01:29:17,360
Speaker 1: the single, but like I kind of forced the hand

1522
01:29:17,960 --> 01:29:19,760
Speaker 1: and that record got a plaque to it, you know

1523
01:29:19,960 --> 01:29:21,840
Speaker 1: you know what I'm saying. So, but the job with you,

1524
01:29:25,160 --> 01:29:29,760
Speaker 1: jeremiad changed my life. Jeremiah's like the Jeremiah Big Sean

1525
01:29:29,840 --> 01:29:34,479
Speaker 1: hook Big Sean bounced back back. We did. Uh we

1526
01:29:34,600 --> 01:29:37,640
Speaker 1: did that in my house. Yeah, show out to Jeremiah,

1527
01:29:37,760 --> 01:29:41,120
Speaker 1: like he changed my life. Man Like after loving hip hop,

1528
01:29:41,320 --> 01:29:43,839
Speaker 1: like I was feeling like I was getting the cooties

1529
01:29:43,880 --> 01:29:47,920
Speaker 1: again twice. Yeah, I was like I was getting the coo.

1530
01:29:48,400 --> 01:29:52,120
Speaker 1: I definitely had the Coolies four and then Jeremiah like

1531
01:29:52,400 --> 01:29:55,760
Speaker 1: took me on tour with him and yeah, he went

1532
01:29:55,840 --> 01:29:59,320
Speaker 1: on tour with j Cole, Big Sean and h y G.

1533
01:29:59,640 --> 01:30:01,599
Speaker 1: And that's how I met Big Sean. I was able

1534
01:30:01,640 --> 01:30:04,960
Speaker 1: to get him the song bounce Back or whatever. Jeremiah like,

1535
01:30:05,120 --> 01:30:07,960
Speaker 1: he changed my hands down it. My life as hit

1536
01:30:08,040 --> 01:30:10,360
Speaker 1: maker wouldn't be the same without Jeremiah. Let's make a

1537
01:30:10,400 --> 01:30:16,240
Speaker 1: no for Jeremiah. By the way, Jeremiah, don't think I

1538
01:30:16,400 --> 01:30:18,720
Speaker 1: forgot Jeremiah did a record with me. I forget who

1539
01:30:18,800 --> 01:30:22,840
Speaker 1: produced the record. Was it S P. K Or or

1540
01:30:22,920 --> 01:30:25,680
Speaker 1: Charlie Brown. He did a record for me and he

1541
01:30:25,800 --> 01:30:27,800
Speaker 1: helped me down bro. I tried to evoid someone to

1542
01:30:27,880 --> 01:30:29,519
Speaker 1: like give it what's up? And he just like, I

1543
01:30:29,600 --> 01:30:32,640
Speaker 1: got your record with you with Jeremiah, you're scared to

1544
01:30:32,680 --> 01:30:40,000
Speaker 1: put it out like you're scared by the way I

1545
01:30:40,120 --> 01:30:46,680
Speaker 1: like his segments. Scott's good man, you ain't gonna lie.

1546
01:30:47,200 --> 01:30:49,679
Speaker 1: It's your time for you to have your own podcast,

1547
01:30:50,600 --> 01:30:53,320
Speaker 1: to be honest, because you know why, I don't gotta

1548
01:30:53,360 --> 01:30:57,000
Speaker 1: beat the stories out of you. You liked story, you

1549
01:30:57,240 --> 01:31:01,160
Speaker 1: like it, and I'm telling you that's that's a gift

1550
01:31:01,400 --> 01:31:07,719
Speaker 1: that's a gift. Because I'm gonna be honest, I'm starting

1551
01:31:07,800 --> 01:31:13,360
Speaker 1: to listen to people who have only fans. I thought,

1552
01:31:15,080 --> 01:31:19,600
Speaker 1: are you listening to people? But the people that have this,

1553
01:31:19,720 --> 01:31:22,160
Speaker 1: people own it is not naked. And I'm like, yeah,

1554
01:31:22,160 --> 01:31:24,360
Speaker 1: that's Patreon, that's another form of Patreon. I don't know

1555
01:31:24,360 --> 01:31:28,000
Speaker 1: what one of them apps that if you got only fans,

1556
01:31:28,040 --> 01:31:30,840
Speaker 1: you ain't naked, go kill yourself. There's a lot of

1557
01:31:32,080 --> 01:31:37,120
Speaker 1: people that's not naked. Especially think about think about thinking

1558
01:31:37,120 --> 01:31:39,479
Speaker 1: about if you every tweet you you tweet it right,

1559
01:31:39,800 --> 01:31:46,439
Speaker 1: and you can get hunted something to tweet right, and

1560
01:31:46,520 --> 01:31:48,559
Speaker 1: that should just keep piling. But you're not thinking about

1561
01:31:48,600 --> 01:31:51,599
Speaker 1: it that I'm thinking, like, I'm not saying I'm getting

1562
01:31:51,640 --> 01:31:56,240
Speaker 1: only I'm about to say you are. You sound like

1563
01:31:56,320 --> 01:32:00,920
Speaker 1: you crazy? But my point is not only fans. My

1564
01:32:01,160 --> 01:32:04,840
Speaker 1: point is for podcasts. My point is the same way

1565
01:32:04,840 --> 01:32:07,479
Speaker 1: you on Twitter, the same way you want fucking Facebook

1566
01:32:07,479 --> 01:32:10,519
Speaker 1: and Instagram. You're just getting a like or whatever whatever

1567
01:32:10,800 --> 01:32:13,040
Speaker 1: if you sit, because that's what the podcast is. A

1568
01:32:13,120 --> 01:32:16,280
Speaker 1: podcast is like, let me just talk to my people. People.

1569
01:32:16,320 --> 01:32:22,840
Speaker 1: I can't talk that much stories. I'm killing you. You

1570
01:32:22,960 --> 01:32:29,680
Speaker 1: have been doing a great job. Do you think that

1571
01:32:29,920 --> 01:32:33,840
Speaker 1: y'all my favorite podcast. Let me tell you something because

1572
01:32:34,000 --> 01:32:36,800
Speaker 1: I'm being honest with you. You live an interest in life, bro,

1573
01:32:37,320 --> 01:32:41,040
Speaker 1: and most people. I love the fact that you wake

1574
01:32:41,160 --> 01:32:46,320
Speaker 1: up every day, not only because you're rich. But people

1575
01:32:46,400 --> 01:32:49,599
Speaker 1: try to control your narrative, meaning they try to make

1576
01:32:49,680 --> 01:32:53,160
Speaker 1: you your last situation. So if your last situation was what,

1577
01:32:54,360 --> 01:32:57,040
Speaker 1: let me just say my secar or something right like

1578
01:32:57,520 --> 01:33:02,160
Speaker 1: I went in that, I'm sorry, but they try to

1579
01:33:02,200 --> 01:33:17,519
Speaker 1: define't wait wait yeah good, they're trying to define you

1580
01:33:17,640 --> 01:33:20,280
Speaker 1: as that, So you want my se are good? I

1581
01:33:20,400 --> 01:33:23,400
Speaker 1: love my secre. We just went to Mr Child's and

1582
01:33:23,479 --> 01:33:31,960
Speaker 1: then we went the studio. My daughter's that I did.

1583
01:33:32,439 --> 01:33:34,479
Speaker 1: I love her. I love her daughter like you know

1584
01:33:34,520 --> 01:33:36,160
Speaker 1: what I'm saying. Like a daughter is like a start

1585
01:33:36,240 --> 01:33:38,280
Speaker 1: to me, you know what I'm saying. But Maska is

1586
01:33:38,360 --> 01:33:41,400
Speaker 1: also like she's your boss a bit and you're never

1587
01:33:41,439 --> 01:33:45,800
Speaker 1: gonna get married, right, you know you have no ship? No,

1588
01:33:48,080 --> 01:33:50,160
Speaker 1: I don't want I want to contract. I want to

1589
01:33:50,200 --> 01:33:54,280
Speaker 1: do the contract. I'm cool. I cannot. I could be married,

1590
01:33:54,360 --> 01:34:00,519
Speaker 1: but not legally that way, I don't have to, you know,

1591
01:34:00,640 --> 01:34:02,479
Speaker 1: pre number you know what I'm saying, Like a offender.

1592
01:34:02,560 --> 01:34:06,200
Speaker 1: One Dr dre outside right now, you see how outside

1593
01:34:06,280 --> 01:34:16,080
Speaker 1: that sloop? You see the flaw I love, I love, y'all.

1594
01:34:17,920 --> 01:34:20,280
Speaker 1: Was my man said to be nine, But didn't you

1595
01:34:20,280 --> 01:34:23,519
Speaker 1: just see the bitch with him? Why y'all on the

1596
01:34:23,640 --> 01:34:28,080
Speaker 1: lor laying down with your elbows up. Your elbow was

1597
01:34:28,160 --> 01:34:33,120
Speaker 1: out way too fair. That was a great man. I'm

1598
01:34:33,160 --> 01:34:36,040
Speaker 1: with that, but he'd be up. But that's what I'm saying.

1599
01:34:36,080 --> 01:34:38,639
Speaker 1: I think, like you gotta like like falling like deep

1600
01:34:38,720 --> 01:34:41,599
Speaker 1: love get funked up and then you have your daughter

1601
01:34:42,040 --> 01:34:45,200
Speaker 1: Like it ain't no deep, No, this love ship ain't deep.

1602
01:34:45,760 --> 01:34:48,960
Speaker 1: This ship is just a business like this. These girls

1603
01:34:48,960 --> 01:34:52,240
Speaker 1: wants you when you got something and we ain't got

1604
01:34:52,320 --> 01:34:55,640
Speaker 1: nothing on wants you. And then it's a rare percentage

1605
01:34:56,280 --> 01:34:59,040
Speaker 1: that I actually down or whatever. But like I ain't

1606
01:34:59,080 --> 01:35:01,320
Speaker 1: gonna lie, like I've live majority of my life in

1607
01:35:01,400 --> 01:35:04,320
Speaker 1: a public form or whatever, and like I've been me

1608
01:35:04,720 --> 01:35:07,320
Speaker 1: for so it's hard for me to gauge or say

1609
01:35:07,439 --> 01:35:10,680
Speaker 1: like is it because you know what I'm saying, Like

1610
01:35:10,840 --> 01:35:12,920
Speaker 1: you know how certain people be like, man, I know

1611
01:35:13,040 --> 01:35:15,840
Speaker 1: my girl loved me ship, I ain't had nothing when

1612
01:35:15,880 --> 01:35:18,760
Speaker 1: you're when you got money and then you meet a

1613
01:35:18,840 --> 01:35:20,880
Speaker 1: girl it's kind of hard to you know what I'm saying. Shot,

1614
01:35:21,880 --> 01:35:23,840
Speaker 1: So it's one of them. Jesus, So I'm gonna be

1615
01:35:23,880 --> 01:35:27,840
Speaker 1: by myself. However, yeah no, but like like a bunch

1616
01:35:27,880 --> 01:35:30,960
Speaker 1: of vibes, don't you know what I'm saying? You watch

1617
01:35:31,040 --> 01:35:38,000
Speaker 1: the shot? No, very never watched the shot and you

1618
01:35:38,080 --> 01:35:45,160
Speaker 1: formed the cargo. It's good. Where's your friends at right now?

1619
01:35:45,240 --> 01:35:48,360
Speaker 1: Hold on, come over here, brother, You watch the shot?

1620
01:35:48,600 --> 01:35:53,000
Speaker 1: All right? Cool? Yo? Wait a minute, what do you

1621
01:35:53,040 --> 01:36:00,200
Speaker 1: say to the company. But I mean, I expect Billy

1622
01:36:00,240 --> 01:36:02,880
Speaker 1: to watch this shot like Billy is fucking Billy is,

1623
01:36:02,920 --> 01:36:08,000
Speaker 1: and Jack like he does everything expect shot. No, man,

1624
01:36:08,040 --> 01:36:11,360
Speaker 1: you gotta expect me to be in the studio, give

1625
01:36:11,400 --> 01:36:14,120
Speaker 1: me radio and keep killing. Honest, we all got a

1626
01:36:14,200 --> 01:36:17,080
Speaker 1: little vices. We all got our little thing. Listen, this

1627
01:36:17,160 --> 01:36:18,920
Speaker 1: is one thing that I need you to support from

1628
01:36:19,000 --> 01:36:24,680
Speaker 1: your own city. I don't check it out. I'm not

1629
01:36:24,800 --> 01:36:29,519
Speaker 1: gonna lie. I feel like I'm in your city every Sunday. Really,

1630
01:36:29,600 --> 01:36:31,200
Speaker 1: it's one of them. Oh you know, you know I'm

1631
01:36:31,200 --> 01:36:33,360
Speaker 1: black and Porter weekend. You know, like I have my

1632
01:36:33,520 --> 01:36:37,760
Speaker 1: cousins from one side of Chicago and my cousin from

1633
01:36:37,760 --> 01:36:40,040
Speaker 1: the other side called the street from each other. But

1634
01:36:40,160 --> 01:36:41,840
Speaker 1: one is black and one is quarter week in thirty

1635
01:36:41,920 --> 01:36:46,680
Speaker 1: years never death serious. I come to the shot and like,

1636
01:36:47,000 --> 01:36:53,080
Speaker 1: holy shit, you're my cousin. Like, listen, that ship is

1637
01:36:54,400 --> 01:36:58,640
Speaker 1: don't want to watch the shot? Okay, yeah, then you

1638
01:36:58,720 --> 01:37:01,560
Speaker 1: gotta stop watching fucking shows, brol What the fund do

1639
01:37:01,640 --> 01:37:04,000
Speaker 1: I want? I don't even do you watch it? I

1640
01:37:04,120 --> 01:37:06,720
Speaker 1: don't watch TV, bro, you don't watch TV. I just work.

1641
01:37:06,840 --> 01:37:11,960
Speaker 1: My whole life is dedicated to No. I mean I

1642
01:37:12,080 --> 01:37:23,000
Speaker 1: just get on YouTube. You point no, you know I

1643
01:37:23,040 --> 01:37:26,120
Speaker 1: can't believe anybody because we know what this would happened.

1644
01:37:26,560 --> 01:37:29,320
Speaker 1: The other day, I'm watching the shot. This is how

1645
01:37:29,320 --> 01:37:32,559
Speaker 1: I got put onto the shop. I was offended by

1646
01:37:32,600 --> 01:37:35,679
Speaker 1: the way Lena white homie, we're gonna be gonna get holder.

1647
01:37:36,600 --> 01:37:39,479
Speaker 1: But that's that's gotta do with this. One day I'm

1648
01:37:39,520 --> 01:37:42,920
Speaker 1: sitting around talking and a friend, I forget what friends

1649
01:37:42,920 --> 01:37:47,599
Speaker 1: says it. He said, the shot is better than the wire?

1650
01:37:49,760 --> 01:37:53,280
Speaker 1: Is it in the same vein of the wire? It's

1651
01:37:53,280 --> 01:37:56,760
Speaker 1: in the same vegor But k I threw a book

1652
01:37:56,800 --> 01:38:00,800
Speaker 1: bag at the nigg what e it was next to

1653
01:38:00,880 --> 01:38:02,479
Speaker 1: me when he said the shot is better than the

1654
01:38:02,520 --> 01:38:07,439
Speaker 1: white stewish and he's like, I think I'm bullshit gonna

1655
01:38:07,439 --> 01:38:10,160
Speaker 1: watch him now. He shouldn't have said it's better. He

1656
01:38:10,160 --> 01:38:17,080
Speaker 1: should have said it, and we're ahead. When you feel,

1657
01:38:17,080 --> 01:38:20,240
Speaker 1: when you feel, you feel, nah, I feel it is, Bro,

1658
01:38:26,400 --> 01:38:27,960
Speaker 1: I can't tell you that. I can't tell you the

1659
01:38:28,040 --> 01:38:30,720
Speaker 1: shot is not real. Bro, listen, I ain't gonna lie

1660
01:38:30,760 --> 01:38:33,400
Speaker 1: to you because all right, so you guys been to Bortomore.

1661
01:38:33,439 --> 01:38:37,120
Speaker 1: Obviously you guys been to Bortomore. Have you guys spend time?

1662
01:38:37,160 --> 01:38:39,320
Speaker 1: I spend time in the shot, like my half of

1663
01:38:39,400 --> 01:38:42,599
Speaker 1: my family, my old Bato Rican family. That's the only

1664
01:38:42,680 --> 01:38:44,920
Speaker 1: thing missing in the show is that they ain't got

1665
01:38:44,960 --> 01:38:51,760
Speaker 1: gonna Porto Ricans. That's the only thing it Mexicans. Yeah, bro,

1666
01:38:51,880 --> 01:38:54,439
Speaker 1: it's Porto Rican and Mexican people. I know. That's the

1667
01:38:54,520 --> 01:38:58,160
Speaker 1: only that's the only thing that I have got caught

1668
01:38:58,160 --> 01:39:04,719
Speaker 1: out of out Chappo first operation was getting very emotions.

1669
01:39:04,960 --> 01:39:08,600
Speaker 1: But holy sh it, so so all right, hit me out, now,

1670
01:39:08,720 --> 01:39:10,720
Speaker 1: hit me out. So God says this is better than

1671
01:39:10,800 --> 01:39:14,479
Speaker 1: the wire. So I throw a book bag out with books.

1672
01:39:16,040 --> 01:39:18,280
Speaker 1: I'm just wondering. You know, it's you know his name,

1673
01:39:18,360 --> 01:39:25,280
Speaker 1: it's probably so and then so my wife is watching it.

1674
01:39:26,000 --> 01:39:28,760
Speaker 1: So I'm like, allright, cool, I'm just a hater, Like

1675
01:39:28,840 --> 01:39:32,479
Speaker 1: I don't know want anybody. If you tell me anything,

1676
01:39:32,520 --> 01:39:37,559
Speaker 1: it's better than Curb Your Enthusiasm, Sopranos or The Wire.

1677
01:39:38,200 --> 01:39:42,960
Speaker 1: I don't like you is the greatest show of right

1678
01:39:43,000 --> 01:39:51,400
Speaker 1: there with the right Okay. Yeah. So when the person

1679
01:39:51,520 --> 01:39:53,599
Speaker 1: says that to me and I see my wife watching,

1680
01:39:53,920 --> 01:39:55,640
Speaker 1: then one day I just like, you know what, fuck it?

1681
01:39:56,560 --> 01:40:00,400
Speaker 1: So I watched one episode now watched it myself. And

1682
01:40:00,800 --> 01:40:04,200
Speaker 1: if you're a person who performed in the House of

1683
01:40:04,280 --> 01:40:09,720
Speaker 1: Blues in Chicago recently, were young person who went to

1684
01:40:09,840 --> 01:40:15,760
Speaker 1: Sammy's and compete greenbrainy Green, you know, unless you went

1685
01:40:15,800 --> 01:40:20,880
Speaker 1: to the other one. I'm just I've been to my

1686
01:40:22,600 --> 01:40:30,400
Speaker 1: give me another one. They tore down Compretty Green. So

1687
01:40:30,640 --> 01:40:32,760
Speaker 1: when I used to go to complete Listen, I was

1688
01:40:32,880 --> 01:40:36,280
Speaker 1: com pretty Green one time and I pulled up in

1689
01:40:36,360 --> 01:40:39,240
Speaker 1: Sammy's is a chicken spot? I say it on all

1690
01:40:39,320 --> 01:40:42,080
Speaker 1: Kelly Chip, Sorry, did Kelly I used when I'm in

1691
01:40:42,120 --> 01:40:44,800
Speaker 1: competely Green? You know, I hit Sammy's. So I went

1692
01:40:44,880 --> 01:40:47,479
Speaker 1: to Sammy's. I came police pulling the guns on me.

1693
01:40:48,160 --> 01:40:50,400
Speaker 1: The whole pride came out. I was like, that's normy

1694
01:40:50,720 --> 01:40:53,679
Speaker 1: put your fucking gun down. That's when I new Chicago

1695
01:40:53,880 --> 01:40:57,840
Speaker 1: is they came out like that, and I was like that,

1696
01:40:58,000 --> 01:41:04,280
Speaker 1: oh ship, but I still came it about week. Help me,

1697
01:41:05,280 --> 01:41:10,040
Speaker 1: let's make around this. Let me ask you this. Let

1698
01:41:10,080 --> 01:41:14,479
Speaker 1: me ask you this. Being from Chicago. The problem that

1699
01:41:14,600 --> 01:41:17,479
Speaker 1: I think that happened in Chicago is they took the

1700
01:41:17,560 --> 01:41:20,680
Speaker 1: ogs away. When you got the Larry who was you

1701
01:41:20,800 --> 01:41:24,280
Speaker 1: got all these people who was gang you know, and

1702
01:41:24,360 --> 01:41:27,519
Speaker 1: they took them away. That means the youngest one wild

1703
01:41:27,600 --> 01:41:30,640
Speaker 1: as you think that's the Chicago's problem. I mean, I

1704
01:41:30,760 --> 01:41:34,400
Speaker 1: think that that culture or what we were talking about

1705
01:41:34,600 --> 01:41:38,320
Speaker 1: was probably like my generation was probably the last of it.

1706
01:41:39,280 --> 01:41:41,960
Speaker 1: And their kids, says younger than me, they don't even

1707
01:41:42,120 --> 01:41:44,600
Speaker 1: know what that ship means. So ain't know O G.

1708
01:41:45,600 --> 01:41:49,160
Speaker 1: And ain't like you do. That's the problem. Um No,

1709
01:41:49,600 --> 01:41:58,160
Speaker 1: of course I think that that Joe was bugs all

1710
01:41:58,200 --> 01:42:01,880
Speaker 1: these different people that I like, I have O G. Jason,

1711
01:42:03,040 --> 01:42:06,080
Speaker 1: I got mad l A Reader's old G. I got

1712
01:42:06,200 --> 01:42:08,599
Speaker 1: mad executive. You know what I'm saying Like that, I'm

1713
01:42:08,680 --> 01:42:11,400
Speaker 1: not afraid to say, like these people no more than me,

1714
01:42:11,479 --> 01:42:13,080
Speaker 1: and like I look up to these people and they

1715
01:42:13,160 --> 01:42:16,080
Speaker 1: give me game. But I don't think that these things

1716
01:42:16,120 --> 01:42:19,200
Speaker 1: out there ain't listening to none of that trip. So look,

1717
01:42:20,240 --> 01:42:22,519
Speaker 1: listen to the shot that ain't you ain't drinking that

1718
01:42:22,560 --> 01:42:29,360
Speaker 1: Columbian white yea, and Catherine, let's do it. You're gonna

1719
01:42:29,360 --> 01:42:32,640
Speaker 1: do one. Yeah, I'll do it, little water, but you

1720
01:42:32,720 --> 01:42:34,559
Speaker 1: know you gotta do it Columbian way. No, I don't

1721
01:42:35,400 --> 01:42:39,600
Speaker 1: like that. Let me get another cut. I ain't doing this.

1722
01:42:39,800 --> 01:42:44,400
Speaker 1: I ain't makeing with the rock. Yeah, I ain't gonna lie.

1723
01:42:44,840 --> 01:42:46,800
Speaker 1: I'm just doing this too. Just do the just do

1724
01:42:46,880 --> 01:42:52,680
Speaker 1: the one line. Trust. Yeah, that's why you gotta be

1725
01:42:52,680 --> 01:42:58,120
Speaker 1: a little crazy us Like, come on, it's a different

1726
01:42:58,160 --> 01:43:00,760
Speaker 1: it's a different thing. I see why you point. So

1727
01:43:00,920 --> 01:43:03,000
Speaker 1: when is the time we're gonna we're gonna get this

1728
01:43:03,000 --> 01:43:06,040
Speaker 1: shot going? But what is the time when you realize

1729
01:43:06,080 --> 01:43:08,759
Speaker 1: you said, you know what fund this reed and model?

1730
01:43:10,280 --> 01:43:14,200
Speaker 1: You said the line, are y'all really went for the line?

1731
01:43:17,280 --> 01:43:23,280
Speaker 1: I don't know what? So what was the moment where

1732
01:43:23,320 --> 01:43:26,280
Speaker 1: you like, I did this. I was an artist. I

1733
01:43:26,400 --> 01:43:29,400
Speaker 1: did reality. But you know what, I'm gonna stick to

1734
01:43:29,640 --> 01:43:34,000
Speaker 1: my motherfucking guns and produce number one records for everybody.

1735
01:43:34,720 --> 01:43:37,000
Speaker 1: When was that moment? Was it like your finger pop

1736
01:43:37,120 --> 01:43:40,040
Speaker 1: somebody and it was a big Shane bounced back moment.

1737
01:43:40,120 --> 01:43:42,080
Speaker 1: It was. It was a lot of moments, but Jeremiah

1738
01:43:42,120 --> 01:43:44,439
Speaker 1: walked the hook. Yeah, it was a lot of moments,

1739
01:43:44,520 --> 01:43:49,040
Speaker 1: man Like it was. I already knew that niggas didn't

1740
01:43:49,040 --> 01:43:51,680
Speaker 1: want to funk with me on artist ship. Like but

1741
01:43:51,920 --> 01:43:54,519
Speaker 1: and I command anything anything that watching this ship. When

1742
01:43:54,520 --> 01:43:56,519
Speaker 1: you realize that nigga don't funk with you on some

1743
01:43:56,680 --> 01:43:59,200
Speaker 1: artist ship, go ahead, transition ship, next thing. Maybe your

1744
01:43:59,280 --> 01:44:02,400
Speaker 1: next gift is gonna be don't be afraid, gonna way

1745
01:44:02,439 --> 01:44:07,160
Speaker 1: too fast down. Um, So you thought people didn't foc

1746
01:44:07,240 --> 01:44:10,759
Speaker 1: with you as an artist, Yeah, of course, Okay, explain

1747
01:44:10,840 --> 01:44:14,320
Speaker 1: that I need expert. I mean they had great records,

1748
01:44:14,400 --> 01:44:17,479
Speaker 1: like think about it, like like to me, like in

1749
01:44:17,640 --> 01:44:20,880
Speaker 1: my history, I was like I was the first nigger

1750
01:44:20,960 --> 01:44:23,240
Speaker 1: down of the sing on some damn auto tune before

1751
01:44:23,320 --> 01:44:25,840
Speaker 1: Kanye did eight the Way some heartbreaks after Tea Pain

1752
01:44:26,000 --> 01:44:31,320
Speaker 1: or whatever, and yeah yeah tea Pain like after Tea

1753
01:44:31,400 --> 01:44:35,799
Speaker 1: Pain and ship like none of my all my records

1754
01:44:35,840 --> 01:44:39,840
Speaker 1: are as an artist are attached with a plaque to him.

1755
01:44:40,800 --> 01:44:42,880
Speaker 1: I've never not dropped the song as an artist that

1756
01:44:43,000 --> 01:44:46,600
Speaker 1: ever had a plaque with it so, um, I don't know,

1757
01:44:46,760 --> 01:44:48,679
Speaker 1: like people just didn't want What was the moment where

1758
01:44:48,680 --> 01:44:51,120
Speaker 1: he was like, you know what, I'm gonna just stay

1759
01:44:51,360 --> 01:44:53,479
Speaker 1: and it just felt like people didn't want the product

1760
01:44:53,560 --> 01:44:56,880
Speaker 1: from me, and like me always being like I always

1761
01:44:56,920 --> 01:44:59,439
Speaker 1: looked at myself as like a Verry Gordy, Like I

1762
01:44:59,479 --> 01:45:03,040
Speaker 1: always to myself like that's on some ball ship. So like,

1763
01:45:03,400 --> 01:45:05,880
Speaker 1: if you think about yeah, from the beginning, from the beginning,

1764
01:45:05,920 --> 01:45:10,840
Speaker 1: it was me, my partner, Billy j it was Yeah,

1765
01:45:10,880 --> 01:45:13,280
Speaker 1: it was it was like all these producers and everybody

1766
01:45:13,320 --> 01:45:16,280
Speaker 1: that made my initial song, they were all we always

1767
01:45:16,320 --> 01:45:20,800
Speaker 1: had a bose mentality. So it was never that and

1768
01:45:20,880 --> 01:45:23,160
Speaker 1: I always thought about it like yeo, I'm gonna beat

1769
01:45:23,200 --> 01:45:25,880
Speaker 1: the next the second coming up, these type of situations.

1770
01:45:25,960 --> 01:45:28,759
Speaker 1: So I was always saying, like a boss vide forever.

1771
01:45:29,479 --> 01:45:31,760
Speaker 1: So you said you did you had something to do

1772
01:45:31,840 --> 01:45:35,439
Speaker 1: with the Fat Joe record, because now Fat Joe was

1773
01:45:35,520 --> 01:45:39,720
Speaker 1: my brother man, Like damn. I did three records on

1774
01:45:39,800 --> 01:45:42,720
Speaker 1: Fat Joe and or Cool and Trying Fat Joe. Which

1775
01:45:42,800 --> 01:45:52,679
Speaker 1: one Fat Joe? Um, yes, the one feature will face

1776
01:45:52,800 --> 01:45:56,080
Speaker 1: them and the crazy said and will I like like

1777
01:45:58,760 --> 01:46:04,920
Speaker 1: I like that well, so like and the crazy thing

1778
01:46:05,000 --> 01:46:08,040
Speaker 1: about that is that Joe was a cool and Dred

1779
01:46:08,080 --> 01:46:11,400
Speaker 1: studio and like I came, I pulled up. I was

1780
01:46:11,479 --> 01:46:14,679
Speaker 1: in a Rose Royce and I was with like four girls,

1781
01:46:15,560 --> 01:46:17,960
Speaker 1: like we was lit. We had been day drinking. I

1782
01:46:18,080 --> 01:46:21,000
Speaker 1: fell in the studio with a that's the name of

1783
01:46:21,080 --> 01:46:26,880
Speaker 1: our record right now, day drinking. Yeah, okay, keep going,

1784
01:46:27,680 --> 01:46:33,880
Speaker 1: Jeremiah the hook. I agree. From there we was shi

1785
01:46:34,280 --> 01:46:37,559
Speaker 1: and Joe had that record cool and Dred, And then

1786
01:46:37,600 --> 01:46:39,840
Speaker 1: that did it and it was a different structure, and

1787
01:46:40,000 --> 01:46:42,559
Speaker 1: like he had wrapped one verse and like he had

1788
01:46:42,600 --> 01:46:47,439
Speaker 1: said that yes as something in the verse, I was

1789
01:46:47,560 --> 01:46:51,479
Speaker 1: like what basically Joe had had Like it was right now,

1790
01:46:51,720 --> 01:46:53,920
Speaker 1: it was cool and rad ship and like we was

1791
01:46:54,000 --> 01:46:56,400
Speaker 1: in there and like I really went. I was like

1792
01:46:56,800 --> 01:46:59,200
Speaker 1: Joe had an engineer and all the type of I'm

1793
01:46:59,240 --> 01:47:03,120
Speaker 1: like you get up. I set my engineer down, and

1794
01:47:03,640 --> 01:47:06,479
Speaker 1: Joe allowed me to take his song and just basically

1795
01:47:06,600 --> 01:47:09,040
Speaker 1: like how you said for reality, this making into the

1796
01:47:09,120 --> 01:47:11,960
Speaker 1: hit that that yes as a faith that wasn't even

1797
01:47:12,000 --> 01:47:14,479
Speaker 1: a hook. That's something he said in the verse. I

1798
01:47:14,640 --> 01:47:18,080
Speaker 1: took that and made it the hook. Yes, I went

1799
01:47:18,160 --> 01:47:20,479
Speaker 1: and transferred at what he said in the hook, I

1800
01:47:20,600 --> 01:47:22,600
Speaker 1: went and chopped it up and made it into the

1801
01:47:22,680 --> 01:47:26,040
Speaker 1: hook we need like young birds. That was our friends.

1802
01:47:26,120 --> 01:47:31,840
Speaker 1: Come on, brother, continue, sir, continue, sir. So I went

1803
01:47:32,000 --> 01:47:34,640
Speaker 1: chopped it up, made that the hook, and I was

1804
01:47:34,680 --> 01:47:36,920
Speaker 1: faded that night, like we had a like I was,

1805
01:47:37,120 --> 01:47:40,759
Speaker 1: I was. I was in my glory all my splet

1806
01:47:41,560 --> 01:47:43,920
Speaker 1: if you worked card to B as well, because you

1807
01:47:44,000 --> 01:47:49,160
Speaker 1: were a card to be and that one and we've

1808
01:47:49,200 --> 01:47:51,400
Speaker 1: collaped me and CARDI collapsed on some ship or whatever.

1809
01:47:51,439 --> 01:47:54,320
Speaker 1: It ain't came out though. Let's talk about this so

1810
01:47:54,439 --> 01:48:12,639
Speaker 1: so much. Producing are you gonna yo? You stretch and yeah,

1811
01:48:12,680 --> 01:48:20,320
Speaker 1: but it was what what made you get in the bag,

1812
01:48:20,479 --> 01:48:23,280
Speaker 1: Like Afterwhids was like, Yo, you know what I presented

1813
01:48:23,320 --> 01:48:26,800
Speaker 1: my artistreet I jumped in a couple of movies, I

1814
01:48:26,880 --> 01:48:29,160
Speaker 1: did whatever, But you know what, I think I could

1815
01:48:29,200 --> 01:48:32,960
Speaker 1: present all the people with hits. It was the first

1816
01:48:33,040 --> 01:48:34,559
Speaker 1: one when he was like, yo, let me just make

1817
01:48:34,640 --> 01:48:38,679
Speaker 1: this man prove this where you gave a person a record.

1818
01:48:38,760 --> 01:48:40,639
Speaker 1: It was like, Yo, I want to prove that I'm

1819
01:48:40,680 --> 01:48:44,800
Speaker 1: that guy. Damn. It was really a lot of like

1820
01:48:44,960 --> 01:48:47,720
Speaker 1: Naked manis was like a time for me to prove

1821
01:48:47,840 --> 01:48:51,759
Speaker 1: myself big for us. You gotta and I really wish

1822
01:48:52,760 --> 01:48:55,040
Speaker 1: about a lot of VAM. I did a lot of

1823
01:48:55,080 --> 01:48:56,880
Speaker 1: records on that Alpum. I wish that some of them

1824
01:48:56,920 --> 01:48:59,559
Speaker 1: would have been like singles or whatever, like the biggest

1825
01:48:59,640 --> 01:49:07,160
Speaker 1: ones or whatever. But if you got him, you just

1826
01:49:07,240 --> 01:49:12,120
Speaker 1: got through talk about queens and here real when I

1827
01:49:13,280 --> 01:49:18,920
Speaker 1: but um, I got a lot of north, a lot

1828
01:49:19,040 --> 01:49:24,320
Speaker 1: of records, Like what's the record that you produced? And

1829
01:49:24,720 --> 01:49:26,960
Speaker 1: and it didn't come out? And you want to like

1830
01:49:28,200 --> 01:49:36,080
Speaker 1: fucking asshole, m hmm drop it probably my own because

1831
01:49:36,080 --> 01:49:37,920
Speaker 1: I'm doing a producer album. You see how I did

1832
01:49:37,960 --> 01:49:40,360
Speaker 1: the thought Box ship right, and I put like that

1833
01:49:40,560 --> 01:49:42,680
Speaker 1: was so crazy. Like I did a song on from

1834
01:49:42,720 --> 01:49:45,280
Speaker 1: my producer album called thought Box and it was me

1835
01:49:45,800 --> 01:49:50,560
Speaker 1: a Buggie Tiger to chains and then I went and

1836
01:49:50,640 --> 01:49:53,439
Speaker 1: then that didn't blow up like that ship. It kind

1837
01:49:53,479 --> 01:49:55,519
Speaker 1: of it ain't do what it's supposed to do. So

1838
01:49:55,760 --> 01:49:59,599
Speaker 1: I was in Vegas at a writer's camp for um

1839
01:49:59,680 --> 01:50:01,840
Speaker 1: one of Chapel and like we was getting vaded, like

1840
01:50:01,920 --> 01:50:10,080
Speaker 1: we was recording in the Palms Crossed hold on. We

1841
01:50:10,240 --> 01:50:13,400
Speaker 1: was in Vegas. They all had a stand at the

1842
01:50:13,439 --> 01:50:16,400
Speaker 1: Palm's Hotel. So it was like me murder beas Chris Shawn,

1843
01:50:16,560 --> 01:50:23,000
Speaker 1: like the biggest Ya. This is the studio. Was in

1844
01:50:23,120 --> 01:50:26,400
Speaker 1: the hotel, guys if niggas don't know, so we was

1845
01:50:26,479 --> 01:50:28,400
Speaker 1: in there and we was getting lit and um, I

1846
01:50:28,479 --> 01:50:30,240
Speaker 1: came up with the idea. I never forget. I was

1847
01:50:30,280 --> 01:50:32,360
Speaker 1: fucked up. I'm like, man, I'm gonna put all girls

1848
01:50:32,400 --> 01:50:34,519
Speaker 1: on that ship. But I'm not gonna go chase like

1849
01:50:34,800 --> 01:50:37,599
Speaker 1: the Cardi Nikki. I'm gonna go put all the girls

1850
01:50:37,680 --> 01:50:40,479
Speaker 1: that are really funk with on a record, and I

1851
01:50:40,560 --> 01:50:42,320
Speaker 1: put them all on the record. Show I got a shot,

1852
01:50:42,400 --> 01:50:44,280
Speaker 1: this is my shot. Put it on the record. He

1853
01:50:44,320 --> 01:50:53,080
Speaker 1: put the girls on the record, Let's go, and the

1854
01:50:53,200 --> 01:50:55,600
Speaker 1: song went gold. It's like a ladies night. It's like

1855
01:50:55,640 --> 01:50:58,240
Speaker 1: one of them was on the record, was on a

1856
01:50:58,360 --> 01:51:04,599
Speaker 1: lotto Chinese Kitty getting made Drezy and dream Dog. It's

1857
01:51:04,640 --> 01:51:07,280
Speaker 1: called thought Box Shots. That's one of the biggest record

1858
01:51:07,320 --> 01:51:10,519
Speaker 1: for the same dollars. Is probably one of the hardest

1859
01:51:10,720 --> 01:51:13,960
Speaker 1: artists coming from New York City. I love her. I

1860
01:51:14,080 --> 01:51:19,080
Speaker 1: think she's amazing, but I respect your judgment. Okay, but

1861
01:51:19,320 --> 01:51:22,760
Speaker 1: holy minute at either go ahead and take another one, don't.

1862
01:51:24,040 --> 01:51:27,720
Speaker 1: I don't drink the line, don't do the line. Take

1863
01:51:27,760 --> 01:51:30,360
Speaker 1: a real shot. I ain't drinking there the line I

1864
01:51:30,560 --> 01:51:36,720
Speaker 1: was like this, I was, I was talking about crack

1865
01:51:36,800 --> 01:51:45,760
Speaker 1: interview earlier. No, no, take a shot of this. I'm

1866
01:51:45,760 --> 01:51:50,120
Speaker 1: gonna be honest. I do like forty two. But Delon

1867
01:51:50,320 --> 01:51:58,680
Speaker 1: is very batter the way your faces. This one. We're

1868
01:51:58,680 --> 01:52:02,680
Speaker 1: gonna keep it hip, kind of nice. We're gonna keep you. Now.

1869
01:52:02,920 --> 01:52:05,679
Speaker 1: If it was Kasa Zoo, I will break the rules.

1870
01:52:06,280 --> 01:52:08,920
Speaker 1: But puff don't want he don't want the nineteen forty.

1871
01:52:09,880 --> 01:52:13,639
Speaker 1: We love, we got enough. I love Christian. I'm chessing.

1872
01:52:14,120 --> 01:52:17,599
Speaker 1: I don't know it was good. We're gonna stake. We're

1873
01:52:17,600 --> 01:52:19,559
Speaker 1: just take him over ball. This is what we're doing.

1874
01:52:19,600 --> 01:52:24,479
Speaker 1: This is what we do. And also shout out the

1875
01:52:24,600 --> 01:52:28,400
Speaker 1: ViBe's house, because you know why. This is the house

1876
01:52:28,479 --> 01:52:35,200
Speaker 1: of vibes, just like seeing the hook for a supertuck again,

1877
01:52:39,680 --> 01:52:46,240
Speaker 1: this is I'm getting. I'll get vibe from leftover extacy

1878
01:52:46,280 --> 01:52:53,800
Speaker 1: from thirteen years ago. No, no, it's turquoise. He was

1879
01:52:53,840 --> 01:52:55,880
Speaker 1: my drug. I don't even like. I mean, I've been

1880
01:52:55,920 --> 01:52:58,400
Speaker 1: mad at you, first person to put him on the ex.

1881
01:52:58,920 --> 01:53:02,840
Speaker 1: Goddamnit be right. You might be right. Luis play the

1882
01:53:02,920 --> 01:53:09,519
Speaker 1: road like you all clean and squee I play and

1883
01:53:09,600 --> 01:53:11,479
Speaker 1: you don't. You don't fo with Champagne at all. This

1884
01:53:11,720 --> 01:53:13,479
Speaker 1: You're just the hard court drinking. You just want to

1885
01:53:14,160 --> 01:53:18,320
Speaker 1: that's it. Yeah, I do with Champagne. It's about energy.

1886
01:53:18,600 --> 01:53:26,720
Speaker 1: It's about the situation. So if the situation proprile that

1887
01:53:26,800 --> 01:53:31,320
Speaker 1: sounds like a drug, did I go to? I gotta realize,

1888
01:53:31,560 --> 01:53:37,360
Speaker 1: come on to open book, your transparent, open book, transparency. No,

1889
01:53:38,439 --> 01:53:41,320
Speaker 1: all right, that's good. That makes me. She's that. Go

1890
01:53:41,479 --> 01:53:45,879
Speaker 1: be and get out Part two. You see how I'm flourishing.

1891
01:53:47,160 --> 01:53:55,840
Speaker 1: Ask you y'all, holy we got weird. No, but do

1892
01:53:55,920 --> 01:53:59,280
Speaker 1: you think that's crazy that Kanye is going to march president?

1893
01:54:00,120 --> 01:54:04,839
Speaker 1: He ran, he's running, not gonna. I gotta be quiet.

1894
01:54:04,960 --> 01:54:08,200
Speaker 1: I want to hear answer first. That doesn't change the

1895
01:54:08,280 --> 01:54:13,479
Speaker 1: fact that he's But I don't know. I mean ship

1896
01:54:13,680 --> 01:54:16,439
Speaker 1: it's hard to say what she will and won't do

1897
01:54:16,600 --> 01:54:19,679
Speaker 1: when Donald Trump the president of our Contry's not gonna

1898
01:54:19,680 --> 01:54:23,280
Speaker 1: be on the ballot on every stage though, Yeah no, No,

1899
01:54:23,360 --> 01:54:26,400
Speaker 1: he's nothing that comes a lot of It's not hip hop.

1900
01:54:26,720 --> 01:54:28,960
Speaker 1: He's not gonna be on the ballot. Be gonna bother

1901
01:54:29,080 --> 01:54:32,959
Speaker 1: for every state. Were hip a great story, You're gone?

1902
01:54:33,080 --> 01:54:38,320
Speaker 1: I would vote I will vote for Jack, where are

1903
01:54:38,320 --> 01:54:41,840
Speaker 1: you going with this? I honestly will vote for whole too,

1904
01:54:41,920 --> 01:54:44,240
Speaker 1: but at the same token, Man, I would rather vote

1905
01:54:44,280 --> 01:54:47,240
Speaker 1: for somebody that really didn't did this ship their whole life,

1906
01:54:47,320 --> 01:54:51,280
Speaker 1: like how we did music and like I don't really

1907
01:54:51,320 --> 01:54:54,920
Speaker 1: like it. I want somebody that's really about this ship,

1908
01:54:55,080 --> 01:54:59,120
Speaker 1: like the same way about the same way about making music,

1909
01:54:59,320 --> 01:55:02,320
Speaker 1: the same way for about drink champs. We need somebody

1910
01:55:02,400 --> 01:55:05,000
Speaker 1: that's in office that wants to be in that vibe. Bro,

1911
01:55:07,960 --> 01:55:12,520
Speaker 1: look at your face, y'all sucking me up. Listen. Her

1912
01:55:12,720 --> 01:55:17,440
Speaker 1: and Biden better than Trump. Bro better, I believe, so,

1913
01:55:18,280 --> 01:55:20,320
Speaker 1: I believe you don't listen to walk I'm sorry, Walker,

1914
01:55:20,520 --> 01:55:31,520
Speaker 1: no disrespect to you, but he taxes. Yeah, I can't

1915
01:55:31,560 --> 01:55:34,080
Speaker 1: look at me. I'm looking like, walk up, don't get

1916
01:55:34,320 --> 01:55:38,560
Speaker 1: your sentence because he's sitting there like what Trump is

1917
01:55:39,400 --> 01:55:43,760
Speaker 1: he like? And I'm looking at like Walker, please, he's

1918
01:55:44,240 --> 01:55:49,400
Speaker 1: got contact and I'm like, don't and said that. Yeah,

1919
01:55:49,680 --> 01:55:51,280
Speaker 1: He's not the only one. There's a lot of people

1920
01:55:51,320 --> 01:55:53,480
Speaker 1: that with Trump. I don't funk with Trump. I'm talking

1921
01:55:53,480 --> 01:55:55,360
Speaker 1: on the hip hop side of things. There's a lot

1922
01:55:55,800 --> 01:55:59,880
Speaker 1: of I mean, I funk with my people. Listen, I

1923
01:56:00,040 --> 01:56:03,280
Speaker 1: and I'm not co signing anything, but pay hit me

1924
01:56:03,320 --> 01:56:07,400
Speaker 1: out for one second. You're not. I ain't calling something.

1925
01:56:08,120 --> 01:56:13,120
Speaker 1: But prior to, like six months ago, a year ago,

1926
01:56:13,880 --> 01:56:19,440
Speaker 1: I had broke friends because I wanted to Why I'm

1927
01:56:19,480 --> 01:56:21,440
Speaker 1: taking you to dinner? Man? What the funk? I'm here

1928
01:56:21,480 --> 01:56:24,080
Speaker 1: for a month. I'm here. Yeah, what we got with?

1929
01:56:24,240 --> 01:56:30,200
Speaker 1: Like you? I see your second spot yesterday. That's a

1930
01:56:30,280 --> 01:56:32,880
Speaker 1: sexy spot. Now let's go. I want to see the oysters.

1931
01:56:33,000 --> 01:56:47,480
Speaker 1: I want to see not they're okay. Borris him, him

1932
01:56:47,520 --> 01:56:51,280
Speaker 1: and him to get cocaine, cocaine and they go to

1933
01:56:51,320 --> 01:56:58,920
Speaker 1: a different type of ability cocaine. They cocaine fans. We

1934
01:56:59,000 --> 01:57:02,240
Speaker 1: don't don't let you go there. Yeah, I ate the

1935
01:57:02,360 --> 01:57:09,680
Speaker 1: whole oyster right on your TV show Sudden Yeah yeah yeah,

1936
01:57:09,920 --> 01:57:14,400
Speaker 1: showers of delicacy from what he thinks. That's the crunch

1937
01:57:14,480 --> 01:57:28,960
Speaker 1: in the monk that you have. Yeah, Ariana grand Dad

1938
01:57:29,680 --> 01:57:34,520
Speaker 1: worked me. Uh two Chains. I did two Chains single

1939
01:57:34,560 --> 01:57:41,720
Speaker 1: with Ariana Grande. I was dead. She got a plaque

1940
01:57:41,760 --> 01:57:47,680
Speaker 1: attached to it and that studio. I ain't gonna lie

1941
01:57:47,720 --> 01:57:49,480
Speaker 1: to you. I wasn't you know in a session when

1942
01:57:49,560 --> 01:57:53,200
Speaker 1: she recorded that ship like I was know like her

1943
01:57:53,280 --> 01:57:57,920
Speaker 1: and too Shames had like a remember she had put

1944
01:57:57,960 --> 01:57:59,480
Speaker 1: out a song. I think she had put out a

1945
01:57:59,560 --> 01:58:05,840
Speaker 1: song um ship using interpretation and to Shane ship. Yeah,

1946
01:58:06,120 --> 01:58:10,680
Speaker 1: and from there I guess instead of being like petty,

1947
01:58:11,080 --> 01:58:14,040
Speaker 1: they both saw it together as they came out, and

1948
01:58:14,120 --> 01:58:16,400
Speaker 1: then they did a swap and two. Shane got on

1949
01:58:16,600 --> 01:58:20,120
Speaker 1: her remix of that song, and then Ariana got on

1950
01:58:20,760 --> 01:58:33,560
Speaker 1: to Shange singer. That's all. That's all. I didn't think

1951
01:58:33,640 --> 01:58:36,920
Speaker 1: it was. I think it was even shrimp outline some

1952
01:58:37,200 --> 01:58:41,840
Speaker 1: ship last night. You know what I'm saying, Like you know,

1953
01:58:41,960 --> 01:58:46,800
Speaker 1: you know I got it too. You know I went

1954
01:58:46,960 --> 01:58:48,600
Speaker 1: hard in my life to you know what I'm saying.

1955
01:58:49,040 --> 01:58:53,400
Speaker 1: But I'm gonna be honest. I trust you. I actually

1956
01:58:53,480 --> 01:58:56,200
Speaker 1: trust you because you know. Not only I trust you

1957
01:58:56,760 --> 01:58:59,680
Speaker 1: because I know you personally, but I know how much

1958
01:58:59,720 --> 01:59:02,400
Speaker 1: you up hip hop like a lot of people. That's

1959
01:59:02,520 --> 01:59:06,080
Speaker 1: that's that's the biggest concern for me. A lot of

1960
01:59:06,120 --> 01:59:10,080
Speaker 1: people think that you're just sampling records, but if you're

1961
01:59:10,120 --> 01:59:15,520
Speaker 1: sampling the record, that means you actually know what life. Yeah,

1962
01:59:15,560 --> 01:59:17,280
Speaker 1: I just know what I'm trying to say. So a

1963
01:59:17,400 --> 01:59:19,920
Speaker 1: lot of people give you slack for the same thing,

1964
01:59:21,600 --> 01:59:24,880
Speaker 1: but I love the fact that that you hold that. Yeah,

1965
01:59:25,000 --> 01:59:29,640
Speaker 1: without didn't even puff, Like I never forget what like

1966
01:59:29,720 --> 01:59:31,680
Speaker 1: I were saying, we were doing this ship for Puff.

1967
01:59:32,520 --> 01:59:36,760
Speaker 1: I was doing money making Mitch with him, and I

1968
01:59:36,920 --> 01:59:38,640
Speaker 1: think he really, you know what I'm saying, won't be

1969
01:59:38,760 --> 01:59:40,560
Speaker 1: around like he was trying to figure out while I

1970
01:59:40,680 --> 01:59:42,400
Speaker 1: was around, Like what the you know what I'm saying

1971
01:59:42,440 --> 01:59:46,200
Speaker 1: like that flew me out shots and Neil. Neil put

1972
01:59:46,280 --> 01:59:49,560
Speaker 1: me in part of the camp getting with not understand

1973
01:59:51,960 --> 02:00:01,120
Speaker 1: so um they we had big a crib. He like,

1974
02:00:02,680 --> 02:00:06,720
Speaker 1: he says, some crazy ship to me, come in you

1975
02:00:06,840 --> 02:00:12,960
Speaker 1: pretty motherfucker. I'm like, he feel shot down, and he like,

1976
02:00:13,280 --> 02:00:15,880
Speaker 1: if I could do such and such and such, I

1977
02:00:15,960 --> 02:00:18,280
Speaker 1: could bring you back and bring your career back. I

1978
02:00:18,440 --> 02:00:20,320
Speaker 1: promise you. I was like, this is what far was

1979
02:00:20,360 --> 02:00:26,360
Speaker 1: here making. I was like, word, but I can't say,

1980
02:00:26,800 --> 02:00:28,800
Speaker 1: you know what I'm saying the blanks. I can't feeling

1981
02:00:28,840 --> 02:00:32,760
Speaker 1: them blanks because he's different and you know him. And

1982
02:00:32,840 --> 02:00:39,640
Speaker 1: so I walk into it got a little crashy. That's real,

1983
02:00:40,080 --> 02:00:47,640
Speaker 1: it really happens. But you're here, you, yeah, living your

1984
02:00:47,760 --> 02:00:51,800
Speaker 1: motherfucking life. The best one card. Yeah, I don't even

1985
02:00:51,840 --> 02:00:54,560
Speaker 1: know what kind of car that's under roaster. I don't know.

1986
02:00:54,640 --> 02:01:02,920
Speaker 1: I got like, what's so like one? She's Louise Papa

1987
02:01:03,040 --> 02:01:09,240
Speaker 1: cheese baby, So what the fund is that? Back then? Man,

1988
02:01:09,320 --> 02:01:13,120
Speaker 1: I heard him the Minican talking to my back, So

1989
02:01:13,320 --> 02:01:18,440
Speaker 1: I'm not gonna lie. Man, we've been talking ship. That's

1990
02:01:18,480 --> 02:01:21,960
Speaker 1: how time. I feel like you want to keep going.

1991
02:01:22,800 --> 02:01:24,440
Speaker 1: I think we can. We can wrap it up. We

1992
02:01:24,520 --> 02:01:28,920
Speaker 1: can wrap it up. How long he's been here recording

1993
02:01:29,800 --> 02:01:33,480
Speaker 1: y'all records? On huh, y'all record a hit? So I

1994
02:01:33,640 --> 02:01:36,480
Speaker 1: want to record a hit because I feel like record

1995
02:01:36,520 --> 02:01:39,680
Speaker 1: a hit right now. He's Cap, He's Cap. My brother

1996
02:01:42,080 --> 02:01:52,080
Speaker 1: just back. It's Drake and young. He's trying, He's trying.

1997
02:01:52,200 --> 02:01:55,640
Speaker 1: He wanted to get in and I'm more with that

1998
02:01:57,280 --> 02:01:59,680
Speaker 1: hit me and said, can we do the studio first

1999
02:01:59,760 --> 02:02:03,640
Speaker 1: and AD go to Drink Champs. I'm like, nigga, you

2000
02:02:03,720 --> 02:02:15,040
Speaker 1: know student sober. I'm a sober. Let's do that. Let's

2001
02:02:15,040 --> 02:02:27,760
Speaker 1: do it's a part of all. Thanks for joining us

2002
02:02:27,800 --> 02:02:30,400
Speaker 1: for another episode of Drink Champs hosted by Yours Truly,

2003
02:02:30,560 --> 02:02:33,120
Speaker 1: d J E F and n O R E. Please

2004
02:02:33,160 --> 02:02:35,360
Speaker 1: make sure to follow us on all our socials. Let's

2005
02:02:35,360 --> 02:02:38,960
Speaker 1: at Drink Champs across all platforms at the Real Noriegan

2006
02:02:39,080 --> 02:02:42,600
Speaker 1: i g at Noriega on Twitter, mine is at Who's

2007
02:02:42,640 --> 02:02:46,040
Speaker 1: Crazy on I g at d j e Fn on Twitter,

2008
02:02:46,400 --> 02:02:48,959
Speaker 1: and most importantly, stay up to date with the latest releases,

2009
02:02:49,360 --> 02:02:52,520
Speaker 1: news and merch by going to drink Champs dot com.

2010
02:02:54,800 --> 02:02:57,839
Speaker 1: For more podcasts from My Heart Radio, visit the iHeart

2011
02:02:57,920 --> 02:03:01,240
Speaker 1: Radio app, Apple podcast Us, or wherever you listen to

2012
02:03:01,320 --> 02:03:02,120
Speaker 1: your favorite shows.