WEBVTT - "The Devil Made Me Do It" Recap Season 5, Episode 19

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<v Speaker 1>I can't do this. I can't be trusted right, Yeah, No,

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<v Speaker 1>that's too much stress. I don't don't ever trust Jody.

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<v Speaker 1>That's the I mean motto I live like.

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<v Speaker 2>Wow, Wow, there's certain things you should trust me with.

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<v Speaker 2>Being responsible for any sort of electronics is probably not

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<v Speaker 2>one of them.

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<v Speaker 1>It's not one of them. No, No, how are you? Baby? Hi?

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<v Speaker 1>I'm great. I'm doing a lot better than you apparently, so.

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<v Speaker 1>Uh right, I'm fully in fall mode. I yes, yeah, yeah,

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<v Speaker 1>I've been baking. I know this is a this is

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<v Speaker 1>a rare occurrence. I love this. Okay. I baked per

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<v Speaker 1>simmon bread with simmons from my backyard. Oh my god,

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<v Speaker 1>I have per simmons in my bowl right now? Are

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<v Speaker 1>they fully? They're full of persimmons? Yeah, so are delicious.

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<v Speaker 1>I love them. Yeah, I've learned a lot. I didn't

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<v Speaker 1>know there were different kinds of persimmons. There's like a

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<v Speaker 1>big yeah. Oh they're so good. Oh they're delicious. Yeah,

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<v Speaker 1>it's a little it's like a cousin of a pump

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<v Speaker 1>like pumpkin bread is kind of what it tastes like.

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<v Speaker 2>Yeah, yeah, like sices, probably of the nutmegs and the things.

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<v Speaker 1>Cinnamon, the nutmeg, all the sugars. Look at you. I

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<v Speaker 1>know it was So I've made some persimmons. I'm going

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<v Speaker 1>to try a persimon margarita a little bit later. Okay,

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<v Speaker 1>I think you should have done it now, you know

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<v Speaker 1>what I mean. Just let's start tasting. It's you know,

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<v Speaker 1>these days, somewhere there are no rules anymore. Maybe it

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<v Speaker 1>doesn't matter. How do you think you have?

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<v Speaker 2>Eighty percent of the people in the world are probably

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<v Speaker 2>drinking at ten am these days.

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<v Speaker 1>Okay, next week it'll be a happy hour at ten

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<v Speaker 1>am on Howard Dannerita. Right, everybody show up a little

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<v Speaker 1>little sauce, right, Yeah, but I like it. I also

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<v Speaker 1>have pamellos. Sorry, I'm just going to talk about.

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<v Speaker 2>Please do for a minute for Simmons and pamelos, Simmons

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<v Speaker 2>and promelos.

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<v Speaker 1>So I tried to make a pamello margarita the other night.

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<v Speaker 1>It did not go well. No, they're huge.

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<v Speaker 3>They're massive, and they're massive and a little bitter.

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<v Speaker 1>So they're too grapefruity. I'm not I'm gonna say they're

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<v Speaker 1>very They're very, very.

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<v Speaker 2>Much like a grapefruit, so they're a little I love grapefruit,

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<v Speaker 2>but I don't know that I would want it.

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<v Speaker 3>Like in a well, I don't know, I like grapefruit juice.

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<v Speaker 1>Oh see, I don't, I I do, I like any

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<v Speaker 1>of it. So why I thought I would like a pamello?

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<v Speaker 1>Have you ever? Have you ever had a pamelo before? No?

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<v Speaker 1>Oh okay, So it's just because.

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<v Speaker 2>It's in your backyard and you were like, hey, yeah,

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<v Speaker 2>I'm like, what am I going to do with this?

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<v Speaker 1>Is that happy thing? All sized? Right? You're like, oh

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<v Speaker 1>my god, that lemon has a problem. Yeah it's Yeah.

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<v Speaker 2>The neighbor across the street from us here has pomelos and.

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<v Speaker 1>Yeah, oh yeah, I know. So I think part of

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<v Speaker 1>the problem is there's not as much juice. They're not

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<v Speaker 1>as juicy as I was. They're pretty dry. Like yeah,

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<v Speaker 1>it took me three pamelos just to make two margaritas.

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<v Speaker 1>And I'm like, this is I could feel like lemon

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<v Speaker 1>And yeah, it's like a losing game, you know.

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<v Speaker 2>Yeah, as big as they are, you shouldn't have to

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<v Speaker 2>use more than one.

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<v Speaker 1>I agree, I should be able to like, you know,

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<v Speaker 1>that should give you a gallon of juice? Agree? But no,

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<v Speaker 1>it gave me like two ounces maybe wow, one one pamelo.

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<v Speaker 1>So yeah, not a fan of the pamelos. Okay, what

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<v Speaker 1>am I doing? What am I next? I don't know. Well,

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<v Speaker 1>we have tangerines. Those won't be ready until late November,

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<v Speaker 1>like a little tangerine. Yeah, tangerines are delicious. Next year,

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<v Speaker 1>I hope to have some cherries. Okay, that's past cherry pickies.

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<v Speaker 1>We got three cherries this year, so I'm very hopeful

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<v Speaker 1>for next year that we're going to get more than three.

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<v Speaker 2>My poor, sad little garden that I was all excited about.

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<v Speaker 1>It was the mice.

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<v Speaker 2>The little mouse figured out how to climb up the

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<v Speaker 2>back of my thing around the netting and got in

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<v Speaker 2>and spaked all of my cucumbers. Every day I come

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<v Speaker 2>out and there was one more man and all of

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<v Speaker 2>the cucumbers were gone, picked off my peppers and the tomatoes,

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<v Speaker 2>and so I was just like, wow, get it. Everything

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<v Speaker 2>is just like growing and dead, and.

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<v Speaker 1>I'm like I can't even. It was so mad because

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<v Speaker 1>it was so we were so there, and then it

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<v Speaker 1>was like he was very the mouse was quite thrilled.

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<v Speaker 1>He was for sure, he really he was very well fed.

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<v Speaker 1>I've got to figure out how to remedy that for

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<v Speaker 1>next year. The fact that you tried with the netting

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<v Speaker 1>and then you were still thwarted by the mouse.

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<v Speaker 2>Well it's narrow, I've realized it's there.

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<v Speaker 3>It's the little I left that much behind.

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<v Speaker 1>The they can get standing uh.

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<v Speaker 2>Planter, and it's you know, rough woods, so they just

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<v Speaker 2>climbed right up in it.

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<v Speaker 1>Oh man, those little buggers. They're very, very smart and

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<v Speaker 1>they can fit in any size of space.

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<v Speaker 3>It's cabable anyway.

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<v Speaker 2>So yeah, my garden is not as uh fruitful as yours.

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<v Speaker 1>Not as fruitful. Well, I had to rescue the pamellos

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<v Speaker 1>from the deer because I had deer in my backyard

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<v Speaker 1>eating not the pamelos, I'm sorry, the per simmons. Oh,

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<v Speaker 1>I was gonna say. I was like, wow, deer has

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<v Speaker 1>a interesting taste balad. Yes, this is like I love

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<v Speaker 1>the bitterer. Yeah. No, no, they don't like the bitter,

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<v Speaker 1>but the pamelos yeah or no the per Simmons's. Yeah,

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<v Speaker 1>they were just like snacking on those, and so I'm like, no,

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<v Speaker 1>I'm going to harvest the rest of these. You go,

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<v Speaker 1>why are you crying? Sorry, little little why are you crying?

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<v Speaker 1>She's staring at the door and she's whining. I'm very sorry.

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<v Speaker 1>I'm just going to dominate this pre show chatter. I

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<v Speaker 1>walked in before I even started this, and you're like, Hey,

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<v Speaker 1>how's everybody's day? And I was like, I hate everything?

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<v Speaker 1>So I went on an therapy. Yeah. Yeah, we had

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<v Speaker 1>a little ten minute Yeah, therapeutic. It's venteene sash. That's

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<v Speaker 1>it's been.

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<v Speaker 3>It's just been like two weeks of is what it is?

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<v Speaker 1>You know what?

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<v Speaker 2>I suggest things where you're like, it's just you feel

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<v Speaker 2>like the salmon swimming upstream constantly.

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<v Speaker 1>Nothing is. Everything is ten times harder than it needs

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<v Speaker 1>to be.

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<v Speaker 2>I don't know how many planets are in retrogade right now,

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<v Speaker 2>but it's got to be all of them.

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<v Speaker 1>I don't know something. And we're getting ready to turn

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<v Speaker 1>the clocks back. So you hate you hate that? Yeah, God,

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<v Speaker 1>it's all connected. That's it. I'm dead, all connected. I'm

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<v Speaker 1>just gonna fall into a deep depression now. Sorry, we'll

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<v Speaker 1>wake you up when it's you know what, I need.

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<v Speaker 3>A hibernate, that's really what I need to do.

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<v Speaker 1>We're looking for a replacement co host, just for.

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<v Speaker 2>The Jody taken into her little cave and will not

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<v Speaker 2>be coming out that's literally what I felt like doing.

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<v Speaker 1>Like this whole week, I've been like, no, I don't

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<v Speaker 1>want to anymore. He was like, I've gotten a stupid accident,

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<v Speaker 1>not even a bad one.

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<v Speaker 3>And it wasn't even in my car. It was a

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<v Speaker 3>Misscal's car, his.

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<v Speaker 1>Brand of car. The more you told me about this,

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<v Speaker 1>the worse it got. It was. I'm glad you're okay.

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<v Speaker 2>The car itself, the body is fine. But the guy

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<v Speaker 2>hit the passenger wheel and pushed it in. The wheel

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<v Speaker 2>took all the impact. So now you got alignment, you

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<v Speaker 2>got struts, you got the power steering it. It's like

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<v Speaker 2>it's all kind of like six thousand dollars, which is insane.

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<v Speaker 1>You'd think, oh, I'll just change this tire.

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<v Speaker 2>Tire with the the tire wasn't even flat.

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<v Speaker 1>It wasn't even flat, was like not even hard.

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<v Speaker 2>It just hit like in the right way and pushed

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<v Speaker 2>it in. And I was like, oh, look, lick the

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<v Speaker 2>paint off.

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<v Speaker 1>It was you didn't do anything.

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<v Speaker 2>Yeah, yeah, the same guy was the same thing. And

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<v Speaker 2>now I'm like, but my, but now.

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<v Speaker 1>It's not so good. Anyway, I'm sorry.

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<v Speaker 2>I went and worked out this morning and just tried

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<v Speaker 2>to like lift heavyweights and did that help?

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<v Speaker 1>No? No, but I tried. That's okay, it didn't make

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<v Speaker 1>it worse. Okay, well that's good, that's good. But it

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<v Speaker 1>didn't you didn't have the cleansing effect of a good

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<v Speaker 1>workout where you're just sweating out all of your aggravation.

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<v Speaker 2>I sweated out a lot of aggravation. But I think

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<v Speaker 2>I'm so full of it that it's gonna take. It's

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<v Speaker 2>gonna take a lot more sweating than that.

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<v Speaker 1>It's gonna take. Yeah, it's gonna take a few sessions. Yeah,

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<v Speaker 1>I don't know. I'm also just perimenopausal and angry. You

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<v Speaker 1>know what I mean? You ever had you know when

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<v Speaker 1>you have those days.

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<v Speaker 2>But it's been multiple days where I just wake up

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<v Speaker 2>and I'm like, everything.

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<v Speaker 1>Is wrong everything? Yeah, no, I get it. I Hey,

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<v Speaker 1>I went through menopause during the pandemic and my mother's death.

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<v Speaker 1>Oh my god. I was just like nobody if you

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<v Speaker 1>didn't hear from me for a year or two, that's

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<v Speaker 1>why that's literally me. I'm like, I don't want to

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<v Speaker 1>talk to my friends, I don't want to talk to anybody.

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<v Speaker 1>Don't ask me to do anything. You just like, don't

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<v Speaker 1>talk to me. I am incapable. Yeah, you just want

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<v Speaker 1>to like off the tree, uncapable.

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<v Speaker 3>Birth Like I am always very capable.

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<v Speaker 2>So when I have these moments when I'm like, I

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<v Speaker 2>just I can't handle life, like.

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<v Speaker 1>The mouse has the mouse has won, the mouse the

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<v Speaker 1>mouth everything, it's uh one at all won? I lost.

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<v Speaker 1>It's a metaphor for your life. The mouse ate everything.

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<v Speaker 2>Now say everything gardens in shambles.

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<v Speaker 1>I am I need a shower. I don't know. Well,

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<v Speaker 1>you know what would make you feel much better is

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<v Speaker 1>discussing an episode that revolves completely around Michelle. Oh, yes,

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<v Speaker 1>how did you don't put you in a good mood?

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<v Speaker 1>Is the thing that is? It is the salve to

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<v Speaker 1>my soul? Maybe that's what started your chain of bad events.

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<v Speaker 1>Maybe that's what.

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<v Speaker 3>No, No, this happened long before I watched the episode.

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<v Speaker 1>Much are you watching it?

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<v Speaker 2>Didn't?

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<v Speaker 1>I was like, oh here week out? Yeah we go? Yeah, yeah,

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<v Speaker 1>so it's missing. Was a mond a bad montage or

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<v Speaker 1>a dream sequence? Was this about? It was almost a

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<v Speaker 1>dream sequence, that's true.

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<v Speaker 2>Yeah, it wasn't this shy of a dream sequence.

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<v Speaker 1>It was bad whatever it was? Yes? Oh boy, Well,

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<v Speaker 1>welcome back to how Rude Tanertos I'm Andrea Barber and

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<v Speaker 1>I'm Jodie Sweeten. Maybe I don't know.

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<v Speaker 2>I've decided if I want to continue being here today.

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<v Speaker 1>You mean whoever you want to be? Yeah, this is

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<v Speaker 1>uh today we're discussing, like how do I start this show?

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<v Speaker 1>They we're discussing Season five, episode nineteen, The Devil Made

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<v Speaker 1>Me Do It? Like this everything this episode okay. This

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<v Speaker 1>originally aired February eighteenth, nineteen ninety two, and it goes

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<v Speaker 1>a little something like this. When Michelle's disobedience lands her

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<v Speaker 1>in the doghouse, the little bow wow in her wants

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<v Speaker 1>to bite back. Meanwhile, DJ plays buffer between a bickering

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<v Speaker 1>Stephanie and Kimmy. Hmmm great.

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<v Speaker 2>I feel like the synopsis has gotten more descriptive.

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<v Speaker 1>Well, metaphors we have, Like, I feel like the whatever.

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<v Speaker 2>Ai we chose to do that has like really upped

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<v Speaker 2>its game.

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<v Speaker 1>It's like it's around on im yeh right.

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<v Speaker 2>Let me have a little theme in here of dogs

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<v Speaker 2>and yeah, yeah, no, it is getting a little bow

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<v Speaker 2>wow in her wants wants to bite back.

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<v Speaker 1>Yeah. If this was a creative writing exercise, I would

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<v Speaker 1>give it an a absolutely yes. This episode was directed

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<v Speaker 1>by Joels Wick it was written by Elias Davis, a

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<v Speaker 1>name that is not familiar, so let's blame Let's blame

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<v Speaker 1>him for all of the mister Dave.

0:12:00.240 --> 0:12:03.040
<v Speaker 3>I'm sorry, sorry, David, mister Davis.

0:12:03.600 --> 0:12:06.080
<v Speaker 1>We have a whole bunch of guest stars this week,

0:12:06.200 --> 0:12:11.120
<v Speaker 1>fabulous guest stars. Barkley returns as Little bow Wow Sparky.

0:12:11.480 --> 0:12:14.840
<v Speaker 1>He's the best, so kissed. We will see him one

0:12:14.840 --> 0:12:16.559
<v Speaker 1>more time after this, but not until.

0:12:16.600 --> 0:12:22.439
<v Speaker 2>She almost made as many appearances as Debbie Gregory, except

0:12:23.080 --> 0:12:23.720
<v Speaker 2>the same character.

0:12:24.120 --> 0:12:26.240
<v Speaker 1>He had more continuity than Debbie Grecchory.

0:12:28.160 --> 0:12:28.360
<v Speaker 2>Yeah.

0:12:28.520 --> 0:12:33.120
<v Speaker 1>Then we have Anthony S. Johnson as Henry Taj's dad.

0:12:34.000 --> 0:12:36.480
<v Speaker 1>And this is another actor who did a ton of

0:12:36.520 --> 0:12:39.800
<v Speaker 1>guest appearances in the day. He was on Buffy the

0:12:39.880 --> 0:12:44.439
<v Speaker 1>Vampire Slayer, Married with Children, Murder. She wrote just all

0:12:44.480 --> 0:12:46.280
<v Speaker 1>of the all of the top hits of the day.

0:12:47.400 --> 0:12:51.160
<v Speaker 1>Then we have Virginia Watson as joe Anne the Mom,

0:12:51.840 --> 0:12:53.800
<v Speaker 1>and she too did a lot of guest appearances. She

0:12:53.920 --> 0:12:57.880
<v Speaker 1>was on Matt Locke Home Improvement and Parker Lewis Can't

0:12:57.960 --> 0:13:01.720
<v Speaker 1>Lose I remember that show. Thought about that show.

0:13:02.840 --> 0:13:03.000
<v Speaker 2>Right.

0:13:05.040 --> 0:13:09.520
<v Speaker 1>Then we have Tamara Mowray Howsley. That's a lot of

0:13:09.720 --> 0:13:14.560
<v Speaker 1>that's a lot of syllables in my in my mouth. Finally,

0:13:14.600 --> 0:13:17.800
<v Speaker 1>this is it. We got all three Mowriy siblings on

0:13:17.880 --> 0:13:22.280
<v Speaker 1>the show this week, which is fantastic. Obviously technically only two.

0:13:23.240 --> 0:13:26.120
<v Speaker 1>You're right, they're playing the same character. I think it's

0:13:26.120 --> 0:13:28.040
<v Speaker 1>just one of them. That's not They're only in one scene.

0:13:28.080 --> 0:13:30.760
<v Speaker 1>I don't think they're both credited, So yeah, who I

0:13:30.800 --> 0:13:33.960
<v Speaker 1>wonder which one it is. I don't mytory. It was

0:13:34.000 --> 0:13:38.040
<v Speaker 1>weird to see like twins playing the role of what

0:13:38.960 --> 0:13:40.480
<v Speaker 1>ten year old fifteen year old? I don't know how

0:13:40.480 --> 0:13:43.040
<v Speaker 1>old she was in this episode, but it was like, yeah,

0:13:43.120 --> 0:13:45.560
<v Speaker 1>usually that's reserved for toddlers, but no, this time they

0:13:45.600 --> 0:13:49.679
<v Speaker 1>had teenage teenage twins. Anyways, best known for the hit

0:13:49.679 --> 0:13:54.000
<v Speaker 1>TV series Sister Sister with her twin sister Tia. She

0:13:54.120 --> 0:13:58.160
<v Speaker 1>also played doctor Kayla Thornton on the TV series Strong Medicine,

0:13:59.000 --> 0:14:01.160
<v Speaker 1>and she has an impressive list of Christmas movies and

0:14:01.200 --> 0:14:05.320
<v Speaker 1>mystery movies with Lifetime and Hallmark and then Tia is

0:14:05.360 --> 0:14:09.080
<v Speaker 1>also credited for the role of Denise. She along with

0:14:09.120 --> 0:14:11.640
<v Speaker 1>Sister Sister, she did one hundred episodes of a TV

0:14:11.760 --> 0:14:15.760
<v Speaker 1>series called The Game, which is a spin off of Girlfriends.

0:14:17.280 --> 0:14:19.200
<v Speaker 1>They did one hundred episodes. Yeah, I'm like, how do

0:14:19.280 --> 0:14:22.400
<v Speaker 1>I never read this show? Yeah, it's fantastic. And then

0:14:22.400 --> 0:14:25.760
<v Speaker 1>she did twenty sixty five episodes of a Nickelodeon series

0:14:25.800 --> 0:14:28.400
<v Speaker 1>called Instant Mom in twenty thirteen. I have heard of

0:14:28.400 --> 0:14:30.920
<v Speaker 1>that one, okay. And then she too has a lot

0:14:30.920 --> 0:14:34.760
<v Speaker 1>of Christmas movie credits to her name. Fantastic, I love it.

0:14:34.800 --> 0:14:38.120
<v Speaker 1>The Mowory's the Mowerys are on the set this week. Yes,

0:14:38.200 --> 0:14:39.239
<v Speaker 1>they are fantastic.

0:14:39.880 --> 0:14:41.920
<v Speaker 2>We have Taught and Tamara were there though, because they

0:14:41.960 --> 0:14:44.160
<v Speaker 2>were like my age and so you could hang out.

0:14:44.520 --> 0:14:47.640
<v Speaker 1>They were always around. That's right, That's so cool. And

0:14:47.680 --> 0:14:50.320
<v Speaker 1>I do wish I knew which one was playing the

0:14:50.400 --> 0:14:53.240
<v Speaker 1>role of Denise. I know I do too. An they're

0:14:53.240 --> 0:14:56.480
<v Speaker 1>birth credited. How does that work with twins? Do they

0:14:56.480 --> 0:15:00.600
<v Speaker 1>both get paid or do they split the fee? Like,

0:15:00.640 --> 0:15:02.760
<v Speaker 1>I don't know how this works when you're like, you

0:15:02.800 --> 0:15:07.400
<v Speaker 1>have to pay both of them, but are they getting

0:15:07.440 --> 0:15:10.240
<v Speaker 1>the same amount of pay as if it was just

0:15:10.280 --> 0:15:12.640
<v Speaker 1>one of them and then you have to split it

0:15:12.800 --> 0:15:15.320
<v Speaker 1>or I have so many questions about this. I never

0:15:15.360 --> 0:15:19.480
<v Speaker 1>thought about this until right now. Hmm. Idea, did they

0:15:19.480 --> 0:15:24.000
<v Speaker 1>have to pay the Olsen twins for the two other

0:15:24.160 --> 0:15:26.320
<v Speaker 1>roles that they played this week, the Devil and the

0:15:26.720 --> 0:15:29.600
<v Speaker 1>Good Michelle and the Bad Michelle. Did they get extra? Right?

0:15:29.680 --> 0:15:32.200
<v Speaker 1>You got for that too, because I think technically you're

0:15:32.200 --> 0:15:35.200
<v Speaker 1>supposed to get paid if you do a different perform

0:15:35.240 --> 0:15:37.680
<v Speaker 1>if you do a different character, you have to get paid.

0:15:38.240 --> 0:15:41.640
<v Speaker 3>I don't think so, no, those in a series.

0:15:42.160 --> 0:15:44.800
<v Speaker 1>Oh I thought no, because I think it would be

0:15:44.800 --> 0:15:48.320
<v Speaker 1>because it's it's you're like, you're under contract to do

0:15:48.440 --> 0:15:49.800
<v Speaker 1>whatever they write in the script.

0:15:50.000 --> 0:15:53.040
<v Speaker 2>Oh, so you they should have had I have.

0:15:53.080 --> 0:15:55.760
<v Speaker 1>Just three actors playing all of the full house cast,

0:15:56.040 --> 0:15:58.760
<v Speaker 1>like completely, you know, like how we did the Secret

0:15:58.760 --> 0:16:01.160
<v Speaker 1>Admirer episode on how Rude Tanner.

0:16:02.280 --> 0:16:04.440
<v Speaker 3>Exactly, just us playing everything.

0:16:05.240 --> 0:16:07.760
<v Speaker 1>Hey, you know what, that's that's a bargain right there.

0:16:07.840 --> 0:16:12.800
<v Speaker 1>They should have just hired us to do it all. Yeah. Anyways,

0:16:12.920 --> 0:16:17.360
<v Speaker 1>So Tas is back as Teddy, Darlene Vogel returns as

0:16:17.400 --> 0:16:22.560
<v Speaker 1>Wendy Tanner, and Journey Smolette is credited in this episode,

0:16:22.560 --> 0:16:25.400
<v Speaker 1>even though she wasn't in it, so I don't know credit.

0:16:25.480 --> 0:16:27.520
<v Speaker 1>We've got people credited that are in it. We got

0:16:27.520 --> 0:16:30.760
<v Speaker 1>people that aren't credited who are it's you know, the

0:16:30.800 --> 0:16:33.400
<v Speaker 1>only thing. The only consistency is Barkley. Really, Barkley is

0:16:33.440 --> 0:16:34.960
<v Speaker 1>the only kids.

0:16:35.520 --> 0:16:38.520
<v Speaker 3>He's the He's the one thread that runs throughout all of.

0:16:38.560 --> 0:16:41.080
<v Speaker 1>Full House, right, yeah, he is. I love that little

0:16:41.200 --> 0:16:44.960
<v Speaker 1>Love that little guy, Love that Amphibian, Love that Amphibian.

0:16:45.880 --> 0:16:48.680
<v Speaker 1>We start with the teaser in DJ's room. Michelle walks

0:16:48.720 --> 0:16:52.080
<v Speaker 1>in with a kid's portable speaker and microphone and she announces,

0:16:52.240 --> 0:16:55.280
<v Speaker 1>guess what time it is. DJ is typing away at

0:16:55.280 --> 0:16:59.800
<v Speaker 1>her computer and shrugs four thirty, and Michelle exclaims, Nope,

0:17:00.080 --> 0:17:02.880
<v Speaker 1>it's time for the Michelle Show, and she starts singing

0:17:02.920 --> 0:17:03.960
<v Speaker 1>her made up theme song.

0:17:04.160 --> 0:17:08.760
<v Speaker 3>This is very meta, right yeah, I'm like, yes it is.

0:17:09.440 --> 0:17:11.199
<v Speaker 1>At first, I was like, oh, that's funny how she

0:17:11.280 --> 0:17:13.720
<v Speaker 1>said this is the Michelle Show. And I'm like, oh no,

0:17:13.880 --> 0:17:18.440
<v Speaker 1>she really meant it, Like she really meant that. Oh boy.

0:17:19.160 --> 0:17:22.200
<v Speaker 1>DJ admits she loves that show, but she has the

0:17:22.240 --> 0:17:26.520
<v Speaker 1>homework show to do right now. Michelle completely ignores her,

0:17:26.640 --> 0:17:29.800
<v Speaker 1>and she continues, My first guest is Yogi Bear, and

0:17:29.840 --> 0:17:32.480
<v Speaker 1>she does her Yogi Bear impression and says, I'm smarter

0:17:32.600 --> 0:17:37.360
<v Speaker 1>than your average bear. DJ gives a monotone response, terrific

0:17:37.400 --> 0:17:40.440
<v Speaker 1>show one of your best. Then Michelle puts the mic

0:17:40.520 --> 0:17:44.040
<v Speaker 1>right in front of DJ and shouts here's DJ. DJ

0:17:44.160 --> 0:17:47.520
<v Speaker 1>reminds her that she doesn't do impressions, but Michelle is insistent.

0:17:48.080 --> 0:17:53.679
<v Speaker 1>She repeats once more. Here's DJ. DJ reluctantly deepens her

0:17:53.760 --> 0:17:56.520
<v Speaker 1>voice and says, I'm George Washington. I was your very

0:17:56.560 --> 0:17:58.160
<v Speaker 1>first president. How's it going?

0:17:59.080 --> 0:18:02.479
<v Speaker 2>Always a good idea to pick an impression that no

0:18:02.480 --> 0:18:03.680
<v Speaker 2>one can verify.

0:18:03.920 --> 0:18:06.119
<v Speaker 1>No one's heard it, right, that's actually kind of brilliant.

0:18:06.280 --> 0:18:08.280
<v Speaker 2>Might yeah, you be like, I'm gonna do an impression

0:18:08.280 --> 0:18:11.040
<v Speaker 2>of Ben Franklin. It may or may not sound like

0:18:11.119 --> 0:18:14.239
<v Speaker 2>him at all, but you don't know. Yeah, you can

0:18:14.359 --> 0:18:16.439
<v Speaker 2>just be emphatic about it. It's like, no, this is

0:18:16.520 --> 0:18:19.280
<v Speaker 2>what he sounds like. Hear him, just a really weird

0:18:19.359 --> 0:18:21.640
<v Speaker 2>high voice, and be like, that's what I heard.

0:18:21.640 --> 0:18:24.520
<v Speaker 3>He sounded like like Abraham Lincoln. Apparently Abraham Lincoln had

0:18:24.520 --> 0:18:25.280
<v Speaker 3>a very strange voice.

0:18:25.440 --> 0:18:29.120
<v Speaker 1>H really, I did not know that. Yeah, okay, well

0:18:29.200 --> 0:18:30.840
<v Speaker 1>I'll have to take your word for it because I

0:18:31.560 --> 0:18:35.600
<v Speaker 1>have no way to prove that. So Michelle is impressed

0:18:35.720 --> 0:18:39.760
<v Speaker 1>with this impression. Wow, you sound just like him, And

0:18:39.840 --> 0:18:41.960
<v Speaker 1>on that note, she closes the show and sings the

0:18:41.960 --> 0:18:45.320
<v Speaker 1>theme song while exiting DJ's room. Once she gets to

0:18:45.320 --> 0:18:47.639
<v Speaker 1>the doorway, she turns around and throws her hand up

0:18:47.680 --> 0:18:53.320
<v Speaker 1>in the air, exclaiming, Michelle, all, I think, though, when when.

0:18:53.200 --> 0:18:56.000
<v Speaker 2>There's a moment of flinging and doing a whole thing,

0:18:56.240 --> 0:18:59.920
<v Speaker 2>all I can picture is Adria right off camera doing that.

0:19:00.080 --> 0:19:01.560
<v Speaker 1>Oh yeah, yeah, you know what I mean.

0:19:02.119 --> 0:19:07.399
<v Speaker 2>That's all I picture is Adrian going okay, very and Michelle.

0:19:08.160 --> 0:19:12.320
<v Speaker 1>Yeah, it's true. Sometimes sometimes she'll the Mary Kate or

0:19:12.320 --> 0:19:14.520
<v Speaker 1>Ashley will say something and I'm like, oh, that sounds

0:19:14.520 --> 0:19:20.400
<v Speaker 1>just yeah, for sure. I have many of those moments.

0:19:21.000 --> 0:19:24.840
<v Speaker 1>I can literally hear Adria say the lines hysterical. And

0:19:24.880 --> 0:19:27.639
<v Speaker 1>I'm fascinated by the evolution of Candace's bangs at this

0:19:27.720 --> 0:19:30.600
<v Speaker 1>point in the series, where she's growing them out and

0:19:30.640 --> 0:19:33.879
<v Speaker 1>they're going are they are they long side sweat banks?

0:19:33.880 --> 0:19:36.119
<v Speaker 1>Were long side sweat banks. And I remember it was

0:19:36.200 --> 0:19:39.320
<v Speaker 1>so jealous of how long he were, and I was like,

0:19:39.400 --> 0:19:43.240
<v Speaker 1>I was always jealous of her hair. Oh yeah, best hair,

0:19:43.600 --> 0:19:45.800
<v Speaker 1>tons of it. Well, you're still in the You're still

0:19:45.840 --> 0:19:48.920
<v Speaker 1>in the spiderweb bang era with your little spider banks.

0:19:49.640 --> 0:19:52.360
<v Speaker 2>It's it's like a puff of cotton candy on my head.

0:19:52.520 --> 0:19:55.720
<v Speaker 1>It's adorable, but it fits. It frames your face nicely.

0:19:56.000 --> 0:19:58.400
<v Speaker 1>I think it's adorable. It's very cute. You're just trying

0:19:58.400 --> 0:19:59.760
<v Speaker 1>to make me feel better because I'm in a bad mood.

0:19:59.760 --> 0:20:00.800
<v Speaker 3>But they I appreciate it.

0:20:01.040 --> 0:20:03.920
<v Speaker 1>No, I would say that. No, it was easy.

0:20:04.680 --> 0:20:08.720
<v Speaker 2>We're moving from like the very eighties sort of the

0:20:08.920 --> 0:20:10.840
<v Speaker 2>rounded teased moment.

0:20:10.920 --> 0:20:14.720
<v Speaker 1>Yeah, yes, we're moving away from the AquaNet, the big

0:20:14.800 --> 0:20:18.120
<v Speaker 1>round brush era and into the side swept bangs era.

0:20:18.280 --> 0:20:20.520
<v Speaker 1>So it's yeah, it's fascinating to watch them get longer

0:20:20.520 --> 0:20:24.240
<v Speaker 1>and longer as the series goes on. Next, in Jesse's studio,

0:20:24.880 --> 0:20:27.760
<v Speaker 1>Jesse is working on his music when Teddy and Michelle

0:20:27.760 --> 0:20:31.680
<v Speaker 1>come running down the stairs. Teddy shouts, here's uncle Jesse,

0:20:32.359 --> 0:20:35.359
<v Speaker 1>and Michelle chimes in, we've been looking for you everywhere.

0:20:35.960 --> 0:20:40.040
<v Speaker 1>Jesse asks why, and Michelle matter of factly states, because

0:20:40.040 --> 0:20:44.240
<v Speaker 1>that's how you find somebody silly like Jesse is so

0:20:44.320 --> 0:20:46.880
<v Speaker 1>put out by this whole Like he's right, so annoyed

0:20:46.880 --> 0:20:49.760
<v Speaker 1>at being disrupted by these Well, yeah, what do you want?

0:20:49.960 --> 0:20:53.480
<v Speaker 1>But why why are you looking for me? What point

0:20:53.520 --> 0:20:56.920
<v Speaker 1>I get to get to it? Jesse emphasizes that he

0:20:56.960 --> 0:20:58.480
<v Speaker 1>has a lot of work to do, and he tells

0:20:58.520 --> 0:21:02.040
<v Speaker 1>the Muncskins to hit the yellow brick road. He continues

0:21:02.080 --> 0:21:04.639
<v Speaker 1>to play a drum beat on his high tech machine,

0:21:05.000 --> 0:21:07.640
<v Speaker 1>and Teddy looks at him with surprise. Where did that

0:21:07.800 --> 0:21:11.200
<v Speaker 1>drum come from? Jesse points to the machine and explains

0:21:11.280 --> 0:21:14.880
<v Speaker 1>he's got a whole band here. This is such new technology.

0:21:15.200 --> 0:21:21.440
<v Speaker 2>Oh yeah, this was like drums without a drum what yeah,

0:21:21.800 --> 0:21:22.840
<v Speaker 2>Like it seems.

0:21:22.520 --> 0:21:25.480
<v Speaker 1>So old now, but at the time, it's like, oh yeah,

0:21:25.040 --> 0:21:30.200
<v Speaker 1>this was just top notch technology right here. So first

0:21:30.680 --> 0:21:33.760
<v Speaker 1>he hits the drums, then he adds the bass and

0:21:33.800 --> 0:21:37.240
<v Speaker 1>a little guitar. Teddy and Michelle are watching and their

0:21:37.480 --> 0:21:41.560
<v Speaker 1>jaws are dropped. Finally, Jesse adds some horns and an

0:21:41.560 --> 0:21:45.199
<v Speaker 1>Elvis voice to the end of it. Michelle proclaims, we

0:21:45.320 --> 0:21:48.000
<v Speaker 1>have got to play with that, and she and Teddy

0:21:48.080 --> 0:21:51.000
<v Speaker 1>start to reach for the drum machine, but Jesse quickly

0:21:51.080 --> 0:21:54.880
<v Speaker 1>yells freeze hands up. They oblige and show him their

0:21:54.920 --> 0:21:58.840
<v Speaker 1>empty hands. He sternly tells them this is very expensive

0:21:58.840 --> 0:22:01.919
<v Speaker 1>equipment that I'm still making payments on, So under no

0:22:02.040 --> 0:22:05.960
<v Speaker 1>circumstance are you to touch anything in this whole entire studio.

0:22:06.200 --> 0:22:07.600
<v Speaker 3>Can you imagine what the payments are for that all

0:22:07.680 --> 0:22:08.280
<v Speaker 3>that equipment.

0:22:08.600 --> 0:22:13.760
<v Speaker 1>I'm impressed at their job. Yes, yes, first of all,

0:22:13.760 --> 0:22:16.880
<v Speaker 1>I'm there's a lot to unpack here. I'm glad. I

0:22:16.960 --> 0:22:19.640
<v Speaker 1>First of all, this is a rare mention of finances

0:22:19.680 --> 0:22:22.919
<v Speaker 1>on this show and how they pay for it. So yeah,

0:22:22.960 --> 0:22:25.199
<v Speaker 1>we actually do pay for things. Yeah, yes, this is

0:22:25.200 --> 0:22:26.560
<v Speaker 1>like the elephant in the room. How do they pay

0:22:26.640 --> 0:22:30.040
<v Speaker 1>for stuff? And okay, Jesse's financed this, Yes, the Sizer

0:22:30.119 --> 0:22:33.520
<v Speaker 1>thing got good credit. Yeah, and I'm very proud that

0:22:33.640 --> 0:22:36.399
<v Speaker 1>Danny didn't just finance the whole thing because you think, oh, well,

0:22:36.440 --> 0:22:38.399
<v Speaker 1>he redid the basement for Joey and then he just

0:22:38.440 --> 0:22:40.719
<v Speaker 1>redid the basement for the recording studio.

0:22:40.840 --> 0:22:43.560
<v Speaker 2>Well maybe maybe Danny's the bank. Maybe he borrowed the

0:22:43.560 --> 0:22:45.240
<v Speaker 2>money from Danny. You know what I mean, he's paying

0:22:45.320 --> 0:22:45.720
<v Speaker 2>him back.

0:22:45.760 --> 0:22:49.080
<v Speaker 1>Oh yeah, that would make that would make sense. Yeah,

0:22:49.280 --> 0:22:54.000
<v Speaker 1>a little no interest loan. Yeah yeah, Well, Jesse, Danny's a.

0:22:53.960 --> 0:22:57.159
<v Speaker 2>Loan shark and he charges him a ridiculously high interest

0:22:57.200 --> 0:22:59.960
<v Speaker 2>loan and if he doesn't pay him back, it's gonna

0:22:59.960 --> 0:23:00.600
<v Speaker 2>go really poorly.

0:23:01.040 --> 0:23:04.480
<v Speaker 1>Oh gosh, like this is the this is I want?

0:23:05.680 --> 0:23:07.720
<v Speaker 1>How does Danny make all his money. He's a lone shark.

0:23:07.840 --> 0:23:14.400
<v Speaker 1>He's just a shark. I love it. Uh So, Michelle smirks,

0:23:15.560 --> 0:23:18.920
<v Speaker 1>my feet are touching the floor, and Teddy grins, she's

0:23:18.920 --> 0:23:21.919
<v Speaker 1>got you there. Jesse tries to show them along, but

0:23:21.920 --> 0:23:26.320
<v Speaker 1>Michelle insists that he stopped working because it's Saturday. Teddy nods,

0:23:26.359 --> 0:23:29.520
<v Speaker 1>telling him to get some fresh air. Jesse huffs, I'd

0:23:29.560 --> 0:23:31.240
<v Speaker 1>love to put on my play clothes and hit the

0:23:31.280 --> 0:23:34.879
<v Speaker 1>sandbox with you. Bozo's with the good Uncle Jesse keep saying,

0:23:35.200 --> 0:23:38.199
<v Speaker 1>be responsible, finish your work, and then go out and

0:23:38.320 --> 0:23:40.320
<v Speaker 1>enjoy some well earned relaxation.

0:23:40.960 --> 0:23:42.720
<v Speaker 3>It's good to know there's a good Uncle Jesse in there.

0:23:42.880 --> 0:23:46.040
<v Speaker 1>I like that, Yes, I was. I'm very pleased with

0:23:46.160 --> 0:23:49.200
<v Speaker 1>everything that I'm here. He's financing things, he's got good

0:23:49.760 --> 0:23:54.199
<v Speaker 1>I'm an adult. Yeah, yes, But Michelle admits that the

0:23:54.240 --> 0:23:58.360
<v Speaker 1>good Uncle Jesse is a nerd. Come on, Michelle, let's

0:23:58.400 --> 0:24:01.560
<v Speaker 1>encourage the good behavior, right. Jesse tries to tell them

0:24:01.600 --> 0:24:04.359
<v Speaker 1>that he is still hip, but the bad Uncle Jesse

0:24:04.480 --> 0:24:07.000
<v Speaker 1>keeps trying to take over, saying work is for chumps.

0:24:07.080 --> 0:24:09.360
<v Speaker 1>Go out and party. You're having a good hair day,

0:24:09.480 --> 0:24:12.560
<v Speaker 1>go share it with the world. And Teddy thinks the

0:24:12.600 --> 0:24:16.280
<v Speaker 1>bad uncle Jesse sounds cool. But Jesse is trying to

0:24:16.280 --> 0:24:18.600
<v Speaker 1>teach them a lesson. You need to know right from wrong,

0:24:18.800 --> 0:24:23.440
<v Speaker 1>so he's determined to sit there and finish his work. Unsurprisingly,

0:24:23.520 --> 0:24:25.359
<v Speaker 1>he does a one to eighty right after his speech

0:24:25.400 --> 0:24:29.119
<v Speaker 1>and happily shouts starting tomorrow, who wants ice cream? And

0:24:29.160 --> 0:24:33.880
<v Speaker 1>he chases the kids out of the studio. Okay, it's

0:24:33.880 --> 0:24:34.720
<v Speaker 1>a good too set up.

0:24:34.760 --> 0:24:37.520
<v Speaker 2>Yeah, it's a set up for the weirdness that we

0:24:37.640 --> 0:24:40.560
<v Speaker 2>finally acknowledged that there is a basement full of expensive

0:24:40.560 --> 0:24:41.200
<v Speaker 2>equipment here.

0:24:41.760 --> 0:24:45.040
<v Speaker 1>Yes, and it's expensive, and they don't want all these kids.

0:24:45.080 --> 0:24:47.879
<v Speaker 2>It's expensive, and they already put all this crap in

0:24:47.920 --> 0:24:49.160
<v Speaker 2>the attic and then they had to.

0:24:49.119 --> 0:24:52.920
<v Speaker 1>Move it down. They had to get a crane. He's

0:24:53.160 --> 0:24:53.800
<v Speaker 1>going to do it.

0:24:53.920 --> 0:24:56.600
<v Speaker 2>You can't carry it on the stairs.

0:24:57.080 --> 0:25:01.320
<v Speaker 1>It's a narrow stairway. There's alway, you know. It's this, Yeah,

0:25:01.560 --> 0:25:04.520
<v Speaker 1>this is no nobody should be allowed in the recording

0:25:04.560 --> 0:25:10.280
<v Speaker 1>studio except Jesse and occasionally one hundred rippers. So next

0:25:10.320 --> 0:25:13.440
<v Speaker 1>in DJ's room, Kimmy, DJ and Steph walk into the

0:25:13.520 --> 0:25:16.280
<v Speaker 1>room carrying shopping bags, and Kimmy and Steph are in

0:25:16.320 --> 0:25:19.760
<v Speaker 1>the middle of a heated argument regarding Timmy Finelli and

0:25:19.920 --> 0:25:24.480
<v Speaker 1>Jimmy Finelli, in which one of them is cuter. DJ

0:25:24.600 --> 0:25:27.800
<v Speaker 1>butts in what are you guys arguing about? They're identical twins.

0:25:28.800 --> 0:25:31.800
<v Speaker 1>Kimmy defends her choice. Jimmy is two minutes older, he's

0:25:32.000 --> 0:25:35.880
<v Speaker 1>much more mature. And we came in hot into the seat,

0:25:35.920 --> 0:25:39.479
<v Speaker 1>like this argument was already very intense, like from the jump,

0:25:39.680 --> 0:25:41.560
<v Speaker 1>I feel like that was a note that we got

0:25:41.600 --> 0:25:43.000
<v Speaker 1>that's like, no, no, you got to raise, got to

0:25:43.080 --> 0:25:46.480
<v Speaker 1>raise it. Just come in like at a ten, coming

0:25:46.520 --> 0:25:48.240
<v Speaker 1>at a five, come in at a ten. Well, because

0:25:48.240 --> 0:25:51.920
<v Speaker 1>we've already been arguing, we've been arguings.

0:25:51.440 --> 0:25:53.679
<v Speaker 2>Yeah, oh yeah, but Timmy and Jimmy is the is

0:25:53.720 --> 0:25:57.959
<v Speaker 2>the the issue right now at hands? And then you

0:25:58.000 --> 0:26:00.359
<v Speaker 2>just wouldn't shut up about it, the whole shut up it.

0:26:00.400 --> 0:26:05.080
<v Speaker 1>And we are steadfast in our opinions. Nobody's budgeting on this, nobody.

0:26:06.480 --> 0:26:09.520
<v Speaker 1>So Steph rolls her eyes. That is the dumbest thing

0:26:09.640 --> 0:26:13.080
<v Speaker 1>I've ever heard, and Kimmy scoffs. Let me get this straight.

0:26:13.440 --> 0:26:18.119
<v Speaker 1>You're calling me dumb, and Steph retorts gibbler, You're so dumb,

0:26:18.240 --> 0:26:21.760
<v Speaker 1>you don't know how dumb you are, Kimmy tries to

0:26:21.760 --> 0:26:24.560
<v Speaker 1>one up her. You're the one who's dumb capital d

0:26:24.760 --> 0:26:29.720
<v Speaker 1>u M dumb. Oh boy, here we go. Yeah, DJ

0:26:29.840 --> 0:26:34.000
<v Speaker 1>vince's and reminds her Kimmy, there's a bee, and Kimmy

0:26:34.040 --> 0:26:36.919
<v Speaker 1>starts to swap the air and frantically asks where I

0:26:36.960 --> 0:26:41.520
<v Speaker 1>hate those things? This was actually very funny. It was funny,

0:26:42.400 --> 0:26:45.399
<v Speaker 1>h DJ size, I think we have a winner. Steph

0:26:45.520 --> 0:26:48.399
<v Speaker 1>turns to her older sister and questions, how can you

0:26:48.440 --> 0:26:52.160
<v Speaker 1>be friends with that? Wow? It's harsh. That looks kind

0:26:52.160 --> 0:26:54.320
<v Speaker 1>of harsh, Like I am a human, I'm Adreid, a

0:26:54.359 --> 0:26:59.920
<v Speaker 1>weird human at a little bit that didn't hurt a little,

0:27:00.200 --> 0:27:04.399
<v Speaker 1>But that's okay. Kimmy doesn't back down. She picked me,

0:27:04.720 --> 0:27:08.080
<v Speaker 1>but she got stuck with you. DJ is fed up.

0:27:08.200 --> 0:27:11.240
<v Speaker 1>You guys have been arguing the whole way home, and

0:27:11.280 --> 0:27:14.320
<v Speaker 1>sure enough the girls start to argue about where they

0:27:14.320 --> 0:27:17.000
<v Speaker 1>started arguing, on Lake Street or Chestnut.

0:27:17.880 --> 0:27:20.720
<v Speaker 2>This is just like siblings, Like this sounds exactly like

0:27:20.800 --> 0:27:21.280
<v Speaker 2>my kids.

0:27:21.400 --> 0:27:25.240
<v Speaker 1>Yeah, but you're like, does it matter? No, I just

0:27:25.280 --> 0:27:29.119
<v Speaker 1>want to fight, doesn't just doesn't just want to argue, yes,

0:27:29.320 --> 0:27:34.280
<v Speaker 1>which I'm non confrontational, so I don't like, I don't

0:27:34.280 --> 0:27:36.440
<v Speaker 1>want to argue when I have to argue, I definitely

0:27:36.440 --> 0:27:40.200
<v Speaker 1>don't want to make up arguments goodness, so DJ can't

0:27:40.200 --> 0:27:43.560
<v Speaker 1>believe them. She insists that they shake hands and be friends,

0:27:44.080 --> 0:27:46.840
<v Speaker 1>so Kimmy stretches out of hand, but when Steph reaches

0:27:46.880 --> 0:27:49.800
<v Speaker 1>for it, Jimmy swipes it away. Ah, got you a

0:27:49.880 --> 0:27:54.959
<v Speaker 1>shrimp boat, and Stephanie scowls bird legs DJ's had it.

0:27:55.240 --> 0:27:57.720
<v Speaker 1>She shuts the door and says they aren't leaving until

0:27:57.760 --> 0:28:00.920
<v Speaker 1>they start acting nice to one another. I would have

0:28:00.960 --> 0:28:03.719
<v Speaker 1>kicked them both out, yeah, Why why is she keep

0:28:04.320 --> 0:28:07.960
<v Speaker 1>them into the Saint? Right? If anything, DJ should DJ

0:28:08.000 --> 0:28:11.400
<v Speaker 1>should leave and lock those guys work it out. Yeah, right.

0:28:11.480 --> 0:28:13.919
<v Speaker 2>And also I feel like any older sibling would have

0:28:13.960 --> 0:28:16.160
<v Speaker 2>immediately kicked out the younger sibling and been like, oh

0:28:16.160 --> 0:28:17.440
<v Speaker 2>my god, leave me with my friend.

0:28:17.480 --> 0:28:21.000
<v Speaker 1>You're so annoying. Totally totally yes, this was. I mean, like,

0:28:21.200 --> 0:28:23.760
<v Speaker 1>I get it. The jokes gotta work, that storylines gotta work,

0:28:23.840 --> 0:28:28.480
<v Speaker 1>but not realistic. Uh So Steph rolls her eyes and

0:28:28.480 --> 0:28:31.520
<v Speaker 1>says fine, and then starts dialing a phone number on

0:28:31.600 --> 0:28:35.360
<v Speaker 1>DJ's phone. DJ asks what she's doing, and Steph responds

0:28:35.400 --> 0:28:40.040
<v Speaker 1>I'm ordering pizza. This could take months, give me argues years,

0:28:40.800 --> 0:28:42.800
<v Speaker 1>and they go back and forth on how long this

0:28:42.960 --> 0:28:45.640
<v Speaker 1>will take. I feel like we were adding some of

0:28:45.640 --> 0:28:51.800
<v Speaker 1>that at the end. At the end was just and

0:28:51.840 --> 0:28:54.200
<v Speaker 1>I kept thinking, I hope they cut soon because I'm

0:28:54.320 --> 0:28:54.800
<v Speaker 1>running out.

0:28:54.920 --> 0:28:57.240
<v Speaker 2>I don't know, I don't know how many Kennedies I

0:28:57.240 --> 0:28:59.680
<v Speaker 2>can go, right.

0:29:00.080 --> 0:29:02.760
<v Speaker 1>And I'm so distracted. Speaking of bangs, I'm very distracted

0:29:02.760 --> 0:29:05.440
<v Speaker 1>by my bangs here, which resemble an owl pellet. It's

0:29:05.560 --> 0:29:08.960
<v Speaker 1>just like this stuffed an owl pellet. Yeah, it's like

0:29:09.080 --> 0:29:12.400
<v Speaker 1>this net. It's like a part nest, part bones, part

0:29:13.720 --> 0:29:15.880
<v Speaker 1>I don't know. Yeah, it's gross, Like it doesn't even

0:29:16.000 --> 0:29:19.240
<v Speaker 1>look like hair. It's just a mess of b like

0:29:19.280 --> 0:29:21.120
<v Speaker 1>a owl on my face.

0:29:21.160 --> 0:29:24.000
<v Speaker 2>I'm trying to even remember what your hair looked like

0:29:24.040 --> 0:29:27.160
<v Speaker 2>in that scene, and I don't. I don't particularly remember

0:29:27.160 --> 0:29:29.400
<v Speaker 2>a problem with it, and usually I'm.

0:29:28.920 --> 0:29:35.080
<v Speaker 1>Pretty usually right. No, this is when I was I

0:29:35.160 --> 0:29:39.280
<v Speaker 1>remember distinctly when I was in this side that it's

0:29:39.320 --> 0:29:42.280
<v Speaker 1>like the tuft. It was just like the like the

0:29:42.400 --> 0:29:47.800
<v Speaker 1>pepper hair and yeah, yeah, yeah, And so I don't know,

0:29:48.120 --> 0:29:50.080
<v Speaker 1>as much as I want to blame the hair department

0:29:50.200 --> 0:29:51.240
<v Speaker 1>for this, this might have been me.

0:29:51.480 --> 0:29:53.000
<v Speaker 2>This might have been me been like, I don't think

0:29:54.520 --> 0:29:57.400
<v Speaker 2>I don't think this was you. You were never like that.

0:29:57.680 --> 0:30:00.320
<v Speaker 1>I was never You're right, I never spoke up. You

0:30:00.400 --> 0:30:01.720
<v Speaker 1>never were like I want this.

0:30:01.880 --> 0:30:04.760
<v Speaker 2>You were like okay, which I understand because I was

0:30:04.800 --> 0:30:05.240
<v Speaker 2>the same way.

0:30:05.240 --> 0:30:06.560
<v Speaker 1>And then I'd go in my dressing room be like

0:30:06.600 --> 0:30:09.960
<v Speaker 1>I hate it right right, Okay, So I will blame

0:30:10.000 --> 0:30:14.080
<v Speaker 1>the hair department for this owl pellet bangs? Okay? An

0:30:14.160 --> 0:30:15.040
<v Speaker 1>owl pellet?

0:30:15.640 --> 0:30:18.560
<v Speaker 2>Yes, it's like they call it an owl pellet to

0:30:19.600 --> 0:30:20.720
<v Speaker 2>like owl poop or something.

0:30:21.320 --> 0:30:23.240
<v Speaker 1>No, it's the little thing that they vomit. Did you

0:30:23.240 --> 0:30:27.080
<v Speaker 1>never dissect one in school? An owl? No? An owl pellet.

0:30:27.120 --> 0:30:29.200
<v Speaker 1>It's the thing they vomit like they eat and then

0:30:29.240 --> 0:30:31.840
<v Speaker 1>they vomit something up and it's got like twigs and

0:30:32.880 --> 0:30:36.160
<v Speaker 1>material like whatever they've ingested. It's got fur, it's gotten

0:30:38.320 --> 0:30:40.600
<v Speaker 1>Never heard of this, and I know a lot of

0:30:40.720 --> 0:30:44.040
<v Speaker 1>random things. I I know. How have you never dissected

0:30:44.040 --> 0:30:47.480
<v Speaker 1>an owl pellet? I mean I had dissected a fetal pig.

0:30:48.120 --> 0:30:51.320
<v Speaker 2>Anyway, this is anatomy and physiology we had to do.

0:30:51.960 --> 0:30:56.440
<v Speaker 1>Have you done a frog? Yeah? Okay? Frogs? Yes? Dicted

0:30:56.720 --> 0:31:02.200
<v Speaker 1>owl pellets like salamanders, maybe lots, reptiles, amphibians, maybe I don't.

0:31:01.960 --> 0:31:05.440
<v Speaker 2>Know, poor poor little things anyway, Okay, anyways, let's not

0:31:05.520 --> 0:31:07.440
<v Speaker 2>get distracted about what we've dissected.

0:31:08.040 --> 0:31:10.760
<v Speaker 3>Sorry, everyone, He's really sorry for that.

0:31:11.440 --> 0:31:14.800
<v Speaker 1>Next in the kitchen, Joey hops down the stairs wearing

0:31:14.840 --> 0:31:19.240
<v Speaker 1>a colorful tracksuit while singing, Oh what a beautiful mourning

0:31:19.880 --> 0:31:21.440
<v Speaker 1>from the musical Oklahoma.

0:31:22.000 --> 0:31:27.080
<v Speaker 2>He looks like that woman in in those dance videos,

0:31:27.120 --> 0:31:29.800
<v Speaker 2>the how to dance videos. That's like the whitest white

0:31:29.800 --> 0:31:32.840
<v Speaker 2>woman you've ever seen trying to explain hip hop dancing,

0:31:33.640 --> 0:31:37.360
<v Speaker 2>and she's in She's in a full like blue tracksuit,

0:31:37.520 --> 0:31:38.840
<v Speaker 2>just like that.

0:31:38.840 --> 0:31:40.120
<v Speaker 1>That's what Joey writes.

0:31:41.400 --> 0:31:44.000
<v Speaker 2>I was expecting him to start like doing the you know,

0:31:44.200 --> 0:31:45.640
<v Speaker 2>like and jazz.

0:31:47.360 --> 0:31:50.720
<v Speaker 1>You're like, oh my god, don't ever do that, lady. Yeah, like,

0:31:50.800 --> 0:31:55.640
<v Speaker 1>this is the worst possible candidate to explain hip hop, right, Yeah,

0:31:55.960 --> 0:32:00.560
<v Speaker 1>that's hysterical. Yeah, Dave is a vision. Yeah, it's the.

0:32:00.560 --> 0:32:03.440
<v Speaker 2>Second noisiest material next to car Quarterbay.

0:32:03.800 --> 0:32:07.400
<v Speaker 1>Yes, the sound guys like you're wearing a paper bag.

0:32:09.280 --> 0:32:12.280
<v Speaker 1>Move as gently as possible. The sound guys are gonna

0:32:12.280 --> 0:32:16.360
<v Speaker 1>get mad, and so Dave's he ends the song with

0:32:16.400 --> 0:32:20.120
<v Speaker 1>a flourish. This thing he would always do regardless if

0:32:20.120 --> 0:32:23.000
<v Speaker 1>we were real loud singer guy. Yeah, where he dramatically

0:32:23.040 --> 0:32:25.800
<v Speaker 1>like pulls the imaginary microphone away from his mouth and

0:32:25.880 --> 0:32:27.800
<v Speaker 1>he goes silent, and then he hits the final note

0:32:27.800 --> 0:32:31.080
<v Speaker 1>and brings it right back in. Dave, he loved that

0:32:31.120 --> 0:32:35.760
<v Speaker 1>bit on Cue the doorbell rings and he excitedly tells

0:32:35.840 --> 0:32:38.160
<v Speaker 1>Danny and Becky that he's going on a bike ride

0:32:38.200 --> 0:32:42.120
<v Speaker 1>with Wendy. Wendy's back. This is a two episode arc.

0:32:42.200 --> 0:32:46.080
<v Speaker 1>I'm impressed, very impressed. I like this relationship. I wish

0:32:46.120 --> 0:32:48.200
<v Speaker 1>this wasn't the end of it. I was like, well,

0:32:48.240 --> 0:32:51.200
<v Speaker 1>don't get your hopes one. Danny notes, ever since my

0:32:51.320 --> 0:32:54.280
<v Speaker 1>sister moved back to San Francisco, you've been walking around

0:32:54.320 --> 0:32:57.960
<v Speaker 1>the house singing show tunes, and Joey insists that's not true,

0:32:58.440 --> 0:33:01.760
<v Speaker 1>before he heads towards the door singing seventy six troum

0:33:01.880 --> 0:33:07.200
<v Speaker 1>Bones from Music Man in the living Room. Danny follows

0:33:07.200 --> 0:33:10.560
<v Speaker 1>behind Joey, and he does not sugarcoat things. I hope

0:33:10.560 --> 0:33:12.920
<v Speaker 1>you know what you're getting yourself into. My sister is

0:33:12.960 --> 0:33:16.840
<v Speaker 1>a pretty serious athlete, and you're not exactly in tiptop shape.

0:33:17.320 --> 0:33:19.160
<v Speaker 1>It's still always so funny to me that Dave, the

0:33:19.160 --> 0:33:22.920
<v Speaker 1>most athletic of who plays hockey every weekend, was the

0:33:22.960 --> 0:33:26.800
<v Speaker 1>one that was always like, you're not athletic, right, I know? Yeah?

0:33:26.920 --> 0:33:32.000
<v Speaker 1>They they yes, Dave's only three of them, and they

0:33:32.080 --> 0:33:37.040
<v Speaker 1>kept yeah, making him out to be. It's this doufish.

0:33:37.360 --> 0:33:40.480
<v Speaker 1>Joey explains that he knows that Wendy likes him for

0:33:40.520 --> 0:33:43.440
<v Speaker 1>who he is and doesn't need to do anything special

0:33:43.480 --> 0:33:47.440
<v Speaker 1>to impress her. However, as soon as Danny opens the door,

0:33:47.520 --> 0:33:49.840
<v Speaker 1>Joey jumps to the ground and does push ups while

0:33:49.880 --> 0:33:52.640
<v Speaker 1>counting one hundred and eighty one, one hundred and eighty two,

0:33:53.760 --> 0:33:56.040
<v Speaker 1>and he stands up to greet Wendy. He tells her

0:33:56.080 --> 0:33:58.920
<v Speaker 1>he's doing an early morning pump up. He says he's

0:33:58.960 --> 0:34:04.000
<v Speaker 1>working on his abs, pecks and lobes. Wendy laughs, you're

0:34:04.040 --> 0:34:07.160
<v Speaker 1>working out your ears, and Joey nods, yep, feel the

0:34:07.160 --> 0:34:10.239
<v Speaker 1>definition in these babies, and he flexes as hard as

0:34:10.239 --> 0:34:13.880
<v Speaker 1>he can. Wendy admits she loves a man with ears

0:34:13.880 --> 0:34:17.720
<v Speaker 1>of steel, and Danny sarcastically chimes in, and his brain

0:34:17.840 --> 0:34:22.440
<v Speaker 1>is one big ball of aluminum foil. Joey claps his

0:34:22.480 --> 0:34:25.239
<v Speaker 1>hands together. Eager to leave. He tells Wendy they can

0:34:25.280 --> 0:34:27.840
<v Speaker 1>put their bikes on her rack and head out. But

0:34:28.320 --> 0:34:31.000
<v Speaker 1>Wendy doesn't have a bike rack. She doesn't even have

0:34:31.120 --> 0:34:35.160
<v Speaker 1>a car. Joey lets out a nervous laugh. The trails

0:34:35.200 --> 0:34:37.120
<v Speaker 1>twenty miles away. How are we going to get there?

0:34:37.760 --> 0:34:41.960
<v Speaker 1>And Wendy casually says, ride our bikes through the hills

0:34:41.960 --> 0:34:45.279
<v Speaker 1>of San Francisco, right, Yeah, this is ambitious.

0:34:45.280 --> 0:34:47.240
<v Speaker 2>It's not a Yeah, that's not a regular twenty miles,

0:34:47.239 --> 0:34:49.400
<v Speaker 2>that's a San Francisco up and down twenty miles.

0:34:49.560 --> 0:34:52.759
<v Speaker 1>No, that's an endurance sport, because that's an ultra marathon

0:34:53.000 --> 0:34:58.440
<v Speaker 1>right there. Uh so, Joey is now visibly worried. Sure,

0:34:58.640 --> 0:35:00.640
<v Speaker 1>the twenty mile ride there will be a nice warm

0:35:00.719 --> 0:35:03.000
<v Speaker 1>up and the twenty mile ride back will be a

0:35:03.080 --> 0:35:07.320
<v Speaker 1>nice little cool down. Danny butts in with amusement. Especially

0:35:07.360 --> 0:35:08.879
<v Speaker 1>for a guy who can do one hundred and eighty

0:35:08.880 --> 0:35:12.839
<v Speaker 1>push ups without breaking a sweat, Danny's just roasted him

0:35:12.880 --> 0:35:17.160
<v Speaker 1>this whole time. Joey boasts that he's in tiptop writing condition.

0:35:17.560 --> 0:35:19.320
<v Speaker 1>But when he goes to grab his bike, we see

0:35:19.360 --> 0:35:22.600
<v Speaker 1>that it's very old fashioned and has a banana seat

0:35:23.480 --> 0:35:27.200
<v Speaker 1>straight out as stranger things. Yeah, this was the eighties bike.

0:35:27.280 --> 0:35:28.560
<v Speaker 3>Oh god, I remember those things.

0:35:28.760 --> 0:35:30.759
<v Speaker 2>Yes, they have a little metal thing on the back

0:35:30.800 --> 0:35:32.680
<v Speaker 2>that you'd like stand on the pegs and hold on to.

0:35:33.080 --> 0:35:36.200
<v Speaker 1>Oh yeah yeah, and they like they would rust overnight.

0:35:38.920 --> 0:35:42.279
<v Speaker 1>And yeah, it's instant rusting. He loved it.

0:35:42.560 --> 0:35:45.680
<v Speaker 2>Yeah, you definitely needed a Tetnis shot anytime you've actually

0:35:45.760 --> 0:35:46.160
<v Speaker 2>rode one.

0:35:46.080 --> 0:35:52.600
<v Speaker 1>Of those, Oh for sure, yes, yes. So Wendy is

0:35:52.600 --> 0:35:54.759
<v Speaker 1>shocked to see that this is the bike that he'll

0:35:54.800 --> 0:35:57.640
<v Speaker 1>be using, but Joey assures her, Oh, all the top

0:35:57.719 --> 0:35:59.560
<v Speaker 1>riders are going back to the banana seat.

0:36:00.800 --> 0:36:04.040
<v Speaker 3>That's more surface area. I think it's more comfortable.

0:36:04.160 --> 0:36:06.960
<v Speaker 1>I would think so too, Like, don't dog a banana seat,

0:36:07.000 --> 0:36:10.200
<v Speaker 1>you know that's probably got some good patting in there.

0:36:10.440 --> 0:36:14.360
<v Speaker 1>I don't know, I'm not My brain is going so

0:36:14.480 --> 0:36:18.759
<v Speaker 1>many directions right now, but I'm continuing on banana seat

0:36:18.800 --> 0:36:19.280
<v Speaker 1>and padding.

0:36:19.320 --> 0:36:22.719
<v Speaker 3>I'm just I'm like, oh, hold on overload.

0:36:23.320 --> 0:36:27.239
<v Speaker 1>Next, in Jesse's studio, we see Michelle tiptoeing down the

0:36:27.239 --> 0:36:31.160
<v Speaker 1>stairs and she asks if anyone is there. No one answers,

0:36:31.360 --> 0:36:34.719
<v Speaker 1>so the coast is clear. She walks up to Jesse's

0:36:34.760 --> 0:36:37.719
<v Speaker 1>sound machine, and she's tempted to play with it, but

0:36:38.200 --> 0:36:41.080
<v Speaker 1>as soon as she's about to touch it, another Michelle,

0:36:41.160 --> 0:36:44.319
<v Speaker 1>in a puffy pink dress with long curly hair and

0:36:44.360 --> 0:36:46.719
<v Speaker 1>a flower crown appears.

0:36:47.800 --> 0:36:48.400
<v Speaker 2>I mean.

0:36:50.200 --> 0:36:56.800
<v Speaker 1>As this wasn't just one does? Yeah, So she scolds

0:36:56.800 --> 0:37:01.799
<v Speaker 1>her Michelle Elizabeth Tanner, I am shocked. Michelle is astonished

0:37:01.880 --> 0:37:05.600
<v Speaker 1>and asks the look alike, who are your means? Sport?

0:37:05.719 --> 0:37:08.120
<v Speaker 3>Child's having some sort of a mental break.

0:37:08.360 --> 0:37:10.719
<v Speaker 1>She's well, and as a therapist, you think she would understand,

0:37:10.880 --> 0:37:13.560
<v Speaker 1>like why she's having this swell. Yeah, but you know

0:37:13.600 --> 0:37:14.760
<v Speaker 1>what break from reality?

0:37:15.320 --> 0:37:17.000
<v Speaker 3>You don't know when you're in it.

0:37:17.040 --> 0:37:20.239
<v Speaker 2>That's true when she's too close to it, like dumb

0:37:20.239 --> 0:37:21.160
<v Speaker 2>people don't know they' dumb.

0:37:23.640 --> 0:37:25.680
<v Speaker 1>They don't know. You're right, they don't know. That's what

0:37:25.680 --> 0:37:28.800
<v Speaker 1>what bliss man ignorance really is. It really is, Scott.

0:37:28.880 --> 0:37:33.560
<v Speaker 1>I wish That's why I'm so unhappy. You need to

0:37:33.600 --> 0:37:36.279
<v Speaker 1>be more ignorant. I could get a lobotomy. I think

0:37:36.360 --> 0:37:41.439
<v Speaker 1>I think i'd feel bad. So the girl explains, I'm

0:37:41.600 --> 0:37:44.399
<v Speaker 1>the good Michelle. I tell you the right thing to do.

0:37:45.560 --> 0:37:50.120
<v Speaker 1>Just then another Michelle appears to Michelle, not another Michelle.

0:37:51.280 --> 0:37:54.400
<v Speaker 1>This one's wearing a bandana, a leather jacket, and long

0:37:54.480 --> 0:37:58.440
<v Speaker 1>ear rings. She warns Michelle, don't listen to that wimp.

0:37:59.320 --> 0:38:02.480
<v Speaker 1>Michelle realized says that that is the bad Michelle, and

0:38:02.520 --> 0:38:04.920
<v Speaker 1>the good one begs her not to fall for her trap.

0:38:05.760 --> 0:38:07.880
<v Speaker 1>The bad one wants her to break the rules, but

0:38:07.920 --> 0:38:11.879
<v Speaker 1>the real Michelle doesn't want to get in trouble. It's

0:38:11.880 --> 0:38:14.520
<v Speaker 1>not coincidence that bad Michelle looks exactly like Uncle Jesse,

0:38:14.719 --> 0:38:18.879
<v Speaker 1>like with the leather right, Well, she just I mean right,

0:38:19.040 --> 0:38:23.840
<v Speaker 1>that's I mean basically yeah, it's like, you know, it's.

0:38:24.160 --> 0:38:26.080
<v Speaker 2>Shopping and she came back in with the glasses in

0:38:26.120 --> 0:38:27.040
<v Speaker 2>the little leather jacket.

0:38:27.280 --> 0:38:30.640
<v Speaker 1>She just get jacket. It's super Yeah, she repurposed it

0:38:30.440 --> 0:38:36.320
<v Speaker 1>for her for her face or break right, it's so funny.

0:38:37.600 --> 0:38:40.000
<v Speaker 1>So she calls her a chicken and flaps her arms,

0:38:40.280 --> 0:38:43.520
<v Speaker 1>and Michelle is obviously conflicted. So the good Michelle shakes

0:38:43.520 --> 0:38:47.200
<v Speaker 1>her finger and repeats, be good oh. In response, the

0:38:47.239 --> 0:38:52.560
<v Speaker 1>bad Michelle chance party, Party, Party. Michelle tells both of

0:38:52.600 --> 0:38:55.200
<v Speaker 1>the other Michelles to stop. She makes her decision and

0:38:55.239 --> 0:38:59.960
<v Speaker 1>announces it's party time. She goes haywire, pressing every button

0:39:00.120 --> 0:39:04.560
<v Speaker 1>on every piece of equipment. The bad. Michelle dances along

0:39:04.600 --> 0:39:08.560
<v Speaker 1>and shouts you're bad to the bone. On cue. Jesse

0:39:08.719 --> 0:39:12.520
<v Speaker 1>walks downstairs and both of the pretend Michell's quickly disappear.

0:39:13.000 --> 0:39:16.239
<v Speaker 1>Jesse asks his niece what she's doing is having a

0:39:16.280 --> 0:39:21.480
<v Speaker 1>mental episode? Yeah, he should be alarmed, He should totally

0:39:21.560 --> 0:39:25.680
<v Speaker 1>for several reasons he should be alarmed. Michelle begs Jesse

0:39:25.880 --> 0:39:27.960
<v Speaker 1>not to tell her dad because she'll get in trouble,

0:39:28.400 --> 0:39:32.000
<v Speaker 1>and then Danny runs downstairs and asks if everything's okay? Well,

0:39:32.440 --> 0:39:39.120
<v Speaker 1>but come on, it's like, when is anything okay in

0:39:39.160 --> 0:39:39.760
<v Speaker 1>this house?

0:39:40.560 --> 0:39:43.520
<v Speaker 2>You're either totally alone and nobody can hear you, or

0:39:43.680 --> 0:39:46.520
<v Speaker 2>you do the slightest thing and someone comes running in right.

0:39:46.440 --> 0:39:50.360
<v Speaker 1>Like everyone right, and you're like, how did you not

0:39:50.520 --> 0:39:51.480
<v Speaker 1>hear the other.

0:39:51.400 --> 0:39:53.360
<v Speaker 3>Stuff that was going on last episode?

0:39:53.440 --> 0:39:53.640
<v Speaker 2>Right?

0:39:54.200 --> 0:39:57.120
<v Speaker 1>Right? No, it's it's like, just I'd love to sitcoms

0:39:57.760 --> 0:40:03.440
<v Speaker 1>in this house. It must be incredible. So Michelle calmly

0:40:03.480 --> 0:40:07.799
<v Speaker 1>responds everything is super, but Jesse tells the truth, No,

0:40:07.920 --> 0:40:12.120
<v Speaker 1>everything is not super. She was down here playing with

0:40:12.160 --> 0:40:15.840
<v Speaker 1>my stuff after I specifically told her not to. Danny

0:40:15.840 --> 0:40:18.560
<v Speaker 1>turns to Michelle and asks if that's the truth, and

0:40:18.600 --> 0:40:20.799
<v Speaker 1>she plays it off. Hey, I was just having fun,

0:40:21.560 --> 0:40:24.400
<v Speaker 1>Danny reprimands her, Well, your fun is over for the

0:40:24.400 --> 0:40:25.920
<v Speaker 1>rest of the day. You're going to be in your

0:40:26.000 --> 0:40:29.919
<v Speaker 1>room and no TV. Sheelle asks if she can rent

0:40:30.040 --> 0:40:35.400
<v Speaker 1>a videotape. You see back in the day, guys, you

0:40:35.520 --> 0:40:39.319
<v Speaker 1>had to go to a different location and borrow a

0:40:39.440 --> 0:40:42.480
<v Speaker 1>VHS tape. You could have for about three days, and

0:40:42.480 --> 0:40:44.720
<v Speaker 1>then you had to rewind it and turn it back in. Yes,

0:40:45.200 --> 0:40:47.839
<v Speaker 1>that was the best. That was the best Friday nights

0:40:47.840 --> 0:40:51.040
<v Speaker 1>at Blockbuster down in front of the wall, right elbow

0:40:53.280 --> 0:40:56.480
<v Speaker 1>or whatever the hell was the big Blockbusters, like, I

0:40:56.560 --> 0:40:58.480
<v Speaker 1>got it, I got it? Yeah, I know that was

0:40:58.920 --> 0:41:04.040
<v Speaker 1>I missed those days. Uh so, Danny sternly responds, no tapes,

0:41:04.239 --> 0:41:07.839
<v Speaker 1>no cable, and no pay per view. Michelle can't believe

0:41:07.880 --> 0:41:10.200
<v Speaker 1>what she's hearing, but Danny reminds her that if she

0:41:10.280 --> 0:41:13.960
<v Speaker 1>breaks the rules, she's gonna be punished. Michelle looks at

0:41:14.000 --> 0:41:18.759
<v Speaker 1>Jesse and pouts, thanks a lot, Uncle tattletale. Jesse tells

0:41:18.760 --> 0:41:21.760
<v Speaker 1>her he is not a tattletale, and then he proceeds

0:41:21.760 --> 0:41:25.480
<v Speaker 1>to tell Danny what she just said. He realizes the hypocrisy,

0:41:25.560 --> 0:41:28.560
<v Speaker 1>but stands firm that it isn't his fault because she

0:41:29.000 --> 0:41:32.760
<v Speaker 1>was messing with his stuff. Michelle continues with the guilt trip.

0:41:33.120 --> 0:41:35.920
<v Speaker 1>I thought I was your little munchkin, but I was wrong.

0:41:37.200 --> 0:41:39.360
<v Speaker 1>Danny doesn't fall for it and prompts Michelle to go

0:41:39.440 --> 0:41:42.360
<v Speaker 1>up to her room. She looks at Jesse and sadly says,

0:41:42.840 --> 0:41:46.440
<v Speaker 1>I hope you're happy. Wof the sad music plays in

0:41:46.520 --> 0:41:51.560
<v Speaker 1>Jesse's sighs as she walks away. Darnott, Michelle like, and

0:41:51.600 --> 0:41:53.879
<v Speaker 1>now I'm mad at Michelle for making me feel bad

0:41:53.920 --> 0:41:57.399
<v Speaker 1>for Uncle Jesse. You know, like she's guilt tripping him.

0:41:57.800 --> 0:42:01.600
<v Speaker 1>You know, it's not tattletailing if he's telling right, Like

0:42:01.640 --> 0:42:03.480
<v Speaker 1>he said, don't play with my stuff. She played with

0:42:03.520 --> 0:42:05.480
<v Speaker 1>his stuff, so I told Dan, But.

0:42:05.560 --> 0:42:08.960
<v Speaker 2>That's kids, Like any report is always a tattletale.

0:42:09.000 --> 0:42:12.839
<v Speaker 1>You're like, no, but that's not Yeah, He's like, yeah, Yeah,

0:42:12.920 --> 0:42:15.480
<v Speaker 1>she's just I get it. She's you know, she's in

0:42:15.520 --> 0:42:17.640
<v Speaker 1>the moment. She's mad at him. She's she's like, look,

0:42:17.719 --> 0:42:19.600
<v Speaker 1>I was having a great time down here with my

0:42:19.600 --> 0:42:22.239
<v Speaker 1>two imaginary friends who are also me because I don't

0:42:22.320 --> 0:42:27.000
<v Speaker 1>really get out of the house. Yeah, she has to

0:42:27.080 --> 0:42:29.239
<v Speaker 1>imagine she was just excited that there was something to

0:42:29.280 --> 0:42:35.799
<v Speaker 1>play with, you know, right, No, yeah, that's that. That

0:42:36.000 --> 0:42:38.479
<v Speaker 1>just hit me that when you said that, is that? Yeah?

0:42:38.520 --> 0:42:46.759
<v Speaker 1>She even her imaginary friends. Yeah yeah, un back there.

0:42:47.120 --> 0:42:50.400
<v Speaker 1>Yeah yeah, not even like an imaginary friend, that's like

0:42:50.560 --> 0:42:55.719
<v Speaker 1>something else. Yeah no, it's just different for you. Yeah. Wow,

0:42:55.920 --> 0:42:59.480
<v Speaker 1>that's the Narcissism just runs very deep in this family.

0:43:07.640 --> 0:43:10.080
<v Speaker 1>So up in Michelle's room, Michelle is sitting on the

0:43:10.080 --> 0:43:13.960
<v Speaker 1>bed petting Comet, and she sighs, at least I've still

0:43:13.960 --> 0:43:17.200
<v Speaker 1>got you, Commet, put it on cue. Danny yells out

0:43:17.200 --> 0:43:19.440
<v Speaker 1>for comment, saying it's time for his walk, and so

0:43:19.600 --> 0:43:22.000
<v Speaker 1>Commet jumps out of the bed and doesn't look back.

0:43:22.440 --> 0:43:24.600
<v Speaker 1>So true. They don't care. They're like, I love you.

0:43:24.880 --> 0:43:29.319
<v Speaker 1>Wait a treat. Okay. Now Michelle is all alone and

0:43:29.600 --> 0:43:33.160
<v Speaker 1>totally bummed. The good Michelle reappears to her right and

0:43:33.200 --> 0:43:36.400
<v Speaker 1>scolds her, I hope you learned your lesson, and then

0:43:36.480 --> 0:43:38.719
<v Speaker 1>bad Michelle appears to her left and tries to show

0:43:38.760 --> 0:43:41.640
<v Speaker 1>off the good one. Hey, princess, go kiss the frog.

0:43:42.680 --> 0:43:46.319
<v Speaker 1>Michelle angrily reminds her that she's the one responsible for

0:43:46.400 --> 0:43:46.920
<v Speaker 1>this mess.

0:43:47.239 --> 0:43:49.800
<v Speaker 3>God, she's having just a full identity crisis.

0:43:49.920 --> 0:43:55.800
<v Speaker 1>She really is, like she's blaming. This is a lot.

0:43:56.280 --> 0:43:59.880
<v Speaker 1>There's a lot going on right now. Uh, it's a

0:44:00.080 --> 0:44:04.279
<v Speaker 1>bad Michelle decides to push all the blame onto Uncle Tattletale,

0:44:05.120 --> 0:44:07.839
<v Speaker 1>but then she proposes an idea. You want to make

0:44:07.920 --> 0:44:12.480
<v Speaker 1>him very sorry. The Good Michelle knows something's up and

0:44:12.520 --> 0:44:15.440
<v Speaker 1>tells Bad Michelle to mind her own business. Light the

0:44:15.480 --> 0:44:19.400
<v Speaker 1>studio on fire. No, sorry, not a good idea. That

0:44:19.440 --> 0:44:24.160
<v Speaker 1>wouldn't make him very sorry, though it would. The bad one, Uh,

0:44:24.280 --> 0:44:26.680
<v Speaker 1>the bad No, The real Michelle is interested to hear

0:44:26.840 --> 0:44:30.080
<v Speaker 1>what this plan is, so the bad one suggests you

0:44:30.239 --> 0:44:33.920
<v Speaker 1>run away from home. Good Michelle gasps at the thought.

0:44:34.400 --> 0:44:38.080
<v Speaker 1>Bad Michelle insists Uncle Jesse will never squeal on you again.

0:44:39.000 --> 0:44:41.560
<v Speaker 1>So the real Michelle nods, sounds good to me. I'm

0:44:41.600 --> 0:44:43.960
<v Speaker 1>out of here. She hops off the bed and grabs

0:44:44.000 --> 0:44:47.839
<v Speaker 1>the world's smallest suitcase to begin packing. Good Michelle tries

0:44:47.880 --> 0:44:50.760
<v Speaker 1>to convince her otherwise while she loads up the suitcase

0:44:50.800 --> 0:44:53.279
<v Speaker 1>with all of her clothes. At the same time, Bad

0:44:53.320 --> 0:44:56.600
<v Speaker 1>Michelle is shouting, don't listen to her pack that suitcase.

0:44:57.480 --> 0:45:00.279
<v Speaker 1>The two figments of her imagination start to argue back

0:45:00.320 --> 0:45:03.360
<v Speaker 1>and forth, and Bad Michelle taunts the good one, yelling

0:45:05.320 --> 0:45:08.239
<v Speaker 1>the good. Michelle just stares at her in utter disgust

0:45:10.200 --> 0:45:12.640
<v Speaker 1>going through this is. This has become the Michelle Show

0:45:12.719 --> 0:45:13.840
<v Speaker 1>in a matter of ten minutes.

0:45:13.880 --> 0:45:17.000
<v Speaker 2>Like it literally well they she came in and said

0:45:17.120 --> 0:45:18.239
<v Speaker 2>it's the Michelle Show.

0:45:18.719 --> 0:45:25.920
<v Speaker 1>She wasn't lying time, right, we were. We were amply warned. Wow,

0:45:26.000 --> 0:45:28.560
<v Speaker 1>this is a lot of Michelle's. This is too many Michelle,

0:45:28.840 --> 0:45:31.560
<v Speaker 1>this is This is a lot of Michelle's.

0:45:31.600 --> 0:45:35.239
<v Speaker 2>But I'm just glad that they're not freakishly large like

0:45:35.280 --> 0:45:38.480
<v Speaker 2>they were in that one dream sequence from like t

0:45:39.560 --> 0:45:42.799
<v Speaker 2>take at least normal sized to Michelle's.

0:45:42.840 --> 0:45:45.160
<v Speaker 1>Okay, yeah, it's at least they're not creepy. I mean,

0:45:45.160 --> 0:45:48.040
<v Speaker 1>they're this hole set up is weird, but at least

0:45:48.040 --> 0:45:52.120
<v Speaker 1>they're not creepy large. They're not creepy, right, yeah, yeah,

0:45:52.200 --> 0:45:54.840
<v Speaker 1>okay is it? And I don't mean this in a

0:45:55.080 --> 0:45:56.399
<v Speaker 1>like I don't mean this in a mean.

0:45:56.360 --> 0:46:00.000
<v Speaker 2>Way, but when when I see Michelle and it's Mary

0:46:00.120 --> 0:46:03.319
<v Speaker 2>Kate but in the the the princess thing with the

0:46:03.360 --> 0:46:07.400
<v Speaker 2>hair and the crown and the whatever. I'm trying to

0:46:07.440 --> 0:46:11.840
<v Speaker 2>think what it reminds me of. But there's some oh, Glinda,

0:46:12.160 --> 0:46:15.040
<v Speaker 2>is what it reminded me? No, you know when e

0:46:15.080 --> 0:46:16.880
<v Speaker 2>t is dressed up in the wig.

0:46:16.800 --> 0:46:23.320
<v Speaker 1>And you can't know what I mean yet, you can't.

0:46:23.120 --> 0:46:25.040
<v Speaker 2>Say they look like I'm just saying it was like

0:46:25.480 --> 0:46:28.319
<v Speaker 2>it's like the wig is so big and it looks so.

0:46:28.480 --> 0:46:32.080
<v Speaker 1>Ridiculous, you know what I mean. And the dress is oversize,

0:46:32.640 --> 0:46:40.840
<v Speaker 1>it's like when she's got extensions like she's obviously wearing. It's. Yeah,

0:46:41.000 --> 0:46:43.319
<v Speaker 1>it looks like ET. Yeah.

0:46:45.640 --> 0:46:45.879
<v Speaker 2>Yeah.

0:46:46.160 --> 0:46:47.839
<v Speaker 1>Or I was gonna say miss Piggy, but I thought

0:46:47.840 --> 0:46:52.719
<v Speaker 1>Eat was better. That's definitely the lesser offensive of the two.

0:46:52.800 --> 0:46:56.080
<v Speaker 2>Yes, I yah one really yeah, And no, this has

0:46:56.160 --> 0:46:59.719
<v Speaker 2>nothing to do with with anyone looking like et. Mark

0:46:59.880 --> 0:47:04.400
<v Speaker 2>just dress up right, the whole ensemble, and I'm like,

0:47:04.400 --> 0:47:07.960
<v Speaker 2>where have I seen this look before? That's right Et,

0:47:08.200 --> 0:47:10.080
<v Speaker 2>when he's dressed up for Halloween or whatever.

0:47:12.320 --> 0:47:16.879
<v Speaker 1>Oh my chest hurts, my chest shirts, Oh gosh, Yeah

0:47:16.880 --> 0:47:20.360
<v Speaker 1>that's you know, I think he nailed it. You definitely

0:47:20.440 --> 0:47:25.800
<v Speaker 1>nailed it. So next we are at Teddy's house. Teddy

0:47:25.840 --> 0:47:28.200
<v Speaker 1>has a house and a family. Teddy gets a set.

0:47:28.360 --> 0:47:30.720
<v Speaker 1>This is a monumentous is huge episode.

0:47:30.840 --> 0:47:34.000
<v Speaker 2>You're really this set was for Sparky and like, well

0:47:34.040 --> 0:47:35.440
<v Speaker 2>we got to have some owners and we got some

0:47:35.480 --> 0:47:35.879
<v Speaker 2>people there.

0:47:35.920 --> 0:47:38.800
<v Speaker 1>Yeah, yeah. Yeah, this is Sparky's like third or fourth appearance.

0:47:38.920 --> 0:47:40.880
<v Speaker 1>He deserves his own set by now he's put in

0:47:40.880 --> 0:47:44.440
<v Speaker 1>his time. So Teddy and his family are playing monopoly

0:47:44.520 --> 0:47:47.640
<v Speaker 1>when the doorbell rings. Teddy asks who is it? And

0:47:47.680 --> 0:47:51.520
<v Speaker 1>Michelle shouts through the door, it's Michelle Tanner. Do you

0:47:51.560 --> 0:47:53.600
<v Speaker 1>remember Do you remember this bit? It made the gag

0:47:53.640 --> 0:47:57.120
<v Speaker 1>reel how Taj couldn't get the timing right with saying

0:47:57.160 --> 0:47:59.520
<v Speaker 1>who is it? And then opening the door. He would

0:47:59.760 --> 0:48:01.960
<v Speaker 1>open the door and then say who is it? Right

0:48:02.080 --> 0:48:05.839
<v Speaker 1>to Michelle's face, And so I don't remember that. Oh

0:48:05.840 --> 0:48:08.040
<v Speaker 1>my god, I make the gagriel. I remember it because

0:48:08.200 --> 0:48:10.400
<v Speaker 1>I mean he was what eight years old or something,

0:48:11.000 --> 0:48:12.719
<v Speaker 1>so he didn't get it. It was like it's a

0:48:12.760 --> 0:48:15.200
<v Speaker 1>timing thing. So yeah, it was.

0:48:15.160 --> 0:48:18.400
<v Speaker 2>A yeah, you got a question before you can actually

0:48:18.440 --> 0:48:21.160
<v Speaker 2>see who it is? Yes, exactly, ask the question before

0:48:21.160 --> 0:48:22.200
<v Speaker 2>you can answer it yourself.

0:48:22.760 --> 0:48:29.200
<v Speaker 1>Yes. So Teddy opens the door and Michelle politely asks, Hi, Teddy,

0:48:29.400 --> 0:48:32.560
<v Speaker 1>can I live with you? He shrugs, sure, come on in.

0:48:33.640 --> 0:48:36.840
<v Speaker 1>He happily announces to his family, guess what Michelle is

0:48:36.880 --> 0:48:40.920
<v Speaker 1>going to live with us? Teddy's dad smartly asks if

0:48:41.000 --> 0:48:45.399
<v Speaker 1>Danny knows that she's here, and Michelle admits, no, when

0:48:45.440 --> 0:48:48.919
<v Speaker 1>you run away, you don't tell. So the parents ask

0:48:49.040 --> 0:48:52.239
<v Speaker 1>why she ran away and she explains to teach Uncle

0:48:52.280 --> 0:48:57.520
<v Speaker 1>taddletale a lesson. Teddy's sister, which is Taj's real life sister,

0:48:57.800 --> 0:49:00.800
<v Speaker 1>thinks that Michelle is super cute and asks her parents

0:49:00.840 --> 0:49:03.480
<v Speaker 1>if they can keep her, like it's a puppy or

0:49:03.520 --> 0:49:04.840
<v Speaker 1>something like, it's c.

0:49:05.000 --> 0:49:09.800
<v Speaker 3>T break out the recent pieces.

0:49:16.239 --> 0:49:23.319
<v Speaker 2>Oh accuracy, Yeah, Michelle phone home.

0:49:29.440 --> 0:49:35.160
<v Speaker 1>Michelle grins, I am a fun girl, and Teddy's dad responds, well,

0:49:35.239 --> 0:49:37.560
<v Speaker 1>until we get this straightened out, you are welcome to

0:49:37.600 --> 0:49:42.960
<v Speaker 1>stay here, and she exclaims, thanks new dad, Thank god

0:49:43.000 --> 0:49:45.200
<v Speaker 1>for these parents, Like, I'm very imped The parents handle

0:49:45.280 --> 0:49:48.319
<v Speaker 1>this the only way you can, which is to be like, oh,

0:49:48.560 --> 0:49:52.400
<v Speaker 1>don't panic, right, but doesn't know where you are a

0:49:52.480 --> 0:49:56.520
<v Speaker 1>phone call. They didn't like, you know, harbor her as

0:49:56.520 --> 0:49:58.960
<v Speaker 1>a fugitive, like no, they were just like, there is

0:49:59.040 --> 0:50:02.359
<v Speaker 1>no no eating in a bedding at all. Oh, very

0:50:02.360 --> 0:50:06.040
<v Speaker 1>impressed with ted Like Teddy's parents, Thank god for there's

0:50:06.080 --> 0:50:09.320
<v Speaker 1>some normal person in the in this full house universe,

0:50:09.600 --> 0:50:13.840
<v Speaker 1>like the only normal people. So next, in the Tanner kitchen,

0:50:14.520 --> 0:50:18.640
<v Speaker 1>Jesse is holding a camcorder and Becky and Nicky are

0:50:18.680 --> 0:50:21.480
<v Speaker 1>about to Becky is holding Nicki and the twins are

0:50:21.520 --> 0:50:24.600
<v Speaker 1>about to hit a monumental step. It's the baby's first

0:50:24.680 --> 0:50:30.040
<v Speaker 1>time trying solid foods. However, instead of keeping focus on

0:50:30.080 --> 0:50:33.040
<v Speaker 1>his son, Jesse keeps pointing the camera to himself to

0:50:33.120 --> 0:50:36.480
<v Speaker 1>show off his reactions and his good hair day that tracks.

0:50:37.040 --> 0:50:41.640
<v Speaker 1>Becky starts with the strained bananas and the baby's not

0:50:41.680 --> 0:50:44.160
<v Speaker 1>a fan of it, so she tries another spoonful and

0:50:44.239 --> 0:50:47.000
<v Speaker 1>he keeps all of it in his mouth. She announces

0:50:47.120 --> 0:50:50.080
<v Speaker 1>it's a keeper. I remember when they when I started

0:50:50.080 --> 0:50:52.680
<v Speaker 1>feeding the kids, they were like, start with peas, start

0:50:52.719 --> 0:50:56.240
<v Speaker 1>with something vegetable, because you start on the sweet stuff.

0:50:56.320 --> 0:50:58.680
<v Speaker 1>They're like, they're never going to like it. Yeah, we

0:50:58.760 --> 0:51:02.719
<v Speaker 1>started with avocados because avocados are plentiful here in this

0:51:02.800 --> 0:51:05.800
<v Speaker 1>part of the world. And uh, yeah, it's something. The

0:51:05.880 --> 0:51:08.160
<v Speaker 1>kids loved it. It's oh, I love having avocado. It's

0:51:08.160 --> 0:51:08.880
<v Speaker 1>a great little.

0:51:08.920 --> 0:51:11.319
<v Speaker 2>But when you give him that first bite of like

0:51:11.680 --> 0:51:13.000
<v Speaker 2>a vegetable and they're.

0:51:12.800 --> 0:51:16.680
<v Speaker 1>Like, like, oh, what is this? The face is the

0:51:16.719 --> 0:51:21.320
<v Speaker 1>master so great? Her face whatsoever? Was like this is terrible.

0:51:23.800 --> 0:51:26.400
<v Speaker 1>So then Danny comes running down the stairs and he asks,

0:51:26.560 --> 0:51:29.759
<v Speaker 1>have you guys seen Michelle. Jesse figures these adults in

0:51:29.800 --> 0:51:35.120
<v Speaker 1>the house, you know, hey, she was grounded and now

0:51:35.120 --> 0:51:38.000
<v Speaker 1>he can't find her. That's true, so Jesse figures she's

0:51:38.000 --> 0:51:40.759
<v Speaker 1>in her room because she's grounded, but Danny says no,

0:51:40.840 --> 0:51:43.680
<v Speaker 1>he can't find her anywhere, so he and Jesse both

0:51:43.719 --> 0:51:47.120
<v Speaker 1>start shouting her name as they search the house. Then

0:51:47.120 --> 0:51:50.640
<v Speaker 1>the phone rings and Danny's face washes over with relief.

0:51:50.920 --> 0:51:53.560
<v Speaker 1>He says, oh, thank god, We'll be right over and

0:51:53.600 --> 0:51:56.120
<v Speaker 1>he thanks Henry for the call. He hangs up with

0:51:56.160 --> 0:51:58.320
<v Speaker 1>the phone and he tells Jesse and Becky that Michelle

0:51:58.320 --> 0:52:01.280
<v Speaker 1>went down the street to Teddy's house. She ran away

0:52:01.400 --> 0:52:04.600
<v Speaker 1>from home. Becky can't believe that she would do such

0:52:04.600 --> 0:52:07.319
<v Speaker 1>a thing, but Jesse knows that she was mad at

0:52:07.400 --> 0:52:11.600
<v Speaker 1>him and called him Uncle taddle tail earlier. Jesse asks

0:52:11.640 --> 0:52:14.719
<v Speaker 1>what Danny's gonna do, and he responds, I'm gonna hug her,

0:52:15.120 --> 0:52:18.920
<v Speaker 1>kiss her, and then ground her for life. And that

0:52:19.000 --> 0:52:21.800
<v Speaker 1>sentence basically sums up all of full house.

0:52:21.680 --> 0:52:25.200
<v Speaker 2>Like literally but well parenting really in a nut, like

0:52:25.360 --> 0:52:31.280
<v Speaker 2>I love you, Yes, I'm gonna hug you, kiss, and

0:52:31.440 --> 0:52:32.279
<v Speaker 2>now I'm gonna kill you.

0:52:32.840 --> 0:52:36.319
<v Speaker 1>Yes. He starts to walk out the door, but Jesse

0:52:36.440 --> 0:52:40.200
<v Speaker 1>stops him. He says, I've got a better idea. Just

0:52:40.320 --> 0:52:43.440
<v Speaker 1>do what my dad did to me when I ran away.

0:52:43.840 --> 0:52:48.760
<v Speaker 1>I guarantee she'll never do it again, which sounded very ominous.

0:52:48.880 --> 0:52:53.799
<v Speaker 1>Like right, Nick, I was right? Where's he going with us? Right?

0:52:53.920 --> 0:52:55.440
<v Speaker 3>Did he shove you in a suitcase?

0:52:55.600 --> 0:52:59.080
<v Speaker 1>Like you? What did you do? This is a like

0:52:59.120 --> 0:53:04.040
<v Speaker 1>this is taking a dark but no. Next, in DJ's room,

0:53:04.360 --> 0:53:07.840
<v Speaker 1>DJ has forced Stephanie and Kimmy to sit in chairs

0:53:08.040 --> 0:53:11.560
<v Speaker 1>facing each other. The girls ask why they're doing this,

0:53:11.920 --> 0:53:15.600
<v Speaker 1>because it'll never work, but DJ argues, sure, sure it will.

0:53:15.680 --> 0:53:18.200
<v Speaker 1>I saw it on TV Little Sisters and best Friends

0:53:18.239 --> 0:53:22.520
<v Speaker 1>who hate each other on the next Giraldo. Stephanie is skeptical,

0:53:22.760 --> 0:53:26.440
<v Speaker 1>SoJ goes on to explain. The idea is you guys

0:53:26.440 --> 0:53:28.600
<v Speaker 1>can learn to be friends if you find that you

0:53:28.640 --> 0:53:31.719
<v Speaker 1>have things in common. Each time you agree, you move

0:53:31.760 --> 0:53:35.239
<v Speaker 1>your chairs closer together. When you disagree, you move your

0:53:35.280 --> 0:53:39.759
<v Speaker 1>chairs apart. Understand Steph rolls her eyes, we're not idiots,

0:53:40.239 --> 0:53:44.080
<v Speaker 1>and Kimmy frowns. Speak for yourself, and Steph just raises

0:53:44.080 --> 0:53:48.560
<v Speaker 1>an eyebrow in disbelief. DJ starts off by asking Stephanie

0:53:48.600 --> 0:53:51.719
<v Speaker 1>what her favorite book is, and she answers Charlotte's Webb.

0:53:52.480 --> 0:53:56.319
<v Speaker 1>Kimmy answers how to pick up Boys. Oh. Dj emphasizes

0:53:56.360 --> 0:53:58.600
<v Speaker 1>that they both read a book, but Kimmy says that

0:53:58.640 --> 0:54:01.520
<v Speaker 1>hers was a book on tape, so they move their

0:54:01.560 --> 0:54:03.680
<v Speaker 1>chairs away from each other. But books on tape or

0:54:03.719 --> 0:54:06.680
<v Speaker 1>is that still reading? Like? I am of the mindset

0:54:06.719 --> 0:54:08.959
<v Speaker 1>that if you listen to a book on tape, that's

0:54:09.000 --> 0:54:10.760
<v Speaker 1>still reading a book.

0:54:11.040 --> 0:54:15.040
<v Speaker 2>I mean, I preferently read reading. Technically it's listening consuming

0:54:15.040 --> 0:54:17.000
<v Speaker 2>a book. Are you eating it?

0:54:18.120 --> 0:54:23.200
<v Speaker 1>No, but you're digesting it mentally. You're mentally disting a book,

0:54:23.280 --> 0:54:27.800
<v Speaker 1>so you've you're listening to it, right, But that's not reading,

0:54:29.640 --> 0:54:35.440
<v Speaker 1>It's it's just semantics. No, listening involves your ears. Reading

0:54:35.520 --> 0:54:36.520
<v Speaker 1>involves your eyes.

0:54:36.680 --> 0:54:39.520
<v Speaker 3>You can't listen with your eyeballs and read with your ears.

0:54:39.960 --> 0:54:42.040
<v Speaker 1>Okay, So, if you're keeping track of the books you

0:54:42.160 --> 0:54:45.160
<v Speaker 1>read on good Reads, can you bark off the ones

0:54:45.400 --> 0:54:47.560
<v Speaker 1>the book the audiobooks that you've listened to.

0:54:48.320 --> 0:54:50.360
<v Speaker 3>I don't listen to audiobooks, so I don't know, so

0:54:50.360 --> 0:54:51.040
<v Speaker 3>I would say, no.

0:54:52.000 --> 0:54:54.799
<v Speaker 1>You can't count the audiobook. You can count the audiobooks

0:54:54.880 --> 0:54:58.279
<v Speaker 1>as books read or consu Well.

0:54:58.200 --> 0:55:03.279
<v Speaker 2>You yes, that you have uh listened to all of

0:55:03.320 --> 0:55:04.000
<v Speaker 2>the words too.

0:55:05.160 --> 0:55:08.480
<v Speaker 1>Okay, yeah, I don't think there's a It's it's good reads,

0:55:08.560 --> 0:55:12.760
<v Speaker 1>not good listens. But okay, that's that's fine. What good reads?

0:55:12.880 --> 0:55:15.280
<v Speaker 1>But you can't what's good reads? You can't can't choose.

0:55:15.520 --> 0:55:18.439
<v Speaker 1>Is it like where you get audiobooks. No, it's it's

0:55:18.480 --> 0:55:20.680
<v Speaker 1>just like a website where you can keep track of

0:55:21.040 --> 0:55:22.759
<v Speaker 1>It's like a social website, so you can see what

0:55:22.800 --> 0:55:26.080
<v Speaker 1>your friends are reading. You can read their reviews. It's

0:55:26.120 --> 0:55:27.719
<v Speaker 1>just a way of keep track of, like your to

0:55:27.719 --> 0:55:30.480
<v Speaker 1>to read list, what you're currently reading, and what you

0:55:30.560 --> 0:55:36.080
<v Speaker 1>have already read forget. Yeah, me too. One time I

0:55:36.120 --> 0:55:38.520
<v Speaker 1>was halfway through a Jodi Picole book and I was like, oh,

0:55:38.560 --> 0:55:41.200
<v Speaker 1>I've already bed. It was like two hundred pages in.

0:55:41.320 --> 0:55:44.000
<v Speaker 1>I do that with books with TV shows. This is

0:55:44.000 --> 0:55:46.600
<v Speaker 1>why we need good reads, whether you are an audiobook

0:55:46.600 --> 0:55:49.759
<v Speaker 1>listener or not. But anyways, okay, before we before we

0:55:49.760 --> 0:55:54.200
<v Speaker 1>get two hunder needs on this. Before DJ asks what

0:55:54.320 --> 0:55:58.720
<v Speaker 1>their favorite food is. Steph says pizza, and DJ gets excited,

0:55:58.800 --> 0:56:02.719
<v Speaker 1>considering Kimmy loves pizza. But Kimmy doesn't love it more

0:56:02.760 --> 0:56:08.240
<v Speaker 1>than trout, so they move their chairs farther apart. Stephanie

0:56:08.280 --> 0:56:11.560
<v Speaker 1>shakes her head, this is so stupid, and Kimmy agrees

0:56:11.800 --> 0:56:15.160
<v Speaker 1>it sure is. DJ points out that they both agree

0:56:15.239 --> 0:56:18.120
<v Speaker 1>that it's stupid, so they move their chairs closer together.

0:56:18.200 --> 0:56:21.960
<v Speaker 1>This time. DJ tells them to keep going. Steph complains

0:56:21.960 --> 0:56:24.600
<v Speaker 1>that she doesn't want to keep going and admits, you're

0:56:24.600 --> 0:56:28.239
<v Speaker 1>always telling me what to do, and Kimmy nods in agreement. Yeah,

0:56:28.280 --> 0:56:31.560
<v Speaker 1>she's so bossy. I'm sick of it. They agree once more,

0:56:31.600 --> 0:56:35.120
<v Speaker 1>so they inch their chairs even closer. They continue to

0:56:35.160 --> 0:56:38.680
<v Speaker 1>bond over their complaints about DJ. Kimmy says DJ is

0:56:38.719 --> 0:56:41.680
<v Speaker 1>always late and has to look perfect, and Steph calls

0:56:41.719 --> 0:56:43.960
<v Speaker 1>her the hair spray Queen.

0:56:44.560 --> 0:56:49.040
<v Speaker 3>Which is saying a lot with my bangs right, yes, it's.

0:56:48.880 --> 0:56:53.759
<v Speaker 1>Like okay, I get kettle ya. Kimmy admits, do you

0:56:53.840 --> 0:56:57.399
<v Speaker 1>know she's never complimented my hair, and Stephanie isn't say

0:56:58.719 --> 0:57:06.399
<v Speaker 1>right here either the owl pellet motif. DJ interrupts, well,

0:57:06.440 --> 0:57:08.880
<v Speaker 1>now that we're all friends, we can change the subject,

0:57:09.000 --> 0:57:11.080
<v Speaker 1>but Steph doesn't let up. Oh no, she has to

0:57:11.200 --> 0:57:14.040
<v Speaker 1>vent about her frustration with sharing a bathroom with DJ.

0:57:14.520 --> 0:57:17.480
<v Speaker 1>She tells Kimmy, might as well go to a Texico station.

0:57:19.040 --> 0:57:21.640
<v Speaker 1>Are you saying she's a slob or that she's a

0:57:21.680 --> 0:57:24.400
<v Speaker 1>steaks forever? It just take? Oh, it takes for take.

0:57:24.840 --> 0:57:26.560
<v Speaker 2>Yeah, it got Oh she's in there forever. Might as

0:57:26.600 --> 0:57:28.080
<v Speaker 2>well just walk down the street to the gas station.

0:57:28.120 --> 0:57:30.160
<v Speaker 1>So the Texico, Yeah you go, Okay, there you go.

0:57:30.400 --> 0:57:33.480
<v Speaker 1>Are there Texaco stations anymore? I don't think that's a thing. Well,

0:57:33.480 --> 0:57:36.280
<v Speaker 1>it's like just a gas station bathroom, right, is that? Yeah?

0:57:36.320 --> 0:57:38.760
<v Speaker 1>But Texico? I think God, I don't think tech. You know,

0:57:38.760 --> 0:57:41.320
<v Speaker 1>I think Texico. I think they went under a long

0:57:41.360 --> 0:57:42.919
<v Speaker 1>time ago. I don't know. I haven't I haven't even

0:57:42.920 --> 0:57:48.000
<v Speaker 1>thought about Texico since nineteen ninety two. Uh So Gimme

0:57:48.040 --> 0:57:50.200
<v Speaker 1>admits that they can go on for hours like this,

0:57:50.360 --> 0:57:52.960
<v Speaker 1>So she asks Steph do you like frozen yogurt? And

0:57:53.040 --> 0:57:56.280
<v Speaker 1>Steph nods love it. They bond over their shared love

0:57:56.320 --> 0:57:59.280
<v Speaker 1>of the strawberry flavor in particular, and they leave the room.

0:58:00.080 --> 0:58:03.280
<v Speaker 1>Jay scrambles after them, grabbing her coat as she yells, guys, wait,

0:58:03.680 --> 0:58:07.680
<v Speaker 1>I like yogurt too. This is the beginning of our

0:58:07.880 --> 0:58:13.880
<v Speaker 1>of our our our friendship Stephanie enemy ship. Yes, oh, yes,

0:58:13.960 --> 0:58:16.280
<v Speaker 1>we've been building as frenemies for a long time and

0:58:16.320 --> 0:58:19.840
<v Speaker 1>now we are. We're bonding as as she wolves. You know, yes,

0:58:20.720 --> 0:58:26.400
<v Speaker 1>it warms my cold black heart. It really does. Uh So.

0:58:26.560 --> 0:58:29.520
<v Speaker 1>Next at Teddy's house, Teddy and Michelle are playing Old

0:58:29.560 --> 0:58:33.680
<v Speaker 1>Maid on the couch. Well, Sparky lounges in Michelle's lap.

0:58:34.800 --> 0:58:37.280
<v Speaker 1>Michelle points to the card that she wants Teddy to grab,

0:58:37.560 --> 0:58:41.000
<v Speaker 1>and he does it without question, to no one's surprise.

0:58:41.120 --> 0:58:44.080
<v Speaker 1>It's the Old Maid card and this isn't his first

0:58:44.200 --> 0:58:47.160
<v Speaker 1>loss of the night, so Michelle lends him some advice,

0:58:47.760 --> 0:58:51.600
<v Speaker 1>don't play for money. Then she asks Teddy where she'll

0:58:51.640 --> 0:58:54.520
<v Speaker 1>be sleeping tonight, and he admits, we're out of beds.

0:58:55.000 --> 0:58:58.720
<v Speaker 1>You can sleep in the kitchen with Sparky. Michelle size, oh,

0:58:58.920 --> 0:59:01.280
<v Speaker 1>I used to have a dog. Those were the days.

0:59:02.360 --> 0:59:04.920
<v Speaker 1>Then the doorbell rings and Teddy's family walks in the

0:59:04.960 --> 0:59:08.920
<v Speaker 1>living room carrying Michelle's suitcase. Teddy's mom says that that

0:59:09.080 --> 0:59:12.040
<v Speaker 1>is her family. Michelle is confident that they've come to

0:59:12.040 --> 0:59:15.760
<v Speaker 1>say they're sorry. Teddy's mom lets Danny and Jesse inside,

0:59:15.960 --> 0:59:19.120
<v Speaker 1>but before Danny speaks to Michelle, Jesse reminds him to

0:59:19.200 --> 0:59:23.520
<v Speaker 1>stay strong and remember the plan. Michelle asks them, do

0:59:23.560 --> 0:59:26.120
<v Speaker 1>you have something to say to me? And Danny admits

0:59:26.240 --> 0:59:28.880
<v Speaker 1>he feels bad that she left home, and Michelle is

0:59:28.920 --> 0:59:32.400
<v Speaker 1>eager to hear more so, Jesse continues, we miss you

0:59:32.560 --> 0:59:36.640
<v Speaker 1>very much, munchkin, and Michelle questions, and you'll never be

0:59:36.840 --> 0:59:41.280
<v Speaker 1>uncle taddletail again. Jesse answers, well, I don't know how

0:59:41.320 --> 0:59:44.760
<v Speaker 1>I can. You don't live with us. This throws Michelle

0:59:44.800 --> 0:59:49.000
<v Speaker 1>off and she shouts I don't. Jesse continues, No, remember

0:59:49.240 --> 0:59:51.560
<v Speaker 1>you didn't like our rules. You want to live here,

0:59:51.880 --> 0:59:55.320
<v Speaker 1>that's cool. He points to the giant suitcase they brought

0:59:55.360 --> 0:59:58.920
<v Speaker 1>and says, here's some extra clothes, your toothbrush, and everything

0:59:58.960 --> 1:00:03.200
<v Speaker 1>you need. Michelle gasps, what is this a joke? Danny

1:00:03.240 --> 1:00:05.800
<v Speaker 1>shakes his head. Oh no, this is not a joke, Michelle.

1:00:05.840 --> 1:00:10.400
<v Speaker 1>There's nothing funny about running away from home. They both

1:00:10.480 --> 1:00:13.560
<v Speaker 1>kiss her forehead and say goodbye, and Jesse casually says,

1:00:13.800 --> 1:00:16.000
<v Speaker 1>if you need us, you know the number. Give us

1:00:16.000 --> 1:00:18.680
<v Speaker 1>a buzz. They start to walk out the door and

1:00:18.720 --> 1:00:23.280
<v Speaker 1>Michelle quickly shouts wait, you forgot something, and they ask what,

1:00:23.840 --> 1:00:27.560
<v Speaker 1>and she points to herself me. Danny asks if she

1:00:27.600 --> 1:00:29.720
<v Speaker 1>really wants to come back and live with them, Jesse

1:00:29.840 --> 1:00:34.440
<v Speaker 1>pipes up, even with Uncle taddletale, Michelle is sure of it.

1:00:34.880 --> 1:00:38.280
<v Speaker 1>She really wants to go home. The guys are happy

1:00:38.280 --> 1:00:40.640
<v Speaker 1>to hear this, and she gives them both a big hug.

1:00:41.160 --> 1:00:43.480
<v Speaker 1>They finally admit that they want her to come home too,

1:00:43.680 --> 1:00:47.120
<v Speaker 1>and they miss her a lot. Danny finally gets stern,

1:00:47.480 --> 1:00:50.760
<v Speaker 1>don't you ever do this again? You had us worried sick,

1:00:51.320 --> 1:00:55.560
<v Speaker 1>and Jesse adds it wasn't very smart. Michelle nods in agreement.

1:00:55.720 --> 1:00:58.200
<v Speaker 1>You're telling me I was going to sleep with the dog.

1:01:00.000 --> 1:01:02.360
<v Speaker 3>She'd always check if there's room before you run away somewhere.

1:01:02.520 --> 1:01:07.000
<v Speaker 1>Yeah, you really should, Yeah, absolutely. Next to Michelle's room,

1:01:07.240 --> 1:01:11.320
<v Speaker 1>Michelle runs in and shouts, my room, my bed, my pig,

1:01:11.720 --> 1:01:15.560
<v Speaker 1>I love this place. Jesse follows behind and tells her

1:01:15.600 --> 1:01:19.040
<v Speaker 1>it's time for one of their little talks. They take

1:01:19.080 --> 1:01:21.400
<v Speaker 1>a seat at the table and he says what you

1:01:21.480 --> 1:01:25.840
<v Speaker 1>did today was very wrong. Michelle knows she shouldn't have

1:01:25.920 --> 1:01:29.480
<v Speaker 1>touched his stuff, but Jesse's mainly talking about her running away.

1:01:30.120 --> 1:01:33.400
<v Speaker 1>He reminds her that was very dangerous. You're never to

1:01:33.480 --> 1:01:36.640
<v Speaker 1>leave this house without our permission. If you have a problem,

1:01:36.840 --> 1:01:39.400
<v Speaker 1>talk to me or someone else in this house, capiche,

1:01:39.840 --> 1:01:44.360
<v Speaker 1>and she nods capeche. Jesse asks why she actually ran away.

1:01:44.960 --> 1:01:47.880
<v Speaker 1>Michelle admits it's because he got her in trouble, and

1:01:47.960 --> 1:01:51.160
<v Speaker 1>Jesse insists, I felt terrible about getting you in trouble,

1:01:51.360 --> 1:01:53.840
<v Speaker 1>but I couldn't let you break the rules because if

1:01:53.880 --> 1:01:56.760
<v Speaker 1>you did it today, you would do it next time.

1:01:58.000 --> 1:02:01.000
<v Speaker 1>She wonders, am I still your little munchkin? And he

1:02:01.040 --> 1:02:04.040
<v Speaker 1>says yes, as long as she doesn't call him Uncle Tattletale.

1:02:04.480 --> 1:02:08.160
<v Speaker 1>She smiles, okay, Uncle Jesse. He asks that she never

1:02:08.240 --> 1:02:11.760
<v Speaker 1>ever run away again, and she promises, never ever, ever ever.

1:02:12.480 --> 1:02:14.280
<v Speaker 1>He asks her to shake on it, but instead of

1:02:14.280 --> 1:02:17.800
<v Speaker 1>shaking hands, they both do a little shimmy. They say

1:02:17.800 --> 1:02:19.400
<v Speaker 1>I love you and give each other a big hug

1:02:19.400 --> 1:02:22.080
<v Speaker 1>and a kiss. Jesse gets up to exit the room,

1:02:22.200 --> 1:02:24.880
<v Speaker 1>but Michelle has one more question. Were you really gonna

1:02:24.960 --> 1:02:28.560
<v Speaker 1>leave me at Teddy's? Jesse grabs the suitcase and opens it.

1:02:29.000 --> 1:02:31.720
<v Speaker 1>What do you think? And we see that it's totally empty.

1:02:32.320 --> 1:02:35.800
<v Speaker 2>It's the world's oldest suitcase, right, he's very it's a

1:02:35.840 --> 1:02:37.640
<v Speaker 2>suitcase seventy three.

1:02:38.400 --> 1:02:44.000
<v Speaker 1>Yeah. Michelle laughs and admits that was very sneaky Jesse

1:02:44.160 --> 1:02:49.040
<v Speaker 1>exits the room, and then Bad Michelle appears. She has

1:02:49.080 --> 1:02:51.560
<v Speaker 1>a devious look on her face and she says, I

1:02:51.640 --> 1:02:55.680
<v Speaker 1>got another good idea. The real Michelle does not want

1:02:55.720 --> 1:02:59.240
<v Speaker 1>to hear it, but Bad Michelle continues, let's sneak out

1:02:59.240 --> 1:03:04.280
<v Speaker 1>and watch oh MTV wraps. That was the thing. Oh yeah,

1:03:04.360 --> 1:03:07.240
<v Speaker 1>that was that was that was it back in the day.

1:03:08.080 --> 1:03:11.040
<v Speaker 1>The real Michelle wants her out of there, so she disappears,

1:03:11.440 --> 1:03:14.240
<v Speaker 1>but Michelle has to admit I like the way she dresses.

1:03:15.360 --> 1:03:18.160
<v Speaker 1>Just then, the good Michelle appears beside her and says,

1:03:18.240 --> 1:03:21.440
<v Speaker 1>I'm so proud of you. Remember to always do the

1:03:21.520 --> 1:03:25.520
<v Speaker 1>right thing. Michelle confidently responds I will, and with that,

1:03:25.960 --> 1:03:31.520
<v Speaker 1>the good Michelle disappears as well. Once once she's gone,

1:03:31.920 --> 1:03:34.960
<v Speaker 1>Michelle rolls her eyes. She can get on my nerves

1:03:35.800 --> 1:03:43.960
<v Speaker 1>and that's our show. That well, that was that I

1:03:43.960 --> 1:03:48.720
<v Speaker 1>did Michelle Michelle show. Indeed it was. I didn't like it.

1:03:48.760 --> 1:03:51.160
<v Speaker 1>I did not. I just I don't care for this episode.

1:03:51.400 --> 1:03:55.920
<v Speaker 1>Like the storyline. Don't love the best storyline. It's just

1:03:56.160 --> 1:03:59.280
<v Speaker 1>the stakes never felt high. I mean, yeah, I know

1:03:59.360 --> 1:04:01.240
<v Speaker 1>she ran away for home, but she ran to Teddy's

1:04:01.240 --> 1:04:05.480
<v Speaker 1>house per perhaps the most normal family on the block. Right,

1:04:05.480 --> 1:04:09.120
<v Speaker 1>that didn't even feel like high stakes. It was just like, okay,

1:04:09.280 --> 1:04:12.520
<v Speaker 1>they under a lesson sort of well, I mean.

1:04:12.400 --> 1:04:14.840
<v Speaker 2>I guess you don't want to really like, you know,

1:04:14.960 --> 1:04:17.280
<v Speaker 2>have Michelle standing out there on the street corner of

1:04:17.280 --> 1:04:19.440
<v Speaker 2>San Francisco with a suitcase.

1:04:19.640 --> 1:04:21.080
<v Speaker 1>True, it could get dark, very.

1:04:21.200 --> 1:04:24.880
<v Speaker 2>That's that's less funny and more alarming.

1:04:25.040 --> 1:04:28.440
<v Speaker 1>So it's definitely more alarming. Yeah, no, I get it

1:04:28.520 --> 1:04:31.800
<v Speaker 1>just wasn't. It didn't feel I don't know, it just didn't.

1:04:31.880 --> 1:04:37.440
<v Speaker 1>It didn't. It didn't didn't do it for me. Yeah. Yeah.

1:04:37.480 --> 1:04:40.480
<v Speaker 2>And I don't even have a necessarily like a particular

1:04:40.560 --> 1:04:42.920
<v Speaker 2>reason that I was like, it just felt.

1:04:43.840 --> 1:04:45.240
<v Speaker 3>It was one of those episodes that you were like, oh,

1:04:45.240 --> 1:04:46.840
<v Speaker 3>we just kind of threw this in there, and it's

1:04:46.840 --> 1:04:47.680
<v Speaker 3>a little filler, you know.

1:04:47.760 --> 1:04:51.240
<v Speaker 2>I got to show that Michelle's you know, I don't know,

1:04:52.320 --> 1:04:54.400
<v Speaker 2>they was just seeing herself having a mental crisis.

1:04:54.400 --> 1:04:56.280
<v Speaker 1>I don't know what we had to but like it

1:04:56.440 --> 1:05:01.400
<v Speaker 1>just felt I don't know, I'm left feeling satisfied. And

1:05:01.480 --> 1:05:05.560
<v Speaker 1>the three Michell's gimmick didn't work for me.

1:05:06.200 --> 1:05:08.200
<v Speaker 2>If if it was five, I would have been much

1:05:08.240 --> 1:05:11.040
<v Speaker 2>better then. I think we just needed double the machine,

1:05:11.320 --> 1:05:11.920
<v Speaker 2>more Michells.

1:05:11.960 --> 1:05:16.680
<v Speaker 1>Ye, we double the more Michelles, all of them. No.

1:05:17.080 --> 1:05:19.840
<v Speaker 1>I'm trying to figure out because I can usually suspend

1:05:19.960 --> 1:05:24.080
<v Speaker 1>disbelief to write, because I'm like, I love sitcoms, all

1:05:24.160 --> 1:05:26.880
<v Speaker 1>the silliness that comes along with sitcoms. But for some reason,

1:05:26.960 --> 1:05:31.520
<v Speaker 1>this this felt less believable than the shape shifting backyard

1:05:31.760 --> 1:05:34.160
<v Speaker 1>or you know, twenty five people living in the same house.

1:05:34.480 --> 1:05:37.960
<v Speaker 1>I don't know something about it just didn't feel I

1:05:37.960 --> 1:05:39.840
<v Speaker 1>don't know, I felt like they broke the laws of

1:05:39.880 --> 1:05:42.760
<v Speaker 1>physics or something. Well, we've been doing that for a

1:05:42.760 --> 1:05:45.120
<v Speaker 1>long time. We've been doing that for a long time. Yeah,

1:05:45.160 --> 1:05:49.000
<v Speaker 1>I don't know. It just didn't click for me. It wasn't. Uh,

1:05:49.240 --> 1:05:54.600
<v Speaker 1>it just wasn't. It wasn't It wasn't funny. It's not funny.

1:05:54.640 --> 1:05:57.120
<v Speaker 3>It's not a really it wasn't a pretty funny one.

1:05:57.360 --> 1:05:57.440
<v Speaker 2>No.

1:05:57.720 --> 1:06:00.640
<v Speaker 1>And I think the kids, the kids are still too

1:06:00.680 --> 1:06:04.040
<v Speaker 1>young to carry an a storyline like this. It just

1:06:04.080 --> 1:06:09.360
<v Speaker 1>sort of emphasizes the stilted baby acting again, right, I

1:06:09.400 --> 1:06:11.960
<v Speaker 1>don't know. I think it was. It was better in

1:06:12.000 --> 1:06:15.040
<v Speaker 1>previous seasons when they would use Michelle sparingly and her

1:06:15.080 --> 1:06:18.760
<v Speaker 1>cuteness was more organic. So now I feel like they're

1:06:18.800 --> 1:06:21.800
<v Speaker 1>just forcing it. They're kind of so much Michelle, so

1:06:21.960 --> 1:06:26.600
<v Speaker 1>much Michelle, and they're kind of forcing the cuteness too. There.

1:06:27.240 --> 1:06:29.400
<v Speaker 1>It's like before she would just be cute organically, and

1:06:29.440 --> 1:06:32.920
<v Speaker 1>now she's it's written to be cute, whether it's actually

1:06:32.960 --> 1:06:36.200
<v Speaker 1>cute or not. And so I feel manipulated a little bit.

1:06:36.200 --> 1:06:39.320
<v Speaker 1>I feel like the writers are forcing this on us,

1:06:39.320 --> 1:06:42.280
<v Speaker 1>and I'm like, yeah, it's just too much. It's too much.

1:06:42.440 --> 1:06:43.800
<v Speaker 1>You need to dial it back a little bit.

1:06:44.280 --> 1:06:49.480
<v Speaker 2>Yeah, it just it felt it felt like an unnecessary

1:06:49.520 --> 1:06:52.120
<v Speaker 2>reason to have both girls in the show, is what

1:06:52.160 --> 1:06:52.560
<v Speaker 2>it felt like.

1:06:52.640 --> 1:06:57.480
<v Speaker 1>True, Yeah, very true. Yeah, it's the payoff wasn't worth

1:06:57.520 --> 1:07:00.520
<v Speaker 1>it for me. It didn't work for me. It's a

1:07:00.600 --> 1:07:03.880
<v Speaker 1>very forgettable episode. And didn't love our I mean, I

1:07:03.960 --> 1:07:07.320
<v Speaker 1>love our bits, but but it wasn't it wasn't my stakes.

1:07:07.360 --> 1:07:08.400
<v Speaker 1>It was just like well, and it.

1:07:08.320 --> 1:07:10.920
<v Speaker 2>Also felt like DJ would have I felt like the

1:07:11.120 --> 1:07:16.280
<v Speaker 2>argument would have been almost better if DJ had I

1:07:16.320 --> 1:07:18.160
<v Speaker 2>don't know, somehow locked both of us out and then

1:07:18.160 --> 1:07:19.600
<v Speaker 2>we had to team up against her or you know

1:07:19.640 --> 1:07:22.000
<v Speaker 2>what I mean, like something like that rather than it didn't.

1:07:22.040 --> 1:07:24.080
<v Speaker 1>Yeah, I don't know. I don't know. I don't even

1:07:24.120 --> 1:07:24.439
<v Speaker 1>know why.

1:07:25.000 --> 1:07:27.400
<v Speaker 2>Like I said, I don't even know why it wasn't great,

1:07:27.480 --> 1:07:29.440
<v Speaker 2>but it just wasn't my favorite.

1:07:29.720 --> 1:07:31.760
<v Speaker 1>This is the low point of season five for me

1:07:31.960 --> 1:07:35.640
<v Speaker 1>so far. This is my least favorite episode in several seasons.

1:07:35.800 --> 1:07:38.360
<v Speaker 1>This is my yeah, yeah, yeah, this is yeah, this

1:07:38.440 --> 1:07:43.440
<v Speaker 1>is It's a bad one. It's giving Howie vibes, you know,

1:07:43.600 --> 1:07:45.920
<v Speaker 1>it kind of is. Yeah, it's just too much of

1:07:45.960 --> 1:07:48.520
<v Speaker 1>a too much of a good thing, too much, Michelle.

1:07:48.560 --> 1:07:55.360
<v Speaker 1>You should use Michelle more sparingly. You just you just should. Sorry, Well, this.

1:07:55.520 --> 1:07:58.400
<v Speaker 2>Was a thing we did, and an episode we saw,

1:07:59.680 --> 1:08:05.959
<v Speaker 2>there's just we saw Michelle dressed is et and Shell

1:08:06.120 --> 1:08:08.960
<v Speaker 2>dressed is Uncle Jes, Uncle Jesse.

1:08:09.840 --> 1:08:13.080
<v Speaker 1>Yeah, it's a lot, it's yeah, do you have any

1:08:13.080 --> 1:08:19.519
<v Speaker 1>everywhere he looks though, sort of, And so I've noticed

1:08:19.520 --> 1:08:25.160
<v Speaker 1>in the girls room, Stephanie's bedspread is just this generic, blank,

1:08:25.640 --> 1:08:29.080
<v Speaker 1>solid navy color. And I'm glad you've graduated out of

1:08:29.120 --> 1:08:32.479
<v Speaker 1>your Peter Pan retting. You know, you're definitely maturing. But

1:08:32.520 --> 1:08:34.679
<v Speaker 1>I'm like, you can't have any sort of like bright

1:08:34.760 --> 1:08:38.519
<v Speaker 1>colors or like purple or something trendy. It's just navy

1:08:38.960 --> 1:08:40.920
<v Speaker 1>and that's it with mister Bear placed on there, and

1:08:40.920 --> 1:08:43.040
<v Speaker 1>I'm like, come on, set, it feels yeah, it feels

1:08:43.120 --> 1:08:43.839
<v Speaker 1>not well.

1:08:44.320 --> 1:08:47.200
<v Speaker 2>Aren't we coming up on the redecorating of Stephan Michelle's

1:08:47.240 --> 1:08:47.599
<v Speaker 2>room soon?

1:08:47.760 --> 1:08:50.520
<v Speaker 1>Oh? I forgot that that happens.

1:08:50.920 --> 1:08:55.360
<v Speaker 2>Yes, maybe that's I think we're it's five or six.

1:08:56.120 --> 1:09:00.840
<v Speaker 1>Oh isn't that Vicky's mom something like that? Yeah, yeah,

1:09:00.920 --> 1:09:03.840
<v Speaker 1>it does. The girl helps to redecorate or something like that.

1:09:03.960 --> 1:09:06.240
<v Speaker 2>So maybe it's more season six or a couple of

1:09:06.280 --> 1:09:08.719
<v Speaker 2>but I do remember, I do feel like that's coming

1:09:08.800 --> 1:09:09.160
<v Speaker 2>up soon.

1:09:09.200 --> 1:09:13.080
<v Speaker 1>So okay, So that would explain generic bedspread because it

1:09:13.080 --> 1:09:15.360
<v Speaker 1>did not seem it doesn't seem like Steph at all.

1:09:15.360 --> 1:09:16.759
<v Speaker 1>It doesn't. It doesn't seem like Steph.

1:09:16.880 --> 1:09:19.559
<v Speaker 2>Yeah, Steph is I mean, look at my shirt, for

1:09:19.600 --> 1:09:21.920
<v Speaker 2>God's sakes, it's got three D things all over it.

1:09:22.000 --> 1:09:25.760
<v Speaker 1>Sequence adorable, Yeah, very cute, plain navy sort of one.

1:09:25.800 --> 1:09:28.040
<v Speaker 1>Did you have any everywhere he looks, I did not.

1:09:29.240 --> 1:09:31.200
<v Speaker 1>I did not. This episode was just one big fact.

1:09:31.240 --> 1:09:32.960
<v Speaker 1>I just be honest, everywhere I.

1:09:32.880 --> 1:09:35.000
<v Speaker 2>Looked it was just Michelle, and I was like, wow,

1:09:35.040 --> 1:09:36.599
<v Speaker 2>I don't there's more.

1:09:36.680 --> 1:09:39.479
<v Speaker 1>You know, I never need to see this episode again. No, No,

1:09:39.720 --> 1:09:40.840
<v Speaker 1>mere people I know.

1:09:40.920 --> 1:09:44.040
<v Speaker 2>Sorry, guys, all right, what if there's anyone out there

1:09:44.040 --> 1:09:46.000
<v Speaker 2>who's like, this is my favorite episode.

1:09:46.200 --> 1:09:47.920
<v Speaker 1>I don't know, man, there's fan Ritos that love the

1:09:47.920 --> 1:09:50.400
<v Speaker 1>Howie episode and the like it's the kids are so cute.

1:09:50.439 --> 1:09:52.400
<v Speaker 1>I'm like, yeah, the kids are cute, but this is

1:09:52.479 --> 1:09:57.400
<v Speaker 1>stilted baby acting. They can be cute. I'm kidding. They

1:09:57.520 --> 1:10:02.280
<v Speaker 1>are cute, full stop cute, but they're not used in

1:10:02.320 --> 1:10:05.640
<v Speaker 1>the right way in this episode. Or no it was

1:10:05.640 --> 1:10:08.519
<v Speaker 1>a weird one. Yeah, well, thanks guys for listening to us.

1:10:08.720 --> 1:10:12.920
<v Speaker 2>Uh, you know, ramble on and uh and rant and rave,

1:10:13.000 --> 1:10:14.559
<v Speaker 2>and it was your opinions.

1:10:14.560 --> 1:10:17.200
<v Speaker 1>Did you love I hate this episode? You hate this episode?

1:10:17.240 --> 1:10:19.679
<v Speaker 2>Is it a forgettable one for you fan of Rito's,

1:10:19.960 --> 1:10:23.080
<v Speaker 2>is it one that that you remember because it's so weird?

1:10:23.320 --> 1:10:26.519
<v Speaker 2>Or like, were you a kid that was Michelle's age

1:10:26.520 --> 1:10:28.120
<v Speaker 2>and you were like, oh my god, this is so cool.

1:10:28.160 --> 1:10:30.880
<v Speaker 1>There's three of them, you know? Yeah, yeah, I know.

1:10:31.160 --> 1:10:32.960
<v Speaker 1>I would love to I would love to know. Yeah.

1:10:33.040 --> 1:10:35.400
<v Speaker 2>Yeah, let us know, guys, And you can let us

1:10:35.439 --> 1:10:39.240
<v Speaker 2>know by following us on Instagram at how Rude Podcast,

1:10:39.400 --> 1:10:41.040
<v Speaker 2>or you can send us an email and let us

1:10:41.080 --> 1:10:45.080
<v Speaker 2>know at Howard Tana Ritos at gmail dot com. Uh yeah,

1:10:45.120 --> 1:10:48.479
<v Speaker 2>please leave comments, suggestions all the kind of stuff we

1:10:48.520 --> 1:10:50.439
<v Speaker 2>love it and you can visit our merch store Howard

1:10:50.520 --> 1:10:54.040
<v Speaker 2>Meerch dot com. And am I forgetting something?

1:10:54.280 --> 1:10:56.400
<v Speaker 1>Nope? Thanks? Think you got it? Yeah, I think I did.

1:10:56.520 --> 1:11:00.439
<v Speaker 2>I think I got it. Hello, everybody, Remember the world

1:11:00.520 --> 1:11:06.360
<v Speaker 2>is small. The house is full of Michelle, just all

1:11:06.400 --> 1:11:07.160
<v Speaker 2>different versions.

1:11:07.200 --> 1:11:07.639
<v Speaker 1>Too much.

1:11:07.880 --> 1:11:10.360
<v Speaker 3>There's the good one, the bad one, the nerdy one.

1:11:11.520 --> 1:11:14.800
<v Speaker 1>This was a lot for the Olsens to carry like,

1:11:14.840 --> 1:11:18.519
<v Speaker 1>this was three different characters and that was at that's

1:11:18.560 --> 1:11:20.960
<v Speaker 1>too much. A lot of five year old Sorry, it

1:11:21.080 --> 1:11:23.080
<v Speaker 1>just is. Yeah, even two five year olds.

1:11:23.120 --> 1:11:23.519
<v Speaker 2>It's a lot.

1:11:23.720 --> 1:11:25.479
<v Speaker 1>Yeah, totally, I get it.

1:11:25.720 --> 1:11:28.040
<v Speaker 2>Okay, everybody, the house is full of Michelle, so uh

1:11:28.880 --> 1:11:30.120
<v Speaker 2>be careful watch where you stay.