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Speaker 1: I can't do this. I can't be trusted right, Yeah, No,

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Speaker 1: that's too much stress. I don't don't ever trust Jody.

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Speaker 1: That's the I mean motto I live like.

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Speaker 2: Wow, Wow, there's certain things you should trust me with.

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Speaker 2: Being responsible for any sort of electronics is probably not

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Speaker 2: one of them.

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Speaker 1: It's not one of them. No, No, how are you? Baby? Hi?

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Speaker 1: I'm great. I'm doing a lot better than you apparently, so.

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Speaker 1: Uh right, I'm fully in fall mode. I yes, yeah, yeah,

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Speaker 1: I've been baking. I know this is a this is

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Speaker 1: a rare occurrence. I love this. Okay. I baked per

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Speaker 1: simmon bread with simmons from my backyard. Oh my god,

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Speaker 1: I have per simmons in my bowl right now? Are

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Speaker 1: they fully? They're full of persimmons? Yeah, so are delicious.

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Speaker 1: I love them. Yeah, I've learned a lot. I didn't

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Speaker 1: know there were different kinds of persimmons. There's like a

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Speaker 1: big yeah. Oh they're so good. Oh they're delicious. Yeah,

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Speaker 1: it's a little it's like a cousin of a pump

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Speaker 1: like pumpkin bread is kind of what it tastes like.

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Speaker 2: Yeah, yeah, like sices, probably of the nutmegs and the things.

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Speaker 1: Cinnamon, the nutmeg, all the sugars. Look at you. I

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Speaker 1: know it was So I've made some persimmons. I'm going

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Speaker 1: to try a persimon margarita a little bit later. Okay,

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Speaker 1: I think you should have done it now, you know

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Speaker 1: what I mean. Just let's start tasting. It's you know,

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Speaker 1: these days, somewhere there are no rules anymore. Maybe it

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Speaker 1: doesn't matter. How do you think you have?

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Speaker 2: Eighty percent of the people in the world are probably

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Speaker 2: drinking at ten am these days.

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Speaker 1: Okay, next week it'll be a happy hour at ten

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Speaker 1: am on Howard Dannerita. Right, everybody show up a little

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Speaker 1: little sauce, right, Yeah, but I like it. I also

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Speaker 1: have pamellos. Sorry, I'm just going to talk about.

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Speaker 2: Please do for a minute for Simmons and pamelos, Simmons

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Speaker 2: and promelos.

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Speaker 1: So I tried to make a pamello margarita the other night.

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Speaker 1: It did not go well. No, they're huge.

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Speaker 3: They're massive, and they're massive and a little bitter.

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Speaker 1: So they're too grapefruity. I'm not I'm gonna say they're

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Speaker 1: very They're very, very.

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Speaker 2: Much like a grapefruit, so they're a little I love grapefruit,

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Speaker 2: but I don't know that I would want it.

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Speaker 3: Like in a well, I don't know, I like grapefruit juice.

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Speaker 1: Oh see, I don't, I I do, I like any

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Speaker 1: of it. So why I thought I would like a pamello?

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Speaker 1: Have you ever? Have you ever had a pamelo before? No?

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Speaker 1: Oh okay, So it's just because.

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Speaker 2: It's in your backyard and you were like, hey, yeah,

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Speaker 2: I'm like, what am I going to do with this?

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Speaker 1: Is that happy thing? All sized? Right? You're like, oh

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Speaker 1: my god, that lemon has a problem. Yeah it's Yeah.

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Speaker 2: The neighbor across the street from us here has pomelos and.

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Speaker 1: Yeah, oh yeah, I know. So I think part of

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Speaker 1: the problem is there's not as much juice. They're not

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Speaker 1: as juicy as I was. They're pretty dry. Like yeah,

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Speaker 1: it took me three pamelos just to make two margaritas.

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Speaker 1: And I'm like, this is I could feel like lemon

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Speaker 1: And yeah, it's like a losing game, you know.

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Speaker 2: Yeah, as big as they are, you shouldn't have to

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Speaker 2: use more than one.

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Speaker 1: I agree, I should be able to like, you know,

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Speaker 1: that should give you a gallon of juice? Agree? But no,

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Speaker 1: it gave me like two ounces maybe wow, one one pamelo.

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Speaker 1: So yeah, not a fan of the pamelos. Okay, what

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Speaker 1: am I doing? What am I next? I don't know. Well,

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Speaker 1: we have tangerines. Those won't be ready until late November,

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Speaker 1: like a little tangerine. Yeah, tangerines are delicious. Next year,

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Speaker 1: I hope to have some cherries. Okay, that's past cherry pickies.

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Speaker 1: We got three cherries this year, so I'm very hopeful

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Speaker 1: for next year that we're going to get more than three.

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Speaker 2: My poor, sad little garden that I was all excited about.

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Speaker 1: It was the mice.

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Speaker 2: The little mouse figured out how to climb up the

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Speaker 2: back of my thing around the netting and got in

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Speaker 2: and spaked all of my cucumbers. Every day I come

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Speaker 2: out and there was one more man and all of

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Speaker 2: the cucumbers were gone, picked off my peppers and the tomatoes,

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Speaker 2: and so I was just like, wow, get it. Everything

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Speaker 2: is just like growing and dead, and.

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Speaker 1: I'm like I can't even. It was so mad because

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Speaker 1: it was so we were so there, and then it

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Speaker 1: was like he was very the mouse was quite thrilled.

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Speaker 1: He was for sure, he really he was very well fed.

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Speaker 1: I've got to figure out how to remedy that for

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Speaker 1: next year. The fact that you tried with the netting

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Speaker 1: and then you were still thwarted by the mouse.

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Speaker 2: Well it's narrow, I've realized it's there.

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Speaker 3: It's the little I left that much behind.

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Speaker 1: The they can get standing uh.

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Speaker 2: Planter, and it's you know, rough woods, so they just

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Speaker 2: climbed right up in it.

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Speaker 1: Oh man, those little buggers. They're very, very smart and

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Speaker 1: they can fit in any size of space.

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Speaker 3: It's cabable anyway.

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Speaker 2: So yeah, my garden is not as uh fruitful as yours.

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Speaker 1: Not as fruitful. Well, I had to rescue the pamellos

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Speaker 1: from the deer because I had deer in my backyard

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Speaker 1: eating not the pamelos, I'm sorry, the per simmons. Oh,

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Speaker 1: I was gonna say. I was like, wow, deer has

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Speaker 1: a interesting taste balad. Yes, this is like I love

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Speaker 1: the bitterer. Yeah. No, no, they don't like the bitter,

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Speaker 1: but the pamelos yeah or no the per Simmons's. Yeah,

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Speaker 1: they were just like snacking on those, and so I'm like, no,

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Speaker 1: I'm going to harvest the rest of these. You go,

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Speaker 1: why are you crying? Sorry, little little why are you crying?

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Speaker 1: She's staring at the door and she's whining. I'm very sorry.

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Speaker 1: I'm just going to dominate this pre show chatter. I

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Speaker 1: walked in before I even started this, and you're like, Hey,

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Speaker 1: how's everybody's day? And I was like, I hate everything?

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Speaker 1: So I went on an therapy. Yeah. Yeah, we had

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Speaker 1: a little ten minute Yeah, therapeutic. It's venteene sash. That's

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Speaker 1: it's been.

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Speaker 3: It's just been like two weeks of is what it is?

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Speaker 1: You know what?

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Speaker 2: I suggest things where you're like, it's just you feel

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Speaker 2: like the salmon swimming upstream constantly.

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Speaker 1: Nothing is. Everything is ten times harder than it needs

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Speaker 1: to be.

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Speaker 2: I don't know how many planets are in retrogade right now,

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Speaker 2: but it's got to be all of them.

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Speaker 1: I don't know something. And we're getting ready to turn

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Speaker 1: the clocks back. So you hate you hate that? Yeah, God,

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Speaker 1: it's all connected. That's it. I'm dead, all connected. I'm

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Speaker 1: just gonna fall into a deep depression now. Sorry, we'll

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Speaker 1: wake you up when it's you know what, I need.

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Speaker 3: A hibernate, that's really what I need to do.

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Speaker 1: We're looking for a replacement co host, just for.

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Speaker 2: The Jody taken into her little cave and will not

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Speaker 2: be coming out that's literally what I felt like doing.

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Speaker 1: Like this whole week, I've been like, no, I don't

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Speaker 1: want to anymore. He was like, I've gotten a stupid accident,

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Speaker 1: not even a bad one.

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Speaker 3: And it wasn't even in my car. It was a

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Speaker 3: Misscal's car, his.

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Speaker 1: Brand of car. The more you told me about this,

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Speaker 1: the worse it got. It was. I'm glad you're okay.

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Speaker 2: The car itself, the body is fine. But the guy

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Speaker 2: hit the passenger wheel and pushed it in. The wheel

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Speaker 2: took all the impact. So now you got alignment, you

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Speaker 2: got struts, you got the power steering it. It's like

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Speaker 2: it's all kind of like six thousand dollars, which is insane.

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Speaker 1: You'd think, oh, I'll just change this tire.

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Speaker 2: Tire with the the tire wasn't even flat.

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Speaker 1: It wasn't even flat, was like not even hard.

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Speaker 2: It just hit like in the right way and pushed

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Speaker 2: it in. And I was like, oh, look, lick the

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Speaker 2: paint off.

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Speaker 1: It was you didn't do anything.

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Speaker 2: Yeah, yeah, the same guy was the same thing. And

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Speaker 2: now I'm like, but my, but now.

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Speaker 1: It's not so good. Anyway, I'm sorry.

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Speaker 2: I went and worked out this morning and just tried

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Speaker 2: to like lift heavyweights and did that help?

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Speaker 1: No? No, but I tried. That's okay, it didn't make

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Speaker 1: it worse. Okay, well that's good, that's good. But it

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Speaker 1: didn't you didn't have the cleansing effect of a good

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Speaker 1: workout where you're just sweating out all of your aggravation.

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Speaker 2: I sweated out a lot of aggravation. But I think

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Speaker 2: I'm so full of it that it's gonna take. It's

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Speaker 2: gonna take a lot more sweating than that.

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Speaker 1: It's gonna take. Yeah, it's gonna take a few sessions. Yeah,

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Speaker 1: I don't know. I'm also just perimenopausal and angry. You

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Speaker 1: know what I mean? You ever had you know when

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Speaker 1: you have those days.

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Speaker 2: But it's been multiple days where I just wake up

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Speaker 2: and I'm like, everything.

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Speaker 1: Is wrong everything? Yeah, no, I get it. I Hey,

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Speaker 1: I went through menopause during the pandemic and my mother's death.

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Speaker 1: Oh my god. I was just like nobody if you

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Speaker 1: didn't hear from me for a year or two, that's

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Speaker 1: why that's literally me. I'm like, I don't want to

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Speaker 1: talk to my friends, I don't want to talk to anybody.

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Speaker 1: Don't ask me to do anything. You just like, don't

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Speaker 1: talk to me. I am incapable. Yeah, you just want

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Speaker 1: to like off the tree, uncapable.

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Speaker 3: Birth Like I am always very capable.

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Speaker 2: So when I have these moments when I'm like, I

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Speaker 2: just I can't handle life, like.

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Speaker 1: The mouse has the mouse has won, the mouse the

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Speaker 1: mouth everything, it's uh one at all won? I lost.

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Speaker 1: It's a metaphor for your life. The mouse ate everything.

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Speaker 2: Now say everything gardens in shambles.

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Speaker 1: I am I need a shower. I don't know. Well,

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Speaker 1: you know what would make you feel much better is

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Speaker 1: discussing an episode that revolves completely around Michelle. Oh, yes,

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Speaker 1: how did you don't put you in a good mood?

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Speaker 1: Is the thing that is? It is the salve to

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Speaker 1: my soul? Maybe that's what started your chain of bad events.

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Speaker 1: Maybe that's what.

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Speaker 3: No, No, this happened long before I watched the episode.

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Speaker 1: Much are you watching it?

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Speaker 2: Didn't?

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Speaker 1: I was like, oh here week out? Yeah we go? Yeah, yeah,

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Speaker 1: so it's missing. Was a mond a bad montage or

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Speaker 1: a dream sequence? Was this about? It was almost a

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Speaker 1: dream sequence, that's true.

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Speaker 2: Yeah, it wasn't this shy of a dream sequence.

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Speaker 1: It was bad whatever it was? Yes? Oh boy, Well,

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Speaker 1: welcome back to how Rude Tanertos I'm Andrea Barber and

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Speaker 1: I'm Jodie Sweeten. Maybe I don't know.

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Speaker 2: I've decided if I want to continue being here today.

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Speaker 1: You mean whoever you want to be? Yeah, this is

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Speaker 1: uh today we're discussing, like how do I start this show?

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Speaker 1: They we're discussing Season five, episode nineteen, The Devil Made

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Speaker 1: Me Do It? Like this everything this episode okay. This

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Speaker 1: originally aired February eighteenth, nineteen ninety two, and it goes

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Speaker 1: a little something like this. When Michelle's disobedience lands her

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Speaker 1: in the doghouse, the little bow wow in her wants

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Speaker 1: to bite back. Meanwhile, DJ plays buffer between a bickering

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Speaker 1: Stephanie and Kimmy. Hmmm great.

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Speaker 2: I feel like the synopsis has gotten more descriptive.

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Speaker 1: Well, metaphors we have, Like, I feel like the whatever.

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Speaker 2: Ai we chose to do that has like really upped

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Speaker 2: its game.

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Speaker 1: It's like it's around on im yeh right.

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Speaker 2: Let me have a little theme in here of dogs

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Speaker 2: and yeah, yeah, no, it is getting a little bow

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Speaker 2: wow in her wants wants to bite back.

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Speaker 1: Yeah. If this was a creative writing exercise, I would

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Speaker 1: give it an a absolutely yes. This episode was directed

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Speaker 1: by Joels Wick it was written by Elias Davis, a

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Speaker 1: name that is not familiar, so let's blame Let's blame

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Speaker 1: him for all of the mister Dave.

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Speaker 3: I'm sorry, sorry, David, mister Davis.

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Speaker 1: We have a whole bunch of guest stars this week,

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Speaker 1: fabulous guest stars. Barkley returns as Little bow Wow Sparky.

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Speaker 1: He's the best, so kissed. We will see him one

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Speaker 1: more time after this, but not until.

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Speaker 2: She almost made as many appearances as Debbie Gregory, except

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Speaker 2: the same character.

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Speaker 1: He had more continuity than Debbie Grecchory.

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Speaker 2: Yeah.

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Speaker 1: Then we have Anthony S. Johnson as Henry Taj's dad.

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Speaker 1: And this is another actor who did a ton of

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Speaker 1: guest appearances in the day. He was on Buffy the

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Speaker 1: Vampire Slayer, Married with Children, Murder. She wrote just all

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Speaker 1: of the all of the top hits of the day.

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Speaker 1: Then we have Virginia Watson as joe Anne the Mom,

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Speaker 1: and she too did a lot of guest appearances. She

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Speaker 1: was on Matt Locke Home Improvement and Parker Lewis Can't

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Speaker 1: Lose I remember that show. Thought about that show.

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Speaker 2: Right.

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Speaker 1: Then we have Tamara Mowray Howsley. That's a lot of

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Speaker 1: that's a lot of syllables in my in my mouth. Finally,

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Speaker 1: this is it. We got all three Mowriy siblings on

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Speaker 1: the show this week, which is fantastic. Obviously technically only two.

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Speaker 1: You're right, they're playing the same character. I think it's

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Speaker 1: just one of them. That's not They're only in one scene.

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Speaker 1: I don't think they're both credited, So yeah, who I

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Speaker 1: wonder which one it is. I don't mytory. It was

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Speaker 1: weird to see like twins playing the role of what

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Speaker 1: ten year old fifteen year old? I don't know how

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Speaker 1: old she was in this episode, but it was like, yeah,

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Speaker 1: usually that's reserved for toddlers, but no, this time they

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Speaker 1: had teenage teenage twins. Anyways, best known for the hit

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Speaker 1: TV series Sister Sister with her twin sister Tia. She

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Speaker 1: also played doctor Kayla Thornton on the TV series Strong Medicine,

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Speaker 1: and she has an impressive list of Christmas movies and

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Speaker 1: mystery movies with Lifetime and Hallmark and then Tia is

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Speaker 1: also credited for the role of Denise. She along with

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Speaker 1: Sister Sister, she did one hundred episodes of a TV

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Speaker 1: series called The Game, which is a spin off of Girlfriends.

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Speaker 1: They did one hundred episodes. Yeah, I'm like, how do

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Speaker 1: I never read this show? Yeah, it's fantastic. And then

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Speaker 1: she did twenty sixty five episodes of a Nickelodeon series

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Speaker 1: called Instant Mom in twenty thirteen. I have heard of

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Speaker 1: that one, okay. And then she too has a lot

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Speaker 1: of Christmas movie credits to her name. Fantastic, I love it.

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Speaker 1: The Mowory's the Mowerys are on the set this week. Yes,

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Speaker 1: they are fantastic.

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Speaker 2: We have Taught and Tamara were there though, because they

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Speaker 2: were like my age and so you could hang out.

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Speaker 1: They were always around. That's right, That's so cool. And

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Speaker 1: I do wish I knew which one was playing the

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Speaker 1: role of Denise. I know I do too. An they're

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Speaker 1: birth credited. How does that work with twins? Do they

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Speaker 1: both get paid or do they split the fee? Like,

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Speaker 1: I don't know how this works when you're like, you

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Speaker 1: have to pay both of them, but are they getting

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Speaker 1: the same amount of pay as if it was just

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Speaker 1: one of them and then you have to split it

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Speaker 1: or I have so many questions about this. I never

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Speaker 1: thought about this until right now. Hmm. Idea, did they

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Speaker 1: have to pay the Olsen twins for the two other

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Speaker 1: roles that they played this week, the Devil and the

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Speaker 1: Good Michelle and the Bad Michelle. Did they get extra? Right?

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Speaker 1: You got for that too, because I think technically you're

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Speaker 1: supposed to get paid if you do a different perform

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Speaker 1: if you do a different character, you have to get paid.

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Speaker 3: I don't think so, no, those in a series.

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Speaker 1: Oh I thought no, because I think it would be

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Speaker 1: because it's it's you're like, you're under contract to do

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Speaker 1: whatever they write in the script.

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Speaker 2: Oh, so you they should have had I have.

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Speaker 1: Just three actors playing all of the full house cast,

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Speaker 1: like completely, you know, like how we did the Secret

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Speaker 1: Admirer episode on how Rude Tanner.

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Speaker 3: Exactly, just us playing everything.

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Speaker 1: Hey, you know what, that's that's a bargain right there.

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Speaker 1: They should have just hired us to do it all. Yeah. Anyways,

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Speaker 1: So Tas is back as Teddy, Darlene Vogel returns as

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Speaker 1: Wendy Tanner, and Journey Smolette is credited in this episode,

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Speaker 1: even though she wasn't in it, so I don't know credit.

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Speaker 1: We've got people credited that are in it. We got

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Speaker 1: people that aren't credited who are it's you know, the

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Speaker 1: only thing. The only consistency is Barkley. Really, Barkley is

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Speaker 1: the only kids.

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Speaker 3: He's the He's the one thread that runs throughout all of.

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Speaker 1: Full House, right, yeah, he is. I love that little

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Speaker 1: Love that little guy, Love that Amphibian, Love that Amphibian.

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Speaker 1: We start with the teaser in DJ's room. Michelle walks

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Speaker 1: in with a kid's portable speaker and microphone and she announces,

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Speaker 1: guess what time it is. DJ is typing away at

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Speaker 1: her computer and shrugs four thirty, and Michelle exclaims, Nope,

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Speaker 1: it's time for the Michelle Show, and she starts singing

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Speaker 1: her made up theme song.

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Speaker 3: This is very meta, right yeah, I'm like, yes it is.

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Speaker 1: At first, I was like, oh, that's funny how she

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Speaker 1: said this is the Michelle Show. And I'm like, oh no,

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Speaker 1: she really meant it, Like she really meant that. Oh boy.

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Speaker 1: DJ admits she loves that show, but she has the

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Speaker 1: homework show to do right now. Michelle completely ignores her,

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Speaker 1: and she continues, My first guest is Yogi Bear, and

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Speaker 1: she does her Yogi Bear impression and says, I'm smarter

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Speaker 1: than your average bear. DJ gives a monotone response, terrific

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Speaker 1: show one of your best. Then Michelle puts the mic

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Speaker 1: right in front of DJ and shouts here's DJ. DJ

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Speaker 1: reminds her that she doesn't do impressions, but Michelle is insistent.

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Speaker 1: She repeats once more. Here's DJ. DJ reluctantly deepens her

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Speaker 1: voice and says, I'm George Washington. I was your very

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Speaker 1: first president. How's it going?

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Speaker 2: Always a good idea to pick an impression that no

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Speaker 2: one can verify.

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Speaker 1: No one's heard it, right, that's actually kind of brilliant.

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Speaker 2: Might yeah, you be like, I'm gonna do an impression

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Speaker 2: of Ben Franklin. It may or may not sound like

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Speaker 2: him at all, but you don't know. Yeah, you can

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Speaker 2: just be emphatic about it. It's like, no, this is

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Speaker 2: what he sounds like. Hear him, just a really weird

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Speaker 2: high voice, and be like, that's what I heard.

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Speaker 3: He sounded like like Abraham Lincoln. Apparently Abraham Lincoln had

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Speaker 3: a very strange voice.

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Speaker 1: H really, I did not know that. Yeah, okay, well

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Speaker 1: I'll have to take your word for it because I

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Speaker 1: have no way to prove that. So Michelle is impressed

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Speaker 1: with this impression. Wow, you sound just like him, And

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Speaker 1: on that note, she closes the show and sings the

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Speaker 1: theme song while exiting DJ's room. Once she gets to

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Speaker 1: the doorway, she turns around and throws her hand up

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Speaker 1: in the air, exclaiming, Michelle, all, I think, though, when when.

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Speaker 2: There's a moment of flinging and doing a whole thing,

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Speaker 2: all I can picture is Adria right off camera doing that.

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Speaker 1: Oh yeah, yeah, you know what I mean.

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Speaker 2: That's all I picture is Adrian going okay, very and Michelle.

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Speaker 1: Yeah, it's true. Sometimes sometimes she'll the Mary Kate or

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Speaker 1: Ashley will say something and I'm like, oh, that sounds

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Speaker 1: just yeah, for sure. I have many of those moments.

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Speaker 1: I can literally hear Adria say the lines hysterical. And

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Speaker 1: I'm fascinated by the evolution of Candace's bangs at this

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Speaker 1: point in the series, where she's growing them out and

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Speaker 1: they're going are they are they long side sweat banks?

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Speaker 1: Were long side sweat banks. And I remember it was

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Speaker 1: so jealous of how long he were, and I was like,

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Speaker 1: I was always jealous of her hair. Oh yeah, best hair,

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Speaker 1: tons of it. Well, you're still in the You're still

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Speaker 1: in the spiderweb bang era with your little spider banks.

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Speaker 2: It's it's like a puff of cotton candy on my head.

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Speaker 1: It's adorable, but it fits. It frames your face nicely.

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Speaker 1: I think it's adorable. It's very cute. You're just trying

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Speaker 1: to make me feel better because I'm in a bad mood.

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Speaker 3: But they I appreciate it.

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Speaker 1: No, I would say that. No, it was easy.

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Speaker 2: We're moving from like the very eighties sort of the

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Speaker 2: rounded teased moment.

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Speaker 1: Yeah, yes, we're moving away from the AquaNet, the big

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Speaker 1: round brush era and into the side swept bangs era.

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Speaker 1: So it's yeah, it's fascinating to watch them get longer

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Speaker 1: and longer as the series goes on. Next, in Jesse's studio,

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Speaker 1: Jesse is working on his music when Teddy and Michelle

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Speaker 1: come running down the stairs. Teddy shouts, here's uncle Jesse,

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Speaker 1: and Michelle chimes in, we've been looking for you everywhere.

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Speaker 1: Jesse asks why, and Michelle matter of factly states, because

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Speaker 1: that's how you find somebody silly like Jesse is so

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Speaker 1: put out by this whole Like he's right, so annoyed

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Speaker 1: at being disrupted by these Well, yeah, what do you want?

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Speaker 1: But why why are you looking for me? What point

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Speaker 1: I get to get to it? Jesse emphasizes that he

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Speaker 1: has a lot of work to do, and he tells

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Speaker 1: the Muncskins to hit the yellow brick road. He continues

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Speaker 1: to play a drum beat on his high tech machine,

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Speaker 1: and Teddy looks at him with surprise. Where did that

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Speaker 1: drum come from? Jesse points to the machine and explains

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Speaker 1: he's got a whole band here. This is such new technology.

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Speaker 2: Oh yeah, this was like drums without a drum what yeah,

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Speaker 2: Like it seems.

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Speaker 1: So old now, but at the time, it's like, oh yeah,

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Speaker 1: this was just top notch technology right here. So first

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Speaker 1: he hits the drums, then he adds the bass and

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Speaker 1: a little guitar. Teddy and Michelle are watching and their

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Speaker 1: jaws are dropped. Finally, Jesse adds some horns and an

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Speaker 1: Elvis voice to the end of it. Michelle proclaims, we

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Speaker 1: have got to play with that, and she and Teddy

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Speaker 1: start to reach for the drum machine, but Jesse quickly

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Speaker 1: yells freeze hands up. They oblige and show him their

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Speaker 1: empty hands. He sternly tells them this is very expensive

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Speaker 1: equipment that I'm still making payments on, So under no

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Speaker 1: circumstance are you to touch anything in this whole entire studio.

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Speaker 3: Can you imagine what the payments are for that all

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Speaker 3: that equipment.

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Speaker 1: I'm impressed at their job. Yes, yes, first of all,

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Speaker 1: I'm there's a lot to unpack here. I'm glad. I

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Speaker 1: First of all, this is a rare mention of finances

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Speaker 1: on this show and how they pay for it. So yeah,

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Speaker 1: we actually do pay for things. Yeah, yes, this is

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Speaker 1: like the elephant in the room. How do they pay

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Speaker 1: for stuff? And okay, Jesse's financed this, Yes, the Sizer

417
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Speaker 1: thing got good credit. Yeah, and I'm very proud that

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Speaker 1: Danny didn't just finance the whole thing because you think, oh, well,

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Speaker 1: he redid the basement for Joey and then he just

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Speaker 1: redid the basement for the recording studio.

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Speaker 2: Well maybe maybe Danny's the bank. Maybe he borrowed the

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Speaker 2: money from Danny. You know what I mean, he's paying

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Speaker 2: him back.

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Speaker 1: Oh yeah, that would make that would make sense. Yeah,

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Speaker 1: a little no interest loan. Yeah yeah, Well, Jesse, Danny's a.

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Speaker 2: Loan shark and he charges him a ridiculously high interest

427
00:22:57,200 --> 00:22:59,960
Speaker 2: loan and if he doesn't pay him back, it's gonna

428
00:22:59,960 --> 00:23:00,600
Speaker 2: go really poorly.

429
00:23:01,040 --> 00:23:04,480
Speaker 1: Oh gosh, like this is the this is I want?

430
00:23:05,680 --> 00:23:07,720
Speaker 1: How does Danny make all his money. He's a lone shark.

431
00:23:07,840 --> 00:23:14,400
Speaker 1: He's just a shark. I love it. Uh So, Michelle smirks,

432
00:23:15,560 --> 00:23:18,920
Speaker 1: my feet are touching the floor, and Teddy grins, she's

433
00:23:18,920 --> 00:23:21,919
Speaker 1: got you there. Jesse tries to show them along, but

434
00:23:21,920 --> 00:23:26,320
Speaker 1: Michelle insists that he stopped working because it's Saturday. Teddy nods,

435
00:23:26,359 --> 00:23:29,520
Speaker 1: telling him to get some fresh air. Jesse huffs, I'd

436
00:23:29,560 --> 00:23:31,240
Speaker 1: love to put on my play clothes and hit the

437
00:23:31,280 --> 00:23:34,879
Speaker 1: sandbox with you. Bozo's with the good Uncle Jesse keep saying,

438
00:23:35,200 --> 00:23:38,199
Speaker 1: be responsible, finish your work, and then go out and

439
00:23:38,320 --> 00:23:40,320
Speaker 1: enjoy some well earned relaxation.

440
00:23:40,960 --> 00:23:42,720
Speaker 3: It's good to know there's a good Uncle Jesse in there.

441
00:23:42,880 --> 00:23:46,040
Speaker 1: I like that, Yes, I was. I'm very pleased with

442
00:23:46,160 --> 00:23:49,200
Speaker 1: everything that I'm here. He's financing things, he's got good

443
00:23:49,760 --> 00:23:54,199
Speaker 1: I'm an adult. Yeah, yes, But Michelle admits that the

444
00:23:54,240 --> 00:23:58,360
Speaker 1: good Uncle Jesse is a nerd. Come on, Michelle, let's

445
00:23:58,400 --> 00:24:01,560
Speaker 1: encourage the good behavior, right. Jesse tries to tell them

446
00:24:01,600 --> 00:24:04,359
Speaker 1: that he is still hip, but the bad Uncle Jesse

447
00:24:04,480 --> 00:24:07,000
Speaker 1: keeps trying to take over, saying work is for chumps.

448
00:24:07,080 --> 00:24:09,360
Speaker 1: Go out and party. You're having a good hair day,

449
00:24:09,480 --> 00:24:12,560
Speaker 1: go share it with the world. And Teddy thinks the

450
00:24:12,600 --> 00:24:16,280
Speaker 1: bad uncle Jesse sounds cool. But Jesse is trying to

451
00:24:16,280 --> 00:24:18,600
Speaker 1: teach them a lesson. You need to know right from wrong,

452
00:24:18,800 --> 00:24:23,440
Speaker 1: so he's determined to sit there and finish his work. Unsurprisingly,

453
00:24:23,520 --> 00:24:25,359
Speaker 1: he does a one to eighty right after his speech

454
00:24:25,400 --> 00:24:29,119
Speaker 1: and happily shouts starting tomorrow, who wants ice cream? And

455
00:24:29,160 --> 00:24:33,880
Speaker 1: he chases the kids out of the studio. Okay, it's

456
00:24:33,880 --> 00:24:34,720
Speaker 1: a good too set up.

457
00:24:34,760 --> 00:24:37,520
Speaker 2: Yeah, it's a set up for the weirdness that we

458
00:24:37,640 --> 00:24:40,560
Speaker 2: finally acknowledged that there is a basement full of expensive

459
00:24:40,560 --> 00:24:41,200
Speaker 2: equipment here.

460
00:24:41,760 --> 00:24:45,040
Speaker 1: Yes, and it's expensive, and they don't want all these kids.

461
00:24:45,080 --> 00:24:47,879
Speaker 2: It's expensive, and they already put all this crap in

462
00:24:47,920 --> 00:24:49,160
Speaker 2: the attic and then they had to.

463
00:24:49,119 --> 00:24:52,920
Speaker 1: Move it down. They had to get a crane. He's

464
00:24:53,160 --> 00:24:53,800
Speaker 1: going to do it.

465
00:24:53,920 --> 00:24:56,600
Speaker 2: You can't carry it on the stairs.

466
00:24:57,080 --> 00:25:01,320
Speaker 1: It's a narrow stairway. There's alway, you know. It's this, Yeah,

467
00:25:01,560 --> 00:25:04,520
Speaker 1: this is no nobody should be allowed in the recording

468
00:25:04,560 --> 00:25:10,280
Speaker 1: studio except Jesse and occasionally one hundred rippers. So next

469
00:25:10,320 --> 00:25:13,440
Speaker 1: in DJ's room, Kimmy, DJ and Steph walk into the

470
00:25:13,520 --> 00:25:16,280
Speaker 1: room carrying shopping bags, and Kimmy and Steph are in

471
00:25:16,320 --> 00:25:19,760
Speaker 1: the middle of a heated argument regarding Timmy Finelli and

472
00:25:19,920 --> 00:25:24,480
Speaker 1: Jimmy Finelli, in which one of them is cuter. DJ

473
00:25:24,600 --> 00:25:27,800
Speaker 1: butts in what are you guys arguing about? They're identical twins.

474
00:25:28,800 --> 00:25:31,800
Speaker 1: Kimmy defends her choice. Jimmy is two minutes older, he's

475
00:25:32,000 --> 00:25:35,880
Speaker 1: much more mature. And we came in hot into the seat,

476
00:25:35,920 --> 00:25:39,479
Speaker 1: like this argument was already very intense, like from the jump,

477
00:25:39,680 --> 00:25:41,560
Speaker 1: I feel like that was a note that we got

478
00:25:41,600 --> 00:25:43,000
Speaker 1: that's like, no, no, you got to raise, got to

479
00:25:43,080 --> 00:25:46,480
Speaker 1: raise it. Just come in like at a ten, coming

480
00:25:46,520 --> 00:25:48,240
Speaker 1: at a five, come in at a ten. Well, because

481
00:25:48,240 --> 00:25:51,920
Speaker 1: we've already been arguing, we've been arguings.

482
00:25:51,440 --> 00:25:53,679
Speaker 2: Yeah, oh yeah, but Timmy and Jimmy is the is

483
00:25:53,720 --> 00:25:57,959
Speaker 2: the the issue right now at hands? And then you

484
00:25:58,000 --> 00:26:00,359
Speaker 2: just wouldn't shut up about it, the whole shut up it.

485
00:26:00,400 --> 00:26:05,080
Speaker 1: And we are steadfast in our opinions. Nobody's budgeting on this, nobody.

486
00:26:06,480 --> 00:26:09,520
Speaker 1: So Steph rolls her eyes. That is the dumbest thing

487
00:26:09,640 --> 00:26:13,080
Speaker 1: I've ever heard, and Kimmy scoffs. Let me get this straight.

488
00:26:13,440 --> 00:26:18,119
Speaker 1: You're calling me dumb, and Steph retorts gibbler, You're so dumb,

489
00:26:18,240 --> 00:26:21,760
Speaker 1: you don't know how dumb you are, Kimmy tries to

490
00:26:21,760 --> 00:26:24,560
Speaker 1: one up her. You're the one who's dumb capital d

491
00:26:24,760 --> 00:26:29,720
Speaker 1: u M dumb. Oh boy, here we go. Yeah, DJ

492
00:26:29,840 --> 00:26:34,000
Speaker 1: vince's and reminds her Kimmy, there's a bee, and Kimmy

493
00:26:34,040 --> 00:26:36,919
Speaker 1: starts to swap the air and frantically asks where I

494
00:26:36,960 --> 00:26:41,520
Speaker 1: hate those things? This was actually very funny. It was funny,

495
00:26:42,400 --> 00:26:45,399
Speaker 1: h DJ size, I think we have a winner. Steph

496
00:26:45,520 --> 00:26:48,399
Speaker 1: turns to her older sister and questions, how can you

497
00:26:48,440 --> 00:26:52,160
Speaker 1: be friends with that? Wow? It's harsh. That looks kind

498
00:26:52,160 --> 00:26:54,320
Speaker 1: of harsh, Like I am a human, I'm Adreid, a

499
00:26:54,359 --> 00:26:59,920
Speaker 1: weird human at a little bit that didn't hurt a little,

500
00:27:00,200 --> 00:27:04,399
Speaker 1: But that's okay. Kimmy doesn't back down. She picked me,

501
00:27:04,720 --> 00:27:08,080
Speaker 1: but she got stuck with you. DJ is fed up.

502
00:27:08,200 --> 00:27:11,240
Speaker 1: You guys have been arguing the whole way home, and

503
00:27:11,280 --> 00:27:14,320
Speaker 1: sure enough the girls start to argue about where they

504
00:27:14,320 --> 00:27:17,000
Speaker 1: started arguing, on Lake Street or Chestnut.

505
00:27:17,880 --> 00:27:20,720
Speaker 2: This is just like siblings, Like this sounds exactly like

506
00:27:20,800 --> 00:27:21,280
Speaker 2: my kids.

507
00:27:21,400 --> 00:27:25,240
Speaker 1: Yeah, but you're like, does it matter? No, I just

508
00:27:25,280 --> 00:27:29,119
Speaker 1: want to fight, doesn't just doesn't just want to argue, yes,

509
00:27:29,320 --> 00:27:34,280
Speaker 1: which I'm non confrontational, so I don't like, I don't

510
00:27:34,280 --> 00:27:36,440
Speaker 1: want to argue when I have to argue, I definitely

511
00:27:36,440 --> 00:27:40,200
Speaker 1: don't want to make up arguments goodness, so DJ can't

512
00:27:40,200 --> 00:27:43,560
Speaker 1: believe them. She insists that they shake hands and be friends,

513
00:27:44,080 --> 00:27:46,840
Speaker 1: so Kimmy stretches out of hand, but when Steph reaches

514
00:27:46,880 --> 00:27:49,800
Speaker 1: for it, Jimmy swipes it away. Ah, got you a

515
00:27:49,880 --> 00:27:54,959
Speaker 1: shrimp boat, and Stephanie scowls bird legs DJ's had it.

516
00:27:55,240 --> 00:27:57,720
Speaker 1: She shuts the door and says they aren't leaving until

517
00:27:57,760 --> 00:28:00,920
Speaker 1: they start acting nice to one another. I would have

518
00:28:00,960 --> 00:28:03,719
Speaker 1: kicked them both out, yeah, Why why is she keep

519
00:28:04,320 --> 00:28:07,960
Speaker 1: them into the Saint? Right? If anything, DJ should DJ

520
00:28:08,000 --> 00:28:11,400
Speaker 1: should leave and lock those guys work it out. Yeah, right.

521
00:28:11,480 --> 00:28:13,919
Speaker 2: And also I feel like any older sibling would have

522
00:28:13,960 --> 00:28:16,160
Speaker 2: immediately kicked out the younger sibling and been like, oh

523
00:28:16,160 --> 00:28:17,440
Speaker 2: my god, leave me with my friend.

524
00:28:17,480 --> 00:28:21,000
Speaker 1: You're so annoying. Totally totally yes, this was. I mean, like,

525
00:28:21,200 --> 00:28:23,760
Speaker 1: I get it. The jokes gotta work, that storylines gotta work,

526
00:28:23,840 --> 00:28:28,480
Speaker 1: but not realistic. Uh So Steph rolls her eyes and

527
00:28:28,480 --> 00:28:31,520
Speaker 1: says fine, and then starts dialing a phone number on

528
00:28:31,600 --> 00:28:35,360
Speaker 1: DJ's phone. DJ asks what she's doing, and Steph responds

529
00:28:35,400 --> 00:28:40,040
Speaker 1: I'm ordering pizza. This could take months, give me argues years,

530
00:28:40,800 --> 00:28:42,800
Speaker 1: and they go back and forth on how long this

531
00:28:42,960 --> 00:28:45,640
Speaker 1: will take. I feel like we were adding some of

532
00:28:45,640 --> 00:28:51,800
Speaker 1: that at the end. At the end was just and

533
00:28:51,840 --> 00:28:54,200
Speaker 1: I kept thinking, I hope they cut soon because I'm

534
00:28:54,320 --> 00:28:54,800
Speaker 1: running out.

535
00:28:54,920 --> 00:28:57,240
Speaker 2: I don't know, I don't know how many Kennedies I

536
00:28:57,240 --> 00:28:59,680
Speaker 2: can go, right.

537
00:29:00,080 --> 00:29:02,760
Speaker 1: And I'm so distracted. Speaking of bangs, I'm very distracted

538
00:29:02,760 --> 00:29:05,440
Speaker 1: by my bangs here, which resemble an owl pellet. It's

539
00:29:05,560 --> 00:29:08,960
Speaker 1: just like this stuffed an owl pellet. Yeah, it's like

540
00:29:09,080 --> 00:29:12,400
Speaker 1: this net. It's like a part nest, part bones, part

541
00:29:13,720 --> 00:29:15,880
Speaker 1: I don't know. Yeah, it's gross, Like it doesn't even

542
00:29:16,000 --> 00:29:19,240
Speaker 1: look like hair. It's just a mess of b like

543
00:29:19,280 --> 00:29:21,120
Speaker 1: a owl on my face.

544
00:29:21,160 --> 00:29:24,000
Speaker 2: I'm trying to even remember what your hair looked like

545
00:29:24,040 --> 00:29:27,160
Speaker 2: in that scene, and I don't. I don't particularly remember

546
00:29:27,160 --> 00:29:29,400
Speaker 2: a problem with it, and usually I'm.

547
00:29:28,920 --> 00:29:35,080
Speaker 1: Pretty usually right. No, this is when I was I

548
00:29:35,160 --> 00:29:39,280
Speaker 1: remember distinctly when I was in this side that it's

549
00:29:39,320 --> 00:29:42,280
Speaker 1: like the tuft. It was just like the like the

550
00:29:42,400 --> 00:29:47,800
Speaker 1: pepper hair and yeah, yeah, yeah, And so I don't know,

551
00:29:48,120 --> 00:29:50,080
Speaker 1: as much as I want to blame the hair department

552
00:29:50,200 --> 00:29:51,240
Speaker 1: for this, this might have been me.

553
00:29:51,480 --> 00:29:53,000
Speaker 2: This might have been me been like, I don't think

554
00:29:54,520 --> 00:29:57,400
Speaker 2: I don't think this was you. You were never like that.

555
00:29:57,680 --> 00:30:00,320
Speaker 1: I was never You're right, I never spoke up. You

556
00:30:00,400 --> 00:30:01,720
Speaker 1: never were like I want this.

557
00:30:01,880 --> 00:30:04,760
Speaker 2: You were like okay, which I understand because I was

558
00:30:04,800 --> 00:30:05,240
Speaker 2: the same way.

559
00:30:05,240 --> 00:30:06,560
Speaker 1: And then I'd go in my dressing room be like

560
00:30:06,600 --> 00:30:09,960
Speaker 1: I hate it right right, Okay, So I will blame

561
00:30:10,000 --> 00:30:14,080
Speaker 1: the hair department for this owl pellet bangs? Okay? An

562
00:30:14,160 --> 00:30:15,040
Speaker 1: owl pellet?

563
00:30:15,640 --> 00:30:18,560
Speaker 2: Yes, it's like they call it an owl pellet to

564
00:30:19,600 --> 00:30:20,720
Speaker 2: like owl poop or something.

565
00:30:21,320 --> 00:30:23,240
Speaker 1: No, it's the little thing that they vomit. Did you

566
00:30:23,240 --> 00:30:27,080
Speaker 1: never dissect one in school? An owl? No? An owl pellet.

567
00:30:27,120 --> 00:30:29,200
Speaker 1: It's the thing they vomit like they eat and then

568
00:30:29,240 --> 00:30:31,840
Speaker 1: they vomit something up and it's got like twigs and

569
00:30:32,880 --> 00:30:36,160
Speaker 1: material like whatever they've ingested. It's got fur, it's gotten

570
00:30:38,320 --> 00:30:40,600
Speaker 1: Never heard of this, and I know a lot of

571
00:30:40,720 --> 00:30:44,040
Speaker 1: random things. I I know. How have you never dissected

572
00:30:44,040 --> 00:30:47,480
Speaker 1: an owl pellet? I mean I had dissected a fetal pig.

573
00:30:48,120 --> 00:30:51,320
Speaker 2: Anyway, this is anatomy and physiology we had to do.

574
00:30:51,960 --> 00:30:56,440
Speaker 1: Have you done a frog? Yeah? Okay? Frogs? Yes? Dicted

575
00:30:56,720 --> 00:31:02,200
Speaker 1: owl pellets like salamanders, maybe lots, reptiles, amphibians, maybe I don't.

576
00:31:01,960 --> 00:31:05,440
Speaker 2: Know, poor poor little things anyway, Okay, anyways, let's not

577
00:31:05,520 --> 00:31:07,440
Speaker 2: get distracted about what we've dissected.

578
00:31:08,040 --> 00:31:10,760
Speaker 3: Sorry, everyone, He's really sorry for that.

579
00:31:11,440 --> 00:31:14,800
Speaker 1: Next in the kitchen, Joey hops down the stairs wearing

580
00:31:14,840 --> 00:31:19,240
Speaker 1: a colorful tracksuit while singing, Oh what a beautiful mourning

581
00:31:19,880 --> 00:31:21,440
Speaker 1: from the musical Oklahoma.

582
00:31:22,000 --> 00:31:27,080
Speaker 2: He looks like that woman in in those dance videos,

583
00:31:27,120 --> 00:31:29,800
Speaker 2: the how to dance videos. That's like the whitest white

584
00:31:29,800 --> 00:31:32,840
Speaker 2: woman you've ever seen trying to explain hip hop dancing,

585
00:31:33,640 --> 00:31:37,360
Speaker 2: and she's in She's in a full like blue tracksuit,

586
00:31:37,520 --> 00:31:38,840
Speaker 2: just like that.

587
00:31:38,840 --> 00:31:40,120
Speaker 1: That's what Joey writes.

588
00:31:41,400 --> 00:31:44,000
Speaker 2: I was expecting him to start like doing the you know,

589
00:31:44,200 --> 00:31:45,640
Speaker 2: like and jazz.

590
00:31:47,360 --> 00:31:50,720
Speaker 1: You're like, oh my god, don't ever do that, lady. Yeah, like,

591
00:31:50,800 --> 00:31:55,640
Speaker 1: this is the worst possible candidate to explain hip hop, right, Yeah,

592
00:31:55,960 --> 00:32:00,560
Speaker 1: that's hysterical. Yeah, Dave is a vision. Yeah, it's the.

593
00:32:00,560 --> 00:32:03,440
Speaker 2: Second noisiest material next to car Quarterbay.

594
00:32:03,800 --> 00:32:07,400
Speaker 1: Yes, the sound guys like you're wearing a paper bag.

595
00:32:09,280 --> 00:32:12,280
Speaker 1: Move as gently as possible. The sound guys are gonna

596
00:32:12,280 --> 00:32:16,360
Speaker 1: get mad, and so Dave's he ends the song with

597
00:32:16,400 --> 00:32:20,120
Speaker 1: a flourish. This thing he would always do regardless if

598
00:32:20,120 --> 00:32:23,000
Speaker 1: we were real loud singer guy. Yeah, where he dramatically

599
00:32:23,040 --> 00:32:25,800
Speaker 1: like pulls the imaginary microphone away from his mouth and

600
00:32:25,880 --> 00:32:27,800
Speaker 1: he goes silent, and then he hits the final note

601
00:32:27,800 --> 00:32:31,080
Speaker 1: and brings it right back in. Dave, he loved that

602
00:32:31,120 --> 00:32:35,760
Speaker 1: bit on Cue the doorbell rings and he excitedly tells

603
00:32:35,840 --> 00:32:38,160
Speaker 1: Danny and Becky that he's going on a bike ride

604
00:32:38,200 --> 00:32:42,120
Speaker 1: with Wendy. Wendy's back. This is a two episode arc.

605
00:32:42,200 --> 00:32:46,080
Speaker 1: I'm impressed, very impressed. I like this relationship. I wish

606
00:32:46,120 --> 00:32:48,200
Speaker 1: this wasn't the end of it. I was like, well,

607
00:32:48,240 --> 00:32:51,200
Speaker 1: don't get your hopes one. Danny notes, ever since my

608
00:32:51,320 --> 00:32:54,280
Speaker 1: sister moved back to San Francisco, you've been walking around

609
00:32:54,320 --> 00:32:57,960
Speaker 1: the house singing show tunes, and Joey insists that's not true,

610
00:32:58,440 --> 00:33:01,760
Speaker 1: before he heads towards the door singing seventy six troum

611
00:33:01,880 --> 00:33:07,200
Speaker 1: Bones from Music Man in the living Room. Danny follows

612
00:33:07,200 --> 00:33:10,560
Speaker 1: behind Joey, and he does not sugarcoat things. I hope

613
00:33:10,560 --> 00:33:12,920
Speaker 1: you know what you're getting yourself into. My sister is

614
00:33:12,960 --> 00:33:16,840
Speaker 1: a pretty serious athlete, and you're not exactly in tiptop shape.

615
00:33:17,320 --> 00:33:19,160
Speaker 1: It's still always so funny to me that Dave, the

616
00:33:19,160 --> 00:33:22,920
Speaker 1: most athletic of who plays hockey every weekend, was the

617
00:33:22,960 --> 00:33:26,800
Speaker 1: one that was always like, you're not athletic, right, I know? Yeah?

618
00:33:26,920 --> 00:33:32,000
Speaker 1: They they yes, Dave's only three of them, and they

619
00:33:32,080 --> 00:33:37,040
Speaker 1: kept yeah, making him out to be. It's this doufish.

620
00:33:37,360 --> 00:33:40,480
Speaker 1: Joey explains that he knows that Wendy likes him for

621
00:33:40,520 --> 00:33:43,440
Speaker 1: who he is and doesn't need to do anything special

622
00:33:43,480 --> 00:33:47,440
Speaker 1: to impress her. However, as soon as Danny opens the door,

623
00:33:47,520 --> 00:33:49,840
Speaker 1: Joey jumps to the ground and does push ups while

624
00:33:49,880 --> 00:33:52,640
Speaker 1: counting one hundred and eighty one, one hundred and eighty two,

625
00:33:53,760 --> 00:33:56,040
Speaker 1: and he stands up to greet Wendy. He tells her

626
00:33:56,080 --> 00:33:58,920
Speaker 1: he's doing an early morning pump up. He says he's

627
00:33:58,960 --> 00:34:04,000
Speaker 1: working on his abs, pecks and lobes. Wendy laughs, you're

628
00:34:04,040 --> 00:34:07,160
Speaker 1: working out your ears, and Joey nods, yep, feel the

629
00:34:07,160 --> 00:34:10,239
Speaker 1: definition in these babies, and he flexes as hard as

630
00:34:10,239 --> 00:34:13,880
Speaker 1: he can. Wendy admits she loves a man with ears

631
00:34:13,880 --> 00:34:17,720
Speaker 1: of steel, and Danny sarcastically chimes in, and his brain

632
00:34:17,840 --> 00:34:22,440
Speaker 1: is one big ball of aluminum foil. Joey claps his

633
00:34:22,480 --> 00:34:25,239
Speaker 1: hands together. Eager to leave. He tells Wendy they can

634
00:34:25,280 --> 00:34:27,840
Speaker 1: put their bikes on her rack and head out. But

635
00:34:28,320 --> 00:34:31,000
Speaker 1: Wendy doesn't have a bike rack. She doesn't even have

636
00:34:31,120 --> 00:34:35,160
Speaker 1: a car. Joey lets out a nervous laugh. The trails

637
00:34:35,200 --> 00:34:37,120
Speaker 1: twenty miles away. How are we going to get there?

638
00:34:37,760 --> 00:34:41,960
Speaker 1: And Wendy casually says, ride our bikes through the hills

639
00:34:41,960 --> 00:34:45,279
Speaker 1: of San Francisco, right, Yeah, this is ambitious.

640
00:34:45,280 --> 00:34:47,240
Speaker 2: It's not a Yeah, that's not a regular twenty miles,

641
00:34:47,239 --> 00:34:49,400
Speaker 2: that's a San Francisco up and down twenty miles.

642
00:34:49,560 --> 00:34:52,759
Speaker 1: No, that's an endurance sport, because that's an ultra marathon

643
00:34:53,000 --> 00:34:58,440
Speaker 1: right there. Uh so, Joey is now visibly worried. Sure,

644
00:34:58,640 --> 00:35:00,640
Speaker 1: the twenty mile ride there will be a nice warm

645
00:35:00,719 --> 00:35:03,000
Speaker 1: up and the twenty mile ride back will be a

646
00:35:03,080 --> 00:35:07,320
Speaker 1: nice little cool down. Danny butts in with amusement. Especially

647
00:35:07,360 --> 00:35:08,879
Speaker 1: for a guy who can do one hundred and eighty

648
00:35:08,880 --> 00:35:12,839
Speaker 1: push ups without breaking a sweat, Danny's just roasted him

649
00:35:12,880 --> 00:35:17,160
Speaker 1: this whole time. Joey boasts that he's in tiptop writing condition.

650
00:35:17,560 --> 00:35:19,320
Speaker 1: But when he goes to grab his bike, we see

651
00:35:19,360 --> 00:35:22,600
Speaker 1: that it's very old fashioned and has a banana seat

652
00:35:23,480 --> 00:35:27,200
Speaker 1: straight out as stranger things. Yeah, this was the eighties bike.

653
00:35:27,280 --> 00:35:28,560
Speaker 3: Oh god, I remember those things.

654
00:35:28,760 --> 00:35:30,759
Speaker 2: Yes, they have a little metal thing on the back

655
00:35:30,800 --> 00:35:32,680
Speaker 2: that you'd like stand on the pegs and hold on to.

656
00:35:33,080 --> 00:35:36,200
Speaker 1: Oh yeah yeah, and they like they would rust overnight.

657
00:35:38,920 --> 00:35:42,279
Speaker 1: And yeah, it's instant rusting. He loved it.

658
00:35:42,560 --> 00:35:45,680
Speaker 2: Yeah, you definitely needed a Tetnis shot anytime you've actually

659
00:35:45,760 --> 00:35:46,160
Speaker 2: rode one.

660
00:35:46,080 --> 00:35:52,600
Speaker 1: Of those, Oh for sure, yes, yes. So Wendy is

661
00:35:52,600 --> 00:35:54,759
Speaker 1: shocked to see that this is the bike that he'll

662
00:35:54,800 --> 00:35:57,640
Speaker 1: be using, but Joey assures her, Oh, all the top

663
00:35:57,719 --> 00:35:59,560
Speaker 1: riders are going back to the banana seat.

664
00:36:00,800 --> 00:36:04,040
Speaker 3: That's more surface area. I think it's more comfortable.

665
00:36:04,160 --> 00:36:06,960
Speaker 1: I would think so too, Like, don't dog a banana seat,

666
00:36:07,000 --> 00:36:10,200
Speaker 1: you know that's probably got some good patting in there.

667
00:36:10,440 --> 00:36:14,360
Speaker 1: I don't know, I'm not My brain is going so

668
00:36:14,480 --> 00:36:18,759
Speaker 1: many directions right now, but I'm continuing on banana seat

669
00:36:18,800 --> 00:36:19,280
Speaker 1: and padding.

670
00:36:19,320 --> 00:36:22,719
Speaker 3: I'm just I'm like, oh, hold on overload.

671
00:36:23,320 --> 00:36:27,239
Speaker 1: Next, in Jesse's studio, we see Michelle tiptoeing down the

672
00:36:27,239 --> 00:36:31,160
Speaker 1: stairs and she asks if anyone is there. No one answers,

673
00:36:31,360 --> 00:36:34,719
Speaker 1: so the coast is clear. She walks up to Jesse's

674
00:36:34,760 --> 00:36:37,719
Speaker 1: sound machine, and she's tempted to play with it, but

675
00:36:38,200 --> 00:36:41,080
Speaker 1: as soon as she's about to touch it, another Michelle,

676
00:36:41,160 --> 00:36:44,319
Speaker 1: in a puffy pink dress with long curly hair and

677
00:36:44,360 --> 00:36:46,719
Speaker 1: a flower crown appears.

678
00:36:47,800 --> 00:36:48,400
Speaker 2: I mean.

679
00:36:50,200 --> 00:36:56,800
Speaker 1: As this wasn't just one does? Yeah, So she scolds

680
00:36:56,800 --> 00:37:01,799
Speaker 1: her Michelle Elizabeth Tanner, I am shocked. Michelle is astonished

681
00:37:01,880 --> 00:37:05,600
Speaker 1: and asks the look alike, who are your means? Sport?

682
00:37:05,719 --> 00:37:08,120
Speaker 3: Child's having some sort of a mental break.

683
00:37:08,360 --> 00:37:10,719
Speaker 1: She's well, and as a therapist, you think she would understand,

684
00:37:10,880 --> 00:37:13,560
Speaker 1: like why she's having this swell. Yeah, but you know

685
00:37:13,600 --> 00:37:14,760
Speaker 1: what break from reality?

686
00:37:15,320 --> 00:37:17,000
Speaker 3: You don't know when you're in it.

687
00:37:17,040 --> 00:37:20,239
Speaker 2: That's true when she's too close to it, like dumb

688
00:37:20,239 --> 00:37:21,160
Speaker 2: people don't know they' dumb.

689
00:37:23,640 --> 00:37:25,680
Speaker 1: They don't know. You're right, they don't know. That's what

690
00:37:25,680 --> 00:37:28,800
Speaker 1: what bliss man ignorance really is. It really is, Scott.

691
00:37:28,880 --> 00:37:33,560
Speaker 1: I wish That's why I'm so unhappy. You need to

692
00:37:33,600 --> 00:37:36,279
Speaker 1: be more ignorant. I could get a lobotomy. I think

693
00:37:36,360 --> 00:37:41,439
Speaker 1: I think i'd feel bad. So the girl explains, I'm

694
00:37:41,600 --> 00:37:44,399
Speaker 1: the good Michelle. I tell you the right thing to do.

695
00:37:45,560 --> 00:37:50,120
Speaker 1: Just then another Michelle appears to Michelle, not another Michelle.

696
00:37:51,280 --> 00:37:54,400
Speaker 1: This one's wearing a bandana, a leather jacket, and long

697
00:37:54,480 --> 00:37:58,440
Speaker 1: ear rings. She warns Michelle, don't listen to that wimp.

698
00:37:59,320 --> 00:38:02,480
Speaker 1: Michelle realized says that that is the bad Michelle, and

699
00:38:02,520 --> 00:38:04,920
Speaker 1: the good one begs her not to fall for her trap.

700
00:38:05,760 --> 00:38:07,880
Speaker 1: The bad one wants her to break the rules, but

701
00:38:07,920 --> 00:38:11,879
Speaker 1: the real Michelle doesn't want to get in trouble. It's

702
00:38:11,880 --> 00:38:14,520
Speaker 1: not coincidence that bad Michelle looks exactly like Uncle Jesse,

703
00:38:14,719 --> 00:38:18,879
Speaker 1: like with the leather right, Well, she just I mean right,

704
00:38:19,040 --> 00:38:23,840
Speaker 1: that's I mean basically yeah, it's like, you know, it's.

705
00:38:24,160 --> 00:38:26,080
Speaker 2: Shopping and she came back in with the glasses in

706
00:38:26,120 --> 00:38:27,040
Speaker 2: the little leather jacket.

707
00:38:27,280 --> 00:38:30,640
Speaker 1: She just get jacket. It's super Yeah, she repurposed it

708
00:38:30,440 --> 00:38:36,320
Speaker 1: for her for her face or break right, it's so funny.

709
00:38:37,600 --> 00:38:40,000
Speaker 1: So she calls her a chicken and flaps her arms,

710
00:38:40,280 --> 00:38:43,520
Speaker 1: and Michelle is obviously conflicted. So the good Michelle shakes

711
00:38:43,520 --> 00:38:47,200
Speaker 1: her finger and repeats, be good oh. In response, the

712
00:38:47,239 --> 00:38:52,560
Speaker 1: bad Michelle chance party, Party, Party. Michelle tells both of

713
00:38:52,600 --> 00:38:55,200
Speaker 1: the other Michelles to stop. She makes her decision and

714
00:38:55,239 --> 00:38:59,960
Speaker 1: announces it's party time. She goes haywire, pressing every button

715
00:39:00,120 --> 00:39:04,560
Speaker 1: on every piece of equipment. The bad. Michelle dances along

716
00:39:04,600 --> 00:39:08,560
Speaker 1: and shouts you're bad to the bone. On cue. Jesse

717
00:39:08,719 --> 00:39:12,520
Speaker 1: walks downstairs and both of the pretend Michell's quickly disappear.

718
00:39:13,000 --> 00:39:16,239
Speaker 1: Jesse asks his niece what she's doing is having a

719
00:39:16,280 --> 00:39:21,480
Speaker 1: mental episode? Yeah, he should be alarmed, He should totally

720
00:39:21,560 --> 00:39:25,680
Speaker 1: for several reasons he should be alarmed. Michelle begs Jesse

721
00:39:25,880 --> 00:39:27,960
Speaker 1: not to tell her dad because she'll get in trouble,

722
00:39:28,400 --> 00:39:32,000
Speaker 1: and then Danny runs downstairs and asks if everything's okay? Well,

723
00:39:32,440 --> 00:39:39,120
Speaker 1: but come on, it's like, when is anything okay in

724
00:39:39,160 --> 00:39:39,760
Speaker 1: this house?

725
00:39:40,560 --> 00:39:43,520
Speaker 2: You're either totally alone and nobody can hear you, or

726
00:39:43,680 --> 00:39:46,520
Speaker 2: you do the slightest thing and someone comes running in right.

727
00:39:46,440 --> 00:39:50,360
Speaker 1: Like everyone right, and you're like, how did you not

728
00:39:50,520 --> 00:39:51,480
Speaker 1: hear the other.

729
00:39:51,400 --> 00:39:53,360
Speaker 3: Stuff that was going on last episode?

730
00:39:53,440 --> 00:39:53,640
Speaker 2: Right?

731
00:39:54,200 --> 00:39:57,120
Speaker 1: Right? No, it's it's like, just I'd love to sitcoms

732
00:39:57,760 --> 00:40:03,440
Speaker 1: in this house. It must be incredible. So Michelle calmly

733
00:40:03,480 --> 00:40:07,799
Speaker 1: responds everything is super, but Jesse tells the truth, No,

734
00:40:07,920 --> 00:40:12,120
Speaker 1: everything is not super. She was down here playing with

735
00:40:12,160 --> 00:40:15,840
Speaker 1: my stuff after I specifically told her not to. Danny

736
00:40:15,840 --> 00:40:18,560
Speaker 1: turns to Michelle and asks if that's the truth, and

737
00:40:18,600 --> 00:40:20,799
Speaker 1: she plays it off. Hey, I was just having fun,

738
00:40:21,560 --> 00:40:24,400
Speaker 1: Danny reprimands her, Well, your fun is over for the

739
00:40:24,400 --> 00:40:25,920
Speaker 1: rest of the day. You're going to be in your

740
00:40:26,000 --> 00:40:29,919
Speaker 1: room and no TV. Sheelle asks if she can rent

741
00:40:30,040 --> 00:40:35,400
Speaker 1: a videotape. You see back in the day, guys, you

742
00:40:35,520 --> 00:40:39,319
Speaker 1: had to go to a different location and borrow a

743
00:40:39,440 --> 00:40:42,480
Speaker 1: VHS tape. You could have for about three days, and

744
00:40:42,480 --> 00:40:44,720
Speaker 1: then you had to rewind it and turn it back in. Yes,

745
00:40:45,200 --> 00:40:47,839
Speaker 1: that was the best. That was the best Friday nights

746
00:40:47,840 --> 00:40:51,040
Speaker 1: at Blockbuster down in front of the wall, right elbow

747
00:40:53,280 --> 00:40:56,480
Speaker 1: or whatever the hell was the big Blockbusters, like, I

748
00:40:56,560 --> 00:40:58,480
Speaker 1: got it, I got it? Yeah, I know that was

749
00:40:58,920 --> 00:41:04,040
Speaker 1: I missed those days. Uh so, Danny sternly responds, no tapes,

750
00:41:04,239 --> 00:41:07,839
Speaker 1: no cable, and no pay per view. Michelle can't believe

751
00:41:07,880 --> 00:41:10,200
Speaker 1: what she's hearing, but Danny reminds her that if she

752
00:41:10,280 --> 00:41:13,960
Speaker 1: breaks the rules, she's gonna be punished. Michelle looks at

753
00:41:14,000 --> 00:41:18,759
Speaker 1: Jesse and pouts, thanks a lot, Uncle tattletale. Jesse tells

754
00:41:18,760 --> 00:41:21,760
Speaker 1: her he is not a tattletale, and then he proceeds

755
00:41:21,760 --> 00:41:25,480
Speaker 1: to tell Danny what she just said. He realizes the hypocrisy,

756
00:41:25,560 --> 00:41:28,560
Speaker 1: but stands firm that it isn't his fault because she

757
00:41:29,000 --> 00:41:32,760
Speaker 1: was messing with his stuff. Michelle continues with the guilt trip.

758
00:41:33,120 --> 00:41:35,920
Speaker 1: I thought I was your little munchkin, but I was wrong.

759
00:41:37,200 --> 00:41:39,360
Speaker 1: Danny doesn't fall for it and prompts Michelle to go

760
00:41:39,440 --> 00:41:42,360
Speaker 1: up to her room. She looks at Jesse and sadly says,

761
00:41:42,840 --> 00:41:46,440
Speaker 1: I hope you're happy. Wof the sad music plays in

762
00:41:46,520 --> 00:41:51,560
Speaker 1: Jesse's sighs as she walks away. Darnott, Michelle like, and

763
00:41:51,600 --> 00:41:53,879
Speaker 1: now I'm mad at Michelle for making me feel bad

764
00:41:53,920 --> 00:41:57,399
Speaker 1: for Uncle Jesse. You know, like she's guilt tripping him.

765
00:41:57,800 --> 00:42:01,600
Speaker 1: You know, it's not tattletailing if he's telling right, Like

766
00:42:01,640 --> 00:42:03,480
Speaker 1: he said, don't play with my stuff. She played with

767
00:42:03,520 --> 00:42:05,480
Speaker 1: his stuff, so I told Dan, But.

768
00:42:05,560 --> 00:42:08,960
Speaker 2: That's kids, Like any report is always a tattletale.

769
00:42:09,000 --> 00:42:12,839
Speaker 1: You're like, no, but that's not Yeah, He's like, yeah, Yeah,

770
00:42:12,920 --> 00:42:15,480
Speaker 1: she's just I get it. She's you know, she's in

771
00:42:15,520 --> 00:42:17,640
Speaker 1: the moment. She's mad at him. She's she's like, look,

772
00:42:17,719 --> 00:42:19,600
Speaker 1: I was having a great time down here with my

773
00:42:19,600 --> 00:42:22,239
Speaker 1: two imaginary friends who are also me because I don't

774
00:42:22,320 --> 00:42:27,000
Speaker 1: really get out of the house. Yeah, she has to

775
00:42:27,080 --> 00:42:29,239
Speaker 1: imagine she was just excited that there was something to

776
00:42:29,280 --> 00:42:35,799
Speaker 1: play with, you know, right, No, yeah, that's that. That

777
00:42:36,000 --> 00:42:38,479
Speaker 1: just hit me that when you said that, is that? Yeah?

778
00:42:38,520 --> 00:42:46,759
Speaker 1: She even her imaginary friends. Yeah yeah, un back there.

779
00:42:47,120 --> 00:42:50,400
Speaker 1: Yeah yeah, not even like an imaginary friend, that's like

780
00:42:50,560 --> 00:42:55,719
Speaker 1: something else. Yeah no, it's just different for you. Yeah. Wow,

781
00:42:55,920 --> 00:42:59,480
Speaker 1: that's the Narcissism just runs very deep in this family.

782
00:43:07,640 --> 00:43:10,080
Speaker 1: So up in Michelle's room, Michelle is sitting on the

783
00:43:10,080 --> 00:43:13,960
Speaker 1: bed petting Comet, and she sighs, at least I've still

784
00:43:13,960 --> 00:43:17,200
Speaker 1: got you, Commet, put it on cue. Danny yells out

785
00:43:17,200 --> 00:43:19,440
Speaker 1: for comment, saying it's time for his walk, and so

786
00:43:19,600 --> 00:43:22,000
Speaker 1: Commet jumps out of the bed and doesn't look back.

787
00:43:22,440 --> 00:43:24,600
Speaker 1: So true. They don't care. They're like, I love you.

788
00:43:24,880 --> 00:43:29,319
Speaker 1: Wait a treat. Okay. Now Michelle is all alone and

789
00:43:29,600 --> 00:43:33,160
Speaker 1: totally bummed. The good Michelle reappears to her right and

790
00:43:33,200 --> 00:43:36,400
Speaker 1: scolds her, I hope you learned your lesson, and then

791
00:43:36,480 --> 00:43:38,719
Speaker 1: bad Michelle appears to her left and tries to show

792
00:43:38,760 --> 00:43:41,640
Speaker 1: off the good one. Hey, princess, go kiss the frog.

793
00:43:42,680 --> 00:43:46,319
Speaker 1: Michelle angrily reminds her that she's the one responsible for

794
00:43:46,400 --> 00:43:46,920
Speaker 1: this mess.

795
00:43:47,239 --> 00:43:49,800
Speaker 3: God, she's having just a full identity crisis.

796
00:43:49,920 --> 00:43:55,800
Speaker 1: She really is, like she's blaming. This is a lot.

797
00:43:56,280 --> 00:43:59,880
Speaker 1: There's a lot going on right now. Uh, it's a

798
00:44:00,080 --> 00:44:04,279
Speaker 1: bad Michelle decides to push all the blame onto Uncle Tattletale,

799
00:44:05,120 --> 00:44:07,839
Speaker 1: but then she proposes an idea. You want to make

800
00:44:07,920 --> 00:44:12,480
Speaker 1: him very sorry. The Good Michelle knows something's up and

801
00:44:12,520 --> 00:44:15,440
Speaker 1: tells Bad Michelle to mind her own business. Light the

802
00:44:15,480 --> 00:44:19,400
Speaker 1: studio on fire. No, sorry, not a good idea. That

803
00:44:19,440 --> 00:44:24,160
Speaker 1: wouldn't make him very sorry, though it would. The bad one, Uh,

804
00:44:24,280 --> 00:44:26,680
Speaker 1: the bad No, The real Michelle is interested to hear

805
00:44:26,840 --> 00:44:30,080
Speaker 1: what this plan is, so the bad one suggests you

806
00:44:30,239 --> 00:44:33,920
Speaker 1: run away from home. Good Michelle gasps at the thought.

807
00:44:34,400 --> 00:44:38,080
Speaker 1: Bad Michelle insists Uncle Jesse will never squeal on you again.

808
00:44:39,000 --> 00:44:41,560
Speaker 1: So the real Michelle nods, sounds good to me. I'm

809
00:44:41,600 --> 00:44:43,960
Speaker 1: out of here. She hops off the bed and grabs

810
00:44:44,000 --> 00:44:47,839
Speaker 1: the world's smallest suitcase to begin packing. Good Michelle tries

811
00:44:47,880 --> 00:44:50,760
Speaker 1: to convince her otherwise while she loads up the suitcase

812
00:44:50,800 --> 00:44:53,279
Speaker 1: with all of her clothes. At the same time, Bad

813
00:44:53,320 --> 00:44:56,600
Speaker 1: Michelle is shouting, don't listen to her pack that suitcase.

814
00:44:57,480 --> 00:45:00,279
Speaker 1: The two figments of her imagination start to argue back

815
00:45:00,320 --> 00:45:03,360
Speaker 1: and forth, and Bad Michelle taunts the good one, yelling

816
00:45:05,320 --> 00:45:08,239
Speaker 1: the good. Michelle just stares at her in utter disgust

817
00:45:10,200 --> 00:45:12,640
Speaker 1: going through this is. This has become the Michelle Show

818
00:45:12,719 --> 00:45:13,840
Speaker 1: in a matter of ten minutes.

819
00:45:13,880 --> 00:45:17,000
Speaker 2: Like it literally well they she came in and said

820
00:45:17,120 --> 00:45:18,239
Speaker 2: it's the Michelle Show.

821
00:45:18,719 --> 00:45:25,920
Speaker 1: She wasn't lying time, right, we were. We were amply warned. Wow,

822
00:45:26,000 --> 00:45:28,560
Speaker 1: this is a lot of Michelle's. This is too many Michelle,

823
00:45:28,840 --> 00:45:31,560
Speaker 1: this is This is a lot of Michelle's.

824
00:45:31,600 --> 00:45:35,239
Speaker 2: But I'm just glad that they're not freakishly large like

825
00:45:35,280 --> 00:45:38,480
Speaker 2: they were in that one dream sequence from like t

826
00:45:39,560 --> 00:45:42,799
Speaker 2: take at least normal sized to Michelle's.

827
00:45:42,840 --> 00:45:45,160
Speaker 1: Okay, yeah, it's at least they're not creepy. I mean,

828
00:45:45,160 --> 00:45:48,040
Speaker 1: they're this hole set up is weird, but at least

829
00:45:48,040 --> 00:45:52,120
Speaker 1: they're not creepy large. They're not creepy, right, yeah, yeah,

830
00:45:52,200 --> 00:45:54,840
Speaker 1: okay is it? And I don't mean this in a

831
00:45:55,080 --> 00:45:56,399
Speaker 1: like I don't mean this in a mean.

832
00:45:56,360 --> 00:46:00,000
Speaker 2: Way, but when when I see Michelle and it's Mary

833
00:46:00,120 --> 00:46:03,319
Speaker 2: Kate but in the the the princess thing with the

834
00:46:03,360 --> 00:46:07,400
Speaker 2: hair and the crown and the whatever. I'm trying to

835
00:46:07,440 --> 00:46:11,840
Speaker 2: think what it reminds me of. But there's some oh, Glinda,

836
00:46:12,160 --> 00:46:15,040
Speaker 2: is what it reminded me? No, you know when e

837
00:46:15,080 --> 00:46:16,880
Speaker 2: t is dressed up in the wig.

838
00:46:16,800 --> 00:46:23,320
Speaker 1: And you can't know what I mean yet, you can't.

839
00:46:23,120 --> 00:46:25,040
Speaker 2: Say they look like I'm just saying it was like

840
00:46:25,480 --> 00:46:28,319
Speaker 2: it's like the wig is so big and it looks so.

841
00:46:28,480 --> 00:46:32,080
Speaker 1: Ridiculous, you know what I mean. And the dress is oversize,

842
00:46:32,640 --> 00:46:40,840
Speaker 1: it's like when she's got extensions like she's obviously wearing. It's. Yeah,

843
00:46:41,000 --> 00:46:43,319
Speaker 1: it looks like ET. Yeah.

844
00:46:45,640 --> 00:46:45,879
Speaker 2: Yeah.

845
00:46:46,160 --> 00:46:47,839
Speaker 1: Or I was gonna say miss Piggy, but I thought

846
00:46:47,840 --> 00:46:52,719
Speaker 1: Eat was better. That's definitely the lesser offensive of the two.

847
00:46:52,800 --> 00:46:56,080
Speaker 2: Yes, I yah one really yeah, And no, this has

848
00:46:56,160 --> 00:46:59,719
Speaker 2: nothing to do with with anyone looking like et. Mark

849
00:46:59,880 --> 00:47:04,400
Speaker 2: just dress up right, the whole ensemble, and I'm like,

850
00:47:04,400 --> 00:47:07,960
Speaker 2: where have I seen this look before? That's right Et,

851
00:47:08,200 --> 00:47:10,080
Speaker 2: when he's dressed up for Halloween or whatever.

852
00:47:12,320 --> 00:47:16,879
Speaker 1: Oh my chest hurts, my chest shirts, Oh gosh, Yeah

853
00:47:16,880 --> 00:47:20,360
Speaker 1: that's you know, I think he nailed it. You definitely

854
00:47:20,440 --> 00:47:25,800
Speaker 1: nailed it. So next we are at Teddy's house. Teddy

855
00:47:25,840 --> 00:47:28,200
Speaker 1: has a house and a family. Teddy gets a set.

856
00:47:28,360 --> 00:47:30,720
Speaker 1: This is a monumentous is huge episode.

857
00:47:30,840 --> 00:47:34,000
Speaker 2: You're really this set was for Sparky and like, well

858
00:47:34,040 --> 00:47:35,440
Speaker 2: we got to have some owners and we got some

859
00:47:35,480 --> 00:47:35,879
Speaker 2: people there.

860
00:47:35,920 --> 00:47:38,800
Speaker 1: Yeah, yeah. Yeah, this is Sparky's like third or fourth appearance.

861
00:47:38,920 --> 00:47:40,880
Speaker 1: He deserves his own set by now he's put in

862
00:47:40,880 --> 00:47:44,440
Speaker 1: his time. So Teddy and his family are playing monopoly

863
00:47:44,520 --> 00:47:47,640
Speaker 1: when the doorbell rings. Teddy asks who is it? And

864
00:47:47,680 --> 00:47:51,520
Speaker 1: Michelle shouts through the door, it's Michelle Tanner. Do you

865
00:47:51,560 --> 00:47:53,600
Speaker 1: remember Do you remember this bit? It made the gag

866
00:47:53,640 --> 00:47:57,120
Speaker 1: reel how Taj couldn't get the timing right with saying

867
00:47:57,160 --> 00:47:59,520
Speaker 1: who is it? And then opening the door. He would

868
00:47:59,760 --> 00:48:01,960
Speaker 1: open the door and then say who is it? Right

869
00:48:02,080 --> 00:48:05,839
Speaker 1: to Michelle's face, And so I don't remember that. Oh

870
00:48:05,840 --> 00:48:08,040
Speaker 1: my god, I make the gagriel. I remember it because

871
00:48:08,200 --> 00:48:10,400
Speaker 1: I mean he was what eight years old or something,

872
00:48:11,000 --> 00:48:12,719
Speaker 1: so he didn't get it. It was like it's a

873
00:48:12,760 --> 00:48:15,200
Speaker 1: timing thing. So yeah, it was.

874
00:48:15,160 --> 00:48:18,400
Speaker 2: A yeah, you got a question before you can actually

875
00:48:18,440 --> 00:48:21,160
Speaker 2: see who it is? Yes, exactly, ask the question before

876
00:48:21,160 --> 00:48:22,200
Speaker 2: you can answer it yourself.

877
00:48:22,760 --> 00:48:29,200
Speaker 1: Yes. So Teddy opens the door and Michelle politely asks, Hi, Teddy,

878
00:48:29,400 --> 00:48:32,560
Speaker 1: can I live with you? He shrugs, sure, come on in.

879
00:48:33,640 --> 00:48:36,840
Speaker 1: He happily announces to his family, guess what Michelle is

880
00:48:36,880 --> 00:48:40,920
Speaker 1: going to live with us? Teddy's dad smartly asks if

881
00:48:41,000 --> 00:48:45,399
Speaker 1: Danny knows that she's here, and Michelle admits, no, when

882
00:48:45,440 --> 00:48:48,919
Speaker 1: you run away, you don't tell. So the parents ask

883
00:48:49,040 --> 00:48:52,239
Speaker 1: why she ran away and she explains to teach Uncle

884
00:48:52,280 --> 00:48:57,520
Speaker 1: taddletale a lesson. Teddy's sister, which is Taj's real life sister,

885
00:48:57,800 --> 00:49:00,800
Speaker 1: thinks that Michelle is super cute and asks her parents

886
00:49:00,840 --> 00:49:03,480
Speaker 1: if they can keep her, like it's a puppy or

887
00:49:03,520 --> 00:49:04,840
Speaker 1: something like, it's c.

888
00:49:05,000 --> 00:49:09,800
Speaker 3: T break out the recent pieces.

889
00:49:16,239 --> 00:49:23,319
Speaker 2: Oh accuracy, Yeah, Michelle phone home.

890
00:49:29,440 --> 00:49:35,160
Speaker 1: Michelle grins, I am a fun girl, and Teddy's dad responds, well,

891
00:49:35,239 --> 00:49:37,560
Speaker 1: until we get this straightened out, you are welcome to

892
00:49:37,600 --> 00:49:42,960
Speaker 1: stay here, and she exclaims, thanks new dad, Thank god

893
00:49:43,000 --> 00:49:45,200
Speaker 1: for these parents, Like, I'm very imped The parents handle

894
00:49:45,280 --> 00:49:48,319
Speaker 1: this the only way you can, which is to be like, oh,

895
00:49:48,560 --> 00:49:52,400
Speaker 1: don't panic, right, but doesn't know where you are a

896
00:49:52,480 --> 00:49:56,520
Speaker 1: phone call. They didn't like, you know, harbor her as

897
00:49:56,520 --> 00:49:58,960
Speaker 1: a fugitive, like no, they were just like, there is

898
00:49:59,040 --> 00:50:02,359
Speaker 1: no no eating in a bedding at all. Oh, very

899
00:50:02,360 --> 00:50:06,040
Speaker 1: impressed with ted Like Teddy's parents, Thank god for there's

900
00:50:06,080 --> 00:50:09,320
Speaker 1: some normal person in the in this full house universe,

901
00:50:09,600 --> 00:50:13,840
Speaker 1: like the only normal people. So next, in the Tanner kitchen,

902
00:50:14,520 --> 00:50:18,640
Speaker 1: Jesse is holding a camcorder and Becky and Nicky are

903
00:50:18,680 --> 00:50:21,480
Speaker 1: about to Becky is holding Nicki and the twins are

904
00:50:21,520 --> 00:50:24,600
Speaker 1: about to hit a monumental step. It's the baby's first

905
00:50:24,680 --> 00:50:30,040
Speaker 1: time trying solid foods. However, instead of keeping focus on

906
00:50:30,080 --> 00:50:33,040
Speaker 1: his son, Jesse keeps pointing the camera to himself to

907
00:50:33,120 --> 00:50:36,480
Speaker 1: show off his reactions and his good hair day that tracks.

908
00:50:37,040 --> 00:50:41,640
Speaker 1: Becky starts with the strained bananas and the baby's not

909
00:50:41,680 --> 00:50:44,160
Speaker 1: a fan of it, so she tries another spoonful and

910
00:50:44,239 --> 00:50:47,000
Speaker 1: he keeps all of it in his mouth. She announces

911
00:50:47,120 --> 00:50:50,080
Speaker 1: it's a keeper. I remember when they when I started

912
00:50:50,080 --> 00:50:52,680
Speaker 1: feeding the kids, they were like, start with peas, start

913
00:50:52,719 --> 00:50:56,240
Speaker 1: with something vegetable, because you start on the sweet stuff.

914
00:50:56,320 --> 00:50:58,680
Speaker 1: They're like, they're never going to like it. Yeah, we

915
00:50:58,760 --> 00:51:02,719
Speaker 1: started with avocados because avocados are plentiful here in this

916
00:51:02,800 --> 00:51:05,800
Speaker 1: part of the world. And uh, yeah, it's something. The

917
00:51:05,880 --> 00:51:08,160
Speaker 1: kids loved it. It's oh, I love having avocado. It's

918
00:51:08,160 --> 00:51:08,880
Speaker 1: a great little.

919
00:51:08,920 --> 00:51:11,319
Speaker 2: But when you give him that first bite of like

920
00:51:11,680 --> 00:51:13,000
Speaker 2: a vegetable and they're.

921
00:51:12,800 --> 00:51:16,680
Speaker 1: Like, like, oh, what is this? The face is the

922
00:51:16,719 --> 00:51:21,320
Speaker 1: master so great? Her face whatsoever? Was like this is terrible.

923
00:51:23,800 --> 00:51:26,400
Speaker 1: So then Danny comes running down the stairs and he asks,

924
00:51:26,560 --> 00:51:29,759
Speaker 1: have you guys seen Michelle. Jesse figures these adults in

925
00:51:29,800 --> 00:51:35,120
Speaker 1: the house, you know, hey, she was grounded and now

926
00:51:35,120 --> 00:51:38,000
Speaker 1: he can't find her. That's true, so Jesse figures she's

927
00:51:38,000 --> 00:51:40,759
Speaker 1: in her room because she's grounded, but Danny says no,

928
00:51:40,840 --> 00:51:43,680
Speaker 1: he can't find her anywhere, so he and Jesse both

929
00:51:43,719 --> 00:51:47,120
Speaker 1: start shouting her name as they search the house. Then

930
00:51:47,120 --> 00:51:50,640
Speaker 1: the phone rings and Danny's face washes over with relief.

931
00:51:50,920 --> 00:51:53,560
Speaker 1: He says, oh, thank god, We'll be right over and

932
00:51:53,600 --> 00:51:56,120
Speaker 1: he thanks Henry for the call. He hangs up with

933
00:51:56,160 --> 00:51:58,320
Speaker 1: the phone and he tells Jesse and Becky that Michelle

934
00:51:58,320 --> 00:52:01,280
Speaker 1: went down the street to Teddy's house. She ran away

935
00:52:01,400 --> 00:52:04,600
Speaker 1: from home. Becky can't believe that she would do such

936
00:52:04,600 --> 00:52:07,319
Speaker 1: a thing, but Jesse knows that she was mad at

937
00:52:07,400 --> 00:52:11,600
Speaker 1: him and called him Uncle taddle tail earlier. Jesse asks

938
00:52:11,640 --> 00:52:14,719
Speaker 1: what Danny's gonna do, and he responds, I'm gonna hug her,

939
00:52:15,120 --> 00:52:18,920
Speaker 1: kiss her, and then ground her for life. And that

940
00:52:19,000 --> 00:52:21,800
Speaker 1: sentence basically sums up all of full house.

941
00:52:21,680 --> 00:52:25,200
Speaker 2: Like literally but well parenting really in a nut, like

942
00:52:25,360 --> 00:52:31,280
Speaker 2: I love you, Yes, I'm gonna hug you, kiss, and

943
00:52:31,440 --> 00:52:32,279
Speaker 2: now I'm gonna kill you.

944
00:52:32,840 --> 00:52:36,319
Speaker 1: Yes. He starts to walk out the door, but Jesse

945
00:52:36,440 --> 00:52:40,200
Speaker 1: stops him. He says, I've got a better idea. Just

946
00:52:40,320 --> 00:52:43,440
Speaker 1: do what my dad did to me when I ran away.

947
00:52:43,840 --> 00:52:48,760
Speaker 1: I guarantee she'll never do it again, which sounded very ominous.

948
00:52:48,880 --> 00:52:53,799
Speaker 1: Like right, Nick, I was right? Where's he going with us? Right?

949
00:52:53,920 --> 00:52:55,440
Speaker 3: Did he shove you in a suitcase?

950
00:52:55,600 --> 00:52:59,080
Speaker 1: Like you? What did you do? This is a like

951
00:52:59,120 --> 00:53:04,040
Speaker 1: this is taking a dark but no. Next, in DJ's room,

952
00:53:04,360 --> 00:53:07,840
Speaker 1: DJ has forced Stephanie and Kimmy to sit in chairs

953
00:53:08,040 --> 00:53:11,560
Speaker 1: facing each other. The girls ask why they're doing this,

954
00:53:11,920 --> 00:53:15,600
Speaker 1: because it'll never work, but DJ argues, sure, sure it will.

955
00:53:15,680 --> 00:53:18,200
Speaker 1: I saw it on TV Little Sisters and best Friends

956
00:53:18,239 --> 00:53:22,520
Speaker 1: who hate each other on the next Giraldo. Stephanie is skeptical,

957
00:53:22,760 --> 00:53:26,440
Speaker 1: SoJ goes on to explain. The idea is you guys

958
00:53:26,440 --> 00:53:28,600
Speaker 1: can learn to be friends if you find that you

959
00:53:28,640 --> 00:53:31,719
Speaker 1: have things in common. Each time you agree, you move

960
00:53:31,760 --> 00:53:35,239
Speaker 1: your chairs closer together. When you disagree, you move your

961
00:53:35,280 --> 00:53:39,759
Speaker 1: chairs apart. Understand Steph rolls her eyes, we're not idiots,

962
00:53:40,239 --> 00:53:44,080
Speaker 1: and Kimmy frowns. Speak for yourself, and Steph just raises

963
00:53:44,080 --> 00:53:48,560
Speaker 1: an eyebrow in disbelief. DJ starts off by asking Stephanie

964
00:53:48,600 --> 00:53:51,719
Speaker 1: what her favorite book is, and she answers Charlotte's Webb.

965
00:53:52,480 --> 00:53:56,319
Speaker 1: Kimmy answers how to pick up Boys. Oh. Dj emphasizes

966
00:53:56,360 --> 00:53:58,600
Speaker 1: that they both read a book, but Kimmy says that

967
00:53:58,640 --> 00:54:01,520
Speaker 1: hers was a book on tape, so they move their

968
00:54:01,560 --> 00:54:03,680
Speaker 1: chairs away from each other. But books on tape or

969
00:54:03,719 --> 00:54:06,680
Speaker 1: is that still reading? Like? I am of the mindset

970
00:54:06,719 --> 00:54:08,959
Speaker 1: that if you listen to a book on tape, that's

971
00:54:09,000 --> 00:54:10,760
Speaker 1: still reading a book.

972
00:54:11,040 --> 00:54:15,040
Speaker 2: I mean, I preferently read reading. Technically it's listening consuming

973
00:54:15,040 --> 00:54:17,000
Speaker 2: a book. Are you eating it?

974
00:54:18,120 --> 00:54:23,200
Speaker 1: No, but you're digesting it mentally. You're mentally disting a book,

975
00:54:23,280 --> 00:54:27,800
Speaker 1: so you've you're listening to it, right, But that's not reading,

976
00:54:29,640 --> 00:54:35,440
Speaker 1: It's it's just semantics. No, listening involves your ears. Reading

977
00:54:35,520 --> 00:54:36,520
Speaker 1: involves your eyes.

978
00:54:36,680 --> 00:54:39,520
Speaker 3: You can't listen with your eyeballs and read with your ears.

979
00:54:39,960 --> 00:54:42,040
Speaker 1: Okay, So, if you're keeping track of the books you

980
00:54:42,160 --> 00:54:45,160
Speaker 1: read on good Reads, can you bark off the ones

981
00:54:45,400 --> 00:54:47,560
Speaker 1: the book the audiobooks that you've listened to.

982
00:54:48,320 --> 00:54:50,360
Speaker 3: I don't listen to audiobooks, so I don't know, so

983
00:54:50,360 --> 00:54:51,040
Speaker 3: I would say, no.

984
00:54:52,000 --> 00:54:54,799
Speaker 1: You can't count the audiobook. You can count the audiobooks

985
00:54:54,880 --> 00:54:58,279
Speaker 1: as books read or consu Well.

986
00:54:58,200 --> 00:55:03,279
Speaker 2: You yes, that you have uh listened to all of

987
00:55:03,320 --> 00:55:04,000
Speaker 2: the words too.

988
00:55:05,160 --> 00:55:08,480
Speaker 1: Okay, yeah, I don't think there's a It's it's good reads,

989
00:55:08,560 --> 00:55:12,760
Speaker 1: not good listens. But okay, that's that's fine. What good reads?

990
00:55:12,880 --> 00:55:15,280
Speaker 1: But you can't what's good reads? You can't can't choose.

991
00:55:15,520 --> 00:55:18,439
Speaker 1: Is it like where you get audiobooks. No, it's it's

992
00:55:18,480 --> 00:55:20,680
Speaker 1: just like a website where you can keep track of

993
00:55:21,040 --> 00:55:22,759
Speaker 1: It's like a social website, so you can see what

994
00:55:22,800 --> 00:55:26,080
Speaker 1: your friends are reading. You can read their reviews. It's

995
00:55:26,120 --> 00:55:27,719
Speaker 1: just a way of keep track of, like your to

996
00:55:27,719 --> 00:55:30,480
Speaker 1: to read list, what you're currently reading, and what you

997
00:55:30,560 --> 00:55:36,080
Speaker 1: have already read forget. Yeah, me too. One time I

998
00:55:36,120 --> 00:55:38,520
Speaker 1: was halfway through a Jodi Picole book and I was like, oh,

999
00:55:38,560 --> 00:55:41,200
Speaker 1: I've already bed. It was like two hundred pages in.

1000
00:55:41,320 --> 00:55:44,000
Speaker 1: I do that with books with TV shows. This is

1001
00:55:44,000 --> 00:55:46,600
Speaker 1: why we need good reads, whether you are an audiobook

1002
00:55:46,600 --> 00:55:49,759
Speaker 1: listener or not. But anyways, okay, before we before we

1003
00:55:49,760 --> 00:55:54,200
Speaker 1: get two hunder needs on this. Before DJ asks what

1004
00:55:54,320 --> 00:55:58,720
Speaker 1: their favorite food is. Steph says pizza, and DJ gets excited,

1005
00:55:58,800 --> 00:56:02,719
Speaker 1: considering Kimmy loves pizza. But Kimmy doesn't love it more

1006
00:56:02,760 --> 00:56:08,240
Speaker 1: than trout, so they move their chairs farther apart. Stephanie

1007
00:56:08,280 --> 00:56:11,560
Speaker 1: shakes her head, this is so stupid, and Kimmy agrees

1008
00:56:11,800 --> 00:56:15,160
Speaker 1: it sure is. DJ points out that they both agree

1009
00:56:15,239 --> 00:56:18,120
Speaker 1: that it's stupid, so they move their chairs closer together.

1010
00:56:18,200 --> 00:56:21,960
Speaker 1: This time. DJ tells them to keep going. Steph complains

1011
00:56:21,960 --> 00:56:24,600
Speaker 1: that she doesn't want to keep going and admits, you're

1012
00:56:24,600 --> 00:56:28,239
Speaker 1: always telling me what to do, and Kimmy nods in agreement. Yeah,

1013
00:56:28,280 --> 00:56:31,560
Speaker 1: she's so bossy. I'm sick of it. They agree once more,

1014
00:56:31,600 --> 00:56:35,120
Speaker 1: so they inch their chairs even closer. They continue to

1015
00:56:35,160 --> 00:56:38,680
Speaker 1: bond over their complaints about DJ. Kimmy says DJ is

1016
00:56:38,719 --> 00:56:41,680
Speaker 1: always late and has to look perfect, and Steph calls

1017
00:56:41,719 --> 00:56:43,960
Speaker 1: her the hair spray Queen.

1018
00:56:44,560 --> 00:56:49,040
Speaker 3: Which is saying a lot with my bangs right, yes, it's.

1019
00:56:48,880 --> 00:56:53,759
Speaker 1: Like okay, I get kettle ya. Kimmy admits, do you

1020
00:56:53,840 --> 00:56:57,399
Speaker 1: know she's never complimented my hair, and Stephanie isn't say

1021
00:56:58,719 --> 00:57:06,399
Speaker 1: right here either the owl pellet motif. DJ interrupts, well,

1022
00:57:06,440 --> 00:57:08,880
Speaker 1: now that we're all friends, we can change the subject,

1023
00:57:09,000 --> 00:57:11,080
Speaker 1: but Steph doesn't let up. Oh no, she has to

1024
00:57:11,200 --> 00:57:14,040
Speaker 1: vent about her frustration with sharing a bathroom with DJ.

1025
00:57:14,520 --> 00:57:17,480
Speaker 1: She tells Kimmy, might as well go to a Texico station.

1026
00:57:19,040 --> 00:57:21,640
Speaker 1: Are you saying she's a slob or that she's a

1027
00:57:21,680 --> 00:57:24,400
Speaker 1: steaks forever? It just take? Oh, it takes for take.

1028
00:57:24,840 --> 00:57:26,560
Speaker 2: Yeah, it got Oh she's in there forever. Might as

1029
00:57:26,600 --> 00:57:28,080
Speaker 2: well just walk down the street to the gas station.

1030
00:57:28,120 --> 00:57:30,160
Speaker 1: So the Texico, Yeah you go, Okay, there you go.

1031
00:57:30,400 --> 00:57:33,480
Speaker 1: Are there Texaco stations anymore? I don't think that's a thing. Well,

1032
00:57:33,480 --> 00:57:36,280
Speaker 1: it's like just a gas station bathroom, right, is that? Yeah?

1033
00:57:36,320 --> 00:57:38,760
Speaker 1: But Texico? I think God, I don't think tech. You know,

1034
00:57:38,760 --> 00:57:41,320
Speaker 1: I think Texico. I think they went under a long

1035
00:57:41,360 --> 00:57:42,919
Speaker 1: time ago. I don't know. I haven't I haven't even

1036
00:57:42,920 --> 00:57:48,000
Speaker 1: thought about Texico since nineteen ninety two. Uh So Gimme

1037
00:57:48,040 --> 00:57:50,200
Speaker 1: admits that they can go on for hours like this,

1038
00:57:50,360 --> 00:57:52,960
Speaker 1: So she asks Steph do you like frozen yogurt? And

1039
00:57:53,040 --> 00:57:56,280
Speaker 1: Steph nods love it. They bond over their shared love

1040
00:57:56,320 --> 00:57:59,280
Speaker 1: of the strawberry flavor in particular, and they leave the room.

1041
00:58:00,080 --> 00:58:03,280
Speaker 1: Jay scrambles after them, grabbing her coat as she yells, guys, wait,

1042
00:58:03,680 --> 00:58:07,680
Speaker 1: I like yogurt too. This is the beginning of our

1043
00:58:07,880 --> 00:58:13,880
Speaker 1: of our our our friendship Stephanie enemy ship. Yes, oh, yes,

1044
00:58:13,960 --> 00:58:16,280
Speaker 1: we've been building as frenemies for a long time and

1045
00:58:16,320 --> 00:58:19,840
Speaker 1: now we are. We're bonding as as she wolves. You know, yes,

1046
00:58:20,720 --> 00:58:26,400
Speaker 1: it warms my cold black heart. It really does. Uh So.

1047
00:58:26,560 --> 00:58:29,520
Speaker 1: Next at Teddy's house, Teddy and Michelle are playing Old

1048
00:58:29,560 --> 00:58:33,680
Speaker 1: Maid on the couch. Well, Sparky lounges in Michelle's lap.

1049
00:58:34,800 --> 00:58:37,280
Speaker 1: Michelle points to the card that she wants Teddy to grab,

1050
00:58:37,560 --> 00:58:41,000
Speaker 1: and he does it without question, to no one's surprise.

1051
00:58:41,120 --> 00:58:44,080
Speaker 1: It's the Old Maid card and this isn't his first

1052
00:58:44,200 --> 00:58:47,160
Speaker 1: loss of the night, so Michelle lends him some advice,

1053
00:58:47,760 --> 00:58:51,600
Speaker 1: don't play for money. Then she asks Teddy where she'll

1054
00:58:51,640 --> 00:58:54,520
Speaker 1: be sleeping tonight, and he admits, we're out of beds.

1055
00:58:55,000 --> 00:58:58,720
Speaker 1: You can sleep in the kitchen with Sparky. Michelle size, oh,

1056
00:58:58,920 --> 00:59:01,280
Speaker 1: I used to have a dog. Those were the days.

1057
00:59:02,360 --> 00:59:04,920
Speaker 1: Then the doorbell rings and Teddy's family walks in the

1058
00:59:04,960 --> 00:59:08,920
Speaker 1: living room carrying Michelle's suitcase. Teddy's mom says that that

1059
00:59:09,080 --> 00:59:12,040
Speaker 1: is her family. Michelle is confident that they've come to

1060
00:59:12,040 --> 00:59:15,760
Speaker 1: say they're sorry. Teddy's mom lets Danny and Jesse inside,

1061
00:59:15,960 --> 00:59:19,120
Speaker 1: but before Danny speaks to Michelle, Jesse reminds him to

1062
00:59:19,200 --> 00:59:23,520
Speaker 1: stay strong and remember the plan. Michelle asks them, do

1063
00:59:23,560 --> 00:59:26,120
Speaker 1: you have something to say to me? And Danny admits

1064
00:59:26,240 --> 00:59:28,880
Speaker 1: he feels bad that she left home, and Michelle is

1065
00:59:28,920 --> 00:59:32,400
Speaker 1: eager to hear more so, Jesse continues, we miss you

1066
00:59:32,560 --> 00:59:36,640
Speaker 1: very much, munchkin, and Michelle questions, and you'll never be

1067
00:59:36,840 --> 00:59:41,280
Speaker 1: uncle taddletail again. Jesse answers, well, I don't know how

1068
00:59:41,320 --> 00:59:44,760
Speaker 1: I can. You don't live with us. This throws Michelle

1069
00:59:44,800 --> 00:59:49,000
Speaker 1: off and she shouts I don't. Jesse continues, No, remember

1070
00:59:49,240 --> 00:59:51,560
Speaker 1: you didn't like our rules. You want to live here,

1071
00:59:51,880 --> 00:59:55,320
Speaker 1: that's cool. He points to the giant suitcase they brought

1072
00:59:55,360 --> 00:59:58,920
Speaker 1: and says, here's some extra clothes, your toothbrush, and everything

1073
00:59:58,960 --> 01:00:03,200
Speaker 1: you need. Michelle gasps, what is this a joke? Danny

1074
01:00:03,240 --> 01:00:05,800
Speaker 1: shakes his head. Oh no, this is not a joke, Michelle.

1075
01:00:05,840 --> 01:00:10,400
Speaker 1: There's nothing funny about running away from home. They both

1076
01:00:10,480 --> 01:00:13,560
Speaker 1: kiss her forehead and say goodbye, and Jesse casually says,

1077
01:00:13,800 --> 01:00:16,000
Speaker 1: if you need us, you know the number. Give us

1078
01:00:16,000 --> 01:00:18,680
Speaker 1: a buzz. They start to walk out the door and

1079
01:00:18,720 --> 01:00:23,280
Speaker 1: Michelle quickly shouts wait, you forgot something, and they ask what,

1080
01:00:23,840 --> 01:00:27,560
Speaker 1: and she points to herself me. Danny asks if she

1081
01:00:27,600 --> 01:00:29,720
Speaker 1: really wants to come back and live with them, Jesse

1082
01:00:29,840 --> 01:00:34,440
Speaker 1: pipes up, even with Uncle taddletale, Michelle is sure of it.

1083
01:00:34,880 --> 01:00:38,280
Speaker 1: She really wants to go home. The guys are happy

1084
01:00:38,280 --> 01:00:40,640
Speaker 1: to hear this, and she gives them both a big hug.

1085
01:00:41,160 --> 01:00:43,480
Speaker 1: They finally admit that they want her to come home too,

1086
01:00:43,680 --> 01:00:47,120
Speaker 1: and they miss her a lot. Danny finally gets stern,

1087
01:00:47,480 --> 01:00:50,760
Speaker 1: don't you ever do this again? You had us worried sick,

1088
01:00:51,320 --> 01:00:55,560
Speaker 1: and Jesse adds it wasn't very smart. Michelle nods in agreement.

1089
01:00:55,720 --> 01:00:58,200
Speaker 1: You're telling me I was going to sleep with the dog.

1090
01:01:00,000 --> 01:01:02,360
Speaker 3: She'd always check if there's room before you run away somewhere.

1091
01:01:02,520 --> 01:01:07,000
Speaker 1: Yeah, you really should, Yeah, absolutely. Next to Michelle's room,

1092
01:01:07,240 --> 01:01:11,320
Speaker 1: Michelle runs in and shouts, my room, my bed, my pig,

1093
01:01:11,720 --> 01:01:15,560
Speaker 1: I love this place. Jesse follows behind and tells her

1094
01:01:15,600 --> 01:01:19,040
Speaker 1: it's time for one of their little talks. They take

1095
01:01:19,080 --> 01:01:21,400
Speaker 1: a seat at the table and he says what you

1096
01:01:21,480 --> 01:01:25,840
Speaker 1: did today was very wrong. Michelle knows she shouldn't have

1097
01:01:25,920 --> 01:01:29,480
Speaker 1: touched his stuff, but Jesse's mainly talking about her running away.

1098
01:01:30,120 --> 01:01:33,400
Speaker 1: He reminds her that was very dangerous. You're never to

1099
01:01:33,480 --> 01:01:36,640
Speaker 1: leave this house without our permission. If you have a problem,

1100
01:01:36,840 --> 01:01:39,400
Speaker 1: talk to me or someone else in this house, capiche,

1101
01:01:39,840 --> 01:01:44,360
Speaker 1: and she nods capeche. Jesse asks why she actually ran away.

1102
01:01:44,960 --> 01:01:47,880
Speaker 1: Michelle admits it's because he got her in trouble, and

1103
01:01:47,960 --> 01:01:51,160
Speaker 1: Jesse insists, I felt terrible about getting you in trouble,

1104
01:01:51,360 --> 01:01:53,840
Speaker 1: but I couldn't let you break the rules because if

1105
01:01:53,880 --> 01:01:56,760
Speaker 1: you did it today, you would do it next time.

1106
01:01:58,000 --> 01:02:01,000
Speaker 1: She wonders, am I still your little munchkin? And he

1107
01:02:01,040 --> 01:02:04,040
Speaker 1: says yes, as long as she doesn't call him Uncle Tattletale.

1108
01:02:04,480 --> 01:02:08,160
Speaker 1: She smiles, okay, Uncle Jesse. He asks that she never

1109
01:02:08,240 --> 01:02:11,760
Speaker 1: ever run away again, and she promises, never ever, ever ever.

1110
01:02:12,480 --> 01:02:14,280
Speaker 1: He asks her to shake on it, but instead of

1111
01:02:14,280 --> 01:02:17,800
Speaker 1: shaking hands, they both do a little shimmy. They say

1112
01:02:17,800 --> 01:02:19,400
Speaker 1: I love you and give each other a big hug

1113
01:02:19,400 --> 01:02:22,080
Speaker 1: and a kiss. Jesse gets up to exit the room,

1114
01:02:22,200 --> 01:02:24,880
Speaker 1: but Michelle has one more question. Were you really gonna

1115
01:02:24,960 --> 01:02:28,560
Speaker 1: leave me at Teddy's? Jesse grabs the suitcase and opens it.

1116
01:02:29,000 --> 01:02:31,720
Speaker 1: What do you think? And we see that it's totally empty.

1117
01:02:32,320 --> 01:02:35,800
Speaker 2: It's the world's oldest suitcase, right, he's very it's a

1118
01:02:35,840 --> 01:02:37,640
Speaker 2: suitcase seventy three.

1119
01:02:38,400 --> 01:02:44,000
Speaker 1: Yeah. Michelle laughs and admits that was very sneaky Jesse

1120
01:02:44,160 --> 01:02:49,040
Speaker 1: exits the room, and then Bad Michelle appears. She has

1121
01:02:49,080 --> 01:02:51,560
Speaker 1: a devious look on her face and she says, I

1122
01:02:51,640 --> 01:02:55,680
Speaker 1: got another good idea. The real Michelle does not want

1123
01:02:55,720 --> 01:02:59,240
Speaker 1: to hear it, but Bad Michelle continues, let's sneak out

1124
01:02:59,240 --> 01:03:04,280
Speaker 1: and watch oh MTV wraps. That was the thing. Oh yeah,

1125
01:03:04,360 --> 01:03:07,240
Speaker 1: that was that was that was it back in the day.

1126
01:03:08,080 --> 01:03:11,040
Speaker 1: The real Michelle wants her out of there, so she disappears,

1127
01:03:11,440 --> 01:03:14,240
Speaker 1: but Michelle has to admit I like the way she dresses.

1128
01:03:15,360 --> 01:03:18,160
Speaker 1: Just then, the good Michelle appears beside her and says,

1129
01:03:18,240 --> 01:03:21,440
Speaker 1: I'm so proud of you. Remember to always do the

1130
01:03:21,520 --> 01:03:25,520
Speaker 1: right thing. Michelle confidently responds I will, and with that,

1131
01:03:25,960 --> 01:03:31,520
Speaker 1: the good Michelle disappears as well. Once once she's gone,

1132
01:03:31,920 --> 01:03:34,960
Speaker 1: Michelle rolls her eyes. She can get on my nerves

1133
01:03:35,800 --> 01:03:43,960
Speaker 1: and that's our show. That well, that was that I

1134
01:03:43,960 --> 01:03:48,720
Speaker 1: did Michelle Michelle show. Indeed it was. I didn't like it.

1135
01:03:48,760 --> 01:03:51,160
Speaker 1: I did not. I just I don't care for this episode.

1136
01:03:51,400 --> 01:03:55,920
Speaker 1: Like the storyline. Don't love the best storyline. It's just

1137
01:03:56,160 --> 01:03:59,280
Speaker 1: the stakes never felt high. I mean, yeah, I know

1138
01:03:59,360 --> 01:04:01,240
Speaker 1: she ran away for home, but she ran to Teddy's

1139
01:04:01,240 --> 01:04:05,480
Speaker 1: house per perhaps the most normal family on the block. Right,

1140
01:04:05,480 --> 01:04:09,120
Speaker 1: that didn't even feel like high stakes. It was just like, okay,

1141
01:04:09,280 --> 01:04:12,520
Speaker 1: they under a lesson sort of well, I mean.

1142
01:04:12,400 --> 01:04:14,840
Speaker 2: I guess you don't want to really like, you know,

1143
01:04:14,960 --> 01:04:17,280
Speaker 2: have Michelle standing out there on the street corner of

1144
01:04:17,280 --> 01:04:19,440
Speaker 2: San Francisco with a suitcase.

1145
01:04:19,640 --> 01:04:21,080
Speaker 1: True, it could get dark, very.

1146
01:04:21,200 --> 01:04:24,880
Speaker 2: That's that's less funny and more alarming.

1147
01:04:25,040 --> 01:04:28,440
Speaker 1: So it's definitely more alarming. Yeah, no, I get it

1148
01:04:28,520 --> 01:04:31,800
Speaker 1: just wasn't. It didn't feel I don't know, it just didn't.

1149
01:04:31,880 --> 01:04:37,440
Speaker 1: It didn't. It didn't didn't do it for me. Yeah. Yeah.

1150
01:04:37,480 --> 01:04:40,480
Speaker 2: And I don't even have a necessarily like a particular

1151
01:04:40,560 --> 01:04:42,920
Speaker 2: reason that I was like, it just felt.

1152
01:04:43,840 --> 01:04:45,240
Speaker 3: It was one of those episodes that you were like, oh,

1153
01:04:45,240 --> 01:04:46,840
Speaker 3: we just kind of threw this in there, and it's

1154
01:04:46,840 --> 01:04:47,680
Speaker 3: a little filler, you know.

1155
01:04:47,760 --> 01:04:51,240
Speaker 2: I got to show that Michelle's you know, I don't know,

1156
01:04:52,320 --> 01:04:54,400
Speaker 2: they was just seeing herself having a mental crisis.

1157
01:04:54,400 --> 01:04:56,280
Speaker 1: I don't know what we had to but like it

1158
01:04:56,440 --> 01:05:01,400
Speaker 1: just felt I don't know, I'm left feeling satisfied. And

1159
01:05:01,480 --> 01:05:05,560
Speaker 1: the three Michell's gimmick didn't work for me.

1160
01:05:06,200 --> 01:05:08,200
Speaker 2: If if it was five, I would have been much

1161
01:05:08,240 --> 01:05:11,040
Speaker 2: better then. I think we just needed double the machine,

1162
01:05:11,320 --> 01:05:11,920
Speaker 2: more Michells.

1163
01:05:11,960 --> 01:05:16,680
Speaker 1: Ye, we double the more Michelles, all of them. No.

1164
01:05:17,080 --> 01:05:19,840
Speaker 1: I'm trying to figure out because I can usually suspend

1165
01:05:19,960 --> 01:05:24,080
Speaker 1: disbelief to write, because I'm like, I love sitcoms, all

1166
01:05:24,160 --> 01:05:26,880
Speaker 1: the silliness that comes along with sitcoms. But for some reason,

1167
01:05:26,960 --> 01:05:31,520
Speaker 1: this this felt less believable than the shape shifting backyard

1168
01:05:31,760 --> 01:05:34,160
Speaker 1: or you know, twenty five people living in the same house.

1169
01:05:34,480 --> 01:05:37,960
Speaker 1: I don't know something about it just didn't feel I

1170
01:05:37,960 --> 01:05:39,840
Speaker 1: don't know, I felt like they broke the laws of

1171
01:05:39,880 --> 01:05:42,760
Speaker 1: physics or something. Well, we've been doing that for a

1172
01:05:42,760 --> 01:05:45,120
Speaker 1: long time. We've been doing that for a long time. Yeah,

1173
01:05:45,160 --> 01:05:49,000
Speaker 1: I don't know. It just didn't click for me. It wasn't. Uh,

1174
01:05:49,240 --> 01:05:54,600
Speaker 1: it just wasn't. It wasn't It wasn't funny. It's not funny.

1175
01:05:54,640 --> 01:05:57,120
Speaker 3: It's not a really it wasn't a pretty funny one.

1176
01:05:57,360 --> 01:05:57,440
Speaker 2: No.

1177
01:05:57,720 --> 01:06:00,640
Speaker 1: And I think the kids, the kids are still too

1178
01:06:00,680 --> 01:06:04,040
Speaker 1: young to carry an a storyline like this. It just

1179
01:06:04,080 --> 01:06:09,360
Speaker 1: sort of emphasizes the stilted baby acting again, right, I

1180
01:06:09,400 --> 01:06:11,960
Speaker 1: don't know. I think it was. It was better in

1181
01:06:12,000 --> 01:06:15,040
Speaker 1: previous seasons when they would use Michelle sparingly and her

1182
01:06:15,080 --> 01:06:18,760
Speaker 1: cuteness was more organic. So now I feel like they're

1183
01:06:18,800 --> 01:06:21,800
Speaker 1: just forcing it. They're kind of so much Michelle, so

1184
01:06:21,960 --> 01:06:26,600
Speaker 1: much Michelle, and they're kind of forcing the cuteness too. There.

1185
01:06:27,240 --> 01:06:29,400
Speaker 1: It's like before she would just be cute organically, and

1186
01:06:29,440 --> 01:06:32,920
Speaker 1: now she's it's written to be cute, whether it's actually

1187
01:06:32,960 --> 01:06:36,200
Speaker 1: cute or not. And so I feel manipulated a little bit.

1188
01:06:36,200 --> 01:06:39,320
Speaker 1: I feel like the writers are forcing this on us,

1189
01:06:39,320 --> 01:06:42,280
Speaker 1: and I'm like, yeah, it's just too much. It's too much.

1190
01:06:42,440 --> 01:06:43,800
Speaker 1: You need to dial it back a little bit.

1191
01:06:44,280 --> 01:06:49,480
Speaker 2: Yeah, it just it felt it felt like an unnecessary

1192
01:06:49,520 --> 01:06:52,120
Speaker 2: reason to have both girls in the show, is what

1193
01:06:52,160 --> 01:06:52,560
Speaker 2: it felt like.

1194
01:06:52,640 --> 01:06:57,480
Speaker 1: True, Yeah, very true. Yeah, it's the payoff wasn't worth

1195
01:06:57,520 --> 01:07:00,520
Speaker 1: it for me. It didn't work for me. It's a

1196
01:07:00,600 --> 01:07:03,880
Speaker 1: very forgettable episode. And didn't love our I mean, I

1197
01:07:03,960 --> 01:07:07,320
Speaker 1: love our bits, but but it wasn't it wasn't my stakes.

1198
01:07:07,360 --> 01:07:08,400
Speaker 1: It was just like well, and it.

1199
01:07:08,320 --> 01:07:10,920
Speaker 2: Also felt like DJ would have I felt like the

1200
01:07:11,120 --> 01:07:16,280
Speaker 2: argument would have been almost better if DJ had I

1201
01:07:16,320 --> 01:07:18,160
Speaker 2: don't know, somehow locked both of us out and then

1202
01:07:18,160 --> 01:07:19,600
Speaker 2: we had to team up against her or you know

1203
01:07:19,640 --> 01:07:22,000
Speaker 2: what I mean, like something like that rather than it didn't.

1204
01:07:22,040 --> 01:07:24,080
Speaker 1: Yeah, I don't know. I don't know. I don't even

1205
01:07:24,120 --> 01:07:24,439
Speaker 1: know why.

1206
01:07:25,000 --> 01:07:27,400
Speaker 2: Like I said, I don't even know why it wasn't great,

1207
01:07:27,480 --> 01:07:29,440
Speaker 2: but it just wasn't my favorite.

1208
01:07:29,720 --> 01:07:31,760
Speaker 1: This is the low point of season five for me

1209
01:07:31,960 --> 01:07:35,640
Speaker 1: so far. This is my least favorite episode in several seasons.

1210
01:07:35,800 --> 01:07:38,360
Speaker 1: This is my yeah, yeah, yeah, this is yeah, this

1211
01:07:38,440 --> 01:07:43,440
Speaker 1: is It's a bad one. It's giving Howie vibes, you know,

1212
01:07:43,600 --> 01:07:45,920
Speaker 1: it kind of is. Yeah, it's just too much of

1213
01:07:45,960 --> 01:07:48,520
Speaker 1: a too much of a good thing, too much, Michelle.

1214
01:07:48,560 --> 01:07:55,360
Speaker 1: You should use Michelle more sparingly. You just you just should. Sorry, Well, this.

1215
01:07:55,520 --> 01:07:58,400
Speaker 2: Was a thing we did, and an episode we saw,

1216
01:07:59,680 --> 01:08:05,959
Speaker 2: there's just we saw Michelle dressed is et and Shell

1217
01:08:06,120 --> 01:08:08,960
Speaker 2: dressed is Uncle Jes, Uncle Jesse.

1218
01:08:09,840 --> 01:08:13,080
Speaker 1: Yeah, it's a lot, it's yeah, do you have any

1219
01:08:13,080 --> 01:08:19,519
Speaker 1: everywhere he looks though, sort of, And so I've noticed

1220
01:08:19,520 --> 01:08:25,160
Speaker 1: in the girls room, Stephanie's bedspread is just this generic, blank,

1221
01:08:25,640 --> 01:08:29,080
Speaker 1: solid navy color. And I'm glad you've graduated out of

1222
01:08:29,120 --> 01:08:32,479
Speaker 1: your Peter Pan retting. You know, you're definitely maturing. But

1223
01:08:32,520 --> 01:08:34,679
Speaker 1: I'm like, you can't have any sort of like bright

1224
01:08:34,760 --> 01:08:38,519
Speaker 1: colors or like purple or something trendy. It's just navy

1225
01:08:38,960 --> 01:08:40,920
Speaker 1: and that's it with mister Bear placed on there, and

1226
01:08:40,920 --> 01:08:43,040
Speaker 1: I'm like, come on, set, it feels yeah, it feels

1227
01:08:43,120 --> 01:08:43,839
Speaker 1: not well.

1228
01:08:44,320 --> 01:08:47,200
Speaker 2: Aren't we coming up on the redecorating of Stephan Michelle's

1229
01:08:47,240 --> 01:08:47,599
Speaker 2: room soon?

1230
01:08:47,760 --> 01:08:50,520
Speaker 1: Oh? I forgot that that happens.

1231
01:08:50,920 --> 01:08:55,360
Speaker 2: Yes, maybe that's I think we're it's five or six.

1232
01:08:56,120 --> 01:09:00,840
Speaker 1: Oh isn't that Vicky's mom something like that? Yeah, yeah,

1233
01:09:00,920 --> 01:09:03,840
Speaker 1: it does. The girl helps to redecorate or something like that.

1234
01:09:03,960 --> 01:09:06,240
Speaker 2: So maybe it's more season six or a couple of

1235
01:09:06,280 --> 01:09:08,719
Speaker 2: but I do remember, I do feel like that's coming

1236
01:09:08,800 --> 01:09:09,160
Speaker 2: up soon.

1237
01:09:09,200 --> 01:09:13,080
Speaker 1: So okay, So that would explain generic bedspread because it

1238
01:09:13,080 --> 01:09:15,360
Speaker 1: did not seem it doesn't seem like Steph at all.

1239
01:09:15,360 --> 01:09:16,759
Speaker 1: It doesn't. It doesn't seem like Steph.

1240
01:09:16,880 --> 01:09:19,559
Speaker 2: Yeah, Steph is I mean, look at my shirt, for

1241
01:09:19,600 --> 01:09:21,920
Speaker 2: God's sakes, it's got three D things all over it.

1242
01:09:22,000 --> 01:09:25,760
Speaker 1: Sequence adorable, Yeah, very cute, plain navy sort of one.

1243
01:09:25,800 --> 01:09:28,040
Speaker 1: Did you have any everywhere he looks, I did not.

1244
01:09:29,240 --> 01:09:31,200
Speaker 1: I did not. This episode was just one big fact.

1245
01:09:31,240 --> 01:09:32,960
Speaker 1: I just be honest, everywhere I.

1246
01:09:32,880 --> 01:09:35,000
Speaker 2: Looked it was just Michelle, and I was like, wow,

1247
01:09:35,040 --> 01:09:36,599
Speaker 2: I don't there's more.

1248
01:09:36,680 --> 01:09:39,479
Speaker 1: You know, I never need to see this episode again. No, No,

1249
01:09:39,720 --> 01:09:40,840
Speaker 1: mere people I know.

1250
01:09:40,920 --> 01:09:44,040
Speaker 2: Sorry, guys, all right, what if there's anyone out there

1251
01:09:44,040 --> 01:09:46,000
Speaker 2: who's like, this is my favorite episode.

1252
01:09:46,200 --> 01:09:47,920
Speaker 1: I don't know, man, there's fan Ritos that love the

1253
01:09:47,920 --> 01:09:50,400
Speaker 1: Howie episode and the like it's the kids are so cute.

1254
01:09:50,439 --> 01:09:52,400
Speaker 1: I'm like, yeah, the kids are cute, but this is

1255
01:09:52,479 --> 01:09:57,400
Speaker 1: stilted baby acting. They can be cute. I'm kidding. They

1256
01:09:57,520 --> 01:10:02,280
Speaker 1: are cute, full stop cute, but they're not used in

1257
01:10:02,320 --> 01:10:05,640
Speaker 1: the right way in this episode. Or no it was

1258
01:10:05,640 --> 01:10:08,519
Speaker 1: a weird one. Yeah, well, thanks guys for listening to us.

1259
01:10:08,720 --> 01:10:12,920
Speaker 2: Uh, you know, ramble on and uh and rant and rave,

1260
01:10:13,000 --> 01:10:14,559
Speaker 2: and it was your opinions.

1261
01:10:14,560 --> 01:10:17,200
Speaker 1: Did you love I hate this episode? You hate this episode?

1262
01:10:17,240 --> 01:10:19,679
Speaker 2: Is it a forgettable one for you fan of Rito's,

1263
01:10:19,960 --> 01:10:23,080
Speaker 2: is it one that that you remember because it's so weird?

1264
01:10:23,320 --> 01:10:26,519
Speaker 2: Or like, were you a kid that was Michelle's age

1265
01:10:26,520 --> 01:10:28,120
Speaker 2: and you were like, oh my god, this is so cool.

1266
01:10:28,160 --> 01:10:30,880
Speaker 1: There's three of them, you know? Yeah, yeah, I know.

1267
01:10:31,160 --> 01:10:32,960
Speaker 1: I would love to I would love to know. Yeah.

1268
01:10:33,040 --> 01:10:35,400
Speaker 2: Yeah, let us know, guys, And you can let us

1269
01:10:35,439 --> 01:10:39,240
Speaker 2: know by following us on Instagram at how Rude Podcast,

1270
01:10:39,400 --> 01:10:41,040
Speaker 2: or you can send us an email and let us

1271
01:10:41,080 --> 01:10:45,080
Speaker 2: know at Howard Tana Ritos at gmail dot com. Uh yeah,

1272
01:10:45,120 --> 01:10:48,479
Speaker 2: please leave comments, suggestions all the kind of stuff we

1273
01:10:48,520 --> 01:10:50,439
Speaker 2: love it and you can visit our merch store Howard

1274
01:10:50,520 --> 01:10:54,040
Speaker 2: Meerch dot com. And am I forgetting something?

1275
01:10:54,280 --> 01:10:56,400
Speaker 1: Nope? Thanks? Think you got it? Yeah, I think I did.

1276
01:10:56,520 --> 01:11:00,439
Speaker 2: I think I got it. Hello, everybody, Remember the world

1277
01:11:00,520 --> 01:11:06,360
Speaker 2: is small. The house is full of Michelle, just all

1278
01:11:06,400 --> 01:11:07,160
Speaker 2: different versions.

1279
01:11:07,200 --> 01:11:07,639
Speaker 1: Too much.

1280
01:11:07,880 --> 01:11:10,360
Speaker 3: There's the good one, the bad one, the nerdy one.

1281
01:11:11,520 --> 01:11:14,800
Speaker 1: This was a lot for the Olsens to carry like,

1282
01:11:14,840 --> 01:11:18,519
Speaker 1: this was three different characters and that was at that's

1283
01:11:18,560 --> 01:11:20,960
Speaker 1: too much. A lot of five year old Sorry, it

1284
01:11:21,080 --> 01:11:23,080
Speaker 1: just is. Yeah, even two five year olds.

1285
01:11:23,120 --> 01:11:23,519
Speaker 2: It's a lot.

1286
01:11:23,720 --> 01:11:25,479
Speaker 1: Yeah, totally, I get it.

1287
01:11:25,720 --> 01:11:28,040
Speaker 2: Okay, everybody, the house is full of Michelle, so uh

1288
01:11:28,880 --> 01:11:30,120
Speaker 2: be careful watch where you stay.