WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>History is littered with tragic stories from which we could

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<v Speaker 1>all learn lessons. The spectacular Broadway show that flopped, the

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<v Speaker 1>autopilot that helped crash a plane. The heat waves that

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<v Speaker 1>killed some city residents but not their neighbors. I'm Tim Harford,

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<v Speaker 1>host of Cautionary Tales, the podcast that looks for the

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<v Speaker 1>valuable lessons in the greatest mistakes, disasters, and fiascos of

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<v Speaker 1>the past. Listen to Cautionary Tales on the iHeartRadio app,

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<v Speaker 1>Apple podcasts, or wherever you get your podcasts. Hey, this

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<v Speaker 1>is Justin Richmond, host of the Broken Record podcast. Join

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<v Speaker 1>me in music industry icon Rick Rubin along with Arthur's

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<v Speaker 1>Malcolm Gladwell and Bruce Headlam As we chat with legends

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<v Speaker 1>like Neil Young and under Threw thousand and upcoming artists

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<v Speaker 1>like thee Webster about their life and their careers. In

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<v Speaker 1>honor of Women's History Month, we're spotlighting groundbreaking female artists

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<v Speaker 1>like Miss Elliott, Pattie Smith, and Bonnie Rap and celebrating

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<v Speaker 1>the strides they've made for women. Listen to Broken Record

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<v Speaker 1>on the iHeart Radio app, Apple podcast, or wherever you

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<v Speaker 1>get your podcast. Hey. I'm Maya Shunker, host of A

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<v Speaker 1>Slight Change of Plans, which was recently named Best Show

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<v Speaker 1>of the Year by Apple for twenty twenty one, and

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<v Speaker 1>we've got new episodes for you about everything from the

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<v Speaker 1>science of change to personal stories like a blind woman

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<v Speaker 1>who becomes a master chef and an Australian doctor who

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<v Speaker 1>rescued a boy's soccer team from deep within a cave

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<v Speaker 1>in Thailand. Listen to a Slight Change of Plans on

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<v Speaker 1>the iHeartRadio app, Apple Podcast or wherever you get your podcasts.

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>What's up, y'all, It's Morgan here. You are listening to

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<v Speaker 1>the Best Bits podcast and this is just the Bits.

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<v Speaker 1>So in case you missed it, we broke the Best

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<v Speaker 1>Bits up into two pieces. And I know, I know

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<v Speaker 1>you're gonna be like, why are you splitting it up?

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<v Speaker 1>But this is a good thing, I promise. So this

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<v Speaker 1>is part two that I'm about to do right here.

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<v Speaker 1>And if you want to hear part one, which is

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<v Speaker 1>a conversation that I had with Ray we know this weekend,

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<v Speaker 1>then go listen to that because that's just the interview,

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<v Speaker 1>just the conversation. We count down the bits, but we

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<v Speaker 1>don't play them now, that's what happens here. This is

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<v Speaker 1>just the bits, the best bits, just the bits. And

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<v Speaker 1>I will still count down the best seven segments from

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<v Speaker 1>the show this week, and you'll just hear the bits.

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<v Speaker 1>No conversations, no talking, So let's just get into it, okay.

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<v Speaker 1>Coming in at number seven, we had Kelty Night on

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<v Speaker 1>the show. She's an executive producer of the new TV

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<v Speaker 1>show super Fan, and we're trying to get me on

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<v Speaker 1>the show because I'm a massive Shania Twain super fan

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<v Speaker 1>and it'd be so fun to be on that show.

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<v Speaker 1>I mean, come on, So we brought her on to

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<v Speaker 1>see what my chances might be of, you know, me

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<v Speaker 1>getting on to hang out with Shania Franking Twain. Yeah,

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<v Speaker 1>listen to that right now. Number seven on the Bobby

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<v Speaker 1>Bones Show. Now, Kelty Knight, all right, Kelty's the executive

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<v Speaker 1>producer of CBS is super Fan, which is, hey, when

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<v Speaker 1>does the show start airing? Kelty, We have no idea. Okay,

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<v Speaker 1>it's going to be in the fall. Been there currently

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<v Speaker 1>experience in the same situation with a different show. So

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<v Speaker 1>in the fall, this show will air and it is

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<v Speaker 1>about people who absolutely love celebrities, like specific celebrities, right, Like,

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<v Speaker 1>give me the pitch, like of what the show is. Yeah,

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<v Speaker 1>so it's a one hour musical special designed for super

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<v Speaker 1>fans to compete against each other. Could be named the

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<v Speaker 1>number one superfan of the world's biggest artist. Okay, competition.

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<v Speaker 1>I like that. And you say a special. Is it

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<v Speaker 1>a one time deal or are there a lot of episodes?

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<v Speaker 1>Six episodes, but each episode is its own band or artists.

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<v Speaker 1>So Shani A Little Big Town get their own episodes. Yeah,

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<v Speaker 1>this is super cool. Amy had brought it to our

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<v Speaker 1>attention that you were doing Kelsey Shania a Little Big

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<v Speaker 1>Town and Morrigan on our show. She runs digital. She's

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<v Speaker 1>twenty eight years old. She is a massive Shanaia fan

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<v Speaker 1>and before we talked to her once we had Shannaia

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<v Speaker 1>in studios, she'd been retired for a long time. Morgan

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<v Speaker 1>was basically hyperventilating in the room. She had to walk

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<v Speaker 1>out of the room, sit in the hall, gather composure,

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<v Speaker 1>and come back in just to take pictures, not even

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<v Speaker 1>to talk to her. So she when she heard this,

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<v Speaker 1>she was like, Wow, maybe I have a chance to

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<v Speaker 1>be on the show. So that is also what has

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<v Speaker 1>interested us. So Kelty, how crazy are these fans on

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<v Speaker 1>this show. Are they like almost psycho murderers or is

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<v Speaker 1>it like a healthy super fan. It's a healthy superfan

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<v Speaker 1>and they're all like FBI level background checks, So don't

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<v Speaker 1>you worry. But Morgan sounds perfect. Let me just tell

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<v Speaker 1>her what some of the competition is. We have multiple

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<v Speaker 1>Shania tattoos, we have multiple full leper prints that don't

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<v Speaker 1>didn't press me as much. Costumes, we have dogs named Shania.

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<v Speaker 1>We have a woman who created the first ever hula

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<v Speaker 1>to Shania songs. We have collections. We have a man

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<v Speaker 1>who has the stamp collection from the nineties that Canada

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<v Speaker 1>posts put out with Shania on the stamp individually. Those

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<v Speaker 1>are all great. Now, Morgan's religious beliefs don't allow her

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<v Speaker 1>to have a tattoo, so she can't get a tattoo.

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<v Speaker 1>But okay, if it matters. Once she touched Shanaya and

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<v Speaker 1>wash her hand for a whole year and she kept

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<v Speaker 1>her hand in a bag, Now, is that crazy or no, kelty,

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<v Speaker 1>That's exactly what we're looking for, and that's how she

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<v Speaker 1>should open her audition video. All if you should do

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<v Speaker 1>is go to super fancasting dot com and send in

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<v Speaker 1>your video on your submission, and honestly, that's a great opener.

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<v Speaker 1>I would that would catch my eye. Catch your eye, Morgan,

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<v Speaker 1>I would like to introduce you to my friend Kelty.

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<v Speaker 1>We've been we go way back, like four minutes, but

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<v Speaker 1>I would definitely feel like we're friends now, Morgan, what

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<v Speaker 1>would you like to say to Kelty? Hi? Kelty, I mean,

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<v Speaker 1>I'm just freaking out just talking to you, because the

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<v Speaker 1>idea of getting to meet Shania Twain, like I get listen,

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<v Speaker 1>but that was my first day on the job. Ever,

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<v Speaker 1>you almost died and I did almost die. It was

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<v Speaker 1>it was a very contradicting situation for me when that

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<v Speaker 1>all happened. And so getting to like actually test my

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<v Speaker 1>knowledge on Shania and then get to hang out with her,

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<v Speaker 1>it would be the dream come true. She's the whole

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<v Speaker 1>reason that I moved to Nashville. She was the reason

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<v Speaker 1>BE moved here. Yeah, you moved across the country for Shania. Yes,

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<v Speaker 1>country music. She's the reason. I mean, I just everything

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<v Speaker 1>about her has she changed my life from me hearing

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<v Speaker 1>her when I was just a baby and her parents

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<v Speaker 1>playing her CD for me to now being twenty eight

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<v Speaker 1>years old and I still know all of her music,

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<v Speaker 1>including her new album, which is the one that she

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<v Speaker 1>came back with. But now a lot of people have

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<v Speaker 1>listened to it yet, but you know it all margin

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<v Speaker 1>I love this so much for you, I really think

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<v Speaker 1>you should apply. The first round of the game is

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<v Speaker 1>actually like each one of the Superfriens like pleading their

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<v Speaker 1>case like you just did directly to Shania. Do you

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<v Speaker 1>think you could say exactly what you just said to me,

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<v Speaker 1>like right in front of Shania Twain? Yes, I would

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<v Speaker 1>practice it over and over to make sure that when

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<v Speaker 1>I got this ye her, I could do it without

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<v Speaker 1>being nurse. She'd pass out, but that would be great TV.

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<v Speaker 1>I'm just gonna be honest, Kell. Did she passed out? She?

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<v Speaker 1>It happened. I saw it. But again, it would be

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<v Speaker 1>great television. And does it help or hurt that Morgan

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<v Speaker 1>is on this show and that you know we have

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<v Speaker 1>depending on what publication you look at between you know,

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<v Speaker 1>six million listeners live and millions more that listen to

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<v Speaker 1>the podcast, does that help or hurt her her chances? Well,

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<v Speaker 1>you know it actually does help her. And I'm not

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<v Speaker 1>the person that makes these decisions, So Morgan, I can

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<v Speaker 1>be your internal person to tell you but the final

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<v Speaker 1>two fans in the show, whether it's a Little Big

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<v Speaker 1>Town or Kelsey Ballerini's episode or the Shanaia episode, they're

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<v Speaker 1>actually being voted on by America Live came over. I

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<v Speaker 1>want with the stars and I suck, so we have

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<v Speaker 1>people that will vote yes. Exactly kidding. I mean you

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<v Speaker 1>were you were very charming. But you know, like at

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<v Speaker 1>the end, if Morgan has the knowledge and the passion

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<v Speaker 1>to get to the final two, I feel like it's

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<v Speaker 1>a wash for her. Oh I can do this, I

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<v Speaker 1>can so do this. Well. The thing is, I think

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<v Speaker 1>she is nuts about Shanaya. It makes me a bit uncomfortable,

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<v Speaker 1>and that's perfect for the show aside from her, you know,

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<v Speaker 1>being having a big platform. Now, could I apply to

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<v Speaker 1>be a Kelsey superfan? I mean you can't. Are you

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<v Speaker 1>a Kelsey superfan? To be fair, she opened for me

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<v Speaker 1>for all a long time on the road and then

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<v Speaker 1>I became a super fan of her, So that's not

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<v Speaker 1>a yes. Okay, we're good on that one. We're good

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<v Speaker 1>on that one. This is very Morgan. Your your reasons

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<v Speaker 1>are far less convincing than Morgan. I gotta be honest

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<v Speaker 1>with you. For our listeners will you say again, where

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<v Speaker 1>they can go if they would like to apply. Sure,

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<v Speaker 1>If you want to apply to be one of the

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<v Speaker 1>super fans on superfan, um, just go to super Fancasting

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<v Speaker 1>dot com uh and you can apply for We have

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<v Speaker 1>you know, country artists, a little Big Town Kelsey, Ballerini,

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<v Speaker 1>Sit Twain. We also have Pitbull. We have a couple

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<v Speaker 1>other pop artists coming out this week. So everything's there,

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<v Speaker 1>all right, Kelty, thank you. We appreciate your time this morning,

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<v Speaker 1>and we hope our listeners will go and try and

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<v Speaker 1>I'll except for the Shania one, leave that to us

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<v Speaker 1>you they listened to go to Kelsey or a little

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<v Speaker 1>big town Morgan want Shania? Yes, I do, all right exactly, Kelty,

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<v Speaker 1>have a great day. Thank you for your time. Hey

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<v Speaker 1>you are great on New Year's too. Oh thanks, I

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<v Speaker 1>appreciate that. Follow Kelty on Instagram at k E l

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<v Speaker 1>T I E at Kelty and there she is Kelty Night. Kelty,

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<v Speaker 1>have a great day. Hopefully we'll talk to you soon.

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<v Speaker 1>Thanks guys. All right, by Morgan, thank you. Well, look

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<v Speaker 1>at there. How do you feel, Morgan? I feel good?

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<v Speaker 1>I mean I feel like I pled my passionate case

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<v Speaker 1>as much as possible, I feel, and I might have

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<v Speaker 1>exaggerated a few of those things. I appreciate your support

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<v Speaker 1>because I think you helped me. That's what TV's all about, Yes,

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<v Speaker 1>sell it. It's about to sizzle, not to steak, and

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<v Speaker 1>then when you get there, give them the steak. But

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<v Speaker 1>you got to sizzle at first. All Right, we'll see

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<v Speaker 1>what happens. And thanks again to Kelty. It's the best

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<v Speaker 1>Bits of the Week with Morgan. Number two. This is

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<v Speaker 1>a fun segment because Bobby has been mentioning his anxiety

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<v Speaker 1>with flying, and so a listener came on that happens

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<v Speaker 1>to be a pilot, and Bobby got all of his

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<v Speaker 1>questions answered. And I'll even mention that in this conversation,

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<v Speaker 1>this pilot makes such a good comparison from air to water,

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<v Speaker 1>and it just made me see flying in a whole

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<v Speaker 1>different light. So definitely listen to this. Number six. Now,

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<v Speaker 1>as Tyler, who is a pilot, and there's just been

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<v Speaker 1>so many of these stories about people going absolutely bonkers

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<v Speaker 1>on airplanes midflight. Hey, Tyler, as a pilot, how do

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<v Speaker 1>you handle these situations? Really, we just leave it up

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<v Speaker 1>to the flight attendants, and we were all on them.

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<v Speaker 1>If we're locked up front and who's going on on

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<v Speaker 1>the back. We were all on their information. But if

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<v Speaker 1>they can get the passengers subdued, depending on how far

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<v Speaker 1>away from your destination you are, you continue on. But

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<v Speaker 1>if you're two hours from your destination, will definitely divert.

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<v Speaker 1>And so what do you say if you're diverting to

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<v Speaker 1>the people in the sky, all right, we gotta go

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<v Speaker 1>because we got an idiot, and all three like, what

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<v Speaker 1>do you say to those people going out? You need

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<v Speaker 1>to land and obviously have to have clearance to land

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<v Speaker 1>in a small town. What's that procedure. Usually we don't

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<v Speaker 1>really have a whole lot of time at that point

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<v Speaker 1>to make an announcement to the passengers, but if we do,

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<v Speaker 1>we'll just say, due to unforeseen circumstances, we're having to divert.

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<v Speaker 1>Of course, everybody in the back season it's going and

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<v Speaker 1>they know exact what we're doing anyway, But me, if

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<v Speaker 1>we have time, we try to keep our pastors updated

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<v Speaker 1>as best as possible. I would think if there's a

0:11:07.880 --> 0:11:10.800
<v Speaker 1>jerk on the plane who won't stop, and everybody's like,

0:11:10.960 --> 0:11:13.160
<v Speaker 1>sit down, and he won't sit down, and he's yelling.

0:11:13.559 --> 0:11:15.280
<v Speaker 1>But when the pilot gets up and goes we have

0:11:15.280 --> 0:11:18.280
<v Speaker 1>to divert. I would expect him to get jumped then, Yeah,

0:11:18.360 --> 0:11:20.000
<v Speaker 1>like his punishment is now, it's now time to be

0:11:20.080 --> 0:11:23.480
<v Speaker 1>punished because you're diverting all of us. Like, that's probably

0:11:23.480 --> 0:11:26.120
<v Speaker 1>when I would be super mad. So when you land,

0:11:26.320 --> 0:11:28.160
<v Speaker 1>when you've had to divert, then what do you have

0:11:28.200 --> 0:11:29.880
<v Speaker 1>to do before you can get back up? So you'll

0:11:29.880 --> 0:11:34.240
<v Speaker 1>have security police meet you at the gate. They'll come on,

0:11:34.240 --> 0:11:37.480
<v Speaker 1>we'll ask everybody or main seated. They'll come on, escort

0:11:37.480 --> 0:11:39.800
<v Speaker 1>the passenger off, and then depend on if we need gas,

0:11:40.720 --> 0:11:45.360
<v Speaker 1>we'll get gas, get a new flight plan, and then

0:11:45.600 --> 0:11:48.520
<v Speaker 1>head out for wherever we were initially intended to go.

0:11:49.120 --> 0:11:52.720
<v Speaker 1>Can I ask you about plane crashes for a second. No,

0:11:52.800 --> 0:11:55.280
<v Speaker 1>I'm just obsessed. I hate flying and I fly all

0:11:55.280 --> 0:11:56.560
<v Speaker 1>the time, but I hate it. I'm scared to death.

0:11:57.800 --> 0:11:59.880
<v Speaker 1>Have you ever hit turbulence so hard you thought you

0:12:00.120 --> 0:12:05.360
<v Speaker 1>might crash? No, not so bad that we might crash.

0:12:05.400 --> 0:12:08.400
<v Speaker 1>But air kind of acts like water. So if you're

0:12:08.440 --> 0:12:10.840
<v Speaker 1>on the lake, let's say julyt for it's right, and

0:12:10.880 --> 0:12:13.880
<v Speaker 1>there's all these boats out there, and the water is

0:12:13.880 --> 0:12:17.280
<v Speaker 1>really rough. It's rough going over the water. It's potentially

0:12:17.280 --> 0:12:19.600
<v Speaker 1>the same as seen the air. You have rough air,

0:12:19.640 --> 0:12:23.160
<v Speaker 1>you've got the jet stream, you've got weight from other airplanes.

0:12:23.280 --> 0:12:26.360
<v Speaker 1>But it's not just gonna fall out the sky. So

0:12:26.480 --> 0:12:30.199
<v Speaker 1>whenever the plane goes boom with turbulence and things that

0:12:30.240 --> 0:12:32.200
<v Speaker 1>are sitting on the little table fly and hit the

0:12:32.200 --> 0:12:36.440
<v Speaker 1>top of them. When that happens, there isn't one percent

0:12:36.480 --> 0:12:41.400
<v Speaker 1>of you that goes, we're going down chuck No, sir no,

0:12:42.320 --> 0:12:44.880
<v Speaker 1>because nine percent of me does I feel like, well,

0:12:45.240 --> 0:12:47.559
<v Speaker 1>I'm gonna die. Have you ever been in a situation

0:12:47.600 --> 0:12:50.480
<v Speaker 1>where you think turbulence aside where you go, oh, we've

0:12:50.480 --> 0:12:54.960
<v Speaker 1>gotten in trouble, lightning, thunder, we might crash. Now, we've

0:12:54.960 --> 0:12:57.520
<v Speaker 1>got radar on board, and we do our best to

0:12:57.520 --> 0:13:00.760
<v Speaker 1>obviously go around that. And then there's also several other

0:13:00.800 --> 0:13:04.440
<v Speaker 1>airplanes in that area. You know, we flop public fruits

0:13:04.559 --> 0:13:06.440
<v Speaker 1>so we can we can get rather reports from the

0:13:06.440 --> 0:13:09.679
<v Speaker 1>people in front of us. You know, if everybody else

0:13:09.880 --> 0:13:11.800
<v Speaker 1>is diverting, that kind of gives us a good clue

0:13:11.840 --> 0:13:14.719
<v Speaker 1>that we should probably go around as well. And then

0:13:14.760 --> 0:13:17.480
<v Speaker 1>ATC does a really good job of giving us vectors

0:13:17.520 --> 0:13:21.679
<v Speaker 1>around storms. And again we've got iPads on board that

0:13:21.760 --> 0:13:25.160
<v Speaker 1>have radar and We've got our company that can tell us,

0:13:25.360 --> 0:13:28.400
<v Speaker 1>you know, advise us what they think we should do.

0:13:29.640 --> 0:13:32.840
<v Speaker 1>So it's it's extremely safe. He's starting to convince me.

0:13:32.840 --> 0:13:34.319
<v Speaker 1>I'm not fully buying it yet, but I'll coup more

0:13:34.360 --> 0:13:37.400
<v Speaker 1>questions that extremely Sometimes I'm flying and there's another plane

0:13:37.400 --> 0:13:39.640
<v Speaker 1>that goes a little too close below us, or a

0:13:39.640 --> 0:13:41.240
<v Speaker 1>little too close to the side of us, or a

0:13:41.240 --> 0:13:43.520
<v Speaker 1>little too close to the top of us. Now that

0:13:43.559 --> 0:13:46.920
<v Speaker 1>could be human error, right where a plane snacks another plane.

0:13:46.920 --> 0:13:49.760
<v Speaker 1>Have you ever thought you're gonna crash because of that? Oh? No,

0:13:49.760 --> 0:13:53.440
<v Speaker 1>no again. ATC does a fantastic job of keeping separation.

0:13:54.880 --> 0:13:58.560
<v Speaker 1>We've got you know, required separation minimums that we have

0:13:58.720 --> 0:14:02.640
<v Speaker 1>to maintain an all time um and and acc generally

0:14:02.640 --> 0:14:05.000
<v Speaker 1>points out the traffic to us well in advance, so

0:14:05.040 --> 0:14:07.600
<v Speaker 1>we see him. Um. You know, if we need to,

0:14:07.679 --> 0:14:10.720
<v Speaker 1>they'll build that cur a software airway and send us

0:14:10.720 --> 0:14:12.920
<v Speaker 1>around the traffic. Well, I have one more question, And

0:14:12.960 --> 0:14:16.440
<v Speaker 1>I appreciate your patients because the fascinated flying to have

0:14:16.440 --> 0:14:18.720
<v Speaker 1>two questions. Number one, tell me if I almost died

0:14:18.800 --> 0:14:20.720
<v Speaker 1>this time. We were on a plane. We're on like

0:14:20.760 --> 0:14:24.320
<v Speaker 1>a Southwest flight, and the pilot comes back into the cabin.

0:14:24.800 --> 0:14:26.480
<v Speaker 1>That's what the tubes called, right, come back to the cabin,

0:14:26.520 --> 0:14:29.240
<v Speaker 1>into the cabin, and he like pulls the carpet back

0:14:29.520 --> 0:14:32.760
<v Speaker 1>and then hand cranks the wheels to come out to land.

0:14:33.240 --> 0:14:34.920
<v Speaker 1>It doesn't really say what he's doing, but he's like

0:14:34.960 --> 0:14:37.280
<v Speaker 1>cranking THEO and then it's the whip. You hear the

0:14:37.280 --> 0:14:40.080
<v Speaker 1>wheels lock and then he walks back up like whist

0:14:40.120 --> 0:14:42.920
<v Speaker 1>him nothing to see here, and then gets it and

0:14:42.960 --> 0:14:45.880
<v Speaker 1>then they land. Did we almost die? No? No, we've

0:14:45.920 --> 0:14:49.760
<v Speaker 1>got back up so UM. Anytime we have malfunctions, we

0:14:49.840 --> 0:14:54.040
<v Speaker 1>have backedups on backups UM to to kind of alleviate

0:14:54.120 --> 0:14:56.800
<v Speaker 1>that situation. So that's that's more than lackly what he

0:14:56.880 --> 0:14:59.880
<v Speaker 1>was doing. All right? I thought I had another one.

0:14:59.920 --> 0:15:01.880
<v Speaker 1>H Has he ever lost an engine? Because you hear

0:15:01.920 --> 0:15:03.920
<v Speaker 1>about that, like, oh, we lost engine number four? What

0:15:03.920 --> 0:15:07.760
<v Speaker 1>do we do now? I have UM prior to my

0:15:07.840 --> 0:15:11.280
<v Speaker 1>airline days, but I haven't at the airlines. UM. All

0:15:11.320 --> 0:15:14.840
<v Speaker 1>the airliners are certified to fly extremely well with UM

0:15:15.600 --> 0:15:18.240
<v Speaker 1>one engine or two engines. You know, if you got

0:15:18.240 --> 0:15:20.320
<v Speaker 1>four engines and you lose one, it is a non

0:15:20.320 --> 0:15:23.360
<v Speaker 1>event even with two engines losing one. I thank the

0:15:23.360 --> 0:15:26.080
<v Speaker 1>airplanes fly extremely well. And that's something that we've practiced

0:15:26.080 --> 0:15:29.640
<v Speaker 1>in the CM in training every year. Um, and we're

0:15:30.360 --> 0:15:33.680
<v Speaker 1>you know, we're trained to fly with one engine. Could

0:15:33.720 --> 0:15:38.200
<v Speaker 1>you barrel roll a massive commercial plane if you wanted to?

0:15:39.160 --> 0:15:43.000
<v Speaker 1>Only one because it'll be fired after that? Yeah? Last day? Right, like, yeah,

0:15:43.000 --> 0:15:45.200
<v Speaker 1>it's senior day, slip day, senior s gip day, and

0:15:45.200 --> 0:15:48.560
<v Speaker 1>it's a last day. But you could you with your skills,

0:15:49.280 --> 0:15:51.360
<v Speaker 1>not you specifically, because you would never do that, tyler,

0:15:51.640 --> 0:15:58.480
<v Speaker 1>but could someone barrel roll of delta plane? Great, that's

0:15:58.480 --> 0:16:00.760
<v Speaker 1>a big one, yes, and then land later an hour later?

0:16:00.840 --> 0:16:05.240
<v Speaker 1>Land I would say, come on, have you ever been

0:16:05.360 --> 0:16:09.600
<v Speaker 1>tempted if you know you're flying like near you know,

0:16:09.680 --> 0:16:12.440
<v Speaker 1>your house or your friend's house, are you ever tempted

0:16:12.480 --> 0:16:17.080
<v Speaker 1>to just you know, buzz it? Oh? Good question? Uh

0:16:17.080 --> 0:16:20.720
<v Speaker 1>no no, uh, we were probably getting pretty good trouble

0:16:20.760 --> 0:16:22.680
<v Speaker 1>for that. Yeah. But all on your last day? Yeah,

0:16:23.120 --> 0:16:25.600
<v Speaker 1>ski day, Right, it's the last day before you graduate. Okay,

0:16:25.600 --> 0:16:29.280
<v Speaker 1>one final question. So have you ever landed and been like,

0:16:29.720 --> 0:16:31.880
<v Speaker 1>well I got two questions. Have you ever landed and

0:16:31.960 --> 0:16:34.720
<v Speaker 1>been like, oh my god, I can't believe we made it? Um?

0:16:35.520 --> 0:16:38.840
<v Speaker 1>Sounds like a yes to me. No, Okay, No, I don't.

0:16:38.840 --> 0:16:41.360
<v Speaker 1>I don't think, so, Okay, what's the next one? I

0:16:41.440 --> 0:16:44.560
<v Speaker 1>keep forgetting? I know, I get so excited about these questions,

0:16:44.600 --> 0:16:47.080
<v Speaker 1>and I've had one in queue for like five minutes. Okay,

0:16:47.120 --> 0:16:49.280
<v Speaker 1>before Tyler goes here, I want to see if I

0:16:49.280 --> 0:16:51.880
<v Speaker 1>can remember this last question I was going to ask him, Oh,

0:16:51.920 --> 0:16:54.080
<v Speaker 1>I got it? Do you ever this is the one

0:16:54.120 --> 0:16:56.120
<v Speaker 1>I've been thinking the whole time. When it gets up

0:16:56.120 --> 0:16:57.920
<v Speaker 1>into the air and it's at an altitude, what do

0:16:58.000 --> 0:17:01.840
<v Speaker 1>you call it? Cruising altitude? That's what it's called. Ya. Okay,

0:17:01.840 --> 0:17:04.080
<v Speaker 1>when you get to a cruising altitude? Do you ever

0:17:04.119 --> 0:17:06.880
<v Speaker 1>look at your copiling go? I can't believe this thing works,

0:17:06.960 --> 0:17:08.560
<v Speaker 1>like I cannot believe we get this much metal in

0:17:08.600 --> 0:17:11.360
<v Speaker 1>the air every single time. No, no, I have not.

0:17:11.760 --> 0:17:16.520
<v Speaker 1>There's several several thousand flights a day, um every day

0:17:16.560 --> 0:17:21.080
<v Speaker 1>throughout the world. Use these things perform extremely well. But

0:17:21.240 --> 0:17:23.960
<v Speaker 1>he understands the physics behind it, so he's actually probably

0:17:24.040 --> 0:17:26.119
<v Speaker 1>not sounds like this like some kind of ghost medicine

0:17:26.160 --> 0:17:29.960
<v Speaker 1>magic which stuff. Okay, last question? Is there a parachute

0:17:29.960 --> 0:17:31.680
<v Speaker 1>in that plane hidden that if you need to jump

0:17:31.720 --> 0:17:37.080
<v Speaker 1>you can? There's not? Okay, Well, any final questions for

0:17:37.080 --> 0:17:38.479
<v Speaker 1>ty this is my favorite guest in a long time,

0:17:38.560 --> 0:17:41.840
<v Speaker 1>more clearly accidental. Yes, I got one bones? Um do

0:17:41.920 --> 0:17:44.920
<v Speaker 1>you dump the poop? Oh? Good question? Yeah? And have

0:17:45.000 --> 0:17:50.119
<v Speaker 1>you ever like picked like everybody's house? We do not

0:17:50.440 --> 0:17:54.280
<v Speaker 1>know they service that in between every flight. Okay, all right, well, Tyler,

0:17:54.320 --> 0:17:57.359
<v Speaker 1>I appreciate that you have actually made us feel more

0:17:57.359 --> 0:18:00.800
<v Speaker 1>comfortable with flying. You've made us feel dumber for our questions,

0:18:01.080 --> 0:18:03.359
<v Speaker 1>and this is all in our been at a plus segment,

0:18:03.440 --> 0:18:06.200
<v Speaker 1>So thank you for your time. I'm glad I could

0:18:06.200 --> 0:18:10.000
<v Speaker 1>tell all right there, all right, Tyler. See, man, that's

0:18:10.000 --> 0:18:13.720
<v Speaker 1>pretty good enough. I like that. I feel I'm still

0:18:13.760 --> 0:18:15.840
<v Speaker 1>going to be scared, but I'm going to be scared

0:18:15.960 --> 0:18:21.160
<v Speaker 1>knowing that I'm wrong being scared. It's the best bits

0:18:21.200 --> 0:18:29.160
<v Speaker 1>of the week with Morgan number two. History is littered

0:18:29.160 --> 0:18:32.440
<v Speaker 1>with tragic stories from which we could all learn lessons.

0:18:32.840 --> 0:18:36.040
<v Speaker 1>Why did the finest army in medieval Europe end up

0:18:36.040 --> 0:18:39.560
<v Speaker 1>defeated and drowning in the mud amidst a hail of arrows?

0:18:40.560 --> 0:18:43.720
<v Speaker 1>What allowed a tiny change in a hotel's blueprints to

0:18:43.760 --> 0:18:48.080
<v Speaker 1>go unnoticed, sending tons of concrete, steel and glass crashing

0:18:48.119 --> 0:18:51.000
<v Speaker 1>down on guests who would let their child play with

0:18:51.040 --> 0:18:54.560
<v Speaker 1>the controls of an airliner? And how did an award

0:18:54.600 --> 0:18:58.199
<v Speaker 1>winning choreographer and a rock music megastar come close to

0:18:58.240 --> 0:19:04.360
<v Speaker 1>opening the worst musical of all time. I'm Tim Harford,

0:19:04.600 --> 0:19:07.680
<v Speaker 1>host of Cautionary Tales, the podcast that looks for the

0:19:07.800 --> 0:19:12.320
<v Speaker 1>valuable lessons and the greatest mistakes, disasters, and fiascos of

0:19:12.400 --> 0:19:15.880
<v Speaker 1>the past. Some stories will delight you, others may scare you,

0:19:16.119 --> 0:19:19.600
<v Speaker 1>but they'll all make you wiser. Listen to Cautionary Tales

0:19:19.600 --> 0:19:23.400
<v Speaker 1>on the iHeartRadio app, Apple Podcasts, or wherever you get

0:19:23.440 --> 0:19:27.879
<v Speaker 1>your podcasts. Hey, this is Justin. Richmond hosted the Broken

0:19:27.920 --> 0:19:31.400
<v Speaker 1>Record podcast. Join Me on Broken Record along with music

0:19:31.440 --> 0:19:34.960
<v Speaker 1>industry icon Rick Rubin and Arthur's Malcolm Gladwell and Bruce

0:19:35.000 --> 0:19:37.200
<v Speaker 1>Hadlum as we sit down with the artists you love,

0:19:37.280 --> 0:19:41.480
<v Speaker 1>getting unparalleled creative insight into your favorite music. You'll hear

0:19:41.520 --> 0:19:44.800
<v Speaker 1>revealing interviews with some of the most legendary figures in music,

0:19:45.080 --> 0:19:49.360
<v Speaker 1>like Neil Young, Under three thousand, Bruce Springsteen, and NAS.

0:19:50.080 --> 0:19:52.800
<v Speaker 1>And you'll learn about up and coming artists like Michelle Zaner,

0:19:52.960 --> 0:19:55.400
<v Speaker 1>who talks about her big plans for the dreamy indie

0:19:55.440 --> 0:19:59.240
<v Speaker 1>pop band Japanese Breakfast and kromby the Texas Trio, who

0:19:59.280 --> 0:20:03.400
<v Speaker 1>share the inspira behind their global funk of sound. This March,

0:20:03.440 --> 0:20:06.520
<v Speaker 1>we're spotlighting female artists like Miss Elliott, Patti Smith, and

0:20:06.640 --> 0:20:10.120
<v Speaker 1>Bonnie Rate. Celebrate Women's History Month with us and learn

0:20:10.160 --> 0:20:13.359
<v Speaker 1>how these incredible women changed what was possible in music.

0:20:13.840 --> 0:20:16.880
<v Speaker 1>Forging their own paths will also paving the way for others.

0:20:17.520 --> 0:20:20.840
<v Speaker 1>Listen to Broken Record on the iHeartRadio app, Apple Podcasts,

0:20:20.960 --> 0:20:28.320
<v Speaker 1>or wherever you get your podcasts. This one costs some

0:20:28.480 --> 0:20:32.440
<v Speaker 1>controversy on the show because Amy is wanting to hire

0:20:32.440 --> 0:20:34.760
<v Speaker 1>a psyekick, not for herself but for her cat, just

0:20:34.840 --> 0:20:36.960
<v Speaker 1>like she did for her dog. And you know, the

0:20:37.000 --> 0:20:39.520
<v Speaker 1>guys thought she needed an intervention. It was a whole

0:20:39.560 --> 0:20:42.480
<v Speaker 1>situation just because she wants to hire a psyekick. And

0:20:42.560 --> 0:20:44.800
<v Speaker 1>I said it in the segment and I'll say it again.

0:20:44.920 --> 0:20:47.520
<v Speaker 1>You know, whatever people want to believe and however they

0:20:47.560 --> 0:20:50.040
<v Speaker 1>feel and what they choose to believe in is all them.

0:20:50.080 --> 0:20:51.760
<v Speaker 1>Who am I to say it doesn't exist or it

0:20:51.800 --> 0:20:54.320
<v Speaker 1>isn't possible because I have no idea, I don't have

0:20:54.359 --> 0:20:55.919
<v Speaker 1>all the knowledge, and I'm not even gonna say I'm

0:20:55.920 --> 0:20:59.320
<v Speaker 1>the smartest person in the room ever. So you know, Amy,

0:20:59.560 --> 0:21:01.320
<v Speaker 1>I still got your back. You do what you need

0:21:01.359 --> 0:21:03.919
<v Speaker 1>to do for your cat. Number five, I mean, you

0:21:03.960 --> 0:21:06.920
<v Speaker 1>say your dog to a psychic a long time ago. Yeah, well,

0:21:06.960 --> 0:21:10.440
<v Speaker 1>I just had her read my dog over the phone.

0:21:11.080 --> 0:21:12.840
<v Speaker 1>She didn't even have to see her in person. I

0:21:12.840 --> 0:21:14.960
<v Speaker 1>just had to email her a picture. Isn't this the

0:21:15.000 --> 0:21:17.560
<v Speaker 1>biggest waste of money? The biggest maybe ever? Maybe ever?

0:21:17.760 --> 0:21:19.760
<v Speaker 1>Let me just say all the money wasting stuff we've

0:21:19.800 --> 0:21:22.119
<v Speaker 1>done the show, that could be number one. Right. Let

0:21:22.119 --> 0:21:26.760
<v Speaker 1>me say at the time my dog was acting totally crazy. Listen,

0:21:26.880 --> 0:21:30.119
<v Speaker 1>let me just say that this psychic person works for

0:21:30.359 --> 0:21:35.200
<v Speaker 1>a very prominent person in time. I'm just saying that

0:21:35.240 --> 0:21:38.639
<v Speaker 1>you wouldn't. You would not say to this person if

0:21:38.680 --> 0:21:40.679
<v Speaker 1>you talk to them that they're crazy. You wouldn't. You're

0:21:40.720 --> 0:21:42.640
<v Speaker 1>right because I don't want conversation, but behind their back,

0:21:42.640 --> 0:21:44.360
<v Speaker 1>I would, So did you put the dog on the phone.

0:21:44.640 --> 0:21:46.600
<v Speaker 1>But I'm just saying that this is a person. Trust

0:21:47.880 --> 0:21:49.919
<v Speaker 1>So I'll listen. I don't know, but I mean, I

0:21:50.000 --> 0:21:52.399
<v Speaker 1>just wanted to hey to in my mind, it couldn't

0:21:52.440 --> 0:21:56.119
<v Speaker 1>hurt to try to understand why my dog was acting bonkers.

0:21:56.160 --> 0:21:57.760
<v Speaker 1>I bring it up, not because I just want to

0:21:57.760 --> 0:22:00.800
<v Speaker 1>rehash something old, but I hear that you're thinking of

0:22:00.920 --> 0:22:06.280
<v Speaker 1>rehiring the psychic for your cat. Goodness, why it's just because,

0:22:06.320 --> 0:22:08.480
<v Speaker 1>I mean, it's been almost a year now since she's

0:22:08.520 --> 0:22:10.920
<v Speaker 1>joined the family, and I don't want to see how

0:22:10.960 --> 0:22:14.040
<v Speaker 1>she feels. What's going on. The dog gave us, like

0:22:14.320 --> 0:22:16.800
<v Speaker 1>the dog our dog gave us. She was able to

0:22:16.840 --> 0:22:19.439
<v Speaker 1>tell me things about our family that nobody would know,

0:22:19.960 --> 0:22:22.719
<v Speaker 1>and the dog was reacting to it. Do you, honest

0:22:22.760 --> 0:22:26.000
<v Speaker 1>in your heart believe this person? No, no, honest, I

0:22:26.080 --> 0:22:28.320
<v Speaker 1>need you to dig down deep. Do you, honest in

0:22:28.320 --> 0:22:33.159
<v Speaker 1>your heart think that this psychic is able to communicate

0:22:33.160 --> 0:22:36.880
<v Speaker 1>with these animals on a different level based Okay, so

0:22:37.119 --> 0:22:39.399
<v Speaker 1>I guess, or now, why why can't I give you?

0:22:40.600 --> 0:22:43.840
<v Speaker 1>Why can't I give you? I I The pendulum swings

0:22:43.880 --> 0:22:48.639
<v Speaker 1>from no way, that's crazy to like, uh, it's possible

0:22:49.200 --> 0:22:51.800
<v Speaker 1>because she told me things where she would not know,

0:22:51.920 --> 0:22:56.760
<v Speaker 1>And my jaw dropped. And again, I wish I could

0:22:56.760 --> 0:22:59.080
<v Speaker 1>tell you who she works for, because it would make

0:22:59.119 --> 0:23:03.399
<v Speaker 1>you leave her even more. Someone famous, but just because

0:23:03.400 --> 0:23:07.920
<v Speaker 1>they're probably dumb famous people, You do not not I

0:23:08.000 --> 0:23:10.639
<v Speaker 1>think this person is dumb? You do not. You do not?

0:23:10.720 --> 0:23:12.600
<v Speaker 1>Do you do not? You think this person is one

0:23:12.600 --> 0:23:17.359
<v Speaker 1>of the smartest, most successful people in town, in town,

0:23:17.240 --> 0:23:19.040
<v Speaker 1>and they may have so much money they're just doing

0:23:19.080 --> 0:23:21.280
<v Speaker 1>as a gag. Yeah, no, they don't even they don't

0:23:21.280 --> 0:23:23.000
<v Speaker 1>even work for them on this level. They use them

0:23:23.040 --> 0:23:24.520
<v Speaker 1>for this, but they work. It was like more of

0:23:24.520 --> 0:23:29.640
<v Speaker 1>like an assistant just saying but that makes me think, Okay, nope,

0:23:29.640 --> 0:23:32.440
<v Speaker 1>she should Amy hire a sagic for the cat. Yeah. No,

0:23:32.720 --> 0:23:37.360
<v Speaker 1>you don't get to answer. We're asking about you, okay, Eddie. No,

0:23:37.560 --> 0:23:39.359
<v Speaker 1>I mean Lunchbox could go to the house and watch

0:23:39.440 --> 0:23:41.880
<v Speaker 1>the cat for five minutes and probably say as much

0:23:41.880 --> 0:23:45.120
<v Speaker 1>as this person's going to say. It's happening on this show. Like, no,

0:23:45.240 --> 0:23:48.520
<v Speaker 1>absolutely not Amy. Amy has a psychic cousin now that

0:23:48.560 --> 0:23:51.720
<v Speaker 1>she's getting very close closer to nowadays. Right, Well, I

0:23:51.760 --> 0:23:53.879
<v Speaker 1>mean I've not boys, right, but you're a lot closer

0:23:53.880 --> 0:23:57.280
<v Speaker 1>to her now. Yes, we have been reconnected more because yes,

0:23:57.320 --> 0:24:00.560
<v Speaker 1>her mom is like has cancer and it's brought us

0:24:00.600 --> 0:24:03.120
<v Speaker 1>back together. Are you believing in psychics more in general?

0:24:03.160 --> 0:24:04.480
<v Speaker 1>I guess this is my question. That's the thing with

0:24:04.520 --> 0:24:07.600
<v Speaker 1>my cousin. Pendulum swings. Sometimes I'm like this cannot be real.

0:24:07.640 --> 0:24:08.879
<v Speaker 1>And then I hang out with it a little bit

0:24:08.880 --> 0:24:10.960
<v Speaker 1>and I'm like, oh my goodness, this is I don't

0:24:10.960 --> 0:24:12.359
<v Speaker 1>need to save some money. Have her talk to the

0:24:12.400 --> 0:24:15.960
<v Speaker 1>cat being beings? She well so smart. Let me let

0:24:15.960 --> 0:24:20.240
<v Speaker 1>me see if she could now her mom's dog. Oh no, stop, okay,

0:24:20.480 --> 0:24:26.160
<v Speaker 1>her mom's dog is a psychic dog. Oh my god,

0:24:26.240 --> 0:24:28.960
<v Speaker 1>I don't know what's happening on the show goes. I

0:24:29.000 --> 0:24:31.280
<v Speaker 1>think with that statement, our show just jumped the shark.

0:24:31.800 --> 0:24:34.320
<v Speaker 1>I think that was ill. We are so out of touch.

0:24:34.440 --> 0:24:36.800
<v Speaker 1>We have dogs that are psycho Well, stop it where

0:24:36.800 --> 0:24:41.920
<v Speaker 1>we are one person? I wasn't even saying that, But

0:24:42.000 --> 0:24:45.720
<v Speaker 1>she met this other woman that talks to animals. And

0:24:45.760 --> 0:24:47.760
<v Speaker 1>the woman that talks to the animal said, wow, I've

0:24:47.800 --> 0:24:49.800
<v Speaker 1>never had this happen. I've never met a dog that

0:24:49.880 --> 0:24:56.240
<v Speaker 1>was communicating with me before. Okay, us, anyone believe this

0:24:56.240 --> 0:24:58.479
<v Speaker 1>person can talk to Amy's cat? If so, speak now? Anyone?

0:24:59.280 --> 0:25:03.920
<v Speaker 1>Anyone scuba Maybe you're right? Anyone? No, yes, oh no,

0:25:05.000 --> 0:25:07.920
<v Speaker 1>I do. Listen. There's things out there that I don't understand,

0:25:07.960 --> 0:25:09.760
<v Speaker 1>and I just think it's very possible that this is

0:25:09.760 --> 0:25:12.320
<v Speaker 1>a reality. That's what you always say, that's what you

0:25:12.600 --> 0:25:16.040
<v Speaker 1>always say I don't think say what you say. She

0:25:16.080 --> 0:25:18.440
<v Speaker 1>wants you to say, Okay, what I say? What you say?

0:25:18.520 --> 0:25:20.119
<v Speaker 1>I don't. I told you I don't believe the psychics,

0:25:20.680 --> 0:25:23.760
<v Speaker 1>but my cousin has actually nailed some things about you. Okay.

0:25:24.080 --> 0:25:26.840
<v Speaker 1>All I'm saying is I don't believe this person. The

0:25:27.080 --> 0:25:29.520
<v Speaker 1>charge at ninety five dollars, I don't know, and hopefully

0:25:29.560 --> 0:25:31.560
<v Speaker 1>it was cheaper than that, because I get that that's

0:25:31.560 --> 0:25:33.719
<v Speaker 1>a ridiculous amount of money. But it was go do

0:25:33.720 --> 0:25:35.800
<v Speaker 1>what you do and let us know how it turns out.

0:25:36.200 --> 0:25:38.439
<v Speaker 1>But if you're asking if I think it's real, I

0:25:38.480 --> 0:25:40.479
<v Speaker 1>do not. Can't prove it's not. But I don't think

0:25:40.520 --> 0:25:44.080
<v Speaker 1>it's real. Right, But you think there's aliens? No, I

0:25:44.160 --> 0:25:46.760
<v Speaker 1>can't show you there is. I feel like you say

0:25:46.800 --> 0:25:49.280
<v Speaker 1>there is. I say, the world it's so bash. We

0:25:49.320 --> 0:25:50.600
<v Speaker 1>have no idea what's up there, and for us to

0:25:50.600 --> 0:25:53.000
<v Speaker 1>say that anything is not happening would be ridiculous. Well,

0:25:53.000 --> 0:25:54.760
<v Speaker 1>it sounds like you could apply that to exactly what

0:25:55.000 --> 0:26:00.720
<v Speaker 1>I believe. Name is Kat Psychic said it. Best Bits

0:26:00.760 --> 0:26:06.359
<v Speaker 1>of the Week with Morgan Number two, The hilariously funny

0:26:06.640 --> 0:26:09.480
<v Speaker 1>Jim Gaffigan hilariously funny is that a phrase? Is that

0:26:09.520 --> 0:26:11.960
<v Speaker 1>a thing? I don't know. We had Jim Gaffigan on

0:26:12.000 --> 0:26:14.800
<v Speaker 1>the show this week. He's a massive comedian. He's coming

0:26:14.840 --> 0:26:18.000
<v Speaker 1>in Nashville. He's on a super fun tour. Now that's

0:26:18.080 --> 0:26:21.480
<v Speaker 1>literally the name of his comedy tour. We talked to

0:26:21.560 --> 0:26:23.960
<v Speaker 1>him all about it. Plus if his kids think that

0:26:24.080 --> 0:26:26.880
<v Speaker 1>he's funny, and you know, it's always interesting to find

0:26:26.920 --> 0:26:30.840
<v Speaker 1>out if kids think they're very famous comedic dad is funny.

0:26:30.960 --> 0:26:34.440
<v Speaker 1>So we got the whole scoop right here. Number four,

0:26:34.520 --> 0:26:36.600
<v Speaker 1>We're about to have one of the funniest comedians around,

0:26:36.800 --> 0:26:40.720
<v Speaker 1>Jim Gaffagan on You love him so funny, So funny,

0:26:40.880 --> 0:26:43.000
<v Speaker 1>so funny. So this is the joke Eddy likes to

0:26:43.000 --> 0:26:45.399
<v Speaker 1>walk around telling. This is from his last special and

0:26:45.440 --> 0:26:48.080
<v Speaker 1>don't have him on. Here is the bathroom joke by

0:26:48.200 --> 0:26:51.040
<v Speaker 1>Jim Gaffigan. I'm happily married, but I would say once

0:26:51.080 --> 0:26:53.160
<v Speaker 1>a week I catch my wife give me a look

0:26:53.200 --> 0:26:57.480
<v Speaker 1>like I'm gonna have to let you go because I

0:26:57.600 --> 0:27:01.800
<v Speaker 1>disappointed her Constantly. I do things that annoy it. Like,

0:27:01.840 --> 0:27:04.440
<v Speaker 1>here's something I do that annoys my wife. I use

0:27:04.520 --> 0:27:11.320
<v Speaker 1>the bathroom. I know I should write. I get in

0:27:11.359 --> 0:27:15.359
<v Speaker 1>trouble for not telling her I'm gonna use the bathroom.

0:27:15.480 --> 0:27:21.320
<v Speaker 1>You just disappeared. Where'd you go? I didn't know I

0:27:21.359 --> 0:27:26.080
<v Speaker 1>needed a haul pass. I also get in trouble for

0:27:26.160 --> 0:27:29.760
<v Speaker 1>telling her I'm gonna use the bathroom. I'm gonna use

0:27:29.800 --> 0:27:37.399
<v Speaker 1>the bathroom again? Are you okay? How many times is

0:27:37.440 --> 0:27:44.879
<v Speaker 1>that today? You're disgusting? What are you doing there? Mostly

0:27:44.920 --> 0:27:50.360
<v Speaker 1>get away from you. The Friday morning conversation with Jim.

0:27:51.600 --> 0:27:53.120
<v Speaker 1>It is a pleasure to talk to you, my friend.

0:27:53.320 --> 0:27:55.840
<v Speaker 1>Thank you for having me. I was talking with Eddie,

0:27:55.920 --> 0:27:58.240
<v Speaker 1>who is on the show with me. I'm my best friend.

0:27:58.280 --> 0:28:00.399
<v Speaker 1>But he was like, hey, you want to hear the

0:28:00.800 --> 0:28:03.159
<v Speaker 1>Jim gafficking joke, the bathroom joke, And he tells it

0:28:03.160 --> 0:28:05.080
<v Speaker 1>and it's not that funny, but I've heard you do

0:28:05.119 --> 0:28:07.640
<v Speaker 1>it and it's very funny. And so do people ever

0:28:07.720 --> 0:28:09.040
<v Speaker 1>come up to you and like tell you your own

0:28:09.080 --> 0:28:11.119
<v Speaker 1>jokes back and they completely butcher It's like you've just

0:28:11.200 --> 0:28:16.320
<v Speaker 1>missed the whole thing. It is weird how sometimes contacts are,

0:28:16.640 --> 0:28:18.800
<v Speaker 1>you know, like they remember it a certain way. But

0:28:18.840 --> 0:28:22.399
<v Speaker 1>I think we all have like loved us sketched a

0:28:22.520 --> 0:28:26.280
<v Speaker 1>line from like SNL and then you end up watching

0:28:26.280 --> 0:28:29.359
<v Speaker 1>it again and you're like, oh, they didn't even say that.

0:28:29.359 --> 0:28:31.199
<v Speaker 1>That's precisely what he did. He's I got to hear

0:28:31.200 --> 0:28:32.439
<v Speaker 1>this joke and he told it. I was like, that's

0:28:32.480 --> 0:28:34.359
<v Speaker 1>not really the joke. But he's been telling a lot

0:28:34.400 --> 0:28:36.359
<v Speaker 1>of people that joke, and I feel like he's giving

0:28:36.359 --> 0:28:38.120
<v Speaker 1>you a bad name by telling a joke that's not

0:28:38.160 --> 0:28:40.959
<v Speaker 1>really yours. I'm gonna have to sue him. I agree

0:28:41.000 --> 0:28:44.960
<v Speaker 1>with them, Well I'm done. Jim's coming to town. He's actually,

0:28:45.200 --> 0:28:46.720
<v Speaker 1>you know, in a lot of the cities our show

0:28:46.840 --> 0:28:50.680
<v Speaker 1>is on, but in Nashville on March thirtieth, Little Rock

0:28:50.880 --> 0:28:53.720
<v Speaker 1>on March thirty first, Kansas City on April first, and

0:28:53.960 --> 0:28:56.760
<v Speaker 1>on and on. Now, when you do a show, these

0:28:56.800 --> 0:29:01.480
<v Speaker 1>massive shows, do you feel like it's harder to connect

0:29:01.480 --> 0:29:03.400
<v Speaker 1>on an intimate level with an audience when there are

0:29:03.440 --> 0:29:07.880
<v Speaker 1>so many people, Well, it's it's shifted dramatically. You would

0:29:08.000 --> 0:29:12.240
<v Speaker 1>think you would think that would be the case. But

0:29:12.560 --> 0:29:17.680
<v Speaker 1>the technology, meaning the audio and the video feed has

0:29:17.760 --> 0:29:24.120
<v Speaker 1>advanced so much that you know, it depends on the venue.

0:29:24.280 --> 0:29:27.600
<v Speaker 1>So like, I mean, I've performed at a lot of

0:29:27.600 --> 0:29:32.720
<v Speaker 1>different places in Nashville, and you know, I think I

0:29:32.760 --> 0:29:37.400
<v Speaker 1>wouldn't you know, I mean, the Rhyman is amazing, but

0:29:37.800 --> 0:29:41.120
<v Speaker 1>I think there's no bad seats at the Bridgestone Arena,

0:29:41.160 --> 0:29:43.760
<v Speaker 1>and so as long as they can see and hear,

0:29:44.920 --> 0:29:49.920
<v Speaker 1>that's pretty important. And then there's the communal experience. So

0:29:50.040 --> 0:29:55.200
<v Speaker 1>if it's if it's a big, cavernous place and it's

0:29:55.240 --> 0:30:00.080
<v Speaker 1>not sold out, or it's sold very poorly than and

0:30:00.320 --> 0:30:02.680
<v Speaker 1>it probably wouldn't be back right. But if it's a

0:30:02.720 --> 0:30:06.040
<v Speaker 1>big place, then most of the tickets are sold. I

0:30:06.080 --> 0:30:09.400
<v Speaker 1>think it's a pretty amazing situation. Do you actually do

0:30:09.520 --> 0:30:11.960
<v Speaker 1>you remember that that Bridgestone and Rhyman from your head?

0:30:12.160 --> 0:30:14.560
<v Speaker 1>Or like what I'm doing, like a satellite TV tour

0:30:14.600 --> 0:30:17.480
<v Speaker 1>promoting a TV show. I'll have cities and like even

0:30:17.480 --> 0:30:18.960
<v Speaker 1>what radio station I'm one, and I'll just kind of

0:30:18.960 --> 0:30:20.520
<v Speaker 1>fit it in, but I'll have it held up behind

0:30:20.520 --> 0:30:23.280
<v Speaker 1>the screen. Was that what happened there? Are you just

0:30:23.360 --> 0:30:25.880
<v Speaker 1>remember every single venue? I mean some of it is.

0:30:26.000 --> 0:30:29.400
<v Speaker 1>You do make a point of talking about things, but

0:30:29.480 --> 0:30:32.000
<v Speaker 1>I would say, I mean, I'm a whore. I'm not

0:30:32.040 --> 0:30:34.520
<v Speaker 1>going to tell you that I'm not, but I would

0:30:34.520 --> 0:30:37.960
<v Speaker 1>say that, I mean, there's not many places more famous

0:30:38.000 --> 0:30:41.520
<v Speaker 1>than the Rhyman, And I think you know everyone in

0:30:41.640 --> 0:30:45.600
<v Speaker 1>Nashville has well, most people have been to the Bridgestone,

0:30:45.720 --> 0:30:50.040
<v Speaker 1>And so you know the difference between the Bridgestone and

0:30:50.160 --> 0:30:53.680
<v Speaker 1>some arena that was built in nineteen sixty is it's

0:30:53.720 --> 0:30:57.640
<v Speaker 1>a pretty dramatic difference. Is it harder to heckle you

0:30:58.320 --> 0:31:02.160
<v Speaker 1>if someone were to heckle in a like an arena.

0:31:02.920 --> 0:31:05.640
<v Speaker 1>I never thought about that, said, I never really thought

0:31:05.640 --> 0:31:10.200
<v Speaker 1>about that. I mean, my comedy I don't really bring

0:31:10.240 --> 0:31:13.000
<v Speaker 1>out the hecklers, you know what I mean. It's not

0:31:13.840 --> 0:31:17.440
<v Speaker 1>I'm not you know, I don't really pedal in shock,

0:31:17.840 --> 0:31:21.640
<v Speaker 1>you know, like if there's kind of a victim of

0:31:21.720 --> 0:31:27.479
<v Speaker 1>my commentary, it's usually myself. So but yeah, I would say,

0:31:27.520 --> 0:31:29.640
<v Speaker 1>I guess to answer your question, it probably would be

0:31:29.760 --> 0:31:35.680
<v Speaker 1>weirder in a bigger place, probably less effective. Now, yes,

0:31:35.800 --> 0:31:40.160
<v Speaker 1>I think you're universally love You're a beloved character. But

0:31:40.280 --> 0:31:44.000
<v Speaker 1>as an example, I was performing at the Right at

0:31:43.800 --> 0:31:47.160
<v Speaker 1>the Opera the Grandilobry a few nights ago, and when

0:31:47.160 --> 0:31:49.480
<v Speaker 1>I was there, I was doing some comedy, but I

0:31:49.520 --> 0:31:51.800
<v Speaker 1>was getting love heckled. There were some people from the

0:31:51.840 --> 0:31:54.160
<v Speaker 1>state that I'm from, and they kept going, we love you,

0:31:54.320 --> 0:31:56.040
<v Speaker 1>like in the middle of a joke, and it was

0:31:56.120 --> 0:31:59.120
<v Speaker 1>driving and they weren't saying I suck, but they were

0:31:59.160 --> 0:32:02.120
<v Speaker 1>like love heckling, And do you ever get like love

0:32:02.200 --> 0:32:04.080
<v Speaker 1>heckled where you like, guys, I know you love me,

0:32:04.120 --> 0:32:06.960
<v Speaker 1>but you gotta let me do a thing. Well, it's yeah,

0:32:07.000 --> 0:32:12.080
<v Speaker 1>I mean it can be. There are disruptive, you know, Like, yeah,

0:32:12.120 --> 0:32:15.520
<v Speaker 1>I mean there's people that yell hot pockets and stuff

0:32:15.560 --> 0:32:19.880
<v Speaker 1>like that, or will yell certain jokes, but not that often.

0:32:20.080 --> 0:32:23.200
<v Speaker 1>I would say people that like my comedy, it's less

0:32:23.200 --> 0:32:27.400
<v Speaker 1>of you know, obviously there's a conversation with the audience,

0:32:27.480 --> 0:32:31.840
<v Speaker 1>But I would say people that come to my shows,

0:32:32.040 --> 0:32:34.840
<v Speaker 1>it's you know, it's a different experience. You're coming for

0:32:34.920 --> 0:32:40.000
<v Speaker 1>the comedy, You're not coming for the interaction or like,

0:32:40.040 --> 0:32:42.280
<v Speaker 1>no one's coming to see what I'm wearing, do you

0:32:42.320 --> 0:32:44.200
<v Speaker 1>know what I mean? No one's coming to hear like

0:32:44.280 --> 0:32:47.600
<v Speaker 1>a celebrity story from me, you know what I mean.

0:32:47.680 --> 0:32:52.560
<v Speaker 1>So it's it's a different experience. We have artists that

0:32:52.640 --> 0:32:55.160
<v Speaker 1>come by and friends of ours in the music industry,

0:32:55.160 --> 0:32:57.080
<v Speaker 1>and if they've had a hit for a long time,

0:32:57.120 --> 0:32:59.320
<v Speaker 1>they know they have to play the hit, but they

0:32:59.360 --> 0:33:01.520
<v Speaker 1>also don't want to play the hit because they've played

0:33:01.520 --> 0:33:04.680
<v Speaker 1>the hit so many times you mentioned hot pocket. Is

0:33:04.680 --> 0:33:06.160
<v Speaker 1>that how you feel at that point when you have

0:33:06.200 --> 0:33:08.760
<v Speaker 1>to kind of bring that back up. It's you know,

0:33:08.880 --> 0:33:14.440
<v Speaker 1>it's it's been evolving. Like three years ago, four years

0:33:14.440 --> 0:33:16.560
<v Speaker 1>ago you would have said, I would have said I

0:33:16.720 --> 0:33:21.000
<v Speaker 1>have to end with it. But you know, I've done

0:33:21.160 --> 0:33:25.400
<v Speaker 1>so many specials that I mean, there might be like

0:33:25.440 --> 0:33:27.680
<v Speaker 1>a thirteen year old boy that definitely wants to hear

0:33:27.760 --> 0:33:30.280
<v Speaker 1>the hot pockets thing. I'm moving a little slow tonight,

0:33:30.320 --> 0:33:39.480
<v Speaker 1>I had a hot pocket for dinner. Good to see

0:33:39.560 --> 0:33:44.160
<v Speaker 1>I'm not the only white trash here. I was looking

0:33:44.160 --> 0:33:46.640
<v Speaker 1>at a box of hot pockets. They have a warning

0:33:46.800 --> 0:33:49.800
<v Speaker 1>printed on the side. So that morning you just bought

0:33:49.880 --> 0:33:53.360
<v Speaker 1>hot pockets, hope you're a drunk or heading home to

0:33:53.440 --> 0:33:57.520
<v Speaker 1>a trailer you he'll Billy enjoy the next Nash Car

0:33:57.600 --> 0:34:06.760
<v Speaker 1>event pocket. But some of it is with stand up

0:34:07.000 --> 0:34:11.759
<v Speaker 1>Unlike music, I think, you know, the unspoken agreement is

0:34:11.800 --> 0:34:13.880
<v Speaker 1>that it's going to be new material, and it's going

0:34:13.920 --> 0:34:15.719
<v Speaker 1>to be good new material, you know what I mean.

0:34:15.800 --> 0:34:21.640
<v Speaker 1>So like people intellectually think they want to hear the

0:34:21.680 --> 0:34:27.759
<v Speaker 1>old stuff, but in it's the surprise element of stand up.

0:34:27.840 --> 0:34:31.760
<v Speaker 1>So it's the unknown element that I think people really

0:34:31.800 --> 0:34:34.960
<v Speaker 1>look forward to. But that being said, there is a

0:34:35.040 --> 0:34:38.359
<v Speaker 1>huge advantage of them knowing my point of view, so

0:34:38.440 --> 0:34:40.880
<v Speaker 1>like similar to when you do a show, they know you,

0:34:41.239 --> 0:34:43.960
<v Speaker 1>so they know what your point of view is going

0:34:44.040 --> 0:34:48.480
<v Speaker 1>to be about. So there's it's an advantage and also

0:34:48.640 --> 0:34:53.720
<v Speaker 1>it establishes a level of communication that is not immediately apparent.

0:34:53.920 --> 0:34:55.719
<v Speaker 1>I used to watch your tv Land show, loved it.

0:34:55.719 --> 0:34:57.960
<v Speaker 1>Thought it was just a brilliant show. And you know,

0:34:58.000 --> 0:35:00.120
<v Speaker 1>it's about you and your family and your kids, and

0:35:00.800 --> 0:35:02.799
<v Speaker 1>you know, I wonder how realistic that is. Do your

0:35:02.880 --> 0:35:05.480
<v Speaker 1>kids at this point do they think you're funny? Have

0:35:05.560 --> 0:35:08.160
<v Speaker 1>they come along and involved to know that their dad

0:35:08.239 --> 0:35:10.600
<v Speaker 1>is funny? Now it's so funny because that tv Land

0:35:10.640 --> 0:35:14.319
<v Speaker 1>show was in some way, I don't know how long.

0:35:14.440 --> 0:35:17.000
<v Speaker 1>You know, time is such a blur. It's so I'm

0:35:17.040 --> 0:35:20.760
<v Speaker 1>on vacation right now with my family. I think any parent,

0:35:21.480 --> 0:35:26.399
<v Speaker 1>there is a lot of yeah, my kids, you know,

0:35:26.800 --> 0:35:30.360
<v Speaker 1>humor is very important in our family. But they're also

0:35:30.440 --> 0:35:33.960
<v Speaker 1>the harshest critics. What's what's unique about this tour that

0:35:34.040 --> 0:35:37.880
<v Speaker 1>I'm doing is that my sixteen year old son is

0:35:37.920 --> 0:35:42.960
<v Speaker 1>also opening. So um, it's one of those things where

0:35:43.880 --> 0:35:48.040
<v Speaker 1>his I mean, I think he's really funny, and but

0:35:48.239 --> 0:35:51.399
<v Speaker 1>it's so it's like humor is pretty important, but like,

0:35:51.840 --> 0:35:54.399
<v Speaker 1>so his sense humor is different from mine. I don't

0:35:54.400 --> 0:35:58.120
<v Speaker 1>know if I'm even answering the question, but yeah, you

0:35:58.160 --> 0:36:00.600
<v Speaker 1>are in a way. Can you just they go, my

0:36:00.680 --> 0:36:04.080
<v Speaker 1>dad's hilarious or are you just their dad? And you're

0:36:04.120 --> 0:36:07.040
<v Speaker 1>just their dad? That's also a comedian that tells joke

0:36:07.080 --> 0:36:09.360
<v Speaker 1>to other people. Yeah, I mean, I've got five kids,

0:36:09.360 --> 0:36:12.800
<v Speaker 1>so it depends on the age. My seventeen year old

0:36:13.640 --> 0:36:17.360
<v Speaker 1>probably thinks I'm funny, but you know, her favorite comedian

0:36:17.520 --> 0:36:22.319
<v Speaker 1>is John Mulaney. My sixteen year old who's opening for me.

0:36:22.440 --> 0:36:26.279
<v Speaker 1>He's much more of an Eric Andre guy. But and

0:36:26.320 --> 0:36:28.560
<v Speaker 1>then my twelve year old probably doesn't think I'm funny

0:36:28.560 --> 0:36:32.160
<v Speaker 1>at all. My ten year old, you know, he's just

0:36:32.239 --> 0:36:34.799
<v Speaker 1>my dad, and my nine year old he's just my dad.

0:36:34.960 --> 0:36:39.239
<v Speaker 1>But yeah, it's weird. It's because my comedy is not

0:36:39.800 --> 0:36:43.719
<v Speaker 1>It's nothing to be that embarrassed about. So I talk

0:36:43.800 --> 0:36:47.160
<v Speaker 1>about my family and I talk about parenting and all that,

0:36:47.320 --> 0:36:50.399
<v Speaker 1>but it's not one of those things where they would

0:36:50.440 --> 0:36:55.160
<v Speaker 1>be embarrassed to be associated with the material You mentioned

0:36:55.200 --> 0:36:58.480
<v Speaker 1>your on vacation. Would you be like, Oh, I'm on vacation,

0:36:58.520 --> 0:37:00.760
<v Speaker 1>but hey and ask your wife. Have a little comedy

0:37:00.760 --> 0:37:03.279
<v Speaker 1>club down the street. Can I swing over there and

0:37:03.320 --> 0:37:06.320
<v Speaker 1>do like a little a little little you know, session,

0:37:06.800 --> 0:37:09.080
<v Speaker 1>a little set. Would you do that or would she

0:37:09.120 --> 0:37:12.640
<v Speaker 1>allow that? Yeah, I would do that and she would um, Well,

0:37:13.120 --> 0:37:17.400
<v Speaker 1>this world, this vacation is. I just did a week

0:37:17.680 --> 0:37:20.040
<v Speaker 1>in I was in Mexico City for a week and

0:37:20.080 --> 0:37:21.680
<v Speaker 1>I did a show at the end of the week.

0:37:22.040 --> 0:37:26.280
<v Speaker 1>It's weird because yeah, I definitely like comedians have to perform,

0:37:26.680 --> 0:37:31.640
<v Speaker 1>so some of it is I do always like if

0:37:31.680 --> 0:37:35.759
<v Speaker 1>we go on vacations, I'll usually line up shows, like

0:37:35.960 --> 0:37:39.120
<v Speaker 1>during the you know, last Christmas, we were in Florida,

0:37:39.239 --> 0:37:42.240
<v Speaker 1>so I brought my family and I did some shows

0:37:42.239 --> 0:37:46.160
<v Speaker 1>around Florida. And I've done that with you know, like

0:37:46.200 --> 0:37:49.080
<v Speaker 1>we did skiing, you know. But like part of me,

0:37:49.200 --> 0:37:53.239
<v Speaker 1>it's too hard. It's because it's two different mindsets. I mean,

0:37:53.280 --> 0:37:55.080
<v Speaker 1>I don't know about you. I don't even know about

0:37:55.120 --> 0:37:59.080
<v Speaker 1>your family situation. But the role of a parent is

0:37:59.120 --> 0:38:02.160
<v Speaker 1>completely different from the job you know what I mean,

0:38:02.480 --> 0:38:04.960
<v Speaker 1>I do not because I don't have kids yet, but

0:38:05.200 --> 0:38:07.880
<v Speaker 1>I would assume that when I'm with my wife. The

0:38:07.960 --> 0:38:10.879
<v Speaker 1>role of a husband is different than the job, and

0:38:10.920 --> 0:38:14.120
<v Speaker 1>so I'm having Also, I don't get I don't not allowed,

0:38:14.560 --> 0:38:17.200
<v Speaker 1>not allowed. I'll just say it, I'm not allowed. He's like,

0:38:17.360 --> 0:38:19.160
<v Speaker 1>I wouldn't get to work. Yeah, I don't. I mean

0:38:19.160 --> 0:38:21.080
<v Speaker 1>I can try to relate, but I'm not allowed. Jim

0:38:21.080 --> 0:38:24.120
<v Speaker 1>Gaffigan is doing the Fun Tour. You guys can go

0:38:24.160 --> 0:38:26.520
<v Speaker 1>to Jim gaffigan dot com if you want to get

0:38:26.520 --> 0:38:28.640
<v Speaker 1>tickets in so many of the cities our show is.

0:38:28.680 --> 0:38:33.040
<v Speaker 1>I mean, you're almost tore like Zeppelin in the sixties.

0:38:33.160 --> 0:38:35.440
<v Speaker 1>You go to every city every night. I'm like, I'm

0:38:35.440 --> 0:38:37.399
<v Speaker 1>looking at the fourth, sixth, seventh, eighth nights. You tore

0:38:37.480 --> 0:38:41.040
<v Speaker 1>like a rock star and soya gonna be out all

0:38:41.080 --> 0:38:44.200
<v Speaker 1>over the place. Will you are you working on as

0:38:44.200 --> 0:38:47.439
<v Speaker 1>special as you do this or do you already have it? Yes?

0:38:47.920 --> 0:38:52.000
<v Speaker 1>You know, as I mentioned, it's all the unspoken agreement

0:38:52.120 --> 0:38:56.400
<v Speaker 1>is that it's all new material, and it's ever creating

0:38:56.960 --> 0:39:02.120
<v Speaker 1>new material. The expectation is that I'll tape, especially in October,

0:39:02.840 --> 0:39:05.319
<v Speaker 1>but if I get a movie or something, that might

0:39:05.440 --> 0:39:08.879
<v Speaker 1>mess it up. But yeah, it's always you know, stand

0:39:08.960 --> 0:39:13.360
<v Speaker 1>ups very much self assignment and for me, if I'm

0:39:13.360 --> 0:39:15.520
<v Speaker 1>performing a lot, if I'm doing like you were talking

0:39:15.520 --> 0:39:18.480
<v Speaker 1>about those multiple nights in a row, like, that's a

0:39:18.600 --> 0:39:22.640
<v Speaker 1>very creative time for me. That's where I you know,

0:39:22.719 --> 0:39:25.320
<v Speaker 1>I essentially do nothing during the day except for listen

0:39:25.360 --> 0:39:28.400
<v Speaker 1>to the set and kind of write and rewrite. Yeah,

0:39:28.440 --> 0:39:31.440
<v Speaker 1>it's it's it's what I love though. Jim, good to

0:39:31.480 --> 0:39:33.279
<v Speaker 1>talk to you. I hope the tour is amazing. I'm

0:39:33.280 --> 0:39:35.160
<v Speaker 1>sure it will be. And you know, just a big

0:39:35.160 --> 0:39:38.200
<v Speaker 1>fan of your work and appreciates time. Appreciate it all right,

0:39:38.200 --> 0:39:42.000
<v Speaker 1>there is Jim gaffin everybody. It's the best bits of

0:39:42.000 --> 0:39:47.359
<v Speaker 1>the week with Morgan number two in hot at number three.

0:39:47.480 --> 0:39:50.480
<v Speaker 1>Lunchboxes out at a restaurant this weekend and he confronted

0:39:50.840 --> 0:39:55.040
<v Speaker 1>a customer over a V eight pen. Yes you heard

0:39:55.080 --> 0:39:58.280
<v Speaker 1>that all correctly. They're sitting out on the patio. Lunchbox

0:39:58.320 --> 0:40:00.480
<v Speaker 1>confronted him. And we'll just let you see how this

0:40:00.480 --> 0:40:03.040
<v Speaker 1>all play is out, and then you can decide if

0:40:03.080 --> 0:40:07.160
<v Speaker 1>you're on team Lunchbox or team vape. I mean, listen,

0:40:07.800 --> 0:40:10.359
<v Speaker 1>I gotta say, Raymundo and I in the conversation in

0:40:10.400 --> 0:40:13.240
<v Speaker 1>part one, we're both on the same team. So maybe

0:40:13.320 --> 0:40:14.960
<v Speaker 1>listen to this, and if you haven't listened to the

0:40:14.960 --> 0:40:16.920
<v Speaker 1>interview yet, think I'll listen to that so you can

0:40:16.960 --> 0:40:20.800
<v Speaker 1>see which side we take. Number three. Okay, so Lunchbox

0:40:20.800 --> 0:40:22.840
<v Speaker 1>can front at some line at a restaurant. Again, do

0:40:22.880 --> 0:40:26.280
<v Speaker 1>you know this story? I don't. Okay, Lunchbox take it away.

0:40:26.360 --> 0:40:28.239
<v Speaker 1>So the family and I we went out to eat

0:40:28.239 --> 0:40:30.600
<v Speaker 1>at a little chicken place. And we're sitting on the patio.

0:40:30.680 --> 0:40:33.399
<v Speaker 1>It's a little casual place and we're eating and there's

0:40:33.400 --> 0:40:35.360
<v Speaker 1>a woman and I would say her husband, her boyfriend,

0:40:35.440 --> 0:40:38.920
<v Speaker 1>sitting about two tables away, and she keeps pulling out

0:40:38.960 --> 0:40:44.160
<v Speaker 1>her a little stupid vape thing and and blowing the

0:40:44.239 --> 0:40:46.840
<v Speaker 1>vape in you know, the smoke, vape whatever you call it,

0:40:46.880 --> 0:40:49.040
<v Speaker 1>in the air. And I guess we're down win because

0:40:49.080 --> 0:40:52.880
<v Speaker 1>every time she's blowing it, it goes across our table

0:40:52.920 --> 0:40:55.520
<v Speaker 1>while you're eating. While we're eating at a restaurant. And

0:40:55.560 --> 0:40:57.799
<v Speaker 1>I'm like, okay, it's not a bar. It's not like

0:40:57.840 --> 0:41:00.840
<v Speaker 1>we're at a club. We're at a restaurant. So I

0:41:00.920 --> 0:41:03.120
<v Speaker 1>was like, I'm going over there. I walk it. Hold on,

0:41:03.200 --> 0:41:07.520
<v Speaker 1>hold one awkward, let me I want to visualize the scene.

0:41:07.600 --> 0:41:11.439
<v Speaker 1>You're sitting outside on a patio, on a patio down

0:41:11.560 --> 0:41:15.280
<v Speaker 1>when I'm a woman vaping eating dinner, yes, boy smoking

0:41:15.280 --> 0:41:17.520
<v Speaker 1>and eating Phil seven, nineteen eighties. Well they weren't eating.

0:41:17.520 --> 0:41:19.920
<v Speaker 1>They would just had a couple of beers. Okay, okay,

0:41:20.000 --> 0:41:22.800
<v Speaker 1>well we don't now we know the environment. We had chicken.

0:41:22.920 --> 0:41:24.839
<v Speaker 1>But he had get kids with him. Yeah, I had

0:41:24.840 --> 0:41:27.520
<v Speaker 1>the kids with me. So what kind of environment is it? Well,

0:41:27.560 --> 0:41:31.640
<v Speaker 1>I was picturing a place where no, but if people,

0:41:31.640 --> 0:41:33.320
<v Speaker 1>if it's a place where people sit on the patio

0:41:33.360 --> 0:41:35.520
<v Speaker 1>and have a few beers. Now I'm getting the vibe

0:41:35.560 --> 0:41:38.359
<v Speaker 1>that maybe you can vape. That could be Applebee's. Yeah,

0:41:38.360 --> 0:41:39.719
<v Speaker 1>that's what I was gonna say. A bit chilies and

0:41:39.680 --> 0:41:43.040
<v Speaker 1>Applebees outside. Oh they have outside eating some Yeah. It's

0:41:43.080 --> 0:41:45.160
<v Speaker 1>literally a restaurant. You walk up with the counter, order

0:41:45.200 --> 0:41:47.160
<v Speaker 1>your food, then they bring it out to you. Okay, okay,

0:41:47.239 --> 0:41:49.160
<v Speaker 1>go ahead. And so I was like, I said, I'm

0:41:49.200 --> 0:41:50.839
<v Speaker 1>going over there. After the third time, I was like,

0:41:50.920 --> 0:41:53.359
<v Speaker 1>I can't handle the vape smoke. And so I walk

0:41:53.480 --> 0:41:56.319
<v Speaker 1>up to her and I said, hey, you know, we're

0:41:56.400 --> 0:41:58.120
<v Speaker 1>kind of eating dinner over there, and every time you're

0:41:58.120 --> 0:42:01.479
<v Speaker 1>doing this vape thing, the smoke or whatever, it's coming

0:42:01.520 --> 0:42:03.640
<v Speaker 1>over there and getting on this. Could you please maybe

0:42:03.719 --> 0:42:08.239
<v Speaker 1>not do that? And she says, we're outside. If you

0:42:08.360 --> 0:42:10.399
<v Speaker 1>got a problem with it, then you need to move.

0:42:13.520 --> 0:42:16.720
<v Speaker 1>So what did you do your reaction to that statement,

0:42:16.920 --> 0:42:20.799
<v Speaker 1>I said, hey, we got kids, can you be a

0:42:20.800 --> 0:42:23.640
<v Speaker 1>little bit more, you know, accommodating, like show some What

0:42:23.719 --> 0:42:26.239
<v Speaker 1>do you call it? Grace? I said, because it's grace.

0:42:27.560 --> 0:42:30.839
<v Speaker 1>What do you call it? I said, it's passion? I said,

0:42:31.640 --> 0:42:34.120
<v Speaker 1>whatever I said, grace, I said, I said, you're being

0:42:34.160 --> 0:42:38.160
<v Speaker 1>extremely rude and I don't appreciate it, and shows thank

0:42:38.200 --> 0:42:40.400
<v Speaker 1>you for your thank you, and then that's it. And

0:42:40.560 --> 0:42:41.959
<v Speaker 1>I went back to table and I was like, okay.

0:42:42.000 --> 0:42:43.760
<v Speaker 1>I told my wife said I'm going to get the manager.

0:42:43.800 --> 0:42:46.080
<v Speaker 1>Were you heated? I was heated? You know? I did

0:42:46.080 --> 0:42:47.799
<v Speaker 1>she have a dude with her? Yes? And why didn't

0:42:47.800 --> 0:42:50.000
<v Speaker 1>he step in and beat you up? Now? He's just chill.

0:42:50.400 --> 0:42:53.560
<v Speaker 1>He just chill right, not that vet now. And so

0:42:53.719 --> 0:42:55.319
<v Speaker 1>I was just like I went back to my wife

0:42:55.320 --> 0:42:58.799
<v Speaker 1>and said, she said it's our problem. If we're outside,

0:42:58.800 --> 0:43:00.520
<v Speaker 1>she can do it. And I said, I'm going to

0:43:00.520 --> 0:43:02.440
<v Speaker 1>get the manager. And my wife said no, we'll just

0:43:02.520 --> 0:43:06.719
<v Speaker 1>move inside. And I was like, I'm surprised that you

0:43:06.719 --> 0:43:09.880
<v Speaker 1>didn't take your phone out and record her doing that. Well,

0:43:10.280 --> 0:43:11.960
<v Speaker 1>I didn't want to start a fight with the kids,

0:43:12.280 --> 0:43:14.400
<v Speaker 1>and so I just was nice with my wife. My

0:43:14.440 --> 0:43:16.640
<v Speaker 1>wife saying we would move inside. I was just like, okay,

0:43:16.640 --> 0:43:18.640
<v Speaker 1>and I went inside and I talked about it for,

0:43:18.880 --> 0:43:20.600
<v Speaker 1>you know, two days straight. I mean I just sat

0:43:20.600 --> 0:43:24.200
<v Speaker 1>there and I was just like, I was so frustrated

0:43:24.239 --> 0:43:27.239
<v Speaker 1>and so angry that I felt like she was so

0:43:27.360 --> 0:43:30.600
<v Speaker 1>out of line. Okay, he's bringing it to the room. Yeah,

0:43:30.600 --> 0:43:33.120
<v Speaker 1>who are you team me or team base? Well, it's

0:43:33.120 --> 0:43:34.560
<v Speaker 1>hard to be team BAPE. I'm not gonna call it

0:43:34.600 --> 0:43:37.480
<v Speaker 1>team I'm not tea. I'm gonna called team outside eater

0:43:38.080 --> 0:43:41.480
<v Speaker 1>or team lunchbox team Okay. I wish I knew the

0:43:41.520 --> 0:43:45.560
<v Speaker 1>restaurant rules. I guess what did he say? The manager said? No,

0:43:45.640 --> 0:43:47.279
<v Speaker 1>I didn't go to the manager because my wife goes

0:43:47.320 --> 0:43:50.319
<v Speaker 1>no move inside. And I will say this for you.

0:43:50.400 --> 0:43:52.239
<v Speaker 1>I think you did the right thing because the kids

0:43:52.239 --> 0:43:57.279
<v Speaker 1>were there to just move and continue the day and

0:43:57.400 --> 0:44:00.399
<v Speaker 1>be mad later, because I would not have been able

0:44:00.440 --> 0:44:04.080
<v Speaker 1>to do that. I don't think I would have been

0:44:04.120 --> 0:44:08.080
<v Speaker 1>able to keep my cool in that situation. Amy, I

0:44:08.160 --> 0:44:10.360
<v Speaker 1>just move like I don't know whose side are you on.

0:44:10.520 --> 0:44:15.399
<v Speaker 1>I'm on team are you team vape? I'm team I'm

0:44:15.440 --> 0:44:18.799
<v Speaker 1>Team Vape because I'm not Team Vape. Listen, I'm not

0:44:18.880 --> 0:44:22.600
<v Speaker 1>Team Vape. But it is outside, so they do have that,

0:44:22.680 --> 0:44:25.080
<v Speaker 1>so I would probably just move inside and not make

0:44:25.120 --> 0:44:27.600
<v Speaker 1>a big deal about it. Therefore I'm folding. I'm almost

0:44:27.680 --> 0:44:31.160
<v Speaker 1>giving the vapor grace. I'm not team Vape because that

0:44:31.200 --> 0:44:33.160
<v Speaker 1>doesn't mean you have you don't. Just because you're outside

0:44:33.160 --> 0:44:35.160
<v Speaker 1>doesn't mean you have the right to affect other people's

0:44:35.160 --> 0:44:38.640
<v Speaker 1>eating like you're outside because you enjoy it. You can't

0:44:38.880 --> 0:44:41.480
<v Speaker 1>just do stuff that affects other people eating. But unless

0:44:41.480 --> 0:44:43.800
<v Speaker 1>the restaurant has rules against well they may have, I

0:44:43.840 --> 0:44:45.520
<v Speaker 1>don't know. He didn't have no idea, And there's no

0:44:45.600 --> 0:44:47.760
<v Speaker 1>sign that says no smoking at our restaurant. If someone

0:44:47.800 --> 0:44:50.000
<v Speaker 1>comes up, just walk over to the edge and do

0:44:50.040 --> 0:44:52.520
<v Speaker 1>that so you're not blowing it on people. You don't

0:44:52.520 --> 0:44:55.279
<v Speaker 1>have the right to ruin other people's dining experience just

0:44:55.360 --> 0:44:58.759
<v Speaker 1>because you're outside. I don't know why they wouldn't just

0:44:58.760 --> 0:45:01.680
<v Speaker 1>accommodate that request. Yeah, or just move on the other

0:45:01.680 --> 0:45:03.239
<v Speaker 1>side of us where the wind is bull You know what,

0:45:03.320 --> 0:45:04.839
<v Speaker 1>I mean like there was no one on the other

0:45:04.840 --> 0:45:06.600
<v Speaker 1>side of us, So just move over there. Yeah, just

0:45:06.680 --> 0:45:08.040
<v Speaker 1>get your outside. You don't have full rights to do

0:45:08.080 --> 0:45:10.839
<v Speaker 1>anything you want. Eddie, this is tough, but I'm gonna

0:45:10.880 --> 0:45:15.160
<v Speaker 1>go team lunchbox. Yes, team lunchbox because look me too,

0:45:15.360 --> 0:45:19.279
<v Speaker 1>just because you're outside that you're affecting other people trying

0:45:19.320 --> 0:45:21.919
<v Speaker 1>to eat, Like if somebody was cursing, same thing. Yeah, can't.

0:45:21.920 --> 0:45:23.759
<v Speaker 1>You can't just let off sting balls exactly. You can't

0:45:23.760 --> 0:45:26.080
<v Speaker 1>just do stuff that affects other people sitting next to you.

0:45:26.239 --> 0:45:29.040
<v Speaker 1>The vape was affecting his family, So I'm on his side. Wow,

0:45:29.360 --> 0:45:32.279
<v Speaker 1>I guess I'm the only one that's like, pulls out

0:45:32.280 --> 0:45:35.000
<v Speaker 1>our vape. I do not vape, and I would not

0:45:35.120 --> 0:45:37.239
<v Speaker 1>be happy with the vaping, but I would just yeah,

0:45:37.280 --> 0:45:39.120
<v Speaker 1>I wouldn't. I'd be like, well, I guess they get

0:45:39.120 --> 0:45:41.759
<v Speaker 1>to do it. I just don't know the rules. It

0:45:41.800 --> 0:45:43.919
<v Speaker 1>would be like if they were a dog, you get

0:45:43.920 --> 0:45:48.319
<v Speaker 1>to have the dog, but if the dog is running peeing, correct, well,

0:45:48.320 --> 0:45:50.879
<v Speaker 1>we're outside even though it's peeing over here by our tape,

0:45:51.000 --> 0:45:54.120
<v Speaker 1>and dogs are allowed. Okay, So Eddie brought up cussing.

0:45:54.440 --> 0:45:56.480
<v Speaker 1>So if someone's telling a story at the table next

0:45:56.480 --> 0:45:58.600
<v Speaker 1>to you and you've got kids and someone's being really

0:45:58.640 --> 0:46:01.000
<v Speaker 1>loud and kind of vulgar. But it's like their table

0:46:01.040 --> 0:46:03.680
<v Speaker 1>and their story. Yeah you can't. You shouldn't do that. Yeah,

0:46:03.680 --> 0:46:05.440
<v Speaker 1>I don't have inside a oundside. You should write that.

0:46:05.520 --> 0:46:07.799
<v Speaker 1>I know a lot of manager no, but I mean

0:46:07.840 --> 0:46:11.200
<v Speaker 1>the national team curse. I just saw my dad. My

0:46:11.280 --> 0:46:12.920
<v Speaker 1>dad used to get up and go tell them I

0:46:12.960 --> 0:46:15.840
<v Speaker 1>have kids over there, so just quiet with that cursing,

0:46:15.920 --> 0:46:18.560
<v Speaker 1>and they'd be like old damn. I would see this

0:46:18.680 --> 0:46:22.360
<v Speaker 1>with my eyes. I hated you on Team Vapor, Team Lunchbox.

0:46:22.400 --> 0:46:24.239
<v Speaker 1>I just got to commit to Team Vape. Yeah me,

0:46:24.640 --> 0:46:27.200
<v Speaker 1>team Lunchbox. I think I'm with Amy on team Bathe

0:46:27.200 --> 0:46:31.280
<v Speaker 1>and that I just want go inside and avoid because

0:46:31.280 --> 0:46:33.880
<v Speaker 1>the reality is so many people do it now that like,

0:46:34.760 --> 0:46:36.960
<v Speaker 1>and it's fine to do it, but move on. If

0:46:37.000 --> 0:46:38.319
<v Speaker 1>you want to do it, make sure it's not blown

0:46:38.320 --> 0:46:40.960
<v Speaker 1>over the people, the baby's faces. I know, but it

0:46:41.080 --> 0:46:43.040
<v Speaker 1>just happened so often. I feel like I would just

0:46:43.080 --> 0:46:44.759
<v Speaker 1>like be like, it's on me to move inside and

0:46:44.800 --> 0:46:48.040
<v Speaker 1>take care of my kids instead of having them all. Yeah,

0:46:48.520 --> 0:46:53.040
<v Speaker 1>you know what else happens often? Murder? Okay, because it

0:46:53.120 --> 0:46:57.280
<v Speaker 1>happens often every day in the nude there's a murder. Okay,

0:47:01.360 --> 0:47:04.880
<v Speaker 1>Ray understand team vape for teen Lunchbox. I'm team vape

0:47:04.960 --> 0:47:08.640
<v Speaker 1>all the way. It's almost impossible to smell those vapes, really,

0:47:08.680 --> 0:47:10.680
<v Speaker 1>but he did and it was and the smoke was

0:47:10.719 --> 0:47:15.640
<v Speaker 1>going over seeing it's coming. I'm telling you, yeah, ten

0:47:15.760 --> 0:47:19.360
<v Speaker 1>Lunchbox lost. Wow, I can't believe it. It's tied. No,

0:47:19.480 --> 0:47:22.200
<v Speaker 1>it's three. Well, he doesn't get a vote. Was it

0:47:22.239 --> 0:47:24.239
<v Speaker 1>the actual scenario that lost or just the fact that

0:47:24.239 --> 0:47:26.160
<v Speaker 1>it was Lunchbox. I don't want to send it. I

0:47:26.160 --> 0:47:31.320
<v Speaker 1>could separate the arc a lunch about feel bad about yourself?

0:47:32.120 --> 0:47:35.800
<v Speaker 1>I lost a vape. It's the best bits of the

0:47:35.840 --> 0:47:43.560
<v Speaker 1>week with Morgan number two. Y'all loved this segment, mostly

0:47:43.560 --> 0:47:46.200
<v Speaker 1>because you guys almost just love hearing us seeing terribly.

0:47:46.239 --> 0:47:49.000
<v Speaker 1>I think that's a common theme on this show and

0:47:49.160 --> 0:47:52.799
<v Speaker 1>with our listeners. Amy and Eddie practiced the duet that

0:47:52.840 --> 0:47:55.800
<v Speaker 1>Amy's about to do with Ryan Hurd when he comes

0:47:55.800 --> 0:47:58.960
<v Speaker 1>into the studio. She needed some practice, at least that's

0:47:58.960 --> 0:48:01.839
<v Speaker 1>what she said, and so she brought on Eddie and

0:48:02.280 --> 0:48:04.359
<v Speaker 1>they sang it out. We got to hear their whole

0:48:04.400 --> 0:48:08.719
<v Speaker 1>practice and Bobby and Eddie's suggestions for Amy when it

0:48:08.760 --> 0:48:11.439
<v Speaker 1>comes to singing with Ryan. It's a whole thing and

0:48:11.560 --> 0:48:13.040
<v Speaker 1>a lot of people got a lot of good laughs

0:48:13.080 --> 0:48:15.600
<v Speaker 1>out of it. So if you need a smile on

0:48:15.600 --> 0:48:19.680
<v Speaker 1>this beautiful Saturday, here you go. Number two, Ryan Heard

0:48:19.800 --> 0:48:22.719
<v Speaker 1>is coming in soon. You may know Ryan Heard from

0:48:22.760 --> 0:48:28.439
<v Speaker 1>this number one song right here. So that's Ryan Hurd

0:48:28.440 --> 0:48:30.520
<v Speaker 1>and his wife Marion Morris. And it's always been a

0:48:30.600 --> 0:48:32.520
<v Speaker 1>dream of Amy to sing that song with Ryan Hurd,

0:48:32.840 --> 0:48:35.319
<v Speaker 1>and so we're going to ask him when he comes up.

0:48:35.840 --> 0:48:38.480
<v Speaker 1>But Amy has requested, well, I need to rehearse. I

0:48:38.520 --> 0:48:41.120
<v Speaker 1>have to practice. And Eddie, he can sing, and he's

0:48:41.160 --> 0:48:43.799
<v Speaker 1>also good at impersonating artists, so I thought he could

0:48:43.800 --> 0:48:46.279
<v Speaker 1>just be Ryan. Oh, so we could practice, because like,

0:48:46.440 --> 0:48:49.840
<v Speaker 1>I have one shot and I don't want to be nervous.

0:48:49.920 --> 0:48:51.879
<v Speaker 1>I want to you can beat for a scholarship record dealer.

0:48:51.920 --> 0:48:54.600
<v Speaker 1>What you have one shot? I don't know? Oh, you

0:48:54.680 --> 0:48:58.560
<v Speaker 1>never know? Here is Amy, Edie? What do Yeah? Sure?

0:48:58.600 --> 0:49:00.440
<v Speaker 1>What is your impression of Ryan? Don't know? What am

0:49:00.440 --> 0:49:02.319
<v Speaker 1>I gonna do? It's pretty good? That's pretty good. Yeah,

0:49:02.360 --> 0:49:06.600
<v Speaker 1>it's Ryan Hurd. Yeah, let's practice the number one hit

0:49:07.040 --> 0:49:10.040
<v Speaker 1>Chasing after you with Amy as Marin and Eddie as

0:49:10.200 --> 0:49:13.759
<v Speaker 1>Ryan hurt. We've never done this, correct, isn't Yeah? Here

0:49:13.760 --> 0:49:19.480
<v Speaker 1>we go, Hey, y'all, I don't think that's part of it, though,

0:49:22.640 --> 0:49:28.920
<v Speaker 1>huh are you wrapping it? Let's do this right? You

0:49:29.080 --> 0:49:33.360
<v Speaker 1>come over when your wine's all gone. Always catch me

0:49:33.440 --> 0:49:37.400
<v Speaker 1>when I'm not that strong. Then you wind up staying

0:49:37.600 --> 0:49:43.719
<v Speaker 1>all night long. Ain't nothing got at me? Then I

0:49:43.840 --> 0:49:47.759
<v Speaker 1>wake up with you on my chests. Got a way

0:49:47.800 --> 0:49:52.799
<v Speaker 1>of making me forget girl with you. The answers always

0:49:53.040 --> 0:49:58.879
<v Speaker 1>yes every time you call, here go Amy, But I know, yeah,

0:49:58.920 --> 0:50:02.320
<v Speaker 1>I know, it's some matter of until you walk to

0:50:02.560 --> 0:50:12.120
<v Speaker 1>you stand and your lowly feeling, lack of food. Every time,

0:50:12.360 --> 0:50:16.120
<v Speaker 1>every time you say we're done, you come back to

0:50:16.160 --> 0:50:19.440
<v Speaker 1>the love you running from. I don't know why, I

0:50:19.560 --> 0:50:25.719
<v Speaker 1>don't know why let you, but you slow chasing out

0:50:26.400 --> 0:50:31.279
<v Speaker 1>after you are your part. Am. Wish I could put

0:50:31.400 --> 0:50:36.080
<v Speaker 1>you where, wish I could quit your but it feels

0:50:36.120 --> 0:50:44.120
<v Speaker 1>to good if I could turn you know, I woke crying.

0:50:44.280 --> 0:50:48.239
<v Speaker 1>You get it's a little higher that it's higher here.

0:50:48.280 --> 0:50:56.800
<v Speaker 1>You know it's a matter of because why I need crying? Hello?

0:50:56.840 --> 0:51:02.520
<v Speaker 1>I am right? My own verse watched me okay, Oh,

0:51:02.560 --> 0:51:05.440
<v Speaker 1>here we go, here we go. I'll be Marin. I

0:51:05.520 --> 0:51:07.400
<v Speaker 1>just started over. I don't want to go from the

0:51:07.440 --> 0:51:09.239
<v Speaker 1>very beginning, but just to skip it. You think you

0:51:09.239 --> 0:51:14.200
<v Speaker 1>can grab the chorus. Yeah, but already okay, but I know,

0:51:14.800 --> 0:51:17.960
<v Speaker 1>I know. It's a matter of time till you walk.

0:51:18.080 --> 0:51:21.440
<v Speaker 1>Do you walk back out of my mind? Please? Misston

0:51:22.600 --> 0:51:25.520
<v Speaker 1>like that. You gotta find that lack of fool high

0:51:26.239 --> 0:51:31.080
<v Speaker 1>go hire go. I don't know why. I don't know why.

0:51:31.480 --> 0:51:34.800
<v Speaker 1>Done you come back? I lower though I'm not a high,

0:51:35.120 --> 0:51:37.840
<v Speaker 1>but the song is. It's in that key. Marin sings

0:51:37.880 --> 0:51:40.879
<v Speaker 1>high lack of food. Well, you don't do it quite there?

0:51:41.560 --> 0:51:44.120
<v Speaker 1>Where push it a little bit like which where? Push?

0:51:45.239 --> 0:51:49.480
<v Speaker 1>Push it like from there? Not singing out over here?

0:51:49.760 --> 0:51:52.840
<v Speaker 1>Good good? If I could turn it off, you know what,

0:51:53.719 --> 0:51:57.160
<v Speaker 1>go that's something about you and make me thank we cool? Yeah?

0:51:57.440 --> 0:52:02.000
<v Speaker 1>Make it after all? No, start doing that thing where

0:52:02.000 --> 0:52:04.600
<v Speaker 1>you feel like you start to feel insecure about it,

0:52:04.600 --> 0:52:06.600
<v Speaker 1>so then you start freestyling to be funny. That killed

0:52:06.600 --> 0:52:08.960
<v Speaker 1>the vibe of a song about love. Okay, I'd rather

0:52:09.040 --> 0:52:11.319
<v Speaker 1>you say it bad and still have that passion like

0:52:11.400 --> 0:52:13.200
<v Speaker 1>when I'm singing in my car, I am like a

0:52:13.320 --> 0:52:16.479
<v Speaker 1>soft Marre and I'm like, yeah, no, yeah, no, it's

0:52:16.480 --> 0:52:19.479
<v Speaker 1>a matter of time to you walk to you walk,

0:52:19.520 --> 0:52:20.960
<v Speaker 1>And that's fine right there, But you don't have the

0:52:21.040 --> 0:52:24.560
<v Speaker 1>music with you, and you're not on key. You're not practice.

0:52:25.080 --> 0:52:27.040
<v Speaker 1>That's why we're doing. That's what we're doing. And I'm

0:52:27.040 --> 0:52:29.279
<v Speaker 1>going to practice every day until go home right now. No,

0:52:29.560 --> 0:52:32.960
<v Speaker 1>don't don't even else the show, go home and practice. Yeah, okay,

0:52:33.200 --> 0:52:36.400
<v Speaker 1>you got to just keep practicing. Yeah no, yeah, no, oh,

0:52:36.520 --> 0:52:39.680
<v Speaker 1>it's a matter of time you walk to your walk.

0:52:39.840 --> 0:52:42.320
<v Speaker 1>Right out of my laugh. I don't hear the passion.

0:52:42.400 --> 0:52:44.560
<v Speaker 1>I just don't hear the passion of the pushing. It's subtle.

0:52:44.640 --> 0:52:47.640
<v Speaker 1>It's subtle passion. Edie's dominating you in the song. He's

0:52:47.640 --> 0:52:49.920
<v Speaker 1>supposed to be subtle too, But it's what the passion

0:52:49.920 --> 0:52:51.279
<v Speaker 1>of the pushing and if you want to do it,

0:52:51.280 --> 0:52:54.600
<v Speaker 1>and you do a focus and passion push wow ppm

0:52:54.640 --> 0:52:58.640
<v Speaker 1>passion push. Okay, thank you? Um, we feel good? I

0:52:58.640 --> 0:53:05.560
<v Speaker 1>mean not yet, No, actually, I feel like any We

0:53:05.600 --> 0:53:10.640
<v Speaker 1>have to work every day. Okay. I was just doing

0:53:10.760 --> 0:53:12.680
<v Speaker 1>Ryan for a second. Now we're going to play the

0:53:12.719 --> 0:53:18.440
<v Speaker 1>song now and I'll sing along to it. It's the

0:53:18.480 --> 0:53:23.400
<v Speaker 1>best bits of the week with Morgan number two, and

0:53:23.520 --> 0:53:25.760
<v Speaker 1>this just makes sense to have at number one. Carrie

0:53:25.840 --> 0:53:28.520
<v Speaker 1>Underwood came into the show this week. She is so

0:53:28.560 --> 0:53:31.960
<v Speaker 1>stunning and so funny and just hoot whenever she comes

0:53:31.960 --> 0:53:34.120
<v Speaker 1>in the studio, So of course it had to come

0:53:34.160 --> 0:53:37.240
<v Speaker 1>in at number one, especially as much as y'all engaged

0:53:37.239 --> 0:53:40.439
<v Speaker 1>with this interview. So I highly encourage whether you listen

0:53:40.480 --> 0:53:42.719
<v Speaker 1>to it right now or you go watch it at

0:53:42.760 --> 0:53:46.080
<v Speaker 1>Bobby Bones dot com either or because it's just a fabulous,

0:53:46.120 --> 0:53:48.799
<v Speaker 1>like I don't know, twenty something in an interview with

0:53:48.880 --> 0:53:52.880
<v Speaker 1>Carrie Underwood, which is pretty freaking sweet. So here you

0:53:52.920 --> 0:53:58.120
<v Speaker 1>go number one on the Bobby Bones Show. Now, Carrie Underwood,

0:53:58.280 --> 0:54:00.000
<v Speaker 1>it has been a long time, Carrie, good to see you.

0:54:00.280 --> 0:54:02.759
<v Speaker 1>I was looking at the Sonic sign. Sorry, oh yes,

0:54:02.920 --> 0:54:05.279
<v Speaker 1>And so you're from Oklahoma? I don't know. So it's

0:54:05.360 --> 0:54:09.799
<v Speaker 1>three we Sonic. Sonic is my wife's from and she's

0:54:09.800 --> 0:54:14.400
<v Speaker 1>a massive Sonic er. Um does she Brahm's big Time? Yeah?

0:54:14.440 --> 0:54:16.920
<v Speaker 1>I mean the whole family does. Yeah? Is that? What

0:54:17.000 --> 0:54:20.239
<v Speaker 1>places that remind you of Oklahoma? Sonic broms? What else?

0:54:20.560 --> 0:54:24.120
<v Speaker 1>Just a we got me says like Arkansas Tyson's Chicken?

0:54:24.520 --> 0:54:26.800
<v Speaker 1>You know, that's what we have. We we have Charlie's

0:54:26.880 --> 0:54:30.920
<v Speaker 1>chicken have been Yeah, Um, what else do we have?

0:54:31.320 --> 0:54:34.040
<v Speaker 1>I don't know where is your town because my wife

0:54:34.120 --> 0:54:37.640
<v Speaker 1>is from near Tulsa. Where is your town in Oklahoma?

0:54:37.760 --> 0:54:41.000
<v Speaker 1>Like kind of south? We're about an hour south of Tulsa,

0:54:41.200 --> 0:54:45.759
<v Speaker 1>also same area. Okay, where's she from? Poor Gibson? Yeah, yeah,

0:54:46.800 --> 0:54:48.839
<v Speaker 1>Well we haven't seen you in a while, so glad

0:54:48.880 --> 0:54:50.480
<v Speaker 1>you have new music. That's how we get to see you,

0:54:50.480 --> 0:54:53.600
<v Speaker 1>know it? Well anybody? I mean, I feel like everybody's

0:54:53.640 --> 0:54:56.280
<v Speaker 1>been not seeing each other for a while, just getting

0:54:56.360 --> 0:54:58.320
<v Speaker 1>getting back into it. I was listening to your song.

0:54:59.040 --> 0:55:00.879
<v Speaker 1>She has a new song called Story, which we played

0:55:00.920 --> 0:55:05.359
<v Speaker 1>on Friday's show, and it's, you know, a revenge song,

0:55:05.400 --> 0:55:08.440
<v Speaker 1>but it's different. It's like haunting after Gone, Yes, so

0:55:08.480 --> 0:55:13.680
<v Speaker 1>it's it's less it's more passive revenge. My and you

0:55:13.680 --> 0:55:15.200
<v Speaker 1>can tell me if this is how it is in

0:55:15.239 --> 0:55:17.919
<v Speaker 1>your life. But my wife and I were having a

0:55:17.960 --> 0:55:20.960
<v Speaker 1>conversation and we've only been married seven months or so,

0:55:21.000 --> 0:55:24.680
<v Speaker 1>and when we were talking about if somebody died, would

0:55:24.680 --> 0:55:26.879
<v Speaker 1>you want the other person to remarry? And we're having

0:55:26.880 --> 0:55:29.439
<v Speaker 1>the conversation and I would. I'm like yes, if I die,

0:55:29.800 --> 0:55:32.399
<v Speaker 1>you should go and live the happiest life. And I

0:55:32.480 --> 0:55:33.680
<v Speaker 1>look to her and I'm like, what do you think

0:55:33.719 --> 0:55:35.399
<v Speaker 1>it She goes, well, you know, I know your friends

0:55:35.400 --> 0:55:38.239
<v Speaker 1>are gonna have your back and support you and love you,

0:55:38.640 --> 0:55:41.120
<v Speaker 1>and they're going to encourage you to probably do what

0:55:41.160 --> 0:55:43.960
<v Speaker 1>makes you feel best. But said, if you die, if

0:55:43.960 --> 0:55:46.439
<v Speaker 1>I die, don't remarry, I will haunt you. Like that's

0:55:46.440 --> 0:55:49.439
<v Speaker 1>what she said to me, and that I didn't feel

0:55:49.480 --> 0:55:54.839
<v Speaker 1>like that as the appropriate answer. Um, I mean, I understand,

0:55:55.320 --> 0:56:00.960
<v Speaker 1>I don't know if I could get remarried, but I'm

0:56:01.000 --> 0:56:03.239
<v Speaker 1>not asking you to put yourself in this situation. I'm

0:56:03.280 --> 0:56:06.359
<v Speaker 1>asking for some sympathy now for me. It's about me

0:56:06.520 --> 0:56:09.520
<v Speaker 1>right now. I mean I feel like she will haunt me.

0:56:09.760 --> 0:56:11.319
<v Speaker 1>I feel like I need to be on her side

0:56:11.320 --> 0:56:15.000
<v Speaker 1>because she's an okay girl. Okay, so fair enough. This

0:56:15.040 --> 0:56:16.600
<v Speaker 1>song when you find it, like what about this song

0:56:16.680 --> 0:56:20.480
<v Speaker 1>draws you to it? I I love the kind of

0:56:20.520 --> 0:56:23.759
<v Speaker 1>different approach of the song, Like I just think it's

0:56:23.840 --> 0:56:28.839
<v Speaker 1>a really cool way to right kind of it's I mean,

0:56:28.840 --> 0:56:30.920
<v Speaker 1>it is a revenge song, but it's not because it's not.

0:56:30.960 --> 0:56:32.520
<v Speaker 1>She doesn't do anything and she's just going on a

0:56:32.600 --> 0:56:34.279
<v Speaker 1>live in her life. But I just thought it was

0:56:34.400 --> 0:56:36.799
<v Speaker 1>very well written, and I love the music. I feel

0:56:36.840 --> 0:56:39.920
<v Speaker 1>like it really doesn't sound like anything else I've done

0:56:40.040 --> 0:56:44.560
<v Speaker 1>or anything else that's currently out there, and just it's

0:56:44.640 --> 0:56:46.880
<v Speaker 1>very visual when you listen to it, I feel like

0:56:46.920 --> 0:56:48.560
<v Speaker 1>you can kind of see the movie in your head,

0:56:48.640 --> 0:56:52.440
<v Speaker 1>which I like that. If someone does you wrong, how

0:56:52.480 --> 0:56:55.920
<v Speaker 1>do you handle revenge personally? I feel like I've I've

0:56:55.960 --> 0:57:01.560
<v Speaker 1>I've had all the Carrie Underwood spectrum of song emotions. Um,

0:57:03.040 --> 0:57:05.680
<v Speaker 1>you have done what your songs say, it's quite like that,

0:57:05.760 --> 0:57:10.759
<v Speaker 1>but the emotions, yes, Um. I think the older I get,

0:57:10.840 --> 0:57:14.080
<v Speaker 1>the more I'm like the move on, you know. But

0:57:14.239 --> 0:57:16.480
<v Speaker 1>probably probably in my youth I would have been a

0:57:16.560 --> 0:57:19.840
<v Speaker 1>bit more angry. I'm more of a slow drip guy.

0:57:20.120 --> 0:57:21.840
<v Speaker 1>I've been whole not revenge for many years on people.

0:57:21.840 --> 0:57:24.320
<v Speaker 1>They don't even know it. Wow, yeah one day, one

0:57:24.400 --> 0:57:28.160
<v Speaker 1>day or no, it's super healthy day. No bottle that up.

0:57:28.320 --> 0:57:30.760
<v Speaker 1>I pushed it down. No, no, not bottling it up. Okay,

0:57:31.240 --> 0:57:33.720
<v Speaker 1>I'm releasing it in a slow drip. Yeah, where I'm

0:57:33.720 --> 0:57:36.640
<v Speaker 1>getting my revenge long term and they have no idea. Wow,

0:57:37.040 --> 0:57:39.280
<v Speaker 1>I don't react, I go I must now pay you

0:57:39.320 --> 0:57:41.560
<v Speaker 1>back now. I got a couple happening right now. What

0:57:41.920 --> 0:57:44.479
<v Speaker 1>do you do? Are you? Like? Can't tell you because

0:57:44.480 --> 0:57:47.080
<v Speaker 1>then they'll know you're like hacking into emails or like

0:57:47.280 --> 0:57:50.720
<v Speaker 1>you never know. It could be you call the IRS

0:57:50.480 --> 0:57:54.640
<v Speaker 1>on somebody here what with you? And it's it's interesting

0:57:54.680 --> 0:57:58.560
<v Speaker 1>your career because you're still so young. You have a

0:57:58.560 --> 0:58:00.800
<v Speaker 1>lot of career left, but you all so I've accomplished

0:58:00.800 --> 0:58:03.600
<v Speaker 1>so much that I go, what in the world would

0:58:03.640 --> 0:58:06.960
<v Speaker 1>excite someone who's done it all at this point? Like,

0:58:07.000 --> 0:58:09.520
<v Speaker 1>what is it that you can do that makes you

0:58:09.560 --> 0:58:12.320
<v Speaker 1>go saying this feels new and fun and like I'm

0:58:12.400 --> 0:58:15.640
<v Speaker 1>encouraged to get going again. I think like with this

0:58:15.680 --> 0:58:18.640
<v Speaker 1>whole project and everything that's going to come after it,

0:58:18.680 --> 0:58:22.960
<v Speaker 1>I think just having the freedom to just be creative

0:58:23.120 --> 0:58:26.120
<v Speaker 1>and play a little bit has been really great. I

0:58:26.120 --> 0:58:28.400
<v Speaker 1>feel like when you're early on in your career, you know,

0:58:28.480 --> 0:58:32.880
<v Speaker 1>you're worried about you know, people liking it and buying it,

0:58:32.920 --> 0:58:35.280
<v Speaker 1>and you know all of that stuff. I feel like

0:58:35.320 --> 0:58:37.920
<v Speaker 1>once you reach a certain point, you can kind of

0:58:37.920 --> 0:58:42.560
<v Speaker 1>just do what feels really great and worry less about

0:58:42.600 --> 0:58:44.760
<v Speaker 1>that kind of stuff. So I think that that right

0:58:44.760 --> 0:58:47.160
<v Speaker 1>now gets me really excited, And I mean, I've been

0:58:47.200 --> 0:58:50.280
<v Speaker 1>able to do a couple of passion projects that have

0:58:50.440 --> 0:58:53.440
<v Speaker 1>just been really good for my soul. I've got to

0:58:53.480 --> 0:58:56.600
<v Speaker 1>sing some Christmas songs and some hymns and stuff like

0:58:56.600 --> 0:58:58.320
<v Speaker 1>that that I grew up with, and that's been that

0:58:58.400 --> 0:59:01.280
<v Speaker 1>got me really excited and made me really happy. But

0:59:01.320 --> 0:59:03.720
<v Speaker 1>again that kind of goes back to just being able

0:59:03.760 --> 0:59:06.840
<v Speaker 1>to do what feels good. I guess that answers my

0:59:06.920 --> 0:59:09.160
<v Speaker 1>questions specifically, like you did the hymns and you did

0:59:09.160 --> 0:59:12.440
<v Speaker 1>the Christmas record and that was like a personal passion

0:59:12.480 --> 0:59:14.120
<v Speaker 1>project that wasn't someone to go on, Hey, Karry, you

0:59:14.120 --> 0:59:18.120
<v Speaker 1>need to do your Christmas music right. So does your

0:59:18.200 --> 0:59:20.800
<v Speaker 1>label or your people do they now at this stage

0:59:20.840 --> 0:59:22.600
<v Speaker 1>go if Karrie wants it, We're going to do it.

0:59:23.040 --> 0:59:25.960
<v Speaker 1>I feel like, yeah, I mean, and I'm a team

0:59:26.000 --> 0:59:28.320
<v Speaker 1>player as well. I want to know of something I'm

0:59:28.400 --> 0:59:31.360
<v Speaker 1>proposing as a terrible idea, and I feel like we've

0:59:31.400 --> 0:59:34.920
<v Speaker 1>all been together for so long that you know, the

0:59:34.920 --> 0:59:37.560
<v Speaker 1>people that around me will tell me those things and

0:59:37.600 --> 0:59:39.880
<v Speaker 1>I will listen. But I don't feel like I've had

0:59:39.920 --> 0:59:43.240
<v Speaker 1>any Nobody's had to say that yet. Do you worry

0:59:43.320 --> 0:59:47.320
<v Speaker 1>that the Emperor has no clothes at all, meaning that

0:59:47.920 --> 0:59:51.560
<v Speaker 1>because you are so successful that people are afraid to go, Oh,

0:59:51.640 --> 0:59:54.680
<v Speaker 1>that's not a very good idea. I feel like not

0:59:55.040 --> 0:59:58.200
<v Speaker 1>with me, because I'm not going to be like, oh

0:59:58.200 --> 0:59:59.919
<v Speaker 1>my gosh, you don't like what I'm saying, You're fired,

1:00:00.320 --> 1:00:01.760
<v Speaker 1>you know what I mean? I feel like it is

1:00:01.800 --> 1:00:04.479
<v Speaker 1>a team effort and we all have the same goal

1:00:04.600 --> 1:00:06.880
<v Speaker 1>and we all just want to be able to keep

1:00:06.920 --> 1:00:10.520
<v Speaker 1>doing what arguing and loving life. So do you have

1:00:10.520 --> 1:00:12.360
<v Speaker 1>any old school people on your team that have been

1:00:12.400 --> 1:00:15.480
<v Speaker 1>there for a long time that you know just through experience,

1:00:15.520 --> 1:00:17.000
<v Speaker 1>Because that's how I know when someone will tell me

1:00:17.040 --> 1:00:19.080
<v Speaker 1>the truth because they have before, right when they've told

1:00:19.080 --> 1:00:22.480
<v Speaker 1>me uncomfortable things before, so I know if it's uncomfortable again,

1:00:22.520 --> 1:00:24.080
<v Speaker 1>they will let me know. Do you have any of

1:00:24.080 --> 1:00:27.520
<v Speaker 1>those people career wise in your life? My manager and

1:00:27.800 --> 1:00:31.520
<v Speaker 1>has been with me since day one? Wow? Really? When?

1:00:31.920 --> 1:00:34.960
<v Speaker 1>And my tour manager Jeff, he was actually my tour

1:00:35.040 --> 1:00:38.840
<v Speaker 1>manager on the Idols tour, so I've known him for

1:00:39.840 --> 1:00:43.720
<v Speaker 1>many years. How do you get linked up with your

1:00:43.800 --> 1:00:48.000
<v Speaker 1>manager and then like what did she what? She already

1:00:48.040 --> 1:00:50.800
<v Speaker 1>managing people because you were such a baby. Then yeah,

1:00:51.160 --> 1:00:54.800
<v Speaker 1>how did that relationship happen. M she worked for the

1:00:54.880 --> 1:00:59.440
<v Speaker 1>management company that did all the all the idol stuff

1:00:59.480 --> 1:01:01.880
<v Speaker 1>and then you out of jail and now right, I

1:01:01.880 --> 1:01:04.880
<v Speaker 1>mean basic right like you Now she works just with you. Yeah,

1:01:04.880 --> 1:01:08.040
<v Speaker 1>she's she's she's my han when you do these Las

1:01:08.160 --> 1:01:09.880
<v Speaker 1>Vegas shows. I think I saw a picture of you

1:01:10.000 --> 1:01:12.360
<v Speaker 1>in a theater and you were pointing back to the

1:01:12.840 --> 1:01:14.760
<v Speaker 1>like the big screen with your name on It was

1:01:14.760 --> 1:01:18.080
<v Speaker 1>that the Vegas show. Yes, what is the hotel room

1:01:18.240 --> 1:01:21.040
<v Speaker 1>like that they give you to stay in? That's great.

1:01:22.600 --> 1:01:24.240
<v Speaker 1>I don't know they've ever even been in a room

1:01:24.680 --> 1:01:26.840
<v Speaker 1>like they probably would give you. Could you describe it

1:01:26.880 --> 1:01:31.320
<v Speaker 1>for us? UM? Four bedrooms? There's four bedrooms in the hotel.

1:01:31.720 --> 1:01:34.440
<v Speaker 1>There's four bedrooms in the room. Yeah, this isn't normally

1:01:34.520 --> 1:01:38.680
<v Speaker 1>how I stay. You know. UM is on the top floor. Yeah?

1:01:38.720 --> 1:01:40.120
<v Speaker 1>And is it on a floor where you have to

1:01:40.160 --> 1:01:43.920
<v Speaker 1>have the key special keys? Okay, keep I'm gonna listen now.

1:01:43.960 --> 1:01:48.240
<v Speaker 1>It's very nice. There's um, you know, lots of TVs

1:01:48.240 --> 1:01:54.720
<v Speaker 1>in random places like take a bath and I watched TV. Um. Yeah,

1:01:54.720 --> 1:01:57.720
<v Speaker 1>there's like a little kitchenette. Do you have I guess

1:01:57.760 --> 1:02:02.120
<v Speaker 1>like a server that's always there. I don't do that. Um, like,

1:02:02.160 --> 1:02:04.800
<v Speaker 1>I can't. I get really nervous about even ordering room

1:02:04.800 --> 1:02:09.200
<v Speaker 1>service just because that's me. So I literally just have

1:02:09.400 --> 1:02:12.439
<v Speaker 1>food with me. I'll go to Whole Foods and get

1:02:12.480 --> 1:02:16.160
<v Speaker 1>groceries and I don't. I don't like to talk to

1:02:16.280 --> 1:02:19.480
<v Speaker 1>people and I don't. I don't know. You bragged about

1:02:19.480 --> 1:02:20.880
<v Speaker 1>a kitchen at, but my home with sweet as a

1:02:20.920 --> 1:02:27.720
<v Speaker 1>kitchen at. That's pretty cool. Are you done with those

1:02:27.760 --> 1:02:29.919
<v Speaker 1>shows or do you have more of those? There are more? Yes,

1:02:30.080 --> 1:02:31.680
<v Speaker 1>you like those where you can just stay there? Oh,

1:02:31.720 --> 1:02:35.120
<v Speaker 1>I do. It's a lot of fun because the shows,

1:02:37.040 --> 1:02:39.240
<v Speaker 1>like the technology is all built in, or because you

1:02:39.240 --> 1:02:41.120
<v Speaker 1>don't have to travel and you're only in that one location.

1:02:41.280 --> 1:02:44.040
<v Speaker 1>Yes to everything. Um, I mean it's cool too because

1:02:44.040 --> 1:02:46.840
<v Speaker 1>when you're in Vegas, like normally when you travel around

1:02:46.840 --> 1:02:49.680
<v Speaker 1>to different places, you get to kind of experience the

1:02:49.720 --> 1:02:53.200
<v Speaker 1>people from that place in Vegas does everybody's coming from

1:02:53.200 --> 1:02:56.160
<v Speaker 1>everywhere and it's kind of just a big mishmesh of people,

1:02:56.160 --> 1:02:58.400
<v Speaker 1>which is a lot of fun. Um. And then we

1:02:58.840 --> 1:03:02.800
<v Speaker 1>can do things we don't get to take with us

1:03:02.800 --> 1:03:05.480
<v Speaker 1>on the road. It all just lives there, so we

1:03:05.480 --> 1:03:08.200
<v Speaker 1>can kind of have more things to play with. It

1:03:08.280 --> 1:03:10.600
<v Speaker 1>might be a bit more complicated to take with us.

1:03:11.720 --> 1:03:13.880
<v Speaker 1>And then when the show's over, I go to bed.

1:03:14.080 --> 1:03:16.240
<v Speaker 1>Do you everythink about asking for two kitchenetts because you're

1:03:16.240 --> 1:03:20.160
<v Speaker 1>a star? M I could? I could? Yeah maybe someday.

1:03:20.520 --> 1:03:22.880
<v Speaker 1>Carrie's got four shows in March, too, in April and

1:03:23.440 --> 1:03:25.640
<v Speaker 1>five six in May. If you guys want to go

1:03:25.680 --> 1:03:31.120
<v Speaker 1>to reflection the Las Vegas residency. You were mentioning grocery

1:03:31.120 --> 1:03:34.240
<v Speaker 1>shopping at Whole Foods? Can you go to Whole Foods

1:03:34.280 --> 1:03:38.800
<v Speaker 1>by yourself? Oh? Yeah, yeah, no way? Yeah? Why not?

1:03:39.560 --> 1:03:44.600
<v Speaker 1>Without people swarming you? It kind of depends on the day.

1:03:45.000 --> 1:03:48.200
<v Speaker 1>But everybody's nice. Nobody's like trying to hurt me. So

1:03:48.440 --> 1:03:51.080
<v Speaker 1>do you ever go okay, go hold on, I'll yes,

1:03:51.120 --> 1:03:52.960
<v Speaker 1>I'll take a picture. Please, don't like make a big

1:03:52.960 --> 1:03:56.000
<v Speaker 1>scene about it. Does that ever happen? If somebody yells,

1:03:56.600 --> 1:03:59.720
<v Speaker 1>I might just run away? Well, I don't know, Like

1:04:00.040 --> 1:04:03.120
<v Speaker 1>I get nervous sometimes. Um. There was one time actually

1:04:03.160 --> 1:04:07.440
<v Speaker 1>at Whole Foods in Um Franklin Um where a guy

1:04:07.600 --> 1:04:10.240
<v Speaker 1>was like, hey, it's Carver one and I was just

1:04:10.320 --> 1:04:14.160
<v Speaker 1>like like I got to do so I just run away.

1:04:14.240 --> 1:04:19.000
<v Speaker 1>Do you wear a hat and glasses? No? Really? Yeah,

1:04:19.040 --> 1:04:23.560
<v Speaker 1>it's because I think I would do that. That's kind glass. No, No,

1:04:23.680 --> 1:04:26.240
<v Speaker 1>I think I would probably do the same thing. You

1:04:26.320 --> 1:04:30.160
<v Speaker 1>talk about this project, so, okay, ghosts you know that

1:04:30.320 --> 1:04:32.800
<v Speaker 1>we've been playing this song and with ghost Story, Like

1:04:32.840 --> 1:04:35.840
<v Speaker 1>what else is coming inside of this project? That's different

1:04:35.880 --> 1:04:39.120
<v Speaker 1>because you say it's you get to do more creatively. Yeah,

1:04:39.160 --> 1:04:43.440
<v Speaker 1>I think overall, Um, we cover a lot of ground

1:04:44.080 --> 1:04:52.000
<v Speaker 1>and for the whole album that is to come, Um,

1:04:52.840 --> 1:04:55.360
<v Speaker 1>I think it. We just wanted to have fun like

1:04:55.640 --> 1:04:57.960
<v Speaker 1>that was my goal in the very beginning, was just

1:04:58.520 --> 1:05:00.360
<v Speaker 1>for like the past few years of just kind of

1:05:00.360 --> 1:05:03.680
<v Speaker 1>been heavy and I just wanted to have fun. So

1:05:03.760 --> 1:05:05.880
<v Speaker 1>we cover a lot of ground and feel like it's

1:05:05.880 --> 1:05:11.040
<v Speaker 1>a it's a positive and bit nostalgic and should give

1:05:11.080 --> 1:05:14.360
<v Speaker 1>you why nostalgic? What about it? While I hear and

1:05:14.400 --> 1:05:17.640
<v Speaker 1>go is it how you sing? Is it the instrumentation

1:05:18.400 --> 1:05:21.800
<v Speaker 1>all of that? Yeah? Do you purposefully go let's do

1:05:21.800 --> 1:05:24.640
<v Speaker 1>some old school now? Okay, because you just never know

1:05:24.800 --> 1:05:27.680
<v Speaker 1>when you walk into you know, our writing session or something.

1:05:27.760 --> 1:05:31.320
<v Speaker 1>You if you try to put parameters on it, I

1:05:31.360 --> 1:05:34.000
<v Speaker 1>feel like you're you could take take away from what

1:05:34.120 --> 1:05:37.560
<v Speaker 1>might have happened. So you just go in with no expectations.

1:05:37.960 --> 1:05:41.800
<v Speaker 1>I've got my list of stupid ideas, and everybody breaks

1:05:41.800 --> 1:05:45.720
<v Speaker 1>out their voice memos and starts listening to whatever dumb

1:05:45.720 --> 1:05:49.040
<v Speaker 1>thing that they recorded at two o'clock in the morning,

1:05:49.080 --> 1:05:51.640
<v Speaker 1>and you just kind of figure out what the vibe

1:05:51.640 --> 1:05:54.000
<v Speaker 1>of the day is and go with the flow. Is

1:05:54.000 --> 1:05:56.880
<v Speaker 1>that a vulnerable time when you walk in to people

1:05:56.880 --> 1:05:59.440
<v Speaker 1>who are as good at the aircraft as you are

1:05:59.480 --> 1:06:01.480
<v Speaker 1>at your which is seeing you're also a great writer.

1:06:01.720 --> 1:06:03.440
<v Speaker 1>But some they do it every day and you're like,

1:06:03.440 --> 1:06:06.120
<v Speaker 1>I have this idea and you know it's personal. Is

1:06:06.120 --> 1:06:08.800
<v Speaker 1>it vulnerable because you're presenting something to them that's about you,

1:06:08.840 --> 1:06:10.919
<v Speaker 1>and you think maybe they're just gonna go, ah, very good.

1:06:11.640 --> 1:06:14.240
<v Speaker 1>If it's someone I've known for a long time, and

1:06:14.280 --> 1:06:17.520
<v Speaker 1>I feel like most of the people that I write with,

1:06:17.760 --> 1:06:23.200
<v Speaker 1>especially again just with different circumstances to what the past

1:06:23.280 --> 1:06:25.520
<v Speaker 1>couple of years have been, you know, I just kind

1:06:25.520 --> 1:06:27.600
<v Speaker 1>of wanted to stick with people that I was comfortable with,

1:06:27.720 --> 1:06:32.360
<v Speaker 1>and for the most part, if it's someone new, you know,

1:06:32.560 --> 1:06:35.040
<v Speaker 1>it is a little harder to open up because, like

1:06:35.360 --> 1:06:38.520
<v Speaker 1>I mean, Hillary Lindsay and Josh Kier and I mean

1:06:38.600 --> 1:06:40.120
<v Speaker 1>a lot of the people that I write with I've

1:06:40.400 --> 1:06:44.640
<v Speaker 1>known for sixteen years and we've done this many times,

1:06:44.680 --> 1:06:48.200
<v Speaker 1>so they know. I don't know. You have to kind

1:06:48.240 --> 1:06:51.640
<v Speaker 1>of put your ego aside, and if you sometimes when

1:06:51.640 --> 1:06:53.479
<v Speaker 1>you blurt it out, you're like, man, that's a dumb idea.

1:06:53.520 --> 1:06:55.520
<v Speaker 1>Why did I say that? Like, you know the second

1:06:55.400 --> 1:06:57.400
<v Speaker 1>it flew out of your mouth. So I do that

1:06:57.440 --> 1:07:00.080
<v Speaker 1>with every idea just to cover it. I go, I

1:07:00.160 --> 1:07:01.960
<v Speaker 1>have an idea, I think it's great. That's dumb, but

1:07:01.960 --> 1:07:03.680
<v Speaker 1>I'm just ready for somebody who know it ain't dumb.

1:07:03.720 --> 1:07:05.680
<v Speaker 1>I do that too, Yeah, even though I don't really

1:07:05.680 --> 1:07:08.520
<v Speaker 1>think it's dumb. I'd need that. Yeah, I do that too.

1:07:09.000 --> 1:07:10.720
<v Speaker 1>As a creative. I need people to tell me I'm

1:07:10.760 --> 1:07:13.920
<v Speaker 1>not dumb? Are you? In any way? You seem like

1:07:14.040 --> 1:07:17.360
<v Speaker 1>someone who is completely secure, like you have it all

1:07:17.400 --> 1:07:19.680
<v Speaker 1>figured out, and I know none of us are. And

1:07:19.680 --> 1:07:21.760
<v Speaker 1>then I don't think there's a single human who is that.

1:07:22.400 --> 1:07:26.280
<v Speaker 1>But when someone looks at you and sees you're a

1:07:26.480 --> 1:07:31.360
<v Speaker 1>great mom, great wife, great artist, great writer, like what

1:07:31.560 --> 1:07:34.120
<v Speaker 1>in the world would carry under would be insecure about

1:07:35.400 --> 1:07:42.120
<v Speaker 1>all those things? I mean, it's that's that's either I

1:07:42.160 --> 1:07:44.640
<v Speaker 1>think everybody's insecure. People are just better at hiding it

1:07:44.760 --> 1:07:47.200
<v Speaker 1>than others. Sometimes I just need to hide it better.

1:07:47.200 --> 1:07:50.680
<v Speaker 1>That's what I hurt right there, I just need one.

1:07:50.800 --> 1:07:53.120
<v Speaker 1>I got a couple of final things here, and I

1:07:53.160 --> 1:07:55.400
<v Speaker 1>wanted to say this towards the end in case it

1:07:55.440 --> 1:07:58.240
<v Speaker 1>got awkward. But you did a really you did a

1:07:58.280 --> 1:08:00.680
<v Speaker 1>really mean, a nasty impression of me. And it's been

1:08:00.760 --> 1:08:02.520
<v Speaker 1>hurting you did. Yeah, it's been hurting my feelings for

1:08:02.520 --> 1:08:05.520
<v Speaker 1>a long time. Is this a slow drip that's coming out?

1:08:06.280 --> 1:08:09.160
<v Speaker 1>This is it? Yeah? This is But do you happen

1:08:09.160 --> 1:08:13.280
<v Speaker 1>to remember you doing this really mean and nasty impression? No? Okay,

1:08:13.320 --> 1:08:15.400
<v Speaker 1>well then we'll just leave it there. Why would I

1:08:15.440 --> 1:08:20.080
<v Speaker 1>do exactly? Why would you carry? Why would you about?

1:08:20.280 --> 1:08:23.080
<v Speaker 1>You came in and you hosted the countdown. Oh now

1:08:23.280 --> 1:08:27.040
<v Speaker 1>remember that because you say, Bobby, I don't like I

1:08:27.040 --> 1:08:28.720
<v Speaker 1>don't do that. You don't do anymore. No, I never

1:08:28.760 --> 1:08:32.160
<v Speaker 1>did that anymore. I never did that. Okay, I never

1:08:32.200 --> 1:08:35.000
<v Speaker 1>went I sound like a billy goat when you do it.

1:08:35.160 --> 1:08:39.360
<v Speaker 1>I didn't. There was no vibrato. I didn't. I didn't

1:08:39.400 --> 1:08:45.400
<v Speaker 1>do that. Okay, I will, I will, I will accept

1:08:45.439 --> 1:08:50.439
<v Speaker 1>that you have my permission to do a terrible, mean

1:08:50.520 --> 1:08:52.920
<v Speaker 1>impression of me, but I don't have one of you.

1:08:53.400 --> 1:08:54.920
<v Speaker 1>I do a lot. I have a lot of isms

1:08:54.960 --> 1:08:56.920
<v Speaker 1>when I say, you could throw throw one of those

1:08:56.920 --> 1:08:58.599
<v Speaker 1>in there. But I think to do a good impression

1:08:58.640 --> 1:09:02.320
<v Speaker 1>you almost have to be able to somewhat copy it.

1:09:02.400 --> 1:09:05.599
<v Speaker 1>And I can't sing, so I couldn't even do a

1:09:05.640 --> 1:09:09.160
<v Speaker 1>parody of it, you know, And also I don't. I

1:09:09.200 --> 1:09:11.720
<v Speaker 1>guess it's just also delightful. It's hard to make some

1:09:11.840 --> 1:09:15.080
<v Speaker 1>fun of something that's so delightful. Yeah, look at him

1:09:15.160 --> 1:09:20.080
<v Speaker 1>killing you now? Exactly exactly what's up to think of something?

1:09:20.600 --> 1:09:23.000
<v Speaker 1>You Let me know what I can do to you

1:09:23.240 --> 1:09:24.559
<v Speaker 1>to slow dr it back, and then I'll do it.

1:09:25.320 --> 1:09:30.360
<v Speaker 1>My my husband says that sometimes I talk like Phil

1:09:30.439 --> 1:09:34.840
<v Speaker 1>Dumpy from Modern Family. How is he? By the way,

1:09:34.960 --> 1:09:36.679
<v Speaker 1>He's cool? Yeah. I remember when people just to confuse

1:09:36.760 --> 1:09:39.799
<v Speaker 1>us all the time. Yeah yeah, okay, like one person

1:09:39.880 --> 1:09:43.040
<v Speaker 1>at one time on a golf course. So maybe thought

1:09:43.280 --> 1:09:46.320
<v Speaker 1>you were Mike Fisher, and I think it might have

1:09:46.320 --> 1:09:48.360
<v Speaker 1>been getting darker. It might have been in the like

1:09:48.400 --> 1:09:50.200
<v Speaker 1>they were far far away, so it might have been

1:09:50.200 --> 1:09:52.280
<v Speaker 1>in the evening a little bit, and it might have

1:09:52.320 --> 1:09:53.760
<v Speaker 1>been a place that we both will go, and they

1:09:53.760 --> 1:09:57.200
<v Speaker 1>were they were like hey, Mike, And I was like, Mike, no, Bobby,

1:09:57.240 --> 1:09:58.360
<v Speaker 1>And they're like, oh, we thought you were a Mike

1:09:58.479 --> 1:10:01.200
<v Speaker 1>Fisher And I was like, haven't all top it's not.

1:10:01.439 --> 1:10:04.080
<v Speaker 1>She's he's a good looking guy. Another day at the office. Yeah,

1:10:04.200 --> 1:10:06.280
<v Speaker 1>not a bad thing. It might have been sun almost

1:10:06.280 --> 1:10:07.920
<v Speaker 1>all the way down, like one of those late evenings

1:10:07.960 --> 1:10:11.880
<v Speaker 1>on the golf course. Yes, he's good. He's good. Yeah, Um,

1:10:11.960 --> 1:10:14.479
<v Speaker 1>you're any time. What I look forward to on your

1:10:14.479 --> 1:10:17.400
<v Speaker 1>Instagram story is anytime one of your kids has a

1:10:17.439 --> 1:10:22.400
<v Speaker 1>birthday because the cakes. Yeah, I don't even I don't

1:10:22.400 --> 1:10:25.040
<v Speaker 1>even have specific things I go to them with. I'm

1:10:25.040 --> 1:10:29.200
<v Speaker 1>just like my kid likes Star Wars ivy cake, give

1:10:29.240 --> 1:10:31.800
<v Speaker 1>him a plug and like the cake comes alive. Yeah,

1:10:31.840 --> 1:10:35.400
<v Speaker 1>and there's like Transformer or like she it's such a

1:10:35.880 --> 1:10:38.120
<v Speaker 1>that cake situation is so good. Yeah. And do you

1:10:38.120 --> 1:10:41.760
<v Speaker 1>get charged for those? Since it's a friend. I always

1:10:42.040 --> 1:10:45.000
<v Speaker 1>do my best to pay. Sometimes I'll have like somebody

1:10:45.040 --> 1:10:48.240
<v Speaker 1>else call and put in the thing just so I'm like, hey,

1:10:48.280 --> 1:10:51.200
<v Speaker 1>I just I need to pay for the cake. Um,

1:10:51.240 --> 1:10:53.600
<v Speaker 1>but yeah, I'll pay for the cake. That's good to

1:10:53.640 --> 1:10:56.280
<v Speaker 1>keep in the local economy alive. Yeah. Another great thing

1:10:56.280 --> 1:10:58.840
<v Speaker 1>about Carrie Underwood. I was looking for something this whole

1:10:58.880 --> 1:11:02.800
<v Speaker 1>time to make there's just nothing. Mmmmm. Maybe maybe it's

1:11:02.800 --> 1:11:08.559
<v Speaker 1>that you're too amazing. Oh okay, I don't think that's it,

1:11:08.600 --> 1:11:10.960
<v Speaker 1>all right? Two questions left? Who on your phone? Who

1:11:10.960 --> 1:11:12.479
<v Speaker 1>do you have pinned in your text messages? Do you

1:11:12.520 --> 1:11:14.840
<v Speaker 1>have anybody pinned? No? None up in the top row.

1:11:14.880 --> 1:11:17.640
<v Speaker 1>I feel like I accidentally did that once and it

1:11:17.800 --> 1:11:20.439
<v Speaker 1>was somebody I did not want pinned like. I didn't

1:11:20.479 --> 1:11:23.879
<v Speaker 1>eat it up there and I got it off somehow.

1:11:24.000 --> 1:11:25.639
<v Speaker 1>But I don't know how to do that. Blake Shelter.

1:11:26.240 --> 1:11:27.920
<v Speaker 1>That wasn't Blake Shelton. It would have been like my

1:11:27.960 --> 1:11:31.839
<v Speaker 1>ship Shopper or something which melody is awesome? What's that melodie?

1:11:32.120 --> 1:11:35.320
<v Speaker 1>So we have the new song which we played and

1:11:35.360 --> 1:11:37.759
<v Speaker 1>we continue to play. But we talked about the new project.

1:11:38.479 --> 1:11:41.360
<v Speaker 1>Can you give me anything on when we're going to

1:11:41.400 --> 1:11:47.880
<v Speaker 1>get this body of work ish soon? That's not acceptable?

1:11:48.280 --> 1:11:50.479
<v Speaker 1>Three months more than okay? How about this over under

1:11:50.560 --> 1:11:53.599
<v Speaker 1>three months? What is this month? What is it? March

1:11:53.800 --> 1:11:58.800
<v Speaker 1>over under three months? I don't know? All right, get

1:11:58.800 --> 1:12:02.559
<v Speaker 1>her out of here? About it? Get her out of here?

1:12:02.880 --> 1:12:07.519
<v Speaker 1>Are your people saying, don't say anything? Um? No, you're

1:12:07.560 --> 1:12:11.400
<v Speaker 1>answering all these questions. Is this her Phil Dumpy coming? Yes,

1:12:12.320 --> 1:12:16.120
<v Speaker 1>but I will press no more. Okay, listen, you guys.

1:12:16.160 --> 1:12:18.960
<v Speaker 1>I got a few things. Obviously, stream the crap out

1:12:18.960 --> 1:12:22.839
<v Speaker 1>of Ghost Story. Secondly, Carrie is doing the show in Vegas.

1:12:23.400 --> 1:12:26.760
<v Speaker 1>There are there are many many shows reflection the Las

1:12:26.840 --> 1:12:29.879
<v Speaker 1>Vegas residency. You can get tickets at Carrie Underwood Official

1:12:30.000 --> 1:12:33.000
<v Speaker 1>dot com. Um and then we will wait which, by

1:12:33.040 --> 1:12:35.519
<v Speaker 1>the way, are you maybe you can or can't? Are

1:12:35.560 --> 1:12:38.519
<v Speaker 1>you a voice of Sunday that football again this year? Oh?

1:12:38.560 --> 1:12:42.880
<v Speaker 1>She can tell us nothing. She doesn't know. I don't know.

1:12:44.560 --> 1:12:47.000
<v Speaker 1>I feel like that inflection is kind of like, yes,

1:12:47.280 --> 1:12:50.240
<v Speaker 1>but I don't know. Butlink twice. If you're being held hostage,

1:12:50.240 --> 1:12:53.160
<v Speaker 1>you're not allowed to say anything. Okay, Okay, then I'll

1:12:53.160 --> 1:12:57.760
<v Speaker 1>ask one more question. Okay, you're you're on Cobra. Kay,

1:12:57.840 --> 1:13:00.639
<v Speaker 1>I watched Cobra. That was really cool. I would assume

1:13:00.680 --> 1:13:03.240
<v Speaker 1>that's a passion thing that you wanted to do. Yes,

1:13:03.760 --> 1:13:07.160
<v Speaker 1>you pursue that yourself. We didn't pursue anything. That's that

1:13:07.280 --> 1:13:10.000
<v Speaker 1>was the crazy thing I had, like tweeted, I don't

1:13:10.000 --> 1:13:12.519
<v Speaker 1>even know, probably the first season, something like I love

1:13:12.560 --> 1:13:16.960
<v Speaker 1>this show so much and they reached out and like

1:13:17.080 --> 1:13:20.519
<v Speaker 1>I when Anne was telling me about it, she was

1:13:20.520 --> 1:13:23.160
<v Speaker 1>like cobra kay. I was like yes, and she's like, well,

1:13:23.240 --> 1:13:25.360
<v Speaker 1>let me finish. I was like yes, Like I'm in

1:13:25.520 --> 1:13:28.840
<v Speaker 1>whatever they want, I'm in. And it was so much fun.

1:13:28.880 --> 1:13:32.639
<v Speaker 1>It was so great. Um the cast everybody was just

1:13:32.760 --> 1:13:34.920
<v Speaker 1>incredible and they seem like they just have the most

1:13:34.920 --> 1:13:37.439
<v Speaker 1>fun on that show. And then if you could pick

1:13:37.479 --> 1:13:39.040
<v Speaker 1>a show that is your favorite to go after and

1:13:39.040 --> 1:13:40.800
<v Speaker 1>pursue and be like, I'd like to do a small part,

1:13:41.360 --> 1:13:45.200
<v Speaker 1>what would that show be. We don't watch a whole

1:13:45.240 --> 1:13:48.720
<v Speaker 1>lot of TV. We watched yellow Stone. Okay, then that's

1:13:48.720 --> 1:13:52.479
<v Speaker 1>the answer. Yeah, you would be in that barn plank

1:13:52.600 --> 1:13:55.120
<v Speaker 1>cards and yeah, yeah, sure. I can't ride a horse,

1:13:55.920 --> 1:14:00.320
<v Speaker 1>he's still yeah, how often do you get on? But

1:14:00.360 --> 1:14:03.439
<v Speaker 1>I can write a worse Carrie. We'll also performing at

1:14:03.439 --> 1:14:07.680
<v Speaker 1>our Country Festival on May seventh in Austin, Texas, and

1:14:07.720 --> 1:14:09.680
<v Speaker 1>I'm gonna listen and find something to make fun of.

1:14:09.800 --> 1:14:12.000
<v Speaker 1>Please please do that is my goal because it has

1:14:12.040 --> 1:14:16.000
<v Speaker 1>just been impossible. I am there are things. Okay, I'll

1:14:16.000 --> 1:14:19.400
<v Speaker 1>help you. I'm sure I'll do something. Carrie Underwood, Carrie

1:14:19.400 --> 1:14:21.400
<v Speaker 1>thank you. Great to see you. Thanks for hanging out

1:14:21.400 --> 1:14:23.479
<v Speaker 1>with us, and I'll see you at Whole Foods because

1:14:23.479 --> 1:14:24.960
<v Speaker 1>I'll be at that one now just waiting for you.

1:14:25.120 --> 1:14:28.519
<v Speaker 1>I'll be I'll be yelling that is Carrie Underwood will

1:14:28.600 --> 1:14:33.320
<v Speaker 1>run away all right there, Yes, Carrie Underwood. Everybody, it's

1:14:33.360 --> 1:14:36.880
<v Speaker 1>the best Bits of the Week with Morgan number two.

1:14:38.320 --> 1:14:40.880
<v Speaker 1>That's it for the best bits, just the bits part.

1:14:41.000 --> 1:14:44.000
<v Speaker 1>And I hope y'all enjoyed that. And if you just

1:14:44.040 --> 1:14:45.680
<v Speaker 1>wanted to come for the interview and happened to just

1:14:45.760 --> 1:14:48.000
<v Speaker 1>listen to all the bits, then, like I said, you're

1:14:48.040 --> 1:14:49.760
<v Speaker 1>at that a wrong part. Make sure you go check

1:14:49.800 --> 1:14:53.280
<v Speaker 1>out part one that I have with right Moondo this weekend.

1:14:53.320 --> 1:14:55.760
<v Speaker 1>It's goals. It's always a great time when him and

1:14:55.800 --> 1:14:59.360
<v Speaker 1>I sit down and chat about our sometimes party lives,

1:14:59.400 --> 1:15:01.680
<v Speaker 1>sometimes chill out lives, so you know, you never know

1:15:01.680 --> 1:15:04.160
<v Speaker 1>what you're gonna get with our conversations. So make sure

1:15:04.160 --> 1:15:06.360
<v Speaker 1>you check that out. And I am at web growl

1:15:06.400 --> 1:15:08.600
<v Speaker 1>Morgan on all the things so you can follow me

1:15:08.680 --> 1:15:11.080
<v Speaker 1>hang out with me on there and at Bobby bon

1:15:11.120 --> 1:15:15.120
<v Speaker 1>Show is our social media. Thanks y'all again, have a

1:15:15.160 --> 1:15:18.080
<v Speaker 1>wonderful weekend. Enjoy good weather. If you have it. If

1:15:18.120 --> 1:15:21.479
<v Speaker 1>you don't enjoy the inside calling up with your loved ones,

1:15:21.840 --> 1:15:32.200
<v Speaker 1>Bye y'all, Bobby Bobby Barns. History is littered with tragic

1:15:32.240 --> 1:15:36.000
<v Speaker 1>stories from which we could all learn lessons. The spectacular

1:15:36.040 --> 1:15:40.200
<v Speaker 1>Broadway show that flopped, the autopilot that helped crash a plane.

1:15:40.439 --> 1:15:43.439
<v Speaker 1>The heat wave that killed some city residents but not

1:15:43.520 --> 1:15:47.600
<v Speaker 1>their neighbors. I'm Tim Harford, host of Cautionary Tales, the

1:15:47.680 --> 1:15:52.240
<v Speaker 1>podcast that looks for the valuable lessons in the greatest mistakes, disasters,

1:15:52.280 --> 1:15:55.439
<v Speaker 1>and fiascos of the past. Listen to Cautionary Tales on

1:15:55.479 --> 1:16:00.759
<v Speaker 1>the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hey,

1:16:00.960 --> 1:16:03.839
<v Speaker 1>I'm Maya Schunker, host of A Slight Change of Plans,

1:16:04.160 --> 1:16:06.599
<v Speaker 1>which was recently named best Show of the Year by

1:16:06.640 --> 1:16:09.880
<v Speaker 1>Apple for twenty twenty one, and we've got new episodes

1:16:09.880 --> 1:16:12.559
<v Speaker 1>for you about everything from the science of change to

1:16:12.640 --> 1:16:15.800
<v Speaker 1>personal stories like a blind woman who becomes a master

1:16:15.920 --> 1:16:19.280
<v Speaker 1>chef and an Australian doctor who rescued a boy's soccer

1:16:19.320 --> 1:16:23.800
<v Speaker 1>team from deep within a cave in Thailand. Listen to

1:16:23.840 --> 1:16:26.719
<v Speaker 1>A Slight Change of Plans on the iHeartRadio app, Apple

1:16:26.760 --> 1:16:31.920
<v Speaker 1>Podcasts or wherever you get your podcasts. Hey, this is

1:16:31.960 --> 1:16:35.120
<v Speaker 1>Justin Richmond, host of the Broken Record podcast. Join me

1:16:35.200 --> 1:16:38.360
<v Speaker 1>in music industry icon Rick Rubin, along with authors Malcolm

1:16:38.400 --> 1:16:41.040
<v Speaker 1>Gladwell and Bruce headlam As we chat with legends like

1:16:41.160 --> 1:16:44.400
<v Speaker 1>Neil Young and Under three thousand and upcoming artists like

1:16:44.520 --> 1:16:48.120
<v Speaker 1>Faye Webster about their life and their careers. In honor

1:16:48.120 --> 1:16:51.400
<v Speaker 1>of Women's History Month, we're spotlighting groundbreaking female artists like

1:16:51.439 --> 1:16:54.559
<v Speaker 1>Miss Elliott, Pattie Smith, and Bonnie Rait and celebrating the

1:16:54.600 --> 1:16:57.519
<v Speaker 1>strides they've made for women. Listen to Broken Record on

1:16:57.560 --> 1:17:00.320
<v Speaker 1>the iHeartRadio app, Apple podcast, or we're let me get

1:17:00.320 --> 1:17:01.080
<v Speaker 1>your podcasts