1
00:00:00,200 --> 00:00:03,559
Speaker 1: History is littered with tragic stories from which we could

2
00:00:03,600 --> 00:00:07,960
Speaker 1: all learn lessons. The spectacular Broadway show that flopped, the

3
00:00:08,039 --> 00:00:11,240
Speaker 1: autopilot that helped crash a plane. The heat waves that

4
00:00:11,360 --> 00:00:15,480
Speaker 1: killed some city residents but not their neighbors. I'm Tim Harford,

5
00:00:15,560 --> 00:00:18,880
Speaker 1: host of Cautionary Tales, the podcast that looks for the

6
00:00:19,040 --> 00:00:23,279
Speaker 1: valuable lessons in the greatest mistakes, disasters, and fiascos of

7
00:00:23,280 --> 00:00:26,880
Speaker 1: the past. Listen to Cautionary Tales on the iHeartRadio app,

8
00:00:26,960 --> 00:00:30,880
Speaker 1: Apple podcasts, or wherever you get your podcasts. Hey, this

9
00:00:31,000 --> 00:00:34,080
Speaker 1: is Justin Richmond, host of the Broken Record podcast. Join

10
00:00:34,200 --> 00:00:37,159
Speaker 1: me in music industry icon Rick Rubin along with Arthur's

11
00:00:37,159 --> 00:00:40,080
Speaker 1: Malcolm Gladwell and Bruce Headlam As we chat with legends

12
00:00:40,120 --> 00:00:43,440
Speaker 1: like Neil Young and under Threw thousand and upcoming artists

13
00:00:43,440 --> 00:00:46,960
Speaker 1: like thee Webster about their life and their careers. In

14
00:00:47,040 --> 00:00:50,479
Speaker 1: honor of Women's History Month, we're spotlighting groundbreaking female artists

15
00:00:50,479 --> 00:00:53,600
Speaker 1: like Miss Elliott, Pattie Smith, and Bonnie Rap and celebrating

16
00:00:53,640 --> 00:00:56,640
Speaker 1: the strides they've made for women. Listen to Broken Record

17
00:00:56,640 --> 00:00:59,240
Speaker 1: on the iHeart Radio app, Apple podcast, or wherever you

18
00:00:59,240 --> 00:01:03,040
Speaker 1: get your podcast. Hey. I'm Maya Shunker, host of A

19
00:01:03,080 --> 00:01:06,360
Speaker 1: Slight Change of Plans, which was recently named Best Show

20
00:01:06,360 --> 00:01:09,120
Speaker 1: of the Year by Apple for twenty twenty one, and

21
00:01:09,200 --> 00:01:11,920
Speaker 1: we've got new episodes for you about everything from the

22
00:01:11,959 --> 00:01:15,360
Speaker 1: science of change to personal stories like a blind woman

23
00:01:15,360 --> 00:01:18,640
Speaker 1: who becomes a master chef and an Australian doctor who

24
00:01:18,680 --> 00:01:21,200
Speaker 1: rescued a boy's soccer team from deep within a cave

25
00:01:21,280 --> 00:01:25,440
Speaker 1: in Thailand. Listen to a Slight Change of Plans on

26
00:01:25,560 --> 00:01:32,880
Speaker 1: the iHeartRadio app, Apple Podcast or wherever you get your podcasts.

27
00:01:32,880 --> 00:01:36,640
Speaker 1: It's the Best Bits of the Week with Morgan number two.

28
00:01:38,160 --> 00:01:40,840
Speaker 1: What's up, y'all, It's Morgan here. You are listening to

29
00:01:40,920 --> 00:01:44,720
Speaker 1: the Best Bits podcast and this is just the Bits.

30
00:01:44,760 --> 00:01:47,119
Speaker 1: So in case you missed it, we broke the Best

31
00:01:47,160 --> 00:01:49,880
Speaker 1: Bits up into two pieces. And I know, I know

32
00:01:49,880 --> 00:01:51,520
Speaker 1: you're gonna be like, why are you splitting it up?

33
00:01:51,560 --> 00:01:54,000
Speaker 1: But this is a good thing, I promise. So this

34
00:01:54,080 --> 00:01:56,080
Speaker 1: is part two that I'm about to do right here.

35
00:01:56,240 --> 00:01:58,120
Speaker 1: And if you want to hear part one, which is

36
00:01:58,160 --> 00:02:01,000
Speaker 1: a conversation that I had with Ray we know this weekend,

37
00:02:01,320 --> 00:02:03,960
Speaker 1: then go listen to that because that's just the interview,

38
00:02:04,000 --> 00:02:06,680
Speaker 1: just the conversation. We count down the bits, but we

39
00:02:06,720 --> 00:02:10,000
Speaker 1: don't play them now, that's what happens here. This is

40
00:02:10,080 --> 00:02:13,160
Speaker 1: just the bits, the best bits, just the bits. And

41
00:02:13,280 --> 00:02:16,000
Speaker 1: I will still count down the best seven segments from

42
00:02:16,000 --> 00:02:18,320
Speaker 1: the show this week, and you'll just hear the bits.

43
00:02:18,320 --> 00:02:22,440
Speaker 1: No conversations, no talking, So let's just get into it, okay.

44
00:02:22,600 --> 00:02:25,520
Speaker 1: Coming in at number seven, we had Kelty Night on

45
00:02:25,560 --> 00:02:28,800
Speaker 1: the show. She's an executive producer of the new TV

46
00:02:28,919 --> 00:02:31,760
Speaker 1: show super Fan, and we're trying to get me on

47
00:02:31,800 --> 00:02:34,880
Speaker 1: the show because I'm a massive Shania Twain super fan

48
00:02:35,200 --> 00:02:36,880
Speaker 1: and it'd be so fun to be on that show.

49
00:02:36,919 --> 00:02:38,880
Speaker 1: I mean, come on, So we brought her on to

50
00:02:38,919 --> 00:02:41,920
Speaker 1: see what my chances might be of, you know, me

51
00:02:42,000 --> 00:02:45,840
Speaker 1: getting on to hang out with Shania Franking Twain. Yeah,

52
00:02:45,880 --> 00:02:49,880
Speaker 1: listen to that right now. Number seven on the Bobby

53
00:02:49,880 --> 00:02:53,280
Speaker 1: Bones Show. Now, Kelty Knight, all right, Kelty's the executive

54
00:02:53,280 --> 00:02:57,160
Speaker 1: producer of CBS is super Fan, which is, hey, when

55
00:02:57,160 --> 00:03:00,359
Speaker 1: does the show start airing? Kelty, We have no idea. Okay,

56
00:03:00,360 --> 00:03:02,360
Speaker 1: it's going to be in the fall. Been there currently

57
00:03:02,360 --> 00:03:04,799
Speaker 1: experience in the same situation with a different show. So

58
00:03:05,360 --> 00:03:08,160
Speaker 1: in the fall, this show will air and it is

59
00:03:08,160 --> 00:03:13,760
Speaker 1: about people who absolutely love celebrities, like specific celebrities, right, Like,

60
00:03:13,800 --> 00:03:16,359
Speaker 1: give me the pitch, like of what the show is. Yeah,

61
00:03:16,360 --> 00:03:19,240
Speaker 1: so it's a one hour musical special designed for super

62
00:03:19,280 --> 00:03:22,040
Speaker 1: fans to compete against each other. Could be named the

63
00:03:22,120 --> 00:03:25,000
Speaker 1: number one superfan of the world's biggest artist. Okay, competition.

64
00:03:25,080 --> 00:03:27,200
Speaker 1: I like that. And you say a special. Is it

65
00:03:27,240 --> 00:03:29,440
Speaker 1: a one time deal or are there a lot of episodes?

66
00:03:29,680 --> 00:03:33,640
Speaker 1: Six episodes, but each episode is its own band or artists.

67
00:03:33,680 --> 00:03:36,480
Speaker 1: So Shani A Little Big Town get their own episodes. Yeah,

68
00:03:36,520 --> 00:03:38,680
Speaker 1: this is super cool. Amy had brought it to our

69
00:03:38,720 --> 00:03:41,320
Speaker 1: attention that you were doing Kelsey Shania a Little Big

70
00:03:41,360 --> 00:03:44,640
Speaker 1: Town and Morrigan on our show. She runs digital. She's

71
00:03:44,680 --> 00:03:47,440
Speaker 1: twenty eight years old. She is a massive Shanaia fan

72
00:03:47,480 --> 00:03:51,280
Speaker 1: and before we talked to her once we had Shannaia

73
00:03:51,320 --> 00:03:53,880
Speaker 1: in studios, she'd been retired for a long time. Morgan

74
00:03:53,960 --> 00:03:56,600
Speaker 1: was basically hyperventilating in the room. She had to walk

75
00:03:56,640 --> 00:03:59,840
Speaker 1: out of the room, sit in the hall, gather composure,

76
00:04:00,280 --> 00:04:02,480
Speaker 1: and come back in just to take pictures, not even

77
00:04:02,480 --> 00:04:04,600
Speaker 1: to talk to her. So she when she heard this,

78
00:04:05,200 --> 00:04:07,680
Speaker 1: she was like, Wow, maybe I have a chance to

79
00:04:07,680 --> 00:04:10,119
Speaker 1: be on the show. So that is also what has

80
00:04:10,200 --> 00:04:14,920
Speaker 1: interested us. So Kelty, how crazy are these fans on

81
00:04:14,960 --> 00:04:17,400
Speaker 1: this show. Are they like almost psycho murderers or is

82
00:04:17,400 --> 00:04:20,240
Speaker 1: it like a healthy super fan. It's a healthy superfan

83
00:04:20,560 --> 00:04:23,279
Speaker 1: and they're all like FBI level background checks, So don't

84
00:04:23,279 --> 00:04:26,840
Speaker 1: you worry. But Morgan sounds perfect. Let me just tell

85
00:04:26,880 --> 00:04:29,440
Speaker 1: her what some of the competition is. We have multiple

86
00:04:29,440 --> 00:04:34,200
Speaker 1: Shania tattoos, we have multiple full leper prints that don't

87
00:04:34,200 --> 00:04:38,640
Speaker 1: didn't press me as much. Costumes, we have dogs named Shania.

88
00:04:38,800 --> 00:04:41,000
Speaker 1: We have a woman who created the first ever hula

89
00:04:41,520 --> 00:04:44,640
Speaker 1: to Shania songs. We have collections. We have a man

90
00:04:44,680 --> 00:04:47,320
Speaker 1: who has the stamp collection from the nineties that Canada

91
00:04:47,320 --> 00:04:50,400
Speaker 1: posts put out with Shania on the stamp individually. Those

92
00:04:50,440 --> 00:04:53,200
Speaker 1: are all great. Now, Morgan's religious beliefs don't allow her

93
00:04:53,240 --> 00:04:55,200
Speaker 1: to have a tattoo, so she can't get a tattoo.

94
00:04:55,880 --> 00:04:59,760
Speaker 1: But okay, if it matters. Once she touched Shanaya and

95
00:05:00,160 --> 00:05:01,960
Speaker 1: wash her hand for a whole year and she kept

96
00:05:02,000 --> 00:05:04,800
Speaker 1: her hand in a bag, Now, is that crazy or no, kelty,

97
00:05:05,080 --> 00:05:07,520
Speaker 1: That's exactly what we're looking for, and that's how she

98
00:05:07,520 --> 00:05:09,720
Speaker 1: should open her audition video. All if you should do

99
00:05:09,800 --> 00:05:12,640
Speaker 1: is go to super fancasting dot com and send in

100
00:05:12,680 --> 00:05:15,159
Speaker 1: your video on your submission, and honestly, that's a great opener.

101
00:05:15,200 --> 00:05:17,440
Speaker 1: I would that would catch my eye. Catch your eye, Morgan,

102
00:05:17,480 --> 00:05:19,000
Speaker 1: I would like to introduce you to my friend Kelty.

103
00:05:19,040 --> 00:05:21,120
Speaker 1: We've been we go way back, like four minutes, but

104
00:05:21,160 --> 00:05:23,400
Speaker 1: I would definitely feel like we're friends now, Morgan, what

105
00:05:23,440 --> 00:05:25,600
Speaker 1: would you like to say to Kelty? Hi? Kelty, I mean,

106
00:05:25,640 --> 00:05:27,520
Speaker 1: I'm just freaking out just talking to you, because the

107
00:05:27,560 --> 00:05:31,200
Speaker 1: idea of getting to meet Shania Twain, like I get listen,

108
00:05:31,560 --> 00:05:33,400
Speaker 1: but that was my first day on the job. Ever,

109
00:05:33,520 --> 00:05:35,320
Speaker 1: you almost died and I did almost die. It was

110
00:05:35,480 --> 00:05:37,919
Speaker 1: it was a very contradicting situation for me when that

111
00:05:37,960 --> 00:05:42,120
Speaker 1: all happened. And so getting to like actually test my

112
00:05:42,240 --> 00:05:44,320
Speaker 1: knowledge on Shania and then get to hang out with her,

113
00:05:44,360 --> 00:05:46,800
Speaker 1: it would be the dream come true. She's the whole

114
00:05:46,839 --> 00:05:49,839
Speaker 1: reason that I moved to Nashville. She was the reason

115
00:05:49,920 --> 00:05:53,920
Speaker 1: BE moved here. Yeah, you moved across the country for Shania. Yes,

116
00:05:54,000 --> 00:05:58,320
Speaker 1: country music. She's the reason. I mean, I just everything

117
00:05:58,360 --> 00:06:01,919
Speaker 1: about her has she changed my life from me hearing

118
00:06:01,960 --> 00:06:03,960
Speaker 1: her when I was just a baby and her parents

119
00:06:03,960 --> 00:06:06,440
Speaker 1: playing her CD for me to now being twenty eight

120
00:06:06,520 --> 00:06:09,000
Speaker 1: years old and I still know all of her music,

121
00:06:09,040 --> 00:06:11,400
Speaker 1: including her new album, which is the one that she

122
00:06:11,520 --> 00:06:13,640
Speaker 1: came back with. But now a lot of people have

123
00:06:13,680 --> 00:06:15,320
Speaker 1: listened to it yet, but you know it all margin

124
00:06:15,800 --> 00:06:18,200
Speaker 1: I love this so much for you, I really think

125
00:06:18,200 --> 00:06:20,920
Speaker 1: you should apply. The first round of the game is

126
00:06:20,960 --> 00:06:23,600
Speaker 1: actually like each one of the Superfriens like pleading their

127
00:06:23,640 --> 00:06:26,440
Speaker 1: case like you just did directly to Shania. Do you

128
00:06:26,440 --> 00:06:28,359
Speaker 1: think you could say exactly what you just said to me,

129
00:06:28,440 --> 00:06:30,560
Speaker 1: like right in front of Shania Twain? Yes, I would

130
00:06:30,600 --> 00:06:32,680
Speaker 1: practice it over and over to make sure that when

131
00:06:32,720 --> 00:06:34,520
Speaker 1: I got this ye her, I could do it without

132
00:06:34,560 --> 00:06:36,640
Speaker 1: being nurse. She'd pass out, but that would be great TV.

133
00:06:36,920 --> 00:06:38,680
Speaker 1: I'm just gonna be honest, Kell. Did she passed out? She?

134
00:06:39,040 --> 00:06:41,440
Speaker 1: It happened. I saw it. But again, it would be

135
00:06:41,640 --> 00:06:45,120
Speaker 1: great television. And does it help or hurt that Morgan

136
00:06:45,279 --> 00:06:47,640
Speaker 1: is on this show and that you know we have

137
00:06:48,160 --> 00:06:51,440
Speaker 1: depending on what publication you look at between you know,

138
00:06:51,480 --> 00:06:55,039
Speaker 1: six million listeners live and millions more that listen to

139
00:06:55,040 --> 00:06:58,040
Speaker 1: the podcast, does that help or hurt her her chances? Well,

140
00:06:58,080 --> 00:07:02,240
Speaker 1: you know it actually does help her. And I'm not

141
00:07:02,279 --> 00:07:04,480
Speaker 1: the person that makes these decisions, So Morgan, I can

142
00:07:04,520 --> 00:07:07,720
Speaker 1: be your internal person to tell you but the final

143
00:07:07,800 --> 00:07:10,800
Speaker 1: two fans in the show, whether it's a Little Big

144
00:07:10,880 --> 00:07:14,400
Speaker 1: Town or Kelsey Ballerini's episode or the Shanaia episode, they're

145
00:07:14,440 --> 00:07:19,360
Speaker 1: actually being voted on by America Live came over. I

146
00:07:19,360 --> 00:07:21,440
Speaker 1: want with the stars and I suck, so we have

147
00:07:21,520 --> 00:07:27,560
Speaker 1: people that will vote yes. Exactly kidding. I mean you

148
00:07:27,560 --> 00:07:31,560
Speaker 1: were you were very charming. But you know, like at

149
00:07:31,600 --> 00:07:34,320
Speaker 1: the end, if Morgan has the knowledge and the passion

150
00:07:34,360 --> 00:07:36,760
Speaker 1: to get to the final two, I feel like it's

151
00:07:36,760 --> 00:07:38,600
Speaker 1: a wash for her. Oh I can do this, I

152
00:07:38,640 --> 00:07:40,600
Speaker 1: can so do this. Well. The thing is, I think

153
00:07:40,680 --> 00:07:44,120
Speaker 1: she is nuts about Shanaya. It makes me a bit uncomfortable,

154
00:07:44,120 --> 00:07:46,320
Speaker 1: and that's perfect for the show aside from her, you know,

155
00:07:46,360 --> 00:07:49,400
Speaker 1: being having a big platform. Now, could I apply to

156
00:07:49,400 --> 00:07:52,400
Speaker 1: be a Kelsey superfan? I mean you can't. Are you

157
00:07:52,440 --> 00:07:55,560
Speaker 1: a Kelsey superfan? To be fair, she opened for me

158
00:07:55,600 --> 00:07:57,320
Speaker 1: for all a long time on the road and then

159
00:07:57,400 --> 00:08:01,680
Speaker 1: I became a super fan of her, So that's not

160
00:08:01,720 --> 00:08:03,520
Speaker 1: a yes. Okay, we're good on that one. We're good

161
00:08:03,520 --> 00:08:07,800
Speaker 1: on that one. This is very Morgan. Your your reasons

162
00:08:07,800 --> 00:08:10,239
Speaker 1: are far less convincing than Morgan. I gotta be honest

163
00:08:10,240 --> 00:08:14,240
Speaker 1: with you. For our listeners will you say again, where

164
00:08:14,280 --> 00:08:16,240
Speaker 1: they can go if they would like to apply. Sure,

165
00:08:16,280 --> 00:08:17,680
Speaker 1: If you want to apply to be one of the

166
00:08:17,680 --> 00:08:21,840
Speaker 1: super fans on superfan, um, just go to super Fancasting

167
00:08:22,280 --> 00:08:25,800
Speaker 1: dot com uh and you can apply for We have

168
00:08:26,000 --> 00:08:28,520
Speaker 1: you know, country artists, a little Big Town Kelsey, Ballerini,

169
00:08:28,560 --> 00:08:30,720
Speaker 1: Sit Twain. We also have Pitbull. We have a couple

170
00:08:30,720 --> 00:08:32,920
Speaker 1: other pop artists coming out this week. So everything's there,

171
00:08:32,960 --> 00:08:36,000
Speaker 1: all right, Kelty, thank you. We appreciate your time this morning,

172
00:08:36,040 --> 00:08:38,160
Speaker 1: and we hope our listeners will go and try and

173
00:08:38,200 --> 00:08:40,559
Speaker 1: I'll except for the Shania one, leave that to us

174
00:08:40,880 --> 00:08:43,320
Speaker 1: you they listened to go to Kelsey or a little

175
00:08:43,320 --> 00:08:47,240
Speaker 1: big town Morgan want Shania? Yes, I do, all right exactly, Kelty,

176
00:08:47,320 --> 00:08:49,320
Speaker 1: have a great day. Thank you for your time. Hey

177
00:08:49,360 --> 00:08:51,520
Speaker 1: you are great on New Year's too. Oh thanks, I

178
00:08:51,600 --> 00:08:54,839
Speaker 1: appreciate that. Follow Kelty on Instagram at k E l

179
00:08:54,920 --> 00:08:58,199
Speaker 1: T I E at Kelty and there she is Kelty Night. Kelty,

180
00:08:58,200 --> 00:08:59,600
Speaker 1: have a great day. Hopefully we'll talk to you soon.

181
00:09:00,040 --> 00:09:04,000
Speaker 1: Thanks guys. All right, by Morgan, thank you. Well, look

182
00:09:04,040 --> 00:09:06,360
Speaker 1: at there. How do you feel, Morgan? I feel good?

183
00:09:06,400 --> 00:09:09,120
Speaker 1: I mean I feel like I pled my passionate case

184
00:09:09,160 --> 00:09:13,160
Speaker 1: as much as possible, I feel, and I might have

185
00:09:13,240 --> 00:09:16,720
Speaker 1: exaggerated a few of those things. I appreciate your support

186
00:09:16,760 --> 00:09:19,640
Speaker 1: because I think you helped me. That's what TV's all about, Yes,

187
00:09:20,080 --> 00:09:22,440
Speaker 1: sell it. It's about to sizzle, not to steak, and

188
00:09:22,480 --> 00:09:23,800
Speaker 1: then when you get there, give them the steak. But

189
00:09:23,800 --> 00:09:26,280
Speaker 1: you got to sizzle at first. All Right, we'll see

190
00:09:26,280 --> 00:09:29,920
Speaker 1: what happens. And thanks again to Kelty. It's the best

191
00:09:30,040 --> 00:09:34,400
Speaker 1: Bits of the Week with Morgan. Number two. This is

192
00:09:34,440 --> 00:09:37,600
Speaker 1: a fun segment because Bobby has been mentioning his anxiety

193
00:09:37,720 --> 00:09:41,560
Speaker 1: with flying, and so a listener came on that happens

194
00:09:41,559 --> 00:09:44,280
Speaker 1: to be a pilot, and Bobby got all of his

195
00:09:44,440 --> 00:09:48,520
Speaker 1: questions answered. And I'll even mention that in this conversation,

196
00:09:48,760 --> 00:09:53,040
Speaker 1: this pilot makes such a good comparison from air to water,

197
00:09:53,240 --> 00:09:55,520
Speaker 1: and it just made me see flying in a whole

198
00:09:55,559 --> 00:10:00,280
Speaker 1: different light. So definitely listen to this. Number six. Now,

199
00:10:00,320 --> 00:10:03,680
Speaker 1: as Tyler, who is a pilot, and there's just been

200
00:10:03,840 --> 00:10:07,280
Speaker 1: so many of these stories about people going absolutely bonkers

201
00:10:07,400 --> 00:10:11,360
Speaker 1: on airplanes midflight. Hey, Tyler, as a pilot, how do

202
00:10:11,400 --> 00:10:14,040
Speaker 1: you handle these situations? Really, we just leave it up

203
00:10:14,080 --> 00:10:16,199
Speaker 1: to the flight attendants, and we were all on them.

204
00:10:16,280 --> 00:10:18,480
Speaker 1: If we're locked up front and who's going on on

205
00:10:18,559 --> 00:10:21,719
Speaker 1: the back. We were all on their information. But if

206
00:10:21,720 --> 00:10:24,880
Speaker 1: they can get the passengers subdued, depending on how far

207
00:10:24,920 --> 00:10:27,800
Speaker 1: away from your destination you are, you continue on. But

208
00:10:27,840 --> 00:10:31,600
Speaker 1: if you're two hours from your destination, will definitely divert.

209
00:10:32,000 --> 00:10:35,080
Speaker 1: And so what do you say if you're diverting to

210
00:10:35,320 --> 00:10:38,120
Speaker 1: the people in the sky, all right, we gotta go

211
00:10:38,160 --> 00:10:39,760
Speaker 1: because we got an idiot, and all three like, what

212
00:10:39,800 --> 00:10:42,000
Speaker 1: do you say to those people going out? You need

213
00:10:42,040 --> 00:10:43,960
Speaker 1: to land and obviously have to have clearance to land

214
00:10:43,960 --> 00:10:47,040
Speaker 1: in a small town. What's that procedure. Usually we don't

215
00:10:47,080 --> 00:10:48,839
Speaker 1: really have a whole lot of time at that point

216
00:10:48,920 --> 00:10:52,760
Speaker 1: to make an announcement to the passengers, but if we do,

217
00:10:52,880 --> 00:10:57,560
Speaker 1: we'll just say, due to unforeseen circumstances, we're having to divert.

218
00:10:57,760 --> 00:11:00,040
Speaker 1: Of course, everybody in the back season it's going and

219
00:11:00,160 --> 00:11:02,800
Speaker 1: they know exact what we're doing anyway, But me, if

220
00:11:02,840 --> 00:11:05,760
Speaker 1: we have time, we try to keep our pastors updated

221
00:11:05,800 --> 00:11:07,840
Speaker 1: as best as possible. I would think if there's a

222
00:11:07,880 --> 00:11:10,800
Speaker 1: jerk on the plane who won't stop, and everybody's like,

223
00:11:10,960 --> 00:11:13,160
Speaker 1: sit down, and he won't sit down, and he's yelling.

224
00:11:13,559 --> 00:11:15,280
Speaker 1: But when the pilot gets up and goes we have

225
00:11:15,280 --> 00:11:18,280
Speaker 1: to divert. I would expect him to get jumped then, Yeah,

226
00:11:18,360 --> 00:11:20,000
Speaker 1: like his punishment is now, it's now time to be

227
00:11:20,080 --> 00:11:23,480
Speaker 1: punished because you're diverting all of us. Like, that's probably

228
00:11:23,480 --> 00:11:26,120
Speaker 1: when I would be super mad. So when you land,

229
00:11:26,320 --> 00:11:28,160
Speaker 1: when you've had to divert, then what do you have

230
00:11:28,200 --> 00:11:29,880
Speaker 1: to do before you can get back up? So you'll

231
00:11:29,880 --> 00:11:34,240
Speaker 1: have security police meet you at the gate. They'll come on,

232
00:11:34,240 --> 00:11:37,480
Speaker 1: we'll ask everybody or main seated. They'll come on, escort

233
00:11:37,480 --> 00:11:39,800
Speaker 1: the passenger off, and then depend on if we need gas,

234
00:11:40,720 --> 00:11:45,360
Speaker 1: we'll get gas, get a new flight plan, and then

235
00:11:45,600 --> 00:11:48,520
Speaker 1: head out for wherever we were initially intended to go.

236
00:11:49,120 --> 00:11:52,720
Speaker 1: Can I ask you about plane crashes for a second. No,

237
00:11:52,800 --> 00:11:55,280
Speaker 1: I'm just obsessed. I hate flying and I fly all

238
00:11:55,280 --> 00:11:56,560
Speaker 1: the time, but I hate it. I'm scared to death.

239
00:11:57,800 --> 00:11:59,880
Speaker 1: Have you ever hit turbulence so hard you thought you

240
00:12:00,120 --> 00:12:05,360
Speaker 1: might crash? No, not so bad that we might crash.

241
00:12:05,400 --> 00:12:08,400
Speaker 1: But air kind of acts like water. So if you're

242
00:12:08,440 --> 00:12:10,840
Speaker 1: on the lake, let's say julyt for it's right, and

243
00:12:10,880 --> 00:12:13,880
Speaker 1: there's all these boats out there, and the water is

244
00:12:13,880 --> 00:12:17,280
Speaker 1: really rough. It's rough going over the water. It's potentially

245
00:12:17,280 --> 00:12:19,600
Speaker 1: the same as seen the air. You have rough air,

246
00:12:19,640 --> 00:12:23,160
Speaker 1: you've got the jet stream, you've got weight from other airplanes.

247
00:12:23,280 --> 00:12:26,360
Speaker 1: But it's not just gonna fall out the sky. So

248
00:12:26,480 --> 00:12:30,199
Speaker 1: whenever the plane goes boom with turbulence and things that

249
00:12:30,240 --> 00:12:32,200
Speaker 1: are sitting on the little table fly and hit the

250
00:12:32,200 --> 00:12:36,440
Speaker 1: top of them. When that happens, there isn't one percent

251
00:12:36,480 --> 00:12:41,400
Speaker 1: of you that goes, we're going down chuck No, sir no,

252
00:12:42,320 --> 00:12:44,880
Speaker 1: because nine percent of me does I feel like, well,

253
00:12:45,240 --> 00:12:47,559
Speaker 1: I'm gonna die. Have you ever been in a situation

254
00:12:47,600 --> 00:12:50,480
Speaker 1: where you think turbulence aside where you go, oh, we've

255
00:12:50,480 --> 00:12:54,960
Speaker 1: gotten in trouble, lightning, thunder, we might crash. Now, we've

256
00:12:54,960 --> 00:12:57,520
Speaker 1: got radar on board, and we do our best to

257
00:12:57,520 --> 00:13:00,760
Speaker 1: obviously go around that. And then there's also several other

258
00:13:00,800 --> 00:13:04,440
Speaker 1: airplanes in that area. You know, we flop public fruits

259
00:13:04,559 --> 00:13:06,440
Speaker 1: so we can we can get rather reports from the

260
00:13:06,440 --> 00:13:09,679
Speaker 1: people in front of us. You know, if everybody else

261
00:13:09,880 --> 00:13:11,800
Speaker 1: is diverting, that kind of gives us a good clue

262
00:13:11,840 --> 00:13:14,719
Speaker 1: that we should probably go around as well. And then

263
00:13:14,760 --> 00:13:17,480
Speaker 1: ATC does a really good job of giving us vectors

264
00:13:17,520 --> 00:13:21,679
Speaker 1: around storms. And again we've got iPads on board that

265
00:13:21,760 --> 00:13:25,160
Speaker 1: have radar and We've got our company that can tell us,

266
00:13:25,360 --> 00:13:28,400
Speaker 1: you know, advise us what they think we should do.

267
00:13:29,640 --> 00:13:32,840
Speaker 1: So it's it's extremely safe. He's starting to convince me.

268
00:13:32,840 --> 00:13:34,319
Speaker 1: I'm not fully buying it yet, but I'll coup more

269
00:13:34,360 --> 00:13:37,400
Speaker 1: questions that extremely Sometimes I'm flying and there's another plane

270
00:13:37,400 --> 00:13:39,640
Speaker 1: that goes a little too close below us, or a

271
00:13:39,640 --> 00:13:41,240
Speaker 1: little too close to the side of us, or a

272
00:13:41,240 --> 00:13:43,520
Speaker 1: little too close to the top of us. Now that

273
00:13:43,559 --> 00:13:46,920
Speaker 1: could be human error, right where a plane snacks another plane.

274
00:13:46,920 --> 00:13:49,760
Speaker 1: Have you ever thought you're gonna crash because of that? Oh? No,

275
00:13:49,760 --> 00:13:53,440
Speaker 1: no again. ATC does a fantastic job of keeping separation.

276
00:13:54,880 --> 00:13:58,560
Speaker 1: We've got you know, required separation minimums that we have

277
00:13:58,720 --> 00:14:02,640
Speaker 1: to maintain an all time um and and acc generally

278
00:14:02,640 --> 00:14:05,000
Speaker 1: points out the traffic to us well in advance, so

279
00:14:05,040 --> 00:14:07,600
Speaker 1: we see him. Um. You know, if we need to,

280
00:14:07,679 --> 00:14:10,720
Speaker 1: they'll build that cur a software airway and send us

281
00:14:10,720 --> 00:14:12,920
Speaker 1: around the traffic. Well, I have one more question, And

282
00:14:12,960 --> 00:14:16,440
Speaker 1: I appreciate your patients because the fascinated flying to have

283
00:14:16,440 --> 00:14:18,720
Speaker 1: two questions. Number one, tell me if I almost died

284
00:14:18,800 --> 00:14:20,720
Speaker 1: this time. We were on a plane. We're on like

285
00:14:20,760 --> 00:14:24,320
Speaker 1: a Southwest flight, and the pilot comes back into the cabin.

286
00:14:24,800 --> 00:14:26,480
Speaker 1: That's what the tubes called, right, come back to the cabin,

287
00:14:26,520 --> 00:14:29,240
Speaker 1: into the cabin, and he like pulls the carpet back

288
00:14:29,520 --> 00:14:32,760
Speaker 1: and then hand cranks the wheels to come out to land.

289
00:14:33,240 --> 00:14:34,920
Speaker 1: It doesn't really say what he's doing, but he's like

290
00:14:34,960 --> 00:14:37,280
Speaker 1: cranking THEO and then it's the whip. You hear the

291
00:14:37,280 --> 00:14:40,080
Speaker 1: wheels lock and then he walks back up like whist

292
00:14:40,120 --> 00:14:42,920
Speaker 1: him nothing to see here, and then gets it and

293
00:14:42,960 --> 00:14:45,880
Speaker 1: then they land. Did we almost die? No? No, we've

294
00:14:45,920 --> 00:14:49,760
Speaker 1: got back up so UM. Anytime we have malfunctions, we

295
00:14:49,840 --> 00:14:54,040
Speaker 1: have backedups on backups UM to to kind of alleviate

296
00:14:54,120 --> 00:14:56,800
Speaker 1: that situation. So that's that's more than lackly what he

297
00:14:56,880 --> 00:14:59,880
Speaker 1: was doing. All right? I thought I had another one.

298
00:14:59,920 --> 00:15:01,880
Speaker 1: H Has he ever lost an engine? Because you hear

299
00:15:01,920 --> 00:15:03,920
Speaker 1: about that, like, oh, we lost engine number four? What

300
00:15:03,920 --> 00:15:07,760
Speaker 1: do we do now? I have UM prior to my

301
00:15:07,840 --> 00:15:11,280
Speaker 1: airline days, but I haven't at the airlines. UM. All

302
00:15:11,320 --> 00:15:14,840
Speaker 1: the airliners are certified to fly extremely well with UM

303
00:15:15,600 --> 00:15:18,240
Speaker 1: one engine or two engines. You know, if you got

304
00:15:18,240 --> 00:15:20,320
Speaker 1: four engines and you lose one, it is a non

305
00:15:20,320 --> 00:15:23,360
Speaker 1: event even with two engines losing one. I thank the

306
00:15:23,360 --> 00:15:26,080
Speaker 1: airplanes fly extremely well. And that's something that we've practiced

307
00:15:26,080 --> 00:15:29,640
Speaker 1: in the CM in training every year. Um, and we're

308
00:15:30,360 --> 00:15:33,680
Speaker 1: you know, we're trained to fly with one engine. Could

309
00:15:33,720 --> 00:15:38,200
Speaker 1: you barrel roll a massive commercial plane if you wanted to?

310
00:15:39,160 --> 00:15:43,000
Speaker 1: Only one because it'll be fired after that? Yeah? Last day? Right, like, yeah,

311
00:15:43,000 --> 00:15:45,200
Speaker 1: it's senior day, slip day, senior s gip day, and

312
00:15:45,200 --> 00:15:48,560
Speaker 1: it's a last day. But you could you with your skills,

313
00:15:49,280 --> 00:15:51,360
Speaker 1: not you specifically, because you would never do that, tyler,

314
00:15:51,640 --> 00:15:58,480
Speaker 1: but could someone barrel roll of delta plane? Great, that's

315
00:15:58,480 --> 00:16:00,760
Speaker 1: a big one, yes, and then land later an hour later?

316
00:16:00,840 --> 00:16:05,240
Speaker 1: Land I would say, come on, have you ever been

317
00:16:05,360 --> 00:16:09,600
Speaker 1: tempted if you know you're flying like near you know,

318
00:16:09,680 --> 00:16:12,440
Speaker 1: your house or your friend's house, are you ever tempted

319
00:16:12,480 --> 00:16:17,080
Speaker 1: to just you know, buzz it? Oh? Good question? Uh

320
00:16:17,080 --> 00:16:20,720
Speaker 1: no no, uh, we were probably getting pretty good trouble

321
00:16:20,760 --> 00:16:22,680
Speaker 1: for that. Yeah. But all on your last day? Yeah,

322
00:16:23,120 --> 00:16:25,600
Speaker 1: ski day, Right, it's the last day before you graduate. Okay,

323
00:16:25,600 --> 00:16:29,280
Speaker 1: one final question. So have you ever landed and been like,

324
00:16:29,720 --> 00:16:31,880
Speaker 1: well I got two questions. Have you ever landed and

325
00:16:31,960 --> 00:16:34,720
Speaker 1: been like, oh my god, I can't believe we made it? Um?

326
00:16:35,520 --> 00:16:38,840
Speaker 1: Sounds like a yes to me. No, Okay, No, I don't.

327
00:16:38,840 --> 00:16:41,360
Speaker 1: I don't think, so, Okay, what's the next one? I

328
00:16:41,440 --> 00:16:44,560
Speaker 1: keep forgetting? I know, I get so excited about these questions,

329
00:16:44,600 --> 00:16:47,080
Speaker 1: and I've had one in queue for like five minutes. Okay,

330
00:16:47,120 --> 00:16:49,280
Speaker 1: before Tyler goes here, I want to see if I

331
00:16:49,280 --> 00:16:51,880
Speaker 1: can remember this last question I was going to ask him, Oh,

332
00:16:51,920 --> 00:16:54,080
Speaker 1: I got it? Do you ever this is the one

333
00:16:54,120 --> 00:16:56,120
Speaker 1: I've been thinking the whole time. When it gets up

334
00:16:56,120 --> 00:16:57,920
Speaker 1: into the air and it's at an altitude, what do

335
00:16:58,000 --> 00:17:01,840
Speaker 1: you call it? Cruising altitude? That's what it's called. Ya. Okay,

336
00:17:01,840 --> 00:17:04,080
Speaker 1: when you get to a cruising altitude? Do you ever

337
00:17:04,119 --> 00:17:06,880
Speaker 1: look at your copiling go? I can't believe this thing works,

338
00:17:06,960 --> 00:17:08,560
Speaker 1: like I cannot believe we get this much metal in

339
00:17:08,600 --> 00:17:11,360
Speaker 1: the air every single time. No, no, I have not.

340
00:17:11,760 --> 00:17:16,520
Speaker 1: There's several several thousand flights a day, um every day

341
00:17:16,560 --> 00:17:21,080
Speaker 1: throughout the world. Use these things perform extremely well. But

342
00:17:21,240 --> 00:17:23,960
Speaker 1: he understands the physics behind it, so he's actually probably

343
00:17:24,040 --> 00:17:26,119
Speaker 1: not sounds like this like some kind of ghost medicine

344
00:17:26,160 --> 00:17:29,960
Speaker 1: magic which stuff. Okay, last question? Is there a parachute

345
00:17:29,960 --> 00:17:31,680
Speaker 1: in that plane hidden that if you need to jump

346
00:17:31,720 --> 00:17:37,080
Speaker 1: you can? There's not? Okay, Well, any final questions for

347
00:17:37,080 --> 00:17:38,479
Speaker 1: ty this is my favorite guest in a long time,

348
00:17:38,560 --> 00:17:41,840
Speaker 1: more clearly accidental. Yes, I got one bones? Um do

349
00:17:41,920 --> 00:17:44,920
Speaker 1: you dump the poop? Oh? Good question? Yeah? And have

350
00:17:45,000 --> 00:17:50,119
Speaker 1: you ever like picked like everybody's house? We do not

351
00:17:50,440 --> 00:17:54,280
Speaker 1: know they service that in between every flight. Okay, all right, well, Tyler,

352
00:17:54,320 --> 00:17:57,359
Speaker 1: I appreciate that you have actually made us feel more

353
00:17:57,359 --> 00:18:00,800
Speaker 1: comfortable with flying. You've made us feel dumber for our questions,

354
00:18:01,080 --> 00:18:03,359
Speaker 1: and this is all in our been at a plus segment,

355
00:18:03,440 --> 00:18:06,200
Speaker 1: So thank you for your time. I'm glad I could

356
00:18:06,200 --> 00:18:10,000
Speaker 1: tell all right there, all right, Tyler. See, man, that's

357
00:18:10,000 --> 00:18:13,720
Speaker 1: pretty good enough. I like that. I feel I'm still

358
00:18:13,760 --> 00:18:15,840
Speaker 1: going to be scared, but I'm going to be scared

359
00:18:15,960 --> 00:18:21,160
Speaker 1: knowing that I'm wrong being scared. It's the best bits

360
00:18:21,200 --> 00:18:29,160
Speaker 1: of the week with Morgan number two. History is littered

361
00:18:29,160 --> 00:18:32,440
Speaker 1: with tragic stories from which we could all learn lessons.

362
00:18:32,840 --> 00:18:36,040
Speaker 1: Why did the finest army in medieval Europe end up

363
00:18:36,040 --> 00:18:39,560
Speaker 1: defeated and drowning in the mud amidst a hail of arrows?

364
00:18:40,560 --> 00:18:43,720
Speaker 1: What allowed a tiny change in a hotel's blueprints to

365
00:18:43,760 --> 00:18:48,080
Speaker 1: go unnoticed, sending tons of concrete, steel and glass crashing

366
00:18:48,119 --> 00:18:51,000
Speaker 1: down on guests who would let their child play with

367
00:18:51,040 --> 00:18:54,560
Speaker 1: the controls of an airliner? And how did an award

368
00:18:54,600 --> 00:18:58,199
Speaker 1: winning choreographer and a rock music megastar come close to

369
00:18:58,240 --> 00:19:04,360
Speaker 1: opening the worst musical of all time. I'm Tim Harford,

370
00:19:04,600 --> 00:19:07,680
Speaker 1: host of Cautionary Tales, the podcast that looks for the

371
00:19:07,800 --> 00:19:12,320
Speaker 1: valuable lessons and the greatest mistakes, disasters, and fiascos of

372
00:19:12,400 --> 00:19:15,880
Speaker 1: the past. Some stories will delight you, others may scare you,

373
00:19:16,119 --> 00:19:19,600
Speaker 1: but they'll all make you wiser. Listen to Cautionary Tales

374
00:19:19,600 --> 00:19:23,400
Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get

375
00:19:23,440 --> 00:19:27,879
Speaker 1: your podcasts. Hey, this is Justin. Richmond hosted the Broken

376
00:19:27,920 --> 00:19:31,400
Speaker 1: Record podcast. Join Me on Broken Record along with music

377
00:19:31,440 --> 00:19:34,960
Speaker 1: industry icon Rick Rubin and Arthur's Malcolm Gladwell and Bruce

378
00:19:35,000 --> 00:19:37,200
Speaker 1: Hadlum as we sit down with the artists you love,

379
00:19:37,280 --> 00:19:41,480
Speaker 1: getting unparalleled creative insight into your favorite music. You'll hear

380
00:19:41,520 --> 00:19:44,800
Speaker 1: revealing interviews with some of the most legendary figures in music,

381
00:19:45,080 --> 00:19:49,360
Speaker 1: like Neil Young, Under three thousand, Bruce Springsteen, and NAS.

382
00:19:50,080 --> 00:19:52,800
Speaker 1: And you'll learn about up and coming artists like Michelle Zaner,

383
00:19:52,960 --> 00:19:55,400
Speaker 1: who talks about her big plans for the dreamy indie

384
00:19:55,440 --> 00:19:59,240
Speaker 1: pop band Japanese Breakfast and kromby the Texas Trio, who

385
00:19:59,280 --> 00:20:03,400
Speaker 1: share the inspira behind their global funk of sound. This March,

386
00:20:03,440 --> 00:20:06,520
Speaker 1: we're spotlighting female artists like Miss Elliott, Patti Smith, and

387
00:20:06,640 --> 00:20:10,120
Speaker 1: Bonnie Rate. Celebrate Women's History Month with us and learn

388
00:20:10,160 --> 00:20:13,359
Speaker 1: how these incredible women changed what was possible in music.

389
00:20:13,840 --> 00:20:16,880
Speaker 1: Forging their own paths will also paving the way for others.

390
00:20:17,520 --> 00:20:20,840
Speaker 1: Listen to Broken Record on the iHeartRadio app, Apple Podcasts,

391
00:20:20,960 --> 00:20:28,320
Speaker 1: or wherever you get your podcasts. This one costs some

392
00:20:28,480 --> 00:20:32,440
Speaker 1: controversy on the show because Amy is wanting to hire

393
00:20:32,440 --> 00:20:34,760
Speaker 1: a psyekick, not for herself but for her cat, just

394
00:20:34,840 --> 00:20:36,960
Speaker 1: like she did for her dog. And you know, the

395
00:20:37,000 --> 00:20:39,520
Speaker 1: guys thought she needed an intervention. It was a whole

396
00:20:39,560 --> 00:20:42,480
Speaker 1: situation just because she wants to hire a psyekick. And

397
00:20:42,560 --> 00:20:44,800
Speaker 1: I said it in the segment and I'll say it again.

398
00:20:44,920 --> 00:20:47,520
Speaker 1: You know, whatever people want to believe and however they

399
00:20:47,560 --> 00:20:50,040
Speaker 1: feel and what they choose to believe in is all them.

400
00:20:50,080 --> 00:20:51,760
Speaker 1: Who am I to say it doesn't exist or it

401
00:20:51,800 --> 00:20:54,320
Speaker 1: isn't possible because I have no idea, I don't have

402
00:20:54,359 --> 00:20:55,919
Speaker 1: all the knowledge, and I'm not even gonna say I'm

403
00:20:55,920 --> 00:20:59,320
Speaker 1: the smartest person in the room ever. So you know, Amy,

404
00:20:59,560 --> 00:21:01,320
Speaker 1: I still got your back. You do what you need

405
00:21:01,359 --> 00:21:03,919
Speaker 1: to do for your cat. Number five, I mean, you

406
00:21:03,960 --> 00:21:06,920
Speaker 1: say your dog to a psychic a long time ago. Yeah, well,

407
00:21:06,960 --> 00:21:10,440
Speaker 1: I just had her read my dog over the phone.

408
00:21:11,080 --> 00:21:12,840
Speaker 1: She didn't even have to see her in person. I

409
00:21:12,840 --> 00:21:14,960
Speaker 1: just had to email her a picture. Isn't this the

410
00:21:15,000 --> 00:21:17,560
Speaker 1: biggest waste of money? The biggest maybe ever? Maybe ever?

411
00:21:17,760 --> 00:21:19,760
Speaker 1: Let me just say all the money wasting stuff we've

412
00:21:19,800 --> 00:21:22,119
Speaker 1: done the show, that could be number one. Right. Let

413
00:21:22,119 --> 00:21:26,760
Speaker 1: me say at the time my dog was acting totally crazy. Listen,

414
00:21:26,880 --> 00:21:30,119
Speaker 1: let me just say that this psychic person works for

415
00:21:30,359 --> 00:21:35,200
Speaker 1: a very prominent person in time. I'm just saying that

416
00:21:35,240 --> 00:21:38,639
Speaker 1: you wouldn't. You would not say to this person if

417
00:21:38,680 --> 00:21:40,679
Speaker 1: you talk to them that they're crazy. You wouldn't. You're

418
00:21:40,720 --> 00:21:42,640
Speaker 1: right because I don't want conversation, but behind their back,

419
00:21:42,640 --> 00:21:44,360
Speaker 1: I would, So did you put the dog on the phone.

420
00:21:44,640 --> 00:21:46,600
Speaker 1: But I'm just saying that this is a person. Trust

421
00:21:47,880 --> 00:21:49,919
Speaker 1: So I'll listen. I don't know, but I mean, I

422
00:21:50,000 --> 00:21:52,399
Speaker 1: just wanted to hey to in my mind, it couldn't

423
00:21:52,440 --> 00:21:56,119
Speaker 1: hurt to try to understand why my dog was acting bonkers.

424
00:21:56,160 --> 00:21:57,760
Speaker 1: I bring it up, not because I just want to

425
00:21:57,760 --> 00:22:00,800
Speaker 1: rehash something old, but I hear that you're thinking of

426
00:22:00,920 --> 00:22:06,280
Speaker 1: rehiring the psychic for your cat. Goodness, why it's just because,

427
00:22:06,320 --> 00:22:08,480
Speaker 1: I mean, it's been almost a year now since she's

428
00:22:08,520 --> 00:22:10,920
Speaker 1: joined the family, and I don't want to see how

429
00:22:10,960 --> 00:22:14,040
Speaker 1: she feels. What's going on. The dog gave us, like

430
00:22:14,320 --> 00:22:16,800
Speaker 1: the dog our dog gave us. She was able to

431
00:22:16,840 --> 00:22:19,439
Speaker 1: tell me things about our family that nobody would know,

432
00:22:19,960 --> 00:22:22,719
Speaker 1: and the dog was reacting to it. Do you, honest

433
00:22:22,760 --> 00:22:26,000
Speaker 1: in your heart believe this person? No, no, honest, I

434
00:22:26,080 --> 00:22:28,320
Speaker 1: need you to dig down deep. Do you, honest in

435
00:22:28,320 --> 00:22:33,159
Speaker 1: your heart think that this psychic is able to communicate

436
00:22:33,160 --> 00:22:36,880
Speaker 1: with these animals on a different level based Okay, so

437
00:22:37,119 --> 00:22:39,399
Speaker 1: I guess, or now, why why can't I give you?

438
00:22:40,600 --> 00:22:43,840
Speaker 1: Why can't I give you? I I The pendulum swings

439
00:22:43,880 --> 00:22:48,639
Speaker 1: from no way, that's crazy to like, uh, it's possible

440
00:22:49,200 --> 00:22:51,800
Speaker 1: because she told me things where she would not know,

441
00:22:51,920 --> 00:22:56,760
Speaker 1: And my jaw dropped. And again, I wish I could

442
00:22:56,760 --> 00:22:59,080
Speaker 1: tell you who she works for, because it would make

443
00:22:59,119 --> 00:23:03,399
Speaker 1: you leave her even more. Someone famous, but just because

444
00:23:03,400 --> 00:23:07,920
Speaker 1: they're probably dumb famous people, You do not not I

445
00:23:08,000 --> 00:23:10,639
Speaker 1: think this person is dumb? You do not. You do not?

446
00:23:10,720 --> 00:23:12,600
Speaker 1: Do you do not? You think this person is one

447
00:23:12,600 --> 00:23:17,359
Speaker 1: of the smartest, most successful people in town, in town,

448
00:23:17,240 --> 00:23:19,040
Speaker 1: and they may have so much money they're just doing

449
00:23:19,080 --> 00:23:21,280
Speaker 1: as a gag. Yeah, no, they don't even they don't

450
00:23:21,280 --> 00:23:23,000
Speaker 1: even work for them on this level. They use them

451
00:23:23,040 --> 00:23:24,520
Speaker 1: for this, but they work. It was like more of

452
00:23:24,520 --> 00:23:29,640
Speaker 1: like an assistant just saying but that makes me think, Okay, nope,

453
00:23:29,640 --> 00:23:32,440
Speaker 1: she should Amy hire a sagic for the cat. Yeah. No,

454
00:23:32,720 --> 00:23:37,360
Speaker 1: you don't get to answer. We're asking about you, okay, Eddie. No,

455
00:23:37,560 --> 00:23:39,359
Speaker 1: I mean Lunchbox could go to the house and watch

456
00:23:39,440 --> 00:23:41,880
Speaker 1: the cat for five minutes and probably say as much

457
00:23:41,880 --> 00:23:45,120
Speaker 1: as this person's going to say. It's happening on this show. Like, no,

458
00:23:45,240 --> 00:23:48,520
Speaker 1: absolutely not Amy. Amy has a psychic cousin now that

459
00:23:48,560 --> 00:23:51,720
Speaker 1: she's getting very close closer to nowadays. Right, Well, I

460
00:23:51,760 --> 00:23:53,879
Speaker 1: mean I've not boys, right, but you're a lot closer

461
00:23:53,880 --> 00:23:57,280
Speaker 1: to her now. Yes, we have been reconnected more because yes,

462
00:23:57,320 --> 00:24:00,560
Speaker 1: her mom is like has cancer and it's brought us

463
00:24:00,600 --> 00:24:03,120
Speaker 1: back together. Are you believing in psychics more in general?

464
00:24:03,160 --> 00:24:04,480
Speaker 1: I guess this is my question. That's the thing with

465
00:24:04,520 --> 00:24:07,600
Speaker 1: my cousin. Pendulum swings. Sometimes I'm like this cannot be real.

466
00:24:07,640 --> 00:24:08,879
Speaker 1: And then I hang out with it a little bit

467
00:24:08,880 --> 00:24:10,960
Speaker 1: and I'm like, oh my goodness, this is I don't

468
00:24:10,960 --> 00:24:12,359
Speaker 1: need to save some money. Have her talk to the

469
00:24:12,400 --> 00:24:15,960
Speaker 1: cat being beings? She well so smart. Let me let

470
00:24:15,960 --> 00:24:20,240
Speaker 1: me see if she could now her mom's dog. Oh no, stop, okay,

471
00:24:20,480 --> 00:24:26,160
Speaker 1: her mom's dog is a psychic dog. Oh my god,

472
00:24:26,240 --> 00:24:28,960
Speaker 1: I don't know what's happening on the show goes. I

473
00:24:29,000 --> 00:24:31,280
Speaker 1: think with that statement, our show just jumped the shark.

474
00:24:31,800 --> 00:24:34,320
Speaker 1: I think that was ill. We are so out of touch.

475
00:24:34,440 --> 00:24:36,800
Speaker 1: We have dogs that are psycho Well, stop it where

476
00:24:36,800 --> 00:24:41,920
Speaker 1: we are one person? I wasn't even saying that, But

477
00:24:42,000 --> 00:24:45,720
Speaker 1: she met this other woman that talks to animals. And

478
00:24:45,760 --> 00:24:47,760
Speaker 1: the woman that talks to the animal said, wow, I've

479
00:24:47,800 --> 00:24:49,800
Speaker 1: never had this happen. I've never met a dog that

480
00:24:49,880 --> 00:24:56,240
Speaker 1: was communicating with me before. Okay, us, anyone believe this

481
00:24:56,240 --> 00:24:58,479
Speaker 1: person can talk to Amy's cat? If so, speak now? Anyone?

482
00:24:59,280 --> 00:25:03,920
Speaker 1: Anyone scuba Maybe you're right? Anyone? No, yes, oh no,

483
00:25:05,000 --> 00:25:07,920
Speaker 1: I do. Listen. There's things out there that I don't understand,

484
00:25:07,960 --> 00:25:09,760
Speaker 1: and I just think it's very possible that this is

485
00:25:09,760 --> 00:25:12,320
Speaker 1: a reality. That's what you always say, that's what you

486
00:25:12,600 --> 00:25:16,040
Speaker 1: always say I don't think say what you say. She

487
00:25:16,080 --> 00:25:18,440
Speaker 1: wants you to say, Okay, what I say? What you say?

488
00:25:18,520 --> 00:25:20,119
Speaker 1: I don't. I told you I don't believe the psychics,

489
00:25:20,680 --> 00:25:23,760
Speaker 1: but my cousin has actually nailed some things about you. Okay.

490
00:25:24,080 --> 00:25:26,840
Speaker 1: All I'm saying is I don't believe this person. The

491
00:25:27,080 --> 00:25:29,520
Speaker 1: charge at ninety five dollars, I don't know, and hopefully

492
00:25:29,560 --> 00:25:31,560
Speaker 1: it was cheaper than that, because I get that that's

493
00:25:31,560 --> 00:25:33,719
Speaker 1: a ridiculous amount of money. But it was go do

494
00:25:33,720 --> 00:25:35,800
Speaker 1: what you do and let us know how it turns out.

495
00:25:36,200 --> 00:25:38,439
Speaker 1: But if you're asking if I think it's real, I

496
00:25:38,480 --> 00:25:40,479
Speaker 1: do not. Can't prove it's not. But I don't think

497
00:25:40,520 --> 00:25:44,080
Speaker 1: it's real. Right, But you think there's aliens? No, I

498
00:25:44,160 --> 00:25:46,760
Speaker 1: can't show you there is. I feel like you say

499
00:25:46,800 --> 00:25:49,280
Speaker 1: there is. I say, the world it's so bash. We

500
00:25:49,320 --> 00:25:50,600
Speaker 1: have no idea what's up there, and for us to

501
00:25:50,600 --> 00:25:53,000
Speaker 1: say that anything is not happening would be ridiculous. Well,

502
00:25:53,000 --> 00:25:54,760
Speaker 1: it sounds like you could apply that to exactly what

503
00:25:55,000 --> 00:26:00,720
Speaker 1: I believe. Name is Kat Psychic said it. Best Bits

504
00:26:00,760 --> 00:26:06,359
Speaker 1: of the Week with Morgan Number two, The hilariously funny

505
00:26:06,640 --> 00:26:09,480
Speaker 1: Jim Gaffigan hilariously funny is that a phrase? Is that

506
00:26:09,520 --> 00:26:11,960
Speaker 1: a thing? I don't know. We had Jim Gaffigan on

507
00:26:12,000 --> 00:26:14,800
Speaker 1: the show this week. He's a massive comedian. He's coming

508
00:26:14,840 --> 00:26:18,000
Speaker 1: in Nashville. He's on a super fun tour. Now that's

509
00:26:18,080 --> 00:26:21,480
Speaker 1: literally the name of his comedy tour. We talked to

510
00:26:21,560 --> 00:26:23,960
Speaker 1: him all about it. Plus if his kids think that

511
00:26:24,080 --> 00:26:26,880
Speaker 1: he's funny, and you know, it's always interesting to find

512
00:26:26,920 --> 00:26:30,840
Speaker 1: out if kids think they're very famous comedic dad is funny.

513
00:26:30,960 --> 00:26:34,440
Speaker 1: So we got the whole scoop right here. Number four,

514
00:26:34,520 --> 00:26:36,600
Speaker 1: We're about to have one of the funniest comedians around,

515
00:26:36,800 --> 00:26:40,720
Speaker 1: Jim Gaffagan on You love him so funny, So funny,

516
00:26:40,880 --> 00:26:43,000
Speaker 1: so funny. So this is the joke Eddy likes to

517
00:26:43,000 --> 00:26:45,399
Speaker 1: walk around telling. This is from his last special and

518
00:26:45,440 --> 00:26:48,080
Speaker 1: don't have him on. Here is the bathroom joke by

519
00:26:48,200 --> 00:26:51,040
Speaker 1: Jim Gaffigan. I'm happily married, but I would say once

520
00:26:51,080 --> 00:26:53,160
Speaker 1: a week I catch my wife give me a look

521
00:26:53,200 --> 00:26:57,480
Speaker 1: like I'm gonna have to let you go because I

522
00:26:57,600 --> 00:27:01,800
Speaker 1: disappointed her Constantly. I do things that annoy it. Like,

523
00:27:01,840 --> 00:27:04,440
Speaker 1: here's something I do that annoys my wife. I use

524
00:27:04,520 --> 00:27:11,320
Speaker 1: the bathroom. I know I should write. I get in

525
00:27:11,359 --> 00:27:15,359
Speaker 1: trouble for not telling her I'm gonna use the bathroom.

526
00:27:15,480 --> 00:27:21,320
Speaker 1: You just disappeared. Where'd you go? I didn't know I

527
00:27:21,359 --> 00:27:26,080
Speaker 1: needed a haul pass. I also get in trouble for

528
00:27:26,160 --> 00:27:29,760
Speaker 1: telling her I'm gonna use the bathroom. I'm gonna use

529
00:27:29,800 --> 00:27:37,399
Speaker 1: the bathroom again? Are you okay? How many times is

530
00:27:37,440 --> 00:27:44,879
Speaker 1: that today? You're disgusting? What are you doing there? Mostly

531
00:27:44,920 --> 00:27:50,360
Speaker 1: get away from you. The Friday morning conversation with Jim.

532
00:27:51,600 --> 00:27:53,120
Speaker 1: It is a pleasure to talk to you, my friend.

533
00:27:53,320 --> 00:27:55,840
Speaker 1: Thank you for having me. I was talking with Eddie,

534
00:27:55,920 --> 00:27:58,240
Speaker 1: who is on the show with me. I'm my best friend.

535
00:27:58,280 --> 00:28:00,399
Speaker 1: But he was like, hey, you want to hear the

536
00:28:00,800 --> 00:28:03,159
Speaker 1: Jim gafficking joke, the bathroom joke, And he tells it

537
00:28:03,160 --> 00:28:05,080
Speaker 1: and it's not that funny, but I've heard you do

538
00:28:05,119 --> 00:28:07,640
Speaker 1: it and it's very funny. And so do people ever

539
00:28:07,720 --> 00:28:09,040
Speaker 1: come up to you and like tell you your own

540
00:28:09,080 --> 00:28:11,119
Speaker 1: jokes back and they completely butcher It's like you've just

541
00:28:11,200 --> 00:28:16,320
Speaker 1: missed the whole thing. It is weird how sometimes contacts are,

542
00:28:16,640 --> 00:28:18,800
Speaker 1: you know, like they remember it a certain way. But

543
00:28:18,840 --> 00:28:22,399
Speaker 1: I think we all have like loved us sketched a

544
00:28:22,520 --> 00:28:26,280
Speaker 1: line from like SNL and then you end up watching

545
00:28:26,280 --> 00:28:29,359
Speaker 1: it again and you're like, oh, they didn't even say that.

546
00:28:29,359 --> 00:28:31,199
Speaker 1: That's precisely what he did. He's I got to hear

547
00:28:31,200 --> 00:28:32,439
Speaker 1: this joke and he told it. I was like, that's

548
00:28:32,480 --> 00:28:34,359
Speaker 1: not really the joke. But he's been telling a lot

549
00:28:34,400 --> 00:28:36,359
Speaker 1: of people that joke, and I feel like he's giving

550
00:28:36,359 --> 00:28:38,120
Speaker 1: you a bad name by telling a joke that's not

551
00:28:38,160 --> 00:28:40,959
Speaker 1: really yours. I'm gonna have to sue him. I agree

552
00:28:41,000 --> 00:28:44,960
Speaker 1: with them, Well I'm done. Jim's coming to town. He's actually,

553
00:28:45,200 --> 00:28:46,720
Speaker 1: you know, in a lot of the cities our show

554
00:28:46,840 --> 00:28:50,680
Speaker 1: is on, but in Nashville on March thirtieth, Little Rock

555
00:28:50,880 --> 00:28:53,720
Speaker 1: on March thirty first, Kansas City on April first, and

556
00:28:53,960 --> 00:28:56,760
Speaker 1: on and on. Now, when you do a show, these

557
00:28:56,800 --> 00:29:01,480
Speaker 1: massive shows, do you feel like it's harder to connect

558
00:29:01,480 --> 00:29:03,400
Speaker 1: on an intimate level with an audience when there are

559
00:29:03,440 --> 00:29:07,880
Speaker 1: so many people, Well, it's it's shifted dramatically. You would

560
00:29:08,000 --> 00:29:12,240
Speaker 1: think you would think that would be the case. But

561
00:29:12,560 --> 00:29:17,680
Speaker 1: the technology, meaning the audio and the video feed has

562
00:29:17,760 --> 00:29:24,120
Speaker 1: advanced so much that you know, it depends on the venue.

563
00:29:24,280 --> 00:29:27,600
Speaker 1: So like, I mean, I've performed at a lot of

564
00:29:27,600 --> 00:29:32,720
Speaker 1: different places in Nashville, and you know, I think I

565
00:29:32,760 --> 00:29:37,400
Speaker 1: wouldn't you know, I mean, the Rhyman is amazing, but

566
00:29:37,800 --> 00:29:41,120
Speaker 1: I think there's no bad seats at the Bridgestone Arena,

567
00:29:41,160 --> 00:29:43,760
Speaker 1: and so as long as they can see and hear,

568
00:29:44,920 --> 00:29:49,920
Speaker 1: that's pretty important. And then there's the communal experience. So

569
00:29:50,040 --> 00:29:55,200
Speaker 1: if it's if it's a big, cavernous place and it's

570
00:29:55,240 --> 00:30:00,080
Speaker 1: not sold out, or it's sold very poorly than and

571
00:30:00,320 --> 00:30:02,680
Speaker 1: it probably wouldn't be back right. But if it's a

572
00:30:02,720 --> 00:30:06,040
Speaker 1: big place, then most of the tickets are sold. I

573
00:30:06,080 --> 00:30:09,400
Speaker 1: think it's a pretty amazing situation. Do you actually do

574
00:30:09,520 --> 00:30:11,960
Speaker 1: you remember that that Bridgestone and Rhyman from your head?

575
00:30:12,160 --> 00:30:14,560
Speaker 1: Or like what I'm doing, like a satellite TV tour

576
00:30:14,600 --> 00:30:17,480
Speaker 1: promoting a TV show. I'll have cities and like even

577
00:30:17,480 --> 00:30:18,960
Speaker 1: what radio station I'm one, and I'll just kind of

578
00:30:18,960 --> 00:30:20,520
Speaker 1: fit it in, but I'll have it held up behind

579
00:30:20,520 --> 00:30:23,280
Speaker 1: the screen. Was that what happened there? Are you just

580
00:30:23,360 --> 00:30:25,880
Speaker 1: remember every single venue? I mean some of it is.

581
00:30:26,000 --> 00:30:29,400
Speaker 1: You do make a point of talking about things, but

582
00:30:29,480 --> 00:30:32,000
Speaker 1: I would say, I mean, I'm a whore. I'm not

583
00:30:32,040 --> 00:30:34,520
Speaker 1: going to tell you that I'm not, but I would

584
00:30:34,520 --> 00:30:37,960
Speaker 1: say that, I mean, there's not many places more famous

585
00:30:38,000 --> 00:30:41,520
Speaker 1: than the Rhyman, And I think you know everyone in

586
00:30:41,640 --> 00:30:45,600
Speaker 1: Nashville has well, most people have been to the Bridgestone,

587
00:30:45,720 --> 00:30:50,040
Speaker 1: And so you know the difference between the Bridgestone and

588
00:30:50,160 --> 00:30:53,680
Speaker 1: some arena that was built in nineteen sixty is it's

589
00:30:53,720 --> 00:30:57,640
Speaker 1: a pretty dramatic difference. Is it harder to heckle you

590
00:30:58,320 --> 00:31:02,160
Speaker 1: if someone were to heckle in a like an arena.

591
00:31:02,920 --> 00:31:05,640
Speaker 1: I never thought about that, said, I never really thought

592
00:31:05,640 --> 00:31:10,200
Speaker 1: about that. I mean, my comedy I don't really bring

593
00:31:10,240 --> 00:31:13,000
Speaker 1: out the hecklers, you know what I mean. It's not

594
00:31:13,840 --> 00:31:17,440
Speaker 1: I'm not you know, I don't really pedal in shock,

595
00:31:17,840 --> 00:31:21,640
Speaker 1: you know, like if there's kind of a victim of

596
00:31:21,720 --> 00:31:27,479
Speaker 1: my commentary, it's usually myself. So but yeah, I would say,

597
00:31:27,520 --> 00:31:29,640
Speaker 1: I guess to answer your question, it probably would be

598
00:31:29,760 --> 00:31:35,680
Speaker 1: weirder in a bigger place, probably less effective. Now, yes,

599
00:31:35,800 --> 00:31:40,160
Speaker 1: I think you're universally love You're a beloved character. But

600
00:31:40,280 --> 00:31:44,000
Speaker 1: as an example, I was performing at the Right at

601
00:31:43,800 --> 00:31:47,160
Speaker 1: the Opera the Grandilobry a few nights ago, and when

602
00:31:47,160 --> 00:31:49,480
Speaker 1: I was there, I was doing some comedy, but I

603
00:31:49,520 --> 00:31:51,800
Speaker 1: was getting love heckled. There were some people from the

604
00:31:51,840 --> 00:31:54,160
Speaker 1: state that I'm from, and they kept going, we love you,

605
00:31:54,320 --> 00:31:56,040
Speaker 1: like in the middle of a joke, and it was

606
00:31:56,120 --> 00:31:59,120
Speaker 1: driving and they weren't saying I suck, but they were

607
00:31:59,160 --> 00:32:02,120
Speaker 1: like love heckling, And do you ever get like love

608
00:32:02,200 --> 00:32:04,080
Speaker 1: heckled where you like, guys, I know you love me,

609
00:32:04,120 --> 00:32:06,960
Speaker 1: but you gotta let me do a thing. Well, it's yeah,

610
00:32:07,000 --> 00:32:12,080
Speaker 1: I mean it can be. There are disruptive, you know, Like, yeah,

611
00:32:12,120 --> 00:32:15,520
Speaker 1: I mean there's people that yell hot pockets and stuff

612
00:32:15,560 --> 00:32:19,880
Speaker 1: like that, or will yell certain jokes, but not that often.

613
00:32:20,080 --> 00:32:23,200
Speaker 1: I would say people that like my comedy, it's less

614
00:32:23,200 --> 00:32:27,400
Speaker 1: of you know, obviously there's a conversation with the audience,

615
00:32:27,480 --> 00:32:31,840
Speaker 1: But I would say people that come to my shows,

616
00:32:32,040 --> 00:32:34,840
Speaker 1: it's you know, it's a different experience. You're coming for

617
00:32:34,920 --> 00:32:40,000
Speaker 1: the comedy, You're not coming for the interaction or like,

618
00:32:40,040 --> 00:32:42,280
Speaker 1: no one's coming to see what I'm wearing, do you

619
00:32:42,320 --> 00:32:44,200
Speaker 1: know what I mean? No one's coming to hear like

620
00:32:44,280 --> 00:32:47,600
Speaker 1: a celebrity story from me, you know what I mean.

621
00:32:47,680 --> 00:32:52,560
Speaker 1: So it's it's a different experience. We have artists that

622
00:32:52,640 --> 00:32:55,160
Speaker 1: come by and friends of ours in the music industry,

623
00:32:55,160 --> 00:32:57,080
Speaker 1: and if they've had a hit for a long time,

624
00:32:57,120 --> 00:32:59,320
Speaker 1: they know they have to play the hit, but they

625
00:32:59,360 --> 00:33:01,520
Speaker 1: also don't want to play the hit because they've played

626
00:33:01,520 --> 00:33:04,680
Speaker 1: the hit so many times you mentioned hot pocket. Is

627
00:33:04,680 --> 00:33:06,160
Speaker 1: that how you feel at that point when you have

628
00:33:06,200 --> 00:33:08,760
Speaker 1: to kind of bring that back up. It's you know,

629
00:33:08,880 --> 00:33:14,440
Speaker 1: it's it's been evolving. Like three years ago, four years

630
00:33:14,440 --> 00:33:16,560
Speaker 1: ago you would have said, I would have said I

631
00:33:16,720 --> 00:33:21,000
Speaker 1: have to end with it. But you know, I've done

632
00:33:21,160 --> 00:33:25,400
Speaker 1: so many specials that I mean, there might be like

633
00:33:25,440 --> 00:33:27,680
Speaker 1: a thirteen year old boy that definitely wants to hear

634
00:33:27,760 --> 00:33:30,280
Speaker 1: the hot pockets thing. I'm moving a little slow tonight,

635
00:33:30,320 --> 00:33:39,480
Speaker 1: I had a hot pocket for dinner. Good to see

636
00:33:39,560 --> 00:33:44,160
Speaker 1: I'm not the only white trash here. I was looking

637
00:33:44,160 --> 00:33:46,640
Speaker 1: at a box of hot pockets. They have a warning

638
00:33:46,800 --> 00:33:49,800
Speaker 1: printed on the side. So that morning you just bought

639
00:33:49,880 --> 00:33:53,360
Speaker 1: hot pockets, hope you're a drunk or heading home to

640
00:33:53,440 --> 00:33:57,520
Speaker 1: a trailer you he'll Billy enjoy the next Nash Car

641
00:33:57,600 --> 00:34:06,760
Speaker 1: event pocket. But some of it is with stand up

642
00:34:07,000 --> 00:34:11,759
Speaker 1: Unlike music, I think, you know, the unspoken agreement is

643
00:34:11,800 --> 00:34:13,880
Speaker 1: that it's going to be new material, and it's going

644
00:34:13,920 --> 00:34:15,719
Speaker 1: to be good new material, you know what I mean.

645
00:34:15,800 --> 00:34:21,640
Speaker 1: So like people intellectually think they want to hear the

646
00:34:21,680 --> 00:34:27,759
Speaker 1: old stuff, but in it's the surprise element of stand up.

647
00:34:27,840 --> 00:34:31,760
Speaker 1: So it's the unknown element that I think people really

648
00:34:31,800 --> 00:34:34,960
Speaker 1: look forward to. But that being said, there is a

649
00:34:35,040 --> 00:34:38,359
Speaker 1: huge advantage of them knowing my point of view, so

650
00:34:38,440 --> 00:34:40,880
Speaker 1: like similar to when you do a show, they know you,

651
00:34:41,239 --> 00:34:43,960
Speaker 1: so they know what your point of view is going

652
00:34:44,040 --> 00:34:48,480
Speaker 1: to be about. So there's it's an advantage and also

653
00:34:48,640 --> 00:34:53,720
Speaker 1: it establishes a level of communication that is not immediately apparent.

654
00:34:53,920 --> 00:34:55,719
Speaker 1: I used to watch your tv Land show, loved it.

655
00:34:55,719 --> 00:34:57,960
Speaker 1: Thought it was just a brilliant show. And you know,

656
00:34:58,000 --> 00:35:00,120
Speaker 1: it's about you and your family and your kids, and

657
00:35:00,800 --> 00:35:02,799
Speaker 1: you know, I wonder how realistic that is. Do your

658
00:35:02,880 --> 00:35:05,480
Speaker 1: kids at this point do they think you're funny? Have

659
00:35:05,560 --> 00:35:08,160
Speaker 1: they come along and involved to know that their dad

660
00:35:08,239 --> 00:35:10,600
Speaker 1: is funny? Now it's so funny because that tv Land

661
00:35:10,640 --> 00:35:14,319
Speaker 1: show was in some way, I don't know how long.

662
00:35:14,440 --> 00:35:17,000
Speaker 1: You know, time is such a blur. It's so I'm

663
00:35:17,040 --> 00:35:20,760
Speaker 1: on vacation right now with my family. I think any parent,

664
00:35:21,480 --> 00:35:26,399
Speaker 1: there is a lot of yeah, my kids, you know,

665
00:35:26,800 --> 00:35:30,360
Speaker 1: humor is very important in our family. But they're also

666
00:35:30,440 --> 00:35:33,960
Speaker 1: the harshest critics. What's what's unique about this tour that

667
00:35:34,040 --> 00:35:37,880
Speaker 1: I'm doing is that my sixteen year old son is

668
00:35:37,920 --> 00:35:42,960
Speaker 1: also opening. So um, it's one of those things where

669
00:35:43,880 --> 00:35:48,040
Speaker 1: his I mean, I think he's really funny, and but

670
00:35:48,239 --> 00:35:51,399
Speaker 1: it's so it's like humor is pretty important, but like,

671
00:35:51,840 --> 00:35:54,399
Speaker 1: so his sense humor is different from mine. I don't

672
00:35:54,400 --> 00:35:58,120
Speaker 1: know if I'm even answering the question, but yeah, you

673
00:35:58,160 --> 00:36:00,600
Speaker 1: are in a way. Can you just they go, my

674
00:36:00,680 --> 00:36:04,080
Speaker 1: dad's hilarious or are you just their dad? And you're

675
00:36:04,120 --> 00:36:07,040
Speaker 1: just their dad? That's also a comedian that tells joke

676
00:36:07,080 --> 00:36:09,360
Speaker 1: to other people. Yeah, I mean, I've got five kids,

677
00:36:09,360 --> 00:36:12,800
Speaker 1: so it depends on the age. My seventeen year old

678
00:36:13,640 --> 00:36:17,360
Speaker 1: probably thinks I'm funny, but you know, her favorite comedian

679
00:36:17,520 --> 00:36:22,319
Speaker 1: is John Mulaney. My sixteen year old who's opening for me.

680
00:36:22,440 --> 00:36:26,279
Speaker 1: He's much more of an Eric Andre guy. But and

681
00:36:26,320 --> 00:36:28,560
Speaker 1: then my twelve year old probably doesn't think I'm funny

682
00:36:28,560 --> 00:36:32,160
Speaker 1: at all. My ten year old, you know, he's just

683
00:36:32,239 --> 00:36:34,799
Speaker 1: my dad, and my nine year old he's just my dad.

684
00:36:34,960 --> 00:36:39,239
Speaker 1: But yeah, it's weird. It's because my comedy is not

685
00:36:39,800 --> 00:36:43,719
Speaker 1: It's nothing to be that embarrassed about. So I talk

686
00:36:43,800 --> 00:36:47,160
Speaker 1: about my family and I talk about parenting and all that,

687
00:36:47,320 --> 00:36:50,399
Speaker 1: but it's not one of those things where they would

688
00:36:50,440 --> 00:36:55,160
Speaker 1: be embarrassed to be associated with the material You mentioned

689
00:36:55,200 --> 00:36:58,480
Speaker 1: your on vacation. Would you be like, Oh, I'm on vacation,

690
00:36:58,520 --> 00:37:00,760
Speaker 1: but hey and ask your wife. Have a little comedy

691
00:37:00,760 --> 00:37:03,279
Speaker 1: club down the street. Can I swing over there and

692
00:37:03,320 --> 00:37:06,320
Speaker 1: do like a little a little little you know, session,

693
00:37:06,800 --> 00:37:09,080
Speaker 1: a little set. Would you do that or would she

694
00:37:09,120 --> 00:37:12,640
Speaker 1: allow that? Yeah, I would do that and she would um, Well,

695
00:37:13,120 --> 00:37:17,400
Speaker 1: this world, this vacation is. I just did a week

696
00:37:17,680 --> 00:37:20,040
Speaker 1: in I was in Mexico City for a week and

697
00:37:20,080 --> 00:37:21,680
Speaker 1: I did a show at the end of the week.

698
00:37:22,040 --> 00:37:26,280
Speaker 1: It's weird because yeah, I definitely like comedians have to perform,

699
00:37:26,680 --> 00:37:31,640
Speaker 1: so some of it is I do always like if

700
00:37:31,680 --> 00:37:35,759
Speaker 1: we go on vacations, I'll usually line up shows, like

701
00:37:35,960 --> 00:37:39,120
Speaker 1: during the you know, last Christmas, we were in Florida,

702
00:37:39,239 --> 00:37:42,240
Speaker 1: so I brought my family and I did some shows

703
00:37:42,239 --> 00:37:46,160
Speaker 1: around Florida. And I've done that with you know, like

704
00:37:46,200 --> 00:37:49,080
Speaker 1: we did skiing, you know. But like part of me,

705
00:37:49,200 --> 00:37:53,239
Speaker 1: it's too hard. It's because it's two different mindsets. I mean,

706
00:37:53,280 --> 00:37:55,080
Speaker 1: I don't know about you. I don't even know about

707
00:37:55,120 --> 00:37:59,080
Speaker 1: your family situation. But the role of a parent is

708
00:37:59,120 --> 00:38:02,160
Speaker 1: completely different from the job you know what I mean,

709
00:38:02,480 --> 00:38:04,960
Speaker 1: I do not because I don't have kids yet, but

710
00:38:05,200 --> 00:38:07,880
Speaker 1: I would assume that when I'm with my wife. The

711
00:38:07,960 --> 00:38:10,879
Speaker 1: role of a husband is different than the job, and

712
00:38:10,920 --> 00:38:14,120
Speaker 1: so I'm having Also, I don't get I don't not allowed,

713
00:38:14,560 --> 00:38:17,200
Speaker 1: not allowed. I'll just say it, I'm not allowed. He's like,

714
00:38:17,360 --> 00:38:19,160
Speaker 1: I wouldn't get to work. Yeah, I don't. I mean

715
00:38:19,160 --> 00:38:21,080
Speaker 1: I can try to relate, but I'm not allowed. Jim

716
00:38:21,080 --> 00:38:24,120
Speaker 1: Gaffigan is doing the Fun Tour. You guys can go

717
00:38:24,160 --> 00:38:26,520
Speaker 1: to Jim gaffigan dot com if you want to get

718
00:38:26,520 --> 00:38:28,640
Speaker 1: tickets in so many of the cities our show is.

719
00:38:28,680 --> 00:38:33,040
Speaker 1: I mean, you're almost tore like Zeppelin in the sixties.

720
00:38:33,160 --> 00:38:35,440
Speaker 1: You go to every city every night. I'm like, I'm

721
00:38:35,440 --> 00:38:37,399
Speaker 1: looking at the fourth, sixth, seventh, eighth nights. You tore

722
00:38:37,480 --> 00:38:41,040
Speaker 1: like a rock star and soya gonna be out all

723
00:38:41,080 --> 00:38:44,200
Speaker 1: over the place. Will you are you working on as

724
00:38:44,200 --> 00:38:47,439
Speaker 1: special as you do this or do you already have it? Yes?

725
00:38:47,920 --> 00:38:52,000
Speaker 1: You know, as I mentioned, it's all the unspoken agreement

726
00:38:52,120 --> 00:38:56,400
Speaker 1: is that it's all new material, and it's ever creating

727
00:38:56,960 --> 00:39:02,120
Speaker 1: new material. The expectation is that I'll tape, especially in October,

728
00:39:02,840 --> 00:39:05,319
Speaker 1: but if I get a movie or something, that might

729
00:39:05,440 --> 00:39:08,879
Speaker 1: mess it up. But yeah, it's always you know, stand

730
00:39:08,960 --> 00:39:13,360
Speaker 1: ups very much self assignment and for me, if I'm

731
00:39:13,360 --> 00:39:15,520
Speaker 1: performing a lot, if I'm doing like you were talking

732
00:39:15,520 --> 00:39:18,480
Speaker 1: about those multiple nights in a row, like, that's a

733
00:39:18,600 --> 00:39:22,640
Speaker 1: very creative time for me. That's where I you know,

734
00:39:22,719 --> 00:39:25,320
Speaker 1: I essentially do nothing during the day except for listen

735
00:39:25,360 --> 00:39:28,400
Speaker 1: to the set and kind of write and rewrite. Yeah,

736
00:39:28,440 --> 00:39:31,440
Speaker 1: it's it's it's what I love though. Jim, good to

737
00:39:31,480 --> 00:39:33,279
Speaker 1: talk to you. I hope the tour is amazing. I'm

738
00:39:33,280 --> 00:39:35,160
Speaker 1: sure it will be. And you know, just a big

739
00:39:35,160 --> 00:39:38,200
Speaker 1: fan of your work and appreciates time. Appreciate it all right,

740
00:39:38,200 --> 00:39:42,000
Speaker 1: there is Jim gaffin everybody. It's the best bits of

741
00:39:42,000 --> 00:39:47,359
Speaker 1: the week with Morgan number two in hot at number three.

742
00:39:47,480 --> 00:39:50,480
Speaker 1: Lunchboxes out at a restaurant this weekend and he confronted

743
00:39:50,840 --> 00:39:55,040
Speaker 1: a customer over a V eight pen. Yes you heard

744
00:39:55,080 --> 00:39:58,280
Speaker 1: that all correctly. They're sitting out on the patio. Lunchbox

745
00:39:58,320 --> 00:40:00,480
Speaker 1: confronted him. And we'll just let you see how this

746
00:40:00,480 --> 00:40:03,040
Speaker 1: all play is out, and then you can decide if

747
00:40:03,080 --> 00:40:07,160
Speaker 1: you're on team Lunchbox or team vape. I mean, listen,

748
00:40:07,800 --> 00:40:10,359
Speaker 1: I gotta say, Raymundo and I in the conversation in

749
00:40:10,400 --> 00:40:13,240
Speaker 1: part one, we're both on the same team. So maybe

750
00:40:13,320 --> 00:40:14,960
Speaker 1: listen to this, and if you haven't listened to the

751
00:40:14,960 --> 00:40:16,920
Speaker 1: interview yet, think I'll listen to that so you can

752
00:40:16,960 --> 00:40:20,800
Speaker 1: see which side we take. Number three. Okay, so Lunchbox

753
00:40:20,800 --> 00:40:22,840
Speaker 1: can front at some line at a restaurant. Again, do

754
00:40:22,880 --> 00:40:26,280
Speaker 1: you know this story? I don't. Okay, Lunchbox take it away.

755
00:40:26,360 --> 00:40:28,239
Speaker 1: So the family and I we went out to eat

756
00:40:28,239 --> 00:40:30,600
Speaker 1: at a little chicken place. And we're sitting on the patio.

757
00:40:30,680 --> 00:40:33,399
Speaker 1: It's a little casual place and we're eating and there's

758
00:40:33,400 --> 00:40:35,360
Speaker 1: a woman and I would say her husband, her boyfriend,

759
00:40:35,440 --> 00:40:38,920
Speaker 1: sitting about two tables away, and she keeps pulling out

760
00:40:38,960 --> 00:40:44,160
Speaker 1: her a little stupid vape thing and and blowing the

761
00:40:44,239 --> 00:40:46,840
Speaker 1: vape in you know, the smoke, vape whatever you call it,

762
00:40:46,880 --> 00:40:49,040
Speaker 1: in the air. And I guess we're down win because

763
00:40:49,080 --> 00:40:52,880
Speaker 1: every time she's blowing it, it goes across our table

764
00:40:52,920 --> 00:40:55,520
Speaker 1: while you're eating. While we're eating at a restaurant. And

765
00:40:55,560 --> 00:40:57,799
Speaker 1: I'm like, okay, it's not a bar. It's not like

766
00:40:57,840 --> 00:41:00,840
Speaker 1: we're at a club. We're at a restaurant. So I

767
00:41:00,920 --> 00:41:03,120
Speaker 1: was like, I'm going over there. I walk it. Hold on,

768
00:41:03,200 --> 00:41:07,520
Speaker 1: hold one awkward, let me I want to visualize the scene.

769
00:41:07,600 --> 00:41:11,439
Speaker 1: You're sitting outside on a patio, on a patio down

770
00:41:11,560 --> 00:41:15,280
Speaker 1: when I'm a woman vaping eating dinner, yes, boy smoking

771
00:41:15,280 --> 00:41:17,520
Speaker 1: and eating Phil seven, nineteen eighties. Well they weren't eating.

772
00:41:17,520 --> 00:41:19,920
Speaker 1: They would just had a couple of beers. Okay, okay,

773
00:41:20,000 --> 00:41:22,800
Speaker 1: well we don't now we know the environment. We had chicken.

774
00:41:22,920 --> 00:41:24,839
Speaker 1: But he had get kids with him. Yeah, I had

775
00:41:24,840 --> 00:41:27,520
Speaker 1: the kids with me. So what kind of environment is it? Well,

776
00:41:27,560 --> 00:41:31,640
Speaker 1: I was picturing a place where no, but if people,

777
00:41:31,640 --> 00:41:33,320
Speaker 1: if it's a place where people sit on the patio

778
00:41:33,360 --> 00:41:35,520
Speaker 1: and have a few beers. Now I'm getting the vibe

779
00:41:35,560 --> 00:41:38,359
Speaker 1: that maybe you can vape. That could be Applebee's. Yeah,

780
00:41:38,360 --> 00:41:39,719
Speaker 1: that's what I was gonna say. A bit chilies and

781
00:41:39,680 --> 00:41:43,040
Speaker 1: Applebees outside. Oh they have outside eating some Yeah. It's

782
00:41:43,080 --> 00:41:45,160
Speaker 1: literally a restaurant. You walk up with the counter, order

783
00:41:45,200 --> 00:41:47,160
Speaker 1: your food, then they bring it out to you. Okay, okay,

784
00:41:47,239 --> 00:41:49,160
Speaker 1: go ahead. And so I was like, I said, I'm

785
00:41:49,200 --> 00:41:50,839
Speaker 1: going over there. After the third time, I was like,

786
00:41:50,920 --> 00:41:53,359
Speaker 1: I can't handle the vape smoke. And so I walk

787
00:41:53,480 --> 00:41:56,319
Speaker 1: up to her and I said, hey, you know, we're

788
00:41:56,400 --> 00:41:58,120
Speaker 1: kind of eating dinner over there, and every time you're

789
00:41:58,120 --> 00:42:01,479
Speaker 1: doing this vape thing, the smoke or whatever, it's coming

790
00:42:01,520 --> 00:42:03,640
Speaker 1: over there and getting on this. Could you please maybe

791
00:42:03,719 --> 00:42:08,239
Speaker 1: not do that? And she says, we're outside. If you

792
00:42:08,360 --> 00:42:10,399
Speaker 1: got a problem with it, then you need to move.

793
00:42:13,520 --> 00:42:16,720
Speaker 1: So what did you do your reaction to that statement,

794
00:42:16,920 --> 00:42:20,799
Speaker 1: I said, hey, we got kids, can you be a

795
00:42:20,800 --> 00:42:23,640
Speaker 1: little bit more, you know, accommodating, like show some What

796
00:42:23,719 --> 00:42:26,239
Speaker 1: do you call it? Grace? I said, because it's grace.

797
00:42:27,560 --> 00:42:30,839
Speaker 1: What do you call it? I said, it's passion? I said,

798
00:42:31,640 --> 00:42:34,120
Speaker 1: whatever I said, grace, I said, I said, you're being

799
00:42:34,160 --> 00:42:38,160
Speaker 1: extremely rude and I don't appreciate it, and shows thank

800
00:42:38,200 --> 00:42:40,400
Speaker 1: you for your thank you, and then that's it. And

801
00:42:40,560 --> 00:42:41,959
Speaker 1: I went back to table and I was like, okay.

802
00:42:42,000 --> 00:42:43,760
Speaker 1: I told my wife said I'm going to get the manager.

803
00:42:43,800 --> 00:42:46,080
Speaker 1: Were you heated? I was heated? You know? I did

804
00:42:46,080 --> 00:42:47,799
Speaker 1: she have a dude with her? Yes? And why didn't

805
00:42:47,800 --> 00:42:50,000
Speaker 1: he step in and beat you up? Now? He's just chill.

806
00:42:50,400 --> 00:42:53,560
Speaker 1: He just chill right, not that vet now. And so

807
00:42:53,719 --> 00:42:55,319
Speaker 1: I was just like I went back to my wife

808
00:42:55,320 --> 00:42:58,799
Speaker 1: and said, she said it's our problem. If we're outside,

809
00:42:58,800 --> 00:43:00,520
Speaker 1: she can do it. And I said, I'm going to

810
00:43:00,520 --> 00:43:02,440
Speaker 1: get the manager. And my wife said no, we'll just

811
00:43:02,520 --> 00:43:06,719
Speaker 1: move inside. And I was like, I'm surprised that you

812
00:43:06,719 --> 00:43:09,880
Speaker 1: didn't take your phone out and record her doing that. Well,

813
00:43:10,280 --> 00:43:11,960
Speaker 1: I didn't want to start a fight with the kids,

814
00:43:12,280 --> 00:43:14,400
Speaker 1: and so I just was nice with my wife. My

815
00:43:14,440 --> 00:43:16,640
Speaker 1: wife saying we would move inside. I was just like, okay,

816
00:43:16,640 --> 00:43:18,640
Speaker 1: and I went inside and I talked about it for,

817
00:43:18,880 --> 00:43:20,600
Speaker 1: you know, two days straight. I mean I just sat

818
00:43:20,600 --> 00:43:24,200
Speaker 1: there and I was just like, I was so frustrated

819
00:43:24,239 --> 00:43:27,239
Speaker 1: and so angry that I felt like she was so

820
00:43:27,360 --> 00:43:30,600
Speaker 1: out of line. Okay, he's bringing it to the room. Yeah,

821
00:43:30,600 --> 00:43:33,120
Speaker 1: who are you team me or team base? Well, it's

822
00:43:33,120 --> 00:43:34,560
Speaker 1: hard to be team BAPE. I'm not gonna call it

823
00:43:34,600 --> 00:43:37,480
Speaker 1: team I'm not tea. I'm gonna called team outside eater

824
00:43:38,080 --> 00:43:41,480
Speaker 1: or team lunchbox team Okay. I wish I knew the

825
00:43:41,520 --> 00:43:45,560
Speaker 1: restaurant rules. I guess what did he say? The manager said? No,

826
00:43:45,640 --> 00:43:47,279
Speaker 1: I didn't go to the manager because my wife goes

827
00:43:47,320 --> 00:43:50,319
Speaker 1: no move inside. And I will say this for you.

828
00:43:50,400 --> 00:43:52,239
Speaker 1: I think you did the right thing because the kids

829
00:43:52,239 --> 00:43:57,279
Speaker 1: were there to just move and continue the day and

830
00:43:57,400 --> 00:44:00,399
Speaker 1: be mad later, because I would not have been able

831
00:44:00,440 --> 00:44:04,080
Speaker 1: to do that. I don't think I would have been

832
00:44:04,120 --> 00:44:08,080
Speaker 1: able to keep my cool in that situation. Amy, I

833
00:44:08,160 --> 00:44:10,360
Speaker 1: just move like I don't know whose side are you on.

834
00:44:10,520 --> 00:44:15,399
Speaker 1: I'm on team are you team vape? I'm team I'm

835
00:44:15,440 --> 00:44:18,799
Speaker 1: Team Vape because I'm not Team Vape. Listen, I'm not

836
00:44:18,880 --> 00:44:22,600
Speaker 1: Team Vape. But it is outside, so they do have that,

837
00:44:22,680 --> 00:44:25,080
Speaker 1: so I would probably just move inside and not make

838
00:44:25,120 --> 00:44:27,600
Speaker 1: a big deal about it. Therefore I'm folding. I'm almost

839
00:44:27,680 --> 00:44:31,160
Speaker 1: giving the vapor grace. I'm not team Vape because that

840
00:44:31,200 --> 00:44:33,160
Speaker 1: doesn't mean you have you don't. Just because you're outside

841
00:44:33,160 --> 00:44:35,160
Speaker 1: doesn't mean you have the right to affect other people's

842
00:44:35,160 --> 00:44:38,640
Speaker 1: eating like you're outside because you enjoy it. You can't

843
00:44:38,880 --> 00:44:41,480
Speaker 1: just do stuff that affects other people eating. But unless

844
00:44:41,480 --> 00:44:43,800
Speaker 1: the restaurant has rules against well they may have, I

845
00:44:43,840 --> 00:44:45,520
Speaker 1: don't know. He didn't have no idea, And there's no

846
00:44:45,600 --> 00:44:47,760
Speaker 1: sign that says no smoking at our restaurant. If someone

847
00:44:47,800 --> 00:44:50,000
Speaker 1: comes up, just walk over to the edge and do

848
00:44:50,040 --> 00:44:52,520
Speaker 1: that so you're not blowing it on people. You don't

849
00:44:52,520 --> 00:44:55,279
Speaker 1: have the right to ruin other people's dining experience just

850
00:44:55,360 --> 00:44:58,759
Speaker 1: because you're outside. I don't know why they wouldn't just

851
00:44:58,760 --> 00:45:01,680
Speaker 1: accommodate that request. Yeah, or just move on the other

852
00:45:01,680 --> 00:45:03,239
Speaker 1: side of us where the wind is bull You know what,

853
00:45:03,320 --> 00:45:04,839
Speaker 1: I mean like there was no one on the other

854
00:45:04,840 --> 00:45:06,600
Speaker 1: side of us, So just move over there. Yeah, just

855
00:45:06,680 --> 00:45:08,040
Speaker 1: get your outside. You don't have full rights to do

856
00:45:08,080 --> 00:45:10,839
Speaker 1: anything you want. Eddie, this is tough, but I'm gonna

857
00:45:10,880 --> 00:45:15,160
Speaker 1: go team lunchbox. Yes, team lunchbox because look me too,

858
00:45:15,360 --> 00:45:19,279
Speaker 1: just because you're outside that you're affecting other people trying

859
00:45:19,320 --> 00:45:21,919
Speaker 1: to eat, Like if somebody was cursing, same thing. Yeah, can't.

860
00:45:21,920 --> 00:45:23,759
Speaker 1: You can't just let off sting balls exactly. You can't

861
00:45:23,760 --> 00:45:26,080
Speaker 1: just do stuff that affects other people sitting next to you.

862
00:45:26,239 --> 00:45:29,040
Speaker 1: The vape was affecting his family, So I'm on his side. Wow,

863
00:45:29,360 --> 00:45:32,279
Speaker 1: I guess I'm the only one that's like, pulls out

864
00:45:32,280 --> 00:45:35,000
Speaker 1: our vape. I do not vape, and I would not

865
00:45:35,120 --> 00:45:37,239
Speaker 1: be happy with the vaping, but I would just yeah,

866
00:45:37,280 --> 00:45:39,120
Speaker 1: I wouldn't. I'd be like, well, I guess they get

867
00:45:39,120 --> 00:45:41,759
Speaker 1: to do it. I just don't know the rules. It

868
00:45:41,800 --> 00:45:43,919
Speaker 1: would be like if they were a dog, you get

869
00:45:43,920 --> 00:45:48,319
Speaker 1: to have the dog, but if the dog is running peeing, correct, well,

870
00:45:48,320 --> 00:45:50,879
Speaker 1: we're outside even though it's peeing over here by our tape,

871
00:45:51,000 --> 00:45:54,120
Speaker 1: and dogs are allowed. Okay, So Eddie brought up cussing.

872
00:45:54,440 --> 00:45:56,480
Speaker 1: So if someone's telling a story at the table next

873
00:45:56,480 --> 00:45:58,600
Speaker 1: to you and you've got kids and someone's being really

874
00:45:58,640 --> 00:46:01,000
Speaker 1: loud and kind of vulgar. But it's like their table

875
00:46:01,040 --> 00:46:03,680
Speaker 1: and their story. Yeah you can't. You shouldn't do that. Yeah,

876
00:46:03,680 --> 00:46:05,440
Speaker 1: I don't have inside a oundside. You should write that.

877
00:46:05,520 --> 00:46:07,799
Speaker 1: I know a lot of manager no, but I mean

878
00:46:07,840 --> 00:46:11,200
Speaker 1: the national team curse. I just saw my dad. My

879
00:46:11,280 --> 00:46:12,920
Speaker 1: dad used to get up and go tell them I

880
00:46:12,960 --> 00:46:15,840
Speaker 1: have kids over there, so just quiet with that cursing,

881
00:46:15,920 --> 00:46:18,560
Speaker 1: and they'd be like old damn. I would see this

882
00:46:18,680 --> 00:46:22,360
Speaker 1: with my eyes. I hated you on Team Vapor, Team Lunchbox.

883
00:46:22,400 --> 00:46:24,239
Speaker 1: I just got to commit to Team Vape. Yeah me,

884
00:46:24,640 --> 00:46:27,200
Speaker 1: team Lunchbox. I think I'm with Amy on team Bathe

885
00:46:27,200 --> 00:46:31,280
Speaker 1: and that I just want go inside and avoid because

886
00:46:31,280 --> 00:46:33,880
Speaker 1: the reality is so many people do it now that like,

887
00:46:34,760 --> 00:46:36,960
Speaker 1: and it's fine to do it, but move on. If

888
00:46:37,000 --> 00:46:38,319
Speaker 1: you want to do it, make sure it's not blown

889
00:46:38,320 --> 00:46:40,960
Speaker 1: over the people, the baby's faces. I know, but it

890
00:46:41,080 --> 00:46:43,040
Speaker 1: just happened so often. I feel like I would just

891
00:46:43,080 --> 00:46:44,759
Speaker 1: like be like, it's on me to move inside and

892
00:46:44,800 --> 00:46:48,040
Speaker 1: take care of my kids instead of having them all. Yeah,

893
00:46:48,520 --> 00:46:53,040
Speaker 1: you know what else happens often? Murder? Okay, because it

894
00:46:53,120 --> 00:46:57,280
Speaker 1: happens often every day in the nude there's a murder. Okay,

895
00:47:01,360 --> 00:47:04,880
Speaker 1: Ray understand team vape for teen Lunchbox. I'm team vape

896
00:47:04,960 --> 00:47:08,640
Speaker 1: all the way. It's almost impossible to smell those vapes, really,

897
00:47:08,680 --> 00:47:10,680
Speaker 1: but he did and it was and the smoke was

898
00:47:10,719 --> 00:47:15,640
Speaker 1: going over seeing it's coming. I'm telling you, yeah, ten

899
00:47:15,760 --> 00:47:19,360
Speaker 1: Lunchbox lost. Wow, I can't believe it. It's tied. No,

900
00:47:19,480 --> 00:47:22,200
Speaker 1: it's three. Well, he doesn't get a vote. Was it

901
00:47:22,239 --> 00:47:24,239
Speaker 1: the actual scenario that lost or just the fact that

902
00:47:24,239 --> 00:47:26,160
Speaker 1: it was Lunchbox. I don't want to send it. I

903
00:47:26,160 --> 00:47:31,320
Speaker 1: could separate the arc a lunch about feel bad about yourself?

904
00:47:32,120 --> 00:47:35,800
Speaker 1: I lost a vape. It's the best bits of the

905
00:47:35,840 --> 00:47:43,560
Speaker 1: week with Morgan number two. Y'all loved this segment, mostly

906
00:47:43,560 --> 00:47:46,200
Speaker 1: because you guys almost just love hearing us seeing terribly.

907
00:47:46,239 --> 00:47:49,000
Speaker 1: I think that's a common theme on this show and

908
00:47:49,160 --> 00:47:52,799
Speaker 1: with our listeners. Amy and Eddie practiced the duet that

909
00:47:52,840 --> 00:47:55,800
Speaker 1: Amy's about to do with Ryan Hurd when he comes

910
00:47:55,800 --> 00:47:58,960
Speaker 1: into the studio. She needed some practice, at least that's

911
00:47:58,960 --> 00:48:01,839
Speaker 1: what she said, and so she brought on Eddie and

912
00:48:02,280 --> 00:48:04,359
Speaker 1: they sang it out. We got to hear their whole

913
00:48:04,400 --> 00:48:08,719
Speaker 1: practice and Bobby and Eddie's suggestions for Amy when it

914
00:48:08,760 --> 00:48:11,439
Speaker 1: comes to singing with Ryan. It's a whole thing and

915
00:48:11,560 --> 00:48:13,040
Speaker 1: a lot of people got a lot of good laughs

916
00:48:13,080 --> 00:48:15,600
Speaker 1: out of it. So if you need a smile on

917
00:48:15,600 --> 00:48:19,680
Speaker 1: this beautiful Saturday, here you go. Number two, Ryan Heard

918
00:48:19,800 --> 00:48:22,719
Speaker 1: is coming in soon. You may know Ryan Heard from

919
00:48:22,760 --> 00:48:28,439
Speaker 1: this number one song right here. So that's Ryan Hurd

920
00:48:28,440 --> 00:48:30,520
Speaker 1: and his wife Marion Morris. And it's always been a

921
00:48:30,600 --> 00:48:32,520
Speaker 1: dream of Amy to sing that song with Ryan Hurd,

922
00:48:32,840 --> 00:48:35,319
Speaker 1: and so we're going to ask him when he comes up.

923
00:48:35,840 --> 00:48:38,480
Speaker 1: But Amy has requested, well, I need to rehearse. I

924
00:48:38,520 --> 00:48:41,120
Speaker 1: have to practice. And Eddie, he can sing, and he's

925
00:48:41,160 --> 00:48:43,799
Speaker 1: also good at impersonating artists, so I thought he could

926
00:48:43,800 --> 00:48:46,279
Speaker 1: just be Ryan. Oh, so we could practice, because like,

927
00:48:46,440 --> 00:48:49,840
Speaker 1: I have one shot and I don't want to be nervous.

928
00:48:49,920 --> 00:48:51,879
Speaker 1: I want to you can beat for a scholarship record dealer.

929
00:48:51,920 --> 00:48:54,600
Speaker 1: What you have one shot? I don't know? Oh, you

930
00:48:54,680 --> 00:48:58,560
Speaker 1: never know? Here is Amy, Edie? What do Yeah? Sure?

931
00:48:58,600 --> 00:49:00,440
Speaker 1: What is your impression of Ryan? Don't know? What am

932
00:49:00,440 --> 00:49:02,319
Speaker 1: I gonna do? It's pretty good? That's pretty good. Yeah,

933
00:49:02,360 --> 00:49:06,600
Speaker 1: it's Ryan Hurd. Yeah, let's practice the number one hit

934
00:49:07,040 --> 00:49:10,040
Speaker 1: Chasing after you with Amy as Marin and Eddie as

935
00:49:10,200 --> 00:49:13,759
Speaker 1: Ryan hurt. We've never done this, correct, isn't Yeah? Here

936
00:49:13,760 --> 00:49:19,480
Speaker 1: we go, Hey, y'all, I don't think that's part of it, though,

937
00:49:22,640 --> 00:49:28,920
Speaker 1: huh are you wrapping it? Let's do this right? You

938
00:49:29,080 --> 00:49:33,360
Speaker 1: come over when your wine's all gone. Always catch me

939
00:49:33,440 --> 00:49:37,400
Speaker 1: when I'm not that strong. Then you wind up staying

940
00:49:37,600 --> 00:49:43,719
Speaker 1: all night long. Ain't nothing got at me? Then I

941
00:49:43,840 --> 00:49:47,759
Speaker 1: wake up with you on my chests. Got a way

942
00:49:47,800 --> 00:49:52,799
Speaker 1: of making me forget girl with you. The answers always

943
00:49:53,040 --> 00:49:58,879
Speaker 1: yes every time you call, here go Amy, But I know, yeah,

944
00:49:58,920 --> 00:50:02,320
Speaker 1: I know, it's some matter of until you walk to

945
00:50:02,560 --> 00:50:12,120
Speaker 1: you stand and your lowly feeling, lack of food. Every time,

946
00:50:12,360 --> 00:50:16,120
Speaker 1: every time you say we're done, you come back to

947
00:50:16,160 --> 00:50:19,440
Speaker 1: the love you running from. I don't know why, I

948
00:50:19,560 --> 00:50:25,719
Speaker 1: don't know why let you, but you slow chasing out

949
00:50:26,400 --> 00:50:31,279
Speaker 1: after you are your part. Am. Wish I could put

950
00:50:31,400 --> 00:50:36,080
Speaker 1: you where, wish I could quit your but it feels

951
00:50:36,120 --> 00:50:44,120
Speaker 1: to good if I could turn you know, I woke crying.

952
00:50:44,280 --> 00:50:48,239
Speaker 1: You get it's a little higher that it's higher here.

953
00:50:48,280 --> 00:50:56,800
Speaker 1: You know it's a matter of because why I need crying? Hello?

954
00:50:56,840 --> 00:51:02,520
Speaker 1: I am right? My own verse watched me okay, Oh,

955
00:51:02,560 --> 00:51:05,440
Speaker 1: here we go, here we go. I'll be Marin. I

956
00:51:05,520 --> 00:51:07,400
Speaker 1: just started over. I don't want to go from the

957
00:51:07,440 --> 00:51:09,239
Speaker 1: very beginning, but just to skip it. You think you

958
00:51:09,239 --> 00:51:14,200
Speaker 1: can grab the chorus. Yeah, but already okay, but I know,

959
00:51:14,800 --> 00:51:17,960
Speaker 1: I know. It's a matter of time till you walk.

960
00:51:18,080 --> 00:51:21,440
Speaker 1: Do you walk back out of my mind? Please? Misston

961
00:51:22,600 --> 00:51:25,520
Speaker 1: like that. You gotta find that lack of fool high

962
00:51:26,239 --> 00:51:31,080
Speaker 1: go hire go. I don't know why. I don't know why.

963
00:51:31,480 --> 00:51:34,800
Speaker 1: Done you come back? I lower though I'm not a high,

964
00:51:35,120 --> 00:51:37,840
Speaker 1: but the song is. It's in that key. Marin sings

965
00:51:37,880 --> 00:51:40,879
Speaker 1: high lack of food. Well, you don't do it quite there?

966
00:51:41,560 --> 00:51:44,120
Speaker 1: Where push it a little bit like which where? Push?

967
00:51:45,239 --> 00:51:49,480
Speaker 1: Push it like from there? Not singing out over here?

968
00:51:49,760 --> 00:51:52,840
Speaker 1: Good good? If I could turn it off, you know what,

969
00:51:53,719 --> 00:51:57,160
Speaker 1: go that's something about you and make me thank we cool? Yeah?

970
00:51:57,440 --> 00:52:02,000
Speaker 1: Make it after all? No, start doing that thing where

971
00:52:02,000 --> 00:52:04,600
Speaker 1: you feel like you start to feel insecure about it,

972
00:52:04,600 --> 00:52:06,600
Speaker 1: so then you start freestyling to be funny. That killed

973
00:52:06,600 --> 00:52:08,960
Speaker 1: the vibe of a song about love. Okay, I'd rather

974
00:52:09,040 --> 00:52:11,319
Speaker 1: you say it bad and still have that passion like

975
00:52:11,400 --> 00:52:13,200
Speaker 1: when I'm singing in my car, I am like a

976
00:52:13,320 --> 00:52:16,479
Speaker 1: soft Marre and I'm like, yeah, no, yeah, no, it's

977
00:52:16,480 --> 00:52:19,479
Speaker 1: a matter of time to you walk to you walk,

978
00:52:19,520 --> 00:52:20,960
Speaker 1: And that's fine right there, But you don't have the

979
00:52:21,040 --> 00:52:24,560
Speaker 1: music with you, and you're not on key. You're not practice.

980
00:52:25,080 --> 00:52:27,040
Speaker 1: That's why we're doing. That's what we're doing. And I'm

981
00:52:27,040 --> 00:52:29,279
Speaker 1: going to practice every day until go home right now. No,

982
00:52:29,560 --> 00:52:32,960
Speaker 1: don't don't even else the show, go home and practice. Yeah, okay,

983
00:52:33,200 --> 00:52:36,400
Speaker 1: you got to just keep practicing. Yeah no, yeah, no, oh,

984
00:52:36,520 --> 00:52:39,680
Speaker 1: it's a matter of time you walk to your walk.

985
00:52:39,840 --> 00:52:42,320
Speaker 1: Right out of my laugh. I don't hear the passion.

986
00:52:42,400 --> 00:52:44,560
Speaker 1: I just don't hear the passion of the pushing. It's subtle.

987
00:52:44,640 --> 00:52:47,640
Speaker 1: It's subtle passion. Edie's dominating you in the song. He's

988
00:52:47,640 --> 00:52:49,920
Speaker 1: supposed to be subtle too, But it's what the passion

989
00:52:49,920 --> 00:52:51,279
Speaker 1: of the pushing and if you want to do it,

990
00:52:51,280 --> 00:52:54,600
Speaker 1: and you do a focus and passion push wow ppm

991
00:52:54,640 --> 00:52:58,640
Speaker 1: passion push. Okay, thank you? Um, we feel good? I

992
00:52:58,640 --> 00:53:05,560
Speaker 1: mean not yet, No, actually, I feel like any We

993
00:53:05,600 --> 00:53:10,640
Speaker 1: have to work every day. Okay. I was just doing

994
00:53:10,760 --> 00:53:12,680
Speaker 1: Ryan for a second. Now we're going to play the

995
00:53:12,719 --> 00:53:18,440
Speaker 1: song now and I'll sing along to it. It's the

996
00:53:18,480 --> 00:53:23,400
Speaker 1: best bits of the week with Morgan number two, and

997
00:53:23,520 --> 00:53:25,760
Speaker 1: this just makes sense to have at number one. Carrie

998
00:53:25,840 --> 00:53:28,520
Speaker 1: Underwood came into the show this week. She is so

999
00:53:28,560 --> 00:53:31,960
Speaker 1: stunning and so funny and just hoot whenever she comes

1000
00:53:31,960 --> 00:53:34,120
Speaker 1: in the studio, So of course it had to come

1001
00:53:34,160 --> 00:53:37,240
Speaker 1: in at number one, especially as much as y'all engaged

1002
00:53:37,239 --> 00:53:40,439
Speaker 1: with this interview. So I highly encourage whether you listen

1003
00:53:40,480 --> 00:53:42,719
Speaker 1: to it right now or you go watch it at

1004
00:53:42,760 --> 00:53:46,080
Speaker 1: Bobby Bones dot com either or because it's just a fabulous,

1005
00:53:46,120 --> 00:53:48,799
Speaker 1: like I don't know, twenty something in an interview with

1006
00:53:48,880 --> 00:53:52,880
Speaker 1: Carrie Underwood, which is pretty freaking sweet. So here you

1007
00:53:52,920 --> 00:53:58,120
Speaker 1: go number one on the Bobby Bones Show. Now, Carrie Underwood,

1008
00:53:58,280 --> 00:54:00,000
Speaker 1: it has been a long time, Carrie, good to see you.

1009
00:54:00,280 --> 00:54:02,759
Speaker 1: I was looking at the Sonic sign. Sorry, oh yes,

1010
00:54:02,920 --> 00:54:05,279
Speaker 1: And so you're from Oklahoma? I don't know. So it's

1011
00:54:05,360 --> 00:54:09,799
Speaker 1: three we Sonic. Sonic is my wife's from and she's

1012
00:54:09,800 --> 00:54:14,400
Speaker 1: a massive Sonic er. Um does she Brahm's big Time? Yeah?

1013
00:54:14,440 --> 00:54:16,920
Speaker 1: I mean the whole family does. Yeah? Is that? What

1014
00:54:17,000 --> 00:54:20,239
Speaker 1: places that remind you of Oklahoma? Sonic broms? What else?

1015
00:54:20,560 --> 00:54:24,120
Speaker 1: Just a we got me says like Arkansas Tyson's Chicken?

1016
00:54:24,520 --> 00:54:26,800
Speaker 1: You know, that's what we have. We we have Charlie's

1017
00:54:26,880 --> 00:54:30,920
Speaker 1: chicken have been Yeah, Um, what else do we have?

1018
00:54:31,320 --> 00:54:34,040
Speaker 1: I don't know where is your town because my wife

1019
00:54:34,120 --> 00:54:37,640
Speaker 1: is from near Tulsa. Where is your town in Oklahoma?

1020
00:54:37,760 --> 00:54:41,000
Speaker 1: Like kind of south? We're about an hour south of Tulsa,

1021
00:54:41,200 --> 00:54:45,759
Speaker 1: also same area. Okay, where's she from? Poor Gibson? Yeah, yeah,

1022
00:54:46,800 --> 00:54:48,839
Speaker 1: Well we haven't seen you in a while, so glad

1023
00:54:48,880 --> 00:54:50,480
Speaker 1: you have new music. That's how we get to see you,

1024
00:54:50,480 --> 00:54:53,600
Speaker 1: know it? Well anybody? I mean, I feel like everybody's

1025
00:54:53,640 --> 00:54:56,280
Speaker 1: been not seeing each other for a while, just getting

1026
00:54:56,360 --> 00:54:58,320
Speaker 1: getting back into it. I was listening to your song.

1027
00:54:59,040 --> 00:55:00,879
Speaker 1: She has a new song called Story, which we played

1028
00:55:00,920 --> 00:55:05,359
Speaker 1: on Friday's show, and it's, you know, a revenge song,

1029
00:55:05,400 --> 00:55:08,440
Speaker 1: but it's different. It's like haunting after Gone, Yes, so

1030
00:55:08,480 --> 00:55:13,680
Speaker 1: it's it's less it's more passive revenge. My and you

1031
00:55:13,680 --> 00:55:15,200
Speaker 1: can tell me if this is how it is in

1032
00:55:15,239 --> 00:55:17,919
Speaker 1: your life. But my wife and I were having a

1033
00:55:17,960 --> 00:55:20,960
Speaker 1: conversation and we've only been married seven months or so,

1034
00:55:21,000 --> 00:55:24,680
Speaker 1: and when we were talking about if somebody died, would

1035
00:55:24,680 --> 00:55:26,879
Speaker 1: you want the other person to remarry? And we're having

1036
00:55:26,880 --> 00:55:29,439
Speaker 1: the conversation and I would. I'm like yes, if I die,

1037
00:55:29,800 --> 00:55:32,399
Speaker 1: you should go and live the happiest life. And I

1038
00:55:32,480 --> 00:55:33,680
Speaker 1: look to her and I'm like, what do you think

1039
00:55:33,719 --> 00:55:35,399
Speaker 1: it She goes, well, you know, I know your friends

1040
00:55:35,400 --> 00:55:38,239
Speaker 1: are gonna have your back and support you and love you,

1041
00:55:38,640 --> 00:55:41,120
Speaker 1: and they're going to encourage you to probably do what

1042
00:55:41,160 --> 00:55:43,960
Speaker 1: makes you feel best. But said, if you die, if

1043
00:55:43,960 --> 00:55:46,439
Speaker 1: I die, don't remarry, I will haunt you. Like that's

1044
00:55:46,440 --> 00:55:49,439
Speaker 1: what she said to me, and that I didn't feel

1045
00:55:49,480 --> 00:55:54,839
Speaker 1: like that as the appropriate answer. Um, I mean, I understand,

1046
00:55:55,320 --> 00:56:00,960
Speaker 1: I don't know if I could get remarried, but I'm

1047
00:56:01,000 --> 00:56:03,239
Speaker 1: not asking you to put yourself in this situation. I'm

1048
00:56:03,280 --> 00:56:06,359
Speaker 1: asking for some sympathy now for me. It's about me

1049
00:56:06,520 --> 00:56:09,520
Speaker 1: right now. I mean I feel like she will haunt me.

1050
00:56:09,760 --> 00:56:11,319
Speaker 1: I feel like I need to be on her side

1051
00:56:11,320 --> 00:56:15,000
Speaker 1: because she's an okay girl. Okay, so fair enough. This

1052
00:56:15,040 --> 00:56:16,600
Speaker 1: song when you find it, like what about this song

1053
00:56:16,680 --> 00:56:20,480
Speaker 1: draws you to it? I I love the kind of

1054
00:56:20,520 --> 00:56:23,759
Speaker 1: different approach of the song, Like I just think it's

1055
00:56:23,840 --> 00:56:28,839
Speaker 1: a really cool way to right kind of it's I mean,

1056
00:56:28,840 --> 00:56:30,920
Speaker 1: it is a revenge song, but it's not because it's not.

1057
00:56:30,960 --> 00:56:32,520
Speaker 1: She doesn't do anything and she's just going on a

1058
00:56:32,600 --> 00:56:34,279
Speaker 1: live in her life. But I just thought it was

1059
00:56:34,400 --> 00:56:36,799
Speaker 1: very well written, and I love the music. I feel

1060
00:56:36,840 --> 00:56:39,920
Speaker 1: like it really doesn't sound like anything else I've done

1061
00:56:40,040 --> 00:56:44,560
Speaker 1: or anything else that's currently out there, and just it's

1062
00:56:44,640 --> 00:56:46,880
Speaker 1: very visual when you listen to it, I feel like

1063
00:56:46,920 --> 00:56:48,560
Speaker 1: you can kind of see the movie in your head,

1064
00:56:48,640 --> 00:56:52,440
Speaker 1: which I like that. If someone does you wrong, how

1065
00:56:52,480 --> 00:56:55,920
Speaker 1: do you handle revenge personally? I feel like I've I've

1066
00:56:55,960 --> 00:57:01,560
Speaker 1: I've had all the Carrie Underwood spectrum of song emotions. Um,

1067
00:57:03,040 --> 00:57:05,680
Speaker 1: you have done what your songs say, it's quite like that,

1068
00:57:05,760 --> 00:57:10,759
Speaker 1: but the emotions, yes, Um. I think the older I get,

1069
00:57:10,840 --> 00:57:14,080
Speaker 1: the more I'm like the move on, you know. But

1070
00:57:14,239 --> 00:57:16,480
Speaker 1: probably probably in my youth I would have been a

1071
00:57:16,560 --> 00:57:19,840
Speaker 1: bit more angry. I'm more of a slow drip guy.

1072
00:57:20,120 --> 00:57:21,840
Speaker 1: I've been whole not revenge for many years on people.

1073
00:57:21,840 --> 00:57:24,320
Speaker 1: They don't even know it. Wow, yeah one day, one

1074
00:57:24,400 --> 00:57:28,160
Speaker 1: day or no, it's super healthy day. No bottle that up.

1075
00:57:28,320 --> 00:57:30,760
Speaker 1: I pushed it down. No, no, not bottling it up. Okay,

1076
00:57:31,240 --> 00:57:33,720
Speaker 1: I'm releasing it in a slow drip. Yeah, where I'm

1077
00:57:33,720 --> 00:57:36,640
Speaker 1: getting my revenge long term and they have no idea. Wow,

1078
00:57:37,040 --> 00:57:39,280
Speaker 1: I don't react, I go I must now pay you

1079
00:57:39,320 --> 00:57:41,560
Speaker 1: back now. I got a couple happening right now. What

1080
00:57:41,920 --> 00:57:44,479
Speaker 1: do you do? Are you? Like? Can't tell you because

1081
00:57:44,480 --> 00:57:47,080
Speaker 1: then they'll know you're like hacking into emails or like

1082
00:57:47,280 --> 00:57:50,720
Speaker 1: you never know. It could be you call the IRS

1083
00:57:50,480 --> 00:57:54,640
Speaker 1: on somebody here what with you? And it's it's interesting

1084
00:57:54,680 --> 00:57:58,560
Speaker 1: your career because you're still so young. You have a

1085
00:57:58,560 --> 00:58:00,800
Speaker 1: lot of career left, but you all so I've accomplished

1086
00:58:00,800 --> 00:58:03,600
Speaker 1: so much that I go, what in the world would

1087
00:58:03,640 --> 00:58:06,960
Speaker 1: excite someone who's done it all at this point? Like,

1088
00:58:07,000 --> 00:58:09,520
Speaker 1: what is it that you can do that makes you

1089
00:58:09,560 --> 00:58:12,320
Speaker 1: go saying this feels new and fun and like I'm

1090
00:58:12,400 --> 00:58:15,640
Speaker 1: encouraged to get going again. I think like with this

1091
00:58:15,680 --> 00:58:18,640
Speaker 1: whole project and everything that's going to come after it,

1092
00:58:18,680 --> 00:58:22,960
Speaker 1: I think just having the freedom to just be creative

1093
00:58:23,120 --> 00:58:26,120
Speaker 1: and play a little bit has been really great. I

1094
00:58:26,120 --> 00:58:28,400
Speaker 1: feel like when you're early on in your career, you know,

1095
00:58:28,480 --> 00:58:32,880
Speaker 1: you're worried about you know, people liking it and buying it,

1096
00:58:32,920 --> 00:58:35,280
Speaker 1: and you know all of that stuff. I feel like

1097
00:58:35,320 --> 00:58:37,920
Speaker 1: once you reach a certain point, you can kind of

1098
00:58:37,920 --> 00:58:42,560
Speaker 1: just do what feels really great and worry less about

1099
00:58:42,600 --> 00:58:44,760
Speaker 1: that kind of stuff. So I think that that right

1100
00:58:44,760 --> 00:58:47,160
Speaker 1: now gets me really excited, And I mean, I've been

1101
00:58:47,200 --> 00:58:50,280
Speaker 1: able to do a couple of passion projects that have

1102
00:58:50,440 --> 00:58:53,440
Speaker 1: just been really good for my soul. I've got to

1103
00:58:53,480 --> 00:58:56,600
Speaker 1: sing some Christmas songs and some hymns and stuff like

1104
00:58:56,600 --> 00:58:58,320
Speaker 1: that that I grew up with, and that's been that

1105
00:58:58,400 --> 00:59:01,280
Speaker 1: got me really excited and made me really happy. But

1106
00:59:01,320 --> 00:59:03,720
Speaker 1: again that kind of goes back to just being able

1107
00:59:03,760 --> 00:59:06,840
Speaker 1: to do what feels good. I guess that answers my

1108
00:59:06,920 --> 00:59:09,160
Speaker 1: questions specifically, like you did the hymns and you did

1109
00:59:09,160 --> 00:59:12,440
Speaker 1: the Christmas record and that was like a personal passion

1110
00:59:12,480 --> 00:59:14,120
Speaker 1: project that wasn't someone to go on, Hey, Karry, you

1111
00:59:14,120 --> 00:59:18,120
Speaker 1: need to do your Christmas music right. So does your

1112
00:59:18,200 --> 00:59:20,800
Speaker 1: label or your people do they now at this stage

1113
00:59:20,840 --> 00:59:22,600
Speaker 1: go if Karrie wants it, We're going to do it.

1114
00:59:23,040 --> 00:59:25,960
Speaker 1: I feel like, yeah, I mean, and I'm a team

1115
00:59:26,000 --> 00:59:28,320
Speaker 1: player as well. I want to know of something I'm

1116
00:59:28,400 --> 00:59:31,360
Speaker 1: proposing as a terrible idea, and I feel like we've

1117
00:59:31,400 --> 00:59:34,920
Speaker 1: all been together for so long that you know, the

1118
00:59:34,920 --> 00:59:37,560
Speaker 1: people that around me will tell me those things and

1119
00:59:37,600 --> 00:59:39,880
Speaker 1: I will listen. But I don't feel like I've had

1120
00:59:39,920 --> 00:59:43,240
Speaker 1: any Nobody's had to say that yet. Do you worry

1121
00:59:43,320 --> 00:59:47,320
Speaker 1: that the Emperor has no clothes at all, meaning that

1122
00:59:47,920 --> 00:59:51,560
Speaker 1: because you are so successful that people are afraid to go, Oh,

1123
00:59:51,640 --> 00:59:54,680
Speaker 1: that's not a very good idea. I feel like not

1124
00:59:55,040 --> 00:59:58,200
Speaker 1: with me, because I'm not going to be like, oh

1125
00:59:58,200 --> 00:59:59,919
Speaker 1: my gosh, you don't like what I'm saying, You're fired,

1126
01:00:00,320 --> 01:00:01,760
Speaker 1: you know what I mean? I feel like it is

1127
01:00:01,800 --> 01:00:04,479
Speaker 1: a team effort and we all have the same goal

1128
01:00:04,600 --> 01:00:06,880
Speaker 1: and we all just want to be able to keep

1129
01:00:06,920 --> 01:00:10,520
Speaker 1: doing what arguing and loving life. So do you have

1130
01:00:10,520 --> 01:00:12,360
Speaker 1: any old school people on your team that have been

1131
01:00:12,400 --> 01:00:15,480
Speaker 1: there for a long time that you know just through experience,

1132
01:00:15,520 --> 01:00:17,000
Speaker 1: Because that's how I know when someone will tell me

1133
01:00:17,040 --> 01:00:19,080
Speaker 1: the truth because they have before, right when they've told

1134
01:00:19,080 --> 01:00:22,480
Speaker 1: me uncomfortable things before, so I know if it's uncomfortable again,

1135
01:00:22,520 --> 01:00:24,080
Speaker 1: they will let me know. Do you have any of

1136
01:00:24,080 --> 01:00:27,520
Speaker 1: those people career wise in your life? My manager and

1137
01:00:27,800 --> 01:00:31,520
Speaker 1: has been with me since day one? Wow? Really? When?

1138
01:00:31,920 --> 01:00:34,960
Speaker 1: And my tour manager Jeff, he was actually my tour

1139
01:00:35,040 --> 01:00:38,840
Speaker 1: manager on the Idols tour, so I've known him for

1140
01:00:39,840 --> 01:00:43,720
Speaker 1: many years. How do you get linked up with your

1141
01:00:43,800 --> 01:00:48,000
Speaker 1: manager and then like what did she what? She already

1142
01:00:48,040 --> 01:00:50,800
Speaker 1: managing people because you were such a baby. Then yeah,

1143
01:00:51,160 --> 01:00:54,800
Speaker 1: how did that relationship happen. M she worked for the

1144
01:00:54,880 --> 01:00:59,440
Speaker 1: management company that did all the all the idol stuff

1145
01:00:59,480 --> 01:01:01,880
Speaker 1: and then you out of jail and now right, I

1146
01:01:01,880 --> 01:01:04,880
Speaker 1: mean basic right like you Now she works just with you. Yeah,

1147
01:01:04,880 --> 01:01:08,040
Speaker 1: she's she's she's my han when you do these Las

1148
01:01:08,160 --> 01:01:09,880
Speaker 1: Vegas shows. I think I saw a picture of you

1149
01:01:10,000 --> 01:01:12,360
Speaker 1: in a theater and you were pointing back to the

1150
01:01:12,840 --> 01:01:14,760
Speaker 1: like the big screen with your name on It was

1151
01:01:14,760 --> 01:01:18,080
Speaker 1: that the Vegas show. Yes, what is the hotel room

1152
01:01:18,240 --> 01:01:21,040
Speaker 1: like that they give you to stay in? That's great.

1153
01:01:22,600 --> 01:01:24,240
Speaker 1: I don't know they've ever even been in a room

1154
01:01:24,680 --> 01:01:26,840
Speaker 1: like they probably would give you. Could you describe it

1155
01:01:26,880 --> 01:01:31,320
Speaker 1: for us? UM? Four bedrooms? There's four bedrooms in the hotel.

1156
01:01:31,720 --> 01:01:34,440
Speaker 1: There's four bedrooms in the room. Yeah, this isn't normally

1157
01:01:34,520 --> 01:01:38,680
Speaker 1: how I stay. You know. UM is on the top floor. Yeah?

1158
01:01:38,720 --> 01:01:40,120
Speaker 1: And is it on a floor where you have to

1159
01:01:40,160 --> 01:01:43,920
Speaker 1: have the key special keys? Okay, keep I'm gonna listen now.

1160
01:01:43,960 --> 01:01:48,240
Speaker 1: It's very nice. There's um, you know, lots of TVs

1161
01:01:48,240 --> 01:01:54,720
Speaker 1: in random places like take a bath and I watched TV. Um. Yeah,

1162
01:01:54,720 --> 01:01:57,720
Speaker 1: there's like a little kitchenette. Do you have I guess

1163
01:01:57,760 --> 01:02:02,120
Speaker 1: like a server that's always there. I don't do that. Um, like,

1164
01:02:02,160 --> 01:02:04,800
Speaker 1: I can't. I get really nervous about even ordering room

1165
01:02:04,800 --> 01:02:09,200
Speaker 1: service just because that's me. So I literally just have

1166
01:02:09,400 --> 01:02:12,439
Speaker 1: food with me. I'll go to Whole Foods and get

1167
01:02:12,480 --> 01:02:16,160
Speaker 1: groceries and I don't. I don't like to talk to

1168
01:02:16,280 --> 01:02:19,480
Speaker 1: people and I don't. I don't know. You bragged about

1169
01:02:19,480 --> 01:02:20,880
Speaker 1: a kitchen at, but my home with sweet as a

1170
01:02:20,920 --> 01:02:27,720
Speaker 1: kitchen at. That's pretty cool. Are you done with those

1171
01:02:27,760 --> 01:02:29,919
Speaker 1: shows or do you have more of those? There are more? Yes,

1172
01:02:30,080 --> 01:02:31,680
Speaker 1: you like those where you can just stay there? Oh,

1173
01:02:31,720 --> 01:02:35,120
Speaker 1: I do. It's a lot of fun because the shows,

1174
01:02:37,040 --> 01:02:39,240
Speaker 1: like the technology is all built in, or because you

1175
01:02:39,240 --> 01:02:41,120
Speaker 1: don't have to travel and you're only in that one location.

1176
01:02:41,280 --> 01:02:44,040
Speaker 1: Yes to everything. Um, I mean it's cool too because

1177
01:02:44,040 --> 01:02:46,840
Speaker 1: when you're in Vegas, like normally when you travel around

1178
01:02:46,840 --> 01:02:49,680
Speaker 1: to different places, you get to kind of experience the

1179
01:02:49,720 --> 01:02:53,200
Speaker 1: people from that place in Vegas does everybody's coming from

1180
01:02:53,200 --> 01:02:56,160
Speaker 1: everywhere and it's kind of just a big mishmesh of people,

1181
01:02:56,160 --> 01:02:58,400
Speaker 1: which is a lot of fun. Um. And then we

1182
01:02:58,840 --> 01:03:02,800
Speaker 1: can do things we don't get to take with us

1183
01:03:02,800 --> 01:03:05,480
Speaker 1: on the road. It all just lives there, so we

1184
01:03:05,480 --> 01:03:08,200
Speaker 1: can kind of have more things to play with. It

1185
01:03:08,280 --> 01:03:10,600
Speaker 1: might be a bit more complicated to take with us.

1186
01:03:11,720 --> 01:03:13,880
Speaker 1: And then when the show's over, I go to bed.

1187
01:03:14,080 --> 01:03:16,240
Speaker 1: Do you everythink about asking for two kitchenetts because you're

1188
01:03:16,240 --> 01:03:20,160
Speaker 1: a star? M I could? I could? Yeah maybe someday.

1189
01:03:20,520 --> 01:03:22,880
Speaker 1: Carrie's got four shows in March, too, in April and

1190
01:03:23,440 --> 01:03:25,640
Speaker 1: five six in May. If you guys want to go

1191
01:03:25,680 --> 01:03:31,120
Speaker 1: to reflection the Las Vegas residency. You were mentioning grocery

1192
01:03:31,120 --> 01:03:34,240
Speaker 1: shopping at Whole Foods? Can you go to Whole Foods

1193
01:03:34,280 --> 01:03:38,800
Speaker 1: by yourself? Oh? Yeah, yeah, no way? Yeah? Why not?

1194
01:03:39,560 --> 01:03:44,600
Speaker 1: Without people swarming you? It kind of depends on the day.

1195
01:03:45,000 --> 01:03:48,200
Speaker 1: But everybody's nice. Nobody's like trying to hurt me. So

1196
01:03:48,440 --> 01:03:51,080
Speaker 1: do you ever go okay, go hold on, I'll yes,

1197
01:03:51,120 --> 01:03:52,960
Speaker 1: I'll take a picture. Please, don't like make a big

1198
01:03:52,960 --> 01:03:56,000
Speaker 1: scene about it. Does that ever happen? If somebody yells,

1199
01:03:56,600 --> 01:03:59,720
Speaker 1: I might just run away? Well, I don't know, Like

1200
01:04:00,040 --> 01:04:03,120
Speaker 1: I get nervous sometimes. Um. There was one time actually

1201
01:04:03,160 --> 01:04:07,440
Speaker 1: at Whole Foods in Um Franklin Um where a guy

1202
01:04:07,600 --> 01:04:10,240
Speaker 1: was like, hey, it's Carver one and I was just

1203
01:04:10,320 --> 01:04:14,160
Speaker 1: like like I got to do so I just run away.

1204
01:04:14,240 --> 01:04:19,000
Speaker 1: Do you wear a hat and glasses? No? Really? Yeah,

1205
01:04:19,040 --> 01:04:23,560
Speaker 1: it's because I think I would do that. That's kind glass. No, No,

1206
01:04:23,680 --> 01:04:26,240
Speaker 1: I think I would probably do the same thing. You

1207
01:04:26,320 --> 01:04:30,160
Speaker 1: talk about this project, so, okay, ghosts you know that

1208
01:04:30,320 --> 01:04:32,800
Speaker 1: we've been playing this song and with ghost Story, Like

1209
01:04:32,840 --> 01:04:35,840
Speaker 1: what else is coming inside of this project? That's different

1210
01:04:35,880 --> 01:04:39,120
Speaker 1: because you say it's you get to do more creatively. Yeah,

1211
01:04:39,160 --> 01:04:43,440
Speaker 1: I think overall, Um, we cover a lot of ground

1212
01:04:44,080 --> 01:04:52,000
Speaker 1: and for the whole album that is to come, Um,

1213
01:04:52,840 --> 01:04:55,360
Speaker 1: I think it. We just wanted to have fun like

1214
01:04:55,640 --> 01:04:57,960
Speaker 1: that was my goal in the very beginning, was just

1215
01:04:58,520 --> 01:05:00,360
Speaker 1: for like the past few years of just kind of

1216
01:05:00,360 --> 01:05:03,680
Speaker 1: been heavy and I just wanted to have fun. So

1217
01:05:03,760 --> 01:05:05,880
Speaker 1: we cover a lot of ground and feel like it's

1218
01:05:05,880 --> 01:05:11,040
Speaker 1: a it's a positive and bit nostalgic and should give

1219
01:05:11,080 --> 01:05:14,360
Speaker 1: you why nostalgic? What about it? While I hear and

1220
01:05:14,400 --> 01:05:17,640
Speaker 1: go is it how you sing? Is it the instrumentation

1221
01:05:18,400 --> 01:05:21,800
Speaker 1: all of that? Yeah? Do you purposefully go let's do

1222
01:05:21,800 --> 01:05:24,640
Speaker 1: some old school now? Okay, because you just never know

1223
01:05:24,800 --> 01:05:27,680
Speaker 1: when you walk into you know, our writing session or something.

1224
01:05:27,760 --> 01:05:31,320
Speaker 1: You if you try to put parameters on it, I

1225
01:05:31,360 --> 01:05:34,000
Speaker 1: feel like you're you could take take away from what

1226
01:05:34,120 --> 01:05:37,560
Speaker 1: might have happened. So you just go in with no expectations.

1227
01:05:37,960 --> 01:05:41,800
Speaker 1: I've got my list of stupid ideas, and everybody breaks

1228
01:05:41,800 --> 01:05:45,720
Speaker 1: out their voice memos and starts listening to whatever dumb

1229
01:05:45,720 --> 01:05:49,040
Speaker 1: thing that they recorded at two o'clock in the morning,

1230
01:05:49,080 --> 01:05:51,640
Speaker 1: and you just kind of figure out what the vibe

1231
01:05:51,640 --> 01:05:54,000
Speaker 1: of the day is and go with the flow. Is

1232
01:05:54,000 --> 01:05:56,880
Speaker 1: that a vulnerable time when you walk in to people

1233
01:05:56,880 --> 01:05:59,440
Speaker 1: who are as good at the aircraft as you are

1234
01:05:59,480 --> 01:06:01,480
Speaker 1: at your which is seeing you're also a great writer.

1235
01:06:01,720 --> 01:06:03,440
Speaker 1: But some they do it every day and you're like,

1236
01:06:03,440 --> 01:06:06,120
Speaker 1: I have this idea and you know it's personal. Is

1237
01:06:06,120 --> 01:06:08,800
Speaker 1: it vulnerable because you're presenting something to them that's about you,

1238
01:06:08,840 --> 01:06:10,919
Speaker 1: and you think maybe they're just gonna go, ah, very good.

1239
01:06:11,640 --> 01:06:14,240
Speaker 1: If it's someone I've known for a long time, and

1240
01:06:14,280 --> 01:06:17,520
Speaker 1: I feel like most of the people that I write with,

1241
01:06:17,760 --> 01:06:23,200
Speaker 1: especially again just with different circumstances to what the past

1242
01:06:23,280 --> 01:06:25,520
Speaker 1: couple of years have been, you know, I just kind

1243
01:06:25,520 --> 01:06:27,600
Speaker 1: of wanted to stick with people that I was comfortable with,

1244
01:06:27,720 --> 01:06:32,360
Speaker 1: and for the most part, if it's someone new, you know,

1245
01:06:32,560 --> 01:06:35,040
Speaker 1: it is a little harder to open up because, like

1246
01:06:35,360 --> 01:06:38,520
Speaker 1: I mean, Hillary Lindsay and Josh Kier and I mean

1247
01:06:38,600 --> 01:06:40,120
Speaker 1: a lot of the people that I write with I've

1248
01:06:40,400 --> 01:06:44,640
Speaker 1: known for sixteen years and we've done this many times,

1249
01:06:44,680 --> 01:06:48,200
Speaker 1: so they know. I don't know. You have to kind

1250
01:06:48,240 --> 01:06:51,640
Speaker 1: of put your ego aside, and if you sometimes when

1251
01:06:51,640 --> 01:06:53,479
Speaker 1: you blurt it out, you're like, man, that's a dumb idea.

1252
01:06:53,520 --> 01:06:55,520
Speaker 1: Why did I say that? Like, you know the second

1253
01:06:55,400 --> 01:06:57,400
Speaker 1: it flew out of your mouth. So I do that

1254
01:06:57,440 --> 01:07:00,080
Speaker 1: with every idea just to cover it. I go, I

1255
01:07:00,160 --> 01:07:01,960
Speaker 1: have an idea, I think it's great. That's dumb, but

1256
01:07:01,960 --> 01:07:03,680
Speaker 1: I'm just ready for somebody who know it ain't dumb.

1257
01:07:03,720 --> 01:07:05,680
Speaker 1: I do that too, Yeah, even though I don't really

1258
01:07:05,680 --> 01:07:08,520
Speaker 1: think it's dumb. I'd need that. Yeah, I do that too.

1259
01:07:09,000 --> 01:07:10,720
Speaker 1: As a creative. I need people to tell me I'm

1260
01:07:10,760 --> 01:07:13,920
Speaker 1: not dumb? Are you? In any way? You seem like

1261
01:07:14,040 --> 01:07:17,360
Speaker 1: someone who is completely secure, like you have it all

1262
01:07:17,400 --> 01:07:19,680
Speaker 1: figured out, and I know none of us are. And

1263
01:07:19,680 --> 01:07:21,760
Speaker 1: then I don't think there's a single human who is that.

1264
01:07:22,400 --> 01:07:26,280
Speaker 1: But when someone looks at you and sees you're a

1265
01:07:26,480 --> 01:07:31,360
Speaker 1: great mom, great wife, great artist, great writer, like what

1266
01:07:31,560 --> 01:07:34,120
Speaker 1: in the world would carry under would be insecure about

1267
01:07:35,400 --> 01:07:42,120
Speaker 1: all those things? I mean, it's that's that's either I

1268
01:07:42,160 --> 01:07:44,640
Speaker 1: think everybody's insecure. People are just better at hiding it

1269
01:07:44,760 --> 01:07:47,200
Speaker 1: than others. Sometimes I just need to hide it better.

1270
01:07:47,200 --> 01:07:50,680
Speaker 1: That's what I hurt right there, I just need one.

1271
01:07:50,800 --> 01:07:53,120
Speaker 1: I got a couple of final things here, and I

1272
01:07:53,160 --> 01:07:55,400
Speaker 1: wanted to say this towards the end in case it

1273
01:07:55,440 --> 01:07:58,240
Speaker 1: got awkward. But you did a really you did a

1274
01:07:58,280 --> 01:08:00,680
Speaker 1: really mean, a nasty impression of me. And it's been

1275
01:08:00,760 --> 01:08:02,520
Speaker 1: hurting you did. Yeah, it's been hurting my feelings for

1276
01:08:02,520 --> 01:08:05,520
Speaker 1: a long time. Is this a slow drip that's coming out?

1277
01:08:06,280 --> 01:08:09,160
Speaker 1: This is it? Yeah? This is But do you happen

1278
01:08:09,160 --> 01:08:13,280
Speaker 1: to remember you doing this really mean and nasty impression? No? Okay,

1279
01:08:13,320 --> 01:08:15,400
Speaker 1: well then we'll just leave it there. Why would I

1280
01:08:15,440 --> 01:08:20,080
Speaker 1: do exactly? Why would you carry? Why would you about?

1281
01:08:20,280 --> 01:08:23,080
Speaker 1: You came in and you hosted the countdown. Oh now

1282
01:08:23,280 --> 01:08:27,040
Speaker 1: remember that because you say, Bobby, I don't like I

1283
01:08:27,040 --> 01:08:28,720
Speaker 1: don't do that. You don't do anymore. No, I never

1284
01:08:28,760 --> 01:08:32,160
Speaker 1: did that anymore. I never did that. Okay, I never

1285
01:08:32,200 --> 01:08:35,000
Speaker 1: went I sound like a billy goat when you do it.

1286
01:08:35,160 --> 01:08:39,360
Speaker 1: I didn't. There was no vibrato. I didn't. I didn't

1287
01:08:39,400 --> 01:08:45,400
Speaker 1: do that. Okay, I will, I will, I will accept

1288
01:08:45,439 --> 01:08:50,439
Speaker 1: that you have my permission to do a terrible, mean

1289
01:08:50,520 --> 01:08:52,920
Speaker 1: impression of me, but I don't have one of you.

1290
01:08:53,400 --> 01:08:54,920
Speaker 1: I do a lot. I have a lot of isms

1291
01:08:54,960 --> 01:08:56,920
Speaker 1: when I say, you could throw throw one of those

1292
01:08:56,920 --> 01:08:58,599
Speaker 1: in there. But I think to do a good impression

1293
01:08:58,640 --> 01:09:02,320
Speaker 1: you almost have to be able to somewhat copy it.

1294
01:09:02,400 --> 01:09:05,599
Speaker 1: And I can't sing, so I couldn't even do a

1295
01:09:05,640 --> 01:09:09,160
Speaker 1: parody of it, you know, And also I don't. I

1296
01:09:09,200 --> 01:09:11,720
Speaker 1: guess it's just also delightful. It's hard to make some

1297
01:09:11,840 --> 01:09:15,080
Speaker 1: fun of something that's so delightful. Yeah, look at him

1298
01:09:15,160 --> 01:09:20,080
Speaker 1: killing you now? Exactly exactly what's up to think of something?

1299
01:09:20,600 --> 01:09:23,000
Speaker 1: You Let me know what I can do to you

1300
01:09:23,240 --> 01:09:24,559
Speaker 1: to slow dr it back, and then I'll do it.

1301
01:09:25,320 --> 01:09:30,360
Speaker 1: My my husband says that sometimes I talk like Phil

1302
01:09:30,439 --> 01:09:34,840
Speaker 1: Dumpy from Modern Family. How is he? By the way,

1303
01:09:34,960 --> 01:09:36,679
Speaker 1: He's cool? Yeah. I remember when people just to confuse

1304
01:09:36,760 --> 01:09:39,799
Speaker 1: us all the time. Yeah yeah, okay, like one person

1305
01:09:39,880 --> 01:09:43,040
Speaker 1: at one time on a golf course. So maybe thought

1306
01:09:43,280 --> 01:09:46,320
Speaker 1: you were Mike Fisher, and I think it might have

1307
01:09:46,320 --> 01:09:48,360
Speaker 1: been getting darker. It might have been in the like

1308
01:09:48,400 --> 01:09:50,200
Speaker 1: they were far far away, so it might have been

1309
01:09:50,200 --> 01:09:52,280
Speaker 1: in the evening a little bit, and it might have

1310
01:09:52,320 --> 01:09:53,760
Speaker 1: been a place that we both will go, and they

1311
01:09:53,760 --> 01:09:57,200
Speaker 1: were they were like hey, Mike, And I was like, Mike, no, Bobby,

1312
01:09:57,240 --> 01:09:58,360
Speaker 1: And they're like, oh, we thought you were a Mike

1313
01:09:58,479 --> 01:10:01,200
Speaker 1: Fisher And I was like, haven't all top it's not.

1314
01:10:01,439 --> 01:10:04,080
Speaker 1: She's he's a good looking guy. Another day at the office. Yeah,

1315
01:10:04,200 --> 01:10:06,280
Speaker 1: not a bad thing. It might have been sun almost

1316
01:10:06,280 --> 01:10:07,920
Speaker 1: all the way down, like one of those late evenings

1317
01:10:07,960 --> 01:10:11,880
Speaker 1: on the golf course. Yes, he's good. He's good. Yeah, Um,

1318
01:10:11,960 --> 01:10:14,479
Speaker 1: you're any time. What I look forward to on your

1319
01:10:14,479 --> 01:10:17,400
Speaker 1: Instagram story is anytime one of your kids has a

1320
01:10:17,439 --> 01:10:22,400
Speaker 1: birthday because the cakes. Yeah, I don't even I don't

1321
01:10:22,400 --> 01:10:25,040
Speaker 1: even have specific things I go to them with. I'm

1322
01:10:25,040 --> 01:10:29,200
Speaker 1: just like my kid likes Star Wars ivy cake, give

1323
01:10:29,240 --> 01:10:31,800
Speaker 1: him a plug and like the cake comes alive. Yeah,

1324
01:10:31,840 --> 01:10:35,400
Speaker 1: and there's like Transformer or like she it's such a

1325
01:10:35,880 --> 01:10:38,120
Speaker 1: that cake situation is so good. Yeah. And do you

1326
01:10:38,120 --> 01:10:41,760
Speaker 1: get charged for those? Since it's a friend. I always

1327
01:10:42,040 --> 01:10:45,000
Speaker 1: do my best to pay. Sometimes I'll have like somebody

1328
01:10:45,040 --> 01:10:48,240
Speaker 1: else call and put in the thing just so I'm like, hey,

1329
01:10:48,280 --> 01:10:51,200
Speaker 1: I just I need to pay for the cake. Um,

1330
01:10:51,240 --> 01:10:53,600
Speaker 1: but yeah, I'll pay for the cake. That's good to

1331
01:10:53,640 --> 01:10:56,280
Speaker 1: keep in the local economy alive. Yeah. Another great thing

1332
01:10:56,280 --> 01:10:58,840
Speaker 1: about Carrie Underwood. I was looking for something this whole

1333
01:10:58,880 --> 01:11:02,800
Speaker 1: time to make there's just nothing. Mmmmm. Maybe maybe it's

1334
01:11:02,800 --> 01:11:08,559
Speaker 1: that you're too amazing. Oh okay, I don't think that's it,

1335
01:11:08,600 --> 01:11:10,960
Speaker 1: all right? Two questions left? Who on your phone? Who

1336
01:11:10,960 --> 01:11:12,479
Speaker 1: do you have pinned in your text messages? Do you

1337
01:11:12,520 --> 01:11:14,840
Speaker 1: have anybody pinned? No? None up in the top row.

1338
01:11:14,880 --> 01:11:17,640
Speaker 1: I feel like I accidentally did that once and it

1339
01:11:17,800 --> 01:11:20,439
Speaker 1: was somebody I did not want pinned like. I didn't

1340
01:11:20,479 --> 01:11:23,879
Speaker 1: eat it up there and I got it off somehow.

1341
01:11:24,000 --> 01:11:25,639
Speaker 1: But I don't know how to do that. Blake Shelter.

1342
01:11:26,240 --> 01:11:27,920
Speaker 1: That wasn't Blake Shelton. It would have been like my

1343
01:11:27,960 --> 01:11:31,839
Speaker 1: ship Shopper or something which melody is awesome? What's that melodie?

1344
01:11:32,120 --> 01:11:35,320
Speaker 1: So we have the new song which we played and

1345
01:11:35,360 --> 01:11:37,759
Speaker 1: we continue to play. But we talked about the new project.

1346
01:11:38,479 --> 01:11:41,360
Speaker 1: Can you give me anything on when we're going to

1347
01:11:41,400 --> 01:11:47,880
Speaker 1: get this body of work ish soon? That's not acceptable?

1348
01:11:48,280 --> 01:11:50,479
Speaker 1: Three months more than okay? How about this over under

1349
01:11:50,560 --> 01:11:53,599
Speaker 1: three months? What is this month? What is it? March

1350
01:11:53,800 --> 01:11:58,800
Speaker 1: over under three months? I don't know? All right, get

1351
01:11:58,800 --> 01:12:02,559
Speaker 1: her out of here? About it? Get her out of here?

1352
01:12:02,880 --> 01:12:07,519
Speaker 1: Are your people saying, don't say anything? Um? No, you're

1353
01:12:07,560 --> 01:12:11,400
Speaker 1: answering all these questions. Is this her Phil Dumpy coming? Yes,

1354
01:12:12,320 --> 01:12:16,120
Speaker 1: but I will press no more. Okay, listen, you guys.

1355
01:12:16,160 --> 01:12:18,960
Speaker 1: I got a few things. Obviously, stream the crap out

1356
01:12:18,960 --> 01:12:22,839
Speaker 1: of Ghost Story. Secondly, Carrie is doing the show in Vegas.

1357
01:12:23,400 --> 01:12:26,760
Speaker 1: There are there are many many shows reflection the Las

1358
01:12:26,840 --> 01:12:29,879
Speaker 1: Vegas residency. You can get tickets at Carrie Underwood Official

1359
01:12:30,000 --> 01:12:33,000
Speaker 1: dot com. Um and then we will wait which, by

1360
01:12:33,040 --> 01:12:35,519
Speaker 1: the way, are you maybe you can or can't? Are

1361
01:12:35,560 --> 01:12:38,519
Speaker 1: you a voice of Sunday that football again this year? Oh?

1362
01:12:38,560 --> 01:12:42,880
Speaker 1: She can tell us nothing. She doesn't know. I don't know.

1363
01:12:44,560 --> 01:12:47,000
Speaker 1: I feel like that inflection is kind of like, yes,

1364
01:12:47,280 --> 01:12:50,240
Speaker 1: but I don't know. Butlink twice. If you're being held hostage,

1365
01:12:50,240 --> 01:12:53,160
Speaker 1: you're not allowed to say anything. Okay, Okay, then I'll

1366
01:12:53,160 --> 01:12:57,760
Speaker 1: ask one more question. Okay, you're you're on Cobra. Kay,

1367
01:12:57,840 --> 01:13:00,639
Speaker 1: I watched Cobra. That was really cool. I would assume

1368
01:13:00,680 --> 01:13:03,240
Speaker 1: that's a passion thing that you wanted to do. Yes,

1369
01:13:03,760 --> 01:13:07,160
Speaker 1: you pursue that yourself. We didn't pursue anything. That's that

1370
01:13:07,280 --> 01:13:10,000
Speaker 1: was the crazy thing I had, like tweeted, I don't

1371
01:13:10,000 --> 01:13:12,519
Speaker 1: even know, probably the first season, something like I love

1372
01:13:12,560 --> 01:13:16,960
Speaker 1: this show so much and they reached out and like

1373
01:13:17,080 --> 01:13:20,519
Speaker 1: I when Anne was telling me about it, she was

1374
01:13:20,520 --> 01:13:23,160
Speaker 1: like cobra kay. I was like yes, and she's like, well,

1375
01:13:23,240 --> 01:13:25,360
Speaker 1: let me finish. I was like yes, Like I'm in

1376
01:13:25,520 --> 01:13:28,840
Speaker 1: whatever they want, I'm in. And it was so much fun.

1377
01:13:28,880 --> 01:13:32,639
Speaker 1: It was so great. Um the cast everybody was just

1378
01:13:32,760 --> 01:13:34,920
Speaker 1: incredible and they seem like they just have the most

1379
01:13:34,920 --> 01:13:37,439
Speaker 1: fun on that show. And then if you could pick

1380
01:13:37,479 --> 01:13:39,040
Speaker 1: a show that is your favorite to go after and

1381
01:13:39,040 --> 01:13:40,800
Speaker 1: pursue and be like, I'd like to do a small part,

1382
01:13:41,360 --> 01:13:45,200
Speaker 1: what would that show be. We don't watch a whole

1383
01:13:45,240 --> 01:13:48,720
Speaker 1: lot of TV. We watched yellow Stone. Okay, then that's

1384
01:13:48,720 --> 01:13:52,479
Speaker 1: the answer. Yeah, you would be in that barn plank

1385
01:13:52,600 --> 01:13:55,120
Speaker 1: cards and yeah, yeah, sure. I can't ride a horse,

1386
01:13:55,920 --> 01:14:00,320
Speaker 1: he's still yeah, how often do you get on? But

1387
01:14:00,360 --> 01:14:03,439
Speaker 1: I can write a worse Carrie. We'll also performing at

1388
01:14:03,439 --> 01:14:07,680
Speaker 1: our Country Festival on May seventh in Austin, Texas, and

1389
01:14:07,720 --> 01:14:09,680
Speaker 1: I'm gonna listen and find something to make fun of.

1390
01:14:09,800 --> 01:14:12,000
Speaker 1: Please please do that is my goal because it has

1391
01:14:12,040 --> 01:14:16,000
Speaker 1: just been impossible. I am there are things. Okay, I'll

1392
01:14:16,000 --> 01:14:19,400
Speaker 1: help you. I'm sure I'll do something. Carrie Underwood, Carrie

1393
01:14:19,400 --> 01:14:21,400
Speaker 1: thank you. Great to see you. Thanks for hanging out

1394
01:14:21,400 --> 01:14:23,479
Speaker 1: with us, and I'll see you at Whole Foods because

1395
01:14:23,479 --> 01:14:24,960
Speaker 1: I'll be at that one now just waiting for you.

1396
01:14:25,120 --> 01:14:28,519
Speaker 1: I'll be I'll be yelling that is Carrie Underwood will

1397
01:14:28,600 --> 01:14:33,320
Speaker 1: run away all right there, Yes, Carrie Underwood. Everybody, it's

1398
01:14:33,360 --> 01:14:36,880
Speaker 1: the best Bits of the Week with Morgan number two.

1399
01:14:38,320 --> 01:14:40,880
Speaker 1: That's it for the best bits, just the bits part.

1400
01:14:41,000 --> 01:14:44,000
Speaker 1: And I hope y'all enjoyed that. And if you just

1401
01:14:44,040 --> 01:14:45,680
Speaker 1: wanted to come for the interview and happened to just

1402
01:14:45,760 --> 01:14:48,000
Speaker 1: listen to all the bits, then, like I said, you're

1403
01:14:48,040 --> 01:14:49,760
Speaker 1: at that a wrong part. Make sure you go check

1404
01:14:49,800 --> 01:14:53,280
Speaker 1: out part one that I have with right Moondo this weekend.

1405
01:14:53,320 --> 01:14:55,760
Speaker 1: It's goals. It's always a great time when him and

1406
01:14:55,800 --> 01:14:59,360
Speaker 1: I sit down and chat about our sometimes party lives,

1407
01:14:59,400 --> 01:15:01,680
Speaker 1: sometimes chill out lives, so you know, you never know

1408
01:15:01,680 --> 01:15:04,160
Speaker 1: what you're gonna get with our conversations. So make sure

1409
01:15:04,160 --> 01:15:06,360
Speaker 1: you check that out. And I am at web growl

1410
01:15:06,400 --> 01:15:08,600
Speaker 1: Morgan on all the things so you can follow me

1411
01:15:08,680 --> 01:15:11,080
Speaker 1: hang out with me on there and at Bobby bon

1412
01:15:11,120 --> 01:15:15,120
Speaker 1: Show is our social media. Thanks y'all again, have a

1413
01:15:15,160 --> 01:15:18,080
Speaker 1: wonderful weekend. Enjoy good weather. If you have it. If

1414
01:15:18,120 --> 01:15:21,479
Speaker 1: you don't enjoy the inside calling up with your loved ones,

1415
01:15:21,840 --> 01:15:32,200
Speaker 1: Bye y'all, Bobby Bobby Barns. History is littered with tragic

1416
01:15:32,240 --> 01:15:36,000
Speaker 1: stories from which we could all learn lessons. The spectacular

1417
01:15:36,040 --> 01:15:40,200
Speaker 1: Broadway show that flopped, the autopilot that helped crash a plane.

1418
01:15:40,439 --> 01:15:43,439
Speaker 1: The heat wave that killed some city residents but not

1419
01:15:43,520 --> 01:15:47,600
Speaker 1: their neighbors. I'm Tim Harford, host of Cautionary Tales, the

1420
01:15:47,680 --> 01:15:52,240
Speaker 1: podcast that looks for the valuable lessons in the greatest mistakes, disasters,

1421
01:15:52,280 --> 01:15:55,439
Speaker 1: and fiascos of the past. Listen to Cautionary Tales on

1422
01:15:55,479 --> 01:16:00,759
Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Hey,

1423
01:16:00,960 --> 01:16:03,839
Speaker 1: I'm Maya Schunker, host of A Slight Change of Plans,

1424
01:16:04,160 --> 01:16:06,599
Speaker 1: which was recently named best Show of the Year by

1425
01:16:06,640 --> 01:16:09,880
Speaker 1: Apple for twenty twenty one, and we've got new episodes

1426
01:16:09,880 --> 01:16:12,559
Speaker 1: for you about everything from the science of change to

1427
01:16:12,640 --> 01:16:15,800
Speaker 1: personal stories like a blind woman who becomes a master

1428
01:16:15,920 --> 01:16:19,280
Speaker 1: chef and an Australian doctor who rescued a boy's soccer

1429
01:16:19,320 --> 01:16:23,800
Speaker 1: team from deep within a cave in Thailand. Listen to

1430
01:16:23,840 --> 01:16:26,719
Speaker 1: A Slight Change of Plans on the iHeartRadio app, Apple

1431
01:16:26,760 --> 01:16:31,920
Speaker 1: Podcasts or wherever you get your podcasts. Hey, this is

1432
01:16:31,960 --> 01:16:35,120
Speaker 1: Justin Richmond, host of the Broken Record podcast. Join me

1433
01:16:35,200 --> 01:16:38,360
Speaker 1: in music industry icon Rick Rubin, along with authors Malcolm

1434
01:16:38,400 --> 01:16:41,040
Speaker 1: Gladwell and Bruce headlam As we chat with legends like

1435
01:16:41,160 --> 01:16:44,400
Speaker 1: Neil Young and Under three thousand and upcoming artists like

1436
01:16:44,520 --> 01:16:48,120
Speaker 1: Faye Webster about their life and their careers. In honor

1437
01:16:48,120 --> 01:16:51,400
Speaker 1: of Women's History Month, we're spotlighting groundbreaking female artists like

1438
01:16:51,439 --> 01:16:54,559
Speaker 1: Miss Elliott, Pattie Smith, and Bonnie Rait and celebrating the

1439
01:16:54,600 --> 01:16:57,519
Speaker 1: strides they've made for women. Listen to Broken Record on

1440
01:16:57,560 --> 01:17:00,320
Speaker 1: the iHeartRadio app, Apple podcast, or we're let me get

1441
01:17:00,320 --> 01:17:01,080
Speaker 1: your podcasts