WEBVTT - The Mommy Vibes Of It All

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<v Speaker 1>Carol Aired and Terrez Belovet are fan fiction ass names

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<v Speaker 1>like as names, those are trying really hard, Like it

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<v Speaker 1>feels like someone in the seventh grade wrote those names. Well,

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<v Speaker 1>it also sounds like a mid century lesbian author came

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<v Speaker 1>up with, which is what happened. I'm on a oh

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<v Speaker 1>three now looking at Terres Carol fan fiction and let's see. Okay,

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<v Speaker 1>I'm gonna give the virgins a little tutorial on how

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<v Speaker 1>to use a three. So what I'm gonna do is

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<v Speaker 1>I'm going to look only for completed works, and then

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<v Speaker 1>I'm going to sort by kudos, and we'll see what

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<v Speaker 1>the most popular Carol fan fiction is. Okay, is called

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<v Speaker 1>better than fiction? It's by simply Sally. Okay. Here's some

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<v Speaker 1>of the tags fluff, angst, first time lesbian sex, romance,

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<v Speaker 1>slow burn, age difference, librarians, smut, religious conflict, alcohol abuse,

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<v Speaker 1>the slash alcoholism. Okay. Here's the synopsis. Life is a

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<v Speaker 1>librarian in rural Alabama, was driving Terrez Belavet slowly insane,

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<v Speaker 1>and then a new family from Vermont moved into town

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<v Speaker 1>and everything changed when she meets the sexy wife of

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<v Speaker 1>the new paper mill manager, Sparks fly a song by

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<v Speaker 1>Taylor Swift. Also, here's the one where Carol is a

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<v Speaker 1>doctor and Doctors without Borders. Not that. So today we're

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<v Speaker 1>talking about Carol, the two thousand fifteen film starring Cape

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<v Speaker 1>Blanchett and Rooney Mara, based on the novel The Price

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<v Speaker 1>of Salt by Patricia high Smith UM, which is considered

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<v Speaker 1>a you know, contemporary lesbian classic, a queer Christmas favorite, right,

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<v Speaker 1>And we're going to be, you know, talking all about

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<v Speaker 1>Carol um our first experiences with it. We're gonna be

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<v Speaker 1>talking about lesbian's Christmas gloves, high speed chases, uh, and

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<v Speaker 1>you know, maybe some of the other works of Patricia

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<v Speaker 1>high Smith, because this is like a virgin the show

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<v Speaker 1>where we give yesterday's pop culture today's takes. I'm Rasdami

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<v Speaker 1>and I'm fran Toronto. I think we have talked on

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<v Speaker 1>this podcast before about whether or not we would eat

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<v Speaker 1>human flesh, honestly multiple times, multiple times. Yeah, in case

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<v Speaker 1>it hasn't made it to air. I don't think anyone

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<v Speaker 1>will be surprised to find out that, yes, I would

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<v Speaker 1>eat human flesh, and not only like would I hypothetically

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<v Speaker 1>do it, like I would actively like to try. And

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<v Speaker 1>that is why When I watched the first five minutes

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<v Speaker 1>of the movie Bones and All, I was like, this

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<v Speaker 1>is a movie written, are directed, produced, and concepted by

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<v Speaker 1>Rose damn you like it was so yes, I actually

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<v Speaker 1>wrote the y a novel and paid Luca Guardanino to

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<v Speaker 1>adapt it. They didn't even have to option it. I

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<v Speaker 1>just said, here, please take it. Um. Yeah, So so

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<v Speaker 1>we've both seen Bones and All. I saw it last week.

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<v Speaker 1>Um I I loved it. I know you would. So

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<v Speaker 1>it's so its incredible, no pun intended. I knew that

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<v Speaker 1>I would love it, and I was so happy to

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<v Speaker 1>be proven right. It was such a beautiful movie. Like

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<v Speaker 1>I I was gat and I was gagged. I thought

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<v Speaker 1>it was so much fun, like NonStop fun on the

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<v Speaker 1>world building level, like and you could hell that the

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<v Speaker 1>source material was just like really sharp and fun like

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<v Speaker 1>so just it's the basis is there's boymate's girl and

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<v Speaker 1>there's like bisexual cannibal meets bisexual cannibal. Um, and that's

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<v Speaker 1>what this story is. And in this world, which is

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<v Speaker 1>in the eighties, UM, cannibals are a somewhat common, not

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<v Speaker 1>common thing in society, and they're frequently you know, abandoned

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<v Speaker 1>as kids and so they are like cannibals roaming around

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<v Speaker 1>society that are kind of and they smell smell each

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<v Speaker 1>other from far away, and they're all kind of feral. Right.

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<v Speaker 1>There are a lot of specific things about this world

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<v Speaker 1>of cannibal culture that was so cool, and that was

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<v Speaker 1>just something that I really just from jump was sucked into. Yeah.

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<v Speaker 1>And and the thing that I liked about the way

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<v Speaker 1>that this world was set up was that it was

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<v Speaker 1>a matter of fact and like you learned things as

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<v Speaker 1>the character learned things. So the main characters this girl

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<v Speaker 1>who like all her life she's lived with her dad

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<v Speaker 1>and they've gone from town to town as she has

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<v Speaker 1>killed and mauld people. And once she turns eighteen, he,

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<v Speaker 1>you know, like abandons her for good with some information

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<v Speaker 1>about her family. And Taylor Russell, I think, plays her

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<v Speaker 1>with this really incredible frankness, like she's naive but in

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<v Speaker 1>a way where she is very like curious, and I

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<v Speaker 1>love how matter of fact she is and how she's

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<v Speaker 1>like obviously it's in these like really intense circumstances, but

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<v Speaker 1>like makes them very believable and very grounded. And I

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<v Speaker 1>just thought like she gave such an incredible performance, especially

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<v Speaker 1>alongside Timothy, who you know, plays this this cannibal who

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<v Speaker 1>she meets on the road and they fall in love.

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<v Speaker 1>And I had been wondering, like, would Timothy's start power

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<v Speaker 1>be like kind of distracting, But I actually felt that

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<v Speaker 1>it was very additive to the movie because you had

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<v Speaker 1>to have someone with that much charisma in that role

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<v Speaker 1>to understand like how they would be drawn to each other.

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<v Speaker 1>And I think like the Timothy shallowmin of it all

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<v Speaker 1>worked really well in that I loved Timmy. I really

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<v Speaker 1>loved that also. So just to your point about Taylor Russell,

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<v Speaker 1>like I think, yeah, the the naivete of her character

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<v Speaker 1>was balanced well with the fact that she's a survivor,

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<v Speaker 1>right like this, this, this whole movie is a story

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<v Speaker 1>about survival and isolation, like societal isolation and what you

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<v Speaker 1>do with it when it's out of your control, Like

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<v Speaker 1>what do you do with the hands that you're dealt

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<v Speaker 1>like the finger off exactly, you bite the finger off.

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<v Speaker 1>And you know, this character is accountable, that you know

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<v Speaker 1>doesn't necessarily want to be accountable, and Timote and other

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<v Speaker 1>you know, forces in in the movie are kind of

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<v Speaker 1>convincing her that you know, girl, this is who you

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<v Speaker 1>are so why don't you lean in and figure out

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<v Speaker 1>what you do like about it, how you can take

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<v Speaker 1>a bite exactly. So on Timmy, I will say, obviously,

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<v Speaker 1>this movie can't exist without Timmy was perfect, added the

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<v Speaker 1>realism and the natural realism that marries with Luca Guardardino's

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<v Speaker 1>style on a really really cool, like fantastical premise that said,

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<v Speaker 1>I'm so sorry. I I really don't like being I

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<v Speaker 1>don't like doing this. I don't like but and yet

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<v Speaker 1>you do it over and over again and yeah, and

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<v Speaker 1>yet you bring it to us every ball. I think

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<v Speaker 1>Taylor Russell is a movie star uncontested Lee and I

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<v Speaker 1>think she I would watch her in so many other things.

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<v Speaker 1>I think that next to Timmy, her performance felt a

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<v Speaker 1>little to y A because what Timmy gave to me

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<v Speaker 1>was not why A. It was like pure realism. But

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<v Speaker 1>I felt like the way the movie was written, like

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<v Speaker 1>specifically the dialogue was extremely why A and I. You know,

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<v Speaker 1>we were texting after and I was like I felt

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<v Speaker 1>a little way and you were like, well, it was

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<v Speaker 1>based on a y A book girl, and I was like, oh,

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<v Speaker 1>like I can of course, like I can tell like

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<v Speaker 1>that is like rich on the page, and so And

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<v Speaker 1>this doesn't mean that I disliked the movie, but I

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<v Speaker 1>just I was like I wanted it to either be

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<v Speaker 1>y A or complete and total realism. And I I

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<v Speaker 1>did think that Taylor's performance felt a little weak next

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<v Speaker 1>to Timm's because like he could sell the dialogue more

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<v Speaker 1>than but when she was selling it, she was selling

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<v Speaker 1>it like with this kind of upbeat like y Anus

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<v Speaker 1>is like all I can mustard like that what to

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<v Speaker 1>to describe her about? I was still like, I don't know,

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<v Speaker 1>I wonder if what you're seeing is that she was

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<v Speaker 1>playing a teenager, because she was, and like I I

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<v Speaker 1>just honestly like, I guess I get what you're trying

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<v Speaker 1>to say. But I thought that that all worked really

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<v Speaker 1>well in the context like of the movie. And I

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<v Speaker 1>really felt like she and Timothy especially but everyone were

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<v Speaker 1>all in the a movie, which I think sometimes doesn't

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<v Speaker 1>happen um like in films that are this massive, not

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<v Speaker 1>just because like the awards of it all, but like

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<v Speaker 1>the movie star and like you know, the like atur director.

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<v Speaker 1>But I like believed their love story. And I also

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<v Speaker 1>believed even more than that in her journey. I was too,

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<v Speaker 1>because the thing is she's the the protagonist, Timmy, does

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<v Speaker 1>not come in for quite a while into the movie,

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<v Speaker 1>which I appreciate it. I thought it was really cool,

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<v Speaker 1>and so that's why I felt like Timmy's like performance

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<v Speaker 1>was like, you know, it felt unintentional. It felt like

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<v Speaker 1>it unintentionally disrupted the genre that we they were in

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<v Speaker 1>um and so I personally think that they were not

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<v Speaker 1>in the same movie, but I do think that they

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<v Speaker 1>both brought something to the romance that was essential and

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<v Speaker 1>definitely believable. So I don't feel at any point like

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<v Speaker 1>the premise or like what they were doing was unbelievable

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<v Speaker 1>because I was just honestly having so much fun still, Like,

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<v Speaker 1>I get what you're saying, but I think there's a

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<v Speaker 1>difference between y A and something that is about teenagers,

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<v Speaker 1>and I actually thought this might agree. I totally thought

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<v Speaker 1>this film did a really good job of telling a

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<v Speaker 1>story that was about teenagers, but like in a way

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<v Speaker 1>and like from an adult's perspective and not like, yes,

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<v Speaker 1>it was a coming of age story, but it didn't

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<v Speaker 1>feel um like juvenile. Yeah, it really was about the

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<v Speaker 1>dialogue For me, like I felt like dialogue had been

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<v Speaker 1>lifted from the books because it was clunky. It was

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<v Speaker 1>over a nunciitive. It was a lot of telling instead

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<v Speaker 1>of showing. It was full sentences instead of like things

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<v Speaker 1>that would be naturalistic kind of like fragments, Like I

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<v Speaker 1>would never have felt like it was to y A

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<v Speaker 1>if Timmy wasn't in the film, right, Like, I think

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<v Speaker 1>Taylor brought exactly what the film needed, and then Timmy

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<v Speaker 1>just brought in a different energy and then I was

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<v Speaker 1>just like, okay that it just it just like felt

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<v Speaker 1>different to me, like and I didn't under I didn't

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<v Speaker 1>buy their chemistry a hundred percent of the time. But

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<v Speaker 1>like it's that that's not it's not really Taylor, It's

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<v Speaker 1>not really either there there's faults. Like that's to me,

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<v Speaker 1>a directing issue, and that's at the end of the day.

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<v Speaker 1>I think like some of the cinema was beautiful, All

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<v Speaker 1>the production was beautiful, it's just simply on that element

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<v Speaker 1>of the direction. I like, I noticed so many of

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<v Speaker 1>these little like stylistic flourishes um that I really recognized

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<v Speaker 1>from Suspiria, which is the last film that that Luca

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<v Speaker 1>Guadnina made, and I just think he has such a

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<v Speaker 1>clear vision that he's really able to turn towards each

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<v Speaker 1>of these different worlds. If you look at the past

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<v Speaker 1>three movies he's made like very different subject matters, but

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<v Speaker 1>like still like this very consistent gaze and point of view.

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<v Speaker 1>I also loved the score, which was done by Um

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<v Speaker 1>Trent Restner of Nine Inch Nails and Atticus Ross. And

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<v Speaker 1>you know, they've done a bunch of film scores at

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<v Speaker 1>this point. One of them. Oh I didn't know that.

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<v Speaker 1>That's so cool. Yeah, I'm speaking of music. I've been

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<v Speaker 1>listening to the new Waste Blood album a lot. And

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<v Speaker 1>she's a girl who I have not really been that

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<v Speaker 1>much into, but you have really been singing her praises

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<v Speaker 1>for a while. I think. I remember when we went

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<v Speaker 1>to Joshua Tree last year. You were playing her a lot. Yeah.

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<v Speaker 1>We were on Vaca and I was like, oh, like

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<v Speaker 1>we were cooking, I think, and I was like, oh,

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<v Speaker 1>I want to put on this album that we were

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<v Speaker 1>that I was talking about, UM, which was Titanic Rising

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<v Speaker 1>and that album is for the Virgins, so fucking good. UM.

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<v Speaker 1>But her new album, Yeah, I'm glad you enjoyed it.

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<v Speaker 1>I loved it too. It was so beauty. It's very pretty.

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<v Speaker 1>It's you know, I do think it's like sliding into

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<v Speaker 1>this space that I mean kind of a lot of music.

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<v Speaker 1>Like it's how I received it at first, which is

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<v Speaker 1>where it takes a while for me to really figure

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<v Speaker 1>out what are the standout songs for me, and it

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<v Speaker 1>all just kind of like blends together. And I think

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<v Speaker 1>the dream equality of her voice sort of exacerbates that. Um,

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<v Speaker 1>But now that I've spent more time with it, like,

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<v Speaker 1>there are some songs that are really standing out to me,

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<v Speaker 1>Like God turned me into a flower so beautiful, um,

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<v Speaker 1>hearts to glow. But she like she really does sound

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<v Speaker 1>so much like Joni Mitchell with like a little Nico

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<v Speaker 1>thrown in, But it's insane. Nico's such a good comp

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<v Speaker 1>I had never thought of that. Yeah, she has this

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<v Speaker 1>kind of like she has one of those artists where

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<v Speaker 1>her vocal, her very her vocal specificity is what anchors

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<v Speaker 1>the music right and yeah, I for the versions. I

0:13:44.200 --> 0:13:47.400
<v Speaker 1>feel like she's like wise what is very like Karen Carpenter,

0:13:47.440 --> 0:13:50.360
<v Speaker 1>if like she had an electric keyboard and electronic keyboard

0:13:50.360 --> 0:13:53.160
<v Speaker 1>and like saying about depressive relationships and like being anxious

0:13:53.160 --> 0:13:57.280
<v Speaker 1>at heart. Total Like Carpentry is a really good comparison.

0:13:58.360 --> 0:14:00.559
<v Speaker 1>I think it was. This is something that's really cool

0:14:00.600 --> 0:14:03.280
<v Speaker 1>about her Rose like she was, she grew up like

0:14:03.600 --> 0:14:06.760
<v Speaker 1>very evangelical Christian and so a lot of like her.

0:14:07.960 --> 0:14:10.160
<v Speaker 1>A lot a lot of her music is like inspired

0:14:10.200 --> 0:14:16.720
<v Speaker 1>by church music and inspired by kind of religious fanaticism.

0:14:16.760 --> 0:14:20.080
<v Speaker 1>I was gonna say, like, I honestly think that, like

0:14:20.920 --> 0:14:23.480
<v Speaker 1>with Wise Blood and definitely with Ethel Kaine, like I

0:14:23.560 --> 0:14:26.240
<v Speaker 1>kind of fall in love with the story of them

0:14:26.280 --> 0:14:28.040
<v Speaker 1>as much as I fall in love with the music,

0:14:28.200 --> 0:14:31.920
<v Speaker 1>because I do love seeing the references and when you

0:14:31.960 --> 0:14:34.440
<v Speaker 1>hear the references so clearly in the music, like I

0:14:34.440 --> 0:14:36.680
<v Speaker 1>don't know, it just like makes me feel so I

0:14:36.800 --> 0:14:40.360
<v Speaker 1>just like love seeing like the brain on the track,

0:14:40.520 --> 0:14:43.440
<v Speaker 1>you know it's it's it's so gorgeous. I love UM.

0:14:43.520 --> 0:14:47.000
<v Speaker 1>Speaking of brains and other body parts. You were telling

0:14:47.000 --> 0:14:51.000
<v Speaker 1>me over text that you have started watching the new

0:14:51.640 --> 0:14:57.960
<v Speaker 1>UM Netflix Wednesday show, Yes, which I can't remember if

0:14:58.000 --> 0:14:59.880
<v Speaker 1>you if you watch it early for work or some

0:15:00.040 --> 0:15:02.560
<v Speaker 1>thing or that. I watched it like a month ago,

0:15:03.120 --> 0:15:05.840
<v Speaker 1>and okay, I had a great time watching it. I

0:15:05.840 --> 0:15:10.120
<v Speaker 1>think it's so fun. Yeah, I I honestly I had

0:15:10.160 --> 0:15:12.960
<v Speaker 1>really low expectations. I'm not gonna lie, like, following our

0:15:13.120 --> 0:15:18.080
<v Speaker 1>Tim Burton episode and and thinking about just like, um,

0:15:18.200 --> 0:15:20.840
<v Speaker 1>what the things that we come to expect from Netflix shows.

0:15:21.240 --> 0:15:26.520
<v Speaker 1>I really loved the series right away, like such a

0:15:26.560 --> 0:15:30.760
<v Speaker 1>pleasant surprise to me. Um, it was very like we

0:15:30.840 --> 0:15:33.200
<v Speaker 1>need to fill the gap that Sabrina left. Like I

0:15:33.240 --> 0:15:36.760
<v Speaker 1>felt that hard, but like I'm not mad at it,

0:15:36.840 --> 0:15:39.720
<v Speaker 1>you know, Like and and Jenna Ortega, who plays Wednesday,

0:15:39.760 --> 0:15:45.520
<v Speaker 1>is a marvel. Like she's so, she's a star. She's

0:15:45.560 --> 0:15:48.480
<v Speaker 1>been great and everything that she's done, and it kind

0:15:48.480 --> 0:15:51.800
<v Speaker 1>of has taken up until this point to find the

0:15:51.920 --> 0:15:55.520
<v Speaker 1>right vehicle to truly I think unleash her star power

0:15:55.600 --> 0:15:58.880
<v Speaker 1>because she's done a lot of supporting roles. She's been

0:15:58.920 --> 0:16:02.280
<v Speaker 1>in a lot of netflixings. Um, she was in X

0:16:02.440 --> 0:16:06.720
<v Speaker 1>earlier this year, and she she was in the screen

0:16:06.760 --> 0:16:09.280
<v Speaker 1>movie as well, the Scream Races. She plays the most

0:16:09.280 --> 0:16:14.000
<v Speaker 1>annoying character in You. She does It's like but again,

0:16:14.000 --> 0:16:16.480
<v Speaker 1>now she found her vehicle. She just has it. She

0:16:17.360 --> 0:16:22.720
<v Speaker 1>is perfect at the dead pan Wednesday thing, those like

0:16:22.840 --> 0:16:27.720
<v Speaker 1>little moments of like um, you know levity, like the

0:16:27.920 --> 0:16:33.760
<v Speaker 1>sort of like smirk she does. She the dance scene

0:16:34.480 --> 0:16:39.240
<v Speaker 1>like was so done scene. I think no spoilers for

0:16:39.280 --> 0:16:42.200
<v Speaker 1>the virgins. It was thus I think there's a lot

0:16:42.280 --> 0:16:44.160
<v Speaker 1>of the dance. I think there's a lot of young

0:16:44.360 --> 0:16:47.640
<v Speaker 1>actors especially who would do a role like this and

0:16:47.680 --> 0:16:51.000
<v Speaker 1>would be sort of rolling their eyes the whole time

0:16:51.760 --> 0:16:55.720
<v Speaker 1>and like like like l O L can you believe

0:16:55.760 --> 0:16:59.560
<v Speaker 1>I'm doing this? But she's just like so committed to

0:16:59.640 --> 0:17:04.959
<v Speaker 1>it that it works and the and like I really

0:17:05.000 --> 0:17:08.840
<v Speaker 1>appreciate that because like, yes, Wednesday is a character who

0:17:09.520 --> 0:17:14.159
<v Speaker 1>is like, you know, like the prototypical like um, you

0:17:14.200 --> 0:17:18.960
<v Speaker 1>know golf girl. Um, she's you know, the black print

0:17:19.160 --> 0:17:23.680
<v Speaker 1>for lydia diets and and like all the other like sad,

0:17:23.760 --> 0:17:28.480
<v Speaker 1>angry golf girls who like have guillotines. Um. But she

0:17:28.680 --> 0:17:31.080
<v Speaker 1>just like really she she is the has to be

0:17:31.160 --> 0:17:34.679
<v Speaker 1>the straight man in her own show and just like

0:17:34.760 --> 0:17:37.800
<v Speaker 1>does it so well. That's such a good way of

0:17:37.880 --> 0:17:40.199
<v Speaker 1>putting it. Like she is someone who's just kind of

0:17:40.240 --> 0:17:42.960
<v Speaker 1>like bearing witness to like the idiocy around her. Like

0:17:43.520 --> 0:17:47.080
<v Speaker 1>for if if you haven't watched it yet, like The Virgins,

0:17:47.160 --> 0:17:50.359
<v Speaker 1>like it's very it's she is the protagonist and her

0:17:50.400 --> 0:17:53.919
<v Speaker 1>family like isn't in the movie as much as she is,

0:17:54.040 --> 0:17:57.520
<v Speaker 1>you know, basically starting life at a new academy called Nevermore.

0:17:57.880 --> 0:18:01.640
<v Speaker 1>It's it's very Monster High meets like Daria, right, it's

0:18:01.680 --> 0:18:05.120
<v Speaker 1>like murderous Daria, you know, like and and I loved that.

0:18:05.160 --> 0:18:08.200
<v Speaker 1>And I thought that, like, whoever concept of this, because

0:18:08.200 --> 0:18:10.840
<v Speaker 1>it wasn't Tim Burton, whoever like concept of the show

0:18:11.000 --> 0:18:16.960
<v Speaker 1>like understood the like the the contemporary relevance of a

0:18:17.080 --> 0:18:21.560
<v Speaker 1>character like Wednesday, who has has had like jokes about

0:18:21.560 --> 0:18:24.480
<v Speaker 1>like anti colonization, like back in like the nineties and

0:18:24.520 --> 0:18:26.879
<v Speaker 1>early odds, right, like there were things about this character

0:18:27.400 --> 0:18:30.119
<v Speaker 1>that were like against the world and against the oppressive

0:18:30.160 --> 0:18:33.080
<v Speaker 1>forces of the world. And you know, the Adams family

0:18:33.560 --> 0:18:36.200
<v Speaker 1>was a Latin family, even though that didn't really come

0:18:36.240 --> 0:18:39.760
<v Speaker 1>through in a lot of the iterations of the franchise

0:18:39.800 --> 0:18:43.440
<v Speaker 1>and was only present in I think the after the cartoon,

0:18:43.640 --> 0:18:45.240
<v Speaker 1>right is like when they were like, oh, yeah, I

0:18:45.240 --> 0:18:47.120
<v Speaker 1>guess his first name is Gomez, so like, I guess

0:18:47.119 --> 0:18:49.680
<v Speaker 1>he's Latin, right, Like, you know, I was reading a

0:18:49.720 --> 0:18:52.719
<v Speaker 1>little bit about like the history of Um Adam's family

0:18:52.880 --> 0:18:57.840
<v Speaker 1>and how um when John Aston, the original Gomez Um

0:18:58.200 --> 0:19:00.240
<v Speaker 1>was cast, they were like, yeah, you need to like

0:19:00.359 --> 0:19:02.960
<v Speaker 1>lean into like the Latin lover energy of the portrayal

0:19:03.000 --> 0:19:05.680
<v Speaker 1>or whatever, which is obviously very cringe now, but it

0:19:05.800 --> 0:19:08.200
<v Speaker 1>was like it just like, you know, there were no

0:19:08.320 --> 0:19:10.760
<v Speaker 1>Latin characters on screen at all, and so to have

0:19:11.280 --> 0:19:16.800
<v Speaker 1>um an adaptation that sees like the relevance and also

0:19:16.880 --> 0:19:19.359
<v Speaker 1>just like how effortless all of that has folded into

0:19:19.359 --> 0:19:22.119
<v Speaker 1>the world. It was. So it's so fun. It is

0:19:22.240 --> 0:19:25.960
<v Speaker 1>it is, It's very fun. It's dark, it leans into

0:19:26.000 --> 0:19:30.160
<v Speaker 1>the darkness. It really doesn't like pull punches because it

0:19:30.280 --> 0:19:35.600
<v Speaker 1>is a show ostensibly for and about teens. Um. I

0:19:35.640 --> 0:19:38.480
<v Speaker 1>loved that Christina Ricci was in it. You know, Christina

0:19:38.520 --> 0:19:42.520
<v Speaker 1>Ricci played Day in the nineties films. Um, and she

0:19:42.800 --> 0:19:46.720
<v Speaker 1>was so fun in it, and um, yeah, I just

0:19:46.760 --> 0:19:49.880
<v Speaker 1>had had a good time. Catherine data Jones was Slade

0:19:49.920 --> 0:19:53.560
<v Speaker 1>when she was on screen. Um. You know, there are

0:19:53.600 --> 0:19:57.560
<v Speaker 1>some questions I have about the the world and that

0:19:57.680 --> 0:20:01.200
<v Speaker 1>like I don't think we're like answered as satisfactorily maybe

0:20:01.200 --> 0:20:04.160
<v Speaker 1>as they could be, But um, I like I would

0:20:04.200 --> 0:20:08.840
<v Speaker 1>definitely watch the season two. No, I mean honestly, I

0:20:08.880 --> 0:20:11.480
<v Speaker 1>think that like Riverdale is a camp for this show

0:20:11.520 --> 0:20:15.000
<v Speaker 1>because there are a lot of twists and turns where

0:20:15.680 --> 0:20:18.760
<v Speaker 1>if you're a teen or preteen watching this, you're not

0:20:18.840 --> 0:20:21.399
<v Speaker 1>you don't care about like the kind of like the

0:20:21.760 --> 0:20:26.520
<v Speaker 1>logistical or believable, the believability of the emotional stakes of

0:20:26.560 --> 0:20:29.800
<v Speaker 1>these characters when they are sometimes a little thin, but

0:20:29.960 --> 0:20:33.040
<v Speaker 1>you're because it's so drama and because it's so like

0:20:33.119 --> 0:20:37.000
<v Speaker 1>such a juicy and eccentric teen show. Like I don't know,

0:20:37.040 --> 0:20:39.480
<v Speaker 1>I I do have fun watching it, even when I'm

0:20:39.520 --> 0:20:41.520
<v Speaker 1>just like, oh, this is like a teen show, you know,

0:20:41.960 --> 0:20:51.040
<v Speaker 1>speaking of reboots. Um I I did try to watch Disenchanted.

0:20:51.640 --> 0:20:56.239
<v Speaker 1>Try I Ryan, Ryan and I watched thirty minutes of

0:20:56.280 --> 0:21:01.800
<v Speaker 1>it and had to turn it off. Wait wait, can

0:21:01.840 --> 0:21:04.360
<v Speaker 1>you explain to the virgins actually like the cultural importance

0:21:04.400 --> 0:21:06.280
<v Speaker 1>of this moment, because like you two are very like

0:21:06.320 --> 0:21:09.679
<v Speaker 1>Amy Adams, so you love the original Enchanted, So like

0:21:09.720 --> 0:21:13.679
<v Speaker 1>what happened? What? What was that? That's what happened? Just

0:21:13.800 --> 0:21:17.919
<v Speaker 1>like I couldn't do it. I didn't want to. I'm shook.

0:21:18.000 --> 0:21:19.600
<v Speaker 1>So you're never going to watch the other half of that.

0:21:20.160 --> 0:21:24.400
<v Speaker 1>I'll probably not half thirty minutes because we were watching

0:21:24.400 --> 0:21:27.200
<v Speaker 1>it and then paused it to eat and we were like, Okay,

0:21:27.240 --> 0:21:28.960
<v Speaker 1>it's got to be halfway over now, and that's when

0:21:28.960 --> 0:21:32.280
<v Speaker 1>we realized we were only a third of it. We

0:21:32.359 --> 0:21:34.520
<v Speaker 1>realized we were only like a quarter of the way

0:21:34.560 --> 0:21:38.800
<v Speaker 1>in and we were like, Nope, given up. I'm sure

0:21:38.960 --> 0:21:41.320
<v Speaker 1>I'll go back and finish it at some point, but

0:21:41.800 --> 0:21:44.800
<v Speaker 1>I'm not like in a rush to watch it, to

0:21:44.880 --> 0:21:48.520
<v Speaker 1>be honest, Like it was better than hocus Pocus too,

0:21:48.760 --> 0:21:51.560
<v Speaker 1>but it did make me feel the same way. I know,

0:21:52.520 --> 0:21:54.440
<v Speaker 1>it made me feel the same way, Like it made

0:21:54.480 --> 0:21:56.320
<v Speaker 1>me feel like they were trying to make the magic

0:21:56.359 --> 0:22:01.200
<v Speaker 1>happen twice instead of finding something that's like really interesting

0:22:01.240 --> 0:22:05.360
<v Speaker 1>about this world and like reinvigorating it. Um, I don't.

0:22:05.400 --> 0:22:07.840
<v Speaker 1>Just from from what I saw, it was just lacking

0:22:08.480 --> 0:22:11.280
<v Speaker 1>what was so perfect about the original besides that it

0:22:11.320 --> 0:22:14.760
<v Speaker 1>was like amazing and like the music was great and

0:22:14.800 --> 0:22:20.320
<v Speaker 1>all this stuff. The original Enchanted is met a commentary

0:22:20.480 --> 0:22:24.080
<v Speaker 1>on Disney movies, and like, from what I watched, this

0:22:24.200 --> 0:22:26.600
<v Speaker 1>was not doing any of that. And that's one of

0:22:26.640 --> 0:22:28.760
<v Speaker 1>the reasons why I Enchanted works so well. It's like

0:22:28.880 --> 0:22:31.680
<v Speaker 1>maybe the main reason why Enchanted works so well, honestly,

0:22:31.720 --> 0:22:34.200
<v Speaker 1>we and can we talk about that because it's so true,

0:22:34.200 --> 0:22:38.440
<v Speaker 1>like the original Enchanted was a subversion of Disney's core

0:22:38.560 --> 0:22:42.800
<v Speaker 1>principles in like perfection and ideally poking fun in itself. Yes,

0:22:42.880 --> 0:22:45.719
<v Speaker 1>it was. It was. It was ingenious, like, it was

0:22:45.840 --> 0:22:50.399
<v Speaker 1>so crazy to watch if you're a Disney hallic because

0:22:50.400 --> 0:22:53.560
<v Speaker 1>it's ripping open all of these you know, things that

0:22:53.600 --> 0:22:56.040
<v Speaker 1>we don't really allow, that we don't usually see in

0:22:56.080 --> 0:22:59.200
<v Speaker 1>Disney movies. And so yeah, I agree. I don't think

0:22:59.240 --> 0:23:01.440
<v Speaker 1>that the next movie was The second movie was amazing.

0:23:01.560 --> 0:23:04.520
<v Speaker 1>Can I rattle off just like a few observations because

0:23:04.520 --> 0:23:08.960
<v Speaker 1>I did finish the movie. Um, I felt that Amy

0:23:09.000 --> 0:23:11.879
<v Speaker 1>Adams had not aged a day. I did not see

0:23:12.040 --> 0:23:14.639
<v Speaker 1>a single pore on her skin. I'm not going to

0:23:17.240 --> 0:23:20.000
<v Speaker 1>I thought she looked incredible. I don't know where Disney

0:23:20.040 --> 0:23:23.280
<v Speaker 1>is getting all of these bad child actors. They're all

0:23:23.840 --> 0:23:27.399
<v Speaker 1>so so hard to listen to, and then they have

0:23:27.520 --> 0:23:29.680
<v Speaker 1>to anchor so many scenes and I'm like, are you

0:23:29.720 --> 0:23:34.520
<v Speaker 1>talking about the daughter? Yes, that's the daughter from Enchanted.

0:23:35.560 --> 0:23:38.320
<v Speaker 1>It's the same actress. Why why didn't they just pick

0:23:38.359 --> 0:23:40.280
<v Speaker 1>a new girl? Why did they do that? Did they

0:23:40.320 --> 0:23:43.879
<v Speaker 1>really do that? Oh my god? I had no idea.

0:23:44.080 --> 0:23:49.600
<v Speaker 1>Um okay. I also just I um the movie. So

0:23:49.720 --> 0:23:51.919
<v Speaker 1>do you do you get to like the twitt the

0:23:52.040 --> 0:23:56.200
<v Speaker 1>kind of twist where you know she'd be where? Okay,

0:23:56.600 --> 0:23:59.600
<v Speaker 1>So Amy Adams basically makes herself the wicked stepmother and

0:23:59.640 --> 0:24:03.400
<v Speaker 1>creates world around like very wan Division esque, like has

0:24:03.440 --> 0:24:06.760
<v Speaker 1>a spell that makes the world of this suburbia enchanted,

0:24:06.760 --> 0:24:10.840
<v Speaker 1>like fantasy is now on Earth in her suburb and

0:24:10.920 --> 0:24:13.679
<v Speaker 1>so she is like this wicked stepmother that goes up

0:24:13.680 --> 0:24:17.280
<v Speaker 1>against Maya Rudolph who was like the evil queen of

0:24:17.320 --> 0:24:23.720
<v Speaker 1>the world. But Rose she does not sell wicked step

0:24:23.800 --> 0:24:27.199
<v Speaker 1>mom at all, like it is and and it's so

0:24:27.280 --> 0:24:29.960
<v Speaker 1>disappointing because I actually think Amy is good enough to

0:24:30.000 --> 0:24:34.400
<v Speaker 1>do that, but like she is, she's not believable at

0:24:34.440 --> 0:24:37.440
<v Speaker 1>all at what should be a really fun and engaging

0:24:37.520 --> 0:24:41.640
<v Speaker 1>like like twist of her character, like she can't be evil.

0:24:41.960 --> 0:24:44.560
<v Speaker 1>And I was so sad that she didn't, like Stick

0:24:44.600 --> 0:24:47.240
<v Speaker 1>the Landing. When you do watch it, i'd be curious.

0:24:47.320 --> 0:24:49.280
<v Speaker 1>I mean you, I feel like you would probably feel

0:24:49.320 --> 0:24:54.159
<v Speaker 1>the same way. Um, but yeah, And then honestly, my

0:24:54.240 --> 0:24:56.359
<v Speaker 1>last thing that like I think also you would have

0:24:56.400 --> 0:24:58.720
<v Speaker 1>the same critique is that there of course as a

0:24:58.760 --> 0:25:00.920
<v Speaker 1>sequence where they go back into the like the animated

0:25:00.960 --> 0:25:06.359
<v Speaker 1>world of like enchanted, and the animation style is trash

0:25:06.600 --> 0:25:10.320
<v Speaker 1>Mama like it is like so ugly. It's giving like

0:25:10.320 --> 0:25:16.760
<v Speaker 1>like millennial like medical ad like like cartoonific and I

0:25:16.960 --> 0:25:40.560
<v Speaker 1>got immediately. So this is another unusual one where I, um,

0:25:40.600 --> 0:25:42.639
<v Speaker 1>it kind of took me a while to see Carol.

0:25:42.760 --> 0:25:48.960
<v Speaker 1>I I did not watch it until Christmas, God bless,

0:25:49.280 --> 0:25:53.119
<v Speaker 1>I would definitely was aware of it. I just never,

0:25:53.880 --> 0:25:56.480
<v Speaker 1>you know, got around to seeing it and then realized

0:25:56.520 --> 0:26:00.520
<v Speaker 1>it was, you know, a glaring omission and watch didn't

0:26:00.800 --> 0:26:05.199
<v Speaker 1>I mean obviously immediately fell in love. Um, not just

0:26:05.240 --> 0:26:08.040
<v Speaker 1>a glaring omission in the consumption of the cannon, but

0:26:08.280 --> 0:26:11.320
<v Speaker 1>you're cannon like. It's such a you movie, you know

0:26:11.359 --> 0:26:15.000
<v Speaker 1>what I mean? Um? And I guess, well, when did

0:26:15.000 --> 0:26:17.440
<v Speaker 1>you did you see it when it first came out?

0:26:17.440 --> 0:26:21.360
<v Speaker 1>Did you see the theater? Definitely, I'm pretty sure I

0:26:21.400 --> 0:26:23.359
<v Speaker 1>saw it. I did not see it in theater, so

0:26:23.400 --> 0:26:26.399
<v Speaker 1>I think, yeah, that would have been really nice to

0:26:26.400 --> 0:26:28.399
<v Speaker 1>see in theaters. It is a movie that feels like

0:26:28.440 --> 0:26:31.359
<v Speaker 1>a movie. Is I wonder if Cinispia will do a

0:26:31.480 --> 0:26:34.840
<v Speaker 1>Carol Christmas screen. Of course went back from to l

0:26:34.880 --> 0:26:38.440
<v Speaker 1>A for that, honestly after so I rewatched for the episode,

0:26:38.480 --> 0:26:41.040
<v Speaker 1>and I do feel like it's now something I have

0:26:41.160 --> 0:26:44.320
<v Speaker 1>to watch every year. It is it is. It is

0:26:44.359 --> 0:26:48.240
<v Speaker 1>one of the Christmas movies. So for any virgins who

0:26:48.240 --> 0:26:53.119
<v Speaker 1>haven't seen Carol Um. It is the story of terrez Belavette,

0:26:53.359 --> 0:26:56.800
<v Speaker 1>who is a you know, part time seasonal employee at

0:26:56.840 --> 0:27:02.159
<v Speaker 1>the department store in nineteen use New York City, and

0:27:02.760 --> 0:27:06.040
<v Speaker 1>one day she waits on Carol Aired, who is a

0:27:06.080 --> 0:27:11.199
<v Speaker 1>wealthy suburban housewife, and there's instantly a spark between the

0:27:11.200 --> 0:27:16.080
<v Speaker 1>two of them. Carol leaves her gloves um in the

0:27:16.200 --> 0:27:19.119
<v Speaker 1>children's toy department. Who should say if it was on

0:27:19.200 --> 0:27:23.399
<v Speaker 1>purpose or an accident, yes, where she's been buying a

0:27:23.480 --> 0:27:26.159
<v Speaker 1>gift for her daughter Lyndy, a train set. And let

0:27:26.160 --> 0:27:28.680
<v Speaker 1>me tell well, she was looking for a doll. It's

0:27:28.720 --> 0:27:33.880
<v Speaker 1>so funny the dynamics. Yeah, well that's honestly, Like Carol

0:27:34.320 --> 0:27:36.760
<v Speaker 1>is literally walking into the store and her kind of

0:27:36.880 --> 0:27:39.480
<v Speaker 1>vibe is like, my daughter wants a fucking doll. I

0:27:39.520 --> 0:27:41.280
<v Speaker 1>don't really know why she wants a doll. It's this

0:27:41.480 --> 0:27:45.000
<v Speaker 1>very specific doll. I don't care. And then and then

0:27:45.000 --> 0:27:48.400
<v Speaker 1>she's like she's like this fucking kid, Yeah, this fucking kid.

0:27:48.640 --> 0:27:51.000
<v Speaker 1>And then of course this like hot young thing. Like

0:27:51.040 --> 0:27:53.919
<v Speaker 1>it's like, actually, when I was young, I wanted a

0:27:53.920 --> 0:28:00.600
<v Speaker 1>train set, and Carol clock set, I was like, I'll

0:28:00.640 --> 0:28:03.199
<v Speaker 1>take one loaded up in the car, She's like, you

0:28:03.240 --> 0:28:05.960
<v Speaker 1>say a train? Did you say a train? Because there's

0:28:06.000 --> 0:28:08.800
<v Speaker 1>actually nothing more, you know, nothing gayer than a train

0:28:08.880 --> 0:28:11.240
<v Speaker 1>than a train set. Then then not just like it's

0:28:11.240 --> 0:28:14.120
<v Speaker 1>not about the train, it's not about transportation, it's about

0:28:14.160 --> 0:28:18.239
<v Speaker 1>like creating the train set, like you are actually the

0:28:18.320 --> 0:28:22.560
<v Speaker 1>arbiter and constructor of the whole ass train set. And

0:28:22.640 --> 0:28:27.280
<v Speaker 1>that actually was the spark between them. Phoebe is losing

0:28:27.320 --> 0:28:31.080
<v Speaker 1>it in the booth right now, is so deep. So

0:28:31.359 --> 0:28:33.720
<v Speaker 1>as the story goes on, so Carol leaves her gloves

0:28:33.920 --> 0:28:38.520
<v Speaker 1>and terres who's um. You know, imagination and sexuality have

0:28:38.600 --> 0:28:42.280
<v Speaker 1>been you know, peaked by this older woman, sends her

0:28:42.280 --> 0:28:46.040
<v Speaker 1>her gloves back, and and Carol invites her out to

0:28:46.400 --> 0:28:49.400
<v Speaker 1>the suburbs in Connecticut. I believe that's where she lives,

0:28:49.840 --> 0:28:53.640
<v Speaker 1>doesn't one of those um and they have you know,

0:28:53.720 --> 0:28:57.800
<v Speaker 1>just a very like girls being girls, like night listening

0:28:57.880 --> 0:29:01.760
<v Speaker 1>to records by the fire, smoking cigarette. Yes, their first

0:29:01.880 --> 0:29:06.360
<v Speaker 1>encounters are I wouldn't say platonic, but they don't make

0:29:06.840 --> 0:29:09.920
<v Speaker 1>physical advances on each other, you know. So they go out.

0:29:10.000 --> 0:29:14.120
<v Speaker 1>They eat cream spinach, cream spinach with a poached egg,

0:29:14.200 --> 0:29:19.600
<v Speaker 1>which honestly disgusting, but like also sounds really good. Can

0:29:19.680 --> 0:29:24.560
<v Speaker 1>you imagine bottoming after eating cream spinach and like a

0:29:24.720 --> 0:29:29.120
<v Speaker 1>jammy egg? Like I would be worried that's not something. Well,

0:29:29.200 --> 0:29:32.320
<v Speaker 1>I don't well, I don't know that they're having butt sex.

0:29:33.040 --> 0:29:36.400
<v Speaker 1>You are. I love how you forclosed on the kind

0:29:36.440 --> 0:29:39.960
<v Speaker 1>of like sexual proclivities of but I think you're but

0:29:40.040 --> 0:29:43.080
<v Speaker 1>I think yours. You're thinking of their sex life through

0:29:43.120 --> 0:29:45.760
<v Speaker 1>the lens of a person who has sex with their

0:29:45.840 --> 0:29:50.600
<v Speaker 1>but they and you're grafting your sexuality onto these two,

0:29:50.600 --> 0:29:53.080
<v Speaker 1>which I do know. Sis, women, I don't know what

0:29:53.120 --> 0:29:55.760
<v Speaker 1>you're talking about. I don't I have no, I don't

0:29:55.760 --> 0:29:57.680
<v Speaker 1>think you're really I don't. I don't know if you're

0:29:57.680 --> 0:30:01.440
<v Speaker 1>onto something. But the let's just say, you know, things

0:30:01.480 --> 0:30:05.600
<v Speaker 1>get romantic. Things are also complicated because Carol is in

0:30:05.680 --> 0:30:09.520
<v Speaker 1>a you know, sort of tumultuous divorce with her ex.

0:30:09.600 --> 0:30:13.440
<v Speaker 1>Hard and Carolyn Tourez decide to kind of run away

0:30:13.520 --> 0:30:16.440
<v Speaker 1>together on this road trip. They are pursued by a

0:30:16.480 --> 0:30:22.320
<v Speaker 1>private detective. There's lots of intrigue. It's very twisty, yeah

0:30:22.400 --> 0:30:25.840
<v Speaker 1>and sexy, and they and I think when thinking about

0:30:25.960 --> 0:30:28.920
<v Speaker 1>kind of the cultural impact or maybe just like general

0:30:28.960 --> 0:30:31.480
<v Speaker 1>sentiment about the movie when it came out, Like it's

0:30:31.480 --> 0:30:35.200
<v Speaker 1>so funny, Like Carol really does replicate all the troops

0:30:35.280 --> 0:30:38.240
<v Speaker 1>we've seen before and a kind of gay romance drama

0:30:38.400 --> 0:30:41.320
<v Speaker 1>in a lot of ways. Right, Like it back to

0:30:41.480 --> 0:30:45.400
<v Speaker 1>our discussion on My Policeman, Like there's like a woman

0:30:45.480 --> 0:30:47.600
<v Speaker 1>who has a straight partner, right, and she has to

0:30:47.600 --> 0:30:50.440
<v Speaker 1>reconcile that in order to you know, chase her you know,

0:30:50.520 --> 0:30:55.760
<v Speaker 1>desire or whatever. But like, their performances are so good

0:30:56.280 --> 0:30:58.680
<v Speaker 1>and the movie is so good, and the tension is

0:30:58.720 --> 0:31:02.360
<v Speaker 1>so expertly built, like you're not even mad that they're

0:31:02.480 --> 0:31:05.240
<v Speaker 1>not fucking for like most of the movie, because I

0:31:05.280 --> 0:31:09.840
<v Speaker 1>think the anticipation is like pristine. Like, yeah, I think

0:31:09.880 --> 0:31:14.040
<v Speaker 1>it's a little different though, because even though, um, you know,

0:31:14.080 --> 0:31:17.960
<v Speaker 1>the the hetero society is an obstacle to their love,

0:31:18.560 --> 0:31:23.080
<v Speaker 1>it's not really an internal obstacle. Like Terres knows right

0:31:23.120 --> 0:31:28.120
<v Speaker 1>away that she wants Carol, and Carol has experienced with women,

0:31:28.160 --> 0:31:31.360
<v Speaker 1>as we see with her friends Abby played by Sarah Paulson,

0:31:31.640 --> 0:31:34.080
<v Speaker 1>who is also an ex of hers. I mean, hello,

0:31:34.280 --> 0:31:38.000
<v Speaker 1>the lesbians, they're still friends. Um I left the I

0:31:38.040 --> 0:31:43.280
<v Speaker 1>got my eye on this red headline. Um, but I

0:31:43.000 --> 0:31:46.239
<v Speaker 1>I agree Yeah, it's it's different, and I think a

0:31:46.240 --> 0:31:47.880
<v Speaker 1>lot of it also has to do with the fact

0:31:47.920 --> 0:31:52.840
<v Speaker 1>that this movie champions the romance, like it's not about

0:31:53.200 --> 0:31:56.840
<v Speaker 1>the all the moving parts, like obviously it's very melodramatic,

0:31:57.640 --> 0:32:01.880
<v Speaker 1>but blanches and the fact that it is more of

0:32:01.920 --> 0:32:05.440
<v Speaker 1>a romance is kind of a deviation from the source material.

0:32:05.880 --> 0:32:08.400
<v Speaker 1>I don't know if you've ever read The Price of Salt,

0:32:08.480 --> 0:32:11.280
<v Speaker 1>did you? I read it after I watched the movie.

0:32:11.720 --> 0:32:16.680
<v Speaker 1>I was on a Patricia Highsmith kick, and The Price

0:32:16.720 --> 0:32:19.400
<v Speaker 1>of Salt is much more well, I mean, if you read,

0:32:19.720 --> 0:32:21.960
<v Speaker 1>if you've read any Patricia Highsmith is what comes as

0:32:22.000 --> 0:32:25.000
<v Speaker 1>a surprise that The Price of Salt is much more

0:32:25.040 --> 0:32:28.000
<v Speaker 1>of a thriller, because that's what Patricia Highsmith did as

0:32:28.080 --> 0:32:33.719
<v Speaker 1>she wrote thrillers. And it's much more about them being

0:32:34.120 --> 0:32:37.240
<v Speaker 1>on the run from the detective at the end than

0:32:37.360 --> 0:32:41.320
<v Speaker 1>it is about I would say, like the movie is

0:32:41.400 --> 0:32:44.640
<v Speaker 1>much more the weight is on the beginning of their

0:32:44.680 --> 0:32:47.080
<v Speaker 1>love story and like the romance of it, and then

0:32:47.200 --> 0:32:50.200
<v Speaker 1>that all is kind of like a sort of third

0:32:50.320 --> 0:32:55.400
<v Speaker 1>act thing with the detective happens. It's like the climax, Yes,

0:32:55.480 --> 0:32:57.800
<v Speaker 1>And I would say that is kind of half of

0:32:58.000 --> 0:33:01.440
<v Speaker 1>the Price of Salt is all this stuff with Harge

0:33:01.560 --> 0:33:05.280
<v Speaker 1>and Way. But the thing is that it's still they

0:33:05.320 --> 0:33:09.320
<v Speaker 1>both have very hopeful endings, you know. And it actually

0:33:09.360 --> 0:33:13.959
<v Speaker 1>the ending is even more clearly hopeful in the novel

0:33:14.200 --> 0:33:17.480
<v Speaker 1>than it It's more explicitly like a happy ending in

0:33:17.520 --> 0:33:19.440
<v Speaker 1>the novel than it is in the book. Do you

0:33:19.480 --> 0:33:22.960
<v Speaker 1>remember how it goes down? Yeah, it's with it ends

0:33:23.000 --> 0:33:25.880
<v Speaker 1>with them, you know, like getting back together. But it's

0:33:26.040 --> 0:33:28.720
<v Speaker 1>with this with the movie. It's a little kind of

0:33:28.760 --> 0:33:32.120
<v Speaker 1>like like they both feel weird about it. They're both

0:33:32.400 --> 0:33:35.280
<v Speaker 1>you know, have it feels like Rooney Mara has like

0:33:36.040 --> 0:33:39.280
<v Speaker 1>it has hang ups about getting back into Carol's you

0:33:39.320 --> 0:33:42.720
<v Speaker 1>know grasp again. Yeah, I mean, it it ends with

0:33:42.720 --> 0:33:46.600
<v Speaker 1>with the possibility that they could reconcile because they are

0:33:47.240 --> 0:33:50.800
<v Speaker 1>in the same place once again, whereas in the novel

0:33:50.880 --> 0:33:53.760
<v Speaker 1>it's like more definitively that they are going to get

0:33:53.760 --> 0:33:57.120
<v Speaker 1>back together. Yeah. Okay, wait, so do you think do

0:33:57.160 --> 0:34:02.920
<v Speaker 1>you consider yourself a Carol or a Tress. You're a Carol.

0:34:03.680 --> 0:34:06.320
<v Speaker 1>I'm a Carol. Yeah, You're a Carol, right, because you're

0:34:06.320 --> 0:34:08.680
<v Speaker 1>the one that likes to strut end and be like

0:34:08.760 --> 0:34:10.600
<v Speaker 1>this is how it's going to happen. Yeah, I would

0:34:10.640 --> 0:34:14.440
<v Speaker 1>say I'm I'm the mom in the relationship because this

0:34:14.840 --> 0:34:20.440
<v Speaker 1>the milf energy in this movie is unparalleled on real Okay,

0:34:20.480 --> 0:34:23.120
<v Speaker 1>when every time she wears the pairs of every time

0:34:23.120 --> 0:34:27.240
<v Speaker 1>she wears the pair of sunglasses over the looks. Looks

0:34:27.280 --> 0:34:32.719
<v Speaker 1>in this movie are out of this world into the

0:34:32.760 --> 0:34:38.760
<v Speaker 1>stratosphere everything. I want every item of clothing that both

0:34:38.760 --> 0:34:42.000
<v Speaker 1>of them wear, and this is there's something also about

0:34:42.040 --> 0:34:45.080
<v Speaker 1>movies that take place in this era, and Carol specifically.

0:34:45.120 --> 0:34:47.080
<v Speaker 1>I was also thinking about this with like leak of

0:34:47.120 --> 0:34:53.360
<v Speaker 1>their own smoking is so sexy. Smoking. We need to

0:34:53.360 --> 0:34:59.600
<v Speaker 1>bring back cigarettes. Everybody smoking needs to be brought You could, honestly,

0:34:59.640 --> 0:35:03.360
<v Speaker 1>if you could smoke just without the smell, I would

0:35:03.360 --> 0:35:08.719
<v Speaker 1>be smoking a pack of Day serious. Thank God, It's

0:35:08.920 --> 0:35:15.560
<v Speaker 1>so chic except when you smell, especially when they used

0:35:15.600 --> 0:35:18.200
<v Speaker 1>to smoke indoors. God, do you remember the era when

0:35:18.239 --> 0:35:20.560
<v Speaker 1>we could smoke at restaurants? Why we I mean we

0:35:20.560 --> 0:35:23.600
<v Speaker 1>were children were children. But there was there was a

0:35:24.320 --> 0:35:32.160
<v Speaker 1>a Nathan's Slash like rob something rotisserie chicken restaurant in

0:35:32.560 --> 0:35:36.400
<v Speaker 1>my neighborhood growing up where there was a smoking section

0:35:36.520 --> 0:35:39.960
<v Speaker 1>in it. I there was also a diner in Illinois

0:35:40.080 --> 0:35:42.239
<v Speaker 1>that I used to wait, I need to find out

0:35:42.320 --> 0:35:44.920
<v Speaker 1>what it's. And when I first started going to bars

0:35:45.760 --> 0:35:48.480
<v Speaker 1>when I was in high school and like sneaking into

0:35:48.560 --> 0:35:51.040
<v Speaker 1>gay bars you were you could smoke in there. There

0:35:51.120 --> 0:35:54.960
<v Speaker 1>was this like open late diner in my suburb um

0:35:55.000 --> 0:36:03.080
<v Speaker 1>in Illinois called Beef and Brandy at a mob smoker section.

0:36:03.440 --> 0:36:06.000
<v Speaker 1>I remember sounds like a place that Carol would take

0:36:06.040 --> 0:36:10.640
<v Speaker 1>Tret and Brandy. Honestly, is a really good restaurant name

0:36:10.840 --> 0:36:13.960
<v Speaker 1>Beef and Brandy? Is it? Yeah? I think it's because

0:36:13.960 --> 0:36:18.760
<v Speaker 1>like a franchise, Brandy goes with Beef. And also probably

0:36:18.800 --> 0:36:21.239
<v Speaker 1>it's like a I feel like in in this kind

0:36:21.280 --> 0:36:25.080
<v Speaker 1>of like a in this uh dichotomy, I think Carol

0:36:25.400 --> 0:36:30.600
<v Speaker 1>is the Brandy. Okay, so um you Siety answered that

0:36:30.640 --> 0:36:34.040
<v Speaker 1>I'm a Carol because are you a Carol or Terres?

0:36:34.400 --> 0:36:37.040
<v Speaker 1>I'm a Terres. I would like I wish I was

0:36:37.080 --> 0:36:42.080
<v Speaker 1>a Carol, but no, I play defense. But also, okay, actually,

0:36:42.080 --> 0:36:44.400
<v Speaker 1>here's what I think. The dynamic of this podcast is

0:36:45.160 --> 0:36:50.160
<v Speaker 1>your Terres, Phoebees, Carol, and I'm Sarah paul is a

0:36:50.239 --> 0:37:13.400
<v Speaker 1>smoking gun. Sarah Paulson, I think that's it. I'm not

0:37:13.400 --> 0:37:15.879
<v Speaker 1>gonna lie. I actually can definitely own up to being

0:37:16.200 --> 0:37:21.280
<v Speaker 1>a Rooney Mara type, like I really play I cannot

0:37:21.280 --> 0:37:24.399
<v Speaker 1>tell when people are hitting on me. I absolutely play dumb.

0:37:24.440 --> 0:37:27.080
<v Speaker 1>It doesn't matter how entranced I am, Like, all I

0:37:27.120 --> 0:37:30.040
<v Speaker 1>can do is saying how enchanted you are, and was

0:37:30.320 --> 0:37:37.359
<v Speaker 1>enchanting to me. I love Rooney Mara, and honestly, we

0:37:37.360 --> 0:37:41.560
<v Speaker 1>were promised a Rooney Marra career that we did not get,

0:37:42.080 --> 0:37:45.000
<v Speaker 1>and this kind of this her being in this movie,

0:37:45.040 --> 0:37:48.799
<v Speaker 1>I believe is a direct consequence of that, and so

0:37:49.000 --> 0:37:54.040
<v Speaker 1>I'm okay with it. But she was poised to be

0:37:54.680 --> 0:37:57.600
<v Speaker 1>such a gigantic movie star when The Girl with the

0:37:57.640 --> 0:38:00.799
<v Speaker 1>Dragon Tattoo came out, because that was set up to

0:38:00.920 --> 0:38:08.120
<v Speaker 1>be this phenomenon and it never took off quite the

0:38:08.200 --> 0:38:10.880
<v Speaker 1>way that I think people expected it too, because of

0:38:10.880 --> 0:38:15.080
<v Speaker 1>what a sensation the book was. But I am obsessed

0:38:15.160 --> 0:38:17.479
<v Speaker 1>with The Girl with the Dragon Tattoo, and for me,

0:38:18.000 --> 0:38:21.279
<v Speaker 1>like Carol, it is an annual Christmas watch. The Girl

0:38:21.280 --> 0:38:25.680
<v Speaker 1>with the Dragon Tattoo is a Christmas movie shot it is.

0:38:26.520 --> 0:38:30.560
<v Speaker 1>She's so Wintery's excellent in that movie. She was nominated, right,

0:38:30.640 --> 0:38:33.560
<v Speaker 1>she was nominated for an Oscar so she okay, and

0:38:33.680 --> 0:38:37.400
<v Speaker 1>the press the lead up to that movie, when she

0:38:37.400 --> 0:38:42.280
<v Speaker 1>she and Daniel Craig did so many shoots in character.

0:38:43.239 --> 0:38:46.680
<v Speaker 1>There's one where like she's he's like giving her a

0:38:46.719 --> 0:38:49.680
<v Speaker 1>tattoo or he's giving one of them, I don't know.

0:38:50.080 --> 0:38:52.960
<v Speaker 1>And the movie, uh no, they did a bunch of

0:38:52.960 --> 0:38:56.920
<v Speaker 1>photo shoots like where character she was given a tattoo

0:38:57.080 --> 0:38:59.840
<v Speaker 1>and like she was naked in these photo shoots. I

0:38:59.880 --> 0:39:02.320
<v Speaker 1>mean it. I was so obsessed with the haircuts she

0:39:02.440 --> 0:39:05.000
<v Speaker 1>got for the movie with like the Little Baby Bang,

0:39:05.120 --> 0:39:08.040
<v Speaker 1>and she's so sexy in that and the way they

0:39:08.200 --> 0:39:10.759
<v Speaker 1>fucking it and oh, she was so good. And I

0:39:10.800 --> 0:39:12.640
<v Speaker 1>do think that if that movie had been more of

0:39:12.680 --> 0:39:15.600
<v Speaker 1>a hit, she would have been a movie star in

0:39:15.640 --> 0:39:18.520
<v Speaker 1>a different way than she is now, and she might

0:39:18.560 --> 0:39:21.719
<v Speaker 1>never have done Carol. So I guess I'm kind of

0:39:21.800 --> 0:39:25.600
<v Speaker 1>glad that The Girl with the Dragonta too low key flopped. Yeah.

0:39:25.640 --> 0:39:27.560
<v Speaker 1>I didn't know that it flopped. I thought it was

0:39:27.600 --> 0:39:30.000
<v Speaker 1>like such a I mean, she's so fucking good in

0:39:30.000 --> 0:39:32.279
<v Speaker 1>that movie. Um well, there was there were never any

0:39:32.320 --> 0:39:37.600
<v Speaker 1>sequel because it wasn't super financially successful. Oh I wonder also,

0:39:37.640 --> 0:39:40.839
<v Speaker 1>if like her playing tigerl littly in that Peter Pan

0:39:40.960 --> 0:39:43.879
<v Speaker 1>movie also played a part in Like Her, Like Her

0:39:44.120 --> 0:39:47.560
<v Speaker 1>Like kind of flopped them as an actress. Unfortunately, I

0:39:47.680 --> 0:39:50.399
<v Speaker 1>don't because of Hollywood being the way it is, I

0:39:50.440 --> 0:39:53.239
<v Speaker 1>don't think that negatively impacted her career, even though it

0:39:53.800 --> 0:39:56.840
<v Speaker 1>should have. But something that should be said about Rooney

0:39:56.960 --> 0:40:00.360
<v Speaker 1>was that she was chasing an oscar for like many

0:40:00.440 --> 0:40:03.960
<v Speaker 1>consecutive years, and there were like, you know, rumors about

0:40:03.960 --> 0:40:05.960
<v Speaker 1>I can't remember which one she lost for, but she

0:40:06.080 --> 0:40:08.360
<v Speaker 1>lost one of her in one of her oscar races.

0:40:08.440 --> 0:40:11.520
<v Speaker 1>She lost, and she reportedly like was like in the bathroom,

0:40:11.600 --> 0:40:16.319
<v Speaker 1>like crying and me, what about an oscar? I would

0:40:16.680 --> 0:40:18.799
<v Speaker 1>know I would be upset, but I wouldn't be in

0:40:18.880 --> 0:40:23.120
<v Speaker 1>the bathroom in the bathroom. And I'm not demonizing her

0:40:23.160 --> 0:40:25.520
<v Speaker 1>for that, I'm just providing context for the Virgins. Um.

0:40:25.560 --> 0:40:28.480
<v Speaker 1>One of the other things that I was reading about

0:40:28.560 --> 0:40:31.120
<v Speaker 1>was that, um, she you know, there's a lot of

0:40:31.360 --> 0:40:35.120
<v Speaker 1>unfairness and how people decide what is the best supporting

0:40:35.160 --> 0:40:38.759
<v Speaker 1>actress or best lead actress, and that she was best

0:40:38.800 --> 0:40:43.080
<v Speaker 1>supporting in this role. But she's like on screen for

0:40:43.560 --> 0:40:46.920
<v Speaker 1>more of the movie than Kate Blanchet is. Yeah, but

0:40:46.960 --> 0:40:49.520
<v Speaker 1>the movie is called Carol, Yes, and it's also Kate

0:40:49.600 --> 0:40:51.960
<v Speaker 1>fucking Blanchet, like of course she's going to suck the

0:40:51.960 --> 0:40:53.640
<v Speaker 1>air out of the room anytime, any other you know

0:40:53.680 --> 0:40:56.440
<v Speaker 1>what I mean? Like obviously they're they're mirrored performances. I

0:40:56.440 --> 0:40:59.880
<v Speaker 1>think they're both equally talented and incredible. But I know

0:41:00.080 --> 0:41:03.920
<v Speaker 1>that there was also saltinus about how um, you know,

0:41:04.360 --> 0:41:07.960
<v Speaker 1>best supporting was decided, and I wonder if there was

0:41:08.040 --> 0:41:11.920
<v Speaker 1>like drama there. That stuff is all bullshit anyway. Um

0:41:12.040 --> 0:41:16.400
<v Speaker 1>Todd Haynes, who directed this film, you know, has made

0:41:16.520 --> 0:41:21.040
<v Speaker 1>a lot of other very gay kind of movies. I

0:41:21.040 --> 0:41:23.040
<v Speaker 1>haven't seen a lot of his films, But when I

0:41:23.080 --> 0:41:27.000
<v Speaker 1>was a teenager, I was obsessed with Velvet gold Mine.

0:41:27.239 --> 0:41:29.520
<v Speaker 1>Have you seen it? No, I've never even heard of it.

0:41:29.520 --> 0:41:35.840
<v Speaker 1>It's um Christian Bale, you and McGregor and Jonathan riz Myers,

0:41:36.239 --> 0:41:39.160
<v Speaker 1>the guy from the Tutors, And it's sort of like

0:41:39.200 --> 0:41:43.200
<v Speaker 1>a Bowie. It's like about these rock stars who are

0:41:43.200 --> 0:41:46.640
<v Speaker 1>sort of like based on Bowie. It's super gay. There's

0:41:46.680 --> 0:41:50.359
<v Speaker 1>like full frontal male nudity, a love full frontal man

0:41:51.200 --> 0:41:54.319
<v Speaker 1>so good is Have you seen Far from Heaven? I

0:41:54.360 --> 0:41:57.160
<v Speaker 1>have not. I haven't either that's when Julianne Moore flex

0:41:57.200 --> 0:42:01.319
<v Speaker 1>her son. Though, right, that snooze to me, but it's

0:42:01.360 --> 0:42:03.880
<v Speaker 1>one of it's one. I've gone back to our incest

0:42:04.040 --> 0:42:10.239
<v Speaker 1>conversation from the Born episode. We might have edited that, doubt. Um. No,

0:42:10.400 --> 0:42:12.880
<v Speaker 1>Far from Heaven is one of multiple movies where Julianne

0:42:12.880 --> 0:42:17.279
<v Speaker 1>Moore fox her son. Yeah, one of multiple yes, yes,

0:42:17.360 --> 0:42:20.080
<v Speaker 1>and far from Him and she also plays um. She

0:42:20.160 --> 0:42:23.399
<v Speaker 1>also sucks her son in Savage Grace with Eddie Red.

0:42:23.480 --> 0:42:25.520
<v Speaker 1>I think it's Eddie Red when she was sucking her son.

0:42:25.719 --> 0:42:28.240
<v Speaker 1>I don't know, because she likes to play complex female

0:42:28.320 --> 0:42:32.600
<v Speaker 1>characters their son, yes, why not? Why not? It's complex.

0:42:33.160 --> 0:42:37.280
<v Speaker 1>But I haven't seen either of these incest um dramas,

0:42:37.600 --> 0:42:39.440
<v Speaker 1>but I would like to do that. That's those the

0:42:39.480 --> 0:42:43.200
<v Speaker 1>types of film that Todd Hands makes, dramas. I don't

0:42:43.200 --> 0:42:46.640
<v Speaker 1>know if I would categorize them like that. There's going

0:42:46.680 --> 0:42:56.040
<v Speaker 1>to say more more incests dramas, representation. No, I'm just kidding.

0:42:55.360 --> 0:42:59.080
<v Speaker 1>I'm just the season. Okay, okay, okay, So back to

0:42:59.440 --> 0:43:07.719
<v Speaker 1>play with your son's load. I'm dying, okay. You know

0:43:07.760 --> 0:43:09.600
<v Speaker 1>I used to you know, I used to um when

0:43:09.600 --> 0:43:12.560
<v Speaker 1>I was a party producer. I used to throw an

0:43:12.600 --> 0:43:16.880
<v Speaker 1>annual Christmas party called Dick the Balls, not Dick the

0:43:16.920 --> 0:43:20.840
<v Speaker 1>Ball the balls. That's the lowest hanging fruit, if you

0:43:20.880 --> 0:43:24.719
<v Speaker 1>know what I know. That was the whole point, the

0:43:24.840 --> 0:43:30.160
<v Speaker 1>whole point shut up. Um. Something that's interesting in this

0:43:30.280 --> 0:43:32.719
<v Speaker 1>movie specifically, and I guess in the book even though

0:43:32.719 --> 0:43:34.880
<v Speaker 1>I hadn't read the book, is the kind of power

0:43:35.120 --> 0:43:38.879
<v Speaker 1>a very common power dynamic we see in queer relationships,

0:43:38.880 --> 0:43:43.280
<v Speaker 1>maybe specifically lesbian relationships. And I kept thinking about Tar

0:43:43.600 --> 0:43:47.680
<v Speaker 1>when I was watching it, and like, how the edge

0:43:47.719 --> 0:43:51.320
<v Speaker 1>gap of it all, the mommy vibes of it all. Yeah,

0:43:51.360 --> 0:43:53.919
<v Speaker 1>And it's funny to watch two knowing that like Kate

0:43:54.200 --> 0:43:57.160
<v Speaker 1>is like day, Like I think we all at this

0:43:57.200 --> 0:43:59.680
<v Speaker 1>point know that, Like Kate blanche is like kind of

0:43:59.760 --> 0:44:04.120
<v Speaker 1>Queen Latifa style, Like yes, I think that's like an

0:44:04.120 --> 0:44:08.600
<v Speaker 1>industry secret. You know she keeps playing lesbian. Yes, yes,

0:44:08.640 --> 0:44:11.359
<v Speaker 1>because she can do that. She's Kate Blanchet. She's literally

0:44:11.400 --> 0:44:13.520
<v Speaker 1>one of the most famous people on the planet. She

0:44:13.560 --> 0:44:16.840
<v Speaker 1>can do whatever she wants without talking about her sexuality,

0:44:16.920 --> 0:44:19.560
<v Speaker 1>which someone did ask her about her sexuality once in

0:44:19.560 --> 0:44:24.000
<v Speaker 1>the Carol Press junket and she said very quickly that

0:44:24.040 --> 0:44:27.920
<v Speaker 1>she has had many relationships with women, but apparent she

0:44:28.000 --> 0:44:30.520
<v Speaker 1>claims that that quote was taken out of context and

0:44:30.560 --> 0:44:36.359
<v Speaker 1>she said, oh, you mean sexual relationships none. Maybe if

0:44:36.400 --> 0:44:39.319
<v Speaker 1>we get Kate an oscar for TAR, maybe she'll come

0:44:39.360 --> 0:44:41.840
<v Speaker 1>out and her well, what did it take for Jodie

0:44:41.840 --> 0:44:43.560
<v Speaker 1>Foster to come out? She got like a GLAD like

0:44:43.600 --> 0:44:47.480
<v Speaker 1>an HRC award or whatever, like what was it? We don't.

0:44:48.440 --> 0:44:52.080
<v Speaker 1>I don't want Kate to ever attend a GLAD Awards

0:44:52.200 --> 0:44:55.880
<v Speaker 1>or an HRC benefit. Keep her far away. Kate is

0:44:56.080 --> 0:44:59.120
<v Speaker 1>too high profile for that ship. That is kind of

0:44:59.200 --> 0:45:01.840
<v Speaker 1>unfortunately that although I would love if we want a

0:45:01.880 --> 0:45:04.560
<v Speaker 1>GLAD Awards. So if you're listening, we're open to it.

0:45:04.880 --> 0:45:11.879
<v Speaker 1>We will appear, Okay, we can confirm appearance. Um. I

0:45:11.920 --> 0:45:15.600
<v Speaker 1>do think actually though that like PR people, I mean

0:45:15.600 --> 0:45:17.320
<v Speaker 1>you would not used to work im Neflix not to

0:45:17.400 --> 0:45:19.640
<v Speaker 1>say that, but to say that, like a lot of

0:45:19.640 --> 0:45:22.440
<v Speaker 1>people that work on PR teams from major celebrities are

0:45:22.560 --> 0:45:25.640
<v Speaker 1>saying that, they're saying like this person is actually too

0:45:25.680 --> 0:45:29.359
<v Speaker 1>big for queer media, queer awards, queer things like that's

0:45:29.360 --> 0:45:32.879
<v Speaker 1>too limiting, and you know, to it the extent unfortunately,

0:45:32.920 --> 0:45:35.560
<v Speaker 1>Like I mean, but you kind of like true almost

0:45:35.640 --> 0:45:38.880
<v Speaker 1>like we used to bear media has not been legitimized

0:45:39.000 --> 0:45:43.200
<v Speaker 1>in this media escape, so of course, like a listers

0:45:43.360 --> 0:45:45.879
<v Speaker 1>don't want to go for it totally. You know, we

0:45:46.040 --> 0:45:49.960
<v Speaker 1>as people who used to be queer journalists, Like you know,

0:45:51.000 --> 0:45:55.319
<v Speaker 1>like if you go to one major film junket and

0:45:55.440 --> 0:45:59.200
<v Speaker 1>you see that, like as someone from a queer outlet,

0:45:59.239 --> 0:46:02.880
<v Speaker 1>and you see the position that you're in that day

0:46:02.920 --> 0:46:06.960
<v Speaker 1>to interview the celebrities, you get a very clear idea

0:46:07.000 --> 0:46:10.680
<v Speaker 1>of where you are in the pecking order. Or sometimes

0:46:10.760 --> 0:46:13.320
<v Speaker 1>like when you're on a press line on a red carpet,

0:46:13.800 --> 0:46:16.759
<v Speaker 1>if you're like the last person at the end of

0:46:16.800 --> 0:46:19.000
<v Speaker 1>the line, like when you're from a queer outlet, that's

0:46:19.040 --> 0:46:22.040
<v Speaker 1>how it always happened. Oh yeah. And also just like

0:46:22.160 --> 0:46:24.880
<v Speaker 1>don't try it like at a junket, like you're not

0:46:24.920 --> 0:46:27.960
<v Speaker 1>gonna go in with the spicy question, like you'll get caught.

0:46:28.280 --> 0:46:32.040
<v Speaker 1>I did, right, but like mostly I made a career

0:46:32.080 --> 0:46:35.160
<v Speaker 1>out of it. But your questions weren't that spicy. They

0:46:35.160 --> 0:46:37.920
<v Speaker 1>were kind of fun, they were produced spicy. I told

0:46:37.960 --> 0:46:40.160
<v Speaker 1>Timothy Shallowby that I was going to bring him a

0:46:40.200 --> 0:46:42.959
<v Speaker 1>peach and that I would have eaten his come out

0:46:43.000 --> 0:46:44.880
<v Speaker 1>of it and call me by your name. You didn't

0:46:44.880 --> 0:46:50.800
<v Speaker 1>say that, I implied it. He knew what I was saying.

0:46:50.800 --> 0:46:52.680
<v Speaker 1>He was picking up what I was putting down. And

0:46:53.239 --> 0:46:54.719
<v Speaker 1>you know what, he loved it. And he gave me

0:46:54.760 --> 0:46:56.919
<v Speaker 1>a hug afterwards, and then he gave me another hug

0:46:56.960 --> 0:47:01.520
<v Speaker 1>when he saw me downstairs. He was stunning. Love did

0:47:01.560 --> 0:47:04.120
<v Speaker 1>not love it so much. But that's another story for

0:47:04.160 --> 0:47:21.160
<v Speaker 1>another time. I just watched Kate play at lesbian every

0:47:21.239 --> 0:47:24.239
<v Speaker 1>damn time, Like, I think she's done it. I think

0:47:24.280 --> 0:47:27.560
<v Speaker 1>she's done it more than just Tar and Carolva now

0:47:27.600 --> 0:47:31.600
<v Speaker 1>I can't remember well. Also Oceans eight, it's very obvious

0:47:31.760 --> 0:47:36.600
<v Speaker 1>that she and Sandy Bullock kind of thing. It's almost

0:47:36.600 --> 0:47:39.439
<v Speaker 1>feels like Kate kind of has like she could walk

0:47:39.480 --> 0:47:42.560
<v Speaker 1>into a room and have like sexual chemistry with this

0:47:42.680 --> 0:47:44.560
<v Speaker 1>lamp shade, you know what I mean. But only of

0:47:44.640 --> 0:47:49.520
<v Speaker 1>the lamp shade identified as a woman. Yeah, but that

0:47:49.800 --> 0:47:52.680
<v Speaker 1>is the power of Kate, like the power of Kate.

0:47:52.800 --> 0:47:57.080
<v Speaker 1>She's she's the lad. Yeah, it's so funny, like because

0:47:57.280 --> 0:48:00.560
<v Speaker 1>Gladril was my entry point indicate not to make this

0:48:00.600 --> 0:48:03.120
<v Speaker 1>a Kate episode, but it is kind of a k episode. Carol,

0:48:03.560 --> 0:48:08.000
<v Speaker 1>she's Carol Um Gladual was my entry point to Kate,

0:48:08.200 --> 0:48:14.880
<v Speaker 1>and Gladriel, to me, is altogether perfectly um encapsulates what

0:48:14.960 --> 0:48:18.919
<v Speaker 1>a Kate Blanchet role should be and at the same yes,

0:48:19.000 --> 0:48:21.719
<v Speaker 1>and at the same time, I think Gladriel is like

0:48:21.960 --> 0:48:24.960
<v Speaker 1>way different from all of her other roles too, because

0:48:24.960 --> 0:48:27.920
<v Speaker 1>it's so genre. Um. Well, I guess there's like the

0:48:27.920 --> 0:48:30.320
<v Speaker 1>Thor movie, but I don't. I don't, I don't consider

0:48:30.560 --> 0:48:33.920
<v Speaker 1>I don't think about the form. Yeah, I actually I

0:48:34.040 --> 0:48:39.560
<v Speaker 1>revisited Thora Ragnarok somewhat recently, and I don't think it's

0:48:39.560 --> 0:48:43.200
<v Speaker 1>actually very good, and I think she's not great in it.

0:48:43.520 --> 0:48:48.000
<v Speaker 1>I liked the movie as something that broke open Thor

0:48:48.080 --> 0:48:51.880
<v Speaker 1>and made it fun and roller coasterly to watch. I like, Ta,

0:48:52.520 --> 0:48:56.319
<v Speaker 1>You're not as manjor fan, hated Kate's character, hated the

0:48:56.360 --> 0:48:58.279
<v Speaker 1>c G. I I mean she was c G. I

0:48:58.400 --> 0:49:01.719
<v Speaker 1>for like the movie anyway, it's like but I do

0:49:01.880 --> 0:49:04.040
<v Speaker 1>like that one image that came out of it of

0:49:04.280 --> 0:49:09.000
<v Speaker 1>Kate standing next to taka um okay, so back to

0:49:09.040 --> 0:49:12.040
<v Speaker 1>the power dynamics and the age gap of it all.

0:49:12.160 --> 0:49:16.320
<v Speaker 1>I feel like this has become such a huge part

0:49:16.520 --> 0:49:24.200
<v Speaker 1>of Internet discourse, specifically with gen Z the like prudish

0:49:24.200 --> 0:49:30.680
<v Speaker 1>hand ringing about age gaps in relationships. Why, like why

0:49:30.719 --> 0:49:35.760
<v Speaker 1>are gen z such prudes? Like why are they boomers?

0:49:36.680 --> 0:49:41.960
<v Speaker 1>Kind of yeah, like I've seen they are. I've seen

0:49:42.040 --> 0:49:46.280
<v Speaker 1>TikTok's where where gen z are like talking about how

0:49:46.800 --> 0:49:49.880
<v Speaker 1>it's disgusting that like a twenty two year old is

0:49:49.920 --> 0:49:53.120
<v Speaker 1>in a relationship with like a thirty four year old

0:49:53.760 --> 0:49:57.759
<v Speaker 1>Like what, yeah, no, it's it's silly, it's it's to me.

0:49:57.840 --> 0:50:00.840
<v Speaker 1>It's just like group think, right, the all on TikTok.

0:50:00.880 --> 0:50:03.920
<v Speaker 1>They're all consuming the same ideas, Like every generation is

0:50:03.960 --> 0:50:07.000
<v Speaker 1>done a version of this where we all decide to

0:50:07.040 --> 0:50:11.080
<v Speaker 1>commit to one obscenely bad idea and our belief system,

0:50:11.160 --> 0:50:13.080
<v Speaker 1>and like, I think this is just one of those things.

0:50:13.120 --> 0:50:15.560
<v Speaker 1>And you know, like I guess that there's nuance in

0:50:15.920 --> 0:50:19.040
<v Speaker 1>age gaps and power dynamics and that like, of course

0:50:19.080 --> 0:50:23.400
<v Speaker 1>those things should be acknowledged. But when everyone is you know,

0:50:23.640 --> 0:50:27.680
<v Speaker 1>legal and above the age of consent, it's why it's

0:50:27.760 --> 0:50:29.480
<v Speaker 1>I don't know what kind of it's like the same

0:50:29.520 --> 0:50:32.360
<v Speaker 1>thing as the queer bating thing like stay out of

0:50:32.400 --> 0:50:36.000
<v Speaker 1>people's relationships. Yeah, I think honestly, the way to think

0:50:36.040 --> 0:50:41.840
<v Speaker 1>about it is like obviously, like age place, legal has

0:50:41.880 --> 0:50:45.279
<v Speaker 1>like legal constraints and like how we talk about relationships

0:50:45.360 --> 0:50:47.439
<v Speaker 1>or whatever. But like, at the end of the day,

0:50:47.880 --> 0:50:50.920
<v Speaker 1>the ethical framework for like age gap relationships is all

0:50:50.920 --> 0:50:54.640
<v Speaker 1>about power, And you can have an abusive power dynamic

0:50:54.960 --> 0:50:58.000
<v Speaker 1>and an age gap relationship that is perfectly legal, you

0:50:58.000 --> 0:51:01.360
<v Speaker 1>know what I mean. It's not about like whether like

0:51:01.560 --> 0:51:03.920
<v Speaker 1>how young the person is or how old the person is.

0:51:03.960 --> 0:51:06.960
<v Speaker 1>It's about like what is the makeup of this relationship

0:51:07.040 --> 0:51:09.160
<v Speaker 1>and is it healthy for both parties? Are they both

0:51:09.200 --> 0:51:12.760
<v Speaker 1>consenting to it right? And like in Carol, they're clearly

0:51:12.840 --> 0:51:14.560
<v Speaker 1>concerning to it. But I wonder if there was ever

0:51:14.640 --> 0:51:18.960
<v Speaker 1>like a grooming conversation or something. I don't know, I'm sure,

0:51:19.000 --> 0:51:22.920
<v Speaker 1>I'm sure there's there's like gen Z kids watching Carol

0:51:23.000 --> 0:51:27.359
<v Speaker 1>now and like Carol groomed to rest, like shut the

0:51:27.400 --> 0:51:31.839
<v Speaker 1>funk up. Yeah, probably. I I honestly feel like, um,

0:51:31.880 --> 0:51:35.080
<v Speaker 1>there wasn't. I feel like no one problematized Carol, Like

0:51:35.160 --> 0:51:37.799
<v Speaker 1>there was no I don't remember any sort of controversy,

0:51:37.880 --> 0:51:40.040
<v Speaker 1>Like no one was complaining that there were the stray

0:51:40.120 --> 0:51:43.600
<v Speaker 1>actors and queer roles, you know what I mean. Another

0:51:43.760 --> 0:51:47.799
<v Speaker 1>thing I fully don't care about anymore. Yeah, I kind of.

0:51:47.880 --> 0:51:51.120
<v Speaker 1>I care a lot about like sis actors and trans roles. Yes,

0:51:51.239 --> 0:51:56.080
<v Speaker 1>that that's different because that that has real world consequences

0:51:56.200 --> 0:52:01.680
<v Speaker 1>because as anyone who you know has watched Disclosure knows

0:52:02.200 --> 0:52:06.000
<v Speaker 1>um that that trans women being portrayed by men in

0:52:06.120 --> 0:52:11.080
<v Speaker 1>movies perpetuates the idea that trans women are men and

0:52:11.120 --> 0:52:14.880
<v Speaker 1>women's clothing, which leads to real world violence being enacted

0:52:14.880 --> 0:52:18.360
<v Speaker 1>on trans women. So that has real world consequences. But

0:52:19.800 --> 0:52:23.680
<v Speaker 1>a straight actor planning a gay character has no real

0:52:23.719 --> 0:52:28.560
<v Speaker 1>world impact outside of more straight actors getting cast as

0:52:28.560 --> 0:52:32.040
<v Speaker 1>gayer characters, Like there's no consequence to it, like I

0:52:32.239 --> 0:52:35.560
<v Speaker 1>simply don't care about it, like I Yes, I think

0:52:35.600 --> 0:52:39.239
<v Speaker 1>it would be great if there was a there were

0:52:39.280 --> 0:52:44.680
<v Speaker 1>more equal opportunity for gay actors to both play gay

0:52:44.800 --> 0:52:48.840
<v Speaker 1>characters and straight characters. I wish there wasn't an industry

0:52:48.880 --> 0:52:55.080
<v Speaker 1>bias that shut gay actors out from playing straight characters,

0:52:55.239 --> 0:53:00.600
<v Speaker 1>or shut gay actors out from, if they do play

0:53:00.600 --> 0:53:04.640
<v Speaker 1>a gay role, from doing anything besides playing gay. I

0:53:04.680 --> 0:53:08.160
<v Speaker 1>think that's something that you see more often when actors

0:53:09.040 --> 0:53:11.080
<v Speaker 1>talk about that, they talk about the ways in which

0:53:11.080 --> 0:53:15.919
<v Speaker 1>they are pigeonholed. But I like I just fully don't

0:53:15.960 --> 0:53:21.000
<v Speaker 1>care about it anymore. To me, the fallacy in thinking

0:53:21.080 --> 0:53:25.720
<v Speaker 1>that it doesn't matter, you know, what orientation this person

0:53:25.920 --> 0:53:28.920
<v Speaker 1>is is like mostly it mostly depends on whether or

0:53:28.920 --> 0:53:32.560
<v Speaker 1>not this person is a good actor, because Cape Blanchett

0:53:32.960 --> 0:53:35.880
<v Speaker 1>of course can carry this role and stick the landing.

0:53:35.880 --> 0:53:37.719
<v Speaker 1>This because I feel like we've talked about this before,

0:53:37.760 --> 0:53:39.919
<v Speaker 1>but like, to me, a lot of what it comes

0:53:39.920 --> 0:53:41.920
<v Speaker 1>down to it was like do you stick the landing?

0:53:41.960 --> 0:53:44.279
<v Speaker 1>And like that's why no one. I mean people kind

0:53:44.320 --> 0:53:46.719
<v Speaker 1>of complained about calling by your name, but like faggots

0:53:46.800 --> 0:53:49.000
<v Speaker 1>love that movie because they're well, I mean, I don't

0:53:49.040 --> 0:53:50.680
<v Speaker 1>think Army Hammer is actually that great, but to me,

0:53:50.760 --> 0:53:53.640
<v Speaker 1>the Timothy is so good in it that you have

0:53:53.680 --> 0:53:57.200
<v Speaker 1>no choice but to love the film. And so to me, like,

0:53:57.600 --> 0:54:01.080
<v Speaker 1>I think that I get frustrated when straight actors are

0:54:01.160 --> 0:54:04.120
<v Speaker 1>in queer roles and they're also like not great actors.

0:54:04.400 --> 0:54:07.719
<v Speaker 1>And if I don't see like the nuances of of

0:54:07.760 --> 0:54:09.920
<v Speaker 1>what you want to see in like a queer character,

0:54:10.200 --> 0:54:13.080
<v Speaker 1>then I think that, yeah, it should be problematizes, you know,

0:54:13.160 --> 0:54:15.720
<v Speaker 1>like I think that should be kind of the metric

0:54:15.960 --> 0:54:19.320
<v Speaker 1>is like is this contributing something good or bad to

0:54:19.480 --> 0:54:21.880
<v Speaker 1>like our canon at the end of the day, like

0:54:21.960 --> 0:54:24.239
<v Speaker 1>is it a good story? Like that is the thing

0:54:24.280 --> 0:54:26.279
<v Speaker 1>that I care about the most, Like is it a

0:54:26.320 --> 0:54:29.600
<v Speaker 1>good story? But what do you mean good by like interesting?

0:54:29.719 --> 0:54:32.680
<v Speaker 1>Or are you like a moral good? No? No? No?

0:54:32.840 --> 0:54:36.040
<v Speaker 1>Was it executed well? Like was it Carol? Was it

0:54:36.120 --> 0:54:39.520
<v Speaker 1>called me by your name? That? Yeah? Um, it's funny

0:54:39.600 --> 0:54:42.439
<v Speaker 1>though also just like maybe seguing out of this, like, um,

0:54:43.200 --> 0:54:45.560
<v Speaker 1>Cape Bunchet was like asked about this, I think again

0:54:45.760 --> 0:54:48.960
<v Speaker 1>during her like Tar Junket or whatever, and she you know,

0:54:49.120 --> 0:54:52.239
<v Speaker 1>was talking about how she thinks that like it's important. Well,

0:54:52.239 --> 0:54:53.920
<v Speaker 1>I'll just read the quote. She says, I think it's

0:54:53.920 --> 0:54:56.719
<v Speaker 1>important on a society level, you know, to to like

0:54:56.760 --> 0:54:59.680
<v Speaker 1>talk about queer stuff or whatever and homogeneity in any

0:54:59.760 --> 0:55:02.200
<v Speaker 1>art arm as death. But she kind of goes on

0:55:02.239 --> 0:55:05.680
<v Speaker 1>to say that like anything we make like doesn't need

0:55:05.719 --> 0:55:10.160
<v Speaker 1>to be political politicized, right, Like it's not her job

0:55:10.280 --> 0:55:14.319
<v Speaker 1>to politicize the art. It's like the audience's job to

0:55:14.360 --> 0:55:18.560
<v Speaker 1>interpret it however they want or whatever. And you know,

0:55:18.640 --> 0:55:21.600
<v Speaker 1>there's also like this moment where she says, like someone

0:55:21.680 --> 0:55:24.920
<v Speaker 1>asks her about like the sexuality of Tar, she goes, oh,

0:55:24.960 --> 0:55:27.000
<v Speaker 1>I didn't think about the character of sexuality at all,

0:55:27.040 --> 0:55:30.560
<v Speaker 1>and I was like, well, I mean, I was like,

0:55:30.640 --> 0:55:34.520
<v Speaker 1>well you you you you had you had to do something.

0:55:34.600 --> 0:55:37.080
<v Speaker 1>I mean it that I think that Kate is like

0:55:37.160 --> 0:55:41.000
<v Speaker 1>a brilliant person. Like everything she said in like her

0:55:41.080 --> 0:55:43.160
<v Speaker 1>kind of answer to this totally made sense. And I

0:55:43.200 --> 0:55:44.640
<v Speaker 1>was like, work, d Evin, like you know what you're

0:55:44.640 --> 0:55:46.960
<v Speaker 1>talking about, when she was like, I don't really, I

0:55:46.960 --> 0:55:49.279
<v Speaker 1>didn't think about the sexuality all. I was like, it's

0:55:49.440 --> 0:55:52.960
<v Speaker 1>very like I don't see color, you know, like it's

0:55:53.080 --> 0:55:55.279
<v Speaker 1>kind of giving the same vibe, even those those are

0:55:55.280 --> 0:55:59.600
<v Speaker 1>obviously very different like frameworks. But I don't know. I

0:55:59.680 --> 0:56:01.799
<v Speaker 1>was just like, come on, like, why do actors keep

0:56:01.840 --> 0:56:06.120
<v Speaker 1>doing this like we're like human beings that have sex. Well,

0:56:06.360 --> 0:56:08.200
<v Speaker 1>I think a lot of it rests on the fact

0:56:08.280 --> 0:56:12.040
<v Speaker 1>that we expect actors to like say really profound things

0:56:12.040 --> 0:56:17.280
<v Speaker 1>in interviews, and their actors they're not necessarily like particularly

0:56:17.400 --> 0:56:22.680
<v Speaker 1>smart or you know, interesting, they're like usually like attractive

0:56:22.880 --> 0:56:29.000
<v Speaker 1>and can act. Yeah, oh god, which is kind of

0:56:29.040 --> 0:56:32.000
<v Speaker 1>all I need from them. Yeah. Um, have you ever

0:56:32.000 --> 0:56:38.240
<v Speaker 1>been in a relationship where that had an age gap? Um? Yes, well,

0:56:38.320 --> 0:56:41.080
<v Speaker 1>you know, my a lot of my very early sexual

0:56:41.120 --> 0:56:44.879
<v Speaker 1>experiences when I was still a teenager were with older men.

0:56:45.520 --> 0:56:48.080
<v Speaker 1>And then when I was first in college, Yeah, I

0:56:48.160 --> 0:56:54.839
<v Speaker 1>was very into older you know, kind of like daddy types. Yeah,

0:56:54.920 --> 0:57:01.839
<v Speaker 1>I mean I was seventeen, like fucking people I shouldn't maybe,

0:57:02.000 --> 0:57:05.440
<v Speaker 1>but the consensual that's more about them, and I wanted

0:57:05.480 --> 0:57:10.200
<v Speaker 1>it so badly. I um, I I would love to

0:57:10.200 --> 0:57:12.200
<v Speaker 1>be with the daddy type. I would love to be

0:57:12.239 --> 0:57:15.000
<v Speaker 1>with a mean mommy type. Actually, like I would love

0:57:15.120 --> 0:57:17.320
<v Speaker 1>any sort of like power. I would love like an

0:57:17.320 --> 0:57:20.640
<v Speaker 1>older but I've only I've dated. My age gap relationships

0:57:20.640 --> 0:57:23.000
<v Speaker 1>are like dating someone who's like five years younger than

0:57:23.040 --> 0:57:27.120
<v Speaker 1>me or whatever, And it's so it's it's so when

0:57:27.720 --> 0:57:31.200
<v Speaker 1>it's funny because like age guests don't matter as much

0:57:31.200 --> 0:57:35.720
<v Speaker 1>when like your past your thirties. I feel like I

0:57:36.600 --> 0:57:39.800
<v Speaker 1>definitely have kind of a hard line. And this is

0:57:39.920 --> 0:57:43.920
<v Speaker 1>like where my words about you know, uh, like prudish

0:57:44.000 --> 0:57:46.800
<v Speaker 1>handwringing over age gaps does come back to bite me

0:57:46.840 --> 0:57:51.240
<v Speaker 1>in the ass a little bit because I don't necessarily

0:57:51.280 --> 0:57:54.440
<v Speaker 1>see like a problem with it. But I also would

0:57:54.560 --> 0:57:59.160
<v Speaker 1>not want to date or even really fuck someone younger

0:57:59.200 --> 0:58:02.680
<v Speaker 1>than like five, just because I don't know what I

0:58:02.720 --> 0:58:04.880
<v Speaker 1>would talk to them about. Right, No, I'm saying when

0:58:04.880 --> 0:58:07.760
<v Speaker 1>they're both past their thirties, which I think is that

0:58:07.880 --> 0:58:13.960
<v Speaker 1>the case of Carol, because isn't I think young? Okay,

0:58:14.080 --> 0:58:18.000
<v Speaker 1>yeah that yeah, yeah, that's the vibe. Um. Anyways, my point,

0:58:18.000 --> 0:58:21.360
<v Speaker 1>My point is like it's just interesting how we create

0:58:21.480 --> 0:58:25.520
<v Speaker 1>like weird kind of like islms about like what's good

0:58:25.560 --> 0:58:29.160
<v Speaker 1>and bad based on something that is actually like pretty arbitrary.

0:58:29.760 --> 0:58:34.800
<v Speaker 1>My early sexual experiences, I was baby and then uh

0:58:34.960 --> 0:58:39.880
<v Speaker 1>now I'm usually more mommy. Um, but I don't really

0:58:39.920 --> 0:58:42.919
<v Speaker 1>want to be mommy. I don't want like, I don't

0:58:42.960 --> 0:58:45.840
<v Speaker 1>want to take I like the idea of like taking

0:58:45.880 --> 0:58:50.520
<v Speaker 1>care of someone in a way, um you know, like

0:58:50.600 --> 0:58:53.400
<v Speaker 1>I love a twin. I love a twin, but um no,

0:58:54.120 --> 0:58:57.640
<v Speaker 1>I mean someone who I truly have like a generational

0:58:57.840 --> 0:59:01.360
<v Speaker 1>divide with. I don't know that it's gonna work. Let

0:59:01.400 --> 0:59:03.720
<v Speaker 1>me tell you. That's what I was experiencing. I was

0:59:03.800 --> 0:59:06.160
<v Speaker 1>dating someone who was gen z and it was like

0:59:06.440 --> 0:59:09.120
<v Speaker 1>it was bad. It was I mean, it wasn't It

0:59:09.200 --> 0:59:11.480
<v Speaker 1>was loving. There was a lot of love and like

0:59:11.560 --> 0:59:14.560
<v Speaker 1>this person was very mature beyond their years. But it

0:59:14.640 --> 0:59:15.800
<v Speaker 1>was at the end of the day, I was like,

0:59:15.920 --> 0:59:19.640
<v Speaker 1>this is a generational to flood and I actually don't

0:59:19.640 --> 0:59:22.560
<v Speaker 1>have anything with you with in common with you, um,

0:59:22.600 --> 0:59:27.320
<v Speaker 1>but I am always mean mommy, Rose. Like literally in

0:59:27.400 --> 0:59:30.120
<v Speaker 1>every single age cap relationship I've ever been, and I've

0:59:30.120 --> 0:59:33.400
<v Speaker 1>been in quite a few, I'm always mean mommy, and

0:59:33.480 --> 0:59:36.920
<v Speaker 1>I do need to be needed. Like I love taking

0:59:36.920 --> 0:59:39.040
<v Speaker 1>care of people, but like I would love to be

0:59:39.080 --> 0:59:41.560
<v Speaker 1>taking care of Rose. I would love I would love

0:59:41.600 --> 0:59:44.200
<v Speaker 1>to be the Rooney Mara. I see you don't think

0:59:44.200 --> 0:59:46.240
<v Speaker 1>you say that in theory, but I don't know if

0:59:46.280 --> 0:59:48.400
<v Speaker 1>you would be able to accept that kind of care.

0:59:49.040 --> 0:59:51.520
<v Speaker 1>I think I think from the right partner I would.

0:59:51.600 --> 0:59:53.760
<v Speaker 1>But yeah, no, you're It's true. I do have a

0:59:53.800 --> 0:59:57.520
<v Speaker 1>hard time asking for help or accepting help a lot

0:59:57.560 --> 1:00:00.000
<v Speaker 1>of the time. But I still you need to work

1:00:00.040 --> 1:00:01.480
<v Speaker 1>on that. I do. I do need to work on that.

1:00:01.520 --> 1:00:14.040
<v Speaker 1>We gotta get you into therapy. I so virgins slide

1:00:14.040 --> 1:00:15.920
<v Speaker 1>into our d M s at like a virgin for

1:00:17.200 --> 1:00:20.360
<v Speaker 1>on Instagram and tell us are you a Carol? Are

1:00:20.360 --> 1:00:23.360
<v Speaker 1>you a terres? Would you use a leather glove if

1:00:23.400 --> 1:00:27.920
<v Speaker 1>you were fisting someone? We want to know. I'm your

1:00:27.920 --> 1:00:30.320
<v Speaker 1>co host, Rose damn you. You can find me anywhere

1:00:30.400 --> 1:00:34.200
<v Speaker 1>online at Rose Damn You and I'm Franterata. You can

1:00:34.200 --> 1:00:37.480
<v Speaker 1>find me at friends, squish co, anywhere you like, subscribe

1:00:37.520 --> 1:00:40.160
<v Speaker 1>to Like a Virgin anywhere you listen to podcasts, Leave

1:00:40.280 --> 1:00:44.120
<v Speaker 1>us a rating on Spotify for a review on Apple

1:00:44.160 --> 1:00:47.600
<v Speaker 1>podcast We appreciate it so much. Like a Virgin is

1:00:47.640 --> 1:00:51.320
<v Speaker 1>an I Heart Radio production. Our producer is Phoebe Unter,

1:00:51.720 --> 1:00:55.440
<v Speaker 1>with support from Lindsay Hoffman, Julian Weller, Jess Crane Chitch

1:00:55.560 --> 1:00:56.520
<v Speaker 1>and Nikki Etour