WEBVTT - Alta Kockers w/ Michael Kostroff

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<v Speaker 1>Of the law and Order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories. Dune Done.

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<v Speaker 1>Hello everyone, and welcome to That's Messed Up and SVU podcast.

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<v Speaker 1>I'm your host Kara Klank.

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<v Speaker 2>And I'm Liza Traeger and we love SVU. We hate criminals,

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<v Speaker 2>but we talk about them. And then we talked to celebs,

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<v Speaker 2>which we love.

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<v Speaker 1>We love celebs, but first we love the chart.

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<v Speaker 3>We chant out weeds.

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<v Speaker 1>How we plug the tour. I'm gonna just get let

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<v Speaker 1>me get it out of the way up top. We

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<v Speaker 1>As of this episode's release, we will have just wrapped

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<v Speaker 1>up our full Southern leg and thank you to everyone

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<v Speaker 1>who came out to those shows. We will be back

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<v Speaker 1>out in November. Guys, we're going to you Midwest. We

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<v Speaker 1>are coming back to Chicago. We are going to be

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<v Speaker 1>at Zany's in Rosemont on November thirteenth.

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<v Speaker 3>Come out and see us in the Burbs. It's a nice,

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<v Speaker 3>big venue, it's huge.

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<v Speaker 1>I love Zane's in downtown Chicago as well, But you

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<v Speaker 1>might not be able to get a ticket because that

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<v Speaker 1>one is selling out pretty quick, and so come out

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<v Speaker 1>to Rosma and see us. I don't believe there is

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<v Speaker 1>an Alan Jackson's I love this bar anymore?

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<v Speaker 3>But is that what it was called? But I know

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<v Speaker 3>it's Toby Keith.

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<v Speaker 1>I think, oh, Toby Keith's I love this bar. But

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<v Speaker 1>you can still find some good stuff out there. We

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<v Speaker 1>will be then bopping over to Indianapolis on the fifteenth

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<v Speaker 1>of November, Columbus on the sixteenth, Cleveland on the seventeenth,

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<v Speaker 1>Detroit on the eighteenth, and then Madison, Wisconsin on the twentieth. Guys,

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<v Speaker 1>please get your tickets, come see us. So many people

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<v Speaker 1>are writing us saying I didn't get tickets for the

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<v Speaker 1>DC show.

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<v Speaker 3>I waited.

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<v Speaker 1>Don't wait because some of these shows sell out, and

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<v Speaker 1>we really want to see all of you. And you know,

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<v Speaker 1>have you see our Life Live show, which is, in

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<v Speaker 1>my opinion, really fucking fun. And that's it, Lisa, what's

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<v Speaker 1>going on? I want to tell you a story when

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<v Speaker 1>you get a chance to tell me a story, Well,

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<v Speaker 1>just something really funny I thought happened to me in Boston.

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<v Speaker 1>So I went to Boston for a wedding this past

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<v Speaker 1>weekend and we're in the time machine. So I know

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<v Speaker 1>some of you have like that happened weeks ago. It did,

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<v Speaker 1>and I'm walking It's the day before the wedding, so

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<v Speaker 1>I'm like with my friend Jackie. We're walking the streets

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<v Speaker 1>and we are maybe going to go to another bar,

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<v Speaker 1>and this guy behind us, and he's probably twenty five

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<v Speaker 1>feet behind us, he's a little ways behind us, goes, hey,

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<v Speaker 1>excuse me, and we both turn around and go yeah,

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<v Speaker 1>and then he just starts walking quickly towards us, which

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<v Speaker 1>was so weird, and both of us just like got

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<v Speaker 1>into attack stances immediately, because like, why aren't you why

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<v Speaker 1>did you stop talking?

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<v Speaker 3>Why are you coming towards us quickly?

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<v Speaker 1>It's a very brightly lit area of Beacon Hill, which

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<v Speaker 1>is like a very nice area of Boston, And I'm

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<v Speaker 1>kind of like, I don't think you're going to attack us,

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<v Speaker 1>but what the fuck is going on? And he goes, oh, sorry,

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<v Speaker 1>I'm just looking for clink and I go, wait, what

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<v Speaker 1>the fuck is going on? And Jackie goes like, I

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<v Speaker 1>thought maybe he listened to your podcast. And then I

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<v Speaker 1>remembered that when I was trying to make a reservation

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<v Speaker 1>for dinner earlier, there is a place called clink as

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<v Speaker 1>in clinking your glasses right two blocks from where we were.

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<v Speaker 1>So this guy was just rushing towards us to ask

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<v Speaker 1>us where the bar clink was, and I was having

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<v Speaker 1>a full out of body experience where I thought I

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<v Speaker 1>was getting attacked, then I thought I was getting recognized,

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<v Speaker 1>and then it turned out I just had to help

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<v Speaker 1>this man look at Google Maps and he was like,

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<v Speaker 1>he was like, oh sorry, like it was like a

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<v Speaker 1>drunk like Boston guide. He was like, oh sorry, like

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<v Speaker 1>I didn't realize, and I was like, yeah, you just

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<v Speaker 1>can't like rush towards two women on a dark street

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<v Speaker 1>at like on.

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<v Speaker 3>A Friday night at eleven o'clock. This is your brain, sir.

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<v Speaker 2>Yeah, but clink reminds me of clink clink from the

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<v Speaker 2>Jersey Housewives, you know.

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<v Speaker 1>Oh yes, but you know, always been associated with the

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<v Speaker 1>sound of clinking.

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<v Speaker 3>Because that's about it. That's more positive.

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<v Speaker 2>I do also want to say we both saw Don't

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<v Speaker 2>Worry Darling separately.

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<v Speaker 1>Oh yes we did. I went and saw it with

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<v Speaker 1>my husband for a little date night. Lisa saw it

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<v Speaker 1>in New York with a pal, and I mean so

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<v Speaker 1>much hype I wanted to see.

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<v Speaker 3>There was truly.

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<v Speaker 1>It was annoying because a bunch of stuff I wanted

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<v Speaker 1>to see I just missed that weekend, Like I just missed, Nope,

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<v Speaker 1>Lisa's movie that now I'm gonna have to watch it

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<v Speaker 1>on streaming.

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<v Speaker 3>I well you can. Also, yeah, thank you to all.

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<v Speaker 1>Of the listeners who just sent us clips that they

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<v Speaker 1>took in the theater of Lisa's.

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<v Speaker 3>Park, because now I feel like I have seen it.

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<v Speaker 3>I can post the photo.

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<v Speaker 2>I wonder if it's time where if I could finally

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<v Speaker 2>put it on the grid and be like, listen, I

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<v Speaker 2>was in this and I worked with a horse.

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<v Speaker 1>Yeah, I think it's like maybe once it's on streaming,

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<v Speaker 1>but like, yeah, it's not in at least in LA.

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<v Speaker 3>It's not in theaters anymore.

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<v Speaker 1>Because I wanted to see that and I wanted to

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<v Speaker 1>see Boddy's Body's Bodies. Both had just left the theaters,

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<v Speaker 1>and so I wasn't super hot on seeing Don't worry, Darling,

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<v Speaker 1>but it's was the best. Everything was so horror, and

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<v Speaker 1>I didn't really want to see horror if it wasn't

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<v Speaker 1>Body's Body's Bodies, because that seemed like funny horror. So

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<v Speaker 1>we went and I really enjoyed going to see it

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<v Speaker 1>and watching it. But I found a lot of holes

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<v Speaker 1>in it that I did talk to Liza about.

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<v Speaker 3>Yeah, I didn't mind the holes.

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<v Speaker 2>Like the moment I saw the trailer before all this drama,

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<v Speaker 2>I was like, from the moment I saw the trailer,

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<v Speaker 2>I'm like, I'm seeing this, this is a genre. I

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<v Speaker 2>and joy I like a housewife thriller. What's going on?

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<v Speaker 1>Yeah, I like That's what I liked about it because

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<v Speaker 1>it said it said like thriller. When I was looking

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<v Speaker 1>at all the different movies, because my husband was at

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<v Speaker 1>first like really, and I go, I'm sorry, I'm not

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<v Speaker 1>going to see one of these nasty, rip up people's

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<v Speaker 1>bodies horror movies. And there really wasn't. I'd already seen Bros. Which,

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<v Speaker 1>by the way, everybody goes see Bros. It's fucking so funny,

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<v Speaker 1>and so there was like nothing really else. But I

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<v Speaker 1>had a really good time going. And as I said

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<v Speaker 1>to you, gorgeous, like visually gorgeous. Every output on Florence

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<v Speaker 1>Pew is like it was born to be on her body,

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<v Speaker 1>like it was just like sewn around her body. Everybody

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<v Speaker 1>looked so good that her acting was amazing.

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<v Speaker 3>No, it was an enjoyable thing.

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<v Speaker 2>It's like I feel nowadays, it's like this is the

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<v Speaker 2>worst that says the best, that says a scan and

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<v Speaker 2>it's like, can I just watch a movie and have

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<v Speaker 2>a good time, Like you know what I mean.

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<v Speaker 3>It's like I had a good time.

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<v Speaker 2>So like my opinion where it's like we're forgetting that,

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<v Speaker 2>I don't know.

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<v Speaker 3>I loved it. I had a great time.

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<v Speaker 1>I had a great time and visually gorgeous and amazing acting.

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<v Speaker 1>And I also thought, okay, there was like a couple

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<v Speaker 1>things I think like I would have done differently, or

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<v Speaker 1>I like didn't like some of the rules, Like I

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<v Speaker 1>didn't understand some of the rules of the world, as

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<v Speaker 1>I told you.

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<v Speaker 3>But those things don't bother me.

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<v Speaker 1>Our friend Kate Berlant is in it, and she's so

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<v Speaker 1>funny asif Ali so funny in it.

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<v Speaker 3>And there's an SVU guy in it. There is a detective.

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<v Speaker 1>Yeah, and the guy who plays cal Doon, the guy

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<v Speaker 1>who plays cal Doone is in it, the one who's

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<v Speaker 1>like the one who has a fake that he's in

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<v Speaker 1>a relationship with Rollins for the green card guy.

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<v Speaker 3>And I deserve some loving too, So I studied. I

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<v Speaker 3>liked it.

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<v Speaker 2>I thought it was exciting. I enjoyed watching it. I

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<v Speaker 2>was like, what's going on. Olivia Wilde's a great actress

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<v Speaker 2>and like give it to me. I don't know, but

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<v Speaker 2>there are some issues for sure. But it was hard

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<v Speaker 2>to find like really in depth good analysis because everyone

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<v Speaker 2>was into the drama and all of that, and so, yeah,

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<v Speaker 2>like a little frustrating that it's not Yeah.

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<v Speaker 1>Which I do feel like there is a pretty heavy

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<v Speaker 1>like undercurrent of misogyny going on where it's like, no

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<v Speaker 1>one would care about this if it was happening to

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<v Speaker 1>a male director, like, oh, you're fucking the female star

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<v Speaker 1>of your movie, Like no one would care, you know, like.

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<v Speaker 2>Yeah, actors not getting along, Christian Bale screaming at people.

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<v Speaker 3>Yeah, just like so annoying.

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<v Speaker 2>But it's and I hope she gets to direct and

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<v Speaker 2>have a great career and like fuck everyone and we'll

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<v Speaker 2>like it'll be the Britney Spears and then in the

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<v Speaker 2>future it'll be like, Wow, we really fucked up, and

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<v Speaker 2>you know we never learned.

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<v Speaker 3>We're just like horrific mammals on the planet. Yeah, Monica Lewinski,

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<v Speaker 3>a lot of other people we've fucked over.

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<v Speaker 1>Uh it is this episode is wide, releasing on ten

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<v Speaker 1>twenty five. I know we have another episode beforehand, but

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<v Speaker 1>please register to vote if you have not registered to vote.

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<v Speaker 1>I just saw someone in their stories put that there.

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<v Speaker 1>They got an email that was like, hello, your voter

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<v Speaker 1>registration has been canceled, and it was like, not something

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<v Speaker 1>they did.

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<v Speaker 3>They didn't move, they didn't do anything. So just double check.

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<v Speaker 1>Just hop on there and double check that you're getting

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<v Speaker 1>your ballot Cuz I really cannot believe the amount of

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<v Speaker 1>like money that is going towards this, like football player

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<v Speaker 1>who paid for an abortion but is saying that no

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<v Speaker 1>one else can have abortions. Like I just relate you guys.

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<v Speaker 1>You got to vote for Warnock and George.

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<v Speaker 3>Please.

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<v Speaker 1>And that's my that's my daily soapbox about politics. Yeah,

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<v Speaker 1>everything sucks my weekly. Well, we don't have to go

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<v Speaker 1>right into everything sucks. I'm just telling people to vote, okay. Also,

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<v Speaker 1>I wanted to give a shout out to Helen.

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<v Speaker 2>She was wearing a sweater at a show in West Covina,

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<v Speaker 2>and I said, I'm going to shout you out, bitch,

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<v Speaker 2>and so I'm doing it.

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<v Speaker 3>So that's that we think it for.

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<v Speaker 1>The flag case case little pink.

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<v Speaker 3>Flag but it reminds me of The Simpsons. Do you

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<v Speaker 3>know the episode I'm talking about.

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<v Speaker 2>Homer has a little flag of the library and he

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<v Speaker 2>goes go school. It's the Thomas Edison episode where he's

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<v Speaker 2>trying to invent stuff and he's at the school library

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<v Speaker 2>and they're like, are you a student here, sir, and

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<v Speaker 2>he goes, yeah, go school, and it's just school on

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<v Speaker 2>his little flag.

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<v Speaker 3>Oh my god.

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<v Speaker 1>I took a tour of a potential elementary school for

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<v Speaker 1>Rosie and they took us to the library and I

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<v Speaker 1>like breathed in and the mel like took me back

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<v Speaker 1>like I've been to like regular libraries, but they're just

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<v Speaker 1>so big, like kid libraries are so small that like

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<v Speaker 1>the scent of library book was just like concentrated, and

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<v Speaker 1>like me and all the other parents on the tour

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<v Speaker 1>were like, oh my god, I've literally been transported like

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<v Speaker 1>I'm in third grade. Like it was really wild. The

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<v Speaker 1>library smell, Oh my gosh, do you know what I mean?

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<v Speaker 3>I do. I couldn't think of a book smell.

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<v Speaker 2>I can't really fantasize or feel a library smell at

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<v Speaker 2>the moment.

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<v Speaker 1>Like when I walked in, it just reminded me of

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<v Speaker 1>like the cards. We would like sign our names out

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<v Speaker 1>on books, like maybe I'm a little older than you,

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<v Speaker 1>and those were gone by the time you were in.

0:10:38.960 --> 0:10:41.000
<v Speaker 2>We had cards, but it was had cards a stamp.

0:10:41.160 --> 0:10:42.280
<v Speaker 2>It was a stamp with the date.

0:10:42.320 --> 0:10:44.560
<v Speaker 1>Well you did a stamp for the date to return, right,

0:10:44.600 --> 0:10:46.160
<v Speaker 1>But then you would sign your name and like every

0:10:46.160 --> 0:10:47.360
<v Speaker 1>time you checked out a book you could see like

0:10:47.400 --> 0:10:54.880
<v Speaker 1>the last six people who took it out. Oh wow, yeah, yeah, yeah, yeah, god,

0:10:55.160 --> 0:10:56.040
<v Speaker 1>everything's cool.

0:10:56.160 --> 0:10:59.040
<v Speaker 2>What episode are we doing? Where are we?

0:10:59.040 --> 0:11:01.319
<v Speaker 3>We got a good episode for you. Let's get started.

0:11:01.520 --> 0:11:05.559
<v Speaker 1>You're gonna love it.

0:11:06.240 --> 0:11:10.640
<v Speaker 2>All right, guys, we're doing Alta Cockers.

0:11:10.679 --> 0:11:11.360
<v Speaker 3>So annoying.

0:11:11.520 --> 0:11:16.079
<v Speaker 2>Such a Warren light bullshit. But it's not season twenty.

0:11:16.160 --> 0:11:18.400
<v Speaker 1>I think that's him. Warren is still here. Warren is

0:11:18.400 --> 0:11:20.480
<v Speaker 1>still there at twenty. He came back at like seventeen

0:11:20.600 --> 0:11:21.040
<v Speaker 1>or something.

0:11:21.559 --> 0:11:24.640
<v Speaker 3>Oh so, just the episode title is ten, So Alta

0:11:24.679 --> 0:11:28.120
<v Speaker 3>Cockers is ten. Okay, Oh no, you're right. It must

0:11:28.160 --> 0:11:28.640
<v Speaker 3>not be him.

0:11:28.640 --> 0:11:30.719
<v Speaker 1>He must have come back in twenty one, because you're right,

0:11:30.720 --> 0:11:34.160
<v Speaker 1>that's not that's not twenty letters. You're right, you're right,

0:11:34.200 --> 0:11:36.560
<v Speaker 1>So he's not there. This all the hackers though, did

0:11:36.600 --> 0:11:39.040
<v Speaker 1>you look up what it means. No, Oh okay, I

0:11:39.080 --> 0:11:41.640
<v Speaker 1>looked it up when the episode came on because I

0:11:41.720 --> 0:11:42.440
<v Speaker 1>was like, what the fuck?

0:11:42.480 --> 0:11:43.880
<v Speaker 3>They never say it? What does this mean?

0:11:44.200 --> 0:11:47.960
<v Speaker 1>It's like a Yiddish thing that means like old fuss

0:11:47.960 --> 0:11:49.080
<v Speaker 1>budgety old people.

0:11:49.400 --> 0:11:52.559
<v Speaker 2>You know, like a perfect title. So you've been wanting

0:11:52.600 --> 0:11:54.400
<v Speaker 2>to do this since the beginning. I feel like when

0:11:54.400 --> 0:11:56.800
<v Speaker 2>we were pitching this podcast, you brought up this episode.

0:11:56.800 --> 0:11:58.599
<v Speaker 1>Well, yes, because I'll tell you this was one of

0:11:58.640 --> 0:12:02.280
<v Speaker 1>the test episodes I did with my other my original

0:12:02.400 --> 0:12:05.400
<v Speaker 1>co hosts. We did this as a test episode, but

0:12:05.520 --> 0:12:08.160
<v Speaker 1>I think she did the crime and I did the episode.

0:12:08.200 --> 0:12:10.680
<v Speaker 1>So this time I did the crime and I was

0:12:10.720 --> 0:12:14.280
<v Speaker 1>remembering all of it that she had told me. But yeah,

0:12:14.320 --> 0:12:16.720
<v Speaker 1>so somewhere there's like an episode of me and Jackie

0:12:16.800 --> 0:12:19.760
<v Speaker 1>Zebrowski talking about this episode. But that's why I talked

0:12:19.760 --> 0:12:21.560
<v Speaker 1>about it in pitching because I had like already gone

0:12:21.559 --> 0:12:22.320
<v Speaker 1>through it and done it.

0:12:22.920 --> 0:12:24.960
<v Speaker 2>Yeah, I remember you being obsessed with this, so I

0:12:25.000 --> 0:12:27.120
<v Speaker 2>am happy that we finally got to do it.

0:12:27.440 --> 0:12:27.600
<v Speaker 3>Well.

0:12:27.640 --> 0:12:30.520
<v Speaker 1>Also, the crime, the crime, the people this is based

0:12:30.559 --> 0:12:32.640
<v Speaker 1>on is like kind of New York folklore and like

0:12:32.679 --> 0:12:34.280
<v Speaker 1>people I had never heard of, So that's why I

0:12:34.280 --> 0:12:35.520
<v Speaker 1>thought was interesting about it.

0:12:36.640 --> 0:12:38.199
<v Speaker 3>Yeah, and it is a good episode.

0:12:38.559 --> 0:12:41.800
<v Speaker 2>It opens on a close up of some red lipsticked

0:12:41.840 --> 0:12:46.559
<v Speaker 2>lips and there's like a poetry erotic reading happening. I

0:12:46.559 --> 0:12:48.800
<v Speaker 2>would say, we don't know exactly like a book. I mean,

0:12:48.800 --> 0:12:50.280
<v Speaker 2>it's going to be a book. But at first I

0:12:50.320 --> 0:12:52.679
<v Speaker 2>was like, what is this sex show?

0:12:52.720 --> 0:12:54.880
<v Speaker 3>This shop that they're in. Do you recognize this?

0:12:55.000 --> 0:12:57.959
<v Speaker 1>I'm I'm almost positive this is the Housing Works bookstore

0:12:58.120 --> 0:13:03.000
<v Speaker 1>in like uh in like Sova, Houston, Yeah, soho because

0:13:03.320 --> 0:13:05.920
<v Speaker 1>Jared had a comedy show here forever and this really

0:13:05.920 --> 0:13:06.680
<v Speaker 1>has the vibes of it.

0:13:06.760 --> 0:13:08.680
<v Speaker 2>So if you know, But I don't remember there being

0:13:08.760 --> 0:13:11.839
<v Speaker 2>a balcony at the Housing Works one.

0:13:12.000 --> 0:13:15.240
<v Speaker 1>There was in a part of it maybe I don't know.

0:13:15.280 --> 0:13:17.040
<v Speaker 1>We got to find out where this was. I need

0:13:17.080 --> 0:13:19.280
<v Speaker 1>to know. I'm gonna like google it. But keep going.

0:13:20.800 --> 0:13:23.240
<v Speaker 2>So there's a microphone and then it cuts to a

0:13:23.280 --> 0:13:26.600
<v Speaker 2>wide shot and it's a bookstore but it's lit like

0:13:26.640 --> 0:13:29.960
<v Speaker 2>a nightclub and there are strung Christmas lights all over,

0:13:30.080 --> 0:13:32.640
<v Speaker 2>so you know these people are hip. We see the

0:13:32.679 --> 0:13:35.120
<v Speaker 2>reader performers wearing an off the shoulder top with a

0:13:35.160 --> 0:13:39.959
<v Speaker 2>collar around their neck, and we hear look I hear

0:13:40.040 --> 0:13:43.640
<v Speaker 2>Tyota his tongue felt like a worm. And then as

0:13:43.640 --> 0:13:46.600
<v Speaker 2>she continues, ominous music starts to play and it pans

0:13:46.720 --> 0:13:50.080
<v Speaker 2>up to the balcony level, and then there's a spotlight,

0:13:50.200 --> 0:13:52.559
<v Speaker 2>and so we just start seeing everyone. But there is

0:13:52.600 --> 0:13:54.760
<v Speaker 2>a spotlight on like a man that's back lit by

0:13:54.920 --> 0:13:56.760
<v Speaker 2>the light. And I don't think we're supposed to trust

0:13:56.760 --> 0:13:57.080
<v Speaker 2>this man.

0:13:57.280 --> 0:13:59.839
<v Speaker 3>This is like a very moody book reading. I feel

0:13:59.840 --> 0:14:00.640
<v Speaker 3>like book.

0:14:00.400 --> 0:14:02.840
<v Speaker 1>Reading is usually just like someone sitting up at a table,

0:14:03.160 --> 0:14:06.280
<v Speaker 1>like regular lights, and this is like sexual mood lighting.

0:14:06.640 --> 0:14:06.800
<v Speaker 3>Oh.

0:14:06.840 --> 0:14:08.439
<v Speaker 2>I was gonna say the book that I brought with

0:14:08.520 --> 0:14:12.079
<v Speaker 2>me for this trip, I brought Arden Marine's book.

0:14:11.960 --> 0:14:16.280
<v Speaker 1>Oh, straight out a Little Compton, Little miss Little Compton.

0:14:16.440 --> 0:14:18.560
<v Speaker 3>Yeah, but it's good.

0:14:18.559 --> 0:14:22.400
<v Speaker 2>I started it. But I'm like you, reading is tough. Yeah,

0:14:22.440 --> 0:14:25.480
<v Speaker 2>it's so tough. Yeah, it's a very moody reading. There's

0:14:25.520 --> 0:14:27.480
<v Speaker 2>a man we shouldn't trust. And then they focus on

0:14:27.520 --> 0:14:31.000
<v Speaker 2>a goate mustache man who's very into the reading. Couples

0:14:31.040 --> 0:14:33.480
<v Speaker 2>are kissing, they're rubbing on each other as they listen,

0:14:34.040 --> 0:14:36.760
<v Speaker 2>and then they zoom in on another man's face and

0:14:36.760 --> 0:14:39.320
<v Speaker 2>then another man's So it's like, okay, it's enough.

0:14:39.400 --> 0:14:40.440
<v Speaker 3>I don't need this parade.

0:14:42.160 --> 0:14:45.400
<v Speaker 2>But people are clapping, which is nice, and there's a

0:14:45.400 --> 0:14:47.600
<v Speaker 2>blonde bob with bangs. So there's just like a lot

0:14:47.600 --> 0:14:51.680
<v Speaker 2>of people. Everybody. Everyone is shady. That's what I wrote.

0:14:51.720 --> 0:14:54.640
<v Speaker 2>Everyone is shady. And now the lights are fully on

0:14:54.720 --> 0:14:56.880
<v Speaker 2>and it's a book signing time. And so the book

0:14:56.920 --> 0:15:00.200
<v Speaker 2>is called Barracuda by Bobby O'Rourke.

0:15:00.080 --> 0:15:03.040
<v Speaker 1>Blue Barracuda. I think it's called right Oka, Yeah, yeah, yeah,

0:15:03.040 --> 0:15:05.920
<v Speaker 1>blue Bear Barracuda, which which I only mentioned because all

0:15:05.920 --> 0:15:08.240
<v Speaker 1>the lighting is very blue and like, I feel like

0:15:08.280 --> 0:15:08.920
<v Speaker 1>it's part of it.

0:15:09.360 --> 0:15:10.400
<v Speaker 3>You're totally right.

0:15:11.640 --> 0:15:14.480
<v Speaker 2>So while there's so while Bobby is signing the books,

0:15:14.480 --> 0:15:17.560
<v Speaker 2>there's a man behind her, probably like pr editor or

0:15:17.560 --> 0:15:19.680
<v Speaker 2>something like that, but he does look like he would

0:15:19.720 --> 0:15:22.600
<v Speaker 2>work at the Trump administration, and he's busy typing on

0:15:22.640 --> 0:15:25.520
<v Speaker 2>his cell phone while listening to, you know, the people

0:15:25.520 --> 0:15:28.760
<v Speaker 2>meeting Bobby. Everyone is now kissing Bobby's ass, like, oh

0:15:28.760 --> 0:15:31.400
<v Speaker 2>my god, you're amazing to read, this is extraordinary.

0:15:31.400 --> 0:15:32.960
<v Speaker 3>How did you do it? Oh my god, You've had

0:15:33.000 --> 0:15:34.040
<v Speaker 3>such a hard life.

0:15:34.440 --> 0:15:37.080
<v Speaker 2>And they ask Walker, the blonde floppy hair man, like

0:15:37.080 --> 0:15:39.720
<v Speaker 2>how did you find this person? And he says that

0:15:40.480 --> 0:15:45.560
<v Speaker 2>Bobby actually found him so pretty wild, and then the

0:15:45.600 --> 0:15:47.560
<v Speaker 2>woman says, color me green.

0:15:48.080 --> 0:15:50.840
<v Speaker 1>Not sure what that means, because jealousy is green is

0:15:50.840 --> 0:15:54.280
<v Speaker 1>the color of jealousy, so it's called me jealous, so

0:15:54.320 --> 0:15:56.720
<v Speaker 1>it's like, color me green, like I'm green, I'm green

0:15:56.760 --> 0:15:59.920
<v Speaker 1>with envy. Essentially, she wants to write no because she

0:16:00.040 --> 0:16:02.240
<v Speaker 1>he's another agent and is like, I wish a huge

0:16:02.280 --> 0:16:04.960
<v Speaker 1>bestseller just fucking walked off the street into my life.

0:16:05.040 --> 0:16:07.560
<v Speaker 3>That would be amazing. Yeah, that is okay.

0:16:07.760 --> 0:16:09.960
<v Speaker 2>So they talk business and then Bobby's over it and

0:16:09.960 --> 0:16:12.680
<v Speaker 2>walks away as the Glitterati and Walter continue to talk

0:16:12.720 --> 0:16:15.200
<v Speaker 2>about how amazing she is, and then she grabs a

0:16:15.240 --> 0:16:18.000
<v Speaker 2>drink and sneaks off quick down the stairs to escape,

0:16:18.280 --> 0:16:19.840
<v Speaker 2>and then it cuts to a shot of the city,

0:16:20.320 --> 0:16:24.040
<v Speaker 2>bad news, police lights and someone saying it's a nasty one, sonny,

0:16:24.520 --> 0:16:27.040
<v Speaker 2>and that we are here with Careese and Finn's voices

0:16:27.120 --> 0:16:30.440
<v Speaker 2>on the scene and they're talking so basically book reading,

0:16:30.560 --> 0:16:33.240
<v Speaker 2>signing cocktails. Then the writer comes out for a smoke

0:16:33.800 --> 0:16:37.800
<v Speaker 2>and then brick to the head rintse dry repeat, and

0:16:37.840 --> 0:16:40.200
<v Speaker 2>Benson's on the scene and the men ask if she

0:16:40.320 --> 0:16:42.520
<v Speaker 2>was raped, and she wasn't, so Crisy's like, then, what

0:16:42.560 --> 0:16:45.720
<v Speaker 2>the fuck are we doing here? And then Benson explains, well,

0:16:45.760 --> 0:16:48.760
<v Speaker 2>she's not a she physically anyway, we might be looking

0:16:48.800 --> 0:16:49.600
<v Speaker 2>at a hate crime.

0:16:50.680 --> 0:16:54.080
<v Speaker 1>Which it's funny that this episode was only from twenty eighteen,

0:16:54.160 --> 0:16:56.920
<v Speaker 1>and like, now saying that would not be it would

0:16:56.920 --> 0:16:58.360
<v Speaker 1>not be cool for Benson to say that.

0:17:00.520 --> 0:17:04.560
<v Speaker 2>Yeah, but but then how would you say it if

0:17:04.600 --> 0:17:06.399
<v Speaker 2>it's like that, If it's a hate crime, you'd be like, oh,

0:17:06.400 --> 0:17:07.320
<v Speaker 2>this is a trans woman.

0:17:07.480 --> 0:17:09.880
<v Speaker 3>Yeah, you'd be like, crime, she's trans, so this could

0:17:09.880 --> 0:17:10.520
<v Speaker 3>be a hate crime.

0:17:10.640 --> 0:17:14.040
<v Speaker 2>Yeah, yeah, so and then they show her face laying

0:17:14.040 --> 0:17:16.240
<v Speaker 2>on the cold cement with a pool of blood around her,

0:17:16.359 --> 0:17:19.359
<v Speaker 2>and straight to the credits. Yeah, so now we're back

0:17:19.680 --> 0:17:22.000
<v Speaker 2>from the credits and straight into a walk and talk.

0:17:22.119 --> 0:17:23.280
<v Speaker 3>But this is speedy.

0:17:23.400 --> 0:17:26.520
<v Speaker 2>This is like an Olympic style pace of walking and talking.

0:17:27.160 --> 0:17:29.440
<v Speaker 2>Chrisy says, we pulled prints from the brick, but they're

0:17:29.480 --> 0:17:32.800
<v Speaker 2>not in any database. But Bobby is sixteen years old.

0:17:33.480 --> 0:17:34.000
<v Speaker 2>That's sad.

0:17:34.400 --> 0:17:34.480
<v Speaker 1>Ye.

0:17:34.800 --> 0:17:37.840
<v Speaker 2>They also keep saying Bobby is a he and he

0:17:37.960 --> 0:17:40.080
<v Speaker 2>ran away from home. He gave a fake address, and

0:17:40.119 --> 0:17:42.200
<v Speaker 2>then yeah, I wrote, like season twenty, what the fuck

0:17:42.280 --> 0:17:45.880
<v Speaker 2>is going on? But Rollins is reading the book and

0:17:46.000 --> 0:17:48.560
<v Speaker 2>Bobby's life was tough and they pulled tricks.

0:17:48.280 --> 0:17:48.720
<v Speaker 3>To get by.

0:17:48.840 --> 0:17:53.040
<v Speaker 2>So then Creasy says the word transgender, and Rollins is like, actually, no,

0:17:53.640 --> 0:17:56.480
<v Speaker 2>Bobby isn't. He just realized he made more money writing

0:17:56.520 --> 0:17:59.040
<v Speaker 2>as a girl and decided to go with it. So

0:17:59.080 --> 0:18:01.840
<v Speaker 2>maybe Svo is correct in all of this. I don't

0:18:01.880 --> 0:18:04.200
<v Speaker 2>know how they knew it or Rollins knows it.

0:18:04.160 --> 0:18:04.880
<v Speaker 3>Better, I guess.

0:18:04.880 --> 0:18:07.360
<v Speaker 1>And how does Rowlins know that? Like does he say

0:18:07.359 --> 0:18:10.040
<v Speaker 1>in the book, I'm actually a boy. I just dressed

0:18:10.119 --> 0:18:12.480
<v Speaker 1>up like a girl, Like no, because that would fuck

0:18:12.600 --> 0:18:15.920
<v Speaker 1>it up. Maybe they talked to the yeah guy who

0:18:15.920 --> 0:18:19.720
<v Speaker 1>knows yea. But so that's different. So that's just because

0:18:19.800 --> 0:18:23.480
<v Speaker 1>like yeah, more like drag. Well he's just across, he's

0:18:23.480 --> 0:18:24.600
<v Speaker 1>just cross cross dressing.

0:18:24.800 --> 0:18:25.879
<v Speaker 3>Yes, that's what it wears.

0:18:26.800 --> 0:18:30.119
<v Speaker 2>So Finn has something and he has the video from

0:18:30.160 --> 0:18:33.080
<v Speaker 2>the bookstore after party and he was like, well, if

0:18:33.080 --> 0:18:36.680
<v Speaker 2>you're counting, Bobby had three drinks. And then this man

0:18:36.840 --> 0:18:39.280
<v Speaker 2>on the tape is seen following Bobby out back. So

0:18:39.520 --> 0:18:41.480
<v Speaker 2>check in with the bookstore, live says, and let's get

0:18:41.480 --> 0:18:44.000
<v Speaker 2>this guy. So we're in the bookstore and the workers

0:18:44.040 --> 0:18:45.840
<v Speaker 2>looking at the picture and is saying this is a

0:18:45.880 --> 0:18:47.720
<v Speaker 2>tragedy and that Bobby was going to be one of

0:18:47.760 --> 0:18:48.320
<v Speaker 2>the greats.

0:18:48.560 --> 0:18:52.400
<v Speaker 3>He's really distressed and he can't I d the guy though.

0:18:53.240 --> 0:18:55.159
<v Speaker 2>There was a short guest list, but then it was

0:18:55.240 --> 0:18:58.120
<v Speaker 2>first come, first surf. If you want info on that list,

0:18:58.200 --> 0:19:00.760
<v Speaker 2>go talk to Bobby's publisher. The worker says, so our

0:19:00.800 --> 0:19:04.240
<v Speaker 2>detectives had to pitch Dark Press. So Walter is chatting

0:19:04.240 --> 0:19:07.040
<v Speaker 2>and explains their journey together. One day, he got a

0:19:07.080 --> 0:19:09.480
<v Speaker 2>manuscript and read it in one day, but there was

0:19:09.560 --> 0:19:11.639
<v Speaker 2>no name or address on the story, and then he

0:19:11.680 --> 0:19:14.479
<v Speaker 2>received a call a few days later, and this changed

0:19:14.480 --> 0:19:17.959
<v Speaker 2>Walter's life forever. So Walter is saying, like, Bobby has

0:19:18.000 --> 0:19:19.919
<v Speaker 2>been through so much that even with the success of

0:19:19.960 --> 0:19:21.760
<v Speaker 2>the book and everything that's happening, and it got him

0:19:21.800 --> 0:19:25.240
<v Speaker 2>off the streets, he still constantly drives by Twelfth Street

0:19:25.320 --> 0:19:27.320
<v Speaker 2>just to make sure that Bobby is not turning any

0:19:27.359 --> 0:19:30.480
<v Speaker 2>tricks and isn't like out there. And he's down to

0:19:30.480 --> 0:19:32.920
<v Speaker 2>hand over the guest list, but he can't give Bobby's

0:19:32.920 --> 0:19:36.119
<v Speaker 2>address away, and they're like, how did you send him checks?

0:19:36.160 --> 0:19:39.520
<v Speaker 3>And it's like direct deposit twenty eighteen.

0:19:40.720 --> 0:19:42.760
<v Speaker 2>But the bank also doesn't have an address and he

0:19:42.880 --> 0:19:44.200
<v Speaker 2>used the ninety second street.

0:19:44.200 --> 0:19:44.720
<v Speaker 3>Why for that?

0:19:45.480 --> 0:19:48.080
<v Speaker 2>So Benson is like, Okay, let's get down to the basics.

0:19:48.080 --> 0:19:50.399
<v Speaker 2>Why would anyone want to hurt Bobby? And Finn goes, well,

0:19:50.440 --> 0:19:53.400
<v Speaker 2>maybe for the money Bobby has, Like Bobby had half

0:19:53.400 --> 0:19:55.480
<v Speaker 2>a million in his bank account, and Benson makes a

0:19:55.480 --> 0:20:00.280
<v Speaker 2>face like what And that money comes from U selling

0:20:00.280 --> 0:20:02.520
<v Speaker 2>the rights to the book to Hollywood. And while the

0:20:02.560 --> 0:20:05.880
<v Speaker 2>men in Benson discuss, Rollins rushes in with a laptop

0:20:05.960 --> 0:20:08.320
<v Speaker 2>and she might have something. There's a video of the

0:20:08.359 --> 0:20:10.760
<v Speaker 2>reading online and it's like a pan of the crowd

0:20:10.800 --> 0:20:12.720
<v Speaker 2>and they see the guy and beside him is a

0:20:12.720 --> 0:20:16.560
<v Speaker 2>bag of books and he bought Absalom Absalon.

0:20:17.440 --> 0:20:19.520
<v Speaker 3>I don't I don't, I don't know. I don't think

0:20:19.560 --> 0:20:21.040
<v Speaker 3>that's import but I don't know it.

0:20:21.160 --> 0:20:24.159
<v Speaker 2>Yeah, what is important is that he bought it with

0:20:24.200 --> 0:20:27.720
<v Speaker 2>a credit card. So we get this person's name, and

0:20:27.800 --> 0:20:30.000
<v Speaker 2>this guy's name is William Glover and he lives in

0:20:30.040 --> 0:20:33.359
<v Speaker 2>Forest Hills and they're at his home on November nineteenth.

0:20:33.480 --> 0:20:34.080
<v Speaker 3>He's wearing a.

0:20:34.119 --> 0:20:36.560
<v Speaker 2>Vest and is like a suburb daddy and he's playing

0:20:36.560 --> 0:20:38.520
<v Speaker 2>in front in the front yard with his two kids

0:20:38.520 --> 0:20:40.560
<v Speaker 2>and he sees the detectives and he says, do we

0:20:40.600 --> 0:20:43.200
<v Speaker 2>have to do this here? And he's not confused while

0:20:43.200 --> 0:20:45.119
<v Speaker 2>they're there, and then the wife comes out, so like,

0:20:45.359 --> 0:20:48.159
<v Speaker 2>wash up for dinner and the wife asks no question

0:20:48.240 --> 0:20:50.199
<v Speaker 2>and is like, dear friends, want to stay. I have

0:20:50.320 --> 0:20:55.199
<v Speaker 2>extra lamb. Also I noticed the Volvo station wagon and

0:20:55.320 --> 0:20:56.480
<v Speaker 2>the driveway.

0:20:57.080 --> 0:20:57.679
<v Speaker 3>Hello.

0:20:58.880 --> 0:21:01.119
<v Speaker 2>So he kisses his wife's hard and says I love you,

0:21:01.160 --> 0:21:04.640
<v Speaker 2>and she's left in the yard and he willingly, without

0:21:04.680 --> 0:21:07.560
<v Speaker 2>any confusion, heads out with the detectives. So now we're

0:21:07.560 --> 0:21:11.280
<v Speaker 2>in an interrogation. The room looks extra giant, and it's

0:21:11.359 --> 0:21:13.919
<v Speaker 2>Rollin's Benson and the vest guy, and he says what

0:21:14.040 --> 0:21:16.400
<v Speaker 2>happens now? And Rollins is like, so you're not denying it,

0:21:16.840 --> 0:21:19.840
<v Speaker 2>and he just like screams I killed him.

0:21:20.080 --> 0:21:22.720
<v Speaker 3>And it's like why, bitch, tell us why? And he says,

0:21:22.800 --> 0:21:25.359
<v Speaker 3>you think I'm gay and she says I don't really care,

0:21:25.600 --> 0:21:26.600
<v Speaker 3>and he says, well, I'm not.

0:21:26.760 --> 0:21:28.760
<v Speaker 2>I have a wife and two kids. I saw a

0:21:28.840 --> 0:21:31.199
<v Speaker 2>leaflet of her on the subway and she told me

0:21:31.240 --> 0:21:33.919
<v Speaker 2>her name was Tammy. Three weeks ago picked her up

0:21:33.920 --> 0:21:36.080
<v Speaker 2>for sex off Twelfth Street, and then she had a

0:21:36.080 --> 0:21:38.520
<v Speaker 2>little trouble on zipping my pants or whatever. So he

0:21:38.520 --> 0:21:41.440
<v Speaker 2>gives details of like their interaction and so he bought

0:21:41.480 --> 0:21:43.719
<v Speaker 2>sex from this person who said their name was Tammy.

0:21:44.040 --> 0:21:45.600
<v Speaker 2>And then all of a sudden, he's on the subway

0:21:45.640 --> 0:21:48.399
<v Speaker 2>and he sees a leaflet for the book, and it's like,

0:21:48.440 --> 0:21:48.920
<v Speaker 2>what the fuck?

0:21:48.960 --> 0:21:50.880
<v Speaker 3>I was lied to? But how did he know from

0:21:50.880 --> 0:21:53.439
<v Speaker 3>the leaflet that she was a boy?

0:21:54.840 --> 0:21:58.000
<v Speaker 2>Maybe because of the book, maybe there was like maybe

0:21:58.080 --> 0:22:01.440
<v Speaker 2>I don't know, maybe he went randomly to the reading.

0:22:02.520 --> 0:22:03.760
<v Speaker 3>I don't know, or maybe he knew he was a

0:22:03.800 --> 0:22:05.639
<v Speaker 3>boy the whole time. Maybe the same thing is what

0:22:05.760 --> 0:22:06.399
<v Speaker 3>spiraled him.

0:22:06.400 --> 0:22:08.320
<v Speaker 2>I mean, obviously he like doesn't want to be guy,

0:22:09.960 --> 0:22:12.240
<v Speaker 2>so I wrote, I hope you rotten jail for life,

0:22:12.280 --> 0:22:15.560
<v Speaker 2>you animal. I'm done with him, But it blacks out

0:22:15.640 --> 0:22:17.240
<v Speaker 2>on the screen and then we open back up on

0:22:17.280 --> 0:22:22.560
<v Speaker 2>a super close up shot of donuts. But also, wow,

0:22:22.600 --> 0:22:25.000
<v Speaker 2>that was a confession, Like what's going to happen next?

0:22:25.080 --> 0:22:27.440
<v Speaker 2>You know, we're only a few minutes in, so it's

0:22:27.480 --> 0:22:30.040
<v Speaker 2>like a red herring, but they did it, so I

0:22:30.080 --> 0:22:31.120
<v Speaker 2>don't even know what that's called.

0:22:31.119 --> 0:22:32.320
<v Speaker 3>I'm a misdirect.

0:22:32.800 --> 0:22:35.760
<v Speaker 2>So anyways, Criesy is standing over the donuts and Benson's

0:22:35.760 --> 0:22:38.480
<v Speaker 2>coming towards him, like just pick one, and he says,

0:22:38.480 --> 0:22:41.479
<v Speaker 2>what's the point and she's like, maybe you're hungry. What

0:22:41.520 --> 0:22:44.800
<v Speaker 2>do you call the fucking weirdo? And they turn the

0:22:44.840 --> 0:22:48.119
<v Speaker 2>convo to the case. The best guy is with Stone

0:22:48.200 --> 0:22:51.320
<v Speaker 2>right now and he's probably gonna plead to man one

0:22:51.400 --> 0:22:54.639
<v Speaker 2>without the hate crime charge, and Creasey's confused, like Bobby

0:22:54.680 --> 0:22:56.399
<v Speaker 2>has so much money from the book, why would he

0:22:56.440 --> 0:22:59.160
<v Speaker 2>go back to the streets. And she says that he's

0:22:59.160 --> 0:23:01.040
<v Speaker 2>been doing it a long time and doesn't know how

0:23:01.080 --> 0:23:03.600
<v Speaker 2>to stop. But Caresey isn't buying it, like what if

0:23:03.640 --> 0:23:07.120
<v Speaker 2>someone was forcing him to do it? Hello, I didn't

0:23:07.119 --> 0:23:09.919
<v Speaker 2>trust Walter? Do you remember that? So what if Walter

0:23:10.040 --> 0:23:10.680
<v Speaker 2>is bad news?

0:23:10.680 --> 0:23:11.000
<v Speaker 3>Bears?

0:23:11.520 --> 0:23:14.200
<v Speaker 2>So Cresey's like if Walter is driving down Twelfth Street

0:23:14.240 --> 0:23:16.760
<v Speaker 2>constantly making sure that Bobby isn't there, But this killer

0:23:16.880 --> 0:23:20.040
<v Speaker 2>nutjob was able to find Bobby, bam so easy like that,

0:23:20.359 --> 0:23:23.200
<v Speaker 2>like this is shady. So now they head to Walter

0:23:23.240 --> 0:23:25.639
<v Speaker 2>and Walter's like, you found the guy. That's great, and

0:23:25.680 --> 0:23:27.919
<v Speaker 2>he seems really happy that the killer is caught and

0:23:27.960 --> 0:23:30.439
<v Speaker 2>he's down to testify, and Caresee's like, slow down, we

0:23:30.480 --> 0:23:32.600
<v Speaker 2>actually have to clarify one thing. You told me you

0:23:32.680 --> 0:23:35.119
<v Speaker 2>drove up and down Twelfth av looking for Bobby. The

0:23:35.200 --> 0:23:37.560
<v Speaker 2>thing is, this guy who killed him found him hooking

0:23:37.600 --> 0:23:39.440
<v Speaker 2>a few times in the past few weeks, So.

0:23:41.040 --> 0:23:44.080
<v Speaker 3>What's up. So Walter flips super fast.

0:23:44.119 --> 0:23:46.320
<v Speaker 2>He's like, okay, I've never met Bobby, and they're like okay,

0:23:46.400 --> 0:23:49.080
<v Speaker 2>So who was doing the reading? And he goes, well,

0:23:49.119 --> 0:23:51.600
<v Speaker 2>Teddy aka Tammy or whatever the hell he was calling

0:23:51.680 --> 0:23:54.600
<v Speaker 2>himself that week. So Careesy keeps at it, and this

0:23:54.680 --> 0:23:56.840
<v Speaker 2>whole thing is a scam. Walter says, no, no, no, no,

0:23:56.880 --> 0:23:59.480
<v Speaker 2>Bobby is real. But the secrecy thing was his idea

0:24:00.000 --> 0:24:01.840
<v Speaker 2>and it worked great until we sold the rights to

0:24:01.880 --> 0:24:04.399
<v Speaker 2>Hollywood and they wanted to see a face. And so

0:24:04.560 --> 0:24:07.080
<v Speaker 2>Creasy says, you created one, and Walter says, yeah, I

0:24:07.080 --> 0:24:09.440
<v Speaker 2>found Tammy on the streets and bought a forage license.

0:24:09.840 --> 0:24:11.480
<v Speaker 2>All he had to do was read a few pages,

0:24:11.480 --> 0:24:13.359
<v Speaker 2>and he paid him five hundred dollars. I didn't think

0:24:13.400 --> 0:24:17.480
<v Speaker 2>anyone would get hurt. He asks if he is under arrest,

0:24:17.560 --> 0:24:20.080
<v Speaker 2>and Creasy is like, I'll keep you posted. So we're

0:24:20.080 --> 0:24:22.520
<v Speaker 2>at the vending machines increase. He's telling Benson if it

0:24:22.560 --> 0:24:25.040
<v Speaker 2>wasn't for this guy's scam. This person wouldn't be dead,

0:24:25.080 --> 0:24:28.200
<v Speaker 2>and Benson's like, okay, but you convinced Stone to take

0:24:28.240 --> 0:24:30.480
<v Speaker 2>this on, Like, dude, come on, you want to charge

0:24:30.480 --> 0:24:33.840
<v Speaker 2>someone for luring people into a free book reading. Benson

0:24:33.880 --> 0:24:36.040
<v Speaker 2>doesn't like it either, but unless we change the law,

0:24:36.080 --> 0:24:38.720
<v Speaker 2>there's nothing they can do. So Finn is sitting reading

0:24:38.760 --> 0:24:40.720
<v Speaker 2>the book at his desk and says, this book is

0:24:40.760 --> 0:24:44.080
<v Speaker 2>filled with underage sex rape like vibes, so maybe we

0:24:44.119 --> 0:24:47.000
<v Speaker 2>can charge people with statutory rape. And Benson's like, I

0:24:47.040 --> 0:24:49.719
<v Speaker 2>doubt he used real names. And Finn is like, but

0:24:49.760 --> 0:24:51.960
<v Speaker 2>what if we can find these men? Like what if

0:24:51.960 --> 0:24:54.120
<v Speaker 2>we can find these people in the book that we're

0:24:54.160 --> 0:24:57.320
<v Speaker 2>reading about? So Creasy says, there is zero chance this

0:24:57.359 --> 0:24:59.919
<v Speaker 2>person's going to show their face now, but Finn actually

0:25:00.200 --> 0:25:06.080
<v Speaker 2>proactive wildly, and Bobby made a couple of online banking

0:25:06.119 --> 0:25:08.760
<v Speaker 2>moves and he sent that to Taro and they tracked

0:25:08.760 --> 0:25:11.399
<v Speaker 2>the IP address. So we pull up to a giant

0:25:11.440 --> 0:25:15.680
<v Speaker 2>ass which's castle like you know those like tower cylinders

0:25:15.760 --> 0:25:18.960
<v Speaker 2>with like the cone things on top. It's very haunted

0:25:19.000 --> 0:25:22.080
<v Speaker 2>mansion vibes, and I'm like, how is this someone's home?

0:25:23.080 --> 0:25:26.000
<v Speaker 2>I'm shocked and Finn goes, well, maybe they rent a room.

0:25:26.880 --> 0:25:30.000
<v Speaker 2>So they walk towards the haunted home knock knock, NYPD

0:25:30.440 --> 0:25:32.320
<v Speaker 2>and a woman on the street with a stroller says,

0:25:32.359 --> 0:25:35.840
<v Speaker 2>what did they do? She says, these people are never seen, like,

0:25:35.920 --> 0:25:39.240
<v Speaker 2>they don't come to anything. She says, the lights go

0:25:39.320 --> 0:25:41.800
<v Speaker 2>up at night, off in the day, delivery guys leave

0:25:41.840 --> 0:25:43.040
<v Speaker 2>the stuff, but I've never.

0:25:42.880 --> 0:25:44.439
<v Speaker 3>Seen anyone take anything in.

0:25:44.960 --> 0:25:46.680
<v Speaker 2>And she says, but it's New York, and I feel

0:25:46.720 --> 0:25:48.520
<v Speaker 2>like people are allowed to be weird.

0:25:48.840 --> 0:25:51.719
<v Speaker 3>Okay, cool, mom. I figure it's New York. People are

0:25:51.760 --> 0:25:53.840
<v Speaker 3>allowed to be weird. I love that.

0:25:54.560 --> 0:25:56.560
<v Speaker 2>So then Finn makes the call and says, we're gonna

0:25:56.560 --> 0:25:58.920
<v Speaker 2>need a team and a warrant. So they jimmy the

0:25:58.960 --> 0:26:01.800
<v Speaker 2>lock and a whole team enters this castle and it's dusty,

0:26:01.920 --> 0:26:06.600
<v Speaker 2>vampire vibes, and they start yelling Bobby, Bobby o'roorke, and

0:26:06.640 --> 0:26:09.480
<v Speaker 2>they think whoever lives here might be keeping Bobby prisoner.

0:26:09.680 --> 0:26:11.760
<v Speaker 2>So they're looking around this whole dark ass house with

0:26:11.840 --> 0:26:16.119
<v Speaker 2>flashlights and there's moving like they're moving around. There's a

0:26:16.160 --> 0:26:19.159
<v Speaker 2>lot of sliding doors, and the set designer deserves an Emmy.

0:26:19.240 --> 0:26:22.840
<v Speaker 2>I'll say that this is intense, intense set design, and

0:26:22.920 --> 0:26:25.600
<v Speaker 2>Careesy is coughing and covering his face with the smell,

0:26:26.080 --> 0:26:29.840
<v Speaker 2>and Careasey finds dried blood in a corner. So then

0:26:29.880 --> 0:26:33.119
<v Speaker 2>they hear a creek and it's Judd hirsh and he

0:26:33.240 --> 0:26:36.480
<v Speaker 2>has a Yiddish accent to the max. He's in a

0:26:36.520 --> 0:26:38.920
<v Speaker 2>Hugh Hefner's style robe, and he's like, what the hell

0:26:39.000 --> 0:26:42.080
<v Speaker 2>this is my house? I don't like this, and he

0:26:42.160 --> 0:26:45.200
<v Speaker 2>then explains that Bobby O'Rourke is a bartender who died

0:26:45.240 --> 0:26:47.560
<v Speaker 2>fifty years ago. He's like, I went to the damn

0:26:47.640 --> 0:26:50.960
<v Speaker 2>funeral and another man exits a room and it's Wallace

0:26:51.040 --> 0:26:56.000
<v Speaker 2>Sean AKA Clueless and so many other stuff. But what's

0:26:56.040 --> 0:26:58.880
<v Speaker 2>the Princess Bride? Princess Bride is huge, Yeah, but he's

0:26:58.920 --> 0:27:02.800
<v Speaker 2>in so much. Yeah, he's working jenjud These are both

0:27:02.880 --> 0:27:06.639
<v Speaker 2>kind of legends. Yeah, these are both legendary guys in

0:27:06.680 --> 0:27:07.280
<v Speaker 2>our business.

0:27:07.840 --> 0:27:09.840
<v Speaker 3>So then Wala Shawn is like, what the hell did

0:27:09.880 --> 0:27:11.159
<v Speaker 3>you do this time? He did it?

0:27:11.280 --> 0:27:14.720
<v Speaker 2>Arrest his sorry ass. And Bobby died in seventy five,

0:27:14.840 --> 0:27:17.359
<v Speaker 2>not seventy two, And then they start fighting and they

0:27:17.400 --> 0:27:20.399
<v Speaker 2>are brothers and they refuse to be in the same car.

0:27:20.520 --> 0:27:20.960
<v Speaker 3>With him.

0:27:21.119 --> 0:27:22.720
<v Speaker 2>Like, so they're like, you can take us, but I'm

0:27:22.720 --> 0:27:25.520
<v Speaker 2>not sharing a fucking car with this guy. He voted

0:27:25.560 --> 0:27:28.280
<v Speaker 2>for Gerald Ford. I'm not going to ride with him.

0:27:28.480 --> 0:27:31.320
<v Speaker 2>You ride with him, I'm not going And so they're like,

0:27:31.720 --> 0:27:36.040
<v Speaker 2>it's like a vaudeville act. These guys are looney tunes.

0:27:36.840 --> 0:27:39.840
<v Speaker 2>So jud is with Rollins and Benson. He doesn't know

0:27:39.880 --> 0:27:42.160
<v Speaker 2>about this writer and they're like, we trace the IP

0:27:42.400 --> 0:27:44.919
<v Speaker 2>to you, and he doesn't even know what IP is.

0:27:45.480 --> 0:27:45.800
<v Speaker 3>Wala.

0:27:45.880 --> 0:27:49.080
<v Speaker 2>Shawn is in with Finn, like wait, the computers can

0:27:49.160 --> 0:27:52.439
<v Speaker 2>tell you where they are, very Jumanji.

0:27:52.560 --> 0:27:55.600
<v Speaker 3>And Finn is like, honey, I hear you.

0:27:57.160 --> 0:27:59.280
<v Speaker 2>He then uses a bad word but adds a Jewish

0:27:59.320 --> 0:28:01.159
<v Speaker 2>flair to it, so I don't I'm not going to

0:28:01.240 --> 0:28:04.040
<v Speaker 2>say it, but you know, not a fun word, but

0:28:04.080 --> 0:28:06.320
<v Speaker 2>it does sound fun in Yiddish.

0:28:06.560 --> 0:28:08.359
<v Speaker 3>So then he's like, don't you know.

0:28:08.480 --> 0:28:10.600
<v Speaker 2>Finn's like, hey, don't say that, and he goes, what

0:28:10.680 --> 0:28:12.560
<v Speaker 2>it's a word? Who cares? And Finn says, well, it

0:28:12.640 --> 0:28:15.760
<v Speaker 2>hurts people. And then these men are so annoying. This

0:28:15.840 --> 0:28:18.159
<v Speaker 2>is I think the reason I hate this episode. So

0:28:18.400 --> 0:28:20.679
<v Speaker 2>he calls his brother a son of a bitch. Okay,

0:28:20.720 --> 0:28:23.680
<v Speaker 2>I'm back on board. And then he calls him a schmuck.

0:28:24.000 --> 0:28:24.359
<v Speaker 3>Love that.

0:28:25.000 --> 0:28:27.240
<v Speaker 2>Then the other brother is like, he's a bum, he

0:28:27.280 --> 0:28:29.720
<v Speaker 2>would hurt him. What do you think he did to Charise?

0:28:29.800 --> 0:28:32.439
<v Speaker 2>And they're like, who is Charisse? And then there's a

0:28:32.440 --> 0:28:35.600
<v Speaker 2>bad word for black people with some Jewish flair, some

0:28:35.720 --> 0:28:40.240
<v Speaker 2>Yiddish and everyone's like, you can't say that, and he's like, ah,

0:28:40.280 --> 0:28:43.720
<v Speaker 2>you guys are so annoying. So the parents owned the

0:28:43.760 --> 0:28:46.720
<v Speaker 2>house and their dad died in sixty nine and the

0:28:46.760 --> 0:28:49.760
<v Speaker 2>mom in seventy three, and they were good parents and

0:28:49.760 --> 0:28:52.280
<v Speaker 2>then so then jud hasn't actually even left the house

0:28:52.320 --> 0:28:55.360
<v Speaker 2>since then, and Finn's like, well what about you? And

0:28:55.400 --> 0:28:57.880
<v Speaker 2>the guy Wala Sean is like what, I'm supposed to

0:28:57.920 --> 0:28:59.240
<v Speaker 2>leave it all to himself?

0:29:00.120 --> 0:29:00.480
<v Speaker 3>What is it?

0:29:00.560 --> 0:29:05.400
<v Speaker 2>The mutually exclusive what's that thing from Yellow Jackets? Mutually

0:29:05.440 --> 0:29:09.479
<v Speaker 2>assured destruction? Oh yeah, yeah, that's this where it's like

0:29:09.520 --> 0:29:11.760
<v Speaker 2>their lives are a mess, but they would rather both

0:29:11.800 --> 0:29:13.239
<v Speaker 2>be a mess than one of them get to be

0:29:13.240 --> 0:29:16.680
<v Speaker 2>in this gorgeous house, right, and it's also a hoarding house.

0:29:17.360 --> 0:29:19.120
<v Speaker 2>I don't know if I was clear about that. I mean,

0:29:19.160 --> 0:29:21.600
<v Speaker 2>I said vampires and dust, but it's.

0:29:21.520 --> 0:29:26.000
<v Speaker 1>No horn stacks of shit like major hoarding vibes.

0:29:26.080 --> 0:29:27.200
<v Speaker 3>Yeah, major.

0:29:27.800 --> 0:29:30.960
<v Speaker 2>So we're back to jud and Scharis came in twice

0:29:31.000 --> 0:29:33.760
<v Speaker 2>a week and made terrible soup, but Wallace thought she

0:29:33.880 --> 0:29:36.360
<v Speaker 2>was stealing because he would put quarters all over the

0:29:36.360 --> 0:29:38.440
<v Speaker 2>house and then when there was one missing, he was like,

0:29:38.720 --> 0:29:42.200
<v Speaker 2>she's stealing. So they fired her in nineteen seventy five,

0:29:42.520 --> 0:29:44.640
<v Speaker 2>and Wallace is like, if anything happened to this.

0:29:44.640 --> 0:29:45.760
<v Speaker 3>Boy, it was Joe.

0:29:46.320 --> 0:29:48.760
<v Speaker 2>So I'm sure this this while back and forth is

0:29:49.280 --> 0:29:53.240
<v Speaker 2>it's lasting forever. And so we go to Kari a while,

0:29:54.680 --> 0:29:57.880
<v Speaker 2>and so we go back to Krezy, who's flashlight deep

0:29:58.080 --> 0:30:01.960
<v Speaker 2>in searching the house and there's little little peeks of

0:30:02.000 --> 0:30:05.320
<v Speaker 2>sunlight and really pretty stained glass but mostly a mess.

0:30:05.840 --> 0:30:08.360
<v Speaker 3>And then fuck, man down, Man down.

0:30:08.440 --> 0:30:11.400
<v Speaker 2>A giant bookshelf with tons of books falls on Creasy

0:30:11.760 --> 0:30:13.560
<v Speaker 2>and he's like, get this thing off of me, and

0:30:13.600 --> 0:30:16.920
<v Speaker 2>what if he was alone? Like that is so fucking scary,

0:30:17.040 --> 0:30:19.440
<v Speaker 2>And it was a booby trap, so something's back there.

0:30:19.480 --> 0:30:21.560
<v Speaker 2>So he stepped on something, the shelf fell on him,

0:30:21.840 --> 0:30:24.800
<v Speaker 2>and holy shit, what's back there being protected by this

0:30:25.040 --> 0:30:28.560
<v Speaker 2>booby trap is a laptop with a copy of Bobby's.

0:30:28.160 --> 0:30:30.880
<v Speaker 3>Book done done, done, done.

0:30:31.200 --> 0:30:33.280
<v Speaker 2>And so then the next book is actually a document

0:30:33.320 --> 0:30:34.960
<v Speaker 2>on the computer, so we know for a fact that

0:30:35.040 --> 0:30:37.320
<v Speaker 2>Bobby was there and was writing. We have like a

0:30:37.360 --> 0:30:39.480
<v Speaker 2>sequel being written as it's happening.

0:30:39.880 --> 0:30:41.560
<v Speaker 1>So but also I want to say that the guy

0:30:41.560 --> 0:30:46.120
<v Speaker 1>who helps take the bookshelf off of Caraesy is Montero,

0:30:46.240 --> 0:30:49.640
<v Speaker 1>who is Eddie Hargatea, who is Marishka's brother, who has

0:30:49.680 --> 0:30:53.040
<v Speaker 1>been recurring on a couple of episodes. Oh wow, he's

0:30:53.080 --> 0:30:55.640
<v Speaker 1>always just this officer named Montero that they all know

0:30:55.760 --> 0:30:58.000
<v Speaker 1>and like he's always in like one scene or whatever.

0:30:58.680 --> 0:31:01.040
<v Speaker 2>So Benson's at the pre sinked on the cell phone

0:31:01.040 --> 0:31:03.800
<v Speaker 2>getting scooped, and Creasy's calling from outside the house saying

0:31:03.800 --> 0:31:07.320
<v Speaker 2>that the document was updated two days ago. So they're like,

0:31:07.440 --> 0:31:11.040
<v Speaker 2>keep searching, Bobby might be hiding in there. So there's

0:31:11.080 --> 0:31:12.720
<v Speaker 2>five floors in this house.

0:31:12.800 --> 0:31:13.479
<v Speaker 3>It's huge.

0:31:14.520 --> 0:31:17.000
<v Speaker 2>Now we're back to Wala Shan, who lets Finn know

0:31:17.080 --> 0:31:19.880
<v Speaker 2>that he wants a corn beef sandwich from Carnegie Delli.

0:31:20.800 --> 0:31:23.160
<v Speaker 2>And then Finn is like that place closed two years ago,

0:31:23.240 --> 0:31:24.160
<v Speaker 2>which is a news to me.

0:31:24.320 --> 0:31:28.840
<v Speaker 3>And now I'm sad I loved that place because like.

0:31:28.760 --> 0:31:30.480
<v Speaker 2>You would order one thing and they would give you

0:31:30.760 --> 0:31:32.959
<v Speaker 2>a pickles, a piece of haala, a dip of this,

0:31:33.160 --> 0:31:35.800
<v Speaker 2>like they it's just they would give you so many

0:31:36.080 --> 0:31:37.560
<v Speaker 2>foods for one omelet.

0:31:38.000 --> 0:31:39.560
<v Speaker 3>Yeah, and wala.

0:31:39.640 --> 0:31:42.040
<v Speaker 2>Shawn is so funny and says, nobody told me about

0:31:42.040 --> 0:31:45.760
<v Speaker 2>the Shiva. And our lady walks in and says, you're

0:31:45.760 --> 0:31:48.200
<v Speaker 2>coming with me and he says, oh nice, We're going

0:31:48.240 --> 0:31:51.280
<v Speaker 2>home and they're like, not quite, dude, let's go. So

0:31:51.400 --> 0:31:54.240
<v Speaker 2>they're putting the brothers together and it's Judd and Wallace

0:31:54.600 --> 0:31:57.240
<v Speaker 2>with Benson and Rollins and they're like, we know Bobby

0:31:57.280 --> 0:31:59.640
<v Speaker 2>was in your house two days ago. Nobody has seen

0:31:59.680 --> 0:32:03.760
<v Speaker 2>him so and Judd says I haven't and Wallace is like, liar,

0:32:04.000 --> 0:32:06.520
<v Speaker 2>And then they start arguing and Judd says, well, tell them,

0:32:06.720 --> 0:32:09.280
<v Speaker 2>tell them about Izzy Berkowitz and Benson's like, who, what

0:32:09.800 --> 0:32:13.280
<v Speaker 2>is happening? So I guess this isy guys cheated in

0:32:13.320 --> 0:32:15.320
<v Speaker 2>a game in Jim Rubby in nineteen fifty eight, so

0:32:15.360 --> 0:32:18.120
<v Speaker 2>it's like, why are we still talking about it? And

0:32:18.160 --> 0:32:21.080
<v Speaker 2>he's like it shows your character and you have none,

0:32:21.080 --> 0:32:23.360
<v Speaker 2>And Wallace gets up and says, I'm not listening to

0:32:23.440 --> 0:32:26.840
<v Speaker 2>this anymore, and Benson's like, yes, you are, bitch. You're

0:32:26.840 --> 0:32:28.719
<v Speaker 2>gonna sit here until you and your brothers tell us

0:32:28.720 --> 0:32:30.000
<v Speaker 2>what happened to Bobby or Rourke.

0:32:30.160 --> 0:32:31.000
<v Speaker 3>You understand that.

0:32:31.400 --> 0:32:34.000
<v Speaker 2>And they both sit down silent, and they finally realize

0:32:34.000 --> 0:32:37.600
<v Speaker 2>that they're in trouble. Maybe Kreese is still searching. Why

0:32:37.640 --> 0:32:40.440
<v Speaker 2>aren't they wearing hazmats? This is like so dangerous, ye,

0:32:41.120 --> 0:32:44.480
<v Speaker 2>So then Cares finds, uh oh, a deep freezer with

0:32:44.520 --> 0:32:47.040
<v Speaker 2>a lock. Not a good sign, never a good sign,

0:32:47.480 --> 0:32:50.240
<v Speaker 2>and it was covered in blankets and Finn Knock knock

0:32:50.400 --> 0:32:52.400
<v Speaker 2>comes in and they get lab results back and the

0:32:52.480 --> 0:32:56.000
<v Speaker 2>DNA on the manuscript matches blood on floors and the laptop.

0:32:56.480 --> 0:32:58.320
<v Speaker 2>So we're going to search your house f top to

0:32:58.400 --> 0:33:01.200
<v Speaker 2>bottom and we're gonna find him. And then Benson goes

0:33:01.200 --> 0:33:03.960
<v Speaker 2>and that's it. You're both under arrest and put them

0:33:03.960 --> 0:33:07.520
<v Speaker 2>in the cage. So that gets them rattling, and finally

0:33:07.600 --> 0:33:10.160
<v Speaker 2>Wallace says, well, wait, it was me, and Benson goes,

0:33:10.200 --> 0:33:13.440
<v Speaker 2>you killed Bobby and Wallace says, no, there is no Bobby. Okay,

0:33:13.480 --> 0:33:15.440
<v Speaker 2>give them a lawyer if they want one. I'm done,

0:33:15.520 --> 0:33:18.160
<v Speaker 2>and Wallace stops them again and says, look, I wrote it.

0:33:18.480 --> 0:33:21.720
<v Speaker 2>His brother's like whoa you wrote a book, and Wallace

0:33:21.760 --> 0:33:24.160
<v Speaker 2>angrily tells his brother, well, I had to do something.

0:33:24.520 --> 0:33:26.360
<v Speaker 2>Who do you think pays for the groceries and the

0:33:26.360 --> 0:33:29.320
<v Speaker 2>real estate taxes? And Judd goes, well, what about mama's money?

0:33:29.320 --> 0:33:32.120
<v Speaker 2>And Wallace is like, that's gonna run out in six months.

0:33:32.200 --> 0:33:33.880
<v Speaker 2>But you never think about the future.

0:33:33.960 --> 0:33:34.600
<v Speaker 3>You never do.

0:33:34.760 --> 0:33:37.240
<v Speaker 2>I always have to think about the future. And she says,

0:33:37.240 --> 0:33:39.240
<v Speaker 2>wait a minute. If you haven't left the house since

0:33:39.320 --> 0:33:41.240
<v Speaker 2>nineteen seventy three, how is it that you got a

0:33:41.240 --> 0:33:46.680
<v Speaker 2>computer to write on good detective work. Jud again confuses like, whoa,

0:33:46.760 --> 0:33:50.560
<v Speaker 2>you have a computer? I love this and Wallace's pissed. No,

0:33:50.680 --> 0:33:55.400
<v Speaker 2>I used hyroglyphics and says focus. So Wallace explains that

0:33:55.440 --> 0:33:57.800
<v Speaker 2>he gave Carlos, the boy that delivers from the Delhi,

0:33:57.800 --> 0:34:00.200
<v Speaker 2>one hundred dollars to buy it and set it up

0:34:00.200 --> 0:34:00.560
<v Speaker 2>for him.

0:34:01.240 --> 0:34:02.520
<v Speaker 3>So then tell us about the blood.

0:34:02.960 --> 0:34:05.080
<v Speaker 2>He says, he cut himself when trying to carry his

0:34:05.120 --> 0:34:07.480
<v Speaker 2>mother's sewing machine into the basement and stepped on a

0:34:07.480 --> 0:34:10.200
<v Speaker 2>piece of broken glass. Why do you think Bobby never

0:34:10.239 --> 0:34:12.560
<v Speaker 2>showed his face? The truth is, we didn't kill Bobby

0:34:12.640 --> 0:34:16.120
<v Speaker 2>or Rourke. You people did. Back to Careese, Jimmy the

0:34:16.120 --> 0:34:19.640
<v Speaker 2>freezer lock, it breaks open and inside is frozen food

0:34:20.360 --> 0:34:21.000
<v Speaker 2>and a body.

0:34:21.680 --> 0:34:23.160
<v Speaker 3>Yikestunt done.

0:34:23.560 --> 0:34:26.520
<v Speaker 2>So in the freezer there's a dead woman with gray

0:34:26.520 --> 0:34:28.719
<v Speaker 2>long hair and it's an older lady and she is

0:34:28.760 --> 0:34:31.400
<v Speaker 2>dead in that freezer. And now we're back from a

0:34:31.400 --> 0:34:35.520
<v Speaker 2>commercial break. That's obviously done. That's that's an hack break.

0:34:36.800 --> 0:34:39.960
<v Speaker 2>Have you seen Bernie that movie Jack Glass?

0:34:40.200 --> 0:34:42.719
<v Speaker 1>Pieces of It? Yes, I like to watch the whole thing,

0:34:42.800 --> 0:34:44.360
<v Speaker 1>but yeah.

0:34:43.760 --> 0:34:44.880
<v Speaker 3>I love that movie.

0:34:45.160 --> 0:34:48.200
<v Speaker 2>Yeah, and you know, like the townspeople are real townspeople.

0:34:48.440 --> 0:34:51.520
<v Speaker 1>Yes, we've talked about this on this podcast. Can't stop

0:34:51.560 --> 0:34:53.879
<v Speaker 1>because you love this movie? Yeah, how you do love it?

0:34:54.480 --> 0:34:56.480
<v Speaker 2>So we're back from the commercial break and Benson is

0:34:56.480 --> 0:34:59.400
<v Speaker 2>wearing thick, black rimmed glasses and reading the book with

0:34:59.480 --> 0:35:01.960
<v Speaker 2>a pet or hand to make some notes in the margins,

0:35:02.440 --> 0:35:04.520
<v Speaker 2>and Rollins walks in with a file in hand from

0:35:04.520 --> 0:35:07.920
<v Speaker 2>the Emmy. The dead body is Rose Edelman, tumors in

0:35:08.000 --> 0:35:11.200
<v Speaker 2>both lungs and she didn't die from cancer, but from exphyxiation.

0:35:11.880 --> 0:35:14.080
<v Speaker 2>There's no bruise marks though around her next so they

0:35:14.120 --> 0:35:17.040
<v Speaker 2>must have used a pillow to suffocate her. And this

0:35:17.080 --> 0:35:19.680
<v Speaker 2>is the mother obviously, so Benson is like you read it,

0:35:19.719 --> 0:35:20.640
<v Speaker 2>and Rollins is like yeah.

0:35:20.719 --> 0:35:22.160
<v Speaker 3>So she starts reading out loud, and.

0:35:23.680 --> 0:35:25.719
<v Speaker 2>The text from the book reads like like do I

0:35:25.760 --> 0:35:27.200
<v Speaker 2>hate this guy or love him?

0:35:27.640 --> 0:35:29.040
<v Speaker 3>And does he love or hate me?

0:35:29.280 --> 0:35:31.080
<v Speaker 2>But he wants me enough to let go of his

0:35:31.160 --> 0:35:34.400
<v Speaker 2>hard earned money and it's in such details, and Benson

0:35:34.480 --> 0:35:36.960
<v Speaker 2>is like, I've spoken to so many survivors that speak

0:35:37.000 --> 0:35:39.720
<v Speaker 2>like this, and Rollin's being dense as fuck is like, sure,

0:35:39.719 --> 0:35:41.960
<v Speaker 2>but this is coming from a seventy three year old hoarder.

0:35:42.000 --> 0:35:45.400
<v Speaker 2>And Benson responds who has completely rejected society?

0:35:46.280 --> 0:35:48.880
<v Speaker 3>So Rollins ding ding ding was he abused?

0:35:48.920 --> 0:35:51.560
<v Speaker 2>And Benson's like yeah, and if he was, he deserves

0:35:51.600 --> 0:35:54.480
<v Speaker 2>some closure. So they go to Rikers on November twenty

0:35:54.520 --> 0:35:58.879
<v Speaker 2>sixth Now I do need to mention. So November nineteenth,

0:35:58.960 --> 0:36:02.520
<v Speaker 2>they're starting this in a it's the twenty six Thanksgiving happened.

0:36:04.800 --> 0:36:06.840
<v Speaker 1>We didn't even get to see the squad get together.

0:36:06.880 --> 0:36:09.400
<v Speaker 1>It lives apartment split, a turkey leg fuck.

0:36:10.239 --> 0:36:12.000
<v Speaker 2>Maybe it's like a late and Tuesday, but I think

0:36:12.719 --> 0:36:15.520
<v Speaker 2>that that goes away because Court's on the thirtieth or

0:36:15.560 --> 0:36:17.600
<v Speaker 2>thirty first, so it's like truly.

0:36:17.280 --> 0:36:19.680
<v Speaker 3>Just past Thanksgiving.

0:36:19.800 --> 0:36:24.040
<v Speaker 2>Yeah, So they work on it so anyways, Wallace is

0:36:24.080 --> 0:36:26.800
<v Speaker 2>in an orange jumpsuit and he's telling a white blazer

0:36:26.880 --> 0:36:29.400
<v Speaker 2>Benson childhood stories about being on the beach with his

0:36:29.480 --> 0:36:32.440
<v Speaker 2>mom and his mom loved reading books, and he's talking

0:36:32.520 --> 0:36:35.920
<v Speaker 2>about the waves and the undertow and so sadly these

0:36:35.920 --> 0:36:38.600
<v Speaker 2>boys were like pushed so far from the shore and

0:36:38.640 --> 0:36:42.719
<v Speaker 2>then like whatever, they were trying to be saved and

0:36:42.760 --> 0:36:45.800
<v Speaker 2>they were like getting carried under and then the lifeguard

0:36:45.880 --> 0:36:48.200
<v Speaker 2>saved him, and then he remembers being faced down on

0:36:48.239 --> 0:36:51.560
<v Speaker 2>the shore, regurgitating saltwater with every cough, and Benson's like, well,

0:36:51.600 --> 0:36:54.000
<v Speaker 2>you certainly owe your life to that lifeguard. He goes, Nope,

0:36:54.239 --> 0:36:57.319
<v Speaker 2>I owe mama, Like she made the lifeguard go get them,

0:36:57.360 --> 0:37:00.440
<v Speaker 2>and she kept us afloat because she got there before hand.

0:37:00.280 --> 0:37:01.680
<v Speaker 3>Like she beat him out to us.

0:37:02.080 --> 0:37:04.799
<v Speaker 2>So it's really like the mom that helped save them

0:37:04.800 --> 0:37:07.839
<v Speaker 2>from this undertow situation. And I'm not really sure why

0:37:07.840 --> 0:37:10.960
<v Speaker 2>they're telling the story, but Benson says she sounds like

0:37:10.960 --> 0:37:13.480
<v Speaker 2>an amazing woman, and Wallace makes a face that reminds

0:37:13.480 --> 0:37:14.200
<v Speaker 2>me of Jeff Ross.

0:37:14.239 --> 0:37:15.520
<v Speaker 3>He truly looks like Jeff Ross.

0:37:15.520 --> 0:37:19.160
<v Speaker 1>For a second, I think that you're hearing this whole

0:37:19.239 --> 0:37:21.360
<v Speaker 1>story so that it sets up that these guys didn't

0:37:21.360 --> 0:37:22.560
<v Speaker 1>like viciously kill their mom.

0:37:22.600 --> 0:37:25.399
<v Speaker 3>They were like obsessed with her. You know, Yeah, that's

0:37:25.760 --> 0:37:26.480
<v Speaker 3>a great idea.

0:37:26.600 --> 0:37:30.840
<v Speaker 2>And so he Win says but smiles and is hiding something,

0:37:30.840 --> 0:37:33.120
<v Speaker 2>but then agrees and says, the eggs always think they're

0:37:33.160 --> 0:37:35.480
<v Speaker 2>smarter than the chicken. And now I'm not about to

0:37:35.520 --> 0:37:38.720
<v Speaker 2>confess something that I didn't do, and Benson goes, okay,

0:37:38.760 --> 0:37:41.400
<v Speaker 2>then what about something your brother did? And he's like,

0:37:41.520 --> 0:37:45.000
<v Speaker 2>he ain't gonna say shit, sorry, dude. So Rollin's is

0:37:45.040 --> 0:37:47.080
<v Speaker 2>pregnant in the scene, so of course no one will

0:37:47.160 --> 0:37:50.720
<v Speaker 2>leave her alone ever, and they're just like, so, where's

0:37:50.760 --> 0:37:53.719
<v Speaker 2>your husband? So Jud's asking about the husband, and it's like,

0:37:53.880 --> 0:37:57.960
<v Speaker 2>leave her alone. Let her just be pregnant. She's a slut. Okay, no,

0:37:58.080 --> 0:38:00.680
<v Speaker 2>but there is someone special, and he says, well until

0:38:00.719 --> 0:38:02.520
<v Speaker 2>he marries you, I don't want to hear about him.

0:38:02.560 --> 0:38:05.439
<v Speaker 2>So they giggle and they're honestly like being cute. So

0:38:05.760 --> 0:38:08.000
<v Speaker 2>I was pissed at first because I think everyone should

0:38:08.000 --> 0:38:11.000
<v Speaker 2>just leave her alone. For some reason, boundaries go out

0:38:11.080 --> 0:38:13.200
<v Speaker 2>the door when someone's pregnant. I'm sure people were saying

0:38:13.200 --> 0:38:17.080
<v Speaker 2>insane things to you Yeah. People are wild. They say

0:38:17.120 --> 0:38:19.840
<v Speaker 2>whatever they want, they touch you. Yeah, are you gonna

0:38:19.880 --> 0:38:24.240
<v Speaker 2>give vaginal birth? And yeah, yeahing about like it's people

0:38:24.280 --> 0:38:26.800
<v Speaker 2>are crazy. But he's just being sweet, like a sweet

0:38:26.880 --> 0:38:29.080
<v Speaker 2>jew man. I feel like being like, oh, well, if

0:38:29.080 --> 0:38:31.960
<v Speaker 2>he doesn't marry you, I hate him. So she asks

0:38:32.160 --> 0:38:34.080
<v Speaker 2>if he wants a wife, and he says no, that

0:38:34.120 --> 0:38:38.040
<v Speaker 2>he's too busy. So this is a little trickster rollins here,

0:38:38.120 --> 0:38:41.759
<v Speaker 2>she says, she starts flirting. She's like, but you're too handsome.

0:38:42.239 --> 0:38:44.560
<v Speaker 2>You would have been quite a catch. And he says,

0:38:44.920 --> 0:38:47.640
<v Speaker 2>so are you shocking up like those flower people? And

0:38:47.680 --> 0:38:50.400
<v Speaker 2>she laughs and she says they've been gone for a

0:38:50.440 --> 0:38:53.279
<v Speaker 2>long time and their flower children. He then asks if

0:38:53.280 --> 0:38:56.360
<v Speaker 2>his brother is confessed yet he's weak that kid. She

0:38:56.480 --> 0:38:58.880
<v Speaker 2>asks if he needed to protect him, and he responds,

0:38:59.000 --> 0:39:01.920
<v Speaker 2>damn straight. But he then says it sometimes it is

0:39:02.000 --> 0:39:04.279
<v Speaker 2>really hard to be the big brother because you know,

0:39:04.320 --> 0:39:07.160
<v Speaker 2>you feel all this responsibility to protect your little brother.

0:39:07.520 --> 0:39:09.560
<v Speaker 2>And it cuts back to Benson and Wallace and she

0:39:09.600 --> 0:39:11.400
<v Speaker 2>says she wants to talk about the book and that

0:39:11.480 --> 0:39:14.000
<v Speaker 2>it was powerful, and he gets excited. He's like, you

0:39:14.040 --> 0:39:16.400
<v Speaker 2>read it, and she says it was so real that

0:39:16.480 --> 0:39:18.759
<v Speaker 2>actually she doesn't get how he could have written it

0:39:18.760 --> 0:39:21.719
<v Speaker 2>without and before she can finish, she says, I don't

0:39:21.719 --> 0:39:23.440
<v Speaker 2>want to talk about that, and gets up from his

0:39:23.560 --> 0:39:26.080
<v Speaker 2>chair to stare at a wall. She says, I know

0:39:26.120 --> 0:39:28.759
<v Speaker 2>how hard it must have been, and he says, you know,

0:39:29.000 --> 0:39:33.440
<v Speaker 2>bump kiss. She says, no, anyone that could have written

0:39:33.440 --> 0:39:35.680
<v Speaker 2>that book certainly must have lived through something.

0:39:36.040 --> 0:39:37.280
<v Speaker 3>You wrote that so you can.

0:39:37.160 --> 0:39:39.640
<v Speaker 2>Tell the world what happened and how devastating it was.

0:39:39.680 --> 0:39:41.800
<v Speaker 2>And he says no, I wrote that book for money,

0:39:42.040 --> 0:39:44.239
<v Speaker 2>and she says you were ashamed and that's why you

0:39:44.239 --> 0:39:46.840
<v Speaker 2>didn't use your name. She says, shame isn't done you,

0:39:47.000 --> 0:39:49.160
<v Speaker 2>and it wasn't your fault. Who did this to you,

0:39:49.400 --> 0:39:51.720
<v Speaker 2>who hurt you? And then it cuts back to Judd

0:39:51.719 --> 0:39:54.120
<v Speaker 2>and Rollins and now you know they do these back

0:39:54.160 --> 0:39:54.560
<v Speaker 2>and forth.

0:39:55.120 --> 0:39:56.879
<v Speaker 3>So after school we.

0:39:56.960 --> 0:39:59.319
<v Speaker 2>Used to go to this play center and there was

0:39:59.320 --> 0:40:01.919
<v Speaker 2>a counselor that and he was twenty and Rollins asks

0:40:01.960 --> 0:40:04.160
<v Speaker 2>if he did anything to his brother and he says,

0:40:04.239 --> 0:40:06.040
<v Speaker 2>fuck no. What kind of brother would I be if

0:40:06.080 --> 0:40:08.360
<v Speaker 2>I allowed that? And she says, but he hurt you

0:40:09.040 --> 0:40:11.439
<v Speaker 2>and he yells, I was only twelve years old. Damn

0:40:11.440 --> 0:40:14.120
<v Speaker 2>it well kind of a person. He says that there

0:40:14.160 --> 0:40:16.520
<v Speaker 2>was a guy called Vincent and he was always around

0:40:16.600 --> 0:40:19.120
<v Speaker 2>and first time was in the locker room when nobody

0:40:19.120 --> 0:40:20.759
<v Speaker 2>else was there, and he said, this is what big

0:40:20.760 --> 0:40:23.240
<v Speaker 2>boys do. And it starts to cut back and forth

0:40:23.320 --> 0:40:26.040
<v Speaker 2>fast between the two brothers talking about what happened, and

0:40:26.120 --> 0:40:28.680
<v Speaker 2>jud says, just don't tell my brother, and then Wallace

0:40:28.719 --> 0:40:31.279
<v Speaker 2>had never told anybody, and especially not his brother, who

0:40:31.320 --> 0:40:34.160
<v Speaker 2>would have laughed at him. Then Jud says, I was

0:40:34.160 --> 0:40:36.560
<v Speaker 2>the older brother, How could I have told him? And

0:40:36.840 --> 0:40:39.239
<v Speaker 2>Rond's like, what about your father? And jud says, oh, no,

0:40:39.520 --> 0:40:41.959
<v Speaker 2>like our father would get mad if I'd an't Ace

0:40:42.000 --> 0:40:43.920
<v Speaker 2>a test, like how could I tell him about this?

0:40:44.400 --> 0:40:46.960
<v Speaker 2>And Benson asks like, what about your mother? And Wallace says,

0:40:47.000 --> 0:40:49.280
<v Speaker 2>of course not. She would have thought I was dirty,

0:40:49.320 --> 0:40:51.560
<v Speaker 2>and I would have and wouldn't have loved me anymore.

0:40:52.600 --> 0:40:55.920
<v Speaker 1>Did they get molested by separate guys? No, Oh, it

0:40:55.960 --> 0:40:58.799
<v Speaker 1>was the same guy. I thought he gave a different name. No,

0:40:59.120 --> 0:41:00.759
<v Speaker 1>I think it's the same guy. I mean, we'll see,

0:41:00.840 --> 0:41:02.000
<v Speaker 1>but I think it's the same one.

0:41:02.239 --> 0:41:03.000
<v Speaker 3>Yeah.

0:41:03.080 --> 0:41:05.160
<v Speaker 2>So Benson and Stone do a walk and talk in

0:41:05.200 --> 0:41:09.000
<v Speaker 2>front of stained glass that says justice behind them, and

0:41:09.080 --> 0:41:12.239
<v Speaker 2>she says, Peter, they were both abused, and he says okay,

0:41:12.280 --> 0:41:14.640
<v Speaker 2>and conveniently they didn't say anything about it till they

0:41:14.640 --> 0:41:17.759
<v Speaker 2>were charged. She says, I believe them, and he's like, well,

0:41:17.800 --> 0:41:20.120
<v Speaker 2>I'll do my best to get it excluded from the trial.

0:41:20.200 --> 0:41:25.080
<v Speaker 2>He says, proudly fucking loser to be that hot and

0:41:25.239 --> 0:41:28.960
<v Speaker 2>so wildly hated, Like it's a special level of bad

0:41:29.000 --> 0:41:32.479
<v Speaker 2>personality and choices with this character, and like we even

0:41:32.560 --> 0:41:35.080
<v Speaker 2>like Tomorrow, like we still think Amorrow's hot and he's

0:41:35.120 --> 0:41:38.319
<v Speaker 2>shot unarmed children, and then with Stone, it's just like

0:41:38.719 --> 0:41:42.239
<v Speaker 2>get away from us. Benson is like, you won't have

0:41:42.320 --> 0:41:44.759
<v Speaker 2>to fucking do that. They both won't ever admit it,

0:41:44.880 --> 0:41:46.799
<v Speaker 2>and so like you don't have to like work to

0:41:46.840 --> 0:41:47.400
<v Speaker 2>exclude it.

0:41:47.400 --> 0:41:50.440
<v Speaker 3>They're pretty ashamed of what happened. They won't even admit

0:41:50.480 --> 0:41:51.120
<v Speaker 3>it to each other.

0:41:51.160 --> 0:41:54.319
<v Speaker 2>And he's like, great, then that's settled, perfect, And she's

0:41:54.360 --> 0:41:57.279
<v Speaker 2>begging for him to cut them a deal, and it's

0:41:57.320 --> 0:41:59.720
<v Speaker 2>like the mom was sick and in pain, just please,

0:41:59.800 --> 0:42:01.799
<v Speaker 2>and he's like, listen, I already made a deal with

0:42:01.840 --> 0:42:05.759
<v Speaker 2>the attorney. Okay, one year jail, ten years probation, and

0:42:05.880 --> 0:42:08.760
<v Speaker 2>that takes Olivia by surprise. She's like, well that's generous,

0:42:08.800 --> 0:42:11.600
<v Speaker 2>and he goes, yeah, they turned it down. She says

0:42:11.640 --> 0:42:14.439
<v Speaker 2>they're sympathetic defendants and he's like yeah until the jury.

0:42:14.480 --> 0:42:16.680
<v Speaker 2>Here is they kept their mom on ice in the basement.

0:42:18.200 --> 0:42:20.200
<v Speaker 2>So now we're in court and it's the twenty ninth

0:42:20.280 --> 0:42:23.120
<v Speaker 2>and a Thursday. So Thanksgiving was definitely last week. I

0:42:23.160 --> 0:42:26.160
<v Speaker 2>told you during the case, no one even said like,

0:42:26.160 --> 0:42:27.880
<v Speaker 2>oh fuck, are you going someone?

0:42:28.000 --> 0:42:31.360
<v Speaker 1>Yeah, yeah, No one even brings in leftovers.

0:42:31.480 --> 0:42:35.920
<v Speaker 2>Yeah, nobody complained about working. So we got defense attorney

0:42:35.920 --> 0:42:38.359
<v Speaker 2>Evan Brawn. He's in eight episodes of SCVU and he's

0:42:38.360 --> 0:42:42.239
<v Speaker 2>played by Michael Kostra and classic evil guy face. You know,

0:42:42.360 --> 0:42:44.720
<v Speaker 2>it must be sad, so like this is an actor.

0:42:44.760 --> 0:42:46.359
<v Speaker 2>My mom would be like, I don't like him.

0:42:46.440 --> 0:42:47.440
<v Speaker 3>He's bad. You know.

0:42:48.400 --> 0:42:51.680
<v Speaker 2>She doesn't like Christopher Walking, like anyone that ever plays

0:42:51.719 --> 0:42:54.360
<v Speaker 2>anyone bad to her, it's like, get them away.

0:42:55.640 --> 0:42:58.359
<v Speaker 3>Oh not Christopher Walking. I don't know. I was thinking

0:42:58.400 --> 0:43:01.319
<v Speaker 3>Willem Dafoe. Do they look similar? No they don't, but

0:43:01.960 --> 0:43:04.680
<v Speaker 3>they're both creepy looking kind of you don't think they

0:43:04.680 --> 0:43:08.600
<v Speaker 3>look similar at all. Christopher Walking and Willem Defoe. I don't. Okay,

0:43:08.600 --> 0:43:10.360
<v Speaker 3>we'll do a poll. We'll do a poll.

0:43:10.800 --> 0:43:12.600
<v Speaker 2>Casey, will you do a note so we post this,

0:43:12.760 --> 0:43:15.319
<v Speaker 2>ha ha, We're going to do a poll. So he's

0:43:15.360 --> 0:43:18.560
<v Speaker 2>addressing the jury in a beautiful shot of television, I

0:43:18.560 --> 0:43:21.120
<v Speaker 2>would say. He says, this is a case about love,

0:43:21.280 --> 0:43:23.959
<v Speaker 2>about two sons who just love their mom too much.

0:43:24.280 --> 0:43:25.919
<v Speaker 2>And since I love the way that this was shot,

0:43:25.960 --> 0:43:27.839
<v Speaker 2>I looked up the director and he's done thirty four

0:43:27.840 --> 0:43:31.200
<v Speaker 2>episodes of SVO and every other Dick Wolf show, so

0:43:31.440 --> 0:43:33.960
<v Speaker 2>he's really been working and incredible, and I didn't even

0:43:33.960 --> 0:43:34.719
<v Speaker 2>write his name down.

0:43:34.960 --> 0:43:36.160
<v Speaker 3>Helloa.

0:43:37.280 --> 0:43:39.200
<v Speaker 2>He says it always struck him at as odd that

0:43:39.280 --> 0:43:41.319
<v Speaker 2>the law says that a mother must take care of

0:43:41.360 --> 0:43:43.560
<v Speaker 2>their kids, so you would think there would be a

0:43:43.600 --> 0:43:45.799
<v Speaker 2>law that says kids should take care of her when

0:43:45.840 --> 0:43:48.279
<v Speaker 2>she is old and sick. And he says, Rose got

0:43:48.400 --> 0:43:51.080
<v Speaker 2>very sick and we've only had six months to live,

0:43:51.120 --> 0:43:53.320
<v Speaker 2>and then she died. And mister Stone will say that

0:43:53.480 --> 0:43:56.480
<v Speaker 2>they that these two loving sons murdered her, but they're

0:43:56.480 --> 0:43:58.680
<v Speaker 2>two sons who cooked for her, bathed her and made

0:43:58.719 --> 0:44:01.200
<v Speaker 2>sure she took her meds, two boys that love their

0:44:01.200 --> 0:44:03.600
<v Speaker 2>mom so much. Though when she passed away, they couldn't

0:44:03.640 --> 0:44:07.359
<v Speaker 2>bear to see her buried in Queen's and dirt. And

0:44:07.400 --> 0:44:10.560
<v Speaker 2>then then he goes an entree for hungry worms, like

0:44:10.600 --> 0:44:14.080
<v Speaker 2>he's laying it on thick. This is a real performance,

0:44:14.120 --> 0:44:16.480
<v Speaker 2>and jud puts his head in his hands, and then

0:44:16.520 --> 0:44:19.600
<v Speaker 2>our dude says, or worse yet, shoved into a flaming

0:44:19.640 --> 0:44:22.840
<v Speaker 2>hot oven. And I feel like there's Holocaust underdowns here.

0:44:23.800 --> 0:44:25.480
<v Speaker 3>Because I want to be cremated, and I don't think

0:44:25.520 --> 0:44:27.160
<v Speaker 3>that's like a mean thing to do to a body.

0:44:28.480 --> 0:44:31.200
<v Speaker 2>I definitely think this is Holocaust vibes and it's a

0:44:31.239 --> 0:44:32.720
<v Speaker 2>crazy thing to do to a body.

0:44:33.280 --> 0:44:33.640
<v Speaker 4>I want.

0:44:33.680 --> 0:44:35.120
<v Speaker 1>That's what I want to happen to me. I don't

0:44:35.120 --> 0:44:38.080
<v Speaker 1>want to like rot for years in the ground. Sorry,

0:44:38.080 --> 0:44:40.560
<v Speaker 1>that's not for me. No, that's totally fine.

0:44:40.640 --> 0:44:44.640
<v Speaker 3>But you can't say that burning a body is like chill.

0:44:44.760 --> 0:44:46.680
<v Speaker 3>It's all. It's just like what we've accepted. But did

0:44:46.680 --> 0:44:49.440
<v Speaker 3>you watch Midsommer? Really? You did it? I had Jared

0:44:49.480 --> 0:44:51.240
<v Speaker 3>explain it to me ruined style.

0:44:51.480 --> 0:44:53.920
<v Speaker 2>So yeah, like a Midsommer they make the old guys

0:44:53.960 --> 0:44:56.520
<v Speaker 2>like jump off a cliff to their deaths and like

0:44:56.640 --> 0:44:58.719
<v Speaker 2>we think that's fucked right, Like I didn't want to.

0:44:58.840 --> 0:44:59.719
<v Speaker 3>I didn't like watching that.

0:44:59.800 --> 0:45:02.640
<v Speaker 2>So so I feel if a different society that didn't

0:45:02.680 --> 0:45:04.560
<v Speaker 2>burn their dead loved ones.

0:45:04.360 --> 0:45:07.799
<v Speaker 3>Would also be like, this is fucked. Why what do

0:45:07.840 --> 0:45:09.560
<v Speaker 3>you think is the thing to do with dead people?

0:45:10.440 --> 0:45:13.000
<v Speaker 2>I don't know, Throw me at sea. I want to

0:45:13.000 --> 0:45:14.120
<v Speaker 2>go to the bottom of the ocean.

0:45:14.520 --> 0:45:18.200
<v Speaker 1>Jesus. You know, it's hard to make a body sink.

0:45:18.200 --> 0:45:20.080
<v Speaker 1>They're gonna have to really weigh you down. It's a

0:45:20.120 --> 0:45:22.279
<v Speaker 1>lot of work. Well no, because when oh yeah, cause

0:45:22.280 --> 0:45:23.080
<v Speaker 1>I'm not breathing.

0:45:23.480 --> 0:45:26.360
<v Speaker 2>Yeah, sosh, these bodies woat back up.

0:45:26.400 --> 0:45:28.960
<v Speaker 1>That's why Dexter always chopped them up into like bags

0:45:28.960 --> 0:45:30.600
<v Speaker 1>and like weighed them down and then they all got

0:45:30.640 --> 0:45:31.279
<v Speaker 1>found in the end.

0:45:31.320 --> 0:45:34.400
<v Speaker 3>Anyway, but they do burials at sea, no.

0:45:35.400 --> 0:45:37.680
<v Speaker 1>I mean Viking burials was like you put them out

0:45:37.680 --> 0:45:39.319
<v Speaker 1>at sea and then you set them on fire. So

0:45:39.360 --> 0:45:41.280
<v Speaker 1>it's combining Joe two of these things.

0:45:42.760 --> 0:45:43.400
<v Speaker 3>I don't know.

0:45:43.840 --> 0:45:47.680
<v Speaker 2>Oh my god, Okay, so whatever, there's a holocaust undertone

0:45:47.800 --> 0:45:50.160
<v Speaker 2>and then and then he's like and then put it

0:45:50.160 --> 0:45:52.799
<v Speaker 2>in a little jar. And at this point Judd is

0:45:52.840 --> 0:45:55.239
<v Speaker 2>like putting his fists in his mouth, like he is

0:45:55.280 --> 0:45:58.279
<v Speaker 2>not happy. And Joe and Ben loved their mother, so much.

0:45:58.320 --> 0:46:00.960
<v Speaker 2>They kept her as she was where she wanted to be,

0:46:01.080 --> 0:46:04.000
<v Speaker 2>in her home and if you ask me, that's love.

0:46:04.320 --> 0:46:07.200
<v Speaker 2>And the jury's thinking they're taking it in, and he smiles.

0:46:07.200 --> 0:46:08.840
<v Speaker 2>He knows he did a very good job in his

0:46:08.880 --> 0:46:11.840
<v Speaker 2>opening statements. So the judge asks Stone to bring up

0:46:11.880 --> 0:46:14.520
<v Speaker 2>the first witness, and judge stands up and says that's enough.

0:46:14.840 --> 0:46:16.480
<v Speaker 2>And the judge tries to get him to stop and

0:46:16.520 --> 0:46:19.080
<v Speaker 2>sit down, and he's like, no, judge, no, that's enough.

0:46:19.480 --> 0:46:22.080
<v Speaker 2>And then Wallace looks confused and he says, I did it.

0:46:22.120 --> 0:46:24.440
<v Speaker 2>I killed my mother. I did it. Ben had nothing

0:46:24.440 --> 0:46:27.400
<v Speaker 2>to do with it. I did, and I'm so sorry mama,

0:46:27.440 --> 0:46:30.920
<v Speaker 2>and he collapses into Wallace and he's full collapse. He

0:46:31.000 --> 0:46:32.839
<v Speaker 2>is now in the hospital with a tube in his nose,

0:46:32.880 --> 0:46:35.680
<v Speaker 2>and we hear Wallace yell, you stupid son of a bitch,

0:46:36.160 --> 0:46:37.280
<v Speaker 2>always the martyr.

0:46:37.520 --> 0:46:39.360
<v Speaker 3>Look what you did, you schmuck.

0:46:40.440 --> 0:46:43.560
<v Speaker 2>Stone is behind this very private, intense moment, listening in

0:46:43.560 --> 0:46:45.920
<v Speaker 2>to these brothers and like, can you just give him

0:46:45.960 --> 0:46:49.960
<v Speaker 2>some space. Benson walks up to Stone and Stone fills

0:46:49.960 --> 0:46:52.839
<v Speaker 2>her in that Judd Hirsh did have a massive coronary

0:46:53.640 --> 0:46:56.160
<v Speaker 2>and again there's very sexy blue light on them. So

0:46:56.200 --> 0:47:00.000
<v Speaker 2>this is like a nightclub hot that was wild blue lighting. Yeah,

0:47:00.160 --> 0:47:02.520
<v Speaker 2>for a hospital that I noticed that. I was like,

0:47:02.560 --> 0:47:08.120
<v Speaker 2>what's happening. Wallace just keeps crying and saying stupid, stupid, stupid,

0:47:08.400 --> 0:47:11.200
<v Speaker 2>always hogging the stage. And now he's like full crying

0:47:11.200 --> 0:47:13.920
<v Speaker 2>and he realizes he's really gonna like his brother's in trouble.

0:47:14.200 --> 0:47:16.440
<v Speaker 2>So Benson says, your brother is still protecting you, and

0:47:16.480 --> 0:47:19.480
<v Speaker 2>he says back, well, what do I have to protect nothing?

0:47:20.000 --> 0:47:23.200
<v Speaker 2>The heart machine goes nuts, doctors run in and you know,

0:47:23.280 --> 0:47:27.160
<v Speaker 2>everyone needs to get out, and Wallace keeps crying, what's happening, No,

0:47:27.280 --> 0:47:30.279
<v Speaker 2>what's happening, what's going on? And Benson walks him out

0:47:30.360 --> 0:47:32.520
<v Speaker 2>as they try to help Judd and put oxygen on him,

0:47:32.800 --> 0:47:35.120
<v Speaker 2>and the doctor comes out and says, I'm sorry, and

0:47:35.160 --> 0:47:36.920
<v Speaker 2>he asks if he can see him, and the doctor

0:47:36.960 --> 0:47:39.799
<v Speaker 2>of course says yes. So Stone says he's going to

0:47:39.840 --> 0:47:42.759
<v Speaker 2>go officially drop the charges against Wallace and walks off.

0:47:43.120 --> 0:47:45.759
<v Speaker 2>Wallace is sitting over his brother's dead body. His name

0:47:45.840 --> 0:47:48.480
<v Speaker 2>was Vincent, he says at the center. I know I

0:47:48.480 --> 0:47:50.520
<v Speaker 2>should have told you, but I didn't have the strength.

0:47:50.600 --> 0:47:52.759
<v Speaker 2>But I remember it as if it was today his

0:47:52.880 --> 0:47:55.600
<v Speaker 2>spotted hands jerking forward and landing on top.

0:47:55.440 --> 0:47:56.000
<v Speaker 3>Of my head.

0:47:56.320 --> 0:47:59.840
<v Speaker 2>Retreat or resistance was futile, So I just reminded myself

0:47:59.880 --> 0:48:02.880
<v Speaker 2>to breathe in and out. And Benson's in the doorway

0:48:02.920 --> 0:48:06.560
<v Speaker 2>listening to the family's most sensitive moment, and she's so sad.

0:48:06.560 --> 0:48:09.600
<v Speaker 2>They're all sad, and under the neon blue nightclub light,

0:48:09.719 --> 0:48:12.200
<v Speaker 2>it pans out slowly and that's dick Wolf baby.

0:48:13.160 --> 0:48:16.239
<v Speaker 1>Yeah, a real nightclub situation going on at that hospital.

0:48:17.360 --> 0:48:19.240
<v Speaker 3>I mean, you know, this episode is wild.

0:48:19.360 --> 0:48:22.759
<v Speaker 1>It's like sad and weird, and like it's also kind

0:48:22.760 --> 0:48:25.640
<v Speaker 1>of weird that like Wallace Shawn's character, Like when they

0:48:25.680 --> 0:48:27.680
<v Speaker 1>first brought you guys in, why didn't you just say, Hey,

0:48:27.760 --> 0:48:29.680
<v Speaker 1>what's up? There's no Bobby, I'm Bobby. You were trying

0:48:29.680 --> 0:48:31.839
<v Speaker 1>to pin the murder of an invisible person on your brother.

0:48:31.840 --> 0:48:33.640
<v Speaker 1>I don't think you hate your brother that much. Like

0:48:33.719 --> 0:48:38.480
<v Speaker 1>it was so weird, But this is based on like

0:48:38.640 --> 0:48:41.520
<v Speaker 1>three different real life things. So let's go to our

0:48:41.600 --> 0:48:43.640
<v Speaker 1>little messages and we'll be right back.

0:48:55.880 --> 0:48:56.759
<v Speaker 3>Okay, we're back.

0:48:57.560 --> 0:49:01.480
<v Speaker 1>So there's three little sections of the crime portion of this.

0:49:01.520 --> 0:49:05.880
<v Speaker 1>I'll try to get through everything. So obviously Bobby's murder

0:49:05.920 --> 0:49:08.360
<v Speaker 1>could be based on any number of murders of like

0:49:08.480 --> 0:49:11.360
<v Speaker 1>innocent trans women. There is an epidemic of violence against

0:49:11.400 --> 0:49:15.040
<v Speaker 1>Trump people, and it does seem though like that this

0:49:15.200 --> 0:49:18.440
<v Speaker 1>timing wise is based off the murder of Angie Zapata,

0:49:18.520 --> 0:49:20.920
<v Speaker 1>who was a trans woman killed in two thousand and

0:49:20.920 --> 0:49:24.239
<v Speaker 1>eight in Colorado. Not based on timing, sorry, because it

0:49:24.280 --> 0:49:27.759
<v Speaker 1>was ten years earlier, but just based on I'll get

0:49:27.760 --> 0:49:31.120
<v Speaker 1>into it. So Angie was eighteen when she met Alan

0:49:31.400 --> 0:49:35.640
<v Speaker 1>Andrade or Andreid, who was thirty one on the internet.

0:49:35.960 --> 0:49:40.440
<v Speaker 1>They spent three days together engaged in some sexual activity,

0:49:40.840 --> 0:49:43.279
<v Speaker 1>and then he realized that she was trans, and he

0:49:43.360 --> 0:49:45.919
<v Speaker 1>beat her to death and drove off in her car

0:49:46.000 --> 0:49:47.520
<v Speaker 1>at her own This was at her own home.

0:49:48.360 --> 0:49:49.880
<v Speaker 3>It was very clearly a hate crime.

0:49:49.960 --> 0:49:52.680
<v Speaker 1>His lawyer tried to use this like victim blaming strategy

0:49:52.760 --> 0:49:55.600
<v Speaker 1>to excuse his behavior, like because you know, she kept

0:49:55.640 --> 0:49:57.880
<v Speaker 1>it secret that she was trans and then he reacted.

0:49:57.960 --> 0:50:00.239
<v Speaker 3>But he admitted to the crime on draw.

0:50:00.640 --> 0:50:03.360
<v Speaker 1>Admitted to the crime and referred to Angie several times

0:50:03.360 --> 0:50:06.920
<v Speaker 1>as it in interviews, and he was thankfully convicted of

0:50:06.960 --> 0:50:11.200
<v Speaker 1>first dream murder, hate crimes, aggravated motor vehicle theft and

0:50:11.239 --> 0:50:13.719
<v Speaker 1>identity theft and got life in prison without the possibility

0:50:13.760 --> 0:50:16.200
<v Speaker 1>of pearl. So luckily he is a monster and he

0:50:16.280 --> 0:50:19.439
<v Speaker 1>is in jail forever. But this was a landmark case

0:50:19.480 --> 0:50:21.920
<v Speaker 1>because it was the first one in the US to

0:50:21.960 --> 0:50:24.960
<v Speaker 1>get a conviction for a hate crime involving a transgender victim.

0:50:25.280 --> 0:50:26.880
<v Speaker 1>So I feel like when they were talking about this

0:50:26.960 --> 0:50:30.759
<v Speaker 1>guy killing Bobby, they were talking about how, oh he'll

0:50:30.800 --> 0:50:32.839
<v Speaker 1>get they'll get a man one without and they'll drop

0:50:32.880 --> 0:50:35.800
<v Speaker 1>the hate crime because it seemed like maybe it's hard

0:50:35.800 --> 0:50:38.000
<v Speaker 1>to convict for a hate crime, but this was like

0:50:38.040 --> 0:50:41.400
<v Speaker 1>the landmark case where it first happened, so that added

0:50:41.440 --> 0:50:43.360
<v Speaker 1>like sixty years to his sentence that it was a

0:50:43.360 --> 0:50:47.880
<v Speaker 1>hate crime as well. So it is important so that

0:50:48.120 --> 0:50:49.480
<v Speaker 1>I wish dudes.

0:50:49.120 --> 0:50:50.759
<v Speaker 2>Were just able to be like, oh, I guess I'm

0:50:50.760 --> 0:50:53.319
<v Speaker 2>attracted to trans women and then living their lives. It's

0:50:53.320 --> 0:50:57.480
<v Speaker 2>like so fucking annoying. Yeah, worse than annoying.

0:50:58.760 --> 0:51:02.040
<v Speaker 1>No, it's horrific, Like this guy like beat her like

0:51:02.080 --> 0:51:04.680
<v Speaker 1>with a fire extinguisher, Like it was a really horrific

0:51:04.680 --> 0:51:08.400
<v Speaker 1>way to die. And it's just there's some resources that

0:51:08.400 --> 0:51:10.879
<v Speaker 1>are in our show notes about Angie that you can

0:51:11.239 --> 0:51:15.440
<v Speaker 1>check out as well. And the whole idea of the

0:51:15.440 --> 0:51:18.600
<v Speaker 1>Bobby character being an actor paid to portray an author

0:51:18.920 --> 0:51:22.759
<v Speaker 1>is based on the J. T. Leroy literary hoax. Now

0:51:22.760 --> 0:51:26.439
<v Speaker 1>I had never heard of this. Jeremiah Terminator le Roi

0:51:27.400 --> 0:51:31.040
<v Speaker 1>was known as JT. Leroy, was like a person who

0:51:31.080 --> 0:51:34.000
<v Speaker 1>published a bunch of these books that were very similar

0:51:34.040 --> 0:51:37.120
<v Speaker 1>to Blue Barracoda about life on the street, the semi

0:51:37.160 --> 0:51:42.760
<v Speaker 1>autographical book about a teen boy his life of drugs, poverty,

0:51:42.800 --> 0:51:43.680
<v Speaker 1>sexual abuse, etc.

0:51:45.160 --> 0:51:48.200
<v Speaker 3>And it was Jeremiah Terminator Larroi known as JT. Leroy.

0:51:48.280 --> 0:51:49.440
<v Speaker 3>But it turned out that J. T.

0:51:49.560 --> 0:51:52.800
<v Speaker 1>Leroy was a persona created by another writer named Laura

0:51:52.840 --> 0:51:57.880
<v Speaker 1>Albert in the nineties. Okay, le Roi quote unquote wrote

0:51:57.920 --> 0:52:02.840
<v Speaker 1>three fictional books and they were obviously written by Laura,

0:52:02.880 --> 0:52:05.640
<v Speaker 1>but then she pretended to be JT. Over the phone

0:52:05.680 --> 0:52:08.480
<v Speaker 1>and an email with people. So after the first book

0:52:08.520 --> 0:52:10.160
<v Speaker 1>came out, I believe it was called Sarah, it was

0:52:10.239 --> 0:52:13.600
<v Speaker 1>optioned for movie stuff. Then people wanted to see who

0:52:13.640 --> 0:52:13.960
<v Speaker 1>is J. T.

0:52:14.080 --> 0:52:14.319
<v Speaker 3>Lowrey.

0:52:14.320 --> 0:52:17.240
<v Speaker 1>They needed a face, right, so she got her sister

0:52:17.320 --> 0:52:22.320
<v Speaker 1>in law, her husband's sister, Savannah Noop, started to appear

0:52:22.360 --> 0:52:26.560
<v Speaker 1>in public as the writer JT. Leroy wearing sunglasses and

0:52:26.640 --> 0:52:30.120
<v Speaker 1>a wig, and I'll tell you what people loved. J. T.

0:52:30.280 --> 0:52:30.680
<v Speaker 3>Leroy.

0:52:30.920 --> 0:52:33.960
<v Speaker 1>He was credited in liner notes and biographies for musicians

0:52:33.960 --> 0:52:38.200
<v Speaker 1>like Billy Corgan, Liz Fair, Brian Adams, Marilyn Manson, Nancy Sinatra,

0:52:38.560 --> 0:52:42.560
<v Speaker 1>Courtney Love and more. He corresponded with Madonna over email.

0:52:42.920 --> 0:52:46.520
<v Speaker 1>He called Carrie Fisher for a personal friend and like

0:52:46.560 --> 0:52:48.279
<v Speaker 1>I said, he had a movie deal in place and

0:52:48.320 --> 0:52:50.800
<v Speaker 1>Gus Van Sant was supposed to direct it, the movie

0:52:50.800 --> 0:52:51.400
<v Speaker 1>of the book.

0:52:51.200 --> 0:52:57.120
<v Speaker 3>Sarah, I read the Marilyn Manson book. Oh yeah, that's interesting.

0:52:57.400 --> 0:52:59.520
<v Speaker 3>Of all the books, well.

0:52:59.600 --> 0:53:02.640
<v Speaker 2>You know, rocker and sports things are usually interesting.

0:53:02.800 --> 0:53:03.840
<v Speaker 3>But it was fucked.

0:53:03.840 --> 0:53:07.200
<v Speaker 2>He like talked about his grandfather having krusty dildos, and like,

0:53:07.920 --> 0:53:10.360
<v Speaker 2>I just remember in the book there was photos of

0:53:10.400 --> 0:53:14.560
<v Speaker 2>girls at his concerts that like cut Marilyn Manson's name

0:53:14.719 --> 0:53:18.120
<v Speaker 2>with blood chests and stuff. Oh no, so I think

0:53:18.160 --> 0:53:20.239
<v Speaker 2>I was at the Like I remember reading The Red

0:53:20.280 --> 0:53:21.600
<v Speaker 2>Hot Anthony Keitha's book.

0:53:21.600 --> 0:53:24.280
<v Speaker 3>I think I just liked reading about memoirs.

0:53:24.320 --> 0:53:28.960
<v Speaker 2>Drugs. Yeah, no, like drugs, bad stuff, sex. Right, did

0:53:29.000 --> 0:53:34.279
<v Speaker 2>you read go ask Galis? Yes, you know that's not real? Yes, Okay, yeah,

0:53:34.400 --> 0:53:34.759
<v Speaker 2>I don't know.

0:53:34.840 --> 0:53:36.680
<v Speaker 1>I just found that out with like this article that

0:53:36.719 --> 0:53:38.600
<v Speaker 1>came out about how that was like a Mormon like

0:53:38.680 --> 0:53:40.080
<v Speaker 1>propaganda or something.

0:53:40.920 --> 0:53:43.920
<v Speaker 2>Yeah, but we should have known because it was too intense,

0:53:44.000 --> 0:53:45.399
<v Speaker 2>Like it was like, this is not real.

0:53:45.440 --> 0:53:47.400
<v Speaker 3>I mean, we do no intense things happen to people.

0:53:47.440 --> 0:53:49.040
<v Speaker 3>But yeah, that book.

0:53:48.880 --> 0:53:51.920
<v Speaker 1>Was like the the secret book to read in school,

0:53:52.080 --> 0:53:53.680
<v Speaker 1>like check it out, but like it was like so

0:53:53.840 --> 0:53:54.880
<v Speaker 1>scandalous to read it.

0:53:55.200 --> 0:53:58.560
<v Speaker 3>I remember that. So in two thousand.

0:53:58.280 --> 0:54:03.560
<v Speaker 1>And five, finally JT was exposed as being Laura. A

0:54:03.600 --> 0:54:06.840
<v Speaker 1>couple of reporters like basically wrote big stories about it

0:54:06.880 --> 0:54:09.480
<v Speaker 1>and were like, this is not this person doesn't exist,

0:54:09.480 --> 0:54:13.280
<v Speaker 1>it's this woman. And she later said that she used

0:54:13.360 --> 0:54:17.000
<v Speaker 1>the persona of JT as quote unquote a veil to

0:54:17.080 --> 0:54:20.840
<v Speaker 1>protect herself and from her own past about like evolving

0:54:20.880 --> 0:54:22.680
<v Speaker 1>sex work and violence. And she said it was like

0:54:22.680 --> 0:54:27.680
<v Speaker 1>a survival mechanism. And she did tell interview magazine quote,

0:54:27.920 --> 0:54:31.120
<v Speaker 1>you know, JT. Leroy does not exist, but he lives.

0:54:31.719 --> 0:54:34.200
<v Speaker 1>That's what a famous film historian once said about bugs

0:54:34.200 --> 0:54:35.440
<v Speaker 1>Bunny end quote.

0:54:35.760 --> 0:54:39.640
<v Speaker 3>So I don't know what's going on, but she.

0:54:39.719 --> 0:54:42.719
<v Speaker 1>Did lose the movie deal because they said it was fraudulent,

0:54:42.800 --> 0:54:45.480
<v Speaker 1>so the movie never got made. And in two thousand

0:54:45.480 --> 0:54:48.680
<v Speaker 1>and eight, Savannah Noop, which I'm obsessed with this last name,

0:54:48.680 --> 0:54:54.080
<v Speaker 1>it's Knop Noop. Savannah Noop published a memoir called Girl

0:54:54.120 --> 0:54:56.840
<v Speaker 1>Boy Girl, How I Became J. T Leroy about the

0:54:56.880 --> 0:55:01.880
<v Speaker 1>six years she spent impersonating jt Leroy. There was a

0:55:01.960 --> 0:55:05.920
<v Speaker 1>movie called jt Leroy where Laura Dern played Laura Albert

0:55:06.000 --> 0:55:08.880
<v Speaker 1>and Kristin Stewart played Savannah and it came out in

0:55:08.920 --> 0:55:11.920
<v Speaker 1>twenty nineteen, and I guess nobody really cared. I've never

0:55:11.920 --> 0:55:15.200
<v Speaker 1>heard of it, and those are two pretty big stars

0:55:15.239 --> 0:55:17.799
<v Speaker 1>for twenty nineteen. Maybe I don't know what happened, but

0:55:18.120 --> 0:55:20.600
<v Speaker 1>it came out and it got like fifty percent on

0:55:20.640 --> 0:55:22.640
<v Speaker 1>Rotten Tomatoes, like it didn't totally bomb, but it didn't

0:55:22.680 --> 0:55:24.880
<v Speaker 1>do well either, Like it's so strange. I saw like

0:55:24.920 --> 0:55:26.520
<v Speaker 1>a whole cover of it, and maybe I'd be interested

0:55:26.560 --> 0:55:28.479
<v Speaker 1>in watching it now. But it was like a big

0:55:28.480 --> 0:55:30.680
<v Speaker 1>thing in the literary world. Some people thought it was

0:55:30.719 --> 0:55:34.719
<v Speaker 1>cool that she like hacked the literary like system of

0:55:34.760 --> 0:55:38.359
<v Speaker 1>like the literary world and all the literati bullshit, and

0:55:38.400 --> 0:55:40.520
<v Speaker 1>then other people were like it was a hoax.

0:55:40.920 --> 0:55:43.400
<v Speaker 2>Do you remember that guy who went on Oprah and

0:55:43.480 --> 0:55:45.960
<v Speaker 2>lied like yeah million little pieces.

0:55:46.040 --> 0:55:48.600
<v Speaker 3>Yeah that was huge too, another literary hoax.

0:55:49.840 --> 0:55:56.360
<v Speaker 1>So now the Edelman Brothers are based on a very

0:55:56.360 --> 0:55:58.520
<v Speaker 1>famous set of brothers. I did not know about these people,

0:55:58.800 --> 0:56:01.880
<v Speaker 1>but they're called the Collier Others. Their names were Homer

0:56:01.960 --> 0:56:06.240
<v Speaker 1>and Langley, two very eccentric brothers who lived together basically

0:56:06.280 --> 0:56:10.200
<v Speaker 1>as hermits in Harlem and were like og horders, like

0:56:10.360 --> 0:56:14.200
<v Speaker 1>just like this episode. Their brownstone was at two zero

0:56:14.360 --> 0:56:17.279
<v Speaker 1>seven eight Fifth Avenue, which is at Fifth Avenue and

0:56:17.280 --> 0:56:21.120
<v Speaker 1>twenty eighth Street, and was filled with like books, furniture,

0:56:21.680 --> 0:56:22.600
<v Speaker 1>musical instruments.

0:56:22.600 --> 0:56:23.960
<v Speaker 3>They found fourteen.

0:56:23.560 --> 0:56:26.520
<v Speaker 1>Pianos when they finally went in there, like just tons

0:56:26.520 --> 0:56:28.239
<v Speaker 1>and tons of crap, just like what they show in

0:56:28.280 --> 0:56:32.640
<v Speaker 1>the episode. They also set up booby traps, like I

0:56:32.680 --> 0:56:35.480
<v Speaker 1>assumed in the episode that Carriesie just kind of like

0:56:35.719 --> 0:56:38.359
<v Speaker 1>fell against a bookshelf or something just fell over on him,

0:56:38.520 --> 0:56:41.120
<v Speaker 1>that these are actually booby traps that these guys set

0:56:41.520 --> 0:56:45.440
<v Speaker 1>to stop anyone who broke in, intruders, invaders, anything like that.

0:56:45.680 --> 0:56:50.600
<v Speaker 1>So it's it's a wild, a wild story, these these

0:56:50.600 --> 0:56:52.880
<v Speaker 1>two guys. So to give a little bit of their background,

0:56:52.960 --> 0:56:56.600
<v Speaker 1>their parents were first cousins. Yikes, never going to be great,

0:56:57.480 --> 0:56:59.839
<v Speaker 1>and then after their mother's death, it seems like they

0:57:00.040 --> 0:57:02.080
<v Speaker 1>really love their mother the same way that these guys do.

0:57:02.520 --> 0:57:05.400
<v Speaker 1>The brothers inherited the Brownstone and they lived in it together.

0:57:06.120 --> 0:57:09.160
<v Speaker 1>They had a pretty normal life. They both taught Sunday school.

0:57:09.440 --> 0:57:12.080
<v Speaker 1>Homer was a lawyer and Langley was a piano dealer

0:57:12.120 --> 0:57:14.680
<v Speaker 1>because he actually used to be a concert pianist and

0:57:14.800 --> 0:57:20.000
<v Speaker 1>even played at Carnegie Hall. But then another guy named Padrewski.

0:57:20.080 --> 0:57:23.840
<v Speaker 1>His name is Ignaci Johan Padrewski, who was a huge

0:57:23.880 --> 0:57:27.200
<v Speaker 1>Polish piano player and later became the Prime Minister of Poland.

0:57:27.560 --> 0:57:31.840
<v Speaker 1>Apparently he was getting better reviews than Langley at Carnegie Hall,

0:57:31.920 --> 0:57:34.280
<v Speaker 1>so Langley just quit playing piano. He was like, wow,

0:57:34.320 --> 0:57:36.280
<v Speaker 1>he's better than me, so what's the point. So these

0:57:36.280 --> 0:57:38.000
<v Speaker 1>guys are eccentric, but.

0:57:37.960 --> 0:57:38.640
<v Speaker 3>They still went out.

0:57:38.680 --> 0:57:41.800
<v Speaker 1>At this point, they had started to slightly withdraw due

0:57:41.800 --> 0:57:45.480
<v Speaker 1>to the changing demographics of the neighborhood. I eat, black

0:57:45.480 --> 0:57:48.160
<v Speaker 1>people moving in. The Harlem started to become like a

0:57:48.160 --> 0:57:51.200
<v Speaker 1>black community, and so these guys were low key racists,

0:57:51.280 --> 0:57:54.280
<v Speaker 1>high key racists. They just started to not go out

0:57:54.280 --> 0:57:57.320
<v Speaker 1>as much and withdraw a little bit from community life,

0:57:57.360 --> 0:58:00.280
<v Speaker 1>and then Homer had some kind of health of I

0:58:00.280 --> 0:58:02.040
<v Speaker 1>would read in some places that it was a stroke,

0:58:02.080 --> 0:58:04.160
<v Speaker 1>other that it was like a hemorrhage, but he lost

0:58:04.160 --> 0:58:07.760
<v Speaker 1>his eyesight, and Langley then quit his job to take

0:58:07.800 --> 0:58:09.840
<v Speaker 1>care of his brother full time, and their shut in

0:58:09.880 --> 0:58:11.560
<v Speaker 1>lifestyle truly began.

0:58:12.320 --> 0:58:14.000
<v Speaker 3>And then they became sort.

0:58:13.840 --> 0:58:16.439
<v Speaker 1>Of like NYC folklore, And so people would hear about

0:58:16.440 --> 0:58:18.600
<v Speaker 1>these eccentric brothers and they would come and gawk at them,

0:58:18.640 --> 0:58:20.400
<v Speaker 1>like people would stand around the house and try to

0:58:20.400 --> 0:58:22.760
<v Speaker 1>get a look, and that made the brothers become even

0:58:22.800 --> 0:58:25.760
<v Speaker 1>more paranoid, Like kids would throw rocks through their windows,

0:58:25.760 --> 0:58:28.080
<v Speaker 1>so then they'd board up their windows. People tried to

0:58:28.160 --> 0:58:30.320
<v Speaker 1>rob them, so then they set up all these booby traps.

0:58:30.360 --> 0:58:33.240
<v Speaker 1>So it's like everything that people did also push them

0:58:33.440 --> 0:58:37.320
<v Speaker 1>further and further into this like seclusion that they were in.

0:58:37.760 --> 0:58:40.600
<v Speaker 1>So Langley, you don't get the feeling that it was

0:58:40.680 --> 0:58:43.680
<v Speaker 1>like the same cattiness as these two brothers, that they

0:58:43.680 --> 0:58:45.640
<v Speaker 1>were fighting each other all the time, Like Langley was

0:58:45.680 --> 0:58:48.280
<v Speaker 1>apparently very protective of Homer and would never let anyone

0:58:48.320 --> 0:58:50.960
<v Speaker 1>see or speak to him, like they would never take

0:58:51.000 --> 0:58:53.240
<v Speaker 1>home or to a doctor. They did not trust doctors,

0:58:53.280 --> 0:58:55.720
<v Speaker 1>even though their father was a gynecologist. They said they

0:58:55.800 --> 0:58:58.919
<v Speaker 1>knew too much about medicine to trust doctors, so never

0:58:58.960 --> 0:59:01.600
<v Speaker 1>went to a doctor. And Langley thought he could cure

0:59:01.640 --> 0:59:04.760
<v Speaker 1>Homer with diet and rest. So he would feed Homer

0:59:05.440 --> 0:59:10.240
<v Speaker 1>a diet of one hundred oranges a week, black bread,

0:59:10.320 --> 0:59:12.160
<v Speaker 1>which I googled and I think it's just rye bread,

0:59:12.320 --> 0:59:15.280
<v Speaker 1>and then butt peanut butter. And he swore that this

0:59:15.360 --> 0:59:18.360
<v Speaker 1>diet was the cure, but big shock, it was not.

0:59:18.560 --> 0:59:22.920
<v Speaker 1>Homer got sicker. He eventually became paralyzed by rheumatism. So

0:59:23.000 --> 0:59:27.640
<v Speaker 1>now the New York Times publishes an article that erroneously

0:59:27.720 --> 0:59:30.040
<v Speaker 1>claims that they had turned down an offer for one

0:59:30.120 --> 0:59:32.960
<v Speaker 1>hundred and twenty five thousand dollars for the Brownstone, which

0:59:33.000 --> 0:59:35.200
<v Speaker 1>at the if you were to think about it in

0:59:35.200 --> 0:59:38.760
<v Speaker 1>today's money, would be over a million dollars, And that

0:59:38.880 --> 0:59:41.120
<v Speaker 1>just wasn't true. This article also implied that the brothers

0:59:41.160 --> 0:59:43.600
<v Speaker 1>had some kind of secret fortune, which was also false,

0:59:43.760 --> 0:59:46.160
<v Speaker 1>and this helped add to like people gawking and showing

0:59:46.200 --> 0:59:46.840
<v Speaker 1>up at their house.

0:59:46.880 --> 0:59:48.040
<v Speaker 3>Was this New York Times article.

0:59:49.160 --> 0:59:52.880
<v Speaker 1>Eventually, in nineteen thirty seven, their phone was disconnected and

0:59:52.920 --> 0:59:56.200
<v Speaker 1>in nineteen thirty eighth or electricity and water was cut off,

0:59:56.320 --> 1:00:01.520
<v Speaker 1>so they heeded their house with a kerosee heater. Langley

1:00:01.560 --> 1:00:03.520
<v Speaker 1>would go get their water from a pump in a

1:00:03.560 --> 1:00:07.360
<v Speaker 1>nearby park, and since he was an engineer, Langley Jerry

1:00:07.440 --> 1:00:11.720
<v Speaker 1>rigged a Model t Ford to be their generator for electricity.

1:00:11.800 --> 1:00:14.600
<v Speaker 1>So these guys are like running a car inside their

1:00:14.640 --> 1:00:16.160
<v Speaker 1>house to make electricity.

1:00:16.200 --> 1:00:20.280
<v Speaker 3>Like it's truly wild. Pre isn't that bad like exhaust

1:00:20.320 --> 1:00:21.440
<v Speaker 3>fumes indoors? Sure?

1:00:21.760 --> 1:00:24.800
<v Speaker 1>Yeah, of course, I'm sure it was like horrible, especially

1:00:24.800 --> 1:00:27.240
<v Speaker 1>because like exhaust fumes with on a Model t Ford

1:00:27.240 --> 1:00:29.120
<v Speaker 1>are probably worse than they are now where there's like,

1:00:29.200 --> 1:00:32.000
<v Speaker 1>you know, different filters and shit. But they lived like

1:00:32.080 --> 1:00:34.320
<v Speaker 1>this for almost a decade. Like they lived like this

1:00:34.800 --> 1:00:37.080
<v Speaker 1>throughout the end of the thirties, halfway into the forties.

1:00:37.320 --> 1:00:39.720
<v Speaker 1>And then in nineteen forty seven, the police get an

1:00:39.720 --> 1:00:42.240
<v Speaker 1>anonymous call that there's a dead body in the house.

1:00:42.520 --> 1:00:46.080
<v Speaker 1>They said they could smell something decomposing, so the police

1:00:46.120 --> 1:00:49.120
<v Speaker 1>sent someone over. They police couldnot even get into the.

1:00:49.040 --> 1:00:50.880
<v Speaker 3>House because there was so much shit, you know.

1:00:51.200 --> 1:00:54.320
<v Speaker 1>So after five hours of like digging through all this stuff,

1:00:54.520 --> 1:00:58.240
<v Speaker 1>they do find Homer's body. Surrounded by boxes of stuff,

1:00:58.320 --> 1:01:00.880
<v Speaker 1>stacks of newspaper, all every things, reaches up to the

1:01:00.920 --> 1:01:04.200
<v Speaker 1>ceiling like it's wild and he has been dead for

1:01:04.280 --> 1:01:06.760
<v Speaker 1>ten hours. So that's weird because that wouldn't be that

1:01:06.760 --> 1:01:07.880
<v Speaker 1>wouldn't have a smell yet.

1:01:07.920 --> 1:01:08.560
<v Speaker 3>Okay.

1:01:08.720 --> 1:01:12.080
<v Speaker 1>His cause of death was starvation and heart disease. So

1:01:12.120 --> 1:01:14.760
<v Speaker 1>now a lot of people assumed that Langley had called

1:01:14.800 --> 1:01:17.480
<v Speaker 1>in the tip and then like busted ass out of town.

1:01:17.840 --> 1:01:19.760
<v Speaker 1>But people got suspicious when he didn't show up to

1:01:19.760 --> 1:01:22.000
<v Speaker 1>his brother's funeral because they were super close and he

1:01:22.000 --> 1:01:25.000
<v Speaker 1>would have showed up. So then they go back into

1:01:25.120 --> 1:01:27.800
<v Speaker 1>the house on April eighth, this is like two weeks later,

1:01:28.000 --> 1:01:31.280
<v Speaker 1>and they find Langley's body ten feet away from where

1:01:31.280 --> 1:01:32.040
<v Speaker 1>they found Homer.

1:01:32.440 --> 1:01:34.520
<v Speaker 3>He was in a tunnel that he had built. It

1:01:34.520 --> 1:01:34.880
<v Speaker 3>was one of the.

1:01:34.840 --> 1:01:38.960
<v Speaker 1>Booby traps and it was surrounded with rusty bedsprings inside

1:01:39.000 --> 1:01:41.600
<v Speaker 1>the tunnel, but he had somehow set off the booby

1:01:41.600 --> 1:01:45.160
<v Speaker 1>trap and he'd been crushed. So he died actually on

1:01:45.240 --> 1:01:47.480
<v Speaker 1>March ninth. They didn't find his body for a month

1:01:48.040 --> 1:01:51.439
<v Speaker 1>and so he died. His cause of death was asphyxiation,

1:01:52.000 --> 1:01:53.840
<v Speaker 1>and his brother couldn't survive without him. He was the

1:01:53.880 --> 1:01:55.640
<v Speaker 1>one that brought him food and did everything for him.

1:01:55.680 --> 1:01:58.080
<v Speaker 1>So eleven days after his brother died.

1:01:58.640 --> 1:01:59.280
<v Speaker 3>Homer died.

1:01:59.560 --> 1:02:03.320
<v Speaker 1>And then so it was actually Langley's body that was

1:02:03.360 --> 1:02:06.480
<v Speaker 1>the smell and had it had been getting eaten by rats.

1:02:06.280 --> 1:02:09.480
<v Speaker 3>And so it was like really gross, but so sad like.

1:02:09.520 --> 1:02:11.480
<v Speaker 1>And I wonder if Homer just died thinking that his

1:02:11.520 --> 1:02:14.360
<v Speaker 1>brother abandoned him or like what he'd like what happened,

1:02:14.400 --> 1:02:20.280
<v Speaker 1>you know, But these two sad agoraphobic racists were just

1:02:20.760 --> 1:02:23.240
<v Speaker 1>trapped in their house and surrounded by all their crap.

1:02:23.600 --> 1:02:26.000
<v Speaker 1>So anyway, a year after they were found, the house

1:02:26.080 --> 1:02:28.840
<v Speaker 1>was demolished and the property is now a pocket park,

1:02:28.880 --> 1:02:31.720
<v Speaker 1>which is named after the brothers. In two thousand and two,

1:02:32.320 --> 1:02:35.480
<v Speaker 1>the Harlem Fifth Avenue Block Association wanted to change the

1:02:35.840 --> 1:02:37.160
<v Speaker 1>name of the park because they're like, what did the

1:02:37.200 --> 1:02:40.760
<v Speaker 1>Collier brothers ever do for Harlem? And Parks Commissioner Adrian

1:02:40.840 --> 1:02:44.920
<v Speaker 1>Benepe said, quote, sometimes history is written by accident, so

1:02:44.960 --> 1:02:47.920
<v Speaker 1>there are some historic names that are not necessarily celebrated.

1:02:48.000 --> 1:02:50.520
<v Speaker 1>Not all history is pretty, and many New York children

1:02:50.520 --> 1:02:53.160
<v Speaker 1>were admonished by their parents to clean their room quote,

1:02:53.240 --> 1:02:56.160
<v Speaker 1>or else you'll end up like the Collier brothers end quote.

1:02:56.600 --> 1:02:59.000
<v Speaker 1>So I guess they're always going to be a huge

1:02:59.040 --> 1:03:04.080
<v Speaker 1>part of New York City lore. And then side note,

1:03:04.120 --> 1:03:06.360
<v Speaker 1>I did look up like hoarding. I really wanted to know,

1:03:06.400 --> 1:03:08.480
<v Speaker 1>like what's the cause of? Like they actually have not

1:03:08.800 --> 1:03:11.120
<v Speaker 1>determined the cause of hoarding, And it wasn't actually until

1:03:11.160 --> 1:03:13.960
<v Speaker 1>twenty thirteen that compulsive hoarding was even defined as a

1:03:14.000 --> 1:03:18.200
<v Speaker 1>mental disorder, and psychologists apparently still cannot decide whether it

1:03:18.280 --> 1:03:22.720
<v Speaker 1>is a manifestation of another commission condition like OCD or

1:03:23.160 --> 1:03:27.120
<v Speaker 1>another disorder that would have you know, hoarding as a

1:03:27.160 --> 1:03:29.720
<v Speaker 1>side symptom, or if it's its own disorder. But it

1:03:29.760 --> 1:03:32.840
<v Speaker 1>is estimated that two to five percent of adults suffer

1:03:32.880 --> 1:03:33.360
<v Speaker 1>from hoarding.

1:03:34.480 --> 1:03:37.920
<v Speaker 2>So wait, so when the brother didn't show up to

1:03:37.960 --> 1:03:39.760
<v Speaker 2>the funeral, it's because he was dead in the house.

1:03:39.960 --> 1:03:41.560
<v Speaker 3>Yes, got it.

1:03:41.600 --> 1:03:44.160
<v Speaker 1>They thought he had just but they he was ten

1:03:44.200 --> 1:03:45.880
<v Speaker 1>feet away from where they found the other body, but

1:03:45.880 --> 1:03:48.600
<v Speaker 1>they just couldn't see him because there's so much crap

1:03:48.640 --> 1:03:50.800
<v Speaker 1>in the house. So when they finally got them out

1:03:50.800 --> 1:03:55.040
<v Speaker 1>of the house, I should mention they removed one hundred

1:03:55.120 --> 1:04:01.960
<v Speaker 1>and forty tons of stuff. So that's eighty thousand pounds,

1:04:02.400 --> 1:04:02.840
<v Speaker 1>Is that right?

1:04:03.360 --> 1:04:05.480
<v Speaker 3>That's yeah, I don't know about mad when they had

1:04:05.840 --> 1:04:09.640
<v Speaker 3>just imagining how many elephants it would be when I

1:04:09.640 --> 1:04:13.320
<v Speaker 3>heard so many. When I hear elephants, so do I actually,

1:04:13.680 --> 1:04:17.320
<v Speaker 3>But yeah, they didn't really commit crimes.

1:04:18.160 --> 1:04:20.520
<v Speaker 1>No, but these guys are based on them, but they

1:04:20.680 --> 1:04:22.840
<v Speaker 1>I think they wanted to do something about these guys,

1:04:22.880 --> 1:04:25.360
<v Speaker 1>and then they did the dead mom thing because these

1:04:25.400 --> 1:04:27.440
<v Speaker 1>guys did love their mom, and it does seem like

1:04:27.760 --> 1:04:29.920
<v Speaker 1>after their mother died is when they sort of descended

1:04:29.920 --> 1:04:32.920
<v Speaker 1>more into madness. Yeah, but then I think they they

1:04:32.920 --> 1:04:34.840
<v Speaker 1>needed to have there be some kind of hook to

1:04:34.880 --> 1:04:36.560
<v Speaker 1>get these guys, you know.

1:04:36.640 --> 1:04:39.200
<v Speaker 3>And their names are so old timey. This is such

1:04:39.240 --> 1:04:43.640
<v Speaker 3>a interesting, wild old timey thing.

1:04:43.760 --> 1:04:49.400
<v Speaker 1>Homer and Langley Collier, yeah and so and apparently apparently

1:04:49.440 --> 1:04:52.520
<v Speaker 1>firemen when they go into houses that are like filled

1:04:52.560 --> 1:04:55.880
<v Speaker 1>with crap, like hoarderhouses, they say, oh, it's like a

1:04:55.880 --> 1:04:58.960
<v Speaker 1>Collier mansion. Like it's like a thing that they say. So,

1:05:00.200 --> 1:05:02.840
<v Speaker 1>these guys went down in history and then they got played.

1:05:02.880 --> 1:05:05.400
<v Speaker 1>They got played as the Eaedelman brothers by two legends.

1:05:05.760 --> 1:05:08.720
<v Speaker 1>So that's that, and we've got a great guest and

1:05:08.760 --> 1:05:19.000
<v Speaker 1>we'll be right back. Okay, guys, I am really pumped

1:05:19.040 --> 1:05:23.600
<v Speaker 1>for today's guests. He is an actor, a teacher of

1:05:23.640 --> 1:05:26.240
<v Speaker 1>the art of acting, an author, and an all around

1:05:26.320 --> 1:05:28.720
<v Speaker 1>theater guru. He is best known for his roles in

1:05:28.760 --> 1:05:32.080
<v Speaker 1>The Wire, Billions and The Deuce, but if you watch

1:05:32.120 --> 1:05:34.680
<v Speaker 1>us for you you know him as the slightly slimy

1:05:34.760 --> 1:05:36.520
<v Speaker 1>Evan Brawn and.

1:05:36.640 --> 1:05:37.360
<v Speaker 3>You're gonna love it.

1:05:37.400 --> 1:05:40.360
<v Speaker 1>We got to talk to the very talented Michael Kostrof.

1:05:41.080 --> 1:05:44.760
<v Speaker 3>All right, Michael, thank you so much for today.

1:05:44.760 --> 1:05:45.560
<v Speaker 4>What pleasure.

1:05:46.720 --> 1:05:49.680
<v Speaker 2>I'm shocked he're in LA. To be honest, why is

1:05:49.720 --> 1:05:53.480
<v Speaker 2>that you? Just because of SVU theater? I just assumed

1:05:53.520 --> 1:05:54.520
<v Speaker 2>you were a New York guy.

1:05:55.080 --> 1:05:57.400
<v Speaker 4>I do my best to confuse people about where I live.

1:05:57.720 --> 1:06:02.000
<v Speaker 1>Yeah, that's Michael, a local higher anywhere really pretty much.

1:06:02.520 --> 1:06:05.000
<v Speaker 4>And also every couple of years, I get itchy and

1:06:05.040 --> 1:06:09.440
<v Speaker 4>I changed locations just because you know, so, Yeah, I've

1:06:09.720 --> 1:06:12.200
<v Speaker 4>I've lived both places and I am currently in LA.

1:06:12.640 --> 1:06:17.080
<v Speaker 1>But are you a native New Yorker? Oh yeah, yeah, yeah,

1:06:17.120 --> 1:06:22.800
<v Speaker 1>you have that vibe and so like as a native

1:06:22.800 --> 1:06:24.640
<v Speaker 1>new Yorker. We've talked to some other Native new Yorkers

1:06:24.640 --> 1:06:27.120
<v Speaker 1>on the podcast, like is it always like the dream

1:06:27.200 --> 1:06:29.080
<v Speaker 1>to get Law and Order? And like so you can

1:06:29.160 --> 1:06:31.280
<v Speaker 1>perform in your own town and it's like, you know,

1:06:31.440 --> 1:06:33.000
<v Speaker 1>such a classic.

1:06:33.280 --> 1:06:35.520
<v Speaker 4>Oh god, this answer is going to sound so dickish,

1:06:35.600 --> 1:06:41.080
<v Speaker 4>but I okay, I'm just gonna say it's it's early

1:06:41.120 --> 1:06:43.520
<v Speaker 4>and I'm not editing because I'm you know, drinking my coffee.

1:06:45.120 --> 1:06:49.400
<v Speaker 4>I had enough of a TV sort of career going

1:06:49.480 --> 1:06:52.880
<v Speaker 4>that it wasn't like the big thing to bring that.

1:06:52.800 --> 1:06:54.920
<v Speaker 1>Bell because it wasn't your first thing like it is

1:06:54.920 --> 1:06:56.120
<v Speaker 1>for a lot of people, right.

1:06:56.240 --> 1:06:59.080
<v Speaker 4>I was really I'm always just glad to be working.

1:06:59.160 --> 1:07:01.280
<v Speaker 4>You know, I'm pretty pretty easy to please. And I

1:07:01.480 --> 1:07:04.080
<v Speaker 4>you know what's been lovely is how many times they've

1:07:04.080 --> 1:07:06.880
<v Speaker 4>had me back. My wife and I counted recently, it's

1:07:06.880 --> 1:07:10.200
<v Speaker 4>like like eight or nine episodes, which is amazing. Were

1:07:10.240 --> 1:07:12.240
<v Speaker 4>like it's like probably four or five. No, they keep

1:07:12.480 --> 1:07:14.919
<v Speaker 4>having me back. And I love working on the shows.

1:07:15.040 --> 1:07:19.040
<v Speaker 4>It's a really really great set. It's a great vibe.

1:07:19.120 --> 1:07:21.200
<v Speaker 4>And I mean, I can't say enough about Mrs Garcite.

1:07:21.640 --> 1:07:25.360
<v Speaker 4>I probably will expound as we call up, but she's

1:07:25.560 --> 1:07:28.640
<v Speaker 4>so so great to work with and funny. What people

1:07:28.640 --> 1:07:29.800
<v Speaker 4>don't know is how funny she is.

1:07:30.040 --> 1:07:33.160
<v Speaker 1>Yeah, I mean, you're our ninety ninth guest, I think,

1:07:33.560 --> 1:07:37.480
<v Speaker 1>and every single person pretty much is like, she's the

1:07:37.520 --> 1:07:40.760
<v Speaker 1>best person I've ever met in my life. So we're like,

1:07:40.880 --> 1:07:43.920
<v Speaker 1>maybe maybe one hundred will be like Na not for me,

1:07:44.560 --> 1:07:45.280
<v Speaker 1>but I don't like her so.

1:07:47.040 --> 1:07:49.360
<v Speaker 4>Well. She messes with me because I mean she sort

1:07:49.400 --> 1:07:50.840
<v Speaker 4>of caught on that she could that she could fuck

1:07:50.880 --> 1:07:54.160
<v Speaker 4>around with me, and so so there's always something, you know,

1:07:55.040 --> 1:07:57.160
<v Speaker 4>when she met my wife and step kids, she said,

1:07:57.200 --> 1:07:59.880
<v Speaker 4>I'm so sorry, oh my god, you must have gone.

1:08:00.080 --> 1:08:02.880
<v Speaker 4>Or she's just very fair. But yeah, so that's why,

1:08:03.040 --> 1:08:05.520
<v Speaker 4>very very much too long winded answer to your first question,

1:08:05.560 --> 1:08:08.040
<v Speaker 4>which is, no, it wasn't like I gotta ring that bell.

1:08:08.160 --> 1:08:11.600
<v Speaker 4>It was you know, it was just a great job.

1:08:12.080 --> 1:08:14.680
<v Speaker 3>Yeah, just a great job, which is nice in itself.

1:08:14.880 --> 1:08:15.360
<v Speaker 4>Yeah.

1:08:15.400 --> 1:08:17.000
<v Speaker 1>Well, I was just gonna say they had you on

1:08:17.120 --> 1:08:20.040
<v Speaker 1>the first episode is Russian Brides in twenty eleven, where

1:08:20.080 --> 1:08:23.280
<v Speaker 1>you're kind of like a tax attorney doing a friend

1:08:23.280 --> 1:08:26.360
<v Speaker 1>of favor and then suddenly they bring you back three

1:08:26.439 --> 1:08:28.559
<v Speaker 1>years later and you become one of the most most

1:08:28.600 --> 1:08:33.040
<v Speaker 1>like notorious, like smarmy das that we have in the

1:08:33.160 --> 1:08:35.920
<v Speaker 1>later seasons, like yeah, we we have like a bunch

1:08:35.920 --> 1:08:38.439
<v Speaker 1>of guys throughout. I'm sure you know the actors like

1:08:38.520 --> 1:08:42.559
<v Speaker 1>David Thornton and Delaney Williams, like they are both these

1:08:42.560 --> 1:08:44.400
<v Speaker 1>defense attorneys on the show that are like you see

1:08:44.439 --> 1:08:46.800
<v Speaker 1>them and you're like, oh, they're getting hired by rich people.

1:08:46.840 --> 1:08:47.320
<v Speaker 3>They did it.

1:08:47.360 --> 1:08:49.439
<v Speaker 1>They're trying to get off, and you feel like you're

1:08:49.439 --> 1:08:51.799
<v Speaker 1>like the next in that pantheon of guys.

1:08:52.000 --> 1:08:54.960
<v Speaker 4>Oh yeah, they only bring me on to defend terrible people.

1:08:55.200 --> 1:08:57.400
<v Speaker 1>Yeah, but like it's just funny because I was looking

1:08:57.400 --> 1:08:59.640
<v Speaker 1>at Yeah, I was watching Russian Brides, I go, he

1:08:59.680 --> 1:09:01.280
<v Speaker 1>was like an nice guy in the first one.

1:09:01.439 --> 1:09:03.360
<v Speaker 4>It was a different character, different name. It's the only

1:09:03.400 --> 1:09:04.080
<v Speaker 4>show where they do that.

1:09:04.200 --> 1:09:07.559
<v Speaker 1>Oh they have it in IMDb. Is Evan Maybe that's

1:09:07.560 --> 1:09:08.120
<v Speaker 1>a mistake.

1:09:08.479 --> 1:09:11.479
<v Speaker 4>Lies, Oh it's a lie. Yeah, I'm pretty sure I

1:09:11.479 --> 1:09:15.439
<v Speaker 4>had a different name. I'm almost positive. It's the only

1:09:15.439 --> 1:09:17.760
<v Speaker 4>show where they where they that I know of, where

1:09:17.760 --> 1:09:19.400
<v Speaker 4>they'll bring somebody back as a different character.

1:09:19.560 --> 1:09:21.840
<v Speaker 1>Well, well, then somebody needs to edit the wikiped the

1:09:22.200 --> 1:09:25.599
<v Speaker 1>Law and Order fandom because Evan Brawn's bio it says

1:09:25.640 --> 1:09:28.240
<v Speaker 1>he starts as a tax attorney and then it comes.

1:09:28.240 --> 1:09:30.280
<v Speaker 4>You know what, they are probably more right than I am.

1:09:30.439 --> 1:09:33.240
<v Speaker 4>I think there's a better chance that they know better

1:09:33.320 --> 1:09:35.000
<v Speaker 4>than I do because I don't. I don't track.

1:09:35.240 --> 1:09:38.479
<v Speaker 2>Yeah, but we get off on finding mistakes and things.

1:09:38.560 --> 1:09:41.360
<v Speaker 2>So we also got kind of I just got it excited.

1:09:41.360 --> 1:09:46.040
<v Speaker 2>I was like, yes, we could tell them that they.

1:09:42.680 --> 1:09:46.519
<v Speaker 4>Want, I mean, we should. I don't know how to

1:09:46.600 --> 1:09:47.679
<v Speaker 4>look that up exactly.

1:09:47.800 --> 1:09:49.840
<v Speaker 1>I know, I don't know how to figure it out

1:09:49.920 --> 1:09:51.479
<v Speaker 1>unless we go about we can watch the episode.

1:09:51.479 --> 1:09:52.760
<v Speaker 3>See if they say your name, you go.

1:09:52.720 --> 1:09:54.960
<v Speaker 4>Watch the episode. Yeah. But but yeah, I was very

1:09:55.040 --> 1:09:57.879
<v Speaker 4>very nice and completely inapt. And then I think probably

1:09:57.920 --> 1:10:00.360
<v Speaker 4>somebody watched the wire and went, hey, bring him back,

1:10:01.760 --> 1:10:03.080
<v Speaker 4>got it? Yeah?

1:10:03.720 --> 1:10:07.439
<v Speaker 3>Yeah? Johnny D? Was he so tall? I don't know that.

1:10:09.040 --> 1:10:11.920
<v Speaker 4>Super tall? Super tall? Yeah?

1:10:12.040 --> 1:10:12.880
<v Speaker 3>Yeah, Johnny D.

1:10:13.000 --> 1:10:17.120
<v Speaker 1>The guy that that is Benson's child's biological father and

1:10:17.160 --> 1:10:18.879
<v Speaker 1>a sex trafficking murderer.

1:10:19.000 --> 1:10:21.799
<v Speaker 4>Well, and that's the only way I get any work. Yeah,

1:10:21.920 --> 1:10:25.400
<v Speaker 4>I mean, either somebody's trying to convert somebody through rape

1:10:25.600 --> 1:10:29.080
<v Speaker 4>or bury their mother in a freezer or something. You know,

1:10:29.120 --> 1:10:30.719
<v Speaker 4>it's like one of those things has to happen.

1:10:31.320 --> 1:10:32.679
<v Speaker 1>Well, and you have to have a little bit of money.

1:10:32.680 --> 1:10:36.840
<v Speaker 1>Evan Brown doesn't come cheap, right o. Yeah, he's he's

1:10:36.840 --> 1:10:37.920
<v Speaker 1>either on retainer or.

1:10:37.840 --> 1:10:40.679
<v Speaker 2>He's got a hefty But how did these hoarders afford him?

1:10:41.040 --> 1:10:46.360
<v Speaker 3>That's wild. Maybe they have that's interesting.

1:10:45.439 --> 1:10:48.599
<v Speaker 4>Good question, And maybe the case was just sick enough

1:10:48.640 --> 1:10:53.400
<v Speaker 4>that I did at Pro Bowl. I don't know. This

1:10:53.479 --> 1:10:55.080
<v Speaker 4>is a wonderful thing about being an actor. I don't

1:10:55.120 --> 1:10:56.880
<v Speaker 4>have to know a damn thing. I don't know anything.

1:10:57.439 --> 1:10:59.200
<v Speaker 4>Tell me what to say and where to stand, and

1:10:59.240 --> 1:11:01.280
<v Speaker 4>I do it. And I it a million years ago

1:11:01.320 --> 1:11:04.680
<v Speaker 4>when I was on West Wing and my character was

1:11:04.720 --> 1:11:08.040
<v Speaker 4>talking about some particular feature of the US Code, and

1:11:08.080 --> 1:11:09.800
<v Speaker 4>I said to the writer. The writer was very sweet

1:11:09.800 --> 1:11:11.960
<v Speaker 4>and he was befriending me. I said, I never knew

1:11:11.960 --> 1:11:15.080
<v Speaker 4>about that. He goes, I made it up. He's like,

1:11:15.120 --> 1:11:17.639
<v Speaker 4>this is not a history book. Man. Don't you can't

1:11:17.840 --> 1:11:20.000
<v Speaker 4>trust West Wing to give you facts about how the

1:11:20.000 --> 1:11:20.839
<v Speaker 4>government works?

1:11:20.840 --> 1:11:23.040
<v Speaker 3>Oh my god, I said.

1:11:23.320 --> 1:11:26.040
<v Speaker 1>Unfortunately, people do trust law in order for facts about

1:11:26.040 --> 1:11:27.240
<v Speaker 1>the law and order system.

1:11:27.439 --> 1:11:30.840
<v Speaker 4>Of course they do. I had a lawyer friend, and

1:11:30.880 --> 1:11:33.280
<v Speaker 4>I used to call her to work on my wirescripts,

1:11:33.320 --> 1:11:35.960
<v Speaker 4>and she'd go, you can't say that in court.

1:11:36.400 --> 1:11:38.880
<v Speaker 3>So it's yeah, it's that's so funny.

1:11:38.960 --> 1:11:41.599
<v Speaker 4>It's entertainment, friends, It really is yeah.

1:11:41.640 --> 1:11:43.800
<v Speaker 1>We have a lot of lawyer listeners that are like, yeah,

1:11:43.840 --> 1:11:47.240
<v Speaker 1>this would never happen, like prosecutors don't go to the

1:11:47.280 --> 1:11:51.160
<v Speaker 1>crime scene, like you know, stuff like that. So so

1:11:51.880 --> 1:11:55.000
<v Speaker 1>this episode you got to do like your part is

1:11:55.200 --> 1:11:58.599
<v Speaker 1>you know, you're defending these two Alta conkers. I guess

1:11:58.640 --> 1:12:00.240
<v Speaker 1>it is the name of the episode, and that's yeah,

1:12:00.360 --> 1:12:03.519
<v Speaker 1>these guys are. And so you get to do this

1:12:03.600 --> 1:12:06.800
<v Speaker 1>big opening argument to the jury, which is like we

1:12:06.880 --> 1:12:09.679
<v Speaker 1>call it an SVU Bingo card moment, like you either

1:12:09.680 --> 1:12:12.000
<v Speaker 1>get carried out of the courtroom screaming, you get to

1:12:12.560 --> 1:12:15.280
<v Speaker 1>do an opening argument. You know, like that's that's pretty

1:12:15.280 --> 1:12:17.439
<v Speaker 1>big for a card.

1:12:18.160 --> 1:12:20.040
<v Speaker 3>We should make it. We just talk about it, but

1:12:20.080 --> 1:12:20.640
<v Speaker 3>we should make it.

1:12:20.840 --> 1:12:22.400
<v Speaker 4>Yeah, but it is.

1:12:22.760 --> 1:12:25.240
<v Speaker 2>It was beautifully written and it was just such a

1:12:25.479 --> 1:12:28.200
<v Speaker 2>beautiful scene, and it was, yeah, we loved watching your

1:12:28.240 --> 1:12:29.400
<v Speaker 2>opening arguments.

1:12:29.000 --> 1:12:30.920
<v Speaker 1>In this you had me. I was like, let them go.

1:12:31.000 --> 1:12:32.000
<v Speaker 1>They didn't do anything.

1:12:32.400 --> 1:12:35.360
<v Speaker 4>I loved the gall of standing in front of a

1:12:35.439 --> 1:12:38.720
<v Speaker 4>jury and saying, yes, they put their mother in a

1:12:38.760 --> 1:12:43.320
<v Speaker 4>freezer and that's love. Somehow and somehow, somehow, and I

1:12:43.840 --> 1:12:45.400
<v Speaker 4>said to the director, I said, I don't want to

1:12:45.439 --> 1:12:47.880
<v Speaker 4>pace back and forth. I just want to stand there

1:12:47.880 --> 1:12:50.080
<v Speaker 4>and say this with a straight face, and it's like

1:12:50.479 --> 1:12:58.000
<v Speaker 4>it's insane, insane argument, but it's yeah, so so beautifully written.

1:12:58.320 --> 1:12:59.960
<v Speaker 4>It's like they just wanted to be close to her.

1:13:00.360 --> 1:13:00.719
<v Speaker 3>Yeah.

1:13:01.120 --> 1:13:03.000
<v Speaker 1>I mean I was arguing it with Lisa when we

1:13:03.040 --> 1:13:05.640
<v Speaker 1>recorded the episode of the podcast. I was like, you know,

1:13:05.920 --> 1:13:07.800
<v Speaker 1>I don't want to be buried, and I guess some

1:13:07.840 --> 1:13:10.360
<v Speaker 1>people have a problem with cremation. So you know, if

1:13:10.400 --> 1:13:12.880
<v Speaker 1>you've got a freezer, if you've got a deep freeze

1:13:12.920 --> 1:13:14.599
<v Speaker 1>and you've got the real estate for it in New York,

1:13:14.760 --> 1:13:15.920
<v Speaker 1>I mean, why not.

1:13:17.000 --> 1:13:18.840
<v Speaker 4>Very strange, very strange world.

1:13:19.280 --> 1:13:23.240
<v Speaker 2>Can you tell us about any other like memorable moments

1:13:23.280 --> 1:13:25.639
<v Speaker 2>you've had on the set or in the courtroom scenes

1:13:25.720 --> 1:13:26.160
<v Speaker 2>or anything.

1:13:26.320 --> 1:13:30.840
<v Speaker 4>Most of my memorable moments have to do with interactions

1:13:30.840 --> 1:13:34.360
<v Speaker 4>with Muska and her just messing with me and I

1:13:34.400 --> 1:13:38.200
<v Speaker 4>can let's see tell us. I'm told she's done this

1:13:38.200 --> 1:13:41.799
<v Speaker 4>to other people where right after they say rolling sound speed,

1:13:42.200 --> 1:13:45.240
<v Speaker 4>she'll look at you and go, let's have an acting contest.

1:13:46.240 --> 1:13:48.120
<v Speaker 4>What are you even talking? I don't know what you're

1:13:48.120 --> 1:13:50.559
<v Speaker 4>talking about. Time every time it's it's something else. And

1:13:50.760 --> 1:13:53.200
<v Speaker 4>I came on the set and she said, Michael, are

1:13:53.240 --> 1:13:54.960
<v Speaker 4>you signing up for my seminar. I'm like, what's semina?

1:13:55.400 --> 1:13:56.880
<v Speaker 4>I have a new acting technique. Will you just say

1:13:56.880 --> 1:13:58.519
<v Speaker 4>the line and then you just don't stop staring at

1:13:58.520 --> 1:14:00.960
<v Speaker 4>the person like this? And then she would just stare

1:14:00.960 --> 1:14:02.600
<v Speaker 4>at me, and she said it's especially good if you

1:14:02.640 --> 1:14:07.160
<v Speaker 4>say things like I don't like pineapple and you just stare.

1:14:07.360 --> 1:14:10.439
<v Speaker 4>I'm like, yes, I'll sign up for that. She said,

1:14:10.439 --> 1:14:12.559
<v Speaker 4>you know, this was one of my favorite exchanges. She said,

1:14:12.560 --> 1:14:14.760
<v Speaker 4>you know, Michael, if you were a good actor, you'd

1:14:14.760 --> 1:14:17.200
<v Speaker 4>figure out a way to get air quotes into your speech.

1:14:18.360 --> 1:14:20.280
<v Speaker 4>And I said, but I'm not, which is why I

1:14:20.280 --> 1:14:23.719
<v Speaker 4>have to do shows like yours. And she's like, well done.

1:14:23.760 --> 1:14:26.040
<v Speaker 4>She's like, well done, well done. And I saw her

1:14:26.000 --> 1:14:27.720
<v Speaker 4>a few days later and she said, Michael, I did it.

1:14:27.760 --> 1:14:29.559
<v Speaker 4>I'm like what. She goes, I put air quotes on

1:14:29.560 --> 1:14:31.519
<v Speaker 4>the scene. I'm like, you didn't do that. Please tell

1:14:31.520 --> 1:14:32.880
<v Speaker 4>me you didn't do that. She goes, yeah, I did it.

1:14:33.280 --> 1:14:36.040
<v Speaker 4>So she's she's I mean, that's just one of a

1:14:36.080 --> 1:14:40.439
<v Speaker 4>few of many, but it's always some craziness, you know.

1:14:40.800 --> 1:14:41.240
<v Speaker 3>Yeah.

1:14:41.439 --> 1:14:43.479
<v Speaker 1>I feel like if you're going to be like the

1:14:43.960 --> 1:14:46.479
<v Speaker 1>number one on a show for twenty four seasons.

1:14:46.479 --> 1:14:48.439
<v Speaker 3>You got to keep it fun, and it sounds like

1:14:48.479 --> 1:14:49.040
<v Speaker 3>she does that.

1:14:49.640 --> 1:14:51.360
<v Speaker 4>I meant, at the risk of sounding like I'm in

1:14:51.439 --> 1:14:53.040
<v Speaker 4>a cult, I have to say that. You know, she

1:14:53.560 --> 1:14:55.559
<v Speaker 4>jokes around like that, she keeps things light, and then

1:14:55.600 --> 1:14:57.280
<v Speaker 4>when it comes time to do the work, after all

1:14:57.320 --> 1:15:00.200
<v Speaker 4>these years, she is not phoning it in. She's doing

1:15:00.280 --> 1:15:05.400
<v Speaker 4>the work. She's really and sorry if I'm gushy about this,

1:15:05.439 --> 1:15:07.559
<v Speaker 4>but you know it's not. It's not true on every set,

1:15:07.680 --> 1:15:11.680
<v Speaker 4>and I've take take a side less experienced actors and

1:15:11.840 --> 1:15:14.080
<v Speaker 4>really make them comfortable and really say, so, what do

1:15:14.120 --> 1:15:16.320
<v Speaker 4>you think about this scene? How should we work this?

1:15:16.479 --> 1:15:20.599
<v Speaker 4>And really collaborate with people. You know, there was one

1:15:20.720 --> 1:15:23.840
<v Speaker 4>one actor who it was her very first job, and

1:15:24.439 --> 1:15:26.400
<v Speaker 4>the way that risk kind of just took care of

1:15:26.439 --> 1:15:28.200
<v Speaker 4>her and didn't talk down to her, but sort of

1:15:28.200 --> 1:15:31.599
<v Speaker 4>brought her along. You know, there's there's mentorship going on there,

1:15:31.640 --> 1:15:34.720
<v Speaker 4>and yeah, it comes down from the top. Yeah, I

1:15:34.760 --> 1:15:37.519
<v Speaker 4>mean most of my best memories of being on that

1:15:37.560 --> 1:15:39.800
<v Speaker 4>show have to do with that.

1:15:40.320 --> 1:15:42.000
<v Speaker 3>You know, Oh gotcha?

1:15:42.360 --> 1:15:45.080
<v Speaker 2>Was there any singing we heard Raoul likes to maybe

1:15:45.200 --> 1:15:46.120
<v Speaker 2>sing sometimes.

1:15:46.160 --> 1:15:48.320
<v Speaker 4>Well, Rowl and I are both musical theater guys.

1:15:48.400 --> 1:15:50.439
<v Speaker 1>Yes, I saw you're a big Broadway guy.

1:15:50.520 --> 1:15:54.000
<v Speaker 4>Yeah, and so I think we uh, I don't think.

1:15:54.000 --> 1:15:55.760
<v Speaker 4>I don't think we ever sang together, but I'm sure

1:15:55.760 --> 1:15:59.320
<v Speaker 4>we compared notes. You know, we musical theater people get

1:15:59.360 --> 1:16:02.439
<v Speaker 4>into conversations like who was who was the best? Mama Rose,

1:16:02.640 --> 1:16:05.639
<v Speaker 4>you're completely wrong, and you know we'll break out knives

1:16:05.640 --> 1:16:08.120
<v Speaker 4>and fisticuffs and everything. I mean, you know, we get

1:16:08.200 --> 1:16:11.479
<v Speaker 4>very intense about it. But we became we became friendly.

1:16:11.520 --> 1:16:14.320
<v Speaker 4>We hung out a couple of times, and I like

1:16:14.400 --> 1:16:17.320
<v Speaker 4>him very much. I like him. He's a he's a

1:16:17.360 --> 1:16:21.200
<v Speaker 4>good bloke, that one. I recently published a book called

1:16:21.240 --> 1:16:23.760
<v Speaker 4>the Stage Actor's Handbook because I was shocked to find

1:16:23.760 --> 1:16:26.240
<v Speaker 4>that there's no such thing that has to do with

1:16:26.320 --> 1:16:28.600
<v Speaker 4>the traditions and the protocols and the way, you know,

1:16:28.640 --> 1:16:32.160
<v Speaker 4>the way way professional actors are expected to behave when

1:16:32.160 --> 1:16:36.839
<v Speaker 4>we're working professionally. And we collected quotes from legendary stage performers,

1:16:36.880 --> 1:16:41.040
<v Speaker 4>and Raoul wrote the most gorgeous thing about the responsibility

1:16:41.080 --> 1:16:44.240
<v Speaker 4>of bringing the show every single night. And you know,

1:16:44.320 --> 1:16:46.200
<v Speaker 4>he was one of the people who contributed to the book.

1:16:48.000 --> 1:16:48.679
<v Speaker 4>Really good guy.

1:16:48.880 --> 1:16:50.800
<v Speaker 1>So it's a stage it's a handbook for people who

1:16:50.840 --> 1:16:52.519
<v Speaker 1>are working on the stage or is it for like

1:16:52.560 --> 1:16:55.880
<v Speaker 1>actors when they transition into television and movies and stuff.

1:16:55.640 --> 1:16:59.800
<v Speaker 4>Or no, it's it's for for working and aspiring theater.

1:16:59.560 --> 1:17:00.960
<v Speaker 3>Professional theater actors.

1:17:01.080 --> 1:17:02.679
<v Speaker 4>I have a whole you know, there's a whole culture

1:17:02.720 --> 1:17:06.120
<v Speaker 4>back there there there we have we have just traditions

1:17:06.120 --> 1:17:09.680
<v Speaker 4>and protocols and expressions and superstitions and ways of doing things.

1:17:09.720 --> 1:17:12.519
<v Speaker 4>And it's funny because like theater people, we take our

1:17:12.560 --> 1:17:15.400
<v Speaker 4>superstitions seriously, whether we believe in them or not. Like

1:17:15.520 --> 1:17:17.280
<v Speaker 4>you know, people will freak out if you do the

1:17:17.280 --> 1:17:19.400
<v Speaker 4>wrong thing because it's like you're not supposed to be

1:17:19.400 --> 1:17:20.840
<v Speaker 4>even if we don't believe in it, it's part of

1:17:20.880 --> 1:17:24.280
<v Speaker 4>the fun of the tradition of the culture. So uh yeah,

1:17:24.320 --> 1:17:26.920
<v Speaker 4>so that I just love that. He was like, yeah,

1:17:27.280 --> 1:17:28.360
<v Speaker 4>I'll contribute some thoughts.

1:17:28.400 --> 1:17:28.920
<v Speaker 3>Amazing.

1:17:29.520 --> 1:17:33.120
<v Speaker 1>So the Stage Actor's Handbook it's called by Michael Kostrov.

1:17:33.200 --> 1:17:34.120
<v Speaker 3>Okay, we're gonna.

1:17:33.880 --> 1:17:39.720
<v Speaker 2>Make the I guess biggest mistake you've seen was there

1:17:39.720 --> 1:17:41.720
<v Speaker 2>like a moment that inspired you or like, were you

1:17:41.760 --> 1:17:44.640
<v Speaker 2>ever in a production and you saw something You're like,

1:17:44.680 --> 1:17:45.400
<v Speaker 2>what the fuck?

1:17:45.720 --> 1:17:47.880
<v Speaker 4>So many I mean, there's so many things. I mean,

1:17:47.920 --> 1:17:49.479
<v Speaker 4>you know what happens is you learn most of the

1:17:49.479 --> 1:17:53.960
<v Speaker 4>stuff by screwing up. You know, like once the director leaves,

1:17:53.960 --> 1:17:57.759
<v Speaker 4>the stage manager is authorized to give you notes throughout

1:17:57.800 --> 1:18:01.000
<v Speaker 4>the run of the performance. And I very grandly said, well,

1:18:01.040 --> 1:18:03.679
<v Speaker 4>I only take notes from the director, and somebody pulled

1:18:03.680 --> 1:18:08.760
<v Speaker 4>me assignment. No, no, that's not a thing. I think.

1:18:08.800 --> 1:18:11.680
<v Speaker 4>One of my favorite traditions is something we call TTFN,

1:18:11.680 --> 1:18:13.840
<v Speaker 4>which is take the fucking note. So when we're in

1:18:14.240 --> 1:18:17.280
<v Speaker 4>a group note sessions, we're all tired from rehearsal and

1:18:17.320 --> 1:18:20.639
<v Speaker 4>the director is giving us notes the amateur we'll get

1:18:20.640 --> 1:18:22.599
<v Speaker 4>into a discussion about it with the director and said,

1:18:22.600 --> 1:18:24.040
<v Speaker 4>but I thought I did that and did it, but

1:18:24.479 --> 1:18:26.479
<v Speaker 4>do you mean and we're like, we all want to

1:18:26.520 --> 1:18:28.679
<v Speaker 4>go home. Take the fucking notes. Yeah, thank you, write

1:18:28.680 --> 1:18:30.160
<v Speaker 4>it down, talk to him about it later.

1:18:30.320 --> 1:18:32.360
<v Speaker 1>But I do think it's it's awesome that you wrote

1:18:32.360 --> 1:18:35.000
<v Speaker 1>that book, because I think that in a lot of ways,

1:18:35.280 --> 1:18:38.600
<v Speaker 1>in not just theater, but in other creative pursuits or

1:18:38.760 --> 1:18:41.519
<v Speaker 1>other industries, everyone's just like, just get out there, make

1:18:41.560 --> 1:18:43.680
<v Speaker 1>your mistakes and learn, and like, no one wants to

1:18:43.720 --> 1:18:45.519
<v Speaker 1>tell you the little secrets. No one wants to tell

1:18:45.560 --> 1:18:48.439
<v Speaker 1>you the backstage, and it's not like these people are

1:18:48.439 --> 1:18:49.880
<v Speaker 1>going to read your book and be like, no, I'm

1:18:49.880 --> 1:18:53.040
<v Speaker 1>a perfectly professional actor. But like, you know, it's nice

1:18:53.040 --> 1:18:57.280
<v Speaker 1>to share information. I find a lot of times people, Yeah,

1:18:57.320 --> 1:19:00.840
<v Speaker 1>people just keep information to themselves because I don't know.

1:19:00.880 --> 1:19:03.160
<v Speaker 3>They want everyone to let learn it.

1:19:03.320 --> 1:19:05.439
<v Speaker 2>Because we do stand up comedy and so yeah, like

1:19:05.479 --> 1:19:07.479
<v Speaker 2>you're supposed to move the MIC's stand right behind you,

1:19:08.000 --> 1:19:10.040
<v Speaker 2>and so when you see someone with the MIC's stand

1:19:10.040 --> 1:19:13.360
<v Speaker 2>out moved, you immediately know that they're like younger because

1:19:13.439 --> 1:19:15.280
<v Speaker 2>it's distracting and you got to do it. It's something

1:19:15.360 --> 1:19:19.080
<v Speaker 2>little and yeah you should tell people that, but kind

1:19:19.080 --> 1:19:19.559
<v Speaker 2>to learn it.

1:19:19.880 --> 1:19:21.600
<v Speaker 3>So there's all this little stuff.

1:19:21.240 --> 1:19:23.559
<v Speaker 4>We have on set protocols. Also, I was working the

1:19:23.600 --> 1:19:26.040
<v Speaker 4>other day and I saw a guest actress ask the

1:19:26.360 --> 1:19:27.960
<v Speaker 4>one of the leads to take a picture with her.

1:19:28.000 --> 1:19:31.760
<v Speaker 4>It's like, yeah, nope, amateur move. You don't do that.

1:19:31.920 --> 1:19:33.240
<v Speaker 4>It's not cool, you know.

1:19:34.280 --> 1:19:37.760
<v Speaker 1>But I social media now though, well, I feel Marishka does.

1:19:37.880 --> 1:19:39.480
<v Speaker 3>I feel like a lot of the people.

1:19:39.439 --> 1:19:42.080
<v Speaker 4>Think probably does. She's very gracious about it. But you know,

1:19:42.200 --> 1:19:45.960
<v Speaker 4>my feeling as a guest actor is this, I want

1:19:46.040 --> 1:19:50.800
<v Speaker 4>to help protect the bubble, meaning meaning the leads are

1:19:50.840 --> 1:19:52.320
<v Speaker 4>at work. They don't want to have to be on

1:19:52.400 --> 1:19:56.160
<v Speaker 4>celebrity duty. You know, they don't want to deal with

1:19:56.200 --> 1:19:57.719
<v Speaker 4>you being like, oh my god, it's such an honor

1:19:57.760 --> 1:20:00.720
<v Speaker 4>to meet you. It's like, you know, I like when

1:20:00.720 --> 1:20:03.479
<v Speaker 4>I get recognized, it's really nice. I don't mind, you know,

1:20:03.720 --> 1:20:05.760
<v Speaker 4>in the real world, but if I'm at work, I

1:20:05.760 --> 1:20:08.479
<v Speaker 4>don't want somebody gushy, and you know, I want to

1:20:08.520 --> 1:20:11.240
<v Speaker 4>just do the work. The biggest celebrities I've ever met

1:20:11.360 --> 1:20:13.720
<v Speaker 4>just want to roll up their sleeves and do the work.

1:20:13.760 --> 1:20:15.880
<v Speaker 4>When they're at work. They know that if they go

1:20:15.920 --> 1:20:18.080
<v Speaker 4>out in public, they're going to be dealing with people

1:20:18.160 --> 1:20:19.840
<v Speaker 4>being nervous and wanting to meet them and wanting to

1:20:19.840 --> 1:20:21.200
<v Speaker 4>take a picture. But I feel like I want to

1:20:21.200 --> 1:20:24.479
<v Speaker 4>protect their work environment. That's part of my approach to that.

1:20:24.720 --> 1:20:27.920
<v Speaker 4>But yeah, but also, you know, I'm big into rules

1:20:27.920 --> 1:20:31.000
<v Speaker 4>and traditions and I love that stuff, you know, totally.

1:20:31.400 --> 1:20:33.720
<v Speaker 2>Yeah, because we've also talked to a lot of childs

1:20:33.800 --> 1:20:35.320
<v Speaker 2>after there are people who did it when they were

1:20:35.439 --> 1:20:39.120
<v Speaker 2>kids and their parents want to meet Marishka. So like

1:20:39.200 --> 1:20:43.880
<v Speaker 2>the dads are like, we got to meet Marsha.

1:20:43.680 --> 1:20:47.160
<v Speaker 1>Well, you were in the producers And what what are

1:20:47.200 --> 1:20:48.639
<v Speaker 1>your favorite Broadway shows?

1:20:49.040 --> 1:20:51.200
<v Speaker 4>Oh my god, it's so hard to answer that there,

1:20:51.280 --> 1:20:51.519
<v Speaker 4>I know.

1:20:51.520 --> 1:20:53.639
<v Speaker 3>That's so crazy. It's like, what's your favorite comedian?

1:20:53.720 --> 1:20:56.240
<v Speaker 2>I also we also like to ask, like, what role

1:20:56.280 --> 1:20:57.639
<v Speaker 2>are you so yeah to do?

1:20:58.000 --> 1:21:00.439
<v Speaker 3>Dream role Broadway?

1:21:00.720 --> 1:21:03.720
<v Speaker 4>I mean, the top of the list is Sweeney Todd.

1:21:04.520 --> 1:21:07.479
<v Speaker 4>I think that's one of the best musicals ever. I

1:21:07.640 --> 1:21:10.320
<v Speaker 4>love I love the obscure ones that people don't know

1:21:10.360 --> 1:21:12.799
<v Speaker 4>about that are great. There's a great musical called Triumph

1:21:12.880 --> 1:21:16.280
<v Speaker 4>of Love. That's one of my favorites. I love Evita.

1:21:16.439 --> 1:21:19.360
<v Speaker 4>I love I mean different ones for different reasons. You know.

1:21:19.400 --> 1:21:21.639
<v Speaker 4>Some of them are just just fun and silly.

1:21:23.160 --> 1:21:26.280
<v Speaker 3>My husband loves the musical Assassins. Do you know that one?

1:21:26.439 --> 1:21:28.000
<v Speaker 4>I don't know it as well as I should because

1:21:28.040 --> 1:21:29.320
<v Speaker 4>I love Stephen Sondheim.

1:21:29.640 --> 1:21:31.840
<v Speaker 3>He loves Assassins. Oh my god.

1:21:32.160 --> 1:21:35.240
<v Speaker 4>I love Pacific Overtores, which nobody really talks about much,

1:21:35.400 --> 1:21:38.519
<v Speaker 4>you know, all Asian casts written by Sondheim. It's brilliant.

1:21:38.840 --> 1:21:42.800
<v Speaker 4>So anyway, you know, I'm nerding out here, but dream rolls.

1:21:42.800 --> 1:21:45.599
<v Speaker 4>I you know. I always say that what I love

1:21:45.640 --> 1:21:48.200
<v Speaker 4>best about my career is the variety. So the fact

1:21:48.200 --> 1:21:51.200
<v Speaker 4>that I get to keep doing different things is it's

1:21:51.240 --> 1:21:53.559
<v Speaker 4>more prominent than any particular dream role. I will say

1:21:53.560 --> 1:21:55.920
<v Speaker 4>that I did two of the ones that were on

1:21:55.960 --> 1:21:58.559
<v Speaker 4>my list a couple of years back. I finally did

1:21:58.720 --> 1:22:02.960
<v Speaker 4>Mushnik in Little chop Hers and I did Edna in

1:22:02.960 --> 1:22:07.040
<v Speaker 4>in Hairspray, and those yeah, I loved. I loved doing

1:22:07.080 --> 1:22:08.120
<v Speaker 4>both of those. That were great.

1:22:08.439 --> 1:22:10.960
<v Speaker 3>I would have loved to see that. Wow, that's fair.

1:22:11.000 --> 1:22:13.479
<v Speaker 4>It was really it was really really pretty cool. I mean,

1:22:13.520 --> 1:22:16.040
<v Speaker 4>you know, once you get past yeah, man in Address

1:22:16.080 --> 1:22:17.720
<v Speaker 4>is always going to be funny, but there's also some

1:22:17.760 --> 1:22:20.719
<v Speaker 4>deep stuff in there, you know, in Hairspray, stuff about race,

1:22:21.000 --> 1:22:23.400
<v Speaker 4>stuff about body image. It's a it's a really good

1:22:23.560 --> 1:22:24.080
<v Speaker 4>good show.

1:22:24.240 --> 1:22:25.439
<v Speaker 3>So yeah, for sure.

1:22:25.760 --> 1:22:28.400
<v Speaker 2>Well, and you mentioned in Law and Order people get

1:22:28.400 --> 1:22:30.160
<v Speaker 2>to come back all the time, and we do love

1:22:30.200 --> 1:22:32.840
<v Speaker 2>Evan Brawn evil da Would you ever want to come

1:22:32.880 --> 1:22:34.840
<v Speaker 2>back as like a killer?

1:22:36.720 --> 1:22:40.439
<v Speaker 4>Oh? Interesting? I think if I were, If I could

1:22:40.439 --> 1:22:42.760
<v Speaker 4>come back on Law and Order on SVU as a

1:22:42.760 --> 1:22:46.360
<v Speaker 4>different character, I'd want to be like the kindest, most

1:22:46.479 --> 1:22:50.200
<v Speaker 4>lovely person ever. Because it's so rare that I get

1:22:50.200 --> 1:22:53.280
<v Speaker 4>to play anyone with a soul, Because you know, it's

1:22:53.280 --> 1:22:56.240
<v Speaker 4>not just law and order. I mostly play these ice

1:22:56.439 --> 1:22:59.880
<v Speaker 4>cold attorneys. That's like my bread and butter. So it's

1:23:00.120 --> 1:23:02.280
<v Speaker 4>really cool when I get to do something different and

1:23:02.720 --> 1:23:04.760
<v Speaker 4>people who know me laugh because I mean, I'm a

1:23:04.800 --> 1:23:05.360
<v Speaker 4>puppy dog.

1:23:05.360 --> 1:23:06.880
<v Speaker 3>I'm like, yeah, that's it.

1:23:07.040 --> 1:23:09.960
<v Speaker 1>When we interviewed Delaney Williams, the same thing, we were like,

1:23:10.160 --> 1:23:13.200
<v Speaker 1>your face comes on screen and people like get mad immediately,

1:23:13.600 --> 1:23:16.200
<v Speaker 1>and he was the nicest man to talk to and

1:23:16.360 --> 1:23:18.640
<v Speaker 1>such a sweetheart. And I'm sure that's true of like

1:23:18.680 --> 1:23:21.280
<v Speaker 1>everybody that plays these kind of blindballs.

1:23:22.120 --> 1:23:24.360
<v Speaker 4>I think so. And also like Mike, I'm a musical

1:23:24.400 --> 1:23:26.960
<v Speaker 4>comedy guy, Like I'm the funny guy who sings a

1:23:26.960 --> 1:23:29.640
<v Speaker 4>song and I'll see at the curtain call. But you know, so,

1:23:29.920 --> 1:23:31.559
<v Speaker 4>it's one of the great things about being an actor

1:23:31.640 --> 1:23:33.599
<v Speaker 4>is like you don't know where it's going to take you.

1:23:33.600 --> 1:23:36.160
<v Speaker 4>You don't know how people are going to want to

1:23:36.200 --> 1:23:38.519
<v Speaker 4>cast you. And I love that I get to put

1:23:38.520 --> 1:23:40.479
<v Speaker 4>on this mask and people buy it, Like you know,

1:23:40.760 --> 1:23:42.519
<v Speaker 4>wire fans will come up to me with a huge

1:23:42.520 --> 1:23:46.920
<v Speaker 4>smile and say, I hate you so much. Oh yeah,

1:23:46.960 --> 1:23:49.559
<v Speaker 4>you know it, which is great. It's honestly, no kidding.

1:23:49.560 --> 1:23:52.599
<v Speaker 4>It's a compliment. You know, I'll tell you my favorite

1:23:53.160 --> 1:23:55.600
<v Speaker 4>story about being recognized.

1:23:55.880 --> 1:23:56.360
<v Speaker 3>Please.

1:23:56.520 --> 1:23:59.400
<v Speaker 4>So I'm walking along, you know, my Upper West Side neighborhood,

1:24:00.160 --> 1:24:02.840
<v Speaker 4>and this woman from con from Connad, you know, the

1:24:02.880 --> 1:24:03.599
<v Speaker 4>power company.

1:24:04.120 --> 1:24:07.120
<v Speaker 5>She says hey, I said hey. She goes, you're the

1:24:07.200 --> 1:24:09.880
<v Speaker 5>lawyer from the wire. I said, yes, yes I am.

1:24:09.960 --> 1:24:12.840
<v Speaker 5>And she goes, oh, wow, are you really a lawyer.

1:24:12.920 --> 1:24:15.360
<v Speaker 5>I said no, no, just an actor. And she says,

1:24:15.600 --> 1:24:23.560
<v Speaker 5>oh damn, I really need a lawyer. And that was

1:24:23.600 --> 1:24:24.680
<v Speaker 5>the end of that conversation.

1:24:25.640 --> 1:24:28.120
<v Speaker 1>She thought she really lucked into some free legal advice

1:24:28.160 --> 1:24:28.719
<v Speaker 1>on the street.

1:24:29.800 --> 1:24:33.080
<v Speaker 2>Wait and are you Are you always teaching acting classes?

1:24:34.320 --> 1:24:36.439
<v Speaker 2>And is it independent or with a place?

1:24:36.840 --> 1:24:40.080
<v Speaker 4>It's independent. I do two of them online and one

1:24:40.120 --> 1:24:43.679
<v Speaker 4>of them in person in LA and it's a it's

1:24:43.720 --> 1:24:48.559
<v Speaker 4>a it's a tight list, you know. It's it's not

1:24:48.560 --> 1:24:51.439
<v Speaker 4>not snotty, but just just sort of like, yes, which

1:24:51.479 --> 1:24:55.080
<v Speaker 4>we're professional actors, but I love doing it. It's it's

1:24:55.360 --> 1:24:57.280
<v Speaker 4>it's I just love actors, you know, like it's a

1:24:57.320 --> 1:25:00.080
<v Speaker 4>it's a joy to work with them. So it's you know,

1:25:00.160 --> 1:25:03.639
<v Speaker 4>whether it's coaching, directing, teaching acting, all that stuff, it's

1:25:03.760 --> 1:25:07.360
<v Speaker 4>just working with them honest. For you know it's it's

1:25:07.520 --> 1:25:09.640
<v Speaker 4>I just really dig my tribe as I put it.

1:25:10.360 --> 1:25:12.719
<v Speaker 1>Yeah, well, let me ask you this because I paid

1:25:12.760 --> 1:25:15.360
<v Speaker 1>for coaching one time, and this just happened to me yesterday.

1:25:15.360 --> 1:25:18.240
<v Speaker 1>Actually too, I paid for coaching one time and I

1:25:18.240 --> 1:25:20.599
<v Speaker 1>did this whole session and then I go in and

1:25:20.680 --> 1:25:22.479
<v Speaker 1>what they tell me in the audition is like the

1:25:22.520 --> 1:25:24.280
<v Speaker 1>opposite of what this coach has told me.

1:25:24.400 --> 1:25:25.360
<v Speaker 3>Like it's the opposite.

1:25:25.360 --> 1:25:27.040
<v Speaker 1>They're like, you know, you want to play it this way,

1:25:27.040 --> 1:25:28.760
<v Speaker 1>blah blah, and I'm like okay, and then you just

1:25:28.760 --> 1:25:31.240
<v Speaker 1>have to like readjust on the fly to everything you

1:25:31.400 --> 1:25:34.280
<v Speaker 1>just paid someone to help you work on. It's like

1:25:34.400 --> 1:25:37.639
<v Speaker 1>so like yesterday I read an audition to my husband

1:25:37.680 --> 1:25:39.360
<v Speaker 1>and he goes, well, this is Disney, so I think

1:25:39.360 --> 1:25:41.400
<v Speaker 1>you got to kind of play it like like pretty

1:25:42.200 --> 1:25:45.200
<v Speaker 1>like uh, you know, like over the top a little bit.

1:25:45.360 --> 1:25:46.760
<v Speaker 1>And then I get on the audition and she goes,

1:25:46.840 --> 1:25:48.599
<v Speaker 1>I know it's Disney, but it's like not over the top.

1:25:48.600 --> 1:25:49.240
<v Speaker 3>It's very ground.

1:25:49.320 --> 1:25:50.960
<v Speaker 1>And I was like, everybody I asked to help me

1:25:51.040 --> 1:25:52.040
<v Speaker 1>tells me the wrong thing.

1:25:52.479 --> 1:25:55.120
<v Speaker 4>Well, okay, so I'll say this. I don't think coaches

1:25:55.120 --> 1:25:56.799
<v Speaker 4>should be tasked with being psychic.

1:25:57.320 --> 1:25:57.479
<v Speaker 3>Right.

1:25:57.720 --> 1:25:59.680
<v Speaker 4>What I try to do with the actor is is

1:26:00.160 --> 1:26:02.880
<v Speaker 4>some detective work together. What do you think about this?

1:26:03.000 --> 1:26:04.280
<v Speaker 4>Why do you think? You say this? What do you

1:26:04.280 --> 1:26:06.920
<v Speaker 4>think is going on? And sort of unpack it together?

1:26:07.040 --> 1:26:09.599
<v Speaker 4>There is and I've said I can't tell you how

1:26:09.600 --> 1:26:12.160
<v Speaker 4>many times. Look, if this idea doesn't land with you,

1:26:12.200 --> 1:26:14.320
<v Speaker 4>I want you to not do it. I want I

1:26:14.320 --> 1:26:15.639
<v Speaker 4>want to hear back from you if you go, yeah,

1:26:15.640 --> 1:26:17.400
<v Speaker 4>I don't see it that way, because you're the artist

1:26:17.439 --> 1:26:21.759
<v Speaker 4>who's doing the work. But also it's it's perfectly possible.

1:26:21.800 --> 1:26:23.559
<v Speaker 4>We've all had the experience that you get in there

1:26:23.600 --> 1:26:26.439
<v Speaker 4>and they give you an adjustment. What what what actors

1:26:26.479 --> 1:26:28.200
<v Speaker 4>are always afraid to do that they should do is

1:26:28.200 --> 1:26:30.280
<v Speaker 4>say I love that. I'm going to step outside and

1:26:30.320 --> 1:26:32.040
<v Speaker 4>work on this for a minute because it's very different,

1:26:32.200 --> 1:26:34.600
<v Speaker 4>and I'll come back, you know, because we're all so

1:26:34.720 --> 1:26:35.920
<v Speaker 4>scared and it's.

1:26:35.800 --> 1:26:37.640
<v Speaker 3>Like I would never think I could do that.

1:26:37.720 --> 1:26:39.439
<v Speaker 4>Who who wouldn't respect that?

1:26:40.200 --> 1:26:42.880
<v Speaker 3>You know, well that's a power move. Wow, of course.

1:26:42.920 --> 1:26:45.040
<v Speaker 4>And it's not you know, it's not snotty, it's not

1:26:45.120 --> 1:26:46.479
<v Speaker 4>you know, but you know, and if you have a

1:26:46.520 --> 1:26:48.320
<v Speaker 4>cast in director says no, just do it, it's like,

1:26:48.880 --> 1:26:51.439
<v Speaker 4>you know, I'm going to step out because it's it's

1:26:51.479 --> 1:26:53.559
<v Speaker 4>it's I want to really make sure that I hit

1:26:53.600 --> 1:26:56.080
<v Speaker 4>what you asked me to do in a respectful, nice way.

1:26:56.080 --> 1:26:58.200
<v Speaker 4>But we don't take up any space, you know, and

1:26:58.320 --> 1:27:01.000
<v Speaker 4>I and I feel like that's there's that option. And

1:27:01.080 --> 1:27:04.840
<v Speaker 4>also you know, god, you know, I teach a course

1:27:05.000 --> 1:27:07.400
<v Speaker 4>called Audition Psycho one oh one that's about the psychology

1:27:07.400 --> 1:27:12.599
<v Speaker 4>of auditioning because so much of this is psychological, like

1:27:12.600 --> 1:27:17.439
<v Speaker 4>like a lot of this is the interpretation of, oh fuck,

1:27:17.720 --> 1:27:20.799
<v Speaker 4>I've got this adjustment and it's a test. Now instead

1:27:20.800 --> 1:27:22.800
<v Speaker 4>of going, oh, interesting, let me try that as an artist,

1:27:22.880 --> 1:27:24.680
<v Speaker 4>that might be kind of cool. All right, let's see

1:27:24.680 --> 1:27:27.240
<v Speaker 4>what we come up with. And it's really so much

1:27:27.240 --> 1:27:29.719
<v Speaker 4>in the framing and how you interpret what has happened.

1:27:30.400 --> 1:27:34.080
<v Speaker 4>You know, like some of us go, oh, it's a trick.

1:27:34.080 --> 1:27:35.560
<v Speaker 4>They're trying to fuck with me. It's like none of

1:27:35.560 --> 1:27:38.080
<v Speaker 4>that stuff is going on. It's all interpretation. So now

1:27:38.120 --> 1:27:39.719
<v Speaker 4>when I get I think of it like a little

1:27:40.360 --> 1:27:43.639
<v Speaker 4>collaboration acting class. If somebody's like I think it needs

1:27:43.640 --> 1:27:46.880
<v Speaker 4>to be angry, and I'll go, huh okay, let me

1:27:47.040 --> 1:27:49.120
<v Speaker 4>try that. Let's see where we go. With that as

1:27:49.120 --> 1:27:51.920
<v Speaker 4>opposed to now I got to deliver, you know, And

1:27:51.960 --> 1:27:54.519
<v Speaker 4>I think it's okay. I think if if you spent

1:27:54.600 --> 1:27:58.160
<v Speaker 4>time working on the scene and landed on different conclusions,

1:27:58.479 --> 1:28:01.599
<v Speaker 4>it's okay, you've got you still got the exploration under

1:28:01.640 --> 1:28:02.040
<v Speaker 4>your belt.

1:28:03.320 --> 1:28:06.759
<v Speaker 2>Yeah, but you got I'm sure throughout your experience. I

1:28:06.800 --> 1:28:10.520
<v Speaker 2>hate mean casting directors. Oh yeah, there's like these incredible

1:28:10.520 --> 1:28:12.080
<v Speaker 2>ones and I love them so much, and then there's

1:28:12.120 --> 1:28:14.519
<v Speaker 2>somewhere I'm like, can you make me feel more like shit?

1:28:14.720 --> 1:28:18.439
<v Speaker 4>Listen. I'm very big on the dignity of actors, and

1:28:18.800 --> 1:28:22.920
<v Speaker 4>I believe in something I call gracious strength. This is

1:28:22.920 --> 1:28:24.439
<v Speaker 4>what I came up with after working with a bunch

1:28:24.479 --> 1:28:26.280
<v Speaker 4>of famous actors. I'm like, what is it about them?

1:28:26.479 --> 1:28:28.400
<v Speaker 4>You wouldn't fuck with them? And also they're the nicest

1:28:28.400 --> 1:28:32.000
<v Speaker 4>people in the world. Gracious strength, or my version of that,

1:28:32.040 --> 1:28:34.519
<v Speaker 4>is what would Judy Dench do? So I feel like

1:28:34.520 --> 1:28:37.120
<v Speaker 4>if Judy Dench had a really nasty casting director, she said,

1:28:37.120 --> 1:28:39.160
<v Speaker 4>you know, I really don't let people speak to me

1:28:39.200 --> 1:28:41.000
<v Speaker 4>this way. So I'm going to go. I'm going to go,

1:28:41.200 --> 1:28:43.040
<v Speaker 4>and I'm going to wish you well with your casting,

1:28:43.080 --> 1:28:45.040
<v Speaker 4>but I'm just not interested. Thank you. So much, and

1:28:45.439 --> 1:28:50.000
<v Speaker 4>I feel like I have within me the option of

1:28:50.040 --> 1:28:51.680
<v Speaker 4>doing that, of saying, you know, I think this is

1:28:52.160 --> 1:28:53.800
<v Speaker 4>not going to work out. So I'm going to go

1:28:54.600 --> 1:28:56.519
<v Speaker 4>because I don't need to have anybody speak to me

1:28:56.600 --> 1:28:58.400
<v Speaker 4>that way, and I don't need to teach them not

1:28:58.400 --> 1:28:59.680
<v Speaker 4>to speak to me that way, and I don't need

1:28:59.680 --> 1:29:03.120
<v Speaker 4>to be in dignant. But I sure has held I listen.

1:29:03.920 --> 1:29:06.679
<v Speaker 4>Like most actors, my self esteem is not so great.

1:29:06.760 --> 1:29:09.800
<v Speaker 4>I don't need help taking it down. I really don't.

1:29:09.840 --> 1:29:15.479
<v Speaker 4>I really don't. So I think what we're doing wrong

1:29:15.600 --> 1:29:19.960
<v Speaker 4>is is tolerating that. Yeah, why do we think it's

1:29:19.960 --> 1:29:23.360
<v Speaker 4>going to lead to getting a job or people respecting us? No,

1:29:23.520 --> 1:29:26.200
<v Speaker 4>it doesn't. It's not like if I let you abuse me,

1:29:26.200 --> 1:29:28.960
<v Speaker 4>you're going to cast me. No, I think they're more

1:29:29.080 --> 1:29:33.000
<v Speaker 4>likely to think of you as a respectable contender if

1:29:33.040 --> 1:29:35.720
<v Speaker 4>you say, yeah, you know, the tone is not not

1:29:35.880 --> 1:29:38.559
<v Speaker 4>good for me. I'm going to need to go. You know.

1:29:38.800 --> 1:29:40.479
<v Speaker 4>I'll be happy to take your notes, but I don't

1:29:40.479 --> 1:29:43.280
<v Speaker 4>need the attitude. Yeah, Oh my god, what would happen?

1:29:43.880 --> 1:29:44.559
<v Speaker 4>What would happen?

1:29:44.920 --> 1:29:48.719
<v Speaker 1>I love that ww jd D. What would Judy Dench do?

1:29:48.960 --> 1:29:52.120
<v Speaker 4>Try it? Try it? What would Judy Dench. Do I

1:29:52.200 --> 1:29:54.080
<v Speaker 4>think I think she would be really nice about it?

1:29:54.160 --> 1:29:56.960
<v Speaker 4>She says, I'm getting some hostility, but I'm interested in

1:29:57.040 --> 1:29:59.559
<v Speaker 4>your note. What explained I me, I have to understand

1:29:59.560 --> 1:30:00.120
<v Speaker 4>the note.

1:30:00.800 --> 1:30:03.080
<v Speaker 3>You're like teaching power moves and acting.

1:30:03.479 --> 1:30:06.479
<v Speaker 4>I know I had to because I come from such

1:30:06.479 --> 1:30:09.280
<v Speaker 4>a damage, fucked up childhood. This has been like a

1:30:09.320 --> 1:30:12.519
<v Speaker 4>lifetime of therapy. But it's like it's I have to

1:30:12.800 --> 1:30:15.120
<v Speaker 4>protect all that stuff because otherwise I'd be like I'll

1:30:15.120 --> 1:30:17.920
<v Speaker 4>be on you know, sleeping under my couch for a week,

1:30:18.200 --> 1:30:19.719
<v Speaker 4>you know, drinking and crying.

1:30:20.040 --> 1:30:22.439
<v Speaker 1>Well, do you have anything like coming up that you

1:30:22.479 --> 1:30:25.280
<v Speaker 1>want our listeners to check out something that's coming out soon?

1:30:25.520 --> 1:30:27.040
<v Speaker 1>Or I'm sure they're going to have you back on

1:30:27.200 --> 1:30:28.840
<v Speaker 1>SVU soon they will.

1:30:28.960 --> 1:30:31.280
<v Speaker 4>I mean, you know, I'm not much of a promoter.

1:30:31.439 --> 1:30:33.679
<v Speaker 4>It's like people find me or they don't. But I mean,

1:30:34.240 --> 1:30:37.400
<v Speaker 4>I just filmed an NCIS where I was not a lawyer.

1:30:37.479 --> 1:30:40.719
<v Speaker 4>It was very exciting. I loved the role. I don't

1:30:40.760 --> 1:30:46.160
<v Speaker 4>know when. It's on November thirteenth, eleventh, seventeenth, someplace in

1:30:46.200 --> 1:30:52.360
<v Speaker 4>mid November, so that's on. You know, I'm big into

1:30:52.400 --> 1:30:54.840
<v Speaker 4>my book right now, so if they're you know, aspiring

1:30:54.920 --> 1:30:58.760
<v Speaker 4>or working professional stage actors out there. Yeah, the Stage

1:30:58.760 --> 1:31:01.519
<v Speaker 4>Actor's Handbook. You can get it Drama Bookshop in New York.

1:31:01.560 --> 1:31:06.800
<v Speaker 4>I love supporting the actual physical independent bookshops. Yes, I

1:31:06.800 --> 1:31:07.920
<v Speaker 4>don't know, I got stuff.

1:31:08.040 --> 1:31:13.080
<v Speaker 1>I got stuff, amazing, amazing, booked and blessed, as we.

1:31:13.040 --> 1:31:18.960
<v Speaker 4>Say, yes, booked and blessed, obsessed.

1:31:19.520 --> 1:31:22.599
<v Speaker 1>Yeah, he's cool like you are immediately like I'm getting

1:31:22.640 --> 1:31:24.240
<v Speaker 1>on the list and going to take his actings.

1:31:25.640 --> 1:31:28.400
<v Speaker 2>Yeah, it's just like, you know, we get to talk

1:31:28.400 --> 1:31:30.200
<v Speaker 2>to a lot of people who love their work and

1:31:30.360 --> 1:31:34.240
<v Speaker 2>it's a privilege. Yeah, and it's cool sen someone that

1:31:34.320 --> 1:31:36.120
<v Speaker 2>you know likes to sing and wants to help other

1:31:36.200 --> 1:31:39.120
<v Speaker 2>people and advice and cares for shit like I like it.

1:31:39.240 --> 1:31:40.360
<v Speaker 3>Yes. Yeah.

1:31:40.400 --> 1:31:43.120
<v Speaker 2>Theater traditions are funny. I've remember from high school it

1:31:43.160 --> 1:31:45.280
<v Speaker 2>was just like so much, thank you, thank.

1:31:45.080 --> 1:31:48.600
<v Speaker 3>You, yeah, thank you five. And I still do it

1:31:48.640 --> 1:31:49.000
<v Speaker 3>all the.

1:31:48.960 --> 1:31:50.840
<v Speaker 2>Time, and I wonder if people are like, shut up,

1:31:50.880 --> 1:31:53.920
<v Speaker 2>you dumb bitch, but they really ingrained that well.

1:31:54.600 --> 1:31:56.800
<v Speaker 1>The superstitions are so funny too, because you have so

1:31:56.840 --> 1:31:59.439
<v Speaker 1>many superstitions as a Russian Jew, like I have never

1:31:59.479 --> 1:32:01.479
<v Speaker 1>heard of like your superstitions and.

1:32:01.600 --> 1:32:07.559
<v Speaker 2>I'm a very superstitious person, and I do, and I yeah, yeah,

1:32:07.600 --> 1:32:10.280
<v Speaker 2>I'm in tune with that part of I was gonna

1:32:10.320 --> 1:32:11.120
<v Speaker 2>say my universe.

1:32:11.240 --> 1:32:12.080
<v Speaker 3>Yeah, but then I was like.

1:32:12.120 --> 1:32:15.200
<v Speaker 2>Or psychosis, like we don't really know, we don't know

1:32:15.240 --> 1:32:17.640
<v Speaker 2>exactly what it is. But you know, I've had like

1:32:17.720 --> 1:32:21.959
<v Speaker 2>kind of a peeing problem m where I'm constantly being NonStop,

1:32:22.040 --> 1:32:25.480
<v Speaker 2>like I can't stop being. I've really like been harnessing

1:32:25.600 --> 1:32:28.360
<v Speaker 2>energy to stop that, and I've really been able to

1:32:28.439 --> 1:32:30.760
<v Speaker 2>like not have to pee constantly.

1:32:31.360 --> 1:32:32.320
<v Speaker 3>And it's cool.

1:32:32.640 --> 1:32:35.240
<v Speaker 1>Yeah, now I have to pee now immediately now, as

1:32:35.240 --> 1:32:38.000
<v Speaker 1>soon as you say it. Yeah, but on the fly,

1:32:38.160 --> 1:32:40.479
<v Speaker 1>Like I usually I pee six to ten times for

1:32:40.560 --> 1:32:43.320
<v Speaker 1>across country flight and this time only twice. And I

1:32:43.320 --> 1:32:46.040
<v Speaker 1>was like, look at me, Oh my god. Did I

1:32:46.040 --> 1:32:47.720
<v Speaker 1>ever tell you I flew to Hong Kong once and

1:32:47.800 --> 1:32:50.960
<v Speaker 1>never peene. Yeah, it's kind of rude and bragging at

1:32:50.960 --> 1:32:53.360
<v Speaker 1>this point. I'm telling you my struggles that like me

1:32:53.439 --> 1:32:55.920
<v Speaker 1>having a pe has ruined in my life. I think

1:32:56.000 --> 1:33:00.560
<v Speaker 1>I'm dehydrated. Also, I took a sleep pills. I was

1:33:00.600 --> 1:33:02.240
<v Speaker 1>asleep for like ten of those hours.

1:33:02.640 --> 1:33:03.880
<v Speaker 3>Anyway, what did we learn?

1:33:03.920 --> 1:33:07.160
<v Speaker 2>Don't be a fucking hoarder. Don't put dead bodies in

1:33:07.200 --> 1:33:11.120
<v Speaker 2>the fridge. You know, I don't know what to tell you.

1:33:11.240 --> 1:33:13.360
<v Speaker 3>I don't know. The postmortem on this episode is a

1:33:13.360 --> 1:33:15.479
<v Speaker 3>little bit weird. I have a good one.

1:33:15.640 --> 1:33:18.320
<v Speaker 2>Get over grudges, but yeah, I'm in a fight that

1:33:18.360 --> 1:33:18.960
<v Speaker 2>will never end.

1:33:19.040 --> 1:33:21.719
<v Speaker 1>But get don't be in grudges with your siblings too,

1:33:21.880 --> 1:33:25.400
<v Speaker 1>Like Kathy and Kyle. We are watching everything that's going

1:33:25.439 --> 1:33:27.200
<v Speaker 1>on with Kathy Hilton and Kyle.

1:33:27.680 --> 1:33:31.320
<v Speaker 2>H Richards, the way they punish each other with not

1:33:31.360 --> 1:33:34.000
<v Speaker 2>being able to go to each other's kids' weddings, it

1:33:34.120 --> 1:33:38.920
<v Speaker 2>seems so fucked up. Yeah, yeah, I don't like, I

1:33:38.960 --> 1:33:40.920
<v Speaker 2>don't think Kyle did anything that bad.

1:33:41.240 --> 1:33:44.920
<v Speaker 1>And it's like, but here's the thing. I know, we're

1:33:44.920 --> 1:33:47.120
<v Speaker 1>going into a full tangent about the Housewives right now.

1:33:47.120 --> 1:33:49.960
<v Speaker 1>Everybody give us two minutes. Everything the Beverly Hills is

1:33:50.000 --> 1:33:52.400
<v Speaker 1>so hidden. I don't think we like they're not open

1:33:52.520 --> 1:33:54.720
<v Speaker 1>like a lot of other seasons, Like we don't know

1:33:54.720 --> 1:33:57.519
<v Speaker 1>what some of this real shit is. Like maybe Kathy's

1:33:57.520 --> 1:34:00.200
<v Speaker 1>got receipts on Kyle, and I bet fucking kat Kyle

1:34:00.280 --> 1:34:02.880
<v Speaker 1>has receipts on Kathy. Like I think they've both done

1:34:02.880 --> 1:34:04.080
<v Speaker 1>a lot of shit. But I think at the end

1:34:04.120 --> 1:34:05.519
<v Speaker 1>of the day, you got to be like, this is

1:34:05.560 --> 1:34:08.280
<v Speaker 1>my sister. We're going to the weddings, you know what

1:34:08.320 --> 1:34:10.960
<v Speaker 1>I mean, Like I've gotten The only people in my

1:34:10.960 --> 1:34:13.040
<v Speaker 1>life I've ever physically fought are my siblings. The only

1:34:13.040 --> 1:34:16.240
<v Speaker 1>people I ever really scream at are my siblings or Jared.

1:34:16.320 --> 1:34:19.800
<v Speaker 1>You know, like, like I just you got to make

1:34:19.880 --> 1:34:21.920
<v Speaker 1>up with your siblings. They're like, you're you know, it's

1:34:22.000 --> 1:34:24.760
<v Speaker 1>just like your family. Unless listen, if you have like

1:34:24.800 --> 1:34:27.800
<v Speaker 1>a toxic sibling that you've cut out. Okay, that's a

1:34:27.800 --> 1:34:31.960
<v Speaker 1>different story, but like general, fighting with your sibs, it's

1:34:31.960 --> 1:34:33.799
<v Speaker 1>like you can't miss out on big family.

1:34:35.080 --> 1:34:36.439
<v Speaker 3>And no one was perfect.

1:34:36.479 --> 1:34:40.360
<v Speaker 2>But I don't think it's like they're just so mad

1:34:40.400 --> 1:34:41.719
<v Speaker 2>that Kyle puts it out there.

1:34:42.560 --> 1:34:44.519
<v Speaker 3>I guess, yes, I don't know.

1:34:44.960 --> 1:34:48.320
<v Speaker 1>Well, these two brothers, it feels like, I mean, in

1:34:48.360 --> 1:34:51.680
<v Speaker 1>the real life story, they protected each other till the end,

1:34:51.680 --> 1:34:53.880
<v Speaker 1>they were like thick as thieves. In this one, I

1:34:53.880 --> 1:34:56.600
<v Speaker 1>think they wanted to let these two classic actors have

1:34:56.680 --> 1:34:59.479
<v Speaker 1>a little bit of you know, play off each other

1:34:59.479 --> 1:35:01.599
<v Speaker 1>a little bit. So instead of them loving each other,

1:35:01.640 --> 1:35:03.439
<v Speaker 1>they hated each other. It was like definitely a good

1:35:03.439 --> 1:35:07.120
<v Speaker 1>TV choice but they also had this deep seated secret

1:35:07.160 --> 1:35:09.400
<v Speaker 1>that they never shared with each other, and like, you know,

1:35:09.560 --> 1:35:11.920
<v Speaker 1>I think that they've lost a lot of time with

1:35:11.960 --> 1:35:12.360
<v Speaker 1>each other.

1:35:14.000 --> 1:35:14.320
<v Speaker 3>Yeah.

1:35:14.400 --> 1:35:16.599
<v Speaker 2>I was just gonna say, and go out for walks,

1:35:16.760 --> 1:35:18.519
<v Speaker 2>you know what I mean. We can always be reminded

1:35:18.640 --> 1:35:19.720
<v Speaker 2>you got to take a walk, but.

1:35:19.800 --> 1:35:20.599
<v Speaker 3>You can go out the walk.

1:35:21.360 --> 1:35:23.080
<v Speaker 1>It's okay to go out for walks and also not

1:35:23.120 --> 1:35:25.960
<v Speaker 1>bring home like broken baby carriages and like you know,

1:35:26.640 --> 1:35:29.120
<v Speaker 1>whatever old piano you find on the street, Like you

1:35:29.160 --> 1:35:33.120
<v Speaker 1>don't have to bring that stuff home. But yeah, hoarding

1:35:33.280 --> 1:35:38.719
<v Speaker 1>is hoarding is real. This episode great set design. Yeah,

1:35:38.720 --> 1:35:42.200
<v Speaker 1>and obviously it feels like the real victim of the

1:35:42.240 --> 1:35:45.920
<v Speaker 1>episode is in the very beginning with the character known

1:35:45.960 --> 1:35:50.479
<v Speaker 1>as Bobby getting murdered, because the rest of it feels

1:35:50.479 --> 1:35:52.599
<v Speaker 1>like the rest of the episode feels like it's all

1:35:52.680 --> 1:35:55.360
<v Speaker 1>kind of victimless, like the mom died and then they

1:35:55.439 --> 1:35:56.400
<v Speaker 1>just like left her in their head.

1:35:56.400 --> 1:35:58.640
<v Speaker 3>I mean, like, yes, they they put her, they euthanize

1:35:58.680 --> 1:36:01.679
<v Speaker 3>their mind essentially. Yeah, yeah, I think there was a willow.

1:36:01.760 --> 1:36:04.439
<v Speaker 1>I think, yeah, they euthanized her, but like they like

1:36:04.520 --> 1:36:06.599
<v Speaker 1>the doctor was like she wouldn't have had much longer.

1:36:06.640 --> 1:36:08.599
<v Speaker 3>She was probably in a ton of pain, could barely breathe.

1:36:08.640 --> 1:36:10.040
<v Speaker 1>I think they did what they thought was best for

1:36:10.080 --> 1:36:12.200
<v Speaker 1>their mom and then like leaving her in the freezer,

1:36:12.400 --> 1:36:18.880
<v Speaker 1>you know, eccentric, but of course also always teaching our

1:36:18.960 --> 1:36:22.240
<v Speaker 1>kids to say no secrets with adults and shit like that,

1:36:22.280 --> 1:36:24.040
<v Speaker 1>like what would happen to them two men as when

1:36:24.040 --> 1:36:27.840
<v Speaker 1>they were younger? You know, no secrets, tell people, Tell

1:36:27.880 --> 1:36:28.320
<v Speaker 1>your brother.

1:36:28.479 --> 1:36:29.240
<v Speaker 3>Jeez, Louise.

1:36:29.800 --> 1:36:32.040
<v Speaker 1>Anyway, I'll just segue into what would Sister Peg do?

1:36:32.280 --> 1:36:36.400
<v Speaker 1>Our weekly segment where we direct you to an organization,

1:36:36.479 --> 1:36:38.560
<v Speaker 1>a book, an article, something to help you learn a

1:36:38.600 --> 1:36:41.480
<v Speaker 1>little bit more about what we discussed on today's episode,

1:36:41.520 --> 1:36:45.640
<v Speaker 1>and I wanted to point you to it's kind of

1:36:45.640 --> 1:36:47.400
<v Speaker 1>like it. It's not really an article, but it's like

1:36:47.439 --> 1:36:52.439
<v Speaker 1>a section of the Glad website that's glad as g

1:36:52.680 --> 1:36:55.120
<v Speaker 1>l A A d dot org and they have like

1:36:55.160 --> 1:36:57.240
<v Speaker 1>a there's a link that we will obviously put in

1:36:57.280 --> 1:37:00.559
<v Speaker 1>our show notes and on our Instagram that's just entitled

1:37:00.600 --> 1:37:05.400
<v Speaker 1>the Angie Zapota Murder Colon Violence Against Transgender People Resource Kit,

1:37:05.479 --> 1:37:07.840
<v Speaker 1>and it covers a lot of the timeline of Angie's murder,

1:37:07.880 --> 1:37:10.439
<v Speaker 1>as well as facts and figures on the murders of

1:37:10.520 --> 1:37:13.280
<v Speaker 1>transgendered people across the country, which has truly become an

1:37:13.280 --> 1:37:16.680
<v Speaker 1>epidemic and needs to be you know, ended as soon

1:37:16.720 --> 1:37:19.719
<v Speaker 1>as possible, and it helps. It also helps you decipher

1:37:20.040 --> 1:37:22.120
<v Speaker 1>hate crime laws based on the state you live in,

1:37:22.320 --> 1:37:25.040
<v Speaker 1>and you can check that out in our show notes

1:37:25.120 --> 1:37:27.800
<v Speaker 1>and always all of our what would sister peg dos

1:37:27.880 --> 1:37:32.120
<v Speaker 1>are chronicled in our Instagram story called wwspd.

1:37:33.280 --> 1:37:36.479
<v Speaker 2>How not a transition from the sadness. But you know,

1:37:36.720 --> 1:37:39.840
<v Speaker 2>on we go to another episode and next week we'll

1:37:39.840 --> 1:37:44.320
<v Speaker 2>be doing Paternity season nine, episode nine. Watch with us. Also,

1:37:44.360 --> 1:37:46.080
<v Speaker 2>did you know that the new season's not on Hulu?

1:37:46.160 --> 1:37:50.679
<v Speaker 2>It's only on Peacock now ooh yeah, season twenty four.

1:37:50.960 --> 1:37:55.560
<v Speaker 3>He's only at Peacock know Hulu? And interesting?

1:37:56.200 --> 1:38:00.000
<v Speaker 2>Thank god I stole my friends my friend Julia's Peacock's

1:38:00.320 --> 1:38:00.760
<v Speaker 2>I'm there.

1:38:00.800 --> 1:38:02.320
<v Speaker 3>But yeah, you also had to.

1:38:02.400 --> 1:38:04.639
<v Speaker 1>I watched the first two of the crossover on Hulu

1:38:04.720 --> 1:38:06.719
<v Speaker 1>and then had to go watch the other one on Peacock,

1:38:06.760 --> 1:38:10.000
<v Speaker 1>even though I didn't really finish it. Thanks for listening, guys,

1:38:10.160 --> 1:38:12.040
<v Speaker 1>get tickets for the tour at That's messed Up live

1:38:12.080 --> 1:38:30.160
<v Speaker 1>dot com. We love you, Bye bye.

1:38:24.320 --> 1:38:26.519
<v Speaker 2>That's Messed Up as an Exactly Right production.

1:38:27.000 --> 1:38:29.080
<v Speaker 1>If you have compliments you'd like to give us or

1:38:29.160 --> 1:38:31.400
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:38:31.400 --> 1:38:34.120
<v Speaker 1>it That's Messed uppod at gmail dot com.

1:38:34.400 --> 1:38:37.599
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:38:37.800 --> 1:38:40.680
<v Speaker 2>and on Twitter at Messed Up Pod, and follow us

1:38:40.720 --> 1:38:42.599
<v Speaker 2>personally at Kara Klank and.

1:38:42.720 --> 1:38:43.639
<v Speaker 3>At glitter Cheese.

1:38:44.120 --> 1:38:46.800
<v Speaker 1>As always, please see our show notes for sources and

1:38:46.840 --> 1:38:47.519
<v Speaker 1>more information.

1:38:48.120 --> 1:38:50.120
<v Speaker 3>Thank you so much to our producer KC.

1:38:50.240 --> 1:38:53.439
<v Speaker 1>O'Brien, and to our mixer John Bradley and our guest

1:38:53.439 --> 1:38:56.760
<v Speaker 1>booker Patrick Cottner, and to Henry Kaperski for our theme

1:38:56.880 --> 1:38:59.240
<v Speaker 1>song and Carly gen Andrews for our artwork.

1:38:59.600 --> 1:39:00.280
<v Speaker 3>Thank you to.

1:39:00.240 --> 1:39:04.360
<v Speaker 1>Our executive producers Georgia Hardstar, Karen Kilgarriff, Daniel Kramer, and

1:39:04.479 --> 1:39:06.080
<v Speaker 1>everybody at Exactly Right Media.

1:39:07.640 --> 1:39:08.479
<v Speaker 3>Dun Dunn