WEBVTT - Matt Williams

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<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up Tour continues throughout

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<v Speaker 1>twenty twenty four. For a full list of dates and tickets,

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<v Speaker 1>go to the Craig Ferguson Show dot com slash tour.

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<v Speaker 1>See you out there, the Greig Ferguson Show dot com

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<v Speaker 1>slash Tour. My name is Craig Ferguson. The name of

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<v Speaker 1>this podcast is Joy. I talk to interest in people

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<v Speaker 1>about what brings them happiness. Matt Williams has written or

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<v Speaker 1>created or both some of the biggest sitcoms in American history,

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<v Speaker 1>some of the most controversial sitcoms in American history. And

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<v Speaker 1>now he's well, he's kind of looking for God. Matt Williams,

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<v Speaker 1>I want to talk to you about your book in

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<v Speaker 1>a little bit because it is a book of First

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<v Speaker 1>of all, I've read it, now that's full disclosure. I've

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<v Speaker 1>read the blurb for it, and now I will read

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<v Speaker 1>it because I do read, and I want you to

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<v Speaker 1>understand that I will read it. And when I was

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<v Speaker 1>doing Late Night people used to say, well, you got

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<v Speaker 1>to read the book before you know the celebrity is

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<v Speaker 1>on the show. You are the celebrity at this point,

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<v Speaker 1>and I'd say, no, I'm not going to read the

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<v Speaker 1>book or watch the movie or see the TV show,

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<v Speaker 1>because then we're both talking about something we already know about.

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<v Speaker 1>Oh see, there you go. And I had this conversation

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<v Speaker 1>with Leno, Who's like, no, that's totally wrong. You're so rude.

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<v Speaker 1>That is so rude. I said, all right, well, I'll

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<v Speaker 1>skim through the movie. But a book's a commitment. A

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<v Speaker 1>book is a commitment you've got to. I mean, that's

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<v Speaker 1>that's a few days, you know. And if I'm talking

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<v Speaker 1>to authors every day, that's my whole life. My whole

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<v Speaker 1>life is reading books, which is not a terrible life.

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<v Speaker 1>I guess when you because your book is a spiritual book.

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<v Speaker 2>It is a memoir told through humorous essays and what

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<v Speaker 2>I call spiritual musings, there is a spiritual thread.

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<v Speaker 1>Yeah, it seems to me, like like the blurb by

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<v Speaker 1>Red that is about something there. Look you tell me what.

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<v Speaker 1>The God is very much a part of it, right,

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<v Speaker 1>So God's apart? Are you a religious person?

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<v Speaker 2>I am? Okay, what stripe is where my stripe early

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<v Speaker 2>on was Lutheran and very strict Lutheran. And then that's

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<v Speaker 2>one of the story threads is my evolution from God

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<v Speaker 2>being a pissed off, bearded guy sitting on a cloud. Yeah, Santa, Yeah,

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<v Speaker 2>you know, the petulant parent waiting to throw you into hell.

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<v Speaker 2>And then as I Maturita went, wait a minute, why

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<v Speaker 2>do you want to spend time worshiping that God? And

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<v Speaker 2>then as I started exploring other religions and going, if

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<v Speaker 2>God is love and there's a divine mind, a spirit,

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<v Speaker 2>a holy mystery, whatever, the ultimate creator, I want to

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<v Speaker 2>lean into that rather than the pissed off parent. And

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<v Speaker 2>so that's part of the journey, is that spiritual journey

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<v Speaker 2>is tracked in the book. I hope with humor and humility,

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<v Speaker 2>I would imagine.

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<v Speaker 1>So I mean giving you a writing credits so far

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<v Speaker 1>were again that it seems like you are capable of

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<v Speaker 1>writing the occasional humorous music, Yeah, the occasional joke. Where

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<v Speaker 1>did you Did you end up in a particular organized

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<v Speaker 1>religion or did you just a wonder of Lutheranism into

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<v Speaker 1>a kind of soft rainbow colored informal.

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<v Speaker 2>I call it. I call it. I don't use the

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<v Speaker 2>term Christian because that has all this baggage. So as

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<v Speaker 2>you say Christian Bible thumping, hairsprayed, evangelist, calcified Christianity, my

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<v Speaker 2>way or the highway, misogynistic, judgmental, blah blah blah. Yeah,

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<v Speaker 2>none of that christ I don't. So I say instead,

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<v Speaker 2>I'm a follower of Christ. So I am a Christian

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<v Speaker 2>in that sense because whether you can wrap your head

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<v Speaker 2>around the historic Jesus being God incarnate or not, at

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<v Speaker 2>least look at what the man was preaching and teaching,

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<v Speaker 2>be kind, be compassionate, take care of the poor, feed

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<v Speaker 2>help others. Yeah, who can argue with that?

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<v Speaker 1>Yeah? I think that my feeling, my personal feeling about

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<v Speaker 1>Christianity because I I'm I think I'm want a similar

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<v Speaker 1>kind of streat, you know, kind of search as you are.

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<v Speaker 1>I'm looking for something that kind of makes sense in

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<v Speaker 1>a God sense. And you know, I was raised in

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<v Speaker 1>Presbyterian Scotland, which is not a million miles away from Lutheranism.

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<v Speaker 1>It's kind of the same. It's like it's got all

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<v Speaker 1>that predestination and you know, you know, you can try

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<v Speaker 1>being good, but it's already been decided and all that

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<v Speaker 1>kind of stuff, and you're kind of screwed. And let's

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<v Speaker 1>not have any pictures up anyway, like like you suck

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<v Speaker 1>and you're not even allowed to have art fun. But

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<v Speaker 1>I became fascinated in recent times. I'm sure you have

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<v Speaker 1>read C. S. Lewis and GK. Chesterton and the Christian Apologies.

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<v Speaker 1>Right through reading them, I was fascinated by, particularly C. S. Lewis,

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<v Speaker 1>who seems to be able to put it into bite

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<v Speaker 1>sized chunks and kind of entertainment style language that I

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<v Speaker 1>can read and understand and digest pretty easily. I ended

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<v Speaker 1>up at the Desert Fathers. Have you come across those

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<v Speaker 1>guys you're talking Thomas Merton or you talk to I'm

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<v Speaker 1>talking Origin of Alexandria. If agrees of Pondos Anthony st. Hildegarde,

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<v Speaker 1>Julian Hildegard is awesome, Yeah, yeah, yeah. What really drove

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<v Speaker 1>me back to Christianity was studying the Christian mystics, because

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<v Speaker 1>they're dealing with panantheism. They're dealing with God living in

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<v Speaker 1>all things, God being alive in all of us, as

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<v Speaker 1>opposed to that floating figure out there, that calvin mentality

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<v Speaker 1>of Oh I've got to beat myself up and crawled

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<v Speaker 1>and broken glass for God to love me. And I thought,

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<v Speaker 1>wait a minute, Hildegarde, Meister Eckhart they talk about the

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<v Speaker 1>divine spark that lives in all of us. Well, that

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<v Speaker 1>was Origin of Alexandria as well. That was like second

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<v Speaker 1>century Christian mystics. So I'm fascinated by that because I

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<v Speaker 1>think a lot of that. Lutheranism though a lot of that.

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<v Speaker 1>I mean, look, if you're a Luther, if you're Lutheran

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<v Speaker 1>and this is pissing you off, well, let's be honest,

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<v Speaker 1>you were pissed off before have we started anyway. But

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<v Speaker 1>I think that all of that kind of punitive form

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<v Speaker 1>of religion is a product of the very necessary reformation

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<v Speaker 1>after you know, during the I mean because even the

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<v Speaker 1>internal reformation that the Church had, Catholic Church had at

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<v Speaker 1>the time, they were trying to find a way. But

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<v Speaker 1>Origin of Alexandria was excommunicated five hundred years after he

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<v Speaker 1>died because he said, there can be no physical representation

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<v Speaker 1>of God. That's insane. God is If God is everywhere,

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<v Speaker 1>then how can you draw a picture of it? That's silly.

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<v Speaker 1>And he was excommunicated five hundred years after he died.

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<v Speaker 1>Because I feel like, if your business is selling art

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<v Speaker 1>and pictures and bones and relics, candles and candles and

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<v Speaker 1>little gig in Chashkaz. Then it's going to be tricky

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<v Speaker 1>if you say, well, there can be no physical representation

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<v Speaker 1>of God. You can't have a drawing of the sapphire

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<v Speaker 1>pavements of heaven. You're going to have to just go

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<v Speaker 1>there in your head. And of course he even went like,

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<v Speaker 1>you can't do it in your head either. It's that's

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<v Speaker 1>not a Some people are very strict. Are you very strict?

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<v Speaker 1>And what do you feel you've arrived at a belief system?

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<v Speaker 1>Are you still kind of stay? Oh, I'm always evolving.

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<v Speaker 2>I think that's the older you get, the more you read,

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<v Speaker 2>the more you travel the world, you keep evolving. I

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<v Speaker 2>think that's one of the problems with organized religion is

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<v Speaker 2>it's it gets locked in. Like I said, calcified, it's

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<v Speaker 2>this way, it must be this way. It's dualistic thinking.

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<v Speaker 2>There's right and wrong, there's God and the devil and

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<v Speaker 2>nothing else, ones and zeros and want and I go,

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<v Speaker 2>I don't believe that if God truly and I do

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<v Speaker 2>believe God lives in all things right and animates all life,

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<v Speaker 2>and right now is expanding the universe. Were sitting inside right, Well,

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<v Speaker 2>then and I better start changing my concept of God.

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<v Speaker 2>And I'm still evolving. I'm still trying to learn.

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<v Speaker 1>Right.

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<v Speaker 2>I read as much as I can about other religions,

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<v Speaker 2>and you know, when you start to break them down,

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<v Speaker 2>really break them down, they're kind of all saying the

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<v Speaker 2>same thing pretty much. Just don't be an Asshole'll be kind, Yeah,

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<v Speaker 2>don't be a dick, and don't be and take care

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<v Speaker 2>of people.

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<v Speaker 1>Yeah, it's kind of that nice.

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<v Speaker 2>Be nice.

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<v Speaker 1>Yeah, I know it's it's kind of interesting. But your

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<v Speaker 1>period of your writing career in Hollywood, I mean, so

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<v Speaker 1>you started. The reason why I'm going to this is

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<v Speaker 1>because it's not a period which is renowned or an

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<v Speaker 1>area which is renowned for spirituality of any kind. Really,

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<v Speaker 1>I mean, there's a lot of yoga, but but and

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<v Speaker 1>yoga's great, but you know it's like, but yoga and

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<v Speaker 1>juice aren't. That's not where it ends. So you were

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<v Speaker 1>working You've started on I guess be The Cosby.

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<v Speaker 2>Show, right, very first television show that was your first

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<v Speaker 2>job as a writer, as a writer, it was The

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<v Speaker 2>Cosby Show, which was in La would be in New York, in.

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<v Speaker 1>New York in the eighties. Was in the eighties.

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<v Speaker 2>Yeah, it was in the eighties, and it was It

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<v Speaker 2>started in Brooklyn Avenue M and Brooklyn at studios a

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<v Speaker 2>way out there, and then eventually moved to Astoria in

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<v Speaker 2>Queens and Queens. So the Cosby Show and then with

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<v Speaker 2>two other writers did the spin off. I created the

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<v Speaker 2>spinoff Different World, Right, And then after three and a

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<v Speaker 2>half years on The Cosby Show, I left created Roseanne right,

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<v Speaker 2>that made a deal at Disney, and then created a

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<v Speaker 2>couple of other shows, and then eventually created Home Improvement

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<v Speaker 2>with David and Carmen, my two partners.

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<v Speaker 1>Right. So you you have worked on some of the

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<v Speaker 1>most successful shows. Man, you must be so rich. It's

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<v Speaker 1>the eye of the needle having thing. I'm just mentioning it.

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<v Speaker 1>I'm pretty blessed. Well, those were the good times, man,

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<v Speaker 1>those were there. I mean that's when in sitcoms made money. Yes,

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<v Speaker 1>so you're working. You weren't like I had writer on Cosby, Right,

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<v Speaker 1>you were in the room. Yeah, So A Different World

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<v Speaker 1>was your first, Like you're running it.

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<v Speaker 2>No, we just did the pilot a man named John

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<v Speaker 2>Marcus and Carmen Finestra, who later became my partner at

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<v Speaker 2>wind Dancer. The three of us took Bill's idea. I

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<v Speaker 2>think Bill got the created by credit because it was

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<v Speaker 2>his idea and we had to develop by credit or something.

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<v Speaker 2>And but we wrote the pilot, produced the pilot with

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<v Speaker 2>Tom and Marcy. The show was launched. Then we went

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<v Speaker 2>back to the Cosby Show and continued right because we

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<v Speaker 2>were the staff was small, five maybe six writers and.

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<v Speaker 1>Yeah at that time that's tiny.

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<v Speaker 2>Yeah, and so when you have three of them, peel

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<v Speaker 2>off to create a pilot. So then we came back

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<v Speaker 2>to the show. And then while working on Cosby, Tom

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<v Speaker 2>Order and Marcy Carci said do you have any ideas

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<v Speaker 2>you want to pursue?

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<v Speaker 1>And then that then you you went into Roseanne Roseanne.

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<v Speaker 1>Now you've worked with both Cosby and was that for

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<v Speaker 1>widely different reasons. Their legacies are tarnished pretty pretty badly,

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<v Speaker 1>cause me very obviously. So are you still in touch?

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<v Speaker 2>No, I've not talked to Bill in Uh. He actually

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<v Speaker 2>shot a video when New York Station Film honored my

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<v Speaker 2>wife and I many years ago, and he did a

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<v Speaker 2>video and I talked to him then, but that was

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<v Speaker 2>fifteen years ago.

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<v Speaker 1>Yeah. It's funny though, because I it's people people won't

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<v Speaker 1>say I never met BeO Cosby, but people saying, did

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<v Speaker 1>you hear anything, And I was like, actually no, but

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<v Speaker 1>I wasn't in that world. I wasn't anywhere near it.

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<v Speaker 1>Did you hear anything, but there was no vibe about

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<v Speaker 1>it or anything.

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<v Speaker 2>Well you heard things about maybe women being around, but

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<v Speaker 2>being a serial rapist. No, no, concept. I was shocked.

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<v Speaker 1>Well, you mean that he had a lot of women around,

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<v Speaker 1>but you didn't know that he was using women?

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<v Speaker 2>Yeah at all? And so and what was tough was

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<v Speaker 2>he was kind of my mentor I learned comedy. You

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<v Speaker 2>hear the tapping?

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<v Speaker 1>Yeah, is that that's Bill's it?

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<v Speaker 2>That's Bill? It's somebody with a hammer above us? Shut

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<v Speaker 2>the hell up.

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<v Speaker 1>Maybe it's the Lutheran God.

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<v Speaker 2>You're right, yeah, yeah, I got the lightning bolt.

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<v Speaker 1>Guys, So you weren't aware of any of that going, No, yeah,

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<v Speaker 1>it's not it's a professional environment. I guess it's it's

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<v Speaker 1>a strange, strange thing. It's kind of very upset. So

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<v Speaker 1>you moved from Cosby into Roseanne, right, Norrazanne? That show

0:12:30.080 --> 0:12:32.360
<v Speaker 1>was based on Harstando. Right, that's how you guys built

0:12:32.400 --> 0:12:34.720
<v Speaker 1>around it? Is that or was inspired by it or something?

0:12:35.160 --> 0:12:37.920
<v Speaker 1>It was a combination of two things. I went to

0:12:37.920 --> 0:12:40.200
<v Speaker 1>Tom and Marcy and said I want to do a

0:12:40.280 --> 0:12:43.600
<v Speaker 1>show about three women who work in a factory in

0:12:43.600 --> 0:12:47.160
<v Speaker 1>the Midwest where I grew up, because a friend of

0:12:47.200 --> 0:12:49.960
<v Speaker 1>my wife's has said, you know, we have a real

0:12:50.000 --> 0:12:52.800
<v Speaker 1>support system. These women who work in the factory, this

0:12:52.960 --> 0:12:55.839
<v Speaker 1>was in Detroit. All support each other and baby sit

0:12:55.920 --> 0:12:57.880
<v Speaker 1>each other's kids, and if one of them get sick,

0:12:57.920 --> 0:13:01.240
<v Speaker 1>they buy groceries. And I went, isn't that in And

0:13:01.280 --> 0:13:05.440
<v Speaker 1>so the original concept was three women, one married with

0:13:05.600 --> 0:13:08.640
<v Speaker 1>a husband and children, one divorced with a child, one single.

0:13:09.040 --> 0:13:13.000
<v Speaker 1>These three women so and they said, we like this idea.

0:13:14.040 --> 0:13:17.559
<v Speaker 1>We love the idea of female driven you know, sitcom.

0:13:18.400 --> 0:13:20.880
<v Speaker 1>And then they said, we have someone we think should

0:13:20.920 --> 0:13:25.800
<v Speaker 1>play the married female on the show. Look at her

0:13:25.800 --> 0:13:27.960
<v Speaker 1>stand up. Well, of course it's Roseanne. She's got a

0:13:28.040 --> 0:13:32.600
<v Speaker 1>very strong feminist point of view. So we started developing

0:13:32.679 --> 0:13:36.720
<v Speaker 1>this and that became the point of view of the show.

0:13:37.440 --> 0:13:41.800
<v Speaker 1>And I will give her credit because she brought that

0:13:41.920 --> 0:13:46.640
<v Speaker 1>whole feminist point of viewstrong voice, a very strong voice.

0:13:46.960 --> 0:13:50.640
<v Speaker 1>But the real key to the success of that show

0:13:50.960 --> 0:13:56.680
<v Speaker 1>was John Goodman. Yeah, because when John at his quote audition,

0:13:56.840 --> 0:13:59.400
<v Speaker 1>he was more of a chemistry test. When he walked

0:13:59.400 --> 0:14:02.520
<v Speaker 1>into the room with her yeah, and within seconds he

0:14:02.600 --> 0:14:04.600
<v Speaker 1>told her to move over. She told him to shut up,

0:14:04.600 --> 0:14:07.760
<v Speaker 1>and they started and Tom and Marcy turned to me

0:14:07.800 --> 0:14:10.360
<v Speaker 1>and said, there's your shot. It's the show.

0:14:10.440 --> 0:14:14.959
<v Speaker 2>That's the core of your show. They're both spectacular specific yeah,

0:14:15.080 --> 0:14:17.800
<v Speaker 2>and John Goodman is one of my favorite actors of

0:14:17.800 --> 0:14:18.160
<v Speaker 2>all time.

0:14:18.200 --> 0:14:21.000
<v Speaker 1>Oh yeah, Yeah, he's amazing and it's just going bear

0:14:21.080 --> 0:14:23.160
<v Speaker 1>and bear as he like he he went through a

0:14:23.240 --> 0:14:29.960
<v Speaker 1>journey personally as well, and uh, didn't we all? Yeah,

0:14:32.080 --> 0:14:35.240
<v Speaker 1>The Craig Ferguson Fancy Rascals stand up to her continues

0:14:35.280 --> 0:14:39.320
<v Speaker 1>throughout the United States in twenty twenty four. For a

0:14:39.360 --> 0:14:41.640
<v Speaker 1>full list of dates and tickets, go to the Craig

0:14:41.680 --> 0:14:50.160
<v Speaker 1>fergusonshow dot com slash tour See you have there? Did

0:14:50.240 --> 0:14:51.640
<v Speaker 1>that ever get in your wait? Did you ever hit

0:14:51.680 --> 0:14:53.520
<v Speaker 1>the wall with booze and drugs and all that kind

0:14:53.520 --> 0:14:54.000
<v Speaker 1>of stuff?

0:14:54.040 --> 0:14:58.320
<v Speaker 2>No, no, not booze and drugs. I think the I know.

0:14:58.440 --> 0:15:00.920
<v Speaker 2>I was never addictive in that sense. I was very

0:15:00.960 --> 0:15:05.600
<v Speaker 2>tough on myself. Perfectionist and part of what uh, and

0:15:05.640 --> 0:15:10.000
<v Speaker 2>it's over compensating for childhood crap, and so I would

0:15:10.040 --> 0:15:14.120
<v Speaker 2>really beat myself up for not being perfect because going

0:15:14.160 --> 0:15:19.520
<v Speaker 2>back to that God. If you weren't perfect, you couldn't

0:15:19.560 --> 0:15:23.280
<v Speaker 2>be loved. And I addressed this in the book. In fact,

0:15:23.320 --> 0:15:26.120
<v Speaker 2>one of the chapters is called knee Slapper, where at

0:15:26.280 --> 0:15:29.800
<v Speaker 2>my earliest memory was making my mother laugh doing impersonations

0:15:29.840 --> 0:15:33.200
<v Speaker 2>and pratfalls because I equated her.

0:15:33.160 --> 0:15:36.240
<v Speaker 1>Laughter with love, love and approva good. That's why you

0:15:36.240 --> 0:15:37.160
<v Speaker 1>work in comedy.

0:15:37.040 --> 0:15:39.000
<v Speaker 2>And I go, of course, it doesn't take a boatload

0:15:39.040 --> 0:15:41.120
<v Speaker 2>of psychiatrist to figure out why you end up being

0:15:41.120 --> 0:15:41.840
<v Speaker 2>a comedy writer.

0:15:41.960 --> 0:15:44.520
<v Speaker 1>How did it manifest itself in the perfectionism though? How

0:15:44.560 --> 0:15:45.680
<v Speaker 1>was it negative in your life?

0:15:45.800 --> 0:15:51.880
<v Speaker 2>There's never any satisfaction or joy because it's never good enough,

0:15:52.520 --> 0:15:56.200
<v Speaker 2>even if it's number one, having two number one shows

0:15:56.280 --> 0:15:59.680
<v Speaker 2>almost back to back, and going it's not enough. There's

0:15:59.680 --> 0:16:01.880
<v Speaker 2>got to be more. And I've said this in other

0:16:01.920 --> 0:16:07.280
<v Speaker 2>interviews that anytime I created something and it was inspired

0:16:07.320 --> 0:16:11.640
<v Speaker 2>by love and guided by spirit, it's seeded a big time.

0:16:12.400 --> 0:16:16.280
<v Speaker 2>Anytime it was inspired by competition and driven by ego,

0:16:16.680 --> 0:16:20.800
<v Speaker 2>it usually crashed and burned. Because you're out here in Hollywood,

0:16:21.280 --> 0:16:24.000
<v Speaker 2>the hamster wheel Hollywood. You start running faster and faster,

0:16:24.040 --> 0:16:26.240
<v Speaker 2>and you look over your shoulder and go, well, he's

0:16:26.240 --> 0:16:28.840
<v Speaker 2>got two top ten shows. I should have a third tops,

0:16:29.240 --> 0:16:32.800
<v Speaker 2>I need a fourth. Time that movie opened, then my

0:16:32.920 --> 0:16:36.000
<v Speaker 2>movie's going to open bigger and you go put on

0:16:36.160 --> 0:16:39.800
<v Speaker 2>the brakes. Wow, you've lost perspective here.

0:16:40.040 --> 0:16:43.680
<v Speaker 1>Well you see that in like in the billionaire race,

0:16:43.800 --> 0:16:46.840
<v Speaker 1>and you know, oh yeah, ridiculous billionaires with the super

0:16:46.960 --> 0:16:50.520
<v Speaker 1>odds and the oh my god. And I think was

0:16:50.640 --> 0:16:53.440
<v Speaker 1>kind of strange about it. And what I feel very

0:16:53.440 --> 0:16:57.480
<v Speaker 1>grateful for was I feel exactly the same, and I

0:16:57.520 --> 0:17:00.120
<v Speaker 1>think probably my motivations are extremely similar to you. But

0:17:00.160 --> 0:17:02.240
<v Speaker 1>what happened to me is when I got to do

0:17:02.360 --> 0:17:05.520
<v Speaker 1>Late Night and every night you meet, I was meeting

0:17:05.520 --> 0:17:08.400
<v Speaker 1>some of the most successful people in show business. They're

0:17:08.400 --> 0:17:12.480
<v Speaker 1>coming through and I realized that the mensh to douchebag

0:17:12.600 --> 0:17:15.480
<v Speaker 1>ratio is exactly the same as it is in the

0:17:15.480 --> 0:17:18.080
<v Speaker 1>average bar, in the average city anywhere in the worlds.

0:17:18.440 --> 0:17:21.360
<v Speaker 1>Some people are nice, some people are douchebags, and most

0:17:21.359 --> 0:17:24.840
<v Speaker 1>people are kind of you know, travel between both, trying

0:17:24.880 --> 0:17:27.320
<v Speaker 1>to stay on the bench as much as possible. And

0:17:28.280 --> 0:17:33.760
<v Speaker 1>what I was intrigued by was that more success oftentimes

0:17:33.800 --> 0:17:38.680
<v Speaker 1>me looked to me anyway to bring more personal unhappiness.

0:17:39.560 --> 0:17:43.720
<v Speaker 1>I feel like that's there's almost a religious a parable

0:17:43.760 --> 0:17:46.960
<v Speaker 1>in that. I think like that, you know, as success,

0:17:47.000 --> 0:17:50.280
<v Speaker 1>because I've always felt like as a as someone who's sober.

0:17:50.480 --> 0:17:52.760
<v Speaker 1>I've been sober for thirty two years. In the thirty

0:17:52.760 --> 0:17:54.239
<v Speaker 1>two years i've been sober, and of course there are

0:17:54.280 --> 0:17:56.440
<v Speaker 1>times when you think when it gets dangerous and you

0:17:56.760 --> 0:18:00.560
<v Speaker 1>might get drunk. The times when it's been dangerous in

0:18:00.600 --> 0:18:04.040
<v Speaker 1>my sobriety have not been times of adversity. There have

0:18:04.040 --> 0:18:08.520
<v Speaker 1>been times of you know, I'm doing good, you know,

0:18:08.680 --> 0:18:13.480
<v Speaker 1>I mean, I maybe deserve a little respector and that's

0:18:13.520 --> 0:18:16.080
<v Speaker 1>when I lose a sense of perspective. Now you wear

0:18:16.920 --> 0:18:21.240
<v Speaker 1>and are extremely successful writer. So at what point in

0:18:21.280 --> 0:18:24.040
<v Speaker 1>the perfectionism or did you did it break for you?

0:18:24.200 --> 0:18:27.520
<v Speaker 1>Was there a moment? Was there like a bottoming out

0:18:27.600 --> 0:18:30.640
<v Speaker 1>or a talking out moment where you go, there's never

0:18:30.680 --> 0:18:31.560
<v Speaker 1>going to be any good in this.

0:18:32.760 --> 0:18:37.000
<v Speaker 2>I think what happened was I kept pushing. And you know,

0:18:37.600 --> 0:18:40.280
<v Speaker 2>every career is like a wave. It has its peak,

0:18:40.359 --> 0:18:43.719
<v Speaker 2>and you know, and I hit that. But I stayed

0:18:43.720 --> 0:18:46.679
<v Speaker 2>in the business longer than I should have. I kept pushing.

0:18:46.720 --> 0:18:50.240
<v Speaker 2>I kept pushing, And I touch on this in the book,

0:18:50.920 --> 0:18:54.960
<v Speaker 2>is when you stop creating from passion, and you start

0:18:55.000 --> 0:18:58.720
<v Speaker 2>generating product, right, they even call it product. They even

0:18:58.760 --> 0:19:00.960
<v Speaker 2>call it product, And you got to you gotta be careful.

0:19:02.000 --> 0:19:06.280
<v Speaker 2>And then I was at a pitch meeting at a

0:19:06.320 --> 0:19:10.560
<v Speaker 2>studio after having created some very successful shows, and I

0:19:10.720 --> 0:19:14.280
<v Speaker 2>was pitching a ten episode arc for a new series.

0:19:14.640 --> 0:19:18.320
<v Speaker 2>And in that I said, the lead actor and the

0:19:18.359 --> 0:19:21.119
<v Speaker 2>female love interest next door have their first kiss in

0:19:21.200 --> 0:19:25.199
<v Speaker 2>episode ten. And someone in the room stood up, This

0:19:25.359 --> 0:19:28.480
<v Speaker 2>is not a creative it's not the president of the network.

0:19:28.480 --> 0:19:32.720
<v Speaker 2>It was a salesman who sells shows set into syndication.

0:19:33.640 --> 0:19:37.240
<v Speaker 2>And he jumped up and went, no, no, no, they

0:19:37.280 --> 0:19:41.960
<v Speaker 2>can't kiss. And I went, excuse me. He goes, they

0:19:42.000 --> 0:19:46.000
<v Speaker 2>can't kiss, and then he started quoting data new girl,

0:19:46.119 --> 0:19:50.159
<v Speaker 2>when this character kissed this character, they dropped exponentially in

0:19:50.200 --> 0:19:54.280
<v Speaker 2>this key demographic and started And when that happened, my

0:19:54.480 --> 0:19:58.720
<v Speaker 2>brain exploded and splattered all over the wall, and I went,

0:19:59.000 --> 0:20:02.879
<v Speaker 2>what the fuck I doing. I literally got in the car,

0:20:03.720 --> 0:20:07.040
<v Speaker 2>drove back to the wind Dancer offices. Yeah, and told

0:20:07.119 --> 0:20:09.760
<v Speaker 2>my partner at wind Dancer. I told David, I said,

0:20:09.800 --> 0:20:13.600
<v Speaker 2>I'm closing up shop. I'm done, I said, because now

0:20:14.160 --> 0:20:16.480
<v Speaker 2>it's not the tail of the dog, the flea on

0:20:16.600 --> 0:20:18.720
<v Speaker 2>the tail is wagging the dolls.

0:20:18.760 --> 0:20:23.480
<v Speaker 1>Sure, totally. But what's interesting is is I because obviously

0:20:23.520 --> 0:20:27.359
<v Speaker 1>there are young creative, artistic people coming up, Oh of course,

0:20:27.720 --> 0:20:30.800
<v Speaker 1>but they're not They're not here. They're not coming up here.

0:20:30.800 --> 0:20:32.840
<v Speaker 1>They're coming up through the internet. They're coming up their

0:20:32.840 --> 0:20:35.919
<v Speaker 1>own way. They're finding ways through because they will. But

0:20:36.560 --> 0:20:42.159
<v Speaker 1>you're right, the idea, particularly after COVID, when people pitch

0:20:42.200 --> 0:20:45.520
<v Speaker 1>shows now they do on zoom call. How the fuck

0:20:45.560 --> 0:20:48.240
<v Speaker 1>are you going to know if the energy is a

0:20:48.280 --> 0:20:50.440
<v Speaker 1>thing is going to work on a fucking zoom call?

0:20:50.600 --> 0:20:52.760
<v Speaker 1>And so people say, Ei, there's five hundred channels and

0:20:52.800 --> 0:20:54.399
<v Speaker 1>nothing to watch. I'll tell you why there's nothing to

0:20:54.400 --> 0:20:56.720
<v Speaker 1>works because the people in charge of it hate you

0:20:57.000 --> 0:21:00.640
<v Speaker 1>and don't fucking care. All they want is you. They

0:21:00.680 --> 0:21:02.359
<v Speaker 1>don't they don't give a shit about it. If the

0:21:02.400 --> 0:21:05.760
<v Speaker 1>shoe is good or not, they don't fucking care. Nobody

0:21:05.840 --> 0:21:09.479
<v Speaker 1>fucking cares. That's not our brand. It's like your brand.

0:21:09.560 --> 0:21:12.240
<v Speaker 1>Which the fuck are you talking about your brand? You know?

0:21:12.359 --> 0:21:15.639
<v Speaker 1>But that's why one of the reasons I laughed, I thought, well, wow,

0:21:15.720 --> 0:21:20.080
<v Speaker 1>I'm better now, I'm I'm fine with U said, I

0:21:20.080 --> 0:21:22.320
<v Speaker 1>think I sent the ament of bitterness. And show business

0:21:22.359 --> 0:21:24.800
<v Speaker 1>is good. It means you are participating. But I think

0:21:24.880 --> 0:21:28.119
<v Speaker 1>if you, if you go too far, then it closed.

0:21:28.160 --> 0:21:30.280
<v Speaker 2>I didn't want to come. I didn't want to become

0:21:30.320 --> 0:21:33.320
<v Speaker 2>synecal I honestly I closed up shop. I moved back

0:21:33.359 --> 0:21:36.040
<v Speaker 2>to our farm in New York, and I told my

0:21:36.119 --> 0:21:38.800
<v Speaker 2>wife I'd literally turned to her one day and I said,

0:21:38.920 --> 0:21:42.520
<v Speaker 2>I don't want to die with all these stories still

0:21:42.520 --> 0:21:43.439
<v Speaker 2>living inside me.

0:21:43.640 --> 0:21:46.480
<v Speaker 1>Ah, so now you start writing, to find another.

0:21:46.280 --> 0:21:49.560
<v Speaker 2>Way to write these stories that were stirring around, and

0:21:49.840 --> 0:21:54.760
<v Speaker 2>almost as a cathartic exercise, I started writing what had

0:21:54.800 --> 0:21:57.680
<v Speaker 2>been bubbling in my unconscious and deep in my heart,

0:21:58.240 --> 0:22:02.280
<v Speaker 2>and it just started kind of pouring out. And then

0:22:02.520 --> 0:22:05.879
<v Speaker 2>I felt liberated because I didn't have network meetings, I

0:22:05.920 --> 0:22:08.920
<v Speaker 2>didn't have studio meetings. I wasn't being noted to death

0:22:09.000 --> 0:22:14.080
<v Speaker 2>by twenty executives. Yeah, and so these essays, these humorous

0:22:14.200 --> 0:22:17.480
<v Speaker 2>essays and these musings started pulling pouring out, and I went,

0:22:18.720 --> 0:22:21.359
<v Speaker 2>my gosh, this is the best I have felt in years,

0:22:21.440 --> 0:22:25.360
<v Speaker 2>because I'm back to creating as opposed to grinding out product.

0:22:25.400 --> 0:22:28.760
<v Speaker 2>I'm creating something from my heart. And it really felt

0:22:28.840 --> 0:22:31.200
<v Speaker 2>good and it evolved into the book. Well, I think

0:22:31.200 --> 0:22:34.040
<v Speaker 2>that it's I think it's healthy in it. I mean

0:22:34.440 --> 0:22:38.280
<v Speaker 2>it's also it's a natural progress of an artists as

0:22:38.320 --> 0:22:42.439
<v Speaker 2>perhaps you enter a different age period in your life.

0:22:42.920 --> 0:22:45.639
<v Speaker 1>I mean, you don't you know. It's got a funny thing.

0:22:45.680 --> 0:22:48.800
<v Speaker 1>I was talked to, you know, Jay Leno only in passing.

0:22:48.840 --> 0:22:51.080
<v Speaker 1>All right, Lanta and I are friends, and he's a

0:22:51.160 --> 0:22:53.119
<v Speaker 1>terrific guy, and we were talking about a comedian. We

0:22:53.160 --> 0:22:55.240
<v Speaker 1>both know you probably know this guy, but I don't

0:22:55.280 --> 0:22:57.639
<v Speaker 1>want to mention him because I was saying, you know,

0:22:58.160 --> 0:23:00.760
<v Speaker 1>we were just talking a little bit about his act

0:23:00.840 --> 0:23:02.679
<v Speaker 1>and how it was so much better now than it

0:23:02.720 --> 0:23:05.720
<v Speaker 1>had been at the peak of his success, that he

0:23:05.800 --> 0:23:08.359
<v Speaker 1>was actually much better now. And Jay said, this lovely

0:23:08.400 --> 0:23:10.679
<v Speaker 1>thing about him, because Ja, all J cares about is

0:23:10.720 --> 0:23:14.240
<v Speaker 1>the is the comedy, like and the cars obviously, you know,

0:23:14.840 --> 0:23:17.399
<v Speaker 1>you know, and Mavis and that's it. That's that's the

0:23:17.440 --> 0:23:19.600
<v Speaker 1>three things he cares for. Everyone else he doesn't really care.

0:23:20.000 --> 0:23:23.000
<v Speaker 1>And he said, he said, yeah, but very interesting about

0:23:23.080 --> 0:23:25.480
<v Speaker 1>him if he's grown into an active act before with

0:23:25.480 --> 0:23:27.719
<v Speaker 1>the kind of but now he's older, it's like, oh,

0:23:27.800 --> 0:23:32.520
<v Speaker 1>he's really interesting guy. I really, I really enjoy comedy now.

0:23:32.680 --> 0:23:36.679
<v Speaker 1>And I think that that's true of many artists. And

0:23:36.760 --> 0:23:41.040
<v Speaker 1>what because Hollywood deifies the young. Artists who are good

0:23:41.040 --> 0:23:44.360
<v Speaker 1>when they're young are not necessarily always going to be good,

0:23:45.119 --> 0:23:48.480
<v Speaker 1>you know, true? And you know, anything else of any

0:23:48.560 --> 0:23:54.520
<v Speaker 1>value I've done was well after forty yes before that,

0:23:55.240 --> 0:23:58.160
<v Speaker 1>like well, I think what happens is you get simpler.

0:23:58.560 --> 0:24:03.680
<v Speaker 2>You know, the title this podcast is joy, and you

0:24:03.800 --> 0:24:10.080
<v Speaker 2>really start appreciating simple joy. That it's not accolades, it's

0:24:10.080 --> 0:24:14.320
<v Speaker 2>not approbation or approval, it's not the red carpet. Simple

0:24:14.440 --> 0:24:18.640
<v Speaker 2>that's awful, awful, and that's what people see on their

0:24:18.640 --> 0:24:21.560
<v Speaker 2>screens and aspire to be a part of that. And

0:24:21.600 --> 0:24:25.520
<v Speaker 2>you go, the greatest joy is usually pretty simple, having

0:24:25.600 --> 0:24:28.680
<v Speaker 2>breakfast with your kids, or you know, cuddling with your wife,

0:24:28.720 --> 0:24:30.480
<v Speaker 2>or it can be so simple.

0:24:30.760 --> 0:24:34.000
<v Speaker 1>It's health. I think it's a mental health and physical health,

0:24:34.040 --> 0:24:37.920
<v Speaker 1>and as spiritual health as well.

0:24:38.000 --> 0:24:40.040
<v Speaker 2>Probably I was just going to say that goes back

0:24:40.080 --> 0:24:44.640
<v Speaker 2>to the spiritual aspect. But you're looking for your validation

0:24:45.720 --> 0:24:49.400
<v Speaker 2>as a human being out there. You can't win enough

0:24:49.440 --> 0:24:53.920
<v Speaker 2>awards to ever feel satisfied and love yourself as soon

0:24:53.960 --> 0:24:56.600
<v Speaker 2>as it good to get Oh well, it's nice. It's

0:24:56.720 --> 0:24:59.960
<v Speaker 2>very nice. But or I would like I should probably yeah,

0:25:00.080 --> 0:25:02.000
<v Speaker 2>I would too. I don't want any.

0:25:03.760 --> 0:25:06.879
<v Speaker 1>You want you want a lot of green Dead presidents.

0:25:06.960 --> 0:25:08.160
<v Speaker 1>I think you're fine.

0:25:08.520 --> 0:25:09.920
<v Speaker 2>Okay, I'll buy some of them.

0:25:10.040 --> 0:25:12.520
<v Speaker 1>Yeah, yeah, by your own Yeah, by the Emmys. You'll

0:25:12.520 --> 0:25:17.680
<v Speaker 1>be fine. But you're right, it doesn't. It's an inside job.

0:25:17.720 --> 0:25:21.120
<v Speaker 1>But I think in order for the business to survive,

0:25:21.320 --> 0:25:24.159
<v Speaker 1>certain areas of show business to survive, it has to

0:25:24.240 --> 0:25:26.920
<v Speaker 1>be presented as an outside. It has to be aspirational,

0:25:27.200 --> 0:25:31.479
<v Speaker 1>particularly in the in the current wave of you know,

0:25:31.600 --> 0:25:35.840
<v Speaker 1>selling real lifestyle as an entertainment, right, you know. So,

0:25:36.240 --> 0:25:38.960
<v Speaker 1>like I hate to single out the Kardashians. They're not

0:25:39.040 --> 0:25:41.840
<v Speaker 1>bad people, they but they created a genre which is

0:25:42.480 --> 0:25:44.600
<v Speaker 1>it's kind of empty. You know. It's like you can

0:25:44.640 --> 0:25:46.960
<v Speaker 1>be like me, Well you actually can't, and anyway do

0:25:46.960 --> 0:25:50.040
<v Speaker 1>you want to be? I mean, it's like, I don't

0:25:50.080 --> 0:25:53.399
<v Speaker 1>get it. It's like you're watching Roseanne. Nobody watched Roseanne

0:25:53.440 --> 0:25:55.959
<v Speaker 1>and said I really want to be like Rosanne. You

0:25:55.960 --> 0:25:58.840
<v Speaker 1>watch Roseanne and you go, fuck, we really like the Corners,

0:25:58.880 --> 0:26:02.280
<v Speaker 1>aren't we. I mean that's what That's what happens is

0:26:02.280 --> 0:26:04.600
<v Speaker 1>that it's a completely different approach to it.

0:26:05.240 --> 0:26:09.200
<v Speaker 2>Where are you with that, Razanna? I don't know, no content,

0:26:09.359 --> 0:26:12.560
<v Speaker 2>no contact. I wish her well. I don't have any

0:26:12.560 --> 0:26:13.440
<v Speaker 2>idea where she did.

0:26:13.440 --> 0:26:16.240
<v Speaker 1>You guys have a I'm not talking about her specifically,

0:26:16.240 --> 0:26:19.639
<v Speaker 1>but that that show was that because I was hugely successful,

0:26:19.720 --> 0:26:22.280
<v Speaker 1>it was did that? Would that? Did that make life

0:26:22.320 --> 0:26:24.480
<v Speaker 1>difficult on a day to day basis? Yes?

0:26:24.840 --> 0:26:28.480
<v Speaker 2>Yeah, yeah, but it it It ended with me leaving

0:26:28.520 --> 0:26:30.679
<v Speaker 2>the show and making a deal at Disney and creating

0:26:30.720 --> 0:26:32.520
<v Speaker 2>Home Improvement, So it worked out pretty well.

0:26:32.640 --> 0:26:35.720
<v Speaker 1>Yeah, he's a pretty easy guy to be around. And yeah,

0:26:36.000 --> 0:26:38.000
<v Speaker 1>any run ends I've had with him, he's like, hey,

0:26:38.000 --> 0:26:38.960
<v Speaker 1>how you doing, buddy, And.

0:26:39.720 --> 0:26:43.160
<v Speaker 2>Like Tim as a gentleman, I loved him.

0:26:43.240 --> 0:26:45.480
<v Speaker 1>Yeah, yeah, I always kind of impressed with him as well.

0:26:45.480 --> 0:26:46.399
<v Speaker 1>He sticks to his guns.

0:26:46.480 --> 0:26:50.280
<v Speaker 2>Yeah, you know, and he's been sober for how many years?

0:26:50.320 --> 0:26:54.359
<v Speaker 2>And yeah, and functioning and enjoying life. Yeah.

0:26:54.440 --> 0:26:57.359
<v Speaker 1>And he's one of those guys that I think is

0:26:57.840 --> 0:27:00.359
<v Speaker 1>when he I mean, you know, by his own messed.

0:27:00.359 --> 0:27:02.439
<v Speaker 1>He sober and desober for a long time. And I

0:27:02.440 --> 0:27:05.119
<v Speaker 1>look at him and I go, yeah, you're not faking this,

0:27:05.440 --> 0:27:09.560
<v Speaker 1>you really wear you were pretty bad back then. I

0:27:09.720 --> 0:27:12.680
<v Speaker 1>worried well, there's evidence of it. We got the mugshots.

0:27:13.000 --> 0:27:16.080
<v Speaker 1>But he he's a guy that turned his life around.

0:27:15.960 --> 0:27:19.679
<v Speaker 2>And even when he was living that pretty bad period,

0:27:19.720 --> 0:27:21.840
<v Speaker 2>he was still a good guy.

0:27:21.920 --> 0:27:24.800
<v Speaker 1>Yeah. Inside, he's a good man. I've seen a lot

0:27:24.840 --> 0:27:27.600
<v Speaker 1>of that. Yeah, I mean, over the time i've and sober.

0:27:27.680 --> 0:27:30.160
<v Speaker 1>You see guys that their behavior would tell the world

0:27:30.240 --> 0:27:35.560
<v Speaker 1>one thing, you know, like fighting and disappointing people and

0:27:35.600 --> 0:27:38.320
<v Speaker 1>stuff like that, and you know, maybe making bad choices

0:27:38.359 --> 0:27:42.639
<v Speaker 1>about business decisions, which I think was Tim's problem, getting

0:27:42.680 --> 0:27:45.520
<v Speaker 1>into the wrong business perhaps, But then the way that

0:27:45.560 --> 0:27:49.640
<v Speaker 1>you see people turn that around, I think it's something

0:27:49.680 --> 0:27:53.000
<v Speaker 1>to do with I can't live with being like that,

0:27:53.760 --> 0:27:56.080
<v Speaker 1>do you know what I mean. It's like, but if

0:27:56.119 --> 0:28:00.280
<v Speaker 1>you you talk about perfectionism, which was I think, Ime, No,

0:28:00.280 --> 0:28:01.440
<v Speaker 1>I don't want to put words in your mouth, but

0:28:01.520 --> 0:28:03.120
<v Speaker 1>it kind of says like when I said it wasn't

0:28:03.160 --> 0:28:05.480
<v Speaker 1>drugs and alcohol, you said no, but it was perfectionism.

0:28:05.520 --> 0:28:08.879
<v Speaker 1>So it's kind of your I always thought perfectionism. I

0:28:08.880 --> 0:28:11.159
<v Speaker 1>heard a guy talking about this. It's fascinating that he

0:28:11.560 --> 0:28:18.560
<v Speaker 1>said perfectionism is narcissism in reverse. It's it's narcissists looking

0:28:18.600 --> 0:28:21.719
<v Speaker 1>in the water and despising everything he sees it is.

0:28:22.119 --> 0:28:27.000
<v Speaker 1>It's as equally out to lunch as an idea. But

0:28:27.040 --> 0:28:30.920
<v Speaker 1>perfectionism in society is still kind of People will say, oh,

0:28:30.920 --> 0:28:34.119
<v Speaker 1>I'm a perfectionist. Nobody will say, oh, I'm a narcissist,

0:28:34.160 --> 0:28:36.640
<v Speaker 1>because they wouldn't say that because there's a negative connotation.

0:28:36.760 --> 0:28:39.560
<v Speaker 1>But people will say, well, you know, I guess I'm

0:28:39.600 --> 0:28:43.160
<v Speaker 1>just a perfectionist. Well stop stop doing that. That's that's bad.

0:28:43.360 --> 0:28:46.280
<v Speaker 2>What you're talking about is really deep seated trauma as

0:28:46.280 --> 0:28:49.080
<v Speaker 2>a kid, I think so probably, and coming from a

0:28:49.640 --> 0:28:53.880
<v Speaker 2>tumultuous household and divorce and all kinds of craziness, which

0:28:53.920 --> 0:28:55.000
<v Speaker 2>I write about in the book.

0:28:55.280 --> 0:28:58.920
<v Speaker 1>Was there was there alcohol problems? I always go to

0:28:58.920 --> 0:28:59.400
<v Speaker 1>that because.

0:29:00.280 --> 0:29:03.280
<v Speaker 2>One part of its alcohol. Yeah, my mother.

0:29:04.040 --> 0:29:08.520
<v Speaker 1>Was an alcohol oh yeah, and career in Covedy Bacon's

0:29:09.840 --> 0:29:13.000
<v Speaker 1>and the family and the again, as the oldest child,

0:29:13.120 --> 0:29:16.760
<v Speaker 1>you feel responsible for your siblings and everyone, and as

0:29:16.760 --> 0:29:18.560
<v Speaker 1>the oldest child you get caught in the middle.

0:29:19.000 --> 0:29:23.160
<v Speaker 2>And I remember Greg, I was a sophomore in high

0:29:23.200 --> 0:29:28.440
<v Speaker 2>school when the family blew apart, right, and I won't

0:29:28.440 --> 0:29:30.800
<v Speaker 2>go into all the details, but it was as ugly

0:29:30.840 --> 0:29:35.360
<v Speaker 2>as he gets. I consciously sat down and said, I

0:29:35.440 --> 0:29:40.480
<v Speaker 2>am going to be so perfect. I will be beyond reproach.

0:29:41.800 --> 0:29:44.360
<v Speaker 2>And I went from being a B C student to

0:29:44.400 --> 0:29:47.120
<v Speaker 2>a straight A student, captain of the football team, king

0:29:47.200 --> 0:29:50.160
<v Speaker 2>the prom lead in all the plays. My high school

0:29:50.240 --> 0:29:55.400
<v Speaker 2>yearbook is pages of accolades and awards, and I consciously

0:29:55.480 --> 0:29:59.600
<v Speaker 2>said I will be so successful, I will be beyond

0:29:59.640 --> 0:30:03.600
<v Speaker 2>repro coach. Now, forty years later and thirty two years

0:30:03.640 --> 0:30:05.480
<v Speaker 2>of therapy, I kind of worked through there and go,

0:30:05.600 --> 0:30:08.320
<v Speaker 2>that's bullshit. I don't need to do that anymore, right,

0:30:08.680 --> 0:30:11.960
<v Speaker 2>And then finally somewhere in my late fifties, I went,

0:30:12.080 --> 0:30:14.680
<v Speaker 2>I kind of liked me. I I'm okay.

0:30:14.920 --> 0:30:18.200
<v Speaker 1>But was that result of being so successful? I mean,

0:30:18.240 --> 0:30:19.400
<v Speaker 1>did that plan? No?

0:30:19.680 --> 0:30:25.920
<v Speaker 2>Sure, no, because as we've started this conversation that Hamster wheel,

0:30:26.080 --> 0:30:28.040
<v Speaker 2>I've only had two number one shows. I need three

0:30:28.120 --> 0:30:31.360
<v Speaker 2>number one shows because how many does Chuck LORI have? Okay,

0:30:31.440 --> 0:30:34.040
<v Speaker 2>I need it, and you're going, wow, this.

0:30:34.000 --> 0:30:36.080
<v Speaker 1>Is the thing. It. Chuck's really a happy guy. Though

0:30:38.600 --> 0:30:40.120
<v Speaker 1>if he was here, he'd been like, no, I'm good,

0:30:40.960 --> 0:30:46.440
<v Speaker 1>I'm good. But it's as an interesting thing though that

0:30:47.080 --> 0:30:51.720
<v Speaker 1>you know, without the success, would you have reached the

0:30:52.040 --> 0:30:55.840
<v Speaker 1>you know who was it said this Kipling, maybe the

0:30:55.920 --> 0:30:58.280
<v Speaker 1>road to the road of access leads to the Palace

0:30:58.320 --> 0:31:01.720
<v Speaker 1>of wisdom or something like that. It does the rule

0:31:01.800 --> 0:31:04.800
<v Speaker 1>of success to you, like you get what you were

0:31:04.840 --> 0:31:07.680
<v Speaker 1>looking for, you find it doesn't work, and then you

0:31:07.800 --> 0:31:10.680
<v Speaker 1>start dealing with it because like what I'm trying to get,

0:31:10.840 --> 0:31:14.080
<v Speaker 1>had you know of being successful, would.

0:31:13.560 --> 0:31:16.000
<v Speaker 2>I would have been successful in other ways. I would

0:31:16.040 --> 0:31:18.440
<v Speaker 2>have been a really good high school English teacher and

0:31:18.480 --> 0:31:20.600
<v Speaker 2>a football coach, and I would have been a winning

0:31:20.640 --> 0:31:23.240
<v Speaker 2>coach because I'm a leader. I'm a natural born leader.

0:31:23.560 --> 0:31:26.920
<v Speaker 2>I'm really good at inspiring people and out here, if

0:31:26.920 --> 0:31:29.080
<v Speaker 2>you're going to be a leader, whether you're a CEO

0:31:29.240 --> 0:31:31.920
<v Speaker 2>or a room runner or a show runner, you lead

0:31:32.080 --> 0:31:34.760
<v Speaker 2>either by inspiration or intimidation.

0:31:35.080 --> 0:31:38.240
<v Speaker 1>Yeah, well, these days it's going to be insane.

0:31:38.320 --> 0:31:41.960
<v Speaker 2>And to me, it was always inspiration and setting example.

0:31:42.040 --> 0:31:44.239
<v Speaker 2>So I would have been successful. There's no question. If

0:31:44.240 --> 0:31:46.520
<v Speaker 2>I had stayed in Evansville, Indiana, where I grew up

0:31:46.560 --> 0:31:49.360
<v Speaker 2>and become a bricklayer, I would have been a very

0:31:49.520 --> 0:31:53.320
<v Speaker 2>successful bricklayer because I was driven and I held myself

0:31:53.360 --> 0:31:55.680
<v Speaker 2>to that standard. And even when I was working as

0:31:55.680 --> 0:31:58.480
<v Speaker 2>a hot carrier in my teen years for my uncle.

0:31:59.280 --> 0:32:02.120
<v Speaker 2>I wanted to be the best hotcare you know, can

0:32:02.160 --> 0:32:02.600
<v Speaker 2>you still?

0:32:02.840 --> 0:32:04.640
<v Speaker 1>Can you live? I can lay bricks. See that is

0:32:04.640 --> 0:32:07.320
<v Speaker 1>actually a skill I can expect. I can lay the

0:32:07.320 --> 0:32:11.120
<v Speaker 1>bricks and home improvement stuff join a like. Now these

0:32:11.160 --> 0:32:13.239
<v Speaker 1>are skills that I value. Sing people say, oh, I

0:32:13.360 --> 0:32:16.880
<v Speaker 1>you know I can play the enormodome. I'm like, yeah, okay,

0:32:16.920 --> 0:32:18.520
<v Speaker 1>that's I know a lot of people that can do that.

0:32:18.640 --> 0:32:19.720
<v Speaker 1>How are you with shelving?

0:32:19.960 --> 0:32:21.960
<v Speaker 2>You know, I mean I'm not great with shelving, but

0:32:22.040 --> 0:32:25.240
<v Speaker 2>bricks I can do. And I even tell my students,

0:32:25.280 --> 0:32:29.200
<v Speaker 2>I go, you know, I I'd learned how to make

0:32:29.280 --> 0:32:33.600
<v Speaker 2>movies and TV shows on the construction site, because it's

0:32:33.600 --> 0:32:35.920
<v Speaker 2>not that different. You got a foreman, like you have

0:32:35.960 --> 0:32:38.240
<v Speaker 2>a director. You have a blueprint, which is your script

0:32:38.440 --> 0:32:42.000
<v Speaker 2>or the blueprint. You have a team, you have equipment.

0:32:42.320 --> 0:32:45.000
<v Speaker 2>Everyone's got to be communicating. You have to know where

0:32:45.040 --> 0:32:48.600
<v Speaker 2>to put the scaffolding, and then to take that even further.

0:32:48.800 --> 0:32:53.360
<v Speaker 2>As a writer, it's the same as bricklaying. You have

0:32:53.440 --> 0:32:55.560
<v Speaker 2>to put one brick at a time, one word at

0:32:55.560 --> 0:32:58.880
<v Speaker 2>a time, line them up into sentences, stack those sentences

0:32:58.920 --> 0:33:01.120
<v Speaker 2>on top of each other until they become a paragraph.

0:33:01.720 --> 0:33:05.840
<v Speaker 2>And so the mentality behind the work, And so I

0:33:06.280 --> 0:33:09.280
<v Speaker 2>get frustrated with artsy fartsy people who go, oh, I

0:33:09.360 --> 0:33:12.120
<v Speaker 2>just I couldn't write today because a butterfly landed on

0:33:12.200 --> 0:33:15.080
<v Speaker 2>my shoulder, and I just and I go, bullshit. You

0:33:15.120 --> 0:33:18.000
<v Speaker 2>show up every day, you're right, and you're right. You've

0:33:18.000 --> 0:33:21.040
<v Speaker 2>written three four books. You know. You show up, you write,

0:33:21.120 --> 0:33:23.240
<v Speaker 2>you lay the bricks, and at the end of the day,

0:33:23.240 --> 0:33:28.040
<v Speaker 2>you go that wall didn't exist, that three pages didn't exist.

0:33:28.040 --> 0:33:30.400
<v Speaker 2>At seven this morning, they do. Now I can go

0:33:30.920 --> 0:33:33.080
<v Speaker 2>kick back, Okay, I'll do it again tomorrow.

0:33:41.160 --> 0:33:44.000
<v Speaker 1>I've I was kind of friends of a friends with

0:33:44.520 --> 0:33:47.720
<v Speaker 1>may Have Benchi the Irish, and may Have used to

0:33:47.720 --> 0:33:51.760
<v Speaker 1>write two thousand words a day. She's get she'd get

0:33:51.760 --> 0:33:56.080
<v Speaker 1>a tub of sangria big jaris agria, and she would

0:33:56.080 --> 0:33:57.800
<v Speaker 1>write two thousand words a day. And at two thousand

0:33:57.800 --> 0:34:00.160
<v Speaker 1>words she stopped, like even if it was going right,

0:34:00.240 --> 0:34:02.680
<v Speaker 1>now that's fine, two thousand words finished the sangra. I

0:34:02.680 --> 0:34:05.440
<v Speaker 1>have to do something else, probably more sangria. But it's

0:34:06.480 --> 0:34:10.960
<v Speaker 1>it is about, you know, inspiration, perspiration, It's that whole

0:34:10.960 --> 0:34:13.279
<v Speaker 1>thing about it. It's about work and you really have

0:34:13.360 --> 0:34:15.320
<v Speaker 1>to do it, and it's quite interest in that because

0:34:15.360 --> 0:34:19.080
<v Speaker 1>I I wonder, because so much work can be done

0:34:19.120 --> 0:34:22.560
<v Speaker 1>for you know, useful tools AIS, and you know, like

0:34:22.640 --> 0:34:26.399
<v Speaker 1>I remember when Final Draft came in as a writing program, people,

0:34:26.440 --> 0:34:28.360
<v Speaker 1>I was not probably writing if you're not writing on

0:34:28.400 --> 0:34:30.600
<v Speaker 1>a typewriter, you know, isn't it though, I mean I

0:34:30.640 --> 0:34:33.200
<v Speaker 1>think it is. I tried. I don't know if you've

0:34:33.200 --> 0:34:37.000
<v Speaker 1>ever tried this. I put into AI, write me fifteen

0:34:37.000 --> 0:34:38.960
<v Speaker 1>minutes of Craig Ferguson's stand up Matereal.

0:34:41.120 --> 0:34:41.160
<v Speaker 2>No.

0:34:41.680 --> 0:34:44.160
<v Speaker 1>Yeah, it just wrote me some like it changed some

0:34:44.480 --> 0:34:46.799
<v Speaker 1>gags that I had done, like changed the words now,

0:34:46.840 --> 0:34:48.640
<v Speaker 1>like that's not the choice I would have made. And

0:34:48.760 --> 0:34:51.000
<v Speaker 1>so I mean, maybe maybe it can do it. At

0:34:51.000 --> 0:34:53.960
<v Speaker 1>one point, I don't think so, but it's kind of

0:34:54.000 --> 0:34:57.239
<v Speaker 1>interesting now I wonder if it could do first drafts,

0:34:58.320 --> 0:35:00.520
<v Speaker 1>like like maybe an AI could do for straft the

0:35:00.640 --> 0:35:01.359
<v Speaker 1>story for you.

0:35:01.640 --> 0:35:05.800
<v Speaker 2>My daughter was kicking around an idea for a story

0:35:05.840 --> 0:35:09.520
<v Speaker 2>that was said in Patagonia, and she sent me the first.

0:35:09.400 --> 0:35:14.120
<v Speaker 1>Chapter the store or the country the country right, okay, god.

0:35:13.960 --> 0:35:18.719
<v Speaker 2>Not the park up And she sent me the first

0:35:18.800 --> 0:35:21.399
<v Speaker 2>chapter and she said, what do you think? And I said,

0:35:21.400 --> 0:35:24.960
<v Speaker 2>this is really quite good. It's a little impersonal in

0:35:25.200 --> 0:35:28.680
<v Speaker 2>spots and I gave she said, this was completely written

0:35:29.320 --> 0:35:34.720
<v Speaker 2>by Ai. Wow, she said. I gave them the machine,

0:35:34.760 --> 0:35:37.520
<v Speaker 2>the facts and said write it in the voice of

0:35:37.600 --> 0:35:41.080
<v Speaker 2>magical realism. And it came back in that And I

0:35:41.200 --> 0:35:47.839
<v Speaker 2>had no idea, but I did sense some coldness, emptiness

0:35:47.880 --> 0:35:50.400
<v Speaker 2>in some of the parts. And I think that is

0:35:50.440 --> 0:35:53.640
<v Speaker 2>that spiritual element, because the difference between craft and art,

0:35:53.840 --> 0:35:57.160
<v Speaker 2>at least in my mind, craft can be duplicated by

0:35:57.160 --> 0:35:59.600
<v Speaker 2>many people. Art is when you pour a piece of

0:35:59.640 --> 0:36:04.160
<v Speaker 2>your spirit into something. If you see an original van Goal, right,

0:36:04.800 --> 0:36:08.240
<v Speaker 2>you feel, oh, yeah, it's like live photograph of Vang

0:36:08.440 --> 0:36:12.239
<v Speaker 2>versus Vango. It's a live starry night vibrates it does.

0:36:12.320 --> 0:36:14.320
<v Speaker 1>I went to see it in the met recently actually,

0:36:14.480 --> 0:36:17.680
<v Speaker 1>and the starry night is on a tour in the

0:36:17.719 --> 0:36:21.040
<v Speaker 1>mat and look, it has its own light sources luminescence. Yes,

0:36:21.200 --> 0:36:25.120
<v Speaker 1>it's crazy. Yes, I've seen photographs, so I know the image.

0:36:25.280 --> 0:36:26.640
<v Speaker 1>But when you see the thing.

0:36:26.840 --> 0:36:29.360
<v Speaker 2>Go to Rome and go and see a Bernini sculpture

0:36:29.719 --> 0:36:31.759
<v Speaker 2>and you look at this and you go there's light

0:36:31.880 --> 0:36:35.920
<v Speaker 2>coming out of that marble. It's alive, it's vibrating, And

0:36:36.040 --> 0:36:38.279
<v Speaker 2>I believe that is the spirit of the artist being

0:36:38.320 --> 0:36:39.560
<v Speaker 2>poured into the object.

0:36:39.719 --> 0:36:41.799
<v Speaker 1>I love that idea. I think it's you know what

0:36:41.840 --> 0:36:43.719
<v Speaker 1>I didn't notice when I went to Italy was like

0:36:43.840 --> 0:36:47.160
<v Speaker 1>all these like amazing statues in Florence and Rome and

0:36:47.239 --> 0:36:50.040
<v Speaker 1>you know, and sec and stuff. But if you go

0:36:50.120 --> 0:36:54.120
<v Speaker 1>out and the really produnk rural churches, the religious art

0:36:54.160 --> 0:36:57.279
<v Speaker 1>is crap. I mean, it's just that. I was like,

0:36:57.560 --> 0:36:59.960
<v Speaker 1>is that is that Jesus? Or is that is that

0:37:00.360 --> 0:37:04.560
<v Speaker 1>bear claiming of fans? What is that? It's like, this

0:37:04.680 --> 0:37:07.640
<v Speaker 1>is our Lord on the crucifixion. I'm like, no, that's

0:37:07.640 --> 0:37:10.279
<v Speaker 1>a bear claiming of fans. I don't see that at all,

0:37:10.920 --> 0:37:13.080
<v Speaker 1>and I kind of loved it even more.

0:37:13.600 --> 0:37:18.000
<v Speaker 2>Well, circle back to your your saints or the excommunicated guy. See,

0:37:18.000 --> 0:37:20.560
<v Speaker 2>you shouldn't be creating art. Yeah, there you go. Yeah,

0:37:20.600 --> 0:37:22.799
<v Speaker 2>you know, there's a law of religions. They don't like that.

0:37:23.880 --> 0:37:26.279
<v Speaker 1>They don't like I think in Islam they don't like

0:37:26.400 --> 0:37:28.799
<v Speaker 1>imagery either. No imagery. Don't be doing that. You can

0:37:28.840 --> 0:37:31.520
<v Speaker 1>write things, you can have calligraphy, which is very nice,

0:37:31.520 --> 0:37:33.560
<v Speaker 1>but no imagery. Right, I don't know, how do you

0:37:33.560 --> 0:37:36.120
<v Speaker 1>feel about that? Well, you don't have rules about it,

0:37:36.160 --> 0:37:36.920
<v Speaker 1>I guess, right.

0:37:37.239 --> 0:37:41.840
<v Speaker 2>You know, how can you you know, when people refer

0:37:41.920 --> 0:37:44.680
<v Speaker 2>to God as him, I go, wait a minute, how

0:37:44.680 --> 0:37:50.320
<v Speaker 2>can you take something that is incomprehensible, unfathomable, right, the

0:37:50.360 --> 0:37:54.799
<v Speaker 2>greatest mystery and reduce it to human form. One of

0:37:54.800 --> 0:37:56.759
<v Speaker 2>the essays I wrote that didn't make it into the

0:37:56.800 --> 0:38:00.640
<v Speaker 2>book was called mister potato Head, right, remember the old

0:38:01.400 --> 0:38:06.040
<v Speaker 2>I said, Okay, so if God is this ineffable, eternal,

0:38:06.400 --> 0:38:11.319
<v Speaker 2>creative energy, what we do with each religion is we

0:38:11.400 --> 0:38:13.920
<v Speaker 2>grab our little parts and we create a mister potato

0:38:13.960 --> 0:38:17.200
<v Speaker 2>head so that image looks like us. And when you

0:38:17.239 --> 0:38:21.280
<v Speaker 2>think about that, it is true. You know that we change.

0:38:21.320 --> 0:38:24.600
<v Speaker 2>If you go from indigenous people with the you know,

0:38:24.719 --> 0:38:28.000
<v Speaker 2>the sky dancer or the bison had wonka tanka the

0:38:28.480 --> 0:38:33.080
<v Speaker 2>Great Spirit to is God white bearded on a cloud?

0:38:33.440 --> 0:38:39.000
<v Speaker 2>Is God mocha colored with dark brown eyes? I love?

0:38:39.040 --> 0:38:42.319
<v Speaker 2>I've said this before. James McBride wrote a memoir called

0:38:42.360 --> 0:38:45.239
<v Speaker 2>the Color of Water because his mother was Jewish, his

0:38:45.239 --> 0:38:48.600
<v Speaker 2>father was African American, and when he was a small child,

0:38:48.640 --> 0:38:52.440
<v Speaker 2>he asked his mother, said what color is God? And

0:38:52.480 --> 0:38:55.759
<v Speaker 2>she said God is the color of water. Okay, And

0:38:55.800 --> 0:38:58.680
<v Speaker 2>I went, that's brilliant, that's and that's that's the title

0:38:58.719 --> 0:38:59.360
<v Speaker 2>of his memoir.

0:38:59.680 --> 0:39:00.480
<v Speaker 1>That's pretty cool.

0:39:00.520 --> 0:39:01.239
<v Speaker 2>It's very cool.

0:39:01.400 --> 0:39:05.120
<v Speaker 1>Do you look at different religions that you fascinated by

0:39:05.239 --> 0:39:06.360
<v Speaker 1>other belief systems.

0:39:06.880 --> 0:39:09.720
<v Speaker 2>I'm not a scholar, bidyman, but I read, I study

0:39:10.160 --> 0:39:13.160
<v Speaker 2>as much as my small brain can comprehend. I really

0:39:13.200 --> 0:39:15.920
<v Speaker 2>do try and connect the dots between all religions.

0:39:15.960 --> 0:39:19.400
<v Speaker 1>I so I do that too, and I became fascinated

0:39:19.440 --> 0:39:24.960
<v Speaker 1>for a while with Akinatin. You know, Akinatin. Akinatin was

0:39:25.520 --> 0:39:29.120
<v Speaker 1>Tutin Kammon's father in ancient Egypt. Okay, so for a

0:39:29.120 --> 0:39:32.000
<v Speaker 1>couple of thousand years in ancient Egypt, it's like, you know,

0:39:32.280 --> 0:39:34.359
<v Speaker 1>you get the guy with a doghead, he's this guy,

0:39:34.400 --> 0:39:36.439
<v Speaker 1>and you got all the different gods. You know, there's

0:39:36.520 --> 0:39:40.440
<v Speaker 1>the you know, there's the Sphinxy guy that's in charge

0:39:40.480 --> 0:39:44.600
<v Speaker 1>of like the lady that's part you know, giraffe and

0:39:44.640 --> 0:39:47.880
<v Speaker 1>all that, and all these different gods. So Akinaton comes along.

0:39:48.760 --> 0:39:54.160
<v Speaker 1>The first, I believe, the first documented monotheist who says no,

0:39:55.600 --> 0:39:58.600
<v Speaker 1>there is His name was Amenhotep. The third I think

0:39:58.680 --> 0:40:00.520
<v Speaker 1>he was the Pharaoh and he said no, all of

0:40:00.560 --> 0:40:03.120
<v Speaker 1>these gods, that's not true. There's one god. His name

0:40:03.200 --> 0:40:06.279
<v Speaker 1>is Aten. Or its name is Aten, and it is

0:40:06.320 --> 0:40:10.879
<v Speaker 1>the Sun, and they worshiped the Sun God. So all

0:40:10.920 --> 0:40:15.799
<v Speaker 1>of this thousands of year old religious infrastructure that's set

0:40:15.880 --> 0:40:20.560
<v Speaker 1>up in ancient Egypt, now much longer than from the

0:40:20.600 --> 0:40:23.480
<v Speaker 1>time of Christ to now right, there's all been going

0:40:23.520 --> 0:40:28.040
<v Speaker 1>on is now dismantled. And they move the capital of

0:40:28.080 --> 0:40:30.480
<v Speaker 1>the city forty miles into the desert and they worship

0:40:30.560 --> 0:40:34.239
<v Speaker 1>at in the Sun God, and they upset a lot

0:40:34.239 --> 0:40:35.440
<v Speaker 1>of people, as you can imagine.

0:40:35.440 --> 0:40:35.680
<v Speaker 2>Sure.

0:40:36.520 --> 0:40:42.080
<v Speaker 1>And then when he died, Tutin Katan, who was his son, said,

0:40:42.239 --> 0:40:45.719
<v Speaker 1>for safety reasons, says, you know what, let's go back

0:40:45.719 --> 0:40:49.040
<v Speaker 1>to the old gods, and I'll go back to Tutin

0:40:49.160 --> 0:40:53.759
<v Speaker 1>Camun instead of Tutin Khatten, because I am the son

0:40:53.840 --> 0:40:57.600
<v Speaker 1>of a Munrad, not the And they took it all back.

0:40:57.960 --> 0:41:02.879
<v Speaker 1>But I was fascinated because it was the first time

0:41:02.880 --> 0:41:04.880
<v Speaker 1>I've come across the idea that the image of God

0:41:05.000 --> 0:41:09.200
<v Speaker 1>was no humanoid or anthropomorphic in any way. It was

0:41:09.280 --> 0:41:12.120
<v Speaker 1>the Sun. Now he did that thing, I could ask

0:41:12.200 --> 0:41:14.200
<v Speaker 1>you anyway. You could talk to him through me, which

0:41:14.239 --> 0:41:17.680
<v Speaker 1>is a common you know, a piece of grift, and like,

0:41:17.760 --> 0:41:20.279
<v Speaker 1>oh no, you have to speak the special language. You

0:41:20.320 --> 0:41:22.280
<v Speaker 1>got to talk to me. That'll be forty bucks.

0:41:22.360 --> 0:41:26.000
<v Speaker 2>Well, in recent years I've been reading there's a Rabbi

0:41:26.080 --> 0:41:29.840
<v Speaker 2>David Cooper wrote a book called God Is a Verb. Okay,

0:41:30.200 --> 0:41:34.319
<v Speaker 2>and Buckminster Fuller and others believe God is a verb.

0:41:34.560 --> 0:41:38.920
<v Speaker 2>And that opened up my mind. Rather than this anthropomorphic being,

0:41:39.680 --> 0:41:44.239
<v Speaker 2>this noun, what if God is the creative energy that

0:41:44.400 --> 0:41:48.640
<v Speaker 2>lives in all things? So and I'm not I'm way

0:41:48.719 --> 0:41:51.880
<v Speaker 2>in open my head here. But if only five percent

0:41:52.000 --> 0:41:55.080
<v Speaker 2>of matter is what we see in can touch and feel,

0:41:55.560 --> 0:42:02.400
<v Speaker 2>five percent, twenty five percent is dark man right, right,

0:42:02.680 --> 0:42:08.479
<v Speaker 2>seventy is dark energy and no one knows what it is, right,

0:42:08.520 --> 0:42:11.920
<v Speaker 2>but it exists, and it is what is pushing the

0:42:12.000 --> 0:42:17.160
<v Speaker 2>whole universe out and why we keep expanding as a universe. See.

0:42:17.200 --> 0:42:19.799
<v Speaker 1>I think this is an extrapolation of Rennie Decart. I

0:42:19.800 --> 0:42:24.440
<v Speaker 1>think this is Decartean. So the Cartian Renne Descart when

0:42:24.440 --> 0:42:27.440
<v Speaker 1>he said so, and oys everybody obviously when he does it.

0:42:27.520 --> 0:42:30.360
<v Speaker 1>But it says I'm going to rather than God, be

0:42:30.440 --> 0:42:33.200
<v Speaker 1>a revelation like you know, a burning bush or an

0:42:33.640 --> 0:42:36.480
<v Speaker 1>angel coming from heaven, or a sudden dream or stuff

0:42:36.520 --> 0:42:39.520
<v Speaker 1>like that. I will prove the existence of God through reason,

0:42:40.000 --> 0:42:43.360
<v Speaker 1>which I've said the church a lot. But he was

0:42:43.480 --> 0:42:45.640
<v Speaker 1>clever about it. But he said, how do I how

0:42:45.680 --> 0:42:48.560
<v Speaker 1>do I go about it? I thought it was fantastic. Look,

0:42:48.680 --> 0:42:50.520
<v Speaker 1>maybe if I'm telling you something, you're ready to forget it.

0:42:51.280 --> 0:42:53.520
<v Speaker 1>I'm just the idea of what he said, I'm going

0:42:53.520 --> 0:42:55.439
<v Speaker 1>to doubt everything. This is where I'm going to start

0:42:55.520 --> 0:43:00.239
<v Speaker 1>complete doubt. Right, So he said, I doubt, you know,

0:43:00.320 --> 0:43:03.520
<v Speaker 1>the universe, I doubt God, I doubt I even doubt myself.

0:43:03.560 --> 0:43:07.160
<v Speaker 1>There's only one thing I cannot I cannot not doubt,

0:43:07.360 --> 0:43:11.720
<v Speaker 1>and that's I can't doubt that I'm doubting. I am dubting.

0:43:11.760 --> 0:43:15.120
<v Speaker 1>It is an absolute you're lockedown. You can't doubt if

0:43:15.160 --> 0:43:20.760
<v Speaker 1>you're doubt. So if I'm doubting, I've got to be thinking.

0:43:21.640 --> 0:43:24.360
<v Speaker 1>It's just I have to be thinking if I'm doubting.

0:43:24.640 --> 0:43:29.640
<v Speaker 1>And if I'm thinking, then I am cognito ergo sum

0:43:30.239 --> 0:43:33.959
<v Speaker 1>I think therefore I am I exist. And I thought

0:43:34.080 --> 0:43:38.080
<v Speaker 1>that's fantastic, And he uses extrapolates the reading. I loved

0:43:38.239 --> 0:43:40.640
<v Speaker 1>Carl like, Look, I'm not the first one to say that,

0:43:40.680 --> 0:43:45.000
<v Speaker 1>but I'm fascinated by the idea of the revelation versus reason.

0:43:45.080 --> 0:43:48.080
<v Speaker 1>And I think what I see in a lot of

0:43:48.080 --> 0:43:50.800
<v Speaker 1>spirituality for myself, and I think with you correct me

0:43:50.840 --> 0:43:54.560
<v Speaker 1>if I'm wrong. Is that looking for reason doesn't necessarily

0:43:54.600 --> 0:43:57.759
<v Speaker 1>make you an atheist. No, it just makes you look

0:43:57.840 --> 0:43:59.880
<v Speaker 1>for it, doesn't make you even lack faith. You're just

0:43:59.880 --> 0:44:03.959
<v Speaker 1>like I'm interested exactly. This goes back to calcified, which

0:44:04.000 --> 0:44:06.480
<v Speaker 1>is unchanging. This is what I believe, This is what

0:44:06.560 --> 0:44:09.760
<v Speaker 1>I was told as a child. And if I think differently,

0:44:09.800 --> 0:44:14.560
<v Speaker 1>I'm wrong. God gave us free will, gave us a brain.

0:44:15.080 --> 0:44:18.560
<v Speaker 1>You know, we have creative energy. I believe we co

0:44:18.719 --> 0:44:21.640
<v Speaker 1>create our life with God, with the Ultimate Creator. I

0:44:21.680 --> 0:44:26.239
<v Speaker 1>think we're in a constant, creative, symbiotic relationship with the

0:44:26.320 --> 0:44:29.440
<v Speaker 1>Ultimate Creator, and we can create. But because we have

0:44:29.480 --> 0:44:32.440
<v Speaker 1>free will, we can create. We can split the atom,

0:44:32.920 --> 0:44:35.600
<v Speaker 1>right and bring electricity to millions of people, or we

0:44:35.600 --> 0:44:38.440
<v Speaker 1>can split the atom and blow up a town. All right.

0:44:38.480 --> 0:44:39.880
<v Speaker 1>You can take a knife and make a salad or

0:44:40.640 --> 0:44:41.280
<v Speaker 1>kill someone.

0:44:41.520 --> 0:44:45.360
<v Speaker 2>We have that free will. We're not ambus just responding

0:44:45.400 --> 0:44:46.319
<v Speaker 2>to stimulus.

0:44:46.320 --> 0:44:49.520
<v Speaker 1>All right. This is good in a personal sense, But

0:44:49.800 --> 0:44:52.560
<v Speaker 1>let's look at the problem of evil, like when the

0:44:52.640 --> 0:44:58.479
<v Speaker 1>innocents are whoever that is right where you know when

0:44:58.719 --> 0:45:03.600
<v Speaker 1>something awful happens to a child or so doesn't deserve it, right,

0:45:04.560 --> 0:45:06.960
<v Speaker 1>how do you? Because this is a stumbling blow for

0:45:07.000 --> 0:45:09.200
<v Speaker 1>me every single time. It's a stumbling block for everyone.

0:45:10.320 --> 0:45:13.440
<v Speaker 1>I can't believe that the universe is benign when this

0:45:13.480 --> 0:45:14.040
<v Speaker 1>can happen.

0:45:14.200 --> 0:45:18.239
<v Speaker 2>Yeah, but maybe the universe isn't benign, you know, Does

0:45:18.280 --> 0:45:20.680
<v Speaker 2>God just create us and let us bounce into each

0:45:20.719 --> 0:45:22.880
<v Speaker 2>other and see what we do? Like a game show?

0:45:23.000 --> 0:45:25.319
<v Speaker 2>You know, are they going to destroy or create or whatever?

0:45:25.840 --> 0:45:29.560
<v Speaker 2>But it depends on your belief if you believe in reincarnation,

0:45:31.000 --> 0:45:33.120
<v Speaker 2>which I'm not saying I do, but I am exploring

0:45:33.160 --> 0:45:36.120
<v Speaker 2>that if you believe in reincarnation, to fully understand the

0:45:36.120 --> 0:45:39.520
<v Speaker 2>mind of God, I have to experience what it is

0:45:39.560 --> 0:45:43.480
<v Speaker 2>to be the victim as well as the perpetrator. I

0:45:43.520 --> 0:45:47.640
<v Speaker 2>have to understand every aspect of human life. And I

0:45:47.680 --> 0:45:52.279
<v Speaker 2>can't do that unless I triumph and suffer, starve and

0:45:52.400 --> 0:45:56.359
<v Speaker 2>excel and through many lifetimes. Then I become like the

0:45:56.400 --> 0:45:58.960
<v Speaker 2>mind of God. Now I'm not saying I believe that,

0:45:59.560 --> 0:46:02.640
<v Speaker 2>but that's that's one answer to why evil exists. And

0:46:03.600 --> 0:46:06.759
<v Speaker 2>I can't even begin to answer that question. And that's

0:46:06.800 --> 0:46:08.719
<v Speaker 2>why they go I don't believe in God because he

0:46:08.760 --> 0:46:13.080
<v Speaker 2>allows innocent people to die. But I go, God's not

0:46:13.160 --> 0:46:15.720
<v Speaker 2>swooping down with the sword and killing these innocent people.

0:46:16.800 --> 0:46:20.839
<v Speaker 2>Man is humankind is? So what is motivating? And then

0:46:20.880 --> 0:46:23.560
<v Speaker 2>that gets back to dualistic thinking, which is, oh, it's

0:46:23.600 --> 0:46:27.040
<v Speaker 2>the devil and which used to drive me crazy. Anything bad,

0:46:27.160 --> 0:46:30.520
<v Speaker 2>the devil did it? Well, then you abdicate all responsibilities

0:46:30.520 --> 0:46:31.319
<v Speaker 2>for your life. Yeah.

0:46:31.400 --> 0:46:34.960
<v Speaker 1>No, other guys came and did it and then ran away.

0:46:35.080 --> 0:46:35.600
<v Speaker 1>It wasn't me.

0:46:35.960 --> 0:46:37.799
<v Speaker 2>Yeah, yeah, yeah, I know.

0:46:38.239 --> 0:46:42.160
<v Speaker 1>Hey, listen, it's a subject which is small, it's a

0:46:42.200 --> 0:46:44.960
<v Speaker 1>pretty big subject. But I tell you one thing has

0:46:45.080 --> 0:46:50.440
<v Speaker 1>proved my theory that comedians and comedic minds are the

0:46:50.480 --> 0:46:53.520
<v Speaker 1>modern school of philosophy, and a thousand years from no,

0:46:53.680 --> 0:46:59.080
<v Speaker 1>they will discuss people like us the way they discuss Aristotle,

0:46:59.360 --> 0:47:03.600
<v Speaker 1>Plato and uh, you know, like carrot Top will be

0:47:04.040 --> 0:47:09.440
<v Speaker 1>you know, Archimedes. It's lovely to talk to you. I

0:47:09.440 --> 0:47:11.319
<v Speaker 1>could talk to you all day. Let's do it again, all right,

0:47:11.440 --> 0:47:12.319
<v Speaker 1>all cood, luck.

0:47:12.239 --> 0:47:13.279
<v Speaker 2>With the thank you?

0:47:13.320 --> 0:47:14.040
<v Speaker 1>All right, thanks man,