WEBVTT - Second Date Update: Dance Machine

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<v Speaker 1>Second date of dating. In the dating world, is it

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<v Speaker 1>easier to meet someone at a wedding or is it harder? Oh? Oh,

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<v Speaker 1>that is a tough question because people, I've always found

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<v Speaker 1>it harder personally. I mean, you go up there, you

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<v Speaker 1>deliver a great pickup line, compliment the girl on her

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<v Speaker 1>beautiful white dress, going for the kiss. I'm getting thrown out.

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<v Speaker 1>Yeah for putting myself out there. I'm sorry one of

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<v Speaker 1>our listeners, and Nate agrees with me because he says

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<v Speaker 1>he met a girl at a wedding and apparently was

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<v Speaker 1>not as easy as he expected it to be. Nate,

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<v Speaker 1>Welcome to the show. How you doing, man, how's it going?

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<v Speaker 1>Please don't tell me it was a bride, the mother

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<v Speaker 1>in law, any of it. Yeah. I mean, god, it's

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<v Speaker 1>a crazy story. I oh my god. Wait was it

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<v Speaker 1>someone that was single that you met? She was single? Yeah? Okay,

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<v Speaker 1>brides are technically single until they say I do. They're

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<v Speaker 1>not being engaged to someone else who doesn't qualify you

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<v Speaker 1>as single. Okay, Well that's good to know. Yeah, I've

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<v Speaker 1>learned something here. But go ahead and name who who

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<v Speaker 1>is the woman that she met? What's her name? Okay?

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<v Speaker 1>Her name is Meg? Okay, mega, okay, And I figured

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<v Speaker 1>bringing the professionals, I need help with the situations, okay.

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<v Speaker 1>And did you notice Meg right away at the wedding?

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<v Speaker 1>I did notice her right away. I saw her sitting

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<v Speaker 1>in one of the pews across the aisle, and I'm like, oh, wow, okay,

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<v Speaker 1>she's really attractive. I should try to talk to her.

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<v Speaker 1>And it was pretty much a struggle to even get

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<v Speaker 1>to meet her. What was your strategy to meet her? Well?

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<v Speaker 1>I was first. I was like, oh, maybe we'll be

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<v Speaker 1>at the same table, but of course we weren't. So

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<v Speaker 1>I was actually trying to switch with somebody, like a

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<v Speaker 1>single person at her table. Actually was able to move

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<v Speaker 1>one table closer, but I was still a table too

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<v Speaker 1>far away. And then I was trying to do another

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<v Speaker 1>table over and that didn't work. You can't do that

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<v Speaker 1>at a moundy. Do you know how much time and

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<v Speaker 1>energy goes into like eating charge? Yes? So much. Yeah,

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<v Speaker 1>I was eating the fish. I didn't order the fish.

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<v Speaker 1>At this point, you're just taking someone else's chair, So

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<v Speaker 1>you your table hopping, slowly making your way closer and

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<v Speaker 1>closer to her table. Did you ever make it? I

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<v Speaker 1>never made it to your table. You just wait till

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<v Speaker 1>she's up at the bar and then time your drink

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<v Speaker 1>at the same time as hers or yeah, right, that's

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<v Speaker 1>exactly what happened. It's so great. Okay. It feels almost

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<v Speaker 1>like you were trying too hard, like it could have

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<v Speaker 1>probably happened organically. Saw you really trying to force it.

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<v Speaker 1>If she saw each table you getting closer and closer,

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<v Speaker 1>that wouldn't be a little bit creepy. Yeah, like the terminator,

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<v Speaker 1>I'm like anything. So was there ever a moment when

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<v Speaker 1>you were able to get some one on one time

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<v Speaker 1>with her? Yeah, finally at the bar. I hear at

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<v Speaker 1>the bar because she's my mom made okay, and I

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<v Speaker 1>go up there and then I tell her that I

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<v Speaker 1>actually have to talk to the groom, which you mind

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<v Speaker 1>bringing the drink over to our table. Oh, he made

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<v Speaker 1>her your waitress for the night. Yeah that was my movie. Yeah,

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<v Speaker 1>I made her my waitress. That's a terrible blue wow.

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<v Speaker 1>I mean, I mean, yeah, I would love if someone

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<v Speaker 1>that's me. He didn't work. It did work? Oh oh wow? Right,

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<v Speaker 1>So she brought the drink over to the table and

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<v Speaker 1>that was cool. So we were able to talk for

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<v Speaker 1>a little bit, you know, obviously we knew common people

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<v Speaker 1>and it went well. And then I was like, hey,

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<v Speaker 1>would you like to get dinner sometime? And she was

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<v Speaker 1>actually a little surprised. I guess that like I was

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<v Speaker 1>hitting on her at the wedding you know, so stereotypical,

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<v Speaker 1>but oh she didn't pick up that you were hitting

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<v Speaker 1>on her at first, and then finally was like, oh,

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<v Speaker 1>oh wait a minute, like you yeah, yeah, okay, So

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<v Speaker 1>so the wedding night was not considered the actual date

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<v Speaker 1>right now? That was the yeah, that was the meetings. Wow, okay,

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<v Speaker 1>so what was the date? Like, hopefully you didn't make

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<v Speaker 1>her your waitress there too, right though, exactly? So we

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<v Speaker 1>went out for dinner and uh, that went really well,

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<v Speaker 1>Like we got to know each other, like chatted a

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<v Speaker 1>bit and we had some fun and uh what was

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<v Speaker 1>the vibe? Like were you nervous? I mean on her

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<v Speaker 1>side and your side? Well, she actually called me out,

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<v Speaker 1>she said, did you stage that whole waitress thing? Did

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<v Speaker 1>you just to meet me? She pulled me out, and

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<v Speaker 1>I actually I was like, yeah I did. But it

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<v Speaker 1>started out really good. We were being playful with each other. Yeah,

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<v Speaker 1>And it's a good sign when somebody can give you

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<v Speaker 1>crap you know, like, yeah, and you can take it,

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<v Speaker 1>you give it back like that's a good dynamic. Someone's

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<v Speaker 1>laughing at your creepiness. Then there's a moment. So how

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<v Speaker 1>did the rest of the night go? Well? Okay, So

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<v Speaker 1>then she did say that she talked to the bride

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<v Speaker 1>about me, and she wouldn't say exactly what she said,

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<v Speaker 1>but she just said that I would be trouble. No,

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<v Speaker 1>wait are you? I mean at the wedding. Were you

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<v Speaker 1>the groom's friend or the bride's friend I didn't know,

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<v Speaker 1>or both the groom's friend. Why would she say that

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<v Speaker 1>your trouble because obviously don't know you. I'm such a

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<v Speaker 1>great guy, I don't I have no idea. Yeah, I

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<v Speaker 1>mean typically, like if I were to say that about

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<v Speaker 1>one of my husband's buddies, it's be because they drink

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<v Speaker 1>a lot there with multiple different women all the time,

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<v Speaker 1>very attractive qualities. Yeah, like you know you. Yeah, there's

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<v Speaker 1>a rumor about you. Well, how did the date end?

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<v Speaker 1>So then it was the next stage. We went to

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<v Speaker 1>one of those arcade bar places, so it continued. She

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<v Speaker 1>was still into it. Okay, So we were having fun

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<v Speaker 1>there and then she kissed me in front of street Fighter.

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<v Speaker 1>Oh does that mean something? It's interesting the way that

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<v Speaker 1>you said it, though you said she kissed you, is that?

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<v Speaker 1>Is that what it was? She kissed you at the

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<v Speaker 1>street fighter? Or did you kiss her? Okay? Well I

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<v Speaker 1>kissed her, but she kissed me back, okay, okay, so

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<v Speaker 1>it was your move, it wasn't her move, all right, right,

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<v Speaker 1>so it was just typical. And did you make any

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<v Speaker 1>plans to see each other again? We were just like, oh,

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<v Speaker 1>we'll talk and we'll set up something. And then, of

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<v Speaker 1>course this is what I'm calling. I haven't heard from

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<v Speaker 1>her since she hasn't responded to any texts. You have

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<v Speaker 1>text or probably three or four times. Maybe she talked

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<v Speaker 1>to the bride again. Yeah, yeah, we'll find out what

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<v Speaker 1>really happened. We're gonna play a song, we'll come back,

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<v Speaker 1>we'll call Meg for you, and we'll try and get

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<v Speaker 1>your second date up date. All right, Yeah, that's great things,

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<v Speaker 1>all right, Nate, hold one. When you think of the

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<v Speaker 1>most romantic Hollywood moments of all time, there's Jack and

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<v Speaker 1>Rose kissing on the bow with a Titanic Noah and

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<v Speaker 1>Ali's passionate kiss in the rain from the Notebook, and

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<v Speaker 1>of course our listener Nate and his date Meg swapping

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<v Speaker 1>saliva in front of the street Fighter video. Hey, that's

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<v Speaker 1>the sound of their tongues punching each other anyway. But

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<v Speaker 1>one of our listeners, Nate had a nice dinner date

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<v Speaker 1>with a girl named Meg, followed by a little arcade action,

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<v Speaker 1>but afterwards she's been blowing him off and he wants

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<v Speaker 1>to know why. So, Nate, how you feeling before we

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<v Speaker 1>call her? I'm so really good honestly. I mean, I

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<v Speaker 1>hate to say this, but I'm thinking she could be

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<v Speaker 1>the one. WHOA, that's pretty quick. I mean, I just

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<v Speaker 1>we just didn't get that sense from the you know,

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<v Speaker 1>talking to you a second ago. No, No, I really

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<v Speaker 1>love I love her. Whoa, you just set it again.

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<v Speaker 1>I mean I love being with her. Oh wow. Okay, Okay,

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<v Speaker 1>So now I'm started to think the reason she's not

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<v Speaker 1>calling you is maybe you came on too strong. Yeah, okay,

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<v Speaker 1>I never say anything like that in front of her.

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<v Speaker 1>I'm just feeling really positive. Okay, Okay. There's a lot

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<v Speaker 1>writing on this now, so up. It makes me want

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<v Speaker 1>to make in front of a street Fighter machine though,

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<v Speaker 1>I'm going to get those types of feelings. That's what

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<v Speaker 1>I'm worried. I need to bring a machine around with me. Okay, No,

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<v Speaker 1>don't do that. That doesn't make sense. I think. Yeah,

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<v Speaker 1>we all need to stop talking and just call up

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<v Speaker 1>Meg and figure out what's going on. You ready, man,

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<v Speaker 1>I'm ready. Okay, here we go. I'm a dollar number

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<v Speaker 1>right now. Hello, Hey, I'm looking for Meg. Um. This

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<v Speaker 1>is Maggie. Who who's calling Maggie? Oh? Is that is

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<v Speaker 1>mag Do you go by Meg? Ever? Um? My friends

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<v Speaker 1>call me Meg, but I don't know who you are.

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<v Speaker 1>I mean, hopefully we can do after we're done with this.

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<v Speaker 1>But we're calling on behalf of one of our listeners

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<v Speaker 1>who went out on a date with you recently. Okay, again,

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<v Speaker 1>still awkward and not really sure? Like okay, that's pretty

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<v Speaker 1>part for the course with these we're doing something called

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<v Speaker 1>a second date update. That's where if you go out

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<v Speaker 1>with someone and afterwards, if that person isn't calling you back,

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<v Speaker 1>you can email our show for help and we'll reach

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<v Speaker 1>out to them for you to help you figure out

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<v Speaker 1>the reason why. And so the listener that we're calling for.

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<v Speaker 1>His name is Nate. Oh yeah, I know Nate. Ate. Okay,

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<v Speaker 1>do you like Nate? Maybe I should just say how

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<v Speaker 1>do you feel about Nate. I mean, Nate's a funny guy. Yeah,

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<v Speaker 1>we didn't speak with Nate a little bit earlier, and

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<v Speaker 1>he told us all about how you guys met. He

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<v Speaker 1>told us about your dinner date and go into the

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<v Speaker 1>arcade together, and he said there was even a kiss

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<v Speaker 1>that you guys had at the end of the night.

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<v Speaker 1>So from our end, it all sounded pretty good. He's

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<v Speaker 1>a little bit confused why afterwards you're not calling him

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<v Speaker 1>back though. I mean, he's a nice guy and all,

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<v Speaker 1>and like we did have a pretty fun date. I

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<v Speaker 1>just wasn't sure. I'm not sure how to proceed. I'm

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<v Speaker 1>not really sure if I want to pursue it. So

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<v Speaker 1>that's why I've just kind of been like radio is silent.

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<v Speaker 1>I just don't want to give the wrong impression or

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<v Speaker 1>the wrong idea to him. Can I ask? Because he

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<v Speaker 1>did mention that you told him that the bride of

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<v Speaker 1>the wedding said that he was trouble. Is that what

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<v Speaker 1>you're referring to? I mean, is it just because of

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<v Speaker 1>something she told you. I don't want to embarrass him, because,

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<v Speaker 1>like I said, she's a nice guy. He's a funny dude. Well,

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<v Speaker 1>he probably wants to know, Like if somebody was saying

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<v Speaker 1>stuff behind your bad yeah, you know, warning people about you,

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<v Speaker 1>you'd want to know what they were saying and to

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<v Speaker 1>defend a little bit. A lot of time, rumors aren't

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<v Speaker 1>exactly that it could be not even true. Yeah, totally.

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<v Speaker 1>This isn't a rumor. This was like one true. I

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<v Speaker 1>saw it with my own eyes. She saw it, so

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<v Speaker 1>she warned you. What did you see at first? But

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<v Speaker 1>she was like, you know, you gotta be cautious. I'm like,

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<v Speaker 1>oh my god, if he a criminal, does he have

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<v Speaker 1>a record. Yeah, but it wasn't that. It may be

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<v Speaker 1>worse depending just how you look at it. She told

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<v Speaker 1>me that he loves to dance, but he is terrible,

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<v Speaker 1>Like he's a terrible dancer, but just doesn't like he's

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<v Speaker 1>so oblivious about how bad he is. Oh, I don't

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<v Speaker 1>think there could be Like, dude, if people love to dance, like,

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<v Speaker 1>just let him dance. Who cares if it looks like

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<v Speaker 1>an idiot? Do you want to date that person? What

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<v Speaker 1>do you want? That person is so fun at a party,

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<v Speaker 1>Like everybody loves that person, no matter how terrible they

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<v Speaker 1>So you saw what you saw him dance at the

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<v Speaker 1>wedding before you said yes to a date. But the

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<v Speaker 1>difference is Brooke knows that she's like a mediocre dancer.

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<v Speaker 1>The bride says that he's oblivious to it. But but

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<v Speaker 1>you said yes after you saw him dance at the wedding.

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<v Speaker 1>I didn't really see him dancing that much at the

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<v Speaker 1>wedding because there's a lot going on, a lot of

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<v Speaker 1>people are dancing. Yeah, so wait, when did you see

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<v Speaker 1>him dance then? So we went obviously, you know, we

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<v Speaker 1>went to an arcade bar, and of course they had

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<v Speaker 1>dance dance Revolution. This is the whole realm of dancing.

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<v Speaker 1>But nobody's nobody looks good when they do dd. They

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<v Speaker 1>look like idiots. I mean, it's just like stepped up.

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<v Speaker 1>Oh my god. Like when he saw he was like

0:11:53.679 --> 0:11:55.719
<v Speaker 1>a well Kim at Canning Sports, like, oh my god,

0:11:55.760 --> 0:11:57.160
<v Speaker 1>oh my god, oh my god, we have to play

0:11:57.160 --> 0:11:59.960
<v Speaker 1>and we have to play. That's like twenty thirty minutes.

0:12:00.520 --> 0:12:04.319
<v Speaker 1>He is just like going to town. Oh no, was

0:12:04.400 --> 0:12:11.520
<v Speaker 1>he so sweaty? He was? It was just so bad.

0:12:12.679 --> 0:12:14.959
<v Speaker 1>Like he's just kept getting these really low scores and

0:12:15.040 --> 0:12:19.000
<v Speaker 1>he's like, I do understand what's happening. He's not doing well.

0:12:20.120 --> 0:12:22.240
<v Speaker 1>So wait, you just sat there and watched him do

0:12:22.360 --> 0:12:26.400
<v Speaker 1>this for twenty to thirty minutes. I felt like so

0:12:26.760 --> 0:12:29.280
<v Speaker 1>like people are looking. I felt awkward. How do you

0:12:29.360 --> 0:12:32.040
<v Speaker 1>tell someone like maybe we should stop? Like at one point,

0:12:32.080 --> 0:12:35.120
<v Speaker 1>I watched the bar to replyished my drink. Oh no,

0:12:35.280 --> 0:12:37.120
<v Speaker 1>like you go, you go, you get yourself down to drink.

0:12:37.200 --> 0:12:45.280
<v Speaker 1>He's like, I don't want to lose my game. Yeah,

0:12:45.360 --> 0:12:47.720
<v Speaker 1>I'll defend a bad dancer forever. But that, I mean,

0:12:47.800 --> 0:12:50.439
<v Speaker 1>it's almost like borderline rude. Yeah, he's ignoring you for

0:12:50.679 --> 0:12:53.480
<v Speaker 1>thirty minutes. I don't think he probably didn't even realize.

0:12:53.600 --> 0:12:56.120
<v Speaker 1>Yeah he was doing that. But I think maybe we

0:12:56.240 --> 0:12:58.560
<v Speaker 1>could find out by asking him. Because Meg, I need

0:12:58.600 --> 0:13:01.000
<v Speaker 1>to tell you or sorry, excuse me, Maggie. I know

0:13:01.080 --> 0:13:04.559
<v Speaker 1>we're not friends yet, Maggie, I need to let you

0:13:04.640 --> 0:13:08.240
<v Speaker 1>know we are. Nate's been on the other line listening

0:13:08.440 --> 0:13:12.520
<v Speaker 1>and he wants to talk to you. Oh, oh god,

0:13:12.760 --> 0:13:14.520
<v Speaker 1>I am on the other line, and I will say

0:13:14.640 --> 0:13:20.319
<v Speaker 1>that you were getting some terrible scores yourself. Oh why

0:13:20.360 --> 0:13:22.480
<v Speaker 1>are you being defensive? Dude need to come in like

0:13:22.559 --> 0:13:25.480
<v Speaker 1>that because we ragged on his DDR skills the claws come.

0:13:26.760 --> 0:13:29.439
<v Speaker 1>I mean, I don't even take it that seriously, Like

0:13:29.640 --> 0:13:34.280
<v Speaker 1>I wasset about getting low scores, like you were devastated

0:13:34.360 --> 0:13:36.800
<v Speaker 1>that you were getting low scores on Dance Dance Revolution,

0:13:36.920 --> 0:13:39.240
<v Speaker 1>Like there's a bigger difference. I don't know. I mean,

0:13:39.240 --> 0:13:40.959
<v Speaker 1>you're acting like you should be on Dancing with the

0:13:41.000 --> 0:13:43.120
<v Speaker 1>Stars or something, and that's not the case. I'm not.

0:13:43.280 --> 0:13:46.640
<v Speaker 1>I mean, I don't. I'm not. I don't think I

0:13:46.679 --> 0:13:48.760
<v Speaker 1>should be on Dancing with the Stars. I'm not thinking

0:13:51.520 --> 0:13:53.439
<v Speaker 1>so I don't even think that matters. I think what

0:13:53.600 --> 0:13:56.000
<v Speaker 1>matters is you were more concentrated on this game for

0:13:56.160 --> 0:13:58.040
<v Speaker 1>half an hour than your date. You center to the

0:13:58.120 --> 0:14:00.959
<v Speaker 1>bar by yourself to get it. I don't think it

0:14:01.040 --> 0:14:03.079
<v Speaker 1>did well. Let's thinking a good strict I am a

0:14:03.120 --> 0:14:07.559
<v Speaker 1>great dancer. Okay, your scorer on the game would beg

0:14:07.640 --> 0:14:14.040
<v Speaker 1>to differ, but that game was a polish. One of

0:14:14.080 --> 0:14:19.280
<v Speaker 1>the senses is broken. Okay, Okay, I think we're learning

0:14:19.320 --> 0:14:21.080
<v Speaker 1>a lot more about how gonna tell you something. It

0:14:21.200 --> 0:14:24.000
<v Speaker 1>definitely wasn't broken because the person who like went right

0:14:24.080 --> 0:14:27.560
<v Speaker 1>before him before this whole thing started, that a really

0:14:27.640 --> 0:14:31.520
<v Speaker 1>high score. Its because he works there. Okay, he thought

0:14:31.560 --> 0:14:34.400
<v Speaker 1>they're all us. He knows the senses not working right,

0:14:34.440 --> 0:14:37.480
<v Speaker 1>he knows how to use it. Okay, I think we're

0:14:37.560 --> 0:14:40.080
<v Speaker 1>missing the point of this. Hall. I thought you wanted

0:14:40.120 --> 0:14:41.960
<v Speaker 1>to go out with her again. Remember how much you

0:14:42.120 --> 0:14:45.600
<v Speaker 1>like her? You really like her? Yes, well, I'm actually

0:14:45.640 --> 0:14:47.760
<v Speaker 1>doesn't seem to like my dancing. I mean, now what,

0:14:49.640 --> 0:14:51.720
<v Speaker 1>It's not even just about the dancing anymore. It's just

0:14:51.800 --> 0:14:54.360
<v Speaker 1>about the delusion right now that I'm listening to. Okay,

0:14:55.600 --> 0:14:58.000
<v Speaker 1>I'm a great dancer. There's nothing delusional about that. So

0:14:58.120 --> 0:15:01.560
<v Speaker 1>to be clear, if he had scored higher once revolution game,

0:15:01.640 --> 0:15:04.160
<v Speaker 1>then you would be interested. I don't think any score

0:15:04.200 --> 0:15:06.040
<v Speaker 1>would really impress the I mean, the fact of the

0:15:06.120 --> 0:15:08.320
<v Speaker 1>matter is, I was pretty much ignored for such a

0:15:08.360 --> 0:15:10.600
<v Speaker 1>good amount of time. I just really don't understand, like

0:15:10.720 --> 0:15:13.480
<v Speaker 1>how you could ignore your date to just try to

0:15:13.560 --> 0:15:16.080
<v Speaker 1>get the highest score possible and not realize, like when

0:15:16.120 --> 0:15:19.000
<v Speaker 1>you're constantly failing, Like you know, I really, I'm no,

0:15:19.120 --> 0:15:21.480
<v Speaker 1>I'm gonna send videos of me dancing you can see,

0:15:21.920 --> 0:15:24.560
<v Speaker 1>but a dance for you. Okay, I'm going to block

0:15:24.640 --> 0:15:30.040
<v Speaker 1>your number right now. Listen. I don't take so much offense.

0:15:30.120 --> 0:15:31.960
<v Speaker 1>You know, dancings like art, it's in the eye of

0:15:32.000 --> 0:15:34.640
<v Speaker 1>the beholder. Look, man, if I was you, I would

0:15:34.680 --> 0:15:37.120
<v Speaker 1>not listen to Brooks. She's a really, really bad dancer.

0:15:37.200 --> 0:15:40.600
<v Speaker 1>I would just stop the dancing altogether and focus on

0:15:40.720 --> 0:15:44.280
<v Speaker 1>the relationship. If you guys have a connection, that's what

0:15:44.440 --> 0:15:47.080
<v Speaker 1>we need to be focusing on. There is no relationship.

0:15:47.200 --> 0:15:50.920
<v Speaker 1>There's no connection, there's nothing like. I'm done. I just

0:15:51.640 --> 0:15:54.200
<v Speaker 1>we'll hold on before you're done. I do need to

0:15:54.280 --> 0:15:55.880
<v Speaker 1>ask you if you would like to go out on

0:15:55.960 --> 0:15:59.600
<v Speaker 1>another date with names. We'll pay for dancing. There won't

0:15:59.640 --> 0:16:02.560
<v Speaker 1>be any dancing. I don't think anything you can't hear

0:16:02.680 --> 0:16:06.520
<v Speaker 1>see that? Yeah, who knows. He could take me to

0:16:06.600 --> 0:16:08.720
<v Speaker 1>a restaurant and next thing I know, there's a dance

0:16:08.720 --> 0:16:11.920
<v Speaker 1>floor opening up. You would be so wealthy if dancefloor

0:16:11.960 --> 0:16:13.520
<v Speaker 1>opened up in the middle of a restaurant and we

0:16:13.600 --> 0:16:20.280
<v Speaker 1>were there. Yeah, you will find your dancing partner. I

0:16:20.400 --> 0:16:22.440
<v Speaker 1>just don't think it's Maggie. I have to say, you

0:16:22.520 --> 0:16:27.200
<v Speaker 1>guys really blew it for me. You know I'm the

0:16:27.280 --> 0:16:30.560
<v Speaker 1>one that was fighting for you. Dude, you're professional. Yeah,

0:16:30.760 --> 0:16:34.400
<v Speaker 1>we're the professionals at blowing it. Yeah, that's why maybe

0:16:34.440 --> 0:16:38.080
<v Speaker 1>we should rename this segment blowing it with Broke and Jeffrey.

0:16:39.240 --> 0:16:42.880
<v Speaker 1>It will get a lot of Google clicks. Okay, text

0:16:42.960 --> 0:16:44.960
<v Speaker 1>into seven eight, five nine two. If you have a

0:16:45.080 --> 0:16:47.520
<v Speaker 1>promising love interest, call us and we'll find a way

0:16:47.560 --> 0:16:50.960
<v Speaker 1>to blow it for Broke and Jeffrey in the morning.

0:16:51.160 --> 0:16:53.480
<v Speaker 1>I feel like if people are bad dancers, and you

0:16:53.640 --> 0:16:57.400
<v Speaker 1>just acknowledge that you're a bad dancer, you're five hundred

0:16:57.520 --> 0:17:01.160
<v Speaker 1>percent more likely to get another day. Yeah. Absolutely, Like

0:17:01.240 --> 0:17:03.240
<v Speaker 1>if you're oh, I suck but I love it, Yeah,

0:17:03.280 --> 0:17:05.359
<v Speaker 1>you just make fun of yourself for it. But if

0:17:05.440 --> 0:17:07.639
<v Speaker 1>you deny it and you fight it and you have

0:17:07.720 --> 0:17:11.679
<v Speaker 1>no self awareness, that's not attractive. Fringe, And that's why

0:17:11.760 --> 0:17:14.040
<v Speaker 1>one of our listeners, Nate, had such a hard time

0:17:14.119 --> 0:17:19.240
<v Speaker 1>getting another date. He doesn't take criticism. Well, no, but

0:17:19.400 --> 0:17:21.960
<v Speaker 1>I do appreciate a man who loves to dance. Sure,

0:17:22.119 --> 0:17:27.200
<v Speaker 1>even if they're terrible. I love it. Dance revolution. Yeah,

0:17:28.080 --> 0:17:30.440
<v Speaker 1>they have fun with it. But wasn't having fun. He

0:17:30.560 --> 0:17:33.000
<v Speaker 1>was very serious. Yeah. If he didn't ignore his date

0:17:33.040 --> 0:17:34.960
<v Speaker 1>the entire time, I would have been fine with it,

0:17:35.320 --> 0:17:38.520
<v Speaker 1>you know. Yeah, But unfortunately he did all the things wrong,

0:17:38.920 --> 0:17:42.320
<v Speaker 1>and so that's why Nate ended up dateless by the

0:17:42.480 --> 0:17:44.800
<v Speaker 1>end of this second date. Does anyone else want to

0:17:44.840 --> 0:17:51.159
<v Speaker 1>go play some DDR with me, though flip flops right now.

0:17:51.200 --> 0:17:57.280
<v Speaker 1>That wouldn't work for dance dance. Remember, if you want

0:17:57.320 --> 0:17:59.920
<v Speaker 1>to get a second date update, email the show. We'll

0:18:00.080 --> 0:18:01.520
<v Speaker 1>call the person into us and calling you back