1 00:00:01,200 --> 00:00:05,760 Speaker 1: Second date of dating. In the dating world, is it 2 00:00:05,840 --> 00:00:09,920 Speaker 1: easier to meet someone at a wedding or is it harder? Oh? Oh, 3 00:00:10,360 --> 00:00:13,640 Speaker 1: that is a tough question because people, I've always found 4 00:00:13,640 --> 00:00:17,279 Speaker 1: it harder personally. I mean, you go up there, you 5 00:00:17,360 --> 00:00:20,560 Speaker 1: deliver a great pickup line, compliment the girl on her 6 00:00:20,600 --> 00:00:25,160 Speaker 1: beautiful white dress, going for the kiss. I'm getting thrown out. 7 00:00:26,520 --> 00:00:31,840 Speaker 1: Yeah for putting myself out there. I'm sorry one of 8 00:00:31,840 --> 00:00:34,880 Speaker 1: our listeners, and Nate agrees with me because he says 9 00:00:34,960 --> 00:00:37,239 Speaker 1: he met a girl at a wedding and apparently was 10 00:00:37,440 --> 00:00:41,000 Speaker 1: not as easy as he expected it to be. Nate, 11 00:00:41,159 --> 00:00:43,639 Speaker 1: Welcome to the show. How you doing, man, how's it going? 12 00:00:43,880 --> 00:00:46,280 Speaker 1: Please don't tell me it was a bride, the mother 13 00:00:46,360 --> 00:00:49,559 Speaker 1: in law, any of it. Yeah. I mean, god, it's 14 00:00:49,560 --> 00:00:52,000 Speaker 1: a crazy story. I oh my god. Wait was it 15 00:00:52,080 --> 00:00:55,760 Speaker 1: someone that was single that you met? She was single? Yeah? Okay, 16 00:00:55,880 --> 00:00:59,320 Speaker 1: brides are technically single until they say I do. They're 17 00:00:59,360 --> 00:01:03,640 Speaker 1: not being engaged to someone else who doesn't qualify you 18 00:01:03,680 --> 00:01:07,160 Speaker 1: as single. Okay, Well that's good to know. Yeah, I've 19 00:01:07,240 --> 00:01:09,399 Speaker 1: learned something here. But go ahead and name who who 20 00:01:09,480 --> 00:01:11,720 Speaker 1: is the woman that she met? What's her name? Okay? 21 00:01:11,720 --> 00:01:15,399 Speaker 1: Her name is Meg? Okay, mega, okay, And I figured 22 00:01:15,480 --> 00:01:23,360 Speaker 1: bringing the professionals, I need help with the situations, okay. 23 00:01:25,520 --> 00:01:27,720 Speaker 1: And did you notice Meg right away at the wedding? 24 00:01:28,080 --> 00:01:30,319 Speaker 1: I did notice her right away. I saw her sitting 25 00:01:30,360 --> 00:01:33,000 Speaker 1: in one of the pews across the aisle, and I'm like, oh, wow, okay, 26 00:01:33,120 --> 00:01:35,479 Speaker 1: she's really attractive. I should try to talk to her. 27 00:01:35,480 --> 00:01:38,479 Speaker 1: And it was pretty much a struggle to even get 28 00:01:38,520 --> 00:01:42,319 Speaker 1: to meet her. What was your strategy to meet her? Well? 29 00:01:42,400 --> 00:01:44,040 Speaker 1: I was first. I was like, oh, maybe we'll be 30 00:01:44,080 --> 00:01:47,560 Speaker 1: at the same table, but of course we weren't. So 31 00:01:47,640 --> 00:01:50,760 Speaker 1: I was actually trying to switch with somebody, like a 32 00:01:50,800 --> 00:01:55,120 Speaker 1: single person at her table. Actually was able to move 33 00:01:55,160 --> 00:01:57,840 Speaker 1: one table closer, but I was still a table too 34 00:01:57,880 --> 00:01:59,720 Speaker 1: far away. And then I was trying to do another 35 00:01:59,760 --> 00:02:02,200 Speaker 1: table over and that didn't work. You can't do that 36 00:02:02,240 --> 00:02:04,160 Speaker 1: at a moundy. Do you know how much time and 37 00:02:04,280 --> 00:02:09,160 Speaker 1: energy goes into like eating charge? Yes? So much. Yeah, 38 00:02:09,200 --> 00:02:13,200 Speaker 1: I was eating the fish. I didn't order the fish. 39 00:02:13,880 --> 00:02:16,400 Speaker 1: At this point, you're just taking someone else's chair, So 40 00:02:16,480 --> 00:02:19,880 Speaker 1: you your table hopping, slowly making your way closer and 41 00:02:19,960 --> 00:02:22,800 Speaker 1: closer to her table. Did you ever make it? I 42 00:02:22,919 --> 00:02:25,360 Speaker 1: never made it to your table. You just wait till 43 00:02:25,400 --> 00:02:28,040 Speaker 1: she's up at the bar and then time your drink 44 00:02:28,080 --> 00:02:30,519 Speaker 1: at the same time as hers or yeah, right, that's 45 00:02:30,520 --> 00:02:33,240 Speaker 1: exactly what happened. It's so great. Okay. It feels almost 46 00:02:33,240 --> 00:02:35,400 Speaker 1: like you were trying too hard, like it could have 47 00:02:35,440 --> 00:02:39,400 Speaker 1: probably happened organically. Saw you really trying to force it. 48 00:02:39,639 --> 00:02:42,240 Speaker 1: If she saw each table you getting closer and closer, 49 00:02:42,919 --> 00:02:45,239 Speaker 1: that wouldn't be a little bit creepy. Yeah, like the terminator, 50 00:02:45,240 --> 00:02:47,720 Speaker 1: I'm like anything. So was there ever a moment when 51 00:02:47,720 --> 00:02:49,560 Speaker 1: you were able to get some one on one time 52 00:02:49,560 --> 00:02:51,800 Speaker 1: with her? Yeah, finally at the bar. I hear at 53 00:02:51,800 --> 00:02:54,160 Speaker 1: the bar because she's my mom made okay, and I 54 00:02:54,240 --> 00:02:55,919 Speaker 1: go up there and then I tell her that I 55 00:02:55,960 --> 00:02:58,359 Speaker 1: actually have to talk to the groom, which you mind 56 00:02:58,400 --> 00:03:01,520 Speaker 1: bringing the drink over to our table. Oh, he made 57 00:03:01,520 --> 00:03:04,440 Speaker 1: her your waitress for the night. Yeah that was my movie. Yeah, 58 00:03:04,440 --> 00:03:07,640 Speaker 1: I made her my waitress. That's a terrible blue wow. 59 00:03:07,800 --> 00:03:10,080 Speaker 1: I mean, I mean, yeah, I would love if someone 60 00:03:10,200 --> 00:03:14,440 Speaker 1: that's me. He didn't work. It did work? Oh oh wow? Right, 61 00:03:14,520 --> 00:03:17,400 Speaker 1: So she brought the drink over to the table and 62 00:03:17,440 --> 00:03:18,960 Speaker 1: that was cool. So we were able to talk for 63 00:03:19,000 --> 00:03:21,680 Speaker 1: a little bit, you know, obviously we knew common people 64 00:03:21,800 --> 00:03:24,240 Speaker 1: and it went well. And then I was like, hey, 65 00:03:24,240 --> 00:03:26,919 Speaker 1: would you like to get dinner sometime? And she was 66 00:03:26,960 --> 00:03:29,720 Speaker 1: actually a little surprised. I guess that like I was 67 00:03:29,800 --> 00:03:32,160 Speaker 1: hitting on her at the wedding you know, so stereotypical, 68 00:03:32,280 --> 00:03:34,560 Speaker 1: but oh she didn't pick up that you were hitting 69 00:03:34,560 --> 00:03:36,800 Speaker 1: on her at first, and then finally was like, oh, 70 00:03:36,800 --> 00:03:41,200 Speaker 1: oh wait a minute, like you yeah, yeah, okay, So 71 00:03:41,200 --> 00:03:43,760 Speaker 1: so the wedding night was not considered the actual date 72 00:03:44,560 --> 00:03:48,240 Speaker 1: right now? That was the yeah, that was the meetings. Wow, okay, 73 00:03:48,280 --> 00:03:50,480 Speaker 1: so what was the date? Like, hopefully you didn't make 74 00:03:50,480 --> 00:03:55,040 Speaker 1: her your waitress there too, right though, exactly? So we 75 00:03:55,040 --> 00:03:57,960 Speaker 1: went out for dinner and uh, that went really well, 76 00:03:58,000 --> 00:04:00,080 Speaker 1: Like we got to know each other, like chatted a 77 00:04:00,120 --> 00:04:02,400 Speaker 1: bit and we had some fun and uh what was 78 00:04:02,440 --> 00:04:05,000 Speaker 1: the vibe? Like were you nervous? I mean on her 79 00:04:05,040 --> 00:04:08,240 Speaker 1: side and your side? Well, she actually called me out, 80 00:04:08,320 --> 00:04:10,840 Speaker 1: she said, did you stage that whole waitress thing? Did 81 00:04:10,840 --> 00:04:13,120 Speaker 1: you just to meet me? She pulled me out, and 82 00:04:13,280 --> 00:04:15,040 Speaker 1: I actually I was like, yeah I did. But it 83 00:04:15,120 --> 00:04:18,200 Speaker 1: started out really good. We were being playful with each other. Yeah, 84 00:04:18,440 --> 00:04:20,320 Speaker 1: And it's a good sign when somebody can give you 85 00:04:20,360 --> 00:04:22,800 Speaker 1: crap you know, like, yeah, and you can take it, 86 00:04:22,920 --> 00:04:25,240 Speaker 1: you give it back like that's a good dynamic. Someone's 87 00:04:25,320 --> 00:04:29,000 Speaker 1: laughing at your creepiness. Then there's a moment. So how 88 00:04:29,000 --> 00:04:30,840 Speaker 1: did the rest of the night go? Well? Okay, So 89 00:04:30,880 --> 00:04:33,720 Speaker 1: then she did say that she talked to the bride 90 00:04:33,760 --> 00:04:37,320 Speaker 1: about me, and she wouldn't say exactly what she said, 91 00:04:37,320 --> 00:04:39,560 Speaker 1: but she just said that I would be trouble. No, 92 00:04:39,880 --> 00:04:42,000 Speaker 1: wait are you? I mean at the wedding. Were you 93 00:04:42,040 --> 00:04:44,039 Speaker 1: the groom's friend or the bride's friend I didn't know, 94 00:04:44,279 --> 00:04:48,200 Speaker 1: or both the groom's friend. Why would she say that 95 00:04:48,240 --> 00:04:52,279 Speaker 1: your trouble because obviously don't know you. I'm such a 96 00:04:52,320 --> 00:04:56,680 Speaker 1: great guy, I don't I have no idea. Yeah, I 97 00:04:56,680 --> 00:04:58,640 Speaker 1: mean typically, like if I were to say that about 98 00:04:58,680 --> 00:05:00,919 Speaker 1: one of my husband's buddies, it's be because they drink 99 00:05:00,960 --> 00:05:04,479 Speaker 1: a lot there with multiple different women all the time, 100 00:05:05,160 --> 00:05:10,520 Speaker 1: very attractive qualities. Yeah, like you know you. Yeah, there's 101 00:05:10,520 --> 00:05:12,840 Speaker 1: a rumor about you. Well, how did the date end? 102 00:05:13,440 --> 00:05:15,240 Speaker 1: So then it was the next stage. We went to 103 00:05:15,279 --> 00:05:19,200 Speaker 1: one of those arcade bar places, so it continued. She 104 00:05:19,279 --> 00:05:21,400 Speaker 1: was still into it. Okay, So we were having fun 105 00:05:21,440 --> 00:05:24,680 Speaker 1: there and then she kissed me in front of street Fighter. 106 00:05:24,920 --> 00:05:32,600 Speaker 1: Oh does that mean something? It's interesting the way that 107 00:05:32,640 --> 00:05:35,919 Speaker 1: you said it, though you said she kissed you, is that? 108 00:05:36,080 --> 00:05:37,479 Speaker 1: Is that what it was? She kissed you at the 109 00:05:37,480 --> 00:05:40,000 Speaker 1: street fighter? Or did you kiss her? Okay? Well I 110 00:05:40,080 --> 00:05:42,560 Speaker 1: kissed her, but she kissed me back, okay, okay, so 111 00:05:42,560 --> 00:05:44,920 Speaker 1: it was your move, it wasn't her move, all right, right, 112 00:05:44,960 --> 00:05:48,680 Speaker 1: so it was just typical. And did you make any 113 00:05:48,720 --> 00:05:51,040 Speaker 1: plans to see each other again? We were just like, oh, 114 00:05:51,040 --> 00:05:54,080 Speaker 1: we'll talk and we'll set up something. And then, of 115 00:05:54,120 --> 00:05:56,320 Speaker 1: course this is what I'm calling. I haven't heard from 116 00:05:56,320 --> 00:05:58,880 Speaker 1: her since she hasn't responded to any texts. You have 117 00:05:58,880 --> 00:06:01,120 Speaker 1: text or probably three or four times. Maybe she talked 118 00:06:01,120 --> 00:06:08,000 Speaker 1: to the bride again. Yeah, yeah, we'll find out what 119 00:06:08,040 --> 00:06:10,120 Speaker 1: really happened. We're gonna play a song, we'll come back, 120 00:06:10,360 --> 00:06:12,240 Speaker 1: we'll call Meg for you, and we'll try and get 121 00:06:12,240 --> 00:06:14,680 Speaker 1: your second date up date. All right, Yeah, that's great things, 122 00:06:14,680 --> 00:06:19,920 Speaker 1: all right, Nate, hold one. When you think of the 123 00:06:19,920 --> 00:06:24,920 Speaker 1: most romantic Hollywood moments of all time, there's Jack and 124 00:06:25,080 --> 00:06:29,080 Speaker 1: Rose kissing on the bow with a Titanic Noah and 125 00:06:29,160 --> 00:06:33,039 Speaker 1: Ali's passionate kiss in the rain from the Notebook, and 126 00:06:33,160 --> 00:06:36,360 Speaker 1: of course our listener Nate and his date Meg swapping 127 00:06:36,400 --> 00:06:44,120 Speaker 1: saliva in front of the street Fighter video. Hey, that's 128 00:06:44,160 --> 00:06:51,839 Speaker 1: the sound of their tongues punching each other anyway. But 129 00:06:52,160 --> 00:06:54,560 Speaker 1: one of our listeners, Nate had a nice dinner date 130 00:06:54,600 --> 00:06:57,200 Speaker 1: with a girl named Meg, followed by a little arcade action, 131 00:06:57,480 --> 00:07:00,839 Speaker 1: but afterwards she's been blowing him off and he wants 132 00:07:00,880 --> 00:07:03,960 Speaker 1: to know why. So, Nate, how you feeling before we 133 00:07:04,000 --> 00:07:07,320 Speaker 1: call her? I'm so really good honestly. I mean, I 134 00:07:07,320 --> 00:07:09,320 Speaker 1: hate to say this, but I'm thinking she could be 135 00:07:09,360 --> 00:07:15,720 Speaker 1: the one. WHOA, that's pretty quick. I mean, I just 136 00:07:15,960 --> 00:07:17,920 Speaker 1: we just didn't get that sense from the you know, 137 00:07:18,160 --> 00:07:20,360 Speaker 1: talking to you a second ago. No, No, I really 138 00:07:20,400 --> 00:07:23,200 Speaker 1: love I love her. Whoa, you just set it again. 139 00:07:24,440 --> 00:07:27,960 Speaker 1: I mean I love being with her. Oh wow. Okay, Okay, 140 00:07:28,000 --> 00:07:30,200 Speaker 1: So now I'm started to think the reason she's not 141 00:07:30,240 --> 00:07:32,880 Speaker 1: calling you is maybe you came on too strong. Yeah, okay, 142 00:07:32,880 --> 00:07:34,360 Speaker 1: I never say anything like that in front of her. 143 00:07:34,440 --> 00:07:37,680 Speaker 1: I'm just feeling really positive. Okay, Okay. There's a lot 144 00:07:37,760 --> 00:07:40,440 Speaker 1: writing on this now, so up. It makes me want 145 00:07:40,480 --> 00:07:42,160 Speaker 1: to make in front of a street Fighter machine though, 146 00:07:42,240 --> 00:07:43,960 Speaker 1: I'm going to get those types of feelings. That's what 147 00:07:44,000 --> 00:07:47,000 Speaker 1: I'm worried. I need to bring a machine around with me. Okay, No, 148 00:07:47,120 --> 00:07:50,840 Speaker 1: don't do that. That doesn't make sense. I think. Yeah, 149 00:07:50,840 --> 00:07:53,320 Speaker 1: we all need to stop talking and just call up 150 00:07:53,360 --> 00:07:55,320 Speaker 1: Meg and figure out what's going on. You ready, man, 151 00:07:55,520 --> 00:07:57,960 Speaker 1: I'm ready. Okay, here we go. I'm a dollar number 152 00:07:58,040 --> 00:08:11,400 Speaker 1: right now. Hello, Hey, I'm looking for Meg. Um. This 153 00:08:11,480 --> 00:08:16,200 Speaker 1: is Maggie. Who who's calling Maggie? Oh? Is that is 154 00:08:16,360 --> 00:08:21,120 Speaker 1: mag Do you go by Meg? Ever? Um? My friends 155 00:08:21,360 --> 00:08:23,760 Speaker 1: call me Meg, but I don't know who you are. 156 00:08:28,840 --> 00:08:31,920 Speaker 1: I mean, hopefully we can do after we're done with this. 157 00:08:31,960 --> 00:08:34,160 Speaker 1: But we're calling on behalf of one of our listeners 158 00:08:34,440 --> 00:08:38,440 Speaker 1: who went out on a date with you recently. Okay, again, 159 00:08:38,559 --> 00:08:42,079 Speaker 1: still awkward and not really sure? Like okay, that's pretty 160 00:08:42,080 --> 00:08:44,520 Speaker 1: part for the course with these we're doing something called 161 00:08:44,520 --> 00:08:46,600 Speaker 1: a second date update. That's where if you go out 162 00:08:46,640 --> 00:08:49,000 Speaker 1: with someone and afterwards, if that person isn't calling you back, 163 00:08:49,280 --> 00:08:51,920 Speaker 1: you can email our show for help and we'll reach 164 00:08:51,960 --> 00:08:53,360 Speaker 1: out to them for you to help you figure out 165 00:08:53,360 --> 00:08:56,320 Speaker 1: the reason why. And so the listener that we're calling for. 166 00:08:56,400 --> 00:09:01,920 Speaker 1: His name is Nate. Oh yeah, I know Nate. Ate. Okay, 167 00:09:01,920 --> 00:09:04,520 Speaker 1: do you like Nate? Maybe I should just say how 168 00:09:04,559 --> 00:09:11,360 Speaker 1: do you feel about Nate. I mean, Nate's a funny guy. Yeah, 169 00:09:11,400 --> 00:09:13,440 Speaker 1: we didn't speak with Nate a little bit earlier, and 170 00:09:13,920 --> 00:09:16,040 Speaker 1: he told us all about how you guys met. He 171 00:09:16,080 --> 00:09:17,920 Speaker 1: told us about your dinner date and go into the 172 00:09:18,000 --> 00:09:20,560 Speaker 1: arcade together, and he said there was even a kiss 173 00:09:20,640 --> 00:09:21,960 Speaker 1: that you guys had at the end of the night. 174 00:09:22,160 --> 00:09:24,720 Speaker 1: So from our end, it all sounded pretty good. He's 175 00:09:24,760 --> 00:09:27,040 Speaker 1: a little bit confused why afterwards you're not calling him 176 00:09:27,040 --> 00:09:29,880 Speaker 1: back though. I mean, he's a nice guy and all, 177 00:09:29,920 --> 00:09:32,679 Speaker 1: and like we did have a pretty fun date. I 178 00:09:32,720 --> 00:09:37,079 Speaker 1: just wasn't sure. I'm not sure how to proceed. I'm 179 00:09:37,120 --> 00:09:39,400 Speaker 1: not really sure if I want to pursue it. So 180 00:09:39,640 --> 00:09:42,520 Speaker 1: that's why I've just kind of been like radio is silent. 181 00:09:42,640 --> 00:09:45,160 Speaker 1: I just don't want to give the wrong impression or 182 00:09:45,160 --> 00:09:47,280 Speaker 1: the wrong idea to him. Can I ask? Because he 183 00:09:47,360 --> 00:09:50,560 Speaker 1: did mention that you told him that the bride of 184 00:09:50,600 --> 00:09:53,880 Speaker 1: the wedding said that he was trouble. Is that what 185 00:09:53,920 --> 00:09:56,400 Speaker 1: you're referring to? I mean, is it just because of 186 00:09:56,440 --> 00:10:00,360 Speaker 1: something she told you. I don't want to embarrass him, because, 187 00:10:00,400 --> 00:10:03,200 Speaker 1: like I said, she's a nice guy. He's a funny dude. Well, 188 00:10:03,240 --> 00:10:05,600 Speaker 1: he probably wants to know, Like if somebody was saying 189 00:10:05,640 --> 00:10:08,760 Speaker 1: stuff behind your bad yeah, you know, warning people about you, 190 00:10:08,760 --> 00:10:10,800 Speaker 1: you'd want to know what they were saying and to 191 00:10:10,880 --> 00:10:12,960 Speaker 1: defend a little bit. A lot of time, rumors aren't 192 00:10:12,960 --> 00:10:15,559 Speaker 1: exactly that it could be not even true. Yeah, totally. 193 00:10:15,840 --> 00:10:19,280 Speaker 1: This isn't a rumor. This was like one true. I 194 00:10:19,320 --> 00:10:22,480 Speaker 1: saw it with my own eyes. She saw it, so 195 00:10:22,559 --> 00:10:25,599 Speaker 1: she warned you. What did you see at first? But 196 00:10:25,760 --> 00:10:27,240 Speaker 1: she was like, you know, you gotta be cautious. I'm like, 197 00:10:27,240 --> 00:10:28,680 Speaker 1: oh my god, if he a criminal, does he have 198 00:10:28,679 --> 00:10:32,520 Speaker 1: a record. Yeah, but it wasn't that. It may be 199 00:10:32,600 --> 00:10:36,920 Speaker 1: worse depending just how you look at it. She told 200 00:10:36,920 --> 00:10:42,160 Speaker 1: me that he loves to dance, but he is terrible, 201 00:10:42,640 --> 00:10:45,640 Speaker 1: Like he's a terrible dancer, but just doesn't like he's 202 00:10:45,679 --> 00:10:50,640 Speaker 1: so oblivious about how bad he is. Oh, I don't 203 00:10:50,640 --> 00:10:53,320 Speaker 1: think there could be Like, dude, if people love to dance, like, 204 00:10:53,400 --> 00:10:55,240 Speaker 1: just let him dance. Who cares if it looks like 205 00:10:55,280 --> 00:10:59,280 Speaker 1: an idiot? Do you want to date that person? What 206 00:10:59,320 --> 00:11:01,720 Speaker 1: do you want? That person is so fun at a party, 207 00:11:01,880 --> 00:11:04,640 Speaker 1: Like everybody loves that person, no matter how terrible they 208 00:11:10,160 --> 00:11:11,959 Speaker 1: So you saw what you saw him dance at the 209 00:11:12,000 --> 00:11:14,120 Speaker 1: wedding before you said yes to a date. But the 210 00:11:14,120 --> 00:11:16,920 Speaker 1: difference is Brooke knows that she's like a mediocre dancer. 211 00:11:17,160 --> 00:11:20,800 Speaker 1: The bride says that he's oblivious to it. But but 212 00:11:20,840 --> 00:11:22,960 Speaker 1: you said yes after you saw him dance at the wedding. 213 00:11:23,400 --> 00:11:25,760 Speaker 1: I didn't really see him dancing that much at the 214 00:11:25,800 --> 00:11:28,400 Speaker 1: wedding because there's a lot going on, a lot of 215 00:11:28,440 --> 00:11:31,560 Speaker 1: people are dancing. Yeah, so wait, when did you see 216 00:11:31,640 --> 00:11:34,360 Speaker 1: him dance then? So we went obviously, you know, we 217 00:11:34,400 --> 00:11:38,680 Speaker 1: went to an arcade bar, and of course they had 218 00:11:38,800 --> 00:11:44,480 Speaker 1: dance dance Revolution. This is the whole realm of dancing. 219 00:11:46,160 --> 00:11:49,120 Speaker 1: But nobody's nobody looks good when they do dd. They 220 00:11:49,160 --> 00:11:51,040 Speaker 1: look like idiots. I mean, it's just like stepped up. 221 00:11:51,679 --> 00:11:53,640 Speaker 1: Oh my god. Like when he saw he was like 222 00:11:53,679 --> 00:11:55,719 Speaker 1: a well Kim at Canning Sports, like, oh my god, 223 00:11:55,760 --> 00:11:57,160 Speaker 1: oh my god, oh my god, we have to play 224 00:11:57,160 --> 00:11:59,960 Speaker 1: and we have to play. That's like twenty thirty minutes. 225 00:12:00,520 --> 00:12:04,319 Speaker 1: He is just like going to town. Oh no, was 226 00:12:04,400 --> 00:12:11,520 Speaker 1: he so sweaty? He was? It was just so bad. 227 00:12:12,679 --> 00:12:14,959 Speaker 1: Like he's just kept getting these really low scores and 228 00:12:15,040 --> 00:12:19,000 Speaker 1: he's like, I do understand what's happening. He's not doing well. 229 00:12:20,120 --> 00:12:22,240 Speaker 1: So wait, you just sat there and watched him do 230 00:12:22,360 --> 00:12:26,400 Speaker 1: this for twenty to thirty minutes. I felt like so 231 00:12:26,760 --> 00:12:29,280 Speaker 1: like people are looking. I felt awkward. How do you 232 00:12:29,360 --> 00:12:32,040 Speaker 1: tell someone like maybe we should stop? Like at one point, 233 00:12:32,080 --> 00:12:35,120 Speaker 1: I watched the bar to replyished my drink. Oh no, 234 00:12:35,280 --> 00:12:37,120 Speaker 1: like you go, you go, you get yourself down to drink. 235 00:12:37,200 --> 00:12:45,280 Speaker 1: He's like, I don't want to lose my game. Yeah, 236 00:12:45,360 --> 00:12:47,720 Speaker 1: I'll defend a bad dancer forever. But that, I mean, 237 00:12:47,800 --> 00:12:50,439 Speaker 1: it's almost like borderline rude. Yeah, he's ignoring you for 238 00:12:50,679 --> 00:12:53,480 Speaker 1: thirty minutes. I don't think he probably didn't even realize. 239 00:12:53,600 --> 00:12:56,120 Speaker 1: Yeah he was doing that. But I think maybe we 240 00:12:56,240 --> 00:12:58,560 Speaker 1: could find out by asking him. Because Meg, I need 241 00:12:58,600 --> 00:13:01,000 Speaker 1: to tell you or sorry, excuse me, Maggie. I know 242 00:13:01,080 --> 00:13:04,559 Speaker 1: we're not friends yet, Maggie, I need to let you 243 00:13:04,640 --> 00:13:08,240 Speaker 1: know we are. Nate's been on the other line listening 244 00:13:08,440 --> 00:13:12,520 Speaker 1: and he wants to talk to you. Oh, oh god, 245 00:13:12,760 --> 00:13:14,520 Speaker 1: I am on the other line, and I will say 246 00:13:14,640 --> 00:13:20,319 Speaker 1: that you were getting some terrible scores yourself. Oh why 247 00:13:20,360 --> 00:13:22,480 Speaker 1: are you being defensive? Dude need to come in like 248 00:13:22,559 --> 00:13:25,480 Speaker 1: that because we ragged on his DDR skills the claws come. 249 00:13:26,760 --> 00:13:29,439 Speaker 1: I mean, I don't even take it that seriously, Like 250 00:13:29,640 --> 00:13:34,280 Speaker 1: I wasset about getting low scores, like you were devastated 251 00:13:34,360 --> 00:13:36,800 Speaker 1: that you were getting low scores on Dance Dance Revolution, 252 00:13:36,920 --> 00:13:39,240 Speaker 1: Like there's a bigger difference. I don't know. I mean, 253 00:13:39,240 --> 00:13:40,959 Speaker 1: you're acting like you should be on Dancing with the 254 00:13:41,000 --> 00:13:43,120 Speaker 1: Stars or something, and that's not the case. I'm not. 255 00:13:43,280 --> 00:13:46,640 Speaker 1: I mean, I don't. I'm not. I don't think I 256 00:13:46,679 --> 00:13:48,760 Speaker 1: should be on Dancing with the Stars. I'm not thinking 257 00:13:51,520 --> 00:13:53,439 Speaker 1: so I don't even think that matters. I think what 258 00:13:53,600 --> 00:13:56,000 Speaker 1: matters is you were more concentrated on this game for 259 00:13:56,160 --> 00:13:58,040 Speaker 1: half an hour than your date. You center to the 260 00:13:58,120 --> 00:14:00,959 Speaker 1: bar by yourself to get it. I don't think it 261 00:14:01,040 --> 00:14:03,079 Speaker 1: did well. Let's thinking a good strict I am a 262 00:14:03,120 --> 00:14:07,559 Speaker 1: great dancer. Okay, your scorer on the game would beg 263 00:14:07,640 --> 00:14:14,040 Speaker 1: to differ, but that game was a polish. One of 264 00:14:14,080 --> 00:14:19,280 Speaker 1: the senses is broken. Okay, Okay, I think we're learning 265 00:14:19,320 --> 00:14:21,080 Speaker 1: a lot more about how gonna tell you something. It 266 00:14:21,200 --> 00:14:24,000 Speaker 1: definitely wasn't broken because the person who like went right 267 00:14:24,080 --> 00:14:27,560 Speaker 1: before him before this whole thing started, that a really 268 00:14:27,640 --> 00:14:31,520 Speaker 1: high score. Its because he works there. Okay, he thought 269 00:14:31,560 --> 00:14:34,400 Speaker 1: they're all us. He knows the senses not working right, 270 00:14:34,440 --> 00:14:37,480 Speaker 1: he knows how to use it. Okay, I think we're 271 00:14:37,560 --> 00:14:40,080 Speaker 1: missing the point of this. Hall. I thought you wanted 272 00:14:40,120 --> 00:14:41,960 Speaker 1: to go out with her again. Remember how much you 273 00:14:42,120 --> 00:14:45,600 Speaker 1: like her? You really like her? Yes, well, I'm actually 274 00:14:45,640 --> 00:14:47,760 Speaker 1: doesn't seem to like my dancing. I mean, now what, 275 00:14:49,640 --> 00:14:51,720 Speaker 1: It's not even just about the dancing anymore. It's just 276 00:14:51,800 --> 00:14:54,360 Speaker 1: about the delusion right now that I'm listening to. Okay, 277 00:14:55,600 --> 00:14:58,000 Speaker 1: I'm a great dancer. There's nothing delusional about that. So 278 00:14:58,120 --> 00:15:01,560 Speaker 1: to be clear, if he had scored higher once revolution game, 279 00:15:01,640 --> 00:15:04,160 Speaker 1: then you would be interested. I don't think any score 280 00:15:04,200 --> 00:15:06,040 Speaker 1: would really impress the I mean, the fact of the 281 00:15:06,120 --> 00:15:08,320 Speaker 1: matter is, I was pretty much ignored for such a 282 00:15:08,360 --> 00:15:10,600 Speaker 1: good amount of time. I just really don't understand, like 283 00:15:10,720 --> 00:15:13,480 Speaker 1: how you could ignore your date to just try to 284 00:15:13,560 --> 00:15:16,080 Speaker 1: get the highest score possible and not realize, like when 285 00:15:16,120 --> 00:15:19,000 Speaker 1: you're constantly failing, Like you know, I really, I'm no, 286 00:15:19,120 --> 00:15:21,480 Speaker 1: I'm gonna send videos of me dancing you can see, 287 00:15:21,920 --> 00:15:24,560 Speaker 1: but a dance for you. Okay, I'm going to block 288 00:15:24,640 --> 00:15:30,040 Speaker 1: your number right now. Listen. I don't take so much offense. 289 00:15:30,120 --> 00:15:31,960 Speaker 1: You know, dancings like art, it's in the eye of 290 00:15:32,000 --> 00:15:34,640 Speaker 1: the beholder. Look, man, if I was you, I would 291 00:15:34,680 --> 00:15:37,120 Speaker 1: not listen to Brooks. She's a really, really bad dancer. 292 00:15:37,200 --> 00:15:40,600 Speaker 1: I would just stop the dancing altogether and focus on 293 00:15:40,720 --> 00:15:44,280 Speaker 1: the relationship. If you guys have a connection, that's what 294 00:15:44,440 --> 00:15:47,080 Speaker 1: we need to be focusing on. There is no relationship. 295 00:15:47,200 --> 00:15:50,920 Speaker 1: There's no connection, there's nothing like. I'm done. I just 296 00:15:51,640 --> 00:15:54,200 Speaker 1: we'll hold on before you're done. I do need to 297 00:15:54,280 --> 00:15:55,880 Speaker 1: ask you if you would like to go out on 298 00:15:55,960 --> 00:15:59,600 Speaker 1: another date with names. We'll pay for dancing. There won't 299 00:15:59,640 --> 00:16:02,560 Speaker 1: be any dancing. I don't think anything you can't hear 300 00:16:02,680 --> 00:16:06,520 Speaker 1: see that? Yeah, who knows. He could take me to 301 00:16:06,600 --> 00:16:08,720 Speaker 1: a restaurant and next thing I know, there's a dance 302 00:16:08,720 --> 00:16:11,920 Speaker 1: floor opening up. You would be so wealthy if dancefloor 303 00:16:11,960 --> 00:16:13,520 Speaker 1: opened up in the middle of a restaurant and we 304 00:16:13,600 --> 00:16:20,280 Speaker 1: were there. Yeah, you will find your dancing partner. I 305 00:16:20,400 --> 00:16:22,440 Speaker 1: just don't think it's Maggie. I have to say, you 306 00:16:22,520 --> 00:16:27,200 Speaker 1: guys really blew it for me. You know I'm the 307 00:16:27,280 --> 00:16:30,560 Speaker 1: one that was fighting for you. Dude, you're professional. Yeah, 308 00:16:30,760 --> 00:16:34,400 Speaker 1: we're the professionals at blowing it. Yeah, that's why maybe 309 00:16:34,440 --> 00:16:38,080 Speaker 1: we should rename this segment blowing it with Broke and Jeffrey. 310 00:16:39,240 --> 00:16:42,880 Speaker 1: It will get a lot of Google clicks. Okay, text 311 00:16:42,960 --> 00:16:44,960 Speaker 1: into seven eight, five nine two. If you have a 312 00:16:45,080 --> 00:16:47,520 Speaker 1: promising love interest, call us and we'll find a way 313 00:16:47,560 --> 00:16:50,960 Speaker 1: to blow it for Broke and Jeffrey in the morning. 314 00:16:51,160 --> 00:16:53,480 Speaker 1: I feel like if people are bad dancers, and you 315 00:16:53,640 --> 00:16:57,400 Speaker 1: just acknowledge that you're a bad dancer, you're five hundred 316 00:16:57,520 --> 00:17:01,160 Speaker 1: percent more likely to get another day. Yeah. Absolutely, Like 317 00:17:01,240 --> 00:17:03,240 Speaker 1: if you're oh, I suck but I love it, Yeah, 318 00:17:03,280 --> 00:17:05,359 Speaker 1: you just make fun of yourself for it. But if 319 00:17:05,440 --> 00:17:07,639 Speaker 1: you deny it and you fight it and you have 320 00:17:07,720 --> 00:17:11,679 Speaker 1: no self awareness, that's not attractive. Fringe, And that's why 321 00:17:11,760 --> 00:17:14,040 Speaker 1: one of our listeners, Nate, had such a hard time 322 00:17:14,119 --> 00:17:19,240 Speaker 1: getting another date. He doesn't take criticism. Well, no, but 323 00:17:19,400 --> 00:17:21,960 Speaker 1: I do appreciate a man who loves to dance. Sure, 324 00:17:22,119 --> 00:17:27,200 Speaker 1: even if they're terrible. I love it. Dance revolution. Yeah, 325 00:17:28,080 --> 00:17:30,440 Speaker 1: they have fun with it. But wasn't having fun. He 326 00:17:30,560 --> 00:17:33,000 Speaker 1: was very serious. Yeah. If he didn't ignore his date 327 00:17:33,040 --> 00:17:34,960 Speaker 1: the entire time, I would have been fine with it, 328 00:17:35,320 --> 00:17:38,520 Speaker 1: you know. Yeah, But unfortunately he did all the things wrong, 329 00:17:38,920 --> 00:17:42,320 Speaker 1: and so that's why Nate ended up dateless by the 330 00:17:42,480 --> 00:17:44,800 Speaker 1: end of this second date. Does anyone else want to 331 00:17:44,840 --> 00:17:51,159 Speaker 1: go play some DDR with me, though flip flops right now. 332 00:17:51,200 --> 00:17:57,280 Speaker 1: That wouldn't work for dance dance. Remember, if you want 333 00:17:57,320 --> 00:17:59,920 Speaker 1: to get a second date update, email the show. We'll 334 00:18:00,080 --> 00:18:01,520 Speaker 1: call the person into us and calling you back