1
00:00:19,520 --> 00:00:23,880
Speaker 1: So I've only fallen in love a couple times in

2
00:00:23,960 --> 00:00:27,520
Speaker 1: my life. First with television when I was a kid.

3
00:00:27,880 --> 00:00:28,640
Speaker 2: That was your first love.

4
00:00:28,840 --> 00:00:30,880
Speaker 1: That was my first love, will always be my first love.

5
00:00:31,160 --> 00:00:34,599
Speaker 1: Then Devin Baker in the fifth grade, followed quickly by

6
00:00:34,640 --> 00:00:36,160
Speaker 1: Shannon Shipley in the sixth grade.

7
00:00:36,560 --> 00:00:37,640
Speaker 3: Okay, so you're already.

8
00:00:37,360 --> 00:00:40,040
Speaker 1: Have Jennifer love Hewett when I was like eighteen nineteen

9
00:00:40,080 --> 00:00:43,880
Speaker 1: eight four at four. And then finally what I thought

10
00:00:43,960 --> 00:00:45,839
Speaker 1: was the true love of my life, my wife Susan

11
00:00:47,120 --> 00:00:48,319
Speaker 1: for fifteen years now.

12
00:00:48,440 --> 00:00:50,360
Speaker 2: Oh no, oh no, where is this going?

13
00:00:50,880 --> 00:00:55,120
Speaker 1: But three days ago I rented a Volvo station Wagon,

14
00:00:57,560 --> 00:01:00,920
Speaker 1: and I've never been in love in my life, I

15
00:01:00,960 --> 00:01:04,959
Speaker 1: think as I have been with my old man Volvo

16
00:01:05,000 --> 00:01:05,600
Speaker 1: station Wagon.

17
00:01:05,680 --> 00:01:07,360
Speaker 2: It's old on the second, the best.

18
00:01:07,080 --> 00:01:08,440
Speaker 1: Thing I've ever driven in my life.

19
00:01:08,680 --> 00:01:11,840
Speaker 2: You love minivans?

20
00:01:12,000 --> 00:01:14,280
Speaker 1: I do my minivan. Will want to be a mistress

21
00:01:14,400 --> 00:01:16,679
Speaker 1: because I'm in love with my Vovo station Wagon.

22
00:01:16,760 --> 00:01:20,039
Speaker 2: Wow? Do you love your Volvo station Wagon more than minivans?

23
00:01:21,840 --> 00:01:24,960
Speaker 1: Oh? Wow? It's like, oh my god, it's Sophie's choice.

24
00:01:25,200 --> 00:01:26,840
Speaker 3: You drove an old man car when we were on

25
00:01:26,880 --> 00:01:28,240
Speaker 3: boy Beets World. You drove a.

26
00:01:28,319 --> 00:01:31,960
Speaker 1: Joseph war a wonderful car. That car. But this Volvo

27
00:01:32,000 --> 00:01:35,839
Speaker 1: station Wagon has changed my life. Wow. I don't even

28
00:01:35,880 --> 00:01:37,520
Speaker 1: Susan and I share a car. I don't even need

29
00:01:37,520 --> 00:01:39,760
Speaker 1: a car. And just for the hell of it, I

30
00:01:39,800 --> 00:01:41,440
Speaker 1: think I'm gonna buy a Volvo station Wagon.

31
00:01:41,760 --> 00:01:45,919
Speaker 2: Wow. It's what time is it? Is it an old one?

32
00:01:46,000 --> 00:01:47,560
Speaker 1: Is it a new No, it's like the new one.

33
00:01:47,560 --> 00:01:49,440
Speaker 1: It's like did you I got it? So you know,

34
00:01:49,480 --> 00:01:51,400
Speaker 1: I'm back here in Connecticut. I had to rent a car.

35
00:01:51,680 --> 00:01:54,320
Speaker 1: My mom has some mobility issues, so it had to

36
00:01:54,320 --> 00:01:56,160
Speaker 1: be low to the ground. I couldn't get a mini

37
00:01:56,240 --> 00:01:59,800
Speaker 1: van or an suv, so I went to go rent

38
00:01:59,800 --> 00:02:03,800
Speaker 1: the car and at Bradley International Airport where in Hartford,

39
00:02:04,160 --> 00:02:08,480
Speaker 1: there were two women in their late seventies working at

40
00:02:08,520 --> 00:02:11,760
Speaker 1: the counter and eighty five people in line. Wow. So

41
00:02:11,800 --> 00:02:14,920
Speaker 1: it took like two hours to finally get to my

42
00:02:14,960 --> 00:02:18,079
Speaker 1: rental car. Every third person they were renting the car

43
00:02:18,160 --> 00:02:20,840
Speaker 1: to was coming back going, excuse me, miss, but there's

44
00:02:20,840 --> 00:02:22,520
Speaker 1: no car in the slot that you just gave me

45
00:02:22,560 --> 00:02:25,720
Speaker 1: the number four. No, And so one of the older

46
00:02:25,760 --> 00:02:28,640
Speaker 1: women would then walk out and leave the line to

47
00:02:28,760 --> 00:02:31,639
Speaker 1: go and actually walk to the person. And now there's

48
00:02:31,639 --> 00:02:33,440
Speaker 1: one woman working so it took forever. So we get

49
00:02:33,520 --> 00:02:35,000
Speaker 1: up there and they said, we have an SUV. I said,

50
00:02:35,000 --> 00:02:36,560
Speaker 1: I can't. I can't do an scuv. She said, well,

51
00:02:36,600 --> 00:02:38,320
Speaker 1: why don't we go walk in the parking lot and

52
00:02:38,360 --> 00:02:40,160
Speaker 1: go find the car together? And I was like, so

53
00:02:40,240 --> 00:02:44,440
Speaker 1: now I'm the guy who's taking flow away from or

54
00:02:44,440 --> 00:02:47,120
Speaker 1: Gladys or Agnes whatever her name was, away from all

55
00:02:47,160 --> 00:02:48,560
Speaker 1: the people in line. So we go out and we

56
00:02:48,600 --> 00:02:51,120
Speaker 1: walk out, and we're walking by and it was like

57
00:02:51,880 --> 00:02:56,680
Speaker 1: darkness except for this one ray of sunlight and the

58
00:02:57,840 --> 00:03:03,640
Speaker 1: as this new Volvo station wagon jumped up and wrapped

59
00:03:03,680 --> 00:03:05,760
Speaker 1: itself around my heart and is not letting go, like

60
00:03:05,800 --> 00:03:08,400
Speaker 1: I'm supposed to return it tomorrow, and I'm thinking of

61
00:03:08,600 --> 00:03:10,880
Speaker 1: just driving straight back to Los Angeles and keeping the

62
00:03:10,919 --> 00:03:13,240
Speaker 1: car and if they can find me the car that

63
00:03:13,280 --> 00:03:16,280
Speaker 1: you love to I don't know. It's first of all,

64
00:03:16,320 --> 00:03:19,160
Speaker 1: you get in and you know it's a Volvo, so

65
00:03:19,200 --> 00:03:22,320
Speaker 1: it's a tank, which you know me and safety. I'm

66
00:03:22,360 --> 00:03:26,320
Speaker 1: a big fan of safety. And then all you you

67
00:03:26,320 --> 00:03:27,359
Speaker 1: know you have to get in, you have to pair

68
00:03:27,440 --> 00:03:29,560
Speaker 1: your phone, everything you have to do. The I got in,

69
00:03:29,680 --> 00:03:32,359
Speaker 1: I plugged my phone in and everything popped up. Where

70
00:03:32,360 --> 00:03:33,600
Speaker 1: do you want to go, You're good to go. You're

71
00:03:33,600 --> 00:03:35,480
Speaker 1: already hooked in. How's everything going? Well? You look great

72
00:03:35,480 --> 00:03:37,240
Speaker 1: by the way, blood pressure looks awesome, and I think

73
00:03:37,240 --> 00:03:39,240
Speaker 1: you've lost weight. I was like, this is the best

74
00:03:39,240 --> 00:03:42,440
Speaker 1: car I've ever been into my entire also, and I

75
00:03:42,480 --> 00:03:45,320
Speaker 1: say this as a bona fide old man looks cool

76
00:03:45,640 --> 00:03:50,360
Speaker 1: as hell. So I'm just letting me know. I'm a

77
00:03:50,400 --> 00:03:53,680
Speaker 1: Volvo guy now, okay, And I wanted you to know that.

78
00:03:54,000 --> 00:03:56,040
Speaker 1: It's I don't know how I'm gonna break it to Susan,

79
00:03:56,720 --> 00:03:59,560
Speaker 1: but you get your car when I don't need one.

80
00:04:00,160 --> 00:04:02,040
Speaker 1: Be that I've fallen in love while i've been away

81
00:04:02,080 --> 00:04:05,040
Speaker 1: from her. But man, the Swedes know how to do it.

82
00:04:05,080 --> 00:04:07,560
Speaker 3: Because you had ever driven a Volvo in my life.

83
00:04:07,400 --> 00:04:11,400
Speaker 1: I don't think I ever had either, And you're missing out.

84
00:04:11,640 --> 00:04:12,920
Speaker 2: Okay, it's magical.

85
00:04:13,240 --> 00:04:15,040
Speaker 1: It's magical. I just don't know what to say.

86
00:04:15,800 --> 00:04:19,880
Speaker 2: Has a Volvo Suv and he don't love it?

87
00:04:20,360 --> 00:04:20,520
Speaker 3: Well?

88
00:04:20,600 --> 00:04:23,360
Speaker 1: No, yeah, I get SUV. I get it. Everyone's got

89
00:04:23,360 --> 00:04:25,920
Speaker 1: an SUV. When's the last time you were rocking around

90
00:04:25,960 --> 00:04:27,560
Speaker 1: in a station wagon? Though? I mean, I was like,

91
00:04:27,600 --> 00:04:30,080
Speaker 1: I think I was in the seventies when we called

92
00:04:30,080 --> 00:04:32,919
Speaker 1: it the backpack and things like seatbelt optional.

93
00:04:33,200 --> 00:04:35,039
Speaker 2: I don't think I've never been in a station wagon.

94
00:04:35,279 --> 00:04:39,160
Speaker 3: What they were huge, and like the lady.

95
00:04:39,000 --> 00:04:42,599
Speaker 1: Literally and figuratively, yeah, they were, and we would You

96
00:04:42,600 --> 00:04:44,880
Speaker 1: would just lie in the back or get an air

97
00:04:44,880 --> 00:04:46,760
Speaker 1: mattress in the back with your bike next to you

98
00:04:46,760 --> 00:04:48,640
Speaker 1: when you're going somewhere and you'd hit a big turn

99
00:04:48,720 --> 00:04:50,760
Speaker 1: and just the forks of your bike would just slam

100
00:04:50,760 --> 00:04:52,880
Speaker 1: in your face. It was the seventies when your seatbelt

101
00:04:52,920 --> 00:04:53,800
Speaker 1: was your mom going like this.

102
00:04:54,400 --> 00:04:56,320
Speaker 2: I do remember. I do remember that although I was

103
00:04:56,320 --> 00:04:57,919
Speaker 2: wearing a seatbelt, but my mom would still do that.

104
00:04:57,960 --> 00:05:01,600
Speaker 1: Airstars. Yeah, so he might not love his suv, but

105
00:05:01,680 --> 00:05:05,279
Speaker 1: this is it's really really magical.

106
00:05:06,240 --> 00:05:07,000
Speaker 2: Traditions to you.

107
00:05:08,600 --> 00:05:11,680
Speaker 1: Thank you. We're very happy. We're very happy. It's black

108
00:05:12,200 --> 00:05:16,279
Speaker 1: with tan leather or a gray leather interior. It's fly.

109
00:05:16,640 --> 00:05:17,280
Speaker 1: I'm telling you.

110
00:05:17,400 --> 00:05:19,360
Speaker 2: There's a Volvo dealer kind of close to our house.

111
00:05:19,839 --> 00:05:23,359
Speaker 1: Ye. Well, I'm going to find that enough because I

112
00:05:23,440 --> 00:05:25,920
Speaker 1: might get several because I want different colors too, because

113
00:05:25,920 --> 00:05:28,000
Speaker 1: they're really I might be that guy where, for no

114
00:05:28,080 --> 00:05:31,080
Speaker 1: reason has a fleet of Volvo station wagons.

115
00:05:31,600 --> 00:05:34,640
Speaker 2: Okay, listen, yeah, I'll just rent my cars from you, then.

116
00:05:34,880 --> 00:05:37,279
Speaker 1: Oh, I'm not reritting them out. They're all mine. Nobody's

117
00:05:37,279 --> 00:05:39,120
Speaker 1: going to get to be in them. But they're my

118
00:05:39,560 --> 00:05:41,760
Speaker 1: Volvo station wagons. So yeah, I'm that guy, just so

119
00:05:41,839 --> 00:05:42,039
Speaker 1: you know.

120
00:05:42,320 --> 00:05:45,560
Speaker 2: Okay, it fits it fits you, it does right, Yeah,

121
00:05:45,680 --> 00:05:48,840
Speaker 2: it does, it does. I love it. Welcome to bod

122
00:05:48,880 --> 00:05:49,280
Speaker 2: Meets World.

123
00:05:49,320 --> 00:05:52,200
Speaker 1: I'm Daniel Vishel, I'm right or strong, and I'm rocking

124
00:05:52,240 --> 00:05:54,040
Speaker 1: a Volvo in the safest possible way.

125
00:05:54,200 --> 00:05:54,880
Speaker 3: I'm Will Fordell.

126
00:06:08,320 --> 00:06:09,960
Speaker 2: Welcome to our episode recap.

127
00:06:10,000 --> 00:06:13,320
Speaker 4: Today we are doing season six, episode twenty, The Truth

128
00:06:13,400 --> 00:06:17,680
Speaker 4: About Honesty. It originally aired April thirtieth, nineteen ninety nine.

129
00:06:18,080 --> 00:06:21,200
Speaker 4: The synopsis Corey and Tapega caused tension at Rachel and

130
00:06:21,320 --> 00:06:24,279
Speaker 4: Jack's first dinner party by making an agreement to tell

131
00:06:24,320 --> 00:06:28,200
Speaker 4: the truth about everything and everyone. It is directed by

132
00:06:28,279 --> 00:06:32,000
Speaker 4: Jeff McCracken. It was written by Alison M. Gibson. It's

133
00:06:32,040 --> 00:06:35,599
Speaker 4: her second episode of season six. She wrote Episode twelve,

134
00:06:35,839 --> 00:06:39,479
Speaker 4: Cutting the Cord as well. And before I jump into

135
00:06:39,480 --> 00:06:43,920
Speaker 4: our one guest star this week, shall we share our

136
00:06:43,960 --> 00:06:44,839
Speaker 4: overall thoughts?

137
00:06:45,200 --> 00:06:46,840
Speaker 1: Can I? Before we share all over all thoughts? Can

138
00:06:46,839 --> 00:06:49,960
Speaker 1: I ask? Was this? Is this? The first episode mccrackens

139
00:06:49,960 --> 00:06:51,080
Speaker 1: directed in season six.

140
00:06:51,360 --> 00:06:54,120
Speaker 3: I think so, yeah, either first or second. Yeah, he

141
00:06:54,160 --> 00:06:54,760
Speaker 3: hasn't been around.

142
00:06:56,160 --> 00:06:59,000
Speaker 1: Ok, yeah, it's been a minute since we've since we've

143
00:06:59,000 --> 00:07:04,040
Speaker 1: had Jeffrey there. And I saw it in the camaraderie

144
00:07:04,120 --> 00:07:06,680
Speaker 1: we all shared in a lot of the scenes. Interesting, Yeah,

145
00:07:06,839 --> 00:07:08,360
Speaker 1: I could absolutely see it.

146
00:07:08,480 --> 00:07:13,720
Speaker 4: You all of us, me, writer, Ben, and I think

147
00:07:13,800 --> 00:07:16,600
Speaker 4: you were there, Will in the apartment scene where we're

148
00:07:16,600 --> 00:07:23,480
Speaker 4: all laughing, just straight straight up what writer, Oh yeah, dude, right, laughing.

149
00:07:24,080 --> 00:07:25,880
Speaker 2: Writer. You are trying.

150
00:07:26,760 --> 00:07:30,640
Speaker 4: I'm trying to keep it together, mouth thing and Ben

151
00:07:30,760 --> 00:07:33,000
Speaker 4: is just laughing, and then it goes to me and

152
00:07:33,080 --> 00:07:33,840
Speaker 4: I am trying.

153
00:07:33,600 --> 00:07:35,040
Speaker 2: To keep it together for the first rd of my line.

154
00:07:35,040 --> 00:07:38,520
Speaker 2: But then after I just go, yeah, we're just all laughing.

155
00:07:38,920 --> 00:07:42,320
Speaker 1: Yeah, I totally just that, And it's I think we're

156
00:07:42,320 --> 00:07:45,920
Speaker 1: comfortable again, just back and we're just we're playing and

157
00:07:45,960 --> 00:07:46,480
Speaker 1: having fun.

158
00:07:46,600 --> 00:07:50,160
Speaker 4: Yeah, it's it's really it's pretty fun. But what do

159
00:07:50,200 --> 00:07:52,120
Speaker 4: you think about the episode?

160
00:07:52,440 --> 00:07:58,640
Speaker 1: Will, I don't know. I don't know. Here I thought

161
00:07:58,720 --> 00:08:01,320
Speaker 1: I was eric like the era storyline was actually pretty

162
00:08:01,320 --> 00:08:03,240
Speaker 1: funny to me. The whole thing with the Yeah, I

163
00:08:03,240 --> 00:08:05,840
Speaker 1: mean it's been done a thousand times too, with the baby.

164
00:08:05,880 --> 00:08:07,760
Speaker 1: You're making fun that the baby is your your kid.

165
00:08:07,800 --> 00:08:09,640
Speaker 1: I mean, I get it's been done, but just the

166
00:08:09,800 --> 00:08:12,000
Speaker 1: Eric being a liar and constantly cutting back to like, yeah,

167
00:08:12,000 --> 00:08:12,320
Speaker 1: I took the.

168
00:08:12,280 --> 00:08:15,160
Speaker 2: Bullet, Yeah it hurt, Like I thought that was very funny.

169
00:08:15,240 --> 00:08:20,240
Speaker 1: I thought that was even bigger, right, Yeah. And I

170
00:08:20,280 --> 00:08:22,840
Speaker 1: remember the whole I'm Batman thing because I was recording

171
00:08:22,840 --> 00:08:25,920
Speaker 1: Batman at the time, and so yeah, Michael put that

172
00:08:25,960 --> 00:08:28,200
Speaker 1: in because he was a big comic book fan. But

173
00:08:28,520 --> 00:08:31,480
Speaker 1: for the rest of it again, they've they've really kind

174
00:08:31,480 --> 00:08:34,880
Speaker 1: of switched to Panga again, where she's now all needs

175
00:08:34,920 --> 00:08:36,520
Speaker 1: to know when the wedding is all of a sudden,

176
00:08:36,520 --> 00:08:41,280
Speaker 1: which just doesn't fit the character at all. Sean, I

177
00:08:41,320 --> 00:08:44,679
Speaker 1: don't I don't know. I don't know overall, because I

178
00:08:44,840 --> 00:08:47,760
Speaker 1: liked some of the Eric stuff. I didn't like the

179
00:08:47,760 --> 00:08:49,880
Speaker 1: the dinner party stuff didn't make There was no point

180
00:08:49,880 --> 00:08:51,480
Speaker 1: in having it to be a dinner party, Like, none

181
00:08:51,520 --> 00:08:53,160
Speaker 1: of that made any sense. It sounds it seems like

182
00:08:53,160 --> 00:08:56,720
Speaker 1: they were they're now just trying to write for Jack

183
00:08:57,080 --> 00:09:00,640
Speaker 1: and and Rachel because the story were they going to

184
00:09:00,679 --> 00:09:02,160
Speaker 1: get together? Were they not? Now that they are, they're

185
00:09:02,200 --> 00:09:04,200
Speaker 1: kind of like, well, now what do we do? Yeah?

186
00:09:05,040 --> 00:09:08,200
Speaker 2: How does this does couple change their lives?

187
00:09:08,320 --> 00:09:13,240
Speaker 1: Yeah? Yeah, you know. And then Corey, he's so over

188
00:09:13,280 --> 00:09:16,120
Speaker 1: the top of this episode, like kind of caricatry. That's

189
00:09:16,160 --> 00:09:18,200
Speaker 1: my answer is I truly don't know what I feel

190
00:09:18,200 --> 00:09:20,359
Speaker 1: about this episode. I have to watch it again.

191
00:09:20,160 --> 00:09:26,800
Speaker 3: Frankly, Yeah, yeah, writer, I've been thinking about it a lot. Right, Okay,

192
00:09:26,840 --> 00:09:30,200
Speaker 3: here's here's where I think I've landed. I don't think

193
00:09:30,240 --> 00:09:31,880
Speaker 3: it's that bad of an episode.

194
00:09:32,200 --> 00:09:33,200
Speaker 1: Hm, I hate it?

195
00:09:34,240 --> 00:09:36,920
Speaker 3: Okay, Well, I just don't like it. I just don't

196
00:09:37,000 --> 00:09:40,040
Speaker 3: like jokes, I don't like anything about it. But just

197
00:09:40,400 --> 00:09:41,840
Speaker 3: you know, actually, you know what I like. I thought

198
00:09:42,000 --> 00:09:45,760
Speaker 3: Jack's storyline about like wanting to be somebody wanting to

199
00:09:45,760 --> 00:09:47,760
Speaker 3: do I thought that was a great funny bit and

200
00:09:47,800 --> 00:09:51,120
Speaker 3: it revealed more about his character, which was and Matt's great.

201
00:09:51,480 --> 00:09:54,480
Speaker 3: I thought the Eric storyline was funny, you know, but

202
00:09:54,600 --> 00:09:57,360
Speaker 3: like the setup just felt forced. I don't know, Like

203
00:09:57,440 --> 00:09:59,559
Speaker 3: I I just realized, like I don't actually have criticism

204
00:09:59,559 --> 00:10:01,600
Speaker 3: that I think is helpful in the sense of like

205
00:10:02,160 --> 00:10:04,000
Speaker 3: this is why this episode doesn't work or it's not.

206
00:10:04,240 --> 00:10:06,640
Speaker 3: I just didn't like it. I just don't like it.

207
00:10:06,760 --> 00:10:09,080
Speaker 3: I was like, you know by the time Sean and

208
00:10:09,080 --> 00:10:12,840
Speaker 3: Angela are going to screw in somebody else's bed and

209
00:10:12,880 --> 00:10:15,040
Speaker 3: everybody acts like this is totally normal. I was like,

210
00:10:15,280 --> 00:10:18,760
Speaker 3: what world are we in where people share razors and

211
00:10:18,840 --> 00:10:21,720
Speaker 3: are cool with that but not okay with deodorant sharing?

212
00:10:22,120 --> 00:10:24,440
Speaker 3: Like none of it made any sense. I just I

213
00:10:24,480 --> 00:10:25,880
Speaker 3: was like, I don't like this episode.

214
00:10:25,880 --> 00:10:29,520
Speaker 1: I don't think but the screwing in the the screwing

215
00:10:29,559 --> 00:10:31,440
Speaker 1: is such a weird word to me word. I like,

216
00:10:32,360 --> 00:10:35,480
Speaker 1: let's be more professional about it. So bumping uglies in

217
00:10:36,520 --> 00:10:38,280
Speaker 1: a different room, didn't you? And I have a whole

218
00:10:38,320 --> 00:10:42,040
Speaker 1: conversation about how because like if you went to college,

219
00:10:42,640 --> 00:10:44,000
Speaker 1: you kind of got used to.

220
00:10:44,000 --> 00:10:46,839
Speaker 3: Like during a dinner party, like literally everyone's gonna be like,

221
00:10:47,480 --> 00:10:49,080
Speaker 3: go use my bad and they don't even say go

222
00:10:49,160 --> 00:10:52,440
Speaker 3: use my bed, or you just go do it because

223
00:10:52,480 --> 00:10:54,480
Speaker 3: you're gonna I was so weirded out.

224
00:10:54,559 --> 00:10:56,720
Speaker 1: I was just like this.

225
00:10:56,760 --> 00:11:00,400
Speaker 3: Show, this whole episode, Like even all the bathroom stuff

226
00:11:00,440 --> 00:11:02,920
Speaker 3: still feels weird to me. I'm not comfortable in that space.

227
00:11:02,960 --> 00:11:04,960
Speaker 3: I'm not comfortable with people coming in and out of

228
00:11:04,960 --> 00:11:07,000
Speaker 3: showers like all of it. Just I was like, I

229
00:11:07,080 --> 00:11:10,200
Speaker 3: don't I don't think I can criticize this episode because

230
00:11:10,200 --> 00:11:12,240
Speaker 3: I don't have the fix. I just don't like it.

231
00:11:12,320 --> 00:11:15,079
Speaker 1: I was like, this is the whole honesty thing with Ben.

232
00:11:15,160 --> 00:11:18,040
Speaker 1: I mean, just you saw where it was going. You

233
00:11:18,120 --> 00:11:20,240
Speaker 1: knew it was gonna happen, and there's nothing about that.

234
00:11:20,280 --> 00:11:22,200
Speaker 1: I mean, I get where they were going with that

235
00:11:22,280 --> 00:11:26,520
Speaker 1: kind of thing, but yeah, it was very caricatury and

236
00:11:27,360 --> 00:11:30,480
Speaker 1: he's really never seen anything of tapangas they've been together

237
00:11:30,520 --> 00:11:32,800
Speaker 1: since they were eleven years old.

238
00:11:32,920 --> 00:11:34,400
Speaker 3: She's going to show them her butt.

239
00:11:34,240 --> 00:11:35,360
Speaker 1: In the elevator.

240
00:11:37,040 --> 00:11:37,599
Speaker 3: Yeah.

241
00:11:37,679 --> 00:11:39,520
Speaker 1: Yeah, that's why I don't know what to think about it.

242
00:11:39,559 --> 00:11:42,680
Speaker 1: And now I'm so distracted by the lobsters everywhere. They're

243
00:11:42,720 --> 00:11:45,720
Speaker 1: in every scene that joy.

244
00:11:45,480 --> 00:11:47,439
Speaker 4: I started when I started watching the episode, I was like,

245
00:11:47,480 --> 00:11:49,720
Speaker 4: I'm going to look for lobsters. I started looking, didn't

246
00:11:49,720 --> 00:11:51,280
Speaker 4: see one right off the bat, and then forgot all

247
00:11:51,320 --> 00:11:52,319
Speaker 4: about it and never saw another one.

248
00:11:52,440 --> 00:11:54,280
Speaker 1: Yeah, they're in the They're in the bathroom scene over

249
00:11:54,320 --> 00:11:55,880
Speaker 1: in the corner. It's in the bathroom scene over the corner.

250
00:11:55,880 --> 00:11:58,280
Speaker 1: It's hanging on the fridge in the in the boys apartment.

251
00:11:58,280 --> 00:12:02,080
Speaker 1: It's everywhere. So yeah, I truly I might hate it.

252
00:12:02,320 --> 00:12:04,800
Speaker 1: I might not hate it. I don't know with this episode,

253
00:12:04,800 --> 00:12:05,600
Speaker 1: I truly don't know.

254
00:12:06,040 --> 00:12:11,239
Speaker 4: Yeah, I thought, like writer mentioned and Will mentioned, I

255
00:12:11,320 --> 00:12:14,800
Speaker 4: loved Eric's storyline. I thought that was very funny. Every

256
00:12:14,800 --> 00:12:16,480
Speaker 4: time we went back to that and he was lying

257
00:12:16,480 --> 00:12:18,480
Speaker 4: to her and she was she had no reason to

258
00:12:18,480 --> 00:12:22,120
Speaker 4: suspect it was a lie. She very much was like, Wow,

259
00:12:22,559 --> 00:12:26,280
Speaker 4: that was all very funny to me. I love that

260
00:12:26,360 --> 00:12:29,280
Speaker 4: we get to learn about Jack, that he is a

261
00:12:29,280 --> 00:12:32,120
Speaker 4: little too passive, doesn't speak up, doesn't know how to

262
00:12:32,520 --> 00:12:33,880
Speaker 4: you know, he's a people pleaser.

263
00:12:34,520 --> 00:12:35,320
Speaker 2: I loved that.

264
00:12:35,520 --> 00:12:40,400
Speaker 4: I loved I thought Maitland was great in this episode.

265
00:12:40,480 --> 00:12:45,599
Speaker 4: I thought I thought her doing the having the you

266
00:12:45,640 --> 00:12:49,320
Speaker 4: know very easy. Yeah, yeah, he's too passive, and her

267
00:12:49,600 --> 00:12:51,520
Speaker 4: having that attitude of like, come on, you've got to

268
00:12:51,520 --> 00:12:53,920
Speaker 4: find something him something wrong with me, and him not

269
00:12:53,920 --> 00:12:54,640
Speaker 4: being able to name it.

270
00:12:54,640 --> 00:12:56,880
Speaker 2: I thought all that was very cute.

271
00:12:57,120 --> 00:13:00,120
Speaker 4: I also don't love the episode for all of the

272
00:13:00,160 --> 00:13:01,440
Speaker 4: reasons you guys have mentioned.

273
00:13:01,840 --> 00:13:02,080
Speaker 2: One.

274
00:13:03,320 --> 00:13:07,040
Speaker 4: What's what? What is Tebanga doing? Why did why did

275
00:13:07,080 --> 00:13:07,840
Speaker 4: she have that hair?

276
00:13:07,920 --> 00:13:08,920
Speaker 1: What? What? I don't know.

277
00:13:09,280 --> 00:13:15,880
Speaker 4: This feels like our writers remember from their childhoods that

278
00:13:16,559 --> 00:13:19,360
Speaker 4: when a woman wanted to have a dinner party, somebody

279
00:13:19,400 --> 00:13:20,800
Speaker 4: would go to the beauty parlor.

280
00:13:21,840 --> 00:13:23,840
Speaker 2: I'm gonna go to the beauty parlor today and get

281
00:13:24,720 --> 00:13:27,440
Speaker 2: get my curlers in, and then I'm gonna come.

282
00:13:27,360 --> 00:13:30,680
Speaker 4: Home and I'm gonna be unrecognizable because I went to

283
00:13:30,720 --> 00:13:34,640
Speaker 4: the beauty parlor. And then they decided that must be

284
00:13:34,920 --> 00:13:42,240
Speaker 4: what these college friends could do those kids today. Rachel,

285
00:13:42,320 --> 00:13:44,680
Speaker 4: now that she's in a relationship, is gonna want to

286
00:13:44,720 --> 00:13:50,280
Speaker 4: have a fancy dinner party where she makes seven cornish hens?

287
00:13:51,400 --> 00:13:55,640
Speaker 2: Is it even possible to buy seven chickens? Not around

288
00:13:55,760 --> 00:13:56,360
Speaker 2: number eight?

289
00:13:59,360 --> 00:14:02,040
Speaker 4: And then no, wasn't that And then to have everybody

290
00:14:02,080 --> 00:14:05,640
Speaker 4: show up and like, we've never seen to Panga like this,

291
00:14:05,880 --> 00:14:08,720
Speaker 4: and so what's the story there?

292
00:14:08,800 --> 00:14:10,320
Speaker 1: She went and did this and.

293
00:14:12,360 --> 00:14:16,480
Speaker 4: It's not totally surprising, but Corey taking to Penga saying,

294
00:14:16,520 --> 00:14:19,200
Speaker 4: can you just be honest with me? Because I feel

295
00:14:19,200 --> 00:14:21,640
Speaker 4: like that's a really important foundation for a marriage and

296
00:14:21,680 --> 00:14:23,720
Speaker 4: I would really like it if, even if it's a

297
00:14:23,720 --> 00:14:25,680
Speaker 4: difficult subject, I want you to be honest with me.

298
00:14:25,800 --> 00:14:28,240
Speaker 2: Him taking that and going, oh, I can't wait to be.

299
00:14:28,240 --> 00:14:32,200
Speaker 4: A total asshole like that's not shocking, but it's not

300
00:14:32,320 --> 00:14:36,960
Speaker 4: fun to watch and it doesn't make for enjoyable doesn't

301
00:14:37,000 --> 00:14:38,280
Speaker 4: make it for enjoyable TV.

302
00:14:39,720 --> 00:14:41,520
Speaker 1: They also don't know each other well enough at this

303
00:14:41,560 --> 00:14:43,720
Speaker 1: point that she would know he doesn't want me to.

304
00:14:43,800 --> 00:14:46,080
Speaker 1: He's the kind of guy where you don't use his razor,

305
00:14:46,400 --> 00:14:50,080
Speaker 1: like you know that stuff. I mean, this is that's

306
00:14:50,080 --> 00:14:53,320
Speaker 1: all that should None of that should be shocking, you know,

307
00:14:53,480 --> 00:14:56,120
Speaker 1: it's just yea yeah. Uh. She's holding the game hens

308
00:14:56,120 --> 00:14:58,080
Speaker 1: at one point. Are they not? Were they not just

309
00:14:58,160 --> 00:15:00,520
Speaker 1: right out of the oven? Are these Are you have

310
00:15:00,600 --> 00:15:03,080
Speaker 1: teflon hands? How are you holding onto these things constantly?

311
00:15:03,120 --> 00:15:05,880
Speaker 3: You know what? I think? I think this episode was

312
00:15:05,920 --> 00:15:07,480
Speaker 3: meant to be a romp where it's like a dinner

313
00:15:07,480 --> 00:15:10,760
Speaker 3: party romp where like, oh, everyone's at cross purposes, but

314
00:15:10,960 --> 00:15:13,400
Speaker 3: it actually is not sharp enough to be a romp.

315
00:15:13,440 --> 00:15:15,600
Speaker 3: It's like kind of soft around the edges. And it's

316
00:15:15,600 --> 00:15:18,400
Speaker 3: like it starts with Corey and Tapanga being honest with

317
00:15:18,440 --> 00:15:20,120
Speaker 3: each other, and that has to become a whole dinner

318
00:15:20,120 --> 00:15:22,800
Speaker 3: party where everyone's being honest. It's like, I don't know,

319
00:15:22,880 --> 00:15:25,400
Speaker 3: like I just felt like the mechanics are not sharp

320
00:15:25,520 --> 00:15:28,480
Speaker 3: enough to be ridiculous, which is kind of what it

321
00:15:28,520 --> 00:15:30,640
Speaker 3: needed to be. Like, I think, you know, the eric

322
00:15:30,720 --> 00:15:32,760
Speaker 3: ridiculousness was a relief because it was like, Okay, that

323
00:15:33,080 --> 00:15:36,320
Speaker 3: is just being funny. Everything else I was like, is

324
00:15:36,320 --> 00:15:38,080
Speaker 3: is it serious? Is if? I don't know, man, it

325
00:15:38,200 --> 00:15:39,400
Speaker 3: just felt weird, you know.

326
00:15:39,680 --> 00:15:45,000
Speaker 4: Win is in the situation, the fact that Angela doesn't

327
00:15:45,000 --> 00:15:48,240
Speaker 4: want to have any strings with Sean.

328
00:15:48,400 --> 00:15:50,000
Speaker 3: She grabs my butt in the beginning, and I was

329
00:15:50,040 --> 00:15:54,080
Speaker 3: like what, yeah, you know, I was, and Sean reacts

330
00:15:54,080 --> 00:15:55,440
Speaker 3: like it's kind of out of nowhere, and it's like, yeah,

331
00:15:55,440 --> 00:15:58,320
Speaker 3: this hasn't been established, like that she's hot for Sean

332
00:15:58,520 --> 00:16:00,320
Speaker 3: and like that she misses him physically, and.

333
00:16:01,120 --> 00:16:04,440
Speaker 1: Oh, that's a whole yeah, you know, you know the

334
00:16:04,480 --> 00:16:06,520
Speaker 1: fix that I had because it hit me as I

335
00:16:06,560 --> 00:16:09,000
Speaker 1: was watching it, you know what the part one of

336
00:16:09,040 --> 00:16:11,440
Speaker 1: the storylines should have been because I thought, I was like, oh,

337
00:16:11,680 --> 00:16:15,120
Speaker 1: oh this is great. Is the entire episode Corey in

338
00:16:15,160 --> 00:16:18,200
Speaker 1: Tapega should have been trapped in the elevator m and

339
00:16:18,240 --> 00:16:20,800
Speaker 1: you just keep cutting back to them talking and it's

340
00:16:20,920 --> 00:16:25,000
Speaker 1: it's the truth. It's the honest conversation. That's one whole

341
00:16:25,080 --> 00:16:27,800
Speaker 1: storyline is literally just them. That's your romp is. It's

342
00:16:27,840 --> 00:16:29,840
Speaker 1: like you've got the dinner party going on. You put

343
00:16:29,840 --> 00:16:32,520
Speaker 1: Sean and Angelos somewhere Corey Topanger trapped in the elevator

344
00:16:32,560 --> 00:16:35,440
Speaker 1: having a whole different conversation, and they're just trapped there

345
00:16:35,440 --> 00:16:37,280
Speaker 1: with the honesty that to me when I saw them,

346
00:16:37,320 --> 00:16:39,000
Speaker 1: I was like, oh, that's that's like a friend's thing.

347
00:16:39,040 --> 00:16:40,160
Speaker 1: It's like, oh, you're trapped in one.

348
00:16:40,200 --> 00:16:42,480
Speaker 3: Can't they start the dinner party because they haven't arrived yet,

349
00:16:42,680 --> 00:16:45,320
Speaker 3: So that like is an actual, real conflict as opposed

350
00:16:45,320 --> 00:16:47,920
Speaker 3: to the way it is right now. It's all it's

351
00:16:47,960 --> 00:16:50,520
Speaker 3: it's character based conflict, which should be good, but it's

352
00:16:50,520 --> 00:16:53,160
Speaker 3: all initiated by the characters. So it's kind of like,

353
00:16:53,280 --> 00:16:55,160
Speaker 3: you guys have put yourself in this position. So I

354
00:16:55,200 --> 00:16:58,960
Speaker 3: can't really feel like anybody's caught except Jack. Frankly, like, yeah,

355
00:16:59,040 --> 00:17:01,280
Speaker 3: Jack is the only one who's sort of like a

356
00:17:01,280 --> 00:17:03,520
Speaker 3: normal dinner party, and like, oh, and I can't come

357
00:17:03,600 --> 00:17:05,520
Speaker 3: up with something honest. And then when yeah, I thought

358
00:17:05,560 --> 00:17:06,320
Speaker 3: that was funny.

359
00:17:06,480 --> 00:17:09,760
Speaker 1: Everyone when his moment when he gives the arm pump

360
00:17:09,760 --> 00:17:15,440
Speaker 1: where he's like your hair in the shower, Yes, because

361
00:17:15,440 --> 00:17:16,120
Speaker 1: he's the only.

362
00:17:16,000 --> 00:17:18,600
Speaker 3: Character who's like reacting to something that was out of

363
00:17:18,640 --> 00:17:21,520
Speaker 3: his control. Everybody else is only responding to something that

364
00:17:21,560 --> 00:17:23,360
Speaker 3: they initiated, So it's hard.

365
00:17:23,200 --> 00:17:26,960
Speaker 1: To be like, uh okay, yeah, but we were having fun.

366
00:17:27,160 --> 00:17:29,560
Speaker 1: We as actors. You could tell when we're all together

367
00:17:30,520 --> 00:17:32,680
Speaker 1: in the apartment scene rider.

368
00:17:32,560 --> 00:17:35,480
Speaker 3: You're I couldn't laugh and see it, so I am.

369
00:17:35,200 --> 00:17:37,800
Speaker 1: You, Danielle Is It was like, yeah, it was that.

370
00:17:37,880 --> 00:17:39,000
Speaker 1: Those are the moments I remember.

371
00:17:39,040 --> 00:17:40,560
Speaker 4: It was like, and I wish I knew what we

372
00:17:40,560 --> 00:17:42,960
Speaker 4: were laughing about because it looked it looked really funny.

373
00:17:43,200 --> 00:17:45,200
Speaker 3: I know, something ridiculous exactly.

374
00:17:45,760 --> 00:17:47,760
Speaker 2: Guest starring Chad Morgan as Dana.

375
00:17:48,080 --> 00:17:51,000
Speaker 4: Chad had appeared on TV shows like The District House,

376
00:17:51,240 --> 00:17:54,399
Speaker 4: This Is Us, and in movies like The Purge, Anarchy,

377
00:17:54,680 --> 00:17:58,040
Speaker 4: Helter Skelter, and Pearl Harbor, but the job that had

378
00:17:58,119 --> 00:18:01,000
Speaker 4: kept her busiest was as a voice on Robot Chicken

379
00:18:01,119 --> 00:18:03,080
Speaker 4: from two thousand and five to two thousand and nine,

380
00:18:03,160 --> 00:18:07,119
Speaker 4: where she voiced characters like Hillary Clinton, Katie Couric, Christina Aguilera,

381
00:18:07,400 --> 00:18:09,880
Speaker 4: Estelle Geddy, Cameron Diaz, and Terry Hatcher.

382
00:18:10,720 --> 00:18:11,880
Speaker 1: Cool Yes.

383
00:18:12,880 --> 00:18:15,480
Speaker 4: Jumping into our recap, we start in the co ed

384
00:18:15,560 --> 00:18:18,680
Speaker 4: dorm bathrooms. Angela to Panga, Sean and Corey are apparently

385
00:18:18,760 --> 00:18:21,680
Speaker 4: all getting ready for the day at the exact same time.

386
00:18:22,080 --> 00:18:24,760
Speaker 2: Of course, Corey is in the shower all class together

387
00:18:25,200 --> 00:18:29,800
Speaker 2: exactly right. This episode he had finals again.

388
00:18:30,320 --> 00:18:33,720
Speaker 1: Yeah, it's like the second or third episode in the

389
00:18:34,040 --> 00:18:35,879
Speaker 1: latter half of the season that Bill hasn't been in.

390
00:18:36,040 --> 00:18:38,320
Speaker 3: No, didn't we just do the b episode where they were.

391
00:18:38,280 --> 00:18:40,479
Speaker 1: Yeah, but no, no, no, not in a row. But like

392
00:18:40,600 --> 00:18:43,000
Speaker 1: the what two before that or one before that Bill,

393
00:18:43,160 --> 00:18:45,280
Speaker 1: the one where Eric adopts Tommy or Wance adopt Tommy.

394
00:18:45,320 --> 00:18:45,840
Speaker 3: He's not in that.

395
00:18:46,320 --> 00:18:48,119
Speaker 1: I mean, he's done a couple now where he hasn't

396
00:18:48,119 --> 00:18:49,640
Speaker 1: been there and you miss him.

397
00:18:49,800 --> 00:18:51,520
Speaker 2: It's time, I know.

398
00:18:52,800 --> 00:18:54,720
Speaker 4: Corey is in the shower while to Panga is begging

399
00:18:54,800 --> 00:18:57,080
Speaker 4: him to pick a wedding date. The banquet halls are

400
00:18:57,119 --> 00:19:01,439
Speaker 4: filling up. Corey responds, no, I'm wet and naked. To Panga,

401
00:19:01,520 --> 00:19:04,760
Speaker 4: while outside of the showers, adds me too, which I

402
00:19:04,800 --> 00:19:09,160
Speaker 4: thought was a very risky joke, forcing Corey to swing

403
00:19:09,200 --> 00:19:11,760
Speaker 4: open the shower curtain with a grin. He quickly realizes

404
00:19:11,800 --> 00:19:15,280
Speaker 4: Topanga has fooled him, You're not naked. In response to

405
00:19:15,280 --> 00:19:17,439
Speaker 4: Panga shoves a piece of paper into his mouth and

406
00:19:17,520 --> 00:19:20,720
Speaker 4: Corey shuts the curtain to Pega continues Corey, I can't

407
00:19:20,720 --> 00:19:23,000
Speaker 4: pick out a wedding dress or flowers or anything until

408
00:19:23,000 --> 00:19:26,480
Speaker 4: we set a date and will to your point? Why

409
00:19:27,320 --> 00:19:30,119
Speaker 4: why is Tapanga like this now? For the last for

410
00:19:30,240 --> 00:19:33,320
Speaker 4: several episodes, she's been like the date, the date, the date,

411
00:19:33,400 --> 00:19:34,960
Speaker 4: the date to date, the wedding, the wedding, the wedding,

412
00:19:35,000 --> 00:19:37,119
Speaker 4: the wedding. And yet at the start of the season

413
00:19:37,280 --> 00:19:40,000
Speaker 4: it was We're gonna just relax and take its low.

414
00:19:40,040 --> 00:19:41,639
Speaker 4: It seems very out of character for her.

415
00:19:41,720 --> 00:19:43,400
Speaker 1: Yep, it sure does so weird.

416
00:19:44,640 --> 00:19:48,520
Speaker 4: Corey brushes past her concerns will I ever see you naked? Meanwhile,

417
00:19:48,560 --> 00:19:51,000
Speaker 4: the paper is still in his mouth. To Panga smirks,

418
00:19:51,240 --> 00:19:55,800
Speaker 4: Someday Corey mishears her. Someday she just yells pick a date,

419
00:19:56,320 --> 00:19:58,920
Speaker 4: but he can't let his high key horniness go. How

420
00:19:58,960 --> 00:20:02,720
Speaker 4: about your tushy right now is a sign of good faith? Instead,

421
00:20:02,760 --> 00:20:05,240
Speaker 4: to Pega grabs the shaving cream and sprays it in

422
00:20:05,280 --> 00:20:05,720
Speaker 4: his face.

423
00:20:06,000 --> 00:20:07,160
Speaker 2: Corey tries to shut.

424
00:20:06,920 --> 00:20:09,160
Speaker 4: The curtain, but instead swings it open on the other side,

425
00:20:09,200 --> 00:20:12,320
Speaker 4: and Angela jokingly comments, ooh, nice tush.

426
00:20:12,960 --> 00:20:15,359
Speaker 2: None of this is funny to me. No, that wasn't

427
00:20:15,359 --> 00:20:19,360
Speaker 2: none of it. None of this this is hijinks with

428
00:20:19,400 --> 00:20:24,160
Speaker 2: a curtain and a bunch of people in their late

429
00:20:24,240 --> 00:20:26,520
Speaker 2: teens eighteen nineteen years old.

430
00:20:27,840 --> 00:20:31,760
Speaker 4: Joking around about Tushi's is just in a bathroom in

431
00:20:31,800 --> 00:20:33,800
Speaker 4: a bathroom so weird?

432
00:20:34,000 --> 00:20:36,200
Speaker 3: Yeah, that's that was my overwhelming feeling. But the whole

433
00:20:36,200 --> 00:20:38,360
Speaker 3: episode was just like, this is weird. I just don't

434
00:20:38,400 --> 00:20:41,199
Speaker 3: know what world this existed, and I don't know. I

435
00:20:41,200 --> 00:20:42,399
Speaker 3: guess I'm not the target audience.

436
00:20:42,760 --> 00:20:44,679
Speaker 1: I get what they're trying to do too with the

437
00:20:44,720 --> 00:20:47,720
Speaker 1: bathroom set, but the whole sect doesn't work for me.

438
00:20:47,920 --> 00:20:50,159
Speaker 1: It never worked. I never got it. I get what

439
00:20:50,200 --> 00:20:52,480
Speaker 1: they're trying to do. It ages up the show and

440
00:20:52,520 --> 00:20:54,760
Speaker 1: now they're all more vulnerable because it just never worked.

441
00:20:54,800 --> 00:20:57,560
Speaker 1: I set it's It's not pretty.

442
00:20:57,359 --> 00:20:59,600
Speaker 3: Episode where Corey was scared to go in there, and

443
00:20:59,600 --> 00:21:04,360
Speaker 3: then perfect front Angela that would never need to see

444
00:21:04,680 --> 00:21:05,720
Speaker 3: that we never need to see.

445
00:21:05,800 --> 00:21:09,760
Speaker 4: Exactly couldn't agree more YEP, Corey screams and make sure

446
00:21:09,760 --> 00:21:12,640
Speaker 4: the curtain is closed. Sean just grins and shakes his head,

447
00:21:12,680 --> 00:21:14,640
Speaker 4: probably at the idea that he is still going through

448
00:21:14,680 --> 00:21:18,320
Speaker 4: the motions of this show. Corey again swings open the curtain,

449
00:21:18,320 --> 00:21:21,119
Speaker 4: but this time he's wrapped in a towel. Angela gushes ooh,

450
00:21:21,320 --> 00:21:24,359
Speaker 4: hubba hubba. Corey looks at her with judgment. I'm just

451
00:21:24,400 --> 00:21:27,080
Speaker 4: a piece of meat to you, aren't I? Angela retorts,

452
00:21:27,160 --> 00:21:29,760
Speaker 4: all men are, isn't that right? My little rump roast?

453
00:21:29,880 --> 00:21:34,520
Speaker 4: As she taps Sean's butt twice? Sean's a little taken aback, Angela?

454
00:21:34,680 --> 00:21:37,880
Speaker 4: What did you do that for? Angela matter of factly answers,

455
00:21:38,160 --> 00:21:43,560
Speaker 4: because I did, and nobody laughs. Meanwhile, Topega's rummaging through

456
00:21:43,600 --> 00:21:47,040
Speaker 4: her toiletry bag. Oh, Corey here, I borrowed your razor

457
00:21:47,280 --> 00:21:50,520
Speaker 4: and hands it back to her fiance. Corey is obviously shocked.

458
00:21:50,920 --> 00:21:54,440
Speaker 4: You used my razor. She shrugs, yeah, just to shave

459
00:21:54,480 --> 00:21:57,439
Speaker 4: my legs. You don't mind, do you? He adjusts his

460
00:21:57,480 --> 00:22:01,360
Speaker 4: emotions and forces a smile. Mind that the razor I

461
00:22:01,520 --> 00:22:04,600
Speaker 4: use on my face was used to shave your wonderful

462
00:22:04,640 --> 00:22:07,720
Speaker 4: leg It only brings us much closer and increases my

463
00:22:07,840 --> 00:22:10,520
Speaker 4: overall joy to Panga nods good.

464
00:22:10,840 --> 00:22:13,240
Speaker 2: She leans in to give Corey a kiss. Please remember

465
00:22:13,280 --> 00:22:14,159
Speaker 2: to look at those dates.

466
00:22:14,280 --> 00:22:16,840
Speaker 3: I mean, I don't believe that you would feel pressure

467
00:22:16,920 --> 00:22:20,200
Speaker 3: to lie about this, Like if you're disgusted by somebody

468
00:22:20,320 --> 00:22:23,320
Speaker 3: using your razor, that seems fine to just say like no,

469
00:22:23,359 --> 00:22:24,440
Speaker 3: please don't.

470
00:22:24,080 --> 00:22:26,240
Speaker 2: Please don't do that or use my face.

471
00:22:26,520 --> 00:22:30,479
Speaker 3: Yeah, that's it's so that this is the the launch

472
00:22:30,560 --> 00:22:32,439
Speaker 3: of the storyline is Yeah.

473
00:22:32,640 --> 00:22:34,880
Speaker 1: It also depends which razor you're using, because I use

474
00:22:34,920 --> 00:22:36,320
Speaker 1: one on the body and one on the face. He

475
00:22:36,440 --> 00:22:38,360
Speaker 1: used my body rasor on your body. I don't care

476
00:22:39,119 --> 00:22:41,199
Speaker 1: my body raiser on your face. I might have a problem.

477
00:22:41,240 --> 00:22:46,679
Speaker 3: But the the end scene where Tapega uses his deodorant,

478
00:22:46,880 --> 00:22:49,000
Speaker 3: like that seems a little more questionable to me, like

479
00:22:49,920 --> 00:22:53,040
Speaker 3: or that seems a little more understandable, like maybe that's okay,

480
00:22:53,160 --> 00:22:55,600
Speaker 3: like maybe you know, like if so, in other words,

481
00:22:55,640 --> 00:22:59,720
Speaker 3: if Topanga had used Corey's deodorant, I feel like him

482
00:22:59,720 --> 00:23:01,719
Speaker 3: being like, oh maybe I should be okay with this

483
00:23:01,840 --> 00:23:07,240
Speaker 3: makes more sense than using a raisor maybe No, it's

484
00:23:07,280 --> 00:23:09,800
Speaker 3: all I don't know, it's all just I mean degrees

485
00:23:09,840 --> 00:23:11,240
Speaker 3: of sharing, I guess, is what I'm saying. Like it

486
00:23:11,240 --> 00:23:13,719
Speaker 3: seems to be sharing a rasor is a higher degree

487
00:23:13,920 --> 00:23:16,760
Speaker 3: of intimacy than sharing deodorant, and so.

488
00:23:16,720 --> 00:23:19,040
Speaker 1: Well, they should have gone right to toothbrush. I mean

489
00:23:19,080 --> 00:23:21,400
Speaker 1: toothbrush is the one where you talk to people where

490
00:23:21,440 --> 00:23:24,080
Speaker 1: it's like please, please don't use my toothbrush. I find

491
00:23:24,080 --> 00:23:27,200
Speaker 1: that gross, like that's that's my toothbrush. Where I've heard

492
00:23:27,240 --> 00:23:29,400
Speaker 1: some couples that are like, oh no, we share toothbrushes, and.

493
00:23:29,320 --> 00:23:30,960
Speaker 3: To me, that's like I've heard that.

494
00:23:31,320 --> 00:23:33,159
Speaker 1: Yeah, that's but that's also a big TV trope, like

495
00:23:33,160 --> 00:23:34,760
Speaker 1: I'm gonna I did it on Seinfeld, they did it

496
00:23:34,760 --> 00:23:36,320
Speaker 1: on Friends. It's like, oh, yeah, well, I mean if

497
00:23:36,359 --> 00:23:37,480
Speaker 1: I use your use your tooth.

498
00:23:38,200 --> 00:23:40,080
Speaker 3: Do it because they were like, we should do a

499
00:23:40,080 --> 00:23:42,240
Speaker 3: toothbrush episode, but we can't wrik it about the toothbrush.

500
00:23:42,960 --> 00:23:45,000
Speaker 4: I mean she mentions it later in the elevator, what

501
00:23:45,000 --> 00:23:46,639
Speaker 4: are you going to do when I use your toothbrush?

502
00:23:46,840 --> 00:23:49,440
Speaker 4: They use it as like the all the big example

503
00:23:49,640 --> 00:23:50,520
Speaker 4: of intimacy.

504
00:23:51,000 --> 00:23:53,960
Speaker 1: We're all agreed using someone else's toothbrush is disgusting.

505
00:23:54,000 --> 00:23:57,640
Speaker 3: Correct, Yeah, I'm gonna think I've done really Yeah, yeah

506
00:23:57,680 --> 00:23:58,160
Speaker 3: it's there.

507
00:23:58,359 --> 00:24:00,879
Speaker 2: There was a time that I've forgot a toothbrush and

508
00:24:00,880 --> 00:24:02,560
Speaker 2: I was like, Okay, I'm just gonna use your It's

509
00:24:02,560 --> 00:24:03,720
Speaker 2: not gonna be we're not gonna make it a habit,

510
00:24:03,760 --> 00:24:06,720
Speaker 2: but I'm just gonna You're just gonna use your use exactly.

511
00:24:07,280 --> 00:24:14,120
Speaker 1: Dot's gross to you, but using somebody else's okay.

512
00:24:13,280 --> 00:24:17,879
Speaker 4: Okay, so she says, please remember to look at those dates.

513
00:24:18,000 --> 00:24:20,320
Speaker 4: She says as she walks out of the bathroom. I

514
00:24:20,400 --> 00:24:23,760
Speaker 4: will my smooth one, Corey responds as she waves goodbye.

515
00:24:23,880 --> 00:24:26,280
Speaker 4: As soon as the door shuts, Corey is disgusted. I'm

516
00:24:26,280 --> 00:24:29,960
Speaker 4: gonna be sick. She used my black. Sean, still shaving

517
00:24:30,000 --> 00:24:32,719
Speaker 4: his face, asks what's the big deal? Corey motions at

518
00:24:32,720 --> 00:24:35,639
Speaker 4: his razor black. Angela peeps her head out from the

519
00:24:35,640 --> 00:24:37,879
Speaker 4: shower curtain. Why don't you just change the blade, you

520
00:24:37,960 --> 00:24:40,880
Speaker 4: big baby, And Sean even admits I think it's sexy,

521
00:24:41,000 --> 00:24:44,680
Speaker 4: and Angela agrees. Corey's even more grossed out. Her stubble

522
00:24:44,720 --> 00:24:47,239
Speaker 4: on my face is sexy to you? And right then

523
00:24:47,320 --> 00:24:48,320
Speaker 4: the door swings.

524
00:24:47,960 --> 00:24:50,000
Speaker 3: Open and the sexy sharing.

525
00:24:51,200 --> 00:24:53,320
Speaker 2: No, I mean, I don't think it's sexy, but you

526
00:24:53,320 --> 00:24:55,960
Speaker 2: guys are all a bunch of weirdos. Who cares?

527
00:24:56,760 --> 00:24:59,439
Speaker 1: Right? I mean, I don't find it. The razor's not

528
00:24:59,440 --> 00:25:00,600
Speaker 1: as bad to me is the toothbrush.

529
00:25:01,240 --> 00:25:06,840
Speaker 2: Use my razor? Use my toothbrush. No, no, I said,

530
00:25:06,840 --> 00:25:08,359
Speaker 2: I don't think it's sexy, but I don't have a

531
00:25:08,400 --> 00:25:09,240
Speaker 2: problem with it.

532
00:25:09,320 --> 00:25:11,439
Speaker 1: Well, it depends if you're staring at somebody while you're

533
00:25:11,440 --> 00:25:15,520
Speaker 1: brushing your tongue with their toothbrush. Pretty sexy. No, no,

534
00:25:16,520 --> 00:25:19,359
Speaker 1: so did you also notice right of the big continuity problem? No,

535
00:25:19,680 --> 00:25:22,480
Speaker 1: so it cuts you. You shave half your face and

536
00:25:22,640 --> 00:25:24,320
Speaker 1: like the shaving cream is gone, and then it cuts

537
00:25:24,359 --> 00:25:26,200
Speaker 1: back and you get the full thing of shaving cream again.

538
00:25:26,240 --> 00:25:27,040
Speaker 2: Oh I did see that.

539
00:25:27,320 --> 00:25:29,199
Speaker 3: Yes, I was too distracted by the fact that I

540
00:25:29,240 --> 00:25:32,200
Speaker 3: was shaving upwards, which I use. You don't shave it

541
00:25:32,280 --> 00:25:35,120
Speaker 3: back then? No, now, I would never. It's so rough

542
00:25:35,119 --> 00:25:35,720
Speaker 3: in your skin.

543
00:25:36,000 --> 00:25:38,840
Speaker 2: You go in the direction of your hair, which I

544
00:25:38,960 --> 00:25:40,320
Speaker 2: do for your skin to shave.

545
00:25:40,440 --> 00:25:43,240
Speaker 1: I do that right, go up to trim it up.

546
00:25:43,280 --> 00:25:46,119
Speaker 1: I always do that. Sure, and the armpits too down

547
00:25:46,280 --> 00:25:46,719
Speaker 1: I don't know.

548
00:25:47,000 --> 00:25:48,200
Speaker 2: Yeah, he shaves his armpits.

549
00:25:48,320 --> 00:25:51,720
Speaker 1: Hell, yeah, I do. Yeah, sexy, There you go.

550
00:25:51,920 --> 00:25:54,840
Speaker 4: The door swings open and Topanga has returned. Corey quickly

551
00:25:54,840 --> 00:25:57,800
Speaker 4: turns his frown upside down, but Angela blurts out Corey's disgusted.

552
00:25:57,840 --> 00:25:59,960
Speaker 2: You used his razor. Corey can't believe.

553
00:26:00,200 --> 00:26:03,080
Speaker 4: Are you kidding me? Topanga wonders, why wouldn't you have

554
00:26:03,160 --> 00:26:05,160
Speaker 4: just said something, forcing Corey to laugh.

555
00:26:05,240 --> 00:26:07,600
Speaker 2: I don't mind. I think that you using my razor

556
00:26:07,680 --> 00:26:08,560
Speaker 2: is very sexy.

557
00:26:09,200 --> 00:26:11,760
Speaker 4: Topega responds, oh good, So if I were just to

558
00:26:11,840 --> 00:26:14,040
Speaker 4: use this razor right now to shave under my arms,

559
00:26:14,040 --> 00:26:16,800
Speaker 4: you'd be okay with that. Corey fights back every urge

560
00:26:16,800 --> 00:26:20,320
Speaker 4: in his body and meagerly responds sure. Tobega grabs the

561
00:26:20,359 --> 00:26:23,480
Speaker 4: razor and motions toward her armpits. Corey yells, no, I'd

562
00:26:23,480 --> 00:26:25,960
Speaker 4: hate it. I hate it. Please don't. He grabs the

563
00:26:26,040 --> 00:26:28,760
Speaker 4: razor back and caresses it like a newborn baby. Topanga

564
00:26:28,800 --> 00:26:30,600
Speaker 4: doesn't get it. Why wouldn't you have just told me

565
00:26:30,640 --> 00:26:34,280
Speaker 4: the truth? Corey laughs again, the truth. That's funny, the truth.

566
00:26:34,800 --> 00:26:35,800
Speaker 4: Topeka isn't having.

567
00:26:35,720 --> 00:26:36,240
Speaker 2: It, Corey.

568
00:26:36,320 --> 00:26:37,800
Speaker 4: If we're going to be married, we have to be

569
00:26:37,880 --> 00:26:40,040
Speaker 4: able to be totally honest with each other. We should

570
00:26:40,080 --> 00:26:44,200
Speaker 4: learn from this from right now, total honesty. Seventeen years

571
00:26:44,200 --> 00:26:46,600
Speaker 4: into this relationship, it's about to let's be honest with

572
00:26:46,680 --> 00:26:47,080
Speaker 4: each other.

573
00:26:47,160 --> 00:26:47,960
Speaker 1: Let's be honest.

574
00:26:48,320 --> 00:26:51,080
Speaker 4: Sean, still shaving his face, returns to an old catchphrase,

575
00:26:51,280 --> 00:26:52,160
Speaker 4: it's a trap.

576
00:26:52,600 --> 00:26:53,800
Speaker 2: But Corey is intrigued.

577
00:26:54,119 --> 00:26:56,119
Speaker 4: Wait a minute, are you saying I can tell you

578
00:26:56,200 --> 00:26:59,000
Speaker 4: the truth about everything? Sean is now singing to the

579
00:26:59,040 --> 00:27:02,520
Speaker 4: tune of shave and a haircut trap, trappy trap trap?

580
00:27:03,160 --> 00:27:05,320
Speaker 2: Do you remember the tune trap?

581
00:27:05,400 --> 00:27:07,720
Speaker 3: Trappity trap, trap, trap trap, chuck.

582
00:27:07,720 --> 00:27:12,480
Speaker 1: Shave and haircut? Two bids? What do you think the

583
00:27:12,600 --> 00:27:14,320
Speaker 1: chances are that we can find it? Take somewhere where

584
00:27:14,359 --> 00:27:17,320
Speaker 1: you actually did say it's our trap. I don't know.

585
00:27:17,520 --> 00:27:19,159
Speaker 1: I wonder if you if you would have done that.

586
00:27:19,280 --> 00:27:21,879
Speaker 2: Oh, I'm sure you did. It seems like you would have.

587
00:27:24,600 --> 00:27:26,320
Speaker 2: What is that from It's Star Wars?

588
00:27:26,560 --> 00:27:27,040
Speaker 3: Star Wars?

589
00:27:27,840 --> 00:27:30,760
Speaker 1: Returning to the Jedi to Pega.

590
00:27:30,600 --> 00:27:33,760
Speaker 4: Answers her fiance, I want you to Sean finishes the

591
00:27:33,800 --> 00:27:37,920
Speaker 4: song trap Trap. Corey continues his line of questioning, are

592
00:27:37,960 --> 00:27:40,000
Speaker 4: you saying I can tell you exactly what I think

593
00:27:40,040 --> 00:27:43,119
Speaker 4: with no fear or repercussion or lots and lots of yelling?

594
00:27:43,680 --> 00:27:47,200
Speaker 4: To Pega dares him to try it, so Corey maneuvers

595
00:27:47,200 --> 00:27:52,240
Speaker 4: around his first truth. Well, okay, to Panga, if you

596
00:27:52,280 --> 00:27:56,200
Speaker 4: don't mind, would you please consider keeping your paws off

597
00:27:56,240 --> 00:28:00,919
Speaker 4: my razor. Topega quickly answers done. Corey shocked, really, She

598
00:28:00,920 --> 00:28:02,880
Speaker 4: gives him a kiss and walks back out of the bathroom.

599
00:28:03,200 --> 00:28:06,399
Speaker 4: Corey is smiling ear to ear, wow, honesty all the time.

600
00:28:06,520 --> 00:28:07,120
Speaker 2: This will be good.

601
00:28:07,240 --> 00:28:10,679
Speaker 4: Huh on his way out, Sean sarcastically responds, Yeah, this

602
00:28:10,720 --> 00:28:14,479
Speaker 4: will be real good. And I think they wanted us

603
00:28:14,520 --> 00:28:16,600
Speaker 4: to really feel like they were setting up a great

604
00:28:16,640 --> 00:28:19,320
Speaker 4: episode that we just can't wait to see where this goes.

605
00:28:19,400 --> 00:28:21,879
Speaker 3: And yeah, I did not have that feeling.

606
00:28:22,160 --> 00:28:22,720
Speaker 2: I didn't know.

607
00:28:23,800 --> 00:28:26,240
Speaker 1: No, well, but maybe I did.

608
00:28:26,320 --> 00:28:28,160
Speaker 3: This sadness in your face will.

609
00:28:29,040 --> 00:28:33,320
Speaker 1: Well, No, I just thought it just got too big,

610
00:28:33,359 --> 00:28:35,880
Speaker 1: too fast. With Ben. It was a lot of it

611
00:28:35,920 --> 00:28:39,160
Speaker 1: was very just watch what I do next with the

612
00:28:39,280 --> 00:28:41,240
Speaker 1: telling of the truth, It's like that kind of stuff

613
00:28:41,360 --> 00:28:42,240
Speaker 1: was like, okay.

614
00:28:42,240 --> 00:28:44,600
Speaker 4: I know if it had been just more like falling

615
00:28:44,600 --> 00:28:48,000
Speaker 4: into falling into traps and also not saying things in

616
00:28:48,280 --> 00:28:51,800
Speaker 4: super rude ways, just being like, you know, like, oh,

617
00:28:52,000 --> 00:28:54,680
Speaker 4: we have to have dinner with my We're going to

618
00:28:54,720 --> 00:28:56,120
Speaker 4: make plans to have dinner with my parents.

619
00:28:56,160 --> 00:28:58,480
Speaker 2: I don't like dinner with your parents. What?

620
00:28:58,680 --> 00:29:00,520
Speaker 1: Yeah right, Yeah, No, I don't.

621
00:29:00,800 --> 00:29:02,200
Speaker 2: Sorry, I don't. I don't know. I've never had a

622
00:29:02,200 --> 00:29:02,560
Speaker 2: good time.

623
00:29:03,560 --> 00:29:06,480
Speaker 3: Also, because we haven't set up that we were having

624
00:29:06,520 --> 00:29:09,400
Speaker 3: a dinner party. Yeah, I'm not sure that, like I'm

625
00:29:09,400 --> 00:29:12,160
Speaker 3: not aware we're entering a situation where Corey being honest

626
00:29:12,240 --> 00:29:15,040
Speaker 3: is going to lead to hijinks, like you know what

627
00:29:15,080 --> 00:29:18,360
Speaker 3: I mean, Like we're just Oh, Corey's gonna tell the truth,

628
00:29:18,720 --> 00:29:21,520
Speaker 3: and I'm like, okay, under like, what is the time pressure?

629
00:29:21,600 --> 00:29:23,520
Speaker 3: What is the circumstance with this is gonna be bad?

630
00:29:23,720 --> 00:29:26,200
Speaker 3: Why is this bad for Sean? Why does this affect anybody?

631
00:29:26,280 --> 00:29:31,840
Speaker 3: It's just it's just like a character is gonna be himself. No,

632
00:29:31,880 --> 00:29:33,760
Speaker 3: but in what circumstance like and then we have to

633
00:29:33,760 --> 00:29:36,040
Speaker 3: go a whole nother scene before we get that circumstance,

634
00:29:36,080 --> 00:29:37,960
Speaker 3: and then even then it doesn't quite make sense. I

635
00:29:38,000 --> 00:29:39,080
Speaker 3: don't know, I'm just I.

636
00:29:39,000 --> 00:29:42,440
Speaker 4: Was, Yeah, Well, we're in the student union to Benga

637
00:29:42,440 --> 00:29:44,600
Speaker 4: and Angela sit at a table while Sean and Corey

638
00:29:44,640 --> 00:29:47,840
Speaker 4: stand nearby. Topanga notices something in the newspaper. Oh look,

639
00:29:48,120 --> 00:29:50,560
Speaker 4: my petit shoe is playing at the university theater.

640
00:29:50,720 --> 00:29:51,320
Speaker 2: Do you want to go?

641
00:29:51,680 --> 00:29:55,400
Speaker 4: Corey looks at Sean and says, watch this. He answers

642
00:29:55,400 --> 00:29:57,920
Speaker 4: to Panga, No, I don't want to go. You know

643
00:29:58,000 --> 00:30:01,200
Speaker 4: why because it's a chick flick, and Corey doesn't like

644
00:30:01,400 --> 00:30:02,120
Speaker 4: chick flicks.

645
00:30:02,320 --> 00:30:02,840
Speaker 2: You know what else?

646
00:30:02,880 --> 00:30:05,960
Speaker 4: I don't like the ice capades. Don't ever take me there.

647
00:30:06,560 --> 00:30:07,880
Speaker 4: Corey leans into Sean.

648
00:30:07,840 --> 00:30:09,720
Speaker 3: This is so not Corey.

649
00:30:09,800 --> 00:30:12,360
Speaker 2: Corey he loves the ice capades.

650
00:30:12,480 --> 00:30:14,720
Speaker 1: Yes, he's a Kapaids guy.

651
00:30:14,800 --> 00:30:18,400
Speaker 3: We've established this character as like the old man in

652
00:30:18,440 --> 00:30:21,640
Speaker 3: the relationship. He would love this sort of evening out.

653
00:30:21,680 --> 00:30:22,520
Speaker 2: I don't exactly.

654
00:30:23,480 --> 00:30:26,760
Speaker 1: It's like a couple episodes ago they flipped Corey and Topanga.

655
00:30:26,960 --> 00:30:29,240
Speaker 2: Yeah exactly, and I don't.

656
00:30:29,320 --> 00:30:30,040
Speaker 1: I don't get why.

657
00:30:31,040 --> 00:30:31,760
Speaker 2: It's very weird.

658
00:30:32,280 --> 00:30:35,160
Speaker 4: Corey leans into Sean, so how am I doing? And annoyed,

659
00:30:35,200 --> 00:30:38,719
Speaker 4: Sean answers, You're right on schedule. Then Eric walks in

660
00:30:38,720 --> 00:30:41,520
Speaker 4: with a baby stroller. He's babysitting Joshua until Alan and

661
00:30:41,520 --> 00:30:43,760
Speaker 4: Amy come pick him up, and that's when Rachel and

662
00:30:43,840 --> 00:30:47,040
Speaker 4: Jack appear. Eric tries to quickly scuttle away, but Rachel

663
00:30:47,080 --> 00:30:50,440
Speaker 4: stops him. Oh, Eric, wait, we want to catch everybody here.

664
00:30:50,560 --> 00:30:52,880
Speaker 4: Jack and I are having our first dinner party on

665
00:30:52,960 --> 00:30:55,280
Speaker 4: Friday night, and we wanted to invite all of you

666
00:30:55,360 --> 00:30:57,440
Speaker 4: because I'm going to cook and it's going to be really,

667
00:30:57,480 --> 00:31:00,880
Speaker 4: really fun to Panga, Corey, Angel and all agree to go,

668
00:31:00,920 --> 00:31:04,480
Speaker 4: but Eric stays silent. Rachel puts her hand on his arm. Eric,

669
00:31:04,640 --> 00:31:07,760
Speaker 4: we really want you to come. Eric asks, well, how

670
00:31:07,760 --> 00:31:09,400
Speaker 4: do you expect me to go back to a place

671
00:31:09,400 --> 00:31:11,280
Speaker 4: where I had my heart ripped out of my chest

672
00:31:11,280 --> 00:31:13,000
Speaker 4: and thrown around the room like it was a.

673
00:31:14,640 --> 00:31:16,840
Speaker 2: Like a like a nerf heart.

674
00:31:20,560 --> 00:31:23,320
Speaker 4: Rachel grabs Eric by the shirt and aggressively explains, I

675
00:31:23,360 --> 00:31:25,400
Speaker 4: want you to forget about everything that has happened between

676
00:31:25,440 --> 00:31:27,640
Speaker 4: us and remember that we're friends, and I want you

677
00:31:27,680 --> 00:31:32,120
Speaker 4: to come to our party because it's for friends. Okay, yeah, okay,

678
00:31:32,960 --> 00:31:36,200
Speaker 4: just lay it out there, say it, lay it out there.

679
00:31:36,200 --> 00:31:36,880
Speaker 2: That's what I want.

680
00:31:38,080 --> 00:31:41,320
Speaker 4: Eric angrily responds, will you be making tater tots? And

681
00:31:41,440 --> 00:31:44,520
Speaker 4: Rachel keeps up the intensity. Oh, I'll make tater tots.

682
00:31:45,040 --> 00:31:48,200
Speaker 4: Eric barks back, Oh, then I'll be there, then quickly

683
00:31:48,240 --> 00:31:50,800
Speaker 4: pulls back and walks away with the stroller, crying to himself.

684
00:31:51,160 --> 00:31:55,720
Speaker 2: So I love, I want and I.

685
00:31:55,640 --> 00:31:57,200
Speaker 1: Don't know if we ever do this, I have no

686
00:31:57,280 --> 00:32:00,160
Speaker 1: memory of it whatsoever. But I want to know why.

687
00:32:01,120 --> 00:32:03,960
Speaker 1: I want to know why Eric thinks he's in love

688
00:32:04,040 --> 00:32:06,719
Speaker 1: with Rachel. I know, like I want a scene with

689
00:32:06,720 --> 00:32:10,120
Speaker 1: Feene or somebody going Okay, great, you're in love withther

690
00:32:10,280 --> 00:32:11,680
Speaker 1: You've said this now several times.

691
00:32:12,080 --> 00:32:16,400
Speaker 5: Why she's what something? Yeah, okay, she's taught like something,

692
00:32:16,440 --> 00:32:19,040
Speaker 5: she's tall, and then it comes to realize he's not

693
00:32:19,160 --> 00:32:21,000
Speaker 5: in love with her at all. It's that it was

694
00:32:21,000 --> 00:32:23,920
Speaker 5: a competition between him and Jack Jack one. He's more

695
00:32:24,000 --> 00:32:26,880
Speaker 5: hurt by that, like there's so much there to mine of.

696
00:32:27,320 --> 00:32:29,360
Speaker 5: You know, they've taken Tommy from Eric at this point.

697
00:32:29,400 --> 00:32:32,160
Speaker 5: Now he's not living with anybody. He's still apparently living

698
00:32:32,200 --> 00:32:35,480
Speaker 5: back with his parents. He taken Rachel from him.

699
00:32:35,720 --> 00:32:37,520
Speaker 1: If you're going to talk about Eric, I want to

700
00:32:37,600 --> 00:32:41,000
Speaker 1: know some stuff about Eric at this point, something about

701
00:32:41,040 --> 00:32:43,800
Speaker 1: the actual guy again r And I want to know, Okay,

702
00:32:43,840 --> 00:32:45,280
Speaker 1: why is one.

703
00:32:45,080 --> 00:32:47,440
Speaker 2: Of the things he loves that she's such a good cook.

704
00:32:48,520 --> 00:32:51,520
Speaker 4: You know, looky, you're having a why what are you

705
00:32:51,520 --> 00:32:53,440
Speaker 4: making at this dinner party? And she names like his

706
00:32:53,560 --> 00:32:56,640
Speaker 4: special favorite Yeah, my special tater talts.

707
00:32:56,320 --> 00:32:57,200
Speaker 2: And my thing.

708
00:32:57,320 --> 00:32:57,560
Speaker 3: Yeah.

709
00:32:57,880 --> 00:33:00,520
Speaker 2: I want a girlfriend that wants to throw dinner parties

710
00:33:00,520 --> 00:33:02,360
Speaker 2: for you know, makes my favorite mood something.

711
00:33:02,760 --> 00:33:05,040
Speaker 1: I just want to know why he thinks he's in

712
00:33:05,040 --> 00:33:06,640
Speaker 1: love with her and now he can't even be friends

713
00:33:06,680 --> 00:33:08,479
Speaker 1: with Jack, it seems like. And he's like, okay, well,

714
00:33:08,520 --> 00:33:11,120
Speaker 1: let's can we delve into that a little bit? Yeah,

715
00:33:11,160 --> 00:33:12,120
Speaker 1: And I don't know if we ever do.

716
00:33:12,960 --> 00:33:14,640
Speaker 2: I don't think so, we'll see.

717
00:33:15,080 --> 00:33:16,920
Speaker 4: Eric makes his way to the patio and reaches into

718
00:33:16,960 --> 00:33:19,960
Speaker 4: the stroller to fix a blanket. Oh, josh you're getting cold, buddy.

719
00:33:20,200 --> 00:33:23,720
Speaker 4: A nearby girl notices his fatherly instincts, Oh, who's the

720
00:33:23,720 --> 00:33:27,240
Speaker 4: little one. Eric answers, that's Joshua, and the girl responds,

721
00:33:27,280 --> 00:33:28,160
Speaker 4: he's so cute.

722
00:33:28,200 --> 00:33:31,200
Speaker 2: How old is he? Eric shrugs his shoulders, months or something.

723
00:33:31,240 --> 00:33:33,920
Speaker 2: I don't know. Look at me, though, I'm Eric. The

724
00:33:33,960 --> 00:33:34,960
Speaker 2: girl seems impressed.

725
00:33:35,280 --> 00:33:37,560
Speaker 4: You know, there's nothing sweeter than a father with his

726
00:33:37,680 --> 00:33:41,080
Speaker 4: new baby. Eric confidently responds, Oh, sure, there is the

727
00:33:41,120 --> 00:33:44,000
Speaker 4: father his new baby and his new baby's girlfriend.

728
00:33:45,240 --> 00:33:46,400
Speaker 2: His new baby's girlfriend.

729
00:33:46,480 --> 00:33:47,880
Speaker 3: Yeah, that's the way it's written, And that's what I

730
00:33:47,920 --> 00:33:50,440
Speaker 3: had that. I was like, is she going to catch that?

731
00:33:50,480 --> 00:33:53,920
Speaker 3: He calls the baby's girlfriend, Like what? And then she

732
00:33:53,960 --> 00:33:56,080
Speaker 3: acts I think that was a mistake. I don't know.

733
00:33:56,400 --> 00:33:58,680
Speaker 3: She acts like a sentence to me perfect sense because

734
00:33:58,720 --> 00:34:00,920
Speaker 3: she's like, there's no why for whatever she says.

735
00:34:00,920 --> 00:34:04,320
Speaker 4: And I was like, but the baby, yeah, the new

736
00:34:04,320 --> 00:34:07,960
Speaker 4: baby's girlfriend. H Oh, that's so weird. And it didn't

737
00:34:08,040 --> 00:34:10,360
Speaker 4: land on me when I listened to it. I assumed

738
00:34:10,600 --> 00:34:13,400
Speaker 4: he said, and the new baby's father's girlfriend.

739
00:34:13,480 --> 00:34:15,840
Speaker 1: Right, a new girlfriend, the new baby, the dad and

740
00:34:15,920 --> 00:34:18,759
Speaker 1: the new dad's girlfriend. Really dad, something like that, yeah baby,

741
00:34:18,840 --> 00:34:21,200
Speaker 1: new dad, Yeah no, yeah, Oh that's so funny.

742
00:34:21,880 --> 00:34:24,520
Speaker 4: The girl wonders what about your wife, and Eric quickly

743
00:34:24,560 --> 00:34:26,279
Speaker 4: answers dead, what are you doing?

744
00:34:26,360 --> 00:34:28,400
Speaker 2: Later, the girl.

745
00:34:28,160 --> 00:34:31,440
Speaker 4: Looks very concerned, and Eric continues, no, I'm all that

746
00:34:31,480 --> 00:34:33,360
Speaker 4: he's got in the world. And that's when Alan and

747
00:34:33,400 --> 00:34:36,160
Speaker 4: Amy return, and, now nervous, Eric yells out, my dear

748
00:34:36,200 --> 00:34:39,120
Speaker 4: old mom and dad. Hey, all right, great cup of coffee,

749
00:34:39,120 --> 00:34:41,320
Speaker 4: Come on. He tries to usher his new love interest

750
00:34:41,360 --> 00:34:44,760
Speaker 4: into the cafe. Amy looks into the stroller. Hey little boy,

751
00:34:44,840 --> 00:34:46,960
Speaker 4: did you miss your mommy? And the girl is now

752
00:34:47,040 --> 00:34:49,840
Speaker 4: rightfully confused. Eric jumps in, Did.

753
00:34:49,680 --> 00:34:52,280
Speaker 2: I miss my mommy? Of course I missed my mommy.

754
00:34:52,480 --> 00:34:53,040
Speaker 2: Come here.

755
00:34:53,880 --> 00:34:56,160
Speaker 4: Eric reaches down to give Amy a big hug and

756
00:34:56,320 --> 00:34:57,800
Speaker 4: turns to Alan for an embrace.

757
00:34:58,000 --> 00:34:59,960
Speaker 2: I missed my daddy too, didn't I be?

758
00:35:00,200 --> 00:35:00,439
Speaker 3: Guy?

759
00:35:01,920 --> 00:35:06,440
Speaker 2: Alan is weirded out? All right? Back off? Eric asks

760
00:35:06,480 --> 00:35:07,960
Speaker 2: his parents, have you met my new friend?

761
00:35:08,280 --> 00:35:08,600
Speaker 1: This is?

762
00:35:09,400 --> 00:35:11,960
Speaker 4: Eric points at the girl and she says Dana, which

763
00:35:12,320 --> 00:35:13,160
Speaker 4: Dana Pruitt?

764
00:35:13,160 --> 00:35:16,080
Speaker 2: Did we? How come we had such few names.

765
00:35:16,640 --> 00:35:18,680
Speaker 1: Dana was also I think the name of the towny

766
00:35:18,760 --> 00:35:19,600
Speaker 1: that Eric dated.

767
00:35:19,640 --> 00:35:27,160
Speaker 3: Who it? Yeah, Dana is in Michael's back right something.

768
00:35:27,320 --> 00:35:30,120
Speaker 1: Get It's like, really, these are the names we have?

769
00:35:30,360 --> 00:35:33,200
Speaker 4: We have, there's lots of names in the world. Eric

770
00:35:33,280 --> 00:35:35,879
Speaker 4: quickly repeats her name to his parents. Dana tells them

771
00:35:35,920 --> 00:35:39,120
Speaker 4: you have an adorable grandson, and Amy is confused. Eric

772
00:35:39,160 --> 00:35:42,000
Speaker 4: creeps behind Dana and starts silently begging the parents to

773
00:35:42,040 --> 00:35:44,080
Speaker 4: lie to a girl so he can hook up with her.

774
00:35:44,640 --> 00:35:48,680
Speaker 4: Alan catches the drift and chimes in, oh uh, yes,

775
00:35:49,000 --> 00:35:51,959
Speaker 4: yes we do, Thank you very much. Eric and Dana

776
00:35:52,000 --> 00:35:54,680
Speaker 4: start to walk off. As Eric mouths the words thank you.

777
00:35:55,360 --> 00:35:59,879
Speaker 4: Alan wishes him good luck, and Amy realizes he's using

778
00:35:59,880 --> 00:36:03,799
Speaker 4: our child to pick up women. Alan comments, it's disgusting.

779
00:36:03,880 --> 00:36:06,040
Speaker 4: I'm going to have a talk with him. Another pretty

780
00:36:06,080 --> 00:36:08,360
Speaker 4: young girl walks onto the patio and gives the stroller

781
00:36:08,360 --> 00:36:10,760
Speaker 4: a look as she passes, but says nothing. To avoid

782
00:36:10,760 --> 00:36:13,239
Speaker 4: a sag rate Alan says to her, see what I

783
00:36:13,320 --> 00:36:15,640
Speaker 4: made there, and Amy slaps him.

784
00:36:15,480 --> 00:36:18,840
Speaker 3: On them on college women in front of his wife.

785
00:36:20,920 --> 00:36:22,840
Speaker 1: I think that was more, he says, See what I

786
00:36:22,960 --> 00:36:25,520
Speaker 1: made there is more? Like proud Papa is how I

787
00:36:25,600 --> 00:36:27,560
Speaker 1: read it. But I think that's not what they were going.

788
00:36:27,520 --> 00:36:29,960
Speaker 4: I mean, they're clearly trying to allude to the idea

789
00:36:29,960 --> 00:36:32,480
Speaker 4: that nothing picks up women faster than a new baby,

790
00:36:32,560 --> 00:36:35,040
Speaker 4: which a writer, did you.

791
00:36:35,080 --> 00:36:36,200
Speaker 2: Also have that experience?

792
00:36:37,440 --> 00:36:37,560
Speaker 1: Uh?

793
00:36:38,000 --> 00:36:39,400
Speaker 3: Actually did you?

794
00:36:39,800 --> 00:36:40,440
Speaker 2: All right?

795
00:36:40,560 --> 00:36:41,800
Speaker 1: So he's just talking.

796
00:36:41,600 --> 00:36:44,279
Speaker 3: About this with Alex because it was it was a

797
00:36:44,400 --> 00:36:48,360
Speaker 3: hysterical thing, like I'm I've got Indie strapped to me,

798
00:36:48,640 --> 00:36:50,600
Speaker 3: and we were like having a party or something. So

799
00:36:50,640 --> 00:36:53,440
Speaker 3: I was buying a bunch of groceries and wine and

800
00:36:53,520 --> 00:36:56,520
Speaker 3: one of my like the wine, I'm trying to load

801
00:36:56,560 --> 00:36:58,680
Speaker 3: the car and one of the wine bottles just falls

802
00:36:59,160 --> 00:37:02,919
Speaker 3: crashes onto it and like wine everywhere, and I've got

803
00:37:02,920 --> 00:37:06,799
Speaker 3: like broken glass, a baby strapped to me, and no joke,

804
00:37:06,960 --> 00:37:10,320
Speaker 3: three different women come out of no to come.

805
00:37:10,239 --> 00:37:11,680
Speaker 1: Oh are you okay?

806
00:37:11,840 --> 00:37:15,080
Speaker 3: How can we help? I was like, you know, and

807
00:37:15,120 --> 00:37:16,719
Speaker 3: the joke was that when I talked about it later

808
00:37:16,719 --> 00:37:18,960
Speaker 3: with Alex, She's like, yeah, if I had been carrying

809
00:37:18,960 --> 00:37:21,080
Speaker 3: a baby and dropped a bottle of wine, everybody would

810
00:37:21,080 --> 00:37:23,759
Speaker 3: be like, look at the alcoholic mother who shouldn't have

811
00:37:23,800 --> 00:37:24,160
Speaker 3: a kid.

812
00:37:25,320 --> 00:37:26,759
Speaker 1: But yes, no, Dad's get a pass.

813
00:37:26,920 --> 00:37:30,280
Speaker 3: Like Dad's I mean, like when I do anything fatherly,

814
00:37:31,160 --> 00:37:34,399
Speaker 3: it is considered like magic and wonderful. It's like, look

815
00:37:34,400 --> 00:37:36,279
Speaker 3: at you're being so good, just just by.

816
00:37:36,719 --> 00:37:40,160
Speaker 2: Dad, good dad. Yes I'm a dad, Yes exactly.

817
00:37:40,239 --> 00:37:42,840
Speaker 3: It's like but the expectation is that, you know, moms

818
00:37:42,840 --> 00:37:44,919
Speaker 3: are supposed to be doing this, and if a dad

819
00:37:44,960 --> 00:37:48,919
Speaker 3: sticks around, he's amazing. Yeah. So I definitely. I don't

820
00:37:48,920 --> 00:37:52,040
Speaker 3: know if it was always like an attraction, like you

821
00:37:52,440 --> 00:37:54,640
Speaker 3: gonna hit on me, but it was definitely a level

822
00:37:54,680 --> 00:37:57,959
Speaker 3: of like I always got props for a baby dad,

823
00:37:58,160 --> 00:37:59,799
Speaker 3: like in a way that I don't think women get

824
00:38:00,320 --> 00:38:00,960
Speaker 3: right for sure.

825
00:38:01,320 --> 00:38:04,840
Speaker 2: Right man, Well, we're in Rachel and Jack's apartment.

826
00:38:04,960 --> 00:38:07,080
Speaker 4: Rachel's in the kitchen prepping for the dinner party when

827
00:38:07,160 --> 00:38:09,560
Speaker 4: Jack comes downstairs and eats a radish off her plate.

828
00:38:09,760 --> 00:38:13,480
Speaker 4: What are you doing? Rachel explains, carving those radishes? I

829
00:38:13,600 --> 00:38:15,200
Speaker 4: just spent half an hour on the one in your

830
00:38:15,200 --> 00:38:19,600
Speaker 4: mouth while chewing, Jack admits it's good. Rachel takes a

831
00:38:19,640 --> 00:38:22,440
Speaker 4: look at his outfit. Oh you weren't planning on wearing

832
00:38:22,480 --> 00:38:25,600
Speaker 4: mat were you? Jack is confused, What don't I look

833
00:38:25,600 --> 00:38:28,040
Speaker 4: good in this? Rachel explains, Oh, no, you look fine.

834
00:38:28,040 --> 00:38:30,080
Speaker 4: You look fine. I just thought that maybe since this

835
00:38:30,200 --> 00:38:32,440
Speaker 4: is our first dinner party together, you might, I don't know,

836
00:38:32,600 --> 00:38:35,440
Speaker 4: want to dress up a little bit. Jack wonders, got

837
00:38:35,480 --> 00:38:36,760
Speaker 4: anything in particular you want.

838
00:38:36,600 --> 00:38:37,000
Speaker 2: Me to wear.

839
00:38:37,480 --> 00:38:39,680
Speaker 4: Rachel tries her best to assure him, Oh, no, I

840
00:38:39,719 --> 00:38:41,200
Speaker 4: want you to wear whatever you want to wear.

841
00:38:41,400 --> 00:38:44,280
Speaker 3: Does Jack, it seem like his shirt is kind of dressy?

842
00:38:44,760 --> 00:38:46,560
Speaker 2: I thought his outfit was perfectly dressy.

843
00:38:46,760 --> 00:38:50,319
Speaker 3: I mean, he puts on a sweater. Is a sweater better?

844
00:38:50,560 --> 00:38:54,080
Speaker 1: He puts on something tighter to show off than Matt

845
00:38:54,120 --> 00:38:56,600
Speaker 1: Lawrence this of it, And I think a different pair

846
00:38:56,640 --> 00:38:59,000
Speaker 1: of pants, like he puts on he goes from pants

847
00:38:59,000 --> 00:38:59,719
Speaker 1: to slacks.

848
00:39:00,520 --> 00:39:03,440
Speaker 2: I think he's wearing a short sleeve button down.

849
00:39:03,440 --> 00:39:05,799
Speaker 1: Which she's wearing the same one you're wearing.

850
00:39:05,880 --> 00:39:10,000
Speaker 4: Less less formal than a long sleeve card like like

851
00:39:10,040 --> 00:39:12,960
Speaker 4: a crew neck sweater. I do think you would say

852
00:39:13,000 --> 00:39:14,719
Speaker 4: one is a little more formal than the other.

853
00:39:15,600 --> 00:39:18,000
Speaker 1: So he did look more dressy when he came down

854
00:39:18,040 --> 00:39:18,800
Speaker 1: the second time.

855
00:39:18,600 --> 00:39:20,719
Speaker 3: But why not put him in a T shirt? Like

856
00:39:20,880 --> 00:39:21,640
Speaker 3: if the point is.

857
00:39:21,560 --> 00:39:24,239
Speaker 4: That he's not like he's it's not like he's wearing

858
00:39:24,239 --> 00:39:26,239
Speaker 4: his pajamas. And she said, Dude, I know we're having

859
00:39:26,239 --> 00:39:27,759
Speaker 4: our friends over her we're having a dinner party.

860
00:39:27,800 --> 00:39:29,560
Speaker 3: Seems like an easy fix. He's just wearing like a

861
00:39:29,640 --> 00:39:31,200
Speaker 3: rock T shirt or something that's like.

862
00:39:31,960 --> 00:39:33,879
Speaker 1: And flip flops. Yeah.

863
00:39:34,040 --> 00:39:37,640
Speaker 4: Jack looks down at his shirt, except this Rachel pacifies

864
00:39:37,680 --> 00:39:39,720
Speaker 4: him with a laugh You're so funny.

865
00:39:40,360 --> 00:39:41,520
Speaker 2: With a matching fake smile.

866
00:39:41,640 --> 00:39:44,280
Speaker 4: Jack reveals, now I'm going to go think about things,

867
00:39:44,960 --> 00:39:46,239
Speaker 4: and then we're in the elevator.

868
00:39:46,400 --> 00:39:48,200
Speaker 3: I mean, hold on, it's a minor point, but it

869
00:39:48,239 --> 00:39:51,080
Speaker 3: actually like it kind of gets to the idea that

870
00:39:51,160 --> 00:39:55,839
Speaker 3: like she's ridiculous, yeah, whereas like why not make it

871
00:39:55,880 --> 00:39:58,600
Speaker 3: not ridiculous. It's like it's okay for her character to

872
00:39:58,640 --> 00:40:01,120
Speaker 3: be demanding, like you know what I mean, Like the

873
00:40:01,160 --> 00:40:04,600
Speaker 3: show is saying that she's been hyper sensitive or you

874
00:40:04,680 --> 00:40:07,160
Speaker 3: know that, and it's rationalizing that by not having him,

875
00:40:07,360 --> 00:40:09,839
Speaker 3: whereas it could have had the same conflict but kind

876
00:40:09,840 --> 00:40:13,040
Speaker 3: of had her more understandable where he didn't dress up

877
00:40:13,400 --> 00:40:14,879
Speaker 3: and right, she's asking something.

878
00:40:14,920 --> 00:40:16,800
Speaker 1: I really played to him being casual.

879
00:40:16,680 --> 00:40:19,360
Speaker 3: Yeah, but instead they you know, it's it's okay for

880
00:40:19,440 --> 00:40:23,120
Speaker 3: her to be crazy anxiety unhinged woman as opposed to

881
00:40:23,400 --> 00:40:26,000
Speaker 3: somebody who is asking her partner to like maybe try

882
00:40:26,040 --> 00:40:28,720
Speaker 3: a little harder tonight because I'm kind hard. Yeah.

883
00:40:28,840 --> 00:40:31,800
Speaker 4: The whole thing about this is that Rachel has become

884
00:40:32,880 --> 00:40:37,560
Speaker 4: annoying right since getting into a relationship. Right after they

885
00:40:37,560 --> 00:40:39,080
Speaker 4: were in a relationship, she was like, why don't we

886
00:40:39,080 --> 00:40:39,800
Speaker 4: ever go dancing?

887
00:40:39,840 --> 00:40:42,680
Speaker 2: You need to take me dancing, let's go do this thing.

888
00:40:42,719 --> 00:40:44,560
Speaker 4: And now she's like, I want to have a dinner party,

889
00:40:44,680 --> 00:40:46,520
Speaker 4: and she's like, and the thing you're wearing isn't right,

890
00:40:46,640 --> 00:40:51,040
Speaker 4: and like it's being in a relationship has changed who

891
00:40:51,120 --> 00:40:54,440
Speaker 4: she was before she got into the relationship in ways

892
00:40:54,480 --> 00:40:57,200
Speaker 4: that we are not saying our good ways right now.

893
00:40:57,120 --> 00:40:59,680
Speaker 3: And she's now supposed to understand them. We're supposed to

894
00:40:59,800 --> 00:41:01,360
Speaker 3: think it's insane.

895
00:41:01,800 --> 00:41:07,160
Speaker 4: And also Topanga has completely changed since she has gotten engaged.

896
00:41:07,880 --> 00:41:11,080
Speaker 4: Now where originally she was totally fine with waiting and

897
00:41:11,120 --> 00:41:12,680
Speaker 4: we're just going to do it when we feel ready.

898
00:41:12,760 --> 00:41:14,680
Speaker 4: Now she's obsessed with I need to buy a dress,

899
00:41:14,680 --> 00:41:16,880
Speaker 4: and I've got to get flowers and I'm and we

900
00:41:16,960 --> 00:41:18,080
Speaker 4: got to have all the stuff.

901
00:41:18,840 --> 00:41:21,359
Speaker 2: So, yeah, they don't. It's definitely not.

902
00:41:21,680 --> 00:41:26,960
Speaker 4: Written like women are chill in relationships.

903
00:41:27,280 --> 00:41:29,480
Speaker 1: No, No, the women are naggie and the men have

904
00:41:29,560 --> 00:41:32,680
Speaker 1: to go Okay, I guess you know, she's just being

905
00:41:32,840 --> 00:41:33,480
Speaker 1: like that again.

906
00:41:33,600 --> 00:41:48,840
Speaker 4: It's yeah, we're in the elevator, Angela, Corey, Sean, and

907
00:41:48,880 --> 00:41:50,719
Speaker 4: Tapanga are all heading up to the dinner party, but

908
00:41:50,760 --> 00:41:54,320
Speaker 4: things seem pretty tense to Panga, who has some very

909
00:41:54,320 --> 00:41:58,200
Speaker 4: intense crimped hair going on, stares ahead while Corey is

910
00:41:58,200 --> 00:42:01,120
Speaker 4: focused on her new do with his mouth wide open.

911
00:42:01,400 --> 00:42:02,200
Speaker 1: Did you remember this?

912
00:42:02,840 --> 00:42:04,279
Speaker 2: I do, Yeah, I remember it.

913
00:42:04,320 --> 00:42:04,720
Speaker 3: I remember.

914
00:42:05,840 --> 00:42:08,879
Speaker 4: No, it's just a crimping iron, you know. You you

915
00:42:09,040 --> 00:42:10,319
Speaker 4: get you get it hot, you put it.

916
00:42:10,280 --> 00:42:11,920
Speaker 2: Here, and you move it down here and you're here.

917
00:42:12,400 --> 00:42:17,319
Speaker 4: It definitely faster than you know, wearing curlers or even

918
00:42:17,360 --> 00:42:18,120
Speaker 4: maybe curling your hair.

919
00:42:18,160 --> 00:42:19,439
Speaker 2: It's not the same as curling your hair.

920
00:42:19,760 --> 00:42:22,360
Speaker 4: Uh. And then I remember the butterfly clips. You know,

921
00:42:22,400 --> 00:42:24,640
Speaker 4: butterfly clips were very big in the nineties, and so

922
00:42:25,200 --> 00:42:27,279
Speaker 4: to take the crimped hair and to make it look

923
00:42:27,320 --> 00:42:29,600
Speaker 4: even more wild, we just put the butterfly clips in.

924
00:42:31,280 --> 00:42:35,480
Speaker 4: And yeah, so I remember. I remember doing the hairstyle

925
00:42:35,640 --> 00:42:40,759
Speaker 4: and thinking, well, this is a nightmare. I did not

926
00:42:41,040 --> 00:42:45,000
Speaker 4: love the look. I liked the butterfly clip look. I actually,

927
00:42:46,640 --> 00:42:50,400
Speaker 4: months later wore a similar hairstyle, but with straight hair.

928
00:42:51,000 --> 00:42:52,760
Speaker 4: Wear with my hair and a bunch of butterfly clips

929
00:42:52,760 --> 00:42:55,080
Speaker 4: and thought that looked cute. But the crimp, the crimped

930
00:42:55,360 --> 00:42:58,640
Speaker 4: hair with the butterfly clips is quite a thing. Once

931
00:42:58,680 --> 00:43:01,560
Speaker 4: the elevator doors open, core asks Tapanga, at what point,

932
00:43:01,640 --> 00:43:04,040
Speaker 4: when you were paying to have this done to your hair,

933
00:43:04,520 --> 00:43:07,120
Speaker 4: did you look in the mirror and say, hey, this

934
00:43:07,200 --> 00:43:10,720
Speaker 4: looks good? So that's my point. She didn't do it herself.

935
00:43:10,800 --> 00:43:12,959
Speaker 4: It's not like she tried to do her own hair

936
00:43:13,200 --> 00:43:14,960
Speaker 4: and then wasn't.

937
00:43:14,760 --> 00:43:15,520
Speaker 1: Good at all.

938
00:43:15,600 --> 00:43:18,080
Speaker 4: Right, she paid to go have her It's not a

939
00:43:18,120 --> 00:43:22,200
Speaker 4: bad hair cut or bad hair color. So why did

940
00:43:22,239 --> 00:43:24,839
Speaker 4: she suddenly go pay for someone to style her hair

941
00:43:24,880 --> 00:43:25,560
Speaker 4: because they're.

942
00:43:25,400 --> 00:43:31,920
Speaker 2: Going to a dinner party? Yeah? In what universe do

943
00:43:32,080 --> 00:43:35,120
Speaker 2: college kids while I'm going one going to a dinner party,

944
00:43:35,120 --> 00:43:37,080
Speaker 2: two better go to the beauty parlor to get my

945
00:43:37,120 --> 00:43:38,600
Speaker 2: hair done? Like what?

946
00:43:38,600 --> 00:43:38,799
Speaker 3: What?

947
00:43:39,040 --> 00:43:43,040
Speaker 4: It's just I don't understand. Tapega is annoyed. You've made

948
00:43:43,080 --> 00:43:45,759
Speaker 4: your point. You don't like my hair. Corey tells Sean

949
00:43:45,920 --> 00:43:49,080
Speaker 4: watch this and turns to his peeved fiance Topanga.

950
00:43:49,239 --> 00:43:50,960
Speaker 2: If I may be honest, and you said I.

951
00:43:50,920 --> 00:43:55,000
Speaker 4: Could, I don't dislike your hair. No, no, I hate it.

952
00:43:55,360 --> 00:43:58,200
Speaker 4: No hates too strong a word. Oh no, hates good.

953
00:43:58,400 --> 00:44:00,840
Speaker 4: I think whoever did this to you should be taken outside,

954
00:44:00,920 --> 00:44:02,960
Speaker 4: tied down and made to look at it.

955
00:44:03,680 --> 00:44:05,360
Speaker 2: And the inmates find this very.

956
00:44:06,800 --> 00:44:08,120
Speaker 1: It's actually a pretty funny line.

957
00:44:08,120 --> 00:44:11,960
Speaker 3: It's a very funny line. Yeah, I just don't you know,

958
00:44:12,760 --> 00:44:17,560
Speaker 3: Corey is seen honesty means being a jerk. He's just

959
00:44:17,600 --> 00:44:21,440
Speaker 3: being mean. And while it's a funny line, it's not.

960
00:44:22,080 --> 00:44:25,759
Speaker 3: It's not likable, like it's not like none of is no.

961
00:44:25,880 --> 00:44:28,360
Speaker 4: The fact that Corey gets a listen, I want you

962
00:44:28,400 --> 00:44:30,120
Speaker 4: to be honest with me, even if it's even if

963
00:44:30,160 --> 00:44:34,520
Speaker 4: the truth hurts sometimes. I don't know why he has

964
00:44:34,600 --> 00:44:37,400
Speaker 4: to say, like, worse than death would be looking at.

965
00:44:37,239 --> 00:44:39,439
Speaker 2: This hair, which is what I have to do right now.

966
00:44:39,640 --> 00:44:42,080
Speaker 4: It is a very funny line, but it does just

967
00:44:42,120 --> 00:44:46,000
Speaker 4: make me feel very much like I can't believe I

968
00:44:46,040 --> 00:44:48,360
Speaker 4: have to explain to you that when I say I

969
00:44:48,400 --> 00:44:50,799
Speaker 4: want you to be honest with me, I don't want

970
00:44:50,800 --> 00:44:53,560
Speaker 4: you to go out of your way to aggressively hurt me.

971
00:44:54,080 --> 00:44:57,719
Speaker 1: Yeah, that's what I mean by Corey pushing it too much.

972
00:44:57,719 --> 00:45:01,240
Speaker 1: This week, it was just like, okay, it's come on, really,

973
00:45:01,280 --> 00:45:01,960
Speaker 1: who would do this?

974
00:45:02,840 --> 00:45:03,200
Speaker 2: Who?

975
00:45:03,320 --> 00:45:06,319
Speaker 4: I don't know, Sean explains, to Angela, he's like a

976
00:45:06,320 --> 00:45:08,280
Speaker 4: dog with a bone, and they both shake their heads.

977
00:45:08,600 --> 00:45:10,480
Speaker 4: Then we're back in Rachel and Jack's apartment. There's a

978
00:45:10,520 --> 00:45:12,400
Speaker 4: knock on the door, and Rachel takes one last glance

979
00:45:12,440 --> 00:45:14,359
Speaker 4: at Jack, who is now in a sweater. She gives

980
00:45:14,400 --> 00:45:17,360
Speaker 4: him a smile. She opens the door to Topanga, Corey, Angela,

981
00:45:17,400 --> 00:45:19,160
Speaker 4: and Sean. Rachel greets her friends.

982
00:45:19,239 --> 00:45:20,000
Speaker 1: Hi, come on.

983
00:45:20,000 --> 00:45:23,680
Speaker 4: In, oh, Topanga, I love your hair Tapega thanks her,

984
00:45:23,680 --> 00:45:27,840
Speaker 4: but Corey reveals, though not asked, I don't don't worry.

985
00:45:27,920 --> 00:45:30,239
Speaker 4: We have an honesty packed. We tell each other the

986
00:45:30,280 --> 00:45:35,000
Speaker 4: truth about everything. Now, Sean, again sarcastic, adds, yeah, nothing

987
00:45:35,040 --> 00:45:37,400
Speaker 4: bad's gonna happen at all. Now we have to like

988
00:45:37,480 --> 00:45:40,160
Speaker 4: reset up the whole scenario. Now that we're inside the

989
00:45:40,200 --> 00:45:44,160
Speaker 4: apartment for the dinner party, Rachel says, you know what,

990
00:45:44,600 --> 00:45:46,680
Speaker 4: this reminds me of the game we used to play

991
00:45:46,719 --> 00:45:47,560
Speaker 4: back in high school.

992
00:45:47,600 --> 00:45:48,600
Speaker 2: It was an honesty game.

993
00:45:48,760 --> 00:45:51,040
Speaker 4: We put everybody's name in a hat, and whoever's name

994
00:45:51,080 --> 00:45:53,760
Speaker 4: you draw, you can ask whatever you want. Sean grabs

995
00:45:53,800 --> 00:45:55,719
Speaker 4: a platter I just came to eat, which I thought

996
00:45:55,760 --> 00:45:59,239
Speaker 4: was very funny. Sehn's like, oh no, I'm not playing

997
00:45:59,280 --> 00:46:01,600
Speaker 4: this dumb game, but I do like some free food.

998
00:46:01,840 --> 00:46:06,000
Speaker 1: So it's Truth or Dare without any possible sex. But

999
00:46:06,040 --> 00:46:09,680
Speaker 1: then they have Angela and Sean go off and no sex,

1000
00:46:10,080 --> 00:46:11,920
Speaker 1: So why not just play truth or Dare.

1001
00:46:11,880 --> 00:46:15,880
Speaker 3: Because there needs to be linked to honesty as the concept.

1002
00:46:15,880 --> 00:46:17,640
Speaker 1: But that's truth right right.

1003
00:46:17,680 --> 00:46:21,280
Speaker 3: But then it's because the setup was that Tapankas said,

1004
00:46:21,719 --> 00:46:23,960
Speaker 3: I want you to be honest with me, Corey, so

1005
00:46:24,000 --> 00:46:25,479
Speaker 3: we needed to connect those two things.

1006
00:46:25,520 --> 00:46:28,719
Speaker 1: I know, I know, just what kind of game is

1007
00:46:28,760 --> 00:46:30,400
Speaker 1: that we're gonna put your name in a hat and

1008
00:46:30,440 --> 00:46:32,080
Speaker 1: then we're going to ask you questions you have to

1009
00:46:32,120 --> 00:46:35,480
Speaker 1: tell us the answers to. It's the game, Yeah, just talking,

1010
00:46:38,239 --> 00:46:40,120
Speaker 1: you know, other than the fact that you're using a hat,

1011
00:46:40,480 --> 00:46:41,200
Speaker 1: it's not a game.

1012
00:46:42,760 --> 00:46:48,480
Speaker 2: So yeah, okay, Sean grabs a platter. I just came

1013
00:46:48,520 --> 00:46:52,000
Speaker 2: to eat. Jack quietly tells Sean that's a nice outfit,

1014
00:46:52,239 --> 00:46:54,400
Speaker 2: which is another really funny line that you're wearing the.

1015
00:46:54,440 --> 00:46:56,080
Speaker 1: Same shirt, same, exactly the same shirt.

1016
00:46:56,239 --> 00:46:59,200
Speaker 4: No, noticing he's wearing the same shirt, Rachel asked him

1017
00:46:59,239 --> 00:47:02,720
Speaker 4: to change out over noticing his discomfort, Angela asks Sean

1018
00:47:02,880 --> 00:47:06,000
Speaker 4: are you afraid of honesty? And Sean has no problem, admitting,

1019
00:47:06,080 --> 00:47:08,520
Speaker 4: oh yeah in a big way to Pega chimes in

1020
00:47:08,920 --> 00:47:10,040
Speaker 4: Corey and I aren't.

1021
00:47:13,400 --> 00:47:13,840
Speaker 2: Shut up.

1022
00:47:15,640 --> 00:47:19,359
Speaker 4: I think. Corey agrees honesty's a sinch for us. Sean

1023
00:47:19,520 --> 00:47:22,759
Speaker 4: just yells trap at him, but Rachel is ready to play. Great,

1024
00:47:22,840 --> 00:47:25,640
Speaker 4: then I'll get the hat. Corey suggests to put it

1025
00:47:25,760 --> 00:47:29,279
Speaker 4: on to Panga and then starts evil laughing, getting the

1026
00:47:29,360 --> 00:47:33,520
Speaker 4: audience to again ooh. Corey quickly realizes he's the only

1027
00:47:33,600 --> 00:47:37,800
Speaker 4: one laughing. Okay, I'm done. Rachel returns with the hat. Okay, everyone,

1028
00:47:37,920 --> 00:47:39,399
Speaker 4: let's play, but Jack isn't sold.

1029
00:47:39,719 --> 00:47:40,799
Speaker 2: Do we have to play a game?

1030
00:47:41,239 --> 00:47:43,520
Speaker 4: Rachel explains, Oh, come on, dinner's not quite ready and

1031
00:47:43,600 --> 00:47:45,600
Speaker 4: we have to wait for Eric. Anyway, it's really fun

1032
00:47:45,640 --> 00:47:48,880
Speaker 4: to think of intimate questions that'll really embarrass everybody. Angela

1033
00:47:48,960 --> 00:47:51,000
Speaker 4: says that she'll go first, and she grabs a card

1034
00:47:51,000 --> 00:47:53,960
Speaker 4: from the hat Jack. Jack knows this is bad even

1035
00:47:54,000 --> 00:47:56,920
Speaker 4: before the question. Angela asks, if you could change one

1036
00:47:57,000 --> 00:48:00,919
Speaker 4: thing about Rachel, what would you change? Trying to change

1037
00:48:00,920 --> 00:48:04,000
Speaker 4: the subject, Jack responds, I don't know who's next, and

1038
00:48:04,120 --> 00:48:07,600
Speaker 4: quickly walks toward the food. Rachel pleads, Oh, come on, Jack, try,

1039
00:48:08,000 --> 00:48:10,200
Speaker 4: I mean there must be something about me that bothers you.

1040
00:48:10,760 --> 00:48:13,719
Speaker 4: Jack shakes his head and quickly replies, nope, sorry, Oh

1041
00:48:14,080 --> 00:48:17,880
Speaker 4: good game. Feels good to be honest. Huh Tepenga reaches

1042
00:48:17,880 --> 00:48:20,439
Speaker 4: into the hat and grabs a name Rachel, same question.

1043
00:48:20,800 --> 00:48:23,800
Speaker 4: Is there anything about Jack that bothers you? Rachel stares

1044
00:48:23,800 --> 00:48:26,320
Speaker 4: at Jack and he says, see how hard it is?

1045
00:48:26,920 --> 00:48:30,239
Speaker 4: But instead Rachel quickly answers he's too passive. He needs

1046
00:48:30,280 --> 00:48:34,799
Speaker 4: to voice his opinions more ouch. Angela asks, oo, Jack,

1047
00:48:34,920 --> 00:48:38,200
Speaker 4: what do you think about that? A dejected Jack shrugs

1048
00:48:38,239 --> 00:48:38,880
Speaker 4: his shoulders.

1049
00:48:40,000 --> 00:48:40,400
Speaker 2: I don't know.

1050
00:48:42,360 --> 00:48:46,120
Speaker 1: He was arguably the best one in this episode. He

1051
00:48:46,200 --> 00:48:47,839
Speaker 1: really was so good.

1052
00:48:48,440 --> 00:48:51,000
Speaker 4: The doorbell rings and it's Eric and Dana. Rachel is

1053
00:48:51,080 --> 00:48:53,800
Speaker 4: surprised to see a guest. Eric explains, yeah, yeah, this

1054
00:48:53,920 --> 00:48:55,799
Speaker 4: is Dana. I met her at the student union when

1055
00:48:55,840 --> 00:48:59,440
Speaker 4: I was with my son Joshua. Eric gives everyone a

1056
00:48:59,520 --> 00:49:02,360
Speaker 4: death'st to go along with his story. Yeah, he's with

1057
00:49:02,480 --> 00:49:06,759
Speaker 4: Grandma and Grandpa Matthews. Right now, you remember my son Joshua.

1058
00:49:07,280 --> 00:49:09,160
Speaker 1: Josh They missed a huge joke here, by the way,

1059
00:49:09,360 --> 00:49:13,560
Speaker 1: what Eric should have been in the same shirt. Yes,

1060
00:49:14,480 --> 00:49:18,040
Speaker 1: it's just everybody, but Jack essentially is wearing that shirt.

1061
00:49:18,680 --> 00:49:19,839
Speaker 1: It's just you and I look at each other.

1062
00:49:19,880 --> 00:49:20,839
Speaker 3: And nice shirt.

1063
00:49:20,960 --> 00:49:27,560
Speaker 2: Sure so, Sean, now in a British accent, says, and

1064
00:49:27,680 --> 00:49:32,240
Speaker 2: the honesty game just Scott a little more interesting. Interesting.

1065
00:49:35,120 --> 00:49:37,799
Speaker 4: Jack has not paid attention to anything since Rachel told

1066
00:49:37,880 --> 00:49:40,480
Speaker 4: him the truth. He asks Sean, do you think I'm

1067
00:49:40,520 --> 00:49:44,720
Speaker 4: too passive? Sean doesn't hear him what Jack immediately says.

1068
00:49:44,680 --> 00:49:45,880
Speaker 2: Nothing looks.

1069
00:49:47,440 --> 00:49:48,920
Speaker 1: This is great, the best joke in the whole.

1070
00:49:49,000 --> 00:49:49,680
Speaker 2: It's so funny.

1071
00:49:50,239 --> 00:49:52,440
Speaker 1: I don't think his fist pump is my favorite thing.

1072
00:49:52,640 --> 00:49:56,759
Speaker 3: Everything he does, everything storyline is so stole, funny, character driven.

1073
00:49:56,880 --> 00:49:58,400
Speaker 1: It's agreed, agreed.

1074
00:49:58,680 --> 00:49:58,879
Speaker 2: Yeah.

1075
00:50:00,040 --> 00:50:03,040
Speaker 4: Rachel shakes Dana's hand. Hi, I'm Rachel. It's so nice

1076
00:50:03,080 --> 00:50:05,240
Speaker 4: to meet you. Would you excuse me for just one second?

1077
00:50:05,640 --> 00:50:07,920
Speaker 4: Eric surveys the room and eventually gets to Tapanga. He

1078
00:50:08,040 --> 00:50:11,320
Speaker 4: uncontrollably starts to laugh and point to her hair. He

1079
00:50:11,400 --> 00:50:14,319
Speaker 4: even hugs his brother in happiness at the site. Now

1080
00:50:14,400 --> 00:50:17,160
Speaker 4: in the kitchen with Jack, Rachel is upset. Jack asks

1081
00:50:17,200 --> 00:50:20,840
Speaker 4: what's wrong, and she passionately explains, I have seven cornish hens,

1082
00:50:21,040 --> 00:50:24,160
Speaker 4: seven baked potatoes, and seven parfays, and there are eight

1083
00:50:24,280 --> 00:50:29,040
Speaker 4: people here. Jack calmly states, Ah, okay, I'll leave for

1084
00:50:29,239 --> 00:50:33,880
Speaker 4: Rachel happily tells him sit down nearby. Sean starts to

1085
00:50:33,920 --> 00:50:36,320
Speaker 4: tell Eric they're playing a truth game to promote honesty

1086
00:50:36,400 --> 00:50:40,719
Speaker 4: and relationships. Eric nods his head honesty excellent, excellent, It's

1087
00:50:40,760 --> 00:50:43,840
Speaker 4: what they teach us in law school. He again nods

1088
00:50:43,920 --> 00:50:46,920
Speaker 4: towards Dana, so his friends go along with yet another lie.

1089
00:50:47,560 --> 00:50:50,080
Speaker 4: Topanga can't believe him, but moves forward with the game.

1090
00:50:50,400 --> 00:50:51,840
Speaker 4: All right, let's see who's next.

1091
00:50:52,200 --> 00:50:53,240
Speaker 2: She reads the card.

1092
00:50:53,360 --> 00:50:56,920
Speaker 4: Sean, if you could spend one night with anyone no

1093
00:50:57,160 --> 00:51:01,400
Speaker 4: strings attached, who would it be? With Angela, pacing behind him,

1094
00:51:01,440 --> 00:51:04,960
Speaker 4: looks interested in this answer. Sean clarifies anyone in the

1095
00:51:05,040 --> 00:51:08,920
Speaker 4: world no strings and to Pega says, yep, be honest.

1096
00:51:09,680 --> 00:51:14,200
Speaker 4: Sean answers, then then I'd pick Angela. Everyone at the

1097
00:51:14,280 --> 00:51:16,200
Speaker 4: party and in the studio audience.

1098
00:51:15,880 --> 00:51:20,880
Speaker 3: Begins, Sean, what are you taught? Like? What are you doing? Literally,

1099
00:51:20,960 --> 00:51:22,719
Speaker 3: no one else in the world you could mention at

1100
00:51:22,760 --> 00:51:24,000
Speaker 3: this point, uh huh.

1101
00:51:26,600 --> 00:51:28,719
Speaker 4: Everyone at the party and in the studio would get

1102
00:51:28,719 --> 00:51:31,080
Speaker 4: ooohing and awing at that one. To Panga, happy with

1103
00:51:31,200 --> 00:51:33,840
Speaker 4: her game playing, wants to know what Angela thinks about that.

1104
00:51:34,560 --> 00:51:39,600
Speaker 4: Angela wants clarification from Sean. So, with no strings, no commitment,

1105
00:51:39,960 --> 00:51:43,920
Speaker 4: no emotional attachment, you'd pick me. And I thought this

1106
00:51:44,160 --> 00:51:47,520
Speaker 4: was going to well, then you can go f yourself.

1107
00:51:47,640 --> 00:51:49,719
Speaker 1: Yeah, I thought you was gonna smack them. Yeah.

1108
00:51:49,800 --> 00:51:53,520
Speaker 4: I was like, wait a minute, that you would probably

1109
00:51:53,600 --> 00:51:56,279
Speaker 4: already know that, because the reason you're not together is

1110
00:51:56,280 --> 00:51:57,360
Speaker 4: because he didn't want a commitment.

1111
00:51:57,840 --> 00:51:58,080
Speaker 1: Yep.

1112
00:51:58,680 --> 00:52:05,399
Speaker 4: Why are you happy about this news anyway? Sean answers, yeah,

1113
00:52:05,880 --> 00:52:09,120
Speaker 4: what do you say to that? And Angela responds, then

1114
00:52:09,160 --> 00:52:15,360
Speaker 4: let's do it. Then the inmates go absolutely batcockack crazy.

1115
00:52:15,760 --> 00:52:18,040
Speaker 1: I did too. I was like, what the way? What? What?

1116
00:52:18,800 --> 00:52:19,759
Speaker 1: I didn't remember this at all.

1117
00:52:20,120 --> 00:52:24,040
Speaker 4: Corey creeps up behind Sean and whispers it's a trap,

1118
00:52:26,360 --> 00:52:28,920
Speaker 4: and then they go to a commercial break back at

1119
00:52:29,000 --> 00:52:32,200
Speaker 4: Jack and Rachel's dinner party. Angela eggshan on, So come on, Sean,

1120
00:52:32,400 --> 00:52:35,960
Speaker 4: let's go. Sean a little taken aback, asks now, and

1121
00:52:36,080 --> 00:52:37,080
Speaker 4: Angela is determined.

1122
00:52:37,360 --> 00:52:37,520
Speaker 1: Now.

1123
00:52:38,040 --> 00:52:40,880
Speaker 2: She grabs Sean's hand and Sean exclaims.

1124
00:52:40,440 --> 00:52:42,279
Speaker 3: And they go back to their dorm room where it's

1125
00:52:42,320 --> 00:52:46,640
Speaker 3: appropriate to spend night together. Correct, correct, I'm just gonna

1126
00:52:46,680 --> 00:52:47,840
Speaker 3: hang out at the dinner party.

1127
00:52:48,160 --> 00:52:49,840
Speaker 1: Well, yeah, because you smosh and then you got the

1128
00:52:50,280 --> 00:52:55,759
Speaker 1: cornish came hends. Oh my gosh, cod potatoes so disgusting.

1129
00:52:55,880 --> 00:52:59,200
Speaker 2: What's the problem. And no, by the way, you go

1130
00:52:59,400 --> 00:53:00,640
Speaker 2: to like their.

1131
00:53:00,640 --> 00:53:01,960
Speaker 3: Bedroom, that's what I mean.

1132
00:53:02,280 --> 00:53:04,359
Speaker 2: Just but I mean like there's not even like kind

1133
00:53:04,360 --> 00:53:07,240
Speaker 2: of seeing the world of like eighteen year old.

1134
00:53:07,160 --> 00:53:09,360
Speaker 3: Mindset that this makes sense. But then you make a

1135
00:53:09,440 --> 00:53:11,600
Speaker 3: thing out of it, like, hey guys, we got a

1136
00:53:11,719 --> 00:53:13,600
Speaker 3: room for you right now, you know, like like it's

1137
00:53:13,600 --> 00:53:16,560
Speaker 3: almost like a seven minutes in Heaven kind of jokey

1138
00:53:16,680 --> 00:53:19,000
Speaker 3: thing where it's like you, guys, we're gonna time you

1139
00:53:19,080 --> 00:53:21,839
Speaker 3: and you have an hour, no strings attached, and then

1140
00:53:21,880 --> 00:53:23,440
Speaker 3: it's like a then it's part of the.

1141
00:53:23,480 --> 00:53:25,840
Speaker 2: Way and go to my office, right But.

1142
00:53:25,920 --> 00:53:28,000
Speaker 3: Instead it's like we're gonna go spend the night and

1143
00:53:28,040 --> 00:53:31,400
Speaker 3: no strings attach it and we'll just on your bed stands.

1144
00:53:32,000 --> 00:53:32,360
Speaker 1: Just do that.

1145
00:53:34,840 --> 00:53:36,960
Speaker 4: They start to head up the stairs, but Corey blocks

1146
00:53:37,000 --> 00:53:40,040
Speaker 4: them by jumping over the railing. Hello, he asks, when

1147
00:53:40,080 --> 00:53:42,200
Speaker 4: YouTube broke up, who was the one that spent every

1148
00:53:42,239 --> 00:53:44,240
Speaker 4: minute of every day trying to get YouTube back together?

1149
00:53:44,920 --> 00:53:48,960
Speaker 2: Sean answers, you, darling, what's the deal with the darlings.

1150
00:53:49,080 --> 00:53:50,120
Speaker 1: They've done this a couple of times.

1151
00:53:50,200 --> 00:53:52,960
Speaker 2: Now, I know, why does Michael think that's funny? I know,

1152
00:53:53,120 --> 00:53:55,280
Speaker 2: but why why does Michael think it's funny.

1153
00:53:55,880 --> 00:54:03,360
Speaker 3: It's a reference to I think, like Nol Coward comedies

1154
00:54:03,400 --> 00:54:05,160
Speaker 3: from the nineteen thirties.

1155
00:54:05,440 --> 00:54:06,440
Speaker 1: Which all kids love.

1156
00:54:06,600 --> 00:54:09,560
Speaker 3: Yeah, it's it's a theater thing. It's like, it's like

1157
00:54:09,719 --> 00:54:13,839
Speaker 3: old dinner theater, like yeah, like they used to use

1158
00:54:13,920 --> 00:54:15,840
Speaker 3: those kinds of even the fact that I did an

1159
00:54:15,840 --> 00:54:17,520
Speaker 3: English accent when I'm like and then it just got

1160
00:54:17,560 --> 00:54:20,719
Speaker 3: a little more interesting. I think Michael was like he

1161
00:54:21,000 --> 00:54:25,120
Speaker 3: loved those kinds of comedies, like plays theater that were like,

1162
00:54:25,280 --> 00:54:29,080
Speaker 3: you know, oh miss first first exactly, and that's what

1163
00:54:29,200 --> 00:54:31,200
Speaker 3: that era, that's what they talked like. And so I

1164
00:54:31,320 --> 00:54:33,680
Speaker 3: think he just thinks it's funny to reference that.

1165
00:54:33,880 --> 00:54:37,560
Speaker 4: Yeah, I mean Ben is basically doing a Michael Jacob's

1166
00:54:37,600 --> 00:54:39,560
Speaker 4: impression this entire episode.

1167
00:54:39,640 --> 00:54:42,480
Speaker 1: Yeah, yes, yeah, he really is. Yeah it's big too.

1168
00:54:42,920 --> 00:54:45,040
Speaker 4: And Corey continues, and who was the one who spent

1169
00:54:45,120 --> 00:54:47,279
Speaker 4: every second trying to make you to realize that you

1170
00:54:47,400 --> 00:54:52,000
Speaker 4: belong together? Angela now answers you, darling. Then Corey asks,

1171
00:54:52,040 --> 00:54:54,600
Speaker 4: so why are you going to do something very strange

1172
00:54:54,800 --> 00:54:57,400
Speaker 4: in the bedroom when I have absolutely nothing to do

1173
00:54:57,560 --> 00:55:01,600
Speaker 4: with it, Angela explains, no drings Corey, and Corey doesn't

1174
00:55:01,640 --> 00:55:04,160
Speaker 4: get it. He's disturbed. As Angela pushes him aside for

1175
00:55:04,200 --> 00:55:06,680
Speaker 4: the bedroom. Sean follows her and gets a few taps

1176
00:55:06,719 --> 00:55:10,160
Speaker 4: of encouragement from Eric along the way. Once they're gone, Sean.

1177
00:55:10,040 --> 00:55:11,920
Speaker 3: Turns to Smart actually like, don't touch me.

1178
00:55:12,200 --> 00:55:19,160
Speaker 1: Yeah, you were like, I'm gonna gig And I was.

1179
00:55:19,160 --> 00:55:25,000
Speaker 2: Like, don't you, mister. Once they're gone, Eric turns to

1180
00:55:25,080 --> 00:55:27,879
Speaker 2: his date and asks, so, Dana, what's your feeling about

1181
00:55:27,920 --> 00:55:31,759
Speaker 2: this whole stringless relationship? You know, no commitments, no emotional attachment.

1182
00:55:31,960 --> 00:55:34,239
Speaker 2: Still you get to huh huh, you know what I'm saying.

1183
00:55:34,560 --> 00:55:37,000
Speaker 2: And I want you to remember everybody's being honest tonight.

1184
00:55:37,520 --> 00:55:40,279
Speaker 2: Dana shrugs, Well, I just met you. All I know

1185
00:55:40,360 --> 00:55:42,279
Speaker 2: about you is that you're a single father working his

1186
00:55:42,320 --> 00:55:44,040
Speaker 2: way through law school who just got back from the

1187
00:55:44,120 --> 00:55:49,600
Speaker 2: No flyes on any Rock. Eric nods his head proudly

1188
00:55:49,840 --> 00:55:53,120
Speaker 2: to Panga. Can't help but laugh. Ah, she goes out

1189
00:55:53,160 --> 00:55:56,520
Speaker 2: with you. She deserves what she gets, does she what?

1190
00:55:57,000 --> 00:55:59,920
Speaker 3: I know, Penga, not at all?

1191
00:56:00,600 --> 00:56:00,640
Speaker 1: What?

1192
00:56:01,520 --> 00:56:03,200
Speaker 3: Yeah, And it doesn't why are we like we know

1193
00:56:03,320 --> 00:56:05,759
Speaker 3: nothing about her. We haven't established like you could have

1194
00:56:05,800 --> 00:56:10,319
Speaker 3: easily established that she's kind of dumb or easily very

1195
00:56:10,400 --> 00:56:13,080
Speaker 3: gullible in a way that would make to Panga be like,

1196
00:56:13,160 --> 00:56:15,600
Speaker 3: you know, she deserves it because she's I don't.

1197
00:56:15,440 --> 00:56:15,880
Speaker 1: Know what, but.

1198
00:56:17,400 --> 00:56:19,800
Speaker 3: It's like, oh, yeah, she's she's just a bad person

1199
00:56:19,920 --> 00:56:22,839
Speaker 3: or something. But instead it's like this poor woman has

1200
00:56:23,000 --> 00:56:26,239
Speaker 3: no idea what's going on, clue, and she's.

1201
00:56:26,080 --> 00:56:28,720
Speaker 2: Just met a guy she thinks is was in the service,

1202
00:56:28,960 --> 00:56:32,080
Speaker 2: who's a single father and going to be a lawyer,

1203
00:56:32,360 --> 00:56:35,080
Speaker 2: and she's interested and he's good looking, and I'm like, well,

1204
00:56:36,400 --> 00:56:39,560
Speaker 2: she deserves you to be lying to her. What what

1205
00:56:41,000 --> 00:56:44,000
Speaker 2: to Panga? Come on, girl, that's.

1206
00:56:44,080 --> 00:56:49,040
Speaker 4: Yeah, no, no, no, Eric responds, that's right baby. Rachel

1207
00:56:49,080 --> 00:56:51,279
Speaker 4: grabs the hat. Okay, let's get back to the game.

1208
00:56:51,320 --> 00:56:54,480
Speaker 4: Who's next? Jack and erupts are still concerned. I'm not passive,

1209
00:56:54,760 --> 00:56:59,640
Speaker 4: I'm just nice. Corey is also not moving on. He

1210
00:56:59,760 --> 00:57:00,720
Speaker 4: points to the bedroom.

1211
00:57:00,840 --> 00:57:03,080
Speaker 2: Excuse me, but does anybody care about what's going on

1212
00:57:03,239 --> 00:57:03,520
Speaker 2: up there?

1213
00:57:04,080 --> 00:57:07,120
Speaker 4: Eric jumps in and dramatically exclaims I have something to say.

1214
00:57:07,480 --> 00:57:10,040
Speaker 4: He then opens the oven and yells, these are not

1215
00:57:10,360 --> 00:57:13,680
Speaker 4: tater tots. Rachel runs over to the microwave Eric.

1216
00:57:13,719 --> 00:57:14,319
Speaker 2: They're right here.

1217
00:57:14,760 --> 00:57:17,360
Speaker 4: Eric laughs and nods and excitement. Then Jack blurts out,

1218
00:57:17,760 --> 00:57:20,760
Speaker 4: you leave hair in the shower. He throws his fists

1219
00:57:20,800 --> 00:57:22,320
Speaker 4: up proudly and points it at Rachel.

1220
00:57:22,680 --> 00:57:26,240
Speaker 2: You leave hair. It bothers me. That's right, your hair

1221
00:57:26,400 --> 00:57:30,800
Speaker 2: in the shower, clogging up the drain. It bothers me. Yeah, you,

1222
00:57:31,920 --> 00:57:33,080
Speaker 2: Rachel wonders, Wait a.

1223
00:57:33,120 --> 00:57:36,000
Speaker 4: Second, you've been sitting there and stewing for twenty minutes

1224
00:57:36,040 --> 00:57:37,160
Speaker 4: and that's all you came up with.

1225
00:57:37,720 --> 00:57:41,000
Speaker 2: I defeated. Jack says, leave me alone and sits back down.

1226
00:57:41,280 --> 00:57:44,280
Speaker 1: Of course, to microwave the tater tots? Did she I'm

1227
00:57:44,320 --> 00:57:46,760
Speaker 1: gonna say no, that she cooked them and took.

1228
00:57:46,680 --> 00:57:47,800
Speaker 2: Them out of the keep them.

1229
00:57:49,120 --> 00:57:50,760
Speaker 4: Yeah, and if not keeping them warm, just to have

1230
00:57:50,840 --> 00:57:52,919
Speaker 4: them off the counter. They're like tucked away in there

1231
00:57:53,680 --> 00:57:55,480
Speaker 4: because she had to use the oven for the cornish game.

1232
00:57:55,560 --> 00:57:58,560
Speaker 2: And that's okay, yeah, yeah.

1233
00:57:58,600 --> 00:58:00,560
Speaker 3: That's people are stipping in the bedroom.

1234
00:58:00,640 --> 00:58:02,880
Speaker 1: Well, I have no problem with that, but my tot's

1235
00:58:02,880 --> 00:58:04,760
Speaker 1: got to be crispy, and that is not a euphemism.

1236
00:58:05,080 --> 00:58:12,600
Speaker 4: Well, Jensen will microwave ta ketos, okay, frozen taketos in

1237
00:58:12,640 --> 00:58:13,280
Speaker 4: the microwave.

1238
00:58:13,800 --> 00:58:15,520
Speaker 1: Well, I mean, sometimes you gotta do what you gotta do,

1239
00:58:15,600 --> 00:58:16,360
Speaker 1: but not tots.

1240
00:58:19,200 --> 00:58:20,840
Speaker 2: Different also need to be crispy.

1241
00:58:21,360 --> 00:58:22,640
Speaker 3: I would just say, gals can.

1242
00:58:22,680 --> 00:58:24,960
Speaker 1: Just be warm? Do you like all of those? No,

1243
00:58:25,120 --> 00:58:27,680
Speaker 1: you don't. We'll figure out.

1244
00:58:27,680 --> 00:58:29,200
Speaker 2: But maybe we need to get him a station wagon.

1245
00:58:29,240 --> 00:58:31,920
Speaker 3: Maybe I would just say no microwave.

1246
00:58:32,480 --> 00:58:33,959
Speaker 2: Listen, soup.

1247
00:58:34,160 --> 00:58:36,840
Speaker 4: If you got soup, you're telling me you can't reheat

1248
00:58:36,920 --> 00:58:38,560
Speaker 4: super a cup of coffee in a microwave.

1249
00:58:39,080 --> 00:58:41,800
Speaker 3: Have you had reheated coffee from a microwave or reheated soup?

1250
00:58:41,840 --> 00:58:45,080
Speaker 3: It like take It has that weird lukewarm quality. It

1251
00:58:45,160 --> 00:58:50,160
Speaker 3: takes forever. No, takes forever, forever, press.

1252
00:58:50,120 --> 00:58:52,880
Speaker 1: But forever, but you're eating it. Press a button.

1253
00:58:52,880 --> 00:58:54,800
Speaker 2: In a minute and thirty seconds, you're eating hot soup.

1254
00:58:54,880 --> 00:58:57,600
Speaker 1: Exactly. All my microwaves have also been crotch level. Another

1255
00:58:57,600 --> 00:58:58,439
Speaker 1: reason I don't have kids.

1256
00:58:59,120 --> 00:59:00,800
Speaker 2: Oh mine is too in this house.

1257
00:59:01,000 --> 00:59:01,360
Speaker 1: There you go.

1258
00:59:13,200 --> 00:59:15,520
Speaker 4: Corey continues with his tirade. You all know what they're

1259
00:59:15,560 --> 00:59:18,400
Speaker 4: doing up there, don't you. There he's interrupted by Rachel,

1260
00:59:18,440 --> 00:59:20,560
Speaker 4: who has picked his name out of the hat. She asks,

1261
00:59:20,640 --> 00:59:22,919
Speaker 4: if you could change one thing about Topanga, what would

1262
00:59:22,960 --> 00:59:25,720
Speaker 4: it be? Corey thinks about this, what would it be?

1263
00:59:26,000 --> 00:59:26,560
Speaker 2: What would it be?

1264
00:59:27,160 --> 00:59:29,840
Speaker 4: He's at a loss. He's at the bedroom that Angela

1265
00:59:29,880 --> 00:59:32,040
Speaker 4: and Shan are in and asks again, what would it be?

1266
00:59:32,760 --> 00:59:35,040
Speaker 4: Tapanga beats him to the punch. Corey make here, We're

1267
00:59:35,040 --> 00:59:36,920
Speaker 4: going to be virgins for the rest of our lives joke,

1268
00:59:36,960 --> 00:59:39,360
Speaker 4: and then we can all move on. Corey corrects her,

1269
00:59:39,560 --> 00:59:41,720
Speaker 4: it actually changed your need to be perfect all the time.

1270
00:59:42,440 --> 00:59:47,000
Speaker 4: Topanga seems offended. What Corey continues, Oh yeah, I uh,

1271
00:59:47,160 --> 00:59:48,760
Speaker 4: I think you need to relax, lighten.

1272
00:59:48,640 --> 00:59:48,960
Speaker 3: Up a bit.

1273
00:59:49,320 --> 00:59:51,920
Speaker 4: Before she can respond, he looks at the bedroom again. Geez,

1274
00:59:52,040 --> 00:59:55,720
Speaker 4: they've been up there a long time. Topanga is aghast.

1275
00:59:56,240 --> 00:59:59,240
Speaker 4: I don't need to be perfect. Corey says, Oh, come

1276
00:59:59,320 --> 01:00:01,800
Speaker 4: on to Panga. From nursery school to college, you always

1277
01:00:01,840 --> 01:00:05,880
Speaker 4: had to be the best at everything to Penga wonders, really, then,

1278
01:00:05,920 --> 01:00:07,160
Speaker 4: why didn't I go to Yale?

1279
01:00:07,240 --> 01:00:13,320
Speaker 2: Corey? Why am I here at Penbrook with you? Why

1280
01:00:13,400 --> 01:00:14,480
Speaker 2: is she so mad about this?

1281
01:00:15,360 --> 01:00:18,320
Speaker 4: Like when he says that, I can see how if

1282
01:00:18,400 --> 01:00:24,160
Speaker 4: she has a counter argument, I could see her being like, Wow,

1283
01:00:24,280 --> 01:00:27,000
Speaker 4: I don't feel like I always have to be perfect, Like,

1284
01:00:27,160 --> 01:00:29,640
Speaker 4: give me some examples, and he does nursery school, you

1285
01:00:29,640 --> 01:00:30,840
Speaker 4: always have to have the best grades.

1286
01:00:30,920 --> 01:00:34,680
Speaker 2: And she's like, yeah, okay, I mean, but I can

1287
01:00:34,800 --> 01:00:36,680
Speaker 2: decide to let it go when it's really important to me,

1288
01:00:36,880 --> 01:00:38,400
Speaker 2: like I didn't go to Yale.

1289
01:00:39,680 --> 01:00:43,720
Speaker 1: You know, like they wrote it, and as if she's

1290
01:00:43,760 --> 01:00:46,560
Speaker 1: been holding onto this for a while, just waiting to

1291
01:00:46,600 --> 01:00:47,400
Speaker 1: be able to use.

1292
01:00:47,320 --> 01:00:52,560
Speaker 4: It exactly, and that she doesn't feel like there's some

1293
01:00:52,760 --> 01:00:55,880
Speaker 4: sort of credit she wants for it that she's not getting.

1294
01:00:57,000 --> 01:01:00,000
Speaker 4: So yeah, I didn't appreciate this for her either, because

1295
01:01:00,280 --> 01:01:02,840
Speaker 4: I don't for once. By the way, the honest thing

1296
01:01:02,960 --> 01:01:05,000
Speaker 4: he said, he didn't say in a mean way.

1297
01:01:05,400 --> 01:01:07,880
Speaker 1: No, he actually so legitimate criticism.

1298
01:01:08,120 --> 01:01:12,800
Speaker 2: Yeah, so I don't. Okay.

1299
01:01:14,280 --> 01:01:18,360
Speaker 4: Now Corey is shocked what Rachel tries to change the subject. Okay,

1300
01:01:18,520 --> 01:01:21,840
Speaker 4: ha ha, game's over. Who's hungry for hen? And I

1301
01:01:21,880 --> 01:01:23,880
Speaker 4: think that's where she picks up the hens right.

1302
01:01:23,800 --> 01:01:26,040
Speaker 1: For holding them. She's just hold them right from the oven.

1303
01:01:26,640 --> 01:01:28,240
Speaker 2: Corey isn't fazed. I knew it.

1304
01:01:28,440 --> 01:01:30,360
Speaker 4: You resent the fact that you gave up Yale for

1305
01:01:30,440 --> 01:01:32,840
Speaker 4: me to Pega explains, I gave up Yale for us.

1306
01:01:33,040 --> 01:01:35,120
Speaker 4: I was just trying to show you you were wrong okay,

1307
01:01:35,720 --> 01:01:38,280
Speaker 4: Corey says, well, maybe you should have gone then, yeah,

1308
01:01:38,320 --> 01:01:40,000
Speaker 4: maybe the time of part would have been good for us.

1309
01:01:40,560 --> 01:01:44,400
Speaker 4: To Panga, now, very upset, says, in what way, maybe

1310
01:01:44,440 --> 01:01:47,760
Speaker 4: we wouldn't be engaged? Corey asks, why do you have

1311
01:01:47,880 --> 01:01:51,280
Speaker 4: to take it to that level? To Panga turns around Rachel.

1312
01:01:51,680 --> 01:01:53,840
Speaker 4: Rachel is now hovering in the kitchen. Oh no, holding

1313
01:01:53,920 --> 01:01:57,240
Speaker 4: two hens in her hands. Thank you for everything. I'm

1314
01:01:57,280 --> 01:02:00,640
Speaker 4: gonna be leaving now, Corey stops. Or wait a minute,

1315
01:02:00,680 --> 01:02:03,120
Speaker 4: you started this whole honesty thing. You can't leave to

1316
01:02:03,240 --> 01:02:06,360
Speaker 4: Panga darism watch me. Once she walks out of the doors,

1317
01:02:06,440 --> 01:02:08,680
Speaker 4: Corey looks at his shocked friends, then to the bedroom.

1318
01:02:09,040 --> 01:02:12,840
Speaker 4: I can't believe they're still up there. Corey then follows

1319
01:02:12,880 --> 01:02:15,320
Speaker 4: to Pang out the front door. Rachel cries out.

1320
01:02:15,240 --> 01:02:17,560
Speaker 2: Oh, Jack, I just wanted to have my first grown

1321
01:02:17,640 --> 01:02:19,440
Speaker 2: up dinner party with my cornish hens.

1322
01:02:20,080 --> 01:02:22,800
Speaker 4: Eric adds and tater tots while pumping his fist in

1323
01:02:22,840 --> 01:02:26,240
Speaker 4: the air. Rachel admits, in defeat, my party is sucking.

1324
01:02:27,040 --> 01:02:29,400
Speaker 4: Jack tries to comfort her. No, come on, it's just

1325
01:02:29,480 --> 01:02:31,880
Speaker 4: your first one. Next time, we won't invite these people.

1326
01:02:32,480 --> 01:02:34,840
Speaker 4: Rachel says, well, I guess we could invite some of them.

1327
01:02:35,040 --> 01:02:37,080
Speaker 4: I mean, Eric seems to be doing pretty well with

1328
01:02:37,160 --> 01:02:39,760
Speaker 4: his date, and then on the couch, Dana says to Eric,

1329
01:02:40,120 --> 01:02:41,040
Speaker 4: I love shamou.

1330
01:02:41,480 --> 01:02:43,240
Speaker 2: How do you train him to do all those tricks?

1331
01:02:44,080 --> 01:02:46,840
Speaker 2: Eric answers, it's a difficult task, but the key is

1332
01:02:46,920 --> 01:02:50,760
Speaker 2: to start small. Hit stay, eat Pinocchio?

1333
01:02:52,440 --> 01:02:57,720
Speaker 1: What does he eat Pinocchio? Because because in Pinocchio he's right,

1334
01:02:57,920 --> 01:03:01,520
Speaker 1: So it's a it's a whole uh, jonathing gotcha.

1335
01:03:02,120 --> 01:03:04,560
Speaker 4: In the kitchen, Rachel continues telling Jack, you know what,

1336
01:03:04,920 --> 01:03:07,120
Speaker 4: everything was going fine until I thought of that stupid

1337
01:03:07,200 --> 01:03:10,720
Speaker 4: honesty game. Jack reminds her, No, no, that's not true, honey.

1338
01:03:10,960 --> 01:03:13,040
Speaker 4: This party would have been bad no matter what happened.

1339
01:03:13,600 --> 01:03:14,720
Speaker 3: Rachel as not a game.

1340
01:03:14,960 --> 01:03:17,560
Speaker 1: It's not a game, Rachel. No, just talking to people,

1341
01:03:17,680 --> 01:03:20,560
Speaker 1: just talking to people, asking them questions, and then I'm

1342
01:03:20,600 --> 01:03:23,440
Speaker 1: answering the questions you're asking, not Rachel.

1343
01:03:23,920 --> 01:03:24,760
Speaker 2: Rachel is relieved.

1344
01:03:24,800 --> 01:03:26,560
Speaker 4: I mean, she sets up that the game is actually

1345
01:03:26,800 --> 01:03:30,320
Speaker 4: trying to think of questions that will make people uncomfortable,

1346
01:03:30,520 --> 01:03:32,160
Speaker 4: which I guess is a little.

1347
01:03:31,960 --> 01:03:32,680
Speaker 3: More of a game.

1348
01:03:33,320 --> 01:03:33,960
Speaker 4: A game.

1349
01:03:35,400 --> 01:03:36,520
Speaker 1: Uncomfortable question.

1350
01:03:37,080 --> 01:03:38,720
Speaker 2: What makes what makes a game?

1351
01:03:38,800 --> 01:03:47,040
Speaker 1: Well, what's the rules? Something some kind of something a

1352
01:03:47,200 --> 01:03:49,080
Speaker 1: goal exactly.

1353
01:03:50,320 --> 01:03:53,560
Speaker 4: Jack apologizes, and then they kiss, getting an ooh from

1354
01:03:53,600 --> 01:03:57,000
Speaker 4: the most vocal audience that has ever existed. And now

1355
01:03:57,280 --> 01:03:59,680
Speaker 4: we're in the bedroom. Sean is on top of Angela

1356
01:03:59,760 --> 01:04:02,000
Speaker 4: making out with some mood music playing in the background.

1357
01:04:02,160 --> 01:04:04,480
Speaker 4: He stops to say, this is the greatest night of

1358
01:04:04,560 --> 01:04:07,160
Speaker 4: my life. You guys have been back there all this time,

1359
01:04:07,320 --> 01:04:09,680
Speaker 4: so much so. Corey's made a huge joke of it

1360
01:04:10,320 --> 01:04:15,320
Speaker 4: multiple times. And me is still up and you're fully clothed, and.

1361
01:04:17,000 --> 01:04:20,600
Speaker 1: Well, I mean, what you couldn't come She's on all fours,

1362
01:04:20,640 --> 01:04:22,560
Speaker 1: he's behind her. I mean, what what can you come

1363
01:04:22,640 --> 01:04:25,400
Speaker 1: back doing? You know what I mean. It's still at

1364
01:04:25,440 --> 01:04:26,840
Speaker 1: the end of the day. You can't really come back

1365
01:04:26,880 --> 01:04:28,520
Speaker 1: with anything other than they're kissing on the bed.

1366
01:04:28,840 --> 01:04:31,560
Speaker 4: Sure, I guess, although couldn't you have them under the

1367
01:04:31,600 --> 01:04:33,200
Speaker 4: sheets and their shirts are off?

1368
01:04:33,960 --> 01:04:37,520
Speaker 1: No way? In fact, I'd never allow that, would they.

1369
01:04:37,760 --> 01:04:38,240
Speaker 1: I don't know.

1370
01:04:38,600 --> 01:04:40,080
Speaker 2: I mean I don't because they're there.

1371
01:04:40,600 --> 01:04:42,200
Speaker 3: We can't even be on top of each other, like

1372
01:04:42,240 --> 01:04:47,040
Speaker 3: you see your legs, right, it's like this weird. Yeah,

1373
01:04:47,120 --> 01:04:48,919
Speaker 3: I don't. I mean, it's all just so weird.

1374
01:04:48,960 --> 01:04:50,360
Speaker 2: I couldn't, I know, it's so weird.

1375
01:04:50,520 --> 01:04:53,680
Speaker 3: I'm so uncomfortable for myself watching myself do this.

1376
01:04:53,960 --> 01:04:57,600
Speaker 1: Like we didn't even ask did either of you remember

1377
01:04:57,640 --> 01:04:58,200
Speaker 1: this episode?

1378
01:04:58,800 --> 01:05:00,320
Speaker 2: I didn't. I mean, I remember the hair, that's the

1379
01:05:00,360 --> 01:05:01,000
Speaker 2: only thing I remember.

1380
01:05:01,080 --> 01:05:02,720
Speaker 1: I remember the Batman joke, but I don't remember the

1381
01:05:02,760 --> 01:05:03,280
Speaker 1: episode at all.

1382
01:05:03,360 --> 01:05:05,960
Speaker 3: I think there were bits that I remember a little bit,

1383
01:05:06,040 --> 01:05:07,720
Speaker 3: but no, in general, I feel like I was pretty

1384
01:05:07,840 --> 01:05:08,200
Speaker 3: checked out.

1385
01:05:08,960 --> 01:05:09,160
Speaker 2: Yeah.

1386
01:05:11,280 --> 01:05:13,280
Speaker 4: So he says, this is the greatest night of my life,

1387
01:05:13,320 --> 01:05:15,640
Speaker 4: and Angela says, don't talk, and they go back to kissing.

1388
01:05:15,800 --> 01:05:18,440
Speaker 4: Sean pulls away again. No one understands this but us.

1389
01:05:18,760 --> 01:05:21,560
Speaker 4: Angela repeats herself quiet and they returned to the session.

1390
01:05:21,920 --> 01:05:25,200
Speaker 4: And then Sean pulls away for a third time. That

1391
01:05:25,280 --> 01:05:27,720
Speaker 4: you're going to hook up without having any strings attacking?

1392
01:05:27,720 --> 01:05:29,320
Speaker 1: Oh, strings attach? That you can actually do it?

1393
01:05:29,640 --> 01:05:30,440
Speaker 3: Okay, okay.

1394
01:05:31,840 --> 01:05:33,600
Speaker 4: And then Sean pulls away for a third time. I

1395
01:05:33,680 --> 01:05:37,160
Speaker 4: forgot how well we fit together. Angela says, through gritted teeth,

1396
01:05:37,280 --> 01:05:40,080
Speaker 4: I'm asking you to shut up, and she pulls him

1397
01:05:40,080 --> 01:05:43,360
Speaker 4: in to continue kissing. Back in the elevator, I guess

1398
01:05:43,400 --> 01:05:44,360
Speaker 4: Topanga waited for him.

1399
01:05:45,600 --> 01:05:49,440
Speaker 1: Well, it took the same car, Okay. I imagine.

1400
01:05:50,520 --> 01:05:52,720
Speaker 2: If I'm leaving a dinner party. It's because I don't

1401
01:05:52,720 --> 01:05:55,040
Speaker 2: want to be around you, not because I want us

1402
01:05:55,160 --> 01:05:59,400
Speaker 2: to leave together. I don't want to have had the sir. Sure, maybe,

1403
01:06:00,280 --> 01:06:03,240
Speaker 2: and there's no uber back then no back.

1404
01:06:03,280 --> 01:06:05,880
Speaker 4: In the elevator, Corey and a visibly upset to Panga

1405
01:06:05,960 --> 01:06:09,040
Speaker 4: stands shoulder to shoulder, not talking. Corey presses the button

1406
01:06:09,080 --> 01:06:11,320
Speaker 4: to stop the elevator, and then Tapanga presses it again

1407
01:06:11,360 --> 01:06:13,680
Speaker 4: to keep it moving. Corey stops the elevator again, and

1408
01:06:13,760 --> 01:06:16,600
Speaker 4: Topanga reverses it again, and Corey does it a third time.

1409
01:06:16,680 --> 01:06:18,840
Speaker 4: Topanga has had enough. What do you want from me?

1410
01:06:19,440 --> 01:06:23,320
Speaker 4: Corey explains, I want to understand what's bothering you. Topanga answers,

1411
01:06:23,400 --> 01:06:25,320
Speaker 4: I thought you wanted to spend some time apart, Corey.

1412
01:06:25,840 --> 01:06:28,280
Speaker 4: Corey siys Topanga, that's not what I meant, and you

1413
01:06:28,440 --> 01:06:31,000
Speaker 4: know it. Tapanga asks, but there is a part of

1414
01:06:31,040 --> 01:06:32,600
Speaker 4: you that wonders what it would be like to spend

1415
01:06:32,640 --> 01:06:37,240
Speaker 4: a year apart. Corey wonders honesty, and Topanga says please.

1416
01:06:37,880 --> 01:06:40,880
Speaker 4: Corey starts, Yes, there's a part of me that wonders

1417
01:06:40,880 --> 01:06:43,000
Speaker 4: what it would be like. But there's another part, a

1418
01:06:43,120 --> 01:06:45,680
Speaker 4: much bigger part, that knows I would be miserable without you.

1419
01:06:46,120 --> 01:06:48,160
Speaker 4: Now I need to know, are you sorry you gave

1420
01:06:48,240 --> 01:06:51,320
Speaker 4: up Yale? Wouldn't it make more sense.

1421
01:06:51,320 --> 01:06:54,040
Speaker 2: For this situation to actually be that?

1422
01:06:54,200 --> 01:06:58,880
Speaker 4: Now Topanga breaks Corey's heart in the honesty game by

1423
01:06:59,000 --> 01:07:02,880
Speaker 4: it coming out that a Panga has had thoughts about

1424
01:07:02,960 --> 01:07:06,080
Speaker 4: whether or not giving up Yale was the right decision,

1425
01:07:06,240 --> 01:07:09,920
Speaker 4: and and it's actually Corey who gets devastated by the honesty.

1426
01:07:10,200 --> 01:07:13,680
Speaker 3: Yes, that would make sense. Yes, yes, it backfires that

1427
01:07:13,760 --> 01:07:17,560
Speaker 3: he wants honesty between them and he's and then oh no,

1428
01:07:17,680 --> 01:07:19,600
Speaker 3: he can't handle the honesty thrown back at him.

1429
01:07:19,640 --> 01:07:21,000
Speaker 1: You can dish it, but you can't take it out.

1430
01:07:21,080 --> 01:07:22,920
Speaker 3: Yeah, that would have been a much simpler.

1431
01:07:22,800 --> 01:07:24,880
Speaker 1: Take it back. You can dish it, but you can't

1432
01:07:25,080 --> 01:07:25,320
Speaker 1: take it.

1433
01:07:26,200 --> 01:07:27,680
Speaker 3: You can dish it out, but you can't take it.

1434
01:07:27,920 --> 01:07:29,720
Speaker 1: Thank you. That's what I was trying to say. You

1435
01:07:29,800 --> 01:07:31,160
Speaker 1: can make a dish, but you can't eat it.

1436
01:07:31,240 --> 01:07:32,479
Speaker 3: Right, it's gotta be your dish.

1437
01:07:33,600 --> 01:07:35,480
Speaker 2: You can have your cake and you can also have

1438
01:07:35,560 --> 01:07:35,880
Speaker 2: a pie.

1439
01:07:37,320 --> 01:07:38,680
Speaker 3: What I was talking about exactly what?

1440
01:07:45,440 --> 01:07:47,640
Speaker 1: But this I liked. This is the scene that I liked.

1441
01:07:47,680 --> 01:07:49,680
Speaker 1: I liked them talking in the elevator, and I feel

1442
01:07:49,720 --> 01:07:51,840
Speaker 1: like if it started with them going to the dinner

1443
01:07:51,880 --> 01:07:54,720
Speaker 1: party having a fight. He hits the button, she hits

1444
01:07:54,760 --> 01:07:56,480
Speaker 1: it back. He hits the button, she hits back, and

1445
01:07:56,520 --> 01:07:59,240
Speaker 1: then the elevator breaks and now they're stuck there for

1446
01:07:59,360 --> 01:08:02,440
Speaker 1: two scenes and we keep cutting back to this conversation

1447
01:08:02,520 --> 01:08:04,360
Speaker 1: between the two of them that gets more and more honest.

1448
01:08:04,480 --> 01:08:06,840
Speaker 3: That to me is interesting, which also makes total sense

1449
01:08:06,880 --> 01:08:09,160
Speaker 3: what Danielle said, like that they go into this night

1450
01:08:09,240 --> 01:08:12,640
Speaker 3: thinking absolutely, I can be honest and mean. She's honest

1451
01:08:12,680 --> 01:08:14,480
Speaker 3: and not even trying to be mean, and he's like

1452
01:08:14,600 --> 01:08:17,240
Speaker 3: I'm leaving this dinner party, yes, and she's chasing him down,

1453
01:08:17,320 --> 01:08:19,200
Speaker 3: being like why can't you take it? And then you

1454
01:08:19,280 --> 01:08:22,080
Speaker 3: have a heart to heart and yes, it's so works,

1455
01:08:22,439 --> 01:08:25,400
Speaker 3: so many layers of twisting and characters in your.

1456
01:08:25,280 --> 01:08:28,519
Speaker 4: Reaer sad they've just made to Panga this person who's

1457
01:08:28,640 --> 01:08:33,160
Speaker 4: constantly devastated by the idea that Corey has any sort

1458
01:08:33,200 --> 01:08:37,760
Speaker 4: of life outside of her, which is not who Topanga

1459
01:08:38,280 --> 01:08:41,920
Speaker 4: is and not what the relationship Corey and Topanga have

1460
01:08:42,080 --> 01:08:44,560
Speaker 4: ever had up until this engagement.

1461
01:08:45,080 --> 01:08:47,120
Speaker 1: Yeah, it's been like three episodes now where they just

1462
01:08:47,240 --> 01:08:51,799
Speaker 1: flopped characters. Yes, just so like why who.

1463
01:08:52,280 --> 01:08:56,920
Speaker 4: Is it truly that we have just other than Michael.

1464
01:08:57,000 --> 01:09:00,080
Speaker 4: I mean, I guess she is Sherman gone at this point.

1465
01:09:00,160 --> 01:09:01,439
Speaker 1: Like, yeah, Sherman's gone.

1466
01:09:01,479 --> 01:09:03,639
Speaker 4: Do we just have such time that all the people

1467
01:09:03,720 --> 01:09:07,120
Speaker 4: who knew who Tapega's roots were and knew kind of

1468
01:09:07,160 --> 01:09:07,960
Speaker 4: where this started.

1469
01:09:08,040 --> 01:09:12,720
Speaker 2: There's just too many new voices, aren't.

1470
01:09:11,880 --> 01:09:14,400
Speaker 1: There also more women in the room now than there

1471
01:09:14,439 --> 01:09:16,040
Speaker 1: were when Tapanga came on the show.

1472
01:09:16,280 --> 01:09:20,360
Speaker 4: Yes, definitely more women, but not necessarily people who knew

1473
01:09:20,400 --> 01:09:24,880
Speaker 4: who Tapanga was, so they're certainly not necessarily used to

1474
01:09:25,000 --> 01:09:27,520
Speaker 4: writing against stereotype.

1475
01:09:27,960 --> 01:09:30,200
Speaker 2: Right, I don't know, okay.

1476
01:09:31,439 --> 01:09:34,000
Speaker 4: Tapenga says, giving up Yale was the hardest thing I've

1477
01:09:34,080 --> 01:09:36,280
Speaker 4: ever had to do, but of course I would have

1478
01:09:36,320 --> 01:09:38,960
Speaker 4: been miserable without you two. She puts her arms out

1479
01:09:39,000 --> 01:09:41,519
Speaker 4: for a hug and they have a long embrace. Topanga adds,

1480
01:09:42,000 --> 01:09:43,880
Speaker 4: I just want to be able to use your razor.

1481
01:09:44,560 --> 01:09:46,880
Speaker 4: Corey is grossed out and pulls away. I already told

1482
01:09:46,920 --> 01:09:49,719
Speaker 4: you black. The hug is over quickly, as Tapanga explains,

1483
01:09:49,720 --> 01:09:50,280
Speaker 4: I don't want.

1484
01:09:50,160 --> 01:09:50,960
Speaker 2: You to react like that.

1485
01:09:51,560 --> 01:09:54,120
Speaker 4: Corey asks, So that's what this is about, isn't it.

1486
01:09:54,600 --> 01:09:57,040
Speaker 4: Tapega says, The relationship that I want is not two

1487
01:09:57,120 --> 01:09:58,760
Speaker 4: individuals who live under the same roof.

1488
01:09:59,000 --> 01:10:01,840
Speaker 2: I want us together. What's mine is yours, and what's

1489
01:10:01,880 --> 01:10:03,960
Speaker 2: yours is mine. If you're going to react like that

1490
01:10:04,080 --> 01:10:06,360
Speaker 2: over a razor, how are you going to react when

1491
01:10:06,360 --> 01:10:07,360
Speaker 2: I use your toothbrush?

1492
01:10:07,960 --> 01:10:14,240
Speaker 4: Corey reveals not well. And then we're back in the bedroom.

1493
01:10:14,320 --> 01:10:16,240
Speaker 4: Sean and Angela are still making out on the bed.

1494
01:10:16,400 --> 01:10:18,840
Speaker 4: Sean can't help himself and starts talking, but Angela tells

1495
01:10:18,920 --> 01:10:21,240
Speaker 4: him not to. Sean pulls away and says I miss you.

1496
01:10:21,720 --> 01:10:24,320
Speaker 4: Angela tells him don't, but Sean leans in any way

1497
01:10:24,360 --> 01:10:28,240
Speaker 4: and says, Angela, I love you. Then Angela violently shoves

1498
01:10:28,320 --> 01:10:30,800
Speaker 4: him off the bed and onto the floor. Sean yells out,

1499
01:10:30,960 --> 01:10:35,839
Speaker 4: oh my keys. Angela admits I knew you couldn't do it. Now, recovering,

1500
01:10:35,920 --> 01:10:38,640
Speaker 4: Sean asks, oh, man, HI corried this up, didn't I?

1501
01:10:39,120 --> 01:10:41,679
Speaker 4: Angela laughs he had to go and get heavy, Sean,

1502
01:10:41,760 --> 01:10:44,640
Speaker 4: didn't you? Sean climbs back up on the bed. No,

1503
01:10:44,920 --> 01:10:47,000
Speaker 4: I'm not getting heavy, Angela. I just think that an

1504
01:10:47,040 --> 01:10:50,519
Speaker 4: emotional commitment is a proper foundation for Oh my god,

1505
01:10:50,720 --> 01:10:54,879
Speaker 4: I'm both of them. And then we're in the stopped elevator.

1506
01:10:54,960 --> 01:10:57,360
Speaker 4: Corey and Tepanga are now sitting on the floor. Corey says,

1507
01:10:57,360 --> 01:10:59,360
Speaker 4: if we're really being honest, then I think what you

1508
01:10:59,439 --> 01:11:02,680
Speaker 4: need is some imaginary perfect relationship. You know, this is

1509
01:11:02,880 --> 01:11:06,280
Speaker 4: just you going after perfection again. Tapega tells him, no, Corey,

1510
01:11:06,360 --> 01:11:08,240
Speaker 4: this is me realizing that we're going to be sharing

1511
01:11:08,280 --> 01:11:10,280
Speaker 4: the rest of our lives together and wondering why you

1512
01:11:10,400 --> 01:11:14,439
Speaker 4: can't even share a razor or a toothbrush. Corey ramps up, Okay,

1513
01:11:14,640 --> 01:11:17,160
Speaker 4: you want real honesty to Panga, can you handle real honesty?

1514
01:11:17,640 --> 01:11:19,920
Speaker 4: To Panga matches his intensity. I just want to know

1515
01:11:20,000 --> 01:11:22,479
Speaker 4: what it's going to take to share your toothbrush. Corey

1516
01:11:22,520 --> 01:11:25,479
Speaker 4: finally gets honest. The truth is I could never share

1517
01:11:25,520 --> 01:11:27,920
Speaker 4: any of my personal items with someone who won't even

1518
01:11:27,960 --> 01:11:32,800
Speaker 4: show me her tushy. No tushy, no brushy. After a

1519
01:11:32,880 --> 01:11:36,160
Speaker 4: few seconds of silence, to Panga states, I think that's fair.

1520
01:11:36,920 --> 01:11:39,880
Speaker 4: Corey is ready to detail his argument, but then realizes

1521
01:11:39,960 --> 01:11:40,559
Speaker 4: what she said.

1522
01:11:41,080 --> 01:11:46,320
Speaker 2: What are you guys following along with this logic?

1523
01:11:46,600 --> 01:11:47,479
Speaker 3: No, I didn't.

1524
01:11:48,080 --> 01:11:50,200
Speaker 1: I was watching a family matters in my mind.

1525
01:11:52,439 --> 01:11:57,320
Speaker 3: So Corey would be fine if he gets some right, But.

1526
01:11:57,360 --> 01:12:00,800
Speaker 1: I also going back, I also don't get what Angela's

1527
01:12:00,880 --> 01:12:04,360
Speaker 1: doing so did she just want to hook up no

1528
01:12:04,439 --> 01:12:05,120
Speaker 1: strings attached?

1529
01:12:05,160 --> 01:12:08,040
Speaker 3: I think she was testing Sean, right, So that was

1530
01:12:08,080 --> 01:12:08,800
Speaker 3: the so she.

1531
01:12:08,800 --> 01:12:11,559
Speaker 1: Wouldn't have gone through with it, had Sean gone through

1532
01:12:11,600 --> 01:12:13,920
Speaker 1: with it, because she said I knew it, Like she's

1533
01:12:13,960 --> 01:12:16,040
Speaker 1: trying to shut him up the whole time. Yeah, but

1534
01:12:16,120 --> 01:12:18,160
Speaker 1: then she's like I knew it and pushes him off.

1535
01:12:18,240 --> 01:12:20,519
Speaker 1: So I think, did she just want to sleep with them?

1536
01:12:20,800 --> 01:12:23,880
Speaker 3: I think the implication is because Sean made this like, well,

1537
01:12:24,040 --> 01:12:26,599
Speaker 3: I'd sleep with Angela like no strings attached, and she's

1538
01:12:26,680 --> 01:12:31,880
Speaker 3: basically saying, yes, actually love me and you're just scared

1539
01:12:31,880 --> 01:12:34,320
Speaker 3: a commitment, and so when so she knows that it'll

1540
01:12:34,360 --> 01:12:36,799
Speaker 3: never happen exactly, but she keeps.

1541
01:12:36,600 --> 01:12:38,599
Speaker 1: Trying to shut him up and pushing him back, pulling

1542
01:12:38,640 --> 01:12:40,960
Speaker 1: them back in and shutting them up and pulling. They

1543
01:12:41,000 --> 01:12:43,160
Speaker 1: didn't write it like it was they were doing that.

1544
01:12:43,320 --> 01:12:44,759
Speaker 1: They wrote it like she's just trying to elate.

1545
01:12:45,160 --> 01:12:45,360
Speaker 3: Yeah.

1546
01:12:46,200 --> 01:12:48,120
Speaker 4: Yeah, I mean, well, that's the thing is that it's

1547
01:12:48,160 --> 01:12:50,479
Speaker 4: playing as both she doesn't think he can actually go

1548
01:12:50,600 --> 01:12:53,360
Speaker 4: through with it, but if he can, she's happy. That's

1549
01:12:53,400 --> 01:12:55,839
Speaker 4: how I that's how I was taking it that suddenly

1550
01:12:56,600 --> 01:12:58,640
Speaker 4: she was like Oh wait a minute.

1551
01:12:59,320 --> 01:13:01,600
Speaker 3: You know you wouldn't she be happy that he's in

1552
01:13:01,680 --> 01:13:03,920
Speaker 3: love with her and that he that's what is.

1553
01:13:04,040 --> 01:13:08,760
Speaker 4: Out of character about this episode, and she would as

1554
01:13:08,800 --> 01:13:13,080
Speaker 4: a character, she should actually be offended that they ask

1555
01:13:13,200 --> 01:13:16,360
Speaker 4: you anyone in the world as long as you don't

1556
01:13:16,439 --> 01:13:20,240
Speaker 4: have to be committed to them, And you say me, like,

1557
01:13:20,920 --> 01:13:23,720
Speaker 4: how how rude could you possibly get? You know, I

1558
01:13:23,840 --> 01:13:26,760
Speaker 4: love you, you, we were in a relationship. You've said

1559
01:13:26,800 --> 01:13:29,320
Speaker 4: you loved me. Why why would you pick me? Why

1560
01:13:29,439 --> 01:13:30,559
Speaker 4: not pick a famous person?

1561
01:13:30,840 --> 01:13:33,839
Speaker 3: But she just let her grab his butt in the beginning.

1562
01:13:34,400 --> 01:13:37,560
Speaker 3: Make this to it's like to imply that she just

1563
01:13:37,760 --> 01:13:38,160
Speaker 3: she can do it.

1564
01:13:39,240 --> 01:13:42,000
Speaker 2: She can do it even if she has feelings for him.

1565
01:13:42,200 --> 01:13:44,840
Speaker 2: I can hook up with you and not you can

1566
01:13:44,920 --> 01:13:46,479
Speaker 2: be a piece of meat to me if.

1567
01:13:46,360 --> 01:13:48,680
Speaker 1: I decide it's a power move. Maybe it's a way

1568
01:13:48,760 --> 01:13:50,439
Speaker 1: she's taking some of the power back where it's like,

1569
01:13:50,640 --> 01:13:52,400
Speaker 1: I'll just bang you. That's fine with me, it's on

1570
01:13:52,520 --> 01:13:53,080
Speaker 1: my terms.

1571
01:13:53,479 --> 01:13:55,240
Speaker 2: Yeah, I'm fine with that.

1572
01:13:55,760 --> 01:13:55,960
Speaker 1: Yeah.

1573
01:13:57,680 --> 01:14:01,000
Speaker 2: So yeah, But but it's not rooted in what we

1574
01:14:01,160 --> 01:14:01,880
Speaker 2: know about them.

1575
01:14:01,960 --> 01:14:04,400
Speaker 4: What we know about them is that they love each

1576
01:14:04,439 --> 01:14:07,320
Speaker 4: other and they want to be in a relationship.

1577
01:14:07,920 --> 01:14:11,720
Speaker 2: But he is scared and she is tired of waiting. Right.

1578
01:14:12,400 --> 01:14:14,880
Speaker 4: Angela and Sewn exit the bedroom, and Angela thanks Rachel

1579
01:14:14,960 --> 01:14:17,599
Speaker 4: for a really good time. Rachel focuses on a piece

1580
01:14:17,640 --> 01:14:20,519
Speaker 4: of broccoli and slyly says, you're welcome, come back soon.

1581
01:14:21,080 --> 01:14:23,040
Speaker 4: And then Corey and too Panga re enter and Corey

1582
01:14:23,120 --> 01:14:25,600
Speaker 4: has a huge smile on his face. He looks to

1583
01:14:25,680 --> 01:14:28,840
Speaker 4: the sky and yells, I have seen the promised land.

1584
01:14:29,479 --> 01:14:32,800
Speaker 4: Ta Pega raises her hand and embarrassingly admits I showed

1585
01:14:32,840 --> 01:14:36,120
Speaker 4: him my butt. Sean is enraged, you too make my

1586
01:14:36,240 --> 01:14:39,000
Speaker 4: life a living hell. Then he and Angela walk out

1587
01:14:39,040 --> 01:14:42,719
Speaker 4: the front door. Corey is unaffected. Haha, great party, Rachel,

1588
01:14:43,080 --> 01:14:45,759
Speaker 4: and to Panga ads we're having a great time. Rachel

1589
01:14:45,760 --> 01:14:49,160
Speaker 4: seems surprised. Really wow, I thought that whole honesty game

1590
01:14:49,240 --> 01:14:52,000
Speaker 4: might have ruined the evening. Corey reveals, on the contrary,

1591
01:14:52,080 --> 01:14:54,480
Speaker 4: honesty is the only way to go for a healthy relationship.

1592
01:14:54,640 --> 01:14:57,320
Speaker 4: If you noticed, only the honest couples are left here.

1593
01:14:57,960 --> 01:15:00,679
Speaker 4: Eric and Dana are still on the couch and Eric explain, Yeah,

1594
01:15:01,120 --> 01:15:03,640
Speaker 4: the bullet hurt, but I saved the President's life, so

1595
01:15:04,080 --> 01:15:08,439
Speaker 4: I think it was worth it. Corey tells Rachel Eric

1596
01:15:08,479 --> 01:15:11,800
Speaker 4: doesn't count. Eric gets even more serious. He looks around the.

1597
01:15:11,840 --> 01:15:16,240
Speaker 2: Room and then admits, and I'm Batman. Can we hear

1598
01:15:16,280 --> 01:15:16,600
Speaker 2: you say it?

1599
01:15:16,640 --> 01:15:18,280
Speaker 1: Will? I'm Batman.

1600
01:15:20,479 --> 01:15:23,200
Speaker 4: We get a little superhero like music as the meta

1601
01:15:23,320 --> 01:15:26,439
Speaker 4: joke leads up to the tag, where we are back

1602
01:15:26,520 --> 01:15:29,799
Speaker 4: in the co ed's school bathroom, right where we started Love.

1603
01:15:29,640 --> 01:15:33,160
Speaker 1: Of It, Love It a New Awesome Settlert.

1604
01:15:33,160 --> 01:15:36,000
Speaker 4: Topega's at the sink fixing her hair when Corey walks

1605
01:15:36,040 --> 01:15:38,040
Speaker 4: over in a towel and a robe. He grabs her

1606
01:15:38,080 --> 01:15:41,280
Speaker 4: deodorant and starts using it on his armpits. Tapega is shocked,

1607
01:15:41,400 --> 01:15:43,840
Speaker 4: what are you doing, and Corey responds, Oh, I left

1608
01:15:43,880 --> 01:15:44,760
Speaker 4: mine in my gym bag.

1609
01:15:44,880 --> 01:15:46,840
Speaker 2: You know this sharing stuff is great. Thanks.

1610
01:15:47,280 --> 01:15:50,400
Speaker 4: Tapega looks at the deodorant and is disgusted. Black there's

1611
01:15:50,439 --> 01:15:53,240
Speaker 4: a hair on it. Corey notices it too. Oh yeah,

1612
01:15:53,479 --> 01:15:55,800
Speaker 4: look it's one of my boys. I can tell because

1613
01:15:55,840 --> 01:15:56,760
Speaker 4: it's kinky like me.

1614
01:15:57,200 --> 01:15:57,600
Speaker 3: Here you go.

1615
01:15:58,040 --> 01:16:00,720
Speaker 4: He hands the deodorant back to Tapanga and she you

1616
01:16:00,840 --> 01:16:05,240
Speaker 4: are a disgusting little man. As Corey walks out, he agrees, yes, I.

1617
01:16:05,320 --> 01:16:08,240
Speaker 3: Am makes no sense. I know she's grossed out by

1618
01:16:08,240 --> 01:16:10,360
Speaker 3: a hair. She was literally shaving hairs.

1619
01:16:11,040 --> 01:16:13,760
Speaker 1: Yeah, I know, I know.

1620
01:16:14,680 --> 01:16:16,840
Speaker 2: I don't like hair on deodorant either, though, for the record,

1621
01:16:17,040 --> 01:16:17,920
Speaker 2: that's disgusting.

1622
01:16:18,960 --> 01:16:20,120
Speaker 1: But you can share a toothbrush.

1623
01:16:20,520 --> 01:16:23,640
Speaker 4: Sh I wouldn't say that I do, but I have.

1624
01:16:24,040 --> 01:16:28,679
Speaker 4: I think one time in my life I have borrowed

1625
01:16:28,720 --> 01:16:29,639
Speaker 4: Jensen's toothbrush.

1626
01:16:29,800 --> 01:16:31,040
Speaker 2: And that's it.

1627
01:16:32,200 --> 01:16:32,719
Speaker 3: It's gross.

1628
01:16:33,000 --> 01:16:41,240
Speaker 1: I'll never look at you the same again. Ever, that

1629
01:16:41,360 --> 01:16:43,360
Speaker 1: bright white smile hides lies.

1630
01:16:49,320 --> 01:16:52,800
Speaker 4: Then Angela enters, with Sean following close behind. She asks him,

1631
01:16:52,840 --> 01:16:55,040
Speaker 4: why are you following me? You had your chance, babe,

1632
01:16:55,400 --> 01:16:57,559
Speaker 4: and annoyed, Sean explains, I'm not following you. I couldn't

1633
01:16:57,560 --> 01:16:59,400
Speaker 4: care less about you. You mean nothing to me, less

1634
01:16:59,439 --> 01:17:02,640
Speaker 4: than nothing. After a quick pause, Angela grabs Sean and

1635
01:17:02,720 --> 01:17:05,960
Speaker 4: pins him down on the bathroom bench. She passionately kisses

1636
01:17:06,040 --> 01:17:09,240
Speaker 4: him and then pulls away. Sean proudly says, nothing, not

1637
01:17:09,360 --> 01:17:12,320
Speaker 4: a thing. Angela pets his face. Okay, good for you,

1638
01:17:12,640 --> 01:17:14,880
Speaker 4: and then she gets up and walks out. Sean gets

1639
01:17:14,960 --> 01:17:17,200
Speaker 4: up and walks over to Tapanga. After a few seconds,

1640
01:17:17,240 --> 01:17:21,200
Speaker 4: heels cold shower now then he runs into a stall completely.

1641
01:17:20,880 --> 01:17:24,719
Speaker 2: Clothed, thus ending the horniest episode of Boy Meets World.

1642
01:17:24,800 --> 01:17:28,200
Speaker 1: Maybe ever, Yeah, the only thing would have made it

1643
01:17:28,240 --> 01:17:30,880
Speaker 1: better is just another stall opens and Phil leads walks out.

1644
01:17:32,280 --> 01:17:33,400
Speaker 1: Would have been it just.

1645
01:17:33,439 --> 01:17:39,599
Speaker 2: Been gnashing on him, breas, how the kids doing?

1646
01:17:40,040 --> 01:17:42,800
Speaker 1: How you doing? Toothbrush?

1647
01:17:44,880 --> 01:17:47,320
Speaker 4: Join us for our next episode recap, which will be

1648
01:17:47,400 --> 01:17:50,960
Speaker 4: season six, episode twenty one, the Psychotic episode.

1649
01:17:51,200 --> 01:17:53,840
Speaker 3: Oh yeah, what is that what it's called?

1650
01:17:54,080 --> 01:17:56,160
Speaker 1: Yeah? Yeah, this is you remember this rider?

1651
01:17:56,280 --> 01:17:59,519
Speaker 3: Yeah, it's Carlos's episode. It's another like kind of like

1652
01:17:59,600 --> 01:18:03,320
Speaker 3: our Hall episode or like the screen episode, what surreal

1653
01:18:03,600 --> 01:18:06,160
Speaker 3: dream Corey's killing people episode.

1654
01:18:06,200 --> 01:18:09,120
Speaker 1: I don't know, we did another people.

1655
01:18:09,920 --> 01:18:12,479
Speaker 3: There's like a it's like an elevator sequence in the

1656
01:18:12,520 --> 01:18:15,360
Speaker 3: beginning where like yeah, and it like keeps you keep

1657
01:18:15,439 --> 01:18:17,559
Speaker 3: waking up thinking it's I don't know, we'll see I'm

1658
01:18:17,600 --> 01:18:18,200
Speaker 3: not okay.

1659
01:18:18,439 --> 01:18:19,040
Speaker 2: Interesting.

1660
01:18:20,240 --> 01:18:22,519
Speaker 4: All right, Well, thank you all for joining us for

1661
01:18:22,600 --> 01:18:24,640
Speaker 4: this episode of Pod Meets World. As always, you can

1662
01:18:24,680 --> 01:18:27,200
Speaker 4: follow us on Instagram pod meets World Show. You can

1663
01:18:27,280 --> 01:18:29,960
Speaker 4: send us your emails pod meets World Show at gmail

1664
01:18:30,000 --> 01:18:32,040
Speaker 4: dot com, and we've got merch.

1665
01:18:33,160 --> 01:18:35,400
Speaker 1: The definition of game is a form of player sport,

1666
01:18:35,560 --> 01:18:38,360
Speaker 1: especially a competitive one played according to rules and decided

1667
01:18:38,400 --> 01:18:39,920
Speaker 1: by skill, strength or luck.

1668
01:18:41,360 --> 01:18:46,320
Speaker 2: March Pod meets Worldshow dot com writer send us out,

1669
01:18:46,560 --> 01:18:48,200
Speaker 2: we love you all, pod dismissed.

1670
01:18:49,920 --> 01:18:52,559
Speaker 3: Pod Meets World is an iHeart podcast producer hosted by

1671
01:18:52,640 --> 01:18:56,599
Speaker 3: Danielle Fischel, Wilfredell and Ryder Strong Executive producers Jensen Karp

1672
01:18:56,640 --> 01:18:59,840
Speaker 3: and Amy Sugarman Executive in charge of production, Danielle Romo,

1673
01:19:00,080 --> 01:19:03,880
Speaker 3: producer and editor, Tarasubasch, producer, Maddie Moore, engineer and boy

1674
01:19:03,960 --> 01:19:06,920
Speaker 3: Mets World Superman Easton Outen. Our theme song is by

1675
01:19:07,080 --> 01:19:10,400
Speaker 3: Kyle Morton of Typhoon. Follow us on Instagram at Podmets

1676
01:19:10,400 --> 01:19:14,479
Speaker 3: World Show or email us at podmetsworldshowat gmail dot com