WEBVTT - Chris Rock and Jerry Seinfeld - Summer Staff Picks

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<v Speaker 1>Hi, I'm Frank Imperial, the engineer at Here's the Thing.

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<v Speaker 1>We're in the middle of our summer staff Pick series,

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<v Speaker 1>where we choose our favorite episodes from the archives. This week,

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<v Speaker 1>I wanted to share with you two interviews that are

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<v Speaker 1>among the most popular and funniest we've ever done, comedians

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<v Speaker 1>Chris Rock and Jerry Seinfeld. Chris Rock has always been

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<v Speaker 1>a boundary pushing comedian. The Emmy and Grammy winner is

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<v Speaker 1>well known for his work on Saturday Night Live, his

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<v Speaker 1>numerous comedy specials, films like Grown Ups and Madagascar, and

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<v Speaker 1>the sitcom based on his life, Everybody Loves Chris. In

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<v Speaker 1>recent years, the funny man has been pushing his own boundaries,

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<v Speaker 1>digging deeper into his acting. He starred in the fourth

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<v Speaker 1>season of Fargo on f X, but before that, Alec

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<v Speaker 1>met up with the comedian when he was on Broadway

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<v Speaker 1>in his very first play Here's Alex two thousand eleven

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<v Speaker 1>conversation with comedian and actor Chris Rock backstage at the

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<v Speaker 1>Showenfeld Theater. His dressing room in Broadway shown Field Theater

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<v Speaker 1>was five floors up, no elevator. Chris's show The Mother

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<v Speaker 1>with the Hat was about a group of dysfunctional friends

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<v Speaker 1>and lovers, where every relationship had gone bad, really bad. Drugs, booze, cheating,

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<v Speaker 1>No one was loyal to anyone. Chris played a recovering

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<v Speaker 1>alcoholic who had first glance seems to be a good guy,

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<v Speaker 1>but after a few minutes it was clear he was

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<v Speaker 1>the most self serving of the bunch. Oh Man, you

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<v Speaker 1>do a great man, you want to press If this

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<v Speaker 1>is something beautiful, come and stay with me and Vicky

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<v Speaker 1>Man get on a nutritional beverage program. Man. Before this

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<v Speaker 1>past spring, Chris might have been the last person you'd

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<v Speaker 1>expect to see starring in a Broadway show. I mean,

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<v Speaker 1>Chris can sell out Madison Square Garden, ps. They have

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<v Speaker 1>an elevator. Yet there he was between performances in his

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<v Speaker 1>attic dressing room at the Shoonefeld Theater. I wanted my

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<v Speaker 1>acting to grow. Do you have to see a huge

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<v Speaker 1>following black and white in your concerts? And yet when

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<v Speaker 1>you go out in this audience, how black is the audience? Well,

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<v Speaker 1>I mean put this way. In the old days, they

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<v Speaker 1>used to have signs up whites only, whites only. Now

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<v Speaker 1>I have a new thing. It's called prices. You know,

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<v Speaker 1>some nights it's darker than other nights. I buy tickets

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<v Speaker 1>every night when this play is over. Spent almost a

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<v Speaker 1>whole weekly paycheck on tickets as gifts for friends otherwise

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<v Speaker 1>couldn't come see the show. Otherwise could not afford to

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<v Speaker 1>see this show. I tour and I'm normally you know,

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<v Speaker 1>at the garden or whatever, like sixty thousand seats to

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<v Speaker 1>give away what I'm normally on tour, and people have

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<v Speaker 1>gotten used to this. My man takes care of us,

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<v Speaker 1>and you know, I don't. I can't take that away

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<v Speaker 1>from friends and family. You haven't done a lot of theater. Correct,

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<v Speaker 1>This is the first play I've ever done. This is

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<v Speaker 1>the first play you've ever done. I didn't do a

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<v Speaker 1>play in high school. I didn't go to high school.

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<v Speaker 1>So so not only your Broadway debut, but your first

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<v Speaker 1>play period. You're with a pretty cool group of people,

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<v Speaker 1>a lot of experience, you know what, and they have

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<v Speaker 1>held me up. No one ever got frustrated at what

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<v Speaker 1>I didn't know. You know, this is a bunch of

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<v Speaker 1>little things that people take for grant. I have no idea.

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<v Speaker 1>You're never supposed to walk straight at somebody, supposed to loop.

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<v Speaker 1>Just all these weird little things My favorite is that

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<v Speaker 1>you don't give information to the person. So if you're

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<v Speaker 1>standing here telling them something, you tell it out. You said,

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<v Speaker 1>they're going to open, open, open to the audience as

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<v Speaker 1>much as possible. All that open, open, open, open open stuff. Yes,

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<v Speaker 1>even today, I'm working on it. The Chris Rock that

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<v Speaker 1>I know from your live shows, I don't see much

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<v Speaker 1>of him in this show because that Chris Rock is

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<v Speaker 1>like marauding the stage and as complete control over the audience.

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<v Speaker 1>This is a different Chris I see in the play.

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<v Speaker 1>I'm really try to act here, you know. Have you

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<v Speaker 1>enjoyed it? I'm enjoying it a lot. A lot. Is

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<v Speaker 1>the hardest thing I've ever gone through in my life.

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<v Speaker 1>I always tell people it's like having the Empire State

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<v Speaker 1>Building shoved up your one brick at a time and

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<v Speaker 1>to play. Can't believe there's ever gonna be a day

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<v Speaker 1>when you know these lines. What's been the surprise about

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<v Speaker 1>doing this for you? Honestly, I'm surprised I'm doing it.

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<v Speaker 1>I mean, I'm surprised that I'm not bored with it already.

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<v Speaker 1>Are you afraid of that? I'm really that that what's

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<v Speaker 1>the that's the biggest fear to actually be stuck doing anything.

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<v Speaker 1>Does this change for you night by night by day?

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<v Speaker 1>You know what's weird? I'm figuring out how to make

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<v Speaker 1>it change now. So I'm actually figuring out how to

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<v Speaker 1>add lib every night without saying words, how to work eat,

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<v Speaker 1>seeing a little different in each line, and try to

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<v Speaker 1>find laughs and places that I didn't find one the

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<v Speaker 1>night before. So yeah, so it's to answer your question,

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<v Speaker 1>it changes every night. Well, what I love about this plant?

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<v Speaker 1>By the way, everybody has loved someone, and not too

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<v Speaker 1>far into the relationship, you say to yourself, not only

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<v Speaker 1>is this probably wrong, this is definitely wrong, but you

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<v Speaker 1>can't get out of it. How does this play resonate

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<v Speaker 1>with you in your personal life? I've been every person

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<v Speaker 1>in this place, a person betrayed everything, everything, and it's

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<v Speaker 1>the one who the other person in response to the betrayal,

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<v Speaker 1>the revenge every person. It's the kind of play you

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<v Speaker 1>can't watch without putting yourself in it. When you write

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<v Speaker 1>your material for stand up, how do the people in

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<v Speaker 1>your life react to how you fill at them on stage?

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<v Speaker 1>If you're you know what, I'm like a lawyer in

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<v Speaker 1>a sense. I mean that's it's almost like a legal document.

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<v Speaker 1>It's a word like it's all our wives and all

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<v Speaker 1>our you know what I mean. It's like like if

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<v Speaker 1>you if I gave you the transcript, he'd be like,

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<v Speaker 1>he hasn't talked about anybody. It's about your baby. It

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<v Speaker 1>would all hold up in court, you do. But you

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<v Speaker 1>never have anybody in your life? No, No, everybody's uncomfortable.

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<v Speaker 1>I remember I read a quote Tarantino said, if people

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<v Speaker 1>in your life aren't uncomfortable, you're not really writing, you're

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<v Speaker 1>not really hitting it. You know, somebody better be uncomfortable.

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<v Speaker 1>Did you grow up in a situation that was remotely

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<v Speaker 1>like this? And then emotionally and most turbulence my parents

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<v Speaker 1>place way My mother cursed a lot, screamed a lot.

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<v Speaker 1>You know. My father, my mother beat us with a

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<v Speaker 1>curtain rod. Yeah, well we got beatings with curtain rods

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<v Speaker 1>and brooms and brushings and hangars or whatever. But me

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<v Speaker 1>and my father, it's weird. My father, his temper towards

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<v Speaker 1>my mother was always controlled, right, what else he could

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<v Speaker 1>lose it? Why do you think it was you wanted

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<v Speaker 1>to protect that? I don't know. I mean, first of all,

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<v Speaker 1>I mean, guys from that era did not view women

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<v Speaker 1>as their equals. They did, and they were loving and

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<v Speaker 1>blah blah blah blah blah. But they did not view

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<v Speaker 1>women as their equals. Therefore they could actually deal with

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<v Speaker 1>the woman's emotional whatever swings way easier than a guy

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<v Speaker 1>in my age, because I view a woman as my equal.

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<v Speaker 1>So if I'm with a woman and she starts crying,

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<v Speaker 1>I look at her like I'm with you when you

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<v Speaker 1>start crying, don't go female on me. I'm like something,

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<v Speaker 1>I look at her life. I would look at a

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<v Speaker 1>guy that gets emotional. Yeah, I thought, if we were equal,

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<v Speaker 1>then you can't play that car. Don't play the female.

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<v Speaker 1>So I'll just say my father and my grandfather's both

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<v Speaker 1>of them were really delicate with their wives. You know,

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<v Speaker 1>not a child, but close to a child. How it's

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<v Speaker 1>different for you. My wife's my equal, and you know,

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<v Speaker 1>you know, any budding of heads is because I I

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<v Speaker 1>want I'm dealing with you the same way I would

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<v Speaker 1>deal with myself, or I deal with any guy. And

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<v Speaker 1>we're both wrong. What are you gonna do when this

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<v Speaker 1>is over? Do you know how much sure I think

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<v Speaker 1>I'm gonna direct a movie that sort I'm feeling. So

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<v Speaker 1>this is the time in your life, and you do

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<v Speaker 1>all the things you told yourself you'd never do. Play

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<v Speaker 1>on Broadway. Direct a movie. Why do you want to

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<v Speaker 1>direct a movie? I don't know. I put it away.

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<v Speaker 1>If I can get a great director to direct me,

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<v Speaker 1>I'll do it. But once, yeah, once you get to

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<v Speaker 1>the sea list, you might as well do it yourself.

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<v Speaker 1>That's what I say. Yeah, how picky are you about

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<v Speaker 1>the films you do? Because you don't do a lot

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<v Speaker 1>of films. Um, I don't know. I mean I turned

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<v Speaker 1>out a lot, but I don't have a list of

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<v Speaker 1>great films I've turned you turned down regardless of whether

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<v Speaker 1>they're great or not. Do you turn them down? Because

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<v Speaker 1>for you, you always have the stand up thing in

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<v Speaker 1>your pocket and the concert thing in your pocket. You're

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<v Speaker 1>not in any hurry to go out and make a living.

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<v Speaker 1>Most movies suck man, early suck. See. I'm I'm messed

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<v Speaker 1>up because I like to see something I haven't seen

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<v Speaker 1>or haven't seen with a black person. Black people in

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<v Speaker 1>film is still at its really at its infant stage.

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<v Speaker 1>And what do you think, I don't know? You know what,

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<v Speaker 1>here's the thing. You know, you hand a studio person

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<v Speaker 1>of script, and sometimes the studio people are good at

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<v Speaker 1>a time. When you hand somebody as script, they pick

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<v Speaker 1>a person in the movie that they identify with. So

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<v Speaker 1>if you hand a woman a script, if the woman's

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<v Speaker 1>got nine lines in the movie, the first person who

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<v Speaker 1>gives you notes about is the woman. And if you

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<v Speaker 1>hand the boss the script, he's gonna give you notes

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<v Speaker 1>about the main character. And if you hand his assist

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<v Speaker 1>the script is gonna give you notes about some other

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<v Speaker 1>everybody figures out who they are in the movie. Now,

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<v Speaker 1>when you had somebody a black script, they don't relate

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<v Speaker 1>to anybody. That's a very good point. I'm serious, even

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<v Speaker 1>when it's and when you have any seconative who does

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<v Speaker 1>relate to a black person's script, what does that mean

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<v Speaker 1>to you? You You struck gold Well, Really, they just they're

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<v Speaker 1>making a product all of a sudden, That's what I've experienced.

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<v Speaker 1>And when you do, because i mean, there's no black

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<v Speaker 1>studios or whatever, so you end up you always end

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<v Speaker 1>up with just a person trying to make a piece

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<v Speaker 1>of product. They might as well, they might still be

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<v Speaker 1>making an iPads kind of a sustainable stateship business. But

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<v Speaker 1>you seem to me, because you're so smart and so

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<v Speaker 1>clever that you have as much of a white audience

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<v Speaker 1>as you do a black ondies, don't you think so

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<v Speaker 1>in spite of the fact your stand up can be

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<v Speaker 1>pretty tough on white people. Yeah, but I always say

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<v Speaker 1>my stand ups like Chinese food and what's Chinese food? Well,

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<v Speaker 1>Chinese food is one of the most popular foods in

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<v Speaker 1>all of America, and they don't put Americans on their menus.

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<v Speaker 1>People really want Chinese food. They don't put fries and

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<v Speaker 1>grilled cheese, grilled cheese on the menu of the most

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<v Speaker 1>popular Chinese food of people comedy. So I'm just saying,

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<v Speaker 1>when people see people come to Chris's restaurant, think about

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<v Speaker 1>Chris's menure. I'm talking with Chris Rock backstage at the

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<v Speaker 1>Chaunfeld Theater on Street. This is Alec Baldwin and you're

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<v Speaker 1>listening to here's the thing. How old are you know?

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<v Speaker 1>I'm forty six forty six, which means you started and

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<v Speaker 1>you started. I started probably five seven years before I

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<v Speaker 1>got on S and O. But I always I haven't

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<v Speaker 1>been you know, I havn't been poor day since I

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<v Speaker 1>met Laura Michaels. I never broke a lot of his

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<v Speaker 1>stuff sticks with me. What thing he said to me

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<v Speaker 1>is like everybody loses their first money. Now if you're talented,

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<v Speaker 1>you'll make some more. That He's so right, he knows

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<v Speaker 1>more about Let's take a moment to talk about the

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<v Speaker 1>wisdom of Lord Michael. You know, he's always there to

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<v Speaker 1>remind you how you can lose perspective about this business.

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<v Speaker 1>At least in my case. He's very good. But how

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<v Speaker 1>much of things changed in your mind? And not just

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<v Speaker 1>for you but for you specifically, but in the business.

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<v Speaker 1>I don't know about you. I find a business a

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<v Speaker 1>lot smaller, less movies, less, I mean less stuff that

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<v Speaker 1>relates to me, you know what, Less stuff that relates

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<v Speaker 1>to me. I'll say that for the young people. You know,

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<v Speaker 1>this whole reality thing, I'm not going to dismiss it.

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<v Speaker 1>You know, sound like I'm some old person talking about

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<v Speaker 1>rap music. It's not gonna last, you know what I mean.

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<v Speaker 1>But do you think the same time I don't get it.

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<v Speaker 1>Do you think you'd make it today if you came

0:13:10.120 --> 0:13:12.720
<v Speaker 1>in today? Yeah? Me and Sana, Well that's our little

0:13:12.720 --> 0:13:15.319
<v Speaker 1>tests with each other. We kinda we assessed the stand

0:13:15.400 --> 0:13:19.360
<v Speaker 1>ups we're gonna Yeah, we still got it. I still

0:13:19.400 --> 0:13:21.760
<v Speaker 1>got it. Yeah, I keep the weight off a little bit.

0:13:21.920 --> 0:13:24.440
<v Speaker 1>You know. That's what I'm trying to do it. Du

0:13:25.240 --> 0:13:29.440
<v Speaker 1>bon Jovi, still doing it, Still doing it, man, Just

0:13:29.440 --> 0:13:32.439
<v Speaker 1>look hot, Just trying to look hot to somebody. You

0:13:32.440 --> 0:13:34.040
<v Speaker 1>don't have to lie. You're still got you still look

0:13:34.040 --> 0:13:37.760
<v Speaker 1>how many kids you have done to nine? Get ready

0:13:37.840 --> 0:13:40.440
<v Speaker 1>nine and get ready by seven? So what are you

0:13:40.440 --> 0:13:43.439
<v Speaker 1>worried about raising your kids in this world? I care

0:13:43.559 --> 0:13:47.880
<v Speaker 1>that they're good with money. I don't care if When

0:13:47.880 --> 0:13:50.560
<v Speaker 1>I say good with money, I just mean you've got

0:13:50.559 --> 0:13:54.160
<v Speaker 1>two dollars and you spend one and you put a dollar.

0:13:54.240 --> 0:13:57.360
<v Speaker 1>But I don't mean that they run Microsoft or they

0:13:57.520 --> 0:13:59.679
<v Speaker 1>flip money and buy a house. I just mean, does

0:13:59.720 --> 0:14:02.160
<v Speaker 1>that come from your childhood? Yes, it comes from my childhood.

0:14:02.960 --> 0:14:06.400
<v Speaker 1>I just mean can they handle their own That's it?

0:14:07.040 --> 0:14:10.000
<v Speaker 1>Because to get out of it's a tough hole to

0:14:10.040 --> 0:14:12.280
<v Speaker 1>get out of, and it's a weird hole for a

0:14:12.320 --> 0:14:14.920
<v Speaker 1>pretty woman to get out of, and they end up

0:14:15.200 --> 0:14:18.560
<v Speaker 1>in relationships with guys they wouldn't have relationship with. There's

0:14:18.559 --> 0:14:21.040
<v Speaker 1>a great line that Anthony Quinn has in Lawrence of

0:14:21.040 --> 0:14:24.280
<v Speaker 1>Arabia where he says, I am a river to my people. Yeah,

0:14:24.280 --> 0:14:26.920
<v Speaker 1>I'm getting a lot of that now. Well, Hey, here's

0:14:26.920 --> 0:14:30.760
<v Speaker 1>the thing. You can only help. Like, I got some

0:14:30.800 --> 0:14:35.680
<v Speaker 1>family right now, guy wouldever losing his house whatever, I'm

0:14:35.680 --> 0:14:38.560
<v Speaker 1>gonna help him move in to wherever he's gonna move into.

0:14:39.920 --> 0:14:44.080
<v Speaker 1>I'm not buying his house because he's never gonna be

0:14:44.080 --> 0:14:48.960
<v Speaker 1>able to fold the house. So yeah, I my, I'm

0:14:49.000 --> 0:14:53.680
<v Speaker 1>a river. But it's a little river. It's a little

0:14:53.760 --> 0:14:57.840
<v Speaker 1>river because when you turn down somebody and they know

0:14:58.120 --> 0:15:01.600
<v Speaker 1>you have the money, this is one thing to go.

0:15:02.240 --> 0:15:05.200
<v Speaker 1>These kids are kicking or whatever, and you don't have

0:15:05.240 --> 0:15:08.760
<v Speaker 1>the money. They know you have the money. It's so

0:15:08.960 --> 0:15:11.680
<v Speaker 1>it's almost like a woman. It's like I know you

0:15:11.800 --> 0:15:15.480
<v Speaker 1>have vagina and you have sex, you just don't want

0:15:15.520 --> 0:15:19.480
<v Speaker 1>to have it with me. I remember I used to

0:15:19.520 --> 0:15:21.880
<v Speaker 1>do a movie and they'd say to me in whatever way,

0:15:22.000 --> 0:15:24.640
<v Speaker 1>what would come back was, Uh, we don't have the

0:15:24.640 --> 0:15:27.080
<v Speaker 1>money for that. And what they really were saying was,

0:15:27.120 --> 0:15:29.960
<v Speaker 1>we don't have the money for that for you, for you,

0:15:30.040 --> 0:15:34.560
<v Speaker 1>we don't we have the exactly for Leo, we're gonna

0:15:34.560 --> 0:15:38.200
<v Speaker 1>sell our houses. Remember, for you, we don't have the money.

0:15:38.800 --> 0:15:40.320
<v Speaker 1>And that's what you're saying to people in your life

0:15:40.320 --> 0:15:41.600
<v Speaker 1>is I don't have the money for you. I don't

0:15:41.640 --> 0:15:45.480
<v Speaker 1>have the money for you. You're not gonna be the

0:15:45.520 --> 0:15:53.480
<v Speaker 1>reason I'm doing some bad Kung Fu movie. Okay? Comedian

0:15:53.520 --> 0:15:56.560
<v Speaker 1>and actor Chris Rock. When we come back, we'll have

0:15:56.640 --> 0:16:13.800
<v Speaker 1>Alex conversation with Jerry Seinfeld from two thousand thirteen. It's

0:16:13.800 --> 0:16:16.480
<v Speaker 1>an understatement to say that Jerry Seinfeld broke the mold.

0:16:16.920 --> 0:16:20.400
<v Speaker 1>His brand of observational comedy is universal and led to

0:16:20.560 --> 0:16:23.560
<v Speaker 1>his success as a stand up comic and in his

0:16:23.680 --> 0:16:28.080
<v Speaker 1>namesake sitcom, Seinfeld The Show About Nothing ran for nine

0:16:28.160 --> 0:16:31.600
<v Speaker 1>seasons and became one of the most memorable, acclaimed, and

0:16:31.840 --> 0:16:36.720
<v Speaker 1>influential series of all time. Following up one success with another,

0:16:37.160 --> 0:16:41.120
<v Speaker 1>Seinfeld then produced and hosted the roving talk show Comedians

0:16:41.280 --> 0:16:44.840
<v Speaker 1>in Cars Getting Coffee, which is exactly what it sounds like,

0:16:45.200 --> 0:16:48.840
<v Speaker 1>for eleven seasons, and he continues to do what he loves,

0:16:48.920 --> 0:16:52.560
<v Speaker 1>touring the nation performing stand up. Here's Alex two thousand

0:16:52.640 --> 0:16:58.040
<v Speaker 1>thirteen conversation with the legendary producer, actor, and comedian Jerry Seinfeld.

0:16:59.040 --> 0:17:01.720
<v Speaker 1>Who makes it in comedy? Who are the ones that

0:17:01.840 --> 0:17:04.080
<v Speaker 1>make it? And it's a change in your lifetime? What

0:17:04.119 --> 0:17:06.600
<v Speaker 1>does it takes in show business? Let's answer that question,

0:17:06.600 --> 0:17:08.480
<v Speaker 1>because I haven't. I'll tell you who's in show business.

0:17:08.520 --> 0:17:10.919
<v Speaker 1>You know it's in show business? Like who wants to

0:17:10.960 --> 0:17:14.960
<v Speaker 1>be more than anyone else? Those are the people that

0:17:15.000 --> 0:17:17.359
<v Speaker 1>are in it. The people that just go, I want

0:17:17.400 --> 0:17:19.720
<v Speaker 1>to be in it. I'm going to be in it.

0:17:21.119 --> 0:17:23.639
<v Speaker 1>Do I have the skill set? Do I have a talent?

0:17:23.720 --> 0:17:26.159
<v Speaker 1>I have something to offer? We'll find out or not.

0:17:26.359 --> 0:17:28.760
<v Speaker 1>But it doesn't I may not take on that with

0:17:28.800 --> 0:17:30.560
<v Speaker 1>between Baccino, I said to him, what do you do

0:17:30.600 --> 0:17:33.280
<v Speaker 1>when you do a movie and the other person isn't

0:17:33.280 --> 0:17:35.640
<v Speaker 1>that good? Like you're doing a scene and I said,

0:17:35.640 --> 0:17:37.280
<v Speaker 1>do you go up to the director and give them notes?

0:17:37.320 --> 0:17:40.040
<v Speaker 1>Say tell them this other? And said, no, I never

0:17:40.119 --> 0:17:43.840
<v Speaker 1>do that. I never do that. No, no, no, I said,

0:17:43.880 --> 0:17:45.280
<v Speaker 1>I said, what do you do? I? I said, what

0:17:45.320 --> 0:17:46.560
<v Speaker 1>do you do when the people that you're working with

0:17:46.560 --> 0:17:49.000
<v Speaker 1>they just I mean, you're so talented, and it's like

0:17:49.040 --> 0:17:50.600
<v Speaker 1>tennis and you and you're and you're hitting the ball

0:17:50.640 --> 0:17:52.480
<v Speaker 1>with some and they're not that talented. And he said,

0:17:52.680 --> 0:17:56.080
<v Speaker 1>I like, like all of us in the business are talented.

0:17:56.359 --> 0:18:00.679
<v Speaker 1>Everybody's talented. Some of us are just more talented than others.

0:18:01.480 --> 0:18:04.000
<v Speaker 1>But everybody in the room when you're working, they've got

0:18:04.040 --> 0:18:06.359
<v Speaker 1>some kind of time, like you'd say he has a

0:18:06.480 --> 0:18:11.520
<v Speaker 1>talent for storytelling, he had a talent for this. But

0:18:11.640 --> 0:18:14.320
<v Speaker 1>you're saying that people who determination is a big part

0:18:14.320 --> 0:18:16.919
<v Speaker 1>of it. I'm saying it's most of the people we

0:18:17.080 --> 0:18:22.760
<v Speaker 1>see in in the arts are there not because they

0:18:22.760 --> 0:18:26.080
<v Speaker 1>had the most to offer, but because they wanted to

0:18:26.119 --> 0:18:29.280
<v Speaker 1>be there the most, you believe. So when you're in

0:18:29.320 --> 0:18:32.400
<v Speaker 1>clubs in your early years and you'd see people who

0:18:32.400 --> 0:18:34.840
<v Speaker 1>were working, did you have did you not? Not that

0:18:34.880 --> 0:18:36.439
<v Speaker 1>you cared about this or you were focused on this,

0:18:36.640 --> 0:18:39.199
<v Speaker 1>but would you Sometimes because my friends who were in

0:18:39.240 --> 0:18:41.119
<v Speaker 1>clubs and who were comics, there was a lot of

0:18:41.119 --> 0:18:43.760
<v Speaker 1>evaluating of each other in the competition. It was very competitive.

0:18:43.960 --> 0:18:45.600
<v Speaker 1>And would you look at people and say, I think

0:18:45.600 --> 0:18:47.280
<v Speaker 1>he's got it or she's got and they're gonna make

0:18:47.280 --> 0:18:49.800
<v Speaker 1>it and they don't or this one doesn't and and

0:18:49.800 --> 0:18:51.560
<v Speaker 1>a big part of your saying is just the drive

0:18:52.680 --> 0:18:56.480
<v Speaker 1>as they wanted. They're a dog on a bone. You

0:18:56.480 --> 0:18:58.480
<v Speaker 1>see a lot of that, don't you think? I think so? Well?

0:18:58.520 --> 0:19:01.240
<v Speaker 1>In the in the movie business, you can see people

0:19:01.240 --> 0:19:03.520
<v Speaker 1>who they put it before everything else, you know, I mean,

0:19:03.560 --> 0:19:07.000
<v Speaker 1>they're not what business, what what field of endeavor? Has

0:19:07.040 --> 0:19:13.480
<v Speaker 1>the highest bullsh factor right in your opinion, Um, because

0:19:13.480 --> 0:19:17.360
<v Speaker 1>you've been in a number of different branches. Now, well,

0:19:17.400 --> 0:19:21.600
<v Speaker 1>I think, well, obviously a government is government higher than

0:19:22.000 --> 0:19:25.480
<v Speaker 1>I think entertainment. Did you enjoy the Anthony Weiner show

0:19:25.920 --> 0:19:31.359
<v Speaker 1>this season or not the show that he put on

0:19:31.400 --> 0:19:34.960
<v Speaker 1>for us when when that was going on? Did you

0:19:35.240 --> 0:19:38.280
<v Speaker 1>were you disgusted? Were you going? I love this? I

0:19:38.440 --> 0:19:41.040
<v Speaker 1>I loved it because to me it was the visible man.

0:19:41.280 --> 0:19:43.480
<v Speaker 1>Let's take off the face of the clock and watch

0:19:43.520 --> 0:19:46.320
<v Speaker 1>the gears. And that's what that was. This is you know,

0:19:46.359 --> 0:19:49.560
<v Speaker 1>we're talking about people our ownership show business because they

0:19:49.560 --> 0:19:54.000
<v Speaker 1>want to be he wants to have he wants it

0:19:54.200 --> 0:19:56.679
<v Speaker 1>wants and most of most of them have all the

0:19:56.720 --> 0:20:00.959
<v Speaker 1>guyses and veils and and you know, well they pretend

0:20:01.000 --> 0:20:02.680
<v Speaker 1>that what you just hit on a very important point,

0:20:02.680 --> 0:20:05.440
<v Speaker 1>which is that they pretend to some degree that it's selfless.

0:20:05.520 --> 0:20:07.720
<v Speaker 1>That well that also, yeah, that that they don't crave power.

0:20:08.280 --> 0:20:11.560
<v Speaker 1>But the other thing about Weener that I found unusual.

0:20:12.320 --> 0:20:14.520
<v Speaker 1>I mean, listen, this is I'm not going to say anything.

0:20:14.800 --> 0:20:16.720
<v Speaker 1>I don't think I'm capable of saying anything that hasn't

0:20:16.720 --> 0:20:19.760
<v Speaker 1>been said before. But the idea that you want to

0:20:19.760 --> 0:20:22.200
<v Speaker 1>take pictures of your genitalia and send it to women

0:20:22.240 --> 0:20:25.200
<v Speaker 1>that you barely know. I wonder if there's an unconscious

0:20:25.240 --> 0:20:27.679
<v Speaker 1>part of him that's like, I'm gonna send pictures of

0:20:27.680 --> 0:20:30.320
<v Speaker 1>my genitalia to a couple of women who I don't

0:20:30.320 --> 0:20:32.760
<v Speaker 1>even know that well, and let's see what happens. Let's

0:20:32.960 --> 0:20:35.280
<v Speaker 1>let's roll the dice here. I'm putting all my chips

0:20:35.280 --> 0:20:40.000
<v Speaker 1>on black. I'm all in. I got another pile, and

0:20:40.040 --> 0:20:42.240
<v Speaker 1>I'm all in on sending this chicken picture of my

0:20:42.359 --> 0:20:47.160
<v Speaker 1>you know what of my personality? I don't have that desire, right,

0:20:47.280 --> 0:20:50.160
<v Speaker 1>I'm not I'm not exacts. It's easier to understand than

0:20:50.560 --> 0:20:53.480
<v Speaker 1>his get off was. Ding. He looks at the phone, Ding,

0:20:54.560 --> 0:20:59.440
<v Speaker 1>let's it just press send? Where where's the thrill? Everybody

0:20:59.440 --> 0:21:01.679
<v Speaker 1>has as some component of them for what I call

0:21:01.760 --> 0:21:05.119
<v Speaker 1>negative excitement, like what's your thing? You want to do

0:21:05.200 --> 0:21:07.680
<v Speaker 1>that that you indulge some weakness of yours? You know

0:21:07.680 --> 0:21:09.879
<v Speaker 1>what I mean? Some people have food issues, they have

0:21:09.960 --> 0:21:14.920
<v Speaker 1>drinking your mind, what would be yours? Uh? I don't

0:21:15.000 --> 0:21:20.399
<v Speaker 1>think I mean beyond tomato sauce. Maybe, yeah, that's not that.

0:21:20.800 --> 0:21:24.560
<v Speaker 1>Yeah you are. And for people who don't know you

0:21:24.640 --> 0:21:27.879
<v Speaker 1>see This is the thing that, in all honesty, I

0:21:27.880 --> 0:21:30.720
<v Speaker 1>always when I think about you, the list of things

0:21:30.760 --> 0:21:34.840
<v Speaker 1>I think about is, is how not just professional and

0:21:34.880 --> 0:21:36.960
<v Speaker 1>committed in all those other kind of lame were you know,

0:21:37.040 --> 0:21:41.320
<v Speaker 1>lazier words, but how you know, just just focused and

0:21:41.440 --> 0:21:43.640
<v Speaker 1>hard working. You are like a lot of people look

0:21:43.680 --> 0:21:45.920
<v Speaker 1>at you and view you as someone who is but

0:21:46.280 --> 0:21:49.520
<v Speaker 1>let's be very candid. You're someone people people view you

0:21:49.560 --> 0:21:52.680
<v Speaker 1>as someone who is this incredibly gifted person. I love

0:21:52.720 --> 0:21:54.600
<v Speaker 1>this show, right, and no you are. But the point

0:21:54.640 --> 0:21:58.639
<v Speaker 1>is that you like you don't work like you do

0:21:58.720 --> 0:22:01.040
<v Speaker 1>things like like you going on a trip to go

0:22:01.119 --> 0:22:03.679
<v Speaker 1>do some gigs. It's kind of a thing. You're probably

0:22:03.680 --> 0:22:07.600
<v Speaker 1>just doing a favor for someone. I think that's more you.

0:22:07.800 --> 0:22:10.560
<v Speaker 1>I don't think that's the general perception. I think that's you.

0:22:10.760 --> 0:22:15.800
<v Speaker 1>I think your image of me or what you think. Yeah,

0:22:15.840 --> 0:22:18.360
<v Speaker 1>I think that's your sense I'm projecting. Yeah, I think

0:22:18.359 --> 0:22:21.399
<v Speaker 1>you're projecting. But you know that that's not me. No, no,

0:22:21.440 --> 0:22:23.480
<v Speaker 1>not at all. You know that I love to work.

0:22:23.800 --> 0:22:28.879
<v Speaker 1>You've incredibly so, but but not um, I'm not driven

0:22:29.160 --> 0:22:32.800
<v Speaker 1>by anything very healthy healthy, I'm not driving by anything unwholesome.

0:22:32.840 --> 0:22:36.720
<v Speaker 1>But you're healthier. But you are healthier than anybody else

0:22:36.800 --> 0:22:40.360
<v Speaker 1>I've ever met in your profession. Everybody else I've met

0:22:40.359 --> 0:22:43.120
<v Speaker 1>in your profession, it was you could do Saturday Night

0:22:43.119 --> 0:22:45.480
<v Speaker 1>Live and be roaming the hallways of that building. Yeah,

0:22:45.680 --> 0:22:47.880
<v Speaker 1>for over the course of you know, it's really more

0:22:47.920 --> 0:22:50.199
<v Speaker 1>like four days, not a full week. And you're around

0:22:50.240 --> 0:22:53.040
<v Speaker 1>them other people. I did a sitcom with other people.

0:22:53.080 --> 0:22:54.840
<v Speaker 1>I've been around a lot of people who make their

0:22:54.880 --> 0:22:57.399
<v Speaker 1>living in comedy. I made films with them, and some

0:22:57.440 --> 0:22:59.680
<v Speaker 1>of them, you'd be around them. You know, within ten

0:22:59.720 --> 0:23:03.040
<v Speaker 1>minutes you understood what was really their deepest problem that

0:23:03.080 --> 0:23:05.560
<v Speaker 1>they hadn't resolved. Some of them took a question a

0:23:05.600 --> 0:23:08.240
<v Speaker 1>few days. You don't have any problems, No, I don't,

0:23:08.520 --> 0:23:12.720
<v Speaker 1>but I do relate very deeply to to all of

0:23:12.720 --> 0:23:15.600
<v Speaker 1>those people describe. In fact, I was watching the Emmy's.

0:23:15.640 --> 0:23:17.000
<v Speaker 1>Is the only part of the Emmys that I like

0:23:17.240 --> 0:23:20.440
<v Speaker 1>When they do the Comedy Writing Award and each Comedy

0:23:20.480 --> 0:23:23.840
<v Speaker 1>Writing staff puts up funny pictures, and then when the

0:23:23.840 --> 0:23:26.040
<v Speaker 1>the actual staff comes up on the stage and you

0:23:26.160 --> 0:23:30.960
<v Speaker 1>see these gnome like cretans just kind of all misshapen,

0:23:31.280 --> 0:23:34.359
<v Speaker 1>and and I go, this is me, this is who

0:23:34.440 --> 0:23:38.520
<v Speaker 1>I am, This is that's my group people. Yeah, but

0:23:38.600 --> 0:23:43.240
<v Speaker 1>you don't. Yeah, do you see that in me? Oh okay,

0:23:43.240 --> 0:23:46.000
<v Speaker 1>well then you've learned something here today. What did I learn?

0:23:46.160 --> 0:23:50.960
<v Speaker 1>You learned that despite maybe I am healthy and somewhat functional,

0:23:52.000 --> 0:23:55.280
<v Speaker 1>but I can I see myself as one of those

0:23:55.320 --> 0:23:59.560
<v Speaker 1>guys that that that that group of Colbert Report writers

0:23:59.560 --> 0:24:03.960
<v Speaker 1>that are us. It looks like would never let them

0:24:03.960 --> 0:24:07.600
<v Speaker 1>speak Colbert musticks. Now those that's where I want to

0:24:07.600 --> 0:24:11.920
<v Speaker 1>hang out with those guys. You do, Yeah, like Barry, Yeah, yeah,

0:24:12.080 --> 0:24:14.679
<v Speaker 1>you're more comfortable with the berries of that. I'm only comfortable,

0:24:15.480 --> 0:24:21.159
<v Speaker 1>only comfortable with those people. Really. Yeah, describe Barry, you

0:24:21.160 --> 0:24:23.920
<v Speaker 1>have a special relation. Harry Martyr is my very special friend.

0:24:24.280 --> 0:24:26.640
<v Speaker 1>Barry is the author of the Letters from a Nutbook

0:24:26.720 --> 0:24:30.600
<v Speaker 1>under the nom de plume ted L Nancy, and he

0:24:30.760 --> 0:24:38.040
<v Speaker 1>is um. He's also fascinating compilation of function and dysfunction,

0:24:38.080 --> 0:24:43.480
<v Speaker 1>which any interesting person is. UM. He's a guy Who's

0:24:43.520 --> 0:24:45.520
<v Speaker 1>what I love about Barries. I can call him right

0:24:45.520 --> 0:24:47.840
<v Speaker 1>now it's eleven thirty that he will just say hello.

0:24:47.880 --> 0:24:51.840
<v Speaker 1>He's always there, always at home. He's got a red couch.

0:24:51.960 --> 0:24:56.080
<v Speaker 1>His living room looks like a murder scene. This you know, Uh,

0:24:57.320 --> 0:25:01.600
<v Speaker 1>very scary looking stains on a white ug. He lives

0:25:01.600 --> 0:25:06.440
<v Speaker 1>into Lucca Lake to Luca Lake and we talk every day,

0:25:06.520 --> 0:25:10.639
<v Speaker 1>usually an hour on a good day, two hours. And

0:25:10.840 --> 0:25:15.720
<v Speaker 1>um we were talking yesterday about the chantics, the quit

0:25:15.800 --> 0:25:21.360
<v Speaker 1>smoking drug commercial where they list the side effects, and

0:25:21.520 --> 0:25:24.600
<v Speaker 1>one of the ones that people have experienced with chantics

0:25:24.720 --> 0:25:29.520
<v Speaker 1>is weird dreams. And now we're trying to figure out, well,

0:25:29.560 --> 0:25:32.680
<v Speaker 1>what's a weird dream? And do they have a hotline

0:25:33.080 --> 0:25:34.840
<v Speaker 1>that you can call up? Say, Bob, I got a

0:25:34.840 --> 0:25:37.159
<v Speaker 1>guy here's you know, woke up? He dreamt he had

0:25:37.160 --> 0:25:41.600
<v Speaker 1>orangutank feet. Is that weird? And he goes, no, I've

0:25:41.640 --> 0:25:46.000
<v Speaker 1>had that one. You know, that's that's weird. Who who

0:25:46.119 --> 0:25:50.639
<v Speaker 1>doesn't have weird dreams? There's no dream, it's not weird.

0:25:53.320 --> 0:25:56.639
<v Speaker 1>More of Alex conversation with Jerry Seinfeld after the break.

0:26:05.600 --> 0:26:08.240
<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

0:26:08.280 --> 0:26:13.280
<v Speaker 1>Thing on the TV show. Seinfeld, Jerry, Elaine Cramer, and

0:26:13.359 --> 0:26:18.800
<v Speaker 1>George were characters driven largely by unabashed self interest. Come on,

0:26:18.880 --> 0:26:20.280
<v Speaker 1>let's go do something. I don't want to just sit

0:26:20.320 --> 0:26:22.680
<v Speaker 1>around here. I want to go get something to eat.

0:26:22.760 --> 0:26:25.359
<v Speaker 1>Where you want to go? I don't care, I'm not hungry.

0:26:25.520 --> 0:26:29.520
<v Speaker 1>Growing up, Jerry Seinfeld's own family life served as a

0:26:29.640 --> 0:26:32.879
<v Speaker 1>useful model of just that. Look, my mother is an orphan.

0:26:33.119 --> 0:26:36.680
<v Speaker 1>My father left the house probably eleven years old to

0:26:36.760 --> 0:26:38.639
<v Speaker 1>work on the street and make a living on the

0:26:38.680 --> 0:26:41.639
<v Speaker 1>Lower east Side. You know, they got married in their forties.

0:26:42.520 --> 0:26:45.840
<v Speaker 1>They had no concept of what a family should even be.

0:26:46.840 --> 0:26:51.040
<v Speaker 1>And all I craved was the same fierce independence that

0:26:51.160 --> 0:26:55.320
<v Speaker 1>they had in their lives. They rested on instructible, indstructible,

0:26:55.600 --> 0:27:00.240
<v Speaker 1>self contained, self reliant people. This is not great going

0:27:00.240 --> 0:27:03.719
<v Speaker 1>into a marriage, may I say? You know? And I

0:27:03.800 --> 0:27:05.200
<v Speaker 1>was that guy saying, well, I gotta go now, I

0:27:05.240 --> 0:27:08.240
<v Speaker 1>gotta go to work. And you don't think that this

0:27:08.320 --> 0:27:11.440
<v Speaker 1>might be a problem for a person that's not used

0:27:11.440 --> 0:27:13.480
<v Speaker 1>to being around that. So it took me a long

0:27:13.520 --> 0:27:15.159
<v Speaker 1>time to learn that. You know that you have to

0:27:15.160 --> 0:27:20.080
<v Speaker 1>be understand because to me, to me, this life, my life,

0:27:21.280 --> 0:27:23.760
<v Speaker 1>what I would call my life in comedy, is a

0:27:23.840 --> 0:27:28.560
<v Speaker 1>life of sacrifice that I am only too happy to make.

0:27:29.200 --> 0:27:31.760
<v Speaker 1>All my relationships I got married at forty five. All

0:27:31.800 --> 0:27:36.040
<v Speaker 1>my relationships were as disposable as a dixie cup. Excuse me?

0:27:36.080 --> 0:27:38.640
<v Speaker 1>With women you make yes, I gotta work. You've gone.

0:27:39.280 --> 0:27:42.320
<v Speaker 1>But well if you don't, if you don't want you know, well,

0:27:42.359 --> 0:27:43.879
<v Speaker 1>if you if you're gonna be on the road that much,

0:27:43.920 --> 0:27:48.359
<v Speaker 1>we can't be together. Goodbye, goodbye. This is this my

0:27:48.720 --> 0:27:50.720
<v Speaker 1>I have had a sense of mission. You were like

0:27:50.840 --> 0:27:54.160
<v Speaker 1>Lee Strasburg in The Godfather Part two. Yes, he say,

0:27:54.760 --> 0:27:57.800
<v Speaker 1>if I come back here, I have a partner. I

0:27:58.680 --> 0:28:01.960
<v Speaker 1>have a partner. If it's not, I'll know, I don't,

0:28:02.119 --> 0:28:04.679
<v Speaker 1>I'll know. I don't what he said, I'm going in

0:28:04.720 --> 0:28:07.520
<v Speaker 1>the other room. It's the last time I really out

0:28:07.560 --> 0:28:09.399
<v Speaker 1>of shape. Man took his shirt off in a movie

0:28:09.840 --> 0:28:14.960
<v Speaker 1>and it wasn't bad. Hair on the top of the shoulders,

0:28:15.400 --> 0:28:18.320
<v Speaker 1>a little little little like a little tumbleweeds of hair. Yeah,

0:28:18.520 --> 0:28:21.880
<v Speaker 1>did you know him? Did you know when I studied

0:28:21.920 --> 0:28:24.159
<v Speaker 1>acting at this school on fifte Street. When I went

0:28:24.160 --> 0:28:26.600
<v Speaker 1>to n y U, I went to Strasburg. They assigned

0:28:26.600 --> 0:28:29.439
<v Speaker 1>you to the studio. You went to Adler Strasberg's up.

0:28:29.560 --> 0:28:32.399
<v Speaker 1>I went to Strasburg, and I had wonderful teachers, Marsha

0:28:32.480 --> 0:28:35.320
<v Speaker 1>how Freckt and Jeffrey horn Is a wonderful too, beautiful people.

0:28:35.440 --> 0:28:39.000
<v Speaker 1>But you know the method of Strasburg was very uh severe.

0:28:39.640 --> 0:28:41.960
<v Speaker 1>Did it work for you one of the well, it

0:28:42.040 --> 0:28:45.280
<v Speaker 1>opened up your eyes to the idea of whatever word

0:28:45.320 --> 0:28:46.920
<v Speaker 1>you want to use. I'm never going to use the

0:28:47.000 --> 0:28:50.000
<v Speaker 1>right word for everyone. To mind your past and mind

0:28:50.040 --> 0:28:53.080
<v Speaker 1>your emotional fabric to get where you want to go.

0:28:53.400 --> 0:28:59.360
<v Speaker 1>Whereas Strasburg and Stanislavski, both people don't necessarily stumble across

0:28:59.400 --> 0:29:02.640
<v Speaker 1>this fine print and all these writings of their where

0:29:02.640 --> 0:29:05.760
<v Speaker 1>What Stanislavski and Strasbourg both said is that the method,

0:29:05.840 --> 0:29:07.680
<v Speaker 1>so to speak, is something that you apply only if

0:29:07.680 --> 0:29:11.000
<v Speaker 1>the inspiration fails you. You don't you don't need to

0:29:11.000 --> 0:29:12.640
<v Speaker 1>go off into a room and twist yourself into some

0:29:12.720 --> 0:29:16.360
<v Speaker 1>kind of psychological pretzel to do this work. If you

0:29:16.360 --> 0:29:18.360
<v Speaker 1>can just say the words and you're there, you feel

0:29:18.360 --> 0:29:20.480
<v Speaker 1>connected to the character in and of yourself. Do you

0:29:20.560 --> 0:29:23.680
<v Speaker 1>do you have a desire as an actor to be

0:29:23.720 --> 0:29:27.360
<v Speaker 1>one of those guys, one of those I'm gonna take

0:29:27.480 --> 0:29:30.400
<v Speaker 1>my rib cage and separated. When I was younger, I

0:29:30.400 --> 0:29:32.480
<v Speaker 1>did you did When I was younger? I did did

0:29:32.520 --> 0:29:34.280
<v Speaker 1>you feel you there was there was there a role

0:29:34.280 --> 0:29:35.720
<v Speaker 1>where you felt you got close to that? When I

0:29:35.760 --> 0:29:38.320
<v Speaker 1>did street Car named Desire on Broadway and Amy Madigan,

0:29:38.360 --> 0:29:40.800
<v Speaker 1>I would scream stella stella for her to come downstairs,

0:29:41.080 --> 0:29:43.000
<v Speaker 1>and Amy would come and the minute I would touch Amy,

0:29:43.000 --> 0:29:46.600
<v Speaker 1>I'd burst into tears. Remember I didn't I loved Amy

0:29:46.640 --> 0:29:50.479
<v Speaker 1>more than any woman I ever loved, you know, at

0:29:50.480 --> 0:29:53.520
<v Speaker 1>that moment, I mean and it was real. I was

0:29:53.560 --> 0:29:55.880
<v Speaker 1>in love with Amy. Do you think I'm capable of

0:29:55.880 --> 0:29:59.040
<v Speaker 1>that kind of work? I think you are. Be a

0:29:59.040 --> 0:30:02.200
<v Speaker 1>tremendous mistake your car, it would be a huge would

0:30:02.200 --> 0:30:04.520
<v Speaker 1>be one of the poorest choices probably in show business history,

0:30:04.800 --> 0:30:06.960
<v Speaker 1>for you to go and to sell. You want to know,

0:30:07.080 --> 0:30:11.000
<v Speaker 1>what do you want to do? A street car? On um?

0:30:11.040 --> 0:30:12.800
<v Speaker 1>I was in an acting class where a guy did

0:30:12.960 --> 0:30:15.320
<v Speaker 1>have me play Brick, but that's cataa hot tin roof.

0:30:15.880 --> 0:30:18.080
<v Speaker 1>He because I was able to handle the light comedy

0:30:18.160 --> 0:30:20.920
<v Speaker 1>so easily, he said you, I need to challenge you more.

0:30:20.960 --> 0:30:22.480
<v Speaker 1>So he had me and he said, I want you

0:30:22.520 --> 0:30:25.080
<v Speaker 1>to study the role of Brick. Wasn't that the name

0:30:25.080 --> 0:30:32.480
<v Speaker 1>of the character street and the Yeah, Maggie and Brick. Yeah.

0:30:32.840 --> 0:30:34.320
<v Speaker 1>Well that's when I left that. There's a girl I

0:30:34.320 --> 0:30:36.280
<v Speaker 1>could you'll you'll appreciate this because you're from Long Island.

0:30:36.280 --> 0:30:39.000
<v Speaker 1>And I met this woman, uh many years later and

0:30:39.040 --> 0:30:41.680
<v Speaker 1>even she laughed about it. So I can say this,

0:30:42.160 --> 0:30:46.280
<v Speaker 1>remember Pergament's hardware storm. Okay, I went to I went

0:30:46.320 --> 0:30:49.320
<v Speaker 1>to college. I went to g W for three years

0:30:49.360 --> 0:30:51.000
<v Speaker 1>and I went and I took my last year there,

0:30:51.040 --> 0:30:53.800
<v Speaker 1>my junior year before I climbed over the wall there

0:30:53.800 --> 0:30:55.280
<v Speaker 1>and went to end. While you to study acting, I

0:30:55.440 --> 0:30:59.160
<v Speaker 1>took acting for non drama majors. It was a gut

0:30:59.160 --> 0:31:01.800
<v Speaker 1>course you take at g W. I took acting for

0:31:01.840 --> 0:31:04.520
<v Speaker 1>non drama majors. And everyone in the class. This was

0:31:04.560 --> 0:31:06.320
<v Speaker 1>one of the things that gave me the impetus to

0:31:06.320 --> 0:31:07.959
<v Speaker 1>be an actor, because everyone in the class was so

0:31:08.040 --> 0:31:11.720
<v Speaker 1>horrible and I could, I could. I squeaked by like

0:31:11.760 --> 0:31:14.080
<v Speaker 1>I wasn't that bad. I was okay in terms of performing.

0:31:14.560 --> 0:31:16.320
<v Speaker 1>And the teacher said to me, I want you to

0:31:16.320 --> 0:31:18.920
<v Speaker 1>do a scene from Canada Hutton roof of Maggie Brick scene.

0:31:19.040 --> 0:31:22.160
<v Speaker 1>And your partner is Debbie Pergamant, who was the daughter

0:31:22.320 --> 0:31:24.520
<v Speaker 1>and I don't want to call her the heir to

0:31:24.600 --> 0:31:26.640
<v Speaker 1>the pergam And fortune, but let's just say that for

0:31:26.800 --> 0:31:30.200
<v Speaker 1>our comedy purposes, Debbie Pergamant and literally she was this

0:31:30.400 --> 0:31:34.640
<v Speaker 1>lovely girl, adorable, gorgeous, really cute as the day is long.

0:31:35.360 --> 0:31:38.560
<v Speaker 1>But she was from you know, like Roslyn or somewhere.

0:31:39.400 --> 0:31:42.320
<v Speaker 1>So when she would say she was the only person

0:31:42.400 --> 0:31:44.720
<v Speaker 1>who made brick a bi syllabic where she was like

0:31:44.960 --> 0:31:49.840
<v Speaker 1>brick brick, I am like a cat's on a Hudson

0:31:49.920 --> 0:31:55.160
<v Speaker 1>roof here, I am so upset. Debbie Pergamant was who

0:31:55.280 --> 0:31:57.800
<v Speaker 1>was my partner in a scene study class? And it

0:31:57.880 --> 0:32:00.960
<v Speaker 1>was it was I open. So where do we want

0:32:01.000 --> 0:32:05.920
<v Speaker 1>to go now? Your your career now? Um you you

0:32:06.480 --> 0:32:09.960
<v Speaker 1>you're seeing another carridor for yourself? Is something you want

0:32:10.000 --> 0:32:12.480
<v Speaker 1>to explore, something you have to offer or be honest

0:32:12.560 --> 0:32:15.920
<v Speaker 1>with me. Are you just tired and you just don't

0:32:16.000 --> 0:32:19.160
<v Speaker 1>want to travel and slap and deal with these idiots

0:32:19.280 --> 0:32:20.520
<v Speaker 1>you want to know? The truth is I want to

0:32:20.560 --> 0:32:24.280
<v Speaker 1>be more like you, really, because you are a very

0:32:25.080 --> 0:32:26.840
<v Speaker 1>happy like I look at you when I see to myself,

0:32:26.880 --> 0:32:29.400
<v Speaker 1>everything is always like, why aren't you doing what other

0:32:29.440 --> 0:32:32.880
<v Speaker 1>people do? What? Meaning? Like the first thing people would

0:32:32.880 --> 0:32:35.800
<v Speaker 1>say in the business, I mean even outside the business,

0:32:35.800 --> 0:32:37.400
<v Speaker 1>if they have some savvy about it, what they say,

0:32:37.760 --> 0:32:40.200
<v Speaker 1>did Jerry want to ramp up a production company and

0:32:40.320 --> 0:32:44.040
<v Speaker 1>just print TV shows? I mean, I mean how many

0:32:44.560 --> 0:32:47.880
<v Speaker 1>sitcoms could you have? Launched with the promoter of your name.

0:32:48.000 --> 0:32:50.560
<v Speaker 1>Forget it. Forget it. You can have your own channel,

0:32:51.680 --> 0:32:55.720
<v Speaker 1>the Jerry Channel. But I didn't take that bait. Why

0:32:55.920 --> 0:32:59.000
<v Speaker 1>because I know what it is. I know what it is.

0:32:59.640 --> 0:33:03.280
<v Speaker 1>That's what if you can't pull that over on me?

0:33:03.560 --> 0:33:05.600
<v Speaker 1>What what is? I've sat in all the chairs, I've

0:33:05.640 --> 0:33:08.840
<v Speaker 1>been in all the rooms. I know what it is.

0:33:09.320 --> 0:33:14.800
<v Speaker 1>Look alec you you've you've been there, right, Yes, you

0:33:14.960 --> 0:33:20.160
<v Speaker 1>can't trick me into thinking thinking what that's that's good? Why?

0:33:20.760 --> 0:33:25.920
<v Speaker 1>Because don't Most of it is not creative work and

0:33:26.160 --> 0:33:29.640
<v Speaker 1>not reaching an audience. You want to be on the water.

0:33:29.800 --> 0:33:30.880
<v Speaker 1>How do you want to be on the water. You

0:33:30.920 --> 0:33:31.840
<v Speaker 1>want to be on a yacht. You want to be

0:33:31.880 --> 0:33:33.960
<v Speaker 1>on a surfboard. I want to be on a surfboard.

0:33:34.120 --> 0:33:37.440
<v Speaker 1>I don't want to deal with the yacht. That's a yacht.

0:33:37.520 --> 0:33:39.720
<v Speaker 1>And you just also some people want a yacht to say,

0:33:39.760 --> 0:33:43.000
<v Speaker 1>to see my yacht, And you just didn't want people

0:33:43.080 --> 0:33:45.960
<v Speaker 1>do you. And you also didn't want to ultimately wind

0:33:46.040 --> 0:33:48.160
<v Speaker 1>up putting your name as is often the case. Look

0:33:48.160 --> 0:33:49.959
<v Speaker 1>at which if you're the goose that lays the golden egg,

0:33:50.080 --> 0:33:53.400
<v Speaker 1>you're the successful person, and it all emanates you're the godhead,

0:33:53.440 --> 0:33:55.640
<v Speaker 1>if you will, comedy wise, and you go launch all

0:33:55.680 --> 0:33:57.480
<v Speaker 1>these other shows, and all those other shows they aren't

0:33:57.600 --> 0:34:00.200
<v Speaker 1>maybe as good, they're not, And how much of your name?

0:34:00.320 --> 0:34:02.000
<v Speaker 1>But well, why doesn't he want to do it? How

0:34:02.080 --> 0:34:03.840
<v Speaker 1>much would we have to even get much for you

0:34:03.920 --> 0:34:06.920
<v Speaker 1>to be in the performs just to whatever it is? Yeah,

0:34:07.240 --> 0:34:09.839
<v Speaker 1>whatever it is. Let me tell you why my TV

0:34:09.920 --> 0:34:13.240
<v Speaker 1>series in the nineties was so good bespides an inordinate

0:34:13.280 --> 0:34:17.960
<v Speaker 1>amount of just pure good fortune. In most TV series,

0:34:19.160 --> 0:34:21.439
<v Speaker 1>fifty percent of the time is spent working on the show.

0:34:21.760 --> 0:34:26.279
<v Speaker 1>Fifty percent of the time is spent dealing with personality, political,

0:34:27.280 --> 0:34:34.319
<v Speaker 1>and hierarchical issues of making something. We spent our time

0:34:34.360 --> 0:34:39.040
<v Speaker 1>writing me and Larry the door was closed, some somebody calls.

0:34:39.080 --> 0:34:41.200
<v Speaker 1>We're not taking the call. We're gonna We're gonna make

0:34:41.200 --> 0:34:43.759
<v Speaker 1>this seem funny. That's why the show was good. I

0:34:43.840 --> 0:34:48.200
<v Speaker 1>didn't want to go from that two. Um you know

0:34:48.760 --> 0:34:54.160
<v Speaker 1>some some H. G. Wells contraption machine you know of

0:34:54.320 --> 0:34:56.880
<v Speaker 1>of trying to control the weather. That's what that's what

0:34:57.040 --> 0:34:59.279
<v Speaker 1>these these deals are. That's what making a movie is.

0:35:00.000 --> 0:35:03.360
<v Speaker 1>It's a movie. It's this giant machine, is this giant

0:35:03.480 --> 0:35:06.200
<v Speaker 1>ship and everybody gets on it and they shove off

0:35:06.239 --> 0:35:09.719
<v Speaker 1>and nobody knows where it's going. And the captain is

0:35:09.920 --> 0:35:14.600
<v Speaker 1>doing where's the captain? He's getting high and and and

0:35:14.719 --> 0:35:17.960
<v Speaker 1>and you know, and sleeping with the first mate. He's

0:35:18.000 --> 0:35:22.640
<v Speaker 1>his sleep period. Yeah, So it's too much time and

0:35:22.840 --> 0:35:26.960
<v Speaker 1>energy spent on that is not the juice. The really

0:35:27.080 --> 0:35:30.239
<v Speaker 1>good stuff is a great line. So when you go

0:35:30.320 --> 0:35:32.840
<v Speaker 1>out that stand up comedian, I can control that. So

0:35:32.880 --> 0:35:34.880
<v Speaker 1>when you go out on stage now, so for now,

0:35:35.040 --> 0:35:38.560
<v Speaker 1>for you, other than whatever other things you're involved with,

0:35:39.040 --> 0:35:41.919
<v Speaker 1>writing or comedians and cars with coffee and so forth,

0:35:42.400 --> 0:35:44.560
<v Speaker 1>you go out on stage, you perform live. How many

0:35:44.760 --> 0:35:47.200
<v Speaker 1>shows you do on average? Would you say, I'm not sure.

0:35:47.200 --> 0:35:48.840
<v Speaker 1>It varies, but you're on the road how many how

0:35:48.920 --> 0:35:52.719
<v Speaker 1>many shows a year? Um? Maybe sent so so you

0:35:52.800 --> 0:35:55.480
<v Speaker 1>do seventy five appearances a year? And is it just

0:35:55.840 --> 0:35:58.160
<v Speaker 1>very simply a case where you walk out there, that

0:35:58.320 --> 0:36:01.440
<v Speaker 1>exchange of energy between you and then they want what

0:36:01.600 --> 0:36:03.640
<v Speaker 1>you've got, you want what they've got. You're at home,

0:36:03.760 --> 0:36:06.200
<v Speaker 1>you feel comfortable, you're happy. It's a it's a it's

0:36:06.360 --> 0:36:16.160
<v Speaker 1>it's a very fulfilling, uh unsolvable puzzle that is endlessly Um.

0:36:17.960 --> 0:36:19.839
<v Speaker 1>It just because it was right to your soul. Does

0:36:19.880 --> 0:36:21.560
<v Speaker 1>every night need to be different? If you can make it? So?

0:36:21.680 --> 0:36:23.120
<v Speaker 1>Do you try to make it different? Says there's nothing

0:36:23.160 --> 0:36:24.680
<v Speaker 1>I can do about that. It's gonna be different. It's

0:36:24.680 --> 0:36:27.160
<v Speaker 1>gonna be different. But if I can get them right

0:36:27.239 --> 0:36:30.040
<v Speaker 1>where I want them and and get myself where I

0:36:30.120 --> 0:36:34.239
<v Speaker 1>want myself, and the thing just explodes, Well, you know,

0:36:34.440 --> 0:36:38.080
<v Speaker 1>it's fun. That's life. People who perform live. I'll never forget.

0:36:38.120 --> 0:36:40.480
<v Speaker 1>There was an article like an Esquire magazine or somewhere,

0:36:40.760 --> 0:36:43.080
<v Speaker 1>and they did an article about Wayne Newton and they

0:36:43.120 --> 0:36:45.000
<v Speaker 1>took it was about Vegas, and I think it was

0:36:45.000 --> 0:36:46.799
<v Speaker 1>about Wayne Newton, and I love this article. And they

0:36:46.840 --> 0:36:49.560
<v Speaker 1>weren't mean toward him, were diminishing him, and they were

0:36:49.600 --> 0:36:51.640
<v Speaker 1>saying how they thought it was uncanny how the guy

0:36:51.680 --> 0:36:54.360
<v Speaker 1>went to the show in Vegas with a stopwatch and

0:36:54.440 --> 0:36:57.799
<v Speaker 1>Newton came out and you did the same thing every show,

0:36:57.840 --> 0:37:00.320
<v Speaker 1>the same exact thing, the same exact beats. It was

0:37:00.440 --> 0:37:02.920
<v Speaker 1>just it was just he just cloned one show after

0:37:02.960 --> 0:37:04.640
<v Speaker 1>that and he would come out, but he would create

0:37:04.760 --> 0:37:07.800
<v Speaker 1>the dynamic tension that this show was different, and he

0:37:07.880 --> 0:37:09.520
<v Speaker 1>come out on stage and people will be screaming and

0:37:09.560 --> 0:37:11.440
<v Speaker 1>the women are throwing their panties and they're throwing their

0:37:11.440 --> 0:37:14.000
<v Speaker 1>hotel room keys. Had him his crowd, and then he

0:37:14.080 --> 0:37:16.160
<v Speaker 1>sit there and he'd say, um, um, you know, we

0:37:16.239 --> 0:37:18.160
<v Speaker 1>gotta we gotta wrap this up. But you know, I

0:37:18.280 --> 0:37:19.920
<v Speaker 1>love you people. I'm gonna do someth I'm gonna sing

0:37:19.960 --> 0:37:22.160
<v Speaker 1>a song I never sing anymore. And the song he

0:37:22.239 --> 0:37:24.319
<v Speaker 1>just sang, like you know, ninety minutes ago, I must

0:37:24.320 --> 0:37:25.840
<v Speaker 1>sing a number for you guys. I never sing anymore.

0:37:25.840 --> 0:37:27.800
<v Speaker 1>I never would never break this one out anymore. And

0:37:27.880 --> 0:37:30.799
<v Speaker 1>he just re created the same, uh you know, mock

0:37:30.960 --> 0:37:33.560
<v Speaker 1>freshness of the whole thing, which many performers. I assume

0:37:33.600 --> 0:37:35.520
<v Speaker 1>they do that. Yeah, he used to say to him,

0:37:35.600 --> 0:37:39.480
<v Speaker 1>locked the doors, they don't want me to go long.

0:37:39.560 --> 0:37:42.839
<v Speaker 1>But but this audience, I don't, I don't. I'm gonna

0:37:42.840 --> 0:37:45.359
<v Speaker 1>do something I never do. I'm breaking the rules. Yeah,

0:37:45.680 --> 0:37:47.239
<v Speaker 1>And of course you would write on the button you

0:37:47.320 --> 0:37:50.680
<v Speaker 1>performed in Vegas all the time. So they throw the

0:37:50.760 --> 0:37:53.879
<v Speaker 1>hotel room key. How desperate is this entertainer, by the way,

0:37:53.960 --> 0:37:57.000
<v Speaker 1>to just pick up fifteen D and go I'm heading

0:37:57.040 --> 0:37:59.239
<v Speaker 1>over there. I'm going over there, which one of you

0:37:59.360 --> 0:38:01.239
<v Speaker 1>was fifteen D. Oh you I'm sorry, let me give

0:38:01.239 --> 0:38:03.040
<v Speaker 1>you your key back. I'm sorry. I don't want that

0:38:03.160 --> 0:38:23.640
<v Speaker 1>kid coming up. More from Jerry Seinfeld. He's got so

0:38:23.760 --> 0:38:26.520
<v Speaker 1>many years of stand up under his belt. When he

0:38:26.640 --> 0:38:30.280
<v Speaker 1>travels as he does most weekends, every move is planned.

0:38:30.680 --> 0:38:36.960
<v Speaker 1>It is organized with military precision, not an ounce on

0:38:37.040 --> 0:38:40.080
<v Speaker 1>the day. It's three guys, three suits, three garment bags.

0:38:40.680 --> 0:38:44.080
<v Speaker 1>We're in, we're out, and we have a great time.

0:38:45.000 --> 0:38:50.160
<v Speaker 1>We worked very hard. It's zero dark thirty. Yeah, get

0:38:50.280 --> 0:38:54.279
<v Speaker 1>in loud and go thinker with the dead bodies bag.

0:38:55.400 --> 0:38:59.440
<v Speaker 1>It's a beautiful thing. This is what I was given

0:39:00.320 --> 0:39:03.000
<v Speaker 1>from the TV series, that I could live like this

0:39:03.200 --> 0:39:07.600
<v Speaker 1>now on my own terms. That that's what we're looking

0:39:07.680 --> 0:39:11.759
<v Speaker 1>for on my own term term. Right, God, that's such

0:39:11.760 --> 0:39:14.960
<v Speaker 1>a foreign concept to me. Yes, the lack of an

0:39:14.960 --> 0:39:18.840
<v Speaker 1>actor is anything but anything but right. But this is

0:39:18.880 --> 0:39:22.880
<v Speaker 1>where we're moving now with Alec God. Yeah, my god,

0:39:23.080 --> 0:39:28.719
<v Speaker 1>on my own terms. More wisdom from Jerry Seinfeld in

0:39:28.800 --> 0:39:36.160
<v Speaker 1>a moment, This is Alec Baldwin. Take a listen to

0:39:36.280 --> 0:39:40.920
<v Speaker 1>our archive more in depth conversations with artists, policy makers,

0:39:41.000 --> 0:39:45.200
<v Speaker 1>and performers like Patty Lapone, Erica Young, and Debbie Reynolds.

0:39:45.520 --> 0:39:49.440
<v Speaker 1>Good morning, Good morning, it's great to stay in Blake.

0:39:49.560 --> 0:39:54.520
<v Speaker 1>Good morning, good morning. Look fun you see, I can't

0:39:54.520 --> 0:39:56.480
<v Speaker 1>sing to save my life if you put a gun

0:39:56.560 --> 0:39:58.439
<v Speaker 1>to my head and said saying are you almost saying

0:39:59.680 --> 0:40:17.399
<v Speaker 1>go too? Here's the thing dot org. Here's the thing

0:40:17.920 --> 0:40:21.359
<v Speaker 1>is supported by Capital one offering the venture card from

0:40:21.480 --> 0:40:25.839
<v Speaker 1>Capital one. What's in your wallet? Information about benefits at

0:40:25.920 --> 0:41:55.120
<v Speaker 1>Capital one venture card dot com. This is Alec Baldwin

0:41:55.360 --> 0:41:58.960
<v Speaker 1>and you're listening to Here's the Thing. When Jerry Seinfeld

0:41:59.080 --> 0:42:02.160
<v Speaker 1>was ten years old old, he started feverishly studying the

0:42:02.239 --> 0:42:06.920
<v Speaker 1>techniques of stand up comedians on TV, devouring it everything.

0:42:07.000 --> 0:42:09.280
<v Speaker 1>It's like, just like my daughter does. Now, my daughter

0:42:09.920 --> 0:42:13.360
<v Speaker 1>has totally got whatever that gene I had, She's got it.

0:42:14.000 --> 0:42:19.439
<v Speaker 1>She can do any voice, accent, takes lines. Her brother

0:42:19.520 --> 0:42:21.520
<v Speaker 1>said to her, this one. She's wearing glass. She has glasses.

0:42:21.560 --> 0:42:26.360
<v Speaker 1>Her brother said, he said, are those are those real glasses?

0:42:27.200 --> 0:42:29.359
<v Speaker 1>She looked at him, She said, what do you think

0:42:33.800 --> 0:42:39.600
<v Speaker 1>that's she's twelve, She's she's not ready to go play

0:42:39.640 --> 0:42:42.280
<v Speaker 1>iron Rand at the local library. And the fake glasses.

0:42:48.400 --> 0:42:52.520
<v Speaker 1>But um, okay, so my house, Um I assume my

0:42:52.760 --> 0:42:58.080
<v Speaker 1>my childhood was my relationship to my parents, was you

0:42:58.200 --> 0:42:59.880
<v Speaker 1>do what you gotta do. I'll do what I got

0:43:00.040 --> 0:43:01.880
<v Speaker 1>to do, and I'm just living here till I can

0:43:01.920 --> 0:43:07.000
<v Speaker 1>figure something else out. That was my house, and to me,

0:43:07.120 --> 0:43:08.920
<v Speaker 1>that was great. We've talked about this. You and I

0:43:09.360 --> 0:43:12.799
<v Speaker 1>was very independent. My father never hugged me, never told

0:43:12.840 --> 0:43:15.560
<v Speaker 1>me he loved me, never threw me a ball. No problem.

0:43:18.080 --> 0:43:20.799
<v Speaker 1>I'm good. I'm good. I'm good. He's you're good. I'm

0:43:20.800 --> 0:43:26.399
<v Speaker 1>watching you, gonta do whatever some time together? Right? Who

0:43:26.560 --> 0:43:28.640
<v Speaker 1>was the guy who blew the horn in the in

0:43:28.760 --> 0:43:31.080
<v Speaker 1>the when the tower and the tower fell over? Remember

0:43:31.080 --> 0:43:33.520
<v Speaker 1>at the beginning of each show, I forget what was it?

0:43:33.680 --> 0:43:37.160
<v Speaker 1>Was it Larry? It was another No, Larry Storch was

0:43:37.200 --> 0:43:40.680
<v Speaker 1>a garn he was an There was another Larry was

0:43:40.760 --> 0:43:45.480
<v Speaker 1>Captain Parmenter. Captain Parmenter. He wasn't really funny. But there

0:43:45.560 --> 0:43:49.160
<v Speaker 1>was another guy, another Larry, who was at the top

0:43:49.200 --> 0:43:52.080
<v Speaker 1>of the time the tower would fall over because he

0:43:52.200 --> 0:43:55.239
<v Speaker 1>was very kind of vanilla looking. Yeah, it wasn't. It

0:43:55.280 --> 0:43:57.960
<v Speaker 1>wasn't Larry Wilcox. He went on to do Chips. No, No,

0:43:58.200 --> 0:44:01.920
<v Speaker 1>it was another Larry anyway, But yeah, I was Abbert

0:44:01.960 --> 0:44:05.880
<v Speaker 1>and Costello was I really became obsessed with them because

0:44:05.960 --> 0:44:10.279
<v Speaker 1>of the precision word play they were see that's where

0:44:10.360 --> 0:44:13.360
<v Speaker 1>they went beyond there was there was Laurel and Hardy

0:44:13.400 --> 0:44:17.120
<v Speaker 1>and then Martin Lewis, but Aben and Costello had this precision.

0:44:17.920 --> 0:44:22.520
<v Speaker 1>I mean, who's on first is a piece of It's

0:44:22.640 --> 0:44:26.920
<v Speaker 1>like that that museum in Spain, you know, the what

0:44:27.360 --> 0:44:31.200
<v Speaker 1>you know, the no, the other one that what's his name?

0:44:31.280 --> 0:44:35.279
<v Speaker 1>Did that? Yeah? Whose real name is Goldberg? By the way,

0:44:36.280 --> 0:44:40.480
<v Speaker 1>really yes it is. He changed it in college, Frank Frank, Yeah,

0:44:40.520 --> 0:44:45.440
<v Speaker 1>the what's the name of that museum in northern Billo. Yeah, anyway,

0:44:45.480 --> 0:44:48.839
<v Speaker 1>that's what Who's on first? This? It's like what a construction,

0:44:48.920 --> 0:44:52.920
<v Speaker 1>What a brilliant piece of construction. So and when I

0:44:53.080 --> 0:44:56.680
<v Speaker 1>heard things like that, I um, I just would get

0:44:56.760 --> 0:44:59.840
<v Speaker 1>very excited that you could do things like that with words,

0:45:00.080 --> 0:45:03.960
<v Speaker 1>ideas and attitudes and and have laughs, you know, I

0:45:04.040 --> 0:45:06.360
<v Speaker 1>have laughs. I remember when I was a kid and

0:45:06.440 --> 0:45:08.360
<v Speaker 1>my dad would go to work and my brothers and

0:45:08.440 --> 0:45:10.920
<v Speaker 1>sisters would go to school, and my mom was lonely.

0:45:11.400 --> 0:45:15.200
<v Speaker 1>M I probably missed school like thirty or forty days

0:45:15.280 --> 0:45:17.800
<v Speaker 1>a year. You did, and it was a game. I

0:45:17.880 --> 0:45:19.600
<v Speaker 1>was totally foolish. I said to my mom I don't

0:45:19.640 --> 0:45:24.279
<v Speaker 1>feel good. Remember like, all right, you get in there

0:45:24.280 --> 0:45:26.440
<v Speaker 1>and go to the breakfast table and pretend you're going

0:45:26.440 --> 0:45:28.120
<v Speaker 1>to school until your father and then when he's gone,

0:45:28.120 --> 0:45:31.080
<v Speaker 1>you can go back upstairs. And I would go and

0:45:31.200 --> 0:45:33.680
<v Speaker 1>lie on the couch and they would show the same

0:45:33.800 --> 0:45:36.880
<v Speaker 1>movie five days in a row. So the housewives who

0:45:36.920 --> 0:45:38.400
<v Speaker 1>could only catch a piece of it here and a

0:45:38.440 --> 0:45:41.840
<v Speaker 1>piece so they show Inherit the Wind, And by Friday

0:45:41.920 --> 0:45:44.399
<v Speaker 1>I was laying in bed. I missed school for three days.

0:45:45.160 --> 0:45:47.880
<v Speaker 1>And Friday Spencer Tracy would say, this man wants to

0:45:47.960 --> 0:45:50.840
<v Speaker 1>be afforded the same rights as a sponge. He wishes

0:45:50.960 --> 0:45:53.239
<v Speaker 1>to think, and my lip sync the words I knew that.

0:45:53.280 --> 0:45:59.680
<v Speaker 1>I'm like the Door. I became a complete movie, so

0:45:59.800 --> 0:46:01.759
<v Speaker 1>that to where it began. And then we got into

0:46:01.840 --> 0:46:05.439
<v Speaker 1>the arrand spelling years. I abandoned. He never watched TV again.

0:46:06.040 --> 0:46:09.960
<v Speaker 1>No Charlie's Angels, And now what do you watch? Uh?

0:46:10.239 --> 0:46:12.799
<v Speaker 1>Now I come into your house. It's ten forty five

0:46:12.880 --> 0:46:16.719
<v Speaker 1>at night. Everyone's the wife, kids, babies of sleep. I'm reading,

0:46:17.080 --> 0:46:19.000
<v Speaker 1>you're reading. I'm reading on the internet. I read, I

0:46:19.040 --> 0:46:20.360
<v Speaker 1>read them, I read a book, or I read the

0:46:20.400 --> 0:46:22.000
<v Speaker 1>New York or to get me to sleep reading, we

0:46:22.040 --> 0:46:26.400
<v Speaker 1>get full asleep. But when I watched TV, God, when NFL,

0:46:26.560 --> 0:46:30.239
<v Speaker 1>I watched Makeup Hoements for NFL sixty minutes. I watched MSNBC.

0:46:30.440 --> 0:46:34.960
<v Speaker 1>I watch Uh, I've watched snippets of these shows, you know,

0:46:35.040 --> 0:46:38.040
<v Speaker 1>like Breaking Bad and these contemporary you know, these jobs.

0:46:38.160 --> 0:46:40.719
<v Speaker 1>They don't. I don't have time. I don't have time.

0:46:40.760 --> 0:46:43.480
<v Speaker 1>I don't don't I don't understand either, And I don't

0:46:43.480 --> 0:46:45.239
<v Speaker 1>know where are they find in the time. Did you

0:46:45.400 --> 0:46:52.520
<v Speaker 1>download House to Cards now? Eight hours is the first episode? Yeah,

0:46:53.719 --> 0:46:55.600
<v Speaker 1>I can't do What are they doing? What kind of

0:46:55.640 --> 0:46:57.279
<v Speaker 1>how long are their days? Well? Always weld get that

0:46:57.280 --> 0:46:59.120
<v Speaker 1>I would always be flattered for a moment. There was

0:46:59.120 --> 0:47:01.000
<v Speaker 1>always a double beat there. When someone would walk up

0:47:01.040 --> 0:47:03.359
<v Speaker 1>to me with Lauren and they woke up, they'd say.

0:47:03.640 --> 0:47:06.640
<v Speaker 1>Lauren would say, you know Dave here, Dave Swanson from

0:47:07.160 --> 0:47:10.080
<v Speaker 1>you know, from Comcast, and I'd go high, nice to

0:47:10.080 --> 0:47:11.759
<v Speaker 1>meet you. And he turned to Lauren and go, god,

0:47:11.840 --> 0:47:13.560
<v Speaker 1>you guys, I gotta tell you. My son broke his

0:47:13.640 --> 0:47:16.200
<v Speaker 1>leg skiing and he was in bed. He was in traction.

0:47:16.560 --> 0:47:18.960
<v Speaker 1>And we watched seasons two and three or thirty Rock

0:47:19.040 --> 0:47:22.080
<v Speaker 1>and I thought I'd smile and then I thought, well,

0:47:22.120 --> 0:47:23.600
<v Speaker 1>that's how you get to watch season's two or three.

0:47:23.880 --> 0:47:26.279
<v Speaker 1>You gotta go and break your leg skiing. You gotta

0:47:26.280 --> 0:47:28.520
<v Speaker 1>go wrap yourself around a tree. Then you can lay

0:47:28.520 --> 0:47:31.640
<v Speaker 1>in back and binge view all this. I don't understand

0:47:31.800 --> 0:47:34.239
<v Speaker 1>how people are fitting this into their day. So there's

0:47:34.239 --> 0:47:37.000
<v Speaker 1>not even one show that your I really love Madmen

0:47:37.080 --> 0:47:39.600
<v Speaker 1>because that was my dream growing up on Long Island

0:47:40.120 --> 0:47:43.400
<v Speaker 1>was to get us Sampson I briefcase going along Island Railroad.

0:47:44.239 --> 0:47:45.360
<v Speaker 1>I was going to go in the city and I

0:47:45.400 --> 0:47:47.640
<v Speaker 1>was gonna work at a big ad agency and right

0:47:47.719 --> 0:47:51.520
<v Speaker 1>funny ads. That was my first dream. That was because

0:47:51.640 --> 0:47:54.680
<v Speaker 1>stand up comedy that I was seeing on the Sullivan Show.

0:47:55.200 --> 0:47:58.600
<v Speaker 1>That was too far out. That was these are some

0:47:58.800 --> 0:48:02.040
<v Speaker 1>genius alien people. I could never be one of those.

0:48:02.200 --> 0:48:05.040
<v Speaker 1>I'm not gonna get that, but maybe I could be

0:48:05.160 --> 0:48:07.840
<v Speaker 1>a copywriter or or something in the ad game. I

0:48:07.920 --> 0:48:10.920
<v Speaker 1>love advertising. I like I like man I love Manhattan.

0:48:10.920 --> 0:48:14.239
<v Speaker 1>You remember, growing up in Massapeko, Manhattan was was oz

0:48:14.640 --> 0:48:17.800
<v Speaker 1>it was the Emerald City. Tell people when we were kids,

0:48:18.320 --> 0:48:22.640
<v Speaker 1>there was no Bergen County correspondent. The Martians could have

0:48:22.719 --> 0:48:25.400
<v Speaker 1>landed out in in in in in Hempstead. No one

0:48:25.520 --> 0:48:28.719
<v Speaker 1>cared that the Martians did land in because they knew

0:48:28.719 --> 0:48:30.840
<v Speaker 1>there were no cameras out there. When you grew up

0:48:30.880 --> 0:48:33.359
<v Speaker 1>in our generation, it was like the mayor announced today

0:48:33.800 --> 0:48:35.640
<v Speaker 1>of the subway. Today, the cops shot on the I

0:48:35.840 --> 0:48:38.279
<v Speaker 1>n D. The prepetating this, the bank robbery, this, And

0:48:38.320 --> 0:48:41.439
<v Speaker 1>it was all Manhattan, Manhattan, the garden today the heavyweight shot.

0:48:41.760 --> 0:48:44.359
<v Speaker 1>Everything was Manhattan, not even the other outer boroughs, right.

0:48:44.440 --> 0:48:46.800
<v Speaker 1>And when you lived where we lived, that was Saskatchewan.

0:48:47.120 --> 0:48:51.439
<v Speaker 1>To the media, remember Alan Burke, did Jevers Allen Burke, Yes,

0:48:51.719 --> 0:48:55.840
<v Speaker 1>And they would come up and they never correctly estimated

0:48:55.840 --> 0:48:57.400
<v Speaker 1>the average height of New York of the podium was

0:48:57.400 --> 0:49:00.560
<v Speaker 1>always way too high. Mr Bike, I just came in

0:49:00.680 --> 0:49:05.160
<v Speaker 1>from Mars where the Taxi and Limousine Commission there they

0:49:06.000 --> 0:49:08.759
<v Speaker 1>right back from New York issue. What were we saying before?

0:49:08.800 --> 0:49:09.960
<v Speaker 1>I just lost my train of though. When we were

0:49:09.960 --> 0:49:13.600
<v Speaker 1>talking about before you said about New York and Madman. Now,

0:49:14.000 --> 0:49:17.759
<v Speaker 1>oh yeah, so Madman that is my fans said. When

0:49:17.840 --> 0:49:19.680
<v Speaker 1>did you cross over and decide I could do the

0:49:19.760 --> 0:49:24.520
<v Speaker 1>other thing? Um? It was beginning in college, Queen's College.

0:49:25.000 --> 0:49:30.000
<v Speaker 1>What did you study there? A theater, communications, film all

0:49:30.040 --> 0:49:34.879
<v Speaker 1>that stuff. I was. I was circling the field, you know, going,

0:49:34.960 --> 0:49:37.959
<v Speaker 1>how do I How could I? I wonder if I could?

0:49:38.760 --> 0:49:41.320
<v Speaker 1>You know, did you decide? And then there was Andy Kaufman.

0:49:41.719 --> 0:49:44.560
<v Speaker 1>Then Andy Kaufman happened. There's this guy in New York

0:49:44.640 --> 0:49:46.800
<v Speaker 1>who goes up on stage and he plays the bongos

0:49:47.040 --> 0:49:52.880
<v Speaker 1>and starts weeping. He's crazy to So we all ran

0:49:52.960 --> 0:49:55.200
<v Speaker 1>in to see Andy Kaufman at the improv. And as

0:49:55.239 --> 0:49:56.960
<v Speaker 1>soon as I walked in that room and I saw

0:49:57.000 --> 0:49:59.640
<v Speaker 1>what was going on in there, I gotta get in

0:49:59.719 --> 0:50:01.640
<v Speaker 1>on this. Yeah, I want to be one of these.

0:50:01.719 --> 0:50:04.960
<v Speaker 1>And when you got up there and finally through whatever

0:50:05.760 --> 0:50:07.640
<v Speaker 1>apprenticeship you had, and when you got up there and

0:50:07.680 --> 0:50:09.279
<v Speaker 1>you did that was your a moment where like some

0:50:09.400 --> 0:50:10.719
<v Speaker 1>guy comes up to you. I don't want me to

0:50:10.760 --> 0:50:12.800
<v Speaker 1>be too Broadway Danny Rosen. Yes there was. Did some

0:50:12.840 --> 0:50:16.120
<v Speaker 1>guy welcome to and go kid call me? Yes? There was?

0:50:16.239 --> 0:50:21.080
<v Speaker 1>And you know who that guy was, Jackie Mason. Jackie

0:50:21.120 --> 0:50:26.360
<v Speaker 1>Mason alec I was doing comedy about three weeks. Three weeks,

0:50:26.960 --> 0:50:30.520
<v Speaker 1>and I mean stumbling nobody three weeks. I'm nineteen years old,

0:50:31.080 --> 0:50:33.920
<v Speaker 1>twenty years old of going up on stage. But there

0:50:33.960 --> 0:50:35.759
<v Speaker 1>wasn't even a stage. There was a restaurant where they

0:50:35.800 --> 0:50:37.320
<v Speaker 1>take a table out and they would take one of

0:50:37.400 --> 0:50:39.880
<v Speaker 1>the lights, the lamp and they would take the shade

0:50:39.880 --> 0:50:43.680
<v Speaker 1>off it. That was the show. He was in the

0:50:43.719 --> 0:50:47.719
<v Speaker 1>audience people right, was one of these cabaret things West

0:50:47.760 --> 0:50:50.800
<v Speaker 1>forty four Ster was called the Golden Lion Pub. He

0:50:51.040 --> 0:50:54.040
<v Speaker 1>crooks his finger and he says, come over here. He

0:50:54.160 --> 0:50:58.239
<v Speaker 1>takes me over to the bar. He says, you have it.

0:50:58.640 --> 0:51:01.160
<v Speaker 1>He says, you are going to be so big. He says,

0:51:01.520 --> 0:51:04.839
<v Speaker 1>it makes me sick to even think of it, how

0:51:04.920 --> 0:51:09.280
<v Speaker 1>successful you're gonna be. And I was just starting wow.

0:51:10.080 --> 0:51:13.520
<v Speaker 1>And that I mean, that was that was it because

0:51:13.600 --> 0:51:15.760
<v Speaker 1>he was, like, you know, he was very big comedian.

0:51:16.440 --> 0:51:18.880
<v Speaker 1>It's still one of my favorites, a great comedian. But

0:51:19.160 --> 0:51:20.600
<v Speaker 1>to have a guy like that come up to you

0:51:20.719 --> 0:51:25.640
<v Speaker 1>as a kid, I had that. That's still you know

0:51:25.719 --> 0:51:27.480
<v Speaker 1>when I talked to you about I went in the

0:51:27.560 --> 0:51:29.960
<v Speaker 1>improv and I saw all these guys and I thought,

0:51:29.960 --> 0:51:32.160
<v Speaker 1>I want to be one of these guys. That's still

0:51:32.200 --> 0:51:35.960
<v Speaker 1>how I feel now. Was there a moment when for

0:51:36.120 --> 0:51:40.000
<v Speaker 1>me one of the real pure joys of this business

0:51:40.040 --> 0:51:42.960
<v Speaker 1>are the people I've gotten to me and I don't

0:51:42.960 --> 0:51:44.239
<v Speaker 1>want to, you know, go on and on on. But

0:51:44.320 --> 0:51:47.360
<v Speaker 1>were there people who came to you that were like

0:51:47.440 --> 0:51:49.640
<v Speaker 1>these godlike figures to you? Were you just admired them

0:51:49.800 --> 0:51:52.480
<v Speaker 1>from your world They came up to you and said, hey, man,

0:51:52.800 --> 0:51:54.239
<v Speaker 1>they wait to You said, it could be it could

0:51:54.239 --> 0:51:58.040
<v Speaker 1>be Carson across the room. Well, Jack Rollins, who I

0:51:58.160 --> 0:52:00.279
<v Speaker 1>looked up because I saw your movie which I loved,

0:52:01.160 --> 0:52:04.799
<v Speaker 1>Blue Jasmine. You were great, And I see, like Jack

0:52:04.920 --> 0:52:07.080
<v Speaker 1>Rollins in the credit, like I look, he's still alive.

0:52:09.200 --> 0:52:12.160
<v Speaker 1>His daughter was a waitress at a comedy club on

0:52:12.200 --> 0:52:14.800
<v Speaker 1>the Upper East Side, and she brought him in to

0:52:14.840 --> 0:52:16.680
<v Speaker 1>see me and Larry Miller and Jimmy Broken and he

0:52:16.760 --> 0:52:18.200
<v Speaker 1>watched the three of us, and then he sat and

0:52:18.239 --> 0:52:21.600
<v Speaker 1>talked with us afterwards, and he was very encouraging, very flattering.

0:52:21.719 --> 0:52:23.800
<v Speaker 1>That was really big because we were in about a

0:52:23.880 --> 0:52:26.200
<v Speaker 1>year at that point. We didn't know. There was no

0:52:26.360 --> 0:52:28.600
<v Speaker 1>business to get into even if we could do this

0:52:29.360 --> 0:52:31.799
<v Speaker 1>didn't even exist. There was no place to work as

0:52:31.840 --> 0:52:36.279
<v Speaker 1>a stand up comic in seven didn't even exist. It

0:52:36.400 --> 0:52:39.120
<v Speaker 1>happened in the eighties. Once they were all these guys

0:52:39.200 --> 0:52:42.279
<v Speaker 1>around then these clubs started opening around the country. What

0:52:42.360 --> 0:52:45.839
<v Speaker 1>about someone else, someone beyond year old man have exist.

0:52:45.920 --> 0:52:47.560
<v Speaker 1>In the credits of a Woody Allen movie, who was

0:52:47.640 --> 0:52:52.440
<v Speaker 1>some iconic stand up figure. I saw Richard Pryor and

0:52:52.600 --> 0:52:55.360
<v Speaker 1>in those days, um he would come into the clubs

0:52:55.440 --> 0:52:58.080
<v Speaker 1>and we would say, George Carlin. No, we never said

0:52:58.120 --> 0:53:00.560
<v Speaker 1>anything to me, but just to meet, to be those people.

0:53:01.120 --> 0:53:02.719
<v Speaker 1>Was there one at some point who give other than

0:53:02.800 --> 0:53:07.480
<v Speaker 1>Mason said you've got it? Was no, no, no. If

0:53:07.520 --> 0:53:13.000
<v Speaker 1>you don't need that any any self respecting professional comedian,

0:53:13.080 --> 0:53:16.680
<v Speaker 1>you don't need that. You don't need anyone or anything.

0:53:16.880 --> 0:53:21.239
<v Speaker 1>You are built for brutality. You have this relationship with

0:53:21.320 --> 0:53:26.600
<v Speaker 1>the audience that is private between you and them. You

0:53:26.760 --> 0:53:30.640
<v Speaker 1>critics want to write, people want to talk. We we

0:53:30.840 --> 0:53:34.200
<v Speaker 1>have our own thing that nobody, nobody can break that.

0:53:35.200 --> 0:53:38.760
<v Speaker 1>Once you build that, it can't be broken by outside forces.

0:53:39.320 --> 0:53:42.719
<v Speaker 1>This is the difference between being a comedian that has

0:53:42.800 --> 0:53:45.560
<v Speaker 1>his own thing and everybody else in the entertainment field

0:53:45.800 --> 0:53:54.919
<v Speaker 1>who needs to cooperate. Our thanks to Jerry Seinfeld. Thank

0:53:54.960 --> 0:53:57.960
<v Speaker 1>you for listening to this week's Summer staff pick. Here's

0:53:58.000 --> 0:53:59.799
<v Speaker 1>the Thing is brought to you by I Heart Radio.

0:54:00.320 --> 0:54:03.760
<v Speaker 1>We're produced by Kathleen russo Zach McNeice and Maureen Hoban.

0:54:04.080 --> 0:54:07.960
<v Speaker 1>Our engineer, well that's me, Frank Imperial. Our social media

0:54:08.000 --> 0:54:11.719
<v Speaker 1>manager is Danielle Gingrich. Alec Baldwin will be back next week.

0:54:13.560 --> 0:54:13.600
<v Speaker 1>M