1 00:00:01,520 --> 00:00:05,840 Speaker 1: Every day a week up the Breakfast Club, finish for 2 00:00:05,880 --> 00:00:07,480 Speaker 1: y'all done morning. 3 00:00:07,480 --> 00:00:10,959 Speaker 2: Everybody is d J n V Jess hilarious, Charlamagne the 4 00:00:11,000 --> 00:00:13,160 Speaker 2: gud We are the Breakfast Club. Law La roses here 5 00:00:13,200 --> 00:00:15,120 Speaker 2: as well, and we got a special guest. 6 00:00:15,000 --> 00:00:18,560 Speaker 3: In the buildings. Indeed, Ladies and gentlemen, Marlon Wayne, what's happening? 7 00:00:18,600 --> 00:00:22,799 Speaker 3: What's happening? What's happening? Always home, always home. I feel great, 8 00:00:22,840 --> 00:00:23,720 Speaker 3: you know. I love that. 9 00:00:23,840 --> 00:00:26,680 Speaker 4: Y'all got the two ladies here. Y'all need the balance, 10 00:00:26,720 --> 00:00:32,680 Speaker 4: Thank god, God one wasn't enough. I felt bad for you, 11 00:00:32,479 --> 00:00:34,680 Speaker 4: for you, I felt bad for her. 12 00:00:35,000 --> 00:00:36,040 Speaker 3: Oh my god. 13 00:00:36,360 --> 00:00:40,280 Speaker 4: Too much toxic masculinity going on, balls on the table 14 00:00:40,320 --> 00:00:41,240 Speaker 4: at all times. 15 00:00:43,960 --> 00:00:45,560 Speaker 5: Well, listen, this is a big week for you. 16 00:00:45,680 --> 00:00:45,880 Speaker 3: Yeah. 17 00:00:46,000 --> 00:00:49,040 Speaker 1: Him comes out on Friday. Yes, sir, Jordan Peel Monkey 18 00:00:49,120 --> 00:00:50,280 Speaker 1: Paw Production. 19 00:00:50,000 --> 00:00:50,360 Speaker 3: Yes, sir? 20 00:00:50,440 --> 00:00:54,000 Speaker 1: What made you want to do a dark psychological sports. 21 00:00:53,840 --> 00:00:54,960 Speaker 3: Uh carror movie? 22 00:00:55,120 --> 00:00:57,960 Speaker 4: He called, and I said, yes, what you say no 23 00:00:58,000 --> 00:01:02,120 Speaker 4: to Jordan Peel? The certain people don't say no to Nah. 24 00:01:02,120 --> 00:01:03,480 Speaker 4: I'm good. 25 00:01:04,520 --> 00:01:05,080 Speaker 3: I'm good. 26 00:01:05,760 --> 00:01:08,160 Speaker 4: I'm gonna do something. I'm gonna go do a little 27 00:01:08,200 --> 00:01:12,640 Speaker 4: man too. It's Jordan field Man. Here's the thing that 28 00:01:12,840 --> 00:01:15,160 Speaker 4: it was was great as one of those roles I 29 00:01:15,160 --> 00:01:16,200 Speaker 4: didn't have to audition for. 30 00:01:16,720 --> 00:01:19,959 Speaker 3: They wanted me. They was just like, you're the guy 31 00:01:20,319 --> 00:01:20,679 Speaker 3: him and. 32 00:01:20,680 --> 00:01:24,760 Speaker 4: The director justin tipping two visionaries call you. You pick 33 00:01:24,800 --> 00:01:26,160 Speaker 4: up the phone and you go, all right, bet, I'm 34 00:01:26,200 --> 00:01:28,360 Speaker 4: gonna bring my a game, and I got I think 35 00:01:28,400 --> 00:01:30,680 Speaker 4: I put my best performance in the best movie. 36 00:01:30,760 --> 00:01:32,600 Speaker 1: How did that feel when somebody sees something in you 37 00:01:32,680 --> 00:01:33,959 Speaker 1: that you may not see in yourself. 38 00:01:34,080 --> 00:01:36,240 Speaker 4: I feel like an old slave, like I know you 39 00:01:36,280 --> 00:01:45,320 Speaker 4: ain't talking about you, ain't talking about Sean. What you 40 00:01:45,480 --> 00:01:48,720 Speaker 4: need me to do something. I couldn't believe it, but 41 00:01:48,760 --> 00:01:51,840 Speaker 4: it felt. It feels good, you know, because I'm so 42 00:01:52,000 --> 00:01:55,960 Speaker 4: busy working that I don't realize how much work I've done. 43 00:01:56,680 --> 00:01:58,480 Speaker 4: I'm so I got my head down, y'all know me, 44 00:01:58,480 --> 00:02:00,720 Speaker 4: i'ld just be on the grind, grind, grind. I don't 45 00:02:00,760 --> 00:02:04,320 Speaker 4: really know the effect that I've had, right until you 46 00:02:04,360 --> 00:02:06,240 Speaker 4: have these moments in your life when you look up 47 00:02:06,280 --> 00:02:08,519 Speaker 4: and you go, wait, I've been doing this for thirty 48 00:02:08,600 --> 00:02:11,839 Speaker 4: five years and I got this resume, like and it's 49 00:02:11,840 --> 00:02:13,720 Speaker 4: crazy because there's like you're one of one. I don't 50 00:02:13,760 --> 00:02:17,919 Speaker 4: know anybody's like that can has a skill level you 51 00:02:18,120 --> 00:02:20,800 Speaker 4: got at this point, there's probably three or four guys 52 00:02:21,120 --> 00:02:24,560 Speaker 4: that can do this and either they're dead crazy or 53 00:02:24,560 --> 00:02:26,280 Speaker 4: they ain't doing it no more. And I was just 54 00:02:26,360 --> 00:02:28,799 Speaker 4: like boom, But I think about it and they go. 55 00:02:29,919 --> 00:02:31,639 Speaker 4: You get to a point it's like I don't want 56 00:02:31,639 --> 00:02:34,000 Speaker 4: to audition if y'all don't know my work by now. 57 00:02:34,240 --> 00:02:37,000 Speaker 4: I have played a junkie and requiem. I have played 58 00:02:38,480 --> 00:02:42,480 Speaker 4: seven people in sex tuplets. I played a little person, 59 00:02:42,919 --> 00:02:46,200 Speaker 4: a white woman. I've done it all. A football player, 60 00:02:46,280 --> 00:02:47,919 Speaker 4: basketball player, done it all. What do you do with 61 00:02:47,960 --> 00:02:50,080 Speaker 4: the guy can do everything? Let them do everything? So 62 00:02:50,120 --> 00:02:52,400 Speaker 4: these are my years where I just do everything. 63 00:02:52,560 --> 00:02:54,160 Speaker 2: How do you shut down though, because, like you say, 64 00:02:54,240 --> 00:02:57,120 Speaker 2: you do everything you do, especially I feel like every 65 00:02:57,120 --> 00:02:59,240 Speaker 2: other month you're always on the road. You always do 66 00:02:59,320 --> 00:03:00,920 Speaker 2: movies like, so how do you shut down and be like, 67 00:03:01,040 --> 00:03:02,160 Speaker 2: I'm gonna put the effort to do it this? 68 00:03:02,320 --> 00:03:04,920 Speaker 4: Well, you do specials when you are special. God just 69 00:03:04,960 --> 00:03:07,959 Speaker 4: made special. No, because I work so much. So it's 70 00:03:07,960 --> 00:03:10,760 Speaker 4: not like I don't need twenty years to craft a 71 00:03:10,760 --> 00:03:13,560 Speaker 4: stand up special, right because this is what I do. 72 00:03:13,639 --> 00:03:16,320 Speaker 4: I'm a check myne schedule. I'm on the road every 73 00:03:16,360 --> 00:03:19,040 Speaker 4: week and Checkmarlinwayns dot com. I am on the road 74 00:03:19,120 --> 00:03:20,960 Speaker 4: every weekend. I'm about to do scary movie. Guess what 75 00:03:21,280 --> 00:03:24,320 Speaker 4: scary movie says. I'm on the road every weekend because 76 00:03:24,520 --> 00:03:27,440 Speaker 4: I'm preparing for something great. So I just do the 77 00:03:27,520 --> 00:03:29,640 Speaker 4: work so specials to me. I'm ready to fill my 78 00:03:29,680 --> 00:03:31,760 Speaker 4: next one, and I already know my next two after that. 79 00:03:32,240 --> 00:03:33,840 Speaker 4: Because I write scripts. I got a writer in my 80 00:03:33,880 --> 00:03:35,680 Speaker 4: head at all times. It's just like you know, pitching 81 00:03:35,680 --> 00:03:39,200 Speaker 4: me jokes that and God and so I'm always working 82 00:03:39,360 --> 00:03:41,720 Speaker 4: and so I don't like to hold on the material. 83 00:03:41,720 --> 00:03:43,400 Speaker 4: I think you let it go. It's like a blank canvas. 84 00:03:43,480 --> 00:03:45,240 Speaker 4: I just want to paint, man, just give me the 85 00:03:45,400 --> 00:03:46,080 Speaker 4: I just want to paint. 86 00:03:46,120 --> 00:03:47,600 Speaker 3: I just love it. I love what I do. Man. 87 00:03:47,640 --> 00:03:49,760 Speaker 1: I was agging about you last week because somebody in 88 00:03:49,800 --> 00:03:52,640 Speaker 1: the room said, I saw Marlon Williams on cas to 89 00:03:52,760 --> 00:03:54,160 Speaker 1: not scream, and he was. 90 00:03:54,440 --> 00:03:54,800 Speaker 3: He was. 91 00:03:54,880 --> 00:03:59,440 Speaker 1: He was almost as funny. 92 00:04:00,080 --> 00:04:08,440 Speaker 4: He was. Lie. It was hot in here, she said, 93 00:04:10,920 --> 00:04:11,760 Speaker 4: just like seeing. 94 00:04:13,040 --> 00:04:14,480 Speaker 6: This is crazy this time. 95 00:04:15,080 --> 00:04:17,080 Speaker 3: She said. I was shocked. He was funny than what 96 00:04:17,120 --> 00:04:18,880 Speaker 3: I said. Wow, not you lie. 97 00:04:20,240 --> 00:04:22,480 Speaker 6: I said, you got mad at me because I said 98 00:04:22,560 --> 00:04:27,080 Speaker 6: he was better than it was his stream because people 99 00:04:27,120 --> 00:04:29,560 Speaker 6: come in that stream and don't know how to like 100 00:04:29,680 --> 00:04:31,719 Speaker 6: interact with the chat. And then even if they're great 101 00:04:31,720 --> 00:04:33,920 Speaker 6: at what they do, you had thirty five. 102 00:04:33,839 --> 00:04:37,520 Speaker 3: Years of experience experience too, and I get what you're saying. 103 00:04:37,520 --> 00:04:39,800 Speaker 6: Space is different than what he does. So even though 104 00:04:39,839 --> 00:04:41,599 Speaker 6: you're great at what you do, I don't know if 105 00:04:41,600 --> 00:04:43,880 Speaker 6: you've seen no other streams prior to you. They're great talent, 106 00:04:44,040 --> 00:04:46,560 Speaker 6: but they don't be knowing how to like lost it 107 00:04:46,640 --> 00:04:46,960 Speaker 6: in there. 108 00:04:47,320 --> 00:04:52,120 Speaker 4: You ate that fifteen year old boy that lives inside 109 00:04:52,160 --> 00:04:54,520 Speaker 4: of me that I will never grow up. If you 110 00:04:54,560 --> 00:04:56,680 Speaker 4: spend the night at my house and I'm fifty three 111 00:04:56,800 --> 00:04:59,680 Speaker 4: years old and you got your mouth wide open, I'm 112 00:04:59,720 --> 00:05:01,160 Speaker 4: gonna put some garbage in your mouth. 113 00:05:01,480 --> 00:05:03,160 Speaker 3: You're gonna wake up with makeup on your face. 114 00:05:03,279 --> 00:05:06,760 Speaker 4: I ain't I him always, I'm a fart in your mouth. 115 00:05:06,880 --> 00:05:10,320 Speaker 4: I'm always my son and his kid and his friends 116 00:05:10,360 --> 00:05:11,920 Speaker 4: be like, dad, you got a chill? 117 00:05:12,040 --> 00:05:13,479 Speaker 3: Can you stop farting on my friend? 118 00:05:13,800 --> 00:05:22,839 Speaker 4: I was like I met five No, but and I 119 00:05:22,880 --> 00:05:24,080 Speaker 4: think the key to that show. 120 00:05:24,240 --> 00:05:25,280 Speaker 3: And even though all. 121 00:05:25,200 --> 00:05:29,320 Speaker 7: The streamers was like, bro, like you you that dude, 122 00:05:29,520 --> 00:05:33,040 Speaker 7: they were like you you ain't just movie funny you 123 00:05:33,080 --> 00:05:35,480 Speaker 7: ain't just TV funny like you funny funny. 124 00:05:35,520 --> 00:05:38,000 Speaker 4: I was like, bro, I do this, this is what 125 00:05:38,120 --> 00:05:40,200 Speaker 4: I do. I love to do this. And they were 126 00:05:40,240 --> 00:05:42,320 Speaker 4: all surprised, but I was like, they like how you 127 00:05:42,320 --> 00:05:44,479 Speaker 4: get like that? I was like, I live on the stage. 128 00:05:44,720 --> 00:05:46,840 Speaker 4: I've been writing movies since I was nineteen. I want 129 00:05:46,880 --> 00:05:49,400 Speaker 4: to former on tie guol. I've been snapping. That's what 130 00:05:49,440 --> 00:05:51,640 Speaker 4: I do. I grew up into projects. I roast people 131 00:05:51,920 --> 00:05:53,680 Speaker 4: until you punch me in the face and I punch 132 00:05:53,760 --> 00:05:56,400 Speaker 4: you back. That's what I like to do. That's how 133 00:05:56,440 --> 00:05:59,120 Speaker 4: I make my friends. I make my friends. That's how 134 00:05:59,160 --> 00:06:01,520 Speaker 4: we create our boundary. I talk about you, That's how 135 00:06:01,520 --> 00:06:02,560 Speaker 4: we created a friendship. 136 00:06:02,720 --> 00:06:03,279 Speaker 3: You know what I'm saying. 137 00:06:03,279 --> 00:06:05,200 Speaker 4: It's like sometimes you gotta go at it. I'm a 138 00:06:05,240 --> 00:06:07,880 Speaker 4: New York negro. I'm never gonna not be the kid 139 00:06:07,920 --> 00:06:09,680 Speaker 4: on the block ready to snap. 140 00:06:09,480 --> 00:06:10,520 Speaker 5: Would you, Reggie? 141 00:06:10,520 --> 00:06:11,960 Speaker 1: He said? 142 00:06:12,440 --> 00:06:16,040 Speaker 4: He tried to say something, some slip stuff, little chest 143 00:06:16,680 --> 00:06:18,680 Speaker 4: to get out of here, go get your ass and 144 00:06:18,680 --> 00:06:23,600 Speaker 4: the incubator finish developing, brought y'all something. 145 00:06:32,800 --> 00:06:35,240 Speaker 3: Nothing? Was it a Plan B that you bought for us? 146 00:06:35,440 --> 00:06:35,600 Speaker 6: No? 147 00:06:35,880 --> 00:06:38,800 Speaker 4: I bought that for for what's his name Reggie's mother 148 00:06:39,000 --> 00:06:41,640 Speaker 4: because so she could finish the job. 149 00:06:41,800 --> 00:06:43,479 Speaker 3: Okay, so this is simple stuff. 150 00:06:43,480 --> 00:06:46,839 Speaker 4: First, I bought something anybody in here, cigar smokers, okay, 151 00:06:47,400 --> 00:06:50,120 Speaker 4: I bought my cigars, my league. I tried dentate cigars. 152 00:06:50,480 --> 00:06:52,479 Speaker 4: These are all good. We roll them in Hong doors. 153 00:06:52,480 --> 00:06:55,000 Speaker 4: I see, I put the fresh pack in smoke. Yes, 154 00:06:55,080 --> 00:06:57,760 Speaker 4: everyone got you. Okay, you got everything you want. 155 00:06:57,839 --> 00:07:01,120 Speaker 3: These are celebratory time that every day is the celebration. 156 00:07:01,160 --> 00:07:03,480 Speaker 3: You woke up today. We celebrate. Let me know, we're 157 00:07:03,480 --> 00:07:05,080 Speaker 3: gonna sit, sit down on the lounge and smoke. 158 00:07:05,320 --> 00:07:07,800 Speaker 4: And I bought that for the fellas and ladies smoke too, 159 00:07:07,960 --> 00:07:11,320 Speaker 4: you know, don't in hell because you make it dizzy. 160 00:07:11,480 --> 00:07:15,040 Speaker 3: And then I bought you one of these. That's for 161 00:07:15,080 --> 00:07:19,760 Speaker 3: your little head. I bought these. I want everybody to 162 00:07:19,760 --> 00:07:26,440 Speaker 3: be official. You love you, for you. For the ladies, 163 00:07:27,040 --> 00:07:29,920 Speaker 3: I bought this one for you, a low dog. Which 164 00:07:29,920 --> 00:07:34,040 Speaker 3: one went that nobody, y'all don't fight over my face. 165 00:07:34,760 --> 00:07:36,920 Speaker 3: And I bought this for you. You can sleep with this, 166 00:07:37,040 --> 00:07:38,760 Speaker 3: and you got me on your chest. Okay. 167 00:07:39,960 --> 00:07:42,960 Speaker 4: Available on Mona Waiams dot com. So you get my 168 00:07:43,000 --> 00:07:44,480 Speaker 4: cigars and you can get my mercher. 169 00:07:44,560 --> 00:07:46,560 Speaker 3: You got the low dog, loaf dog up there. 170 00:07:46,560 --> 00:07:47,640 Speaker 5: You didn't want low dog. 171 00:07:48,080 --> 00:07:48,800 Speaker 3: I'll bring you. 172 00:07:48,800 --> 00:07:53,640 Speaker 4: You want this low dog shirt after this interview. 173 00:07:54,000 --> 00:07:56,920 Speaker 3: Legendary. That's why we got him up there, like dog. 174 00:07:56,920 --> 00:08:01,880 Speaker 3: He ain't that strong. Not going to scary six, scary 175 00:08:01,880 --> 00:08:03,840 Speaker 3: movie six, because that's we're working on it. Okay. 176 00:08:05,280 --> 00:08:07,760 Speaker 4: I love that little young brother. I love what he's doing. 177 00:08:08,320 --> 00:08:10,120 Speaker 4: Most of all, I love that he's stay out of trouble. 178 00:08:10,640 --> 00:08:13,800 Speaker 4: I love his whole crew. I really think like you 179 00:08:13,840 --> 00:08:16,400 Speaker 4: can't be an old head and not respect the youth 180 00:08:16,440 --> 00:08:18,680 Speaker 4: when they coming up. I sit there and go, hey, 181 00:08:18,760 --> 00:08:23,040 Speaker 4: maybe I should start an old stream for old people, 182 00:08:23,240 --> 00:08:23,760 Speaker 4: old heads. 183 00:08:23,840 --> 00:08:25,640 Speaker 3: That would be a lot of fun. And just going 184 00:08:25,680 --> 00:08:28,800 Speaker 3: to figure how to get on with me. Got kids, 185 00:08:29,480 --> 00:08:30,320 Speaker 3: got a two and a half. 186 00:08:31,320 --> 00:08:33,640 Speaker 4: Everything, we're gonna figure out how to get got you 187 00:08:34,040 --> 00:08:35,800 Speaker 4: just coming to kids, your daughters. 188 00:08:37,240 --> 00:08:40,160 Speaker 3: You got daughters, you got four daughters. 189 00:08:40,160 --> 00:08:44,959 Speaker 4: Oh you, Nick Cannon Jr. You're like, no, say mama, 190 00:08:45,000 --> 00:08:45,960 Speaker 4: iw maan mama's. 191 00:08:49,679 --> 00:08:57,400 Speaker 3: Shop shot. That's good, that's good, Blast them all the 192 00:08:57,400 --> 00:08:59,920 Speaker 3: way out. That's that's shop shipping. I'm proud of you. 193 00:09:00,000 --> 00:09:02,320 Speaker 3: I'mack man. But yes, that's that. 194 00:09:02,440 --> 00:09:05,120 Speaker 4: Stream was It was just fun. I had so much fun. 195 00:09:05,360 --> 00:09:09,000 Speaker 4: I think the key to life is you just have fun. 196 00:09:09,080 --> 00:09:11,520 Speaker 4: Everything I do, I just have fun and I put 197 00:09:11,520 --> 00:09:14,240 Speaker 4: one hundred and fifty percent into it. I don't let know, 198 00:09:14,600 --> 00:09:16,720 Speaker 4: I don't let nothing go. I'm not too cool. I 199 00:09:16,800 --> 00:09:18,480 Speaker 4: just want to have fun and that's always what. 200 00:09:18,440 --> 00:09:20,840 Speaker 1: I'm And it does feel like you're constantly reintroducing yourself 201 00:09:20,840 --> 00:09:23,240 Speaker 1: to a new audience because like you said, she didn't know. 202 00:09:23,480 --> 00:09:26,079 Speaker 3: That's not true, and they didn't know, right. 203 00:09:25,920 --> 00:09:29,959 Speaker 4: So it's like my kids friends didn't know. They all like, Yo, 204 00:09:30,360 --> 00:09:32,319 Speaker 4: you were goat. I didn't know you was that funny. 205 00:09:32,320 --> 00:09:34,720 Speaker 4: You didn't see scary movie. You didn't see white Chicks, 206 00:09:34,840 --> 00:09:36,920 Speaker 4: you didn't see don't be a minute you ain't see Mama. 207 00:09:37,760 --> 00:09:39,559 Speaker 6: You gotta go buy some of them old heads. When 208 00:09:39,559 --> 00:09:42,040 Speaker 6: they come on that stream, they're great. But it's not. 209 00:09:42,160 --> 00:09:44,679 Speaker 3: That's what I get what you said, Like I know she. 210 00:09:44,720 --> 00:09:49,600 Speaker 1: Was comparing athletes and like, no, celebrities is different with comedians. 211 00:09:49,800 --> 00:09:50,960 Speaker 3: Comedians are different difference. 212 00:09:51,000 --> 00:09:54,200 Speaker 6: Kevin Hart was great as well too on the road. Yeah, 213 00:09:54,200 --> 00:09:56,400 Speaker 6: but I'm trying, like I don't know, I think because 214 00:09:56,400 --> 00:09:58,600 Speaker 6: it made me think what if we had, like you know, 215 00:09:58,720 --> 00:10:02,320 Speaker 6: the in Living Color stream, like what if those worlds 216 00:10:02,320 --> 00:10:05,439 Speaker 6: collided today? What would we see and how would the challenge? 217 00:10:05,480 --> 00:10:07,160 Speaker 3: You're gonna see it. I'm gonna start my strength. We're 218 00:10:07,160 --> 00:10:08,400 Speaker 3: gonna be twitching soon. People. 219 00:10:09,120 --> 00:10:11,760 Speaker 4: The ways actually ain't on these old I can't get 220 00:10:11,760 --> 00:10:16,560 Speaker 4: my old brothers which camera, then get that camera. 221 00:10:18,480 --> 00:10:20,360 Speaker 3: My brothers wouldn't do it, but I would. I'm just 222 00:10:20,400 --> 00:10:21,320 Speaker 3: a troll like that. 223 00:10:21,320 --> 00:10:23,320 Speaker 4: That that's what I love to do, you know, And 224 00:10:23,360 --> 00:10:26,520 Speaker 4: I think eventually that is exactly what I'm gonna do. 225 00:10:26,679 --> 00:10:29,160 Speaker 3: Here's so much. When I went on that show, My 226 00:10:29,160 --> 00:10:29,840 Speaker 3: My My. 227 00:10:30,240 --> 00:10:34,720 Speaker 4: I have a wonderful stylist, Jason and Ron, and these 228 00:10:34,760 --> 00:10:37,160 Speaker 4: brothers try to put me some cool boots and they 229 00:10:37,200 --> 00:10:37,800 Speaker 4: were slippery. 230 00:10:37,840 --> 00:10:39,840 Speaker 3: I was like, uhh. They had me dressed with some 231 00:10:39,920 --> 00:10:43,480 Speaker 3: cool d square pants and this swede jacket. I said no, 232 00:10:44,000 --> 00:10:46,600 Speaker 3: I said, why this is? You want to step up 233 00:10:46,640 --> 00:10:46,920 Speaker 3: your lip? 234 00:10:46,960 --> 00:10:49,280 Speaker 4: I said no, no, I'm going in there with these young 235 00:10:49,559 --> 00:10:53,120 Speaker 4: negroes and they gonna be acting the fool I want 236 00:10:53,120 --> 00:10:53,280 Speaker 4: to be. 237 00:10:53,360 --> 00:10:54,880 Speaker 3: I don't be sliding the round. 238 00:10:54,960 --> 00:10:57,160 Speaker 4: I don't want to feel like, give me put I'm 239 00:10:57,240 --> 00:10:58,800 Speaker 4: wearing these snap On rick Owens. 240 00:10:58,880 --> 00:11:00,640 Speaker 3: I'm gonna wear some rick On sneakers. 241 00:11:00,720 --> 00:11:02,600 Speaker 4: I'm gonna go in there with the youth and we're 242 00:11:02,600 --> 00:11:04,440 Speaker 4: gonna have fun. So whatever they was doing, I was 243 00:11:04,480 --> 00:11:07,880 Speaker 4: just like, oh, you want to dance, have fun. 244 00:11:08,000 --> 00:11:10,720 Speaker 3: They couldn't even keep up ship after a while, and 245 00:11:10,760 --> 00:11:13,640 Speaker 3: then I had drink. Come on, now, don't give me 246 00:11:13,679 --> 00:11:16,000 Speaker 3: some drink. Drink and bang drinks. 247 00:11:16,880 --> 00:11:20,520 Speaker 4: My heart was two of them bangs. My heart was 248 00:11:20,559 --> 00:11:23,240 Speaker 4: doing this the bank energy. 249 00:11:23,360 --> 00:11:26,520 Speaker 3: It's like energy, bro, that's like liquid coke. 250 00:11:27,320 --> 00:11:30,000 Speaker 4: I was tweaking up. You think I sweat here. I 251 00:11:30,080 --> 00:11:31,800 Speaker 4: was sweating in my under arms. I looked like a 252 00:11:31,800 --> 00:11:32,720 Speaker 4: substitute teacher. 253 00:11:32,720 --> 00:11:35,439 Speaker 3: It was crazy in the level it out. 254 00:11:35,440 --> 00:11:39,800 Speaker 4: But she was just like, are you are you on something? 255 00:11:39,800 --> 00:11:42,880 Speaker 4: I said, yes, Bang energy, drink for them. 256 00:11:43,760 --> 00:11:45,760 Speaker 1: Now, when you talk about the movie Him, was there 257 00:11:45,840 --> 00:11:48,840 Speaker 1: something in Isaiah White that challenged you will break. 258 00:11:48,679 --> 00:11:50,520 Speaker 3: Down what Him is for people that because they haven't 259 00:11:50,520 --> 00:11:50,959 Speaker 3: seen it yet? 260 00:11:50,960 --> 00:11:51,320 Speaker 1: What is Him? 261 00:11:51,360 --> 00:11:55,160 Speaker 4: About Him is a basically it's a it's a psychological 262 00:11:55,200 --> 00:11:58,560 Speaker 4: horror thriller set in the world of football, and it's 263 00:11:58,640 --> 00:12:01,400 Speaker 4: it's basically like never me Idols. You know, It's like 264 00:12:01,640 --> 00:12:04,800 Speaker 4: and what are you willing to sacrifice for success? So 265 00:12:04,840 --> 00:12:08,840 Speaker 4: a young brother comes to the greatest quarterback whoever played. 266 00:12:09,160 --> 00:12:12,320 Speaker 4: Basically like a Tom Brady's camp, I play Isaiah White. 267 00:12:12,360 --> 00:12:15,559 Speaker 4: He's the greatest quarterback ever. Got eight rings, eight rings, 268 00:12:15,640 --> 00:12:18,080 Speaker 4: so he's the goat. So a young man, he's about 269 00:12:18,120 --> 00:12:20,240 Speaker 4: to retire because he wants to be with his family, 270 00:12:20,600 --> 00:12:21,920 Speaker 4: have a kid and chill out. 271 00:12:21,960 --> 00:12:22,400 Speaker 3: He did it. 272 00:12:22,760 --> 00:12:25,200 Speaker 4: And so this other kid, this new kid, comes along 273 00:12:25,400 --> 00:12:28,040 Speaker 4: and he comes to his camp, and he reminds him 274 00:12:28,120 --> 00:12:30,840 Speaker 4: of the great he used to be, and he's like, 275 00:12:31,520 --> 00:12:32,439 Speaker 4: I don't want to retire. 276 00:12:33,480 --> 00:12:35,439 Speaker 3: I want to make your life hell. I want to 277 00:12:35,480 --> 00:12:35,840 Speaker 3: break you. 278 00:12:36,200 --> 00:12:40,520 Speaker 4: And so he goes about psychologically just dismantling him in 279 00:12:40,559 --> 00:12:43,320 Speaker 4: a horrific kind of way. And what happens is it's 280 00:12:43,400 --> 00:12:48,680 Speaker 4: the franchise basically is a representation for and signing with, 281 00:12:49,080 --> 00:12:51,960 Speaker 4: you know, like the devil, but it's not the devil. 282 00:12:52,120 --> 00:12:54,400 Speaker 4: And it's all about the choice, because do you want 283 00:12:54,440 --> 00:12:56,959 Speaker 4: to be And he tells them, don't be me, be 284 00:12:56,960 --> 00:12:59,880 Speaker 4: better than me. So all these spoils are in there, 285 00:13:00,160 --> 00:13:03,400 Speaker 4: all these athletes. For anybody, right, there's always a sacrifice. 286 00:13:03,520 --> 00:13:05,520 Speaker 4: Oh you want to get on, what are you willing 287 00:13:05,600 --> 00:13:08,000 Speaker 4: to do to get on? Because at a point it's 288 00:13:08,040 --> 00:13:11,800 Speaker 4: not worth your integrity. You never lose your integrity. Don't 289 00:13:11,800 --> 00:13:13,360 Speaker 4: be a part of the system. If it's you have 290 00:13:13,400 --> 00:13:15,800 Speaker 4: to lose your integrity, you buck the system and you 291 00:13:15,920 --> 00:13:18,720 Speaker 4: become the system. And that's what I've done my whole career. 292 00:13:18,880 --> 00:13:20,600 Speaker 4: So that's why I really loved about the movie. There's 293 00:13:20,640 --> 00:13:24,880 Speaker 4: something beautiful and positive for young young people in our industry, 294 00:13:25,320 --> 00:13:27,040 Speaker 4: whether whatever industry or whatever job. 295 00:13:27,040 --> 00:13:29,600 Speaker 3: It is that there's a great message in there. 296 00:13:29,480 --> 00:13:31,439 Speaker 1: For nothing should be taken literally, is what you say. 297 00:13:31,720 --> 00:13:35,160 Speaker 4: No, man, people crazy that blood in the eye. You 298 00:13:35,200 --> 00:13:38,760 Speaker 4: know they're doing devil worship. They're wronging with sacrifice and ghosts. 299 00:13:38,760 --> 00:13:40,600 Speaker 4: It ain't none of that, man. It's like, look, get 300 00:13:40,600 --> 00:13:43,800 Speaker 4: off of That is a great movie. It's about good 301 00:13:43,840 --> 00:13:46,319 Speaker 4: versus evil. At the end of the day, good is 302 00:13:46,360 --> 00:13:48,720 Speaker 4: gonna win. So you got to watch the movie, and honestly, 303 00:13:48,760 --> 00:13:51,280 Speaker 4: I think it's probably my favorite movie I've been in. 304 00:13:51,400 --> 00:13:55,959 Speaker 4: I think just dramatically, just visually, justin Tipping did his thing. 305 00:13:56,080 --> 00:13:59,800 Speaker 4: Tyreek Withers is great in the movie. Julia Fox is great, 306 00:13:59,840 --> 00:14:02,720 Speaker 4: all the supporting cast is great, the soundtrack is great. 307 00:14:02,880 --> 00:14:04,600 Speaker 4: When y'all see this movie, it's not a movie you 308 00:14:04,640 --> 00:14:06,160 Speaker 4: gonna see one time. This is a movie you're gonna 309 00:14:06,200 --> 00:14:07,720 Speaker 4: see like four or five six. 310 00:14:07,520 --> 00:14:13,200 Speaker 1: Times they sent me, Wow, what you think? 311 00:14:13,640 --> 00:14:14,760 Speaker 5: I thought it was really good? 312 00:14:14,800 --> 00:14:17,040 Speaker 4: But it hit the thing I think I and for me, 313 00:14:17,200 --> 00:14:19,040 Speaker 4: I think I gave my best performance. Yeah. 314 00:14:19,040 --> 00:14:21,640 Speaker 1: You and the dude that played camera, Yeah, carried the 315 00:14:21,680 --> 00:14:23,760 Speaker 1: movie by fall. I had to watch it the first time, 316 00:14:23,800 --> 00:14:27,400 Speaker 1: I was like, what did I just watch? When I 317 00:14:27,440 --> 00:14:29,840 Speaker 1: watched it the second time, I understood a lot more 318 00:14:29,840 --> 00:14:30,040 Speaker 1: of it. 319 00:14:30,200 --> 00:14:30,400 Speaker 3: Yeah. 320 00:14:30,400 --> 00:14:31,800 Speaker 1: But then when you said what you said just now, 321 00:14:31,840 --> 00:14:34,000 Speaker 1: I'm like, oh, so that wasn't supposed to be taken literally. 322 00:14:34,080 --> 00:14:38,240 Speaker 4: No, not literally, but but I really feel like this 323 00:14:38,240 --> 00:14:41,960 Speaker 4: this movie. You know, I'm just grateful because the director 324 00:14:42,720 --> 00:14:44,720 Speaker 4: let me off the chain. A lot of times, directors 325 00:14:44,720 --> 00:14:47,480 Speaker 4: try to cage you, and you know, I'm a lion 326 00:14:47,840 --> 00:14:49,160 Speaker 4: that I need a safari. 327 00:14:49,560 --> 00:14:50,760 Speaker 3: I don't like to be caged. 328 00:14:50,920 --> 00:14:53,240 Speaker 4: And sometimes that's good that your cage, because then it's 329 00:14:53,240 --> 00:14:54,920 Speaker 4: about working the intensity. 330 00:14:55,080 --> 00:14:56,440 Speaker 3: But when you open up that when. 331 00:14:56,360 --> 00:14:58,880 Speaker 4: You starved me for two weeks, and then you open 332 00:14:59,000 --> 00:15:01,720 Speaker 4: up that cage and and it's Sunday, and it's the 333 00:15:02,320 --> 00:15:05,520 Speaker 4: it's a full of people and kids, and you just 334 00:15:05,520 --> 00:15:08,600 Speaker 4: sitting there hungry, and you're going, I'm gonna eat and 335 00:15:08,640 --> 00:15:11,200 Speaker 4: he would just let me off the cage, let me 336 00:15:11,240 --> 00:15:14,200 Speaker 4: off the hinge, and just go go there and he 337 00:15:14,240 --> 00:15:16,520 Speaker 4: would just we do two takes. He goes, that was great, 338 00:15:16,520 --> 00:15:18,680 Speaker 4: that was awesome. I said, you need something else? He goes, 339 00:15:18,760 --> 00:15:21,000 Speaker 4: n that was great, and he goes, let's do one more. 340 00:15:21,360 --> 00:15:22,000 Speaker 4: Say what do you want? 341 00:15:22,560 --> 00:15:23,000 Speaker 3: What do you need? 342 00:15:23,040 --> 00:15:25,000 Speaker 4: Do you need something specific? No, I'm good, he goes, 343 00:15:26,000 --> 00:15:33,840 Speaker 4: just do and my eyes were light up. He was 344 00:15:33,880 --> 00:15:38,160 Speaker 4: telling me, throw out the script and do your interpretation 345 00:15:38,240 --> 00:15:39,680 Speaker 4: of what you feel inside. 346 00:15:39,760 --> 00:15:40,440 Speaker 3: As an artist. 347 00:15:40,840 --> 00:15:44,520 Speaker 4: This is Miles Davis playing my funny Valentine. Throw out 348 00:15:44,520 --> 00:15:48,080 Speaker 4: the sheet music, and you express what you want given 349 00:15:48,440 --> 00:15:50,360 Speaker 4: the instrument that you possess. 350 00:15:50,960 --> 00:15:52,880 Speaker 3: And so a lot of the stuff that we did 351 00:15:52,920 --> 00:15:54,040 Speaker 3: in it that's unhinged. 352 00:15:54,160 --> 00:15:56,240 Speaker 4: I was able to just create on the fly, and 353 00:15:56,280 --> 00:15:59,000 Speaker 4: I know how to I know how to improvise as 354 00:15:59,040 --> 00:16:01,560 Speaker 4: the character. And for a reason, I'm not trying to 355 00:16:01,560 --> 00:16:04,080 Speaker 4: be funny. I'm trying to break you, and breaking you 356 00:16:04,200 --> 00:16:07,080 Speaker 4: means I gotta humiliate you. Oh I'm gonna do that 357 00:16:07,160 --> 00:16:09,800 Speaker 4: with my jokes. And so there was a lot of 358 00:16:09,960 --> 00:16:11,880 Speaker 4: just freedom in that role. And I just feel like, 359 00:16:12,040 --> 00:16:15,160 Speaker 4: you know, I think the world finally gets to see Marlin, and. 360 00:16:15,440 --> 00:16:17,840 Speaker 1: I don't know why I thought he was stealing people powers. 361 00:16:18,520 --> 00:16:21,920 Speaker 3: No, well he wasn't stealing powers. 362 00:16:21,960 --> 00:16:25,720 Speaker 4: He was he was taking blood of greats and infusing it, 363 00:16:26,000 --> 00:16:28,520 Speaker 4: and then he put that blood in him, you know, 364 00:16:28,560 --> 00:16:31,360 Speaker 4: because he's passing it on and not until you get 365 00:16:31,400 --> 00:16:32,200 Speaker 4: to that point. 366 00:16:32,000 --> 00:16:33,680 Speaker 3: Where the two people gotta collide. 367 00:16:34,120 --> 00:16:38,040 Speaker 4: Now we're colliding good versus evil, and then you know 368 00:16:38,080 --> 00:16:38,800 Speaker 4: you'll see the movie. 369 00:16:38,880 --> 00:16:41,840 Speaker 3: But man, I really it's a powerful movie. 370 00:16:41,880 --> 00:16:42,000 Speaker 4: Man. 371 00:16:42,040 --> 00:16:44,760 Speaker 2: As an actor, right, do you prefer direction where tell 372 00:16:44,840 --> 00:16:47,000 Speaker 2: me how you want this? Or do you prefer let 373 00:16:47,040 --> 00:16:49,120 Speaker 2: me be be an actor, let me be art. 374 00:16:49,600 --> 00:16:53,480 Speaker 4: I preferred both because I know a director as a 375 00:16:53,520 --> 00:16:56,280 Speaker 4: producer and a writer. And you know director, I know 376 00:16:56,360 --> 00:16:59,640 Speaker 4: a director has a vision of how they wishing right. 377 00:16:59,560 --> 00:17:01,480 Speaker 3: How they see it. They're ready in the editing booth. 378 00:17:01,680 --> 00:17:03,840 Speaker 3: So whatever you're doing, they're ready in the editing booth. 379 00:17:03,880 --> 00:17:05,439 Speaker 4: What do you need If I do a take like 380 00:17:05,520 --> 00:17:09,159 Speaker 4: more than four times, there's something specific that I'm not 381 00:17:09,240 --> 00:17:11,879 Speaker 4: giving them, or the camera is messed up like this, 382 00:17:12,080 --> 00:17:14,359 Speaker 4: out of focus, you know, the Dolly move. So I 383 00:17:14,400 --> 00:17:17,480 Speaker 4: don't take that personally, I know, but for me, I 384 00:17:17,600 --> 00:17:19,960 Speaker 4: like a take where you go do what you want. 385 00:17:19,800 --> 00:17:20,360 Speaker 3: Do what I want. 386 00:17:20,920 --> 00:17:23,000 Speaker 4: Now, now you're going to get something special. Now you 387 00:17:23,040 --> 00:17:25,440 Speaker 4: get the comedian. Now you get the writer that's been 388 00:17:25,440 --> 00:17:27,560 Speaker 4: writing movies since he was nineteen years old. 389 00:17:27,800 --> 00:17:29,000 Speaker 3: Now you get the. 390 00:17:30,520 --> 00:17:34,080 Speaker 4: Marlin that I have worked myself to be, and I 391 00:17:34,119 --> 00:17:36,360 Speaker 4: can improve and enhance any material. 392 00:17:36,920 --> 00:17:38,959 Speaker 6: When you were shooting, I always wondered when people who 393 00:17:38,960 --> 00:17:40,760 Speaker 6: work with Jordan Peele like, because you have to watch 394 00:17:40,800 --> 00:17:42,600 Speaker 6: it so many different times, like Charlo Mae said, when 395 00:17:42,600 --> 00:17:44,840 Speaker 6: you're actually in it, are you ever in real time 396 00:17:44,880 --> 00:17:48,120 Speaker 6: realizing that something might be interpreted one way, like, oh, 397 00:17:48,160 --> 00:17:50,479 Speaker 6: that's what this means versus it being different than when 398 00:17:50,520 --> 00:17:51,439 Speaker 6: you first read the script. 399 00:17:51,800 --> 00:17:54,760 Speaker 3: No, I mean I dig in. I do my work right. 400 00:17:54,840 --> 00:17:58,120 Speaker 4: So before I get to set, I have a process, 401 00:17:58,240 --> 00:18:00,359 Speaker 4: Like I don't go show up and just earn my 402 00:18:00,400 --> 00:18:02,520 Speaker 4: lines in the trailer. No, no, no, no, you give me 403 00:18:02,560 --> 00:18:05,320 Speaker 4: a script. Marlin dives in. So I work with my 404 00:18:05,359 --> 00:18:07,920 Speaker 4: acting coach. I bring Leylan and Deron Thompson shout out, 405 00:18:08,280 --> 00:18:11,120 Speaker 4: and you know you see my dramatic work like right 406 00:18:11,160 --> 00:18:13,760 Speaker 4: now when I'm locked I be locked in right now. 407 00:18:13,800 --> 00:18:15,560 Speaker 4: So the work I do in stand up is the 408 00:18:15,560 --> 00:18:17,600 Speaker 4: same work I do when it comes to breaking down 409 00:18:17,600 --> 00:18:19,840 Speaker 4: a script. So before I get to set, not only 410 00:18:19,880 --> 00:18:22,520 Speaker 4: do I know the lines, but I know the story. 411 00:18:22,920 --> 00:18:26,760 Speaker 4: I know the obstacles, I know the objective and every 412 00:18:26,760 --> 00:18:29,320 Speaker 4: scene there's an intention. What am I trying to get? 413 00:18:29,440 --> 00:18:32,600 Speaker 4: And then I'm prepared so when the director goes, all 414 00:18:32,600 --> 00:18:34,960 Speaker 4: you gotta do is touch me like this and change 415 00:18:34,960 --> 00:18:37,000 Speaker 4: this and get this and give me this emotion. And 416 00:18:37,040 --> 00:18:39,720 Speaker 4: I got it all prepared because I worked it the 417 00:18:39,840 --> 00:18:42,840 Speaker 4: night before the morning before. I work my body to 418 00:18:42,920 --> 00:18:45,720 Speaker 4: get my body into a certain way. Like I put 419 00:18:45,760 --> 00:18:48,080 Speaker 4: on muscle. I was twenty five pounds bigger than I 420 00:18:48,080 --> 00:18:50,320 Speaker 4: am now I lost the weight because I'm about to 421 00:18:50,359 --> 00:18:52,719 Speaker 4: do shorty and Scary Movie six, and I don't want 422 00:18:52,840 --> 00:18:53,800 Speaker 4: him being Buff's son. 423 00:18:53,880 --> 00:18:54,600 Speaker 3: I think that's weird. 424 00:18:55,440 --> 00:18:57,840 Speaker 1: So would I say, taking Magic Johnson's blood? 425 00:18:58,400 --> 00:19:02,000 Speaker 3: Wow? Wow? Wow, Well now he would? 426 00:19:02,520 --> 00:19:06,640 Speaker 4: I may take magic blood this man, Richard, and you 427 00:19:06,640 --> 00:19:07,760 Speaker 4: better get some blood too. 428 00:19:08,440 --> 00:19:11,159 Speaker 3: Why he's telling that he on yachts and boats. I 429 00:19:11,280 --> 00:19:12,240 Speaker 3: want that blood. 430 00:19:13,280 --> 00:19:16,760 Speaker 8: Like the role, with it being such a psychological role, right, 431 00:19:16,920 --> 00:19:18,560 Speaker 8: did it have any effect on your psyche? 432 00:19:20,560 --> 00:19:23,760 Speaker 3: No? I prayed every day. I prayed every day before 433 00:19:23,800 --> 00:19:27,119 Speaker 3: I got to set. I prayed every day had to set. 434 00:19:27,480 --> 00:19:29,720 Speaker 3: I prayed every day before I went to sleep. 435 00:19:30,000 --> 00:19:32,880 Speaker 4: I really tethered myself to God on this dark journey 436 00:19:33,160 --> 00:19:36,800 Speaker 4: because you know, I know that spiritually, I wanted to 437 00:19:36,880 --> 00:19:42,200 Speaker 4: be protected, right, So that's first and foremost. Secondly, I 438 00:19:42,240 --> 00:19:45,399 Speaker 4: had gone through a lot. I had gone through like 439 00:19:46,359 --> 00:19:51,320 Speaker 4: it was the devastation that you wouldn't even believe. It 440 00:19:51,359 --> 00:19:54,639 Speaker 4: was like a biblical proportions. I lost sixty five people 441 00:19:54,680 --> 00:19:58,159 Speaker 4: I love. I lost my mother, I lost my father. 442 00:19:58,800 --> 00:20:01,680 Speaker 4: I had lost so much and I was so broken, 443 00:20:02,600 --> 00:20:06,760 Speaker 4: and God gave me this thing. I needed, this movie. 444 00:20:07,359 --> 00:20:11,159 Speaker 4: This movie helped, and my stand up helped heal me. 445 00:20:11,520 --> 00:20:15,520 Speaker 4: I was Tyrese Gibson cry on your show, what. 446 00:20:15,680 --> 00:20:17,680 Speaker 3: Do you want ma from me? 447 00:20:17,960 --> 00:20:18,719 Speaker 5: To do her? 448 00:20:19,600 --> 00:20:21,479 Speaker 4: I get what Tyreee was saying. I wanted to come 449 00:20:21,560 --> 00:20:23,400 Speaker 4: hug him because I know what he went through when 450 00:20:23,400 --> 00:20:25,800 Speaker 4: he lost his mama. I was texting him, that's a 451 00:20:26,000 --> 00:20:28,479 Speaker 4: very hard thing for you to get through and then 452 00:20:28,520 --> 00:20:31,800 Speaker 4: to lose your daddy two years later and Roma was 453 00:20:32,320 --> 00:20:35,240 Speaker 4: crumbling and I was just like So when I got 454 00:20:35,320 --> 00:20:38,520 Speaker 4: the movie Him, I saw this dark pool. I jumped 455 00:20:38,560 --> 00:20:41,040 Speaker 4: in this dark pool to find Isaiah because as a 456 00:20:41,160 --> 00:20:45,280 Speaker 4: character I started reading books book Tim Groven's Relentless, started 457 00:20:45,560 --> 00:20:49,360 Speaker 4: reading Kobe Bryant's Mama Mentality. I go, I went in mentally, 458 00:20:49,760 --> 00:20:51,840 Speaker 4: and I dove in that pool to catch Isaiah, and 459 00:20:51,880 --> 00:20:55,240 Speaker 4: I found Isaiah. And then I looked up and I 460 00:20:55,320 --> 00:20:59,679 Speaker 4: saw Marlon face down like Iron Man at the end 461 00:20:59,720 --> 00:21:07,080 Speaker 4: of he fought Thanos, just like static. And I saw 462 00:21:07,119 --> 00:21:10,840 Speaker 4: a broken Marlin, and I was like, Yo, I need 463 00:21:10,960 --> 00:21:14,240 Speaker 4: to go get it him. I need to put Isaiah's 464 00:21:14,280 --> 00:21:18,840 Speaker 4: blood into that Marlin because there's so much more for 465 00:21:19,000 --> 00:21:21,760 Speaker 4: him to do. These are his best years. So I 466 00:21:21,880 --> 00:21:23,960 Speaker 4: went and I bought the two of them together, and 467 00:21:24,520 --> 00:21:26,080 Speaker 4: now I'm him. 468 00:21:26,280 --> 00:21:28,639 Speaker 1: So listen, when you see Isaiah pushing camera and to 469 00:21:28,720 --> 00:21:32,320 Speaker 1: sacrifice everything, what moments in filming made you question what 470 00:21:32,440 --> 00:21:34,560 Speaker 1: sacrifice looks like to you? Like what boundaries are you 471 00:21:34,600 --> 00:21:36,359 Speaker 1: willing to push? What are you willing to give up? 472 00:21:36,920 --> 00:21:39,920 Speaker 3: It wasn't even during filming. Look at it. Listen. I've 473 00:21:40,000 --> 00:21:42,040 Speaker 3: been raised in a great culture. 474 00:21:42,600 --> 00:21:44,920 Speaker 4: I feel bad for people that came up in the 475 00:21:45,040 --> 00:21:47,880 Speaker 4: toxic culture where people had to use you to get 476 00:21:47,960 --> 00:21:50,560 Speaker 4: something for you from you, to get on. My brothers 477 00:21:50,600 --> 00:21:53,399 Speaker 4: didn't raise me that way. My brothers raised me like yo, 478 00:21:53,480 --> 00:21:55,359 Speaker 4: if you want to work, you better you better write it. 479 00:21:55,920 --> 00:21:57,800 Speaker 4: You want to work, you better, you better produce it. 480 00:21:58,000 --> 00:22:00,119 Speaker 4: You want to work, then you better create it. I 481 00:22:00,160 --> 00:22:02,800 Speaker 4: didn't get raised going, Hey, what you gonna do? You 482 00:22:03,520 --> 00:22:06,240 Speaker 4: want this part, well, suck on this meat. 483 00:22:06,359 --> 00:22:06,680 Speaker 3: I didn't. 484 00:22:11,040 --> 00:22:15,560 Speaker 4: I didn't have that. I had, Yo, you want this part, 485 00:22:15,800 --> 00:22:18,720 Speaker 4: you better write it. From when I was on was 486 00:22:19,600 --> 00:22:22,040 Speaker 4: in Living Color, ain't nobody was writing for me. I 487 00:22:22,119 --> 00:22:25,800 Speaker 4: had to write my own sketches. Snuffing Room, Me and 488 00:22:25,920 --> 00:22:29,760 Speaker 4: Sean wrote that, what's the name the deaf jam sketch? 489 00:22:29,960 --> 00:22:33,080 Speaker 4: Me and Sean wrote that mister ugly Man. 490 00:22:33,280 --> 00:22:34,520 Speaker 3: I wrote that I had. 491 00:22:34,640 --> 00:22:37,480 Speaker 4: If I wanted to eat, I had to kill. And 492 00:22:37,640 --> 00:22:41,040 Speaker 4: so all my movies, me and Sean wrote those movies, 493 00:22:41,359 --> 00:22:44,760 Speaker 4: my TV show were created. My TV show, everything we did, 494 00:22:45,160 --> 00:22:47,680 Speaker 4: we learned how to. And that was the beauty of Keenan. 495 00:22:47,840 --> 00:22:52,280 Speaker 4: Keenan always anybody was around Keenan learned that you gotta 496 00:22:52,359 --> 00:22:55,600 Speaker 4: work for Jim Carrey, j Lo, Jada Pinkett. 497 00:22:55,440 --> 00:22:56,640 Speaker 3: Anybody, Keenan Sally. 498 00:22:56,760 --> 00:22:59,359 Speaker 4: But so many people that was in that man's circle, 499 00:22:59,400 --> 00:23:02,040 Speaker 4: they would go, you want it, then you're gonna work 500 00:23:02,119 --> 00:23:04,680 Speaker 4: for it. And so he said to me as a kid. 501 00:23:04,720 --> 00:23:07,840 Speaker 4: You gotta be undeniable to make it as a black 502 00:23:07,920 --> 00:23:10,720 Speaker 4: man in this business. You have to be an unstoppable, 503 00:23:10,880 --> 00:23:15,080 Speaker 4: undeniable force of nature because they will write you off. 504 00:23:15,640 --> 00:23:19,040 Speaker 4: That's why I'm surviving like a roach thirty five years later. 505 00:23:19,359 --> 00:23:21,640 Speaker 4: Do you don't think these niggas wanted be gone after 506 00:23:21,680 --> 00:23:24,480 Speaker 4: white chicks? I should have been dead. I should I 507 00:23:24,480 --> 00:23:26,720 Speaker 4: should have been gone. After more money, you get a 508 00:23:26,760 --> 00:23:30,280 Speaker 4: window to be hot. It's hard to stay relevant and 509 00:23:30,440 --> 00:23:32,240 Speaker 4: keep getting hotter for thirty five. 510 00:23:32,200 --> 00:23:34,600 Speaker 3: Years and my best years ahead of me. That's because 511 00:23:34,680 --> 00:23:35,920 Speaker 3: I do the work. 512 00:23:36,000 --> 00:23:38,760 Speaker 4: It's all about the work, all about the instrument, all 513 00:23:38,800 --> 00:23:40,040 Speaker 4: about refining your art. 514 00:23:40,240 --> 00:23:42,760 Speaker 3: I want to be like Prince. I want to play 515 00:23:42,800 --> 00:23:46,119 Speaker 3: every instrument I have. I want to I just work it. 516 00:23:46,240 --> 00:23:46,840 Speaker 3: You just work it. 517 00:23:46,960 --> 00:23:49,560 Speaker 4: That man started out just being a dancer and a 518 00:23:49,680 --> 00:23:52,480 Speaker 4: singer and guitar and over the years, look what that 519 00:23:52,640 --> 00:23:53,760 Speaker 4: man did with his lifespan. 520 00:23:53,880 --> 00:23:55,800 Speaker 3: That's what I'm gonna do with mine. White chicks. I 521 00:23:55,880 --> 00:23:57,600 Speaker 3: gotta ask white chicks, right, hilarious? 522 00:23:57,680 --> 00:23:57,760 Speaker 4: Right? 523 00:23:57,840 --> 00:23:58,800 Speaker 3: I think it's one of those movies. 524 00:23:58,800 --> 00:24:01,159 Speaker 2: I don't think people caught at first, but then when 525 00:24:01,160 --> 00:24:02,880 Speaker 2: they caught it, they're like, this is one of the funniest. 526 00:24:03,560 --> 00:24:06,120 Speaker 3: Would you ever do a sequel to it? I would. 527 00:24:07,000 --> 00:24:09,160 Speaker 4: I'm ain't for technology, I ain't for AI. I don't 528 00:24:09,160 --> 00:24:11,560 Speaker 4: want to sit and make up seven hours again. Set 529 00:24:11,640 --> 00:24:13,920 Speaker 4: for sixty days, sitting in seven hours of makeup and 530 00:24:13,960 --> 00:24:16,399 Speaker 4: then working fourteen hours after that, which means I'm sleeping 531 00:24:16,440 --> 00:24:20,200 Speaker 4: two hours every day to do this movie. Nah AI 532 00:24:20,400 --> 00:24:22,240 Speaker 4: is coming, so I got to get in makeup two 533 00:24:22,320 --> 00:24:25,080 Speaker 4: times and then the AI will do the work. I'm 534 00:24:25,160 --> 00:24:27,520 Speaker 4: down for that, But other than that, I want to 535 00:24:27,560 --> 00:24:29,159 Speaker 4: do black Man in the movie where I come in, 536 00:24:29,280 --> 00:24:31,119 Speaker 4: I do five minutes to make up, and I get 537 00:24:31,160 --> 00:24:32,040 Speaker 4: out there a twelve hours. 538 00:24:33,720 --> 00:24:34,160 Speaker 1: He said. 539 00:24:35,000 --> 00:24:37,639 Speaker 8: After White Chicks, they wanted you gone. What were some 540 00:24:37,800 --> 00:24:39,560 Speaker 8: of the like, did you have a face, me, hardships 541 00:24:39,600 --> 00:24:40,560 Speaker 8: or any challenges after that? 542 00:24:41,400 --> 00:24:44,840 Speaker 4: Nobody's supposed to be famous this long, they especially if 543 00:24:44,840 --> 00:24:48,400 Speaker 4: you black. They know nobody that's unheard of to stay 544 00:24:48,520 --> 00:24:53,760 Speaker 4: around that long. It's because you work, right, I will 545 00:24:53,800 --> 00:24:56,080 Speaker 4: say this, Hollywood's a great place, but they don't know 546 00:24:56,160 --> 00:24:57,560 Speaker 4: what to do with you, right. 547 00:24:57,920 --> 00:24:59,840 Speaker 3: So the opportunities you get. 548 00:25:00,240 --> 00:25:02,440 Speaker 4: There's only a small margin that you're gonna get those 549 00:25:02,480 --> 00:25:06,080 Speaker 4: opportunities right, because before it gets to me Will Smith 550 00:25:06,200 --> 00:25:09,160 Speaker 4: got that script, Eddie Murphy got that script, Jamie Fox 551 00:25:09,280 --> 00:25:09,960 Speaker 4: got that script. 552 00:25:10,080 --> 00:25:12,000 Speaker 3: So you gotta wait for all these people to turn 553 00:25:12,080 --> 00:25:12,440 Speaker 3: it down. 554 00:25:12,560 --> 00:25:15,119 Speaker 4: And I feel bad for regular regular actors because then 555 00:25:15,119 --> 00:25:17,320 Speaker 4: you gotta wait for after me. Then after me, you 556 00:25:17,320 --> 00:25:19,159 Speaker 4: gotta wait for Nick Cannon. Then you gotta you know 557 00:25:19,200 --> 00:25:23,080 Speaker 4: what I'm saying, Like, that's that's a long time to 558 00:25:23,160 --> 00:25:25,480 Speaker 4: wait to act. Maybe get a role. But if you 559 00:25:25,760 --> 00:25:28,600 Speaker 4: create the role and you put yourself as the star, 560 00:25:29,119 --> 00:25:32,040 Speaker 4: now I can cast other people in my vision. 561 00:25:32,320 --> 00:25:34,480 Speaker 3: So these are my best years. 562 00:25:34,520 --> 00:25:37,320 Speaker 4: And I started as a farmer and an agriculture My 563 00:25:37,359 --> 00:25:40,520 Speaker 4: brother taught me farming and agricultural to be an agriculturist. 564 00:25:40,920 --> 00:25:42,840 Speaker 3: Now I'm an industry. Industry. 565 00:25:42,960 --> 00:25:46,760 Speaker 4: Industry, philanthropy and education is the three things that I'm 566 00:25:46,840 --> 00:25:49,359 Speaker 4: gonna work on in terms of building this brand. 567 00:25:50,080 --> 00:25:51,800 Speaker 3: For you personally? What was more frightening? 568 00:25:52,680 --> 00:25:55,959 Speaker 1: I guess harder to portray, like the supernatural psychological aspect 569 00:25:56,160 --> 00:25:59,720 Speaker 1: or the human fears like failure and insecurity agent. 570 00:26:00,240 --> 00:26:03,040 Speaker 3: See, I think the human it wasn't harder. 571 00:26:04,760 --> 00:26:07,879 Speaker 4: I think that stuck with me more because as a 572 00:26:08,200 --> 00:26:12,919 Speaker 4: as an aging star, right you start thinking about those things. Luckily, 573 00:26:13,040 --> 00:26:15,720 Speaker 4: like I said, I'm not insecure like that because I 574 00:26:15,840 --> 00:26:17,680 Speaker 4: create my own way, so I don't care who coming 575 00:26:17,760 --> 00:26:20,240 Speaker 4: up next. I'll play out the next man because I'm 576 00:26:20,320 --> 00:26:22,600 Speaker 4: right in the movies, so I could put you in 577 00:26:22,760 --> 00:26:23,879 Speaker 4: my movie because I know. 578 00:26:23,960 --> 00:26:24,400 Speaker 3: What I'm doing. 579 00:26:24,440 --> 00:26:26,280 Speaker 4: And then when I'm getting too old and I start 580 00:26:26,320 --> 00:26:28,760 Speaker 4: getting them Morgan Freeman moles on my face, I ain't 581 00:26:28,760 --> 00:26:31,960 Speaker 4: gonna ain't. I ain't gonna be trying to be the 582 00:26:32,000 --> 00:26:34,520 Speaker 4: sexy man. I am pulling this nick out with gray 583 00:26:34,600 --> 00:26:39,040 Speaker 4: hairs all over it. We're gonna be behind the scenes. 584 00:26:39,720 --> 00:26:42,359 Speaker 4: But these are my best years, and I preserve myself 585 00:26:42,440 --> 00:26:46,280 Speaker 4: physically so that at fifty three I can play thirty five. 586 00:26:46,920 --> 00:26:50,040 Speaker 4: So now these are my star years, right And everything 587 00:26:50,119 --> 00:26:52,480 Speaker 4: else was just practice and knowing and learning. 588 00:26:52,560 --> 00:26:54,760 Speaker 3: And I'm very grateful to God to be on this 589 00:26:54,920 --> 00:26:57,280 Speaker 3: journey and continue to love it. I love this. I 590 00:26:57,400 --> 00:26:59,800 Speaker 3: love it. How long did it? How long did it 591 00:26:59,800 --> 00:27:01,840 Speaker 3: take to shoot him? Him? 592 00:27:01,960 --> 00:27:05,359 Speaker 4: Took about two and a half months, two to three months, 593 00:27:05,640 --> 00:27:08,400 Speaker 4: and we was in New Mexico, But you know, preparation 594 00:27:08,560 --> 00:27:11,600 Speaker 4: started six months before that. You know, I'm going on 595 00:27:11,760 --> 00:27:15,240 Speaker 4: walks every morning, I'm sitting in red light therapy, I'm 596 00:27:15,600 --> 00:27:18,800 Speaker 4: working out two times a day. You know, preparation starts 597 00:27:18,960 --> 00:27:21,320 Speaker 4: way before you actually get to set. When you get 598 00:27:21,320 --> 00:27:23,200 Speaker 4: to set, now it's time to have fun. 599 00:27:24,200 --> 00:27:24,800 Speaker 3: I was going to ask you. 600 00:27:24,880 --> 00:27:26,800 Speaker 6: You said you prayed a lot throughout this what did 601 00:27:26,840 --> 00:27:29,000 Speaker 6: the movie teach you personally about your spirituality? 602 00:27:30,119 --> 00:27:34,320 Speaker 4: But how good God is and how you should how 603 00:27:34,480 --> 00:27:36,879 Speaker 4: everybody needs the wind of God to really get to 604 00:27:36,920 --> 00:27:39,960 Speaker 4: where you're going. And if you don't humble yourself and 605 00:27:40,119 --> 00:27:42,120 Speaker 4: just know that there's a higher power that one day 606 00:27:42,720 --> 00:27:45,600 Speaker 4: you will you will lose yourself. You will lose yourself 607 00:27:45,760 --> 00:27:49,719 Speaker 4: and you will think you are God. And that happens 608 00:27:49,800 --> 00:27:53,280 Speaker 4: to a lot of us, you know, and I love Will. 609 00:27:53,840 --> 00:27:59,280 Speaker 4: When Will hit Chris, I got concerned not because of 610 00:27:59,359 --> 00:28:03,040 Speaker 4: the mental aspect, but because of the spiritual aspect. When 611 00:28:03,080 --> 00:28:05,399 Speaker 4: he did his speech and he didn't thank God first, 612 00:28:05,680 --> 00:28:07,680 Speaker 4: That's what I was concerned from. And then when he 613 00:28:07,880 --> 00:28:11,480 Speaker 4: when he lost, when he lost his stuff, and then 614 00:28:11,560 --> 00:28:14,320 Speaker 4: that's why he tethered to God afterward. And I go, Okay, 615 00:28:14,720 --> 00:28:17,720 Speaker 4: now you're going on the journey now, the you that 616 00:28:17,840 --> 00:28:20,240 Speaker 4: you were, you needed to go through this. You needed 617 00:28:20,320 --> 00:28:23,359 Speaker 4: that breaking to understand that there's something bigger than you, 618 00:28:23,560 --> 00:28:26,200 Speaker 4: which is God, and through that journey and through the 619 00:28:26,280 --> 00:28:28,800 Speaker 4: hard work, we're gonna be all right. He gonna be 620 00:28:28,840 --> 00:28:31,080 Speaker 4: a better will than he was before. But sometimes you 621 00:28:31,200 --> 00:28:33,240 Speaker 4: need that moment and you can't think you God. There's 622 00:28:33,280 --> 00:28:36,399 Speaker 4: only one God and God was raised with God, and 623 00:28:36,760 --> 00:28:38,120 Speaker 4: you can never take that from me. 624 00:28:38,800 --> 00:28:41,080 Speaker 2: That's what Lauren said. You know a lot of older people, 625 00:28:41,160 --> 00:28:43,560 Speaker 2: especially the old people, they're like, don't don't y'all celebrate Halloween. 626 00:28:43,640 --> 00:28:45,440 Speaker 3: Halloween's for the devil. Don't y'all do them? Scared him. 627 00:28:45,480 --> 00:28:46,040 Speaker 3: My daddy was that. 628 00:28:47,360 --> 00:28:51,360 Speaker 4: My daddy was turning in his grave like now done 629 00:28:51,920 --> 00:28:58,080 Speaker 4: devil day turned with y'all witness no Halloween when you 630 00:28:58,120 --> 00:29:05,560 Speaker 4: do those type of movies. Hey man, he listened. Now 631 00:29:07,320 --> 00:29:10,760 Speaker 4: I'll be having Halloween parties. Christmas, Oh, we have a 632 00:29:10,840 --> 00:29:11,640 Speaker 4: hell of a Christmas. 633 00:29:11,960 --> 00:29:12,760 Speaker 3: I go on sometime. 634 00:29:12,800 --> 00:29:15,680 Speaker 4: I go to his casket and I just doing it 635 00:29:15,760 --> 00:29:18,560 Speaker 4: with Christmas, play Christmas carols and. 636 00:29:18,680 --> 00:29:20,000 Speaker 3: Right next to him and my mama, and I know 637 00:29:20,080 --> 00:29:26,080 Speaker 3: he like, you know so, but my but my father knows. 638 00:29:26,080 --> 00:29:29,880 Speaker 4: When my father passed, you know, I watched him say 639 00:29:29,920 --> 00:29:33,200 Speaker 4: a prayer before he died, and he didn't ask God 640 00:29:33,280 --> 00:29:34,240 Speaker 4: for anything, ask God. 641 00:29:34,320 --> 00:29:37,440 Speaker 3: All he said was thank you so grateful. Thank you 642 00:29:37,520 --> 00:29:41,840 Speaker 3: for letting me see my children and my grandchildren be born, 643 00:29:42,760 --> 00:29:45,560 Speaker 3: to be raised, this family that you gave me. And 644 00:29:45,680 --> 00:29:48,040 Speaker 3: it was so powerful that and when he left, he said, 645 00:29:48,600 --> 00:29:51,200 Speaker 3: you know, if you ever wanted to find me, I 646 00:29:51,280 --> 00:29:53,360 Speaker 3: need you to open that book. So the one thing 647 00:29:53,400 --> 00:29:53,760 Speaker 3: I got for. 648 00:29:53,800 --> 00:29:56,760 Speaker 4: My father is his Bible, and I keep my Daddy's 649 00:29:56,760 --> 00:30:00,480 Speaker 4: Bible by my bed, and whenever I think about my father, 650 00:30:01,440 --> 00:30:01,960 Speaker 4: I'll get. 651 00:30:02,200 --> 00:30:04,360 Speaker 3: I wake up. I read my Bible, just like my 652 00:30:04,480 --> 00:30:07,280 Speaker 3: father said for me to do. And so he said, 653 00:30:07,280 --> 00:30:09,280 Speaker 3: if you know my father, then you'll know your father. 654 00:30:09,680 --> 00:30:12,120 Speaker 3: So I'm on the journey to really embrace more of 655 00:30:12,200 --> 00:30:15,080 Speaker 3: God in my life. I've been very settled and very chill. 656 00:30:15,160 --> 00:30:16,960 Speaker 3: I don't be going to clubs. That's why I smoked 657 00:30:17,000 --> 00:30:18,040 Speaker 3: my cigars and. 658 00:30:18,240 --> 00:30:20,040 Speaker 4: Have me a little whiskey and I just chill out 659 00:30:20,120 --> 00:30:22,240 Speaker 4: with my friends and we just laugh and hang out, 660 00:30:22,280 --> 00:30:25,680 Speaker 4: and you know, you find a good life outside the noise. 661 00:30:25,920 --> 00:30:28,960 Speaker 4: And my mama, before she died, she said, yeah, well 662 00:30:29,200 --> 00:30:32,000 Speaker 4: then it is the contrast of my family. Said yeah, nigga, 663 00:30:32,080 --> 00:30:36,520 Speaker 4: Well I'm in every book. So whatever, whenever you read anything, 664 00:30:36,720 --> 00:30:38,880 Speaker 4: Mama is in that book. So now when I'm reading 665 00:30:38,920 --> 00:30:41,360 Speaker 4: green Eggs and hand and my daughter, I'm like, hmm, 666 00:30:41,840 --> 00:30:43,240 Speaker 4: ham spelled backwards. Ma. 667 00:30:46,680 --> 00:30:49,160 Speaker 8: Going back to what you said, being the preparation takes 668 00:30:49,240 --> 00:30:52,440 Speaker 8: longer than you know, the actual filming of the movie. 669 00:30:52,880 --> 00:30:55,720 Speaker 8: What was your training regimen because you play a legendary quarterback. 670 00:30:56,360 --> 00:31:01,680 Speaker 4: Well, here's the thing. I feel physically got into this part. 671 00:31:01,760 --> 00:31:05,280 Speaker 4: See Tyreek, he twenty five, you know them, twenty five 672 00:31:05,360 --> 00:31:07,440 Speaker 4: year old. They they look at weight and naked, buff. 673 00:31:07,480 --> 00:31:08,040 Speaker 3: You know what I'm saying. 674 00:31:08,360 --> 00:31:10,480 Speaker 4: I had titties before I went to shoot. It was 675 00:31:10,520 --> 00:31:13,080 Speaker 4: after COVID. I had titties. I had a belly out 676 00:31:13,160 --> 00:31:19,080 Speaker 4: shaped like a little rick ross and no it was. 677 00:31:19,480 --> 00:31:22,160 Speaker 3: And so I really was doing like push ups, sit ups, 678 00:31:22,200 --> 00:31:23,600 Speaker 3: pull ups. I was doing everything. 679 00:31:23,640 --> 00:31:27,800 Speaker 4: And my trainer, Adam Quinter shout out to Adam quint 680 00:31:27,840 --> 00:31:30,320 Speaker 4: t you can find him on Instagram qt Training and 681 00:31:30,400 --> 00:31:34,680 Speaker 4: then h CJ Fit in New Mexico. So it was 682 00:31:34,720 --> 00:31:37,520 Speaker 4: a hell of a regiment. So when we did football training, 683 00:31:37,920 --> 00:31:39,800 Speaker 4: Tyreek was throwing the ball because he used to play 684 00:31:39,840 --> 00:31:42,880 Speaker 4: for Florida State. Now he was off the bench, but 685 00:31:43,080 --> 00:31:44,600 Speaker 4: he he. 686 00:31:44,640 --> 00:31:45,280 Speaker 3: Was the water boy. 687 00:31:45,520 --> 00:31:48,240 Speaker 4: But he was around all those great players and he 688 00:31:48,280 --> 00:31:50,880 Speaker 4: got a ring from the Orange Bowl. Didn't play, didn't 689 00:31:51,280 --> 00:31:54,840 Speaker 4: didn't run a yard, you know, hey, but he drank 690 00:31:54,880 --> 00:31:57,000 Speaker 4: a lot of gatorade that game, like he did something, 691 00:31:57,440 --> 00:31:58,240 Speaker 4: and he got a ring. 692 00:31:59,720 --> 00:32:01,040 Speaker 3: So he got a ring. 693 00:32:01,200 --> 00:32:03,120 Speaker 4: And when he gets started throwing the ball because he's 694 00:32:03,120 --> 00:32:06,040 Speaker 4: a wide receiver, he was gunning it like god. And 695 00:32:06,360 --> 00:32:08,960 Speaker 4: Jordan Palmer was teaching us how to throw and everything. 696 00:32:09,080 --> 00:32:11,040 Speaker 4: So I went to camp and he had done camp 697 00:32:11,160 --> 00:32:13,560 Speaker 4: like maybe maybe six times before I went. So I 698 00:32:13,640 --> 00:32:15,520 Speaker 4: wver there with my old arm and I started, I 699 00:32:15,600 --> 00:32:17,960 Speaker 4: go to throw, and then you know, I'm pigeon told. 700 00:32:18,080 --> 00:32:19,920 Speaker 3: He said stop. I said what. 701 00:32:20,280 --> 00:32:21,920 Speaker 4: I said, Well, you needed something different. I need to 702 00:32:22,080 --> 00:32:25,560 Speaker 4: throw with MOREY goes, No, we need to teach you 703 00:32:25,640 --> 00:32:28,480 Speaker 4: how to walk again. I said what He said, Yeah, 704 00:32:28,520 --> 00:32:31,040 Speaker 4: your pigeon told, and I need you to walk one 705 00:32:31,160 --> 00:32:32,480 Speaker 4: foot in front of the other. 706 00:32:32,920 --> 00:32:34,680 Speaker 3: I looked at that man. I said, yeah, this last 707 00:32:34,720 --> 00:32:37,360 Speaker 3: time I'm coming to this camp, and I laughed. 708 00:32:37,400 --> 00:32:39,720 Speaker 4: I never went back, And now you ain't gonna do 709 00:32:39,760 --> 00:32:41,640 Speaker 4: that to me, teach me to walk while this nigga 710 00:32:41,680 --> 00:32:46,200 Speaker 4: throwing eighty yards. So I started having quarterback coaches come 711 00:32:46,280 --> 00:32:48,920 Speaker 4: to my backyard in my house to train me or 712 00:32:48,960 --> 00:32:50,920 Speaker 4: I go to fields and I would train, and as 713 00:32:50,960 --> 00:32:52,760 Speaker 4: soon as I got to set, I went to. 714 00:32:52,760 --> 00:32:55,959 Speaker 3: Go throw a ball and my director said, what are 715 00:32:55,960 --> 00:32:57,200 Speaker 3: you doing? Put that down. 716 00:32:57,280 --> 00:32:59,400 Speaker 4: I said, I gotta throw. He said, no, you don't, 717 00:33:00,040 --> 00:33:02,840 Speaker 4: said you fifty three. He said, you see that young 718 00:33:02,920 --> 00:33:04,760 Speaker 4: man right there with that funny hair, dude like yours. 719 00:33:04,840 --> 00:33:07,200 Speaker 4: I said, yeah, watch him throw this ball. 720 00:33:07,280 --> 00:33:09,400 Speaker 3: And he threw it like eighty yards. I said, that's dope. 721 00:33:09,440 --> 00:33:13,640 Speaker 3: He goes, yeah, that's what he's gonna do. He said, 722 00:33:13,720 --> 00:33:15,760 Speaker 3: I didn't. We didn't hire you for that, yo. We 723 00:33:15,920 --> 00:33:21,040 Speaker 3: hired you for for your acting and your abilities. So 724 00:33:21,200 --> 00:33:23,400 Speaker 3: go eat, eat the hell out of this roll. And 725 00:33:23,680 --> 00:33:27,160 Speaker 3: I just ate do football. One time I do. I 726 00:33:27,200 --> 00:33:27,760 Speaker 3: threw it maybe. 727 00:33:28,000 --> 00:33:29,920 Speaker 4: Uh. There's about three scenes where I had to throw, 728 00:33:30,320 --> 00:33:32,200 Speaker 4: but I didn't have to worry about throwing. 729 00:33:32,720 --> 00:33:33,840 Speaker 3: Tyreek was walking around. 730 00:33:34,160 --> 00:33:37,000 Speaker 4: He had ice packs and shoulder packs, and I was 731 00:33:37,080 --> 00:33:40,280 Speaker 4: just like, yeah, young buck, and that's welcome to the 732 00:33:40,320 --> 00:33:41,120 Speaker 4: big leagues. 733 00:33:40,920 --> 00:33:41,440 Speaker 3: Young buck. 734 00:33:42,240 --> 00:33:45,040 Speaker 8: Where you have attempted to add comic relief in the 735 00:33:45,320 --> 00:33:46,040 Speaker 8: in the movie. 736 00:33:45,880 --> 00:33:46,840 Speaker 3: I always gotta this. 737 00:33:47,200 --> 00:33:49,120 Speaker 4: There's some funny stuff in there, but it's not like 738 00:33:49,280 --> 00:33:52,280 Speaker 4: I'm trying to be funny it's just funny because of 739 00:33:52,360 --> 00:33:55,600 Speaker 4: the situation and because he twisted. It's like the Joker. 740 00:33:55,680 --> 00:33:59,040 Speaker 4: It's like Denzel and Training Day. To me, the bad 741 00:33:59,120 --> 00:34:03,240 Speaker 4: guy just to have fun. Your hero is only as 742 00:34:03,360 --> 00:34:06,040 Speaker 4: good as the bad guys. So the better the bad 743 00:34:06,120 --> 00:34:09,320 Speaker 4: guy is, the better the hero can be. So I 744 00:34:09,400 --> 00:34:12,520 Speaker 4: made sure I just gave it different complexions and textures. 745 00:34:12,560 --> 00:34:16,680 Speaker 4: It's a performance. It's untethered. It's different. It's just honestly, 746 00:34:16,800 --> 00:34:18,520 Speaker 4: we all watched it, my agents watch it. It's like 747 00:34:18,600 --> 00:34:24,920 Speaker 4: I I haven't seen many performances, not yet. Damon's gunna blow. 748 00:34:25,080 --> 00:34:30,160 Speaker 3: It's too dark. Keenan. Keenan, may go see it. Sean, 749 00:34:30,400 --> 00:34:33,560 Speaker 3: I don't know. That's stupid, Sean. Everything I do, that's stupid. 750 00:34:33,560 --> 00:34:34,879 Speaker 3: Why you wanna do that? One time? 751 00:34:36,120 --> 00:34:37,879 Speaker 4: One time I was going up for the Richard Pride movie. 752 00:34:37,920 --> 00:34:39,840 Speaker 4: Sean said, whyle you doing that? I said, because I 753 00:34:39,920 --> 00:34:42,080 Speaker 4: want to want to Oscar. He goes for what that's stupid? 754 00:34:42,320 --> 00:34:46,239 Speaker 4: I was like, because that's my dream. Nigga's Richard. But 755 00:34:46,440 --> 00:34:49,200 Speaker 4: we me and Sean were different. But Sean was saying, 756 00:34:49,440 --> 00:34:53,040 Speaker 4: was you do comedy and you do us? And I 757 00:34:53,200 --> 00:34:56,279 Speaker 4: was like, I do do y'all. But I also do me, 758 00:34:56,360 --> 00:35:00,680 Speaker 4: and I got my my dreams outside of us that 759 00:35:00,840 --> 00:35:03,480 Speaker 4: I want to accomplish, and I'm gonna own that. I'm 760 00:35:03,600 --> 00:35:05,800 Speaker 4: just not gonna I'm gonna follow the footprints up to 761 00:35:05,880 --> 00:35:08,160 Speaker 4: a point and then i gotta go. I'm gonna go 762 00:35:08,320 --> 00:35:10,680 Speaker 4: this way because I gotta be a trailblazer for the 763 00:35:10,800 --> 00:35:11,799 Speaker 4: next generation, for. 764 00:35:11,920 --> 00:35:15,680 Speaker 3: My kids and my brother's kids who may not want 765 00:35:15,719 --> 00:35:16,959 Speaker 3: to do comedy. It's hard. 766 00:35:17,000 --> 00:35:19,399 Speaker 1: That's interesting that just taking a role like Isaiah feel 767 00:35:19,440 --> 00:35:21,399 Speaker 1: like a turning point then like maybe changing what people 768 00:35:21,480 --> 00:35:22,799 Speaker 1: expect to hear from. 769 00:35:24,440 --> 00:35:26,919 Speaker 4: It's a game changer. This is it's a game changer 770 00:35:26,960 --> 00:35:31,480 Speaker 4: when comedians start doing drama. Yeah, that's when you really 771 00:35:31,560 --> 00:35:34,520 Speaker 4: blow up. That's when you become legendary. When Robin Williams 772 00:35:34,600 --> 00:35:38,720 Speaker 4: started doing dramatic stuff, when Jim Carrey started doing dramatic stuff, 773 00:35:38,920 --> 00:35:42,000 Speaker 4: when Will Smith started doing dramatic stuff, when Jamie Fox 774 00:35:42,120 --> 00:35:44,480 Speaker 4: started doing that's the game changer. 775 00:35:44,600 --> 00:35:48,800 Speaker 3: Because the comedy is hard, But it's the vulnerability. 776 00:35:48,200 --> 00:35:51,880 Speaker 4: That comedians have that make us so special in dramas 777 00:35:52,239 --> 00:35:55,520 Speaker 4: because when you see it the funny guy hurting you hurt. 778 00:35:56,440 --> 00:35:58,400 Speaker 3: When when people see me hurt or messed up, they 779 00:35:58,760 --> 00:35:59,239 Speaker 3: feel bad. 780 00:35:59,320 --> 00:36:01,640 Speaker 8: Oh no, don't let that happen to Marlin, not the 781 00:36:01,719 --> 00:36:04,760 Speaker 8: goofy one, you know, and make us laugh and smile. 782 00:36:05,360 --> 00:36:07,600 Speaker 6: Yes, so you got your game change of role. I 783 00:36:07,680 --> 00:36:09,680 Speaker 6: saw a Hypebeast article say you're in your goat era. 784 00:36:10,080 --> 00:36:11,279 Speaker 6: I'll watch your CBS this morning. 785 00:36:11,400 --> 00:36:12,120 Speaker 3: I didn't say that. 786 00:36:12,200 --> 00:36:14,440 Speaker 4: I'm not gonna say that, said you're in your goal era. 787 00:36:14,640 --> 00:36:17,160 Speaker 4: Well that I would never call myself. I don't self 788 00:36:17,200 --> 00:36:19,719 Speaker 4: proclaim right. I think that's false idlehood. 789 00:36:20,040 --> 00:36:21,400 Speaker 3: I don't, I won't. I don't do that. 790 00:36:21,600 --> 00:36:24,920 Speaker 4: I don't because to me, goat is how good am 791 00:36:24,960 --> 00:36:28,040 Speaker 4: I in my body with the tools that I work, 792 00:36:28,120 --> 00:36:30,160 Speaker 4: that God has blessed me with, how much work am 793 00:36:30,160 --> 00:36:32,440 Speaker 4: I doing? I want to be the greatest Marlin that 794 00:36:32,560 --> 00:36:35,400 Speaker 4: has ever existed in terms of myself. And that's not 795 00:36:35,480 --> 00:36:37,839 Speaker 4: about competition. I love all my brothers. I respect all 796 00:36:37,880 --> 00:36:40,200 Speaker 4: my brother I respect Will Smith, I respect Dave Chappelle, 797 00:36:40,280 --> 00:36:42,800 Speaker 4: I respect Kevin Hart. I don't be bashing nobody, but 798 00:36:42,880 --> 00:36:46,040 Speaker 4: they're them and they being their best them, and I'm 799 00:36:46,120 --> 00:36:49,160 Speaker 4: trying to be my best me, and that's all that's important. 800 00:36:49,200 --> 00:36:52,480 Speaker 4: So goat era, and you know that conversation that's for 801 00:36:52,719 --> 00:36:54,880 Speaker 4: everybody to talk about. For me, I just want to 802 00:36:54,920 --> 00:36:57,879 Speaker 4: be the best Marlin Let, the best Marlin Win. 803 00:36:58,480 --> 00:37:00,200 Speaker 6: I just feel when I've been watching it in view 804 00:37:00,200 --> 00:37:01,680 Speaker 6: is getting ready for this, that there's a you have, 805 00:37:01,840 --> 00:37:04,000 Speaker 6: like a feeling of like there's like happiness, but there's 806 00:37:04,080 --> 00:37:05,880 Speaker 6: like an arrival even though you've already been here. You 807 00:37:05,920 --> 00:37:08,480 Speaker 6: said it took fifty three years to feel special on CBS. 808 00:37:08,640 --> 00:37:09,720 Speaker 3: Yeah, to get confident. 809 00:37:10,160 --> 00:37:12,520 Speaker 6: But that's to me listening to you say that, it's 810 00:37:12,560 --> 00:37:15,279 Speaker 6: crazy because like you've always been Marlon Wayne, I. 811 00:37:15,400 --> 00:37:16,480 Speaker 3: Have, but there was missing. 812 00:37:17,400 --> 00:37:22,320 Speaker 4: I tap. 813 00:37:23,719 --> 00:37:25,640 Speaker 3: Okay, you know I trust you because you be on 814 00:37:25,719 --> 00:37:26,120 Speaker 3: your facts. 815 00:37:28,440 --> 00:37:30,680 Speaker 6: Is when I watch your interviews, I feel, I don't know, 816 00:37:30,680 --> 00:37:33,680 Speaker 6: it just feels different, like you feel like you've arrived. Now, 817 00:37:34,280 --> 00:37:36,440 Speaker 6: why what is the feeling with this role? 818 00:37:36,480 --> 00:37:40,400 Speaker 4: I've done the work and life has life breaks you 819 00:37:40,480 --> 00:37:43,360 Speaker 4: and rips you apart, and you survived through that and 820 00:37:43,480 --> 00:37:46,719 Speaker 4: you just go, oh, I get it. I'm here and 821 00:37:47,160 --> 00:37:50,520 Speaker 4: and you know, like I said, I was always a happy, 822 00:37:50,600 --> 00:37:54,520 Speaker 4: go lucky dude. Once I survived the trauma and the 823 00:37:54,640 --> 00:37:58,120 Speaker 4: pain that I went through, I'm a better actor. I'm 824 00:37:58,160 --> 00:38:01,320 Speaker 4: a better actor because I've been more and now my 825 00:38:01,480 --> 00:38:04,560 Speaker 4: comedy I don't write about pop culture. I write about 826 00:38:04,600 --> 00:38:07,799 Speaker 4: what hurts me. That I write from blood. So when 827 00:38:07,840 --> 00:38:09,879 Speaker 4: you see my stand up, it's not just oh he's 828 00:38:09,920 --> 00:38:12,759 Speaker 4: telling silly jokes. Ooh he got a story. Yo, there's 829 00:38:12,800 --> 00:38:15,440 Speaker 4: something that I learned when I watch that it's coming 830 00:38:15,560 --> 00:38:17,759 Speaker 4: from a special place. And when you can make your 831 00:38:17,880 --> 00:38:21,560 Speaker 4: pain funny, that's when you start getting great. Richard Pryor 832 00:38:21,880 --> 00:38:22,640 Speaker 4: took his pain. 833 00:38:23,120 --> 00:38:23,960 Speaker 3: He had a heart. 834 00:38:23,800 --> 00:38:25,719 Speaker 4: Attack and he said, you know what's funny about having 835 00:38:25,760 --> 00:38:28,399 Speaker 4: a heart attack? And he did the most brilliant bit 836 00:38:28,520 --> 00:38:31,279 Speaker 4: on having a heart attack. That's where you for me, 837 00:38:32,280 --> 00:38:34,719 Speaker 4: that's when I got confident, when I started doing stand 838 00:38:34,800 --> 00:38:37,680 Speaker 4: up and really looking at myself as an artist and going, 839 00:38:37,880 --> 00:38:41,040 Speaker 4: I want to be better writing scripts ain't enough, Acting 840 00:38:41,120 --> 00:38:44,239 Speaker 4: ain't enough. Producing is not enough. And then when I said, 841 00:38:44,320 --> 00:38:47,680 Speaker 4: I want to be a superstar stand up so now 842 00:38:47,800 --> 00:38:49,440 Speaker 4: I can do it all. Put me anywhere, let's go, 843 00:38:49,560 --> 00:38:51,520 Speaker 4: let's rock, let's get it crazy. 844 00:38:51,600 --> 00:38:53,920 Speaker 2: That she's talking about the I've arrived moment, right, But 845 00:38:54,040 --> 00:38:56,160 Speaker 2: we looked at you from that from a long time ago. 846 00:38:56,560 --> 00:38:58,560 Speaker 2: Just look at the history that you've done. You know, 847 00:38:58,840 --> 00:39:00,920 Speaker 2: every time they said you couldn't did it over? They 848 00:39:01,000 --> 00:39:03,320 Speaker 2: try to take your you know what you've done, and 849 00:39:03,640 --> 00:39:05,200 Speaker 2: you said, I you I don't need y'all. 850 00:39:05,200 --> 00:39:08,600 Speaker 1: I'm gonna do it my own way and his classes. Right, 851 00:39:08,880 --> 00:39:10,680 Speaker 1: so you have to write down like top five and 852 00:39:10,800 --> 00:39:12,960 Speaker 1: living color sketches. I guarantee you miss the ugly man 853 00:39:13,040 --> 00:39:13,319 Speaker 1: gonna be. 854 00:39:14,800 --> 00:39:15,520 Speaker 3: Had good instincts. 855 00:39:15,560 --> 00:39:17,440 Speaker 2: It's weird that you're saying this is my you know, 856 00:39:17,719 --> 00:39:19,920 Speaker 2: I have arrived moment where we looked at it so long. 857 00:39:19,960 --> 00:39:22,560 Speaker 2: Do you feel like you don't get the necessary I 858 00:39:22,600 --> 00:39:24,360 Speaker 2: don't want to say respect, but the kudos that you 859 00:39:24,520 --> 00:39:26,640 Speaker 2: deserve because you are the funny guy. 860 00:39:26,719 --> 00:39:28,440 Speaker 3: You are the cool guy you are. I mean, it's 861 00:39:28,480 --> 00:39:31,040 Speaker 3: a lot, right, It's beyond being the funny guy, the 862 00:39:31,120 --> 00:39:32,960 Speaker 3: cool guy. I think you know. 863 00:39:33,239 --> 00:39:37,120 Speaker 4: It's also I'm the baby of legends. It's hard when 864 00:39:37,160 --> 00:39:39,520 Speaker 4: you're the baby of legend. You got all these legendaries 865 00:39:39,680 --> 00:39:41,800 Speaker 4: dudes doing legendary things and you were a part of 866 00:39:41,880 --> 00:39:44,320 Speaker 4: that tribe. Oh that's keenan damon little brother. And not 867 00:39:44,440 --> 00:39:47,560 Speaker 4: to say that I want to stand out. It takes 868 00:39:47,640 --> 00:39:51,640 Speaker 4: time to know Marlin, right. It took Michael Jackson a 869 00:39:51,760 --> 00:39:55,160 Speaker 4: long time before he became Michael. You know, he was 870 00:39:55,239 --> 00:39:57,480 Speaker 4: told with his brothers till he was like thirty five, 871 00:39:57,880 --> 00:40:00,239 Speaker 4: forty years old, and he was like, Okay, I need 872 00:40:01,440 --> 00:40:03,879 Speaker 4: bad and you know, off the wall he's done little 873 00:40:03,920 --> 00:40:07,200 Speaker 4: things and then Thriller hits and you go, oh, he's Michael. 874 00:40:07,880 --> 00:40:10,640 Speaker 4: It takes time for you to stand apart when you 875 00:40:10,880 --> 00:40:13,480 Speaker 4: come from such a legacy. And I never wanted to 876 00:40:13,560 --> 00:40:16,719 Speaker 4: stand apart because I love WANs. I die WANs, I 877 00:40:16,960 --> 00:40:21,839 Speaker 4: breathe WANs, I live WANs And for the past fifteen years, 878 00:40:21,880 --> 00:40:24,480 Speaker 4: I've just been working on Marlon so that when I 879 00:40:24,560 --> 00:40:28,520 Speaker 4: come back to WANs, I could be a better, stronger 880 00:40:28,800 --> 00:40:31,799 Speaker 4: finger and that big and that fist and do our 881 00:40:31,880 --> 00:40:34,319 Speaker 4: best work. That's why Scary Movie six this is big. 882 00:40:34,480 --> 00:40:36,840 Speaker 4: This is bringing us all back together. And now I 883 00:40:36,880 --> 00:40:39,480 Speaker 4: got a completely different skills set than I had when 884 00:40:39,520 --> 00:40:42,080 Speaker 4: I did the first one. So I can't wait till 885 00:40:42,480 --> 00:40:47,279 Speaker 4: next summer June twelfth, in theaters, Scary Movie six were 886 00:40:47,360 --> 00:40:48,280 Speaker 4: coming with these laughs. 887 00:40:48,320 --> 00:40:49,439 Speaker 3: Everybody need these labs. 888 00:40:49,480 --> 00:40:51,400 Speaker 4: And I just feel like That's why I said, I 889 00:40:51,480 --> 00:40:54,640 Speaker 4: feel like I've arrived, because everything's moving in slow motion. 890 00:40:55,200 --> 00:40:56,840 Speaker 3: I get it. It's the matrix. 891 00:40:57,000 --> 00:41:00,160 Speaker 1: I also wonder the expectation of being a Wan. It's 892 00:41:00,200 --> 00:41:01,919 Speaker 1: kind of like they just expect greatness from me. Also 893 00:41:01,960 --> 00:41:05,480 Speaker 1: it's just like whatever, Yeah, but that goes with it. 894 00:41:05,520 --> 00:41:07,120 Speaker 3: But do I think about this the things that I 895 00:41:07,680 --> 00:41:10,279 Speaker 3: haven't gotten yet that I don't yearn for it? Don't 896 00:41:10,440 --> 00:41:14,680 Speaker 3: I didn't. It's not that that makes my identity. But 897 00:41:15,480 --> 00:41:17,719 Speaker 3: I want them statues. I want that in me. 898 00:41:18,280 --> 00:41:21,719 Speaker 4: I want that Oscar I want that Grammy for my 899 00:41:21,880 --> 00:41:25,600 Speaker 4: comedy album. I want that Tony for a Broadway player. 900 00:41:25,640 --> 00:41:27,680 Speaker 4: I want those things and I'm gonna get those things. 901 00:41:27,840 --> 00:41:29,239 Speaker 3: And if I fall short and. 902 00:41:29,280 --> 00:41:30,920 Speaker 4: I don't get an ego, if I got a guy, 903 00:41:31,040 --> 00:41:33,440 Speaker 4: I'm happy. If I got an ah, I'm happy. But 904 00:41:33,600 --> 00:41:35,520 Speaker 4: I know that I'm putting in the work, and even 905 00:41:35,640 --> 00:41:38,439 Speaker 4: after I get that to me, I still never made 906 00:41:38,480 --> 00:41:40,839 Speaker 4: it because you stay hungry as an artist. Look at 907 00:41:40,840 --> 00:41:45,680 Speaker 4: guys like Kobe sixty points on his last game. He 908 00:41:46,000 --> 00:41:48,560 Speaker 4: kept doing the work. It's about doing the work. The 909 00:41:48,680 --> 00:41:50,600 Speaker 4: Kobe that was in the league when he was nineteen, 910 00:41:50,719 --> 00:41:53,040 Speaker 4: he was dope then. But you see the Kobe at 911 00:41:53,120 --> 00:41:56,480 Speaker 4: thirty five when he was starting to win those rings consecutively. 912 00:41:57,080 --> 00:41:59,960 Speaker 4: That's a different Kobe Bryant. Then after he left, him 913 00:42:00,080 --> 00:42:03,319 Speaker 4: and Shack had their dismantling of that team for him 914 00:42:03,360 --> 00:42:05,959 Speaker 4: to go get another ring or two more rings after 915 00:42:06,040 --> 00:42:06,880 Speaker 4: that without shock. 916 00:42:07,360 --> 00:42:09,920 Speaker 3: That's because that man was an animal. You gotta be. 917 00:42:10,000 --> 00:42:12,640 Speaker 4: I'm an animal. I'm in that gym, I'm working out, 918 00:42:12,800 --> 00:42:15,319 Speaker 4: I'm working my instrument. I'm on the stage. I am 919 00:42:15,480 --> 00:42:17,160 Speaker 4: not going to fail my moments. 920 00:42:17,880 --> 00:42:23,120 Speaker 3: Period, clock it, clock it. 921 00:42:24,040 --> 00:42:28,880 Speaker 8: Speaking of Skyhold, speaking of Scary Movie six, Yes, have 922 00:42:29,080 --> 00:42:29,880 Speaker 8: y'all started filming? 923 00:42:30,239 --> 00:42:34,120 Speaker 4: No, we start filming. Uh, I'm going to uh London 924 00:42:34,280 --> 00:42:36,880 Speaker 4: to promote him. And then I got a gig in 925 00:42:36,920 --> 00:42:40,120 Speaker 4: San Jose. And then October first, we on the set 926 00:42:40,160 --> 00:42:40,919 Speaker 4: of in Living Color. 927 00:42:41,000 --> 00:42:41,880 Speaker 3: So I mean of. 928 00:42:42,200 --> 00:42:49,520 Speaker 4: Scary No, Scary Move six, Scary Move six. 929 00:42:49,600 --> 00:42:50,480 Speaker 3: So we start that. 930 00:42:50,600 --> 00:42:54,239 Speaker 4: When we got and uh his back, Anna Faris, Regina Hall, 931 00:42:54,640 --> 00:42:56,840 Speaker 4: were bringing everybody back and man, I'm telling you this 932 00:42:56,960 --> 00:42:59,799 Speaker 4: movie script is funny and we're gonna knock this out the. 933 00:42:59,800 --> 00:43:04,120 Speaker 3: Parking a living No. No, I would you said, y'all 934 00:43:04,200 --> 00:43:07,560 Speaker 3: was doing something with Wayne's brothers, like a show. I 935 00:43:07,600 --> 00:43:11,000 Speaker 3: ain't announcing it yet, but you know, but we we're 936 00:43:11,160 --> 00:43:16,360 Speaker 3: investigating doing all this stuff. No watch, and then we 937 00:43:16,440 --> 00:43:17,359 Speaker 3: did Scary Movie six. 938 00:43:17,400 --> 00:43:23,240 Speaker 6: I ain't lying, y'all held us down because I remember 939 00:43:23,400 --> 00:43:25,480 Speaker 6: your publicist. She was like, I'll make sure that she 940 00:43:25,560 --> 00:43:27,879 Speaker 6: made sure we had all the information. So whatever you're 941 00:43:27,880 --> 00:43:29,680 Speaker 6: working on with your brothers, yes, we would love to 942 00:43:29,719 --> 00:43:30,839 Speaker 6: also be the home where the world. 943 00:43:31,040 --> 00:43:34,319 Speaker 3: I will let you all know. I will come here 944 00:43:34,440 --> 00:43:39,080 Speaker 3: the second after. Here's the thing. I love the old heads, 945 00:43:39,120 --> 00:43:43,480 Speaker 3: but man, somebody I'll come here first. Man, I was 946 00:43:43,600 --> 00:43:46,000 Speaker 3: I wonder to know if I could audition for scary movies. 947 00:43:46,640 --> 00:43:48,759 Speaker 4: Girl, we don't cast it. I would love to have 948 00:43:49,200 --> 00:43:53,640 Speaker 4: had you in there because okay, well let me think, man, 949 00:43:54,000 --> 00:43:56,480 Speaker 4: you can die. Of course everybody asked me to be 950 00:43:56,520 --> 00:44:00,800 Speaker 4: and I'm killing her. Everybody dying, everybody dying. You know, 951 00:44:01,640 --> 00:44:04,120 Speaker 4: when we do Scary Movie seven, I got you, and 952 00:44:04,239 --> 00:44:06,600 Speaker 4: I can write something funny and be like, hey, what's 953 00:44:06,680 --> 00:44:07,560 Speaker 4: something that you could do? 954 00:44:07,760 --> 00:44:09,880 Speaker 3: I would like, I like taill them making suits, So 955 00:44:10,080 --> 00:44:11,560 Speaker 3: what do you like to do? You know what I mean? 956 00:44:11,640 --> 00:44:14,000 Speaker 4: It's like Kyle was like, yo, put me in. I 957 00:44:14,080 --> 00:44:15,600 Speaker 4: was like, all right, give me a second, and I'm 958 00:44:15,840 --> 00:44:17,919 Speaker 4: you know, I'm creating it. It's good, it's gonna happen. 959 00:44:18,000 --> 00:44:22,360 Speaker 3: We're doing it. Should have been here last Sorry she 960 00:44:22,480 --> 00:44:23,120 Speaker 3: was having a baby. 961 00:44:24,320 --> 00:44:24,799 Speaker 4: You know what I mean? 962 00:44:25,200 --> 00:44:29,319 Speaker 3: Can she breastfeed her baby on camera? Baby milk? 963 00:44:29,920 --> 00:44:30,080 Speaker 4: You know? 964 00:44:30,719 --> 00:44:34,000 Speaker 3: Yes, I got two more clues. What's the line? Can 965 00:44:34,040 --> 00:44:35,960 Speaker 3: you do be acting? Oh? 966 00:44:36,080 --> 00:44:36,239 Speaker 4: Yeah? 967 00:44:36,400 --> 00:44:38,480 Speaker 3: Because I thought it was only fan thing I saw, 968 00:44:38,680 --> 00:44:40,439 Speaker 3: I was like, oh that's a part, that's the part. 969 00:44:40,800 --> 00:44:44,920 Speaker 4: Yeah, you were doing it too, Okay, okay, know that 970 00:44:45,560 --> 00:44:46,920 Speaker 4: that's how I see how you got that baby. 971 00:44:51,400 --> 00:44:54,000 Speaker 1: What's the line between being a hero and a villain? 972 00:44:54,080 --> 00:44:56,280 Speaker 1: From Isaiah's perspective. 973 00:44:58,760 --> 00:45:01,120 Speaker 4: I think and in his eyes he is the hero. 974 00:45:01,920 --> 00:45:05,719 Speaker 4: From an ego perspective, he's not the villain. He's the 975 00:45:05,800 --> 00:45:08,359 Speaker 4: hero and he ain't gonna let nobody. In his eyes, 976 00:45:09,480 --> 00:45:12,080 Speaker 4: Cam is the villain. He's trying to take my spot 977 00:45:12,520 --> 00:45:15,440 Speaker 4: and I'm not gonna let it happen. I sacrifice everything 978 00:45:15,520 --> 00:45:18,440 Speaker 4: to get here. You don't deserve what I got. And 979 00:45:18,600 --> 00:45:22,840 Speaker 4: so it was dark thinking. A lot of Isaiah is 980 00:45:23,040 --> 00:45:27,640 Speaker 4: dark thinking, very negative, very arrogant, you know, full of himself. 981 00:45:28,000 --> 00:45:31,800 Speaker 4: And so that's just the way I approached it, you know, pective. 982 00:45:34,320 --> 00:45:36,680 Speaker 4: I like to live a humble life, but I think 983 00:45:36,719 --> 00:45:39,160 Speaker 4: you got to be humble as a person in a 984 00:45:39,280 --> 00:45:41,120 Speaker 4: shark when it comes to your business, when it comes 985 00:45:41,120 --> 00:45:46,319 Speaker 4: to your your your you're dying thirst to get things done. 986 00:45:46,440 --> 00:45:48,359 Speaker 4: I don't sit there and wait on things to get done. 987 00:45:48,400 --> 00:45:51,000 Speaker 3: I'm gonna do it. I'm gonna do it. I'm a killer. 988 00:45:51,400 --> 00:45:54,640 Speaker 4: I am. There's a I read the book by Tim Groven, Relentless. 989 00:45:55,040 --> 00:46:00,920 Speaker 4: There's coolers, closers, and cleaners, Tim Groven Grover. He was 990 00:46:01,000 --> 00:46:04,840 Speaker 4: Michael Jordan's trainer, Kobe Bryant's trainer, Dwayne Wage's trainer. 991 00:46:05,760 --> 00:46:07,759 Speaker 3: I want to be a cleaner. I want give me 992 00:46:07,800 --> 00:46:09,520 Speaker 3: the ball. I know what to do it. Just give 993 00:46:09,640 --> 00:46:10,160 Speaker 3: me the ball. 994 00:46:10,560 --> 00:46:14,399 Speaker 4: If I practice enough that I own the right, give 995 00:46:14,480 --> 00:46:16,120 Speaker 4: me the ball. I'll know what to do with it. 996 00:46:16,239 --> 00:46:18,160 Speaker 4: It may be it passed, it may be a three 997 00:46:18,239 --> 00:46:20,320 Speaker 4: point zero. I may drive and get fouled and go 998 00:46:20,440 --> 00:46:22,680 Speaker 4: to that free throw line. And I'm an eighty five 999 00:46:22,719 --> 00:46:24,920 Speaker 4: percent shooter, and I'm gonna make it happen. If I'm 1000 00:46:25,000 --> 00:46:27,320 Speaker 4: double teamed, I know the dish. It often give me 1001 00:46:27,400 --> 00:46:29,880 Speaker 4: the ball. That's where I'm at in my career right now. 1002 00:46:30,000 --> 00:46:33,359 Speaker 4: These I'm waiting on parts. I know my next seven 1003 00:46:33,480 --> 00:46:36,560 Speaker 4: movies that I have that I want to develop, two 1004 00:46:36,680 --> 00:46:39,239 Speaker 4: that I have written, one that's almost being set up. 1005 00:46:39,320 --> 00:46:41,720 Speaker 4: I want to, you know, do a romantic buddy comedy 1006 00:46:42,000 --> 00:46:44,160 Speaker 4: I got. I'm set up right now for me and 1007 00:46:44,280 --> 00:46:47,560 Speaker 4: Kicky Palmer, like I see it. I see it in 1008 00:46:47,719 --> 00:46:51,200 Speaker 4: ways that I don't know if anybody else has had. 1009 00:46:51,440 --> 00:46:53,719 Speaker 4: Like a lot of my peers, I love him to 1010 00:46:53,800 --> 00:46:55,040 Speaker 4: death and they brilliant. 1011 00:46:55,680 --> 00:46:56,239 Speaker 3: I think I'm the. 1012 00:46:56,239 --> 00:46:59,680 Speaker 4: Only one that's been writing movies since I was nineteen 1013 00:46:59,719 --> 00:47:03,200 Speaker 4: years old in producing movies, and now as a star, 1014 00:47:03,760 --> 00:47:07,080 Speaker 4: I get to write and produce movies for myself and 1015 00:47:07,200 --> 00:47:09,040 Speaker 4: then look at scripts in a different way, like, oh, 1016 00:47:09,120 --> 00:47:10,319 Speaker 4: here's how we can make that better. 1017 00:47:10,960 --> 00:47:13,719 Speaker 3: I'm just in a zone. Everything moves in slow motion. 1018 00:47:13,840 --> 00:47:14,359 Speaker 3: I see air. 1019 00:47:16,280 --> 00:47:18,600 Speaker 1: What now you're supposed to say, Hey, can I be 1020 00:47:18,640 --> 00:47:19,160 Speaker 1: in those movies? 1021 00:47:19,640 --> 00:47:20,399 Speaker 3: That was a good kid. 1022 00:47:20,760 --> 00:47:22,560 Speaker 4: But you know what I would tell you, you funny, 1023 00:47:23,040 --> 00:47:25,759 Speaker 4: you should be writing and developing movies on your off time. 1024 00:47:25,880 --> 00:47:28,360 Speaker 4: That's what you should be doing. You gotta because you 1025 00:47:28,560 --> 00:47:30,960 Speaker 4: on stage right, you're doing You're still doing your stand up. 1026 00:47:31,480 --> 00:47:32,719 Speaker 4: Don't you feel the growth. 1027 00:47:32,560 --> 00:47:33,360 Speaker 3: When you do stand up? 1028 00:47:33,440 --> 00:47:37,360 Speaker 4: Like, oh, I'm that dude, Because ain't nothing better than bombing. 1029 00:47:37,800 --> 00:47:40,239 Speaker 4: When you feel that cold air of a bomb, Like 1030 00:47:40,320 --> 00:47:41,799 Speaker 4: you throw a joke out there and it just hang 1031 00:47:41,880 --> 00:47:44,680 Speaker 4: there and you get a oh, yeah, and you feel 1032 00:47:44,719 --> 00:47:46,879 Speaker 4: that Despininity're like, I'm a double down. 1033 00:47:47,400 --> 00:47:49,719 Speaker 3: Now I gonna double down. And that's how you get 1034 00:47:49,800 --> 00:47:51,880 Speaker 3: the better joke. You keep digging. You can't be afraid 1035 00:47:51,920 --> 00:47:57,280 Speaker 3: of silence. But you should be writing, producing, studying, because 1036 00:47:57,719 --> 00:48:01,080 Speaker 3: after this, what do you do? Or you could do 1037 00:48:01,160 --> 00:48:03,120 Speaker 3: it both? See nowadays you can do it all. 1038 00:48:03,520 --> 00:48:06,520 Speaker 4: Look at you writing books and you know you selling 1039 00:48:06,680 --> 00:48:09,399 Speaker 4: houses and doing all kinds of stuff, and everybody, we all. 1040 00:48:09,320 --> 00:48:11,960 Speaker 3: Are all the industry. We have learned that we are 1041 00:48:12,080 --> 00:48:15,640 Speaker 3: not just a part of the industry. We are industry. 1042 00:48:17,280 --> 00:48:30,279 Speaker 5: My last question, yes, but I just almost took my 1043 00:48:30,480 --> 00:48:31,879 Speaker 5: draws off and threw them at the crowd. 1044 00:48:33,160 --> 00:48:36,360 Speaker 1: When it comes to your personal life, how close to 1045 00:48:37,160 --> 00:48:40,160 Speaker 1: the role of Isaiah was it balancing showing somebody at 1046 00:48:40,200 --> 00:48:41,640 Speaker 1: the top of their game but also being at a 1047 00:48:41,680 --> 00:48:45,840 Speaker 1: breaking being, being at a breaking point? What do you 1048 00:48:45,960 --> 00:48:48,719 Speaker 1: mean somebody was at the top of his game, but 1049 00:48:48,840 --> 00:48:50,839 Speaker 1: he was also at a breaking point. Have you ever 1050 00:48:50,920 --> 00:48:55,800 Speaker 1: felt like that in your own life? No, even with 1051 00:48:55,880 --> 00:48:57,160 Speaker 1: all the grief and everything. 1052 00:48:57,239 --> 00:49:00,480 Speaker 4: There's a synapse, right that these all these things that happened, 1053 00:49:00,520 --> 00:49:04,719 Speaker 4: I think a breaking point was physically, mentally emotionally, Oh man, 1054 00:49:05,000 --> 00:49:08,319 Speaker 4: I think three years ago, I was at a breaking point, 1055 00:49:09,120 --> 00:49:12,480 Speaker 4: and that's why I stressed mental health, right. I wear 1056 00:49:12,560 --> 00:49:17,200 Speaker 4: this mental health awareness thing to remind myself, you know, 1057 00:49:17,560 --> 00:49:21,239 Speaker 4: as a black man, you have to take care of 1058 00:49:21,280 --> 00:49:25,319 Speaker 4: your mental health. You because I got there. I seen 1059 00:49:25,440 --> 00:49:29,920 Speaker 4: myself tossing myself off of a building. That happened to 1060 00:49:30,000 --> 00:49:33,400 Speaker 4: me twice, because that was everything was hitting me at 1061 00:49:33,480 --> 00:49:37,120 Speaker 4: one time, and so much pain when my mama died 1062 00:49:37,160 --> 00:49:40,319 Speaker 4: and my daddy died and then my daughter transitioning. At 1063 00:49:40,360 --> 00:49:43,480 Speaker 4: that point, there was just so much devastation happening that 1064 00:49:43,680 --> 00:49:47,920 Speaker 4: I just felt like I can't take it. And that's 1065 00:49:47,920 --> 00:49:50,120 Speaker 4: when I called my two therapists. And that's the thing 1066 00:49:50,160 --> 00:49:52,440 Speaker 4: about therapists. I have two therapists. I have a female 1067 00:49:52,640 --> 00:49:54,719 Speaker 4: and a male, And because I want to make sure 1068 00:49:54,800 --> 00:49:57,480 Speaker 4: that I govern both sides of myself, my. 1069 00:49:57,560 --> 00:50:00,160 Speaker 3: Masculine self, my feminine self that could listen and the 1070 00:50:00,239 --> 00:50:02,319 Speaker 3: women when they have you know, and sometimes you need 1071 00:50:02,360 --> 00:50:02,920 Speaker 3: a woman's voice. 1072 00:50:02,960 --> 00:50:07,239 Speaker 4: And it's funny, my female therapist protects my masculinity more 1073 00:50:07,360 --> 00:50:11,359 Speaker 4: than my male therapist and supports it. So I think 1074 00:50:11,440 --> 00:50:14,520 Speaker 4: it's important to have therapy and to have God. Those 1075 00:50:14,600 --> 00:50:16,560 Speaker 4: three things and a great sense of humor. Those three 1076 00:50:16,600 --> 00:50:19,320 Speaker 4: things have gotten me through. And you know God is 1077 00:50:19,400 --> 00:50:23,520 Speaker 4: so real. You ain't found God until you heard never 1078 00:50:23,880 --> 00:50:27,800 Speaker 4: would have made and you crying in the car, and 1079 00:50:27,920 --> 00:50:30,440 Speaker 4: you crying in the car with the snop bubbling, your 1080 00:50:30,520 --> 00:50:33,440 Speaker 4: nose shaking, going yes, I never would. 1081 00:50:33,200 --> 00:50:35,600 Speaker 3: Have made it with our God. I never would have 1082 00:50:35,640 --> 00:50:39,399 Speaker 3: made it. God is good. There you go, Malloweyen's ladies. 1083 00:50:39,480 --> 00:50:42,120 Speaker 1: Absolutely, man, make sure y'all see him this Friday. This Friday, 1084 00:50:46,239 --> 00:50:47,560 Speaker 1: s Harry movie six next summer. 1085 00:50:47,719 --> 00:50:49,640 Speaker 3: Yes, sir, Sary movie six next summer. 1086 00:50:49,680 --> 00:50:51,920 Speaker 4: Make sure you mallowayns dot com get your merch and 1087 00:50:52,400 --> 00:50:54,720 Speaker 4: go get these wonderful lee got your Dente cigars. 1088 00:50:54,760 --> 00:50:57,279 Speaker 3: I'm telling you right now, they're ahead. I love y'all, man, 1089 00:50:57,400 --> 00:50:58,960 Speaker 3: and I want to thank you. 1090 00:50:59,040 --> 00:51:02,200 Speaker 4: Guys for always support me making this home and that, uh, 1091 00:51:02,480 --> 00:51:05,120 Speaker 4: you know, y'all know me a long time, and you 1092 00:51:05,200 --> 00:51:08,239 Speaker 4: know y'all see me do the work, and I see 1093 00:51:08,320 --> 00:51:09,040 Speaker 4: y'all do the work. 1094 00:51:09,080 --> 00:51:11,520 Speaker 3: And just know what I root for y'all every every 1095 00:51:11,600 --> 00:51:14,160 Speaker 3: step of the way. And you know we ain't done. 1096 00:51:14,239 --> 00:51:15,120 Speaker 3: We all just beginning. 1097 00:51:15,960 --> 00:51:17,359 Speaker 2: And I just want to say one of the last 1098 00:51:17,360 --> 00:51:19,399 Speaker 2: thing we appreciate you, Marlin, is the one for people 1099 00:51:19,400 --> 00:51:21,160 Speaker 2: out there listening that if you're going through something, if 1100 00:51:21,160 --> 00:51:22,560 Speaker 2: there's a problem, he'll text you to check on you. 1101 00:51:22,640 --> 00:51:24,320 Speaker 2: There's not too many people in the industry do that. 1102 00:51:24,400 --> 00:51:26,359 Speaker 2: We see so many people come and go all the time. 1103 00:51:26,440 --> 00:51:28,480 Speaker 2: But he will check on you. Yes, and appreciate it. 1104 00:51:28,560 --> 00:51:33,759 Speaker 3: Yes, I appreciate you. It's the breakfast morning, every day, 1105 00:51:35,880 --> 00:51:36,600 Speaker 3: breakfast club. 1106 00:51:37,200 --> 00:51:38,160 Speaker 5: Finish, y'all done it.