1 00:00:01,120 --> 00:00:05,840 Speaker 1: Live from the Mercedes Benz Interview Lounge. Hey, take mccraig 2 00:00:06,000 --> 00:00:09,319 Speaker 1: this walk date. So first time I met you, we 3 00:00:09,320 --> 00:00:11,560 Speaker 1: were next to a pool and you were wearing combat 4 00:00:11,560 --> 00:00:14,480 Speaker 1: boots and it was ninety five degrees outside. Crazy And 5 00:00:14,600 --> 00:00:18,480 Speaker 1: look where it's gone since then. Thank you, by the 6 00:00:18,520 --> 00:00:21,720 Speaker 1: way for playing so many of our jingle ball dates 7 00:00:21,720 --> 00:00:22,320 Speaker 1: for iHeart. 8 00:00:22,360 --> 00:00:22,840 Speaker 2: Of course. 9 00:00:23,160 --> 00:00:25,720 Speaker 1: I was just told by the jingle ball people, the 10 00:00:25,720 --> 00:00:28,880 Speaker 1: people that pay our paychecks, that you were officially the 11 00:00:28,880 --> 00:00:31,480 Speaker 1: the MVP at our jingle Ball tour this year. 12 00:00:32,280 --> 00:00:34,519 Speaker 2: I've done so many no, no, no, no. 13 00:00:35,120 --> 00:00:38,120 Speaker 1: We had some great, great artists, had Bencent Boone had, 14 00:00:38,400 --> 00:00:40,879 Speaker 1: but they said that you were the one that was 15 00:00:40,920 --> 00:00:42,160 Speaker 1: the most valuable player. 16 00:00:42,280 --> 00:00:43,320 Speaker 2: Oh my gosh, thank you. 17 00:00:43,479 --> 00:00:45,600 Speaker 1: You're welcome. It's crazy, It is kind of crazy, but 18 00:00:45,640 --> 00:00:46,760 Speaker 1: it's nice to know someone likes you. 19 00:00:47,080 --> 00:00:47,520 Speaker 2: That's great. 20 00:00:49,280 --> 00:00:53,640 Speaker 1: Well, so close to what is doing? So well? What 21 00:00:53,800 --> 00:00:54,480 Speaker 1: have your gun? 22 00:00:54,720 --> 00:00:55,080 Speaker 2: Can you sick? 23 00:00:55,160 --> 00:00:57,000 Speaker 1: My gun? 24 00:00:57,480 --> 00:00:57,840 Speaker 2: Teacher? 25 00:00:58,520 --> 00:01:05,000 Speaker 1: May I give you some advice? Never give your gum 26 00:01:05,040 --> 00:01:06,199 Speaker 1: to a stranger. 27 00:01:06,400 --> 00:01:08,919 Speaker 3: He's gonna harvest your DNA. 28 00:01:08,319 --> 00:01:12,400 Speaker 1: There's there we don't get. I would take that with you. 29 00:01:12,920 --> 00:01:16,320 Speaker 1: Where's secured road? God, it's just these people. I'm sorry. 30 00:01:16,840 --> 00:01:19,160 Speaker 1: Are you having fun? Is this going okay for you? 31 00:01:19,959 --> 00:01:23,360 Speaker 2: Yeah? I think. I mean, I am so lucky. I 32 00:01:23,440 --> 00:01:26,360 Speaker 2: have just like my best friends and my team around 33 00:01:26,360 --> 00:01:28,840 Speaker 2: me all the time. So we're just crying laughing, like 34 00:01:29,840 --> 00:01:32,040 Speaker 2: twenty four to seven. So it is pretty crazy to 35 00:01:32,040 --> 00:01:33,800 Speaker 2: be able to like do these moments with people I 36 00:01:33,840 --> 00:01:35,959 Speaker 2: really love. I mean, we did Foulin last night. We've 37 00:01:36,000 --> 00:01:39,200 Speaker 2: asked ol this weekend album dropped on Friday, so it's 38 00:01:39,240 --> 00:01:40,240 Speaker 2: just yeah, we'ven going. 39 00:01:40,400 --> 00:01:42,319 Speaker 1: It is a busy week. And isn't Jimmy Fallon just 40 00:01:42,319 --> 00:01:42,720 Speaker 1: the best? 41 00:01:42,840 --> 00:01:43,560 Speaker 2: He's the best? 42 00:01:43,600 --> 00:01:45,759 Speaker 1: I love him, you know, even when Mike's are off 43 00:01:45,760 --> 00:01:47,880 Speaker 1: and there's no cameras on, He's that. 44 00:01:47,840 --> 00:01:49,600 Speaker 2: He's the exact same person. And that was my first 45 00:01:49,600 --> 00:01:51,840 Speaker 2: ever like talk show, so I was nervous. 46 00:01:52,400 --> 00:01:54,280 Speaker 1: It's weird because I've been I've been on that show 47 00:01:54,560 --> 00:01:56,200 Speaker 1: and when they say, hey, you great, and then that 48 00:01:56,280 --> 00:01:59,360 Speaker 1: curtain comes open and you're like, okay, you walk out, 49 00:01:59,400 --> 00:02:01,280 Speaker 1: there's the audio. To your left is the band and 50 00:02:01,280 --> 00:02:04,040 Speaker 1: there's Jimmy going like waving, come over. 51 00:02:04,360 --> 00:02:07,720 Speaker 3: She also just said SNL so casually a massive deal. 52 00:02:08,400 --> 00:02:11,600 Speaker 2: Yeah, So it's my second time going on and I'm 53 00:02:11,639 --> 00:02:12,160 Speaker 2: so excited. 54 00:02:12,200 --> 00:02:13,640 Speaker 1: Are you going to do any skits? 55 00:02:13,960 --> 00:02:14,440 Speaker 2: I don't know. 56 00:02:14,760 --> 00:02:17,959 Speaker 1: Actually I have no idea, but we'll see. Okay, that'd 57 00:02:17,960 --> 00:02:21,640 Speaker 1: be fun, I think yes. I actually literally don't know. 58 00:02:22,720 --> 00:02:23,840 Speaker 2: I actually really don't know. 59 00:02:24,280 --> 00:02:26,160 Speaker 1: I mean the great thing about snl ism you just 60 00:02:26,240 --> 00:02:27,560 Speaker 1: kind of show up. They go hey can you do this? 61 00:02:27,600 --> 00:02:29,480 Speaker 1: Put this chicken costume on, and they push them stage. 62 00:02:29,520 --> 00:02:30,160 Speaker 1: You're like, whoa. 63 00:02:30,240 --> 00:02:32,799 Speaker 2: The backstage is crazy, it's chaos. 64 00:02:32,360 --> 00:02:34,760 Speaker 1: And it's funny how when you're in that studio everything 65 00:02:34,840 --> 00:02:36,680 Speaker 1: is so small. I mean, the stage is it's like 66 00:02:36,680 --> 00:02:37,639 Speaker 1: the size of its. 67 00:02:37,440 --> 00:02:40,240 Speaker 2: Teeny It's like this table, It's like, yeah, this is 68 00:02:40,240 --> 00:02:41,040 Speaker 2: not a small table. 69 00:02:42,400 --> 00:02:45,919 Speaker 1: Stand on this table pretends to stage less. It's small. 70 00:02:47,240 --> 00:02:49,880 Speaker 1: So okay. But music wise, let's talk about so close 71 00:02:49,919 --> 00:02:53,320 Speaker 1: to what. Look, this is a bunch of fancy stuff 72 00:02:53,360 --> 00:02:56,840 Speaker 1: they gave me about the album. It's breaking all sorts 73 00:02:56,880 --> 00:03:00,000 Speaker 1: of records. It's your most well received today. 74 00:03:00,560 --> 00:03:02,360 Speaker 2: I don't really like to look at critics and stuff, 75 00:03:02,400 --> 00:03:05,320 Speaker 2: just because that freaks me out. And also if you 76 00:03:05,440 --> 00:03:07,519 Speaker 2: love it and you feel passionate about it, that's like 77 00:03:07,560 --> 00:03:09,519 Speaker 2: the last thing that you want to believe, I think, 78 00:03:09,720 --> 00:03:12,120 Speaker 2: or the when you put out a project, I'm like 79 00:03:12,120 --> 00:03:15,000 Speaker 2: I don't need to be, you know, painted by all 80 00:03:15,000 --> 00:03:17,799 Speaker 2: these opinions because music is so subjective. You just really 81 00:03:18,200 --> 00:03:20,119 Speaker 2: if people are gonna love it so much or they're 82 00:03:20,120 --> 00:03:22,160 Speaker 2: gonna hate it, it's like that doesn't change that I 83 00:03:22,200 --> 00:03:24,760 Speaker 2: was proud of this album and I love it. I 84 00:03:24,760 --> 00:03:27,240 Speaker 2: think that's like how you have to approach every now. 85 00:03:27,160 --> 00:03:29,840 Speaker 1: A those You'll go nuts, you're going crazy. 86 00:03:29,720 --> 00:03:32,480 Speaker 2: You're never gonna you're never gonna please everyone, You're never 87 00:03:32,520 --> 00:03:34,560 Speaker 2: gonna make everyone happy. So it's just if you if 88 00:03:34,560 --> 00:03:36,720 Speaker 2: you do it for yourself and the music that you like, 89 00:03:36,840 --> 00:03:38,560 Speaker 2: I think that's the only way that you can really 90 00:03:38,560 --> 00:03:39,040 Speaker 2: be proud of it. 91 00:03:39,120 --> 00:03:40,520 Speaker 1: Well, that's what being an artist is. 92 00:03:42,320 --> 00:03:44,920 Speaker 3: So you don't have control over other people's opinions obviously, 93 00:03:44,960 --> 00:03:46,680 Speaker 3: and PEO don't care about that, but typically you have 94 00:03:46,680 --> 00:03:48,480 Speaker 3: control over when that album comes out. And I know 95 00:03:48,520 --> 00:03:50,040 Speaker 3: that you said you were super upset when you found 96 00:03:50,040 --> 00:03:50,720 Speaker 3: out it got leaked. 97 00:03:51,120 --> 00:03:51,920 Speaker 1: How does that work? 98 00:03:52,200 --> 00:03:53,360 Speaker 3: Did you find out who did it? 99 00:03:53,760 --> 00:03:54,360 Speaker 2: We didn't. 100 00:03:55,120 --> 00:04:00,400 Speaker 1: Actually we've been looking killed down. 101 00:04:01,040 --> 00:04:03,680 Speaker 2: Yeah, it just I mean, yeah, it sucks. There's nothing 102 00:04:03,680 --> 00:04:05,760 Speaker 2: you can do. You lose control of releasing the album 103 00:04:05,760 --> 00:04:07,560 Speaker 2: how you want it. And then also what I've been 104 00:04:07,560 --> 00:04:10,880 Speaker 2: noticing is people get really bad demo witis, which is 105 00:04:10,880 --> 00:04:13,800 Speaker 2: the thing where when you first write a demo and 106 00:04:13,840 --> 00:04:15,280 Speaker 2: you like have a version and then you do all 107 00:04:15,320 --> 00:04:17,640 Speaker 2: the production to make it better, a lot of people 108 00:04:17,680 --> 00:04:19,839 Speaker 2: like end up liking the first version. So the version 109 00:04:19,839 --> 00:04:22,279 Speaker 2: that got leaked was like very early on versions. And 110 00:04:22,279 --> 00:04:24,280 Speaker 2: now my fans are like attached to those. 111 00:04:24,120 --> 00:04:27,520 Speaker 3: Versions, and I'm like, well, then you're kind of giving 112 00:04:27,560 --> 00:04:28,120 Speaker 3: them a surprise. 113 00:04:28,560 --> 00:04:31,400 Speaker 2: Yeah, and they're like, well you change this. I'm like, yeah, because. 114 00:04:31,120 --> 00:04:33,000 Speaker 1: I'm allowed to. It's your music. 115 00:04:33,080 --> 00:04:36,160 Speaker 2: I wasn't it wasn't released yet. So yeah, it's been 116 00:04:36,200 --> 00:04:38,760 Speaker 2: an interesting thing to navigate for sure. 117 00:04:39,440 --> 00:04:42,520 Speaker 1: Here's a thought. I mean, music, being as cathartic as 118 00:04:42,520 --> 00:04:45,320 Speaker 1: it is, you write these songs and you get feelings out, 119 00:04:45,360 --> 00:04:48,120 Speaker 1: it's actually it's like going to therapy. Yeah, in a way, 120 00:04:49,680 --> 00:04:52,720 Speaker 1: do you think it's possible for therapists to actually start 121 00:04:52,720 --> 00:04:58,280 Speaker 1: getting writing credits for albumsst wants to. 122 00:04:58,240 --> 00:05:02,400 Speaker 2: Know eventually they get really good. My therapist is great. 123 00:05:02,800 --> 00:05:06,360 Speaker 1: They give great advice. It's supposed to be off the record. 124 00:05:06,400 --> 00:05:08,760 Speaker 1: So even if they said that was their idea in 125 00:05:08,800 --> 00:05:11,440 Speaker 1: a line, that's a great name for her next album. 126 00:05:11,560 --> 00:05:15,359 Speaker 1: Off the record, and it's all the sessions and what 127 00:05:15,440 --> 00:05:18,280 Speaker 1: about collaborations. I know Julia Michaels. We love Julia ever 128 00:05:18,360 --> 00:05:20,000 Speaker 1: since she came on the scene. I just like her 129 00:05:20,120 --> 00:05:24,680 Speaker 1: vibe and her vulnerability. You guys wrote sports Car sport 130 00:05:24,720 --> 00:05:25,360 Speaker 1: Card together. 131 00:05:25,200 --> 00:05:27,080 Speaker 2: Right, Yeah, we wrote a couple of songs on the album, 132 00:05:27,360 --> 00:05:30,080 Speaker 2: Revolving Door, Dear God and sports Car together. 133 00:05:30,160 --> 00:05:31,960 Speaker 1: Do you have other artists like calling you now or 134 00:05:32,040 --> 00:05:33,600 Speaker 1: finding out and going hey, I want to work with you. 135 00:05:35,520 --> 00:05:38,240 Speaker 2: I mean, yeah, I feel like I've been getting a 136 00:05:38,279 --> 00:05:40,200 Speaker 2: few congratulations. 137 00:05:42,240 --> 00:05:43,240 Speaker 3: Congratulations. 138 00:05:43,839 --> 00:05:46,479 Speaker 1: I like Revolving Door, and I don't know if anyone 139 00:05:46,680 --> 00:05:49,680 Speaker 1: knows that I'm gonna play this today whether you like 140 00:05:49,720 --> 00:05:52,720 Speaker 1: it or not. I mean, do you have a favorite? 141 00:05:52,760 --> 00:05:54,560 Speaker 1: Is that a stupid question to ask? If you have 142 00:05:54,600 --> 00:05:56,839 Speaker 1: a favorite song, so that means the most to you? 143 00:05:56,920 --> 00:06:01,320 Speaker 2: Off the album, there's a couple that I like. Dear 144 00:06:01,360 --> 00:06:03,360 Speaker 2: God is one of my favorites, and then Purple A 145 00:06:03,400 --> 00:06:05,880 Speaker 2: spra is also a favorite. I also love Revolving Door. 146 00:06:06,160 --> 00:06:10,400 Speaker 1: Thank you do have the least favorite? It's like picking 147 00:06:10,440 --> 00:06:11,760 Speaker 1: your least favorite. That's a fair question. 148 00:06:11,839 --> 00:06:12,560 Speaker 3: I know they exist. 149 00:06:12,760 --> 00:06:15,960 Speaker 2: I don't know my least favorite, Like if I had 150 00:06:15,960 --> 00:06:18,240 Speaker 2: to choose it, would be like no, not in love, 151 00:06:18,279 --> 00:06:18,720 Speaker 2: which is. 152 00:06:18,680 --> 00:06:20,320 Speaker 1: Like the why do you hate that song? 153 00:06:20,360 --> 00:06:20,520 Speaker 2: Song? 154 00:06:25,440 --> 00:06:26,919 Speaker 1: A lot that didn't make the album. Like I know 155 00:06:26,960 --> 00:06:28,240 Speaker 1: a lot of artists come in here and they go, 156 00:06:28,480 --> 00:06:30,400 Speaker 1: I had fifty cuts and I had to, you know, 157 00:06:30,880 --> 00:06:31,560 Speaker 1: narrow it down. 158 00:06:31,800 --> 00:06:34,919 Speaker 2: Yeah, I write so many songs. So we narrowed it 159 00:06:34,960 --> 00:06:39,400 Speaker 2: down from like probably seventy songs. Wow, yeah, I'm writing 160 00:06:39,400 --> 00:06:39,720 Speaker 2: all the time. 161 00:06:39,760 --> 00:06:41,240 Speaker 1: We had to insure it on once and he said 162 00:06:41,240 --> 00:06:43,680 Speaker 1: he actually has a collection of songs that he hates. Yes, 163 00:06:43,680 --> 00:06:45,560 Speaker 1: but we said we'd buy that. We said you should 164 00:06:45,640 --> 00:06:48,679 Speaker 1: actually no title the album the songs I f and hate. 165 00:06:48,839 --> 00:06:51,359 Speaker 2: That's the thing is, is that actually everything's getting leaked of 166 00:06:51,360 --> 00:06:55,240 Speaker 2: mine now. So like every single song that I wrote 167 00:06:55,240 --> 00:06:59,920 Speaker 2: when I was fourteen, fifteen sixteen, like terrible, terrible songs 168 00:07:00,279 --> 00:07:02,279 Speaker 2: that I never thought would see the light of day, 169 00:07:02,400 --> 00:07:05,120 Speaker 2: and I actually have not heard in like years or 170 00:07:05,160 --> 00:07:07,120 Speaker 2: on the internet, and it's horrible. 171 00:07:07,440 --> 00:07:10,520 Speaker 1: But don't you think hear me out though, Twenty years 172 00:07:10,560 --> 00:07:13,120 Speaker 1: from now, you'll look back at this album and go, God, 173 00:07:13,200 --> 00:07:16,280 Speaker 1: those are awful, because you'll be onto something you new. 174 00:07:16,280 --> 00:07:17,520 Speaker 1: Your life will be totally different. 175 00:07:17,720 --> 00:07:19,400 Speaker 2: I mean that's always you. You look back and why 176 00:07:19,400 --> 00:07:21,080 Speaker 2: do they do that or why do they look like that? 177 00:07:21,240 --> 00:07:22,440 Speaker 2: Or so that happens. 178 00:07:22,760 --> 00:07:24,160 Speaker 1: I mean, you write an album and by the time 179 00:07:24,160 --> 00:07:26,760 Speaker 1: it comes out, all that stuff already happened. It's all 180 00:07:26,800 --> 00:07:27,840 Speaker 1: rear view mirror stuff. 181 00:07:28,160 --> 00:07:30,680 Speaker 2: Yeah, I mean all this stuff I wrote six No, 182 00:07:30,800 --> 00:07:32,720 Speaker 2: that's not true. I wrote a couple of like four 183 00:07:32,720 --> 00:07:36,400 Speaker 2: weeks ago, but a lot of some of them I like, yeah, 184 00:07:36,400 --> 00:07:38,160 Speaker 2: I wrote a year ago, a year and a half ago. 185 00:07:38,280 --> 00:07:40,800 Speaker 2: So it kind of depends to. 186 00:07:40,800 --> 00:07:42,080 Speaker 1: Be an artist. You're an artist. 187 00:07:42,480 --> 00:07:43,960 Speaker 3: I'm a different type of artist, and I'd be very 188 00:07:44,040 --> 00:07:46,520 Speaker 3: upset if my stuff got leaked. Also just painting, Yeah, 189 00:07:46,800 --> 00:07:49,280 Speaker 3: I paint, okay, But when that happens and you guys 190 00:07:49,320 --> 00:07:50,920 Speaker 3: have this whole plan because I know, when you launch 191 00:07:50,920 --> 00:07:53,400 Speaker 3: an album, you release an album, yeah, there are tours 192 00:07:53,440 --> 00:07:54,280 Speaker 3: planned around. 193 00:07:54,000 --> 00:07:56,240 Speaker 1: It and big press releases. 194 00:07:56,280 --> 00:07:59,040 Speaker 3: Does everything change at that point when something comes out 195 00:07:59,080 --> 00:07:59,720 Speaker 3: ahead of time? 196 00:08:00,120 --> 00:08:02,400 Speaker 2: I mean yeah, I think people think that. Like sometimes 197 00:08:02,480 --> 00:08:05,080 Speaker 2: music is so like just press go and you just 198 00:08:05,440 --> 00:08:07,760 Speaker 2: drop the songs in the videos, and but there's so 199 00:08:07,880 --> 00:08:10,360 Speaker 2: much thought and so many people involved in so much 200 00:08:11,280 --> 00:08:13,840 Speaker 2: hard work and effort in hours and hours and hours 201 00:08:13,880 --> 00:08:17,520 Speaker 2: of like perfecting plans and you know it is you 202 00:08:17,600 --> 00:08:20,000 Speaker 2: run it like a business, like you're whatever. So it 203 00:08:20,160 --> 00:08:22,480 Speaker 2: does take a lot of effort, and when it all 204 00:08:22,520 --> 00:08:24,640 Speaker 2: gets leaked, you're kind of just like, well what now? 205 00:08:25,320 --> 00:08:27,000 Speaker 3: And then when your old stuff is leaked also, it's 206 00:08:27,000 --> 00:08:29,720 Speaker 3: like somebody got ahold of your diary and just posted it. 207 00:08:29,720 --> 00:08:31,720 Speaker 2: It very much is like that, because there are reasons 208 00:08:31,720 --> 00:08:34,319 Speaker 2: why you don't release songs, like sometimes I just need 209 00:08:34,360 --> 00:08:35,920 Speaker 2: to write a song to just get something off my 210 00:08:36,000 --> 00:08:38,520 Speaker 2: chest and it's therapeutic for me, and like I don't 211 00:08:38,520 --> 00:08:40,120 Speaker 2: want anybody to ever hear it. 212 00:08:40,440 --> 00:08:42,400 Speaker 3: You're like name dropping like churs, I hate you. Yeah, 213 00:08:42,559 --> 00:08:44,079 Speaker 3: you're fourteen over now? 214 00:08:44,200 --> 00:08:46,720 Speaker 1: No, literally, Well I read something that made me feel 215 00:08:46,720 --> 00:08:48,680 Speaker 1: good because I'm one of them. It says you really 216 00:08:48,679 --> 00:08:49,319 Speaker 1: love the gays. 217 00:08:49,600 --> 00:08:53,080 Speaker 2: Yeah I do. 218 00:08:53,240 --> 00:08:54,199 Speaker 3: Why do you hate the straits? 219 00:08:54,720 --> 00:09:00,560 Speaker 1: She hates the traits? The bisexual? Okay, so here they're 220 00:09:00,679 --> 00:09:03,440 Speaker 1: my favorite. No, it beats them. No, it's better than them. 221 00:09:03,480 --> 00:09:11,200 Speaker 1: My whole team is gay. They're all gay. They are. 222 00:09:11,559 --> 00:09:14,040 Speaker 2: Yeah, yeah, I mean it's my whole team. 223 00:09:15,160 --> 00:09:15,880 Speaker 1: But why is that? 224 00:09:15,960 --> 00:09:23,000 Speaker 2: Because they honestly just have the best opinions on things. 225 00:09:24,000 --> 00:09:27,360 Speaker 1: Look at I'm dressed, hello, rethake that it's. 226 00:09:27,240 --> 00:09:29,240 Speaker 2: Just the no filter, Like if I walk out and 227 00:09:29,240 --> 00:09:31,800 Speaker 2: I look bad, like you look awful, I like that. 228 00:09:32,120 --> 00:09:33,079 Speaker 2: It's really refreshing. 229 00:09:33,360 --> 00:09:35,640 Speaker 1: My favorite is you have a mirror at home. Right. 230 00:09:36,800 --> 00:09:39,000 Speaker 1: We're so happy for you again. You were m v 231 00:09:39,080 --> 00:09:42,640 Speaker 1: P voted MVP at arjingle Ball Concerts. Yeah, it was 232 00:09:42,640 --> 00:09:44,679 Speaker 1: great to have you there, So feel free to come 233 00:09:44,679 --> 00:09:47,520 Speaker 1: back so close to what. Of course it's ready for you, 234 00:09:47,559 --> 00:09:50,360 Speaker 1: Now go find it. I'm gonna play two to Tate 235 00:09:50,440 --> 00:09:53,319 Speaker 1: McCrae too. We call it. Okay, should we start with 236 00:09:53,360 --> 00:09:55,920 Speaker 1: sports car and then I'll do a little revolving door 237 00:09:57,240 --> 00:09:59,360 Speaker 1: or should we do little revolving door and then play 238 00:09:59,360 --> 00:10:00,640 Speaker 1: a little sports. 239 00:10:00,200 --> 00:10:00,880 Speaker 2: Let's see that. 240 00:10:02,600 --> 00:10:03,839 Speaker 3: So decisive, that's the way. 241 00:10:04,360 --> 00:10:07,080 Speaker 1: Just just should and make a decision. Take the prey 242 00:10:07,160 --> 00:10:07,840 Speaker 1: revomding doing 243 00:10:12,800 --> 00:10:13,079 Speaker 2: Hmm