1 00:00:04,880 --> 00:00:13,560 Speaker 1: So I'm sitting across from Darth Mall and I say 2 00:00:13,600 --> 00:00:18,159 Speaker 1: I'd like some sunglasses and a PlayStation and he's like what. 3 00:00:18,400 --> 00:00:22,480 Speaker 1: He looks confused, and I say, you know, I'm here 4 00:00:22,600 --> 00:00:26,320 Speaker 1: for sunglasses and PlayStation four. 5 00:00:27,480 --> 00:00:28,560 Speaker 2: We go back and forth. 6 00:00:29,720 --> 00:00:35,360 Speaker 1: I thought he was a place like mall, you know, 7 00:00:35,479 --> 00:00:39,480 Speaker 1: like a mall, like a store, party, like a store mall? 8 00:00:39,720 --> 00:00:45,440 Speaker 2: Yeah for the store, yes, yes, ed? And what he is? 9 00:00:46,080 --> 00:00:51,960 Speaker 2: He is a guy? How oh? Is a different kind 10 00:00:52,520 --> 00:00:53,160 Speaker 2: different mall? 11 00:00:53,360 --> 00:00:57,920 Speaker 1: How? No? And what was worse than anything? Well, I 12 00:00:57,960 --> 00:01:00,920 Speaker 1: don't know if you've had this experiences. I had eaten 13 00:01:02,080 --> 00:01:07,679 Speaker 1: at him several times before that, and he never said anything. 14 00:01:07,720 --> 00:01:09,040 Speaker 2: I went to him for a lunch. 15 00:01:09,959 --> 00:01:12,480 Speaker 3: Okay, I had not had lunch at him, but I 16 00:01:12,600 --> 00:01:16,240 Speaker 3: had done some snacks just on the run. I'm going 17 00:01:16,280 --> 00:01:18,880 Speaker 3: somewhere fast, and I know I shouldn't eat this stuff, 18 00:01:18,880 --> 00:01:20,840 Speaker 3: but I would get the little pretzel. 19 00:01:20,440 --> 00:01:24,520 Speaker 2: Bites stop at him. Yes, And I know I shouldn't do. 20 00:01:24,520 --> 00:01:26,720 Speaker 3: That stuff, but I would do that, and I would 21 00:01:27,680 --> 00:01:31,240 Speaker 3: reach into his torso and remove what I assumed were 22 00:01:31,240 --> 00:01:32,080 Speaker 3: pretzel bites. 23 00:01:32,520 --> 00:01:34,720 Speaker 2: And then it's okay. He doesn't say anything. 24 00:01:35,080 --> 00:01:38,240 Speaker 3: But suddenly when you want sunglasses and a PlayStation four, 25 00:01:38,880 --> 00:01:40,360 Speaker 3: which seems pretty reasonable. 26 00:01:40,680 --> 00:01:41,840 Speaker 2: Darth Maul is. 27 00:01:41,880 --> 00:01:46,560 Speaker 3: Now I'm in yes, and it's the double standard that 28 00:01:46,680 --> 00:01:49,800 Speaker 3: I is sickening to me. And it's just like a 29 00:01:49,840 --> 00:01:51,640 Speaker 3: lot of the stuff we talk about with the Race 30 00:01:51,680 --> 00:01:52,160 Speaker 3: and Braker. 31 00:01:53,000 --> 00:01:56,080 Speaker 1: Okay, hey, welcome to Hollywood, Hambuk and it's IRE's guys 32 00:01:56,080 --> 00:01:58,080 Speaker 1: to kicking button dropping names in the red carpet lineback 33 00:01:58,080 --> 00:01:59,560 Speaker 1: hallways of this industry we call shit. 34 00:02:02,160 --> 00:02:04,080 Speaker 2: I got I got a cough and what up? What 35 00:02:04,680 --> 00:02:05,520 Speaker 2: he was gonna say? 36 00:02:05,560 --> 00:02:08,280 Speaker 3: Showbiz, I'm sick and he's been trying to get me 37 00:02:08,400 --> 00:02:09,240 Speaker 3: sick for a few days. 38 00:02:09,320 --> 00:02:11,240 Speaker 2: Think of all this Kayln Jenner stuff. That's what I'm 39 00:02:11,280 --> 00:02:11,600 Speaker 2: sick of. 40 00:02:12,680 --> 00:02:16,040 Speaker 3: Now, hang on, I just think you can't just throw 41 00:02:16,080 --> 00:02:17,120 Speaker 3: away a comment like that. 42 00:02:17,240 --> 00:02:23,240 Speaker 1: No, this is I think the Arthur Ash Courage Award 43 00:02:23,639 --> 00:02:29,520 Speaker 1: SB is something of the sacred institution, and I think 44 00:02:29,520 --> 00:02:31,000 Speaker 1: that army guy should have won. 45 00:02:31,160 --> 00:02:33,160 Speaker 2: Well for being brave. Yes. 46 00:02:33,880 --> 00:02:37,120 Speaker 3: Well, one thing I will say is that as a nation, 47 00:02:37,240 --> 00:02:40,440 Speaker 3: we have closely tracked the Arthur Ash Courage Award, who 48 00:02:40,440 --> 00:02:42,520 Speaker 3: it went to and whether they were deserving for a 49 00:02:42,760 --> 00:02:43,800 Speaker 3: very long time. 50 00:02:43,880 --> 00:02:44,120 Speaker 2: Now. 51 00:02:44,639 --> 00:02:47,400 Speaker 3: It's always a big debate in the news and so 52 00:02:47,680 --> 00:02:50,600 Speaker 3: of course this year is no different, and you can't 53 00:02:50,639 --> 00:02:53,920 Speaker 3: make everyone happy when you give out an award like that. 54 00:02:54,400 --> 00:02:59,680 Speaker 3: So I hate to disagree with my homeboy, Hayes Man, 55 00:03:00,800 --> 00:03:01,680 Speaker 3: but it's. 56 00:03:01,560 --> 00:03:03,160 Speaker 2: Part of our national dialogue. 57 00:03:03,240 --> 00:03:07,760 Speaker 3: Just because it's not necessarily my definition of bravery doesn't 58 00:03:07,800 --> 00:03:12,959 Speaker 3: mean that it doesn't require some real kutzpah to put 59 00:03:13,000 --> 00:03:15,000 Speaker 3: yourself out there in the way that Caitlyn has. Now, 60 00:03:15,040 --> 00:03:17,160 Speaker 3: I thought you were mad that she spelled her name 61 00:03:17,280 --> 00:03:19,160 Speaker 3: with a C and not a K, even though it 62 00:03:19,200 --> 00:03:22,919 Speaker 3: is a K sound. And she is part of the 63 00:03:23,040 --> 00:03:25,720 Speaker 3: Kardash Jenner klan who really. 64 00:03:25,560 --> 00:03:26,680 Speaker 2: Like to do the ks. 65 00:03:27,840 --> 00:03:33,800 Speaker 3: That is confusing that and about that, I'm pissed, and 66 00:03:33,880 --> 00:03:36,240 Speaker 3: I get and give her. 67 00:03:36,280 --> 00:03:39,160 Speaker 2: Okay, give her the award, Fine, give it to her. 68 00:03:39,440 --> 00:03:42,960 Speaker 3: But when you put the name on it, go ahead 69 00:03:42,960 --> 00:03:46,800 Speaker 3: and put a K on the Caitlin and and then 70 00:03:46,920 --> 00:03:49,600 Speaker 3: that that's brave is to be a part of the 71 00:03:49,680 --> 00:03:52,880 Speaker 3: family that you're part of. And I'll tell you one 72 00:03:53,080 --> 00:03:58,440 Speaker 3: more thing, Hayes Arthur Ash was a tennis guy. 73 00:04:00,720 --> 00:04:03,240 Speaker 1: Pray about that. That's the say the balls are going 74 00:04:03,320 --> 00:04:06,160 Speaker 1: pretty fast? Is that what at the time he was playing? 75 00:04:06,400 --> 00:04:09,360 Speaker 2: That's right, they were slow at the time. 76 00:04:09,400 --> 00:04:09,880 Speaker 1: I was playing. 77 00:04:09,920 --> 00:04:16,720 Speaker 2: They were pretty slow enough. This isn't what we're here 78 00:04:16,760 --> 00:04:17,279 Speaker 2: to discuss. 79 00:04:17,320 --> 00:04:19,440 Speaker 3: And I'm mad at you forgetting me off on that 80 00:04:19,640 --> 00:04:24,240 Speaker 3: because I didn't want to court all the letters and 81 00:04:24,320 --> 00:04:28,400 Speaker 3: we get so much mail. And speaking of oh well, 82 00:04:28,440 --> 00:04:29,800 Speaker 3: speaking of mail, we've got. 83 00:04:29,600 --> 00:04:34,480 Speaker 2: One angry letter that uh, we're scared about. 84 00:04:34,960 --> 00:04:43,560 Speaker 1: This is from Rotten Tomatoes podcast. They have had their 85 00:04:43,720 --> 00:04:47,880 Speaker 1: lawyers get in touch with us like cowards, which is 86 00:04:47,920 --> 00:04:48,760 Speaker 1: confusing them. 87 00:04:48,880 --> 00:04:50,719 Speaker 2: It was confusing to me because I thought. 88 00:04:50,560 --> 00:04:54,080 Speaker 1: They would be our lawyers now because since we have 89 00:04:54,120 --> 00:04:58,280 Speaker 1: the podcast, shouldn't we get whatever comes with that. 90 00:04:58,680 --> 00:05:00,880 Speaker 2: And that was a nasty game of phone tag figuring 91 00:05:00,960 --> 00:05:01,760 Speaker 2: that out. 92 00:05:02,040 --> 00:05:07,000 Speaker 1: They have asked us to stop doing their show within 93 00:05:08,120 --> 00:05:09,960 Speaker 1: our show Hollywood Handbook. 94 00:05:10,200 --> 00:05:13,320 Speaker 3: So we got this letter this week and I'll read 95 00:05:13,360 --> 00:05:19,919 Speaker 3: a portion of it. Dear hayes Man, seize and desist. 96 00:05:20,440 --> 00:05:25,040 Speaker 3: You're doing what you're not allowed to do, and it's ours. 97 00:05:26,000 --> 00:05:29,719 Speaker 3: You want our podcast to be in your podcast, you can't. 98 00:05:30,520 --> 00:05:31,400 Speaker 3: That's not the law. 99 00:05:32,880 --> 00:05:36,640 Speaker 2: We are the Rotten Tomatoes and you are not allowed 100 00:05:36,640 --> 00:05:37,120 Speaker 2: to do this. 101 00:05:37,440 --> 00:05:40,200 Speaker 3: And we were talking about movies when you were still 102 00:05:40,200 --> 00:05:45,400 Speaker 3: in Itch and your Daddy's Underwear, So we now claim 103 00:05:45,760 --> 00:05:50,520 Speaker 3: the teaser Freezer from you. Now, I gotta tell you, guys, 104 00:05:51,040 --> 00:05:53,400 Speaker 3: and I'm not doing the letter anymore. I'm talking to 105 00:05:53,440 --> 00:05:57,839 Speaker 3: you as me Sean Clements from Hollywood. 106 00:05:58,880 --> 00:06:01,640 Speaker 2: This scared me my bottom of my bones. 107 00:06:01,839 --> 00:06:04,240 Speaker 3: Yes, to read that they might try to do that 108 00:06:04,279 --> 00:06:05,680 Speaker 3: with our teaser freezer. 109 00:06:05,440 --> 00:06:08,040 Speaker 1: And it sort of let us know what it would 110 00:06:08,120 --> 00:06:12,400 Speaker 1: feel like to have something that we love taking away 111 00:06:12,480 --> 00:06:14,960 Speaker 1: and put inside another podcast. 112 00:06:15,200 --> 00:06:20,039 Speaker 2: And I think that's made us understand maybe we and 113 00:06:20,120 --> 00:06:25,360 Speaker 2: Bingo or going through yeah, tweetled d and tweetled stupid. 114 00:06:26,360 --> 00:06:28,600 Speaker 2: So we're not going to do that podcast anymore. 115 00:06:29,360 --> 00:06:31,479 Speaker 1: We are going to keep doing our podcast, which is 116 00:06:31,480 --> 00:06:33,760 Speaker 1: good and a good segment that we like to do 117 00:06:33,839 --> 00:06:38,520 Speaker 1: that people think is very fun is aunt wrong. And 118 00:06:38,560 --> 00:06:40,080 Speaker 1: there is a theme song for it that I think 119 00:06:40,120 --> 00:06:41,960 Speaker 1: a lot of people work very hard on, but I 120 00:06:42,040 --> 00:06:44,920 Speaker 1: don't think I have time to find it right now. 121 00:06:45,000 --> 00:06:47,200 Speaker 3: Well, the only thing we could do is maybe top 122 00:06:47,279 --> 00:06:49,400 Speaker 3: it in the moment by coming up with our own 123 00:06:49,520 --> 00:06:51,600 Speaker 3: theme song and just give me the beat and I 124 00:06:51,680 --> 00:06:52,480 Speaker 3: will wrap it. 125 00:06:52,560 --> 00:07:03,680 Speaker 2: Okay, here a come nap to keep the beat going 126 00:07:05,880 --> 00:07:06,600 Speaker 2: and hear it. 127 00:07:07,839 --> 00:07:12,040 Speaker 3: We can make the music with your mouth, Haze, And 128 00:07:12,080 --> 00:07:16,360 Speaker 3: I'm about to wrap one and two and one and two, 129 00:07:16,560 --> 00:07:20,720 Speaker 3: and here it comes. Now I'm almost ready to start. 130 00:07:20,920 --> 00:07:25,200 Speaker 3: Bring it around again, give me the loop bump and 131 00:07:25,280 --> 00:07:27,320 Speaker 3: make that music with your mouth. 132 00:07:27,760 --> 00:07:32,119 Speaker 2: Gant wrong, So this is ant wrong. 133 00:07:33,000 --> 00:07:36,680 Speaker 1: We have a couple reviews of our show, but there's 134 00:07:36,720 --> 00:07:38,560 Speaker 1: a main one that we really want to do that 135 00:07:38,800 --> 00:07:40,640 Speaker 1: was actually given to us. 136 00:07:40,640 --> 00:07:41,880 Speaker 2: By the government. 137 00:07:42,800 --> 00:07:42,920 Speaker 3: Uh. 138 00:07:43,360 --> 00:07:47,600 Speaker 2: The government has a folder of texts. 139 00:07:47,040 --> 00:07:50,720 Speaker 1: On the computer that they read from people that they 140 00:07:50,720 --> 00:07:52,720 Speaker 1: think are terrorists, and a lot of that, I guess 141 00:07:52,720 --> 00:07:54,520 Speaker 1: overlaps with people who don't like our show. 142 00:07:55,200 --> 00:07:59,080 Speaker 3: And even you know, you're probably saying, well, Sean and Hayes, 143 00:07:59,200 --> 00:08:03,040 Speaker 3: aren't you kind of not making a lot of friends 144 00:08:03,040 --> 00:08:05,960 Speaker 3: with the government with some of the freeway you speak 145 00:08:06,000 --> 00:08:09,920 Speaker 3: about your opinions on the insane policies that get passed 146 00:08:09,960 --> 00:08:11,280 Speaker 3: down on Capitol Hill. 147 00:08:11,440 --> 00:08:13,680 Speaker 1: There are certain people in the government who are trying 148 00:08:13,760 --> 00:08:17,000 Speaker 1: to be friends with us, so we don't say stuff 149 00:08:17,040 --> 00:08:19,960 Speaker 1: about them, and so we agree more with some of 150 00:08:20,000 --> 00:08:25,800 Speaker 1: their policies, and they send us stuff that they think 151 00:08:25,840 --> 00:08:29,520 Speaker 1: will like presence and such in order to get us 152 00:08:29,560 --> 00:08:30,400 Speaker 1: to be friends with them. 153 00:08:30,520 --> 00:08:34,480 Speaker 3: And they're trying to suck our butts and we'll let 154 00:08:34,520 --> 00:08:35,040 Speaker 3: them do it. 155 00:08:35,160 --> 00:08:37,200 Speaker 2: But we are not going to. 156 00:08:37,240 --> 00:08:44,160 Speaker 3: Be bending to the pressure of repaying that favor by 157 00:08:44,200 --> 00:08:47,840 Speaker 3: saying that it makes any sense this two party system 158 00:08:48,040 --> 00:08:50,439 Speaker 3: where it's just ones more crooked than the next. 159 00:08:51,040 --> 00:08:56,520 Speaker 1: But we got a present of this text from somebody 160 00:08:57,040 --> 00:08:59,119 Speaker 1: in the government and who said. 161 00:08:59,000 --> 00:09:03,280 Speaker 2: Before you say Eliza Rice, it wasn't No, it's. 162 00:09:03,120 --> 00:09:07,000 Speaker 1: The text message intercepted by the government from somebody named Ellie. 163 00:09:07,760 --> 00:09:09,760 Speaker 1: They'll give us the last name, but it's not Ellie Kemper, 164 00:09:09,800 --> 00:09:13,000 Speaker 1: because she's our friend and she's a very good friend 165 00:09:13,040 --> 00:09:18,200 Speaker 1: of the show and likes us. And her text begins, 166 00:09:19,160 --> 00:09:23,600 Speaker 1: these Hollywood handbook guys are idiots. I'm listening to an 167 00:09:23,640 --> 00:09:27,280 Speaker 1: episode with Aaron Gibson, who's a hilarious feminist podcaster and 168 00:09:27,400 --> 00:09:31,000 Speaker 1: satire is coming off as so immature. Her podcast Throwing 169 00:09:31,040 --> 00:09:34,040 Speaker 1: Shade is all satire too, but it works. I probably 170 00:09:34,040 --> 00:09:36,200 Speaker 1: picked the worst episode to start with. They obviously know 171 00:09:36,280 --> 00:09:39,040 Speaker 1: nothing about feminism, which is why the jokes don't work 172 00:09:39,080 --> 00:09:41,040 Speaker 1: at and then it cuts off but it probably says 173 00:09:41,080 --> 00:09:44,439 Speaker 1: like all yeah, probably says don't work at all. 174 00:09:44,480 --> 00:09:46,920 Speaker 2: Or maybe it's the jokes don't work at midnight. 175 00:09:48,360 --> 00:09:52,720 Speaker 1: That style, which is which is why the jokes don't 176 00:09:52,720 --> 00:09:53,960 Speaker 1: work at midnight style. 177 00:09:54,160 --> 00:09:57,120 Speaker 2: That's probably what it says. 178 00:09:57,360 --> 00:10:01,520 Speaker 1: Yes, So if it says that, if it says anything 179 00:10:01,520 --> 00:10:06,360 Speaker 1: else wrong started from the beginning. These guys are idiots. 180 00:10:07,320 --> 00:10:12,400 Speaker 1: How can we be idiots if we are reading so much, yes, 181 00:10:13,520 --> 00:10:17,640 Speaker 1: doing it so fast, Yes, reading books so quickly. 182 00:10:18,920 --> 00:10:21,719 Speaker 2: And making friends with people and making friends with all 183 00:10:21,760 --> 00:10:22,960 Speaker 2: different kinds of people. 184 00:10:23,160 --> 00:10:29,240 Speaker 3: Oh, and do idiots actually know about Galileo and the Moon? 185 00:10:30,360 --> 00:10:33,200 Speaker 3: I mean you don't think before you speak. Sometimes when 186 00:10:33,240 --> 00:10:36,400 Speaker 3: you say these things, are type them. And that's really 187 00:10:36,440 --> 00:10:39,959 Speaker 3: a case where Ellie's got a little bit of phone 188 00:10:40,000 --> 00:10:44,319 Speaker 3: in mouth disease because she put her phone in her 189 00:10:44,320 --> 00:10:47,400 Speaker 3: mouth by texting something where it's like, oh, well, would 190 00:10:47,400 --> 00:10:50,600 Speaker 3: I know that Galileo got arrested and put in prison 191 00:10:50,720 --> 00:10:54,680 Speaker 3: for knowing about the moon if I was not a 192 00:10:54,760 --> 00:10:58,599 Speaker 3: science man who actually have done the studying. 193 00:10:58,920 --> 00:11:02,199 Speaker 1: And moving on, And she's listening to an episode with 194 00:11:02,240 --> 00:11:06,840 Speaker 1: Aaron Gibson, hilarious feminist podcaster, which is also I wonder 195 00:11:06,920 --> 00:11:09,200 Speaker 1: if she's confusing her with us. 196 00:11:09,040 --> 00:11:14,880 Speaker 3: Yes, because we are on the front lines of feminism, 197 00:11:14,920 --> 00:11:18,719 Speaker 3: marching and celebrating and putting funny women out there and 198 00:11:18,840 --> 00:11:19,480 Speaker 3: all the time. 199 00:11:19,520 --> 00:11:22,760 Speaker 1: And we had three in a row once and to 200 00:11:22,880 --> 00:11:25,959 Speaker 1: move on to other words, satire is coming off as 201 00:11:25,960 --> 00:11:28,480 Speaker 1: so immature. She says, satire can't be immature. It's the 202 00:11:28,600 --> 00:11:34,320 Speaker 1: oldest art form. It's from Greece. It's ancient, ancient comedy. 203 00:11:34,360 --> 00:11:35,280 Speaker 1: The original comedy. 204 00:11:35,320 --> 00:11:38,040 Speaker 2: The mask, the smiling mask, is from satire. 205 00:11:38,200 --> 00:11:42,920 Speaker 3: There's two original art forms, naked wrestling and satire, and 206 00:11:42,960 --> 00:11:45,440 Speaker 3: they're both Greek and Hayes and I are good at 207 00:11:45,440 --> 00:11:46,520 Speaker 3: both of them. 208 00:11:47,520 --> 00:11:50,040 Speaker 1: They were both used to destroy the government at times 209 00:11:50,080 --> 00:11:54,400 Speaker 1: when the government was becoming too powerful. In Greek days, 210 00:11:55,559 --> 00:11:59,720 Speaker 1: they would use satire sometimes combined with naked wrestling. 211 00:12:00,160 --> 00:12:01,200 Speaker 2: You put on a. 212 00:12:01,160 --> 00:12:07,640 Speaker 1: Mask of the king and then do naked wrestling with 213 00:12:08,240 --> 00:12:10,440 Speaker 1: something embarrassing like a snail. 214 00:12:11,559 --> 00:12:14,920 Speaker 2: Yes, well yeah, and the snail would defeat the king. 215 00:12:16,760 --> 00:12:20,800 Speaker 3: Razor Ramone or who was it that was doing it 216 00:12:20,840 --> 00:12:21,439 Speaker 3: at that time. 217 00:12:21,840 --> 00:12:24,120 Speaker 2: I believe it was Razor Ramone or. 218 00:12:24,200 --> 00:12:27,400 Speaker 1: I think that's eventually why they had to get rid 219 00:12:27,400 --> 00:12:28,280 Speaker 1: of Owen Heart. 220 00:12:30,120 --> 00:12:33,000 Speaker 3: And when the snail defeats the king and does a 221 00:12:33,080 --> 00:12:36,600 Speaker 3: kiss on him, then people actually are able to see like. 222 00:12:36,679 --> 00:12:39,200 Speaker 2: Oh, wait a minute, and maybe this universal healthcare thing's 223 00:12:39,320 --> 00:12:43,000 Speaker 2: not working. It's exposed. Yes, because of the website. 224 00:12:43,840 --> 00:12:48,360 Speaker 1: So yes, that's Ever's new clothes, which we have talked 225 00:12:48,360 --> 00:12:49,640 Speaker 1: about a great length. 226 00:12:49,520 --> 00:12:52,520 Speaker 3: And we would be happy to go through from the beginning, 227 00:12:52,520 --> 00:12:56,840 Speaker 3: but not right now, but definitely soon. So I was 228 00:12:56,920 --> 00:13:00,319 Speaker 3: mad when she said we obviously don't know anything about feminism, 229 00:13:00,360 --> 00:13:02,080 Speaker 3: because I thought, oh, you must be looking in the 230 00:13:02,120 --> 00:13:02,800 Speaker 3: mirror and. 231 00:13:02,720 --> 00:13:05,839 Speaker 2: Thinking about yourself when you say that, And. 232 00:13:05,840 --> 00:13:08,440 Speaker 1: It actually tired out that she was a rubber and 233 00:13:08,559 --> 00:13:13,160 Speaker 1: uh or which one? Well, we wanted to let me 234 00:13:13,200 --> 00:13:15,360 Speaker 1: actually just walk myself through it, okay. 235 00:13:15,080 --> 00:13:19,280 Speaker 2: So if I do it, okay. So she said something 236 00:13:19,320 --> 00:13:19,960 Speaker 2: about me. 237 00:13:19,880 --> 00:13:22,640 Speaker 1: But I think she said it first, and so she 238 00:13:22,960 --> 00:13:26,000 Speaker 1: though the thing is coming out of her and it's 239 00:13:26,000 --> 00:13:27,120 Speaker 1: coming at. 240 00:13:27,000 --> 00:13:30,880 Speaker 2: Me, and it's gonna. It has to go to back, 241 00:13:31,000 --> 00:13:33,440 Speaker 2: it has to go. I have to hear it because 242 00:13:33,640 --> 00:13:38,520 Speaker 2: so that I can reflect it. And now I'm forgetting 243 00:13:38,559 --> 00:13:41,160 Speaker 2: even what the other thing is. It's rubber and what 244 00:13:41,440 --> 00:13:43,320 Speaker 2: rubber and flubber? 245 00:13:45,679 --> 00:13:49,040 Speaker 1: Yes, and that's right, she's rubber, and I'm found. Yes, 246 00:13:49,080 --> 00:13:51,160 Speaker 1: we want to be flabber. She's like super we can 247 00:13:51,200 --> 00:13:52,800 Speaker 1: transformed and it's so much. 248 00:13:52,640 --> 00:13:55,760 Speaker 3: More powerful and you could jump right on the basketball gym. 249 00:13:56,400 --> 00:14:01,240 Speaker 3: So uh, with our newfound Flubber Powers, we blast you 250 00:14:01,280 --> 00:14:06,920 Speaker 3: into space, Ellie the Mysterious Texter and uh we dw 251 00:14:07,040 --> 00:14:10,080 Speaker 3: you with the Wrong Award. 252 00:14:11,440 --> 00:14:15,000 Speaker 1: We have some great guests that you probably haven't heard of. 253 00:14:15,120 --> 00:14:18,160 Speaker 1: Their sort of underground by the wit. Thomas and Clay 254 00:14:18,200 --> 00:14:22,000 Speaker 1: Tatum from Power Violence are here to talk with the 255 00:14:22,000 --> 00:14:25,800 Speaker 1: boys their friends on Hollywood Handbook. 256 00:14:26,480 --> 00:14:32,560 Speaker 3: Hollywood Handbook. 257 00:14:32,680 --> 00:14:34,680 Speaker 2: So I turned to doctor. 258 00:14:40,320 --> 00:14:41,360 Speaker 1: Yeah and I. 259 00:14:43,120 --> 00:14:45,440 Speaker 2: And I say, well, which would you prefer to? You 260 00:14:45,480 --> 00:14:46,760 Speaker 2: want the mouth or. 261 00:14:46,720 --> 00:14:53,920 Speaker 3: The And they confer for a little while and they 262 00:14:54,000 --> 00:14:59,880 Speaker 3: sort of speak, and h the doctor comes back to 263 00:14:59,920 --> 00:15:02,760 Speaker 3: me and he says, hey, man, I'll stick it anywhere 264 00:15:02,800 --> 00:15:03,480 Speaker 3: whatever you want. 265 00:15:03,520 --> 00:15:06,640 Speaker 2: And I was like, no, I'm. 266 00:15:06,480 --> 00:15:10,680 Speaker 3: Not talking about her. I'm talking about the pig I'm 267 00:15:10,720 --> 00:15:11,840 Speaker 3: carving up for dinner. 268 00:15:12,400 --> 00:15:15,680 Speaker 2: Mm hm Can you believe that? 269 00:15:16,880 --> 00:15:18,680 Speaker 1: Who was her? 270 00:15:19,440 --> 00:15:20,160 Speaker 2: My mother? 271 00:15:22,360 --> 00:15:22,440 Speaker 4: What? 272 00:15:24,400 --> 00:15:26,560 Speaker 2: No, I'm just taking it in. 273 00:15:26,880 --> 00:15:29,960 Speaker 1: Well, what were you get? Like, the first thing you 274 00:15:30,000 --> 00:15:33,080 Speaker 1: asked about the pig was do you want the mouth or. 275 00:15:34,720 --> 00:15:35,280 Speaker 2: Or the anus? 276 00:15:35,400 --> 00:15:40,160 Speaker 3: Yes, the butt, because you eat from the ends in 277 00:15:40,800 --> 00:15:42,720 Speaker 3: like you're not going to start your first bite isn't 278 00:15:42,720 --> 00:15:43,760 Speaker 3: going to be from the middle. 279 00:15:43,560 --> 00:15:48,360 Speaker 2: From the middle. Is that a Native American? Of course? Yes? No, 280 00:15:48,520 --> 00:15:52,120 Speaker 2: because that's how we make sure we use every Otherwise 281 00:15:52,160 --> 00:15:52,960 Speaker 2: you would lose track. 282 00:15:53,000 --> 00:15:55,240 Speaker 3: If you start in the middle, you don't necessarily get 283 00:15:55,280 --> 00:15:57,040 Speaker 3: to the end. So you do start with the end, 284 00:15:57,120 --> 00:15:59,520 Speaker 3: and you you know, either the mouth or the anus. 285 00:15:59,520 --> 00:16:01,920 Speaker 3: And it's customary to offer your guest which one. 286 00:16:02,560 --> 00:16:05,479 Speaker 1: Hey, welcome to Hollywood hand but welcome back to insiders. 287 00:16:05,480 --> 00:16:07,000 Speaker 1: Guy to the king about and dropping names of the 288 00:16:07,040 --> 00:16:09,200 Speaker 1: red car, but lineback hallways of this industry we call 289 00:16:09,280 --> 00:16:10,400 Speaker 1: show biz industry. 290 00:16:10,440 --> 00:16:12,040 Speaker 2: We call showbiz. What up? What up? 291 00:16:12,200 --> 00:16:15,840 Speaker 1: Sean and I like to go out into the city, 292 00:16:16,240 --> 00:16:18,360 Speaker 1: you guys know that, and into different parts of the 293 00:16:18,400 --> 00:16:23,200 Speaker 1: city that are unexplored. And we like to go to 294 00:16:24,080 --> 00:16:31,040 Speaker 1: street fairs, and we'll go to different parties in a factory. 295 00:16:31,560 --> 00:16:35,000 Speaker 3: Sometimes no sense in naming the neighborhoods because most people 296 00:16:35,000 --> 00:16:36,960 Speaker 3: won't have heard of them, But go ahead and say 297 00:16:37,000 --> 00:16:38,000 Speaker 3: a few of them. 298 00:16:38,600 --> 00:16:47,240 Speaker 1: Uh, there is Los Angeles South, there is Parkdale downtown 299 00:16:47,880 --> 00:16:54,240 Speaker 1: mm hmmm, Yes, there's the forest. 300 00:16:54,480 --> 00:16:58,320 Speaker 3: Yes, and there's city Side. And so we've been to 301 00:16:58,360 --> 00:17:02,960 Speaker 3: all these places. And that is where the new hotness 302 00:17:03,080 --> 00:17:06,680 Speaker 3: and the young new thing is happening. 303 00:17:07,080 --> 00:17:10,240 Speaker 2: And it's so edgy and it's so outrageous. 304 00:17:09,600 --> 00:17:12,280 Speaker 1: And we discover all kinds of new talent out there, 305 00:17:12,440 --> 00:17:14,960 Speaker 1: and we wanted to introduce you to some of those 306 00:17:15,000 --> 00:17:18,680 Speaker 1: guys today with Thomas and Clay Tatum are here. 307 00:17:19,520 --> 00:17:21,240 Speaker 5: What's up y'all? How y'all doing? 308 00:17:21,280 --> 00:17:26,880 Speaker 2: How's it going? We found them in cityside, I think, yes. 309 00:17:27,800 --> 00:17:32,440 Speaker 3: Well, I had initially seen Wit in the forest and 310 00:17:32,760 --> 00:17:36,120 Speaker 3: he was doing some stuff to a tree that reminded 311 00:17:36,160 --> 00:17:38,240 Speaker 3: me of when I was first starting out, and I 312 00:17:38,400 --> 00:17:42,320 Speaker 3: was so full of anger and edge, and I was 313 00:17:42,359 --> 00:17:47,560 Speaker 3: doing all my banksy stuff and doing art, doing art, 314 00:17:47,600 --> 00:17:49,920 Speaker 3: and it wasn't for any it was for the animals 315 00:17:49,960 --> 00:17:52,880 Speaker 3: out there. It wasn't just it was art for art's sake, 316 00:17:52,960 --> 00:17:55,199 Speaker 3: which I found very endearing. 317 00:17:55,200 --> 00:17:57,000 Speaker 2: And then I always think I've ever seen Clay Do 318 00:17:57,000 --> 00:17:59,560 Speaker 2: you want to talk about it? What the art was with? Oh? 319 00:17:59,640 --> 00:18:03,119 Speaker 4: Yeah, I was just you know, carving my girlfriend and 320 00:18:03,240 --> 00:18:05,359 Speaker 4: my name in a tree inside of a heart. 321 00:18:05,560 --> 00:18:07,280 Speaker 2: Yeah, and can you believe that? 322 00:18:07,359 --> 00:18:10,720 Speaker 3: And how badass a heart where the blood lives? 323 00:18:10,800 --> 00:18:11,000 Speaker 6: You know? 324 00:18:11,840 --> 00:18:15,640 Speaker 1: And I saw Clay playing drums on a trash can 325 00:18:15,720 --> 00:18:18,840 Speaker 1: lid and sledding on it at the same time. 326 00:18:19,440 --> 00:18:22,000 Speaker 7: Yep, I mean that was I saw you. I was 327 00:18:22,040 --> 00:18:24,320 Speaker 7: in I was in the middle of the city. 328 00:18:24,720 --> 00:18:26,120 Speaker 2: That yes, middle City. 329 00:18:26,200 --> 00:18:28,320 Speaker 7: Yeah, it was in Middle City, and it was I 330 00:18:28,359 --> 00:18:31,959 Speaker 7: think it was center Town. It was Centertown on a stoop. 331 00:18:32,640 --> 00:18:34,200 Speaker 2: Yes, you were sledding on the stoop. 332 00:18:34,440 --> 00:18:34,920 Speaker 7: Yeah. 333 00:18:35,160 --> 00:18:36,640 Speaker 5: Yeah, he kept going down. 334 00:18:36,760 --> 00:18:39,800 Speaker 4: Yeah, he loves going down the stairs on his sled drum. 335 00:18:40,200 --> 00:18:42,320 Speaker 4: He just did it and then he goes back up 336 00:18:42,359 --> 00:18:42,920 Speaker 4: and does it again. 337 00:18:43,000 --> 00:18:45,760 Speaker 7: It's an urban lifestyle sport. Yeah, you know, I like 338 00:18:45,800 --> 00:18:46,560 Speaker 7: to partake in. 339 00:18:46,960 --> 00:18:47,880 Speaker 2: It's all about urban life. 340 00:18:48,040 --> 00:18:50,199 Speaker 3: I love how you make people wait so long for 341 00:18:50,240 --> 00:18:51,760 Speaker 3: you to get back up to the top because it 342 00:18:51,840 --> 00:18:55,520 Speaker 3: is such a short drum session and a short sledding 343 00:18:55,560 --> 00:18:59,560 Speaker 3: demonstration on that stoop, and then you really take your 344 00:18:59,560 --> 00:19:01,040 Speaker 3: time get back up to the top. 345 00:19:01,560 --> 00:19:03,840 Speaker 7: Well yeah, because you know, I'm out of breath after 346 00:19:04,040 --> 00:19:08,239 Speaker 7: doing I'm running that stoop for a long time. And 347 00:19:09,160 --> 00:19:11,240 Speaker 7: so after running that stoop, I'm going to clay. You 348 00:19:11,240 --> 00:19:13,199 Speaker 7: need to take a break. But the people are inn one. 349 00:19:13,680 --> 00:19:17,119 Speaker 7: You see you doing the more uh stoop slides. 350 00:19:17,320 --> 00:19:18,880 Speaker 5: Yeah, he needs to give his bones arrest. 351 00:19:18,960 --> 00:19:20,680 Speaker 7: I need to give him bones rest, but these people 352 00:19:20,760 --> 00:19:22,960 Speaker 7: are asking for more. And so I get up to 353 00:19:23,000 --> 00:19:25,639 Speaker 7: the top and I do it again, and I'm like, okay, 354 00:19:25,680 --> 00:19:27,240 Speaker 7: I guess I'll do a drum sello now. And I 355 00:19:27,280 --> 00:19:29,600 Speaker 7: did that for like an hour, and then that's when 356 00:19:29,600 --> 00:19:30,280 Speaker 7: Hayes came in. 357 00:19:31,040 --> 00:19:31,280 Speaker 3: Yeah. 358 00:19:31,280 --> 00:19:34,240 Speaker 1: Picture, Yes, that's when I came in sort of after 359 00:19:34,320 --> 00:19:38,200 Speaker 1: everything end of it. Yes, But the people dispersing told 360 00:19:38,200 --> 00:19:43,000 Speaker 1: me about it, told me it was not good. And 361 00:19:43,080 --> 00:19:45,880 Speaker 1: it's that I said, I said, I'll be the judge 362 00:19:45,960 --> 00:19:48,040 Speaker 1: of the fact that they didn't like it made me 363 00:19:48,080 --> 00:19:51,320 Speaker 1: think that it probably was good because like center town people, 364 00:19:51,400 --> 00:19:52,679 Speaker 1: you know, yeah, so. 365 00:19:52,800 --> 00:19:55,320 Speaker 3: They often it's going right over their head. But when 366 00:19:55,359 --> 00:19:57,760 Speaker 3: you get it into an area like the forest or 367 00:19:57,960 --> 00:20:02,280 Speaker 3: like city side, uh, they really get that kind of. 368 00:20:03,320 --> 00:20:05,040 Speaker 5: I've been trying to get play to come to the 369 00:20:05,080 --> 00:20:06,400 Speaker 5: forest for a while now to. 370 00:20:06,280 --> 00:20:09,080 Speaker 7: Do I'm a city boy. I mean once I can 371 00:20:09,520 --> 00:20:12,080 Speaker 7: well yeah, yeah, but once you get some rails out 372 00:20:12,119 --> 00:20:13,600 Speaker 7: there and then I can go and visit. 373 00:20:13,400 --> 00:20:15,440 Speaker 5: You, Well, Clay only takes the rails. Yeah. 374 00:20:15,480 --> 00:20:18,159 Speaker 3: Well, this is what I love about your dynamic as 375 00:20:18,240 --> 00:20:22,600 Speaker 3: you do. It's the classic city mouse, country mouse story, 376 00:20:23,400 --> 00:20:25,760 Speaker 3: and I think it's what really works is that you 377 00:20:25,800 --> 00:20:28,080 Speaker 3: guys have trouble getting together. You're almost never in the 378 00:20:28,080 --> 00:20:31,000 Speaker 3: same place because Clay will only take the rails. 379 00:20:31,280 --> 00:20:33,880 Speaker 2: And when you do, you don't seem to truly connect. 380 00:20:34,040 --> 00:20:36,520 Speaker 4: No, he can only meet somebody if it's right off 381 00:20:36,520 --> 00:20:39,200 Speaker 4: of a train track. Yeah, and and you know, as 382 00:20:39,200 --> 00:20:41,960 Speaker 4: far as me, I don't really like to leave the 383 00:20:42,560 --> 00:20:43,560 Speaker 4: that around that tree. 384 00:20:43,680 --> 00:20:46,000 Speaker 7: And I you know, honestly I would love to see it. 385 00:20:46,040 --> 00:20:47,960 Speaker 7: But if they didn't have any city stops there for 386 00:20:48,040 --> 00:20:50,480 Speaker 7: the rails, that I could come out and I feel 387 00:20:50,520 --> 00:20:51,600 Speaker 7: comfortable and i'd see you. 388 00:20:52,280 --> 00:20:54,000 Speaker 4: Yeah, well I know that, and I've been trying to 389 00:20:54,040 --> 00:20:56,240 Speaker 4: I've been talking to the mayor and we've been trying 390 00:20:56,240 --> 00:20:56,880 Speaker 4: to work something out. 391 00:20:56,920 --> 00:20:57,639 Speaker 2: Mayor of the forest. 392 00:20:57,720 --> 00:20:59,439 Speaker 5: Well, yeah, he's a forest mayor, Dan. 393 00:21:00,040 --> 00:21:02,480 Speaker 2: And what kind of is it an animal? 394 00:21:03,200 --> 00:21:05,720 Speaker 5: Well, yeah, it's an animal. I mean, yeah, squirrel. 395 00:21:06,760 --> 00:21:09,640 Speaker 3: Well it's their domain and and we we can all 396 00:21:09,640 --> 00:21:12,560 Speaker 3: admit that, especially me as a Native American one eighth. 397 00:21:13,280 --> 00:21:18,400 Speaker 1: So so you guys have a show, yep, you do. 398 00:21:19,200 --> 00:21:23,640 Speaker 1: It's called power violence with some of your other friends. 399 00:21:23,320 --> 00:21:26,640 Speaker 5: With our friend Bud h who could be. 400 00:21:28,119 --> 00:21:30,400 Speaker 2: Yeah kind buds. 401 00:21:30,840 --> 00:21:32,919 Speaker 1: Well you do a show with it, I mean, with 402 00:21:32,960 --> 00:21:35,360 Speaker 1: a little how from your friend Bud, no judgment. 403 00:21:35,640 --> 00:21:38,399 Speaker 5: We just light up a bud and we take it 404 00:21:38,440 --> 00:21:43,560 Speaker 5: to the stay. Yes, let's actually here. He's visiting. 405 00:21:46,400 --> 00:21:49,800 Speaker 4: Bud all right, he left, but yeah, yeah, and he's 406 00:21:49,840 --> 00:21:52,159 Speaker 4: a desert child, so it's hard. 407 00:21:52,440 --> 00:21:56,480 Speaker 2: By the three types of human. 408 00:21:58,160 --> 00:22:02,840 Speaker 1: And you had a show recently where where you played. 409 00:22:02,480 --> 00:22:05,000 Speaker 5: With Mark Hoppus from Blinkenady. 410 00:22:04,520 --> 00:22:08,879 Speaker 1: Too, Mark Hoppus, Yes, you musical idol, seem to like 411 00:22:09,640 --> 00:22:13,320 Speaker 1: fave bass player, and now you get to do this show. 412 00:22:14,640 --> 00:22:18,280 Speaker 2: All in the space of one year. Big year for you. 413 00:22:18,320 --> 00:22:21,720 Speaker 4: Well, it's all downhill from here, yes, yeah, and you know, 414 00:22:21,880 --> 00:22:24,439 Speaker 4: hopefully I'll have a sled want to Clay sleds with me, 415 00:22:24,480 --> 00:22:26,359 Speaker 4: so at least gone downhill will be fun m m 416 00:22:26,640 --> 00:22:27,199 Speaker 4: speak on that. 417 00:22:27,359 --> 00:22:29,240 Speaker 7: It's really easy to say that one you know, actually 418 00:22:29,280 --> 00:22:29,639 Speaker 7: don't it? 419 00:22:30,119 --> 00:22:32,320 Speaker 4: Well, I mean you can maybe teach me. I'm not 420 00:22:32,359 --> 00:22:33,879 Speaker 4: trying to say that you're sledding. 421 00:22:34,040 --> 00:22:35,000 Speaker 5: It was or easy. 422 00:22:35,080 --> 00:22:36,600 Speaker 2: It did come off as a little eric. 423 00:22:36,800 --> 00:22:39,080 Speaker 4: Okay, Well, hopefully Clay will be able to teach me 424 00:22:39,119 --> 00:22:41,560 Speaker 4: how to sled drum down the hill as I go 425 00:22:41,640 --> 00:22:42,000 Speaker 4: down it. 426 00:22:42,720 --> 00:22:44,840 Speaker 2: I can do that, thank you anytime. Pow. 427 00:22:45,359 --> 00:22:47,120 Speaker 5: Some of our friends, Yeah. 428 00:22:46,800 --> 00:22:50,600 Speaker 1: Well we know you guys love extreme sports and the 429 00:22:50,720 --> 00:22:55,920 Speaker 1: punk rock aesthetic is very important to us as well 430 00:22:56,000 --> 00:22:59,680 Speaker 1: as you, and so we actually brought our boards here. 431 00:22:59,800 --> 00:23:01,160 Speaker 2: Yeah you do. You guys skate? 432 00:23:01,720 --> 00:23:02,680 Speaker 5: Yeah, we'd love to skate. 433 00:23:02,760 --> 00:23:04,320 Speaker 2: Oh yeah, we love skater wife. 434 00:23:04,560 --> 00:23:05,240 Speaker 5: Yeah we skate. 435 00:23:05,800 --> 00:23:06,520 Speaker 2: That's really cool. 436 00:23:06,560 --> 00:23:08,000 Speaker 1: I mean you don't do do moves? 437 00:23:08,119 --> 00:23:11,440 Speaker 4: Yeah, we got some moves. Clays mainly a manual guy. 438 00:23:11,480 --> 00:23:14,159 Speaker 4: He spends good and I like to go high and 439 00:23:14,480 --> 00:23:14,959 Speaker 4: do flips. 440 00:23:14,960 --> 00:23:16,920 Speaker 7: I can do well. I could do dip flips, play. 441 00:23:16,800 --> 00:23:19,359 Speaker 4: Dips down before he flips usually, but I like to 442 00:23:19,640 --> 00:23:20,720 Speaker 4: do straight tall flips. 443 00:23:21,000 --> 00:23:23,080 Speaker 1: Did you bring your wheels? 444 00:23:23,320 --> 00:23:25,119 Speaker 5: No I didn't. I didn't know we were allowed to have 445 00:23:25,200 --> 00:23:27,160 Speaker 5: extra wheels. Oh cool, all right, cool. 446 00:23:27,200 --> 00:23:29,520 Speaker 2: We actually brought wheels. 447 00:23:32,600 --> 00:23:35,280 Speaker 4: Oh I got that same backpack, but in black, well 448 00:23:35,920 --> 00:23:38,360 Speaker 4: it's only missing one wheel missing. 449 00:23:38,640 --> 00:23:40,840 Speaker 5: There's a burnhouse that one has an extra wheel. 450 00:23:41,080 --> 00:23:43,600 Speaker 7: Oh okay, yeah, you have one more than I've. 451 00:23:43,200 --> 00:23:46,040 Speaker 2: Got a spare wheel. That one can do three wheelies. 452 00:23:48,560 --> 00:23:51,399 Speaker 7: Then well this it shows me that this you guys 453 00:23:51,880 --> 00:23:53,359 Speaker 7: completely one hundred percent to get us. 454 00:23:53,480 --> 00:23:54,720 Speaker 5: Yeah, thank you. 455 00:23:55,080 --> 00:23:57,000 Speaker 2: Prescribe our wheels. 456 00:23:57,040 --> 00:23:59,840 Speaker 4: These are circuit boards, which I think our fingerboards maybe 457 00:23:59,840 --> 00:24:02,000 Speaker 4: a new brand, which is depressing because this is a 458 00:24:02,040 --> 00:24:04,800 Speaker 4: Tony Hawk bird House circuit board, which maybe means that 459 00:24:04,920 --> 00:24:08,560 Speaker 4: he sold out on fingerboards. His fingerboards was the big thing. 460 00:24:09,000 --> 00:24:11,400 Speaker 4: I don't know if you remember text text, Yeah. 461 00:24:11,280 --> 00:24:13,960 Speaker 1: Circuit board is my brand. It's supposed to come with 462 00:24:14,000 --> 00:24:16,880 Speaker 1: a motor. But it did not survive the bathtub. 463 00:24:17,320 --> 00:24:19,120 Speaker 5: All right, Well that's the whole circuit thing. 464 00:24:19,240 --> 00:24:22,360 Speaker 2: You put it in a bathtub and I got electric cut. 465 00:24:22,600 --> 00:24:25,320 Speaker 5: Anyway, this is actually story. 466 00:24:25,920 --> 00:24:26,040 Speaker 6: Uh. 467 00:24:26,359 --> 00:24:28,680 Speaker 4: You know, Clay and I bonded real hard over having 468 00:24:28,680 --> 00:24:30,640 Speaker 4: fingerboards when we were kids. But these weren't the cool 469 00:24:30,640 --> 00:24:31,440 Speaker 4: ones with the grip tape. 470 00:24:31,440 --> 00:24:33,720 Speaker 1: They're a key chain and they probably only had one 471 00:24:33,720 --> 00:24:35,159 Speaker 1: wheel instead of the good ones like we have. 472 00:24:35,359 --> 00:24:35,560 Speaker 2: Yeah. 473 00:24:35,600 --> 00:24:39,120 Speaker 5: But and we had a friend named Matt who would 474 00:24:39,160 --> 00:24:41,760 Speaker 5: just do this and say it was a trick. That 475 00:24:41,880 --> 00:24:43,879 Speaker 5: is a trick, click it, and then just lift his 476 00:24:43,960 --> 00:24:44,440 Speaker 5: hand up. 477 00:24:44,920 --> 00:24:47,879 Speaker 3: I wouldn't do that because one thing for me with 478 00:24:47,920 --> 00:24:50,280 Speaker 3: my board is I'm saving my wheels and I want 479 00:24:50,320 --> 00:24:51,160 Speaker 3: to waste them. 480 00:24:51,080 --> 00:24:54,560 Speaker 2: So I tend to use it like and I have it. 481 00:24:54,560 --> 00:24:56,560 Speaker 5: It's a little guy he's like walking. 482 00:24:56,760 --> 00:24:58,720 Speaker 3: Well, and I picked this one too because it kind 483 00:24:58,760 --> 00:25:00,600 Speaker 3: of looks like and near Cody. 484 00:25:00,600 --> 00:25:11,280 Speaker 2: Could you why, uh sir? Can I help you? Hi? Yes, Hi, 485 00:25:13,000 --> 00:25:16,760 Speaker 2: I'm the new engineer. I think we've met already. I 486 00:25:16,760 --> 00:25:19,680 Speaker 2: think i'd remember meeting something like this. 487 00:25:20,359 --> 00:25:23,879 Speaker 1: Is this a shape shifted new form for Engineer Cody? 488 00:25:24,359 --> 00:25:24,679 Speaker 2: You know what? 489 00:25:24,920 --> 00:25:27,359 Speaker 1: Actually this actually does make a lot of sense because 490 00:25:27,440 --> 00:25:33,000 Speaker 1: Cody does look sort of like a pre chrysalis animal, 491 00:25:33,280 --> 00:25:36,920 Speaker 1: like a bug, pre beautiful transformation. 492 00:25:37,200 --> 00:25:40,240 Speaker 3: He definitely is unfinished whatever is going on with him. 493 00:25:40,640 --> 00:25:43,080 Speaker 1: But I would say, if this is the finished version, 494 00:25:43,160 --> 00:25:45,560 Speaker 1: this is an improvement, but I wouldn't necessarily call it. 495 00:25:45,640 --> 00:25:48,600 Speaker 1: I keep going, Are there more? 496 00:25:49,840 --> 00:25:52,000 Speaker 2: Are there is this stage three of four? 497 00:25:52,160 --> 00:25:55,920 Speaker 3: Because we're on the right track? Okay, well that's true. 498 00:25:56,640 --> 00:26:00,600 Speaker 3: So what do you call this version of yourself? Ryan Ryan? 499 00:26:00,760 --> 00:26:04,960 Speaker 3: Engineer Brian? So okay, So Engineer Brian, can you get 500 00:26:04,960 --> 00:26:07,399 Speaker 3: a picture of my board? Because I picked it because 501 00:26:07,400 --> 00:26:11,160 Speaker 3: it looks like a little do you guys like the 502 00:26:11,160 --> 00:26:11,880 Speaker 3: family guy? 503 00:26:13,280 --> 00:26:15,280 Speaker 2: Well, this is a baby Stewie and he's. 504 00:26:15,080 --> 00:26:19,360 Speaker 3: Holding some hot cocoo for me, and oh I love 505 00:26:19,400 --> 00:26:23,359 Speaker 3: it too, and he wants to beat up his mom. 506 00:26:23,440 --> 00:26:26,600 Speaker 2: We all were frustrated sometimes with our parents, and that 507 00:26:26,760 --> 00:26:29,320 Speaker 2: spirit of rebellion lives in skateboards today. 508 00:26:30,920 --> 00:26:33,439 Speaker 5: Yeah, you know, knock you down a few picks. 509 00:26:34,400 --> 00:26:36,840 Speaker 1: So Brian, would you like one of these? If you 510 00:26:37,080 --> 00:26:40,800 Speaker 1: could be very gentle with it, please and rinse your hands. 511 00:26:40,920 --> 00:26:42,800 Speaker 5: I gotta know what happened to the wheels? 512 00:26:43,840 --> 00:26:44,600 Speaker 2: What happened to wis? 513 00:26:45,880 --> 00:26:48,120 Speaker 3: Well, they do all have two wheels, and we are 514 00:26:48,280 --> 00:26:54,200 Speaker 3: saving the wheels to be safe. And isn't it true 515 00:26:54,240 --> 00:26:56,280 Speaker 3: that my guy is friends with your guy? 516 00:26:56,400 --> 00:26:58,760 Speaker 1: Yes, our guys are friends. And my guy is Tony 517 00:26:58,800 --> 00:27:01,919 Speaker 1: Hawk's little brother who is the only one who can 518 00:27:01,960 --> 00:27:02,840 Speaker 1: be honest with him. 519 00:27:03,440 --> 00:27:07,520 Speaker 3: Yes, and uh, my guy, and he's also triple X. 520 00:27:08,160 --> 00:27:12,399 Speaker 3: And my guy is Tony Hawk's boss's neighbor. And so 521 00:27:12,720 --> 00:27:16,080 Speaker 3: what an interesting relationship where he does want to go 522 00:27:16,119 --> 00:27:18,919 Speaker 3: and cut loose with his friend who is it? But 523 00:27:18,960 --> 00:27:20,920 Speaker 3: he's the neighbor of a boss who he doesn't want 524 00:27:20,920 --> 00:27:22,680 Speaker 3: to seem too unprofessional around. 525 00:27:23,119 --> 00:27:25,040 Speaker 1: And this is for a skate video that we're doing. 526 00:27:25,119 --> 00:27:30,919 Speaker 1: So you are you recording? This engineer is Rocky? 527 00:27:33,320 --> 00:27:35,560 Speaker 2: Yes, call me reat. That's what the other guys call me. 528 00:27:35,680 --> 00:27:37,240 Speaker 1: Well, we're not going to do that, and I don't 529 00:27:37,240 --> 00:27:39,160 Speaker 1: want to do anything that those guys do. 530 00:27:39,520 --> 00:27:42,680 Speaker 2: Yes, that's what the other guys call you. Well that's 531 00:27:42,680 --> 00:27:43,240 Speaker 2: off the table. 532 00:27:43,320 --> 00:27:46,960 Speaker 3: Then, now what is some of your guys traits of 533 00:27:47,040 --> 00:27:48,639 Speaker 3: your fun boards? 534 00:27:49,520 --> 00:27:54,040 Speaker 4: Well, mine's a classic bird House graphic. It's a cartoon bird. 535 00:27:54,040 --> 00:27:56,040 Speaker 4: I think it's an angry bird, or it's like kind 536 00:27:56,080 --> 00:27:59,200 Speaker 4: of like an angry bird. Birdhouse is known for their cartoonish, 537 00:27:59,280 --> 00:28:00,480 Speaker 4: big bold graphics. 538 00:28:00,640 --> 00:28:03,840 Speaker 5: But what's your guy, Yes, it's Tony Hawk. I think 539 00:28:03,840 --> 00:28:04,879 Speaker 5: these are all Tony Hawks. 540 00:28:06,240 --> 00:28:06,960 Speaker 2: What's your guy? 541 00:28:07,680 --> 00:28:08,800 Speaker 1: Your guy? 542 00:28:08,800 --> 00:28:12,200 Speaker 7: There's okay, my guy is. Oh there's a wisecracking cousin 543 00:28:12,240 --> 00:28:12,520 Speaker 7: of his. 544 00:28:13,160 --> 00:28:17,560 Speaker 3: Okay, I like this, clay. 545 00:28:16,600 --> 00:28:18,399 Speaker 5: Okay, you go it, all right. 546 00:28:18,440 --> 00:28:21,000 Speaker 4: Well, mine's a it's a bird. His beak is yellow 547 00:28:21,160 --> 00:28:23,400 Speaker 4: and uh, he's red. 548 00:28:25,040 --> 00:28:27,320 Speaker 7: Can we can we take this one step back? Okay, 549 00:28:27,320 --> 00:28:28,200 Speaker 7: I'm gonna do this again. 550 00:28:28,440 --> 00:28:32,520 Speaker 4: Okay, all right, you guys go through all years again, somebody, yeah, 551 00:28:32,520 --> 00:28:33,679 Speaker 4: and then I'll be able to think of one. 552 00:28:34,000 --> 00:28:37,480 Speaker 1: Mine is Tony Hawk's little brother, who is also the 553 00:28:37,520 --> 00:28:39,200 Speaker 1: only person who can be honest with him. 554 00:28:39,360 --> 00:28:40,840 Speaker 2: And he is Triple X. 555 00:28:40,880 --> 00:28:45,160 Speaker 1: As well, which is a title that goes to different spies. 556 00:28:45,880 --> 00:28:51,840 Speaker 3: M Now, Mine is Tony Hawk's bosses neighbor and they 557 00:28:52,000 --> 00:28:56,640 Speaker 3: have built a real badass uh dirt bike trail in 558 00:28:56,760 --> 00:29:00,240 Speaker 3: his backyard, but he doesn't want his boss to see 559 00:29:00,280 --> 00:29:05,480 Speaker 3: him riding on it. And also he is really, really 560 00:29:05,480 --> 00:29:10,520 Speaker 3: good at math and really smart. But but he plays sports, 561 00:29:10,560 --> 00:29:15,000 Speaker 3: so he's still cool. But it's okay to be smart 562 00:29:15,040 --> 00:29:16,040 Speaker 3: and still be cool. 563 00:29:16,320 --> 00:29:19,840 Speaker 7: Okay, So mine is Tony Hawks. Why is cracking cousin? 564 00:29:20,200 --> 00:29:23,520 Speaker 7: And but he's also which I didn't mention, he's also 565 00:29:23,640 --> 00:29:25,960 Speaker 7: a maleman and he looks like a classic mailman and 566 00:29:26,000 --> 00:29:28,240 Speaker 7: he got a dog bite in his leg. 567 00:29:31,320 --> 00:29:33,720 Speaker 1: Okay, okay, it's my guy's cousin too, but I'm not 568 00:29:34,120 --> 00:29:37,000 Speaker 1: My guy's not sure about him, right, he's jealous. 569 00:29:36,640 --> 00:29:39,720 Speaker 3: And my guy doesn't even know him except from getting 570 00:29:39,760 --> 00:29:40,160 Speaker 3: the mail. 571 00:29:42,800 --> 00:29:44,400 Speaker 2: Now, who's your guy? Oh right? 572 00:29:45,120 --> 00:29:49,840 Speaker 5: Okay, well my guy? Uh it is a bird. 573 00:29:50,160 --> 00:29:53,080 Speaker 4: He is a bird, and he's a red Here's so 574 00:29:53,120 --> 00:29:56,480 Speaker 4: he and well, but hold on and he he likes. 575 00:29:56,400 --> 00:30:01,040 Speaker 5: To fly throughout. Here's the thing from place to place, 576 00:30:01,160 --> 00:30:02,360 Speaker 5: hoping to find it a worm? 577 00:30:02,400 --> 00:30:03,640 Speaker 2: And can I help you out? 578 00:30:03,680 --> 00:30:05,600 Speaker 5: Power to sit on an egg and listen? 579 00:30:05,880 --> 00:30:06,600 Speaker 7: Can I help you out? 580 00:30:06,720 --> 00:30:08,640 Speaker 5: Or to find a nest something for his nest, like 581 00:30:08,680 --> 00:30:09,240 Speaker 5: a toothpick. 582 00:30:09,480 --> 00:30:12,000 Speaker 7: Okay, this is We're at a good start. Surprisingly, I 583 00:30:12,040 --> 00:30:14,040 Speaker 7: don't a lot of people are saying no, but I'm 584 00:30:14,040 --> 00:30:16,640 Speaker 7: saying yes, You're going somewhere with this, Yeah, have it? 585 00:30:16,840 --> 00:30:21,080 Speaker 7: Be like a relative of Tony Hawks. Well, because that's 586 00:30:21,120 --> 00:30:22,720 Speaker 7: a boy, Tony Hawks a man. 587 00:30:22,840 --> 00:30:25,000 Speaker 5: This is a bird. Okay, so this is Tony Hawk's pet, 588 00:30:25,160 --> 00:30:25,720 Speaker 5: red bird. 589 00:30:25,880 --> 00:30:27,000 Speaker 2: Okay, that's good. 590 00:30:27,080 --> 00:30:32,520 Speaker 4: He got away and he seems to be smiling his pet. 591 00:30:34,000 --> 00:30:38,160 Speaker 2: Yeah, pet, this is fun. Oh, my guy's friends with 592 00:30:38,200 --> 00:30:38,600 Speaker 2: the pet. 593 00:30:38,920 --> 00:30:39,920 Speaker 5: Yeah, they're friends. 594 00:30:40,200 --> 00:30:40,520 Speaker 2: Yep. 595 00:30:40,840 --> 00:30:42,160 Speaker 5: And there they say. 596 00:30:42,320 --> 00:30:45,240 Speaker 4: You know, he's like, hey, bird, Well the bird can't 597 00:30:45,280 --> 00:30:47,920 Speaker 4: understand him because he's a bird. So the bird, you know, 598 00:30:48,040 --> 00:30:49,520 Speaker 4: he mainly just flies away. 599 00:30:49,680 --> 00:30:55,520 Speaker 1: Look look look at wait wait I'm not doing it. 600 00:30:55,560 --> 00:30:58,720 Speaker 1: Wait I'm not doing it. Look at look at ah. 601 00:30:59,360 --> 00:31:01,080 Speaker 1: Okay wait wheel. 602 00:31:00,880 --> 00:31:07,400 Speaker 5: Man, well triple hard flip? 603 00:31:07,080 --> 00:31:10,880 Speaker 2: Ye okay? So what what? 604 00:31:10,680 --> 00:31:10,720 Speaker 3: What? 605 00:31:10,880 --> 00:31:12,680 Speaker 1: What are some moves we can combine to do? 606 00:31:15,040 --> 00:31:15,560 Speaker 5: I don't know. 607 00:31:16,000 --> 00:31:18,480 Speaker 4: Well, well, you know it's hard to You can't really 608 00:31:18,520 --> 00:31:19,959 Speaker 4: do combination skate tricks. 609 00:31:20,640 --> 00:31:21,640 Speaker 2: How do you? 610 00:31:21,720 --> 00:31:21,840 Speaker 4: Well? 611 00:31:21,920 --> 00:31:24,360 Speaker 2: Yeah, if you? If you, how do I get it? 612 00:31:24,840 --> 00:31:25,880 Speaker 5: And McDonald style? 613 00:31:25,960 --> 00:31:27,480 Speaker 2: How do you do the thing where it just rolls 614 00:31:27,480 --> 00:31:28,040 Speaker 2: on its own? 615 00:31:28,840 --> 00:31:29,000 Speaker 5: Oh? 616 00:31:29,080 --> 00:31:32,040 Speaker 4: You know, I think you have to have a motor 617 00:31:32,080 --> 00:31:34,560 Speaker 4: you at least have to have two more wheels than 618 00:31:34,560 --> 00:31:34,960 Speaker 4: what you have. 619 00:31:35,280 --> 00:31:37,320 Speaker 2: My guy's sick, but he's being brave about it. 620 00:31:38,360 --> 00:31:40,240 Speaker 5: What kind of sick, is he? 621 00:31:40,240 --> 00:31:40,960 Speaker 2: He won't say. 622 00:31:42,440 --> 00:31:48,720 Speaker 3: Now, I'm scared to roll it because I don't want 623 00:31:48,720 --> 00:31:52,280 Speaker 3: it to lose control and you'd hate to scratch up 624 00:31:52,320 --> 00:31:56,920 Speaker 3: your guy, Yes, especially now that he has a bird friend. 625 00:31:57,680 --> 00:32:02,760 Speaker 2: Now, dudes, what is it about this croc so great? Yeah? 626 00:32:02,760 --> 00:32:06,200 Speaker 2: What is it about this lifestyle that so peeling too? 627 00:32:06,920 --> 00:32:11,400 Speaker 2: That culture about us ourselves enjoying? Like, what is it 628 00:32:11,520 --> 00:32:11,840 Speaker 2: about this? 629 00:32:12,080 --> 00:32:14,360 Speaker 1: Because it is scary, but what about it is fun 630 00:32:14,400 --> 00:32:14,840 Speaker 1: as well? 631 00:32:14,880 --> 00:32:17,760 Speaker 4: What initially made Clay and I attracted to the punk 632 00:32:17,840 --> 00:32:18,600 Speaker 4: rock lifestyle? 633 00:32:19,080 --> 00:32:29,880 Speaker 7: At first, it's it's well we're well. First, it's it's 634 00:32:29,920 --> 00:32:32,160 Speaker 7: super fun to have a ship attitude about things. 635 00:32:32,280 --> 00:32:35,640 Speaker 4: Yeah, we liked that rebellious, shitty attitude, like making fun 636 00:32:35,640 --> 00:32:37,120 Speaker 4: of people who are down on their luck. 637 00:32:37,360 --> 00:32:40,000 Speaker 1: Yeah, because yes, a lot of ship actually is fucked 638 00:32:40,080 --> 00:32:41,560 Speaker 1: up and people don't even notice. 639 00:32:41,760 --> 00:32:45,080 Speaker 4: Yeah, it's like, hey, fuck you for not smiling, you 640 00:32:45,240 --> 00:32:52,120 Speaker 4: dick people. Yeah, sheeple, that's what we call, yes, and 641 00:32:52,160 --> 00:32:54,239 Speaker 4: that is that initially is what we like to just 642 00:32:54,280 --> 00:32:55,720 Speaker 4: be able to do whatever we wanted to. 643 00:32:55,920 --> 00:32:58,680 Speaker 5: And also we liked how fast music was, you know. 644 00:32:59,720 --> 00:33:02,800 Speaker 7: Kind of half fast shreds. 645 00:33:02,880 --> 00:33:05,400 Speaker 4: Yeah, we would hop on our shred sticks and cruise 646 00:33:05,400 --> 00:33:10,000 Speaker 4: about that fast. 647 00:33:10,080 --> 00:33:11,320 Speaker 2: Don't actually don't shoot me. 648 00:33:11,480 --> 00:33:15,440 Speaker 1: I will say, if somebody were just serve me food 649 00:33:15,680 --> 00:33:18,240 Speaker 1: on this, it might actually get me to eat my food. 650 00:33:19,040 --> 00:33:19,800 Speaker 5: You don't eat your. 651 00:33:19,680 --> 00:33:22,240 Speaker 2: Food, well, not the stuff he's supposed to. 652 00:33:22,480 --> 00:33:26,280 Speaker 1: I usually don't want to eat my food. But if 653 00:33:26,320 --> 00:33:27,920 Speaker 1: some woe were to give it to me on the 654 00:33:28,000 --> 00:33:31,239 Speaker 1: tip of one of these little boards. 655 00:33:30,800 --> 00:33:32,960 Speaker 2: And it's riding, racing into your mouth. 656 00:33:32,760 --> 00:33:35,920 Speaker 1: And it's racing into my mouth, I think that I 657 00:33:36,000 --> 00:33:38,760 Speaker 1: bite enjoy at least a few bites of my food. 658 00:33:38,800 --> 00:33:41,280 Speaker 5: And the plate's really small too, well. 659 00:33:41,120 --> 00:33:43,760 Speaker 3: I yeah, because I've been having a lot of trouble 660 00:33:43,800 --> 00:33:44,680 Speaker 3: finishing my food. 661 00:33:47,160 --> 00:33:49,480 Speaker 2: And uh, the problem is. 662 00:33:49,400 --> 00:33:53,560 Speaker 3: I mean, your dad feeling well, he is very resistant 663 00:33:53,600 --> 00:33:56,480 Speaker 3: to putting it on the floor when I am being 664 00:33:56,480 --> 00:34:02,720 Speaker 3: puppies and kiddies so that I can get down and 665 00:34:02,760 --> 00:34:06,160 Speaker 3: eat it the way that is, you know, really exciting, 666 00:34:06,320 --> 00:34:07,480 Speaker 3: and that is how they. 667 00:34:10,080 --> 00:34:10,720 Speaker 5: Like to eat. 668 00:34:11,840 --> 00:34:14,640 Speaker 4: So you know that y'all are mentioning this because yeah, 669 00:34:14,719 --> 00:34:18,480 Speaker 4: I've been having a real hard time finishing all my food. 670 00:34:18,640 --> 00:34:19,799 Speaker 2: Yeah, you don't want to eat it? 671 00:34:20,200 --> 00:34:22,800 Speaker 4: Right when I hit twenty six, I just had the 672 00:34:22,880 --> 00:34:23,600 Speaker 4: hard time. 673 00:34:24,040 --> 00:34:26,680 Speaker 2: Fun about it. Yeah, it used to be so easy. 674 00:34:26,800 --> 00:34:28,160 Speaker 7: It's so easy to sit down. 675 00:34:28,280 --> 00:34:29,759 Speaker 2: I was just hungry. 676 00:34:29,840 --> 00:34:32,640 Speaker 5: Yeah, I haven't been hungry in ten years. 677 00:34:32,760 --> 00:34:35,040 Speaker 4: Well, and what are you doing about it? Well, I 678 00:34:35,120 --> 00:34:37,120 Speaker 4: just don't eat. Now you have a I mean, I'll 679 00:34:37,239 --> 00:34:39,720 Speaker 4: nibble a bite here or there. But I haven't cleaned 680 00:34:39,760 --> 00:34:41,960 Speaker 4: my plate since my mom told me to. 681 00:34:42,280 --> 00:34:42,799 Speaker 2: Let me ask. 682 00:34:42,920 --> 00:34:46,919 Speaker 1: Does this time familiar getting more on yourself than you 683 00:34:47,080 --> 00:34:47,920 Speaker 1: get in your mouth? 684 00:34:48,600 --> 00:34:48,960 Speaker 2: I can't. 685 00:34:49,400 --> 00:34:52,040 Speaker 5: Somehow I understand I've gotten putting it in my mouth. 686 00:34:52,080 --> 00:34:52,719 Speaker 2: I've got one. 687 00:34:53,440 --> 00:34:55,200 Speaker 3: Are you guys ever told that you should bring the 688 00:34:55,239 --> 00:34:57,280 Speaker 3: food to your mouth and not your mouth to the food. 689 00:34:57,480 --> 00:34:57,760 Speaker 1: Huh? 690 00:34:58,239 --> 00:35:01,359 Speaker 2: Yeah, well that's not how puppies and kiddies doing. 691 00:35:01,520 --> 00:35:04,200 Speaker 4: Yeah, they also eat mostly with their tongue, and people 692 00:35:04,239 --> 00:35:06,920 Speaker 4: don't like that, you know, with your mouth closed or 693 00:35:06,960 --> 00:35:08,360 Speaker 4: stop smacking. 694 00:35:08,520 --> 00:35:10,439 Speaker 2: Way food wise? What's happening for you? 695 00:35:10,520 --> 00:35:13,839 Speaker 7: Well, I think what happens with me is I clean 696 00:35:13,920 --> 00:35:18,440 Speaker 7: my room. That means I get a sweet treat. So 697 00:35:19,320 --> 00:35:22,960 Speaker 7: now they go, Clay, clean your plate, you get a 698 00:35:23,000 --> 00:35:25,799 Speaker 7: sweet treat. They go, let's take a step back here, 699 00:35:25,920 --> 00:35:29,839 Speaker 7: But I already cleaned my room, Papa, And then he says, no, 700 00:35:30,280 --> 00:35:34,200 Speaker 7: I want you to eat your food. Son, and I go, no, Papa, 701 00:35:34,239 --> 00:35:36,439 Speaker 7: I clean my room, I get sweet treat. 702 00:35:36,440 --> 00:35:38,440 Speaker 5: Now you should get an argument at your house. 703 00:35:38,520 --> 00:35:39,440 Speaker 2: Yes, you should. 704 00:35:39,200 --> 00:35:40,080 Speaker 1: Get too, sweet treat. 705 00:35:40,800 --> 00:35:40,960 Speaker 2: Yeah. 706 00:35:43,200 --> 00:35:46,160 Speaker 7: Yeah, and you should get one first as a show first. 707 00:35:46,680 --> 00:35:49,800 Speaker 7: Yeah to that first agreement me and my papa had that. 708 00:35:50,000 --> 00:35:53,799 Speaker 7: I completed one hundred by the way, and I know 709 00:35:53,840 --> 00:35:55,759 Speaker 7: where you keep the sweet treat and I know we're 710 00:35:55,760 --> 00:35:57,719 Speaker 7: not out. So how about you do this? 711 00:35:58,040 --> 00:35:58,440 Speaker 2: Dad? 712 00:35:58,760 --> 00:36:01,760 Speaker 7: How about you look in my room and to say, 713 00:36:01,920 --> 00:36:03,839 Speaker 7: is there anything in here that you need me to do? 714 00:36:04,239 --> 00:36:06,640 Speaker 7: Because I don't think that's the case. I think I 715 00:36:06,680 --> 00:36:10,960 Speaker 7: can get my sweet treat now and then later we 716 00:36:11,360 --> 00:36:13,640 Speaker 7: can talk about this clean the plate thing pop up. 717 00:36:15,719 --> 00:36:17,799 Speaker 2: And that seems like a pretty fair position to. 718 00:36:17,800 --> 00:36:24,640 Speaker 1: Take, Ryan, or you get it eating your food, Okay, 719 00:36:25,280 --> 00:36:27,839 Speaker 1: it's braggy. Yeah. 720 00:36:27,960 --> 00:36:32,279 Speaker 4: I think that maybe if we have something to look 721 00:36:32,320 --> 00:36:33,880 Speaker 4: forward to you, like a sweet treat, we might be 722 00:36:33,960 --> 00:36:37,000 Speaker 4: able to clean our meats and other ones. 723 00:36:37,560 --> 00:36:41,440 Speaker 1: Yes, maybe if something were put inside, and maybe that 724 00:36:41,520 --> 00:36:42,879 Speaker 1: might be a good way to get me to take 725 00:36:42,920 --> 00:36:43,640 Speaker 1: a pail as. 726 00:36:43,520 --> 00:36:47,920 Speaker 3: Well, well, if it looked like because when it looks 727 00:36:47,960 --> 00:36:51,000 Speaker 3: like just a lump of mashed potatoes, that's pretty boring. Yeah, 728 00:36:51,239 --> 00:36:54,600 Speaker 3: well if it looked like a skyscraper or a beetle 729 00:36:54,800 --> 00:36:57,920 Speaker 3: or then at that point now it's like, well, no, 730 00:36:58,080 --> 00:36:59,240 Speaker 3: I'm ready to much. 731 00:36:59,600 --> 00:37:01,600 Speaker 2: If it's kiddy food, they mush it all together. 732 00:37:01,960 --> 00:37:06,160 Speaker 3: Let's chow so on this chair and it seems pretty 733 00:37:06,200 --> 00:37:08,640 Speaker 3: fair and it's not a whole lot of work to 734 00:37:08,920 --> 00:37:11,400 Speaker 3: make eating time fun so that we can. 735 00:37:11,280 --> 00:37:12,520 Speaker 2: All enjoy ourselves. 736 00:37:15,120 --> 00:37:31,000 Speaker 8: Note to parents, shout, don't shout wow. 737 00:37:28,280 --> 00:37:30,680 Speaker 2: Wow you made a ramp. 738 00:37:31,200 --> 00:37:33,360 Speaker 5: Yeah, I'm gonna try some of my ramp. 739 00:37:35,000 --> 00:37:41,799 Speaker 1: It's opposed to but I will do it anyway. Wait, okay, 740 00:37:41,840 --> 00:37:44,239 Speaker 1: so let's just do our skate video real fast. We'll 741 00:37:44,280 --> 00:37:45,759 Speaker 1: just okay, skate video on the way out. 742 00:37:45,800 --> 00:37:48,879 Speaker 2: Should it be the prize? The pro version. 743 00:37:49,400 --> 00:37:51,600 Speaker 1: The pro version is a copy of our skate video 744 00:37:52,280 --> 00:37:55,000 Speaker 1: for for Scooter McNary. 745 00:37:55,760 --> 00:37:58,239 Speaker 2: This is good. He'll really enjoy that. This is right 746 00:37:58,280 --> 00:37:58,799 Speaker 2: up his ally. 747 00:37:58,920 --> 00:38:01,040 Speaker 1: Yes, okay, so we're going to do this gate video 748 00:38:01,080 --> 00:38:03,120 Speaker 1: real fast and rate us on iTunes and like us 749 00:38:03,160 --> 00:38:05,399 Speaker 1: on the forums, and thank you Wit and Clay for 750 00:38:05,960 --> 00:38:08,160 Speaker 1: being here. And we discovered you and you guys are 751 00:38:08,160 --> 00:38:11,200 Speaker 1: on our record label as well, Go Records, and that's 752 00:38:11,200 --> 00:38:14,040 Speaker 1: where we do our punk Cross ra it is Gojra, 753 00:38:14,239 --> 00:38:16,200 Speaker 1: thank you. Okay, so we'll just play the song and 754 00:38:16,239 --> 00:38:30,920 Speaker 1: then we'll just do our tricks. 755 00:38:31,080 --> 00:38:37,520 Speaker 2: Doesn't get on the ground. You're you're, I hate you. 756 00:38:38,680 --> 00:38:42,960 Speaker 1: No I moved, no I jug i jug Mi. 757 00:38:43,000 --> 00:38:44,600 Speaker 2: Guys still go. Mike Guy is still going. 758 00:38:45,040 --> 00:38:48,040 Speaker 1: Mike Guy is still going. 759 00:38:50,840 --> 00:38:52,920 Speaker 2: Yes awesome. 760 00:38:55,000 --> 00:39:06,000 Speaker 6: Bye, Hollywood, and book is brought to you by Wolf 761 00:39:06,040 --> 00:39:09,759 Speaker 6: Cool Productions, a subsidiary of Calvin Hibbs. 762 00:39:10,320 --> 00:39:16,640 Speaker 2: Our Baby