WEBVTT - From the Vault: Bill Schutt on the Heart

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<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and we've got

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<v Speaker 1>a couple of days off coming up, so we are

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<v Speaker 1>running a vault episode today. This episode originally aired on

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<v Speaker 1>September and Rob this was an interview that you did. Yes,

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<v Speaker 1>this is an interview with the Bill shut author of

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<v Speaker 1>Pump A Natural History of the Heart, about the evolution

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<v Speaker 1>of the heart and the history of humanity's attempt attempts

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<v Speaker 1>to understand the heart. So it's a really fun chat.

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<v Speaker 1>And at the end of the episode we actually discussed

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<v Speaker 1>monsters a little bit. We talked about the Thing from

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<v Speaker 1>Another World. Oh, I can see because of the day

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<v Speaker 1>this would have been right and the edge of October

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<v Speaker 1>last year, wasn't it, Yeah, but it it was. It was.

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<v Speaker 1>It was weird because it was just after we had

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<v Speaker 1>watched The Thing from Another World for Weirdout Cinema. But

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<v Speaker 1>I just organically asked him. I was like, hey, you know,

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<v Speaker 1>you you obviously about you know, vampires and so forth,

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<v Speaker 1>and you're very interested in sort of monstrous aspects of

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<v Speaker 1>anatomy and in the biological world. Do you have a

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<v Speaker 1>favorite monster movie? And he said, Oh, without a doubt,

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<v Speaker 1>it's the thing from another world. So we chatted about

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<v Speaker 1>about it a little bit and it was pretty fun

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<v Speaker 1>all right. Anyway, we hope you enjoyed the episode Welcome

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<v Speaker 1>to Stuff to Blow Your Mind production of My Heart Radio.

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<v Speaker 1>Hey you welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb, and my co host Joe McCormick

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<v Speaker 1>is away from the virtual workspace today, so it's just me,

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<v Speaker 1>but I'm going to be joined by vertebrate zoologist and

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<v Speaker 1>author Bill shut So. Bill is the author of two

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<v Speaker 1>previous nonfiction books, There's Dark Banquet Blood and The Curious

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<v Speaker 1>Lives of Blood Feeding Creatures. I know for a fact

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<v Speaker 1>that I've I've mentioned that book on the show before.

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<v Speaker 1>He also wrote Cannibalism, A Perfectly Natural History. His latest

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<v Speaker 1>book is Pump, A Natural History of the Heart, which

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<v Speaker 1>is out right now and hard back, as an e

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<v Speaker 1>book and also as an audio book. Now, we're mostly

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<v Speaker 1>going to be talking about the weird and wonderful evolution

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<v Speaker 1>of the heart, as well as humanity's attempt to understand

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<v Speaker 1>it through history. But as always I have to stress

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<v Speaker 1>that the book itself, pump Uh in this case goes

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<v Speaker 1>into far greater detail and includes so many more wonderful examples. UH.

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<v Speaker 1>Case in point, we don't get into the horseshoe crab

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<v Speaker 1>at all or blood transfusions, but there are great chapters

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<v Speaker 1>in the book on these topics. Is a great read

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<v Speaker 1>and I highly recommend it. So let's go ahead and

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<v Speaker 1>jump into the interview. And hey, towards the end, we're

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<v Speaker 1>actually going to chat a little bit about horror movies.

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<v Speaker 1>I'm not gonna spoil which one, but it just happens

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<v Speaker 1>to be a film that I watched for the first

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<v Speaker 1>time in recent weeks, so this was this is quite enjoyable.

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<v Speaker 1>Welcome to the show, Bill, would you mind introducing yourself

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<v Speaker 1>to our audience. Hi, Yeah, I'm nice to be here.

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<v Speaker 1>My name is Bill shut and I am a vertebrate

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<v Speaker 1>zoologist and recently took an early retirement from Long Island University,

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<v Speaker 1>where I taught for over twenty years. I taught anatomy

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<v Speaker 1>and physiology to courses and evolution and dinosaurs, and my

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<v Speaker 1>research interests for the past thirty years or so have

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<v Speaker 1>centered around bats and UH, and within the four plus

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<v Speaker 1>species of bats, I specialized on the three vampire bats

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<v Speaker 1>and m so that sort of led to my first

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<v Speaker 1>book after writing a bunch of scientific papers, and that

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<v Speaker 1>was Dark Banquet, Blood and the Curious Lives of Blood

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<v Speaker 1>Feeding Creatures. And I followed that up with a book

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<v Speaker 1>on cannibalism called Cannibalism of Perfectly Natural History. And so

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<v Speaker 1>here I am now having written a book on the heart,

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<v Speaker 1>and that is Pump, A Natural History of the Heart.

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<v Speaker 1>When did you know this is going to be your

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<v Speaker 1>next book? Did you just seem like the next logical

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<v Speaker 1>step or was there something in particular? Yeah, it really

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<v Speaker 1>didn't seem like the first the next logical step because

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<v Speaker 1>of the top that I had covered initially. We're more

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<v Speaker 1>macabre and and um, you know, you go from vampiresm

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<v Speaker 1>to cannibalism into the heart and that's sort of there's

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<v Speaker 1>sort of a jump there. And and really what I

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<v Speaker 1>was lucky enough with the first two books to sort

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<v Speaker 1>of find a niche between the sensationalized sort of garbage

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<v Speaker 1>e stuff on the on one side and on the

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<v Speaker 1>other side is sort of academic material that nobody would

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<v Speaker 1>read unless you were studying those topics. And so I

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<v Speaker 1>so so I I sort of fit myself into the

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<v Speaker 1>into the middle of that, and I've always been interested

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<v Speaker 1>in taking complex or misunderstood concepts and demystifying them, putting

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<v Speaker 1>a zoological slant on them, making it humorous, entertaining, and

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<v Speaker 1>not using a whole lot of jargon, and and then

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<v Speaker 1>going off on sort of side trips where I got

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<v Speaker 1>to discuss what I thought and what I believe are

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<v Speaker 1>important topics, whether it's history or or or or or biology.

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<v Speaker 1>So when I was starting to think about what I

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<v Speaker 1>wanted to write from from my third nonfiction book, um

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<v Speaker 1>my editors at Algonquin and my agent all suggested that

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<v Speaker 1>I possibly look for something a bit more mainstream, and

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<v Speaker 1>they gave me a short list, and and one of

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<v Speaker 1>the things that I've did some preliminary research on was

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<v Speaker 1>the Heart. And I gotta say, initially, I thought this

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<v Speaker 1>has got to have been done before, because there are

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<v Speaker 1>hundreds of books. This topic is, you know, so widespread

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<v Speaker 1>and popular, and I was really surprised to find that

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<v Speaker 1>that that there was this space for the type of

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<v Speaker 1>book that I wanted to write, where you move through

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<v Speaker 1>the animal kingdom, you tell these interesting stories based on animals,

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<v Speaker 1>and then you move into humans, go into myths and

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<v Speaker 1>the history of of a particular topic. UM, and then

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<v Speaker 1>UM sort of grab interesting stories about medicine past, present,

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<v Speaker 1>and future. And so I was really surprised, to tell

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<v Speaker 1>you the truth, that there was so much there and

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<v Speaker 1>a lot of it was really strange enough to satisfy

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<v Speaker 1>that part of me. And I've always been into um

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<v Speaker 1>horror movies and and books, and so I always had

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<v Speaker 1>this kind of like weird bent as far as that

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<v Speaker 1>stuff went. So UM. Once I figured out that that

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<v Speaker 1>that there was enough interesting material they had to satisfy

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<v Speaker 1>myself and and I think my readers that then it

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<v Speaker 1>was a done deal that I was going to work

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<v Speaker 1>on the heart. So the heart, especially from the human perspective,

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<v Speaker 1>takes on all of this additional symbolic weight, and you

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<v Speaker 1>do you discuss this in the book. But but stripping

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<v Speaker 1>away all of that, what what is a heart and

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<v Speaker 1>why did it become necessary from an evolutionary perspective? Good question.

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<v Speaker 1>Let me lead off by saying that there are all

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<v Speaker 1>sorts of different things that you might call a heart,

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<v Speaker 1>where some people might not consider it to be a

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<v Speaker 1>heart because it doesn't have a specific lining that sort

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<v Speaker 1>of thing. Um. But a hard is really a pump,

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<v Speaker 1>a muscular pump. So we're talking about uh involuntary muscle,

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<v Speaker 1>so it's not under your conscious control. And when it contracts,

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<v Speaker 1>it sends a fluid either blood or if you're an insect,

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<v Speaker 1>hem a lymph around the body and there and what

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<v Speaker 1>it's doing, and there's there's variation here as well, is

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<v Speaker 1>it's carrying oxygen um to the body, and it's carrying

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<v Speaker 1>carbon dioxide to a place where you can be eliminated.

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<v Speaker 1>By the same token, it's carrying nutrients that are either

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<v Speaker 1>absorbed through the digestive track wool to the body and

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<v Speaker 1>getting rid of waste products that are produced by the body.

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<v Speaker 1>So it's a way to move that fluid around and

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<v Speaker 1>to move around those substances. Now that is not a problem.

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<v Speaker 1>If you're really really tiny, you don't need to have

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<v Speaker 1>a special circulatory system because those those materials that I

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<v Speaker 1>just mentioned that they just diffuse in and out of

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<v Speaker 1>your cell. If you're a single celled organism, or if

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<v Speaker 1>you're really flat like a tape worm, then then that

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<v Speaker 1>material just moves from a high concentration to a low concentration.

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<v Speaker 1>So just for as an example, um, if if a

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<v Speaker 1>single celled organism is surrounded by water, and that water

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<v Speaker 1>has got more oxygen in it then is inside that cell.

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<v Speaker 1>Then the oxygen is going to go from high concentration

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<v Speaker 1>outside the cell right through the cell membrane into the

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<v Speaker 1>cell itself. And and that's how that material moves. It

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<v Speaker 1>just goes high concentrations are low. That works great if

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<v Speaker 1>you're tiny or or or flat, and it doesn't work

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<v Speaker 1>at all if you have any kind of size, because

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<v Speaker 1>it's very difficult and and and diffusion doesn't work efficiently.

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<v Speaker 1>If you're talking about an organism with made of millions

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<v Speaker 1>of cells and thousands of cell layers thick, the fusion

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<v Speaker 1>just doesn't work, or it works, but it works really slowly.

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<v Speaker 1>So millions and millions of years ago, probably half a

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<v Speaker 1>billion years ago, in order four creatures to get larger,

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<v Speaker 1>they had to evolve systems that allowed those materials to

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<v Speaker 1>move in and out and within the body. That had

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<v Speaker 1>to take place, and so what evolved with these systems

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<v Speaker 1>of tubes and pumps to to help distribute that liquid,

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<v Speaker 1>which became the carrier for oxygen and nutrients and waste

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<v Speaker 1>and carbon dioxide. Um So, so it was in a

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<v Speaker 1>sense organisms couldn't evolve to be as complex as they

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<v Speaker 1>are now, um, if they didn't have this transportation system

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<v Speaker 1>evolving inside them. I have to say I really loved

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<v Speaker 1>the evolutionary journey you take us on in the book. UM.

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<v Speaker 1>I think back to your your your book on vampires

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<v Speaker 1>and blood drinking and the evolution of bats, and in

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<v Speaker 1>a way, it's like, we kind of think, we already

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<v Speaker 1>feel like the destination there is weird enough, so we

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<v Speaker 1>expect the journey to be weird. Um And with the heart,

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<v Speaker 1>it's easy to take it for granted. But it's such

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<v Speaker 1>a weird and wonderful evolutionary journey you describe. Thank you

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<v Speaker 1>very much. Now, I love how you explain that we

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<v Speaker 1>have to get away from the human centric view that

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<v Speaker 1>the human heart is is like the pinnacle of design

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<v Speaker 1>or anything of that nature, you know, the the ultimate

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<v Speaker 1>In um An evolution, you describe a number of of

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<v Speaker 1>wonderful um and if I guess from the human perspective,

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<v Speaker 1>strange hearts in the book. If you were to play favorites,

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<v Speaker 1>which non human heart in the book impressed you the most, UM,

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<v Speaker 1>probably the blue whale heart, for for reasons that that

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<v Speaker 1>might not be readily apparent. And and so in the

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<v Speaker 1>prologue in the first chapter, I detailed the um the

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<v Speaker 1>adventure that my friends up at the Royal Ontario Museum

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<v Speaker 1>in Toronto took when when unfortunately, nine blue whales died

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<v Speaker 1>on the ice up in Canada, and usually these whales

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<v Speaker 1>sink and uh and three of them didn't. They washed

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<v Speaker 1>the shore on in these remote spots, and and and

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<v Speaker 1>these guys went in there and and and recovered one

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<v Speaker 1>of the hearts. And the reason they did this is

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<v Speaker 1>because you know, they were mammalogists, and they kept hearing

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<v Speaker 1>this question from folks about what's the largest heart in

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<v Speaker 1>the world. Well, blue whale heart, how big is it?

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<v Speaker 1>They really didn't know. Well, it's probably as big as

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<v Speaker 1>an su they but so so when they got the

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<v Speaker 1>chance to go get one, they did it. And it

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<v Speaker 1>took five years, which I and heavy construction equipment to

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<v Speaker 1>get to move these things around. There were four of

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<v Speaker 1>them inside the whale, pushing the heart out through the ribs.

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<v Speaker 1>And when the thing was when when they finally got

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<v Speaker 1>it on the ground, it when I looked at the

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<v Speaker 1>pictures of it, reminds me of like a four hundred

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<v Speaker 1>pounds soup dumpling. It did not look like a heart

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<v Speaker 1>that you might get it, uh, you know what a

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<v Speaker 1>butcher's for example. UM. And so there was so many

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<v Speaker 1>strange things about the heart, and one of them was

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<v Speaker 1>was this shape that it took because it we we

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<v Speaker 1>think that it's able to collapse on the high pressure

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<v Speaker 1>when they die, so we would They don't know, but

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<v Speaker 1>this is what they hypothesized. The other thing is that

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<v Speaker 1>it was a lot smaller than they thought it was

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<v Speaker 1>gonna be. Now, this is the largest heart in the world,

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<v Speaker 1>Yes it is, but maybe it's the size of a

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<v Speaker 1>golf cart rather than an suv. And and that question

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<v Speaker 1>became really interesting to them and to myself. And and

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<v Speaker 1>what it boils down to is if you were to

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<v Speaker 1>look at the heart of a humming bird, for example,

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<v Speaker 1>and this is an anim mold that can can can

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<v Speaker 1>beat its wings eight hundred times a minute. To do that,

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<v Speaker 1>it takes muscle and you know, it takes nutrients, It

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<v Speaker 1>takes oxygen, produces carbon dioxides. So there's gotta be this

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<v Speaker 1>massive amount of blood flowing into those flight muscles in

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<v Speaker 1>order to do that. Um. One thing you can do

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<v Speaker 1>is have your heart beat as really fast, and hummingbird

0:12:20.880 --> 0:12:23.400
<v Speaker 1>heart can beat twelve hundred beats per minute, and that

0:12:23.880 --> 0:12:26.920
<v Speaker 1>is probably about the physical limit that a heart can beat.

0:12:27.120 --> 0:12:30.400
<v Speaker 1>So we're talking about phil empty relax and then this

0:12:30.440 --> 0:12:33.920
<v Speaker 1>whole thing taking place again twelve hundred times a minute

0:12:33.960 --> 0:12:37.680
<v Speaker 1>is ridiculous. So so as a as a mechanical device,

0:12:37.760 --> 0:12:40.080
<v Speaker 1>it's probably about topped doubt right there. I don't know

0:12:40.120 --> 0:12:42.920
<v Speaker 1>if you can go any and beat any quicker than that.

0:12:43.240 --> 0:12:46.320
<v Speaker 1>The only other way to get more blood to these muscles,

0:12:46.360 --> 0:12:48.720
<v Speaker 1>these wing muscles is to have a larger heart. So

0:12:48.880 --> 0:12:52.280
<v Speaker 1>because of that, um, humming berries have a heart that's

0:12:52.280 --> 0:12:55.280
<v Speaker 1>four or five times larger relative to their body size

0:12:55.360 --> 0:12:57.920
<v Speaker 1>than a blue whale heart, whose heart maybe beats ten

0:12:58.000 --> 0:13:00.839
<v Speaker 1>fifteen times a minute, and it doesn't have that high

0:13:00.920 --> 0:13:04.480
<v Speaker 1>metabolic demand that the little guys like hummingbirds and shrews

0:13:04.600 --> 0:13:07.840
<v Speaker 1>might have. That that to me was you know, that

0:13:07.920 --> 0:13:10.480
<v Speaker 1>was probably the most interesting. But you know, there was

0:13:10.520 --> 0:13:12.400
<v Speaker 1>this long list that I had to sort of picture

0:13:12.480 --> 0:13:15.080
<v Speaker 1>before I figured out how to answer that one. But

0:13:15.080 --> 0:13:18.160
<v Speaker 1>but blue whale hearts and they are on display as

0:13:18.160 --> 0:13:21.360
<v Speaker 1>far as gone through this plastination process. If you've ever

0:13:21.440 --> 0:13:23.920
<v Speaker 1>seen the body's exhibit, it's like these guys with their

0:13:24.240 --> 0:13:27.520
<v Speaker 1>cadavers who are posed and strange position drug dribbling the

0:13:27.600 --> 0:13:32.280
<v Speaker 1>basketball with no skin, which is trying to avoid that. Um.

0:13:32.360 --> 0:13:35.559
<v Speaker 1>So so this, this this plastinated blue whale heart is

0:13:35.600 --> 0:13:37.800
<v Speaker 1>now back on display at the wrong and that got a.

0:13:39.080 --> 0:13:41.839
<v Speaker 1>They have an interesting exhibit on the whales and they

0:13:41.920 --> 0:13:43.760
<v Speaker 1>so they pulled this thing back out of storage and

0:13:43.800 --> 0:13:47.679
<v Speaker 1>it's just fantastic, awesome. I I'd love to see that someday.

0:13:48.360 --> 0:13:50.280
<v Speaker 1>And there's of course an illustration in the Book of

0:13:50.360 --> 0:13:59.839
<v Speaker 1>Youth setting beside it like that than now on a

0:14:00.000 --> 0:14:02.400
<v Speaker 1>similar no, you know, thinking back to you know, getting

0:14:02.400 --> 0:14:05.600
<v Speaker 1>away from the human centric view of the heart, you

0:14:05.640 --> 0:14:08.760
<v Speaker 1>stress that we also have to realize that the organ

0:14:08.800 --> 0:14:12.320
<v Speaker 1>systems in the body don't function like separate chapters in

0:14:12.360 --> 0:14:15.840
<v Speaker 1>a textbook. And uh that I found this really eye opening.

0:14:16.040 --> 0:14:18.160
<v Speaker 1>Um you know, because I think to my own self

0:14:18.160 --> 0:14:19.920
<v Speaker 1>and I'm thinking, well, that's exactly how I think about it.

0:14:19.960 --> 0:14:22.720
<v Speaker 1>I think of those clear overlays and anatomy books, and

0:14:22.880 --> 0:14:25.600
<v Speaker 1>I think, Okay, this system, this system, um, and I

0:14:25.600 --> 0:14:27.960
<v Speaker 1>fall into that trap of thinking about my own body

0:14:28.000 --> 0:14:29.800
<v Speaker 1>that way. Can you can you get into this a

0:14:29.840 --> 0:14:31.920
<v Speaker 1>little bit? Because I found this a rather insightful part

0:14:31.920 --> 0:14:34.480
<v Speaker 1>of the book. Sure as I might have mentioned. I

0:14:34.520 --> 0:14:38.400
<v Speaker 1>taught anatomy and physiology for for about two decades and

0:14:38.400 --> 0:14:40.400
<v Speaker 1>and and one of the things that I stressed in

0:14:40.440 --> 0:14:43.840
<v Speaker 1>my students this is an extremely complex uh of course

0:14:44.400 --> 0:14:47.120
<v Speaker 1>too semester course that I taught with a lot of

0:14:47.280 --> 0:14:52.680
<v Speaker 1>difficult concepts. And I think that that that the people

0:14:52.680 --> 0:14:55.080
<v Speaker 1>fall into this trap, especially students, of thinking that Okay,

0:14:55.120 --> 0:14:59.320
<v Speaker 1>I'm taking an exam, I'm studying circulatory system, and now

0:14:59.320 --> 0:15:01.400
<v Speaker 1>I'm gonna take an exam and then I can forget

0:15:01.440 --> 0:15:03.760
<v Speaker 1>that stuff before I get out to my car after

0:15:03.760 --> 0:15:06.480
<v Speaker 1>the exam is over. And and that's just not the

0:15:06.560 --> 0:15:10.680
<v Speaker 1>case with when you talk about anatomy. So, for example,

0:15:10.720 --> 0:15:13.720
<v Speaker 1>in my mind, there's no way to separate the circulatory

0:15:13.800 --> 0:15:16.680
<v Speaker 1>system from the respiratory system, because if you're going to

0:15:16.760 --> 0:15:19.240
<v Speaker 1>begin you know, we talked about the fact that one

0:15:19.280 --> 0:15:21.960
<v Speaker 1>of the things that the hearts and circulatory systems too,

0:15:22.120 --> 0:15:25.040
<v Speaker 1>is this circulate blood that carries oxygen. Well, how do

0:15:25.040 --> 0:15:28.640
<v Speaker 1>you get that oxygen. That's the role of the respiratory system.

0:15:28.840 --> 0:15:32.360
<v Speaker 1>And then at a microscopic level, the circulatory system and

0:15:32.400 --> 0:15:36.200
<v Speaker 1>the respiratory system come into contact and there's this transfer

0:15:36.560 --> 0:15:41.320
<v Speaker 1>of either carbon dioxide from the circulatory system to the

0:15:41.400 --> 0:15:44.960
<v Speaker 1>respiratory system or oxygen from the respiratory system to the

0:15:45.000 --> 0:15:49.080
<v Speaker 1>circulatory system, and then we breathe out and the whole

0:15:49.120 --> 0:15:53.280
<v Speaker 1>thing starts again. So so I always stress the fact

0:15:53.320 --> 0:15:57.800
<v Speaker 1>that you can't that you really can't understand one without

0:15:58.360 --> 0:16:01.120
<v Speaker 1>putting it into into the cons texts of the other.

0:16:01.520 --> 0:16:03.680
<v Speaker 1>And then you go into things like, well, how do

0:16:04.040 --> 0:16:07.720
<v Speaker 1>how do these muscles contract? Well, that's tied into the

0:16:07.760 --> 0:16:10.640
<v Speaker 1>nervous system as well. My students would laugh at me

0:16:10.680 --> 0:16:13.200
<v Speaker 1>because this is something that I've just stressed over and

0:16:13.240 --> 0:16:15.320
<v Speaker 1>over again, that they have to think of this as

0:16:15.360 --> 0:16:19.000
<v Speaker 1>something other than a chapters in a book. I love that,

0:16:20.600 --> 0:16:23.880
<v Speaker 1>Like I say, I feel like, even though I don't have,

0:16:24.280 --> 0:16:27.440
<v Speaker 1>you know, this kind of anatomy background, I still flash

0:16:27.480 --> 0:16:30.320
<v Speaker 1>back to those anatomy books from like high school and whatnot,

0:16:31.200 --> 0:16:34.320
<v Speaker 1>and and think of myself as decided that way. Now

0:16:34.600 --> 0:16:37.440
<v Speaker 1>in the book, you also get into the history of

0:16:37.560 --> 0:16:41.480
<v Speaker 1>humanity's understanding of the heart, and h I you stressed

0:16:41.480 --> 0:16:43.320
<v Speaker 1>this in the book, and I realize our our understanding

0:16:43.440 --> 0:16:46.920
<v Speaker 1>of this is imperfect. But can you talk about what

0:16:47.000 --> 0:16:51.320
<v Speaker 1>the ancient Egyptians seem to understand about the actual functionality

0:16:51.320 --> 0:16:54.640
<v Speaker 1>of the heart and heart related pathologies. Yeah, well, well

0:16:54.680 --> 0:16:58.160
<v Speaker 1>the ancient Egyptians, and so we're talking say from from

0:16:58.200 --> 0:17:03.600
<v Speaker 1>what I have restort something like fift undred and fifty

0:17:03.680 --> 0:17:07.240
<v Speaker 1>BC e so that would be the Egyptian Book of

0:17:07.280 --> 0:17:11.320
<v Speaker 1>the Heart, which is written on papyrus and hieroglyphics, and

0:17:11.320 --> 0:17:16.679
<v Speaker 1>and it appears to some translators that the Egyptians knew

0:17:17.000 --> 0:17:22.920
<v Speaker 1>quite a bit about heart attacks and aneurysms. And you've

0:17:22.920 --> 0:17:28.639
<v Speaker 1>got to be careful there because these translations from papyrus

0:17:28.760 --> 0:17:33.639
<v Speaker 1>um to English or to whatever language you might be using,

0:17:34.240 --> 0:17:38.439
<v Speaker 1>you've got to be careful because that it's it's not precise.

0:17:38.680 --> 0:17:41.679
<v Speaker 1>They had a different way of thinking back then and there,

0:17:41.680 --> 0:17:45.280
<v Speaker 1>and and our translations of ancient works you always have

0:17:45.359 --> 0:17:48.680
<v Speaker 1>to sort of be careful about what you're about, what

0:17:48.800 --> 0:17:52.560
<v Speaker 1>about what you're stating as a as a fact, what

0:17:52.640 --> 0:17:56.919
<v Speaker 1>we do we we are more sure that the Egyptian

0:17:57.280 --> 0:18:03.760
<v Speaker 1>physicians believe that at the heart was was the center

0:18:04.160 --> 0:18:07.200
<v Speaker 1>of of things like emotion or what we would call

0:18:07.280 --> 0:18:10.680
<v Speaker 1>the soul. And then on a on a physiological level,

0:18:11.160 --> 0:18:13.400
<v Speaker 1>and this is this got picked up by the Greeks,

0:18:13.440 --> 0:18:17.240
<v Speaker 1>that that that there were really two circulatory systems that venus,

0:18:17.320 --> 0:18:21.280
<v Speaker 1>blood was completely different than arterial blood, which was actually

0:18:21.400 --> 0:18:25.280
<v Speaker 1>air and so um. So it was initially thought by

0:18:25.320 --> 0:18:27.720
<v Speaker 1>these guys that and and then passed onto the to

0:18:27.840 --> 0:18:29.760
<v Speaker 1>the to the Greeks, and then and then the Romans

0:18:29.760 --> 0:18:34.040
<v Speaker 1>who disproved the air part um that that the venus

0:18:34.040 --> 0:18:37.000
<v Speaker 1>blood derived from the liver uh and and some of

0:18:37.040 --> 0:18:40.320
<v Speaker 1>it seeped across into the into the left side uh

0:18:40.359 --> 0:18:43.040
<v Speaker 1>and that mixed with air, and there was this magical

0:18:43.560 --> 0:18:47.240
<v Speaker 1>material called numa in the air and and and so

0:18:47.920 --> 0:18:50.320
<v Speaker 1>they got a lot wrong. Um. Not that's not to

0:18:50.440 --> 0:18:53.639
<v Speaker 1>sort of mock them, because they were working with you know,

0:18:53.920 --> 0:18:58.080
<v Speaker 1>zero instrumentation and things that we take for granted nowadays. Um.

0:18:58.119 --> 0:19:01.439
<v Speaker 1>But unfortunately that got picked up. The that that the

0:19:01.480 --> 0:19:05.240
<v Speaker 1>idea of cardiocentrism and and and also their their ideas

0:19:05.320 --> 0:19:09.480
<v Speaker 1>about um about the circulatory system were picked up by

0:19:09.640 --> 0:19:13.920
<v Speaker 1>the by the Greeks because Egyptian medicine, that that type

0:19:13.920 --> 0:19:16.920
<v Speaker 1>of information was held in high esteem by by the Greeks.

0:19:17.680 --> 0:19:21.399
<v Speaker 1>Up from their Hypocrates and Aristotle wrote about about the

0:19:21.440 --> 0:19:24.600
<v Speaker 1>heart and the circulatory system, they stayed with this sort

0:19:24.640 --> 0:19:28.560
<v Speaker 1>of cardiocentric view that that that that that the heart

0:19:28.640 --> 0:19:31.040
<v Speaker 1>was the center of things like that like the mind

0:19:31.080 --> 0:19:33.040
<v Speaker 1>and intellect, and they really thought of it the way

0:19:33.080 --> 0:19:38.200
<v Speaker 1>we now think of the nervous system. Um. So at

0:19:38.240 --> 0:19:41.080
<v Speaker 1>the same time, now artists are jumping into play and

0:19:41.119 --> 0:19:44.440
<v Speaker 1>their writing and uh, it's poetry and and and there

0:19:44.480 --> 0:19:48.640
<v Speaker 1>are there's all sorts of plays and and and this

0:19:48.760 --> 0:19:52.080
<v Speaker 1>idea that the heart is the seat of emotion became

0:19:52.280 --> 0:19:57.080
<v Speaker 1>entrenched with artists and it's still there um and and

0:19:57.080 --> 0:20:00.480
<v Speaker 1>then passed on to the Romans. And that when things

0:20:00.480 --> 0:20:03.880
<v Speaker 1>take a downturn because of because of somebody who must

0:20:03.920 --> 0:20:06.480
<v Speaker 1>have been brilliant at the time, Galen. But uh, but

0:20:06.520 --> 0:20:09.000
<v Speaker 1>that was that was problematic as as we might talk

0:20:09.080 --> 0:20:12.680
<v Speaker 1>about event. Yeah, my next question concerns that because because Galen,

0:20:12.720 --> 0:20:15.240
<v Speaker 1>of course is always this important figure that that we

0:20:15.320 --> 0:20:18.520
<v Speaker 1>have to bring up and we discuss uh in anatomical

0:20:18.600 --> 0:20:22.879
<v Speaker 1>history and the advancement of anatomical knowledge. But as you

0:20:22.880 --> 0:20:24.480
<v Speaker 1>discussed in the in the book, in many ways that

0:20:24.520 --> 0:20:28.399
<v Speaker 1>you put Western medicine back um d years tell us

0:20:28.400 --> 0:20:32.160
<v Speaker 1>about this. Yeah. So, so Galen was a Roman surgeon

0:20:32.640 --> 0:20:35.879
<v Speaker 1>and uh, and he got to travel to um to

0:20:36.119 --> 0:20:40.440
<v Speaker 1>to to Egypt and picked up methodology UM and then

0:20:41.160 --> 0:20:44.720
<v Speaker 1>um worked in the gladiatorial school as a physician and

0:20:44.720 --> 0:20:48.720
<v Speaker 1>and began to study anatomy. But there was a it

0:20:48.760 --> 0:20:51.679
<v Speaker 1>was it was outlawed to to actually work on human cadaver.

0:20:51.880 --> 0:20:54.440
<v Speaker 1>So a lot of what he interpreted about the human

0:20:54.480 --> 0:20:58.920
<v Speaker 1>body came through dissections of things like apes or dogs

0:20:59.040 --> 0:21:03.800
<v Speaker 1>or pigs, and and he wrote a lot and and

0:21:03.800 --> 0:21:06.439
<v Speaker 1>and some of the material, the three million words that

0:21:06.440 --> 0:21:09.400
<v Speaker 1>were eventually recovered, may have been written by his followers

0:21:09.640 --> 0:21:12.760
<v Speaker 1>years later, maybe even after Galen died. But the thing

0:21:12.840 --> 0:21:15.639
<v Speaker 1>is that he um, he got a lot wrong. So

0:21:15.680 --> 0:21:18.200
<v Speaker 1>this was all taking place in the second century c

0:21:18.520 --> 0:21:23.960
<v Speaker 1>e and um after Rome fell hundreds of years later.

0:21:25.160 --> 0:21:29.000
<v Speaker 1>Galen's work was not was not initially translated into Latin,

0:21:29.200 --> 0:21:33.240
<v Speaker 1>which was the language of sciences back back then, and

0:21:33.320 --> 0:21:38.880
<v Speaker 1>so it sat around untranslated and and was not translated

0:21:38.960 --> 0:21:43.800
<v Speaker 1>until the early Middle Ages, and it was translated by Christians.

0:21:44.040 --> 0:21:48.280
<v Speaker 1>They were Syrians, and so when they translated Galen's work,

0:21:48.320 --> 0:21:51.440
<v Speaker 1>they did it into Arabic, and they put their Christian

0:21:51.600 --> 0:21:57.000
<v Speaker 1>slant on that translation. Now, that work that had been

0:21:57.000 --> 0:22:01.480
<v Speaker 1>translated into Arabic was eventually translated into Latin, and it

0:22:01.600 --> 0:22:06.200
<v Speaker 1>reflected that Christian slant that the Syrian translators had put

0:22:06.320 --> 0:22:10.400
<v Speaker 1>on it. And and the problem was is that that

0:22:10.440 --> 0:22:14.399
<v Speaker 1>looked great to the leaders of the church and and

0:22:14.560 --> 0:22:16.760
<v Speaker 1>that you know that we're talking about so the European

0:22:16.880 --> 0:22:19.800
<v Speaker 1>Church and the Western Church, and so they looked at

0:22:19.840 --> 0:22:23.720
<v Speaker 1>it and said, well, this material is divinely inspired. And

0:22:23.920 --> 0:22:28.120
<v Speaker 1>so it became in a sense the rule of law

0:22:28.200 --> 0:22:31.520
<v Speaker 1>that that you had to follow in a lockstep fashion

0:22:32.000 --> 0:22:35.159
<v Speaker 1>Galen's teachings and so I for a fifteen hundred years

0:22:35.600 --> 0:22:39.240
<v Speaker 1>it was pretty much voting to do research and and

0:22:39.240 --> 0:22:43.880
<v Speaker 1>and so. Um. So medicine stagnated and that became really

0:22:43.920 --> 0:22:46.600
<v Speaker 1>and that was really problematic because so much of what

0:22:47.400 --> 0:22:51.280
<v Speaker 1>of what was practiced was wronging this whole idea of

0:22:51.280 --> 0:22:54.000
<v Speaker 1>the four humors, you have to lead people to balance

0:22:54.119 --> 0:22:59.359
<v Speaker 1>these four substances, one of them didn't exist. Um So

0:22:59.400 --> 0:23:01.679
<v Speaker 1>that was a real that was really troublesome and you

0:23:01.760 --> 0:23:04.280
<v Speaker 1>and that continued in some ways right up until the

0:23:04.320 --> 0:23:08.680
<v Speaker 1>early twentieth century. They're still bleeding people. So so that

0:23:08.800 --> 0:23:12.600
<v Speaker 1>was that was a bit problematic. Yeah, And like you

0:23:12.600 --> 0:23:14.240
<v Speaker 1>put it in the book, speaking of the humors, that

0:23:14.280 --> 0:23:16.480
<v Speaker 1>you know, we still talk about people being melancholy, So

0:23:16.680 --> 0:23:22.040
<v Speaker 1>we still have the linguistic legacy of of that system. Yes,

0:23:27.440 --> 0:23:33.160
<v Speaker 1>thank Now skipping ahead more into the present and looking

0:23:33.160 --> 0:23:35.679
<v Speaker 1>ahead to the future, you describe some amazing advances and

0:23:35.760 --> 0:23:38.879
<v Speaker 1>medical science in the book. You get into what you

0:23:38.920 --> 0:23:41.040
<v Speaker 1>get into the history of blood transfusion to where we

0:23:41.080 --> 0:23:44.720
<v Speaker 1>are now. You you just got some hard transplants. How

0:23:44.760 --> 0:23:48.160
<v Speaker 1>far are we away from what we I guess sometimes

0:23:48.240 --> 0:23:52.320
<v Speaker 1>roughly referred to as as lab grown hearts. Um. Yeah,

0:23:52.320 --> 0:23:54.000
<v Speaker 1>this is to me, this was one of the most

0:23:54.040 --> 0:23:57.120
<v Speaker 1>amazing things because I got to go to Harvard and

0:23:57.119 --> 0:24:00.399
<v Speaker 1>and meet with a researcher by the name of Harold,

0:24:00.560 --> 0:24:04.320
<v Speaker 1>and he is he is aware of the fact that

0:24:04.320 --> 0:24:07.520
<v Speaker 1>that there's a real problem with with with people on

0:24:07.600 --> 0:24:10.679
<v Speaker 1>waiting lists for organs and and and and thousands of

0:24:10.680 --> 0:24:13.480
<v Speaker 1>people die every year, not necessarily waiting for hearts, but

0:24:13.760 --> 0:24:17.200
<v Speaker 1>waiting for liver is waiting for kidneys, um, and and

0:24:17.200 --> 0:24:20.120
<v Speaker 1>and so um. What he's trying to do is take

0:24:20.160 --> 0:24:24.160
<v Speaker 1>a very different approach. The reasons why the people wind

0:24:24.240 --> 0:24:25.960
<v Speaker 1>up dying on a waiting list is because you have

0:24:26.040 --> 0:24:29.280
<v Speaker 1>to have the right type tissue type, blood type. You've

0:24:29.320 --> 0:24:31.600
<v Speaker 1>got to be able to move this thing maybe across

0:24:31.680 --> 0:24:35.440
<v Speaker 1>the country, um, keep it refrigerated, and and so that's

0:24:35.920 --> 0:24:38.320
<v Speaker 1>often times a crapshoot whether that's going to work out

0:24:38.359 --> 0:24:41.720
<v Speaker 1>for somebody. So what he's done is, and and this

0:24:41.800 --> 0:24:46.000
<v Speaker 1>is preliminary, he's taken to daver hearts and put them

0:24:46.040 --> 0:24:49.479
<v Speaker 1>through in a sense of de turgent rents. And that

0:24:49.600 --> 0:24:53.120
<v Speaker 1>de turgent doesn't wash away the dirt. It washes away

0:24:53.560 --> 0:24:58.040
<v Speaker 1>the cells in the heart that your body would reject

0:24:58.520 --> 0:25:01.840
<v Speaker 1>were you to take up that hard and transplanted. So

0:25:01.840 --> 0:25:07.280
<v Speaker 1>we're talking about the muscle fibers and and other associated cells.

0:25:07.720 --> 0:25:12.320
<v Speaker 1>And so what's left is this ghost white framework of

0:25:12.400 --> 0:25:16.679
<v Speaker 1>the heart. So now you've got something that that that

0:25:16.720 --> 0:25:19.080
<v Speaker 1>looks like a heart but really has no other cells

0:25:19.119 --> 0:25:22.159
<v Speaker 1>besides the connective tissue cells, which your body is not

0:25:22.200 --> 0:25:25.159
<v Speaker 1>going to reject. Okay, So now what he's done is,

0:25:25.320 --> 0:25:29.360
<v Speaker 1>and this science does exist, he will take a sample

0:25:29.480 --> 0:25:32.359
<v Speaker 1>a biopsy or a sample of skin cells from the

0:25:32.400 --> 0:25:35.439
<v Speaker 1>person who's going to receive the heart, the recipient and

0:25:35.440 --> 0:25:37.800
<v Speaker 1>and and so so we're not talking about something deep

0:25:37.800 --> 0:25:39.800
<v Speaker 1>in the body. This is this just comes right from

0:25:39.800 --> 0:25:43.520
<v Speaker 1>your skin. These these cells are called fiber blasts. The

0:25:43.680 --> 0:25:47.560
<v Speaker 1>science now exists convert those fiber blasts into stem cells

0:25:47.800 --> 0:25:51.360
<v Speaker 1>and stem cells depending on how the body stimulates them

0:25:51.720 --> 0:25:55.479
<v Speaker 1>can be converted into any type of cell. Now, so

0:25:55.560 --> 0:25:58.159
<v Speaker 1>what they are able to do now still is to

0:25:58.240 --> 0:26:00.720
<v Speaker 1>take these stem cells and stemmy like them to become

0:26:00.760 --> 0:26:04.600
<v Speaker 1>muscle cells. And so his idea now is to take

0:26:04.680 --> 0:26:09.560
<v Speaker 1>these muscle cells and embed them, seed them, as it were,

0:26:09.880 --> 0:26:15.760
<v Speaker 1>onto this heart, to this framework, and grow a heart

0:26:16.400 --> 0:26:20.320
<v Speaker 1>that is a match for this recipient. And and and

0:26:20.359 --> 0:26:23.440
<v Speaker 1>it won't reject the recipient won't reject that that heart.

0:26:23.520 --> 0:26:26.040
<v Speaker 1>The immune system won't won't find it to be a

0:26:26.320 --> 0:26:29.760
<v Speaker 1>foreign cells or foreign tissue because it actually is derived

0:26:30.119 --> 0:26:33.320
<v Speaker 1>from the cells of that recipient. So when I asked

0:26:33.320 --> 0:26:35.000
<v Speaker 1>them how long do you think this is going to

0:26:35.080 --> 0:26:39.480
<v Speaker 1>take until it becomes commonplace? He said ten years. That's

0:26:39.480 --> 0:26:41.800
<v Speaker 1>his hope. So I said, well, so, so how does

0:26:41.840 --> 0:26:43.399
<v Speaker 1>that work? He said, Well, somebody comes in with a

0:26:43.400 --> 0:26:45.520
<v Speaker 1>heart problem, they need a heart transplant. You take a

0:26:45.520 --> 0:26:48.240
<v Speaker 1>sample from them, you do what I just described about

0:26:48.240 --> 0:26:51.359
<v Speaker 1>how you change them into stem cells. You take a

0:26:51.400 --> 0:26:53.520
<v Speaker 1>cadab or heart, you embed it, and then you do

0:26:53.560 --> 0:26:56.280
<v Speaker 1>this transplant and the person is you know, is up

0:26:56.280 --> 0:26:59.120
<v Speaker 1>and walking in a day or two. Well, it's really

0:26:59.119 --> 0:27:02.760
<v Speaker 1>exciting to match getting to that point. And uh, and

0:27:02.840 --> 0:27:04.800
<v Speaker 1>like I said in the book, you know, there's this

0:27:04.960 --> 0:27:07.600
<v Speaker 1>this wonderful evolutionary journey you take us on. I love

0:27:07.680 --> 0:27:11.520
<v Speaker 1>the journey through our our attempts to scientifically and I

0:27:11.520 --> 0:27:16.040
<v Speaker 1>guess culturally understand what the heart is. Uh. Now I

0:27:16.080 --> 0:27:18.640
<v Speaker 1>have to ask, we're getting since we're getting into October here,

0:27:19.240 --> 0:27:23.320
<v Speaker 1>your previous books have dealt with vampires and cannibals. Um,

0:27:23.480 --> 0:27:25.600
<v Speaker 1>now we do doing with the heart and blood. And

0:27:25.640 --> 0:27:28.359
<v Speaker 1>I'm to understand you're working on a book about teeth.

0:27:28.400 --> 0:27:31.280
<v Speaker 1>So I have to ask, what what what is your

0:27:31.320 --> 0:27:34.959
<v Speaker 1>favorite movie Monster? Without a doubt it is the original,

0:27:35.119 --> 0:27:40.120
<v Speaker 1>So the nineteen fifty one version of the thing. Uh yeah,

0:27:40.200 --> 0:27:43.919
<v Speaker 1>with um James Arness who's in gun Smoke in the

0:27:44.080 --> 0:27:47.040
<v Speaker 1>nineteen sixties and I guess early seventies playing this uh

0:27:47.680 --> 0:27:53.640
<v Speaker 1>walking carrot who lands crash lands in the Arctic, and

0:27:54.320 --> 0:27:56.800
<v Speaker 1>how it's recovered by this research group and what happens

0:27:56.800 --> 0:27:59.080
<v Speaker 1>when when it gets thought out by mistake. I just

0:27:59.119 --> 0:28:02.640
<v Speaker 1>think it has The movie has everything to me. Um

0:28:02.680 --> 0:28:05.159
<v Speaker 1>it is, it's got a great mood, it has wonderful

0:28:05.359 --> 0:28:07.760
<v Speaker 1>that as a wonderful soundtrack. It's one of the first

0:28:07.800 --> 0:28:10.640
<v Speaker 1>films ever that has overlapping dialogue. So when you hear

0:28:10.680 --> 0:28:14.159
<v Speaker 1>these these soldiers and these scientists and conversation, they're not

0:28:14.200 --> 0:28:17.280
<v Speaker 1>waiting for someone else to stop talking before they before

0:28:17.320 --> 0:28:20.199
<v Speaker 1>they talk. So this old has to do with the director,

0:28:20.320 --> 0:28:22.879
<v Speaker 1>Howard Hawks and it's just to me is is a

0:28:22.880 --> 0:28:27.960
<v Speaker 1>perfect film and stands up. Um even today, A lot

0:28:28.000 --> 0:28:30.960
<v Speaker 1>of people are in love with the John Carpenter two movie,

0:28:31.000 --> 0:28:35.359
<v Speaker 1>which is a gore fest good movie, you know. Um,

0:28:35.440 --> 0:28:38.880
<v Speaker 1>but um but I don't think that it that it Uh,

0:28:38.920 --> 0:28:41.600
<v Speaker 1>I don't think it's it's it's it's quite as as

0:28:41.640 --> 0:28:44.600
<v Speaker 1>a much of a classic as as as the original.

0:28:45.080 --> 0:28:46.720
<v Speaker 1>I have to agree with you about the the the

0:28:47.040 --> 0:28:50.000
<v Speaker 1>original holding up so well. I happen to just watched

0:28:50.000 --> 0:28:52.160
<v Speaker 1>it for the first time a week or two ago,

0:28:52.920 --> 0:28:56.480
<v Speaker 1>and um, yeah, the I totally agree on the dialogue.

0:28:56.520 --> 0:29:00.640
<v Speaker 1>It's it's it's snappy and and real and so many

0:29:00.640 --> 0:29:02.280
<v Speaker 1>of the secret I feel like there there were those

0:29:02.320 --> 0:29:05.560
<v Speaker 1>promo images of James R. Ness as the monster, and

0:29:05.720 --> 0:29:09.360
<v Speaker 1>especially for people who came up uh you know, post Carpenter,

0:29:09.520 --> 0:29:10.840
<v Speaker 1>we kind of looked at that and we're like, I

0:29:10.880 --> 0:29:12.320
<v Speaker 1>don't I don't want to maybe don't want to see

0:29:12.360 --> 0:29:14.040
<v Speaker 1>a movie with this old fashioned looking monster, but the

0:29:14.080 --> 0:29:16.840
<v Speaker 1>way it shot in the film is so impressive, and

0:29:16.880 --> 0:29:19.960
<v Speaker 1>you have that that really frightening sequence with the fire.

0:29:20.480 --> 0:29:23.480
<v Speaker 1>I think it totally holds up. Or when that door

0:29:23.520 --> 0:29:25.440
<v Speaker 1>opens and it's standing on the other side of the

0:29:25.480 --> 0:29:29.120
<v Speaker 1>door and it's just like slams the door frame. Uh yeah,

0:29:29.800 --> 0:29:33.200
<v Speaker 1>the well, I think it's very it's really funny. Um

0:29:33.360 --> 0:29:36.000
<v Speaker 1>and and it affected me so much that when I

0:29:36.040 --> 0:29:39.840
<v Speaker 1>started to write fiction, and I've written three novels, I've

0:29:39.880 --> 0:29:45.880
<v Speaker 1>based the characters in those novels on the characters in

0:29:46.000 --> 0:29:48.840
<v Speaker 1>The Thing and especially the original, but but certainly some

0:29:48.880 --> 0:29:50.880
<v Speaker 1>of the characters in the Uh. You know, when I

0:29:50.920 --> 0:29:52.920
<v Speaker 1>was looking for for a name of a character, i'd

0:29:52.960 --> 0:29:57.560
<v Speaker 1>i'd go looking in in those movies, especially McCready. Who's

0:29:57.720 --> 0:30:03.080
<v Speaker 1>Who's the hero in? In these three nine zero technical

0:30:03.240 --> 0:30:06.480
<v Speaker 1>no thrillers that that I wrote with my co author Finch,

0:30:07.360 --> 0:30:08.800
<v Speaker 1>I have to ask how old were you when you

0:30:08.840 --> 0:30:13.240
<v Speaker 1>first saw The Thing? From an edit world? Young? Um?

0:30:13.280 --> 0:30:15.160
<v Speaker 1>My parents, you know, back back when I was a

0:30:15.160 --> 0:30:18.200
<v Speaker 1>little kid, we went to the drive in every week.

0:30:18.360 --> 0:30:21.640
<v Speaker 1>Now that that movie is older than I am, it's

0:30:21.480 --> 0:30:24.640
<v Speaker 1>it's it's actually seventy years old this year and so

0:30:24.680 --> 0:30:29.720
<v Speaker 1>I probably was five six years old, and uh, you

0:30:29.760 --> 0:30:35.000
<v Speaker 1>know that type of of of film. And I've always

0:30:35.000 --> 0:30:38.200
<v Speaker 1>been a huge film buff. And when I'm writing my

0:30:38.200 --> 0:30:42.920
<v Speaker 1>my novels, I'm thinking about these big cinematic scenes and

0:30:42.920 --> 0:30:45.680
<v Speaker 1>and and I think that when when I write nonfiction,

0:30:45.720 --> 0:30:47.880
<v Speaker 1>I'm able to go back. So I opened up the

0:30:48.440 --> 0:30:51.240
<v Speaker 1>you know, cannibalism with with the story of a vent

0:30:51.320 --> 0:30:56.440
<v Speaker 1>gain who was who was who was really the cannibal murderer.

0:30:56.800 --> 0:31:00.080
<v Speaker 1>That that the that the that the Bates character or

0:31:00.320 --> 0:31:03.600
<v Speaker 1>in Psycho was based on. You know, Alfred Hitchcock just

0:31:03.640 --> 0:31:06.640
<v Speaker 1>took this real event and and got rid of the

0:31:07.160 --> 0:31:11.920
<v Speaker 1>cannibalism aspect, uh and and kept the mother obsession aspect

0:31:12.120 --> 0:31:15.560
<v Speaker 1>of it. And so that to me is that's another

0:31:15.880 --> 0:31:18.920
<v Speaker 1>perfect film that there are. There's about five of them,

0:31:19.120 --> 0:31:22.600
<v Speaker 1>Psycho being one, and and and the Original Thing being another.

0:31:23.120 --> 0:31:26.280
<v Speaker 1>In the Original the Thing, it also is more of

0:31:26.280 --> 0:31:29.400
<v Speaker 1>a blood drinker. It is more of a vampire. Do

0:31:29.400 --> 0:31:32.280
<v Speaker 1>you think that had any any impact on your eventual

0:31:32.280 --> 0:31:35.280
<v Speaker 1>study of vampire bats? Uh? You know, I wish I

0:31:35.280 --> 0:31:37.719
<v Speaker 1>could say, because that sounds so cool, that connects, But

0:31:38.080 --> 0:31:41.320
<v Speaker 1>you know, I don't. But I've been into into vampire

0:31:41.360 --> 0:31:43.800
<v Speaker 1>movies as well. You know, I've been into the original

0:31:43.880 --> 0:31:46.640
<v Speaker 1>Dracula and and then the hammer versions that came out

0:31:47.240 --> 0:31:50.560
<v Speaker 1>in the in the sixties and seventies. So so I

0:31:50.560 --> 0:31:54.600
<v Speaker 1>guess I'd always been intrigued by by blood feeding. But

0:31:54.720 --> 0:31:57.520
<v Speaker 1>when when I started the study bats, that was my

0:31:57.600 --> 0:32:02.720
<v Speaker 1>first semester as a PhD student at cornell Um, I've

0:32:02.760 --> 0:32:06.120
<v Speaker 1>always been into strange animals and and and I've always

0:32:06.280 --> 0:32:08.440
<v Speaker 1>kept a lot of animals as pets. When I was

0:32:08.440 --> 0:32:11.440
<v Speaker 1>a kid, I had a monkey. That's how different things

0:32:11.440 --> 0:32:14.920
<v Speaker 1>were back then. Every snake, every type of lizard, whatever,

0:32:15.000 --> 0:32:17.240
<v Speaker 1>whatever you could could find in a pet shop or

0:32:17.280 --> 0:32:21.400
<v Speaker 1>collect under a rock or drag out of a log um.

0:32:21.520 --> 0:32:25.440
<v Speaker 1>So so I'd always been into sort of offbeat type creatures.

0:32:25.720 --> 0:32:28.640
<v Speaker 1>And and so when I started to work on bats,

0:32:28.960 --> 0:32:31.520
<v Speaker 1>it probably took me abat five minutes to decide that

0:32:31.840 --> 0:32:35.120
<v Speaker 1>within these fourteen hundred species that I wanted to work on,

0:32:35.160 --> 0:32:38.000
<v Speaker 1>the three vampires. And I just lucked out because in

0:32:38.040 --> 0:32:41.720
<v Speaker 1>the early nineties of what it was known and the

0:32:41.760 --> 0:32:44.960
<v Speaker 1>literature about vampire bats was known about the common vampire bat,

0:32:44.960 --> 0:32:47.959
<v Speaker 1>and the other two were open books. So that allowed

0:32:47.960 --> 0:32:51.720
<v Speaker 1>me to go in and do research on these because

0:32:52.040 --> 0:32:54.800
<v Speaker 1>and I was really lucky because a lot of not

0:32:54.960 --> 0:32:59.040
<v Speaker 1>wen't say a lot a number of really important, um

0:32:59.080 --> 0:33:02.160
<v Speaker 1>influential back biologists took me aside and said, you know,

0:33:02.160 --> 0:33:04.320
<v Speaker 1>bill a vampire, about as a vampire, about as a vampire,

0:33:04.320 --> 0:33:07.880
<v Speaker 1>but you're not gonna see differences. And I was fresh

0:33:07.920 --> 0:33:11.480
<v Speaker 1>out of classes, thinking it doesn't that doesn't make sense,

0:33:11.520 --> 0:33:13.400
<v Speaker 1>because if you have two animals that do the same

0:33:13.440 --> 0:33:16.200
<v Speaker 1>thing and they live in the same place, then then

0:33:16.320 --> 0:33:19.560
<v Speaker 1>then either one of them is going to adapt a

0:33:19.560 --> 0:33:22.160
<v Speaker 1>different behavior, or it's going to migrate, or it's going

0:33:22.200 --> 0:33:26.080
<v Speaker 1>to go extinct. And so when so this this this

0:33:26.200 --> 0:33:30.720
<v Speaker 1>little biologist Arthur Greenholfen Museum and Natural History, which I've

0:33:30.720 --> 0:33:33.320
<v Speaker 1>been lucky enough to be there since the early nineteen

0:33:33.360 --> 0:33:36.280
<v Speaker 1>nineties as well, took me aside and said, Candy got something,

0:33:36.320 --> 0:33:38.800
<v Speaker 1>so shut up down, don't do it, um. And from

0:33:38.840 --> 0:33:40.840
<v Speaker 1>there I was able to look at all these differences

0:33:40.880 --> 0:33:44.200
<v Speaker 1>that were clearly apparent once we started looking at them,

0:33:44.440 --> 0:33:46.240
<v Speaker 1>and just to sort of put a shout out there.

0:33:46.960 --> 0:33:49.000
<v Speaker 1>It's not that people didn't know about it, because when

0:33:49.000 --> 0:33:51.720
<v Speaker 1>I went down to places like Trinidad, they knew from

0:33:51.760 --> 0:33:54.080
<v Speaker 1>the start that there were these huge differences. One of

0:33:54.080 --> 0:33:55.840
<v Speaker 1>them fed on birds, the other one is on the

0:33:55.880 --> 0:34:00.479
<v Speaker 1>ground and feeding on cows and pigs. Um. And they

0:34:00.560 --> 0:34:03.240
<v Speaker 1>knew about it, they just weren't publishing. And so I've

0:34:03.240 --> 0:34:05.280
<v Speaker 1>made it a point to to bring these guys on

0:34:05.320 --> 0:34:07.160
<v Speaker 1>as co authors and bring them up and make sure

0:34:07.200 --> 0:34:09.759
<v Speaker 1>that they came to conferences and and got to do that.

0:34:09.840 --> 0:34:12.920
<v Speaker 1>I thought they deserved. Bringing back to pump for a second,

0:34:12.960 --> 0:34:15.800
<v Speaker 1>I also love the bit where you get into the

0:34:15.800 --> 0:34:20.440
<v Speaker 1>the bats that hibernate uh in the in the snow. Yeah. Um,

0:34:21.160 --> 0:34:22.920
<v Speaker 1>not a whole lot is known about them, except that

0:34:22.960 --> 0:34:25.319
<v Speaker 1>there's a species of bat that lives in Japan that

0:34:25.719 --> 0:34:30.840
<v Speaker 1>that that evidently hibernates in in in snow. And and

0:34:31.000 --> 0:34:35.359
<v Speaker 1>so the researchers originally thought, well, this, this, and these

0:34:35.360 --> 0:34:37.840
<v Speaker 1>guys in polar bears are the only the only mammals

0:34:37.880 --> 0:34:41.960
<v Speaker 1>that do that, uh and so what since then, since

0:34:42.040 --> 0:34:44.720
<v Speaker 1>this work was started, they figured out that polar bears

0:34:44.840 --> 0:34:48.520
<v Speaker 1>might not really be card carrying hibernators because they wake

0:34:48.719 --> 0:34:51.399
<v Speaker 1>up off and during in the in the winter. Um.

0:34:51.480 --> 0:34:55.440
<v Speaker 1>And so it's not known if these bats are If

0:34:55.480 --> 0:34:57.439
<v Speaker 1>these bats wake up in the middle of the winter

0:34:57.520 --> 0:34:59.799
<v Speaker 1>or enough and they make this little with their body.

0:34:59.840 --> 0:35:01.840
<v Speaker 1>Hea they carve this little cone and the snow and

0:35:01.880 --> 0:35:04.440
<v Speaker 1>then the snow covers them and you don't find them

0:35:04.520 --> 0:35:08.320
<v Speaker 1>until until the spring, when it's either either somebody that

0:35:08.440 --> 0:35:10.640
<v Speaker 1>digs them up by mistake or or or it thaws

0:35:10.680 --> 0:35:13.600
<v Speaker 1>out and you know that they're cold. They're laying there

0:35:13.640 --> 0:35:16.440
<v Speaker 1>for a while, like can start to crank some some

0:35:16.480 --> 0:35:18.879
<v Speaker 1>blood moving through them, and then they fly off. But yeah,

0:35:18.920 --> 0:35:23.640
<v Speaker 1>that was just one of I don't know, dozens of

0:35:24.160 --> 0:35:29.520
<v Speaker 1>really interesting stories that I've learned about because the learning

0:35:29.560 --> 0:35:32.640
<v Speaker 1>curve was steep, which made it that much more interesting.

0:35:32.760 --> 0:35:34.799
<v Speaker 1>You know. I don't go into these things as sort

0:35:34.800 --> 0:35:39.720
<v Speaker 1>of experts on on the heart, for example, or cannibalism thankfully.

0:35:40.960 --> 0:35:42.920
<v Speaker 1>Of course, the bats also remind me of the thing

0:35:42.960 --> 0:35:46.120
<v Speaker 1>from another world, you know, the organism is suspended in

0:35:46.160 --> 0:35:50.200
<v Speaker 1>the ice, which I guess drives home no matter how weird.

0:35:50.880 --> 0:35:53.640
<v Speaker 1>An idea is that we dream up about an alien creature,

0:35:53.680 --> 0:35:56.400
<v Speaker 1>like there's something in the natural world that is already

0:35:56.440 --> 0:35:59.440
<v Speaker 1>as weird or weirder, right, oh, yeah, no doubt, and

0:35:59.600 --> 0:36:01.239
<v Speaker 1>and that you know, I try to bring that out

0:36:01.280 --> 0:36:04.680
<v Speaker 1>in the book as well. And and then the fun

0:36:04.719 --> 0:36:07.080
<v Speaker 1>thing is to try to tie that into modern medicine.

0:36:07.200 --> 0:36:09.440
<v Speaker 1>So you have uh, you know, you know, you have

0:36:09.480 --> 0:36:12.200
<v Speaker 1>an aquarium fish, the zebra fish, which everybody's seen this

0:36:12.280 --> 0:36:16.239
<v Speaker 1>little stripes, the horizontal stripes. It turns out that if

0:36:16.239 --> 0:36:21.200
<v Speaker 1>you snipal its heart, the heart not only grows back,

0:36:21.200 --> 0:36:23.920
<v Speaker 1>but it's completely functioned. Now, if you were to do that,

0:36:24.560 --> 0:36:28.360
<v Speaker 1>you know, we don't really do that, and we're gladiatorial combat.

0:36:28.520 --> 0:36:30.239
<v Speaker 1>You know a lot of people are upset about that.

0:36:30.280 --> 0:36:34.759
<v Speaker 1>But to be serious, if if you have a part

0:36:34.760 --> 0:36:36.640
<v Speaker 1>of your heart is damaged because the blood flow has

0:36:36.680 --> 0:36:39.239
<v Speaker 1>been cut off to it, and and it and in

0:36:39.239 --> 0:36:41.759
<v Speaker 1>a sense that tissue dies when it grows back. It's

0:36:41.800 --> 0:36:45.840
<v Speaker 1>scarre tissue. It's not contractile, good function named muscle tissue.

0:36:46.520 --> 0:36:48.759
<v Speaker 1>That's not the case with the zebrafish. So how do

0:36:48.840 --> 0:36:51.759
<v Speaker 1>we take that? What does the zebrafish have going for

0:36:51.840 --> 0:36:54.959
<v Speaker 1>it that enables it to completely repair? It's hard after

0:36:55.440 --> 0:36:59.879
<v Speaker 1>being traumatically uh injured, And and how do you try

0:37:00.000 --> 0:37:05.799
<v Speaker 1>in slate that into um into curing a sick heart

0:37:05.920 --> 0:37:09.520
<v Speaker 1>that is undergoing a heart attack or multiple heart attacks.

0:37:09.960 --> 0:37:12.120
<v Speaker 1>And there was a list of those that that I

0:37:12.239 --> 0:37:15.439
<v Speaker 1>ran into. So that was kind of fun as well well. Bill,

0:37:15.480 --> 0:37:17.160
<v Speaker 1>Thanks for taking time out of your day to chat

0:37:17.200 --> 0:37:19.120
<v Speaker 1>with us about the book. Well, it was really good

0:37:19.120 --> 0:37:21.160
<v Speaker 1>to be here, especially to talk about the thing that's

0:37:21.160 --> 0:37:23.759
<v Speaker 1>a that's a new one for me, that one I

0:37:23.800 --> 0:37:25.880
<v Speaker 1>haven't spoken to, have been interviewed about. So it was

0:37:25.920 --> 0:37:28.399
<v Speaker 1>a real pleasure to meet you and talk with your owner.

0:37:30.080 --> 0:37:32.920
<v Speaker 1>All Right, thanks again to Bill Shut for chatting with me.

0:37:33.000 --> 0:37:36.320
<v Speaker 1>You can check him out online at Bill Shut dot com.

0:37:36.320 --> 0:37:40.920
<v Speaker 1>That's b I L L S C h U T

0:37:40.920 --> 0:37:44.560
<v Speaker 1>T dot com. Uh. That website contains links to his

0:37:44.640 --> 0:37:48.680
<v Speaker 1>social media accounts as well. The website features information about

0:37:48.719 --> 0:37:52.839
<v Speaker 1>his three non fiction books, That's Dark Banquet, Cannibalism, and

0:37:52.880 --> 0:37:56.360
<v Speaker 1>Now Pump, as well as his three fiction books co

0:37:56.520 --> 0:37:59.920
<v Speaker 1>written with J. R. Finch That's Hell's Gate, The him

0:38:00.000 --> 0:38:03.840
<v Speaker 1>Alan Codex, and The Darwin Strain. I have not read

0:38:03.880 --> 0:38:06.920
<v Speaker 1>these but yet, but now I'm super interested to check

0:38:06.960 --> 0:38:10.080
<v Speaker 1>them out after after chatting with Bill. In the meantime,

0:38:10.120 --> 0:38:11.840
<v Speaker 1>as you would like to check out other episodes of

0:38:11.840 --> 0:38:13.799
<v Speaker 1>Stuff to Blow Your Mind where you can find them

0:38:13.800 --> 0:38:17.000
<v Speaker 1>in the Stuff to Blow your Mind podcast feed. On

0:38:17.000 --> 0:38:21.040
<v Speaker 1>Tuesdays and Thursdays, we give you our core science episodes.

0:38:21.480 --> 0:38:24.600
<v Speaker 1>On Monday's we do Listener mail. On Wednesday's we do

0:38:24.760 --> 0:38:28.160
<v Speaker 1>an artifact short form episode. On Friday's we do a

0:38:28.160 --> 0:38:30.560
<v Speaker 1>little weird how cinema You know what that is. That's

0:38:30.560 --> 0:38:33.440
<v Speaker 1>our chance to kick back and discuss a weird film.

0:38:33.600 --> 0:38:36.320
<v Speaker 1>And yes, as luck would have it, we very recently

0:38:36.440 --> 0:38:40.120
<v Speaker 1>discussed the Thing from Another World on the show. So hey,

0:38:40.360 --> 0:38:43.479
<v Speaker 1>especially after this chat with Bill, go back and listen

0:38:43.520 --> 0:38:47.040
<v Speaker 1>to that episode if you haven't. Again, wonderful film. Oh

0:38:47.160 --> 0:38:48.680
<v Speaker 1>and then on the on the weekends we do a

0:38:48.680 --> 0:38:51.960
<v Speaker 1>little rerun that's a vault episode. Thanks as always to

0:38:52.080 --> 0:38:55.319
<v Speaker 1>Seth Nicholas Johnson for producing the show and recording us

0:38:55.360 --> 0:38:58.600
<v Speaker 1>here and if you would like to email us, as always,

0:38:58.760 --> 0:39:00.960
<v Speaker 1>you can do so at con Thatt add Stuff to

0:39:00.960 --> 0:39:10.919
<v Speaker 1>Blow your Mind dot com. Stuff to Blow your Mind

0:39:11.000 --> 0:39:13.680
<v Speaker 1>is production of I Heart Radio. For more podcasts for

0:39:13.719 --> 0:39:15.719
<v Speaker 1>my heart Radio, this is the i heart Radio app,

0:39:15.880 --> 0:39:23.640
<v Speaker 1>Apple Podcasts, or wherever you listening to your favorite shows