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Speaker 1: Record, get your thank you.

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Speaker 2: I want to think everybody, anybody you'll thank at the

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Speaker 2: corner store for letting you slide that time. I would short,

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Speaker 2: I appreciate that because you could never turn my back

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Speaker 2: on you. That's right.

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Speaker 1: Follow don't tracks and hip hop anymore.

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Speaker 2: Don't follow these dopes is actually like a thing we don't.

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Speaker 2: We don't get to thank you tracks in hip hop anymore. No,

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Speaker 2: they don't.

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Speaker 1: We don't even have the cd uh little pocket thing

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Speaker 1: where they could thank the exact sent no one new.

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Speaker 2: Yeah, but it's like, I feel like artist should still

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Speaker 2: have a thank you track, Like.

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Speaker 1: It's Augie captions, Augie captions, Now, thank you for the support,

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Speaker 1: buy my t shirt, now.

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Speaker 2: Buy my bundle. The I G is definitely the thank you,

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Speaker 2: UH credits and all of that.

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Speaker 1: Now only thank you when you have something to purchase.

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Speaker 1: I would say yeah, But now Bowo was he was

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Speaker 1: leading the way. He let him know.

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Speaker 2: I was.

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Speaker 1: I was a kid and I was following the dopes

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Speaker 1: until Bowo said that, and then I was like, damn,

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Speaker 1: I didn't even think of it that way. Shouldn't follow

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Speaker 1: these dopes.

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Speaker 2: It's interesting to watch UH like performers in the change

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Speaker 2: that with kids like way they are now as adults. Yeah,

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Speaker 2: Like you forget how much shit like and seeing bow

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Speaker 2: Wow now on on like Instagram. You forget how much

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Speaker 2: shit he did as a kid.

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Speaker 1: Like is there any real like uninterrupted and bullshit in

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Speaker 1: their career of a child star that didn't either have

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Speaker 1: terrible embarrassing moments got addicted to drugs? Who is the

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Speaker 1: quintessential kid that, like is the standard that made it?

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Speaker 1: Every child actor, musician, reality star always ends up fucked

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Speaker 1: up in some some capacity.

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Speaker 2: Prick Harris.

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Speaker 1: I wouldn't say he made it squeaky clean.

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Speaker 2: Yeah, I don't know about that. Yeah, no, not squeaky clean,

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Speaker 2: but yeah, that's interesting. I wonder why that is though,

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Speaker 2: Why is it? And it seems like it's only in

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Speaker 2: well No, I was about say our culture, but I know,

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Speaker 2: I know some.

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Speaker 1: Uh the Hollywood whites get to it.

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Speaker 2: Yeah yeah, yeah, definitely Tyer Reid.

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Speaker 1: Listen, Lindsay Lohan was going crazy on the l I E.

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Speaker 2: Yeah.

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Speaker 1: Yeah, it never works out the way. But I guess

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Speaker 1: if I had all that just money pressure, yeah, and

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Speaker 1: I'm at parties like yeah, yeah, all.

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Speaker 2: That pressure from being young and trying to trying to

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Speaker 2: live up to those standards when you were such an

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Speaker 2: innocent child and now you're not allowed to make any

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Speaker 2: mistakes as an adult. Actually does Tiana Taylor count I

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Speaker 2: wouldn't say she was a child star per se. She

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Speaker 2: was young, She was she was pretty young. Might have

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Speaker 2: she was in the public god, since she was about

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Speaker 2: maybe fifteen.

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Speaker 1: Yeah, not Super Sweet sixteen.

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Speaker 2: Yeah, so she Yeah, she might be one of the

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Speaker 2: ones that that made it and doesn't have any crazy

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Speaker 2: headlines and any incidents on the internet that's kind of crazy. Yeah,

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Speaker 2: team might be the only one, well, definitely that I

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Speaker 2: could think of.

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Speaker 1: That was a sick time at MTV when My Super

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Speaker 1: Sweet Sixteen was on, and then the following show after

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Speaker 1: that was sixteen and Pregnant. How do you think the

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Speaker 1: sixteen and Pregnant girls felt like the whole leading Like, damn,

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Speaker 1: who was.

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Speaker 2: The program and direct over there at the time? How

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Speaker 2: did they program those shows.

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Speaker 1: Like let's find all the privileged kids we can and

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Speaker 1: then let's find the kids that didn't pull out?

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Speaker 2: Okay, yeah, we need we need to, we need to.

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Speaker 2: I want to say down with that program and director.

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Speaker 2: I want to know what was going on in the

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Speaker 2: meeting where they was like, not put this right after

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Speaker 2: sixteen and pregnant right after my super sweet sixteen.

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Speaker 1: Let's put things in perspective again for these these young

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Speaker 1: yeah teen mothers.

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Speaker 2: Weird weird times over there.

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Speaker 1: You stopped me up for the Tianna Taylor Show.

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Speaker 2: No, it wasn't. It wasn't a stand up thing. It

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Speaker 2: was you know, didn't have the proper credentials. And then

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Speaker 2: by the time I thought about going home to get it,

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Speaker 2: and it would have.

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Speaker 1: Been Do you know what it was like to stand

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Speaker 1: in line at the Tiana show by yourself? You didn't

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Speaker 1: stand everyone asking by yourself, where's your date?

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Speaker 2: First? Cut it out?

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Speaker 1: Promise?

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Speaker 2: Yeah you First of all, you did not standing no line,

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Speaker 2: I did. You didn't stand in one of the people.

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Speaker 2: You didn't stand in a line. You walked right to

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Speaker 2: the front like idea. You gave him your name. And

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Speaker 2: I've seen you at t s A, so I know

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Speaker 2: how you get it when it comes to lines. I

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Speaker 2: know how you get You don't do line. There is

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Speaker 2: no clear that terminal f No, this this is a

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Speaker 2: clear right there. You know you know who to look

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Speaker 2: for the girl with the thing in her with the

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Speaker 2: little thing. You know who to look for I don't. Yeah, exactly,

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Speaker 2: that's exactly how you gotta do. You didn't wait no line.

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Speaker 2: But yeah, I caught the show last night. Amazing.

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Speaker 1: Yeah not I do love Terminal five as a venue,

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Speaker 1: but I feel like that show deserved to be in

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Speaker 1: an arena. Yeah, we don't know Tiana and how she

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Speaker 1: is with performances, so it's not like I was going

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Speaker 1: in like damn, I'm shocked that she did this, but

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Speaker 1: I was still blown away even with the expectations of

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Speaker 1: knowing what she does.

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Speaker 2: That show is fucking Yeah. She definitely put on the

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Speaker 2: show like she was in an arena last night. She didn't.

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Speaker 2: She didn't dumb her showdown at all just because it

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Speaker 2: was a smaller venue and Terminal Terminal five was a

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Speaker 2: nice size venue. Yeah. She might have had about three

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Speaker 2: thousand people in there last night. Yeah, amazing, amazing she

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Speaker 2: put on. Tiana put on an amazing show from start

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Speaker 2: to finish.

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Speaker 1: When her daughter came out to sing, I think I

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Speaker 1: might have been close to the kitchen because there was

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Speaker 1: definitely onions being cut, like close by me. I got

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Speaker 1: like real misty when her daughter came out to do

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Speaker 1: a duet.

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Speaker 2: But it's dope because we watched we watched her grow up,

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Speaker 2: you know what I mean, Like she's she's Tianna has

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Speaker 2: documented her and she has the reality show and all

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Speaker 2: of that with the family. So we watched Little Juni

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Speaker 2: grown up, grow up. So it was dope to see

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Speaker 2: her on stage in her element. She's a star. Oh

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Speaker 2: for sure, she's definitely she not a shot bone in

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Speaker 2: her body. But yeah, I was just happy for Tiana, man,

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Speaker 2: Like she put on an amazing show. The production, the choreography.

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Speaker 2: Of course, we know that's what she does. She's just

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Speaker 2: a visual person of talent. Yeah, she she gets it.

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Speaker 2: She understands how to put on the show. She understands

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Speaker 2: how to make things look good. And there was a

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Speaker 2: lot of people in there, a lot of her peers

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Speaker 2: that were in there last night that was They all

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Speaker 2: said the same thing, like, yo, she she put on

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Speaker 2: a crazy show.

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Speaker 1: Yeah you went to the popping show. I went to

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Speaker 1: the one before, like with just the fans. All you

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Speaker 1: celebrity folks were there, I think.

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Speaker 2: But I would have thought that everybody would have been there.

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Speaker 1: Saturday, me going in looking around for the celebrities and yeah,

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Speaker 1: the celebs, we you're getting the.

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Speaker 2: Spots with the celebs act. Yeah, where's the verified that's nastiness.

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Speaker 1: You gotta take photos together and pretend friends, that's nasty.

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Speaker 2: Share some followers here. There was a lot of people

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Speaker 2: in there last night though, man, But yeah, shout out

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Speaker 2: to Tiana, her entire crew a tour is. If you

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Speaker 2: didn't get a chance to see her, if she's coming

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Speaker 2: to your city, please go see Tiana because I promise

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Speaker 2: you the show was something that you want to see

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Speaker 2: for sure.

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Speaker 1: And there was a lot of women there, a lot

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Speaker 1: of sexually explicit moves happening on the stage.

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Speaker 2: Yo. It was. It was crazy, man, because she did

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Speaker 2: a little segment she gave she gave La Lah and uh,

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Speaker 2: what's the other the girl dreamed, all is that her name?

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Speaker 1: Oh so you got to go to the show with

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Speaker 1: Lyla and dreamed of I didn't.

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Speaker 2: I didn't go with them. Let me let me make

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Speaker 2: that clear. I don't want to put that out there.

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Speaker 1: Meanwhile, meanwhile, I'm with w me reps.

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Speaker 2: I know they were the stage. She pulled them on

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Speaker 2: the stage to give them both a private dance. And

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Speaker 2: after she gave them a dance, she asked, She asked

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Speaker 2: the ladies in the crowd, who's pussy is wet and

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Speaker 2: like every woman in there. I think some dudes might

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Speaker 2: like some.

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Speaker 1: I can't quite figure out what it is. Maybe I

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Speaker 1: pissed myself.

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Speaker 2: I laughed so hard, man, because it's just it's just

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Speaker 2: funny when you see like a female entertainer control a

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Speaker 2: room full of women and like they all wanted Like it's.

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Speaker 1: Like all the straight women wanted to Yeah.

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Speaker 2: It's the funniest shit in the world, man. But she

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Speaker 2: put on a great show. It was a great show

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Speaker 2: last night.

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Speaker 1: She didn't use a celebrity for our show. She just

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Speaker 1: used a woman from the crowd, who I might add

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Speaker 1: was a if I were to assume, would be a

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Speaker 1: lack of a better term, as a stud if you will.

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Speaker 1: Some young and ma vibes on the stage and within

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Speaker 1: the segment, Tiana gets on top of her.

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Speaker 2: Like four dancers.

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Speaker 1: Son held all five of them down. She was prepared, Yo,

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Speaker 1: she was ready. I think Gianna met her match. She

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Speaker 1: was a little nervous.

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Speaker 2: I think, yeah, dream Doll, Dream Doll was a little nervous.

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Speaker 2: Lola was a little nervous. I didn't want that tea smoke.

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Speaker 2: I don't I don't want that they didn't want that

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Speaker 2: many They was cool though, you know what I'm saying,

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Speaker 2: seeing seeing them uncomfortable, that's part of the show. But yeah,

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Speaker 2: Tianna put on a great fucking show man. I'm so

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Speaker 2: proud of her. She did it. She did her thing

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Speaker 2: last night.

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Speaker 1: Speaking of that smoke, I did think maybe you stood

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Speaker 1: me up, not only because you didn't have the proper

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Speaker 1: identification or whatever it was. I thought maybe you're a

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Speaker 1: little sugar and want to run run until mon.

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Speaker 2: Yeah, here you go. You take about to go to

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Speaker 2: the show, like, Nah, I forgot my ID. You're gonna

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Speaker 2: try to push this narrative. You said he was gonna

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Speaker 2: show up somewhere. You show up somewhere.

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Speaker 1: Nah, showed up someone at beef with you there?

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Speaker 2: No, nobody's nobody had beef for me. You know, I

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Speaker 2: just couldn't make it. Sad. I made this Sunday though.

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Speaker 2: I made sure I was there. I posted a video

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Speaker 2: let people know I was in the building. Okay, so

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Speaker 2: I'm not so he was like he was letting him know.

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Speaker 2: I was letting I was letting people know. He follow me. No,

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Speaker 2: he doesn't follow him.

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Speaker 1: Okay, you think he checked your page though?

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Speaker 2: No, I don't think so. Did you put him money

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Speaker 2: back into No, no, no, no, no, I'm not even looking.

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Speaker 2: I'm not gonna let you pull me into that because

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Speaker 2: I don't even want it to sound like it's an issue.

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Speaker 2: There's no issue. He felt some type of way about

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Speaker 2: the money bags under one of her posts. Me and

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Speaker 2: t spoke about it, and it was a whole thing

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Speaker 2: because they was, you know, having a little disagreement. But

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Speaker 2: it's all good.

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Speaker 1: You're you're a backstager. You were in backstage? Did you

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Speaker 1: go to backstage?

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Speaker 2: Yeah? I went to I went to ceet after the

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Speaker 2: show real quick. Sean was with me. Okay, yeah, Sean

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Speaker 2: was with me. Just wanted to show her love muscle. No,

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Speaker 2: Sean is my guy. He wasn't the most you.

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Speaker 1: Know, the man can take you and Sean for sure,

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Speaker 1: for sure, absolutely, But I think if Tianna jumps in

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Speaker 1: a definitely yeah nah.

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Speaker 2: But it's all love, man. I shout out to Tiana,

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Speaker 2: shout out to Timan. You're so love with him. That's

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Speaker 2: family man. Okay, yeah, all right.

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Speaker 1: Well, after the show, the Soul Traine Awards were in

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Speaker 1: New York. It was nice to see it.

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Speaker 2: Yeah, people were actually in New York. It's at the Apollo. Yes,

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Speaker 2: I thought that was interesting and interesting venue. It was.

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Speaker 1: It was very very industry over at last lap. The

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Speaker 1: Soul Traine Awards came to last lap. They should have

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Speaker 1: just shot them in there at that point Saturday, right

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Speaker 1: Saturday night.

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Speaker 2: Yeah, which was cool.

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Speaker 1: But yeah, I look forward to see the Soul Traine Awards.

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Speaker 1: I know the ama happened. Dojah Cat won Best STARR

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Speaker 1: and B Artist over Jazmine Sullivan. Listen, man, it is

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Speaker 1: you know you know I'm Dojah high.

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Speaker 2: Yeah, you know those is amazing. She's an amazing artist.

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Speaker 2: I don't want to seem like we slighting her in

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Speaker 2: the in the least bit. She's an amazing artists.

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Speaker 1: But R and B did the album Jazz and Sullivan

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Speaker 1: just put out yeah. No, I don't need to hear

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Speaker 1: say some hh yeah yeah now they got that one.

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Speaker 1: You and Sissa can go to the pop category for

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Speaker 1: that one.

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Speaker 2: Yeah. And I love I love Doja Cat. I think

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Speaker 2: she's amazing. But we're talking R and B album. It's

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Speaker 2: very few that had a better R and B album

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Speaker 2: than Jazz and.

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Speaker 1: Sullivan, and I think I hope they get it right

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Speaker 1: with the Soul Train Awards, because I remember Ari had

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Speaker 1: mentioned a couple of years ago when I think she

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Speaker 1: had gotten slighted on something, and it's like, Doug, this

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Speaker 1: is the Soul Train Awards and Shade butter Baby is

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Speaker 1: not nominated or winning.

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Speaker 2: Right now, it's the.

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Speaker 1: Soul Train Awards, right, Save this other shit for the

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Speaker 1: VMAs or something like. If we're gonna call it the

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Speaker 1: Soul Train Awards, how about soul music is the winner?

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Speaker 2: Yeah, it's it's It's so it seems like every year

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Speaker 2: at these awards shows we talk about this. It's always

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Speaker 2: like they put things in different genres and they call

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Speaker 2: certain things, you know, R and B pop whatever, and

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Speaker 2: it's kind of like a rap and we like, that

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Speaker 2: wasn't a rap album, but that was R and B albums. Like,

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Speaker 2: I don't understand how they are categorizing these, uh, these

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Speaker 2: artists of these albums. But Doja Cat having a better

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Speaker 2: R and B album than Jazmine Settlement?

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Speaker 1: No, we shouldn't have an RnB Did it air at

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Speaker 1: the amix? I just saw a lot of of people

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Speaker 1: that did yesterday. It was alright, Oh yes I missed it.

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Speaker 1: Saw Chloe Bailey, Uh giving it up? Is that the

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Speaker 1: way that they kind of have to get people to

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Speaker 1: watch award shows now because the viewership is so drastically

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Speaker 1: low that it's like, all right, let's make sure the

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Speaker 1: one you want to see twerk is performing.

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Speaker 2: They definitely look at your online impressions.

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Speaker 1: Because let's put it this way. And I know I'm

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Speaker 1: gonna sound like a hater. I'm a big I'm a

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Speaker 1: big Chloe Bailey. I wouldn't say fan, but I appreciate

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Speaker 1: the Chloe and Haley album. I thought it was good.

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Speaker 2: I appreciate what she recognized, her talent. She talented very

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Speaker 2: much so and.

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Speaker 1: A very beautiful girl, even though she still looks way

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Speaker 1: too young for me to find.

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Speaker 2: It find yet.

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Speaker 1: That song is not doing shit like that performance is

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Speaker 1: based off of the let me not say antics, because

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Speaker 1: that's how the stuff that's going on on IG and

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Speaker 1: how they know she's going to perform us what it

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Speaker 1: is because that record let's be rough and she's too

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Speaker 1: talented for that record. Fun records are cool. I get

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Speaker 1: it single after through the video, I understand, but that

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Speaker 1: record is really just based around what she's been doing

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Speaker 1: on IG.

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Speaker 2: So I don't know if that's yeah, I'm with you.

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Speaker 2: I find it a little weird, you know, because she is, well,

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Speaker 2: she's of age. She's how old is she twenty two,

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Speaker 2: twenty two, twenty three something, so yeah, she's a young woman.

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Speaker 2: But I just feel like it's been a little too

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Speaker 2: much over sexualization in the past two years. Like online,

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Speaker 2: I think that, you know, it's great, you know, I

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Speaker 2: love women can be sexy, they can do whatever they want.

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Speaker 2: But it's like you said, I think a lot of

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Speaker 2: people only started to recognize her when she started to

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Speaker 2: you know, post videos online m showing her you know,

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Speaker 2: her body and things like that, which is again that's

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Speaker 2: her prerogative, but I think that's that's starting to overshadow

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Speaker 2: the music and overshadow the art.

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Speaker 1: Yeah, but I mean, is that ever gonna change because

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Speaker 1: you could say that about so much other like he

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Speaker 1: would say that about lil Na's X and what he

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Speaker 1: does and even some of the stunts that rappers do

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Speaker 1: like that is just, I guess one a tool for

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Speaker 1: women that'll take them to the views a bit quicker

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Speaker 1: like Colloy Bell used to fucking post her making beats

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Speaker 1: on ig and the was tough and wouldn't get an intraction. Obviously,

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Speaker 1: we know where it's gonna go with that, and if

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Speaker 1: she's embracing her body.

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Speaker 2: All for it amazing.

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Speaker 1: But that's just kind of becoming I think the total

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Speaker 1: marketing tool. Specifically at Atlantic, I feel like, specifically like

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Speaker 1: getting behind that, putting all your money into that one

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Speaker 1: big sexual record and video from Normani down, Cardi, Meg, everyone.

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Speaker 1: That's kind of just become the strategy and the videos

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Speaker 1: come out phenomenal, look great, but the records never really

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Speaker 1: hit like that.

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Speaker 2: Well that's the thing. I mean, you gotta no matter what, you.

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Speaker 1: Can'da whap obviously wpuck.

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Speaker 2: But if you're gonna you can be beautiful, sexy, you know,

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Speaker 2: all of these things. But if the music, you know,

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Speaker 2: if the product that you're you're selling isn't up to par,

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Speaker 2: really doesn't matter. Yeah what I mean, like, I don't

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Speaker 2: care what stunts the labels try to put together. And oh,

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Speaker 2: you know, Chloe's a grown woman now, you know, let's

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Speaker 2: kind of play into that and her embracing her body,

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Speaker 2: which is great. All of those things are great, But

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Speaker 2: if the music isn't strong, and the music isn't connecting

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Speaker 2: to the fan base, all of that is for what.

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Speaker 1: Yeah, especially when you have artists like her that don't

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Speaker 1: need to rely on it, where super may have to

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Speaker 1: do super talent and Normaley too with super Talented too,

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Speaker 1: it doesn't have to rely on that either. But I mean,

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Speaker 1: that's the world we live in, it unsay. I think

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Speaker 1: it actually says more about society than it doesn't say

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Speaker 1: about the people. Absolutely, because look, I mean, of course

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Speaker 1: we're gonna click that.

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Speaker 2: Absolutely. I mean, she looks amazing, But you know, again,

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Speaker 2: if the music isn't there, it's like we're just stuck

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Speaker 2: on that. Listen, that's all we want to see after

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Speaker 2: a while, you know what I mean.

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Speaker 1: I'm a nerd, so like you know, and like porno

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Speaker 1: categories where they always have like the girls playing video

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Speaker 1: games and then he fucks like, that's like the nerds dream.

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Speaker 1: If Chloe Bailey was doing what she was doing and

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Speaker 1: making beats at the same time, like be half naked

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Speaker 1: to make beats, that's that's my dream. That would give

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Speaker 1: me going like damn, look at look at the titty

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Speaker 1: and the NBC.

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Speaker 2: Okay, I mean, listen, I'm not here. I'm not here

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Speaker 2: to step on nobody's dreams. If that's your dream, then

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Speaker 2: you know all four. But I get what you're saying.

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Speaker 2: If it's gonna be that mix that in with the art,

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Speaker 2: more of the art, you know, show more of the

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Speaker 2: of the talent as far as the music and everything

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Speaker 2: like tied all in together to it makes sense. I

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Speaker 2: get what you're saying. You know, again, it's embracious sexuality,

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Speaker 2: you know, embrace your body. All of those things are great,

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Speaker 2: but make sure that the music is still highlighted and

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Speaker 2: that the music is still what is being uh, what

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Speaker 2: is being put into the spotlight. Because again, if you're

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Speaker 2: just walking around looking sexy and attractive and beautiful, you know,

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Speaker 2: that's then we're gonna have to start getting into like

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Speaker 2: skincare and beauty products in a minute, and get away

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Speaker 2: from the music, you know what I mean. So, you know,

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Speaker 2: she's super talented. I hope that the label gets it

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Speaker 2: right and they start getting music for her, like more

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Speaker 2: for her, just not just because she's talented, and you know,

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Speaker 2: you think she can find out the type of music

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Speaker 2: she wants to make for sure, which I'm sure they

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Speaker 2: probably already doing in Park with Yeah. Sure, but like

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Speaker 2: you said, the music just isn't connecting. I don't know why.

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Speaker 1: I mean, let's give it some time because the last

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Speaker 1: album that she did with her sister I thought was

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Speaker 1: really good mm hmm, and it was definitely leaning more

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Speaker 1: into the mature side of the content. Yeah, so yeah,

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Speaker 1: I mean she has one single out. Obviously they're going

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Speaker 1: around what's going on online, So let's see who knows

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Speaker 1: she give us a fucking seat at the table for

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Speaker 1: all we know, and just this could be the skill

404
00:18:05,960 --> 00:18:06,520
Speaker 1: to trick us.

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Speaker 2: No, I'm waiting because, like I said, I recognize the talent.

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Speaker 2: The talent is there. I know she's amazing talent. But again,

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Speaker 2: for me, the music just hasn't connected. But I'm still

408
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Speaker 2: on board though.

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Speaker 1: Trying to think what else happened over over the weekend

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Speaker 1: as far as anything else.

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Speaker 2: But did you watch The King Richard? I did? Absolutely

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Speaker 2: a great movie, very very inspirational. You almost one thing

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Speaker 2: I do like about the movies that they highlighted Venus

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Speaker 2: because Venus, you know, for years, has been overshadowed by Serena.

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Speaker 2: Serena is arguably one of the if not the greatest

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Speaker 2: athlete of all time, not just tennis player, but greatest

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Speaker 2: athlete of all time. So you know, Venus has been

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Speaker 2: overshadowed by Serena's success in the last few years. And

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Speaker 2: I like the fact that the movie kind of how

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Speaker 2: I lighted Venus. You know, they showed that relationship, how

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Speaker 2: she was the old the one that the father pushed

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Speaker 2: the most and kind of kept Serena in the shadow.

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Speaker 2: But then you know, they showed that conversation of Yo,

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Speaker 2: I kept you in the shadow because I know you're

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Speaker 2: gonna be the greatest, you know, I mean, Venus is

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Speaker 2: just gonna be the one that gets there first. But

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Speaker 2: it was a great movie. Will Smith did a great

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Speaker 2: job and it was inspiring. My homeboy, he has a daughter,

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Speaker 2: and he called me and told me he saw it,

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Speaker 2: and he was like, that movie was so inspiring, especially

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Speaker 2: if you have a daughter as a black man. And

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Speaker 2: I think they did a great job. That's a really

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Speaker 2: really good movie. If if anybody hasn't seen yet, that

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Speaker 2: she definitely watched that movie. I did.

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Speaker 1: I did see some social media traction of folks. Did

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Speaker 1: he have a whole second family or something? Did they

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Speaker 1: get into Yeah.

438
00:19:45,440 --> 00:19:48,439
Speaker 2: They they spoke about that. They addressed that that he

439
00:19:48,520 --> 00:19:52,920
Speaker 2: had other children from an outside relationship. Yeah, they addressed

440
00:19:52,920 --> 00:19:56,399
Speaker 2: that briefly. I mean, can we call it Spada Spade.

441
00:19:56,400 --> 00:20:00,000
Speaker 1: Every time I watched these documentaries that focus on five

442
00:20:00,000 --> 00:20:02,960
Speaker 1: others that like really helped their kids reach their goals.

443
00:20:03,400 --> 00:20:06,200
Speaker 1: They kind of have to have some ant shiitness in them.

444
00:20:06,200 --> 00:20:08,280
Speaker 1: They're all kinds of pieces of ship. Like Tiger's dad

445
00:20:08,359 --> 00:20:10,240
Speaker 1: was kind of a piece of shit. Joe Jackson was

446
00:20:10,320 --> 00:20:13,639
Speaker 1: kind of a piece of ship. I'm hearing from just

447
00:20:13,680 --> 00:20:15,840
Speaker 1: from women's side, Richard.

448
00:20:16,960 --> 00:20:17,440
Speaker 2: That's aside.

449
00:20:17,440 --> 00:20:20,000
Speaker 1: You here, you have to be raised by a toxic

450
00:20:20,040 --> 00:20:21,240
Speaker 1: person to make it.

451
00:20:22,880 --> 00:20:24,920
Speaker 2: No, I'm not gonna say you have to be raised

452
00:20:24,960 --> 00:20:27,920
Speaker 2: by a toxic person in order to make it, but uh,

453
00:20:27,960 --> 00:20:34,000
Speaker 2: there's definitely some connection there, Like you know, it's it's

454
00:20:34,000 --> 00:20:34,880
Speaker 2: just in our community.

455
00:20:35,000 --> 00:20:36,800
Speaker 1: Matthew knows kind of a piece of ship.

456
00:20:37,280 --> 00:20:39,239
Speaker 2: Yeah, I mean, you know it happens, man, I mean,

457
00:20:39,280 --> 00:20:42,440
Speaker 2: you you have, you have, you know, these these relationships

458
00:20:42,480 --> 00:20:47,520
Speaker 2: on the side, and sometimes things happen. Children of children

459
00:20:47,520 --> 00:20:49,760
Speaker 2: are created, and but you want to have a family

460
00:20:49,760 --> 00:20:52,440
Speaker 2: with this person, and you know, it's unfortunate because if

461
00:20:52,480 --> 00:20:54,360
Speaker 2: you have kids and you know you kind of want

462
00:20:54,400 --> 00:20:55,800
Speaker 2: to be there for all the well you should be

463
00:20:55,840 --> 00:20:58,840
Speaker 2: there for all your kids. But most of the time

464
00:20:58,840 --> 00:21:00,320
Speaker 2: it doesn't work out like that. And they you have

465
00:21:00,400 --> 00:21:02,879
Speaker 2: these families growing up with these secrets and these things.

466
00:21:02,920 --> 00:21:06,760
Speaker 2: Like a friend of mine he did ancestry dot com.

467
00:21:06,840 --> 00:21:09,760
Speaker 2: I think that's what he did. And uh, he just

468
00:21:10,080 --> 00:21:13,479
Speaker 2: he just found his real father. Okay through that and

469
00:21:13,520 --> 00:21:15,080
Speaker 2: we were having to talk, and you know, he was

470
00:21:15,119 --> 00:21:16,679
Speaker 2: I was asking him. I was like, yo, do you

471
00:21:17,119 --> 00:21:20,840
Speaker 2: have any hard feelings towards your mom that she you know,

472
00:21:20,920 --> 00:21:23,920
Speaker 2: she never told you this? And he said, at first

473
00:21:23,960 --> 00:21:26,760
Speaker 2: he kind of did, but he was like, you know,

474
00:21:26,840 --> 00:21:29,359
Speaker 2: he really he really doesn't. Like he was like, you know,

475
00:21:29,440 --> 00:21:33,040
Speaker 2: for whatever reason, his mom didn't, you know, want to

476
00:21:33,119 --> 00:21:35,560
Speaker 2: let people know that she had a relationship with this guy.

477
00:21:36,480 --> 00:21:39,040
Speaker 2: And you know, you think about it, it's like, you know,

478
00:21:39,280 --> 00:21:43,359
Speaker 2: our parents were young at one point, and sometimes you

479
00:21:43,359 --> 00:21:45,040
Speaker 2: have relationships with people you're not supposed to have a

480
00:21:45,040 --> 00:21:48,119
Speaker 2: relationship with and things like that, and then you know,

481
00:21:48,280 --> 00:21:50,359
Speaker 2: next thing, you know, you're pregnant. But it's like you

482
00:21:50,400 --> 00:21:52,919
Speaker 2: can't tell people its his kid. You got to, especially

483
00:21:52,920 --> 00:21:55,480
Speaker 2: if you have a relationship with somebody else. So it's

484
00:21:55,520 --> 00:21:58,120
Speaker 2: a lot of things man, that you know, you kind

485
00:21:58,119 --> 00:22:01,720
Speaker 2: of uncover and doing things like that. But I do

486
00:22:01,760 --> 00:22:05,160
Speaker 2: think that it's it's amazing to find who your real

487
00:22:05,240 --> 00:22:07,320
Speaker 2: parents are. For me, it would have been rough to

488
00:22:07,600 --> 00:22:09,320
Speaker 2: accept something like that. I talked to my home where

489
00:22:09,320 --> 00:22:10,480
Speaker 2: every day I'm like, damn for me, it would have

490
00:22:10,520 --> 00:22:13,560
Speaker 2: been rough. But he's happy and you know, and it's

491
00:22:14,680 --> 00:22:16,399
Speaker 2: It was an interesting thing because he found out that

492
00:22:16,440 --> 00:22:19,760
Speaker 2: his father was into music. You know, he's into music,

493
00:22:20,400 --> 00:22:22,600
Speaker 2: and he was saying, how, you know, had he known

494
00:22:22,640 --> 00:22:25,359
Speaker 2: his dad when he was younger, it may have given

495
00:22:25,400 --> 00:22:28,040
Speaker 2: him more confidence for sure to kind of pursue his

496
00:22:28,119 --> 00:22:32,720
Speaker 2: musical dreams, being that his dad has success in the industry.

497
00:22:32,840 --> 00:22:35,560
Speaker 2: So it was interesting. There was a whole deep conversation

498
00:22:35,640 --> 00:22:37,560
Speaker 2: that we went on, but the bottom line that he

499
00:22:38,000 --> 00:22:40,440
Speaker 2: his mom had a relationship, a side relationship with a guy,

500
00:22:41,359 --> 00:22:43,400
Speaker 2: ended up having a kid. But she couldn't obviously tell

501
00:22:43,440 --> 00:22:46,159
Speaker 2: because whatever the situation was back back then, you know,

502
00:22:46,240 --> 00:22:48,440
Speaker 2: she just couldn't tell people that her and this guy

503
00:22:48,480 --> 00:22:51,080
Speaker 2: had a side relationship and things like that. So I'm

504
00:22:51,080 --> 00:22:52,920
Speaker 2: saying that it happens both ways, is what I'm saying.

505
00:22:53,119 --> 00:22:55,840
Speaker 2: You know, the mother can have a kid from a

506
00:22:55,880 --> 00:22:59,040
Speaker 2: relationship that she wasn't supposed to have as well as

507
00:22:59,080 --> 00:23:01,320
Speaker 2: men do. In the King Richard.

508
00:23:01,080 --> 00:23:05,040
Speaker 1: Movie, Well, I mean, I think with dads like uh

509
00:23:05,280 --> 00:23:09,560
Speaker 1: Venus and Serena's Tiger Woods. Matthew knows all these people

510
00:23:10,119 --> 00:23:14,359
Speaker 1: all very ambitious and risk takers as as people, even

511
00:23:14,400 --> 00:23:18,200
Speaker 1: in relationships. So I'm saying we can't always have ambition

512
00:23:18,680 --> 00:23:21,159
Speaker 1: as like a buffet. Like if somebody's.

513
00:23:20,840 --> 00:23:24,520
Speaker 2: Ambitious, they're gonna be ambitious across across the board. They're

514
00:23:24,560 --> 00:23:27,960
Speaker 2: not gonna be personal business and in life and with

515
00:23:28,040 --> 00:23:29,080
Speaker 2: women or with men.

516
00:23:29,200 --> 00:23:31,760
Speaker 1: I'm gonna need more. I'm gonna need more fucking thrills.

517
00:23:31,800 --> 00:23:35,000
Speaker 1: I need to keep my adrenaline going, like, Yeah, it's

518
00:23:35,000 --> 00:23:36,760
Speaker 1: gonna happen in fucking too.

519
00:23:36,720 --> 00:23:38,480
Speaker 2: Yeah, it happens. It happens. Like I said, it happens

520
00:23:38,520 --> 00:23:42,040
Speaker 2: more often than we think. Again, you know, I started

521
00:23:42,320 --> 00:23:43,800
Speaker 2: I started thinking. I was like, damn, how many of

522
00:23:43,840 --> 00:23:47,360
Speaker 2: the homies if they decided to do ancestry dot Com

523
00:23:47,359 --> 00:23:50,640
Speaker 2: would find out Yeah that their dad isn't their real dad.

524
00:23:50,920 --> 00:23:52,400
Speaker 2: You know what I'm saying. It's like, like I said,

525
00:23:52,400 --> 00:23:54,480
Speaker 2: our parents were young at one point. We gotta we

526
00:23:54,560 --> 00:23:56,800
Speaker 2: gotta keep that in perspective. Our parents were young, they

527
00:23:56,800 --> 00:24:01,359
Speaker 2: were having fun, and things happen. Man, things happen, So

528
00:24:01,400 --> 00:24:03,359
Speaker 2: you know, I know it. Sometimes it's easier to say,

529
00:24:03,480 --> 00:24:06,399
Speaker 2: oh no, this is your dad, and it's like that,

530
00:24:06,440 --> 00:24:07,800
Speaker 2: ain't my pop.

531
00:24:08,840 --> 00:24:09,280
Speaker 1: Objective?

532
00:24:09,640 --> 00:24:11,800
Speaker 2: Like what she was doing? Man, you know what I'm

533
00:24:11,840 --> 00:24:14,240
Speaker 2: saying that type of thing. But yeah, the King Richie

534
00:24:14,280 --> 00:24:16,840
Speaker 2: movie is a great movie. Uh, they got that one right,

535
00:24:18,040 --> 00:24:19,840
Speaker 2: And shout out to Will Smith. Another great movie to

536
00:24:19,880 --> 00:24:20,440
Speaker 2: his catalog.

537
00:24:20,720 --> 00:24:23,119
Speaker 1: For sure. It sucks that his press run has to

538
00:24:23,160 --> 00:24:25,480
Speaker 1: involve his sex life and Jada's ambitions.

539
00:24:25,520 --> 00:24:27,800
Speaker 2: I mean, she's an ambitious person. No, I get it,

540
00:24:27,840 --> 00:24:29,840
Speaker 2: you know. I mean listen, if things happen, you know,

541
00:24:29,920 --> 00:24:32,840
Speaker 2: she want to have entanglements and things like that. I mean, listen,

542
00:24:32,880 --> 00:24:34,880
Speaker 2: Jada's beautiful. Man, I get it. I'm with you.

543
00:24:34,920 --> 00:24:37,600
Speaker 1: Speaking of family thanksgivings coming up?

544
00:24:37,760 --> 00:24:39,200
Speaker 2: Yeah, I mean.

545
00:24:39,119 --> 00:24:42,120
Speaker 1: Outside of the genocide, it is one of my favoritealities.

546
00:24:42,880 --> 00:24:46,720
Speaker 2: Well, did they change it officially? Is a Native American? No,

547
00:24:46,800 --> 00:24:50,640
Speaker 2: it's the next day, so we still know we're still

548
00:24:50,680 --> 00:24:53,679
Speaker 2: doing thanks. Okay, we're still giving thanks for knowledge. And

549
00:24:53,800 --> 00:24:56,120
Speaker 2: but then the next day it's like the repass trying

550
00:24:56,119 --> 00:24:58,600
Speaker 2: to Yeah, it's like we're trying to promote change. Yoh

551
00:24:59,160 --> 00:25:01,600
Speaker 2: got it? God crazy that we did that. Yes, but

552
00:25:01,680 --> 00:25:04,520
Speaker 2: you'll hear we here's another day where we can acknowledge that. Yo,

553
00:25:04,520 --> 00:25:05,480
Speaker 2: we did some fun up ship.

554
00:25:05,720 --> 00:25:08,000
Speaker 1: I know, we've discovered India and we still call you Indians.

555
00:25:08,119 --> 00:25:09,720
Speaker 1: Yeah yeah, yeah, my bad.

556
00:25:10,200 --> 00:25:14,080
Speaker 2: It's uh again when you start to peel back these layers. Man,

557
00:25:14,800 --> 00:25:18,560
Speaker 2: this society is crazy. But yeah, the holiday is coming up.

558
00:25:18,560 --> 00:25:21,440
Speaker 2: I don't like to say Thanksgiving. The holiday is coming up, okay,

559
00:25:22,160 --> 00:25:24,120
Speaker 2: just another excuse for people not to go to work

560
00:25:24,160 --> 00:25:26,280
Speaker 2: and spend time with their family. Look at what we

561
00:25:26,320 --> 00:25:27,439
Speaker 2: need to spend time with our family.

562
00:25:28,000 --> 00:25:31,080
Speaker 1: We need to celebrate a genocide. We've got to celebrating

563
00:25:31,119 --> 00:25:32,240
Speaker 1: an entire ye people.

564
00:25:32,760 --> 00:25:36,520
Speaker 2: I'm telling you. The society is crazy, man. But either way, yeah,

565
00:25:36,640 --> 00:25:40,359
Speaker 2: it's time with the family coming up. It's interesting for

566
00:25:40,400 --> 00:25:43,520
Speaker 2: me now around the holidays because I'm vegan, so now

567
00:25:43,560 --> 00:25:45,520
Speaker 2: my mom has to call me like two weeks before, like, okay,

568
00:25:45,520 --> 00:25:46,720
Speaker 2: so what is it that you need?

569
00:25:47,480 --> 00:25:49,560
Speaker 1: I probably wouldn't even invite you to keep it a buck.

570
00:25:50,000 --> 00:25:52,560
Speaker 2: You can't. It's all sorid like veggies. Just have some

571
00:25:52,680 --> 00:25:55,520
Speaker 2: veggies for me, Have some veggies and some rice and

572
00:25:55,960 --> 00:25:58,200
Speaker 2: you know things like that. I'm cool. I mean, see

573
00:25:58,200 --> 00:25:59,320
Speaker 2: you you're also this guy.

574
00:25:59,400 --> 00:26:02,639
Speaker 1: So this example could be weird when everyone's smoking and

575
00:26:02,720 --> 00:26:05,480
Speaker 1: drinking and doing whatever, like at a party, and then

576
00:26:05,480 --> 00:26:08,040
Speaker 1: there's like that one person in the corner that's just

577
00:26:08,119 --> 00:26:10,320
Speaker 1: dead sober, and like they're just fucking up the vibes.

578
00:26:10,600 --> 00:26:13,119
Speaker 1: Like if everyone's tripping on mushrooms and it's one person

579
00:26:13,119 --> 00:26:15,399
Speaker 1: that's not, and it's like, you're really fucking up the

580
00:26:15,440 --> 00:26:17,840
Speaker 1: energy over here. That's kind of how I feel. You

581
00:26:17,880 --> 00:26:19,879
Speaker 1: would be at a Thanksgiving table.

582
00:26:20,600 --> 00:26:22,439
Speaker 2: It would it would be my plate would look a

583
00:26:22,440 --> 00:26:25,480
Speaker 2: lot different from everybody else's better than us. No, not

584
00:26:25,480 --> 00:26:27,560
Speaker 2: not at all. My plate will look different, but won't

585
00:26:28,440 --> 00:26:31,840
Speaker 2: it's nah, you can. I'm gonna get my vegan shit

586
00:26:31,840 --> 00:26:33,760
Speaker 2: off just for you. I'm gonna tag you in every

587
00:26:33,840 --> 00:26:37,359
Speaker 2: vegan plate I post this, this, this, this, think this holiday.

588
00:26:37,359 --> 00:26:40,160
Speaker 2: I don't want to Thanksgiving this holiday. But yeah, it's

589
00:26:41,520 --> 00:26:43,480
Speaker 2: we need to normalize being vegan man, because I feel

590
00:26:43,480 --> 00:26:45,560
Speaker 2: like I be. I'm outcasted a lot, Like when I

591
00:26:45,560 --> 00:26:47,600
Speaker 2: go out with my friends now, yeah, well deserved, they're like, oh,

592
00:26:47,600 --> 00:26:49,280
Speaker 2: he doesn't eat that. I'm like, why do you have

593
00:26:49,280 --> 00:26:52,560
Speaker 2: to yell at? Like why you gotta yell at Like okay,

594
00:26:52,680 --> 00:26:53,639
Speaker 2: yeah no I don't eat that.

595
00:26:54,040 --> 00:26:56,280
Speaker 1: It's our get back because you have to remind us

596
00:26:56,320 --> 00:26:57,880
Speaker 1: every time it's beating in my brain.

597
00:26:58,040 --> 00:27:00,199
Speaker 2: I don't have to remind. I don't remind anybody like

598
00:27:00,240 --> 00:27:01,919
Speaker 2: I just I show up and if there's nothing there

599
00:27:01,920 --> 00:27:03,200
Speaker 2: that I can't eat, I just don't eat.

600
00:27:04,119 --> 00:27:06,280
Speaker 1: We were talking about doing like our team Christmas dinner

601
00:27:06,280 --> 00:27:08,800
Speaker 1: and planning that. We're going through lists of restaurants, and

602
00:27:09,320 --> 00:27:10,959
Speaker 1: every time we landed on one, it was like, yo,

603
00:27:11,000 --> 00:27:14,280
Speaker 1: I'm all can't vegan.

604
00:27:15,280 --> 00:27:18,120
Speaker 2: I can do carbone. It would just be all veggies.

605
00:27:18,240 --> 00:27:18,960
Speaker 2: I was it.

606
00:27:19,040 --> 00:27:21,240
Speaker 1: I was at Barboudas this past week looking at the

607
00:27:21,280 --> 00:27:23,680
Speaker 1: menu because they got this nice little table like by

608
00:27:23,720 --> 00:27:25,720
Speaker 1: the kitchen set up, and I was like, oh, it

609
00:27:25,800 --> 00:27:28,119
Speaker 1: would be ill looked at the menu, I was like,

610
00:27:28,119 --> 00:27:29,879
Speaker 1: all right, I guess he could have the kale salad.

611
00:27:30,240 --> 00:27:31,439
Speaker 1: I don't know how they make the dresses.

612
00:27:31,960 --> 00:27:34,000
Speaker 2: God, listen, man, all you gotta do is make sure

613
00:27:34,320 --> 00:27:37,840
Speaker 2: they got veggies. As long as it's veggies, I'm good.

614
00:27:38,119 --> 00:27:42,119
Speaker 1: Well, Luckily you don't have to deal with what a

615
00:27:42,160 --> 00:27:45,240
Speaker 1: lot of us whites have to deal with come holiday time.

616
00:27:46,200 --> 00:27:48,400
Speaker 1: A lot of us whites have some relatives with.

617
00:27:48,320 --> 00:27:52,240
Speaker 2: Some opinions, and us too, don't worry about it. And

618
00:27:52,280 --> 00:27:57,080
Speaker 2: when the wild turkey gets going, they want to express them.

619
00:27:57,520 --> 00:27:59,640
Speaker 2: That's how it always happens. Though, Listen, I keep telling

620
00:27:59,640 --> 00:28:02,560
Speaker 2: you man more alike than we think. Man, I promise

621
00:28:02,560 --> 00:28:04,520
Speaker 2: you y'all. It's the same thing with my family. Like

622
00:28:04,560 --> 00:28:08,600
Speaker 2: once that alcohol get the going, the secrets start coming out.

623
00:28:08,720 --> 00:28:11,640
Speaker 1: But I feel like everyone from the tri State that's

624
00:28:11,680 --> 00:28:14,639
Speaker 1: white has probably an uncle or an or whatever that

625
00:28:15,119 --> 00:28:17,920
Speaker 1: either lives up state or maybe Midwest, and they come

626
00:28:17,960 --> 00:28:21,800
Speaker 1: out and like you're feeling real democratic at dinner, Yeah,

627
00:28:22,160 --> 00:28:23,840
Speaker 1: and then someone has to get their point. They're read

628
00:28:23,880 --> 00:28:26,879
Speaker 1: off of Facebook this morning, and then it becomes a

629
00:28:26,920 --> 00:28:27,560
Speaker 1: fucking argument.

630
00:28:27,680 --> 00:28:29,960
Speaker 2: Listen, bro I have uncles that still argue over one

631
00:28:30,040 --> 00:28:33,120
Speaker 2: hundred dollars from nineteen seventy eight. But those are funny. Yeah,

632
00:28:33,160 --> 00:28:35,320
Speaker 2: but it's like fair, y'all, gotta put that thing. He

633
00:28:35,480 --> 00:28:38,320
Speaker 2: only one hundred. I'm like, fab it's twenty to twenty one,

634
00:28:38,440 --> 00:28:39,280
Speaker 2: like relaxed.

635
00:28:39,360 --> 00:28:41,880
Speaker 1: When I'm going for my second plate, I really don't

636
00:28:41,880 --> 00:28:43,560
Speaker 1: want to overhear lock her up.

637
00:28:44,040 --> 00:28:45,719
Speaker 2: I just don't need that. And by like, dog, can

638
00:28:45,760 --> 00:28:48,320
Speaker 2: we just watch the Cowboys and the Lions? Whoever the

639
00:28:48,360 --> 00:28:51,520
Speaker 2: fuck is every single year? I don't care.

640
00:28:52,120 --> 00:28:53,640
Speaker 1: No, I didn't vote. I'm part of the problem.

641
00:28:53,720 --> 00:28:54,320
Speaker 2: Leave me alone.

642
00:28:54,360 --> 00:28:55,720
Speaker 1: Even if I voted, I'm not talking to you.

643
00:28:56,480 --> 00:28:59,840
Speaker 2: I want to bring up politics this year at dinner.

644
00:28:59,600 --> 00:29:01,680
Speaker 1: Though, I just a rou shit up.

645
00:29:01,760 --> 00:29:03,800
Speaker 2: Oh but but you know why, only because I feel

646
00:29:03,800 --> 00:29:07,560
Speaker 2: like I tell people all the time. I think one

647
00:29:07,640 --> 00:29:11,160
Speaker 2: of the best things that happened during the Trump presidency

648
00:29:11,360 --> 00:29:14,280
Speaker 2: was more people started to pay attention to politics than before.

649
00:29:14,840 --> 00:29:17,840
Speaker 2: I think more people started to, like, you know, really

650
00:29:17,880 --> 00:29:21,120
Speaker 2: pay attention to what's going on. They started to get involved,

651
00:29:21,120 --> 00:29:23,720
Speaker 2: and however they got the information social media, wherever they

652
00:29:23,720 --> 00:29:25,680
Speaker 2: got it from. I think more people started to pay

653
00:29:25,680 --> 00:29:29,760
Speaker 2: attention to the presidency. So it's just interesting to hear

654
00:29:29,880 --> 00:29:33,840
Speaker 2: like people's opinions now because more people are reading and

655
00:29:33,880 --> 00:29:35,880
Speaker 2: they're trying to figure out what is the president doing

656
00:29:35,960 --> 00:29:38,360
Speaker 2: versus what they're not doing and what's going on. So

657
00:29:38,400 --> 00:29:40,160
Speaker 2: it's just fun now. It's like I don't care who

658
00:29:40,200 --> 00:29:42,680
Speaker 2: you voted for. That's not the topic of discussion. It's

659
00:29:42,720 --> 00:29:44,680
Speaker 2: more so like what do you think is going on

660
00:29:44,760 --> 00:29:47,080
Speaker 2: right now? Like are you happy with the way this

661
00:29:47,120 --> 00:29:49,760
Speaker 2: presidency is going? What do you think it changed? What

662
00:29:49,800 --> 00:29:51,480
Speaker 2: did the president say he was going to do that

663
00:29:51,560 --> 00:29:53,880
Speaker 2: he hasn't done. Things like that it's just funny to

664
00:29:53,920 --> 00:29:55,160
Speaker 2: hear people talk about shit like that.

665
00:29:55,360 --> 00:29:58,880
Speaker 1: That just sometimes I feel I feel you. But I

666
00:29:58,920 --> 00:30:01,320
Speaker 1: also kind of think the other way of maybe some

667
00:30:01,320 --> 00:30:02,800
Speaker 1: people shouldn't pay attention to politics.

668
00:30:02,840 --> 00:30:06,000
Speaker 2: Maybe it's ain't Jilane oh for sure. Maybe some people

669
00:30:06,920 --> 00:30:09,920
Speaker 2: it's more of your lane. Some people in politics shouldn't

670
00:30:09,920 --> 00:30:12,520
Speaker 2: pay attention to politics. Like let's just be honest, Like

671
00:30:12,680 --> 00:30:14,520
Speaker 2: it's like, what do you do against sir? Why are

672
00:30:14,520 --> 00:30:14,840
Speaker 2: you here?

673
00:30:15,200 --> 00:30:19,360
Speaker 1: Like at my fucking grandmother's repass, one of my uncles

674
00:30:19,480 --> 00:30:23,240
Speaker 1: was debating gender pronouns to us and no one brought

675
00:30:23,240 --> 00:30:24,920
Speaker 1: it up, Like we're just at a repass.

676
00:30:25,000 --> 00:30:26,520
Speaker 2: He just wants to talk about.

677
00:30:26,840 --> 00:30:28,880
Speaker 1: I can't believe I have to use these pronouns like.

678
00:30:28,880 --> 00:30:34,120
Speaker 2: Dog, you don't work. Yeah, but again that's just because.

679
00:30:33,800 --> 00:30:35,680
Speaker 1: We're in a home. There's just one bathroom.

680
00:30:35,760 --> 00:30:38,600
Speaker 2: But I like older, older relatives, like you said, they're

681
00:30:38,680 --> 00:30:42,440
Speaker 2: still on these like my mom sends me things and

682
00:30:42,480 --> 00:30:44,320
Speaker 2: I'm like, my first of all, this is from six

683
00:30:44,400 --> 00:30:47,720
Speaker 2: years ago, and this is not true. This is not happening.

684
00:30:47,800 --> 00:30:50,200
Speaker 2: This was they found that this was false. It's like

685
00:30:50,240 --> 00:30:53,600
Speaker 2: they see ship and they go with it and it's like, ma,

686
00:30:53,880 --> 00:30:57,400
Speaker 2: that's not real that they already found out that was fake.

687
00:30:57,440 --> 00:30:58,640
Speaker 2: That's not happening because they.

688
00:30:58,560 --> 00:31:01,160
Speaker 1: Come from that era where whatever was said on the

689
00:31:01,160 --> 00:31:03,920
Speaker 1: news or whatever is fact. And then they sign up

690
00:31:03,920 --> 00:31:06,320
Speaker 1: for Facebook, not realizing anyone can post anything.

691
00:31:06,320 --> 00:31:08,920
Speaker 2: And it's exactly exactly that that happens.

692
00:31:09,000 --> 00:31:11,400
Speaker 1: Collusion in Russia, exactly.

693
00:31:11,680 --> 00:31:13,200
Speaker 2: That happens once a week, I promise you.

694
00:31:14,160 --> 00:31:15,040
Speaker 1: What with his laptop.

695
00:31:15,240 --> 00:31:18,120
Speaker 2: Yeah, it's just like, that's not it didn't happen. That's old.

696
00:31:18,160 --> 00:31:20,800
Speaker 2: First of all, that's four years ago. But it's just

697
00:31:20,800 --> 00:31:24,200
Speaker 2: fun to listen to family, be around family, and even

698
00:31:24,240 --> 00:31:26,600
Speaker 2: if they don't know what the hell they're talking about,

699
00:31:26,640 --> 00:31:27,520
Speaker 2: it's just a great.

700
00:31:27,320 --> 00:31:31,000
Speaker 1: Time outside of politics. There will be the when you're

701
00:31:31,000 --> 00:31:34,400
Speaker 1: gonna settle down and give us some kids. Jesus Christ,

702
00:31:34,440 --> 00:31:36,520
Speaker 1: you're getting into that age where do they just.

703
00:31:36,600 --> 00:31:41,800
Speaker 2: Know it ain't getting too I'm here, I'm full fledged here. Yeah. Man,

704
00:31:41,840 --> 00:31:44,400
Speaker 2: It's just I don't know, can we normalize not having children?

705
00:31:45,280 --> 00:31:47,560
Speaker 2: I mean, I guess why we can't normalize that.

706
00:31:47,760 --> 00:31:50,640
Speaker 1: I think traffic is bad as it is already exact

707
00:31:50,760 --> 00:31:52,520
Speaker 1: less kids, less kids coming into the earth.

708
00:31:52,720 --> 00:31:55,120
Speaker 2: Yeah, and and I'm fine with see because for me,

709
00:31:55,240 --> 00:31:57,640
Speaker 2: if I had a bunch of kids, right, Like, say

710
00:31:57,640 --> 00:32:00,920
Speaker 2: I had just a bunch of kids running around, my

711
00:32:00,920 --> 00:32:02,959
Speaker 2: family will look at me like he go he keep

712
00:32:03,000 --> 00:32:05,840
Speaker 2: pumping them out. But the fact that I don't have any,

713
00:32:06,040 --> 00:32:09,440
Speaker 2: it's still like, yeah, it's like yo, all right, fam,

714
00:32:09,520 --> 00:32:12,000
Speaker 2: Like I just can't win with y'all. But again, man,

715
00:32:12,160 --> 00:32:14,080
Speaker 2: the thing with kids with me is, you know, if

716
00:32:14,160 --> 00:32:16,680
Speaker 2: I if I wanted kids, I could have kids. But

717
00:32:16,720 --> 00:32:18,400
Speaker 2: I want to find it did work, that's what you're saying.

718
00:32:18,400 --> 00:32:20,840
Speaker 2: Oh it works. I check it every morning. It works,

719
00:32:21,120 --> 00:32:24,800
Speaker 2: but it's just scares lately. Are they still swimming? No, absolutely,

720
00:32:24,920 --> 00:32:27,760
Speaker 2: they're still swimming. But yeah, it's just I just I

721
00:32:27,760 --> 00:32:29,560
Speaker 2: don't want just kids. I don't want to just have

722
00:32:29,600 --> 00:32:31,680
Speaker 2: a baby mom like. I want. I want a family.

723
00:32:32,000 --> 00:32:34,520
Speaker 2: I want to wake up. Looks fun, it looks it

724
00:32:34,520 --> 00:32:36,440
Speaker 2: looks like a fun time. That's just like having a

725
00:32:36,480 --> 00:32:40,440
Speaker 2: family looks dope. But it's hard, man, it's not easy. Well,

726
00:32:40,480 --> 00:32:44,200
Speaker 2: you have less pressure your sister as a child. But

727
00:32:44,280 --> 00:32:46,160
Speaker 2: I'm the only one out of my sisters and brothers

728
00:32:46,160 --> 00:32:48,560
Speaker 2: that doesn't have a kid, Like, I'm literally the only one.

729
00:32:49,080 --> 00:32:53,440
Speaker 1: I am an only child, and I have been getting

730
00:32:53,480 --> 00:32:56,400
Speaker 1: that question since I was sixteen. Like my mom wanted

731
00:32:56,440 --> 00:32:58,560
Speaker 1: me to be on sixteen and pregnant, like, when are

732
00:32:58,560 --> 00:33:00,680
Speaker 1: the grand kids coming? I'm like mine, I just learned

733
00:33:00,720 --> 00:33:02,280
Speaker 1: how to use this stay.

734
00:33:02,640 --> 00:33:05,160
Speaker 2: I haven't mastered it yet, but I'll let you know

735
00:33:05,200 --> 00:33:08,400
Speaker 2: when I get there. Yeah yeah, you are the only Yeah,

736
00:33:08,440 --> 00:33:11,320
Speaker 2: so that conversation is it's rough. Oh yeah yeah yeah yeah,

737
00:33:11,680 --> 00:33:13,719
Speaker 2: I don't. I don't wish that on anybody. I already

738
00:33:13,760 --> 00:33:14,400
Speaker 2: know what.

739
00:33:14,560 --> 00:33:17,520
Speaker 1: You have a dog, I know basically now has become

740
00:33:17,560 --> 00:33:20,600
Speaker 1: My mother really treats basically like they all do, like

741
00:33:20,600 --> 00:33:21,480
Speaker 1: an actual.

742
00:33:21,240 --> 00:33:24,200
Speaker 2: They all do. They all moms treat treat their kids

743
00:33:24,280 --> 00:33:27,760
Speaker 2: dog like it's their grandchildren give grandchildren.

744
00:33:27,160 --> 00:33:29,560
Speaker 1: Which terrifies me when I actually do have kids, because

745
00:33:30,080 --> 00:33:31,640
Speaker 1: I don't think my mom is gonna let me raise

746
00:33:31,640 --> 00:33:35,080
Speaker 1: my children. I think she's gonna kidnap my kids. The

747
00:33:35,080 --> 00:33:37,120
Speaker 1: way she treats basically and the way she's been pressuring me,

748
00:33:37,200 --> 00:33:39,560
Speaker 1: I think she just wants to have like more kids.

749
00:33:39,880 --> 00:33:45,760
Speaker 2: What that's the grandparents role is to essentially become parents again, raising, raise,

750
00:33:45,880 --> 00:33:46,680
Speaker 2: keep your kids off.

751
00:33:46,680 --> 00:33:48,120
Speaker 1: Well you want to go do this fun shit?

752
00:33:48,160 --> 00:33:50,680
Speaker 2: They're not doing nothing else home watching what what are

753
00:33:50,680 --> 00:33:52,200
Speaker 2: they watching that? I don't know what the parents. Watch

754
00:33:52,280 --> 00:33:56,280
Speaker 2: now Facebook, okay, watch face, watch the grandkids while we

755
00:33:56,360 --> 00:33:58,160
Speaker 2: go out and make some more grandkids. That's how. That's

756
00:33:58,160 --> 00:34:01,280
Speaker 2: all we're trying to do, go out and and fornicate. Yeah.

757
00:34:01,280 --> 00:34:04,360
Speaker 1: I wonder how many kids came because you was able

758
00:34:04,400 --> 00:34:05,400
Speaker 1: to drop your kid off.

759
00:34:05,480 --> 00:34:09,520
Speaker 2: Oh millions, millions who cycle? That's how all the second

760
00:34:09,560 --> 00:34:12,120
Speaker 2: the second kids come. Yeah.

761
00:34:12,440 --> 00:34:15,840
Speaker 1: Well, and all my cousins for the most part, have

762
00:34:16,040 --> 00:34:19,000
Speaker 1: kids when they're older, so my mom already been past

763
00:34:19,080 --> 00:34:21,920
Speaker 1: the great aunt thing with them. Yeah, pressures on it.

764
00:34:22,000 --> 00:34:24,280
Speaker 1: This thing is giving might get weirdly the pressure.

765
00:34:24,360 --> 00:34:26,640
Speaker 2: The pressure is on for me though I speak like

766
00:34:26,680 --> 00:34:28,680
Speaker 2: it's not, but it is like some of them, like

767
00:34:28,719 --> 00:34:31,239
Speaker 2: a lot of my nieces and nephews have kids, you

768
00:34:31,239 --> 00:34:33,239
Speaker 2: know what I mean. Like I'm I'm that like where

769
00:34:33,239 --> 00:34:35,799
Speaker 2: it's like a lot of my nieces and nephews have kids,

770
00:34:35,840 --> 00:34:38,279
Speaker 2: and it's like they looking at me like, yoh, what's up?

771
00:34:38,280 --> 00:34:42,480
Speaker 2: What you doing? I'm like, nah, I'm out here. I'm

772
00:34:42,920 --> 00:34:46,239
Speaker 2: still see I'm still free, man, I'm still out here

773
00:34:46,320 --> 00:34:48,319
Speaker 2: running around. I can come and go as I please. Man.

774
00:34:48,320 --> 00:34:49,920
Speaker 2: That's the beauty of it. I think though, for me

775
00:34:50,280 --> 00:34:52,759
Speaker 2: is the fact that I don't have a bunch of

776
00:34:52,800 --> 00:34:55,880
Speaker 2: baby moms running around like I think that. No, I don't.

777
00:34:56,400 --> 00:34:58,759
Speaker 1: Ain't knows your kid can do ancestry dot Com in

778
00:34:58,800 --> 00:35:00,160
Speaker 1: fifteen years and find you.

779
00:35:00,280 --> 00:35:03,080
Speaker 2: Nah nah that a woman would have definitely told me

780
00:35:03,120 --> 00:35:04,719
Speaker 2: by now, like, yo, you know this is your kid?

781
00:35:04,840 --> 00:35:07,799
Speaker 1: I mean what about that time in Virginia? What are

782
00:35:07,800 --> 00:35:08,319
Speaker 1: you talking about?

783
00:35:08,320 --> 00:35:11,200
Speaker 2: I'm just trying to fish you gotta be looking at

784
00:35:11,280 --> 00:35:12,799
Speaker 2: you like wait, first of all, when have we ever

785
00:35:12,840 --> 00:35:15,480
Speaker 2: been to Virginia together? Never been to Virginia. That's why

786
00:35:15,480 --> 00:35:17,719
Speaker 2: I'm like, wait what nah nah? Never that nah. I

787
00:35:17,760 --> 00:35:21,719
Speaker 2: don't have no kids, thankfully, but hopefully soon, hopefully soon.

788
00:35:22,000 --> 00:35:25,279
Speaker 2: I mean, just don't pull out easy. See you see

789
00:35:25,280 --> 00:35:28,120
Speaker 2: the white boys and y'all, y'all, y'all are just crazy

790
00:35:28,160 --> 00:35:28,480
Speaker 2: with y'all.

791
00:35:28,840 --> 00:35:29,640
Speaker 1: That's how you have a child.

792
00:35:29,719 --> 00:35:31,759
Speaker 2: Yeah, but that but you can't see don't pull out?

793
00:35:31,800 --> 00:35:35,600
Speaker 2: Like what if it's I'm in somebody that I want

794
00:35:35,640 --> 00:35:39,239
Speaker 2: to I should pull out of? I mean, are you saying,

795
00:35:39,239 --> 00:35:42,160
Speaker 2: don't see see now you want me to roll? This

796
00:35:42,200 --> 00:35:44,319
Speaker 2: is in Vegas for this is my life.

797
00:35:44,600 --> 00:35:48,120
Speaker 1: Look at all the amazing athletes that have came because

798
00:35:48,400 --> 00:35:51,760
Speaker 1: fathers rolled the dice and nutted inside somebody.

799
00:35:51,520 --> 00:35:56,319
Speaker 2: Name one athlete that we got with Lebron.

800
00:35:56,840 --> 00:35:59,120
Speaker 1: Lebron around the story all the time.

801
00:35:59,600 --> 00:36:01,680
Speaker 2: But how wait, all right, so let's talk about it.

802
00:36:01,760 --> 00:36:03,279
Speaker 2: What story are you talking about? Like, how do you

803
00:36:03,320 --> 00:36:05,759
Speaker 2: know Lebron's dad rolled the dice? How do you know

804
00:36:05,840 --> 00:36:11,239
Speaker 2: that wasn't a conversation he boot he rolled the dice

805
00:36:11,280 --> 00:36:13,440
Speaker 2: out out of that game immediately he lost.

806
00:36:13,719 --> 00:36:14,640
Speaker 1: Oh, he definitely looked.

807
00:36:14,920 --> 00:36:17,960
Speaker 2: That's like he threw away a mega million's ticket.

808
00:36:18,200 --> 00:36:18,640
Speaker 1: That's crazy.

809
00:36:18,719 --> 00:36:22,759
Speaker 2: Yeah, nah, he's definitely the biggest idiot ever walking away

810
00:36:22,760 --> 00:36:23,359
Speaker 2: from that child.

811
00:36:23,520 --> 00:36:26,480
Speaker 1: And like the way Broun looks, I'm sure obviously his

812
00:36:26,560 --> 00:36:30,080
Speaker 1: father looks like him. So I'm sure his dad walking

813
00:36:30,120 --> 00:36:33,160
Speaker 1: around Ohio and everyone's like, that's got to be Lebron's dad.

814
00:36:33,200 --> 00:36:36,520
Speaker 1: There's no way this six non dude that looks like

815
00:36:36,560 --> 00:36:37,479
Speaker 1: Bron isn't his father.

816
00:36:37,600 --> 00:36:40,040
Speaker 2: I can promise you his biological dad is not walking

817
00:36:40,080 --> 00:36:43,040
Speaker 2: around Ohio. What do you think it is somewhere try

818
00:36:43,080 --> 00:36:46,719
Speaker 2: to kill a solf somewhere is slitting his wrist. You

819
00:36:46,840 --> 00:36:50,000
Speaker 2: what if your son is Lebron James and you walked

820
00:36:50,000 --> 00:36:52,560
Speaker 2: out of his life and it's crazy.

821
00:36:52,800 --> 00:36:54,440
Speaker 1: It would have been like early too a lot of

822
00:36:54,480 --> 00:36:55,040
Speaker 1: people make.

823
00:36:55,040 --> 00:36:57,400
Speaker 2: Thinking out of any child's life crazy. We don't want

824
00:36:57,440 --> 00:36:59,360
Speaker 2: to say that, but when your child turns out to

825
00:36:59,400 --> 00:37:03,800
Speaker 2: be Lebron James, you gotta be trying to kill yourself

826
00:37:03,800 --> 00:37:04,200
Speaker 2: every day.

827
00:37:04,239 --> 00:37:06,279
Speaker 1: But it was early too, so many people make it

828
00:37:06,400 --> 00:37:08,480
Speaker 1: like in their twenties and thirties and then the parents

829
00:37:08,520 --> 00:37:12,719
Speaker 1: are like, damn fuck Lebron was the prodigy at thirteen, yeah,

830
00:37:12,719 --> 00:37:14,759
Speaker 1: fourteen ye he boogeed it. A few years later it

831
00:37:14,840 --> 00:37:15,600
Speaker 1: was like fuck.

832
00:37:15,480 --> 00:37:18,120
Speaker 2: Yeah, like fourteen, yeah, your son was ready as Yeah,

833
00:37:18,120 --> 00:37:19,880
Speaker 2: your son was already the best player in the in

834
00:37:19,920 --> 00:37:22,319
Speaker 2: the country at the age of probably twelve thirty fourths old,

835
00:37:22,680 --> 00:37:24,640
Speaker 2: and you was somewhere sitting around like trying to get

836
00:37:24,680 --> 00:37:27,120
Speaker 2: back in. It was like, nah, we're not doing that.

837
00:37:27,239 --> 00:37:28,799
Speaker 2: You see what he's headed and you're trying to get

838
00:37:28,800 --> 00:37:29,960
Speaker 2: back in. Nah, we're not doing that.

839
00:37:30,080 --> 00:37:31,920
Speaker 1: And he's like publicly unforgiving.

840
00:37:32,440 --> 00:37:34,200
Speaker 2: Oh yeah no, lets it be known.

841
00:37:34,239 --> 00:37:36,319
Speaker 1: Yeah he's not like, hey listen, I can help where

842
00:37:36,320 --> 00:37:38,120
Speaker 1: I can, but that relationship good men.

843
00:37:38,200 --> 00:37:41,120
Speaker 2: Some other time you just fuck him, yeah, And I'm

844
00:37:41,120 --> 00:37:43,200
Speaker 2: not mad. I'm mad at him at all. That's how

845
00:37:43,239 --> 00:37:44,360
Speaker 2: it should be. Fuck him.

846
00:37:44,400 --> 00:37:47,480
Speaker 1: So yeah, maybe if you not in a woman that

847
00:37:47,640 --> 00:37:48,959
Speaker 1: you probably wouldn't want to.

848
00:37:48,840 --> 00:37:51,920
Speaker 2: Be with, and then you boogie. Maybe I would have

849
00:37:51,920 --> 00:37:54,239
Speaker 2: like some some prodigy kid that I don't want to

850
00:37:54,320 --> 00:37:55,759
Speaker 2: end up like Lebron's with your jeans.

851
00:37:55,760 --> 00:37:57,440
Speaker 1: He could be the greatest rapper of all time, who knows.

852
00:37:57,520 --> 00:37:58,960
Speaker 2: Yeah, but I don't want to end up like Lebron's

853
00:37:59,000 --> 00:37:59,640
Speaker 2: that I want to be there.

854
00:37:59,760 --> 00:38:04,040
Speaker 1: It's they're a really good rapper from a two parent home. Yeah,

855
00:38:04,880 --> 00:38:06,680
Speaker 1: I'm sure I don't want to hear their raps.

856
00:38:06,960 --> 00:38:10,800
Speaker 2: Well, you got to hear broke broken home raps. Broken

857
00:38:10,880 --> 00:38:13,360
Speaker 2: home raps is different though, Like it's a different struggle

858
00:38:13,400 --> 00:38:15,239
Speaker 2: that is in your bars when you come from a

859
00:38:15,280 --> 00:38:16,200
Speaker 2: broken home. For sure.

860
00:38:16,320 --> 00:38:18,440
Speaker 1: Oh, I mean you can hear it. We know the

861
00:38:18,520 --> 00:38:22,640
Speaker 1: rappers that like and you had a really good childhood,

862
00:38:22,640 --> 00:38:24,080
Speaker 1: Like you got to relax a little bit.

863
00:38:24,120 --> 00:38:26,560
Speaker 2: And we saw like perfect example, eight Mile when he

864
00:38:26,600 --> 00:38:29,279
Speaker 2: found out that Rabbit went to when he found out

865
00:38:29,320 --> 00:38:32,920
Speaker 2: that uh uh, Papa Doc found out that he went

866
00:38:32,960 --> 00:38:34,920
Speaker 2: to a private school and all of that. Yeah, it

867
00:38:35,040 --> 00:38:38,040
Speaker 2: was like why is that a shot?

868
00:38:38,160 --> 00:38:39,920
Speaker 1: By the way his parents cared, like do you know

869
00:38:39,920 --> 00:38:41,240
Speaker 1: some killers that went to private school?

870
00:38:41,280 --> 00:38:43,680
Speaker 2: But I was great to say, like It's like people

871
00:38:43,760 --> 00:38:46,480
Speaker 2: people look at me, like because we wore a uniform

872
00:38:46,640 --> 00:38:48,600
Speaker 2: at my school, so they think it was like private

873
00:38:48,680 --> 00:38:51,680
Speaker 2: and privileged. I'm like, fam, it was killers in my school.

874
00:38:51,719 --> 00:38:53,799
Speaker 2: It's dudes right now that I was in school with

875
00:38:53,880 --> 00:38:54,960
Speaker 2: that are like locked up.

876
00:38:55,160 --> 00:38:57,480
Speaker 1: Go tell the kids that Cardinal Hayes they privileged.

877
00:38:57,800 --> 00:38:59,480
Speaker 2: This is what I'm saying. So I don't. Never, I

878
00:38:59,600 --> 00:39:01,480
Speaker 2: never under Still, while that was a shot, I'm like,

879
00:39:01,920 --> 00:39:04,000
Speaker 2: the parents care try to put their kids in the

880
00:39:04,040 --> 00:39:07,560
Speaker 2: best position to receive a good education. Why is that

881
00:39:07,640 --> 00:39:08,520
Speaker 2: a shot at the kid?

882
00:39:08,680 --> 00:39:11,960
Speaker 1: Like but then but also you can't say that and

883
00:39:12,000 --> 00:39:13,239
Speaker 1: then say you got it out the mud.

884
00:39:14,080 --> 00:39:17,120
Speaker 2: I never First of all, I never say that said no, no, no,

885
00:39:17,960 --> 00:39:18,440
Speaker 2: I don't.

886
00:39:18,239 --> 00:39:19,640
Speaker 1: Agree with that thought. I want to see some of

887
00:39:19,640 --> 00:39:20,439
Speaker 1: these rappers mud.

888
00:39:21,719 --> 00:39:23,359
Speaker 2: Like a lot of the mud ain't mud. It's not

889
00:39:23,360 --> 00:39:25,359
Speaker 2: that muddy. It's not it's not muddy. But I don't.

890
00:39:25,560 --> 00:39:27,520
Speaker 2: I don't like when rappers do that, only because I

891
00:39:27,560 --> 00:39:31,000
Speaker 2: feel like it's it's kind of disrespectful to their parents.

892
00:39:31,239 --> 00:39:32,719
Speaker 2: Oh for sure, you know what I mean, like saying

893
00:39:32,719 --> 00:39:35,080
Speaker 2: that you came from nothing, and like, I just never

894
00:39:35,160 --> 00:39:38,520
Speaker 2: I understood. You know, situations be fucked up. And but

895
00:39:38,600 --> 00:39:40,920
Speaker 2: I just never like to. I don't like when rappers

896
00:39:40,960 --> 00:39:44,040
Speaker 2: say that because my thing is always you know, my

897
00:39:44,160 --> 00:39:48,440
Speaker 2: mom had two jobs, and I could easily say, you know,

898
00:39:48,520 --> 00:39:50,759
Speaker 2: we struggled. I don't. I never I didn't feel like

899
00:39:50,800 --> 00:39:52,719
Speaker 2: I struggled, you know what I mean? Like I didn't.

900
00:39:52,760 --> 00:39:55,520
Speaker 2: I don't ever remember a time where I didn't eat

901
00:39:55,560 --> 00:39:58,399
Speaker 2: at night. I never remember a time where I didn't

902
00:39:58,480 --> 00:40:00,680
Speaker 2: have clothes and shit like that. So but I know

903
00:40:00,760 --> 00:40:04,040
Speaker 2: now as an adult, my mom bust a ass. So

904
00:40:04,239 --> 00:40:05,520
Speaker 2: I can never sit in a way and say I

905
00:40:05,560 --> 00:40:07,439
Speaker 2: came from nothing. I got it out to No, I don't.

906
00:40:07,719 --> 00:40:09,440
Speaker 2: And I'm pretty sure you know other people too. Their

907
00:40:09,480 --> 00:40:13,000
Speaker 2: parents worked hard and maybe they couldn't have those one

908
00:40:13,040 --> 00:40:14,359
Speaker 2: pair of sneakers, and now they felt like they came

909
00:40:14,360 --> 00:40:17,200
Speaker 2: from the mud, Like what's the mud? Like something happened

910
00:40:17,239 --> 00:40:19,239
Speaker 2: to you where it was like all the other kids

911
00:40:19,280 --> 00:40:20,719
Speaker 2: got to go on the field trip, and then you

912
00:40:20,760 --> 00:40:22,919
Speaker 2: couldn't go because your mom couldn't pay the little fee

913
00:40:22,960 --> 00:40:24,839
Speaker 2: or whatever, and now you feel like, yoa, I came

914
00:40:24,880 --> 00:40:27,439
Speaker 2: from nothing. Like that's not coming from nothing a kid,

915
00:40:27,800 --> 00:40:30,720
Speaker 2: at least from my earn your era having multiple sneakers

916
00:40:30,719 --> 00:40:32,920
Speaker 2: as a kid was not a thing. No it was.

917
00:40:33,080 --> 00:40:36,360
Speaker 2: I was not poor, right, I am multiple sneakers absolutely,

918
00:40:36,400 --> 00:40:39,280
Speaker 2: It just you had a paratu the last.

919
00:40:39,080 --> 00:40:39,439
Speaker 1: For the school.

920
00:40:39,520 --> 00:40:41,759
Speaker 2: Yeah exactly. Your mom made sure you know, these are

921
00:40:41,760 --> 00:40:44,239
Speaker 2: your place sneakers, and these are your you know when

922
00:40:44,239 --> 00:40:47,279
Speaker 2: you're going out sneakers. Like that's all. But like said raps,

923
00:40:47,320 --> 00:40:49,600
Speaker 2: like I came from the mud, and then you see

924
00:40:49,600 --> 00:40:51,759
Speaker 2: that mom like his mom was a doctor, Like what

925
00:40:52,040 --> 00:40:54,200
Speaker 2: mud did you come from? Your mom was a doctor?

926
00:40:54,360 --> 00:40:56,520
Speaker 2: Like what are you talking about? Yo?

927
00:40:56,920 --> 00:40:59,919
Speaker 1: God rested. There were big listener ready to die before,

928
00:41:00,120 --> 00:41:03,640
Speaker 1: like watching interviews and shit about Valletta while it's like

929
00:41:03,719 --> 00:41:07,560
Speaker 1: what a sweet woman? Come on, man, what wasn't amazing

930
00:41:07,640 --> 00:41:08,319
Speaker 1: supportive mother?

931
00:41:08,480 --> 00:41:11,239
Speaker 2: Like like wait, we gotta start, like just let's just

932
00:41:11,239 --> 00:41:14,120
Speaker 2: start rappers. Let's start keeping it real. A lot of

933
00:41:14,200 --> 00:41:18,400
Speaker 2: us come from families and households where parents are doing Okay,

934
00:41:18,840 --> 00:41:21,960
Speaker 2: got some money, not a lot, but you know, food

935
00:41:22,040 --> 00:41:23,560
Speaker 2: is on the table every night, You got clothes on

936
00:41:23,600 --> 00:41:27,200
Speaker 2: your back, things like that. And you just grow up

937
00:41:27,239 --> 00:41:29,600
Speaker 2: into a teenager and you start hanging around with a

938
00:41:29,640 --> 00:41:32,680
Speaker 2: different crew and you fall into trying to hustle and sell.

939
00:41:32,880 --> 00:41:34,879
Speaker 2: But you didn't have to do that. No, Like, let's

940
00:41:34,920 --> 00:41:37,320
Speaker 2: not make it like rappers gotta start putting things in perspective.

941
00:41:37,360 --> 00:41:39,920
Speaker 1: You didn't have to do that, you chose to do that.

942
00:41:40,400 --> 00:41:42,960
Speaker 1: I saw weed in high school because I wanted to exactly.

943
00:41:42,960 --> 00:41:44,600
Speaker 1: But that's what my mother was gonna have dinner on

944
00:41:44,640 --> 00:41:45,000
Speaker 1: the table.

945
00:41:45,280 --> 00:41:47,799
Speaker 2: That's what I'm saying, Like, you wasn't selling crack to

946
00:41:47,920 --> 00:41:51,120
Speaker 2: feed your family, like at fifties, stop, man, cut it out,

947
00:41:51,160 --> 00:41:52,320
Speaker 2: like that shit is not happening.

948
00:41:52,320 --> 00:41:53,719
Speaker 1: And I got to check the age on some of

949
00:41:53,760 --> 00:41:57,080
Speaker 1: these rappers that are rapping about crack. Yeah, crack wasn't

950
00:41:57,120 --> 00:42:01,480
Speaker 1: even really a thing past ninety eight, Like you really

951
00:42:01,520 --> 00:42:02,879
Speaker 1: wasn't getting who wasn't saying crack?

952
00:42:02,920 --> 00:42:04,440
Speaker 2: Yeah? Nah, I don't want to hear that crack talk

953
00:42:04,480 --> 00:42:06,200
Speaker 2: after ninety eight. I don't want to hear that shit.

954
00:42:06,400 --> 00:42:07,680
Speaker 2: You wasn't. You wasn't chefing crack.

955
00:42:07,760 --> 00:42:09,359
Speaker 1: There was like one of two people that were still

956
00:42:09,400 --> 00:42:11,040
Speaker 1: smoking crack in the mid two thousand.

957
00:42:11,160 --> 00:42:12,759
Speaker 2: Yeah, it might be one of two people now to

958
00:42:12,800 --> 00:42:15,080
Speaker 2: this day that's still smoking. But as far as saying

959
00:42:15,120 --> 00:42:17,319
Speaker 2: we was all hustling cracking, no, you was not. That

960
00:42:17,440 --> 00:42:20,480
Speaker 2: wasn't even the thing. It was weed. Now it's pills

961
00:42:20,680 --> 00:42:24,000
Speaker 2: it's lean and all this other shit. Crack is definitely

962
00:42:24,040 --> 00:42:24,440
Speaker 2: out of here.

963
00:42:24,560 --> 00:42:28,080
Speaker 1: What's what's like the who's like the fentanyl jeezy? Who's

964
00:42:28,080 --> 00:42:29,640
Speaker 1: getting the feanyl for seventeen to five?

965
00:42:30,440 --> 00:42:32,319
Speaker 2: Bro? I don't, I don't know, and I don't want

966
00:42:32,320 --> 00:42:35,200
Speaker 2: to talk about it. I don't know. But that's that right.

967
00:42:35,280 --> 00:42:38,040
Speaker 2: There is not something for the for people to be

968
00:42:38,080 --> 00:42:42,000
Speaker 2: playing that ship. That's a dangerous, dangerous thing. And I

969
00:42:42,520 --> 00:42:44,759
Speaker 2: hope that none of these rappers are stupid enough to

970
00:42:44,760 --> 00:42:46,839
Speaker 2: really be touching that ship. I mean because a lot

971
00:42:46,840 --> 00:42:48,480
Speaker 2: of these rappers, now, you know, they like to they

972
00:42:48,560 --> 00:42:50,520
Speaker 2: like to still be doing this dumb shit after they

973
00:42:50,520 --> 00:42:52,680
Speaker 2: get a deal. See before it was different, like a

974
00:42:52,680 --> 00:42:54,760
Speaker 2: lot of the you know, artists, they had to hustle

975
00:42:54,800 --> 00:42:58,080
Speaker 2: or whatever before they got a deal. But once they

976
00:42:58,080 --> 00:43:00,399
Speaker 2: got the deal, that shit was over. With a lot

977
00:43:00,440 --> 00:43:02,440
Speaker 2: of these young dudes. Now when they talking about drilling

978
00:43:02,480 --> 00:43:05,160
Speaker 2: and spinning up, they are actively doing this. It's like, fam,

979
00:43:05,239 --> 00:43:09,759
Speaker 2: you have a company has invested millions until your stardom

980
00:43:10,040 --> 00:43:12,680
Speaker 2: and you're still out here spinning the block, running down

981
00:43:12,680 --> 00:43:15,680
Speaker 2: on option those other stupid shit. I mean, listen, man

982
00:43:15,719 --> 00:43:17,640
Speaker 2: calling me getting old, I just don't understand. I thought

983
00:43:17,680 --> 00:43:18,960
Speaker 2: after you got the deal, that's when all of that

984
00:43:19,000 --> 00:43:20,520
Speaker 2: shit stopped. I mean a lot of them are doing

985
00:43:20,560 --> 00:43:23,719
Speaker 2: it after. I'm after the deal for real, like they

986
00:43:23,719 --> 00:43:25,960
Speaker 2: didn't do it before, Like a lot of those Chicago rappers,

987
00:43:26,040 --> 00:43:30,120
Speaker 2: you know, like that was in their GNA before. They

988
00:43:30,200 --> 00:43:32,480
Speaker 2: just unfortunately, I know, very unfortunately, just happen to be

989
00:43:32,560 --> 00:43:36,799
Speaker 2: rhyming words. But with a lot of that culture that

990
00:43:37,080 --> 00:43:40,480
Speaker 2: everyone is taking from Chicago musically and slanging words. And

991
00:43:41,719 --> 00:43:45,000
Speaker 2: I see the whole rest of the country doing that shit, Like, no, Doug,

992
00:43:45,160 --> 00:43:45,919
Speaker 2: you got the deal.

993
00:43:46,760 --> 00:43:49,000
Speaker 1: People do that to get to the deal. Don't do

994
00:43:49,040 --> 00:43:50,480
Speaker 1: it after you get the deal.

995
00:43:50,520 --> 00:43:52,840
Speaker 2: Right, Yeah, I don't. I never understood it. I'm like,

996
00:43:52,920 --> 00:43:55,759
Speaker 2: I understand living your raps and wanting to but it's

997
00:43:55,800 --> 00:43:59,600
Speaker 2: like after the deal, Bro, that's just not smart. That's

998
00:43:59,600 --> 00:44:01,719
Speaker 2: just not as It's like, Bro, you have a deal,

999
00:44:01,800 --> 00:44:04,000
Speaker 2: the company is invested in you and saying, hey, we

1000
00:44:04,080 --> 00:44:07,000
Speaker 2: believe in you, We're giving you this opportunity. You don't

1001
00:44:07,000 --> 00:44:09,200
Speaker 2: then take that opportunity and decide, Yo, I'm gonna run

1002
00:44:09,200 --> 00:44:11,319
Speaker 2: around with a gun every day and if I see

1003
00:44:11,320 --> 00:44:13,600
Speaker 2: an op I'm running down Like it's like first and

1004
00:44:13,640 --> 00:44:16,480
Speaker 2: we gotta get into what's really who's really your opp?

1005
00:44:17,960 --> 00:44:19,440
Speaker 2: Like we got it. It's a lot of things in

1006
00:44:19,480 --> 00:44:22,239
Speaker 2: that we just say shit and we just run with ship,

1007
00:44:22,560 --> 00:44:24,839
Speaker 2: and it's like, all right, who is really your op?

1008
00:44:25,400 --> 00:44:28,480
Speaker 1: In so many cases men, men in the op thing

1009
00:44:28,960 --> 00:44:32,160
Speaker 1: is like the girl version of all these bitches hating

1010
00:44:32,160 --> 00:44:34,600
Speaker 1: on me. And yeah, a girl is not said a

1011
00:44:34,600 --> 00:44:35,520
Speaker 1: word yet, Like.

1012
00:44:35,520 --> 00:44:40,839
Speaker 2: I said, nothing, nobody's hating. Nobody even really knows you,

1013
00:44:41,600 --> 00:44:43,799
Speaker 2: Like what are we talking. It's just like we perpetuate

1014
00:44:43,840 --> 00:44:46,080
Speaker 2: a lot of bullshit in our culture that we need

1015
00:44:46,120 --> 00:44:48,920
Speaker 2: to really have honest and open discussions about. Because it's

1016
00:44:48,920 --> 00:44:52,040
Speaker 2: like when I see these young ops, why is that

1017
00:44:52,080 --> 00:44:55,120
Speaker 2: your opp? You should do a op that on ops?

1018
00:44:55,719 --> 00:44:59,760
Speaker 2: I should a dopumentary.

1019
00:45:00,040 --> 00:45:00,759
Speaker 1: Let's set it up.

1020
00:45:00,920 --> 00:45:03,040
Speaker 2: Let's set it up. I want to do and I

1021
00:45:03,239 --> 00:45:05,640
Speaker 2: want to after we start finding these rappers and say, okay,

1022
00:45:05,640 --> 00:45:09,120
Speaker 2: who's your ops, let's discuss this. Let's and let's discuss

1023
00:45:09,120 --> 00:45:10,920
Speaker 2: why y'all are ops, because I'm pretty sure it's a

1024
00:45:10,920 --> 00:45:13,440
Speaker 2: simple conversation and you really find out y'all really do

1025
00:45:13,480 --> 00:45:14,799
Speaker 2: fuck with each other, y'all like each other?

1026
00:45:14,920 --> 00:45:16,319
Speaker 1: Or I want to find your opp and ask him

1027
00:45:16,360 --> 00:45:17,160
Speaker 1: if he knows you exist?

1028
00:45:17,320 --> 00:45:20,080
Speaker 2: Yeah, or does he know that he's your op, because

1029
00:45:20,080 --> 00:45:21,480
Speaker 2: he could be like, no, I don't even know who

1030
00:45:21,520 --> 00:45:23,839
Speaker 2: that is. Like, it's that we got to really start

1031
00:45:23,840 --> 00:45:26,040
Speaker 2: having these conversations, cause I promise you we perpetuate a

1032
00:45:26,080 --> 00:45:28,240
Speaker 2: lot of bullshit that is not really on culture.

1033
00:45:28,320 --> 00:45:31,040
Speaker 1: I promise you we do some man sounds trending on

1034
00:45:31,040 --> 00:45:31,360
Speaker 1: the internet.

1035
00:45:31,400 --> 00:45:34,640
Speaker 2: Set it up. Car documentary coming, So it's coming soon.

1036
00:45:34,719 --> 00:45:38,480
Speaker 2: It's gonna be a three part series two. Yeah, because

1037
00:45:38,480 --> 00:45:39,640
Speaker 2: it's a lot of shit. We gotta get to a

1038
00:45:39,680 --> 00:45:41,080
Speaker 2: lot of ship Rory, it's a lot of shit we

1039
00:45:41,120 --> 00:45:41,720
Speaker 2: got uncover.

1040
00:45:42,520 --> 00:45:44,600
Speaker 1: Where are we starting this documentary?

1041
00:45:45,880 --> 00:45:48,839
Speaker 2: No, I want to start in the Bronx where I'm from.

1042
00:45:49,000 --> 00:45:51,920
Speaker 1: I mean there's probably some ops in the Bronx though, yeah, but.

1043
00:45:51,920 --> 00:45:54,319
Speaker 2: I mean a lot of dudes be saying they got

1044
00:45:54,360 --> 00:45:56,560
Speaker 2: ops and they don't for sure. So it's like I

1045
00:45:56,600 --> 00:45:58,320
Speaker 2: just want to stand outside with them and walk around

1046
00:45:58,360 --> 00:46:00,879
Speaker 2: like where they are. You're gonna be the No, I'm

1047
00:46:00,880 --> 00:46:04,040
Speaker 2: not listen. I got the camera, cat call, got the camera,

1048
00:46:04,120 --> 00:46:05,560
Speaker 2: I got the mic. I just want to know where

1049
00:46:05,600 --> 00:46:07,160
Speaker 2: the ops where are there?

1050
00:46:07,239 --> 00:46:08,640
Speaker 1: I just want to know how it's going to go

1051
00:46:08,640 --> 00:46:12,400
Speaker 1: over in the Bronx of Carl with a camera and

1052
00:46:12,480 --> 00:46:15,200
Speaker 1: maul asking you where's your ops might be for that.

1053
00:46:16,120 --> 00:46:17,880
Speaker 2: Listen, man, listen, I know where to go and with

1054
00:46:18,080 --> 00:46:19,440
Speaker 2: time to get out of there. Let me tell you

1055
00:46:19,440 --> 00:46:21,600
Speaker 2: that one thing about the Bronx. I know where to

1056
00:46:21,640 --> 00:46:24,080
Speaker 2: go and with time to get out. That's what. That's

1057
00:46:24,080 --> 00:46:26,160
Speaker 2: how you move in the hood. Where you're going and

1058
00:46:26,160 --> 00:46:29,759
Speaker 2: what time you're leaving. I go on, No, no, I

1059
00:46:29,800 --> 00:46:32,200
Speaker 2: mean to know. I'm just no. I'm just telling you

1060
00:46:32,239 --> 00:46:34,360
Speaker 2: I know how to move in the Bronx. Certain areas

1061
00:46:34,360 --> 00:46:35,920
Speaker 2: We're just not going to go. We're just going to

1062
00:46:35,960 --> 00:46:37,320
Speaker 2: take that word for this ops.

1063
00:46:37,080 --> 00:46:39,480
Speaker 1: Over there, because unfortunately, the friend of the op is

1064
00:46:39,560 --> 00:46:41,800
Speaker 1: usually the one that gets the brunt of the bullshit.

1065
00:46:41,800 --> 00:46:43,640
Speaker 1: So I want to I have to be prepared as

1066
00:46:43,719 --> 00:46:44,359
Speaker 1: your car week.

1067
00:46:44,560 --> 00:46:46,239
Speaker 2: Listen. What we're trying to do is we're trying to

1068
00:46:46,280 --> 00:46:49,560
Speaker 2: actively bring peace into the community through finding that you

1069
00:46:49,719 --> 00:46:51,399
Speaker 2: gentlemen really don't have an issue with each other.

1070
00:46:51,440 --> 00:46:56,239
Speaker 1: Because I'm tired of walking outside and having from our

1071
00:46:56,360 --> 00:46:58,759
Speaker 1: old show people coming up to me when I didn't

1072
00:46:58,760 --> 00:47:00,520
Speaker 1: say a word someone else on the show is the word,

1073
00:47:00,600 --> 00:47:02,880
Speaker 1: and I got to explain it with you and and

1074
00:47:03,200 --> 00:47:07,880
Speaker 1: your money bags with them uh, you got me.

1075
00:47:08,080 --> 00:47:09,600
Speaker 2: Look at the Look at the type of ship I

1076
00:47:09,600 --> 00:47:11,400
Speaker 2: bring in the world. He's like, I'll leave money bags

1077
00:47:11,400 --> 00:47:14,680
Speaker 2: on the picture. Now people are approaching you about it. Okay, No, No,

1078
00:47:15,080 --> 00:47:17,120
Speaker 2: let's actually have a real conversation. I think we could

1079
00:47:17,120 --> 00:47:19,640
Speaker 2: talk about this. We can talk about anything world. This

1080
00:47:19,680 --> 00:47:20,680
Speaker 2: is our platform.

1081
00:47:20,800 --> 00:47:22,600
Speaker 1: I had a gentleman run down on me at a

1082
00:47:22,640 --> 00:47:23,799
Speaker 1: Donda show because of.

1083
00:47:23,800 --> 00:47:26,560
Speaker 2: Ma oh Man, Jesus Christ.

1084
00:47:27,680 --> 00:47:29,920
Speaker 1: I'll put it this way, if you catch that, if

1085
00:47:29,920 --> 00:47:35,040
Speaker 1: you catch the pun, I was very stressed out. I

1086
00:47:35,120 --> 00:47:37,360
Speaker 1: really know how it feels to be stressed out, stressed

1087
00:47:37,360 --> 00:47:39,320
Speaker 1: out listen when you're.

1088
00:47:39,200 --> 00:47:42,560
Speaker 2: Face to face with your adversity. But see that's what

1089
00:47:42,600 --> 00:47:44,799
Speaker 2: I'm saying. That's not an apple mind, though I have

1090
00:47:44,920 --> 00:47:47,920
Speaker 2: no problem with that. Gentleman. Listen, let's start with the

1091
00:47:48,320 --> 00:47:48,920
Speaker 2: it was consequence.

1092
00:47:49,040 --> 00:47:51,799
Speaker 1: Okay, we had said on on on our reply video,

1093
00:47:51,840 --> 00:47:53,160
Speaker 1: you had brought up the situation that.

1094
00:47:53,080 --> 00:47:55,360
Speaker 2: Had happened, which I apologized for because I really shouldn't

1095
00:47:55,360 --> 00:47:58,080
Speaker 2: have said his name in that video, and I apologized him.

1096
00:47:58,080 --> 00:48:00,920
Speaker 2: I dm M about that. You know, I was just

1097
00:48:01,000 --> 00:48:03,680
Speaker 2: going off and it was emotions with HW. But I

1098
00:48:03,719 --> 00:48:06,120
Speaker 2: apologize for even saying his name. But he took that

1099
00:48:06,200 --> 00:48:08,080
Speaker 2: and and and and took it another way, and it

1100
00:48:08,120 --> 00:48:09,560
Speaker 2: was like, bro, I don't have an issue with you.

1101
00:48:09,640 --> 00:48:12,799
Speaker 2: I apologize for even saying your name. And it was

1102
00:48:12,840 --> 00:48:16,120
Speaker 2: like at that time, you popped on who I thought

1103
00:48:16,160 --> 00:48:18,400
Speaker 2: was a friend of mine and I was just defending

1104
00:48:18,440 --> 00:48:20,680
Speaker 2: my friend, like he had.

1105
00:48:20,600 --> 00:48:22,560
Speaker 1: A problem with that. I think, just bringing it up again, like.

1106
00:48:22,520 --> 00:48:26,160
Speaker 2: Yeah, and I'll say it again. I apologize. I should

1107
00:48:26,160 --> 00:48:28,279
Speaker 2: have never said his name during that whole thing. And

1108
00:48:28,320 --> 00:48:30,040
Speaker 2: that was that was corny and me and that was

1109
00:48:30,080 --> 00:48:31,520
Speaker 2: stupid to me. And you know, it happens.

1110
00:48:31,520 --> 00:48:33,680
Speaker 1: And you know what I love about consequences because you

1111
00:48:33,760 --> 00:48:36,359
Speaker 1: had told me that you guys had squashed it via

1112
00:48:36,760 --> 00:48:37,480
Speaker 1: I squatched it.

1113
00:48:38,040 --> 00:48:39,560
Speaker 2: I thought it was squashed and so you told me.

1114
00:48:39,560 --> 00:48:40,520
Speaker 2: He so I watched it.

1115
00:48:40,719 --> 00:48:43,719
Speaker 1: I've watched the fucking Donda Show. And I feel him

1116
00:48:43,719 --> 00:48:45,759
Speaker 1: come up to be and it was loud, so I

1117
00:48:45,800 --> 00:48:47,560
Speaker 1: was like trying to get what he was saying. And

1118
00:48:47,600 --> 00:48:49,400
Speaker 1: I was like, I thought you and mall squashed that

1119
00:48:49,400 --> 00:48:51,359
Speaker 1: ship and this is why I love cons He said, yeah,

1120
00:48:51,400 --> 00:48:55,120
Speaker 1: but we ain't squashed it.

1121
00:48:55,360 --> 00:48:59,640
Speaker 2: Like about man, it's squashed, Like it's no issue. We

1122
00:48:59,680 --> 00:49:04,400
Speaker 2: have no issue with con console love Queen's Consequence.

1123
00:49:04,640 --> 00:49:06,560
Speaker 1: We had a conversation. It was just funny when he

1124
00:49:06,600 --> 00:49:08,520
Speaker 1: said that. I had to like laugh.

1125
00:49:08,640 --> 00:49:13,279
Speaker 2: But see, if I was around Verry Linden, it might

1126
00:49:13,280 --> 00:49:15,680
Speaker 2: have turned into that's my op. See how fast that goes.

1127
00:49:16,000 --> 00:49:17,680
Speaker 2: It's like, it's really not my op, Like I have

1128
00:49:17,760 --> 00:49:20,239
Speaker 2: no problems with this gentleman. Like it was stupid shit

1129
00:49:20,280 --> 00:49:21,600
Speaker 2: in the past and that's over.

1130
00:49:22,080 --> 00:49:26,160
Speaker 1: And then when he brought the situation up, I was like, fam,

1131
00:49:26,360 --> 00:49:28,200
Speaker 1: I was in like high school when that happened.

1132
00:49:28,000 --> 00:49:32,000
Speaker 2: Right, you was nowhere around, Like I think about it.

1133
00:49:32,200 --> 00:49:34,160
Speaker 2: Just thinking about you in that situation, trying to even

1134
00:49:34,160 --> 00:49:36,080
Speaker 2: talk about that, it's hilarious to me because it's like

1135
00:49:36,239 --> 00:49:38,600
Speaker 2: you you would nowhere to be found. You were super

1136
00:49:38,640 --> 00:49:40,839
Speaker 2: young when that happened. And it's like as a as

1137
00:49:40,880 --> 00:49:42,560
Speaker 2: a man, now you're sitting here having to have this

1138
00:49:42,600 --> 00:49:45,279
Speaker 2: talk about this ship man.

1139
00:49:45,320 --> 00:49:49,600
Speaker 1: And on top of that our name drop where we

1140
00:49:49,600 --> 00:49:53,319
Speaker 1: were standing in our little thing. Kanye West is right

1141
00:49:53,360 --> 00:49:57,799
Speaker 1: there performing, Dave Chappelle and Jay Electronica are right there,

1142
00:49:58,320 --> 00:50:01,399
Speaker 1: and then who's the lea most important person in there?

1143
00:50:01,520 --> 00:50:04,879
Speaker 1: Then there's Rory sitting there. Yeah, and then Consequence comes

1144
00:50:04,920 --> 00:50:07,279
Speaker 1: to talk to me about a podcast. I'm like, Doug,

1145
00:50:08,640 --> 00:50:11,120
Speaker 1: I'm in the President Dave Chappelle right now, I'm with

1146
00:50:11,239 --> 00:50:13,520
Speaker 1: my brother j like trying to go and I'm watching

1147
00:50:13,560 --> 00:50:14,480
Speaker 1: this beautiful ship.

1148
00:50:17,800 --> 00:50:20,239
Speaker 2: Oh only in our culture, man, I promise you, this

1149
00:50:20,280 --> 00:50:23,520
Speaker 2: ship is so crazy. Man. Yeah, shah that that's that's

1150
00:50:23,520 --> 00:50:26,279
Speaker 2: the thing in the past. It's all of shout out

1151
00:50:26,320 --> 00:50:27,320
Speaker 2: to all parties involved.

1152
00:50:28,360 --> 00:50:31,640
Speaker 1: Listen, shout out to.

1153
00:50:30,320 --> 00:50:32,080
Speaker 2: Shout out to j X, shout out to everybody.

1154
00:50:32,120 --> 00:50:36,200
Speaker 1: Man, look like, what do you know? I was like,

1155
00:50:36,239 --> 00:50:37,160
Speaker 1: I've never met in my life.

1156
00:50:37,320 --> 00:50:40,760
Speaker 2: That's it's the most random thing. It's like, what is happening?

1157
00:50:41,040 --> 00:50:43,600
Speaker 2: And that's why. Yeah, I was stupid for that. I

1158
00:50:43,600 --> 00:50:46,239
Speaker 2: should have never said that. But okay, I apologize for

1159
00:50:46,280 --> 00:50:48,839
Speaker 2: having to put you in that situation, Rory. I didn't

1160
00:50:48,880 --> 00:50:50,560
Speaker 2: want that for you in your life. Man, I'm sorry.

1161
00:50:50,680 --> 00:50:52,719
Speaker 1: It was one of the most interesting next no, you

1162
00:50:53,239 --> 00:50:54,960
Speaker 1: just that entire night. That was just one of the

1163
00:50:55,000 --> 00:50:56,200
Speaker 1: small things you called.

1164
00:50:55,960 --> 00:50:57,680
Speaker 2: Me and we laughed about it. I couldn't believe what

1165
00:50:57,680 --> 00:50:59,400
Speaker 2: you would tell I was like, what is happening right

1166
00:50:59,400 --> 00:51:05,239
Speaker 2: now in that land? Man? But oh man, that's our

1167
00:51:05,320 --> 00:51:10,040
Speaker 2: new change subject, So please don't play that again.

1168
00:51:10,520 --> 00:51:12,040
Speaker 1: Like when we get out of a topic to get

1169
00:51:12,040 --> 00:51:15,000
Speaker 1: to the next one. We're just like a new topic.

1170
00:51:15,080 --> 00:51:17,440
Speaker 1: Just flu in that sounds like the news.

1171
00:51:17,280 --> 00:51:21,440
Speaker 2: That sounds like bro that sounds like the Power Rangers

1172
00:51:21,440 --> 00:51:23,560
Speaker 2: when they had to like when it was morphin time.

1173
00:51:24,400 --> 00:51:28,600
Speaker 1: Like if we go from Consequence story into Different Strokes live,

1174
00:51:31,080 --> 00:51:34,920
Speaker 1: can we talk about that it's really happening. Different Strokes

1175
00:51:35,160 --> 00:51:39,879
Speaker 1: is back, Facts of Life is back reenactments, Kevin Hart

1176
00:51:39,920 --> 00:51:42,440
Speaker 1: is playing Gary Coleman or Arnold rather.

1177
00:51:44,920 --> 00:51:49,759
Speaker 2: Kevin Hart. I love him. You were very supportive, Uh

1178
00:51:50,800 --> 00:51:55,600
Speaker 2: publicly he was Rory and myself. I love you fab

1179
00:51:55,800 --> 00:52:00,640
Speaker 2: for that. Genius said what you do. One of the

1180
00:52:00,680 --> 00:52:06,000
Speaker 2: greatest comedians, one of the greatest comedic actors probably ever,

1181
00:52:06,520 --> 00:52:08,760
Speaker 2: and a really good actor. Because I see that Kevin

1182
00:52:08,760 --> 00:52:10,600
Speaker 2: is starting to do more serious roles too. He's trying

1183
00:52:10,600 --> 00:52:13,960
Speaker 2: to straight away from just comedic actor. But I like

1184
00:52:14,000 --> 00:52:16,640
Speaker 2: the one with Brian Chrisson. That's a good movie. Yeah,

1185
00:52:19,239 --> 00:52:21,240
Speaker 2: I'm gonna go ahead on Yeah. I don't know about

1186
00:52:21,239 --> 00:52:23,000
Speaker 2: this one. This doesn't feel real.

1187
00:52:23,200 --> 00:52:25,920
Speaker 1: It feels like a bad SNL scale where they were

1188
00:52:26,000 --> 00:52:28,879
Speaker 1: like trying to let's do a reboot and it would

1189
00:52:28,920 --> 00:52:32,160
Speaker 1: be a parody. I think Damon Wayne's is playing Willis?

1190
00:52:33,040 --> 00:52:37,279
Speaker 2: What's happened? What is all right? These are grown men

1191
00:52:37,400 --> 00:52:37,880
Speaker 2: like these.

1192
00:52:37,800 --> 00:52:41,759
Speaker 1: Like so Garry Coleman, no rest in peace?

1193
00:52:43,640 --> 00:52:47,640
Speaker 2: But like it's aesthetic, it's just not We don't need

1194
00:52:47,719 --> 00:52:48,880
Speaker 2: who nobody, We don't need this.

1195
00:52:49,520 --> 00:52:52,080
Speaker 1: Kevin Heart doesn't look like a child. Gary Coleman looks

1196
00:52:52,120 --> 00:52:52,680
Speaker 1: like a child.

1197
00:52:52,800 --> 00:52:54,120
Speaker 2: This is what I'm but we don't need to know

1198
00:52:54,120 --> 00:52:55,480
Speaker 2: who acts for Different Strokes?

1199
00:52:55,560 --> 00:52:58,720
Speaker 1: Is it live in front of a live studio on audience?

1200
00:52:58,760 --> 00:52:59,640
Speaker 1: I believe so?

1201
00:52:59,680 --> 00:53:00,920
Speaker 2: This for TV?

1202
00:53:01,440 --> 00:53:05,799
Speaker 1: Yes? Do you think they'll reenact the the episode where

1203
00:53:06,200 --> 00:53:11,160
Speaker 1: Arnold almost gets touched by the neighborhood molester. I want

1204
00:53:11,160 --> 00:53:11,399
Speaker 1: to see.

1205
00:53:11,400 --> 00:53:14,319
Speaker 2: I want to see. I would love to see Kero

1206
00:53:14,400 --> 00:53:17,600
Speaker 2: Hawk play that role like that in that moment. But

1207
00:53:17,719 --> 00:53:20,520
Speaker 2: we didn't ask for this though, Like I don't even

1208
00:53:20,600 --> 00:53:25,240
Speaker 2: understand why they would get who put the budget behind it? ABC? Apparently?

1209
00:53:26,440 --> 00:53:30,120
Speaker 1: Who's playing Philip Drummond? And what was Shorty Thame? The sister?

1210
00:53:32,840 --> 00:53:33,920
Speaker 2: I don't even remember it?

1211
00:53:33,960 --> 00:53:35,799
Speaker 1: Is the entire cast of Different Strokes passed away?

1212
00:53:36,000 --> 00:53:39,360
Speaker 2: No? No, mm hm?

1213
00:53:39,400 --> 00:53:40,120
Speaker 1: Who's still alive?

1214
00:53:41,200 --> 00:53:44,520
Speaker 2: Uh? Oh? Wow?

1215
00:53:44,800 --> 00:53:47,000
Speaker 1: Willis Styte young? I know the girl died young? I

1216
00:53:47,040 --> 00:53:49,800
Speaker 1: wish we had their names. Apologies for this, but I

1217
00:53:49,880 --> 00:53:52,279
Speaker 1: feel like the whole cast has passed away, which is

1218
00:53:52,320 --> 00:53:54,360
Speaker 1: also weird that you would kind of just make what

1219
00:53:54,560 --> 00:53:57,200
Speaker 1: seems to be a parody of such a great show.

1220
00:53:58,880 --> 00:54:01,960
Speaker 2: I just don't know who. This is not something that

1221
00:54:02,000 --> 00:54:04,200
Speaker 2: I think we need. I know, we didn't ask for it.

1222
00:54:04,239 --> 00:54:06,520
Speaker 2: I didn't see like the public really saying, yo, we

1223
00:54:06,600 --> 00:54:11,799
Speaker 2: need different strokes. So I just don't understand and look it.

1224
00:54:11,840 --> 00:54:14,239
Speaker 2: Maybe it may turn out to be great, you know

1225
00:54:14,280 --> 00:54:16,800
Speaker 2: what I mean, Like Kevin Hart knows more about Hollywood

1226
00:54:16,800 --> 00:54:18,480
Speaker 2: than I know, Like, and you know what I mean.

1227
00:54:19,320 --> 00:54:20,880
Speaker 2: You said Damon Wayne is in it as well. I

1228
00:54:20,920 --> 00:54:23,520
Speaker 2: believe he knows more about Hollywood than we do. Listen,

1229
00:54:23,600 --> 00:54:25,400
Speaker 2: they may make some great shit, man, but I just

1230
00:54:25,440 --> 00:54:30,080
Speaker 2: don't just like looking at it, like and reading the

1231
00:54:30,160 --> 00:54:32,759
Speaker 2: names and different strokes. I don't we didn't ask for them.

1232
00:54:32,800 --> 00:54:34,719
Speaker 1: I like the cast. If they just did something else.

1233
00:54:35,600 --> 00:54:38,440
Speaker 2: Oh no, Damon Wayne's and Kevin Hart in the movie together,

1234
00:54:38,520 --> 00:54:42,400
Speaker 2: I'm cool. I'll support that, but different strokes.

1235
00:54:44,800 --> 00:54:46,520
Speaker 1: I gotta see what you're talking about, will us?

1236
00:54:47,239 --> 00:54:53,280
Speaker 2: Yeah, it's just not so Wait, okay, are they supposed

1237
00:54:53,280 --> 00:54:54,759
Speaker 2: to be adults? Now? Is that the spin on this

1238
00:54:54,800 --> 00:54:55,880
Speaker 2: different strokes.

1239
00:54:55,520 --> 00:54:59,520
Speaker 1: Like, oh, maybe that could be it. They're now adults.

1240
00:55:00,640 --> 00:55:04,279
Speaker 1: But Kevin Hart, well, yeah, I guess Garry Coleman wasn't

1241
00:55:04,680 --> 00:55:06,200
Speaker 1: a little people of a little kid, So yeah, I

1242
00:55:06,200 --> 00:55:09,319
Speaker 1: guess that could work. What do you think Willis turned

1243
00:55:09,320 --> 00:55:11,040
Speaker 1: out to be in the show?

1244
00:55:14,160 --> 00:55:22,120
Speaker 2: My guess would be, uh, maybe like a a lawyer.

1245
00:55:22,880 --> 00:55:25,759
Speaker 2: Willis was lawyers, maybe like a lawyer.

1246
00:55:26,280 --> 00:55:28,640
Speaker 1: And he went he went back to Harlem to clean

1247
00:55:28,719 --> 00:55:32,480
Speaker 1: up the hood. Yeah, I can see that, terrible storyline.

1248
00:55:32,920 --> 00:55:35,839
Speaker 2: He has his practice in Harlem, trying to teach people

1249
00:55:35,880 --> 00:55:38,239
Speaker 2: about the laws of the communities, and yeah, I could

1250
00:55:38,239 --> 00:55:42,200
Speaker 2: see that. Mister Drummond still won't go up there. No, yeah,

1251
00:55:42,400 --> 00:55:43,759
Speaker 2: I mean if they're trying to spend it like that

1252
00:55:43,840 --> 00:55:46,080
Speaker 2: now that they're grown men and all of that, then okay,

1253
00:55:46,400 --> 00:55:48,759
Speaker 2: But I still it's still weird.

1254
00:55:48,840 --> 00:55:50,400
Speaker 1: It would be very funny if they did it in

1255
00:55:50,480 --> 00:55:55,800
Speaker 1: modern time with like gentrification and like they took Willis

1256
00:55:55,800 --> 00:55:57,640
Speaker 1: and Arnold from the projects and they actually just went

1257
00:55:57,680 --> 00:56:01,799
Speaker 1: across the street to the new uh Skyline building that's

1258
00:56:01,840 --> 00:56:02,480
Speaker 1: in Harlem.

1259
00:56:02,680 --> 00:56:04,520
Speaker 2: Yeah, if they play, if they play, if they play

1260
00:56:04,560 --> 00:56:07,320
Speaker 2: with it like that, then you know, it may be interesting.

1261
00:56:08,760 --> 00:56:10,600
Speaker 2: I'm open to being wrong. Like I said, these gentlemen

1262
00:56:10,600 --> 00:56:13,080
Speaker 2: know more about Hollywood obviously than we do, and more

1263
00:56:13,120 --> 00:56:14,759
Speaker 2: about acting than we do. So I mean maybe they

1264
00:56:14,800 --> 00:56:17,919
Speaker 2: got some some some great writers. Maybe, I mean Damon

1265
00:56:17,920 --> 00:56:19,520
Speaker 2: Wayne's and Kevin Hard is hard for them not to

1266
00:56:19,560 --> 00:56:22,439
Speaker 2: be funny, So I mean, you know, I just don't.

1267
00:56:23,239 --> 00:56:27,000
Speaker 2: It's just different strokes and thinking about what different strokes

1268
00:56:27,400 --> 00:56:30,000
Speaker 2: is and was, and trying to see it now and

1269
00:56:30,040 --> 00:56:32,799
Speaker 2: then attaching Damon Ways and Kevin Hart. It's just kind

1270
00:56:32,800 --> 00:56:35,160
Speaker 2: of weird, like I can't really I can't see it.

1271
00:56:35,239 --> 00:56:37,400
Speaker 2: But again, I could be wrong, and this could this

1272
00:56:37,480 --> 00:56:39,840
Speaker 2: could turn out to be one of the funniest shows

1273
00:56:39,920 --> 00:56:40,759
Speaker 2: on television.

1274
00:56:41,480 --> 00:56:43,719
Speaker 1: I mean Facts of Life as well, be cause to said,

1275
00:56:43,719 --> 00:56:45,319
Speaker 1: who who's in the Facts of Life?

1276
00:56:45,360 --> 00:56:48,200
Speaker 2: Do they give that set roster? Yeah, it says.

1277
00:56:48,480 --> 00:56:57,279
Speaker 1: Adam Sandler, that Adam James and David Spade, it.

1278
00:56:57,320 --> 00:56:59,600
Speaker 2: Says John let Go would be mister Drummond.

1279
00:57:01,040 --> 00:57:02,160
Speaker 1: That's for different strokes.

1280
00:57:02,239 --> 00:57:04,040
Speaker 2: Yeah, let me see the Facts of Life.

1281
00:57:05,320 --> 00:57:07,000
Speaker 1: Oh well, this is gonna be interesting. I think it

1282
00:57:07,040 --> 00:57:07,799
Speaker 1: airs December seventh.

1283
00:57:08,560 --> 00:57:11,360
Speaker 2: Shoot, she ain't No, those are some some some big names.

1284
00:57:11,520 --> 00:57:14,320
Speaker 2: Hell yeah, John Liftgow, Damon Wayne's, Kevin Hart.

1285
00:57:14,080 --> 00:57:17,720
Speaker 1: Like, I don't know, man, I'm gonna give it a chance.

1286
00:57:18,320 --> 00:57:20,400
Speaker 2: Yeah, me too. Like I said, this is gonna be funny.

1287
00:57:20,400 --> 00:57:22,840
Speaker 2: I'm you know, Damon Wayne's and Kevin Hart. It's gonna

1288
00:57:22,880 --> 00:57:25,440
Speaker 2: be funny. But just looking at it right now, just

1289
00:57:25,440 --> 00:57:27,120
Speaker 2: trying to picture it, is just I can't see it.

1290
00:57:27,120 --> 00:57:30,160
Speaker 2: It's just a little weird. But I'm open. I'm open

1291
00:57:30,240 --> 00:57:32,840
Speaker 2: to checking out a couple episodes and then I'll let

1292
00:57:32,840 --> 00:57:33,120
Speaker 2: you know.

1293
00:57:33,440 --> 00:57:36,120
Speaker 1: Well yeah, we'll keep you guys locked on the different strokes.

1294
00:57:36,160 --> 00:57:38,400
Speaker 2: But right now, people, it sounds a little weird. Which

1295
00:57:38,440 --> 00:57:39,480
Speaker 2: it feels a little weird.

1296
00:57:40,960 --> 00:57:44,680
Speaker 1: Music, what is that? I'm making that a thing?

1297
00:57:44,840 --> 00:57:48,320
Speaker 2: Okay thing, I'm gonna support you in this little sound effeirt.

1298
00:57:48,120 --> 00:57:51,280
Speaker 1: And like Carl's gonna put cool like imagery of like

1299
00:57:51,360 --> 00:57:55,120
Speaker 1: beams like okay of like topics just falling from the sky.

1300
00:57:55,160 --> 00:57:56,600
Speaker 1: All right, cool, Yes, it's gonna.

1301
00:57:56,360 --> 00:57:58,560
Speaker 2: Be man, I'm I'm listen. I'm down to see it.

1302
00:57:58,800 --> 00:58:00,640
Speaker 2: If it looks crazy, we'll cut it out for the

1303
00:58:00,680 --> 00:58:04,320
Speaker 2: next For the next episode.

1304
00:58:03,280 --> 00:58:06,200
Speaker 1: Adele put out an album. See we're getting like real professionals,

1305
00:58:06,640 --> 00:58:08,560
Speaker 1: got you. We don't want to do the casual shit anymore.

1306
00:58:08,920 --> 00:58:10,760
Speaker 2: How do you feel Did it draw any emotions? Did

1307
00:58:10,800 --> 00:58:13,439
Speaker 2: it make you feel like any difference towards Rich Paul?

1308
00:58:13,440 --> 00:58:15,680
Speaker 2: Do you hate him that he made Rich made a

1309
00:58:15,720 --> 00:58:18,479
Speaker 2: Dell happy? Is the music suffering now? Aren't suffering because

1310
00:58:18,480 --> 00:58:20,680
Speaker 2: Adele's happy? No, it was a good balance. It was.

1311
00:58:20,720 --> 00:58:23,520
Speaker 1: There was definitely some some sad girl anthems on there.

1312
00:58:23,600 --> 00:58:25,680
Speaker 2: Okay, she didn't go full blown happy.

1313
00:58:26,360 --> 00:58:29,040
Speaker 1: I did get in the proper listen to a Dell

1314
00:58:29,880 --> 00:58:32,880
Speaker 1: mode which I'm gonna be vulnerable with you. I did

1315
00:58:32,920 --> 00:58:35,000
Speaker 1: set up some candles and I did have a soak.

1316
00:58:35,160 --> 00:58:38,600
Speaker 1: I did get in the tub, put some some epstin

1317
00:58:38,640 --> 00:58:42,440
Speaker 1: salt in there, doctor Teal's bubbles.

1318
00:58:42,640 --> 00:58:44,840
Speaker 2: First of all, don't ever look at me. It said

1319
00:58:44,840 --> 00:58:48,600
Speaker 2: you took a sod soak. I can't let you go

1320
00:58:48,600 --> 00:58:49,640
Speaker 2: out like this. I have soak.

1321
00:58:49,680 --> 00:58:50,640
Speaker 1: Who are you becoming?

1322
00:58:50,680 --> 00:58:52,400
Speaker 2: Man? I'm not old man.

1323
00:58:52,480 --> 00:58:54,840
Speaker 1: My knees hurt. I have a broken rib like I

1324
00:58:54,840 --> 00:58:57,640
Speaker 1: needed soaks sometime. And when I was setting up for

1325
00:58:57,680 --> 00:58:59,760
Speaker 1: the soak, oh man, I was like, oh, Adele put

1326
00:58:59,760 --> 00:59:02,800
Speaker 1: out of what a perfect type of album to just

1327
00:59:02,840 --> 00:59:04,360
Speaker 1: like lay back in the bathtub. You know, you go

1328
00:59:04,400 --> 00:59:05,960
Speaker 1: all the way to like just where your chin is

1329
00:59:06,360 --> 00:59:07,440
Speaker 1: when you really start feeling me.

1330
00:59:07,720 --> 00:59:09,680
Speaker 2: Yeah, no, I got you. I want I want to

1331
00:59:09,680 --> 00:59:11,760
Speaker 2: talk more about this. You're preparing. We're going to get

1332
00:59:11,800 --> 00:59:13,320
Speaker 2: to the dell out, I promise because I love a

1333
00:59:13,400 --> 00:59:15,680
Speaker 2: del But let's get more to the how do you

1334
00:59:15,720 --> 00:59:17,920
Speaker 2: set up your soak? Like? What are you? What are

1335
00:59:17,960 --> 00:59:19,600
Speaker 2: you doing? Like through this? Not that I want to

1336
00:59:19,640 --> 00:59:21,640
Speaker 2: think about you soaking, because I don't, but understand, just

1337
00:59:21,680 --> 00:59:22,800
Speaker 2: walk me through it, just so I can see you

1338
00:59:22,920 --> 00:59:25,160
Speaker 2: here as if I had a bathing suit on. Okay,

1339
00:59:25,800 --> 00:59:28,480
Speaker 2: I don't want to pick that. I don't want to

1340
00:59:28,520 --> 00:59:30,960
Speaker 2: picture that either, but I you my guy. I'm secure

1341
00:59:31,000 --> 00:59:31,520
Speaker 2: on my own skin.

1342
00:59:32,680 --> 00:59:37,080
Speaker 1: You stop by your local winery, okay, get yourself some

1343
00:59:37,200 --> 00:59:41,080
Speaker 1: twist off Shardenay though you can't. Yes that cheaper wine

1344
00:59:41,120 --> 00:59:43,919
Speaker 1: brings out shitty emotions because it's like more sugar in there. Yeah,

1345
00:59:44,000 --> 00:59:46,480
Speaker 1: so it really rises your emotion level. Don't get the

1346
00:59:46,520 --> 00:59:48,480
Speaker 1: expense of Shardenay. It has to be twisted off so

1347
00:59:48,600 --> 00:59:53,080
Speaker 1: cheap Chardenay. Absolutely, Okay, got it. Wait, check when sun

1348
00:59:53,360 --> 00:59:55,240
Speaker 1: set is happening if you want to time it in

1349
00:59:55,280 --> 00:59:57,840
Speaker 1: that capacity. I don't know if your bathroom has a

1350
00:59:57,920 --> 01:00:00,640
Speaker 1: view of the sunset, but I option be is to

1351
01:00:00,680 --> 01:00:01,160
Speaker 1: do it at night.

1352
01:00:01,440 --> 01:00:04,280
Speaker 2: Hm, you find the right lighting. I don't know if

1353
01:00:04,320 --> 01:00:06,280
Speaker 2: that means maybe you just turn on one closet light

1354
01:00:06,320 --> 01:00:08,120
Speaker 2: all the way down the hall, just so you have

1355
01:00:08,240 --> 01:00:10,720
Speaker 2: some type of yeah, listen, man, we're gonna go there.

1356
01:00:10,800 --> 01:00:11,920
Speaker 2: Let's go there, or candles.

1357
01:00:12,200 --> 01:00:14,640
Speaker 1: Always set the bath a little bit hotter than you

1358
01:00:14,720 --> 01:00:17,480
Speaker 1: can handle, because water does cool off eventually, and you

1359
01:00:17,600 --> 01:00:18,920
Speaker 1: want to soak. You want to be in there for

1360
01:00:18,960 --> 01:00:20,720
Speaker 1: a while. We're in here for Adela albums.

1361
01:00:20,760 --> 01:00:22,680
Speaker 2: It has to get into the tendons, for sure.

1362
01:00:23,240 --> 01:00:25,600
Speaker 1: You lay down some Eppsin salt, which you can get

1363
01:00:25,960 --> 01:00:27,640
Speaker 1: at Amazon, you can get it at.

1364
01:00:27,600 --> 01:00:28,320
Speaker 2: Your local store.

1365
01:00:29,000 --> 01:00:31,120
Speaker 1: Line it just so, just so it covers the bottom

1366
01:00:31,160 --> 01:00:34,680
Speaker 1: a bit. Start running the water. Don't throw the bubbles

1367
01:00:34,720 --> 01:00:37,000
Speaker 1: in right away. You gotta let it go. Get to

1368
01:00:37,120 --> 01:00:39,000
Speaker 1: like a quarter, just to let it. Ebsan salt can

1369
01:00:39,040 --> 01:00:41,080
Speaker 1: really get into the water. Soap on it were coming

1370
01:00:41,240 --> 01:00:43,960
Speaker 1: got you, And then you need to say, probably use

1371
01:00:43,960 --> 01:00:47,240
Speaker 1: half about half of the bubble bath, okay, because bubbles

1372
01:00:47,280 --> 01:00:49,040
Speaker 1: do deteriorate as well, So.

1373
01:00:49,040 --> 01:00:51,280
Speaker 2: You want to use half a bottle of bubble bath

1374
01:00:51,400 --> 01:00:53,200
Speaker 2: and a full bottle of sharp man on one on

1375
01:00:53,320 --> 01:00:56,120
Speaker 2: one soap, half a bottle. Absolutely, well, go ahead.

1376
01:00:56,000 --> 01:00:58,520
Speaker 1: Yes, So you want to make sure you have a

1377
01:00:58,640 --> 01:01:02,040
Speaker 1: rag next to the baths up, not just for tears,

1378
01:01:02,200 --> 01:01:04,240
Speaker 1: but also because you want to be able to control

1379
01:01:04,360 --> 01:01:05,680
Speaker 1: the music while you're taking a soak.

1380
01:01:06,040 --> 01:01:08,320
Speaker 2: Okay, you gotta wipe your hands off, your hands get wet.

1381
01:01:08,680 --> 01:01:10,280
Speaker 1: Maybe go through some old text messages.

1382
01:01:10,360 --> 01:01:12,640
Speaker 2: Maybe if you have a shared folder with your ex girlfriend,

1383
01:01:13,440 --> 01:01:15,240
Speaker 2: you want to go through, run through some of those photos.

1384
01:01:16,280 --> 01:01:19,160
Speaker 2: If you're really wealthy and you have a projector top

1385
01:01:19,200 --> 01:01:21,240
Speaker 2: of the wall, run through your entire photo album. Okay,

1386
01:01:21,480 --> 01:01:23,400
Speaker 2: got you. I see what you're going with it. Okay,

1387
01:01:23,440 --> 01:01:25,000
Speaker 2: so you said in the mood, So this sounds like

1388
01:01:25,040 --> 01:01:27,240
Speaker 2: you were making Irish stew. Can we call this Irish stew?

1389
01:01:27,400 --> 01:01:27,680
Speaker 1: For sure?

1390
01:01:27,760 --> 01:01:29,800
Speaker 2: Yeah, this sounds like an Irish stew. You prepped the

1391
01:01:29,840 --> 01:01:32,440
Speaker 2: hot water, you got into a boiling temperature. What you

1392
01:01:32,520 --> 01:01:35,360
Speaker 2: did with the some souls, You added some seasoning. Absolutely,

1393
01:01:35,600 --> 01:01:37,680
Speaker 2: it was added some season It was like Shepherd's pie. Yeah,

1394
01:01:37,680 --> 01:01:39,240
Speaker 2: it was. I see where you're going with Okay, So

1395
01:01:39,280 --> 01:01:41,240
Speaker 2: you made Irish stew. So now when you in this,

1396
01:01:41,360 --> 01:01:44,240
Speaker 2: when you're soaking and you're on your phone, do you, uh,

1397
01:01:45,520 --> 01:01:48,640
Speaker 2: let's say, think about an old flame and maybe send

1398
01:01:48,680 --> 01:01:50,400
Speaker 2: her a picture of your feet in the water and say, hey,

1399
01:01:50,480 --> 01:01:53,919
Speaker 2: life is great, but how do you get back into

1400
01:01:55,080 --> 01:01:57,200
Speaker 2: I mean, you gotta put you gotta put the old flame.

1401
01:01:58,320 --> 01:02:01,000
Speaker 1: Just her and your close friends. Yeah, just turning your

1402
01:02:01,000 --> 01:02:01,479
Speaker 1: close friends.

1403
01:02:01,600 --> 01:02:03,040
Speaker 2: And I'm in your close friends. Let me tell you

1404
01:02:03,200 --> 01:02:05,400
Speaker 2: right now if I see you soaking in the toe.

1405
01:02:05,520 --> 01:02:09,720
Speaker 2: But I'm screenshot that shit and I'm like, yo, look

1406
01:02:09,800 --> 01:02:12,640
Speaker 2: with this nasty man, it's doing it close friends.

1407
01:02:13,440 --> 01:02:16,280
Speaker 1: Side note, I posted last night a picture of Baisley

1408
01:02:16,280 --> 01:02:18,680
Speaker 1: sleeping and Reason is in my close friend friend of

1409
01:02:18,760 --> 01:02:21,120
Speaker 1: the show? Yeah, God, Reason, he cursed you up, he

1410
01:02:21,720 --> 01:02:23,880
Speaker 1: he dm me A very valid question.

1411
01:02:26,080 --> 01:02:27,560
Speaker 2: Probably was something I wanted to ask you.

1412
01:02:29,040 --> 01:02:31,320
Speaker 1: Why does Baisley sleeping gotta be in your close friends?

1413
01:02:31,520 --> 01:02:33,840
Speaker 1: Why the world can't see this? Yo?

1414
01:02:33,920 --> 01:02:36,240
Speaker 2: I saw that and I was like, I said, my god,

1415
01:02:36,360 --> 01:02:38,720
Speaker 2: I think I don't think he got the close friendship

1416
01:02:38,800 --> 01:02:40,800
Speaker 2: down pack yet because it would be sitting your close

1417
01:02:40,840 --> 01:02:44,520
Speaker 2: friends barely chasing the toy. I'm like, I'm like, basic,

1418
01:02:45,040 --> 01:02:48,080
Speaker 2: why is basicly chasing the toy? I'm like, Rory, the

1419
01:02:48,120 --> 01:02:50,600
Speaker 2: world could see your dog chasing the toy, Okay, but

1420
01:02:51,760 --> 01:02:54,520
Speaker 2: there's hose in my close friends. It's very calculated.

1421
01:02:54,680 --> 01:02:58,360
Speaker 1: Okay, so they may feel like they don't know that

1422
01:02:58,400 --> 01:02:59,919
Speaker 1: there's eighty five people in my close friends.

1423
01:03:00,040 --> 01:03:02,080
Speaker 2: Yeah, yeah, they don't know. They have no idea to them.

1424
01:03:02,120 --> 01:03:06,040
Speaker 1: I could just be only five. Yeah yeah, so yeah,

1425
01:03:06,040 --> 01:03:08,760
Speaker 1: it's a very calculated post. As you see, there is

1426
01:03:08,800 --> 01:03:10,760
Speaker 1: Baisley content. Yeah, so the world to see. That's like

1427
01:03:10,800 --> 01:03:12,840
Speaker 1: my only fans for Baisley. God, you gotta be in

1428
01:03:12,880 --> 01:03:14,080
Speaker 1: the close friends to really get.

1429
01:03:14,080 --> 01:03:18,080
Speaker 2: To see her in those vulneras or God, please no,

1430
01:03:18,200 --> 01:03:20,240
Speaker 2: don't ever post that. But okay, I got you. So

1431
01:03:21,560 --> 01:03:23,240
Speaker 2: you made the Irish stew, you soaked, you had a

1432
01:03:23,280 --> 01:03:25,600
Speaker 2: great time, You had a dele plan.

1433
01:03:25,520 --> 01:03:27,520
Speaker 1: I put I put one person into my close friends,

1434
01:03:27,920 --> 01:03:30,920
Speaker 1: made it look like, you know, life is really beautiful.

1435
01:03:31,000 --> 01:03:31,800
Speaker 2: Absolutely got you.

1436
01:03:31,920 --> 01:03:33,600
Speaker 1: Angled the camera because who knows it could be another

1437
01:03:33,640 --> 01:03:35,240
Speaker 1: person in the tub. Maybe you just don't see it.

1438
01:03:35,440 --> 01:03:38,520
Speaker 1: You gotta leave some thought for them thinking maybe did

1439
01:03:38,560 --> 01:03:39,560
Speaker 1: he did he replace me?

1440
01:03:40,040 --> 01:03:43,480
Speaker 2: Ah? Yes, try to get him jealous a little bit. Okay,

1441
01:03:43,800 --> 01:03:45,760
Speaker 2: I got you. So you had a Dell plane. Yeah,

1442
01:03:46,520 --> 01:03:49,920
Speaker 2: and what did you think, like the fact that you

1443
01:03:50,000 --> 01:03:51,800
Speaker 2: were taking a soak that you hit the music differently,

1444
01:03:51,800 --> 01:03:54,440
Speaker 2: were able to receive the melodies and the harmonies a

1445
01:03:54,440 --> 01:03:55,400
Speaker 2: little differently.

1446
01:03:55,200 --> 01:03:57,040
Speaker 1: I did. I think I felt like the album was

1447
01:03:57,080 --> 01:04:01,000
Speaker 1: written in a bathtub, Okay, thought while she was soaking

1448
01:04:01,120 --> 01:04:01,720
Speaker 1: and reflecting.

1449
01:04:01,840 --> 01:04:05,160
Speaker 2: Possibly, yes, I could see that, probably Rich. No, I

1450
01:04:05,200 --> 01:04:08,760
Speaker 2: can't see that, Rich, I'm sorry, Rich, my god, No,

1451
01:04:09,040 --> 01:04:11,160
Speaker 2: I can't see Adele soaking in the top. Go ahead.

1452
01:04:11,440 --> 01:04:14,040
Speaker 1: I think maybe Rich, at some point did the close

1453
01:04:14,080 --> 01:04:16,520
Speaker 1: friends move when maybe they were having a fight, and

1454
01:04:16,640 --> 01:04:18,560
Speaker 1: a dele saw it, and that kind of inspired.

1455
01:04:18,200 --> 01:04:19,360
Speaker 2: At least three or four of these records.

1456
01:04:19,440 --> 01:04:22,360
Speaker 1: Okay, But no jokes aside. The album is really good.

1457
01:04:22,720 --> 01:04:23,480
Speaker 1: This is very good.

1458
01:04:23,680 --> 01:04:25,000
Speaker 2: I didn't get a chance to listen to it yet.

1459
01:04:25,000 --> 01:04:28,120
Speaker 2: I've seen all the women posting about it, But I

1460
01:04:28,200 --> 01:04:31,080
Speaker 2: am gonna check it out while I'm traveling this Week's

1461
01:04:31,160 --> 01:04:32,720
Speaker 2: to me, that's the best time listening to music while

1462
01:04:32,720 --> 01:04:36,120
Speaker 2: you're traveling road trip, Like, I think, you hear music differently,

1463
01:04:36,680 --> 01:04:38,560
Speaker 2: you receive it differently. It's not too much going on,

1464
01:04:38,680 --> 01:04:41,320
Speaker 2: it's distracting you. So yeah, I'm gonna check it out. Well,

1465
01:04:41,360 --> 01:04:44,200
Speaker 2: you sicker than me, then what traveling listening to music?

1466
01:04:44,480 --> 01:04:46,560
Speaker 2: You think that's listening to iris?

1467
01:04:46,920 --> 01:04:49,560
Speaker 1: Listening to Adele in the bathtub makes way more sense

1468
01:04:49,600 --> 01:04:52,720
Speaker 1: than saying, hey, bros, let's go on a road trip

1469
01:04:52,800 --> 01:04:53,800
Speaker 1: and throwing the Adele album.

1470
01:04:55,960 --> 01:05:00,200
Speaker 2: I didn't say them. It's gonna be mery. I want

1471
01:05:00,200 --> 01:05:02,320
Speaker 2: to see family. Yeah, Like sometimes you got to cry

1472
01:05:02,360 --> 01:05:03,479
Speaker 2: while you're driving down to turns.

1473
01:05:03,560 --> 01:05:04,240
Speaker 1: That's dangerous.

1474
01:05:04,520 --> 01:05:07,040
Speaker 2: No, it's not. You just got to blink a hundred

1475
01:05:07,040 --> 01:05:09,479
Speaker 2: times real quick, and then you know, washing the tears away,

1476
01:05:09,800 --> 01:05:12,480
Speaker 2: open the window. But yeah, that's that's to me, that's

1477
01:05:12,480 --> 01:05:14,440
Speaker 2: the best time listening to music over.

1478
01:05:15,840 --> 01:05:17,280
Speaker 1: What have you ever cried over a woman?

1479
01:05:17,760 --> 01:05:22,520
Speaker 2: Cried over a woman? No, cried? Cool? Like you've actually

1480
01:05:22,600 --> 01:05:24,560
Speaker 2: cried like tears. I don't think that actually real tears. Yeah,

1481
01:05:24,600 --> 01:05:26,800
Speaker 2: but to say I can't see you doing it now, See, Rory,

1482
01:05:26,880 --> 01:05:28,960
Speaker 2: we're more like than you want to give us credit for. Bro,

1483
01:05:29,040 --> 01:05:30,640
Speaker 2: you've been trying to make it seem like my shit

1484
01:05:30,760 --> 01:05:33,760
Speaker 2: is crazy for not getting super emotion by women. You

1485
01:05:34,120 --> 01:05:37,320
Speaker 2: you don't get upset, you'll be hurt, but you're not crying.

1486
01:05:37,400 --> 01:05:39,520
Speaker 2: Tears are not streaming down your face. No, I go

1487
01:05:39,560 --> 01:05:42,240
Speaker 2: into socio path mode. I get numb and just shit,

1488
01:05:42,440 --> 01:05:45,040
Speaker 2: that's your thing. Yeah, what more do I go into?

1489
01:05:46,520 --> 01:05:49,600
Speaker 2: I get numb, but I don't I don't. I wouldn't

1490
01:05:49,600 --> 01:05:53,120
Speaker 2: say a sociopath. I just I get I isolate myself

1491
01:05:53,480 --> 01:05:55,520
Speaker 2: because I feel like I don't want to. I don't

1492
01:05:55,520 --> 01:05:58,520
Speaker 2: want that energy to transfer to the wrong person if I,

1493
01:05:58,680 --> 01:06:00,600
Speaker 2: you know, around the wrong pece and it's like, damn,

1494
01:06:00,640 --> 01:06:02,440
Speaker 2: that's not even meant for you. Yeah, I'm going through

1495
01:06:02,480 --> 01:06:04,640
Speaker 2: something else, dealing with something else, and now some of

1496
01:06:04,720 --> 01:06:07,640
Speaker 2: that energy hits you. Like, so I isolate myself until

1497
01:06:07,960 --> 01:06:10,400
Speaker 2: that moment has passed, and then I'm back to being

1498
01:06:10,480 --> 01:06:12,520
Speaker 2: social and chilling with the with the with the crew.

1499
01:06:12,640 --> 01:06:16,120
Speaker 2: And that takes what like our field forty five you

1500
01:06:16,160 --> 01:06:18,200
Speaker 2: know what I mean, forty forty five minutes. Once I

1501
01:06:18,280 --> 01:06:21,360
Speaker 2: discover a new holler on Instagram, I'm I'm back new

1502
01:06:21,400 --> 01:06:22,360
Speaker 2: money BAGSN worry about it.

1503
01:06:22,360 --> 01:06:24,040
Speaker 1: I don't want to see your heart get crushed. But

1504
01:06:24,840 --> 01:06:26,560
Speaker 1: I do want you to kind of have that experience

1505
01:06:26,560 --> 01:06:30,840
Speaker 1: in a relationship of dealing with like what heartache? Yeah,

1506
01:06:31,040 --> 01:06:32,320
Speaker 1: it gives you new perspective on things.

1507
01:06:32,400 --> 01:06:34,960
Speaker 2: Oh no, absolutely, I mean, but you do. I don't

1508
01:06:34,960 --> 01:06:36,480
Speaker 2: even think you have to be in a relation, Like

1509
01:06:36,560 --> 01:06:37,800
Speaker 2: I'm weird. I don't even have to be in a

1510
01:06:37,840 --> 01:06:41,080
Speaker 2: relationship to have heartache. Okay, Like if I if I

1511
01:06:41,160 --> 01:06:43,040
Speaker 2: meet them with you, you be loving these bitches, not

1512
01:06:43,200 --> 01:06:45,400
Speaker 2: loving them, but I like them a lot, Like I

1513
01:06:45,520 --> 01:06:47,800
Speaker 2: like them almost right there to the point of lock

1514
01:06:47,920 --> 01:06:50,160
Speaker 2: for love. Yeah, I'm not not, not really, but it's

1515
01:06:50,240 --> 01:06:53,720
Speaker 2: like y'all like her, but it's it's sometimes you find

1516
01:06:53,760 --> 01:06:56,880
Speaker 2: a girl that you like, and in liking her and

1517
01:06:56,920 --> 01:06:59,000
Speaker 2: then getting to know her, you start to learn things

1518
01:06:59,040 --> 01:07:02,000
Speaker 2: about her that you're like, oh man, why you like that?

1519
01:07:02,160 --> 01:07:02,960
Speaker 2: Type of shit hurts me?

1520
01:07:03,440 --> 01:07:05,920
Speaker 1: Did you see a meme and random sendate to her

1521
01:07:05,960 --> 01:07:09,160
Speaker 1: and realize you she's not your meme friend anymore? No,

1522
01:07:09,480 --> 01:07:11,320
Speaker 1: that sucks when you can't, like when you're all are

1523
01:07:11,360 --> 01:07:14,720
Speaker 1: fighting or about to break up or broken up, like

1524
01:07:14,840 --> 01:07:16,640
Speaker 1: you got a stash of memes that you saw all

1525
01:07:16,720 --> 01:07:18,120
Speaker 1: day that she was ready to get the clip off,

1526
01:07:18,320 --> 01:07:20,400
Speaker 1: Like damn can I can't even send that.

1527
01:07:20,440 --> 01:07:20,840
Speaker 2: That happens.

1528
01:07:20,920 --> 01:07:21,320
Speaker 1: TikTok.

1529
01:07:21,520 --> 01:07:24,720
Speaker 2: Yeah, that's a real thing because on Instagram, like once

1530
01:07:24,840 --> 01:07:27,760
Speaker 2: I see that women are like in relationships, like really happy,

1531
01:07:27,800 --> 01:07:29,800
Speaker 2: you want to follow them. No, No, I don't go

1532
01:07:29,920 --> 01:07:31,560
Speaker 2: that f I do, but I make sure that I don't.

1533
01:07:31,600 --> 01:07:33,960
Speaker 2: I don't. I don't post any uh, I don't drop

1534
01:07:34,000 --> 01:07:36,560
Speaker 2: any money bags under their picks no more. Oh, how

1535
01:07:36,640 --> 01:07:38,880
Speaker 2: noble of you. Yeah, because well I've had I've had

1536
01:07:38,960 --> 01:07:41,560
Speaker 2: recent situations where the guys have told me they feel

1537
01:07:41,560 --> 01:07:43,440
Speaker 2: a way about that, and I'm like, well, damn, I

1538
01:07:43,440 --> 01:07:46,880
Speaker 2: didn't know that that was disrespectful, Like, no, you're very honorable. Yeah,

1539
01:07:46,880 --> 01:07:50,320
Speaker 2: I didn't know that was just considered money bags is disrespectful.

1540
01:07:50,520 --> 01:07:53,320
Speaker 2: Like if it's hard eyed, that's different, but money back.

1541
01:07:53,400 --> 01:07:55,200
Speaker 2: So it's like once I see that, it's like, you know,

1542
01:07:55,280 --> 01:07:57,520
Speaker 2: she got a boyfriend now, so it's like, just keep

1543
01:07:58,520 --> 01:08:01,320
Speaker 2: stay out the dms, not the because I rarely jump

1544
01:08:01,360 --> 01:08:02,520
Speaker 2: in the deal and I don't even it's not even

1545
01:08:02,520 --> 01:08:04,680
Speaker 2: a DM. I respond to stories. I don't.

1546
01:08:06,040 --> 01:08:08,840
Speaker 1: Said damn he tried to talk to her by responding

1547
01:08:08,840 --> 01:08:11,600
Speaker 1: to a story. Y'all used to talk or you tried.

1548
01:08:12,720 --> 01:08:14,520
Speaker 2: Okay, I guess that's where we're at in the world

1549
01:08:14,560 --> 01:08:16,400
Speaker 2: with it now. That's I'm with you.

1550
01:08:16,560 --> 01:08:18,000
Speaker 1: You give like an lo o L you give a

1551
01:08:18,080 --> 01:08:18,639
Speaker 1: real response.

1552
01:08:20,640 --> 01:08:25,400
Speaker 2: It's some you know what I hate doing the surveys hate.

1553
01:08:26,000 --> 01:08:28,720
Speaker 2: I mean, that's where you're really feeling somebody. But she

1554
01:08:28,920 --> 01:08:31,639
Speaker 2: was like short hair along you were like sure, It's

1555
01:08:31,760 --> 01:08:32,519
Speaker 2: like I'm corny.

1556
01:08:32,600 --> 01:08:35,920
Speaker 1: Why did I just you answer the survey and then

1557
01:08:36,120 --> 01:08:38,719
Speaker 1: go into the DMS to explain your answer a little

1558
01:08:38,720 --> 01:08:39,000
Speaker 1: bit more.

1559
01:08:39,160 --> 01:08:41,799
Speaker 2: Yeah, like, that's corny, man, I'll be doing that sometimes.

1560
01:08:41,840 --> 01:08:44,960
Speaker 2: I gotta stop that ship that's not corny, man, It

1561
01:08:45,080 --> 01:08:48,760
Speaker 2: is corny. Why you can't like a survey? Of course,

1562
01:08:48,800 --> 01:08:51,960
Speaker 2: you can can't answer survey rory. You cannot answer from

1563
01:08:52,000 --> 01:08:53,120
Speaker 2: a girl that you think is hot.

1564
01:08:53,439 --> 01:08:56,960
Speaker 1: Yeah, no, man, she's giving the opportunity. Finally I get

1565
01:08:57,000 --> 01:08:57,880
Speaker 1: to give her some feedback.

1566
01:08:58,160 --> 01:09:01,200
Speaker 2: You got because I want to you know what I

1567
01:09:01,360 --> 01:09:03,040
Speaker 2: want to do. I be wanting to find out what

1568
01:09:03,240 --> 01:09:06,559
Speaker 2: the common answer is and then ship on that be like, Yo,

1569
01:09:06,600 --> 01:09:08,000
Speaker 2: they bugging, they don't know what they're talking about. But

1570
01:09:08,000 --> 01:09:10,400
Speaker 2: there's no way to see that. I suppose you know

1571
01:09:10,439 --> 01:09:12,240
Speaker 2: what I'm saying. But nah, you can't answer service fellas,

1572
01:09:12,240 --> 01:09:14,200
Speaker 2: don't answer service, don't listen the road. You can't do that.

1573
01:09:14,280 --> 01:09:16,719
Speaker 1: Do you think Tevin Campbell can We Talk? Is considered

1574
01:09:16,760 --> 01:09:22,000
Speaker 1: street harassment? Could he get that off in twenty twenty one?

1575
01:09:22,400 --> 01:09:24,360
Speaker 2: No? I would say, now, no, that's harassment. Now.

1576
01:09:24,840 --> 01:09:26,519
Speaker 1: I feel like Chris Brown the YO video that was

1577
01:09:26,600 --> 01:09:27,599
Speaker 1: kind of street harassment too.

1578
01:09:27,800 --> 01:09:31,640
Speaker 2: That was definitely, but it's only are we gonna have

1579
01:09:31,640 --> 01:09:33,720
Speaker 2: a real conversation here. He was sipping a little bit,

1580
01:09:34,479 --> 01:09:34,960
Speaker 2: a lot of bit.

1581
01:09:35,760 --> 01:09:36,639
Speaker 1: Tevin, he was a child.

1582
01:09:36,720 --> 01:09:41,800
Speaker 2: He was fifteen. That's why he ain't good. He was

1583
01:09:41,920 --> 01:09:50,839
Speaker 2: fifteen and he didn't even like women. He was Tavian

1584
01:09:51,000 --> 01:09:53,000
Speaker 2: was sick. He was, Yo, you was shoying to talk

1585
01:09:53,000 --> 01:09:59,160
Speaker 2: to this girl. You don't even like girls. Tavin Kemp

1586
01:09:59,439 --> 01:09:59,880
Speaker 2: was sick.

1587
01:10:00,120 --> 01:10:02,679
Speaker 1: He was in the booth like, Quin's something I should

1588
01:10:02,760 --> 01:10:03,760
Speaker 1: let you know, yo.

1589
01:10:03,920 --> 01:10:06,400
Speaker 2: Tevin Campbell was sick. Great vocalists, one of the greatest

1590
01:10:06,479 --> 01:10:08,840
Speaker 2: vocalists when I've ever had in our culture. But Tevin,

1591
01:10:08,880 --> 01:10:10,960
Speaker 2: you was sick. For that. Man, you are sick. God, man,

1592
01:10:11,720 --> 01:10:15,160
Speaker 2: that's hysterical. That's hilarious. Actually, are we leaving any of that? Yeah?

1593
01:10:15,240 --> 01:10:15,640
Speaker 2: Leave it all.

1594
01:10:15,840 --> 01:10:18,880
Speaker 1: Sure, we don't think that you actually think you should

1595
01:10:18,920 --> 01:10:20,519
Speaker 1: harass women to find out if they like you.

1596
01:10:20,760 --> 01:10:24,160
Speaker 2: No, No, but again, it's only harazed. And it's tough, man,

1597
01:10:24,240 --> 01:10:29,560
Speaker 2: because perfect example last night was at the show and

1598
01:10:31,560 --> 01:10:33,000
Speaker 2: a friend of mine I'm not gonna say the name,

1599
01:10:33,080 --> 01:10:35,479
Speaker 2: but a friend of ours came up to me and

1600
01:10:35,680 --> 01:10:37,760
Speaker 2: was like, oh, mom, you didn't bring no girl with you.

1601
01:10:38,200 --> 01:10:42,439
Speaker 2: This is the perfect date night. Yeah, and I'm like,

1602
01:10:42,520 --> 01:10:44,080
Speaker 2: why would I bring a girl with me to Tianna

1603
01:10:44,120 --> 01:10:44,639
Speaker 2: Taylor show.

1604
01:10:45,520 --> 01:10:46,800
Speaker 1: I mean, because they're all gonna want you when you

1605
01:10:46,840 --> 01:10:47,120
Speaker 1: get there.

1606
01:10:47,439 --> 01:10:49,759
Speaker 2: She was like, what do you mean? I said, look around,

1607
01:10:50,520 --> 01:10:52,320
Speaker 2: it's twenty seven hundred women in here.

1608
01:10:53,360 --> 01:10:56,240
Speaker 1: But they are there to see Tiana. They're not there

1609
01:10:56,280 --> 01:10:57,280
Speaker 1: to see more cool.

1610
01:10:57,479 --> 01:11:00,080
Speaker 2: That's fine, but it's like, I'm not bringing a woman.

1611
01:11:00,040 --> 01:11:02,280
Speaker 1: With me, Like what did you find one that you

1612
01:11:02,439 --> 01:11:02,720
Speaker 1: liked there?

1613
01:11:03,040 --> 01:11:05,200
Speaker 2: No, and I wasn't going to find a woman Like

1614
01:11:05,280 --> 01:11:07,160
Speaker 2: I'm not saying that either, but it's kind of like

1615
01:11:08,800 --> 01:11:10,840
Speaker 2: I just thought it was weird, like to ask me,

1616
01:11:10,840 --> 01:11:13,280
Speaker 2: why didn't I bring a woman to a Tianna Taylor show.

1617
01:11:13,720 --> 01:11:19,840
Speaker 1: Is Bobby Valentino slow down street harassment he was in

1618
01:11:19,960 --> 01:11:22,880
Speaker 1: the video is legitimately it's following a woman down the

1619
01:11:22,880 --> 01:11:25,120
Speaker 1: street saying it's slow down, yeah, but it's that pretty

1620
01:11:25,280 --> 01:11:26,439
Speaker 1: that pretty brown round.

1621
01:11:26,280 --> 01:11:26,760
Speaker 2: Thing or whatever.

1622
01:11:27,080 --> 01:11:30,559
Speaker 1: He was saying, like, yo, slow down so I can see.

1623
01:11:30,600 --> 01:11:32,200
Speaker 1: I ask my hey, but.

1624
01:11:32,240 --> 01:11:34,680
Speaker 2: Look, it's only harassment. Like I said, if she's not

1625
01:11:35,120 --> 01:11:38,200
Speaker 2: feeling you, and you don't know if she's not feeling

1626
01:11:38,240 --> 01:11:40,400
Speaker 2: you us until you harassed.

1627
01:11:40,439 --> 01:11:42,240
Speaker 1: But you got to ease into the I want to

1628
01:11:42,280 --> 01:11:44,719
Speaker 1: see your round, brown ass. You got to ease into

1629
01:11:44,800 --> 01:11:47,120
Speaker 1: that one. You can say, hey, maybe slow down and

1630
01:11:47,160 --> 01:11:48,600
Speaker 1: if she doesn't slow down, shut the fuck up.

1631
01:11:49,760 --> 01:11:51,360
Speaker 2: Yeah no, I get it, I get it. I mean

1632
01:11:51,400 --> 01:11:53,559
Speaker 2: old jokes are side like you definitely shouldn't harass one.

1633
01:11:53,600 --> 01:11:58,320
Speaker 2: Of course, I'm totally just joking about that. But that's

1634
01:11:58,360 --> 01:11:59,680
Speaker 2: an interesting thing, and I think we need to have

1635
01:11:59,720 --> 01:12:02,240
Speaker 2: a woman on here talk about that, like where's the

1636
01:12:02,280 --> 01:12:05,479
Speaker 2: fun in that? Because it's we have a lot of

1637
01:12:05,520 --> 01:12:08,200
Speaker 2: fun with it, because it's like, yo, what is how

1638
01:12:08,280 --> 01:12:13,720
Speaker 2: do how does a guy know if like he's at

1639
01:12:13,760 --> 01:12:15,519
Speaker 2: the point and talk or trying to talk to you

1640
01:12:15,560 --> 01:12:18,320
Speaker 2: where you're like, okay, stop talking to me, unless like nowadays,

1641
01:12:18,360 --> 01:12:20,080
Speaker 2: some woman straight out say it, like you leave me alone.

1642
01:12:20,080 --> 01:12:22,120
Speaker 2: For sure, once a woman says leave me alone, fellowship

1643
01:12:22,240 --> 01:12:26,760
Speaker 2: leave her alone. But if a woman doesn't, you can

1644
01:12:26,840 --> 01:12:28,960
Speaker 2: still kind of be annoying her. But you know, for

1645
01:12:29,080 --> 01:12:31,120
Speaker 2: whatever reason women have been through things with you know,

1646
01:12:31,240 --> 01:12:33,960
Speaker 2: corny dudes, is they get disrespectful if the woman is

1647
01:12:34,000 --> 01:12:37,559
Speaker 2: not interested and they've been harmed when they those are

1648
01:12:37,640 --> 01:12:40,200
Speaker 2: like those those are the type of dudes that you know,

1649
01:12:40,200 --> 01:12:41,840
Speaker 2: I wish we could just press a button and just

1650
01:12:41,960 --> 01:12:43,840
Speaker 2: like get rid of all of those type of clowns.

1651
01:12:43,880 --> 01:12:48,360
Speaker 2: But you really don't know because again, now, how do

1652
01:12:48,439 --> 01:12:50,360
Speaker 2: you even meet a woman like I don't talk. I

1653
01:12:50,479 --> 01:12:52,280
Speaker 2: think I spoiled about this before. I don't even approach

1654
01:12:52,320 --> 01:12:54,719
Speaker 2: women on the street. I could see a beautiful woman

1655
01:12:55,439 --> 01:12:59,800
Speaker 2: and I wouldn't even approach her because I feel like, again,

1656
01:13:00,080 --> 01:13:04,759
Speaker 2: she's gorgeous, beautiful. Whatever she's walking, I'm pretty sure hundreds

1657
01:13:04,760 --> 01:13:06,519
Speaker 2: of men have tried to talk to this young lady.

1658
01:13:06,320 --> 01:13:07,800
Speaker 1: Today, and she probably is on her way to go

1659
01:13:07,880 --> 01:13:08,320
Speaker 1: do something.

1660
01:13:08,400 --> 01:13:11,720
Speaker 2: I doubts she's just going for she's busy, she's going

1661
01:13:11,800 --> 01:13:13,880
Speaker 2: to work, she's coming from work. Wherever she's going. She's

1662
01:13:14,360 --> 01:13:17,120
Speaker 2: minor business going through our day. So it's hard because

1663
01:13:17,200 --> 01:13:19,280
Speaker 2: you know, you see a woman you're attractive, so you're like, damn,

1664
01:13:19,400 --> 01:13:21,640
Speaker 2: Like I would like to get to notice women like

1665
01:13:21,720 --> 01:13:24,240
Speaker 2: she's attractive. You know, she looks like she has her

1666
01:13:24,280 --> 01:13:26,479
Speaker 2: shit together, she looks nice, she has she's she looks

1667
01:13:26,479 --> 01:13:28,240
Speaker 2: like she's walking with a purpose, she's going somewhere or

1668
01:13:28,240 --> 01:13:30,800
Speaker 2: coming from somewhere. You kind of just want to can

1669
01:13:30,840 --> 01:13:32,120
Speaker 2: we talk for me? I just want to know your

1670
01:13:32,200 --> 01:13:36,200
Speaker 2: name interested. But yeah, it's tough because again, you don't

1671
01:13:36,240 --> 01:13:39,920
Speaker 2: know what's considered you know too much now as far

1672
01:13:39,960 --> 01:13:41,880
Speaker 2: as conversation, like you might be annoying her, you might

1673
01:13:41,920 --> 01:13:43,960
Speaker 2: be you know, getting on her nerves and shit like that,

1674
01:13:44,040 --> 01:13:45,360
Speaker 2: and you don't you don't ever want to do that.

1675
01:13:45,439 --> 01:13:46,840
Speaker 2: I don't ever want to feel like I'm getting on

1676
01:13:46,840 --> 01:13:47,559
Speaker 2: anybody's nerves.

1677
01:13:47,680 --> 01:13:50,640
Speaker 1: I guess we gotta understand that not every place in

1678
01:13:50,760 --> 01:13:53,040
Speaker 1: the world is meant for you to meet and talk

1679
01:13:53,080 --> 01:13:56,120
Speaker 1: to a woman. Absolutely, Like there's places where you just

1680
01:13:56,160 --> 01:13:57,320
Speaker 1: got to be like, well, this is just not the

1681
01:13:57,400 --> 01:13:58,920
Speaker 1: time or place to try to talk.

1682
01:13:59,040 --> 01:14:01,160
Speaker 2: I just got to let this one go. Yeah, I

1683
01:14:01,240 --> 01:14:03,839
Speaker 2: mean the last time I met like a woman publicly

1684
01:14:05,160 --> 01:14:07,240
Speaker 2: and like we actually started like kicking it and like

1685
01:14:07,520 --> 01:14:11,639
Speaker 2: having a conversation, it still was through me knowing someone

1686
01:14:11,720 --> 01:14:13,760
Speaker 2: she was with. Yeah you understand, I'm saying, like we

1687
01:14:13,840 --> 01:14:15,960
Speaker 2: were all kind of just in the same spot, and

1688
01:14:16,000 --> 01:14:18,320
Speaker 2: then she ended up knowing somebody that was with. But

1689
01:14:18,479 --> 01:14:20,519
Speaker 2: that was like the last time, Like I don't, I

1690
01:14:20,680 --> 01:14:21,040
Speaker 2: just don't.

1691
01:14:22,240 --> 01:14:24,599
Speaker 1: You can say hello, the friend referral mutual friend thing

1692
01:14:24,640 --> 01:14:26,360
Speaker 1: will definitely help you skip some steff.

1693
01:14:26,400 --> 01:14:28,360
Speaker 2: Oh, that's the greatest shit in the world, And there's

1694
01:14:28,400 --> 01:14:31,600
Speaker 2: nothing better than hanging out with a girl, or not

1695
01:14:31,760 --> 01:14:34,320
Speaker 2: not with a girl, but like hanging out somewhere and

1696
01:14:34,400 --> 01:14:36,720
Speaker 2: it's a girl that you're attracted to that's there, and

1697
01:14:36,800 --> 01:14:38,680
Speaker 2: then the next day your homegirl hit you, like, Yo,

1698
01:14:39,360 --> 01:14:40,320
Speaker 2: my friend was feeling you.

1699
01:14:40,400 --> 01:14:40,880
Speaker 1: She just wants you.

1700
01:14:41,439 --> 01:14:43,519
Speaker 2: That's the greatest shit in the world. Sure that that

1701
01:14:43,640 --> 01:14:46,040
Speaker 2: feeling right there is like undefeated because you like, damn,

1702
01:14:46,040 --> 01:14:47,160
Speaker 2: I don't even know if I was gonna ever see

1703
01:14:47,240 --> 01:14:49,600
Speaker 2: her again. Kind of find out she was feeling you

1704
01:14:49,640 --> 01:14:51,360
Speaker 2: the same way you're feeling her. You looked ill because

1705
01:14:51,400 --> 01:14:54,720
Speaker 2: you wasn't thirsty. The greatest that's the greatest win. That's

1706
01:14:54,760 --> 01:14:55,880
Speaker 2: the greatest victory in the world.

1707
01:14:55,960 --> 01:14:58,920
Speaker 1: Like this, Oh, he's so easy to be around until

1708
01:14:58,960 --> 01:15:01,600
Speaker 1: they get to know you and then yeah, then you realize, oh,

1709
01:15:01,680 --> 01:15:02,559
Speaker 1: this was just a facade.

1710
01:15:02,640 --> 01:15:04,280
Speaker 2: Oh absolutely, that was my representation.

1711
01:15:04,320 --> 01:15:05,120
Speaker 1: I'm very difficulty.

1712
01:15:05,320 --> 01:15:07,320
Speaker 2: That was my representative. You met that night. This is

1713
01:15:07,320 --> 01:15:07,720
Speaker 2: the real me.

1714
01:15:07,880 --> 01:15:08,400
Speaker 1: Give it a month.

1715
01:15:08,560 --> 01:15:10,640
Speaker 2: Yeah, you'll be irritated. I actually don't like you like that.

1716
01:15:10,880 --> 01:15:13,280
Speaker 1: I've never seen even with I have to know people

1717
01:15:13,320 --> 01:15:16,599
Speaker 1: that do the street harassment, cat call shit, I've legitimately

1718
01:15:16,880 --> 01:15:21,679
Speaker 1: I've literally never seen it work. Why does it never work.

1719
01:15:21,880 --> 01:15:22,880
Speaker 2: It's never worked.

1720
01:15:23,160 --> 01:15:26,800
Speaker 1: But usually people when they approach women with the same thing,

1721
01:15:27,040 --> 01:15:28,800
Speaker 1: you know, the fucking definition of insanity is doing the

1722
01:15:28,800 --> 01:15:32,720
Speaker 1: same thing expecting different results that since I've never seen

1723
01:15:32,760 --> 01:15:35,040
Speaker 1: it work. When has a woman ever respond to a

1724
01:15:35,120 --> 01:15:36,920
Speaker 1: cat call like, oh hey.

1725
01:15:37,240 --> 01:15:40,519
Speaker 2: It's never worked. The the success rate on that is

1726
01:15:40,680 --> 01:15:41,240
Speaker 2: is very low.

1727
01:15:41,320 --> 01:15:43,639
Speaker 1: I've never even seen like a respectful cat call work

1728
01:15:44,160 --> 01:15:46,400
Speaker 1: like hey, you look very beautiful today, would you like

1729
01:15:46,479 --> 01:15:48,120
Speaker 1: to talk? I've never seen that work.

1730
01:15:48,200 --> 01:15:50,160
Speaker 2: That doesn't work either, That's what I'm saying. So it's

1731
01:15:50,200 --> 01:15:53,280
Speaker 2: it's it's very rare that it works. Number One, it's stupid.

1732
01:15:53,320 --> 01:15:54,640
Speaker 2: If you do it and then she doesn't want to

1733
01:15:54,640 --> 01:15:56,200
Speaker 2: talk to you, you start cursing out. I've seen that

1734
01:15:56,240 --> 01:15:58,639
Speaker 2: a lot. I'm just like, that's because now she doesn't

1735
01:15:58,720 --> 01:16:01,280
Speaker 2: it's not interested. She's a bit like, that's just stupid.

1736
01:16:01,360 --> 01:16:04,200
Speaker 1: But the arrogance of the smile police is always funny

1737
01:16:04,240 --> 01:16:07,000
Speaker 1: to me too. If Jory's not smile, you think you're

1738
01:16:07,000 --> 01:16:08,280
Speaker 1: gonna be the You're the one.

1739
01:16:08,240 --> 01:16:11,200
Speaker 2: Not I promise you, you are not the god that's

1740
01:16:11,240 --> 01:16:12,479
Speaker 2: good to make this young lady.

1741
01:16:12,320 --> 01:16:14,559
Speaker 1: Smile Like they walk out the house upset and then

1742
01:16:14,640 --> 01:16:18,160
Speaker 1: saw your face and smile. Thank today has changed.

1743
01:16:22,320 --> 01:16:24,559
Speaker 2: I'm so glad I bumped into you on this corner,

1744
01:16:24,640 --> 01:16:26,519
Speaker 2: like you are the reason that I'm gonna smile today.

1745
01:16:26,600 --> 01:16:28,920
Speaker 1: I will say it happened to me at our at

1746
01:16:28,960 --> 01:16:33,000
Speaker 1: our live show when we're taking pictures afterwards. And of

1747
01:16:33,080 --> 01:16:35,360
Speaker 1: course I've never told a woman to smile, because that's corny. Yeah,

1748
01:16:35,920 --> 01:16:38,160
Speaker 1: but I've heard women say how often that happens to them,

1749
01:16:38,200 --> 01:16:41,519
Speaker 1: and I make them feel and I don't know how

1750
01:16:41,520 --> 01:16:43,080
Speaker 1: to smile pictures. I don't know what you're doing pictures.

1751
01:16:43,080 --> 01:16:45,720
Speaker 1: I was terrible. This woman that I was taking a

1752
01:16:45,800 --> 01:16:49,280
Speaker 1: photo with said can you smile? And I was like,

1753
01:16:50,760 --> 01:16:53,840
Speaker 1: feel Goodah, Like what do you mean?

1754
01:16:53,880 --> 01:16:55,559
Speaker 2: Can I smile? Like I don't want to smile?

1755
01:16:55,600 --> 01:16:56,200
Speaker 1: That what the fuck?

1756
01:16:56,960 --> 01:16:58,680
Speaker 2: So I get it. I got like women like that

1757
01:16:58,800 --> 01:17:01,600
Speaker 2: though a lot of our women listeners like they're like that.

1758
01:17:02,360 --> 01:17:04,760
Speaker 2: They like they know so much about us, they think

1759
01:17:04,760 --> 01:17:06,559
Speaker 2: they know so much about us. When they finally meet us,

1760
01:17:06,680 --> 01:17:09,120
Speaker 2: it's just like smile or give me a hug or.

1761
01:17:09,640 --> 01:17:12,640
Speaker 1: I feel like most of our women listeners definitely have

1762
01:17:12,720 --> 01:17:15,479
Speaker 1: a lot of older brothers. They're that type of girl

1763
01:17:15,560 --> 01:17:16,479
Speaker 1: for sure, Or they have.

1764
01:17:17,680 --> 01:17:19,320
Speaker 2: Guys that they introduce because We met a lot of

1765
01:17:19,360 --> 01:17:21,760
Speaker 2: women like that in La I did. I met like

1766
01:17:21,800 --> 01:17:24,840
Speaker 2: four women where they said they introduced, you know, the

1767
01:17:24,920 --> 01:17:26,800
Speaker 2: guy that they were dating introduced them to the show.

1768
01:17:27,200 --> 01:17:29,760
Speaker 2: Now they're no longer with the guy, but they still

1769
01:17:29,800 --> 01:17:30,360
Speaker 2: watch the show.

1770
01:17:30,920 --> 01:17:33,720
Speaker 1: I might feel the way if that guy, why would you.

1771
01:17:34,560 --> 01:17:36,759
Speaker 1: I'm one of those guys that don't. If I introduce

1772
01:17:36,800 --> 01:17:38,280
Speaker 1: you to a restaurant and we break up, don't you

1773
01:17:38,320 --> 01:17:39,360
Speaker 1: ever go to that restaurant again?

1774
01:17:40,040 --> 01:17:41,360
Speaker 2: Valid. I'm with you on us.

1775
01:17:41,479 --> 01:17:44,840
Speaker 1: So now if I introduce you to the podcast, you

1776
01:17:44,920 --> 01:17:47,800
Speaker 1: can't go to the live show. This is my when

1777
01:17:47,800 --> 01:17:49,719
Speaker 1: we break up, we have to split the town in half. Okay,

1778
01:17:50,120 --> 01:17:52,280
Speaker 1: Rory and maul side of town is mine. Okay, you

1779
01:17:52,360 --> 01:17:52,880
Speaker 1: can't go there.

1780
01:17:52,880 --> 01:17:55,120
Speaker 2: I'm with you. If we break up, you can't. You

1781
01:17:55,240 --> 01:17:57,679
Speaker 2: can't be liking the same things that I put you onto,

1782
01:17:57,800 --> 01:17:59,920
Speaker 2: and you can't be putting your new dudo onto that.

1783
01:18:00,120 --> 01:18:02,720
Speaker 1: No, that's a rule that unless she was at the show,

1784
01:18:03,080 --> 01:18:05,680
Speaker 1: just put him in her close friends and posted a

1785
01:18:05,680 --> 01:18:06,280
Speaker 1: photo the show.

1786
01:18:06,920 --> 01:18:12,000
Speaker 2: Mm hmm. I'm trying to think outside of Adele.

1787
01:18:12,160 --> 01:18:15,040
Speaker 1: I know Kate Tranada put out a three pack with

1788
01:18:15,240 --> 01:18:19,920
Speaker 1: her Thundercat and Maakami which I thought was cool. That's

1789
01:18:19,960 --> 01:18:25,360
Speaker 1: called intimidating, and I championed anything Kate Tranada, So I

1790
01:18:25,520 --> 01:18:26,320
Speaker 1: was super excited.

1791
01:18:26,120 --> 01:18:32,080
Speaker 2: Love Kate Tranada. Yeah, I didn't. Uh, I didn't really

1792
01:18:32,080 --> 01:18:35,840
Speaker 2: get into too much new music this weekend. I know

1793
01:18:35,960 --> 01:18:42,880
Speaker 2: that Ross is coming, not the tenth or the fourth, Yeah,

1794
01:18:42,960 --> 01:18:45,840
Speaker 2: I think interested. I spoke to a Wild about it

1795
01:18:45,880 --> 01:18:48,040
Speaker 2: when we were we were in LA. I asked him,

1796
01:18:48,040 --> 01:18:50,640
Speaker 2: you know, how is it sounding, but he said he

1797
01:18:50,640 --> 01:18:53,439
Speaker 2: didn't hear none of the he's not sure what Ross

1798
01:18:53,520 --> 01:18:55,519
Speaker 2: is using on this project. The last time I think

1799
01:18:55,560 --> 01:18:57,920
Speaker 2: he said he sat with Ross and Ross played some

1800
01:18:57,960 --> 01:18:59,760
Speaker 2: music was like five months ago. I think he said. So,

1801
01:19:01,040 --> 01:19:03,720
Speaker 2: I'm excited to hear this project. I just hope I

1802
01:19:03,800 --> 01:19:05,120
Speaker 2: like the I like the record he got with twenty

1803
01:19:05,160 --> 01:19:09,800
Speaker 2: one Savage. I'm mad at I just hope that. I'm

1804
01:19:09,840 --> 01:19:13,840
Speaker 2: hoping that Ross doesn't fall into this this uh this

1805
01:19:14,000 --> 01:19:16,360
Speaker 2: this this thing where a lot of my favorite rappers

1806
01:19:16,439 --> 01:19:20,240
Speaker 2: sometimes seem to forward, they don't they stopped pause growing,

1807
01:19:23,600 --> 01:19:25,720
Speaker 2: And I hope Ross doesn't fall into that, because you know,

1808
01:19:25,800 --> 01:19:27,720
Speaker 2: he's you know how I feel about Ross, one of

1809
01:19:27,760 --> 01:19:30,200
Speaker 2: my favorite rappers ever, one of my favorite artists ever,

1810
01:19:30,320 --> 01:19:35,639
Speaker 2: but I kind of feel like, you know, the music

1811
01:19:35,760 --> 01:19:39,040
Speaker 2: might not be growing and yeah, you know what I mean.

1812
01:19:39,080 --> 01:19:40,800
Speaker 2: And I don't want I don't want Ross to get

1813
01:19:41,520 --> 01:19:43,360
Speaker 2: to get stuck in that box because I think he's

1814
01:19:43,400 --> 01:19:47,400
Speaker 2: so dope of an MC and a rapper. But either way,

1815
01:19:47,479 --> 01:19:50,040
Speaker 2: I'm a supporter. I love Ross. Uh. To me, he

1816
01:19:50,080 --> 01:19:53,400
Speaker 2: hasn't made a whack project yet. Think he's given he's

1817
01:19:53,479 --> 01:19:57,439
Speaker 2: given away. Some of the greatest mixtapes were that we've had.

1818
01:19:57,479 --> 01:19:58,559
Speaker 2: You know, I mean a lot of people don't talk

1819
01:19:58,560 --> 01:19:59,840
Speaker 2: about that either when it comes to Ross. A lot

1820
01:19:59,840 --> 01:20:01,760
Speaker 2: of the free shit that he's given us, He's given

1821
01:20:01,840 --> 01:20:03,960
Speaker 2: us some projects that I was like, how's he just

1822
01:20:04,040 --> 01:20:06,760
Speaker 2: throwing these records out? Like it was crazy? Some of

1823
01:20:06,800 --> 01:20:08,320
Speaker 2: the some of the features he had. I was just like,

1824
01:20:08,400 --> 01:20:12,280
Speaker 2: this is he just giving us away? So yes, I

1825
01:20:12,360 --> 01:20:15,479
Speaker 2: just don't want to. I just don't want him to

1826
01:20:15,520 --> 01:20:18,599
Speaker 2: fall into that redundant sow well with Ross.

1827
01:20:18,680 --> 01:20:21,160
Speaker 1: Like we always talk about, like damn which Ross would

1828
01:20:21,160 --> 01:20:23,719
Speaker 1: like EP and O's album or EP this person's because

1829
01:20:23,720 --> 01:20:26,439
Speaker 1: we all know he's a great beat picker. And I

1830
01:20:26,479 --> 01:20:28,760
Speaker 1: feel like, because he is in that formula he's so

1831
01:20:28,880 --> 01:20:30,639
Speaker 1: good at is why he does it. And I think

1832
01:20:30,920 --> 01:20:32,799
Speaker 1: maybe even though he's one of the best beat pickers

1833
01:20:32,880 --> 01:20:35,679
Speaker 1: and really good at EP and albums, maybe he needs

1834
01:20:35,680 --> 01:20:37,880
Speaker 1: someone else to EP it so he can get out

1835
01:20:37,920 --> 01:20:40,160
Speaker 1: of because he's gonna stay in that formula and it's

1836
01:20:40,160 --> 01:20:40,800
Speaker 1: gonna sound great.

1837
01:20:40,880 --> 01:20:41,080
Speaker 2: Yeah.

1838
01:20:41,400 --> 01:20:43,040
Speaker 1: So it's like he's gonna sit in the studio and

1839
01:20:43,120 --> 01:20:44,760
Speaker 1: be like, we're not putting this out because it's gonna

1840
01:20:44,800 --> 01:20:47,640
Speaker 1: sound good, but it's gonna probably be similar to what

1841
01:20:47,760 --> 01:20:49,680
Speaker 1: the other albums were. I think someone else needs to

1842
01:20:49,680 --> 01:20:51,679
Speaker 1: sit with Ross and be like, yo, you just focus

1843
01:20:51,760 --> 01:20:55,679
Speaker 1: on rapping, right, Like I know how your EP brain

1844
01:20:55,760 --> 01:20:58,479
Speaker 1: works for your focus on beats and features, Like Ross, just.

1845
01:20:58,520 --> 01:21:03,240
Speaker 2: Go rap and it's you know, it's not a knock

1846
01:21:03,320 --> 01:21:06,760
Speaker 2: because naturally you're gonna have your sound, yeah, and you're

1847
01:21:06,800 --> 01:21:10,880
Speaker 2: gonna sound like yourself. But the music can still grow,

1848
01:21:12,160 --> 01:21:15,880
Speaker 2: the content can still grow, you know. And I just

1849
01:21:15,960 --> 01:21:17,720
Speaker 2: don't want I just I just hope that with this

1850
01:21:18,080 --> 01:21:22,000
Speaker 2: new project. I hope that Ross is changing his sound,

1851
01:21:22,240 --> 01:21:26,320
Speaker 2: changing his content because again, you know, he's he's one

1852
01:21:26,360 --> 01:21:28,599
Speaker 2: of those artists that can do that, and he has

1853
01:21:28,640 --> 01:21:30,320
Speaker 2: a lot going on in his personal life to with

1854
01:21:30,439 --> 01:21:33,360
Speaker 2: his content can change and the things that he's telling

1855
01:21:33,439 --> 01:21:35,760
Speaker 2: us and giving us can change. So I'm excited, though

1856
01:21:35,840 --> 01:21:38,439
Speaker 2: you know, it's another Ross project. I didn't think we

1857
01:21:38,479 --> 01:21:40,000
Speaker 2: were going to get a Bross album this year, so

1858
01:21:40,080 --> 01:21:41,920
Speaker 2: this was this was dope to find out that this

1859
01:21:42,080 --> 01:21:42,400
Speaker 2: was coming.

1860
01:21:43,400 --> 01:21:47,160
Speaker 1: It'd be cool if he did, like some weird producer

1861
01:21:47,240 --> 01:21:49,960
Speaker 1: collab album like It's change.

1862
01:21:50,000 --> 01:21:52,040
Speaker 2: I always said that image Justice League should.

1863
01:21:51,840 --> 01:21:53,240
Speaker 1: Lock in for a whole project, but I feel like

1864
01:21:53,280 --> 01:21:54,960
Speaker 1: you get more of the same, like we get what

1865
01:21:55,120 --> 01:21:57,920
Speaker 1: the love already, Like when two Chains and Static Selector

1866
01:21:57,920 --> 01:21:59,320
Speaker 1: announced they was working together and I heard some of

1867
01:21:59,320 --> 01:22:03,439
Speaker 1: the music is fun, incredible, like Chains, you wouldn't expect that,

1868
01:22:03,680 --> 01:22:05,720
Speaker 1: and it sounds so good because of that. Like if

1869
01:22:05,960 --> 01:22:09,160
Speaker 1: rosscott with like a mad Lib with some really weird ship, I.

1870
01:22:09,160 --> 01:22:11,000
Speaker 2: Would like to hear Ross with like more Bank.

1871
01:22:12,000 --> 01:22:13,880
Speaker 1: I would like to hear Ross and Ninth Wonder.

1872
01:22:14,120 --> 01:22:15,559
Speaker 2: I would like to hear him with Ninth Wonder.

1873
01:22:16,439 --> 01:22:19,080
Speaker 1: Uh, just some left ship where it's like you lock

1874
01:22:19,160 --> 01:22:22,960
Speaker 1: in with one producer that you typically wouldn't be with

1875
01:22:23,080 --> 01:22:25,000
Speaker 1: and wouldn't be a typical sound. Because of course a

1876
01:22:25,120 --> 01:22:27,000
Speaker 1: Ross Justice League album be incredible.

1877
01:22:26,600 --> 01:22:28,360
Speaker 2: But yeah, but we got that. Yeah, we have a

1878
01:22:28,400 --> 01:22:30,000
Speaker 2: bunch of no we know what they can do together.

1879
01:22:30,080 --> 01:22:32,320
Speaker 2: But you know, it's yeah, it's just I just I'm

1880
01:22:32,400 --> 01:22:35,280
Speaker 2: just hoping that with this project the content changes a

1881
01:22:35,320 --> 01:22:35,680
Speaker 2: little bit.

1882
01:22:35,800 --> 01:22:39,519
Speaker 1: Yeahs, yeah, we'll see. I mean it's it's awsome. I'll

1883
01:22:39,560 --> 01:22:42,240
Speaker 1: be clicking it. But yeah, I think that was it

1884
01:22:42,960 --> 01:22:46,560
Speaker 1: as far as like major releases over the weekend. But

1885
01:22:47,640 --> 01:22:48,800
Speaker 1: shows what else you've been watching?

1886
01:22:49,920 --> 01:22:56,439
Speaker 2: Uh B m f H season finale? Watched it? Not

1887
01:22:56,560 --> 01:22:59,080
Speaker 2: mad at the season finale? Is it better than the Wire?

1888
01:23:01,560 --> 01:23:04,559
Speaker 2: Not even close? Not even close?

1889
01:23:04,760 --> 01:23:06,800
Speaker 1: Told was better than Why. I was like, it's not

1890
01:23:06,920 --> 01:23:10,879
Speaker 1: in the same category everything. Everything is better than see.

1891
01:23:10,720 --> 01:23:14,000
Speaker 2: The narratives you thought out there about me? Oh wow, No,

1892
01:23:14,200 --> 01:23:14,960
Speaker 2: Being Meth was good.

1893
01:23:15,080 --> 01:23:17,760
Speaker 1: He was comparing to Marlowe and I was like, what

1894
01:23:18,000 --> 01:23:19,080
Speaker 1: the fun this is?

1895
01:23:19,160 --> 01:23:20,880
Speaker 2: This is why people think I'm crazy because you say

1896
01:23:20,920 --> 01:23:23,639
Speaker 2: it like this. Yeah, I like Being Meth. I think

1897
01:23:23,640 --> 01:23:25,880
Speaker 2: the first season was was good. I think they did

1898
01:23:25,920 --> 01:23:27,840
Speaker 2: a good job. I was surprised. I didn't think it

1899
01:23:27,920 --> 01:23:30,519
Speaker 2: was gonna be as good as it was. A couple

1900
01:23:30,560 --> 01:23:33,519
Speaker 2: of episodes were kind of shaky, kind of started getting

1901
01:23:33,520 --> 01:23:35,080
Speaker 2: a little too like all right, man, what's going on?

1902
01:23:35,680 --> 01:23:38,559
Speaker 2: But I think the overall they did a really good job.

1903
01:23:38,800 --> 01:23:40,439
Speaker 2: They did a really good job. Shout out to Tasha

1904
01:23:40,479 --> 01:23:44,799
Speaker 2: Smith who directed it. Shout out to fifty executive producer.

1905
01:23:45,920 --> 01:23:48,000
Speaker 2: All of the actors think they did a really good job.

1906
01:23:48,360 --> 01:23:50,759
Speaker 2: I'm not I'm not mad at the first season. I'm

1907
01:23:50,760 --> 01:23:52,400
Speaker 2: excited to see what season two is gonna do. Were

1908
01:23:52,400 --> 01:23:54,640
Speaker 2: they renewed for seasons already, I would have to I

1909
01:23:54,680 --> 01:23:57,519
Speaker 2: would have to think so okay, yeah, I mean I

1910
01:23:57,600 --> 01:23:59,720
Speaker 2: think everybody was watching that. I think they would have

1911
01:23:59,760 --> 01:24:02,280
Speaker 2: to be uh green, looked for season two already?

1912
01:24:02,400 --> 01:24:06,519
Speaker 1: Yeah, sure, Who who's gonna play Gez? If it's in

1913
01:24:06,640 --> 01:24:09,600
Speaker 1: season two, I'm probably season three when Giz shows up.

1914
01:24:10,280 --> 01:24:11,880
Speaker 1: I was thinking about that because all the people that

1915
01:24:11,880 --> 01:24:14,720
Speaker 1: are attached to bmfins such a big part of the story.

1916
01:24:14,720 --> 01:24:16,800
Speaker 1: That's why BMF is interesting because it wasn't that long ago,

1917
01:24:17,200 --> 01:24:20,120
Speaker 1: Like everyone's still around and it was still part of

1918
01:24:21,080 --> 01:24:23,439
Speaker 1: the culture of the artists that are still relevant. Like

1919
01:24:24,520 --> 01:24:26,479
Speaker 1: Fab has to be in it somehow, g Z has

1920
01:24:26,560 --> 01:24:27,240
Speaker 1: to be in it somehow.

1921
01:24:27,360 --> 01:24:30,120
Speaker 2: I thought that the Eminem appearance of him playing white

1922
01:24:30,160 --> 01:24:32,800
Speaker 2: Boy Rick was hilarious. That shit was just like the

1923
01:24:32,920 --> 01:24:37,280
Speaker 2: most like I get it, Eminem, Detroit, I get it.

1924
01:24:37,400 --> 01:24:38,960
Speaker 2: I liked it. Come on.

1925
01:24:39,840 --> 01:24:40,719
Speaker 1: I thought it was funny.

1926
01:24:40,840 --> 01:24:42,200
Speaker 2: Nah, man, we can come on.

1927
01:24:42,560 --> 01:24:44,200
Speaker 1: Man, you thought when he said it was that he

1928
01:24:44,240 --> 01:24:46,160
Speaker 1: said white thought be like, now it was Eminem.

1929
01:24:47,200 --> 01:24:49,880
Speaker 2: But did you see Eminem's face though, Like Eminem always

1930
01:24:49,920 --> 01:24:53,519
Speaker 2: has this look on his face where it's like it's

1931
01:24:53,600 --> 01:24:56,080
Speaker 2: like he heard somebody was coming to get him. Like

1932
01:24:56,240 --> 01:24:58,400
Speaker 2: it's like like so he just always has this look

1933
01:24:58,439 --> 01:25:00,800
Speaker 2: in his eyes where he's just like just you could

1934
01:25:00,800 --> 01:25:02,040
Speaker 2: tell he's looking at everything.

1935
01:25:02,240 --> 01:25:06,280
Speaker 1: Yeah, And it was just like, that's not he.

1936
01:25:06,320 --> 01:25:09,719
Speaker 2: Looked like Kevin Spacey. Like that wig he had was interesting,

1937
01:25:10,439 --> 01:25:14,840
Speaker 2: Kevin Spacey. That's not white boy rick Man, Like you

1938
01:25:14,920 --> 01:25:16,760
Speaker 2: ever seen a white boy look.

1939
01:25:17,160 --> 01:25:19,840
Speaker 1: His hair looked nuts too, though, white boy hair looked nuts.

1940
01:25:20,200 --> 01:25:22,040
Speaker 2: But that was just you know, seeing m Andem like

1941
01:25:22,120 --> 01:25:25,280
Speaker 2: that was just hilarious. Bro. But it was a great

1942
01:25:25,320 --> 01:25:26,720
Speaker 2: season man. I think they did a good job. Man.

1943
01:25:26,720 --> 01:25:29,120
Speaker 2: I'm definitely looking forward the season two of that and

1944
01:25:29,200 --> 01:25:30,840
Speaker 2: shout out the Cash though. She did a great job

1945
01:25:31,160 --> 01:25:32,680
Speaker 2: in her role as well. I think she has a

1946
01:25:32,720 --> 01:25:34,680
Speaker 2: future and active for sure. She did a really really

1947
01:25:34,720 --> 01:25:37,960
Speaker 2: good job. No. I like the Lamar character. He's definitely

1948
01:25:38,000 --> 01:25:40,519
Speaker 2: the start of season one though. Oh yeah, his character

1949
01:25:40,680 --> 01:25:44,360
Speaker 2: was absolutely crazy and then see I don't want to

1950
01:25:44,400 --> 01:25:46,200
Speaker 2: get because you didn't see it, but see the finale.

1951
01:25:46,280 --> 01:25:47,719
Speaker 2: Yet I'm certain.

1952
01:25:47,880 --> 01:25:49,439
Speaker 1: I mean, I know, I know they all get arrested

1953
01:25:49,439 --> 01:25:51,519
Speaker 1: at the end, so you don't have to you know

1954
01:25:51,600 --> 01:25:51,840
Speaker 1: how the.

1955
01:25:51,840 --> 01:25:54,360
Speaker 2: Story is, you know, But it's just certain ship that

1956
01:25:54,520 --> 01:25:56,120
Speaker 2: happened with and I don't want to spoil it for you,

1957
01:25:56,240 --> 01:26:00,600
Speaker 2: but it's just not that would not happen like that.

1958
01:26:00,840 --> 01:26:02,519
Speaker 2: It just would that that would not happen, That's all

1959
01:26:02,520 --> 01:26:05,760
Speaker 2: I'm gonna say. Like, and it's dealing with the relationship

1960
01:26:05,800 --> 01:26:08,200
Speaker 2: with home Win and the girl the way that ended,

1961
01:26:08,240 --> 01:26:10,640
Speaker 2: it would not happen like that. Like, trust me, I

1962
01:26:10,800 --> 01:26:13,760
Speaker 2: know plenty of dudes that was in a situation where

1963
01:26:13,840 --> 01:26:16,200
Speaker 2: the girl was a snitch. No, and it didn't happen

1964
01:26:16,360 --> 01:26:19,200
Speaker 2: like that. So it's just like, I don't know, but whatever, man,

1965
01:26:19,439 --> 01:26:20,840
Speaker 2: it was. It was a good season though. It was

1966
01:26:20,880 --> 01:26:21,679
Speaker 2: good season for sure.

1967
01:26:22,200 --> 01:26:24,880
Speaker 1: Yeah, I'm excited to finish it up. I still I

1968
01:26:24,960 --> 01:26:27,360
Speaker 1: fell off with Raisin Kanaan. I gotta catch up on that.

1969
01:26:27,439 --> 01:26:30,120
Speaker 2: Yeah, I heard the new one is out, Okay, no,

1970
01:26:30,240 --> 01:26:33,920
Speaker 2: not Raising Kanaan out. Yeah, Power Book seventeen. Yeah, the

1971
01:26:34,040 --> 01:26:38,360
Speaker 2: new Narcos Mexico. The new season is out. I watched

1972
01:26:38,720 --> 01:26:42,120
Speaker 2: the first episode. I mean at this point that that's

1973
01:26:42,240 --> 01:26:44,080
Speaker 2: just in new they just they know what they're doing

1974
01:26:44,120 --> 01:26:45,680
Speaker 2: with that. It's sure. I could tell it's gonna be

1975
01:26:45,720 --> 01:26:49,480
Speaker 2: another dope season of that Unsecure.

1976
01:26:50,520 --> 01:26:54,280
Speaker 1: Yes, I didn't watch last night's episode because I fell asleep,

1977
01:26:54,280 --> 01:26:57,000
Speaker 1: but I I am pretty much caught up. I like

1978
01:26:57,040 --> 01:26:58,320
Speaker 1: the way it's it's wrapping up.

1979
01:26:59,040 --> 01:27:00,599
Speaker 2: I like it, but it's just like, damn, this shit

1980
01:27:00,720 --> 01:27:03,200
Speaker 2: is like really you could see it, like you can

1981
01:27:03,240 --> 01:27:05,479
Speaker 2: tell that it's over into it end, like you can

1982
01:27:05,560 --> 01:27:08,800
Speaker 2: kind of see that the shout out to Easter Ray

1983
01:27:08,920 --> 01:27:12,640
Speaker 2: and the whole Insecure brand. I was watching Curb. Did

1984
01:27:12,640 --> 01:27:18,000
Speaker 2: you see Curb episode? Larry his humor, man, it's I

1985
01:27:18,080 --> 01:27:20,720
Speaker 2: think that's just the older man thing. Yeah, but I

1986
01:27:20,760 --> 01:27:23,519
Speaker 2: feel like he's been that way for quite sixteen years.

1987
01:27:24,040 --> 01:27:28,559
Speaker 1: I mean, like Curby Enthusiasm is like they were able

1988
01:27:28,640 --> 01:27:30,960
Speaker 1: to really finish the jokes in Seinfeld because it didn't

1989
01:27:30,960 --> 01:27:32,439
Speaker 1: have to be sit comedy, it didn't have to be

1990
01:27:32,880 --> 01:27:35,880
Speaker 1: network TV, like it could finally get into the real

1991
01:27:35,960 --> 01:27:39,120
Speaker 1: brain of Larry David right, which I identify with more

1992
01:27:39,160 --> 01:27:41,840
Speaker 1: and more as the days go, as you get older.

1993
01:27:41,960 --> 01:27:43,880
Speaker 2: Yeah, for sure, Yeah, it was. It was. It was

1994
01:27:43,920 --> 01:27:45,599
Speaker 2: some things in there where I was like, holy shit,

1995
01:27:45,760 --> 01:27:47,400
Speaker 2: like this is part of getting old.

1996
01:27:47,960 --> 01:27:51,960
Speaker 1: I love in every episode every season of Curb. Like

1997
01:27:52,120 --> 01:27:56,160
Speaker 1: all Curb is kind of like oh love and hip

1998
01:27:56,160 --> 01:27:57,720
Speaker 1: hop in the sense, you know, let me about. All

1999
01:27:57,760 --> 01:27:59,400
Speaker 1: they do is go talk, then they go get drinks.

2000
01:28:00,120 --> 01:28:02,600
Speaker 1: Then they talk, and then they go get drinks, and.

2001
01:28:02,680 --> 01:28:05,560
Speaker 2: Then they play basketball and then each other. By the

2002
01:28:05,560 --> 01:28:07,400
Speaker 2: way that they go get drinks, niggas have never met

2003
01:28:07,479 --> 01:28:09,439
Speaker 2: up to just shoot free throws with each other. That's

2004
01:28:09,520 --> 01:28:12,439
Speaker 2: just doesn't know when it's just ship that don't be

2005
01:28:12,680 --> 01:28:13,519
Speaker 2: happening for real.

2006
01:28:13,680 --> 01:28:16,680
Speaker 1: Man, When Peter Guns and Saigon and Rich Dallas was

2007
01:28:16,720 --> 01:28:19,040
Speaker 1: just hooping on that that one court when you come

2008
01:28:19,040 --> 01:28:21,080
Speaker 1: out of the Hohland Tunnel on sixth Avenue and Canal,

2009
01:28:21,320 --> 01:28:23,679
Speaker 1: no one's ever played ball at that court that court

2010
01:28:23,720 --> 01:28:24,680
Speaker 1: is they didn't even play ball.

2011
01:28:24,720 --> 01:28:27,519
Speaker 2: They were just shooting free throws. Bro, Like nigga who

2012
01:28:27,560 --> 01:28:31,000
Speaker 2: shoots hoops on canal? Who practices free throws? Like when

2013
01:28:31,080 --> 01:28:33,000
Speaker 2: niggas that plays street ball, be like, y'all gonna go

2014
01:28:33,000 --> 01:28:35,160
Speaker 2: get a five hundred free throws and the niggas is

2015
01:28:35,200 --> 01:28:37,080
Speaker 2: coming like man, we need that court. You gotta take

2016
01:28:37,120 --> 01:28:40,320
Speaker 2: that ship somewhere else. You're not practicing free throws. It's

2017
01:28:40,360 --> 01:28:42,479
Speaker 2: just ship that this does not happen that they be

2018
01:28:42,520 --> 01:28:44,280
Speaker 2: trying to put in these shows. I'm like, bro, that's

2019
01:28:44,400 --> 01:28:47,760
Speaker 2: not real. It's not happen like that. But whatever, it's

2020
01:28:47,800 --> 01:28:48,680
Speaker 2: off the TV and.

2021
01:28:48,680 --> 01:28:52,160
Speaker 1: I feel like curb. All they do is have dinner parties,

2022
01:28:52,280 --> 01:28:55,160
Speaker 1: and that's how they digest every weird thing in society.

2023
01:28:55,200 --> 01:28:57,320
Speaker 2: But that's the older I think that's the older person thing. Yeah,

2024
01:28:57,360 --> 01:28:59,479
Speaker 2: because I know a lot of older people that like,

2025
01:28:59,520 --> 01:29:01,439
Speaker 2: oh yeah, going to a dinner party this weekend' like

2026
01:29:01,560 --> 01:29:05,519
Speaker 2: that is that like the older brunch? Yeah, okay, but

2027
01:29:05,640 --> 01:29:07,040
Speaker 2: you have to have older friends and know to cook.

2028
01:29:07,880 --> 01:29:10,439
Speaker 2: That's very true. That that's very true. But the fact

2029
01:29:10,439 --> 01:29:11,840
Speaker 2: you have a dinner party and know how to cook.

2030
01:29:12,160 --> 01:29:15,439
Speaker 1: He anytime the dinner party scene comes up in almost

2031
01:29:15,479 --> 01:29:18,559
Speaker 1: every fucking episode, I'm like, all right, how is can

2032
01:29:18,640 --> 01:29:20,519
Speaker 1: he not beat this into a dead horse. It's funny

2033
01:29:20,560 --> 01:29:24,439
Speaker 1: every single time. That entire show is so simple yet

2034
01:29:24,560 --> 01:29:25,240
Speaker 1: so complex.

2035
01:29:25,400 --> 01:29:27,640
Speaker 2: Love it, Love Kurt Man. I'm all caught up on that.

2036
01:29:28,040 --> 01:29:30,519
Speaker 1: And also an Insecure not this episode that just came

2037
01:29:30,560 --> 01:29:33,840
Speaker 1: out the one before it when they got into like

2038
01:29:34,360 --> 01:29:38,200
Speaker 1: Kelly finding herself in the spiritual journey and how fucking

2039
01:29:38,280 --> 01:29:41,080
Speaker 1: annoying those people can be sometimes, like the entire show,

2040
01:29:41,120 --> 01:29:42,800
Speaker 1: it's like, Yo, shut the fuck up about how you

2041
01:29:42,840 --> 01:29:45,400
Speaker 1: found yourself, Like and then you find the other person

2042
01:29:45,439 --> 01:29:47,160
Speaker 1: at the party that found themselves and now it's two

2043
01:29:47,160 --> 01:29:50,960
Speaker 1: annoying people. Yeah, yeah, yeah, leave your chakras over there.

2044
01:29:51,320 --> 01:29:53,120
Speaker 2: I think that that. I think Kelly. I think she

2045
01:29:53,320 --> 01:29:56,840
Speaker 2: has her character has a spin off ability. Oh for sure.

2046
01:29:56,920 --> 01:29:58,519
Speaker 2: I don't know if spinoff ability is a word, but

2047
01:29:58,600 --> 01:30:02,320
Speaker 2: it is now. I think she had spinoff ability. Yeah,

2048
01:30:02,400 --> 01:30:04,760
Speaker 2: her character is that funny. I think that they can

2049
01:30:04,840 --> 01:30:07,040
Speaker 2: create a show around just her character.

2050
01:30:07,080 --> 01:30:10,559
Speaker 1: Absolutely, No, she's She's hysterical and come on, man, give

2051
01:30:10,600 --> 01:30:16,840
Speaker 1: Lauren some some slack here. Why I mean, if he's

2052
01:30:16,880 --> 01:30:18,840
Speaker 1: in the other city trying to make money for the kid,

2053
01:30:20,280 --> 01:30:23,080
Speaker 1: he's like not supposed to enjoy himself and fuck bitches

2054
01:30:23,120 --> 01:30:27,800
Speaker 1: and drink and celebrate, Like what's he supposed to do?

2055
01:30:28,360 --> 01:30:31,240
Speaker 1: He's working, wants to go home.

2056
01:30:31,439 --> 01:30:31,880
Speaker 2: He's not with.

2057
01:30:32,000 --> 01:30:34,080
Speaker 1: Shorty, Like, why is everyone like his piece of ship?

2058
01:30:34,120 --> 01:30:37,360
Speaker 2: Look at him having a blast while the single mothers

2059
01:30:37,360 --> 01:30:39,720
Speaker 2: in la I'm like, well, he's up there making money.

2060
01:30:39,800 --> 01:30:40,679
Speaker 2: He can't enjoy.

2061
01:30:41,000 --> 01:30:42,120
Speaker 1: He gotta be miserable over there too.

2062
01:30:42,240 --> 01:30:43,439
Speaker 2: He can't release his loins.

2063
01:30:45,600 --> 01:30:48,559
Speaker 1: Man, they give Lawrence way too much ship.

2064
01:30:48,920 --> 01:30:50,160
Speaker 2: I think I think at the end of it. I

2065
01:30:50,200 --> 01:30:54,320
Speaker 2: think at the end of this Insecure series, I think

2066
01:30:54,400 --> 01:30:56,800
Speaker 2: that people are gonna love Lawrence. I think this the

2067
01:30:56,960 --> 01:30:59,920
Speaker 2: last episode is going to be like he did it right,

2068
01:31:00,080 --> 01:31:01,479
Speaker 2: he got it right, you know what I mean. I

2069
01:31:01,920 --> 01:31:03,559
Speaker 2: just I just see it going that way. I'm sorry.

2070
01:31:03,720 --> 01:31:04,040
Speaker 2: He came.

2071
01:31:04,200 --> 01:31:06,439
Speaker 1: He came all the way from best Buy. He got

2072
01:31:06,479 --> 01:31:08,240
Speaker 1: it out the best Buy Mud, he made it all

2073
01:31:08,280 --> 01:31:10,680
Speaker 1: the way to to fucking Silicon Valley. What the fuck

2074
01:31:10,680 --> 01:31:11,080
Speaker 1: he's doing now?

2075
01:31:11,160 --> 01:31:13,479
Speaker 2: And invest by mud is not easy, Muddy. That's like

2076
01:31:13,560 --> 01:31:14,960
Speaker 2: some tough mud for sure.

2077
01:31:15,160 --> 01:31:18,599
Speaker 1: Yeah, he went from geek squad to fucking making six figures.

2078
01:31:18,640 --> 01:31:21,080
Speaker 1: Of course he's gonna have to work. It has to happen,

2079
01:31:21,520 --> 01:31:23,760
Speaker 1: like that's part of it, Like I make six figures now.

2080
01:31:24,160 --> 01:31:27,760
Speaker 1: Pussy is somewhere in this motherfucking negotiation. Trust and believe that.

2081
01:31:28,000 --> 01:31:30,400
Speaker 1: And I mean, of course he wants to show up

2082
01:31:30,760 --> 01:31:35,639
Speaker 1: for the bigger moments. People take like the common sense

2083
01:31:35,680 --> 01:31:37,800
Speaker 1: out of shit, Like all right, but that's part of

2084
01:31:37,920 --> 01:31:39,240
Speaker 1: it works. Let me make sure I could go for

2085
01:31:39,280 --> 01:31:39,920
Speaker 1: the bigger moments.

2086
01:31:40,120 --> 01:31:41,880
Speaker 2: That's part of it, like we don't, we don't. We

2087
01:31:42,040 --> 01:31:43,840
Speaker 2: lose sight of that and watching a lot of these

2088
01:31:43,880 --> 01:31:46,519
Speaker 2: shows like and that's why I love when shows get

2089
01:31:46,560 --> 01:31:49,800
Speaker 2: it right because they cover all the bases of it.

2090
01:31:49,840 --> 01:31:51,760
Speaker 2: Wouldn't happen like that, It would happen like this. Yeah,

2091
01:31:51,800 --> 01:31:52,679
Speaker 2: this is more realistic.

2092
01:31:52,760 --> 01:31:56,320
Speaker 1: Insecures is great with the realistic shit because she knows,

2093
01:31:56,479 --> 01:31:57,040
Speaker 1: she knows.

2094
01:31:56,920 --> 01:31:59,799
Speaker 2: How shit is gonna go. That's not how it happens.

2095
01:32:00,120 --> 01:32:02,439
Speaker 2: It happens like this, and that's why it. Insecure is

2096
01:32:02,479 --> 01:32:03,920
Speaker 2: one of our favorite shows because they just get it right.

2097
01:32:03,920 --> 01:32:05,320
Speaker 2: They understand our culture for sure.

2098
01:32:06,360 --> 01:32:10,439
Speaker 1: Trying to think there's anything else. We won't be back

2099
01:32:10,520 --> 01:32:14,639
Speaker 1: on Friday, we are taking a Indigenous People's day break.

2100
01:32:14,920 --> 01:32:17,720
Speaker 2: Yes, we will be back next week. Merch will be

2101
01:32:17,760 --> 01:32:20,679
Speaker 2: available soon. Some ship here, Yeah, some ship.

2102
01:32:22,200 --> 01:32:25,080
Speaker 1: Rory got some ship if you're watching the video I gave.

2103
01:32:25,400 --> 01:32:27,680
Speaker 2: I gave Tiana one of the hoodies last night that

2104
01:32:27,800 --> 01:32:30,160
Speaker 2: I had I didn't have. I didn't bring back much

2105
01:32:30,200 --> 01:32:32,519
Speaker 2: from La, but I'm gonna have them send some stuff

2106
01:32:32,560 --> 01:32:34,880
Speaker 2: out so we can start gifting some of our friends,

2107
01:32:34,920 --> 01:32:37,240
Speaker 2: some of our merchant. But Tianna loved it. She was

2108
01:32:37,320 --> 01:32:40,679
Speaker 2: mad that I didn't have anymore for her. But we'll

2109
01:32:40,720 --> 01:32:43,519
Speaker 2: be sure to get our friends and family some merch. Yeah,

2110
01:32:44,240 --> 01:32:48,200
Speaker 2: everybody be available online because I know again people keep asking,

2111
01:32:48,240 --> 01:32:48,719
Speaker 2: so it's.

2112
01:32:48,600 --> 01:32:51,680
Speaker 1: Coming, it's any any other updates we don't have. Demeris here.

2113
01:32:52,040 --> 01:32:54,160
Speaker 1: She's feeling under the weather and she usually gives us

2114
01:32:54,160 --> 01:32:54,960
Speaker 1: the updates that we need.

2115
01:32:55,800 --> 01:32:58,519
Speaker 2: I did want to say, what's the what's the bitch

2116
01:32:58,560 --> 01:33:01,439
Speaker 2: ass nigganame? The football player? Oh? I forgot his name,

2117
01:33:01,720 --> 01:33:04,120
Speaker 2: that's what's his name? I don't I don't know his name.

2118
01:33:04,160 --> 01:33:05,479
Speaker 2: I can't even I don't even call him a bitch

2119
01:33:05,479 --> 01:33:07,360
Speaker 2: ass nag. He's a he's a fucking he's a clown.

2120
01:33:07,920 --> 01:33:11,200
Speaker 1: And if it's true that his friends were hiding him, yeah,

2121
01:33:11,479 --> 01:33:12,240
Speaker 1: some clown ship.

2122
01:33:12,120 --> 01:33:13,960
Speaker 2: To the clowns to put them. Put them all in

2123
01:33:14,080 --> 01:33:17,240
Speaker 2: us on the same clown bus. Zack Stacey, Zack Stacey,

2124
01:33:17,280 --> 01:33:21,080
Speaker 2: you're a fucking clown. I don't I don't know. I

2125
01:33:21,120 --> 01:33:24,040
Speaker 2: don't know where you're from. Uh, I don't know you

2126
01:33:24,080 --> 01:33:26,599
Speaker 2: know the type of upbringing that you had. I don't

2127
01:33:26,640 --> 01:33:29,760
Speaker 2: know the type of friends that are around you. But

2128
01:33:30,160 --> 01:33:33,120
Speaker 2: you're a clown. There's never no And I'm here seeing

2129
01:33:33,160 --> 01:33:36,240
Speaker 2: things online saying that his his baby mother pulled a

2130
01:33:36,280 --> 01:33:38,840
Speaker 2: gun on him or something like that. And if that's

2131
01:33:38,880 --> 01:33:41,160
Speaker 2: the case, you know she was wrong for that. But

2132
01:33:41,560 --> 01:33:43,840
Speaker 2: if if she no longer has the gun in her hand,

2133
01:33:44,800 --> 01:33:46,920
Speaker 2: just call the police, Like if you were able to

2134
01:33:46,920 --> 01:33:49,000
Speaker 2: get the gun away from her, like all that extra

2135
01:33:49,040 --> 01:33:51,880
Speaker 2: ship you slamming her, your daughter sitting right there on

2136
01:33:51,920 --> 01:33:52,439
Speaker 2: the couch.

2137
01:33:52,280 --> 01:33:53,320
Speaker 1: I can get baby.

2138
01:33:53,479 --> 01:33:56,240
Speaker 2: Yeah, it's it's like you're a clown. You're a clown.

2139
01:33:56,720 --> 01:34:00,200
Speaker 2: And I hope that you know somebody, some some real men,

2140
01:34:00,280 --> 01:34:01,720
Speaker 2: because that's the problem out here. It's not a lot

2141
01:34:01,760 --> 01:34:04,760
Speaker 2: of real men walking around. I hope some real men

2142
01:34:04,880 --> 01:34:06,439
Speaker 2: run down on you. I hope that she has a

2143
01:34:06,479 --> 01:34:09,000
Speaker 2: family full of real men and they find you and

2144
01:34:09,040 --> 01:34:10,960
Speaker 2: they beat the brakes off your bitch ass. Well.

2145
01:34:11,120 --> 01:34:14,400
Speaker 1: I believe he was caught and was charged, so as

2146
01:34:14,479 --> 01:34:17,160
Speaker 1: he should be. Like he like even if you PC up,

2147
01:34:17,280 --> 01:34:19,320
Speaker 1: even people in PC don't fuck with that type of ship.

2148
01:34:19,400 --> 01:34:21,679
Speaker 2: Yeah, Like that's just like you. You you're a clown.

2149
01:34:21,920 --> 01:34:24,800
Speaker 2: You're a clown. I don't know where where it became

2150
01:34:24,960 --> 01:34:28,519
Speaker 2: cool for men to to put put hands on a

2151
01:34:28,600 --> 01:34:31,639
Speaker 2: woman like that, and you know, it's just again, it's

2152
01:34:31,680 --> 01:34:35,280
Speaker 2: it's it's unfortunate to even have to see that. Now.

2153
01:34:35,320 --> 01:34:39,920
Speaker 2: The baby is traumatized for sure, witnessing that. Yeah. So

2154
01:34:40,120 --> 01:34:41,479
Speaker 2: so I don't even want to say his name.

2155
01:34:41,479 --> 01:34:44,160
Speaker 1: He's a fucking and if the other presidents don't get

2156
01:34:44,200 --> 01:34:46,120
Speaker 1: to him, I know some cls that will.

2157
01:34:46,320 --> 01:34:48,640
Speaker 2: Yeah, and these, you know, I guess he feels like,

2158
01:34:49,040 --> 01:34:51,200
Speaker 2: you know, a man like you know, that's that's that

2159
01:34:51,680 --> 01:34:53,760
Speaker 2: insecure ship that you know, men that put their hands

2160
01:34:53,800 --> 01:34:55,720
Speaker 2: on women. I guess he kind of feels like a man. Now.

2161
01:34:55,960 --> 01:34:57,519
Speaker 2: I just hope some real men run down on you

2162
01:34:58,160 --> 01:35:00,080
Speaker 2: and and really and really show you will be and

2163
01:35:00,160 --> 01:35:01,080
Speaker 2: the man is about.

2164
01:35:01,200 --> 01:35:05,720
Speaker 1: Work for sure. Well, yeah, shout out to everyone. Uh

2165
01:35:06,320 --> 01:35:07,600
Speaker 1: that's that's been keeping up with us.

2166
01:35:07,760 --> 01:35:09,880
Speaker 2: We will be back. Enjoy your holiday with your family.

2167
01:35:09,880 --> 01:35:12,439
Speaker 2: If you do, enjoy the holiday, eat good, live good,

2168
01:35:12,920 --> 01:35:16,040
Speaker 2: enjoy each other, love each other. Don't drink and drive. Yeah,

2169
01:35:16,080 --> 01:35:19,280
Speaker 2: please don't drink and drive. Uber is readily available with

2170
01:35:19,600 --> 01:35:21,439
Speaker 2: the fair hikes. Pay the fair hike.

2171
01:35:21,800 --> 01:35:24,320
Speaker 1: Don't ask any political questions to your family members, so

2172
01:35:24,439 --> 01:35:25,800
Speaker 1: ask if you're.

2173
01:35:26,000 --> 01:35:27,840
Speaker 2: Let's have an uncomfortable I'll tell you w We are

2174
01:35:27,960 --> 01:35:30,760
Speaker 2: here to get to the uncomfortable. We approach the uncomfortable,

2175
01:35:30,800 --> 01:35:33,080
Speaker 2: we approach the awkward, and we face it. You know

2176
01:35:33,080 --> 01:35:36,080
Speaker 2: what I'm saying. And I want families to have awkward conversations. This.

2177
01:35:37,320 --> 01:35:40,360
Speaker 2: I want to see Thanksgiving. I can't it's so programmed. Well,

2178
01:35:40,400 --> 01:35:41,479
Speaker 2: we got to come up with a new word.

2179
01:35:41,800 --> 01:35:45,280
Speaker 1: A day to give thanks Uh a day to eat.

2180
01:35:45,800 --> 01:35:48,439
Speaker 2: Yeah, so on the day to eat together as a family,

2181
01:35:48,439 --> 01:35:50,639
Speaker 2: which should be every day, but of course society doesn't

2182
01:35:50,680 --> 01:35:53,760
Speaker 2: make it that way. Uh. Yeah, have the uncomfortable conversations.

2183
01:35:54,400 --> 01:35:54,920
Speaker 2: I was talking.

2184
01:35:54,960 --> 01:35:58,120
Speaker 1: Remember when the Meek Championships album came out and What's

2185
01:35:58,160 --> 01:36:01,280
Speaker 1: Free with Hovas on that and Hope as the the line, uh,

2186
01:36:01,640 --> 01:36:05,160
Speaker 1: don't tell me Happy Thanksgiving sounds like a massacre to me.

2187
01:36:05,280 --> 01:36:06,000
Speaker 2: Whatever the bar was.

2188
01:36:07,040 --> 01:36:09,599
Speaker 1: Guru called me when it came out and was like dog.

2189
01:36:10,000 --> 01:36:12,760
Speaker 1: We recorded that shortly after Thanksgiving, and the last text

2190
01:36:12,800 --> 01:36:15,360
Speaker 1: I sent them before he texted to link for the

2191
01:36:15,360 --> 01:36:16,599
Speaker 1: studio what's happy Thanksgiving?

2192
01:36:16,960 --> 01:36:20,800
Speaker 2: He's talking about Guru, he threw a shot at like,

2193
01:36:20,960 --> 01:36:23,160
Speaker 2: damn man, i'magine throwing a shot at the nigga. That's

2194
01:36:23,200 --> 01:36:24,280
Speaker 2: like recording.

2195
01:36:26,280 --> 01:36:28,680
Speaker 1: About a nice gesture Thanksgiving bro.

2196
01:36:28,960 --> 01:36:30,880
Speaker 2: Yeah, man, it's just yeah. But we got to find

2197
01:36:30,880 --> 01:36:33,479
Speaker 2: a different word. I know, we're trying to move forward

2198
01:36:33,920 --> 01:36:37,320
Speaker 2: in our culture and as a society and make things right.

2199
01:36:39,439 --> 01:36:43,840
Speaker 2: So they're calling it Native American Heritage, Indigenous Indigenous Days,

2200
01:36:43,920 --> 01:36:46,120
Speaker 2: something like that. I don't know. Yeah, I don't. I

2201
01:36:46,160 --> 01:36:47,880
Speaker 2: don't know what they're doing. But you know, give thanks

2202
01:36:47,960 --> 01:36:50,680
Speaker 2: every day. You should give thanks anyway. But you have

2203
01:36:50,840 --> 01:36:54,120
Speaker 2: fun with the family, Have uncomfortable conversations, man, fuck it.

2204
01:36:54,479 --> 01:36:56,479
Speaker 2: That's the only way we're gonna have progress anyway, Have

2205
01:36:56,560 --> 01:37:00,400
Speaker 2: done comfortable conversations, but most importantly, love and respect each other.

2206
01:37:01,280 --> 01:37:04,479
Speaker 2: Be safe and yeah, man, we'll see y'all when we

2207
01:37:04,560 --> 01:37:09,000
Speaker 2: get back. Until then, peace and love. No Willian now