1 00:00:00,240 --> 00:00:05,600 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,200 --> 00:00:08,000 Speaker 2: And welcome back to Coast to Coast George Nori with you. 3 00:00:08,119 --> 00:00:12,879 Speaker 2: Maureene Saint Germain with us. Internationally acclaimed ascension teacher, best 4 00:00:12,880 --> 00:00:16,120 Speaker 2: selling an award winning author known for her powerful Sacred 5 00:00:16,120 --> 00:00:21,480 Speaker 2: Tools and Amazon bestsellers including Opening the Akashic Records, Waking 6 00:00:21,600 --> 00:00:24,360 Speaker 2: Up in five D, Beyond the Flower of Light, or 7 00:00:24,480 --> 00:00:28,360 Speaker 2: latest book, Living Your Five D Life. Additionally, she's an 8 00:00:28,400 --> 00:00:33,239 Speaker 2: award winning musician, creator of the meditation app Illuminate, and 9 00:00:33,360 --> 00:00:37,680 Speaker 2: since nineteen ninety five, Marine has traveled worldwide teaching wisdom 10 00:00:37,720 --> 00:00:41,960 Speaker 2: and sacred practices, authoring a number of books into fifteen 11 00:00:42,040 --> 00:00:44,879 Speaker 2: plus languages. Maurene, welcome back. How have you been. 12 00:00:45,600 --> 00:00:47,680 Speaker 3: I've been really good, and it's so good to hear 13 00:00:47,720 --> 00:00:50,960 Speaker 3: from you. You sound pretty good yourself, looking forward to this 14 00:00:51,840 --> 00:00:52,760 Speaker 3: good me too. 15 00:00:53,760 --> 00:00:56,040 Speaker 2: Now we're in the third dimension right now, aren't we? 16 00:00:56,600 --> 00:01:00,800 Speaker 3: Pretty much? You know, we have moments where in a 17 00:01:00,880 --> 00:01:03,880 Speaker 3: really yummy place and we're feeling good about everybody and everything, 18 00:01:03,920 --> 00:01:08,560 Speaker 3: and somebody does something unusual, you know, disappointing, and we oh, 19 00:01:08,640 --> 00:01:12,000 Speaker 3: that's okay, no problems, that's five D. But most of 20 00:01:12,000 --> 00:01:13,880 Speaker 3: the time we say, hey, what's he doing. 21 00:01:15,959 --> 00:01:18,560 Speaker 2: Now? Of course what happened to the fourth dimension? 22 00:01:19,319 --> 00:01:23,679 Speaker 3: Fourth dimension is a portal transition place. I like to 23 00:01:23,720 --> 00:01:26,360 Speaker 3: say that it's where we go when we are on 24 00:01:26,400 --> 00:01:29,240 Speaker 3: our way to five or back down to three. It's 25 00:01:29,240 --> 00:01:31,240 Speaker 3: a little bit like going to Grand Central. You never 26 00:01:31,280 --> 00:01:34,600 Speaker 3: go there to spend the night, or an airports, you know, 27 00:01:34,800 --> 00:01:36,440 Speaker 3: go there to spend the night on purpose. 28 00:01:38,400 --> 00:01:40,600 Speaker 2: Is it easy to d and go from three D 29 00:01:40,720 --> 00:01:41,280 Speaker 2: to five D? 30 00:01:42,440 --> 00:01:46,320 Speaker 3: Yes? It is. And what happens is we slide through 31 00:01:46,480 --> 00:01:50,000 Speaker 3: fourth sometimes unknowingly, you know, we start to move into 32 00:01:50,040 --> 00:01:53,760 Speaker 3: a place of yumminess and fort dimension is this quality 33 00:01:53,840 --> 00:01:58,560 Speaker 3: of a little more emotion, a little bit faster in 34 00:01:58,600 --> 00:02:02,280 Speaker 3: terms of vibration, and that either lifts us up to 35 00:02:02,600 --> 00:02:07,240 Speaker 3: five or sometimes we slide back down to third, but 36 00:02:07,280 --> 00:02:10,880 Speaker 3: we don't generally stay in for it. It's a place 37 00:02:10,880 --> 00:02:14,480 Speaker 3: of movement. The movement is enough that we get propelled 38 00:02:14,520 --> 00:02:16,240 Speaker 3: in one direction or the other, kind of like the 39 00:02:16,240 --> 00:02:17,600 Speaker 3: wave of the ocean. 40 00:02:19,320 --> 00:02:22,560 Speaker 2: By moving into the five D, do we manifest ourselves 41 00:02:22,560 --> 00:02:24,960 Speaker 2: to be able to do it at will? Or does 42 00:02:25,080 --> 00:02:27,080 Speaker 2: something kind of force us into that. 43 00:02:28,280 --> 00:02:30,919 Speaker 3: It's a little bit of both. George you know, you're 44 00:02:31,520 --> 00:02:36,440 Speaker 3: a person's will certainly contributes to it, but you can't 45 00:02:36,440 --> 00:02:39,800 Speaker 3: really will yourself to be happy, but you can choose 46 00:02:39,880 --> 00:02:43,080 Speaker 3: to be open hearted, which would then put you into 47 00:02:43,120 --> 00:02:46,560 Speaker 3: five D. When we step away from worry, you know, 48 00:02:46,639 --> 00:02:48,720 Speaker 3: we lose something and we fret about it. But then 49 00:02:48,760 --> 00:02:52,079 Speaker 3: when we finally say, okay, it's gone. You know, it's 50 00:02:52,080 --> 00:02:54,880 Speaker 3: one of those things that happened, I'm okay with it, 51 00:02:55,400 --> 00:03:00,399 Speaker 3: then we're sliding back into five D. So this ideas 52 00:03:00,960 --> 00:03:04,720 Speaker 3: it's a fidia is that there isn't polarity, There isn't judgment. 53 00:03:05,040 --> 00:03:09,040 Speaker 3: We still have up and down, we still have dark 54 00:03:09,120 --> 00:03:14,520 Speaker 3: and light colors. We still have variety, we just don't 55 00:03:14,560 --> 00:03:19,040 Speaker 3: have the kind of variety that causes problems for ourselves 56 00:03:19,160 --> 00:03:21,440 Speaker 3: or our family or friends. 57 00:03:21,840 --> 00:03:27,280 Speaker 2: Can we get stuck in a certain dimension marine, Yes, And. 58 00:03:27,440 --> 00:03:30,200 Speaker 3: The most commonplace to get stuck is in forty when 59 00:03:30,200 --> 00:03:33,480 Speaker 3: you're on a rant, or you're in a rage, or 60 00:03:33,639 --> 00:03:40,000 Speaker 3: when you are starting to become mentally depressed. Those are 61 00:03:40,040 --> 00:03:42,800 Speaker 3: all times that you kind of get stuck in that 62 00:03:43,080 --> 00:03:46,120 Speaker 3: zone that you feel like you can't get out of 63 00:03:46,400 --> 00:03:49,880 Speaker 3: that same zone. You know, like in Field of Dreams 64 00:03:49,880 --> 00:03:53,040 Speaker 3: where the wife was stuck. She didn't know she could 65 00:03:53,080 --> 00:03:54,000 Speaker 3: get herself out of it. 66 00:03:55,880 --> 00:04:01,080 Speaker 2: It is truly remarkable. Do a lot of people study this, Yes, 67 00:04:01,200 --> 00:04:01,560 Speaker 2: and I. 68 00:04:01,560 --> 00:04:05,000 Speaker 3: Have clients and customers all over the world. It's very 69 00:04:05,040 --> 00:04:09,200 Speaker 3: exciting time because you know, twenty years ago, even I 70 00:04:09,280 --> 00:04:13,760 Speaker 3: didn't understand or know what it meant to be just dimensional. 71 00:04:14,080 --> 00:04:18,200 Speaker 3: And I equate that to the same words that some 72 00:04:18,240 --> 00:04:21,120 Speaker 3: people are using for ascension. So when people say, well, 73 00:04:21,120 --> 00:04:23,760 Speaker 3: what's the ascension, I'll say, it's for just dimension. It's 74 00:04:23,800 --> 00:04:25,799 Speaker 3: this dimension is what everyone else calls heaven. 75 00:04:28,040 --> 00:04:32,719 Speaker 2: What gets us into the mode? Meditation? Attitude? What does it? 76 00:04:33,839 --> 00:04:37,760 Speaker 3: Meditation can do it? Meditation is very helpful because meditation 77 00:04:37,960 --> 00:04:45,320 Speaker 3: helps us to heal connected to source or our higher consciousness. 78 00:04:45,640 --> 00:04:49,960 Speaker 3: Certainly that's probably the number one tool. And then other 79 00:04:50,080 --> 00:04:55,080 Speaker 3: tools include, you know, forms of exercise like martial arts 80 00:04:55,080 --> 00:04:59,760 Speaker 3: to John chigong or tai chi, those kinds of things. 81 00:05:01,040 --> 00:05:07,279 Speaker 3: Also your intention to find your way there because you 82 00:05:07,320 --> 00:05:09,920 Speaker 3: know it's easy to mess up. And I'll give you 83 00:05:09,920 --> 00:05:12,760 Speaker 3: an example on myself. You know, many years ago, when 84 00:05:12,800 --> 00:05:16,800 Speaker 3: I lived in San Diego, I asked in meditation, you know, 85 00:05:16,920 --> 00:05:19,000 Speaker 3: is there anything I'm doing to keep myself out of 86 00:05:19,040 --> 00:05:22,080 Speaker 3: five deep, and my guides came in and said yes, 87 00:05:22,800 --> 00:05:25,560 Speaker 3: and I said, well, what is it? And they said, well, 88 00:05:25,600 --> 00:05:27,800 Speaker 3: you know, when you're driving on the San Diego Freeway 89 00:05:28,240 --> 00:05:30,400 Speaker 3: and somebody pulls in front of you or they cut 90 00:05:30,440 --> 00:05:34,159 Speaker 3: you off, you usually kind of lose it. And it's true, 91 00:05:34,200 --> 00:05:35,680 Speaker 3: you know, I would say, oh, that guy's an idiot, 92 00:05:35,720 --> 00:05:37,320 Speaker 3: or what did they think they're doing? 93 00:05:37,839 --> 00:05:38,840 Speaker 2: Road rage? 94 00:05:39,560 --> 00:05:43,520 Speaker 3: Exactly, not really bad road rage, which is the road rage. 95 00:05:43,839 --> 00:05:47,960 Speaker 3: And so then I chose, as as a proactive thing 96 00:05:48,560 --> 00:05:55,119 Speaker 3: to decide to choose when somebody when something would happen, 97 00:05:55,160 --> 00:05:58,360 Speaker 3: Oh they need to get where they're going faster than 98 00:05:58,400 --> 00:06:02,159 Speaker 3: I do. I'm good. Or they must not have seen me, 99 00:06:02,600 --> 00:06:04,640 Speaker 3: or maybe you know, it's somebody who doesn't want to 100 00:06:04,760 --> 00:06:07,120 Speaker 3: drive very well, maybe it's the tourist. And so I 101 00:06:07,120 --> 00:06:10,800 Speaker 3: started making up these stories around the situations that I 102 00:06:10,839 --> 00:06:13,839 Speaker 3: didn't like, and I started laughing, and of course that 103 00:06:14,080 --> 00:06:18,159 Speaker 3: moved my energy from being in judgment of other people 104 00:06:18,279 --> 00:06:22,839 Speaker 3: striving to a place of joy and compassion. 105 00:06:24,279 --> 00:06:26,960 Speaker 2: Let's talk about what happens when you die, Maureen, I 106 00:06:27,120 --> 00:06:31,360 Speaker 2: give me your overall thoughts. First of all, I. 107 00:06:31,520 --> 00:06:37,919 Speaker 3: Believe that the soul compresses the four lower body, so 108 00:06:38,000 --> 00:06:42,600 Speaker 3: there's a physical, mental, emotional and hysterics. So the physical 109 00:06:42,640 --> 00:06:45,480 Speaker 3: body dies and then the mental body and the emotional 110 00:06:45,480 --> 00:06:49,080 Speaker 3: body kind of congeal back into the etheric body and 111 00:06:49,120 --> 00:06:51,960 Speaker 3: they hang out for a couple of days. And that's 112 00:06:52,000 --> 00:06:54,960 Speaker 3: why some people can sense that the person aside is 113 00:06:55,000 --> 00:06:57,440 Speaker 3: still in the room. It's also when we go to 114 00:06:57,560 --> 00:07:01,120 Speaker 3: the life review, and then from that point we go 115 00:07:01,279 --> 00:07:05,160 Speaker 3: to a place of I'll call it a reconnaissance where 116 00:07:05,160 --> 00:07:10,520 Speaker 3: we get to kind of sort out, you know, the 117 00:07:10,600 --> 00:07:13,440 Speaker 3: choices that we have in front of us. And today 118 00:07:13,640 --> 00:07:17,080 Speaker 3: I believe that we have a choice to not reincarnate 119 00:07:17,200 --> 00:07:21,480 Speaker 3: on the earth. But prior to this cycle of time, 120 00:07:22,120 --> 00:07:24,920 Speaker 3: everybody was just reincarnating, whether they were ready to do 121 00:07:24,960 --> 00:07:26,960 Speaker 3: it or not, whether they wanted to do it or not. 122 00:07:29,120 --> 00:07:32,640 Speaker 2: A lot of people, when they astral project travel through 123 00:07:32,880 --> 00:07:37,360 Speaker 2: with a silver cord connected between the physical body and 124 00:07:37,400 --> 00:07:41,400 Speaker 2: the astral body. I've always believed that when you die, 125 00:07:41,680 --> 00:07:45,280 Speaker 2: that chord is severed. Am I right, Yes you are. 126 00:07:45,880 --> 00:07:50,400 Speaker 3: And I wrote a really cool meditation called the Golden 127 00:07:50,440 --> 00:07:55,680 Speaker 3: Bull and it describes how when silver cord is broken 128 00:07:55,920 --> 00:08:00,120 Speaker 3: and the golden bowl is cracked, and it explains that 129 00:08:00,120 --> 00:08:03,120 Speaker 3: that's the end of life at that time, and that 130 00:08:03,200 --> 00:08:08,120 Speaker 3: quote came from a biblical quote. And what happened when 131 00:08:08,200 --> 00:08:12,600 Speaker 3: I found that is I finally understood this message that 132 00:08:12,640 --> 00:08:15,640 Speaker 3: I kept getting that there was like a ring around 133 00:08:15,880 --> 00:08:18,520 Speaker 3: the head, kind of like the same place that an 134 00:08:18,560 --> 00:08:22,520 Speaker 3: Indian headband would be here, you know, an Indian headband 135 00:08:22,520 --> 00:08:26,560 Speaker 3: with a feather in it. And so that is an 136 00:08:27,320 --> 00:08:32,920 Speaker 3: energetic space that allows us to connect to our higher consciousness. 137 00:08:33,240 --> 00:08:37,040 Speaker 3: So in colloquial terms, we could call it this satellite 138 00:08:37,040 --> 00:08:38,040 Speaker 3: dish to call home. 139 00:08:40,760 --> 00:08:45,080 Speaker 2: You have said that the appearance of relatives in the 140 00:08:45,120 --> 00:08:49,800 Speaker 2: afterlife can be misleading. Explain that, yes, it. 141 00:08:49,720 --> 00:08:55,079 Speaker 3: Can, because very often the appearance of relatives is a 142 00:08:57,040 --> 00:09:01,400 Speaker 3: way to circumvent choice, because your relatives will urge you 143 00:09:01,480 --> 00:09:07,640 Speaker 3: to come with them and to you know, go along 144 00:09:07,640 --> 00:09:10,120 Speaker 3: with what they're telling you to do. But we still 145 00:09:10,160 --> 00:09:12,520 Speaker 3: have free will after we die. We haven't left the 146 00:09:12,559 --> 00:09:15,840 Speaker 3: earth plane, so we still have free will. And as 147 00:09:15,880 --> 00:09:17,680 Speaker 3: a matter of fact, we have free will after we 148 00:09:17,800 --> 00:09:21,920 Speaker 3: die too. And so what happens is if you get 149 00:09:21,920 --> 00:09:24,880 Speaker 3: convinced that you need to go with those family members, 150 00:09:25,559 --> 00:09:28,280 Speaker 3: you might end up reincarnating. And maybe you didn't want 151 00:09:28,360 --> 00:09:31,880 Speaker 3: you maybe you you know, wanted to expand your experiences 152 00:09:32,080 --> 00:09:37,080 Speaker 3: and go into other planes of consciousness or visit other planets, 153 00:09:37,120 --> 00:09:41,200 Speaker 3: and if you reincarnate, that primary focus comes back to Earth. 154 00:09:41,920 --> 00:09:46,240 Speaker 2: So you don't see reincarnation as a necessity, that is correct. 155 00:09:46,280 --> 00:09:49,720 Speaker 3: I do not. I think that everywhere at the end 156 00:09:49,760 --> 00:09:52,319 Speaker 3: of the game. In fact, that's one of the things 157 00:09:52,000 --> 00:09:56,320 Speaker 3: that became so clear to me. We're at the end 158 00:09:56,360 --> 00:10:01,160 Speaker 3: of a game that's so powerful and so indoctrinated that 159 00:10:01,200 --> 00:10:04,000 Speaker 3: we don't realize that if we're in a different game, 160 00:10:04,440 --> 00:10:06,439 Speaker 3: the rules are different. It's just like we can talk 161 00:10:06,440 --> 00:10:10,040 Speaker 3: about American football or European football. There are two different games, 162 00:10:10,080 --> 00:10:12,520 Speaker 3: but they're very similar. They both do the goal, and 163 00:10:12,559 --> 00:10:15,439 Speaker 3: they both have a device that they passed back and forth. 164 00:10:16,200 --> 00:10:19,840 Speaker 3: So the rules of soccer are much more of a 165 00:10:19,880 --> 00:10:22,800 Speaker 3: gentleman's game. But there's even more of a five D 166 00:10:23,040 --> 00:10:26,720 Speaker 3: game that makes for the analogy, and that's the game 167 00:10:26,800 --> 00:10:31,080 Speaker 3: of ultimates that young people play, and it's based on 168 00:10:31,400 --> 00:10:34,800 Speaker 3: a frisbee that goes back and forth between the goals. 169 00:10:35,240 --> 00:10:37,520 Speaker 3: And the reason I call it a five D game 170 00:10:37,679 --> 00:10:41,880 Speaker 3: is two reasons. Number One, if your opponent calls a foul, 171 00:10:42,120 --> 00:10:45,160 Speaker 3: it's your obligation to accept it. You can't argue it, 172 00:10:45,160 --> 00:10:47,520 Speaker 3: you can't get mad. You just have to accept it. 173 00:10:48,000 --> 00:10:50,880 Speaker 3: And the rules work both ways. So if you were 174 00:10:51,040 --> 00:10:53,960 Speaker 3: if your team calls too many fouls, your opponent's team 175 00:10:54,040 --> 00:10:56,160 Speaker 3: is going to start doing the same thing. But at 176 00:10:56,160 --> 00:10:58,480 Speaker 3: the other end of it, when the game is over, 177 00:10:59,520 --> 00:11:02,520 Speaker 3: the team is required to make up a song, a 178 00:11:02,520 --> 00:11:06,120 Speaker 3: little ditty. They can use anything they want and talk 179 00:11:06,200 --> 00:11:10,120 Speaker 3: about the game that was played just now they have 180 00:11:10,240 --> 00:11:13,280 Speaker 3: five minutes to make it up. It's always funny and 181 00:11:13,320 --> 00:11:16,880 Speaker 3: it's always entertaining. And who gets applauded at that time 182 00:11:17,240 --> 00:11:18,200 Speaker 3: the losing teams. 183 00:11:20,640 --> 00:11:21,640 Speaker 2: That's remarkable. 184 00:11:22,040 --> 00:11:26,439 Speaker 3: Yeah, it's pure joy. And in some communities like Madison, Wisconsin, 185 00:11:26,720 --> 00:11:32,080 Speaker 3: they actually have ultimate leagues, just like they had bowling leagues, 186 00:11:32,600 --> 00:11:36,679 Speaker 3: you know, years ago, for people to play with other teams. 187 00:11:36,720 --> 00:11:41,120 Speaker 2: You know, as an adult team, whose choice is it 188 00:11:41,520 --> 00:11:45,440 Speaker 2: on reincarnation? Is it ours or is there some higher 189 00:11:45,480 --> 00:11:47,319 Speaker 2: power that makes that decision? 190 00:11:48,760 --> 00:11:51,960 Speaker 3: The choice is ours? And you know, this brings me 191 00:11:52,080 --> 00:11:56,000 Speaker 3: to an experience that I had with some friends where 192 00:11:56,040 --> 00:11:59,160 Speaker 3: they were telling the story of how they had died 193 00:11:59,280 --> 00:12:03,040 Speaker 3: and come back. And as this woman's telling this story, 194 00:12:04,000 --> 00:12:06,080 Speaker 3: her guides tell her, you know your life as you 195 00:12:06,120 --> 00:12:08,800 Speaker 3: know it has ended. We've been reviewing some of your 196 00:12:08,840 --> 00:12:11,920 Speaker 3: more difficult past lives, and we want you to go 197 00:12:12,000 --> 00:12:13,920 Speaker 3: back because there's still some work you need to do. 198 00:12:14,280 --> 00:12:16,400 Speaker 3: And the woman said, I don't know. I don't think so. 199 00:12:17,720 --> 00:12:20,719 Speaker 3: You know, I'm overweighted, I've got liver problems, I've got 200 00:12:20,760 --> 00:12:24,000 Speaker 3: this going on. And her guy said, well, you know, 201 00:12:24,000 --> 00:12:26,240 Speaker 3: all the health problems are gone. The way to fall 202 00:12:26,280 --> 00:12:29,920 Speaker 3: off over the next ten years, and she said, well, 203 00:12:30,720 --> 00:12:33,360 Speaker 3: you know, I really don't want to go back because 204 00:12:33,400 --> 00:12:35,640 Speaker 3: I never know for sure what I'm supposed to do next. 205 00:12:36,280 --> 00:12:39,560 Speaker 3: I'm listening to this story and I'm thinking to myself, wait, 206 00:12:41,320 --> 00:12:44,040 Speaker 3: I didn't know you could decide this when you got 207 00:12:44,200 --> 00:12:46,000 Speaker 3: after you're dead. I thought you had to do what 208 00:12:46,040 --> 00:12:49,640 Speaker 3: you were told. And so that was my first aha, 209 00:12:49,760 --> 00:12:53,120 Speaker 3: and that since then, I've had, you know, meditations and 210 00:12:53,160 --> 00:12:56,640 Speaker 3: communications and other clients who told similar stories that have 211 00:12:57,120 --> 00:12:59,440 Speaker 3: had those kinds of experiences. 212 00:13:00,400 --> 00:13:04,360 Speaker 2: When when a person moves into the fifth dimension, do 213 00:13:04,480 --> 00:13:06,800 Speaker 2: they know it? 214 00:13:06,920 --> 00:13:10,439 Speaker 3: Generally not, but you sureack know it when you fall out, 215 00:13:11,400 --> 00:13:14,319 Speaker 3: when you fall back into third It's kind of funny, really, 216 00:13:15,120 --> 00:13:17,079 Speaker 3: you know, you're in a blissful state. It's like when 217 00:13:17,120 --> 00:13:20,120 Speaker 3: you fall in love. You know, nobody can upset you. 218 00:13:20,120 --> 00:13:23,440 Speaker 3: You're in a place of yummy feelings. And then you 219 00:13:23,480 --> 00:13:27,680 Speaker 3: know when you slide back down in de third you know, 220 00:13:27,840 --> 00:13:31,120 Speaker 3: somebody slams the door and you're trying to go to sleep, 221 00:13:31,559 --> 00:13:34,880 Speaker 3: you get mad about it. So that's more third dimensions. 222 00:13:35,760 --> 00:13:40,120 Speaker 3: So the idea is five D is a place where 223 00:13:40,360 --> 00:13:46,360 Speaker 3: we feel joy in our hearts are tolerance is way high. 224 00:13:46,880 --> 00:13:49,720 Speaker 3: We're not judging ourselves and we're not judging each other. 225 00:13:50,200 --> 00:13:52,760 Speaker 3: And most of the time we're judging either ourselves or 226 00:13:52,800 --> 00:13:55,000 Speaker 3: somebody else. You know, I didn't do that great at 227 00:13:55,040 --> 00:13:57,960 Speaker 3: its performance, or she's not driving the way I like. 228 00:13:58,040 --> 00:14:01,560 Speaker 3: You know, there's always some thoughts that can be racing 229 00:14:01,640 --> 00:14:07,240 Speaker 3: in our heads. In five D, we're more aware of 230 00:14:07,280 --> 00:14:10,280 Speaker 3: our experience. So you're looking at a sunset and you're 231 00:14:10,280 --> 00:14:12,719 Speaker 3: thinking how beautiful it is, or you're standing at the 232 00:14:12,760 --> 00:14:14,760 Speaker 3: beach and you just feel so fortunate that you get 233 00:14:14,800 --> 00:14:17,760 Speaker 3: to be at the water. Those kinds of things are 234 00:14:17,800 --> 00:14:23,160 Speaker 3: five D because other people, other situations of the circumstances 235 00:14:23,400 --> 00:14:27,520 Speaker 3: don't enter into it. You're in this place of appreciation 236 00:14:27,800 --> 00:14:31,760 Speaker 3: and joy for whatever is around you and the life 237 00:14:31,800 --> 00:14:34,480 Speaker 3: you have. I'm so grateful. I'm healthy. I'm so grateful 238 00:14:34,640 --> 00:14:36,360 Speaker 3: that I can stand up straight. 239 00:14:36,760 --> 00:14:41,600 Speaker 2: Whatever it is is five D marena mental application or 240 00:14:41,680 --> 00:14:42,440 Speaker 2: is it physical? 241 00:14:44,120 --> 00:14:48,680 Speaker 3: That's a real hydrid question. When we're five D in 242 00:14:48,840 --> 00:14:52,480 Speaker 3: this reality at this time, you might not see a 243 00:14:52,600 --> 00:14:56,960 Speaker 3: change in your physical reality. So what changes is the 244 00:14:57,080 --> 00:15:02,440 Speaker 3: vibration that you are emoting and resonating with. So it's 245 00:15:02,480 --> 00:15:05,920 Speaker 3: like a radio dial that you've turned up higher, but 246 00:15:06,000 --> 00:15:09,400 Speaker 3: the radio is still there. So that's why people don't 247 00:15:09,400 --> 00:15:12,360 Speaker 3: notice when they've gone into five D, but when they 248 00:15:12,440 --> 00:15:16,720 Speaker 3: slide back they can tell because a little more chaos 249 00:15:16,800 --> 00:15:18,040 Speaker 3: is around them. 250 00:15:18,920 --> 00:15:22,240 Speaker 2: If you had your pick, where would you rather be? 251 00:15:22,480 --> 00:15:23,760 Speaker 2: Three D or five D? 252 00:15:24,440 --> 00:15:27,720 Speaker 3: Five D five D for sure, because first of all, 253 00:15:27,760 --> 00:15:30,120 Speaker 3: as you said in the beginning, everybody's going five D 254 00:15:30,200 --> 00:15:33,200 Speaker 3: whether they're ready or not. And so you know, why 255 00:15:33,240 --> 00:15:36,320 Speaker 3: not learn to navigate that new system. Why not learn 256 00:15:36,400 --> 00:15:39,000 Speaker 3: to play the new game and see what kind of 257 00:15:39,000 --> 00:15:41,280 Speaker 3: cool stuff we can do in that environment? 258 00:15:42,480 --> 00:15:46,680 Speaker 2: How long can you stay in five D? 259 00:15:46,720 --> 00:15:48,920 Speaker 3: You can stay in five D as long as you 260 00:15:48,960 --> 00:15:52,520 Speaker 3: can hold that vibration. So you know, you could go 261 00:15:52,600 --> 00:15:56,200 Speaker 3: for days and be five D and then have something 262 00:15:56,280 --> 00:16:00,640 Speaker 3: happen that would knock you out of that blist. You know, 263 00:16:00,760 --> 00:16:03,160 Speaker 3: ultimately it would be a permanent. 264 00:16:02,800 --> 00:16:07,160 Speaker 2: State when you get swept back into let's say three D. 265 00:16:07,360 --> 00:16:09,120 Speaker 2: Is it like going through a dark tunnel. 266 00:16:10,200 --> 00:16:15,560 Speaker 3: No, not at all. It's more like waking up from 267 00:16:15,640 --> 00:16:19,680 Speaker 3: a yummy dream and thinking, oh, that was a dream. 268 00:16:19,960 --> 00:16:25,200 Speaker 3: So it's an awareness that you were in this place, 269 00:16:25,640 --> 00:16:27,480 Speaker 3: you know. And sometimes it happens when you're lying in 270 00:16:27,520 --> 00:16:29,920 Speaker 3: bed at night and you're thinking about your day and 271 00:16:30,000 --> 00:16:34,080 Speaker 3: you realize, how was I so cool when such and 272 00:16:34,120 --> 00:16:38,160 Speaker 3: such happened. Normally I get mad about this happening, or 273 00:16:38,920 --> 00:16:42,120 Speaker 3: I don't do well with this kind of situation, and 274 00:16:42,240 --> 00:16:46,600 Speaker 3: this time I was fine with it. That's when you recognize, ah, 275 00:16:47,400 --> 00:16:50,440 Speaker 3: that's five D, because you're not offering any resistance. In 276 00:16:50,560 --> 00:16:54,000 Speaker 3: three D we offer resistance. We offer resistance to what 277 00:16:54,040 --> 00:16:59,280 Speaker 3: we don't know, what we're afraid of, what's unfamiliar and scary, 278 00:16:59,880 --> 00:17:07,520 Speaker 3: And in five D were open to experience and things 279 00:17:07,520 --> 00:17:10,480 Speaker 3: don't bother us. I had a contractor who came to 280 00:17:10,520 --> 00:17:14,200 Speaker 3: my house with his dog, and I was astounded because 281 00:17:14,480 --> 00:17:18,760 Speaker 3: he was doing contracting work, hard, noisy work with machinery, 282 00:17:18,840 --> 00:17:22,439 Speaker 3: you know, aws and drills and stuff. The dog was 283 00:17:22,480 --> 00:17:27,600 Speaker 3: fine and that's five D. But the dog learned that 284 00:17:27,600 --> 00:17:29,960 Speaker 3: that was okay, that it was still safe even though 285 00:17:30,000 --> 00:17:32,280 Speaker 3: that noise was pretty obnoxious for me. 286 00:17:34,560 --> 00:17:35,880 Speaker 2: You're saying he was calm. 287 00:17:36,680 --> 00:17:39,400 Speaker 3: Yeah, the dog would just sit there and be very 288 00:17:39,400 --> 00:17:41,879 Speaker 3: comfortable and just hang out like that. 289 00:17:42,320 --> 00:17:45,320 Speaker 2: Well, who was in five D the contractor or the dog? 290 00:17:45,760 --> 00:17:52,879 Speaker 3: The dog as an example, because in most cases, you know, 291 00:17:52,880 --> 00:17:56,639 Speaker 3: if there's a loud noise, it disrupts your thinking or 292 00:17:56,680 --> 00:17:58,760 Speaker 3: it disrupts what Sure. 293 00:18:00,400 --> 00:18:05,640 Speaker 2: Now, is five D something physical or is it emotional? 294 00:18:08,040 --> 00:18:11,680 Speaker 3: I don't think it's either. I believe that five D 295 00:18:13,240 --> 00:18:16,000 Speaker 3: is like a wave or a data set. 296 00:18:16,320 --> 00:18:19,840 Speaker 2: I mean, you're still doing your normal activities, right right, 297 00:18:20,000 --> 00:18:20,680 Speaker 2: that's right. 298 00:18:20,960 --> 00:18:23,440 Speaker 3: You're still doing your normal activities, but things are smooth. 299 00:18:23,800 --> 00:18:26,120 Speaker 3: You know. One of the best ways I can explain 300 00:18:26,200 --> 00:18:29,600 Speaker 3: five D compared to three D is when people, you know, 301 00:18:29,600 --> 00:18:32,480 Speaker 3: they come in and they come in from their errands, 302 00:18:32,480 --> 00:18:35,760 Speaker 3: and they throw their sunglasses in the door and they 303 00:18:35,800 --> 00:18:37,680 Speaker 3: go do something else, and then they realize, oh, I 304 00:18:37,720 --> 00:18:39,800 Speaker 3: forgot to pick up my prescription, so they need to 305 00:18:39,800 --> 00:18:42,320 Speaker 3: go back out. So they go to grab the sunglasses 306 00:18:42,359 --> 00:18:45,719 Speaker 3: and they're not there, so they rummage around. Finally they 307 00:18:45,720 --> 00:18:49,680 Speaker 3: find a backup, pear somewhere and they go. They come back, 308 00:18:49,720 --> 00:18:52,960 Speaker 3: they finish their errands, they're feeling good, everything's cool. They 309 00:18:52,960 --> 00:18:56,520 Speaker 3: open the door thinking they're still wearing the regular sunglasses, 310 00:18:56,880 --> 00:19:01,480 Speaker 3: and there's the original pair that they could not. So 311 00:19:02,080 --> 00:19:06,879 Speaker 3: when we're stressed, when we're looking for something and we 312 00:19:06,960 --> 00:19:10,359 Speaker 3: need to find it, we're in three D. We're in 313 00:19:10,440 --> 00:19:13,919 Speaker 3: five D. When you come back from that errand you're calm, 314 00:19:14,040 --> 00:19:17,600 Speaker 3: you're happy, you're in a place of comfort, and then 315 00:19:17,680 --> 00:19:18,280 Speaker 3: it's visible. 316 00:19:18,560 --> 00:19:21,840 Speaker 1: Listen to more Coast to Coast AM every weeknight at 317 00:19:21,840 --> 00:19:24,800 Speaker 1: one a m. Eastern and go to Coast to coastam 318 00:19:24,840 --> 00:19:25,880 Speaker 1: dot com for more