WEBVTT - The Invention of the Chainsaw, Part 2

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, the production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back with part two of our series on the

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<v Speaker 1>invention of the chainsaw. And now last time I think

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<v Speaker 1>we left off after we've been talking about the reasoning

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<v Speaker 1>behind chains as a as a cutting surface rather than

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<v Speaker 1>just a solid blade or even as opposed to a

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<v Speaker 1>giant circular saws. But this time we wanted to come

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<v Speaker 1>back and talk a little bit more about the early

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<v Speaker 1>history of power saws leading up to the modern chainsaw,

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<v Speaker 1>as well as some rather rather distressing medical digressions. Well,

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<v Speaker 1>before we get into the medical stuff, I want to

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<v Speaker 1>come back to something I mentioned in passing. In the

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<v Speaker 1>last episode, I mentioned how I had I was vaguely

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<v Speaker 1>familiar with stuff like the misery whip and other uh

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<v Speaker 1>you a lumberjacking techniques and technologies based on a cartoon

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<v Speaker 1>that I saw when I was a kid, or and

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<v Speaker 1>probably saw more than once, you know, probably had on

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<v Speaker 1>a VHS tape or something. Um I described it and

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<v Speaker 1>our producer Seth, who is well versed in the cartoon universe.

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<v Speaker 1>He told me, oh, well that I think the one

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<v Speaker 1>you're talking about is nineteen fifty five. Up a Tree. Uh.

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<v Speaker 1>This is a Disney short featuring Donald Duck as well

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<v Speaker 1>as Chip and Dale. And this is absolutely it. This

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<v Speaker 1>is the one with scenes of you know, Donald is

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<v Speaker 1>chasing the chip monks around trying to cut down trees.

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<v Speaker 1>They're all sorts of weird mishaps with saws. Do you

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<v Speaker 1>remember this one at all, Joe, certainly, not in any detail,

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<v Speaker 1>not in any more than the sort of images you

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<v Speaker 1>described last time. Well, I'm going to cut right to

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<v Speaker 1>the end and see if this rings a bell. This

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<v Speaker 1>is the last two sentences from the Wikipedia summary for

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<v Speaker 1>Up a Tree, from quote all Donald can do is

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<v Speaker 1>watch with day's grief as his home is rocketed into

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<v Speaker 1>the hair and explodes three times. Chippendale pretend to comfort Donald,

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<v Speaker 1>then proceed to roll in the ground and laugh hysterically.

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<v Speaker 1>Chippendale the sociopaths. They are bad friends. Granted, you know,

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<v Speaker 1>Donald did a lot of bad things before that, so

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<v Speaker 1>he was very much getting his come upance. But you've

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<v Speaker 1>taken out of contacts. That sounds that sounds pretty rough.

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<v Speaker 1>No one should have to watch their home explode three

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<v Speaker 1>times and then be brutally mocked by chipmunks. Yeah. Now, wait,

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<v Speaker 1>is this before Chippendale wherever rescue rangers. I thought they

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<v Speaker 1>would need to be rescuing people whose house that was

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<v Speaker 1>decades later. That was like a nineties thing, right, Okay,

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<v Speaker 1>this was this was the back in the fifties when

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<v Speaker 1>it was just all about you know, in a way,

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<v Speaker 1>there was kind of a a very shallow environmental message here,

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<v Speaker 1>uh that Donald is bad for going after their habitat

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<v Speaker 1>and distressing their home, and Chippendale are good for wanting

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<v Speaker 1>to maintain the pristine nature of their natural environment. The

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<v Speaker 1>term is tree poaching. Donald was tree poaching also, he

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<v Speaker 1>was I think he was being rather unsafe with some

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<v Speaker 1>of the saws. M I made that up, by the way, there,

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<v Speaker 1>I've never heard of tree poaching. Well, I mean it is.

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<v Speaker 1>You could certainly get into trouble for cutting, for felling

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<v Speaker 1>trees on someone else's land. That would be a type

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<v Speaker 1>of poaching, right, especially if they're full of sentien chipmunks. Uh, okay, Okay.

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<v Speaker 1>So the next thing that I think we have to

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<v Speaker 1>talk about in the history of the chainsaw is uh

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<v Speaker 1>that we've been focused on the road leading to power

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<v Speaker 1>chainsaws for logging and construction. But you may well have

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<v Speaker 1>seen a sort of viral dig you know, article floating

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<v Speaker 1>around a couple of years ago, talking about how the

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<v Speaker 1>original invention of the chainsaw was as a medical device,

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<v Speaker 1>invented for use in childbirth. Now, one of one of

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<v Speaker 1>the really surprising things is that, in one sense this

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<v Speaker 1>is true. In the eighteenth century there was such a

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<v Speaker 1>thing as the obstetric chainsaw. However, as you might guess

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<v Speaker 1>from the period, one big difference is that this was

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<v Speaker 1>not a motorized device, which maybe makes this discovery even

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<v Speaker 1>more alarming. Yeah, because when you hear the words medical

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<v Speaker 1>chain saw, it sounds ridiculous and potentially grotesque, or it

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<v Speaker 1>sounds like the sort of futurist extrapolation you find in

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<v Speaker 1>sci fi, where you know, sometimes it will be like

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<v Speaker 1>in the future, chainsaws will be so small they can

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<v Speaker 1>be used for surgical procedures. You know. Where it's where

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<v Speaker 1>you're like, actually that that technology was not headed that direction,

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<v Speaker 1>sci fi author, I'm not sure why you chose to

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<v Speaker 1>focus on that, um, but you you you encounter that

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<v Speaker 1>sort of thing in science fiction from time to Yeah, well,

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<v Speaker 1>sometimes in sci fi medicine, you just get little like wands,

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<v Speaker 1>little magic wands, Like one magic wand just opens the

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<v Speaker 1>body up for whatever kind of procedure, and then you

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<v Speaker 1>touch the body with another glowing wand and it instantly heals. Yeah,

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<v Speaker 1>like they basically had that technology and like Star Trek

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<v Speaker 1>next generation. Uh oh yeah, that's right, Ason X. Here's

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<v Speaker 1>a quick horror question for you, Joe. You're you're far

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<v Speaker 1>better versed in the the Friday world here at the

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<v Speaker 1>film universe. Did Jason Voorhees ever picked up a chainsaw?

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<v Speaker 1>Or did he just know that that would be gimmick infringement,

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<v Speaker 1>that that that was let to face his thing and

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<v Speaker 1>he should back off. I believe this is a point

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<v Speaker 1>a lot of people are confused on. As far as

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<v Speaker 1>I know, Jason has never wielded a chainsaw. The closest

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<v Speaker 1>he ever gets is, I believe in Friday thirteen, part seven,

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<v Speaker 1>which is the one when which he battles a girl

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<v Speaker 1>with psychic powers. Uh and uh so that one's uh

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<v Speaker 1>quite funny and a lot of fun. But in that

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<v Speaker 1>one he does use a power saw, but it is

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<v Speaker 1>not a chainsaw. It is a motor driven hedge trimmer

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<v Speaker 1>with a circular saw at the end of a long pole. Uh.

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<v Speaker 1>And he sticks it right into Terry Kaiser's abdomen. Okay,

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<v Speaker 1>so that that that sounds right. He knew better. He

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<v Speaker 1>knows better than to pick up the chainsaw that's not his.

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<v Speaker 1>He can have literally any other tool, but not the chainsaw.

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<v Speaker 1>Right he he doesn't want to get into legal trouble. R. Plus,

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<v Speaker 1>he's very much a stealth stalker type character, right right,

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<v Speaker 1>except I guess this thing does make noise. I mean,

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<v Speaker 1>Jason generally does not go for for power tools. He

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<v Speaker 1>prefers the classic, the manual implements, the machete, the big

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<v Speaker 1>old steak or spike. That's his territory, simple melee weapons. Yeah, alright,

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<v Speaker 1>Well getting back to medical chainsaws then, Um, the the

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<v Speaker 1>paper we were looking at for this came from uh

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<v Speaker 1>Skipping at all Uh and it was It's titled the

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<v Speaker 1>Chainsaw a Scottish Invention from the Scottish Medical Journal. Uh.

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<v Speaker 1>This is uh what forty nine number two. This is

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<v Speaker 1>from two thousand and four. So it's pointed out by

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<v Speaker 1>Skipping at all in in in this paper. Uh. The

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<v Speaker 1>interesting thing is that we have two different Scottish inventors

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<v Speaker 1>in the eighteenth century who may have independently come up

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<v Speaker 1>with the concept of a medical chainsaw off sorts, and

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<v Speaker 1>we do have to have that caveat of sorts, and

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<v Speaker 1>we're gonna get to something that more closely resembles what

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<v Speaker 1>we might or at least checks off more of the

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<v Speaker 1>boxes for what we think of as a chainsaw. Now

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<v Speaker 1>again we're not talking about tiny gas powered chainsaws. In fact,

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<v Speaker 1>we're originally talking about a non mechanical invention. We're talking

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<v Speaker 1>about a quote chain hand saw, a fine serrated link

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<v Speaker 1>chain which cut on the concave side. So this was handheld,

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<v Speaker 1>hand powered you pull it back and forth, very much

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<v Speaker 1>in common with some of those chain based cutting techniques

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<v Speaker 1>that we were talking about in the first episode when

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<v Speaker 1>you say, yeah, like one of the power saw design

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<v Speaker 1>and again this would not be powered. But one of

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<v Speaker 1>the power saw designs we talked about in the previous

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<v Speaker 1>episode was one where a tree would be cut down

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<v Speaker 1>with a cutting chain, but the chain did not revolve

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<v Speaker 1>around a fixed bar. Rather, the chain rotated freely around

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<v Speaker 1>the tree trunk to just saw right through it. Yeah.

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<v Speaker 1>So the first of these inventions was devised in the

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<v Speaker 1>early seventeen eighties by Scottish surgeon surgeon John Aitkin Uh.

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<v Speaker 1>It was intended for use in childbirth, specifically for a

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<v Speaker 1>syenthusiastomy in which the cartilage of the pubic synthesis is

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<v Speaker 1>divided to widen the pelvis, allowing childbirth. UM. Now, this

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<v Speaker 1>particular saw design UM was considered a promising method as

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<v Speaker 1>it avoided potential damage to surrounding tissues if a scalpel

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<v Speaker 1>was used. UM. But it was seventeen ninety before the

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<v Speaker 1>saw was produced and as this paper explains, it was

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<v Speaker 1>never really widely picked up. Okay, so that's one of

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<v Speaker 1>the designs. The second was devised by Scottish surgeon James Jeffrey,

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<v Speaker 1>is a means of removing disease joints with having without

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<v Speaker 1>having to result to full limb removal. And one of

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<v Speaker 1>the notable things about this saw Jeffrey saw is that

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<v Speaker 1>it actually did see a fair amount of use. It

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<v Speaker 1>was a notable improvement over the stiff bone saw and

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<v Speaker 1>a version was even used in neurosurgery and surgery. And

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<v Speaker 1>indeed we did get to a mechanized version of this.

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<v Speaker 1>So we went from something that again is like a

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<v Speaker 1>chain that you pull back and forth to cut, and

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<v Speaker 1>then you end up with this thing that was called

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<v Speaker 1>an osteo tom. This was a hand cranked version of

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<v Speaker 1>this that essentially had an infinite chain loop on it.

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<v Speaker 1>You'd crank it and you would have it essentially would

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<v Speaker 1>function like a little chainsaw. I mean you look at

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<v Speaker 1>a picture of it and it looks like some sort

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<v Speaker 1>of like a weird handheld steampunk uh chainsaw dagger. One

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<v Speaker 1>of the interesting things discussed in this Scottish Medical Journal

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<v Speaker 1>paper is the idea that these chains for trying to

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<v Speaker 1>cut through bone with this little damage to the surrounding

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<v Speaker 1>tissue as possible were uh at least partially inspired by

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<v Speaker 1>looking at watch chains from watches of the eighteenth century.

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<v Speaker 1>Obviously these would be bigger than those though. Yeah, and

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<v Speaker 1>and another big thing about this, uh, this innovation and

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<v Speaker 1>ultimately this whole like this whole area of innovation, is

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<v Speaker 1>that you want to move towards precision, but you you

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<v Speaker 1>also want speed. Uh you're still performing. Um, you know,

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<v Speaker 1>so either either you're performing you know, in some cases

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<v Speaker 1>you should be still would be talking about full limb removal,

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<v Speaker 1>but otherwise you're you're trying to get in there and

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<v Speaker 1>removed diseased and damaged pieces, and you want to get

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<v Speaker 1>in and get out as quickly as possible, but also

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<v Speaker 1>as precisely as possible. Yeah, And in the case of

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<v Speaker 1>this obstetric procedure that would cut through part of the

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<v Speaker 1>pelvis in order in order to widen the passage for childbirth,

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<v Speaker 1>the symphysiotomy procedure from the eighteenth century. There was a

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<v Speaker 1>pressure leading to this, which is that, of course, you know,

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<v Speaker 1>there was a lot of mortality during childbirth at the time,

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<v Speaker 1>and uh, the process of Cesyrian section at the time

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<v Speaker 1>also had a high mortality rate for myers, and so

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<v Speaker 1>this was an alternative that was seen as something that

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<v Speaker 1>could possibly lead to better outcomes in saving the life

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<v Speaker 1>of both the mother and the child during delivery. But

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<v Speaker 1>again that one didn't really pick up so much, but

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<v Speaker 1>the osteotome did. But as luck would have it, it

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<v Speaker 1>was superseded by the giggly twisted wire saw in the

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<v Speaker 1>late nineteenth century. So, uh, you know, even though the

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<v Speaker 1>osteotome was was pretty advanced there for a minute, um,

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<v Speaker 1>it was beat in the race by this other bit

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<v Speaker 1>of sawing technology, the giggly twisted wire saw. It was

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<v Speaker 1>ultimately cheaper, and it avoided the two main issues with

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<v Speaker 1>the chainsaw, and that is breakage and the chain getting

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<v Speaker 1>stuck in the bone. The giggly twisted wire a saw

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<v Speaker 1>was narrower and it provided a quicker cut and if

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<v Speaker 1>the wire was damaged, it was easy to pull out

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<v Speaker 1>and then you could just use a fresh length of

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<v Speaker 1>the wire. So there you go, early chainsaws in eighteenth

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<v Speaker 1>century medicine. Though again we must stress not not motorized chainsaws,

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<v Speaker 1>but yeah, using chains for cutting bone. It does, in

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<v Speaker 1>fact go back to multiple inventions from the eighteenth century.

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<v Speaker 1>I have to say that the just the just getting

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<v Speaker 1>back to like the frightening names of things. The giggly

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<v Speaker 1>twisted wire saw also sounds kind of terrifying um And

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<v Speaker 1>maybe it's because giggly also sounds a little bit like giggles.

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<v Speaker 1>It sounds a little mab. It makes me think of

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<v Speaker 1>Dr giggles. Uh. I'm not sure how this guy would

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<v Speaker 1>have pronounced it. I think the guys that the wire

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<v Speaker 1>saw was named after was Leonardo Giggli or this could

0:12:17.480 --> 0:12:21.720
<v Speaker 1>be Gigli or because remember there was that movie with

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<v Speaker 1>like Ben Affleck and whoever in it it was, It

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<v Speaker 1>was spelled the same way, and that one was called Gelie.

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<v Speaker 1>But I don't know, I didn't see that when I

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<v Speaker 1>saw Dr Giggles instead. Well, you probably invested your time

0:12:33.800 --> 0:12:37.679
<v Speaker 1>more wisely. I don't know, arguable, but I was looking

0:12:37.679 --> 0:12:39.480
<v Speaker 1>that up. And of course Larry Drake was was great

0:12:39.840 --> 0:12:42.040
<v Speaker 1>in that. Larry greg was Drake always made for a

0:12:42.120 --> 0:12:45.200
<v Speaker 1>nice villain. But I was I had in my mind

0:12:45.240 --> 0:12:47.719
<v Speaker 1>that like the character's name was Giggles, Like he was

0:12:47.840 --> 0:12:51.280
<v Speaker 1>Dr Giggles, but now he's Dr Evan Rindle, Like that's

0:12:51.280 --> 0:12:53.400
<v Speaker 1>not scary. Why why aren't they call him Dr Giggles

0:12:53.400 --> 0:12:55.320
<v Speaker 1>that this year just said his name is Dr Giggles.

0:12:55.360 --> 0:12:58.280
<v Speaker 1>We would have bought it. This is Steven Giggles. Yes,

0:12:59.200 --> 0:13:02.920
<v Speaker 1>Stephen Ill House Giggles. I mean it's a horror movie.

0:13:02.920 --> 0:13:04.959
<v Speaker 1>It's like you can get lean into it. I mean,

0:13:05.000 --> 0:13:09.600
<v Speaker 1>just ask um, ask Cronenberg. You know you need to

0:13:09.640 --> 0:13:13.360
<v Speaker 1>actually make the names a little bit removed from reality. Yeah.

0:13:13.679 --> 0:13:16.440
<v Speaker 1>I think Dickens had the right philosophy for naming characters.

0:13:16.480 --> 0:13:19.720
<v Speaker 1>Just go full idiophones, Like the character's name should sound

0:13:19.840 --> 0:13:25.600
<v Speaker 1>like what they do. Mr Jaggers, Dr Giggles. It's it's

0:13:25.400 --> 0:13:28.280
<v Speaker 1>it's all right there it's just waiting for you. But

0:13:28.320 --> 0:13:30.760
<v Speaker 1>I guess we should come back to the topic of

0:13:30.760 --> 0:13:33.640
<v Speaker 1>of early power saws leading up to the chainsaw in

0:13:33.880 --> 0:13:37.480
<v Speaker 1>logging itself, in in logging and woodworking. So there was

0:13:37.520 --> 0:13:39.840
<v Speaker 1>a source I mentioned in the previous episode that I

0:13:39.880 --> 0:13:41.839
<v Speaker 1>just want to mention again because it's a good one

0:13:41.880 --> 0:13:43.640
<v Speaker 1>and I've referred to it a number of times here.

0:13:44.200 --> 0:13:47.600
<v Speaker 1>This is a book called Chainsaws, a History by David

0:13:47.679 --> 0:13:50.120
<v Speaker 1>Lee with Mike Acres uh And as I mentioned in

0:13:50.120 --> 0:13:52.720
<v Speaker 1>the last episode, this is a very photography focused book.

0:13:52.720 --> 0:13:57.439
<v Speaker 1>It's just lots and lots of beautiful photographs of gorgeous,

0:13:58.320 --> 0:14:01.800
<v Speaker 1>you know, nasty looking chainsaw paws and in various poses,

0:14:02.040 --> 0:14:05.000
<v Speaker 1>sitting on a log, sitting in a workshop, kind of

0:14:05.120 --> 0:14:08.720
<v Speaker 1>rusty looking, maybe kind of threatening somehow, I don't know,

0:14:08.760 --> 0:14:11.240
<v Speaker 1>even though nobody's wielding it. It's full of vibes. But

0:14:11.320 --> 0:14:13.960
<v Speaker 1>of course, like the title would imply, this book does

0:14:14.040 --> 0:14:17.800
<v Speaker 1>trace a lot about the early history of chainsaws and

0:14:17.840 --> 0:14:21.360
<v Speaker 1>how we got to the first models that people today

0:14:21.440 --> 0:14:24.040
<v Speaker 1>would recognize as a chainsaw. You look at them and say, yeah,

0:14:24.080 --> 0:14:27.280
<v Speaker 1>that's what a chainsaw is. So I think in this uh,

0:14:27.320 --> 0:14:29.600
<v Speaker 1>in this story, we left off somewhere around the World

0:14:29.600 --> 0:14:32.360
<v Speaker 1>War One era. And uh, and I guess that's where

0:14:32.360 --> 0:14:35.680
<v Speaker 1>we'll pick up. Lee writes about this period, noting that

0:14:35.720 --> 0:14:38.320
<v Speaker 1>there was one thing during this era that was an

0:14:38.320 --> 0:14:42.760
<v Speaker 1>attempt at mechanized solutions in logging that actually did not

0:14:42.960 --> 0:14:47.160
<v Speaker 1>involve a cutting chain, but rather a wire. So this

0:14:47.240 --> 0:14:51.360
<v Speaker 1>was something he calls the wire rope tree feller. Uh.

0:14:51.440 --> 0:14:53.560
<v Speaker 1>And again it might not count as a saw since

0:14:53.560 --> 0:14:56.160
<v Speaker 1>it doesn't have teeth. Instead, the idea was just to

0:14:56.960 --> 0:15:00.800
<v Speaker 1>use rapidly moving metal wires to cut own trees by

0:15:00.840 --> 0:15:03.680
<v Speaker 1>pure friction, as the wire was sort of dragged across

0:15:03.720 --> 0:15:06.440
<v Speaker 1>the wood surface. Now, you can probably get some obvious

0:15:06.520 --> 0:15:08.960
<v Speaker 1>disadvantages there. It's not going to be nearly as as

0:15:09.000 --> 0:15:11.200
<v Speaker 1>good at cutting through the tree, But I mean, I

0:15:11.240 --> 0:15:13.040
<v Speaker 1>don't know, maybe there's some trade off in that you

0:15:13.040 --> 0:15:15.680
<v Speaker 1>wouldn't have to bother with sharpening it. You just realize, Okay,

0:15:15.720 --> 0:15:18.320
<v Speaker 1>we're just gonna we're just gonna rub this wire all

0:15:18.360 --> 0:15:21.480
<v Speaker 1>the hell. Yeah, well that's what I'd be afraid of.

0:15:21.600 --> 0:15:23.160
<v Speaker 1>That wire gets all rubbed the hell and then what

0:15:23.200 --> 0:15:26.400
<v Speaker 1>if it snaps. I mean, you have a cable like

0:15:26.560 --> 0:15:30.360
<v Speaker 1>that snapping. Uh, It sounds like a very dangerous situation. Yeah,

0:15:30.400 --> 0:15:32.200
<v Speaker 1>you wouldn't want to be standing near it. And here's

0:15:32.240 --> 0:15:35.120
<v Speaker 1>another interesting idea that was apparently floated at some point.

0:15:35.200 --> 0:15:38.640
<v Speaker 1>How about a metal wire heated by electricity. Okay, you

0:15:38.760 --> 0:15:41.840
<v Speaker 1>use the new technology of electricity to get that wire

0:15:41.960 --> 0:15:44.240
<v Speaker 1>red hot and then just let it burn right through

0:15:44.240 --> 0:15:46.760
<v Speaker 1>the wood as you're sliding it across the trunk. Well,

0:15:46.800 --> 0:15:50.600
<v Speaker 1>that does sound like typical um, like electrical age enthusiasm.

0:15:50.720 --> 0:15:54.040
<v Speaker 1>What can't electricity do for us? Um? But yeah, that

0:15:54.120 --> 0:15:56.760
<v Speaker 1>sounds awful because you're potentially just catching the trees on

0:15:56.840 --> 0:15:58.840
<v Speaker 1>fire at that point. And there are some other things

0:15:58.880 --> 0:16:01.320
<v Speaker 1>he mentioned there. There was something called a power feller,

0:16:01.400 --> 0:16:03.640
<v Speaker 1>which looks like it's sort of just a a saw

0:16:03.760 --> 0:16:06.680
<v Speaker 1>that swings in an arc and and gradually cuts its

0:16:06.680 --> 0:16:09.160
<v Speaker 1>way through a tree. So I think this would be

0:16:09.160 --> 0:16:11.960
<v Speaker 1>one with a fixed blade, and then another one that

0:16:12.040 --> 0:16:14.400
<v Speaker 1>had just a bunch of augers that were like drill

0:16:14.640 --> 0:16:17.080
<v Speaker 1>or bore holes down at the tree at the at

0:16:17.120 --> 0:16:19.160
<v Speaker 1>the ground level, so it would fall over and not

0:16:19.240 --> 0:16:22.320
<v Speaker 1>even really leave a stump. But Lee highlights a big

0:16:22.360 --> 0:16:25.600
<v Speaker 1>problem with almost all of these existing designs, which is

0:16:25.640 --> 0:16:29.320
<v Speaker 1>that they were in reality no more efficient or not

0:16:29.440 --> 0:16:33.120
<v Speaker 1>much more efficient than a couple of experienced sawyers with

0:16:33.120 --> 0:16:36.160
<v Speaker 1>a misery whip. I mean, as grueling as the labor was.

0:16:36.480 --> 0:16:38.160
<v Speaker 1>You know, it's hard work out there in the forest

0:16:38.200 --> 0:16:40.720
<v Speaker 1>with the two main cross cut saw working on a redwood.

0:16:41.240 --> 0:16:44.320
<v Speaker 1>Uh this was a skill that people had developed and

0:16:44.320 --> 0:16:46.840
<v Speaker 1>they'd gotten really good and fast at it. And of course,

0:16:47.040 --> 0:16:51.040
<v Speaker 1>human bodies and human muscles are very versatile and bulky

0:16:51.080 --> 0:16:54.240
<v Speaker 1>machines of this period are not very versatile. Uh So

0:16:54.320 --> 0:16:56.200
<v Speaker 1>it might, you know, you might have a machine that

0:16:56.280 --> 0:16:59.000
<v Speaker 1>can cut through a tree faster than a human or

0:16:59.120 --> 0:17:01.800
<v Speaker 1>maybe not even and maybe that might not even be true.

0:17:01.800 --> 0:17:03.840
<v Speaker 1>But even if it can, might require a lot of

0:17:03.920 --> 0:17:06.000
<v Speaker 1>set up. It might have a lot of bulky equipment.

0:17:06.000 --> 0:17:08.199
<v Speaker 1>You gotta move around and all that. And a lot

0:17:08.240 --> 0:17:10.719
<v Speaker 1>of loggers were ultimately like, yeah, we we we've got

0:17:10.800 --> 0:17:12.800
<v Speaker 1>our methods and they work just fine, so we'll stick

0:17:12.840 --> 0:17:16.919
<v Speaker 1>with those. But nevertheless, there were some, uh some of

0:17:16.960 --> 0:17:19.680
<v Speaker 1>these powered saws in the early twentieth century. One thing

0:17:19.680 --> 0:17:22.640
<v Speaker 1>that's kind of interesting is that it seems like even

0:17:22.680 --> 0:17:26.359
<v Speaker 1>after the creation of the gas engine, and even after

0:17:26.520 --> 0:17:30.280
<v Speaker 1>some chainsaw prototypes had been proposed, a lot of logging

0:17:30.400 --> 0:17:34.280
<v Speaker 1>ventures still seem to prefer huge gas powered drag saws,

0:17:34.400 --> 0:17:36.480
<v Speaker 1>these ones with a solid blade that would just be

0:17:36.560 --> 0:17:39.480
<v Speaker 1>working back and forth powered by a motor. And I

0:17:39.520 --> 0:17:41.679
<v Speaker 1>think the idea is that the big drag saw is

0:17:42.000 --> 0:17:45.840
<v Speaker 1>uh is just rugged, it's dependable, it's it's you know,

0:17:46.080 --> 0:17:47.800
<v Speaker 1>you know what you're getting there. It's like it has

0:17:47.920 --> 0:17:50.880
<v Speaker 1>less moving parts and less to get broken up than

0:17:50.960 --> 0:17:53.639
<v Speaker 1>than a chainsaw does. But at the same time, the

0:17:53.760 --> 0:17:57.320
<v Speaker 1>chainsaw has its own advantages. It's lighter, it's smaller, it's

0:17:57.400 --> 0:18:01.159
<v Speaker 1>faster at cutting, especially once you have some revolutions that

0:18:01.200 --> 0:18:04.040
<v Speaker 1>would come later in changes to the cutting surface, so

0:18:04.200 --> 0:18:07.520
<v Speaker 1>changes to the teeth on the chain, and changes to

0:18:07.560 --> 0:18:10.160
<v Speaker 1>the power source. But so, how do you get from

0:18:10.200 --> 0:18:13.960
<v Speaker 1>this era where where largely the misery whip and then

0:18:14.040 --> 0:18:17.040
<v Speaker 1>big old drag saws are still very popular, say in

0:18:17.040 --> 0:18:20.520
<v Speaker 1>the twenties through the fifties, to the modern chainsaw era

0:18:20.640 --> 0:18:23.119
<v Speaker 1>that we know and love today. Well. Lee writes that

0:18:23.160 --> 0:18:26.520
<v Speaker 1>one of the first chainsaws made for forestry was a

0:18:26.560 --> 0:18:30.600
<v Speaker 1>device called the Sector, which was invented by A. V.

0:18:30.840 --> 0:18:36.400
<v Speaker 1>Westfeldt in Sweden in nineteen nineteen. Now they're still some

0:18:36.440 --> 0:18:38.119
<v Speaker 1>ways that this is not going to be much like

0:18:38.240 --> 0:18:41.120
<v Speaker 1>a chainsaw, that you would recognize today. For one thing,

0:18:41.160 --> 0:18:45.200
<v Speaker 1>this model still separated the saw component from its power source.

0:18:45.800 --> 0:18:47.920
<v Speaker 1>And the other thing is its shape. This is not

0:18:48.400 --> 0:18:50.720
<v Speaker 1>like the chainsaws you're picturing that have a long bar

0:18:50.840 --> 0:18:53.600
<v Speaker 1>with a chain that rotates around them. This one has

0:18:53.640 --> 0:18:57.000
<v Speaker 1>a weird wishbone shape. So you've got to imagine a

0:18:57.080 --> 0:19:00.400
<v Speaker 1>handle like on a shovel. But then that shove handle

0:19:00.520 --> 0:19:03.240
<v Speaker 1>splits into a y fork like a you know, y

0:19:03.359 --> 0:19:07.000
<v Speaker 1>peeler that you peel a potato with. And then at

0:19:07.000 --> 0:19:10.480
<v Speaker 1>the two ends of the y fork are powered rollers

0:19:10.520 --> 0:19:14.240
<v Speaker 1>that quickly rotate a cutting chain. And the rollers are

0:19:14.240 --> 0:19:17.719
<v Speaker 1>powered by an outboard motor that is connected via a

0:19:17.840 --> 0:19:21.159
<v Speaker 1>drive shaft that looks like this short thick tube. So

0:19:21.160 --> 0:19:23.840
<v Speaker 1>you've got an outboard motor and then that's got a

0:19:23.920 --> 0:19:27.360
<v Speaker 1>drive shaft leading to this y shaped thing that's got

0:19:27.359 --> 0:19:30.160
<v Speaker 1>a shovel handle on the end, and uh, and then

0:19:30.200 --> 0:19:32.120
<v Speaker 1>you would use that to sort of I guess poke

0:19:32.240 --> 0:19:35.720
<v Speaker 1>the peeler end, the y end at the tree where

0:19:35.760 --> 0:19:37.879
<v Speaker 1>the chain would cut it. I'm looking at a picture

0:19:37.880 --> 0:19:39.720
<v Speaker 1>of it now, and this is the most one of

0:19:39.760 --> 0:19:43.399
<v Speaker 1>the most incomprehensible inventions I've ever looked at, Like it's

0:19:43.440 --> 0:19:48.879
<v Speaker 1>just it almost makes no sense that it looks like

0:19:48.880 --> 0:19:51.160
<v Speaker 1>the sort of thing where leather Face or Jason were

0:19:51.160 --> 0:19:52.920
<v Speaker 1>to show up with it, you would just be like, no,

0:19:53.600 --> 0:19:56.639
<v Speaker 1>go home, go home. Yeah yeah, laugh at leather Face.

0:19:56.720 --> 0:19:58.879
<v Speaker 1>And then he gets all sad and the sad music

0:19:58.920 --> 0:20:01.439
<v Speaker 1>plays and he walks off, hang in his head and

0:20:01.440 --> 0:20:03.920
<v Speaker 1>he need a friend, he needs some family members with him.

0:20:03.960 --> 0:20:06.359
<v Speaker 1>Looks like to carry this thing. Yeah, apparently that was

0:20:06.400 --> 0:20:08.800
<v Speaker 1>one of the things that really interfered with pickup of

0:20:08.840 --> 0:20:13.040
<v Speaker 1>the sector because the separate outboard motor made this model

0:20:13.119 --> 0:20:16.080
<v Speaker 1>quite difficult to use. Like any you want to reposition it,

0:20:16.119 --> 0:20:18.359
<v Speaker 1>you might have to reposition the two parts, and so

0:20:18.480 --> 0:20:22.760
<v Speaker 1>it just looks like a real pain. But you can

0:20:22.800 --> 0:20:26.000
<v Speaker 1>see the beginning here. You can see how okay, once

0:20:26.040 --> 0:20:29.600
<v Speaker 1>you have this device. Uh, if you were to refine

0:20:29.680 --> 0:20:33.080
<v Speaker 1>this quite a bit, we could move towards something more

0:20:33.240 --> 0:20:36.159
<v Speaker 1>like what we'd imagine a chainsaw being. Now. Like a

0:20:36.160 --> 0:20:39.280
<v Speaker 1>lot of the things we talk about on this show, Uh,

0:20:39.600 --> 0:20:43.360
<v Speaker 1>it's one of those inventions that comes about by iteration

0:20:43.440 --> 0:20:47.000
<v Speaker 1>and combination, So it is hard to identify a single

0:20:47.160 --> 0:20:50.680
<v Speaker 1>inventor or moment of invention for the chainsaw. Instead, it's

0:20:50.720 --> 0:20:53.000
<v Speaker 1>like a lot of things kind of changing over time

0:20:53.000 --> 0:20:55.280
<v Speaker 1>to look more and more like what we consider a

0:20:55.359 --> 0:20:58.520
<v Speaker 1>chainsaw today. Uh And it's a process that goes roughly

0:20:58.560 --> 0:21:02.400
<v Speaker 1>from the mid nineteenth cents until about nineteen twenty, by

0:21:02.400 --> 0:21:04.760
<v Speaker 1>which time we finally start to get stuff that looks

0:21:04.960 --> 0:21:07.840
<v Speaker 1>like a modern chainsaw. And one of the first commercially

0:21:07.880 --> 0:21:11.320
<v Speaker 1>successful chainsaws of this form we would recognize today is

0:21:11.520 --> 0:21:15.760
<v Speaker 1>the Wolf. It's just serendipity that they have these great names,

0:21:15.800 --> 0:21:18.719
<v Speaker 1>because this wasn't like a brand name somebody came up with.

0:21:18.800 --> 0:21:22.960
<v Speaker 1>It was actually a dude's name. This was Yeah, this

0:21:23.040 --> 0:21:26.960
<v Speaker 1>was a machine produced by a firm founded in nineteen

0:21:27.000 --> 0:21:31.439
<v Speaker 1>twenty by an American engineer named Charles Wolf. Wolf was

0:21:31.480 --> 0:21:34.639
<v Speaker 1>born in eighteen seventy one. I've seen a claim a

0:21:34.720 --> 0:21:38.000
<v Speaker 1>couple of places that Wolf was involved in the creation

0:21:38.040 --> 0:21:40.919
<v Speaker 1>of the first modern submarine for the U. S. Navy

0:21:41.000 --> 0:21:43.840
<v Speaker 1>under the direction of John Holland in the eighteen nineties.

0:21:44.560 --> 0:21:46.840
<v Speaker 1>Uh So this was mentioned in Lee's book, and I

0:21:46.880 --> 0:21:49.239
<v Speaker 1>saw it referenced in another article. But I was looking for,

0:21:49.680 --> 0:21:52.080
<v Speaker 1>I don't know, more solid historical information on that, and

0:21:52.119 --> 0:21:53.919
<v Speaker 1>I couldn't find it. So I don't know about that.

0:21:53.960 --> 0:21:57.000
<v Speaker 1>But I have at least seen that claimed, but whether

0:21:57.080 --> 0:21:59.800
<v Speaker 1>or not he had submarine experience. According to his son,

0:22:00.040 --> 0:22:03.439
<v Speaker 1>your Rome, Charles Wolfe was an extremely experienced engineer who

0:22:03.480 --> 0:22:06.720
<v Speaker 1>had worked on a number of different types of projects.

0:22:06.720 --> 0:22:10.919
<v Speaker 1>So he worked on electric railways, on transportation infrastructure like

0:22:10.960 --> 0:22:16.120
<v Speaker 1>bridges and tunnels. He worked on dams and and water systems.

0:22:16.600 --> 0:22:19.320
<v Speaker 1>And he had some experience in the nineteen aots and

0:22:19.320 --> 0:22:22.760
<v Speaker 1>in the nineteen tens with sawmills and lumber. And at

0:22:22.840 --> 0:22:26.040
<v Speaker 1>some point while he was working in the lumber world,

0:22:26.440 --> 0:22:29.880
<v Speaker 1>he came across a prototype chainsaw that was never put

0:22:29.960 --> 0:22:34.320
<v Speaker 1>into commercial production, but then the the idea apparently stuck

0:22:34.359 --> 0:22:37.280
<v Speaker 1>with him, and then eventually, along with an electrical engineer

0:22:37.359 --> 0:22:40.679
<v Speaker 1>named Frank Redman, wolf came up with a design for

0:22:40.720 --> 0:22:44.879
<v Speaker 1>an electrically powered chainsaw of basically the form we see today.

0:22:45.240 --> 0:22:48.440
<v Speaker 1>So it's a cutting chain that moves along the outside

0:22:48.440 --> 0:22:51.719
<v Speaker 1>of a flat bar. It's driven by an electrically powered

0:22:51.760 --> 0:22:55.080
<v Speaker 1>sprocket with teeth based on the classic design of the

0:22:55.119 --> 0:22:58.200
<v Speaker 1>cross cut saw blade. The teeth of the cutting chain,

0:22:58.280 --> 0:23:01.160
<v Speaker 1>not the teeth of the sprocket. Sorry, and this would

0:23:01.240 --> 0:23:03.600
<v Speaker 1>be the Wolf rob I've attached a picture of the

0:23:03.600 --> 0:23:06.440
<v Speaker 1>wolf for you to look at. Um. The company would

0:23:06.440 --> 0:23:09.520
<v Speaker 1>go on to develop many subsequent variations. They eventually had

0:23:09.600 --> 0:23:13.800
<v Speaker 1>a compressed air driven model, and I think eventually, many

0:23:13.840 --> 0:23:16.720
<v Speaker 1>years later even in an internal combustion model. But this

0:23:16.800 --> 0:23:20.000
<v Speaker 1>electric chainsaw really seems like the granddaddy. Yeah. I mean,

0:23:20.119 --> 0:23:22.600
<v Speaker 1>you look at this and you're told that this is

0:23:22.680 --> 0:23:25.440
<v Speaker 1>the wolf, and you you agree this is the wolf.

0:23:25.440 --> 0:23:30.760
<v Speaker 1>This looked this This is a brutal looking tool right here.

0:23:30.760 --> 0:23:33.200
<v Speaker 1>It looks like the kind of thing that's some sort

0:23:33.240 --> 0:23:38.040
<v Speaker 1>of like a futuristic UM cave troll would wield in

0:23:38.200 --> 0:23:41.000
<v Speaker 1>some sort of you know, a combat scenario. It's a

0:23:41.560 --> 0:23:44.359
<v Speaker 1>and and and and also it weirdly looks like it

0:23:44.400 --> 0:23:48.080
<v Speaker 1>has a screaming face on the I guess what we

0:23:48.160 --> 0:23:50.720
<v Speaker 1>might infer to be the pommel or the or part

0:23:50.720 --> 0:23:53.440
<v Speaker 1>of the hilt of the chainsaw. Where's the screaming face.

0:23:53.480 --> 0:23:57.840
<v Speaker 1>I'm not seeing it. Look at the turn your head sideways.

0:23:58.640 --> 0:24:01.399
<v Speaker 1>Oh no body, And then the at the top is

0:24:01.440 --> 0:24:06.600
<v Speaker 1>this head that's kind of going it's not no, no, no,

0:24:06.640 --> 0:24:09.880
<v Speaker 1>it's not screaming. It's singing an angelic chorus of joy

0:24:10.119 --> 0:24:13.800
<v Speaker 1>for the power that is now in your hands. But yeah,

0:24:13.920 --> 0:24:16.240
<v Speaker 1>you're you're absolutely right. This does look like something that

0:24:16.240 --> 0:24:19.080
<v Speaker 1>would be like fused onto the wrist of a super

0:24:19.200 --> 0:24:23.000
<v Speaker 1>mutant in in whatever kind of waste land or um

0:24:23.200 --> 0:24:26.200
<v Speaker 1>or Actually, this looks like this should be what leather

0:24:26.280 --> 0:24:29.399
<v Speaker 1>Face was carrying instead of that green chainsaw that nobody

0:24:29.440 --> 0:24:31.720
<v Speaker 1>remembers the color of. But he would have he would

0:24:31.720 --> 0:24:34.640
<v Speaker 1>have needed electricity for it, right, Well, yeah, I guess

0:24:34.640 --> 0:24:36.679
<v Speaker 1>at least this first model. Yeah, that that would make

0:24:36.720 --> 0:24:39.480
<v Speaker 1>it probably difficult to run around in the That would

0:24:39.480 --> 0:24:41.479
<v Speaker 1>be a great scene, like he's about to get you,

0:24:41.560 --> 0:24:43.639
<v Speaker 1>but then he runs a little bit too far and

0:24:43.720 --> 0:24:54.200
<v Speaker 1>it unplugs chainsaw. The one thing that's interesting to note,

0:24:54.200 --> 0:24:57.600
<v Speaker 1>so we think of the chainsaw as being primarily for logging,

0:24:57.680 --> 0:25:00.200
<v Speaker 1>for you know, taking down trees and bucking them out

0:25:00.200 --> 0:25:02.959
<v Speaker 1>in the forest. Uh, though several sources I've looked at

0:25:03.000 --> 0:25:05.600
<v Speaker 1>note that the wolf did not actually take over the

0:25:05.640 --> 0:25:09.960
<v Speaker 1>logging business. That you might call this the first commercially viable,

0:25:09.960 --> 0:25:13.760
<v Speaker 1>commercially mass produced chainsaw, but it was really more popular

0:25:13.800 --> 0:25:17.880
<v Speaker 1>for work with prepared lumber, for example, in construction. It's

0:25:17.960 --> 0:25:22.880
<v Speaker 1>real advantage was that it could quickly make fine, accurate cuts,

0:25:23.320 --> 0:25:26.560
<v Speaker 1>and in the decades Following this, other mass producers would

0:25:26.640 --> 0:25:29.840
<v Speaker 1>enter the games, such as German companies like Steele and

0:25:29.960 --> 0:25:32.760
<v Speaker 1>Dolmar and more and more. So the chainsaw is on

0:25:32.800 --> 0:25:35.639
<v Speaker 1>its way now, but we need actually one more major

0:25:35.720 --> 0:25:40.440
<v Speaker 1>innovation before it really takes over the logging world. And

0:25:40.480 --> 0:25:43.639
<v Speaker 1>this is what brings us to Joe Cox and the

0:25:43.680 --> 0:25:47.960
<v Speaker 1>so called bug chain. Uh. So I I loved when

0:25:47.960 --> 0:25:50.280
<v Speaker 1>I came across this story because who would have thought it.

0:25:50.400 --> 0:25:54.199
<v Speaker 1>Even the history of the chainsaw has important episodes of

0:25:54.280 --> 0:25:58.479
<v Speaker 1>bio mimetic engineering in it. Um. So yes, let us

0:25:58.480 --> 0:26:02.280
<v Speaker 1>speak of the bug chain. So in the nineteen forties, uh,

0:26:02.320 --> 0:26:05.119
<v Speaker 1>the misery whip was still in wide use in the

0:26:05.200 --> 0:26:07.679
<v Speaker 1>United States, even though plenty of power saws had been

0:26:07.680 --> 0:26:10.919
<v Speaker 1>brought to market by this time. Uh. And for a while,

0:26:11.240 --> 0:26:13.560
<v Speaker 1>I think you could blame this on power saws being

0:26:13.600 --> 0:26:17.160
<v Speaker 1>too big, too bulky, too delicate, dependent on external power

0:26:17.200 --> 0:26:20.320
<v Speaker 1>sources and so forth. But by the forties you had

0:26:20.359 --> 0:26:23.879
<v Speaker 1>better designs, you had more compact internal combustion designs, and

0:26:23.960 --> 0:26:26.959
<v Speaker 1>yet there were still problems. And so here I want

0:26:27.000 --> 0:26:29.760
<v Speaker 1>to start referring to a paper that I was reading

0:26:29.880 --> 0:26:33.440
<v Speaker 1>called A Lesson from Nature. Joe Cox and his revolutionary

0:26:33.480 --> 0:26:37.000
<v Speaker 1>saw chain by Ellis Lucia. Now, Lucia says that one

0:26:37.040 --> 0:26:40.280
<v Speaker 1>big problem with with widespread take up of the chainsaw

0:26:40.520 --> 0:26:44.960
<v Speaker 1>was problems with the cutting chain. Uh. These chains of

0:26:45.000 --> 0:26:49.320
<v Speaker 1>the nineteen forties were modeled on the blades of traditional

0:26:49.480 --> 0:26:52.520
<v Speaker 1>cross cut saws. So if you picture a misery whip

0:26:52.600 --> 0:26:54.800
<v Speaker 1>or one of these cross cut saws, you can probably

0:26:54.920 --> 0:26:57.399
<v Speaker 1>see it in your mind that it has these these

0:26:57.440 --> 0:27:01.320
<v Speaker 1>sharp sort of razor sharpened teeth that would be dragged

0:27:01.320 --> 0:27:04.000
<v Speaker 1>through the curve. Remember that's the cut part of the

0:27:04.040 --> 0:27:07.840
<v Speaker 1>tree trunk. To cut to knock away would essentially by

0:27:07.960 --> 0:27:11.400
<v Speaker 1>scratching at it with a sharp surface. So Lucia compares

0:27:11.480 --> 0:27:14.520
<v Speaker 1>this to rapidly dragging the tip of a knife for

0:27:14.680 --> 0:27:17.400
<v Speaker 1>a sharp nail over the wood. And so, of course

0:27:17.520 --> 0:27:20.439
<v Speaker 1>this does work for sawing things if you apply enough force.

0:27:21.000 --> 0:27:24.040
<v Speaker 1>But Lucy says, actually there was a lot of waste

0:27:24.080 --> 0:27:27.119
<v Speaker 1>and the cutting teeth on the chains would tend to

0:27:27.160 --> 0:27:30.639
<v Speaker 1>get dull very fast. So this again led to a

0:27:30.720 --> 0:27:34.760
<v Speaker 1>lot of wasted time having to re sharpen dull chains,

0:27:35.440 --> 0:27:38.159
<v Speaker 1>and so in many cases, loggers thought that the old

0:27:38.200 --> 0:27:41.040
<v Speaker 1>cross cut saws were still more efficient even as late

0:27:41.080 --> 0:27:44.280
<v Speaker 1>as the nineteen forties, but Lucia writes that this was

0:27:44.400 --> 0:27:47.280
<v Speaker 1>up ended by changes in the saw chain design that

0:27:47.280 --> 0:27:50.520
<v Speaker 1>can be traced back to this American logger and engineer

0:27:50.600 --> 0:27:54.679
<v Speaker 1>named Joe Cox. So short bio on Joe Cox. It

0:27:54.680 --> 0:27:57.119
<v Speaker 1>seems like he had about a million jobs. He was

0:27:57.480 --> 0:28:00.760
<v Speaker 1>born in Oklahoma in nineteen o five. He left home

0:28:00.760 --> 0:28:04.399
<v Speaker 1>at sixteen to work in railroad shops in Colorado, and

0:28:04.440 --> 0:28:07.919
<v Speaker 1>then from here he uh he went on through apprenticeships

0:28:07.920 --> 0:28:11.560
<v Speaker 1>and self teaching to become a qualified machinist. He worked

0:28:11.560 --> 0:28:14.120
<v Speaker 1>at an auto agency and did a bus line where

0:28:14.119 --> 0:28:17.119
<v Speaker 1>he learned a lot about mechanics and engine repair. And

0:28:17.160 --> 0:28:20.000
<v Speaker 1>then he worked building a gas line in San Francisco.

0:28:20.280 --> 0:28:23.960
<v Speaker 1>And then he helped to build, according to this article,

0:28:24.160 --> 0:28:28.600
<v Speaker 1>some powdered milk processing plants, which I assume we're somewhere

0:28:28.640 --> 0:28:32.520
<v Speaker 1>in northern California or near San Francisco, which makes me wonder,

0:28:32.640 --> 0:28:35.720
<v Speaker 1>could Joe Cox have been involved in building the Northern

0:28:35.760 --> 0:28:39.960
<v Speaker 1>California dairy Works plant that is featured in Halloween three, Oh,

0:28:40.000 --> 0:28:42.400
<v Speaker 1>the one that's supposed to be the silver shamrock factory.

0:28:43.000 --> 0:28:46.840
<v Speaker 1>No answer on that, but I am mighty intrigued. But

0:28:46.920 --> 0:28:50.600
<v Speaker 1>he operated a welding shop in Arizona. He did auto repair.

0:28:50.640 --> 0:28:54.680
<v Speaker 1>He was an electrician. I did some wiring in homes. Uh,

0:28:54.720 --> 0:28:57.280
<v Speaker 1>he designed a home water heater or product. And he

0:28:57.320 --> 0:29:01.360
<v Speaker 1>did some welding for some oil dren concerns in Texas.

0:29:01.800 --> 0:29:04.880
<v Speaker 1>But then he eventually moved along with his brother to Oregon,

0:29:04.960 --> 0:29:08.280
<v Speaker 1>where they got involved in the logging industry. And it

0:29:08.360 --> 0:29:11.160
<v Speaker 1>was here, working as a logger and a logging engineer,

0:29:11.240 --> 0:29:13.920
<v Speaker 1>that he noticed there was plenty of room to improve,

0:29:14.120 --> 0:29:17.360
<v Speaker 1>to improve on the chains being used in these less

0:29:17.360 --> 0:29:20.320
<v Speaker 1>than impressive power saws of the day. And this article

0:29:20.360 --> 0:29:23.320
<v Speaker 1>actually has an interview with Joe Cox. It was written

0:29:23.320 --> 0:29:25.120
<v Speaker 1>at a time when when he was still alive. So

0:29:25.120 --> 0:29:27.840
<v Speaker 1>I want to include some of his quotes because they're great.

0:29:27.880 --> 0:29:31.120
<v Speaker 1>I like the way he talks. Uh. He's describing working

0:29:31.160 --> 0:29:33.640
<v Speaker 1>with his brother in the Oregon logging industry, and he says,

0:29:34.040 --> 0:29:38.080
<v Speaker 1>we fell limbed and bucked small frozen, naughty pine timber

0:29:38.160 --> 0:29:41.160
<v Speaker 1>and three ft of snow our first winter here. We

0:29:41.160 --> 0:29:44.400
<v Speaker 1>were paid fifty cents a thousand. We earned about four

0:29:44.480 --> 0:29:47.560
<v Speaker 1>dollars in ten hours of hard work. And it was hard.

0:29:49.000 --> 0:29:51.680
<v Speaker 1>And so the way Cox tells the story, one morning

0:29:51.680 --> 0:29:54.520
<v Speaker 1>he and his brother were working out somewhere east to

0:29:54.560 --> 0:29:57.600
<v Speaker 1>the Cascades and they were asked to try out a

0:29:57.640 --> 0:30:00.600
<v Speaker 1>new power saw, which was a stump saw mounted on

0:30:00.720 --> 0:30:05.080
<v Speaker 1>wheels with the chain allegedly driven by a motorcycle engine.

0:30:05.160 --> 0:30:09.320
<v Speaker 1>Which that that's cool, that that's hacking, and Cox says

0:30:09.400 --> 0:30:12.000
<v Speaker 1>that they could immediately see that this power saw was

0:30:12.080 --> 0:30:14.240
<v Speaker 1>just not very good, like they could actually fall a

0:30:14.240 --> 0:30:17.640
<v Speaker 1>tree quicker with the hand saw. And then I want

0:30:17.640 --> 0:30:20.600
<v Speaker 1>to again read his direct quote. This seems strange to

0:30:20.680 --> 0:30:24.280
<v Speaker 1>me because the power saw had plenty of stuff. Uh

0:30:24.360 --> 0:30:27.440
<v Speaker 1>So I think he's saying by that that he recognizes

0:30:27.520 --> 0:30:30.720
<v Speaker 1>that the motor that's driving it is powerful and should

0:30:30.720 --> 0:30:34.320
<v Speaker 1>outperform human muscles if the cutting edge were better, if

0:30:34.320 --> 0:30:37.200
<v Speaker 1>that were more efficient, And he goes on, I was

0:30:37.240 --> 0:30:39.720
<v Speaker 1>a pretty fair filer at the time and figured that

0:30:39.760 --> 0:30:41.960
<v Speaker 1>if I could make a power saw cut as efficiently

0:30:42.000 --> 0:30:45.120
<v Speaker 1>as a cross cut, it should practically fall through the wood.

0:30:45.560 --> 0:30:47.880
<v Speaker 1>It just made sense. And with such a cutting tool,

0:30:47.920 --> 0:30:50.680
<v Speaker 1>sawing timber would be a lot easier. And so, according

0:30:50.760 --> 0:30:53.320
<v Speaker 1>to this story, Cox tells he had a breakthrough one

0:30:53.400 --> 0:30:56.040
<v Speaker 1>day when he was out in the woods and he

0:30:56.160 --> 0:31:01.000
<v Speaker 1>whacked a rotten stump with an axe, accidentally revealing a

0:31:01.200 --> 0:31:04.560
<v Speaker 1>cavity in the wood that had been made by the

0:31:04.680 --> 0:31:08.280
<v Speaker 1>larvae of a well known and much reviled insect of

0:31:08.320 --> 0:31:12.320
<v Speaker 1>the area, the timber beetle or er Gotti's spicy ladas.

0:31:12.720 --> 0:31:15.280
<v Speaker 1>I looked this insect up, but apparently it's also known

0:31:15.320 --> 0:31:18.920
<v Speaker 1>as the pine sawyer beetle. It has a very large,

0:31:19.040 --> 0:31:25.560
<v Speaker 1>very beautiful, disgustingly beautiful, almost a raucous belonging, uh larval

0:31:25.680 --> 0:31:29.120
<v Speaker 1>form that I don't know, Rob, how would you describe

0:31:29.120 --> 0:31:32.000
<v Speaker 1>this creature? Um? Yeah, I think that all matches up,

0:31:32.000 --> 0:31:34.800
<v Speaker 1>but also just screams protein. Like if you're a bird,

0:31:35.840 --> 0:31:38.760
<v Speaker 1>you're excited looking at these photos, you just PLoP one

0:31:38.760 --> 0:31:41.240
<v Speaker 1>of these in a hot dog bun and your set. Yeah,

0:31:41.280 --> 0:31:42.680
<v Speaker 1>I mean, you know, it looks in a way, it

0:31:42.680 --> 0:31:47.600
<v Speaker 1>looks like a big old shrimp, shrimp of the woods. Yeah,

0:31:47.680 --> 0:31:50.920
<v Speaker 1>that's freshman catch of the day. Uh So. One of

0:31:50.960 --> 0:31:53.880
<v Speaker 1>the photos I found of this thing is of somebody

0:31:53.920 --> 0:31:56.000
<v Speaker 1>holding one in their hand and it's like it's as

0:31:56.000 --> 0:31:58.600
<v Speaker 1>big as the palm of their hand. Almost. Yeah, it's

0:31:58.720 --> 0:32:01.080
<v Speaker 1>this is a big, big boy for I didn't have

0:32:01.120 --> 0:32:03.040
<v Speaker 1>time to research this, but I am curious now if

0:32:03.040 --> 0:32:07.840
<v Speaker 1>this particular um larva is edible by humans, so I

0:32:07.880 --> 0:32:09.880
<v Speaker 1>don't know if there any foragers out there that can

0:32:10.200 --> 0:32:13.000
<v Speaker 1>let us know. Email us Okay, now here, I want

0:32:13.000 --> 0:32:15.760
<v Speaker 1>to read directly a section from Lucia's article, because this

0:32:15.840 --> 0:32:19.320
<v Speaker 1>is wonderful. So Lucia writes, the larvae of this beetle,

0:32:19.760 --> 0:32:23.000
<v Speaker 1>cursed in the kind of verbiage formerly applied to oxen

0:32:23.080 --> 0:32:26.200
<v Speaker 1>by the old bull whackers, have an amazing ability for

0:32:26.280 --> 0:32:30.120
<v Speaker 1>cutting and destroying huge quantities of timber. Although the busy

0:32:30.160 --> 0:32:32.800
<v Speaker 1>grub is hardly the size of a stout man's finger,

0:32:33.200 --> 0:32:36.200
<v Speaker 1>I don't know that that seems sizeable to me. Continuing,

0:32:36.600 --> 0:32:39.680
<v Speaker 1>the hated grub turns good timber into sawdust, and it

0:32:39.720 --> 0:32:43.200
<v Speaker 1>doesn't matter whether the trees are alive or sound snags

0:32:43.200 --> 0:32:46.960
<v Speaker 1>and windfalls that might be salvaged. The winged adult beetle

0:32:47.080 --> 0:32:50.560
<v Speaker 1>deposits its eggs beneath the bark of a dead tree, or,

0:32:50.680 --> 0:32:54.040
<v Speaker 1>when faced with an overpopulation problem, under the bark of

0:32:54.120 --> 0:32:58.080
<v Speaker 1>living trees. The vast Tillamook Burn and the other regional

0:32:58.120 --> 0:33:01.480
<v Speaker 1>forest disasters promised feasts that would last the timber beetle

0:33:01.800 --> 0:33:05.400
<v Speaker 1>and his offspring many generations. Although the way they worked

0:33:05.480 --> 0:33:09.080
<v Speaker 1>wholesale destruction of salvageable timber might be accomplished in a

0:33:09.120 --> 0:33:12.640
<v Speaker 1>few brief years. So this larva is a workhorse. And

0:33:12.800 --> 0:33:15.400
<v Speaker 1>Cox claims he was looking at this little larva and

0:33:15.400 --> 0:33:18.560
<v Speaker 1>and marveling at it and wondering how it was so

0:33:18.600 --> 0:33:21.600
<v Speaker 1>good at tunneling through the stiff fibers of tree trunks.

0:33:22.080 --> 0:33:24.120
<v Speaker 1>And so he tells that he armed himself with a

0:33:24.160 --> 0:33:28.360
<v Speaker 1>magnifying glass and began to study closely the cutting and

0:33:28.480 --> 0:33:32.640
<v Speaker 1>boring behavior of this grub. And what he discovered was

0:33:32.720 --> 0:33:36.440
<v Speaker 1>that rather than scraping or scratching at the wood straight ahead,

0:33:37.000 --> 0:33:41.200
<v Speaker 1>instead the larva would move side to side, sort of

0:33:41.320 --> 0:33:44.800
<v Speaker 1>shaving out parts of the wood with C shaped jaws.

0:33:45.360 --> 0:33:49.360
<v Speaker 1>And so, inspired by the jaws of this larva, Cox

0:33:49.400 --> 0:33:52.560
<v Speaker 1>went on to design a cutting chain for saws based

0:33:52.560 --> 0:33:55.720
<v Speaker 1>on exactly this type of action. So I was trying

0:33:55.720 --> 0:33:58.280
<v Speaker 1>to understand exactly what the difference was here, and I

0:33:58.320 --> 0:34:01.400
<v Speaker 1>think I finally got it. So chains that came before

0:34:01.920 --> 0:34:05.200
<v Speaker 1>tended to have these cutting teeth, sharp teeth which would

0:34:05.240 --> 0:34:07.920
<v Speaker 1>scrape at the wood like a knife, and they would

0:34:07.920 --> 0:34:11.120
<v Speaker 1>alternate with what we're called raker teeth, which were these

0:34:11.160 --> 0:34:16.440
<v Speaker 1>hook shaped bumps designed to scoop away debris after it

0:34:16.480 --> 0:34:19.160
<v Speaker 1>had been cut away from the wood by the sharp teeth,

0:34:19.480 --> 0:34:22.960
<v Speaker 1>and that would clear out the curve. Ok, So that

0:34:22.960 --> 0:34:25.520
<v Speaker 1>that's the old design. But I found the new design

0:34:25.600 --> 0:34:29.840
<v Speaker 1>described in an article written for Offbeat Oregon, which is

0:34:30.160 --> 0:34:33.360
<v Speaker 1>like an Oregon based through a weird local history column.

0:34:33.440 --> 0:34:35.719
<v Speaker 1>And this was written by Finn J. D. John in

0:34:35.760 --> 0:34:39.239
<v Speaker 1>September called watching Bugs in a Stump led to the

0:34:39.280 --> 0:34:43.880
<v Speaker 1>modern chainsaw, and John describes the the new design Cox's

0:34:43.960 --> 0:34:48.440
<v Speaker 1>design like this. The cutting teeth were hook shaped chisels

0:34:48.480 --> 0:34:51.840
<v Speaker 1>that would bite into the wood and essentially carve away chips.

0:34:52.200 --> 0:34:54.759
<v Speaker 1>And those chips were big enough and clean enough that

0:34:54.920 --> 0:34:57.760
<v Speaker 1>rakers weren't necessary to clear them out of the curve.

0:34:58.560 --> 0:35:01.960
<v Speaker 1>Finding the chisels to tended to grab too much wood,

0:35:02.040 --> 0:35:04.600
<v Speaker 1>Joe added a bump in the metal just in front

0:35:04.600 --> 0:35:07.719
<v Speaker 1>of the chisel on each link of the chain. By

0:35:07.760 --> 0:35:11.080
<v Speaker 1>filing down the bump or gauge, he could control how

0:35:11.160 --> 0:35:14.319
<v Speaker 1>big a bite each chisel took. And then I found

0:35:14.320 --> 0:35:16.320
<v Speaker 1>a picture also for us to look at rob So

0:35:16.360 --> 0:35:19.760
<v Speaker 1>it looks like with with Joe Cox's design, the cutting

0:35:20.120 --> 0:35:22.200
<v Speaker 1>side is on the top of this diagram. You're looking

0:35:22.200 --> 0:35:24.600
<v Speaker 1>at now, so what it looks like is the cutting

0:35:24.640 --> 0:35:28.560
<v Speaker 1>side has these little sort of curved chisels, the cutting

0:35:28.600 --> 0:35:32.520
<v Speaker 1>teeth or tube shaped blades, alternating from one side of

0:35:32.520 --> 0:35:35.000
<v Speaker 1>the chain to the other, so shaving out a little

0:35:35.000 --> 0:35:37.520
<v Speaker 1>tube shaped chip on the left and then doing one

0:35:37.560 --> 0:35:39.799
<v Speaker 1>on the right, back and forth forever. So I think

0:35:39.840 --> 0:35:42.680
<v Speaker 1>the difference is that instead of cutting like a sharp

0:35:42.800 --> 0:35:45.640
<v Speaker 1>bladed saw, just like a knife point. This would shave

0:35:45.680 --> 0:35:48.279
<v Speaker 1>out a kind of thin tunnel. And apparently the chain

0:35:48.320 --> 0:35:51.600
<v Speaker 1>that Joe Cox designed cut faster and more cleanly than

0:35:51.640 --> 0:35:55.200
<v Speaker 1>the chains that came before and needed less resharpening, so

0:35:55.239 --> 0:35:59.000
<v Speaker 1>this was a clear improvement. He patented his design and

0:35:59.080 --> 0:36:01.719
<v Speaker 1>eventually nineteen forty seven he founded a firm called the

0:36:01.760 --> 0:36:05.280
<v Speaker 1>Oregon Saw Chain Corporation, which was later known as Ohmark,

0:36:05.719 --> 0:36:09.120
<v Speaker 1>which would become a multimillion dollar company and would revolutionize

0:36:09.160 --> 0:36:11.840
<v Speaker 1>the power saw business. And at this point, by the

0:36:11.920 --> 0:36:14.360
<v Speaker 1>nineteen fifties, I think this is when we hit the

0:36:14.360 --> 0:36:16.719
<v Speaker 1>turning point, and there's really no going back from the

0:36:16.800 --> 0:36:19.160
<v Speaker 1>chainsaw to the misery whip. I guess unless you were

0:36:19.200 --> 0:36:21.440
<v Speaker 1>just trying to make a point or something, there there

0:36:21.440 --> 0:36:32.160
<v Speaker 1>would be no Texas misery whip massacre than well, I

0:36:32.200 --> 0:36:34.279
<v Speaker 1>think this is a great place to come come back

0:36:34.320 --> 0:36:37.520
<v Speaker 1>to the Texas chainsaw massacre, and and also just to discuss,

0:36:37.640 --> 0:36:42.000
<v Speaker 1>like what is the cultural trajectory of the chainsaw from

0:36:42.040 --> 0:36:44.880
<v Speaker 1>here on out. I was reading a bit about this

0:36:45.040 --> 0:36:49.239
<v Speaker 1>in the The Icon City of Chainsaws From the Backyard

0:36:49.280 --> 0:36:53.160
<v Speaker 1>to the Barbecue by Christopher Curry, and he writes the

0:36:53.200 --> 0:36:57.799
<v Speaker 1>following quote, two years nineteen fifty and nineteen seventy four

0:36:57.840 --> 0:37:01.440
<v Speaker 1>are vital and understanding the icon city of the petrol

0:37:01.480 --> 0:37:06.759
<v Speaker 1>powered handheld, single operator chainsaw. Nineteen fifty was the year

0:37:06.800 --> 0:37:09.240
<v Speaker 1>in which the tool was introduced to the American market.

0:37:09.600 --> 0:37:12.960
<v Speaker 1>It was a backyard revolution. Men were empowered with a

0:37:13.000 --> 0:37:19.520
<v Speaker 1>remarkable new technology for clearing undergrowth, trimming branches, and felling trees. Okay,

0:37:19.520 --> 0:37:21.880
<v Speaker 1>so you no longer need to be an experienced logger

0:37:22.040 --> 0:37:24.920
<v Speaker 1>or have a buddy to work the misery whip with you.

0:37:25.120 --> 0:37:28.160
<v Speaker 1>Just one person with one power tool can go out

0:37:28.160 --> 0:37:32.279
<v Speaker 1>there and master the landscape exactly now seventy four that

0:37:32.320 --> 0:37:34.640
<v Speaker 1>he mentions that, of course, is when Texas chainsaw massacre

0:37:34.719 --> 0:37:37.600
<v Speaker 1>comes out. And that's that's a that's kind of where

0:37:37.600 --> 0:37:39.239
<v Speaker 1>he keeps, you know, ping pong it back and forth,

0:37:39.280 --> 0:37:42.359
<v Speaker 1>between like the cultural role of the chainsaw and how

0:37:42.360 --> 0:37:46.239
<v Speaker 1>it is reflected in the Texas Chainsaw Massacre. Uh. And

0:37:46.239 --> 0:37:49.280
<v Speaker 1>and I think it's it's worth driving home here that. Uh.

0:37:49.360 --> 0:37:51.680
<v Speaker 1>If you don't know much about the Texas Chainsaw Masacre,

0:37:51.800 --> 0:37:54.200
<v Speaker 1>maybe you've seen it. You've seen it once, you know,

0:37:54.280 --> 0:37:57.000
<v Speaker 1>you saw years ago. It's easy to dismiss it and

0:37:57.040 --> 0:37:59.719
<v Speaker 1>think it's just this, it's just this shocking work that's

0:37:59.760 --> 0:38:05.839
<v Speaker 1>about titilation. But Toby Hooper had he had political ambitions

0:38:05.840 --> 0:38:08.319
<v Speaker 1>in creating the film, like he wanted to make a

0:38:08.320 --> 0:38:12.200
<v Speaker 1>political film that wasn't about politics. He wanted so it's

0:38:12.239 --> 0:38:16.480
<v Speaker 1>not a film that is just about chainsaws roaring, you know,

0:38:16.560 --> 0:38:19.160
<v Speaker 1>in in the rural setting and chasing people and blood

0:38:19.200 --> 0:38:22.360
<v Speaker 1>and screams. Um. It is trying to say something and

0:38:22.400 --> 0:38:25.959
<v Speaker 1>I think, you know, arguably it does a fantastic job

0:38:26.040 --> 0:38:30.160
<v Speaker 1>doing so tell me more, Okay, so, uh, Curry writes

0:38:30.400 --> 0:38:33.400
<v Speaker 1>the chainsaw though during this period, it was imbued with

0:38:33.480 --> 0:38:36.960
<v Speaker 1>the power of both a status symbol and a phallic

0:38:37.040 --> 0:38:41.759
<v Speaker 1>symbol for it's predominantly male users of this time. Additionally,

0:38:41.800 --> 0:38:45.360
<v Speaker 1>it became a thoroughly American symbol of status and power,

0:38:45.719 --> 0:38:49.400
<v Speaker 1>as quote, cutting down trees. It is an especially significant

0:38:49.440 --> 0:38:52.480
<v Speaker 1>part of American history, which which is true. I mean

0:38:52.520 --> 0:38:57.000
<v Speaker 1>that is part of the the story of the colonization

0:38:57.320 --> 0:39:02.239
<v Speaker 1>of North America by Westerners, by Europeans. Um. And then

0:39:02.400 --> 0:39:04.560
<v Speaker 1>you know, what do you have? You have these expansive forests.

0:39:04.600 --> 0:39:06.600
<v Speaker 1>What do you do with those expansive forests, Well, you

0:39:06.640 --> 0:39:10.680
<v Speaker 1>start cutting them down? Um and uh and and of

0:39:10.719 --> 0:39:12.600
<v Speaker 1>course to a certain extent that makes sense, because what

0:39:12.640 --> 0:39:15.720
<v Speaker 1>does would give you wood gives you homes, it gives

0:39:15.719 --> 0:39:18.160
<v Speaker 1>you it gives you ships, it gives you um, you know,

0:39:18.200 --> 0:39:20.040
<v Speaker 1>all these things you can create out of it, all

0:39:20.040 --> 0:39:24.440
<v Speaker 1>your tools. But also would meant fuel as well. And

0:39:24.520 --> 0:39:27.799
<v Speaker 1>so here comes the chainsaw uh and it allows you

0:39:27.840 --> 0:39:32.799
<v Speaker 1>to harvest uh material and and uh and fuel for

0:39:33.000 --> 0:39:37.680
<v Speaker 1>energy production. Quote. Such a radical technological transformation of the

0:39:37.719 --> 0:39:41.799
<v Speaker 1>basic means to cut down trees sidles up alongside such

0:39:41.840 --> 0:39:47.960
<v Speaker 1>intrinsically American notions as self determination, manifest destiny, the logging industry,

0:39:48.160 --> 0:39:51.479
<v Speaker 1>and the myth of frontier. And so from here, Curry

0:39:51.520 --> 0:39:54.560
<v Speaker 1>goes on to argue that the Texas chainsaw massacre massacre

0:39:54.719 --> 0:39:57.840
<v Speaker 1>very much builds on all of this. The saw, your family,

0:39:57.920 --> 0:40:02.120
<v Speaker 1>the chainsall family. If you will in the Texas Chainsaw massacre,

0:40:02.640 --> 0:40:06.400
<v Speaker 1>cannibalism and murder aside, they are a rural version of

0:40:06.440 --> 0:40:09.560
<v Speaker 1>the American dream. They are entrepreneurs doing what they have

0:40:09.680 --> 0:40:13.120
<v Speaker 1>to do to survive in the face of economic and

0:40:13.160 --> 0:40:17.680
<v Speaker 1>social change. Yes, they're they're rather self sufficient, aren't they. Yeah. Yeah,

0:40:17.719 --> 0:40:19.759
<v Speaker 1>And and this again, this is very much intentional on

0:40:19.760 --> 0:40:23.919
<v Speaker 1>on on Toby Hooper's part commenting on consumer culture and

0:40:24.000 --> 0:40:28.560
<v Speaker 1>the chainsaw is all about consumption again, either in its

0:40:28.600 --> 0:40:31.719
<v Speaker 1>intended role is that of a tool for the consumption

0:40:31.760 --> 0:40:34.520
<v Speaker 1>of trees for the for the material uses and for

0:40:34.600 --> 0:40:39.080
<v Speaker 1>fuel uses, or in this extrapolated fantastic role as a

0:40:39.080 --> 0:40:42.600
<v Speaker 1>weapon of murder and dismemberment. So you know, it ultimately

0:40:42.680 --> 0:40:45.360
<v Speaker 1>becomes a situation. It's easy to lose this because we're

0:40:45.400 --> 0:40:48.360
<v Speaker 1>so fascinated with the idea of the chainsaw as weapon.

0:40:48.480 --> 0:40:53.360
<v Speaker 1>But it's like leather face is is is felling humans.

0:40:53.440 --> 0:40:57.280
<v Speaker 1>It's humans as trees cut down to sustain others. Because

0:40:57.440 --> 0:40:59.880
<v Speaker 1>I remember, they weren't just It wasn't just about cutting

0:41:00.040 --> 0:41:03.080
<v Speaker 1>up um teenagers from the city. It was about making

0:41:03.120 --> 0:41:06.359
<v Speaker 1>barbecue out of them. A supply and demand. Now, one

0:41:06.400 --> 0:41:09.480
<v Speaker 1>thing I've never noticed before we did this episode is

0:41:09.560 --> 0:41:12.600
<v Speaker 1>that the family in the Texas Chainsaw Masker are named

0:41:12.640 --> 0:41:16.239
<v Speaker 1>the Sawyers, which the Sawyers are the people who work

0:41:16.320 --> 0:41:19.719
<v Speaker 1>the saws in the log mystry. I never put that

0:41:19.760 --> 0:41:24.000
<v Speaker 1>together either until Manning Manning the misery whip their Sawyers.

0:41:25.320 --> 0:41:28.399
<v Speaker 1>It does follow the Dickens convention. It does, it does?

0:41:28.480 --> 0:41:33.160
<v Speaker 1>What do they do? They saw? Um? I was also

0:41:33.200 --> 0:41:36.080
<v Speaker 1>thinking a bit about the line the Saws family. Um.

0:41:36.239 --> 0:41:39.759
<v Speaker 1>I think that's predominantly from Sexas Chainsaw Maskar too, right,

0:41:40.520 --> 0:41:43.200
<v Speaker 1>part of a fun little bit of a grizzly dialogue

0:41:43.239 --> 0:41:46.040
<v Speaker 1>in there. But the idea that the saw is family

0:41:46.120 --> 0:41:49.040
<v Speaker 1>and what is the saw? Uh? As Curry points out

0:41:49.040 --> 0:41:51.520
<v Speaker 1>in this article, the saw is consumption. Look, the saw

0:41:51.640 --> 0:41:54.760
<v Speaker 1>is this way of life through consumption. So of course

0:41:54.800 --> 0:41:58.200
<v Speaker 1>the Saws family, and I think this is ultimately a

0:41:58.280 --> 0:42:02.080
<v Speaker 1>rather biting commentary on the American way of life. You know,

0:42:02.160 --> 0:42:07.000
<v Speaker 1>our lives are consumption. You cannot separate consumption from all

0:42:07.000 --> 0:42:09.919
<v Speaker 1>of these other ideals of what we are and what

0:42:10.000 --> 0:42:12.359
<v Speaker 1>we want out of the world, out of the out

0:42:12.400 --> 0:42:15.239
<v Speaker 1>of life, and out of like just the raw substance

0:42:15.440 --> 0:42:18.040
<v Speaker 1>of the country. Yeah, okay, And so if this is

0:42:18.080 --> 0:42:20.480
<v Speaker 1>the intended point, it makes sense that you would use

0:42:20.560 --> 0:42:23.279
<v Speaker 1>the chainsaw, because I think we were talking about this

0:42:23.320 --> 0:42:25.880
<v Speaker 1>at the very beginning of the first episode, something about

0:42:26.080 --> 0:42:29.200
<v Speaker 1>the the aesthetic impression made by the chainsaw is kind

0:42:29.200 --> 0:42:32.319
<v Speaker 1>of alarming at the rate at which it like goes

0:42:32.440 --> 0:42:35.719
<v Speaker 1>through things. Yeah, absolutely, uh you know. I also I

0:42:35.719 --> 0:42:38.319
<v Speaker 1>had to look up the exact quote from TCM two

0:42:38.440 --> 0:42:41.480
<v Speaker 1>because it's it's actually pretty good. This is Drayton, uh,

0:42:41.640 --> 0:42:44.000
<v Speaker 1>the old one of the older member of the family,

0:42:44.040 --> 0:42:46.520
<v Speaker 1>not the old old man who can you know, barely move,

0:42:46.600 --> 0:42:49.279
<v Speaker 1>but the uh, the the the the younger old man

0:42:49.320 --> 0:42:51.759
<v Speaker 1>in the family. And he's telling leather Face. He's saying,

0:42:52.000 --> 0:42:55.160
<v Speaker 1>you have one choice, boy sex or the saw sex

0:42:55.280 --> 0:42:58.920
<v Speaker 1>as well, nobody knows, but the saw, the saw is family.

0:42:59.320 --> 0:43:02.120
<v Speaker 1>So that that kind of gets into sort of these

0:43:02.000 --> 0:43:05.239
<v Speaker 1>these phallic ideas too, and the masculine aspects that are

0:43:05.239 --> 0:43:07.640
<v Speaker 1>tied up in the chainsaw and its role in the

0:43:07.960 --> 0:43:11.759
<v Speaker 1>American culture, the idea that on one level, you have

0:43:12.000 --> 0:43:15.279
<v Speaker 1>you have potential creation, um, but but who knows what

0:43:15.320 --> 0:43:18.920
<v Speaker 1>comes with creation? Creation is a risk. But consumption we

0:43:18.960 --> 0:43:21.680
<v Speaker 1>know exactly where consumption goes. We know where where the

0:43:21.719 --> 0:43:24.480
<v Speaker 1>saw leads to. That is the safe way that is

0:43:24.560 --> 0:43:27.680
<v Speaker 1>the traditional way, and of course that is the way

0:43:27.760 --> 0:43:30.439
<v Speaker 1>that the saw your family sticks to the saws yet

0:43:30.480 --> 0:43:35.160
<v Speaker 1>another Texas Chili cook Off competition trophy. You know, coming

0:43:35.200 --> 0:43:37.600
<v Speaker 1>back to the to the technological side, one of the

0:43:37.600 --> 0:43:39.840
<v Speaker 1>things that really interests me in reading that the story

0:43:39.840 --> 0:43:42.640
<v Speaker 1>of Joe Cox and the redesign of the chainsaw blade

0:43:43.640 --> 0:43:46.680
<v Speaker 1>is that we managed to have all these decades of

0:43:46.719 --> 0:43:51.520
<v Speaker 1>people having the idea to apply new types of power

0:43:51.719 --> 0:43:55.440
<v Speaker 1>motors and engines to drive saws, to like make sawing

0:43:55.520 --> 0:43:58.760
<v Speaker 1>more powerful, to outstrip what could be done by human muscles,

0:43:59.320 --> 0:44:01.719
<v Speaker 1>but going so long in this process without making the

0:44:01.840 --> 0:44:06.040
<v Speaker 1>significant improvements to the cutting chain like Joe coxwould um

0:44:06.520 --> 0:44:10.400
<v Speaker 1>that would eventually revolutionize the power saw business. It I

0:44:10.440 --> 0:44:14.320
<v Speaker 1>don't know it, uh, something seems metaphorically significant there as well. Yeah,

0:44:14.400 --> 0:44:17.279
<v Speaker 1>and and it also perfect that they turned to to

0:44:17.560 --> 0:44:20.839
<v Speaker 1>larvae to to get this answer, because you know, what

0:44:20.880 --> 0:44:24.440
<v Speaker 1>are what do larvae do? They consume? That's all they do. Like,

0:44:24.520 --> 0:44:26.880
<v Speaker 1>that's the job of a larva is to consume and

0:44:26.880 --> 0:44:28.680
<v Speaker 1>grow bigger so that it can take on the next

0:44:28.680 --> 0:44:31.319
<v Speaker 1>stage of its of its life. So in a way,

0:44:31.360 --> 0:44:33.640
<v Speaker 1>it's like the perfect spirit animal for the chain saw

0:44:33.680 --> 0:44:36.720
<v Speaker 1>as well. So I feel like these episodes have forced

0:44:36.719 --> 0:44:39.480
<v Speaker 1>me to think long and hard about to to rethink

0:44:39.480 --> 0:44:42.360
<v Speaker 1>the role of the chainsaw in Texas Chainsaw Maska. But

0:44:42.400 --> 0:44:44.479
<v Speaker 1>there's plenty of other room to to, you know, to

0:44:44.640 --> 0:44:48.360
<v Speaker 1>consider as well, Like what how do we interpret the

0:44:48.440 --> 0:44:52.319
<v Speaker 1>chainsaw in the Evil Dead movies? What does that mean? Why?

0:44:52.480 --> 0:44:55.319
<v Speaker 1>Why is it groovy? And is it truly groovy? I

0:44:55.320 --> 0:44:58.680
<v Speaker 1>don't know. Oh, that seems very different somehow. When Ash

0:44:58.760 --> 0:45:01.160
<v Speaker 1>picks up the chainsaw the wheel against the demons or

0:45:01.200 --> 0:45:03.680
<v Speaker 1>the Dead Eyes, that almost seems like it is somehow

0:45:03.719 --> 0:45:08.520
<v Speaker 1>an emblem of human civilization and human technology, the good

0:45:08.560 --> 0:45:11.319
<v Speaker 1>and ordered part of the world, which you know is

0:45:11.320 --> 0:45:13.200
<v Speaker 1>is the one thing you can hold to, sort of

0:45:13.239 --> 0:45:16.560
<v Speaker 1>like man the Gates of Thermopoli against uh, I don't know,

0:45:16.600 --> 0:45:19.640
<v Speaker 1>against the Advancing Magical Team, uh, you know, whatever you

0:45:19.680 --> 0:45:21.400
<v Speaker 1>call it. Where do the Dead Eyes come from? I

0:45:21.400 --> 0:45:25.560
<v Speaker 1>don't even remember um from the Dead world. I don't

0:45:25.560 --> 0:45:30.239
<v Speaker 1>know that the hell. Maybe they're bad. They're not here.

0:45:30.280 --> 0:45:34.319
<v Speaker 1>They're bad. They're not bad, I mean, they're not human. Yeah,

0:45:34.360 --> 0:45:36.120
<v Speaker 1>it's also worth thinking about the fact that we've tried.

0:45:36.120 --> 0:45:39.560
<v Speaker 1>We're talking about like in the Leather Face UM area,

0:45:39.600 --> 0:45:42.120
<v Speaker 1>and also in this sort of again coming back to this, uh,

0:45:42.160 --> 0:45:44.800
<v Speaker 1>this sort of masculine interpretation of the chainsaw on American

0:45:44.840 --> 0:45:47.839
<v Speaker 1>culture very much, this idea that like the chainsaw as

0:45:47.920 --> 0:45:51.960
<v Speaker 1>extension of of of human identity and the human body,

0:45:52.520 --> 0:45:55.920
<v Speaker 1>Ash actually makes the chainsaw a part of his body, right,

0:45:56.160 --> 0:45:59.719
<v Speaker 1>replacing his hand with a chainsaw um, which is of

0:45:59.719 --> 0:46:02.799
<v Speaker 1>course wonderfully you know, on brand and over the top,

0:46:02.920 --> 0:46:05.400
<v Speaker 1>especially for the third movie. Oh yeah, what does it

0:46:05.440 --> 0:46:07.600
<v Speaker 1>say that your hand can be possessed by a demon

0:46:07.640 --> 0:46:11.719
<v Speaker 1>but your chainsaw can't. Yeah, like the the hand is corruptible,

0:46:11.760 --> 0:46:15.320
<v Speaker 1>the chainsaws beyond corruption. Don't trust the flesh, turn trust

0:46:15.360 --> 0:46:19.360
<v Speaker 1>the saw. All right, Well, there you have it, the chainsaw,

0:46:19.440 --> 0:46:22.160
<v Speaker 1>the invention of the chainsaw, and and hopefully more than

0:46:22.320 --> 0:46:27.319
<v Speaker 1>enough seasonal horror consideration thrown in there as well to

0:46:27.480 --> 0:46:30.799
<v Speaker 1>keep things uh nice and HALLOWEENI. In the meantime, if

0:46:30.800 --> 0:46:32.440
<v Speaker 1>you would like to check out other episodes of Stuff

0:46:32.440 --> 0:46:33.960
<v Speaker 1>to Blow Your Mind, you know where to find them.

0:46:34.000 --> 0:46:36.960
<v Speaker 1>Check the Stuff to Blow Your Mind podcast feed. We

0:46:37.040 --> 0:46:41.040
<v Speaker 1>have core episodes on Tuesdays and Thursdays, Artifact on Wednesday,

0:46:41.200 --> 0:46:44.000
<v Speaker 1>listener mail on Monday, and then on Friday we do

0:46:44.080 --> 0:46:47.879
<v Speaker 1>weird how cinema. That's our chance to to just really uh,

0:46:48.320 --> 0:46:51.040
<v Speaker 1>you know, bear down and talk about a weird movie

0:46:51.600 --> 0:46:54.200
<v Speaker 1>uh for an extended period of time. And then over

0:46:54.239 --> 0:46:57.080
<v Speaker 1>the weekend we usually run a vault episode, which is

0:46:57.160 --> 0:46:59.600
<v Speaker 1>here we run huge things. As always to our excellent

0:46:59.640 --> 0:47:02.360
<v Speaker 1>audio producer Seth Nicholas Johnson. If you would like to

0:47:02.400 --> 0:47:04.600
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0:47:04.680 --> 0:47:06.840
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0:47:06.960 --> 0:47:09.759
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