1 00:00:01,600 --> 00:00:04,160 Speaker 1: Hello, everyone, this is your friend Jordan Run Talk from 2 00:00:04,160 --> 00:00:07,280 Speaker 1: Too Much Information, Highchool and Now were recently guests on 3 00:00:07,280 --> 00:00:10,719 Speaker 1: our fellow I Heart Radio podcast, food Court with Richard Blaze. 4 00:00:10,960 --> 00:00:13,720 Speaker 1: We debated our favorite kind of chocolate. I took milk 5 00:00:13,800 --> 00:00:17,720 Speaker 1: chocolate and Hidel took dark chocolate. Because he's a masochist. 6 00:00:18,560 --> 00:00:21,279 Speaker 1: Well got kind of heated, not kind of lie, which 7 00:00:21,480 --> 00:00:24,720 Speaker 1: is why he's not recording this message with me right now. Anyway, 8 00:00:24,720 --> 00:00:26,360 Speaker 1: give it a listen. I think you really enjoy it. 9 00:00:28,680 --> 00:00:31,319 Speaker 1: We're warmed up, guys, you're ready to go Jordan. Before 10 00:00:31,320 --> 00:00:33,479 Speaker 1: we do get going, Alex has tried to bribe me 11 00:00:33,560 --> 00:00:36,560 Speaker 1: once at least and also said, and this is a quote, 12 00:00:36,560 --> 00:00:39,080 Speaker 1: I will worry. I will slip it you're slipping. I 13 00:00:39,080 --> 00:00:41,600 Speaker 1: will murder I will murder him in this debate. Is 14 00:00:41,600 --> 00:00:43,839 Speaker 1: what he was saying before you jumped out. I'm sure, Oh, 15 00:00:43,920 --> 00:00:51,120 Speaker 1: I'm sure. Yeah. This is gonna be a friendship ruiner. Yeah. 16 00:00:51,640 --> 00:00:57,080 Speaker 1: Food Court, food Court, food Court with Richard Blaze. Are 17 00:00:57,240 --> 00:01:17,520 Speaker 1: you in the food Court Court with Las? Welcome to 18 00:01:17,640 --> 00:01:19,840 Speaker 1: the food Court, a production of I Heart Radio And 19 00:01:19,920 --> 00:01:22,600 Speaker 1: this is food Court with Richard Blaze. That is me 20 00:01:23,240 --> 00:01:25,680 Speaker 1: and I've been a chef, Crystal. You wrote that into 21 00:01:25,720 --> 00:01:27,559 Speaker 1: the strip that I've been a chef. Are you saying 22 00:01:27,560 --> 00:01:29,400 Speaker 1: because I'm an out on TV that I'm not a 23 00:01:29,480 --> 00:01:33,039 Speaker 1: chef anymore? You're like every thirty third commenter in all 24 00:01:33,080 --> 00:01:35,080 Speaker 1: of my social media right now. But I am a 25 00:01:35,160 --> 00:01:37,960 Speaker 1: chef and a judge, and I'm all over TV and 26 00:01:38,000 --> 00:01:41,520 Speaker 1: I'm here now judging your opinions and joining us in 27 00:01:41,560 --> 00:01:44,360 Speaker 1: the food court. Today we have to self proclaimed. Although 28 00:01:44,400 --> 00:01:47,319 Speaker 1: I'm gonna say it here, I'm proclaiming it. Pop culture 29 00:01:47,600 --> 00:01:50,320 Speaker 1: nerds will host a great podcast right here on the 30 00:01:50,360 --> 00:01:57,440 Speaker 1: I Heart Network. It is Jordan runt Hog and Alexander Heigel. 31 00:01:59,320 --> 00:02:01,360 Speaker 1: We should become a been in like robes right now, 32 00:02:01,400 --> 00:02:03,760 Speaker 1: like wrestler themes in the background, Yeah therey we're gonna 33 00:02:03,760 --> 00:02:05,200 Speaker 1: We're gonna dub it in. We're gonna dub in the 34 00:02:05,240 --> 00:02:08,160 Speaker 1: sound effects and listen. Both of these guys are hosting 35 00:02:08,360 --> 00:02:12,560 Speaker 1: the too Much Information podcasts, which is we haven't done 36 00:02:12,560 --> 00:02:14,720 Speaker 1: one on food, on a food topic yet, but it's 37 00:02:14,720 --> 00:02:17,120 Speaker 1: in the hopper. We have several ideas brainstormed on that. 38 00:02:17,160 --> 00:02:20,639 Speaker 1: But yeah, movies, music, TV, pop culture, video games. Maybe 39 00:02:20,639 --> 00:02:22,720 Speaker 1: sports were not big sports guys, but we might get 40 00:02:22,760 --> 00:02:24,840 Speaker 1: around to it at some point. Okay, I love it. 41 00:02:24,880 --> 00:02:28,079 Speaker 1: And now you're a rapport, which obviously we've already witnessed 42 00:02:28,120 --> 00:02:29,720 Speaker 1: here for the last couple of minutes. Is so great 43 00:02:29,760 --> 00:02:33,080 Speaker 1: because you've been friends for how long? Oh god, Jordan's 44 00:02:33,080 --> 00:02:36,760 Speaker 1: seven years? When did you get to People? Six six? Yeah? 45 00:02:36,880 --> 00:02:38,800 Speaker 1: Five six years? Yeah? I remember it was on my 46 00:02:38,880 --> 00:02:42,239 Speaker 1: first day. I was sort of escorted over. It was 47 00:02:42,280 --> 00:02:44,400 Speaker 1: at People magazine, and it was my first day. And 48 00:02:44,400 --> 00:02:46,320 Speaker 1: I don't know if it was putting up posters of 49 00:02:46,360 --> 00:02:49,720 Speaker 1: like the Who and led Zeppelin or like mentioning that 50 00:02:49,760 --> 00:02:51,440 Speaker 1: all I ever wanted to do was talk to like 51 00:02:51,639 --> 00:02:54,560 Speaker 1: old rock people over the age of like seventy or something. 52 00:02:54,600 --> 00:02:57,600 Speaker 1: But my boss was like twenty minutes after arriving, so 53 00:02:57,639 --> 00:03:00,400 Speaker 1: you gotta meet this guy Alex. I think he'd be friends. 54 00:03:00,440 --> 00:03:02,800 Speaker 1: And I have this very in my memory. It was 55 00:03:02,840 --> 00:03:05,560 Speaker 1: like bell entering the West Wing. I remember being led 56 00:03:05,639 --> 00:03:08,840 Speaker 1: over to his side of the office, which was like 57 00:03:09,280 --> 00:03:12,280 Speaker 1: dark with like small fires everywhere and old rips torn 58 00:03:12,320 --> 00:03:15,639 Speaker 1: pictures of like brad Ulna and stuff, and met Heigel 59 00:03:15,760 --> 00:03:17,880 Speaker 1: and in my in my memory, he turned around at 60 00:03:17,919 --> 00:03:20,600 Speaker 1: his desk and had a Boa constrictor around him and 61 00:03:20,919 --> 00:03:23,760 Speaker 1: love at first sight. We both bonded over music and yeah, 62 00:03:23,800 --> 00:03:25,640 Speaker 1: became one of my my dearest friends there, and then 63 00:03:25,680 --> 00:03:27,800 Speaker 1: we started making music together in our free time and 64 00:03:27,840 --> 00:03:29,640 Speaker 1: been friends ever since. Oh my gosh, killing it on 65 00:03:29,680 --> 00:03:32,120 Speaker 1: all creative fronts. And then here's a question, as a 66 00:03:32,120 --> 00:03:35,320 Speaker 1: fellow podcaster and also a podcast your food Cord coming 67 00:03:35,320 --> 00:03:38,240 Speaker 1: off by a couple of month hiatus to be kind, 68 00:03:38,640 --> 00:03:40,800 Speaker 1: how in the world you do three episodes a week? 69 00:03:41,200 --> 00:03:43,520 Speaker 1: How do you guys do that? That's a kind we'll see, 70 00:03:43,800 --> 00:03:47,200 Speaker 1: that's a conversation having. The original idea was to do 71 00:03:47,560 --> 00:03:50,960 Speaker 1: like one one new movie, one TV show, and one 72 00:03:51,160 --> 00:03:53,640 Speaker 1: song related thing or music related thing a week and 73 00:03:53,680 --> 00:03:55,839 Speaker 1: then have it be kind of like because we love 74 00:03:55,920 --> 00:03:58,200 Speaker 1: that we I think of it as like an audiolistical 75 00:03:58,280 --> 00:04:00,200 Speaker 1: and that's where Alex and I both got, you know, 76 00:04:00,280 --> 00:04:02,720 Speaker 1: kind of our start writing was we love doing those 77 00:04:02,760 --> 00:04:06,400 Speaker 1: anniversary deep dive pieces where you know, it's just there's 78 00:04:06,440 --> 00:04:09,360 Speaker 1: so much spite and bile on the internet and they 79 00:04:09,440 --> 00:04:12,720 Speaker 1: do these celebratory pieces of these things everybody loves, like 80 00:04:12,800 --> 00:04:14,720 Speaker 1: you know that thing you do my big fat Greek 81 00:04:14,760 --> 00:04:18,839 Speaker 1: wedding top gun Jerry McGuire, like the full House, just 82 00:04:18,880 --> 00:04:21,120 Speaker 1: things that like everybody is a soft spot for and 83 00:04:21,480 --> 00:04:24,359 Speaker 1: celebrate them, learn more about them. I just think I 84 00:04:24,400 --> 00:04:26,520 Speaker 1: just thought that was such a cool part of the job. 85 00:04:26,680 --> 00:04:28,000 Speaker 1: Like a lot of people kind of look down their 86 00:04:28,000 --> 00:04:30,240 Speaker 1: noses at these listical things, but they were so much 87 00:04:30,279 --> 00:04:32,719 Speaker 1: fun for for us to write. We love researching and 88 00:04:32,760 --> 00:04:34,800 Speaker 1: we love to just you know, share that stuff with 89 00:04:34,800 --> 00:04:36,800 Speaker 1: each other. So then we figured maybe other people would 90 00:04:36,800 --> 00:04:39,680 Speaker 1: like to listen into and everyone disagrees everyone in a week. 91 00:04:40,360 --> 00:04:43,480 Speaker 1: That's true. Jordan and I are actually pretty pretty disposition 92 00:04:43,480 --> 00:04:46,719 Speaker 1: early opposed people, despite our like very similar taste in 93 00:04:46,720 --> 00:04:49,400 Speaker 1: pop culture. Jordan's the good cop. I'm the bad cop. 94 00:04:50,240 --> 00:04:52,640 Speaker 1: You know what I mean honestly, just with your vocals, 95 00:04:53,480 --> 00:04:55,400 Speaker 1: I mean you're I mean, your your your vocals sort 96 00:04:55,400 --> 00:04:56,840 Speaker 1: of bring that to light right off the bat, and 97 00:04:56,839 --> 00:04:58,680 Speaker 1: I'm like, oh, bad the bad cops here, Like when 98 00:04:58,680 --> 00:05:01,120 Speaker 1: we first met in the first five stat I knew it. 99 00:05:02,400 --> 00:05:04,440 Speaker 1: We'll see if that carries through into the into the 100 00:05:04,680 --> 00:05:07,960 Speaker 1: debate today. Now, listen, you brought an interesting case into 101 00:05:08,080 --> 00:05:12,960 Speaker 1: our serious courts. Do you two have a sweet tooth? Jordan, 102 00:05:14,080 --> 00:05:17,440 Speaker 1: I have a really really bad sweet tooth. It's like 103 00:05:17,680 --> 00:05:20,320 Speaker 1: I have the dietary habits of an our basically. I 104 00:05:20,320 --> 00:05:23,320 Speaker 1: mean it's like, really yeah and so, and that is 105 00:05:23,400 --> 00:05:27,440 Speaker 1: why I tend to side with with milk chocolate over 106 00:05:27,560 --> 00:05:30,880 Speaker 1: dark chocolate, because that's the only thing that can satisfy 107 00:05:31,000 --> 00:05:33,200 Speaker 1: my sweet craving. I mean, that's that's really what it's 108 00:05:33,200 --> 00:05:34,880 Speaker 1: all about. What we were talking a little bit about 109 00:05:34,920 --> 00:05:37,719 Speaker 1: this earlier. But I was a chef at the Hershey 110 00:05:37,800 --> 00:05:41,719 Speaker 1: Country Club in Hershey, Pennsylvania. So I grew up about 111 00:05:41,760 --> 00:05:46,200 Speaker 1: forty minutes away from Hershey and spent many hours toiling 112 00:05:46,200 --> 00:05:48,760 Speaker 1: away in the back room of the country club with 113 00:05:48,839 --> 00:05:54,039 Speaker 1: the chocolate chocolate wafting through my senses. So I come 114 00:05:54,040 --> 00:05:56,040 Speaker 1: by it honestly. Listen. I don't know if this is 115 00:05:56,080 --> 00:05:57,920 Speaker 1: good news for you, Alex at this point, but I 116 00:05:57,920 --> 00:05:59,920 Speaker 1: have like a childhood memory of going to the hersh 117 00:06:00,200 --> 00:06:03,919 Speaker 1: Amusement Park and like eating so much chocolate that I 118 00:06:03,960 --> 00:06:08,039 Speaker 1: then proceeded to get sick, you know, and ruined my days. 119 00:06:08,360 --> 00:06:10,960 Speaker 1: Thank you for unlocking that very nice memory. That's what 120 00:06:11,000 --> 00:06:13,040 Speaker 1: everyone does no where you're not alone, You go there 121 00:06:13,080 --> 00:06:15,760 Speaker 1: and you gorge on chocolate, and then one roller coaster 122 00:06:15,800 --> 00:06:17,719 Speaker 1: puts you out of it, like well, you just kind 123 00:06:17,720 --> 00:06:20,560 Speaker 1: of over Hershey's chocolate. By the end of that stint, 124 00:06:20,800 --> 00:06:23,680 Speaker 1: um yes and no, I think sure. I think hers 125 00:06:23,680 --> 00:06:27,120 Speaker 1: She's is really interesting because they sort of democratized chocolate. 126 00:06:27,160 --> 00:06:29,880 Speaker 1: They their whole the whole Milton Hershey thing was like 127 00:06:30,320 --> 00:06:33,919 Speaker 1: buying lower quality beans and roasting them in a higher temperature, 128 00:06:33,960 --> 00:06:36,560 Speaker 1: which is like arguably worse for the taste of the chocolate, 129 00:06:36,600 --> 00:06:38,520 Speaker 1: but it also made it affordable for the first time 130 00:06:38,520 --> 00:06:42,400 Speaker 1: in history, and like chocolate went into GI rations. So 131 00:06:42,480 --> 00:06:46,560 Speaker 1: it's like he is arguably like more societally important as 132 00:06:46,600 --> 00:06:50,440 Speaker 1: a chocolate teer than as a taste chocolate guy. But no, 133 00:06:50,600 --> 00:06:53,640 Speaker 1: it's not my favorite chocolate. But I love Listen, I 134 00:06:53,680 --> 00:06:55,400 Speaker 1: love it. I just had a road trip recently. I 135 00:06:55,400 --> 00:06:57,040 Speaker 1: was like, it was I think is when I realized 136 00:06:57,520 --> 00:06:59,599 Speaker 1: that I'm old. Like I walked into a little convenient 137 00:06:59,600 --> 00:07:00,680 Speaker 1: shop and I was like, I'll let me get a 138 00:07:00,680 --> 00:07:03,760 Speaker 1: big Hershey bar. I was like, I'm there, and I'm 139 00:07:03,800 --> 00:07:06,000 Speaker 1: there now I'm in Berkeley, so like San Francisco, like 140 00:07:06,080 --> 00:07:09,400 Speaker 1: Jared eli is the is the move. That's true, that's true, 141 00:07:09,400 --> 00:07:11,880 Speaker 1: but probably not even There's gotta be some there's someone 142 00:07:11,920 --> 00:07:14,120 Speaker 1: in Berkeley in a basement right now, counting out their 143 00:07:14,160 --> 00:07:17,080 Speaker 1: own chocolate. You know that that's it. Underneath their garden, 144 00:07:17,240 --> 00:07:20,680 Speaker 1: underneath their sustainable garden, there's like a hatch and you 145 00:07:20,720 --> 00:07:22,880 Speaker 1: gotta get It's like an underworld layer of like a 146 00:07:22,960 --> 00:07:25,280 Speaker 1: chocolate teer. Like there's a there's some Berkeley Willy Wonka 147 00:07:25,280 --> 00:07:29,520 Speaker 1: things happening. I'm sure. I hope solar Power. It's Billy Joe. 148 00:07:30,400 --> 00:07:31,840 Speaker 1: I can tell because I can see You're like, I 149 00:07:31,880 --> 00:07:33,720 Speaker 1: hope what you know and you just don't want to 150 00:07:33,720 --> 00:07:36,640 Speaker 1: reveal it. Jordan, what have you been up to lately? 151 00:07:37,440 --> 00:07:39,600 Speaker 1: Mostly just cranking out of these shows. Yeah, we've been 152 00:07:39,640 --> 00:07:42,720 Speaker 1: working on We've got three weeks for these and also 153 00:07:42,760 --> 00:07:45,640 Speaker 1: hosts an interview show called Inside the Studio and we 154 00:07:45,720 --> 00:07:48,640 Speaker 1: talked talked to that. I love music. I mean, that's 155 00:07:48,640 --> 00:07:50,400 Speaker 1: again it's the point of connection with Alex and I. 156 00:07:50,560 --> 00:07:54,119 Speaker 1: And I'm kind of a musician who was never able 157 00:07:54,160 --> 00:07:56,440 Speaker 1: to actually write anything, and so I think I got 158 00:07:56,480 --> 00:07:58,360 Speaker 1: into journalism because I thought maybe if I got to 159 00:07:58,360 --> 00:08:00,840 Speaker 1: talk to people who could, they would somehow teach me 160 00:08:00,880 --> 00:08:03,680 Speaker 1: the secret of writing music. And it never really happens, 161 00:08:03,720 --> 00:08:05,880 Speaker 1: but I love it anyway. I've been talking to some 162 00:08:05,880 --> 00:08:09,400 Speaker 1: some great folks, the Black Keys, yesterday and uh talking 163 00:08:09,440 --> 00:08:12,680 Speaker 1: to who we Got next week? Def Leppard, Motley Crue 164 00:08:12,720 --> 00:08:16,240 Speaker 1: next week and Journey. Yeah, but again I live, it's 165 00:08:16,280 --> 00:08:19,320 Speaker 1: basically permanently like nineteen seventy five for me and my mind. 166 00:08:19,560 --> 00:08:22,119 Speaker 1: So so getting to talk to these guys is really fun. 167 00:08:22,200 --> 00:08:24,040 Speaker 1: It's still not closer to knowing how to write music, 168 00:08:24,080 --> 00:08:26,640 Speaker 1: but hoping to share their story. I love it to 169 00:08:26,680 --> 00:08:28,880 Speaker 1: listen since you're both music guys and I'm i'm I'm 170 00:08:28,880 --> 00:08:31,080 Speaker 1: not well. My wife took my fourteen year old to 171 00:08:31,160 --> 00:08:33,680 Speaker 1: her first concert? Wow, what was so here? I'm gonna 172 00:08:33,679 --> 00:08:36,079 Speaker 1: ask you to debate this first concert for fourteen year 173 00:08:36,080 --> 00:08:41,680 Speaker 1: old in this modern era? Later was Olivia Rodrigo? Is 174 00:08:41,720 --> 00:08:47,240 Speaker 1: that a worthy first concert? Big time? Right now? Oh? 175 00:08:47,280 --> 00:08:48,920 Speaker 1: I think that's a great first one. She will have 176 00:08:49,080 --> 00:08:51,400 Speaker 1: a much more a cooler story than like, my first 177 00:08:51,400 --> 00:08:56,720 Speaker 1: concert was Olivia Rodrigo than mine, which was Cyprus Hill. Okay, 178 00:08:57,080 --> 00:09:00,520 Speaker 1: that's really good, dude. Mine was mine was Peter, Paul 179 00:09:00,559 --> 00:09:03,120 Speaker 1: and Mary. That's what my parents. My parents took me too. 180 00:09:03,160 --> 00:09:04,960 Speaker 1: So I have I have how did I not know 181 00:09:05,080 --> 00:09:07,320 Speaker 1: this well? Because I lied everyone and say that it 182 00:09:07,400 --> 00:09:09,400 Speaker 1: was The Who when I was like fourteen. But my 183 00:09:09,440 --> 00:09:12,000 Speaker 1: actual first like a big concert was Peter Paul and Mary. 184 00:09:12,040 --> 00:09:16,560 Speaker 1: So I have no claim to being like cool. That's 185 00:09:16,600 --> 00:09:18,480 Speaker 1: pretty I mean, I think that's pretty cool. Jordan's in 186 00:09:18,800 --> 00:09:21,880 Speaker 1: What's what was the first concert for you? Until about 187 00:09:21,880 --> 00:09:23,480 Speaker 1: twenty seconds ago? I was going to say the who 188 00:09:23,480 --> 00:09:26,600 Speaker 1: when I was fourteen, But now that hagel A shamed me. 189 00:09:28,280 --> 00:09:30,400 Speaker 1: It actually was a free always one of three point 190 00:09:30,440 --> 00:09:34,320 Speaker 1: three concert at the Boston Hatshell for America of a 191 00:09:34,320 --> 00:09:38,560 Speaker 1: horse n I hate that song, so I might I 192 00:09:38,640 --> 00:09:44,800 Speaker 1: might lose. If you had admitted to that, I would 193 00:09:44,800 --> 00:09:47,920 Speaker 1: have said, who I love it. Now we're gonna get 194 00:09:47,920 --> 00:09:49,960 Speaker 1: into the battle, but real quick. So Alex, are you 195 00:09:50,000 --> 00:09:54,480 Speaker 1: as opinionated as Jordan's more so? More so? Alright, alright, 196 00:09:55,080 --> 00:09:57,040 Speaker 1: quick on the quick, with the quick on the trigger 197 00:09:57,080 --> 00:09:59,440 Speaker 1: to you need snap judgments. I'm your guy. I won't 198 00:09:59,440 --> 00:10:03,360 Speaker 1: think about I regret it at fact. And Jordan's what's 199 00:10:03,400 --> 00:10:05,920 Speaker 1: your thing with British candy? You have a deep interest 200 00:10:05,960 --> 00:10:08,959 Speaker 1: in British candy? Oh yeah, I I wanted just to 201 00:10:09,040 --> 00:10:11,440 Speaker 1: do British candy versus American candy. But then that would 202 00:10:11,440 --> 00:10:14,200 Speaker 1: have turned into like a beautiful mind style like meltdown 203 00:10:14,280 --> 00:10:16,920 Speaker 1: for me. Of just making a huge list of all 204 00:10:16,920 --> 00:10:18,920 Speaker 1: the pros and cons of the British have. They have 205 00:10:19,000 --> 00:10:21,640 Speaker 1: the best sweets across the board. They have the best chocolate. 206 00:10:21,679 --> 00:10:23,760 Speaker 1: I think quality. I love the because I think the 207 00:10:23,800 --> 00:10:26,040 Speaker 1: English cadberries is like a totally different brand than the 208 00:10:26,040 --> 00:10:28,840 Speaker 1: stuff we get over here from the Cadberry Marquis, but 209 00:10:28,880 --> 00:10:32,320 Speaker 1: they're there. Chocolate bars are so much better. They're cookies 210 00:10:32,360 --> 00:10:35,400 Speaker 1: are so much better. They're baked goods. Like just that. 211 00:10:35,880 --> 00:10:38,120 Speaker 1: They do sweets so much better there, I feel like, 212 00:10:38,160 --> 00:10:40,120 Speaker 1: and even stuff like sticky toffee pudding. Have you ever 213 00:10:40,120 --> 00:10:44,600 Speaker 1: had that? That's like it's pure, It's it's pure melted 214 00:10:44,679 --> 00:10:49,160 Speaker 1: sugar goodness on a little cloud of sponge cake. It's 215 00:10:49,160 --> 00:10:52,240 Speaker 1: the best thing in the world. How can you not heart? Yeah, 216 00:10:52,280 --> 00:10:58,000 Speaker 1: it's just invert sugar and ground bread. That is so British. 217 00:10:58,080 --> 00:10:59,720 Speaker 1: And then you go up north to Scotland you get 218 00:10:59,720 --> 00:11:01,640 Speaker 1: it deep fried too, So yeah, I just think they 219 00:11:01,679 --> 00:11:03,840 Speaker 1: do it so much better. Alright, alright, so deep opinions. 220 00:11:03,840 --> 00:11:07,040 Speaker 1: In a perfect segue into our debate, Jordan, tell us 221 00:11:07,080 --> 00:11:09,600 Speaker 1: about the case that you've brought to the food court 222 00:11:09,640 --> 00:11:11,720 Speaker 1: today in a sentence or so, I am here to 223 00:11:11,760 --> 00:11:14,360 Speaker 1: defend the honor of milk chocolate, which I feel has 224 00:11:14,440 --> 00:11:17,360 Speaker 1: become even the despite its ubiquity, kind of the the 225 00:11:17,440 --> 00:11:20,800 Speaker 1: underdog in recent years, given the rise of you know, 226 00:11:21,000 --> 00:11:23,760 Speaker 1: premium chocolate brands. I'm here to defend that, all right, 227 00:11:23,840 --> 00:11:26,040 Speaker 1: And Alex, that means you have a different opinion. I'm 228 00:11:26,080 --> 00:11:29,720 Speaker 1: assuming yes, I am taking the vantage point of dark chocolate, 229 00:11:30,080 --> 00:11:34,600 Speaker 1: arguing for its complexity and depth and and much more 230 00:11:34,720 --> 00:11:39,920 Speaker 1: interesting capabilities. Alex joining us from Berkeley via Brooklyn, taking 231 00:11:40,000 --> 00:11:45,240 Speaker 1: the road of dark chocolate, I am a coastal Okay, 232 00:11:45,440 --> 00:11:46,839 Speaker 1: here we go. Now listen. Before we get into the 233 00:11:46,920 --> 00:11:50,880 Speaker 1: official arguments, we like to have a quick trivia round. Gentlemen, 234 00:11:50,920 --> 00:11:54,040 Speaker 1: are you ready for our trivia round? Please? Okay, If 235 00:11:54,080 --> 00:11:56,199 Speaker 1: you win the trivia around, the prize that you get 236 00:11:56,559 --> 00:11:58,280 Speaker 1: is that you get to make the ultimate decision on 237 00:11:58,360 --> 00:12:02,040 Speaker 1: when you present argument. You go first, word, you go second. Now, 238 00:12:02,280 --> 00:12:05,520 Speaker 1: since you're both remoting in from other cities, we have 239 00:12:05,559 --> 00:12:07,959 Speaker 1: to be creative with our buzzer sounds. You don't get 240 00:12:07,960 --> 00:12:09,520 Speaker 1: to use even though I'm in studio for the first 241 00:12:09,520 --> 00:12:11,760 Speaker 1: time in a while, you don't get to use this 242 00:12:13,040 --> 00:12:15,280 Speaker 1: sound effect. You have to come up with your own 243 00:12:15,320 --> 00:12:17,560 Speaker 1: noise and you're both music guys, so this should be 244 00:12:17,640 --> 00:12:20,679 Speaker 1: kind of interesting. Although we're putting you on the spot. Jordan, 245 00:12:20,760 --> 00:12:23,120 Speaker 1: go ahead, go get whatever you gotta get. Jordan, he's going, 246 00:12:23,240 --> 00:12:25,120 Speaker 1: I don't know this is this is gonna be interesting. 247 00:12:25,160 --> 00:12:28,880 Speaker 1: So Alex, you'll go first. What sound will you be 248 00:12:29,000 --> 00:12:32,120 Speaker 1: using to buzz in today? Oh? Gosh, how about a ding? 249 00:12:32,480 --> 00:12:36,000 Speaker 1: Like a being? Oh my god, Jordan, come on, dude, Okay, Alex, 250 00:12:36,040 --> 00:12:38,840 Speaker 1: you're gonna go with the verbal being, which is uh. 251 00:12:38,920 --> 00:12:41,000 Speaker 1: It's a smart call, Alex, and be honest. And Jordan's 252 00:12:41,000 --> 00:12:46,680 Speaker 1: you've grabbed a grabbed the harp a harp. I love 253 00:12:46,760 --> 00:12:49,520 Speaker 1: that you just have a harp though, yeah you know, yeah, 254 00:12:49,559 --> 00:12:52,320 Speaker 1: who doesn't have a harp? I mean, and it was 255 00:12:52,360 --> 00:12:55,480 Speaker 1: only like seven seconds away from you. I mean, my 256 00:12:55,520 --> 00:12:58,280 Speaker 1: apartment is kind of the visual representation of our show. 257 00:12:58,360 --> 00:13:01,160 Speaker 1: I have a piece of John Lennon carpet framed above 258 00:13:01,280 --> 00:13:03,640 Speaker 1: my desk. I have want to earnest Hemingway's fishing lures 259 00:13:03,720 --> 00:13:06,080 Speaker 1: around here, got a piece of the Berlin wall. Yeah, 260 00:13:06,080 --> 00:13:08,640 Speaker 1: it's kind of the The tritus of my apartment matches 261 00:13:08,679 --> 00:13:11,040 Speaker 1: the kind of random tangents we go on on too 262 00:13:11,080 --> 00:13:12,880 Speaker 1: much information. I really love that. Does the harp have 263 00:13:12,920 --> 00:13:15,079 Speaker 1: any historical value? No, it was a good for my girlfriend. 264 00:13:15,640 --> 00:13:18,360 Speaker 1: I love it. I love it and potentially not a 265 00:13:18,400 --> 00:13:21,600 Speaker 1: bad weapon in self defense. It's it's absolutely needed. Like 266 00:13:21,640 --> 00:13:23,800 Speaker 1: I'm a golfer, so like the golf club. Like if 267 00:13:23,840 --> 00:13:25,680 Speaker 1: if it's if it's going down late at night, something 268 00:13:25,720 --> 00:13:27,559 Speaker 1: happens in my house, it's gonna be a nine iron. 269 00:13:28,160 --> 00:13:29,920 Speaker 1: That is the self defense. I don't are you going 270 00:13:29,960 --> 00:13:31,400 Speaker 1: for the harp? Are you're going You're not going for 271 00:13:31,440 --> 00:13:33,000 Speaker 1: the or the piece of the Berlin wall. I don't know. 272 00:13:33,160 --> 00:13:34,680 Speaker 1: I'm gonna go for the harp. It's also good for 273 00:13:34,679 --> 00:13:36,960 Speaker 1: cutting hard boiled eggs to kind of like smush them 274 00:13:36,960 --> 00:13:42,320 Speaker 1: through the strings. The charatara that we're deep, we're deep 275 00:13:42,320 --> 00:13:44,679 Speaker 1: into pasta making. Who knew where were going there, Alex. 276 00:13:44,679 --> 00:13:46,000 Speaker 1: I'm not gonna ask you what you're gonna use for 277 00:13:46,040 --> 00:13:50,320 Speaker 1: self defense. Um, because you're studying some sort of martial art. 278 00:13:50,360 --> 00:13:53,200 Speaker 1: I can tell something he does, aren't you? Actually? Yeah, 279 00:13:53,200 --> 00:13:58,040 Speaker 1: I'm a I'm a black anything. Not a lot to 280 00:13:58,080 --> 00:14:01,040 Speaker 1: do in Pennsylvania. You gotta have weird hotties. I know you. Listen, 281 00:14:01,120 --> 00:14:03,079 Speaker 1: some of my best friends are from Pennsylvania and this 282 00:14:03,200 --> 00:14:07,320 Speaker 1: is sorry. Ready to get into our trivia. Here we go. 283 00:14:07,400 --> 00:14:13,000 Speaker 1: We have our sounds versus the harp. All right, question one, Oh, Henry, 284 00:14:13,600 --> 00:14:16,920 Speaker 1: isn't the only defunct candy bar with an exclamation point? 285 00:14:17,559 --> 00:14:20,520 Speaker 1: The blank bar was named after the star slugger who 286 00:14:20,520 --> 00:14:23,560 Speaker 1: played for the New York Yankees in the late seventies. 287 00:14:23,880 --> 00:14:28,920 Speaker 1: What defunct candy bar has an exclamation point? Gentlemen? Do 288 00:14:28,960 --> 00:14:30,400 Speaker 1: you need a hand? You can buzz in whenever you want. 289 00:14:30,400 --> 00:14:33,400 Speaker 1: By the way, this is speed thing. Such a good question. 290 00:14:33,920 --> 00:14:36,760 Speaker 1: I got it. Okay. The person that this bar was 291 00:14:36,840 --> 00:14:41,600 Speaker 1: named after was also known as Mr October. Mr October, 292 00:14:42,200 --> 00:14:45,520 Speaker 1: both New Yorkers. Alex, you lived in Brooklyn? Uh? It 293 00:14:45,600 --> 00:14:47,720 Speaker 1: was a New York Yankee, a famous New York Yankee 294 00:14:47,720 --> 00:14:51,960 Speaker 1: in the seventies. Okay, Alex, is it Reggie Jackson? Is 295 00:14:51,960 --> 00:14:54,000 Speaker 1: it the form of question? Who was Reggie Jackson? You 296 00:14:54,000 --> 00:14:55,840 Speaker 1: can do it however you want, Alex. At this point 297 00:14:55,840 --> 00:14:57,600 Speaker 1: we're just just hoping to get one answer out of 298 00:14:57,600 --> 00:15:03,600 Speaker 1: either of you and Reggie Jackson. Reggie Jackson is correct. Wow, 299 00:15:03,800 --> 00:15:06,840 Speaker 1: nice pulling it out of nowhere. By the way, I 300 00:15:06,880 --> 00:15:09,360 Speaker 1: love no one. You can't see Jordan, but he's ready 301 00:15:09,400 --> 00:15:13,120 Speaker 1: to strum that hard like he's in position. The bar, 302 00:15:13,240 --> 00:15:15,760 Speaker 1: named after Reggie Jackson was handed out to people entering 303 00:15:15,840 --> 00:15:19,520 Speaker 1: Yankee Stadium, but disappeared in the eighties. It's okay, here 304 00:15:19,560 --> 00:15:22,080 Speaker 1: we go, question two with Alex up one zero. In 305 00:15:22,080 --> 00:15:25,840 Speaker 1: England you can find deep fried mars bars at chip 306 00:15:25,880 --> 00:15:28,840 Speaker 1: shops all over the place. But what candy bars the 307 00:15:28,840 --> 00:15:33,080 Speaker 1: most popular one to deep fry at state fairs across America. 308 00:15:33,520 --> 00:15:36,440 Speaker 1: I have no hits. That was I heard us. I 309 00:15:36,480 --> 00:15:38,520 Speaker 1: saw the strum, but I didn't hear it. But Jordan's 310 00:15:38,800 --> 00:15:40,720 Speaker 1: that was Alex that we're getting up. We're getting word 311 00:15:40,720 --> 00:15:42,720 Speaker 1: from the booth that it was Alex who came in first. 312 00:15:43,640 --> 00:15:45,440 Speaker 1: I don't know. It's a WiFi thing. I think Jordans 313 00:15:45,480 --> 00:15:52,359 Speaker 1: go ahead, Alex. Is it snickers? Oh? The answer is snickers. 314 00:15:53,120 --> 00:15:56,280 Speaker 1: Alex fell from my old stick. Being a judge on 315 00:15:56,400 --> 00:16:00,400 Speaker 1: food competition shows the old change of direction. It is 316 00:16:00,480 --> 00:16:03,800 Speaker 1: snicker bars deep fried at fairs across the United States. 317 00:16:03,840 --> 00:16:08,440 Speaker 1: Producer Crystal proudly from the state of Kansas. I'm assuming 318 00:16:08,480 --> 00:16:12,440 Speaker 1: you've had a deep Fried sneakers bar out of state fair. Nope, No, okay, 319 00:16:14,440 --> 00:16:18,240 Speaker 1: handle it there. It is okay, now listen That means, Alex, 320 00:16:18,280 --> 00:16:21,040 Speaker 1: you are up to to zero with one question remaining. 321 00:16:21,240 --> 00:16:24,080 Speaker 1: Good thing is on food court. Question three is worth 322 00:16:24,120 --> 00:16:27,880 Speaker 1: two and a half points, so question three can take 323 00:16:27,920 --> 00:16:31,520 Speaker 1: it home right here. In the movie The Goonies, m 324 00:16:32,800 --> 00:16:35,880 Speaker 1: Chunk and his new friends Sloth bond over their love 325 00:16:36,040 --> 00:16:42,720 Speaker 1: of what Candy bar or Jordan's proudly with the harp 326 00:16:42,840 --> 00:16:46,720 Speaker 1: coming in with Baby Ruth, which is correct. What a 327 00:16:46,840 --> 00:16:51,920 Speaker 1: scene Baby Ruth bonding over their love of the big Classic. 328 00:16:53,840 --> 00:16:56,240 Speaker 1: I do the food and beverage for the San Diego Symphony, 329 00:16:56,280 --> 00:16:58,720 Speaker 1: which just opened up an amazing theater called the Shell, 330 00:16:59,160 --> 00:17:02,760 Speaker 1: which is sort of like Hollywood Bowl but newer. And 331 00:17:02,920 --> 00:17:05,320 Speaker 1: last year I got to see the Goonies than with 332 00:17:05,359 --> 00:17:07,680 Speaker 1: the Symphony playing the soundtrack for the Goonies, and it 333 00:17:07,720 --> 00:17:13,200 Speaker 1: was incredible, incredible. Jordan's you have two and a half points. 334 00:17:13,240 --> 00:17:16,920 Speaker 1: I mean you get to decide who presents their case first. 335 00:17:16,960 --> 00:17:19,240 Speaker 1: You want to bat first? What do you want Alex 336 00:17:19,280 --> 00:17:21,320 Speaker 1: to bat first? I would? I want Alex to go. 337 00:17:21,359 --> 00:17:23,119 Speaker 1: I want to see what we're working with here. He 338 00:17:23,200 --> 00:17:25,439 Speaker 1: talks a big game, but I want to see this. Okay, 339 00:17:25,480 --> 00:17:29,200 Speaker 1: I'm in your head. I'm in your head. I own 340 00:17:29,280 --> 00:17:42,320 Speaker 1: you that's so cool. And we are back today in 341 00:17:42,400 --> 00:17:46,520 Speaker 1: the food courts, and we have friends podcasters hosts Gentleman 342 00:17:46,520 --> 00:17:49,920 Speaker 1: extraordinaire Jordan and Alexander here to argue milk first, dark chocolate. 343 00:17:49,920 --> 00:17:51,560 Speaker 1: The way this works is that each of you will 344 00:17:51,560 --> 00:17:54,000 Speaker 1: have three minutes to state your case. During this three minutes, 345 00:17:54,160 --> 00:17:56,480 Speaker 1: you need to lay out your case and not focus 346 00:17:56,520 --> 00:17:58,919 Speaker 1: on your opponent or their case. Use the three minutes 347 00:17:59,280 --> 00:18:02,080 Speaker 1: as your camp hating time to really convince me that 348 00:18:02,160 --> 00:18:06,000 Speaker 1: you're correct. Does this make sense? Yes? Absolutely, all right, now, 349 00:18:06,080 --> 00:18:08,640 Speaker 1: now don't fret. You'll get two minutes of rebuttal time 350 00:18:08,720 --> 00:18:12,840 Speaker 1: to let your opponent know why their position is absolutely 351 00:18:12,880 --> 00:18:15,439 Speaker 1: wrong after so don't worry. Okay, here we go. The 352 00:18:15,480 --> 00:18:18,920 Speaker 1: first argument is going to be alex for dark chocolate. 353 00:18:19,000 --> 00:18:25,160 Speaker 1: Your three minutes starts now. Okay, So the health benefits 354 00:18:25,160 --> 00:18:27,600 Speaker 1: of dark chocolate are I'm not even gonna bother repeating 355 00:18:27,600 --> 00:18:29,480 Speaker 1: those because you can just google them in thirty seconds 356 00:18:29,520 --> 00:18:32,159 Speaker 1: and you'll find seventeen different listicles that are, like, you know, 357 00:18:32,240 --> 00:18:36,800 Speaker 1: dark chocolate is fiber, minimal, minerals, so on and so forth. 358 00:18:37,160 --> 00:18:40,080 Speaker 1: My argument in favor of dark chocolate boils down to 359 00:18:40,119 --> 00:18:42,520 Speaker 1: the following question that I will put to you, Mr Runt, 360 00:18:42,720 --> 00:18:46,040 Speaker 1: Would you rather be popular or would you rather be interesting? 361 00:18:46,760 --> 00:18:49,720 Speaker 1: Because everyone knows I'm not here to just try and 362 00:18:49,760 --> 00:18:53,399 Speaker 1: sway public opinion. And milk chocolate is is the favorite 363 00:18:53,400 --> 00:18:59,240 Speaker 1: across the country. But but it is showy, it is 364 00:18:59,400 --> 00:19:02,439 Speaker 1: a peak talk. It is uh it is it is 365 00:19:02,520 --> 00:19:06,320 Speaker 1: playing to the cheap seats. Dark chocolate is the underdog. 366 00:19:06,600 --> 00:19:10,320 Speaker 1: It takes the path less trodden, and that has made 367 00:19:10,359 --> 00:19:12,959 Speaker 1: all the difference. Here's my and and now we're going 368 00:19:13,000 --> 00:19:15,439 Speaker 1: to get into the food nerds stuff you don't. You 369 00:19:15,480 --> 00:19:19,600 Speaker 1: can put milk chocolate with other forms of sugar and cream, right, 370 00:19:19,720 --> 00:19:22,199 Speaker 1: that's what you get. But you take dark chocolate. You 371 00:19:22,200 --> 00:19:24,479 Speaker 1: can put dark chocolate with anything. Dark chocolate is going 372 00:19:24,480 --> 00:19:26,760 Speaker 1: to bring out the flavor profile of whatever you put 373 00:19:26,800 --> 00:19:29,920 Speaker 1: it with. It's going to make much more interesting combinations 374 00:19:30,080 --> 00:19:33,720 Speaker 1: in whether you're talking savory, whether you're talking sweets, whether 375 00:19:33,760 --> 00:19:37,280 Speaker 1: you're talking other things, which there surely are in the 376 00:19:37,320 --> 00:19:42,120 Speaker 1: world as far as tastes. And you know, look, everyone 377 00:19:42,160 --> 00:19:44,440 Speaker 1: wants to be the guy who sinks the half court shot. 378 00:19:44,560 --> 00:19:46,679 Speaker 1: Everyone wants to be the guy who has the dunk 379 00:19:46,720 --> 00:19:49,000 Speaker 1: from the foul line. Nobody wants to win the sixth 380 00:19:49,040 --> 00:19:51,720 Speaker 1: Man Award. But you know, the sixth Man Award is 381 00:19:51,720 --> 00:19:54,800 Speaker 1: a very important award. Dark chocolate is coming up and 382 00:19:54,880 --> 00:19:58,159 Speaker 1: batting relief. Dark chocolate is coming up and making the 383 00:19:58,480 --> 00:20:02,720 Speaker 1: the outfield catch. You know, milk chocolate is Jack Nicholson 384 00:20:02,960 --> 00:20:05,960 Speaker 1: literally chewing the scenery, breaking through the wall with an axe. 385 00:20:06,359 --> 00:20:09,000 Speaker 1: Dark chocolate is Daniel day Lewis disappearing into a role. 386 00:20:09,400 --> 00:20:11,520 Speaker 1: You never walk out of a film saying god, I 387 00:20:11,560 --> 00:20:14,200 Speaker 1: wonder if that was Jack Nicholson. He really disappeared into 388 00:20:14,240 --> 00:20:16,800 Speaker 1: that role. You never walk out of a tasting experience 389 00:20:16,800 --> 00:20:20,080 Speaker 1: going god, I wonder if there is this incredible over sweet, 390 00:20:20,160 --> 00:20:22,800 Speaker 1: over creamy taste profile. But you can walk out of 391 00:20:22,840 --> 00:20:24,760 Speaker 1: something going god, I had no idea that was Daniel 392 00:20:24,800 --> 00:20:26,800 Speaker 1: day Lewis. And you can walk out of a tasting 393 00:20:26,840 --> 00:20:31,600 Speaker 1: experience saying, wow, they put dark chocolate in that. That's incredible. Uh. 394 00:20:31,640 --> 00:20:33,520 Speaker 1: And you know what, here's if you needed one more. 395 00:20:33,520 --> 00:20:35,080 Speaker 1: I don't even know where I'm at with time. I'll 396 00:20:35,119 --> 00:20:37,200 Speaker 1: just keep going. I'm running an autopilot at this point. 397 00:20:37,320 --> 00:20:41,000 Speaker 1: Dark chocolate can actually make you smarter. It can improve 398 00:20:41,280 --> 00:20:45,640 Speaker 1: blood flow to your brain. It can also reduce insulin 399 00:20:45,720 --> 00:20:49,920 Speaker 1: resistance or improve incident insulin sensitivity. It can help manage 400 00:20:49,960 --> 00:20:52,520 Speaker 1: your cholesterol. It can lower the risk of your heart disease. 401 00:20:52,840 --> 00:20:55,800 Speaker 1: It can possibly reduce high blood pressure. It might even 402 00:20:55,840 --> 00:20:59,680 Speaker 1: improve your gut health, can stimulate the flow of gut 403 00:20:59,760 --> 00:21:04,720 Speaker 1: back Trio. That's my time. Thank you, Oh my god, 404 00:21:05,040 --> 00:21:10,720 Speaker 1: Alex coming out strong, swinging lots of great points. I 405 00:21:10,720 --> 00:21:13,880 Speaker 1: mean the health benefits, you know, that's that's one that 406 00:21:13,960 --> 00:21:17,120 Speaker 1: we knew was gonna come up, for sure, But who knew? 407 00:21:17,160 --> 00:21:19,879 Speaker 1: Who knew that dark chocolate was this side arm middle 408 00:21:19,960 --> 00:21:23,399 Speaker 1: left handed reliever on the baseball diamond or the sixth Man. 409 00:21:23,880 --> 00:21:26,320 Speaker 1: I resonate with this. I am. I'm the sixth man, 410 00:21:26,560 --> 00:21:30,440 Speaker 1: producer Crystal talk, I'm the sixth Man. I love that. 411 00:21:31,000 --> 00:21:35,119 Speaker 1: No guts, no glory. Jack Nicholson's pretty popular. That's the 412 00:21:35,160 --> 00:21:38,240 Speaker 1: only thing there. It's like milk chocolates popular. And you know, 413 00:21:38,359 --> 00:21:40,399 Speaker 1: is he is it more of the John c Riley 414 00:21:41,080 --> 00:21:43,040 Speaker 1: of the world. I damn it. I should have gone 415 00:21:43,040 --> 00:21:47,000 Speaker 1: with that. That happens. But we're feeling things there and 416 00:21:47,080 --> 00:21:56,560 Speaker 1: like Lauren, cholesterol and makes you smarter that Okay, listen, 417 00:21:57,960 --> 00:22:00,720 Speaker 1: Jordan's you will have your time right now. Three minutes 418 00:22:00,760 --> 00:22:03,119 Speaker 1: to go, we'll do some fact checking on whether or 419 00:22:03,119 --> 00:22:06,280 Speaker 1: not chocolate makes you smarter during your three minutes, Jordan, 420 00:22:06,359 --> 00:22:09,040 Speaker 1: Your three minutes to let us know why milk chocolate 421 00:22:09,119 --> 00:22:12,280 Speaker 1: is amazing starts now. Well. To me, it's very hard 422 00:22:12,359 --> 00:22:14,880 Speaker 1: not to make my pro milk chocolate case a continuation 423 00:22:14,960 --> 00:22:18,000 Speaker 1: of my anti dark chocolate case. But today I stand 424 00:22:18,040 --> 00:22:21,119 Speaker 1: before you to argue the merits, the benefits, the life 425 00:22:21,160 --> 00:22:24,600 Speaker 1: giving properties, if you will, of milk chocolate defined as 426 00:22:24,640 --> 00:22:28,520 Speaker 1: containing UNCO. That's not how you say that, but we're 427 00:22:28,560 --> 00:22:30,760 Speaker 1: gonna go with it. Given the recent rise of the 428 00:22:30,840 --> 00:22:34,359 Speaker 1: dark chocolate agenda here and after, referred to as big Dark, 429 00:22:34,680 --> 00:22:38,600 Speaker 1: the milky alternative has been given a bad, slanderous reputation 430 00:22:38,880 --> 00:22:42,600 Speaker 1: as the cheap, poor quality option. The good stuff diluted 431 00:22:42,640 --> 00:22:45,679 Speaker 1: with powdered milk not on my cheap cocaine, but for 432 00:22:45,720 --> 00:22:48,960 Speaker 1: anyone with a real sweet tooth, milk chocolate satisfies this 433 00:22:49,040 --> 00:22:52,040 Speaker 1: craving like no other. Despite its ubiquity, I think milk 434 00:22:52,119 --> 00:22:54,760 Speaker 1: chocolate is now the underdog, and I'm here to stand 435 00:22:54,840 --> 00:22:57,399 Speaker 1: up for it. I may not have the sports analogies 436 00:22:57,440 --> 00:23:00,520 Speaker 1: at my fingertips. Michael Steamed, colleague I'm not have the 437 00:23:00,600 --> 00:23:04,440 Speaker 1: depth of actors and their performances and metaphors at my fingertips, 438 00:23:04,440 --> 00:23:07,000 Speaker 1: but I bring heart. So please allow me to start 439 00:23:07,200 --> 00:23:10,360 Speaker 1: with milk chocolates trademark the way it melts in your 440 00:23:10,359 --> 00:23:15,000 Speaker 1: mouth what Gourmand's referred to as mouth feel. Milk proteins 441 00:23:15,000 --> 00:23:17,440 Speaker 1: in the chocolate had a velvety creaminess, and the butter 442 00:23:17,560 --> 00:23:21,080 Speaker 1: fat softens the cocoa butter, giving it a smooth even melt. 443 00:23:21,359 --> 00:23:24,440 Speaker 1: And milk chocolate has a much more complex flavor profile 444 00:23:24,480 --> 00:23:27,399 Speaker 1: than most, including my esteemed colleague, give it credit for, 445 00:23:27,760 --> 00:23:31,639 Speaker 1: with traces of decadent caramel and traces of toffee and 446 00:23:31,720 --> 00:23:35,720 Speaker 1: also multi deliciousness. It's so good that people we all 447 00:23:35,840 --> 00:23:41,000 Speaker 1: sorts of items enrobed in milk chocolate, including crickets, grasshoppers, 448 00:23:41,040 --> 00:23:44,520 Speaker 1: and worms. And you know, it's also the relative newcomer 449 00:23:44,560 --> 00:23:46,240 Speaker 1: on the block when it comes to chocolate, so it 450 00:23:46,280 --> 00:23:49,480 Speaker 1: represents the wave of the future, the cutting edge better 451 00:23:49,520 --> 00:23:52,240 Speaker 1: living through chemistry. It was invented a hundred fifty years 452 00:23:52,240 --> 00:23:54,760 Speaker 1: ago when on Rinestly figured out how to make powdered 453 00:23:54,800 --> 00:23:57,360 Speaker 1: milk and another squist chocolate here mixed it with dark 454 00:23:57,440 --> 00:24:01,560 Speaker 1: chocolate to create the first milk chocolate in world. And finally, 455 00:24:01,840 --> 00:24:04,520 Speaker 1: it's generally cheaper due to the fact there's less cocao. 456 00:24:04,560 --> 00:24:07,000 Speaker 1: Why can't I say that word coco? Just go with 457 00:24:07,080 --> 00:24:09,920 Speaker 1: that used, leaving you with more money left in your 458 00:24:09,960 --> 00:24:13,879 Speaker 1: pocket to purchase even more chocolate. And I'd like to 459 00:24:14,040 --> 00:24:16,479 Speaker 1: use whatever remaining time I have to do a dramatic 460 00:24:16,600 --> 00:24:24,880 Speaker 1: roll call of my favorite milk chocolate bars, crunch Kit, Cats, Tablerone, Twix, 461 00:24:25,760 --> 00:24:30,400 Speaker 1: Milky Way, Snickers, and I'll see the rest of my time. 462 00:24:30,480 --> 00:24:37,959 Speaker 1: Thank you. Jordan's resting his case. Tablarone makes an appearance. 463 00:24:38,840 --> 00:24:42,800 Speaker 1: Milk chocolate. Milk chocolate, the chocolate of the future, the 464 00:24:42,960 --> 00:24:48,159 Speaker 1: progressive chocolate, the one that goes with everything. Listen, I 465 00:24:48,160 --> 00:24:51,200 Speaker 1: mean we may have to eat crickets at some point 466 00:24:52,480 --> 00:24:54,360 Speaker 1: in are like, we may have to the world may 467 00:24:54,400 --> 00:24:57,200 Speaker 1: have to use the protein found in ground up crickets. 468 00:24:57,280 --> 00:24:59,240 Speaker 1: And how are we going to do that without coding 469 00:24:59,240 --> 00:25:02,760 Speaker 1: them in milk chocolate. What an incredible point that is, 470 00:25:03,359 --> 00:25:05,800 Speaker 1: I mean, science coming to play. There's notes of caramel 471 00:25:05,840 --> 00:25:08,960 Speaker 1: and toffee, probably because there's lots of sugar and milk chocolate. 472 00:25:10,000 --> 00:25:13,760 Speaker 1: It's probably where those notes come from. Both amazing and 473 00:25:14,320 --> 00:25:18,119 Speaker 1: let's be honest, butter fat is a great thing to say. 474 00:25:19,040 --> 00:25:23,280 Speaker 1: There's I mean, it's we're talking about melting point and 475 00:25:23,440 --> 00:25:27,200 Speaker 1: mouth feel, but my mouth feels good saying melting point 476 00:25:27,240 --> 00:25:30,280 Speaker 1: and butterfat. Two great cases. Here we go two minutes 477 00:25:30,359 --> 00:25:33,560 Speaker 1: of rebuttle time, and we are well, we have a 478 00:25:33,640 --> 00:25:38,320 Speaker 1: fact coming in, and it is true that dark chocolate 479 00:25:38,480 --> 00:25:41,879 Speaker 1: may also improve the function of your brain. So we 480 00:25:41,960 --> 00:25:45,600 Speaker 1: googled this, speaking amazing function of the brain. Both of 481 00:25:45,600 --> 00:25:48,200 Speaker 1: you with great first rounds. Alex, you're up for a rebuttal. 482 00:25:48,240 --> 00:25:50,359 Speaker 1: You got two minutes to let Jordan know why milk 483 00:25:50,480 --> 00:25:56,080 Speaker 1: chocolate sucks. Your time starts now, I mean, Jordan's I 484 00:25:56,440 --> 00:25:59,639 Speaker 1: appreciate everything you're saying, but you're coming from a place 485 00:25:59,720 --> 00:26:03,000 Speaker 1: of fundamental wrongness. I think your strawman argument is that 486 00:26:03,040 --> 00:26:06,359 Speaker 1: you're painting milk chocolate is an underdog. In what world 487 00:26:06,359 --> 00:26:09,160 Speaker 1: do you live in where that's actually true? I don't 488 00:26:09,240 --> 00:26:12,680 Speaker 1: understand where this this notion of I mean, you take 489 00:26:13,320 --> 00:26:16,960 Speaker 1: something like a butter fat and you combine it with sugar, 490 00:26:17,320 --> 00:26:20,119 Speaker 1: How is that an underdog? That doesn't make any sense 491 00:26:20,160 --> 00:26:23,480 Speaker 1: to me, you know, and frankly, it's a bad faith 492 00:26:23,600 --> 00:26:27,040 Speaker 1: argument and I'm upset that you even brought this into 493 00:26:27,080 --> 00:26:31,600 Speaker 1: our our friendship. But you know, I also argue for 494 00:26:31,680 --> 00:26:34,240 Speaker 1: the I don't think you even addressed my point, which 495 00:26:34,280 --> 00:26:38,760 Speaker 1: is that dark chocolate is ultimately the more versatile of 496 00:26:38,800 --> 00:26:41,119 Speaker 1: the two. Again, you don't, and you don't know this 497 00:26:41,200 --> 00:26:43,679 Speaker 1: because I think you only cook like chicken breasts to 498 00:26:43,720 --> 00:26:50,080 Speaker 1: feed yourself. But you have you ever? Have you ever 499 00:26:50,400 --> 00:26:54,240 Speaker 1: tasted a perfectly done mola sauce? Have you had something 500 00:26:54,280 --> 00:26:59,200 Speaker 1: that involves the actual taste profile of the older, more established, 501 00:26:59,280 --> 00:27:04,640 Speaker 1: more i'mal and sacred as dark profile of dark chocolate. 502 00:27:04,680 --> 00:27:07,280 Speaker 1: Have you I don't think you have, because you wouldn't 503 00:27:07,320 --> 00:27:11,680 Speaker 1: then have the palette of a small child crying incessantly 504 00:27:11,840 --> 00:27:15,399 Speaker 1: for sweets and milk fats and droning on and on 505 00:27:15,480 --> 00:27:19,960 Speaker 1: about mouth feel. I'm sorry you wouldn't. I feel like 506 00:27:19,960 --> 00:27:23,119 Speaker 1: you're arguing from a complete pace of of bad faith 507 00:27:23,240 --> 00:27:26,120 Speaker 1: and fake news. And you know, frankly, I'm gonna walk 508 00:27:26,119 --> 00:27:28,320 Speaker 1: off this debate stage. I mean, I mean, I don't. 509 00:27:29,480 --> 00:27:34,959 Speaker 1: I've insulted, I yield my time, yielding the two seconds 510 00:27:35,000 --> 00:27:38,080 Speaker 1: that we left. I don't know, Crystal, we have to 511 00:27:38,119 --> 00:27:39,520 Speaker 1: go back in the archives here. I don't know if 512 00:27:39,560 --> 00:27:43,480 Speaker 1: we've had a rebuttal that was so personal. You know, 513 00:27:43,560 --> 00:27:45,719 Speaker 1: he really caught me off off off guard, so I 514 00:27:45,760 --> 00:27:49,359 Speaker 1: had to when he goes high, I go low, Jordian 515 00:27:49,680 --> 00:27:51,560 Speaker 1: just before as we go forward this the court just 516 00:27:51,600 --> 00:27:54,200 Speaker 1: wants to acknowledge there's nothing wrong with simple chicken breasts cook. 517 00:27:54,280 --> 00:27:56,240 Speaker 1: Thank you, thank you very much. I think it's again. 518 00:27:57,440 --> 00:27:59,399 Speaker 1: I'd like to have any time that he seated, and 519 00:27:59,480 --> 00:28:01,720 Speaker 1: also the time time that I seated for my rebuttal. 520 00:28:01,800 --> 00:28:04,080 Speaker 1: I'd like to to really double down on my rebuttal 521 00:28:04,160 --> 00:28:07,879 Speaker 1: time now in the wake of these slanderous personal this 522 00:28:07,960 --> 00:28:10,160 Speaker 1: court will not allow any more time. But this court 523 00:28:10,200 --> 00:28:11,840 Speaker 1: will allow you to go as hard as you'd like 524 00:28:11,920 --> 00:28:15,680 Speaker 1: for the next two minutes, and your rebuttle time Jordan's 525 00:28:15,720 --> 00:28:19,119 Speaker 1: starts now. Dark chocolate lovers, like my esteemped colleague here, 526 00:28:19,200 --> 00:28:22,200 Speaker 1: loved to tout the alleged health benefits, to which I say, 527 00:28:22,400 --> 00:28:24,440 Speaker 1: you gotta be healthy. Eat a damn apple. That's like 528 00:28:24,520 --> 00:28:27,880 Speaker 1: choosing vodka over whiskey because it has lower calories. Embrace 529 00:28:27,960 --> 00:28:31,960 Speaker 1: your questionable decision, you cowards. And also, Mars Incorporated, over 530 00:28:31,960 --> 00:28:34,680 Speaker 1: the last fifty years has sponsored a hundred studies looking 531 00:28:34,720 --> 00:28:38,480 Speaker 1: at the benefits of chocolate dark chocolate, and surprise of 532 00:28:38,480 --> 00:28:42,000 Speaker 1: those had positive outcomes because they're funding them. Something's fishy. 533 00:28:42,000 --> 00:28:44,000 Speaker 1: When I want a sweet treat, I do not reach 534 00:28:44,040 --> 00:28:46,120 Speaker 1: for dark chocolate for the same reason that I don't 535 00:28:46,120 --> 00:28:48,320 Speaker 1: reach for a piece of chalk or a miniature bar 536 00:28:48,400 --> 00:28:52,440 Speaker 1: of hotel soap. Because it's bitter, dry, dusty, crumbly, and 537 00:28:52,520 --> 00:28:56,520 Speaker 1: largely edible. It's both an abomination of taste and mouth feel. Sure, 538 00:28:56,640 --> 00:28:58,520 Speaker 1: dark chocolate is more natural, but you know what else 539 00:28:58,600 --> 00:29:02,640 Speaker 1: is natural? Malaria, rocks, tornadoes. I don't need a reminder 540 00:29:02,680 --> 00:29:04,960 Speaker 1: that my candy is from nature. In fact, the more 541 00:29:05,000 --> 00:29:07,440 Speaker 1: unnatural the better. In my opinion, the only way milk 542 00:29:07,480 --> 00:29:10,240 Speaker 1: chocolate could be improved it isn't more closely resembled the 543 00:29:10,320 --> 00:29:14,000 Speaker 1: unholy neon rainbow of a fun fetty cake. Milk chocolate 544 00:29:14,120 --> 00:29:17,280 Speaker 1: is fun. Dark chocolate is for adults. It's the chocolate 545 00:29:17,320 --> 00:29:20,440 Speaker 1: that says, my peloton is exacerbating my lower back problems. 546 00:29:20,640 --> 00:29:23,120 Speaker 1: It's the chocolate that says, I'm aware of Billie Eilish, 547 00:29:23,200 --> 00:29:25,800 Speaker 1: but I'm unable to name any of his songs. It's 548 00:29:25,800 --> 00:29:28,560 Speaker 1: the chocolate that's the character. It's the chocolate that the character. 549 00:29:28,640 --> 00:29:31,160 Speaker 1: Andy no doubt eight at the end of toy Story three, 550 00:29:31,240 --> 00:29:34,600 Speaker 1: after dropping off his donation box. No spoilers, but you 551 00:29:34,600 --> 00:29:37,360 Speaker 1: know what I'm talking about. Dark chocolate is the sophisticated 552 00:29:37,400 --> 00:29:39,560 Speaker 1: thing that we all feel pressured to like, but at 553 00:29:39,560 --> 00:29:42,040 Speaker 1: its heart, we all know it's joyless. We all there 554 00:29:41,920 --> 00:29:44,280 Speaker 1: are many of you say that dark chocolates an afrodisiac, 555 00:29:44,480 --> 00:29:47,120 Speaker 1: but as the Jay Giles Band so eloquently put, it 556 00:29:47,320 --> 00:29:50,479 Speaker 1: loves stinks. So that's another strike against dark chocolate. And 557 00:29:50,520 --> 00:29:52,880 Speaker 1: you know, the high flute and culture around dark chocolate 558 00:29:53,080 --> 00:29:56,280 Speaker 1: is the candy culinary equivalent of wine snobbery. Sure it's 559 00:29:56,280 --> 00:29:58,840 Speaker 1: a little bitter, but it's so complex, and the salt 560 00:29:58,920 --> 00:30:01,840 Speaker 1: really offers like such a an interesting nuance to the flavor, 561 00:30:02,040 --> 00:30:04,720 Speaker 1: to which I say, if I wanted bitter, complex and salty, 562 00:30:04,880 --> 00:30:11,160 Speaker 1: I'd call my friend and co host Alex Heigel. Oh wow, 563 00:30:12,400 --> 00:30:14,880 Speaker 1: you're you're you're virtual. But I'm gonna let that Mike 564 00:30:14,920 --> 00:30:18,800 Speaker 1: cool off a little bit. I miss my kicker. I 565 00:30:18,840 --> 00:30:22,640 Speaker 1: didn't get to my kicker. Damn. Well, listen. Good thing 566 00:30:22,720 --> 00:30:35,720 Speaker 1: is that you'll have final words right after this break. Okay, everyone, 567 00:30:35,800 --> 00:30:38,240 Speaker 1: we are back, and I have had a chance to 568 00:30:38,360 --> 00:30:41,280 Speaker 1: think about my verdict. This one, I'll be honest with you, 569 00:30:41,560 --> 00:30:44,160 Speaker 1: is very very tight. It could go either way before 570 00:30:44,240 --> 00:30:47,200 Speaker 1: I deliver my verdict, Jordan, you were very animated that 571 00:30:47,240 --> 00:30:49,480 Speaker 1: you had something else to say. What would you like 572 00:30:49,560 --> 00:30:51,600 Speaker 1: this court to hear? Yeah, I just want to respond 573 00:30:51,640 --> 00:30:56,120 Speaker 1: to my colleagues accusations that I have an underdeveloped, undersophisticated palette. Well, 574 00:30:56,280 --> 00:30:58,000 Speaker 1: I don't want to have to go through training to 575 00:30:58,160 --> 00:31:00,960 Speaker 1: enjoy my candy. And you know what, Searching this episode, 576 00:31:00,960 --> 00:31:04,360 Speaker 1: I've come across countless articles called how to eat dark chocolate. 577 00:31:04,560 --> 00:31:07,200 Speaker 1: I don't want to how to guide for dessert. And 578 00:31:07,240 --> 00:31:09,640 Speaker 1: also I'd like to add that these names of these 579 00:31:09,680 --> 00:31:12,960 Speaker 1: dark chocolate bars are weirdly sexual, things like Jara Delli, 580 00:31:13,080 --> 00:31:17,080 Speaker 1: Dark Chocolate, Intense, Dark Midnight, Reverie. That's a real chocolate name. 581 00:31:17,240 --> 00:31:19,000 Speaker 1: And now, if there's one thing I know a lot about, 582 00:31:19,120 --> 00:31:22,920 Speaker 1: it's compensation, and this name sounds like it's compensating for something, 583 00:31:23,120 --> 00:31:25,760 Speaker 1: and that's something is terrible taste. The best thing I 584 00:31:25,760 --> 00:31:30,600 Speaker 1: can say about dark chocolate is that it isn't white chocolate. Okay, okay, 585 00:31:30,920 --> 00:31:33,240 Speaker 1: it's setting us up for another debate down the road 586 00:31:33,280 --> 00:31:36,440 Speaker 1: with white chocolate, all right, Alex. Jordan's like Viz. I 587 00:31:36,480 --> 00:31:38,560 Speaker 1: can see he's really this is an emotional this is 588 00:31:38,600 --> 00:31:41,719 Speaker 1: an emotional plea here, Alex, what what what are your 589 00:31:41,720 --> 00:31:45,280 Speaker 1: final words? You see his vain throbbing up. You know, Jordan, 590 00:31:45,360 --> 00:31:47,600 Speaker 1: I want to speak to your point that dark chocolate 591 00:31:47,800 --> 00:31:50,800 Speaker 1: is for adults and it's a bad thing. You can 592 00:31:50,880 --> 00:31:55,160 Speaker 1: live in this perpetual extended adolescents with her candy colors, 593 00:31:55,160 --> 00:31:59,960 Speaker 1: shooks and these so called beach boys, but you can't 594 00:32:00,040 --> 00:32:02,760 Speaker 1: fight City Hall. Time only goes in one direction. You 595 00:32:02,800 --> 00:32:05,320 Speaker 1: have to grow up. At some point you have to 596 00:32:05,360 --> 00:32:07,800 Speaker 1: put away you know, you want to go really personal 597 00:32:07,840 --> 00:32:10,040 Speaker 1: and bring up toy story three. At some point you 598 00:32:10,160 --> 00:32:12,960 Speaker 1: have to put that donation box out. I know we 599 00:32:13,080 --> 00:32:16,520 Speaker 1: love to live in this protracted, extended childhood in America, 600 00:32:16,560 --> 00:32:20,800 Speaker 1: of this infantilizing culture, but that's not how the world works. 601 00:32:20,880 --> 00:32:24,320 Speaker 1: And at some point to be a fully contributing, functioning 602 00:32:24,320 --> 00:32:27,160 Speaker 1: member of society and a fully self actualized human, you 603 00:32:27,160 --> 00:32:30,160 Speaker 1: have to embrace that. And on the other side of that, yes, 604 00:32:30,560 --> 00:32:34,040 Speaker 1: slightly bitter pill is dark chocolate. I yield. By time, 605 00:32:37,440 --> 00:32:41,040 Speaker 1: we're gonna need a ballot? Are we going too dark 606 00:32:41,040 --> 00:32:45,040 Speaker 1: with this? There? Going about your going. I mean, honestly, 607 00:32:45,280 --> 00:32:47,480 Speaker 1: this is the full the full send here you're going, 608 00:32:47,560 --> 00:32:50,720 Speaker 1: you're kidding, wait ordering the court. I mean this is 609 00:32:51,080 --> 00:32:52,960 Speaker 1: bring bring it to you, guys, bring it together. I 610 00:32:53,000 --> 00:32:55,680 Speaker 1: know this is a serious topic. It is come to 611 00:32:55,720 --> 00:32:58,320 Speaker 1: this Court's attention that the two of you do have 612 00:32:58,400 --> 00:33:01,400 Speaker 1: to work together again very at least. I do want 613 00:33:01,400 --> 00:33:03,960 Speaker 1: to remind everyone that although this is a very serious topic, 614 00:33:04,000 --> 00:33:06,240 Speaker 1: this is not life or death. And I hope that 615 00:33:06,240 --> 00:33:07,960 Speaker 1: both of you will be able to, you know, get 616 00:33:07,960 --> 00:33:10,920 Speaker 1: along and also invite me on one of your podcasts 617 00:33:10,920 --> 00:33:13,960 Speaker 1: in the future, because you know, someone's feelings might get 618 00:33:14,000 --> 00:33:16,560 Speaker 1: hurt a little bit. Here. Both making the case that 619 00:33:16,720 --> 00:33:20,120 Speaker 1: whether it's dark or milk chocolate, that they're both the underdog, right, 620 00:33:20,520 --> 00:33:22,640 Speaker 1: they both have benefits. It's if you want to be 621 00:33:22,720 --> 00:33:24,520 Speaker 1: popular or do you want to be interesting? Do you 622 00:33:24,560 --> 00:33:26,760 Speaker 1: want to be fun? Or do you want to be healthy? 623 00:33:26,880 --> 00:33:28,560 Speaker 1: Do you want to be just sweet or do you 624 00:33:28,560 --> 00:33:31,200 Speaker 1: want to be something that works with savory? And after 625 00:33:31,240 --> 00:33:33,120 Speaker 1: factoring all of this in, I have to say that 626 00:33:33,200 --> 00:33:40,480 Speaker 1: this Court was ultimately persuaded by one specific argument came 627 00:33:40,480 --> 00:33:43,280 Speaker 1: in the rebuttal. This Court will order in favor of 628 00:33:45,800 --> 00:33:52,200 Speaker 1: milk chocolate. I am very pleased with the court's decision, 629 00:33:52,240 --> 00:33:55,280 Speaker 1: a little surprised, to be honest, but I am absolutely delighted. 630 00:33:55,400 --> 00:34:00,000 Speaker 1: What was the point the impassioned rebuttal? The impassioned rebuttal? 631 00:34:00,400 --> 00:34:03,320 Speaker 1: Although Alex had it, I wrote it down when when 632 00:34:03,400 --> 00:34:08,040 Speaker 1: Molay came into the game, I thought it was it 633 00:34:08,120 --> 00:34:09,839 Speaker 1: was it was a secret weapon. I was like, it's 634 00:34:09,960 --> 00:34:15,520 Speaker 1: dark chocolate. But you're impassioned rebuttal. I mean, even though 635 00:34:15,520 --> 00:34:17,319 Speaker 1: at one point when you're like, who'd wants to eat? 636 00:34:17,360 --> 00:34:19,160 Speaker 1: I I do, actually every once in a while want 637 00:34:19,160 --> 00:34:22,560 Speaker 1: to bite Hotel soap. I don't know why, but that 638 00:34:22,680 --> 00:34:25,600 Speaker 1: really that connected with me. And then the Billie Eilish 639 00:34:25,719 --> 00:34:27,560 Speaker 1: that was that was just that's just that was it. 640 00:34:27,680 --> 00:34:29,279 Speaker 1: That was I mean, it was just too much and 641 00:34:29,320 --> 00:34:32,480 Speaker 1: I could see the passion coming through. And you know what, Alex, 642 00:34:32,520 --> 00:34:35,480 Speaker 1: I'm sorry to say this. I do want to be popular, Alex, 643 00:34:35,960 --> 00:34:37,600 Speaker 1: but I also want to be interesting and healthy. Such 644 00:34:37,600 --> 00:34:39,719 Speaker 1: a tough decision, gentlemen, Thank you so much for being 645 00:34:39,760 --> 00:34:42,120 Speaker 1: a part of the Food Court. Thanks for listening to 646 00:34:42,160 --> 00:34:44,920 Speaker 1: Food Court. I'm Richard Blaze and I've been You're a judge. 647 00:34:45,320 --> 00:34:47,960 Speaker 1: You can find too much information podcast wherever you listen 648 00:34:48,000 --> 00:34:50,359 Speaker 1: to podcasts, and you can find Jordan's on Instagram at 649 00:34:50,400 --> 00:34:53,480 Speaker 1: Jordan Runt Hog and his new podcast Too Much Information 650 00:34:53,600 --> 00:34:55,879 Speaker 1: that drops new episodes every week. Tune in to get 651 00:34:55,960 --> 00:34:58,640 Speaker 1: so much information you won't believe it. And you can 652 00:34:58,680 --> 00:35:01,800 Speaker 1: find Alexander at alex Underscore a High Goal on Twitter 653 00:35:02,239 --> 00:35:04,000 Speaker 1: and anything else you want to plug there. Alex are 654 00:35:04,080 --> 00:35:05,400 Speaker 1: taking is all the way up to the next the 655 00:35:05,440 --> 00:35:09,319 Speaker 1: highest court in the land, which yeah, and listen, it 656 00:35:09,400 --> 00:35:11,479 Speaker 1: might happen. I could be getting replaced for next season. 657 00:35:11,520 --> 00:35:13,279 Speaker 1: We don't know this. There could be a higher court 658 00:35:13,320 --> 00:35:16,400 Speaker 1: stepping and that's something that possibly could happen. Listen, audience, 659 00:35:16,480 --> 00:35:18,920 Speaker 1: what do you think? I know half of you at 660 00:35:18,960 --> 00:35:21,480 Speaker 1: least think that I got that one totally wrong, at 661 00:35:21,520 --> 00:35:24,239 Speaker 1: least all of you in the Bay Area. And then listen, 662 00:35:24,280 --> 00:35:26,440 Speaker 1: do you like chocolate? Chances are you to let us 663 00:35:26,440 --> 00:35:29,000 Speaker 1: know on the food Court pod, Instagram or at Richard 664 00:35:29,000 --> 00:35:32,200 Speaker 1: Blaze across social media. Food Courts of production of iHeart Radio. 665 00:35:32,239 --> 00:35:35,600 Speaker 1: I'm Richard Blaze. My producer is Crystal Bob Ahey. Food 666 00:35:35,600 --> 00:35:38,400 Speaker 1: Court was created by Christopher Hasiotis. The rest of my 667 00:35:38,440 --> 00:35:42,120 Speaker 1: food court clerks are Jonathan Dressler, David Wasserman, and Jasmine Blaze. 668 00:35:42,400 --> 00:35:45,280 Speaker 1: The theme song, which is amazing, is by Jason Nee Smith. 669 00:35:45,360 --> 00:35:47,600 Speaker 1: For more podcast from i Heeart Radio, visit i Heeart 670 00:35:47,680 --> 00:35:50,279 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 671 00:35:50,320 --> 00:36:00,239 Speaker 1: favorite shows. So much fun Ban you rapp with is 672 00:36:01,960 --> 00:36:05,360 Speaker 1: only why Wires said it like candy corn