1 00:00:01,240 --> 00:00:02,320 Speaker 1: The volume. 2 00:00:04,320 --> 00:00:09,800 Speaker 2: No want you want to want too? Yeah? 3 00:00:10,000 --> 00:00:10,200 Speaker 3: Right? 4 00:00:11,280 --> 00:00:12,600 Speaker 2: Wait, is that we really starting with. 5 00:00:12,520 --> 00:00:16,560 Speaker 1: A line of everybody doing the fake clap? 6 00:00:16,600 --> 00:00:20,759 Speaker 4: Welcome to a special special episode of Rory and Mall Podcast. 7 00:00:20,920 --> 00:00:23,280 Speaker 2: I am Maul, I'm Rory and Rory. 8 00:00:23,280 --> 00:00:25,680 Speaker 4: Today we are at the Massive Pill pop up yes 9 00:00:26,520 --> 00:00:28,960 Speaker 4: on Canal. Yeah, if you want to get a Gucci 10 00:00:29,000 --> 00:00:29,960 Speaker 4: bag for your girl. 11 00:00:30,560 --> 00:00:32,360 Speaker 1: You know for sure Christmas around the corner, That's exactly 12 00:00:32,360 --> 00:00:33,280 Speaker 1: what I'm gonna Yeah. 13 00:00:33,280 --> 00:00:36,280 Speaker 4: But today we are joined by a special special guest. Yes, 14 00:00:36,320 --> 00:00:38,640 Speaker 4: this is special to me because this is probably his 15 00:00:38,840 --> 00:00:41,279 Speaker 4: first album. Is one of the albums Rory that I 16 00:00:41,400 --> 00:00:44,400 Speaker 4: saved my allowance, yeah to go to the Whiz. 17 00:00:44,080 --> 00:00:46,400 Speaker 2: On Fordham Road in ninety six, so you hadn't even come. 18 00:00:46,320 --> 00:00:48,400 Speaker 1: Outside, I know. But see the difference is with our 19 00:00:48,479 --> 00:00:51,120 Speaker 1: age gap. It was the same way with me with 20 00:00:51,400 --> 00:00:54,760 Speaker 1: in two thousand with Supreme clientele, I was the same way. 21 00:00:54,800 --> 00:00:57,440 Speaker 1: We're ten years apart, and this gentleman had the same 22 00:00:57,440 --> 00:00:58,560 Speaker 1: effect to both of us. 23 00:00:58,680 --> 00:01:00,000 Speaker 2: Yeah, with a ten year age game. 24 00:01:00,280 --> 00:01:03,880 Speaker 4: Yes, today we are joined by the legendary Tony Starks 25 00:01:04,040 --> 00:01:06,839 Speaker 4: Y Man Pretty Tony the Walla Bee Champ ghost Face. 26 00:01:07,080 --> 00:01:08,640 Speaker 2: Yeah. 27 00:01:11,760 --> 00:01:15,759 Speaker 1: Outside of this rap, the reason why every single person 28 00:01:15,800 --> 00:01:17,760 Speaker 1: that went to Catholic school in New York City wore 29 00:01:17,800 --> 00:01:23,600 Speaker 1: wallabies because that was the only shoe. 30 00:01:24,319 --> 00:01:27,680 Speaker 5: You can dress it up, you can fight, you can 31 00:01:27,720 --> 00:01:30,440 Speaker 5: do everything in the wall right right. Yeah, you just 32 00:01:30,600 --> 00:01:33,399 Speaker 5: they just the soul just runs down a lot. I 33 00:01:33,480 --> 00:01:35,680 Speaker 5: told them, talk them about that, like, you know what 34 00:01:35,720 --> 00:01:37,880 Speaker 5: I mean, I say, yo, you gotta chant put a 35 00:01:37,880 --> 00:01:40,960 Speaker 5: little attack of some under the soul because that gum 36 00:01:41,280 --> 00:01:44,319 Speaker 5: or just you got mean while he's out and signed 37 00:01:44,360 --> 00:01:47,800 Speaker 5: with me, signed with the messed up soul. Yeah, somebody 38 00:01:47,800 --> 00:01:49,360 Speaker 5: got a hand. But you know what, and they started 39 00:01:49,360 --> 00:01:51,360 Speaker 5: making it messed up though. Nothing cut you off because 40 00:01:51,360 --> 00:01:54,120 Speaker 5: they started getting made in Taiwan, okay then, and that 41 00:01:54,520 --> 00:01:55,440 Speaker 5: it wasn't it wasn't. 42 00:01:55,720 --> 00:01:58,080 Speaker 4: It wasn't the same the walla bees ever approached you 43 00:01:58,200 --> 00:02:01,520 Speaker 4: early on about a partner shit, because I mean, you 44 00:02:01,640 --> 00:02:03,000 Speaker 4: were the reason why everybody in the. 45 00:02:03,040 --> 00:02:06,720 Speaker 5: Hood started man listen, man day's blown smoke. They fronted 46 00:02:06,760 --> 00:02:08,880 Speaker 5: on me, you know what I mean. So we met, 47 00:02:08,960 --> 00:02:11,960 Speaker 5: we met, Yeah, but it was like you know, they 48 00:02:12,040 --> 00:02:14,040 Speaker 5: was trying to, you know, treat me like a crackhead. 49 00:02:14,639 --> 00:02:17,600 Speaker 2: So it's like it just didn't work. 50 00:02:17,760 --> 00:02:19,480 Speaker 5: You know what I mean, Like but when I was 51 00:02:19,520 --> 00:02:22,360 Speaker 5: doing it, like I do things just to do it, 52 00:02:22,360 --> 00:02:24,920 Speaker 5: because that's what I saw myself, And like when I 53 00:02:24,919 --> 00:02:26,880 Speaker 5: was dying doing all the shit. 54 00:02:26,800 --> 00:02:29,440 Speaker 2: Like that or whatever, I just did that to do it. 55 00:02:29,960 --> 00:02:32,040 Speaker 5: And then I guess they caught winn and seen the 56 00:02:32,080 --> 00:02:35,240 Speaker 5: sales just skyrocket and they get reached out. But it 57 00:02:35,360 --> 00:02:38,079 Speaker 5: was like, yo, they came in from England, you know 58 00:02:38,080 --> 00:02:41,240 Speaker 5: what I mean, and dad, they it mounted it ain't 59 00:02:41,240 --> 00:02:41,680 Speaker 5: going nowhere? 60 00:02:42,040 --> 00:02:43,880 Speaker 2: What dre that style? Though? Like when was the first 61 00:02:43,919 --> 00:02:47,320 Speaker 2: time you saw a wallaby in Staten Island? When the 62 00:02:47,400 --> 00:02:51,079 Speaker 2: Jamaicans was going crazy? It was like what was that? 63 00:02:51,080 --> 00:02:55,040 Speaker 5: That was probably like eighty six, eighty five eighty six, Yeah, 64 00:02:55,080 --> 00:02:58,280 Speaker 5: I saw the first pig wallabies. And then you know, 65 00:02:58,320 --> 00:03:01,239 Speaker 5: at the way where I'm from, they just the Jamaicans 66 00:03:01,320 --> 00:03:02,840 Speaker 5: was like they was moving a lot of drugs out 67 00:03:02,880 --> 00:03:04,320 Speaker 5: there and stuff like that. But that's all they had 68 00:03:04,400 --> 00:03:08,160 Speaker 5: was like shatskin, big truck, jury, wild bees, you know 69 00:03:08,200 --> 00:03:10,520 Speaker 5: what I mean. And so I came to like taking 70 00:03:10,520 --> 00:03:12,160 Speaker 5: the liking of them. Sh it's nice to come out 71 00:03:12,200 --> 00:03:15,440 Speaker 5: here to Canal Street and you know, just scrape me 72 00:03:15,480 --> 00:03:17,920 Speaker 5: a pit whatever the case may be. And yeah, and 73 00:03:17,919 --> 00:03:20,600 Speaker 5: it's just It's just you know when even by the 74 00:03:20,600 --> 00:03:23,160 Speaker 5: time we got to the tree, we link skit, that 75 00:03:23,240 --> 00:03:25,600 Speaker 5: Blue and Cream skit, you know what I mean. It 76 00:03:25,680 --> 00:03:27,760 Speaker 5: was like, yo, when I had visions of like dying 77 00:03:27,760 --> 00:03:30,440 Speaker 5: and Blue and Cream and you listen to skit, you 78 00:03:30,440 --> 00:03:32,520 Speaker 5: see what I'm talking about. It was like from there, 79 00:03:32,560 --> 00:03:33,919 Speaker 5: it was on. It was on from there. 80 00:03:34,120 --> 00:03:37,720 Speaker 1: Yeah, they're still on Van DUSA, the Jamaicans Anhatans are 81 00:03:37,720 --> 00:03:39,480 Speaker 1: still on VANDUSA right now. 82 00:03:39,760 --> 00:03:40,560 Speaker 2: You've been over there lately. 83 00:03:40,600 --> 00:03:44,360 Speaker 5: Yeah, those are the real joints you gotta get. You 84 00:03:44,360 --> 00:03:47,280 Speaker 5: gotta be to make sure they made from England, not Taiwan, 85 00:03:47,400 --> 00:03:49,840 Speaker 5: not China and all the other stuff, like cause it's 86 00:03:49,880 --> 00:03:53,280 Speaker 5: it's a different shoot, like yeah, ceials different definitely. 87 00:03:53,520 --> 00:03:55,840 Speaker 4: So talk to us about how did the whole you 88 00:03:55,880 --> 00:03:57,840 Speaker 4: know what everything Master Piell did this year with the 89 00:03:57,880 --> 00:04:00,680 Speaker 4: with the with the Legacy series. Yeah, how did the 90 00:04:00,720 --> 00:04:03,760 Speaker 4: first conversation happen? And what was your take on it? 91 00:04:03,800 --> 00:04:06,240 Speaker 4: Were you like kind of like apprehensive about doing it 92 00:04:06,360 --> 00:04:07,720 Speaker 4: or was it like I'm all. 93 00:04:07,560 --> 00:04:11,880 Speaker 2: In for the comic book or just me being on 94 00:04:11,920 --> 00:04:15,200 Speaker 2: master Field period, mass Field period with It's like. 95 00:04:15,080 --> 00:04:18,720 Speaker 5: Peter kept he kept reaching out like throughout the years this. 96 00:04:18,880 --> 00:04:21,599 Speaker 5: It was like I don't know, like six years ago, 97 00:04:21,760 --> 00:04:23,160 Speaker 5: seven years ago, you. 98 00:04:23,080 --> 00:04:24,320 Speaker 2: Know what I mean. He threw it up in the air. 99 00:04:25,000 --> 00:04:27,760 Speaker 5: You know, we kept just going back and fall and 100 00:04:27,839 --> 00:04:30,240 Speaker 5: then after while it was like a maybe like a 101 00:04:30,240 --> 00:04:32,960 Speaker 5: two year gap and he'd come back again and we 102 00:04:33,160 --> 00:04:35,920 Speaker 5: talked whatever the case may be. But it wasn't it 103 00:04:35,960 --> 00:04:38,400 Speaker 5: wasn't the right time. It wasn't the right time. You know, 104 00:04:38,480 --> 00:04:40,480 Speaker 5: God is the master of all times, you know what 105 00:04:40,520 --> 00:04:42,719 Speaker 5: I mean. So it's never on my time, it's on 106 00:04:42,839 --> 00:04:44,400 Speaker 5: his time. Yeah, you know what I mean. 107 00:04:44,440 --> 00:04:45,800 Speaker 2: And that was it. 108 00:04:45,880 --> 00:04:48,720 Speaker 5: So you know, he came back again, and it was like, 109 00:04:48,800 --> 00:04:50,839 Speaker 5: you know what, in order for me to give you Supreme, 110 00:04:51,080 --> 00:04:52,839 Speaker 5: I got to do two albums because that's why I 111 00:04:52,880 --> 00:04:55,600 Speaker 5: just set the tone. It was setting the tone for Supreme. 112 00:04:56,240 --> 00:04:59,600 Speaker 5: It just ain't had that much promotion. Yeah, this album Supreme, 113 00:05:00,040 --> 00:05:01,880 Speaker 5: you know what I mean. So it was it took 114 00:05:01,920 --> 00:05:04,120 Speaker 5: a while, you know what I mean. And then I'm like, yo, Nas, 115 00:05:05,200 --> 00:05:07,840 Speaker 5: First of that's my favorite rapper. That's my brother, you 116 00:05:07,839 --> 00:05:09,800 Speaker 5: know what I mean. And he's my favorite rapper. Anyway, 117 00:05:09,920 --> 00:05:12,480 Speaker 5: Like I'd rather do business with somebody I could get 118 00:05:12,480 --> 00:05:14,599 Speaker 5: ahead and you know, have a relationship I got a 119 00:05:14,600 --> 00:05:16,240 Speaker 5: relationship with Yeah, you know what I mean, because I 120 00:05:16,240 --> 00:05:18,920 Speaker 5: could look at you and be like, your son, this 121 00:05:19,000 --> 00:05:20,560 Speaker 5: is that and this and that, You're gonna either see 122 00:05:20,600 --> 00:05:22,200 Speaker 5: it how we see it or or not. 123 00:05:22,520 --> 00:05:25,640 Speaker 2: Yeah, you know what I mean. So I was grateful. 124 00:05:25,760 --> 00:05:28,800 Speaker 5: I was grateful, like just to be staying with him 125 00:05:28,960 --> 00:05:30,880 Speaker 5: in these days and times, like you know what I mean. 126 00:05:30,880 --> 00:05:34,080 Speaker 2: It's it was. It was a beautiful feeling. So it 127 00:05:34,160 --> 00:05:37,039 Speaker 2: was dope. Were who was the first to agree? 128 00:05:37,040 --> 00:05:39,359 Speaker 1: Because that's what I was curious about that conversation, Like 129 00:05:39,720 --> 00:05:42,400 Speaker 1: was Daylight already on board? Was Alchemist and Havoc already 130 00:05:42,400 --> 00:05:45,120 Speaker 1: on board? Did they picture that way like, well, this 131 00:05:45,160 --> 00:05:46,760 Speaker 1: is what we're trying to do in twenty twenty five. 132 00:05:48,200 --> 00:05:50,000 Speaker 2: I don't think so. I don't think I don't I 133 00:05:50,040 --> 00:05:50,520 Speaker 2: don't think so. 134 00:05:50,600 --> 00:05:54,159 Speaker 5: I think I think they came a little bit after 135 00:05:54,640 --> 00:05:59,680 Speaker 5: the common because when I did with Supreme, when Set 136 00:05:59,680 --> 00:06:03,359 Speaker 5: the Tone came out, we already inked the deal for 137 00:06:03,400 --> 00:06:05,440 Speaker 5: both of them. Yeah already, like you know, I mean, 138 00:06:05,440 --> 00:06:08,359 Speaker 5: for Set the Tone and Supreme. I don't think nobody 139 00:06:08,360 --> 00:06:10,320 Speaker 5: but now I was on the label, gotcha, you know 140 00:06:10,360 --> 00:06:12,280 Speaker 5: what I mean? They did documentaries, but I don't think 141 00:06:12,400 --> 00:06:13,320 Speaker 5: nobody else was dead. 142 00:06:13,360 --> 00:06:16,280 Speaker 2: I'm not sure. I heard about Slick raking them later on. 143 00:06:16,480 --> 00:06:19,960 Speaker 1: Yeah, was there any pressure calling it Supreme Clientele to 144 00:06:20,480 --> 00:06:22,720 Speaker 1: just based off the first one being? 145 00:06:22,960 --> 00:06:24,920 Speaker 5: I just had to be careful, you know what I'm saying. 146 00:06:25,400 --> 00:06:27,280 Speaker 5: It was like, because I see people do a lot 147 00:06:27,279 --> 00:06:30,120 Speaker 5: of part twos. I'm not really into part twos. 148 00:06:29,880 --> 00:06:33,400 Speaker 2: Neither am I, you know what I mean? I was 149 00:06:33,440 --> 00:06:35,919 Speaker 2: nervous title. I was like, all right, but I know 150 00:06:36,000 --> 00:06:37,880 Speaker 2: that what we're doing because. 151 00:06:37,800 --> 00:06:40,039 Speaker 5: It just depends on the like the beat and the 152 00:06:40,040 --> 00:06:42,560 Speaker 5: frame of mind and yeah, but I don't got a 153 00:06:42,560 --> 00:06:44,680 Speaker 5: bunch of yes cats around me that's gonna say yes 154 00:06:44,680 --> 00:06:47,599 Speaker 5: to everything I do. And I start with me first, 155 00:06:48,120 --> 00:06:51,640 Speaker 5: so you know, and my past albums from Iron Man 156 00:06:51,720 --> 00:06:54,080 Speaker 5: and Supreme, fish Scale and all that, I know how 157 00:06:54,080 --> 00:06:56,360 Speaker 5: to do these kind of albums, you know what I mean. 158 00:06:56,440 --> 00:06:59,200 Speaker 2: I just give me some time and give me some beats. 159 00:06:59,200 --> 00:07:03,240 Speaker 5: But what it is nowadays, you don't got people that 160 00:07:03,600 --> 00:07:06,160 Speaker 5: really could get that really makes those kind of beats 161 00:07:06,600 --> 00:07:09,120 Speaker 5: that moved me yet back then, you know what I mean, 162 00:07:09,160 --> 00:07:11,320 Speaker 5: Like they was just sending me track beats and all 163 00:07:11,360 --> 00:07:13,640 Speaker 5: this and this and that and the third but it's cool, 164 00:07:13,640 --> 00:07:16,840 Speaker 5: but it's not the Yeah, yeah, this ain't the formula. 165 00:07:17,320 --> 00:07:20,160 Speaker 5: So I tried my best to stay within that formula 166 00:07:20,400 --> 00:07:22,880 Speaker 5: and see where I really wanted to go, Like what's 167 00:07:22,880 --> 00:07:24,360 Speaker 5: the theme of it? What's this and that and the 168 00:07:24,400 --> 00:07:26,960 Speaker 5: third that's kind of like one of the hardest parts. 169 00:07:26,960 --> 00:07:27,440 Speaker 2: At first. 170 00:07:27,880 --> 00:07:29,720 Speaker 5: They only trying to find that, you know what I mean, 171 00:07:29,720 --> 00:07:31,040 Speaker 5: because the last Supreme was. 172 00:07:31,000 --> 00:07:34,280 Speaker 2: Just like it was just magical. It was just it 173 00:07:34,320 --> 00:07:35,000 Speaker 2: was just I. 174 00:07:34,920 --> 00:07:37,000 Speaker 5: Think I came home from jail and you know what 175 00:07:37,000 --> 00:07:38,960 Speaker 5: I mean, and I started just getting these beats and 176 00:07:39,040 --> 00:07:41,120 Speaker 5: juju and this one and that one and that, and 177 00:07:41,360 --> 00:07:44,040 Speaker 5: Rizally came with the skits, the Iron Man skits after 178 00:07:44,080 --> 00:07:46,360 Speaker 5: that shit, it was just a vibe, you know what 179 00:07:46,360 --> 00:07:48,480 Speaker 5: I mean. So it's basically the vibe. You to find 180 00:07:48,480 --> 00:07:50,880 Speaker 5: your vibe and then you go ahead and you know, 181 00:07:51,120 --> 00:07:52,720 Speaker 5: do your shit. So I got songs on it from 182 00:07:52,720 --> 00:07:53,360 Speaker 5: twenty years ago. 183 00:07:53,760 --> 00:07:57,480 Speaker 4: I we could hear some of the differences that don't Yeah, 184 00:07:57,480 --> 00:07:59,120 Speaker 4: and I think we spoke about on the show, said 185 00:07:59,160 --> 00:08:01,680 Speaker 4: it sounds like some of these joints ghost recorded a. 186 00:08:01,600 --> 00:08:06,920 Speaker 2: Few, Yeah, like Metaphysics You're my friend, you know. 187 00:08:08,320 --> 00:08:10,200 Speaker 5: It was a couple of beasts that I had from 188 00:08:10,200 --> 00:08:12,680 Speaker 5: back then I can't really go through it all right 189 00:08:12,720 --> 00:08:15,840 Speaker 5: now trying to think of it. But yeah, it might've 190 00:08:15,840 --> 00:08:19,240 Speaker 5: been like a good like four or five beats tracks 191 00:08:19,280 --> 00:08:22,440 Speaker 5: like and yeah, and I got mass shit I left 192 00:08:22,440 --> 00:08:23,160 Speaker 5: off the album. 193 00:08:23,560 --> 00:08:26,440 Speaker 2: I had havocan you know what I mean, kissing you 194 00:08:26,480 --> 00:08:27,800 Speaker 2: know what I mean. But it was just too much. 195 00:08:27,960 --> 00:08:31,000 Speaker 5: Yeah, you can't give a nigg like twenty three songs 196 00:08:31,000 --> 00:08:32,000 Speaker 5: and shit, you know what I mean. 197 00:08:32,120 --> 00:08:34,439 Speaker 2: Like you know what I mean. I was gonna even 198 00:08:34,440 --> 00:08:36,079 Speaker 2: cut it down even more and shit, you know what 199 00:08:36,080 --> 00:08:37,839 Speaker 2: I mean. So how intentional was that though? 200 00:08:37,840 --> 00:08:40,000 Speaker 1: Because even I think it was another interview that said 201 00:08:40,000 --> 00:08:43,000 Speaker 1: that the Meth record is from like fifteen years ago 202 00:08:43,120 --> 00:08:43,560 Speaker 1: or something like. 203 00:08:43,960 --> 00:08:47,280 Speaker 2: It was intentional just my friend, ye're my friend. Yeah, 204 00:08:47,600 --> 00:08:50,440 Speaker 2: I've been, did that, I've been. Why'd you hold it though? 205 00:08:50,520 --> 00:08:52,520 Speaker 2: For so long? Because it sounded like I could have 206 00:08:53,400 --> 00:08:54,360 Speaker 2: for this album. 207 00:08:54,360 --> 00:08:56,520 Speaker 5: It seemed like if I was gonna do supreme like 208 00:08:56,559 --> 00:08:58,640 Speaker 5: this one might could be for that, yeah, you know 209 00:08:58,679 --> 00:09:01,160 Speaker 5: what I mean, like metaphysics and other things like that. 210 00:09:01,280 --> 00:09:04,440 Speaker 5: So I just felt like, just keep it in the vote, 211 00:09:04,760 --> 00:09:07,000 Speaker 5: do whatever whatever. By the time it comes you pull 212 00:09:07,040 --> 00:09:08,840 Speaker 5: it back out and see for fit. 213 00:09:09,080 --> 00:09:09,760 Speaker 2: Yeah, that's it. 214 00:09:10,120 --> 00:09:12,440 Speaker 4: Would I would have said pause there, but I'm kind 215 00:09:12,440 --> 00:09:12,760 Speaker 4: of scared. 216 00:09:14,480 --> 00:09:23,760 Speaker 1: So yeah, it's like, but you don't know why this 217 00:09:23,800 --> 00:09:24,360 Speaker 1: is so funny? 218 00:09:24,400 --> 00:09:25,360 Speaker 2: Right again? 219 00:09:26,200 --> 00:09:30,840 Speaker 1: So the pause get on Supreme clientele too is fucking hilarious, hilarious. 220 00:09:31,679 --> 00:09:34,400 Speaker 1: What you may not know is that Maul's older brother 221 00:09:34,880 --> 00:09:38,160 Speaker 1: is the person that invented pause right now, it's not 222 00:09:38,200 --> 00:09:40,920 Speaker 1: no myth for real. Invented pause and started this whole 223 00:09:40,960 --> 00:09:43,840 Speaker 1: thing his older brother. So that's why that when we 224 00:09:43,920 --> 00:09:46,840 Speaker 1: got to meet, it's Biggs from Rockefeller. 225 00:09:47,040 --> 00:09:49,440 Speaker 5: Yeah, I know how to be somebody from Rocket Feller 226 00:09:51,040 --> 00:09:56,040 Speaker 5: because because then the first motherfuckers heard Jane, Yeah, did 227 00:09:56,080 --> 00:10:02,880 Speaker 5: not hear for Cam you know all that he would 228 00:10:02,960 --> 00:10:05,280 Speaker 5: I'm like, damn, nigga, I can't even speak no more 229 00:10:05,679 --> 00:10:07,440 Speaker 5: because it is paused all day. 230 00:10:07,559 --> 00:10:09,800 Speaker 2: But it's poors to y'all, not to me. 231 00:10:10,160 --> 00:10:13,040 Speaker 5: It's like, y'all, I know what I'm saying, Yeah exactly, 232 00:10:13,240 --> 00:10:14,440 Speaker 5: So I'm like, it's going to. 233 00:10:16,200 --> 00:10:20,040 Speaker 2: Yeah, that's we can't talk no more. That's shi. But 234 00:10:20,080 --> 00:10:23,319 Speaker 2: the Tasha Salad line made a lot of that. 235 00:10:25,320 --> 00:10:29,840 Speaker 1: I'm saying that, but it was a fresh sound, yeah, 236 00:10:30,120 --> 00:10:30,920 Speaker 1: because it. 237 00:10:30,720 --> 00:10:33,440 Speaker 2: Wasn't like that back then. It wasn't you know we 238 00:10:33,480 --> 00:10:35,120 Speaker 2: were just It's like, yo, listen. 239 00:10:36,440 --> 00:10:38,959 Speaker 5: I might get I might be the most pausous nigga, 240 00:10:39,400 --> 00:10:42,680 Speaker 5: you know, because back if the man asked a question 241 00:10:43,440 --> 00:10:47,079 Speaker 5: like I said on the skate and raps, you know 242 00:10:47,080 --> 00:10:48,959 Speaker 5: what I mean, we would be like even don't write 243 00:10:48,960 --> 00:10:51,559 Speaker 5: gau Island if you got cut with it with with 244 00:10:52,600 --> 00:10:54,160 Speaker 5: you know what I mean, They'd be like, yo, I 245 00:10:54,240 --> 00:10:56,559 Speaker 5: blew that nigga. 246 00:10:56,640 --> 00:10:59,640 Speaker 2: You know what I'm saying. I blew that nigga like yo. 247 00:11:00,520 --> 00:11:03,600 Speaker 2: But because that makes it crazy, I'm just saying, though 248 00:11:04,200 --> 00:11:04,760 Speaker 2: you get. 249 00:11:04,600 --> 00:11:07,280 Speaker 5: You know anything, but our minds ain't thinking of your 250 00:11:07,760 --> 00:11:09,760 Speaker 5: homoe ship, you know what I mean. 251 00:11:09,920 --> 00:11:14,320 Speaker 2: Ain't no ship over you kill you? You know what 252 00:11:14,320 --> 00:11:17,240 Speaker 2: I'm saying? The skin you do like you freaking but 253 00:11:17,280 --> 00:11:18,200 Speaker 2: I freaking ask. 254 00:11:18,520 --> 00:11:20,640 Speaker 5: It is because why every time I be like so, 255 00:11:20,720 --> 00:11:21,640 Speaker 5: I can't sell you like. 256 00:11:21,600 --> 00:11:24,600 Speaker 2: Yo, you meet me at the store. I can't say 257 00:11:24,600 --> 00:11:27,000 Speaker 2: that no more right, I can't say that that being 258 00:11:27,040 --> 00:11:27,800 Speaker 2: a pause is crazy? 259 00:11:28,280 --> 00:11:31,839 Speaker 5: No thigg just saying pause, no pause they gotta say 260 00:11:31,880 --> 00:11:33,839 Speaker 5: every time they say that, Yo. Now I'm you know 261 00:11:33,840 --> 00:11:36,760 Speaker 5: we're gonna meet a with pause over there. It's like, 262 00:11:37,200 --> 00:11:40,320 Speaker 5: why are you saying that ship? What's on your mind 263 00:11:40,320 --> 00:11:43,560 Speaker 5: and make it think like that. That's that's That's what 264 00:11:43,600 --> 00:11:45,120 Speaker 5: I'm saying, Like what's on your mind? 265 00:11:45,559 --> 00:11:48,800 Speaker 2: Like why you want to sexually ship every time? You 266 00:11:48,880 --> 00:11:51,760 Speaker 2: gotta talk now? Right? That's not my error, right right? 267 00:11:53,480 --> 00:11:53,720 Speaker 4: Nah? 268 00:11:54,200 --> 00:11:55,559 Speaker 2: You know what I mean? 269 00:11:56,120 --> 00:11:58,440 Speaker 5: Scamming the main No, I'm like, YO, come on there, 270 00:11:59,720 --> 00:12:01,120 Speaker 5: you know what I'm saying, Like, you know. 271 00:12:01,320 --> 00:12:07,040 Speaker 2: We can't even go to a meeting, you know, Yo. 272 00:12:07,240 --> 00:12:09,920 Speaker 5: Everything is a fucking pause. It's like it's like, Yo, 273 00:12:10,120 --> 00:12:15,280 Speaker 5: I got pullsed out the game. Yeah, but that you know, 274 00:12:15,559 --> 00:12:17,640 Speaker 5: that was so I had to for the skit. It 275 00:12:17,840 --> 00:12:20,520 Speaker 5: was like, yo, because I'm thinking of skits and like, Yo, 276 00:12:20,520 --> 00:12:22,800 Speaker 5: what the you know what I mean? And then't that 277 00:12:22,880 --> 00:12:23,559 Speaker 5: ship right there? 278 00:12:23,640 --> 00:12:25,760 Speaker 2: Yeah? I gotta talk these motherfuckers. I gotta you know, 279 00:12:25,800 --> 00:12:27,640 Speaker 2: I mean, it was fucking hilarious. 280 00:12:27,679 --> 00:12:27,839 Speaker 5: Bro. 281 00:12:28,160 --> 00:12:30,120 Speaker 1: I will say that we recorded today right before we 282 00:12:30,160 --> 00:12:32,720 Speaker 1: came here, and uh, it just leaked that you guys 283 00:12:32,760 --> 00:12:36,040 Speaker 1: had put out the Kevin Durant uh joined the New 284 00:12:36,120 --> 00:12:37,360 Speaker 1: York Knicks video. I don't know if you saw on 285 00:12:37,360 --> 00:12:39,920 Speaker 1: your phone. It finally leaked the video. The video, Yeah, 286 00:12:39,960 --> 00:12:43,160 Speaker 1: it came out today. What fucking video y'all was trying 287 00:12:43,160 --> 00:12:43,520 Speaker 1: to get. 288 00:12:43,400 --> 00:12:45,160 Speaker 2: Y'all was trying to get Kevin Durant to come to 289 00:12:45,200 --> 00:12:49,640 Speaker 2: the next Oh yeah, it came out a few hours ago. 290 00:12:50,440 --> 00:12:52,240 Speaker 1: That was talking about it and then someone found the 291 00:12:52,240 --> 00:12:53,440 Speaker 1: footage and it went on the internet. 292 00:12:53,440 --> 00:12:55,120 Speaker 2: Today. We was talking to rapping. 293 00:12:55,200 --> 00:12:58,319 Speaker 1: I was rapping in the whole, remember that was talking 294 00:12:58,320 --> 00:13:01,400 Speaker 1: about it, and then they found the actual video, right yeah, wow, 295 00:13:01,559 --> 00:13:03,760 Speaker 1: And we said pause because because Riza started that ship 296 00:13:03,800 --> 00:13:05,040 Speaker 1: with like, yo, we need you to come. 297 00:13:05,480 --> 00:13:17,200 Speaker 6: And it was like, man, it's like, I'm not fooling 298 00:13:17,200 --> 00:13:19,720 Speaker 6: for that ship. I'm still gonna talk my ship. 299 00:13:19,880 --> 00:13:22,000 Speaker 5: That's it's not gonna. 300 00:13:21,840 --> 00:13:24,360 Speaker 2: Pause me out. I said, Man, it's like thinking this 301 00:13:24,480 --> 00:13:28,319 Speaker 2: how we this how we talk? Yes, it's like, yo, 302 00:13:28,640 --> 00:13:30,640 Speaker 2: come on, man, I don't know. 303 00:13:30,679 --> 00:13:32,360 Speaker 1: We're not getting off this Nick ship first, because there 304 00:13:32,440 --> 00:13:36,200 Speaker 1: was a crazy theory today that that Dolan put that 305 00:13:36,240 --> 00:13:38,160 Speaker 1: together and reached out to Wu Tang to try to 306 00:13:38,160 --> 00:13:42,000 Speaker 1: get Kevin Durant to come to the Knicks and played 307 00:13:42,040 --> 00:13:44,360 Speaker 1: that in like some meeting when he was meeting with 308 00:13:44,480 --> 00:13:50,120 Speaker 1: the So what happened Like I'm not gonna say it, 309 00:13:50,679 --> 00:13:57,720 Speaker 1: I'm not I respect you too much whatever, whatever, but 310 00:13:57,720 --> 00:14:00,120 Speaker 1: do you remember even have that whole like she it 311 00:14:00,160 --> 00:14:02,280 Speaker 1: happened because I think it was what twenty nineteen, maybe 312 00:14:02,520 --> 00:14:03,120 Speaker 1: you guys did that. 313 00:14:03,320 --> 00:14:05,160 Speaker 5: Yeah, it was in the studio. I mean, we had 314 00:14:05,160 --> 00:14:06,960 Speaker 5: to go to the studio and go ahead and record 315 00:14:07,000 --> 00:14:10,640 Speaker 5: that ship. But damn, man, I don't know. I just 316 00:14:10,800 --> 00:14:12,839 Speaker 5: I got the call just to like a couple of 317 00:14:12,960 --> 00:14:14,560 Speaker 5: us got the call just to go ahead and go 318 00:14:14,600 --> 00:14:17,280 Speaker 5: in the studio and thre a couple of bars I 319 00:14:17,320 --> 00:14:19,040 Speaker 5: think it was, and yeah, that was it. 320 00:14:19,360 --> 00:14:21,400 Speaker 2: Yeah, and then Katy and Katie went to Brooklyn and 321 00:14:21,600 --> 00:14:23,000 Speaker 2: went to Brooklyn. He went to Brooklyn. 322 00:14:23,200 --> 00:14:26,640 Speaker 4: I think y'all should have specified New York's y'all said New. 323 00:14:26,640 --> 00:14:30,600 Speaker 2: York, New York. But we just followed they script. Yeah, 324 00:14:30,840 --> 00:14:31,520 Speaker 2: you know, digging you. 325 00:14:31,520 --> 00:14:33,600 Speaker 5: A script like yo, yo, this or that's what you 326 00:14:33,640 --> 00:14:35,240 Speaker 5: want us to say, like you know what I mean, whatever, 327 00:14:35,360 --> 00:14:36,760 Speaker 5: just do something around there. 328 00:14:36,640 --> 00:14:40,359 Speaker 4: Like yeah, question about the album? Why why is Winterwards 329 00:14:40,360 --> 00:14:41,880 Speaker 4: not on DSPs? 330 00:14:42,360 --> 00:14:44,520 Speaker 5: I don't know, man, that's a rigid question, you know 331 00:14:44,560 --> 00:14:48,400 Speaker 5: what I mean? Yeah, that's that's that's that nigga shit. Okay, Yeah, 332 00:14:48,600 --> 00:14:50,040 Speaker 5: that sounds like it's more to that. But I ain't 333 00:14:50,040 --> 00:14:50,840 Speaker 5: gonna ain't gonna. 334 00:14:50,680 --> 00:14:53,640 Speaker 2: Dig too no, no, because I shit, I don't. I 335 00:14:53,680 --> 00:14:57,080 Speaker 2: don't know with you. You got to ask this motherfucker. 336 00:14:58,160 --> 00:15:01,480 Speaker 2: I feel you. Yeah, Hey, listen, I ain't hide and ship. 337 00:15:01,360 --> 00:15:03,960 Speaker 4: Yeah now, because I was going out, Like why is 338 00:15:04,000 --> 00:15:05,400 Speaker 4: went towards not on an album no more? 339 00:15:05,440 --> 00:15:07,000 Speaker 2: Like every time I go I went to Spotify, it. 340 00:15:07,080 --> 00:15:09,400 Speaker 5: Was not an album more na, Oh shit, I ain't 341 00:15:09,400 --> 00:15:11,320 Speaker 5: know that ship. First of all, I don't even say, Peter, 342 00:15:11,360 --> 00:15:13,680 Speaker 5: I do these albums. I don't listen to them no more. Yeah, 343 00:15:13,760 --> 00:15:17,360 Speaker 5: I get that though, Why is that because shit and 344 00:15:17,440 --> 00:15:20,200 Speaker 5: nigga I'm making them? I just that was it unless 345 00:15:20,200 --> 00:15:22,720 Speaker 5: you put it on somewhere and be yo. But other 346 00:15:22,800 --> 00:15:25,320 Speaker 5: than that, and plus I'm a funny nigga, So I'm 347 00:15:25,360 --> 00:15:28,360 Speaker 5: like this man. I hear a lot of shit in 348 00:15:28,440 --> 00:15:32,080 Speaker 5: certain music, especially my early music, that I shouldn't have did, 349 00:15:32,600 --> 00:15:35,520 Speaker 5: and get it pissed me off when I hear back, okay, you. 350 00:15:35,480 --> 00:15:37,040 Speaker 2: Know what I mean? And ship like. 351 00:15:37,000 --> 00:15:40,360 Speaker 5: That, like especially with Iron Man, I was I was forced. 352 00:15:41,080 --> 00:15:43,120 Speaker 5: I had to do that, Like I don't know if 353 00:15:43,160 --> 00:15:46,320 Speaker 5: it was thirty days or or sixty days to do that. 354 00:15:46,520 --> 00:15:47,040 Speaker 2: It was quick. 355 00:15:47,160 --> 00:15:48,800 Speaker 5: They don't have to do it fast, like because they 356 00:15:48,880 --> 00:15:51,160 Speaker 5: tried to make a quota like the end of the year. 357 00:15:51,440 --> 00:15:53,520 Speaker 5: That's why I came out in October. Yeah, okay, you 358 00:15:53,520 --> 00:15:55,160 Speaker 5: know what I mean. So I think it was I 359 00:15:55,160 --> 00:15:56,880 Speaker 5: had to do it fast, and I'm like, I don't. 360 00:15:56,920 --> 00:15:59,440 Speaker 5: I'm not a fast writer. Okay, I write, I take 361 00:15:59,480 --> 00:16:02,160 Speaker 5: the time ship. Sometimes I gotta come back and you 362 00:16:02,200 --> 00:16:03,760 Speaker 5: know what I mean, and do ship like that. But 363 00:16:04,040 --> 00:16:05,960 Speaker 5: that was my first record deal, you know what I mean. 364 00:16:06,160 --> 00:16:08,040 Speaker 5: And I think he was calling up like maybe like 365 00:16:08,080 --> 00:16:10,280 Speaker 5: five six hundred thousand or whatever like that back then, 366 00:16:10,680 --> 00:16:12,800 Speaker 5: you nigga, what the fuck? You know what I'm saying, 367 00:16:13,200 --> 00:16:15,760 Speaker 5: We're gonna try to finish this sh h absolute word 368 00:16:16,000 --> 00:16:18,920 Speaker 5: and and and that's why I got a little my 369 00:16:19,120 --> 00:16:21,240 Speaker 5: not miss with it. But that's why I always like, 370 00:16:21,280 --> 00:16:24,000 Speaker 5: you know what, because I knew me I'm coming off 371 00:16:24,000 --> 00:16:26,760 Speaker 5: with cube links, you know what I mean. I'm skating 372 00:16:26,800 --> 00:16:29,280 Speaker 5: all over that ship. So I'm like, yo, okay, this 373 00:16:29,360 --> 00:16:32,240 Speaker 5: ship hit. And yeah, that's what it was. 374 00:16:32,520 --> 00:16:34,840 Speaker 2: Yeah. I know you've talked about like. 375 00:16:34,800 --> 00:16:37,680 Speaker 1: The impossible verse and everything where you're pulling from some 376 00:16:37,760 --> 00:16:38,680 Speaker 1: true stuff and some not. 377 00:16:39,240 --> 00:16:44,640 Speaker 2: How much of fourth Disciple is true and factual? Fourth Disciple? Yeah, 378 00:16:47,160 --> 00:16:48,640 Speaker 2: off off the off the new Supreo. 379 00:16:49,080 --> 00:16:52,040 Speaker 5: I just fourth to fourth Oh you know Fourth Typle 380 00:16:52,120 --> 00:16:56,120 Speaker 5: made that be Yeah, yeah, yeah, that's what I tell you. Yeah, 381 00:16:56,160 --> 00:17:00,800 Speaker 5: I just I just I'm listen. I'm like a score 382 00:17:00,880 --> 00:17:03,080 Speaker 5: sa nigga, you know what I mean. So when I 383 00:17:03,120 --> 00:17:07,760 Speaker 5: hear when I hear certain beats, I'll just I'll whatever 384 00:17:07,760 --> 00:17:10,400 Speaker 5: I see in my mind, I'll just jot that. Yeah, 385 00:17:10,480 --> 00:17:12,879 Speaker 5: I write that like that right to where it's like 386 00:17:12,920 --> 00:17:15,280 Speaker 5: a movie like you know what I mean, I've always 387 00:17:15,240 --> 00:17:17,000 Speaker 5: been you can just picture it like that. So it 388 00:17:17,119 --> 00:17:18,879 Speaker 5: was just like it made me just go into it 389 00:17:18,960 --> 00:17:20,919 Speaker 5: like that because that's how it felt to me like 390 00:17:20,960 --> 00:17:21,720 Speaker 5: that a little. 391 00:17:21,440 --> 00:17:22,200 Speaker 2: Bit, you know what I mean. 392 00:17:22,359 --> 00:17:24,879 Speaker 1: Have you ever thought about like writing screenplays just because 393 00:17:24,880 --> 00:17:26,200 Speaker 1: you have that side of your brain. 394 00:17:26,880 --> 00:17:29,600 Speaker 2: I got raps that screenplay facts, you know what I mean, 395 00:17:29,840 --> 00:17:31,920 Speaker 2: Like people that not even heard that. 396 00:17:32,320 --> 00:17:34,440 Speaker 5: Yeah, I got shipped that other albums are done, did 397 00:17:34,600 --> 00:17:37,840 Speaker 5: that verses on it? That's like even even when with 398 00:17:38,040 --> 00:17:40,080 Speaker 5: stolen script off of like I think it was like 399 00:17:40,119 --> 00:17:42,960 Speaker 5: a more fish with Jamie Fox, like you know what 400 00:17:43,000 --> 00:17:45,280 Speaker 5: I mean. It was He's not on the track though, 401 00:17:45,320 --> 00:17:47,400 Speaker 5: but it was like I think it was about him 402 00:17:47,440 --> 00:17:49,199 Speaker 5: some shit. I got here it again, but it was 403 00:17:49,240 --> 00:17:51,680 Speaker 5: like a blind nigga like somebody was blind and doing 404 00:17:51,680 --> 00:17:54,639 Speaker 5: all this other ship, but I just music makes me 405 00:17:54,680 --> 00:17:55,080 Speaker 5: see ship. 406 00:17:55,240 --> 00:17:58,800 Speaker 2: Yeah, yeah, that I was watching. 407 00:17:59,200 --> 00:18:01,320 Speaker 1: I've watched every ghost interview I think, or have you 408 00:18:01,359 --> 00:18:04,359 Speaker 1: ever talked about how the mister Morale Kendrick connection happened 409 00:18:04,359 --> 00:18:06,439 Speaker 1: with your verse on the album. I've never seen you 410 00:18:06,440 --> 00:18:07,359 Speaker 1: speak about that before. 411 00:18:07,600 --> 00:18:10,960 Speaker 5: He now he called me like I got the call 412 00:18:11,040 --> 00:18:14,920 Speaker 5: through my manager from his people or whatever the case 413 00:18:15,000 --> 00:18:18,240 Speaker 5: may be one day and it was like, I cool, 414 00:18:19,359 --> 00:18:21,919 Speaker 5: you know, And then he called me, got to me 415 00:18:21,960 --> 00:18:24,600 Speaker 5: on the phone and he was like, Yo, I want 416 00:18:24,640 --> 00:18:25,960 Speaker 5: you to do this thing for me. I want you 417 00:18:26,000 --> 00:18:28,399 Speaker 5: to do this, do this verse on this song I 418 00:18:28,440 --> 00:18:30,240 Speaker 5: got here, but this I want you to do it 419 00:18:30,320 --> 00:18:32,719 Speaker 5: this way and that I'm like we're talking about so 420 00:18:32,760 --> 00:18:34,320 Speaker 5: he like he did. 421 00:18:34,480 --> 00:18:36,359 Speaker 2: He imitated me over the phone. 422 00:18:37,520 --> 00:18:40,480 Speaker 5: He sent it to me and was like, yo, man, 423 00:18:40,640 --> 00:18:42,320 Speaker 5: like you know, like a paddn like a rhym style. 424 00:18:42,400 --> 00:18:43,159 Speaker 2: Yeah the case may be. 425 00:18:43,760 --> 00:18:48,160 Speaker 5: I'm like, I cool. So I went just for safety. 426 00:18:48,160 --> 00:18:50,800 Speaker 5: I gave him like two verses, you know what I mean. 427 00:18:50,840 --> 00:18:52,840 Speaker 5: I'm like, hold on, But it just hit me like yo, 428 00:18:52,920 --> 00:18:54,679 Speaker 5: cause I know he was like, you know, out of 429 00:18:54,680 --> 00:18:57,000 Speaker 5: the younger generation he was like the like he's like 430 00:18:57,040 --> 00:19:01,040 Speaker 5: the hottest one of like you know, three at all 431 00:19:01,080 --> 00:19:02,800 Speaker 5: of like you know what I mean, probably number one. 432 00:19:03,240 --> 00:19:07,200 Speaker 5: I'm like, it just hit me, like damn for him 433 00:19:07,240 --> 00:19:09,680 Speaker 5: to call me. It's like yo, he a fans, you 434 00:19:09,760 --> 00:19:11,919 Speaker 5: know what I mean, Like yo, And he was talking 435 00:19:11,920 --> 00:19:15,040 Speaker 5: to me like like yo, man, I you know, a 436 00:19:15,080 --> 00:19:17,600 Speaker 5: supreme clientele and this one and that. When I forgot 437 00:19:17,600 --> 00:19:19,560 Speaker 5: what song, he told me like you do when he 438 00:19:19,600 --> 00:19:21,199 Speaker 5: did the flow though. But yeah, it was like it 439 00:19:21,240 --> 00:19:23,199 Speaker 5: was kind of like surprising to me though, but I 440 00:19:23,240 --> 00:19:25,080 Speaker 5: had to make sure because I know how he do, 441 00:19:26,160 --> 00:19:28,640 Speaker 5: like he a master with you know what I mean, 442 00:19:28,760 --> 00:19:31,360 Speaker 5: Like he crafty with his ship. So I had to 443 00:19:31,400 --> 00:19:34,160 Speaker 5: just write like two verses for him, and he picked 444 00:19:34,200 --> 00:19:35,600 Speaker 5: the one that was with you. 445 00:19:35,760 --> 00:19:37,280 Speaker 2: Mccaully. Yeah, that's that's interesting. 446 00:19:37,280 --> 00:19:41,280 Speaker 1: That surprises you that the greats of this time are 447 00:19:41,520 --> 00:19:44,439 Speaker 1: directly influenced from you, Like that's crazy. 448 00:19:45,560 --> 00:19:48,680 Speaker 5: Yeah, of course, because it's you know, it's because the 449 00:19:48,800 --> 00:19:51,680 Speaker 5: time changed. And I'll be around a lot of young 450 00:19:51,800 --> 00:19:56,720 Speaker 5: cats too that that that don't even know me. Yeah 451 00:19:57,040 --> 00:19:58,680 Speaker 5: you know what I mean, like you know, cause I'm like, yo, 452 00:19:58,760 --> 00:20:01,840 Speaker 5: I'm like they I was three years old by the 453 00:20:01,840 --> 00:20:03,840 Speaker 5: time we was out here, like you know what I'm saying, yo, 454 00:20:04,000 --> 00:20:06,240 Speaker 5: So you know you grow with the time so that 455 00:20:06,640 --> 00:20:09,320 Speaker 5: you know, I'm like the stylistics to these Yeah, you 456 00:20:09,359 --> 00:20:09,960 Speaker 5: know what I'm saying. 457 00:20:10,520 --> 00:20:13,080 Speaker 2: So it's like it's like yo. But it was amazing 458 00:20:13,119 --> 00:20:14,680 Speaker 2: to be like, oh Snam and Dena. 459 00:20:14,720 --> 00:20:16,800 Speaker 5: He him shot me out and called me me on 460 00:20:16,840 --> 00:20:18,720 Speaker 5: the phone and he's like, yo, I just need you 461 00:20:18,760 --> 00:20:21,280 Speaker 5: to And that was it. That's why I said, yoah, 462 00:20:21,280 --> 00:20:23,440 Speaker 5: you know what, if you don't like this one, I'm 463 00:20:23,480 --> 00:20:24,680 Speaker 5: sending them this one. 464 00:20:24,920 --> 00:20:26,880 Speaker 2: I just wrote both of them at the same time. Yeah, 465 00:20:26,920 --> 00:20:29,080 Speaker 2: and just gave it to him. Yeah, I mean wou 466 00:20:29,160 --> 00:20:29,320 Speaker 2: to me? 467 00:20:29,400 --> 00:20:32,119 Speaker 1: Why WOO is so interesting outside of the obvious is 468 00:20:32,800 --> 00:20:35,639 Speaker 1: you guys have a bunch of kids, but you guys 469 00:20:35,640 --> 00:20:38,200 Speaker 1: were so unique. I can find a bunch of people 470 00:20:38,200 --> 00:20:41,639 Speaker 1: that you easily could see were influenced by Jay nas Big, 471 00:20:42,480 --> 00:20:45,960 Speaker 1: but Wu Tang was so authentic in themselves. I don't 472 00:20:45,960 --> 00:20:47,760 Speaker 1: know if you could find somebody that could even try 473 00:20:47,760 --> 00:20:51,160 Speaker 1: to repeat what they did or make it look like, oh, 474 00:20:51,200 --> 00:20:52,480 Speaker 1: this is a direct influence. 475 00:20:52,520 --> 00:20:53,280 Speaker 2: Of course, they were. 476 00:20:53,240 --> 00:20:55,520 Speaker 1: All influenced, but how do you even try to like 477 00:20:55,680 --> 00:20:58,960 Speaker 1: replicate that you could replicate somewhat of what bad Boy 478 00:20:59,040 --> 00:21:01,520 Speaker 1: was trying to do. You could replicate, You could try 479 00:21:01,520 --> 00:21:03,639 Speaker 1: to do your best to sound like nas. You'd be like, 480 00:21:03,680 --> 00:21:05,720 Speaker 1: all right, yo, Loope is a godmn ce but you 481 00:21:05,760 --> 00:21:07,760 Speaker 1: can see is directly influenced. 482 00:21:07,320 --> 00:21:09,600 Speaker 2: By ours right right right right right. 483 00:21:09,720 --> 00:21:11,440 Speaker 1: Who has a bunch of kids, but you can't pick 484 00:21:11,480 --> 00:21:13,600 Speaker 1: them out because they don't Who could even try to 485 00:21:13,640 --> 00:21:20,679 Speaker 1: replicate wo. I mean like, yeah, okay, Griselta, as far 486 00:21:20,720 --> 00:21:22,399 Speaker 1: as the fashion goes, yeh, I could definitely see that 487 00:21:22,480 --> 00:21:25,440 Speaker 1: it was being so unique and yeah, so raw, Yeah, 488 00:21:25,440 --> 00:21:27,560 Speaker 1: I can see, Yeah, Grizelda Griseuta will probably the closest 489 00:21:27,600 --> 00:21:27,920 Speaker 1: there too. 490 00:21:28,359 --> 00:21:30,399 Speaker 2: And as far as when they come together that this 491 00:21:30,600 --> 00:21:33,920 Speaker 2: but separate, yeah right, I mean that's that's that's it. 492 00:21:33,920 --> 00:21:37,280 Speaker 5: It's like, you know, first of all, dealing with non 493 00:21:37,359 --> 00:21:42,360 Speaker 5: tien motherfuckers. Man, it's yo, god blood, and we we argue, man, 494 00:21:42,400 --> 00:21:44,399 Speaker 5: we do all this shit, but we can't get a 495 00:21:44,440 --> 00:21:47,600 Speaker 5: motherfucking on the right page. We can't get shipped like yo, nigga, 496 00:21:48,320 --> 00:21:50,879 Speaker 5: let's do this, Nah, let's do that, and then it 497 00:21:51,000 --> 00:21:53,600 Speaker 5: wind up is like it don't even happen, like you 498 00:21:53,600 --> 00:21:55,360 Speaker 5: know what I mean, because we not on unless zid 499 00:21:55,440 --> 00:21:57,040 Speaker 5: be like, Yo, you know what, were just going to 500 00:21:57,119 --> 00:21:59,239 Speaker 5: do that and we just file an abbot and just 501 00:21:59,280 --> 00:22:01,960 Speaker 5: be like all right, the fuckingt y'all. Then you know what, 502 00:22:02,000 --> 00:22:04,240 Speaker 5: that's what it's been fucking man, you know what I mean. 503 00:22:04,800 --> 00:22:07,080 Speaker 5: It's like, you know, I might because I'm one of 504 00:22:07,080 --> 00:22:08,480 Speaker 5: the motherfuckers, I'd be like, I like a lot of 505 00:22:08,520 --> 00:22:10,600 Speaker 5: fly ship. I might be like, Yo, we can't be 506 00:22:10,600 --> 00:22:13,320 Speaker 5: coming on stage like looking like nineties, like back in the. 507 00:22:13,320 --> 00:22:16,240 Speaker 2: Nineties, nigga. Yeah, you know what I mean. Let's get 508 00:22:16,240 --> 00:22:17,680 Speaker 2: on some new addition ship out here. 509 00:22:17,920 --> 00:22:20,760 Speaker 1: I've heard I want to tour a new addition, the 510 00:22:21,280 --> 00:22:23,760 Speaker 1: new audition to be crazy, that's what it's crazy. 511 00:22:23,920 --> 00:22:27,280 Speaker 5: That would But then you got brothers saying like, nah, 512 00:22:27,640 --> 00:22:28,960 Speaker 5: I ain't throwing on no Blazer. 513 00:22:29,359 --> 00:22:32,199 Speaker 2: I A'm thwing on no ship like that. Like I'm like, yo, 514 00:22:32,320 --> 00:22:33,680 Speaker 2: but you we gotta get at. 515 00:22:33,600 --> 00:22:36,520 Speaker 5: Least one time how these fucking thirty some years nigga, 516 00:22:36,680 --> 00:22:39,200 Speaker 5: just like THO, get it right to be crazy, you 517 00:22:39,240 --> 00:22:41,560 Speaker 5: know what I mean? All in suits? Come on, man, 518 00:22:41,920 --> 00:22:44,080 Speaker 5: you see what I'm saying. That would be beautiful album covered. 519 00:22:44,359 --> 00:22:44,560 Speaker 2: Yeah. 520 00:22:44,720 --> 00:22:47,800 Speaker 5: Man, It's like yo, but with that, but did with 521 00:22:48,040 --> 00:22:53,959 Speaker 5: did goals with everybody's character, like all these nine fucking energies, 522 00:22:54,000 --> 00:22:57,280 Speaker 5: different energies. It's like it's hard to get and it's hard. 523 00:22:57,760 --> 00:23:00,119 Speaker 5: I'm tchunking, y'all. It's to be been here for thirty 524 00:23:00,160 --> 00:23:02,679 Speaker 5: some years. It's hard, bro, It's hard to get on 525 00:23:02,680 --> 00:23:03,280 Speaker 5: the same page. 526 00:23:03,320 --> 00:23:05,119 Speaker 2: It's hard. Very How much music did you? 527 00:23:05,359 --> 00:23:05,560 Speaker 5: Uh? 528 00:23:05,840 --> 00:23:06,919 Speaker 2: Did you or if you did it all? 529 00:23:07,000 --> 00:23:09,160 Speaker 4: Did you lose any music in the flood at risidscript 530 00:23:09,359 --> 00:23:12,199 Speaker 4: like any solo music, It was. 531 00:23:12,200 --> 00:23:14,760 Speaker 2: A lot of music lost. I don't that. 532 00:23:14,920 --> 00:23:17,600 Speaker 5: Yeah, I think that probably one that took the biggest hit, 533 00:23:18,119 --> 00:23:21,640 Speaker 5: but we all did because them Beats was like, yo, 534 00:23:23,240 --> 00:23:25,440 Speaker 5: you know you know what that might have been God's 535 00:23:25,800 --> 00:23:27,480 Speaker 5: let me tell you something to get to the next level. 536 00:23:27,680 --> 00:23:30,320 Speaker 5: A lot of times you got to go through Hella 537 00:23:30,400 --> 00:23:32,920 Speaker 5: come out right. There's always going to be something that 538 00:23:33,440 --> 00:23:35,360 Speaker 5: funcks you over, you know what I mean, I don't 539 00:23:35,400 --> 00:23:37,040 Speaker 5: give it could be death, it could be this and 540 00:23:37,040 --> 00:23:39,359 Speaker 5: that and the third for you to go here, you 541 00:23:39,400 --> 00:23:41,520 Speaker 5: know what I mean, you got to have a loss 542 00:23:41,600 --> 00:23:41,960 Speaker 5: or something. 543 00:23:42,680 --> 00:23:43,680 Speaker 2: But it was hard though. 544 00:23:43,920 --> 00:23:47,080 Speaker 5: Yes, it was the flood. It was the flood. It 545 00:23:46,720 --> 00:23:47,800 Speaker 5: was it was then beats. 546 00:23:47,800 --> 00:23:50,520 Speaker 4: It was taking that and using that as the flood. 547 00:23:50,560 --> 00:23:51,240 Speaker 2: No, it's all. 548 00:23:53,640 --> 00:23:57,439 Speaker 5: Of course, of course, but I'm saying though, like it 549 00:23:57,480 --> 00:24:01,800 Speaker 5: was music went to a lot of music that was 550 00:24:01,840 --> 00:24:04,000 Speaker 5: that was lost in that flood, like all the this 551 00:24:04,240 --> 00:24:07,040 Speaker 5: up and all that ship word all of it. 552 00:24:07,280 --> 00:24:07,480 Speaker 1: Yeah. 553 00:24:07,720 --> 00:24:08,920 Speaker 2: Yeah, be that's tough. 554 00:24:10,440 --> 00:24:14,159 Speaker 1: I mean allegedly the Delphonics thing with what happened in 555 00:24:14,160 --> 00:24:15,480 Speaker 1: the car, we don't have to get into that. I 556 00:24:15,560 --> 00:24:18,959 Speaker 1: just want to know what the car ride home was like, 557 00:24:18,960 --> 00:24:20,920 Speaker 1: like you've told the story, but like yeah, we're not 558 00:24:21,200 --> 00:24:23,320 Speaker 1: roll the conversation afterwards, like. 559 00:24:23,359 --> 00:24:26,600 Speaker 4: Get the Delphonics still after they was just in the 560 00:24:26,600 --> 00:24:28,200 Speaker 4: shootout with like how did that happen? 561 00:24:28,840 --> 00:24:32,040 Speaker 2: Nam? Yo? There was some cool niggas. Man was cool. 562 00:24:32,400 --> 00:24:33,280 Speaker 2: It was cool. 563 00:24:33,440 --> 00:24:37,400 Speaker 5: They was like I felt bad, like like yo, man, 564 00:24:37,440 --> 00:24:40,320 Speaker 5: you're done these niggas old man, you got these niggas 565 00:24:40,320 --> 00:24:44,840 Speaker 5: in the fucking shootout. But they was they was yo. 566 00:24:45,560 --> 00:24:47,359 Speaker 5: They was like nah, but you don't worry about that 567 00:24:47,440 --> 00:24:50,040 Speaker 5: ship man, worry about that. Like they from Philly man, 568 00:24:51,400 --> 00:24:54,880 Speaker 5: you know phil was dangerous. They were just like, Yo, 569 00:24:56,400 --> 00:24:59,680 Speaker 5: told me to bring my knife. It was like yo something. 570 00:25:00,080 --> 00:25:01,600 Speaker 5: The light skinned one was like some I'm showing me 571 00:25:01,640 --> 00:25:04,680 Speaker 5: to bring my knife, like like Yo, I'm like, yo, 572 00:25:04,720 --> 00:25:08,040 Speaker 5: But but while they're saying or that, I'm just saying sorry, 573 00:25:08,160 --> 00:25:11,080 Speaker 5: yeah yeah, so we're going and you know, we were 574 00:25:11,080 --> 00:25:14,000 Speaker 5: going in the in the studio and ship on an 575 00:25:14,040 --> 00:25:16,479 Speaker 5: elevator and ship. I'm just like, yo, I'm sorry, Yo, 576 00:25:17,200 --> 00:25:21,320 Speaker 5: I'm sorry. I just lost it because I didn't the 577 00:25:21,359 --> 00:25:23,920 Speaker 5: way it happened to Delphin's I was. They wasn't even 578 00:25:23,920 --> 00:25:26,520 Speaker 5: on my mind. Bro, I'm a kills niggas, you know 579 00:25:26,560 --> 00:25:28,560 Speaker 5: what I mean. And that's just what it was like. 580 00:25:28,840 --> 00:25:30,719 Speaker 5: And two it was like all over and it was like, 581 00:25:30,960 --> 00:25:32,800 Speaker 5: that's why they did after the. 582 00:25:32,840 --> 00:25:35,520 Speaker 2: Smoke, It's clear, you know what I mean, you. 583 00:25:35,720 --> 00:25:40,560 Speaker 5: Changed del funk. Yeah, so that's it came out. It 584 00:25:40,680 --> 00:25:42,800 Speaker 5: came out like that. That was right after the shape. 585 00:25:42,840 --> 00:25:43,160 Speaker 2: That's all. 586 00:25:43,920 --> 00:25:46,160 Speaker 5: It was like, Yo, man, we've been cool ever since. 587 00:25:46,320 --> 00:25:51,520 Speaker 5: Likes we meet up. Yeah man, thank god, nothing serious, 588 00:25:51,640 --> 00:25:54,679 Speaker 5: you know what I mean? But Yo, I love the 589 00:25:54,680 --> 00:25:58,400 Speaker 5: del Pholes man. That's they That's my soul those day, 590 00:25:58,440 --> 00:26:01,919 Speaker 5: they my soul. Yeah that error, you know what I'm saying. So, 591 00:26:02,720 --> 00:26:04,600 Speaker 5: but where is that really that We just went to 592 00:26:04,640 --> 00:26:05,080 Speaker 5: the studio. 593 00:26:05,200 --> 00:26:08,840 Speaker 2: That was it. It wasn't like the I can't remember 594 00:26:08,960 --> 00:26:09,960 Speaker 2: what it was like when. 595 00:26:10,000 --> 00:26:12,920 Speaker 5: After the studio session was over, like going back because 596 00:26:12,920 --> 00:26:15,920 Speaker 5: I can't remember this shit, but yeah, bro, that was it. 597 00:26:16,200 --> 00:26:19,600 Speaker 1: Where does that all like derived from? Because why you've 598 00:26:19,600 --> 00:26:23,000 Speaker 1: always been my favorite out of wu sang outside of 599 00:26:23,000 --> 00:26:25,679 Speaker 1: your wraps and tone is I'm a super soul and 600 00:26:25,920 --> 00:26:27,879 Speaker 1: R and B NERD. So like that's why I always 601 00:26:27,880 --> 00:26:29,880 Speaker 1: more like drive more to ghosts because of that. 602 00:26:30,040 --> 00:26:31,600 Speaker 2: Where does that stem from? That? 603 00:26:31,600 --> 00:26:33,440 Speaker 5: That's always kind of mean when you was little man, 604 00:26:33,480 --> 00:26:36,720 Speaker 5: it's them from being in the living room with all 605 00:26:36,720 --> 00:26:39,359 Speaker 5: the older folks, you know what I mean, getting kicked 606 00:26:39,359 --> 00:26:40,400 Speaker 5: out because you're too young. 607 00:26:41,119 --> 00:26:41,600 Speaker 2: You know what I mean. 608 00:26:41,640 --> 00:26:44,320 Speaker 5: Anybody's smoking weed, dancing and you know what I mean, 609 00:26:44,359 --> 00:26:47,119 Speaker 5: your mother's playing all the Oddsley Brothers shits and you 610 00:26:47,160 --> 00:26:48,919 Speaker 5: know what I mean. That's when you back at that 611 00:26:49,000 --> 00:26:51,680 Speaker 5: time when we was little, we had afros and shit. Yeah, 612 00:26:51,760 --> 00:26:53,760 Speaker 5: so were picking up the broom thinking you was Michael 613 00:26:53,800 --> 00:26:55,720 Speaker 5: Jackson and you know what I mean, all this other shit. 614 00:26:55,800 --> 00:26:58,240 Speaker 5: But it was just it was just the tone that 615 00:26:58,400 --> 00:27:01,359 Speaker 5: was set in the crib at that time. It was 616 00:27:01,480 --> 00:27:03,800 Speaker 5: it was it was it was you know, my mom's 617 00:27:03,960 --> 00:27:06,200 Speaker 5: they set the tone. We don't even knowing they set 618 00:27:06,240 --> 00:27:07,800 Speaker 5: the tone, yeah, you know what I mean. It was 619 00:27:07,880 --> 00:27:09,800 Speaker 5: because they were just jamming to ship, you know what 620 00:27:09,840 --> 00:27:12,159 Speaker 5: I mean, and that ship just stayed with me. So 621 00:27:12,200 --> 00:27:14,679 Speaker 5: when I hear it, it was like you remember that, 622 00:27:14,960 --> 00:27:16,320 Speaker 5: like oh ship yo. 623 00:27:16,920 --> 00:27:18,680 Speaker 2: And to be. 624 00:27:18,640 --> 00:27:20,840 Speaker 5: Honest with you, that's that music is like the most 625 00:27:20,880 --> 00:27:21,680 Speaker 5: flies music. 626 00:27:22,240 --> 00:27:24,280 Speaker 2: It's not even close. It's not It's not like you. 627 00:27:24,280 --> 00:27:26,320 Speaker 2: They ain't making music like that no more. That's why 628 00:27:26,400 --> 00:27:27,240 Speaker 2: I sample a lot. 629 00:27:27,440 --> 00:27:29,440 Speaker 5: Yeah, that's why I do a lot of them system. 630 00:27:29,440 --> 00:27:31,879 Speaker 5: When I did holler on Fish Get, I rhymed over that, 631 00:27:32,080 --> 00:27:34,240 Speaker 5: over the words and everything, because I don't I don't 632 00:27:34,240 --> 00:27:36,960 Speaker 5: hear words. I just know where I'm at in the groove, 633 00:27:37,080 --> 00:27:38,919 Speaker 5: like like yo, and just get it, even with the 634 00:27:39,040 --> 00:27:43,879 Speaker 5: even with the sit on Supreme, the common Door ship. Yeah, 635 00:27:44,000 --> 00:27:45,520 Speaker 5: the fuck is that zoom? 636 00:27:45,640 --> 00:27:46,200 Speaker 2: You know what I mean? 637 00:27:46,320 --> 00:27:46,560 Speaker 1: Like Yo? 638 00:27:46,720 --> 00:27:48,760 Speaker 5: The words was like yo, I don't hear the words. 639 00:27:49,080 --> 00:27:50,959 Speaker 5: I want to get that, you know what I mean, 640 00:27:50,960 --> 00:27:52,240 Speaker 5: because I'm not getting in nowhere else. 641 00:27:52,760 --> 00:27:53,640 Speaker 2: That's so yeah. 642 00:27:53,640 --> 00:27:55,520 Speaker 1: And I mean, was that something that you put to 643 00:27:55,640 --> 00:27:57,639 Speaker 1: Rizza when it came to doing your solo ship, like 644 00:27:58,040 --> 00:27:58,800 Speaker 1: we leaning this way. 645 00:27:58,840 --> 00:28:00,399 Speaker 2: I know you're on the dirty ass are. 646 00:28:00,720 --> 00:28:03,639 Speaker 5: Shit, But I ain't. At that time, I was just 647 00:28:03,680 --> 00:28:06,600 Speaker 5: finding myself. I was finding myself. I even had to 648 00:28:06,600 --> 00:28:09,360 Speaker 5: talk to Riza about what that with the who did? 649 00:28:09,359 --> 00:28:11,359 Speaker 5: What was is like now when he played a couple 650 00:28:11,359 --> 00:28:13,239 Speaker 5: of those beats like all I got is you and 651 00:28:13,280 --> 00:28:14,840 Speaker 5: all that, I didn't know what I was going to 652 00:28:14,920 --> 00:28:15,360 Speaker 5: do to it. 653 00:28:15,680 --> 00:28:17,600 Speaker 2: I just know I wanted it, you know what I mean. 654 00:28:17,600 --> 00:28:19,760 Speaker 5: When I took it home and I started with McCall, 655 00:28:19,840 --> 00:28:24,080 Speaker 5: it made me reflect on my struggle growing up. 656 00:28:24,760 --> 00:28:28,160 Speaker 2: You know what I mean, three bedrooms with. 657 00:28:28,200 --> 00:28:29,840 Speaker 5: Fifteen of us and all these you know what I 658 00:28:29,840 --> 00:28:32,119 Speaker 5: mean in the apartment and roaches everywhere and this and 659 00:28:32,119 --> 00:28:34,560 Speaker 5: that and the third and muscle of justst to fee 660 00:28:34,640 --> 00:28:37,400 Speaker 5: my brothers like it's like it just That's why I say, 661 00:28:37,520 --> 00:28:40,960 Speaker 5: sometimes the beat speaks to you. It speaks like you 662 00:28:41,000 --> 00:28:43,360 Speaker 5: know what I mean and I and it made me 663 00:28:43,480 --> 00:28:46,480 Speaker 5: just pull my life out on that. So now when 664 00:28:46,600 --> 00:28:48,320 Speaker 5: even when I hear that right and I can't really 665 00:28:48,360 --> 00:28:51,200 Speaker 5: like hear it, hear it because it lated you a 666 00:28:51,280 --> 00:28:54,479 Speaker 5: place you it was different. Sometime it can make me 667 00:28:54,560 --> 00:28:57,480 Speaker 5: sad or it might make me feel like, yo, damn tone, 668 00:28:57,520 --> 00:29:00,920 Speaker 5: you don't spill the guts, you don't told ship that 669 00:29:01,240 --> 00:29:03,920 Speaker 5: the average nigga would be embarrassed to saying, you know 670 00:29:03,960 --> 00:29:07,120 Speaker 5: what I mean, talk about they got roaches. But it's like, Yo, 671 00:29:07,840 --> 00:29:10,360 Speaker 5: that's the most ill shit because when like real, when 672 00:29:10,400 --> 00:29:13,280 Speaker 5: I said it, I got niggas, I got I got 673 00:29:13,320 --> 00:29:15,840 Speaker 5: people just from all over like Yo, even in the South, 674 00:29:15,960 --> 00:29:18,840 Speaker 5: like Yo. That's my ship because they could relate absolutely, 675 00:29:18,840 --> 00:29:20,160 Speaker 5: you know what I mean. I was the only one 676 00:29:20,240 --> 00:29:23,160 Speaker 5: that was in the struggle. Yeah, And that's it. 677 00:29:24,120 --> 00:29:27,000 Speaker 1: That's that's that's my gauge of finding out somebody's sociopath. 678 00:29:27,440 --> 00:29:29,440 Speaker 1: If you play that record and don't cry, you're a sociopath. 679 00:29:29,840 --> 00:29:30,040 Speaker 4: Man. 680 00:29:30,080 --> 00:29:35,200 Speaker 5: People cryed off that. 681 00:29:33,600 --> 00:29:35,360 Speaker 2: And you don't tear up something's wrong. 682 00:29:35,920 --> 00:29:36,160 Speaker 5: Yeah. 683 00:29:36,480 --> 00:29:45,160 Speaker 4: Yeah, you're thinking about upgrading your phone, Rory, because I 684 00:29:45,200 --> 00:29:48,360 Speaker 4: saw your phone and I was gonna ask, I know, 685 00:29:48,440 --> 00:29:50,680 Speaker 4: you feel like you want the new iPhone seventeen. 686 00:29:50,720 --> 00:29:52,800 Speaker 2: I never told a soul about that. Yeah, but listen, 687 00:29:52,800 --> 00:29:53,120 Speaker 2: did you. 688 00:29:53,080 --> 00:29:54,680 Speaker 4: Know that it's designed to be the most powerful I 689 00:29:54,680 --> 00:29:55,080 Speaker 4: phone ever? 690 00:29:55,680 --> 00:29:56,120 Speaker 2: I didn't. 691 00:29:56,400 --> 00:29:58,440 Speaker 4: And did you know that if it's traffic, they'll come 692 00:29:58,480 --> 00:29:59,280 Speaker 4: to you. 693 00:29:59,280 --> 00:30:01,320 Speaker 2: No, what you do is I got good news. When 694 00:30:01,320 --> 00:30:01,920 Speaker 2: you order a new. 695 00:30:01,800 --> 00:30:04,160 Speaker 4: Phone ONLA with Boosmobi, they'll send an expert to your 696 00:30:04,200 --> 00:30:05,520 Speaker 4: home or right here to the studio. 697 00:30:05,600 --> 00:30:06,880 Speaker 2: Rory, Oh got new? Boost was like that. 698 00:30:07,000 --> 00:30:08,960 Speaker 4: Yeah, they'll give you a new iPhone seventeen Pro and 699 00:30:09,000 --> 00:30:10,600 Speaker 4: they get you set up on a boost Mobile plan 700 00:30:10,680 --> 00:30:13,880 Speaker 4: within minutes. No hassle, no hassle vis boostmobile dot com 701 00:30:13,920 --> 00:30:17,160 Speaker 4: to get started. Delivery available for select devices purchased at 702 00:30:17,200 --> 00:30:18,080 Speaker 4: boostmobile dot Com. 703 00:30:18,160 --> 00:30:18,680 Speaker 2: Terms apply. 704 00:30:19,040 --> 00:30:21,760 Speaker 1: Maw. I'm here to shout out hard Rock Bet, not 705 00:30:22,120 --> 00:30:26,080 Speaker 1: because they sponsor this show, but because man, did the 706 00:30:26,120 --> 00:30:30,080 Speaker 1: Buffalo Bills the Nickel City get me more than a 707 00:30:30,160 --> 00:30:32,480 Speaker 1: nickel this past Sunday on Hard Rock Bet. 708 00:30:32,440 --> 00:30:34,600 Speaker 2: Let me whole song, the whole bar got to drink 709 00:30:34,640 --> 00:30:35,040 Speaker 2: because of me. 710 00:30:36,440 --> 00:30:38,360 Speaker 1: On you, I was passing out turkeys with what the 711 00:30:38,400 --> 00:30:40,600 Speaker 1: Buffalo Bills did with me on Hard Rock Bet. 712 00:30:41,200 --> 00:30:43,400 Speaker 4: Rory in that new for You paid treated like Instagram, 713 00:30:43,480 --> 00:30:45,560 Speaker 4: y'all gotta check that out. It serves up picks based 714 00:30:45,600 --> 00:30:48,080 Speaker 4: on who I ride with and how I like to bet. 715 00:30:48,120 --> 00:30:50,360 Speaker 4: I open the app, go to the for you page, 716 00:30:50,400 --> 00:30:53,280 Speaker 4: find the play I like, and boom, bet placed throw 717 00:30:53,320 --> 00:30:54,120 Speaker 4: the money bags on it. 718 00:30:54,160 --> 00:30:54,560 Speaker 2: There you go. 719 00:30:54,640 --> 00:30:56,360 Speaker 4: Then I'm right back to rapping gifts and throwing on 720 00:30:56,360 --> 00:30:58,280 Speaker 4: my favorite Christman movie like nothing ever happened. 721 00:30:58,360 --> 00:31:00,600 Speaker 1: Sign up today and bet five dollars on any game. 722 00:31:00,640 --> 00:31:02,440 Speaker 1: If it wins, you also score one hundred and fifty 723 00:31:02,440 --> 00:31:05,600 Speaker 1: dollars in bonus bets a dub plus an extra one 724 00:31:05,600 --> 00:31:06,760 Speaker 1: P fifty to bet with. 725 00:31:07,120 --> 00:31:09,680 Speaker 2: Now that is spreading holiday cheer. 726 00:31:09,960 --> 00:31:12,240 Speaker 4: Pay them on bonus bets, not a cash offer offered 727 00:31:12,280 --> 00:31:14,760 Speaker 4: by the Seminal Tribe of Florida. In Florida, offered by 728 00:31:14,800 --> 00:31:17,040 Speaker 4: Seminal Hard Rock Digital LLC. In all of the states. 729 00:31:17,240 --> 00:31:22,400 Speaker 4: Must be twenty one plus and physically president in Arizona, Colorado, Florida, Illinois, Indiana, Michigan, 730 00:31:22,400 --> 00:31:25,520 Speaker 4: New Jersey, Ohio, Tennessee, or Virginia. To play, terms and 731 00:31:25,560 --> 00:31:28,800 Speaker 4: conditions apply. Concerned about gambling and Florida called one eight 732 00:31:28,840 --> 00:31:31,440 Speaker 4: three to three play wise. In Indiana, if you are 733 00:31:31,480 --> 00:31:34,000 Speaker 4: someone you know has a gambling problem and wants helped, 734 00:31:34,200 --> 00:31:36,800 Speaker 4: call one one hundred nine with it gambling problem called 735 00:31:36,840 --> 00:31:41,800 Speaker 4: one hundred gambler. Arizona, Colorado, Illinois, Michigan, New Jersey, Ohio, Tennessee, 736 00:31:41,800 --> 00:31:42,480 Speaker 4: and Virginia. 737 00:31:48,360 --> 00:31:48,520 Speaker 2: Now. 738 00:31:48,560 --> 00:31:51,920 Speaker 4: Growing up in New York, I remember hearing the rumor, 739 00:31:52,560 --> 00:31:54,320 Speaker 4: and it was because y'all was two of my favorite 740 00:31:54,400 --> 00:31:57,120 Speaker 4: rappers at the time. Is there any truth to the 741 00:31:57,200 --> 00:31:59,160 Speaker 4: rum that you and Mace got into it at the tunnel? 742 00:32:00,320 --> 00:32:02,760 Speaker 2: No? Where did that come from? Whe did that rumor 743 00:32:02,800 --> 00:32:03,120 Speaker 2: come from? 744 00:32:03,240 --> 00:32:05,840 Speaker 5: I never heard that rumor really No, I mean that 745 00:32:05,960 --> 00:32:07,480 Speaker 5: mean Ma's getting at you at the tunnel? 746 00:32:07,680 --> 00:32:10,560 Speaker 2: Yeah, hell, that was a big rumor. Oh nah, it was. 747 00:32:11,280 --> 00:32:13,880 Speaker 5: It was so many rumors, man, you know what I mean, 748 00:32:14,040 --> 00:32:17,800 Speaker 5: like just that when I heard fat Joe and you 749 00:32:17,880 --> 00:32:19,520 Speaker 5: know what I mean, like a lot, a lot of 750 00:32:19,560 --> 00:32:21,280 Speaker 5: a lot a lot. But it was no, I ain't 751 00:32:21,320 --> 00:32:22,640 Speaker 5: no truth to that. I don't even think I ever 752 00:32:22,640 --> 00:32:23,800 Speaker 5: seen Mace in the tongue. 753 00:32:23,560 --> 00:32:24,520 Speaker 2: All right, So that's good to know. 754 00:32:24,640 --> 00:32:28,200 Speaker 1: That was my favorite Mason. Yeah, I just feel a 755 00:32:28,200 --> 00:32:30,280 Speaker 1: little gostly. But even Kanye wrapped that, you know, my 756 00:32:30,320 --> 00:32:32,120 Speaker 1: face felt. You would know how Mace felt. And I 757 00:32:32,160 --> 00:32:35,320 Speaker 1: think that was in regards to you. That was gospel ship. 758 00:32:35,360 --> 00:32:37,240 Speaker 1: But even Kanye's wrapped that ship before. 759 00:32:37,840 --> 00:32:41,000 Speaker 5: I was like I know that, Yeah, I know he's Yeah, 760 00:32:41,240 --> 00:32:42,680 Speaker 5: I didn't think when he said, I ain't think of 761 00:32:42,680 --> 00:32:43,600 Speaker 5: nothing that, you know what I mean? 762 00:32:43,800 --> 00:32:46,440 Speaker 2: Yeah, I didn't think that deep into it. Yeah, it 763 00:32:46,520 --> 00:32:47,120 Speaker 2: was bulletproof. 764 00:32:47,240 --> 00:32:51,000 Speaker 4: I was the first UH rap album that suffered from 765 00:32:51,000 --> 00:32:51,800 Speaker 4: sample clearences. 766 00:32:52,160 --> 00:32:54,080 Speaker 2: I remember it being on a real big example. 767 00:32:54,720 --> 00:32:54,960 Speaker 1: Yeah. 768 00:32:55,120 --> 00:32:57,760 Speaker 5: First of all, one of the slick Rick joints that 769 00:32:57,960 --> 00:33:00,560 Speaker 5: that I had called the Sun. If I would have 770 00:33:00,600 --> 00:33:03,000 Speaker 5: had three records on there, let me tell you something 771 00:33:03,560 --> 00:33:07,480 Speaker 5: that that album would have just been ridiculous. 772 00:33:06,920 --> 00:33:09,040 Speaker 2: Like you mean that's a classic. 773 00:33:09,080 --> 00:33:12,240 Speaker 5: No, listen, Nah, you didn't when I had to watch, 774 00:33:12,240 --> 00:33:15,360 Speaker 5: I had to watch on that. They took the watch off. 775 00:33:15,920 --> 00:33:19,160 Speaker 5: I had the son with slick Rick me slick Rick Kwan. 776 00:33:19,400 --> 00:33:22,120 Speaker 5: They took that ship off, and it was another one 777 00:33:22,120 --> 00:33:24,840 Speaker 5: that oh the Flowers beat, the Flowers beat. They changed 778 00:33:24,840 --> 00:33:27,680 Speaker 5: the original beat the Flowers, you know what I mean. 779 00:33:27,800 --> 00:33:29,400 Speaker 5: So I had to I had to change it. Like 780 00:33:30,040 --> 00:33:32,320 Speaker 5: if I would have kept my rigion all that ship 781 00:33:32,400 --> 00:33:35,720 Speaker 5: up there, Yo, bro, it's it's yeah, I know. 782 00:33:35,680 --> 00:33:36,720 Speaker 2: How to do these ships. Man. 783 00:33:36,800 --> 00:33:39,520 Speaker 4: No one listen one thousand for you to say that 784 00:33:39,520 --> 00:33:42,440 Speaker 4: it would have been better than it already it's a classic. 785 00:33:42,560 --> 00:33:48,240 Speaker 5: It's listen with those other three on it. Listen, it 786 00:33:48,280 --> 00:33:50,600 Speaker 5: would have it had been some ship. 787 00:33:50,720 --> 00:33:53,040 Speaker 2: Bro, that's crazy. I'm trying to tell you that as wild. 788 00:33:53,080 --> 00:33:54,600 Speaker 2: I'm trying to tell you, yeah, man. 789 00:33:54,520 --> 00:33:57,200 Speaker 1: What was the the slick Rick We actually what you 790 00:33:57,200 --> 00:34:00,120 Speaker 1: just talking about this week the Fades Black movie. When 791 00:34:00,160 --> 00:34:03,400 Speaker 1: you perform with Beyonce at the Garden, Yeah, he Flickrick 792 00:34:03,480 --> 00:34:06,800 Speaker 1: came with all came George. How long has your relationship 793 00:34:07,480 --> 00:34:11,200 Speaker 1: been so close that way? Because Yeah, when he pulled 794 00:34:11,280 --> 00:34:13,640 Speaker 1: up and just was taking all the jewels, I was 795 00:34:13,680 --> 00:34:15,840 Speaker 1: gonna come like he was gonna come. 796 00:34:16,960 --> 00:34:21,480 Speaker 2: With all his I didn't say nothing. I didn't say yeah. 797 00:34:24,000 --> 00:34:26,319 Speaker 2: I tried to say, I know what he was doing 798 00:34:26,320 --> 00:34:27,000 Speaker 2: that something. 799 00:34:26,719 --> 00:34:27,120 Speaker 4: Like I'm not. 800 00:34:29,640 --> 00:34:31,080 Speaker 2: You know what I mean? But I didn't know he 801 00:34:31,160 --> 00:34:33,200 Speaker 2: was gonna slide through you know what I mean. I 802 00:34:33,239 --> 00:34:35,719 Speaker 2: don't know if that's you know what I mean? 803 00:34:36,400 --> 00:34:39,040 Speaker 5: Because I reached out to him and I was like yo, 804 00:34:39,239 --> 00:34:42,160 Speaker 5: because I had a bag for him to be like, Yo, listen, 805 00:34:42,280 --> 00:34:45,279 Speaker 5: I'm going on the stage with Beyonce. You know what 806 00:34:45,320 --> 00:34:48,839 Speaker 5: I mean the Garden, Yo, Rick, let me just hold 807 00:34:48,880 --> 00:34:50,880 Speaker 5: something whatever, whatever the case may be, this and that 808 00:34:51,000 --> 00:34:54,000 Speaker 5: the third but you know that's the surprise possession. So yeah, 809 00:34:54,440 --> 00:34:57,799 Speaker 5: at first, I don't know. I don't know if I 810 00:34:57,800 --> 00:34:59,359 Speaker 5: didn't think he was gonna come, you know what I mean. 811 00:35:02,800 --> 00:35:04,759 Speaker 5: So I didn't know he was going to slide through 812 00:35:04,840 --> 00:35:09,359 Speaker 5: whatever the case may be. At the venue, yeah, So 813 00:35:09,440 --> 00:35:12,200 Speaker 5: I'm like, I'm like, I'm like, I'm like, you know, 814 00:35:12,320 --> 00:35:14,200 Speaker 5: so I wasn't even thinking about it, Like we didn't 815 00:35:14,200 --> 00:35:15,600 Speaker 5: even talk about it no more, because I think he 816 00:35:15,680 --> 00:35:18,160 Speaker 5: might have told me, like y'all said something in whatever 817 00:35:18,200 --> 00:35:21,000 Speaker 5: case may Anyway, he was like, I didn't think, what's happening. 818 00:35:21,560 --> 00:35:26,279 Speaker 5: So when I'm near, you know, be back there, you 819 00:35:26,320 --> 00:35:29,200 Speaker 5: know me Beyonce, this and that, the third and then 820 00:35:29,239 --> 00:35:32,200 Speaker 5: all of a sudden, like you know, he came out 821 00:35:32,200 --> 00:35:36,360 Speaker 5: of nowhere. She on stage doing her ship. Yeah, you know, 822 00:35:36,440 --> 00:35:39,520 Speaker 5: he came out. He came to me at thet I 823 00:35:39,560 --> 00:35:42,120 Speaker 5: think while that ship was on, while she was doing that, 824 00:35:42,640 --> 00:35:46,759 Speaker 5: the record was cleaning. Yeah, it was like he just 825 00:35:46,960 --> 00:35:49,200 Speaker 5: he was like he had he had his little bag 826 00:35:49,280 --> 00:35:50,719 Speaker 5: and he just started throwing ships on me. 827 00:35:53,480 --> 00:35:55,760 Speaker 2: Like I just got heavier and heavy and heavier. 828 00:35:56,600 --> 00:36:00,040 Speaker 5: It was like it was like it was like the 829 00:36:00,080 --> 00:36:07,560 Speaker 5: power bridge, like oh ship. So I walk out, I'm 830 00:36:07,600 --> 00:36:11,520 Speaker 5: walking out and and all of a sudden, the verse 831 00:36:11,640 --> 00:36:15,759 Speaker 5: just left me and left. I'm like, but my part 832 00:36:15,920 --> 00:36:19,120 Speaker 5: is getting ready to come, and I'm getting ready, you know, 833 00:36:19,120 --> 00:36:21,239 Speaker 5: I'm getting ready to get ready to go. So I'm 834 00:36:21,239 --> 00:36:25,120 Speaker 5: like I'm like, oh ship, I asked my manager. I say, Yo, 835 00:36:25,160 --> 00:36:28,759 Speaker 5: what's what's what's what's the funk? What's the ship? What's 836 00:36:28,760 --> 00:36:30,640 Speaker 5: what's the first ball? I just need the first ball. 837 00:36:30,680 --> 00:36:31,239 Speaker 2: That's all I need. 838 00:36:31,320 --> 00:36:34,080 Speaker 5: The first ball. I couldn't get it. I couldn't get it. 839 00:36:34,320 --> 00:36:37,360 Speaker 5: So I'm like, oh ship, she you on fucking stage. 840 00:36:40,840 --> 00:36:45,880 Speaker 5: I'm like, oh, I can't go over for the thirty thousand, 841 00:36:46,040 --> 00:36:49,719 Speaker 5: my god, and just either get boot or or just 842 00:36:49,840 --> 00:36:54,440 Speaker 5: like don't go. I'm like, oh ship. So I'm like 843 00:36:54,480 --> 00:36:59,080 Speaker 5: it's coming, like she's getting closer, getting closer, getting closer. 844 00:36:59,400 --> 00:37:02,680 Speaker 5: So I start walking up, walking up, I'm shit gone. 845 00:37:03,400 --> 00:37:06,000 Speaker 5: So all I can see is like it's slow motion. 846 00:37:06,160 --> 00:37:09,040 Speaker 5: I saw just Dame Dash's face when he looked at 847 00:37:09,080 --> 00:37:11,520 Speaker 5: me from the side, because niggas ain't seen me with 848 00:37:11,560 --> 00:37:17,239 Speaker 5: all that ship on. He just looked at me and said, oh, 849 00:37:17,280 --> 00:37:19,480 Speaker 5: I ain't even hear him. I just read his mouth 850 00:37:20,120 --> 00:37:25,840 Speaker 5: like oh ship boom like and I'm like, the steps 851 00:37:25,880 --> 00:37:29,400 Speaker 5: is right there, nigga, just go, I said, and got it, 852 00:37:29,440 --> 00:37:30,960 Speaker 5: and I'm like, oh ship. 853 00:37:31,040 --> 00:37:33,760 Speaker 2: But when it came, it was god. 854 00:37:34,280 --> 00:37:36,480 Speaker 5: He just it was just like I think he just 855 00:37:36,520 --> 00:37:40,319 Speaker 5: like kicked me or slapped me foul. I should sit 856 00:37:40,440 --> 00:37:46,040 Speaker 5: back in there and it just came, I said, Joe, 857 00:37:46,120 --> 00:37:49,120 Speaker 5: and I just flowed that ship. When she seen me 858 00:37:49,200 --> 00:37:52,359 Speaker 5: with all that shut up, she was like, yeah, because 859 00:37:52,360 --> 00:37:55,279 Speaker 5: we did rehearschel, you know it was regular ship. 860 00:37:55,440 --> 00:37:56,600 Speaker 2: Yeah, she seen that. 861 00:37:57,680 --> 00:38:01,200 Speaker 5: Like I was the craziest fear was like, oh ship, 862 00:38:01,320 --> 00:38:02,760 Speaker 5: this nigga one of them niggas. 863 00:38:02,800 --> 00:38:05,640 Speaker 2: Yeah, yeah, that jewelry was I was great. 864 00:38:05,680 --> 00:38:07,279 Speaker 4: I was at the show that night and when you 865 00:38:07,400 --> 00:38:10,000 Speaker 4: came out, we didn't know that that was slick Rick jewelry. 866 00:38:10,120 --> 00:38:12,440 Speaker 4: We just thought that was ghost on his bullshit. I'm 867 00:38:12,480 --> 00:38:15,359 Speaker 4: throwing everything on the night when Fade the Black came out, 868 00:38:16,040 --> 00:38:19,200 Speaker 4: we saw Rick putting it. I was like, oh that 869 00:38:19,200 --> 00:38:19,960 Speaker 4: that was crazy. 870 00:38:21,040 --> 00:38:22,000 Speaker 2: Yeah, because when you came. 871 00:38:21,880 --> 00:38:24,360 Speaker 4: Out with the role, but that was Tony Starks. We 872 00:38:24,400 --> 00:38:27,720 Speaker 4: don't know ghosts got all this ship from Yo the Garden. 873 00:38:28,000 --> 00:38:30,360 Speaker 5: That might have been one of the best times, probably 874 00:38:30,360 --> 00:38:34,160 Speaker 5: the best time without the clans that that I ever had, 875 00:38:34,200 --> 00:38:36,600 Speaker 5: like on stage, like like as Father was like hearing 876 00:38:36,640 --> 00:38:39,920 Speaker 5: the raw from the crowd that summertime renew that we 877 00:38:39,920 --> 00:38:42,440 Speaker 5: couldn't believe y'all that because I was cool. I'm like, yo, 878 00:38:42,480 --> 00:38:45,480 Speaker 5: because Jay didn't even let Sean Paul do his ship. 879 00:38:45,560 --> 00:38:48,279 Speaker 2: Nah, I'm like, man, niggas you're calling me. 880 00:38:48,440 --> 00:38:52,840 Speaker 5: Yeah, it's like yo, so drusted me up there just 881 00:38:52,880 --> 00:38:53,400 Speaker 5: to get ahead. 882 00:38:53,400 --> 00:38:55,399 Speaker 2: And but that was so beat with his girl. 883 00:38:55,640 --> 00:38:59,040 Speaker 4: That was so crazy because that when that record came out, 884 00:38:59,239 --> 00:38:59,920 Speaker 4: everybody loved. 885 00:38:59,920 --> 00:39:03,600 Speaker 1: That was like a case that I gave it to Slave. 886 00:39:04,280 --> 00:39:07,360 Speaker 5: I remember what the slave because I was in Miami 887 00:39:07,440 --> 00:39:13,000 Speaker 5: doing pretty Tony and my man down there. Uh uh 888 00:39:13,680 --> 00:39:16,319 Speaker 5: Tom of Rock he got the DJ Tom of Rock, 889 00:39:16,400 --> 00:39:19,239 Speaker 5: Yeah he got he He said, Yo, I got this 890 00:39:19,360 --> 00:39:22,799 Speaker 5: joint for you, Beyonce, joint anything, Beyonce, give it to me, 891 00:39:23,280 --> 00:39:25,479 Speaker 5: you know what I mean? Boom, and I heard that 892 00:39:26,160 --> 00:39:28,480 Speaker 5: it was over. That was that was it. I'm like, oh, 893 00:39:28,480 --> 00:39:32,279 Speaker 5: I'm demo. When this ship wait just tomorrow. Bo did 894 00:39:32,320 --> 00:39:36,319 Speaker 5: that ship when laid it down came on what yo? 895 00:39:36,520 --> 00:39:38,680 Speaker 5: I sent it straight to slave and Slave was the 896 00:39:38,719 --> 00:39:42,480 Speaker 5: one that did it. I remember, Yeah, you know what 897 00:39:42,480 --> 00:39:43,880 Speaker 5: I mean. But I didn't know he had because he 898 00:39:43,960 --> 00:39:46,160 Speaker 5: wasn't on it. Yeah, and then he tried to play 899 00:39:46,160 --> 00:39:48,279 Speaker 5: his ship afterwards, and ship I guess that might have 900 00:39:48,360 --> 00:39:51,520 Speaker 5: been his ship. Would I don't know whatever whatever he 901 00:39:51,520 --> 00:39:54,880 Speaker 5: could be lying, I don't know. Anyway, it ain't work. 902 00:39:57,640 --> 00:39:58,280 Speaker 2: Any word. 903 00:39:59,640 --> 00:40:03,200 Speaker 1: Even that wasn't never the official remix. That was the 904 00:40:03,239 --> 00:40:05,920 Speaker 1: official remix for sure. So how quick like how quickly 905 00:40:05,960 --> 00:40:07,680 Speaker 1: did Slick Rick ask for his jewelry back? Because I 906 00:40:07,680 --> 00:40:10,960 Speaker 1: would have exited like staged right Nigga had left and 907 00:40:11,120 --> 00:40:11,840 Speaker 1: I would have held. 908 00:40:11,760 --> 00:40:12,520 Speaker 2: On for a little bit. 909 00:40:12,960 --> 00:40:16,000 Speaker 5: Man, Listen, man, I was grateful he came to do 910 00:40:16,040 --> 00:40:18,600 Speaker 5: what he what he He just did what he. 911 00:40:18,360 --> 00:40:20,960 Speaker 2: Did and I got that stage. I went back to 912 00:40:21,000 --> 00:40:21,399 Speaker 2: the room. 913 00:40:21,880 --> 00:40:26,040 Speaker 5: Yeah, that was it, yo, looking ship that Nigga back, 914 00:40:27,680 --> 00:40:28,080 Speaker 5: that was it. 915 00:40:28,400 --> 00:40:30,560 Speaker 4: That moment was like that was it because I mean, 916 00:40:30,560 --> 00:40:33,200 Speaker 4: I'm guessing that's the only time y'all ever performed that 917 00:40:33,239 --> 00:40:37,080 Speaker 4: record together. Yes, like to be in the garden that 918 00:40:37,239 --> 00:40:41,840 Speaker 4: night and see that because nobody was expecting that ship 919 00:40:41,920 --> 00:40:42,319 Speaker 4: was in. 920 00:40:42,600 --> 00:40:45,160 Speaker 2: And I forgot my ship, it felt magical. It was 921 00:40:45,239 --> 00:40:46,200 Speaker 2: like you knowing. 922 00:40:46,040 --> 00:40:48,799 Speaker 4: That that was even crazy because looking back you came 923 00:40:48,800 --> 00:40:50,360 Speaker 4: out and it was like that's that's that's. 924 00:40:50,280 --> 00:40:55,120 Speaker 2: Good, yo, bro. I was scared, you know what I mean? 925 00:40:55,200 --> 00:40:58,080 Speaker 5: I was tremendously scared just to go up on that 926 00:40:58,160 --> 00:41:02,080 Speaker 5: stage and just be like, uh, y'all and just be stuck. 927 00:41:02,120 --> 00:41:05,200 Speaker 5: It'd have been time for a snick of something you 928 00:41:05,239 --> 00:41:05,839 Speaker 5: want to get away? 929 00:41:05,920 --> 00:41:10,320 Speaker 1: Yeah, speaking of Snickers and kick cass and we was 930 00:41:10,360 --> 00:41:12,520 Speaker 1: talking off Mike. So Malt told the story when he 931 00:41:12,560 --> 00:41:15,880 Speaker 1: met styles people the first time and when he met 932 00:41:16,120 --> 00:41:18,919 Speaker 1: somebody that he idolized legend that they was exactly who 933 00:41:19,080 --> 00:41:23,239 Speaker 1: they thought they were. During COVID, DJ Premier put you 934 00:41:23,280 --> 00:41:26,400 Speaker 1: and I on text message to do an emotional Oranges 935 00:41:26,440 --> 00:41:28,799 Speaker 1: record where you had done two verses and I was 936 00:41:29,320 --> 00:41:33,319 Speaker 1: going to bring a certain amount of money cash to you. 937 00:41:33,400 --> 00:41:35,520 Speaker 2: This is at the height of the fucking pandemic. 938 00:41:35,800 --> 00:41:39,239 Speaker 1: You text me back and said, nah, God, I got diabetes. 939 00:41:39,280 --> 00:41:40,120 Speaker 1: You're not getting near me. 940 00:41:45,920 --> 00:41:49,720 Speaker 2: It was me why you said? You said your nephew. 941 00:41:50,800 --> 00:41:53,440 Speaker 1: I still speak to you this day giving him the 942 00:41:53,480 --> 00:41:56,440 Speaker 1: cash and eventually when I get that record back from Universe, 943 00:41:56,480 --> 00:41:58,960 Speaker 1: we putting that ship out that Premier remixedge. 944 00:41:58,440 --> 00:42:00,200 Speaker 2: Oh so I did the record? Yeah, you did? Is 945 00:42:00,200 --> 00:42:00,400 Speaker 2: on it. 946 00:42:00,800 --> 00:42:02,920 Speaker 1: You actually asked Premiere about it at Barclay's like a 947 00:42:03,000 --> 00:42:04,719 Speaker 1: few weeks ago. He had called me. He was like, 948 00:42:04,800 --> 00:42:06,600 Speaker 1: Ghost wants to put that ship out. I'm like, so 949 00:42:06,680 --> 00:42:09,239 Speaker 1: do I We got to hold on if you want 950 00:42:09,280 --> 00:42:10,759 Speaker 1: we get off mic remember you. 951 00:42:11,000 --> 00:42:13,759 Speaker 5: So that was also because I remember premiere did have 952 00:42:13,920 --> 00:42:16,600 Speaker 5: me yes, something like that, and that was with my group. 953 00:42:16,680 --> 00:42:17,480 Speaker 2: Yeah, oh my god. 954 00:42:17,560 --> 00:42:19,359 Speaker 1: Yeah, put us on a text and I'm to give 955 00:42:19,400 --> 00:42:21,359 Speaker 1: you the bread and she was like, nah, god, you're 956 00:42:21,360 --> 00:42:25,239 Speaker 1: not getting there me. I probably probably this was like 957 00:42:25,280 --> 00:42:28,840 Speaker 1: the height of the pandemic, right, nobody was wed No exactly, 958 00:42:31,200 --> 00:42:33,080 Speaker 1: A man, I ain't want to go nowhere. 959 00:42:34,000 --> 00:42:36,920 Speaker 5: Hell yeah, I'm I was holding my Breath'd be like, yo, 960 00:42:37,160 --> 00:42:39,560 Speaker 5: if you're showing it to breath every five minutes, I 961 00:42:39,600 --> 00:42:41,279 Speaker 5: was like trying to see if I hold my ship 962 00:42:42,120 --> 00:42:46,480 Speaker 5: thirty seconds, then if I if I hold it for 963 00:42:46,480 --> 00:42:48,000 Speaker 5: thirty something like that, I'm good. 964 00:42:48,040 --> 00:42:49,680 Speaker 2: I'm good. I'm good. 965 00:42:50,719 --> 00:42:53,520 Speaker 5: I'm doing that ship all the time. Like I want 966 00:42:53,560 --> 00:42:56,000 Speaker 5: you to bathroom mid three o'clock in the morning. To you, 967 00:42:56,360 --> 00:42:59,960 Speaker 5: I'm like, yeah, all that. 968 00:43:01,520 --> 00:43:05,000 Speaker 2: I'm good. Y'all go back to sleep, nigga. 969 00:43:05,520 --> 00:43:08,279 Speaker 4: Hell yeah, oh all right, so we got we don't 970 00:43:08,280 --> 00:43:10,200 Speaker 4: want to keep goost too much more. Of course, want 971 00:43:10,360 --> 00:43:13,520 Speaker 4: some questions from the audience or yeah for that. Anybody 972 00:43:13,560 --> 00:43:16,680 Speaker 4: got a question. Nobody got a question. Don't get shot now. 973 00:43:16,800 --> 00:43:19,360 Speaker 1: I had a question, you answered it, But what happened 974 00:43:19,360 --> 00:43:20,480 Speaker 1: to the your ego bracelet? 975 00:43:20,520 --> 00:43:21,200 Speaker 2: I'm just curious. 976 00:43:21,520 --> 00:43:24,520 Speaker 5: Oh we still got that, Okay, Yeah, but I still 977 00:43:24,520 --> 00:43:24,839 Speaker 5: got it. 978 00:43:25,000 --> 00:43:25,200 Speaker 2: Yeah. 979 00:43:25,280 --> 00:43:27,319 Speaker 5: My matter of fact, it is the only thing with 980 00:43:27,360 --> 00:43:29,080 Speaker 5: that one. It was like I brought it to the 981 00:43:29,160 --> 00:43:33,439 Speaker 5: video shoot, but I was gonna wear it. But Mama, 982 00:43:33,520 --> 00:43:36,440 Speaker 5: I was like, what's how was when was that? 983 00:43:36,480 --> 00:43:38,680 Speaker 2: What year? It was that? When I did? Uh? 984 00:43:38,760 --> 00:43:42,000 Speaker 5: That was bulletproof wlets Okay, because I did. I did 985 00:43:42,040 --> 00:43:45,239 Speaker 5: the ship with Lisa. Listen name Lisa. Now at least 986 00:43:45,280 --> 00:43:48,080 Speaker 5: right the car tim is the car Thomas ship. 987 00:43:50,760 --> 00:43:52,040 Speaker 2: Yeah, I had the burn on in there. 988 00:43:52,600 --> 00:43:55,399 Speaker 5: I tried that bitch and back on like nowadays over 989 00:43:55,760 --> 00:43:57,680 Speaker 5: niggas to Yeah, you gotta get that ship. 990 00:43:58,000 --> 00:44:01,440 Speaker 2: Expanded with risk and if you work. 991 00:44:02,239 --> 00:44:09,440 Speaker 5: Yeah, you gotta get that that. My man from Beverly 992 00:44:09,520 --> 00:44:10,480 Speaker 5: Hills name is Jason. 993 00:44:10,640 --> 00:44:12,680 Speaker 2: Okay, Jason. Jason made that. 994 00:44:12,640 --> 00:44:14,759 Speaker 4: In Beverly Hills. You know you do all the NBA 995 00:44:14,840 --> 00:44:16,919 Speaker 4: rings now the championship, Yeah know, he do everything, super 996 00:44:16,920 --> 00:44:20,239 Speaker 4: Bowl rings, all that did he did this? Oh yeah, yeah, yeah, 997 00:44:20,280 --> 00:44:21,479 Speaker 4: you do all that ship? 998 00:44:21,600 --> 00:44:23,600 Speaker 2: Yeah? Hell yeah, that's what. 999 00:44:23,560 --> 00:44:25,880 Speaker 1: That should be his logo, that that piece that he 1000 00:44:25,880 --> 00:44:27,480 Speaker 1: didn't want archonic ship. 1001 00:44:28,920 --> 00:44:31,480 Speaker 3: I really liked hearing about how you're like a student 1002 00:44:31,520 --> 00:44:34,279 Speaker 3: of soul like and how you know you grew up 1003 00:44:34,320 --> 00:44:37,320 Speaker 3: with certain songs and things and memories that are attached 1004 00:44:37,360 --> 00:44:40,560 Speaker 3: to that. So my first question is what's your favorite song? 1005 00:44:41,160 --> 00:44:43,360 Speaker 3: And then my second question is is there a sample 1006 00:44:43,440 --> 00:44:45,600 Speaker 3: that you haven't touched yet that you're waiting. 1007 00:44:45,320 --> 00:44:51,120 Speaker 2: To a sample? Man, curse, let's get to that. 1008 00:44:51,120 --> 00:44:55,320 Speaker 5: It's so many samples, you know what I mean, Stevie 1009 00:44:55,360 --> 00:44:58,040 Speaker 5: Wonders samples all like that. I really want to go 1010 00:44:58,080 --> 00:44:59,960 Speaker 5: in on like a lot of a lot of those. 1011 00:45:00,040 --> 00:45:03,080 Speaker 5: It's a lot of old samples like from the seventies 1012 00:45:03,120 --> 00:45:06,520 Speaker 5: and ship like that like that I haven't touched, like 1013 00:45:06,520 --> 00:45:08,680 Speaker 5: like yo, when I hear them certain records out here, 1014 00:45:08,719 --> 00:45:10,279 Speaker 5: it's like, yo, you know, I want to murder that 1015 00:45:10,320 --> 00:45:11,600 Speaker 5: ship like that. 1016 00:45:11,800 --> 00:45:13,960 Speaker 2: So, but and what's the other one? 1017 00:45:14,000 --> 00:45:15,960 Speaker 3: You said your favorite song was? 1018 00:45:16,040 --> 00:45:16,839 Speaker 2: What's your song? 1019 00:45:17,280 --> 00:45:20,319 Speaker 5: I can't just a song I did or just a 1020 00:45:20,400 --> 00:45:23,879 Speaker 5: regular just a g you heard. Damn, it's a lot, yo, 1021 00:45:24,160 --> 00:45:28,040 Speaker 5: It's like, you know, it's it's it's a lot. I 1022 00:45:28,080 --> 00:45:30,280 Speaker 5: came in, I came, he answered, I'm sorry, because it's 1023 00:45:30,440 --> 00:45:34,160 Speaker 5: you got, you got Jackson five, you got Curtis Mayfield, 1024 00:45:34,360 --> 00:45:37,319 Speaker 5: you got, you got, you got new Birth and all 1025 00:45:37,320 --> 00:45:39,399 Speaker 5: these the moments and you know what I mean? 1026 00:45:39,880 --> 00:45:42,239 Speaker 2: Or ship? You know what I mean? What's what's what's the. 1027 00:45:42,200 --> 00:45:45,560 Speaker 5: One that mean them? I want to go outside, you 1028 00:45:45,600 --> 00:45:47,359 Speaker 5: know what I mean. I murdered that before, but they 1029 00:45:47,360 --> 00:45:51,359 Speaker 5: took it off. Supreme Clentel the first one. Yeah, Mama, 1030 00:45:51,400 --> 00:45:53,440 Speaker 5: how my album? Because I did this ship. I snuck 1031 00:45:53,480 --> 00:45:55,839 Speaker 5: it on it, okay, and then when they took it off, 1032 00:45:56,160 --> 00:45:57,839 Speaker 5: the whole track listing was fucked up. 1033 00:45:57,960 --> 00:45:59,480 Speaker 2: Yeah, he was like, Yo, what the fuck is this? 1034 00:45:59,560 --> 00:46:03,160 Speaker 2: You know what I mean? Like that word. But it's 1035 00:46:03,239 --> 00:46:04,120 Speaker 2: like it's just so much. 1036 00:46:04,280 --> 00:46:06,400 Speaker 5: I'm a fan of all that ship back then and 1037 00:46:06,440 --> 00:46:10,000 Speaker 5: I miss it. It's just if I can murder all 1038 00:46:10,040 --> 00:46:12,520 Speaker 5: them ships, I'll do it. But yeah, it's just I 1039 00:46:12,560 --> 00:46:14,799 Speaker 5: can't even narron with down because once you hear one 1040 00:46:15,280 --> 00:46:17,640 Speaker 5: then you'd be like, oh, ship, this should put you 1041 00:46:17,719 --> 00:46:18,160 Speaker 5: on his own. 1042 00:46:18,560 --> 00:46:19,120 Speaker 2: Yeah. 1043 00:46:19,239 --> 00:46:21,960 Speaker 1: Man, I feel like Wizards of Poetry might be just 1044 00:46:22,000 --> 00:46:24,160 Speaker 1: if I'm I'm guessing would be one of your favorite 1045 00:46:24,200 --> 00:46:29,399 Speaker 1: albums to make. So it's to me, like I love 1046 00:46:29,440 --> 00:46:32,000 Speaker 1: that just because it was like Ghost always wanted. 1047 00:46:32,400 --> 00:46:34,879 Speaker 5: I always wanted to write stories like that. So when 1048 00:46:34,880 --> 00:46:37,840 Speaker 5: I got a chance to do it and do it 1049 00:46:37,880 --> 00:46:40,759 Speaker 5: for depth, Jam and shit, it was like, yo, at 1050 00:46:40,840 --> 00:46:43,359 Speaker 5: least I got one off my back, like with all 1051 00:46:43,360 --> 00:46:45,719 Speaker 5: that you had Raheen Devine and a stale and. 1052 00:46:45,920 --> 00:46:49,319 Speaker 2: Yeah I mean John, Yeah all that ship. 1053 00:46:49,360 --> 00:46:52,080 Speaker 1: Like I felt like the album to me again as 1054 00:46:52,080 --> 00:46:53,759 Speaker 1: a fan, that that was the first one Ghost was 1055 00:46:53,800 --> 00:46:55,839 Speaker 1: just by himself and got to do anything he wanted 1056 00:46:55,880 --> 00:46:57,879 Speaker 1: to do, like yeah shouting Lenny. 1057 00:46:57,960 --> 00:46:59,160 Speaker 5: Yes, you know what I mean, because he was the 1058 00:46:59,160 --> 00:47:02,680 Speaker 5: one that was like getting these guys and females on 1059 00:47:02,800 --> 00:47:04,200 Speaker 5: the doing the hooks for me and all that and 1060 00:47:04,280 --> 00:47:07,279 Speaker 5: shit like that. But it's like a big on R 1061 00:47:07,280 --> 00:47:09,000 Speaker 5: and B. So it was like when I was catching 1062 00:47:09,040 --> 00:47:12,759 Speaker 5: it, it was like a cool and and that was it. 1063 00:47:12,840 --> 00:47:14,759 Speaker 5: But that is like my best one. I love that 1064 00:47:14,800 --> 00:47:18,000 Speaker 5: project reason Wright and it was just right and yeah 1065 00:47:18,200 --> 00:47:19,839 Speaker 5: and Deth Jams just dropped the ball on it. 1066 00:47:19,880 --> 00:47:22,400 Speaker 2: They even running the John legend. You like what happened? 1067 00:47:22,719 --> 00:47:23,759 Speaker 2: I said, Yo, bro, I don't. 1068 00:47:24,040 --> 00:47:25,320 Speaker 5: I don't even know how to answer them, like you 1069 00:47:25,360 --> 00:47:27,320 Speaker 5: know what I mean because I knew what he's talking about. 1070 00:47:27,560 --> 00:47:30,200 Speaker 4: Yeah, there's the things that all of the great rappers 1071 00:47:30,200 --> 00:47:32,520 Speaker 4: are major R and B heads. 1072 00:47:32,560 --> 00:47:34,680 Speaker 2: Like is it that's what is it about? 1073 00:47:34,719 --> 00:47:34,799 Speaker 5: Like? 1074 00:47:34,960 --> 00:47:38,120 Speaker 4: Because I think that you have to be into R 1075 00:47:38,160 --> 00:47:40,799 Speaker 4: and B in order to rap, because it's just melodies 1076 00:47:40,960 --> 00:47:43,160 Speaker 4: and different you know, rhythms and things like that. Like 1077 00:47:43,200 --> 00:47:45,880 Speaker 4: but all of the great MC's all will tell you, 1078 00:47:45,960 --> 00:47:47,680 Speaker 4: like all I listened to is R and B. 1079 00:47:48,520 --> 00:47:49,160 Speaker 2: What is it about? 1080 00:47:49,160 --> 00:47:51,000 Speaker 5: I mean, it calms you man. It's like it's like 1081 00:47:51,040 --> 00:47:53,520 Speaker 5: it's just it just hits the soul. It's just different 1082 00:47:54,080 --> 00:47:56,520 Speaker 5: rappers rap, don't get me wrong. But when you can 1083 00:47:56,600 --> 00:47:58,759 Speaker 5: just get into another world and just go into that 1084 00:47:58,880 --> 00:48:01,120 Speaker 5: world there and I don't know, it just it just 1085 00:48:01,239 --> 00:48:05,439 Speaker 5: hits different, like I could do all day without rap, 1086 00:48:05,600 --> 00:48:07,560 Speaker 5: like you know what I mean, just yeah, just just 1087 00:48:07,560 --> 00:48:10,799 Speaker 5: just just yo, put on that eighties fucking on, be 1088 00:48:10,880 --> 00:48:12,640 Speaker 5: all that ship like that, and then you could go 1089 00:48:12,719 --> 00:48:16,080 Speaker 5: back to like the regular soul, all that ship, the moments, 1090 00:48:16,200 --> 00:48:18,640 Speaker 5: all these stylistic niggas, and you know what I mean, 1091 00:48:18,680 --> 00:48:21,719 Speaker 5: It's like it just hits different and you could feel it, 1092 00:48:22,160 --> 00:48:24,200 Speaker 5: like I guess, I guess, I guess because everything is 1093 00:48:24,239 --> 00:48:25,160 Speaker 5: so digital now. 1094 00:48:25,719 --> 00:48:28,680 Speaker 2: Back then you had to play them instruments. 1095 00:48:28,880 --> 00:48:32,000 Speaker 5: You could feel a sweat dripping off the motherfucker, you 1096 00:48:32,080 --> 00:48:34,160 Speaker 5: know what I mean, Like, oh, ship, so it's just 1097 00:48:34,200 --> 00:48:36,960 Speaker 5: going to your soul different, like like Yo will make 1098 00:48:37,040 --> 00:48:40,560 Speaker 5: you like when they be singing about love songs, David 1099 00:48:40,640 --> 00:48:43,520 Speaker 5: Roughing and all that ship, Like it's like it's that voice, 1100 00:48:43,719 --> 00:48:46,880 Speaker 5: that scratchy ship that's like you in a kitchen with 1101 00:48:46,880 --> 00:48:50,160 Speaker 5: this nigga, Like, oh shit, like you just you could 1102 00:48:50,200 --> 00:48:54,640 Speaker 5: feel love real real, not this bullshit you feel it. 1103 00:48:54,719 --> 00:48:56,400 Speaker 2: Yeah, So that's that's the difference. 1104 00:48:56,520 --> 00:48:59,840 Speaker 5: Like this little ship that's going on here is different nigga, 1105 00:49:00,280 --> 00:49:02,719 Speaker 5: you know, so we'll disrespect a lot of this ship. 1106 00:49:02,760 --> 00:49:07,080 Speaker 5: You can't even funk off a nigga. 1107 00:49:08,000 --> 00:49:10,640 Speaker 1: Not it's like Luther. 1108 00:49:12,400 --> 00:49:15,879 Speaker 5: Yeah, it's like it's like. 1109 00:49:17,320 --> 00:49:18,000 Speaker 2: Yeah, you know what I mean. 1110 00:49:18,040 --> 00:49:21,719 Speaker 6: It's it's it's listen, man, is there any R and 1111 00:49:21,760 --> 00:49:22,960 Speaker 6: b acx now that you suk. 1112 00:49:22,840 --> 00:49:24,480 Speaker 2: With the R and b ax. 1113 00:49:24,640 --> 00:49:26,360 Speaker 5: Now now you got you got voices out there, you 1114 00:49:26,400 --> 00:49:28,480 Speaker 5: got you got some ship. But it ain't like back No. 1115 00:49:28,840 --> 00:49:31,279 Speaker 5: I mean, I don't think anything, you know, but I do. 1116 00:49:31,560 --> 00:49:36,840 Speaker 5: I do want to do records with my man, the 1117 00:49:36,920 --> 00:49:42,759 Speaker 5: new guy that just Leon Thomas. Leon Thomas was gonna mutt. 1118 00:49:42,840 --> 00:49:43,520 Speaker 5: I can hear that. 1119 00:49:45,000 --> 00:49:45,160 Speaker 2: Much? 1120 00:49:45,239 --> 00:49:49,760 Speaker 1: That was I know he was talking about Its funny 1121 00:49:49,760 --> 00:49:51,640 Speaker 1: when he played me mouth for the first time before 1122 00:49:51,719 --> 00:49:54,600 Speaker 1: even the Gibbs remix came out. The first thing I 1123 00:49:54,600 --> 00:49:56,120 Speaker 1: said to him in the studio when he played that 1124 00:49:56,120 --> 00:49:57,720 Speaker 1: for me before it came out, I said, GHO should 1125 00:49:57,719 --> 00:49:58,080 Speaker 1: be honest. 1126 00:49:58,440 --> 00:50:00,200 Speaker 2: I want to, I said, I wanted it. Yeah. 1127 00:50:00,200 --> 00:50:02,279 Speaker 5: One of the first sounds like this is ghost Man 1128 00:50:02,480 --> 00:50:04,480 Speaker 5: hell yeah. Then I got to hear other beats that 1129 00:50:04,560 --> 00:50:08,279 Speaker 5: he had. It's like, yo, and connect y'all. I'll connect y'all. 1130 00:50:08,360 --> 00:50:09,719 Speaker 2: Bet Yeah, LETA lead you to that. 1131 00:50:11,160 --> 00:50:14,760 Speaker 5: I shold to Dollard Buncle Trump somewhere in a weird 1132 00:50:14,840 --> 00:50:18,040 Speaker 5: place like at the Wu Tang showed somewhere he was 1133 00:50:18,200 --> 00:50:18,640 Speaker 5: one of these. 1134 00:50:18,680 --> 00:50:20,080 Speaker 2: We was some weird ass. 1135 00:50:19,880 --> 00:50:22,920 Speaker 5: Fucking town and he happened to be up in the 1136 00:50:22,960 --> 00:50:26,000 Speaker 5: barn ship like oh ship, like yo, you know. 1137 00:50:26,000 --> 00:50:27,759 Speaker 2: What I mean? But yeah, do that. 1138 00:50:28,320 --> 00:50:30,560 Speaker 1: No, I definitely is one of them too, though like 1139 00:50:31,840 --> 00:50:33,840 Speaker 1: could have been from the seventies. To me, tie is 1140 00:50:33,840 --> 00:50:36,239 Speaker 1: that talented Dollar is one of them maybe as well 1141 00:50:36,400 --> 00:50:38,600 Speaker 1: outside and it makes sense to him and Leon. 1142 00:50:40,280 --> 00:50:41,360 Speaker 2: One of that's the nice slope. 1143 00:50:41,680 --> 00:50:44,000 Speaker 5: Yeah, he he got. I want to work with him. 1144 00:50:44,320 --> 00:50:47,200 Speaker 5: Laurence Hill work with Laurman too, you know what I mean? 1145 00:50:47,280 --> 00:50:49,880 Speaker 1: Did you guys ever like run into each other often 1146 00:50:50,239 --> 00:50:52,400 Speaker 1: or when you know he was more outside and younger. 1147 00:50:52,440 --> 00:50:56,120 Speaker 2: Did you run into Lauren? Nah, because I've seen that. 1148 00:50:56,200 --> 00:50:59,560 Speaker 5: We did a show together at the Uptown at the 1149 00:51:00,400 --> 00:51:02,839 Speaker 5: I think the State Building and ship, and that might 1150 00:51:02,880 --> 00:51:06,040 Speaker 5: have been like the only time I think I've ever 1151 00:51:06,080 --> 00:51:09,040 Speaker 5: seen that though I loved her since. I even told 1152 00:51:09,080 --> 00:51:11,200 Speaker 5: her that this time when he when he was on 1153 00:51:11,200 --> 00:51:13,920 Speaker 5: the on the Woochang run came out and like I 1154 00:51:13,960 --> 00:51:16,520 Speaker 5: told her, I'm like, yo, beaush not. I told her, 1155 00:51:16,840 --> 00:51:19,560 Speaker 5: won't we exchange numbers? I told her again, like yo, 1156 00:51:20,440 --> 00:51:22,640 Speaker 5: she only checked that. Probably that that made that They 1157 00:51:22,680 --> 00:51:25,680 Speaker 5: made me cry, like you know what I mean? And 1158 00:51:25,680 --> 00:51:27,719 Speaker 5: then and that and that and them tears came from 1159 00:51:27,719 --> 00:51:30,920 Speaker 5: the unplugged album when she was crying. 1160 00:51:30,960 --> 00:51:31,719 Speaker 2: She made me cry. 1161 00:51:31,840 --> 00:51:35,000 Speaker 1: Right, I bought before we started the courting. I literally 1162 00:51:35,160 --> 00:51:36,960 Speaker 1: took the vinyl right there and went to the gas register. 1163 00:51:37,000 --> 00:51:38,600 Speaker 1: And but I said, they got the unplugged vinyl here? 1164 00:51:39,320 --> 00:51:42,399 Speaker 2: That miss But. 1165 00:51:42,600 --> 00:51:44,400 Speaker 5: Yeah, so it was that was the power, like you 1166 00:51:44,480 --> 00:51:47,080 Speaker 5: know what I mean, I felt her. Yeah, so you know, yeah, 1167 00:51:47,160 --> 00:51:47,960 Speaker 5: shout Laurence. 1168 00:51:48,600 --> 00:51:49,880 Speaker 2: Her son's ion now is making it. 1169 00:51:52,360 --> 00:51:56,200 Speaker 4: Is fire like we don't want to keeps man, you 1170 00:51:56,239 --> 00:51:58,759 Speaker 4: want to listen, man, from the kid growing up in 1171 00:51:58,760 --> 00:52:01,040 Speaker 4: the Bronx who saved a lounge to buy your first album. 1172 00:52:01,160 --> 00:52:03,319 Speaker 4: Thank you brother, Honored to meet you and honest and. 1173 00:52:04,440 --> 00:52:05,120 Speaker 2: Thank you so much. 1174 00:52:05,120 --> 00:52:07,680 Speaker 4: Appreciate everything you've given us in the culture. We appreciate 1175 00:52:07,760 --> 00:52:09,920 Speaker 4: all of the bars. And just for me, for mos sake, 1176 00:52:09,960 --> 00:52:12,520 Speaker 4: can we get a show soon because your personality is 1177 00:52:12,560 --> 00:52:12,919 Speaker 4: too big? 1178 00:52:13,120 --> 00:52:13,480 Speaker 2: Just rap. 1179 00:52:13,800 --> 00:52:16,439 Speaker 4: You got to be on TV every Sunday around eight pm. 1180 00:52:19,160 --> 00:52:21,000 Speaker 4: On TV every Sunday at eight pm. 1181 00:52:21,080 --> 00:52:25,160 Speaker 5: Man, yeah, man, Now we're talking about something like that though. 1182 00:52:25,200 --> 00:52:27,239 Speaker 5: But you know when it if by the grease of God, 1183 00:52:27,280 --> 00:52:29,640 Speaker 5: if a manifest and manifest you know what I mean. 1184 00:52:29,680 --> 00:52:32,400 Speaker 2: That's a fact. Yeah, that's you know, that's ship might 1185 00:52:32,440 --> 00:52:35,239 Speaker 2: got you all this, So let's make it happen. Let's 1186 00:52:35,239 --> 00:52:44,800 Speaker 2: get it. That's show's face. He's just ginger peach. Love love, love,