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Speaker 1: Hi, everybody, what's up? What's up? Hi? Hi? Hi guys,

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Speaker 1: phase on, Hi, how are you man? I'm I can't complain, Donald,

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Speaker 1: I can't complain. I know you can't complain. Motherfucker. I

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Speaker 1: love you so much. I love you so much. I

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Speaker 1: wish I could give you a tight hug, breast to breast.

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Speaker 1: I would receive said hug. Yeah, with open arms. I

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Speaker 1: would tell you I would lift my breasts and then

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Speaker 1: lower them onto yours. Wow. Yeah, I would see all

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Speaker 1: little pick up and then I would just drape them

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Speaker 1: onto yours. You would lift up your non existent boobs, well,

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Speaker 1: don't call them non existent for long. My pectoralis majors

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Speaker 1: are coming. I didn't say you had I didn't say

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Speaker 1: you didn't have pecks. I said if you don't have boobs,

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Speaker 1: well I would take my shape right now. Listen, listen, Gab,

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Speaker 1: I listen you listen. Gab Union is in real ships.

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Speaker 1: I'm looking at Gab Union's Instagram and I'm getting back

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Speaker 1: on that peloton for longer amounts of time. So yo, dude,

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Speaker 1: and stand next to her looking like a melted candle.

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Speaker 1: I think my nude stuff is coming up, or you

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Speaker 1: see coming up? Right, my dude, I got I I'm

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Speaker 1: gonna I'm not gonna lie. I work out, but I

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Speaker 1: don't necessarily eat the best. Yeah, he ain't ready. Well,

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Speaker 1: I would think if I had a sex scene coming up,

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Speaker 1: I would and I was you, I would go all

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Speaker 1: out with everything, throw the kitchen. Here's the thing. Here's

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Speaker 1: the thing. This is the poll that I wanted. Because

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Speaker 1: my wife still loves me regardless of what weight I am.

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Speaker 1: I don't think if I had a six pack. I

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Speaker 1: don't think my wife would be like, damn, man, come

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Speaker 1: here and give me that day. Really, because I don't

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Speaker 1: think you said she's lusting all over the Bridgerton guy. Yeah,

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Speaker 1: but that's come on, man, that's a dude on television

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Speaker 1: who's playing a character who's written specifically for that. You

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Speaker 1: know what I mean? If that guy in real life,

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Speaker 1: I don't know what he's like, but I imagine he's

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Speaker 1: not as smooth as Bridgetin is. And if he is,

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Speaker 1: he has to put he have to put on the

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Speaker 1: Bridgeton accent. That's all I'm saying. My point is, and

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Speaker 1: a dude is in shape, sure, whatever, but I imagine

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Speaker 1: my wife would still love me regardless of whatever shape

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Speaker 1: I'm in right, So the poll I want out there

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Speaker 1: is what do women prefer? You know what I mean,

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Speaker 1: that's the question, if you really want to, if you

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Speaker 1: really want to tell me, at Me, at Zach, at Joel,

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Speaker 1: and at Daniel, what do women prefer? For real? Or

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Speaker 1: how about this? What do you prefer? I can say,

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Speaker 1: I know what Zach's gonna say. I know what he prefers.

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Speaker 1: I'm asking, what do you prefer? Listen? I don't. I

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Speaker 1: don't know. I'm sure it's each their own. Women like

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Speaker 1: different things. For me, For example, my girlfriend's not super

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Speaker 1: into abs and being ripped, me being ripped. But for

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Speaker 1: myself before I go shirtless in next to Gabrielle Union

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Speaker 1: in a giant movie, I want to. I want to

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Speaker 1: at least try to get as lean as possible. I

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Speaker 1: fear you on that one. That's that's that's a listen man,

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Speaker 1: I totally get it, man, because look, if it was

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Speaker 1: me next to gab Union right now, it would be

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Speaker 1: everybody be like, da, how did that? What did he do? All? Right? Listen,

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Speaker 1: you know what I'm most excited about is this live show.

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Speaker 1: Everyone's talking, dude, It's going crazy right now. We're starting

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Speaker 1: to get to some momentum. People are talking about it

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Speaker 1: on the interwebs, and I'm the more people that are

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Speaker 1: talking about it and saying they're so stoked, the more

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Speaker 1: like excited and brainstormy. I'm getting about ideas. I know,

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Speaker 1: because now it's getting to the point where we really

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Speaker 1: got to think about this. Dude. We can't just we

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Speaker 1: can't just put out some bullshitt them what they want.

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Speaker 1: You and I don't put out bullshit, but we have to.

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Speaker 1: We have to give them something good, right and um,

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Speaker 1: you know. So one idea I came up with is

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Speaker 1: this is something I'd like to run by you. I

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Speaker 1: started running it by you guys in the group chat,

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Speaker 1: but I think you know, I'm tired of trying. I've

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Speaker 1: done all I can to recruit a dating app to

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Speaker 1: come on and sponsor the date Joel Monique segment, and

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Speaker 1: we haven't had any responses, not even from Farmers Only.

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Speaker 1: No one is interested in coming aboard for this. I

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Speaker 1: thought that one of our listeners might have a friend

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Speaker 1: who works although I just as I'm saying this out loud,

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Speaker 1: met a woman who works at Bumble Joel, will you

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Speaker 1: remind me to reach out to that woman in bumble

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Speaker 1: I just met, all right, But the point is we're

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Speaker 1: taking matters into our own hands. This is my idea. Donald.

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Speaker 1: Now you tell me if and when you hate it.

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Speaker 1: We set up an email. It's called date Joel Monique

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Speaker 1: at gmail dot com. If you think that you are

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Speaker 1: a good prospective suitor for Joel, you should submit a

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Speaker 1: few sentences of why you're perfect to go on a date.

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Speaker 1: Probably virtually at this point with Joel. Now, we don't

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Speaker 1: want any dirty talk. We don't know what if you.

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Speaker 1: If you try and get dirty with it, you're eliminated. Certainly,

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Speaker 1: if you submit a dick pick, you're out. We don't

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Speaker 1: want to see your Daniel said last week, no dick

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Speaker 1: picks and nothing, nothing inappropriate. But I'll give you an example.

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Speaker 1: If I was trying to get on this right, I

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Speaker 1: would say, Miss Monique, you are so you are so beautiful.

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Speaker 1: I am so charmed by your voice, and I can't

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Speaker 1: think of anything more perfect on my Friday night. Then

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Speaker 1: pulling bong hits, watching rebels, petting and petting your puppy.

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Speaker 1: Will you please let me have a zoom chat with you?

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Speaker 1: All right? Now, that's the kind of thing that you

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Speaker 1: know don't steal my ship, but that's the kind of

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Speaker 1: thing that would be appropriate. And then maybe some pictures

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Speaker 1: of yourself or your instag probably if you if you

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Speaker 1: have an Instagram handle, sent it, because let's be honest,

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Speaker 1: you know, looks for a part of this. And then um,

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Speaker 1: if you don't have an Instagram handle, sense of pictures. Now,

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Speaker 1: my idea, dolld is that we and by we I

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Speaker 1: mean Joel and Daniel go through all of the emails

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Speaker 1: and we pick the two best candidates and bring them

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Speaker 1: on the live show and do our own date Joel

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Speaker 1: Monique dating game. That would be so fucking awesome. I

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Speaker 1: knew you'd love it. But the only way it's awesome

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Speaker 1: is if Joell wants to do it. Oh Joel, do

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Speaker 1: you want to do it? I didn't even ask you.

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Speaker 1: We are so far into this then definitely. Well well,

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Speaker 1: well I have I have doubts. I have you know,

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Speaker 1: dating is weird, So we'll see. I encourage you guys

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Speaker 1: to just bring your a game and let's let's see

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Speaker 1: what happens. We'll meet at the very least, we'll probably

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Speaker 1: meet some interesting people and that'll be fun. I don't know.

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Speaker 1: And also it's it's they can be men or women, right, Joel. Yeah,

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Speaker 1: everybody is welcome to apply. Everybody is welcome. You can

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Speaker 1: be a woman who's interested in women or a man

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Speaker 1: who's interested in women. And and I think that what

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Speaker 1: we'll do. I haven't figured out all the logistics yet. Donald,

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Speaker 1: should we hide the person so Joel, Billy? Should we

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Speaker 1: hide the person so Joel can't see them? How we're

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Speaker 1: going to figure out how to make it the most fun.

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Speaker 1: But then here's my wait, wait, wait, wait, last my

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Speaker 1: last thing is I know this is complicated, guys, and

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Speaker 1: I'm sorry. This is just you're hearing the live brainstorming

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Speaker 1: for the live show. Because I'm so excited about the

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Speaker 1: live show. We found this website where you can take

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Speaker 1: quick polls. And then my thought is, I'm gonna let

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Speaker 1: the crying dog out in one second, Billy, I'm trying

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Speaker 1: to set Joelle. We can have the audience, everyone watching

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Speaker 1: the live show go to this website where you can

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Speaker 1: do live polls, and they'll pick no. Joel will ultimately

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Speaker 1: be up to you. But just like the dating game,

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Speaker 1: we'll be able to say the audience has selected Jimmy

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Speaker 1: or Karen Love it can I ask another question. Will

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Speaker 1: there be a follow up of course to said date?

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Speaker 1: Of course, it's just we're just stealing. We're stealing this

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Speaker 1: the structure. We're going to do exactly the dating game,

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Speaker 1: well not exactly where. I'm not gonna say we'll be

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Speaker 1: back in two and two of course not. But it's no,

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Speaker 1: it's no longer I'm sure it's no longer copy written

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Speaker 1: by them. So for Matt wise, I'm sure anyone can

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Speaker 1: do this by now, right, But do you like that? Again?

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Speaker 1: Audience and team here, we're gonna hammer out the details.

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Speaker 1: But this this is the kind of shit I haven't

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Speaker 1: saw me anyway, I can't sleep, but this is the

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Speaker 1: kind of shit I'm up thinking about. I'm so excited

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Speaker 1: about the live show that I'm like, Okay, there needs

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Speaker 1: to be a Joel dating game section where the audience

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Speaker 1: can go to that website that we found and take

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Speaker 1: a quick pull. Which person do you prefer? Do we

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Speaker 1: do the whole Joel? Do you select who you chose

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Speaker 1: or who the audience chose. Well, I'm gonna choose the contestants, right,

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Speaker 1: so I will let the audience select the person that

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Speaker 1: I will spend some time with. Yeah, but but can't.

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Speaker 1: But after this at the day and on the dating game,

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Speaker 1: you would choose. Also, you'd be like, this is who

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Speaker 1: I want to go out with, and then the audience

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Speaker 1: and then the audience would be like, well, this is

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Speaker 1: who we think you should go out with. And sometimes

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Speaker 1: it would be you know, they would they would be

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Speaker 1: different people. What happens then then you would be asked,

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Speaker 1: what do you want to do? Joel? Do you want

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Speaker 1: to go out with? Who you choose? Choose? Not want

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Speaker 1: to be in that position, So I'm just gonna let

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Speaker 1: the audience choose. No, wait, all right, well, okay, it's

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Speaker 1: up to you. You're the queen of all things Fake

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Speaker 1: Doctor Friends. But I but I think what's gonna happen

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Speaker 1: is before Joel decides she we're gonna tell her who

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Speaker 1: the audience has preferred. And we're gonna only do two

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Speaker 1: people because I think they do that's too many. We're

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Speaker 1: gonna we can't have this be the whole show. It's

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Speaker 1: gonna be a segment. Well look, oh okay, it doesn't

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Speaker 1: have to be the whole show. We could do it

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Speaker 1: and we could get to get rid of the first

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Speaker 1: person within one minute, and then the last two you

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Speaker 1: know what I mean, You know what I mean. Everybody

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Speaker 1: pitch everybody like they gotta pick your game game, and

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Speaker 1: then she picks the two that she wants to stay, right,

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Speaker 1: but they're staying. They're not staying for the whole show.

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Speaker 1: What's gonna happen is we're gonna say, okay, uh, Jimmy

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Speaker 1: or Karen or Susie or Bill, thank you for you one.

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Speaker 1: And if there's a Karen in there, oh my no,

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Speaker 1: the first games that it could be whatever, so so

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Speaker 1: they so then then then then imagine Joel. Joel picks

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Speaker 1: like a classic Karen with that Karen cut. Yeah I can't,

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Speaker 1: I can't for all right, but listen, but listen. So

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Speaker 1: then you guys, Joel go off and if she'll have

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Speaker 1: her her date zoom, that's what you'll win. You'll win

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Speaker 1: a date zoom with Joel probably probably pulling Bong hits

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Speaker 1: and watching rebels and um and then ever I just

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Speaker 1: described Joel. I just want you to know you're my

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Speaker 1: cup of team Mama Donald Donald, you can't participate. You

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Speaker 1: Donald's gonna be the Donald is gonna be sending it

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Speaker 1: an email for this, Oh my god, it would be

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Speaker 1: the best conversations ever. Listen, exchanges, it would be it

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Speaker 1: would be magnificent, it would be thank you Joel. You

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Speaker 1: guys would just sit there being like no because he

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Speaker 1: shot first, you know all that ship Well we already

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Speaker 1: know how that goes man, Come on now, um, all right,

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Speaker 1: and so we're excited. Joel, do I have your permission

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Speaker 1: to pursue this plan? Turn that key? All right? Yeah,

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Speaker 1: all right. Now let's let everyone know the double check

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Speaker 1: the email that we sign up for, ready, Joel is

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Speaker 1: date Joel Monique at gmail dot com. That's correct. J

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Speaker 1: O E L L E M O N I q

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Speaker 1: u E there you go. Yes, sounds right. Oh my god,

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Speaker 1: I'm so excited, Jelow listen, I'm excited. I'm very excited

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Speaker 1: for I'm very excited for this as long as this

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Speaker 1: is something she wants to do. If this is something

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Speaker 1: that you've we are pressuring you, pressuring you us, you know.

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Speaker 1: And I also we also did a little eye messaging

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Speaker 1: to each other too, so I wasn't pulling this oide

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Speaker 1: of my ass. Joel's the one who's helped set up

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Speaker 1: the email, so she was it's just not surprised by this,

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Speaker 1: you know. Yeah, it's weird good I think, Although, do

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Speaker 1: you guys think it would be cool if like you

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Speaker 1: guys voted, if the three or few head of vote

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Speaker 1: audience voting. Yeah, yeah, oh yeah absolutely. I have a

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Speaker 1: feeling there's going to be clear. I mean my senses,

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Speaker 1: there might be a clear front runner. But I think

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Speaker 1: if we if we pick them right, m and by

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Speaker 1: the way, you, I don't sit, how does that happen?

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Speaker 1: We can't pick for her? We can't. No, It's just

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Speaker 1: like if you're on an app and you were swiping

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Speaker 1: left her right, You've got it. That's anonymous until I know.

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Speaker 1: But this, listen, what's what's the worst is gonna happen?

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Speaker 1: You're gonna spend fifteen minutes zooming with someone heard somebody's feelings? Bad? Listen. Okay, okay, okay,

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Speaker 1: So there it is. There there is a disclaimer. Then

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Speaker 1: here's the disclaimer. Be prepared to get disc because this

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Speaker 1: is dating and this is well we're going to be

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Speaker 1: We're not going to be rude to you, but we're

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Speaker 1: gonna say on this particular first date, Joel has chosen

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Speaker 1: fu Quan. Oh my god. I tried to go opposite

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Speaker 1: of Karen. I know, what you did, because you went

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Speaker 1: because you went straight up typical names, and then you

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Speaker 1: got well I knew no matter what name I said,

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Speaker 1: you were going to criticize it. So I tried to

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Speaker 1: go as far away from Bill and Karen as possible.

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Speaker 1: I like Bill. Bill is a good name. I like it.

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Speaker 1: I'm not gonna lie until the whole Karen thing started happening.

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Speaker 1: Karen was a nice name. There were a lot of

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Speaker 1: people would really it wasn't. By the way, Bill so cute.

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Speaker 1: He texts me this morning He's like, hey, man, um,

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Speaker 1: I'm on the live show right right on. Oh yeah, no,

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Speaker 1: Bill is really I love it when he gets like needy,

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Speaker 1: He's like, my am, I on the live show. Um. Anyway,

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Speaker 1: Bill is not only on I'm gonna be on the

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Speaker 1: Live show, guys, but he's also going to be on

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Speaker 1: our Family Feud, which is so thrilling. Well, the only

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Speaker 1: negative thing is we learned that it doesn't air all

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Speaker 1: the summer, which is oh word, yeah, But that's fine.

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Speaker 1: That's fine. I know the summer's gonna be here like that.

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Speaker 1: That's fine. Where you know what we're you it'll be

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Speaker 1: on YouTube, it'll be no wait, did you guys watch

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Speaker 1: us on Drew Drew Barrymore, No, I did not. Did

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Speaker 1: you see her in the onesie? I did see her.

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Speaker 1: I saw that though. That was amazing, fabulous, Oh my god,

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Speaker 1: it was so funny. I did not think she was

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Speaker 1: gonna come out wearing that onesie Donald, and she did.

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Speaker 1: I was very happy she did. I was very happy

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Speaker 1: she did that. Would that that actually? Shout out Drew

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Speaker 1: Barrymore man, thank you for she said she'd come on

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Speaker 1: our podcast. Yeah, should we have a rub? Yeah? I

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Speaker 1: think so. I think it would be great. Fuck. Sorry,

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Speaker 1: Drew Barrymore is gonna come here, Drew Barrymore said, I

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Speaker 1: said on her live show corn on her show, Well,

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Speaker 1: I did corner her. But I know that she genuinely

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Speaker 1: loved Scrubs, and I know that she genuinely loves me

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Speaker 1: and Donald. So I don't know why she wouldn't take

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Speaker 1: an hour and come on and plug her But she

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Speaker 1: didn't even have to do She doesn't even have to

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Speaker 1: do an hour. But she could come on plug her show.

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Speaker 1: We could talk about whatever episode, or we could just

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Speaker 1: do uh convers I think we do a conversation with

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Speaker 1: Drew Barrymore, because I mean think how many great stories

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Speaker 1: Drew Barrymore has. I'm not going to be a whole person.

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Speaker 1: I can't be expected. You're gonna have to keep that episode.

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Speaker 1: I'm gonna try Drew freaking Barrymore. Oh my god, Okay,

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Speaker 1: it's Lawrence. Lawrence told me that she could recite every

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Speaker 1: single one of Drew's lines from Charlie's Angels because it's

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Speaker 1: mother effin classic movie. I guess god. All right, Well,

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Speaker 1: that's a lot of a lot of ship going on.

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Speaker 1: There's so much to talk about show. We uh get

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Speaker 1: into our theme soft about show we made about nurses.

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Speaker 1: He's a story sound here an here you So one

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Speaker 1: of the reasons I have to peel all the time

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Speaker 1: is I spoke to this nutritionist, right because I've never

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Speaker 1: spoken nutritionists in my life, and and you know, she

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Speaker 1: gave me a whole bunch of things to do. And

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Speaker 1: but of course the first thing they all tell you

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Speaker 1: is you really have to drink a lot of water,

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Speaker 1: because we all know that, but we don't do it.

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Speaker 1: So I bought this thing. It's this giant it's it's

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Speaker 1: it's what is this how many leaders? It's two it's

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Speaker 1: two thousand milli leaders, which is what shoe leaders. Yes,

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Speaker 1: all right, so it has all these inspirational um quotes

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Speaker 1: on it with times like you got this, keep going

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Speaker 1: drink more and and I've been drinking it now. Of

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Speaker 1: course you have to peep, Like peeing becomes a part

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Speaker 1: of your life in a whole new way because you're

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Speaker 1: like you always have to peek. Yeah, you even dread

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Speaker 1: going on long car drive rides. I know. I'm like,

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Speaker 1: this is my day two of this, and I'm like

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Speaker 1: having to strategize where the where the bathroom's going to be.

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Speaker 1: But bro, apparently this is like one third of what

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Speaker 1: I'm to drink. Yeah, you're supposed to literally, Okay, so

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Speaker 1: check this out and check this out. When I, uh

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Speaker 1: so I for kick Ass two, I got into six shape,

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Speaker 1: right like six shape. When I say six shape, I

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Speaker 1: was pretty ripped, like more ripped than I'd ever been

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Speaker 1: in my life. I wanted to redo it, and so

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Speaker 1: I went to a nutritionist like you did. This man

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Speaker 1: had me drinking damn near three gallons of water a day. Lord,

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Speaker 1: let me tell you something. It's like a side job.

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Speaker 1: Let me tell you, But let me tell you something.

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Speaker 1: You never feel better. You feel first of all, your system.

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Speaker 1: Your system feels like it's at maximum drive, dude, because

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Speaker 1: you are now fueling your body with which with what

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Speaker 1: you are mostly made of, which is water. And so

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Speaker 1: now you're flushing your system and putting new water in

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Speaker 1: and there's minerals and you're taking your multi vitamins and

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Speaker 1: now that's streaming through your gut. Is all of a sudden,

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Speaker 1: like everything. Water is so essential, and we take it

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Speaker 1: for grant. I take it's like too, man, It's like

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Speaker 1: not putting oil in your car. I think, yeah, and uh,

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Speaker 1: and I've never done it. I've always And I'm really

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Speaker 1: trying to turn over some new leaves because why not.

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Speaker 1: I mean, we got we got all this time and

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Speaker 1: and and so I'm trying and I put a little

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Speaker 1: I put an emergency packet in it, um, you know,

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Speaker 1: so it has a little bit of flavor, you know,

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Speaker 1: very mild flavored, because otherwise I'm way more apt to

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Speaker 1: drink it if there's just even a smidgeon of a flavor.

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Speaker 1: If it's just water, I'm like, oh, dreading it. Are

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Speaker 1: you guys doing infusing your water? Are you doing that?

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Speaker 1: Super like pH balanced water? We can do that too.

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Speaker 1: There's water this is well, I have I have a

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Speaker 1: filter on my tap, but it's filtered tap. And then

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Speaker 1: I and then I you know, the packet. The packet

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Speaker 1: has like electrolytes and ship when I did remember the Titans,

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Speaker 1: The what the trainer who trained us for that movie

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Speaker 1: told us to do the day before we had our

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Speaker 1: shirtless scenes was drink distilled water because then that flushes

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Speaker 1: out all the salt and minerals in your body and

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Speaker 1: so then your skin shrinks. Did you notice? Oh fuck, yeah, dude. Yeah.

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Speaker 1: And then that morning you're supposed to like eat oatmeal,

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Speaker 1: so that all of the so that the day the

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Speaker 1: day of you eat oatmeal, so that soaks all of

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Speaker 1: the water, the leftoveral water into the oatmeal and you

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Speaker 1: get ripped. Anyway, I'm trying to I'm trying to just,

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Speaker 1: you know, why not take on a hobby of like

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Speaker 1: how healthy can you eat? That's what I'm trying to do.

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Speaker 1: I like that. It's great. Shall we talk about your recap?

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Speaker 1: Do you have a recap? I don't have a recap today.

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Speaker 1: Oh I see, So there's sort of a new pattern,

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Speaker 1: like you fucking drop these ridiculous wraps and then on

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Speaker 1: other days you take it time off to refresh your rain. Uh,

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Speaker 1: it can't be all the time. And I think DJ

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Speaker 1: Daniel his beats are precious and I don't want to

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Speaker 1: fire DJ Daniel. That last what do you think of

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Speaker 1: this episode? So we were talking about this Matthew Perry episode.

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Speaker 1: It is um uh four eleven my unicorn. Yes, in

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Speaker 1: some ways it's a bit of a B side. Well,

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Speaker 1: the get was that we had Matthew Perry on the

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Speaker 1: show and that was the that was the huge that

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Speaker 1: was the great thing about it. The epide. After watching

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Speaker 1: the episode today, it was, okay episode, It's like it's

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Speaker 1: it's it's got it's not that many funny. Yeah, it's

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Speaker 1: a but some B sides are dope and it's you know,

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Speaker 1: this is like the I don't know, it's a good episode.

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Speaker 1: Casey was like, Wow, that one wasn't that funny. That's

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Speaker 1: what she's that to me. She was like, it's good.

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Speaker 1: She was like, it's a good It was good, but

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Speaker 1: it wasn't that funny. Like the story and it is

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Speaker 1: pretty cool that the connection between the dad the grandfather,

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Speaker 1: Like there's if I'm not mistaken, isn't that matt Perry.

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Speaker 1: So in the episode, the actor playing Matt's father is

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Speaker 1: his father and is that his grandfather? No, By the

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Speaker 1: way I read, I had to look at it's funny

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Speaker 1: out because he said his last name so aunt. So

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Speaker 1: the guy playing old Murray, who's you know? If you

390
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Speaker 1: recall this episode, every time they say Murray, all these

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Speaker 1: old men pop their heads out of the doors because

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Speaker 1: Matthew Perry's like, why did you name h Murray? It's

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Speaker 1: an old person name. So just coincidentally, I read on

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Speaker 1: scrubs WICKI the actor who I imagine might not even

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Speaker 1: be with us anymore because he was playing an ancient man,

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Speaker 1: was Anthony Perry, no relation to Matt Perry, but John

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Speaker 1: Bennett Perry plays his father. And he was great by

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Speaker 1: the way. He plays the guitar and he sings, and

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Speaker 1: he was very charming, and I thought he did a

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Speaker 1: great job. He would He did a very good job.

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Speaker 1: And I thought I thought Matt did a great job too.

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Speaker 1: I think, and Matt directed it, But you haven't noticed

403
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Speaker 1: that people usually do a good job when they direct themselves. Well,

404
00:22:19,080 --> 00:22:21,200
Speaker 1: I think Matt at the time, as I recall, was

405
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Speaker 1: was interested in maybe getting to doing more directing. And

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Speaker 1: um and Bill said Um, come do scrubs, Come guest star,

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Speaker 1: and we'll let you direct one. I think that's kind

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Speaker 1: of what. They're pretty good friends, aren't they. Um. I

409
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Speaker 1: don't know if they would say they're good friends. Their

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Speaker 1: their friend Lee. Um. Obviously Bill was was was super

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Speaker 1: close with Courtney Cox because they did Cougar Town together. Um,

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Speaker 1: and and and Matt and everyone you know hangs out

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Speaker 1: at Courtney's house. And I think and Courtney has lots

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Speaker 1: of barbecues and stuff, So I think Bill got to

415
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Speaker 1: know Matt there. But I don't think that he and

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Speaker 1: Matt ever hang out. Oh. I don't know. I don't

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Speaker 1: think they ever really like hang out or do shit together. Okay,

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00:23:00,280 --> 00:23:02,720
Speaker 1: but anyway, there's some there are that. Having been said,

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Speaker 1: there are a handful of um, laugh out loud moments. You're,

420
00:23:10,200 --> 00:23:13,800
Speaker 1: first of all, the introduction of JD's journal. This is

421
00:23:13,840 --> 00:23:18,200
Speaker 1: called my Unicorn because I'm given the journal by by

422
00:23:18,400 --> 00:23:23,600
Speaker 1: Matt Perry's dad, and I instantly draw what I claim

423
00:23:24,520 --> 00:23:27,720
Speaker 1: is a horse with a sword on its head. Yes,

424
00:23:27,880 --> 00:23:31,040
Speaker 1: who's there to protect my hopes and dreams? Yes, which

425
00:23:31,080 --> 00:23:35,359
Speaker 1: everybody else sees as a unicorn? Yes, And you correct

426
00:23:35,400 --> 00:23:37,600
Speaker 1: them over and over again. Also, now why And then

427
00:23:37,840 --> 00:23:40,080
Speaker 1: and then the unicorn comes to life in a in

428
00:23:40,160 --> 00:23:44,640
Speaker 1: an animated sequence and says, do you know I'm a unicorn? Yeah?

429
00:23:45,000 --> 00:23:47,919
Speaker 1: So why is JD? Is JD embarrassed to have a unicorn?

430
00:23:47,960 --> 00:23:49,880
Speaker 1: So he's saying, it's not a unicorn, it's a horse

431
00:23:49,960 --> 00:23:54,679
Speaker 1: with a sword on his head? Yes? Because why because?

432
00:23:55,040 --> 00:23:59,200
Speaker 1: Because a unicorn is just one step to effeminate for JD. Yes,

433
00:24:03,280 --> 00:24:05,119
Speaker 1: but in his mind, a horse with a sword on

434
00:24:05,240 --> 00:24:08,800
Speaker 1: his head. Fine, fine, no, there's nothing wrong with There's

435
00:24:08,880 --> 00:24:14,680
Speaker 1: nothing wrong with somehow gluing or or or fusing a

436
00:24:14,840 --> 00:24:18,719
Speaker 1: sword to a horse's head. That's way more masculine than

437
00:24:18,760 --> 00:24:21,920
Speaker 1: a unicorn. Yeah. So JD's embarrassed to admit that he

438
00:24:22,080 --> 00:24:24,560
Speaker 1: loves unicorns and has drawn one on his on his

439
00:24:24,640 --> 00:24:30,320
Speaker 1: Hopes and Dreams journal. And the first time I laughed

440
00:24:30,320 --> 00:24:33,199
Speaker 1: a lot. But I started watching this episode, I'm like um,

441
00:24:34,240 --> 00:24:37,199
Speaker 1: and I'm like okay, man, man mat. And then all

442
00:24:37,240 --> 00:24:40,480
Speaker 1: of a sudden, Cox go I say to Cox, guess

443
00:24:40,520 --> 00:24:43,080
Speaker 1: what I found on the internet? And he says a

444
00:24:43,200 --> 00:24:46,879
Speaker 1: set of adult male shoulders, and and then I go

445
00:24:47,800 --> 00:24:50,800
Speaker 1: totally earnestly, they had to trim them to get me

446
00:24:50,880 --> 00:24:59,399
Speaker 1: out of that, well, did you have to rewind it?

447
00:25:02,119 --> 00:25:04,720
Speaker 1: That is far and away the funniest sentence in the episode,

448
00:25:05,600 --> 00:25:08,520
Speaker 1: and it's it's totally I don't know, it's I don't know,

449
00:25:09,320 --> 00:25:11,239
Speaker 1: I don't know. Sweets for my sweets had me laugh

450
00:25:11,320 --> 00:25:13,639
Speaker 1: out loud. Yeah, that had me laugh out loud. That

451
00:25:13,800 --> 00:25:15,760
Speaker 1: had me laugh so hard. I don't want to to

452
00:25:15,960 --> 00:25:17,560
Speaker 1: what would you mean, just do to pose? And then

453
00:25:17,600 --> 00:25:22,359
Speaker 1: Matt Perry does some crazy ass for the three that

454
00:25:22,600 --> 00:25:24,960
Speaker 1: that was funny. So the theme of this episode is

455
00:25:25,000 --> 00:25:29,000
Speaker 1: that the ladies are using their feminine flirtation powers to

456
00:25:29,160 --> 00:25:33,040
Speaker 1: manipulate people in the hospital. Yes, Carlo pushes or boobs

457
00:25:33,040 --> 00:25:37,840
Speaker 1: together and gets cake, gets cake, and Jordan manipulates somebody

458
00:25:37,960 --> 00:25:41,920
Speaker 1: in the beginning to the security guards to Parker car right,

459
00:25:42,640 --> 00:25:45,280
Speaker 1: and then the joke is that Elliott doesn't like the

460
00:25:45,440 --> 00:25:48,280
Speaker 1: ethics of it and also is horrible at it. Right,

461
00:25:48,359 --> 00:25:52,600
Speaker 1: and but when she gets but when she finally does

462
00:25:52,680 --> 00:25:56,000
Speaker 1: do it, she becomes addicted to the right to to

463
00:25:56,160 --> 00:25:58,720
Speaker 1: the power that she her newfound power. But they go

464
00:25:58,800 --> 00:26:01,200
Speaker 1: to help her, and in the end, the janitor does it.

465
00:26:01,400 --> 00:26:03,960
Speaker 1: The janitor. The janitor saves her. But also this is

466
00:26:04,080 --> 00:26:07,720
Speaker 1: because yeah, we really get a sense that the janitor's

467
00:26:07,760 --> 00:26:10,000
Speaker 1: in love with Elliott and wants to marry her. Well,

468
00:26:10,040 --> 00:26:12,199
Speaker 1: she uses the power on him. No, she gives him

469
00:26:12,240 --> 00:26:15,560
Speaker 1: the wink and the tongue lick. Right right, Does she

470
00:26:15,640 --> 00:26:16,920
Speaker 1: give him a wink and a tongue lick? Or she

471
00:26:17,000 --> 00:26:20,520
Speaker 1: just yes him? She gives him a wink and he

472
00:26:20,680 --> 00:26:23,720
Speaker 1: runs out of there real quick. Her JETI powers to

473
00:26:23,840 --> 00:26:27,680
Speaker 1: keep your analogy going are so fucking potent that the

474
00:26:27,840 --> 00:26:30,720
Speaker 1: dude drops the carpet he's mopping by the way, fopping

475
00:26:31,359 --> 00:26:35,760
Speaker 1: cart and uh goes out in his van with the

476
00:26:35,880 --> 00:26:39,200
Speaker 1: doors flapping open. I can only assume that happened by mistake,

477
00:26:39,240 --> 00:26:41,040
Speaker 1: and they kept it because it's funny because he drives

478
00:26:41,080 --> 00:26:43,199
Speaker 1: off in the shitty van and the doors fly open. Right.

479
00:26:43,680 --> 00:26:44,960
Speaker 1: The only way it would have been better is if

480
00:26:45,000 --> 00:26:47,480
Speaker 1: boxes flew out in the back right, or Randall or

481
00:26:47,560 --> 00:26:54,280
Speaker 1: Randall Marty. But anyway, m dude, I was sleeping whatever.

482
00:26:55,040 --> 00:26:57,760
Speaker 1: Um So then he goes and buys a ring, and

483
00:26:58,080 --> 00:27:00,639
Speaker 1: he comes back and he gets on knee and she

484
00:27:00,760 --> 00:27:03,359
Speaker 1: walks right right, and he yells at the ring. I

485
00:27:03,520 --> 00:27:08,480
Speaker 1: told Judas well, it was twelve dollars. What do you expect?

486
00:27:08,840 --> 00:27:11,159
Speaker 1: That's all he had, right well, he the guy was like,

487
00:27:11,680 --> 00:27:14,200
Speaker 1: the jeweler was like, this is so expect whenever this

488
00:27:14,320 --> 00:27:18,760
Speaker 1: price ten thousand, He's like, I have twelve dollars. The

489
00:27:18,880 --> 00:27:21,760
Speaker 1: joannitor has no money, but he he probably would have

490
00:27:21,840 --> 00:27:23,600
Speaker 1: money if he didn't spend it on things like building

491
00:27:23,640 --> 00:27:31,880
Speaker 1: a squirrel army and knife frenches. Right well, yeah, right,

492
00:27:32,560 --> 00:27:36,080
Speaker 1: must something must be coming up soon. Oh, something must

493
00:27:36,119 --> 00:27:39,600
Speaker 1: be coming up soon. You're you're you're religious. Your religiosity

494
00:27:40,000 --> 00:27:43,760
Speaker 1: disappeared for a few seasons, but now it's back. There

495
00:27:43,880 --> 00:27:46,320
Speaker 1: must be a story coming soon. Oh really, you think

496
00:27:46,359 --> 00:27:48,680
Speaker 1: they're laying the seeds for you to needing to be religious.

497
00:27:48,720 --> 00:27:52,200
Speaker 1: Maybe it's related to your diabetes. Maybe I don't know.

498
00:27:52,280 --> 00:27:54,840
Speaker 1: But you you literally say to the crucifix, you pull

499
00:27:54,880 --> 00:27:57,280
Speaker 1: it out and you go, please get her. Yeah, you're

500
00:27:57,280 --> 00:28:00,280
Speaker 1: saying to Jesus to get Carlo or something. Is that

501
00:28:00,440 --> 00:28:03,480
Speaker 1: like blasphemy right there? Like wouldn't that wouldn't like And

502
00:28:03,840 --> 00:28:06,919
Speaker 1: this is the end. That's how Jonah Hill got possessed

503
00:28:07,040 --> 00:28:11,920
Speaker 1: by the devil. What what do you mean? Spoilers? Jonah

504
00:28:11,960 --> 00:28:15,240
Speaker 1: Hill gets possessed by an evil demon and give a

505
00:28:15,240 --> 00:28:19,159
Speaker 1: spoiler alert for a movie that's not old anyway. Do

506
00:28:19,200 --> 00:28:22,080
Speaker 1: you guys don't remember this? He goes, yeah, I remember,

507
00:28:22,240 --> 00:28:26,480
Speaker 1: please kill Jay. He I don't know this movie. You've

508
00:28:26,520 --> 00:28:30,080
Speaker 1: never seen this. At the end, oh Rihanna punches the

509
00:28:30,119 --> 00:28:33,400
Speaker 1: ship out of what's his face and it's amazing. Yes, yes,

510
00:28:33,760 --> 00:28:35,840
Speaker 1: I mostly lived for that moment. Could be a good

511
00:28:36,119 --> 00:28:38,680
Speaker 1: movie for your first date with the person you're going

512
00:28:38,720 --> 00:28:42,240
Speaker 1: to get in this live show, you should start thinking

513
00:28:42,280 --> 00:28:44,240
Speaker 1: of things that you can do and during your zoom,

514
00:28:44,600 --> 00:28:50,840
Speaker 1: oh my god, okay connect four, connect four four, he

515
00:28:50,960 --> 00:28:53,920
Speaker 1: with two sets? You need two sets? No, she would

516
00:28:53,920 --> 00:28:57,440
Speaker 1: just say, Fuquan, where would you like the red chip

517
00:28:57,560 --> 00:29:05,160
Speaker 1: to go? Red Chip? Pay attention red Chip, pretty sneaky food. Quon.

518
00:29:06,880 --> 00:29:09,360
Speaker 1: I will absolutely take suggestions for what to do on

519
00:29:09,440 --> 00:29:12,600
Speaker 1: a date over a video call, because well, it's only

520
00:29:12,800 --> 00:29:14,680
Speaker 1: I think we're gonna take the pressure off by by

521
00:29:14,760 --> 00:29:17,520
Speaker 1: saying it's just a fifteen minute palette letter to see

522
00:29:17,520 --> 00:29:21,080
Speaker 1: if there's any connection. Okay, and everyone's gonna want to

523
00:29:21,160 --> 00:29:23,640
Speaker 1: know the follow up. I want to know if they

524
00:29:23,760 --> 00:29:26,520
Speaker 1: want to go on a second date. Yeah, okay, oh

525
00:29:26,600 --> 00:29:29,240
Speaker 1: you know, and then we'll have the person on um.

526
00:29:29,840 --> 00:29:31,880
Speaker 1: Even if the date when poorly, we'll have the more

527
00:29:32,560 --> 00:29:39,000
Speaker 1: to analyze what happened. No, I do not. That's the game.

528
00:29:40,080 --> 00:29:43,200
Speaker 1: We were doing a dating game. If it well, we'll

529
00:29:43,240 --> 00:29:45,560
Speaker 1: see if we are doing a version of the dating game.

530
00:29:45,680 --> 00:29:47,760
Speaker 1: But if it goes bad, it's so okay. You're right,

531
00:29:47,800 --> 00:29:52,320
Speaker 1: though you're right, your life is not. Yes, now, we

532
00:29:52,480 --> 00:29:54,880
Speaker 1: just ever would in this show. And I gotta say,

533
00:29:54,920 --> 00:29:58,640
Speaker 1: I don't like ever What was Everwood? Everwood was a

534
00:29:58,800 --> 00:30:01,400
Speaker 1: w B show and I believe it was classic and

535
00:30:01,520 --> 00:30:04,080
Speaker 1: I believe it was created by Greg Berlaney, if I'm

536
00:30:04,120 --> 00:30:06,480
Speaker 1: not mistaken, who gave me my big break in the

537
00:30:06,560 --> 00:30:09,800
Speaker 1: film The Broken Hearts Club. So when you did that

538
00:30:10,040 --> 00:30:14,320
Speaker 1: in this didn't you say I would? You know? Now,

539
00:30:14,640 --> 00:30:16,720
Speaker 1: I gotta be honest. I don't like jokes that that

540
00:30:16,920 --> 00:30:19,680
Speaker 1: just dis other people's shit for no reason, right, And

541
00:30:19,680 --> 00:30:21,400
Speaker 1: I don't like that either. And I and you know,

542
00:30:21,520 --> 00:30:23,320
Speaker 1: we did it back in the day because we didn't

543
00:30:23,360 --> 00:30:25,920
Speaker 1: know better. But I I always put some bad taste on.

544
00:30:26,120 --> 00:30:28,280
Speaker 1: I was like why And it's a common thing now,

545
00:30:28,480 --> 00:30:30,720
Speaker 1: like people are always digging at other shows and other

546
00:30:30,800 --> 00:30:34,080
Speaker 1: actors and other people, and I just I would never

547
00:30:34,200 --> 00:30:35,760
Speaker 1: do that now, and I don't like it now. I've

548
00:30:35,800 --> 00:30:37,880
Speaker 1: never seen an episode of ever would. I imagine it

549
00:30:38,000 --> 00:30:40,040
Speaker 1: was a hot CW show at the time and we

550
00:30:40,120 --> 00:30:43,840
Speaker 1: were trying to be like snarky. It was amazing. It

551
00:30:43,920 --> 00:30:47,680
Speaker 1: was about father son and there was a train station

552
00:30:47,800 --> 00:30:50,760
Speaker 1: and medical drama. Oh man, am I right? It was

553
00:30:50,800 --> 00:30:53,760
Speaker 1: Greg Blaney the creator, all right? So then I remember

554
00:30:53,840 --> 00:30:57,160
Speaker 1: Greg got mad, not real mad, but like, oh, we'll

555
00:30:57,200 --> 00:30:59,280
Speaker 1: get them back. And I don't know if it was

556
00:30:59,360 --> 00:31:01,880
Speaker 1: Everwood or one of his other shows they did some

557
00:31:02,360 --> 00:31:06,800
Speaker 1: scrubs or Zach Braft diss. I don't remember. See, that's

558
00:31:06,840 --> 00:31:09,280
Speaker 1: why that seem it's like it's like a rap battle.

559
00:31:10,480 --> 00:31:13,840
Speaker 1: That's fine, what do you call them? All right, it's

560
00:31:14,920 --> 00:31:18,480
Speaker 1: I'm all right with that. That's that's all right. I

561
00:31:18,520 --> 00:31:20,560
Speaker 1: don't want to be part of a disc track situation.

562
00:31:20,800 --> 00:31:22,800
Speaker 1: Sure you do, if as long as there are rules

563
00:31:22,880 --> 00:31:26,000
Speaker 1: and you're not you know, and it's not taken out

564
00:31:26,080 --> 00:31:29,200
Speaker 1: of context. I think it's always a good it's always

565
00:31:29,240 --> 00:31:33,479
Speaker 1: good publicity to mention another show or another show mentioned

566
00:31:33,560 --> 00:31:36,440
Speaker 1: you or you know. It feels cheap to me, to

567
00:31:36,480 --> 00:31:39,600
Speaker 1: be honest. Now, I think if there's an understanding, I

568
00:31:39,680 --> 00:31:42,000
Speaker 1: think it's all right. Like I think if there was

569
00:31:42,040 --> 00:31:46,120
Speaker 1: a conversation between Bill and Greg like nowadays, if you

570
00:31:46,200 --> 00:31:48,680
Speaker 1: were to do that, I would hope that that's how

571
00:31:48,760 --> 00:31:51,040
Speaker 1: it would go down and it wouldn't just be you

572
00:31:51,160 --> 00:31:53,920
Speaker 1: know that's it just sounds weird to have the showrunner

573
00:31:54,080 --> 00:31:58,400
Speaker 1: of Moms going at it with the showrunner of freaking

574
00:31:58,960 --> 00:32:02,280
Speaker 1: you know the ash that just you know, beef like

575
00:32:02,400 --> 00:32:05,120
Speaker 1: that shouldn't happen. I don't know, I'm all, I'm not

576
00:32:05,160 --> 00:32:08,560
Speaker 1: saying anything major or than I don't like humor. That's

577
00:32:08,640 --> 00:32:13,000
Speaker 1: like making fun of other people's creations anymore. I think

578
00:32:13,040 --> 00:32:15,000
Speaker 1: it's too hard to make shit and it's just me.

579
00:32:15,240 --> 00:32:18,160
Speaker 1: You better never ever make fun of me for loving

580
00:32:18,240 --> 00:32:22,560
Speaker 1: Star Wars like snore bore just way to like get

581
00:32:22,600 --> 00:32:26,480
Speaker 1: this pad going? Wait, told Daniel gives my my head CPR,

582
00:32:26,560 --> 00:32:32,040
Speaker 1: there's gonna be so so many snores. Um, should we

583
00:32:32,080 --> 00:32:34,840
Speaker 1: take a break, Joe, Yes, we'll be right back after

584
00:32:35,000 --> 00:32:46,320
Speaker 1: this break and we're bad back. More to say on

585
00:32:46,360 --> 00:32:48,760
Speaker 1: the episode, did you ever do like the hand clapping

586
00:32:48,840 --> 00:32:51,440
Speaker 1: games when you were a kid like Bright? I know,

587
00:32:51,600 --> 00:32:54,360
Speaker 1: but Joel, I know you did. Come on now oh

588
00:32:54,480 --> 00:33:01,280
Speaker 1: she know it ya black silver? But back back back, yeah,

589
00:33:01,360 --> 00:33:10,000
Speaker 1: she asked her mother. Mother, M yeah, yeah, yeah yeah

590
00:33:10,120 --> 00:33:12,840
Speaker 1: jump so hi I'm teaching my daughter that shit, I'll

591
00:33:12,880 --> 00:33:17,360
Speaker 1: teaching my daughter that she loves it. I bet your

592
00:33:17,440 --> 00:33:19,600
Speaker 1: daughter would be so good at this clapping that one.

593
00:33:19,800 --> 00:33:21,560
Speaker 1: That one's a hard one because then it does all

594
00:33:21,600 --> 00:33:23,760
Speaker 1: of this and well, actually she probably could do that.

595
00:33:24,200 --> 00:33:27,600
Speaker 1: She's a way better danceing than I am buying. Really already, dude,

596
00:33:27,680 --> 00:33:30,480
Speaker 1: she's look she does. I'm so excited for you. I'm

597
00:33:30,520 --> 00:33:33,680
Speaker 1: so excited for you, guys, because I just I can't

598
00:33:33,800 --> 00:33:36,680
Speaker 1: imagine how fun it is when your kid gets to

599
00:33:36,720 --> 00:33:40,320
Speaker 1: be around her age and some sort of talent starts emerging,

600
00:33:40,680 --> 00:33:43,000
Speaker 1: whether it be athletic or dance or the arts or whatever.

601
00:33:43,040 --> 00:33:45,080
Speaker 1: It must be so thrilling to be like, oh my god, look,

602
00:33:45,640 --> 00:33:50,160
Speaker 1: she's definitely got some musical something going on with her. Uh.

603
00:33:50,440 --> 00:33:53,240
Speaker 1: I don't know if it's good yet. You know, it

604
00:33:53,360 --> 00:33:55,360
Speaker 1: still has to be nurtured. It's still you know, the

605
00:33:55,440 --> 00:33:57,520
Speaker 1: of course one thing feeling. You guys are gonna nurtured

606
00:33:57,520 --> 00:34:00,320
Speaker 1: it because it's exciting. She's yeah, he needs to go

607
00:34:00,320 --> 00:34:04,120
Speaker 1: to the Fame school, dance on a cab. I have

608
00:34:04,200 --> 00:34:07,120
Speaker 1: Debbie Allen yell at her. Well, I'm trying. I would

609
00:34:07,160 --> 00:34:09,120
Speaker 1: love to put her into Debbie Allen School, the Debbie

610
00:34:09,120 --> 00:34:11,400
Speaker 1: Allen schools out here. Man, she has a dance school

611
00:34:11,400 --> 00:34:13,560
Speaker 1: out here. Oh, I was making a fame joke. But yes, good,

612
00:34:13,680 --> 00:34:17,600
Speaker 1: you know Debbie Allen has a great school out here. No,

613
00:34:17,760 --> 00:34:21,160
Speaker 1: I gosh, she has a wonderful school. I would love

614
00:34:21,239 --> 00:34:24,080
Speaker 1: her because it's it's kind of far from where we are,

615
00:34:24,120 --> 00:34:26,080
Speaker 1: and that's a trek. Like everything that we got going

616
00:34:26,160 --> 00:34:30,319
Speaker 1: on right here is within you know, five five minutes away.

617
00:34:30,440 --> 00:34:32,120
Speaker 1: One is not one of these schools. I know. Debbie

618
00:34:32,160 --> 00:34:35,399
Speaker 1: Allen's more high falutint high art than what I'm about

619
00:34:35,400 --> 00:34:37,160
Speaker 1: to say. But you know, you see these schools on

620
00:34:37,400 --> 00:34:39,520
Speaker 1: on the on Instagram where the kids are doing hip

621
00:34:39,560 --> 00:34:41,799
Speaker 1: hop dance and like the cameras moving in and out

622
00:34:41,840 --> 00:34:44,160
Speaker 1: and they're doing like choreography, and you're like, holy shit,

623
00:34:44,239 --> 00:34:45,759
Speaker 1: those kids can dance. What about Like, I think you

624
00:34:45,840 --> 00:34:47,279
Speaker 1: got to be a little bit older to go to

625
00:34:47,560 --> 00:34:50,480
Speaker 1: those those No, I'm sure they have them for all ages.

626
00:34:50,680 --> 00:34:52,560
Speaker 1: They don't see. I don't see that. Don't make me Google,

627
00:34:52,800 --> 00:34:55,120
Speaker 1: don't make me Google. Get your Google on the man,

628
00:34:55,200 --> 00:34:57,040
Speaker 1: I think it's more than the Google. I think I

629
00:34:57,160 --> 00:35:00,239
Speaker 1: think I do believe Casey did call them an ask

630
00:35:00,400 --> 00:35:02,120
Speaker 1: like you know, is there an age limit? And I

631
00:35:02,480 --> 00:35:06,400
Speaker 1: believe at the time, and she might be over it

632
00:35:06,560 --> 00:35:10,279
Speaker 1: now while he's under it. We should ask Amanda because

633
00:35:10,320 --> 00:35:13,839
Speaker 1: Amanda Clots is dialed in with dancers and stuff. Maybe

634
00:35:13,920 --> 00:35:16,719
Speaker 1: she knows that's what's up. Um, all right, is the

635
00:35:16,760 --> 00:35:19,359
Speaker 1: caller here? Bring the caller in, Guys, we're excited. Bring

636
00:35:19,440 --> 00:35:22,400
Speaker 1: it in. They had a Jack Sherry. Give it up

637
00:35:22,480 --> 00:35:27,920
Speaker 1: for Jack Sherry. Who's at the Cheers bar? Jack Sherry,

638
00:35:28,680 --> 00:35:32,839
Speaker 1: Jack Sherry. Your background is sometimes you wanna go where

639
00:35:33,040 --> 00:35:40,120
Speaker 1: everybody knows your name, it's Jack and they're all that

640
00:35:40,480 --> 00:35:45,400
Speaker 1: you game Jack chair, Harry. You wanna go where you

641
00:35:45,640 --> 00:35:50,319
Speaker 1: can see people are all the saying beautiful. You want

642
00:35:50,320 --> 00:35:55,640
Speaker 1: to go where everybody knows your name. I get Oprah

643
00:35:55,760 --> 00:35:59,000
Speaker 1: voice and cheers themes. Now for the listeners, you can't

644
00:35:59,040 --> 00:36:03,040
Speaker 1: see Jack Jerry. His head is right over Norm's chair.

645
00:36:04,400 --> 00:36:06,800
Speaker 1: His background is the Cheers bar and his head is

646
00:36:06,960 --> 00:36:09,800
Speaker 1: right where Norm we used to sit. Yeah. No, so

647
00:36:10,080 --> 00:36:13,000
Speaker 1: fun story for that. Me and my friends. We work

648
00:36:13,080 --> 00:36:15,880
Speaker 1: in animation, so that's a lot of tough of animation.

649
00:36:15,920 --> 00:36:18,560
Speaker 1: Do you work in two D I work at Bento Box,

650
00:36:18,640 --> 00:36:22,520
Speaker 1: the studio that does oh Dope. Yeah, you're you're in California. No,

651
00:36:22,760 --> 00:36:25,840
Speaker 1: I'm at the Atlanta studio, but right now I'm in Delaware,

652
00:36:25,920 --> 00:36:27,880
Speaker 1: so it's all over the place. Wait, what did they do?

653
00:36:28,000 --> 00:36:30,560
Speaker 1: What does Bento Box do? The main thing they do

654
00:36:30,840 --> 00:36:34,160
Speaker 1: is Bob's Burgers. But that's all la. We handle a

655
00:36:34,200 --> 00:36:36,080
Speaker 1: lot of different stuff. Like the shows I've worked on

656
00:36:36,160 --> 00:36:38,920
Speaker 1: were like Hoops, which was a very short lived project

657
00:36:39,280 --> 00:36:43,239
Speaker 1: over on Netflix. But yeah, no, So we work a

658
00:36:43,320 --> 00:36:46,320
Speaker 1: lot of long nights. And one of the things we

659
00:36:46,400 --> 00:36:49,840
Speaker 1: started doing, like a year and a half ago, was

660
00:36:50,200 --> 00:36:52,960
Speaker 1: the lights would go down at outside of the studio,

661
00:36:53,120 --> 00:36:56,239
Speaker 1: the ac would kick off, and we would just throw

662
00:36:56,320 --> 00:36:59,000
Speaker 1: on two episodes of Cheers and we would just end

663
00:36:59,000 --> 00:37:03,120
Speaker 1: our day watching Cheers. It's great. It's been a while.

664
00:37:03,280 --> 00:37:07,040
Speaker 1: So we've since blown through Cheers, We've blown through Frasier.

665
00:37:07,600 --> 00:37:09,719
Speaker 1: We have not watched this show because half of the

666
00:37:09,800 --> 00:37:12,600
Speaker 1: people listen to this podcast and they don't want to

667
00:37:13,440 --> 00:37:15,600
Speaker 1: get ahead of where you guys. Oh that's cool. I

668
00:37:15,719 --> 00:37:18,120
Speaker 1: love hearing Jack. I love here when people are actually

669
00:37:18,840 --> 00:37:22,840
Speaker 1: choosing to listen as as we go. Again, we have

670
00:37:23,040 --> 00:37:26,799
Speaker 1: no idea a way of determining that, although that could

671
00:37:26,800 --> 00:37:28,840
Speaker 1: be a poll question. Joel on the live show, just

672
00:37:28,920 --> 00:37:32,880
Speaker 1: to take a sampling of we should start assembling questions

673
00:37:32,920 --> 00:37:34,759
Speaker 1: we want to ask people, because I know that'll just

674
00:37:34,840 --> 00:37:39,920
Speaker 1: be a sampling of of people and maybe a skewed

675
00:37:39,960 --> 00:37:42,600
Speaker 1: sample because there are people that are particularly interested in

676
00:37:42,800 --> 00:37:44,560
Speaker 1: being a part of the show. But anyway we could

677
00:37:44,560 --> 00:37:46,400
Speaker 1: ask because I'm always curious people are doing it like

678
00:37:46,440 --> 00:37:48,759
Speaker 1: they're doing it like like as we're going, I really

679
00:37:48,840 --> 00:37:52,719
Speaker 1: like that you guys at your job stick together kind

680
00:37:52,719 --> 00:37:57,000
Speaker 1: of and watch you know, television together. That's really it's cute.

681
00:37:57,680 --> 00:38:01,040
Speaker 1: It is cute. It's like it's that's a tight knit group.

682
00:38:01,120 --> 00:38:03,680
Speaker 1: You guys probably do great animation together too, you know

683
00:38:03,719 --> 00:38:06,600
Speaker 1: what I mean, Like you know that that's that's a

684
00:38:06,719 --> 00:38:09,160
Speaker 1: great way to keep the morella up, especially during these

685
00:38:09,200 --> 00:38:12,160
Speaker 1: times good bonding. When I was a kid, in my room,

686
00:38:12,239 --> 00:38:15,279
Speaker 1: I had a little portable TV that was black and

687
00:38:15,360 --> 00:38:17,160
Speaker 1: white screen about that big. I don't know if you

688
00:38:17,200 --> 00:38:19,680
Speaker 1: remember these kind they were like I don't know, I'm

689
00:38:19,719 --> 00:38:23,200
Speaker 1: holding up my hands. Maybe it was full five inches

690
00:38:23,239 --> 00:38:26,200
Speaker 1: by five inches square, did have like the radio dial

691
00:38:26,280 --> 00:38:28,040
Speaker 1: on it and everything, and then had a long back

692
00:38:28,120 --> 00:38:29,239
Speaker 1: to it and it was like, you know, it was

693
00:38:29,280 --> 00:38:31,759
Speaker 1: like the size of a VCR almost but but but

694
00:38:32,000 --> 00:38:34,680
Speaker 1: the screen was tiny. The screen was like five inches

695
00:38:34,680 --> 00:38:37,440
Speaker 1: by five inches, and um, that's all I was allowed

696
00:38:37,440 --> 00:38:39,200
Speaker 1: to have in my bedroom at this age. And I

697
00:38:39,520 --> 00:38:41,960
Speaker 1: and I would go to w PI X and on

698
00:38:42,080 --> 00:38:44,760
Speaker 1: the East Coast Donald Knows It and they had Cheers

699
00:38:44,800 --> 00:38:47,080
Speaker 1: on every night, and when I was falling asleep, I

700
00:38:47,120 --> 00:38:50,400
Speaker 1: would watch Cheers on my tiny little screen. So that

701
00:38:50,560 --> 00:38:53,320
Speaker 1: that show has a very spatial special place in my

702
00:38:53,360 --> 00:38:55,320
Speaker 1: heart because it was it was the show that I

703
00:38:55,360 --> 00:38:57,440
Speaker 1: could get. I mean, first of all, it's a great classic,

704
00:38:57,520 --> 00:38:59,759
Speaker 1: but it was the show I could get, like a

705
00:39:00,000 --> 00:39:02,440
Speaker 1: Evan on Wax when you stayed up late, when you

706
00:39:02,480 --> 00:39:04,920
Speaker 1: stayed up till midnight, We'll kame one. No, do you remember?

707
00:39:06,320 --> 00:39:07,879
Speaker 1: I don't know. I think I was a good kid

708
00:39:07,920 --> 00:39:12,120
Speaker 1: and didn't stay up husband yet the Honeymooners. Oh really, yeah,

709
00:39:12,160 --> 00:39:13,759
Speaker 1: I don't think I ever made it to the Honeymooners.

710
00:39:14,239 --> 00:39:19,520
Speaker 1: That's when you knew starring Ralph Kramdon. You're right, You're right.

711
00:39:19,560 --> 00:39:22,879
Speaker 1: I probably did occasionally watch the Honeymooners. All right, sir,

712
00:39:23,280 --> 00:39:25,080
Speaker 1: welcome to the program. Jack. Do you have a question

713
00:39:25,160 --> 00:39:28,520
Speaker 1: for us? I do have a question, and I apologize

714
00:39:28,560 --> 00:39:30,560
Speaker 1: if I get a little Rambley. My stories tend to

715
00:39:30,600 --> 00:39:33,640
Speaker 1: go all over the look who you're talking to. I know,

716
00:39:33,800 --> 00:39:35,520
Speaker 1: I'm a fan of it. I don't mind it. I

717
00:39:35,640 --> 00:39:40,759
Speaker 1: hope everybody's okay with it. But yeah, so as an animator,

718
00:39:40,840 --> 00:39:44,600
Speaker 1: as someone who makes art, I often look back at

719
00:39:44,640 --> 00:39:48,680
Speaker 1: the stuff I made years ago, and I will. For example,

720
00:39:48,760 --> 00:39:52,160
Speaker 1: there was in high school I made this sequential like

721
00:39:52,239 --> 00:39:55,560
Speaker 1: a comic book, essentially a graphic novel, and there's this

722
00:39:55,680 --> 00:39:58,479
Speaker 1: one panel where every time I look at it, there's

723
00:39:58,520 --> 00:40:01,480
Speaker 1: like a pan, like a cooking pan in the shot,

724
00:40:01,920 --> 00:40:04,000
Speaker 1: And every time I look at it, I'll be taken

725
00:40:04,080 --> 00:40:08,680
Speaker 1: back to sitting on my basement floor drawing it, watching

726
00:40:08,840 --> 00:40:12,160
Speaker 1: some sub movie on Comedy Central, like way too late

727
00:40:12,200 --> 00:40:16,200
Speaker 1: at night, just drawing, and I'm transported to that moment.

728
00:40:16,880 --> 00:40:21,279
Speaker 1: And I'm curious, if you, guys, since you're watching all

729
00:40:21,320 --> 00:40:24,480
Speaker 1: these all this footage that's decades old or like, yeah,

730
00:40:24,560 --> 00:40:29,400
Speaker 1: decades old at this point, if you see something and

731
00:40:29,640 --> 00:40:32,239
Speaker 1: you just are snapped right back to like where you

732
00:40:32,320 --> 00:40:34,560
Speaker 1: were in your life while filming that. I know you, guys,

733
00:40:34,880 --> 00:40:36,840
Speaker 1: and I wrote this in my email, but you briefly

734
00:40:36,920 --> 00:40:39,680
Speaker 1: talked about this with Johnny c in one of the

735
00:40:39,800 --> 00:40:44,719
Speaker 1: early episodes about filming right after nine to eleven, and

736
00:40:45,760 --> 00:40:47,400
Speaker 1: it was it was interesting to hear. So I was

737
00:40:47,440 --> 00:40:49,640
Speaker 1: curious if anything like that has come up again, where

738
00:40:49,680 --> 00:40:52,320
Speaker 1: it just really really brought you back to some moment

739
00:40:52,400 --> 00:40:55,799
Speaker 1: in your life. Yeah, I mean for me, Yeah, I think,

740
00:40:56,440 --> 00:40:59,000
Speaker 1: you know, it was nine years and over the course

741
00:40:59,040 --> 00:41:03,239
Speaker 1: of a decade, we all have highs and lows. You know,

742
00:41:03,400 --> 00:41:06,040
Speaker 1: you fall into relationships, you fall out of relationships. You

743
00:41:06,160 --> 00:41:10,600
Speaker 1: Donald went through a divorce, you you know, people in

744
00:41:10,680 --> 00:41:14,160
Speaker 1: your life get sick, some get better, some die. I mean,

745
00:41:14,280 --> 00:41:16,680
Speaker 1: so much happens over the course of this time. And

746
00:41:16,800 --> 00:41:19,120
Speaker 1: I definitely think there are episodes we see that I remember,

747
00:41:19,200 --> 00:41:21,120
Speaker 1: Oh I can't even see in my face, like, oh

748
00:41:21,239 --> 00:41:23,040
Speaker 1: I was in a good place then, or oof, I

749
00:41:23,200 --> 00:41:25,399
Speaker 1: was I look puffy? It was I was drinking too much,

750
00:41:25,480 --> 00:41:28,440
Speaker 1: or or I was depressed, or oh I remember that

751
00:41:28,520 --> 00:41:30,640
Speaker 1: episode I'd gone through. I was going through a breakup.

752
00:41:30,719 --> 00:41:34,920
Speaker 1: And so yeah, at certain times, they trigger, they trigger

753
00:41:36,239 --> 00:41:39,759
Speaker 1: memories for me. How about you, Donald, Definitely, it's it's

754
00:41:40,040 --> 00:41:43,640
Speaker 1: all kind of blurry though I'm not transported back to

755
00:41:43,760 --> 00:41:48,759
Speaker 1: that moment. Ever, I'm always questioning what was I doing

756
00:41:48,800 --> 00:41:50,680
Speaker 1: at that time, what was going on at that time,

757
00:41:50,719 --> 00:41:54,600
Speaker 1: because I do, like you said, Zach, I feel like

758
00:41:54,640 --> 00:41:56,239
Speaker 1: I look a little chubby here, or I look a

759
00:41:56,280 --> 00:41:58,400
Speaker 1: little What was I doing? What was going on? And

760
00:41:58,520 --> 00:42:00,920
Speaker 1: then you know, sometimes look at the date and then

761
00:42:00,920 --> 00:42:03,080
Speaker 1: I have to, you know, go through the mental rolodexs.

762
00:42:03,120 --> 00:42:04,880
Speaker 1: What was I doing that year? What was I do? Oh?

763
00:42:04,960 --> 00:42:07,560
Speaker 1: That was the year I was getting divorced. You know, uh,

764
00:42:08,640 --> 00:42:11,000
Speaker 1: that was the year I had that breakup. Or you know,

765
00:42:11,680 --> 00:42:14,919
Speaker 1: this was the year I met Casey. Um, I'm really,

766
00:42:15,280 --> 00:42:18,880
Speaker 1: I'm really, I'm actually really excited to get to that

767
00:42:19,480 --> 00:42:22,080
Speaker 1: moment in time where I meet Casey and how I

768
00:42:22,200 --> 00:42:25,960
Speaker 1: am and how I felt at that moment. That's I'm

769
00:42:26,000 --> 00:42:28,239
Speaker 1: really excited for that. You know, I simp so much

770
00:42:28,360 --> 00:42:32,439
Speaker 1: on the same show, Dude, I I simp so much.

771
00:42:32,560 --> 00:42:35,320
Speaker 1: I don't even know what simp means. It's been around forever,

772
00:42:35,719 --> 00:42:37,920
Speaker 1: but I do it so much. It's pretty much like

773
00:42:38,080 --> 00:42:41,879
Speaker 1: I freaking worship my wife. Is that what it means?

774
00:42:41,880 --> 00:42:44,480
Speaker 1: I worshiped my wife, or I worship the woman in

775
00:42:44,560 --> 00:42:49,680
Speaker 1: my life or standing for women? Yeah, I standing. Isn't

776
00:42:49,719 --> 00:42:52,319
Speaker 1: that the ideal situation that you simp for your wife?

777
00:42:52,480 --> 00:42:55,120
Speaker 1: The ideas that is a bit of an obsessive quality too.

778
00:42:55,239 --> 00:42:58,520
Speaker 1: Oh yeah, well like um like the Marshall mothers thing

779
00:42:58,600 --> 00:43:01,800
Speaker 1: that he does that standing for what? Yeah, yeah, you

780
00:43:01,960 --> 00:43:05,239
Speaker 1: stand for your wife? Yeah, I totally so much. Do

781
00:43:05,360 --> 00:43:07,839
Speaker 1: you think that she's ever freaked out by how much

782
00:43:07,960 --> 00:43:11,520
Speaker 1: you're obsessed with her? She's like, I got that motherfucker good?

783
00:43:14,080 --> 00:43:17,120
Speaker 1: She does right, she knows she's got you good. Yeah,

784
00:43:17,400 --> 00:43:20,040
Speaker 1: she got she she knows what's up. She knows what's up.

785
00:43:21,239 --> 00:43:26,439
Speaker 1: That's so great, though, I'm happy that you simp her. Yeah, well,

786
00:43:27,120 --> 00:43:32,680
Speaker 1: is that how you say it? Simp simp c s

787
00:43:32,840 --> 00:43:36,839
Speaker 1: I am simp. It's no h just s I mp

788
00:43:37,520 --> 00:43:40,759
Speaker 1: sim simp oh simp donald. There's no pH, but there

789
00:43:40,880 --> 00:43:44,040
Speaker 1: is when you say I simp, I know, isn't it?

790
00:43:44,320 --> 00:43:47,480
Speaker 1: There's in the in the far side, I simp. Damn

791
00:43:47,520 --> 00:43:49,319
Speaker 1: I wish I would I simp. I guess she says.

792
00:43:49,480 --> 00:43:51,680
Speaker 1: He says, damn. I wish I wasn't such a whim

793
00:43:51,920 --> 00:43:53,520
Speaker 1: because then I would let you know that I love

794
00:43:53,560 --> 00:43:54,880
Speaker 1: you so and if I was your man, then I

795
00:43:54,960 --> 00:43:57,520
Speaker 1: would be true. The only lion I would do was

796
00:43:57,600 --> 00:44:05,680
Speaker 1: in the bedoom. She keeps O pat me bye. That

797
00:44:05,840 --> 00:44:10,480
Speaker 1: was my jam. She keeps a pet and me by,

798
00:44:11,080 --> 00:44:15,120
Speaker 1: passing me by. You know nothing of this, dude, you

799
00:44:15,239 --> 00:44:19,560
Speaker 1: zach no pass me by. It's Far Side, Okay. So

800
00:44:19,719 --> 00:44:23,040
Speaker 1: there was this rap group called Far Side from the

801
00:44:23,160 --> 00:44:26,320
Speaker 1: West Coast, California. I can't believe I got to educate

802
00:44:26,360 --> 00:44:29,960
Speaker 1: you on this, and they had this amazing song, probably

803
00:44:30,440 --> 00:44:33,640
Speaker 1: one of the biggest songs of the year. The album

804
00:44:33,880 --> 00:44:36,839
Speaker 1: was them on a roller coaster coming out of a vagina. Dude.

805
00:44:36,880 --> 00:44:41,440
Speaker 1: The ship was freaking flavor dude, like that's the name

806
00:44:41,480 --> 00:44:47,160
Speaker 1: of and their their biggest hit was the song passing

807
00:44:47,239 --> 00:44:51,319
Speaker 1: Me By Right, and the hook was she keeps all

808
00:44:51,480 --> 00:44:56,759
Speaker 1: pat and me by right. But each one of them,

809
00:44:57,360 --> 00:45:01,080
Speaker 1: each one of them kind of sing during their rap verse,

810
00:45:01,239 --> 00:45:03,440
Speaker 1: and one of the verses is like, my dear, my dear,

811
00:45:03,520 --> 00:45:05,120
Speaker 1: my dear, you do not know me, but I know

812
00:45:05,280 --> 00:45:07,160
Speaker 1: you very well, and let me tell you about the

813
00:45:07,280 --> 00:45:09,560
Speaker 1: feelings I have. Are you and I try to make

814
00:45:09,640 --> 00:45:12,360
Speaker 1: some sort of attempt, I simp, damn. I wish I

815
00:45:12,520 --> 00:45:14,560
Speaker 1: wasn't such a whim because then I would let you.

816
00:45:14,600 --> 00:45:17,840
Speaker 1: And then it goes into that. But anyway, it was

817
00:45:18,520 --> 00:45:21,440
Speaker 1: one of the dopest records ever in the history of

818
00:45:21,520 --> 00:45:25,200
Speaker 1: hip hop period. Man like we could say, we could

819
00:45:25,239 --> 00:45:27,160
Speaker 1: go on, I could go on and on, but we won't.

820
00:45:27,239 --> 00:45:29,759
Speaker 1: It's a great song. Yeah, let's get back to let's

821
00:45:29,760 --> 00:45:31,560
Speaker 1: get back to Jack. Anyway, I gonna tell you something

822
00:45:31,600 --> 00:45:33,560
Speaker 1: embarrassing that happened, so you know how I'm obsessed with

823
00:45:33,640 --> 00:45:35,760
Speaker 1: this song. I told you the Bad Bunny with Rosa

824
00:45:35,880 --> 00:45:44,400
Speaker 1: Lee love the song right, so good? Well, my housekeeper

825
00:45:44,520 --> 00:45:48,279
Speaker 1: was over and the songs in Spanish, and I wanted

826
00:45:48,360 --> 00:45:51,200
Speaker 1: to sort of show off for Rosa. Then I that

827
00:45:51,320 --> 00:45:54,359
Speaker 1: I liked a Spanish song. She did not like the song.

828
00:45:55,080 --> 00:45:58,840
Speaker 1: Donald's doing her voice because Rosa she's my housekeeper. She

829
00:45:58,920 --> 00:46:01,080
Speaker 1: comes over once a week and she's been with me

830
00:46:01,239 --> 00:46:04,880
Speaker 1: for twenty years and she's awesome, and Donald knows her,

831
00:46:05,040 --> 00:46:08,279
Speaker 1: and she's a character. She has a very high voice.

832
00:46:08,760 --> 00:46:11,480
Speaker 1: And so but I was like, I'm gonna I'm I'm

833
00:46:11,560 --> 00:46:13,680
Speaker 1: so into a Spanish song that I don't know what

834
00:46:13,760 --> 00:46:15,880
Speaker 1: the lyrics are, but I'm gonna crank it for Rosa.

835
00:46:16,040 --> 00:46:18,839
Speaker 1: So she thinks I'm cool because I like a Spanish song. Right,

836
00:46:20,120 --> 00:46:22,239
Speaker 1: So I'm cranking it in the kitchen. I'm kind of

837
00:46:22,320 --> 00:46:25,640
Speaker 1: dancing around, dancing with the dog, and Rose is kind

838
00:46:25,640 --> 00:46:27,680
Speaker 1: of looking over at me, and I'm like whatever, And

839
00:46:27,800 --> 00:46:30,160
Speaker 1: then I get around to googling the lyrics. You guys,

840
00:46:30,760 --> 00:46:34,719
Speaker 1: the lyrics are crazy. It's like, what are they say?

841
00:46:35,239 --> 00:46:37,800
Speaker 1: It gets it gets dirty? Just wait, I don't know.

842
00:46:37,880 --> 00:46:43,960
Speaker 1: I think it's coming out to me. Wait, it's about

843
00:46:44,040 --> 00:46:46,920
Speaker 1: fucking obviously, but there's one part there's I was just

844
00:46:47,000 --> 00:46:48,600
Speaker 1: so embarrassed. I just thought it was a love song

845
00:46:49,239 --> 00:46:53,160
Speaker 1: because she thinks you want that. Now, this is the lyric.

846
00:46:53,920 --> 00:47:00,600
Speaker 1: You got so wet that I got baptized. Yeah, yeah, yeah,

847
00:47:01,280 --> 00:47:07,719
Speaker 1: he got baptized by her vagina juice. Oh my god, dude,

848
00:47:07,760 --> 00:47:09,759
Speaker 1: I was already there. You didn't have to take me.

849
00:47:09,960 --> 00:47:20,040
Speaker 1: You didn't have to take me, Jack, Jack, Jack. You

850
00:47:20,040 --> 00:47:22,239
Speaker 1: remember when Zach talked to you, when you when you

851
00:47:22,280 --> 00:47:24,600
Speaker 1: were asking the question about moments that take you to

852
00:47:24,719 --> 00:47:28,720
Speaker 1: those Zach just took me to a moment that didn't

853
00:47:28,760 --> 00:47:33,440
Speaker 1: never existed, but bad Bunny, and Zach described him so

854
00:47:33,560 --> 00:47:36,839
Speaker 1: well that I was able to get there. He got baptized.

855
00:47:38,440 --> 00:47:42,560
Speaker 1: I think Joel Joel was there too. Joell was Joel

856
00:47:42,640 --> 00:47:50,399
Speaker 1: felt the Joel felt the begging you to steer this ship.

857
00:47:50,960 --> 00:47:54,560
Speaker 1: I'm done. I'm done, I'm done, I'm done. I gotta

858
00:47:54,640 --> 00:47:57,000
Speaker 1: come clean to Rosa and Sam. I'm sorry. I didn't

859
00:47:57,040 --> 00:48:02,439
Speaker 1: know that there these lyrics were about being baptized. No, no, no, no, no, Zach,

860
00:48:03,520 --> 00:48:07,440
Speaker 1: I shouldn't. I shouldn't bring it up. Um maybe she

861
00:48:07,520 --> 00:48:09,399
Speaker 1: didn't hear that lyric. I don't know. I just say

862
00:48:09,960 --> 00:48:12,080
Speaker 1: I would say, listen if you if that song offended

863
00:48:12,120 --> 00:48:13,800
Speaker 1: you in any way, I apologize. I didn't know what

864
00:48:13,840 --> 00:48:15,600
Speaker 1: the lyrics. But let me tell you funny another funny

865
00:48:15,680 --> 00:48:19,399
Speaker 1: Rosa story that maybe means she wasn't offended. You'll love this, Joel, listen,

866
00:48:19,480 --> 00:48:23,280
Speaker 1: So okay, everything every year Rosa gives me we exchanged

867
00:48:23,320 --> 00:48:28,120
Speaker 1: gifts down the story, yes, and and um and and

868
00:48:28,320 --> 00:48:30,400
Speaker 1: I give her something and she gives me something, just

869
00:48:30,520 --> 00:48:33,279
Speaker 1: like everybody ex changed gifts. Whatever. And sometimes she gives

870
00:48:33,320 --> 00:48:35,719
Speaker 1: me something that you know, I don't necessarily love, but

871
00:48:35,840 --> 00:48:37,799
Speaker 1: I always display it because she's going to be there

872
00:48:37,840 --> 00:48:39,400
Speaker 1: once a week and I don't want to hurt her feelings.

873
00:48:39,400 --> 00:48:41,400
Speaker 1: So if it's a candle, if it's a vase, it

874
00:48:41,520 --> 00:48:43,279
Speaker 1: might not be what I would have chosen for the

875
00:48:43,400 --> 00:48:46,120
Speaker 1: center of the table, but I love her and I

876
00:48:46,200 --> 00:48:48,200
Speaker 1: don't want to hurt her feelings, so I make sure

877
00:48:48,320 --> 00:48:52,759
Speaker 1: that the item is displayed. So to man, Charlie Brown,

878
00:48:53,400 --> 00:48:55,600
Speaker 1: All man, Charlie Brown, I don't want to hurt her feelings.

879
00:48:55,600 --> 00:48:58,480
Speaker 1: I love her. So cut to one year. I'm unwrapping

880
00:48:58,560 --> 00:49:00,680
Speaker 1: my present. Have you ever seen in these things they

881
00:49:00,760 --> 00:49:03,920
Speaker 1: sell like on the Tijuana border or like on eBay,

882
00:49:04,040 --> 00:49:06,680
Speaker 1: and it's it's signs that are made of old license

883
00:49:06,800 --> 00:49:11,080
Speaker 1: plates letters. Oh yeah, yeah, okay, So Rosa has bought

884
00:49:11,120 --> 00:49:14,520
Speaker 1: me one of those, and it's giant and the messages

885
00:49:15,920 --> 00:49:24,520
Speaker 1: good weed, bad bitches. Yes, yes, a motto for life. Wow. Anyway,

886
00:49:24,640 --> 00:49:28,360
Speaker 1: So I above my sink, a kitchen sink is a

887
00:49:28,480 --> 00:49:32,120
Speaker 1: giant sign made of license plates that says bad bitch

888
00:49:32,239 --> 00:49:34,200
Speaker 1: is good weed. Because I don't want to I don't

889
00:49:34,239 --> 00:49:39,920
Speaker 1: want to hurt Rosa's feelings. Oh yeah, did what did

890
00:49:40,000 --> 00:49:43,520
Speaker 1: you do? What did you get hurt? Um? You know?

891
00:49:43,600 --> 00:49:46,279
Speaker 1: I usually get her a little something to something and

892
00:49:46,280 --> 00:49:48,120
Speaker 1: then and then some money. It's like a bonus, like

893
00:49:48,280 --> 00:49:52,200
Speaker 1: you know, like you do. Um. I get her a

894
00:49:52,239 --> 00:49:54,920
Speaker 1: little nice gesture and then and then cash because everybody

895
00:49:54,960 --> 00:49:58,719
Speaker 1: wants cash. Right all right, sorry, Jack, we totally forgot about.

896
00:49:58,719 --> 00:50:01,279
Speaker 1: You're sitting in the cheers bar. I'm just listening all right,

897
00:50:02,600 --> 00:50:06,359
Speaker 1: all right, directly enough about enough about Jack, don't play

898
00:50:06,560 --> 00:50:11,000
Speaker 1: that song for any senior. I do have a similar story.

899
00:50:11,400 --> 00:50:14,000
Speaker 1: I was in a frame shop where I was the

900
00:50:14,120 --> 00:50:17,759
Speaker 1: only person and I would I would get maybe like

901
00:50:18,000 --> 00:50:21,040
Speaker 1: two people on a good day, and so I was

902
00:50:21,120 --> 00:50:24,120
Speaker 1: in the back. I was just blasting music and I

903
00:50:24,239 --> 00:50:27,479
Speaker 1: think the song that came on was my neck, my back,

904
00:50:27,680 --> 00:50:30,400
Speaker 1: and I heard the door like hoping up and I

905
00:50:30,560 --> 00:50:32,319
Speaker 1: ran to the front and there was just this old

906
00:50:32,400 --> 00:50:37,120
Speaker 1: woman standing. I don't even have like the benefit of

907
00:50:37,200 --> 00:50:39,360
Speaker 1: it being in a different language. That was just me.

908
00:50:42,640 --> 00:50:45,600
Speaker 1: Oh did she did she? Did she buy a frame?

909
00:50:46,000 --> 00:50:52,200
Speaker 1: She did? She was very happened nice, did not scare her?

910
00:50:52,480 --> 00:50:55,839
Speaker 1: All right, Jack, time for your next question. Go sure, um,

911
00:50:56,920 --> 00:50:59,880
Speaker 1: this is not directly Scrubs related, But I when I

912
00:51:00,080 --> 00:51:02,279
Speaker 1: went back to school for animation, I think that's when

913
00:51:02,320 --> 00:51:06,279
Speaker 1: I found out Donald that you also did animation. Yeah,

914
00:51:06,280 --> 00:51:10,279
Speaker 1: and I I honestly like you. You've mentioned it here

915
00:51:10,320 --> 00:51:12,000
Speaker 1: and there on the podcast. I would just like to

916
00:51:12,280 --> 00:51:14,640
Speaker 1: listen to you geek out about it because watching the

917
00:51:14,719 --> 00:51:16,680
Speaker 1: stuff you post is so nice and I love it,

918
00:51:17,080 --> 00:51:20,880
Speaker 1: and I'm curious how you got into it because you

919
00:51:21,000 --> 00:51:24,440
Speaker 1: are a successful man and stop motion is not your

920
00:51:24,920 --> 00:51:29,040
Speaker 1: main career in any way, So I'm curious how you

921
00:51:29,160 --> 00:51:31,800
Speaker 1: have the energy or time to even do something like

922
00:51:31,920 --> 00:51:35,680
Speaker 1: stop motion. It's so so meticulous. I'm so happy you

923
00:51:35,719 --> 00:51:38,520
Speaker 1: asked me this question. I am too, not because it's

924
00:51:38,520 --> 00:51:40,520
Speaker 1: something of people don't know about. I'm not gonna lie

925
00:51:40,560 --> 00:51:46,560
Speaker 1: to you. I do stop motion now because I love it, obviously,

926
00:51:46,600 --> 00:51:49,160
Speaker 1: and it's an art form and it's a way for

927
00:51:49,320 --> 00:51:54,000
Speaker 1: me to express things that I want to do, things

928
00:51:54,080 --> 00:51:59,359
Speaker 1: that I you know, how I feel. You know, if

929
00:51:59,400 --> 00:52:01,920
Speaker 1: you look at it, there's always some type of meaning

930
00:52:02,120 --> 00:52:04,600
Speaker 1: to the stuff I'd do, even if it looks like

931
00:52:04,760 --> 00:52:07,560
Speaker 1: it's just somebody walking across the stream screen. Right, That's

932
00:52:07,600 --> 00:52:11,560
Speaker 1: what That's what animation is. It's it's you expressing yourself

933
00:52:11,960 --> 00:52:15,160
Speaker 1: through your movement, through a movement in some way. Right

934
00:52:15,640 --> 00:52:18,920
Speaker 1: when I was a kid, there were a bunch of

935
00:52:19,000 --> 00:52:22,359
Speaker 1: after school programs at this private school that my mom

936
00:52:22,440 --> 00:52:25,560
Speaker 1: put me in and she couldn't afford it. But one

937
00:52:25,600 --> 00:52:29,000
Speaker 1: of the after school programs was this you know, class

938
00:52:29,080 --> 00:52:32,560
Speaker 1: with super eight cameras, right, And when I got there,

939
00:52:32,680 --> 00:52:35,680
Speaker 1: this woman would try to teach all of these little

940
00:52:35,800 --> 00:52:39,160
Speaker 1: kids who were really young, how to do stop motion

941
00:52:39,520 --> 00:52:41,759
Speaker 1: and she was having a hard time. So she brought

942
00:52:41,840 --> 00:52:44,680
Speaker 1: this kid and who was maybe like fourteen, and he

943
00:52:44,880 --> 00:52:47,600
Speaker 1: did it. And he did it with Star Wars action figures,

944
00:52:48,080 --> 00:52:50,360
Speaker 1: and I was like and and so we'd have to

945
00:52:50,440 --> 00:52:52,759
Speaker 1: wait till the next week. And so we were all

946
00:52:52,840 --> 00:52:56,319
Speaker 1: goofing around and everything, and she played what he did

947
00:52:56,640 --> 00:53:01,240
Speaker 1: on a screen and he made the Star Wars Action

948
00:53:01,320 --> 00:53:03,839
Speaker 1: figures move around, and I was like, oh shit, that's

949
00:53:03,880 --> 00:53:05,560
Speaker 1: how they did it. That's how they did it in

950
00:53:05,600 --> 00:53:09,719
Speaker 1: the Empire Strikes Back. That's how they and I had

951
00:53:09,760 --> 00:53:12,240
Speaker 1: taken like I had already been there for five weeks,

952
00:53:12,800 --> 00:53:15,160
Speaker 1: you know, it was once every once every week. I'd

953
00:53:15,200 --> 00:53:17,880
Speaker 1: already been there for five weeks, and I had wasted

954
00:53:17,960 --> 00:53:19,880
Speaker 1: all of this time. And so now I was like,

955
00:53:19,920 --> 00:53:24,760
Speaker 1: I gotta catch up. And so when I started acting

956
00:53:25,280 --> 00:53:27,799
Speaker 1: and making money, I would buy things like super eight

957
00:53:27,880 --> 00:53:32,520
Speaker 1: cameras to try and practice animation in my apartment growing up,

958
00:53:33,440 --> 00:53:38,840
Speaker 1: and I, you know, without without without books and without lessons,

959
00:53:39,280 --> 00:53:42,759
Speaker 1: it's really hard to understand the formula, It's like, you know,

960
00:53:43,080 --> 00:53:45,719
Speaker 1: and then once you do understand the formula, it's hard

961
00:53:45,760 --> 00:53:49,920
Speaker 1: to put it into motion, you know. Well, also to

962
00:53:50,000 --> 00:53:51,960
Speaker 1: graduate to the level where you have because I've you know,

963
00:53:52,040 --> 00:53:56,160
Speaker 1: as your friend, I've watched his skills go from you know,

964
00:53:56,320 --> 00:54:00,399
Speaker 1: simple lego stuff to the stuff you're posting now on Instagrams.

965
00:54:01,719 --> 00:54:04,640
Speaker 1: I still, well, I still have a long way to

966
00:54:04,719 --> 00:54:06,839
Speaker 1: go there, but you got you. I mean, you can't

967
00:54:06,840 --> 00:54:08,520
Speaker 1: see it because you're because you've been living it, but

968
00:54:08,600 --> 00:54:13,000
Speaker 1: you've definitely gotten really much better at it. Right anyway,

969
00:54:13,080 --> 00:54:17,359
Speaker 1: So I'm I leave the school, I'm no longer there.

970
00:54:17,440 --> 00:54:20,880
Speaker 1: We I'm practicing at home. I grow up a little

971
00:54:20,880 --> 00:54:24,480
Speaker 1: bit more, and animation is stop motion. Animation is way

972
00:54:24,560 --> 00:54:27,719
Speaker 1: too much time. But I'm still a collector, right so

973
00:54:27,840 --> 00:54:30,279
Speaker 1: I'm collecting all of these things in my mind, saying

974
00:54:30,880 --> 00:54:32,880
Speaker 1: one day I'm going to animate all of these toys.

975
00:54:33,560 --> 00:54:38,200
Speaker 1: I meet Seth Green while doing Clueless. Breckenmeyer introduces me

976
00:54:38,280 --> 00:54:42,600
Speaker 1: to Seth Green, and Uh. The three of us became

977
00:54:43,040 --> 00:54:49,120
Speaker 1: really good friends. And in throughout time, Seth created this

978
00:54:49,320 --> 00:54:51,799
Speaker 1: thing called Sweet Jay, which didn't turn into robot Chicken,

979
00:54:52,080 --> 00:54:54,040
Speaker 1: but I did some of the voices on the original

980
00:54:54,760 --> 00:54:58,360
Speaker 1: on the original series, and uh, for Sony, it was

981
00:54:58,360 --> 00:55:02,800
Speaker 1: like a digital series for Sony. And I said to

982
00:55:02,960 --> 00:55:04,719
Speaker 1: him one day, you know, I used to do this

983
00:55:04,840 --> 00:55:10,080
Speaker 1: as a kid, I've always wanted to do this, you know,

984
00:55:10,480 --> 00:55:12,040
Speaker 1: pretty much, saying how do I get into it? And

985
00:55:12,120 --> 00:55:13,600
Speaker 1: he was like, well, I'll bring you by the studio

986
00:55:13,600 --> 00:55:15,560
Speaker 1: and you can meet some people. So I went by

987
00:55:15,640 --> 00:55:17,840
Speaker 1: the studio and he introduced me to some people and

988
00:55:18,600 --> 00:55:20,279
Speaker 1: I was like, well, I'd really like to hang out

989
00:55:20,320 --> 00:55:21,880
Speaker 1: here a bit. He's like, why don't you intern? I

990
00:55:21,960 --> 00:55:24,560
Speaker 1: was like, I can do that. He was like, yeah,

991
00:55:24,600 --> 00:55:26,600
Speaker 1: why don't you intern? I was like all right, bet.

992
00:55:26,760 --> 00:55:29,239
Speaker 1: He was like I'll pick I'll pick a department for

993
00:55:29,320 --> 00:55:30,759
Speaker 1: you to go into and you can and they'll let

994
00:55:30,760 --> 00:55:32,239
Speaker 1: you work there. I was like all right, and he

995
00:55:32,360 --> 00:55:34,680
Speaker 1: picked puppets and it was like, you know how to

996
00:55:34,760 --> 00:55:38,080
Speaker 1: build stop motion animation puppets, which was great for an

997
00:55:38,080 --> 00:55:40,200
Speaker 1: animator because now you're learning the bones of the thing.

998
00:55:41,120 --> 00:55:42,560
Speaker 1: And then he was like, you know, go meet some

999
00:55:42,640 --> 00:55:44,160
Speaker 1: of the animators and I was like all right, fine,

1000
00:55:44,960 --> 00:55:47,000
Speaker 1: And I convinced some of these guys to come back

1001
00:55:47,040 --> 00:55:49,600
Speaker 1: to my house. I had just broken up with a girl,

1002
00:55:49,880 --> 00:55:52,160
Speaker 1: so I didn't need to impress anybody with how my

1003
00:55:52,239 --> 00:55:56,320
Speaker 1: house looked. I put a freaking big table in my

1004
00:55:56,880 --> 00:56:01,480
Speaker 1: living room and he liked for There were times, dude,

1005
00:56:01,520 --> 00:56:05,000
Speaker 1: where like Donald's whole dining room would be one set,

1006
00:56:05,520 --> 00:56:07,840
Speaker 1: his whole living room would be a different set, and

1007
00:56:07,880 --> 00:56:11,279
Speaker 1: they were like ethic sets, right Donald, I would do Yeah,

1008
00:56:11,280 --> 00:56:13,000
Speaker 1: I was good. I would I got crazy with it

1009
00:56:13,160 --> 00:56:14,680
Speaker 1: at one point, and then I met my wife and

1010
00:56:14,760 --> 00:56:16,839
Speaker 1: my wife was like, yeah, this is cool. And then

1011
00:56:17,560 --> 00:56:19,640
Speaker 1: we had kids and then she was like, this shit

1012
00:56:19,760 --> 00:56:23,839
Speaker 1: gotta go. Donald had the ultimate bachelor pad. They were

1013
00:56:23,880 --> 00:56:26,759
Speaker 1: like arcade games. There were poker tables, there was like

1014
00:56:26,800 --> 00:56:29,000
Speaker 1: a movie theater. It was like the dream bachelor house.

1015
00:56:29,200 --> 00:56:31,120
Speaker 1: And then Casey moved in and she's like, all right,

1016
00:56:32,560 --> 00:56:34,640
Speaker 1: did the movers pull away? All right, get this shit

1017
00:56:34,719 --> 00:56:39,200
Speaker 1: out of here, out here now now. But recently, so

1018
00:56:39,400 --> 00:56:43,440
Speaker 1: what's happened recently is my son has gone away to

1019
00:56:43,520 --> 00:56:47,000
Speaker 1: college to do art. He's heavily into it. I like

1020
00:56:47,120 --> 00:56:49,239
Speaker 1: to think some of the stuff that I did as

1021
00:56:49,320 --> 00:56:52,560
Speaker 1: it when he was younger influenced him. But he's always

1022
00:56:52,600 --> 00:56:54,359
Speaker 1: had a thing for drawing. And now he's away at

1023
00:56:54,400 --> 00:56:58,239
Speaker 1: school and his room is empty. So my wife was like,

1024
00:56:58,360 --> 00:57:01,560
Speaker 1: if you want to set up an animation room, and

1025
00:57:01,719 --> 00:57:03,640
Speaker 1: she let me do that, and so that's inspired me

1026
00:57:03,719 --> 00:57:05,640
Speaker 1: to get in there. I'm not going to waste the

1027
00:57:05,719 --> 00:57:07,960
Speaker 1: time now because it could be something else. I got

1028
00:57:08,080 --> 00:57:10,480
Speaker 1: to put something up or she's gonna be like, you know,

1029
00:57:11,040 --> 00:57:13,920
Speaker 1: what are you? What is this even for? So I

1030
00:57:14,000 --> 00:57:17,120
Speaker 1: might as well. You know, it's great and the locatiens

1031
00:57:17,240 --> 00:57:20,959
Speaker 1: you take with it, man, I I can't imagine how

1032
00:57:21,200 --> 00:57:25,360
Speaker 1: meticulous and slow you have to do to move everything

1033
00:57:25,400 --> 00:57:27,560
Speaker 1: and keep track of it all. And then you started

1034
00:57:27,560 --> 00:57:31,080
Speaker 1: incorporating camera moves, which is just the next level shit.

1035
00:57:31,920 --> 00:57:34,480
Speaker 1: Everybody's always like, you should do a tutorial, and it's like,

1036
00:57:34,520 --> 00:57:37,200
Speaker 1: I don't want to freaking you should do a tutorial.

1037
00:57:37,240 --> 00:57:39,400
Speaker 1: People would love that. Think about like if you were

1038
00:57:39,560 --> 00:57:43,040
Speaker 1: able to like do a simple thing that someone could

1039
00:57:43,080 --> 00:57:45,280
Speaker 1: do with their kid, you know, or you know, if

1040
00:57:45,320 --> 00:57:47,120
Speaker 1: you if you were to do such a simitar to

1041
00:57:47,200 --> 00:57:49,720
Speaker 1: do it with kids, it's really her kids have to show,

1042
00:57:49,720 --> 00:57:51,320
Speaker 1: all right, Well, then forget that they have to show,

1043
00:57:51,840 --> 00:57:54,320
Speaker 1: So you could teach someone who's inaspiring. I'm sure there's

1044
00:57:54,600 --> 00:57:56,920
Speaker 1: plenty of people listening, going, oh, that would be a

1045
00:57:57,000 --> 00:58:00,400
Speaker 1: cool hobby. How the hell do I begin? You can

1046
00:58:00,440 --> 00:58:03,120
Speaker 1: probably watch some videos on YouTube. There's a bunch of them.

1047
00:58:03,200 --> 00:58:05,360
Speaker 1: That's how I did it. Yeah, there you go. And

1048
00:58:05,400 --> 00:58:07,920
Speaker 1: then but now I've sought out like people, so like

1049
00:58:08,120 --> 00:58:11,040
Speaker 1: there's a bunch of people out there that I've you know,

1050
00:58:11,360 --> 00:58:14,640
Speaker 1: made friends with, like this one guy who say Booker,

1051
00:58:14,760 --> 00:58:20,800
Speaker 1: he's uh say Brooker. He's um an animator, he's an

1052
00:58:20,840 --> 00:58:23,320
Speaker 1: African American animator also, and he's the guy that taught

1053
00:58:23,400 --> 00:58:25,640
Speaker 1: me most of the stuff I know, which is really cool.

1054
00:58:26,320 --> 00:58:28,520
Speaker 1: There's a couple of people at LA that have helped

1055
00:58:28,560 --> 00:58:31,720
Speaker 1: me out this, this dude, Brad Shift. You know, like

1056
00:58:31,840 --> 00:58:34,400
Speaker 1: there's a bunch of people that have seen my stuff

1057
00:58:34,440 --> 00:58:36,960
Speaker 1: and have just given me a little bit of tips,

1058
00:58:37,240 --> 00:58:39,640
Speaker 1: a few tips here and a few tips there, you know.

1059
00:58:40,120 --> 00:58:42,480
Speaker 1: And and I'm very grateful for it because it is

1060
00:58:42,760 --> 00:58:44,840
Speaker 1: it's not just a hobby. It's a passion of mine

1061
00:58:45,120 --> 00:58:48,120
Speaker 1: and I do one day hope to turn this into

1062
00:58:49,080 --> 00:58:50,960
Speaker 1: uh you know, I feel like I have a lot

1063
00:58:51,040 --> 00:58:53,200
Speaker 1: to say in this world, and this is a great

1064
00:58:53,280 --> 00:58:55,480
Speaker 1: way for me to say some of the things I

1065
00:58:55,600 --> 00:58:58,240
Speaker 1: want to say through stop motion animation. And maybe the

1066
00:58:58,400 --> 00:59:01,440
Speaker 1: Lucas Company can steal more your ideas Like Black Stormtrooper,

1067
00:59:03,480 --> 00:59:05,280
Speaker 1: I didn't say it. You do. You don't have to comment,

1068
00:59:05,400 --> 00:59:07,240
Speaker 1: You don't have to comment, You just you just lean

1069
00:59:07,320 --> 00:59:11,440
Speaker 1: back in your chair. Look at those sun dresses. They

1070
00:59:11,520 --> 00:59:15,120
Speaker 1: are lovely, aren't they? All? Right, Jack, it's time for

1071
00:59:15,520 --> 00:59:25,320
Speaker 1: Delaware's favorite segment, It's time to fix your It kind

1072
00:59:25,360 --> 00:59:27,200
Speaker 1: of goes hand in hand with what we've been talking about.

1073
00:59:27,280 --> 00:59:30,880
Speaker 1: I as an animator, I am at this desk for

1074
00:59:31,360 --> 00:59:37,080
Speaker 1: ten hours a day wherever, and I'm I'm curious, like,

1075
00:59:37,240 --> 00:59:39,240
Speaker 1: I also want to do stuff for my own Like

1076
00:59:39,280 --> 00:59:42,440
Speaker 1: I'm working on other people's shows obviously, but I have

1077
00:59:43,120 --> 00:59:47,040
Speaker 1: hopes of running my own shows or even making shorts

1078
00:59:47,160 --> 00:59:51,520
Speaker 1: or any sort of creative project. And I'm curious, especially

1079
00:59:51,680 --> 00:59:58,040
Speaker 1: now when when there's no real separation of work and home,

1080
00:59:58,480 --> 01:00:01,200
Speaker 1: at least for the people working from home currently, Like,

1081
01:00:02,040 --> 01:00:04,760
Speaker 1: how how do you find energy to just be like, well,

1082
01:00:04,800 --> 01:00:07,440
Speaker 1: I just did this for ten hours. I'm going to

1083
01:00:07,800 --> 01:00:10,200
Speaker 1: exist in this same space and keep doing it. But

1084
01:00:10,400 --> 01:00:14,320
Speaker 1: for me and you all, like Daniel and Joel both included,

1085
01:00:14,840 --> 01:00:17,480
Speaker 1: you all have a lot of creative endeavors, and I'm

1086
01:00:17,520 --> 01:00:21,640
Speaker 1: curious what advice you have or just how do you

1087
01:00:21,800 --> 01:00:24,560
Speaker 1: how do you keep going and doing more stuff for

1088
01:00:24,640 --> 01:00:28,200
Speaker 1: yourself when it's just more of the same actual work

1089
01:00:28,280 --> 01:00:30,760
Speaker 1: that you're doing, if that makes sense. Do you have kids?

1090
01:00:31,520 --> 01:00:35,360
Speaker 1: I do not have kids? Are you married? M I'm

1091
01:00:35,600 --> 01:00:40,400
Speaker 1: just me A lot of a lot of my hustle, Yeah,

1092
01:00:40,480 --> 01:00:45,680
Speaker 1: showed up like I was doing it for fun before

1093
01:00:45,800 --> 01:00:48,360
Speaker 1: I got married and had kids. And when I got

1094
01:00:48,480 --> 01:00:50,800
Speaker 1: married and had kids, I wanted my kids to have

1095
01:00:51,080 --> 01:00:54,920
Speaker 1: fun also, and it couldn't just be about me anymore,

1096
01:00:55,400 --> 01:00:58,800
Speaker 1: and so I had to start figuring out new things. Um,

1097
01:00:59,440 --> 01:01:01,520
Speaker 1: and it took a really long time for me to

1098
01:01:01,680 --> 01:01:11,680
Speaker 1: figure out how to put the time, you know, you know, Zach.

1099
01:01:12,040 --> 01:01:15,400
Speaker 1: One of Zach's greatest examples to me of how to

1100
01:01:15,520 --> 01:01:18,560
Speaker 1: make a movie was, it's like a puzzle, he said

1101
01:01:18,600 --> 01:01:20,520
Speaker 1: to me. It's like a puzzle Donald, and you got

1102
01:01:20,600 --> 01:01:23,480
Speaker 1: to put the pieces of the puzzle together. And when

1103
01:01:23,560 --> 01:01:26,320
Speaker 1: you figure out the puzzle, you've made a you know,

1104
01:01:26,440 --> 01:01:30,040
Speaker 1: you've made your movie. And that's what it's like now

1105
01:01:30,200 --> 01:01:32,800
Speaker 1: in life. It's like you got to figure it out.

1106
01:01:33,840 --> 01:01:35,840
Speaker 1: It's a puzzle that you know. I get it, you're

1107
01:01:36,080 --> 01:01:38,000
Speaker 1: in that same space. But if you really want to

1108
01:01:38,200 --> 01:01:41,600
Speaker 1: create your own things, sacrifices have to happen, and you

1109
01:01:41,720 --> 01:01:45,400
Speaker 1: have to figure out a way to to you know,

1110
01:01:46,120 --> 01:01:48,040
Speaker 1: even if it's taking a break for a little bit

1111
01:01:48,120 --> 01:01:51,280
Speaker 1: from it all and then charging up you have to

1112
01:01:51,400 --> 01:01:55,480
Speaker 1: figure out a way to motivate yourself, like I aspire

1113
01:01:55,520 --> 01:01:57,720
Speaker 1: to be a better version of myself because I know

1114
01:01:57,840 --> 01:02:01,840
Speaker 1: everybody else is out there doing it, and they're not

1115
01:02:01,880 --> 01:02:03,640
Speaker 1: going to do it for me. Nobody's gonna call me

1116
01:02:03,760 --> 01:02:07,080
Speaker 1: up and be like, Donald, this is your dreams are

1117
01:02:07,160 --> 01:02:08,360
Speaker 1: right here. I'm going to hand them to you. I

1118
01:02:08,400 --> 01:02:10,000
Speaker 1: have to go out and get it. And so, yeah,

1119
01:02:10,640 --> 01:02:13,160
Speaker 1: you have to sacrifice, you have. I know you're saying

1120
01:02:13,520 --> 01:02:17,439
Speaker 1: you hate being in that space for so long, but well,

1121
01:02:17,520 --> 01:02:19,360
Speaker 1: my avice is that's something you can First of all,

1122
01:02:19,400 --> 01:02:21,080
Speaker 1: Donald's right, you don't have kids, you don't have a wife,

1123
01:02:21,440 --> 01:02:25,320
Speaker 1: which which which you know, gives you the ability to

1124
01:02:26,040 --> 01:02:29,080
Speaker 1: spend more time on your pursuits, you know, and what

1125
01:02:29,200 --> 01:02:31,400
Speaker 1: you want to do. And by the way, you can

1126
01:02:31,720 --> 01:02:34,680
Speaker 1: change you My first thought while Donald was answering, I

1127
01:02:34,800 --> 01:02:39,120
Speaker 1: was thinking, you can change up the variables. So even

1128
01:02:39,200 --> 01:02:40,680
Speaker 1: if you have to go to a friend's house, even

1129
01:02:40,720 --> 01:02:43,960
Speaker 1: if you have to go to um you know, obviously

1130
01:02:44,000 --> 01:02:46,320
Speaker 1: when the world opens, backed up a coffee shop whatever,

1131
01:02:46,920 --> 01:02:48,760
Speaker 1: so that you change up your venue so you're not

1132
01:02:48,920 --> 01:02:51,400
Speaker 1: turning into like Nicholson and the Shining and just feeling

1133
01:02:51,480 --> 01:02:54,120
Speaker 1: stir crazy and then also make sure the art that

1134
01:02:54,200 --> 01:02:57,360
Speaker 1: you're animating is quite different. So from whatever you're doing

1135
01:02:57,400 --> 01:03:00,120
Speaker 1: at your job, it feels new. It feels like I

1136
01:03:00,160 --> 01:03:03,320
Speaker 1: go work on someone else's project as an actor. Yeah,

1137
01:03:03,320 --> 01:03:05,880
Speaker 1: I would feel really bored going and then doing that

1138
01:03:06,320 --> 01:03:08,760
Speaker 1: same thing as as a similar to my project. So

1139
01:03:08,840 --> 01:03:12,560
Speaker 1: I go write something that's totally different, you know, I'll

1140
01:03:12,600 --> 01:03:15,040
Speaker 1: write something that's in a totally different genre, as totally

1141
01:03:15,040 --> 01:03:17,800
Speaker 1: different spirit. Sometimes when I'm writing, I write at this

1142
01:03:17,920 --> 01:03:19,600
Speaker 1: desk I'm at right now. But sometimes I go, oh

1143
01:03:19,680 --> 01:03:21,280
Speaker 1: my god, I get cavin fever, and I'll just take

1144
01:03:21,320 --> 01:03:24,560
Speaker 1: my laptop and go write somewhere else. Try to find

1145
01:03:24,680 --> 01:03:27,920
Speaker 1: ways to to shake up what you're doing so it

1146
01:03:28,040 --> 01:03:30,720
Speaker 1: feels different. But you know, last thing I just want

1147
01:03:30,720 --> 01:03:32,720
Speaker 1: to say is like it's now. It's now or never,

1148
01:03:32,840 --> 01:03:35,040
Speaker 1: because you will probably get married and have kids and

1149
01:03:35,320 --> 01:03:38,280
Speaker 1: then become way busier. Now is the time for you

1150
01:03:38,400 --> 01:03:42,720
Speaker 1: to be like going making sure you're going for your dreams,

1151
01:03:42,840 --> 01:03:46,760
Speaker 1: not just being someone who's executing someone else's dreams. Wait, Joel,

1152
01:03:46,800 --> 01:03:49,240
Speaker 1: did you want to say something? Um? I can, I

1153
01:03:49,320 --> 01:03:51,640
Speaker 1: can do it in two seconds. But Tony Morrison method.

1154
01:03:51,680 --> 01:03:54,480
Speaker 1: Tony Morrison was raising children as a single mother while

1155
01:03:54,520 --> 01:03:56,920
Speaker 1: also editing some of the greatest books with the twentieth

1156
01:03:56,960 --> 01:04:00,880
Speaker 1: century and then wound up writing better books. It's crazy.

1157
01:04:01,440 --> 01:04:03,080
Speaker 1: She would wake up at four in the morning, work

1158
01:04:03,120 --> 01:04:05,080
Speaker 1: for two hours, think your kids ready for school, then

1159
01:04:05,080 --> 01:04:06,960
Speaker 1: go do her job, then come home, then feed her

1160
01:04:07,000 --> 01:04:08,600
Speaker 1: kids and put them to bed, and then do two

1161
01:04:08,680 --> 01:04:12,480
Speaker 1: more hours of work, which is exhausting. But it's just

1162
01:04:12,800 --> 01:04:14,840
Speaker 1: essentially what these guys are saying, which is just small

1163
01:04:14,920 --> 01:04:17,440
Speaker 1: chunks of time, like you just find you have to

1164
01:04:17,520 --> 01:04:20,120
Speaker 1: find space pockets of time for yourself to make your

1165
01:04:20,200 --> 01:04:23,800
Speaker 1: projects or nothing. I work sixty hours a week producing

1166
01:04:23,840 --> 01:04:25,920
Speaker 1: other shows, and then I have to come in and

1167
01:04:26,040 --> 01:04:29,080
Speaker 1: do my own stuff. Dan I'll similarly to sixty hours

1168
01:04:29,120 --> 01:04:31,080
Speaker 1: of his work for iHeart, but then it is also

1169
01:04:31,280 --> 01:04:34,280
Speaker 1: like doing his like live streaming and stuff. So it's

1170
01:04:34,320 --> 01:04:36,680
Speaker 1: just about carving out time and then making sure like nope,

1171
01:04:36,720 --> 01:04:38,760
Speaker 1: that's my dedicated time. If I want this to eventually

1172
01:04:38,760 --> 01:04:40,520
Speaker 1: be done, I have to stick to that, like very

1173
01:04:40,600 --> 01:04:44,760
Speaker 1: intense dedicated time, right. I mean, all your job comes first,

1174
01:04:44,800 --> 01:04:46,600
Speaker 1: because that's what's gonna feed you, and it's gonna put

1175
01:04:46,680 --> 01:04:50,800
Speaker 1: all you know, you know, but you have to put

1176
01:04:50,880 --> 01:04:54,439
Speaker 1: forth the effort. Even if you don't. We talk about

1177
01:04:54,480 --> 01:04:56,120
Speaker 1: the white board. Put it up on a white board

1178
01:04:56,160 --> 01:04:58,280
Speaker 1: so it reminds you, shit, I got two more I

1179
01:04:58,320 --> 01:05:01,200
Speaker 1: got to do two more hours of this because at

1180
01:05:01,240 --> 01:05:02,600
Speaker 1: the end of the day it was just a little

1181
01:05:02,640 --> 01:05:06,080
Speaker 1: bit of time and you got it done. And you're

1182
01:05:06,120 --> 01:05:08,320
Speaker 1: all of a sudden, all of a sudden, you're not

1183
01:05:08,480 --> 01:05:11,480
Speaker 1: on you're not plotting. You know, ten years later, like

1184
01:05:11,760 --> 01:05:13,800
Speaker 1: I wish I would have I had it, you know,

1185
01:05:13,840 --> 01:05:15,840
Speaker 1: I had all of this. I could have done it

1186
01:05:15,920 --> 01:05:18,760
Speaker 1: when I was younger, and now I got No, it's

1187
01:05:18,800 --> 01:05:22,120
Speaker 1: just it's what it is, man, It's this, this is

1188
01:05:23,000 --> 01:05:25,520
Speaker 1: you probably know this already. It's just you gotta get

1189
01:05:25,520 --> 01:05:27,520
Speaker 1: out and do it. Just it's it's what it is.

1190
01:05:28,600 --> 01:05:31,960
Speaker 1: All right, Jack, We gotta go, but very nice meaning

1191
01:05:32,000 --> 01:05:35,040
Speaker 1: you and Um and Joel. Do you have any kombucha

1192
01:05:35,080 --> 01:05:39,160
Speaker 1: to give the man? Do you want to give Jackson? Jackson?

1193
01:05:39,920 --> 01:05:43,520
Speaker 1: I think we send Jack a palette of GTS kombucha.

1194
01:05:43,640 --> 01:05:47,200
Speaker 1: Thank you, GTS, and you can share it with your

1195
01:05:47,280 --> 01:05:51,200
Speaker 1: co workers while you're watching um famous sitcoms after work

1196
01:05:51,480 --> 01:05:55,880
Speaker 1: out there in Georgia. But you'll share it with whoever

1197
01:05:56,000 --> 01:06:03,000
Speaker 1: you're in Delaware. Thank you. Jack, Well, thank you, see

1198
01:06:03,040 --> 01:06:05,160
Speaker 1: you all of you guys are great. It's great hanging out.

1199
01:06:05,280 --> 01:06:08,120
Speaker 1: Thank you for the pep talk. Good luck Jack, all right,

1200
01:06:08,200 --> 01:06:11,080
Speaker 1: see you. Let's take a break. We'll be right back

1201
01:06:11,120 --> 01:06:20,600
Speaker 1: after these fine words. You were wrong. I found his son.

1202
01:06:20,840 --> 01:06:26,200
Speaker 1: I found his son. I found his son. That's me. Yeah.

1203
01:06:26,320 --> 01:06:28,080
Speaker 1: The song we wrote together that we wrote on the

1204
01:06:28,120 --> 01:06:30,800
Speaker 1: back of the scooter, Yes, and you rehearsed it a

1205
01:06:30,880 --> 01:06:34,120
Speaker 1: few times too. Yeah. And then when mister Perry falls,

1206
01:06:34,200 --> 01:06:37,320
Speaker 1: he does the who falls j D fall noise? Did

1207
01:06:37,400 --> 01:06:40,160
Speaker 1: you see the pratfall I had in this where I tripped?

1208
01:06:41,840 --> 01:06:46,000
Speaker 1: Matthew Perry gave me that pratfall to do He's taught

1209
01:06:46,080 --> 01:06:49,960
Speaker 1: me and was like, now run with it. Really, yes,

1210
01:06:50,080 --> 01:06:51,960
Speaker 1: Why did Matthew Perry need to teach you how to

1211
01:06:52,000 --> 01:06:53,680
Speaker 1: do a prodfal? You know how to do a pretfal

1212
01:06:53,960 --> 01:06:57,560
Speaker 1: not like that? That was very involved. Well, you did

1213
01:06:57,600 --> 01:06:59,480
Speaker 1: a great job. It was funny. How about when Sarah,

1214
01:07:00,280 --> 01:07:02,920
Speaker 1: how about when Elliott says to Franklin, if you analyze

1215
01:07:03,000 --> 01:07:05,720
Speaker 1: this urine sample, then maybe I'll have sex with you,

1216
01:07:05,840 --> 01:07:10,760
Speaker 1: but probably not. Doesn't work on Franklin. He doesn't give

1217
01:07:10,760 --> 01:07:17,720
Speaker 1: a fuck now until Elliott rubs her nipples. Yeah, okay, now, Elliot,

1218
01:07:17,720 --> 01:07:20,840
Speaker 1: Oh my god, that was quite sexual. For network TV,

1219
01:07:21,000 --> 01:07:23,520
Speaker 1: that was very sexual. I was thinking. I was like, damn,

1220
01:07:25,280 --> 01:07:28,560
Speaker 1: Sarah was game for a lot lot of things. Zara

1221
01:07:28,720 --> 01:07:32,040
Speaker 1: was game to be naughty, and she, um, she really

1222
01:07:32,920 --> 01:07:35,960
Speaker 1: really gave her nipple quite a rub and that works.

1223
01:07:36,440 --> 01:07:38,720
Speaker 1: It worked, and God, not only did it work for

1224
01:07:38,800 --> 01:07:40,560
Speaker 1: Matthew Perry, but I think it worked for a lot

1225
01:07:40,640 --> 01:07:43,480
Speaker 1: of people watching at the time, and it kind of

1226
01:07:43,560 --> 01:07:47,640
Speaker 1: worked for me just now. When I was watching it too,

1227
01:07:47,680 --> 01:07:51,480
Speaker 1: I was like, Wow, Sarah, go on with your sexyself. Yeah.

1228
01:07:51,520 --> 01:07:55,200
Speaker 1: And then I'm in the cafeteria and I rubbed my

1229
01:07:55,360 --> 01:07:58,360
Speaker 1: nipple to get another piece of cake. There's a lot

1230
01:07:58,360 --> 01:08:00,640
Speaker 1: of nipple rubbing going on in this episode. One for

1231
01:08:00,760 --> 01:08:06,360
Speaker 1: the Road and then he drops off the cake after

1232
01:08:06,400 --> 01:08:08,160
Speaker 1: I rubbed my nipple and I go have a good weekend.

1233
01:08:10,200 --> 01:08:15,080
Speaker 1: What was his name, Gerald or something? Yeah, something like that. Um, Glenn,

1234
01:08:15,440 --> 01:08:18,560
Speaker 1: One for the Road Glenn. Yeah, rubbing your nipple in

1235
01:08:18,600 --> 01:08:21,639
Speaker 1: this hospital's magical makes shit happen. This was a really

1236
01:08:21,680 --> 01:08:24,240
Speaker 1: good one. I really liked. I love this moment so

1237
01:08:24,400 --> 01:08:26,519
Speaker 1: much I want to have sex with it. Yeah, and

1238
01:08:26,600 --> 01:08:30,120
Speaker 1: then the callback. I love this moment so much that

1239
01:08:30,240 --> 01:08:33,439
Speaker 1: I cheat on that other moment with this one, get

1240
01:08:33,600 --> 01:08:36,560
Speaker 1: married to it and raise tiny little moments. Yeah that

1241
01:08:36,760 --> 01:08:39,200
Speaker 1: was a good one. That was good, dude. Yeah, that

1242
01:08:39,400 --> 01:08:42,400
Speaker 1: was a good one. Dude. That's funny. And then JD

1243
01:08:42,520 --> 01:08:45,400
Speaker 1: goes to seek out Murray at the airfield and there's

1244
01:08:45,400 --> 01:08:48,880
Speaker 1: like a north By Northwest homage with the model airplane,

1245
01:08:49,040 --> 01:08:51,040
Speaker 1: and I remember this really being a pain in the

1246
01:08:51,080 --> 01:08:54,160
Speaker 1: ask to shoot because we were so psyched. The whole crew.

1247
01:08:54,240 --> 01:08:56,479
Speaker 1: Everyone was excited because we were gonna have real, a

1248
01:08:56,640 --> 01:08:59,680
Speaker 1: real model airplane. This is long before drones obviously, so

1249
01:09:00,320 --> 01:09:02,920
Speaker 1: seeing a midle airplane flying was not something any of

1250
01:09:03,000 --> 01:09:05,200
Speaker 1: us saw regularly. And these guys came out and we

1251
01:09:05,240 --> 01:09:07,080
Speaker 1: were so stoked, and like take one, they flew it

1252
01:09:07,240 --> 01:09:14,840
Speaker 1: right into a tree. And so the fact that the

1253
01:09:14,920 --> 01:09:17,840
Speaker 1: sequence looks so good, a lot of it was just

1254
01:09:18,680 --> 01:09:22,280
Speaker 1: stitched together. I remember. Eventually the grips rigged the plane

1255
01:09:22,800 --> 01:09:26,360
Speaker 1: so it was on like a zip line, a zip

1256
01:09:26,439 --> 01:09:29,240
Speaker 1: line kind of thing, so it could fly accurately. And

1257
01:09:29,320 --> 01:09:32,120
Speaker 1: because because the guys were not accurate with flying this

1258
01:09:32,240 --> 01:09:33,679
Speaker 1: thing even when they got it out of the tree,

1259
01:09:34,280 --> 01:09:37,000
Speaker 1: and so the grips came up with all interesting ways

1260
01:09:37,040 --> 01:09:38,920
Speaker 1: to make it look real, and it looks pretty pretty

1261
01:09:38,920 --> 01:09:41,080
Speaker 1: decent for what it is. But then it's funny when

1262
01:09:41,080 --> 01:09:43,800
Speaker 1: it when it crashes, it explodes. I go, what an

1263
01:09:43,880 --> 01:09:48,599
Speaker 1: odd sized explosion because it was like I think it's

1264
01:09:48,640 --> 01:09:51,600
Speaker 1: meant to be you know this job, it's it's this

1265
01:09:51,760 --> 01:09:54,360
Speaker 1: tiny plane, but there's this huge explosion. No, those planes

1266
01:09:54,360 --> 01:09:57,920
Speaker 1: are huge, dude. Those planes are huge. And this one

1267
01:09:58,160 --> 01:10:01,320
Speaker 1: was probably like the wings, it was probably like four feet.

1268
01:10:02,160 --> 01:10:05,880
Speaker 1: Really have you There's a spot around the where I play.

1269
01:10:06,040 --> 01:10:08,519
Speaker 1: I played golf, and there's a spot across the street

1270
01:10:08,600 --> 01:10:12,439
Speaker 1: where the like the thirteenth hole is, and you can

1271
01:10:12,560 --> 01:10:16,080
Speaker 1: literally see the model planes. And sometimes they have jets. Yeah,

1272
01:10:16,240 --> 01:10:19,200
Speaker 1: sometimes they have red baron, like the red baron like

1273
01:10:19,280 --> 01:10:22,000
Speaker 1: you were fighting and stuff. And these things are huge,

1274
01:10:22,080 --> 01:10:24,000
Speaker 1: like when they put them in their trunk, they got

1275
01:10:24,120 --> 01:10:26,720
Speaker 1: to fold it like in the big trucks too. Man,

1276
01:10:26,880 --> 01:10:30,599
Speaker 1: those things are the wingspans are It's really you'd think

1277
01:10:30,640 --> 01:10:34,839
Speaker 1: a jet, a model airplane jet would could kill somebody.

1278
01:10:35,600 --> 01:10:38,320
Speaker 1: I would think it could. I believe it could. What

1279
01:10:38,400 --> 01:10:40,680
Speaker 1: about when you're covered in bees? What was that? I

1280
01:10:40,760 --> 01:10:43,680
Speaker 1: remember that day because the stunt man got stung. Well,

1281
01:10:43,680 --> 01:10:46,519
Speaker 1: of course I would imagine. So the way they just

1282
01:10:46,600 --> 01:10:48,880
Speaker 1: digitally put your face on the stunt man, yes, they did.

1283
01:10:49,040 --> 01:10:52,800
Speaker 1: It looked pretty bad. Well, hey man, come on, no,

1284
01:10:52,880 --> 01:10:54,560
Speaker 1: I don't expect you to get real bees on you.

1285
01:10:54,680 --> 01:10:56,920
Speaker 1: But it didn't. It didn't look very It looked a

1286
01:10:56,960 --> 01:11:01,519
Speaker 1: little dated. I mean, were you there? Did you watch

1287
01:11:01,640 --> 01:11:03,960
Speaker 1: him get the bees? I did. I watched the whole thing,

1288
01:11:04,000 --> 01:11:07,320
Speaker 1: and I watched him get stung. Did he did he

1289
01:11:07,439 --> 01:11:10,479
Speaker 1: have any experience with bees? No? Not whatsoever. He was

1290
01:11:10,520 --> 01:11:13,880
Speaker 1: just a stuntman. What a stunt man? They were like

1291
01:11:14,120 --> 01:11:16,720
Speaker 1: today's work. You'll be getting covered by bees and you

1292
01:11:16,800 --> 01:11:20,240
Speaker 1: have no training with this. Go yeah, And as a stuntman,

1293
01:11:20,280 --> 01:11:22,840
Speaker 1: you go okay. This is like you said, So, how

1294
01:11:22,880 --> 01:11:24,800
Speaker 1: are you gonna hit the wall? I'm just gonna I'm

1295
01:11:24,800 --> 01:11:29,360
Speaker 1: just gonna hit the wall. Yeah, there's no trick to it.

1296
01:11:29,400 --> 01:11:31,760
Speaker 1: We're just gonna put bees all over you, right, um,

1297
01:11:32,760 --> 01:11:35,120
Speaker 1: all right, so you're covering bees. Then there's a really

1298
01:11:35,200 --> 01:11:39,599
Speaker 1: weird moment when Matt Perry says some random story about

1299
01:11:39,680 --> 01:11:42,320
Speaker 1: how he now that he knows that his father's not

1300
01:11:42,439 --> 01:11:45,519
Speaker 1: his birth father. It wasn't weird that he was hooking

1301
01:11:45,600 --> 01:11:47,560
Speaker 1: up with his cousin and I'm like, been there with

1302
01:11:47,760 --> 01:11:52,960
Speaker 1: my Graham, Graham, which I really don't understand. Did I

1303
01:11:53,080 --> 01:11:56,000
Speaker 1: have Did I have a non biological grandmother that I

1304
01:11:56,120 --> 01:12:01,960
Speaker 1: accidentally looked up with Do you think you add lived

1305
01:12:01,960 --> 01:12:04,599
Speaker 1: that or you think that was written in the script?

1306
01:12:05,320 --> 01:12:07,560
Speaker 1: Been there with my Graham Graham? I don't know. But

1307
01:12:07,680 --> 01:12:12,160
Speaker 1: it's it's it's bizarre, that's weird. You yell at Carlo,

1308
01:12:12,640 --> 01:12:15,599
Speaker 1: is it Carlo? You woman? I was covered in bees. Yeah,

1309
01:12:15,680 --> 01:12:21,160
Speaker 1: that's Carlo yellock. It's a it has some funny moments managed,

1310
01:12:21,600 --> 01:12:23,360
Speaker 1: but it's it's not a it's not the best one,

1311
01:12:23,400 --> 01:12:25,639
Speaker 1: but but it's not the best one. It's got a unicorn,

1312
01:12:25,680 --> 01:12:29,479
Speaker 1: It's got the Unicorn journal and uh and again and

1313
01:12:29,560 --> 01:12:33,240
Speaker 1: it and it has you know, doctor Cox comes through

1314
01:12:33,280 --> 01:12:35,920
Speaker 1: at the end as always man for you. And we

1315
01:12:36,080 --> 01:12:37,800
Speaker 1: learned that Jad was stuck in a well as a

1316
01:12:37,880 --> 01:12:40,880
Speaker 1: child and they had to had to shave his shoulders

1317
01:12:40,960 --> 01:12:44,840
Speaker 1: smaller slid he could squeeze out of the well. That's

1318
01:12:44,880 --> 01:12:48,439
Speaker 1: the most important fact of Jad's life that we learned. Well,

1319
01:12:48,520 --> 01:12:51,200
Speaker 1: and I had no idea that Murray was an old

1320
01:12:51,280 --> 01:12:53,880
Speaker 1: person's name. I played a character Murray and clueless. I

1321
01:12:53,960 --> 01:12:56,479
Speaker 1: wish I would have known. Yeah, joke, I wish I

1322
01:12:56,560 --> 01:12:58,360
Speaker 1: would have got the Joe Murray. Well, you wouldn't see

1323
01:12:58,360 --> 01:13:00,439
Speaker 1: a young Murray these days. It does feel an old

1324
01:13:00,520 --> 01:13:03,080
Speaker 1: man's It doesn't feel like if you're a Murray and

1325
01:13:03,200 --> 01:13:08,320
Speaker 1: you're a young Murray? Where are you? Yeah? Raise your

1326
01:13:08,360 --> 01:13:12,760
Speaker 1: hand your head? All right, that's show. That's our show, everybody. Um,

1327
01:13:13,200 --> 01:13:16,680
Speaker 1: a couple of things. Remember to buy a ticket to

1328
01:13:16,720 --> 01:13:22,040
Speaker 1: the live show on location live dot com. Slash fake doctors.

1329
01:13:22,880 --> 01:13:25,120
Speaker 1: Is that a Joel? Yes? And if you want to

1330
01:13:25,200 --> 01:13:27,280
Speaker 1: date Joel, if you feel that you're a good candidate,

1331
01:13:27,800 --> 01:13:33,559
Speaker 1: please write an email to date Joel Monique at gmail

1332
01:13:33,600 --> 01:13:38,920
Speaker 1: dot com. Write a paragraph that that is seductive in

1333
01:13:39,040 --> 01:13:43,240
Speaker 1: a non sexual way, be appropriate, and um, include your

1334
01:13:43,280 --> 01:13:45,400
Speaker 1: Instagram handle if you don't have Instagram, a few pictures

1335
01:13:45,439 --> 01:13:48,000
Speaker 1: so we can get a flavor of your essence. And

1336
01:13:48,200 --> 01:13:51,320
Speaker 1: then we're gonna pick two people and they are going

1337
01:13:51,439 --> 01:13:54,880
Speaker 1: to be on the live show and do a dating

1338
01:13:55,000 --> 01:14:01,880
Speaker 1: game like experience with our Goddess Joel Monique. Should we

1339
01:14:01,960 --> 01:14:06,439
Speaker 1: talk about the slow motion run on the outro? We

1340
01:14:06,600 --> 01:14:11,479
Speaker 1: can do go ahead? That didn't stick? What do you

1341
01:14:11,560 --> 01:14:15,160
Speaker 1: mean the slow motion run didn't stick? I'm noticing that

1342
01:14:15,280 --> 01:14:18,280
Speaker 1: there were a lot of games that we played it

1343
01:14:18,439 --> 01:14:21,599
Speaker 1: didn't make it to another another episode. And then there's

1344
01:14:21,680 --> 01:14:24,840
Speaker 1: games like toe finger and did that have more? Or

1345
01:14:24,920 --> 01:14:27,920
Speaker 1: hide the saltine? To hide the saltine? The hide the saltine?

1346
01:14:27,920 --> 01:14:31,479
Speaker 1: Had quite a few that that stuck around all right? Well, yeah,

1347
01:14:31,560 --> 01:14:33,920
Speaker 1: running in slow motion a la Baywatch did not stick.

1348
01:14:34,280 --> 01:14:36,320
Speaker 1: Did not stick. It's funny how we did it. They

1349
01:14:36,320 --> 01:14:37,760
Speaker 1: did it in real slow motion and then when they

1350
01:14:37,800 --> 01:14:42,240
Speaker 1: cut back and then me running behind you while you're

1351
01:14:42,280 --> 01:14:46,559
Speaker 1: walking away and thinking, yeah, all right, so live show

1352
01:14:47,200 --> 01:14:49,479
Speaker 1: catch us on Drew Barrymore. Um, if you haven't seen it,

1353
01:14:49,560 --> 01:14:53,479
Speaker 1: I'm sure it's on the YouTube's And um, what else, Joel?

1354
01:14:53,560 --> 01:14:56,759
Speaker 1: What else am I forgetting to tell everybody buy tickets

1355
01:14:56,840 --> 01:15:01,320
Speaker 1: to the live show? Ye? That that's it. That's pretty much.

1356
01:15:01,360 --> 01:15:03,719
Speaker 1: That's everything. We're getting really excited for the live show

1357
01:15:03,920 --> 01:15:08,400
Speaker 1: and um and um, it's going to be spectacular, right.

1358
01:15:08,680 --> 01:15:14,240
Speaker 1: I want to say one thing, And we are really

1359
01:15:14,320 --> 01:15:18,080
Speaker 1: close to this, being closer to being over, So I

1360
01:15:18,120 --> 01:15:19,920
Speaker 1: want to say to everybody out there, I know you

1361
01:15:20,040 --> 01:15:23,479
Speaker 1: have fatigue, and I know that, uh, it seems like

1362
01:15:24,000 --> 01:15:27,200
Speaker 1: it's very safe and it's probably and it and it

1363
01:15:27,320 --> 01:15:29,800
Speaker 1: probably is. But let's stick to the guidelines of your

1364
01:15:29,880 --> 01:15:35,280
Speaker 1: state and UH and use better judgment out there people, uh,

1365
01:15:35,680 --> 01:15:39,160
Speaker 1: because it would suck to have another year. It's been

1366
01:15:39,240 --> 01:15:42,240
Speaker 1: a year pretty much since COVID's been around. It would

1367
01:15:42,240 --> 01:15:46,040
Speaker 1: suck to have another year like twenty twenty. So please, man,

1368
01:15:46,360 --> 01:15:49,400
Speaker 1: I know it feels like it's over, but now's the

1369
01:15:49,520 --> 01:15:54,360
Speaker 1: time to really do your best to stay COVID safe.

1370
01:15:57,240 --> 01:16:03,360
Speaker 1: On that note, the New Stories About show we made

1371
01:16:04,600 --> 01:16:07,920
Speaker 1: about a bunch of doctor nurses in the Canada who

1372
01:16:08,040 --> 01:16:12,400
Speaker 1: loved me. I said, He's the Stories Net all should go.

1373
01:16:14,040 --> 01:16:18,080
Speaker 1: So gathera around you. Here are gather around you, here

1374
01:16:18,200 --> 01:16:23,479
Speaker 1: are scot free. Watch your wins a time. Mm hmmmm