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Speaker 1: Much Dan, Dan. Whenever I come to the breakfast club,

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Speaker 1: I called this the high seas. You don't Conto'm not

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Speaker 1: even doing it? So petty, yo are yo so petty?

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Speaker 1: The world's most dangerous morning sho dj n This bitch,

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Speaker 1: Angela stay in everybody's business, but in a good way, Charlomagne,

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Speaker 1: the gut, the ruler rubbers you the wrong way. The

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Speaker 1: breakfast clubs made for everybody. Good morning Usa yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo. Good morning Angela yea, Charlomagne,

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Speaker 1: the guy Peace to the planet. Is Monday, Yes it's Monday.

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Speaker 1: To started to work week, Yes it is. Man. I

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Speaker 1: hope y'all had a nice, relaxing, refreshing weekend. I did

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Speaker 1: at me too. I did absolutely nothing, I really really did.

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Speaker 1: I did absolutely nothing but just chill with the kids

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Speaker 1: and just had a good time. Now it was. It

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Speaker 1: was amazing, great weekend. Yeah. I went out of Friday.

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Speaker 1: Friday I had a screening for Bad Boys for Life,

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Speaker 1: or the new movie starring the Icons living Will Smith

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Speaker 1: and Martin Lawrence, who will absolutely be here this morning.

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Speaker 1: I'll be here this morning and then, um, I did

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Speaker 1: nothing else for the rest of the weekend. You know

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Speaker 1: what I hate. Man. You know you got young children,

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Speaker 1: and yes, you know when you got like a young child.

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Speaker 1: My youngest daughter is one and she had she had

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Speaker 1: a bow movement on on on Sunday. You know how

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Speaker 1: you gotta you smell it, but you want to wait

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Speaker 1: to make sure that they're finished before you go change them. Yes,

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Speaker 1: and so you try to keep them on their feet

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Speaker 1: because if they sit down, they go everywhere. Lord have mercy.

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Speaker 1: That is the worst. Yes, my youngest history. I don't

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Speaker 1: have to worry about that anymore. So I'm very happy

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Speaker 1: about that. I'm just saying all that to say, yes,

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Speaker 1: I had to clean up a smushy bow movement on

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Speaker 1: she sat down, and I'm not I'm not the diaper changes.

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Speaker 1: Understand what I'm saying. So, but I was home with

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Speaker 1: my my two youngest because my oldest daughter and my

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Speaker 1: wife was out. So I ended up having to change

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Speaker 1: this once she diaper that right, there is a challenge.

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Speaker 1: When I say I had poop everywhere, here was poop everywhere. Well,

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Speaker 1: that's when you just gotta say, you know what, I'm

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Speaker 1: gon gonna take them right to the shower. We we're

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Speaker 1: gonna take a shower. I'm gonna wife the boy the booty,

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Speaker 1: take the poop out the booty, and then we don't

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Speaker 1: take a showers. Easy. Well. I went to Toledo, Ohio

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Speaker 1: for the first time this weekend, but the hell was

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Speaker 1: out there? What you doing out there? I had to

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Speaker 1: go to a wake for one of my friends, her

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Speaker 1: mother passed away. To Recipe peace. It was a hard

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Speaker 1: turns it. And then after that, well, everybody smet what

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Speaker 1: they did over the weekend, And then after that I

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Speaker 1: went to Miami. I actually just got back from Miami.

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Speaker 1: I'm just scared to ask what you did out there

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Speaker 1: at one in the morning? What did you do out

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Speaker 1: there at a birthday party? Shout out to everybody at

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Speaker 1: bar Idol. That's e classes about this finger looking on

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Speaker 1: one side and then the lounges on the other side,

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Speaker 1: so you can order for finger looking, bring your food

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Speaker 1: in there, and then be on the other side. Class

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Speaker 1: right there, flow Rider and pleasure Pe we're in there too.

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Speaker 1: I always see them for some reason when I'm in Miami.

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Speaker 1: They really for real be out. Well if you if

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Speaker 1: you're freaking on the e class botch, you're definitely gonna

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Speaker 1: see you. Like I've seen them at the Clevelander. I

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Speaker 1: just see them everywhere, like they just really go out

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Speaker 1: every club. So that's my weekend. I've slept for about

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Speaker 1: two hours now, so you're ready rock and roll? Yeah,

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Speaker 1: So I have a course right before we get the

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Speaker 1: show started, right, having this conversation over the weekend, right

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Speaker 1: since Martin Lawrence and Will Spith will be joining us

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Speaker 1: this morning. Icons living now, if you had to pick

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Speaker 1: one Fresh Prince of Bella or Martin, which one did

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Speaker 1: you like better? If you had to pick one, I

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Speaker 1: think I think we should ask them that question. I

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Speaker 1: think we should ask them which one did they like better? Okay,

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Speaker 1: I mean, you know, even though they would be pious

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Speaker 1: for I mean, Will still gonna say Fresh Prince Bella

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Speaker 1: might know which one did you like better? Which one

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Speaker 1: did you like better? Ye? I'm just curious. I think

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Speaker 1: that's hard. I can't say I'd like to Bun better

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Speaker 1: than if I still watch I still watch the reruns

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Speaker 1: to this day, me to a both of them. But

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Speaker 1: if you had to pick one, I'm be honest with you,

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Speaker 1: I couldn't. Yeah, I don't think that's a fair thing

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Speaker 1: to do. That's not I really honestly could not pick

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Speaker 1: between Fresh Prince of Bella and Martin. Martin was a comedian,

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Speaker 1: Will Smith's not a comedian. They were both funny though, Yeah,

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Speaker 1: they both were funny shows. But I'm saying Martin was,

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Speaker 1: you know, as his character, he was a lot more.

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Speaker 1: Both great, both great shows for different reasons. I could

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Speaker 1: not pick one. I'm be honest with you that that

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Speaker 1: is what black That's what black she sho didn't have

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Speaker 1: to by the way, that's what we do as black people.

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Speaker 1: Though we just can't help it. You got, you gotta

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Speaker 1: be wandered who you're like, Java nas Big, your pot,

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Speaker 1: Kendrick a drink, Fresh Prince of Martin, Nike a poem

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Speaker 1: or you got. We haven't do it. That's what we

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Speaker 1: do well. That that leads to many a great conversation

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Speaker 1: in the black community. It does well, you like better,

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Speaker 1: God of Jesus Well, Will Smith and Martin Lawrence to

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Speaker 1: be joining us next hour and coming up next we

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Speaker 1: got front page is what we're talking about. We are

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Speaker 1: going to be talking about this video outside of Jeffrey

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Speaker 1: Epstein cell looks like this could have been I watched

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Speaker 1: Power Sometimes I'm like, dude, things like this happened in

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Speaker 1: real life, and apparently they do. I'll tell you what

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Speaker 1: happened with that video footage of the outside of Jeffrey Epstein.

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Speaker 1: So all right, we'll get into that next. Keeping locked

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Speaker 1: us to Breakfast Club. Good morning morning. Everybody is DJ

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Speaker 1: Envy Angela, yee, Charlemagne the guy. We all to Breakfast Club.

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Speaker 1: Let's getting some front page news now. In sports, I

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Speaker 1: was all over the place. I definitely can't predict it.

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Speaker 1: Shot now, the Titans beat the Ravens twenty eight twelve

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Speaker 1: forty nine, Has beat the Vikings twenty seven ten, the

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Speaker 1: Chiefs beat the Texas fifty one thirty one, and the

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Speaker 1: Packers beat the Seahawks twenty eight twenty three. I thought

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Speaker 1: for sure to Seahawks and Ravens were gonna go a

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Speaker 1: little further. But I was wrong. Yeah I didn't. I

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Speaker 1: don't care about none of this because my Dallas Cowboys

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Speaker 1: aren't in it. But you did ask me last week,

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Speaker 1: and I did say the Baltimore Ravens. But Yeahshed you

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Speaker 1: didn't say nothing. Yeah I did. You asked me, and

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Speaker 1: I said, the packers. I definitely did Angela's with the packers.

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Speaker 1: The packers will probably get beat this week by the

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Speaker 1: forty nine US more than likely. All right, well, what

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Speaker 1: else are talking about? Easy? But let's talk about family

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Speaker 1: few Canada. So imagine you get asked this question. I shouldn't,

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Speaker 1: I have to say. When I listened to this audio,

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Speaker 1: I kind of thought the same thing. Name Popeye's favorite food,

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Speaker 1: showman chicken spin it sharing a trick question? That was

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Speaker 1: a trick question that's actually not a trick questions. Wait,

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Speaker 1: that's right, No, y'all listen to context. She said, what's

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Speaker 1: Popeye's favorite food? Popeye is a person that the Popeye is,

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Speaker 1: the restaurant, is the place. Well, the good thing is

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Speaker 1: that Popeyees is now giving her ten thousand dollars worth

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Speaker 1: of free food. So after that answer was I guess incorrect?

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Speaker 1: They stepped up to the plate big time. Popeye saw

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Speaker 1: hot that people think Popeye is an actual person. Has

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Speaker 1: Popeye's Chicken become more famous than Popeye is the actual

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Speaker 1: cartoon casts? I think so. I don't even know the

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Speaker 1: last time I've seen Popeye is the character anymore. I

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Speaker 1: haven't seen it on a cartoon. You got kids was

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Speaker 1: last time I seen on TV? That is true, But

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Speaker 1: I will say Popeye is the cartoon character had way

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Speaker 1: more healthier eating options than you. Had, a way better

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Speaker 1: diet than people who eat that. Pop us absolutely that

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Speaker 1: actually made people eat spinach. All right, the original vegan.

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Speaker 1: Since we're talking about fast food, let's talk about Burger King.

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Speaker 1: There's a conservative mom's group that's upset about Burger King's

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Speaker 1: commercial because they use the D word. The impossible Whopper

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Speaker 1: is going nationwide. Damn, that's good. So now they are protesting.

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Speaker 1: Shut up. One million Momsup did a press release and

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Speaker 1: they said it's highly inappropriate. Understand, I understand. I'm resigning

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Speaker 1: to the tastest. He didn't have to curse. Yeah, I understand,

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Speaker 1: because I don't. I don't let my kids say damn man.

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Speaker 1: Shut the I got to see it on a commercial

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Speaker 1: a regular TV. They're gonna think it's cool. I get that.

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Speaker 1: I understand why they wouldn't sayda man, who gives a damn?

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Speaker 1: Who gives a damn? If somebody says damn, that's good.

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Speaker 1: You can't say damn man. Please, moms, y'all can't be serious.

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Speaker 1: Y'all say worse around yall kids, and ya don't even

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Speaker 1: realize that. By the way, the kids hear worse on

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Speaker 1: the internet. They see worse on the internet. How are

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Speaker 1: you gonna try to hide damn from children? All right now?

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Speaker 1: Them Kendrick Lamar album for Grammys, because a five year

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Speaker 1: old is not listening to Keindrick Lamar. They not listened

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Speaker 1: to the Breakfast Club. But they might be watching TV

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Speaker 1: and then somebody says popop's damn, that's some good chicken

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Speaker 1: or whatever it was, whopper, damn, that's some good burger

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Speaker 1: Berg King all right now, surveillance video outside of jeff

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Speaker 1: they Epstein's cell was deleted. They said it was a

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Speaker 1: clerical error. It's been a lot of errors with this

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Speaker 1: video for this because at first they couldn't find it.

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Speaker 1: They said it was lost, and they found it. Then

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Speaker 1: now they have mysteriously somehow accidentally deleted it. Now he

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Speaker 1: was sharing a cell with a former police officer being

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Speaker 1: held on murder charges, Nicholas Tartaglioni. That was his cell mate,

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Speaker 1: and his lawyer wanted to use that foot is to

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Speaker 1: show that he didn't kill Jeffrey Epstein because they were

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Speaker 1: investigating whether or not he assaulted him or did anything

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Speaker 1: to him. But they said that wrong. The wrong video

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Speaker 1: was saved by officials and a different, incorrect cell was

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Speaker 1: mistakenly listed for Tartaglioni, and because a backup system does exist,

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Speaker 1: the correct video could not be found due to technical error,

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Speaker 1: so we'll never know. First of all, we all know

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Speaker 1: f Stein didn't kill him. Stuff, okay, but we all

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Speaker 1: are just minding our business, all right, because we understand

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Speaker 1: why he's dead. Okay, everybody mind your business. You gonna do,

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Speaker 1: but you gonna do it that bit information once you

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Speaker 1: find out efteen didn't kill himself, and my mind, my business,

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Speaker 1: money business, you know, you know why the man is dead.

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Speaker 1: You have too much on the wrong people, on the right,

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Speaker 1: well on the right people, right, wrong, whatever you want

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Speaker 1: to look at it. Did you know why us that?

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Speaker 1: I don't know none your business? God damn it, it

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Speaker 1: happened sometimes, all right, Well that is your front page news.

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Speaker 1: I'm asula, yea, all right, get it off your chests.

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Speaker 1: Eight on dren five eight five one oh five one.

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Speaker 1: If you're upset and you need to vent, hit us

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Speaker 1: up right now. Eight on drink five eight five one

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Speaker 1: oh five one. It's the Breakfast Club. Good morning, the

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Speaker 1: Breakfast Club. Did your time to get it off your

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Speaker 1: chests whether you're mad or blast, so you better have

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Speaker 1: the same in We want to hear from you on

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Speaker 1: the Breakfast Club. Hello, who's this? Hey? Bad boys? Bad boys?

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Speaker 1: What you're gonna do? Hey, you're gonna do when they're

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Speaker 1: coming for you? Babe boys, what you're gonna do? What

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Speaker 1: you're gonna do when they come for you? Here and

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Speaker 1: you're learning the bad treet? You go to school and

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Speaker 1: then they go and then rule. Why you want to

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Speaker 1: like a bloody fool? If you get your must get

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Speaker 1: cool way. Yeah, if he said, blessing world. What's going on? Man?

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Speaker 1: You're trying hard not to be born out there ever

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Speaker 1: ever since tram bodied you. Man, you've just been in

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Speaker 1: a crisis. Mold man. Charge Why why get on with you?

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Speaker 1: Let me ask you a question? Yes, sir, yes, sir,

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Speaker 1: yes sir. Look at this. This man send people to

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Speaker 1: my uh Instagram page to go bullying me with so

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Speaker 1: many toilet emoss people hitting me up in my DM

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Speaker 1: and then when I respond back to these people, they

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Speaker 1: want to call up to the radio station and at

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Speaker 1: like Sean Stone is doing something wrong, like y'all the

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Speaker 1: one that's bullying me, Charlomagne is the one that's telling

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Speaker 1: people to bully me. Bro. So so my mental wealth

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Speaker 1: on my mental health. You want to eat you know

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Speaker 1: what I mean? So after you be after you bully

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Speaker 1: trave with your little homophobic raps and then trap bodies

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Speaker 1: you bodies you in a rap battle. Now you want

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Speaker 1: to play the victim. Okay, listen, listen to my song, bro,

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Speaker 1: if you listen to my song, I never said I

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Speaker 1: listened to my song all the time. My son is

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Speaker 1: not want to be associated with you. I have a

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Speaker 1: great week, poor body guy me showing Stone? Oh yo,

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Speaker 1: what uck? Get you up your chest? You know good

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Speaker 1: more than heavy, good, more than and your love. Good morning.

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Speaker 1: I'm highly upset this morning. Talk to me. I'm going

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Speaker 1: to work right now. I ain't got my wallet. I

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Speaker 1: can't find my wallet. That was me this morning. I

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Speaker 1: swear that with me this morning. Oh my gods, Bro,

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Speaker 1: I can't find my wallet. The thing is too My

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Speaker 1: anniversary is this weekend, right, So I was booking a

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Speaker 1: hotel last week Friday, and I'm like, na, let me

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Speaker 1: I'm supposed to play my wife to Saint Martin and

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Speaker 1: Nice book the trip last Friday, and I hesitated. Now

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Speaker 1: if I don't have my wallet, how am I gonna

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Speaker 1: book the trip now? No? Now, I feel like you're

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Speaker 1: testing out a lie on us to see if it's

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Speaker 1: gonna work on your wife. That's what I feel like.

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Speaker 1: What happened to your wallet? Bro? Who took your wallet?

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Speaker 1: I think my three year old hide my wallet at home? Oh, now,

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Speaker 1: your three year old? Here's your wallet? That's happen to you?

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Speaker 1: Don't have any place that you have your credit card information? No,

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Speaker 1: I promise you that's what happened to me. Though I

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Speaker 1: have my So how are we happy to you when

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Speaker 1: it can't happen to me? No? I have, but but

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Speaker 1: I found mine. See what I happened when I have

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Speaker 1: my wallet on. I have my wallet on the TV

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Speaker 1: stand in the playroom, and this morning I couldn't find it.

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Speaker 1: And that's because my one year old have pulled it down.

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Speaker 1: But it was like right under the drink, right under

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Speaker 1: the stand. My son has done that before. He's hit

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Speaker 1: my wallet before. My thing is I don't want to

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Speaker 1: cancel the cards and not be able to book the

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Speaker 1: hotel and I don't want to wait and then not

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Speaker 1: be able to find it. You want to feel, I'm yeah,

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Speaker 1: I feel that's a surprise trip. No, she knows. So

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Speaker 1: does she have a card that you guys can use

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Speaker 1: use her car to give her money back? You crazy,

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Speaker 1: even as your wife book. Yeah, that's pretty, that's pretty.

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Speaker 1: Explain Yeah, explain it to her and tell her y'all

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Speaker 1: just pay for it, you know what. A lot of

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Speaker 1: times you can book the room and you can pay

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Speaker 1: when you get there. That is true. If you got

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Speaker 1: book life and everything else that we got. Tried that went,

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Speaker 1: but it was taking a deposit and I was just

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Speaker 1: headitate because I was trying to see if I'm finding

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Speaker 1: up another spot. But there if if you are, usually

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Speaker 1: use booking and they let you pay the deposit. I

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Speaker 1: got paid it, but I can't do it, you know,

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Speaker 1: I'm really nervous. I don't know why. Hey, by the way,

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Speaker 1: why are you stopping at Saint Martin? You might as

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Speaker 1: well going over there and Gola my brother go to

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Speaker 1: the beautiful Island and Goula jump on the boat. It's

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Speaker 1: twenty minutes from the same month. We're gonna go from no,

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Speaker 1: we go to Saint Barts. Oh yeah, Saint Barts is amazing.

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Speaker 1: Saint Barts ain't rocking with, ain't melking with, depends what

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Speaker 1: to do. And Saint Marrion itself is a beautiful place

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Speaker 1: to stay. I stayed there for like a week. I

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Speaker 1: love Saint Martin. We went there when we first got mad.

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Speaker 1: We're gonna be mad for twelve years. So let me

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Speaker 1: just tell my wife ahead of time. No, let me

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Speaker 1: not tell her. I'm gonna find my water. You god,

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Speaker 1: damn Wall. If you're married twelve yea, she'll understand. Come on,

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Speaker 1: get it off your chest. Eight hundred and five eight five,

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: us up now? Was the breakfast club? Good morning, the

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Speaker 1: breakfast club? Wake up? Wake up? Wall, your time to

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Speaker 1: get it off your chest with your man or black.

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Speaker 1: We want to hear from you on a breakfast club. Hello?

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Speaker 1: Who's this? You know? It's Brandon called out of Norfolk. Brandon?

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Speaker 1: What up? Man? Seven? Five seven? Get you off your chest?

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Speaker 1: Hey man? About Martin? What about it? Which was better? Yeah?

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Speaker 1: Each other? Your phone sound horrible? Bro, We can't hear

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Speaker 1: you can hear me? Yep? Yeah, I was saying I

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Speaker 1: grew up watching basically the reruns, but today, um, I

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Speaker 1: think I leaned towards Martin. Okay, hardly can watch the

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Speaker 1: Fresh Princess. I don't know what you just said, but

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Speaker 1: I do know I went out of my way to

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Speaker 1: watch Martin though, because that was the era of the

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Speaker 1: cr VHS tapes and we used to go to the

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Speaker 1: Kingdom Hall on Thursday night, so I used to have

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Speaker 1: to press records talking about six thirties seven o'clock and

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Speaker 1: just keep it running all night so I could watch Martin. Hello,

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Speaker 1: who's this. It's Melinda. Hey, Melinda, get it off her chests. Well,

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Speaker 1: I want to address the gentleman. I don't know if

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Speaker 1: he's listening or not. Last week when he was talking

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Speaker 1: about his daughter come home from school and said that

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Speaker 1: she had a boyfriend. I don't know if you guys

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Speaker 1: remember the conversation or not. Okay, that must have been

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Speaker 1: a call because my daughter don't have no boyfriend. It

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Speaker 1: was a caller. And he even wanted to call you

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Speaker 1: guys out and say, well, his children don't go to

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Speaker 1: a private school, so therefore you know her lifestyle different.

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Speaker 1: Blah blah blah. I just wanted to say, my daughter

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Speaker 1: is twenty one years old and she's still a virgin.

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Speaker 1: I'm not mad at that. That's great because let me

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Speaker 1: let me tell you because I've taught my daughter. I

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Speaker 1: feel that at so many times as parents we want

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Speaker 1: to tell our daughters. But boy only want one thing,

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Speaker 1: as opposed to teaching our daughter what their value is.

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Speaker 1: What they should demands respect for themselves out of a partner,

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Speaker 1: out of somebody they may be dating. And once you

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Speaker 1: give that away, that's the most precious thing that you

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00:16:15,840 --> 00:16:19,200
Speaker 1: will carry in your life. And once you give that away,

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00:16:19,240 --> 00:16:23,560
Speaker 1: you can't get that back, right, all right? And you know,

337
00:16:23,840 --> 00:16:27,240
Speaker 1: not taking their daughters this and then their father the fathers,

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00:16:27,240 --> 00:16:29,960
Speaker 1: the response they have to their daughters. This will stay

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Speaker 1: away from voices. They only want one thing as opposed

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00:16:32,320 --> 00:16:35,720
Speaker 1: to telling you their daughters. Hey, listen, boys do only

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00:16:35,760 --> 00:16:37,800
Speaker 1: want one thing. But let me tell you what you

342
00:16:37,840 --> 00:16:40,840
Speaker 1: are worth? What's your value is? That's right? Tell them both.

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Speaker 1: How do you know for shore your daughters a virgin? Boboy,

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Speaker 1: I'm going to tell you how because my daughter and

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Speaker 1: I have an extremely close relationship, first of all, and

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Speaker 1: my daughter has just it's hard I want to put

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Speaker 1: her business out there too. I just know I just

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00:16:58,880 --> 00:17:02,400
Speaker 1: went to the doctor. What's her all right to y'all know?

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00:17:02,840 --> 00:17:05,399
Speaker 1: I know you're checking them, Thank you, mamma. I just just

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Speaker 1: wanted to hear it. Oh my goodness, Hello, who's this?

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Speaker 1: This is J J. C. What I'll get you off

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Speaker 1: your chests? Bro? You know? And if he let me

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Speaker 1: tell you man here in New York State, Man, they've

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00:17:16,400 --> 00:17:20,520
Speaker 1: done approved for undocumented immigrants to get drivers places. I

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00:17:20,560 --> 00:17:23,840
Speaker 1: don't understand that, man. Why not because like it, like

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00:17:23,960 --> 00:17:27,320
Speaker 1: how like how they're gonna get driving places because they

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00:17:27,320 --> 00:17:29,960
Speaker 1: don't have no documentation. They ain't gonna social Security cards,

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Speaker 1: they don't have no birth certificates. You know what I mean.

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Speaker 1: Did you sit there and think about what happened with

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Speaker 1: ninety eleven? You know, they got they got control the

361
00:17:37,440 --> 00:17:39,159
Speaker 1: planes and all that. So you get these people with

362
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Speaker 1: driving places. Eventually they're gonna get cbls, you know what

363
00:17:42,920 --> 00:17:45,159
Speaker 1: I mean, be able to drive gas trucks or whatever it.

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Speaker 1: Be able to live, make a living. You know, just

365
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Speaker 1: because you're undocumented, that doesn't mean you're not actually waiting

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Speaker 1: for your status to be approved. I mean, I just

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00:17:53,080 --> 00:17:55,600
Speaker 1: think it's it's it's very dangerouscause it is. It is

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Speaker 1: to just take a long time. You don't think immigrants

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Speaker 1: drive now without documents, right, So I mean, so why

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Speaker 1: so why would you give this documentation? I think you

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Speaker 1: should have them go through the process of getting like

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Speaker 1: a like a real driver's license, like get that SoC

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Speaker 1: Security card, get their birth certists, get right, you know

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Speaker 1: what I mean. I don't understand that, you know, you know,

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Speaker 1: while you're waiting to get your status approved, shouldn't you

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Speaker 1: be able to work and get to work and get

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Speaker 1: to school. And they're just a family, be able to survive,

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Speaker 1: got to get the permit. They got to go through

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Speaker 1: the same process as anybody else. It takes a year

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Speaker 1: sometimes for that whole approval process to happen. Absolutely, I

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00:18:32,440 --> 00:18:34,280
Speaker 1: mean they should have to wait. They should have to

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Speaker 1: wait that whole I think that's not fair. If you're

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Speaker 1: getting the driver's license, it's not like you're trying to

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Speaker 1: be up to no good, you know what I'm saying, Like, yeah,

385
00:18:44,520 --> 00:18:46,760
Speaker 1: you're kind of you're not trying to hide. That's kindly true.

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Speaker 1: Like if you wanted to do something value, would you

387
00:18:48,560 --> 00:18:51,560
Speaker 1: want to get a drive exactly? If you everywhere? If

388
00:18:51,560 --> 00:18:53,879
Speaker 1: he was an illegal immigrant who wanted to do illegal things.

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Speaker 1: You know you probably wouldn't get a driver's license. Get

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Speaker 1: it off your chest eight hundred five eight five one

391
00:18:59,040 --> 00:19:01,280
Speaker 1: on five one that you we got rumors on the way, man,

392
00:19:01,520 --> 00:19:04,520
Speaker 1: this was going crazy over the weekend. Trick Daddy. He

393
00:19:04,640 --> 00:19:07,199
Speaker 1: got arrested and his mugshot was released, and we'll tell

394
00:19:07,200 --> 00:19:09,240
Speaker 1: you why he got arrested. And he is back out

395
00:19:09,240 --> 00:19:11,360
Speaker 1: on these screets though. All right, we'll get into that next.

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00:19:11,480 --> 00:19:17,920
Speaker 1: Keep it Lockedice to Breakfast Club. Good morning the Breakfast Club. Hey,

397
00:19:18,000 --> 00:19:20,920
Speaker 1: I was just in formed by our Boydop DJ dramas

398
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Speaker 1: he DJ the Gate Club on a Saturday. What's the

399
00:19:22,960 --> 00:19:25,320
Speaker 1: name of the Gate Club? Drama? Uh six two six

400
00:19:25,480 --> 00:19:28,000
Speaker 1: Jersey sixty six six. I asked, what's the biggest song

401
00:19:28,080 --> 00:19:30,320
Speaker 1: in the gay clubs? And he said, what you say,

402
00:19:30,760 --> 00:19:33,080
Speaker 1: Sweetie my type? Tell them what you told me? After that,

403
00:19:33,680 --> 00:19:36,120
Speaker 1: what's the part that everybody sings in the Gate Club

404
00:19:36,200 --> 00:19:40,159
Speaker 1: on Sweetie my Type? I don't want to say. When

405
00:19:40,160 --> 00:19:41,520
Speaker 1: they dropped the music and they go right to d

406
00:19:41,680 --> 00:19:45,399
Speaker 1: all night. That is a great visual man dropping the

407
00:19:45,400 --> 00:19:48,160
Speaker 1: clues bumb place called two two six six two six,

408
00:19:48,600 --> 00:19:50,440
Speaker 1: talking the clues bumb for six two six. Damn it

409
00:19:50,600 --> 00:19:52,200
Speaker 1: all right, Well, let's get to the rooms. Let's talk

410
00:19:52,240 --> 00:19:59,679
Speaker 1: trick Daddy. Oh my gosh, report got with angel Angela.

411
00:19:59,800 --> 00:20:04,280
Speaker 1: He it's the rural report, the breakfast club man, Trick Daddy.

412
00:20:04,560 --> 00:20:07,200
Speaker 1: He got arrested over the weekend and that was for

413
00:20:07,480 --> 00:20:10,840
Speaker 1: cocaine possession and driving under the influence. They found him

414
00:20:10,880 --> 00:20:13,680
Speaker 1: asleep behind the wheel early Saturday morning. They asked him,

415
00:20:13,680 --> 00:20:16,240
Speaker 1: where are you coming from the police say that he

416
00:20:16,600 --> 00:20:19,160
Speaker 1: did admit that he had a few drinks earlier at

417
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Speaker 1: the club and he had just dropped somebody off. They

418
00:20:21,880 --> 00:20:24,600
Speaker 1: said they saw that he had bloodshot eyes, his speech

419
00:20:24,680 --> 00:20:27,639
Speaker 1: was slurred. They did fill sobriety tests, and they did

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00:20:27,720 --> 00:20:29,960
Speaker 1: suspect he was driving under the influence. So they placed

421
00:20:30,040 --> 00:20:32,840
Speaker 1: him under arrest. And lastly, they said when they were

422
00:20:32,920 --> 00:20:36,240
Speaker 1: searching his belongings, there was a dollar bill they believed

423
00:20:36,400 --> 00:20:38,840
Speaker 1: there was cocaine a residue on the inside of that.

424
00:20:39,080 --> 00:20:41,520
Speaker 1: So his bond was on the cocaine chart I set

425
00:20:41,520 --> 00:20:45,200
Speaker 1: at five thousand dollars and for duy around another thousand dollars.

426
00:20:45,520 --> 00:20:48,680
Speaker 1: I'm gonna tell already though, trick Daddy's mug shot, and

427
00:20:48,760 --> 00:20:50,640
Speaker 1: let me tell you something Man, my two fids when

428
00:20:50,680 --> 00:20:53,720
Speaker 1: it comes to jail is having the poop and getting

429
00:20:53,840 --> 00:20:57,080
Speaker 1: randomly locked up in two, not having a haircut, and

430
00:20:57,160 --> 00:21:00,520
Speaker 1: showcasing that receding headline in my mug shot. Man, I

431
00:21:00,680 --> 00:21:03,760
Speaker 1: think that those police officers are very heartless to not

432
00:21:03,920 --> 00:21:05,400
Speaker 1: let you wear your hat when they know you don't

433
00:21:05,400 --> 00:21:06,800
Speaker 1: have no They got to see your whole face, they

434
00:21:06,840 --> 00:21:09,040
Speaker 1: gotta see your eyes and all that. Nah, Man, I can't.

435
00:21:09,080 --> 00:21:10,800
Speaker 1: I don't like that. Man. That's just like when Plad

436
00:21:10,840 --> 00:21:12,840
Speaker 1: got stopped at the airport and you're begging the police officers.

437
00:21:12,840 --> 00:21:14,320
Speaker 1: Police officers, don't make me take my head off. I

438
00:21:14,320 --> 00:21:16,919
Speaker 1: ain't got no headcut. Like that's that's not right, Bro,

439
00:21:17,400 --> 00:21:20,120
Speaker 1: It's not right. It's not right. It's really not right. Man.

440
00:21:20,280 --> 00:21:22,080
Speaker 1: Don't do that to me. Man, you know I ain't

441
00:21:22,080 --> 00:21:23,679
Speaker 1: got no headcut. A shout the trick dadd. I hope

442
00:21:23,720 --> 00:21:25,200
Speaker 1: he gets to help and everything works out good for

443
00:21:25,280 --> 00:21:28,200
Speaker 1: trick Daddy, all right now. April Jones was on with

444
00:21:28,400 --> 00:21:31,880
Speaker 1: Out Loud with Claudia Jordan, That's Claudia Jordan's show, Unfoxed Soul,

445
00:21:31,960 --> 00:21:34,399
Speaker 1: and she was asked about whether or not her and

446
00:21:34,560 --> 00:21:37,560
Speaker 1: Little Fizz are still together because they were rumors, they

447
00:21:37,600 --> 00:21:40,159
Speaker 1: broke up, they un followed each other, and here's what happened.

448
00:21:40,440 --> 00:21:43,639
Speaker 1: Drew is a great man and his focus is on

449
00:21:43,760 --> 00:21:46,679
Speaker 1: cam My focus is on my children, and we are

450
00:21:46,760 --> 00:21:49,240
Speaker 1: where we are. I just I see all the Well

451
00:21:49,480 --> 00:21:51,119
Speaker 1: was it worth it? She broke up the group? I'm like,

452
00:21:51,200 --> 00:21:53,840
Speaker 1: how did she break up a group? Yeah? No, Well

453
00:21:53,840 --> 00:21:56,240
Speaker 1: you say to that the truth is the truth, and

454
00:21:56,359 --> 00:21:59,240
Speaker 1: that isn't the case. It was already done and there's

455
00:21:59,280 --> 00:22:02,640
Speaker 1: so much that was going on behind scenes about it, um,

456
00:22:02,960 --> 00:22:04,720
Speaker 1: you know, when it pertained to the tour and stuff.

457
00:22:04,720 --> 00:22:06,600
Speaker 1: But that, I mean, they were already done. So I

458
00:22:06,640 --> 00:22:10,240
Speaker 1: couldn't have broken up anything that wasn't really gonna be again.

459
00:22:10,720 --> 00:22:12,440
Speaker 1: I think they both did. They both broke up that

460
00:22:12,520 --> 00:22:17,520
Speaker 1: group and broke up that relationship. Tell him, girl, well yeah,

461
00:22:17,640 --> 00:22:20,320
Speaker 1: I mean listen, if the group wasn't going to be

462
00:22:20,400 --> 00:22:23,359
Speaker 1: together already, then it's not her faults. I still her

463
00:22:23,400 --> 00:22:25,800
Speaker 1: baby father and one of her baby father's friends at

464
00:22:25,800 --> 00:22:29,000
Speaker 1: the time. Well before then, they weren't really friends like that.

465
00:22:29,359 --> 00:22:31,480
Speaker 1: We were in a group together for years. It doesn't matter.

466
00:22:31,480 --> 00:22:35,399
Speaker 1: It's a mutual respect. Tell them how you feel off

467
00:22:35,480 --> 00:22:38,720
Speaker 1: your chest, all right, Richard Pryor. He's going to have

468
00:22:38,800 --> 00:22:41,119
Speaker 1: a new documentary out, The Last Days of Richard Pryor.

469
00:22:41,160 --> 00:22:45,280
Speaker 1: That's gonna air actually on January seventeenth. It's on ABC News,

470
00:22:45,880 --> 00:22:49,880
Speaker 1: and it is all about his career, his legacy, how

471
00:22:49,960 --> 00:22:52,040
Speaker 1: he was raised at Did you ever see Jojo Dancer?

472
00:22:52,880 --> 00:22:55,080
Speaker 1: I know he was raising a brothel. I knew that. Yeah,

473
00:22:55,280 --> 00:22:59,280
Speaker 1: I read, I read, I read a book about Richard Pryor. Well,

474
00:22:59,720 --> 00:23:02,879
Speaker 1: here is what the trailer sounds like. He changed the

475
00:23:03,040 --> 00:23:07,560
Speaker 1: way people thought about blacks whites themselves. He was funny,

476
00:23:07,640 --> 00:23:12,159
Speaker 1: he was outrageous. Imagine you're Richard Pryor. You want to

477
00:23:12,200 --> 00:23:14,600
Speaker 1: show them what you can do. But you got the rules.

478
00:23:14,880 --> 00:23:17,840
Speaker 1: You can't curse everybody who was told to be totally clean,

479
00:23:18,320 --> 00:23:22,200
Speaker 1: no dirt at all, otherwise you never were. Richard was

480
00:23:22,320 --> 00:23:24,720
Speaker 1: trapped in this world, and I think he had enough.

481
00:23:24,920 --> 00:23:27,920
Speaker 1: In one moment he just went, I gotta let the

482
00:23:27,960 --> 00:23:32,359
Speaker 1: genie out of the bottom. You can't even talk like

483
00:23:32,520 --> 00:23:36,960
Speaker 1: that now. Then word the N word, that N word.

484
00:23:37,680 --> 00:23:39,280
Speaker 1: All right? Now you know how many times he was married?

485
00:23:39,280 --> 00:23:41,520
Speaker 1: Because they're gonna talk about his personal life, three right,

486
00:23:41,560 --> 00:23:46,439
Speaker 1: I'm any seven right, and there'll be all kinds of interviews.

487
00:23:46,480 --> 00:23:48,320
Speaker 1: It's gonna be never before. I seen excerpts from a

488
00:23:48,359 --> 00:23:50,680
Speaker 1: sit down with Barbara Walters where he talks about his

489
00:23:50,760 --> 00:23:54,720
Speaker 1: complicated childhood and other interviews to people like his widow

490
00:23:54,800 --> 00:23:57,680
Speaker 1: Jennifer pryor Mike Epps will be on there, actor Tim Reid,

491
00:23:57,960 --> 00:24:01,120
Speaker 1: Richard Price from a Bodyguard or Seankhan, and other comedians

492
00:24:01,160 --> 00:24:03,360
Speaker 1: and actors who did work with him. I'm here for that. Yeah,

493
00:24:03,359 --> 00:24:05,719
Speaker 1: I can't wait to see that all right now. Another

494
00:24:05,840 --> 00:24:10,760
Speaker 1: documentary that's coming on Netflix is about Aaron Hernandez, and

495
00:24:10,960 --> 00:24:14,959
Speaker 1: that is going to be about his whole troubled relationship

496
00:24:15,000 --> 00:24:18,720
Speaker 1: with his mother and what was going on before he

497
00:24:18,920 --> 00:24:21,040
Speaker 1: died by suicide. That's going to be coming out on

498
00:24:21,119 --> 00:24:24,760
Speaker 1: January fifteenth, Aaron Hernandez The Killer Inside. It's a three

499
00:24:24,840 --> 00:24:27,800
Speaker 1: part documentary. Listen to this. How can an individual who

500
00:24:27,920 --> 00:24:30,960
Speaker 1: has everything get involved in something like this? I was

501
00:24:31,000 --> 00:24:33,480
Speaker 1: the happiest little kid in the world. Did you show

502
00:24:33,640 --> 00:24:38,000
Speaker 1: me up with that? I had nobody? What do you

503
00:24:38,119 --> 00:24:42,800
Speaker 1: think I was gonna do? Become a perfect angel? Aaron

504
00:24:42,920 --> 00:24:46,119
Speaker 1: was extremely terrified of his father. Violent outburst or not

505
00:24:46,320 --> 00:24:49,640
Speaker 1: uncommon in the Hernandez home. I think rob of a hat.

506
00:24:49,800 --> 00:24:52,679
Speaker 1: He became angry and violent, and we had to hide

507
00:24:52,760 --> 00:24:56,000
Speaker 1: what we were. He was in such denial, Aaron, and

508
00:24:56,160 --> 00:24:59,320
Speaker 1: reason to fear for his own life. I'm wondered, revered,

509
00:25:00,160 --> 00:25:02,680
Speaker 1: and all of it makes sense. How do we know

510
00:25:02,720 --> 00:25:05,320
Speaker 1: that Aaron Hernandez talked, well, that's a phone cost with

511
00:25:05,400 --> 00:25:07,160
Speaker 1: his mind from when he was in jail. That sounded

512
00:25:07,160 --> 00:25:09,639
Speaker 1: like Drey from Powell blaming his mother for all his bs.

513
00:25:09,920 --> 00:25:11,960
Speaker 1: So that was him in prison in twenty thirteen. He

514
00:25:12,040 --> 00:25:14,240
Speaker 1: made a series of phone costs to his mom. He

515
00:25:14,440 --> 00:25:17,960
Speaker 1: was trying to fix their relationship after his father died

516
00:25:18,160 --> 00:25:20,960
Speaker 1: in two thousand and six. Their relationship was not good,

517
00:25:21,000 --> 00:25:23,280
Speaker 1: as you can see. He also blamed her for not

518
00:25:23,400 --> 00:25:26,840
Speaker 1: treating his ADHD, for not getting him his medication, and

519
00:25:27,760 --> 00:25:29,760
Speaker 1: all kinds of things. So you know, there's a lot

520
00:25:29,840 --> 00:25:33,080
Speaker 1: going on since Aaron Hernandez died in that documentary again,

521
00:25:33,320 --> 00:25:35,840
Speaker 1: three prior series on Netflix. It starts on January fifteen.

522
00:25:35,880 --> 00:25:37,480
Speaker 1: That's a clear as a jail call. He must have

523
00:25:37,520 --> 00:25:39,680
Speaker 1: had a burn a phone or something. All right, I'mangela

524
00:25:39,760 --> 00:25:42,159
Speaker 1: Yee and that is your rumor report. All right, thank you,

525
00:25:42,240 --> 00:25:44,200
Speaker 1: miss ye. Now when we come back, usually we do

526
00:25:44,320 --> 00:25:47,159
Speaker 1: front page news. What are we doing now, Will Smith

527
00:25:47,320 --> 00:25:51,280
Speaker 1: and Lawrence joining us Legends too icon to being the building.

528
00:25:51,320 --> 00:25:52,800
Speaker 1: The only thing I hate about this we have to

529
00:25:52,840 --> 00:25:56,160
Speaker 1: be honest with the people. We recorded this on Friday, right.

530
00:25:56,600 --> 00:25:59,679
Speaker 1: I didn't see Bad Boys for Life until Friday night.

531
00:26:00,720 --> 00:26:05,040
Speaker 1: Really good movie, bro really good movie. Well it comes

532
00:26:05,040 --> 00:26:07,760
Speaker 1: out for at this product. A really good movie for

533
00:26:07,800 --> 00:26:09,960
Speaker 1: a lot of different reasons that I wish I could

534
00:26:10,000 --> 00:26:12,439
Speaker 1: have discussed with them. Okay, all right, but we'll kick

535
00:26:12,480 --> 00:26:14,840
Speaker 1: it with them when we come back to Legends, will

536
00:26:14,880 --> 00:26:18,520
Speaker 1: be in the building, Martin, Lawrence, and Will Smith. Sit back,

537
00:26:18,560 --> 00:26:19,920
Speaker 1: relax and enjoy this one. This is one of the

538
00:26:20,000 --> 00:26:21,400
Speaker 1: best ones. I think, one of one of the best

539
00:26:21,480 --> 00:26:23,280
Speaker 1: interviews we've done. No, I'm not gonna say all that

540
00:26:23,400 --> 00:26:26,320
Speaker 1: I think so very entertaining. I'm not gonna gass it

541
00:26:26,440 --> 00:26:28,280
Speaker 1: like that. It's just exciting to be here with Will

542
00:26:28,359 --> 00:26:32,480
Speaker 1: Smith said one of the best. Ain't even now it

543
00:26:32,640 --> 00:26:36,400
Speaker 1: was cool. Come on, stopp I liked it. No, after y'all,

544
00:26:36,680 --> 00:26:37,919
Speaker 1: when we come back, we're gonna kick with him. As

545
00:26:37,920 --> 00:26:43,680
Speaker 1: a breakfast Alog morning wanting everybody's DJ envy angela Ye, Charlomagne,

546
00:26:43,680 --> 00:26:45,560
Speaker 1: the guy we all to breakfast, Clove and we got

547
00:26:45,600 --> 00:26:50,840
Speaker 1: some legends in the building, icons living this time, we

548
00:26:50,920 --> 00:26:54,800
Speaker 1: really have special guests a lot. It's a little different.

549
00:26:58,640 --> 00:27:01,960
Speaker 1: We have Will Smith and Laura's absolutely rock them around

550
00:27:01,960 --> 00:27:06,480
Speaker 1: about God damn bad boys. And we did Martin so dirty. No,

551
00:27:06,640 --> 00:27:13,040
Speaker 1: we didn't do nothing. Stuck in the elevator, I said,

552
00:27:13,080 --> 00:27:15,800
Speaker 1: what's going on here? Now? Did you check the way capacity? Martin?

553
00:27:15,800 --> 00:27:17,320
Speaker 1: How many people was on the elevator with you? Now?

554
00:27:17,640 --> 00:27:20,600
Speaker 1: It was a lot of people. I've never seen an

555
00:27:20,720 --> 00:27:23,600
Speaker 1: entourage like this from anybody. We interview a lot of rappers,

556
00:27:25,600 --> 00:27:28,720
Speaker 1: but you're talking about on the elevator. I just told them, nobody,

557
00:27:28,760 --> 00:27:33,520
Speaker 1: don't find please, don't do that. That the worst when

558
00:27:33,520 --> 00:27:34,920
Speaker 1: you're an elevator with people you don't know, because you

559
00:27:34,960 --> 00:27:38,200
Speaker 1: gotta make small talk and yeah, you know, I'd be like, hey,

560
00:27:39,119 --> 00:27:43,840
Speaker 1: how you doing. Yeah, yeah, what's that? Oh no, you

561
00:27:43,920 --> 00:27:48,119
Speaker 1: just happy to see me? Okay, So you guys are brothers,

562
00:27:48,160 --> 00:27:50,560
Speaker 1: You done movies, your friends? I want to start. I

563
00:27:50,560 --> 00:27:51,960
Speaker 1: just want to ask you guys a question. What's the

564
00:27:52,119 --> 00:27:55,200
Speaker 1: craziest gift that you guys received from each other? If anything,

565
00:27:55,880 --> 00:27:58,119
Speaker 1: craziest gift And I'm gonna tell you why in the

566
00:27:58,160 --> 00:28:02,879
Speaker 1: second crazy because it's that's right. It's Martin inspired. Craziest

567
00:28:02,920 --> 00:28:06,200
Speaker 1: gift we got. You can give it just off golf clubs.

568
00:28:06,280 --> 00:28:10,960
Speaker 1: Yeah you never. You didn't swing on one time? Not

569
00:28:11,119 --> 00:28:12,960
Speaker 1: not really. I don't go out there, no, I golf.

570
00:28:13,040 --> 00:28:14,560
Speaker 1: But I was like trying to get him because, like

571
00:28:15,000 --> 00:28:17,520
Speaker 1: if you've played any sport in your life, once you

572
00:28:17,600 --> 00:28:19,800
Speaker 1: get to a certain age, you know you're not gonna

573
00:28:19,840 --> 00:28:23,200
Speaker 1: be running ball. You know, got you so, But like golf,

574
00:28:23,320 --> 00:28:25,760
Speaker 1: you get to you know, set your friends and you

575
00:28:25,880 --> 00:28:27,240
Speaker 1: get to do it. You know, you get all of

576
00:28:27,320 --> 00:28:30,199
Speaker 1: the same kind of energy from golf, except you can

577
00:28:30,280 --> 00:28:32,000
Speaker 1: do it till you eighty. Got you. I was trying

578
00:28:32,000 --> 00:28:34,760
Speaker 1: to have Marty Marr, but yeah, he ain't take to it.

579
00:28:35,600 --> 00:28:45,280
Speaker 1: At least I have the clubs. Yeah, so it's this

580
00:28:45,400 --> 00:28:48,920
Speaker 1: disrespectful right, So this is what Charlomagne my brother, I

581
00:28:49,040 --> 00:28:51,320
Speaker 1: guess you can call him that got me for Christmas.

582
00:28:51,360 --> 00:29:00,200
Speaker 1: It's right behind you. I mean, listen, oh, I got

583
00:29:00,240 --> 00:29:03,360
Speaker 1: Martin something like this on Wow, you know what I mean?

584
00:29:03,560 --> 00:29:07,400
Speaker 1: My wife is a little upset. You got you know,

585
00:29:08,320 --> 00:29:10,000
Speaker 1: I mean that Look, this is back for the way

586
00:29:10,000 --> 00:29:11,760
Speaker 1: I'm just asking. I mean, here's the deal, you know,

587
00:29:12,520 --> 00:29:15,120
Speaker 1: I don't. I don't judge it. But but the cover,

588
00:29:16,600 --> 00:29:19,360
Speaker 1: But what was the thinking? What was you he always

589
00:29:19,560 --> 00:29:21,840
Speaker 1: going for? He called me his favorite all the time.

590
00:29:21,920 --> 00:29:27,440
Speaker 1: Oh got it? So yes, have it at home to

591
00:29:27,600 --> 00:29:30,440
Speaker 1: be reminded of the level of holdness that he has

592
00:29:30,480 --> 00:29:37,080
Speaker 1: to deal with. So yeah, that's not bad. Yeah we don't.

593
00:29:37,120 --> 00:29:39,120
Speaker 1: We don't send each other that kind. You might want

594
00:29:39,160 --> 00:29:41,720
Speaker 1: to slap it every twing. That's the whole point. It's

595
00:29:41,720 --> 00:29:45,000
Speaker 1: like your follow Lona, put it up and let people

596
00:29:45,000 --> 00:29:47,360
Speaker 1: smack it when they walk in. That's so Bad Boys. Now,

597
00:29:47,480 --> 00:29:49,440
Speaker 1: why did it take so long to put this out

598
00:29:49,480 --> 00:29:54,320
Speaker 1: and get this well? Sith No, it had to be

599
00:29:54,480 --> 00:29:57,520
Speaker 1: right man, the first Bad Boys, what it meant for

600
00:29:57,600 --> 00:30:00,760
Speaker 1: the culture? I just didn't want to to mess it up.

601
00:30:01,200 --> 00:30:02,680
Speaker 1: You know, it's like I don't want to do a

602
00:30:02,760 --> 00:30:05,239
Speaker 1: cash grab. You know everybody's doing sequels, Let's do one.

603
00:30:05,240 --> 00:30:07,840
Speaker 1: I was like, no, if we're gonna make Bad Boys

604
00:30:08,560 --> 00:30:11,479
Speaker 1: a third one, it has to be deservant. There has

605
00:30:11,520 --> 00:30:14,120
Speaker 1: to be messages and ideas. We got to be talking

606
00:30:14,160 --> 00:30:17,000
Speaker 1: about something and it's not just you know, blowing some

607
00:30:17,080 --> 00:30:21,160
Speaker 1: stuff up and and you know, getting paid. I'm not

608
00:30:21,200 --> 00:30:23,680
Speaker 1: confront It was leary because the first or second one.

609
00:30:24,000 --> 00:30:28,400
Speaker 1: You guys are doing stunt. You're driving through three Bay

610
00:30:28,440 --> 00:30:35,160
Speaker 1: the same time. Will just said they played golf because

611
00:30:35,200 --> 00:30:37,720
Speaker 1: and I'm gonna be running around. Yeah yeah, trying to

612
00:30:38,000 --> 00:30:39,840
Speaker 1: switch it, to switch it up a little bit. But

613
00:30:41,760 --> 00:30:45,360
Speaker 1: in this one, yeah, we got start we use them.

614
00:30:46,800 --> 00:30:50,240
Speaker 1: Yeah yeah, and it's different. Also, there's different technologies and

615
00:30:50,320 --> 00:30:52,840
Speaker 1: stuff like that, so you can do stunts up to

616
00:30:53,000 --> 00:30:55,200
Speaker 1: a certain point. What we didn't have in the first

617
00:30:55,320 --> 00:30:59,760
Speaker 1: movie was face replacement. They do face replacement. So I

618
00:31:00,400 --> 00:31:03,520
Speaker 1: do a stunt, right, and then they have the stunt

619
00:31:03,600 --> 00:31:07,640
Speaker 1: man do the exact stunt that I did, and they

620
00:31:07,720 --> 00:31:10,560
Speaker 1: can match it and they can replace my face on

621
00:31:10,680 --> 00:31:13,000
Speaker 1: the stunt man. Wow. Right, So they can just do

622
00:31:13,120 --> 00:31:16,120
Speaker 1: it so they can hold a single shot, but they

623
00:31:16,160 --> 00:31:19,000
Speaker 1: can use the actual face of the actor and you

624
00:31:19,120 --> 00:31:23,800
Speaker 1: can't tell the difference in the stunt. Yeah. No, no,

625
00:31:23,920 --> 00:31:29,000
Speaker 1: that's yeah, that's that's speaking of budgets. How does money

626
00:31:29,040 --> 00:31:31,520
Speaker 1: work in a situation like this? Yeah, like they all

627
00:31:31,520 --> 00:31:33,840
Speaker 1: get equal pay, you know, because there was a rumor

628
00:31:33,880 --> 00:31:36,200
Speaker 1: that you was making like ten million dollars more than Martin.

629
00:31:36,360 --> 00:31:40,560
Speaker 1: Oh no, okay, well we've been we've been talking for

630
00:31:40,720 --> 00:31:44,120
Speaker 1: four minutes you don't go to that four minutes into

631
00:31:44,200 --> 00:31:50,560
Speaker 1: the interview, you know, as we finish your we done.

632
00:31:55,200 --> 00:31:56,720
Speaker 1: As we get ready for this movie, though, you do

633
00:31:56,880 --> 00:31:59,320
Speaker 1: research on how Bad Boys started, and I was reading

634
00:31:59,360 --> 00:32:02,280
Speaker 1: that it was a really intended for John Lovitt and

635
00:32:02,360 --> 00:32:05,200
Speaker 1: Dana Carvey. Yeah. Yeah, they were the original Bad Boys.

636
00:32:07,760 --> 00:32:10,640
Speaker 1: So how did you guys end up? Script came to

637
00:32:10,760 --> 00:32:13,160
Speaker 1: me and then they wanted me to pick somebody to

638
00:32:13,240 --> 00:32:15,960
Speaker 1: co star with me in the movie. And my sister

639
00:32:16,120 --> 00:32:19,680
Speaker 1: Ray brought Will's attention to me, and I thought about it,

640
00:32:19,800 --> 00:32:22,760
Speaker 1: so I called it was like the Fresh Prince. I

641
00:32:22,880 --> 00:32:25,440
Speaker 1: thought about it. I called, said, let's set up a dinner,

642
00:32:25,480 --> 00:32:27,520
Speaker 1: and Will came to my house and we had a dinner,

643
00:32:27,840 --> 00:32:30,360
Speaker 1: and after five minutes of talking to him, the rest

644
00:32:30,440 --> 00:32:33,800
Speaker 1: is history. Man. You know, I couldn't say no other

645
00:32:34,600 --> 00:32:36,840
Speaker 1: we h yeah, man, we had met, but we didn't

646
00:32:36,840 --> 00:32:38,960
Speaker 1: we didn't really know each other. Like The Bad Boys

647
00:32:39,040 --> 00:32:41,960
Speaker 1: was the first time we actually uh, you know, sat

648
00:32:42,080 --> 00:32:45,400
Speaker 1: down and chopped it up. And you know, it's you

649
00:32:45,600 --> 00:32:49,320
Speaker 1: can't fake and you can't buy chemistry. You can't buy chemistry.

650
00:32:49,360 --> 00:32:52,400
Speaker 1: It's like you either got it with somebody or you don't.

651
00:32:52,560 --> 00:32:54,720
Speaker 1: And you know, me and this one right here. It's

652
00:32:54,760 --> 00:32:58,720
Speaker 1: like there's so much love and so much respect for

653
00:32:58,880 --> 00:33:02,800
Speaker 1: each other, and it's just fun to watch, you know,

654
00:33:03,040 --> 00:33:05,920
Speaker 1: with people that really vibe like that. He never looked

655
00:33:05,920 --> 00:33:08,320
Speaker 1: at it, like he watched The early Fresh Prince and

656
00:33:08,320 --> 00:33:09,600
Speaker 1: he was used to I don't know if you remember,

657
00:33:09,600 --> 00:33:12,120
Speaker 1: I used to say his lines right before, never looking

658
00:33:12,160 --> 00:33:13,400
Speaker 1: none of that stuff. Be like, you know what, I

659
00:33:13,480 --> 00:33:19,000
Speaker 1: don't know about this. Will does great work, you know.

660
00:33:19,120 --> 00:33:21,800
Speaker 1: And I thought he was great on The Fresh Prince

661
00:33:21,880 --> 00:33:24,880
Speaker 1: and his energy, the energy brings. So I just was

662
00:33:25,000 --> 00:33:27,480
Speaker 1: excited to work with him. I was jealous as hell.

663
00:33:27,640 --> 00:33:30,240
Speaker 1: I was jealous as hell of Martin. Really yeah, so

664
00:33:30,280 --> 00:33:32,280
Speaker 1: I'm to being honest, who got to be who had

665
00:33:32,320 --> 00:33:35,160
Speaker 1: the better sitcom? I think that's a matter of wow

666
00:33:36,480 --> 00:33:38,800
Speaker 1: between jealous as hell. That's a tough one. We had

667
00:33:38,880 --> 00:33:41,760
Speaker 1: the best sitcom? Yeah, we're gonna call it. We donna

668
00:33:41,760 --> 00:33:46,520
Speaker 1: call at a time. We don't call that time. You know,

669
00:33:47,320 --> 00:33:51,200
Speaker 1: I just figured out what I'm gonna get. You figured

670
00:33:51,200 --> 00:34:00,840
Speaker 1: out what I'm We got more with Will Smith and

671
00:34:00,960 --> 00:34:03,200
Speaker 1: Martin Lawrence. Don't move. It's to Breakfast Club. Good Morning,

672
00:34:03,640 --> 00:34:10,680
Speaker 1: the Breakfast Club Cutting. Everybody is DJ Envy and Jela yee,

673
00:34:10,800 --> 00:34:13,440
Speaker 1: Charlemagne the guy. We are the breakfast club. We have

674
00:34:13,560 --> 00:34:16,719
Speaker 1: Will Smith and Martin Lawrence in the building. Still, Charlemagne.

675
00:34:16,840 --> 00:34:18,719
Speaker 1: You know we'll always thought about the scene with you

676
00:34:18,880 --> 00:34:21,520
Speaker 1: and uh, the late great James Avery. Yeah, when your

677
00:34:21,760 --> 00:34:24,719
Speaker 1: your father left. Yeah, man, he wasn't there to teach

678
00:34:24,760 --> 00:34:26,600
Speaker 1: me how to shoot my first basket. But I learned, didn't.

679
00:34:26,600 --> 00:34:28,759
Speaker 1: I got through my first day without him, right. I

680
00:34:28,920 --> 00:34:30,880
Speaker 1: learned how to drive, I learned how to shave, I

681
00:34:31,000 --> 00:34:34,080
Speaker 1: learned how to fight without him. I had fourteen great

682
00:34:34,160 --> 00:34:36,680
Speaker 1: birthdays without him. He never even sent me a damn card.

683
00:34:40,640 --> 00:34:42,160
Speaker 1: I ain't need him then, and I don't need him now.

684
00:34:43,000 --> 00:34:45,200
Speaker 1: Will Now you know what don't can feel. I'm gonna

685
00:34:45,239 --> 00:34:47,719
Speaker 1: get through college without him. I'm gonna get a great

686
00:34:47,800 --> 00:34:50,040
Speaker 1: job without him. I'm gonna marry me a beautiful honey,

687
00:34:50,200 --> 00:34:51,799
Speaker 1: and I'm having me a whole bunch of kids. I'm

688
00:34:51,800 --> 00:34:53,680
Speaker 1: gonna be a better father than he ever was. And

689
00:34:53,719 --> 00:34:55,520
Speaker 1: I sure it's hell on needle for that, because they're

690
00:34:55,520 --> 00:34:57,759
Speaker 1: a damn team. He could ever teach me about how

691
00:34:57,840 --> 00:35:02,879
Speaker 1: to love my kids. Come, you don't want me, man?

692
00:35:03,440 --> 00:35:06,360
Speaker 1: What did you dig into to get that kind of emotion?

693
00:35:06,400 --> 00:35:08,000
Speaker 1: Out of that scene because even now, if you watched that,

694
00:35:08,080 --> 00:35:11,359
Speaker 1: your eyes watching, I'm still yeah, and it's like, um,

695
00:35:12,040 --> 00:35:15,360
Speaker 1: so every everybody on the Fresh Prince with stage trained actors,

696
00:35:15,719 --> 00:35:21,680
Speaker 1: Alfonso starting the show had fifteen years of experience coming in,

697
00:35:21,800 --> 00:35:25,000
Speaker 1: so I was the least experience. The tap dance kid. Yeah,

698
00:35:25,160 --> 00:35:28,000
Speaker 1: you know, moon walking into Michael Jackson. When I came

699
00:35:28,040 --> 00:35:30,640
Speaker 1: on to the show. Um, James Avery was one of

700
00:35:30,680 --> 00:35:32,759
Speaker 1: the first people that pulled me up and he was like, hey,

701
00:35:33,200 --> 00:35:36,800
Speaker 1: you have real talent, don't squander it, right, And so

702
00:35:37,160 --> 00:35:40,680
Speaker 1: he never liked nothing, even like nothing I did right,

703
00:35:40,760 --> 00:35:43,800
Speaker 1: and I was always trying to get his approval. You know,

704
00:35:44,080 --> 00:35:47,840
Speaker 1: Shakespearean trained, big command of his voice, he you know,

705
00:35:47,960 --> 00:35:51,560
Speaker 1: his body as an instrument, as a performer, and you know,

706
00:35:51,680 --> 00:35:54,919
Speaker 1: so in that scene, it was like the first time

707
00:35:54,960 --> 00:35:58,480
Speaker 1: that I took a real dramatic shot and h James

708
00:35:58,560 --> 00:36:00,520
Speaker 1: Avery in that scene and we're on it and I'm

709
00:36:00,560 --> 00:36:02,560
Speaker 1: and I'm I'm trying to get there and I want

710
00:36:02,600 --> 00:36:05,360
Speaker 1: to impress him so bad and the first time in

711
00:36:05,400 --> 00:36:07,000
Speaker 1: front of the audience, I missed it and I messed

712
00:36:07,040 --> 00:36:11,320
Speaker 1: the scene up, and I'm like, I'm losing it in

713
00:36:11,400 --> 00:36:13,600
Speaker 1: front of the audience, you know, and he looks it. Hey,

714
00:36:15,800 --> 00:36:18,520
Speaker 1: I snapped in and he's look was pointed. He's like,

715
00:36:18,680 --> 00:36:21,560
Speaker 1: use me, use me in this scene. And we get

716
00:36:21,600 --> 00:36:23,319
Speaker 1: and he said get it together, and I settled down.

717
00:36:23,360 --> 00:36:26,040
Speaker 1: He said action and we get and then ultimately we

718
00:36:26,280 --> 00:36:27,880
Speaker 1: did the scene and we had the scene that was

719
00:36:28,000 --> 00:36:30,759
Speaker 1: there and I'm holding him and when I'm holding him,

720
00:36:31,040 --> 00:36:34,480
Speaker 1: he whispers in my ear. Now that's acting, right, And

721
00:36:34,560 --> 00:36:42,319
Speaker 1: I was like, you had to tell you tapped into disappointment, right, Yeah,

722
00:36:42,400 --> 00:36:45,480
Speaker 1: you disappointed him, And yes, I know, but that's what

723
00:36:45,600 --> 00:36:48,000
Speaker 1: he was telling me about how to use the actor

724
00:36:48,200 --> 00:36:50,319
Speaker 1: in the scene. He was like, use me, don't try

725
00:36:50,360 --> 00:36:52,680
Speaker 1: to find it in you. So then when I tapped

726
00:36:52,719 --> 00:36:56,000
Speaker 1: into the idea of how bad I wanted to impress

727
00:36:56,120 --> 00:36:58,920
Speaker 1: him and how I'm I'm getting in, I'm I'm feeling

728
00:36:58,960 --> 00:37:02,319
Speaker 1: it now. It's like when when you have those emotional toolboxes,

729
00:37:02,560 --> 00:37:06,360
Speaker 1: sometimes you slip into I can feel that that emotion

730
00:37:06,520 --> 00:37:08,560
Speaker 1: right now. And it was like it was he was

731
00:37:08,680 --> 00:37:13,400
Speaker 1: the father figure that Will felt like, Will me personally

732
00:37:13,480 --> 00:37:16,440
Speaker 1: felt like I was disappointing him in that scene. So

733
00:37:16,560 --> 00:37:19,000
Speaker 1: I tapped into that and I used my relationship with

734
00:37:19,200 --> 00:37:23,080
Speaker 1: James Avery to find that emotion. But you know, for me,

735
00:37:23,280 --> 00:37:27,200
Speaker 1: it's been it's been a massive acting journey, hugely on

736
00:37:27,360 --> 00:37:31,320
Speaker 1: the back of his teachings and his urging of me

737
00:37:31,480 --> 00:37:33,640
Speaker 1: to always go deeper. How did you guys both get

738
00:37:33,719 --> 00:37:36,480
Speaker 1: those shows? You know? And will? Did you feel like,

739
00:37:36,640 --> 00:37:39,920
Speaker 1: I'm a rapper from Philly? If I crossover, I might

740
00:37:40,120 --> 00:37:42,799
Speaker 1: destroy my career? And how did you get into How

741
00:37:42,840 --> 00:37:44,759
Speaker 1: did they give you that show? How did that that

742
00:37:44,840 --> 00:37:48,080
Speaker 1: show come together? Well? For me, my manager at the time,

743
00:37:48,239 --> 00:37:51,879
Speaker 1: he took me into HBO hip and uh, he took

744
00:37:51,920 --> 00:37:54,359
Speaker 1: me in to meet Chris Albrek, and he was like, Yo,

745
00:37:54,640 --> 00:37:57,200
Speaker 1: you know this guy's funny and what do you think

746
00:37:57,200 --> 00:37:59,680
Speaker 1: about giving him his own show? So Chris was like,

747
00:38:00,360 --> 00:38:03,040
Speaker 1: I will try it out. So I was like, just

748
00:38:03,200 --> 00:38:07,200
Speaker 1: like that. Yeah, He's like, yeah, I tried out. And

749
00:38:07,320 --> 00:38:11,960
Speaker 1: I was like, ohs history, Wow, that was big back then,

750
00:38:12,080 --> 00:38:14,759
Speaker 1: especially for a black man. What the kind of show

751
00:38:14,800 --> 00:38:16,480
Speaker 1: it was? Yeah? For you to be a hip hop

752
00:38:16,600 --> 00:38:22,279
Speaker 1: dude doing the shows? Yeah, And I did all them

753
00:38:22,400 --> 00:38:25,160
Speaker 1: characters because I really want to show to work, you know,

754
00:38:25,320 --> 00:38:27,840
Speaker 1: and I didn't want it to fail. So I just

755
00:38:27,960 --> 00:38:30,200
Speaker 1: started doing all these characters, just trying to push it

756
00:38:30,440 --> 00:38:31,600
Speaker 1: you know what, I want to ask you why we

757
00:38:31,640 --> 00:38:33,400
Speaker 1: live in this era of like pause and you know

758
00:38:33,520 --> 00:38:36,680
Speaker 1: rapper saying no when you was doing and you was

759
00:38:36,760 --> 00:38:38,839
Speaker 1: doing scenes like all upon kids, did you ever get

760
00:38:38,880 --> 00:38:40,880
Speaker 1: backlash back then from your people, because now they if

761
00:38:40,880 --> 00:38:44,160
Speaker 1: a guy did that, he'd be like, you know what

762
00:38:44,160 --> 00:38:46,480
Speaker 1: I mean? Back then? It just funny. It does. It's

763
00:38:46,520 --> 00:38:49,040
Speaker 1: just funny. I just want to make people laugh. That

764
00:38:49,239 --> 00:38:51,480
Speaker 1: was it, Martin did um Well. Has he tried to

765
00:38:51,520 --> 00:38:53,920
Speaker 1: get you to be more active on social media? Yes?

766
00:38:55,560 --> 00:39:01,480
Speaker 1: Yet he gave me a camera you used you have

767
00:39:01,520 --> 00:39:07,399
Speaker 1: a camera team. Are you considering get jumping into because

768
00:39:07,400 --> 00:39:10,279
Speaker 1: you see Will it's been so effective for you and

769
00:39:10,440 --> 00:39:12,160
Speaker 1: like we don't know as much about you now like

770
00:39:12,280 --> 00:39:14,000
Speaker 1: as we do about well, well, we didn't used to

771
00:39:14,080 --> 00:39:16,440
Speaker 1: know as much, but it seems like you like it now.

772
00:39:16,640 --> 00:39:18,719
Speaker 1: I love right, So you think that would be something.

773
00:39:18,760 --> 00:39:20,759
Speaker 1: I'm trying to do more things. You know, I'm trying

774
00:39:20,800 --> 00:39:23,439
Speaker 1: to be more creative. This guy has a creative mind,

775
00:39:23,560 --> 00:39:25,960
Speaker 1: so he's always on there. But I'm trying to find

776
00:39:26,040 --> 00:39:28,759
Speaker 1: things I could do and bring to the people. So

777
00:39:28,880 --> 00:39:31,640
Speaker 1: no jumping out the playing for you more, no jumping

778
00:39:31,680 --> 00:39:38,239
Speaker 1: out more swimming with shock why will not. So here's

779
00:39:38,239 --> 00:39:41,360
Speaker 1: what happens. So here's what here's what happened. Weird? Is

780
00:39:41,400 --> 00:39:45,400
Speaker 1: this why it's a family? Well no, so what happened

781
00:39:45,600 --> 00:39:47,560
Speaker 1: was and it's funny because it was. It was something

782
00:39:47,640 --> 00:39:49,239
Speaker 1: like you, I've been watching you for a while and

783
00:39:49,280 --> 00:39:52,200
Speaker 1: it's something that I wanted to talk to you about.

784
00:39:52,440 --> 00:39:55,920
Speaker 1: That Will dive into it offline, But the idea for

785
00:39:56,120 --> 00:40:02,120
Speaker 1: me is I painted myself into a corner with Will Smith, right,

786
00:40:02,480 --> 00:40:05,319
Speaker 1: and I realized that you know all we have our

787
00:40:05,360 --> 00:40:08,080
Speaker 1: childhood traumas, and we have our experiences, and then we

788
00:40:08,160 --> 00:40:10,799
Speaker 1: all create these characters that are going to be our

789
00:40:10,920 --> 00:40:14,200
Speaker 1: characters that defend us in the world. There's certain things

790
00:40:14,280 --> 00:40:16,279
Speaker 1: we can't do to certain things we say, can't say,

791
00:40:16,560 --> 00:40:19,279
Speaker 1: certain ways we react if people do something something, and

792
00:40:19,440 --> 00:40:23,320
Speaker 1: we create a character that we go out into the

793
00:40:23,480 --> 00:40:28,319
Speaker 1: world with, then that character win some things for us.

794
00:40:28,400 --> 00:40:33,000
Speaker 1: It's like, oh, we succeed by behaving this way. Then

795
00:40:33,080 --> 00:40:35,160
Speaker 1: what happens You get to a point where it stops

796
00:40:35,239 --> 00:40:39,280
Speaker 1: working as well, And the reason that it stops working

797
00:40:39,320 --> 00:40:43,200
Speaker 1: is because it's not true. It's not really who you are.

798
00:40:43,760 --> 00:40:47,120
Speaker 1: And then you get back into a corner it stops working.

799
00:40:47,239 --> 00:40:49,680
Speaker 1: Now the question is are you going to be courageous

800
00:40:49,760 --> 00:40:51,920
Speaker 1: enough and are you going to be brave enough to

801
00:40:53,000 --> 00:40:56,840
Speaker 1: kill essentially the character that you've created, and are you

802
00:40:56,880 --> 00:40:59,200
Speaker 1: gonna have the courage to live as who you really are?

803
00:41:00,000 --> 00:41:02,360
Speaker 1: And on my fiftieth birthday when I jumped out of

804
00:41:02,480 --> 00:41:06,680
Speaker 1: that that helicopter over the Grand Canyon, that was kind

805
00:41:06,719 --> 00:41:09,680
Speaker 1: of my moment for myself where I was like, I'm

806
00:41:09,719 --> 00:41:13,440
Speaker 1: gonna be who I am, even if it isn't in

807
00:41:13,600 --> 00:41:16,240
Speaker 1: line with the will Smith that people think I'm supposed

808
00:41:16,280 --> 00:41:18,839
Speaker 1: to be. I'm gonna have the courage and I'm gonna

809
00:41:18,880 --> 00:41:22,439
Speaker 1: have the the the bravery to be who I am,

810
00:41:22,920 --> 00:41:24,640
Speaker 1: you know. And it's like I've been watching you for

811
00:41:24,719 --> 00:41:26,840
Speaker 1: a while and that's what I was. I was like,

812
00:41:27,000 --> 00:41:28,440
Speaker 1: that was one of the things I wanted to talk

813
00:41:28,480 --> 00:41:32,239
Speaker 1: to you about. I can see the mechanism happening in

814
00:41:32,400 --> 00:41:37,000
Speaker 1: your mind. You're seeing Charlemagne the God as separate from you. Absolutely.

815
00:41:37,160 --> 00:41:38,600
Speaker 1: I looked at a little bit of your book too,

816
00:41:38,640 --> 00:41:40,879
Speaker 1: and I was like, I want you to know who

817
00:41:41,000 --> 00:41:45,759
Speaker 1: you really are is enough that the character can die away.

818
00:41:45,960 --> 00:41:47,640
Speaker 1: I never wanted to be a character Jill much right,

819
00:41:47,880 --> 00:41:49,239
Speaker 1: you know what I'm saying, And I just read us

820
00:41:49,239 --> 00:41:51,680
Speaker 1: reading this book called The Unapologetic guid to blackmaith to Health,

821
00:41:51,760 --> 00:41:53,560
Speaker 1: and the woman readA Walker said, we have to be

822
00:41:53,680 --> 00:41:57,440
Speaker 1: willing to let go of who we want people to think. Yes, exactly,

823
00:41:57,640 --> 00:42:00,080
Speaker 1: Me and Jay to talk about that a lot, you know,

824
00:42:00,200 --> 00:42:04,320
Speaker 1: even in the idea of our marriage and how people

825
00:42:04,360 --> 00:42:06,920
Speaker 1: want us to be married versus how we're really married.

826
00:42:07,360 --> 00:42:09,360
Speaker 1: You know what I mean, It's like it's a really

827
00:42:09,880 --> 00:42:13,400
Speaker 1: different thing, and it's so hard to let go of

828
00:42:13,560 --> 00:42:17,320
Speaker 1: the characters people and what people want to see. And

829
00:42:17,520 --> 00:42:20,560
Speaker 1: because also those characters saved your life when you were young. Yes,

830
00:42:20,719 --> 00:42:23,080
Speaker 1: those ideas saved your life and made your money, and

831
00:42:23,120 --> 00:42:27,680
Speaker 1: they made you money, you know, so letting go of

832
00:42:27,880 --> 00:42:31,279
Speaker 1: that and having the courage to really be who you

833
00:42:31,520 --> 00:42:34,919
Speaker 1: are in the world. And it's like, it's terrified. Will

834
00:42:34,960 --> 00:42:42,400
Speaker 1: should be a motivational all right, we got more with

835
00:42:42,480 --> 00:42:45,239
Speaker 1: Will Smith and Lawrence. Don't move. It's to breakfast Club.

836
00:42:45,280 --> 00:42:50,480
Speaker 1: Go Morning Morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.

837
00:42:50,560 --> 00:42:53,200
Speaker 1: We are the breakfast club. We have Will Smith and

838
00:42:53,640 --> 00:42:56,080
Speaker 1: Lawrence in the building. Still. One of your closest friends

839
00:42:56,160 --> 00:42:57,840
Speaker 1: called you right, and he's a close friend to us

840
00:42:57,880 --> 00:42:59,360
Speaker 1: as well. He called you in, he asked you for

841
00:42:59,400 --> 00:43:01,160
Speaker 1: a couple of meals and you gave it to him. No,

842
00:43:01,600 --> 00:43:10,719
Speaker 1: I did not happen. No, you know, let me tell

843
00:43:10,760 --> 00:43:15,040
Speaker 1: you something. Me and Tyrese, uh, we've been friends out. No, No,

844
00:43:15,160 --> 00:43:17,719
Speaker 1: that's my dude. Tyrese calls me when he don't want

845
00:43:17,760 --> 00:43:21,640
Speaker 1: it cut. He wanted raw and uncut. And the amount

846
00:43:21,760 --> 00:43:25,560
Speaker 1: of talent that that dude has in all the possibilities

847
00:43:25,640 --> 00:43:28,839
Speaker 1: that Tyrese has is what I keep drumming in with him.

848
00:43:28,960 --> 00:43:33,719
Speaker 1: Tyrese is functioning at forty percent of the capacity of

849
00:43:33,800 --> 00:43:36,799
Speaker 1: what he really is, you know, And that's another thing,

850
00:43:36,960 --> 00:43:40,520
Speaker 1: being brave enough to be who you really are versus

851
00:43:40,840 --> 00:43:47,000
Speaker 1: being Tyrese exactly right. Ain't got to that level. Yeah, yeah,

852
00:43:47,120 --> 00:43:49,439
Speaker 1: you know we all do. You know they're still It's

853
00:43:49,480 --> 00:43:52,040
Speaker 1: like Will Will Smith takes good care of me. It's

854
00:43:52,080 --> 00:43:55,120
Speaker 1: just it's not all the way me. There's a certain

855
00:43:55,160 --> 00:43:58,920
Speaker 1: amount of pretense and in authenticity that it takes to

856
00:43:59,040 --> 00:44:01,640
Speaker 1: hold up the character. That's so interesting cause I think

857
00:44:01,640 --> 00:44:03,560
Speaker 1: about that with you and Martin. Martin, I'm sure that

858
00:44:03,800 --> 00:44:05,040
Speaker 1: it was a time where everybody wanted you to be

859
00:44:05,120 --> 00:44:11,160
Speaker 1: like my you know, but what if that's not you. Yeah,

860
00:44:11,840 --> 00:44:13,680
Speaker 1: it's not me all the time. Like people think that

861
00:44:13,800 --> 00:44:15,480
Speaker 1: I'm on all the time when they see me, they

862
00:44:15,600 --> 00:44:18,239
Speaker 1: think I'm all I'm always gonna be joking all that.

863
00:44:18,360 --> 00:44:21,000
Speaker 1: But I'm probably a lot more shy in person than

864
00:44:21,120 --> 00:44:24,279
Speaker 1: I am. You can't be shyvyl I don't believe I

865
00:44:25,400 --> 00:44:27,120
Speaker 1: believe it or not, I don't. I don't joke all

866
00:44:27,120 --> 00:44:29,000
Speaker 1: the time. I don't talk all the time. I like

867
00:44:29,160 --> 00:44:31,560
Speaker 1: to listen a lot and uh, just take things in.

868
00:44:32,040 --> 00:44:35,600
Speaker 1: This dude is one of the most authentic people that

869
00:44:35,840 --> 00:44:41,960
Speaker 1: I have ever met. Thank you the first time. I

870
00:44:42,080 --> 00:44:44,200
Speaker 1: want you to explain that you talked about it on

871
00:44:44,320 --> 00:44:45,880
Speaker 1: crowd shout to Ellie Wilson. I want you to talk

872
00:44:45,920 --> 00:44:49,759
Speaker 1: about the Reggie scene and bad boys. You know I'm

873
00:44:49,800 --> 00:44:51,560
Speaker 1: a father the five right, but growing up I'm like,

874
00:44:51,640 --> 00:44:53,160
Speaker 1: if I have a dude, I'm doing the same day.

875
00:44:53,239 --> 00:44:57,880
Speaker 1: But for you, I'm miss I'm Reggie. You're doing it?

876
00:44:58,280 --> 00:45:01,560
Speaker 1: Can't take on making? What? Thank you to take on Megan?

877
00:45:02,040 --> 00:45:09,800
Speaker 1: How do you fitting mother? He look dirty? Reggie? Can't it?

878
00:45:09,880 --> 00:45:12,879
Speaker 1: Take Megan up? What's wrong with you? Got? Can all skit?

879
00:45:13,080 --> 00:45:14,879
Speaker 1: You ain't never seen a gun before? And stop pointing

880
00:45:14,920 --> 00:45:17,759
Speaker 1: the gun afterward, explaining that to people who haven't heard

881
00:45:17,880 --> 00:45:20,480
Speaker 1: and how that whole situation happened. He was a he

882
00:45:20,640 --> 00:45:22,440
Speaker 1: was a young actor. He had never done anything, so

883
00:45:22,520 --> 00:45:25,320
Speaker 1: it was his first role. So Michael Bay was concerned

884
00:45:25,400 --> 00:45:28,759
Speaker 1: that he wouldn't be able to perform the level of

885
00:45:29,120 --> 00:45:32,000
Speaker 1: discomfort that we needed for the scene. So Michael Bay

886
00:45:32,120 --> 00:45:34,160
Speaker 1: was like, Yo, don't don't talk to him. Talk to him,

887
00:45:34,239 --> 00:45:36,520
Speaker 1: he said, I want y'all to be uh, Pretend like

888
00:45:36,640 --> 00:45:39,160
Speaker 1: y'all are aren't arguing, Pretend like you're not getting on.

889
00:45:39,239 --> 00:45:40,960
Speaker 1: I just want to get them, get him riled up,

890
00:45:41,280 --> 00:45:42,640
Speaker 1: you know. So I go and I sit down with

891
00:45:42,719 --> 00:45:45,440
Speaker 1: the kids. So he's first meeting well and Martin. So

892
00:45:45,480 --> 00:45:48,040
Speaker 1: I'm sitting down, I'm talking, I'm talking, and then Martin

893
00:45:48,200 --> 00:45:50,360
Speaker 1: comes up and uh he says, hey, will you know

894
00:45:50,760 --> 00:45:53,160
Speaker 1: you're stepping on my lines a little bit in the scene.

895
00:45:53,160 --> 00:45:54,600
Speaker 1: I need you to leave a little bit of room

896
00:45:54,760 --> 00:45:57,120
Speaker 1: so I can, you know, get my line in there.

897
00:45:57,560 --> 00:45:59,080
Speaker 1: And I was like, you need to get in where

898
00:45:59,120 --> 00:46:02,279
Speaker 1: you fit in. And the kid, the little kid is

899
00:46:02,320 --> 00:46:04,160
Speaker 1: sitting there, he's like, oh no. Markey was like, Yo,

900
00:46:04,400 --> 00:46:06,600
Speaker 1: why why are you acting like that? Man? I'm like

901
00:46:06,680 --> 00:46:09,120
Speaker 1: why I'm acting? Like what why I'm acting? Like West

902
00:46:09,160 --> 00:46:12,440
Speaker 1: and me and Martin start arguing in front of the kid,

903
00:46:12,520 --> 00:46:16,160
Speaker 1: and this kid is sitting there like every Michael band

904
00:46:16,239 --> 00:46:17,759
Speaker 1: is watching him, watching him, And as soon as he

905
00:46:17,840 --> 00:46:19,960
Speaker 1: sees how the kid is tearing out enough, he's like

906
00:46:21,880 --> 00:46:25,480
Speaker 1: and then I go, what do you want? I'm here

907
00:46:25,520 --> 00:46:32,160
Speaker 1: to pick up. Yeah, kid was shook for real. We

908
00:46:32,480 --> 00:46:36,399
Speaker 1: get it. We saw yeah, we saw Yeah. We can't

909
00:46:36,440 --> 00:46:40,839
Speaker 1: get out. Ye see him again, We see him again.

910
00:46:41,560 --> 00:46:44,560
Speaker 1: We can't. We can't talk about it, but you will know.

911
00:46:44,800 --> 00:46:48,400
Speaker 1: You will know. You will Why did get union in

912
00:46:48,440 --> 00:46:50,120
Speaker 1: this one because he played such a big role in

913
00:46:50,160 --> 00:46:53,560
Speaker 1: the second one. I think we took a different story. Yeah,

914
00:46:53,680 --> 00:46:55,759
Speaker 1: it was like trying. There was no spot in the

915
00:46:55,920 --> 00:46:58,640
Speaker 1: story like where we had worked for, you know, for

916
00:46:58,719 --> 00:47:01,080
Speaker 1: those characters to bend. But with definitely that Boy's four

917
00:47:03,160 --> 00:47:06,520
Speaker 1: because I see it on audium. Whatever the go. But

918
00:47:06,719 --> 00:47:08,640
Speaker 1: you said, this is the last one. We're gonna let

919
00:47:08,680 --> 00:47:12,239
Speaker 1: the audience to side after people see it, Like, you know,

920
00:47:12,400 --> 00:47:14,719
Speaker 1: I love working with this dude, man, And it's like

921
00:47:15,160 --> 00:47:17,359
Speaker 1: I'm at the point in my in my life where

922
00:47:17,440 --> 00:47:19,000
Speaker 1: I just I don't even want to do nothing. If

923
00:47:19,040 --> 00:47:21,600
Speaker 1: I'm not gonna have fun, you know, and it's like,

924
00:47:21,840 --> 00:47:25,000
Speaker 1: I'll take half the money that it would be as

925
00:47:25,080 --> 00:47:28,400
Speaker 1: long as you know, I can have fun. And you

926
00:47:28,480 --> 00:47:35,800
Speaker 1: know we come to we want we won't let me

927
00:47:35,840 --> 00:47:38,239
Speaker 1: ask you this. We were wondering, did Cali try to

928
00:47:38,280 --> 00:47:40,640
Speaker 1: get you on the soundtrack? Yeah, we were talking, you know,

929
00:47:40,840 --> 00:47:42,799
Speaker 1: just the timing up and I so wanted to try

930
00:47:42,840 --> 00:47:44,600
Speaker 1: to try to jump on there. We worked together. We

931
00:47:44,719 --> 00:47:50,160
Speaker 1: hadn't annoying. He was annoying to study up. Calin is

932
00:47:50,239 --> 00:47:55,040
Speaker 1: the best of the best. Manchoo Man was coming to

933
00:47:55,320 --> 00:47:57,959
Speaker 1: set a month before it was side for his sea

934
00:47:58,800 --> 00:48:00,759
Speaker 1: You ever to set a month before it was time

935
00:48:00,840 --> 00:48:04,000
Speaker 1: for It's like, let me tell you, you know, he was.

936
00:48:04,160 --> 00:48:07,840
Speaker 1: He so loves the franchise. You know, he loved it.

937
00:48:07,920 --> 00:48:09,279
Speaker 1: He wanted it to win, and he wanted to do

938
00:48:09,400 --> 00:48:12,439
Speaker 1: everything that he could do. Uh to help us. Tell kids,

939
00:48:12,440 --> 00:48:16,640
Speaker 1: you have to have a DJ Khalid level of annoyance. No,

940
00:48:16,840 --> 00:48:20,200
Speaker 1: that's real music questions. We talking about music a little bit.

941
00:48:20,320 --> 00:48:22,920
Speaker 1: Fresh Prince will Smith who was the better rapper? Well,

942
00:48:22,920 --> 00:48:28,920
Speaker 1: I think somebody said somebody said, um Will Smith was

943
00:48:29,000 --> 00:48:33,000
Speaker 1: a whack rapper, but Fresh Prince it was dope somebody

944
00:48:33,040 --> 00:48:39,120
Speaker 1: said that where that somewhere? Yeah, hold on, let me see,

945
00:48:48,040 --> 00:48:51,480
Speaker 1: but in your person you think, no, you know what,

946
00:48:51,880 --> 00:48:54,719
Speaker 1: there was a there was in that same thing. There

947
00:48:54,840 --> 00:49:00,399
Speaker 1: was a certain amount of rawness and unbridled creativity during

948
00:49:00,480 --> 00:49:02,800
Speaker 1: the first part of my career, and then once I

949
00:49:02,960 --> 00:49:07,440
Speaker 1: started winning, it did kind of narrow the avenues of

950
00:49:07,560 --> 00:49:10,080
Speaker 1: what I wanted to do. It was more important to

951
00:49:10,200 --> 00:49:13,080
Speaker 1: me to win than to be me, you know, So

952
00:49:13,280 --> 00:49:16,080
Speaker 1: there was there was a There was a certain amount.

953
00:49:16,200 --> 00:49:19,200
Speaker 1: There was a certain amount. The fresh Prince was wild

954
00:49:19,480 --> 00:49:25,239
Speaker 1: and raw and unapologetically himself, and then will Smith got

955
00:49:25,280 --> 00:49:28,480
Speaker 1: a little bit more polished. And once you line up

956
00:49:28,520 --> 00:49:30,680
Speaker 1: a couple of number ones in a row, you get

957
00:49:30,760 --> 00:49:33,160
Speaker 1: that the taste for blood in your mouth, and that

958
00:49:33,400 --> 00:49:39,680
Speaker 1: that taste sort of destroys the vastness of your creative mind.

959
00:49:39,880 --> 00:49:42,160
Speaker 1: I remember hearing you on Radar podcast and you said

960
00:49:42,239 --> 00:49:43,960
Speaker 1: that it was a point where you didn't even want

961
00:49:43,960 --> 00:49:48,960
Speaker 1: to curse. Yeah, well, my grandmother, my grandmother for you

962
00:49:49,040 --> 00:49:51,160
Speaker 1: in comedy? Does that work in comedy too? Like, as

963
00:49:51,200 --> 00:49:54,120
Speaker 1: you get more famous, you can't be as raw, you

964
00:49:54,160 --> 00:49:55,920
Speaker 1: feel like as you used to because you're still doing

965
00:49:56,000 --> 00:49:57,840
Speaker 1: comedy tours. Yeah, I know, you got a lot of

966
00:49:57,880 --> 00:49:59,520
Speaker 1: comments coming out with you. But how did that work

967
00:49:59,560 --> 00:50:03,200
Speaker 1: in comedy? I don't know. I don't compromise my comedy.

968
00:50:03,440 --> 00:50:06,560
Speaker 1: You know, I never did in the past. Uh. You know,

969
00:50:06,680 --> 00:50:09,000
Speaker 1: when I put out You So Crazy, they wanted me

970
00:50:09,080 --> 00:50:11,520
Speaker 1: to water it down and give it an R rating,

971
00:50:11,800 --> 00:50:14,879
Speaker 1: And I took an NC seventeen just so I could

972
00:50:14,920 --> 00:50:20,200
Speaker 1: say what I wanted to say. And yeah, you know,

973
00:50:20,680 --> 00:50:23,799
Speaker 1: so I don't like to compromise my comedy and I don't.

974
00:50:23,800 --> 00:50:25,520
Speaker 1: I don't do it today. I just do what I

975
00:50:25,600 --> 00:50:27,680
Speaker 1: want to do and have fun with it. But what's

976
00:50:27,680 --> 00:50:29,480
Speaker 1: the worst decision that both of you guys made in

977
00:50:29,560 --> 00:50:31,120
Speaker 1: your career? Like, what's one thing you say, Damn, I

978
00:50:31,160 --> 00:50:32,960
Speaker 1: shouldn't have did that, or what did you pass up

979
00:50:33,000 --> 00:50:35,239
Speaker 1: or something that you regret. I made the Wild Wild

980
00:50:35,280 --> 00:50:45,080
Speaker 1: West and the Matrix, Yeah, what about you? I didn't

981
00:50:45,080 --> 00:50:50,440
Speaker 1: go with him on the last press junk and Bad

982
00:50:50,680 --> 00:50:53,040
Speaker 1: for Bad Boys. He did it by itself. And now

983
00:50:53,120 --> 00:50:55,400
Speaker 1: that I see what we on this press junk and

984
00:50:55,520 --> 00:50:57,560
Speaker 1: all that we we got to do it and the

985
00:50:57,719 --> 00:51:00,560
Speaker 1: fun we had, why did you go? It was? It's different,

986
00:51:00,600 --> 00:51:04,160
Speaker 1: It's it's in the wild faith. When you was waving

987
00:51:04,200 --> 00:51:10,120
Speaker 1: the gun on. No, it was just a different time.

988
00:51:10,239 --> 00:51:13,040
Speaker 1: And you know, they didn't want to fly me private.

989
00:51:13,120 --> 00:51:16,239
Speaker 1: I wanted to go private. It was it's politics. So

990
00:51:17,560 --> 00:51:21,120
Speaker 1: but I've learned from that from now and I would

991
00:51:21,160 --> 00:51:23,040
Speaker 1: do something different. Now, all right, we got more with

992
00:51:23,120 --> 00:51:25,160
Speaker 1: Will Smith and Lawrence. Let's get into a little Will

993
00:51:25,200 --> 00:51:27,040
Speaker 1: Smith mini mix. Right, let's have some fun with it.

994
00:51:27,080 --> 00:51:30,160
Speaker 1: It's the Breakfast Club. Good morning morning. Everybody is DJ

995
00:51:30,680 --> 00:51:33,919
Speaker 1: Envy Angela yee. Charlomagne the guy we are the Breakfast Club.

996
00:51:34,000 --> 00:51:35,960
Speaker 1: That was a Will Smith mini mix. He's here with

997
00:51:36,120 --> 00:51:40,520
Speaker 1: Martin Lawrence. Bad Boys three comes out this Friday. Charlomagne,

998
00:51:40,520 --> 00:51:42,879
Speaker 1: Are you still bad from us? Now? I don't give

999
00:51:42,880 --> 00:51:48,279
Speaker 1: a damn. I don't give It was something with the

1000
00:51:48,360 --> 00:51:53,799
Speaker 1: monologue back. Yeah, yeah, because right, yeah, that's how they

1001
00:51:54,600 --> 00:51:58,400
Speaker 1: didn't I didn't known, no, but I'm not bad from

1002
00:52:00,160 --> 00:52:03,480
Speaker 1: me from NBC at the time for a minute. Yeah,

1003
00:52:06,680 --> 00:52:10,520
Speaker 1: But then they realized, they and they realized, you know,

1004
00:52:10,800 --> 00:52:14,319
Speaker 1: the way it went down, what they thought, and then

1005
00:52:14,360 --> 00:52:17,400
Speaker 1: they sent me apology letter warn the little field. I

1006
00:52:17,480 --> 00:52:20,399
Speaker 1: think it was the president or something, and he sent

1007
00:52:20,520 --> 00:52:23,840
Speaker 1: me a letter and apologize and saying welcome back to

1008
00:52:24,000 --> 00:52:29,880
Speaker 1: NBC and everything did you say something? I just went

1009
00:52:29,960 --> 00:52:34,920
Speaker 1: on the air and read it on Jay Lennon with

1010
00:52:35,080 --> 00:52:38,480
Speaker 1: comedy now, you know, you see everybody so sensitive with everything. Yes,

1011
00:52:38,880 --> 00:52:41,120
Speaker 1: would you do a comedy special now? Because I'm thinking, like,

1012
00:52:41,360 --> 00:52:43,640
Speaker 1: like she said, the water glistening all over your body?

1013
00:52:43,880 --> 00:52:45,520
Speaker 1: I see people having a problem with that. And you

1014
00:52:45,560 --> 00:52:48,040
Speaker 1: see any Murphy talking about his past comments and saying

1015
00:52:48,120 --> 00:52:53,040
Speaker 1: that he is apologetic now about them. And the question is,

1016
00:52:53,360 --> 00:52:55,279
Speaker 1: would you have a problem doing a comedy, especially doing

1017
00:52:55,320 --> 00:52:57,120
Speaker 1: what you want to do, not care about what you say?

1018
00:52:57,280 --> 00:53:00,720
Speaker 1: Would you curve your comedy? I probably would think about

1019
00:53:00,719 --> 00:53:02,879
Speaker 1: a lot more, you know what I'm saying on my mouth,

1020
00:53:03,000 --> 00:53:06,480
Speaker 1: just because I have kids now and and I care

1021
00:53:06,480 --> 00:53:09,759
Speaker 1: about how it affects them, and uh but um, for

1022
00:53:09,840 --> 00:53:11,640
Speaker 1: the most part, I just want to give people what

1023
00:53:11,719 --> 00:53:13,600
Speaker 1: I'm feeling. How your kids look at you when you

1024
00:53:13,640 --> 00:53:14,920
Speaker 1: do it? Do they look at you as more? In

1025
00:53:15,000 --> 00:53:17,759
Speaker 1: the guy on comedy like come on, Dad was one

1026
00:53:17,760 --> 00:53:19,279
Speaker 1: of those things that you just dad. The same thing

1027
00:53:19,320 --> 00:53:22,120
Speaker 1: with you, just Dad, Just Dad. I'm just Dad, Dad.

1028
00:53:22,200 --> 00:53:25,000
Speaker 1: He's so silly. I'll be doing anything that he's just

1029
00:53:25,239 --> 00:53:28,480
Speaker 1: silly Dad. My kids don't know I'm hot like I've

1030
00:53:28,520 --> 00:53:34,239
Speaker 1: been trying to tell he made an icon living. Yeah,

1031
00:53:34,480 --> 00:53:37,120
Speaker 1: it's like Jaden, you know he made that. I remember

1032
00:53:37,160 --> 00:53:40,840
Speaker 1: when I first heard that. I was like that record

1033
00:53:41,000 --> 00:53:44,480
Speaker 1: was crazy and I was like, I find myself like

1034
00:53:44,800 --> 00:53:47,800
Speaker 1: I'm at breakfast with hey, man, yo, you think I

1035
00:53:47,840 --> 00:53:51,400
Speaker 1: can jump on that? You know? I was like, this

1036
00:53:51,600 --> 00:53:54,320
Speaker 1: is crazy, pointed if I want to jump for it.

1037
00:53:55,040 --> 00:53:57,400
Speaker 1: But yeah, it's like my kids. My kids, Yeah, they

1038
00:53:57,480 --> 00:54:00,759
Speaker 1: just they they think I'm I'm silly and I can't

1039
00:54:00,760 --> 00:54:02,799
Speaker 1: get him to see I'm hot. I wanted to hear

1040
00:54:02,840 --> 00:54:04,480
Speaker 1: you on a smile bitch by a little dude. But

1041
00:54:05,080 --> 00:54:07,520
Speaker 1: my best life because I mean, if you look at

1042
00:54:07,520 --> 00:54:09,800
Speaker 1: the Graham, you are a person living in the best life. No,

1043
00:54:10,000 --> 00:54:12,800
Speaker 1: I'm definitely living my best life. Man. It's like that

1044
00:54:13,280 --> 00:54:15,719
Speaker 1: when I jumped out of that that helicopter, my whole

1045
00:54:16,040 --> 00:54:19,000
Speaker 1: I hit the next phase, uh you know of my

1046
00:54:19,160 --> 00:54:22,640
Speaker 1: life in a way that um this this last year

1047
00:54:22,719 --> 00:54:24,360
Speaker 1: has been the best year of my adult life. And

1048
00:54:24,680 --> 00:54:26,759
Speaker 1: jumped out was I thought the movie wasn't gonna happen.

1049
00:54:28,440 --> 00:54:32,080
Speaker 1: I just said, damn it. Then he said he was

1050
00:54:32,120 --> 00:54:36,600
Speaker 1: swimming with shocks. Damn Well I heard you want to say,

1051
00:54:36,640 --> 00:54:38,880
Speaker 1: well that is nothing. Your wife could do Miss Ja

1052
00:54:39,000 --> 00:54:41,600
Speaker 1: Pickers fifth to break up the relationship? How did as

1053
00:54:41,600 --> 00:54:44,520
Speaker 1: a husband? How do you know that? Um? Now, we

1054
00:54:44,880 --> 00:54:49,000
Speaker 1: you know, we we've we've been uh wildly tested, you know,

1055
00:54:49,120 --> 00:54:52,399
Speaker 1: we we have we have we we have tested each other.

1056
00:54:52,680 --> 00:54:57,399
Speaker 1: You know we we have attested um our commitment uh

1057
00:54:58,320 --> 00:55:03,160
Speaker 1: to the PARTNERSH. Yep, we've tested our commitment to our family.

1058
00:55:03,520 --> 00:55:07,839
Speaker 1: And you know there's a certain amount of let's say,

1059
00:55:08,200 --> 00:55:12,080
Speaker 1: battery that you have to subject each other two in

1060
00:55:12,360 --> 00:55:15,719
Speaker 1: order to know that you really down, you know, and

1061
00:55:16,120 --> 00:55:17,560
Speaker 1: you know it ain't not and I'm talking about on

1062
00:55:17,640 --> 00:55:22,920
Speaker 1: the Breakfast Club. But whatever, you whatever, your next question

1063
00:55:23,080 --> 00:55:29,279
Speaker 1: is your next question, whatever your because no I could

1064
00:55:29,360 --> 00:55:32,040
Speaker 1: because I've been watching you. I know your ignorant patterns.

1065
00:55:32,080 --> 00:55:35,200
Speaker 1: You got patterns you Yeah, you got to set up,

1066
00:55:35,320 --> 00:55:37,080
Speaker 1: you do to set up, and then your eyes do

1067
00:55:37,200 --> 00:55:39,200
Speaker 1: this little thing and you sit back, you put that,

1068
00:55:39,360 --> 00:55:41,520
Speaker 1: you put an innocent case on and you lock one

1069
00:55:41,600 --> 00:55:43,600
Speaker 1: out and then you come with the one that you

1070
00:55:43,680 --> 00:55:48,000
Speaker 1: don't have that ain't none of your I know. I

1071
00:55:48,120 --> 00:55:51,239
Speaker 1: just wondered, did you ever were you ever jealous of

1072
00:55:51,360 --> 00:55:57,359
Speaker 1: the love Jade ahead for Tupac Uh? Oh yeah, oh god,

1073
00:55:57,520 --> 00:55:59,360
Speaker 1: that Dudelet like and you know, and that was in

1074
00:55:59,440 --> 00:56:02,040
Speaker 1: the that was in the early days. Yeah, that's that

1075
00:56:02,160 --> 00:56:04,080
Speaker 1: was a big regret for me too, because I could

1076
00:56:04,120 --> 00:56:07,600
Speaker 1: never open up to interact with Pot, you know, and

1077
00:56:07,640 --> 00:56:09,279
Speaker 1: because we had a little bit of a thing, right

1078
00:56:09,440 --> 00:56:12,560
Speaker 1: because you know, you know, they grew up together and

1079
00:56:13,080 --> 00:56:15,279
Speaker 1: you know, they loved each other, but they never had that,

1080
00:56:15,520 --> 00:56:18,520
Speaker 1: you know, they never had a sexual relationship, but they

1081
00:56:18,560 --> 00:56:21,560
Speaker 1: had come into that age where now that was a possibility.

1082
00:56:21,600 --> 00:56:25,440
Speaker 1: And then Jada was with me, you know, so you know,

1083
00:56:25,560 --> 00:56:27,920
Speaker 1: Poc had a little thing on that, but she just

1084
00:56:28,280 --> 00:56:31,719
Speaker 1: loved him like he was the image of perfection. But

1085
00:56:31,880 --> 00:56:34,640
Speaker 1: she was with the fresh prince, you know. So I

1086
00:56:34,920 --> 00:56:37,200
Speaker 1: never could like even we were in the room together

1087
00:56:37,239 --> 00:56:39,440
Speaker 1: a couple of times, I couldn't speak to him, you know,

1088
00:56:40,000 --> 00:56:41,640
Speaker 1: and you know he wasn't gonna speak to me if

1089
00:56:41,680 --> 00:56:45,080
Speaker 1: I wasn't gonna speak to him. But comment, no, that's

1090
00:56:45,120 --> 00:56:46,800
Speaker 1: what Jada would say all the time. She was like,

1091
00:56:46,880 --> 00:56:49,680
Speaker 1: I'm telling you, y'all are so similar. You will you

1092
00:56:49,880 --> 00:56:52,120
Speaker 1: love him and I just never you know that that

1093
00:56:52,360 --> 00:56:54,720
Speaker 1: that was a huge regret of mine. I just didn't.

1094
00:56:54,960 --> 00:56:57,320
Speaker 1: I couldn't. I couldn't handle it, you know, I was

1095
00:56:57,400 --> 00:57:00,440
Speaker 1: the soft rapper from Philly, and he was pop right,

1096
00:57:02,600 --> 00:57:07,200
Speaker 1: nothing exactly exactly, but yeah, no, I was deeply, deeply

1097
00:57:07,680 --> 00:57:11,640
Speaker 1: insecure and just I wasn't mad enough to handle that relationship.

1098
00:57:11,719 --> 00:57:18,080
Speaker 1: I gotta I gotta go guy. So we got a

1099
00:57:18,160 --> 00:57:20,600
Speaker 1: relationship either one of y'all feel like y'all got something

1100
00:57:20,640 --> 00:57:23,320
Speaker 1: to prove. I don't feel like I have anything to

1101
00:57:23,400 --> 00:57:25,640
Speaker 1: the pool, but I'm not finished. I feel like I

1102
00:57:25,760 --> 00:57:28,080
Speaker 1: got so much more to do because well, they give

1103
00:57:28,080 --> 00:57:30,440
Speaker 1: you a lot of like they talk about a cold

1104
00:57:30,480 --> 00:57:32,600
Speaker 1: streak you're having at the box office, and you know,

1105
00:57:32,760 --> 00:57:36,920
Speaker 1: it's like one time you was larante. Does that stuff

1106
00:57:36,960 --> 00:57:41,920
Speaker 1: bother you? Like I transitioned from my material world journey

1107
00:57:42,280 --> 00:57:45,960
Speaker 1: to my my inner journey, and not in not in

1108
00:57:46,000 --> 00:57:47,919
Speaker 1: a weird way, just in a way is I gotta

1109
00:57:47,960 --> 00:57:51,240
Speaker 1: be okay with me? I can't give a what anybody thinks.

1110
00:57:51,560 --> 00:57:54,480
Speaker 1: And it's like I don't even look at the box

1111
00:57:54,600 --> 00:57:57,240
Speaker 1: office anymore. I don't even want that in my mind

1112
00:57:57,360 --> 00:58:00,760
Speaker 1: comparing myself to what other people doing. And I had

1113
00:58:00,800 --> 00:58:03,960
Speaker 1: a brief moment there where I got stuck on the rock,

1114
00:58:04,480 --> 00:58:06,760
Speaker 1: you know, and he doing all these billion dollar movies

1115
00:58:06,800 --> 00:58:09,360
Speaker 1: and I got stuck in and that that animal woke

1116
00:58:09,440 --> 00:58:11,280
Speaker 1: up again. But I was like, you know what, it's like,

1117
00:58:11,800 --> 00:58:15,160
Speaker 1: I realize there's never enough. You'll never earn enough money,

1118
00:58:15,600 --> 00:58:18,440
Speaker 1: You'll if you stick yourself on sex, you'll never have

1119
00:58:18,600 --> 00:58:21,760
Speaker 1: enough sex. You'll never have enough of anything in the

1120
00:58:21,840 --> 00:58:24,960
Speaker 1: material world. So I'm into my space now where I'm

1121
00:58:25,000 --> 00:58:27,040
Speaker 1: letting go of that and I just gotta be good

1122
00:58:27,080 --> 00:58:31,080
Speaker 1: with me. I gotta walk around happy and comfortable with me,

1123
00:58:31,360 --> 00:58:34,240
Speaker 1: no matter what the nobody else think, you know, And

1124
00:58:34,360 --> 00:58:37,120
Speaker 1: That's where I'm at right now, kind of detoxing my

1125
00:58:37,240 --> 00:58:40,880
Speaker 1: addiction to numbers and wins in comparison mine. Has Netflix

1126
00:58:40,920 --> 00:58:43,840
Speaker 1: approached you about doing a special or a series because

1127
00:58:43,840 --> 00:58:45,880
Speaker 1: you have the tour, Do you have all the comics

1128
00:58:45,960 --> 00:58:47,919
Speaker 1: you have yourself? No? Yeah, but I'm sure I could

1129
00:58:47,960 --> 00:58:50,080
Speaker 1: do one if I wanted to, with them and everything.

1130
00:58:50,200 --> 00:58:52,160
Speaker 1: But I don't want to just do one just to

1131
00:58:52,640 --> 00:58:55,360
Speaker 1: do one. I want them to do one that's special,

1132
00:58:55,520 --> 00:58:57,840
Speaker 1: that that has some because I feel like you need

1133
00:58:57,880 --> 00:58:59,680
Speaker 1: to do a whole thing. I mean, you were mister

1134
00:59:00,000 --> 00:59:02,560
Speaker 1: of comedy jam. You can have, you know, bring up

1135
00:59:02,600 --> 00:59:04,360
Speaker 1: some other up and coming comics, put them on and

1136
00:59:04,480 --> 00:59:07,080
Speaker 1: do your own name. Yeah, and maybe the Lit Tour.

1137
00:59:07,160 --> 00:59:10,640
Speaker 1: We may bring the lit tour. We appreciate you guys

1138
00:59:10,680 --> 00:59:13,120
Speaker 1: for we can talk about a lot of good stuff.

1139
00:59:13,600 --> 00:59:16,120
Speaker 1: Keep doing, Keep doing what y'all doing. You know I

1140
00:59:16,320 --> 00:59:18,360
Speaker 1: listen and watch y'all all the time. Yeah, it's a

1141
00:59:18,480 --> 00:59:21,200
Speaker 1: really unique voice, and you know, you give voice to

1142
00:59:21,320 --> 00:59:26,240
Speaker 1: people that would be voiceless otherwise, you know. So you know,

1143
00:59:26,800 --> 00:59:29,680
Speaker 1: I love what you're doing. And uh, I've been dude.

1144
00:59:29,760 --> 00:59:32,200
Speaker 1: You know you got another gear and I'm looking forward

1145
00:59:32,240 --> 00:59:35,280
Speaker 1: to seeing and you can take you take that ask

1146
00:59:35,320 --> 00:59:42,920
Speaker 1: would take. It's crazy though, it has to its one. Yeah,

1147
00:59:43,040 --> 00:59:49,680
Speaker 1: you don't want it to be no mistake. Yeh to Sad,

1148
00:59:50,720 --> 01:00:02,400
Speaker 1: I invited you to come for morning. Everybody in j Mvy,

1149
01:00:02,600 --> 01:00:06,280
Speaker 1: Angela Yee, Charlomagne the guy. We are to breakfast Clubs.

1150
01:00:06,320 --> 01:00:08,280
Speaker 1: Balls for the icons living that just left here, Will

1151
01:00:08,280 --> 01:00:11,240
Speaker 1: Smith and Martin Lawrence. Dammon. Now let's get to these rumors.

1152
01:00:11,320 --> 01:00:15,480
Speaker 1: Let's talk Steve Harvey. This is the rumor report with

1153
01:00:15,720 --> 01:00:23,640
Speaker 1: angela year Breast Club. Well, we talked about this story

1154
01:00:23,680 --> 01:00:25,680
Speaker 1: for the past couple of weeks. Mark Curry says that

1155
01:00:25,760 --> 01:00:28,080
Speaker 1: Steve Harvey stole a joke from him and put him

1156
01:00:28,120 --> 01:00:31,800
Speaker 1: on blast. Steve Harvey denies that. Well, they did come

1157
01:00:31,920 --> 01:00:34,960
Speaker 1: up with some things on TMZ And this was Mark

1158
01:00:35,000 --> 01:00:39,240
Speaker 1: Curry's nineteen up special on Comedy Central Presents. Halloween was

1159
01:00:39,280 --> 01:00:42,680
Speaker 1: a tramp Halloween. We couldn't afford to halloween costumes. Eight kids, please.

1160
01:00:43,160 --> 01:00:45,080
Speaker 1: Mama sent us down to look us, to put boxes

1161
01:00:45,120 --> 01:00:48,040
Speaker 1: on us. We didn't know what we were. I don't

1162
01:00:48,080 --> 01:00:54,800
Speaker 1: know what we y'all. I don't know. I didn't tell him.

1163
01:00:58,400 --> 01:01:02,600
Speaker 1: I think when ups, I guess all right, Well, here

1164
01:01:02,800 --> 01:01:05,880
Speaker 1: is Steve Harvey's joke that Mark Curry claims he stole.

1165
01:01:06,360 --> 01:01:09,600
Speaker 1: You've heard me say that every Halloween I had the

1166
01:01:09,720 --> 01:01:15,040
Speaker 1: same outfit on every year. I just had a brown box.

1167
01:01:16,160 --> 01:01:18,840
Speaker 1: I wasn't nothing. Said, I'm just not asking my father.

1168
01:01:18,920 --> 01:01:20,680
Speaker 1: Could I have a new outfit? And he said, no,

1169
01:01:21,000 --> 01:01:23,640
Speaker 1: just wear the same one and just a brown box.

1170
01:01:24,280 --> 01:01:26,280
Speaker 1: And he just told me to tell everybody I was

1171
01:01:26,320 --> 01:01:30,880
Speaker 1: a UPS man. I think Mark Curry has a case.

1172
01:01:32,120 --> 01:01:35,480
Speaker 1: I think Mark Curry has a case very similar joke.

1173
01:01:36,240 --> 01:01:40,440
Speaker 1: I will say though, that sometimes comedians might have a

1174
01:01:40,560 --> 01:01:42,880
Speaker 1: similar joke, and maybe it's on accident. I don't know.

1175
01:01:43,680 --> 01:01:45,640
Speaker 1: Does that happen? Very true? I'm gonna tell you something

1176
01:01:45,680 --> 01:01:48,440
Speaker 1: else to Mark Curry made that joke in nineteen ninety nine, right,

1177
01:01:48,440 --> 01:01:53,680
Speaker 1: it's two thousand and nineteen. Sometimes what I said twenty so,

1178
01:01:53,760 --> 01:01:56,120
Speaker 1: sometimes you have an idea in your head and you

1179
01:01:56,280 --> 01:01:58,760
Speaker 1: think it's it's an original idea, but you actually heard

1180
01:01:58,800 --> 01:02:00,640
Speaker 1: it from someplace before, you know what I mean. Let

1181
01:02:00,680 --> 01:02:02,880
Speaker 1: Steve probably might have to be like, look, you're right,

1182
01:02:03,440 --> 01:02:06,760
Speaker 1: it's similar. And if he feels like he didn't, still

1183
01:02:06,880 --> 01:02:09,280
Speaker 1: just be like, I didn't realize you told that whatever, whatever,

1184
01:02:09,480 --> 01:02:12,160
Speaker 1: but it wasn't on purpose. And that's that I'm gonna say.

1185
01:02:12,160 --> 01:02:14,240
Speaker 1: You can shut it down. Just a random ups driver

1186
01:02:14,360 --> 01:02:16,080
Speaker 1: from anywhere in the USA can come out and say

1187
01:02:16,120 --> 01:02:20,920
Speaker 1: I said it's true. All right now. Duane Johnson the Rock.

1188
01:02:21,040 --> 01:02:24,880
Speaker 1: He has an autobiographical sitcom series now is called Young Rock.

1189
01:02:24,960 --> 01:02:28,360
Speaker 1: So it's an NBC sitcom, eleven episode straight to series order.

1190
01:02:28,720 --> 01:02:32,280
Speaker 1: So congratulations to the Rock. It's gonna show him as

1191
01:02:32,320 --> 01:02:36,280
Speaker 1: he grows up through life. An addition, Nick Cannon has

1192
01:02:36,320 --> 01:02:39,000
Speaker 1: a new mixtape coming out. He took out the artwork

1193
01:02:39,080 --> 01:02:40,960
Speaker 1: you can text me that this morning. Nick Cannon, The

1194
01:02:41,000 --> 01:02:43,840
Speaker 1: Miseducation of the Negro you Love to Hate, He said,

1195
01:02:43,840 --> 01:02:46,160
Speaker 1: the artwork for my new mixtape, is super special to me.

1196
01:02:46,240 --> 01:02:48,600
Speaker 1: Inspired by one of my favorite books by Carter g

1197
01:02:48,720 --> 01:02:52,440
Speaker 1: Winson and one of my favorite rappers and Grio's Ice Cube.

1198
01:02:52,800 --> 01:02:55,800
Speaker 1: Love your Dope Artists, You did your thing. It's simple

1199
01:02:55,840 --> 01:02:57,840
Speaker 1: but says a great deal. And that's how this project

1200
01:02:57,880 --> 01:03:00,280
Speaker 1: came together. Just pouring my soul out to the world.

1201
01:03:00,520 --> 01:03:02,480
Speaker 1: I hear y'all loud and clear. Hate me or love me,

1202
01:03:02,640 --> 01:03:04,600
Speaker 1: Educate yourself. Yeah. I don't check my phone for at

1203
01:03:04,680 --> 01:03:06,240
Speaker 1: least an hour after I wake up. And when I

1204
01:03:06,280 --> 01:03:08,080
Speaker 1: did look at my phone now with the text message

1205
01:03:08,120 --> 01:03:11,240
Speaker 1: I got from Nick Cannon, the Miseducation of the Negro

1206
01:03:11,640 --> 01:03:13,560
Speaker 1: you love to Hate. Yes, So if you want to

1207
01:03:13,560 --> 01:03:15,840
Speaker 1: see the artwork I Cannon hasn't posted on his page.

1208
01:03:16,320 --> 01:03:18,600
Speaker 1: All right. Kendrick Lamar, in the meantime has a new

1209
01:03:18,680 --> 01:03:21,800
Speaker 1: album and they're saying this album is going to be

1210
01:03:23,080 --> 01:03:26,600
Speaker 1: rock influenced, according to bill Wordy, and he's a former

1211
01:03:26,640 --> 01:03:30,120
Speaker 1: Billboard editorial director and he's a columnist now for a Billboard.

1212
01:03:30,480 --> 01:03:33,200
Speaker 1: He tweeted out to anyone not named Beyonce released better

1213
01:03:33,320 --> 01:03:36,360
Speaker 1: more meaningful back to back album's last decade than Kendrick Lamar.

1214
01:03:36,640 --> 01:03:38,640
Speaker 1: Are you interested to know that I hear from several

1215
01:03:38,680 --> 01:03:41,280
Speaker 1: friends that recording on the new album may finally be

1216
01:03:41,400 --> 01:03:43,880
Speaker 1: done and that he's pulling in more rock sounds this time.

1217
01:03:44,080 --> 01:03:45,520
Speaker 1: The leader of the new school when it comes to

1218
01:03:45,600 --> 01:03:48,320
Speaker 1: this generation, Kendrick Lamar. I'm actually ready for new Kendrick.

1219
01:03:48,360 --> 01:03:50,880
Speaker 1: When Kendrick comes out, he changes the climate of things.

1220
01:03:50,920 --> 01:03:53,680
Speaker 1: He's good for the ecosystem. I'm here for a new

1221
01:03:53,800 --> 01:03:56,440
Speaker 1: Kendrick Lamar album. It's time, all right. I'm Angela Yee

1222
01:03:56,440 --> 01:03:59,400
Speaker 1: and that is your rumor report, Thank you, miss ye Charlene. Yes,

1223
01:03:59,440 --> 01:04:01,680
Speaker 1: well give it at I don't uh you know, I

1224
01:04:01,840 --> 01:04:03,800
Speaker 1: hate fence to accounts. So a lot of people who

1225
01:04:03,840 --> 01:04:05,320
Speaker 1: have fence the accounts. Do you know what the fence

1226
01:04:05,400 --> 01:04:09,040
Speaker 1: that is? Fake account? Fake Instagram kids call him fence

1227
01:04:09,080 --> 01:04:12,160
Speaker 1: to Okay, we have a we have a we have

1228
01:04:12,240 --> 01:04:14,560
Speaker 1: a fence to going wrong for after the hour, we'll

1229
01:04:14,600 --> 01:04:16,600
Speaker 1: discuss it, all right, we'll get into that next keep

1230
01:04:16,640 --> 01:04:20,800
Speaker 1: it Lottes to Breakfast Club, Go morning, Maine, say the game.

1231
01:04:20,920 --> 01:04:28,480
Speaker 1: Don't get shape, man, you are its time today. Donkey

1232
01:04:28,560 --> 01:04:31,080
Speaker 1: today does not discriminate. I might not have the song

1233
01:04:31,160 --> 01:04:33,200
Speaker 1: of today, but I got the donkey that. So do

1234
01:04:33,200 --> 01:04:34,880
Speaker 1: you ever feel I need to be a donkey man

1235
01:04:35,160 --> 01:04:39,240
Speaker 1: hit it with the practice Club, bitch. I just don't

1236
01:04:39,320 --> 01:04:44,520
Speaker 1: keive today today, Yeah, donkey today from Monday, January thirteenth

1237
01:04:44,600 --> 01:04:47,960
Speaker 1: goes to a contestant on The Bachelor named Madison Pruitt. Now,

1238
01:04:48,040 --> 01:04:50,240
Speaker 1: I don't watch The Bachelor, but one of the ladies

1239
01:04:50,280 --> 01:04:54,480
Speaker 1: in the room does. Uh Rashaun djn V. How are you, sir?

1240
01:04:55,080 --> 01:04:58,520
Speaker 1: I'm doing well. I'm dum. Do you know Madison pruit

1241
01:04:58,600 --> 01:05:01,480
Speaker 1: Since you're an avid watcher of the BA Bachelor, I

1242
01:05:01,520 --> 01:05:04,320
Speaker 1: would have to say I do, okay? Um? She popular?

1243
01:05:04,400 --> 01:05:08,080
Speaker 1: I don't. Yeah, she's very popular. She's from I believe, Alabama,

1244
01:05:08,160 --> 01:05:12,040
Speaker 1: and she's a virgin. Really, my wife watches it. That's

1245
01:05:12,080 --> 01:05:13,200
Speaker 1: why I watch. No no, no, no, no no no.

1246
01:05:14,000 --> 01:05:16,880
Speaker 1: I've seen you queen out and fan out over people

1247
01:05:16,880 --> 01:05:18,680
Speaker 1: from The Bachelor. That dude that was in here name

1248
01:05:18,760 --> 01:05:20,360
Speaker 1: the one of the guy he pops THEO for breakfast,

1249
01:05:20,640 --> 01:05:25,040
Speaker 1: A name as Mike. Mike. Drop a clue now in

1250
01:05:25,160 --> 01:05:29,600
Speaker 1: my well. Madison crew would share a photo of herself

1251
01:05:29,720 --> 01:05:32,240
Speaker 1: with Bachelor star Peter Webber in V. Do you know

1252
01:05:32,320 --> 01:05:34,840
Speaker 1: Peter Webber? Yes? I do, okay. Who's Peter Webber? Sir?

1253
01:05:35,160 --> 01:05:37,280
Speaker 1: He's the bachelor. He's actually a pilot. He's a fine

1254
01:05:37,360 --> 01:05:42,000
Speaker 1: young man. I love this new I like the show.

1255
01:05:42,080 --> 01:05:47,120
Speaker 1: I was entertaining, this is amazing. Okay, well I guess

1256
01:05:47,160 --> 01:05:49,400
Speaker 1: this young woman Madison Crewd went on her first date

1257
01:05:49,440 --> 01:05:51,680
Speaker 1: with Peter Webber on the show, and there was a

1258
01:05:51,720 --> 01:05:54,920
Speaker 1: comment on her photo that said, beautiful date, Maddie, you

1259
01:05:55,040 --> 01:05:58,200
Speaker 1: were so genuine and real. That's a great comment, right

1260
01:05:58,560 --> 01:06:02,120
Speaker 1: if it came from an actual and not Maddie Prue herself.

1261
01:06:02,240 --> 01:06:04,480
Speaker 1: What are you talking about, Charlemagne, It came from Maddie

1262
01:06:04,480 --> 01:06:06,480
Speaker 1: Prue herself. Let's go to people now for the report.

1263
01:06:06,520 --> 01:06:10,040
Speaker 1: Police Exchelar Nation thinks front runner Madison has made her

1264
01:06:10,080 --> 01:06:12,600
Speaker 1: own fan account. Wow. This comes after a comment was

1265
01:06:12,640 --> 01:06:15,760
Speaker 1: posted from Madison's actual account praising her own photo. It

1266
01:06:15,840 --> 01:06:18,919
Speaker 1: said this beautiful date, Maddie, you were so genuine and real.

1267
01:06:19,480 --> 01:06:22,320
Speaker 1: Why do you forget to switch in between account exactly?

1268
01:06:22,360 --> 01:06:25,000
Speaker 1: So the comment was quickly deleted. A friend of Madison's

1269
01:06:25,080 --> 01:06:28,000
Speaker 1: is taking responsibility for the incident posted oops thought I

1270
01:06:28,080 --> 01:06:30,760
Speaker 1: wrote that comment about being real and genuine from my account,

1271
01:06:30,920 --> 01:06:33,000
Speaker 1: but was logged into Maddie's from when she got back

1272
01:06:33,040 --> 01:06:35,880
Speaker 1: from filming. Don't hate me, but Bachelor Nation hesitant on

1273
01:06:35,920 --> 01:06:39,200
Speaker 1: whether or not they believe the explanation. Now, Envy, you're

1274
01:06:39,200 --> 01:06:44,800
Speaker 1: a member of Bachelor Nation, how do you feel about this? Huh?

1275
01:06:45,240 --> 01:06:49,440
Speaker 1: Do you believe Madison? No? I don't. It makes sense though,

1276
01:06:49,520 --> 01:06:51,520
Speaker 1: because you're not allowed to use your phones right on

1277
01:06:51,600 --> 01:06:53,800
Speaker 1: social media while you're on the show. So she might

1278
01:06:53,840 --> 01:06:56,280
Speaker 1: have had a friend that was doing all of that

1279
01:06:56,440 --> 01:06:58,360
Speaker 1: for her, and maybe her friends still had her account,

1280
01:06:58,480 --> 01:07:02,960
Speaker 1: or maybe her friend is covering up for personally. I

1281
01:07:03,080 --> 01:07:05,960
Speaker 1: just think fake Instagram accounts, fence to us, as you

1282
01:07:06,120 --> 01:07:08,920
Speaker 1: kids call them, they're the greatest signs of insecurity a

1283
01:07:09,040 --> 01:07:10,840
Speaker 1: person can have. Okay, it's one thing if you have

1284
01:07:10,960 --> 01:07:13,240
Speaker 1: a fence to just because you want to spy on people.

1285
01:07:13,560 --> 01:07:15,720
Speaker 1: You don't want people to know you're watching your stories.

1286
01:07:15,760 --> 01:07:17,200
Speaker 1: I get it. But when you have a fence to

1287
01:07:17,320 --> 01:07:21,360
Speaker 1: the post comments like you're so genuine and real, When

1288
01:07:21,440 --> 01:07:23,800
Speaker 1: posting that comment from a fence to is the exact

1289
01:07:23,920 --> 01:07:27,880
Speaker 1: opposite of being genuine and real. That's just absolutely disgusting. Okay.

1290
01:07:27,920 --> 01:07:30,720
Speaker 1: We all have insecurities, we all see comments that trigger us.

1291
01:07:30,880 --> 01:07:33,200
Speaker 1: We all want to combat false and narratives. We all

1292
01:07:33,240 --> 01:07:35,440
Speaker 1: see lies and want to put the truth out there.

1293
01:07:35,480 --> 01:07:38,800
Speaker 1: But here's the thing. Time will always tell the truth

1294
01:07:38,880 --> 01:07:41,360
Speaker 1: for you. Okay, when you try to force it, things

1295
01:07:41,400 --> 01:07:43,240
Speaker 1: like this happened, all right. This is when keeping it

1296
01:07:43,360 --> 01:07:46,760
Speaker 1: fake goes absolutely wrong, because that's usually what happens when

1297
01:07:46,800 --> 01:07:49,480
Speaker 1: you're faking things go wrong. Now to clean up. Did

1298
01:07:49,600 --> 01:07:51,720
Speaker 1: come from her friend? As you heard, she said, it

1299
01:07:51,840 --> 01:07:56,400
Speaker 1: wasn't Madison, it was her. In fact, is another page

1300
01:07:56,600 --> 01:08:00,200
Speaker 1: Team Madison Pruitt. Do you follow that page? Env you're

1301
01:08:00,200 --> 01:08:02,760
Speaker 1: part of Team Maddie. No, you named your daughter after

1302
01:08:02,840 --> 01:08:04,919
Speaker 1: Madison Pruer, didn't you. I don't even know who Madison Prue,

1303
01:08:05,360 --> 01:08:08,440
Speaker 1: how old she is, I don't know. Maddie didn't comment

1304
01:08:08,880 --> 01:08:11,320
Speaker 1: that under her own picture. This is what Team Madison said.

1305
01:08:11,480 --> 01:08:14,560
Speaker 1: Maddie didn't comment that under her own picture. Her sisters

1306
01:08:14,760 --> 01:08:17,960
Speaker 1: has access to her account, and they commented so pleasing

1307
01:08:18,080 --> 01:08:20,599
Speaker 1: capital letters stop saying that she made a fan page

1308
01:08:20,800 --> 01:08:24,599
Speaker 1: and commented that don't go spreading lies. It's honestly pathetic.

1309
01:08:24,960 --> 01:08:27,000
Speaker 1: I do respect that comment, but if I'm being honest,

1310
01:08:27,560 --> 01:08:30,000
Speaker 1: I think the Team Madison page is offensed him. Okay,

1311
01:08:30,080 --> 01:08:32,280
Speaker 1: I think that's Madison herself. I have no reason to

1312
01:08:32,360 --> 01:08:34,759
Speaker 1: believe that anything this woman says from here going forward

1313
01:08:34,800 --> 01:08:37,599
Speaker 1: on social media is real not to mention why would

1314
01:08:37,640 --> 01:08:40,960
Speaker 1: Madison pew At Pruett, a contestant on The Bachelor, have

1315
01:08:41,120 --> 01:08:43,800
Speaker 1: a team? Okay, who is on this team? Tell me

1316
01:08:43,920 --> 01:08:46,280
Speaker 1: in v since you're a part of Bachelor Nation, what

1317
01:08:46,479 --> 01:08:49,000
Speaker 1: is this woman accomplished for someone to say they want

1318
01:08:49,040 --> 01:08:51,160
Speaker 1: to play for her team? Well, I believe she was

1319
01:08:52,120 --> 01:08:54,360
Speaker 1: what this team? You would say she's a virgin. She

1320
01:08:54,600 --> 01:08:57,280
Speaker 1: is a friend of I know too much, can man.

1321
01:08:57,320 --> 01:08:59,240
Speaker 1: That's why I'm asked. I'm not saying what she used

1322
01:08:59,240 --> 01:09:01,439
Speaker 1: to have a member of Bachelor Nations also a friend

1323
01:09:01,520 --> 01:09:04,320
Speaker 1: of somebody who was on Bachelor last year. Okay, so

1324
01:09:04,520 --> 01:09:06,800
Speaker 1: you know she's she's all right. I like that. I

1325
01:09:06,920 --> 01:09:08,960
Speaker 1: like that drop on the clue bombs for DJ and

1326
01:09:10,479 --> 01:09:13,479
Speaker 1: the Bachelor. Don't blame this on your wife, cut on

1327
01:09:13,600 --> 01:09:17,360
Speaker 1: top of my wife. Okay, listen, guys, once again, time

1328
01:09:17,439 --> 01:09:20,080
Speaker 1: will always tell the truth for you. So your fence

1329
01:09:20,200 --> 01:09:23,000
Speaker 1: that doesn't have to please get Madison proud. The sweet

1330
01:09:23,040 --> 01:09:27,120
Speaker 1: sounds of the Hamiltones. Oh no, you are do gee

1331
01:09:28,640 --> 01:09:39,800
Speaker 1: of the day, the dogee oh the day. Ye all right,

1332
01:09:41,280 --> 01:09:42,960
Speaker 1: thank you for that donkey of to day? Yes man?

1333
01:09:43,320 --> 01:09:47,439
Speaker 1: Now next eight hundred five eight five one oh five one. Now,

1334
01:09:47,479 --> 01:09:49,880
Speaker 1: Will Smith and Martin Lawrence were here earlier, so we

1335
01:09:49,960 --> 01:09:52,040
Speaker 1: were talking behind the scenes, and I even asked earlier

1336
01:09:53,280 --> 01:09:55,840
Speaker 1: who had the better sitcom? I don't know why black

1337
01:09:55,840 --> 01:09:57,599
Speaker 1: people have to do this, but boy we do. Who

1338
01:09:57,680 --> 01:10:00,360
Speaker 1: had the better sitcom? Will Smith? For mor and Lawrence?

1339
01:10:00,439 --> 01:10:03,800
Speaker 1: That you perform Martin and I guess you can't say

1340
01:10:04,000 --> 01:10:08,240
Speaker 1: neither or both. No, I don't know why black people

1341
01:10:08,320 --> 01:10:10,200
Speaker 1: do this, like we always have to put one thing

1342
01:10:10,280 --> 01:10:13,160
Speaker 1: against the other. But I love it because it makes

1343
01:10:13,200 --> 01:10:15,639
Speaker 1: for great compens Absolutely, let's open up the phone lines

1344
01:10:15,680 --> 01:10:18,439
Speaker 1: eight hundred five eight five one oh five one. Who

1345
01:10:18,560 --> 01:10:20,519
Speaker 1: had the better sitcom? Was it Martin? Or was it

1346
01:10:20,640 --> 01:10:22,439
Speaker 1: Will Smith? With the fresh Prince of bel Air? Call

1347
01:10:22,520 --> 01:10:26,680
Speaker 1: us now, it's the Breakfast Club Morning. Phone call in

1348
01:10:26,800 --> 01:10:31,240
Speaker 1: right now, call me at your opinion to the Breakfast

1349
01:10:31,280 --> 01:10:34,080
Speaker 1: Club topic breaking down. Eight hundred five eighty five one

1350
01:10:34,120 --> 01:10:43,000
Speaker 1: oh five one The Breakfast Club, It's topic. Time on

1351
01:10:43,120 --> 01:10:47,000
Speaker 1: the phone. Called eight hundred five eight five one oh

1352
01:10:47,080 --> 01:10:48,760
Speaker 1: five one to join it to the discussion with the

1353
01:10:48,760 --> 01:10:53,439
Speaker 1: Breakfast Club. Talk about it morning. Everybody is DJ Envy

1354
01:10:53,680 --> 01:10:56,679
Speaker 1: Angela Yee, Charlomagne, the guy we are the breakfast club

1355
01:10:56,760 --> 01:10:59,320
Speaker 1: now if he just joined us. Martin, Lawrence and Will

1356
01:10:59,360 --> 01:11:02,280
Speaker 1: Smith stopped earlier today to talk about bad Boys, three

1357
01:11:02,680 --> 01:11:05,120
Speaker 1: Icons Living God damn it, and we had a conversation

1358
01:11:05,520 --> 01:11:08,120
Speaker 1: who had the best sitcom? Was it Martin or was

1359
01:11:08,160 --> 01:11:09,720
Speaker 1: it Will Smith? Let's start with the room. You gotta

1360
01:11:09,760 --> 01:11:11,240
Speaker 1: pick one, so I don't want to love them, Bill,

1361
01:11:11,400 --> 01:11:13,280
Speaker 1: it's so crazy black people. We have to do this

1362
01:11:13,360 --> 01:11:15,920
Speaker 1: when it comes down everyone, what's better? Pop Eyes are?

1363
01:11:17,880 --> 01:11:20,960
Speaker 1: What's better? Kendrick Lamar or Drake? What's bad at Jax?

1364
01:11:21,040 --> 01:11:24,479
Speaker 1: We have to do this. Pick one. I'm sat Martin, Martin, Okay, Yeah,

1365
01:11:24,479 --> 01:11:27,120
Speaker 1: I enjoyed Martin. I guess if I had to pick

1366
01:11:27,360 --> 01:11:29,760
Speaker 1: us because I liked the whole aspect of Gina, and

1367
01:11:29,840 --> 01:11:31,680
Speaker 1: I liked Tear on the show too and Pam and

1368
01:11:31,760 --> 01:11:34,280
Speaker 1: all of that. But maybe for me it was just

1369
01:11:34,720 --> 01:11:37,360
Speaker 1: the funniness of their relationship and things that they went through.

1370
01:11:37,800 --> 01:11:40,360
Speaker 1: All Right, Charlemaigne, I'm gonna be honest with you. This

1371
01:11:40,520 --> 01:11:45,799
Speaker 1: isn't like an easy thing like this isn't like yo, Martin,

1372
01:11:45,920 --> 01:11:47,920
Speaker 1: this isn't like fresh Prince. When I and I've never

1373
01:11:48,000 --> 01:11:50,080
Speaker 1: thought about this, but when I actually sit down and

1374
01:11:50,200 --> 01:11:53,120
Speaker 1: think about it. I honestly don't think I have a

1375
01:11:53,240 --> 01:11:55,320
Speaker 1: favorite of the two. You go, I'm being on. I

1376
01:11:55,439 --> 01:11:58,599
Speaker 1: really love both of them. Like if you don't love

1377
01:11:59,040 --> 01:12:01,240
Speaker 1: if Fresh Prince is on right now and reruns, I'm

1378
01:12:01,240 --> 01:12:04,080
Speaker 1: stopping to watch Fresh Prince, if Martin is on it reruns,

1379
01:12:04,120 --> 01:12:09,600
Speaker 1: I'm stopping to watch Are you gonna flip to girlfriends?

1380
01:12:12,120 --> 01:12:13,800
Speaker 1: I don't know, I really, I mean, I really don't

1381
01:12:13,840 --> 01:12:16,400
Speaker 1: have a favorite. I think these these two shows are

1382
01:12:16,400 --> 01:12:19,920
Speaker 1: a little bit. I would probably say I might relate

1383
01:12:20,160 --> 01:12:22,879
Speaker 1: to Martin Moore only because of the hip hop aspect

1384
01:12:22,920 --> 01:12:25,320
Speaker 1: of it, the fact that Martin was a radio personality.

1385
01:12:25,920 --> 01:12:29,880
Speaker 1: You saw people like Viggie Smalls on the show. You know, Yeah,

1386
01:12:29,880 --> 01:12:32,360
Speaker 1: I probably relate to Martin Moore. I think for myself,

1387
01:12:32,360 --> 01:12:36,519
Speaker 1: I think it was the Fresh Principal. I just boogie

1388
01:12:36,680 --> 01:12:42,080
Speaker 1: rich ass. I guess a kid. I wasn't. No, I'm not.

1389
01:12:42,880 --> 01:12:46,679
Speaker 1: But I like Jeffrey, you know what, I'm not gonna

1390
01:12:46,760 --> 01:12:49,920
Speaker 1: leave it alone nothing. But I liked the first principal.

1391
01:12:50,120 --> 01:12:52,080
Speaker 1: I actually I liked the theme song. I like the

1392
01:12:52,160 --> 01:12:54,840
Speaker 1: theme I thought it was dope. When he went to

1393
01:12:54,920 --> 01:12:56,680
Speaker 1: the school and he and he changed it, you know,

1394
01:12:56,720 --> 01:12:58,640
Speaker 1: he put the blazer wrong backwards. I just thought The

1395
01:12:58,720 --> 01:13:01,160
Speaker 1: Fresh Prince was dope, by the way, theme songs not

1396
01:13:01,240 --> 01:13:04,080
Speaker 1: even close. Fresh Prince by a landslide. Absolutely, I just

1397
01:13:04,160 --> 01:13:05,880
Speaker 1: like the story better. But let's go to the phone lines.

1398
01:13:05,920 --> 01:13:11,479
Speaker 1: Not about us? Hello, who's this from? All right? Will Smith? Well?

1399
01:13:11,520 --> 01:13:14,240
Speaker 1: The Fresh Prince of bel al Martin? Which one's gotta

1400
01:13:14,240 --> 01:13:19,840
Speaker 1: be Martin? They're both good, but think about character Fresh Prince.

1401
01:13:19,880 --> 01:13:22,559
Speaker 1: You've got the people's house, you got the man name,

1402
01:13:22,600 --> 01:13:24,599
Speaker 1: you got the little kid that body knows you got

1403
01:13:24,680 --> 01:13:28,200
Speaker 1: older and goes round and yeah, yeah you yeah, yeah,

1404
01:13:28,280 --> 01:13:33,400
Speaker 1: you right right on that one. Okay, Hello, who's this Tiffany? Hey, Tiffany,

1405
01:13:33,520 --> 01:13:35,680
Speaker 1: we're talking Fresh Prince of Bella al Martin? Which one?

1406
01:13:35,720 --> 01:13:40,160
Speaker 1: You think? That's hard? So the Fresh Prince, if you

1407
01:13:40,200 --> 01:13:43,040
Speaker 1: were to ask me when I was younger, was way better.

1408
01:13:43,600 --> 01:13:47,400
Speaker 1: But now because I'm older and those joke hid different

1409
01:13:47,520 --> 01:13:50,040
Speaker 1: or Martin, I gotta think Martin, you know what, You're right?

1410
01:13:50,080 --> 01:13:51,519
Speaker 1: I didn't think about that when I was a kid.

1411
01:13:51,560 --> 01:13:53,080
Speaker 1: I used to like the Fresh Prince more. I still

1412
01:13:53,080 --> 01:13:55,680
Speaker 1: watched Martin. I thought Martin was funny, But now, oh

1413
01:13:56,240 --> 01:13:58,280
Speaker 1: why did the jokes hit different? Now? I think you

1414
01:13:58,280 --> 01:14:01,120
Speaker 1: because you understand them all as a kid. Yeah right,

1415
01:14:01,360 --> 01:14:04,360
Speaker 1: all right, thank you mama. Does Martin have adult humor

1416
01:14:04,479 --> 01:14:08,080
Speaker 1: like that? What themes was on Martin? That that you

1417
01:14:08,160 --> 01:14:10,320
Speaker 1: didn't understand as a kid, I don't. I'm trying to think.

1418
01:14:10,360 --> 01:14:12,120
Speaker 1: I don't remember, you know what, like some of the

1419
01:14:12,200 --> 01:14:15,640
Speaker 1: jokes like um, trying to think of of of of

1420
01:14:15,720 --> 01:14:18,120
Speaker 1: one of the jokes. But Fresh Prince, I think was

1421
01:14:18,200 --> 01:14:21,040
Speaker 1: more catered to the kids, more catered to teens with

1422
01:14:21,200 --> 01:14:24,880
Speaker 1: Markins everybody, Yeah, Martin was I mean it was jokes,

1423
01:14:24,960 --> 01:14:28,080
Speaker 1: It was funny jokes, it was sexual jokes. Martin did

1424
01:14:28,120 --> 01:14:30,120
Speaker 1: all that. Yeah, Martin had you know, I mean it

1425
01:14:30,200 --> 01:14:33,320
Speaker 1: was more it was more adult. Eight hundred five eight five,

1426
01:14:33,400 --> 01:14:36,000
Speaker 1: one on five one, we're talking. What's it come? You

1427
01:14:36,080 --> 01:14:38,160
Speaker 1: like better? Was it Martin? Or was it Will Smith? Callers?

1428
01:14:38,200 --> 01:14:41,800
Speaker 1: Now it's the Breakfast Club. Good morning, it's topic time.

1429
01:14:44,720 --> 01:14:48,800
Speaker 1: The phone called eight hundred five eight five one oh five.

1430
01:14:48,880 --> 01:14:51,000
Speaker 1: Want to join it to the discussion with the Breakfast Club.

1431
01:14:51,360 --> 01:14:57,240
Speaker 1: Talk about it morning. Everybody is DJ Envy, Angela Yee,

1432
01:14:57,320 --> 01:14:59,720
Speaker 1: Charlomagne the guy. We all the Breakfast Club. If you

1433
01:14:59,800 --> 01:15:02,320
Speaker 1: just join us, we're talking Will Smith and Martin Lawrence.

1434
01:15:02,360 --> 01:15:04,479
Speaker 1: They stopped through earlier to talk about Bad Boys three.

1435
01:15:04,520 --> 01:15:07,320
Speaker 1: We're asking eight hundred five five one oh five one

1436
01:15:07,760 --> 01:15:09,880
Speaker 1: which sitcom was better? Was it Martin or was it

1437
01:15:09,960 --> 01:15:12,080
Speaker 1: Will Smith? Now shout the Taylor one of our producers.

1438
01:15:12,479 --> 01:15:14,240
Speaker 1: She just brought up the fact that, and I agree

1439
01:15:14,240 --> 01:15:16,040
Speaker 1: with her that if you think about Will Smith to

1440
01:15:16,080 --> 01:15:18,080
Speaker 1: Fresh Prince of bel Air, they had lessons, They talked

1441
01:15:18,120 --> 01:15:20,599
Speaker 1: about things that was going on in the world, where

1442
01:15:20,680 --> 01:15:23,200
Speaker 1: Martin was just comedy. So as a kid, as a

1443
01:15:23,240 --> 01:15:25,599
Speaker 1: team I kind of related to the Fresh Prince because

1444
01:15:25,680 --> 01:15:28,400
Speaker 1: it was it affected me more that I think Martin did. Yeah,

1445
01:15:28,400 --> 01:15:31,560
Speaker 1: it was more. It was more depth, depth, depth on

1446
01:15:32,160 --> 01:15:35,760
Speaker 1: the first Prince then on Martin. You know, you can't

1447
01:15:35,800 --> 01:15:37,800
Speaker 1: learn from anything when you think about the episode when

1448
01:15:37,800 --> 01:15:41,240
Speaker 1: Carton got shot, right, um, and Will losing his will

1449
01:15:41,280 --> 01:15:43,200
Speaker 1: you know, talking about his dad not being around, well,

1450
01:15:43,320 --> 01:15:46,720
Speaker 1: talking about his dad not being around, losing their virginity. Yeah,

1451
01:15:46,840 --> 01:15:48,680
Speaker 1: you know what I mean. Now, let's go to the

1452
01:15:48,760 --> 01:15:53,240
Speaker 1: phone lines. Hello, who's this Mike, Mike, Will Smith. We're

1453
01:15:53,240 --> 01:15:56,880
Speaker 1: talking Fresh Prince of bel Air, Martin Martin? Okay, why

1454
01:15:57,479 --> 01:16:03,559
Speaker 1: because they played so many different characters the oldest Okay, Yeah,

1455
01:16:03,600 --> 01:16:05,960
Speaker 1: I'm noticing. The characters is what's taking it over the

1456
01:16:06,040 --> 01:16:08,479
Speaker 1: top for people. When it comes to Martin, Yeah, it

1457
01:16:08,479 --> 01:16:11,320
Speaker 1: would be funning hell too. But I mean both of them,

1458
01:16:11,400 --> 01:16:13,400
Speaker 1: like you said, I can so. I mean I like

1459
01:16:13,560 --> 01:16:16,040
Speaker 1: both of them, but I have to choose martinause because

1460
01:16:16,080 --> 01:16:20,200
Speaker 1: of the characters. Right, both shows are great. But yeah, Hello,

1461
01:16:20,280 --> 01:16:26,599
Speaker 1: who's this? Hey, Shanna, we're talking? First Principle or mar

1462
01:16:26,680 --> 01:16:28,880
Speaker 1: And which one did you like better? You? No? Hands

1463
01:16:29,000 --> 01:16:33,160
Speaker 1: down this mine? Baby? Why talk to me? Talk to me?

1464
01:16:33,920 --> 01:16:36,760
Speaker 1: Because Martin had all the good characters on there. I

1465
01:16:36,840 --> 01:16:39,600
Speaker 1: mean he had different characters. He had Javron, you know,

1466
01:16:39,840 --> 01:16:45,479
Speaker 1: he had boy uh and and you know he had

1467
01:16:45,560 --> 01:16:51,759
Speaker 1: the the old man. They played the security guys, oldest Martin. Okay,

1468
01:16:52,240 --> 01:16:57,200
Speaker 1: let's sen one more. Hello, who's this Miles? What's up? Bro?

1469
01:16:57,800 --> 01:17:02,679
Speaker 1: What's up? Now we're talking? I was up? What's we're talking?

1470
01:17:03,040 --> 01:17:05,160
Speaker 1: First Prince Bellil Martin? Which one you which one you

1471
01:17:05,240 --> 01:17:08,080
Speaker 1: like better? I gotta go with Martin on that why

1472
01:17:09,160 --> 01:17:12,240
Speaker 1: he played more characters? He says, he's funnier. Man, I

1473
01:17:12,400 --> 01:17:15,400
Speaker 1: said the wrong character, brother man. Fun the fifth blows

1474
01:17:15,439 --> 01:17:18,320
Speaker 1: like you just that's just way way funded. The first

1475
01:17:18,360 --> 01:17:21,519
Speaker 1: Front Courage person is more life than the messages, like

1476
01:17:21,680 --> 01:17:24,360
Speaker 1: about real life, about positive things, things is going on

1477
01:17:24,360 --> 01:17:26,400
Speaker 1: in the world. You're like messages. Huh. I mean I

1478
01:17:26,560 --> 01:17:29,360
Speaker 1: liked it. I liked the laugh more than I like it.

1479
01:17:30,840 --> 01:17:32,920
Speaker 1: You like the laugh more than you like to think. Okay,

1480
01:17:32,960 --> 01:17:35,320
Speaker 1: we get it. I'm not mad at it, all right. Well,

1481
01:17:35,360 --> 01:17:36,840
Speaker 1: what's the moral of the story, guys? If there is

1482
01:17:36,880 --> 01:17:38,280
Speaker 1: a moral, I mean, the more of the story is

1483
01:17:38,280 --> 01:17:40,960
Speaker 1: I mean, two icons living at the end of the day.

1484
01:17:41,080 --> 01:17:43,200
Speaker 1: Is this is a race that when they finished that

1485
01:17:43,320 --> 01:17:46,880
Speaker 1: both icons? But clearly, uh, at least here today Martin

1486
01:17:46,960 --> 01:17:49,280
Speaker 1: won by a landslide. Landslide. All right, Now you've got

1487
01:17:49,360 --> 01:17:51,519
Speaker 1: rumors on the way. Yes, let's talk about a rapper

1488
01:17:51,600 --> 01:17:56,120
Speaker 1: who is driving for Uber and left. And I'm not

1489
01:17:56,240 --> 01:17:58,120
Speaker 1: mad at it, you know, we'll talk about it, all right,

1490
01:17:58,120 --> 01:17:59,640
Speaker 1: We'll get into that next. Keep a lot. This to

1491
01:17:59,680 --> 01:18:02,400
Speaker 1: breakfast club. Good morning, yo. This is Martin Lawrence and

1492
01:18:02,479 --> 01:18:06,040
Speaker 1: this is willill Man, and wake that ass off. The

1493
01:18:06,200 --> 01:18:12,240
Speaker 1: breakfast club is long the breakfast club morning. Everybody is

1494
01:18:12,320 --> 01:18:16,160
Speaker 1: DJ Envy Angela Yee, Charlomagne the guy. We all the

1495
01:18:16,240 --> 01:18:18,880
Speaker 1: breakfast club. Let's get to the rumors. Let's talk young Jack.

1496
01:18:19,320 --> 01:18:28,200
Speaker 1: It's about is the Rumor Report dot Com, Angela, yee fund,

1497
01:18:28,240 --> 01:18:31,479
Speaker 1: the Breakfast Club. So Young Jack was a driver for

1498
01:18:31,600 --> 01:18:33,560
Speaker 1: the pull Up and Go app. It's an app that

1499
01:18:33,880 --> 01:18:37,559
Speaker 1: is competitive with Uber and Lyft. And here's some audio

1500
01:18:37,600 --> 01:18:40,640
Speaker 1: of what happened when he picked up one of his passengers.

1501
01:18:40,920 --> 01:18:44,400
Speaker 1: I just want to ask a question, are you young done?

1502
01:18:44,800 --> 01:18:47,479
Speaker 1: Can you done around? I mean, I think you'll put

1503
01:18:47,560 --> 01:18:51,840
Speaker 1: that point together. Yuh. You must have felled off of

1504
01:18:51,920 --> 01:18:55,400
Speaker 1: something like why you gotta follow? Yeah, I mean I'm

1505
01:18:55,439 --> 01:18:58,280
Speaker 1: trying to figure around like you're driving pull up and

1506
01:18:58,360 --> 01:19:01,479
Speaker 1: go like ramping. I mean a lot. Just feel like

1507
01:19:01,560 --> 01:19:03,400
Speaker 1: it's an easy way. It gets me easy money right

1508
01:19:03,400 --> 01:19:06,439
Speaker 1: in the outside. What's the problem. Yeah, And I feel like,

1509
01:19:06,600 --> 01:19:08,920
Speaker 1: you know, he does radio in Atlanta. I feel like

1510
01:19:09,600 --> 01:19:12,479
Speaker 1: maybe this is some type of commercial for that because

1511
01:19:13,360 --> 01:19:16,280
Speaker 1: sharing service that knew though it's been around a couple

1512
01:19:16,280 --> 01:19:18,759
Speaker 1: of years. Oh, we know that man might have equity

1513
01:19:19,160 --> 01:19:21,840
Speaker 1: in that company. Absolutely and that and now he just

1514
01:19:21,960 --> 01:19:25,479
Speaker 1: gave that company millions of dollars of free promotion just

1515
01:19:25,560 --> 01:19:28,000
Speaker 1: because y'all want to be funny and clown that man

1516
01:19:28,080 --> 01:19:31,479
Speaker 1: for having a job. So you know, it did get

1517
01:19:31,479 --> 01:19:33,559
Speaker 1: a lot of attention. So and by the way, even

1518
01:19:33,600 --> 01:19:36,120
Speaker 1: if he don't have equity in that company, even if

1519
01:19:36,160 --> 01:19:38,080
Speaker 1: he just just if he just had the job, what's

1520
01:19:38,120 --> 01:19:40,400
Speaker 1: the problem? Nothing at all? Like, what's the problems? So

1521
01:19:40,520 --> 01:19:42,120
Speaker 1: he likes to meet people and talk to people. A

1522
01:19:42,160 --> 01:19:43,680
Speaker 1: lot of drivers when they talk to me, they tell

1523
01:19:43,720 --> 01:19:45,560
Speaker 1: me the same thing, like some of them do it

1524
01:19:45,600 --> 01:19:47,320
Speaker 1: because they just like in the other house is another

1525
01:19:47,360 --> 01:19:50,640
Speaker 1: great source of income. They like driving. When I was

1526
01:19:51,000 --> 01:19:52,840
Speaker 1: in Toledo over the weekend, my driver was telling me

1527
01:19:52,920 --> 01:19:55,320
Speaker 1: I just like to drive all the time. So it

1528
01:19:55,400 --> 01:19:57,839
Speaker 1: could be that who knows, all right, now, Gwyneth Paltrow,

1529
01:19:58,000 --> 01:19:59,960
Speaker 1: she just sold out of an item on her web

1530
01:20:00,160 --> 01:20:03,320
Speaker 1: site on Goop. It's a candle that smells like vagina,

1531
01:20:04,040 --> 01:20:07,040
Speaker 1: and it costs seventy five dollars. Vagina doesn't smell like

1532
01:20:07,479 --> 01:20:09,920
Speaker 1: that's what really matters, right, He's a vagina smell like

1533
01:20:10,760 --> 01:20:15,280
Speaker 1: hopefully nothing if things are going well. But the candle says,

1534
01:20:15,360 --> 01:20:18,080
Speaker 1: this smells like my vagina. And they said it's a

1535
01:20:18,200 --> 01:20:22,920
Speaker 1: blend of geranium such to see bergamot and cedar juxtaposed

1536
01:20:23,000 --> 01:20:25,639
Speaker 1: with damasc roads and and brett seed. So it's supposed

1537
01:20:25,680 --> 01:20:29,360
Speaker 1: to be like a fantasy seduction, sophisticated warmth. We'll tell

1538
01:20:29,360 --> 01:20:31,320
Speaker 1: you something, my brothers. If you put your mouth on

1539
01:20:31,360 --> 01:20:33,479
Speaker 1: a vagina and it's got all those fragrances coming from it,

1540
01:20:33,680 --> 01:20:36,040
Speaker 1: something wrong. What are you trying to cover up? Something? Really?

1541
01:20:36,080 --> 01:20:38,280
Speaker 1: Why you got all of this citrus and geranium and

1542
01:20:38,760 --> 01:20:40,640
Speaker 1: vibranium and all of this other type of stuff on

1543
01:20:40,680 --> 01:20:43,519
Speaker 1: your vagina? Fault? All right? Now? Oprah is now stepping

1544
01:20:43,560 --> 01:20:46,519
Speaker 1: away from the Meto documentary centered around Russell Simmon. She's

1545
01:20:46,520 --> 01:20:49,519
Speaker 1: stepping down as executive producer and also not bringing it

1546
01:20:49,600 --> 01:20:52,240
Speaker 1: to Apple TV Plus. So you did announce that decision

1547
01:20:52,760 --> 01:20:55,400
Speaker 1: on Friday? She said, I have decided I will no

1548
01:20:55,479 --> 01:20:58,080
Speaker 1: longer be executive producer. It will not air an Apple

1549
01:20:58,120 --> 01:21:00,200
Speaker 1: TV Plus. First and foremost, I wanted to be that

1550
01:21:00,200 --> 01:21:03,280
Speaker 1: I unequivocally believe in support the women. Their stories deserve

1551
01:21:03,360 --> 01:21:06,400
Speaker 1: to be told and heard. So I don't know what's

1552
01:21:06,400 --> 01:21:08,840
Speaker 1: going to happen with it now, but she said she

1553
01:21:08,960 --> 01:21:10,760
Speaker 1: will still be working with Times Up to support the

1554
01:21:10,840 --> 01:21:13,840
Speaker 1: victims and those impacted by abuse and sexual harassment. Yeah.

1555
01:21:13,840 --> 01:21:16,120
Speaker 1: I never understood why that was a documentary. Like if

1556
01:21:16,120 --> 01:21:17,760
Speaker 1: you're sitting down with the women and you're having a

1557
01:21:17,840 --> 01:21:22,320
Speaker 1: conversation cool, but a documentary based on he said, She said,

1558
01:21:22,400 --> 01:21:25,840
Speaker 1: I never understood that. All Right, The Neptunes are reuniting

1559
01:21:25,920 --> 01:21:28,160
Speaker 1: full time for twenty twenty, if you're excited for that.

1560
01:21:28,280 --> 01:21:31,280
Speaker 1: For Rell and Chad Hugo have been working on solo

1561
01:21:31,320 --> 01:21:34,240
Speaker 1: material for the past few years, but now they're going

1562
01:21:34,280 --> 01:21:37,080
Speaker 1: to be back together. Actually, Chad told Clash Magazine, I'm

1563
01:21:37,080 --> 01:21:39,840
Speaker 1: focusing on the Neptune stuff, getting back on the Neptuns Grind.

1564
01:21:39,880 --> 01:21:41,559
Speaker 1: We're doing a couple of things. It's a video game

1565
01:21:41,640 --> 01:21:43,960
Speaker 1: soundtrack that's in the works right now that I can't

1566
01:21:44,000 --> 01:21:46,080
Speaker 1: speak about. I'm not supposed to, but it's in the works.

1567
01:21:46,439 --> 01:21:48,639
Speaker 1: And they've also been working with a variety of different

1568
01:21:48,720 --> 01:21:53,559
Speaker 1: artists as well. They've worked with Geazy Luzi, Brandy, ray J, Miley, Cyrus,

1569
01:21:53,680 --> 01:21:56,040
Speaker 1: jay Z, Blink one eighty two, all of that. I

1570
01:21:56,080 --> 01:21:59,120
Speaker 1: would love to know how much the sound differs from

1571
01:22:00,160 --> 01:22:04,439
Speaker 1: Neptunes as a whole to just Pharrell similar. They got

1572
01:22:04,520 --> 01:22:06,479
Speaker 1: to be pretty similar, I'm sure, because they came up

1573
01:22:06,560 --> 01:22:08,920
Speaker 1: the same way. They used the same sound, similar sounds.

1574
01:22:09,120 --> 01:22:11,240
Speaker 1: But I love I love to hit him back again though,

1575
01:22:11,439 --> 01:22:13,960
Speaker 1: all right, and Cardi B wants to become a politician,

1576
01:22:14,200 --> 01:22:17,160
Speaker 1: and she is taking it very seriously. She tweeted out,

1577
01:22:17,160 --> 01:22:18,760
Speaker 1: I think I want to be a politician. I really

1578
01:22:18,840 --> 01:22:21,000
Speaker 1: love government, even though I don't agree with government. That's

1579
01:22:21,040 --> 01:22:22,599
Speaker 1: a good reason to be a politician. By the way,

1580
01:22:23,160 --> 01:22:25,479
Speaker 1: she said, like I was watching war documentaries, no matter

1581
01:22:25,560 --> 01:22:28,000
Speaker 1: how many weapons a country have, unique people, how are

1582
01:22:28,000 --> 01:22:29,800
Speaker 1: you trying to go against the country and possibly start

1583
01:22:29,840 --> 01:22:32,639
Speaker 1: a war when this country lacks patriotism. I barely see

1584
01:22:32,640 --> 01:22:36,040
Speaker 1: people claiming they love being American. So she is planning

1585
01:22:36,120 --> 01:22:38,800
Speaker 1: to go to school and all of that, possibly to

1586
01:22:39,200 --> 01:22:42,720
Speaker 1: get involved. What's the problem? Once again, you never know

1587
01:22:43,280 --> 01:22:46,200
Speaker 1: what people are going to turn out to be. There's

1588
01:22:46,240 --> 01:22:48,960
Speaker 1: this thing called growth, it's this thing called evolution. We

1589
01:22:49,080 --> 01:22:51,080
Speaker 1: don't know what people are going to be in the future.

1590
01:22:51,240 --> 01:22:54,519
Speaker 1: So Cardi b may just become a politician, and that's

1591
01:22:54,560 --> 01:22:55,960
Speaker 1: a great reason to be one. If you don't like

1592
01:22:56,040 --> 01:22:58,600
Speaker 1: what's happening in the government, then go in there and

1593
01:22:58,720 --> 01:23:00,920
Speaker 1: make that change. And the inless things she said in

1594
01:23:01,040 --> 01:23:04,679
Speaker 1: that whole tweet thread is that she's going to school.

1595
01:23:04,760 --> 01:23:06,840
Speaker 1: She wants to go educate herself, right, you know what

1596
01:23:06,840 --> 01:23:09,360
Speaker 1: I mean, She's gonna be all right, all right, Well,

1597
01:23:09,360 --> 01:23:12,439
Speaker 1: I'm Angela yean, that is your rumor report. Okay, thank you,

1598
01:23:12,560 --> 01:23:14,519
Speaker 1: miss ye Now when we come back, we got the

1599
01:23:14,560 --> 01:23:16,400
Speaker 1: People's Choice mix. Get your request and let me know

1600
01:23:16,479 --> 01:23:19,240
Speaker 1: what you want to hear at dj Envy Revolte. Will

1601
01:23:19,280 --> 01:23:21,519
Speaker 1: see you guys tomorrow. It's the Breakfast Club. Good morning,

1602
01:23:21,800 --> 01:23:25,479
Speaker 1: dj Envy, Angela yee, Charlemagne the guy. We all the

1603
01:23:25,600 --> 01:23:28,920
Speaker 1: Breakfast Club. They don't forget. The Breakfast Club will be

1604
01:23:29,240 --> 01:23:36,040
Speaker 1: in Mexico. Riera Mayo, Riviera Maya, Mayo, Mayo Maya. All

1605
01:23:36,040 --> 01:23:40,760
Speaker 1: the white people going to Mexico June fourth through June eighth.

1606
01:23:40,880 --> 01:23:42,479
Speaker 1: All right, so get your tickets. If you haven't got

1607
01:23:42,520 --> 01:23:44,479
Speaker 1: your tickets. If you have more information to Breakfast Club,

1608
01:23:44,560 --> 01:23:48,200
Speaker 1: just atwater dot com our flyaway my whole girl. Ashley

1609
01:23:48,240 --> 01:23:50,640
Speaker 1: flew to Ashley Ashley James more like my sister. She

1610
01:23:51,560 --> 01:23:54,120
Speaker 1: hit me yesterday because her born day is actually June ef.

1611
01:23:54,280 --> 01:23:59,439
Speaker 1: She was like, y'all going to Mexico and I was like, yes, so, Ashley,

1612
01:24:00,040 --> 01:24:01,919
Speaker 1: we want to come, a lot of people want to come, absolutely,

1613
01:24:01,920 --> 01:24:04,320
Speaker 1: So if you haven't got your tickets, get your tickets. Um,

1614
01:24:04,439 --> 01:24:06,080
Speaker 1: they have things on the site where you could pay

1615
01:24:06,840 --> 01:24:08,800
Speaker 1: per month. So it's just not a big hit at once,

1616
01:24:08,840 --> 01:24:11,360
Speaker 1: and there's so many different things. He's doing her podcast,

1617
01:24:11,479 --> 01:24:14,519
Speaker 1: Charlemagne's doing his. I'm doing mine is comedy shows. There's

1618
01:24:14,520 --> 01:24:17,760
Speaker 1: gonna be performatives, all types of parties, so make sure

1619
01:24:17,840 --> 01:24:19,920
Speaker 1: get your tickets. If you haven't got your tickets again,

1620
01:24:20,240 --> 01:24:23,479
Speaker 1: the website is the Breakfast Club just atwater dot com.

1621
01:24:23,600 --> 01:24:25,280
Speaker 1: We'd love to see you guys there. I was looking

1622
01:24:25,320 --> 01:24:27,320
Speaker 1: at the website yesterday. The only thing I want to

1623
01:24:27,400 --> 01:24:31,920
Speaker 1: change is the early two thousand party. Make you damn

1624
01:24:31,960 --> 01:24:34,479
Speaker 1: by No early two thousands. To do both thousands was

1625
01:24:34,520 --> 01:24:38,240
Speaker 1: cute though up there. We grew up up there, I

1626
01:24:38,360 --> 01:24:39,639
Speaker 1: grew up in you know what I mean. We could

1627
01:24:39,640 --> 01:24:41,040
Speaker 1: do both though. I like that. I like the I

1628
01:24:41,120 --> 01:24:43,040
Speaker 1: like the nineties. But now we're gonna have a good

1629
01:24:43,080 --> 01:24:45,759
Speaker 1: time this June. That's right. If you haven't got your tickets,

1630
01:24:45,800 --> 01:24:47,439
Speaker 1: definitely get your tickets. And when we come back, we

1631
01:24:47,520 --> 01:24:49,559
Speaker 1: got your positive notes, so don't move. It's to Breakfast Club.

1632
01:24:49,600 --> 01:24:54,160
Speaker 1: Good morning morning, Everybody's DJ, Envy Angela Yee, Charlomagne, the

1633
01:24:54,200 --> 01:24:57,840
Speaker 1: guy we are. The Breakfast Club's salute to Martin Lawrence

1634
01:24:57,880 --> 01:25:01,600
Speaker 1: Man and Will Smith, two icons living for pulling up

1635
01:25:01,600 --> 01:25:04,559
Speaker 1: to the Breakfast Club this morning. Um, you really can't

1636
01:25:04,600 --> 01:25:06,800
Speaker 1: tell me nothing right now because Will Smith watches me.

1637
01:25:07,280 --> 01:25:09,920
Speaker 1: He's reading my book, So I don't even know why

1638
01:25:09,920 --> 01:25:12,960
Speaker 1: I'm here anymore. What y'all to be honest, because you

1639
01:25:12,960 --> 01:25:14,840
Speaker 1: know what it's all about me. He also said he's

1640
01:25:14,840 --> 01:25:17,559
Speaker 1: gonna send you a mold of his ass. You would

1641
01:25:17,800 --> 01:25:20,599
Speaker 1: and I wouldn't you think I wouldn't accept that? Could

1642
01:25:20,600 --> 01:25:22,439
Speaker 1: you do with that? I'm mounted in here just like

1643
01:25:22,439 --> 01:25:24,960
Speaker 1: I'm gonna mount my ass and here, okay, except I'm

1644
01:25:24,960 --> 01:25:28,120
Speaker 1: gonna put my ass by you, and Will's asked by me. Goddamnit,

1645
01:25:28,160 --> 01:25:29,960
Speaker 1: and shout out to Martin. He's got his whole tour

1646
01:25:30,160 --> 01:25:32,559
Speaker 1: going on to he has his comedy tour that he's

1647
01:25:32,560 --> 01:25:35,439
Speaker 1: put a lot of comics on. So I've seen him

1648
01:25:35,479 --> 01:25:37,240
Speaker 1: lie on Jimmy fallon. I don't know if it was foulon.

1649
01:25:37,280 --> 01:25:39,160
Speaker 1: It was one of them shows. Martin Lytt is that

1650
01:25:39,240 --> 01:25:42,080
Speaker 1: he's taking all the young hot comics out, Little Dudevall

1651
01:25:42,720 --> 01:25:49,360
Speaker 1: doll rawlings, Michael Blackson. Ain't nothing young about those negroes? Yes? Young? No?

1652
01:25:50,200 --> 01:25:52,120
Speaker 1: All right? He leave us on the posts. It might

1653
01:25:52,120 --> 01:25:55,680
Speaker 1: be older than you, Martin. While you playing listen to

1654
01:25:55,760 --> 01:25:58,400
Speaker 1: positive notice this. Uh. If you tell the truth, it

1655
01:25:58,479 --> 01:26:00,800
Speaker 1: becomes a part of your pass. If you lie, it

1656
01:26:00,880 --> 01:26:04,200
Speaker 1: becomes a part of your future clubs. Y'all finish it,

1657
01:26:04,280 --> 01:26:04,760
Speaker 1: y'all dumb.