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Speaker 1: Transmitting this guy.

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Speaker 2: Welcome to the show. Hope you had a good weekend,

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Speaker 2: Morris Studio morning.

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Speaker 3: I glad everybody's here. Let's start with a little Riddle

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Speaker 3: me this. I know it's early. Let's get your brains

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Speaker 3: going here.

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Speaker 2: These are all kids riddles, so i'll last the riddle.

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Speaker 3: You'll have ten seconds from when I finish it to

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Speaker 3: get the kids riddle for example, what goes up but

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Speaker 3: never goes down?

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Speaker 2: Age boom?

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Speaker 3: It's early, Yes, stretch it out. Riddle me this, Amy,

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Speaker 3: your first I'll read it twice. I'm full of holes,

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Speaker 3: but I can still hold a lot of water.

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Speaker 2: What am I? Correct?

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Speaker 3: Didn't even need a second read, just fired up lunchbox.

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Speaker 3: I get smaller every time I take a bath.

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Speaker 2: What am I?

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Speaker 3: You can answer whenever? Okay, bor so correct? But the

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Speaker 3: timer doesn't start to off for the second reading, Eddie,

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Speaker 3: I get wet while drying.

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Speaker 2: What am I? It's a towel? Good?

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Speaker 1: A little scene there?

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Speaker 3: Yeah, a little something we did in the first round

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Speaker 3: fish flash, Yeah, a little bat thing? Amy, who riddled

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Speaker 3: me this? I have a head and a tail that

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Speaker 3: will never meet. Having too many of me is always

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Speaker 3: a treat.

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Speaker 2: What am I?

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Speaker 3: I have a head and a tail that will never meet.

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Speaker 3: Having too many of me is always a treat.

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Speaker 4: What am I?

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Speaker 3: Timer starts now, who riddle me this? I have a

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Speaker 3: head and a tail that will never meet. Having too

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Speaker 3: many of me is always a treat.

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Speaker 2: What am I?

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Speaker 1: Well, gosh, I have two things in my mind.

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Speaker 2: I need an answer. Correct? Okay? Wow, Well at the buzzer.

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Speaker 5: Yeah, he was throwing me off by the too many

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Speaker 5: as a tree does.

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Speaker 1: Like lobster.

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Speaker 2: Lunchbox, I make two people out of one? What am I?

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Speaker 2: I make two people out of one? What am I?

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Speaker 2: Who riddle me this? Mirror? Correct?

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Speaker 6: Oh, that's good lunch, Oh eddie?

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Speaker 3: Yeah, I have three hands, but I cannot scratch myself.

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Speaker 2: What am I? I have three hands, but I cannot

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Speaker 2: scratch myself. What am I? Who riddle me this? Three hands?

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Speaker 6: I mean the clock has two hands unless you're counting

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Speaker 6: that second hand right, because it's an hour minute second?

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Speaker 2: Let's go clop.

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Speaker 3: Correct, Amy, I come in different color. Sometimes I'm hot,

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Speaker 3: sometimes I'm sweet. Even though I have a bell. It

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Speaker 3: doesn't ring. What am I? I come in different colors?

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Speaker 3: Sometimes I'm hot, sometimes I'm sweet, even though I have

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Speaker 3: a bell.

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Speaker 2: It doesn't ring. What am I?

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Speaker 1: What?

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Speaker 3: I read it twice? I come in different color? Sometimes

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Speaker 3: I'm hot, sometimes I'm sweet. Even though I have a bell,

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Speaker 3: it doesn't ring.

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Speaker 2: What am I?

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Speaker 1: Even though I have a bell, it doesn't ring. I

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Speaker 1: come in someone's hot taco bell.

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Speaker 3: No, it's a bell pepper, different colors hot or sweet?

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Speaker 2: I have a bell, it doesn't ring a bell pepper.

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Speaker 6: I thought taco bell hot sauces.

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Speaker 2: Amy's out lunchbox.

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Speaker 3: I am a seed? That is a three letter word.

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Speaker 3: Take two letters away, and I still sound the same.

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Speaker 2: What am I? I may I am? I'm I'm going

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Speaker 2: to read it again every time it's twice. Yeah, no,

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Speaker 2: I know.

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Speaker 3: I am a seed that is a three letter word.

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Speaker 3: Take two letters away, and I still sound the same?

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Speaker 2: What am I? I seed? That is a three letter word?

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Speaker 2: How far.

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Speaker 3: I am a seed? There's a three letter word? Take

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Speaker 3: two letters away and I still sound the same.

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Speaker 2: Oh, I got it?

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Speaker 1: What am I?

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Speaker 2: There's a seed? Time? Pumpkin seed?

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Speaker 3: I don't know? Correct you guys. It's a take away?

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Speaker 2: Is a seed?

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Speaker 4: Yeah?

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Speaker 3: As a little seed, eddie. If you get this, you win.

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Speaker 3: If you miss it, we go to sudden death. I

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Speaker 3: sound like one letter, but I'm written with three. I

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Speaker 3: show you things when you look through me. What am I?

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Speaker 3: I sound like one letter, but I'm written with three.

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Speaker 3: I show you things when you look through me.

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Speaker 2: What am I? Riddle me?

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Speaker 3: This show you things when you look through me? I

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Speaker 3: sound like one letter, but I'm written with three. I

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Speaker 3: show you things when you look through me. But I've

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Speaker 3: said it for three times. It's third time yellow card

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Speaker 3: for Amy. The third time happens during the timing. And

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Speaker 3: now the timer starts over because Amy interrupted.

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Speaker 7: Oh no.

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Speaker 2: You are tu b TV. You say one more time?

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Speaker 2: No time. All I have is b all. Amy's aggressive this.

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Speaker 5: Morning, and I just go I just got money. I

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Speaker 5: said it was a three letter word, not a three word.

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Speaker 5: I was trying to nobody in your head.

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Speaker 2: Okay, here we go.

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Speaker 1: We're in.

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Speaker 3: It's sudden death. One one buzz in with your name.

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Speaker 3: What animal can jump higher than a building?

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Speaker 2: Maybe all animals jump.

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Speaker 1: An hour?

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Speaker 2: All animals because buildings can't jump? Anonymous sin any of

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Speaker 2: the questions to be well, Hello, Bobby Bones.

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Speaker 3: I heard you talking recently about secrets husbands keep from

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Speaker 3: wives and vice versa. I wanted to get some advice

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Speaker 3: from you. Based on that, but a situation that I

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Speaker 3: have with my boyfriend. We've been together for over two years.

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Speaker 3: We were recently talking about going to Florida on vacation,

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Speaker 3: and he was showing me pictures on his phone of

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Speaker 3: some previous trips and things he enjoyed doing.

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Speaker 2: Many of the picks had xes in them.

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Speaker 3: I told him I thought it wasn't right that he

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Speaker 3: had picked up his exes, but he pushed back, saying

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Speaker 3: that's part of his past and he doesn't want it

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Speaker 3: to leave them. He says he's in love with me

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Speaker 3: and he wouldn't care if I had picks my exes.

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Speaker 3: Should he delete them if that's what I want? Should

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Speaker 3: I consider in a red flag that he's refusing signed

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Speaker 3: their current and theirfore best girlfriend. Well, you both can

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Speaker 3: be right, because I don't think there is a wrong

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Speaker 3: answer here. It's just isn't worth a fight, And that's

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Speaker 3: really what this boils down to. I don't have any

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Speaker 3: pictures of any ex'es on anything anymore because and my

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Speaker 3: wife never asked me not.

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Speaker 2: To have them. But on a hard drive, Well, why

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Speaker 2: would I save anything?

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Speaker 1: Wow? What I knew like that you had not purposefully,

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Speaker 1: but you backed up your computer photos at some point.

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Speaker 2: Okay, that's weird. That was weird. I just was like,

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Speaker 2: you know, it's not even worth it.

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Speaker 3: I don't even want the chance, like to make my

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Speaker 3: fiance or girlfriend not really girlfriend but fiance for sure,

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Speaker 3: and then wife uncomfortable. So to me, it was more

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Speaker 3: of a respect toward her thing because she never said

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Speaker 3: you need to take every X off everything you've ever

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Speaker 3: done she said that. I might be like, well, that's

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Speaker 3: a little bizarre, like if she like demanded universally I

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Speaker 3: remove every But I think.

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Speaker 2: It's if he said it like that. How did he

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Speaker 2: say this it's part of my past? He said, it's

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Speaker 2: part it is? Yeah, but on making Yeah, why is

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Speaker 2: he keeping?

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Speaker 3: Is he doing a history book? And who's he going

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Speaker 3: to give that to? If you ask him, I think

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Speaker 3: he should take him off. I really do. I think

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Speaker 3: if you say, hey, it makes me uncomfortable. We have

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Speaker 3: all these pictures on your phone of you in an X.

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Speaker 3: But it's how you say it, though, because if you

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Speaker 3: said it to me really aggressively, then that would be

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Speaker 3: a red flag on you.

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Speaker 2: Like if you demanded I'll remove every picture of my ex,

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Speaker 2: I'll be like, whoa what is happening here, like, why

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Speaker 2: are you being so demanding and aggressive? So very much?

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Speaker 3: It's the tone in language with the situation I feel.

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Speaker 3: But I think it's fair that if you go, hey,

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Speaker 3: it makes me un comfortable. We have a picture of

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Speaker 3: your X on your phone. Even if I feel like

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Speaker 3: you're being ridiculous, I think he should respect that and

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Speaker 3: take him off his phone. So I'm going to go

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Speaker 3: you need to treat that very delicately, But just ask and.

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Speaker 2: How he answers. I would be a little judgmental on

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Speaker 2: if he was like, no way, it's not why is

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Speaker 2: he keeping those around? That's my thought. I think if

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Speaker 2: you ask, you should remove them.

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Speaker 1: Yeah, that's hard. I've never asked, so I just doesn't

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Speaker 1: bother me.

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Speaker 3: It does not bother me and bother me, but obviously

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Speaker 3: it does bother her, which is why I say that

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Speaker 3: could talk for me to come from that place because

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Speaker 3: it doesn't bother me.

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Speaker 1: Yeah, I have a hard time like trying to get

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Speaker 1: myself there because I'm like, okay, yeah, it's part of

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Speaker 1: his past.

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Speaker 2: I think if any person asks respectfully, I think you

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Speaker 2: should meet that.

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Speaker 1: Yeah, I agree with you, though, as long as it's

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Speaker 1: someone like you're about to spend the rest.

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Speaker 2: Of your life, not somebody you've been with for two weeks, right, like, okay,

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Speaker 2: and you can even do like Amy, save them want

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Speaker 2: a hard drive? If like you're in, hide that hard

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Speaker 2: drive somewhere.

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Speaker 3: But I would ask him respectfully.

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Speaker 2: But if he meets you aggressively, there's something up there too.

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Speaker 1: But then also I think it's important we could ask

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Speaker 1: her if we have that desire, ask this question. Okay,

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Speaker 1: she can. If you're listening, ask yourself, like, why does

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Speaker 1: it bother you?

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Speaker 8: Like?

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Speaker 1: Why am I so insecure about photos of his X

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Speaker 1: from a long time ago?

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Speaker 2: This this salt therapy stuff, that's what we say, Hey,

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Speaker 2: s a good therapy. There we go on the Bobby

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Speaker 2: Bones Show.

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Speaker 1: Now, Iron Dean and Ronnie Dunn.

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Speaker 3: Do you think Phil Collins should be in the Rock

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Speaker 3: and Hall of Fame, not with Genesis but by himself.

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Speaker 2: Yes, I do get me too.

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Speaker 3: Genesis is in, but Phil Collins is not by himself.

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Speaker 3: And I think that's an easy one, right.

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Speaker 4: He dominated radio in what the eighties?

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Speaker 3: Yeah, all right, Phil Collins Rock and a Hall of Fame, Yeah,

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Speaker 3: he should be.

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Speaker 7: I'm surprised he's not by himself me too. Yeah, what

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Speaker 7: about Fish?

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Speaker 3: So Fish no hits, but they's for forty years they've

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Speaker 3: been touring to thirty thousand people.

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Speaker 4: That works, you know under jam band.

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Speaker 2: It's rock and roll. Eddie said no. Eddie said no.

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Speaker 2: Eddie said no.

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Speaker 6: I said no, Ronnie, because I feel like the same

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Speaker 6: thirty five thousand people that go to one show go

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Speaker 6: to all of them.

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Speaker 4: Well, it could be like the Grateful Dead, right, you

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Speaker 4: got your little cult that follows around. Yeah, they're all here.

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Speaker 3: But for that long forty years of thirty thousand people

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Speaker 3: a night, that's and I can't name a single Fish

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Speaker 3: song the same here?

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Speaker 4: Can you?

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Speaker 2: Can you name a song?

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Speaker 7: No? I can't even spell Fish exactly. They spell it

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Speaker 7: funkyn the h y.

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Speaker 3: Yeah, I can name like two Grateful Dead songs like

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Speaker 3: Casey Casey Jones.

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Speaker 4: Okay, so my son in law is it just it's

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Speaker 4: one of those an Auburn grad anyway. I say that

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Speaker 4: because they're like kind of like an intellectual school that

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Speaker 4: right in a way.

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Speaker 2: Do you say anti intellectual?

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Speaker 4: No? No, intellectual? Go ahead, it could be in his case.

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Speaker 4: So he just he's just like been taken off and

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Speaker 4: doing these grateful Dead things with all this his frat buddies. Yeah,

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Speaker 4: like I don't know, I don't know Grifford.

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Speaker 2: Dead song John Mayer plays and he does.

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Speaker 4: Now, Yeah, that makes it a little better.

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Speaker 2: How do you two know each other.

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Speaker 4: For? How far does that go back? Johnny? Uh? Johnny?

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Speaker 4: He said, Johnny Cash Orphan.

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Speaker 2: Yes, like you and john were you knew each other.

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Speaker 7: We were close, Ira, but Big john Yeah, oh yeah,

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Speaker 7: I stayed at that house.

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Speaker 3: So this is what you two have a comment. And

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Speaker 3: I know this about you Ira till recently. But Ronnie,

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Speaker 3: you lived on Johnny Cash's property. Yeah, and Iras, So

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Speaker 3: how did you and Big Johnny's sun become friends.

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Speaker 7: At a club called the Bell Cove Club.

255
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Speaker 8: I was playing for like thirty bucks a night and

256
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Speaker 8: all the bear could drink, which was awesome. I was

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Speaker 8: underage and we became friends there. I was getting ready

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Speaker 8: to move back home to North Carolina because I couldn't

259
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Speaker 8: cut it, and went over for lunch and Jeane said

260
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Speaker 8: I was a stray dog.

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Speaker 7: They fed that leave and I stayed there. I stayed there.

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Speaker 8: I stayed the house in the Mountain bon Aqua, the

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Speaker 8: house in Tampa, and I go spend Christmases with him.

264
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Speaker 8: In Jamaica, and they just kept going and then finally

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Speaker 8: they gave me the duplex behind house a cash museum

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Speaker 8: that was in like sixteen acres And so what do

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Speaker 8: you mean they gave you.

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Speaker 2: They just let you live there? Yeah, man, that would

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Speaker 2: be awesome. That what really?

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Speaker 3: Yeah?

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Speaker 2: Yeah, because you guys just lived on the property too, right,

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Speaker 2: said six hundred and.

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Speaker 4: From the day we got there, she never took the

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Speaker 4: I'd take it to her and she wouldn't take it.

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Speaker 2: Are both of you guys straight dogs? That? Yeah, it

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Speaker 2: feels like they took care of both of you guys.

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Speaker 4: Yeah, well you definitely were.

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Speaker 7: Oh god, yeah, what was Johnny like for you?

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Speaker 2: Ira? Man?

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Speaker 8: For me, he was he was just uh when he

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Speaker 8: said something, you better listen. He didn't talk a lot,

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Speaker 8: but he was a I mean when he said something,

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Speaker 8: it was it was deep. But I just missed his

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Speaker 8: sense of humor. He's the funniest dude.

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Speaker 2: Uh.

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Speaker 7: They didn't capture that in the movie, but he's funnier

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Speaker 7: than hell.

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Speaker 8: Man.

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Speaker 7: He was great.

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Speaker 3: How how a question for both of you, since you

291
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Speaker 3: brought it up, that movie walked the line, how accurate

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Speaker 3: do you feel like it was?

293
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Speaker 2: From what you know? Of him and them.

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Speaker 4: You want to go first, broad Stroke, rod Stroke. It

295
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Speaker 4: was good. That's that's as much as you can cram

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Speaker 4: into what an hour and a half or two hour movie? Yeah,

297
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Speaker 4: hover long it was that's that was good. You know,

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Speaker 4: you always look at the movies like that. They go

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Speaker 4: with the casting. I don't know, but they did a

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Speaker 4: good job with it.

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Speaker 7: Yeah.

302
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Speaker 8: I think they took some liberties to make it a

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Speaker 8: little bit more dramatic.

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Speaker 7: But I didn't know John.

305
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Speaker 8: Yeah, I didn't know John back then, so I don't know.

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Speaker 8: I met him in nineteen ninety.

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Speaker 3: Who would play you, Ronnie? Let's say they did a

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Speaker 3: movie in five years on Brooks and Dunn. Who would

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Speaker 3: you like to play here?

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Speaker 2: Gossling?

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Speaker 4: Ryan Gosling? Oh, of course that'd be good. My generosud

312
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Speaker 4: go to clint EA's for sure. No, I don't know

313
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Speaker 4: seriously thought about that, Like.

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Speaker 2: Did you have abs like that when you were like

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Speaker 2: twenty five?

316
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Speaker 4: Abs?

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Speaker 2: Yeah?

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Speaker 4: Like abs?

319
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Speaker 2: Yeah?

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Speaker 4: No, No, I know I was skinny rail but when

321
00:14:39,840 --> 00:14:42,160
Speaker 4: I got to college I was six foot three and

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Speaker 4: a half and weigh one hundred and forty five pounds.

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Speaker 2: No way, I.

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Speaker 4: Swear to god it. I would wear cutoffs under my

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Speaker 4: jeans to keep them up.

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Speaker 3: So you wear shorts under your pants to keep your

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Speaker 3: pants up because you couldn't find pants small enough like

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Speaker 3: adult pants off.

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Speaker 4: Yeah, jeans off.

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Speaker 2: Dang, that's crazy.

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Speaker 4: It's good psychotic.

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Speaker 3: Let's talk about you guys working together here, because it's you.

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Speaker 3: This is Ronnie with Vince, John Osborne and Ira who's here?

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Speaker 7: Uh?

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Speaker 2: This group of folks who.

336
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Speaker 3: I like all four of them but Britt Mason? Yeah,

337
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Speaker 3: So why, what's what's up with this collaboration here? Why

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Speaker 3: everybody on this specific song?

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Speaker 8: I just always had a dream of recording with these guys.

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Speaker 8: I mean, I remember when Brand new Man came out

341
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Speaker 8: in ninety one. I was driving a Chavette with no floorboard,

342
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Speaker 8: living at John's.

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Speaker 2: So do you reach out to Ronne and just go, hey, Ronnie,

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Speaker 2: who do you call first? Uh?

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Speaker 7: I called Uh? I think it was Ronnie first.

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Speaker 4: No, I think you called me last.

347
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Speaker 7: Okay, then it was probably Vince first, because.

348
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Speaker 4: They growing up. I got together and cut the tracks

349
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Speaker 4: with Rinse, so they set the Guinness Book of World

350
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Speaker 4: Records for the most people on the mountain notes. They're

351
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Speaker 4: a guitar player can put in a three minute song Oh.

352
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Speaker 2: I thought you're gonna say most people on a song.

353
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Speaker 2: I was gonna be like, that's also yeah, that's one too.

354
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Speaker 7: Yeah.

355
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Speaker 2: Are you Are you serious about the Guinness Record? No? No, oh,

356
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Speaker 2: but it's like with John, I believe that was a positive.

357
00:16:00,080 --> 00:16:01,120
Speaker 4: We can count them.

358
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Speaker 7: Yeah, there's a lot of notes and a lot of words.

359
00:16:04,600 --> 00:16:07,880
Speaker 2: So when, so did you write the song?

360
00:16:08,040 --> 00:16:10,960
Speaker 7: No, Tony Mullins and Jeffery Steele wrote it.

361
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Speaker 2: And so why what what about this song? Then?

362
00:16:13,200 --> 00:16:14,200
Speaker 7: I always had a dream.

363
00:16:14,240 --> 00:16:18,360
Speaker 8: I watched the Traveling Wilberry's documentary and nobody's ever done

364
00:16:18,360 --> 00:16:21,200
Speaker 8: that country musically. There's a lot of vocal collaborations. This

365
00:16:21,320 --> 00:16:23,120
Speaker 8: is there's not a lot of play and I always

366
00:16:23,120 --> 00:16:25,120
Speaker 8: wanted to do it. And plus I'm just a huge fan.

367
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Speaker 7: You know. It's it's Ronnie freaking done.

368
00:16:27,920 --> 00:16:29,440
Speaker 3: That's how I feel too, It's how I feelt about

369
00:16:29,440 --> 00:16:31,320
Speaker 3: me mostly that's it's super cool because it's your Bobby

370
00:16:31,320 --> 00:16:32,600
Speaker 3: freaking bones and I'm like, Ronnie relax.

371
00:16:32,800 --> 00:16:36,840
Speaker 8: Yeah, yeah, we're gonna call it the other day instead

372
00:16:36,840 --> 00:16:40,440
Speaker 8: of Traveling Wilberry's Traveling Willbarrow's, It's.

373
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Speaker 3: Funny Travil Wilberry is. By the way, for our listeners,

374
00:16:42,320 --> 00:16:48,880
Speaker 3: it's like Bob Dylan, Roy Orbison, Tom Petty. Yeah, and

375
00:16:48,920 --> 00:16:53,200
Speaker 3: then there was no Jeff yeah from yell O.

376
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Speaker 7: Jeff uh Lynn.

377
00:16:57,320 --> 00:17:01,160
Speaker 2: Yeah yeah. I feel like he gets left out.

378
00:17:01,600 --> 00:17:03,080
Speaker 4: Well, he gets left out. Would you say when all

379
00:17:03,080 --> 00:17:05,320
Speaker 4: these things happened, we clapped in or anybody that to

380
00:17:05,359 --> 00:17:08,840
Speaker 4: put like a little European super band and if you're

381
00:17:09,720 --> 00:17:13,520
Speaker 4: american's dollfed every now and then like Petty, but no,

382
00:17:13,720 --> 00:17:16,160
Speaker 4: he's he's like a brainiac with production.

383
00:17:16,359 --> 00:17:22,440
Speaker 2: Yeah, yeah, all that. Ira, What's so? What when did

384
00:17:22,480 --> 00:17:24,560
Speaker 2: you move to town and when did trick Pony become

385
00:17:24,560 --> 00:17:24,840
Speaker 2: a thing.

386
00:17:25,240 --> 00:17:28,359
Speaker 8: I moved to town in nineteen ninety and then trick

387
00:17:28,400 --> 00:17:31,119
Speaker 8: Pony I got fired from Tanya the third time in

388
00:17:31,200 --> 00:17:34,080
Speaker 8: three years I was. I played bass for her and

389
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Speaker 8: that was ninety six, trick Pony for him to ninety six.

390
00:17:37,160 --> 00:17:38,840
Speaker 8: Then we got our deal in two thousand.

391
00:17:39,200 --> 00:17:43,240
Speaker 3: When you were playing with her, why were you getting

392
00:17:43,280 --> 00:17:45,359
Speaker 3: fired over and over again? Why would she keep rehiring you?

393
00:17:46,640 --> 00:17:47,600
Speaker 7: I was a train wreck.

394
00:17:47,720 --> 00:17:51,080
Speaker 8: I had a you know, you're you're in you're twenty

395
00:17:51,080 --> 00:17:53,840
Speaker 8: one and you're rocking out or twenty five or whatever

396
00:17:53,880 --> 00:17:56,840
Speaker 8: I was, And that was my first like real gig

397
00:17:57,359 --> 00:17:59,399
Speaker 8: and I just had a blast, and so, yeah, I

398
00:17:59,400 --> 00:18:02,120
Speaker 8: sold her limb in La and stuff like that.

399
00:18:02,240 --> 00:18:03,119
Speaker 2: You stole her limo?

400
00:18:03,480 --> 00:18:04,119
Speaker 4: Were you sober?

401
00:18:04,600 --> 00:18:06,520
Speaker 7: No? Far from it back in the day.

402
00:18:07,160 --> 00:18:09,520
Speaker 2: Were you driving her limo? Oh no, you just take it.

403
00:18:09,560 --> 00:18:11,480
Speaker 8: I walked out to the limo driver because I know

404
00:18:11,520 --> 00:18:13,840
Speaker 8: it was fully stocked and the bars were closed, and

405
00:18:13,880 --> 00:18:15,359
Speaker 8: so I said, hey, Tanya said I can take this

406
00:18:15,400 --> 00:18:17,680
Speaker 8: for a spin, and she's He's like okay. So I

407
00:18:17,800 --> 00:18:19,760
Speaker 8: jumped in the back and picked up a bunch of

408
00:18:19,760 --> 00:18:22,000
Speaker 8: friends and we partied all night. And then I missed

409
00:18:22,000 --> 00:18:25,199
Speaker 8: my flight out and then the band leader fired me,

410
00:18:25,480 --> 00:18:28,240
Speaker 8: and then she hired me back, laughing. She thought it

411
00:18:28,320 --> 00:18:30,639
Speaker 8: was great and so and then gave me a raise.

412
00:18:31,000 --> 00:18:32,879
Speaker 8: So it was a great gig. I had a blast.

413
00:18:32,920 --> 00:18:34,280
Speaker 2: What about the second time you got fired?

414
00:18:35,080 --> 00:18:37,879
Speaker 7: The limo thing was the last time? I can't remember

415
00:18:37,920 --> 00:18:38,400
Speaker 7: the other two.

416
00:18:39,960 --> 00:18:43,879
Speaker 3: So was the formation of Trick Pony because Tanya wouldn'

417
00:18:43,920 --> 00:18:44,720
Speaker 3: hire you a fourth time?

418
00:18:45,160 --> 00:18:49,480
Speaker 8: No, no, I I called Keith Burns from Trick Pony.

419
00:18:49,520 --> 00:18:52,760
Speaker 8: He was with Joe Diffy as with Tanya, and he

420
00:18:52,800 --> 00:18:56,120
Speaker 8: approached me about six months before my last firing, and

421
00:18:56,400 --> 00:18:57,879
Speaker 8: he came with me and goes I got this idea.

422
00:18:57,880 --> 00:18:59,560
Speaker 8: There was no trios at the time. This was before

423
00:18:59,600 --> 00:19:02,080
Speaker 8: the Dicksie Chicks. He goes, you know, and I've always

424
00:19:02,119 --> 00:19:04,480
Speaker 8: dressed like Huggy Bear back in the day, and so

425
00:19:04,560 --> 00:19:06,080
Speaker 8: he goes, you dressed like you and I and he

426
00:19:06,119 --> 00:19:07,840
Speaker 8: was the cowboy looking guy and he goes, we find

427
00:19:07,840 --> 00:19:10,640
Speaker 8: a chick singer and what do you think? And I said,

428
00:19:10,640 --> 00:19:12,560
Speaker 8: it sounds like the Village people. And I turned him down.

429
00:19:12,600 --> 00:19:15,679
Speaker 8: I was like, you know, that's it sounds like we

430
00:19:15,720 --> 00:19:19,159
Speaker 8: need an Indian and a t I.

431
00:19:20,320 --> 00:19:21,080
Speaker 2: Yeah, yeah, the whole thing.

432
00:19:21,160 --> 00:19:22,639
Speaker 8: And then I got fired and I called him up

433
00:19:22,640 --> 00:19:25,240
Speaker 8: and said, hey, uh, you're still looking for a singing

434
00:19:25,280 --> 00:19:25,840
Speaker 8: bass player.

435
00:19:26,040 --> 00:19:27,080
Speaker 7: He's like yeah, and.

436
00:19:27,080 --> 00:19:28,920
Speaker 2: How long until you guys got any sort of traction?

437
00:19:30,520 --> 00:19:31,440
Speaker 7: Like three years?

438
00:19:31,880 --> 00:19:33,440
Speaker 2: So you guys went pretty hard for three years. Yeah.

439
00:19:33,520 --> 00:19:35,600
Speaker 8: Yeah, we went back nineteen ninety nine. We did three

440
00:19:35,640 --> 00:19:36,800
Speaker 8: hundred and twenty three shows.

441
00:19:38,080 --> 00:19:39,280
Speaker 4: Did you do some gigs with us?

442
00:19:39,560 --> 00:19:40,119
Speaker 7: Yeah?

443
00:19:40,160 --> 00:19:41,920
Speaker 8: When I was with Tanya, we opened up for you guys,

444
00:19:42,920 --> 00:19:45,080
Speaker 8: and then uh but and then Trick Pony did some.

445
00:19:45,200 --> 00:19:46,560
Speaker 8: We were on the Brooks and on tour in two

446
00:19:46,600 --> 00:19:47,320
Speaker 8: thousand and three.

447
00:19:47,800 --> 00:19:48,879
Speaker 4: That's right together.

448
00:19:49,200 --> 00:19:50,360
Speaker 2: Yeah, do you remember that Ronnie.

449
00:19:50,600 --> 00:19:52,080
Speaker 4: Uh yeah, I want to see the picture I do.

450
00:19:54,440 --> 00:19:56,400
Speaker 4: It was what us you guys?

451
00:19:56,480 --> 00:20:00,680
Speaker 8: Dwight Yoakum, Gary Allen, Chris Cagle, Chris cag that was it?

452
00:20:00,880 --> 00:20:01,160
Speaker 4: Wow?

453
00:20:01,440 --> 00:20:02,040
Speaker 7: Yeah? Wow?

454
00:20:02,240 --> 00:20:04,080
Speaker 2: How's how's Chris Cagle?

455
00:20:04,400 --> 00:20:08,320
Speaker 7: I haven't seen him since then? Yeah, so he knows.

456
00:20:08,840 --> 00:20:11,080
Speaker 3: There's always some everybody always has a pretty interesting take

457
00:20:11,119 --> 00:20:13,639
Speaker 3: on Chris Cagle and they always have a decent Cagle.

458
00:20:13,720 --> 00:20:15,520
Speaker 2: Sorry, do you guys have any stories you like to share?

459
00:20:15,880 --> 00:20:16,560
Speaker 4: No?

460
00:20:16,000 --> 00:20:18,600
Speaker 7: No, no, okay, all right, good, I ain't going there.

461
00:20:18,640 --> 00:20:20,560
Speaker 2: Good Joe, that's fair enough.

462
00:20:20,640 --> 00:20:23,320
Speaker 3: Yeah, I want to play a little bit of Teleman Raymondo?

463
00:20:23,320 --> 00:20:24,280
Speaker 2: Would you might hit that for me?

464
00:20:24,359 --> 00:20:28,119
Speaker 3: So Irah? With Vince and John Osborne, two prolific guitar players,

465
00:20:28,119 --> 00:20:29,240
Speaker 3: how do you decide who plays?

466
00:20:30,240 --> 00:20:30,320
Speaker 2: That?

467
00:20:30,400 --> 00:20:32,399
Speaker 8: Was all up to them. I was just like, here's

468
00:20:32,400 --> 00:20:35,320
Speaker 8: the song. Everybody played, and they all played from start

469
00:20:35,320 --> 00:20:38,920
Speaker 8: to finish, and then producer Noah Gordon had fun quilting

470
00:20:38,960 --> 00:20:39,479
Speaker 8: that together.

471
00:20:40,600 --> 00:20:42,920
Speaker 2: So yeah, how much are you writing now? Ira?

472
00:20:43,160 --> 00:20:45,120
Speaker 7: All the time? All the time? Me and Ronnie been

473
00:20:45,119 --> 00:20:47,280
Speaker 7: camped up for a year and a half, two years.

474
00:20:47,440 --> 00:20:49,880
Speaker 2: Yeah, camped up feels romantic.

475
00:20:50,000 --> 00:20:52,760
Speaker 8: Yeah, it is out there in white bluff a blank,

476
00:20:52,760 --> 00:20:53,359
Speaker 8: get a fire.

477
00:20:53,760 --> 00:20:55,760
Speaker 4: I've got a farm outside of the town, and ask

478
00:20:55,800 --> 00:20:56,480
Speaker 4: me what we raise?

479
00:20:56,880 --> 00:20:57,440
Speaker 2: What do you raise?

480
00:20:57,480 --> 00:21:01,760
Speaker 4: Okay, so we get out there with.

481
00:21:01,800 --> 00:21:05,120
Speaker 3: If I had a snare out, I hit it. Yeah, yeah, yeah,

482
00:21:05,119 --> 00:21:07,359
Speaker 3: go ahead. Yeah.

483
00:21:07,680 --> 00:21:09,639
Speaker 4: One of the earliest things I've piece of bias I

484
00:21:09,640 --> 00:21:11,720
Speaker 4: got was like, don't try to be funny, especially around

485
00:21:11,760 --> 00:21:17,920
Speaker 4: a comedian. Anyway, that's what we raise. Anyway, we got

486
00:21:17,960 --> 00:21:21,160
Speaker 4: to the farm every time we're open and uh free

487
00:21:21,320 --> 00:21:24,560
Speaker 4: and for the last what what month or so, it's

488
00:21:24,600 --> 00:21:28,000
Speaker 4: been me Ara and David le Murphy and we sit

489
00:21:28,080 --> 00:21:30,760
Speaker 4: around here just have a blast. You know, it's private.

490
00:21:30,760 --> 00:21:31,840
Speaker 4: We're in the middle of nowhere.

491
00:21:32,359 --> 00:21:33,000
Speaker 2: Do you just right?

492
00:21:33,480 --> 00:21:34,480
Speaker 4: Yeah?

493
00:21:35,359 --> 00:21:36,840
Speaker 3: Do you have a studio out there that you could

494
00:21:36,920 --> 00:21:39,320
Speaker 3: if you're so inspired, you could record something?

495
00:21:39,320 --> 00:21:41,600
Speaker 4: We're still going into our phones. Yeah, and then we'll

496
00:21:41,600 --> 00:21:43,359
Speaker 4: take it to the studio if it's worthy.

497
00:21:44,960 --> 00:21:46,280
Speaker 2: And Ira, what's your goal with the song?

498
00:21:47,600 --> 00:21:49,320
Speaker 7: I just want to let everybody know I'm not dead.

499
00:21:49,840 --> 00:21:51,320
Speaker 2: That's it. Yeah, I feel the same way.

500
00:21:51,440 --> 00:21:53,960
Speaker 7: Yeah, just I'm here, I'm still around.

501
00:21:54,960 --> 00:21:58,480
Speaker 2: I guess is there a full record the next year

502
00:21:58,520 --> 00:21:59,360
Speaker 2: that's gonna come out? Yeah?

503
00:21:59,440 --> 00:22:00,280
Speaker 7: Yeah, full album?

504
00:22:00,520 --> 00:22:01,400
Speaker 2: So I guess my question.

505
00:22:01,440 --> 00:22:04,000
Speaker 3: My purpose with that question is this is like Ira Deane,

506
00:22:04,119 --> 00:22:05,200
Speaker 3: are you is this a thing?

507
00:22:05,240 --> 00:22:05,400
Speaker 2: Now?

508
00:22:05,440 --> 00:22:07,360
Speaker 7: Are you going to be Yeah, it's always been a thing.

509
00:22:07,359 --> 00:22:08,200
Speaker 7: It's just nobody's heard it.

510
00:22:08,200 --> 00:22:10,800
Speaker 3: I thought you were dead and I thought I was

511
00:22:10,800 --> 00:22:12,240
Speaker 3: Like I thought I did too.

512
00:22:12,680 --> 00:22:17,200
Speaker 4: Trust me as the same question, you're killing it as

513
00:22:17,200 --> 00:22:18,600
Speaker 4: a song, right, yeah, out there.

514
00:22:20,600 --> 00:22:22,240
Speaker 8: It's got a full album that comes out. It's got

515
00:22:22,320 --> 00:22:25,760
Speaker 8: of course, Ronnie and Vince and John Osborn, Gary Allen,

516
00:22:26,320 --> 00:22:31,359
Speaker 8: Uncle Cracker, Ted Nugent, Steve Feroni from Tom Petty and

517
00:22:31,359 --> 00:22:33,600
Speaker 8: the Heartbreakers flew in from LA to play drums on it.

518
00:22:33,600 --> 00:22:36,520
Speaker 8: It's just all the people that have been really lucky

519
00:22:36,520 --> 00:22:38,280
Speaker 8: to be in town so along and write with, and

520
00:22:38,680 --> 00:22:41,520
Speaker 8: all the cats that I respect and always wanted to

521
00:22:41,520 --> 00:22:44,359
Speaker 8: make a record with, you know, and called them up

522
00:22:44,400 --> 00:22:46,679
Speaker 8: and said, hey, I'm calling in a favor.

523
00:22:46,960 --> 00:22:51,399
Speaker 3: You've worked with in country music, really prolific artists. Some

524
00:22:51,480 --> 00:22:53,720
Speaker 3: are still with us, some obviously aren't. But if I

525
00:22:53,720 --> 00:22:55,399
Speaker 3: give you a few names, could you give me a story.

526
00:22:55,440 --> 00:22:57,880
Speaker 3: I read just a little little antidote about one of them, if.

527
00:22:57,800 --> 00:23:00,200
Speaker 7: If you yeah, if it's not dirty.

528
00:23:00,359 --> 00:23:03,760
Speaker 2: Chris Kagele, I'm kidding. How about Hank Jr.

529
00:23:04,400 --> 00:23:05,000
Speaker 7: Hank Junior.

530
00:23:05,359 --> 00:23:08,040
Speaker 8: Yeah, I played on the Al Mirror Club album of

531
00:23:08,080 --> 00:23:09,520
Speaker 8: his played upright bass.

532
00:23:11,040 --> 00:23:13,119
Speaker 7: Let me think of a good story. They're they're all

533
00:23:13,240 --> 00:23:14,000
Speaker 7: crazy there.

534
00:23:14,040 --> 00:23:15,920
Speaker 2: We came in. He's the craziest gonna be we've had

535
00:23:15,960 --> 00:23:17,119
Speaker 2: on the show. He left.

536
00:23:18,000 --> 00:23:19,760
Speaker 3: He came in and he was so upset. We wouldn't

537
00:23:19,800 --> 00:23:21,560
Speaker 3: let him smoke a cigar. And I love Hank Junior

538
00:23:21,600 --> 00:23:23,280
Speaker 3: and grew up. I never actually spent time with him,

539
00:23:23,320 --> 00:23:25,800
Speaker 3: but he came in and he's very aggressive, but he

540
00:23:25,840 --> 00:23:26,640
Speaker 3: wouldn't answer a question.

541
00:23:26,680 --> 00:23:28,080
Speaker 2: I was like, you have to answer questions.

542
00:23:28,320 --> 00:23:30,840
Speaker 4: You think he's going to chump up in like fighters, Yeah.

543
00:23:30,680 --> 00:23:32,840
Speaker 2: And he finally was just like we play the song

544
00:23:32,960 --> 00:23:34,840
Speaker 2: or not? And then it was awesome, Like it was

545
00:23:34,880 --> 00:23:37,480
Speaker 2: the exact experience I wanted. And it's it's on YouTube

546
00:23:37,520 --> 00:23:39,879
Speaker 2: now and people I saw it's amazing, Right, isn't it

547
00:23:39,960 --> 00:23:40,639
Speaker 2: the greatest?

548
00:23:40,680 --> 00:23:44,120
Speaker 3: Like as far as experiences go, it was a real

549
00:23:44,200 --> 00:23:45,000
Speaker 3: experience how.

550
00:23:44,840 --> 00:23:47,720
Speaker 4: To create in the room, Right, wasn't he's like supposed

551
00:23:47,720 --> 00:23:48,240
Speaker 4: to play?

552
00:23:48,400 --> 00:23:51,320
Speaker 3: Yeah, and he was like, what do you want from me?

553
00:23:51,720 --> 00:23:52,680
Speaker 3: So we wouldn't let him smoke.

554
00:23:52,760 --> 00:23:58,560
Speaker 4: Inside you can't did one with kicks. It's a little deal,

555
00:23:58,640 --> 00:24:01,359
Speaker 4: and uh like he was firing it up, just smoke.

556
00:24:01,400 --> 00:24:04,000
Speaker 4: He's clouding the room up, you know, just going at it,

557
00:24:04,320 --> 00:24:06,040
Speaker 4: and he was on it. He's on a tear that day.

558
00:24:06,080 --> 00:24:09,240
Speaker 4: He could tell when he's like, really, where you gonna

559
00:24:09,240 --> 00:24:09,560
Speaker 4: come at?

560
00:24:09,600 --> 00:24:10,280
Speaker 2: Yeah, yeah, we had that.

561
00:24:10,440 --> 00:24:11,360
Speaker 4: He did not want to be there.

562
00:24:11,400 --> 00:24:11,720
Speaker 2: We had that.

563
00:24:12,200 --> 00:24:13,480
Speaker 4: Yeah, he wanted to do. He wanted to be fishing

564
00:24:13,520 --> 00:24:16,600
Speaker 4: or hunting or whatever. Still still growing growing up. He

565
00:24:16,640 --> 00:24:18,840
Speaker 4: was still He's still a he wrote I loved his

566
00:24:18,960 --> 00:24:19,399
Speaker 4: music too.

567
00:24:19,640 --> 00:24:21,520
Speaker 8: On this album, I wrote a song about Hank because

568
00:24:21,520 --> 00:24:23,400
Speaker 8: I spent a day day drinking with him and then

569
00:24:23,440 --> 00:24:26,359
Speaker 8: all night and then uh yeah, the next morning I

570
00:24:26,359 --> 00:24:27,920
Speaker 8: had like a three day hangover. So we wrote this

571
00:24:27,960 --> 00:24:29,920
Speaker 8: song called on Scale and one to Hank because he

572
00:24:29,960 --> 00:24:31,920
Speaker 8: showed me. He yeah, I thought I was a drinker

573
00:24:32,040 --> 00:24:34,320
Speaker 8: till I met him. And then so we always say

574
00:24:34,320 --> 00:24:36,200
Speaker 8: how hammered was I last night? On a scale? One

575
00:24:36,240 --> 00:24:40,639
Speaker 8: to Hank? What about somebody like Darius Man Darius the

576
00:24:40,640 --> 00:24:44,800
Speaker 8: biggest Frank Sinatra fan ever he can? We we recorded

577
00:24:44,800 --> 00:24:46,840
Speaker 8: together and then we went to this little piano bar

578
00:24:47,400 --> 00:24:50,560
Speaker 8: and had a few adult beverages and he ended up

579
00:24:50,680 --> 00:24:52,879
Speaker 8: doing like two hours of nothing. But Sinatra music with

580
00:24:52,920 --> 00:24:59,840
Speaker 8: the piano player. I never like obscure Sinatra. Wow, Willie, Yeah,

581
00:25:00,119 --> 00:25:03,919
Speaker 8: we recorded Grammy night. On the way there, like the

582
00:25:03,960 --> 00:25:06,159
Speaker 8: producer call and goes, hey, how close are you to

583
00:25:06,200 --> 00:25:07,760
Speaker 8: an upright base? And I was like, I'm looking at

584
00:25:07,760 --> 00:25:10,040
Speaker 8: one right now. Whiney goes Willie Nelson's in the driveway

585
00:25:10,040 --> 00:25:11,840
Speaker 8: and he says he's supposed to record with trick Pony,

586
00:25:12,160 --> 00:25:15,119
Speaker 8: no notice, no nothing. So on the way there, I

587
00:25:15,160 --> 00:25:18,440
Speaker 8: got a speeding ticket for sixty seven and a forty five,

588
00:25:19,119 --> 00:25:24,479
Speaker 8: and then we got on his bus and yeah, when

589
00:25:24,520 --> 00:25:26,359
Speaker 8: you're with Willy, you gotta smoke Willie. And so on

590
00:25:26,400 --> 00:25:28,120
Speaker 8: the way home, I couldn't get my car over thirty

591
00:25:28,160 --> 00:25:29,840
Speaker 8: seven miles an hour. I got pulled over again.

592
00:25:30,440 --> 00:25:31,520
Speaker 2: So you got the opposite.

593
00:25:31,680 --> 00:25:33,080
Speaker 7: Yeah, I couldn't get up to forty five?

594
00:25:33,280 --> 00:25:36,360
Speaker 2: Why couldn't. I was baked, like you couldn't get your fays,

595
00:25:36,800 --> 00:25:37,680
Speaker 2: like your foot wouldn't go.

596
00:25:38,280 --> 00:25:40,760
Speaker 8: No, I would like, Look, I'd put my blinker on

597
00:25:41,320 --> 00:25:43,199
Speaker 8: and try to switch lanes and I look over my

598
00:25:43,240 --> 00:25:45,240
Speaker 8: shoulder and I'm like okay. And by the time I

599
00:25:45,280 --> 00:25:47,040
Speaker 8: got my head forward, I was like, is there cars

600
00:25:47,040 --> 00:25:48,879
Speaker 8: coming or not? So I just kept doing that, and

601
00:25:48,920 --> 00:25:52,399
Speaker 8: I had my blinker on for a long time. And yeah,

602
00:25:52,400 --> 00:25:55,280
Speaker 8: Blake Shelton last one, Blake Shelton would love him to death.

603
00:25:55,320 --> 00:25:55,480
Speaker 2: Man.

604
00:25:55,480 --> 00:25:58,359
Speaker 8: We used to be hunting buddies, so we kind of

605
00:25:58,359 --> 00:26:00,439
Speaker 8: were on Warner Brothers at the same time. I remember

606
00:26:00,480 --> 00:26:02,600
Speaker 8: his first number one. I took him out and we

607
00:26:02,600 --> 00:26:04,120
Speaker 8: had a great time. He's a great guy. Man.

608
00:26:05,280 --> 00:26:07,760
Speaker 3: Okay, all right, really great to see you. Good to

609
00:26:07,800 --> 00:26:11,560
Speaker 3: see like, big fan of you as a writer, obviously,

610
00:26:11,760 --> 00:26:14,800
Speaker 3: Trick Pony, It's been a while since I was like this.

611
00:26:15,000 --> 00:26:17,840
Speaker 2: Ever, pull me, pull me back in the day.

612
00:26:17,880 --> 00:26:19,320
Speaker 7: You can go to Walmart and get a bargain bent

613
00:26:19,359 --> 00:26:20,840
Speaker 7: tape right now if you want to refresh.

614
00:26:20,960 --> 00:26:21,840
Speaker 2: It's hilarious.

615
00:26:22,080 --> 00:26:22,600
Speaker 7: I mean you.

616
00:26:22,640 --> 00:26:25,280
Speaker 2: Looking the dollar not in bargain. Oh yeah, it's you

617
00:26:25,359 --> 00:26:25,600
Speaker 2: and the.

618
00:26:25,520 --> 00:26:29,520
Speaker 8: Big I'm pretty sure blank CDs are are cheaper, are

619
00:26:29,560 --> 00:26:31,879
Speaker 8: more expensive than a Trick Pony CD. Yeah, I'm pretty

620
00:26:31,880 --> 00:26:34,360
Speaker 8: sure you still get checks for those songs. Oh god, yeah,

621
00:26:34,480 --> 00:26:37,880
Speaker 8: Oh yeah, that's awesome. Yeah, yeah, it is awesome. It's

622
00:26:37,880 --> 00:26:40,439
Speaker 8: wearing a hairnet. It does.

623
00:26:40,840 --> 00:26:41,040
Speaker 5: Yeah.

624
00:26:41,040 --> 00:26:43,600
Speaker 3: But you're also right now, it's not like you haven't

625
00:26:43,640 --> 00:26:45,240
Speaker 3: been working and being really successful.

626
00:26:45,440 --> 00:26:48,240
Speaker 4: That's a surprising thing too. I mean for years, even

627
00:26:48,240 --> 00:26:51,040
Speaker 4: how many Montgomery Gentry his did you ride?

628
00:26:51,200 --> 00:26:54,159
Speaker 8: I had seven or eight on Montgomery Gentry and then

629
00:26:54,640 --> 00:26:56,840
Speaker 8: Eddie solo record. I wrote eight of the twelve, I think.

630
00:26:56,920 --> 00:26:58,600
Speaker 4: And that's not of others.

631
00:26:58,720 --> 00:26:59,320
Speaker 7: No, that's not.

632
00:26:59,600 --> 00:27:04,040
Speaker 3: What's your most profitable song that you didn't record, that

633
00:27:04,080 --> 00:27:05,600
Speaker 3: you wrote, only wrote.

634
00:27:05,320 --> 00:27:07,800
Speaker 7: That only wrote only because I owned the publishing would

635
00:27:07,800 --> 00:27:10,600
Speaker 7: probably one in every crowd Montgomery Gentry because I owned

636
00:27:10,600 --> 00:27:12,320
Speaker 7: the publishing on that I didn't have a writer's deal

637
00:27:12,359 --> 00:27:12,800
Speaker 7: at the time.

638
00:27:13,000 --> 00:27:15,240
Speaker 3: Okay, what about a song that is like you have

639
00:27:15,359 --> 00:27:18,359
Speaker 3: you run a publishing deal. It's just made you a

640
00:27:18,359 --> 00:27:19,800
Speaker 3: bunch of money.

641
00:27:20,080 --> 00:27:24,719
Speaker 8: Oh gosh, I mean I have to look at my statements.

642
00:27:24,840 --> 00:27:25,800
Speaker 7: But I mean they.

643
00:27:25,720 --> 00:27:28,120
Speaker 2: All guess it. I guess the biggest hit, biggest.

644
00:27:27,880 --> 00:27:32,640
Speaker 7: Hit, biggest hit. I don't know. I really don't know, typical,

645
00:27:33,960 --> 00:27:35,000
Speaker 7: I don't know the next thing.

646
00:27:35,280 --> 00:27:38,480
Speaker 8: They're all my favorites, they're all my babies, they'll wear helmets,

647
00:27:38,560 --> 00:27:39,960
Speaker 8: they're all good, all right.

648
00:27:40,040 --> 00:27:41,200
Speaker 7: So next one I know.

649
00:27:41,680 --> 00:27:44,880
Speaker 3: The new song is out from Ira Tellman with Ronnie

650
00:27:45,280 --> 00:27:47,359
Speaker 3: and Vince Gil, John Osborne and Brent Mason.

651
00:27:47,960 --> 00:27:49,679
Speaker 7: Irah, good to see you man, Good to see you too.

652
00:27:49,680 --> 00:27:50,560
Speaker 2: Thanks for stopping by.

653
00:27:50,640 --> 00:27:52,200
Speaker 7: Thanks for having me Ronnie.

654
00:27:52,280 --> 00:27:54,720
Speaker 2: Always a pleasure. Good to see you guys, Thank you

655
00:27:54,760 --> 00:28:00,280
Speaker 2: guys for coming in. Good's time for the good news A.

656
00:28:04,560 --> 00:28:08,200
Speaker 1: Right, So picture it. You're at a convenience store in Douglasfield, Georgia.

657
00:28:08,640 --> 00:28:11,240
Speaker 1: Casey Marlow is in line. He forgets his wallet and

658
00:28:11,240 --> 00:28:12,760
Speaker 1: he's like, oh, I'm going to run out to my

659
00:28:12,800 --> 00:28:15,080
Speaker 1: truck and get it. Well, the guy behind Casey is

660
00:28:15,119 --> 00:28:17,480
Speaker 1: this guy, Mario, and Mario is like, Hey, I'm gonna

661
00:28:17,480 --> 00:28:19,040
Speaker 1: go ahead and pay for this guy's drink. Call it.

662
00:28:19,040 --> 00:28:21,680
Speaker 1: Even when Casey comes back in, he realizes what Mario

663
00:28:21,760 --> 00:28:24,560
Speaker 1: has done, strikes up a conversation with him and learns

664
00:28:24,600 --> 00:28:26,359
Speaker 1: that Mario and his family have been living in a

665
00:28:26,400 --> 00:28:30,040
Speaker 1: motel because they got evicted. So he's going through his

666
00:28:30,080 --> 00:28:33,200
Speaker 1: own struggles and yet pays for Casey's drink and Casey

667
00:28:33,280 --> 00:28:35,800
Speaker 1: has the money. So Casey was inspired to share the

668
00:28:35,880 --> 00:28:38,960
Speaker 1: story online and decided to set up like a crowdfunding thing.

669
00:28:39,440 --> 00:28:43,160
Speaker 1: In twenty four hours, thirty five thousand dollars was raised

670
00:28:43,160 --> 00:28:45,680
Speaker 1: in the community for Mario and his family to get

671
00:28:45,680 --> 00:28:48,480
Speaker 1: back on their feet. Isn't that the craziest thing ever?

672
00:28:48,600 --> 00:28:52,000
Speaker 1: Just like that one interaction in line at the convenience.

673
00:28:51,560 --> 00:28:54,560
Speaker 2: Store, and it all started with Mario doing an active.

674
00:28:54,280 --> 00:28:57,080
Speaker 1: Times right when he didn't even have the money.

675
00:28:57,200 --> 00:28:59,160
Speaker 2: That's great, that's cool, And in fact, it raised so

676
00:28:59,240 --> 00:29:02,600
Speaker 2: much yeah out in twenty four hours. Why'd you say

677
00:29:02,640 --> 00:29:07,160
Speaker 2: it like that? That's unreal. I'm just like, yeah, you know,

678
00:29:07,360 --> 00:29:09,880
Speaker 2: mind one too, yeah yeah, yeah. I felt like he

679
00:29:09,920 --> 00:29:11,680
Speaker 2: was trying to think him away, to like scheme money

680
00:29:11,680 --> 00:29:12,200
Speaker 2: out of people.

681
00:29:12,240 --> 00:29:14,840
Speaker 1: And I like what Casey said, you know, after it

682
00:29:14,920 --> 00:29:16,960
Speaker 1: hit the news, he said, look, I was just the messenger.

683
00:29:17,000 --> 00:29:19,280
Speaker 1: All he did was ask for help for Mario because

684
00:29:19,280 --> 00:29:21,680
Speaker 1: I knew I couldn't do it alone, and he didn't.

685
00:29:21,680 --> 00:29:23,520
Speaker 1: The community came together and stepped up, and it was

686
00:29:23,600 --> 00:29:24,000
Speaker 1: really cool.

687
00:29:24,080 --> 00:29:26,960
Speaker 2: That's great. That's what it's all about. That was telling

688
00:29:26,960 --> 00:29:30,720
Speaker 2: me something good. How long can you leave pizza out?

689
00:29:30,760 --> 00:29:33,320
Speaker 2: Amy you go first, you have pizza, it's on the counter.

690
00:29:33,800 --> 00:29:35,480
Speaker 2: How long can you leave it out before you're like, oh,

691
00:29:35,480 --> 00:29:36,880
Speaker 2: we left it out too long? We can't eat it.

692
00:29:37,320 --> 00:29:39,200
Speaker 2: Because I have science, it's going to tell you the

693
00:29:39,200 --> 00:29:39,720
Speaker 2: real answer.

694
00:29:40,520 --> 00:29:44,880
Speaker 3: U five hours, wow, I would have said like one hour, oh,

695
00:29:44,880 --> 00:29:45,360
Speaker 3: you guys.

696
00:29:45,160 --> 00:29:47,560
Speaker 2: A great one hour, that's it. Yeah, because I'd have

697
00:29:47,560 --> 00:29:51,479
Speaker 2: felt like bugs and time relation.

698
00:29:51,760 --> 00:29:53,400
Speaker 1: Sure, it is less than five hours, but I mean

699
00:29:53,440 --> 00:29:56,240
Speaker 1: I've eaten pizza this and left out overnight, so so.

700
00:29:56,200 --> 00:29:59,680
Speaker 3: I would have said one, you said five eddie overnight overnight,

701
00:29:59,680 --> 00:30:02,840
Speaker 3: I would say twelve hours.

702
00:30:03,160 --> 00:30:06,000
Speaker 2: Wow, twelve hours, it's still good. So just sitting on

703
00:30:06,040 --> 00:30:06,800
Speaker 2: the counter.

704
00:30:06,640 --> 00:30:07,960
Speaker 1: Yeah noo.

705
00:30:08,280 --> 00:30:11,840
Speaker 3: Nos, pizza has meat on it. So there's meat and

706
00:30:11,920 --> 00:30:14,880
Speaker 3: cheese and bread. And you're saying twelve hours. Yeah, if

707
00:30:14,920 --> 00:30:16,880
Speaker 3: you would still just grab and eat it, I'll do

708
00:30:16,920 --> 00:30:20,760
Speaker 3: it all the time, lunchbox. Two hours. Yeah, I would

709
00:30:20,760 --> 00:30:22,640
Speaker 3: have thought it would have been much shorter. So a

710
00:30:22,720 --> 00:30:25,840
Speaker 3: new study shows, and I'm gonna let food safety expert

711
00:30:25,880 --> 00:30:28,640
Speaker 3: doctor Teresa Bergholtz break down the results.

712
00:30:28,680 --> 00:30:29,040
Speaker 2: Here we go.

713
00:30:29,280 --> 00:30:32,520
Speaker 9: We found about two thousand, six hundred cells per gram

714
00:30:32,520 --> 00:30:35,320
Speaker 9: a pizza. Fairly low level of microbes were present on

715
00:30:35,360 --> 00:30:38,240
Speaker 9: that pizza. Things like fresh produce and fresh fruits can

716
00:30:38,360 --> 00:30:42,040
Speaker 9: have anywhere from one thousand to maybe ten thousand cells

717
00:30:42,080 --> 00:30:44,360
Speaker 9: per gram on them. So what we see here is

718
00:30:44,400 --> 00:30:46,600
Speaker 9: that even if we had it sit out for six hours,

719
00:30:46,640 --> 00:30:48,880
Speaker 9: that still seems to be relatively low risk.

720
00:30:49,120 --> 00:30:51,280
Speaker 3: Six hours is where she says it goes from low

721
00:30:51,320 --> 00:30:53,560
Speaker 3: to more so you can leave your pizza out six hours.

722
00:30:53,880 --> 00:30:55,200
Speaker 2: Wow, that's awesome?

723
00:30:55,920 --> 00:30:57,600
Speaker 1: Is win?

724
00:30:57,640 --> 00:31:01,000
Speaker 2: Are you gaming here? Yeah? Five hoursay, like a discussion.

725
00:31:01,280 --> 00:31:02,840
Speaker 1: I got the closest without going over.

726
00:31:03,280 --> 00:31:05,200
Speaker 3: Oh and we're doing prices right rules which she just

727
00:31:05,400 --> 00:31:07,640
Speaker 3: kind of made up there. I would never leave anything

728
00:31:07,680 --> 00:31:10,520
Speaker 3: out for six hours in the new day, it really.

729
00:31:10,800 --> 00:31:12,800
Speaker 3: I mean like an apple that's still in its thing

730
00:31:12,840 --> 00:31:15,040
Speaker 3: because I just days in a bowl. But like food

731
00:31:15,040 --> 00:31:18,000
Speaker 3: that's already been heated with combined elements.

732
00:31:18,040 --> 00:31:19,200
Speaker 2: I don't think I would leave it out that long

733
00:31:19,200 --> 00:31:19,520
Speaker 2: and need it.

734
00:31:19,560 --> 00:31:19,760
Speaker 3: Wow.

735
00:31:19,920 --> 00:31:21,960
Speaker 1: The only thing we should not do that with for sure,

736
00:31:22,040 --> 00:31:23,000
Speaker 1: for sure is rice.

737
00:31:23,960 --> 00:31:26,920
Speaker 2: I would against milk. You can't do that.

738
00:31:26,840 --> 00:31:29,120
Speaker 1: Apparently about milk very dangerous.

739
00:31:29,160 --> 00:31:31,360
Speaker 2: Well, milk is probably gets warm and it's bad. That's

740
00:31:31,360 --> 00:31:33,320
Speaker 2: what I'm saying. Like only milks that's the bad hours

741
00:31:33,320 --> 00:31:33,800
Speaker 2: as well.

742
00:31:33,800 --> 00:31:34,920
Speaker 1: I'm more concerned about rice.

743
00:31:35,120 --> 00:31:36,680
Speaker 2: I don't eat rice at all, so I'm not concerned

744
00:31:36,680 --> 00:31:39,280
Speaker 2: about Okay, what's up.

745
00:31:39,560 --> 00:31:41,960
Speaker 1: So my friend is wondering if a guy is into

746
00:31:42,000 --> 00:31:44,880
Speaker 1: her because he only her friend text.

747
00:31:47,320 --> 00:31:47,560
Speaker 2: Friend.

748
00:31:47,560 --> 00:31:49,440
Speaker 1: Okay, I know we're going to say that, and it

749
00:31:49,480 --> 00:31:52,080
Speaker 1: really is my friend, but we were having a discussion

750
00:31:52,640 --> 00:31:55,560
Speaker 1: of whether or not he's into her, And I said, well,

751
00:31:55,600 --> 00:31:58,320
Speaker 1: how often does he breach out? And she said once

752
00:31:58,320 --> 00:32:00,840
Speaker 1: a day. It's either a text or a phone call.

753
00:32:01,000 --> 00:32:04,760
Speaker 1: That's amazing, that's it's But I guess the last guy

754
00:32:04,840 --> 00:32:08,400
Speaker 1: she dated they texted more regularly and she was used

755
00:32:08,400 --> 00:32:11,560
Speaker 1: to more text so she thought he should be texting more.

756
00:32:11,640 --> 00:32:14,760
Speaker 1: And I said, well, this sounds like it could be healthier.

757
00:32:15,720 --> 00:32:24,040
Speaker 2: Every communication. I text in a very dry no periods,

758
00:32:24,080 --> 00:32:28,480
Speaker 2: exclamation points, very direct. It could be interpreted as not

759
00:32:28,640 --> 00:32:31,160
Speaker 2: warm at times. I email the same way.

760
00:32:31,240 --> 00:32:33,560
Speaker 3: It doesn't mean I'm not warm, but I am my

761
00:32:33,640 --> 00:32:37,360
Speaker 3: communication text but I'm quick. But everybody's different. I think

762
00:32:37,400 --> 00:32:40,360
Speaker 3: if he's generally not a big texture, I think one

763
00:32:40,360 --> 00:32:41,920
Speaker 3: a day is a lot. If they're not like in

764
00:32:41,960 --> 00:32:42,600
Speaker 3: a relationship.

765
00:32:42,640 --> 00:32:44,240
Speaker 1: Sure, if it's not a text, it's a phone call.

766
00:32:44,320 --> 00:32:46,360
Speaker 1: So it's reaching out one time a day. And I

767
00:32:46,400 --> 00:32:48,680
Speaker 1: am still making plans. They don't see each other all

768
00:32:48,680 --> 00:32:51,120
Speaker 1: the time, but he continues to make plans. And so

769
00:32:51,160 --> 00:32:53,719
Speaker 1: if there's one thing I've learned from y'all about guys

770
00:32:54,000 --> 00:32:57,680
Speaker 1: is if you want to make time for somebody, you will,

771
00:32:57,800 --> 00:32:59,680
Speaker 1: And he's clearly making time every day.

772
00:32:59,800 --> 00:33:04,080
Speaker 2: At some point, Yeah, I don't feel like he is

773
00:33:04,120 --> 00:33:05,760
Speaker 2: not making time for her. I think you're right.

774
00:33:05,920 --> 00:33:08,479
Speaker 3: Once a day if that's his communication style, and if

775
00:33:08,480 --> 00:33:10,200
Speaker 3: he's making time for them to actually do human things.

776
00:33:10,360 --> 00:33:12,920
Speaker 3: Not everybody's a big phone or text person. So don't

777
00:33:12,920 --> 00:33:15,640
Speaker 3: feel bad. Amy he likes you, You're good.

778
00:33:15,760 --> 00:33:19,040
Speaker 2: Yeah, he likes and I would also depending on his age.

779
00:33:19,040 --> 00:33:20,760
Speaker 3: I think that's the thing too. You know, if he's

780
00:33:20,800 --> 00:33:23,280
Speaker 3: twenty two, it's probably different than if he's fifty two.

781
00:33:23,720 --> 00:33:26,960
Speaker 3: I think that people that are twenty two probably text

782
00:33:27,000 --> 00:33:29,280
Speaker 3: a lot more, snapchat a lot more, or DM and

783
00:33:29,360 --> 00:33:30,320
Speaker 3: do dms count?

784
00:33:30,480 --> 00:33:32,680
Speaker 2: You know, does he DM?

785
00:33:32,840 --> 00:33:34,640
Speaker 1: I don't know how to ask her exactly.

786
00:33:34,800 --> 00:33:35,720
Speaker 2: Is he nice?

787
00:33:37,200 --> 00:33:40,480
Speaker 1: This is n y'all would do this. I'm just like,

788
00:33:40,600 --> 00:33:42,360
Speaker 1: it's just not. I thought this could be something to

789
00:33:42,400 --> 00:33:47,040
Speaker 1: talk about to remind if a guy likes you, yes.

790
00:33:46,960 --> 00:33:49,040
Speaker 2: Exactly, So this isn't texting or calling. So I think

791
00:33:49,080 --> 00:33:51,040
Speaker 2: that's fine. Once a day, that's fine. But if he

792
00:33:51,240 --> 00:33:52,920
Speaker 2: if he's like, oh I'm too busy, I'm too busy,

793
00:33:52,960 --> 00:33:53,840
Speaker 2: over and over again.

794
00:33:53,640 --> 00:33:56,600
Speaker 3: He does not like you. A guy will make time

795
00:33:56,720 --> 00:33:59,400
Speaker 3: for you if he likes you. Regardless, he will move

796
00:33:59,440 --> 00:34:03,760
Speaker 3: heaven and earth, especially early on to actually be or

797
00:34:03,800 --> 00:34:06,200
Speaker 3: spend time with you, unless he's like on an international

798
00:34:06,240 --> 00:34:07,920
Speaker 3: business trip, there's probably living a double life and he's

799
00:34:07,920 --> 00:34:11,000
Speaker 3: just bye anyway. But a guy, if he likes you,

800
00:34:11,040 --> 00:34:12,480
Speaker 3: will find time for you, And if you can't find

801
00:34:12,480 --> 00:34:14,120
Speaker 3: time for you, it's because he's making time for somebody

802
00:34:14,160 --> 00:34:20,040
Speaker 3: else until you're the top of the list. So hang

803
00:34:20,080 --> 00:34:22,759
Speaker 3: in there, Amy, we have rooting for you.

804
00:34:22,880 --> 00:34:25,600
Speaker 2: Thanks, But don't judge a guy based only on his texting,

805
00:34:25,680 --> 00:34:27,759
Speaker 2: especially if he's never been another way. If at any

806
00:34:27,760 --> 00:34:29,120
Speaker 2: point he's ever been a big text and all of

807
00:34:29,120 --> 00:34:30,880
Speaker 2: a sudden he's not as much of a texture anymore,

808
00:34:31,480 --> 00:34:32,040
Speaker 2: that's a sign.

809
00:34:32,160 --> 00:34:34,960
Speaker 3: That's a flag. Okay, why is he texting me less?

810
00:34:34,960 --> 00:34:37,200
Speaker 3: Because I know his communication style was like A.

811
00:34:37,480 --> 00:34:40,520
Speaker 2: Now it's like B. So rest assured you are good?

812
00:34:40,560 --> 00:34:40,840
Speaker 1: Got it?

813
00:34:40,920 --> 00:34:45,200
Speaker 3: Yeah, I'll tell her, Yeah, please do let her know. Yeah,

814
00:34:45,280 --> 00:34:46,800
Speaker 3: text her that's good.

815
00:34:46,960 --> 00:34:47,759
Speaker 1: Long time.

816
00:34:48,440 --> 00:34:50,560
Speaker 3: These guys always have questions about etiquette, and I think

817
00:34:50,600 --> 00:34:52,200
Speaker 3: it's because they know they're doing it wrong.

818
00:34:52,239 --> 00:34:54,480
Speaker 2: They just want to ask us. They want us to

819
00:34:54,480 --> 00:34:54,759
Speaker 2: be like.

820
00:34:54,680 --> 00:34:57,319
Speaker 3: No, it's okay, okay, yeah, but like they always have

821
00:34:57,360 --> 00:34:59,640
Speaker 3: questions about okay, must screw in this person over?

822
00:34:59,680 --> 00:35:01,480
Speaker 1: If I do this, and they want us to be

823
00:35:01,560 --> 00:35:02,640
Speaker 1: like no, no, no, you're good.

824
00:35:03,040 --> 00:35:07,040
Speaker 3: Okay, another etiquette question from the guys here coming up next.

825
00:35:08,520 --> 00:35:11,320
Speaker 3: Now we've talked restaurant etiquette, and it's when you finish,

826
00:35:11,520 --> 00:35:13,600
Speaker 3: how long do you hang around and just talk right

827
00:35:14,120 --> 00:35:16,680
Speaker 3: and before you have to leave? If you pay the bill,

828
00:35:16,680 --> 00:35:18,120
Speaker 3: how long can you hang and you know it, it's

829
00:35:18,480 --> 00:35:20,359
Speaker 3: the waiter's got to turn the table over and you're

830
00:35:20,600 --> 00:35:22,640
Speaker 3: keeping the waiter from making money, keeping the restaurant from

831
00:35:22,640 --> 00:35:25,880
Speaker 3: making money. So fifteen twenty minutes after you pay the

832
00:35:25,920 --> 00:35:29,279
Speaker 3: bill and then move the conversation somewhere else. I think

833
00:35:29,320 --> 00:35:32,560
Speaker 3: that's generally the rule. However, a little wrinkle, Eddie, I

834
00:35:32,600 --> 00:35:33,560
Speaker 3: think this is different.

835
00:35:33,640 --> 00:35:35,440
Speaker 6: So we were at the airport I had to layover

836
00:35:35,480 --> 00:35:38,200
Speaker 6: in Houston, and the Dallas Cowboys game was on right

837
00:35:38,239 --> 00:35:40,040
Speaker 6: and I say, hey, guys, look there's a Buffalo wild

838
00:35:40,080 --> 00:35:40,520
Speaker 6: Wings there.

839
00:35:40,560 --> 00:35:42,480
Speaker 2: Let's go and the game is about to start.

840
00:35:42,920 --> 00:35:45,920
Speaker 6: We order, we eat, and we everyone finishes around the

841
00:35:45,920 --> 00:35:48,040
Speaker 6: first quarter, but I want to stay till the second,

842
00:35:48,239 --> 00:35:50,319
Speaker 6: the whole first half of the game, so that my

843
00:35:50,400 --> 00:35:52,040
Speaker 6: kids and my wife are like, Okay, we're gonna go.

844
00:35:52,080 --> 00:35:54,080
Speaker 6: We're gonna go find this little kid's place. All right,

845
00:35:54,080 --> 00:35:56,040
Speaker 6: I'll stay here at the table finish watching the game.

846
00:35:56,560 --> 00:35:58,799
Speaker 6: So I left two little wings in front of me

847
00:35:59,440 --> 00:36:00,600
Speaker 6: just to make them think, I'm I.

848
00:36:00,560 --> 00:36:02,120
Speaker 3: Don't think you have to do that, like leave the

849
00:36:02,120 --> 00:36:03,480
Speaker 3: food and full, Well why not?

850
00:36:04,719 --> 00:36:06,960
Speaker 6: But I did notice the server kept coming like I

851
00:36:07,040 --> 00:36:09,080
Speaker 6: took everything else all the other places. Do you need

852
00:36:09,120 --> 00:36:11,200
Speaker 6: anything else? I'm like, no, I'm good, I'm good. And

853
00:36:11,239 --> 00:36:13,480
Speaker 6: then she would come back maybe ten minutes later. Anything

854
00:36:13,480 --> 00:36:14,240
Speaker 6: else I can get.

855
00:36:14,120 --> 00:36:16,160
Speaker 7: You good, I'm great, thank you.

856
00:36:16,000 --> 00:36:16,600
Speaker 2: Just just here.

857
00:36:17,040 --> 00:36:18,880
Speaker 3: So the question is if there's a game on and

858
00:36:18,920 --> 00:36:20,319
Speaker 3: you're going to a place where they're showing a game,

859
00:36:20,360 --> 00:36:21,400
Speaker 3: it doesn't have to be their for it.

860
00:36:21,480 --> 00:36:23,600
Speaker 6: Yeah, but Buffalo wowings, that's what they're known for.

861
00:36:23,719 --> 00:36:26,319
Speaker 2: You go show games. Is it different? And I would

862
00:36:26,320 --> 00:36:27,880
Speaker 2: say it is a bit different. But I would say,

863
00:36:27,880 --> 00:36:29,160
Speaker 2: if you're going to keep a table, you need to

864
00:36:29,239 --> 00:36:32,080
Speaker 2: keep buying drinks or something. Ask for more water.

865
00:36:32,560 --> 00:36:35,520
Speaker 3: No, you miss the word buying. Yeah, yeah, you have

866
00:36:35,560 --> 00:36:38,239
Speaker 3: to keep you have not a whole meal, You've already

867
00:36:38,239 --> 00:36:39,759
Speaker 3: eaten a whole meal. Hold on, so you need to

868
00:36:39,760 --> 00:36:44,200
Speaker 3: buy like another beer and keep it. Otherwise you're costing

869
00:36:44,239 --> 00:36:46,600
Speaker 3: that person money. You're literally costing in their livelihood.

870
00:36:46,640 --> 00:36:50,120
Speaker 6: But bones, if you're going to this place to watch

871
00:36:50,200 --> 00:36:52,640
Speaker 6: the Arkansas game, I would never I don't watch games

872
00:36:52,680 --> 00:36:53,160
Speaker 6: at anybody.

873
00:36:53,200 --> 00:36:54,439
Speaker 2: I hate hypothetic games.

874
00:36:54,680 --> 00:36:58,080
Speaker 6: No, I get it hypothetically, you're doing this to go

875
00:36:58,200 --> 00:36:59,160
Speaker 6: watch the game.

876
00:36:58,960 --> 00:37:02,680
Speaker 2: You've already ordered. You're not gonna eat the entire time,

877
00:37:02,719 --> 00:37:04,760
Speaker 2: You're not gonna drink the entire y. You're just sitting

878
00:37:04,760 --> 00:37:08,000
Speaker 2: there taking up space. You should continue to order things.

879
00:37:08,360 --> 00:37:11,799
Speaker 3: Otherwise, this person who's waiting the table, you're costing them

880
00:37:11,840 --> 00:37:14,440
Speaker 3: money because they make money based on the people that

881
00:37:14,480 --> 00:37:16,759
Speaker 3: sit there and tip. Otherwise, you've taken a big plot

882
00:37:16,760 --> 00:37:18,960
Speaker 3: of land. You're paying no rent. But the culture of

883
00:37:19,000 --> 00:37:21,520
Speaker 3: this place is to go watch the game. You don't

884
00:37:21,560 --> 00:37:23,879
Speaker 3: own the space for four hours.

885
00:37:24,280 --> 00:37:27,399
Speaker 2: I think you do. And how do you feel about

886
00:37:27,480 --> 00:37:29,160
Speaker 2: being team I don't feel good about it.

887
00:37:30,800 --> 00:37:34,360
Speaker 5: You own that space for four hours because their advertisement

888
00:37:34,440 --> 00:37:37,520
Speaker 5: is for you to come watch games on their TV screens.

889
00:37:37,520 --> 00:37:39,919
Speaker 5: But they're having to watch the whole game, so they

890
00:37:39,960 --> 00:37:41,400
Speaker 5: want you to come in and order wings.

891
00:37:41,400 --> 00:37:43,000
Speaker 2: Did you come in an order wing? I ordered wings?

892
00:37:43,000 --> 00:37:46,320
Speaker 2: He kept exactly you ate. You ordered forty wings.

893
00:37:46,400 --> 00:37:49,319
Speaker 5: So you did your part by ordering something, and now

894
00:37:49,400 --> 00:37:51,760
Speaker 5: you have that space until the end of the game.

895
00:37:51,760 --> 00:37:53,319
Speaker 2: Or if you want to stay for a second game.

896
00:37:53,520 --> 00:37:56,000
Speaker 5: Stay for a second game, you have to order nothing

897
00:37:56,200 --> 00:37:56,680
Speaker 5: on his team.

898
00:37:56,800 --> 00:37:57,800
Speaker 2: No, I don't.

899
00:37:57,840 --> 00:37:59,840
Speaker 6: But at at the same time, I feel like I

900
00:38:00,080 --> 00:38:02,000
Speaker 6: should be at my table watching the game.

901
00:38:02,239 --> 00:38:04,680
Speaker 2: That's part of the experience of going to this kind

902
00:38:04,719 --> 00:38:05,040
Speaker 2: of place.

903
00:38:05,160 --> 00:38:08,560
Speaker 3: If there were unlimited tables, which there are not, right

904
00:38:08,800 --> 00:38:11,560
Speaker 3: otherwise you have each server has four or five tables,

905
00:38:11,960 --> 00:38:13,920
Speaker 3: and that's what they're making all their money on that day.

906
00:38:13,960 --> 00:38:16,440
Speaker 3: And if you're holding that table hostage and you're not

907
00:38:16,560 --> 00:38:19,279
Speaker 3: ordering anything else the whole time, can you sit there?

908
00:38:19,320 --> 00:38:23,680
Speaker 2: Absolutely? Can you? You did? I did, But etiquette.

909
00:38:23,200 --> 00:38:26,640
Speaker 3: Wise, it's probably best to order a little something and

910
00:38:26,719 --> 00:38:30,200
Speaker 3: keep that going and then or tip them really well

911
00:38:30,200 --> 00:38:32,120
Speaker 3: at the end, or tip them really well and say, hey,

912
00:38:32,120 --> 00:38:34,080
Speaker 3: I'm gonna tip you really well and be very forthcoming,

913
00:38:34,120 --> 00:38:35,520
Speaker 3: but I'm gonna sit here for a little bit longer.

914
00:38:35,520 --> 00:38:37,560
Speaker 2: Oh, I didn't think about it. But exceptional tip, that's

915
00:38:37,600 --> 00:38:38,200
Speaker 2: my thought on it.

916
00:38:38,280 --> 00:38:40,479
Speaker 1: Then you you must give an exceptional tip.

917
00:38:40,480 --> 00:38:41,160
Speaker 2: You must give an exception.

918
00:38:41,280 --> 00:38:43,640
Speaker 5: Should we ask Morgan, who worked at Buffalo Wild Wings,

919
00:38:43,640 --> 00:38:45,400
Speaker 5: the etiquette of Buffalo Wild Wings.

920
00:38:45,600 --> 00:38:48,120
Speaker 3: Well, we can talk about restaurants in general. But yes, Morgan,

921
00:38:48,160 --> 00:38:50,400
Speaker 3: if somebody says there for eight hours and orders, but

922
00:38:50,480 --> 00:38:51,880
Speaker 3: sets it for four hours and one of your tables

923
00:38:51,880 --> 00:38:52,520
Speaker 3: and orders nothing.

924
00:38:52,600 --> 00:38:53,439
Speaker 1: Oh yeah, I mean listen.

925
00:38:53,520 --> 00:38:55,560
Speaker 10: It was the culture at Buffalo while people were coming

926
00:38:55,600 --> 00:38:58,000
Speaker 10: in to stay and watch the games, but every time

927
00:38:58,040 --> 00:39:00,840
Speaker 10: they stayed, they would tip like they stayed for four hours,

928
00:39:01,160 --> 00:39:04,240
Speaker 10: or they would continue, they'd order dessert, they'd have multiple drinks, slowing.

929
00:39:04,400 --> 00:39:07,839
Speaker 3: It was a you can't just sit still and order

930
00:39:07,880 --> 00:39:11,440
Speaker 3: nothing and just you can't. You can't have water if

931
00:39:11,480 --> 00:39:14,160
Speaker 3: people do. But that is not good quality etiquee in

932
00:39:14,160 --> 00:39:16,359
Speaker 3: a restaurant because the person can only make money off

933
00:39:16,360 --> 00:39:17,560
Speaker 3: the tables that come into the restaurant.

934
00:39:17,600 --> 00:39:21,040
Speaker 2: I take it back. Let's not go to Morgan Amy.

935
00:39:21,760 --> 00:39:23,640
Speaker 2: I'd like Buffalo woll Wings all the way is working there.

936
00:39:23,719 --> 00:39:25,279
Speaker 1: I loved working there. It was so much fun.

937
00:39:25,360 --> 00:39:27,080
Speaker 2: Did you get to eat free wings?

938
00:39:27,320 --> 00:39:27,480
Speaker 8: Well?

939
00:39:27,520 --> 00:39:29,759
Speaker 2: I didn't eat the wings. Yeah, I would take them

940
00:39:29,760 --> 00:39:33,799
Speaker 2: home to my dad. Vegetation's vegan, no vegetarian. Yeah, how

941
00:39:33,840 --> 00:39:37,760
Speaker 2: about a vegetarian working at a wing place? That's wild? Amy?

942
00:39:38,000 --> 00:39:38,120
Speaker 4: Uh.

943
00:39:38,640 --> 00:39:41,600
Speaker 1: Yeah, I'm not gonna stay there the whole time unless

944
00:39:41,640 --> 00:39:45,239
Speaker 1: I'm guaranteeing a good tip, or I'm continuing to order

945
00:39:45,320 --> 00:39:46,920
Speaker 1: things so we'll make it worth it.

946
00:39:47,200 --> 00:39:47,920
Speaker 2: Learning lesson here.

947
00:39:47,960 --> 00:39:50,600
Speaker 6: Four hours is a long when you say a generous tip,

948
00:39:50,719 --> 00:39:53,680
Speaker 6: like twenty percent is normal, what would what would that be?

949
00:39:54,080 --> 00:39:56,920
Speaker 3: It depends how much longer you're going to stay thirty.

950
00:39:57,280 --> 00:39:58,839
Speaker 3: It just depends how much longer you're gonna say it's

951
00:39:58,920 --> 00:40:01,520
Speaker 3: that's as a thing. Whenever you're there and you're like,

952
00:40:01,600 --> 00:40:03,160
Speaker 3: I'm gonna watch into this game, I'm really sorry, but

953
00:40:03,160 --> 00:40:05,680
Speaker 3: I'm tipping you now to show you that if another

954
00:40:05,719 --> 00:40:07,279
Speaker 3: table would have been there for an hour, it's like,

955
00:40:07,280 --> 00:40:08,520
Speaker 3: what would they have tipped in that one hour?

956
00:40:08,560 --> 00:40:11,200
Speaker 2: They'd turn it over. That's good, gotcha? Okay, So learning

957
00:40:11,280 --> 00:40:11,799
Speaker 2: lesson here.

958
00:40:12,000 --> 00:40:14,680
Speaker 3: But always if everybody is one way and he's one way,

959
00:40:15,000 --> 00:40:16,160
Speaker 3: it's normally it's huge.

960
00:40:16,320 --> 00:40:19,600
Speaker 1: Not that's not the way, but sometimes he's right.

961
00:40:19,880 --> 00:40:23,719
Speaker 2: Every gift once in a while, yeah, Christmas will be

962
00:40:23,719 --> 00:40:25,200
Speaker 2: here before you know what. I was reading this story

963
00:40:25,200 --> 00:40:27,160
Speaker 2: about buying gifts for people, and they were like, hey,

964
00:40:27,239 --> 00:40:30,600
Speaker 2: unless it's somebody you're super close to, don't get creative

965
00:40:30,600 --> 00:40:32,480
Speaker 2: with gifts because you'll end up spending money on something

966
00:40:32,480 --> 00:40:34,920
Speaker 2: that well, you got creative.

967
00:40:34,920 --> 00:40:36,279
Speaker 3: Put a bunch of effort into you don't really care

968
00:40:36,280 --> 00:40:38,480
Speaker 3: that much anyway, and then they didn't like it, so

969
00:40:38,520 --> 00:40:40,720
Speaker 3: they're just going, Hey, be simple, like get them something

970
00:40:40,760 --> 00:40:43,640
Speaker 3: they will use, like a Starbucks gift card or something

971
00:40:43,680 --> 00:40:47,000
Speaker 3: that practically. Just because it's practical doesn't mean it wasn't thoughtful.

972
00:40:47,320 --> 00:40:49,319
Speaker 3: There was a whole point of the article. I've never

973
00:40:49,520 --> 00:40:52,000
Speaker 3: felt more seen ever. I love I love getting people

974
00:40:52,000 --> 00:40:54,280
Speaker 3: practical things. Is it the most exciting?

975
00:40:54,640 --> 00:40:54,799
Speaker 2: No?

976
00:40:55,120 --> 00:40:56,680
Speaker 3: When I text you a gift card going, I got

977
00:40:56,719 --> 00:40:58,960
Speaker 3: this free for Christmas? Was it easy for me to

978
00:40:58,960 --> 00:41:00,560
Speaker 3: buy online? And that's why I did it? Possibly?

979
00:41:00,760 --> 00:41:02,600
Speaker 2: But is it extremely practical?

980
00:41:03,560 --> 00:41:03,799
Speaker 1: Yes?

981
00:41:04,280 --> 00:41:06,120
Speaker 2: I'm so much for practical gifts that we're for sure

982
00:41:06,160 --> 00:41:08,160
Speaker 2: going to use. Yeah, but I got to what an

983
00:41:08,200 --> 00:41:11,319
Speaker 2: uber eats card? I don't know what I mean forever? Yeah?

984
00:41:11,360 --> 00:41:12,759
Speaker 6: No, No, I don't know why I made fun of

985
00:41:12,840 --> 00:41:14,440
Speaker 6: him because you said I didn't put any thought into it.

986
00:41:14,480 --> 00:41:17,239
Speaker 1: Yeah, to make fun of sometimes I regret.

987
00:41:17,000 --> 00:41:17,400
Speaker 2: It, thank you.

988
00:41:17,440 --> 00:41:19,120
Speaker 3: I think it was because the juncta position of the

989
00:41:19,120 --> 00:41:20,719
Speaker 3: gift that I got you was very thoughtful. And we

990
00:41:20,760 --> 00:41:23,359
Speaker 3: are very close, right, because when I led this story off,

991
00:41:23,360 --> 00:41:24,960
Speaker 3: it was people you're not extremely close to.

992
00:41:26,400 --> 00:41:27,799
Speaker 2: We're close, so I would say that.

993
00:41:28,080 --> 00:41:31,120
Speaker 1: Also, you can evolve and recognize that maybe we prematurely

994
00:41:31,160 --> 00:41:31,839
Speaker 1: made fun of him.

995
00:41:31,840 --> 00:41:32,560
Speaker 2: I don't think so. Now.

996
00:41:32,920 --> 00:41:35,719
Speaker 3: I remember the gift that I got him was very

997
00:41:35,760 --> 00:41:38,520
Speaker 3: thoughtful and thought out, and I'd spent forever ordering it,

998
00:41:38,600 --> 00:41:40,640
Speaker 3: and then he got I know, sometimes.

999
00:41:40,440 --> 00:41:43,759
Speaker 1: People don't have the bandwidth Christmas to Christmas. It may change.

1000
00:41:44,239 --> 00:41:45,399
Speaker 1: People have a lot going on.

1001
00:41:45,520 --> 00:41:47,680
Speaker 2: Everybody has a lot going on. Everybody's got problems. You

1002
00:41:47,680 --> 00:41:48,200
Speaker 2: don't know about it.

1003
00:41:48,400 --> 00:41:51,200
Speaker 6: In season, I did think too, what would Bobby.

1004
00:41:51,000 --> 00:41:54,080
Speaker 2: Use uber eats? I forgot about it. I now that

1005
00:41:54,120 --> 00:41:55,799
Speaker 2: you told me again, I remember how funny. I want

1006
00:41:55,800 --> 00:41:56,279
Speaker 2: to make it funy.

1007
00:41:56,480 --> 00:41:58,239
Speaker 3: And then I remember somebody stole it or I lost it,

1008
00:41:58,960 --> 00:42:00,520
Speaker 3: and I've never seen this since away.

1009
00:42:03,040 --> 00:42:04,520
Speaker 2: A pile of stories.

1010
00:42:04,640 --> 00:42:07,360
Speaker 1: An unsurprising new survey found that nearly half of women

1011
00:42:07,440 --> 00:42:11,400
Speaker 1: are stressed about aging. What is surprising is that the

1012
00:42:11,400 --> 00:42:14,560
Speaker 1: women who are most stressed about it, they're still young,

1013
00:42:15,120 --> 00:42:17,160
Speaker 1: and they're like all stressed about getting older.

1014
00:42:17,200 --> 00:42:19,400
Speaker 2: And it's like, oh, well, all people don't stress about geting.

1015
00:42:19,200 --> 00:42:22,480
Speaker 1: Older, nay old, but they're they're just getting younger and younger,

1016
00:42:22,480 --> 00:42:25,080
Speaker 1: like they're freaking out more. Yes, because there's just more

1017
00:42:25,160 --> 00:42:29,000
Speaker 1: pressure for whatever reason, whether it's coming from themselves or

1018
00:42:29,080 --> 00:42:32,560
Speaker 1: just other women or social media, whatever it is, there's

1019
00:42:32,600 --> 00:42:33,600
Speaker 1: just this pressure.

1020
00:42:33,760 --> 00:42:37,040
Speaker 3: I think culture. Yeah, just from culture in general. I

1021
00:42:37,040 --> 00:42:40,640
Speaker 3: don't think guys stresses much about age. There definitely is

1022
00:42:40,640 --> 00:42:45,360
Speaker 3: a stress I think with me, the only age stress

1023
00:42:45,400 --> 00:42:48,640
Speaker 3: that I have is that my wife is about twelve

1024
00:42:48,680 --> 00:42:50,120
Speaker 3: years younger than I am. It's but I haven't had

1025
00:42:50,120 --> 00:42:52,080
Speaker 3: we haven't any kids yet, and so I'm gonna be

1026
00:42:52,120 --> 00:42:54,440
Speaker 3: like one hundred and two going to kindergarten graduation. Like

1027
00:42:54,480 --> 00:42:57,160
Speaker 3: that's the only stress that I have, like throwing the ball. Yeah,

1028
00:42:57,200 --> 00:43:00,239
Speaker 3: it's like that I'm gonna be. But you know, we

1029
00:43:00,239 --> 00:43:02,280
Speaker 3: plan to have kids the next couple of years. That'll

1030
00:43:02,280 --> 00:43:05,480
Speaker 3: put me mid forties having a kid, And that's fine

1031
00:43:05,520 --> 00:43:06,560
Speaker 3: as long as I can stay healthy.

1032
00:43:06,560 --> 00:43:09,239
Speaker 2: But that's the only age stress that I have. But

1033
00:43:09,320 --> 00:43:10,560
Speaker 2: I do see.

1034
00:43:10,360 --> 00:43:13,920
Speaker 3: Where there is a value defined by culture that is

1035
00:43:14,239 --> 00:43:16,680
Speaker 3: unfair for women that guys do not have to live with.

1036
00:43:16,840 --> 00:43:19,240
Speaker 1: Yeah, it's a bummer. In the same vein of aging,

1037
00:43:19,400 --> 00:43:21,760
Speaker 1: I saw that people are willing to do just about

1038
00:43:21,760 --> 00:43:24,480
Speaker 1: anything to live longer. But the things that are the

1039
00:43:24,480 --> 00:43:26,760
Speaker 1: most difficult for us to give up especially in America.

1040
00:43:27,440 --> 00:43:31,759
Speaker 1: No alcohol, cigarettes, and I think red meat was also

1041
00:43:31,800 --> 00:43:34,000
Speaker 1: on the list. Like it's like I would have lived longer,

1042
00:43:34,000 --> 00:43:34,920
Speaker 1: but I'm not giving.

1043
00:43:34,719 --> 00:43:37,560
Speaker 3: Up those things because we think that's just a little thing,

1044
00:43:38,360 --> 00:43:40,520
Speaker 3: but it's can add up, yeah, and we don't add

1045
00:43:40,560 --> 00:43:43,359
Speaker 3: it all up. Yeah, what if though, like we're trying

1046
00:43:43,360 --> 00:43:46,160
Speaker 3: to live longer, but like as soon as you die,

1047
00:43:47,360 --> 00:43:48,360
Speaker 3: it's like amazing.

1048
00:43:48,760 --> 00:43:52,880
Speaker 2: Yes, they say, but they say that to you to

1049
00:43:52,920 --> 00:43:55,439
Speaker 2: make you feel comfortable. I mean that's what they say.

1050
00:43:55,440 --> 00:43:59,200
Speaker 2: They try to get you, like to live forever or

1051
00:43:59,239 --> 00:44:02,600
Speaker 2: what I exactly exactly, nobody knows anything. Go ahead.

1052
00:44:02,760 --> 00:44:07,000
Speaker 1: Walmart is selling a s'mores costume that has three pieces chocolate, marshmallow,

1053
00:44:07,040 --> 00:44:07,840
Speaker 1: and Graham cracker.

1054
00:44:08,160 --> 00:44:08,319
Speaker 2: Now.

1055
00:44:08,320 --> 00:44:10,560
Speaker 1: The online description says the costume is a way to

1056
00:44:10,600 --> 00:44:14,239
Speaker 1: have all your besties included, or an eft, effortless way

1057
00:44:14,280 --> 00:44:16,760
Speaker 1: to like celebrate you as a couple with a friend.

1058
00:44:16,920 --> 00:44:20,160
Speaker 3: So it's like you're not wearing the costume has three parts.

1059
00:44:20,160 --> 00:44:21,960
Speaker 3: There's three of you until you smush together and walk

1060
00:44:22,040 --> 00:44:23,000
Speaker 3: and that's hilarious.

1061
00:44:22,880 --> 00:44:23,440
Speaker 2: I like it.

1062
00:44:23,520 --> 00:44:25,880
Speaker 1: And so it's like a three piece friendship thing.

1063
00:44:25,800 --> 00:44:28,759
Speaker 6: The three way costume. But if it would be weird

1064
00:44:28,800 --> 00:44:30,360
Speaker 6: if you and your wife and a friend did it.

1065
00:44:30,600 --> 00:44:34,400
Speaker 2: Yeah, but that's called a threesome costume. People, that's how

1066
00:44:34,440 --> 00:44:38,480
Speaker 2: you got out of they're interested. I don't know that

1067
00:44:38,480 --> 00:44:40,359
Speaker 2: that's really a thing. I think it's just that funny name.

1068
00:44:40,560 --> 00:44:42,640
Speaker 3: Oh okay, well, or it's like one of those weird

1069
00:44:42,640 --> 00:44:44,719
Speaker 3: religions you see on like TLC. The guy has a

1070
00:44:44,960 --> 00:44:48,359
Speaker 3: couple of wives. But that's yeah. If you do that,

1071
00:44:48,400 --> 00:44:50,439
Speaker 3: you almost have to be like three bros doing it right,

1072
00:44:50,520 --> 00:44:52,360
Speaker 3: or three friends. You can't really be a couple and

1073
00:44:52,360 --> 00:44:54,840
Speaker 3: then a buddy. All right, man, you gotta be all bros.

1074
00:44:56,600 --> 00:44:59,399
Speaker 1: I was thinking it should actually have four dad kid

1075
00:44:59,600 --> 00:45:02,759
Speaker 1: that were because you need the first Graham Cracker in

1076
00:45:02,840 --> 00:45:05,600
Speaker 1: the second Graham Cracker. If in your.

1077
00:45:05,480 --> 00:45:09,320
Speaker 2: Personal life, that's good for you. Now four is a

1078
00:45:09,320 --> 00:45:11,439
Speaker 2: lot too much, all right, go ahead, all right.

1079
00:45:11,960 --> 00:45:13,560
Speaker 1: We play a lot of games on the show. And

1080
00:45:13,600 --> 00:45:15,360
Speaker 1: if you play along in your cars, or you like

1081
00:45:15,440 --> 00:45:16,880
Speaker 1: to watch game shows, hey.

1082
00:45:16,800 --> 00:45:19,319
Speaker 2: That's you amy and watching thing.

1083
00:45:19,480 --> 00:45:22,600
Speaker 1: If you like to watch game shows on TV, well,

1084
00:45:22,640 --> 00:45:24,759
Speaker 1: good news. It's good for your brain. The New York

1085
00:45:24,800 --> 00:45:28,040
Speaker 1: Post had experts way in on how game shows, even

1086
00:45:28,080 --> 00:45:30,399
Speaker 1: when you're not the actual and playing, engage your brain

1087
00:45:30,440 --> 00:45:33,040
Speaker 1: because if you play along, they make you pay close attention.

1088
00:45:33,280 --> 00:45:36,279
Speaker 1: You have to quickly process information and problem solve. We'll

1089
00:45:36,280 --> 00:45:37,480
Speaker 1: call knowledge and all of that.

1090
00:45:37,960 --> 00:45:40,040
Speaker 3: Something I forgot to tell you, guys, when Amy's saying

1091
00:45:40,040 --> 00:45:42,200
Speaker 3: this to me, I forgot to tell you guys something.

1092
00:45:42,280 --> 00:45:44,360
Speaker 3: First of all, Yes, I love it. I love playing

1093
00:45:44,360 --> 00:45:47,120
Speaker 3: trivia games. I played Jeopardy every day. It came on

1094
00:45:47,200 --> 00:45:49,359
Speaker 3: at four pm every day. Growing up. I would play

1095
00:45:49,480 --> 00:45:52,000
Speaker 3: against Scotti and adults. I'd play Jeopardy every day. I

1096
00:45:52,000 --> 00:45:54,440
Speaker 3: think it helped make me good at quiz. I think

1097
00:45:54,480 --> 00:45:56,560
Speaker 3: my brain's what it is, but I was really good

1098
00:45:56,560 --> 00:45:57,160
Speaker 3: at trivia.

1099
00:45:58,000 --> 00:45:59,560
Speaker 2: I have a friend we know. If you just want

1100
00:45:59,560 --> 00:46:03,400
Speaker 2: to Will Afford with Ryan Seacrest, what what do you mean?

1101
00:46:03,680 --> 00:46:05,480
Speaker 2: We could call him in a minute. They recorded it.

1102
00:46:05,480 --> 00:46:07,440
Speaker 1: It's over so he can talk about it.

1103
00:46:08,200 --> 00:46:09,480
Speaker 2: I don't know if you can talk about what happens

1104
00:46:09,520 --> 00:46:11,080
Speaker 2: on the show. But I forgot to tell you guys.

1105
00:46:11,120 --> 00:46:12,799
Speaker 3: He went on Will of Fortune with Ryan Seacrest, and

1106
00:46:12,840 --> 00:46:15,600
Speaker 3: we know this person, Yes what lunchboxs know it?

1107
00:46:15,680 --> 00:46:19,359
Speaker 2: Yes, I know, And that's what I said to him.

1108
00:46:19,360 --> 00:46:20,359
Speaker 2: I was like, you gotta come on the show.

1109
00:46:21,800 --> 00:46:22,960
Speaker 1: So he just got on randomly.

1110
00:46:23,239 --> 00:46:26,040
Speaker 3: I wouldn't call him, so tell me. Okay, so the end,

1111
00:46:26,080 --> 00:46:27,239
Speaker 3: I didn't mean to cut your story off. I just

1112
00:46:27,280 --> 00:46:28,359
Speaker 3: forgot it's good for you.

1113
00:46:28,400 --> 00:46:30,280
Speaker 1: No, just a game shows are good for your brains.

1114
00:46:30,360 --> 00:46:32,880
Speaker 1: So like you would like to watch Yes, Will of

1115
00:46:32,920 --> 00:46:36,440
Speaker 1: Fortune or Jeopardy or whatever games you're into.

1116
00:46:36,400 --> 00:46:37,319
Speaker 2: The new version of that show.

1117
00:46:37,360 --> 00:46:40,600
Speaker 3: I almost hosted No Amy Pressure Luck. They were like,

1118
00:46:40,640 --> 00:46:42,360
Speaker 3: we want you to host it. I think the CBS,

1119
00:46:42,360 --> 00:46:43,480
Speaker 3: and they were like, you're the guy. You're the guy.

1120
00:46:43,480 --> 00:46:44,719
Speaker 3: And all of a Suddeny're like, oh, sorry, one of

1121
00:46:44,719 --> 00:46:46,120
Speaker 3: Elizabeth Banks I got of nowhere.

1122
00:46:46,160 --> 00:46:47,239
Speaker 2: I was like, oh, I get it. She's way more

1123
00:46:47,239 --> 00:46:49,239
Speaker 2: famous than I am. But I was like I was

1124
00:46:49,239 --> 00:46:50,839
Speaker 2: the guy forever. They were like, you know, we want

1125
00:46:50,880 --> 00:46:53,120
Speaker 2: you to host the show. And then it's like, oh, oh, hey,

1126
00:46:53,120 --> 00:46:54,440
Speaker 2: how you doing. Oh let's with Banks are going to

1127
00:46:54,440 --> 00:46:56,600
Speaker 2: host this now? And I was like from Hunger Games.

1128
00:46:56,640 --> 00:46:58,560
Speaker 2: I was like, yeah, I get it. I'll step there.

1129
00:46:58,600 --> 00:46:58,880
Speaker 2: To the end.

1130
00:46:59,040 --> 00:47:02,640
Speaker 1: She was fie trinket, Yeah, oh is that it? Yeah?

1131
00:47:02,640 --> 00:47:03,560
Speaker 1: But maybe that's my pile.

1132
00:47:04,480 --> 00:47:07,880
Speaker 2: That was Amy's pile of stores. It's time for the

1133
00:47:07,920 --> 00:47:08,640
Speaker 2: good news.

1134
00:47:09,120 --> 00:47:15,359
Speaker 6: Ready, twelve year old Jordan. He's driving in the car

1135
00:47:15,400 --> 00:47:16,920
Speaker 6: with his stepdad in the middle of the night, in

1136
00:47:16,920 --> 00:47:19,759
Speaker 6: the middle of Arkansas, and the stepdad he falls asleep

1137
00:47:19,800 --> 00:47:20,280
Speaker 6: at the wheel.

1138
00:47:20,440 --> 00:47:21,680
Speaker 2: They roll over. They crashed.

1139
00:47:21,680 --> 00:47:23,239
Speaker 6: They land on the side of the road and the

1140
00:47:23,239 --> 00:47:25,320
Speaker 6: step sun looks over. You're like, oh, my gosh, my stepdad.

1141
00:47:25,320 --> 00:47:26,480
Speaker 6: He's out, he's unconscious.

1142
00:47:26,520 --> 00:47:27,040
Speaker 7: What does he do?

1143
00:47:27,320 --> 00:47:29,239
Speaker 2: He gets out of the car. He walks down the

1144
00:47:29,360 --> 00:47:31,600
Speaker 2: road in the middle of the night for two.

1145
00:47:31,440 --> 00:47:34,040
Speaker 6: Miles looking for help, and he finally found a deputy

1146
00:47:34,360 --> 00:47:35,759
Speaker 6: down the road and he says, come on, we.

1147
00:47:35,760 --> 00:47:37,759
Speaker 2: Gotta find my Dad's my dad. My stepdad's in the car.

1148
00:47:37,800 --> 00:47:38,239
Speaker 2: Come help.

1149
00:47:38,440 --> 00:47:40,680
Speaker 6: They get in the car, They rescue the stepdad, take

1150
00:47:40,760 --> 00:47:43,560
Speaker 6: him to the hospital, and thankfully, because he walked two

1151
00:47:43,640 --> 00:47:45,560
Speaker 6: miles down the road in the middle of the night,

1152
00:47:45,960 --> 00:47:46,960
Speaker 6: they found his stepdad.

1153
00:47:47,000 --> 00:47:48,480
Speaker 1: I feel like the deputy is an angel.

1154
00:47:48,560 --> 00:47:50,520
Speaker 2: I feel like he's so like your cop was there.

1155
00:47:50,600 --> 00:47:51,480
Speaker 1: Yeah, that's what I mean.

1156
00:47:51,600 --> 00:47:53,480
Speaker 6: Well, in the middle of the night, who else is

1157
00:47:53,480 --> 00:47:56,840
Speaker 6: on the road? Well, maybe other cars, but the deputy

1158
00:47:56,880 --> 00:47:57,840
Speaker 6: he's out, he's patrolling.

1159
00:47:57,880 --> 00:47:59,440
Speaker 2: I guess there were no other cars in the road too.

1160
00:47:59,520 --> 00:48:01,320
Speaker 2: We're where it must have been, in the middle of nowhere.

1161
00:48:01,320 --> 00:48:05,160
Speaker 2: Franklin Franklin County, Arkansas. World, there's not a house anywhere.

1162
00:48:05,200 --> 00:48:07,959
Speaker 2: Renda a house, I don't I'm not familiar with land,

1163
00:48:08,280 --> 00:48:12,360
Speaker 2: that's true. Pot, I'm just a love living there. Yeah. Yeah.

1164
00:48:12,680 --> 00:48:15,239
Speaker 2: In that cop they look for that cop. He never

1165
00:48:15,280 --> 00:48:16,600
Speaker 2: existed exactly. Yeah.

1166
00:48:16,680 --> 00:48:19,200
Speaker 3: Yeah, they tried to find that cop for comment and

1167
00:48:19,239 --> 00:48:24,319
Speaker 3: then there was no cop was an angel call. No,

1168
00:48:24,360 --> 00:48:26,399
Speaker 3: it's a good story. Glad they Glad they survived. Glad

1169
00:48:26,440 --> 00:48:27,920
Speaker 3: the kid got out and ran and found somebody, and

1170
00:48:27,960 --> 00:48:28,960
Speaker 3: glad the officer was there.

1171
00:48:29,000 --> 00:48:31,359
Speaker 2: All right, that's what it's all about. That was telling

1172
00:48:31,400 --> 00:48:35,200
Speaker 2: me something good. And that is the end of the

1173
00:48:35,239 --> 00:48:42,520
Speaker 2: first half of the podcast, the first half of the podcast.

1174
00:48:42,760 --> 00:48:43,719
Speaker 2: On the podcast that

1175
00:48:45,080 --> 00:48:47,480
Speaker 3: Time on the podcast, you can go to a podcast

1176
00:48:47,520 --> 00:48:51,040
Speaker 3: to or you can wait till podcast to come out.