WEBVTT - Episode 475 w/ Ty Dolla $ign

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<v Speaker 1>He is drinks chants, motherfucking podcast man.

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<v Speaker 2>He's a legendary queen's rapper.

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<v Speaker 3>He ain't agree that your boy and O R E.

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<v Speaker 3>He's a Miami hip hop pioneer up as d J

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<v Speaker 3>E f N.

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<v Speaker 4>Together they drink it up with some of the biggest

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<v Speaker 4>players you know.

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<v Speaker 1>Me and the most professional unprofessional podcast and your number

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<v Speaker 1>one source for drunk drink chance.

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<v Speaker 3>DS new ye C. That's it's time for drink champions.

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<v Speaker 5>Drink up mother, what you could be on the boy,

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<v Speaker 5>there's a drink chansports Sunny.

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<v Speaker 6>D b T.

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<v Speaker 3>What was like? Now, Now when I tell you this

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<v Speaker 3>person that we have here, let's let's let's get to

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<v Speaker 3>the facts. Over fifteen billion streams, fifteen billion single soul. Oh,

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<v Speaker 3>this man is platinum after platinum. If you want to

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<v Speaker 3>hit you call up one eight hundred times. Yeah, he's

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<v Speaker 3>a legend. He's an I car. He's a ty coon.

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<v Speaker 3>I like that tycoon on tycoon super tycoon. That's how

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<v Speaker 3>we call it.

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<v Speaker 7>You got popey collar when you say it, man, I

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<v Speaker 7>got it from you know what I'm saying.

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<v Speaker 3>This is a legend. I've been wanting to get this

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<v Speaker 3>man his flowers. He's one of the coolest people on

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<v Speaker 3>the planet. He makes hits after hits after hits, and

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<v Speaker 3>he just motherfucking lives life. He's a motherfucking legend, and

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<v Speaker 3>we're gonna salute him if we're gonna give him them

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<v Speaker 3>tycoon flowers today in in case you don't know what

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<v Speaker 3>we talk about about, the one the Impectable. So let's

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<v Speaker 3>take it from the beginning, right, it's the first record

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<v Speaker 3>that we ever heard you too? Is that the first record?

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<v Speaker 3>It depends who you are, okay with like a full

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<v Speaker 3>major label backing. I think that's the first record niggas

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<v Speaker 3>hurt me? Okay, didn't boodhen that was. We recorded that

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<v Speaker 3>record in two thousand and nine. By twenty ten, it

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<v Speaker 3>really blew up. Two thousand and nine, I did that

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<v Speaker 3>record at my old crib, me and my homie Cords

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<v Speaker 3>Coords really was going through some samples with me. We

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<v Speaker 3>were just going through some vinyls and we came across

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<v Speaker 3>this loop. It was crazy, and we sampled it. I

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<v Speaker 3>think that same night I threw a little kick back

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<v Speaker 3>at my house and Shit Mustard was DJing. Must have

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<v Speaker 3>played this one record by D four L that geeked

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<v Speaker 3>up right and when I was listening it geeked up.

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<v Speaker 3>I seen all the bitches just start going crazy and shit,

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<v Speaker 3>and I was trying to like break down why that

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<v Speaker 3>may be or what what was it about this song?

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<v Speaker 3>You know what I mean? Not only was the hook crazy,

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<v Speaker 3>but the beat was simple as fuck. It was just

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<v Speaker 3>like a few sounds and ship. So I kind of

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<v Speaker 3>took that same science. I added some drums to that sample.

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<v Speaker 3>We came up with the song. Next thing, you know,

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<v Speaker 3>my big Homy big b was like, Yo, I got

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<v Speaker 3>this artist, he from the city. You need to funk

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<v Speaker 3>with him. He played in the music. I didn't really

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<v Speaker 3>funk with the music because it was like that jerk

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<v Speaker 3>ship And at the time it was like I was

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<v Speaker 3>like that jerk, Like yeah, that that ship. It was

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<v Speaker 3>like a relationship. Yeah the early I thought area No really, Oh,

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<v Speaker 3>I got confused. Continue I thought Hyphie was the Bay. Okay,

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<v Speaker 3>you ain't popping in the Bay, You're not popping in

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<v Speaker 3>l a Okay. Cool. We all worked together as one.

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<v Speaker 3>That's how I feel about it. Anyway, Uh, I forgot

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<v Speaker 3>where I met in the story. We were talking about

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<v Speaker 3>into the beach. Yeah, so yeah, yeah, yeah, it wasn't

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<v Speaker 3>even Muster. I not fucking with the jerk I was loving.

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<v Speaker 3>I wasn't like the music because it was living like

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<v Speaker 3>you had all these songs on MySpace that I wasn't

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<v Speaker 3>really loving. The big b was like, Yo, I'm telling

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<v Speaker 3>you you need to work with this dude. So he

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<v Speaker 3>came through. We did this song. Next thing, you know,

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<v Speaker 3>my hommie James Earl James, Earl Jones, the third I

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<v Speaker 3>might be getting his name wrong, but my nigga shot

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<v Speaker 3>the video at Dark Waller. Everybody from the city came

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<v Speaker 3>through to this video. Shoot man. Just the same time

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<v Speaker 3>Drake had first dropped that baby you My Everything. It

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<v Speaker 3>was like that time we shot the video. Shit went up.

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<v Speaker 3>It came out tie dollars sign featuring YG and TC

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<v Speaker 3>forty eight hundred two of them. Buddhas. The ship fucking

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<v Speaker 3>got a million views fast as shit. Shit you got

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<v Speaker 3>no label at the time, no label at this Okay, nice,

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<v Speaker 3>all the mixtape top, but it's not. This is the

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<v Speaker 3>first one is hitting continue. So all the labels start

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<v Speaker 3>calling this ship. We get excited and like all right,

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<v Speaker 3>we were. Then all of a sudden, they hit us

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<v Speaker 3>with it. They just want to sign y G. So

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<v Speaker 3>I talked to TC about it. I'm like, this is

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<v Speaker 3>your record, this is my ship. I'm bad, you know,

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<v Speaker 3>I'm watch the nigga that's definitely not my ye opening

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<v Speaker 3>like a yeah yeah, you know, drink Champs. It's a

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<v Speaker 3>different type drink. We got gear up. We got a

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<v Speaker 3>gear up. Yeah good. And then uh, after that, we're like, cool,

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<v Speaker 3>let's give him the record. But they signed, they put

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<v Speaker 3>this ship out the death, they put it out, and

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<v Speaker 3>then all of a sudden, TC off the song. I'm

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<v Speaker 3>still on the song, but they're not saying my name.

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<v Speaker 3>They're just saying wow. So then uh, we shoot the

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<v Speaker 3>video again professionally with Colin Tilley. At the time, he

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<v Speaker 3>was just like, I think he charged niggas like ten thousand,

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<v Speaker 3>fifteen thousand for the video. Now he's up to like

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<v Speaker 3>a million. You know. I'm saying, shout out to Colin Tilly, well,

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<v Speaker 3>shoot the video. They put me in the video, but

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<v Speaker 3>it still don't say ty dollars sign. So I just

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<v Speaker 3>think man from two thousand and nine. Even though I

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<v Speaker 3>had a hit and then I put out some other songs,

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<v Speaker 3>put out some other songs. I didn't end up getting

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<v Speaker 3>my deal until twenty twelve of Atlantic, and I'm still

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<v Speaker 3>in that deal right now. I'm almost done them. We

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<v Speaker 3>probably re up. So was that originally through Taylor Gang?

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<v Speaker 3>Taylor Gang, now that was originally to ushink the label.

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<v Speaker 3>And then probably a year later, two years later, I

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<v Speaker 3>met Will from Taylor Gang and we locked in the

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<v Speaker 3>Tailor Gang situation. Shot always as well. Okay, so let's

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<v Speaker 3>let's bring it back for the people that for the

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<v Speaker 3>industry people. When you got to Atlantic, what is this

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<v Speaker 3>the Atlantic regime? Because you know there's different people that passed.

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<v Speaker 3>It was like for Julie Greenwall regime, Craig Cowman regime.

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<v Speaker 3>I was like, okay, okay, as that shout out to them, Okay,

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<v Speaker 3>ask my family, right, you know they're all gone now right, Yeah?

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<v Speaker 3>What the riches, Yeah, they stop playing with them. They're

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<v Speaker 3>out there chilling somewhere. It's going to take their jobs robots.

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<v Speaker 3>Now it's new people. It's a whole new regime. Can't

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<v Speaker 3>shout out to Elliott. Okay. So Grant came in with

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<v Speaker 3>his squad and they're doing that thing. Man, shout out

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<v Speaker 3>to them, Okay, to congratulate the young niggas man, because

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<v Speaker 3>let's let's just talk about that for a second, because

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<v Speaker 3>all right, that squad that were just named came from

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<v Speaker 3>my squad at Death Jam. Yeah right, they how it's

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<v Speaker 3>so small like that. Yeah, so that whole squad from

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<v Speaker 3>Depth Chair went to the and then that's when Atlantic

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<v Speaker 3>Records was popping, right. So now that they're just trying

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<v Speaker 3>to say that, not just saying de clar Now that

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<v Speaker 3>they're all gone and you you're seasoned artists now, right,

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<v Speaker 3>So is that something that you have to reiterate the

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<v Speaker 3>relationships with the label or you already knew these people

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<v Speaker 3>that came in and took these guys positions. Uh, some

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<v Speaker 3>of them that stayed and some of them that's new.

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<v Speaker 3>Some people like shout out to to Shauna. To Shauna

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<v Speaker 3>used to be my day to day at Taylor game.

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<v Speaker 3>She's one of the Okay, so it's working out. Yeah, man,

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<v Speaker 3>the transition is good. This is good man. Okay. I

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<v Speaker 3>mean that's just how the world is. Man, the world transitions.

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<v Speaker 3>You're gonna be ready for it or you're gonna complain

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<v Speaker 3>and be stuck in the old times. Okay, So let's

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<v Speaker 3>dig right into hm, let's talk about vultures. You know what,

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<v Speaker 3>we're not even gonna make this ship about that time period.

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<v Speaker 3>Were gonna make this about right now. I don't really

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<v Speaker 3>talk to them to dude, you know what I'm saying. So,

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<v Speaker 3>I mean, we could do a whole nother drink Champion.

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<v Speaker 7>I'm saying, you can call it up up here.

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<v Speaker 3>You're you're not doing Vultures three. I heard the Vulture

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<v Speaker 3>three on the way. I man, we gotta we gotta

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<v Speaker 3>do some conversation, okay, okay, privacy ship yes or not?

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<v Speaker 1>Okay, always all love the yeah yeah yeah, yeah yeah

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<v Speaker 1>and world peace and world he said.

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<v Speaker 3>Piece listen. That's just that's also I gotta address you

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<v Speaker 3>know what I'm saying. You got a velvet do rag on? Yeah,

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<v Speaker 3>that's that's hard. That makes an velpment. I gotta I

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<v Speaker 3>got a velvet bad and I had a motherfucking fish

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<v Speaker 3>net on that my mother party niggas. Yes, I'm as

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<v Speaker 3>niggas yesterday. You're listening to part of that club live.

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<v Speaker 3>That was a performance that was just like I was

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<v Speaker 3>just like Wahomie Hobby, you know, saying, you always be

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<v Speaker 3>looking out, shout out to everybody in Miami. They always

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<v Speaker 3>show up, you know what I'm saying. The day Before that,

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<v Speaker 3>I was in l A at my compound at Tycoon

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<v Speaker 3>University and we threw the first listening there, had some

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<v Speaker 3>DSP partners in the building, had all fine ship around.

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<v Speaker 3>It was crazy. That the most fine ship I've seen

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<v Speaker 3>in l A in a long time. But so let's

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<v Speaker 3>talk about the new album. Then, let's let's just get

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<v Speaker 3>straight to the new albums called Tycoon correct new album

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<v Speaker 3>is called Tycoon Man. Okay, we got two singles. Is

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<v Speaker 3>that considered singles? Yeah? For sure? For show you got

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<v Speaker 3>all in, you got a smile body, pretty face. I

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<v Speaker 3>just dropped that on Friday. Shout out to my brother

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<v Speaker 3>y G Folk, Honey, shout out to my brother Kodak.

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<v Speaker 3>Kodak came through with that hood watch say put it

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<v Speaker 3>as the production but watch you got the hardest line though,

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<v Speaker 3>he said's putting the tongue in the asshole. You ever

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<v Speaker 3>did that?

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<v Speaker 8>You No, I never did that because I didn't like

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<v Speaker 8>the said trying to take eating it from the back.

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<v Speaker 8>You open your eyes and your tongue and.

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<v Speaker 3>The brother, Hey, maybe I'm trying it.

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<v Speaker 1>Maybe he's talking about a mistake.

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<v Speaker 3>The way why he said that. He said, Now he's

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<v Speaker 3>aiming for the asshole.

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<v Speaker 8>Okay, I'm about how about getting bumped up and then

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<v Speaker 8>all of a sudden she go to the balls and

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<v Speaker 8>all of a sudden they start going too far down.

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<v Speaker 3>Yeah, and then you give it a doll like these

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<v Speaker 3>niggas ain't answer face. Okay, now is the is there

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<v Speaker 3>video going with this? Yeah, we just did the video.

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<v Speaker 3>The video about to be so crazy. Shout out to ha,

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<v Speaker 3>Shout out to the whole team. Yeah, man, we're just

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<v Speaker 3>showing off a whole bunch of beautiful ladies and you know,

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<v Speaker 3>let's just hanging out there. So so like the era

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<v Speaker 3>that you first came out in, right, you had to

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<v Speaker 3>go run, do radio promo, you know, do even a

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<v Speaker 3>promo for the you know, performance wise, nowadays it's all

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<v Speaker 3>about Spotify, it's all about being on the playlist, it's

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<v Speaker 3>all about you know, uh iTunes. So how what's the

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<v Speaker 3>difference promoting back then then promoting this album now? It's different.

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<v Speaker 3>But my thing is, I think it's like the people.

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<v Speaker 3>I think it's the fans. It's just getting in front

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<v Speaker 3>of the fans and having your relationship with the fans,

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<v Speaker 3>and that's the most important part. And thank god I

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<v Speaker 3>got that, man. Shout out to my all my fans

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<v Speaker 3>out there. Sure you think it's going back to like

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<v Speaker 3>grassroots Meat and Greece, Like you see these Meat and

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<v Speaker 3>Greece that's happening right now. You think it's going back

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<v Speaker 3>to you know, back in the days. I'm older than

0:12:27.400 --> 0:12:29.000
<v Speaker 3>you and I've been out along. We used to have

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<v Speaker 3>not Meat and Greece used to be in stores and

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<v Speaker 3>everybody's old like me, like it's me in stores. But

0:12:35.840 --> 0:12:38.160
<v Speaker 3>the fans would come in store and they're pushing all

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<v Speaker 3>into so weird. But the ill thing about that was

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<v Speaker 3>they wouldn't let the fans in unless the fan actually

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<v Speaker 3>bought the album. Meet and rights are a little different

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<v Speaker 3>because they're actually paying the artists to do this. So

0:12:53.240 --> 0:12:56.000
<v Speaker 3>is that something that you're looking into? Like, You're definitely

0:12:56.040 --> 0:13:00.000
<v Speaker 3>into that. Man, I've been doing my own Like I said,

0:13:00.080 --> 0:13:02.600
<v Speaker 3>I've been doing my own listeners at my building. At

0:13:02.600 --> 0:13:05.760
<v Speaker 3>my building, I gotta speak easy. I got members only cards.

0:13:06.040 --> 0:13:13.200
<v Speaker 3>You know what I'm saying. You gottah but whole house,

0:13:13.200 --> 0:13:17.640
<v Speaker 3>God damnitt. Different things the fans could do to like

0:13:17.920 --> 0:13:24.160
<v Speaker 3>get to different levels. Want to come see you tayon world, that's.

0:13:23.960 --> 0:13:26.600
<v Speaker 1>All idea, So like like something like a bad.

0:13:26.400 --> 0:13:28.680
<v Speaker 3>Buddy did, Like I never see that. What did you do?

0:13:28.880 --> 0:13:31.199
<v Speaker 3>He did a residency in Puerto Rico where all the

0:13:32.280 --> 0:13:38.679
<v Speaker 3>ship Yeah, you know, it makes everybody got to come

0:13:38.760 --> 0:13:41.520
<v Speaker 3>to a show in the United States. He still isn't

0:13:41.640 --> 0:13:43.439
<v Speaker 3>and he's going in the world to he's going everywhere

0:13:43.520 --> 0:13:46.000
<v Speaker 3>by the United States because he's afraid Ice is gonna

0:13:46.200 --> 0:13:50.160
<v Speaker 3>invade its idea. That's a good idea, Ice, But that's

0:13:50.160 --> 0:13:52.320
<v Speaker 3>a good idea. You know what you said? He said, Ice,

0:13:52.600 --> 0:13:57.439
<v Speaker 3>So describe people growing up? Uh in California described to

0:13:57.520 --> 0:14:02.439
<v Speaker 3>see the scene the people growing up. Yeah, yeah, for

0:14:02.440 --> 0:14:06.160
<v Speaker 3>a person has never been to your neighborhood. So I

0:14:06.240 --> 0:14:09.800
<v Speaker 3>was born in the eighties. I guess you could say

0:14:09.840 --> 0:14:14.080
<v Speaker 3>I grew up in the nineties and at that time, Like,

0:14:14.200 --> 0:14:18.120
<v Speaker 3>let's just talk musically, what inspired me? Like Doctor Dre,

0:14:19.080 --> 0:14:27.120
<v Speaker 3>DJ Quick j Dillah, Babyface and then my dad. He

0:14:27.200 --> 0:14:30.680
<v Speaker 3>was in this group called Lakeside, like a funk band.

0:14:31.120 --> 0:14:33.880
<v Speaker 3>So he's putting me onto all his music as well, Parliament,

0:14:33.960 --> 0:14:37.920
<v Speaker 3>Funk of Deela Friends. Uh, I could just name a

0:14:37.960 --> 0:14:40.560
<v Speaker 3>whole bunch of people. Slide and Family Stone Rest some

0:14:40.600 --> 0:14:46.000
<v Speaker 3>pieces slide. Uh. He's bringing me. He brought me on stage.

0:14:46.120 --> 0:14:48.760
<v Speaker 3>He brought me on tours to shows, so I'm getting

0:14:48.760 --> 0:14:51.360
<v Speaker 3>to see all this ship and all of that is

0:14:51.400 --> 0:14:56.600
<v Speaker 3>what makes Dog. I fucking love Nate. I never got

0:14:56.600 --> 0:15:00.760
<v Speaker 3>to eat Nigga Dog in l A. U see. People

0:15:00.800 --> 0:15:03.280
<v Speaker 3>like to categorize. People like to categorize. He's the nigga

0:15:03.320 --> 0:15:06.960
<v Speaker 3>from l a deeper voice, He's doing niggas hooks. He's

0:15:07.000 --> 0:15:09.080
<v Speaker 3>the new Nay Dog. You know what I'm saying. They say,

0:15:09.160 --> 0:15:11.600
<v Speaker 3>I think we're complete different artists. I think ny Dog

0:15:11.640 --> 0:15:13.800
<v Speaker 3>is one of the greatest ever. Absolutely. I wish I

0:15:13.800 --> 0:15:15.320
<v Speaker 3>would have got to work with Nate Dog. I think

0:15:15.320 --> 0:15:20.200
<v Speaker 3>you have made some Oh my god. Yeah that was

0:15:20.240 --> 0:15:23.680
<v Speaker 3>a great point, Soney, that was a great point. You

0:15:23.760 --> 0:15:25.360
<v Speaker 3>do got a son, though, I've been seeing his son

0:15:25.440 --> 0:15:27.680
<v Speaker 3>make music and ship. I don't. Maybe we get to

0:15:27.680 --> 0:15:32.520
<v Speaker 3>work one day or something. Yeah, hell yeah. So okay,

0:15:32.520 --> 0:15:36.760
<v Speaker 3>So entering this new album, you you you made it

0:15:37.120 --> 0:15:42.200
<v Speaker 3>predominantly at your compound. Yeah, predominantly at the compound and

0:15:42.560 --> 0:15:45.920
<v Speaker 3>hotel rooms. And some of it out here in the

0:15:45.920 --> 0:15:49.360
<v Speaker 3>hotel room, some of it at Circle House, some of

0:15:49.400 --> 0:15:53.840
<v Speaker 3>it in London, Wow, some of it in Saudi, some

0:15:53.920 --> 0:15:58.160
<v Speaker 3>of it in uh everywhere. Man, How many tracks we

0:15:58.200 --> 0:16:00.360
<v Speaker 3>got on here that we got fifteen tracks on top

0:16:00.360 --> 0:16:03.040
<v Speaker 3>of giving people a album album, So you're not playing

0:16:03.040 --> 0:16:05.280
<v Speaker 3>the games. I didn't want to like do one of

0:16:05.640 --> 0:16:08.560
<v Speaker 3>too many song albums either. I just wanted to give you,

0:16:08.600 --> 0:16:11.840
<v Speaker 3>like all back to back bangers, something for everybody. You

0:16:11.880 --> 0:16:14.520
<v Speaker 3>know what I'm saying. You got some slow R and

0:16:14.560 --> 0:16:17.520
<v Speaker 3>B cuts, you got some club ship, you got some

0:16:18.040 --> 0:16:22.680
<v Speaker 3>real life heartfelt ship, all that mm hm. And you

0:16:22.720 --> 0:16:25.080
<v Speaker 3>said this is your last album on a major. No no, no,

0:16:25.080 --> 0:16:27.240
<v Speaker 3>no no. I got this album and I got one

0:16:27.240 --> 0:16:31.360
<v Speaker 3>more album you know in my contract with Atlantic, and uh,

0:16:31.400 --> 0:16:33.600
<v Speaker 3>we could just take it from there, you know. Yeah,

0:16:33.800 --> 0:16:37.360
<v Speaker 3>but you're thinking, you're thinking staying major. I love Major. Yeah, yeah,

0:16:37.480 --> 0:16:39.480
<v Speaker 3>A Major has been great to me, you know. But

0:16:39.560 --> 0:16:42.280
<v Speaker 3>I do have my own label now, Easy Money Draggers,

0:16:42.960 --> 0:16:46.920
<v Speaker 3>and uh the first artist we put out is now

0:16:46.920 --> 0:16:48.400
<v Speaker 3>the biggest R and B artist in the world. His

0:16:48.440 --> 0:16:55.400
<v Speaker 3>name is Leon Thomas and Shot and uh, you know,

0:16:55.520 --> 0:16:57.640
<v Speaker 3>I could go my own route, you know what I'm saying.

0:16:57.640 --> 0:17:00.160
<v Speaker 3>But we're gonna see me with the gods to talkinking

0:17:00.200 --> 0:17:03.160
<v Speaker 3>about and how it makes sense. Have you ever put

0:17:03.160 --> 0:17:11.600
<v Speaker 3>out an independent projects me? Yeah? Uh? Vultures Okay, independent,

0:17:11.800 --> 0:17:15.920
<v Speaker 3>I didn't know that. Yeah, independent and went number one there,

0:17:16.240 --> 0:17:20.760
<v Speaker 3>so do the math. Sorry, you get some money. Who

0:17:20.840 --> 0:17:23.680
<v Speaker 3>distributed it has to be a distributor though, right, Yeah,

0:17:23.720 --> 0:17:28.360
<v Speaker 3>we had we had to create, which I just did

0:17:28.359 --> 0:17:31.600
<v Speaker 3>a deal with Easy Money for it, okay, and we

0:17:31.640 --> 0:17:38.040
<v Speaker 3>also had too lost. Okay, Yeah, who's that? Uh? Some

0:17:38.119 --> 0:17:43.880
<v Speaker 3>dudes with some money?

0:17:46.560 --> 0:17:48.680
<v Speaker 1>But what made you get into music? And you got

0:17:48.680 --> 0:17:50.360
<v Speaker 1>a family member of dad?

0:17:50.560 --> 0:17:50.919
<v Speaker 7>Mom?

0:17:51.160 --> 0:17:55.840
<v Speaker 3>You said it, I didn't. I think I I just

0:17:55.840 --> 0:17:59.280
<v Speaker 3>love music man from picking it up from my pops. Okay,

0:18:00.160 --> 0:18:03.200
<v Speaker 3>you can say that, but it's just something that I love.

0:18:03.280 --> 0:18:06.000
<v Speaker 3>Because there's a lot of people that be around me

0:18:06.040 --> 0:18:07.480
<v Speaker 3>that say they want to do music. They can say

0:18:07.480 --> 0:18:09.160
<v Speaker 3>they love it or say they want to rap her sing,

0:18:09.200 --> 0:18:11.239
<v Speaker 3>and then they don't end up doing ship and then

0:18:11.280 --> 0:18:14.680
<v Speaker 3>they end up blaming you, all right, right, But then

0:18:14.720 --> 0:18:17.399
<v Speaker 3>you meet a nigga like Leon who pulls up what

0:18:17.520 --> 0:18:20.040
<v Speaker 3>is his ship done? And his whole plan and this

0:18:20.119 --> 0:18:22.520
<v Speaker 3>whole ship and it's like, even before Easy Money, I

0:18:22.520 --> 0:18:26.440
<v Speaker 3>had labels, I signed niggas all that, but this is

0:18:26.480 --> 0:18:29.520
<v Speaker 3>the first time that another person showed me. And this

0:18:29.960 --> 0:18:32.199
<v Speaker 3>because it's before him like also must have showed me

0:18:32.359 --> 0:18:34.159
<v Speaker 3>yg showed me, niggas showed me that they want to

0:18:34.160 --> 0:18:36.400
<v Speaker 3>do it and follow through. But like so they bring

0:18:36.440 --> 0:18:37.119
<v Speaker 3>a full package.

0:18:37.119 --> 0:18:39.360
<v Speaker 1>All you got to do is yeah, like let's go

0:18:39.640 --> 0:18:40.639
<v Speaker 1>set it forget it.

0:18:42.640 --> 0:18:46.439
<v Speaker 3>Would you like more performing or making the record?

0:18:47.520 --> 0:18:47.560
<v Speaker 9>Do?

0:18:47.680 --> 0:18:52.280
<v Speaker 3>I got to take a shot out to Yeah, making

0:18:52.320 --> 0:18:54.840
<v Speaker 3>the record? I feel like all of that ship goes

0:18:54.880 --> 0:18:57.879
<v Speaker 3>together because like when you get a thought in your

0:18:57.920 --> 0:19:01.280
<v Speaker 3>head of whatever, a beat maybe, or idea for the song,

0:19:01.359 --> 0:19:05.679
<v Speaker 3>a concept, you put that all together. You fucking played

0:19:05.680 --> 0:19:08.399
<v Speaker 3>in the studio the engineer going crazy and whoever you

0:19:08.440 --> 0:19:11.480
<v Speaker 3>invite going crazy. Bam. That's one thing, right, then you

0:19:11.520 --> 0:19:13.680
<v Speaker 3>put the ship out. Then you see it's doing good.

0:19:13.720 --> 0:19:15.919
<v Speaker 3>That's another thing. But then when you see all the

0:19:16.000 --> 0:19:18.520
<v Speaker 3>people singing that ship back, that's the payoff to me,

0:19:19.040 --> 0:19:21.640
<v Speaker 3>you know what I'm saying. Yeah, so we all asked

0:19:21.640 --> 0:19:25.959
<v Speaker 3>you to choose. I can't shoot you know, like if

0:19:26.000 --> 0:19:28.840
<v Speaker 3>I'm building a house and I fucking you know, the

0:19:28.880 --> 0:19:31.040
<v Speaker 3>basement is just as important as the time. Yeah it is.

0:19:31.080 --> 0:19:34.760
<v Speaker 3>That's a roof Solomon.

0:19:36.119 --> 0:19:38.680
<v Speaker 10>So so let's say you on stage and they singing,

0:19:38.840 --> 0:19:41.760
<v Speaker 10>of course back to you, where's the vibeat that you know?

0:19:42.119 --> 0:19:44.200
<v Speaker 10>It was more than just a success, like you actually

0:19:44.200 --> 0:19:46.280
<v Speaker 10>reached their soul. Like is that how you feel when

0:19:46.280 --> 0:19:48.760
<v Speaker 10>you're listening to them?

0:19:48.840 --> 0:19:52.159
<v Speaker 3>Yeah, but it'd be more like one on one conversations

0:19:52.240 --> 0:19:57.320
<v Speaker 3>like when I first when I first met uh Jay Cole,

0:19:57.960 --> 0:20:01.320
<v Speaker 3>he was at the whatever that's second million Man Marsh

0:20:01.560 --> 0:20:05.639
<v Speaker 3>was in DC and he came up to me and

0:20:05.680 --> 0:20:08.879
<v Speaker 3>he was like, Yo, man, that one song what was

0:20:08.920 --> 0:20:14.119
<v Speaker 3>it called? I forgot what song? One of my songs? Bro?

0:20:14.240 --> 0:20:16.280
<v Speaker 3>He was like, Yo, that shit was like life changing,

0:20:16.320 --> 0:20:19.480
<v Speaker 3>that she was crazy, And by him saying it, it

0:20:19.600 --> 0:20:21.360
<v Speaker 3>was like, oh, because to me, he's like.

0:20:21.280 --> 0:20:27.159
<v Speaker 8>A real he's.

0:20:24.560 --> 0:20:27.840
<v Speaker 3>Listening things like that, or when the man comes up

0:20:27.880 --> 0:20:31.760
<v Speaker 3>and tells you your music got them through this song.

0:20:32.080 --> 0:20:34.200
<v Speaker 3>Like for me, it was like when my parents broke

0:20:34.320 --> 0:20:38.840
<v Speaker 3>up and I had to go through that, like uh,

0:20:39.480 --> 0:20:43.280
<v Speaker 3>my dad leaving me slowly seeing things like crumble, like

0:20:43.760 --> 0:20:46.480
<v Speaker 3>the motherfucking lights coming off one day, her figuring that

0:20:46.480 --> 0:20:49.400
<v Speaker 3>out and coming back on the goddamn water going off

0:20:49.680 --> 0:20:51.639
<v Speaker 3>to where the water went off, but the guys were

0:20:51.680 --> 0:20:54.120
<v Speaker 3>still on. So I took a big ass bucket, went

0:20:54.200 --> 0:20:56.919
<v Speaker 3>next door to my neighbors in the in the in

0:20:57.000 --> 0:20:59.240
<v Speaker 3>the alley, filled up the bucket with the water hole.

0:20:59.359 --> 0:21:02.359
<v Speaker 3>She came back, I mean came back. She put that

0:21:02.359 --> 0:21:04.359
<v Speaker 3>ship on the pot, heated the ship up. Niggas took

0:21:04.400 --> 0:21:07.119
<v Speaker 3>a bath that type of shit, you feel me, I

0:21:07.160 --> 0:21:11.399
<v Speaker 3>was Tupac and Tupac like all his underground ship like

0:21:11.440 --> 0:21:14.960
<v Speaker 3>that didn't come out ninety three, No, no, no, no,

0:21:16.000 --> 0:21:22.920
<v Speaker 3>it's like ninety seven, ninety probably like ninety seven though,

0:21:23.560 --> 0:21:26.920
<v Speaker 3>And listening to that ship got me through that time,

0:21:27.080 --> 0:21:29.000
<v Speaker 3>Just so I know what it means. I know what

0:21:29.119 --> 0:21:31.800
<v Speaker 3>somebody's saying when they say, Yo, that ship really got

0:21:31.800 --> 0:21:34.800
<v Speaker 3>me through there. You know what I'm saying right now. Look,

0:21:35.440 --> 0:21:37.080
<v Speaker 3>I know we tried to touch on it earlier, but

0:21:37.160 --> 0:21:38.600
<v Speaker 3>I just wanted to talk on talking on the fact

0:21:39.119 --> 0:21:42.320
<v Speaker 3>this classic collap albums, right, you got to wash the throne?

0:21:42.640 --> 0:21:46.399
<v Speaker 3>You got what's jay Z and R Kelly ship? I

0:21:46.440 --> 0:21:52.280
<v Speaker 3>don't remember worlds And it's actually when two tycoons collide,

0:21:52.359 --> 0:21:55.560
<v Speaker 3>right and they make this uh this material that they

0:21:55.560 --> 0:21:59.240
<v Speaker 3>become one. Like, did you feel that y'all accomplished that

0:21:59.280 --> 0:22:01.920
<v Speaker 3>with boches one of is too. Yeah, for sure, we

0:22:02.000 --> 0:22:05.639
<v Speaker 3>fecking killed that ship. Of course, a lot of niggas

0:22:05.640 --> 0:22:08.040
<v Speaker 3>tried to dumb it down because of obviously the ship

0:22:08.080 --> 0:22:11.080
<v Speaker 3>bro was doing right to make certain people hate, But

0:22:11.320 --> 0:22:13.400
<v Speaker 3>I feel like our ship was the best ship out

0:22:13.640 --> 0:22:16.399
<v Speaker 3>for sure. Right do you do you do you feel

0:22:16.400 --> 0:22:21.280
<v Speaker 3>like that it didn't suffer because of like you know,

0:22:21.480 --> 0:22:26.240
<v Speaker 3>the semantics. I mean, you could say it could have

0:22:26.240 --> 0:22:28.960
<v Speaker 3>getten better, It could have been bigger, We could be like,

0:22:29.200 --> 0:22:31.239
<v Speaker 3>could have should have would have been as niggas, But

0:22:31.320 --> 0:22:34.159
<v Speaker 3>I'm not gonna be that. It's like, I feel like

0:22:34.160 --> 0:22:36.480
<v Speaker 3>it did what it was supposed to do. The people

0:22:36.520 --> 0:22:39.439
<v Speaker 3>that were supposed to enjoy it enjoyed it right, and

0:22:39.520 --> 0:22:40.880
<v Speaker 3>now we're here. You know what I'm saying. You got

0:22:40.880 --> 0:22:45.639
<v Speaker 3>to use everything for a learning experience and not dwell

0:22:45.720 --> 0:22:48.240
<v Speaker 3>on the negative parts. You know what I'm saying. Well,

0:22:48.240 --> 0:22:50.120
<v Speaker 3>the album was fucking both of them. It was hard

0:22:50.119 --> 0:22:59.280
<v Speaker 3>to meet. Do you do you still enjoy this business?

0:23:00.200 --> 0:23:02.840
<v Speaker 3>My mom did? He asked me that ship? Right, My

0:23:02.880 --> 0:23:05.920
<v Speaker 3>mom asked me that shit like about two years ago.

0:23:06.000 --> 0:23:08.160
<v Speaker 3>She was like, you still love what you do? I'm

0:23:08.200 --> 0:23:10.240
<v Speaker 3>like yeah. She was like, you know, you might get

0:23:10.280 --> 0:23:13.240
<v Speaker 3>tired one day, you know, you might like and then

0:23:13.280 --> 0:23:17.080
<v Speaker 3>what I'm like, I love this shit. It's like I

0:23:17.119 --> 0:23:22.200
<v Speaker 3>got blessed to not only find something that I love

0:23:23.280 --> 0:23:25.600
<v Speaker 3>and then it be my favorite hobby, as my mom

0:23:25.680 --> 0:23:27.600
<v Speaker 3>used to call it, because she's doing a hobby until

0:23:27.600 --> 0:23:30.320
<v Speaker 3>there's money coming in, right. But I was able to

0:23:30.320 --> 0:23:31.840
<v Speaker 3>figure out how to make money off of this ship,

0:23:31.920 --> 0:23:34.919
<v Speaker 3>so I'm doing that cransition. But I will say like

0:23:35.320 --> 0:23:38.560
<v Speaker 3>I kind of like felt what she said. Like about

0:23:38.560 --> 0:23:40.160
<v Speaker 3>a year ago, I came to eleven and I did

0:23:40.160 --> 0:23:42.240
<v Speaker 3>a show and about a second song, my motherfucking back

0:23:42.240 --> 0:23:45.120
<v Speaker 3>went out. I'm like, what the fuck? How is this possible?

0:23:45.480 --> 0:23:48.200
<v Speaker 3>But that's that's why I started going in and stopped

0:23:48.240 --> 0:23:50.960
<v Speaker 3>eating bullshit and lost all that weight and got back right,

0:23:51.040 --> 0:23:54.920
<v Speaker 3>and now I feel good again. So want to see

0:23:54.920 --> 0:23:58.240
<v Speaker 3>how long this run goes. And you had to finish,

0:23:58.280 --> 0:24:01.320
<v Speaker 3>they'd be doing aerobics back sitting in Club eleven. You

0:24:01.320 --> 0:24:04.359
<v Speaker 3>gotta see the ship, so you know, maybe like you

0:24:04.480 --> 0:24:08.080
<v Speaker 3>like eleven and Tusies, I'm a booby trapped guy brother,

0:24:08.160 --> 0:24:10.280
<v Speaker 3>So sorry, I'm gonna say booby trap. I'm sorry, I'm

0:24:10.280 --> 0:24:12.960
<v Speaker 3>a booby trapped guy brother. I just say, stay right there, girl,

0:24:14.560 --> 0:24:20.320
<v Speaker 3>I like y, listen, listen. I'm gonna be honest. A

0:24:20.480 --> 0:24:22.920
<v Speaker 3>leaven is flying, but I feel like I gotta wear

0:24:22.920 --> 0:24:25.440
<v Speaker 3>a suit. I feel like I gotta wear a button.

0:24:25.680 --> 0:24:27.119
<v Speaker 3>I go to a leven like if I'm there with

0:24:27.119 --> 0:24:29.480
<v Speaker 3>a hoodie on, I feel you know what I mean

0:24:30.440 --> 0:24:35.640
<v Speaker 3>Right now, I'm gonna be honest with you. Ain't nothing

0:24:35.640 --> 0:24:39.000
<v Speaker 3>like the Lemon Peppers and Tosies really go to Tousis

0:24:39.000 --> 0:24:43.480
<v Speaker 3>from then of my and that I love her holy

0:24:43.560 --> 0:24:45.840
<v Speaker 3>walking on and you can get it. Yeah here somewhere

0:24:46.720 --> 0:24:50.880
<v Speaker 3>and I'm just saying it's a lot and you could

0:24:50.920 --> 0:24:52.359
<v Speaker 3>get I don't know what you go to to?

0:24:52.640 --> 0:24:54.800
<v Speaker 1>Got a barber shop now, yeah, they always had a

0:24:54.840 --> 0:24:55.359
<v Speaker 1>barber shop.

0:24:56.560 --> 0:25:00.080
<v Speaker 3>They do a different trim doing. But booby trapped. You

0:25:00.080 --> 0:25:03.520
<v Speaker 3>gotta be law when y'all got a lighter lighter Yeah, okay,

0:25:04.960 --> 0:25:09.960
<v Speaker 3>hell yeahisold. Your favorite strip club is eleven in Miami,

0:25:10.359 --> 0:25:12.800
<v Speaker 3>booby trapped, like for strip club, strip cup. You know

0:25:12.840 --> 0:25:18.120
<v Speaker 3>what I'm saying. Okay on the river booby trapped, trap

0:25:18.200 --> 0:25:22.600
<v Speaker 3>on the river. But we appreciate eleven because of how

0:25:22.720 --> 0:25:25.040
<v Speaker 3>fly it is, money they spent in there, how they

0:25:25.200 --> 0:25:27.800
<v Speaker 3>keep it and the sound system. I'm a music nigga.

0:25:27.880 --> 0:25:30.040
<v Speaker 3>I love like it's flying. I can talk to you

0:25:30.080 --> 0:25:32.240
<v Speaker 3>at this volume and that ship is allowed to tell

0:25:32.880 --> 0:25:34.560
<v Speaker 3>that's what matters you know what I'm saying, and that's

0:25:34.560 --> 0:25:37.520
<v Speaker 3>what I do with my eleven Soul Fly. They got

0:25:37.520 --> 0:25:39.840
<v Speaker 3>apartment buildings right right.

0:25:40.320 --> 0:25:46.920
<v Speaker 7>Cut the restaurant next, and you don't feel out of

0:25:46.960 --> 0:25:49.080
<v Speaker 7>place at all, Like it's like all right, cool cool,

0:25:49.400 --> 0:25:51.440
<v Speaker 7>So all right.

0:25:52.640 --> 0:25:57.560
<v Speaker 3>Now with the label, what is your goal? With the label?

0:25:57.600 --> 0:26:01.920
<v Speaker 3>What are we doing? What are we focusing on? Is

0:26:02.440 --> 0:26:05.640
<v Speaker 3>a hip hop or it's just whatever? Well, we got

0:26:05.720 --> 0:26:08.879
<v Speaker 3>R and B and hip hop. We got Leon. We

0:26:08.960 --> 0:26:12.960
<v Speaker 3>got a DJ Key Turner, he's making out frobats. We

0:26:13.040 --> 0:26:15.119
<v Speaker 3>got r J the Wardo, he's from Dallas. R J

0:26:15.280 --> 0:26:18.439
<v Speaker 3>to Wirdow. I like him. Already's nigga cold okay. We

0:26:18.560 --> 0:26:22.919
<v Speaker 3>got Sage also from Texas. He rapping and ship. We

0:26:22.960 --> 0:26:25.399
<v Speaker 3>got Busy Crook from Miami. That niggas one of the

0:26:25.440 --> 0:26:29.600
<v Speaker 3>coldest pins rap. And I'm just looking to get into

0:26:29.600 --> 0:26:33.720
<v Speaker 3>people that pause. I'm looking to work with people that

0:26:35.560 --> 0:26:37.760
<v Speaker 3>just cared, not that passion. I want to be the

0:26:37.800 --> 0:26:39.920
<v Speaker 3>fucking greatest, you know what I mean. I feel like

0:26:39.960 --> 0:26:42.040
<v Speaker 3>there's a lot of music out there that's just either

0:26:42.080 --> 0:26:45.480
<v Speaker 3>trying to sound like whatever's hot or just laziness. Bro

0:26:45.680 --> 0:26:49.440
<v Speaker 3>It went from like Saha, I said, this shouldn't interview

0:26:49.480 --> 0:26:53.400
<v Speaker 3>with Yeah, he was like it was like music back

0:26:53.400 --> 0:26:55.800
<v Speaker 3>in the day used to be the rap nigga and

0:26:55.800 --> 0:26:57.639
<v Speaker 3>the street nigga were performing, and now it's like the

0:26:57.640 --> 0:26:59.479
<v Speaker 3>street nigga got jealous of the rap nigga and they

0:26:59.480 --> 0:27:01.960
<v Speaker 3>want to rap and like want that happen, and they're

0:27:01.960 --> 0:27:05.399
<v Speaker 3>not even real rappers. So like easy Money is like

0:27:05.480 --> 0:27:10.439
<v Speaker 3>all actual musicians, real artists, you know what I'm saying. Yeah, So,

0:27:11.080 --> 0:27:15.440
<v Speaker 3>what's what's your relationship like with Wiz nowadays? I love Wizy,

0:27:15.560 --> 0:27:18.760
<v Speaker 3>which changed my life. Whiz is the fucking cold Top.

0:27:19.760 --> 0:27:21.600
<v Speaker 3>Oh I got some shit in my beard? Yeah, thank you, man.

0:27:22.160 --> 0:27:24.400
<v Speaker 3>We will tell you about it. You know what I'm saying.

0:27:24.400 --> 0:27:26.639
<v Speaker 3>But I love fucking wiz Man. Shout out to Wiz.

0:27:28.600 --> 0:27:33.280
<v Speaker 3>Congratulations on this new baby, Congratulations on all this. Yeah,

0:27:34.680 --> 0:27:38.000
<v Speaker 3>yeah baby, Yeah, niggas are here, fucking I ain't gonna

0:27:38.040 --> 0:27:41.600
<v Speaker 3>lie every other week. I'm gonna say it something pregnant.

0:27:41.680 --> 0:27:45.080
<v Speaker 3>I'm like frist Montana. You know what I'm saying. Everybody

0:27:45.080 --> 0:27:53.199
<v Speaker 3>else here, man, man, I'm prominable. Yeah. So, you know,

0:27:55.800 --> 0:27:58.040
<v Speaker 3>I've been in this game twenty five years, right, I

0:27:58.040 --> 0:28:00.159
<v Speaker 3>had dreams at the end of this game. Now now

0:28:00.800 --> 0:28:06.719
<v Speaker 3>you know. Uh, when I'm asking this question, I'm always

0:28:06.840 --> 0:28:09.720
<v Speaker 3>like yeah and no, right, But I'm not gonna lead

0:28:09.760 --> 0:28:11.879
<v Speaker 3>the witness. I'm gonna ask you, do you think that

0:28:12.000 --> 0:28:14.480
<v Speaker 3>this game is? Is it everything you thought it was

0:28:14.560 --> 0:28:20.520
<v Speaker 3>going to be? Or is it shortcomings? It's definitely shortcomings, okay?

0:28:22.040 --> 0:28:24.440
<v Speaker 3>Describing for a person who wants your life right now,

0:28:24.520 --> 0:28:26.400
<v Speaker 3>person who wants your life, they want to be tode

0:28:26.480 --> 0:28:29.960
<v Speaker 3>dollar size. They're sitting the whole goal is that and

0:28:30.040 --> 0:28:31.960
<v Speaker 3>for what they see, it's all a glits and glad,

0:28:32.000 --> 0:28:33.960
<v Speaker 3>but they don't see that, you know what I mean.

0:28:34.080 --> 0:28:37.120
<v Speaker 3>I'm definitely bullshit, but I want to say, but anything

0:28:37.280 --> 0:28:40.360
<v Speaker 3>YouTube in life, it's going to be bullshit. Man, You're

0:28:40.360 --> 0:28:43.680
<v Speaker 3>gonna have tough skin for this surgeon business, you know

0:28:43.720 --> 0:28:45.360
<v Speaker 3>what I'm saying. There's gonna be a lot of function

0:28:45.560 --> 0:28:47.720
<v Speaker 3>that comes at you. One of the craziest things that

0:28:47.760 --> 0:28:52.320
<v Speaker 3>I've learned is, uh, the one thing about fame when

0:28:52.640 --> 0:28:55.360
<v Speaker 3>when you walk into a room, everybody know who the

0:28:55.360 --> 0:28:57.360
<v Speaker 3>fuck you are, nig and you don't know who nobody is,

0:28:57.880 --> 0:28:59.880
<v Speaker 3>what could happen? You don't know what's on a niggas mind.

0:28:59.880 --> 0:29:02.360
<v Speaker 3>You feel me, So that's the only fucked up part

0:29:02.840 --> 0:29:06.080
<v Speaker 3>like the most fucked up party. But yeah, there's other

0:29:06.080 --> 0:29:08.640
<v Speaker 3>fucked up parts, right, but let's give him a plus

0:29:08.880 --> 0:29:11.640
<v Speaker 3>A plus yeah. Uh, Like I said, I get to

0:29:11.640 --> 0:29:14.840
<v Speaker 3>do what I love and support my family. It gets

0:29:14.960 --> 0:29:17.720
<v Speaker 3>no better than that. I like make music every day,

0:29:18.200 --> 0:29:20.040
<v Speaker 3>you know what I'm saying. I'm in the studio more

0:29:20.080 --> 0:29:22.800
<v Speaker 3>than my fucking house, you know what I'm saying, right,

0:29:23.880 --> 0:29:27.400
<v Speaker 3>And I love it. I love to be there, and

0:29:28.080 --> 0:29:29.760
<v Speaker 3>like even when I got here. First thing I did

0:29:29.800 --> 0:29:31.680
<v Speaker 3>yesterday I got in the studio with hit Maker. We

0:29:31.720 --> 0:29:33.240
<v Speaker 3>made like six songs, bro, like.

0:29:34.720 --> 0:29:38.000
<v Speaker 1>I love this ship right still six songs Circle House

0:29:39.120 --> 0:29:41.280
<v Speaker 1>make you know, hit making you get busy.

0:29:41.880 --> 0:29:48.160
<v Speaker 3>He's smoking mass cigarettes, yes, thank god, I take it out.

0:29:50.000 --> 0:29:51.680
<v Speaker 3>I used to smoke cigarettes, and I don't be pugging

0:29:51.720 --> 0:29:54.640
<v Speaker 3>him no more. So what cigarettes he smoking? He be

0:29:54.680 --> 0:29:58.360
<v Speaker 3>smoking Newports? Yeah, Newport? Yeah yeah, American expirits is the

0:29:58.400 --> 0:30:05.400
<v Speaker 3>way to go. There's there's no way to go. I'm sorry,

0:30:05.480 --> 0:30:10.040
<v Speaker 3>I'm sorry, I'm sorry. I wanted to thought that would

0:30:10.040 --> 0:30:15.680
<v Speaker 3>have came out of your mouth. But get an astraea.

0:30:16.120 --> 0:30:21.160
<v Speaker 3>Yeah yeah, yeahs bro, I got used to asking on

0:30:21.200 --> 0:30:23.960
<v Speaker 3>the floor from just like studios and yeah yeah, yeah,

0:30:24.040 --> 0:30:25.640
<v Speaker 3>and it got so bad to her. One day, I

0:30:25.680 --> 0:30:28.840
<v Speaker 3>was just chilling at the house smoking and I looked

0:30:28.840 --> 0:30:30.160
<v Speaker 3>on the side of the couch and they got and

0:30:30.240 --> 0:30:37.600
<v Speaker 3>asked on the mother expensive. Yeah, so thank you so much.

0:30:38.360 --> 0:30:40.280
<v Speaker 3>Who's a producer you didn't work with that? You would

0:30:40.320 --> 0:30:46.000
<v Speaker 3>love to work with? Jake K. Diller? Damn al alright? Cool?

0:30:46.040 --> 0:30:47.920
<v Speaker 3>That was a good one. That was That's a good one.

0:30:47.920 --> 0:30:49.920
<v Speaker 3>That was a good one. That's like my favorite ever.

0:30:50.280 --> 0:30:53.480
<v Speaker 3>Oh you know what, Alive though I had Lived Live.

0:30:53.840 --> 0:30:57.239
<v Speaker 3>I want to lock in with that up right now.

0:30:57.280 --> 0:31:00.440
<v Speaker 3>That's too like. I think me and him cold make

0:31:00.480 --> 0:31:06.920
<v Speaker 3>a whole album that would just like be great. Damn

0:31:07.280 --> 0:31:13.360
<v Speaker 3>right now real him, But DJ Premier, I work with

0:31:13.400 --> 0:31:15.760
<v Speaker 3>that man. I worked with people. I worked with him

0:31:15.760 --> 0:31:18.160
<v Speaker 3>a couple of times. I love him projects. I think

0:31:18.200 --> 0:31:19.560
<v Speaker 3>he could anybody.

0:31:19.640 --> 0:31:23.480
<v Speaker 1>And you know the New York guys you got alchemists.

0:31:23.520 --> 0:31:25.959
<v Speaker 3>Me and him keep on talking, keep on saying we're

0:31:26.000 --> 0:31:28.040
<v Speaker 3>gonna do it, and we ain't did it? Check. Oh wow,

0:31:28.240 --> 0:31:31.960
<v Speaker 3>I can't wait to hear that. Yeah, let's go. How

0:31:32.000 --> 0:31:36.000
<v Speaker 3>about how about Farrell? You know has been on a

0:31:36.040 --> 0:31:38.239
<v Speaker 3>lot of my albums and ship I love pal. One

0:31:38.280 --> 0:31:42.120
<v Speaker 3>of the greatest par real man. One thing about for

0:31:42.240 --> 0:31:44.880
<v Speaker 3>real when you when you actually get in the studio

0:31:44.960 --> 0:31:47.760
<v Speaker 3>with this nigga man, be like all right, cool seven

0:31:47.800 --> 0:31:52.720
<v Speaker 3>am plue I think that I'm gonna be honest real, Yeah,

0:31:53.040 --> 0:31:55.200
<v Speaker 3>I'm a four am. Did you start at seven or

0:31:55.240 --> 0:31:58.440
<v Speaker 3>you start at four? Yeah? Always started am and be

0:31:58.520 --> 0:32:02.480
<v Speaker 3>out of the studio by like yeah, me and him

0:32:02.560 --> 0:32:05.960
<v Speaker 3>get getting along perfect. That's on New Life though, y

0:32:06.360 --> 0:32:07.880
<v Speaker 3>New Life, like yeah, when I did it on my

0:32:08.080 --> 0:32:11.080
<v Speaker 3>we we recorded at seven am in California time. I

0:32:11.160 --> 0:32:13.640
<v Speaker 3>usually call it like early studio times, like top hours,

0:32:13.640 --> 0:32:15.680
<v Speaker 3>because usually when you work with a pop artists and ship,

0:32:16.240 --> 0:32:21.600
<v Speaker 3>they want to work early. His is for real artists

0:32:21.640 --> 0:32:29.800
<v Speaker 3>in my face podcast. That's a compliment for me. I mean,

0:32:30.320 --> 0:32:36.200
<v Speaker 3>you know all, I've seen one of my favorite artists, right,

0:32:36.760 --> 0:32:39.360
<v Speaker 3>I can't name the name, right, but I went to

0:32:39.400 --> 0:32:42.320
<v Speaker 3>a show why you can't the name because the story

0:32:42.400 --> 0:32:47.600
<v Speaker 3>is not the best, and I saw him rock to show. Man.

0:32:47.600 --> 0:32:50.920
<v Speaker 3>I'm sitting there and walking there. I'm sitting there and

0:32:50.960 --> 0:32:52.960
<v Speaker 3>he obviously doesn't know I'm there. You know, I'm snuck

0:32:53.000 --> 0:32:57.760
<v Speaker 3>in and I see him get on stage. Who the

0:32:57.840 --> 0:33:01.840
<v Speaker 3>kils are puff? No? No, no, no, no, no, and when

0:33:01.840 --> 0:33:05.920
<v Speaker 3>he got I'm trying to w from so he went

0:33:05.960 --> 0:33:09.120
<v Speaker 3>from like and as soon as he got off stage, like,

0:33:09.200 --> 0:33:11.800
<v Speaker 3>his frown went upside down and he went straight into

0:33:11.880 --> 0:33:14.520
<v Speaker 3>like and I could tell like he had to be there.

0:33:14.840 --> 0:33:18.320
<v Speaker 3>This wasn't something that he wanted to do. Right. So

0:33:18.360 --> 0:33:23.040
<v Speaker 3>it comes to a time, like an every artist career,

0:33:23.120 --> 0:33:26.880
<v Speaker 3>where it's like maybe it's you have to pay the bills,

0:33:26.920 --> 0:33:29.280
<v Speaker 3>maybe you have to all maybe you just don't didn't

0:33:29.280 --> 0:33:30.680
<v Speaker 3>want to be there, and just you just this is

0:33:30.680 --> 0:33:33.800
<v Speaker 3>something you have to do, right. Have you ever been

0:33:33.840 --> 0:33:35.760
<v Speaker 3>there where it's like you didn't want to be there

0:33:35.800 --> 0:33:37.680
<v Speaker 3>at this place and you just you just had to.

0:33:37.680 --> 0:33:40.120
<v Speaker 3>You got paid already, you got paid for the song

0:33:40.240 --> 0:33:41.720
<v Speaker 3>or something, or you got paid for the performance and

0:33:41.720 --> 0:33:43.040
<v Speaker 3>you didn't want to be there. Have you ever had

0:33:43.080 --> 0:33:47.200
<v Speaker 3>one of those moments? A gang of them? Bro? It

0:33:47.320 --> 0:33:52.760
<v Speaker 3>was like recently, okay, the most recently the nigga Rylan Riley,

0:33:52.840 --> 0:33:55.520
<v Speaker 3>my Little Homey Creig cowman Son and ship. This nigga

0:33:55.560 --> 0:33:57.120
<v Speaker 3>had me pull up to some ship like, yeah, they're

0:33:57.120 --> 0:33:59.719
<v Speaker 3>gonna pay you to do this ship. I'm like all right,

0:34:00.200 --> 0:34:02.880
<v Speaker 3>and then out no cameras, no da da d cool

0:34:02.920 --> 0:34:06.840
<v Speaker 3>I'm with it. No flyers, no promotions, just cash right cool.

0:34:07.200 --> 0:34:09.520
<v Speaker 3>I pull up, right, I pull up to this ship.

0:34:10.040 --> 0:34:13.239
<v Speaker 3>The whole ship is being streamed, and it's called what

0:34:13.239 --> 0:34:17.000
<v Speaker 3>what the is that should called? It's called sperm it

0:34:17.239 --> 0:34:23.360
<v Speaker 3>called it's called sperm race Little un versus U C

0:34:23.640 --> 0:34:27.319
<v Speaker 3>l A. And they have a real stream with a

0:34:27.440 --> 0:34:32.000
<v Speaker 3>whole thing going where they race people's sperm against each other.

0:34:33.280 --> 0:34:36.520
<v Speaker 3>And they have me performing at this ship and I

0:34:37.120 --> 0:34:39.400
<v Speaker 3>was like, hell, no, I don't want to do this.

0:34:40.520 --> 0:34:44.280
<v Speaker 3>So you didn't do it? Man, the way it happened,

0:34:44.280 --> 0:34:52.840
<v Speaker 3>it was what man. I hate. The one thing I

0:34:52.880 --> 0:34:56.600
<v Speaker 3>hate is disappointing fans. Bro the you know what I'm saying,

0:34:56.640 --> 0:34:59.920
<v Speaker 3>be excited. They see you walk in, They're like, oh time,

0:35:00.719 --> 0:35:02.319
<v Speaker 3>I don't want to do this. Niggas got me at

0:35:02.320 --> 0:35:02.800
<v Speaker 3>the spring.

0:35:02.719 --> 0:35:11.200
<v Speaker 1>Race right, putting on that face, I got your question.

0:35:11.280 --> 0:35:17.839
<v Speaker 3>That's why your question? Oh my god, that's crazy. Now

0:35:17.880 --> 0:35:19.440
<v Speaker 3>that I said that, I wonder if the fans that

0:35:19.520 --> 0:35:21.320
<v Speaker 3>was there could tell that I was a little bothered

0:35:21.440 --> 0:35:22.759
<v Speaker 3>on stage.

0:35:23.600 --> 0:35:23.920
<v Speaker 1>Ship.

0:35:24.400 --> 0:35:30.520
<v Speaker 3>Now did we talk about the champagne. That's a pretty

0:35:30.520 --> 0:35:32.680
<v Speaker 3>as motherfucking bob. I appreciate that we got a problem.

0:35:32.719 --> 0:35:35.000
<v Speaker 3>I'm not owner of a champagne company. It's called Le

0:35:35.080 --> 0:35:38.520
<v Speaker 3>bon Jean. Shout out to the whole team, shout out

0:35:38.560 --> 0:35:42.640
<v Speaker 3>my dog, PMP and uh, it's some stories everywhere. Make

0:35:42.640 --> 0:35:47.680
<v Speaker 3>sure you celebrate with us. Good money, it means good

0:35:48.120 --> 0:35:56.760
<v Speaker 3>the dollar sign. Of course, we can't be Champagne friends, Champagne.

0:35:56.760 --> 0:35:58.839
<v Speaker 3>My record label is easy Money. You know what I'm saying.

0:35:59.000 --> 0:36:01.960
<v Speaker 3>Oh that's what that was. Okay, okay, okay, one it's

0:36:02.000 --> 0:36:02.600
<v Speaker 3>not as many.

0:36:02.880 --> 0:36:05.280
<v Speaker 1>So what's the difference between the black bottle, the blue bottles,

0:36:05.280 --> 0:36:09.839
<v Speaker 1>Pretty Rose and the black bottles? Is the regular? Can

0:36:09.840 --> 0:36:10.680
<v Speaker 1>we PLoP one of those?

0:36:11.239 --> 0:36:12.759
<v Speaker 3>Give you right now?

0:36:12.960 --> 0:36:18.120
<v Speaker 1>Which we have some champagne.

0:36:18.680 --> 0:36:22.839
<v Speaker 3>We have some champagne little joints. It's on the take.

0:36:22.920 --> 0:36:24.000
<v Speaker 3>So I need a little joint.

0:36:25.160 --> 0:36:28.640
<v Speaker 1>I'm going to check out five dollars sigence joint because

0:36:28.680 --> 0:36:31.360
<v Speaker 1>I love champagne. I'm drinking one right now. I'm not

0:36:31.400 --> 0:36:33.920
<v Speaker 1>gonna say the name, but I want to try that.

0:36:34.480 --> 0:36:36.600
<v Speaker 10>What do you think is your biggest obstacle when he

0:36:36.680 --> 0:36:38.399
<v Speaker 10>was creating your debut album?

0:36:38.760 --> 0:36:47.560
<v Speaker 3>My debut album. My biggest obstacle, Uh, my biggest obstacle

0:36:47.600 --> 0:36:55.920
<v Speaker 3>for my debut album had to be It was this one. Song.

0:36:56.960 --> 0:36:57.719
<v Speaker 3>Let me look it up.

0:36:59.800 --> 0:37:04.480
<v Speaker 1>I don't know that you got.

0:37:10.280 --> 0:37:19.799
<v Speaker 3>It was called straight Up, right, I don't see that. Yeah,

0:37:19.960 --> 0:37:22.360
<v Speaker 3>yeah it is straight Up number three, Straight Up featuring

0:37:22.400 --> 0:37:23.040
<v Speaker 3>Jagged Edge.

0:37:23.080 --> 0:37:23.200
<v Speaker 1>Man.

0:37:23.239 --> 0:37:25.239
<v Speaker 3>I always wanted to make a song with Jagged Edge

0:37:25.280 --> 0:37:28.640
<v Speaker 3>from a little nigga, right, so shout out to them.

0:37:29.120 --> 0:37:35.840
<v Speaker 3>But on that song we sampled Patrice Patrise Russian and

0:37:35.920 --> 0:37:38.880
<v Speaker 3>luckily my dad was cool with Patrese from back in

0:37:38.920 --> 0:37:43.719
<v Speaker 3>the day from like so now she was like, I

0:37:43.719 --> 0:37:45.400
<v Speaker 3>don't know if she still currently is, but at the

0:37:45.440 --> 0:37:47.680
<v Speaker 3>time she was a professor at usc all type of

0:37:47.680 --> 0:37:51.279
<v Speaker 3>ship like moving in a different direction. And when we

0:37:51.360 --> 0:37:55.239
<v Speaker 3>sent the record in to get cleared, she didn't clear

0:37:55.280 --> 0:37:57.160
<v Speaker 3>it at first because I had a lot you know,

0:37:57.160 --> 0:38:01.399
<v Speaker 3>I talk like Tody dollars sign a right, So really

0:38:01.440 --> 0:38:02.959
<v Speaker 3>all I had to do was just make a clean

0:38:03.040 --> 0:38:05.280
<v Speaker 3>version and then she cleared it. But that was probably

0:38:05.320 --> 0:38:09.680
<v Speaker 3>the hardest obstacle of pre TC to get clean, to

0:38:09.719 --> 0:38:13.040
<v Speaker 3>get the clearance. It just was going through a whole

0:38:13.040 --> 0:38:15.839
<v Speaker 3>bunch of different routes, and then finally I was like, yo, Dad,

0:38:15.880 --> 0:38:19.920
<v Speaker 3>I need you please make this happen. Find her. Shout

0:38:19.920 --> 0:38:22.880
<v Speaker 3>out to my pops and shout out to protrude Russian,

0:38:23.320 --> 0:38:24.200
<v Speaker 3>both legends.

0:38:28.719 --> 0:38:31.000
<v Speaker 1>I'm gonna get rid of shot. I'm gonna champagne kind

0:38:31.000 --> 0:38:37.520
<v Speaker 1>of sewer. Definitely, here you go. And I love the

0:38:37.560 --> 0:38:38.920
<v Speaker 1>look for the bottle.

0:38:38.960 --> 0:38:43.200
<v Speaker 3>You know, black bottles and in the word well sorry Kodak,

0:38:43.239 --> 0:38:58.719
<v Speaker 3>Black's shamp parking that are yeah, I sonny, sorry man,

0:38:58.760 --> 0:39:06.600
<v Speaker 3>I'm crashing out. That's a good after taste. That's that

0:39:06.719 --> 0:39:10.120
<v Speaker 3>broke good money, lebon. So how did you discover it?

0:39:10.680 --> 0:39:13.000
<v Speaker 3>How did this come on your table? It came to me,

0:39:13.120 --> 0:39:16.720
<v Speaker 3>my my bro PMP said, Yo, I got this champagne company.

0:39:16.760 --> 0:39:19.719
<v Speaker 3>They want to work with you. So they came through,

0:39:20.840 --> 0:39:23.080
<v Speaker 3>tried to offer me, you know, a deal. I was like, nah,

0:39:23.360 --> 0:39:30.320
<v Speaker 3>I want to be an owner. That's what we figured

0:39:30.320 --> 0:39:33.719
<v Speaker 3>it out, and I like these people. We ended up

0:39:33.760 --> 0:39:37.200
<v Speaker 3>becoming really good friends and now we're going to take

0:39:37.239 --> 0:39:40.759
<v Speaker 3>it to the top level. How long had been been

0:39:40.760 --> 0:39:43.440
<v Speaker 3>out or or just doing us? Like a year is

0:39:43.480 --> 0:39:48.359
<v Speaker 3>a couple of years? Yeah? Years, I've been I've been

0:39:48.400 --> 0:39:51.480
<v Speaker 3>involved like over the last year. Okay, yeah, okay, you

0:39:51.520 --> 0:39:55.160
<v Speaker 3>know we're about to release a new bottle. I did

0:39:55.400 --> 0:39:59.160
<v Speaker 3>do one. This is not the one. Nah, we just

0:39:59.160 --> 0:40:00.760
<v Speaker 3>got to start here. But this a new bottle dropping

0:40:01.080 --> 0:40:06.080
<v Speaker 3>person bottle design. This is good, it's good, tastes good. Huh,

0:40:06.200 --> 0:40:09.279
<v Speaker 3>what come on? Equality? I'm all about quality. Anything I

0:40:09.360 --> 0:40:11.000
<v Speaker 3>do is all about the quality. You know what I'm saying?

0:40:11.040 --> 0:40:13.880
<v Speaker 3>What's this? What is this?

0:40:14.560 --> 0:40:17.080
<v Speaker 1>We can't say it on that?

0:40:17.560 --> 0:40:25.040
<v Speaker 3>What's up with the censorship? What drink? I thought drink

0:40:25.120 --> 0:40:32.320
<v Speaker 3>Champs wasn't cancelable. You're still trying to keep up? Well, yeah,

0:40:32.400 --> 0:40:38.239
<v Speaker 3>let us do some ship. But it's okay, it's it's good.

0:40:38.239 --> 0:40:38.640
<v Speaker 3>It's good.

0:40:38.880 --> 0:40:43.319
<v Speaker 1>Yeah, that bottle you can kiss.

0:40:43.320 --> 0:40:46.960
<v Speaker 3>Still not canceled. There's no such thing as canceled. Bro.

0:40:47.239 --> 0:40:49.080
<v Speaker 3>I feel like we cancel that ship. Is like you

0:40:49.440 --> 0:40:51.880
<v Speaker 3>only can cancel yourself. Bro, if you stop, then you cancel.

0:40:52.200 --> 0:40:57.080
<v Speaker 3>Keep on going, niggas, it's up. You know what? Something

0:40:57.080 --> 0:41:00.719
<v Speaker 3>about you like I've never heard I've never heard anybody

0:41:00.760 --> 0:41:03.759
<v Speaker 3>speak bad about you. Have you ever had a bad day? Yeah?

0:41:03.800 --> 0:41:06.120
<v Speaker 3>I had bad days. Yeah. I got people that probably

0:41:06.120 --> 0:41:09.160
<v Speaker 3>don't like me, but I haven't came across I have

0:41:09.320 --> 0:41:11.880
<v Speaker 3>not Like your name is clean in the industry, Like

0:41:12.000 --> 0:41:16.240
<v Speaker 3>just man, I do good business. I'm a good dude.

0:41:17.280 --> 0:41:19.759
<v Speaker 3>You know what I'm saying. I talked my ship. You

0:41:19.800 --> 0:41:22.920
<v Speaker 3>know what I'm saying, I make jokes, but of course

0:41:22.920 --> 0:41:26.239
<v Speaker 3>what the good always all good? What is good? Got black?

0:41:27.800 --> 0:41:31.040
<v Speaker 1>Let me ask you time, what is it like creating

0:41:31.040 --> 0:41:34.799
<v Speaker 1>a record with forty man.

0:41:34.880 --> 0:41:36.799
<v Speaker 3>He was just about studio the other day, shout out

0:41:36.840 --> 0:41:47.879
<v Speaker 3>to legend, is really the top pon top Tycoon? That's right,

0:41:48.920 --> 0:41:51.799
<v Speaker 3>that nigga. He just came by the studio the other day.

0:41:52.320 --> 0:41:54.160
<v Speaker 3>He brought me some of his alcohol. He got the

0:41:54.160 --> 0:41:57.239
<v Speaker 3>tycoon vodka. Oh yeah, yeah he got what else? He

0:41:57.320 --> 0:42:00.600
<v Speaker 3>got his wine? You know, saying he got all the

0:42:00.600 --> 0:42:02.839
<v Speaker 3>type of ship. ERL Stevens man, he got all type

0:42:02.840 --> 0:42:05.720
<v Speaker 3>of ship going on. One of my favorite rappers ever

0:42:06.120 --> 0:42:10.480
<v Speaker 3>to do it the bars, the behind the beat or

0:42:10.480 --> 0:42:12.839
<v Speaker 3>ahead of the beat. I say, that's you see how

0:42:12.840 --> 0:42:15.400
<v Speaker 3>the world is doing that now? Like everybody going ahead

0:42:15.400 --> 0:42:18.840
<v Speaker 3>of the beat? I said, really like he'st he offended,

0:42:19.239 --> 0:42:22.319
<v Speaker 3>trying to like, oh no, it came like nah, e bro,

0:42:22.480 --> 0:42:25.040
<v Speaker 3>start playing with that man. And he's still relevant. Every

0:42:25.040 --> 0:42:27.640
<v Speaker 3>Golden State game. He had the front row exactly rich

0:42:28.120 --> 0:42:32.040
<v Speaker 3>with aches with his wife, and you're saying like he's

0:42:32.040 --> 0:42:34.279
<v Speaker 3>supposed to do it. Yeah, yeah, yeah, come on, go

0:42:34.320 --> 0:42:38.960
<v Speaker 3>get your ash raight man. Come on, they got me.

0:42:40.200 --> 0:42:47.279
<v Speaker 3>That's a dirty motherfucker man, Susie old boys. Yeah, I'm

0:42:47.400 --> 0:42:49.120
<v Speaker 3>hold on to this one, right, Yeah, you got it.

0:42:49.160 --> 0:42:50.759
<v Speaker 3>I'll get you somemorro. I'm gonna send some bottles over.

0:42:52.000 --> 0:42:54.320
<v Speaker 3>Can I get a can I get a little hold on?

0:42:55.600 --> 0:42:57.600
<v Speaker 3>All right? So look, I want to show you this cover,

0:42:57.719 --> 0:43:03.240
<v Speaker 3>and I want you to he said to me personally, stretch. Okay,

0:43:03.239 --> 0:43:05.319
<v Speaker 3>I got it. What do you what do you? What

0:43:05.360 --> 0:43:07.520
<v Speaker 3>do you? What do you see when you see that? Man?

0:43:07.640 --> 0:43:10.720
<v Speaker 3>That's the classic cover right there? I see my nigga

0:43:10.880 --> 0:43:14.120
<v Speaker 3>free smirk. Bro. First of all, I love smirk. I

0:43:14.160 --> 0:43:18.000
<v Speaker 3>see my nigga. Kevin Gates. Man, I didn't even Kevin Gates

0:43:18.040 --> 0:43:21.200
<v Speaker 3>was recently at my studio. I didn't even remember. You

0:43:21.239 --> 0:43:25.080
<v Speaker 3>know what I'm saying, Just this just for right, right,

0:43:25.120 --> 0:43:29.000
<v Speaker 3>for lack of a better term, this is what. This

0:43:29.080 --> 0:43:31.800
<v Speaker 3>is the beginning, what what makes the career. There's a

0:43:31.800 --> 0:43:34.640
<v Speaker 3>lot of people that be on these covers that disappear

0:43:34.719 --> 0:43:37.399
<v Speaker 3>and they never come back. So the fact that even

0:43:37.440 --> 0:43:40.960
<v Speaker 3>on this there's a lot of disappearance, there's a lot

0:43:40.960 --> 0:43:44.759
<v Speaker 3>of a lot of disappearance, Holy ship, but on some ship, man,

0:43:44.760 --> 0:43:46.839
<v Speaker 3>I just got to say, some locked up a long

0:43:46.880 --> 0:43:49.680
<v Speaker 3>lived my brother rich Homie Kwan. I love you, Broc.

0:43:51.040 --> 0:43:53.880
<v Speaker 3>He was one of the greatst rest in peace and

0:43:54.680 --> 0:44:01.120
<v Speaker 3>tour and all that together. Free Dirt, Free smirk Man. Damn,

0:44:01.320 --> 0:44:06.000
<v Speaker 3>this is a classic cover, bro I think I already

0:44:06.000 --> 0:44:08.239
<v Speaker 3>announced it. Well, I kind of played the record at

0:44:08.239 --> 0:44:10.640
<v Speaker 3>my listening party. Maybe not all of it, but Smirky

0:44:10.760 --> 0:44:14.000
<v Speaker 3>is on the album. So shout out to smart okay

0:44:14.600 --> 0:44:17.120
<v Speaker 3>and free him. Yeah. I hope he gets to his

0:44:17.520 --> 0:44:23.080
<v Speaker 3>I really hope. Man. All Right, So I want to

0:44:23.239 --> 0:44:26.080
<v Speaker 3>take it back to that that day. Where was you

0:44:26.160 --> 0:44:27.600
<v Speaker 3>at when you got that call where they said, Yo,

0:44:27.840 --> 0:44:31.759
<v Speaker 3>we're gonna be on the XXL cover Freshmen? Man? You know, man,

0:44:31.800 --> 0:44:37.919
<v Speaker 3>it's been like probably like nine hundred thousand joints since then,

0:44:38.000 --> 0:44:41.600
<v Speaker 3>so my memory is a little bit fucked up, rightfully,

0:44:41.640 --> 0:44:44.279
<v Speaker 3>So right, but you only have been on that couple once. No,

0:44:44.480 --> 0:44:48.600
<v Speaker 3>you can only I mean, you can't forget that. I

0:44:48.640 --> 0:44:52.200
<v Speaker 3>can't forget it. Where I was. I was probably in

0:44:52.239 --> 0:44:54.840
<v Speaker 3>Holly at my old apartment and ship, and at the

0:44:54.880 --> 0:45:00.200
<v Speaker 3>time I had Aasha White doing as my publicist. I

0:45:00.239 --> 0:45:02.920
<v Speaker 3>fucking love likesha man, And now I was like huge

0:45:02.920 --> 0:45:07.520
<v Speaker 3>in the game, right, Like she's never been small, right,

0:45:08.120 --> 0:45:09.880
<v Speaker 3>I don't know. I'm just saying it's always been like

0:45:10.400 --> 0:45:13.200
<v Speaker 3>a big if she's too big to work with a nigga,

0:45:13.239 --> 0:45:18.960
<v Speaker 3>but shout out to Ayisha Man. She called me and

0:45:19.120 --> 0:45:21.120
<v Speaker 3>was like, Yo, we got it, and that was like

0:45:21.160 --> 0:45:22.879
<v Speaker 3>one of my dreams. I think I had been out

0:45:23.200 --> 0:45:24.719
<v Speaker 3>for me. Yeah, I was anger for it for show,

0:45:24.800 --> 0:45:30.000
<v Speaker 3>I think, because that's fourteen or sixteen. I think that's fourteen. So,

0:45:30.520 --> 0:45:33.040
<v Speaker 3>like I said, fourteen, didn't boot it in two thousand

0:45:33.040 --> 0:45:35.399
<v Speaker 3>and nine, twenty ten. Then I didn't get my deal

0:45:35.480 --> 0:45:39.600
<v Speaker 3>until twenty twelve. I got my deal because I made

0:45:39.640 --> 0:45:42.600
<v Speaker 3>this song called Fumble that was going to be on

0:45:42.640 --> 0:45:48.160
<v Speaker 3>my mixtape, but then Sean Barnham gave it to Trey Songs.

0:45:48.400 --> 0:45:53.440
<v Speaker 3>Oh Cray Songs heard it, recorded it. He Uh, that

0:45:53.480 --> 0:45:57.399
<v Speaker 3>shit ended up going up, right. And then I seen

0:45:57.440 --> 0:46:01.200
<v Speaker 3>this nigga in the club at uh what was that

0:46:01.239 --> 0:46:05.120
<v Speaker 3>shit called Playhouse in La Hollywood? Right, So I'm on

0:46:05.239 --> 0:46:09.400
<v Speaker 3>stage next to DJ Charisma, all them fucking uh Drason,

0:46:09.440 --> 0:46:11.200
<v Speaker 3>not your whispers, Hey, that nigga Tray Songs. When to

0:46:11.239 --> 0:46:14.120
<v Speaker 3>walk next to you? He walked next to me. I'm like, Hey,

0:46:14.160 --> 0:46:14.839
<v Speaker 3>what's up, my nigga?

0:46:14.880 --> 0:46:15.200
<v Speaker 9>D D D.

0:46:15.360 --> 0:46:17.480
<v Speaker 3>I'm the one who made fumble. He was like, oh,

0:46:17.520 --> 0:46:20.440
<v Speaker 3>that was you, my nigga. Oh, we gotta work next thing.

0:46:20.480 --> 0:46:23.080
<v Speaker 3>You know, we end up Lincoln. He was like, oh,

0:46:23.280 --> 0:46:26.200
<v Speaker 3>you need to meet my manager, his manager, Kevin Lyles.

0:46:26.920 --> 0:46:31.319
<v Speaker 3>So me and Kevin Lews link. Kevin Lowes ended up

0:46:31.320 --> 0:46:36.000
<v Speaker 3>starting to manage me. Right after that. I linked with

0:46:36.080 --> 0:46:40.400
<v Speaker 3>Will Will and Kevin did a joint management thing with me,

0:46:41.080 --> 0:46:42.799
<v Speaker 3>and that's how that went. And then we went all

0:46:42.800 --> 0:46:45.080
<v Speaker 3>the way up to the sky. You know, understanding.

0:46:50.360 --> 0:46:54.000
<v Speaker 1>You ever wrote the song not for yourself, what's the

0:46:54.040 --> 0:46:57.520
<v Speaker 1>biggest song you ever wrote not for yourself for someone

0:46:57.520 --> 0:46:58.480
<v Speaker 1>else that came out?

0:47:00.920 --> 0:47:07.319
<v Speaker 3>Uh Loyal by Chris Brown. Wow, that was a bomb. Yeah,

0:47:07.840 --> 0:47:10.080
<v Speaker 3>that was a bomb. Wrote the song. Yeah, I wrote

0:47:10.080 --> 0:47:12.360
<v Speaker 3>that song. He wrote some ship on there too, I

0:47:12.400 --> 0:47:16.600
<v Speaker 3>think like on the second verse he changed one of

0:47:16.600 --> 0:47:24.600
<v Speaker 3>the lines on the first verse at the end. At first,

0:47:24.600 --> 0:47:26.960
<v Speaker 3>I said she wanted to meet all the rabbers, she

0:47:27.040 --> 0:47:28.680
<v Speaker 3>wanted to meet Bobby Brackens because I wrote it for

0:47:28.719 --> 0:47:31.640
<v Speaker 3>the homie Bobby Brackens. Like, I was like, it was

0:47:31.719 --> 0:47:33.920
<v Speaker 3>me and he was supposed to do his verse and

0:47:33.960 --> 0:47:36.000
<v Speaker 3>then he never did his verse, and I guess Nick

0:47:36.040 --> 0:47:40.400
<v Speaker 3>knack Uh, the producer got it to Chris. Chris recorded

0:47:40.400 --> 0:47:42.600
<v Speaker 3>that joint right before he ended up catching that that

0:47:42.719 --> 0:47:46.360
<v Speaker 3>case in jail. Then that song came out and that

0:47:46.600 --> 0:47:49.960
<v Speaker 3>like lasted while he was in jail and then after.

0:47:50.680 --> 0:47:53.600
<v Speaker 3>So shout out to Chris. Man, he always looked out

0:47:53.640 --> 0:47:57.600
<v Speaker 3>for me. That's a strong I would have never known that.

0:47:57.680 --> 0:48:01.400
<v Speaker 3>Chris on every album he fucking he was on Vultures,

0:48:01.719 --> 0:48:04.640
<v Speaker 3>he was just on Leon's remix. Man. I love Chris.

0:48:04.640 --> 0:48:06.560
<v Speaker 3>I would do anything for that. Man. Is he gonna

0:48:06.560 --> 0:48:09.880
<v Speaker 3>be on Tacoon? He's not currently on Tycoon, but I

0:48:09.920 --> 0:48:11.799
<v Speaker 3>would love for us to catch a record. You know,

0:48:11.840 --> 0:48:14.160
<v Speaker 3>he's on tour right now, so it's kind of hard

0:48:14.160 --> 0:48:16.960
<v Speaker 3>to you know, get him in the studio and ship.

0:48:17.000 --> 0:48:19.239
<v Speaker 3>But I went to a show already three times. If

0:48:19.239 --> 0:48:21.560
<v Speaker 3>you haven't been to the Breezy Bowl, ya should go

0:48:21.560 --> 0:48:24.400
<v Speaker 3>see the Breezy Bowl. I feel like that it's called

0:48:24.440 --> 0:48:26.839
<v Speaker 3>the Breezy Bowl. Okay. I feel like he has the

0:48:26.920 --> 0:48:29.239
<v Speaker 3>best stadium show out of any artists, and I went

0:48:29.320 --> 0:48:32.160
<v Speaker 3>to all of them. Okay, how about travels. All the

0:48:32.200 --> 0:48:37.080
<v Speaker 3>niggas fucking like upside down singing, flying across the stadium.

0:48:37.480 --> 0:48:43.200
<v Speaker 3>Top at my niggas, right, I want to fall that

0:48:43.360 --> 0:48:47.080
<v Speaker 3>up with Travis's show is amazing, But like I said,

0:48:47.480 --> 0:48:51.279
<v Speaker 3>c B, it's some side down going across some mother

0:48:52.600 --> 0:48:54.560
<v Speaker 3>stadium niggas singing at the same time.

0:48:54.840 --> 0:49:00.160
<v Speaker 1>Oh, he's ship. I'm sorry, I'm drinking this ship. That's

0:49:00.200 --> 0:49:02.279
<v Speaker 1>what it's mine. But no, I thought I was going

0:49:02.320 --> 0:49:05.080
<v Speaker 1>in because it's really that good.

0:49:05.480 --> 0:49:06.160
<v Speaker 3>Just keep it real.

0:49:06.520 --> 0:49:12.320
<v Speaker 1>But what was it like the first time going goals?

0:49:13.000 --> 0:49:15.400
<v Speaker 1>I think the name of the song, if I'm not mistaken,

0:49:16.080 --> 0:49:19.360
<v Speaker 1>saved Save the first time I went gold? No, I

0:49:19.360 --> 0:49:21.480
<v Speaker 1>don't know if that's the first time you went gold,

0:49:21.760 --> 0:49:24.239
<v Speaker 1>but I want to know what was the first you know,

0:49:24.280 --> 0:49:25.439
<v Speaker 1>the first time you went gold?

0:49:25.800 --> 0:49:26.680
<v Speaker 3>What was that like?

0:49:27.080 --> 0:49:32.120
<v Speaker 1>And then I want to know about that specific song saved?

0:49:32.719 --> 0:49:35.600
<v Speaker 3>All right, so the first time I went gold? We

0:49:35.640 --> 0:49:38.759
<v Speaker 3>could probably actually chut e BT TBT. You don't even

0:49:39.040 --> 0:49:45.400
<v Speaker 3>know me tell you, he's gotta look at it. Fifteen billions.

0:49:46.000 --> 0:49:48.560
<v Speaker 3>It's pretty hard to keep up with ship. I'm so sorry.

0:49:48.640 --> 0:49:51.600
<v Speaker 3>What was the first gold record that tied dollar signe?

0:49:51.800 --> 0:49:54.520
<v Speaker 1>Oh, this is the first some drink chairs like he's

0:49:54.560 --> 0:49:57.160
<v Speaker 1>asked to chat GVT, look at the world?

0:49:57.239 --> 0:50:03.919
<v Speaker 3>Is that I Mikey, I gotta not talk. I didn't

0:50:03.920 --> 0:50:08.600
<v Speaker 3>hear that. Can you repeat? Of course, no problem. I

0:50:08.640 --> 0:50:11.480
<v Speaker 3>was just saying that the first gold record title of

0:50:11.480 --> 0:50:14.319
<v Speaker 3>the siem was on was actually Paranoid, his own track

0:50:14.400 --> 0:50:16.640
<v Speaker 3>featuring BB So it was kind of a mouth stand

0:50:16.680 --> 0:50:22.880
<v Speaker 3>for them. Thanks Chat appreciation. Yeah, I got yeah, I

0:50:22.880 --> 0:50:26.040
<v Speaker 3>didn't tell you. I think that nigga might be wrong though, No,

0:50:26.080 --> 0:50:33.040
<v Speaker 3>but it's my favorite thigga from London. Chat is for bricks.

0:50:33.400 --> 0:50:34.239
<v Speaker 11>That's actually.

0:50:38.239 --> 0:50:43.279
<v Speaker 1>Ten dollars sign my favorite Paranoid and the video you know,

0:50:43.480 --> 0:50:48.000
<v Speaker 1>back then with the video with the song match what.

0:50:48.040 --> 0:50:51.879
<v Speaker 3>Drugs was paranoid? That's what drugs? That paranoid? That was Yeah,

0:50:51.920 --> 0:50:55.400
<v Speaker 3>that was masculine those we those weed. That's it, Okay,

0:50:55.440 --> 0:50:59.480
<v Speaker 3>all right, my bad. I thought it was. I thought

0:50:59.520 --> 0:51:06.520
<v Speaker 3>that was that. You shout out to DJ Mustard, one

0:51:06.560 --> 0:51:09.560
<v Speaker 3>of the greatest producers they ever lived. I mean when

0:51:09.600 --> 0:51:11.480
<v Speaker 3>he gave me that beat, I already knew it and

0:51:11.520 --> 0:51:15.560
<v Speaker 3>I was like, wow, this motherfucker bro Like the fact, like,

0:51:15.640 --> 0:51:18.919
<v Speaker 3>first of all, the fact that he thought to mix

0:51:19.000 --> 0:51:21.920
<v Speaker 3>the that sound like from you know, that comes from

0:51:22.560 --> 0:51:23.759
<v Speaker 3>you know what I'm saying, And it was putting that

0:51:23.840 --> 0:51:26.840
<v Speaker 3>with the muster Ship. That was just so genius and

0:51:27.000 --> 0:51:29.319
<v Speaker 3>I always loved like that style of house music, so

0:51:29.360 --> 0:51:32.760
<v Speaker 3>when he did that, I was like, God, damn nigga.

0:51:32.960 --> 0:51:35.400
<v Speaker 3>And uh, that was the third song I wrote on

0:51:35.440 --> 0:51:38.120
<v Speaker 3>that beat. Sometimes I'll take my time with beats that

0:51:38.160 --> 0:51:40.480
<v Speaker 3>I just know are going to be it, And that

0:51:40.600 --> 0:51:42.880
<v Speaker 3>was the third song I did. And automatic like the

0:51:42.960 --> 0:51:45.839
<v Speaker 3>feeling that gave me. Y'all might think I'm weird for this,

0:51:45.920 --> 0:51:49.759
<v Speaker 3>but it felt like the same feeling I got when

0:51:49.800 --> 0:51:53.160
<v Speaker 3>I heard bb D Poison. Oh Ship. It was like

0:51:53.520 --> 0:51:55.759
<v Speaker 3>just that hard. It was like a beat that's like

0:51:55.880 --> 0:51:58.160
<v Speaker 3>that energy of like it could be in a club,

0:51:58.640 --> 0:52:00.920
<v Speaker 3>but it's R and B melody on it and it's

0:52:00.960 --> 0:52:03.240
<v Speaker 3>still cool. It's still makes you feel cool as a nigga,

0:52:03.320 --> 0:52:06.000
<v Speaker 3>like you can play it around hommies all right, rather

0:52:06.160 --> 0:52:08.759
<v Speaker 3>just like the R and B around female type Ship.

0:52:08.920 --> 0:52:12.440
<v Speaker 3>The video sealed the deal with the song that the video.

0:52:12.800 --> 0:52:13.319
<v Speaker 3>I don't know.

0:52:13.239 --> 0:52:18.120
<v Speaker 1>Who produced that, Oh man. That ship was on fucking real.

0:52:18.280 --> 0:52:19.919
<v Speaker 1>They were together so good.

0:52:20.520 --> 0:52:22.959
<v Speaker 3>That was great. I thought it was mesculing myself. My bad.

0:52:23.800 --> 0:52:30.200
<v Speaker 3>You Mesculinet was like I thought, you said, Mexican, I'm

0:52:30.239 --> 0:52:34.720
<v Speaker 3>here and ship listen man, You're one of the greatest

0:52:34.800 --> 0:52:37.799
<v Speaker 3>artists that ever did this. You can do anything. Man.

0:52:39.080 --> 0:52:41.520
<v Speaker 3>Wanting to get you on this show because I wanted

0:52:41.520 --> 0:52:43.560
<v Speaker 3>to tell you face to face, man, man, how great

0:52:43.560 --> 0:52:45.759
<v Speaker 3>you are, how much you, you know, contribute to this

0:52:45.840 --> 0:52:48.440
<v Speaker 3>music industry, how much we need you in this music industry.

0:52:48.640 --> 0:52:50.840
<v Speaker 3>The music industry is better when you're making music and

0:52:50.920 --> 0:52:53.560
<v Speaker 3>we're dropping albums. So I wanted to give your flower

0:52:53.680 --> 0:53:03.680
<v Speaker 3>you are. Yes, what's the name of the champagne again,

0:53:03.880 --> 0:53:08.719
<v Speaker 3>It's called Lebon and Jean Money. You know, you know

0:53:09.320 --> 0:53:11.200
<v Speaker 3>the hood is gonna be like that's how that ship.

0:53:15.200 --> 0:53:21.080
<v Speaker 3>They're gonna change that name immediately. Yeah, Man, Snoop said

0:53:21.080 --> 0:53:22.919
<v Speaker 3>it's better than the Grammy because a couple of these people,

0:53:23.320 --> 0:53:24.880
<v Speaker 3>you know, I don't want to put it on the

0:53:24.920 --> 0:53:28.479
<v Speaker 3>floors ships going up on a you know what I'm saying.

0:53:28.560 --> 0:53:33.120
<v Speaker 3>With all the awards at one point, California, it seems

0:53:33.160 --> 0:53:38.120
<v Speaker 3>like California has this, uh, this wave right where it's

0:53:38.160 --> 0:53:41.640
<v Speaker 3>just all of y'all at once, just dominating. Right. What

0:53:41.760 --> 0:53:43.959
<v Speaker 3>do you think is the forethfront for this new wave

0:53:44.200 --> 0:53:47.080
<v Speaker 3>of the new MC's. Who is the new mcs coming

0:53:47.120 --> 0:53:50.839
<v Speaker 3>from California that you're you're on and that's my sign

0:53:50.960 --> 0:53:53.279
<v Speaker 3>to you all that time. You they don't give a funk.

0:53:54.160 --> 0:53:58.359
<v Speaker 3>I don't have a California. I want one. You don't

0:53:58.360 --> 0:54:03.279
<v Speaker 3>have a California not signed to? Okay okay, uh I

0:54:03.480 --> 0:54:04.440
<v Speaker 3>like three one no baby?

0:54:04.600 --> 0:54:04.880
<v Speaker 1>Doing this?

0:54:04.960 --> 0:54:12.879
<v Speaker 3>Ship said? Who three want no baby? Do you want

0:54:12.920 --> 0:54:15.399
<v Speaker 3>no baby? Is like the nigga from l A right now? Okay,

0:54:15.560 --> 0:54:17.439
<v Speaker 3>we want no baby? Who else?

0:54:17.560 --> 0:54:17.759
<v Speaker 5>Man?

0:54:18.760 --> 0:54:21.360
<v Speaker 3>Fuck my mind blinking right now? Bro, everybody gonna like,

0:54:21.440 --> 0:54:29.040
<v Speaker 3>damn this nigga and shot niggas. I'm faded so you

0:54:29.120 --> 0:54:39.040
<v Speaker 3>can't catchiv t the Hey who'll be at the studio

0:54:39.120 --> 0:54:43.040
<v Speaker 3>that I'm missing? Wally the motherfucking sense Say you dumb

0:54:43.120 --> 0:54:48.880
<v Speaker 3>ass s s Bro say you know Karate man, he

0:54:49.000 --> 0:54:57.480
<v Speaker 3>knows you know all that man Travis signed him. Really yeah,

0:54:58.320 --> 0:55:00.320
<v Speaker 3>he's gonna go up for sure. We just drop the

0:55:00.320 --> 0:55:05.320
<v Speaker 3>record together. Who else, man did we funk with? Like

0:55:05.520 --> 0:55:12.880
<v Speaker 3>the new Ones? You ain't even smoke. You gotta have

0:55:12.960 --> 0:55:17.640
<v Speaker 3>a z ME in this somewhere, man, I gotta have

0:55:17.719 --> 0:55:18.920
<v Speaker 3>my notes ready for the next one.

0:55:19.040 --> 0:55:27.200
<v Speaker 1>Man, somebody, you gotta send it to Paul and Sunday

0:55:27.360 --> 0:55:28.840
<v Speaker 1>we'll circuit.

0:55:29.800 --> 0:55:33.239
<v Speaker 3>You gotta explain the rules, you boy, you want to

0:55:33.280 --> 0:55:36.719
<v Speaker 3>explain the rules. Yeah, so is.

0:55:37.520 --> 0:55:41.120
<v Speaker 10>We asked you a question, not for like gossip, more

0:55:41.239 --> 0:55:43.920
<v Speaker 10>like if you got an inspirational story or experience.

0:55:44.239 --> 0:55:46.239
<v Speaker 3>So we asked you a questions either yes or no.

0:55:46.600 --> 0:55:50.640
<v Speaker 3>The political answer means we don't drink. If you answer it,

0:55:50.800 --> 0:55:53.000
<v Speaker 3>we move on. And you say both or neither, then

0:55:53.040 --> 0:55:57.520
<v Speaker 3>we all take a shot. I don't drink, bro, he

0:55:57.719 --> 0:56:01.560
<v Speaker 3>used to work. You take a savings. Okay, Hey, who's like,

0:56:02.040 --> 0:56:04.200
<v Speaker 3>who's like the new young niggas from l A that

0:56:04.320 --> 0:56:09.680
<v Speaker 3>we fuk with? Like, that's gonna be the ones I

0:56:09.920 --> 0:56:10.840
<v Speaker 3>just mad with.

0:56:11.000 --> 0:56:18.879
<v Speaker 12>Just a little nigga last night, This white white it's

0:56:18.920 --> 0:56:22.600
<v Speaker 12>the young nigga that I I like name D three.

0:56:23.120 --> 0:56:26.400
<v Speaker 3>D three D three D three. He always be with

0:56:26.480 --> 0:56:29.400
<v Speaker 3>me in Vegas. That's my dog, Like he gonna he

0:56:29.520 --> 0:56:34.960
<v Speaker 3>going up. He's your nigga name, that's your money, is

0:56:35.040 --> 0:56:40.400
<v Speaker 3>your nigga? Shout out to this. It's a lot of

0:56:40.480 --> 0:56:44.399
<v Speaker 3>little niggas nigga. Yeah, I'm just on drink champs right now. Yea.

0:56:49.000 --> 0:56:51.400
<v Speaker 3>They asked me and I blinked out, And you know

0:56:51.440 --> 0:56:53.480
<v Speaker 3>how niggas gonna feel. Look like you know what I'm saying.

0:56:53.520 --> 0:56:55.680
<v Speaker 3>I'm like I'm trying to make sure I shot niggas out, like.

0:56:56.400 --> 0:56:59.640
<v Speaker 12>Oh you gotta you gotta shout out pay Yanni.

0:56:59.440 --> 0:57:04.799
<v Speaker 3>For my exactly hited J three hited J three for sure.

0:57:11.320 --> 0:57:11.919
<v Speaker 12>Yeah, bro.

0:57:13.440 --> 0:57:19.160
<v Speaker 3>Gang Gangland, all right, look you bro real? Are you

0:57:19.600 --> 0:57:24.280
<v Speaker 3>and g We're gonna do a full fledged Yeah we should,

0:57:24.640 --> 0:57:26.480
<v Speaker 3>we should. We still got to do the me yg

0:57:26.640 --> 0:57:30.640
<v Speaker 3>and Mustard. Well, yeah, we gotta do that. That's it.

0:57:31.320 --> 0:57:34.160
<v Speaker 3>That's the hour. It's like already I had made an

0:57:34.200 --> 0:57:37.200
<v Speaker 3>album with with Mustard right before Vultures, but we end

0:57:37.320 --> 0:57:41.440
<v Speaker 3>up using some of the ship on there. But we're

0:57:41.440 --> 0:57:43.560
<v Speaker 3>gonna circle back. But I would rather do it me

0:57:44.000 --> 0:57:46.840
<v Speaker 3>yg and Mustard when all of our time schedules lined up.

0:57:47.320 --> 0:57:49.160
<v Speaker 3>I mean, niggas been saying that for so long. We've

0:57:49.160 --> 0:57:50.920
<v Speaker 3>been in the game for over ten years now, so

0:57:51.080 --> 0:57:55.120
<v Speaker 3>it's like, we definitely need to problem. It's not like

0:57:55.200 --> 0:57:56.960
<v Speaker 3>a bad problem, you know what I mean. Y'all am

0:57:57.000 --> 0:57:59.800
<v Speaker 3>busy and that that's a blessing in itself. Yeah, but

0:58:00.880 --> 0:58:03.080
<v Speaker 3>if y'all want to be called that wall, would you

0:58:03.120 --> 0:58:04.439
<v Speaker 3>want to recorded in the same room?

0:58:05.080 --> 0:58:05.280
<v Speaker 1>Yeah?

0:58:05.360 --> 0:58:07.320
<v Speaker 3>I would want to just do like three four nights.

0:58:07.800 --> 0:58:10.600
<v Speaker 3>That's all we need. Three four days like we're at

0:58:12.000 --> 0:58:15.120
<v Speaker 3>we could go to l a bro like. I mean,

0:58:15.240 --> 0:58:17.760
<v Speaker 3>it's better when we just get a house, big ass house,

0:58:18.320 --> 0:58:21.320
<v Speaker 3>a man's la. So you don't think this is distraction.

0:58:21.480 --> 0:58:23.920
<v Speaker 3>I think it should be that sound. I hear you

0:58:24.000 --> 0:58:27.000
<v Speaker 3>on the distraction ship at the same time, us bringing

0:58:27.120 --> 0:58:31.919
<v Speaker 3>all the our people in there. That's gonna make the songs. Okay.

0:58:31.960 --> 0:58:35.000
<v Speaker 3>I'm saying that's going to create the ideas. And I

0:58:35.080 --> 0:58:37.120
<v Speaker 3>think if we just do a big ass like maybe

0:58:37.160 --> 0:58:40.479
<v Speaker 3>a Palm Springs some ship like that, and we wanted

0:58:40.520 --> 0:58:43.960
<v Speaker 3>that motherfucker four five days. Now, what's the name of

0:58:44.000 --> 0:58:50.120
<v Speaker 3>the group? Shit three the Hard Way Nigga. Three the

0:58:50.280 --> 0:59:01.000
<v Speaker 3>Hard Way Nigga. But it's never been They palled you

0:59:01.120 --> 0:59:06.720
<v Speaker 3>gotta just you gotta say.

0:59:08.480 --> 0:59:08.640
<v Speaker 9>Yeah.

0:59:10.840 --> 0:59:13.280
<v Speaker 3>Okay, So I see we played quick Time as line, right,

0:59:13.760 --> 0:59:18.800
<v Speaker 3>God set it off all right? First one Doctor Dre

0:59:19.200 --> 0:59:24.200
<v Speaker 3>or DJ Quick I like both. There you go, said

0:59:25.240 --> 0:59:29.800
<v Speaker 3>good Champagne, I forgot the name. Maybe said it's the

0:59:29.920 --> 0:59:31.240
<v Speaker 3>tie dollars. I like both.

0:59:33.080 --> 0:59:36.440
<v Speaker 1>No, it's definitely black tie dollars. Sign we're gonna try

0:59:36.480 --> 0:59:37.760
<v Speaker 1>to pronounce it. Let's try to pronounce it. What's it

0:59:37.800 --> 0:59:39.080
<v Speaker 1>called again?

0:59:40.040 --> 0:59:43.240
<v Speaker 3>Lebona shown you just sound. You just sound rich pronouncing it,

0:59:43.400 --> 0:59:45.960
<v Speaker 3>so we're gonna get it at some point. Levell'll or

0:59:46.000 --> 0:59:48.120
<v Speaker 3>you could just take good money. But trying to learn

0:59:48.400 --> 0:59:59.000
<v Speaker 3>lebon bron like bro bro le bar, not Lebron. It's

0:59:59.120 --> 1:00:04.760
<v Speaker 3>very racist. It sounds like bron. The shoot the second one,

1:00:05.280 --> 1:00:12.960
<v Speaker 3>Tupac Easy Eat Tupac from from My Life Okay, yeah, okay,

1:00:13.600 --> 1:00:19.160
<v Speaker 3>you meant when I was like, uh a kid, my

1:00:19.360 --> 1:00:24.640
<v Speaker 3>dad took me by. I can't remember this guy's name, whoever,

1:00:24.840 --> 1:00:27.480
<v Speaker 3>was like the DJA or the producer of Digital Underground,

1:00:28.240 --> 1:00:32.880
<v Speaker 3>and uh, what's the other not shock G but was

1:00:32.880 --> 1:00:38.520
<v Speaker 3>the other guy the little one? Yeah said the money money,

1:00:39.440 --> 1:00:42.080
<v Speaker 3>so money be came out. He signed the record, and

1:00:42.160 --> 1:00:48.720
<v Speaker 3>then Tupac came out and that was it. That's a kid. Yeah,

1:00:49.520 --> 1:00:53.520
<v Speaker 3>that's dope. Oh it was the record for Kissing Me Back,

1:00:53.640 --> 1:00:56.080
<v Speaker 3>kiss You and I Kiss You. But I still got

1:00:56.120 --> 1:01:03.360
<v Speaker 3>that mino somewhere. Wow. Yeah yeah, yeah yeah shot one

1:01:03.400 --> 1:01:06.600
<v Speaker 3>of the greatest efforts. Oh yeah, shout out okay ice

1:01:06.680 --> 1:01:11.800
<v Speaker 3>Cube or mc wren ice Cube, brom to me, ice Cube,

1:01:11.840 --> 1:01:15.840
<v Speaker 3>one of the best robbers ever. Yeah, Biggie or ice Cube.

1:01:20.680 --> 1:01:23.480
<v Speaker 3>That's those guys over there man doing the work man,

1:01:23.760 --> 1:01:27.720
<v Speaker 3>ice cube nigga dope. Yeah, but I like Biggie of course,

1:01:28.000 --> 1:01:31.320
<v Speaker 3>I love Biggie. Uh. I got a chance to do

1:01:31.400 --> 1:01:40.360
<v Speaker 3>a post you said, Postmas feature ship. Yeah, so that

1:01:40.520 --> 1:01:48.800
<v Speaker 3>was great, Dyla, Oh yeah yeah, Uh it depends what

1:01:48.880 --> 1:01:53.320
<v Speaker 3>you're talking about. Like, so, on beats I like better,

1:01:53.640 --> 1:01:58.840
<v Speaker 3>But on wraps and artistry of course. Yeah, it's like yeah,

1:02:00.120 --> 1:02:06.800
<v Speaker 3>drink Okay, I guess it's both like both, but also

1:02:06.920 --> 1:02:09.720
<v Speaker 3>your beats are like top tier. Of course. I'm gonna

1:02:09.760 --> 1:02:23.200
<v Speaker 3>let you'll ask this one. D J Mustard o y G. Yeah, okay.

1:02:23.360 --> 1:02:26.240
<v Speaker 3>Jada kiss or nas? I thought your nigga's gonna stay

1:02:26.280 --> 1:02:31.480
<v Speaker 3>like nip or watch you yea, man, would you just

1:02:31.560 --> 1:02:38.880
<v Speaker 3>say Jada kiss or No? I like nask Minister Society

1:02:39.000 --> 1:02:49.560
<v Speaker 3>or Boys in the Hood ship equally? Do you have

1:02:49.600 --> 1:02:52.680
<v Speaker 3>ay think of acting? You know, the actor acting? Yeah,

1:02:52.720 --> 1:02:55.120
<v Speaker 3>I got some acting ship about to come out. I

1:02:55.200 --> 1:02:57.760
<v Speaker 3>got shipped out already, me and cut. He had the

1:02:59.160 --> 1:03:02.320
<v Speaker 3>intergalacticket on Netflix still right now, like an animated joint.

1:03:02.360 --> 1:03:06.040
<v Speaker 3>But I'm in there like a voiceover you dope, It's

1:03:06.080 --> 1:03:09.240
<v Speaker 3>crazy you like that? Yeah, and then I've done done

1:03:09.360 --> 1:03:11.920
<v Speaker 3>several little heres and theirs. But we're gonna get into

1:03:12.000 --> 1:03:20.200
<v Speaker 3>that J Cole of his staples whatever it ain't lying

1:03:23.880 --> 1:03:29.800
<v Speaker 3>like crazy. Yeah, well, listen to more who I've spent

1:03:29.880 --> 1:03:32.160
<v Speaker 3>more time listening to more for show has been the

1:03:32.320 --> 1:03:37.080
<v Speaker 3>next one? Vincent? Wow? Yeah, wait, what do you answer?

1:03:37.480 --> 1:03:40.120
<v Speaker 3>Said Vince? Because I listened to his ship more than

1:03:40.360 --> 1:03:43.919
<v Speaker 3>I've listened to Cole personally. Of course, I've heard could

1:03:43.960 --> 1:03:47.440
<v Speaker 3>shit more in public, like you know, in the radio,

1:03:47.640 --> 1:03:51.520
<v Speaker 3>and it's just bigger obviously, But I listened to Vince

1:03:51.520 --> 1:03:54.760
<v Speaker 3>stables more. And you know the most popular question of

1:03:54.840 --> 1:03:59.280
<v Speaker 3>twenty twenty four to twenty twenty five, Kendrick Lamar or

1:03:59.360 --> 1:04:09.480
<v Speaker 3>Drake Equal. Okay, yeah, I just want to say this.

1:04:10.880 --> 1:04:13.200
<v Speaker 3>I'm drinking this champagne.

1:04:14.600 --> 1:04:18.120
<v Speaker 1>I'm drinking a popular champagne that's snowing and everybody and

1:04:18.240 --> 1:04:19.520
<v Speaker 1>I don't want this anymore.

1:04:20.400 --> 1:04:20.920
<v Speaker 3>I want this.

1:04:25.720 --> 1:04:31.520
<v Speaker 6>B got it boys, even in real the game or

1:04:31.560 --> 1:04:37.040
<v Speaker 6>Snoop Rose, Snoop I let the game.

1:04:37.320 --> 1:04:39.760
<v Speaker 3>Yeah, I think even the game with Yeah, of course

1:04:41.880 --> 1:04:47.320
<v Speaker 3>Prince Montano or Rick Cross Rick Cross Rose. As far

1:04:47.400 --> 1:04:50.000
<v Speaker 3>as like, I listened to his ship more like I like.

1:04:50.080 --> 1:04:53.760
<v Speaker 1>Shout out for French French friends. French is really a

1:04:53.880 --> 1:04:56.200
<v Speaker 1>king or one of my real homies. We're doing this

1:04:56.400 --> 1:05:03.080
<v Speaker 1>take way shouts French for becoming up so much, King

1:05:03.600 --> 1:05:06.280
<v Speaker 1>Diplomat whatever he doing, that's big.

1:05:06.640 --> 1:05:09.720
<v Speaker 3>It's big. Good mom, he won. I'm trying to think

1:05:09.760 --> 1:05:12.800
<v Speaker 3>who got more songs with me? French or Rick Ross.

1:05:13.760 --> 1:05:19.120
<v Speaker 3>I don't know. We have to ask chat we're gonna

1:05:19.120 --> 1:05:22.520
<v Speaker 3>get into that. But I do got more songs of

1:05:22.600 --> 1:05:27.240
<v Speaker 3>Drake than Kendrick. Oh. I like that. That's a good dude.

1:05:27.320 --> 1:05:30.160
<v Speaker 3>I'll come Drake and never sent a feature back though,

1:05:30.760 --> 1:05:35.240
<v Speaker 3>mm hmm, you've been ship. I've been on several Drake albums,

1:05:35.280 --> 1:05:38.160
<v Speaker 3>but he ain't never blessed me with the future Kendrick has.

1:05:39.720 --> 1:05:42.360
<v Speaker 3>That's what you said both. I said both. You know

1:05:42.440 --> 1:05:44.240
<v Speaker 3>I said both because I listened to both as much.

1:05:44.800 --> 1:05:48.880
<v Speaker 3>I like both of them might be both incredible, right,

1:05:49.040 --> 1:05:51.560
<v Speaker 3>like the best? What did you think about their their

1:05:51.720 --> 1:05:53.080
<v Speaker 3>their battle?

1:05:54.600 --> 1:05:54.720
<v Speaker 5>Uh?

1:05:54.880 --> 1:05:59.080
<v Speaker 3>You know it's what everybody thought you What happened happened.

1:06:01.120 --> 1:06:01.640
<v Speaker 7>Is what it is.

1:06:02.040 --> 1:06:03.760
<v Speaker 3>Did you see it coming? Like as an artist, like

1:06:04.240 --> 1:06:06.240
<v Speaker 3>I didn't see it coming, but I think I thought

1:06:06.240 --> 1:06:09.000
<v Speaker 3>it was dope for rap. It was like, all right,

1:06:09.120 --> 1:06:11.800
<v Speaker 3>niggas care about rap again? Like how I said in

1:06:11.840 --> 1:06:13.400
<v Speaker 3>the beginning, of this ship is like a lot of

1:06:13.480 --> 1:06:15.960
<v Speaker 3>bullshit rap came out, you know what I'm saying. But

1:06:16.040 --> 1:06:20.840
<v Speaker 3>then niggas actually like go in. Yeah, yep, they uplif

1:06:20.880 --> 1:06:24.480
<v Speaker 3>it the great game. I'll give them both them. I'll come.

1:06:24.520 --> 1:06:31.080
<v Speaker 3>It's a hit boy, hit boy bro Okay, I love Alchemists.

1:06:32.040 --> 1:06:35.200
<v Speaker 3>I'm just saying, hy boy is coming. You started to

1:06:35.240 --> 1:06:43.440
<v Speaker 3>get Yeah, battle cat or DJ Muggs battle Okay, respect

1:06:43.480 --> 1:06:51.800
<v Speaker 3>to DJ Muggs. That's interesting. Radio or podcast radio?

1:06:52.800 --> 1:06:56.080
<v Speaker 7>Oh yeah, way more time listening to radio. Keep playing

1:06:56.120 --> 1:06:57.600
<v Speaker 7>podcasting new keep playing them.

1:06:57.640 --> 1:07:01.360
<v Speaker 3>Goddamn And I watched him Drinks Honestly, I watched a

1:07:01.400 --> 1:07:04.840
<v Speaker 3>couple of drinks champs. But I haven't like really dove

1:07:04.920 --> 1:07:09.040
<v Speaker 3>into watching podcasts like that. Maybe that's the that's not

1:07:09.120 --> 1:07:12.040
<v Speaker 3>about music podcasts for you. You're supposed to pick radio.

1:07:12.280 --> 1:07:15.720
<v Speaker 3>That's right, You on the radio own goddamn day. That's

1:07:15.720 --> 1:07:22.280
<v Speaker 3>what Kodak black or twenty one sad Kodak. I love

1:07:22.360 --> 1:07:26.880
<v Speaker 3>twenty one, shout out to twenty one. I love Kodak Okay, Yeah,

1:07:27.040 --> 1:07:28.840
<v Speaker 3>z B always and you can take the rest of her.

1:07:28.880 --> 1:07:32.000
<v Speaker 3>After thisation, people all eyes on me or straight out

1:07:32.000 --> 1:07:41.080
<v Speaker 3>of Compton oys on me. But yeah, okay, all right, yea,

1:07:41.160 --> 1:07:43.479
<v Speaker 3>you have to take the way, all right, busy cluse

1:07:43.760 --> 1:07:49.320
<v Speaker 3>r J wheedoms you crazy. I like both drink Okay,

1:07:49.520 --> 1:07:59.439
<v Speaker 3>it's two different things, school boy, q J rock drink.

1:08:00.080 --> 1:08:08.360
<v Speaker 3>Yeah yeah, both my dogs down, bro, No, I want

1:08:08.400 --> 1:08:09.560
<v Speaker 3>to I can't wait.

1:08:09.480 --> 1:08:12.800
<v Speaker 10>To get to We kind of already touched on this subject.

1:08:12.840 --> 1:08:19.120
<v Speaker 3>But booby Trap or Tutsi's way more than Tosi's for sure.

1:08:20.200 --> 1:08:20.640
<v Speaker 9>My my.

1:08:22.400 --> 1:08:25.799
<v Speaker 3>My route is when I come to Miami, uh, especially

1:08:25.840 --> 1:08:27.519
<v Speaker 3>if it's the off day, we're gonna go get the yacht.

1:08:28.360 --> 1:08:31.120
<v Speaker 3>We're gonna take the yacht to either Kiki on the

1:08:31.240 --> 1:08:35.560
<v Speaker 3>River or motherfucking uh Sea Spice and some ship like that.

1:08:36.600 --> 1:08:39.120
<v Speaker 3>Even Zoomer, but Zooma like funcks me up for life.

1:08:39.280 --> 1:08:41.680
<v Speaker 3>I can't go to Zoomer no more here because the

1:08:41.800 --> 1:08:45.000
<v Speaker 3>last time I went to Zoomer here it was me,

1:08:45.200 --> 1:08:48.559
<v Speaker 3>Squill x Hubert and a whole bunch of our friends

1:08:49.720 --> 1:08:54.800
<v Speaker 3>Happy birthday. Yeah, we were going. We were going to

1:08:54.880 --> 1:08:57.559
<v Speaker 3>Zoomer and then I got the message that fucking Nip

1:08:57.640 --> 1:09:00.880
<v Speaker 3>got killed. And now I'm not. I can't.

1:09:02.320 --> 1:09:03.840
<v Speaker 1>I was just like one of the worst when we

1:09:03.960 --> 1:09:09.240
<v Speaker 1>got the news coming off of flight, and you know situation.

1:09:10.000 --> 1:09:15.200
<v Speaker 3>It's crazy corrupt or ha ha, respect to both of corrupt.

1:09:15.360 --> 1:09:22.840
<v Speaker 3>I love corrupt. Yeah, hit maker of Mad live ha ha,

1:09:24.800 --> 1:09:28.960
<v Speaker 3>that's crazy. We gotta we gotta drink bro on some

1:09:29.040 --> 1:09:31.880
<v Speaker 3>ships like Mad one of my favorite producers ever. But

1:09:32.000 --> 1:09:35.080
<v Speaker 3>I just worked with him making though and we make

1:09:35.160 --> 1:09:38.000
<v Speaker 3>music and now my music is the you know, the

1:09:38.120 --> 1:09:48.720
<v Speaker 3>best ever. Tommy Gunns or Lefty gun playing oh Man,

1:09:48.960 --> 1:09:55.920
<v Speaker 3>mister pixilto County Ship. Damn. That's a hard one right there,

1:09:59.160 --> 1:10:10.760
<v Speaker 3>Lefty though lasting, Yeah, what is that? Can I ask?

1:10:11.320 --> 1:10:16.559
<v Speaker 3>So Toko mad is my homie Sasha restaurant. They had

1:10:16.680 --> 1:10:18.760
<v Speaker 3>one in La had already shut down, but that's been

1:10:19.080 --> 1:10:22.280
<v Speaker 3>me and my daughter's like hangout spot, like for over

1:10:22.439 --> 1:10:25.000
<v Speaker 3>ten years and they just shut it down. But they

1:10:25.080 --> 1:10:28.360
<v Speaker 3>also have one in Vegas which is still open. The

1:10:28.439 --> 1:10:30.320
<v Speaker 3>one in La was better. I think you guys should

1:10:30.320 --> 1:10:32.599
<v Speaker 3>get to the l A menu over there. And there's

1:10:32.600 --> 1:10:35.880
<v Speaker 3>a couple other Tokas, I believe, But yeah, Toko one

1:10:35.920 --> 1:10:40.400
<v Speaker 3>of the greatest Mexican, like high level Mexican restaurants in

1:10:40.680 --> 1:10:45.240
<v Speaker 3>La ever. As the last question, Javier's is the ship though,

1:10:45.720 --> 1:10:53.040
<v Speaker 3>but I think Javier's is more more Mexican. Mexican, am

1:10:53.080 --> 1:10:56.280
<v Speaker 3>I as far as like yeah, so it's good, like

1:10:56.400 --> 1:10:59.000
<v Speaker 3>as good as fuck as the ship. But why do

1:10:59.120 --> 1:11:03.840
<v Speaker 3>I like Toko there? Just because like on my first

1:11:03.920 --> 1:11:07.920
<v Speaker 3>weight loss mission where I couldn't have a lot of carbs,

1:11:08.479 --> 1:11:11.840
<v Speaker 3>this was the first place that I ever discovered that

1:11:11.920 --> 1:11:15.719
<v Speaker 3>had lettuce wrap tacos and they were fire no token,

1:11:16.120 --> 1:11:18.160
<v Speaker 3>And that's why I started going there all the time

1:11:18.479 --> 1:11:20.800
<v Speaker 3>because they had like options for that, you know what

1:11:20.800 --> 1:11:23.600
<v Speaker 3>I'm saying, and like fire ass drinks and I have

1:11:23.720 --> 1:11:31.040
<v Speaker 3>my own drink there called the Beach Please not please. Yeah,

1:11:33.320 --> 1:11:34.599
<v Speaker 3>this is the last one. And then we go back

1:11:34.640 --> 1:11:43.840
<v Speaker 3>to the interview. Loyalty or respect? Uh respect because like

1:11:44.920 --> 1:11:50.160
<v Speaker 3>both fuck that? Okay, I always say that's the only

1:11:50.280 --> 1:11:54.320
<v Speaker 3>time that you should say both. Yeah, Like I need

1:11:54.400 --> 1:11:59.240
<v Speaker 3>my respect, Yeah, And I don't expect everybody to be

1:11:59.360 --> 1:12:03.960
<v Speaker 3>loyal because human beings just don't prove themselves like that.

1:12:04.240 --> 1:12:07.439
<v Speaker 3>Like motherfuckers choose themselves and they choose pussy or they

1:12:07.520 --> 1:12:14.040
<v Speaker 3>choose money or whatever the case. You know what I'm saying. Yeah, Okay,

1:12:14.760 --> 1:12:17.040
<v Speaker 3>so let me ask you a question, right because you

1:12:17.080 --> 1:12:19.400
<v Speaker 3>know when you look up your streams, you look up

1:12:19.720 --> 1:12:22.400
<v Speaker 3>you know your accolades. Right, this is a lot of

1:12:22.479 --> 1:12:25.160
<v Speaker 3>a lot of lot of things to be happy about. Right.

1:12:25.640 --> 1:12:27.280
<v Speaker 3>And then we have Will Smith on here sitting in

1:12:27.280 --> 1:12:29.760
<v Speaker 3>the same seat you sitting at right, and Will Smith

1:12:29.840 --> 1:12:32.840
<v Speaker 3>described something to us and he said, uh, he said,

1:12:32.840 --> 1:12:35.200
<v Speaker 3>this is this rock bottom, right, but then he said

1:12:35.240 --> 1:12:38.479
<v Speaker 3>this cliff hanger high right top cliff top high. Okay,

1:12:38.520 --> 1:12:41.600
<v Speaker 3>thank you all right, God bless you all right. So

1:12:42.200 --> 1:12:46.840
<v Speaker 3>and like where you reach a level where you like

1:12:46.960 --> 1:12:52.360
<v Speaker 3>kind of like did everything. Yeah, have you had your

1:12:52.479 --> 1:12:59.400
<v Speaker 3>version of that cliff up? Yeah, cliff top, man, I

1:12:59.479 --> 1:13:02.920
<v Speaker 3>think it's formed in stadiums. Niggas worked with all of

1:13:03.000 --> 1:13:06.519
<v Speaker 3>the top top top plus the low low low niggas

1:13:06.560 --> 1:13:11.240
<v Speaker 3>done made millions of dollars. Part of that was smash

1:13:11.520 --> 1:13:17.040
<v Speaker 3>every chick because that was part of it. Up. He's

1:13:21.280 --> 1:13:26.439
<v Speaker 3>keep going. The biggest back I've had, I've had, I've

1:13:26.479 --> 1:13:29.360
<v Speaker 3>been blessed to you know, meet a lot of beautiful

1:13:29.400 --> 1:13:36.880
<v Speaker 3>hottile out there. But what else? Man? Yeah, Yeah, I've

1:13:36.920 --> 1:13:40.000
<v Speaker 3>definitely been the top of clips. But there's more, bro,

1:13:40.200 --> 1:13:43.040
<v Speaker 3>There's always more. It always gets better. Wait, even to

1:13:43.120 --> 1:13:45.640
<v Speaker 3>the top where it exhausted you like you ain't want

1:13:45.680 --> 1:13:49.920
<v Speaker 3>it no more like it doesn't matter anymore. I'm still

1:13:51.240 --> 1:13:53.519
<v Speaker 3>I still love it, I'm still having fun with this ship.

1:13:54.120 --> 1:13:58.800
<v Speaker 3>Does it matter? Like? Ship only matters to you when

1:13:58.840 --> 1:14:01.560
<v Speaker 3>people be so fucking tripped out about like all this,

1:14:01.800 --> 1:14:03.360
<v Speaker 3>or I can't do this, or I can't wear this,

1:14:03.520 --> 1:14:05.240
<v Speaker 3>or I can't do that. Like, man, that shit only

1:14:05.280 --> 1:14:08.240
<v Speaker 3>matters to you. Don't nobody fucking give a fuck. Ain't

1:14:08.240 --> 1:14:11.360
<v Speaker 3>nobody coming to say its nigga, It is what it is.

1:14:11.439 --> 1:14:14.599
<v Speaker 3>You know what I'm saying. You just gotta fucking live life,

1:14:15.400 --> 1:14:19.200
<v Speaker 3>love your life and enjoy this shit. Man. They always

1:14:19.200 --> 1:14:21.000
<v Speaker 3>say life for short, right, and that shit is a

1:14:21.080 --> 1:14:24.400
<v Speaker 3>real fucking thing, you know what I'm saying. So enjoy

1:14:24.439 --> 1:14:25.920
<v Speaker 3>your mother's fucking time here.

1:14:26.080 --> 1:14:26.280
<v Speaker 7>Man.

1:14:26.800 --> 1:14:28.800
<v Speaker 3>Absolutely, if you get the if you get the phone

1:14:28.840 --> 1:14:31.200
<v Speaker 3>call for the Super Bowl, will you do it? Why?

1:14:31.280 --> 1:14:35.400
<v Speaker 3>Whatn't I? Yeah? So yeah, there's things like that that

1:14:35.520 --> 1:14:37.840
<v Speaker 3>I haven't done. I haven't done a Super Bowl. I

1:14:37.920 --> 1:14:41.360
<v Speaker 3>haven't done a World Cup. By the way, I just

1:14:41.479 --> 1:14:43.160
<v Speaker 3>told my nigga this. I just text my nigga this.

1:14:43.280 --> 1:14:47.080
<v Speaker 3>The other day, I was in London in this car

1:14:47.240 --> 1:14:49.360
<v Speaker 3>full of like twenty year old white girls pulled up

1:14:49.400 --> 1:14:53.840
<v Speaker 3>on the side of me singing fucking singing, Uh, where

1:14:54.120 --> 1:14:56.920
<v Speaker 3>is the Love by my nigga? Wholl I Am and

1:14:57.040 --> 1:14:58.840
<v Speaker 3>Black Eyed Peas and shit, and I hit my nigga,

1:14:58.840 --> 1:15:00.800
<v Speaker 3>and I'm like, man, I just wanted to let you

1:15:00.960 --> 1:15:05.000
<v Speaker 3>know when niggas bring up West Coast, right, you see,

1:15:05.040 --> 1:15:08.439
<v Speaker 3>you just named all those people, right, and people always

1:15:08.479 --> 1:15:10.439
<v Speaker 3>think of the West Coast as those people, you know

1:15:10.479 --> 1:15:13.320
<v Speaker 3>what I'm saying. But I told him he's really the

1:15:13.600 --> 1:15:16.719
<v Speaker 3>greatest from the motherfucking West Coast. Will I Am nigga,

1:15:16.920 --> 1:15:19.240
<v Speaker 3>that nigga performed the World Cup, he performed the Super

1:15:19.280 --> 1:15:23.280
<v Speaker 3>Bowl like three times. Nigga, Like, like, I just said,

1:15:23.360 --> 1:15:25.320
<v Speaker 3>it's twenty twenty five and you got a group of

1:15:25.320 --> 1:15:28.360
<v Speaker 3>twenty year olds singing that shit screaming to the top

1:15:28.400 --> 1:15:30.280
<v Speaker 3>of the lungs bro right now when that song is

1:15:30.400 --> 1:15:33.400
<v Speaker 3>like unrelevant, you know what I'm saying. And forgetting out

1:15:33.439 --> 1:15:36.120
<v Speaker 3>on that record, right, maybe she is, but she was

1:15:36.160 --> 1:15:38.280
<v Speaker 3>a great too, man. I just had to let let

1:15:38.320 --> 1:15:39.680
<v Speaker 3>it be knowing that Will I Am is one of

1:15:39.720 --> 1:15:41.760
<v Speaker 3>the tops from the fucking West Coast, play one of

1:15:41.800 --> 1:15:47.479
<v Speaker 3>them kings. Shout out to him. You need to make

1:15:47.560 --> 1:15:50.040
<v Speaker 3>a West Coast album. Who will be on? Who will

1:15:50.080 --> 1:15:55.719
<v Speaker 3>be on? That album. Well, I am Doctor J Muster

1:15:56.400 --> 1:16:03.080
<v Speaker 3>YG Joe, Moses Joe, motherfucking Moses Nigga to go, niggah?

1:16:04.320 --> 1:16:05.679
<v Speaker 3>Who else will be on that album?

1:16:05.720 --> 1:16:05.920
<v Speaker 7>Man?

1:16:06.520 --> 1:16:13.000
<v Speaker 3>TC? Of course? Who Quick Nigga? What DJ Quick? Of course?

1:16:15.560 --> 1:16:21.360
<v Speaker 3>Problem problem, bigger problem. Who else did I leave out? Anybody?

1:16:23.000 --> 1:16:32.160
<v Speaker 3>Greid Old Nigga? Of course? R J. There's so many people,

1:16:32.240 --> 1:16:34.439
<v Speaker 3>man on the West Side. It's not Ray J right

1:16:35.240 --> 1:16:41.200
<v Speaker 3>nah No r J r J. Mister l A. He's

1:16:41.280 --> 1:16:45.240
<v Speaker 3>one of the greats. Okay, who else? Man, I'll be

1:16:45.360 --> 1:16:47.920
<v Speaker 3>leaving niggas out? Man, I be You already know bro

1:16:48.160 --> 1:16:50.960
<v Speaker 3>to be like faded. You know what I'm saying, And

1:16:51.040 --> 1:16:53.519
<v Speaker 3>there's nothing wrong with that, you know, like like a

1:16:53.600 --> 1:16:56.360
<v Speaker 3>big compliment. Didn't I didn't hear Kendrick and I didn't

1:16:56.360 --> 1:17:01.439
<v Speaker 3>he game? Yeah, what a dumb fuck. You see what

1:17:01.520 --> 1:17:06.400
<v Speaker 3>I'm saying. You see what I'm saying? Of course? Game?

1:17:06.840 --> 1:17:12.320
<v Speaker 3>Of course? Got Jay Rock, Jay Rock. I want to

1:17:12.360 --> 1:17:17.880
<v Speaker 3>fucking Vin's nigga school boy cu my young nigga, Ray Vaughn,

1:17:18.400 --> 1:17:20.320
<v Speaker 3>who I didn't name earlier when y'all asked me who

1:17:20.360 --> 1:17:22.600
<v Speaker 3>was like the next niggas on the West Rayvaughn, the

1:17:22.760 --> 1:17:29.960
<v Speaker 3>fuck and they don't even smoke. But yeah, oh man,

1:17:32.920 --> 1:17:37.639
<v Speaker 3>it's this new nigga. Airplane. James Airplane, James Airplane, James

1:17:37.680 --> 1:17:42.800
<v Speaker 3>who I love too. Yeah, he had the other He's

1:17:42.800 --> 1:17:45.960
<v Speaker 3>from l A. Yeah, I believe. So it's another nig

1:17:46.080 --> 1:17:48.040
<v Speaker 3>I'm leaving out. It's so many mo fuckers.

1:17:48.080 --> 1:17:51.200
<v Speaker 1>Bro, don't think there's so many people and you can't

1:17:51.240 --> 1:17:52.040
<v Speaker 1>even name them on.

1:17:53.720 --> 1:17:57.200
<v Speaker 3>Nah, what the fuck?

1:17:58.280 --> 1:17:58.400
<v Speaker 5>Uh?

1:17:59.200 --> 1:18:03.160
<v Speaker 3>I'll be hollering out, gang gang chef boy man, what

1:18:03.320 --> 1:18:11.639
<v Speaker 3>the fun boy? Forgive me my nigga? Jay Worthy? Yeah

1:18:11.720 --> 1:18:16.680
<v Speaker 3>for sure, okay Worthy? Hold on? You know when I

1:18:17.000 --> 1:18:22.240
<v Speaker 3>found out we had T dollar signs today, Dollar song man, No,

1:18:23.680 --> 1:18:26.560
<v Speaker 3>I say T. You know, I abbreviate stuff. I know.

1:18:26.760 --> 1:18:29.960
<v Speaker 3>I know he didn't mean nothing like a real old end.

1:18:31.840 --> 1:18:38.599
<v Speaker 3>He's like a real dog. I really drink, you can't,

1:18:43.479 --> 1:18:45.559
<v Speaker 3>That's what. Yeah. I don't know if I should keep

1:18:45.560 --> 1:18:47.280
<v Speaker 3>on pushing his own ship. I'm gonna leave the own

1:18:47.360 --> 1:18:49.479
<v Speaker 3>ship to him. I might just stay at the unk level.

1:18:49.920 --> 1:18:53.760
<v Speaker 3>They're trying to unk me, now, y'all. They're trying to

1:18:53.840 --> 1:18:56.960
<v Speaker 3>unk me now, dog. Hold on, I'm old. You know,

1:18:59.080 --> 1:19:02.000
<v Speaker 3>people talking people, and.

1:19:03.640 --> 1:19:08.800
<v Speaker 1>One person in particular, I said about they said tied

1:19:08.840 --> 1:19:09.400
<v Speaker 1>down to size.

1:19:09.479 --> 1:19:15.519
<v Speaker 3>Haitian, you jump up, Haitian, bro. Yeah.

1:19:16.240 --> 1:19:18.599
<v Speaker 1>I had to google it and it was bullshit because

1:19:18.600 --> 1:19:20.519
<v Speaker 1>it said half French.

1:19:22.160 --> 1:19:28.240
<v Speaker 3>Are you half French? I'm not half frenchmen or not. No, no, no, no, no, don't.

1:19:28.360 --> 1:19:33.120
<v Speaker 3>I had to go to Google. I'm English. Go to Google.

1:19:33.280 --> 1:19:39.360
<v Speaker 3>That's chat, that's chat. That's what I'm saying English. But

1:19:39.439 --> 1:19:41.000
<v Speaker 3>I know a couple of French where he knows what

1:19:41.040 --> 1:19:43.960
<v Speaker 3>I'm talking about. This ship up. Let me suck my

1:19:44.040 --> 1:19:52.160
<v Speaker 3>d is my beat? So you are not half French? No, no, no,

1:19:52.640 --> 1:19:56.320
<v Speaker 3>those are claiming he's hatre. He just thinks everybody's Hatian.

1:19:56.800 --> 1:19:58.880
<v Speaker 3>Shout out to the those man, it's not me.

1:19:59.120 --> 1:20:01.640
<v Speaker 1>Man, he got you know him? And yeah, they're going

1:20:01.800 --> 1:20:04.200
<v Speaker 1>Google music. But I'm just saying, just because you got

1:20:04.320 --> 1:20:05.439
<v Speaker 1>a record with Kodact Black.

1:20:07.600 --> 1:20:13.880
<v Speaker 3>Google half French. He knows what I'm talking about high French.

1:20:13.920 --> 1:20:16.799
<v Speaker 3>They got him down. And we talked about all in already,

1:20:16.880 --> 1:20:18.760
<v Speaker 3>right or did me? Because you know we talked about

1:20:19.400 --> 1:20:21.719
<v Speaker 3>the woman Kodak Black and y G we talked about

1:20:21.920 --> 1:20:25.519
<v Speaker 3>because we're talking about the sample off camera. Yeah, so

1:20:25.880 --> 1:20:28.840
<v Speaker 3>let's let's get to that. What is that samples? The

1:20:28.880 --> 1:20:33.400
<v Speaker 3>sample with the other single, was it all in? All in?

1:20:34.240 --> 1:20:38.719
<v Speaker 3>I got a little rhythm. Yeah, Bloomy D had that rhythm,

1:20:39.640 --> 1:20:42.280
<v Speaker 3>the one that had that rhythm. Sean Paul had that rhythm.

1:20:42.720 --> 1:20:47.800
<v Speaker 3>Everybody had that, like you said, yeah cool, So shout

1:20:47.840 --> 1:20:50.400
<v Speaker 3>out to the original. Uh, what's his name? Bro? I

1:20:50.439 --> 1:20:55.320
<v Speaker 3>have been Can we look out where them that comes from? Yeah,

1:20:55.360 --> 1:20:59.120
<v Speaker 3>come on ahead, look it up. Uh. Obviously we had

1:20:59.160 --> 1:21:02.720
<v Speaker 3>one of the best rhythms ever. And I always loved

1:21:02.760 --> 1:21:08.679
<v Speaker 3>that one. Huh, I get a lanky that's the original. Yeah,

1:21:08.800 --> 1:21:14.679
<v Speaker 3>so shout out to Lanky or lay. Let's double checks

1:21:14.960 --> 1:21:18.559
<v Speaker 3>Wally D Wally rhythms. So that's what it all comes from.

1:21:19.200 --> 1:21:22.280
<v Speaker 3>And uh, I had shout out to my lawyers. She

1:21:22.520 --> 1:21:25.160
<v Speaker 3>she she knew some guys in Europe that replayed it.

1:21:25.240 --> 1:21:29.040
<v Speaker 3>So it's not even the sample. And uh, that's dope.

1:21:29.960 --> 1:21:32.200
<v Speaker 3>That's that. So how's that go? If you replay it,

1:21:32.240 --> 1:21:33.800
<v Speaker 3>you don't have to. You don't have to, and it's

1:21:33.800 --> 1:21:36.200
<v Speaker 3>an interpolation. Is no longer a sample. You didn't use

1:21:36.200 --> 1:21:40.640
<v Speaker 3>the master. So therefore you just you know, cut them

1:21:40.680 --> 1:21:43.400
<v Speaker 3>in to the team. Yeah, you just cut them in

1:21:45.280 --> 1:21:47.840
<v Speaker 3>and you have to still conversate them. You said, yeah,

1:21:47.840 --> 1:21:49.320
<v Speaker 3>you cut them in on the publishing. We're all a

1:21:49.360 --> 1:21:51.040
<v Speaker 3>part of the record. We're all writers on the record,

1:21:51.200 --> 1:21:54.400
<v Speaker 3>as opposed to when you sample it post times people

1:21:55.240 --> 1:21:59.120
<v Speaker 3>the publishing, then certain other people own the master. It

1:21:59.280 --> 1:22:01.960
<v Speaker 3>just gets worse. You have to pay more people, so

1:22:02.040 --> 1:22:04.840
<v Speaker 3>it's better to replay it. Yeah, you hear that, artist

1:22:05.880 --> 1:22:08.719
<v Speaker 3>learn learn how to use your instruments and your equipment.

1:22:08.760 --> 1:22:11.000
<v Speaker 3>You know what you said that if they be playing

1:22:11.040 --> 1:22:14.320
<v Speaker 3>it anyway, have you brought that onto your live show? Yeah?

1:22:14.439 --> 1:22:17.760
<v Speaker 3>I would. I always bring live instruments. I definitely play

1:22:17.800 --> 1:22:20.440
<v Speaker 3>every live instrument. I know all the dope ass musicians

1:22:21.200 --> 1:22:24.040
<v Speaker 3>and uh we will always incorporate live music when it

1:22:24.120 --> 1:22:28.600
<v Speaker 3>comes to a todd dollars on record, you prefer I

1:22:28.720 --> 1:22:33.439
<v Speaker 3>prefer live. I prefer reality. I prefer real. You know

1:22:33.439 --> 1:22:35.599
<v Speaker 3>what I'm saying. It's nice to go to Booby Trap

1:22:35.720 --> 1:22:39.479
<v Speaker 3>and look at a BBL, But in my in house, pussy,

1:22:39.640 --> 1:22:43.680
<v Speaker 3>I like it to be like, Yeah, I like the

1:22:43.720 --> 1:22:43.960
<v Speaker 3>way that.

1:22:44.439 --> 1:22:48.280
<v Speaker 1>Are you into the like you perform every record like

1:22:48.400 --> 1:22:50.560
<v Speaker 1>you want to be on the mic? Or will you

1:22:50.680 --> 1:22:53.200
<v Speaker 1>do a little limps ging like Milli Vani.

1:22:55.280 --> 1:23:00.639
<v Speaker 3>Because whatever they want to listen, let's and listen listen.

1:23:02.600 --> 1:23:07.519
<v Speaker 3>You know, I've seen certain people where you know, they'll

1:23:07.600 --> 1:23:10.000
<v Speaker 3>have the mic off, I mean the mic off and

1:23:10.160 --> 1:23:12.800
<v Speaker 3>just do shows like that. And it's only acceptable to

1:23:12.920 --> 1:23:16.240
<v Speaker 3>me if you're doing lots of dancing and then you

1:23:16.400 --> 1:23:18.439
<v Speaker 3>cut in and then come back to your vocal. I've

1:23:18.439 --> 1:23:21.000
<v Speaker 3>even seen like I honestly do that, do that, grea

1:23:21.080 --> 1:23:24.719
<v Speaker 3>kers do that, and like sometimes I have a backing

1:23:24.800 --> 1:23:27.920
<v Speaker 3>track and I'll let that go, but then I hit

1:23:27.960 --> 1:23:29.680
<v Speaker 3>a run that's not even on the track, and you'll

1:23:29.680 --> 1:23:32.439
<v Speaker 3>see that I can sing my eyes off. Certain times

1:23:32.439 --> 1:23:34.880
<v Speaker 3>I use auto tune. Auto tune is just for an effect.

1:23:34.960 --> 1:23:37.920
<v Speaker 3>It's not like I depend on auto tune its stage.

1:23:38.680 --> 1:23:41.280
<v Speaker 3>On stage, it's an effect. I use my same fucking

1:23:41.640 --> 1:23:46.360
<v Speaker 3>uh you know chain wherever I go. You know what

1:23:46.400 --> 1:23:48.920
<v Speaker 3>I'm saying. Certain times I'll cut that ship off and

1:23:49.120 --> 1:23:51.600
<v Speaker 3>just go in A nigga could do its thame like

1:23:51.760 --> 1:23:54.479
<v Speaker 3>so what like. But we have effects that people love

1:23:54.520 --> 1:23:57.360
<v Speaker 3>and that's the song and that's why we use effects.

1:23:57.720 --> 1:24:00.240
<v Speaker 3>So anybody that ever tried to say that ship he's

1:24:00.280 --> 1:24:06.599
<v Speaker 3>a fat one. Let me ask you. So God comes

1:24:06.640 --> 1:24:09.640
<v Speaker 3>down to earth, right, he comes out. He spoke a

1:24:09.680 --> 1:24:13.720
<v Speaker 3>joint with you, he said, Tom you got. I'm gonna

1:24:13.760 --> 1:24:21.639
<v Speaker 3>give you one producer and one feature, and this record

1:24:21.680 --> 1:24:25.600
<v Speaker 3>that you're gonna make it's gonna change humanity. Who is

1:24:25.720 --> 1:24:28.320
<v Speaker 3>you getting it as the producer and who is you

1:24:28.439 --> 1:24:34.439
<v Speaker 3>getting as the feature? Well, if we look at the

1:24:34.600 --> 1:24:40.800
<v Speaker 3>songs in my lifetime that changed humanity, and I would

1:24:40.880 --> 1:24:43.439
<v Speaker 3>just like do that again. Oh should we come new?

1:24:44.880 --> 1:24:51.960
<v Speaker 3>That's the thing got Well, the first thing that would

1:24:51.960 --> 1:24:54.080
<v Speaker 3>come to mind would be to do a record with

1:24:54.200 --> 1:25:01.640
<v Speaker 3>Bob Marley. You know what I'm saying, Why? Because I

1:25:01.680 --> 1:25:04.360
<v Speaker 3>feel like that's the one guy to where any country

1:25:04.439 --> 1:25:07.720
<v Speaker 3>I've been in, whether it be Egypt, whether it be Australia,

1:25:07.800 --> 1:25:10.920
<v Speaker 3>whether it be somewhere in Asia, anywhere in the world,

1:25:11.360 --> 1:25:14.479
<v Speaker 3>there's still rapping Bob Marley to this day because of

1:25:14.600 --> 1:25:19.760
<v Speaker 3>his music. You are correct, because everything, it's like his

1:25:19.920 --> 1:25:22.960
<v Speaker 3>whole style was like every record is that, Every record

1:25:23.120 --> 1:25:25.559
<v Speaker 3>is like to change lives, Every record is hit you said,

1:25:26.080 --> 1:25:28.000
<v Speaker 3>is the feature you're saying, But who's gonna produce the record?

1:25:28.080 --> 1:25:31.879
<v Speaker 3>His producers want let's just do a reggae joint.

1:25:34.840 --> 1:25:35.040
<v Speaker 9>Like that.

1:25:35.280 --> 1:25:37.920
<v Speaker 3>You know, just life changes. So, for lack of a

1:25:37.960 --> 1:25:41.000
<v Speaker 3>better term, that that is that is a person that's

1:25:41.120 --> 1:25:44.680
<v Speaker 3>passed away. Let's pick a feature that live and uh

1:25:45.160 --> 1:25:51.280
<v Speaker 3>and able to do that? Yeah, change the work no

1:25:51.400 --> 1:25:58.240
<v Speaker 3>matter who. I would work with, just me and my

1:25:58.520 --> 1:26:05.280
<v Speaker 3>my team as far as the production me five Camper, uh,

1:26:06.040 --> 1:26:10.400
<v Speaker 3>who else, my new nigga barg that I've been working

1:26:10.439 --> 1:26:15.680
<v Speaker 3>with from Sweden, and we would come up with the

1:26:17.240 --> 1:26:22.320
<v Speaker 3>musical part and I would probably feature that nigga Bruno

1:26:22.479 --> 1:26:26.600
<v Speaker 3>mars bro hav't like done a song with that. I

1:26:26.840 --> 1:26:29.720
<v Speaker 3>know that if we did some ship, especially if it

1:26:29.840 --> 1:26:32.240
<v Speaker 3>was like a meaningful record like that, I feel like

1:26:32.320 --> 1:26:34.320
<v Speaker 3>it was like, I think you have to change the

1:26:34.360 --> 1:26:38.479
<v Speaker 3>world yep, because I would hit that low register and

1:26:38.640 --> 1:26:42.760
<v Speaker 3>go stupid with the high register and just take all

1:26:42.800 --> 1:26:49.120
<v Speaker 3>the hearts you know you and Weekend is yeah, equally,

1:26:49.640 --> 1:26:52.680
<v Speaker 3>you know what I'm saying. Equally by the way, Man,

1:26:53.520 --> 1:26:55.960
<v Speaker 3>I forgot how many Diamond records they say there are

1:26:56.120 --> 1:26:58.880
<v Speaker 3>one hundred and something and I'm on a few of those,

1:26:58.960 --> 1:27:01.160
<v Speaker 3>you know what I'm saying, And one of them is

1:27:01.200 --> 1:27:04.560
<v Speaker 3>about to hit and that's or now with me and

1:27:04.640 --> 1:27:08.600
<v Speaker 3>my nigga, the Weekend Whiz Khalifa. Like I said, man,

1:27:08.640 --> 1:27:09.960
<v Speaker 3>it's not a lot of it's not a lot of

1:27:10.000 --> 1:27:12.120
<v Speaker 3>you motherfuckers out there that got Diamond records, period. But

1:27:12.200 --> 1:27:13.760
<v Speaker 3>they have a couple of them, you know. I'm saying,

1:27:13.800 --> 1:27:20.760
<v Speaker 3>that's the thing, and that's right there, and I have

1:27:20.880 --> 1:27:22.920
<v Speaker 3>a couple of It's not the people who have records

1:27:22.960 --> 1:27:25.519
<v Speaker 3>with Weekend. It doesn't work with everybody. So how was

1:27:25.560 --> 1:27:26.400
<v Speaker 3>that y'all linking up?

1:27:27.160 --> 1:27:27.200
<v Speaker 9>So?

1:27:27.680 --> 1:27:31.320
<v Speaker 3>And how that came about? Because I made this record,

1:27:31.400 --> 1:27:34.080
<v Speaker 3>my brother Mustard came through to the studio. He played

1:27:34.120 --> 1:27:37.120
<v Speaker 3>some beats. One of them was or My nigga. Lemmy

1:27:37.600 --> 1:27:40.600
<v Speaker 3>was in the studio. We was going over it, just

1:27:40.760 --> 1:27:46.080
<v Speaker 3>like concept ideas, and he was like, or Noah, let

1:27:46.160 --> 1:27:49.280
<v Speaker 3>me say that, and then we made the song or Nah.

1:27:50.560 --> 1:27:55.000
<v Speaker 3>And this was originally for Wizz's album and then once

1:27:55.120 --> 1:27:57.519
<v Speaker 3>Paranoid took off and it was time for me to

1:27:57.680 --> 1:28:04.080
<v Speaker 3>drop EP to Atlantic, I asked Wiz, let me get

1:28:04.120 --> 1:28:06.599
<v Speaker 3>that too, you know what I'm saying, And he said yeah,

1:28:07.439 --> 1:28:09.439
<v Speaker 3>and shout out to Wiz Man. This nigga gave me

1:28:09.560 --> 1:28:11.280
<v Speaker 3>motherfucking record. Nigga.

1:28:11.280 --> 1:28:14.720
<v Speaker 11>I gave it to him, arigulated that was for you,

1:28:15.080 --> 1:28:21.879
<v Speaker 11>gave it to him and then he had okay, yeah, that's.

1:28:24.280 --> 1:28:26.760
<v Speaker 3>Weekend on it. Originally, no he wasn't on there. Me

1:28:26.840 --> 1:28:31.960
<v Speaker 3>and Wiz dropped it. And then to be completely transparent, man,

1:28:32.520 --> 1:28:35.519
<v Speaker 3>my nigga, Drake was supposed to hop on it pause

1:28:36.000 --> 1:28:39.439
<v Speaker 3>and he never sent his verse. Everybody was saying he

1:28:39.520 --> 1:28:42.840
<v Speaker 3>did his verse. Everybody's I heard the verses. Fucking crazy,

1:28:42.920 --> 1:28:44.760
<v Speaker 3>Da da da da. Next thing, you know, it's not

1:28:44.920 --> 1:28:47.320
<v Speaker 3>like I tried to do this ship like, oh, he

1:28:47.360 --> 1:28:49.799
<v Speaker 3>didn't do it, so I'm go go get it. Fucking

1:28:50.360 --> 1:28:53.519
<v Speaker 3>Abel just did the verse. Everybody don't know. That's the Weekend,

1:28:53.640 --> 1:28:56.519
<v Speaker 3>the weekend, he just did the verse. The verses a

1:28:56.600 --> 1:29:00.000
<v Speaker 3>fucking classic to this day and shout out to him,

1:29:00.080 --> 1:29:03.200
<v Speaker 3>man will be diamond baby. What would that record be

1:29:03.360 --> 1:29:06.160
<v Speaker 3>like if Drake would have sent his verse and Weekend

1:29:06.200 --> 1:29:09.320
<v Speaker 3>would have sent his verse time imagine that. I wish

1:29:09.439 --> 1:29:12.639
<v Speaker 3>Drake would just leaked that verse because there is a version.

1:29:13.400 --> 1:29:15.880
<v Speaker 3>I didn't never hear it. Niggas told me they heard it.

1:29:15.960 --> 1:29:18.080
<v Speaker 3>I don't know. Niggas was just trying to have a conversation.

1:29:20.160 --> 1:29:23.160
<v Speaker 3>Several people told me they heard it. I don't know.

1:29:23.320 --> 1:29:25.280
<v Speaker 3>He never sent it to me personally. He played it

1:29:25.360 --> 1:29:27.639
<v Speaker 3>for them or this is what Niggas said. Niggas from

1:29:27.680 --> 1:29:32.280
<v Speaker 3>his side niggas from you know Weekend's name, the name

1:29:34.439 --> 1:29:40.240
<v Speaker 3>you called him, Weekend R and R. Yeah, listen, you

1:29:40.280 --> 1:29:41.840
<v Speaker 3>don't call anybody real name.

1:29:42.520 --> 1:29:42.760
<v Speaker 1>I know.

1:29:43.320 --> 1:29:49.680
<v Speaker 3>Listen, his name is top not even is crash out.

1:29:51.800 --> 1:29:55.439
<v Speaker 4>All right, So let's say Timberland Swiss call you. Who

1:29:55.439 --> 1:30:02.160
<v Speaker 4>would you do a verse versus you picked your Yeah,

1:30:02.160 --> 1:30:05.240
<v Speaker 4>I like pick the versus. Yeah, I'm going to pick somebody.

1:30:05.280 --> 1:30:11.519
<v Speaker 4>I'm gonna beat nigga Okay, yeah, I don't know, we

1:30:11.960 --> 1:30:16.920
<v Speaker 4>got your go on the versus T pay But man,

1:30:17.040 --> 1:30:18.439
<v Speaker 4>T Pain is such a got bro.

1:30:18.760 --> 1:30:21.640
<v Speaker 3>I don't know Pain would be a good one, but

1:30:21.720 --> 1:30:25.960
<v Speaker 3>that like this man, this this song. I just seen

1:30:26.000 --> 1:30:29.240
<v Speaker 3>my nigga T Paying perform at ah A coach Hella

1:30:29.280 --> 1:30:32.040
<v Speaker 3>bro and and I know I had the best performance ever.

1:30:32.439 --> 1:30:35.960
<v Speaker 3>But T Pain nigga, Like, I feel like that nigga

1:30:35.960 --> 1:30:38.680
<v Speaker 3>deserves a super Bowl performance. What you bout that too?

1:30:39.439 --> 1:30:41.639
<v Speaker 3>I got it too, But I feel like he definitely

1:30:41.680 --> 1:30:44.240
<v Speaker 3>deserves the super Bowl performance as well, that nigga T

1:30:44.439 --> 1:30:50.719
<v Speaker 3>pay Man, it's that one song everybody hands go up. Yeah,

1:30:50.800 --> 1:30:54.200
<v Speaker 3>that's where by the second time, the second time came on,

1:30:54.439 --> 1:30:55.960
<v Speaker 3>like he's doing the dance and he don't even got

1:30:56.080 --> 1:30:58.040
<v Speaker 3>to do nothing no more. The crowd is just singing

1:30:58.120 --> 1:31:00.320
<v Speaker 3>that ship the whole time, and it was like it

1:31:00.560 --> 1:31:02.640
<v Speaker 3>just it just felt good to see my nigga get

1:31:02.720 --> 1:31:06.360
<v Speaker 3>his full love like that. He's always been one of

1:31:06.400 --> 1:31:09.559
<v Speaker 3>the greatest to me. Listen, he was at the day parade.

1:31:09.720 --> 1:31:11.559
<v Speaker 3>Would that be? Would that be just like the Super

1:31:11.640 --> 1:31:15.920
<v Speaker 3>Bowl or bigger Man deserve a Super Bowl perform? He

1:31:16.040 --> 1:31:19.800
<v Speaker 3>deserves a Super super Bowl performance in my opinion, tied on.

1:31:20.000 --> 1:31:25.320
<v Speaker 3>Ask me, you know I'm on Twitter right now? Oh yeah,

1:31:25.320 --> 1:31:29.960
<v Speaker 3>I gotcha, And they just asked me, it's crazy. Have

1:31:30.160 --> 1:31:34.080
<v Speaker 3>you ever met friends? Yeah, Nigga. I met Prince one

1:31:34.160 --> 1:31:40.080
<v Speaker 3>time twice pause. No, he had pants on. But anyway,

1:31:41.040 --> 1:31:43.200
<v Speaker 3>I met him at at like one of those La

1:31:43.600 --> 1:31:46.720
<v Speaker 3>Warehouse parties, probably when I was around twenty one twenty two,

1:31:46.880 --> 1:31:49.280
<v Speaker 3>just going out for the first time, and he had

1:31:49.280 --> 1:31:50.760
<v Speaker 3>a whole bunch of bitches with him and he was

1:31:50.800 --> 1:31:57.439
<v Speaker 3>going upstairs. I was like, prins he walk those stairs, Nigga.

1:31:57.800 --> 1:32:00.600
<v Speaker 3>And then the next time I seen him, I was

1:32:00.680 --> 1:32:05.280
<v Speaker 3>with Yay and we went to some type of Saturday

1:32:05.400 --> 1:32:10.720
<v Speaker 3>night live party in New York and fucking we walk in.

1:32:11.520 --> 1:32:13.800
<v Speaker 3>I see Jay, I see Beyonce and see what's up.

1:32:15.080 --> 1:32:16.680
<v Speaker 3>I got a joint in my hand day like like

1:32:18.560 --> 1:32:23.080
<v Speaker 3>fucking uh, fucking Rob Schneider from Duce Bigger Little comes up.

1:32:23.120 --> 1:32:25.200
<v Speaker 3>He's like, let me hit the joint, passing the joint.

1:32:26.320 --> 1:32:30.320
<v Speaker 3>Police right there, nobody's tripping. It's all good. Next thing

1:32:30.320 --> 1:32:35.160
<v Speaker 3>you know this, Quest Love DJ and uh Taylor Swift

1:32:35.200 --> 1:32:38.400
<v Speaker 3>get up to perform. She go perform. Next thing you

1:32:38.439 --> 1:32:40.479
<v Speaker 3>know this nigga of the Prince just hop up on stage,

1:32:40.800 --> 1:32:43.200
<v Speaker 3>grabbed a guitar and started going in. So that was

1:32:43.200 --> 1:32:44.600
<v Speaker 3>the one time I got to see him go on

1:32:44.640 --> 1:32:48.800
<v Speaker 3>stage and ship. Wow. I never got to see nothing. Yeah,

1:32:49.280 --> 1:32:53.080
<v Speaker 3>I never got to see any other performance Prince top

1:32:53.880 --> 1:32:56.679
<v Speaker 3>artist ever to me when niggas do the Michael Jackson

1:32:56.760 --> 1:33:00.599
<v Speaker 3>Prince personally, I like Prince's music better whatever niggas can

1:33:01.240 --> 1:33:03.559
<v Speaker 3>if you want to. Yeah, nigga, I like Prince, nigga.

1:33:04.439 --> 1:33:06.720
<v Speaker 3>I mean beautiful playing basketball too, so he was the

1:33:06.760 --> 1:33:09.320
<v Speaker 3>ball man. I just like Prinsident's music. I love Michael

1:33:09.320 --> 1:33:12.720
<v Speaker 3>Michael's greatest artist ever, right, but I just like Prince's music.

1:33:13.000 --> 1:33:15.120
<v Speaker 3>That's my ship, nigga. I got both of them. Niggas.

1:33:17.280 --> 1:33:19.000
<v Speaker 3>What do you think is the Michael and prince of

1:33:19.120 --> 1:33:23.040
<v Speaker 3>this generation. I think Chris Brown. I think Chris Brown

1:33:23.200 --> 1:33:26.040
<v Speaker 3>is definitely Michael and I think I'm prince oh ship.

1:33:29.960 --> 1:33:35.280
<v Speaker 3>We can't. We gotta throw him in there. I don't think, Yeah,

1:33:35.280 --> 1:33:37.960
<v Speaker 3>he's definitely on some Michael ship, but like Michael friendship,

1:33:38.080 --> 1:33:39.840
<v Speaker 3>but I think we can't got his own ship. I

1:33:39.920 --> 1:33:42.760
<v Speaker 3>think that got his own life. But I'm not saying

1:33:42.800 --> 1:33:44.160
<v Speaker 3>Chris don't got his own ship and I don't got

1:33:44.200 --> 1:33:48.200
<v Speaker 3>my own ship. But I'm saying, like Chris got the

1:33:48.240 --> 1:33:51.920
<v Speaker 3>Michael position. You know what makes me throw you in there?

1:33:53.520 --> 1:34:02.400
<v Speaker 3>The road motherfuckers the road saying you got me there,

1:34:03.360 --> 1:34:06.400
<v Speaker 3>don't let it get one. What we spoke about you

1:34:06.479 --> 1:34:09.400
<v Speaker 3>and having a collab album, spoke about you Mustard and

1:34:10.000 --> 1:34:12.439
<v Speaker 3>YG having a flap album. Is there any other collab

1:34:12.479 --> 1:34:16.519
<v Speaker 3>album like say with the R and B singing like Yo?

1:34:16.640 --> 1:34:18.000
<v Speaker 3>So I put out a couple of R and B

1:34:18.080 --> 1:34:20.880
<v Speaker 3>collab albums. I got one with Jeremiah called My Tide

1:34:20.920 --> 1:34:24.720
<v Speaker 3>that was fucking crazy Contact. It came out on def Jam.

1:34:25.080 --> 1:34:26.880
<v Speaker 3>I don't feel like they fully did their one two

1:34:26.960 --> 1:34:29.240
<v Speaker 3>with it. But you know what I'm saying. If you

1:34:29.320 --> 1:34:31.760
<v Speaker 3>haven't heard that album, make sure you go stream that shit.

1:34:31.800 --> 1:34:34.160
<v Speaker 3>It's called My Tie. Me and Jeremiah. We killed that shit.

1:34:34.560 --> 1:34:36.679
<v Speaker 3>A lot of hit makeup production on that ship. Shout

1:34:36.720 --> 1:34:38.920
<v Speaker 3>out to Krishan as well, the whole squad over there.

1:34:40.000 --> 1:34:45.040
<v Speaker 3>My nigga A one and all that malay uh you

1:34:45.160 --> 1:34:47.760
<v Speaker 3>go about one in the fours now and what else.

1:34:48.080 --> 1:34:51.600
<v Speaker 3>I did a collab album with my nigga, Daniel and

1:34:51.760 --> 1:34:54.519
<v Speaker 3>eighty five, the group Division, and it was on ov

1:34:54.640 --> 1:34:57.960
<v Speaker 3>O and that was like more of a short EP

1:34:58.160 --> 1:35:01.360
<v Speaker 3>type style, like seven eight songs and that'sh It's amazing

1:35:01.400 --> 1:35:04.240
<v Speaker 3>as well too. So I did two of those. Those

1:35:04.320 --> 1:35:08.040
<v Speaker 3>didn't really do his greatest Vultures did. But you know,

1:35:08.080 --> 1:35:10.720
<v Speaker 3>I'm saying they're out there for you if you if

1:35:10.720 --> 1:35:13.840
<v Speaker 3>you want to go check out the greatest Army music available,

1:35:17.760 --> 1:35:20.320
<v Speaker 3>we got them coming up. So I want to ask you.

1:35:21.120 --> 1:35:24.439
<v Speaker 3>I want to see, if you're gonna say it, what

1:35:24.640 --> 1:35:34.800
<v Speaker 3>is the greatest R and B group of all time? Group? Yes, damn, Doug,

1:35:35.000 --> 1:35:37.599
<v Speaker 3>there's so many great R and B groups? How can

1:35:37.680 --> 1:35:42.240
<v Speaker 3>you say the greatest Army. I'm not gonna say that.

1:35:42.280 --> 1:35:47.320
<v Speaker 3>I'm not gonna give your head. Okay. I'm Josey because

1:35:47.320 --> 1:35:50.040
<v Speaker 3>I love boys to men, Okay, so that's your two

1:35:50.120 --> 1:35:52.759
<v Speaker 3>so far. I love Take six, but that's like more gospel.

1:35:54.800 --> 1:35:59.519
<v Speaker 3>I love, I love commission you will go that's all

1:35:59.560 --> 1:36:08.160
<v Speaker 3>you say? Uh fuck, Nope, what's your temptations and all

1:36:08.240 --> 1:36:12.799
<v Speaker 3>of that? Jackson you at six? Now, if it's influenced

1:36:15.880 --> 1:36:26.920
<v Speaker 3>that Nigga B two K Niggah bro, I'm gonna tell

1:36:26.920 --> 1:36:32.360
<v Speaker 3>you technically, if you deal with numbers wise, it's only

1:36:32.479 --> 1:36:38.120
<v Speaker 3>one group that went platinum as a group, and it's

1:36:38.160 --> 1:36:41.840
<v Speaker 3>only one group that every single solo artist in that

1:36:42.080 --> 1:36:47.280
<v Speaker 3>group also went platinum. I know that Nance, I care audition,

1:36:47.840 --> 1:36:51.760
<v Speaker 3>you know that is the only group. It doesn't in

1:36:51.840 --> 1:36:55.080
<v Speaker 3>the history of R and B. I believe that the

1:36:55.200 --> 1:37:00.160
<v Speaker 3>group actually went platinum. And every solo artist in that

1:37:00.320 --> 1:37:03.240
<v Speaker 3>group that dropped the solo that's dropped a solo album.

1:37:03.360 --> 1:37:06.160
<v Speaker 3>That's hard also with Platin Alright, who's the greatest R

1:37:06.160 --> 1:37:12.840
<v Speaker 3>and B producer ever? Teddy Roley, Quincy Jones, Quincy Jones.

1:37:13.439 --> 1:37:16.120
<v Speaker 3>It's out of those three though, Teddy Riley, baby Face

1:37:16.200 --> 1:37:20.280
<v Speaker 3>and Quincy Jones baby fols Face. I saw it this week.

1:37:21.120 --> 1:37:22.720
<v Speaker 3>Did you see the ship that he was performing the

1:37:22.800 --> 1:37:30.080
<v Speaker 3>console all the songs that I was bold, Uncle Charlie

1:37:30.360 --> 1:37:34.639
<v Speaker 3>my dog invited us and uh man, when that nigga

1:37:34.720 --> 1:37:39.240
<v Speaker 3>face come on the catalog, the catalog is just the

1:37:39.439 --> 1:37:43.360
<v Speaker 3>R word, the R word retarded, retarded.

1:37:45.120 --> 1:37:48.280
<v Speaker 1>I was like, what the is the R word correct?

1:37:49.760 --> 1:37:53.960
<v Speaker 1>I'm glad you used the R word, guys.

1:37:53.800 --> 1:38:01.479
<v Speaker 3>I said, I also said the R word. You gotta

1:38:01.520 --> 1:38:09.280
<v Speaker 3>call down your off if you have. All I've never

1:38:09.320 --> 1:38:12.160
<v Speaker 3>seen baby Face perform is baby Face against in real life.

1:38:13.040 --> 1:38:15.720
<v Speaker 3>He looked like he might be biting pit bulls on

1:38:15.720 --> 1:38:18.360
<v Speaker 3>the law. I never I never seen anything. He had

1:38:18.439 --> 1:38:21.080
<v Speaker 3>all the budgets playing. Sure you know show like you

1:38:21.320 --> 1:38:24.479
<v Speaker 3>like I said, man, to get through this, you know

1:38:24.560 --> 1:38:26.679
<v Speaker 3>what it is. In order to get to this business

1:38:26.720 --> 1:38:29.000
<v Speaker 3>and to the level that he he is, that he

1:38:29.120 --> 1:38:32.360
<v Speaker 3>definitely probably had to do some gangster ship. You named

1:38:32.479 --> 1:38:37.760
<v Speaker 3>Jacketed Edge earlier. Jacket Edge was like known for being

1:38:37.920 --> 1:38:42.040
<v Speaker 3>like R and B group that was like rappers though

1:38:42.560 --> 1:38:45.400
<v Speaker 3>they were like gangster. Is that does that happen in

1:38:45.479 --> 1:38:49.280
<v Speaker 3>this generation? Like that's all the RMB. Now, it's like

1:38:52.680 --> 1:38:55.800
<v Speaker 3>trying to think how many soft RMB niggas there now,

1:38:55.920 --> 1:39:03.080
<v Speaker 3>It's like it's not really none rappers for sure. Yeah,

1:39:03.120 --> 1:39:04.160
<v Speaker 3>that's fucked up. How about this?

1:39:05.600 --> 1:39:11.160
<v Speaker 1>It is do you think they're trying to eliminate good music,

1:39:12.120 --> 1:39:15.120
<v Speaker 1>meaning you know, there's disposable music.

1:39:15.040 --> 1:39:21.080
<v Speaker 3>Because the AI shameless music because they're trying to fucking

1:39:21.200 --> 1:39:27.599
<v Speaker 3>eliminate human money. Fifty years Yeslime got music that of ass.

1:39:28.479 --> 1:39:32.719
<v Speaker 1>Another fifty years today the young guys, they're doing music.

1:39:32.840 --> 1:39:37.280
<v Speaker 1>It's good for two months, three months, TikTok. Do you

1:39:37.360 --> 1:39:39.080
<v Speaker 1>think they're trying to get rid of good music?

1:39:39.840 --> 1:39:40.040
<v Speaker 6>Nah?

1:39:40.120 --> 1:39:42.400
<v Speaker 3>Bro, Like they're just trying to make money at the

1:39:42.479 --> 1:39:44.200
<v Speaker 3>end of the day. Man, Like niggas got to take

1:39:44.240 --> 1:39:46.880
<v Speaker 3>feelings out of this. Didn't realize like the game is

1:39:47.000 --> 1:39:51.080
<v Speaker 3>like to get money for who's ever like getting the money?

1:39:51.280 --> 1:39:54.479
<v Speaker 3>You know, let's not go with the flow is figure

1:39:54.520 --> 1:39:57.360
<v Speaker 3>out how to fucking get your money, figure out how

1:39:57.400 --> 1:39:59.920
<v Speaker 3>to get to your consumers. If I don't learn any

1:40:00.040 --> 1:40:01.840
<v Speaker 3>things from this past like a couple of years, man,

1:40:01.880 --> 1:40:06.040
<v Speaker 3>it's like that product ship that get into the fans,

1:40:06.160 --> 1:40:09.519
<v Speaker 3>Like you're making your own world.

1:40:09.960 --> 1:40:14.160
<v Speaker 1>So you know there's any conspiracy versus hear me out

1:40:16.360 --> 1:40:21.680
<v Speaker 1>the righteous guys, the k R S, Swans, the you

1:40:21.800 --> 1:40:24.280
<v Speaker 1>know what I mean, who cares music that taught hold

1:40:24.360 --> 1:40:28.360
<v Speaker 1>on the music that teaches this and not meaning this

1:40:28.560 --> 1:40:31.400
<v Speaker 1>spinning you know, if you talk about spinning the block

1:40:31.840 --> 1:40:35.240
<v Speaker 1>b B B up, you know you get where I'm

1:40:35.240 --> 1:40:39.160
<v Speaker 1>coming from. No, of course he doesn't understand where will

1:40:39.200 --> 1:40:43.519
<v Speaker 1>come from. He's just trying to ask together. He got

1:40:43.680 --> 1:40:51.520
<v Speaker 1>pieces together. He's a smart guy, meaning the music industry.

1:40:51.760 --> 1:40:54.519
<v Speaker 1>You know, you know and I get it, and we don't.

1:40:54.560 --> 1:40:56.360
<v Speaker 3>We're not attacking the music industry.

1:40:56.880 --> 1:41:01.280
<v Speaker 1>We're just saying the disposable music is what people will

1:41:01.320 --> 1:41:05.720
<v Speaker 1>say is right now, right now, timeless ship. He's done

1:41:05.760 --> 1:41:10.040
<v Speaker 1>with pharral, the ship you've done in your career and

1:41:10.160 --> 1:41:12.360
<v Speaker 1>compared to the young kids coming up now.

1:41:12.640 --> 1:41:16.479
<v Speaker 3>There is shit that's gonna like uh bleed through to

1:41:16.560 --> 1:41:21.400
<v Speaker 3>the top. And last there's certain people out there that

1:41:21.479 --> 1:41:24.559
<v Speaker 3>are great and still care. One thing that I love

1:41:24.600 --> 1:41:28.599
<v Speaker 3>about my artists on Easy Money and one that we've

1:41:28.640 --> 1:41:31.639
<v Speaker 3>already proved you with Leon. He shows you right there

1:41:31.760 --> 1:41:35.160
<v Speaker 3>that real music can still win. Bro. It's like when

1:41:35.200 --> 1:41:39.040
<v Speaker 3>you think about mud is all live instrumentation, and it's winning.

1:41:40.360 --> 1:41:45.000
<v Speaker 3>He didn't have to like switch like like look man,

1:41:45.040 --> 1:41:48.600
<v Speaker 3>there was the conversations like after the first album, like

1:41:48.680 --> 1:41:50.640
<v Speaker 3>all right, Todd Well, like we got to get him,

1:41:50.720 --> 1:41:53.000
<v Speaker 3>like one of those club records are one of those

1:41:53.040 --> 1:41:56.240
<v Speaker 3>d d you know what I'm saying, Like about ballast?

1:41:56.280 --> 1:41:57.960
<v Speaker 3>Did they put ballast on you? It was just like

1:41:58.080 --> 1:42:02.080
<v Speaker 3>chasing was working basically, you know, in short form, and

1:42:03.760 --> 1:42:05.559
<v Speaker 3>I had to call with him like maybe we could

1:42:05.600 --> 1:42:07.559
<v Speaker 3>do this, maybe we could do that da dah. Next thing,

1:42:07.560 --> 1:42:09.280
<v Speaker 3>you know, I call that nigga back, like I don't

1:42:09.280 --> 1:42:11.000
<v Speaker 3>know if it was an hour, if it was ten minutes,

1:42:11.040 --> 1:42:14.200
<v Speaker 3>but I just felt fucking crazy telling them some shit

1:42:14.320 --> 1:42:16.320
<v Speaker 3>like that, and I'm like, you know what, fuck that shit, nigga.

1:42:16.600 --> 1:42:20.240
<v Speaker 3>Stick to your shit. Do you do what you believe

1:42:20.280 --> 1:42:22.280
<v Speaker 3>and do what feels right for you And it's gonna

1:42:22.320 --> 1:42:24.720
<v Speaker 3>win because it's like when I heard your shit, I

1:42:24.960 --> 1:42:27.000
<v Speaker 3>liked it, and I feel like there's gonna be other

1:42:27.040 --> 1:42:29.000
<v Speaker 3>people that fucking love it just as much as me.

1:42:29.960 --> 1:42:33.680
<v Speaker 3>And he stuck to his own shit. He's stuck to

1:42:33.800 --> 1:42:36.920
<v Speaker 3>making live music and it worked. It's the biggest R

1:42:36.960 --> 1:42:38.719
<v Speaker 3>and B shit out. It didn't have to be corny,

1:42:38.760 --> 1:42:42.160
<v Speaker 3>it didn't have to follow in anyone's footsteps, but you

1:42:42.240 --> 1:42:47.800
<v Speaker 3>know his own gut. You know what I'm saying. Let

1:42:47.840 --> 1:42:49.800
<v Speaker 3>me ask you, is it weird putting out an EP

1:42:50.120 --> 1:42:53.680
<v Speaker 3>versus a full album? Like do you get pushed back

1:42:53.760 --> 1:42:55.400
<v Speaker 3>from the label when you do when you do that,

1:42:56.240 --> 1:42:59.760
<v Speaker 3>uh not, the labels love it because that's how they

1:42:59.800 --> 1:43:02.400
<v Speaker 3>can keep you longer. When because it doesn't covers an

1:43:02.400 --> 1:43:07.960
<v Speaker 3>actual album. I'll figured that out later when it's like

1:43:08.240 --> 1:43:10.439
<v Speaker 3>when you think about it. And I signed in twenty twelve,

1:43:10.520 --> 1:43:14.720
<v Speaker 3>and and my deal was five albums and I'm only

1:43:14.760 --> 1:43:18.040
<v Speaker 3>on my fourth with Tycoon, right, But look about it,

1:43:18.600 --> 1:43:20.880
<v Speaker 3>all the music that I put out all the time.

1:43:21.720 --> 1:43:24.960
<v Speaker 3>You know what I'm saying, campaign, beach House one, Beach

1:43:25.000 --> 1:43:30.200
<v Speaker 3>House two, airplane mode. What am I missing? Sign sign

1:43:30.280 --> 1:43:34.400
<v Speaker 3>language one into like like come on, man, like Wi

1:43:34.479 --> 1:43:40.120
<v Speaker 3>Fi passwords at my crib beach house. I'm in one

1:43:40.120 --> 1:43:42.920
<v Speaker 3>of your It was a minute ago. He was running

1:43:42.920 --> 1:43:53.800
<v Speaker 3>on the water angle. I mean, you've done so much

1:43:53.840 --> 1:43:55.920
<v Speaker 3>in the SA too, man, Okay, yes, right, we were

1:43:55.920 --> 1:44:01.280
<v Speaker 3>wanting to time yo. So look, look they're winded. So

1:44:01.320 --> 1:44:03.280
<v Speaker 3>what I got your back? So look I had a

1:44:03.479 --> 1:44:09.040
<v Speaker 3>crazy experience like twenty twenty two December, the last day

1:44:09.560 --> 1:44:12.559
<v Speaker 3>twenty twenty two going in twenty twenty three, I let

1:44:12.640 --> 1:44:15.840
<v Speaker 3>this random lady who was like one of those natural

1:44:15.960 --> 1:44:18.160
<v Speaker 3>black women with the dreads with you know what I'm saying,

1:44:19.000 --> 1:44:24.240
<v Speaker 3>organic food type. Yeah, I don't know people. You know

1:44:24.280 --> 1:44:28.800
<v Speaker 3>what I'm saying, doctor, save the type of all that.

1:44:30.360 --> 1:44:33.400
<v Speaker 3>So she said, I let her do my hair, and

1:44:34.520 --> 1:44:36.240
<v Speaker 3>I wanted to get it. I wanted to get it died.

1:44:36.280 --> 1:44:37.960
<v Speaker 3>I was on my all black. I wanted to get

1:44:38.000 --> 1:44:40.200
<v Speaker 3>my hair dyed all black too, just to be just

1:44:40.360 --> 1:44:45.639
<v Speaker 3>even more on that black baby. And uh, she said,

1:44:45.680 --> 1:44:48.800
<v Speaker 3>she has some fucking all natural ship because I already

1:44:48.800 --> 1:44:51.960
<v Speaker 3>know my skin is fucking weird. Right, I'm the type

1:44:51.960 --> 1:44:55.400
<v Speaker 3>of nigga like you put on some motion, just fucking

1:44:55.439 --> 1:44:59.360
<v Speaker 3>go crazy. I turned to an alligator, right. So she

1:44:59.560 --> 1:45:02.960
<v Speaker 3>was like, no, this is some all natural ship. So look,

1:45:03.080 --> 1:45:05.840
<v Speaker 3>she died my ship that next morning. I go do

1:45:05.960 --> 1:45:09.479
<v Speaker 3>the show that night. The next morning, purple, I wake up.

1:45:09.520 --> 1:45:11.080
<v Speaker 3>I look at my pillow and it's like all this

1:45:11.280 --> 1:45:15.840
<v Speaker 3>like yellowish liquidy type ship mixed with purple. I'm like,

1:45:15.960 --> 1:45:21.000
<v Speaker 3>what the fuck? Okay, go to the mirror, and I'm

1:45:21.040 --> 1:45:25.320
<v Speaker 3>seeing a little puss in between the ship, right and

1:45:25.520 --> 1:45:28.519
<v Speaker 3>you with the real man, that ship must have fucking like,

1:45:28.640 --> 1:45:30.439
<v Speaker 3>let me find these pictures real quick. I gotta show

1:45:30.439 --> 1:45:35.439
<v Speaker 3>your niggas. Man. Yeah, he came here one day. Ship.

1:45:35.560 --> 1:45:37.320
<v Speaker 3>He brought the chief die. You can't hear one day

1:45:38.000 --> 1:45:43.719
<v Speaker 3>she was ship was worse thing ship for the flea market.

1:45:44.400 --> 1:45:46.519
<v Speaker 3>My ship is worse than how you how you get

1:45:46.800 --> 1:45:49.639
<v Speaker 3>leg here dye? Like I can see you getting late whatever.

1:45:49.760 --> 1:45:52.920
<v Speaker 3>But he got bout leg here dye. So we had

1:45:52.920 --> 1:45:56.920
<v Speaker 3>an aerosol can don't give me here we go here,

1:45:56.960 --> 1:45:59.360
<v Speaker 3>we go, ok And it has the receipts, it has

1:45:59.439 --> 1:46:04.920
<v Speaker 3>the dates. Okay, so we do the show in the

1:46:04.960 --> 1:46:07.960
<v Speaker 3>club that nigga. I have my my camera on pink

1:46:08.040 --> 1:46:11.599
<v Speaker 3>on right, I have my salmon on that man. All right,

1:46:12.160 --> 1:46:15.439
<v Speaker 3>So look January first, I wake up. This is how

1:46:15.479 --> 1:46:20.400
<v Speaker 3>the top of my head looks, zooming that ship, little scaves,

1:46:20.439 --> 1:46:25.080
<v Speaker 3>the little scabs and ship right, little skavs. Next thing,

1:46:25.160 --> 1:46:28.920
<v Speaker 3>you know, wow, next thing you know, right, an hour

1:46:29.080 --> 1:46:33.840
<v Speaker 3>go by. That's that's my head. Next thing you know,

1:46:35.000 --> 1:46:38.360
<v Speaker 3>I okay, that's the pillow that I was saying. Right

1:46:39.880 --> 1:46:42.599
<v Speaker 3>then you see how my face look. You can't really tell,

1:46:43.040 --> 1:46:44.679
<v Speaker 3>but you can see from my head it's a little

1:46:44.720 --> 1:46:47.839
<v Speaker 3>bit bigger than usual. That phone. My phone had been busting,

1:46:48.520 --> 1:46:55.360
<v Speaker 3>but it's just like mush start busting, right. That's how

1:46:55.400 --> 1:46:59.640
<v Speaker 3>I was looking from the side. It was that was

1:46:59.640 --> 1:47:05.200
<v Speaker 3>anert how my brain started looking Oh right, oh no,

1:47:06.880 --> 1:47:09.320
<v Speaker 3>the side of my face started popping out. Okay, this

1:47:09.479 --> 1:47:12.080
<v Speaker 3>January second, This the second day of that ship, I

1:47:12.160 --> 1:47:15.920
<v Speaker 3>started getting some type of fucking color. Was it water? Huh?

1:47:16.240 --> 1:47:18.639
<v Speaker 3>Was it like water? It was itching, it was pussing.

1:47:19.280 --> 1:47:24.160
<v Speaker 3>My fucking face was growing everything, bro, and to where

1:47:24.240 --> 1:47:26.639
<v Speaker 3>my to where I had to walk into the hospital

1:47:26.760 --> 1:47:28.920
<v Speaker 3>like this. When I walk into the hospital, walk in

1:47:28.960 --> 1:47:32.120
<v Speaker 3>the cedar sideline, why the fuck do I see somebody

1:47:32.200 --> 1:47:34.720
<v Speaker 3>come out with a fucking redver Sachi fucking robe with

1:47:34.800 --> 1:47:36.960
<v Speaker 3>their head down with the hoodie over. But it's just weird,

1:47:37.040 --> 1:47:39.120
<v Speaker 3>like why the fuck you got on the REVERSI ended

1:47:39.200 --> 1:47:43.360
<v Speaker 3>up being that nigga Jeremiah in the hospital the same

1:47:43.479 --> 1:47:45.559
<v Speaker 3>time as me. Shut up to my nigga. I don't

1:47:45.560 --> 1:47:46.720
<v Speaker 3>know what was wrong with it, but that's how I'm

1:47:46.760 --> 1:47:48.519
<v Speaker 3>in the hospital right. I don't want nobody to see

1:47:48.560 --> 1:47:54.120
<v Speaker 3>my ass. Then this time, no nigga is January third,

1:47:54.240 --> 1:47:57.759
<v Speaker 3>twenty twenty three. Bro. After the hair died, oh ship,

1:47:58.080 --> 1:48:00.639
<v Speaker 3>you don't even look like in my eyes, my ship

1:48:00.720 --> 1:48:05.240
<v Speaker 3>started like closing up like personal she put in my ship, bro,

1:48:05.479 --> 1:48:07.760
<v Speaker 3>But she needs to get I want to.

1:48:07.720 --> 1:48:08.080
<v Speaker 5>Say, man.

1:48:08.120 --> 1:48:10.720
<v Speaker 3>Hopefully, you have the most natural ingredients in there.

1:48:10.760 --> 1:48:10.840
<v Speaker 9>Bro.

1:48:12.840 --> 1:48:16.840
<v Speaker 3>Everybody look by the way my punk ass barber two

1:48:16.960 --> 1:48:19.840
<v Speaker 3>days ago. Uh, he puts some ship on my ship. Yeah,

1:48:19.840 --> 1:48:21.599
<v Speaker 3>I'll be having a couple of grades going in my ship.

1:48:23.200 --> 1:48:26.680
<v Speaker 3>You see this ship. Yeah, I've been looking like I

1:48:26.720 --> 1:48:28.680
<v Speaker 3>forgot what they called me on my stream. It was

1:48:28.840 --> 1:48:33.920
<v Speaker 3>some funny characters. Nigga, I had some ship. Nigga, My

1:48:33.960 --> 1:48:36.560
<v Speaker 3>ship was crazy. You google it to see if you know.

1:48:36.600 --> 1:48:39.080
<v Speaker 3>But I'm just like, we're we're here, bro, So hopefully

1:48:39.080 --> 1:48:43.400
<v Speaker 3>that she is the most Yeah. And what color your eyes?

1:48:43.439 --> 1:48:45.480
<v Speaker 3>What color is those? Because no girls.

1:49:01.280 --> 1:49:01.640
<v Speaker 10>Can he.

1:49:03.439 --> 1:49:05.920
<v Speaker 3>Looked like study covered.

1:49:07.960 --> 1:49:11.960
<v Speaker 7>Tell my nigga spider Man, but green Haze, I can't

1:49:12.040 --> 1:49:14.240
<v Speaker 7>understand the green dug Green.

1:49:14.640 --> 1:49:20.200
<v Speaker 3>Listen, what age you started winning off of that? Nigga?

1:49:20.520 --> 1:49:28.200
<v Speaker 3>Six months? Nigga six months? Six months? Six months? I

1:49:28.320 --> 1:49:34.920
<v Speaker 3>was booming? What's that? They called me jar jar Binks

1:49:34.920 --> 1:49:38.320
<v Speaker 3>from the or video crazy. I had like some hairy

1:49:40.080 --> 1:49:41.960
<v Speaker 3>time my hair styles. I just want to say, fuck you,

1:49:42.560 --> 1:49:44.160
<v Speaker 3>you have me in some weird ship. I had the

1:49:44.240 --> 1:49:46.639
<v Speaker 3>to I probably asked for it too. I probably asked

1:49:46.680 --> 1:49:48.400
<v Speaker 3>for the two braids of my hair was too thick

1:49:49.640 --> 1:49:52.120
<v Speaker 3>and there's this picture when you pull up with my

1:49:52.280 --> 1:49:55.960
<v Speaker 3>side little vision with the jarge oar Banks side vision,

1:49:56.040 --> 1:49:57.920
<v Speaker 3>and it is kind of similar. I will say it

1:49:58.000 --> 1:49:59.840
<v Speaker 3>was funny to say you got me, But it's funny

1:50:00.040 --> 1:50:01.920
<v Speaker 3>your niggas be like making these jokes and I can't

1:50:01.920 --> 1:50:04.960
<v Speaker 3>see how y'all look. I would usually be able to like,

1:50:05.760 --> 1:50:08.320
<v Speaker 3>I'm gonna be honest with you playing one of your niggas.

1:50:08.360 --> 1:50:13.479
<v Speaker 3>I have niggas crying. My friend Fat Joe and I

1:50:13.600 --> 1:50:15.720
<v Speaker 3>told him embrace the cat, right, I told her it

1:50:15.760 --> 1:50:17.960
<v Speaker 3>braced the cat. So I'm gona tell you this. Trying

1:50:17.960 --> 1:50:20.600
<v Speaker 3>to I'm gonna take the same thing. It breaks the joke, like,

1:50:20.680 --> 1:50:25.160
<v Speaker 3>don't write the Internet. They're gonna keep going. I raised

1:50:26.200 --> 1:50:28.120
<v Speaker 3>rocking T shirt and do it on the order to

1:50:28.160 --> 1:50:31.040
<v Speaker 3>do it on the shirt. Bay, I just did that.

1:50:31.560 --> 1:50:33.160
<v Speaker 3>I said a new single coming and I had that

1:50:33.240 --> 1:50:43.800
<v Speaker 3>nigga face exactly exactly exactly. Yeah, So bless, what is

1:50:43.840 --> 1:50:46.160
<v Speaker 3>something in the game that you feel like your teeth

1:50:46.160 --> 1:50:49.680
<v Speaker 3>are mighty white? My nigga, I'm I'm trying to be

1:50:49.760 --> 1:50:56.640
<v Speaker 3>out there to live, so so what is something in

1:50:56.680 --> 1:50:59.160
<v Speaker 3>the game that you feel like you haven't accomplished yet

1:50:59.880 --> 1:51:02.080
<v Speaker 3>or like I said, man, I haven't done my super

1:51:02.120 --> 1:51:05.760
<v Speaker 3>Bowl performance, but I haven't done a World Cup performance.

1:51:05.800 --> 1:51:08.600
<v Speaker 3>That there's so many like new accolades to reach that

1:51:09.120 --> 1:51:13.160
<v Speaker 3>I'm going to go after. And you know it's more

1:51:13.200 --> 1:51:16.320
<v Speaker 3>to come, y'all. I'm still you know, fit, I still

1:51:16.360 --> 1:51:19.920
<v Speaker 3>look good, I still smell good, I still have sex good. Okay,

1:51:20.000 --> 1:51:22.320
<v Speaker 3>I like all that all that. You know I'm saying. Married.

1:51:23.240 --> 1:51:25.960
<v Speaker 3>I would love to be married one day. I haven't

1:51:26.000 --> 1:51:29.560
<v Speaker 3>got blessed with a wife yet, but you know what

1:51:29.600 --> 1:51:32.799
<v Speaker 3>I mean, set you though, I'm a state of marriage.

1:51:33.280 --> 1:51:35.040
<v Speaker 3>Just on the state of marriage, you know, like people

1:51:35.120 --> 1:51:37.600
<v Speaker 3>try to push the you know, never get married. I

1:51:37.680 --> 1:51:40.840
<v Speaker 3>know niggas have been married, like, don't do it all

1:51:40.920 --> 1:51:43.120
<v Speaker 3>the ship, but I want to get married. It says

1:51:43.160 --> 1:51:45.559
<v Speaker 3>in the Quran that you're not even a man until

1:51:45.800 --> 1:51:47.760
<v Speaker 3>you're married. You know what I'm saying. You know what

1:51:47.800 --> 1:51:50.920
<v Speaker 3>I'm saying. I don't know what it is. I got

1:51:51.000 --> 1:51:52.840
<v Speaker 3>to get married one day, for sure. I feel like

1:51:53.640 --> 1:51:56.599
<v Speaker 3>Mustard got married before all of us. He's been married

1:51:56.640 --> 1:51:58.519
<v Speaker 3>twice already. I feel like twice. I feel like a

1:51:58.600 --> 1:52:02.400
<v Speaker 3>loser for not being married at forty you know, and

1:52:02.520 --> 1:52:05.000
<v Speaker 3>you watch it, it must have all started together, correct, Yeah?

1:52:05.280 --> 1:52:07.720
<v Speaker 3>And who else is others of just y'all there, there's

1:52:07.760 --> 1:52:10.160
<v Speaker 3>others man. There's like several people we have pushed into

1:52:10.160 --> 1:52:14.320
<v Speaker 3>the label. Joe Moses had aob uh you know, uh

1:52:16.640 --> 1:52:20.040
<v Speaker 3>labeled me crack rated all my niggas. Like we had

1:52:20.080 --> 1:52:22.519
<v Speaker 3>so many different crews from LA like they came up

1:52:22.520 --> 1:52:23.240
<v Speaker 3>at the same time.

1:52:23.880 --> 1:52:24.040
<v Speaker 5>Uh.

1:52:25.840 --> 1:52:28.160
<v Speaker 3>You know what I'm saying. And some of us are

1:52:28.200 --> 1:52:30.240
<v Speaker 3>still here working and having fun with it. Some of

1:52:30.360 --> 1:52:32.960
<v Speaker 3>us stop. Like I said, you can't be canceled until

1:52:32.960 --> 1:52:37.439
<v Speaker 3>you can't see yourself. I agree with that statement. Let

1:52:37.479 --> 1:52:39.720
<v Speaker 3>me tell you how much of a good person you are. Man.

1:52:41.280 --> 1:52:44.240
<v Speaker 3>You know, we got to meet each other. We hung

1:52:44.280 --> 1:52:47.320
<v Speaker 3>out a couple of times. But I was like, I like,

1:52:47.400 --> 1:52:50.800
<v Speaker 3>I like to call this rap purgatory, right, like, but

1:52:50.920 --> 1:52:52.320
<v Speaker 3>you kind of like don't know where to go with

1:52:52.640 --> 1:52:55.400
<v Speaker 3>the music or whatever whatever. And I since you a record.

1:52:55.439 --> 1:52:57.880
<v Speaker 3>You was like, oh gee, I got you. Yeah. He

1:52:58.040 --> 1:52:59.200
<v Speaker 3>was like no, no, no, no, we're not doing it

1:52:59.240 --> 1:53:05.439
<v Speaker 3>like that. You like if I don't like the song, yeah, yeah, record,

1:53:05.479 --> 1:53:07.080
<v Speaker 3>We're gonna get it right, you send me a record

1:53:07.120 --> 1:53:09.320
<v Speaker 3>And I was like, I was like, yo, and this

1:53:09.479 --> 1:53:12.920
<v Speaker 3>is you are Mustard is killing football every fucking three

1:53:13.000 --> 1:53:15.640
<v Speaker 3>records on the fucking charts. You were Mustle did are

1:53:15.640 --> 1:53:16.200
<v Speaker 3>you talking about that?

1:53:16.320 --> 1:53:16.479
<v Speaker 9>Yeah?

1:53:16.520 --> 1:53:18.880
<v Speaker 3>Yeah, yeah, I say you sent me a record, but

1:53:19.040 --> 1:53:23.439
<v Speaker 3>Mustard and I was just like, holy ship, And I

1:53:23.520 --> 1:53:25.040
<v Speaker 3>didn't know what to do with the record at the time.

1:53:25.080 --> 1:53:28.280
<v Speaker 3>I didn't understand the new generation. I didn't. I didn't

1:53:28.320 --> 1:53:30.320
<v Speaker 3>understand like funny because I thought, right when I heard

1:53:30.400 --> 1:53:32.400
<v Speaker 3>that beat, you exactly where to go to nor no

1:53:32.800 --> 1:53:36.080
<v Speaker 3>reminded me of your energy. No no, no, no, making

1:53:36.200 --> 1:53:39.080
<v Speaker 3>the record, I do about promoting the records. What I'm saying.

1:53:39.240 --> 1:53:40.479
<v Speaker 3>So I didn't really know what to do. But what

1:53:40.520 --> 1:53:42.880
<v Speaker 3>I'm trying to say is that meant so much to me. Man,

1:53:42.920 --> 1:53:45.120
<v Speaker 3>I really thank you from the bottom of my heart,

1:53:45.400 --> 1:53:47.519
<v Speaker 3>you know what I'm saying. And then it's like, you know, yeah,

1:53:47.600 --> 1:53:50.960
<v Speaker 3>because you you you you blessed me and didn't And

1:53:51.120 --> 1:53:53.840
<v Speaker 3>it was like I seen Mustard because right, you gave

1:53:53.880 --> 1:53:56.080
<v Speaker 3>me your blessing, but it's still musta beat, so I

1:53:56.160 --> 1:53:59.800
<v Speaker 3>gotta handle by I see Mustard, I'm like it must

1:53:59.800 --> 1:54:01.800
<v Speaker 3>have like you good, and I'm like I'm like I'm

1:54:01.840 --> 1:54:04.160
<v Speaker 3>trying to like handle and everyone, and it was just

1:54:04.240 --> 1:54:06.920
<v Speaker 3>it made so much to me because y'all hot, you

1:54:06.960 --> 1:54:10.680
<v Speaker 3>know what I'm saying, Like y'all Steemen. And most of

1:54:10.720 --> 1:54:14.400
<v Speaker 3>the time people don't look in the rearview mirror. They

1:54:14.439 --> 1:54:16.800
<v Speaker 3>always look forward, you know. People don't even adjust they

1:54:16.840 --> 1:54:18.800
<v Speaker 3>review member, And to me, it's funny because I never

1:54:18.880 --> 1:54:21.320
<v Speaker 3>looked at you as a rearview mirror. It's funny because, like,

1:54:21.400 --> 1:54:23.720
<v Speaker 3>I understand what you mean by yeah, getting in the

1:54:23.840 --> 1:54:26.519
<v Speaker 3>position I'm in now and seeing like there's a whole

1:54:26.640 --> 1:54:29.960
<v Speaker 3>new young yes going on, and like my ship is

1:54:30.040 --> 1:54:33.760
<v Speaker 3>like getting to thirteen and fourteen years old and all

1:54:33.800 --> 1:54:35.840
<v Speaker 3>that type of shit. So I see what you mean

1:54:35.920 --> 1:54:39.480
<v Speaker 3>by right, But like I looked at it as what

1:54:39.720 --> 1:54:42.440
<v Speaker 3>I get to work with. Motherfucking noord. I appreciate it. Listen,

1:54:42.880 --> 1:54:46.480
<v Speaker 3>but you Mustard Son. You so many fucking house parties,

1:54:46.480 --> 1:54:47.680
<v Speaker 3>and they let me tell you something. You got so

1:54:47.760 --> 1:54:52.800
<v Speaker 3>much pussy up. Let me just say this. I owe

1:54:52.840 --> 1:54:55.320
<v Speaker 3>you and DJ let me. I'm just saying that to

1:54:55.400 --> 1:54:57.360
<v Speaker 3>this camera. I owe him and DJ Muster and Rick

1:54:57.480 --> 1:54:59.640
<v Speaker 3>Ross mc ross comes with the record too. I forgot

1:54:59.680 --> 1:55:01.640
<v Speaker 3>how to we get recorded on American I forget, but

1:55:02.840 --> 1:55:04.520
<v Speaker 3>so man, they helped me down in the time I

1:55:04.600 --> 1:55:06.040
<v Speaker 3>needed it. Man, would.

1:55:08.360 --> 1:55:14.360
<v Speaker 1>Man, you always talk about it? Yes, man, I remember

1:55:14.520 --> 1:55:18.680
<v Speaker 1>from them. Yeah what you're saying, yo, don't got to.

1:55:18.840 --> 1:55:24.960
<v Speaker 3>Do Yeah the hook on it. He's the hottest and

1:55:25.160 --> 1:55:28.280
<v Speaker 3>Mustard is the house. At the time, I just said, yeah, yeah, yes,

1:55:29.160 --> 1:55:35.680
<v Speaker 3>you're still right. What's your favorite place to perform at?

1:55:36.480 --> 1:55:41.400
<v Speaker 3>My favorite place to perform that in front of my

1:55:41.480 --> 1:55:45.040
<v Speaker 3>real fans, whatever they may be, is actually like fun

1:55:45.160 --> 1:55:48.280
<v Speaker 3>with it, you know what I'm saying. Like, it's always

1:55:48.360 --> 1:55:50.200
<v Speaker 3>just it's not a state, more like a city that

1:55:50.800 --> 1:55:52.200
<v Speaker 3>you know every time you go there. Like for me,

1:55:52.240 --> 1:55:54.680
<v Speaker 3>it's half in Connecticut and Philadelphia. I don't care. I

1:55:54.720 --> 1:55:57.000
<v Speaker 3>could go there tomorrow. Yeah, I could just say my

1:55:57.120 --> 1:55:59.160
<v Speaker 3>own city because every time we do some some l

1:55:59.200 --> 1:56:00.920
<v Speaker 3>A ship it's like the most like all right, they

1:56:01.000 --> 1:56:03.040
<v Speaker 3>gonna know every single song, you know what I'm saying.

1:56:03.080 --> 1:56:06.320
<v Speaker 3>I love LA of course, But there's been other shows

1:56:06.360 --> 1:56:11.800
<v Speaker 3>that have been great, like Nairobi, Kenya. Wow, Like yeah,

1:56:11.880 --> 1:56:14.400
<v Speaker 3>one of my fucking I felt like fucking justin Bieber Nigga,

1:56:14.440 --> 1:56:16.240
<v Speaker 3>I fucking get to my well. I don't know if

1:56:16.280 --> 1:56:18.920
<v Speaker 3>he feels like this, but like it just seemed like

1:56:19.000 --> 1:56:23.240
<v Speaker 3>how or like how like Michael Jackson with hield where

1:56:23.240 --> 1:56:25.640
<v Speaker 3>it's like, I get to the hotel. Well, first of all,

1:56:25.960 --> 1:56:28.040
<v Speaker 3>the wall, Nigga is taller than these walls.

1:56:28.080 --> 1:56:28.120
<v Speaker 2>Like.

1:56:28.200 --> 1:56:30.480
<v Speaker 3>To get in, it's probably like about this size to

1:56:30.600 --> 1:56:33.240
<v Speaker 3>get in, right with a big ass fucking gate. You

1:56:33.320 --> 1:56:35.320
<v Speaker 3>get in that bitch and that shit got babed wired

1:56:35.440 --> 1:56:38.960
<v Speaker 3>Nigga another like level the same height, so as high

1:56:38.960 --> 1:56:41.040
<v Speaker 3>as fuck. You can't just get in this motherfucker. You

1:56:41.160 --> 1:56:44.200
<v Speaker 3>get in there, it's like phone niggas with fucking AK

1:56:44.360 --> 1:56:49.520
<v Speaker 3>forty sevens or whatever. Right, you go in at the door,

1:56:49.760 --> 1:56:52.920
<v Speaker 3>you know what I mean, it's uh, what's the ship,

1:56:53.160 --> 1:56:56.160
<v Speaker 3>the check, metal detectors, all the shit. You get in

1:56:56.240 --> 1:56:59.960
<v Speaker 3>that motherfucker. You go to your room, nice courtyard, beauty

1:57:00.080 --> 1:57:02.800
<v Speaker 3>from a fucking hotel. I get to my room, I'll

1:57:02.880 --> 1:57:06.240
<v Speaker 3>take off my shoes. I fucking probably get my laptop

1:57:06.320 --> 1:57:08.000
<v Speaker 3>out and get on the phone, do whatever the fuck

1:57:08.000 --> 1:57:10.760
<v Speaker 3>I'm doing, handle whatever I'm handling. Nig All of a sudden,

1:57:10.760 --> 1:57:12.840
<v Speaker 3>you just hear commotion coming down the hallway, like a

1:57:12.880 --> 1:57:14.600
<v Speaker 3>whole bunch of people. I'm like, what the fuck, I'm

1:57:14.640 --> 1:57:17.320
<v Speaker 3>just talking over whatever bitch I'm talking to at the time. Yeah,

1:57:17.400 --> 1:57:22.160
<v Speaker 3>da da da da dah nigga. All of a sudden,

1:57:22.360 --> 1:57:25.640
<v Speaker 3>I hear people at my door. I look out the

1:57:25.680 --> 1:57:31.120
<v Speaker 3>door as like twenty people, men like dudes like hype

1:57:31.120 --> 1:57:34.320
<v Speaker 3>as fuck niggas knock on the door. I call my security.

1:57:34.360 --> 1:57:35.680
<v Speaker 3>I'm like, hey, you gotta come to the door. Da

1:57:35.760 --> 1:57:39.000
<v Speaker 3>da dah. I open the door, like fuck this, let

1:57:39.040 --> 1:57:41.040
<v Speaker 3>me just deal with the shit. His fans like, oh,

1:57:41.080 --> 1:57:42.640
<v Speaker 3>can we get a picture? Can we get a picture?

1:57:43.200 --> 1:57:46.200
<v Speaker 3>And I'm wondering, how to fuck did y'all get past

1:57:46.240 --> 1:57:48.760
<v Speaker 3>the wall past the niggas with guns? I had to

1:57:48.800 --> 1:57:51.080
<v Speaker 3>be somebody at the hotel that called the hand. He's like, oh,

1:57:51.120 --> 1:57:54.960
<v Speaker 3>you're here. But everybody was cool. Everybody was like it

1:57:55.120 --> 1:57:57.680
<v Speaker 3>was love, bro. It was like, but you embrace that

1:57:57.840 --> 1:58:00.839
<v Speaker 3>type of love. It's not like it's not like creeps.

1:58:01.520 --> 1:58:03.280
<v Speaker 3>It wasn't no creepy ship. It was like love, but

1:58:03.520 --> 1:58:05.280
<v Speaker 3>just like they do it in the type of way

1:58:05.360 --> 1:58:07.720
<v Speaker 3>like Nigga coming to Yodda shows some love like thank

1:58:07.760 --> 1:58:10.880
<v Speaker 3>you for coming to our city and and uh, you know,

1:58:11.080 --> 1:58:13.480
<v Speaker 3>that was like one of my favorite performances I ever did.

1:58:14.320 --> 1:58:20.960
<v Speaker 3>Brazil was crazy. Uh, Australia, That's one of the funnest

1:58:21.000 --> 1:58:25.640
<v Speaker 3>times we ever had. Brazil Brazil changed my life the

1:58:25.720 --> 1:58:35.680
<v Speaker 3>way yeah changed my life. I love Brazil, man, what else?

1:58:37.640 --> 1:58:41.560
<v Speaker 3>European shows are always great? New York shows are always great,

1:58:41.680 --> 1:58:47.400
<v Speaker 3>Chicago shows always great, Miami shows are always great. Everywhere

1:58:47.480 --> 1:58:51.360
<v Speaker 3>down South, fucking where else?

1:58:51.440 --> 1:58:51.600
<v Speaker 1>Man?

1:58:51.800 --> 1:58:55.680
<v Speaker 3>All my Vegas shows, he lived everywhere, Man, I appreciate

1:58:55.760 --> 1:59:00.640
<v Speaker 3>everyone in Japan. Bro. I named Los Angeles Los Angeles, California.

1:59:02.000 --> 1:59:04.200
<v Speaker 3>It's the best because of course they've been here with

1:59:04.320 --> 1:59:06.560
<v Speaker 3>me from the beginning. Bro, I feel like they know

1:59:06.680 --> 1:59:09.520
<v Speaker 3>the songs that other niggas men might not know, the

1:59:09.640 --> 1:59:13.800
<v Speaker 3>less popular songs. We could just do beach house front

1:59:13.840 --> 1:59:16.040
<v Speaker 3>to back show, which I should do. I should do

1:59:16.200 --> 1:59:17.880
<v Speaker 3>like a beach house front to back or a free

1:59:17.960 --> 1:59:22.040
<v Speaker 3>TC front to back only those songs show. So fuck it,

1:59:22.120 --> 1:59:25.160
<v Speaker 3>I might announced that soon. You know in La you've

1:59:25.200 --> 1:59:28.480
<v Speaker 3>seen the Bob Marty movie, right, I love that movie.

1:59:28.840 --> 1:59:31.680
<v Speaker 3>You remember. At one point, he flips on his manager

1:59:31.760 --> 1:59:35.960
<v Speaker 3>because he says it doesn't matter, like whenever Africa calls,

1:59:36.240 --> 1:59:38.280
<v Speaker 3>like it doesn't matter the money, like he'll take to

1:59:38.360 --> 1:59:40.480
<v Speaker 3>take so he'll take a pay cut whatever. He's just

1:59:40.640 --> 1:59:43.400
<v Speaker 3>every time he gets offered a show with Africa, he

1:59:43.480 --> 1:59:46.480
<v Speaker 3>would always take care. Now, I'm like that. I didn't

1:59:46.480 --> 1:59:48.400
<v Speaker 3>know other people. It was like that. When I saw

1:59:48.440 --> 1:59:50.040
<v Speaker 3>the movie, I was like, holy shit, Bob Marty my

1:59:50.080 --> 1:59:54.080
<v Speaker 3>ship you know in my mind, I know, but what

1:59:54.160 --> 1:59:57.480
<v Speaker 3>I'm saying, my place is Puerto Rico. Whatever Puerto Rico calls,

1:59:57.840 --> 1:59:59.480
<v Speaker 3>I work with them, like it doesn't matter. If I

2:00:01.200 --> 2:00:02.960
<v Speaker 3>I was just telling somebody, you the first nigga to

2:00:03.000 --> 2:00:10.200
<v Speaker 3>ever bring reggae throm you know that, like to forget right.

2:00:12.400 --> 2:00:14.360
<v Speaker 3>I noticed what this new generation they like to do that,

2:00:14.400 --> 2:00:19.120
<v Speaker 3>and they're like, oh no, I started this all right, Well,

2:00:19.680 --> 2:00:22.720
<v Speaker 3>so well, mine's is Puerto Rico and New York. Like

2:00:22.800 --> 2:00:26.480
<v Speaker 3>if it's reasonable, whenever it's in New York, I have

2:00:26.600 --> 2:00:28.480
<v Speaker 3>to that's my home. That's my home. I do it.

2:00:30.200 --> 2:00:31.920
<v Speaker 3>Uh in Puerto Rico. I don't know where I'm from

2:00:31.960 --> 2:00:34.320
<v Speaker 3>in Africa, and I've never really had the opportunity. It's

2:00:34.320 --> 2:00:38.040
<v Speaker 3>then special places for you, like if someone calls and

2:00:38.240 --> 2:00:40.840
<v Speaker 3>it's not your quota, but you enjoy being there, or

2:00:41.080 --> 2:00:43.280
<v Speaker 3>the people always show you love. It is there first

2:00:43.280 --> 2:00:45.560
<v Speaker 3>of all in my city, I always take a pay cut, okay,

2:00:45.840 --> 2:00:49.880
<v Speaker 3>and hometown. Really it just be for certain things, bro

2:00:50.320 --> 2:00:53.280
<v Speaker 3>different different things, different ship. It's just like when it

2:00:53.360 --> 2:00:55.920
<v Speaker 3>comes to features, I don't be charging niggas from l A.

2:00:56.680 --> 2:00:58.600
<v Speaker 3>I don't be charging like niggas that I know that

2:00:58.760 --> 2:01:00.880
<v Speaker 3>really ain't got it right. If I love the song,

2:01:00.960 --> 2:01:03.080
<v Speaker 3>I'm gonna do it. It's like if I don't know you,

2:01:04.160 --> 2:01:07.800
<v Speaker 3>of course I'm gonna charge. Like that's just how it goes. Uh,

2:01:08.280 --> 2:01:09.840
<v Speaker 3>And the same thing goes for shows. You know what

2:01:09.880 --> 2:01:13.480
<v Speaker 3>I'm saying. It makes sense. I'll take a pay cut,

2:01:13.600 --> 2:01:15.840
<v Speaker 3>you know what I'm saying. And I always tell that

2:01:15.920 --> 2:01:18.120
<v Speaker 3>to other people. It's like I gotta take the pay cut,

2:01:18.160 --> 2:01:20.960
<v Speaker 3>but then everybody else want the same money. It'd be

2:01:21.080 --> 2:01:23.400
<v Speaker 3>crazy because because Miami, they're doing that ship to you too.

2:01:24.760 --> 2:01:26.600
<v Speaker 3>But that's why I'm I want to be here, but

2:01:26.640 --> 2:01:33.360
<v Speaker 3>that's why I'm a tycoon. Miami is fine. I gotta

2:01:33.440 --> 2:01:35.160
<v Speaker 3>I gotta call you back. But I just bled your

2:01:35.200 --> 2:01:37.840
<v Speaker 3>stupid ass on a dream champ put me through this

2:01:37.960 --> 2:01:42.120
<v Speaker 3>little ship which on nasty ass clippers or whatever you

2:01:42.240 --> 2:01:45.040
<v Speaker 3>use it. You need to clean ship Jay the barber

2:01:49.440 --> 2:02:04.400
<v Speaker 3>at okay, just for me, Okay, I should have get

2:02:04.400 --> 2:02:07.600
<v Speaker 3>you one of these. Okay, all right, cool? Cool? Now

2:02:07.680 --> 2:02:11.600
<v Speaker 3>when the last time you smoke a blunt? Never I

2:02:11.680 --> 2:02:13.400
<v Speaker 3>used to smoke bunch back in the day. Like believe

2:02:13.400 --> 2:02:15.200
<v Speaker 3>it or not. When me and Wiz Kalif for first met,

2:02:15.240 --> 2:02:19.360
<v Speaker 3>we were smoking swishers. Yeah, smoke swisses. I can't let

2:02:19.400 --> 2:02:21.200
<v Speaker 3>me take you to let me take it to my

2:02:23.800 --> 2:02:27.040
<v Speaker 3>so like when I was in middle school. In middle school,

2:02:27.120 --> 2:02:31.440
<v Speaker 3>Nigga used to smoke beades. You know, that was smoking.

2:02:31.480 --> 2:02:34.280
<v Speaker 3>That was before weed. I was going to sneaking off,

2:02:34.360 --> 2:02:36.320
<v Speaker 3>trying to beat these and that was my first little

2:02:36.320 --> 2:02:39.800
<v Speaker 3>ship and me and my brother the one time, me

2:02:39.920 --> 2:02:42.000
<v Speaker 3>and my brother one time Nigga wrote up because we

2:02:42.040 --> 2:02:44.680
<v Speaker 3>would hear about it and Joe Niggas was using Bible

2:02:44.760 --> 2:02:46.880
<v Speaker 3>paper and all that. So we would use some Bible

2:02:46.960 --> 2:02:49.920
<v Speaker 3>paper and we smoke actual like Tea Nigga because we

2:02:50.000 --> 2:02:53.960
<v Speaker 3>thought like we're just gonna try to look like people. Yes, Nigga,

2:02:54.040 --> 2:02:56.320
<v Speaker 3>we did it and we just try and ship. Then

2:02:56.640 --> 2:02:58.920
<v Speaker 3>after that and it wasn't even weed. It was Tea

2:02:59.000 --> 2:03:02.120
<v Speaker 3>Nigga that she was nasty Niggas hit. Yeah, I'm just

2:03:02.160 --> 2:03:05.000
<v Speaker 3>taking it through my smoking, like getting to the to

2:03:05.080 --> 2:03:09.840
<v Speaker 3>the weeds. Then later on I think he was with

2:03:10.040 --> 2:03:13.080
<v Speaker 3>my big homies, my big brother Tea Bob and his

2:03:13.240 --> 2:03:17.200
<v Speaker 3>little homies and shit. They had like a blunt outside

2:03:17.240 --> 2:03:18.880
<v Speaker 3>in some parking lot at the studio, and I just

2:03:18.960 --> 2:03:21.000
<v Speaker 3>hit it one time. I'm like, all right, Code, that's

2:03:21.040 --> 2:03:25.440
<v Speaker 3>your trash. I didn't keep going, and then it was

2:03:25.520 --> 2:03:28.120
<v Speaker 3>like after high school, like when I'm like seventeen, like

2:03:28.680 --> 2:03:31.040
<v Speaker 3>or like right at the end of high school. The

2:03:31.160 --> 2:03:34.520
<v Speaker 3>homies all got this was like, oh, we're finna go

2:03:34.560 --> 2:03:36.840
<v Speaker 3>to this abandoned house and call some bitches over there

2:03:36.880 --> 2:03:38.560
<v Speaker 3>and order pizza and do all this shit. So we

2:03:38.680 --> 2:03:41.880
<v Speaker 3>did it, and I smoked some weed. I got some

2:03:42.000 --> 2:03:43.880
<v Speaker 3>real weed this time. I remember. I got so high

2:03:44.000 --> 2:03:45.600
<v Speaker 3>roll I threw up. First of all, I think he

2:03:45.720 --> 2:03:49.840
<v Speaker 3>was drinking too, though. But then I went home and

2:03:50.160 --> 2:03:54.040
<v Speaker 3>I couldn't find my keys, so I tried to roll

2:03:54.160 --> 2:03:57.240
<v Speaker 3>the trash can over to the back to fucking see

2:03:57.280 --> 2:04:00.960
<v Speaker 3>if I could like jump on the trash can and

2:04:01.160 --> 2:04:07.640
<v Speaker 3>jump to the fucking second floor up on the Nigga failed, Nigga.

2:04:07.640 --> 2:04:10.400
<v Speaker 3>I was knocked out. Nigga. Next thing, my mama woke

2:04:10.440 --> 2:04:13.440
<v Speaker 3>me up with the water holes and nigga, like your

2:04:13.560 --> 2:04:16.840
<v Speaker 3>mom said, she didn't even know I was high, though,

2:04:17.400 --> 2:04:23.640
<v Speaker 3>but now she's gone. Now fell was knocked out, like

2:04:24.600 --> 2:04:30.480
<v Speaker 3>I was knocked out nuts. It's not for everybody. That's

2:04:30.520 --> 2:04:33.000
<v Speaker 3>what I always say. This is not for everybody. I'm

2:04:33.040 --> 2:04:35.680
<v Speaker 3>glad that it's legal because there's nothing that happens bad

2:04:35.720 --> 2:04:37.800
<v Speaker 3>off of this ship. Sh It happens fumped up off

2:04:37.800 --> 2:04:41.480
<v Speaker 3>of alcohol. Niggas fucking run people over and kill people.

2:04:41.800 --> 2:04:44.520
<v Speaker 3>Niggas have dui s and do crazy fucked up ship

2:04:44.640 --> 2:04:47.280
<v Speaker 3>kill themselves, crash, do weird that ship? Fight niggas for

2:04:47.360 --> 2:04:49.760
<v Speaker 3>no reason, say some stupid that ship. You know what

2:04:49.760 --> 2:04:53.680
<v Speaker 3>I'm saying. But we when does that happen? But certain

2:04:53.680 --> 2:04:56.920
<v Speaker 3>people have panic attacks and it's not for everybody. Anxiety

2:04:57.000 --> 2:05:01.720
<v Speaker 3>and ship, just like alcohol is not for everybody. Yeah, yeah,

2:05:02.240 --> 2:05:06.840
<v Speaker 3>don't smoke it, Brouse. If that's your bass, your first experiency,

2:05:06.880 --> 2:05:09.360
<v Speaker 3>it was bad experience, what made you go back to it?

2:05:09.600 --> 2:05:11.480
<v Speaker 3>It wasn't a bad experience. I still loved it. I

2:05:11.560 --> 2:05:13.560
<v Speaker 3>still was like that. And then it was just like

2:05:13.640 --> 2:05:15.760
<v Speaker 3>everybody around me was smoking weed. I like the taste

2:05:15.800 --> 2:05:17.760
<v Speaker 3>of it. I like the little feeling of it. It's

2:05:17.800 --> 2:05:19.680
<v Speaker 3>the alcohol. Like I said, we must have been drinking.

2:05:19.760 --> 2:05:24.240
<v Speaker 3>That calls that other shit. But uh, I just like

2:05:24.280 --> 2:05:26.560
<v Speaker 3>where it takes me. Man, It's just like for me,

2:05:26.680 --> 2:05:28.400
<v Speaker 3>it's a lot of a lot of shit going on,

2:05:29.040 --> 2:05:31.840
<v Speaker 3>and when I smoke weed, it just calms me down

2:05:32.160 --> 2:05:34.400
<v Speaker 3>and opens me up to listen to everything and absorb

2:05:34.520 --> 2:05:36.240
<v Speaker 3>all the different things that are going on. Right now,

2:05:36.240 --> 2:05:39.000
<v Speaker 3>I'm doing this interview. Same time I have a label,

2:05:39.080 --> 2:05:41.960
<v Speaker 3>same time I have a liquor company, same time I

2:05:42.080 --> 2:05:45.080
<v Speaker 3>got a daughter. By the way, we got to talk

2:05:45.080 --> 2:05:48.600
<v Speaker 3>about my daughter. Man, my daughter is twenty years old

2:05:48.720 --> 2:05:53.280
<v Speaker 3>right now. She already fucking graduated. Of course, high school.

2:05:53.440 --> 2:05:58.120
<v Speaker 3>She graduated, got a b a fucking uh seasun already done.

2:05:58.520 --> 2:06:04.720
<v Speaker 3>And now she's at Pepperdine getting her master's degree. Yeah,

2:06:04.800 --> 2:06:06.880
<v Speaker 3>I want to say I didn't. I didn't. I didn't

2:06:06.920 --> 2:06:09.600
<v Speaker 3>get to, like, you know, choose with with school she

2:06:09.720 --> 2:06:12.360
<v Speaker 3>went to or all that ship. But she did her

2:06:12.360 --> 2:06:13.520
<v Speaker 3>ship and I get to pay for it. And I

2:06:13.600 --> 2:06:20.520
<v Speaker 3>love it. Thank you. You know what I'm saying. I

2:06:20.680 --> 2:06:22.560
<v Speaker 3>just feel about you being an artist, being that she

2:06:22.640 --> 2:06:26.680
<v Speaker 3>grew up. She's an artist as well. She's great, he's great.

2:06:26.800 --> 2:06:30.160
<v Speaker 3>She's doing her ship, now, she's singing, she's handling her business.

2:06:30.240 --> 2:06:30.320
<v Speaker 7>Bro.

2:06:30.520 --> 2:06:34.600
<v Speaker 3>It's about doing several things. And like I said, the

2:06:34.720 --> 2:06:38.800
<v Speaker 3>weed thing, for me, it helps me to not like panic,

2:06:39.200 --> 2:06:42.840
<v Speaker 3>but but certain people like because the other way. Just

2:06:42.880 --> 2:06:45.160
<v Speaker 3>like I hate shrooms, A lot of people love shrooms

2:06:45.240 --> 2:06:48.520
<v Speaker 3>right now, it's like a big thing. None of that. No, no, no,

2:06:49.080 --> 2:06:51.200
<v Speaker 3>a C Because I want to hit his I want

2:06:51.240 --> 2:06:54.040
<v Speaker 3>to hit the jay. He didn't know you on purpose? Man,

2:06:54.680 --> 2:07:00.200
<v Speaker 3>one I love another one. But you, Sai, You're not good. Yeah,

2:07:02.080 --> 2:07:05.840
<v Speaker 3>I want to take a hit. You're not that type

2:07:05.840 --> 2:07:10.640
<v Speaker 3>of nigga, Bro, you don't do it on your own.

2:07:10.760 --> 2:07:13.640
<v Speaker 3>I don't want to like contribute facts. Would you work

2:07:13.680 --> 2:07:17.000
<v Speaker 3>with Vib's Cartels and vib Cartel one of my favorites, Bro.

2:07:17.400 --> 2:07:21.040
<v Speaker 3>I talked to Vibes Cartel during the Vultures time and uh,

2:07:21.240 --> 2:07:22.440
<v Speaker 3>I don't know if I was supposed to say that,

2:07:23.160 --> 2:07:26.840
<v Speaker 3>but I got in touch with him during uh that time,

2:07:27.080 --> 2:07:29.560
<v Speaker 3>and I was trying to get him on Vultures but

2:07:29.680 --> 2:07:33.040
<v Speaker 3>it didn't end up working out. But man, I'm so

2:07:33.120 --> 2:07:35.400
<v Speaker 3>happy that he got to come home and you know,

2:07:35.600 --> 2:07:38.040
<v Speaker 3>get back with his family and you know, get a

2:07:38.120 --> 2:07:40.680
<v Speaker 3>chance to perform it in these big arenas and ship

2:07:41.560 --> 2:07:44.400
<v Speaker 3>he deserves it. He's always been one of the greatest

2:07:44.440 --> 2:07:46.680
<v Speaker 3>ever do dancehall music. You know what I'm saying. And

2:07:46.760 --> 2:07:49.080
<v Speaker 3>I would love to work with him. I love that

2:07:54.160 --> 2:07:57.400
<v Speaker 3>think he's an actor. You do it is man, funny,

2:07:57.440 --> 2:08:00.760
<v Speaker 3>Like I really realized how funny he is. So before

2:08:00.760 --> 2:08:02.000
<v Speaker 3>we get up out of here, is anything you want

2:08:02.000 --> 2:08:04.440
<v Speaker 3>to say to the fast that you thank you for

2:08:05.440 --> 2:08:08.280
<v Speaker 3>you know, listening for all this time for you know,

2:08:09.840 --> 2:08:11.960
<v Speaker 3>just being real ones, thank you all for having me

2:08:12.080 --> 2:08:14.280
<v Speaker 3>on this platform. It's your platform anytime you want to

2:08:14.320 --> 2:08:18.840
<v Speaker 3>come for sure. Yeah, I'm just very fucking grateful man

2:08:18.960 --> 2:08:20.760
<v Speaker 3>for all of love. Like I said, I get to

2:08:22.000 --> 2:08:26.080
<v Speaker 3>feed my family off of doing music, and I will

2:08:26.160 --> 2:08:30.360
<v Speaker 3>continue to care and be passionate about making the best

2:08:30.440 --> 2:08:34.120
<v Speaker 3>music possible. And there's more coming. Man, Let's take this

2:08:34.160 --> 2:08:36.360
<v Speaker 3>shit to the super Bowl, you know what I'm saying.

2:08:37.240 --> 2:08:39.000
<v Speaker 3>Last question before we get up out of here, how

2:08:39.040 --> 2:08:44.040
<v Speaker 3>many how many babies you think your music made? About

2:08:45.240 --> 2:08:48.560
<v Speaker 3>quadruple fucking million, although a lot of babies have been

2:08:48.600 --> 2:08:51.320
<v Speaker 3>made off about music for the shows from the twenty

2:08:51.520 --> 2:08:55.720
<v Speaker 3>ten so now it's crazy. I just need to make

2:08:55.720 --> 2:08:59.240
<v Speaker 3>it one more because I don't got no kids. I

2:08:59.240 --> 2:09:03.240
<v Speaker 3>don't got no kids either. My daughter twenty from you, man,

2:09:03.400 --> 2:09:05.560
<v Speaker 3>so I ain't got no kid. My son came out,

2:09:05.600 --> 2:09:11.560
<v Speaker 3>my son never comes out. He she ain't no kid.

2:09:14.240 --> 2:09:20.200
<v Speaker 3>All right, y'all. Man, take it for showing time. Man,

2:09:20.600 --> 2:09:23.480
<v Speaker 3>thank you so much. We wanted to get you. Actually

2:09:23.520 --> 2:09:29.040
<v Speaker 3>got a question. Listen to the sky Man. Yeah, oh yeah,

2:09:29.040 --> 2:09:33.040
<v Speaker 3>you go a head, you go on this one. It's

2:09:33.080 --> 2:09:36.720
<v Speaker 3>Card you on the album Party, Yeah, he on the

2:09:36.760 --> 2:09:44.320
<v Speaker 3>album for show Man. Shout out to my dog. Cardis

2:09:44.360 --> 2:09:49.640
<v Speaker 3>gonna lie? Good question, yo. Man. Once again, thank you

2:09:49.720 --> 2:09:51.480
<v Speaker 3>for being here. Man. We want to give you a flowers.

2:09:51.520 --> 2:09:51.680
<v Speaker 2>Man.

2:09:52.160 --> 2:09:56.920
<v Speaker 3>Truly truly our staple in this game. Truly all legend

2:09:58.080 --> 2:09:59.840
<v Speaker 3>cool in this game. This game would not be this

2:10:00.200 --> 2:10:03.000
<v Speaker 3>without too but better when you got reconcile theay, better

2:10:03.080 --> 2:10:05.800
<v Speaker 3>when you're in the market. I'm I'm happy and glad

2:10:05.880 --> 2:10:08.360
<v Speaker 3>for everything you're doing and I'm continue to support it. Man.

2:10:08.360 --> 2:10:13.080
<v Speaker 3>I just wanted to tell you that to support Man, Man,

2:10:14.400 --> 2:10:16.160
<v Speaker 3>we take a couple of drop.

2:10:19.040 --> 2:10:22.440
<v Speaker 9>Drink Champs is a Drink Champs LLC production hosts and

2:10:22.560 --> 2:10:24.120
<v Speaker 9>executive producers n O.

2:10:24.280 --> 2:10:25.960
<v Speaker 3>R E and dj e FN.

2:10:27.160 --> 2:10:31.280
<v Speaker 9>Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2:10:31.560 --> 2:10:35.200
<v Speaker 9>or wherever you get your podcasts. Thanks for joining us

2:10:35.240 --> 2:10:37.840
<v Speaker 9>for another episode of Drink Champs hosted by yours truly

2:10:38.000 --> 2:10:40.560
<v Speaker 9>dj E f N and n O r E. Please

2:10:40.600 --> 2:10:42.760
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2:10:46.240 --> 2:10:49.000
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2:10:49.160 --> 2:10:52.320
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2:10:52.480 --> 2:10:55.000
<v Speaker 2>e f N on Twitter, and most importantly, stay up

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2:11:01.480 --> 2:11:01.520
<v Speaker 1>Is