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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legendary queen's rapper.

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Speaker 3: He ain't agree that your boy and O R E.

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Speaker 3: He's a Miami hip hop pioneer up as d J

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Speaker 3: E f N.

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Speaker 4: Together they drink it up with some of the biggest

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Speaker 4: players you know.

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Speaker 1: Me and the most professional unprofessional podcast and your number

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Speaker 1: one source for drunk drink chance.

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Speaker 3: DS new ye C. That's it's time for drink champions.

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Speaker 5: Drink up mother, what you could be on the boy,

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Speaker 5: there's a drink chansports Sunny.

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Speaker 6: D b T.

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Speaker 3: What was like? Now, Now when I tell you this

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Speaker 3: person that we have here, let's let's let's get to

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Speaker 3: the facts. Over fifteen billion streams, fifteen billion single soul. Oh,

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Speaker 3: this man is platinum after platinum. If you want to

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Speaker 3: hit you call up one eight hundred times. Yeah, he's

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Speaker 3: a legend. He's an I car. He's a ty coon.

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Speaker 3: I like that tycoon on tycoon super tycoon. That's how

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Speaker 3: we call it.

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Speaker 7: You got popey collar when you say it, man, I

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Speaker 7: got it from you know what I'm saying.

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Speaker 3: This is a legend. I've been wanting to get this

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Speaker 3: man his flowers. He's one of the coolest people on

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Speaker 3: the planet. He makes hits after hits after hits, and

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Speaker 3: he just motherfucking lives life. He's a motherfucking legend, and

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Speaker 3: we're gonna salute him if we're gonna give him them

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Speaker 3: tycoon flowers today in in case you don't know what

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Speaker 3: we talk about about, the one the Impectable. So let's

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Speaker 3: take it from the beginning, right, it's the first record

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Speaker 3: that we ever heard you too? Is that the first record?

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Speaker 3: It depends who you are, okay with like a full

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Speaker 3: major label backing. I think that's the first record niggas

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Speaker 3: hurt me? Okay, didn't boodhen that was. We recorded that

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Speaker 3: record in two thousand and nine. By twenty ten, it

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Speaker 3: really blew up. Two thousand and nine, I did that

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Speaker 3: record at my old crib, me and my homie Cords

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Speaker 3: Coords really was going through some samples with me. We

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Speaker 3: were just going through some vinyls and we came across

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Speaker 3: this loop. It was crazy, and we sampled it. I

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Speaker 3: think that same night I threw a little kick back

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Speaker 3: at my house and Shit Mustard was DJing. Must have

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Speaker 3: played this one record by D four L that geeked

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Speaker 3: up right and when I was listening it geeked up.

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Speaker 3: I seen all the bitches just start going crazy and shit,

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Speaker 3: and I was trying to like break down why that

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Speaker 3: may be or what what was it about this song?

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Speaker 3: You know what I mean? Not only was the hook crazy,

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Speaker 3: but the beat was simple as fuck. It was just

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Speaker 3: like a few sounds and ship. So I kind of

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Speaker 3: took that same science. I added some drums to that sample.

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Speaker 3: We came up with the song. Next thing, you know,

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Speaker 3: my big Homy big b was like, Yo, I got

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Speaker 3: this artist, he from the city. You need to funk

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Speaker 3: with him. He played in the music. I didn't really

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Speaker 3: funk with the music because it was like that jerk

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Speaker 3: ship And at the time it was like I was

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Speaker 3: like that jerk, Like yeah, that that ship. It was

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Speaker 3: like a relationship. Yeah the early I thought area No really, Oh,

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Speaker 3: I got confused. Continue I thought Hyphie was the Bay. Okay,

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Speaker 3: you ain't popping in the Bay, You're not popping in

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Speaker 3: l a Okay. Cool. We all worked together as one.

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Speaker 3: That's how I feel about it. Anyway, Uh, I forgot

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Speaker 3: where I met in the story. We were talking about

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Speaker 3: into the beach. Yeah, so yeah, yeah, yeah, it wasn't

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Speaker 3: even Muster. I not fucking with the jerk I was loving.

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Speaker 3: I wasn't like the music because it was living like

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Speaker 3: you had all these songs on MySpace that I wasn't

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Speaker 3: really loving. The big b was like, Yo, I'm telling

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Speaker 3: you you need to work with this dude. So he

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Speaker 3: came through. We did this song. Next thing, you know,

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Speaker 3: my hommie James Earl James, Earl Jones, the third I

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Speaker 3: might be getting his name wrong, but my nigga shot

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Speaker 3: the video at Dark Waller. Everybody from the city came

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Speaker 3: through to this video. Shoot man. Just the same time

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Speaker 3: Drake had first dropped that baby you My Everything. It

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Speaker 3: was like that time we shot the video. Shit went up.

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Speaker 3: It came out tie dollars sign featuring YG and TC

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Speaker 3: forty eight hundred two of them. Buddhas. The ship fucking

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Speaker 3: got a million views fast as shit. Shit you got

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Speaker 3: no label at the time, no label at this Okay, nice,

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Speaker 3: all the mixtape top, but it's not. This is the

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Speaker 3: first one is hitting continue. So all the labels start

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Speaker 3: calling this ship. We get excited and like all right,

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Speaker 3: we were. Then all of a sudden, they hit us

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Speaker 3: with it. They just want to sign y G. So

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Speaker 3: I talked to TC about it. I'm like, this is

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Speaker 3: your record, this is my ship. I'm bad, you know,

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Speaker 3: I'm watch the nigga that's definitely not my ye opening

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Speaker 3: like a yeah yeah, you know, drink Champs. It's a

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Speaker 3: different type drink. We got gear up. We got a

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Speaker 3: gear up. Yeah good. And then uh, after that, we're like, cool,

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Speaker 3: let's give him the record. But they signed, they put

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Speaker 3: this ship out the death, they put it out, and

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Speaker 3: then all of a sudden, TC off the song. I'm

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Speaker 3: still on the song, but they're not saying my name.

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Speaker 3: They're just saying wow. So then uh, we shoot the

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Speaker 3: video again professionally with Colin Tilley. At the time, he

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Speaker 3: was just like, I think he charged niggas like ten thousand,

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Speaker 3: fifteen thousand for the video. Now he's up to like

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Speaker 3: a million. You know. I'm saying, shout out to Colin Tilly, well,

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Speaker 3: shoot the video. They put me in the video, but

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Speaker 3: it still don't say ty dollars sign. So I just

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Speaker 3: think man from two thousand and nine. Even though I

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Speaker 3: had a hit and then I put out some other songs,

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Speaker 3: put out some other songs. I didn't end up getting

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Speaker 3: my deal until twenty twelve of Atlantic, and I'm still

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Speaker 3: in that deal right now. I'm almost done them. We

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Speaker 3: probably re up. So was that originally through Taylor Gang?

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Speaker 3: Taylor Gang, now that was originally to ushink the label.

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Speaker 3: And then probably a year later, two years later, I

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Speaker 3: met Will from Taylor Gang and we locked in the

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Speaker 3: Tailor Gang situation. Shot always as well. Okay, so let's

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Speaker 3: let's bring it back for the people that for the

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Speaker 3: industry people. When you got to Atlantic, what is this

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Speaker 3: the Atlantic regime? Because you know there's different people that passed.

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Speaker 3: It was like for Julie Greenwall regime, Craig Cowman regime.

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Speaker 3: I was like, okay, okay, as that shout out to them, Okay,

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Speaker 3: ask my family, right, you know they're all gone now right, Yeah?

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Speaker 3: What the riches, Yeah, they stop playing with them. They're

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Speaker 3: out there chilling somewhere. It's going to take their jobs robots.

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Speaker 3: Now it's new people. It's a whole new regime. Can't

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Speaker 3: shout out to Elliott. Okay. So Grant came in with

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Speaker 3: his squad and they're doing that thing. Man, shout out

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Speaker 3: to them, Okay, to congratulate the young niggas man, because

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Speaker 3: let's let's just talk about that for a second, because

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Speaker 3: all right, that squad that were just named came from

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Speaker 3: my squad at Death Jam. Yeah right, they how it's

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Speaker 3: so small like that. Yeah, so that whole squad from

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Speaker 3: Depth Chair went to the and then that's when Atlantic

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Speaker 3: Records was popping, right. So now that they're just trying

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Speaker 3: to say that, not just saying de clar Now that

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Speaker 3: they're all gone and you you're seasoned artists now, right,

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Speaker 3: So is that something that you have to reiterate the

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Speaker 3: relationships with the label or you already knew these people

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Speaker 3: that came in and took these guys positions. Uh, some

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Speaker 3: of them that stayed and some of them that's new.

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Speaker 3: Some people like shout out to to Shauna. To Shauna

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Speaker 3: used to be my day to day at Taylor game.

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Speaker 3: She's one of the Okay, so it's working out. Yeah, man,

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Speaker 3: the transition is good. This is good man. Okay. I

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Speaker 3: mean that's just how the world is. Man, the world transitions.

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Speaker 3: You're gonna be ready for it or you're gonna complain

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Speaker 3: and be stuck in the old times. Okay, So let's

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Speaker 3: dig right into hm, let's talk about vultures. You know what,

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Speaker 3: we're not even gonna make this ship about that time period.

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Speaker 3: Were gonna make this about right now. I don't really

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Speaker 3: talk to them to dude, you know what I'm saying. So,

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Speaker 3: I mean, we could do a whole nother drink Champion.

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Speaker 7: I'm saying, you can call it up up here.

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Speaker 3: You're you're not doing Vultures three. I heard the Vulture

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Speaker 3: three on the way. I man, we gotta we gotta

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Speaker 3: do some conversation, okay, okay, privacy ship yes or not?

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Speaker 1: Okay, always all love the yeah yeah yeah, yeah yeah

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Speaker 1: and world peace and world he said.

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Speaker 3: Piece listen. That's just that's also I gotta address you

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Speaker 3: know what I'm saying. You got a velvet do rag on? Yeah,

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Speaker 3: that's that's hard. That makes an velpment. I gotta I

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Speaker 3: got a velvet bad and I had a motherfucking fish

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Speaker 3: net on that my mother party niggas. Yes, I'm as

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Speaker 3: niggas yesterday. You're listening to part of that club live.

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Speaker 3: That was a performance that was just like I was

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Speaker 3: just like Wahomie Hobby, you know, saying, you always be

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Speaker 3: looking out, shout out to everybody in Miami. They always

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Speaker 3: show up, you know what I'm saying. The day Before that,

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Speaker 3: I was in l A at my compound at Tycoon

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Speaker 3: University and we threw the first listening there, had some

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Speaker 3: DSP partners in the building, had all fine ship around.

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Speaker 3: It was crazy. That the most fine ship I've seen

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Speaker 3: in l A in a long time. But so let's

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Speaker 3: talk about the new album. Then, let's let's just get

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Speaker 3: straight to the new albums called Tycoon correct new album

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Speaker 3: is called Tycoon Man. Okay, we got two singles. Is

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Speaker 3: that considered singles? Yeah? For sure? For show you got

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Speaker 3: all in, you got a smile body, pretty face. I

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Speaker 3: just dropped that on Friday. Shout out to my brother

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Speaker 3: y G Folk, Honey, shout out to my brother Kodak.

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Speaker 3: Kodak came through with that hood watch say put it

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Speaker 3: as the production but watch you got the hardest line though,

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Speaker 3: he said's putting the tongue in the asshole. You ever

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Speaker 3: did that?

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Speaker 8: You No, I never did that because I didn't like

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Speaker 8: the said trying to take eating it from the back.

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Speaker 8: You open your eyes and your tongue and.

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Speaker 3: The brother, Hey, maybe I'm trying it.

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Speaker 1: Maybe he's talking about a mistake.

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Speaker 3: The way why he said that. He said, Now he's

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Speaker 3: aiming for the asshole.

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Speaker 8: Okay, I'm about how about getting bumped up and then

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Speaker 8: all of a sudden she go to the balls and

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Speaker 8: all of a sudden they start going too far down.

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Speaker 3: Yeah, and then you give it a doll like these

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Speaker 3: niggas ain't answer face. Okay, now is the is there

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Speaker 3: video going with this? Yeah, we just did the video.

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Speaker 3: The video about to be so crazy. Shout out to ha,

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Speaker 3: Shout out to the whole team. Yeah, man, we're just

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Speaker 3: showing off a whole bunch of beautiful ladies and you know,

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Speaker 3: let's just hanging out there. So so like the era

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Speaker 3: that you first came out in, right, you had to

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Speaker 3: go run, do radio promo, you know, do even a

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Speaker 3: promo for the you know, performance wise, nowadays it's all

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Speaker 3: about Spotify, it's all about being on the playlist, it's

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Speaker 3: all about you know, uh iTunes. So how what's the

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Speaker 3: difference promoting back then then promoting this album now? It's different.

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Speaker 3: But my thing is, I think it's like the people.

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Speaker 3: I think it's the fans. It's just getting in front

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Speaker 3: of the fans and having your relationship with the fans,

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Speaker 3: and that's the most important part. And thank god I

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Speaker 3: got that, man. Shout out to my all my fans

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Speaker 3: out there. Sure you think it's going back to like

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Speaker 3: grassroots Meat and Greece, Like you see these Meat and

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Speaker 3: Greece that's happening right now. You think it's going back

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Speaker 3: to you know, back in the days. I'm older than

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Speaker 3: you and I've been out along. We used to have

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Speaker 3: not Meat and Greece used to be in stores and

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Speaker 3: everybody's old like me, like it's me in stores. But

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Speaker 3: the fans would come in store and they're pushing all

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Speaker 3: into so weird. But the ill thing about that was

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Speaker 3: they wouldn't let the fans in unless the fan actually

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Speaker 3: bought the album. Meet and rights are a little different

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Speaker 3: because they're actually paying the artists to do this. So

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Speaker 3: is that something that you're looking into? Like, You're definitely

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Speaker 3: into that. Man, I've been doing my own Like I said,

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Speaker 3: I've been doing my own listeners at my building. At

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Speaker 3: my building, I gotta speak easy. I got members only cards.

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Speaker 3: You know what I'm saying. You gottah but whole house,

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Speaker 3: God damnitt. Different things the fans could do to like

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Speaker 3: get to different levels. Want to come see you tayon world, that's.

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Speaker 1: All idea, So like like something like a bad.

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Speaker 3: Buddy did, Like I never see that. What did you do?

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Speaker 3: He did a residency in Puerto Rico where all the

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Speaker 3: ship Yeah, you know, it makes everybody got to come

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Speaker 3: to a show in the United States. He still isn't

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Speaker 3: and he's going in the world to he's going everywhere

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Speaker 3: by the United States because he's afraid Ice is gonna

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Speaker 3: invade its idea. That's a good idea, Ice, But that's

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Speaker 3: a good idea. You know what you said? He said, Ice,

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Speaker 3: So describe people growing up? Uh in California described to

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Speaker 3: see the scene the people growing up. Yeah, yeah, for

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Speaker 3: a person has never been to your neighborhood. So I

242
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Speaker 3: was born in the eighties. I guess you could say

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Speaker 3: I grew up in the nineties and at that time, Like,

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Speaker 3: let's just talk musically, what inspired me? Like Doctor Dre,

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Speaker 3: DJ Quick j Dillah, Babyface and then my dad. He

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Speaker 3: was in this group called Lakeside, like a funk band.

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Speaker 3: So he's putting me onto all his music as well, Parliament,

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Speaker 3: Funk of Deela Friends. Uh, I could just name a

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Speaker 3: whole bunch of people. Slide and Family Stone Rest some

250
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Speaker 3: pieces slide. Uh. He's bringing me. He brought me on stage.

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Speaker 3: He brought me on tours to shows, so I'm getting

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Speaker 3: to see all this ship and all of that is

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Speaker 3: what makes Dog. I fucking love Nate. I never got

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Speaker 3: to eat Nigga Dog in l A. U see. People

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Speaker 3: like to categorize. People like to categorize. He's the nigga

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Speaker 3: from l a deeper voice, He's doing niggas hooks. He's

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Speaker 3: the new Nay Dog. You know what I'm saying. They say,

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Speaker 3: I think we're complete different artists. I think ny Dog

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Speaker 3: is one of the greatest ever. Absolutely. I wish I

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Speaker 3: would have got to work with Nate Dog. I think

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Speaker 3: you have made some Oh my god. Yeah that was

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Speaker 3: a great point, Soney, that was a great point. You

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Speaker 3: do got a son, though, I've been seeing his son

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Speaker 3: make music and ship. I don't. Maybe we get to

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Speaker 3: work one day or something. Yeah, hell yeah. So okay,

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Speaker 3: So entering this new album, you you you made it

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Speaker 3: predominantly at your compound. Yeah, predominantly at the compound and

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Speaker 3: hotel rooms. And some of it out here in the

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Speaker 3: hotel room, some of it at Circle House, some of

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Speaker 3: it in London, Wow, some of it in Saudi, some

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Speaker 3: of it in uh everywhere. Man, How many tracks we

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Speaker 3: got on here that we got fifteen tracks on top

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Speaker 3: of giving people a album album, So you're not playing

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Speaker 3: the games. I didn't want to like do one of

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Speaker 3: too many song albums either. I just wanted to give you,

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Speaker 3: like all back to back bangers, something for everybody. You

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Speaker 3: know what I'm saying. You got some slow R and

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Speaker 3: B cuts, you got some club ship, you got some

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Speaker 3: real life heartfelt ship, all that mm hm. And you

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Speaker 3: said this is your last album on a major. No no, no,

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Speaker 3: no no. I got this album and I got one

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Speaker 3: more album you know in my contract with Atlantic, and uh,

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Speaker 3: we could just take it from there, you know. Yeah,

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Speaker 3: but you're thinking, you're thinking staying major. I love Major. Yeah, yeah,

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Speaker 3: A Major has been great to me, you know. But

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Speaker 3: I do have my own label now, Easy Money Draggers,

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Speaker 3: and uh the first artist we put out is now

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Speaker 3: the biggest R and B artist in the world. His

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Speaker 3: name is Leon Thomas and Shot and uh, you know,

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Speaker 3: I could go my own route, you know what I'm saying.

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Speaker 3: But we're gonna see me with the gods to talkinking

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Speaker 3: about and how it makes sense. Have you ever put

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Speaker 3: out an independent projects me? Yeah? Uh? Vultures Okay, independent,

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Speaker 3: I didn't know that. Yeah, independent and went number one there,

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Speaker 3: so do the math. Sorry, you get some money. Who

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Speaker 3: distributed it has to be a distributor though, right, Yeah,

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Speaker 3: we had we had to create, which I just did

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Speaker 3: a deal with Easy Money for it, okay, and we

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Speaker 3: also had too lost. Okay, Yeah, who's that? Uh? Some

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Speaker 3: dudes with some money?

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Speaker 1: But what made you get into music? And you got

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Speaker 1: a family member of dad?

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Speaker 7: Mom?

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Speaker 3: You said it, I didn't. I think I I just

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Speaker 3: love music man from picking it up from my pops. Okay,

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Speaker 3: you can say that, but it's just something that I love.

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Speaker 3: Because there's a lot of people that be around me

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Speaker 3: that say they want to do music. They can say

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Speaker 3: they love it or say they want to rap her sing,

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Speaker 3: and then they don't end up doing ship and then

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Speaker 3: they end up blaming you, all right, right, But then

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Speaker 3: you meet a nigga like Leon who pulls up what

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Speaker 3: is his ship done? And his whole plan and this

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Speaker 3: whole ship and it's like, even before Easy Money, I

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Speaker 3: had labels, I signed niggas all that, but this is

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Speaker 3: the first time that another person showed me. And this

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Speaker 3: because it's before him like also must have showed me

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Speaker 3: yg showed me, niggas showed me that they want to

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Speaker 3: do it and follow through. But like so they bring

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Speaker 3: a full package.

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Speaker 1: All you got to do is yeah, like let's go

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Speaker 1: set it forget it.

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Speaker 3: Would you like more performing or making the record?

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Speaker 9: Do?

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Speaker 3: I got to take a shot out to Yeah, making

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Speaker 3: the record? I feel like all of that ship goes

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Speaker 3: together because like when you get a thought in your

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Speaker 3: head of whatever, a beat maybe, or idea for the song,

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Speaker 3: a concept, you put that all together. You fucking played

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Speaker 3: in the studio the engineer going crazy and whoever you

331
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Speaker 3: invite going crazy. Bam. That's one thing, right, then you

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Speaker 3: put the ship out. Then you see it's doing good.

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00:19:13,720 --> 00:19:15,919
Speaker 3: That's another thing. But then when you see all the

334
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Speaker 3: people singing that ship back, that's the payoff to me,

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Speaker 3: you know what I'm saying. Yeah, so we all asked

336
00:19:21,640 --> 00:19:25,959
Speaker 3: you to choose. I can't shoot you know, like if

337
00:19:26,000 --> 00:19:28,840
Speaker 3: I'm building a house and I fucking you know, the

338
00:19:28,880 --> 00:19:31,040
Speaker 3: basement is just as important as the time. Yeah it is.

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Speaker 3: That's a roof Solomon.

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Speaker 10: So so let's say you on stage and they singing,

341
00:19:38,840 --> 00:19:41,760
Speaker 10: of course back to you, where's the vibeat that you know?

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00:19:42,119 --> 00:19:44,200
Speaker 10: It was more than just a success, like you actually

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Speaker 10: reached their soul. Like is that how you feel when

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Speaker 10: you're listening to them?

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Speaker 3: Yeah, but it'd be more like one on one conversations

346
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Speaker 3: like when I first when I first met uh Jay Cole,

347
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Speaker 3: he was at the whatever that's second million Man Marsh

348
00:20:01,560 --> 00:20:05,639
Speaker 3: was in DC and he came up to me and

349
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Speaker 3: he was like, Yo, man, that one song what was

350
00:20:08,920 --> 00:20:14,119
Speaker 3: it called? I forgot what song? One of my songs? Bro?

351
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Speaker 3: He was like, Yo, that shit was like life changing,

352
00:20:16,320 --> 00:20:19,480
Speaker 3: that she was crazy, And by him saying it, it

353
00:20:19,600 --> 00:20:21,360
Speaker 3: was like, oh, because to me, he's like.

354
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Speaker 8: A real he's.

355
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Speaker 3: Listening things like that, or when the man comes up

356
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Speaker 3: and tells you your music got them through this song.

357
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Speaker 3: Like for me, it was like when my parents broke

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Speaker 3: up and I had to go through that, like uh,

359
00:20:39,480 --> 00:20:43,280
Speaker 3: my dad leaving me slowly seeing things like crumble, like

360
00:20:43,760 --> 00:20:46,480
Speaker 3: the motherfucking lights coming off one day, her figuring that

361
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Speaker 3: out and coming back on the goddamn water going off

362
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Speaker 3: to where the water went off, but the guys were

363
00:20:51,680 --> 00:20:54,120
Speaker 3: still on. So I took a big ass bucket, went

364
00:20:54,200 --> 00:20:56,919
Speaker 3: next door to my neighbors in the in the in

365
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Speaker 3: the alley, filled up the bucket with the water hole.

366
00:20:59,359 --> 00:21:02,359
Speaker 3: She came back, I mean came back. She put that

367
00:21:02,359 --> 00:21:04,359
Speaker 3: ship on the pot, heated the ship up. Niggas took

368
00:21:04,400 --> 00:21:07,119
Speaker 3: a bath that type of shit, you feel me, I

369
00:21:07,160 --> 00:21:11,399
Speaker 3: was Tupac and Tupac like all his underground ship like

370
00:21:11,440 --> 00:21:14,960
Speaker 3: that didn't come out ninety three, No, no, no, no,

371
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Speaker 3: it's like ninety seven, ninety probably like ninety seven though,

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Speaker 3: And listening to that ship got me through that time,

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Speaker 3: Just so I know what it means. I know what

374
00:21:29,119 --> 00:21:31,800
Speaker 3: somebody's saying when they say, Yo, that ship really got

375
00:21:31,800 --> 00:21:34,800
Speaker 3: me through there. You know what I'm saying right now. Look,

376
00:21:35,440 --> 00:21:37,080
Speaker 3: I know we tried to touch on it earlier, but

377
00:21:37,160 --> 00:21:38,600
Speaker 3: I just wanted to talk on talking on the fact

378
00:21:39,119 --> 00:21:42,320
Speaker 3: this classic collap albums, right, you got to wash the throne?

379
00:21:42,640 --> 00:21:46,399
Speaker 3: You got what's jay Z and R Kelly ship? I

380
00:21:46,440 --> 00:21:52,280
Speaker 3: don't remember worlds And it's actually when two tycoons collide,

381
00:21:52,359 --> 00:21:55,560
Speaker 3: right and they make this uh this material that they

382
00:21:55,560 --> 00:21:59,240
Speaker 3: become one. Like, did you feel that y'all accomplished that

383
00:21:59,280 --> 00:22:01,920
Speaker 3: with boches one of is too. Yeah, for sure, we

384
00:22:02,000 --> 00:22:05,639
Speaker 3: fecking killed that ship. Of course, a lot of niggas

385
00:22:05,640 --> 00:22:08,040
Speaker 3: tried to dumb it down because of obviously the ship

386
00:22:08,080 --> 00:22:11,080
Speaker 3: bro was doing right to make certain people hate, But

387
00:22:11,320 --> 00:22:13,400
Speaker 3: I feel like our ship was the best ship out

388
00:22:13,640 --> 00:22:16,399
Speaker 3: for sure. Right do you do you do you feel

389
00:22:16,400 --> 00:22:21,280
Speaker 3: like that it didn't suffer because of like you know,

390
00:22:21,480 --> 00:22:26,240
Speaker 3: the semantics. I mean, you could say it could have

391
00:22:26,240 --> 00:22:28,960
Speaker 3: getten better, It could have been bigger, We could be like,

392
00:22:29,200 --> 00:22:31,239
Speaker 3: could have should have would have been as niggas, But

393
00:22:31,320 --> 00:22:34,159
Speaker 3: I'm not gonna be that. It's like, I feel like

394
00:22:34,160 --> 00:22:36,480
Speaker 3: it did what it was supposed to do. The people

395
00:22:36,520 --> 00:22:39,439
Speaker 3: that were supposed to enjoy it enjoyed it right, and

396
00:22:39,520 --> 00:22:40,880
Speaker 3: now we're here. You know what I'm saying. You got

397
00:22:40,880 --> 00:22:45,639
Speaker 3: to use everything for a learning experience and not dwell

398
00:22:45,720 --> 00:22:48,240
Speaker 3: on the negative parts. You know what I'm saying. Well,

399
00:22:48,240 --> 00:22:50,120
Speaker 3: the album was fucking both of them. It was hard

400
00:22:50,119 --> 00:22:59,280
Speaker 3: to meet. Do you do you still enjoy this business?

401
00:23:00,200 --> 00:23:02,840
Speaker 3: My mom did? He asked me that ship? Right, My

402
00:23:02,880 --> 00:23:05,920
Speaker 3: mom asked me that shit like about two years ago.

403
00:23:06,000 --> 00:23:08,160
Speaker 3: She was like, you still love what you do? I'm

404
00:23:08,200 --> 00:23:10,240
Speaker 3: like yeah. She was like, you know, you might get

405
00:23:10,280 --> 00:23:13,240
Speaker 3: tired one day, you know, you might like and then

406
00:23:13,280 --> 00:23:17,080
Speaker 3: what I'm like, I love this shit. It's like I

407
00:23:17,119 --> 00:23:22,200
Speaker 3: got blessed to not only find something that I love

408
00:23:23,280 --> 00:23:25,600
Speaker 3: and then it be my favorite hobby, as my mom

409
00:23:25,680 --> 00:23:27,600
Speaker 3: used to call it, because she's doing a hobby until

410
00:23:27,600 --> 00:23:30,320
Speaker 3: there's money coming in, right. But I was able to

411
00:23:30,320 --> 00:23:31,840
Speaker 3: figure out how to make money off of this ship,

412
00:23:31,920 --> 00:23:34,919
Speaker 3: so I'm doing that cransition. But I will say like

413
00:23:35,320 --> 00:23:38,560
Speaker 3: I kind of like felt what she said. Like about

414
00:23:38,560 --> 00:23:40,160
Speaker 3: a year ago, I came to eleven and I did

415
00:23:40,160 --> 00:23:42,240
Speaker 3: a show and about a second song, my motherfucking back

416
00:23:42,240 --> 00:23:45,120
Speaker 3: went out. I'm like, what the fuck? How is this possible?

417
00:23:45,480 --> 00:23:48,200
Speaker 3: But that's that's why I started going in and stopped

418
00:23:48,240 --> 00:23:50,960
Speaker 3: eating bullshit and lost all that weight and got back right,

419
00:23:51,040 --> 00:23:54,920
Speaker 3: and now I feel good again. So want to see

420
00:23:54,920 --> 00:23:58,240
Speaker 3: how long this run goes. And you had to finish,

421
00:23:58,280 --> 00:24:01,320
Speaker 3: they'd be doing aerobics back sitting in Club eleven. You

422
00:24:01,320 --> 00:24:04,359
Speaker 3: gotta see the ship, so you know, maybe like you

423
00:24:04,480 --> 00:24:08,080
Speaker 3: like eleven and Tusies, I'm a booby trapped guy brother,

424
00:24:08,160 --> 00:24:10,280
Speaker 3: So sorry, I'm gonna say booby trap. I'm sorry, I'm

425
00:24:10,280 --> 00:24:12,960
Speaker 3: a booby trapped guy brother. I just say, stay right there, girl,

426
00:24:14,560 --> 00:24:20,320
Speaker 3: I like y, listen, listen. I'm gonna be honest. A

427
00:24:20,480 --> 00:24:22,920
Speaker 3: leaven is flying, but I feel like I gotta wear

428
00:24:22,920 --> 00:24:25,440
Speaker 3: a suit. I feel like I gotta wear a button.

429
00:24:25,680 --> 00:24:27,119
Speaker 3: I go to a leven like if I'm there with

430
00:24:27,119 --> 00:24:29,480
Speaker 3: a hoodie on, I feel you know what I mean

431
00:24:30,440 --> 00:24:35,640
Speaker 3: Right now, I'm gonna be honest with you. Ain't nothing

432
00:24:35,640 --> 00:24:39,000
Speaker 3: like the Lemon Peppers and Tosies really go to Tousis

433
00:24:39,000 --> 00:24:43,480
Speaker 3: from then of my and that I love her holy

434
00:24:43,560 --> 00:24:45,840
Speaker 3: walking on and you can get it. Yeah here somewhere

435
00:24:46,720 --> 00:24:50,880
Speaker 3: and I'm just saying it's a lot and you could

436
00:24:50,920 --> 00:24:52,359
Speaker 3: get I don't know what you go to to?

437
00:24:52,640 --> 00:24:54,800
Speaker 1: Got a barber shop now, yeah, they always had a

438
00:24:54,840 --> 00:24:55,359
Speaker 1: barber shop.

439
00:24:56,560 --> 00:25:00,080
Speaker 3: They do a different trim doing. But booby trapped. You

440
00:25:00,080 --> 00:25:03,520
Speaker 3: gotta be law when y'all got a lighter lighter Yeah, okay,

441
00:25:04,960 --> 00:25:09,960
Speaker 3: hell yeahisold. Your favorite strip club is eleven in Miami,

442
00:25:10,359 --> 00:25:12,800
Speaker 3: booby trapped, like for strip club, strip cup. You know

443
00:25:12,840 --> 00:25:18,120
Speaker 3: what I'm saying. Okay on the river booby trapped, trap

444
00:25:18,200 --> 00:25:22,600
Speaker 3: on the river. But we appreciate eleven because of how

445
00:25:22,720 --> 00:25:25,040
Speaker 3: fly it is, money they spent in there, how they

446
00:25:25,200 --> 00:25:27,800
Speaker 3: keep it and the sound system. I'm a music nigga.

447
00:25:27,880 --> 00:25:30,040
Speaker 3: I love like it's flying. I can talk to you

448
00:25:30,080 --> 00:25:32,240
Speaker 3: at this volume and that ship is allowed to tell

449
00:25:32,880 --> 00:25:34,560
Speaker 3: that's what matters you know what I'm saying, and that's

450
00:25:34,560 --> 00:25:37,520
Speaker 3: what I do with my eleven Soul Fly. They got

451
00:25:37,520 --> 00:25:39,840
Speaker 3: apartment buildings right right.

452
00:25:40,320 --> 00:25:46,920
Speaker 7: Cut the restaurant next, and you don't feel out of

453
00:25:46,960 --> 00:25:49,080
Speaker 7: place at all, Like it's like all right, cool cool,

454
00:25:49,400 --> 00:25:51,440
Speaker 7: So all right.

455
00:25:52,640 --> 00:25:57,560
Speaker 3: Now with the label, what is your goal? With the label?

456
00:25:57,600 --> 00:26:01,920
Speaker 3: What are we doing? What are we focusing on? Is

457
00:26:02,440 --> 00:26:05,640
Speaker 3: a hip hop or it's just whatever? Well, we got

458
00:26:05,720 --> 00:26:08,879
Speaker 3: R and B and hip hop. We got Leon. We

459
00:26:08,960 --> 00:26:12,960
Speaker 3: got a DJ Key Turner, he's making out frobats. We

460
00:26:13,040 --> 00:26:15,119
Speaker 3: got r J the Wardo, he's from Dallas. R J

461
00:26:15,280 --> 00:26:18,439
Speaker 3: to Wirdow. I like him. Already's nigga cold okay. We

462
00:26:18,560 --> 00:26:22,919
Speaker 3: got Sage also from Texas. He rapping and ship. We

463
00:26:22,960 --> 00:26:25,399
Speaker 3: got Busy Crook from Miami. That niggas one of the

464
00:26:25,440 --> 00:26:29,600
Speaker 3: coldest pins rap. And I'm just looking to get into

465
00:26:29,600 --> 00:26:33,720
Speaker 3: people that pause. I'm looking to work with people that

466
00:26:35,560 --> 00:26:37,760
Speaker 3: just cared, not that passion. I want to be the

467
00:26:37,800 --> 00:26:39,920
Speaker 3: fucking greatest, you know what I mean. I feel like

468
00:26:39,960 --> 00:26:42,040
Speaker 3: there's a lot of music out there that's just either

469
00:26:42,080 --> 00:26:45,480
Speaker 3: trying to sound like whatever's hot or just laziness. Bro

470
00:26:45,680 --> 00:26:49,440
Speaker 3: It went from like Saha, I said, this shouldn't interview

471
00:26:49,480 --> 00:26:53,400
Speaker 3: with Yeah, he was like it was like music back

472
00:26:53,400 --> 00:26:55,800
Speaker 3: in the day used to be the rap nigga and

473
00:26:55,800 --> 00:26:57,639
Speaker 3: the street nigga were performing, and now it's like the

474
00:26:57,640 --> 00:26:59,479
Speaker 3: street nigga got jealous of the rap nigga and they

475
00:26:59,480 --> 00:27:01,960
Speaker 3: want to rap and like want that happen, and they're

476
00:27:01,960 --> 00:27:05,399
Speaker 3: not even real rappers. So like easy Money is like

477
00:27:05,480 --> 00:27:10,439
Speaker 3: all actual musicians, real artists, you know what I'm saying. Yeah, So,

478
00:27:11,080 --> 00:27:15,440
Speaker 3: what's what's your relationship like with Wiz nowadays? I love Wizy,

479
00:27:15,560 --> 00:27:18,760
Speaker 3: which changed my life. Whiz is the fucking cold Top.

480
00:27:19,760 --> 00:27:21,600
Speaker 3: Oh I got some shit in my beard? Yeah, thank you, man.

481
00:27:22,160 --> 00:27:24,400
Speaker 3: We will tell you about it. You know what I'm saying.

482
00:27:24,400 --> 00:27:26,639
Speaker 3: But I love fucking wiz Man. Shout out to Wiz.

483
00:27:28,600 --> 00:27:33,280
Speaker 3: Congratulations on this new baby, Congratulations on all this. Yeah,

484
00:27:34,680 --> 00:27:38,000
Speaker 3: yeah baby, Yeah, niggas are here, fucking I ain't gonna

485
00:27:38,040 --> 00:27:41,600
Speaker 3: lie every other week. I'm gonna say it something pregnant.

486
00:27:41,680 --> 00:27:45,080
Speaker 3: I'm like frist Montana. You know what I'm saying. Everybody

487
00:27:45,080 --> 00:27:53,199
Speaker 3: else here, man, man, I'm prominable. Yeah. So, you know,

488
00:27:55,800 --> 00:27:58,040
Speaker 3: I've been in this game twenty five years, right, I

489
00:27:58,040 --> 00:28:00,159
Speaker 3: had dreams at the end of this game. Now now

490
00:28:00,800 --> 00:28:06,719
Speaker 3: you know. Uh, when I'm asking this question, I'm always

491
00:28:06,840 --> 00:28:09,720
Speaker 3: like yeah and no, right, But I'm not gonna lead

492
00:28:09,760 --> 00:28:11,879
Speaker 3: the witness. I'm gonna ask you, do you think that

493
00:28:12,000 --> 00:28:14,480
Speaker 3: this game is? Is it everything you thought it was

494
00:28:14,560 --> 00:28:20,520
Speaker 3: going to be? Or is it shortcomings? It's definitely shortcomings, okay?

495
00:28:22,040 --> 00:28:24,440
Speaker 3: Describing for a person who wants your life right now,

496
00:28:24,520 --> 00:28:26,400
Speaker 3: person who wants your life, they want to be tode

497
00:28:26,480 --> 00:28:29,960
Speaker 3: dollar size. They're sitting the whole goal is that and

498
00:28:30,040 --> 00:28:31,960
Speaker 3: for what they see, it's all a glits and glad,

499
00:28:32,000 --> 00:28:33,960
Speaker 3: but they don't see that, you know what I mean.

500
00:28:34,080 --> 00:28:37,120
Speaker 3: I'm definitely bullshit, but I want to say, but anything

501
00:28:37,280 --> 00:28:40,360
Speaker 3: YouTube in life, it's going to be bullshit. Man, You're

502
00:28:40,360 --> 00:28:43,680
Speaker 3: gonna have tough skin for this surgeon business, you know

503
00:28:43,720 --> 00:28:45,360
Speaker 3: what I'm saying. There's gonna be a lot of function

504
00:28:45,560 --> 00:28:47,720
Speaker 3: that comes at you. One of the craziest things that

505
00:28:47,760 --> 00:28:52,320
Speaker 3: I've learned is, uh, the one thing about fame when

506
00:28:52,640 --> 00:28:55,360
Speaker 3: when you walk into a room, everybody know who the

507
00:28:55,360 --> 00:28:57,360
Speaker 3: fuck you are, nig and you don't know who nobody is,

508
00:28:57,880 --> 00:28:59,880
Speaker 3: what could happen? You don't know what's on a niggas mind.

509
00:28:59,880 --> 00:29:02,360
Speaker 3: You feel me, So that's the only fucked up part

510
00:29:02,840 --> 00:29:06,080
Speaker 3: like the most fucked up party. But yeah, there's other

511
00:29:06,080 --> 00:29:08,640
Speaker 3: fucked up parts, right, but let's give him a plus

512
00:29:08,880 --> 00:29:11,640
Speaker 3: A plus yeah. Uh, Like I said, I get to

513
00:29:11,640 --> 00:29:14,840
Speaker 3: do what I love and support my family. It gets

514
00:29:14,960 --> 00:29:17,720
Speaker 3: no better than that. I like make music every day,

515
00:29:18,200 --> 00:29:20,040
Speaker 3: you know what I'm saying. I'm in the studio more

516
00:29:20,080 --> 00:29:22,800
Speaker 3: than my fucking house, you know what I'm saying, right,

517
00:29:23,880 --> 00:29:27,400
Speaker 3: And I love it. I love to be there, and

518
00:29:28,080 --> 00:29:29,760
Speaker 3: like even when I got here. First thing I did

519
00:29:29,800 --> 00:29:31,680
Speaker 3: yesterday I got in the studio with hit Maker. We

520
00:29:31,720 --> 00:29:33,240
Speaker 3: made like six songs, bro, like.

521
00:29:34,720 --> 00:29:38,000
Speaker 1: I love this ship right still six songs Circle House

522
00:29:39,120 --> 00:29:41,280
Speaker 1: make you know, hit making you get busy.

523
00:29:41,880 --> 00:29:48,160
Speaker 3: He's smoking mass cigarettes, yes, thank god, I take it out.

524
00:29:50,000 --> 00:29:51,680
Speaker 3: I used to smoke cigarettes, and I don't be pugging

525
00:29:51,720 --> 00:29:54,640
Speaker 3: him no more. So what cigarettes he smoking? He be

526
00:29:54,680 --> 00:29:58,360
Speaker 3: smoking Newports? Yeah, Newport? Yeah yeah, American expirits is the

527
00:29:58,400 --> 00:30:05,400
Speaker 3: way to go. There's there's no way to go. I'm sorry,

528
00:30:05,480 --> 00:30:10,040
Speaker 3: I'm sorry, I'm sorry. I wanted to thought that would

529
00:30:10,040 --> 00:30:15,680
Speaker 3: have came out of your mouth. But get an astraea.

530
00:30:16,120 --> 00:30:21,160
Speaker 3: Yeah yeah, yeahs bro, I got used to asking on

531
00:30:21,200 --> 00:30:23,960
Speaker 3: the floor from just like studios and yeah yeah, yeah,

532
00:30:24,040 --> 00:30:25,640
Speaker 3: and it got so bad to her. One day, I

533
00:30:25,680 --> 00:30:28,840
Speaker 3: was just chilling at the house smoking and I looked

534
00:30:28,840 --> 00:30:30,160
Speaker 3: on the side of the couch and they got and

535
00:30:30,240 --> 00:30:37,600
Speaker 3: asked on the mother expensive. Yeah, so thank you so much.

536
00:30:38,360 --> 00:30:40,280
Speaker 3: Who's a producer you didn't work with that? You would

537
00:30:40,320 --> 00:30:46,000
Speaker 3: love to work with? Jake K. Diller? Damn al alright? Cool?

538
00:30:46,040 --> 00:30:47,920
Speaker 3: That was a good one. That was That's a good one.

539
00:30:47,920 --> 00:30:49,920
Speaker 3: That was a good one. That's like my favorite ever.

540
00:30:50,280 --> 00:30:53,480
Speaker 3: Oh you know what, Alive though I had Lived Live.

541
00:30:53,840 --> 00:30:57,239
Speaker 3: I want to lock in with that up right now.

542
00:30:57,280 --> 00:31:00,440
Speaker 3: That's too like. I think me and him cold make

543
00:31:00,480 --> 00:31:06,920
Speaker 3: a whole album that would just like be great. Damn

544
00:31:07,280 --> 00:31:13,360
Speaker 3: right now real him, But DJ Premier, I work with

545
00:31:13,400 --> 00:31:15,760
Speaker 3: that man. I worked with people. I worked with him

546
00:31:15,760 --> 00:31:18,160
Speaker 3: a couple of times. I love him projects. I think

547
00:31:18,200 --> 00:31:19,560
Speaker 3: he could anybody.

548
00:31:19,640 --> 00:31:23,480
Speaker 1: And you know the New York guys you got alchemists.

549
00:31:23,520 --> 00:31:25,959
Speaker 3: Me and him keep on talking, keep on saying we're

550
00:31:26,000 --> 00:31:28,040
Speaker 3: gonna do it, and we ain't did it? Check. Oh wow,

551
00:31:28,240 --> 00:31:31,960
Speaker 3: I can't wait to hear that. Yeah, let's go. How

552
00:31:32,000 --> 00:31:36,000
Speaker 3: about how about Farrell? You know has been on a

553
00:31:36,040 --> 00:31:38,239
Speaker 3: lot of my albums and ship I love pal. One

554
00:31:38,280 --> 00:31:42,120
Speaker 3: of the greatest par real man. One thing about for

555
00:31:42,240 --> 00:31:44,880
Speaker 3: real when you when you actually get in the studio

556
00:31:44,960 --> 00:31:47,760
Speaker 3: with this nigga man, be like all right, cool seven

557
00:31:47,800 --> 00:31:52,720
Speaker 3: am plue I think that I'm gonna be honest real, Yeah,

558
00:31:53,040 --> 00:31:55,200
Speaker 3: I'm a four am. Did you start at seven or

559
00:31:55,240 --> 00:31:58,440
Speaker 3: you start at four? Yeah? Always started am and be

560
00:31:58,520 --> 00:32:02,480
Speaker 3: out of the studio by like yeah, me and him

561
00:32:02,560 --> 00:32:05,960
Speaker 3: get getting along perfect. That's on New Life though, y

562
00:32:06,360 --> 00:32:07,880
Speaker 3: New Life, like yeah, when I did it on my

563
00:32:08,080 --> 00:32:11,080
Speaker 3: we we recorded at seven am in California time. I

564
00:32:11,160 --> 00:32:13,640
Speaker 3: usually call it like early studio times, like top hours,

565
00:32:13,640 --> 00:32:15,680
Speaker 3: because usually when you work with a pop artists and ship,

566
00:32:16,240 --> 00:32:21,600
Speaker 3: they want to work early. His is for real artists

567
00:32:21,640 --> 00:32:29,800
Speaker 3: in my face podcast. That's a compliment for me. I mean,

568
00:32:30,320 --> 00:32:36,200
Speaker 3: you know all, I've seen one of my favorite artists, right,

569
00:32:36,760 --> 00:32:39,360
Speaker 3: I can't name the name, right, but I went to

570
00:32:39,400 --> 00:32:42,320
Speaker 3: a show why you can't the name because the story

571
00:32:42,400 --> 00:32:47,600
Speaker 3: is not the best, and I saw him rock to show. Man.

572
00:32:47,600 --> 00:32:50,920
Speaker 3: I'm sitting there and walking there. I'm sitting there and

573
00:32:50,960 --> 00:32:52,960
Speaker 3: he obviously doesn't know I'm there. You know, I'm snuck

574
00:32:53,000 --> 00:32:57,760
Speaker 3: in and I see him get on stage. Who the

575
00:32:57,840 --> 00:33:01,840
Speaker 3: kils are puff? No? No, no, no, no, no, and when

576
00:33:01,840 --> 00:33:05,920
Speaker 3: he got I'm trying to w from so he went

577
00:33:05,960 --> 00:33:09,120
Speaker 3: from like and as soon as he got off stage, like,

578
00:33:09,200 --> 00:33:11,800
Speaker 3: his frown went upside down and he went straight into

579
00:33:11,880 --> 00:33:14,520
Speaker 3: like and I could tell like he had to be there.

580
00:33:14,840 --> 00:33:18,320
Speaker 3: This wasn't something that he wanted to do. Right. So

581
00:33:18,360 --> 00:33:23,040
Speaker 3: it comes to a time, like an every artist career,

582
00:33:23,120 --> 00:33:26,880
Speaker 3: where it's like maybe it's you have to pay the bills,

583
00:33:26,920 --> 00:33:29,280
Speaker 3: maybe you have to all maybe you just don't didn't

584
00:33:29,280 --> 00:33:30,680
Speaker 3: want to be there, and just you just this is

585
00:33:30,680 --> 00:33:33,800
Speaker 3: something you have to do, right. Have you ever been

586
00:33:33,840 --> 00:33:35,760
Speaker 3: there where it's like you didn't want to be there

587
00:33:35,800 --> 00:33:37,680
Speaker 3: at this place and you just you just had to.

588
00:33:37,680 --> 00:33:40,120
Speaker 3: You got paid already, you got paid for the song

589
00:33:40,240 --> 00:33:41,720
Speaker 3: or something, or you got paid for the performance and

590
00:33:41,720 --> 00:33:43,040
Speaker 3: you didn't want to be there. Have you ever had

591
00:33:43,080 --> 00:33:47,200
Speaker 3: one of those moments? A gang of them? Bro? It

592
00:33:47,320 --> 00:33:52,760
Speaker 3: was like recently, okay, the most recently the nigga Rylan Riley,

593
00:33:52,840 --> 00:33:55,520
Speaker 3: my Little Homey Creig cowman Son and ship. This nigga

594
00:33:55,560 --> 00:33:57,120
Speaker 3: had me pull up to some ship like, yeah, they're

595
00:33:57,120 --> 00:33:59,719
Speaker 3: gonna pay you to do this ship. I'm like all right,

596
00:34:00,200 --> 00:34:02,880
Speaker 3: and then out no cameras, no da da d cool

597
00:34:02,920 --> 00:34:06,840
Speaker 3: I'm with it. No flyers, no promotions, just cash right cool.

598
00:34:07,200 --> 00:34:09,520
Speaker 3: I pull up, right, I pull up to this ship.

599
00:34:10,040 --> 00:34:13,239
Speaker 3: The whole ship is being streamed, and it's called what

600
00:34:13,239 --> 00:34:17,000
Speaker 3: what the is that should called? It's called sperm it

601
00:34:17,239 --> 00:34:23,360
Speaker 3: called it's called sperm race Little un versus U C

602
00:34:23,640 --> 00:34:27,319
Speaker 3: l A. And they have a real stream with a

603
00:34:27,440 --> 00:34:32,000
Speaker 3: whole thing going where they race people's sperm against each other.

604
00:34:33,280 --> 00:34:36,520
Speaker 3: And they have me performing at this ship and I

605
00:34:37,120 --> 00:34:39,400
Speaker 3: was like, hell, no, I don't want to do this.

606
00:34:40,520 --> 00:34:44,280
Speaker 3: So you didn't do it? Man, the way it happened,

607
00:34:44,280 --> 00:34:52,840
Speaker 3: it was what man. I hate. The one thing I

608
00:34:52,880 --> 00:34:56,600
Speaker 3: hate is disappointing fans. Bro the you know what I'm saying,

609
00:34:56,640 --> 00:34:59,920
Speaker 3: be excited. They see you walk in, They're like, oh time,

610
00:35:00,719 --> 00:35:02,319
Speaker 3: I don't want to do this. Niggas got me at

611
00:35:02,320 --> 00:35:02,800
Speaker 3: the spring.

612
00:35:02,719 --> 00:35:11,200
Speaker 1: Race right, putting on that face, I got your question.

613
00:35:11,280 --> 00:35:17,839
Speaker 3: That's why your question? Oh my god, that's crazy. Now

614
00:35:17,880 --> 00:35:19,440
Speaker 3: that I said that, I wonder if the fans that

615
00:35:19,520 --> 00:35:21,320
Speaker 3: was there could tell that I was a little bothered

616
00:35:21,440 --> 00:35:22,759
Speaker 3: on stage.

617
00:35:23,600 --> 00:35:23,920
Speaker 1: Ship.

618
00:35:24,400 --> 00:35:30,520
Speaker 3: Now did we talk about the champagne. That's a pretty

619
00:35:30,520 --> 00:35:32,680
Speaker 3: as motherfucking bob. I appreciate that we got a problem.

620
00:35:32,719 --> 00:35:35,000
Speaker 3: I'm not owner of a champagne company. It's called Le

621
00:35:35,080 --> 00:35:38,520
Speaker 3: bon Jean. Shout out to the whole team, shout out

622
00:35:38,560 --> 00:35:42,640
Speaker 3: my dog, PMP and uh, it's some stories everywhere. Make

623
00:35:42,640 --> 00:35:47,680
Speaker 3: sure you celebrate with us. Good money, it means good

624
00:35:48,120 --> 00:35:56,760
Speaker 3: the dollar sign. Of course, we can't be Champagne friends, Champagne.

625
00:35:56,760 --> 00:35:58,839
Speaker 3: My record label is easy Money. You know what I'm saying.

626
00:35:59,000 --> 00:36:01,960
Speaker 3: Oh that's what that was. Okay, okay, okay, one it's

627
00:36:02,000 --> 00:36:02,600
Speaker 3: not as many.

628
00:36:02,880 --> 00:36:05,280
Speaker 1: So what's the difference between the black bottle, the blue bottles,

629
00:36:05,280 --> 00:36:09,839
Speaker 1: Pretty Rose and the black bottles? Is the regular? Can

630
00:36:09,840 --> 00:36:10,680
Speaker 1: we PLoP one of those?

631
00:36:11,239 --> 00:36:12,759
Speaker 3: Give you right now?

632
00:36:12,960 --> 00:36:18,120
Speaker 1: Which we have some champagne.

633
00:36:18,680 --> 00:36:22,839
Speaker 3: We have some champagne little joints. It's on the take.

634
00:36:22,920 --> 00:36:24,000
Speaker 3: So I need a little joint.

635
00:36:25,160 --> 00:36:28,640
Speaker 1: I'm going to check out five dollars sigence joint because

636
00:36:28,680 --> 00:36:31,360
Speaker 1: I love champagne. I'm drinking one right now. I'm not

637
00:36:31,400 --> 00:36:33,920
Speaker 1: gonna say the name, but I want to try that.

638
00:36:34,480 --> 00:36:36,600
Speaker 10: What do you think is your biggest obstacle when he

639
00:36:36,680 --> 00:36:38,399
Speaker 10: was creating your debut album?

640
00:36:38,760 --> 00:36:47,560
Speaker 3: My debut album. My biggest obstacle, Uh, my biggest obstacle

641
00:36:47,600 --> 00:36:55,920
Speaker 3: for my debut album had to be It was this one. Song.

642
00:36:56,960 --> 00:36:57,719
Speaker 3: Let me look it up.

643
00:36:59,800 --> 00:37:04,480
Speaker 1: I don't know that you got.

644
00:37:10,280 --> 00:37:19,799
Speaker 3: It was called straight Up, right, I don't see that. Yeah,

645
00:37:19,960 --> 00:37:22,360
Speaker 3: yeah it is straight Up number three, Straight Up featuring

646
00:37:22,400 --> 00:37:23,040
Speaker 3: Jagged Edge.

647
00:37:23,080 --> 00:37:23,200
Speaker 1: Man.

648
00:37:23,239 --> 00:37:25,239
Speaker 3: I always wanted to make a song with Jagged Edge

649
00:37:25,280 --> 00:37:28,640
Speaker 3: from a little nigga, right, so shout out to them.

650
00:37:29,120 --> 00:37:35,840
Speaker 3: But on that song we sampled Patrice Patrise Russian and

651
00:37:35,920 --> 00:37:38,880
Speaker 3: luckily my dad was cool with Patrese from back in

652
00:37:38,920 --> 00:37:43,719
Speaker 3: the day from like so now she was like, I

653
00:37:43,719 --> 00:37:45,400
Speaker 3: don't know if she still currently is, but at the

654
00:37:45,440 --> 00:37:47,680
Speaker 3: time she was a professor at usc all type of

655
00:37:47,680 --> 00:37:51,279
Speaker 3: ship like moving in a different direction. And when we

656
00:37:51,360 --> 00:37:55,239
Speaker 3: sent the record in to get cleared, she didn't clear

657
00:37:55,280 --> 00:37:57,160
Speaker 3: it at first because I had a lot you know,

658
00:37:57,160 --> 00:38:01,399
Speaker 3: I talk like Tody dollars sign a right, So really

659
00:38:01,440 --> 00:38:02,959
Speaker 3: all I had to do was just make a clean

660
00:38:03,040 --> 00:38:05,280
Speaker 3: version and then she cleared it. But that was probably

661
00:38:05,320 --> 00:38:09,680
Speaker 3: the hardest obstacle of pre TC to get clean, to

662
00:38:09,719 --> 00:38:13,040
Speaker 3: get the clearance. It just was going through a whole

663
00:38:13,040 --> 00:38:15,839
Speaker 3: bunch of different routes, and then finally I was like, yo, Dad,

664
00:38:15,880 --> 00:38:19,920
Speaker 3: I need you please make this happen. Find her. Shout

665
00:38:19,920 --> 00:38:22,880
Speaker 3: out to my pops and shout out to protrude Russian,

666
00:38:23,320 --> 00:38:24,200
Speaker 3: both legends.

667
00:38:28,719 --> 00:38:31,000
Speaker 1: I'm gonna get rid of shot. I'm gonna champagne kind

668
00:38:31,000 --> 00:38:37,520
Speaker 1: of sewer. Definitely, here you go. And I love the

669
00:38:37,560 --> 00:38:38,920
Speaker 1: look for the bottle.

670
00:38:38,960 --> 00:38:43,200
Speaker 3: You know, black bottles and in the word well sorry Kodak,

671
00:38:43,239 --> 00:38:58,719
Speaker 3: Black's shamp parking that are yeah, I sonny, sorry man,

672
00:38:58,760 --> 00:39:06,600
Speaker 3: I'm crashing out. That's a good after taste. That's that

673
00:39:06,719 --> 00:39:10,120
Speaker 3: broke good money, lebon. So how did you discover it?

674
00:39:10,680 --> 00:39:13,000
Speaker 3: How did this come on your table? It came to me,

675
00:39:13,120 --> 00:39:16,720
Speaker 3: my my bro PMP said, Yo, I got this champagne company.

676
00:39:16,760 --> 00:39:19,719
Speaker 3: They want to work with you. So they came through,

677
00:39:20,840 --> 00:39:23,080
Speaker 3: tried to offer me, you know, a deal. I was like, nah,

678
00:39:23,360 --> 00:39:30,320
Speaker 3: I want to be an owner. That's what we figured

679
00:39:30,320 --> 00:39:33,719
Speaker 3: it out, and I like these people. We ended up

680
00:39:33,760 --> 00:39:37,200
Speaker 3: becoming really good friends and now we're going to take

681
00:39:37,239 --> 00:39:40,759
Speaker 3: it to the top level. How long had been been

682
00:39:40,760 --> 00:39:43,440
Speaker 3: out or or just doing us? Like a year is

683
00:39:43,480 --> 00:39:48,359
Speaker 3: a couple of years? Yeah? Years, I've been I've been

684
00:39:48,400 --> 00:39:51,480
Speaker 3: involved like over the last year. Okay, yeah, okay, you

685
00:39:51,520 --> 00:39:55,160
Speaker 3: know we're about to release a new bottle. I did

686
00:39:55,400 --> 00:39:59,160
Speaker 3: do one. This is not the one. Nah, we just

687
00:39:59,160 --> 00:40:00,760
Speaker 3: got to start here. But this a new bottle dropping

688
00:40:01,080 --> 00:40:06,080
Speaker 3: person bottle design. This is good, it's good, tastes good. Huh,

689
00:40:06,200 --> 00:40:09,279
Speaker 3: what come on? Equality? I'm all about quality. Anything I

690
00:40:09,360 --> 00:40:11,000
Speaker 3: do is all about the quality. You know what I'm saying?

691
00:40:11,040 --> 00:40:13,880
Speaker 3: What's this? What is this?

692
00:40:14,560 --> 00:40:17,080
Speaker 1: We can't say it on that?

693
00:40:17,560 --> 00:40:25,040
Speaker 3: What's up with the censorship? What drink? I thought drink

694
00:40:25,120 --> 00:40:32,320
Speaker 3: Champs wasn't cancelable. You're still trying to keep up? Well, yeah,

695
00:40:32,400 --> 00:40:38,239
Speaker 3: let us do some ship. But it's okay, it's it's good.

696
00:40:38,239 --> 00:40:38,640
Speaker 3: It's good.

697
00:40:38,880 --> 00:40:43,319
Speaker 1: Yeah, that bottle you can kiss.

698
00:40:43,320 --> 00:40:46,960
Speaker 3: Still not canceled. There's no such thing as canceled. Bro.

699
00:40:47,239 --> 00:40:49,080
Speaker 3: I feel like we cancel that ship. Is like you

700
00:40:49,440 --> 00:40:51,880
Speaker 3: only can cancel yourself. Bro, if you stop, then you cancel.

701
00:40:52,200 --> 00:40:57,080
Speaker 3: Keep on going, niggas, it's up. You know what? Something

702
00:40:57,080 --> 00:41:00,719
Speaker 3: about you like I've never heard I've never heard anybody

703
00:41:00,760 --> 00:41:03,759
Speaker 3: speak bad about you. Have you ever had a bad day? Yeah?

704
00:41:03,800 --> 00:41:06,120
Speaker 3: I had bad days. Yeah. I got people that probably

705
00:41:06,120 --> 00:41:09,160
Speaker 3: don't like me, but I haven't came across I have

706
00:41:09,320 --> 00:41:11,880
Speaker 3: not Like your name is clean in the industry, Like

707
00:41:12,000 --> 00:41:16,240
Speaker 3: just man, I do good business. I'm a good dude.

708
00:41:17,280 --> 00:41:19,759
Speaker 3: You know what I'm saying. I talked my ship. You

709
00:41:19,800 --> 00:41:22,920
Speaker 3: know what I'm saying, I make jokes, but of course

710
00:41:22,920 --> 00:41:26,239
Speaker 3: what the good always all good? What is good? Got black?

711
00:41:27,800 --> 00:41:31,040
Speaker 1: Let me ask you time, what is it like creating

712
00:41:31,040 --> 00:41:34,799
Speaker 1: a record with forty man.

713
00:41:34,880 --> 00:41:36,799
Speaker 3: He was just about studio the other day, shout out

714
00:41:36,840 --> 00:41:47,879
Speaker 3: to legend, is really the top pon top Tycoon? That's right,

715
00:41:48,920 --> 00:41:51,799
Speaker 3: that nigga. He just came by the studio the other day.

716
00:41:52,320 --> 00:41:54,160
Speaker 3: He brought me some of his alcohol. He got the

717
00:41:54,160 --> 00:41:57,239
Speaker 3: tycoon vodka. Oh yeah, yeah he got what else? He

718
00:41:57,320 --> 00:42:00,600
Speaker 3: got his wine? You know, saying he got all the

719
00:42:00,600 --> 00:42:02,839
Speaker 3: type of ship. ERL Stevens man, he got all type

720
00:42:02,840 --> 00:42:05,720
Speaker 3: of ship going on. One of my favorite rappers ever

721
00:42:06,120 --> 00:42:10,480
Speaker 3: to do it the bars, the behind the beat or

722
00:42:10,480 --> 00:42:12,839
Speaker 3: ahead of the beat. I say, that's you see how

723
00:42:12,840 --> 00:42:15,400
Speaker 3: the world is doing that now? Like everybody going ahead

724
00:42:15,400 --> 00:42:18,840
Speaker 3: of the beat? I said, really like he'st he offended,

725
00:42:19,239 --> 00:42:22,319
Speaker 3: trying to like, oh no, it came like nah, e bro,

726
00:42:22,480 --> 00:42:25,040
Speaker 3: start playing with that man. And he's still relevant. Every

727
00:42:25,040 --> 00:42:27,640
Speaker 3: Golden State game. He had the front row exactly rich

728
00:42:28,120 --> 00:42:32,040
Speaker 3: with aches with his wife, and you're saying like he's

729
00:42:32,040 --> 00:42:34,279
Speaker 3: supposed to do it. Yeah, yeah, yeah, come on, go

730
00:42:34,320 --> 00:42:38,960
Speaker 3: get your ash raight man. Come on, they got me.

731
00:42:40,200 --> 00:42:47,279
Speaker 3: That's a dirty motherfucker man, Susie old boys. Yeah, I'm

732
00:42:47,400 --> 00:42:49,120
Speaker 3: hold on to this one, right, Yeah, you got it.

733
00:42:49,160 --> 00:42:50,759
Speaker 3: I'll get you somemorro. I'm gonna send some bottles over.

734
00:42:52,000 --> 00:42:54,320
Speaker 3: Can I get a can I get a little hold on?

735
00:42:55,600 --> 00:42:57,600
Speaker 3: All right? So look, I want to show you this cover,

736
00:42:57,719 --> 00:43:03,240
Speaker 3: and I want you to he said to me personally, stretch. Okay,

737
00:43:03,239 --> 00:43:05,319
Speaker 3: I got it. What do you what do you? What

738
00:43:05,360 --> 00:43:07,520
Speaker 3: do you? What do you see when you see that? Man?

739
00:43:07,640 --> 00:43:10,720
Speaker 3: That's the classic cover right there? I see my nigga

740
00:43:10,880 --> 00:43:14,120
Speaker 3: free smirk. Bro. First of all, I love smirk. I

741
00:43:14,160 --> 00:43:18,000
Speaker 3: see my nigga. Kevin Gates. Man, I didn't even Kevin Gates

742
00:43:18,040 --> 00:43:21,200
Speaker 3: was recently at my studio. I didn't even remember. You

743
00:43:21,239 --> 00:43:25,080
Speaker 3: know what I'm saying, Just this just for right, right,

744
00:43:25,120 --> 00:43:29,000
Speaker 3: for lack of a better term, this is what. This

745
00:43:29,080 --> 00:43:31,800
Speaker 3: is the beginning, what what makes the career. There's a

746
00:43:31,800 --> 00:43:34,640
Speaker 3: lot of people that be on these covers that disappear

747
00:43:34,719 --> 00:43:37,399
Speaker 3: and they never come back. So the fact that even

748
00:43:37,440 --> 00:43:40,960
Speaker 3: on this there's a lot of disappearance, there's a lot

749
00:43:40,960 --> 00:43:44,759
Speaker 3: of a lot of disappearance, Holy ship, but on some ship, man,

750
00:43:44,760 --> 00:43:46,839
Speaker 3: I just got to say, some locked up a long

751
00:43:46,880 --> 00:43:49,680
Speaker 3: lived my brother rich Homie Kwan. I love you, Broc.

752
00:43:51,040 --> 00:43:53,880
Speaker 3: He was one of the greatst rest in peace and

753
00:43:54,680 --> 00:44:01,120
Speaker 3: tour and all that together. Free Dirt, Free smirk Man. Damn,

754
00:44:01,320 --> 00:44:06,000
Speaker 3: this is a classic cover, bro I think I already

755
00:44:06,000 --> 00:44:08,239
Speaker 3: announced it. Well, I kind of played the record at

756
00:44:08,239 --> 00:44:10,640
Speaker 3: my listening party. Maybe not all of it, but Smirky

757
00:44:10,760 --> 00:44:14,000
Speaker 3: is on the album. So shout out to smart okay

758
00:44:14,600 --> 00:44:17,120
Speaker 3: and free him. Yeah. I hope he gets to his

759
00:44:17,520 --> 00:44:23,080
Speaker 3: I really hope. Man. All Right, So I want to

760
00:44:23,239 --> 00:44:26,080
Speaker 3: take it back to that that day. Where was you

761
00:44:26,160 --> 00:44:27,600
Speaker 3: at when you got that call where they said, Yo,

762
00:44:27,840 --> 00:44:31,759
Speaker 3: we're gonna be on the XXL cover Freshmen? Man? You know, man,

763
00:44:31,800 --> 00:44:37,919
Speaker 3: it's been like probably like nine hundred thousand joints since then,

764
00:44:38,000 --> 00:44:41,600
Speaker 3: so my memory is a little bit fucked up, rightfully,

765
00:44:41,640 --> 00:44:44,279
Speaker 3: So right, but you only have been on that couple once. No,

766
00:44:44,480 --> 00:44:48,600
Speaker 3: you can only I mean, you can't forget that. I

767
00:44:48,640 --> 00:44:52,200
Speaker 3: can't forget it. Where I was. I was probably in

768
00:44:52,239 --> 00:44:54,840
Speaker 3: Holly at my old apartment and ship, and at the

769
00:44:54,880 --> 00:45:00,200
Speaker 3: time I had Aasha White doing as my publicist. I

770
00:45:00,239 --> 00:45:02,920
Speaker 3: fucking love likesha man, And now I was like huge

771
00:45:02,920 --> 00:45:07,520
Speaker 3: in the game, right, Like she's never been small, right,

772
00:45:08,120 --> 00:45:09,880
Speaker 3: I don't know. I'm just saying it's always been like

773
00:45:10,400 --> 00:45:13,200
Speaker 3: a big if she's too big to work with a nigga,

774
00:45:13,239 --> 00:45:18,960
Speaker 3: but shout out to Ayisha Man. She called me and

775
00:45:19,120 --> 00:45:21,120
Speaker 3: was like, Yo, we got it, and that was like

776
00:45:21,160 --> 00:45:22,879
Speaker 3: one of my dreams. I think I had been out

777
00:45:23,200 --> 00:45:24,719
Speaker 3: for me. Yeah, I was anger for it for show,

778
00:45:24,800 --> 00:45:30,000
Speaker 3: I think, because that's fourteen or sixteen. I think that's fourteen. So,

779
00:45:30,520 --> 00:45:33,040
Speaker 3: like I said, fourteen, didn't boot it in two thousand

780
00:45:33,040 --> 00:45:35,399
Speaker 3: and nine, twenty ten. Then I didn't get my deal

781
00:45:35,480 --> 00:45:39,600
Speaker 3: until twenty twelve. I got my deal because I made

782
00:45:39,640 --> 00:45:42,600
Speaker 3: this song called Fumble that was going to be on

783
00:45:42,640 --> 00:45:48,160
Speaker 3: my mixtape, but then Sean Barnham gave it to Trey Songs.

784
00:45:48,400 --> 00:45:53,440
Speaker 3: Oh Cray Songs heard it, recorded it. He Uh, that

785
00:45:53,480 --> 00:45:57,399
Speaker 3: shit ended up going up, right. And then I seen

786
00:45:57,440 --> 00:46:01,200
Speaker 3: this nigga in the club at uh what was that

787
00:46:01,239 --> 00:46:05,120
Speaker 3: shit called Playhouse in La Hollywood? Right, So I'm on

788
00:46:05,239 --> 00:46:09,400
Speaker 3: stage next to DJ Charisma, all them fucking uh Drason,

789
00:46:09,440 --> 00:46:11,200
Speaker 3: not your whispers, Hey, that nigga Tray Songs. When to

790
00:46:11,239 --> 00:46:14,120
Speaker 3: walk next to you? He walked next to me. I'm like, Hey,

791
00:46:14,160 --> 00:46:14,839
Speaker 3: what's up, my nigga?

792
00:46:14,880 --> 00:46:15,200
Speaker 9: D D D.

793
00:46:15,360 --> 00:46:17,480
Speaker 3: I'm the one who made fumble. He was like, oh,

794
00:46:17,520 --> 00:46:20,440
Speaker 3: that was you, my nigga. Oh, we gotta work next thing.

795
00:46:20,480 --> 00:46:23,080
Speaker 3: You know, we end up Lincoln. He was like, oh,

796
00:46:23,280 --> 00:46:26,200
Speaker 3: you need to meet my manager, his manager, Kevin Lyles.

797
00:46:26,920 --> 00:46:31,319
Speaker 3: So me and Kevin Lews link. Kevin Lowes ended up

798
00:46:31,320 --> 00:46:36,000
Speaker 3: starting to manage me. Right after that. I linked with

799
00:46:36,080 --> 00:46:40,400
Speaker 3: Will Will and Kevin did a joint management thing with me,

800
00:46:41,080 --> 00:46:42,799
Speaker 3: and that's how that went. And then we went all

801
00:46:42,800 --> 00:46:45,080
Speaker 3: the way up to the sky. You know, understanding.

802
00:46:50,360 --> 00:46:54,000
Speaker 1: You ever wrote the song not for yourself, what's the

803
00:46:54,040 --> 00:46:57,520
Speaker 1: biggest song you ever wrote not for yourself for someone

804
00:46:57,520 --> 00:46:58,480
Speaker 1: else that came out?

805
00:47:00,920 --> 00:47:07,319
Speaker 3: Uh Loyal by Chris Brown. Wow, that was a bomb. Yeah,

806
00:47:07,840 --> 00:47:10,080
Speaker 3: that was a bomb. Wrote the song. Yeah, I wrote

807
00:47:10,080 --> 00:47:12,360
Speaker 3: that song. He wrote some ship on there too, I

808
00:47:12,400 --> 00:47:16,600
Speaker 3: think like on the second verse he changed one of

809
00:47:16,600 --> 00:47:24,600
Speaker 3: the lines on the first verse at the end. At first,

810
00:47:24,600 --> 00:47:26,960
Speaker 3: I said she wanted to meet all the rabbers, she

811
00:47:27,040 --> 00:47:28,680
Speaker 3: wanted to meet Bobby Brackens because I wrote it for

812
00:47:28,719 --> 00:47:31,640
Speaker 3: the homie Bobby Brackens. Like, I was like, it was

813
00:47:31,719 --> 00:47:33,920
Speaker 3: me and he was supposed to do his verse and

814
00:47:33,960 --> 00:47:36,000
Speaker 3: then he never did his verse, and I guess Nick

815
00:47:36,040 --> 00:47:40,400
Speaker 3: knack Uh, the producer got it to Chris. Chris recorded

816
00:47:40,400 --> 00:47:42,600
Speaker 3: that joint right before he ended up catching that that

817
00:47:42,719 --> 00:47:46,360
Speaker 3: case in jail. Then that song came out and that

818
00:47:46,600 --> 00:47:49,960
Speaker 3: like lasted while he was in jail and then after.

819
00:47:50,680 --> 00:47:53,600
Speaker 3: So shout out to Chris. Man, he always looked out

820
00:47:53,640 --> 00:47:57,600
Speaker 3: for me. That's a strong I would have never known that.

821
00:47:57,680 --> 00:48:01,400
Speaker 3: Chris on every album he fucking he was on Vultures,

822
00:48:01,719 --> 00:48:04,640
Speaker 3: he was just on Leon's remix. Man. I love Chris.

823
00:48:04,640 --> 00:48:06,560
Speaker 3: I would do anything for that. Man. Is he gonna

824
00:48:06,560 --> 00:48:09,880
Speaker 3: be on Tacoon? He's not currently on Tycoon, but I

825
00:48:09,920 --> 00:48:11,799
Speaker 3: would love for us to catch a record. You know,

826
00:48:11,840 --> 00:48:14,160
Speaker 3: he's on tour right now, so it's kind of hard

827
00:48:14,160 --> 00:48:16,960
Speaker 3: to you know, get him in the studio and ship.

828
00:48:17,000 --> 00:48:19,239
Speaker 3: But I went to a show already three times. If

829
00:48:19,239 --> 00:48:21,560
Speaker 3: you haven't been to the Breezy Bowl, ya should go

830
00:48:21,560 --> 00:48:24,400
Speaker 3: see the Breezy Bowl. I feel like that it's called

831
00:48:24,440 --> 00:48:26,839
Speaker 3: the Breezy Bowl. Okay. I feel like he has the

832
00:48:26,920 --> 00:48:29,239
Speaker 3: best stadium show out of any artists, and I went

833
00:48:29,320 --> 00:48:32,160
Speaker 3: to all of them. Okay, how about travels. All the

834
00:48:32,200 --> 00:48:37,080
Speaker 3: niggas fucking like upside down singing, flying across the stadium.

835
00:48:37,480 --> 00:48:43,200
Speaker 3: Top at my niggas, right, I want to fall that

836
00:48:43,360 --> 00:48:47,080
Speaker 3: up with Travis's show is amazing, But like I said,

837
00:48:47,480 --> 00:48:51,279
Speaker 3: c B, it's some side down going across some mother

838
00:48:52,600 --> 00:48:54,560
Speaker 3: stadium niggas singing at the same time.

839
00:48:54,840 --> 00:49:00,160
Speaker 1: Oh, he's ship. I'm sorry, I'm drinking this ship. That's

840
00:49:00,200 --> 00:49:02,279
Speaker 1: what it's mine. But no, I thought I was going

841
00:49:02,320 --> 00:49:05,080
Speaker 1: in because it's really that good.

842
00:49:05,480 --> 00:49:06,160
Speaker 3: Just keep it real.

843
00:49:06,520 --> 00:49:12,320
Speaker 1: But what was it like the first time going goals?

844
00:49:13,000 --> 00:49:15,400
Speaker 1: I think the name of the song, if I'm not mistaken,

845
00:49:16,080 --> 00:49:19,360
Speaker 1: saved Save the first time I went gold? No, I

846
00:49:19,360 --> 00:49:21,480
Speaker 1: don't know if that's the first time you went gold,

847
00:49:21,760 --> 00:49:24,239
Speaker 1: but I want to know what was the first you know,

848
00:49:24,280 --> 00:49:25,439
Speaker 1: the first time you went gold?

849
00:49:25,800 --> 00:49:26,680
Speaker 3: What was that like?

850
00:49:27,080 --> 00:49:32,120
Speaker 1: And then I want to know about that specific song saved?

851
00:49:32,719 --> 00:49:35,600
Speaker 3: All right, so the first time I went gold? We

852
00:49:35,640 --> 00:49:38,759
Speaker 3: could probably actually chut e BT TBT. You don't even

853
00:49:39,040 --> 00:49:45,400
Speaker 3: know me tell you, he's gotta look at it. Fifteen billions.

854
00:49:46,000 --> 00:49:48,560
Speaker 3: It's pretty hard to keep up with ship. I'm so sorry.

855
00:49:48,640 --> 00:49:51,600
Speaker 3: What was the first gold record that tied dollar signe?

856
00:49:51,800 --> 00:49:54,520
Speaker 1: Oh, this is the first some drink chairs like he's

857
00:49:54,560 --> 00:49:57,160
Speaker 1: asked to chat GVT, look at the world?

858
00:49:57,239 --> 00:50:03,919
Speaker 3: Is that I Mikey, I gotta not talk. I didn't

859
00:50:03,920 --> 00:50:08,600
Speaker 3: hear that. Can you repeat? Of course, no problem. I

860
00:50:08,640 --> 00:50:11,480
Speaker 3: was just saying that the first gold record title of

861
00:50:11,480 --> 00:50:14,319
Speaker 3: the siem was on was actually Paranoid, his own track

862
00:50:14,400 --> 00:50:16,640
Speaker 3: featuring BB So it was kind of a mouth stand

863
00:50:16,680 --> 00:50:22,880
Speaker 3: for them. Thanks Chat appreciation. Yeah, I got yeah, I

864
00:50:22,880 --> 00:50:26,040
Speaker 3: didn't tell you. I think that nigga might be wrong though, No,

865
00:50:26,080 --> 00:50:33,040
Speaker 3: but it's my favorite thigga from London. Chat is for bricks.

866
00:50:33,400 --> 00:50:34,239
Speaker 11: That's actually.

867
00:50:38,239 --> 00:50:43,279
Speaker 1: Ten dollars sign my favorite Paranoid and the video you know,

868
00:50:43,480 --> 00:50:48,000
Speaker 1: back then with the video with the song match what.

869
00:50:48,040 --> 00:50:51,879
Speaker 3: Drugs was paranoid? That's what drugs? That paranoid? That was Yeah,

870
00:50:51,920 --> 00:50:55,400
Speaker 3: that was masculine those we those weed. That's it, Okay,

871
00:50:55,440 --> 00:50:59,480
Speaker 3: all right, my bad. I thought it was. I thought

872
00:50:59,520 --> 00:51:06,520
Speaker 3: that was that. You shout out to DJ Mustard, one

873
00:51:06,560 --> 00:51:09,560
Speaker 3: of the greatest producers they ever lived. I mean when

874
00:51:09,600 --> 00:51:11,480
Speaker 3: he gave me that beat, I already knew it and

875
00:51:11,520 --> 00:51:15,560
Speaker 3: I was like, wow, this motherfucker bro Like the fact, like,

876
00:51:15,640 --> 00:51:18,919
Speaker 3: first of all, the fact that he thought to mix

877
00:51:19,000 --> 00:51:21,920
Speaker 3: the that sound like from you know, that comes from

878
00:51:22,560 --> 00:51:23,759
Speaker 3: you know what I'm saying, And it was putting that

879
00:51:23,840 --> 00:51:26,840
Speaker 3: with the muster Ship. That was just so genius and

880
00:51:27,000 --> 00:51:29,319
Speaker 3: I always loved like that style of house music, so

881
00:51:29,360 --> 00:51:32,760
Speaker 3: when he did that, I was like, God, damn nigga.

882
00:51:32,960 --> 00:51:35,400
Speaker 3: And uh, that was the third song I wrote on

883
00:51:35,440 --> 00:51:38,120
Speaker 3: that beat. Sometimes I'll take my time with beats that

884
00:51:38,160 --> 00:51:40,480
Speaker 3: I just know are going to be it, And that

885
00:51:40,600 --> 00:51:42,880
Speaker 3: was the third song I did. And automatic like the

886
00:51:42,960 --> 00:51:45,839
Speaker 3: feeling that gave me. Y'all might think I'm weird for this,

887
00:51:45,920 --> 00:51:49,759
Speaker 3: but it felt like the same feeling I got when

888
00:51:49,800 --> 00:51:53,160
Speaker 3: I heard bb D Poison. Oh Ship. It was like

889
00:51:53,520 --> 00:51:55,759
Speaker 3: just that hard. It was like a beat that's like

890
00:51:55,880 --> 00:51:58,160
Speaker 3: that energy of like it could be in a club,

891
00:51:58,640 --> 00:52:00,920
Speaker 3: but it's R and B melody on it and it's

892
00:52:00,960 --> 00:52:03,240
Speaker 3: still cool. It's still makes you feel cool as a nigga,

893
00:52:03,320 --> 00:52:06,000
Speaker 3: like you can play it around hommies all right, rather

894
00:52:06,160 --> 00:52:08,759
Speaker 3: just like the R and B around female type Ship.

895
00:52:08,920 --> 00:52:12,440
Speaker 3: The video sealed the deal with the song that the video.

896
00:52:12,800 --> 00:52:13,319
Speaker 3: I don't know.

897
00:52:13,239 --> 00:52:18,120
Speaker 1: Who produced that, Oh man. That ship was on fucking real.

898
00:52:18,280 --> 00:52:19,919
Speaker 1: They were together so good.

899
00:52:20,520 --> 00:52:22,959
Speaker 3: That was great. I thought it was mesculing myself. My bad.

900
00:52:23,800 --> 00:52:30,200
Speaker 3: You Mesculinet was like I thought, you said, Mexican, I'm

901
00:52:30,239 --> 00:52:34,720
Speaker 3: here and ship listen man, You're one of the greatest

902
00:52:34,800 --> 00:52:37,799
Speaker 3: artists that ever did this. You can do anything. Man.

903
00:52:39,080 --> 00:52:41,520
Speaker 3: Wanting to get you on this show because I wanted

904
00:52:41,520 --> 00:52:43,560
Speaker 3: to tell you face to face, man, man, how great

905
00:52:43,560 --> 00:52:45,759
Speaker 3: you are, how much you, you know, contribute to this

906
00:52:45,840 --> 00:52:48,440
Speaker 3: music industry, how much we need you in this music industry.

907
00:52:48,640 --> 00:52:50,840
Speaker 3: The music industry is better when you're making music and

908
00:52:50,920 --> 00:52:53,560
Speaker 3: we're dropping albums. So I wanted to give your flower

909
00:52:53,680 --> 00:53:03,680
Speaker 3: you are. Yes, what's the name of the champagne again,

910
00:53:03,880 --> 00:53:08,719
Speaker 3: It's called Lebon and Jean Money. You know, you know

911
00:53:09,320 --> 00:53:11,200
Speaker 3: the hood is gonna be like that's how that ship.

912
00:53:15,200 --> 00:53:21,080
Speaker 3: They're gonna change that name immediately. Yeah, Man, Snoop said

913
00:53:21,080 --> 00:53:22,919
Speaker 3: it's better than the Grammy because a couple of these people,

914
00:53:23,320 --> 00:53:24,880
Speaker 3: you know, I don't want to put it on the

915
00:53:24,920 --> 00:53:28,479
Speaker 3: floors ships going up on a you know what I'm saying.

916
00:53:28,560 --> 00:53:33,120
Speaker 3: With all the awards at one point, California, it seems

917
00:53:33,160 --> 00:53:38,120
Speaker 3: like California has this, uh, this wave right where it's

918
00:53:38,160 --> 00:53:41,640
Speaker 3: just all of y'all at once, just dominating. Right. What

919
00:53:41,760 --> 00:53:43,959
Speaker 3: do you think is the forethfront for this new wave

920
00:53:44,200 --> 00:53:47,080
Speaker 3: of the new MC's. Who is the new mcs coming

921
00:53:47,120 --> 00:53:50,839
Speaker 3: from California that you're you're on and that's my sign

922
00:53:50,960 --> 00:53:53,279
Speaker 3: to you all that time. You they don't give a funk.

923
00:53:54,160 --> 00:53:58,359
Speaker 3: I don't have a California. I want one. You don't

924
00:53:58,360 --> 00:54:03,279
Speaker 3: have a California not signed to? Okay okay, uh I

925
00:54:03,480 --> 00:54:04,440
Speaker 3: like three one no baby?

926
00:54:04,600 --> 00:54:04,880
Speaker 1: Doing this?

927
00:54:04,960 --> 00:54:12,879
Speaker 3: Ship said? Who three want no baby? Do you want

928
00:54:12,920 --> 00:54:15,399
Speaker 3: no baby? Is like the nigga from l A right now? Okay,

929
00:54:15,560 --> 00:54:17,439
Speaker 3: we want no baby? Who else?

930
00:54:17,560 --> 00:54:17,759
Speaker 5: Man?

931
00:54:18,760 --> 00:54:21,360
Speaker 3: Fuck my mind blinking right now? Bro, everybody gonna like,

932
00:54:21,440 --> 00:54:29,040
Speaker 3: damn this nigga and shot niggas. I'm faded so you

933
00:54:29,120 --> 00:54:39,040
Speaker 3: can't catchiv t the Hey who'll be at the studio

934
00:54:39,120 --> 00:54:43,040
Speaker 3: that I'm missing? Wally the motherfucking sense Say you dumb

935
00:54:43,120 --> 00:54:48,880
Speaker 3: ass s s Bro say you know Karate man, he

936
00:54:49,000 --> 00:54:57,480
Speaker 3: knows you know all that man Travis signed him. Really yeah,

937
00:54:58,320 --> 00:55:00,320
Speaker 3: he's gonna go up for sure. We just drop the

938
00:55:00,320 --> 00:55:05,320
Speaker 3: record together. Who else, man did we funk with? Like

939
00:55:05,520 --> 00:55:12,880
Speaker 3: the new Ones? You ain't even smoke. You gotta have

940
00:55:12,960 --> 00:55:17,640
Speaker 3: a z ME in this somewhere, man, I gotta have

941
00:55:17,719 --> 00:55:18,920
Speaker 3: my notes ready for the next one.

942
00:55:19,040 --> 00:55:27,200
Speaker 1: Man, somebody, you gotta send it to Paul and Sunday

943
00:55:27,360 --> 00:55:28,840
Speaker 1: we'll circuit.

944
00:55:29,800 --> 00:55:33,239
Speaker 3: You gotta explain the rules, you boy, you want to

945
00:55:33,280 --> 00:55:36,719
Speaker 3: explain the rules. Yeah, so is.

946
00:55:37,520 --> 00:55:41,120
Speaker 10: We asked you a question, not for like gossip, more

947
00:55:41,239 --> 00:55:43,920
Speaker 10: like if you got an inspirational story or experience.

948
00:55:44,239 --> 00:55:46,239
Speaker 3: So we asked you a questions either yes or no.

949
00:55:46,600 --> 00:55:50,640
Speaker 3: The political answer means we don't drink. If you answer it,

950
00:55:50,800 --> 00:55:53,000
Speaker 3: we move on. And you say both or neither, then

951
00:55:53,040 --> 00:55:57,520
Speaker 3: we all take a shot. I don't drink, bro, he

952
00:55:57,719 --> 00:56:01,560
Speaker 3: used to work. You take a savings. Okay, Hey, who's like,

953
00:56:02,040 --> 00:56:04,200
Speaker 3: who's like the new young niggas from l A that

954
00:56:04,320 --> 00:56:09,680
Speaker 3: we fuk with? Like, that's gonna be the ones I

955
00:56:09,920 --> 00:56:10,840
Speaker 3: just mad with.

956
00:56:11,000 --> 00:56:18,879
Speaker 12: Just a little nigga last night, This white white it's

957
00:56:18,920 --> 00:56:22,600
Speaker 12: the young nigga that I I like name D three.

958
00:56:23,120 --> 00:56:26,400
Speaker 3: D three D three D three. He always be with

959
00:56:26,480 --> 00:56:29,400
Speaker 3: me in Vegas. That's my dog, Like he gonna he

960
00:56:29,520 --> 00:56:34,960
Speaker 3: going up. He's your nigga name, that's your money, is

961
00:56:35,040 --> 00:56:40,400
Speaker 3: your nigga? Shout out to this. It's a lot of

962
00:56:40,480 --> 00:56:44,399
Speaker 3: little niggas nigga. Yeah, I'm just on drink champs right now. Yea.

963
00:56:49,000 --> 00:56:51,400
Speaker 3: They asked me and I blinked out, And you know

964
00:56:51,440 --> 00:56:53,480
Speaker 3: how niggas gonna feel. Look like you know what I'm saying.

965
00:56:53,520 --> 00:56:55,680
Speaker 3: I'm like I'm trying to make sure I shot niggas out, like.

966
00:56:56,400 --> 00:56:59,640
Speaker 12: Oh you gotta you gotta shout out pay Yanni.

967
00:56:59,440 --> 00:57:04,799
Speaker 3: For my exactly hited J three hited J three for sure.

968
00:57:11,320 --> 00:57:11,919
Speaker 12: Yeah, bro.

969
00:57:13,440 --> 00:57:19,160
Speaker 3: Gang Gangland, all right, look you bro real? Are you

970
00:57:19,600 --> 00:57:24,280
Speaker 3: and g We're gonna do a full fledged Yeah we should,

971
00:57:24,640 --> 00:57:26,480
Speaker 3: we should. We still got to do the me yg

972
00:57:26,640 --> 00:57:30,640
Speaker 3: and Mustard. Well, yeah, we gotta do that. That's it.

973
00:57:31,320 --> 00:57:34,160
Speaker 3: That's the hour. It's like already I had made an

974
00:57:34,200 --> 00:57:37,200
Speaker 3: album with with Mustard right before Vultures, but we end

975
00:57:37,320 --> 00:57:41,440
Speaker 3: up using some of the ship on there. But we're

976
00:57:41,440 --> 00:57:43,560
Speaker 3: gonna circle back. But I would rather do it me

977
00:57:44,000 --> 00:57:46,840
Speaker 3: yg and Mustard when all of our time schedules lined up.

978
00:57:47,320 --> 00:57:49,160
Speaker 3: I mean, niggas been saying that for so long. We've

979
00:57:49,160 --> 00:57:50,920
Speaker 3: been in the game for over ten years now, so

980
00:57:51,080 --> 00:57:55,120
Speaker 3: it's like, we definitely need to problem. It's not like

981
00:57:55,200 --> 00:57:56,960
Speaker 3: a bad problem, you know what I mean. Y'all am

982
00:57:57,000 --> 00:57:59,800
Speaker 3: busy and that that's a blessing in itself. Yeah, but

983
00:58:00,880 --> 00:58:03,080
Speaker 3: if y'all want to be called that wall, would you

984
00:58:03,120 --> 00:58:04,439
Speaker 3: want to recorded in the same room?

985
00:58:05,080 --> 00:58:05,280
Speaker 1: Yeah?

986
00:58:05,360 --> 00:58:07,320
Speaker 3: I would want to just do like three four nights.

987
00:58:07,800 --> 00:58:10,600
Speaker 3: That's all we need. Three four days like we're at

988
00:58:12,000 --> 00:58:15,120
Speaker 3: we could go to l a bro like. I mean,

989
00:58:15,240 --> 00:58:17,760
Speaker 3: it's better when we just get a house, big ass house,

990
00:58:18,320 --> 00:58:21,320
Speaker 3: a man's la. So you don't think this is distraction.

991
00:58:21,480 --> 00:58:23,920
Speaker 3: I think it should be that sound. I hear you

992
00:58:24,000 --> 00:58:27,000
Speaker 3: on the distraction ship at the same time, us bringing

993
00:58:27,120 --> 00:58:31,919
Speaker 3: all the our people in there. That's gonna make the songs. Okay.

994
00:58:31,960 --> 00:58:35,000
Speaker 3: I'm saying that's going to create the ideas. And I

995
00:58:35,080 --> 00:58:37,120
Speaker 3: think if we just do a big ass like maybe

996
00:58:37,160 --> 00:58:40,479
Speaker 3: a Palm Springs some ship like that, and we wanted

997
00:58:40,520 --> 00:58:43,960
Speaker 3: that motherfucker four five days. Now, what's the name of

998
00:58:44,000 --> 00:58:50,120
Speaker 3: the group? Shit three the Hard Way Nigga. Three the

999
00:58:50,280 --> 00:59:01,000
Speaker 3: Hard Way Nigga. But it's never been They palled you

1000
00:59:01,120 --> 00:59:06,720
Speaker 3: gotta just you gotta say.

1001
00:59:08,480 --> 00:59:08,640
Speaker 9: Yeah.

1002
00:59:10,840 --> 00:59:13,280
Speaker 3: Okay, So I see we played quick Time as line, right,

1003
00:59:13,760 --> 00:59:18,800
Speaker 3: God set it off all right? First one Doctor Dre

1004
00:59:19,200 --> 00:59:24,200
Speaker 3: or DJ Quick I like both. There you go, said

1005
00:59:25,240 --> 00:59:29,800
Speaker 3: good Champagne, I forgot the name. Maybe said it's the

1006
00:59:29,920 --> 00:59:31,240
Speaker 3: tie dollars. I like both.

1007
00:59:33,080 --> 00:59:36,440
Speaker 1: No, it's definitely black tie dollars. Sign we're gonna try

1008
00:59:36,480 --> 00:59:37,760
Speaker 1: to pronounce it. Let's try to pronounce it. What's it

1009
00:59:37,800 --> 00:59:39,080
Speaker 1: called again?

1010
00:59:40,040 --> 00:59:43,240
Speaker 3: Lebona shown you just sound. You just sound rich pronouncing it,

1011
00:59:43,400 --> 00:59:45,960
Speaker 3: so we're gonna get it at some point. Levell'll or

1012
00:59:46,000 --> 00:59:48,120
Speaker 3: you could just take good money. But trying to learn

1013
00:59:48,400 --> 00:59:59,000
Speaker 3: lebon bron like bro bro le bar, not Lebron. It's

1014
00:59:59,120 --> 01:00:04,760
Speaker 3: very racist. It sounds like bron. The shoot the second one,

1015
01:00:05,280 --> 01:00:12,960
Speaker 3: Tupac Easy Eat Tupac from from My Life Okay, yeah, okay,

1016
01:00:13,600 --> 01:00:19,160
Speaker 3: you meant when I was like, uh a kid, my

1017
01:00:19,360 --> 01:00:24,640
Speaker 3: dad took me by. I can't remember this guy's name, whoever,

1018
01:00:24,840 --> 01:00:27,480
Speaker 3: was like the DJA or the producer of Digital Underground,

1019
01:00:28,240 --> 01:00:32,880
Speaker 3: and uh, what's the other not shock G but was

1020
01:00:32,880 --> 01:00:38,520
Speaker 3: the other guy the little one? Yeah said the money money,

1021
01:00:39,440 --> 01:00:42,080
Speaker 3: so money be came out. He signed the record, and

1022
01:00:42,160 --> 01:00:48,720
Speaker 3: then Tupac came out and that was it. That's a kid. Yeah,

1023
01:00:49,520 --> 01:00:53,520
Speaker 3: that's dope. Oh it was the record for Kissing Me Back,

1024
01:00:53,640 --> 01:00:56,080
Speaker 3: kiss You and I Kiss You. But I still got

1025
01:00:56,120 --> 01:01:03,360
Speaker 3: that mino somewhere. Wow. Yeah yeah, yeah yeah shot one

1026
01:01:03,400 --> 01:01:06,600
Speaker 3: of the greatest efforts. Oh yeah, shout out okay ice

1027
01:01:06,680 --> 01:01:11,800
Speaker 3: Cube or mc wren ice Cube, brom to me, ice Cube,

1028
01:01:11,840 --> 01:01:15,840
Speaker 3: one of the best robbers ever. Yeah, Biggie or ice Cube.

1029
01:01:20,680 --> 01:01:23,480
Speaker 3: That's those guys over there man doing the work man,

1030
01:01:23,760 --> 01:01:27,720
Speaker 3: ice cube nigga dope. Yeah, but I like Biggie of course,

1031
01:01:28,000 --> 01:01:31,320
Speaker 3: I love Biggie. Uh. I got a chance to do

1032
01:01:31,400 --> 01:01:40,360
Speaker 3: a post you said, Postmas feature ship. Yeah, so that

1033
01:01:40,520 --> 01:01:48,800
Speaker 3: was great, Dyla, Oh yeah yeah, Uh it depends what

1034
01:01:48,880 --> 01:01:53,320
Speaker 3: you're talking about. Like, so, on beats I like better,

1035
01:01:53,640 --> 01:01:58,840
Speaker 3: But on wraps and artistry of course. Yeah, it's like yeah,

1036
01:02:00,120 --> 01:02:06,800
Speaker 3: drink Okay, I guess it's both like both, but also

1037
01:02:06,920 --> 01:02:09,720
Speaker 3: your beats are like top tier. Of course. I'm gonna

1038
01:02:09,760 --> 01:02:23,200
Speaker 3: let you'll ask this one. D J Mustard o y G. Yeah, okay.

1039
01:02:23,360 --> 01:02:26,240
Speaker 3: Jada kiss or nas? I thought your nigga's gonna stay

1040
01:02:26,280 --> 01:02:31,480
Speaker 3: like nip or watch you yea, man, would you just

1041
01:02:31,560 --> 01:02:38,880
Speaker 3: say Jada kiss or No? I like nask Minister Society

1042
01:02:39,000 --> 01:02:49,560
Speaker 3: or Boys in the Hood ship equally? Do you have

1043
01:02:49,600 --> 01:02:52,680
Speaker 3: ay think of acting? You know, the actor acting? Yeah,

1044
01:02:52,720 --> 01:02:55,120
Speaker 3: I got some acting ship about to come out. I

1045
01:02:55,200 --> 01:02:57,760
Speaker 3: got shipped out already, me and cut. He had the

1046
01:02:59,160 --> 01:03:02,320
Speaker 3: intergalacticket on Netflix still right now, like an animated joint.

1047
01:03:02,360 --> 01:03:06,040
Speaker 3: But I'm in there like a voiceover you dope, It's

1048
01:03:06,080 --> 01:03:09,240
Speaker 3: crazy you like that? Yeah, and then I've done done

1049
01:03:09,360 --> 01:03:11,920
Speaker 3: several little heres and theirs. But we're gonna get into

1050
01:03:12,000 --> 01:03:20,200
Speaker 3: that J Cole of his staples whatever it ain't lying

1051
01:03:23,880 --> 01:03:29,800
Speaker 3: like crazy. Yeah, well, listen to more who I've spent

1052
01:03:29,880 --> 01:03:32,160
Speaker 3: more time listening to more for show has been the

1053
01:03:32,320 --> 01:03:37,080
Speaker 3: next one? Vincent? Wow? Yeah, wait, what do you answer?

1054
01:03:37,480 --> 01:03:40,120
Speaker 3: Said Vince? Because I listened to his ship more than

1055
01:03:40,360 --> 01:03:43,919
Speaker 3: I've listened to Cole personally. Of course, I've heard could

1056
01:03:43,960 --> 01:03:47,440
Speaker 3: shit more in public, like you know, in the radio,

1057
01:03:47,640 --> 01:03:51,520
Speaker 3: and it's just bigger obviously, But I listened to Vince

1058
01:03:51,520 --> 01:03:54,760
Speaker 3: stables more. And you know the most popular question of

1059
01:03:54,840 --> 01:03:59,280
Speaker 3: twenty twenty four to twenty twenty five, Kendrick Lamar or

1060
01:03:59,360 --> 01:04:09,480
Speaker 3: Drake Equal. Okay, yeah, I just want to say this.

1061
01:04:10,880 --> 01:04:13,200
Speaker 3: I'm drinking this champagne.

1062
01:04:14,600 --> 01:04:18,120
Speaker 1: I'm drinking a popular champagne that's snowing and everybody and

1063
01:04:18,240 --> 01:04:19,520
Speaker 1: I don't want this anymore.

1064
01:04:20,400 --> 01:04:20,920
Speaker 3: I want this.

1065
01:04:25,720 --> 01:04:31,520
Speaker 6: B got it boys, even in real the game or

1066
01:04:31,560 --> 01:04:37,040
Speaker 6: Snoop Rose, Snoop I let the game.

1067
01:04:37,320 --> 01:04:39,760
Speaker 3: Yeah, I think even the game with Yeah, of course

1068
01:04:41,880 --> 01:04:47,320
Speaker 3: Prince Montano or Rick Cross Rick Cross Rose. As far

1069
01:04:47,400 --> 01:04:50,000
Speaker 3: as like, I listened to his ship more like I like.

1070
01:04:50,080 --> 01:04:53,760
Speaker 1: Shout out for French French friends. French is really a

1071
01:04:53,880 --> 01:04:56,200
Speaker 1: king or one of my real homies. We're doing this

1072
01:04:56,400 --> 01:05:03,080
Speaker 1: take way shouts French for becoming up so much, King

1073
01:05:03,600 --> 01:05:06,280
Speaker 1: Diplomat whatever he doing, that's big.

1074
01:05:06,640 --> 01:05:09,720
Speaker 3: It's big. Good mom, he won. I'm trying to think

1075
01:05:09,760 --> 01:05:12,800
Speaker 3: who got more songs with me? French or Rick Ross.

1076
01:05:13,760 --> 01:05:19,120
Speaker 3: I don't know. We have to ask chat we're gonna

1077
01:05:19,120 --> 01:05:22,520
Speaker 3: get into that. But I do got more songs of

1078
01:05:22,600 --> 01:05:27,240
Speaker 3: Drake than Kendrick. Oh. I like that. That's a good dude.

1079
01:05:27,320 --> 01:05:30,160
Speaker 3: I'll come Drake and never sent a feature back though,

1080
01:05:30,760 --> 01:05:35,240
Speaker 3: mm hmm, you've been ship. I've been on several Drake albums,

1081
01:05:35,280 --> 01:05:38,160
Speaker 3: but he ain't never blessed me with the future Kendrick has.

1082
01:05:39,720 --> 01:05:42,360
Speaker 3: That's what you said both. I said both. You know

1083
01:05:42,440 --> 01:05:44,240
Speaker 3: I said both because I listened to both as much.

1084
01:05:44,800 --> 01:05:48,880
Speaker 3: I like both of them might be both incredible, right,

1085
01:05:49,040 --> 01:05:51,560
Speaker 3: like the best? What did you think about their their

1086
01:05:51,720 --> 01:05:53,080
Speaker 3: their battle?

1087
01:05:54,600 --> 01:05:54,720
Speaker 5: Uh?

1088
01:05:54,880 --> 01:05:59,080
Speaker 3: You know it's what everybody thought you What happened happened.

1089
01:06:01,120 --> 01:06:01,640
Speaker 7: Is what it is.

1090
01:06:02,040 --> 01:06:03,760
Speaker 3: Did you see it coming? Like as an artist, like

1091
01:06:04,240 --> 01:06:06,240
Speaker 3: I didn't see it coming, but I think I thought

1092
01:06:06,240 --> 01:06:09,000
Speaker 3: it was dope for rap. It was like, all right,

1093
01:06:09,120 --> 01:06:11,800
Speaker 3: niggas care about rap again? Like how I said in

1094
01:06:11,840 --> 01:06:13,400
Speaker 3: the beginning, of this ship is like a lot of

1095
01:06:13,480 --> 01:06:15,960
Speaker 3: bullshit rap came out, you know what I'm saying. But

1096
01:06:16,040 --> 01:06:20,840
Speaker 3: then niggas actually like go in. Yeah, yep, they uplif

1097
01:06:20,880 --> 01:06:24,480
Speaker 3: it the great game. I'll give them both them. I'll come.

1098
01:06:24,520 --> 01:06:31,080
Speaker 3: It's a hit boy, hit boy bro Okay, I love Alchemists.

1099
01:06:32,040 --> 01:06:35,200
Speaker 3: I'm just saying, hy boy is coming. You started to

1100
01:06:35,240 --> 01:06:43,440
Speaker 3: get Yeah, battle cat or DJ Muggs battle Okay, respect

1101
01:06:43,480 --> 01:06:51,800
Speaker 3: to DJ Muggs. That's interesting. Radio or podcast radio?

1102
01:06:52,800 --> 01:06:56,080
Speaker 7: Oh yeah, way more time listening to radio. Keep playing

1103
01:06:56,120 --> 01:06:57,600
Speaker 7: podcasting new keep playing them.

1104
01:06:57,640 --> 01:07:01,360
Speaker 3: Goddamn And I watched him Drinks Honestly, I watched a

1105
01:07:01,400 --> 01:07:04,840
Speaker 3: couple of drinks champs. But I haven't like really dove

1106
01:07:04,920 --> 01:07:09,040
Speaker 3: into watching podcasts like that. Maybe that's the that's not

1107
01:07:09,120 --> 01:07:12,040
Speaker 3: about music podcasts for you. You're supposed to pick radio.

1108
01:07:12,280 --> 01:07:15,720
Speaker 3: That's right, You on the radio own goddamn day. That's

1109
01:07:15,720 --> 01:07:22,280
Speaker 3: what Kodak black or twenty one sad Kodak. I love

1110
01:07:22,360 --> 01:07:26,880
Speaker 3: twenty one, shout out to twenty one. I love Kodak Okay, Yeah,

1111
01:07:27,040 --> 01:07:28,840
Speaker 3: z B always and you can take the rest of her.

1112
01:07:28,880 --> 01:07:32,000
Speaker 3: After thisation, people all eyes on me or straight out

1113
01:07:32,000 --> 01:07:41,080
Speaker 3: of Compton oys on me. But yeah, okay, all right, yea,

1114
01:07:41,160 --> 01:07:43,479
Speaker 3: you have to take the way, all right, busy cluse

1115
01:07:43,760 --> 01:07:49,320
Speaker 3: r J wheedoms you crazy. I like both drink Okay,

1116
01:07:49,520 --> 01:07:59,439
Speaker 3: it's two different things, school boy, q J rock drink.

1117
01:08:00,080 --> 01:08:08,360
Speaker 3: Yeah yeah, both my dogs down, bro, No, I want

1118
01:08:08,400 --> 01:08:09,560
Speaker 3: to I can't wait.

1119
01:08:09,480 --> 01:08:12,800
Speaker 10: To get to We kind of already touched on this subject.

1120
01:08:12,840 --> 01:08:19,120
Speaker 3: But booby Trap or Tutsi's way more than Tosi's for sure.

1121
01:08:20,200 --> 01:08:20,640
Speaker 9: My my.

1122
01:08:22,400 --> 01:08:25,799
Speaker 3: My route is when I come to Miami, uh, especially

1123
01:08:25,840 --> 01:08:27,519
Speaker 3: if it's the off day, we're gonna go get the yacht.

1124
01:08:28,360 --> 01:08:31,120
Speaker 3: We're gonna take the yacht to either Kiki on the

1125
01:08:31,240 --> 01:08:35,560
Speaker 3: River or motherfucking uh Sea Spice and some ship like that.

1126
01:08:36,600 --> 01:08:39,120
Speaker 3: Even Zoomer, but Zooma like funcks me up for life.

1127
01:08:39,280 --> 01:08:41,680
Speaker 3: I can't go to Zoomer no more here because the

1128
01:08:41,800 --> 01:08:45,000
Speaker 3: last time I went to Zoomer here it was me,

1129
01:08:45,200 --> 01:08:48,559
Speaker 3: Squill x Hubert and a whole bunch of our friends

1130
01:08:49,720 --> 01:08:54,800
Speaker 3: Happy birthday. Yeah, we were going. We were going to

1131
01:08:54,880 --> 01:08:57,559
Speaker 3: Zoomer and then I got the message that fucking Nip

1132
01:08:57,640 --> 01:09:00,880
Speaker 3: got killed. And now I'm not. I can't.

1133
01:09:02,320 --> 01:09:03,840
Speaker 1: I was just like one of the worst when we

1134
01:09:03,960 --> 01:09:09,240
Speaker 1: got the news coming off of flight, and you know situation.

1135
01:09:10,000 --> 01:09:15,200
Speaker 3: It's crazy corrupt or ha ha, respect to both of corrupt.

1136
01:09:15,360 --> 01:09:22,840
Speaker 3: I love corrupt. Yeah, hit maker of Mad live ha ha,

1137
01:09:24,800 --> 01:09:28,960
Speaker 3: that's crazy. We gotta we gotta drink bro on some

1138
01:09:29,040 --> 01:09:31,880
Speaker 3: ships like Mad one of my favorite producers ever. But

1139
01:09:32,000 --> 01:09:35,080
Speaker 3: I just worked with him making though and we make

1140
01:09:35,160 --> 01:09:38,000
Speaker 3: music and now my music is the you know, the

1141
01:09:38,120 --> 01:09:48,720
Speaker 3: best ever. Tommy Gunns or Lefty gun playing oh Man,

1142
01:09:48,960 --> 01:09:55,920
Speaker 3: mister pixilto County Ship. Damn. That's a hard one right there,

1143
01:09:59,160 --> 01:10:10,760
Speaker 3: Lefty though lasting, Yeah, what is that? Can I ask?

1144
01:10:11,320 --> 01:10:16,559
Speaker 3: So Toko mad is my homie Sasha restaurant. They had

1145
01:10:16,680 --> 01:10:18,760
Speaker 3: one in La had already shut down, but that's been

1146
01:10:19,080 --> 01:10:22,280
Speaker 3: me and my daughter's like hangout spot, like for over

1147
01:10:22,439 --> 01:10:25,000
Speaker 3: ten years and they just shut it down. But they

1148
01:10:25,080 --> 01:10:28,360
Speaker 3: also have one in Vegas which is still open. The

1149
01:10:28,439 --> 01:10:30,320
Speaker 3: one in La was better. I think you guys should

1150
01:10:30,320 --> 01:10:32,599
Speaker 3: get to the l A menu over there. And there's

1151
01:10:32,600 --> 01:10:35,880
Speaker 3: a couple other Tokas, I believe, But yeah, Toko one

1152
01:10:35,920 --> 01:10:40,400
Speaker 3: of the greatest Mexican, like high level Mexican restaurants in

1153
01:10:40,680 --> 01:10:45,240
Speaker 3: La ever. As the last question, Javier's is the ship though,

1154
01:10:45,720 --> 01:10:53,040
Speaker 3: but I think Javier's is more more Mexican. Mexican, am

1155
01:10:53,080 --> 01:10:56,280
Speaker 3: I as far as like yeah, so it's good, like

1156
01:10:56,400 --> 01:10:59,000
Speaker 3: as good as fuck as the ship. But why do

1157
01:10:59,120 --> 01:11:03,840
Speaker 3: I like Toko there? Just because like on my first

1158
01:11:03,920 --> 01:11:07,920
Speaker 3: weight loss mission where I couldn't have a lot of carbs,

1159
01:11:08,479 --> 01:11:11,840
Speaker 3: this was the first place that I ever discovered that

1160
01:11:11,920 --> 01:11:15,719
Speaker 3: had lettuce wrap tacos and they were fire no token,

1161
01:11:16,120 --> 01:11:18,160
Speaker 3: And that's why I started going there all the time

1162
01:11:18,479 --> 01:11:20,800
Speaker 3: because they had like options for that, you know what

1163
01:11:20,800 --> 01:11:23,600
Speaker 3: I'm saying, and like fire ass drinks and I have

1164
01:11:23,720 --> 01:11:31,040
Speaker 3: my own drink there called the Beach Please not please. Yeah,

1165
01:11:33,320 --> 01:11:34,599
Speaker 3: this is the last one. And then we go back

1166
01:11:34,640 --> 01:11:43,840
Speaker 3: to the interview. Loyalty or respect? Uh respect because like

1167
01:11:44,920 --> 01:11:50,160
Speaker 3: both fuck that? Okay, I always say that's the only

1168
01:11:50,280 --> 01:11:54,320
Speaker 3: time that you should say both. Yeah, Like I need

1169
01:11:54,400 --> 01:11:59,240
Speaker 3: my respect, Yeah, And I don't expect everybody to be

1170
01:11:59,360 --> 01:12:03,960
Speaker 3: loyal because human beings just don't prove themselves like that.

1171
01:12:04,240 --> 01:12:07,439
Speaker 3: Like motherfuckers choose themselves and they choose pussy or they

1172
01:12:07,520 --> 01:12:14,040
Speaker 3: choose money or whatever the case. You know what I'm saying. Yeah, Okay,

1173
01:12:14,760 --> 01:12:17,040
Speaker 3: so let me ask you a question, right because you

1174
01:12:17,080 --> 01:12:19,400
Speaker 3: know when you look up your streams, you look up

1175
01:12:19,720 --> 01:12:22,400
Speaker 3: you know your accolades. Right, this is a lot of

1176
01:12:22,479 --> 01:12:25,160
Speaker 3: a lot of lot of things to be happy about. Right.

1177
01:12:25,640 --> 01:12:27,280
Speaker 3: And then we have Will Smith on here sitting in

1178
01:12:27,280 --> 01:12:29,760
Speaker 3: the same seat you sitting at right, and Will Smith

1179
01:12:29,840 --> 01:12:32,840
Speaker 3: described something to us and he said, uh, he said,

1180
01:12:32,840 --> 01:12:35,200
Speaker 3: this is this rock bottom, right, but then he said

1181
01:12:35,240 --> 01:12:38,479
Speaker 3: this cliff hanger high right top cliff top high. Okay,

1182
01:12:38,520 --> 01:12:41,600
Speaker 3: thank you all right, God bless you all right. So

1183
01:12:42,200 --> 01:12:46,840
Speaker 3: and like where you reach a level where you like

1184
01:12:46,960 --> 01:12:52,360
Speaker 3: kind of like did everything. Yeah, have you had your

1185
01:12:52,479 --> 01:12:59,400
Speaker 3: version of that cliff up? Yeah, cliff top, man, I

1186
01:12:59,479 --> 01:13:02,920
Speaker 3: think it's formed in stadiums. Niggas worked with all of

1187
01:13:03,000 --> 01:13:06,519
Speaker 3: the top top top plus the low low low niggas

1188
01:13:06,560 --> 01:13:11,240
Speaker 3: done made millions of dollars. Part of that was smash

1189
01:13:11,520 --> 01:13:17,040
Speaker 3: every chick because that was part of it. Up. He's

1190
01:13:21,280 --> 01:13:26,439
Speaker 3: keep going. The biggest back I've had, I've had, I've

1191
01:13:26,479 --> 01:13:29,360
Speaker 3: been blessed to you know, meet a lot of beautiful

1192
01:13:29,400 --> 01:13:36,880
Speaker 3: hottile out there. But what else? Man? Yeah, Yeah, I've

1193
01:13:36,920 --> 01:13:40,000
Speaker 3: definitely been the top of clips. But there's more, bro,

1194
01:13:40,200 --> 01:13:43,040
Speaker 3: There's always more. It always gets better. Wait, even to

1195
01:13:43,120 --> 01:13:45,640
Speaker 3: the top where it exhausted you like you ain't want

1196
01:13:45,680 --> 01:13:49,920
Speaker 3: it no more like it doesn't matter anymore. I'm still

1197
01:13:51,240 --> 01:13:53,519
Speaker 3: I still love it, I'm still having fun with this ship.

1198
01:13:54,120 --> 01:13:58,800
Speaker 3: Does it matter? Like? Ship only matters to you when

1199
01:13:58,840 --> 01:14:01,560
Speaker 3: people be so fucking tripped out about like all this,

1200
01:14:01,800 --> 01:14:03,360
Speaker 3: or I can't do this, or I can't wear this,

1201
01:14:03,520 --> 01:14:05,240
Speaker 3: or I can't do that. Like, man, that shit only

1202
01:14:05,280 --> 01:14:08,240
Speaker 3: matters to you. Don't nobody fucking give a fuck. Ain't

1203
01:14:08,240 --> 01:14:11,360
Speaker 3: nobody coming to say its nigga, It is what it is.

1204
01:14:11,439 --> 01:14:14,599
Speaker 3: You know what I'm saying. You just gotta fucking live life,

1205
01:14:15,400 --> 01:14:19,200
Speaker 3: love your life and enjoy this shit. Man. They always

1206
01:14:19,200 --> 01:14:21,000
Speaker 3: say life for short, right, and that shit is a

1207
01:14:21,080 --> 01:14:24,400
Speaker 3: real fucking thing, you know what I'm saying. So enjoy

1208
01:14:24,439 --> 01:14:25,920
Speaker 3: your mother's fucking time here.

1209
01:14:26,080 --> 01:14:26,280
Speaker 7: Man.

1210
01:14:26,800 --> 01:14:28,800
Speaker 3: Absolutely, if you get the if you get the phone

1211
01:14:28,840 --> 01:14:31,200
Speaker 3: call for the Super Bowl, will you do it? Why?

1212
01:14:31,280 --> 01:14:35,400
Speaker 3: Whatn't I? Yeah? So yeah, there's things like that that

1213
01:14:35,520 --> 01:14:37,840
Speaker 3: I haven't done. I haven't done a Super Bowl. I

1214
01:14:37,920 --> 01:14:41,360
Speaker 3: haven't done a World Cup. By the way, I just

1215
01:14:41,479 --> 01:14:43,160
Speaker 3: told my nigga this. I just text my nigga this.

1216
01:14:43,280 --> 01:14:47,080
Speaker 3: The other day, I was in London in this car

1217
01:14:47,240 --> 01:14:49,360
Speaker 3: full of like twenty year old white girls pulled up

1218
01:14:49,400 --> 01:14:53,840
Speaker 3: on the side of me singing fucking singing, Uh, where

1219
01:14:54,120 --> 01:14:56,920
Speaker 3: is the Love by my nigga? Wholl I Am and

1220
01:14:57,040 --> 01:14:58,840
Speaker 3: Black Eyed Peas and shit, and I hit my nigga,

1221
01:14:58,840 --> 01:15:00,800
Speaker 3: and I'm like, man, I just wanted to let you

1222
01:15:00,960 --> 01:15:05,000
Speaker 3: know when niggas bring up West Coast, right, you see,

1223
01:15:05,040 --> 01:15:08,439
Speaker 3: you just named all those people, right, and people always

1224
01:15:08,479 --> 01:15:10,439
Speaker 3: think of the West Coast as those people, you know

1225
01:15:10,479 --> 01:15:13,320
Speaker 3: what I'm saying. But I told him he's really the

1226
01:15:13,600 --> 01:15:16,719
Speaker 3: greatest from the motherfucking West Coast. Will I Am nigga,

1227
01:15:16,920 --> 01:15:19,240
Speaker 3: that nigga performed the World Cup, he performed the Super

1228
01:15:19,280 --> 01:15:23,280
Speaker 3: Bowl like three times. Nigga, Like, like, I just said,

1229
01:15:23,360 --> 01:15:25,320
Speaker 3: it's twenty twenty five and you got a group of

1230
01:15:25,320 --> 01:15:28,360
Speaker 3: twenty year olds singing that shit screaming to the top

1231
01:15:28,400 --> 01:15:30,280
Speaker 3: of the lungs bro right now when that song is

1232
01:15:30,400 --> 01:15:33,400
Speaker 3: like unrelevant, you know what I'm saying. And forgetting out

1233
01:15:33,439 --> 01:15:36,120
Speaker 3: on that record, right, maybe she is, but she was

1234
01:15:36,160 --> 01:15:38,280
Speaker 3: a great too, man. I just had to let let

1235
01:15:38,320 --> 01:15:39,680
Speaker 3: it be knowing that Will I Am is one of

1236
01:15:39,720 --> 01:15:41,760
Speaker 3: the tops from the fucking West Coast, play one of

1237
01:15:41,800 --> 01:15:47,479
Speaker 3: them kings. Shout out to him. You need to make

1238
01:15:47,560 --> 01:15:50,040
Speaker 3: a West Coast album. Who will be on? Who will

1239
01:15:50,080 --> 01:15:55,719
Speaker 3: be on? That album. Well, I am Doctor J Muster

1240
01:15:56,400 --> 01:16:03,080
Speaker 3: YG Joe, Moses Joe, motherfucking Moses Nigga to go, niggah?

1241
01:16:04,320 --> 01:16:05,679
Speaker 3: Who else will be on that album?

1242
01:16:05,720 --> 01:16:05,920
Speaker 7: Man?

1243
01:16:06,520 --> 01:16:13,000
Speaker 3: TC? Of course? Who Quick Nigga? What DJ Quick? Of course?

1244
01:16:15,560 --> 01:16:21,360
Speaker 3: Problem problem, bigger problem. Who else did I leave out? Anybody?

1245
01:16:23,000 --> 01:16:32,160
Speaker 3: Greid Old Nigga? Of course? R J. There's so many people,

1246
01:16:32,240 --> 01:16:34,439
Speaker 3: man on the West Side. It's not Ray J right

1247
01:16:35,240 --> 01:16:41,200
Speaker 3: nah No r J r J. Mister l A. He's

1248
01:16:41,280 --> 01:16:45,240
Speaker 3: one of the greats. Okay, who else? Man, I'll be

1249
01:16:45,360 --> 01:16:47,920
Speaker 3: leaving niggas out? Man, I be You already know bro

1250
01:16:48,160 --> 01:16:50,960
Speaker 3: to be like faded. You know what I'm saying, And

1251
01:16:51,040 --> 01:16:53,519
Speaker 3: there's nothing wrong with that, you know, like like a

1252
01:16:53,600 --> 01:16:56,360
Speaker 3: big compliment. Didn't I didn't hear Kendrick and I didn't

1253
01:16:56,360 --> 01:17:01,439
Speaker 3: he game? Yeah, what a dumb fuck. You see what

1254
01:17:01,520 --> 01:17:06,400
Speaker 3: I'm saying. You see what I'm saying? Of course? Game?

1255
01:17:06,840 --> 01:17:12,320
Speaker 3: Of course? Got Jay Rock, Jay Rock. I want to

1256
01:17:12,360 --> 01:17:17,880
Speaker 3: fucking Vin's nigga school boy cu my young nigga, Ray Vaughn,

1257
01:17:18,400 --> 01:17:20,320
Speaker 3: who I didn't name earlier when y'all asked me who

1258
01:17:20,360 --> 01:17:22,600
Speaker 3: was like the next niggas on the West Rayvaughn, the

1259
01:17:22,760 --> 01:17:29,960
Speaker 3: fuck and they don't even smoke. But yeah, oh man,

1260
01:17:32,920 --> 01:17:37,639
Speaker 3: it's this new nigga. Airplane. James Airplane, James Airplane, James

1261
01:17:37,680 --> 01:17:42,800
Speaker 3: who I love too. Yeah, he had the other He's

1262
01:17:42,800 --> 01:17:45,960
Speaker 3: from l A. Yeah, I believe. So it's another nig

1263
01:17:46,080 --> 01:17:48,040
Speaker 3: I'm leaving out. It's so many mo fuckers.

1264
01:17:48,080 --> 01:17:51,200
Speaker 1: Bro, don't think there's so many people and you can't

1265
01:17:51,240 --> 01:17:52,040
Speaker 1: even name them on.

1266
01:17:53,720 --> 01:17:57,200
Speaker 3: Nah, what the fuck?

1267
01:17:58,280 --> 01:17:58,400
Speaker 5: Uh?

1268
01:17:59,200 --> 01:18:03,160
Speaker 3: I'll be hollering out, gang gang chef boy man, what

1269
01:18:03,320 --> 01:18:11,639
Speaker 3: the fun boy? Forgive me my nigga? Jay Worthy? Yeah

1270
01:18:11,720 --> 01:18:16,680
Speaker 3: for sure, okay Worthy? Hold on? You know when I

1271
01:18:17,000 --> 01:18:22,240
Speaker 3: found out we had T dollar signs today, Dollar song man, No,

1272
01:18:23,680 --> 01:18:26,560
Speaker 3: I say T. You know, I abbreviate stuff. I know.

1273
01:18:26,760 --> 01:18:29,960
Speaker 3: I know he didn't mean nothing like a real old end.

1274
01:18:31,840 --> 01:18:38,599
Speaker 3: He's like a real dog. I really drink, you can't,

1275
01:18:43,479 --> 01:18:45,559
Speaker 3: That's what. Yeah. I don't know if I should keep

1276
01:18:45,560 --> 01:18:47,280
Speaker 3: on pushing his own ship. I'm gonna leave the own

1277
01:18:47,360 --> 01:18:49,479
Speaker 3: ship to him. I might just stay at the unk level.

1278
01:18:49,920 --> 01:18:53,760
Speaker 3: They're trying to unk me, now, y'all. They're trying to

1279
01:18:53,840 --> 01:18:56,960
Speaker 3: unk me now, dog. Hold on, I'm old. You know,

1280
01:18:59,080 --> 01:19:02,000
Speaker 3: people talking people, and.

1281
01:19:03,640 --> 01:19:08,800
Speaker 1: One person in particular, I said about they said tied

1282
01:19:08,840 --> 01:19:09,400
Speaker 1: down to size.

1283
01:19:09,479 --> 01:19:15,519
Speaker 3: Haitian, you jump up, Haitian, bro. Yeah.

1284
01:19:16,240 --> 01:19:18,599
Speaker 1: I had to google it and it was bullshit because

1285
01:19:18,600 --> 01:19:20,519
Speaker 1: it said half French.

1286
01:19:22,160 --> 01:19:28,240
Speaker 3: Are you half French? I'm not half frenchmen or not. No, no, no, no, no, don't.

1287
01:19:28,360 --> 01:19:33,120
Speaker 3: I had to go to Google. I'm English. Go to Google.

1288
01:19:33,280 --> 01:19:39,360
Speaker 3: That's chat, that's chat. That's what I'm saying English. But

1289
01:19:39,439 --> 01:19:41,000
Speaker 3: I know a couple of French where he knows what

1290
01:19:41,040 --> 01:19:43,960
Speaker 3: I'm talking about. This ship up. Let me suck my

1291
01:19:44,040 --> 01:19:52,160
Speaker 3: d is my beat? So you are not half French? No, no, no,

1292
01:19:52,640 --> 01:19:56,320
Speaker 3: those are claiming he's hatre. He just thinks everybody's Hatian.

1293
01:19:56,800 --> 01:19:58,880
Speaker 3: Shout out to the those man, it's not me.

1294
01:19:59,120 --> 01:20:01,640
Speaker 1: Man, he got you know him? And yeah, they're going

1295
01:20:01,800 --> 01:20:04,200
Speaker 1: Google music. But I'm just saying, just because you got

1296
01:20:04,320 --> 01:20:05,439
Speaker 1: a record with Kodact Black.

1297
01:20:07,600 --> 01:20:13,880
Speaker 3: Google half French. He knows what I'm talking about high French.

1298
01:20:13,920 --> 01:20:16,799
Speaker 3: They got him down. And we talked about all in already,

1299
01:20:16,880 --> 01:20:18,760
Speaker 3: right or did me? Because you know we talked about

1300
01:20:19,400 --> 01:20:21,719
Speaker 3: the woman Kodak Black and y G we talked about

1301
01:20:21,920 --> 01:20:25,519
Speaker 3: because we're talking about the sample off camera. Yeah, so

1302
01:20:25,880 --> 01:20:28,840
Speaker 3: let's let's get to that. What is that samples? The

1303
01:20:28,880 --> 01:20:33,400
Speaker 3: sample with the other single, was it all in? All in?

1304
01:20:34,240 --> 01:20:38,719
Speaker 3: I got a little rhythm. Yeah, Bloomy D had that rhythm,

1305
01:20:39,640 --> 01:20:42,280
Speaker 3: the one that had that rhythm. Sean Paul had that rhythm.

1306
01:20:42,720 --> 01:20:47,800
Speaker 3: Everybody had that, like you said, yeah cool, So shout

1307
01:20:47,840 --> 01:20:50,400
Speaker 3: out to the original. Uh, what's his name? Bro? I

1308
01:20:50,439 --> 01:20:55,320
Speaker 3: have been Can we look out where them that comes from? Yeah,

1309
01:20:55,360 --> 01:20:59,120
Speaker 3: come on ahead, look it up. Uh. Obviously we had

1310
01:20:59,160 --> 01:21:02,720
Speaker 3: one of the best rhythms ever. And I always loved

1311
01:21:02,760 --> 01:21:08,679
Speaker 3: that one. Huh, I get a lanky that's the original. Yeah,

1312
01:21:08,800 --> 01:21:14,679
Speaker 3: so shout out to Lanky or lay. Let's double checks

1313
01:21:14,960 --> 01:21:18,559
Speaker 3: Wally D Wally rhythms. So that's what it all comes from.

1314
01:21:19,200 --> 01:21:22,280
Speaker 3: And uh, I had shout out to my lawyers. She

1315
01:21:22,520 --> 01:21:25,160
Speaker 3: she she knew some guys in Europe that replayed it.

1316
01:21:25,240 --> 01:21:29,040
Speaker 3: So it's not even the sample. And uh, that's dope.

1317
01:21:29,960 --> 01:21:32,200
Speaker 3: That's that. So how's that go? If you replay it,

1318
01:21:32,240 --> 01:21:33,800
Speaker 3: you don't have to. You don't have to, and it's

1319
01:21:33,800 --> 01:21:36,200
Speaker 3: an interpolation. Is no longer a sample. You didn't use

1320
01:21:36,200 --> 01:21:40,640
Speaker 3: the master. So therefore you just you know, cut them

1321
01:21:40,680 --> 01:21:43,400
Speaker 3: in to the team. Yeah, you just cut them in

1322
01:21:45,280 --> 01:21:47,840
Speaker 3: and you have to still conversate them. You said, yeah,

1323
01:21:47,840 --> 01:21:49,320
Speaker 3: you cut them in on the publishing. We're all a

1324
01:21:49,360 --> 01:21:51,040
Speaker 3: part of the record. We're all writers on the record,

1325
01:21:51,200 --> 01:21:54,400
Speaker 3: as opposed to when you sample it post times people

1326
01:21:55,240 --> 01:21:59,120
Speaker 3: the publishing, then certain other people own the master. It

1327
01:21:59,280 --> 01:22:01,960
Speaker 3: just gets worse. You have to pay more people, so

1328
01:22:02,040 --> 01:22:04,840
Speaker 3: it's better to replay it. Yeah, you hear that, artist

1329
01:22:05,880 --> 01:22:08,719
Speaker 3: learn learn how to use your instruments and your equipment.

1330
01:22:08,760 --> 01:22:11,000
Speaker 3: You know what you said that if they be playing

1331
01:22:11,040 --> 01:22:14,320
Speaker 3: it anyway, have you brought that onto your live show? Yeah?

1332
01:22:14,439 --> 01:22:17,760
Speaker 3: I would. I always bring live instruments. I definitely play

1333
01:22:17,800 --> 01:22:20,440
Speaker 3: every live instrument. I know all the dope ass musicians

1334
01:22:21,200 --> 01:22:24,040
Speaker 3: and uh we will always incorporate live music when it

1335
01:22:24,120 --> 01:22:28,600
Speaker 3: comes to a todd dollars on record, you prefer I

1336
01:22:28,720 --> 01:22:33,439
Speaker 3: prefer live. I prefer reality. I prefer real. You know

1337
01:22:33,439 --> 01:22:35,599
Speaker 3: what I'm saying. It's nice to go to Booby Trap

1338
01:22:35,720 --> 01:22:39,479
Speaker 3: and look at a BBL, But in my in house, pussy,

1339
01:22:39,640 --> 01:22:43,680
Speaker 3: I like it to be like, Yeah, I like the

1340
01:22:43,720 --> 01:22:43,960
Speaker 3: way that.

1341
01:22:44,439 --> 01:22:48,280
Speaker 1: Are you into the like you perform every record like

1342
01:22:48,400 --> 01:22:50,560
Speaker 1: you want to be on the mic? Or will you

1343
01:22:50,680 --> 01:22:53,200
Speaker 1: do a little limps ging like Milli Vani.

1344
01:22:55,280 --> 01:23:00,639
Speaker 3: Because whatever they want to listen, let's and listen listen.

1345
01:23:02,600 --> 01:23:07,519
Speaker 3: You know, I've seen certain people where you know, they'll

1346
01:23:07,600 --> 01:23:10,000
Speaker 3: have the mic off, I mean the mic off and

1347
01:23:10,160 --> 01:23:12,800
Speaker 3: just do shows like that. And it's only acceptable to

1348
01:23:12,920 --> 01:23:16,240
Speaker 3: me if you're doing lots of dancing and then you

1349
01:23:16,400 --> 01:23:18,439
Speaker 3: cut in and then come back to your vocal. I've

1350
01:23:18,439 --> 01:23:21,000
Speaker 3: even seen like I honestly do that, do that, grea

1351
01:23:21,080 --> 01:23:24,719
Speaker 3: kers do that, and like sometimes I have a backing

1352
01:23:24,800 --> 01:23:27,920
Speaker 3: track and I'll let that go, but then I hit

1353
01:23:27,960 --> 01:23:29,680
Speaker 3: a run that's not even on the track, and you'll

1354
01:23:29,680 --> 01:23:32,439
Speaker 3: see that I can sing my eyes off. Certain times

1355
01:23:32,439 --> 01:23:34,880
Speaker 3: I use auto tune. Auto tune is just for an effect.

1356
01:23:34,960 --> 01:23:37,920
Speaker 3: It's not like I depend on auto tune its stage.

1357
01:23:38,680 --> 01:23:41,280
Speaker 3: On stage, it's an effect. I use my same fucking

1358
01:23:41,640 --> 01:23:46,360
Speaker 3: uh you know chain wherever I go. You know what

1359
01:23:46,400 --> 01:23:48,920
Speaker 3: I'm saying. Certain times I'll cut that ship off and

1360
01:23:49,120 --> 01:23:51,600
Speaker 3: just go in A nigga could do its thame like

1361
01:23:51,760 --> 01:23:54,479
Speaker 3: so what like. But we have effects that people love

1362
01:23:54,520 --> 01:23:57,360
Speaker 3: and that's the song and that's why we use effects.

1363
01:23:57,720 --> 01:24:00,240
Speaker 3: So anybody that ever tried to say that ship he's

1364
01:24:00,280 --> 01:24:06,599
Speaker 3: a fat one. Let me ask you. So God comes

1365
01:24:06,640 --> 01:24:09,640
Speaker 3: down to earth, right, he comes out. He spoke a

1366
01:24:09,680 --> 01:24:13,720
Speaker 3: joint with you, he said, Tom you got. I'm gonna

1367
01:24:13,760 --> 01:24:21,639
Speaker 3: give you one producer and one feature, and this record

1368
01:24:21,680 --> 01:24:25,600
Speaker 3: that you're gonna make it's gonna change humanity. Who is

1369
01:24:25,720 --> 01:24:28,320
Speaker 3: you getting it as the producer and who is you

1370
01:24:28,439 --> 01:24:34,439
Speaker 3: getting as the feature? Well, if we look at the

1371
01:24:34,600 --> 01:24:40,800
Speaker 3: songs in my lifetime that changed humanity, and I would

1372
01:24:40,880 --> 01:24:43,439
Speaker 3: just like do that again. Oh should we come new?

1373
01:24:44,880 --> 01:24:51,960
Speaker 3: That's the thing got Well, the first thing that would

1374
01:24:51,960 --> 01:24:54,080
Speaker 3: come to mind would be to do a record with

1375
01:24:54,200 --> 01:25:01,640
Speaker 3: Bob Marley. You know what I'm saying, Why? Because I

1376
01:25:01,680 --> 01:25:04,360
Speaker 3: feel like that's the one guy to where any country

1377
01:25:04,439 --> 01:25:07,720
Speaker 3: I've been in, whether it be Egypt, whether it be Australia,

1378
01:25:07,800 --> 01:25:10,920
Speaker 3: whether it be somewhere in Asia, anywhere in the world,

1379
01:25:11,360 --> 01:25:14,479
Speaker 3: there's still rapping Bob Marley to this day because of

1380
01:25:14,600 --> 01:25:19,760
Speaker 3: his music. You are correct, because everything, it's like his

1381
01:25:19,920 --> 01:25:22,960
Speaker 3: whole style was like every record is that, Every record

1382
01:25:23,120 --> 01:25:25,559
Speaker 3: is like to change lives, Every record is hit you said,

1383
01:25:26,080 --> 01:25:28,000
Speaker 3: is the feature you're saying, But who's gonna produce the record?

1384
01:25:28,080 --> 01:25:31,879
Speaker 3: His producers want let's just do a reggae joint.

1385
01:25:34,840 --> 01:25:35,040
Speaker 9: Like that.

1386
01:25:35,280 --> 01:25:37,920
Speaker 3: You know, just life changes. So, for lack of a

1387
01:25:37,960 --> 01:25:41,000
Speaker 3: better term, that that is that is a person that's

1388
01:25:41,120 --> 01:25:44,680
Speaker 3: passed away. Let's pick a feature that live and uh

1389
01:25:45,160 --> 01:25:51,280
Speaker 3: and able to do that? Yeah, change the work no

1390
01:25:51,400 --> 01:25:58,240
Speaker 3: matter who. I would work with, just me and my

1391
01:25:58,520 --> 01:26:05,280
Speaker 3: my team as far as the production me five Camper, uh,

1392
01:26:06,040 --> 01:26:10,400
Speaker 3: who else, my new nigga barg that I've been working

1393
01:26:10,439 --> 01:26:15,680
Speaker 3: with from Sweden, and we would come up with the

1394
01:26:17,240 --> 01:26:22,320
Speaker 3: musical part and I would probably feature that nigga Bruno

1395
01:26:22,479 --> 01:26:26,600
Speaker 3: mars bro hav't like done a song with that. I

1396
01:26:26,840 --> 01:26:29,720
Speaker 3: know that if we did some ship, especially if it

1397
01:26:29,840 --> 01:26:32,240
Speaker 3: was like a meaningful record like that, I feel like

1398
01:26:32,320 --> 01:26:34,320
Speaker 3: it was like, I think you have to change the

1399
01:26:34,360 --> 01:26:38,479
Speaker 3: world yep, because I would hit that low register and

1400
01:26:38,640 --> 01:26:42,760
Speaker 3: go stupid with the high register and just take all

1401
01:26:42,800 --> 01:26:49,120
Speaker 3: the hearts you know you and Weekend is yeah, equally,

1402
01:26:49,640 --> 01:26:52,680
Speaker 3: you know what I'm saying. Equally by the way, Man,

1403
01:26:53,520 --> 01:26:55,960
Speaker 3: I forgot how many Diamond records they say there are

1404
01:26:56,120 --> 01:26:58,880
Speaker 3: one hundred and something and I'm on a few of those,

1405
01:26:58,960 --> 01:27:01,160
Speaker 3: you know what I'm saying, And one of them is

1406
01:27:01,200 --> 01:27:04,560
Speaker 3: about to hit and that's or now with me and

1407
01:27:04,640 --> 01:27:08,600
Speaker 3: my nigga, the Weekend Whiz Khalifa. Like I said, man,

1408
01:27:08,640 --> 01:27:09,960
Speaker 3: it's not a lot of it's not a lot of

1409
01:27:10,000 --> 01:27:12,120
Speaker 3: you motherfuckers out there that got Diamond records, period. But

1410
01:27:12,200 --> 01:27:13,760
Speaker 3: they have a couple of them, you know. I'm saying,

1411
01:27:13,800 --> 01:27:20,760
Speaker 3: that's the thing, and that's right there, and I have

1412
01:27:20,880 --> 01:27:22,920
Speaker 3: a couple of It's not the people who have records

1413
01:27:22,960 --> 01:27:25,519
Speaker 3: with Weekend. It doesn't work with everybody. So how was

1414
01:27:25,560 --> 01:27:26,400
Speaker 3: that y'all linking up?

1415
01:27:27,160 --> 01:27:27,200
Speaker 9: So?

1416
01:27:27,680 --> 01:27:31,320
Speaker 3: And how that came about? Because I made this record,

1417
01:27:31,400 --> 01:27:34,080
Speaker 3: my brother Mustard came through to the studio. He played

1418
01:27:34,120 --> 01:27:37,120
Speaker 3: some beats. One of them was or My nigga. Lemmy

1419
01:27:37,600 --> 01:27:40,600
Speaker 3: was in the studio. We was going over it, just

1420
01:27:40,760 --> 01:27:46,080
Speaker 3: like concept ideas, and he was like, or Noah, let

1421
01:27:46,160 --> 01:27:49,280
Speaker 3: me say that, and then we made the song or Nah.

1422
01:27:50,560 --> 01:27:55,000
Speaker 3: And this was originally for Wizz's album and then once

1423
01:27:55,120 --> 01:27:57,519
Speaker 3: Paranoid took off and it was time for me to

1424
01:27:57,680 --> 01:28:04,080
Speaker 3: drop EP to Atlantic, I asked Wiz, let me get

1425
01:28:04,120 --> 01:28:06,599
Speaker 3: that too, you know what I'm saying, And he said yeah,

1426
01:28:07,439 --> 01:28:09,439
Speaker 3: and shout out to Wiz Man. This nigga gave me

1427
01:28:09,560 --> 01:28:11,280
Speaker 3: motherfucking record. Nigga.

1428
01:28:11,280 --> 01:28:14,720
Speaker 11: I gave it to him, arigulated that was for you,

1429
01:28:15,080 --> 01:28:21,879
Speaker 11: gave it to him and then he had okay, yeah, that's.

1430
01:28:24,280 --> 01:28:26,760
Speaker 3: Weekend on it. Originally, no he wasn't on there. Me

1431
01:28:26,840 --> 01:28:31,960
Speaker 3: and Wiz dropped it. And then to be completely transparent, man,

1432
01:28:32,520 --> 01:28:35,519
Speaker 3: my nigga, Drake was supposed to hop on it pause

1433
01:28:36,000 --> 01:28:39,439
Speaker 3: and he never sent his verse. Everybody was saying he

1434
01:28:39,520 --> 01:28:42,840
Speaker 3: did his verse. Everybody's I heard the verses. Fucking crazy,

1435
01:28:42,920 --> 01:28:44,760
Speaker 3: Da da da da. Next thing, you know, it's not

1436
01:28:44,920 --> 01:28:47,320
Speaker 3: like I tried to do this ship like, oh, he

1437
01:28:47,360 --> 01:28:49,799
Speaker 3: didn't do it, so I'm go go get it. Fucking

1438
01:28:50,360 --> 01:28:53,519
Speaker 3: Abel just did the verse. Everybody don't know. That's the Weekend,

1439
01:28:53,640 --> 01:28:56,519
Speaker 3: the weekend, he just did the verse. The verses a

1440
01:28:56,600 --> 01:29:00,000
Speaker 3: fucking classic to this day and shout out to him,

1441
01:29:00,080 --> 01:29:03,200
Speaker 3: man will be diamond baby. What would that record be

1442
01:29:03,360 --> 01:29:06,160
Speaker 3: like if Drake would have sent his verse and Weekend

1443
01:29:06,200 --> 01:29:09,320
Speaker 3: would have sent his verse time imagine that. I wish

1444
01:29:09,439 --> 01:29:12,639
Speaker 3: Drake would just leaked that verse because there is a version.

1445
01:29:13,400 --> 01:29:15,880
Speaker 3: I didn't never hear it. Niggas told me they heard it.

1446
01:29:15,960 --> 01:29:18,080
Speaker 3: I don't know. Niggas was just trying to have a conversation.

1447
01:29:20,160 --> 01:29:23,160
Speaker 3: Several people told me they heard it. I don't know.

1448
01:29:23,320 --> 01:29:25,280
Speaker 3: He never sent it to me personally. He played it

1449
01:29:25,360 --> 01:29:27,639
Speaker 3: for them or this is what Niggas said. Niggas from

1450
01:29:27,680 --> 01:29:32,280
Speaker 3: his side niggas from you know Weekend's name, the name

1451
01:29:34,439 --> 01:29:40,240
Speaker 3: you called him, Weekend R and R. Yeah, listen, you

1452
01:29:40,280 --> 01:29:41,840
Speaker 3: don't call anybody real name.

1453
01:29:42,520 --> 01:29:42,760
Speaker 1: I know.

1454
01:29:43,320 --> 01:29:49,680
Speaker 3: Listen, his name is top not even is crash out.

1455
01:29:51,800 --> 01:29:55,439
Speaker 4: All right, So let's say Timberland Swiss call you. Who

1456
01:29:55,439 --> 01:30:02,160
Speaker 4: would you do a verse versus you picked your Yeah,

1457
01:30:02,160 --> 01:30:05,240
Speaker 4: I like pick the versus. Yeah, I'm going to pick somebody.

1458
01:30:05,280 --> 01:30:11,519
Speaker 4: I'm gonna beat nigga Okay, yeah, I don't know, we

1459
01:30:11,960 --> 01:30:16,920
Speaker 4: got your go on the versus T pay But man,

1460
01:30:17,040 --> 01:30:18,439
Speaker 4: T Pain is such a got bro.

1461
01:30:18,760 --> 01:30:21,640
Speaker 3: I don't know Pain would be a good one, but

1462
01:30:21,720 --> 01:30:25,960
Speaker 3: that like this man, this this song. I just seen

1463
01:30:26,000 --> 01:30:29,240
Speaker 3: my nigga T Paying perform at ah A coach Hella

1464
01:30:29,280 --> 01:30:32,040
Speaker 3: bro and and I know I had the best performance ever.

1465
01:30:32,439 --> 01:30:35,960
Speaker 3: But T Pain nigga, Like, I feel like that nigga

1466
01:30:35,960 --> 01:30:38,680
Speaker 3: deserves a super Bowl performance. What you bout that too?

1467
01:30:39,439 --> 01:30:41,639
Speaker 3: I got it too, But I feel like he definitely

1468
01:30:41,680 --> 01:30:44,240
Speaker 3: deserves the super Bowl performance as well, that nigga T

1469
01:30:44,439 --> 01:30:50,719
Speaker 3: pay Man, it's that one song everybody hands go up. Yeah,

1470
01:30:50,800 --> 01:30:54,200
Speaker 3: that's where by the second time, the second time came on,

1471
01:30:54,439 --> 01:30:55,960
Speaker 3: like he's doing the dance and he don't even got

1472
01:30:56,080 --> 01:30:58,040
Speaker 3: to do nothing no more. The crowd is just singing

1473
01:30:58,120 --> 01:31:00,320
Speaker 3: that ship the whole time, and it was like it

1474
01:31:00,560 --> 01:31:02,640
Speaker 3: just it just felt good to see my nigga get

1475
01:31:02,720 --> 01:31:06,360
Speaker 3: his full love like that. He's always been one of

1476
01:31:06,400 --> 01:31:09,559
Speaker 3: the greatest to me. Listen, he was at the day parade.

1477
01:31:09,720 --> 01:31:11,559
Speaker 3: Would that be? Would that be just like the Super

1478
01:31:11,640 --> 01:31:15,920
Speaker 3: Bowl or bigger Man deserve a Super Bowl perform? He

1479
01:31:16,040 --> 01:31:19,800
Speaker 3: deserves a Super super Bowl performance in my opinion, tied on.

1480
01:31:20,000 --> 01:31:25,320
Speaker 3: Ask me, you know I'm on Twitter right now? Oh yeah,

1481
01:31:25,320 --> 01:31:29,960
Speaker 3: I gotcha, And they just asked me, it's crazy. Have

1482
01:31:30,160 --> 01:31:34,080
Speaker 3: you ever met friends? Yeah, Nigga. I met Prince one

1483
01:31:34,160 --> 01:31:40,080
Speaker 3: time twice pause. No, he had pants on. But anyway,

1484
01:31:41,040 --> 01:31:43,200
Speaker 3: I met him at at like one of those La

1485
01:31:43,600 --> 01:31:46,720
Speaker 3: Warehouse parties, probably when I was around twenty one twenty two,

1486
01:31:46,880 --> 01:31:49,280
Speaker 3: just going out for the first time, and he had

1487
01:31:49,280 --> 01:31:50,760
Speaker 3: a whole bunch of bitches with him and he was

1488
01:31:50,800 --> 01:31:57,439
Speaker 3: going upstairs. I was like, prins he walk those stairs, Nigga.

1489
01:31:57,800 --> 01:32:00,600
Speaker 3: And then the next time I seen him, I was

1490
01:32:00,680 --> 01:32:05,280
Speaker 3: with Yay and we went to some type of Saturday

1491
01:32:05,400 --> 01:32:10,720
Speaker 3: night live party in New York and fucking we walk in.

1492
01:32:11,520 --> 01:32:13,800
Speaker 3: I see Jay, I see Beyonce and see what's up.

1493
01:32:15,080 --> 01:32:16,680
Speaker 3: I got a joint in my hand day like like

1494
01:32:18,560 --> 01:32:23,080
Speaker 3: fucking uh, fucking Rob Schneider from Duce Bigger Little comes up.

1495
01:32:23,120 --> 01:32:25,200
Speaker 3: He's like, let me hit the joint, passing the joint.

1496
01:32:26,320 --> 01:32:30,320
Speaker 3: Police right there, nobody's tripping. It's all good. Next thing

1497
01:32:30,320 --> 01:32:35,160
Speaker 3: you know this, Quest Love DJ and uh Taylor Swift

1498
01:32:35,200 --> 01:32:38,400
Speaker 3: get up to perform. She go perform. Next thing you

1499
01:32:38,439 --> 01:32:40,479
Speaker 3: know this nigga of the Prince just hop up on stage,

1500
01:32:40,800 --> 01:32:43,200
Speaker 3: grabbed a guitar and started going in. So that was

1501
01:32:43,200 --> 01:32:44,600
Speaker 3: the one time I got to see him go on

1502
01:32:44,640 --> 01:32:48,800
Speaker 3: stage and ship. Wow. I never got to see nothing. Yeah,

1503
01:32:49,280 --> 01:32:53,080
Speaker 3: I never got to see any other performance Prince top

1504
01:32:53,880 --> 01:32:56,679
Speaker 3: artist ever to me when niggas do the Michael Jackson

1505
01:32:56,760 --> 01:33:00,599
Speaker 3: Prince personally, I like Prince's music better whatever niggas can

1506
01:33:01,240 --> 01:33:03,559
Speaker 3: if you want to. Yeah, nigga, I like Prince, nigga.

1507
01:33:04,439 --> 01:33:06,720
Speaker 3: I mean beautiful playing basketball too, so he was the

1508
01:33:06,760 --> 01:33:09,320
Speaker 3: ball man. I just like Prinsident's music. I love Michael

1509
01:33:09,320 --> 01:33:12,720
Speaker 3: Michael's greatest artist ever, right, but I just like Prince's music.

1510
01:33:13,000 --> 01:33:15,120
Speaker 3: That's my ship, nigga. I got both of them. Niggas.

1511
01:33:17,280 --> 01:33:19,000
Speaker 3: What do you think is the Michael and prince of

1512
01:33:19,120 --> 01:33:23,040
Speaker 3: this generation. I think Chris Brown. I think Chris Brown

1513
01:33:23,200 --> 01:33:26,040
Speaker 3: is definitely Michael and I think I'm prince oh ship.

1514
01:33:29,960 --> 01:33:35,280
Speaker 3: We can't. We gotta throw him in there. I don't think, Yeah,

1515
01:33:35,280 --> 01:33:37,960
Speaker 3: he's definitely on some Michael ship, but like Michael friendship,

1516
01:33:38,080 --> 01:33:39,840
Speaker 3: but I think we can't got his own ship. I

1517
01:33:39,920 --> 01:33:42,760
Speaker 3: think that got his own life. But I'm not saying

1518
01:33:42,800 --> 01:33:44,160
Speaker 3: Chris don't got his own ship and I don't got

1519
01:33:44,200 --> 01:33:48,200
Speaker 3: my own ship. But I'm saying, like Chris got the

1520
01:33:48,240 --> 01:33:51,920
Speaker 3: Michael position. You know what makes me throw you in there?

1521
01:33:53,520 --> 01:34:02,400
Speaker 3: The road motherfuckers the road saying you got me there,

1522
01:34:03,360 --> 01:34:06,400
Speaker 3: don't let it get one. What we spoke about you

1523
01:34:06,479 --> 01:34:09,400
Speaker 3: and having a collab album, spoke about you Mustard and

1524
01:34:10,000 --> 01:34:12,439
Speaker 3: YG having a flap album. Is there any other collab

1525
01:34:12,479 --> 01:34:16,519
Speaker 3: album like say with the R and B singing like Yo?

1526
01:34:16,640 --> 01:34:18,000
Speaker 3: So I put out a couple of R and B

1527
01:34:18,080 --> 01:34:20,880
Speaker 3: collab albums. I got one with Jeremiah called My Tide

1528
01:34:20,920 --> 01:34:24,720
Speaker 3: that was fucking crazy Contact. It came out on def Jam.

1529
01:34:25,080 --> 01:34:26,880
Speaker 3: I don't feel like they fully did their one two

1530
01:34:26,960 --> 01:34:29,240
Speaker 3: with it. But you know what I'm saying. If you

1531
01:34:29,320 --> 01:34:31,760
Speaker 3: haven't heard that album, make sure you go stream that shit.

1532
01:34:31,800 --> 01:34:34,160
Speaker 3: It's called My Tie. Me and Jeremiah. We killed that shit.

1533
01:34:34,560 --> 01:34:36,679
Speaker 3: A lot of hit makeup production on that ship. Shout

1534
01:34:36,720 --> 01:34:38,920
Speaker 3: out to Krishan as well, the whole squad over there.

1535
01:34:40,000 --> 01:34:45,040
Speaker 3: My nigga A one and all that malay uh you

1536
01:34:45,160 --> 01:34:47,760
Speaker 3: go about one in the fours now and what else.

1537
01:34:48,080 --> 01:34:51,600
Speaker 3: I did a collab album with my nigga, Daniel and

1538
01:34:51,760 --> 01:34:54,519
Speaker 3: eighty five, the group Division, and it was on ov

1539
01:34:54,640 --> 01:34:57,960
Speaker 3: O and that was like more of a short EP

1540
01:34:58,160 --> 01:35:01,360
Speaker 3: type style, like seven eight songs and that'sh It's amazing

1541
01:35:01,400 --> 01:35:04,240
Speaker 3: as well too. So I did two of those. Those

1542
01:35:04,320 --> 01:35:08,040
Speaker 3: didn't really do his greatest Vultures did. But you know,

1543
01:35:08,080 --> 01:35:10,720
Speaker 3: I'm saying they're out there for you if you if

1544
01:35:10,720 --> 01:35:13,840
Speaker 3: you want to go check out the greatest Army music available,

1545
01:35:17,760 --> 01:35:20,320
Speaker 3: we got them coming up. So I want to ask you.

1546
01:35:21,120 --> 01:35:24,439
Speaker 3: I want to see, if you're gonna say it, what

1547
01:35:24,640 --> 01:35:34,800
Speaker 3: is the greatest R and B group of all time? Group? Yes, damn, Doug,

1548
01:35:35,000 --> 01:35:37,599
Speaker 3: there's so many great R and B groups? How can

1549
01:35:37,680 --> 01:35:42,240
Speaker 3: you say the greatest Army. I'm not gonna say that.

1550
01:35:42,280 --> 01:35:47,320
Speaker 3: I'm not gonna give your head. Okay. I'm Josey because

1551
01:35:47,320 --> 01:35:50,040
Speaker 3: I love boys to men, Okay, so that's your two

1552
01:35:50,120 --> 01:35:52,759
Speaker 3: so far. I love Take six, but that's like more gospel.

1553
01:35:54,800 --> 01:35:59,519
Speaker 3: I love, I love commission you will go that's all

1554
01:35:59,560 --> 01:36:08,160
Speaker 3: you say? Uh fuck, Nope, what's your temptations and all

1555
01:36:08,240 --> 01:36:12,799
Speaker 3: of that? Jackson you at six? Now, if it's influenced

1556
01:36:15,880 --> 01:36:26,920
Speaker 3: that Nigga B two K Niggah bro, I'm gonna tell

1557
01:36:26,920 --> 01:36:32,360
Speaker 3: you technically, if you deal with numbers wise, it's only

1558
01:36:32,479 --> 01:36:38,120
Speaker 3: one group that went platinum as a group, and it's

1559
01:36:38,160 --> 01:36:41,840
Speaker 3: only one group that every single solo artist in that

1560
01:36:42,080 --> 01:36:47,280
Speaker 3: group also went platinum. I know that Nance, I care audition,

1561
01:36:47,840 --> 01:36:51,760
Speaker 3: you know that is the only group. It doesn't in

1562
01:36:51,840 --> 01:36:55,080
Speaker 3: the history of R and B. I believe that the

1563
01:36:55,200 --> 01:37:00,160
Speaker 3: group actually went platinum. And every solo artist in that

1564
01:37:00,320 --> 01:37:03,240
Speaker 3: group that dropped the solo that's dropped a solo album.

1565
01:37:03,360 --> 01:37:06,160
Speaker 3: That's hard also with Platin Alright, who's the greatest R

1566
01:37:06,160 --> 01:37:12,840
Speaker 3: and B producer ever? Teddy Roley, Quincy Jones, Quincy Jones.

1567
01:37:13,439 --> 01:37:16,120
Speaker 3: It's out of those three though, Teddy Riley, baby Face

1568
01:37:16,200 --> 01:37:20,280
Speaker 3: and Quincy Jones baby fols Face. I saw it this week.

1569
01:37:21,120 --> 01:37:22,720
Speaker 3: Did you see the ship that he was performing the

1570
01:37:22,800 --> 01:37:30,080
Speaker 3: console all the songs that I was bold, Uncle Charlie

1571
01:37:30,360 --> 01:37:34,639
Speaker 3: my dog invited us and uh man, when that nigga

1572
01:37:34,720 --> 01:37:39,240
Speaker 3: face come on the catalog, the catalog is just the

1573
01:37:39,439 --> 01:37:43,360
Speaker 3: R word, the R word retarded, retarded.

1574
01:37:45,120 --> 01:37:48,280
Speaker 1: I was like, what the is the R word correct?

1575
01:37:49,760 --> 01:37:53,960
Speaker 1: I'm glad you used the R word, guys.

1576
01:37:53,800 --> 01:38:01,479
Speaker 3: I said, I also said the R word. You gotta

1577
01:38:01,520 --> 01:38:09,280
Speaker 3: call down your off if you have. All I've never

1578
01:38:09,320 --> 01:38:12,160
Speaker 3: seen baby Face perform is baby Face against in real life.

1579
01:38:13,040 --> 01:38:15,720
Speaker 3: He looked like he might be biting pit bulls on

1580
01:38:15,720 --> 01:38:18,360
Speaker 3: the law. I never I never seen anything. He had

1581
01:38:18,439 --> 01:38:21,080
Speaker 3: all the budgets playing. Sure you know show like you

1582
01:38:21,320 --> 01:38:24,479
Speaker 3: like I said, man, to get through this, you know

1583
01:38:24,560 --> 01:38:26,679
Speaker 3: what it is. In order to get to this business

1584
01:38:26,720 --> 01:38:29,000
Speaker 3: and to the level that he he is, that he

1585
01:38:29,120 --> 01:38:32,360
Speaker 3: definitely probably had to do some gangster ship. You named

1586
01:38:32,479 --> 01:38:37,760
Speaker 3: Jacketed Edge earlier. Jacket Edge was like known for being

1587
01:38:37,920 --> 01:38:42,040
Speaker 3: like R and B group that was like rappers though

1588
01:38:42,560 --> 01:38:45,400
Speaker 3: they were like gangster. Is that does that happen in

1589
01:38:45,479 --> 01:38:49,280
Speaker 3: this generation? Like that's all the RMB. Now, it's like

1590
01:38:52,680 --> 01:38:55,800
Speaker 3: trying to think how many soft RMB niggas there now,

1591
01:38:55,920 --> 01:39:03,080
Speaker 3: It's like it's not really none rappers for sure. Yeah,

1592
01:39:03,120 --> 01:39:04,160
Speaker 3: that's fucked up. How about this?

1593
01:39:05,600 --> 01:39:11,160
Speaker 1: It is do you think they're trying to eliminate good music,

1594
01:39:12,120 --> 01:39:15,120
Speaker 1: meaning you know, there's disposable music.

1595
01:39:15,040 --> 01:39:21,080
Speaker 3: Because the AI shameless music because they're trying to fucking

1596
01:39:21,200 --> 01:39:27,599
Speaker 3: eliminate human money. Fifty years Yeslime got music that of ass.

1597
01:39:28,479 --> 01:39:32,719
Speaker 1: Another fifty years today the young guys, they're doing music.

1598
01:39:32,840 --> 01:39:37,280
Speaker 1: It's good for two months, three months, TikTok. Do you

1599
01:39:37,360 --> 01:39:39,080
Speaker 1: think they're trying to get rid of good music?

1600
01:39:39,840 --> 01:39:40,040
Speaker 6: Nah?

1601
01:39:40,120 --> 01:39:42,400
Speaker 3: Bro, Like they're just trying to make money at the

1602
01:39:42,479 --> 01:39:44,200
Speaker 3: end of the day. Man, Like niggas got to take

1603
01:39:44,240 --> 01:39:46,880
Speaker 3: feelings out of this. Didn't realize like the game is

1604
01:39:47,000 --> 01:39:51,080
Speaker 3: like to get money for who's ever like getting the money?

1605
01:39:51,280 --> 01:39:54,479
Speaker 3: You know, let's not go with the flow is figure

1606
01:39:54,520 --> 01:39:57,360
Speaker 3: out how to fucking get your money, figure out how

1607
01:39:57,400 --> 01:39:59,920
Speaker 3: to get to your consumers. If I don't learn any

1608
01:40:00,040 --> 01:40:01,840
Speaker 3: things from this past like a couple of years, man,

1609
01:40:01,880 --> 01:40:06,040
Speaker 3: it's like that product ship that get into the fans,

1610
01:40:06,160 --> 01:40:09,519
Speaker 3: Like you're making your own world.

1611
01:40:09,960 --> 01:40:14,160
Speaker 1: So you know there's any conspiracy versus hear me out

1612
01:40:16,360 --> 01:40:21,680
Speaker 1: the righteous guys, the k R S, Swans, the you

1613
01:40:21,800 --> 01:40:24,280
Speaker 1: know what I mean, who cares music that taught hold

1614
01:40:24,360 --> 01:40:28,360
Speaker 1: on the music that teaches this and not meaning this

1615
01:40:28,560 --> 01:40:31,400
Speaker 1: spinning you know, if you talk about spinning the block

1616
01:40:31,840 --> 01:40:35,240
Speaker 1: b B B up, you know you get where I'm

1617
01:40:35,240 --> 01:40:39,160
Speaker 1: coming from. No, of course he doesn't understand where will

1618
01:40:39,200 --> 01:40:43,519
Speaker 1: come from. He's just trying to ask together. He got

1619
01:40:43,680 --> 01:40:51,520
Speaker 1: pieces together. He's a smart guy, meaning the music industry.

1620
01:40:51,760 --> 01:40:54,519
Speaker 1: You know, you know and I get it, and we don't.

1621
01:40:54,560 --> 01:40:56,360
Speaker 3: We're not attacking the music industry.

1622
01:40:56,880 --> 01:41:01,280
Speaker 1: We're just saying the disposable music is what people will

1623
01:41:01,320 --> 01:41:05,720
Speaker 1: say is right now, right now, timeless ship. He's done

1624
01:41:05,760 --> 01:41:10,040
Speaker 1: with pharral, the ship you've done in your career and

1625
01:41:10,160 --> 01:41:12,360
Speaker 1: compared to the young kids coming up now.

1626
01:41:12,640 --> 01:41:16,479
Speaker 3: There is shit that's gonna like uh bleed through to

1627
01:41:16,560 --> 01:41:21,400
Speaker 3: the top. And last there's certain people out there that

1628
01:41:21,479 --> 01:41:24,559
Speaker 3: are great and still care. One thing that I love

1629
01:41:24,600 --> 01:41:28,599
Speaker 3: about my artists on Easy Money and one that we've

1630
01:41:28,640 --> 01:41:31,639
Speaker 3: already proved you with Leon. He shows you right there

1631
01:41:31,760 --> 01:41:35,160
Speaker 3: that real music can still win. Bro. It's like when

1632
01:41:35,200 --> 01:41:39,040
Speaker 3: you think about mud is all live instrumentation, and it's winning.

1633
01:41:40,360 --> 01:41:45,000
Speaker 3: He didn't have to like switch like like look man,

1634
01:41:45,040 --> 01:41:48,600
Speaker 3: there was the conversations like after the first album, like

1635
01:41:48,680 --> 01:41:50,640
Speaker 3: all right, Todd Well, like we got to get him,

1636
01:41:50,720 --> 01:41:53,000
Speaker 3: like one of those club records are one of those

1637
01:41:53,040 --> 01:41:56,240
Speaker 3: d d you know what I'm saying, Like about ballast?

1638
01:41:56,280 --> 01:41:57,960
Speaker 3: Did they put ballast on you? It was just like

1639
01:41:58,080 --> 01:42:02,080
Speaker 3: chasing was working basically, you know, in short form, and

1640
01:42:03,760 --> 01:42:05,559
Speaker 3: I had to call with him like maybe we could

1641
01:42:05,600 --> 01:42:07,559
Speaker 3: do this, maybe we could do that da dah. Next thing,

1642
01:42:07,560 --> 01:42:09,280
Speaker 3: you know, I call that nigga back, like I don't

1643
01:42:09,280 --> 01:42:11,000
Speaker 3: know if it was an hour, if it was ten minutes,

1644
01:42:11,040 --> 01:42:14,200
Speaker 3: but I just felt fucking crazy telling them some shit

1645
01:42:14,320 --> 01:42:16,320
Speaker 3: like that, and I'm like, you know what, fuck that shit, nigga.

1646
01:42:16,600 --> 01:42:20,240
Speaker 3: Stick to your shit. Do you do what you believe

1647
01:42:20,280 --> 01:42:22,280
Speaker 3: and do what feels right for you And it's gonna

1648
01:42:22,320 --> 01:42:24,720
Speaker 3: win because it's like when I heard your shit, I

1649
01:42:24,960 --> 01:42:27,000
Speaker 3: liked it, and I feel like there's gonna be other

1650
01:42:27,040 --> 01:42:29,000
Speaker 3: people that fucking love it just as much as me.

1651
01:42:29,960 --> 01:42:33,680
Speaker 3: And he stuck to his own shit. He's stuck to

1652
01:42:33,800 --> 01:42:36,920
Speaker 3: making live music and it worked. It's the biggest R

1653
01:42:36,960 --> 01:42:38,719
Speaker 3: and B shit out. It didn't have to be corny,

1654
01:42:38,760 --> 01:42:42,160
Speaker 3: it didn't have to follow in anyone's footsteps, but you

1655
01:42:42,240 --> 01:42:47,800
Speaker 3: know his own gut. You know what I'm saying. Let

1656
01:42:47,840 --> 01:42:49,800
Speaker 3: me ask you, is it weird putting out an EP

1657
01:42:50,120 --> 01:42:53,680
Speaker 3: versus a full album? Like do you get pushed back

1658
01:42:53,760 --> 01:42:55,400
Speaker 3: from the label when you do when you do that,

1659
01:42:56,240 --> 01:42:59,760
Speaker 3: uh not, the labels love it because that's how they

1660
01:42:59,800 --> 01:43:02,400
Speaker 3: can keep you longer. When because it doesn't covers an

1661
01:43:02,400 --> 01:43:07,960
Speaker 3: actual album. I'll figured that out later when it's like

1662
01:43:08,240 --> 01:43:10,439
Speaker 3: when you think about it. And I signed in twenty twelve,

1663
01:43:10,520 --> 01:43:14,720
Speaker 3: and and my deal was five albums and I'm only

1664
01:43:14,760 --> 01:43:18,040
Speaker 3: on my fourth with Tycoon, right, But look about it,

1665
01:43:18,600 --> 01:43:20,880
Speaker 3: all the music that I put out all the time.

1666
01:43:21,720 --> 01:43:24,960
Speaker 3: You know what I'm saying, campaign, beach House one, Beach

1667
01:43:25,000 --> 01:43:30,200
Speaker 3: House two, airplane mode. What am I missing? Sign sign

1668
01:43:30,280 --> 01:43:34,400
Speaker 3: language one into like like come on, man, like Wi

1669
01:43:34,479 --> 01:43:40,120
Speaker 3: Fi passwords at my crib beach house. I'm in one

1670
01:43:40,120 --> 01:43:42,920
Speaker 3: of your It was a minute ago. He was running

1671
01:43:42,920 --> 01:43:53,800
Speaker 3: on the water angle. I mean, you've done so much

1672
01:43:53,840 --> 01:43:55,920
Speaker 3: in the SA too, man, Okay, yes, right, we were

1673
01:43:55,920 --> 01:44:01,280
Speaker 3: wanting to time yo. So look, look they're winded. So

1674
01:44:01,320 --> 01:44:03,280
Speaker 3: what I got your back? So look I had a

1675
01:44:03,479 --> 01:44:09,040
Speaker 3: crazy experience like twenty twenty two December, the last day

1676
01:44:09,560 --> 01:44:12,559
Speaker 3: twenty twenty two going in twenty twenty three, I let

1677
01:44:12,640 --> 01:44:15,840
Speaker 3: this random lady who was like one of those natural

1678
01:44:15,960 --> 01:44:18,160
Speaker 3: black women with the dreads with you know what I'm saying,

1679
01:44:19,000 --> 01:44:24,240
Speaker 3: organic food type. Yeah, I don't know people. You know

1680
01:44:24,280 --> 01:44:28,800
Speaker 3: what I'm saying, doctor, save the type of all that.

1681
01:44:30,360 --> 01:44:33,400
Speaker 3: So she said, I let her do my hair, and

1682
01:44:34,520 --> 01:44:36,240
Speaker 3: I wanted to get it. I wanted to get it died.

1683
01:44:36,280 --> 01:44:37,960
Speaker 3: I was on my all black. I wanted to get

1684
01:44:38,000 --> 01:44:40,200
Speaker 3: my hair dyed all black too, just to be just

1685
01:44:40,360 --> 01:44:45,639
Speaker 3: even more on that black baby. And uh, she said,

1686
01:44:45,680 --> 01:44:48,800
Speaker 3: she has some fucking all natural ship because I already

1687
01:44:48,800 --> 01:44:51,960
Speaker 3: know my skin is fucking weird. Right, I'm the type

1688
01:44:51,960 --> 01:44:55,400
Speaker 3: of nigga like you put on some motion, just fucking

1689
01:44:55,439 --> 01:44:59,360
Speaker 3: go crazy. I turned to an alligator, right. So she

1690
01:44:59,560 --> 01:45:02,960
Speaker 3: was like, no, this is some all natural ship. So look,

1691
01:45:03,080 --> 01:45:05,840
Speaker 3: she died my ship that next morning. I go do

1692
01:45:05,960 --> 01:45:09,479
Speaker 3: the show that night. The next morning, purple, I wake up.

1693
01:45:09,520 --> 01:45:11,080
Speaker 3: I look at my pillow and it's like all this

1694
01:45:11,280 --> 01:45:15,840
Speaker 3: like yellowish liquidy type ship mixed with purple. I'm like,

1695
01:45:15,960 --> 01:45:21,000
Speaker 3: what the fuck? Okay, go to the mirror, and I'm

1696
01:45:21,040 --> 01:45:25,320
Speaker 3: seeing a little puss in between the ship, right and

1697
01:45:25,520 --> 01:45:28,519
Speaker 3: you with the real man, that ship must have fucking like,

1698
01:45:28,640 --> 01:45:30,439
Speaker 3: let me find these pictures real quick. I gotta show

1699
01:45:30,439 --> 01:45:35,439
Speaker 3: your niggas. Man. Yeah, he came here one day. Ship.

1700
01:45:35,560 --> 01:45:37,320
Speaker 3: He brought the chief die. You can't hear one day

1701
01:45:38,000 --> 01:45:43,719
Speaker 3: she was ship was worse thing ship for the flea market.

1702
01:45:44,400 --> 01:45:46,519
Speaker 3: My ship is worse than how you how you get

1703
01:45:46,800 --> 01:45:49,639
Speaker 3: leg here dye? Like I can see you getting late whatever.

1704
01:45:49,760 --> 01:45:52,920
Speaker 3: But he got bout leg here dye. So we had

1705
01:45:52,920 --> 01:45:56,920
Speaker 3: an aerosol can don't give me here we go here,

1706
01:45:56,960 --> 01:45:59,360
Speaker 3: we go, ok And it has the receipts, it has

1707
01:45:59,439 --> 01:46:04,920
Speaker 3: the dates. Okay, so we do the show in the

1708
01:46:04,960 --> 01:46:07,960
Speaker 3: club that nigga. I have my my camera on pink

1709
01:46:08,040 --> 01:46:11,599
Speaker 3: on right, I have my salmon on that man. All right,

1710
01:46:12,160 --> 01:46:15,439
Speaker 3: So look January first, I wake up. This is how

1711
01:46:15,479 --> 01:46:20,400
Speaker 3: the top of my head looks, zooming that ship, little scaves,

1712
01:46:20,439 --> 01:46:25,080
Speaker 3: the little scabs and ship right, little skavs. Next thing,

1713
01:46:25,160 --> 01:46:28,920
Speaker 3: you know, wow, next thing you know, right, an hour

1714
01:46:29,080 --> 01:46:33,840
Speaker 3: go by. That's that's my head. Next thing you know,

1715
01:46:35,000 --> 01:46:38,360
Speaker 3: I okay, that's the pillow that I was saying. Right

1716
01:46:39,880 --> 01:46:42,599
Speaker 3: then you see how my face look. You can't really tell,

1717
01:46:43,040 --> 01:46:44,679
Speaker 3: but you can see from my head it's a little

1718
01:46:44,720 --> 01:46:47,839
Speaker 3: bit bigger than usual. That phone. My phone had been busting,

1719
01:46:48,520 --> 01:46:55,360
Speaker 3: but it's just like mush start busting, right. That's how

1720
01:46:55,400 --> 01:46:59,640
Speaker 3: I was looking from the side. It was that was

1721
01:46:59,640 --> 01:47:05,200
Speaker 3: anert how my brain started looking Oh right, oh no,

1722
01:47:06,880 --> 01:47:09,320
Speaker 3: the side of my face started popping out. Okay, this

1723
01:47:09,479 --> 01:47:12,080
Speaker 3: January second, This the second day of that ship, I

1724
01:47:12,160 --> 01:47:15,920
Speaker 3: started getting some type of fucking color. Was it water? Huh?

1725
01:47:16,240 --> 01:47:18,639
Speaker 3: Was it like water? It was itching, it was pussing.

1726
01:47:19,280 --> 01:47:24,160
Speaker 3: My fucking face was growing everything, bro, and to where

1727
01:47:24,240 --> 01:47:26,639
Speaker 3: my to where I had to walk into the hospital

1728
01:47:26,760 --> 01:47:28,920
Speaker 3: like this. When I walk into the hospital, walk in

1729
01:47:28,960 --> 01:47:32,120
Speaker 3: the cedar sideline, why the fuck do I see somebody

1730
01:47:32,200 --> 01:47:34,720
Speaker 3: come out with a fucking redver Sachi fucking robe with

1731
01:47:34,800 --> 01:47:36,960
Speaker 3: their head down with the hoodie over. But it's just weird,

1732
01:47:37,040 --> 01:47:39,120
Speaker 3: like why the fuck you got on the REVERSI ended

1733
01:47:39,200 --> 01:47:43,360
Speaker 3: up being that nigga Jeremiah in the hospital the same

1734
01:47:43,479 --> 01:47:45,559
Speaker 3: time as me. Shut up to my nigga. I don't

1735
01:47:45,560 --> 01:47:46,720
Speaker 3: know what was wrong with it, but that's how I'm

1736
01:47:46,760 --> 01:47:48,519
Speaker 3: in the hospital right. I don't want nobody to see

1737
01:47:48,560 --> 01:47:54,120
Speaker 3: my ass. Then this time, no nigga is January third,

1738
01:47:54,240 --> 01:47:57,759
Speaker 3: twenty twenty three. Bro. After the hair died, oh ship,

1739
01:47:58,080 --> 01:48:00,639
Speaker 3: you don't even look like in my eyes, my ship

1740
01:48:00,720 --> 01:48:05,240
Speaker 3: started like closing up like personal she put in my ship, bro,

1741
01:48:05,479 --> 01:48:07,760
Speaker 3: But she needs to get I want to.

1742
01:48:07,720 --> 01:48:08,080
Speaker 5: Say, man.

1743
01:48:08,120 --> 01:48:10,720
Speaker 3: Hopefully, you have the most natural ingredients in there.

1744
01:48:10,760 --> 01:48:10,840
Speaker 9: Bro.

1745
01:48:12,840 --> 01:48:16,840
Speaker 3: Everybody look by the way my punk ass barber two

1746
01:48:16,960 --> 01:48:19,840
Speaker 3: days ago. Uh, he puts some ship on my ship. Yeah,

1747
01:48:19,840 --> 01:48:21,599
Speaker 3: I'll be having a couple of grades going in my ship.

1748
01:48:23,200 --> 01:48:26,680
Speaker 3: You see this ship. Yeah, I've been looking like I

1749
01:48:26,720 --> 01:48:28,680
Speaker 3: forgot what they called me on my stream. It was

1750
01:48:28,840 --> 01:48:33,920
Speaker 3: some funny characters. Nigga, I had some ship. Nigga, My

1751
01:48:33,960 --> 01:48:36,560
Speaker 3: ship was crazy. You google it to see if you know.

1752
01:48:36,600 --> 01:48:39,080
Speaker 3: But I'm just like, we're we're here, bro, So hopefully

1753
01:48:39,080 --> 01:48:43,400
Speaker 3: that she is the most Yeah. And what color your eyes?

1754
01:48:43,439 --> 01:48:45,480
Speaker 3: What color is those? Because no girls.

1755
01:49:01,280 --> 01:49:01,640
Speaker 10: Can he.

1756
01:49:03,439 --> 01:49:05,920
Speaker 3: Looked like study covered.

1757
01:49:07,960 --> 01:49:11,960
Speaker 7: Tell my nigga spider Man, but green Haze, I can't

1758
01:49:12,040 --> 01:49:14,240
Speaker 7: understand the green dug Green.

1759
01:49:14,640 --> 01:49:20,200
Speaker 3: Listen, what age you started winning off of that? Nigga?

1760
01:49:20,520 --> 01:49:28,200
Speaker 3: Six months? Nigga six months? Six months? Six months? I

1761
01:49:28,320 --> 01:49:34,920
Speaker 3: was booming? What's that? They called me jar jar Binks

1762
01:49:34,920 --> 01:49:38,320
Speaker 3: from the or video crazy. I had like some hairy

1763
01:49:40,080 --> 01:49:41,960
Speaker 3: time my hair styles. I just want to say, fuck you,

1764
01:49:42,560 --> 01:49:44,160
Speaker 3: you have me in some weird ship. I had the

1765
01:49:44,240 --> 01:49:46,639
Speaker 3: to I probably asked for it too. I probably asked

1766
01:49:46,680 --> 01:49:48,400
Speaker 3: for the two braids of my hair was too thick

1767
01:49:49,640 --> 01:49:52,120
Speaker 3: and there's this picture when you pull up with my

1768
01:49:52,280 --> 01:49:55,960
Speaker 3: side little vision with the jarge oar Banks side vision,

1769
01:49:56,040 --> 01:49:57,920
Speaker 3: and it is kind of similar. I will say it

1770
01:49:58,000 --> 01:49:59,840
Speaker 3: was funny to say you got me, But it's funny

1771
01:50:00,040 --> 01:50:01,920
Speaker 3: your niggas be like making these jokes and I can't

1772
01:50:01,920 --> 01:50:04,960
Speaker 3: see how y'all look. I would usually be able to like,

1773
01:50:05,760 --> 01:50:08,320
Speaker 3: I'm gonna be honest with you playing one of your niggas.

1774
01:50:08,360 --> 01:50:13,479
Speaker 3: I have niggas crying. My friend Fat Joe and I

1775
01:50:13,600 --> 01:50:15,720
Speaker 3: told him embrace the cat, right, I told her it

1776
01:50:15,760 --> 01:50:17,960
Speaker 3: braced the cat. So I'm gona tell you this. Trying

1777
01:50:17,960 --> 01:50:20,600
Speaker 3: to I'm gonna take the same thing. It breaks the joke, like,

1778
01:50:20,680 --> 01:50:25,160
Speaker 3: don't write the Internet. They're gonna keep going. I raised

1779
01:50:26,200 --> 01:50:28,120
Speaker 3: rocking T shirt and do it on the order to

1780
01:50:28,160 --> 01:50:31,040
Speaker 3: do it on the shirt. Bay, I just did that.

1781
01:50:31,560 --> 01:50:33,160
Speaker 3: I said a new single coming and I had that

1782
01:50:33,240 --> 01:50:43,800
Speaker 3: nigga face exactly exactly exactly. Yeah, So bless, what is

1783
01:50:43,840 --> 01:50:46,160
Speaker 3: something in the game that you feel like your teeth

1784
01:50:46,160 --> 01:50:49,680
Speaker 3: are mighty white? My nigga, I'm I'm trying to be

1785
01:50:49,760 --> 01:50:56,640
Speaker 3: out there to live, so so what is something in

1786
01:50:56,680 --> 01:50:59,160
Speaker 3: the game that you feel like you haven't accomplished yet

1787
01:50:59,880 --> 01:51:02,080
Speaker 3: or like I said, man, I haven't done my super

1788
01:51:02,120 --> 01:51:05,760
Speaker 3: Bowl performance, but I haven't done a World Cup performance.

1789
01:51:05,800 --> 01:51:08,600
Speaker 3: That there's so many like new accolades to reach that

1790
01:51:09,120 --> 01:51:13,160
Speaker 3: I'm going to go after. And you know it's more

1791
01:51:13,200 --> 01:51:16,320
Speaker 3: to come, y'all. I'm still you know, fit, I still

1792
01:51:16,360 --> 01:51:19,920
Speaker 3: look good, I still smell good, I still have sex good. Okay,

1793
01:51:20,000 --> 01:51:22,320
Speaker 3: I like all that all that. You know I'm saying. Married.

1794
01:51:23,240 --> 01:51:25,960
Speaker 3: I would love to be married one day. I haven't

1795
01:51:26,000 --> 01:51:29,560
Speaker 3: got blessed with a wife yet, but you know what

1796
01:51:29,600 --> 01:51:32,799
Speaker 3: I mean, set you though, I'm a state of marriage.

1797
01:51:33,280 --> 01:51:35,040
Speaker 3: Just on the state of marriage, you know, like people

1798
01:51:35,120 --> 01:51:37,600
Speaker 3: try to push the you know, never get married. I

1799
01:51:37,680 --> 01:51:40,840
Speaker 3: know niggas have been married, like, don't do it all

1800
01:51:40,920 --> 01:51:43,120
Speaker 3: the ship, but I want to get married. It says

1801
01:51:43,160 --> 01:51:45,559
Speaker 3: in the Quran that you're not even a man until

1802
01:51:45,800 --> 01:51:47,760
Speaker 3: you're married. You know what I'm saying. You know what

1803
01:51:47,800 --> 01:51:50,920
Speaker 3: I'm saying. I don't know what it is. I got

1804
01:51:51,000 --> 01:51:52,840
Speaker 3: to get married one day, for sure. I feel like

1805
01:51:53,640 --> 01:51:56,599
Speaker 3: Mustard got married before all of us. He's been married

1806
01:51:56,640 --> 01:51:58,519
Speaker 3: twice already. I feel like twice. I feel like a

1807
01:51:58,600 --> 01:52:02,400
Speaker 3: loser for not being married at forty you know, and

1808
01:52:02,520 --> 01:52:05,000
Speaker 3: you watch it, it must have all started together, correct, Yeah?

1809
01:52:05,280 --> 01:52:07,720
Speaker 3: And who else is others of just y'all there, there's

1810
01:52:07,760 --> 01:52:10,160
Speaker 3: others man. There's like several people we have pushed into

1811
01:52:10,160 --> 01:52:14,320
Speaker 3: the label. Joe Moses had aob uh you know, uh

1812
01:52:16,640 --> 01:52:20,040
Speaker 3: labeled me crack rated all my niggas. Like we had

1813
01:52:20,080 --> 01:52:22,519
Speaker 3: so many different crews from LA like they came up

1814
01:52:22,520 --> 01:52:23,240
Speaker 3: at the same time.

1815
01:52:23,880 --> 01:52:24,040
Speaker 5: Uh.

1816
01:52:25,840 --> 01:52:28,160
Speaker 3: You know what I'm saying. And some of us are

1817
01:52:28,200 --> 01:52:30,240
Speaker 3: still here working and having fun with it. Some of

1818
01:52:30,360 --> 01:52:32,960
Speaker 3: us stop. Like I said, you can't be canceled until

1819
01:52:32,960 --> 01:52:37,439
Speaker 3: you can't see yourself. I agree with that statement. Let

1820
01:52:37,479 --> 01:52:39,720
Speaker 3: me tell you how much of a good person you are. Man.

1821
01:52:41,280 --> 01:52:44,240
Speaker 3: You know, we got to meet each other. We hung

1822
01:52:44,280 --> 01:52:47,320
Speaker 3: out a couple of times. But I was like, I like,

1823
01:52:47,400 --> 01:52:50,800
Speaker 3: I like to call this rap purgatory, right, like, but

1824
01:52:50,920 --> 01:52:52,320
Speaker 3: you kind of like don't know where to go with

1825
01:52:52,640 --> 01:52:55,400
Speaker 3: the music or whatever whatever. And I since you a record.

1826
01:52:55,439 --> 01:52:57,880
Speaker 3: You was like, oh gee, I got you. Yeah. He

1827
01:52:58,040 --> 01:52:59,200
Speaker 3: was like no, no, no, no, we're not doing it

1828
01:52:59,240 --> 01:53:05,439
Speaker 3: like that. You like if I don't like the song, yeah, yeah, record,

1829
01:53:05,479 --> 01:53:07,080
Speaker 3: We're gonna get it right, you send me a record

1830
01:53:07,120 --> 01:53:09,320
Speaker 3: And I was like, I was like, yo, and this

1831
01:53:09,479 --> 01:53:12,920
Speaker 3: is you are Mustard is killing football every fucking three

1832
01:53:13,000 --> 01:53:15,640
Speaker 3: records on the fucking charts. You were Mustle did are

1833
01:53:15,640 --> 01:53:16,200
Speaker 3: you talking about that?

1834
01:53:16,320 --> 01:53:16,479
Speaker 9: Yeah?

1835
01:53:16,520 --> 01:53:18,880
Speaker 3: Yeah, yeah, I say you sent me a record, but

1836
01:53:19,040 --> 01:53:23,439
Speaker 3: Mustard and I was just like, holy ship, And I

1837
01:53:23,520 --> 01:53:25,040
Speaker 3: didn't know what to do with the record at the time.

1838
01:53:25,080 --> 01:53:28,280
Speaker 3: I didn't understand the new generation. I didn't. I didn't

1839
01:53:28,320 --> 01:53:30,320
Speaker 3: understand like funny because I thought, right when I heard

1840
01:53:30,400 --> 01:53:32,400
Speaker 3: that beat, you exactly where to go to nor no

1841
01:53:32,800 --> 01:53:36,080
Speaker 3: reminded me of your energy. No no, no, no, making

1842
01:53:36,200 --> 01:53:39,080
Speaker 3: the record, I do about promoting the records. What I'm saying.

1843
01:53:39,240 --> 01:53:40,479
Speaker 3: So I didn't really know what to do. But what

1844
01:53:40,520 --> 01:53:42,880
Speaker 3: I'm trying to say is that meant so much to me. Man,

1845
01:53:42,920 --> 01:53:45,120
Speaker 3: I really thank you from the bottom of my heart,

1846
01:53:45,400 --> 01:53:47,519
Speaker 3: you know what I'm saying. And then it's like, you know, yeah,

1847
01:53:47,600 --> 01:53:50,960
Speaker 3: because you you you you blessed me and didn't And

1848
01:53:51,120 --> 01:53:53,840
Speaker 3: it was like I seen Mustard because right, you gave

1849
01:53:53,880 --> 01:53:56,080
Speaker 3: me your blessing, but it's still musta beat, so I

1850
01:53:56,160 --> 01:53:59,800
Speaker 3: gotta handle by I see Mustard, I'm like it must

1851
01:53:59,800 --> 01:54:01,800
Speaker 3: have like you good, and I'm like I'm like I'm

1852
01:54:01,840 --> 01:54:04,160
Speaker 3: trying to like handle and everyone, and it was just

1853
01:54:04,240 --> 01:54:06,920
Speaker 3: it made so much to me because y'all hot, you

1854
01:54:06,960 --> 01:54:10,680
Speaker 3: know what I'm saying, Like y'all Steemen. And most of

1855
01:54:10,720 --> 01:54:14,400
Speaker 3: the time people don't look in the rearview mirror. They

1856
01:54:14,439 --> 01:54:16,800
Speaker 3: always look forward, you know. People don't even adjust they

1857
01:54:16,840 --> 01:54:18,800
Speaker 3: review member, And to me, it's funny because I never

1858
01:54:18,880 --> 01:54:21,320
Speaker 3: looked at you as a rearview mirror. It's funny because, like,

1859
01:54:21,400 --> 01:54:23,720
Speaker 3: I understand what you mean by yeah, getting in the

1860
01:54:23,840 --> 01:54:26,519
Speaker 3: position I'm in now and seeing like there's a whole

1861
01:54:26,640 --> 01:54:29,960
Speaker 3: new young yes going on, and like my ship is

1862
01:54:30,040 --> 01:54:33,760
Speaker 3: like getting to thirteen and fourteen years old and all

1863
01:54:33,800 --> 01:54:35,840
Speaker 3: that type of shit. So I see what you mean

1864
01:54:35,920 --> 01:54:39,480
Speaker 3: by right, But like I looked at it as what

1865
01:54:39,720 --> 01:54:42,440
Speaker 3: I get to work with. Motherfucking noord. I appreciate it. Listen,

1866
01:54:42,880 --> 01:54:46,480
Speaker 3: but you Mustard Son. You so many fucking house parties,

1867
01:54:46,480 --> 01:54:47,680
Speaker 3: and they let me tell you something. You got so

1868
01:54:47,760 --> 01:54:52,800
Speaker 3: much pussy up. Let me just say this. I owe

1869
01:54:52,840 --> 01:54:55,320
Speaker 3: you and DJ let me. I'm just saying that to

1870
01:54:55,400 --> 01:54:57,360
Speaker 3: this camera. I owe him and DJ Muster and Rick

1871
01:54:57,480 --> 01:54:59,640
Speaker 3: Ross mc ross comes with the record too. I forgot

1872
01:54:59,680 --> 01:55:01,640
Speaker 3: how to we get recorded on American I forget, but

1873
01:55:02,840 --> 01:55:04,520
Speaker 3: so man, they helped me down in the time I

1874
01:55:04,600 --> 01:55:06,040
Speaker 3: needed it. Man, would.

1875
01:55:08,360 --> 01:55:14,360
Speaker 1: Man, you always talk about it? Yes, man, I remember

1876
01:55:14,520 --> 01:55:18,680
Speaker 1: from them. Yeah what you're saying, yo, don't got to.

1877
01:55:18,840 --> 01:55:24,960
Speaker 3: Do Yeah the hook on it. He's the hottest and

1878
01:55:25,160 --> 01:55:28,280
Speaker 3: Mustard is the house. At the time, I just said, yeah, yeah, yes,

1879
01:55:29,160 --> 01:55:35,680
Speaker 3: you're still right. What's your favorite place to perform at?

1880
01:55:36,480 --> 01:55:41,400
Speaker 3: My favorite place to perform that in front of my

1881
01:55:41,480 --> 01:55:45,040
Speaker 3: real fans, whatever they may be, is actually like fun

1882
01:55:45,160 --> 01:55:48,280
Speaker 3: with it, you know what I'm saying. Like, it's always

1883
01:55:48,360 --> 01:55:50,200
Speaker 3: just it's not a state, more like a city that

1884
01:55:50,800 --> 01:55:52,200
Speaker 3: you know every time you go there. Like for me,

1885
01:55:52,240 --> 01:55:54,680
Speaker 3: it's half in Connecticut and Philadelphia. I don't care. I

1886
01:55:54,720 --> 01:55:57,000
Speaker 3: could go there tomorrow. Yeah, I could just say my

1887
01:55:57,120 --> 01:55:59,160
Speaker 3: own city because every time we do some some l

1888
01:55:59,200 --> 01:56:00,920
Speaker 3: A ship it's like the most like all right, they

1889
01:56:01,000 --> 01:56:03,040
Speaker 3: gonna know every single song, you know what I'm saying.

1890
01:56:03,080 --> 01:56:06,320
Speaker 3: I love LA of course, But there's been other shows

1891
01:56:06,360 --> 01:56:11,800
Speaker 3: that have been great, like Nairobi, Kenya. Wow, Like yeah,

1892
01:56:11,880 --> 01:56:14,400
Speaker 3: one of my fucking I felt like fucking justin Bieber Nigga,

1893
01:56:14,440 --> 01:56:16,240
Speaker 3: I fucking get to my well. I don't know if

1894
01:56:16,280 --> 01:56:18,920
Speaker 3: he feels like this, but like it just seemed like

1895
01:56:19,000 --> 01:56:23,240
Speaker 3: how or like how like Michael Jackson with hield where

1896
01:56:23,240 --> 01:56:25,640
Speaker 3: it's like, I get to the hotel. Well, first of all,

1897
01:56:25,960 --> 01:56:28,040
Speaker 3: the wall, Nigga is taller than these walls.

1898
01:56:28,080 --> 01:56:28,120
Speaker 2: Like.

1899
01:56:28,200 --> 01:56:30,480
Speaker 3: To get in, it's probably like about this size to

1900
01:56:30,600 --> 01:56:33,240
Speaker 3: get in, right with a big ass fucking gate. You

1901
01:56:33,320 --> 01:56:35,320
Speaker 3: get in that bitch and that shit got babed wired

1902
01:56:35,440 --> 01:56:38,960
Speaker 3: Nigga another like level the same height, so as high

1903
01:56:38,960 --> 01:56:41,040
Speaker 3: as fuck. You can't just get in this motherfucker. You

1904
01:56:41,160 --> 01:56:44,200
Speaker 3: get in there, it's like phone niggas with fucking AK

1905
01:56:44,360 --> 01:56:49,520
Speaker 3: forty sevens or whatever. Right, you go in at the door,

1906
01:56:49,760 --> 01:56:52,920
Speaker 3: you know what I mean, it's uh, what's the ship,

1907
01:56:53,160 --> 01:56:56,160
Speaker 3: the check, metal detectors, all the shit. You get in

1908
01:56:56,240 --> 01:56:59,960
Speaker 3: that motherfucker. You go to your room, nice courtyard, beauty

1909
01:57:00,080 --> 01:57:02,800
Speaker 3: from a fucking hotel. I get to my room, I'll

1910
01:57:02,880 --> 01:57:06,240
Speaker 3: take off my shoes. I fucking probably get my laptop

1911
01:57:06,320 --> 01:57:08,000
Speaker 3: out and get on the phone, do whatever the fuck

1912
01:57:08,000 --> 01:57:10,760
Speaker 3: I'm doing, handle whatever I'm handling. Nig All of a sudden,

1913
01:57:10,760 --> 01:57:12,840
Speaker 3: you just hear commotion coming down the hallway, like a

1914
01:57:12,880 --> 01:57:14,600
Speaker 3: whole bunch of people. I'm like, what the fuck, I'm

1915
01:57:14,640 --> 01:57:17,320
Speaker 3: just talking over whatever bitch I'm talking to at the time. Yeah,

1916
01:57:17,400 --> 01:57:22,160
Speaker 3: da da da da dah nigga. All of a sudden,

1917
01:57:22,360 --> 01:57:25,640
Speaker 3: I hear people at my door. I look out the

1918
01:57:25,680 --> 01:57:31,120
Speaker 3: door as like twenty people, men like dudes like hype

1919
01:57:31,120 --> 01:57:34,320
Speaker 3: as fuck niggas knock on the door. I call my security.

1920
01:57:34,360 --> 01:57:35,680
Speaker 3: I'm like, hey, you gotta come to the door. Da

1921
01:57:35,760 --> 01:57:39,000
Speaker 3: da dah. I open the door, like fuck this, let

1922
01:57:39,040 --> 01:57:41,040
Speaker 3: me just deal with the shit. His fans like, oh,

1923
01:57:41,080 --> 01:57:42,640
Speaker 3: can we get a picture? Can we get a picture?

1924
01:57:43,200 --> 01:57:46,200
Speaker 3: And I'm wondering, how to fuck did y'all get past

1925
01:57:46,240 --> 01:57:48,760
Speaker 3: the wall past the niggas with guns? I had to

1926
01:57:48,800 --> 01:57:51,080
Speaker 3: be somebody at the hotel that called the hand. He's like, oh,

1927
01:57:51,120 --> 01:57:54,960
Speaker 3: you're here. But everybody was cool. Everybody was like it

1928
01:57:55,120 --> 01:57:57,680
Speaker 3: was love, bro. It was like, but you embrace that

1929
01:57:57,840 --> 01:58:00,839
Speaker 3: type of love. It's not like it's not like creeps.

1930
01:58:01,520 --> 01:58:03,280
Speaker 3: It wasn't no creepy ship. It was like love, but

1931
01:58:03,520 --> 01:58:05,280
Speaker 3: just like they do it in the type of way

1932
01:58:05,360 --> 01:58:07,720
Speaker 3: like Nigga coming to Yodda shows some love like thank

1933
01:58:07,760 --> 01:58:10,880
Speaker 3: you for coming to our city and and uh, you know,

1934
01:58:11,080 --> 01:58:13,480
Speaker 3: that was like one of my favorite performances I ever did.

1935
01:58:14,320 --> 01:58:20,960
Speaker 3: Brazil was crazy. Uh, Australia, That's one of the funnest

1936
01:58:21,000 --> 01:58:25,640
Speaker 3: times we ever had. Brazil Brazil changed my life the

1937
01:58:25,720 --> 01:58:35,680
Speaker 3: way yeah changed my life. I love Brazil, man, what else?

1938
01:58:37,640 --> 01:58:41,560
Speaker 3: European shows are always great? New York shows are always great,

1939
01:58:41,680 --> 01:58:47,400
Speaker 3: Chicago shows always great, Miami shows are always great. Everywhere

1940
01:58:47,480 --> 01:58:51,360
Speaker 3: down South, fucking where else?

1941
01:58:51,440 --> 01:58:51,600
Speaker 1: Man?

1942
01:58:51,800 --> 01:58:55,680
Speaker 3: All my Vegas shows, he lived everywhere, Man, I appreciate

1943
01:58:55,760 --> 01:59:00,640
Speaker 3: everyone in Japan. Bro. I named Los Angeles Los Angeles, California.

1944
01:59:02,000 --> 01:59:04,200
Speaker 3: It's the best because of course they've been here with

1945
01:59:04,320 --> 01:59:06,560
Speaker 3: me from the beginning. Bro, I feel like they know

1946
01:59:06,680 --> 01:59:09,520
Speaker 3: the songs that other niggas men might not know, the

1947
01:59:09,640 --> 01:59:13,800
Speaker 3: less popular songs. We could just do beach house front

1948
01:59:13,840 --> 01:59:16,040
Speaker 3: to back show, which I should do. I should do

1949
01:59:16,200 --> 01:59:17,880
Speaker 3: like a beach house front to back or a free

1950
01:59:17,960 --> 01:59:22,040
Speaker 3: TC front to back only those songs show. So fuck it,

1951
01:59:22,120 --> 01:59:25,160
Speaker 3: I might announced that soon. You know in La you've

1952
01:59:25,200 --> 01:59:28,480
Speaker 3: seen the Bob Marty movie, right, I love that movie.

1953
01:59:28,840 --> 01:59:31,680
Speaker 3: You remember. At one point, he flips on his manager

1954
01:59:31,760 --> 01:59:35,960
Speaker 3: because he says it doesn't matter, like whenever Africa calls,

1955
01:59:36,240 --> 01:59:38,280
Speaker 3: like it doesn't matter the money, like he'll take to

1956
01:59:38,360 --> 01:59:40,480
Speaker 3: take so he'll take a pay cut whatever. He's just

1957
01:59:40,640 --> 01:59:43,400
Speaker 3: every time he gets offered a show with Africa, he

1958
01:59:43,480 --> 01:59:46,480
Speaker 3: would always take care. Now, I'm like that. I didn't

1959
01:59:46,480 --> 01:59:48,400
Speaker 3: know other people. It was like that. When I saw

1960
01:59:48,440 --> 01:59:50,040
Speaker 3: the movie, I was like, holy shit, Bob Marty my

1961
01:59:50,080 --> 01:59:54,080
Speaker 3: ship you know in my mind, I know, but what

1962
01:59:54,160 --> 01:59:57,480
Speaker 3: I'm saying, my place is Puerto Rico. Whatever Puerto Rico calls,

1963
01:59:57,840 --> 01:59:59,480
Speaker 3: I work with them, like it doesn't matter. If I

1964
02:00:01,200 --> 02:00:02,960
Speaker 3: I was just telling somebody, you the first nigga to

1965
02:00:03,000 --> 02:00:10,200
Speaker 3: ever bring reggae throm you know that, like to forget right.

1966
02:00:12,400 --> 02:00:14,360
Speaker 3: I noticed what this new generation they like to do that,

1967
02:00:14,400 --> 02:00:19,120
Speaker 3: and they're like, oh no, I started this all right, Well,

1968
02:00:19,680 --> 02:00:22,720
Speaker 3: so well, mine's is Puerto Rico and New York. Like

1969
02:00:22,800 --> 02:00:26,480
Speaker 3: if it's reasonable, whenever it's in New York, I have

1970
02:00:26,600 --> 02:00:28,480
Speaker 3: to that's my home. That's my home. I do it.

1971
02:00:30,200 --> 02:00:31,920
Speaker 3: Uh in Puerto Rico. I don't know where I'm from

1972
02:00:31,960 --> 02:00:34,320
Speaker 3: in Africa, and I've never really had the opportunity. It's

1973
02:00:34,320 --> 02:00:38,040
Speaker 3: then special places for you, like if someone calls and

1974
02:00:38,240 --> 02:00:40,840
Speaker 3: it's not your quota, but you enjoy being there, or

1975
02:00:41,080 --> 02:00:43,280
Speaker 3: the people always show you love. It is there first

1976
02:00:43,280 --> 02:00:45,560
Speaker 3: of all in my city, I always take a pay cut, okay,

1977
02:00:45,840 --> 02:00:49,880
Speaker 3: and hometown. Really it just be for certain things, bro

1978
02:00:50,320 --> 02:00:53,280
Speaker 3: different different things, different ship. It's just like when it

1979
02:00:53,360 --> 02:00:55,920
Speaker 3: comes to features, I don't be charging niggas from l A.

1980
02:00:56,680 --> 02:00:58,600
Speaker 3: I don't be charging like niggas that I know that

1981
02:00:58,760 --> 02:01:00,880
Speaker 3: really ain't got it right. If I love the song,

1982
02:01:00,960 --> 02:01:03,080
Speaker 3: I'm gonna do it. It's like if I don't know you,

1983
02:01:04,160 --> 02:01:07,800
Speaker 3: of course I'm gonna charge. Like that's just how it goes. Uh,

1984
02:01:08,280 --> 02:01:09,840
Speaker 3: And the same thing goes for shows. You know what

1985
02:01:09,880 --> 02:01:13,480
Speaker 3: I'm saying. It makes sense. I'll take a pay cut,

1986
02:01:13,600 --> 02:01:15,840
Speaker 3: you know what I'm saying. And I always tell that

1987
02:01:15,920 --> 02:01:18,120
Speaker 3: to other people. It's like I gotta take the pay cut,

1988
02:01:18,160 --> 02:01:20,960
Speaker 3: but then everybody else want the same money. It'd be

1989
02:01:21,080 --> 02:01:23,400
Speaker 3: crazy because because Miami, they're doing that ship to you too.

1990
02:01:24,760 --> 02:01:26,600
Speaker 3: But that's why I'm I want to be here, but

1991
02:01:26,640 --> 02:01:33,360
Speaker 3: that's why I'm a tycoon. Miami is fine. I gotta

1992
02:01:33,440 --> 02:01:35,160
Speaker 3: I gotta call you back. But I just bled your

1993
02:01:35,200 --> 02:01:37,840
Speaker 3: stupid ass on a dream champ put me through this

1994
02:01:37,960 --> 02:01:42,120
Speaker 3: little ship which on nasty ass clippers or whatever you

1995
02:01:42,240 --> 02:01:45,040
Speaker 3: use it. You need to clean ship Jay the barber

1996
02:01:49,440 --> 02:02:04,400
Speaker 3: at okay, just for me, Okay, I should have get

1997
02:02:04,400 --> 02:02:07,600
Speaker 3: you one of these. Okay, all right, cool? Cool? Now

1998
02:02:07,680 --> 02:02:11,600
Speaker 3: when the last time you smoke a blunt? Never I

1999
02:02:11,680 --> 02:02:13,400
Speaker 3: used to smoke bunch back in the day. Like believe

2000
02:02:13,400 --> 02:02:15,200
Speaker 3: it or not. When me and Wiz Kalif for first met,

2001
02:02:15,240 --> 02:02:19,360
Speaker 3: we were smoking swishers. Yeah, smoke swisses. I can't let

2002
02:02:19,400 --> 02:02:21,200
Speaker 3: me take you to let me take it to my

2003
02:02:23,800 --> 02:02:27,040
Speaker 3: so like when I was in middle school. In middle school,

2004
02:02:27,120 --> 02:02:31,440
Speaker 3: Nigga used to smoke beades. You know, that was smoking.

2005
02:02:31,480 --> 02:02:34,280
Speaker 3: That was before weed. I was going to sneaking off,

2006
02:02:34,360 --> 02:02:36,320
Speaker 3: trying to beat these and that was my first little

2007
02:02:36,320 --> 02:02:39,800
Speaker 3: ship and me and my brother the one time, me

2008
02:02:39,920 --> 02:02:42,000
Speaker 3: and my brother one time Nigga wrote up because we

2009
02:02:42,040 --> 02:02:44,680
Speaker 3: would hear about it and Joe Niggas was using Bible

2010
02:02:44,760 --> 02:02:46,880
Speaker 3: paper and all that. So we would use some Bible

2011
02:02:46,960 --> 02:02:49,920
Speaker 3: paper and we smoke actual like Tea Nigga because we

2012
02:02:50,000 --> 02:02:53,960
Speaker 3: thought like we're just gonna try to look like people. Yes, Nigga,

2013
02:02:54,040 --> 02:02:56,320
Speaker 3: we did it and we just try and ship. Then

2014
02:02:56,640 --> 02:02:58,920
Speaker 3: after that and it wasn't even weed. It was Tea

2015
02:02:59,000 --> 02:03:02,120
Speaker 3: Nigga that she was nasty Niggas hit. Yeah, I'm just

2016
02:03:02,160 --> 02:03:05,000
Speaker 3: taking it through my smoking, like getting to the to

2017
02:03:05,080 --> 02:03:09,840
Speaker 3: the weeds. Then later on I think he was with

2018
02:03:10,040 --> 02:03:13,080
Speaker 3: my big homies, my big brother Tea Bob and his

2019
02:03:13,240 --> 02:03:17,200
Speaker 3: little homies and shit. They had like a blunt outside

2020
02:03:17,240 --> 02:03:18,880
Speaker 3: in some parking lot at the studio, and I just

2021
02:03:18,960 --> 02:03:21,000
Speaker 3: hit it one time. I'm like, all right, Code, that's

2022
02:03:21,040 --> 02:03:25,440
Speaker 3: your trash. I didn't keep going, and then it was

2023
02:03:25,520 --> 02:03:28,120
Speaker 3: like after high school, like when I'm like seventeen, like

2024
02:03:28,680 --> 02:03:31,040
Speaker 3: or like right at the end of high school. The

2025
02:03:31,160 --> 02:03:34,520
Speaker 3: homies all got this was like, oh, we're finna go

2026
02:03:34,560 --> 02:03:36,840
Speaker 3: to this abandoned house and call some bitches over there

2027
02:03:36,880 --> 02:03:38,560
Speaker 3: and order pizza and do all this shit. So we

2028
02:03:38,680 --> 02:03:41,880
Speaker 3: did it, and I smoked some weed. I got some

2029
02:03:42,000 --> 02:03:43,880
Speaker 3: real weed this time. I remember. I got so high

2030
02:03:44,000 --> 02:03:45,600
Speaker 3: roll I threw up. First of all, I think he

2031
02:03:45,720 --> 02:03:49,840
Speaker 3: was drinking too, though. But then I went home and

2032
02:03:50,160 --> 02:03:54,040
Speaker 3: I couldn't find my keys, so I tried to roll

2033
02:03:54,160 --> 02:03:57,240
Speaker 3: the trash can over to the back to fucking see

2034
02:03:57,280 --> 02:04:00,960
Speaker 3: if I could like jump on the trash can and

2035
02:04:01,160 --> 02:04:07,640
Speaker 3: jump to the fucking second floor up on the Nigga failed, Nigga.

2036
02:04:07,640 --> 02:04:10,400
Speaker 3: I was knocked out. Nigga. Next thing, my mama woke

2037
02:04:10,440 --> 02:04:13,440
Speaker 3: me up with the water holes and nigga, like your

2038
02:04:13,560 --> 02:04:16,840
Speaker 3: mom said, she didn't even know I was high, though,

2039
02:04:17,400 --> 02:04:23,640
Speaker 3: but now she's gone. Now fell was knocked out, like

2040
02:04:24,600 --> 02:04:30,480
Speaker 3: I was knocked out nuts. It's not for everybody. That's

2041
02:04:30,520 --> 02:04:33,000
Speaker 3: what I always say. This is not for everybody. I'm

2042
02:04:33,040 --> 02:04:35,680
Speaker 3: glad that it's legal because there's nothing that happens bad

2043
02:04:35,720 --> 02:04:37,800
Speaker 3: off of this ship. Sh It happens fumped up off

2044
02:04:37,800 --> 02:04:41,480
Speaker 3: of alcohol. Niggas fucking run people over and kill people.

2045
02:04:41,800 --> 02:04:44,520
Speaker 3: Niggas have dui s and do crazy fucked up ship

2046
02:04:44,640 --> 02:04:47,280
Speaker 3: kill themselves, crash, do weird that ship? Fight niggas for

2047
02:04:47,360 --> 02:04:49,760
Speaker 3: no reason, say some stupid that ship. You know what

2048
02:04:49,760 --> 02:04:53,680
Speaker 3: I'm saying. But we when does that happen? But certain

2049
02:04:53,680 --> 02:04:56,920
Speaker 3: people have panic attacks and it's not for everybody. Anxiety

2050
02:04:57,000 --> 02:05:01,720
Speaker 3: and ship, just like alcohol is not for everybody. Yeah, yeah,

2051
02:05:02,240 --> 02:05:06,840
Speaker 3: don't smoke it, Brouse. If that's your bass, your first experiency,

2052
02:05:06,880 --> 02:05:09,360
Speaker 3: it was bad experience, what made you go back to it?

2053
02:05:09,600 --> 02:05:11,480
Speaker 3: It wasn't a bad experience. I still loved it. I

2054
02:05:11,560 --> 02:05:13,560
Speaker 3: still was like that. And then it was just like

2055
02:05:13,640 --> 02:05:15,760
Speaker 3: everybody around me was smoking weed. I like the taste

2056
02:05:15,800 --> 02:05:17,760
Speaker 3: of it. I like the little feeling of it. It's

2057
02:05:17,800 --> 02:05:19,680
Speaker 3: the alcohol. Like I said, we must have been drinking.

2058
02:05:19,760 --> 02:05:24,240
Speaker 3: That calls that other shit. But uh, I just like

2059
02:05:24,280 --> 02:05:26,560
Speaker 3: where it takes me. Man, It's just like for me,

2060
02:05:26,680 --> 02:05:28,400
Speaker 3: it's a lot of a lot of shit going on,

2061
02:05:29,040 --> 02:05:31,840
Speaker 3: and when I smoke weed, it just calms me down

2062
02:05:32,160 --> 02:05:34,400
Speaker 3: and opens me up to listen to everything and absorb

2063
02:05:34,520 --> 02:05:36,240
Speaker 3: all the different things that are going on. Right now,

2064
02:05:36,240 --> 02:05:39,000
Speaker 3: I'm doing this interview. Same time I have a label,

2065
02:05:39,080 --> 02:05:41,960
Speaker 3: same time I have a liquor company, same time I

2066
02:05:42,080 --> 02:05:45,080
Speaker 3: got a daughter. By the way, we got to talk

2067
02:05:45,080 --> 02:05:48,600
Speaker 3: about my daughter. Man, my daughter is twenty years old

2068
02:05:48,720 --> 02:05:53,280
Speaker 3: right now. She already fucking graduated. Of course, high school.

2069
02:05:53,440 --> 02:05:58,120
Speaker 3: She graduated, got a b a fucking uh seasun already done.

2070
02:05:58,520 --> 02:06:04,720
Speaker 3: And now she's at Pepperdine getting her master's degree. Yeah,

2071
02:06:04,800 --> 02:06:06,880
Speaker 3: I want to say I didn't. I didn't. I didn't

2072
02:06:06,920 --> 02:06:09,600
Speaker 3: get to, like, you know, choose with with school she

2073
02:06:09,720 --> 02:06:12,360
Speaker 3: went to or all that ship. But she did her

2074
02:06:12,360 --> 02:06:13,520
Speaker 3: ship and I get to pay for it. And I

2075
02:06:13,600 --> 02:06:20,520
Speaker 3: love it. Thank you. You know what I'm saying. I

2076
02:06:20,680 --> 02:06:22,560
Speaker 3: just feel about you being an artist, being that she

2077
02:06:22,640 --> 02:06:26,680
Speaker 3: grew up. She's an artist as well. She's great, he's great.

2078
02:06:26,800 --> 02:06:30,160
Speaker 3: She's doing her ship, now, she's singing, she's handling her business.

2079
02:06:30,240 --> 02:06:30,320
Speaker 7: Bro.

2080
02:06:30,520 --> 02:06:34,600
Speaker 3: It's about doing several things. And like I said, the

2081
02:06:34,720 --> 02:06:38,800
Speaker 3: weed thing, for me, it helps me to not like panic,

2082
02:06:39,200 --> 02:06:42,840
Speaker 3: but but certain people like because the other way. Just

2083
02:06:42,880 --> 02:06:45,160
Speaker 3: like I hate shrooms, A lot of people love shrooms

2084
02:06:45,240 --> 02:06:48,520
Speaker 3: right now, it's like a big thing. None of that. No, no, no,

2085
02:06:49,080 --> 02:06:51,200
Speaker 3: a C Because I want to hit his I want

2086
02:06:51,240 --> 02:06:54,040
Speaker 3: to hit the jay. He didn't know you on purpose? Man,

2087
02:06:54,680 --> 02:07:00,200
Speaker 3: one I love another one. But you, Sai, You're not good. Yeah,

2088
02:07:02,080 --> 02:07:05,840
Speaker 3: I want to take a hit. You're not that type

2089
02:07:05,840 --> 02:07:10,640
Speaker 3: of nigga, Bro, you don't do it on your own.

2090
02:07:10,760 --> 02:07:13,640
Speaker 3: I don't want to like contribute facts. Would you work

2091
02:07:13,680 --> 02:07:17,000
Speaker 3: with Vib's Cartels and vib Cartel one of my favorites, Bro.

2092
02:07:17,400 --> 02:07:21,040
Speaker 3: I talked to Vibes Cartel during the Vultures time and uh,

2093
02:07:21,240 --> 02:07:22,440
Speaker 3: I don't know if I was supposed to say that,

2094
02:07:23,160 --> 02:07:26,840
Speaker 3: but I got in touch with him during uh that time,

2095
02:07:27,080 --> 02:07:29,560
Speaker 3: and I was trying to get him on Vultures but

2096
02:07:29,680 --> 02:07:33,040
Speaker 3: it didn't end up working out. But man, I'm so

2097
02:07:33,120 --> 02:07:35,400
Speaker 3: happy that he got to come home and you know,

2098
02:07:35,600 --> 02:07:38,040
Speaker 3: get back with his family and you know, get a

2099
02:07:38,120 --> 02:07:40,680
Speaker 3: chance to perform it in these big arenas and ship

2100
02:07:41,560 --> 02:07:44,400
Speaker 3: he deserves it. He's always been one of the greatest

2101
02:07:44,440 --> 02:07:46,680
Speaker 3: ever do dancehall music. You know what I'm saying. And

2102
02:07:46,760 --> 02:07:49,080
Speaker 3: I would love to work with him. I love that

2103
02:07:54,160 --> 02:07:57,400
Speaker 3: think he's an actor. You do it is man, funny,

2104
02:07:57,440 --> 02:08:00,760
Speaker 3: Like I really realized how funny he is. So before

2105
02:08:00,760 --> 02:08:02,000
Speaker 3: we get up out of here, is anything you want

2106
02:08:02,000 --> 02:08:04,440
Speaker 3: to say to the fast that you thank you for

2107
02:08:05,440 --> 02:08:08,280
Speaker 3: you know, listening for all this time for you know,

2108
02:08:09,840 --> 02:08:11,960
Speaker 3: just being real ones, thank you all for having me

2109
02:08:12,080 --> 02:08:14,280
Speaker 3: on this platform. It's your platform anytime you want to

2110
02:08:14,320 --> 02:08:18,840
Speaker 3: come for sure. Yeah, I'm just very fucking grateful man

2111
02:08:18,960 --> 02:08:20,760
Speaker 3: for all of love. Like I said, I get to

2112
02:08:22,000 --> 02:08:26,080
Speaker 3: feed my family off of doing music, and I will

2113
02:08:26,160 --> 02:08:30,360
Speaker 3: continue to care and be passionate about making the best

2114
02:08:30,440 --> 02:08:34,120
Speaker 3: music possible. And there's more coming. Man, Let's take this

2115
02:08:34,160 --> 02:08:36,360
Speaker 3: shit to the super Bowl, you know what I'm saying.

2116
02:08:37,240 --> 02:08:39,000
Speaker 3: Last question before we get up out of here, how

2117
02:08:39,040 --> 02:08:44,040
Speaker 3: many how many babies you think your music made? About

2118
02:08:45,240 --> 02:08:48,560
Speaker 3: quadruple fucking million, although a lot of babies have been

2119
02:08:48,600 --> 02:08:51,320
Speaker 3: made off about music for the shows from the twenty

2120
02:08:51,520 --> 02:08:55,720
Speaker 3: ten so now it's crazy. I just need to make

2121
02:08:55,720 --> 02:08:59,240
Speaker 3: it one more because I don't got no kids. I

2122
02:08:59,240 --> 02:09:03,240
Speaker 3: don't got no kids either. My daughter twenty from you, man,

2123
02:09:03,400 --> 02:09:05,560
Speaker 3: so I ain't got no kid. My son came out,

2124
02:09:05,600 --> 02:09:11,560
Speaker 3: my son never comes out. He she ain't no kid.

2125
02:09:14,240 --> 02:09:20,200
Speaker 3: All right, y'all. Man, take it for showing time. Man,

2126
02:09:20,600 --> 02:09:23,480
Speaker 3: thank you so much. We wanted to get you. Actually

2127
02:09:23,520 --> 02:09:29,040
Speaker 3: got a question. Listen to the sky Man. Yeah, oh yeah,

2128
02:09:29,040 --> 02:09:33,040
Speaker 3: you go a head, you go on this one. It's

2129
02:09:33,080 --> 02:09:36,720
Speaker 3: Card you on the album Party, Yeah, he on the

2130
02:09:36,760 --> 02:09:44,320
Speaker 3: album for show Man. Shout out to my dog. Cardis

2131
02:09:44,360 --> 02:09:49,640
Speaker 3: gonna lie? Good question, yo. Man. Once again, thank you

2132
02:09:49,720 --> 02:09:51,480
Speaker 3: for being here. Man. We want to give you a flowers.

2133
02:09:51,520 --> 02:09:51,680
Speaker 2: Man.

2134
02:09:52,160 --> 02:09:56,920
Speaker 3: Truly truly our staple in this game. Truly all legend

2135
02:09:58,080 --> 02:09:59,840
Speaker 3: cool in this game. This game would not be this

2136
02:10:00,200 --> 02:10:03,000
Speaker 3: without too but better when you got reconcile theay, better

2137
02:10:03,080 --> 02:10:05,800
Speaker 3: when you're in the market. I'm I'm happy and glad

2138
02:10:05,880 --> 02:10:08,360
Speaker 3: for everything you're doing and I'm continue to support it. Man.

2139
02:10:08,360 --> 02:10:13,080
Speaker 3: I just wanted to tell you that to support Man, Man,

2140
02:10:14,400 --> 02:10:16,160
Speaker 3: we take a couple of drop.

2141
02:10:19,040 --> 02:10:22,440
Speaker 9: Drink Champs is a Drink Champs LLC production hosts and

2142
02:10:22,560 --> 02:10:24,120
Speaker 9: executive producers n O.

2143
02:10:24,280 --> 02:10:25,960
Speaker 3: R E and dj e FN.

2144
02:10:27,160 --> 02:10:31,280
Speaker 9: Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2145
02:10:31,560 --> 02:10:35,200
Speaker 9: or wherever you get your podcasts. Thanks for joining us

2146
02:10:35,240 --> 02:10:37,840
Speaker 9: for another episode of Drink Champs hosted by yours truly

2147
02:10:38,000 --> 02:10:40,560
Speaker 9: dj E f N and n O r E. Please

2148
02:10:40,600 --> 02:10:42,760
Speaker 9: make sure to follow us on all our socials that's

2149
02:10:42,840 --> 02:10:46,160
Speaker 9: at Drink Champs across all platforms. At the Real Noria

2150
02:10:46,240 --> 02:10:49,000
Speaker 9: go on, I g at Noriega on Twitter.

2151
02:10:49,160 --> 02:10:52,320
Speaker 2: Mine is at Who's Crazy on I g at dj

2152
02:10:52,480 --> 02:10:55,000
Speaker 2: e f N on Twitter, and most importantly, stay up

2153
02:10:55,040 --> 02:10:58,200
Speaker 2: to date with the latest releases, news and merch by

2154
02:10:58,280 --> 02:10:59,880
Speaker 2: going to drink Champs dot com

2155
02:11:01,480 --> 02:11:01,520
Speaker 1: Is