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Speaker 1: Wake that ass up in the morning.

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Speaker 2: The Breakfast Club Morning, everybody is the j n V.

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Speaker 2: Just hilarious. Charlamagne the guy. We are the Breakfast Club.

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Speaker 3: We got a special guest in the building, the brother

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Speaker 3: Bryson Tiller.

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Speaker 1: Welcome. We showed this is Bryson Tiler.

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Speaker 4: What do you mean never?

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Speaker 1: I don't think.

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Speaker 5: I think I met Bryson once before and we walked

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Speaker 5: in out still and I was like.

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Speaker 1: Is that really Bryceon Taylor?

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Speaker 5: You've never been up here. No, he's never been there.

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Speaker 5: I met Bryson once somewhere where was we at? We

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Speaker 5: met Bryson? I don't remember.

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Speaker 1: Maybe that wasn't him, Maybe it wasn't him.

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Speaker 4: It was a radio show, I think a radio show.

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Speaker 2: Good morning to you, sir, morning morning, Welcome.

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Speaker 1: What you can say yourself? Introvert? Uh yeah?

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Speaker 2: Sometimes yeah?

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Speaker 1: Sometimes?

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Speaker 6: All right, I feel like you don't pop out nowhere.

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Speaker 1: I do.

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Speaker 4: But that's a common mis conception.

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Speaker 1: I'll be out. You do what anxiety like I do?

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Speaker 4: Do I deal with Yeah?

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Speaker 1: Yeah, So you don't want to be around people, I understand.

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Speaker 4: It depends on you know where I'm at.

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Speaker 5: About this morning, this morning right now, and it's very chilling,

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Speaker 5: positive if you want to be here, Yeah.

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Speaker 3: You want to if you need, I want to start

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Speaker 3: from them from the beginning of Brice And how did

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Speaker 3: you how did you get on? How did you get

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Speaker 3: your deal? How did you get signed?

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Speaker 4: For people that don't know, for people that don't know

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Speaker 4: how to get signed. I got signed to r c

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Speaker 4: A through my guy Tani, and uh, you know, I

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Speaker 4: just basically dropped the song on SoundCloud. You know, I

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Speaker 4: blew up and was just taking off like every week.

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Speaker 4: It was just like growing crazy. And then uh yeah,

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Speaker 4: I just got a lot of phone calls from a

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Speaker 4: lot of different people, and you know, RCA is where

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Speaker 4: I went.

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Speaker 1: That's pretty So do you do you still care about

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Speaker 1: about music? No?

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Speaker 4: Really, not really, to be honest with you, I do

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Speaker 4: love music, but uh, I was just telling somebody the

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Speaker 4: other day it's kind of like a relationship, you know,

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Speaker 4: like a certain relationship, you know, you put so much

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Speaker 4: into it, and you know, if you don't know, if

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Speaker 4: you're not getting nothing out of it, you feel like

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Speaker 4: you got to step out or get a little side

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Speaker 4: beat something like that, right, And that's kind of how

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Speaker 4: I feel about video games. Yeah, yeah, yeah, I've been

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Speaker 4: designing my own game for about the shirts. I've been

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Speaker 4: designed my own game for about three years now, so

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Speaker 4: I've been I've been having a lot of Yeah, I

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Speaker 4: just I love it. You know, it warms my heart

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Speaker 4: every time I work on it. I'm super happy. Just

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Speaker 4: a great thing for me.

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Speaker 5: You know, a few weeks ago, you know now Lis

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Speaker 5: the moment she's a dj OPI and she was playing

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Speaker 5: with your records and she was like, yo, you got

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Speaker 5: you had an album, And I was like, he got

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Speaker 5: an album, And that's what made me ask does Bryce

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Speaker 5: didn't even care because it seems like it wasn't any

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Speaker 5: effort to promote the album. I don't feel like it

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Speaker 5: was real, real marketing behind it.

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Speaker 4: You know, it's crazy. I just saw something the other today.

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Speaker 4: Actually it say something about one of my favorite movies

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Speaker 4: all time, actually not one of my favorite movie all time,

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Speaker 4: to Iron Giant flopped in the box office because it

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Speaker 4: wasn't really promoted like that and it's a classic and

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Speaker 4: it's my favorite movie, which is crazy, and that just

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Speaker 4: is an interesting parallel that I'm just like, damn, you know,

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Speaker 4: I kind of I probably should promote my ship more.

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Speaker 3: You know, I would ask what you having such big

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Speaker 3: records and such a call following is it your reasoning

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Speaker 3: not to I want to say, be a bigger artist

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Speaker 3: because your music is huge, But sometimes I feel like

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Speaker 3: the face is not as big as the music.

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Speaker 4: That's definitely yeah. I don't know, man, Sometimes I want

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Speaker 4: to be a bigger artist, and I'm just like, you know,

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Speaker 4: I get on stage and you know, it's like a

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Speaker 4: lot of people, you know, all the cell phone life

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Speaker 4: and whatnot. I'm like, damn, man, could I do this?

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Speaker 4: You know, we're living like forever. And then there's other

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Speaker 4: moments where I'm just.

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Speaker 2: Like, hell, what don't you like about the music industry?

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Speaker 1: Oh?

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Speaker 4: Man, don't get me started. Don't give me start. You know,

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Speaker 4: there's a lot, it's a lot that I don't like

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Speaker 4: about the music industry that I'm trying to get used to.

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Speaker 4: I didn't I didn't like this. This is one of

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Speaker 4: the first things I didn't like about the music industry

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Speaker 4: media period. Just like just the work club in general. No, no, no,

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Speaker 4: everybody everybody's but just everything about it. But that's so

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Speaker 4: many different things, just even the relationship between artists, like

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Speaker 4: you know what I mean, it'd be so many like

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Speaker 4: beefs and shit, like, you know what I mean, people

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Speaker 4: that don't even know about it, Like I don't know,

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Speaker 4: it's just weird man trying to talk to people. And

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Speaker 4: I feel like coming into the industry, you know, I

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Speaker 4: think a lot of the celebrities that I meet, you know,

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Speaker 4: forget that. Like I literally was a twenty two year

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Speaker 4: old kid coming out of Papa John's and ups into

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Speaker 4: just being in the room with all these people. So

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Speaker 4: I was like super nervous, like you said, anxiety, and

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Speaker 4: I feel like maybe some of them it might have

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Speaker 4: rubbed some of them the wrong way. And I just

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Speaker 4: I feel like I ain't heard from him since, you

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Speaker 4: know what I mean. Sometimes I feel like a lot

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Speaker 4: of people was rocking with me. That's one thing that

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Speaker 4: I realized, Like people like fame really is like a

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Speaker 4: thing like cloud is really a thing for some people.

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Speaker 4: Like if you cloud it up, you got a lot

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Speaker 4: of fame. They want to be next to you, you

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Speaker 4: know what I mean, But the moment anything shifts, it's

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Speaker 4: like they ain't picking up the phone. They don't hit

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Speaker 4: you up, they don't care, they you know, just they

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Speaker 4: just don't.

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Speaker 5: So did you have an idea of what you thought

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Speaker 5: the industry was gonna be before you got into it

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Speaker 5: I did.

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Speaker 4: I was just like, oh man, it's just dope. You know,

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Speaker 4: I'm dope in music. You know, I'm about to be

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Speaker 4: other people's doper music and we all gonna be cool.

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Speaker 4: It's gonna be great. And I got here and it

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Speaker 4: just it just wasn't that at always, you know, be

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Speaker 4: people that just be having like envy, you know, no

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Speaker 4: pun intended, but like, you know, they'd be envious or

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Speaker 4: you know how how quickly you came up, you know,

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Speaker 4: because I came up pretty quickly, and I felt like

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Speaker 4: there was a lot of people that was envious to

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Speaker 4: that naked I could just tell by the way they

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Speaker 4: talked to me, the way they treated me, you know

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Speaker 4: what I mean.

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Speaker 1: The artists.

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Speaker 4: Yeah, like you know, I ain't gonna you know.

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Speaker 1: A lot of you should. I think we should tell

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Speaker 1: the truth of shame the devil today.

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Speaker 4: I feel you man, I would, but you know, at

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Speaker 4: the same time, just like I would just hope that

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Speaker 4: they would, you know, change, But you know I didn't.

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Speaker 4: A lot of ignore text messages, calls, you know, And

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Speaker 4: for me, it ain't about like I think some of

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Speaker 4: these people that get so caught up and like, oh man,

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Speaker 4: everybody just won't talk to me because I'm me, and

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Speaker 4: it's like sometimes, you know, I'm just an artist who

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Speaker 4: needed advice so badly, and I felt like a ten

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Speaker 4: minute conversation with one of these people who was like

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Speaker 4: close to me or at least pretended to be close

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Speaker 4: to me when I came in the industry would have

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Speaker 4: helped me so much, because like I was stretched out,

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Speaker 4: you know what I mean, after my first album, reading

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Speaker 4: all these bad reviews and whatnot.

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Speaker 2: Love Trap.

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Speaker 4: It over there right now, it is bricked up.

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Speaker 1: You're not even joking, bricked up for two days. Oh

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Speaker 1: my god. He walked in here just now and was

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Speaker 1: like knoe kind of nervous.

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Speaker 3: Lie even its true, but not even just like you know,

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Speaker 3: we when we do stuff, we have people that do research.

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Speaker 3: He was like, I'm doing the research.

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Speaker 1: People.

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Speaker 4: Love just love to you.

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Speaker 6: Trap was a no skip like even bad reviews from

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Speaker 6: that's still my favorite one.

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Speaker 4: You didn't see that until until when like a year

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Speaker 4: after No, I'm not hearing that, man, people, God amnesia.

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Speaker 4: I don't I saw the ship. I was there a complex,

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Speaker 4: I saw the bad reviews I heard, I saw it all.

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Speaker 2: But doesn't that make the win better with the fact

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Speaker 2: that people.

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Speaker 4: But you got to think I was twenty two and

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Speaker 4: I just I didn't understand that, you know what I'm saying,

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Speaker 4: Like I was young, and I just I took that.

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Speaker 4: It's like, oh my god, I had, you know, imposter

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Speaker 4: syndrome for like six years after that, depressed sad, like

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Speaker 4: didn't even like whenever I go in the studio trying

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Speaker 4: to like make songs and sh I just wasn't feeling it,

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Speaker 4: you know, nothing that I was saying the way I

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Speaker 4: was like, I built up so much, man, just so

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Speaker 4: much energy before a trap so and I was just

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Speaker 4: so hype and I was nervous because I was like, man,

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Speaker 4: it's my first album. I don't know what's gonna happen,

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Speaker 4: you know what I mean. And when it came out

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Speaker 4: and then I saw all the negative stuff, it just

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Speaker 4: confirmed all the things, all the bad things that I

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Speaker 4: thought was gonna happen, and I was like, wow, yeah,

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Speaker 4: it might be over for me. But then like a

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Speaker 4: year later, people started to deem it, like all the

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Speaker 4: stuff that you're saying, like you know, it's classic blah

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Speaker 4: blah blah, no skips and all that. I'm just like,

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Speaker 4: thanks for but I didn't even really realize it until

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Speaker 4: two years later. So yeah, I don't know, man, I

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Speaker 4: didn't get to live in that world that that y'all

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Speaker 4: lived in, you know of like it being great. I

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Speaker 4: didn't get to live in that, and yeah that was.

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Speaker 1: The worst part. Yeah.

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Speaker 6: So is that with this new album now that you titled,

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Speaker 6: you know, South bryceon Tailor? Is do you get into

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Speaker 6: that into the album like everything that because this is

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Speaker 6: this is about you, I'm assuming because it's bryceon Tailor.

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Speaker 1: No, no, no, I.

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Speaker 4: Don't really talk about no personal stuff on that like that.

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Speaker 4: You know, everything's pretty I would say surface surface level

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Speaker 4: for the most part. Yeah, I would say, thanks, pretty

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Speaker 4: service level. Just something that stuff that most people can

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Speaker 4: relate to. But I get that, like the extra personal

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Speaker 4: stuff is the stuff that people relate to the most.

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Speaker 4: But oh yeah, I love the record Persuasion by the way, Yeah,

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Speaker 4: thank you, Victoria, my nigga.

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Speaker 1: I like the way you use words. Hey man, I

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Speaker 1: got you have he uses a different word to describe.

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Speaker 4: Victoria Monet. I gotta think her for that, man, Yeah absolutely, yeah, yeah,

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Speaker 4: yeah it was She's super.

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Speaker 2: So is that what took so long?

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Speaker 3: You were you weren't feeling confident that with the music

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Speaker 3: at that time, because for a minute, it took you

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Speaker 3: a long time to come back out with some music.

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Speaker 4: Yeah, it took a long, super long time.

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Speaker 1: That was exactly what it was.

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Speaker 4: Twenty twenty. Actually, when I my grandma passed, that made

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Speaker 4: me be like, I thank you, bro. That was what

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Speaker 4: made me be like, all right, what am I doing?

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Speaker 4: Because I made her so many promises, like She's like,

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Speaker 4: maybe can you do this? We can you do that?

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Speaker 4: And I was just like, I don't know, you know,

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Speaker 4: you know, money, I don't know the music. I gotta

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Speaker 4: kind of watch it right now.

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Speaker 2: Promises did she want? What does she ask?

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Speaker 4: She wants some new teeth, you know what I mean?

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Speaker 4: She wanted she wanted a new car, and I remember

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Speaker 4: I bought her a used car just because I was

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Speaker 4: nervous about the future. I was like, I don't know

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Speaker 4: what's gonna happen. I don't even believe in myself no more.

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Speaker 4: I don't think I'm gonna make music no more. And

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Speaker 4: then money, my money, money was it was kind of

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Speaker 4: you know, I ain't never been broke, but you know,

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Speaker 4: since you couldn't afford thirty grand no, I could afford it.

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Speaker 4: I could definitely I was because I look at the

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Speaker 4: money in my bank account like time, so I'm just like,

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Speaker 4: you know, every time, you know, I'm just like every

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Speaker 4: time I spend, I'm just shaving down how much, you know,

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Speaker 4: because I like look at the year expenses and I'm like, dang,

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Speaker 4: I don't know. So uh yeah not it heard me.

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Speaker 4: Doubting myself is what prevented me from doing any of

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Speaker 4: those things for her. So anyways, when she passed, I

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Speaker 4: was like, what am I doing? Like all these promises

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Speaker 4: I didn't get to keep. Thought I was gonna do it,

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Speaker 4: but I just couldn't do it because I was doubting myself.

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Speaker 4: So at that moment, I was like, I you know,

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Speaker 4: I made this album called Anniversary, which was like paying

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Speaker 4: homage to my first album, Trap So, and just for

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Speaker 4: a couple of reasons, to show people that you can't

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Speaker 4: go back to you know, people always talk about making

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Speaker 4: Trap So Too and do it. It's just like that's

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Speaker 4: that's you can't. I can't do that, you know what

259
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Speaker 4: I mean a lot of people can't do that. So

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Speaker 4: even if I brought like some of the old songs

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Speaker 4: from Trap So you know what I mean. That didn't

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Speaker 4: make Trap, so but anyways, that was like my fresh

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Speaker 4: out the hospital litle bit album, you know what I mean.

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Speaker 1: I was like, all right, let me.

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Speaker 4: Learn how to walk again and just get back into it.

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Speaker 4: And then I started doing a lot start making. I

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Speaker 4: made mixtape Christmas music, and then I was just like,

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Speaker 4: all right, you know, it's time to time to make

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Speaker 4: another album, and I just I feel so refreshed right now,

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Speaker 4: you know, making music, and I have been for a while,

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Speaker 4: So anytime I go in the booth now I know

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Speaker 4: exactly what I'm gonna do. Ale years ago, I read

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Speaker 4: that you said you would you were depressed while creating

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Speaker 4: the True to Self. Yeah, everything that was after my

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Speaker 4: first album. Yeah, so everything after Trap so yeah, and

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Speaker 4: up until my third album, which is Anniversary. So all

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Speaker 4: the way from twenty fifteen to twenty twenty.

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Speaker 1: Is a constant stated depression recording.

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Speaker 4: Yeah, absolutely, music, imposter syndrome, everything in between.

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Speaker 2: Wow, what got you back to feeling the way you was?

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Speaker 2: Was it the record.

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Speaker 3: With Rihanna, which was probably I'm sure one of your

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Speaker 3: biggest records. Was it recording?

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Speaker 1: Well?

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Speaker 3: What even like with this this album, this single came out.

286
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Speaker 3: It was automatic. It wasn't one of those where we

287
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Speaker 3: gotta wait.

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Speaker 2: As soon as it came out. It was in the clubs.

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Speaker 4: Yeah see that's and that's that's the thing too, like

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Speaker 4: whatever she wants. That was dope because it was like,

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Speaker 4: even with my album, right that's the most I would say,

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Speaker 4: that's the most successful song on my album right now.

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Speaker 4: And that's the one that I had to go to

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Speaker 4: Miami to be like, you know, I was like, you

295
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Speaker 4: know what, I'm tired. I was working on the album

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Speaker 4: The Price until the album, you know, working on all

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Speaker 4: these songs with my homies Vela's fifteen j Crew Awleys,

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Speaker 4: dudes writing on the album in poopber and you know,

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Speaker 4: I got tired of not getting samples clear and I

300
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Speaker 4: was just like, y'all, I gotta keep waiting, keep the

301
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Speaker 4: laying this album this is this is horrible. So I

302
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Speaker 4: was like, you know what, I don't care. I'm about

303
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Speaker 4: to go to Miami. I'm about to just go back

304
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Speaker 4: to what I used to do, have fun in the studio.

305
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Speaker 4: So I started this mixtape series called slum Tiller, and

306
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Speaker 4: I did Volume one. People was really rocking with it.

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Speaker 4: And then I did volume two, and that's when Whatever

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Speaker 4: she Wants was on her and it was out for

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Speaker 4: like three months, nobody heard of it. And you know,

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Speaker 4: I got on TikTok and seeing this kid that was like, yo,

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Speaker 4: twenty twenty four might be Brice a year blah blah blah.

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Speaker 4: He back rapping again. And then I looked at the

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Speaker 4: comments and one of the dudes it's like, nah, bro,

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Speaker 4: we got a gate keep this, and I was like,

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Speaker 4: I was just like, oh no, that's the reason why

316
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Speaker 4: people ain't hurt my shit. So I was like out

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Speaker 4: the comments, no no, no, no, no, no no no. But it

318
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Speaker 4: was it was a good thing because I made a

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Speaker 4: TikTok after that made the TikTok and this shit blew up.

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Speaker 6: So yeah, you got like an interesting method when it

321
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Speaker 6: comes to dropping your music though, because even before we

322
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Speaker 6: all heard Whatever she Wants, you put it on SoundCloud

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Speaker 6: first and then you dropped it on all the streaming platforms.

324
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Speaker 6: Is that like your way of like making sure everybody

325
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Speaker 6: like it before you drop it, or.

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Speaker 4: Like not even actually you know, I just I like,

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Speaker 4: I'm the instant gratification type of person, so like I

328
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Speaker 4: make some shit, I want to be able to drop

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Speaker 4: it right then and there. You know, I'm not trying

330
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Speaker 4: to trying to wait on sample claritys. I'm not trying

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Speaker 4: to wait on nobody. I just this is how I'm

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Speaker 4: feeling right now. I want to give it to the

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Speaker 4: world right now, even if they never hear. I got

334
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Speaker 4: some fans that complain and be like, oh, why you

335
00:13:48,960 --> 00:13:51,280
Speaker 4: use a SoundCloud? But I'm just like, I can't drop

336
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Speaker 4: shit on Apple Music today, you know, like I can't

337
00:13:54,480 --> 00:13:57,120
Speaker 4: log in and then you know, just upload, like and

338
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Speaker 4: that's why I love soundclouds so much, you know, And

339
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Speaker 4: it's the eason why I'm here today.

340
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Speaker 2: The label must be pissed off with that. Do you

341
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Speaker 2: just put records on sound cloud?

342
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Speaker 1: Yeah?

343
00:14:04,600 --> 00:14:07,000
Speaker 4: Yeah, they probably do, you know, but they can't be

344
00:14:07,040 --> 00:14:09,559
Speaker 4: mad because look at you know, whatever she wants.

345
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Speaker 5: So when you think about all the music that you

346
00:14:12,120 --> 00:14:15,920
Speaker 5: recorded while you was depressed, how proud are you of

347
00:14:16,640 --> 00:14:17,080
Speaker 5: that music?

348
00:14:20,440 --> 00:14:23,040
Speaker 4: Not proud at all, actually, he said, while I was depressed.

349
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Speaker 5: When you look back on it in hindsight, all the

350
00:14:25,840 --> 00:14:28,280
Speaker 5: music that you made during that era, the true itself,

351
00:14:28,320 --> 00:14:28,960
Speaker 5: all of that stuff.

352
00:14:29,080 --> 00:14:31,680
Speaker 4: Don't get me wrong, I definitely still got some some

353
00:14:31,800 --> 00:14:34,760
Speaker 4: platinum songs out of it, which is great. You know,

354
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Speaker 4: I just wasn't operating, operating at one hundred percent wild thoughts.

355
00:14:39,880 --> 00:14:43,240
Speaker 4: I was depressed when when I wrote that Verse could

356
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Speaker 4: have been playing games.

357
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Speaker 1: You know.

358
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Speaker 4: There's a lot of stuff that I was just you know,

359
00:14:47,680 --> 00:14:50,240
Speaker 4: but it's still worked. But uh, you know now I'm

360
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Speaker 4: just it's just it's just different.

361
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Speaker 1: You know. Did you feel pressured to record back then?

362
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Speaker 1: Like did you?

363
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Speaker 5: Did you feel like nobody's actually understanding what I'm going through.

364
00:14:59,000 --> 00:15:01,920
Speaker 5: I don't have nobody to about my depression. Y'all just

365
00:15:02,240 --> 00:15:03,680
Speaker 5: want me to work, work, work, work.

366
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Speaker 4: Yeah, I remember cal It you know the best song

367
00:15:07,000 --> 00:15:08,600
Speaker 4: if you go listen to us a song that I

368
00:15:08,600 --> 00:15:11,400
Speaker 4: did for Calor's Major Key album. I told him before

369
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Speaker 4: we did it. He was like, YOA, I need a song.

370
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Speaker 1: The song.

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Speaker 4: This is when I'm like super buzzing at the time.

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Speaker 4: He's like, I need a song for the album, you know,

373
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Speaker 4: And I was just like, y' I'm gonna be honest

374
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Speaker 4: with you, cal I'm depressed right now.

375
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Speaker 1: I'm not.

376
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Speaker 4: I got a lot going on, law suits, people threatening

377
00:15:24,320 --> 00:15:26,160
Speaker 4: me at the you know, back in my hometown, all

378
00:15:26,200 --> 00:15:28,400
Speaker 4: types of stuff, and I'm depressed with the you know,

379
00:15:29,000 --> 00:15:30,640
Speaker 4: and he was like, nah, man, just just put it

380
00:15:30,640 --> 00:15:31,960
Speaker 4: in the music. And then you know, every time I

381
00:15:32,000 --> 00:15:33,840
Speaker 4: listen to it, I just I cringed so hard. So

382
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Speaker 4: I'm just like, man, this is not who I am,

383
00:15:35,800 --> 00:15:39,440
Speaker 4: like even when I'm talking about But yeah, he eventually

384
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Speaker 4: ended up bringing me something that like, you know, wild thought.

385
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Speaker 1: So hold on.

386
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Speaker 5: You spielt your heart to cald and you said you

387
00:15:46,480 --> 00:15:49,840
Speaker 5: got lawsuits, people threatening in your hometown and you depressed,

388
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Speaker 5: and he said, put it into music.

389
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Speaker 4: Something like that.

390
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Speaker 2: He didn't really care, but that's what if they ate to.

391
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Speaker 2: That's how Mary made her best recog down music.

392
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Speaker 1: That's I don't like that.

393
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Speaker 2: I'm not mad at that, but in your.

394
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Speaker 4: Music, I see it on both sides. You know me,

395
00:16:09,760 --> 00:16:11,600
Speaker 4: I'm more on your side because it's just like, you know,

396
00:16:11,600 --> 00:16:14,240
Speaker 4: you should give people a little bit of time. Put

397
00:16:14,240 --> 00:16:16,600
Speaker 4: it in music is not always the best thing. Don't

398
00:16:16,600 --> 00:16:18,600
Speaker 4: get me wrong, your works for sure. You know, I

399
00:16:18,640 --> 00:16:20,960
Speaker 4: hate when I'm going through some ship, but you know,

400
00:16:21,960 --> 00:16:24,960
Speaker 4: and then I gotta go like just be like, I

401
00:16:24,960 --> 00:16:26,240
Speaker 4: don't know, try to be regular.

402
00:16:26,600 --> 00:16:30,280
Speaker 5: Yeah yeah, but at the moment he's and I'm not disencollagent.

403
00:16:30,440 --> 00:16:32,040
Speaker 5: I'm just telling the truth. I'm telling the truth. He's

404
00:16:32,080 --> 00:16:35,200
Speaker 5: only thinking about himself. Yeah, think about what he wants.

405
00:16:35,760 --> 00:16:39,960
Speaker 1: Yeah, but your return your texts, Yeah yeah, okay, he does.

406
00:16:40,200 --> 00:16:43,680
Speaker 3: But with a lot of people don't don't necessarily understand.

407
00:16:43,800 --> 00:16:45,440
Speaker 3: Is like what he's going through, a lot of people

408
00:16:45,480 --> 00:16:47,440
Speaker 3: are going through and you're putting it in your music.

409
00:16:47,520 --> 00:16:49,200
Speaker 2: Helps people deal, you know what I mean.

410
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Speaker 3: That's why Mary has so many fans, because there's a

411
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Speaker 3: lot of women that were going through what she was

412
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Speaker 3: going through, and they understand and they can deal with it,

413
00:16:55,000 --> 00:16:55,480
Speaker 3: like you know what I mean.

414
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Speaker 2: Same thing with Keisha Cole and some of the biggest.

415
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Speaker 4: Look at everybody, I think the biggest thing is this

416
00:17:02,880 --> 00:17:05,159
Speaker 4: biggest thing is this, Like if I'm going through all

417
00:17:05,200 --> 00:17:08,400
Speaker 4: this personal stuff whatever, but I still got my confidence. Sure,

418
00:17:08,400 --> 00:17:10,359
Speaker 4: I go in the studio all day. But if I

419
00:17:10,440 --> 00:17:12,480
Speaker 4: don't have confidence and I'm going through stuff, it's just

420
00:17:12,480 --> 00:17:14,360
Speaker 4: not a good mixture at all. Like I'll just make

421
00:17:14,800 --> 00:17:17,000
Speaker 4: dog shit, you know, which is what I did. Made

422
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Speaker 4: dog shit for like six years straight.

423
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Speaker 3: And now you have two daughters, your girl, dad, how

424
00:17:21,800 --> 00:17:23,880
Speaker 3: did your daughter inspire and help you all through that

425
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Speaker 3: that dog time?

426
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Speaker 2: If they did.

427
00:17:25,400 --> 00:17:30,159
Speaker 4: My second daughter definitely helped because you know, it was

428
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Speaker 4: like when I'm making in twenty twenty actually, and I

429
00:17:32,440 --> 00:17:34,520
Speaker 4: was just like, I gotta get my ass up and

430
00:17:34,600 --> 00:17:36,399
Speaker 4: get to work. You know, I can't. You know, I

431
00:17:36,440 --> 00:17:38,760
Speaker 4: was nervous because I was like, I really gotta work now.

432
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Speaker 4: My first daughter, of course, she definitely she changed everything

433
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Speaker 4: for me. You know, I got that said some million

434
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Speaker 4: dollar baby out right now. She really was my million

435
00:17:46,680 --> 00:17:47,280
Speaker 4: dollar baby.

436
00:17:47,359 --> 00:17:47,560
Speaker 1: You know.

437
00:17:47,640 --> 00:17:49,919
Speaker 4: She the reason why I got, you know, everything I

438
00:17:49,920 --> 00:17:52,560
Speaker 4: got because like, you know, I don't know, it's just

439
00:17:52,560 --> 00:17:55,879
Speaker 4: something about seeing her sleeping in the crib. You know,

440
00:17:55,960 --> 00:17:58,800
Speaker 4: I was riding a target on the bike just to

441
00:17:58,800 --> 00:18:01,120
Speaker 4: get her diapers and shit. But just seeing her sleep

442
00:18:01,119 --> 00:18:02,960
Speaker 4: in the crib was like so inspiring to me because

443
00:18:02,960 --> 00:18:05,479
Speaker 4: I'm just like, man, that's I'm the only thing stopping

444
00:18:05,600 --> 00:18:07,760
Speaker 4: whatever's whatever comes to the door, Like I have to

445
00:18:07,800 --> 00:18:09,440
Speaker 4: make sure this roof is over here so she could

446
00:18:09,480 --> 00:18:10,560
Speaker 4: sleep peacefully.

447
00:18:10,240 --> 00:18:10,439
Speaker 1: You know.

448
00:18:10,520 --> 00:18:12,640
Speaker 4: And I was just like I gotta do something about this,

449
00:18:12,800 --> 00:18:15,280
Speaker 4: like I have to. I can't just keep living check

450
00:18:15,320 --> 00:18:17,840
Speaker 4: to check, you know, so super inspired.

451
00:18:18,320 --> 00:18:20,280
Speaker 1: What were the threats in your hometown? Like what was

452
00:18:20,320 --> 00:18:20,720
Speaker 1: that about?

453
00:18:20,960 --> 00:18:23,760
Speaker 4: Threats to my hometown? Was crazy? It was like you

454
00:18:23,800 --> 00:18:27,200
Speaker 4: know that crabs in a bucket. It kind of felt

455
00:18:27,240 --> 00:18:29,280
Speaker 4: like that, and it just, you know, I know, heard

456
00:18:29,320 --> 00:18:30,960
Speaker 4: a couple of people talk about, you know, you shouldn't

457
00:18:30,960 --> 00:18:33,760
Speaker 4: live in your hometown like Boosie. Yeah, you know, I've

458
00:18:33,760 --> 00:18:35,560
Speaker 4: heard it. I've seen people die in their hometown. And

459
00:18:35,560 --> 00:18:38,240
Speaker 4: I used to just get threats like people just mad

460
00:18:38,320 --> 00:18:42,080
Speaker 4: because excuse me, people mad because I'm like, you know,

461
00:18:42,160 --> 00:18:44,280
Speaker 4: blowing up. I was super to myself, like I ain't

462
00:18:44,280 --> 00:18:47,600
Speaker 4: really rock with nobody, and I intentionally, you know, stop

463
00:18:47,760 --> 00:18:49,920
Speaker 4: rocking with a lot of people after my daughter was born,

464
00:18:50,080 --> 00:18:51,639
Speaker 4: because I was like, you know, cause I took a

465
00:18:51,720 --> 00:18:53,119
Speaker 4: hiatus right when I found out I.

466
00:18:53,119 --> 00:18:53,800
Speaker 1: Was going to have a daughter.

467
00:18:53,800 --> 00:18:56,399
Speaker 4: I was like, I'm not doing you know, I'm not

468
00:18:56,440 --> 00:18:58,720
Speaker 4: doing music, and I need to focus on you know,

469
00:18:59,400 --> 00:19:01,080
Speaker 4: you're raising it kid, you know what I'm saying, and

470
00:19:01,080 --> 00:19:03,639
Speaker 4: trying to, you know, get a job at UPS. That's

471
00:19:03,680 --> 00:19:06,800
Speaker 4: when I forgot my first job at UPS. Anyways, so

472
00:19:06,840 --> 00:19:08,320
Speaker 4: I stopped rocking a lot of people. I just wanted

473
00:19:08,320 --> 00:19:11,040
Speaker 4: to see who's gonna who's gonna fuck with me and whatnot.

474
00:19:11,400 --> 00:19:13,480
Speaker 4: And nobody really called you know this guy back around

475
00:19:13,480 --> 00:19:15,439
Speaker 4: the couch swine. He called me you know, those a

476
00:19:15,440 --> 00:19:17,639
Speaker 4: couple of people that called me, and those are the

477
00:19:17,680 --> 00:19:21,240
Speaker 4: people that are still around today. But three three years

478
00:19:21,280 --> 00:19:23,520
Speaker 4: after that, whenever I was like all right, you know what,

479
00:19:23,560 --> 00:19:25,640
Speaker 4: maybe I do need to get back into music. Got

480
00:19:25,640 --> 00:19:29,159
Speaker 4: back into music, all of a sudden, everybody mad, you know,

481
00:19:29,200 --> 00:19:31,399
Speaker 4: because I'm blowing up there like yeah, he you know,

482
00:19:31,480 --> 00:19:33,840
Speaker 4: switched up on his real friends and blah blah blah.

483
00:19:33,920 --> 00:19:36,280
Speaker 4: Was like real friends, that's crazy and I ain't see

484
00:19:36,280 --> 00:19:38,000
Speaker 4: none of y'all. At the hospital when my daughter was born,

485
00:19:38,040 --> 00:19:42,560
Speaker 4: nobody called me and said congratulations, you know what I'm saying. So, yeah,

486
00:19:42,640 --> 00:19:45,280
Speaker 4: a lot of those people were just sending me death threats,

487
00:19:45,320 --> 00:19:48,679
Speaker 4: you know. I was in Yeah, just crazy shit, like

488
00:19:49,400 --> 00:19:54,359
Speaker 4: leaving like animal skull heads on my car, like really goldheads.

489
00:19:54,480 --> 00:19:59,520
Speaker 4: Like it was corny as hell when we think about it. Louisville, Kentucky. Yeah,

490
00:19:59,520 --> 00:20:01,399
Speaker 4: it was like a a burnt up like note like

491
00:20:01,440 --> 00:20:04,120
Speaker 4: you reap what you saw passed with you like crazy

492
00:20:04,400 --> 00:20:06,080
Speaker 4: weird ship dudes.

493
00:20:06,160 --> 00:20:06,760
Speaker 1: It was like a.

494
00:20:08,440 --> 00:20:10,879
Speaker 4: Definitely one of them demonic ones that they used in

495
00:20:10,920 --> 00:20:11,560
Speaker 4: the yeah.

496
00:20:13,000 --> 00:20:16,159
Speaker 1: From like where do you? Where are you from? Okay?

497
00:20:16,320 --> 00:20:19,160
Speaker 6: Yeah, like a like you know the ones with the horn,

498
00:20:19,320 --> 00:20:22,200
Speaker 6: like the little. They're not horns, but there I don't

499
00:20:22,240 --> 00:20:24,399
Speaker 6: know exactly. It looks like a ram. Some of them

500
00:20:24,440 --> 00:20:25,199
Speaker 6: looked like rams.

501
00:20:25,240 --> 00:20:26,719
Speaker 1: I think it was a lion king animal.

502
00:20:26,880 --> 00:20:28,480
Speaker 2: Ones at a hyenas.

503
00:20:29,359 --> 00:20:31,720
Speaker 4: The ones that are like was like running through the morning.

504
00:20:33,240 --> 00:20:35,680
Speaker 4: The ones that was running through that killed whenever he

505
00:20:35,720 --> 00:20:43,040
Speaker 4: said yeah, I think it was like how they get

506
00:20:43,040 --> 00:20:43,760
Speaker 4: that in Louisville.

507
00:20:43,960 --> 00:20:44,960
Speaker 2: That's why I think.

508
00:20:46,320 --> 00:20:48,320
Speaker 4: Maybe they got off Etsy or some shy.

509
00:20:49,720 --> 00:20:51,760
Speaker 2: Did you move from did you move out of there immediately?

510
00:20:52,680 --> 00:20:56,040
Speaker 4: Don't live in any I tried to stay there for

511
00:20:56,080 --> 00:20:58,479
Speaker 4: as long as I could, you know, but it just

512
00:20:58,480 --> 00:20:59,160
Speaker 4: got too weird.

513
00:20:59,240 --> 00:20:59,359
Speaker 1: Bro.

514
00:20:59,400 --> 00:21:01,600
Speaker 4: It was just like he deal with this man. People

515
00:21:01,640 --> 00:21:03,479
Speaker 4: used to knock on my door and asked me for pictures.

516
00:21:03,480 --> 00:21:04,040
Speaker 1: It was weird.

517
00:21:04,480 --> 00:21:10,600
Speaker 4: Now probably nobody actually it was probably just to like

518
00:21:10,920 --> 00:21:13,160
Speaker 4: fuck with me, you know what I mean. Like, but

519
00:21:13,240 --> 00:21:16,160
Speaker 4: it was it was annoying, bro. Like I was outside

520
00:21:16,240 --> 00:21:18,200
Speaker 4: some nights in the middle of this neighborhood it's new,

521
00:21:18,400 --> 00:21:21,560
Speaker 4: you know, white neighborhood, screaming in the rain to the

522
00:21:21,560 --> 00:21:23,639
Speaker 4: people that I thought was you know, behind all the

523
00:21:23,680 --> 00:21:25,600
Speaker 4: ship because I had to fly home whenever I've seen

524
00:21:25,600 --> 00:21:27,720
Speaker 4: that on my cameras, like two dudes with gloves on

525
00:21:27,800 --> 00:21:30,600
Speaker 4: outside putting it on my cars, and was like, the fuck,

526
00:21:30,680 --> 00:21:32,640
Speaker 4: my daughter's in the house sleeping. I'm just like, Yo,

527
00:21:33,160 --> 00:21:34,040
Speaker 4: what's wrong with child?

528
00:21:34,080 --> 00:21:34,199
Speaker 1: Bro?

529
00:21:34,560 --> 00:21:34,920
Speaker 4: Get out of it.

530
00:21:35,000 --> 00:21:37,560
Speaker 1: I'm glad you knew what you knew who it was? Yeah,

531
00:21:38,080 --> 00:21:44,520
Speaker 1: what did you? I mean, did you handle it? Nah?

532
00:21:44,600 --> 00:21:45,160
Speaker 1: That's the thing.

533
00:21:45,680 --> 00:21:47,600
Speaker 4: That's the thing about it, because I was always just

534
00:21:47,680 --> 00:21:49,879
Speaker 4: like man, I used to tell people when they were

535
00:21:50,200 --> 00:21:51,560
Speaker 4: I was like, man, y'all, you kind of got the

536
00:21:51,640 --> 00:21:53,320
Speaker 4: right one, you know how some people like, yo, you

537
00:21:53,359 --> 00:21:54,800
Speaker 4: got the wrong You got the right one. Because I'm

538
00:21:54,800 --> 00:21:57,080
Speaker 4: not I'm not gonna I'm not gonna meet you where

539
00:21:57,080 --> 00:21:59,919
Speaker 4: you you know, I'm just gonna keep doing me, Like

540
00:22:00,680 --> 00:22:02,280
Speaker 4: got to deal with you that one of those guys

541
00:22:02,280 --> 00:22:06,720
Speaker 4: died actually not because yeah, car accident.

542
00:22:07,920 --> 00:22:10,000
Speaker 1: So you pud back.

543
00:22:12,440 --> 00:22:12,600
Speaker 3: Man.

544
00:22:12,640 --> 00:22:14,320
Speaker 4: I wish him the best. I always looked up to

545
00:22:14,400 --> 00:22:16,479
Speaker 4: him too. It's a crazy thing, you know, when one

546
00:22:16,520 --> 00:22:23,480
Speaker 4: at least did you reported what you mean he's talking

547
00:22:23,520 --> 00:22:27,120
Speaker 4: about the Yeah, yeah, a lot of crazy stuff though.

548
00:22:27,160 --> 00:22:29,199
Speaker 4: They was saying it was people like sending CPS to

549
00:22:29,240 --> 00:22:31,639
Speaker 4: my house, like you know, telling sand it like you

550
00:22:31,640 --> 00:22:33,760
Speaker 4: know less of my daughter and wild ship like and

551
00:22:33,800 --> 00:22:36,080
Speaker 4: I'm having to having to interview my little three year

552
00:22:36,119 --> 00:22:38,640
Speaker 4: old daughter like your daddy, blah blah blah, and it's

553
00:22:38,640 --> 00:22:39,640
Speaker 4: just like I can't leave.

554
00:22:39,760 --> 00:22:40,080
Speaker 1: Crazy.

555
00:22:40,280 --> 00:22:41,520
Speaker 4: I was just like trying to tell the people. I

556
00:22:41,600 --> 00:22:44,480
Speaker 4: was like, Yo, so people, anybody can just call and

557
00:22:44,480 --> 00:22:46,199
Speaker 4: then they can just come here and just y'all can

558
00:22:46,280 --> 00:22:48,600
Speaker 4: just interview me and talk to my daughter whenever y'all want.

559
00:22:48,640 --> 00:22:50,879
Speaker 4: That's crazy, Like I don't get some type of like

560
00:22:51,000 --> 00:22:52,600
Speaker 4: celebrity like past.

561
00:22:52,760 --> 00:22:55,240
Speaker 1: But I guess not, you know, but we don't see you.

562
00:22:55,840 --> 00:22:59,000
Speaker 4: Man, I was fucked up for years.

563
00:22:59,160 --> 00:23:01,200
Speaker 3: Was it true that you, uh, Drake was trying to

564
00:23:01,240 --> 00:23:02,040
Speaker 3: sign you at one point?

565
00:23:02,119 --> 00:23:04,359
Speaker 2: Yeah, and you didn't go with Drake. You went to

566
00:23:04,480 --> 00:23:06,280
Speaker 2: r C of course, So why didn't you decide to

567
00:23:06,280 --> 00:23:06,960
Speaker 2: decide with Drake?

568
00:23:07,520 --> 00:23:11,159
Speaker 4: I really wanted to be honest with you. It's just

569
00:23:11,160 --> 00:23:14,200
Speaker 4: one of those things like, man, Honestly, the day I

570
00:23:14,240 --> 00:23:16,520
Speaker 4: remember they tricked me, they tricked me into coming up

571
00:23:16,560 --> 00:23:19,160
Speaker 4: to New York and they was like, yeah, man, we're

572
00:23:19,200 --> 00:23:21,200
Speaker 4: we're to sign the deal. I said, what sign the deal?

573
00:23:21,359 --> 00:23:23,320
Speaker 4: Like at this time is still you know? They kept

574
00:23:23,359 --> 00:23:25,360
Speaker 4: trying to get me away from Drake, flew me out

575
00:23:25,400 --> 00:23:27,440
Speaker 4: of LA because he was out there. It's like we

576
00:23:27,440 --> 00:23:28,480
Speaker 4: got getting away from Drake.

577
00:23:29,400 --> 00:23:30,680
Speaker 1: Get him away from.

578
00:23:32,440 --> 00:23:34,159
Speaker 4: That was all they was like doing. And I just

579
00:23:34,320 --> 00:23:36,960
Speaker 4: hate that because I'm like, man, I mean, I get it.

580
00:23:37,000 --> 00:23:39,360
Speaker 4: I don't know him, but also y'all don't Maybe y'all

581
00:23:39,359 --> 00:23:45,560
Speaker 4: do know him. I don't know. Anyways, I was in there,

582
00:23:45,600 --> 00:23:48,639
Speaker 4: and you know, I was really trying to make that

583
00:23:48,720 --> 00:23:51,439
Speaker 4: happen because I remember just some of the text conversations

584
00:23:51,440 --> 00:23:52,720
Speaker 4: we had. He was like, I really want to sign

585
00:23:52,760 --> 00:23:54,720
Speaker 4: you the O yo. And I was super inspired. And

586
00:23:54,760 --> 00:23:57,840
Speaker 4: obviously Drake is a huge influence on my you know,

587
00:23:58,200 --> 00:24:01,560
Speaker 4: a huge part of my musical DNA period. And I

588
00:24:01,600 --> 00:24:04,080
Speaker 4: got to New York and I listened to one song

589
00:24:04,119 --> 00:24:06,359
Speaker 4: by him. I think it's called Fear. I was just

590
00:24:06,400 --> 00:24:08,600
Speaker 4: trying to like find songs that he was making when

591
00:24:08,640 --> 00:24:10,040
Speaker 4: he was like trying to figure out who he was

592
00:24:10,040 --> 00:24:11,360
Speaker 4: going to sign to, and I was just like, man,

593
00:24:11,359 --> 00:24:13,159
Speaker 4: how did he feel this time? Then I texted him

594
00:24:13,160 --> 00:24:14,560
Speaker 4: and I was like, yo, man, they got me up

595
00:24:14,560 --> 00:24:17,800
Speaker 4: in New York. You know, I really want to sign

596
00:24:17,800 --> 00:24:19,679
Speaker 4: the OVERL. I just hopefully we can just like have

597
00:24:19,720 --> 00:24:21,480
Speaker 4: a conversation about it, you know what I mean? And

598
00:24:21,560 --> 00:24:24,159
Speaker 4: he just never text me back what And I was

599
00:24:24,200 --> 00:24:26,520
Speaker 4: just like, I guess that's everything I need to know

600
00:24:26,640 --> 00:24:27,400
Speaker 4: right there, you know.

601
00:24:27,640 --> 00:24:29,320
Speaker 1: What I mean. He didn't even want to be like

602
00:24:29,560 --> 00:24:30,840
Speaker 1: it wasn't like you had signed with r C.

603
00:24:31,440 --> 00:24:33,679
Speaker 4: I think some people with OVO didn't believe like the

604
00:24:33,680 --> 00:24:35,600
Speaker 4: money they was offering me or something like that.

605
00:24:36,560 --> 00:24:37,480
Speaker 1: Did you did you? Probably?

606
00:24:37,520 --> 00:24:39,399
Speaker 5: Did you, like maybe give him a verbal like, hey man,

607
00:24:39,400 --> 00:24:42,000
Speaker 5: I'm signing the OVO, and so he might he might

608
00:24:42,000 --> 00:24:43,680
Speaker 5: have felt slided that you was up here with RCA.

609
00:24:44,640 --> 00:24:46,240
Speaker 4: No. I mean I tried to have a conversation with

610
00:24:47,400 --> 00:24:49,320
Speaker 4: him to match what was not even that. I was

611
00:24:49,359 --> 00:24:51,080
Speaker 4: just like, they don't even matter about the money. You

612
00:24:51,200 --> 00:24:53,840
Speaker 4: gotta match nothing, like just tell me, like give me

613
00:24:53,880 --> 00:24:56,000
Speaker 4: some reassurance and let me know that like you rocking

614
00:24:56,080 --> 00:24:58,120
Speaker 4: with me, like everybody's in my ear right now talking

615
00:24:58,119 --> 00:25:00,000
Speaker 4: about this that and the third and I won't believe him,

616
00:25:00,280 --> 00:25:02,520
Speaker 4: you know what I mean, I'll trust you. And the

617
00:25:02,560 --> 00:25:05,119
Speaker 4: crazy thing is like you can't really like I'm a rebel,

618
00:25:05,200 --> 00:25:07,359
Speaker 4: so like if you know, people always be like, oh,

619
00:25:07,359 --> 00:25:08,960
Speaker 4: it's a good thing you didn't sign the odeo and

620
00:25:09,000 --> 00:25:11,959
Speaker 4: all this. I wasn't really hearing that because I always

621
00:25:12,000 --> 00:25:13,399
Speaker 4: just like, you know, if I signed the over, yo,

622
00:25:14,280 --> 00:25:16,480
Speaker 4: I'm gonna be a great asset to the team for one,

623
00:25:16,920 --> 00:25:20,840
Speaker 4: but two, there's no stopping me, like you know, when

624
00:25:20,880 --> 00:25:23,320
Speaker 4: it comes, there's no holding me back, there's no shelving me,

625
00:25:23,440 --> 00:25:26,800
Speaker 4: there's no none of that because I'm amazing. So so,

626
00:25:26,880 --> 00:25:28,440
Speaker 4: Drake's one of the people who didn't text you back.

627
00:25:29,200 --> 00:25:31,159
Speaker 4: Uh yeah, I mean just in that instance. Yeah, have

628
00:25:31,280 --> 00:25:34,240
Speaker 4: you text you back since I spoke to him in

629
00:25:34,280 --> 00:25:34,639
Speaker 4: a minute?

630
00:25:34,680 --> 00:25:36,240
Speaker 1: Did you ever help him? Right?

631
00:25:36,520 --> 00:25:38,440
Speaker 5: That's what they say it too, Like you know you

632
00:25:38,920 --> 00:25:40,600
Speaker 5: never was in the studio, do you.

633
00:25:40,480 --> 00:25:42,119
Speaker 3: Do you feel like if you signed with Drake it

634
00:25:42,119 --> 00:25:43,960
Speaker 3: would have been a lot easier because it would have

635
00:25:44,000 --> 00:25:46,159
Speaker 3: been an artist guiding you through all the things that

636
00:25:46,200 --> 00:25:47,040
Speaker 3: you didn't understand.

637
00:25:47,119 --> 00:25:49,720
Speaker 4: Absolutely. Yeah, that was exactly what I needed at the time.

638
00:25:49,760 --> 00:25:51,440
Speaker 4: But that's what I think the people around me didn't

639
00:25:51,440 --> 00:25:54,040
Speaker 4: really understand. I was like, I'm looking for more than

640
00:25:54,160 --> 00:25:59,040
Speaker 4: just you know, money, And I mean, don't get me wrong,

641
00:25:59,160 --> 00:26:01,520
Speaker 4: like I get the intent like or why they was

642
00:26:01,560 --> 00:26:02,800
Speaker 4: trying to do that and why they were trying to

643
00:26:02,800 --> 00:26:05,800
Speaker 4: set me up for the future, but I needed like guidance.

644
00:26:05,960 --> 00:26:08,520
Speaker 4: That was what I needed more than anything because yeah,

645
00:26:08,680 --> 00:26:09,280
Speaker 4: stressed out.

646
00:26:09,800 --> 00:26:11,880
Speaker 5: Do you think any of this, uh, you know, Bryson

647
00:26:12,400 --> 00:26:14,800
Speaker 5: have to do with your natural demeanor, because you know,

648
00:26:14,840 --> 00:26:16,560
Speaker 5: you say you do disconnect from people.

649
00:26:17,080 --> 00:26:18,720
Speaker 1: You know, you will cut people off.

650
00:26:18,760 --> 00:26:21,840
Speaker 4: So if you are that way to people, it's easy

651
00:26:21,880 --> 00:26:23,680
Speaker 4: for people to be that way to you. So who

652
00:26:23,760 --> 00:26:26,840
Speaker 4: is it you first and then them or do you

653
00:26:26,960 --> 00:26:31,399
Speaker 4: notice something with and then you distance yourself? You know,

654
00:26:31,520 --> 00:26:34,359
Speaker 4: that's a good point. I've definitely heard that before. Like

655
00:26:34,400 --> 00:26:36,359
Speaker 4: there's a lot of moments where like I'll go to

656
00:26:36,440 --> 00:26:39,400
Speaker 4: like celebrity parties and honestly, I just didn't never see

657
00:26:39,440 --> 00:26:43,120
Speaker 4: myself as you know, anywhere near them, So I would

658
00:26:43,119 --> 00:26:44,879
Speaker 4: just kind of stay in my place and be like,

659
00:26:44,960 --> 00:26:46,520
Speaker 4: let me just sit over here, shut up and not

660
00:26:46,600 --> 00:26:49,280
Speaker 4: talk and just kind of like observe and just like

661
00:26:49,320 --> 00:26:50,960
Speaker 4: because I didn't want to say too much and then

662
00:26:51,080 --> 00:26:54,200
Speaker 4: say some corny shit or just like I don't know,

663
00:26:54,320 --> 00:26:56,120
Speaker 4: I just like let me just not say that at all.

664
00:26:56,200 --> 00:26:58,160
Speaker 4: Maybe some people took that as like, oh, he thinks

665
00:26:58,200 --> 00:27:00,520
Speaker 4: you know, he thinky all that you know, or whatever.

666
00:27:00,280 --> 00:27:01,360
Speaker 1: So stand.

667
00:27:03,760 --> 00:27:05,879
Speaker 4: Yeah, exactly, I've definitely heard that before, but like that

668
00:27:05,920 --> 00:27:07,400
Speaker 4: ain't the case, you know what I mean at all?

669
00:27:07,440 --> 00:27:07,960
Speaker 1: Like I love.

670
00:27:08,400 --> 00:27:11,640
Speaker 4: I like, I might be introverted. I might be I'm

671
00:27:11,640 --> 00:27:14,439
Speaker 4: not even really that anti social. I love you know,

672
00:27:14,480 --> 00:27:16,960
Speaker 4: my friends, and you know, we have great conversations, and

673
00:27:17,600 --> 00:27:20,359
Speaker 4: you know, I just think a lot of Yeah, it

674
00:27:20,359 --> 00:27:21,520
Speaker 4: does have a lot to do with that.

675
00:27:21,720 --> 00:27:23,800
Speaker 5: I think the problem with the industry, especially if you're

676
00:27:23,960 --> 00:27:27,359
Speaker 5: an introvert and you deal with anxiety, you need people

677
00:27:27,400 --> 00:27:30,280
Speaker 5: to meet you where you are. Meaning if your safe

678
00:27:30,320 --> 00:27:33,760
Speaker 5: space is that studio writing and recording, come kick it

679
00:27:33,800 --> 00:27:35,800
Speaker 5: with me over here, because you're not gonna get the

680
00:27:35,840 --> 00:27:37,119
Speaker 5: best version of me if I got to come to

681
00:27:37,160 --> 00:27:39,560
Speaker 5: your house and big politic at a party.

682
00:27:39,680 --> 00:27:43,120
Speaker 4: Yeah, yeah, yeah, I agree. I agree with that for sure.

683
00:27:43,600 --> 00:27:46,040
Speaker 4: It was you know, even me. I would send messages

684
00:27:46,080 --> 00:27:48,399
Speaker 4: to people like and I would try not to make

685
00:27:48,440 --> 00:27:50,680
Speaker 4: them too worthy, but I would just like sound like human.

686
00:27:50,760 --> 00:27:54,080
Speaker 4: They would just be so robotic, like one word text. Okay,

687
00:27:54,480 --> 00:27:57,800
Speaker 4: I'll just be like all right, you know, like what

688
00:27:57,840 --> 00:27:59,480
Speaker 4: I'm just trying to with what you would text. I

689
00:28:00,160 --> 00:28:01,600
Speaker 4: even remember what I would saying, but I would just

690
00:28:01,640 --> 00:28:04,280
Speaker 4: be like, you know, just I don't know, regular conversation

691
00:28:04,400 --> 00:28:05,720
Speaker 4: like I had with all my other friends, you know

692
00:28:05,720 --> 00:28:07,160
Speaker 4: what I mean, just talking to him like yo, man,

693
00:28:07,320 --> 00:28:10,000
Speaker 4: even give giving people compliments, you know what I mean, Like, y'all,

694
00:28:10,040 --> 00:28:12,080
Speaker 4: I just wanted to say, you know this, you know

695
00:28:12,320 --> 00:28:13,360
Speaker 4: this album meant a lot to.

696
00:28:13,320 --> 00:28:13,679
Speaker 1: Me, you know.

697
00:28:13,720 --> 00:28:17,320
Speaker 4: But as I got older and grew wiser, I was

698
00:28:17,359 --> 00:28:19,359
Speaker 4: just like, you know, people just be busy, and you know,

699
00:28:19,400 --> 00:28:21,919
Speaker 4: everybody got their own kingdom. Everybody got like a million

700
00:28:21,960 --> 00:28:25,160
Speaker 4: people like trying to you know, get something from them,

701
00:28:25,160 --> 00:28:26,560
Speaker 4: you know what I mean. So I'm just like, I

702
00:28:26,600 --> 00:28:29,159
Speaker 4: just gotta deal with a roll with the punches, is

703
00:28:29,160 --> 00:28:29,639
Speaker 4: what it is.

704
00:28:29,840 --> 00:28:32,359
Speaker 6: You on tour, the tour? Do you like touring?

705
00:28:33,720 --> 00:28:33,880
Speaker 4: Uh?

706
00:28:34,720 --> 00:28:35,720
Speaker 1: Yeah? And yes?

707
00:28:35,920 --> 00:28:39,239
Speaker 4: Enough? Wait what did Michael Jackson say?

708
00:28:39,280 --> 00:28:43,120
Speaker 2: I love.

709
00:28:45,720 --> 00:28:45,800
Speaker 1: It?

710
00:28:45,880 --> 00:28:48,719
Speaker 4: Can't be tough man. Stage is way different than the studio.

711
00:28:48,760 --> 00:28:50,920
Speaker 4: I love the studio, I love making music. I love

712
00:28:51,240 --> 00:28:56,000
Speaker 4: the way everything sounds on my headphones. But on the

713
00:28:56,040 --> 00:28:58,680
Speaker 4: stage is way different. I can't hear ship. Every room

714
00:28:58,840 --> 00:29:02,840
Speaker 4: is different. The ver be loud, sometimes heavy on the bass,

715
00:29:02,920 --> 00:29:05,080
Speaker 4: and just like, damn, I can't even hear myself. Sometimes

716
00:29:05,080 --> 00:29:06,640
Speaker 4: a crowd too loud, and I don't never want them

717
00:29:06,640 --> 00:29:09,640
Speaker 4: to not be loud. But yeah, it's super different. And

718
00:29:09,640 --> 00:29:11,440
Speaker 4: that's the only reason. And the other thing is like

719
00:29:11,480 --> 00:29:14,840
Speaker 4: I'm just going for my home too long, Like yeah,

720
00:29:14,880 --> 00:29:17,040
Speaker 4: like I'm burnt out right now. Maybe you just meant

721
00:29:17,040 --> 00:29:19,520
Speaker 4: to be a writer, that's what you know. That was

722
00:29:19,560 --> 00:29:20,960
Speaker 4: another thing the reason why I was like, ya, I

723
00:29:20,960 --> 00:29:22,880
Speaker 4: don't mind signing over ya, like that might be a

724
00:29:22,880 --> 00:29:25,840
Speaker 4: good thing for me to just goes right, Like I

725
00:29:25,880 --> 00:29:27,640
Speaker 4: always wanted to be a writer. That's actually one of

726
00:29:27,680 --> 00:29:28,680
Speaker 4: my thing. I didn't ever want to be in this

727
00:29:28,680 --> 00:29:31,600
Speaker 4: spotlight like that. I'm well, I take that back. When

728
00:29:31,640 --> 00:29:33,480
Speaker 4: I was seventeen, I did cause I was like, oh yeah,

729
00:29:33,640 --> 00:29:36,640
Speaker 4: fame and being famous because you know, I SEECB and Tiger,

730
00:29:37,160 --> 00:29:39,600
Speaker 4: you know, shooting water guns at each other on tour

731
00:29:39,680 --> 00:29:41,400
Speaker 4: or whatnot. I'm like, that looks like fun, you know

732
00:29:41,440 --> 00:29:42,920
Speaker 4: what I mean. I was like I want to do that.

733
00:29:42,960 --> 00:29:45,440
Speaker 4: But then I realized quickly. I was like, nah, maybe

734
00:29:45,440 --> 00:29:47,280
Speaker 4: I don't want to do that, like and then I

735
00:29:47,320 --> 00:29:48,800
Speaker 4: was like, I'm just I just want to be a songwriter.

736
00:29:48,920 --> 00:29:51,160
Speaker 4: But you know, my song took off as an artist,

737
00:29:51,240 --> 00:29:52,840
Speaker 4: so I was kind of forced to be an artist.

738
00:29:52,920 --> 00:29:55,120
Speaker 3: Do they treat Jack Hallow back home like they treated you?

739
00:29:55,280 --> 00:29:56,760
Speaker 3: Or is it you feel like they treat them a

740
00:29:56,760 --> 00:29:57,680
Speaker 3: lot better back home?

741
00:29:58,640 --> 00:30:02,080
Speaker 4: It depends on who talking about You know, I think

742
00:30:02,640 --> 00:30:05,440
Speaker 4: all the people, you know, especially black people, respect them.

743
00:30:05,520 --> 00:30:08,840
Speaker 4: You know what I'm saying. I feel like, you know,

744
00:30:09,240 --> 00:30:12,000
Speaker 4: maybe maybe the higher ups, the officials in the city

745
00:30:12,080 --> 00:30:14,560
Speaker 4: might give him more opportunities because of you know, it's.

746
00:30:14,760 --> 00:30:16,520
Speaker 1: A skin color.

747
00:30:19,440 --> 00:30:25,280
Speaker 4: But you know, yeah.

748
00:30:23,320 --> 00:30:25,320
Speaker 5: I saw you saying in a Billboard interview that this album,

749
00:30:25,520 --> 00:30:27,600
Speaker 5: Brison Tila, you named it that because you want to

750
00:30:27,640 --> 00:30:31,040
Speaker 5: show people yourself and you want to be yourself.

751
00:30:31,040 --> 00:30:32,240
Speaker 1: You want to show people who you are.

752
00:30:32,360 --> 00:30:36,320
Speaker 4: And you know, I don't believe that though what you mean,

753
00:30:36,400 --> 00:30:38,840
Speaker 4: I don't believe you really want to do that show

754
00:30:38,840 --> 00:30:43,400
Speaker 4: people who I am. You know, it is funny because

755
00:30:43,440 --> 00:30:47,080
Speaker 4: like my mixtape series is, I would say it's an

756
00:30:47,080 --> 00:30:50,040
Speaker 4: alter ego of mind Slump too, But I really did

757
00:30:50,040 --> 00:30:51,920
Speaker 4: get to show people who I was on her and

758
00:30:51,960 --> 00:30:54,960
Speaker 4: that when I dropped those, I felt super vulnerable. Even

759
00:30:54,960 --> 00:30:57,160
Speaker 4: when I dropped Whatever She Wants, I felt so embarrassed

760
00:30:57,160 --> 00:30:59,360
Speaker 4: after because I was just like, it's just like for girls,

761
00:30:59,360 --> 00:31:00,960
Speaker 4: like when they go to club and they be drunk,

762
00:31:01,040 --> 00:31:03,080
Speaker 4: they be shaking the ass or whatnot, and they probably

763
00:31:03,400 --> 00:31:04,960
Speaker 4: next day feel like crazy or whatever.

764
00:31:05,000 --> 00:31:06,040
Speaker 1: But like that's how I felt.

765
00:31:05,800 --> 00:31:08,440
Speaker 4: Because I'm just only talking about tricking and hitting the

766
00:31:08,440 --> 00:31:10,400
Speaker 4: girls from the back and whatnot on the song, Like

767
00:31:10,400 --> 00:31:11,520
Speaker 4: I'm just like, what am I doing?

768
00:31:11,600 --> 00:31:11,760
Speaker 1: Right?

769
00:31:11,800 --> 00:31:15,720
Speaker 4: That's it's crazy. I got kids, like I got it exactly.

770
00:31:16,760 --> 00:31:17,000
Speaker 1: Yeah.

771
00:31:17,080 --> 00:31:20,280
Speaker 4: So now I would say I was more myself on

772
00:31:20,600 --> 00:31:26,520
Speaker 4: my sloan mixtape, but my album, I just mean, like, yeah,

773
00:31:26,520 --> 00:31:28,320
Speaker 4: I'm glad you said that.

774
00:31:27,640 --> 00:31:31,240
Speaker 1: You are you lying a good point? Why are you

775
00:31:31,320 --> 00:31:32,800
Speaker 1: volunteering the lives of other people?

776
00:31:33,560 --> 00:31:35,200
Speaker 4: I wouldn't even say it's lives though, you know what

777
00:31:35,200 --> 00:31:36,479
Speaker 4: I mean With the album, you know what I mean,

778
00:31:36,840 --> 00:31:39,120
Speaker 4: or that interview, you know, it is the most me

779
00:31:39,280 --> 00:31:41,120
Speaker 4: that I've ever been, you know, like because I love

780
00:31:41,160 --> 00:31:43,120
Speaker 4: every genre music. There's a lot of different type of

781
00:31:43,120 --> 00:31:47,560
Speaker 4: stuff on that on this album. I love count yeah, yeah,

782
00:31:47,600 --> 00:31:49,920
Speaker 4: I love I love everything everything, you know, all the

783
00:31:50,120 --> 00:31:53,880
Speaker 4: all the genres. So it is me. But I guess

784
00:31:53,880 --> 00:31:56,640
Speaker 4: when you think about, like, you know, being vulnerable, it's

785
00:31:56,680 --> 00:31:58,000
Speaker 4: not it's not that much me.

786
00:31:58,120 --> 00:31:58,800
Speaker 1: You know what I'm saying.

787
00:31:59,040 --> 00:32:02,080
Speaker 6: But it's now I just think he be in his

788
00:32:02,160 --> 00:32:04,560
Speaker 6: head a lot, like you be in your head a lot.

789
00:32:05,240 --> 00:32:07,200
Speaker 4: I used to be in my head a whole whole lot.

790
00:32:07,320 --> 00:32:10,000
Speaker 4: Now I'm just a little bit more like, eh, who cares.

791
00:32:10,040 --> 00:32:11,760
Speaker 4: I'm kind of just like on some like I've been

792
00:32:11,840 --> 00:32:14,320
Speaker 4: kind of just going wherever the wind blows me and

793
00:32:14,440 --> 00:32:17,480
Speaker 4: just following the yellow brick road and just like just

794
00:32:17,960 --> 00:32:20,440
Speaker 4: accepting the fact that I'm just not in control at all.

795
00:32:20,480 --> 00:32:22,800
Speaker 4: Like it's him, you know what I mean, everything, Like

796
00:32:23,480 --> 00:32:28,920
Speaker 4: I could plan something, I just trust God's creative creative decisions.

797
00:32:28,440 --> 00:32:28,960
Speaker 1: You know what I mean.

798
00:32:29,040 --> 00:32:31,200
Speaker 4: If he won my album to flop, my album flopping

799
00:32:31,440 --> 00:32:32,600
Speaker 4: is what it is, you know what I mean, We're

800
00:32:32,600 --> 00:32:35,600
Speaker 4: moving on to the next. That's something that's got to

801
00:32:35,640 --> 00:32:37,400
Speaker 4: happen for me. Even the game that I'm working on.

802
00:32:37,480 --> 00:32:39,600
Speaker 4: You know, the shit could come out and you know

803
00:32:40,000 --> 00:32:42,160
Speaker 4: be a dud, you know, but it's not gonna be

804
00:32:42,200 --> 00:32:44,080
Speaker 4: a dud. But you know what I'm saying, like, whatever

805
00:32:44,120 --> 00:32:47,320
Speaker 4: he decides is what I'm okay with now. And I

806
00:32:47,400 --> 00:32:48,800
Speaker 4: used to didn't be like that. I was like, nah,

807
00:32:48,800 --> 00:32:51,240
Speaker 4: it's got to be this way. It's gotta be. And

808
00:32:51,320 --> 00:32:52,560
Speaker 4: you know that that quote it is like if you

809
00:32:52,600 --> 00:32:54,240
Speaker 4: want to make God laugh, tell them your plans.

810
00:32:55,560 --> 00:32:57,520
Speaker 1: Just about the video game it's called Trap Soul.

811
00:32:57,880 --> 00:33:00,720
Speaker 5: And also ready you see this, I was probably gonna

812
00:33:00,720 --> 00:33:02,600
Speaker 5: be your last for a while because you're working on.

813
00:33:02,800 --> 00:33:05,680
Speaker 4: Yeah, so my my my game studio. It's called Trap

814
00:33:05,720 --> 00:33:09,320
Speaker 4: Sold Games and we're working on the game. I can't

815
00:33:09,400 --> 00:33:11,960
Speaker 4: say the name just yet, but yeah, it should be

816
00:33:12,000 --> 00:33:13,160
Speaker 4: all that ship.

817
00:33:13,680 --> 00:33:16,000
Speaker 1: So is it a game that is it a trap

818
00:33:16,000 --> 00:33:16,360
Speaker 1: Soil game?

819
00:33:16,440 --> 00:33:18,080
Speaker 4: Was it something that your Traps game?

820
00:33:19,040 --> 00:33:21,480
Speaker 1: You know? Also? Yeah? Okay, okay?

821
00:33:21,880 --> 00:33:22,720
Speaker 4: Is it music based?

822
00:33:22,800 --> 00:33:28,240
Speaker 1: Is it an existing problem? Grand the six?

823
00:33:29,320 --> 00:33:30,280
Speaker 4: Is it Grand theft.

824
00:33:30,120 --> 00:33:33,920
Speaker 1: Aut those six? That's rock Star Games? Okay?

825
00:33:33,920 --> 00:33:34,760
Speaker 4: The Trap games?

826
00:33:35,600 --> 00:33:39,000
Speaker 1: Who interesting? Aldo on second guys?

827
00:33:39,400 --> 00:33:41,640
Speaker 2: For some reason, the mics to.

828
00:33:44,760 --> 00:33:46,680
Speaker 4: All right, So we have some technical difficulties. That's why

829
00:33:46,680 --> 00:33:48,880
Speaker 4: we're sitting here with microphones in our hand looking stupid

830
00:33:49,120 --> 00:33:51,120
Speaker 4: because our board went out and all the mics went

831
00:33:51,120 --> 00:33:53,040
Speaker 4: out everything middle of the bryceon Taylor interviews.

832
00:33:53,040 --> 00:33:54,520
Speaker 1: So we are improvising right now.

833
00:33:54,520 --> 00:33:56,880
Speaker 5: But we were talking about the Trap Soul video game

834
00:33:57,280 --> 00:34:00,560
Speaker 5: and how you're designing for Anthont photo.

835
00:34:01,240 --> 00:34:05,080
Speaker 4: I didn't say that, Okay, I wish, I wish. I

836
00:34:05,080 --> 00:34:07,720
Speaker 4: definitely would love the internship at a rock Star Games

837
00:34:07,760 --> 00:34:11,040
Speaker 4: for show. But yeah, man, my game is should be

838
00:34:11,080 --> 00:34:11,959
Speaker 4: released next year.

839
00:34:12,400 --> 00:34:14,479
Speaker 3: Behind the scenes, I was saying, the dope thing about

840
00:34:14,480 --> 00:34:16,480
Speaker 3: you is your demographics is all over the place. I

841
00:34:16,520 --> 00:34:19,160
Speaker 3: was telling you my your concert, my wife is going tonight,

842
00:34:20,040 --> 00:34:22,120
Speaker 3: my kids are going when it's twenty two, when is

843
00:34:22,200 --> 00:34:25,479
Speaker 3: twenty So looking at your show, I see fourteen year olds,

844
00:34:25,480 --> 00:34:27,440
Speaker 3: but then I see fifty year old So how is

845
00:34:27,480 --> 00:34:28,440
Speaker 3: that with making music?

846
00:34:29,840 --> 00:34:30,040
Speaker 1: Man?

847
00:34:30,120 --> 00:34:33,560
Speaker 4: I think I think it's a beautiful thing, because I

848
00:34:33,600 --> 00:34:36,080
Speaker 4: definitely sometimes I'm just like my uncle texted me, like

849
00:34:36,239 --> 00:34:40,120
Speaker 4: he's forty five and he's like, grass, your nephew, I

850
00:34:40,160 --> 00:34:42,680
Speaker 4: love this this new album blah blah blah, you know,

851
00:34:42,960 --> 00:34:45,040
Speaker 4: just a breath pressure or whatever, and I'm just like, dang.

852
00:34:45,040 --> 00:34:47,120
Speaker 4: And then I'll have my daughter, who'd be you know,

853
00:34:47,239 --> 00:34:49,480
Speaker 4: she's ten years old and you know her and her friends,

854
00:34:49,520 --> 00:34:51,799
Speaker 4: and then my people that work with their daughters will

855
00:34:51,840 --> 00:34:53,520
Speaker 4: be listening to it, and it's just I'm just like, dang,

856
00:34:53,560 --> 00:34:55,840
Speaker 4: it's crazy that I'm able to, you know, reach people,

857
00:34:55,960 --> 00:34:58,799
Speaker 4: or reach that many people. And you know, especially the

858
00:34:58,840 --> 00:35:02,280
Speaker 4: young kids, they have so much to discover. So who knows,

859
00:35:02,400 --> 00:35:04,440
Speaker 4: you know, how many more how many more people I

860
00:35:04,480 --> 00:35:07,480
Speaker 4: can reach? I know, the younger they get, the weirder

861
00:35:07,480 --> 00:35:10,600
Speaker 4: the musicle bit. Yeah, it's like different, Like my daughters,

862
00:35:10,640 --> 00:35:12,160
Speaker 4: some of the stuff she'd be finding, I'd be like,

863
00:35:12,560 --> 00:35:14,600
Speaker 4: what is this, but you know, I try to tap

864
00:35:14,680 --> 00:35:16,160
Speaker 4: in because it's you know, it's different.

865
00:35:16,239 --> 00:35:16,479
Speaker 1: Alright.

866
00:35:16,520 --> 00:35:19,040
Speaker 5: I saw you put a disclaimer Bryson that everybody is

867
00:35:19,080 --> 00:35:21,480
Speaker 5: not gonna like every song on the album, but everything

868
00:35:21,520 --> 00:35:23,680
Speaker 5: is intentional. So why would you intentionally put songs on

869
00:35:23,680 --> 00:35:25,360
Speaker 5: the album that you don't think nobody gonna like?

870
00:35:26,040 --> 00:35:29,480
Speaker 4: Well, I intentionally put different types of songs on the album.

871
00:35:29,560 --> 00:35:31,640
Speaker 4: So like, for example, right, there's people that want to

872
00:35:31,719 --> 00:35:33,879
Speaker 4: keep me in that uh that trap soul box, which

873
00:35:33,920 --> 00:35:34,360
Speaker 4: is fine.

874
00:35:35,160 --> 00:35:36,160
Speaker 1: But if you if you.

875
00:35:36,160 --> 00:35:38,200
Speaker 4: Love trap so and that's all you you listen to,

876
00:35:38,239 --> 00:35:41,319
Speaker 4: and you're definitely not gonna probably most likely not gonna

877
00:35:41,360 --> 00:35:44,080
Speaker 4: like my new album, which is fine. You know, I

878
00:35:44,080 --> 00:35:46,200
Speaker 4: think that's okay because I want to reach new people.

879
00:35:46,239 --> 00:35:47,880
Speaker 4: I want I want new fans. I don't want to

880
00:35:47,960 --> 00:35:49,120
Speaker 4: just you know, I got a song on there called

881
00:35:49,200 --> 00:35:54,240
Speaker 4: Undertow that's you know, most people probably wouldn't really listen

882
00:35:54,239 --> 00:35:55,279
Speaker 4: to like that, you know what I mean?

883
00:35:55,280 --> 00:35:57,360
Speaker 1: But I love that type of music, so.

884
00:35:57,440 --> 00:35:59,879
Speaker 4: I told you when that's our country, uh kind of yeah,

885
00:36:00,040 --> 00:36:01,840
Speaker 4: gotta I got that kind of vibe for sure, you

886
00:36:01,880 --> 00:36:02,279
Speaker 4: know what I mean.

887
00:36:02,360 --> 00:36:04,239
Speaker 1: I just want to reach reach new people. Us. The

888
00:36:04,280 --> 00:36:04,759
Speaker 1: main thing.

889
00:36:06,880 --> 00:36:09,600
Speaker 4: Yeah, I wanted to sex you up track right, Uh

890
00:36:09,800 --> 00:36:11,759
Speaker 4: that you put out earlier this year. You know we

891
00:36:11,800 --> 00:36:14,880
Speaker 4: had Tank up here. He mentioned that the art of

892
00:36:14,960 --> 00:36:18,879
Speaker 4: love making is basically gone, but it can come back

893
00:36:18,880 --> 00:36:21,839
Speaker 4: if men are willing to put in the effort. So

894
00:36:21,880 --> 00:36:23,440
Speaker 4: what are your thoughts on that when you put out

895
00:36:23,480 --> 00:36:26,000
Speaker 4: a song like uh, sex You Up?

896
00:36:28,080 --> 00:36:29,760
Speaker 1: Is he saying that specifically with music?

897
00:36:29,960 --> 00:36:33,239
Speaker 5: He's saying men don't really men don't necessarily know how

898
00:36:33,320 --> 00:36:36,560
Speaker 5: to court make love to their women, and that's why

899
00:36:36,560 --> 00:36:37,880
Speaker 5: it doesn't reflect in the music.

900
00:36:38,080 --> 00:36:40,160
Speaker 3: Before it was okay, like you would cry for your girl,

901
00:36:40,200 --> 00:36:43,000
Speaker 3: you would sing to your good you wanted that so bad, And.

902
00:36:43,200 --> 00:36:45,080
Speaker 1: God, damn, why are you talking to that man like that?

903
00:36:45,800 --> 00:36:46,760
Speaker 1: God damn.

904
00:36:46,880 --> 00:36:49,560
Speaker 3: I didn't say him, my god, I didn't say him myself.

905
00:36:49,560 --> 00:36:50,680
Speaker 1: You didn't feel uncomfortable.

906
00:36:55,200 --> 00:36:57,240
Speaker 2: Scot's crazy kept justin.

907
00:36:57,000 --> 00:37:06,600
Speaker 4: Mike, Man, go ahead, that's hilarious. No, I think I

908
00:37:06,600 --> 00:37:08,640
Speaker 4: don't know, man, because I do. I do see what

909
00:37:08,719 --> 00:37:11,880
Speaker 4: you mean. Like, music definitely was a lot more romantic

910
00:37:11,920 --> 00:37:14,799
Speaker 4: back then, but I think things started to fuse, you know,

911
00:37:14,880 --> 00:37:17,360
Speaker 4: hip hop. The rappers want to be singers and singers

912
00:37:17,440 --> 00:37:19,400
Speaker 4: want to be rappers, and then the lines are just

913
00:37:19,440 --> 00:37:23,000
Speaker 4: super blurred right now. So you know, it's just I

914
00:37:23,040 --> 00:37:24,960
Speaker 4: don't know, it's a lot of people that ain't really

915
00:37:25,280 --> 00:37:28,719
Speaker 4: even talking about love or love making like that, you know,

916
00:37:29,760 --> 00:37:32,359
Speaker 4: even with songs that are like I got a song

917
00:37:32,400 --> 00:37:36,520
Speaker 4: on my album called Attention that I you know, intentionally

918
00:37:37,560 --> 00:37:40,799
Speaker 4: the first song. Yeah, it's the first song, and I

919
00:37:40,880 --> 00:37:43,759
Speaker 4: was just, you know, intentionally, I didn't want to. I

920
00:37:43,760 --> 00:37:46,239
Speaker 4: didn't mention sex really on that, you know, I didn't

921
00:37:46,280 --> 00:37:48,719
Speaker 4: say nothing freaky. I was just like, I want to

922
00:37:48,719 --> 00:37:51,560
Speaker 4: make a woman feel sexy, but without even talking about

923
00:37:51,560 --> 00:37:55,480
Speaker 4: sex at all. So you know, I think some people

924
00:37:55,640 --> 00:37:58,680
Speaker 4: tap into it in different ways. But yeah, I don't know.

925
00:37:58,800 --> 00:38:00,240
Speaker 4: I think it has a lot to do with the

926
00:38:00,239 --> 00:38:02,359
Speaker 4: the line being blurred right now, with the genres and

927
00:38:02,800 --> 00:38:05,680
Speaker 4: rappers and singers and whatever. That's how I felt about

928
00:38:05,680 --> 00:38:08,520
Speaker 4: the Persuasion record with Victory Mornato. Oh yeah, because you know,

929
00:38:08,719 --> 00:38:11,640
Speaker 4: it was it's a super freaky record. But then it's

930
00:38:11,680 --> 00:38:15,120
Speaker 4: like subtle because you're not saying the word. How did

931
00:38:15,160 --> 00:38:18,520
Speaker 4: you even decide you wanted to use those words? Honestly,

932
00:38:18,560 --> 00:38:21,000
Speaker 4: when Victoria I got to pick our brain on that

933
00:38:21,120 --> 00:38:22,600
Speaker 4: whenever she come up for I'm sure she was at

934
00:38:22,640 --> 00:38:24,399
Speaker 4: some point you got to pick our brain on that too, but.

935
00:38:24,560 --> 00:38:29,120
Speaker 1: Our studio don't work. Nobody else come nah.

936
00:38:29,320 --> 00:38:31,839
Speaker 4: And then I just honestly, she started it and I

937
00:38:31,880 --> 00:38:33,320
Speaker 4: just took it from there, and I just thought about it.

938
00:38:33,320 --> 00:38:34,759
Speaker 4: I was like, I have to keep that going on

939
00:38:34,760 --> 00:38:37,279
Speaker 4: the verses, you know, just because it's like, you know,

940
00:38:37,440 --> 00:38:39,719
Speaker 4: every now and then you get you know music, It's

941
00:38:39,719 --> 00:38:43,279
Speaker 4: a really clever song, like overall, like the Whisper song

942
00:38:43,320 --> 00:38:44,920
Speaker 4: for example, Like you know what I mean. Every when

943
00:38:44,920 --> 00:38:46,640
Speaker 4: that came out, everybody was like, oh my god, it's

944
00:38:46,640 --> 00:38:48,759
Speaker 4: just we never heard nothing like this before, you know

945
00:38:48,800 --> 00:38:51,920
Speaker 4: what I mean. Yeah, I feel like that was the

946
00:38:51,960 --> 00:38:54,839
Speaker 4: most different, like think about it, like that song. I'm

947
00:38:54,840 --> 00:38:55,520
Speaker 4: trying to think of another.

948
00:38:56,040 --> 00:38:57,640
Speaker 5: I was listening to that this weekend. That's what was

949
00:38:57,680 --> 00:39:00,120
Speaker 5: so crazy. Yes, I don't know why it ran. We

950
00:39:00,160 --> 00:39:01,560
Speaker 5: came up on the playlist. I was listening to it.

951
00:39:01,600 --> 00:39:03,680
Speaker 1: I was like, this is a very innovative record.

952
00:39:03,800 --> 00:39:07,080
Speaker 4: I was free on innovation. That's what it is, like,

953
00:39:07,320 --> 00:39:09,640
Speaker 4: very rarely do you get something like that. And I

954
00:39:09,680 --> 00:39:11,440
Speaker 4: just felt like you played this. I was like, oh,

955
00:39:11,440 --> 00:39:13,640
Speaker 4: this is this is I've never heard nobody do this

956
00:39:13,680 --> 00:39:15,800
Speaker 4: on the song before. And I was like that alone. Baby,

957
00:39:16,160 --> 00:39:18,560
Speaker 4: I was like I need this and and and it

958
00:39:18,600 --> 00:39:20,240
Speaker 4: gave me a way to the curse on the radio.

959
00:39:20,719 --> 00:39:22,360
Speaker 1: I know, right and say though you can say.

960
00:39:22,280 --> 00:39:25,200
Speaker 4: That, so we can't actually, I mean I thought it

961
00:39:25,280 --> 00:39:28,279
Speaker 4: was suggestive, so we couldn't. That would like blur it

962
00:39:28,320 --> 00:39:30,359
Speaker 4: out or whatever. No, no, you can say that.

963
00:39:30,440 --> 00:39:31,719
Speaker 1: You can play that record right now. I don't have

964
00:39:31,760 --> 00:39:32,319
Speaker 1: to believe nothing.

965
00:39:33,120 --> 00:39:33,760
Speaker 4: That's amazing.

966
00:39:34,400 --> 00:39:35,600
Speaker 1: Oh it's crazy.

967
00:39:36,080 --> 00:39:39,239
Speaker 6: So do your so your album list like on, well

968
00:39:39,280 --> 00:39:41,359
Speaker 6: your your song lists for your tour?

969
00:39:41,880 --> 00:39:43,560
Speaker 1: Will you perform got to Move on?

970
00:39:44,840 --> 00:39:46,000
Speaker 2: But that's the track with Diddy?

971
00:39:46,840 --> 00:39:49,440
Speaker 4: No, I haven't performed that since like last year. I

972
00:39:49,480 --> 00:39:50,600
Speaker 4: know what you're getting that though, but.

973
00:39:50,640 --> 00:39:57,160
Speaker 6: Yeah, yeah, but what's interesting. But what's interesting is the

974
00:39:57,239 --> 00:40:00,080
Speaker 6: first one. It was one that you was originally the

975
00:40:00,120 --> 00:40:00,880
Speaker 6: original one.

976
00:40:00,719 --> 00:40:04,440
Speaker 1: Was you by yourself? That was Yeah.

977
00:40:04,920 --> 00:40:07,640
Speaker 6: I actually liked that one more, you know what I mean? Like,

978
00:40:07,719 --> 00:40:10,080
Speaker 6: so do you could you do that?

979
00:40:10,360 --> 00:40:12,160
Speaker 1: How do you how do you? Did you hear before

980
00:40:12,280 --> 00:40:14,840
Speaker 1: the Diddy or did you I heard that before Diddy?

981
00:40:14,920 --> 00:40:16,400
Speaker 1: Yeah that's because you just never know.

982
00:40:16,840 --> 00:40:19,640
Speaker 6: Yeah, yeah, I was in I heard it in Jamaica.

983
00:40:20,200 --> 00:40:22,880
Speaker 6: That was in Jamaica on vacation. Some of my friends

984
00:40:23,040 --> 00:40:26,200
Speaker 6: and my own girl played it and I was like, yep,

985
00:40:26,320 --> 00:40:28,440
Speaker 6: she's in the industry too, But she played it and

986
00:40:28,480 --> 00:40:29,799
Speaker 6: I was like, this ship.

987
00:40:29,560 --> 00:40:30,360
Speaker 1: Is hard, you know.

988
00:40:30,480 --> 00:40:34,360
Speaker 6: So I didn't know if you could perform the original

989
00:40:34,400 --> 00:40:36,280
Speaker 6: because that.

990
00:40:35,600 --> 00:40:37,560
Speaker 1: That was Yeah, No, I definitely can.

991
00:40:38,160 --> 00:40:40,120
Speaker 4: I just it was at the time when I was

992
00:40:40,120 --> 00:40:41,719
Speaker 4: performing it, that was the song he was like going

993
00:40:41,760 --> 00:40:43,600
Speaker 4: crazy with all the time and just like talking about

994
00:40:43,680 --> 00:40:46,759
Speaker 4: all the time. So I was like, you know, yeah,

995
00:40:46,880 --> 00:40:51,000
Speaker 4: I'm gonna perform it, okay, anything you want to add.

996
00:40:53,040 --> 00:40:55,560
Speaker 1: Yeah, because you know you gotta. Yeah.

997
00:40:56,000 --> 00:40:59,000
Speaker 4: Exactly, at one point you were talking about dropping it out.

998
00:40:59,000 --> 00:40:59,840
Speaker 4: I'm called Serenie.

999
00:41:00,440 --> 00:41:02,600
Speaker 1: I was. I still got that album too, you know.

1000
00:41:02,640 --> 00:41:03,000
Speaker 1: I just.

1001
00:41:04,480 --> 00:41:07,040
Speaker 4: That was that album is not even supposed to be.

1002
00:41:07,120 --> 00:41:10,680
Speaker 4: It will be the album that I just wanted to

1003
00:41:10,719 --> 00:41:12,200
Speaker 4: be really have a peace of mind, and like I

1004
00:41:12,239 --> 00:41:16,000
Speaker 4: told you, I'll the press down bad for years, So

1005
00:41:16,080 --> 00:41:17,440
Speaker 4: it was hard for me. I'm like, how can I

1006
00:41:17,440 --> 00:41:20,399
Speaker 4: even make an album called serenity and I don't even

1007
00:41:20,480 --> 00:41:22,960
Speaker 4: have that right now. I don't have no peace. I

1008
00:41:23,080 --> 00:41:25,240
Speaker 4: used to say the Serenity prayer to myself all the time,

1009
00:41:25,760 --> 00:41:28,200
Speaker 4: just trying to like get back to like yo, guy, please,

1010
00:41:28,320 --> 00:41:31,000
Speaker 4: just you know it's and that's and that's about control

1011
00:41:31,040 --> 00:41:33,160
Speaker 4: and just like you know, realizing that, you know, I

1012
00:41:33,200 --> 00:41:36,200
Speaker 4: don't I'm not in control or whatever. But yeah, no,

1013
00:41:36,239 --> 00:41:37,919
Speaker 4: I still it's still in the works and I'm gonna

1014
00:41:38,000 --> 00:41:40,120
Speaker 4: definitely do that at the right time. I got the

1015
00:41:40,200 --> 00:41:43,319
Speaker 4: music and I love that album. So that one is

1016
00:41:43,360 --> 00:41:45,840
Speaker 4: not about it's not about the money, it's not about

1017
00:41:46,760 --> 00:41:49,680
Speaker 4: radio like, it's one of those albums like I'll be

1018
00:41:49,760 --> 00:41:53,279
Speaker 4: happy that released, and you know that it's just like

1019
00:41:53,280 --> 00:41:56,480
Speaker 4: my soundtrack to Miami. That's the reason to release it,

1020
00:41:56,680 --> 00:42:00,920
Speaker 4: because you know, peace piece is subjective, right like, and

1021
00:42:01,160 --> 00:42:04,520
Speaker 4: piece comes in, it comes and goals. Yeah, so you're

1022
00:42:04,520 --> 00:42:08,080
Speaker 4: not You're never gonna truly be fully at peace, But

1023
00:42:08,120 --> 00:42:09,799
Speaker 4: I mean it's something to aspire to, just to put

1024
00:42:09,800 --> 00:42:12,759
Speaker 4: in the universe. You're right, You're definitely right about that.

1025
00:42:13,040 --> 00:42:15,279
Speaker 4: But uh, you know, the labels gotta cut the chain

1026
00:42:15,280 --> 00:42:16,080
Speaker 4: if they want that out.

1027
00:42:17,200 --> 00:42:19,160
Speaker 1: What makes bryce until it happen. Maybe we're asking the

1028
00:42:19,160 --> 00:42:19,640
Speaker 1: wrong question.

1029
00:42:19,680 --> 00:42:21,640
Speaker 4: Maybe be talking about things that depress you, like music

1030
00:42:22,480 --> 00:42:25,160
Speaker 4: other than video games, Like what genuinely makes you happy?

1031
00:42:26,800 --> 00:42:30,160
Speaker 4: My kids generic answer? But like kids really make me happy?

1032
00:42:30,960 --> 00:42:34,359
Speaker 4: H A really good movie, A really good sci fi

1033
00:42:34,440 --> 00:42:40,120
Speaker 4: movie makes me happy. You said your car collection, My

1034
00:42:40,239 --> 00:42:43,920
Speaker 4: cars make me happy. My action figure collection. You know

1035
00:42:44,120 --> 00:42:48,919
Speaker 4: that makes you average everything g I Joe's. I don't

1036
00:42:48,920 --> 00:42:52,040
Speaker 4: got no g I Joe's. Their actually figures be gout chashed,

1037
00:42:52,080 --> 00:42:55,759
Speaker 4: low key, but you know, I like, yeah everything.

1038
00:42:55,520 --> 00:42:57,880
Speaker 1: Old wrestling ones like the Marvel joints.

1039
00:42:58,280 --> 00:43:02,360
Speaker 4: Nah. So I got like some gym hitching uh original,

1040
00:43:02,560 --> 00:43:06,320
Speaker 4: super original, like the custom like Ninja Turtle Action figures.

1041
00:43:06,440 --> 00:43:08,560
Speaker 4: I got a Iron Giant Super Tar Iron Giant. I

1042
00:43:08,600 --> 00:43:13,520
Speaker 4: got a uh Kandida from uh Kira, A lot of

1043
00:43:13,560 --> 00:43:15,560
Speaker 4: stuff y'all't want to talk about action figures.

1044
00:43:15,600 --> 00:43:17,600
Speaker 1: And I got. I got Thingo's glove at the house,

1045
00:43:18,160 --> 00:43:19,960
Speaker 1: I pant outfield, I got an old Iron Man.

1046
00:43:20,280 --> 00:43:22,120
Speaker 4: I like collect the rasis. So I go to stores

1047
00:43:22,160 --> 00:43:24,279
Speaker 4: in different cities and just be like, what's not for

1048
00:43:24,360 --> 00:43:24,839
Speaker 4: sale here?

1049
00:43:25,120 --> 00:43:25,640
Speaker 1: You know what I mean?

1050
00:43:25,680 --> 00:43:27,799
Speaker 4: And I just try to test to see like they're like, oh,

1051
00:43:27,840 --> 00:43:29,920
Speaker 4: that's not for selling. I'm like, man, come on, you

1052
00:43:29,960 --> 00:43:31,879
Speaker 4: know yeah, So I just like to buy the rear

1053
00:43:31,920 --> 00:43:32,960
Speaker 4: ship to be honest.

1054
00:43:32,719 --> 00:43:38,319
Speaker 7: And all right, Well we talk about action figures something

1055
00:43:38,360 --> 00:43:42,759
Speaker 7: they can hire man suits and we're talking about I mean,

1056
00:43:42,800 --> 00:43:46,640
Speaker 7: I can't wear it, but I or before still though

1057
00:43:46,800 --> 00:43:47,120
Speaker 7: up here.

1058
00:43:47,680 --> 00:43:52,400
Speaker 1: Yeah it was Halloween sense a clown. Okay, we were

1059
00:43:52,400 --> 00:43:53,400
Speaker 1: talking about your figures.

1060
00:43:53,440 --> 00:43:56,480
Speaker 2: But all right, thank you Brison. I hate not even

1061
00:43:56,600 --> 00:43:59,759
Speaker 2: I hate this stupid We appreciate you for joining us.

1062
00:43:59,760 --> 00:44:01,440
Speaker 2: Sorry that we got a little ghetto fire at the end.

1063
00:44:01,920 --> 00:44:02,600
Speaker 1: Quickly went out.

1064
00:44:02,680 --> 00:44:04,719
Speaker 2: It's ladies and gentlemen, I.

1065
00:44:04,640 --> 00:44:07,399
Speaker 1: Do want to We talked about Jack Hollow earlier. Y'all

1066
00:44:07,400 --> 00:44:09,920
Speaker 1: met early, right, yeah, yeah, super early, like before you

1067
00:44:10,160 --> 00:44:12,560
Speaker 1: one of y'all was on No, no, no, not that early.

1068
00:44:13,239 --> 00:44:16,200
Speaker 4: I met him at Little Uzzi. So when he came

1069
00:44:16,280 --> 00:44:19,319
Speaker 4: to Louisville on and I came out for a little

1070
00:44:19,360 --> 00:44:22,680
Speaker 4: uzy on stage or whatever, and yeah, Jack was backstage.

1071
00:44:22,760 --> 00:44:25,680
Speaker 1: This was before he blew up. But I knew of him.

1072
00:44:25,719 --> 00:44:28,600
Speaker 1: I knew I heard of him. And y'all did music together, right, nah?

1073
00:44:29,200 --> 00:44:31,680
Speaker 1: Working together? Oh yeah, yeah, as to the fact, Yeah,

1074
00:44:31,680 --> 00:44:33,920
Speaker 1: we did. Okay, make a couple of songs. Where's that at?

1075
00:44:34,000 --> 00:44:36,640
Speaker 4: You just where the songs are in the music on

1076
00:44:36,680 --> 00:44:41,879
Speaker 4: his albums Oh? Okay, okay, yeah, yeah, it's so good.

1077
00:44:44,000 --> 00:44:46,439
Speaker 4: I apologize Jack. I don't listen to the album, damn it, man,

1078
00:44:47,880 --> 00:44:49,480
Speaker 4: No thinking about.

1079
00:44:50,840 --> 00:44:51,640
Speaker 1: Me a little bit. Hey.

1080
00:44:51,719 --> 00:44:55,719
Speaker 3: Yeah, well, Bryce, we appreciate you for joining us, man,

1081
00:44:55,719 --> 00:44:56,440
Speaker 3: good luck with everything.

1082
00:44:56,440 --> 00:45:00,720
Speaker 1: Hopefully we'll see you again. All we asked about Ryan Trade, right, Tray,

1083
00:45:01,000 --> 00:45:03,920
Speaker 1: that's your artist. No, you're not an artist. Have an artist?

1084
00:45:04,680 --> 00:45:07,520
Speaker 4: Yeah, somebody clever. Okay, what are you seeing him that

1085
00:45:07,600 --> 00:45:11,799
Speaker 4: you like? I really like when he raps man a lot.

1086
00:45:12,000 --> 00:45:18,239
Speaker 4: You know what, why are you looking at me like that?

1087
00:45:18,800 --> 00:45:19,120
Speaker 6: None of this.

1088
00:45:21,440 --> 00:45:26,000
Speaker 1: Crazy? That's all good. Shout out the right Trade man not.

1089
00:45:26,280 --> 00:45:28,160
Speaker 4: You know, honestly, just reminded me a lot of myself

1090
00:45:28,200 --> 00:45:28,920
Speaker 4: when I was younger.

1091
00:45:29,040 --> 00:45:29,759
Speaker 1: You know I met him.

1092
00:45:29,800 --> 00:45:31,840
Speaker 4: I think when he's like I think seventeen or eighteen

1093
00:45:31,920 --> 00:45:34,359
Speaker 4: or something like a and you know, he just want

1094
00:45:34,400 --> 00:45:38,040
Speaker 4: to make music like it's a newcomer and just I

1095
00:45:38,080 --> 00:45:40,480
Speaker 4: just I appreciate people that just love music.

1096
00:45:40,560 --> 00:45:44,440
Speaker 1: So you know, it's really what I see. It's writing.

1097
00:45:44,480 --> 00:45:45,400
Speaker 1: Don't be a stranger man.

1098
00:45:45,480 --> 00:45:49,200
Speaker 3: Yeah, come back up here, brother, He's like, yeah, album.

1099
00:45:49,280 --> 00:45:51,520
Speaker 1: We don't know when you're going want to come talk again.

1100
00:45:51,800 --> 00:45:53,480
Speaker 1: I don't know. I don't know when y'all will want

1101
00:45:53,520 --> 00:45:54,399
Speaker 1: me to be up here again.

1102
00:45:54,480 --> 00:45:57,960
Speaker 4: So you know, anytime, man, I'm starting to think as

1103
00:45:58,000 --> 00:45:59,880
Speaker 4: you though, because this has never happened before this.

1104
00:46:00,560 --> 00:46:03,600
Speaker 1: It might be like the whole studio that's actually.

1105
00:46:03,239 --> 00:46:07,120
Speaker 4: Crazy, like you saying you nah, I don't actually yeah, man,

1106
00:46:07,400 --> 00:46:09,040
Speaker 4: you got a therapist is nope?

1107
00:46:09,320 --> 00:46:11,839
Speaker 1: God damn, so you just sit around the soak.

1108
00:46:12,080 --> 00:46:14,480
Speaker 4: I did have a therapist, but she I don't want

1109
00:46:14,480 --> 00:46:14,920
Speaker 4: talk about it.

1110
00:46:15,880 --> 00:46:17,560
Speaker 1: I think you I think that that that.

1111
00:46:20,120 --> 00:46:21,640
Speaker 4: I didn't think there might be some internal work to

1112
00:46:21,680 --> 00:46:24,000
Speaker 4: do it all I'm saying, no, definitely, I've been doing it.

1113
00:46:24,000 --> 00:46:26,120
Speaker 4: Though i've been I feel I feel great, man, I'm

1114
00:46:26,120 --> 00:46:27,800
Speaker 4: telling you, I feel the best that I've ever felt

1115
00:46:27,840 --> 00:46:31,279
Speaker 4: in a long time. Bro, Like I feel unstoppable. My

1116
00:46:31,800 --> 00:46:33,360
Speaker 4: you know, there's nothing you could have really said to

1117
00:46:33,400 --> 00:46:35,560
Speaker 4: me that would have really broke me up here. You know,

1118
00:46:35,680 --> 00:46:37,560
Speaker 4: I'm just I feel great. That's the only reason I'm

1119
00:46:37,600 --> 00:46:38,360
Speaker 4: up here, to be honest.

1120
00:46:39,120 --> 00:46:40,000
Speaker 1: No, no, no, I mean.

1121
00:46:42,760 --> 00:46:46,520
Speaker 4: No, But I'm just saying like I'm not not like intentionally,

1122
00:46:46,560 --> 00:46:48,840
Speaker 4: but like if there was something that like early on

1123
00:46:48,920 --> 00:46:50,120
Speaker 4: in my career, I'll tell you, I would have been

1124
00:46:50,200 --> 00:46:53,480
Speaker 4: up here like uh yeah, and you know what I mean,

1125
00:46:53,560 --> 00:46:56,040
Speaker 4: just super nervous and like I think now I'm just

1126
00:46:56,200 --> 00:46:58,359
Speaker 4: a lot more comfortable, and I just I just don't

1127
00:46:58,400 --> 00:47:00,360
Speaker 4: care you know, And I'm just like it is what

1128
00:47:00,440 --> 00:47:03,040
Speaker 4: it is whatever. So, and I think it's good for

1129
00:47:03,080 --> 00:47:06,120
Speaker 4: you to know that people do genuinely love you, like

1130
00:47:06,160 --> 00:47:08,719
Speaker 4: they genuinely do love and value and appreciate your music.

1131
00:47:08,800 --> 00:47:11,520
Speaker 4: I've never certain, like I would have never thought you

1132
00:47:11,600 --> 00:47:12,719
Speaker 4: thought people didn't.

1133
00:47:12,480 --> 00:47:14,760
Speaker 1: Like your musically all the time.

1134
00:47:15,080 --> 00:47:17,960
Speaker 5: That's good because you have like a coult like following,

1135
00:47:18,040 --> 00:47:20,320
Speaker 5: like like people like her sister loves.

1136
00:47:20,080 --> 00:47:22,040
Speaker 6: You, she and the like. When we just went down

1137
00:47:22,040 --> 00:47:23,560
Speaker 6: for the break, she was like, ask him, do you

1138
00:47:23,640 --> 00:47:25,040
Speaker 6: need me to come in here and sing for him?

1139
00:47:25,120 --> 00:47:25,400
Speaker 1: Girl?

1140
00:47:25,440 --> 00:47:29,040
Speaker 2: Now that's like, no, you know she loves you.

1141
00:47:29,239 --> 00:47:33,920
Speaker 1: So yeah, Eli, like people genuine what you doing? What?

1142
00:47:34,280 --> 00:47:39,920
Speaker 1: What about you? Though? Right that I don't like you,

1143
00:47:40,920 --> 00:47:41,759
Speaker 1: I don't know you to love you.

1144
00:47:42,840 --> 00:47:44,719
Speaker 6: I want to ask you how long is that that

1145
00:47:44,840 --> 00:47:48,080
Speaker 6: pause between on don't on, don't write?

1146
00:47:48,280 --> 00:47:50,759
Speaker 1: How long is the pause? How many seconds is that?

1147
00:47:51,040 --> 00:48:01,760
Speaker 6: Because I still can't catch it? It's elect damn Eli, jesus, Okay.

1148
00:48:00,880 --> 00:48:03,960
Speaker 4: That's actually the hell knows that it's eleven? Count that

1149
00:48:04,000 --> 00:48:06,960
Speaker 4: and why it's eleven? Weird type of like second you

1150
00:48:06,960 --> 00:48:09,200
Speaker 4: have to like do like a metronomeg. Yeah, that's the

1151
00:48:09,200 --> 00:48:11,279
Speaker 4: only way but who wants to do that when they listen?

1152
00:48:11,480 --> 00:48:12,279
Speaker 1: So I just listened to it.

1153
00:48:12,320 --> 00:48:14,080
Speaker 6: Me and my sister. We were trying on my story

1154
00:48:14,160 --> 00:48:16,920
Speaker 6: right now. We was trying and I couldn't get it.

1155
00:48:16,960 --> 00:48:18,560
Speaker 6: My favorite song on trip. So it's been that way,

1156
00:48:18,600 --> 00:48:22,919
Speaker 6: but don't in exchange but dope. Like we was trying

1157
00:48:22,920 --> 00:48:25,640
Speaker 6: to count it and she gets it every time. My

1158
00:48:25,719 --> 00:48:29,160
Speaker 6: sister Shane know it was eleven seconds, but she gets

1159
00:48:29,200 --> 00:48:30,279
Speaker 6: it every single time.

1160
00:48:30,480 --> 00:48:35,080
Speaker 4: Yeah, okay, why that was an accident. Actually my studio

1161
00:48:35,760 --> 00:48:38,839
Speaker 4: it was just wonky, like it's like your studio.

1162
00:48:38,600 --> 00:48:40,400
Speaker 1: At damn you know.

1163
00:48:40,880 --> 00:48:42,920
Speaker 4: Anyways, it was it was just it was it was

1164
00:48:42,960 --> 00:48:46,200
Speaker 4: horrible at that time, and I just couldn't finish the song.

1165
00:48:46,200 --> 00:48:47,719
Speaker 4: I was just like, you know what it is, what

1166
00:48:47,760 --> 00:48:49,480
Speaker 4: it is. I was trying to like get it the

1167
00:48:49,560 --> 00:48:51,440
Speaker 4: timing right, but it never worked and I was just

1168
00:48:51,480 --> 00:48:52,919
Speaker 4: like whatever.

1169
00:48:53,000 --> 00:48:54,640
Speaker 1: Just leave it like that. So that's what we're gonna

1170
00:48:54,680 --> 00:48:55,320
Speaker 1: do for this interview.

1171
00:48:55,360 --> 00:48:56,960
Speaker 5: So it gets to the part where the board drop,

1172
00:48:57,520 --> 00:49:00,000
Speaker 5: let drop eleven and it stayed dropped for eleven secon

1173
00:49:00,040 --> 00:49:02,759
Speaker 5: and then then it will edit back and holding the microphones.

1174
00:49:04,960 --> 00:49:06,200
Speaker 1: I won't do that real quick, Brice.

1175
00:49:06,200 --> 00:49:13,120
Speaker 4: Since we get edited in yeah, don't, don't.

1176
00:49:13,560 --> 00:49:19,520
Speaker 1: I don't want to like that. It don't. I hate

1177
00:49:19,680 --> 00:49:22,840
Speaker 1: I hate that man, I hate singing. I hate what

1178
00:49:23,200 --> 00:49:26,320
Speaker 1: pays the bills. I hate we got everybody coming to

1179
00:49:26,400 --> 00:49:27,880
Speaker 1: my comm I hate it.

1180
00:49:27,920 --> 00:49:31,080
Speaker 3: Brice until it's out, let him do it, yeah, Foster,

1181
00:49:31,200 --> 00:49:32,080
Speaker 3: he say you want to do it.

1182
00:49:32,239 --> 00:49:34,880
Speaker 1: Oh, you're right, I'm treating you like. Call it my bad.

1183
00:49:34,880 --> 00:49:36,080
Speaker 1: I don't want say he didn't want to do it.

1184
00:49:36,560 --> 00:49:39,359
Speaker 1: Let him do it. I'll do it. Dons.

1185
00:49:40,719 --> 00:49:45,200
Speaker 2: Don't Rice until the out right.

1186
00:49:45,239 --> 00:49:46,879
Speaker 1: Now, that's just you're trapped in the did.

1187
00:49:48,600 --> 00:49:50,200
Speaker 4: I just want you to know I only I'm only

1188
00:49:50,239 --> 00:49:50,879
Speaker 4: doing that for y'all.

1189
00:49:50,960 --> 00:49:52,000
Speaker 1: Never do that for nobody else.

1190
00:49:52,400 --> 00:49:54,120
Speaker 4: It would be like, say, don't like and it'd be

1191
00:49:54,120 --> 00:49:55,919
Speaker 4: feeling like a thing that they used to like mock

1192
00:49:56,000 --> 00:49:58,879
Speaker 4: me ship, Oh got you guys. I'm just like, nah,

1193
00:50:00,080 --> 00:50:01,600
Speaker 4: I was actually gonna get it tatted on my middle

1194
00:50:01,600 --> 00:50:02,680
Speaker 4: fingers so people say it to me.

1195
00:50:03,600 --> 00:50:06,640
Speaker 1: Yeah, yeah, let's celebrated together. I love that song. I

1196
00:50:06,680 --> 00:50:10,239
Speaker 1: think that's the best thing for you. Did not give

1197
00:50:10,239 --> 00:50:12,719
Speaker 1: a fuck. I think that you give a fuck a

1198
00:50:12,800 --> 00:50:14,560
Speaker 1: little too much. I think if you just not.

1199
00:50:14,560 --> 00:50:16,160
Speaker 4: Give did I stopped giving the fuck.

1200
00:50:16,280 --> 00:50:18,319
Speaker 1: I don't give them, give a fuck, no more.

1201
00:50:18,400 --> 00:50:19,960
Speaker 2: I don't care prices like I've been trying to leave

1202
00:50:19,960 --> 00:50:20,479
Speaker 2: it twenty minutes.

1203
00:50:20,719 --> 00:50:22,560
Speaker 4: Keep being like no, no, no, we're good, we're good.

1204
00:50:25,440 --> 00:50:28,360
Speaker 1: Right, It's the Breakfast Club.

1205
00:50:28,400 --> 00:50:31,320
Speaker 2: Good morning, wake that ass up in the morning.

1206
00:50:31,480 --> 00:50:32,480
Speaker 4: The Breakfast Club.