1 00:00:03,800 --> 00:00:05,120 Speaker 1: I'm Kate Winkler Dawson. 2 00:00:05,280 --> 00:00:08,080 Speaker 2: I'm a journalist who's spent the last twenty five years 3 00:00:08,160 --> 00:00:09,680 Speaker 2: writing about true crime. 4 00:00:09,920 --> 00:00:12,920 Speaker 3: And I'm Paul Hols, a retired cold case investigator who's 5 00:00:12,960 --> 00:00:16,560 Speaker 3: worked some of America's most complicated cases and solve them. 6 00:00:16,600 --> 00:00:19,919 Speaker 2: Each week, I present Paul with one of history's most 7 00:00:19,960 --> 00:00:21,840 Speaker 2: compelling true crimes. 8 00:00:21,520 --> 00:00:24,400 Speaker 3: And I weigh in using modern forensic techniques to bring 9 00:00:24,440 --> 00:00:26,120 Speaker 3: new insights to old mysteries. 10 00:00:26,560 --> 00:00:31,800 Speaker 2: Together, using our individual expertise, we're examining historical true crime 11 00:00:31,880 --> 00:00:34,519 Speaker 2: cases through a twenty first century lens. 12 00:00:34,720 --> 00:00:37,920 Speaker 3: Some are solved and some are cold, very cold. 13 00:00:38,360 --> 00:00:39,920 Speaker 1: This is Buried Bones. 14 00:01:02,640 --> 00:01:03,640 Speaker 3: Hey, Kate, how's it going. 15 00:01:04,000 --> 00:01:07,480 Speaker 2: It's going well? Tenfold more Wicked. Season nine just began, 16 00:01:07,600 --> 00:01:11,240 Speaker 2: so I'm really excited. It's about this man in eighteen 17 00:01:11,280 --> 00:01:15,560 Speaker 2: forties England who wants to get away with murder and 18 00:01:15,600 --> 00:01:18,920 Speaker 2: we'll have to find out if he does, and there's 19 00:01:18,959 --> 00:01:22,679 Speaker 2: an unusual method about how police are pursuing him, and 20 00:01:22,720 --> 00:01:25,280 Speaker 2: it makes history. So this is a case that you 21 00:01:25,400 --> 00:01:28,160 Speaker 2: really can't miss. There's so many twists and turns. It's 22 00:01:28,240 --> 00:01:31,040 Speaker 2: just a crazy story. It's a great story. But enough 23 00:01:31,080 --> 00:01:32,039 Speaker 2: about my projects. 24 00:01:32,040 --> 00:01:32,520 Speaker 1: What's going on? 25 00:01:32,600 --> 00:01:35,600 Speaker 3: With you, Paul, Well, I'm actually, you know, super excited 26 00:01:35,640 --> 00:01:39,120 Speaker 3: now out here in Colorado. The weather, even though I 27 00:01:39,120 --> 00:01:41,479 Speaker 3: mean we're still it still gets cold, we still get 28 00:01:41,520 --> 00:01:44,200 Speaker 3: some snow. We're really starting to move into the springtime. 29 00:01:44,920 --> 00:01:48,760 Speaker 3: And it's been so long since I've been able to 30 00:01:48,760 --> 00:01:50,920 Speaker 3: get out on my mountain bike because I had that 31 00:01:51,000 --> 00:01:53,960 Speaker 3: shoulder surgery and I kind of risk falling. And now 32 00:01:54,760 --> 00:01:59,520 Speaker 3: now that I'm well past the year anniversary, the shoulder 33 00:01:59,560 --> 00:02:02,680 Speaker 3: is getting stronger where I'm being allowed to go out 34 00:02:02,680 --> 00:02:05,440 Speaker 3: on the trails again. So I'm so looking forward to that. 35 00:02:06,000 --> 00:02:08,080 Speaker 2: And you have never had a major fall. I know 36 00:02:08,120 --> 00:02:10,720 Speaker 2: I probably ask you all sorts of catastrophe questions, but 37 00:02:10,760 --> 00:02:12,560 Speaker 2: you never had a major Because I know people who 38 00:02:12,560 --> 00:02:14,400 Speaker 2: have flipped over the front of their bikes before. 39 00:02:14,840 --> 00:02:19,160 Speaker 3: Oh, I most early have done that. I just haven't 40 00:02:19,240 --> 00:02:21,480 Speaker 3: broken anything doing it yet. 41 00:02:21,680 --> 00:02:23,360 Speaker 1: Is that what it would take for you to stop 42 00:02:23,440 --> 00:02:23,840 Speaker 1: doing it? 43 00:02:24,720 --> 00:02:26,600 Speaker 3: Actually? I think if I were to do a header 44 00:02:26,600 --> 00:02:28,920 Speaker 3: into a tree or a boulder, that probably is what 45 00:02:28,960 --> 00:02:29,440 Speaker 3: would do it. 46 00:02:30,880 --> 00:02:35,040 Speaker 2: So, of the mountaineering type activities in Colorado, what do 47 00:02:35,080 --> 00:02:37,400 Speaker 2: you enjoy most? Is it the hiking or do you 48 00:02:37,480 --> 00:02:39,240 Speaker 2: do any whitewater rafting or anything? 49 00:02:39,840 --> 00:02:42,880 Speaker 3: Well, of course I've gone hiking. I do enjoy that. 50 00:02:43,639 --> 00:02:46,720 Speaker 3: Have done a couple of times rafting with the family 51 00:02:46,800 --> 00:02:49,600 Speaker 3: on the Arkansas River. The last time we went out, 52 00:02:50,000 --> 00:02:54,519 Speaker 3: which was over a year ago, it was pretty good flow. Yeah, 53 00:02:54,560 --> 00:02:56,800 Speaker 3: we had some really good rapids, you know, really my 54 00:02:56,919 --> 00:03:00,160 Speaker 3: first experience with and I forget how they great to 55 00:03:00,200 --> 00:03:03,040 Speaker 3: the rapids, but you know, there were some significant rapids. 56 00:03:03,200 --> 00:03:04,720 Speaker 3: It was. It was a ton of fun to go 57 00:03:04,840 --> 00:03:08,440 Speaker 3: down for me, you know, from a fitness standpoint, and 58 00:03:08,600 --> 00:03:10,880 Speaker 3: just you know, the general enjoyment. Of course, it's the 59 00:03:10,880 --> 00:03:14,359 Speaker 3: mountain biking, you know, to get out there on the trail. Yeah, 60 00:03:14,400 --> 00:03:19,080 Speaker 3: the challenge it is a shockingly good workout, full body workout, 61 00:03:19,280 --> 00:03:21,840 Speaker 3: because you're having to use your whole body just to 62 00:03:21,880 --> 00:03:23,600 Speaker 3: get up and over. You know, it's very rocky on 63 00:03:23,639 --> 00:03:25,320 Speaker 3: the trails, and some of the trails I go on. 64 00:03:26,120 --> 00:03:30,200 Speaker 3: But from just a sheer enjoyment, I love taking my 65 00:03:30,320 --> 00:03:33,360 Speaker 3: jeep out into the back country because I can get 66 00:03:33,639 --> 00:03:36,360 Speaker 3: to places that you generally, I mean, you're not going 67 00:03:36,400 --> 00:03:39,040 Speaker 3: to hike out there. You can't, it's too far away. Yeah, 68 00:03:39,160 --> 00:03:41,560 Speaker 3: you know, my goal is is to get to where 69 00:03:42,200 --> 00:03:44,280 Speaker 3: you know, I can get to locations and maybe do 70 00:03:44,360 --> 00:03:47,600 Speaker 3: some overnight camping and just enjoy, you know, I call 71 00:03:47,640 --> 00:03:49,880 Speaker 3: them my dandelione breaks, you know, just to kind of 72 00:03:49,880 --> 00:03:52,520 Speaker 3: get away and not you know, have people hitting me 73 00:03:52,600 --> 00:03:55,080 Speaker 3: up on the cell phone or you know, wanting anything 74 00:03:55,120 --> 00:03:57,920 Speaker 3: from me. I can just get out and enjoy the nature. 75 00:03:58,520 --> 00:04:00,680 Speaker 2: When I was growing up, my grandparents had a cabin 76 00:04:00,800 --> 00:04:04,080 Speaker 2: in Colorado and it was a fly fishing oh cavin, 77 00:04:04,160 --> 00:04:07,120 Speaker 2: right on a lake. And I tried to fly fish, 78 00:04:07,120 --> 00:04:09,360 Speaker 2: and it was terrible. And my father, who I adored, 79 00:04:10,040 --> 00:04:12,080 Speaker 2: was absolutely terrible. I think he was worse than I 80 00:04:12,160 --> 00:04:14,960 Speaker 2: was at fly fishing. Have you done some fly fishing, 81 00:04:15,040 --> 00:04:18,080 Speaker 2: because it's really easy to look pretty silly fly fishing 82 00:04:18,080 --> 00:04:19,520 Speaker 2: if you don't know what you're doing. 83 00:04:20,040 --> 00:04:22,720 Speaker 3: I have not. I can only see myself whipping that 84 00:04:22,800 --> 00:04:24,760 Speaker 3: hook back right into my forehead. 85 00:04:26,680 --> 00:04:27,719 Speaker 1: That sounds about right. 86 00:04:28,080 --> 00:04:28,640 Speaker 3: Yeah. 87 00:04:28,680 --> 00:04:31,440 Speaker 2: Well, I'm glad that the weather has gotten nice on 88 00:04:31,480 --> 00:04:34,680 Speaker 2: your end. I'm bracing myself for another Texas summer. But 89 00:04:35,080 --> 00:04:38,080 Speaker 2: May is pretty nice in Texas. It's probably in the 90 00:04:38,200 --> 00:04:41,080 Speaker 2: nineties off and on. We don't hit hundreds. But I 91 00:04:41,120 --> 00:04:44,239 Speaker 2: am hunkered down and ready for some incredibly hot weather. 92 00:04:44,839 --> 00:04:48,480 Speaker 2: But this, you know, this all is a setup for 93 00:04:48,560 --> 00:04:52,240 Speaker 2: me to transport you to a much cooler climate than 94 00:04:52,279 --> 00:04:56,080 Speaker 2: what I'm in right now, which is Scotland. And the story, 95 00:04:56,160 --> 00:04:58,480 Speaker 2: the historical story that I'm about to tell you, is 96 00:04:58,560 --> 00:05:01,039 Speaker 2: probably one people haven't heard of before. I had not 97 00:05:01,120 --> 00:05:05,120 Speaker 2: heard of it, but I find it incredibly interesting because 98 00:05:05,720 --> 00:05:09,520 Speaker 2: it involves something that I really need your help understanding, 99 00:05:09,640 --> 00:05:12,000 Speaker 2: which is bitemark evidence. 100 00:05:12,120 --> 00:05:14,080 Speaker 1: And we haven't really talked about We haven't talked about 101 00:05:14,080 --> 00:05:14,400 Speaker 1: this yet. 102 00:05:14,400 --> 00:05:15,840 Speaker 2: You know, this is what they got Monday on and 103 00:05:15,920 --> 00:05:18,000 Speaker 2: this is when they were initially able to arrest had 104 00:05:18,040 --> 00:05:20,440 Speaker 2: Monday on was bite mark evidence. And I know it 105 00:05:20,480 --> 00:05:22,960 Speaker 2: could be good and it could be bad. So I 106 00:05:23,080 --> 00:05:25,920 Speaker 2: have a lot of photos for you, and I have 107 00:05:26,120 --> 00:05:29,599 Speaker 2: some to me upsetting crime scene photos, but this will 108 00:05:29,600 --> 00:05:30,920 Speaker 2: be an interesting case for you. 109 00:05:30,880 --> 00:05:31,400 Speaker 1: To look at. 110 00:05:31,760 --> 00:05:33,240 Speaker 3: Okay, well, let's get going. 111 00:05:33,520 --> 00:05:35,719 Speaker 1: Okay, let's set the scene. 112 00:05:38,360 --> 00:05:41,320 Speaker 2: This story is happening in the late nineteen sixties in 113 00:05:41,360 --> 00:05:44,559 Speaker 2: a place called Bigger, Scotland, which is a small town 114 00:05:44,839 --> 00:05:48,400 Speaker 2: in Scotland and it has a population of between two 115 00:05:48,480 --> 00:05:51,760 Speaker 2: and three thousand people, not a big place for Bigger, 116 00:05:52,360 --> 00:05:55,080 Speaker 2: and it's a quaint town, doesn't have a reputation for 117 00:05:55,160 --> 00:05:58,719 Speaker 2: a lot of violent crime. There is more violent crime 118 00:05:58,880 --> 00:06:01,880 Speaker 2: happening in Scotland in the late nineteen sixties, which is 119 00:06:01,880 --> 00:06:05,400 Speaker 2: also the case of the United States. Something dramatic like 120 00:06:05,440 --> 00:06:08,280 Speaker 2: what I'm about to tell you happening in this area 121 00:06:08,320 --> 00:06:10,039 Speaker 2: of Scotland would have been pretty unusual. 122 00:06:10,279 --> 00:06:11,720 Speaker 1: So let's talk about the victim. 123 00:06:11,920 --> 00:06:15,840 Speaker 2: Victim is a fifteen year old girl named Linda Karen Peacock, 124 00:06:15,880 --> 00:06:18,000 Speaker 2: and I'll just call her Linda from now on. So 125 00:06:18,040 --> 00:06:21,039 Speaker 2: she was born in nineteen fifty two, youngest of eight children. 126 00:06:21,279 --> 00:06:24,120 Speaker 2: Every adjective I've ever told you about these victims that 127 00:06:24,160 --> 00:06:27,720 Speaker 2: we label as so called innocent, the way that we 128 00:06:27,800 --> 00:06:33,640 Speaker 2: define innocent in crime, I find problematic. Sometimes oftentimes it's white, 129 00:06:33,920 --> 00:06:36,720 Speaker 2: and it's young, and it's virginal, and you know all 130 00:06:36,760 --> 00:06:39,320 Speaker 2: of this, and so it kind of bothers me when 131 00:06:39,320 --> 00:06:41,640 Speaker 2: I read the list of adjectives over and over again. 132 00:06:41,680 --> 00:06:46,159 Speaker 2: Beautiful and lively and you know, attractive, attractive, attractive. But 133 00:06:46,600 --> 00:06:51,200 Speaker 2: Linda really fits into typical fifteen year old, big family. 134 00:06:51,920 --> 00:06:54,120 Speaker 2: She's spent a lot of her free time riding horses, 135 00:06:54,560 --> 00:06:58,040 Speaker 2: not known to really date at fifteen, and she's from 136 00:06:58,120 --> 00:07:01,240 Speaker 2: this small town and the act after noon of when 137 00:07:01,279 --> 00:07:04,120 Speaker 2: everything starts to happen, she was tending to horses at 138 00:07:04,120 --> 00:07:07,839 Speaker 2: a nearby farm, and when she finished working at the farm, 139 00:07:08,040 --> 00:07:10,760 Speaker 2: she went to her house for a couple of hours, 140 00:07:11,120 --> 00:07:12,920 Speaker 2: and then she went into town to meet one of 141 00:07:12,960 --> 00:07:15,040 Speaker 2: her friends who was a girl, and they spent a 142 00:07:15,040 --> 00:07:17,320 Speaker 2: couple of hours together and then the two of them 143 00:07:17,360 --> 00:07:20,760 Speaker 2: said goodbye at about nine thirty at night, which is 144 00:07:20,800 --> 00:07:24,520 Speaker 2: when Linda began taking a walk home. It is dark 145 00:07:24,600 --> 00:07:27,240 Speaker 2: at this point, and again, this Bigger is not a 146 00:07:27,280 --> 00:07:30,240 Speaker 2: place that has a high crime rate in particular at all, 147 00:07:30,720 --> 00:07:33,840 Speaker 2: so she felt safe in this time to be able 148 00:07:33,840 --> 00:07:35,960 Speaker 2: to start to walk home on her own. She was 149 00:07:36,040 --> 00:07:40,320 Speaker 2: spotted several times while she was walking home by different people. 150 00:07:40,440 --> 00:07:43,800 Speaker 2: One is a sixty seven year old man named David Lennox, 151 00:07:44,320 --> 00:07:46,280 Speaker 2: and David was talking to a friend of his in 152 00:07:46,280 --> 00:07:48,480 Speaker 2: front of his house when Linda walked by, and they 153 00:07:48,560 --> 00:07:50,960 Speaker 2: knew each other, and she stopped and chatted with both 154 00:07:51,000 --> 00:07:54,520 Speaker 2: of these guys for about twenty minutes and then she left. 155 00:07:54,920 --> 00:07:58,720 Speaker 2: So we have somebody who's seen her between nine thirty 156 00:07:58,800 --> 00:08:02,840 Speaker 2: ish and none fifty they've been chatting. She spotted again 157 00:08:02,920 --> 00:08:06,560 Speaker 2: about seventy yards away from David Lennox's house. 158 00:08:07,200 --> 00:08:08,440 Speaker 1: It was a local farmer. 159 00:08:08,560 --> 00:08:10,800 Speaker 2: This time who's driving by and he saw her and 160 00:08:10,840 --> 00:08:13,000 Speaker 2: he said hi, and he said he was going to 161 00:08:13,040 --> 00:08:15,680 Speaker 2: give her a ride home, even though she wasn't far away, 162 00:08:16,280 --> 00:08:18,040 Speaker 2: but he had a bunch of his dogs in his 163 00:08:18,120 --> 00:08:20,400 Speaker 2: car with him, so he didn't give her a ride home. 164 00:08:20,640 --> 00:08:25,360 Speaker 2: So she continues on and she gets to Saint Mary's Church, 165 00:08:25,600 --> 00:08:29,720 Speaker 2: which has a graveyard attached, and between ten oh two 166 00:08:30,040 --> 00:08:32,480 Speaker 2: and ten oh eight, there are a lot of witnesses 167 00:08:33,080 --> 00:08:38,320 Speaker 2: who saw two unidentified people in the cemetery where Linda 168 00:08:38,440 --> 00:08:41,760 Speaker 2: was last seen. She is not seen in the cemetery. 169 00:08:42,000 --> 00:08:44,600 Speaker 2: She has not identified positively as one of those people, 170 00:08:44,880 --> 00:08:47,640 Speaker 2: but she had to walk through the cemetery to get home. 171 00:08:48,080 --> 00:08:49,200 Speaker 1: So even though. 172 00:08:49,160 --> 00:08:52,920 Speaker 2: People couldn't identify the woman or one of the people 173 00:08:53,160 --> 00:08:56,280 Speaker 2: in this pair who are in the cemetery talking at 174 00:08:56,559 --> 00:08:59,880 Speaker 2: ten o'clock at night, it's assumed that Linda was like 175 00:09:00,240 --> 00:09:03,120 Speaker 2: one of those people. If it's the timeline so so far, 176 00:09:03,520 --> 00:09:06,439 Speaker 2: you understand where I'm going here, right, She encounters somebody 177 00:09:06,520 --> 00:09:10,960 Speaker 2: in the cemetery, or she potentially scheduleds a meeting with 178 00:09:11,000 --> 00:09:13,920 Speaker 2: somebody in the cemetery, which just seems like a bad 179 00:09:14,000 --> 00:09:15,560 Speaker 2: setup for a movie or something. 180 00:09:16,000 --> 00:09:20,559 Speaker 3: Yeah, or somebody follows her into the cemetery exactly, so 181 00:09:20,640 --> 00:09:23,360 Speaker 3: this this case is happening. I was I was surprised. 182 00:09:23,360 --> 00:09:25,320 Speaker 3: You said in the nineteen sixties. What year was it, 183 00:09:25,559 --> 00:09:27,319 Speaker 3: nineteen sixty seven? If she's born in. 184 00:09:27,240 --> 00:09:30,439 Speaker 1: Fifty two sixty seven, you're right, Okay, So this is. 185 00:09:30,480 --> 00:09:32,840 Speaker 3: You know, relative to what we normally talk about. This 186 00:09:32,960 --> 00:09:36,079 Speaker 3: is a fairly recent case. So I imagine, Yeah, I've 187 00:09:36,080 --> 00:09:40,160 Speaker 3: never been to Scotland, but this town, those small you know, 188 00:09:40,200 --> 00:09:44,880 Speaker 3: they're going to have street lights in town. Is there 189 00:09:45,080 --> 00:09:47,480 Speaker 3: any lighting available in the cemetery? 190 00:09:47,559 --> 00:09:47,760 Speaker 2: You know? 191 00:09:47,800 --> 00:09:50,000 Speaker 3: That's what I'm kind of wondering as I start assessing 192 00:09:50,040 --> 00:09:52,440 Speaker 3: the witnesses and what they see, and I'm not expecting 193 00:09:52,440 --> 00:09:55,000 Speaker 3: you to know whether there was lights out right and 194 00:09:55,120 --> 00:09:57,959 Speaker 3: did the witnesses are they able to tell even though 195 00:09:57,960 --> 00:10:01,800 Speaker 3: they can't identify the two figures in the cemetery, are 196 00:10:01,800 --> 00:10:03,760 Speaker 3: they able to say that one is a woman and 197 00:10:03,800 --> 00:10:07,400 Speaker 3: one is a man? Or is it just two unknown 198 00:10:07,559 --> 00:10:10,319 Speaker 3: figures that appear to be interacting in the cemetery? 199 00:10:10,920 --> 00:10:13,880 Speaker 1: My understanding is very poor lighting. 200 00:10:14,200 --> 00:10:17,360 Speaker 2: I would also say if it's a cemetery, which I'm 201 00:10:17,360 --> 00:10:20,480 Speaker 2: assuming is going to be quite old, then probably there 202 00:10:20,480 --> 00:10:22,920 Speaker 2: are no lights available. It would have been closed by 203 00:10:22,960 --> 00:10:26,200 Speaker 2: six pm or sometime, so I don't know if they 204 00:10:26,200 --> 00:10:30,600 Speaker 2: would have just naturally had lights available then anyway, And no, 205 00:10:30,880 --> 00:10:32,800 Speaker 2: it doesn't say they couldn't say a man or a woman. 206 00:10:32,840 --> 00:10:34,640 Speaker 1: They just saw figures, they saw silhouettes. 207 00:10:35,000 --> 00:10:38,359 Speaker 3: Okay in the cemetery. I mean, I imagine the cemetery 208 00:10:38,440 --> 00:10:42,520 Speaker 3: is centuries old. Yeah, so it's possible that you have 209 00:10:42,720 --> 00:10:48,119 Speaker 3: some of these larger mausoleum style structures in the cemetery 210 00:10:48,200 --> 00:10:52,360 Speaker 3: versus just small headstones. So visibility potentially at certain parts 211 00:10:52,400 --> 00:10:56,000 Speaker 3: in the cemetery may be obstructed just because of the 212 00:10:56,080 --> 00:10:59,880 Speaker 3: types of graves that are present in this historic cemetery. 213 00:11:00,160 --> 00:11:04,120 Speaker 2: Well, this transitions us into a nice little show and tell. 214 00:11:04,640 --> 00:11:08,000 Speaker 2: So let me show you a photo of the cemetery. Oh, 215 00:11:08,200 --> 00:11:11,120 Speaker 2: it's not particularly big. This is basically in a field. 216 00:11:11,320 --> 00:11:13,880 Speaker 2: So she would have walked kind of around this pathway 217 00:11:13,960 --> 00:11:18,160 Speaker 2: I'm assuming, and you're right, huge stones to hide behind 218 00:11:18,280 --> 00:11:19,760 Speaker 2: or hide things in between. 219 00:11:20,200 --> 00:11:23,320 Speaker 3: Yes, to a point. You know, I was also envisioning 220 00:11:23,360 --> 00:11:26,280 Speaker 3: you see some of these older New York cemeteries that 221 00:11:26,320 --> 00:11:29,959 Speaker 3: have massive, you know, structures to mark graves, and I'm 222 00:11:29,960 --> 00:11:31,599 Speaker 3: not seeing that here, but they look like they have 223 00:11:31,679 --> 00:11:35,800 Speaker 3: some heights to them. Somebody potentially could be committing a 224 00:11:35,840 --> 00:11:40,320 Speaker 3: crime ducked down, and the way that they're positioned would 225 00:11:40,360 --> 00:11:44,080 Speaker 3: obstruct view from somebody just casually glancing out in the 226 00:11:44,160 --> 00:11:47,200 Speaker 3: dark into this location. But is this the totality of 227 00:11:47,200 --> 00:11:50,040 Speaker 3: the cemetery. It looks like it's a very small cemetery. 228 00:11:50,320 --> 00:11:51,600 Speaker 1: I think it is pretty small. 229 00:11:51,760 --> 00:11:53,680 Speaker 2: I think what you see in the far distance is 230 00:11:53,720 --> 00:11:56,720 Speaker 2: probably the gate that people go through. It could be 231 00:11:56,760 --> 00:11:59,000 Speaker 2: just kind of a marker, but I don't think this 232 00:11:59,040 --> 00:12:01,360 Speaker 2: is a particularly big part of it. They identify this 233 00:12:01,480 --> 00:12:06,240 Speaker 2: as the cemetery. So the witnesses who have seen what 234 00:12:06,320 --> 00:12:09,120 Speaker 2: they identify as a couple, but they can't really identify 235 00:12:09,120 --> 00:12:09,520 Speaker 2: the sex. 236 00:12:09,520 --> 00:12:11,120 Speaker 1: They're just assuming it's a couple. 237 00:12:11,600 --> 00:12:13,680 Speaker 2: The first witnesses were a couple who were driving by 238 00:12:13,920 --> 00:12:17,800 Speaker 2: and they spotted two people standing together about fifteen yards 239 00:12:17,800 --> 00:12:21,040 Speaker 2: inside the cemetery at Saint Mary's Church. And actually the 240 00:12:21,080 --> 00:12:24,200 Speaker 2: couple said to one another, how weird it was to 241 00:12:24,240 --> 00:12:27,120 Speaker 2: go on a date at a cemetery, no kidding, So 242 00:12:27,200 --> 00:12:30,080 Speaker 2: they must have looked and thought probably a woman. 243 00:12:30,400 --> 00:12:32,480 Speaker 1: One was probably more petite than the other. 244 00:12:32,800 --> 00:12:35,560 Speaker 2: And then there was a local man who reported seeing 245 00:12:35,960 --> 00:12:40,400 Speaker 2: the two people around ten twenty pm. So you have 246 00:12:40,679 --> 00:12:43,280 Speaker 2: Linda leaving her friend at nine thirty. She's having a 247 00:12:43,280 --> 00:12:46,760 Speaker 2: discussion with two men she knows from nine thirty ish 248 00:12:46,840 --> 00:12:49,640 Speaker 2: until nine fifty maybe ten o'clock, and then we see 249 00:12:49,679 --> 00:12:51,319 Speaker 2: these people in the cemetery. 250 00:12:51,520 --> 00:12:53,320 Speaker 1: And now at ten twenty. 251 00:12:53,200 --> 00:12:56,360 Speaker 2: You've got the last people to see this. 252 00:12:56,400 --> 00:12:57,439 Speaker 1: Couple in the cemetery. 253 00:12:57,840 --> 00:13:01,400 Speaker 2: Now this local man who saw them at ten twenty 254 00:13:01,679 --> 00:13:04,600 Speaker 2: is key because he says, along with actually a few 255 00:13:04,640 --> 00:13:07,760 Speaker 2: other people, that they heard someone screaming in the cemetery. 256 00:13:08,200 --> 00:13:12,760 Speaker 2: But nobody goes in to investigate this, and things get quiet. 257 00:13:13,080 --> 00:13:18,040 Speaker 2: Everybody in Bigger goes to bed, and Linda's parents become 258 00:13:18,080 --> 00:13:21,319 Speaker 2: alarmed because she didn't come home on time that night, 259 00:13:21,360 --> 00:13:24,559 Speaker 2: she had a curfew, and almost immediately they call the police, 260 00:13:24,840 --> 00:13:28,160 Speaker 2: and the police recognizing that this is someone who is 261 00:13:28,200 --> 00:13:32,120 Speaker 2: not in an at risk lifestyle, someone who people knew 262 00:13:32,160 --> 00:13:35,920 Speaker 2: in the town and was someone who unlikely ran away, 263 00:13:36,040 --> 00:13:38,520 Speaker 2: they start driving around. The police start driving around looking 264 00:13:38,559 --> 00:13:41,800 Speaker 2: for her, and she was discovered I think pretty quickly. 265 00:13:42,120 --> 00:13:43,360 Speaker 1: Six point forty in the morning. 266 00:13:43,520 --> 00:13:46,840 Speaker 2: An officer notices that the cemetery gate is open, and 267 00:13:46,920 --> 00:13:50,120 Speaker 2: she is found dead lying on her back between two 268 00:13:50,200 --> 00:13:53,160 Speaker 2: gravestones underneath a tree which has, you. 269 00:13:53,120 --> 00:13:54,080 Speaker 1: Know, some markers on it. 270 00:13:54,120 --> 00:13:56,560 Speaker 2: I want to show you first, We're going to go 271 00:13:56,600 --> 00:13:59,040 Speaker 2: back to the photo because I bet you did not 272 00:13:59,040 --> 00:14:02,280 Speaker 2: notice in this part of the photo her body was 273 00:14:02,559 --> 00:14:05,480 Speaker 2: actually in that photo that I was showing you. Do 274 00:14:05,520 --> 00:14:07,640 Speaker 2: you see down here where it says seven eight that's 275 00:14:07,679 --> 00:14:09,280 Speaker 2: her body. That's where she was found. 276 00:14:09,720 --> 00:14:12,880 Speaker 3: So I'm looking at the picture of the cemetery, which 277 00:14:12,920 --> 00:14:16,480 Speaker 3: is from the side, so all the grave markers are 278 00:14:16,960 --> 00:14:20,320 Speaker 3: facing left and right in the photo. So I'm looking 279 00:14:20,360 --> 00:14:22,240 Speaker 3: at the side of the grave markers, and you have 280 00:14:22,320 --> 00:14:25,360 Speaker 3: the one grave marker that's in the front of the photo, 281 00:14:26,080 --> 00:14:29,960 Speaker 3: and then her body is laying face up on just 282 00:14:30,040 --> 00:14:32,280 Speaker 3: the other side of that grave marker. And then there's 283 00:14:32,320 --> 00:14:35,240 Speaker 3: a large I'm just going to call it a bush. 284 00:14:35,800 --> 00:14:40,040 Speaker 3: It's actually a pretty significant, dense bush that is on 285 00:14:40,160 --> 00:14:42,160 Speaker 3: the other side of her body. So her body is 286 00:14:42,200 --> 00:14:46,360 Speaker 3: positioned between this gravestone in the foreground and then this 287 00:14:46,560 --> 00:14:50,960 Speaker 3: large bush. It looks like her upper clothing is disrupted. 288 00:14:51,480 --> 00:14:54,040 Speaker 3: I can't see to what extent, and I can't you know, 289 00:14:54,120 --> 00:14:56,680 Speaker 3: her pelvis area is blocked by the gravestone. And then 290 00:14:56,680 --> 00:14:58,280 Speaker 3: I can see her legs. It looks like she has 291 00:14:58,280 --> 00:15:01,480 Speaker 3: shoes on. I'm not seeing anything on her legs at 292 00:15:01,480 --> 00:15:03,800 Speaker 3: this point, so I don't know if she's like nude 293 00:15:03,800 --> 00:15:05,840 Speaker 3: from the waist down, et cetera. 294 00:15:06,160 --> 00:15:08,240 Speaker 2: So I mentioned she's lying on her back between the 295 00:15:08,280 --> 00:15:11,320 Speaker 2: two gravestones or near the gravestones, and underneath a tree, 296 00:15:11,360 --> 00:15:12,560 Speaker 2: which you and I both agree. 297 00:15:12,520 --> 00:15:14,760 Speaker 1: It looks sort of like a bush. 298 00:15:14,480 --> 00:15:19,080 Speaker 2: And the tree has strands of a brown seisial string 299 00:15:19,760 --> 00:15:22,440 Speaker 2: stuck in it. I did not know what that was. 300 00:15:22,480 --> 00:15:24,480 Speaker 2: It it looks like twine to me. Do you know 301 00:15:24,520 --> 00:15:25,960 Speaker 2: anything about cecil. 302 00:15:26,120 --> 00:15:28,560 Speaker 3: Well, seisil is You know, that's a term that my 303 00:15:28,760 --> 00:15:32,600 Speaker 3: trace guys would use when they were describeing different types 304 00:15:32,640 --> 00:15:36,240 Speaker 3: of binding material, and it's basically a I would say, 305 00:15:36,240 --> 00:15:40,880 Speaker 3: it's a relatively generic term used in the industry to 306 00:15:40,960 --> 00:15:45,600 Speaker 3: indicate that it's a natural fiber versus something that is synthetic. 307 00:15:46,320 --> 00:15:49,600 Speaker 3: It may come from a specific type of plant, but 308 00:15:49,760 --> 00:15:50,880 Speaker 3: that's something that I'm. 309 00:15:50,720 --> 00:15:54,160 Speaker 2: Not aware of, Okay, So we just know that there's 310 00:15:54,200 --> 00:15:57,840 Speaker 2: this twine. We also known that this twine, the cecil twine, 311 00:15:58,280 --> 00:16:02,160 Speaker 2: has shown up under Linda's fingernails. So I don't know 312 00:16:02,200 --> 00:16:04,880 Speaker 2: if the killer tried to bind her to the tree? 313 00:16:04,960 --> 00:16:06,920 Speaker 2: Does that seem like the most likely thing? 314 00:16:07,440 --> 00:16:09,920 Speaker 3: When I look at that tree, that tree is again, 315 00:16:09,960 --> 00:16:11,760 Speaker 3: it's more of a bush. It does not look like 316 00:16:11,800 --> 00:16:16,640 Speaker 3: something that has a significant trunk and enough space and 317 00:16:16,720 --> 00:16:19,640 Speaker 3: access to the trunk from the ground up to a 318 00:16:19,680 --> 00:16:23,720 Speaker 3: certain height to bind a victim too. Yeah, but the 319 00:16:23,760 --> 00:16:27,200 Speaker 3: way those branches are formed, I can easily see twine 320 00:16:27,240 --> 00:16:29,880 Speaker 3: just naturally getting caught up in it, you know, whether 321 00:16:29,960 --> 00:16:33,960 Speaker 3: it's you know, during a struggle, or you know, at 322 00:16:34,080 --> 00:16:38,040 Speaker 3: the offender abandons the use of this binding material and 323 00:16:38,120 --> 00:16:39,960 Speaker 3: just kind of tosses it out of the way and 324 00:16:40,440 --> 00:16:41,840 Speaker 3: the tree catches it in essence. 325 00:16:42,000 --> 00:16:42,840 Speaker 1: Okay, that makes sense. 326 00:16:42,840 --> 00:16:45,040 Speaker 2: So as we get more information, we'll see what you 327 00:16:45,080 --> 00:16:49,880 Speaker 2: think about that. So Linda's fingernails are dirty and bloody, 328 00:16:50,320 --> 00:16:52,400 Speaker 2: she has a piece of that twine underneath. Of the 329 00:16:52,440 --> 00:16:55,760 Speaker 2: fibers of the twine underneath. The earth underneath her was 330 00:16:55,760 --> 00:16:58,040 Speaker 2: torn up. Her clothes are pulled up, and I have 331 00:16:58,080 --> 00:16:59,680 Speaker 2: a photo I'm going to show you in a second. 332 00:17:00,320 --> 00:17:04,040 Speaker 2: It looks to investigators that she's been dragged across the ground. 333 00:17:04,600 --> 00:17:06,879 Speaker 2: And when I show you the wider photo for the 334 00:17:06,960 --> 00:17:10,720 Speaker 2: third time, you'll see that they've marked where the blood is, 335 00:17:10,920 --> 00:17:13,919 Speaker 2: and there's a spot of blood or some blood that 336 00:17:14,160 --> 00:17:17,359 Speaker 2: is a significant distance away from where her body was. 337 00:17:17,400 --> 00:17:19,119 Speaker 1: So that seems logical to me. 338 00:17:19,240 --> 00:17:21,840 Speaker 2: But I'll show you that and you'll see that she 339 00:17:21,960 --> 00:17:25,160 Speaker 2: was mostly clothed, but that the killer exposed her breasts, 340 00:17:25,800 --> 00:17:31,000 Speaker 2: and to them this suggests a sexual assault. But upon 341 00:17:31,080 --> 00:17:35,560 Speaker 2: examination they say that this doesn't seem like a sexual assault. 342 00:17:35,560 --> 00:17:38,080 Speaker 2: They don't find evidence of that. They don't find evidence 343 00:17:38,119 --> 00:17:40,720 Speaker 2: of semen. But you and I have talked about this. 344 00:17:40,840 --> 00:17:42,840 Speaker 2: That doesn't matter. That could have still been in a 345 00:17:42,920 --> 00:17:43,800 Speaker 2: sexual assault. 346 00:17:44,119 --> 00:17:47,159 Speaker 3: There most early still could be a sexual interaction by 347 00:17:47,200 --> 00:17:50,720 Speaker 3: the offender the victim without leaving any evidence, or you 348 00:17:50,840 --> 00:17:54,320 Speaker 3: have a sexually motivated crime, but due to circumstances, the 349 00:17:54,359 --> 00:17:57,480 Speaker 3: offender never gets to performing any type of sex act. 350 00:17:57,880 --> 00:18:00,960 Speaker 2: Yeah, I think the motive seems pretty clear it was sexual. 351 00:18:01,040 --> 00:18:02,880 Speaker 2: But let me show you these photos and you could 352 00:18:02,880 --> 00:18:06,120 Speaker 2: tell me what you think. So this is photo number 353 00:18:06,160 --> 00:18:08,479 Speaker 2: one that you haven't seen yet. This is her body, 354 00:18:08,720 --> 00:18:10,240 Speaker 2: So tell people what you're seeing here. 355 00:18:10,520 --> 00:18:13,480 Speaker 3: Okay, So this particular photo is a photo taken with 356 00:18:13,560 --> 00:18:19,280 Speaker 3: a photographer standing at the victim's feet and shooting up 357 00:18:19,320 --> 00:18:22,480 Speaker 3: towards her head, so I am seeing Linda laying on 358 00:18:22,560 --> 00:18:28,200 Speaker 3: her back. She appears to be dressed in some sort 359 00:18:28,240 --> 00:18:31,320 Speaker 3: of maybe button down shirt or sweater that is pushed up, 360 00:18:31,359 --> 00:18:34,960 Speaker 3: exposing her breast, as well as she has a what 361 00:18:35,040 --> 00:18:39,000 Speaker 3: appears to be a skirt. Her underwear is in place 362 00:18:39,400 --> 00:18:44,600 Speaker 3: and it is clipped to the leggings and I'm not 363 00:18:44,640 --> 00:18:48,680 Speaker 3: sure if this would be considered a garter type of garment, 364 00:18:49,200 --> 00:18:51,920 Speaker 3: and her head is looking over to her right hand. 365 00:18:51,920 --> 00:18:55,680 Speaker 3: Her right arm is up in a position at a 366 00:18:55,800 --> 00:18:59,560 Speaker 3: ninety degree angle, with her hand laying back above the head, 367 00:18:59,720 --> 00:19:03,200 Speaker 3: and the jacket I'm assuming that she was wearing appears 368 00:19:03,240 --> 00:19:06,440 Speaker 3: to have been pulled down the length of her arm 369 00:19:06,640 --> 00:19:09,120 Speaker 3: and possibly is even off of her left arm, though 370 00:19:09,160 --> 00:19:11,240 Speaker 3: I can't see her left arm in this photo it's 371 00:19:11,280 --> 00:19:17,159 Speaker 3: behind the gravestone. Then I'm seeing it appears that on 372 00:19:17,440 --> 00:19:22,239 Speaker 3: her exposed chest abdominal area, as well as on the 373 00:19:22,240 --> 00:19:26,760 Speaker 3: top of her skirt, it almost looks like it's droppings 374 00:19:26,880 --> 00:19:33,400 Speaker 3: from the tree. For me, that's significant from a sequencing standpoint, 375 00:19:34,000 --> 00:19:38,000 Speaker 3: because this is now showing that the material from the 376 00:19:38,040 --> 00:19:42,560 Speaker 3: tree has likely dropped onto her after she's lain in 377 00:19:42,600 --> 00:19:47,600 Speaker 3: this position and after her breasts and abdomen have been exposed, 378 00:19:47,840 --> 00:19:50,119 Speaker 3: and right now I can't make anything out of that. 379 00:19:50,200 --> 00:19:53,960 Speaker 3: It's just that that's something that always has to be 380 00:19:54,040 --> 00:19:59,159 Speaker 3: paid attention to, is anything that can provide sequence information 381 00:19:59,680 --> 00:20:02,879 Speaker 3: at the crime. See. So I'm looking at that, going, Okay, 382 00:20:03,119 --> 00:20:06,879 Speaker 3: if I'm correct and this debris is from the tree, 383 00:20:07,400 --> 00:20:10,240 Speaker 3: then it is dropping down on her after she's been 384 00:20:10,280 --> 00:20:13,640 Speaker 3: positioned here likely and then after her upper body has 385 00:20:13,680 --> 00:20:14,399 Speaker 3: been exposed. 386 00:20:14,720 --> 00:20:17,000 Speaker 2: Well, let's talk about the sequence of events that you 387 00:20:17,440 --> 00:20:20,439 Speaker 2: just mentioned. I want to go down to that wide 388 00:20:20,600 --> 00:20:24,040 Speaker 2: photo once again. Notice that they've put these little markers here, 389 00:20:24,080 --> 00:20:27,680 Speaker 2: so we see numbers one through eight. You can now 390 00:20:27,720 --> 00:20:30,760 Speaker 2: see her arm that was hidden behind the gravestone. And 391 00:20:30,800 --> 00:20:32,879 Speaker 2: so look at the different markers and tell me what 392 00:20:32,960 --> 00:20:37,280 Speaker 2: you think. So to me, it looks like there is blood, 393 00:20:37,359 --> 00:20:40,280 Speaker 2: which I assume they would say is significance very far 394 00:20:40,320 --> 00:20:42,920 Speaker 2: away or at least you know, four or five gravestones 395 00:20:42,960 --> 00:20:46,320 Speaker 2: away from her, and there is blood beneath where her 396 00:20:46,359 --> 00:20:50,719 Speaker 2: body was found, and then her coins and a comb 397 00:20:50,720 --> 00:20:53,720 Speaker 2: and a purse that are sort of scattered within what 398 00:20:53,800 --> 00:20:55,719 Speaker 2: do you think this is like a thirty to fifty 399 00:20:55,920 --> 00:20:57,760 Speaker 2: foot radius in this graveyard? 400 00:20:58,000 --> 00:21:02,080 Speaker 3: I'm actually using I have to use her body. I'm assuming, 401 00:21:02,480 --> 00:21:05,159 Speaker 3: you know, she's probably a fifteen year old woman of 402 00:21:05,200 --> 00:21:08,280 Speaker 3: average height somewhere yeah, you know, from five to two 403 00:21:08,359 --> 00:21:10,800 Speaker 3: to five five. She doesn't look like she's a tiny, 404 00:21:10,920 --> 00:21:14,240 Speaker 3: tiny fifteen year old. So if I'm looking at her 405 00:21:14,280 --> 00:21:18,080 Speaker 3: body and just roughly saying that she's she's five foot 406 00:21:18,200 --> 00:21:23,000 Speaker 3: from head to toe, then it appears that the distribution 407 00:21:23,480 --> 00:21:27,720 Speaker 3: along this cemetery of what they have marked as evidence 408 00:21:28,200 --> 00:21:34,320 Speaker 3: is roughly twenty five feet from the furthest evidence marker 409 00:21:34,400 --> 00:21:37,720 Speaker 3: number one to where her body is located. And again 410 00:21:37,760 --> 00:21:41,119 Speaker 3: this is this is rough, but it does suggest that 411 00:21:41,240 --> 00:21:43,960 Speaker 3: there is a and it's a linear pattern of these 412 00:21:44,000 --> 00:21:49,800 Speaker 3: evidence markers. So this seems consistent with the original investigators 413 00:21:49,880 --> 00:21:55,000 Speaker 3: thought that she had been drug or a struggle had 414 00:21:55,000 --> 00:21:58,399 Speaker 3: occurred along this linear path up to the location to 415 00:21:58,400 --> 00:22:02,239 Speaker 3: where her body is ultimately deposited. Now, the observation that 416 00:22:02,359 --> 00:22:05,720 Speaker 3: I'm going to make here is where her body is 417 00:22:06,240 --> 00:22:10,439 Speaker 3: is significant because she has been positioned by the biggest 418 00:22:10,480 --> 00:22:13,359 Speaker 3: structure in the cemetery, which is that tree. Yeah, and 419 00:22:13,880 --> 00:22:16,520 Speaker 3: I think that is purposeful by the offender. He is 420 00:22:16,600 --> 00:22:20,919 Speaker 3: trying to hide her from the casual onlooker and I 421 00:22:20,920 --> 00:22:23,560 Speaker 3: don't know. You've mentioned possibly that the entrance to the 422 00:22:23,600 --> 00:22:27,719 Speaker 3: cemetery was in the backdrop of this photograph. Well, her 423 00:22:27,760 --> 00:22:30,240 Speaker 3: body is on the other side of this tree, which 424 00:22:30,280 --> 00:22:34,280 Speaker 3: would basically in essence, act as a blind, preventing people 425 00:22:34,320 --> 00:22:37,320 Speaker 3: from seeing her body if they are down by let's 426 00:22:37,320 --> 00:22:39,840 Speaker 3: say the road going into the cemetery or at the 427 00:22:39,840 --> 00:22:40,680 Speaker 3: cemetery gate. 428 00:22:41,119 --> 00:22:41,520 Speaker 1: Yeah. 429 00:22:41,560 --> 00:22:44,960 Speaker 2: From the onset, to me, looks like a crime of opportunity, 430 00:22:45,240 --> 00:22:46,280 Speaker 2: but we don't know. 431 00:22:46,359 --> 00:22:47,840 Speaker 1: What do you think so far? 432 00:22:48,000 --> 00:22:50,320 Speaker 2: Do you feel like this is someone who was stalking her, 433 00:22:50,400 --> 00:22:53,639 Speaker 2: someone she knew, or someone who happened to be in 434 00:22:53,720 --> 00:22:55,879 Speaker 2: there and was looking to pick off somebody who was 435 00:22:55,920 --> 00:22:57,320 Speaker 2: walking through it late at night. 436 00:22:57,840 --> 00:23:00,159 Speaker 3: I think all theories at this point in time are 437 00:23:00,200 --> 00:23:04,639 Speaker 3: equally possible. Don't know enough about the person that she 438 00:23:04,960 --> 00:23:09,359 Speaker 3: is seen with in this cemetery. You know, victimology is huge. 439 00:23:09,640 --> 00:23:16,240 Speaker 3: This is where getting into her life investigatively is possibly 440 00:23:16,280 --> 00:23:21,160 Speaker 3: going to provide greater insight. On the surface, it appears 441 00:23:21,200 --> 00:23:23,800 Speaker 3: that it would be a victim of opportunity. She happens 442 00:23:23,840 --> 00:23:27,160 Speaker 3: to be walking along this path home. You know, she's 443 00:23:27,200 --> 00:23:31,160 Speaker 3: delayed because she stops and talks to her adult male 444 00:23:31,280 --> 00:23:34,720 Speaker 3: friend along the way and she ends up going through 445 00:23:34,720 --> 00:23:38,200 Speaker 3: the cemetery. Now, if this was a routine that she did, 446 00:23:38,480 --> 00:23:41,199 Speaker 3: Let's say she's constantly going into town and taking this 447 00:23:41,320 --> 00:23:44,800 Speaker 3: path home and somebody along that path has seen her 448 00:23:44,840 --> 00:23:48,639 Speaker 3: previously and is now lying in wait. Now, again, it 449 00:23:48,680 --> 00:23:52,040 Speaker 3: could be a pre planned scenario. But then does she 450 00:23:52,200 --> 00:23:56,440 Speaker 3: have a secret life. Does she have a secret boyfriend 451 00:23:56,560 --> 00:23:59,200 Speaker 3: that hey, I'm going to be My parents think I'm out, 452 00:23:59,440 --> 00:24:01,480 Speaker 3: you know, with my girlfriend. They're not expecting me home 453 00:24:01,560 --> 00:24:05,000 Speaker 3: until you know, eleven o'clock or midnight. They'll be in bed. 454 00:24:05,520 --> 00:24:08,240 Speaker 3: We can meet up in the remote location of the 455 00:24:08,280 --> 00:24:11,960 Speaker 3: cemetery where you know, nobody can see us to report 456 00:24:12,040 --> 00:24:14,200 Speaker 3: us back to my parents, you know. So that's part 457 00:24:14,240 --> 00:24:17,040 Speaker 3: of the investigative process is to figure out which is 458 00:24:17,080 --> 00:24:18,720 Speaker 3: the most likely scenario. 459 00:24:19,040 --> 00:24:22,240 Speaker 2: Well, so far, the investigators say that she has no 460 00:24:22,320 --> 00:24:24,960 Speaker 2: personal life other than her friends. She doesn't seem to 461 00:24:25,040 --> 00:24:28,200 Speaker 2: be dating anyone. Her friends say she wasn't dating anyone. 462 00:24:28,359 --> 00:24:31,000 Speaker 2: She was just this happy, go lucky girl living her 463 00:24:31,080 --> 00:24:34,640 Speaker 2: life and went through the cemetery and ended up dead. 464 00:24:35,080 --> 00:24:36,760 Speaker 1: Now, let's talk about the. 465 00:24:36,640 --> 00:24:42,240 Speaker 2: Injuries, the extensive injuries, because these become important forensic evidence. 466 00:24:43,640 --> 00:24:45,000 Speaker 1: I hate talking, you know. 467 00:24:45,280 --> 00:24:48,480 Speaker 2: Autopsies are always difficult for me with young girls, with women. 468 00:24:48,560 --> 00:24:52,879 Speaker 2: And the post mortem was conducted in Scotland about nineteen 469 00:24:52,920 --> 00:24:55,919 Speaker 2: hours after her death. I have close up photos of 470 00:24:55,960 --> 00:24:59,760 Speaker 2: these things. She had two lacerated wounds on her head, 471 00:25:00,119 --> 00:25:03,440 Speaker 2: and she had a ligature mark around her left wrist, 472 00:25:03,920 --> 00:25:07,720 Speaker 2: and she had bruises on her left forearm, her right 473 00:25:07,800 --> 00:25:10,320 Speaker 2: breast and on the top of her right finger, and 474 00:25:10,359 --> 00:25:15,000 Speaker 2: she had ligature marks around her neck. So wrist and neck. 475 00:25:15,240 --> 00:25:18,399 Speaker 2: The doctor says that these marks were well defined on 476 00:25:18,480 --> 00:25:21,680 Speaker 2: the front and sides and less marked on the back 477 00:25:21,720 --> 00:25:24,160 Speaker 2: of the neck, so less markings on the back, more 478 00:25:24,160 --> 00:25:27,720 Speaker 2: on the front. And they concluded that she must have 479 00:25:27,760 --> 00:25:29,200 Speaker 2: been strangled from behind. 480 00:25:29,359 --> 00:25:30,520 Speaker 1: Does that sound right to you? 481 00:25:30,640 --> 00:25:34,080 Speaker 3: Just from that evidence is the cause of death strangulation. 482 00:25:33,720 --> 00:25:36,080 Speaker 2: It seems like it, yes, But she was also whacked 483 00:25:36,080 --> 00:25:39,119 Speaker 2: on the head several times. Sure they have a specific 484 00:25:39,160 --> 00:25:41,240 Speaker 2: weapon in mind, I'll tell you about later, and I 485 00:25:41,240 --> 00:25:43,520 Speaker 2: don't know how they could be this specific, but it 486 00:25:43,600 --> 00:25:46,080 Speaker 2: seems like most likely it was strangulation. 487 00:25:46,400 --> 00:25:50,320 Speaker 3: Okay, So when you have a ligature applied to the neck, 488 00:25:50,600 --> 00:25:53,959 Speaker 3: when the ligature completely encircles the neck, let's say it 489 00:25:54,000 --> 00:25:58,119 Speaker 3: is actually tied off and left in place. Oftentimes you 490 00:25:58,320 --> 00:26:01,919 Speaker 3: see when the ligature is re moved the ligature marks 491 00:26:01,960 --> 00:26:06,600 Speaker 3: that completely encircle the neck. Versus, if you have a 492 00:26:06,800 --> 00:26:11,840 Speaker 3: ligature that is placed around the neck and pulled and 493 00:26:11,880 --> 00:26:15,440 Speaker 3: the offender is pulling that ligature tight in order to strangle, 494 00:26:15,640 --> 00:26:19,639 Speaker 3: the side that the offender is pulling from is often 495 00:26:19,680 --> 00:26:23,719 Speaker 3: pulled away from the neck, Versus the opposite side is 496 00:26:23,760 --> 00:26:26,560 Speaker 3: now where the force of the ligature is now digging 497 00:26:26,640 --> 00:26:30,920 Speaker 3: into the soft tissues and leaving the ligature mark. So 498 00:26:31,320 --> 00:26:35,199 Speaker 3: in the autopsy, they are saying that they are seeing 499 00:26:35,280 --> 00:26:38,680 Speaker 3: the ligature marks that encircle the front of the neck, 500 00:26:38,840 --> 00:26:42,800 Speaker 3: but then aren't seeing any ligature marks on the back side. 501 00:26:43,400 --> 00:26:46,560 Speaker 3: So the conclusion that the offender is strangling her from 502 00:26:46,640 --> 00:26:51,639 Speaker 3: behind sounds consistent with the description of the ligature marks 503 00:26:51,680 --> 00:26:52,240 Speaker 3: on her neck. 504 00:26:52,880 --> 00:26:55,200 Speaker 2: Okay, let me show you the photo, and I want 505 00:26:55,240 --> 00:26:57,960 Speaker 2: you to ignore the bruising around her breast area for 506 00:26:58,000 --> 00:27:01,240 Speaker 2: now and just look at the ligature and tell me. 507 00:27:01,200 --> 00:27:03,800 Speaker 1: If this tallies with what you had thought about. 508 00:27:04,119 --> 00:27:06,080 Speaker 2: So this is a close up and you see the 509 00:27:06,080 --> 00:27:09,040 Speaker 2: ligature mark up there, And in the notes it says 510 00:27:09,840 --> 00:27:12,800 Speaker 2: in the mortuary. The marks on the breast and necker scene. 511 00:27:12,840 --> 00:27:16,000 Speaker 2: This is nineteen hours after she was discovered. The ligature 512 00:27:16,040 --> 00:27:20,320 Speaker 2: mark is most marked anterially. Is that right anterially? 513 00:27:20,920 --> 00:27:23,320 Speaker 3: Yes, So the anterior is the front of the neck. 514 00:27:23,600 --> 00:27:25,480 Speaker 3: Posterior is going to be the back of the neck. 515 00:27:25,800 --> 00:27:29,479 Speaker 2: The mark caused after her brazier had been pulled up, 516 00:27:29,480 --> 00:27:32,480 Speaker 2: as clearly seen, the blood in front of the left 517 00:27:32,560 --> 00:27:36,040 Speaker 2: ear must have clotted when she was vertical. I don't 518 00:27:36,080 --> 00:27:38,200 Speaker 2: have photos of her head injury. 519 00:27:38,160 --> 00:27:42,000 Speaker 3: Okay, so this is a substantial ligature mark. It's a 520 00:27:42,119 --> 00:27:47,320 Speaker 3: very thin ligature mark that has abraided the skin, and 521 00:27:47,560 --> 00:27:49,960 Speaker 3: at least in this photo, which is a photo taken 522 00:27:49,960 --> 00:27:52,720 Speaker 3: from her left side, I am seeing the ligature mark 523 00:27:53,440 --> 00:27:56,359 Speaker 3: that comes up from the left side of her neck 524 00:27:56,680 --> 00:28:00,439 Speaker 3: in circles around the front of her neck underneath the 525 00:28:00,560 --> 00:28:03,199 Speaker 3: chin area, and then can't see the other side. But 526 00:28:03,280 --> 00:28:06,280 Speaker 3: I'm assuming that the right side, based on the previous description, 527 00:28:06,920 --> 00:28:10,480 Speaker 3: is just like the left side. This is entirely consistent 528 00:28:11,000 --> 00:28:16,080 Speaker 3: with my experience of seeing ligature strangulation. You know, of course, 529 00:28:16,080 --> 00:28:19,760 Speaker 3: that autopsy i'd want them to be noting that patikia 530 00:28:20,080 --> 00:28:23,640 Speaker 3: was present in the eyes. There is congestion, pulmonary congestion, 531 00:28:23,840 --> 00:28:28,520 Speaker 3: all the hallmarks of strangulation. But based on what I'm seeing, 532 00:28:28,760 --> 00:28:31,600 Speaker 3: this ligature mark on her neck is consistent with the 533 00:28:31,640 --> 00:28:37,600 Speaker 3: application of deadly force to her neck. The blood flow 534 00:28:38,320 --> 00:28:40,960 Speaker 3: that is in front of her left ear, they use 535 00:28:41,040 --> 00:28:46,040 Speaker 3: the term dried, so blood flows with gravity. So if 536 00:28:46,040 --> 00:28:50,120 Speaker 3: she has an injury to her head and that's the 537 00:28:50,200 --> 00:28:55,720 Speaker 3: reason for the bleeding, she was upright when that blood stream, 538 00:28:55,840 --> 00:28:59,000 Speaker 3: if you will, flowed down more in her left upper 539 00:28:59,080 --> 00:29:02,440 Speaker 3: jaw area in front to the ear and then dried 540 00:29:03,000 --> 00:29:06,800 Speaker 3: before she was on her back. The blood flow would 541 00:29:06,800 --> 00:29:11,040 Speaker 3: then have curved if it was still flow actively flowing, 542 00:29:11,080 --> 00:29:13,320 Speaker 3: and she now is put on her back position, so 543 00:29:13,400 --> 00:29:17,080 Speaker 3: she's upright for a period of time after receiving a 544 00:29:17,120 --> 00:29:18,880 Speaker 3: bleeding injury to her head. 545 00:29:19,600 --> 00:29:21,520 Speaker 2: Do you think that the blow comes first and then 546 00:29:21,560 --> 00:29:24,560 Speaker 2: the strangulation. That makes sense to me as a sequence 547 00:29:24,560 --> 00:29:25,840 Speaker 2: of immens. 548 00:29:25,640 --> 00:29:28,640 Speaker 3: I would say that that is the most likely scenario 549 00:29:28,760 --> 00:29:34,840 Speaker 3: because this strangulation, in all likelihood is fatal. So there's 550 00:29:34,880 --> 00:29:38,280 Speaker 3: no reason for you know, the offender, after she is 551 00:29:38,400 --> 00:29:41,560 Speaker 3: now you know, unconscious, to have kept her upright and 552 00:29:41,560 --> 00:29:43,960 Speaker 3: then hit her in the head. So in all likelihood, 553 00:29:43,960 --> 00:29:46,080 Speaker 3: the offender is hitting in her in the head to 554 00:29:46,280 --> 00:29:50,560 Speaker 3: gain compliance and control. Whether or not she is knocked out, 555 00:29:50,600 --> 00:29:54,720 Speaker 3: who knows, you know. But after that, now the offender 556 00:29:55,040 --> 00:30:00,920 Speaker 3: is probably using that twine that is found in the tree, 557 00:30:00,960 --> 00:30:03,960 Speaker 3: whether it's the same length of that twine or he 558 00:30:04,040 --> 00:30:21,440 Speaker 3: had a different length that he took with him. 559 00:30:21,560 --> 00:30:23,280 Speaker 1: Now we're going to talk about the bite marks. 560 00:30:23,400 --> 00:30:27,400 Speaker 2: Because she did have those injuries, this became the most 561 00:30:27,400 --> 00:30:31,240 Speaker 2: important evidence. There were severe bite marks in the lower 562 00:30:31,320 --> 00:30:36,600 Speaker 2: quadrant of Linda's right breast. They left a ring shaped pattern, 563 00:30:36,760 --> 00:30:39,840 Speaker 2: and the person who created them appeared to have a 564 00:30:40,000 --> 00:30:44,040 Speaker 2: unique bite. I've got several photos of this, so we've 565 00:30:44,040 --> 00:30:46,440 Speaker 2: got the wide and I'll go ahead and go back 566 00:30:46,480 --> 00:30:48,560 Speaker 2: to those. We have the wide that I had already 567 00:30:48,560 --> 00:30:51,920 Speaker 2: shown you, so you see where on the breast this happens. 568 00:30:52,520 --> 00:30:55,600 Speaker 2: So this is what you've already seen, and now you 569 00:30:55,640 --> 00:30:57,600 Speaker 2: can see where the bite mark is. 570 00:30:57,640 --> 00:30:59,840 Speaker 1: And then I've got some very close up shots. 571 00:31:00,040 --> 00:31:01,600 Speaker 3: Give me the close up shot, please. 572 00:31:01,440 --> 00:31:03,800 Speaker 1: Okay, So here's one. This is the right breast. 573 00:31:04,200 --> 00:31:06,720 Speaker 3: Yeah, so you know, in terms of taking a look 574 00:31:06,760 --> 00:31:10,320 Speaker 3: at this photo, this is a photo of her left 575 00:31:10,400 --> 00:31:14,720 Speaker 3: breast that is purposefully focused in on sort of the 576 00:31:14,880 --> 00:31:18,440 Speaker 3: the medial surface of her left breast, where there's this 577 00:31:18,720 --> 00:31:25,240 Speaker 3: very large and I will say indistinct contusion like injury. 578 00:31:25,440 --> 00:31:29,120 Speaker 3: There's a scale in the photograph. So this large dark 579 00:31:29,280 --> 00:31:33,000 Speaker 3: contusion like injury on the inside surface of her left 580 00:31:33,040 --> 00:31:37,640 Speaker 3: breast appears to be up to two inches in length 581 00:31:37,720 --> 00:31:41,640 Speaker 3: from head to toe direction. Now, kind of going back 582 00:31:41,760 --> 00:31:46,760 Speaker 3: to our earlier discussion about they're saying this does not 583 00:31:46,800 --> 00:31:50,480 Speaker 3: appear to have any signs of sexual assault. This is 584 00:31:50,560 --> 00:31:54,760 Speaker 3: a sexual assault. She has a mark, which I'm assuming 585 00:31:54,840 --> 00:31:59,160 Speaker 3: they are concluding is a bite mark with suction on 586 00:31:59,320 --> 00:32:02,800 Speaker 3: her left breast. There is no other way to characterize 587 00:32:02,840 --> 00:32:07,280 Speaker 3: this as a sexual assault. Now they may be saying, 588 00:32:07,600 --> 00:32:10,600 Speaker 3: we don't find any injuries vaginally, we don't find any 589 00:32:10,640 --> 00:32:14,840 Speaker 3: seaman vaginally. Well, that's just part of a sexual interaction 590 00:32:14,920 --> 00:32:17,600 Speaker 3: that an offender does to a victim. A fender may 591 00:32:17,680 --> 00:32:21,600 Speaker 3: bite the victim's neck. That is a sexual assault, even 592 00:32:21,720 --> 00:32:25,600 Speaker 3: though it's not considered part of the sexual anatomy on 593 00:32:25,720 --> 00:32:29,880 Speaker 3: the body. Here this is on her left breast. There 594 00:32:29,960 --> 00:32:33,520 Speaker 3: is no question right this is a sexually motivated crime. 595 00:32:33,920 --> 00:32:38,120 Speaker 2: Now, let me ask you, could anything else have made 596 00:32:38,280 --> 00:32:40,800 Speaker 2: this marking other than teeth? 597 00:32:40,840 --> 00:32:41,200 Speaker 1: Marks. 598 00:32:41,320 --> 00:32:43,120 Speaker 2: If you were just handed this photo and don't know 599 00:32:43,160 --> 00:32:46,080 Speaker 2: anything about the case, would you assume this is anything 600 00:32:46,160 --> 00:32:47,280 Speaker 2: but teeth marks? 601 00:32:47,880 --> 00:32:50,480 Speaker 3: No? In fact, you know, this photo is a little 602 00:32:50,480 --> 00:32:54,360 Speaker 3: bit grainy. You know, the resolution is relatively poor. But 603 00:32:54,880 --> 00:32:58,080 Speaker 3: with what I can see of this mark, I couldn't 604 00:32:58,120 --> 00:33:01,400 Speaker 3: even conclude that this mark was a It is what 605 00:33:01,480 --> 00:33:07,200 Speaker 3: I described as just a large, somewhat circular contusion that 606 00:33:07,280 --> 00:33:09,800 Speaker 3: has some darker areas in it. I would need to 607 00:33:09,800 --> 00:33:12,080 Speaker 3: see a better photo to see if I could see 608 00:33:12,680 --> 00:33:16,040 Speaker 3: distinct teeth marks. And I see where you're scrolling to. 609 00:33:16,160 --> 00:33:19,560 Speaker 3: Now there's a sorry, faul different photo here? 610 00:33:19,960 --> 00:33:20,800 Speaker 1: Is this any better? 611 00:33:20,920 --> 00:33:24,640 Speaker 2: So it's the note says the right breast has been enlarged, 612 00:33:25,080 --> 00:33:28,840 Speaker 2: showing clearly the ring marks A and E and Brasians 613 00:33:28,920 --> 00:33:31,920 Speaker 2: see the guidelines for the orientation of the bite marker shown. 614 00:33:32,200 --> 00:33:34,520 Speaker 1: So is that really teeth right there? Is that what 615 00:33:34,640 --> 00:33:35,600 Speaker 1: they're trying to show you? 616 00:33:36,080 --> 00:33:39,000 Speaker 3: Well? With what I am seeing, And again, you know, 617 00:33:39,120 --> 00:33:42,680 Speaker 3: just for the listeners, this is a clearer photo that 618 00:33:42,920 --> 00:33:46,680 Speaker 3: the previous photo was really showing a lot of the 619 00:33:47,120 --> 00:33:51,320 Speaker 3: you know, undersurface type of bruising that was obscuring the 620 00:33:51,360 --> 00:33:55,320 Speaker 3: surface marks to the skin. Now what I am looking 621 00:33:55,360 --> 00:33:59,200 Speaker 3: at is, in essence, around the outer part of this 622 00:33:59,360 --> 00:34:04,560 Speaker 3: circle are five what I will describe as punk tate injuries, 623 00:34:05,520 --> 00:34:08,640 Speaker 3: as if the tip of a pencil had been pushed 624 00:34:08,640 --> 00:34:12,760 Speaker 3: in at each five of these points. And they've labeled 625 00:34:12,960 --> 00:34:16,680 Speaker 3: these five A, B, C, D, and E. C is 626 00:34:16,719 --> 00:34:19,920 Speaker 3: the most significant in terms of the amount of damage 627 00:34:19,920 --> 00:34:23,760 Speaker 3: it's done to the skin. And then inside these five 628 00:34:24,000 --> 00:34:28,920 Speaker 3: punk tate marks, that's where there appears to be some bruising. 629 00:34:29,600 --> 00:34:33,279 Speaker 3: And they mentioned that there is a suction like a 630 00:34:33,360 --> 00:34:37,480 Speaker 3: Hickey type of formation that's occurring in the center of this. 631 00:34:37,640 --> 00:34:41,839 Speaker 3: I can't conclude that based on this photo. However, at 632 00:34:41,840 --> 00:34:45,319 Speaker 3: this point, with what I am seeing, this does not 633 00:34:45,480 --> 00:34:50,919 Speaker 3: look like a traditional bite mark. There is something unusual 634 00:34:51,080 --> 00:34:55,439 Speaker 3: about it, with the distribution of these five punk tate 635 00:34:55,960 --> 00:34:59,560 Speaker 3: marks on the outside. So now this is where I 636 00:34:59,600 --> 00:35:03,840 Speaker 3: need to see if they are comparing this mark to 637 00:35:04,000 --> 00:35:08,680 Speaker 3: somebody's teeth. Yep, I need to see that before I 638 00:35:08,719 --> 00:35:10,960 Speaker 3: would say that this is a bite mark. 639 00:35:11,200 --> 00:35:13,800 Speaker 2: And you will, but let me give you some background first. Okay, 640 00:35:14,080 --> 00:35:16,520 Speaker 2: we have some great photos. I think great photoscures. What 641 00:35:16,640 --> 00:35:18,680 Speaker 2: I think is great, you think is like that? It's okay, 642 00:35:19,440 --> 00:35:21,440 Speaker 2: I'm just happy to have photos and not have some 643 00:35:21,560 --> 00:35:23,560 Speaker 2: rough sketch from the eighteen hundreds. 644 00:35:23,800 --> 00:35:25,879 Speaker 3: I'm happy that you got photos too, even though they're 645 00:35:25,920 --> 00:35:28,600 Speaker 3: not great photos. I can at least see what they're 646 00:35:28,600 --> 00:35:31,320 Speaker 3: talking about and how they're concluding what they conclude. 647 00:35:32,320 --> 00:35:37,239 Speaker 2: So we've got Linda Peacock, who is now the autopsy 648 00:35:37,280 --> 00:35:41,160 Speaker 2: has been completed, the police are gathering evidence, and her 649 00:35:41,320 --> 00:35:44,600 Speaker 2: family within a few days buries her in just a 650 00:35:44,640 --> 00:35:47,960 Speaker 2: sad footnote in the very same graveyard. Oh wow, or 651 00:35:48,000 --> 00:35:50,120 Speaker 2: she had been killed. It must have been the only option, 652 00:35:50,239 --> 00:35:50,720 Speaker 2: I guess. 653 00:35:50,800 --> 00:35:52,280 Speaker 1: I don't know. Boy, how terrible. 654 00:35:52,600 --> 00:35:54,200 Speaker 3: Yeah, I don't like that at all. 655 00:35:54,520 --> 00:35:54,600 Speaker 2: No. 656 00:35:55,000 --> 00:35:58,359 Speaker 3: I wonder where her grave is relative to where her 657 00:35:58,400 --> 00:35:59,560 Speaker 3: body was found. 658 00:36:00,360 --> 00:36:03,279 Speaker 2: And I wonder if there's a bigger graveyard, you know, 659 00:36:03,360 --> 00:36:06,719 Speaker 2: that we don't see. But boy, it looks pretty isolated 660 00:36:06,760 --> 00:36:10,200 Speaker 2: and it doesn't look very big. So now the police 661 00:36:10,560 --> 00:36:13,000 Speaker 2: are under pressure, of course, because you've got a small 662 00:36:13,080 --> 00:36:17,120 Speaker 2: town and everybody is under stress, and they want answers. 663 00:36:17,640 --> 00:36:19,600 Speaker 2: And as I said, two to three thousand people and 664 00:36:19,640 --> 00:36:24,240 Speaker 2: bigger normally. But when she's killed, which is a Saturday, 665 00:36:24,320 --> 00:36:29,000 Speaker 2: August fifth, there has been a traveling fair that stopped 666 00:36:29,000 --> 00:36:33,680 Speaker 2: in I know the damn traveling fairs who double the population. 667 00:36:35,160 --> 00:36:39,719 Speaker 2: So the police interview everybody. So they interviewed around three 668 00:36:39,760 --> 00:36:44,200 Speaker 2: thousand people between bigger and the people who came in 669 00:36:44,239 --> 00:36:47,680 Speaker 2: this traveling fair. So they've got their list down to 670 00:36:47,719 --> 00:36:50,840 Speaker 2: about twenty nine people, and they start taking the dental 671 00:36:50,960 --> 00:36:54,160 Speaker 2: pressions of these twenty nine people. And almost all of 672 00:36:54,200 --> 00:36:58,319 Speaker 2: the twenty nine people are students at a school that 673 00:36:58,440 --> 00:37:01,080 Speaker 2: is a boarding school for teen offenders. 674 00:37:01,280 --> 00:37:05,160 Speaker 3: Okay, So now they've got a large percentage of these 675 00:37:05,239 --> 00:37:08,440 Speaker 3: remaining twenty nine that are coming from this one facility. 676 00:37:09,600 --> 00:37:13,400 Speaker 3: Do they narrow down onto a particular person? 677 00:37:14,080 --> 00:37:17,359 Speaker 2: They do, So there is a student at the Loaningdale 678 00:37:17,480 --> 00:37:19,520 Speaker 2: School named Gordon Hay. 679 00:37:19,920 --> 00:37:20,880 Speaker 1: He is seventeen. 680 00:37:21,280 --> 00:37:24,279 Speaker 2: And you know, they have looked at the faculty in 681 00:37:24,360 --> 00:37:26,239 Speaker 2: this place, and by the way, it's a minute and 682 00:37:26,239 --> 00:37:29,480 Speaker 2: a half walk from the cemetery. Okay, So they've taken 683 00:37:29,520 --> 00:37:32,160 Speaker 2: the impressions from the faculty and the students. They were 684 00:37:32,200 --> 00:37:36,560 Speaker 2: examined by experts, cast into molds, and very quickly, you know, 685 00:37:36,680 --> 00:37:42,399 Speaker 2: these impressions were eliminated everybody except seventeen year old Gordon Hay. 686 00:37:42,840 --> 00:37:45,200 Speaker 1: So here's the description before I tell you more about 687 00:37:45,239 --> 00:37:45,799 Speaker 1: Gordon Hay. 688 00:37:46,320 --> 00:37:50,759 Speaker 2: His teeth had pits in the upper and lower canines, 689 00:37:51,280 --> 00:37:55,720 Speaker 2: which analysts believe could have caused that weird ring shape. 690 00:37:56,160 --> 00:38:00,719 Speaker 2: He also had a fractured upper left central and a 691 00:38:00,719 --> 00:38:04,880 Speaker 2: few distinctive cavities, which they think might have caused this 692 00:38:04,960 --> 00:38:06,160 Speaker 2: bruising that we saw. 693 00:38:06,480 --> 00:38:08,520 Speaker 1: And I have photos of his teeth. 694 00:38:08,840 --> 00:38:12,080 Speaker 3: All right, I'm already very skeptical, but let's go ahead 695 00:38:12,120 --> 00:38:14,640 Speaker 3: and let's take a look at his teeth. 696 00:38:15,080 --> 00:38:18,680 Speaker 2: Okay, So I am unfamiliar with teeth in the order 697 00:38:18,719 --> 00:38:20,160 Speaker 2: of things, I'm going to give you just a wide 698 00:38:20,200 --> 00:38:22,680 Speaker 2: real quick and then they have closeups of the upper 699 00:38:22,719 --> 00:38:25,880 Speaker 2: and the lower. So this figure sixteen says, shows model 700 00:38:26,000 --> 00:38:30,680 Speaker 2: of Hay's teeth on a dentitist articulator, and I also 701 00:38:30,719 --> 00:38:32,960 Speaker 2: have his actual teeth. But this is what they're saying 702 00:38:33,000 --> 00:38:34,240 Speaker 2: it looks like from this angle. 703 00:38:34,719 --> 00:38:37,480 Speaker 3: So I'm yeah, I'm looking at basically this cast of 704 00:38:37,520 --> 00:38:41,640 Speaker 3: Gordon's front teeth in essence, as if he were standing 705 00:38:41,719 --> 00:38:43,719 Speaker 3: in front of me, and I'm seeing the left side 706 00:38:43,719 --> 00:38:47,200 Speaker 3: of his mouth. It looks like he's missing a tooth 707 00:38:47,680 --> 00:38:51,680 Speaker 3: on the left side lower jaw towards the front. However, 708 00:38:52,080 --> 00:38:55,680 Speaker 3: he does have all his teeth with the exception. In fact, 709 00:38:56,000 --> 00:38:57,880 Speaker 3: on the left and right side of his mouth, now 710 00:38:57,880 --> 00:39:00,320 Speaker 3: that you scroll down, I'm seeing that he has a gap. 711 00:39:00,600 --> 00:39:05,600 Speaker 3: So in essence, it appears that the front on his 712 00:39:05,719 --> 00:39:10,839 Speaker 3: lower jaw, the six front teeth are all present. And 713 00:39:10,880 --> 00:39:13,799 Speaker 3: then both on the right and left side of his 714 00:39:13,880 --> 00:39:18,839 Speaker 3: lower jaw he has the same gap, like the teeth 715 00:39:18,960 --> 00:39:22,560 Speaker 3: that just didn't grow in. And then his lower jaw 716 00:39:22,600 --> 00:39:25,160 Speaker 3: teeth appear to be, you know, starting up again, and 717 00:39:25,200 --> 00:39:29,840 Speaker 3: then he has all his upper teeth. His dentition is unusual, however, 718 00:39:30,200 --> 00:39:33,440 Speaker 3: he has in most of his teeth even though you 719 00:39:33,480 --> 00:39:36,880 Speaker 3: know they're they're not in great shape. And if he 720 00:39:36,960 --> 00:39:40,840 Speaker 3: were to bite down on skin to the point of 721 00:39:40,960 --> 00:39:44,759 Speaker 3: leaving a mark, I would expect that these teeth that 722 00:39:44,800 --> 00:39:50,279 Speaker 3: are present would be leaving marks in that skin. And 723 00:39:50,320 --> 00:39:53,799 Speaker 3: I'm not seeing that in her injury. You know, the 724 00:39:53,840 --> 00:39:57,239 Speaker 3: fact that he has some cavities or these gaps in 725 00:39:57,280 --> 00:40:01,320 Speaker 3: his lower jaw means nothing when you start talking about 726 00:40:01,320 --> 00:40:05,080 Speaker 3: a bite mark is what is interacting, you know, with 727 00:40:05,120 --> 00:40:07,680 Speaker 3: the skin, and it's the teeth who cares if these 728 00:40:07,760 --> 00:40:10,920 Speaker 3: there's cavities in there, and his teeth are going to 729 00:40:10,920 --> 00:40:14,200 Speaker 3: be leaving the marks and in the photos, at least 730 00:40:14,280 --> 00:40:17,480 Speaker 3: with the quality that they were taking. I am not 731 00:40:17,840 --> 00:40:21,960 Speaker 3: seeing the teeth marks that I typically see in bite marks. 732 00:40:22,280 --> 00:40:23,560 Speaker 1: Well, let me ask you this. 733 00:40:24,280 --> 00:40:27,719 Speaker 2: We might assume that he left these after she was 734 00:40:27,800 --> 00:40:31,239 Speaker 2: already dead and she's lying still, But doesn't it seem 735 00:40:31,280 --> 00:40:33,680 Speaker 2: to you a little more likely that whoever killed her 736 00:40:33,719 --> 00:40:36,400 Speaker 2: did this while she was still alive she's moving. Is 737 00:40:36,440 --> 00:40:39,600 Speaker 2: there a way to get an accurate picture of someone's 738 00:40:39,640 --> 00:40:42,320 Speaker 2: teeth on flesh if the victim is moving around? 739 00:40:42,680 --> 00:40:45,000 Speaker 3: This is really part of the problem when we get 740 00:40:45,000 --> 00:40:49,040 Speaker 3: into forensic oot ontology and bite mark analysis is it's 741 00:40:49,120 --> 00:40:53,720 Speaker 3: the substrate in which the bite mark is left. Skin 742 00:40:54,360 --> 00:40:58,640 Speaker 3: generally is really a very poor surface to record bite 743 00:40:58,680 --> 00:41:02,720 Speaker 3: marks and see you know, some of the individual teeth 744 00:41:02,800 --> 00:41:06,359 Speaker 3: marks in the bite mark itself, and of course, if 745 00:41:06,400 --> 00:41:11,040 Speaker 3: there is movement while the bite is being applied, oftentimes 746 00:41:11,080 --> 00:41:17,080 Speaker 3: the teeth will slide on the skin, upbraiding it. Odontologists historically, 747 00:41:17,719 --> 00:41:21,360 Speaker 3: you know, most of the bitemark analysis is usually on skin, 748 00:41:21,840 --> 00:41:24,719 Speaker 3: which is a soft tissue, and depending on where on 749 00:41:24,760 --> 00:41:29,360 Speaker 3: the body it is, there's a lot of pliability, especially 750 00:41:29,400 --> 00:41:34,560 Speaker 3: on the breasts, and oftentimes there's so much distortion that 751 00:41:34,600 --> 00:41:39,360 Speaker 3: these odontologists that have favorably compared a let's say, suspects 752 00:41:39,480 --> 00:41:44,880 Speaker 3: teeth to the bitemark evidence, they often have overreached in 753 00:41:44,920 --> 00:41:49,480 Speaker 3: their analysis. And now I'm I'm looking at the photo 754 00:41:49,800 --> 00:41:52,280 Speaker 3: that you presented of this mark on her left breast, 755 00:41:52,400 --> 00:41:54,719 Speaker 3: and I question if it's even a bite mark. With 756 00:41:54,760 --> 00:41:56,440 Speaker 3: what I am able to see. 757 00:41:56,520 --> 00:41:57,000 Speaker 1: I agree. 758 00:41:57,120 --> 00:41:59,520 Speaker 2: Now let me do my due diligence here and show 759 00:41:59,520 --> 00:42:02,040 Speaker 2: you the rest of these molds and his teeth, just 760 00:42:02,120 --> 00:42:03,600 Speaker 2: so that I can say I showed him to you. 761 00:42:04,000 --> 00:42:07,680 Speaker 2: But everything that you say makes sense in everything that 762 00:42:07,800 --> 00:42:11,200 Speaker 2: I have researched for the books that I've written. These 763 00:42:11,200 --> 00:42:13,640 Speaker 2: are more models. I mean, this is a different point 764 00:42:13,640 --> 00:42:16,160 Speaker 2: of view of something you've already seen before. And then 765 00:42:16,160 --> 00:42:19,200 Speaker 2: we have his photos of his actual teeth. I don't 766 00:42:19,200 --> 00:42:21,279 Speaker 2: know if this is telling you anything new or not. 767 00:42:21,400 --> 00:42:24,560 Speaker 2: It really comes down to the sample that you're given 768 00:42:24,840 --> 00:42:27,680 Speaker 2: is not. I don't think there's any way to determine 769 00:42:27,680 --> 00:42:29,680 Speaker 2: whether or not this was actually a bite mark. And 770 00:42:29,719 --> 00:42:31,200 Speaker 2: we can go back up and look at it again 771 00:42:31,239 --> 00:42:31,759 Speaker 2: if you'd like. 772 00:42:32,080 --> 00:42:35,200 Speaker 3: With the photos that I'm looking at at Gordon's dentition 773 00:42:35,360 --> 00:42:38,359 Speaker 3: and his teeth, you know, for me, what is significant 774 00:42:38,760 --> 00:42:43,120 Speaker 3: is is that he does have in essence, most of 775 00:42:43,120 --> 00:42:46,680 Speaker 3: his teeth. And with what I am seeing in that 776 00:42:46,760 --> 00:42:51,560 Speaker 3: photo of those five punk Tate marks, it almost looks 777 00:42:51,640 --> 00:42:54,080 Speaker 3: like if you were to draw a line linking from 778 00:42:54,200 --> 00:42:56,520 Speaker 3: punk Tate mark A to B, two C to D 779 00:42:56,640 --> 00:43:00,600 Speaker 3: to E, it looks like it's almost a perfect pentagon. 780 00:43:00,920 --> 00:43:01,240 Speaker 1: Yeah. 781 00:43:01,280 --> 00:43:04,800 Speaker 3: So this is where I really if this is truly 782 00:43:04,880 --> 00:43:08,239 Speaker 3: a bite mark, I really struggle to where they could 783 00:43:08,320 --> 00:43:13,760 Speaker 3: effect any type of comparison from this to anybody's mouth. 784 00:43:14,280 --> 00:43:17,200 Speaker 2: Boy, they did, they did, They said conclusively he's the 785 00:43:17,200 --> 00:43:20,880 Speaker 2: one who did it. He is arrested on November twenty fourth, 786 00:43:20,960 --> 00:43:23,959 Speaker 2: nineteen sixty seven, so this was three or four months 787 00:43:24,000 --> 00:43:26,680 Speaker 2: after this happened. So let me tell you a little 788 00:43:26,719 --> 00:43:28,800 Speaker 2: bit about Gordon, because I know we've said this is 789 00:43:28,840 --> 00:43:31,200 Speaker 2: shaky evidence, but he still might have been our guy, 790 00:43:31,960 --> 00:43:34,319 Speaker 2: just because they can't pin it on him. 791 00:43:34,600 --> 00:43:37,400 Speaker 1: There's a lot about Gordon Hay to unpack. 792 00:43:37,960 --> 00:43:40,640 Speaker 2: So he was born in nineteen fifty, so he is 793 00:43:40,680 --> 00:43:44,640 Speaker 2: a couple of years older than Linda is, and he 794 00:43:44,880 --> 00:43:48,759 Speaker 2: was athletic. He played soccer, but he always had problems academically. 795 00:43:48,920 --> 00:43:50,640 Speaker 1: He didn't have a lot of close friends. 796 00:43:51,480 --> 00:43:54,360 Speaker 2: His dad died when he was about sixteen years old 797 00:43:54,440 --> 00:43:56,920 Speaker 2: and he started hanging out with a typical bad crowd, 798 00:43:57,000 --> 00:44:00,839 Speaker 2: getting in a lot of trouble but nothing. He had 799 00:44:00,880 --> 00:44:05,000 Speaker 2: behavioral issues where he was I love this, the unlawful 800 00:44:05,080 --> 00:44:11,160 Speaker 2: removal of vehicles. 801 00:44:09,000 --> 00:44:10,719 Speaker 1: And then he broke into a factory. 802 00:44:11,040 --> 00:44:12,000 Speaker 3: He stole vehicles. 803 00:44:13,080 --> 00:44:15,680 Speaker 2: No unlawful removal of vehicles, and then he broke into 804 00:44:15,719 --> 00:44:16,280 Speaker 2: a factory. 805 00:44:16,400 --> 00:44:18,040 Speaker 1: And that's how he went to Loadingdale. 806 00:44:18,040 --> 00:44:21,600 Speaker 2: That's how he landed in this reformatory in January of 807 00:44:21,640 --> 00:44:22,640 Speaker 2: nineteen sixty seven. 808 00:44:23,080 --> 00:44:25,160 Speaker 1: Loaningdale did nothing to rehab him. 809 00:44:25,760 --> 00:44:29,080 Speaker 2: And it doesn't seem like he was violent when he 810 00:44:29,160 --> 00:44:32,359 Speaker 2: was there, but he wasn't content, that's for sure. So 811 00:44:32,440 --> 00:44:37,560 Speaker 2: he has this history of behavioral issues, but nothing violent. However, 812 00:44:37,760 --> 00:44:40,600 Speaker 2: a couple of things did happen a few days before 813 00:44:40,640 --> 00:44:44,719 Speaker 2: Linda's murder. The headmaster decided that Gordon needed to go. 814 00:44:45,280 --> 00:44:50,279 Speaker 2: They could not handle whatever his erratic behavior was. We 815 00:44:50,320 --> 00:44:52,480 Speaker 2: don't really know what it was. We know it wasn't violent, 816 00:44:52,680 --> 00:44:54,359 Speaker 2: but he just did not seem to be a good 817 00:44:54,360 --> 00:44:56,200 Speaker 2: fit for their particular school. 818 00:44:56,560 --> 00:44:58,399 Speaker 1: So he was going to be transferred. 819 00:44:58,840 --> 00:45:02,400 Speaker 2: Is that a potential trick for someone if he wants 820 00:45:02,440 --> 00:45:03,960 Speaker 2: to stay at the school and he wants to be 821 00:45:04,000 --> 00:45:04,840 Speaker 2: in this area. 822 00:45:05,239 --> 00:45:07,239 Speaker 1: He doesn't have a level of. 823 00:45:07,239 --> 00:45:10,120 Speaker 2: Violence in his past that we would think would lead 824 00:45:10,200 --> 00:45:13,439 Speaker 2: him to this, But oftentimes killers don't have a level 825 00:45:13,440 --> 00:45:16,160 Speaker 2: of violence that would lead to their first murder. 826 00:45:16,760 --> 00:45:20,759 Speaker 3: So Gordon, the reason he's landing at this home or 827 00:45:20,800 --> 00:45:25,040 Speaker 3: this facility is because of criminal behavior. Now it's property crimes. 828 00:45:25,280 --> 00:45:28,480 Speaker 3: You know, he's stealing cars, he's he broke into a facility. 829 00:45:29,280 --> 00:45:32,640 Speaker 3: I mean, he's showing a propensity to go outside of 830 00:45:32,880 --> 00:45:38,000 Speaker 3: social boundaries. Now here you have a scenario in which 831 00:45:38,040 --> 00:45:41,560 Speaker 3: a fifteen year old girl has been isolated out at 832 00:45:41,600 --> 00:45:45,600 Speaker 3: the cemetery. There's nothing about Gordon's past that would be 833 00:45:45,640 --> 00:45:49,040 Speaker 3: predictive that he would escalate to commit to this type 834 00:45:49,040 --> 00:45:52,879 Speaker 3: of crime, but also doesn't mean that he couldn't. So 835 00:45:53,200 --> 00:45:58,920 Speaker 3: there are behaviors that some offenders exhibit in terms of 836 00:45:58,960 --> 00:46:02,640 Speaker 3: the types of fantasy material that they draw. I'm a 837 00:46:02,680 --> 00:46:06,640 Speaker 3: big proponent of anybody that is doing the animal abuse, 838 00:46:06,880 --> 00:46:09,120 Speaker 3: you know, whether it be torture or killing of animals 839 00:46:09,520 --> 00:46:13,200 Speaker 3: that is on the spectrum of violence that really predicts 840 00:46:13,200 --> 00:46:16,359 Speaker 3: that that person is going to hurt a person if 841 00:46:16,400 --> 00:46:19,480 Speaker 3: they do that type of thing to animals. As of 842 00:46:19,560 --> 00:46:22,440 Speaker 3: right now, we don't have any information indicating that Gordon 843 00:46:22,600 --> 00:46:27,160 Speaker 3: was exhibiting that level of behavior. However, he most certainly 844 00:46:27,360 --> 00:46:31,120 Speaker 3: could be capable of. You know, here's a woman that 845 00:46:31,560 --> 00:46:35,640 Speaker 3: is isolated, victim of opportunity. The interesting thing is is 846 00:46:35,640 --> 00:46:40,600 Speaker 3: the offender who killed Linda brought binding material with him. 847 00:46:40,719 --> 00:46:43,279 Speaker 3: Would this be normally something the offender would have on 848 00:46:43,320 --> 00:46:47,480 Speaker 3: their person or was this a planned attack. This offender 849 00:46:47,680 --> 00:46:51,480 Speaker 3: either knew that a woman would be coming through that 850 00:46:51,560 --> 00:46:56,040 Speaker 3: location that night and brought the binding material with him, 851 00:46:56,640 --> 00:47:00,680 Speaker 3: or he's out on the prow and was going to 852 00:47:00,760 --> 00:47:03,600 Speaker 3: find a victim that night and was prepared with the 853 00:47:03,640 --> 00:47:04,560 Speaker 3: binding material. 854 00:47:04,960 --> 00:47:08,080 Speaker 2: Two odd things about Gordon that play into what you're 855 00:47:08,120 --> 00:47:12,200 Speaker 2: talking about. One is he had almost no friends at school, 856 00:47:12,200 --> 00:47:14,960 Speaker 2: but he was really close friends with his roommate. His 857 00:47:15,160 --> 00:47:20,160 Speaker 2: roommate liked to play tricks like rope tricks, including Cat's cradle, 858 00:47:20,200 --> 00:47:22,479 Speaker 2: which I did not do well as a child learning 859 00:47:22,520 --> 00:47:23,920 Speaker 2: how to do the cat's cradle, but you know a 860 00:47:23,920 --> 00:47:26,800 Speaker 2: lot of like kind of string rope tricks. The roommate 861 00:47:26,840 --> 00:47:30,480 Speaker 2: says that Gordon became obsessed like a child with playing 862 00:47:30,560 --> 00:47:34,120 Speaker 2: with this string and different kinds of ropes, making different 863 00:47:34,200 --> 00:47:38,040 Speaker 2: kinds of knots. And I'm sure you're profiling propensity has 864 00:47:38,160 --> 00:47:40,680 Speaker 2: just really become excited by this. Does this seem does 865 00:47:40,680 --> 00:47:41,440 Speaker 2: this mean anything? 866 00:47:41,920 --> 00:47:44,280 Speaker 3: Not? Without more details, you know, kind of the first 867 00:47:44,280 --> 00:47:46,960 Speaker 3: thing I'm I'm thinking about is if he's in the 868 00:47:47,000 --> 00:47:50,520 Speaker 3: facility and he has binding material, is it the same 869 00:47:50,560 --> 00:47:52,800 Speaker 3: binding material that is found at the crime scene. 870 00:47:53,400 --> 00:47:55,840 Speaker 2: Well, I'll tell you in a minute. So we've got 871 00:47:56,320 --> 00:47:59,200 Speaker 2: some odd things that happened. And this is just sort 872 00:47:59,200 --> 00:48:02,920 Speaker 2: of the sequence of a where Gordon, in his interaction 873 00:48:03,040 --> 00:48:05,200 Speaker 2: with this case starts is the day before the murder, 874 00:48:05,800 --> 00:48:10,000 Speaker 2: So Gordon had crossed paths with Linda Peacock. He had 875 00:48:10,040 --> 00:48:13,279 Speaker 2: gone with a friend from school to meet Linda and 876 00:48:13,360 --> 00:48:16,640 Speaker 2: her friend. They did not know each other. They interacted 877 00:48:16,840 --> 00:48:19,640 Speaker 2: for less than a minute. It was not a blind date, 878 00:48:19,760 --> 00:48:22,520 Speaker 2: it was not anything. It was just really kind of 879 00:48:22,560 --> 00:48:25,680 Speaker 2: just to say hi, and that was it. The friend said, 880 00:48:25,760 --> 00:48:29,440 Speaker 2: it was literally less than a minute. But nonetheless, Gordon 881 00:48:29,640 --> 00:48:32,759 Speaker 2: told his friend that he would like to have sex 882 00:48:32,800 --> 00:48:33,320 Speaker 2: with Linda. 883 00:48:33,800 --> 00:48:34,760 Speaker 1: And this is the night before. 884 00:48:35,920 --> 00:48:41,120 Speaker 3: Well, this is now putting Gordon within Linda's social circle, 885 00:48:41,200 --> 00:48:44,839 Speaker 3: if you will. So if these two are the two 886 00:48:44,880 --> 00:48:49,080 Speaker 3: shadowy figures, in the cemetery that witnesses saw. This is 887 00:48:49,560 --> 00:48:52,680 Speaker 3: that prior interaction is something that Gordon could have taken 888 00:48:52,719 --> 00:48:56,479 Speaker 3: advantage of in order to be able to be less 889 00:48:56,520 --> 00:48:59,160 Speaker 3: threatening to Linda while standing out there in the dark 890 00:48:59,200 --> 00:49:02,160 Speaker 3: at the cemetery. The fact that he's making a statement 891 00:49:02,200 --> 00:49:05,000 Speaker 3: to his friend, I want to have sex with her, yeah, 892 00:49:05,280 --> 00:49:07,680 Speaker 3: tends to suggest that if he's the one out there 893 00:49:07,680 --> 00:49:12,080 Speaker 3: in the cemetery, he's probably interacting with her in a 894 00:49:12,160 --> 00:49:15,600 Speaker 3: way where he's expressing I want to have sex, and 895 00:49:15,600 --> 00:49:19,279 Speaker 3: that may be hey, I like you, attempting a consensual 896 00:49:19,400 --> 00:49:23,600 Speaker 3: type of interaction, and then she turns him down and 897 00:49:23,719 --> 00:49:27,799 Speaker 3: he becomes violent. That would be within a scenario that 898 00:49:27,840 --> 00:49:29,040 Speaker 3: I see as plausible. 899 00:49:29,560 --> 00:49:32,040 Speaker 2: So let me tell you some more details just about 900 00:49:32,080 --> 00:49:35,520 Speaker 2: what happened that night. People had seen Gordon that night 901 00:49:35,840 --> 00:49:39,359 Speaker 2: around nine point forty at the school's dining room, and 902 00:49:39,719 --> 00:49:41,879 Speaker 2: after about nine forty five, he put on his night 903 00:49:41,920 --> 00:49:43,919 Speaker 2: clothes and said he was going to go to bed, 904 00:49:44,640 --> 00:49:48,520 Speaker 2: but his roommate wasn't around, and there weren't any other 905 00:49:48,560 --> 00:49:52,520 Speaker 2: witnesses who could say where he was, so he disappears 906 00:49:53,200 --> 00:49:56,920 Speaker 2: and when he comes back around ten twenty, So this 907 00:49:57,040 --> 00:49:59,560 Speaker 2: is maybe ten twenty five. This is slightly after the 908 00:49:59,560 --> 00:50:03,480 Speaker 2: time people hear the screams. He comes back. His roommate 909 00:50:03,520 --> 00:50:06,680 Speaker 2: says that he looks like he's been gardening. He's covered 910 00:50:06,800 --> 00:50:10,279 Speaker 2: in dirt. He was wearing normal clothes, not the pajamas 911 00:50:10,280 --> 00:50:12,560 Speaker 2: he had been wearing when people had seen him before. 912 00:50:12,840 --> 00:50:16,520 Speaker 2: There is a significant thing that the roommate is alarmed by. 913 00:50:16,800 --> 00:50:20,000 Speaker 2: The roommate had picked up on a trip to the 914 00:50:20,040 --> 00:50:23,759 Speaker 2: beach a large boat hook, very big, about a foot 915 00:50:23,760 --> 00:50:27,160 Speaker 2: in length, and the roommate had kept it in his wardrobe. 916 00:50:27,640 --> 00:50:31,160 Speaker 2: That night, the roommate noticed the boat hook was gone. 917 00:50:31,520 --> 00:50:35,000 Speaker 2: The next morning, the boat hook reappeared. And of course 918 00:50:35,080 --> 00:50:38,360 Speaker 2: the police are suggesting that he used this boat hook 919 00:50:38,480 --> 00:50:41,239 Speaker 2: to stun Linda and then strangle her. 920 00:50:41,600 --> 00:50:47,560 Speaker 3: Okay, obviously there's suspicious circumstances around Gordon, yep. And now 921 00:50:47,640 --> 00:50:51,399 Speaker 3: it's a matter of closing the loop on him as 922 00:50:51,440 --> 00:50:56,000 Speaker 3: a suspect. If he is taking this boat hook and 923 00:50:56,160 --> 00:50:59,240 Speaker 3: using it on Linda to inflict blows that drew blood, 924 00:50:59,320 --> 00:51:02,520 Speaker 3: and these are blows to her head, there's a possibility 925 00:51:02,560 --> 00:51:06,240 Speaker 3: that this boat hook has her hair or possible blood 926 00:51:06,600 --> 00:51:09,279 Speaker 3: on it, whether he cleaned it up or not. You know, 927 00:51:09,360 --> 00:51:13,160 Speaker 3: that's always a possibility. But also they say, well, it 928 00:51:13,160 --> 00:51:15,360 Speaker 3: look like you've been out gardening. Well, that is entirely 929 00:51:15,440 --> 00:51:19,279 Speaker 3: consistent with Now the offender is interacting with Linda, is 930 00:51:19,320 --> 00:51:22,040 Speaker 3: on the ground with Linda in this graveyard. You have 931 00:51:22,160 --> 00:51:24,480 Speaker 3: that tree in which I had made the prior observation. 932 00:51:24,560 --> 00:51:27,880 Speaker 3: Appears that the tree is dropping debris. So this is 933 00:51:27,920 --> 00:51:31,759 Speaker 3: physical evidence now that can possibly be used to help 934 00:51:31,840 --> 00:51:35,560 Speaker 3: link him to that crime scene. Many people overlook an 935 00:51:35,640 --> 00:51:39,400 Speaker 3: aspect of crime scene processing is you're always looking for 936 00:51:39,480 --> 00:51:41,600 Speaker 3: evidence of the offender present at the scene. You know, 937 00:51:41,600 --> 00:51:45,440 Speaker 3: their fingerprints, their DNA, their shoe impressions at the crime scene. 938 00:51:45,680 --> 00:51:48,040 Speaker 3: But when that offender leaves the crime scene, he's taking 939 00:51:48,120 --> 00:51:51,160 Speaker 3: part of the crime scene with him. And so when 940 00:51:51,200 --> 00:51:54,400 Speaker 3: I'm processing a crime scene and the offender is unknown, 941 00:51:54,520 --> 00:51:57,279 Speaker 3: what I'm doing is I'm looking for what would the 942 00:51:57,320 --> 00:52:01,719 Speaker 3: offender have taken on his person, either knowingly or unknowingly, 943 00:52:01,760 --> 00:52:06,280 Speaker 3: And oftentimes it's trace evidence, carpet fibers, or in this case, 944 00:52:06,800 --> 00:52:10,000 Speaker 3: botanical material like the debris from that tree. So I'd 945 00:52:10,080 --> 00:52:13,960 Speaker 3: be collecting a sample of that debris from the tree. 946 00:52:14,520 --> 00:52:16,640 Speaker 3: And if we find an offender and it happens to 947 00:52:16,680 --> 00:52:20,000 Speaker 3: have similar botanical material. Now I want an expert to 948 00:52:20,120 --> 00:52:23,560 Speaker 3: tell me is this from the same source. So that 949 00:52:23,680 --> 00:52:26,719 Speaker 3: would be what I would expect the investigators to be 950 00:52:26,760 --> 00:52:29,080 Speaker 3: doing with Gordon. I know they're focusing in on this 951 00:52:29,160 --> 00:52:33,399 Speaker 3: bite mark, but some of this other evidence becomes very 952 00:52:33,480 --> 00:52:37,280 Speaker 3: when you start stacking it up, it becomes very compelling 953 00:52:37,360 --> 00:52:40,680 Speaker 3: that he is Linda's killer. Do they have that kind 954 00:52:40,680 --> 00:52:41,680 Speaker 3: of evidence. 955 00:52:41,760 --> 00:52:45,200 Speaker 2: Well, they do, but they don't have the technology just yet. 956 00:52:45,400 --> 00:52:47,719 Speaker 2: It doesn't seem like for them to be able to 957 00:52:48,040 --> 00:52:52,160 Speaker 2: make some conclusive ties between Gordon and Linda. 958 00:52:52,320 --> 00:52:54,680 Speaker 1: So this is what they have. They were looking for 959 00:52:54,719 --> 00:52:55,200 Speaker 1: the rope. 960 00:52:55,320 --> 00:52:57,400 Speaker 2: It is not the twine they are saying that you 961 00:52:57,440 --> 00:53:01,600 Speaker 2: and I had talked about. They found Gordon's robe. There 962 00:53:01,680 --> 00:53:04,719 Speaker 2: was a cord missing. Gordon said, I never use a 963 00:53:04,920 --> 00:53:08,879 Speaker 2: cord I know either incidentally in my robes. And they 964 00:53:09,120 --> 00:53:13,040 Speaker 2: looked in the schools incinerator and found a charred cord 965 00:53:13,239 --> 00:53:17,919 Speaker 2: which they believe was of the consistency that caused that 966 00:53:18,040 --> 00:53:22,000 Speaker 2: ligature mark. However, they couldn't say conclusively. There was a 967 00:53:22,040 --> 00:53:24,760 Speaker 2: small amount of blood on Gordon's boots and the legs 968 00:53:24,760 --> 00:53:25,480 Speaker 2: of his pants. 969 00:53:26,000 --> 00:53:28,400 Speaker 1: He says it was just some accident. He had. 970 00:53:28,560 --> 00:53:31,680 Speaker 2: With the technology they had, they couldn't prove anything. And 971 00:53:31,719 --> 00:53:36,680 Speaker 2: then the alibi is very odd. He is spotted at 972 00:53:36,800 --> 00:53:41,000 Speaker 2: Loaningdale around nine forty five. He was home for lights 973 00:53:41,000 --> 00:53:43,760 Speaker 2: out at ten thirty, which gives him forty five minutes 974 00:53:44,120 --> 00:53:47,840 Speaker 2: to murder an assault Linda at a location that's a 975 00:53:47,880 --> 00:53:49,520 Speaker 2: minute and a half away from his house. 976 00:53:49,600 --> 00:53:50,760 Speaker 1: So that's plenty of time. 977 00:53:50,840 --> 00:53:52,879 Speaker 2: But there was a lot of debate about the timeline 978 00:53:52,920 --> 00:53:55,160 Speaker 2: and then the boat hook. They weren't able to pull 979 00:53:55,200 --> 00:53:58,280 Speaker 2: anything from the boat hook. They had no blood or evidence. 980 00:53:58,320 --> 00:54:01,000 Speaker 2: It was wiped clean by that point, and in nineteen 981 00:54:01,040 --> 00:54:03,600 Speaker 2: sixty seven, there's very little they could have done. So 982 00:54:04,040 --> 00:54:06,319 Speaker 2: I think that they had the impressions that you had 983 00:54:06,360 --> 00:54:08,239 Speaker 2: about where they could go with the evidence, and they 984 00:54:08,280 --> 00:54:11,200 Speaker 2: just weren't able to pull together more so, they hinged 985 00:54:11,239 --> 00:54:12,440 Speaker 2: everything on these bite marks. 986 00:54:12,840 --> 00:54:16,439 Speaker 3: Okay, most certainly the association of the crime scene through 987 00:54:16,600 --> 00:54:19,960 Speaker 3: a botanical analysis was something they could have done. But 988 00:54:20,000 --> 00:54:23,360 Speaker 3: if they had gone to an academic professor, you know, 989 00:54:23,920 --> 00:54:26,399 Speaker 3: they may have had to go to a larger area 990 00:54:26,440 --> 00:54:28,640 Speaker 3: where there was a university of somebody that would be 991 00:54:28,680 --> 00:54:33,480 Speaker 3: able to identify any debris found on Gordon's clothing. You know, 992 00:54:33,520 --> 00:54:35,279 Speaker 3: and see if it is something that could have been 993 00:54:35,360 --> 00:54:38,279 Speaker 3: from the cemetery location, and then of course, well how 994 00:54:38,320 --> 00:54:41,840 Speaker 3: common is this that tree is is that a decorative 995 00:54:41,840 --> 00:54:44,360 Speaker 3: tree that would be unusual and it's not indigenous to 996 00:54:44,400 --> 00:54:46,960 Speaker 3: the area, or is it something that is everywhere? Then 997 00:54:47,200 --> 00:54:51,760 Speaker 3: it weakens the association the blood. You're right. In nineteen 998 00:54:51,800 --> 00:54:54,640 Speaker 3: sixty seven, the blood, they were limited with what they 999 00:54:54,680 --> 00:54:57,360 Speaker 3: could do with that in a blood staining. So this 1000 00:54:57,440 --> 00:55:00,400 Speaker 3: blood that's found on his clothing today would have be 1001 00:55:00,520 --> 00:55:03,200 Speaker 3: huge evidence. Yeah, you know, we would be able to 1002 00:55:03,239 --> 00:55:06,000 Speaker 3: do DNA and show this is Linda's blott and that 1003 00:55:06,360 --> 00:55:09,040 Speaker 3: right there would be very, very compelling that he is 1004 00:55:09,200 --> 00:55:12,680 Speaker 3: her killer. I'm still not hearing though, whether or not 1005 00:55:12,760 --> 00:55:15,760 Speaker 3: they found a source of this twine that was found 1006 00:55:15,800 --> 00:55:16,960 Speaker 3: hanging in the tree. 1007 00:55:17,280 --> 00:55:19,600 Speaker 2: Now it sounds like they thought that maybe he tried 1008 00:55:19,640 --> 00:55:21,960 Speaker 2: to bind her with it, but that it didn't work 1009 00:55:22,000 --> 00:55:24,080 Speaker 2: and they used something else. He used something else to 1010 00:55:24,120 --> 00:55:27,200 Speaker 2: strangle her, which would have been the cord from his pocket. 1011 00:55:27,880 --> 00:55:30,799 Speaker 2: He says, for his part, I've never met Linda. I 1012 00:55:30,840 --> 00:55:33,600 Speaker 2: have no idea who she is. I did not do this, 1013 00:55:34,160 --> 00:55:36,360 Speaker 2: and you know I have been home off and on. 1014 00:55:36,920 --> 00:55:39,839 Speaker 2: You know that whole night, and he really just denies it. 1015 00:55:40,400 --> 00:55:42,960 Speaker 2: So as weak as the evidence is that you and 1016 00:55:43,000 --> 00:55:45,719 Speaker 2: I think you know all of this DNA evidence, we 1017 00:55:45,800 --> 00:55:47,000 Speaker 2: lack all the things that we need. 1018 00:55:47,040 --> 00:55:48,360 Speaker 1: The bite mark really convinced a. 1019 00:55:48,400 --> 00:55:52,400 Speaker 2: Jury and they handed down a guilty verdict, and because 1020 00:55:52,400 --> 00:55:56,160 Speaker 2: he was under eighteen, he was ordered to be detained. 1021 00:55:56,360 --> 00:56:00,880 Speaker 2: It's called during Her Majesty's pleasure, which means that he 1022 00:56:01,040 --> 00:56:05,480 Speaker 2: was incarcerated indefinitely. He appealed, it was denied, and we 1023 00:56:05,600 --> 00:56:06,840 Speaker 2: don't know anything else. 1024 00:56:07,040 --> 00:56:09,680 Speaker 1: What happened to Gordon? Hey, no idea? What happened? 1025 00:56:09,960 --> 00:56:12,960 Speaker 3: Yeah? See, based on what you have told me, you 1026 00:56:12,960 --> 00:56:18,239 Speaker 3: know he's a suspect for sure. They're circumstances that are suspicious. 1027 00:56:18,960 --> 00:56:22,480 Speaker 3: I personally don't hear anything that is probable cause for 1028 00:56:22,600 --> 00:56:26,239 Speaker 3: even arrest the bite mark. As I mentioned before, with 1029 00:56:26,239 --> 00:56:29,319 Speaker 3: what I'm seeing, I can't determine that that's a bite mark. 1030 00:56:29,400 --> 00:56:35,719 Speaker 3: I think they overreached to compare Gordon positively to that bitemark. 1031 00:56:36,080 --> 00:56:39,879 Speaker 3: So I negate the bitemark evidence and I look at 1032 00:56:39,880 --> 00:56:42,359 Speaker 3: what they have and it's like, Yeah, he's suspicious. He's 1033 00:56:42,400 --> 00:56:45,720 Speaker 3: a suspect. They need to continue their investigation and build 1034 00:56:45,760 --> 00:56:48,680 Speaker 3: a case against him. He very well, maybe Linda's killer, 1035 00:56:49,480 --> 00:56:51,960 Speaker 3: but they don't have enough. And the fact that now 1036 00:56:52,040 --> 00:56:55,440 Speaker 3: that he's been convicted, this is just kind of underscores 1037 00:56:55,640 --> 00:57:01,000 Speaker 3: how easy it is to convict using very evidence. That's 1038 00:57:01,040 --> 00:57:05,080 Speaker 3: the scary part about any any justice system. And I'm 1039 00:57:05,120 --> 00:57:08,120 Speaker 3: not sure exactly what was in place in Scotland. Did 1040 00:57:08,160 --> 00:57:09,160 Speaker 3: you say that's a jury? 1041 00:57:09,360 --> 00:57:12,080 Speaker 2: It was a jury, yes, okay, And this was significant 1042 00:57:12,120 --> 00:57:13,719 Speaker 2: And one of the reasons why I picked this is 1043 00:57:13,760 --> 00:57:16,240 Speaker 2: because it was the first time at British court had 1044 00:57:16,280 --> 00:57:20,600 Speaker 2: convicted someone based almost entirely on bitemark evidence. 1045 00:57:21,040 --> 00:57:23,000 Speaker 1: Yeah, bad bite mark evidence. 1046 00:57:23,360 --> 00:57:26,440 Speaker 3: It really does underscore you know, sometimes you know, the 1047 00:57:26,520 --> 00:57:30,000 Speaker 3: term junk sciences is something that's bantered about, and sometimes 1048 00:57:30,040 --> 00:57:32,680 Speaker 3: I think that that term is misused by people who 1049 00:57:32,680 --> 00:57:36,480 Speaker 3: really don't understand how really there is solid scientific underpinnings 1050 00:57:36,480 --> 00:57:39,400 Speaker 3: for some of the forensic evidence out there. But this 1051 00:57:39,560 --> 00:57:43,320 Speaker 3: is where this term comes in to, where now you 1052 00:57:43,400 --> 00:57:47,400 Speaker 3: do have experts that are they may be well intentioned, 1053 00:57:47,600 --> 00:57:51,360 Speaker 3: but they are overreaching in terms of their interpretation. It 1054 00:57:51,480 --> 00:57:54,440 Speaker 3: is an overinterpretation of the evidence and it has dire 1055 00:57:54,560 --> 00:57:57,600 Speaker 3: consequences when you have an expert come in in front 1056 00:57:57,640 --> 00:58:00,880 Speaker 3: of a juror, and they put more weight on that 1057 00:58:00,960 --> 00:58:03,640 Speaker 3: expert's opinions than probably what they should. 1058 00:58:04,160 --> 00:58:05,640 Speaker 2: Yeah, one of the things I don't know if I've 1059 00:58:05,640 --> 00:58:07,760 Speaker 2: told you this before, My dad used to say he 1060 00:58:07,840 --> 00:58:10,520 Speaker 2: started the actual Innocence Clinic at the University of Texas, 1061 00:58:10,800 --> 00:58:13,800 Speaker 2: and he used to say, I'd rather have fifty criminals 1062 00:58:13,800 --> 00:58:17,240 Speaker 2: go free than one person be wrongfully incarcerated. He said 1063 00:58:17,280 --> 00:58:19,720 Speaker 2: that our law has to work in a way where 1064 00:58:19,760 --> 00:58:21,360 Speaker 2: everyone gets a fair shake. 1065 00:58:21,480 --> 00:58:23,760 Speaker 1: And of course it doesn't happen now. 1066 00:58:23,800 --> 00:58:25,400 Speaker 2: And one of the things that we do talk about 1067 00:58:25,440 --> 00:58:28,760 Speaker 2: a lot with junk science is when it has been 1068 00:58:28,800 --> 00:58:32,160 Speaker 2: misused and then when we are able to pull legitimate 1069 00:58:32,400 --> 00:58:36,400 Speaker 2: things out of it, like bloodstained pattern analysis. And I 1070 00:58:36,440 --> 00:58:39,640 Speaker 2: think they were looking for void marks, almost a void 1071 00:58:39,760 --> 00:58:43,320 Speaker 2: pattern with these teeth marks, and I have a feeling 1072 00:58:43,360 --> 00:58:46,720 Speaker 2: that Gordon probably was responsible for this. We don't know 1073 00:58:46,880 --> 00:58:49,200 Speaker 2: for sure, but it does seem like an awful lot 1074 00:58:49,240 --> 00:58:53,560 Speaker 2: of weird circumstances, but I don't think it was enough, 1075 00:58:53,640 --> 00:58:55,120 Speaker 2: certainly to convict him. 1076 00:58:55,400 --> 00:59:01,800 Speaker 3: Well, my experience working cases is there are suspects which 1077 00:59:02,160 --> 00:59:08,200 Speaker 3: circumstantially become convinced they're involved, and then eventually they're eliminated 1078 00:59:08,600 --> 00:59:14,000 Speaker 3: and this is where you'll hear sometimes very experienced investigators say, 1079 00:59:14,080 --> 00:59:19,080 Speaker 3: I don't believe in coincidences. Coincidences do occur, and so 1080 00:59:19,200 --> 00:59:22,400 Speaker 3: that's with Gordon. He's a suspect in my book based 1081 00:59:22,440 --> 00:59:27,560 Speaker 3: on the circumstances. However, having work cases in which I've 1082 00:59:27,560 --> 00:59:31,640 Speaker 3: had suspects that circumstantially look great and then they're ultimately eliminated, 1083 00:59:32,160 --> 00:59:36,040 Speaker 3: he may be a victim of coincidence until there is 1084 00:59:36,400 --> 00:59:40,880 Speaker 3: more convincing evidence in this case, both circumstantially as well 1085 00:59:40,920 --> 00:59:44,120 Speaker 3: as physically. I just don't see how they could have 1086 00:59:44,200 --> 00:59:47,680 Speaker 3: moved forward with an arrest, let alone a successful prosecution. 1087 00:59:48,120 --> 00:59:50,840 Speaker 2: Well, Gordon Hay disappeared. We don't know what happened to him. 1088 00:59:51,560 --> 00:59:54,200 Speaker 2: I would assume at some point he was released, but 1089 00:59:54,240 --> 00:59:56,600 Speaker 2: I don't know. And this is just another one of 1090 00:59:56,640 --> 00:59:59,360 Speaker 2: those messy cases where you think one thing, and I 1091 00:59:59,440 --> 01:00:01,600 Speaker 2: was pretty vinced one way, but boy if the evidence 1092 01:00:01,640 --> 01:00:04,440 Speaker 2: doesn't back it up. But the bottom line is we're 1093 01:00:04,520 --> 01:00:08,320 Speaker 2: left with Linda Peacock's family, who certainly was in mourning 1094 01:00:08,560 --> 01:00:12,400 Speaker 2: and it must have been at least some sort of 1095 01:00:12,440 --> 01:00:16,800 Speaker 2: comfort for them to know that their daughter's killer was 1096 01:00:16,960 --> 01:00:20,560 Speaker 2: behind bars. But on the other hand, if they had 1097 01:00:20,640 --> 01:00:24,040 Speaker 2: any doubt about any of this evidence. How terrifying to 1098 01:00:24,080 --> 01:00:26,920 Speaker 2: think that there was someone out there in this small 1099 01:00:26,960 --> 01:00:30,200 Speaker 2: town who might have been a local, who I feel 1100 01:00:30,200 --> 01:00:33,120 Speaker 2: like probably was a local to know about the cemetery 1101 01:00:33,160 --> 01:00:35,560 Speaker 2: and how this would have been isolated and a good 1102 01:00:35,680 --> 01:00:36,480 Speaker 2: time to do this. 1103 01:00:36,640 --> 01:00:38,480 Speaker 1: So what an upsetting case? 1104 01:00:38,760 --> 01:00:44,440 Speaker 2: Yeah, well, go hop on your mountain bike and I'm 1105 01:00:44,440 --> 01:00:46,720 Speaker 2: going to go first swim and let's try to think 1106 01:00:46,720 --> 01:00:49,240 Speaker 2: about the next case and enjoy the weather while we can. 1107 01:00:49,760 --> 01:00:51,439 Speaker 3: I got to take advantage of it when it's here. 1108 01:00:51,760 --> 01:00:52,959 Speaker 1: Thank you, I'll see you next week. 1109 01:00:53,040 --> 01:00:54,040 Speaker 3: All right, sounds good case. 1110 01:00:59,480 --> 01:01:02,000 Speaker 1: This has been and exactly write production. 1111 01:01:02,000 --> 01:01:04,880 Speaker 3: For our sources and show notes go to exactly rightmedia 1112 01:01:04,960 --> 01:01:07,360 Speaker 3: dot com slash Buried Bones sources. 1113 01:01:07,600 --> 01:01:09,960 Speaker 1: Our senior producer is Alexis Emirosi. 1114 01:01:10,240 --> 01:01:13,080 Speaker 3: Research by Maren mcclashan and Kate Winkler Dawson. 1115 01:01:13,240 --> 01:01:15,600 Speaker 1: Our mixing engineer is Ryo Baum. 1116 01:01:15,840 --> 01:01:18,080 Speaker 3: Our theme song is by Tom Bryfogel. 1117 01:01:18,360 --> 01:01:20,360 Speaker 1: Our artwork is by Vanessa Lilac. 1118 01:01:20,640 --> 01:01:24,800 Speaker 3: Executive produced by Karen Kilgarriff, Georgia hard Stark, and Daniel Kramer. 1119 01:01:25,040 --> 01:01:28,439 Speaker 2: You can follow Buried Bones on Instagram and Facebook at 1120 01:01:28,520 --> 01:01:29,280 Speaker 2: Buried Bones. 1121 01:01:29,360 --> 01:01:32,280 Speaker 3: Pod Kate's most recent book, All That Is Wicked, a 1122 01:01:32,320 --> 01:01:34,640 Speaker 3: Gilded Age story of murder and the race to decode 1123 01:01:34,640 --> 01:01:36,920 Speaker 3: the criminal mind, is available now, and 1124 01:01:37,080 --> 01:01:41,840 Speaker 2: Paul's best selling memoir Unmasked, My life solving America's cold cases, 1125 01:01:42,040 --> 01:01:43,200 Speaker 2: is also available now