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Speaker 1: Give it a chance, Give it a chance. Give it

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Speaker 1: a chick. Come morning, Give it a chance, Give it

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Speaker 1: a chance, give it a chance, Give it a chick

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Speaker 1: come morning. Give it a You want to give it

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Speaker 1: a chance, Give it a chance, give it a chance.

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Speaker 1: Just give it a Kevin. Oh wow, Okay, this is

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Speaker 1: how we talk for the entire episode.

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Speaker 2: Look at the size of my forehead right now.

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Speaker 1: It looks beautiful.

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Speaker 2: You can see it looks like it's going nice. That's

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Speaker 2: all gonna go.

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Speaker 1: O caase God, if.

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Speaker 2: You go to Turkey, what happens in Turkey?

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Speaker 1: You could get the Turkish plugs. Everyone's going. Everyone's going

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Speaker 1: to Turkey, keV, Is that real? Everyone? It's like the

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Speaker 1: Brazilian butt lift. It's the Turks. It's for men. It's

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Speaker 1: the Turkey Turkey hair plants.

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Speaker 2: The Turkey hair plants. Okay, I got you. Sounds good

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Speaker 2: to me.

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Speaker 1: And I don't mean turks and caicos, No, I know.

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Speaker 2: What you mean. Trucks onoes. Yes, okay, well it's good

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Speaker 2: to we cover that, not that I need it. Every

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Speaker 2: time I get my haircut, I ask sard, I shave

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Speaker 2: it all off, and you can tell me whenever. I

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Speaker 2: trust you and the stylist is always like, no, you're fine.

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Speaker 2: You're forty five years old. It's good, you have the

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Speaker 2: right amount of hair, you're you're you're doing fine. Yes,

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Speaker 2: you see that? Can you see that?

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Speaker 1: I do see that? When you could put that on

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Speaker 1: them a little timer.

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Speaker 2: Yeah, I know, I can put up a little time callack, yeah,

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Speaker 2: call it back to Omar the Last. But this is

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Speaker 2: Omar the Next.

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Speaker 1: So I have a big list of tunes that I

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Speaker 1: want to get to eventually, but just to pull back

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Speaker 1: the curtain a little bit, which I love to do.

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Speaker 1: I'm in a shower. I want to I want to

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Speaker 1: send you two songs. I'm not going to say both

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Speaker 1: names out loud. You're just gonna tell me which one

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Speaker 1: you want to do.

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Speaker 2: Oh wow?

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Speaker 1: Is that okay? Because just in case we get to

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Speaker 1: the to the other one, send you two songs. Tell

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Speaker 1: me which one you want to do? Baby, all right, it's.

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Speaker 2: Great because oh so the first one I don't think

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Speaker 2: I know.

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Speaker 1: So let's do the first one. Okay, great, you have

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Speaker 1: to This is impossible.

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Speaker 2: Let's find out well and look, last up, we talked

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Speaker 2: a little bit, or at one point you were saying

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Speaker 2: something and about beyond and I said beyond meat. You

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Speaker 2: didn't stop, but this time you said impossible. So I

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Speaker 2: do just want to shout out impossible meat. Please contind.

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Speaker 1: Okay, honestly, I'm gonna call Satan to kill you. This song.

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Speaker 1: The people who are listening know this song, and I

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Speaker 1: don't believe that they. I don't believe that they believe

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Speaker 1: that you don't know the song.

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Speaker 2: All right, well let's find out.

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Speaker 1: Okay, it's called Rebecca Black Friday.

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Speaker 2: So is it Rebecca Black Friday?

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Speaker 1: Rebecca Black Friday, you're saying I have to know it.

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Speaker 1: I'm surprised you don't, but I would love to see

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Speaker 1: you listen. I actually you need to watch the video

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Speaker 1: for this one.

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Speaker 2: Okay.

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Speaker 1: Why you hated it?

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Speaker 2: No, I just you know, I got other stuff going on.

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Speaker 2: I'm like, while we do these, I'm like checking my stocks.

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Speaker 2: I'm like, all right, so you want to see a

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Speaker 2: video for Rebecca Black.

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Speaker 1: We'll be right. I'm Rebecca Black. Okay.

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Speaker 2: Wack? So what I think is I think I was away?

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Speaker 2: Like I I'm pretty sure I knew this was something.

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Speaker 2: I think I forgot that it was something. But I'm

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Speaker 2: pretty sure I've never heard this before, like.

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Speaker 1: Ten years ago.

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Speaker 2: So thirteen years ago would have been twenty twelve.

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Speaker 1: That's late boring a lot. So maybe you missed it.

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Speaker 1: Maybe you weren't like laptopping as much as the rest

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Speaker 1: of the world was.

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Speaker 2: But I also feel like in twenty twelve, I was

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Speaker 2: thirty three. Is it possible that I would have just

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Speaker 2: missed this? Yeah, I think maybe as a thing. You know,

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Speaker 2: one hundred and seventy three million people watched it. That's

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Speaker 2: fucking crazy. I also do feel like I'm surprised I

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Speaker 2: would have for sure, given the aesthetics of this, both

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Speaker 2: visually and musically. I thought this was like a two

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Speaker 2: thousand and seven six seven thing. Something about the haircuts,

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Speaker 2: something about my musical references, something about I really thought

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Speaker 2: this was maybe around that time. Wow, what a ride.

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Speaker 1: Holy shit, such a ride. I haven't listened to that

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Speaker 1: in a long time, I remember. I mean, it's it's

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Speaker 1: interesting because it's this is this is Chocolate Rain Territory,

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Speaker 1: because it's like people love to hate it. They love it,

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Speaker 1: but they I think people like it because it's bad

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Speaker 1: in certain ways. It's obviously infectious, catchy, but it's also

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Speaker 1: I mean, there's a whole bridge where they explain the

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Speaker 1: days of the life.

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Speaker 2: I want to spend a little time with the bridge

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Speaker 2: when the time comes. Yea, because I was that that's

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Speaker 2: the part. I mean, we can, I could let's go,

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Speaker 2: let's come back to that.

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Speaker 1: Yeah, what do you think? What are your overall thoughts

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Speaker 1: on Rebecca's Black Friday?

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Speaker 2: I mean, I love first of all, I love that.

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Speaker 2: When you sent it to me, I genuinely was like, oh,

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Speaker 2: is this a song by somebody named Rebecca about Black Friday?

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Speaker 2: Like is this going to be in like an anti

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Speaker 2: consumerist or pro consumerist? Like I got excited for the

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Speaker 2: stampede stampede, but uh so the thing about something like this,

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Speaker 2: which maybe to our chances, I mean, and who cares,

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Speaker 2: it's not like this is you know, bulletproof scientific method,

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Speaker 2: and even the scientific method exists to improve upon itself

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Speaker 2: over time. But I do feel like maybe this will

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Speaker 2: sound like a contradiction of terms or like a double

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Speaker 2: standard shit like this. I don't have my like fucking

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Speaker 2: knives drawn for shit like this. So true, It's just

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Speaker 2: it's a thing that's existed forever. Maybe what you could

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Speaker 2: make the argument, but I think this could be like

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Speaker 2: a generationalist or agist in reverse argument. I think every

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Speaker 2: generation thinks the disposable pop nonsense of the generations to

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Speaker 2: follow is worse in like like a degraded version of like,

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Speaker 2: I don't know whatever. I'm sure people who grew up

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Speaker 2: in the nineteen fifties and sixties think like, the disposable

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Speaker 2: pop music of the fifties and sixties was so much

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Speaker 2: better than the disposable pop music of the seventies and eighties,

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Speaker 2: and you know what I mean, and on and on.

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Speaker 2: So I guess you could make an argument that something

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Speaker 2: critical could be like just like I don't know this.

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Speaker 2: You could criticize this on the on the basis of

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Speaker 2: like how kind of like I don't know, like unadventurous

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Speaker 2: aspects of the music, or that the mickey mouseisation of

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Speaker 2: everything in the sounds and that.

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Speaker 1: But there might be a POV that like, I don't

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Speaker 1: think people hate this is what you're getting at, Like

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Speaker 1: I don't think I certainly we certainly don't. Yeah, there

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Speaker 1: might have been like all right, if you think of

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Speaker 1: someone right like this is a hypothetical, but like chapel

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Speaker 1: Rone seven years ago, where she's trying to like break

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Speaker 1: in and then a song like this goes viral and

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Speaker 1: she's like, I'm going for pop, but I'm like more

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Speaker 1: earnest about it. I write, I feel like I deserve this, Yeah,

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Speaker 1: And I could see the person like that being like,

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Speaker 1: why are people wasting their time with this, like when

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Speaker 1: there's like real art out there right that I'm just

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Speaker 1: trying to put myself into some shoes of a person

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Speaker 1: that might be like detest this, but those are certainly

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Speaker 1: not my shoes. My shoes are really nice nikes. My

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Speaker 1: shoes don't hate this. They in fact think it's fun

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Speaker 1: that the internet can kind of blow up something like

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Speaker 1: this and totally like if you look underneath, there's like

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Speaker 1: tour dates and she's still riding this wave of like

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Speaker 1: it feels like it feels like an elevated version of

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Speaker 1: a girl that made a music video for a school project.

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Speaker 2: It blew up you are, that's the thing. And maybe

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Speaker 2: I don't think I ever would have like found the

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Speaker 2: energy to hate maybe when I was not since I

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Speaker 2: was like maybe, I guess even though when you were

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Speaker 2: a teenager, I'm thinking about like even as I liked

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Speaker 2: like more as I was getting into like darker pop music,

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Speaker 2: because all that shit was pop music. It was all

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Speaker 2: on TV. It was all on the radio. It's not

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Speaker 2: like Alison and Chane a weird all of that stuff was.

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Speaker 2: It would be like Z one hundred and nineteen ninety

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Speaker 2: three was playing like music like this, Yeah, like nothing

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Speaker 2: but a g thing and then like.

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Speaker 1: Were all Stars now in the Dope Show and like

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Speaker 1: Close nine inch Nails, Closer and Backstreet Boys. You know,

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Speaker 1: it's like.

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Speaker 2: All of it was, yes, exactly, So it's in a

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Speaker 2: way it's all pop music. But I definitely don't think

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Speaker 2: like I don't feel some sort of deep seated negative

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Speaker 2: response or anything like this. But what I do think

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Speaker 2: is what you just nailed is not only is it

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Speaker 2: not for me, and at this point not only was

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Speaker 2: something like this wasn't for me in twenty twelve. Now

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Speaker 2: it's like so many degrees removed from being for me,

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Speaker 2: but it's definitely for my almost nine year old daughter,

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Speaker 2: who I'm sure would hear this. It's a song about

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Speaker 2: like getting done with school for the week and hanging

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Speaker 2: out with your friends. There is no greater I mean,

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Speaker 2: by the way, SO is like half of the Rolling Stones,

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Speaker 2: half of like SO is a lot of music, you

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Speaker 2: know is basically like about like camaraderie and shuffling, shuffling

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Speaker 2: off of responsibility. I love that. The principle like, like,

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Speaker 2: what's it called like narrative friction in this song is

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Speaker 2: she's got to make a decision about where she's gonna

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Speaker 2: sit in the car. Oh, she's like, it's so amazing

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Speaker 2: to me that she's like, like, that's the thing. Also

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Speaker 2: is there's a certain there's a certain thing about something

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Speaker 2: like this that almost in a weird way, And maybe

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Speaker 2: this is going to sound too heady or or but

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Speaker 2: it's what my it's a gut reaction something like this

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Speaker 2: almost in a weird way. It's what's someone like David Lynch,

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Speaker 2: I feel like made a whole career out of this

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Speaker 2: almost is not David Lynch and this they're not esthetically related.

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Speaker 2: What he saw in things though, he saw like pure Americana, right,

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Speaker 2: like kids hanging out in a car like the Beach

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Speaker 2: Boys Forward or whatever. And then what he saw under

200
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Speaker 2: it was there's like, you know, if you pick up

201
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Speaker 2: that rock or whatever in the perfectly manicured suburban garden,

202
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Speaker 2: there's lots like bugs and worms and weird, fucking creepy

203
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Speaker 2: shit happening. If you cut into that apple tree. There's

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Speaker 2: like sap and you know whatever. I feel like something

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Speaker 2: like this it almost weirdly becomes avant garde to me

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Speaker 2: in some crazy way because it's so locked into It's like,

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Speaker 2: even if it's not conscious of that at all, there's

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Speaker 2: something about it that I'm like, oh, yeah, this is

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Speaker 2: like almost weirder than something that's self consciously weird. Does

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Speaker 2: that make sense.

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Speaker 1: Yeah, I'll walk that path right now with you, and

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Speaker 1: I'll tell you this.

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Speaker 2: I can walk it with it. There is your walk dog.

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Speaker 1: My walk is incredible and I walk my dog often.

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Speaker 1: She gets a plenty of exercise. No, but I'll walk

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Speaker 1: this and I'll tell you this. I think that this

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Speaker 1: is obviously a first This is obviously a first draft,

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Speaker 1: Like there's no editing, the lyrics, like and this is

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Speaker 1: this comes from these producers that the guy who raps

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Speaker 1: later on I.

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Speaker 2: Was gonna ask what's up with that?

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Speaker 1: So I think the whole video and production team like

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Speaker 1: will find like we'll make these. I think there's a

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Speaker 1: few songs like this where they've made a song for

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Speaker 1: somebody and it's like some of it has gone viral

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Speaker 1: like this, and others don't. But it's like a team

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Speaker 1: that produces a video and so this, you know, I

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Speaker 1: don't know if this Rebecca her family or she paid

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Speaker 1: for this to be done or what. I don't know

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Speaker 1: what the full story is. Don't quote me, but you

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Speaker 1: could tell that she wrote these lyrics and then they

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Speaker 1: looked at it and said, let's record it verbatim. We hope,

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Speaker 1: because there's even just the part where she's in the

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Speaker 1: car and she's like, I have my friend to the

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Speaker 1: right of me, but there's also a girl the whole left,

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Speaker 1: and you're like, I.

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Speaker 2: Love, of course you are, you are right. There were

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Speaker 2: multiple times where I was led to think there would

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Speaker 2: be a yin and a yang, and the yin just

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Speaker 2: fell off the table, which is kind of what I mean.

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Speaker 2: But it's not quite like because while there may not

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Speaker 2: have been edits to the lyric, there are copious and

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Speaker 2: abundant This is a very meticulously crafted product, yes pop

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Speaker 2: song and like even like I was listening to those

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Speaker 2: open high hats in the chorus and I was like,

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Speaker 2: I don't think that's a real drum.

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Speaker 1: Definitely not now.

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Speaker 2: It sounds for sure like somebody going There's.

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Speaker 1: A lot of times on this podcast where I go, yeah,

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Speaker 1: I don't really like the song, but like I could

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Speaker 1: really attach to the bass. I'm like, I don't think

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Speaker 1: there there is much bass. I think it's drums, and

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Speaker 1: then an arpeggiator moving chords.

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Speaker 2: And her just sort of saying, which maybe like this

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Speaker 2: this is I think that that is totally legit. I

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Speaker 2: laughed out loud when she said I got my friend

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Speaker 2: to am I right, and then some other things on

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Speaker 2: her left kind of like.

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Speaker 3: Yeah, so exciting, were so exciting. We've done have a

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Speaker 3: daulted day.

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Speaker 1: Oh there's another word. It's just like it's like yesterday

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Speaker 1: was Thursday, today is Friday. We we we so excited,

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Speaker 1: so excited, it's like just extra wheeze.

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Speaker 2: I feel like, was that the are we going? Is

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Speaker 2: that the bridge?

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Speaker 1: That's the beginning of the bridge? You want to tell

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Speaker 1: you don't want to take it to the bridge?

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Speaker 2: I thought the bridge was actually no, no, what's like,

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Speaker 2: no joking around, no disingenuousness here When I say this,

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Speaker 2: I thought the bridge was actually, yes, no irony, right,

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Speaker 2: that's legitimately that is legitimately strange. That is a legitimately

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Speaker 2: like act to a point where you're like, yo, that's

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Speaker 2: weirder than like Daniel Johnston. To me, that's weirder that

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Speaker 2: like like she's just fucking saying how time and a

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Speaker 2: calendar works.

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Speaker 1: The word afterwards kill Tomorrow is Saturday and Sunday comes

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Speaker 1: afterwards is nuts. That's alien shit, that's this is actually

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Speaker 1: this is like a decade before AI. Like AI can't

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Speaker 1: even touch this, like it's so pure that but it

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Speaker 1: feels AI adjacent.

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Speaker 2: You're you're one hundred. Well, it's certainly like not how

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Speaker 2: people talk and certainly not how like a kid who's

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Speaker 2: trying to Like the thing is, I don't know if

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Speaker 2: what you're saying, what you're saying might be true. I'm

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Speaker 2: having some like distant, vague half ghost memory. Is this

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Speaker 2: the person? I don't know, I'm like seeing things.

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Speaker 1: We gotta stop the pod and talk.

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Speaker 2: Honestly, I need like ghost But there is is this

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Speaker 2: the person whose parents did Wasn't there a person who

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Speaker 2: had a song like this at some point? And one

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Speaker 2: of the things was it was like fully almost like

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Speaker 2: he's just sweet sixteen present sweetheart, like they made it.

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Speaker 1: It could be this, Yeah, this could be that.

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Speaker 2: It was something like that with one and I'm not

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Speaker 2: talking about like the typical kind of whatever nepotistic industry

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Speaker 2: plant story. I mean, like somebody who fully it was

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Speaker 2: just like yeah, and then it weirdly like part of

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Speaker 2: the story was that and it connected it. I don't

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Speaker 2: know if this is her or not.

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Speaker 1: There's another song like that. I can't remember his name,

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Speaker 1: but it's so funny. Dude. It's like a boy who

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Speaker 1: writes this song and it's produced really well, like clearly

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Speaker 1: the parents paid for it. I I it's killing me.

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Speaker 1: He's just like he said something like my name is Brian,

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Speaker 1: and I am i ate lyon or whatever like and

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Speaker 1: it's like there's these like backtracks and he's like he's

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Speaker 1: like and I could do anything. And it's like this

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Speaker 1: cgi like or a green screen video and it's it's

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Speaker 1: so I'm gonna send it. I'm going to find it

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Speaker 1: and send it later. That should be something people who

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Speaker 1: know are screaming at me at like the name of

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Speaker 1: the song and like now I haven't seen it in years,

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Speaker 1: but it's unbelievable. We're talking like it's right up there

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Speaker 1: with this and even beyond that with catatonic youth style,

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Speaker 1: like it's vibe.

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Speaker 2: Yes, yo, that's if you do not follow that account.

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Speaker 2: That dude is great catatonic youths. Catatonic youth I think

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Speaker 2: is the backup on uh I G you know what

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Speaker 2: I G is.

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Speaker 1: I don't think there's honestly, there's there's not an account

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Speaker 1: that hits home runs as as often that dude.

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Speaker 2: That dude is Joe DiMaggio. It's just the streak is unending.

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Speaker 2: But that's the thing, Like, I think there's something about

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Speaker 2: it that it's so that to made me think, I know,

325
00:16:52,600 --> 00:16:58,760
Speaker 2: it might sound like fucking again over unnecessarily oh intellectualized,

326
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Speaker 2: not it's not on purpose. That's what made me think

327
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Speaker 2: of David Lynch. It's like the war, like the like

328
00:17:03,760 --> 00:17:09,080
Speaker 2: rotten cherry inside the cherry pie, and something about this

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Speaker 2: person like yeah, that bridge. I actually had a moment

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Speaker 2: during the bridge not to sound where I was like

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Speaker 2: I had a like whoa Like I was trying to

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Speaker 2: follow it, and I was like, wow, this is really

333
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Speaker 2: weird that this would be in like I'm a little

334
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Speaker 2: I'm not a little girl. I'm a teenage girl doing

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Speaker 2: party games, hanging out with my friends and stuff. And

336
00:17:28,720 --> 00:17:31,879
Speaker 2: also this is how a calendar works, Like there was

337
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Speaker 2: something that like time slowed down and I was like,

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Speaker 2: what the fuck is this because she's still kind of

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Speaker 2: like it's smiling, but saying like Thursday comes first and

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Speaker 2: then Fridays afterwards or whatever. And I was like, this

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Speaker 2: is bizarre.

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Speaker 1: And that's why it makes me feel like they really

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Speaker 1: let her just do the lyrics and they did try

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Speaker 1: to clean it up, whereas like, there's there's a song

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Speaker 1: that Lisa showed me once which is like one of

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Speaker 1: the Real Housewives. I think it's Teresa, her daughter put

347
00:17:57,920 --> 00:18:01,000
Speaker 1: out a song and they produced it, and it feels

348
00:18:01,080 --> 00:18:04,080
Speaker 1: like she didn't write it, and it feels like she

349
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Speaker 1: was involved in some ways because of her enthusiasm on it.

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Speaker 1: In some ways, I actually like think the track is

351
00:18:09,080 --> 00:18:12,040
Speaker 1: kind of cute, and there's a music video, but that

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00:18:12,160 --> 00:18:15,080
Speaker 1: feels overly produced. It takes me out of it. This

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Speaker 1: feels like they didn't edit. They were like Becky, which

354
00:18:20,200 --> 00:18:24,200
Speaker 1: the how they what they call her Becky you go girl?

355
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Speaker 1: Because that back then, this was long enough ago that

356
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Speaker 1: they would say.

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Speaker 2: That Becky you go girl. You think they would have.

358
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Speaker 1: Said that they were saying Becky, you go girl.

359
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Speaker 2: I had read and because I did a lot of

360
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Speaker 2: research on this too, I had read actually because I

361
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Speaker 2: didn't know you were going to bring this, but I

362
00:18:37,400 --> 00:18:39,320
Speaker 2: knew someday you might bring this, and I didn't want

363
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Speaker 2: to listen to the song or get too familiarized with

364
00:18:42,000 --> 00:18:43,600
Speaker 2: certain aspects of it. But I did do a pretty

365
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Speaker 2: deep dive into some of the like kind of subtext.

366
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Speaker 2: I had heard that the producer, of course, whose name

367
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Speaker 2: is Reginald whents this last I had read that he

368
00:18:53,440 --> 00:18:55,840
Speaker 2: said to her at one point he was like, Becky,

369
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Speaker 2: listen you go, girl. But at the same time, when

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Speaker 2: will you start to sing about Black Friday in this song?

371
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Speaker 2: And it was a sight of major contention between Reverend

372
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Speaker 2: Wenceslas and Becky though, yeah, you should read that article.

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Speaker 2: It's on Wickanpedia.

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Speaker 1: Wickins.

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Speaker 2: Yeah. Yeah. But getting back to the song, I also

376
00:19:17,600 --> 00:19:19,919
Speaker 2: want to shout out you did bring up green screen

377
00:19:20,200 --> 00:19:22,760
Speaker 2: for that kid, Brian I'm not Lions video. There is

378
00:19:22,800 --> 00:19:25,280
Speaker 2: some amazing green screen happening in this video too, where

379
00:19:25,280 --> 00:19:28,960
Speaker 2: they're in the car and they're driving. I guess it's

380
00:19:28,960 --> 00:19:31,439
Speaker 2: like supposed to be Friday night and there's just like

381
00:19:31,600 --> 00:19:35,240
Speaker 2: the city behind them, whatever city that is, whether it's

382
00:19:35,240 --> 00:19:39,320
Speaker 2: like Miami or something. But that also that also gave

383
00:19:39,359 --> 00:19:41,960
Speaker 2: it the feel of actually like yeah, like almost like

384
00:19:42,040 --> 00:19:45,240
Speaker 2: this was something that was done for somebody's sweet sixteen

385
00:19:45,400 --> 00:19:49,800
Speaker 2: or something that then accidentally became like a viral sensation

386
00:19:50,320 --> 00:19:52,760
Speaker 2: because there was something about that that just was like

387
00:19:53,920 --> 00:19:58,560
Speaker 2: it was so egregious that it almost felt like daring

388
00:19:58,640 --> 00:20:01,240
Speaker 2: you to take it serious, you know what I mean,

389
00:20:01,280 --> 00:20:03,119
Speaker 2: the quality of the green screen things. So I'm like

390
00:20:03,160 --> 00:20:04,639
Speaker 2: that there was no way this was like supposed to

391
00:20:04,640 --> 00:20:09,200
Speaker 2: be released that couldn't have been. But I also feel

392
00:20:09,200 --> 00:20:11,560
Speaker 2: like with the bridge, this is also with this has

393
00:20:11,600 --> 00:20:14,600
Speaker 2: come up before in one of our songs that we did.

394
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Speaker 2: I can't remember which one now, but like, there is

395
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Speaker 2: also a certain school of pop songwriting, which is I

396
00:20:19,600 --> 00:20:23,560
Speaker 2: think there's like two diametrically opposed approaches to bridge writing.

397
00:20:24,160 --> 00:20:26,800
Speaker 2: One is like the bridge is the most important part

398
00:20:26,840 --> 00:20:29,800
Speaker 2: of the song, and I kind of think that's true.

399
00:20:29,840 --> 00:20:32,600
Speaker 2: I think for a bridge to exist, it's got to

400
00:20:32,640 --> 00:20:36,920
Speaker 2: be like really good, like really really deserved to be there,

401
00:20:36,920 --> 00:20:40,280
Speaker 2: because it's usually typically only happens one time. It's sort

402
00:20:40,280 --> 00:20:42,479
Speaker 2: of meant to only happen one time, so it's an event,

403
00:20:43,000 --> 00:20:45,240
Speaker 2: and so then it's got to be like really really

404
00:20:45,440 --> 00:20:47,359
Speaker 2: especially also by that point in a song a typically

405
00:20:47,400 --> 00:20:52,120
Speaker 2: structured pop song. You're introducing a new idea, so it's

406
00:20:52,160 --> 00:20:54,919
Speaker 2: got to either be like really really solid or the

407
00:20:55,080 --> 00:20:57,280
Speaker 2: other school is people just like do whatever the fuck

408
00:20:57,320 --> 00:20:59,639
Speaker 2: you want, Like the bridge. Let's have a bridge for

409
00:20:59,680 --> 00:21:04,000
Speaker 2: str for reasons, but it doesn't matter. This definitely feels

410
00:21:04,000 --> 00:21:07,280
Speaker 2: to me like maybe it's yeah, Becky, you go girl

411
00:21:07,320 --> 00:21:09,399
Speaker 2: when you start to talk about Black Friday. Maybe she

412
00:21:09,520 --> 00:21:12,080
Speaker 2: got flum mixed about the Black Friday part and just

413
00:21:12,280 --> 00:21:14,359
Speaker 2: maybe just enlisting days of the weeks, you know what?

414
00:21:14,600 --> 00:21:15,240
Speaker 2: Maybe too?

415
00:21:15,720 --> 00:21:16,920
Speaker 1: How did you? How do you wait?

416
00:21:17,000 --> 00:21:17,080
Speaker 2: So?

417
00:21:17,119 --> 00:21:18,520
Speaker 1: How do you rate this bridge?

418
00:21:19,000 --> 00:21:22,159
Speaker 2: I look, I freaked out about the bridge because it

419
00:21:22,240 --> 00:21:25,760
Speaker 2: was a good bridge. I mean, it's memorable. It's certainly as.

420
00:21:25,920 --> 00:21:27,879
Speaker 1: There's also a rap first? Did you did you have

421
00:21:27,920 --> 00:21:29,520
Speaker 1: the did you watch the version with the rap first?

422
00:21:30,960 --> 00:21:33,840
Speaker 2: I said out loud when the rapper came on? And

423
00:21:33,880 --> 00:21:35,080
Speaker 2: who is that? That's the producer.

424
00:21:35,160 --> 00:21:36,840
Speaker 1: It's Patrice Wilson. I just looked it up.

425
00:21:37,040 --> 00:21:39,560
Speaker 2: Do you know Patrese? Nope, not like Purse.

426
00:21:39,960 --> 00:21:41,880
Speaker 1: I don't know him personally or professionally.

427
00:21:43,280 --> 00:21:47,280
Speaker 2: He's confident. He definitely played the part. He also enjoyed

428
00:21:47,320 --> 00:21:49,440
Speaker 2: the green screen behind him driving.

429
00:21:49,200 --> 00:21:50,800
Speaker 1: Around let's go to the meat. Let's get to the

430
00:21:50,840 --> 00:21:52,600
Speaker 1: meat of this. Is your mom going to text you

431
00:21:52,640 --> 00:21:53,040
Speaker 1: about this?

432
00:21:55,240 --> 00:21:55,560
Speaker 2: Listen?

433
00:21:55,680 --> 00:22:00,320
Speaker 1: I never know she's not as if worthy enough of

434
00:22:00,320 --> 00:22:03,399
Speaker 1: a text from your mom. A deep track, A deep

435
00:22:03,440 --> 00:22:05,280
Speaker 1: track from Eminem's catalog.

436
00:22:05,359 --> 00:22:07,440
Speaker 2: It's deep Wilson track.

437
00:22:08,080 --> 00:22:10,040
Speaker 1: This, No, this.

438
00:22:10,000 --> 00:22:11,680
Speaker 2: Is the top of the line.

439
00:22:11,720 --> 00:22:14,199
Speaker 1: That's true. You know, you're right. He definitely has, you

440
00:22:14,280 --> 00:22:16,600
Speaker 1: know that he has. I think he's like one either.

441
00:22:16,880 --> 00:22:19,720
Speaker 1: I think he's in like that this collective that makes

442
00:22:19,760 --> 00:22:25,359
Speaker 1: these these music videos and songs, produces jpeg moff he is.

443
00:22:25,600 --> 00:22:27,240
Speaker 1: I think he's on a bunch of them. So like

444
00:22:27,280 --> 00:22:29,880
Speaker 1: he's kind of a connecting part of the universe.

445
00:22:30,160 --> 00:22:31,760
Speaker 2: He's the bridge.

446
00:22:31,800 --> 00:22:33,879
Speaker 1: He's the guy in all the David Lynch films. You know.

447
00:22:33,920 --> 00:22:38,840
Speaker 2: It's yeah, oh uh yeah, yeah, he's Wow, that's a

448
00:22:38,880 --> 00:22:41,760
Speaker 2: major player. He's a major player in this universe.

449
00:22:42,600 --> 00:22:45,560
Speaker 1: He says. So I'm chilling in the front seat, in

450
00:22:45,600 --> 00:22:48,040
Speaker 1: the back seat, which is interesting that he's in both.

451
00:22:48,119 --> 00:22:52,359
Speaker 1: I'm driving cruising, which is both. Then he's his fast lanes,

452
00:22:52,480 --> 00:22:56,560
Speaker 1: switching lanes with a car on my side passing by.

453
00:22:56,680 --> 00:23:00,159
Speaker 1: Is a school bus in front of me? TikTok TikTok.

454
00:23:00,200 --> 00:23:03,800
Speaker 1: Wanna scream. Check my time, it's Friday. Check my time.

455
00:23:03,840 --> 00:23:07,959
Speaker 1: It's Friday. It's a weekend. We gonna have fun. Come on,

456
00:23:08,000 --> 00:23:08,639
Speaker 1: come on, y'all.

457
00:23:08,800 --> 00:23:13,479
Speaker 2: Wait wait wait, wait, wait wait, you have to you

458
00:23:13,800 --> 00:23:16,480
Speaker 2: have to read that again. You have to read that.

459
00:23:16,760 --> 00:23:20,119
Speaker 1: I go from the top. RB. Rebecca Black, so chilling

460
00:23:20,200 --> 00:23:22,240
Speaker 1: in the front seat, in the back seat.

461
00:23:22,320 --> 00:23:25,600
Speaker 2: Wait pause, so he says, RB. Rebecca Black. Yes, I

462
00:23:25,600 --> 00:23:27,800
Speaker 2: thought you were doing stage direction like that was Rebecca

463
00:23:27,840 --> 00:23:28,640
Speaker 2: Black about to talk?

464
00:23:28,720 --> 00:23:33,680
Speaker 1: Okay, I'll do stage direction this time. Verse three, Patrese Wilson. Okay, RB.

465
00:23:34,119 --> 00:23:36,919
Speaker 1: Rebecca Black so chilling in the front seat, in the

466
00:23:36,960 --> 00:23:40,200
Speaker 1: back seat, I'm driving cruise in time out, laying yep.

467
00:23:40,359 --> 00:23:42,359
Speaker 2: I have to pause at every point. We have a question.

468
00:23:43,560 --> 00:23:47,520
Speaker 2: That is this is making me fucking love it so

469
00:23:47,600 --> 00:23:53,960
Speaker 2: much more. That is categorical nonsense. That is absolutely that's

470
00:23:54,000 --> 00:23:58,199
Speaker 2: like vacant of any logic meaning, and not even in

471
00:23:58,240 --> 00:24:00,840
Speaker 2: some cool like Jackson Poula way where it's like, I

472
00:24:00,880 --> 00:24:03,120
Speaker 2: don't know, you splatter the paint and then I'm down

473
00:24:03,160 --> 00:24:04,679
Speaker 2: with that kind of lyric, right, And you know how

474
00:24:04,720 --> 00:24:06,280
Speaker 2: I think about like, you know, there's a couple of

475
00:24:06,280 --> 00:24:07,800
Speaker 2: people I've talked about a few times on this. I'm

476
00:24:07,800 --> 00:24:08,920
Speaker 2: not going to get into it, but like you know,

477
00:24:09,240 --> 00:24:12,280
Speaker 2: damn that style. Yeah, definitely the needs n But like

478
00:24:12,400 --> 00:24:17,359
Speaker 2: I do think you said Gary sneeze. I didn't, Dan,

479
00:24:17,880 --> 00:24:21,440
Speaker 2: but I definitely do think that there's also like there's

480
00:24:21,480 --> 00:24:26,800
Speaker 2: like collage splatter paint where meaning aggregates and a feeling

481
00:24:26,880 --> 00:24:32,400
Speaker 2: is evoked. Then they categorical Sure, then there's categorical nonsense

482
00:24:32,640 --> 00:24:36,600
Speaker 2: that I'm chilling in the front seat back seat is

483
00:24:36,960 --> 00:24:48,880
Speaker 2: fucking crazy.

484
00:24:49,760 --> 00:24:52,639
Speaker 1: I don't understand it. RB Rebecca Black So chilling in

485
00:24:52,680 --> 00:24:56,040
Speaker 1: the front seat in the back seat, I'm driving, cruising

486
00:24:56,400 --> 00:25:00,119
Speaker 1: fast lanes, switching lanes with a car up on my

487
00:25:00,240 --> 00:25:04,159
Speaker 1: side hopefully, I mean, yeah, passing by is a school

488
00:25:04,160 --> 00:25:06,400
Speaker 1: bus in front of me? Passing by? Is a school bus?

489
00:25:06,600 --> 00:25:09,440
Speaker 2: Fay had a grocical nonsense.

490
00:25:09,920 --> 00:25:11,840
Speaker 1: He must be going kind of slow if a school

491
00:25:11,920 --> 00:25:13,280
Speaker 1: bus is passing in front of him.

492
00:25:13,400 --> 00:25:15,960
Speaker 2: Maybe he's like having an episode where he thinks he's

493
00:25:16,000 --> 00:25:18,560
Speaker 2: going fast. But he's like he's having like a delusional

494
00:25:18,560 --> 00:25:22,560
Speaker 2: episode while he's driving school bus. Passing by a school

495
00:25:22,600 --> 00:25:23,480
Speaker 2: bus in front of me?

496
00:25:23,720 --> 00:25:27,880
Speaker 1: Okay, ready, this is an incredible sentence. Makes TikTok, TikTok

497
00:25:27,960 --> 00:25:28,640
Speaker 1: want to scream?

498
00:25:28,960 --> 00:25:32,640
Speaker 2: Now? Is this pre the existence of TikTok and the controversy?

499
00:25:32,720 --> 00:25:36,920
Speaker 1: It's yeah, pre both. It's spelled t c K t

500
00:25:37,400 --> 00:25:41,360
Speaker 1: c K. It's like a clock which then he goes

501
00:25:41,400 --> 00:25:42,320
Speaker 1: to check my time.

502
00:25:43,160 --> 00:25:47,199
Speaker 2: It's Friday, and again, Friday is a day and not

503
00:25:47,280 --> 00:25:49,960
Speaker 2: a time. But I mean you could, okay, fine, you

504
00:25:49,960 --> 00:25:52,440
Speaker 2: could say it's this time on Friday. Hey, you want

505
00:25:52,440 --> 00:25:55,080
Speaker 2: to meet up at eight am on Friday to have

506
00:25:55,160 --> 00:25:56,560
Speaker 2: bacon and wound eggs.

507
00:25:56,720 --> 00:26:00,160
Speaker 1: It's Friday. The idea it's always Friday somewhere.

508
00:26:00,200 --> 00:26:02,160
Speaker 2: But you don't say it's Friday o'clock somewhere.

509
00:26:02,720 --> 00:26:06,000
Speaker 1: You do. You say it's Friday something. Hey, it's Friday somewhere.

510
00:26:06,520 --> 00:26:06,680
Speaker 1: You know.

511
00:26:06,840 --> 00:26:09,720
Speaker 2: Someone says that. Someone might say, yo, dude, you want

512
00:26:09,720 --> 00:26:11,679
Speaker 2: to hit Yo dude? You want to you want to

513
00:26:11,760 --> 00:26:13,000
Speaker 2: hit this kratum?

514
00:26:14,760 --> 00:26:17,880
Speaker 1: Yeah, you say, and you say, hey, even a broke

515
00:26:17,960 --> 00:26:19,880
Speaker 1: clock is Friday. Two times.

516
00:26:23,720 --> 00:26:28,280
Speaker 2: You say that even a broke clock passes a school

517
00:26:28,320 --> 00:26:34,160
Speaker 2: bus in front of it. Sometimes that is absolute bullshit.

518
00:26:35,119 --> 00:26:36,760
Speaker 2: I'm gonna be there.

519
00:26:36,960 --> 00:26:39,920
Speaker 1: Yeah, I think you feel the same way. I didn't

520
00:26:40,080 --> 00:26:42,960
Speaker 1: think that the lyrics were like this. I was like, Okay,

521
00:26:43,000 --> 00:26:45,439
Speaker 1: he spit averse and I didn't really think about it.

522
00:26:45,480 --> 00:26:47,040
Speaker 1: But then when you look at it, you're like, wait,

523
00:26:47,080 --> 00:26:49,840
Speaker 1: did he he like rarely rhymed?

524
00:26:49,880 --> 00:26:53,040
Speaker 2: Even oh, that's so funny, I will say that even

525
00:26:53,080 --> 00:26:56,320
Speaker 2: with there is something like where, you know, have we

526
00:26:56,359 --> 00:26:58,040
Speaker 2: talked about this before? I feel like there is a

527
00:26:58,040 --> 00:27:03,600
Speaker 2: thing where, like poets, actual poets write will sometimes be

528
00:27:03,760 --> 00:27:06,920
Speaker 2: like a little like, oh my god, when someone calls

529
00:27:06,920 --> 00:27:10,359
Speaker 2: a songwriter a poet, it's almost like poetry is songwriters

530
00:27:10,480 --> 00:27:15,000
Speaker 2: songwritings like older distinguished sibling or something. And I feel

531
00:27:15,000 --> 00:27:17,840
Speaker 2: like there are some songwriters who, when you read their

532
00:27:17,920 --> 00:27:23,560
Speaker 2: lyrics independently of vocalization and the meter afforded by by song,

533
00:27:23,800 --> 00:27:27,879
Speaker 2: they do feel like they could stand with literature, with poetry.

534
00:27:28,160 --> 00:27:30,400
Speaker 2: But there are a lot of even really good lyricists,

535
00:27:30,520 --> 00:27:33,479
Speaker 2: I think, who when you read it alone, it doesn't

536
00:27:33,480 --> 00:27:36,199
Speaker 2: really hit you the same way. It's very rare. And

537
00:27:36,240 --> 00:27:38,080
Speaker 2: I what's funny is I remember when I was like

538
00:27:38,160 --> 00:27:42,280
Speaker 2: twenty one twenty maybe as a gag gift, someone got

539
00:27:42,359 --> 00:27:45,080
Speaker 2: me the book. It was called Angry Blonde. It was

540
00:27:45,119 --> 00:27:48,360
Speaker 2: Eminem's lyrics just as a book from his first two records,

541
00:27:49,240 --> 00:27:52,520
Speaker 2: and I will say reading his lyrics divorced from the music.

542
00:27:52,720 --> 00:27:55,119
Speaker 2: They were kind of like it was a little ridiculous,

543
00:27:55,119 --> 00:27:58,520
Speaker 2: Like you were like, this is like thirty five percent

544
00:27:58,720 --> 00:28:03,520
Speaker 2: stupider and less impressive, and he's like a canonically great

545
00:28:03,720 --> 00:28:08,359
Speaker 2: rapper lyricist and rapper top ten in many people's estimation, right,

546
00:28:08,400 --> 00:28:11,560
Speaker 2: your mom for sure, certainly, well, but again not in

547
00:28:11,600 --> 00:28:14,440
Speaker 2: two thousand, my mom gets on board and like, well,

548
00:28:14,520 --> 00:28:16,760
Speaker 2: actually lose yourself. As with many people, I think lose

549
00:28:16,760 --> 00:28:17,960
Speaker 2: yourself was the gateway.

550
00:28:17,720 --> 00:28:22,040
Speaker 1: Or gateweight drawing. She was like, I'm always the gateway drug.

551
00:28:22,160 --> 00:28:24,600
Speaker 2: Yeah, she was stoned. My mom was definitely like she

552
00:28:24,720 --> 00:28:32,000
Speaker 2: was like a feel so alone? Shall may? And they

553
00:28:32,000 --> 00:28:35,200
Speaker 2: were definitely sitting there smoking up. Anyway, listen, I don't

554
00:28:35,200 --> 00:28:37,520
Speaker 2: want to tell my mom's drug use on this pod anymore.

555
00:28:37,720 --> 00:28:40,920
Speaker 2: This is like becoming an Eminem. I gotta say it

556
00:28:40,960 --> 00:28:43,640
Speaker 2: for John Also, Eminem is constantly like my mom did

557
00:28:43,720 --> 00:28:47,160
Speaker 2: drugs and stuff like that. It's Bob Dylan Eminem.

558
00:28:47,520 --> 00:28:48,640
Speaker 1: Mon did duds.

559
00:28:51,400 --> 00:28:56,160
Speaker 2: But anyway, so yeah, that being said this, this definitely

560
00:28:56,160 --> 00:29:00,400
Speaker 2: does not pass the lyrist lyricist as poet tests. This

561
00:29:00,640 --> 00:29:04,920
Speaker 2: reading read it's berserk. It's really really berserk.

562
00:29:05,120 --> 00:29:07,840
Speaker 1: It passes Bechdell, though Becky passes Bechdell.

563
00:29:08,600 --> 00:29:11,720
Speaker 2: Becky passes Bechtel. She does, does she because she talks

564
00:29:11,760 --> 00:29:14,160
Speaker 2: about her one friend on the right she never talks

565
00:29:14,160 --> 00:29:14,720
Speaker 2: about Does.

566
00:29:14,560 --> 00:29:17,720
Speaker 1: She ever talked about the boy? She does? Not? Actually, good, yeah,

567
00:29:17,760 --> 00:29:18,200
Speaker 1: good question.

568
00:29:18,280 --> 00:29:20,360
Speaker 2: But now that's something I loved about this. I'd never

569
00:29:20,440 --> 00:29:22,120
Speaker 2: thought there was one point where she's like, I gotta

570
00:29:22,160 --> 00:29:25,800
Speaker 2: crash on James and he's two foot eight or whatever.

571
00:29:25,880 --> 00:29:26,560
Speaker 2: She would say.

572
00:29:28,080 --> 00:29:38,800
Speaker 1: To this guy's hot. It's a baby, She's gotta crush

573
00:29:38,840 --> 00:29:39,040
Speaker 1: on it.

574
00:29:39,520 --> 00:29:44,440
Speaker 2: Toddler, I gotta crash on James in the negative second grade.

575
00:29:44,440 --> 00:29:47,720
Speaker 2: You're like negative second grade. Okay, so two that's kindergarten.

576
00:29:47,760 --> 00:29:49,000
Speaker 2: I guess that's just kindergarten.

577
00:29:49,320 --> 00:29:53,960
Speaker 1: Yesterday was Thursday, Tomorrow says, So it's really wild that. Yeah,

578
00:29:54,280 --> 00:29:58,880
Speaker 1: all right, so read me the bridge. No, God, damn it,

579
00:29:59,040 --> 00:30:01,400
Speaker 1: I'm gonna go back. Because the other thing that people

580
00:30:01,400 --> 00:30:03,760
Speaker 1: love about this is how she like doesn't even take

581
00:30:03,760 --> 00:30:06,680
Speaker 1: a breath, Like she's just like seven am, waking up

582
00:30:06,720 --> 00:30:09,560
Speaker 1: in the morning, gotta be fresh, gotta go downstairs, gotta

583
00:30:09,600 --> 00:30:13,400
Speaker 1: have my bowl, gotta have cereal. Seeing everything that time

584
00:30:13,560 --> 00:30:15,640
Speaker 1: is going ticking on and on everybody.

585
00:30:15,680 --> 00:30:18,280
Speaker 2: So that's where he got the TikTok thing from. He

586
00:30:18,400 --> 00:30:22,560
Speaker 2: was calling back to her first verse against calendars.

587
00:30:22,840 --> 00:30:24,560
Speaker 1: I know, so we're the fucking idiots.

588
00:30:25,160 --> 00:30:27,600
Speaker 2: I guess this time it's you and me. Okay's and

589
00:30:27,760 --> 00:30:28,960
Speaker 2: not fucking lives.

590
00:30:29,000 --> 00:30:35,760
Speaker 1: His name the rapper Trees Wilson, I know, I know.

591
00:30:37,880 --> 00:30:43,400
Speaker 1: Gesting next week, that's.

592
00:30:43,240 --> 00:30:46,640
Speaker 2: That's season two for sure. As we get people from.

593
00:30:46,480 --> 00:30:51,120
Speaker 1: Season one to guest with us, give us a chance,

594
00:30:51,240 --> 00:30:52,560
Speaker 1: it's called all right.

595
00:30:53,840 --> 00:30:56,120
Speaker 2: Kind of amazing. Just like people get the chance to

596
00:30:56,360 --> 00:30:58,640
Speaker 2: savage anything of ours they would like to do.

597
00:30:58,720 --> 00:31:02,680
Speaker 1: That's so great. They're like for me, they're like your daughter.

598
00:31:05,880 --> 00:31:08,200
Speaker 2: Like whoa, whoa, that is not on the table.

599
00:31:12,400 --> 00:31:13,800
Speaker 1: She's literally on the table.

600
00:31:14,520 --> 00:31:21,520
Speaker 2: I got a crush on James and hist eight. All right, sorry, okay,

601
00:31:21,760 --> 00:31:26,800
Speaker 2: So yeah, what you're really highlighting is the lyrics are well,

602
00:31:26,840 --> 00:31:29,280
Speaker 2: she was what how old was Rebecca when she wrote this?

603
00:31:29,960 --> 00:31:34,520
Speaker 1: I think she's obviously like in fifth grade? Oh my god, Kevin,

604
00:31:34,560 --> 00:31:36,920
Speaker 1: it just came back to me, and it's it's called

605
00:31:36,960 --> 00:31:40,960
Speaker 1: I'm Zach. No, it's called I'm Zach the boy. I

606
00:31:41,000 --> 00:31:46,040
Speaker 1: finally just got it. It's I'm Zach and it's unbelievable.

607
00:31:46,320 --> 00:31:49,880
Speaker 2: Oh no, do you think, wow, I have I have

608
00:31:50,200 --> 00:31:52,080
Speaker 2: Zach in my life, A big Zach in my life.

609
00:31:52,120 --> 00:31:53,720
Speaker 2: I'm gonna have to find this and send it to him.

610
00:31:53,760 --> 00:31:54,480
Speaker 2: That's pretty good.

611
00:31:54,920 --> 00:31:59,560
Speaker 1: It's an unbelievable video. It's for another time, and it's

612
00:31:59,560 --> 00:32:02,160
Speaker 1: also five minutes and twenty one seconds.

613
00:32:01,800 --> 00:32:04,080
Speaker 2: Which would bring us to the very end. So imagine

614
00:32:04,120 --> 00:32:05,960
Speaker 2: we just were silent watching that for the rest of

615
00:32:06,000 --> 00:32:06,880
Speaker 2: it of the podcast.

616
00:32:07,040 --> 00:32:10,440
Speaker 1: You just hear us like like just like it's like

617
00:32:10,480 --> 00:32:13,880
Speaker 1: smacking our lips listening. Not that we're smacking in terms

618
00:32:13,960 --> 00:32:16,680
Speaker 1: of like we like this child. Oh god, I just

619
00:32:16,760 --> 00:32:18,120
Speaker 1: meant like it's just silence.

620
00:32:18,760 --> 00:32:21,520
Speaker 2: Wow. I didn't expect you to go there, But like,

621
00:32:21,840 --> 00:32:23,680
Speaker 2: if that's the kind of shit we're gonna talk about

622
00:32:23,680 --> 00:32:26,720
Speaker 2: on this pod, like, let me know. I'm ready to

623
00:32:26,760 --> 00:32:27,640
Speaker 2: go anywhere you want.

624
00:32:27,840 --> 00:32:30,720
Speaker 1: No, it's a homework assignment, is why who knows today

625
00:32:30,880 --> 00:32:35,040
Speaker 1: I'm bringing up I'm Zach as a homework assignment. Find

626
00:32:35,080 --> 00:32:36,880
Speaker 1: the video. It's unbelievable.

627
00:32:37,320 --> 00:32:39,280
Speaker 2: It's if you use a homework assignment for me or

628
00:32:39,320 --> 00:32:41,040
Speaker 2: for them chancers or all of us.

629
00:32:41,400 --> 00:32:44,400
Speaker 1: It's for both, okay, because we're all chancers in this

630
00:32:44,480 --> 00:32:45,479
Speaker 1: together tiny chair.

631
00:32:45,600 --> 00:32:48,880
Speaker 2: Yeah, that's true. That's true. Giving yourself homework.

632
00:32:48,560 --> 00:32:51,560
Speaker 1: Dude, nerd a teacher, you forgot to give us homework.

633
00:32:52,080 --> 00:32:53,720
Speaker 2: And I'm the teacher and I'm the student. Give me

634
00:32:53,760 --> 00:32:55,240
Speaker 2: home work. I'll give me home work.

635
00:32:57,920 --> 00:33:06,280
Speaker 1: The teacher yelling at this alone in a classroom. You've

636
00:33:06,320 --> 00:33:07,040
Speaker 1: got to go with homework.

637
00:33:07,080 --> 00:33:07,960
Speaker 2: Okay, here it is.

638
00:33:08,240 --> 00:33:13,320
Speaker 1: That's how it's like a grat grad stuble student who's

639
00:33:13,320 --> 00:33:18,479
Speaker 1: like gotta just like stable, all right, anyway.

640
00:33:18,200 --> 00:33:20,000
Speaker 2: Yeah, tell us the homework ahead.

641
00:33:20,320 --> 00:33:24,400
Speaker 1: Fine, I'm zach, watch it and enjoy your life, and

642
00:33:24,480 --> 00:33:25,719
Speaker 1: that song will help you do it.

643
00:33:26,200 --> 00:33:29,240
Speaker 2: Honestly, what you just said, is there a thing? Can

644
00:33:29,280 --> 00:33:32,240
Speaker 2: I talk about some Casey Jo just cannon for a second.

645
00:33:32,440 --> 00:33:34,360
Speaker 1: I think we can, because what you just said.

646
00:33:34,160 --> 00:33:36,680
Speaker 2: Around me is it okay to talk about? Maybe The

647
00:33:36,720 --> 00:33:39,080
Speaker 2: first thing I ever saw of Casey's was it was

648
00:33:39,120 --> 00:33:41,560
Speaker 2: it was probably Bulldog. That's the first thing that anybody

649
00:33:41,640 --> 00:33:44,040
Speaker 2: showed me. Or no, was that you were you?

650
00:33:45,160 --> 00:33:46,520
Speaker 1: Yes, I was with the.

651
00:33:46,440 --> 00:33:49,400
Speaker 2: Boat with the now Bobo Touch Boys and Mike Stramberg

652
00:33:49,520 --> 00:33:50,640
Speaker 2: and Joe and Burgio.

653
00:33:50,800 --> 00:33:53,080
Speaker 1: Probably right, it was me. Joe, my friend Mark and

654
00:33:53,120 --> 00:33:55,600
Speaker 1: Pat were the main four for a sitcom that was

655
00:33:55,640 --> 00:33:59,080
Speaker 1: sort of a tongue in cheeks sitcom that packs in films,

656
00:33:59,120 --> 00:34:04,360
Speaker 1: which is that's what our good friends like Rizzo Stranberg

657
00:34:04,440 --> 00:34:07,120
Speaker 1: and Bonds, the brothers that have different last names for

658
00:34:07,200 --> 00:34:12,160
Speaker 1: fun that they created, and I, I mean my friends

659
00:34:12,680 --> 00:34:15,640
Speaker 1: what we call ourselves the Trophy Laugh Gang. So good.

660
00:34:15,840 --> 00:34:17,719
Speaker 1: This is deep canon. This is this is Nick.

661
00:34:17,800 --> 00:34:20,000
Speaker 2: This is deep canon. This is Nick Cannon, Nick Carryon's

662
00:34:20,040 --> 00:34:23,919
Speaker 2: hilarious dad. But what I do remember is, is there

663
00:34:23,960 --> 00:34:26,240
Speaker 2: a thing what we were just talking about.

664
00:34:26,000 --> 00:34:28,520
Speaker 1: Which really Bulldog was a character I played in a video,

665
00:34:28,680 --> 00:34:30,239
Speaker 1: I mean in college.

666
00:34:30,280 --> 00:34:32,480
Speaker 2: In Great Hills Park or something or where were you?

667
00:34:32,520 --> 00:34:34,719
Speaker 1: Were you that was like in Jersey somewhere like like

668
00:34:34,840 --> 00:34:36,480
Speaker 1: North Jersey at like a friend's house.

669
00:34:36,880 --> 00:34:38,880
Speaker 2: But there was something in it that this is making

670
00:34:38,960 --> 00:34:42,320
Speaker 2: me think of the idea of like a teacher talking

671
00:34:42,360 --> 00:34:45,400
Speaker 2: and gesturing to themselves about like you should get this homework,

672
00:34:45,440 --> 00:34:48,160
Speaker 2: no you or whatever to themselves. Wasn't there something about

673
00:34:48,200 --> 00:34:51,440
Speaker 2: like it's does Bulldog say something like it struck me?

674
00:34:51,880 --> 00:34:55,360
Speaker 2: He said it struck me that bah, and so something

675
00:34:55,360 --> 00:34:57,759
Speaker 2: about sting someone. Can you help me with this?

676
00:34:57,960 --> 00:34:58,120
Speaker 3: Yeah?

677
00:34:58,200 --> 00:35:01,600
Speaker 1: Yeah, yeah, it was just like strike me so I

678
00:35:01,640 --> 00:35:02,600
Speaker 1: punched him or something.

679
00:35:02,680 --> 00:35:04,440
Speaker 2: Yeah, there was something about it, you know what strike

680
00:35:04,520 --> 00:35:06,120
Speaker 2: me as the kind of person who would.

681
00:35:06,360 --> 00:35:08,319
Speaker 1: Us And then I said crush and I do strike you,

682
00:35:08,360 --> 00:35:10,040
Speaker 1: and then I punched him in the face. I think

683
00:35:10,080 --> 00:35:10,480
Speaker 1: there was something.

684
00:35:10,600 --> 00:35:13,920
Speaker 2: There's something about that that reminded me of the teacher

685
00:35:14,040 --> 00:35:17,200
Speaker 2: talking to themselves about self administering homework. I don't know why,

686
00:35:17,360 --> 00:35:19,600
Speaker 2: saying something about the way he tells the story. Anyway,

687
00:35:19,920 --> 00:35:22,160
Speaker 2: what I'm saying is it's well worth your time. I'm

688
00:35:22,160 --> 00:35:24,480
Speaker 2: giving you homework two chances. There's not only one teach

689
00:35:24,560 --> 00:35:28,480
Speaker 2: on the watch today. You have to teach double teach

690
00:35:29,000 --> 00:35:31,200
Speaker 2: each of us one foot four and if you add

691
00:35:31,239 --> 00:35:34,279
Speaker 2: together students, what you get to foot eight? And so

692
00:35:34,719 --> 00:35:36,200
Speaker 2: do you have a crush on Yeah, I have a

693
00:35:36,239 --> 00:35:39,319
Speaker 2: crush on James all you want. And also listen to

694
00:35:39,360 --> 00:35:42,480
Speaker 2: that High Sac song and also check out Bulldog. It's

695
00:35:42,520 --> 00:35:44,720
Speaker 2: probably on YouTube somewhere. SCREI.

696
00:35:44,800 --> 00:35:46,839
Speaker 1: So I think I took all everything I've ever made

697
00:35:46,880 --> 00:35:51,959
Speaker 1: down just because it feels like it was thirty years ago,

698
00:35:52,120 --> 00:35:53,040
Speaker 1: because I think, yeah it was.

699
00:35:53,120 --> 00:35:55,160
Speaker 2: I probably was probably twenty years ago.

700
00:35:55,640 --> 00:35:58,359
Speaker 1: And even Rebecca Black now it's you know, she's she's

701
00:35:58,440 --> 00:35:59,120
Speaker 1: up there in age.

702
00:35:59,239 --> 00:36:01,920
Speaker 2: Oh, I'll just also say about Rebecca Black. Sorry to

703
00:36:01,920 --> 00:36:05,200
Speaker 2: bring us back, I will say one thing that again,

704
00:36:05,320 --> 00:36:07,319
Speaker 2: I don't know how old this person was at the time,

705
00:36:07,480 --> 00:36:11,719
Speaker 2: but I do know twenty twelve. This does feel it

706
00:36:11,800 --> 00:36:17,200
Speaker 2: feels antiquated. For twenty twelve, This for sure feels like

707
00:36:17,239 --> 00:36:21,480
Speaker 2: a mid two thousands at most recent thing to me.

708
00:36:21,800 --> 00:36:25,080
Speaker 2: Something about the haircuts, something about it. So I just

709
00:36:25,080 --> 00:36:27,160
Speaker 2: want to make sure I drive that home. I feel

710
00:36:27,160 --> 00:36:29,560
Speaker 2: like that's part of its charm, is that it feels

711
00:36:30,080 --> 00:36:34,120
Speaker 2: in twenty twelve. The references self conscious, self aware or

712
00:36:34,200 --> 00:36:38,040
Speaker 2: not were not even they It hadn't happened long enough

713
00:36:38,200 --> 00:36:43,600
Speaker 2: for it to be cool again yet, which its charm too. Exactly.

714
00:36:43,840 --> 00:36:47,520
Speaker 1: Yes, it's that is the charm. It's it's amazing. It's

715
00:36:47,800 --> 00:36:50,879
Speaker 1: it's up there with like Kesha TikTok or a Katy

716
00:36:50,960 --> 00:36:52,400
Speaker 1: Perry song, but it's.

717
00:36:52,239 --> 00:36:55,640
Speaker 2: Like toast that did Patrice write that?

718
00:36:56,560 --> 00:36:58,520
Speaker 1: Well, we'll find out next week when Patrise sits in

719
00:36:58,600 --> 00:37:03,319
Speaker 1: as guest. Love you all do your Home Musk