1 00:00:06,960 --> 00:00:10,600 Speaker 1: Welcome to Creature Future production of iHeartRadio. I'm your host 2 00:00:10,720 --> 00:00:15,240 Speaker 1: A Many Parasites Katie Golden. I studied psychology and evolutionary biology, 3 00:00:15,240 --> 00:00:18,480 Speaker 1: and today on the show I'm Trash, we're talking about 4 00:00:18,520 --> 00:00:22,079 Speaker 1: all the animals who intentionally make themselves look like garbage. 5 00:00:22,520 --> 00:00:25,960 Speaker 1: These animals want you to just ignore them because they're normal, littered, 6 00:00:26,079 --> 00:00:30,760 Speaker 1: nothing to see here. Those some have sinister purposes. Discover 7 00:00:30,880 --> 00:00:33,080 Speaker 1: this and more as we answer the age old question 8 00:00:33,560 --> 00:00:35,920 Speaker 1: why do so many bugs want to look like poop? 9 00:00:36,440 --> 00:00:39,199 Speaker 1: Joining me today is friend of the show, comedian and 10 00:00:39,280 --> 00:00:43,880 Speaker 1: producer of the City Council Show podcast, Polavie good Loland. Welcome. 11 00:00:44,159 --> 00:00:49,320 Speaker 2: Hello, I'm super excited to be on this episode. Yes, 12 00:00:49,520 --> 00:00:52,240 Speaker 2: I like, I feel like so many people also disguise 13 00:00:52,280 --> 00:00:54,520 Speaker 2: themselves as trash exactly. Yeah. 14 00:00:54,600 --> 00:00:58,880 Speaker 1: I sometimes like you just want to kind of appear 15 00:00:59,040 --> 00:01:02,760 Speaker 1: like trash. You can float through the world and not 16 00:01:02,840 --> 00:01:04,320 Speaker 1: have any anyone interacts. 17 00:01:05,240 --> 00:01:07,400 Speaker 2: Do you I have a question, do you ever feel 18 00:01:07,720 --> 00:01:08,959 Speaker 2: like a plastic bag? 19 00:01:10,880 --> 00:01:12,280 Speaker 1: Wow? That's beautiful. 20 00:01:12,600 --> 00:01:13,440 Speaker 2: Did you come up with that? 21 00:01:13,920 --> 00:01:14,120 Speaker 1: Yeah? 22 00:01:14,240 --> 00:01:16,200 Speaker 2: Just now, I just that's that's. 23 00:01:16,000 --> 00:01:19,560 Speaker 1: Such a beautiful sentiment. I love that. Yeah, I mean 24 00:01:19,600 --> 00:01:23,920 Speaker 1: I do sometimes feel like like tarash. I don't know 25 00:01:23,959 --> 00:01:26,920 Speaker 1: what I'm how I'm approaching that word, but I feel 26 00:01:26,920 --> 00:01:28,640 Speaker 1: like trash sometimes. 27 00:01:29,760 --> 00:01:32,199 Speaker 2: I'm really excited to see like a fish that looks 28 00:01:32,200 --> 00:01:36,040 Speaker 2: like a Dorito's bag, you know, just like trash. I 29 00:01:36,120 --> 00:01:38,520 Speaker 2: was like picturing like human trash, and I was like, 30 00:01:38,560 --> 00:01:42,800 Speaker 2: that's crazy that there's a like a lizard that looks 31 00:01:42,840 --> 00:01:45,160 Speaker 2: like a water bottle. That's the wild I mean, give. 32 00:01:45,000 --> 00:01:47,560 Speaker 1: Them, give them like a few more million years of 33 00:01:47,720 --> 00:01:49,279 Speaker 1: evolution and it'll happen. 34 00:01:49,960 --> 00:01:51,040 Speaker 2: Yeah. 35 00:01:51,520 --> 00:01:54,720 Speaker 1: But yeah, So we are talking about animals to disguise 36 00:01:54,840 --> 00:01:59,120 Speaker 1: themselves as garbage for a variety of fun reasons. The 37 00:01:59,280 --> 00:02:01,880 Speaker 1: first one I want to talk about is the cockatoo 38 00:02:02,040 --> 00:02:08,480 Speaker 1: wasp fish, also known as a Blabby's tinodus. 39 00:02:09,080 --> 00:02:11,600 Speaker 2: Okay, I was gonna be like, fish, get your own 40 00:02:11,639 --> 00:02:14,959 Speaker 2: animal name, because it's like cockatoo wasp fish, you know 41 00:02:15,000 --> 00:02:17,160 Speaker 2: what I mean. I feel like it's appropriating very many 42 00:02:17,160 --> 00:02:19,600 Speaker 2: different animal cultures, and it's good to know it has 43 00:02:19,639 --> 00:02:20,200 Speaker 2: its own name. 44 00:02:20,480 --> 00:02:28,160 Speaker 1: Yeah, which is a Blaby's tin nionodus. Yeah. It is 45 00:02:28,240 --> 00:02:31,800 Speaker 1: a six inch or fifteen centimeter fish found in the 46 00:02:31,800 --> 00:02:36,720 Speaker 1: West Pacific near Japan, Australia, and Fiji. They are typically 47 00:02:36,760 --> 00:02:42,600 Speaker 1: found on the sandy seafloor or in seagrass, and they 48 00:02:42,639 --> 00:02:47,120 Speaker 1: basically their whole lifestyle is don't mind me, I'm a 49 00:02:47,240 --> 00:02:49,960 Speaker 1: dead piece of gross kelp ignore me. 50 00:02:50,200 --> 00:02:54,119 Speaker 2: Mm calp the trash of the sea, right, other than 51 00:02:54,200 --> 00:02:56,000 Speaker 2: the trash that we also put in the sea. 52 00:02:56,360 --> 00:03:02,480 Speaker 1: Yeah, yeah, that's also trash. It's like, yeah, but you know, 53 00:03:02,600 --> 00:03:04,200 Speaker 1: KELP is sort of like the. 54 00:03:04,200 --> 00:03:06,959 Speaker 2: Dead leaves of the sea's trash. 55 00:03:06,919 --> 00:03:15,160 Speaker 1: Nature's trash, and it they really commit to the bit, uh, Paul. 56 00:03:15,400 --> 00:03:17,919 Speaker 1: I've provided you with a couple of YouTube links if 57 00:03:17,960 --> 00:03:19,520 Speaker 1: you like, be so kind of check those out. 58 00:03:19,760 --> 00:03:21,280 Speaker 2: That'd be so weird if I clicked on this YouTube 59 00:03:21,320 --> 00:03:25,760 Speaker 2: link and I started getting ads from fish new kel 60 00:03:26,000 --> 00:03:30,480 Speaker 2: they're all heavily Oh whoa, there was one in the 61 00:03:30,520 --> 00:03:33,880 Speaker 2: foreground that I didn't even see, right, Wow, they're very 62 00:03:33,919 --> 00:03:36,240 Speaker 2: good at it. And they're doing the whole like lazing 63 00:03:36,320 --> 00:03:40,800 Speaker 2: around getting moved by the water. Yeah, water, which is 64 00:03:40,920 --> 00:03:42,000 Speaker 2: wind of the sea. 65 00:03:42,040 --> 00:03:43,360 Speaker 1: The wind of the sea water. 66 00:03:43,480 --> 00:03:48,840 Speaker 2: Yes, damn. That's such a chill life, just like and 67 00:03:48,960 --> 00:03:51,080 Speaker 2: just relaxing and trash. 68 00:03:51,360 --> 00:03:55,200 Speaker 1: Yeah, I mean it's they are doing a method acting 69 00:03:55,560 --> 00:03:57,680 Speaker 1: of the of the dead. 70 00:03:57,760 --> 00:04:02,760 Speaker 2: KELP really going for who was the succession guy, Jeremy 71 00:04:03,160 --> 00:04:07,400 Speaker 2: what's his name, Jeremy Strong could never. Jeremy Strong could. 72 00:04:07,200 --> 00:04:14,080 Speaker 1: Never, Daniel day Lewis, who else does wishes? Yeah, like 73 00:04:14,320 --> 00:04:16,440 Speaker 1: Jared Letto, Lito. 74 00:04:16,320 --> 00:04:19,760 Speaker 2: Jared, A bunch of strangely ego tripping. 75 00:04:19,440 --> 00:04:24,200 Speaker 1: Men, right, more like Jared Lefo this guy there we go. 76 00:04:26,080 --> 00:04:28,440 Speaker 2: But yeah, watching the second clip one second? 77 00:04:29,000 --> 00:04:29,520 Speaker 1: Do they. 78 00:04:31,560 --> 00:04:33,000 Speaker 2: Like kelp is different colors? 79 00:04:33,080 --> 00:04:38,040 Speaker 1: Right? Yeah, I mean brown green mostly, So I'm. 80 00:04:37,920 --> 00:04:41,359 Speaker 2: Wondering if like the kelp in the area wherever these are, like, 81 00:04:41,400 --> 00:04:44,000 Speaker 2: if they if they reflect the color of the kelp there. 82 00:04:44,520 --> 00:04:47,760 Speaker 1: Yeah, probably I would imagine, so like there's there's a 83 00:04:47,800 --> 00:04:51,760 Speaker 1: great deal of this color of brownish sort of reddish 84 00:04:51,839 --> 00:04:54,839 Speaker 1: brown kelps, so they would blend right in with the 85 00:04:54,920 --> 00:05:00,000 Speaker 1: kelp force near where they are. And yeah, I really 86 00:05:00,160 --> 00:05:03,320 Speaker 1: just appreciate how committed they are to acting like kelp. 87 00:05:03,360 --> 00:05:06,400 Speaker 1: They swim in a way where they kind of make 88 00:05:06,440 --> 00:05:09,320 Speaker 1: it seem like they're drifting, so it looks just like 89 00:05:09,360 --> 00:05:12,040 Speaker 1: their kelp kind of floating in the current, but they 90 00:05:12,080 --> 00:05:15,880 Speaker 1: are intentionally moving, so like their swim styles, like I 91 00:05:15,960 --> 00:05:19,200 Speaker 1: just kind of swim over here like they're floating. Uh, 92 00:05:20,600 --> 00:05:26,040 Speaker 1: but they are covered in poisonous spines. Oh my god, Yeah, 93 00:05:26,120 --> 00:05:31,760 Speaker 1: venomous spines. So unfortunately they if you step on one 94 00:05:31,760 --> 00:05:35,240 Speaker 1: of these, they have a bunch of venomous spines. And 95 00:05:35,600 --> 00:05:39,960 Speaker 1: it's fun because they make themselves intentionally look just like kelp. 96 00:05:40,560 --> 00:05:42,200 Speaker 2: So yeah, and then you're gonna spine me. 97 00:05:42,360 --> 00:05:43,040 Speaker 1: Are you checking me? 98 00:05:43,080 --> 00:05:43,479 Speaker 2: It's a my. 99 00:05:43,560 --> 00:05:48,840 Speaker 1: Fault, right, Good luck with that. And even like more 100 00:05:48,880 --> 00:05:51,920 Speaker 1: toxic of them is that they're predators and they will 101 00:05:51,960 --> 00:05:57,000 Speaker 1: each shrimp and small crustaceans, and this form of mimicry 102 00:05:57,200 --> 00:06:01,560 Speaker 1: is not just to evade detection from it is to 103 00:06:01,720 --> 00:06:06,120 Speaker 1: evade detection from their prey. So they just act like 104 00:06:06,360 --> 00:06:10,160 Speaker 1: a dead piece of kelp float along and then ambush 105 00:06:10,279 --> 00:06:14,680 Speaker 1: some unsuspecting victim and suddenly this kelp is trying to 106 00:06:14,680 --> 00:06:15,040 Speaker 1: eat you. 107 00:06:15,240 --> 00:06:17,440 Speaker 2: That would give me so many like I would have 108 00:06:17,480 --> 00:06:20,279 Speaker 2: so many trauma responses to vegetation after that. 109 00:06:20,680 --> 00:06:25,880 Speaker 1: Yeah, I mean it's it. You don't expect like basically 110 00:06:26,279 --> 00:06:29,239 Speaker 1: the limp salad of the sea to attack you. That's 111 00:06:29,400 --> 00:06:33,120 Speaker 1: the last place you would expect violence from, like essentially 112 00:06:33,279 --> 00:06:37,800 Speaker 1: sea salad. So essentially, the only clue you have that 113 00:06:37,880 --> 00:06:41,520 Speaker 1: this thing is not some dead kelp drifting on the 114 00:06:41,560 --> 00:06:46,559 Speaker 1: seafloor is its eyes, and their eyes are really weird 115 00:06:46,600 --> 00:06:48,240 Speaker 1: because I don't know if you noticed in that video, 116 00:06:48,279 --> 00:06:51,360 Speaker 1: but they kind of like stabilize, like as they're floating, 117 00:06:51,400 --> 00:06:55,960 Speaker 1: their eyes remain kind of like gyroscopically stable, so they 118 00:06:56,000 --> 00:06:59,520 Speaker 1: can continually scan their surroundings for prey. 119 00:07:00,040 --> 00:07:02,040 Speaker 2: It's like in those videos of like people like moving 120 00:07:02,120 --> 00:07:04,320 Speaker 2: chickens arounds and their heads to in the same spot. 121 00:07:05,600 --> 00:07:09,320 Speaker 1: It's exactly like that, except the chicken is covered in 122 00:07:09,720 --> 00:07:13,040 Speaker 1: venomous spines and looks like sea salad. 123 00:07:15,760 --> 00:07:17,720 Speaker 2: Maybe they would do better on land if they did 124 00:07:17,760 --> 00:07:18,280 Speaker 2: look like that. 125 00:07:19,280 --> 00:07:23,440 Speaker 1: Yeah, yeah, I guess, I mean, I guess we would, 126 00:07:23,520 --> 00:07:27,160 Speaker 1: like that would be very effective. Camouflage for a chicken 127 00:07:27,400 --> 00:07:30,400 Speaker 1: is like a salad, because then meat eaters are like, 128 00:07:30,440 --> 00:07:32,000 Speaker 1: ew a salad. I don't want that. 129 00:07:32,040 --> 00:07:35,040 Speaker 2: I'd be like, oh, tasteress like chicken. I hate myself. 130 00:07:42,760 --> 00:07:45,120 Speaker 1: Pullavi. Is it just me? Or do you ever just 131 00:07:45,200 --> 00:07:49,200 Speaker 1: like dress up in garbage when you don't want to 132 00:07:49,240 --> 00:07:53,160 Speaker 1: be bothered, Like you put on into Yeah, just like 133 00:07:53,200 --> 00:07:59,840 Speaker 1: the word you're most off putting sweater or jeans like 134 00:08:00,440 --> 00:08:05,920 Speaker 1: an intentionally placed marinera sauce stained somewhere just so you know. 135 00:08:06,240 --> 00:08:08,800 Speaker 2: Yeah, it was intentional sure. 136 00:08:09,120 --> 00:08:14,200 Speaker 1: Art artfully designed stains so that when you go outside 137 00:08:14,240 --> 00:08:16,080 Speaker 1: people will give you like a wide berth. 138 00:08:16,440 --> 00:08:19,080 Speaker 2: Yeah, for sure. I mean that's like when I walk 139 00:08:19,160 --> 00:08:21,600 Speaker 2: my dogs, I'm always just like dressed in whatever I'm 140 00:08:21,600 --> 00:08:24,200 Speaker 2: at in at home, and it's very like not attention. 141 00:08:24,320 --> 00:08:26,760 Speaker 2: It's like it's unfortunately attention grabbing it the wrong way, 142 00:08:26,840 --> 00:08:30,040 Speaker 2: like in that it's like so mismatched. But luckily in 143 00:08:30,080 --> 00:08:33,520 Speaker 2: Hollywood nobody care, right, But yeah, I have a lot 144 00:08:33,520 --> 00:08:36,160 Speaker 2: of my whole, my whole that's like this the Billie 145 00:08:36,160 --> 00:08:38,080 Speaker 2: Eilish thing where she wore a bunch of like baggy 146 00:08:38,120 --> 00:08:40,200 Speaker 2: sweatpants and stuff so people wouldn't look at her body. 147 00:08:40,559 --> 00:08:44,840 Speaker 1: Yeah, right, exactly. Yeah, it's just sometimes you don't want 148 00:08:44,920 --> 00:08:48,280 Speaker 1: to be noticed. And it's frustrating because I live in 149 00:08:48,640 --> 00:08:52,320 Speaker 1: Italy and people actually dress very nicely a lot of 150 00:08:52,360 --> 00:08:54,440 Speaker 1: the time, and everywhere. 151 00:08:54,000 --> 00:08:56,880 Speaker 2: Except the US people dress very nicely a lot of 152 00:08:56,920 --> 00:08:57,280 Speaker 2: the time. 153 00:08:57,400 --> 00:08:58,440 Speaker 1: It seems that way. 154 00:08:58,520 --> 00:09:01,160 Speaker 2: Yes, I go to and yet I'm like, oh, I'm 155 00:09:01,160 --> 00:09:03,040 Speaker 2: going out to dinner. Usually in the US, I would 156 00:09:03,040 --> 00:09:04,320 Speaker 2: just like wear a T shirt and they were like, 157 00:09:04,400 --> 00:09:06,760 Speaker 2: you would wear just a T shirt outside of your home? 158 00:09:06,840 --> 00:09:09,800 Speaker 2: And I was like yeah, and they're like, that's disgusting. 159 00:09:10,120 --> 00:09:13,480 Speaker 1: Yeah. When I went to an Italian language class, I 160 00:09:13,559 --> 00:09:16,280 Speaker 1: like was in there with like jeans and a hoodie 161 00:09:16,920 --> 00:09:18,800 Speaker 1: and she's like, oh, did you just come back from 162 00:09:18,800 --> 00:09:22,200 Speaker 1: the gym, And it's like, no, I'm just wearing clothes. 163 00:09:22,440 --> 00:09:23,560 Speaker 2: You're welcome that I'm here. 164 00:09:26,600 --> 00:09:31,520 Speaker 1: But the kind of the commitment to lounge wear, to 165 00:09:32,040 --> 00:09:36,319 Speaker 1: wearing garbage so that you're not noticed is done by 166 00:09:36,360 --> 00:09:40,120 Speaker 1: the humble crab who I don't know if you've heard 167 00:09:40,160 --> 00:09:45,680 Speaker 1: of this idea of carsonization where animals repeatedly evolved to 168 00:09:45,720 --> 00:09:49,000 Speaker 1: be crab shaped. But all I'm saying is we are 169 00:09:49,040 --> 00:09:53,800 Speaker 1: sort of headed towards crab form eventually. And so isn't 170 00:09:53,800 --> 00:09:54,480 Speaker 1: that what the. 171 00:09:54,520 --> 00:09:57,280 Speaker 2: That movie was about? The crab or the lobster? What 172 00:09:57,320 --> 00:09:58,920 Speaker 2: was it that Jake jillen All. 173 00:09:58,840 --> 00:10:03,559 Speaker 1: Movie, No idea. I've never heard of this, but I 174 00:10:03,600 --> 00:10:06,679 Speaker 1: would love it if there's a Jake Jillenhall movie called 175 00:10:07,200 --> 00:10:07,680 Speaker 1: the Crab. 176 00:10:08,720 --> 00:10:11,160 Speaker 2: Farrell, they're kind of the same to Okay, yeah. 177 00:10:11,080 --> 00:10:15,440 Speaker 1: Colin Farrell, wasn't a movie called the Lobster? 178 00:10:15,760 --> 00:10:16,520 Speaker 2: That's what it was? 179 00:10:16,800 --> 00:10:19,360 Speaker 1: Where you have to like I think you have to 180 00:10:19,480 --> 00:10:22,880 Speaker 1: like find you have to marry someone or you turn 181 00:10:22,920 --> 00:10:25,520 Speaker 1: into an animal when you turn like forty or something. 182 00:10:26,480 --> 00:10:29,520 Speaker 2: And that's where we're all going. A single woman, this 183 00:10:29,679 --> 00:10:32,880 Speaker 2: is exactly where I'm headed. I'm about to turn into 184 00:10:32,880 --> 00:10:33,400 Speaker 2: this crab. 185 00:10:35,760 --> 00:10:40,080 Speaker 1: I think going crab is not so bad. Honestly, you 186 00:10:40,120 --> 00:10:45,000 Speaker 1: can scuttle a lot more. Scuttling's nice, it's a good 187 00:10:45,040 --> 00:10:49,240 Speaker 1: it's a good form of locomotion. Anyway, I would I 188 00:10:49,280 --> 00:10:54,760 Speaker 1: would dig a crab lifestyle, especially decorator crabs, because decorator 189 00:10:54,800 --> 00:11:01,319 Speaker 1: crabs are basically Yes, they're basically like, I am small 190 00:11:01,440 --> 00:11:04,320 Speaker 1: and cute and edible, so I'm just gonna put a 191 00:11:04,320 --> 00:11:07,720 Speaker 1: bunch of junk on my body so nobody notices me. 192 00:11:09,320 --> 00:11:10,559 Speaker 2: So they decorate themselves. 193 00:11:10,960 --> 00:11:11,680 Speaker 1: Exactly. 194 00:11:12,200 --> 00:11:16,319 Speaker 2: How come it's called decorator crabs and not like defender crabs. 195 00:11:16,400 --> 00:11:20,680 Speaker 2: It's because they're cute. 196 00:11:20,360 --> 00:11:22,280 Speaker 1: Toxic femininity. 197 00:11:23,400 --> 00:11:27,120 Speaker 2: Their life, their survival skills or little arts and crafts 198 00:11:27,160 --> 00:11:27,600 Speaker 2: to you. 199 00:11:27,559 --> 00:11:35,319 Speaker 1: Right, scientists, pinterest crabs. Yes, so there are at least 200 00:11:35,440 --> 00:11:39,000 Speaker 1: fifteen species of crabs known as decorator crabs, who will 201 00:11:39,040 --> 00:11:41,319 Speaker 1: pick up junk they find from the seat and place 202 00:11:41,360 --> 00:11:45,199 Speaker 1: it on tiny, little velcrow like hooks on their bodies. 203 00:11:45,240 --> 00:11:50,760 Speaker 1: They're literally covered in velcrow and oh wow, yeah, so 204 00:11:50,800 --> 00:11:56,719 Speaker 1: they can just pick Yeah, that's crazy. The hooks are 205 00:11:56,760 --> 00:12:00,000 Speaker 1: called cetae, and cetae are just it's just as science 206 00:12:00,120 --> 00:12:04,480 Speaker 1: see word for like hair like bristles. So they can 207 00:12:04,559 --> 00:12:07,960 Speaker 1: basically pick up any kind of seed junk that could 208 00:12:08,000 --> 00:12:12,480 Speaker 1: stick to sort of a sticky velcrow thing. They'll use 209 00:12:12,520 --> 00:12:16,880 Speaker 1: things like kelp, broken bits of coral shells, pebbles. Some 210 00:12:17,000 --> 00:12:21,400 Speaker 1: species of decorator crab even choose to attach toxic bits 211 00:12:21,480 --> 00:12:25,840 Speaker 1: of scrap onto their bodies like little anenemies. I said 212 00:12:25,840 --> 00:12:32,080 Speaker 1: that wrong. Anemonies. That's that's a word that does not 213 00:12:32,240 --> 00:12:34,440 Speaker 1: feel good in my mouth. So it's thought that the 214 00:12:34,720 --> 00:12:38,760 Speaker 1: anemonies may benefit by being able to taxi around and 215 00:12:38,880 --> 00:12:45,640 Speaker 1: find food, while the crab benefits from the anemones toxins. Hmmm. 216 00:12:47,080 --> 00:12:51,400 Speaker 2: Wow, that's like having like one mean friend. Yeah, it's 217 00:12:51,440 --> 00:12:53,760 Speaker 2: like they benefit because they get access to all the 218 00:12:53,800 --> 00:12:56,520 Speaker 2: places you go because you're nice, But then you benefit 219 00:12:56,600 --> 00:12:58,520 Speaker 2: when that goes down and you need to like throw 220 00:12:58,559 --> 00:13:00,280 Speaker 2: that mean friend at the situation. 221 00:13:00,120 --> 00:13:02,880 Speaker 1: Right exactly. It's like your mean friend is always sort 222 00:13:02,920 --> 00:13:06,040 Speaker 1: of strong arming in you into driving them around, but 223 00:13:06,080 --> 00:13:09,760 Speaker 1: then you need them to really release some they will 224 00:13:10,640 --> 00:13:13,560 Speaker 1: for you, they will right exactly. I love that. I 225 00:13:13,600 --> 00:13:17,280 Speaker 1: love this friendship for them. So decorator crabs will use 226 00:13:17,320 --> 00:13:20,400 Speaker 1: whatever they find in their environment, which makes sense because 227 00:13:20,400 --> 00:13:22,920 Speaker 1: they want to blend in best where they are. But 228 00:13:23,000 --> 00:13:26,000 Speaker 1: that means that if a decorator crab finds itself near 229 00:13:26,120 --> 00:13:29,360 Speaker 1: human garbage, it will cover itself in human garbage. 230 00:13:30,200 --> 00:13:36,119 Speaker 2: So sad, so sad. Good. So there are little Dorito's 231 00:13:36,120 --> 00:13:38,559 Speaker 2: bags wandering around the ocean pretty. 232 00:13:38,320 --> 00:13:41,600 Speaker 1: Much, pretty much so. A crab found near a sump 233 00:13:41,760 --> 00:13:47,960 Speaker 1: system by photographer Michael Bach at a research station was 234 00:13:48,080 --> 00:13:51,920 Speaker 1: covered in little pieces of plastic and netting that was 235 00:13:51,960 --> 00:13:55,040 Speaker 1: in a filter system he had crawled into. So thankfully 236 00:13:55,120 --> 00:13:58,240 Speaker 1: this wasn't like pollution in the ocean. There was like 237 00:13:58,320 --> 00:14:01,360 Speaker 1: a filtration system that was to keep stuff from getting 238 00:14:01,440 --> 00:14:04,360 Speaker 1: out into the ocean. But this little crab got in there. 239 00:14:04,679 --> 00:14:07,280 Speaker 1: It was like great free junk and he put him 240 00:14:07,320 --> 00:14:08,720 Speaker 1: on all on himself. 241 00:14:09,960 --> 00:14:14,680 Speaker 2: One's man, one man's trash is another decorator crabs. Michaels Art. 242 00:14:17,760 --> 00:14:22,080 Speaker 1: Michaels is like the number one generator of just stuff 243 00:14:22,120 --> 00:14:26,520 Speaker 1: and junk. Like there's I feel like in a few 244 00:14:26,720 --> 00:14:30,360 Speaker 1: if we last a few more, one hundred thousand years unlikely, 245 00:14:30,440 --> 00:14:32,640 Speaker 1: But if we do, there's just gonna be like a 246 00:14:32,640 --> 00:14:38,840 Speaker 1: fine sedimentary layer of like Michael's stuff, like sequin yeah, 247 00:14:40,120 --> 00:14:48,560 Speaker 1: fillers yeah, yeah, felts, eyeballs, those little like weird styrofoam shapes. 248 00:14:49,480 --> 00:14:49,960 Speaker 2: Yeah. 249 00:14:51,000 --> 00:14:56,080 Speaker 1: So Unfortunately, this habit of wearing human trash is not 250 00:14:56,480 --> 00:15:00,600 Speaker 1: only found with decorator crabs. It is a found with 251 00:15:00,720 --> 00:15:05,280 Speaker 1: hermit crabs. So hermit crabs will wear trash if they 252 00:15:05,560 --> 00:15:09,040 Speaker 1: end up finding that instead of an adequate seashell. So 253 00:15:09,160 --> 00:15:13,000 Speaker 1: hermit crabs will use the abandoned shells of other marine 254 00:15:13,040 --> 00:15:17,520 Speaker 1: life rather than producing their own shells. And as they grow, 255 00:15:17,640 --> 00:15:21,160 Speaker 1: they need to move into bigger shells, so they're always 256 00:15:21,280 --> 00:15:23,520 Speaker 1: on the hunt for a nice cozy shell. 257 00:15:23,640 --> 00:15:28,880 Speaker 2: Sustainable kings look at them, Yeah, using whatever they have incredible. 258 00:15:28,360 --> 00:15:33,760 Speaker 1: Reuse, recycle, literal green houses is what they're doing, right, 259 00:15:33,960 --> 00:15:39,040 Speaker 1: Scuttle reuse, recycle crab life. So finding the right sized 260 00:15:39,040 --> 00:15:42,479 Speaker 1: shell is difficult, So if they're surrounded by human garbage, 261 00:15:42,520 --> 00:15:47,720 Speaker 1: they will wear that garbage like bottle caps, broken light bulbs. 262 00:15:47,760 --> 00:15:51,680 Speaker 1: This photographer Sean Miller captured a bunch of photos of 263 00:15:51,680 --> 00:15:56,120 Speaker 1: hermit crabs on a litter covered beach. In Okinawa and 264 00:15:56,200 --> 00:15:59,880 Speaker 1: they're just there with their little bottle caps and ran 265 00:16:00,360 --> 00:16:03,320 Speaker 1: garbage that they're wearing, like it's no big deal. 266 00:16:03,720 --> 00:16:06,240 Speaker 2: But it's if we're not going to use it, you 267 00:16:06,320 --> 00:16:06,800 Speaker 2: know what I mean? 268 00:16:07,520 --> 00:16:08,560 Speaker 1: Yeah, And it makes me. 269 00:16:08,640 --> 00:16:10,920 Speaker 2: So sad that you see that. That is like so 270 00:16:11,160 --> 00:16:14,880 Speaker 2: I'm like, no, we're like we don't need to. We've 271 00:16:15,000 --> 00:16:18,560 Speaker 2: we've made we're such consumers. We've like endowed the consumer 272 00:16:18,640 --> 00:16:23,760 Speaker 2: lifestyle and the capitalist culture onto crabs. They're like they're 273 00:16:23,920 --> 00:16:25,400 Speaker 2: they're like work pilled. 274 00:16:26,080 --> 00:16:29,760 Speaker 1: Yeah, they're like, yeah, they're going to be shopping at 275 00:16:29,800 --> 00:16:35,000 Speaker 1: Cole's next. It's it's a problem. It's a big problem. Yeah. 276 00:16:35,040 --> 00:16:37,600 Speaker 1: I mean it is a problem though, because trash is 277 00:16:38,120 --> 00:16:40,080 Speaker 1: on the whole not helpful for crabs. First of all, 278 00:16:40,080 --> 00:16:45,320 Speaker 1: it's not an ideal home for them. But also there 279 00:16:45,480 --> 00:16:49,400 Speaker 1: is something called a cascade of death that can happen 280 00:16:49,440 --> 00:16:53,400 Speaker 1: to hermit crabs, which I do. I mean, this is bad, 281 00:16:53,480 --> 00:16:55,280 Speaker 1: but I do like the name of it. I love 282 00:16:55,320 --> 00:16:59,000 Speaker 1: it when scientists are just like, this is a cascade 283 00:16:59,040 --> 00:17:03,400 Speaker 1: of debt death, this is a whirlpool of suffering. 284 00:17:03,880 --> 00:17:06,720 Speaker 2: It's like a scientist who didn't get into writing school. 285 00:17:06,520 --> 00:17:08,800 Speaker 1: Right, you know what, I mean this is what you're 286 00:17:08,800 --> 00:17:14,960 Speaker 1: one shot, Yeah, exactly. So this cascade of death can 287 00:17:15,000 --> 00:17:18,879 Speaker 1: happen to hermit crabs who get stuck inside plastic bottles 288 00:17:18,880 --> 00:17:21,840 Speaker 1: that they're rooting around in. So they can sometimes go 289 00:17:21,920 --> 00:17:25,320 Speaker 1: inside a plastic or glass bottle because they're looking for water. 290 00:17:25,480 --> 00:17:28,000 Speaker 1: They think maybe it's a home, but it turns out 291 00:17:28,040 --> 00:17:31,320 Speaker 1: just to be a big bottle. But then they can, yeah, 292 00:17:31,359 --> 00:17:33,840 Speaker 1: and they can get stuck inside because the sides are 293 00:17:33,880 --> 00:17:37,040 Speaker 1: so smooth, they don't get traction with their little hermit 294 00:17:37,080 --> 00:17:40,399 Speaker 1: crab feet, and so it's unable to get out, and 295 00:17:40,480 --> 00:17:44,800 Speaker 1: so it'll die. And then it emits a smell that 296 00:17:44,920 --> 00:17:48,200 Speaker 1: other hermit crabs can detect in which lets them know 297 00:17:48,440 --> 00:17:51,120 Speaker 1: that there's a dead hermit crab around. And when other 298 00:17:51,160 --> 00:17:54,320 Speaker 1: hermit crabs smell that, they know there is an available shell, 299 00:17:54,880 --> 00:18:03,040 Speaker 1: and so they yeah, yeah, no, normally what this means. Normally, 300 00:18:03,080 --> 00:18:05,480 Speaker 1: this means that it's just the hermit crab going to 301 00:18:05,680 --> 00:18:08,399 Speaker 1: the dead hermit crabs estate sale, doing a little bit 302 00:18:08,440 --> 00:18:11,080 Speaker 1: of harmless grave robbing and getting a nice new home. 303 00:18:12,080 --> 00:18:16,800 Speaker 1: But what happens now when they are inside this bottle 304 00:18:17,040 --> 00:18:20,200 Speaker 1: is that these other crabs go in smelling the like hey, 305 00:18:20,359 --> 00:18:23,640 Speaker 1: free home, I'm dead smell and then they get trapped too, 306 00:18:23,800 --> 00:18:27,640 Speaker 1: and then they die and then another crab smells them, 307 00:18:28,800 --> 00:18:33,000 Speaker 1: and it's just this vicious cycle of crabs dying and 308 00:18:33,080 --> 00:18:36,399 Speaker 1: sending out like I'm dead now, come take my shell 309 00:18:37,000 --> 00:18:40,240 Speaker 1: sent out to other crabs until these bottles can be 310 00:18:40,280 --> 00:18:42,360 Speaker 1: like full of dead hermit crabs. 311 00:18:43,160 --> 00:18:45,080 Speaker 2: Okay, how do we do this? But with like billionaires 312 00:18:47,880 --> 00:18:51,000 Speaker 2: lure them immediately, like how can we weaponize this? I'm 313 00:18:51,000 --> 00:18:52,000 Speaker 2: better than other people. 314 00:18:52,240 --> 00:18:55,960 Speaker 1: Lure them into buying social media companies and dunk on 315 00:18:56,040 --> 00:18:57,359 Speaker 1: them more and more. 316 00:19:00,359 --> 00:19:03,480 Speaker 2: That that they're like, it's affecting so many hermit crabs. 317 00:19:03,520 --> 00:19:07,399 Speaker 2: It makes me so upset. And it's also like, I 318 00:19:07,400 --> 00:19:09,960 Speaker 2: don't know, like people are always like, oh, like marine 319 00:19:10,000 --> 00:19:12,720 Speaker 2: life gets trapped, and it's like you don't think about 320 00:19:13,080 --> 00:19:16,480 Speaker 2: the little like insect like creatures too. People think about 321 00:19:16,520 --> 00:19:19,520 Speaker 2: like turtles and stuff. It's really like the whole the 322 00:19:19,560 --> 00:19:21,080 Speaker 2: whole food chain is affected. 323 00:19:21,400 --> 00:19:25,520 Speaker 1: Yeah, it's the little guys too. I love hermit crabs. 324 00:19:25,560 --> 00:19:30,439 Speaker 1: I had a pet terrestrial hermit crab when I was 325 00:19:30,480 --> 00:19:32,639 Speaker 1: a kid, and have. 326 00:19:32,680 --> 00:19:34,359 Speaker 2: The best pets, but that makes sense. 327 00:19:34,440 --> 00:19:36,840 Speaker 1: Yeah, they're not great pets. I own a lot of 328 00:19:36,840 --> 00:19:39,639 Speaker 1: pets as a kid that like as an adult, I 329 00:19:39,680 --> 00:19:43,520 Speaker 1: would advise against because, yeah, partially because it's like they're 330 00:19:43,560 --> 00:19:46,760 Speaker 1: not great pets, and also it's not necessarily the best 331 00:19:46,800 --> 00:19:49,520 Speaker 1: life for them to be manhandled by a child. 332 00:19:50,680 --> 00:19:53,280 Speaker 2: Your your hermit crab. You had that chimp that ate 333 00:19:53,320 --> 00:19:56,879 Speaker 2: someone's face, I don't talk about anymore. Yeah, you had 334 00:19:56,880 --> 00:19:58,639 Speaker 2: a whole slew of pets. 335 00:19:58,359 --> 00:20:03,040 Speaker 1: Yeah exactly. Uh yeah, but this, this hermit crab did 336 00:20:03,280 --> 00:20:05,680 Speaker 1: try to eat my face, or at least my armpit. 337 00:20:05,920 --> 00:20:08,800 Speaker 1: It like crawled into my armpit one time and then 338 00:20:08,920 --> 00:20:11,520 Speaker 1: just clamped down really hard and I couldn't get it 339 00:20:12,520 --> 00:20:13,080 Speaker 1: and it was. 340 00:20:13,080 --> 00:20:16,240 Speaker 2: Just so painful. It sounds like it was very painful. 341 00:20:16,960 --> 00:20:20,080 Speaker 1: I was conscientious as a kid, and I didn't want 342 00:20:20,119 --> 00:20:22,240 Speaker 1: to like rip it off because I was worried I 343 00:20:22,240 --> 00:20:25,200 Speaker 1: would hurt its little arm. So I just was like, well, 344 00:20:25,240 --> 00:20:26,800 Speaker 1: this is my life now, and I had to wait 345 00:20:26,880 --> 00:20:29,199 Speaker 1: until it decided to let go. I just had a 346 00:20:29,240 --> 00:20:31,560 Speaker 1: hermit crab in my armpit for like half an hour. 347 00:20:32,320 --> 00:20:34,440 Speaker 2: Oh my god, what if you had like a cascade 348 00:20:34,480 --> 00:20:37,680 Speaker 2: of death from that, like you accidentally and then it died. 349 00:20:37,720 --> 00:20:39,399 Speaker 2: And then all of a sudden, all these hermit crabs 350 00:20:39,440 --> 00:20:41,800 Speaker 2: like appeared out of your apartment and it's. 351 00:20:41,680 --> 00:20:44,800 Speaker 1: Like and then it's like someone's like, wow, it smells 352 00:20:44,800 --> 00:20:46,840 Speaker 1: like a bunch of hermit crabs crawled up and died 353 00:20:46,840 --> 00:20:47,560 Speaker 1: in your armpits. 354 00:20:47,600 --> 00:20:49,000 Speaker 2: I'm like, well about. 355 00:20:48,680 --> 00:21:02,600 Speaker 1: That, about that, And that's why Paula VI, I'm sure 356 00:21:02,600 --> 00:21:06,600 Speaker 1: we both experienced the feeling of just feeling like crap 357 00:21:06,880 --> 00:21:12,120 Speaker 1: and sort of like, you know, just just dressing like crap, 358 00:21:12,480 --> 00:21:15,520 Speaker 1: just sort of embracing being craped for a day, you 359 00:21:15,520 --> 00:21:16,040 Speaker 1: know what I mean. 360 00:21:16,359 --> 00:21:18,560 Speaker 2: Yeah, similar to this trash theme. 361 00:21:19,320 --> 00:21:21,679 Speaker 1: Yeah, I mean it's like there are days where, like, 362 00:21:22,000 --> 00:21:25,640 Speaker 1: at least for me, I sometimes just like I feel 363 00:21:25,720 --> 00:21:29,560 Speaker 1: kind of crappy and I just go with it. It's like, 364 00:21:29,600 --> 00:21:31,680 Speaker 1: all right, I'm having a crap day. I'm just gonna 365 00:21:31,680 --> 00:21:32,919 Speaker 1: be crap today. That's fine. 366 00:21:33,160 --> 00:21:33,840 Speaker 2: Yeah. 367 00:21:34,280 --> 00:21:39,560 Speaker 1: Well, lots of arthropods also love to be crap. In fact, 368 00:21:39,640 --> 00:21:45,040 Speaker 1: they are very committed to looking exactly like poop. So 369 00:21:46,080 --> 00:21:51,159 Speaker 1: this is something that happens in multiple different like insects 370 00:21:51,200 --> 00:21:56,320 Speaker 1: and arthropods, and it is some of them like it's, yes, 371 00:21:56,400 --> 00:21:59,960 Speaker 1: it is kind of gross looking, but it's also ridiculously 372 00:22:00,040 --> 00:22:01,480 Speaker 1: the elegant evolution. 373 00:22:01,880 --> 00:22:05,760 Speaker 2: So it's very gross looking, but it is like you 374 00:22:05,840 --> 00:22:09,720 Speaker 2: have to be really good at mimicry to do it exactly. 375 00:22:09,840 --> 00:22:13,320 Speaker 1: I mean, this is it's like, I don't know, I 376 00:22:13,359 --> 00:22:16,920 Speaker 1: feel like it's high like when in like really high fashion, 377 00:22:17,080 --> 00:22:20,080 Speaker 1: sometimes they do this like disheveled look where it's like, wow, 378 00:22:20,200 --> 00:22:24,000 Speaker 1: that outfit looks like garbage, but it's very fancy and 379 00:22:24,080 --> 00:22:25,440 Speaker 1: well thought out garbage. 380 00:22:25,440 --> 00:22:31,640 Speaker 2: I guess. Yeah, it's like the casual look. It's really 381 00:22:31,640 --> 00:22:32,360 Speaker 2: well crafted. 382 00:22:32,440 --> 00:22:36,359 Speaker 1: Actually right, it's the sloppy bun. I've never been able 383 00:22:36,400 --> 00:22:39,920 Speaker 1: to like, I've never been able to do a sloppy bun. 384 00:22:40,640 --> 00:22:43,639 Speaker 2: Why is a sloppy bun? Okay, but a frizzy bun 385 00:22:43,760 --> 00:22:46,960 Speaker 2: isn't like let me, let me be a frizzball. I 386 00:22:47,240 --> 00:22:49,600 Speaker 2: not come into fashion style. 387 00:22:49,880 --> 00:22:54,719 Speaker 1: Come on, I have extremely frizzy like Girl before the 388 00:22:54,760 --> 00:22:57,000 Speaker 1: Makeover and teen movies hair. 389 00:22:57,080 --> 00:23:01,639 Speaker 2: Literally literally in middle school. I after, Okay, this is 390 00:23:01,680 --> 00:23:04,159 Speaker 2: still sticking with me. This is how much it's a 391 00:23:04,240 --> 00:23:07,199 Speaker 2: like a chip on my shoulder. I went to swimming 392 00:23:07,240 --> 00:23:09,800 Speaker 2: class because we had like the gym rotations, and one 393 00:23:09,880 --> 00:23:12,359 Speaker 2: of them was like swim learning how to swim, and 394 00:23:12,400 --> 00:23:17,040 Speaker 2: then afterwards one of my male friends was like, you 395 00:23:17,119 --> 00:23:19,560 Speaker 2: look like the before picture and Rachel looks like the 396 00:23:19,600 --> 00:23:21,240 Speaker 2: after in a shampoo commercial. 397 00:23:21,280 --> 00:23:22,040 Speaker 1: Oh my god. 398 00:23:22,440 --> 00:23:25,160 Speaker 2: First of all, but I didn't know how to articulate 399 00:23:25,200 --> 00:23:29,960 Speaker 2: that at the time. No, everybody just laughed and I 400 00:23:30,000 --> 00:23:31,920 Speaker 2: was like ha ha okay, because I didn't have like 401 00:23:31,960 --> 00:23:33,959 Speaker 2: a voice at that point. You know, I was by 402 00:23:33,960 --> 00:23:35,879 Speaker 2: all these white people in Utah, but I was. I 403 00:23:36,000 --> 00:23:39,000 Speaker 2: literally like in the morning, like I won't One thing 404 00:23:39,000 --> 00:23:40,480 Speaker 2: that I do love about myself is that I won't 405 00:23:40,520 --> 00:23:41,919 Speaker 2: look in the mirror in the mornings, and I like 406 00:23:41,960 --> 00:23:44,440 Speaker 2: go walk the dogs and just like leave immediately. So 407 00:23:44,440 --> 00:23:46,000 Speaker 2: I have no idea what I look like. And I'm 408 00:23:46,080 --> 00:23:48,080 Speaker 2: just like if I tie my hair up, it's like 409 00:23:48,119 --> 00:23:52,320 Speaker 2: frisball Frisball, Like it's just like there's no I can't. 410 00:23:52,680 --> 00:23:54,360 Speaker 2: I'm not going to put condition on my hair when 411 00:23:54,359 --> 00:23:55,880 Speaker 2: my dog needs to take you know what I mean. 412 00:23:57,400 --> 00:24:02,840 Speaker 1: But yeah, yeah, big same. I When I try to 413 00:24:02,840 --> 00:24:07,280 Speaker 1: do sloppy bun, I look like a Victorian era woman 414 00:24:07,400 --> 00:24:12,000 Speaker 1: who's been like put in the asylum by her husband 415 00:24:12,200 --> 00:24:16,080 Speaker 1: for speaking her mind. We're supposed to getting a lobotomy 416 00:24:16,280 --> 00:24:21,359 Speaker 1: right exactly on Someday's post lobotomy. On Someday's pre lobotomy. 417 00:24:21,359 --> 00:24:23,960 Speaker 1: But yeah, it's just it doesn't look great. So I 418 00:24:24,000 --> 00:24:27,480 Speaker 1: feel like with the with the like stylish, messy bun. 419 00:24:28,160 --> 00:24:31,520 Speaker 1: It's something that I have to imagine people work at 420 00:24:31,520 --> 00:24:40,600 Speaker 1: this craft. Similarly, the bird poop spiders great segue perfect. 421 00:24:40,440 --> 00:24:43,840 Speaker 2: So you're so gross looking, this is so disgusting. 422 00:24:44,040 --> 00:24:46,960 Speaker 1: They really do look like bird poops. So spiders love 423 00:24:47,040 --> 00:24:49,360 Speaker 1: to pretend to be poop, and there are actually many 424 00:24:49,400 --> 00:24:50,400 Speaker 1: species who do it. 425 00:24:50,800 --> 00:24:50,879 Speaker 2: So. 426 00:24:51,000 --> 00:24:56,960 Speaker 1: For example, there is the Selenia excaveta, or bird dropping spider, 427 00:24:57,040 --> 00:25:01,040 Speaker 1: who lives in Australia and looks literally like a little 428 00:25:01,160 --> 00:25:06,239 Speaker 1: globule of bird poop. It is a splotchy white and 429 00:25:06,400 --> 00:25:10,200 Speaker 1: brown and it's disconcertingly glossy on the. 430 00:25:10,160 --> 00:25:12,399 Speaker 2: White part, very uncomfortable. 431 00:25:12,560 --> 00:25:16,200 Speaker 1: Yeah, it looks literally like a bird dropping Uh. 432 00:25:16,480 --> 00:25:17,760 Speaker 2: Do they smell like them too? 433 00:25:18,200 --> 00:25:22,920 Speaker 1: I don't think these ones do. There are some bird 434 00:25:22,960 --> 00:25:28,320 Speaker 1: poop imitators who do emit a foul odor to really 435 00:25:28,320 --> 00:25:28,760 Speaker 1: sell it. 436 00:25:29,960 --> 00:25:31,800 Speaker 2: Talk about a cascade of death. 437 00:25:33,800 --> 00:25:37,879 Speaker 1: So yeah, they also. Daniel day Lewis ith they method 438 00:25:37,880 --> 00:25:41,000 Speaker 1: act by holding their legs tucked in and staying still 439 00:25:41,040 --> 00:25:43,960 Speaker 1: to really give it that authentic poop performance. 440 00:25:44,840 --> 00:25:47,800 Speaker 2: And some in law and order as a corpse right now, 441 00:25:49,880 --> 00:25:50,760 Speaker 2: I would love it. 442 00:25:50,840 --> 00:25:53,840 Speaker 1: Oh my god, if we like lived in a magical 443 00:25:53,880 --> 00:25:57,359 Speaker 1: world where animals, you know, like in the Flintstones, where 444 00:25:57,400 --> 00:26:00,480 Speaker 1: animals were all employed as stuff, and like you had 445 00:26:00,480 --> 00:26:02,800 Speaker 1: to have like bird poop in a movie, so you 446 00:26:02,960 --> 00:26:05,439 Speaker 1: cast one of these as the bird poop and then 447 00:26:05,480 --> 00:26:09,560 Speaker 1: you paid them a fair wage. Yeah, I mean, I 448 00:26:09,600 --> 00:26:10,040 Speaker 1: think the. 449 00:26:10,040 --> 00:26:15,000 Speaker 2: Most unrealdcast, right, the most unrealistic part of that scenario 450 00:26:15,320 --> 00:26:21,440 Speaker 2: is someone being Yeah, were like, what a dream of 451 00:26:21,600 --> 00:26:22,919 Speaker 2: fair wage? What a dream? 452 00:26:23,720 --> 00:26:27,160 Speaker 1: I mean, sentient spiders, Maybe we'll get there soon. Fair 453 00:26:27,200 --> 00:26:32,400 Speaker 1: wage not a chance? So so yes, Uh. They grow 454 00:26:32,440 --> 00:26:34,600 Speaker 1: to be about half an inch or a little over 455 00:26:34,680 --> 00:26:38,159 Speaker 1: a centimeter wide. So while they're not like super teeny tiny, 456 00:26:38,200 --> 00:26:42,600 Speaker 1: they're definitely prey for birds. So what better way to 457 00:26:42,680 --> 00:26:45,560 Speaker 1: keep a bird from eating you than looking like a 458 00:26:45,560 --> 00:26:50,280 Speaker 1: piece of poop? Yep, So they are hunters as well 459 00:26:50,320 --> 00:26:54,399 Speaker 1: they are spiders, and they actually go from day to 460 00:26:54,760 --> 00:26:58,280 Speaker 1: night using a different kind of mimicry. It's like, day 461 00:26:58,320 --> 00:27:01,160 Speaker 1: look is poop, night look is something else. 462 00:27:01,240 --> 00:27:04,560 Speaker 2: So I mean, who amongst us, you know, when we 463 00:27:04,600 --> 00:27:07,040 Speaker 2: go out at night, right, look much different than the 464 00:27:07,080 --> 00:27:11,240 Speaker 2: poop look during the day. 465 00:27:11,280 --> 00:27:15,640 Speaker 1: Exactly. So they hunt for their favorite food at night, 466 00:27:15,680 --> 00:27:18,760 Speaker 1: which is moths. And at night it's not so much 467 00:27:18,800 --> 00:27:22,280 Speaker 1: that they change their appearance, but they definitely put on 468 00:27:22,680 --> 00:27:27,640 Speaker 1: a deceptive perfume. So the bird dropping spider releases a 469 00:27:27,680 --> 00:27:32,159 Speaker 1: pheromone that mimics that of a female moth, So the 470 00:27:32,320 --> 00:27:35,320 Speaker 1: horny male moths will come right up to the spider, 471 00:27:35,359 --> 00:27:38,760 Speaker 1: who smells like a sexy female, and then the spider 472 00:27:38,800 --> 00:27:39,520 Speaker 1: eats the male. 473 00:27:40,680 --> 00:27:42,520 Speaker 2: I think the female moths are in on it. I 474 00:27:42,600 --> 00:27:44,600 Speaker 2: think they're the ones who are like, They're like, here, 475 00:27:44,720 --> 00:27:47,480 Speaker 2: take this perfume and then murder my husband. 476 00:27:47,240 --> 00:27:51,880 Speaker 1: Right, I mean yeah, I think, yeah, like, would this 477 00:27:51,880 --> 00:27:54,720 Speaker 1: this male moth just made fun of my antenna. Here's 478 00:27:54,720 --> 00:27:56,359 Speaker 1: some perfume. Do what you will. 479 00:27:57,320 --> 00:28:01,639 Speaker 2: This is like the Chicago movie, like but moth and 480 00:28:01,680 --> 00:28:03,959 Speaker 2: birds and oh I would. 481 00:28:04,080 --> 00:28:09,720 Speaker 1: I would definitely pay to see an insect version of Chicago. Yeah, 482 00:28:10,080 --> 00:28:13,280 Speaker 1: can you met like Catherine Zada Jones is like a spider. 483 00:28:13,320 --> 00:28:15,280 Speaker 2: That'd be great. Yeah. 484 00:28:16,040 --> 00:28:18,840 Speaker 1: So yeah, it goes from being a piece of poop 485 00:28:18,920 --> 00:28:22,520 Speaker 1: during the day to a femme fatale at night, which 486 00:28:22,640 --> 00:28:27,400 Speaker 1: I love. It's what we all dream of. Hell yeah, 487 00:28:27,440 --> 00:28:30,680 Speaker 1: So there are many other spiders and insects who use 488 00:28:30,720 --> 00:28:35,760 Speaker 1: the poop defense. So, uh, one other type of insect. 489 00:28:35,880 --> 00:28:40,200 Speaker 1: I want to talk about our moths. So the Drea's 490 00:28:40,520 --> 00:28:45,400 Speaker 1: book You'd Rise, I have no Oh my god, You'd raise, 491 00:28:45,960 --> 00:28:51,240 Speaker 1: You'd Raise. Grata moths aka beautiful wood nymphs found in 492 00:28:51,280 --> 00:28:55,200 Speaker 1: the US have white, brown, black and green splotches on 493 00:28:55,240 --> 00:28:57,719 Speaker 1: their wings, and when their wings are actually wide open, 494 00:28:57,960 --> 00:29:03,080 Speaker 1: they are quite lovely m They look like pretty moths. 495 00:29:03,120 --> 00:29:07,640 Speaker 1: They don't look like anything gross or strange. But when 496 00:29:07,680 --> 00:29:12,280 Speaker 1: they fold their wings and they splay out their front legs, 497 00:29:12,280 --> 00:29:14,760 Speaker 1: so their front legs are kind of fuzzy, like covered 498 00:29:14,800 --> 00:29:17,920 Speaker 1: in like white fuzz, which is cute. But when they 499 00:29:18,040 --> 00:29:21,240 Speaker 1: like splay them out and fold their wings up, they 500 00:29:21,280 --> 00:29:22,960 Speaker 1: look like a bird poop splatter. 501 00:29:23,760 --> 00:29:26,800 Speaker 2: It's because it like goes from white to like slightly 502 00:29:26,920 --> 00:29:29,920 Speaker 2: green to brown. Yeah, it looks like how a bird 503 00:29:29,920 --> 00:29:32,800 Speaker 2: poop like crusts over. Yes, And so when they're like 504 00:29:32,920 --> 00:29:35,200 Speaker 2: folded up like that, it looks like a drip of 505 00:29:35,280 --> 00:29:37,720 Speaker 2: bird poop in like the positioning and then also in 506 00:29:37,840 --> 00:29:39,959 Speaker 2: like the grady end. But then when they're open they 507 00:29:39,960 --> 00:29:40,720 Speaker 2: look so pretty. 508 00:29:41,000 --> 00:29:43,920 Speaker 1: Yeah. I love that. I love that they can transform 509 00:29:44,000 --> 00:29:47,760 Speaker 1: from pretty moth to like. Nope, I am a splatter 510 00:29:48,080 --> 00:29:51,120 Speaker 1: of nasty, crusty bird doodo. 511 00:29:52,240 --> 00:29:54,640 Speaker 2: Moths contain multitudes indeed. 512 00:29:55,200 --> 00:30:00,800 Speaker 1: And uh, there's another moth known as macrosilics Maya, found 513 00:30:00,840 --> 00:30:04,920 Speaker 1: in Malaysia, and they are perhaps the most impressive bird 514 00:30:05,000 --> 00:30:09,960 Speaker 1: dropping mimics. Uh. Their wings actually feature an entire painting 515 00:30:10,440 --> 00:30:13,760 Speaker 1: not only of splattered bird poop, but what seems to 516 00:30:13,800 --> 00:30:16,080 Speaker 1: be a couple of flies eating the poop. 517 00:30:16,880 --> 00:30:21,960 Speaker 2: Oh my god, holy that looks crazy, right. It looks 518 00:30:22,000 --> 00:30:23,760 Speaker 2: like a cartoon, like somebody drew it. 519 00:30:24,000 --> 00:30:24,520 Speaker 1: Yeah. 520 00:30:25,680 --> 00:30:28,440 Speaker 2: But also the bird poop also looks like a penis, 521 00:30:29,080 --> 00:30:32,960 Speaker 2: like that part of it because it's like symmetricals right, 522 00:30:33,040 --> 00:30:35,600 Speaker 2: so like when they pull it right and a penis 523 00:30:35,640 --> 00:30:37,040 Speaker 2: coming up along the spine. 524 00:30:37,440 --> 00:30:40,720 Speaker 1: It's it's the first known of mimicry and pornography. 525 00:30:41,160 --> 00:30:42,080 Speaker 2: Yeah. 526 00:30:42,120 --> 00:30:45,160 Speaker 1: So not much is known about why this moth has 527 00:30:45,200 --> 00:30:49,240 Speaker 1: this impressive mimicry, but it is likely it's to ward 528 00:30:49,280 --> 00:30:54,160 Speaker 1: off predators who are not particularly interested in a bunch 529 00:30:54,200 --> 00:30:56,960 Speaker 1: of bird poop and a couple of flies eating that 530 00:30:57,080 --> 00:30:57,720 Speaker 1: bird poop. 531 00:30:58,560 --> 00:31:01,880 Speaker 2: Do you think flies get tricked too? You know what? 532 00:31:02,200 --> 00:31:04,640 Speaker 1: I bet they do? I bet they like go up 533 00:31:04,880 --> 00:31:08,120 Speaker 1: to this moth's ass and they're like, hey, what's going 534 00:31:08,160 --> 00:31:08,640 Speaker 1: on here? 535 00:31:09,400 --> 00:31:11,880 Speaker 2: And it doesn't smell like they wanted to smell. 536 00:31:11,800 --> 00:31:14,040 Speaker 1: Right, it's just not it's not working out for them, 537 00:31:14,080 --> 00:31:17,840 Speaker 1: it is. I really there's like surprisingly not that much 538 00:31:17,880 --> 00:31:20,440 Speaker 1: research on these things, and I really want there to 539 00:31:20,480 --> 00:31:24,880 Speaker 1: be more because this is so it's so ridiculous. Like 540 00:31:24,920 --> 00:31:28,080 Speaker 1: you can see the outline of the flies, you can 541 00:31:28,120 --> 00:31:31,200 Speaker 1: see their little red heads, you can see sort of 542 00:31:31,280 --> 00:31:33,160 Speaker 1: different segments of their bodies. 543 00:31:33,360 --> 00:31:36,360 Speaker 2: It's sort of really crazy, right, Like it literally looks 544 00:31:36,400 --> 00:31:38,920 Speaker 2: like a cartoon, Like it's wild. Do you think there 545 00:31:38,920 --> 00:31:41,560 Speaker 2: are other moths that we haven't discovered with like other 546 00:31:42,000 --> 00:31:44,840 Speaker 2: things on their wings that would make you averse to 547 00:31:44,920 --> 00:31:47,480 Speaker 2: coming up to them, Like a moth with a a 548 00:31:47,520 --> 00:31:53,440 Speaker 2: drunk bachelor repe party scene on their wings, like you know, 549 00:31:53,680 --> 00:31:56,280 Speaker 2: like a moth with like a red maga hat. 550 00:31:56,120 --> 00:32:01,080 Speaker 1: Right, a moth with the guy doing street magic. Yeah, No, 551 00:32:01,640 --> 00:32:04,520 Speaker 1: I think I think definitely there are moms like that 552 00:32:04,640 --> 00:32:05,240 Speaker 1: out there. 553 00:32:06,320 --> 00:32:08,000 Speaker 2: We have to we have to do the research to 554 00:32:08,000 --> 00:32:08,600 Speaker 2: find them. 555 00:32:08,560 --> 00:32:11,960 Speaker 1: Right exactly. That'd probably be like that would be my 556 00:32:12,120 --> 00:32:15,840 Speaker 1: choice for like you, like, if we could wear camouflage 557 00:32:15,880 --> 00:32:19,960 Speaker 1: city camouflage that's just like things that would keep you 558 00:32:20,040 --> 00:32:24,360 Speaker 1: away from you, like, oh, if you just wear this 559 00:32:24,520 --> 00:32:27,440 Speaker 1: is mean because I do like green peace. But if 560 00:32:27,480 --> 00:32:30,440 Speaker 1: you wear like a sweater sweatshirt with green. 561 00:32:30,280 --> 00:32:33,920 Speaker 2: Peace on it, people who clipboard. 562 00:32:33,560 --> 00:32:36,080 Speaker 1: And have a clipboard, people will leave you alone because 563 00:32:36,120 --> 00:32:38,840 Speaker 1: everyone like dodges out of the way. 564 00:32:38,920 --> 00:32:40,920 Speaker 2: But then there's like that one weirdo who really wants 565 00:32:40,920 --> 00:32:42,640 Speaker 2: to talk about it, and then you're the mark, you 566 00:32:42,640 --> 00:32:43,040 Speaker 2: know what I mean? 567 00:32:43,120 --> 00:32:46,320 Speaker 1: Right, And then that and that weirdo is me. It 568 00:32:46,360 --> 00:32:47,440 Speaker 1: was me the whole time. 569 00:32:48,960 --> 00:32:50,800 Speaker 2: I think that's a you and me discovering that we 570 00:32:50,880 --> 00:32:53,680 Speaker 2: have the ability to wear whatever we want, you know, right, 571 00:32:54,640 --> 00:32:57,800 Speaker 2: this full episode is that being like, let's take inspiration 572 00:32:58,040 --> 00:33:01,520 Speaker 2: from these inxects. Yeah, express ourselves how we want to 573 00:33:01,560 --> 00:33:02,560 Speaker 2: express her belt. Yeah. 574 00:33:02,600 --> 00:33:05,560 Speaker 1: I mean if I wear a shirt with a bunch 575 00:33:05,600 --> 00:33:08,320 Speaker 1: of bird duty printed on it, then I can get 576 00:33:08,360 --> 00:33:10,720 Speaker 1: pooped on by a bird and it won't make a difference. 577 00:33:11,720 --> 00:33:14,680 Speaker 2: Yeah, that sounds like a Mentos commercial. Actually, it's like 578 00:33:16,360 --> 00:33:18,920 Speaker 2: remember the ones where he like he sits down on 579 00:33:18,920 --> 00:33:21,240 Speaker 2: like a painted bench and he's like, oh no, and 580 00:33:21,240 --> 00:33:23,520 Speaker 2: then he makes us pinc stripe suit out of. 581 00:33:23,680 --> 00:33:26,360 Speaker 1: Oh oh Yeah. That was like a really old one. 582 00:33:27,400 --> 00:33:31,160 Speaker 2: Birds. Oh yeah, that one all the time, because it's 583 00:33:31,160 --> 00:33:32,480 Speaker 2: like in my memory. 584 00:33:32,720 --> 00:33:36,080 Speaker 1: Yes, like a mentos. You sit on bird poop and 585 00:33:36,120 --> 00:33:38,280 Speaker 1: there's a bunch of like just a bird poop covered 586 00:33:38,320 --> 00:33:40,480 Speaker 1: bench and you're like, oh man, I got bird poop. 587 00:33:40,520 --> 00:33:43,440 Speaker 1: And then you roll around and then someone's like nice 588 00:33:43,480 --> 00:33:44,520 Speaker 1: a Jackson Pollock. 589 00:33:45,520 --> 00:33:50,440 Speaker 2: Yeah, I think we figured out fashion. We figured it out. 590 00:33:51,040 --> 00:33:54,719 Speaker 1: Uh, pack it in Milan, pack it in Paris. We've 591 00:33:54,760 --> 00:33:59,200 Speaker 1: got the fashion down and the fashion is bird crap. 592 00:33:59,800 --> 00:34:03,480 Speaker 2: So mimicry, animal mimicry exactly. Follow me. 593 00:34:03,680 --> 00:34:06,840 Speaker 1: Thank you so much for joining me today. Tell the 594 00:34:06,840 --> 00:34:08,280 Speaker 1: people where they can find you. 595 00:34:09,160 --> 00:34:12,000 Speaker 2: Yeah. So I do have a podcast called City Council 596 00:34:12,680 --> 00:34:15,040 Speaker 2: and it's spelled co o u n s e l. 597 00:34:15,200 --> 00:34:19,480 Speaker 1: Is my genius way of telling city council. 598 00:34:20,560 --> 00:34:23,520 Speaker 2: Yeah, it's like counselor like we all need to counsel 599 00:34:23,600 --> 00:34:27,239 Speaker 2: the city. But yeah, so that's my podcast. I have 600 00:34:27,280 --> 00:34:30,440 Speaker 2: a Patreon for it if you want to support patreon 601 00:34:30,480 --> 00:34:34,160 Speaker 2: dot com the coort slash City Council Show and you 602 00:34:34,160 --> 00:34:36,319 Speaker 2: can find that everywhere podcasts are found. You can find 603 00:34:36,320 --> 00:34:40,000 Speaker 2: me at Pallaviganalan p A L l A b I 604 00:34:40,160 --> 00:34:43,440 Speaker 2: g U N A L, A N everywhere, and yeah, 605 00:34:43,480 --> 00:34:45,920 Speaker 2: I'm doing shows again. I write for love it or 606 00:34:46,000 --> 00:34:49,839 Speaker 2: leave it. I am just chugging along here in LA 607 00:34:50,000 --> 00:34:53,479 Speaker 2: while you're in a very cold but beautiful place. 608 00:34:56,239 --> 00:34:58,399 Speaker 1: And thank you guys so much for listening. You can 609 00:34:58,560 --> 00:35:02,080 Speaker 1: find me, you know, on the internet. I'm so bad 610 00:35:02,120 --> 00:35:05,799 Speaker 1: at social media, but you know I'm on Twitter at 611 00:35:05,800 --> 00:35:09,400 Speaker 1: Creature Feet Pod. That's f eight, not feet that is 612 00:35:09,400 --> 00:35:12,160 Speaker 1: something very different. I'm on Instagram at Creature Feature Pod. 613 00:35:12,719 --> 00:35:14,640 Speaker 1: And again, if you think you know the answer to 614 00:35:14,640 --> 00:35:16,880 Speaker 1: the mystery animal sound game or you have a question, 615 00:35:17,000 --> 00:35:19,960 Speaker 1: you can write at Creature Featurepod at gmail dot com. 616 00:35:20,520 --> 00:35:23,920 Speaker 1: And thank you guys if you leave a rating or review. 617 00:35:24,200 --> 00:35:26,720 Speaker 1: I love them all. I read them all. I print 618 00:35:26,760 --> 00:35:30,560 Speaker 1: them all out and compile them in books. I book 619 00:35:30,640 --> 00:35:33,879 Speaker 1: bind them and put them on a huge bookshelf and 620 00:35:33,920 --> 00:35:36,799 Speaker 1: then just read it by the fire every day. That 621 00:35:37,000 --> 00:35:41,480 Speaker 1: is my life. And thanks thanks to the Space Classics 622 00:35:41,480 --> 00:35:45,800 Speaker 1: for their super awesome song XO Lumina. Creature Feature is 623 00:35:45,800 --> 00:35:49,480 Speaker 1: a production of iHeartRadio. For more podcasts like the one 624 00:35:49,520 --> 00:35:52,080 Speaker 1: you just heard, visit the iHeartRadio app Apple Podcasts, or 625 00:35:52,120 --> 00:35:52,719 Speaker 1: Hey guess what