WEBVTT - I Already Set 'Em Aside (S2 E3, "Red Light on the Wedding Night")

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<v Speaker 1>I Am all in. Oh, let's just I Am all

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<v Speaker 1>in with Scott Patterson and I Hurt Radio Podcasty everybody,

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<v Speaker 1>Scott Patterson and this is the I Am All In

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<v Speaker 1>Podcast with my Heart Radio and one eleven Productions. And

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<v Speaker 1>we are joined by the ball Club Riley Pelusis. Did

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<v Speaker 1>I know Riley Pellusis is joining us? Danielle Romo, Oh

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<v Speaker 1>my god, this episode I have to ask you guys.

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<v Speaker 1>I know I'm jumping in, but so for Scott and

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<v Speaker 1>Danielle specifically, was it did you? Were you shocked? Like,

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<v Speaker 1>because you guys have you haven't seen it Scott since

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<v Speaker 1>you did it and Danielle never seen it, So like,

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<v Speaker 1>what did you guys think of the end? I thought

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<v Speaker 1>it was really kind of predictable the whole thing. It

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<v Speaker 1>was a little ham handed in my estimation. It kind

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<v Speaker 1>of lacked the I don't know, it lacked the style

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<v Speaker 1>and the wit structurally speaking, and then it's just like

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<v Speaker 1>they wanted to tie it up real fast in one episode.

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<v Speaker 1>So I saw it all coming. I saw coming from

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<v Speaker 1>a mile away, and I guess that's just TV, right.

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<v Speaker 1>I don't understand TV the way I understand film. Um,

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<v Speaker 1>So it was a fun ride, No question, I enjoyed it.

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<v Speaker 1>You weren't shocked when she ran in and was like,

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<v Speaker 1>puck backs, pack backs, Well, no, I was shocked. It

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<v Speaker 1>took her that long to say anything. I liked how

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<v Speaker 1>she ran and said pack your bags, pack your bags,

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<v Speaker 1>and let's get out of here. It's like wow, um,

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<v Speaker 1>But I think you know, they made him. They made

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<v Speaker 1>Max look as drab as they could possibly make him

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<v Speaker 1>in the wardrobe department. With that, you know, he looked

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<v Speaker 1>like a high school kid. He looked like kind of

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<v Speaker 1>a a high school kid who was unsure of himself

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<v Speaker 1>with the wide color shirt and and and the drab

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<v Speaker 1>and he slouched a little. He's such a good actor

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<v Speaker 1>that he made himself like that, right, because when he's

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<v Speaker 1>wearing the school uniform in the suit, he's looking kind

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<v Speaker 1>of kind of great, right, spectacular, But he looked a

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<v Speaker 1>little I don't know, when they got home and he's

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<v Speaker 1>untucking that shirt not he lives there, and you're like, yeah, yeah,

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<v Speaker 1>it's a whole different guy. And so that's that's Brenda

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<v Speaker 1>maybeen in the wardrobe department, you know, just just nailing

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<v Speaker 1>it right, because that's that's a whole conversation, right, there

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<v Speaker 1>with the creators, like, how do we make this guy

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<v Speaker 1>look a little schlumpy and like maybe not so appealing,

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<v Speaker 1>even though it's hard to make Scott Cohen look not appealing.

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<v Speaker 1>Buddy duddy, Yeah, he wasn't so sure of himself, and

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<v Speaker 1>that's in the dialogue. But I just I thought it

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<v Speaker 1>was very well executed. But I saw it coming a

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<v Speaker 1>mile away, you know, Yeah, yeah, did you? Yeah? I

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<v Speaker 1>totally saw it coming from a mile away. Part of

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<v Speaker 1>me wishes that it was on their wedding day that

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<v Speaker 1>she was like, let's go instead of like the week

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<v Speaker 1>of for you know, like just for the drama factor.

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<v Speaker 1>But yeah, I saw that coming because then there's no

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<v Speaker 1>coming back from that. Now the door is a little

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<v Speaker 1>bit open. I know he's gonna feel burned and horrible

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<v Speaker 1>with the door. They didn't get that far right, they

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<v Speaker 1>didn't get so pregnant in the process. I mean it

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<v Speaker 1>was pretty pretty pregnant a couple of days before and

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<v Speaker 1>she bails, But yeah, leave him at the altar would

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<v Speaker 1>have been like, you know, there's no coming back from this.

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<v Speaker 1>But he might come back from this. I don't know

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<v Speaker 1>if does he. I don't know. I actually am trying

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<v Speaker 1>to remember, yeah, Riley thoughts impressions. I think, I think

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<v Speaker 1>that's so mean to do it the day of I

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<v Speaker 1>know what happens, but I know Daniel wants drama. It

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<v Speaker 1>just seems so cruel. It's savage. Um no, but Lorela

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<v Speaker 1>is savage like that. That's her, you know, that's her.

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<v Speaker 1>That's the thing. That's the line he goes, can you

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<v Speaker 1>think about yourself? Can you not think about yourself for

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<v Speaker 1>a couple of seconds out of the day, I think

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<v Speaker 1>of somebody else, like boom, that was them to kill

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<v Speaker 1>or blow? That was so aggressive that wow, And you know,

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<v Speaker 1>I kind of don't blame him. Um, I knew they

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<v Speaker 1>were doomed when she called Christopher, oh god, which I

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<v Speaker 1>thought Christopher couldn't have been more charming and perfect? Yeah? Actually,

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<v Speaker 1>yeah he was great. It wasn't he great in that scene? Yeah? Perfect?

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<v Speaker 1>He was great in that scene. And it's not hard

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<v Speaker 1>to do. So let me ask you that, Like, he's

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<v Speaker 1>obviously supposed to be on the phone with her, So

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<v Speaker 1>where is is he in a room by himself? Is

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<v Speaker 1>he probably doing it with her? Though? No? No, no,

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<v Speaker 1>no no no. If it depends on if if she

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<v Speaker 1>has already filmed her side of it, and maybe he

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<v Speaker 1>gets the audio from her from what she did, so

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<v Speaker 1>he can, you know, but it's usually just a stand

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<v Speaker 1>in or somebody reading or the script supervisor reading the

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<v Speaker 1>lines from because he would never see that, like, actually,

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<v Speaker 1>is it back and forth? Because it would be impossible. No,

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<v Speaker 1>it's not necessary. Those are the type. Yeah, and then yeah,

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<v Speaker 1>it's but there's no reason to have two people doing

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<v Speaker 1>at the same time now to be ridiculous. All right,

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<v Speaker 1>we're already across the street, go ahead, or you know what,

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<v Speaker 1>we got a little No, we got a wiring problem.

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<v Speaker 1>We're gonna have to stop it, right, But yeah, he was.

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<v Speaker 1>That was a really good because you know, Emily tells

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<v Speaker 1>that story and then they're all calling their significant others

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<v Speaker 1>and she calls Christopher. Yeah that. I mean, look, she

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<v Speaker 1>was done way before that. I mean she was done

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<v Speaker 1>in the in the bedroom when she saw Max vying

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<v Speaker 1>for some kind of parental power and authority, like what

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<v Speaker 1>about Dean and Rory kissing outside? I mean, well, what's

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<v Speaker 1>my role here? And I'm thinking this guy's coming on

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<v Speaker 1>glued real fast here. I mean he's not even in yet,

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<v Speaker 1>and he wants, you know, he wants to take over

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<v Speaker 1>he wants some authority, and it's like and she made

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<v Speaker 1>the most salient point of their entire relationship, which is

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<v Speaker 1>she's already grown up. She's I mean, she's fully cooked.

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<v Speaker 1>I mean, there's nothing, there's nothing for you to do

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<v Speaker 1>except you know, make the the garlic bread and and

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<v Speaker 1>be my be my sex slave, fella, my old man.

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<v Speaker 1>I can't wrap my head around them. Like doing it

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<v Speaker 1>that still wigs me out, takes me back to that

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<v Speaker 1>weird shirtless scene. Well, okay, so here's the thing. The

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<v Speaker 1>imbalance for me is it's almost like, you know, she's

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<v Speaker 1>more aggressive, she's more manly than he is, almost on

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<v Speaker 1>a certain level. You know, you don't because she's quite

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<v Speaker 1>a substantial presence. I mean, Lauren Graham herself, right, She's

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<v Speaker 1>she's a powerful that's a powerful person, and and that

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<v Speaker 1>character is a powerful person, right with even with all

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<v Speaker 1>the insecurities and you know, temporary flights of fancy and

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<v Speaker 1>you know, visiting the insanity every once in a while.

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<v Speaker 1>But I think you're right. I think you're right. Though

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<v Speaker 1>she's it doesn't feel like it's a good match because

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<v Speaker 1>he seems overpowered you and I see what you think intellectually,

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<v Speaker 1>they're there. I think intellectually they're both there, and it's

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<v Speaker 1>a it's a ping pong match. And he might be

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<v Speaker 1>a little even more on the nerdy side, right, and

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<v Speaker 1>she's supposed to be some kind of a nerd right,

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<v Speaker 1>not as much as him obviously because he went and

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<v Speaker 1>got his degrees in a teaching degree and what whatnot. Um,

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<v Speaker 1>But yeah, don't they don't seem well matched physically to me.

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<v Speaker 1>It's even personality wise. He just seems like a push

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<v Speaker 1>over to her. Yeah, I can't put my finger on

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<v Speaker 1>but I think you're right. I think what you're saying

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<v Speaker 1>is accurate. Something is off. It's the Jerry Seinfeld thing, like,

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<v Speaker 1>what's wrong? Were there now? Jerry? She's just too nice?

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<v Speaker 1>You know, I can't there's nothing dirty about her, you know, Yeah,

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<v Speaker 1>you know she might be too nice for her. He

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<v Speaker 1>doesn't push back on her enough, even though he was

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<v Speaker 1>aggressive in this episode that you only think of yourself

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<v Speaker 1>and kind of that bedroom little tiff argument. But when

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<v Speaker 1>he tries to push back, it seems too much. It

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<v Speaker 1>seems out of character. When I do it, it's that's

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<v Speaker 1>who I am, that's my It's also just too soon.

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<v Speaker 1>They got engaged a witty too soon. Yeah, because if

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<v Speaker 1>Dean is schooling Max Medina like Dean knows more, it's weird.

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<v Speaker 1>I liked, I liked. I like Dean in this episode.

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<v Speaker 1>I thought it was super cool, great scenes, great, right

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<v Speaker 1>and great, really funny stuff. But you know, advising him

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<v Speaker 1>on the how they these people are? Um? But it's god.

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<v Speaker 1>I just, I just I just had a thought. I

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<v Speaker 1>lost it? What was it? Hang on? Observed Brazil. Hello Brazil.

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<v Speaker 1>We do like your jacket today. You know you're wearing

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<v Speaker 1>your eye am all in hat. I didn't that it? Now?

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<v Speaker 1>Where do they get it? You know what? I've got

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<v Speaker 1>my hat on. And if I were at a ballgame

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<v Speaker 1>or something or a soccer match watching my son, I

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<v Speaker 1>guess i'd have a steaming hot mug. You can get

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<v Speaker 1>this hat and this mug at my fan threads dot com.

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<v Speaker 1>I love it. Actually, the mug is legit. I'm not

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<v Speaker 1>gonna lie. I love both. I wear the hat out.

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<v Speaker 1>I wear the hat out to my birthday party. Danielle.

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<v Speaker 1>Do I have to pay for the mug or do

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<v Speaker 1>we get it for free? I have to pay for it, right,

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<v Speaker 1>we can get it for free for you. We just

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<v Speaker 1>have to pay shipping. I love it. Oh the perks

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<v Speaker 1>of working on this. I got a receipt? What did

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<v Speaker 1>I just pay for? Did I pay for this stuff?

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<v Speaker 1>Is it coming out of my end? There? Like you

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<v Speaker 1>keep in track for sure, we'll charge you back on that. Yeah. Okay, wait,

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<v Speaker 1>so let's talk more about Dean. So I liked him

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<v Speaker 1>in this episode two, and you know, he fits in

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<v Speaker 1>better with them well now that he knows the drill

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<v Speaker 1>and he's finally in a scene where he's like when

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<v Speaker 1>we first met him, he's in control and he's cool,

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<v Speaker 1>and he's he's just calm about everything and he's accepting

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<v Speaker 1>of everything. That's the first time i've you know, I

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<v Speaker 1>liked him in the beginning when he was a little

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<v Speaker 1>aloof and a little mysterious um, and then he kind

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<v Speaker 1>of lost that. But of course, you know he gets

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<v Speaker 1>he gets into that the chainsaw that is the Gilmore girls, right,

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<v Speaker 1>and it gets chewed up a little bit. Which is

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<v Speaker 1>wearing the necklace. I don't remember the necklace this time,

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<v Speaker 1>but he was he was doling out the good advice

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<v Speaker 1>to old Max, you know, like watching he I mean,

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<v Speaker 1>he knows them both, like you don't know what you're

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<v Speaker 1>you don't know what you're walking into. Pal But okay,

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<v Speaker 1>So the point I was gonna make is is what's

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<v Speaker 1>what's interesting is when you compare Luke and Max, right,

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<v Speaker 1>Luca's a known come on to those two, they know

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<v Speaker 1>if it's it's she's layalized, not losing any bit of

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<v Speaker 1>familiarity or any there's no real life change for her

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<v Speaker 1>if Luke comes into the scene, because they're so usy,

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<v Speaker 1>he's just there, right. The pancake ordering is the perfect examp,

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<v Speaker 1>perfect example. And he and he knows, he knows his boundaries,

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<v Speaker 1>he knows he's he's helped raise Rory too. He's cared

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<v Speaker 1>and he's not going to buy for power. He doesn't

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<v Speaker 1>want it right, and Max is like, and so really,

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<v Speaker 1>you know, Laurel I wakes up Roy and says, you know, uh,

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<v Speaker 1>there's a boy in my bed, in the whole thing,

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<v Speaker 1>but there's a boy in my room and all this stuff.

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<v Speaker 1>She's realizing what she's gonna lose. She's gonna lose that

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<v Speaker 1>intimacy with Rory. She's gonna lose. And again she stops

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<v Speaker 1>worrying about emptiness syndrome and what's going to happen, and

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<v Speaker 1>she sees all that, She sees the sea of possibilities.

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<v Speaker 1>Maybe with Luke, maybe with Christopher who knows, but not

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<v Speaker 1>this guy. She realizes she never bothered when you show

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<v Speaker 1>up a six in the morning, or you let yourself

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<v Speaker 1>into the house, or any of it. And I do

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<v Speaker 1>think the pancakes scene was so telling because they had

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<v Speaker 1>to change for Max. They're like, no, will wait, uh,

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<v Speaker 1>Like it threw them off their rhythm, and he even

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<v Speaker 1>acknowledges it, like my rhythm might be different than yours.

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<v Speaker 1>But you're just like, dude, what like they need their pancakes.

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<v Speaker 1>And you you were so funny in that scene because

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<v Speaker 1>it looks like I can't make more. Well that's you know,

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<v Speaker 1>that's just what I do. And then when they finally

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<v Speaker 1>order them, do you still have them? And you're like,

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<v Speaker 1>I already put him aside? So good. So they've got

0:12:39.520 --> 0:12:43.319
<v Speaker 1>that flow, they've got that familiarity. It is not a

0:12:43.360 --> 0:12:47.840
<v Speaker 1>big stretch to have Luke come into her life. He's

0:12:47.960 --> 0:12:53.640
<v Speaker 1>established that over the years. Poor Max, Poor Max, he

0:12:53.840 --> 0:12:56.040
<v Speaker 1>never had a chance to poor boy, he never had

0:12:56.040 --> 0:12:59.640
<v Speaker 1>a chance. Still, great hair, great hair, He's a handsome dude.

0:13:00.200 --> 0:13:02.960
<v Speaker 1>It's going back on what you said. I was really

0:13:03.040 --> 0:13:07.840
<v Speaker 1>intrigued by how you're saying. Luke doesn't even need to

0:13:07.920 --> 0:13:11.080
<v Speaker 1>have sort of power over them or her because he

0:13:11.120 --> 0:13:13.400
<v Speaker 1>doesn't care. And what's so interesting is I feel like

0:13:13.440 --> 0:13:18.760
<v Speaker 1>he has that power because he doesn't care. But he

0:13:18.760 --> 0:13:22.440
<v Speaker 1>he always is right, even with her, right right exactly.

0:13:22.720 --> 0:13:27.079
<v Speaker 1>But he can exert an opinion which may come off

0:13:27.120 --> 0:13:29.840
<v Speaker 1>as a authority, but it's not like he's grabbing for it.

0:13:29.840 --> 0:13:33.120
<v Speaker 1>It's not like he's demanding it. And that's a big deal.

0:13:33.160 --> 0:13:34.920
<v Speaker 1>I mean, that is just a bridge too far in

0:13:34.960 --> 0:13:38.320
<v Speaker 1>a relationship, even one that is supposed to be as

0:13:38.320 --> 0:13:41.880
<v Speaker 1>heartfelt and deep as as as Max and Laurel I.

0:13:41.880 --> 0:13:44.160
<v Speaker 1>And he's flipping out in her bedroom in the first night,

0:13:44.160 --> 0:13:46.800
<v Speaker 1>he's their second night, he's are wanting power over Rory

0:13:46.840 --> 0:13:49.320
<v Speaker 1>and it's like, what are you doing? It was it

0:13:49.360 --> 0:13:52.960
<v Speaker 1>was it was a bad move. It was too much

0:13:53.000 --> 0:13:54.600
<v Speaker 1>as a guy, what do you shut up? What are

0:13:54.640 --> 0:13:57.200
<v Speaker 1>you do when you're blowing it? And she's like, you know,

0:13:57.280 --> 0:14:00.559
<v Speaker 1>taking it back and trying to sit an the thing.

0:14:00.840 --> 0:14:03.520
<v Speaker 1>She's trying to save him from destroying the relationship. But

0:14:03.559 --> 0:14:06.360
<v Speaker 1>it's too late. Cats out of the bag can't unring

0:14:06.400 --> 0:14:08.640
<v Speaker 1>a bell. And he was ringing the bells all through

0:14:08.679 --> 0:14:12.880
<v Speaker 1>that episodes, like each scene was so important, The breakfast

0:14:12.880 --> 0:14:17.679
<v Speaker 1>at the diner, that scene, Dean knowing more, Emily at

0:14:17.720 --> 0:14:22.040
<v Speaker 1>the bachelorette party, explaining how you should feel the week

0:14:22.040 --> 0:14:23.960
<v Speaker 1>of your wedding. That was the best for me. That

0:14:24.000 --> 0:14:26.880
<v Speaker 1>was the best scene in the whole I mean, besides

0:14:26.920 --> 0:14:30.000
<v Speaker 1>the Luke scenes. Let's not be silly, let's not kid ourselves,

0:14:30.480 --> 0:14:35.119
<v Speaker 1>but the Emily scene was brilliant. That was brilliant, brilliantly

0:14:35.200 --> 0:14:38.800
<v Speaker 1>delivered and uh, really impactful. And you could just see

0:14:38.880 --> 0:14:44.120
<v Speaker 1>Laurel I just like, wow, you know she's right so

0:14:44.200 --> 0:14:46.640
<v Speaker 1>one time, so one time her mother got to speak

0:14:47.000 --> 0:14:51.880
<v Speaker 1>uninterrupted listen to and it impacted everybody and the way

0:14:51.920 --> 0:14:54.480
<v Speaker 1>the friends like Emily, you know what I mean, Like

0:14:54.520 --> 0:14:56.600
<v Speaker 1>we all know lord la has her drama, but of

0:14:56.640 --> 0:15:02.720
<v Speaker 1>course Michelle, that's his bestie, but they like her. The

0:15:02.720 --> 0:15:04.040
<v Speaker 1>only thing that was funny, I don't know if you

0:15:04.040 --> 0:15:06.280
<v Speaker 1>guys know that fully stands out to me how old

0:15:06.360 --> 0:15:08.400
<v Speaker 1>the cell phones are. And then did you guys see

0:15:08.520 --> 0:15:12.440
<v Speaker 1>Rory's like a O L pager, like the flip phone,

0:15:12.720 --> 0:15:16.320
<v Speaker 1>flip phone, It doesn't feel dated too often, but the phones,

0:15:16.480 --> 0:15:19.600
<v Speaker 1>you're like Oh my god. They did mention the word

0:15:19.680 --> 0:15:24.920
<v Speaker 1>gay in a somewhat derogatory sense at one point in

0:15:25.200 --> 0:15:28.600
<v Speaker 1>the show, which right now wouldn't fly. You know, yeah,

0:15:28.640 --> 0:15:31.520
<v Speaker 1>there's a few things we we have another show we

0:15:31.560 --> 0:15:33.520
<v Speaker 1>work on about Beverly Hills nine o two and oh,

0:15:33.640 --> 0:15:35.680
<v Speaker 1>and that came up in there. There's some things that

0:15:35.760 --> 0:15:39.520
<v Speaker 1>were acceptable at the time that are not acceptable. And

0:15:39.560 --> 0:15:42.160
<v Speaker 1>it was, you know, and and unique dancing up there.

0:15:42.000 --> 0:15:44.800
<v Speaker 1>He needed to move his thing, right, Melissa said, Oh,

0:15:44.880 --> 0:15:47.120
<v Speaker 1>he needed to move his thing, his his stuff or

0:15:47.120 --> 0:15:48.960
<v Speaker 1>what did she say? He needed to move? I don't

0:15:48.960 --> 0:15:50.760
<v Speaker 1>want it to be X rated. I thought dancing was

0:15:50.800 --> 0:15:55.960
<v Speaker 1>pretty solid. He's got move, slap him or I will.

0:15:58.040 --> 0:16:01.600
<v Speaker 1>And now they're all hung over the next day and

0:16:01.680 --> 0:16:04.920
<v Speaker 1>again so much. It's like and and Max isn't even

0:16:04.960 --> 0:16:07.600
<v Speaker 1>even in sync with the hangover. And he had one too,

0:16:07.640 --> 0:16:09.400
<v Speaker 1>but he had a lighter one because he didn't drink

0:16:09.400 --> 0:16:11.560
<v Speaker 1>as much. So he's not even in he's speaking too loud.

0:16:11.640 --> 0:16:16.240
<v Speaker 1>She's like everything. It's like, give the guy some bad shirts,

0:16:16.280 --> 0:16:20.360
<v Speaker 1>make him slouch, you know, make him inappropriate, make him

0:16:20.440 --> 0:16:22.520
<v Speaker 1>vibe for power, I mean talk about blowing up a

0:16:22.600 --> 0:16:24.920
<v Speaker 1>character and whatever. He sort of got dork here and

0:16:25.000 --> 0:16:28.480
<v Speaker 1>dork he did. I mean, they just did. They ruined him.

0:16:28.520 --> 0:16:31.320
<v Speaker 1>It's like, that's it. Here's no coming back for that guy. Yeah,

0:16:31.360 --> 0:16:33.560
<v Speaker 1>because at first I did, I mean back if we

0:16:33.680 --> 0:16:36.040
<v Speaker 1>look back on the first day they met at Chiltern,

0:16:37.200 --> 0:16:41.720
<v Speaker 1>he was so dreamy and you you liked them, and

0:16:41.760 --> 0:16:47.160
<v Speaker 1>then as it went on, you're like, look, they did

0:16:47.160 --> 0:16:51.080
<v Speaker 1>a nice run, you know they did. Yeah for them, Yeah, hey,

0:16:51.160 --> 0:16:53.280
<v Speaker 1>for Max and Morla, you know, seriously. And that she

0:16:53.360 --> 0:17:00.320
<v Speaker 1>called Christopher and not Luke, well mm hmmm mmm m m.

0:17:01.040 --> 0:17:05.879
<v Speaker 1>I did not like that. My only thought is that

0:17:05.920 --> 0:17:08.600
<v Speaker 1>you knew everything, so she can't really call and tell

0:17:08.640 --> 0:17:11.040
<v Speaker 1>you she's at her bachelor et. I think she called

0:17:11.080 --> 0:17:14.520
<v Speaker 1>me and did dad, It would be far too suggestive, totally,

0:17:15.200 --> 0:17:17.879
<v Speaker 1>I like you, Yeah, she couldn't do that, So she

0:17:18.000 --> 0:17:21.000
<v Speaker 1>had to call somebody who was who knew her better

0:17:21.000 --> 0:17:24.119
<v Speaker 1>than anybody and was just a friend. And interesting that

0:17:24.200 --> 0:17:27.560
<v Speaker 1>Christopher called Rory to say, something's up with your mom

0:17:27.600 --> 0:17:30.680
<v Speaker 1>watch calling me on her bachelorette party. Right, I mean,

0:17:30.680 --> 0:17:33.040
<v Speaker 1>he's still the dad. He's still you know, he's still

0:17:33.760 --> 0:17:36.360
<v Speaker 1>you know, a valued member of that family, even though

0:17:36.359 --> 0:17:38.440
<v Speaker 1>he's not there every day. So and it gave Roy

0:17:38.560 --> 0:17:46.560
<v Speaker 1>that inkling of like, oh maybe not yeah, totally um yeah,

0:17:46.600 --> 0:17:51.600
<v Speaker 1>interesting episode, interesting episode, how they disposed of Mac. What's

0:17:51.600 --> 0:17:53.439
<v Speaker 1>the name of the episode again? Red? What is it

0:17:53.440 --> 0:17:56.400
<v Speaker 1>called red light? And what? Oh it's called red Light

0:17:56.440 --> 0:17:59.880
<v Speaker 1>on the wedding night, Red red Light on the wedding Night. Perfect.

0:18:00.240 --> 0:18:02.560
<v Speaker 1>And then it's also you know, acknowledging that there's the

0:18:02.600 --> 0:18:06.160
<v Speaker 1>stoplight that went in. Yeah, that's good. Oh my god.

0:18:06.200 --> 0:18:08.920
<v Speaker 1>Did you guys all notice the background actors so much

0:18:08.960 --> 0:18:11.800
<v Speaker 1>more now after we talked to Carol V Now I'm

0:18:11.840 --> 0:18:15.440
<v Speaker 1>like noticing the background actor. I always focus on them.

0:18:15.880 --> 0:18:19.040
<v Speaker 1>It's like, don't screw it up. And they're all so good.

0:18:19.080 --> 0:18:23.919
<v Speaker 1>Weren't they all so good? It's doing something that's a

0:18:23.960 --> 0:18:26.600
<v Speaker 1>hard job to concentrate for that long and that many

0:18:26.680 --> 0:18:35.560
<v Speaker 1>takes and keep repeating and repeating and repeating. All right, everybody,

0:18:36.040 --> 0:18:38.479
<v Speaker 1>we're back from a little break. I got a little sweaty,

0:18:38.520 --> 0:18:41.480
<v Speaker 1>so I had to change my shirt. Uh I have

0:18:41.760 --> 0:18:44.560
<v Speaker 1>I was. I'm so obsessed with this episode that I

0:18:44.600 --> 0:18:47.800
<v Speaker 1>went back and I watched it again, and I found

0:18:47.800 --> 0:18:50.840
<v Speaker 1>a couple of very interesting things. There are some tidbits,

0:18:51.359 --> 0:18:56.520
<v Speaker 1>and there are some some production gaffs and I know,

0:18:56.720 --> 0:18:59.880
<v Speaker 1>I know the fan base loves this stuff. They traffic

0:19:00.119 --> 0:19:02.800
<v Speaker 1>this stuff, and it's really and you know, now I'm

0:19:02.840 --> 0:19:04.840
<v Speaker 1>I'm such a fan at this point. I'm like really

0:19:05.080 --> 0:19:06.920
<v Speaker 1>hunting for things, you know, like you guys with the

0:19:06.920 --> 0:19:09.720
<v Speaker 1>clown pillow that never done. So now I got a

0:19:09.760 --> 0:19:12.959
<v Speaker 1>couple of things, and I'm pretty proud that I you know,

0:19:13.080 --> 0:19:14.879
<v Speaker 1>and I want to learn him on it. And you

0:19:14.880 --> 0:19:19.960
<v Speaker 1>guys don't know what I'm gonna say. Okay, so there's

0:19:20.080 --> 0:19:22.520
<v Speaker 1>there's there's actually three things, and I'm going to start

0:19:22.520 --> 0:19:26.200
<v Speaker 1>with the lesser and then end with the big macgilla,

0:19:26.600 --> 0:19:28.639
<v Speaker 1>which is like kind of a huge thing and we

0:19:28.680 --> 0:19:30.879
<v Speaker 1>can really bat it around. So the first thing, the

0:19:30.920 --> 0:19:34.520
<v Speaker 1>first thing is this, uh and if Eastern could queue

0:19:34.600 --> 0:19:40.960
<v Speaker 1>up the Babette line red hot Poker during the stoplight dedication,

0:19:41.760 --> 0:19:47.560
<v Speaker 1>seen you got that Easton? Yeah, okay, so we'll just

0:19:47.640 --> 0:19:50.840
<v Speaker 1>keep it going here. Hey, uh, two camels walk into

0:19:50.880 --> 0:19:56.960
<v Speaker 1>a bar and they were they sassafras juice. Uh. Anyway,

0:19:57.359 --> 0:20:03.080
<v Speaker 1>so listen after Babette's line red hot poker, right, you know,

0:20:03.400 --> 0:20:05.720
<v Speaker 1>you get a red hot poker up here, you know what?

0:20:06.040 --> 0:20:10.480
<v Speaker 1>They go over to Laura Laone Suki and our sound

0:20:10.600 --> 0:20:16.639
<v Speaker 1>guy Dennis. Dennis is on his knees right behind Lauren,

0:20:17.160 --> 0:20:23.920
<v Speaker 1>fully visible, fully visible way. I love these kind of things.

0:20:24.280 --> 0:20:26.800
<v Speaker 1>And that guy, let me tell you something that Dennis,

0:20:26.840 --> 0:20:29.840
<v Speaker 1>it was the hardest working sound guy in the business,

0:20:30.880 --> 0:20:32.879
<v Speaker 1>um because he you know, at the time, he was

0:20:32.920 --> 0:20:35.280
<v Speaker 1>like I think he was in his fifties or his sixties,

0:20:35.359 --> 0:20:37.960
<v Speaker 1>late fifties maybe early sixties, and still had all this

0:20:38.040 --> 0:20:41.240
<v Speaker 1>great energy and optimism and he loved coming to work

0:20:41.280 --> 0:20:43.720
<v Speaker 1>and he loved he just loved being there. Now, can

0:20:43.720 --> 0:20:47.280
<v Speaker 1>you explain how that would happen? Because you need to

0:20:47.320 --> 0:20:51.520
<v Speaker 1>capture Babbett's line. He couldn't figure out how to capture

0:20:51.560 --> 0:20:57.200
<v Speaker 1>Babbett's line clean without getting behind Laurel. I thinking he

0:20:57.240 --> 0:21:00.800
<v Speaker 1>was hidden by Laura Leone Suki and with the boom

0:21:00.840 --> 0:21:05.119
<v Speaker 1>mic you know like that everyone by a boom or

0:21:05.160 --> 0:21:07.480
<v Speaker 1>does anyone wear a mic pack with like a mike

0:21:07.560 --> 0:21:10.480
<v Speaker 1>hidden in there? Get? I get they wanted Yes, I

0:21:10.520 --> 0:21:13.280
<v Speaker 1>think everybody in that scene had the pack, had their

0:21:13.320 --> 0:21:15.960
<v Speaker 1>mic pack right, and they have the little tiny invisible

0:21:16.000 --> 0:21:19.080
<v Speaker 1>mike right here right there, but they want they need

0:21:19.080 --> 0:21:23.800
<v Speaker 1>to cover it also for what they call background tone

0:21:23.840 --> 0:21:25.960
<v Speaker 1>and room tone and all that stuff. All that even

0:21:26.000 --> 0:21:29.439
<v Speaker 1>the tone has to match. So if somebody's speaking on

0:21:29.440 --> 0:21:31.199
<v Speaker 1>a line you don't have the proper room tone and

0:21:31.320 --> 0:21:33.720
<v Speaker 1>editing you cut to a scene, Well, well we can't

0:21:33.800 --> 0:21:36.560
<v Speaker 1>use that. We've got to use the mic. The mic

0:21:36.640 --> 0:21:39.560
<v Speaker 1>pack thing. It's gonna sound different. It's not the sound

0:21:39.600 --> 0:21:46.280
<v Speaker 1>won't match the tone of the sound. That's specific. Yeah. So, um,

0:21:47.160 --> 0:21:49.840
<v Speaker 1>that's so everything's got to be covered by mike pack

0:21:49.960 --> 0:21:53.159
<v Speaker 1>and by by um what do they call there's a

0:21:53.280 --> 0:21:56.520
<v Speaker 1>term for it that escapes me. Now, Um, gosh, it's

0:21:56.600 --> 0:21:58.239
<v Speaker 1>it'll come to me and I'll just blurt it out.

0:21:58.320 --> 0:22:01.240
<v Speaker 1>It will shock everybody. We do a show, we do

0:22:01.280 --> 0:22:03.680
<v Speaker 1>a show like this with Jenny Garth and Tory Spelling

0:22:03.840 --> 0:22:06.199
<v Speaker 1>all about Beverly Hills nine o two and now, and

0:22:06.280 --> 0:22:09.640
<v Speaker 1>Jenny Garth finds a boom mic in almost every apisode.

0:22:13.640 --> 0:22:16.199
<v Speaker 1>It's like she loves it. It's the hardest job in

0:22:16.240 --> 0:22:18.760
<v Speaker 1>the world being a boom guy. That I mean, their

0:22:18.920 --> 0:22:21.440
<v Speaker 1>arms just gets their shoulders get so tired because they're

0:22:21.440 --> 0:22:25.879
<v Speaker 1>like this. They're standing on apple boxes above us because

0:22:26.000 --> 0:22:28.800
<v Speaker 1>you know, they try to stand at our level and

0:22:28.840 --> 0:22:31.120
<v Speaker 1>get the boom mic in the right position. But it's

0:22:31.160 --> 0:22:34.040
<v Speaker 1>always Dennis, can you can you stand on an apple box?

0:22:34.040 --> 0:22:35.879
<v Speaker 1>And then they've got to sort of balance themselves and

0:22:36.160 --> 0:22:38.880
<v Speaker 1>can you stand on another apple box? How long they

0:22:38.880 --> 0:22:41.560
<v Speaker 1>could hold that? Because sometimes my arm gets soreed just

0:22:41.640 --> 0:22:45.359
<v Speaker 1>taking something out. Oh they're there for hours doing that.

0:22:45.720 --> 0:22:48.200
<v Speaker 1>Oh my goodness. And they're sweat You can see them,

0:22:48.240 --> 0:22:50.280
<v Speaker 1>like their arms shaking and their sweating, and they're just

0:22:50.359 --> 0:22:52.840
<v Speaker 1>focusing and that, you know, and they don't want to

0:22:52.840 --> 0:22:55.000
<v Speaker 1>mess up the scene at all because you know, let's

0:22:55.000 --> 0:22:58.760
<v Speaker 1>see what happened. Oh there it is, yeah there and okay, okay,

0:22:58.800 --> 0:23:04.320
<v Speaker 1>so we gotta get to Babbett's line watching it now. Okay,

0:23:04.320 --> 0:23:09.440
<v Speaker 1>so Dennis is not there now, okay's best start talking now.

0:23:09.440 --> 0:23:11.479
<v Speaker 1>When they when they go back to the two shots

0:23:12.640 --> 0:23:16.080
<v Speaker 1>of Lauren and Suki and Lauren and Melissa, he's gonna

0:23:16.160 --> 0:23:23.880
<v Speaker 1>he's going to appear there you you, Sam is there?

0:23:23.880 --> 0:23:28.600
<v Speaker 1>He is there, he is. There's Dennis, my buddy. It's

0:23:28.640 --> 0:23:35.080
<v Speaker 1>actually amazing. How did you not just yeah straight up

0:23:35.119 --> 0:23:40.880
<v Speaker 1>with the headphones on production gearh my god? Wait now

0:23:40.880 --> 0:23:42.960
<v Speaker 1>when he goes and look? Okay, so now they went

0:23:43.040 --> 0:23:46.720
<v Speaker 1>back and he's gone, right, So we'll put that on

0:23:46.720 --> 0:23:51.119
<v Speaker 1>the Instagram. For anyone. It's God. That just goes to

0:23:51.119 --> 0:23:54.720
<v Speaker 1>show you how difficult it is to shoot a show.

0:23:55.840 --> 0:23:58.760
<v Speaker 1>I think they referred to as here's the term ambient sound.

0:23:59.560 --> 0:24:02.920
<v Speaker 1>Them being sound has to match what's the guy's name? Again?

0:24:02.960 --> 0:24:05.200
<v Speaker 1>We got to try to Dennis, I forget. I think

0:24:05.200 --> 0:24:11.879
<v Speaker 1>it was um mix something we'll find good Irish name.

0:24:11.920 --> 0:24:16.400
<v Speaker 1>I think Dennis trying to find him. Oh my god,

0:24:16.440 --> 0:24:18.240
<v Speaker 1>I can't wait for what's next. If that was the

0:24:18.280 --> 0:24:20.439
<v Speaker 1>small one. All right, now, Eastern, I want you to

0:24:20.520 --> 0:24:23.919
<v Speaker 1>queue up for me if you would, good sir, uh

0:24:23.960 --> 0:24:29.520
<v Speaker 1>the diner scene when when Max comes into the diner,

0:24:31.320 --> 0:24:33.520
<v Speaker 1>when you're like you a great brown but like that,

0:24:34.520 --> 0:24:36.359
<v Speaker 1>I want you to queue it up to the scene,

0:24:36.880 --> 0:24:40.200
<v Speaker 1>to the part of the scene where um, I bring

0:24:40.240 --> 0:24:43.480
<v Speaker 1>the coffee cups. Okay, so this was earlier in the episode.

0:24:44.080 --> 0:24:45.680
<v Speaker 1>It was a little I think it was earlier in

0:24:45.720 --> 0:24:49.800
<v Speaker 1>the episode. Yeah, yeah, And I think you guys are

0:24:49.800 --> 0:24:52.440
<v Speaker 1>going to really like this one. Okay, here we are,

0:24:52.440 --> 0:24:56.240
<v Speaker 1>here we are, and let's move it forward. And cups

0:24:56.240 --> 0:25:00.440
<v Speaker 1>are coming in and there's there's cups. Those are three

0:25:00.840 --> 0:25:05.040
<v Speaker 1>cups right there, and then Luke makes a little speech.

0:25:05.119 --> 0:25:08.040
<v Speaker 1>Now watch the cups. Watch what happens to the cups. Ready,

0:25:08.080 --> 0:25:13.120
<v Speaker 1>here we go, Magic, magic, Magic, it's coming. Wait till

0:25:13.200 --> 0:25:17.720
<v Speaker 1>Luke walks away. Here we go. Luke's about to walk away,

0:25:17.920 --> 0:25:26.359
<v Speaker 1>and then he's still talking. Luke is still going boom,

0:25:27.440 --> 0:25:31.960
<v Speaker 1>blue cups. They're blue. Now, hang on, keep going, keep going.

0:25:36.800 --> 0:25:50.360
<v Speaker 1>You would love Now they're red again, They're red. It happened.

0:25:50.920 --> 0:25:54.760
<v Speaker 1>I don't know what happens. Happened where you suddenly switched

0:25:54.760 --> 0:25:59.880
<v Speaker 1>out to blue cups and didn't you realize it? Oh man?

0:26:00.560 --> 0:26:03.199
<v Speaker 1>You know, oh my god. First of all, did were

0:26:03.240 --> 0:26:06.080
<v Speaker 1>you in Easton and cahoots? Because like, did you because

0:26:06.119 --> 0:26:07.600
<v Speaker 1>we did not know you were going to talk to

0:26:07.680 --> 0:26:10.280
<v Speaker 1>us about this? I no, no, no, we're not in cahoots. No.

0:26:10.400 --> 0:26:12.320
<v Speaker 1>I just texted him right before we came on. Can

0:26:12.359 --> 0:26:14.679
<v Speaker 1>you just make sure you cue up these scenes and

0:26:14.720 --> 0:26:17.560
<v Speaker 1>have them ready so you know you're aware of these

0:26:17.600 --> 0:26:21.920
<v Speaker 1>three scenes. Easton's our engineer, and he's just ready with these.

0:26:22.640 --> 0:26:25.320
<v Speaker 1>They're quite high deaf here on the zoom. You know,

0:26:25.400 --> 0:26:28.280
<v Speaker 1>I don't know how that could happen. I'm trying to

0:26:28.280 --> 0:26:30.479
<v Speaker 1>think of a scenario where could there ever have been

0:26:30.520 --> 0:26:34.480
<v Speaker 1>a rehearsal that you shoot where they may be shot

0:26:35.200 --> 0:26:37.000
<v Speaker 1>and then when you actually did it for real, you

0:26:37.080 --> 0:26:39.000
<v Speaker 1>switched out the color of the cups. I can't even

0:26:39.040 --> 0:26:42.760
<v Speaker 1>figure out why. I don't know. It's just one of

0:26:42.760 --> 0:26:45.880
<v Speaker 1>those things. Yeah, it's just one of these. Yeah. There's

0:26:45.920 --> 0:26:48.800
<v Speaker 1>so much going on on that set in terms of props,

0:26:48.880 --> 0:26:51.199
<v Speaker 1>especially in the diner. There's a million props. There's a

0:26:51.200 --> 0:26:53.520
<v Speaker 1>million things to take keep track of, you know, the

0:26:53.520 --> 0:26:55.800
<v Speaker 1>script script supervisor supposed to be on top of that,

0:26:55.920 --> 0:26:58.600
<v Speaker 1>the prop guys are on top of it. Sometimes that happens.

0:26:58.960 --> 0:27:04.120
<v Speaker 1>Sometimes that happens, yes, and there is a but it's

0:27:04.200 --> 0:27:08.640
<v Speaker 1>kind of magical, you know. It goes from it's like

0:27:08.680 --> 0:27:10.800
<v Speaker 1>this heightened reality where the cups are red and then

0:27:10.800 --> 0:27:13.160
<v Speaker 1>they're blue, and then they're red. It's like, what's happening? God,

0:27:13.200 --> 0:27:15.760
<v Speaker 1>I can't wait for the next one. That's wonderful. All right,

0:27:17.720 --> 0:27:20.760
<v Speaker 1>all right, so well, I mean, I mean, don't give

0:27:20.760 --> 0:27:23.160
<v Speaker 1>me the credit. It happened on you know, they did

0:27:25.640 --> 0:27:34.280
<v Speaker 1>um Okay, the last one, which I think is really huge.

0:27:34.400 --> 0:27:38.320
<v Speaker 1>I think it's a massive symbol. Okay, And this is

0:27:38.320 --> 0:27:43.000
<v Speaker 1>gonna be a little more serious, but Eastern, if you would, sir,

0:27:44.040 --> 0:27:48.240
<v Speaker 1>queue up the very last part of the final scene

0:27:48.520 --> 0:27:52.520
<v Speaker 1>where they pull up to the to the stoplight. Yes,

0:27:53.240 --> 0:27:56.200
<v Speaker 1>here we go, and they're coming in and I want

0:27:56.240 --> 0:28:00.119
<v Speaker 1>you guys to see if you can, and I'll tell

0:28:00.160 --> 0:28:03.399
<v Speaker 1>you when to look for it. M hmm. Okay. So

0:28:03.440 --> 0:28:07.240
<v Speaker 1>they're running away from she's running laurealized, running away from Max.

0:28:08.880 --> 0:28:12.600
<v Speaker 1>They're coming through the empty town. They're coming And isn't

0:28:12.600 --> 0:28:18.120
<v Speaker 1>it interesting that's there stopped at the corner of Luke

0:28:18.200 --> 0:28:22.240
<v Speaker 1>Steiner right now. I want to now wait for the

0:28:22.240 --> 0:28:26.080
<v Speaker 1>wide shot, wait for the winde shot. She's running away

0:28:26.080 --> 0:28:31.720
<v Speaker 1>from Max and maybe the door is opened to Luke's

0:28:31.720 --> 0:28:34.720
<v Speaker 1>Oh my god, did you see the door? That was

0:28:34.760 --> 0:28:38.400
<v Speaker 1>almost scary. I mean I got goose bumps. The door

0:28:38.560 --> 0:28:42.560
<v Speaker 1>was wide open. The door was wide open. It was

0:28:42.960 --> 0:28:47.400
<v Speaker 1>six it's five am, six am. The door is wide open.

0:28:48.320 --> 0:28:53.080
<v Speaker 1>It's like, come on in. There's the symbolism of being

0:28:53.280 --> 0:28:58.400
<v Speaker 1>stopped at the stop light saying like, hold up, girl,

0:28:59.720 --> 0:29:02.640
<v Speaker 1>you don't need to run out of town. There's your

0:29:02.680 --> 0:29:10.160
<v Speaker 1>solution exactly. That's what the scene is telling. Well done.

0:29:10.320 --> 0:29:18.280
<v Speaker 1>Door is wide open. Yes, just come inside, Just come inside,

0:29:18.360 --> 0:29:23.440
<v Speaker 1>pull over and come inside. There you go. How to

0:29:23.480 --> 0:29:26.760
<v Speaker 1>give it to you? I really do. That was very enjoying.

0:29:26.920 --> 0:29:30.600
<v Speaker 1>Not bad, and I agree with the symbolism. It's huge

0:29:30.680 --> 0:29:33.520
<v Speaker 1>because they pay it way too much attention to detail

0:29:33.880 --> 0:29:36.440
<v Speaker 1>for that to not be a detail. Would we would

0:29:36.480 --> 0:29:40.600
<v Speaker 1>the kids call that an easter egg? Daniel, that is

0:29:40.760 --> 0:29:45.040
<v Speaker 1>the correct usage of easter egg. Well done, Amy, well done,

0:29:46.520 --> 0:29:49.000
<v Speaker 1>My god, Scott, you got to try and do this

0:29:49.040 --> 0:29:52.400
<v Speaker 1>every episode. I'm gonna try. I don't know if I

0:29:52.440 --> 0:29:54.280
<v Speaker 1>can want. I don't know if I can find the

0:29:54.360 --> 0:29:57.760
<v Speaker 1>gems every episode. People will help us to. I might

0:29:57.880 --> 0:30:01.680
<v Speaker 1>need to start staffing up on my like you guys,

0:30:01.880 --> 0:30:04.200
<v Speaker 1>you know you. I mean, I need a staff of

0:30:04.280 --> 0:30:08.800
<v Speaker 1>people looking at com Hopefully people will start um messaging

0:30:08.880 --> 0:30:12.040
<v Speaker 1>us so much stuff. They're hidden messages in these shows.

0:30:12.600 --> 0:30:16.760
<v Speaker 1>It makes me want to start our whole podcast over this, right,

0:30:17.240 --> 0:30:20.800
<v Speaker 1>imagine what we potentially missed. I feel like we have

0:30:20.880 --> 0:30:23.400
<v Speaker 1>to go back and we're mucking around with clown pillows

0:30:23.440 --> 0:30:26.280
<v Speaker 1>all over the place. But what else are we missing? What?

0:30:26.480 --> 0:30:29.800
<v Speaker 1>Ex week we're just like, hello, everybody, this is Gilmore

0:30:29.840 --> 0:30:34.320
<v Speaker 1>Girl's season one Everisode one. This could you know it

0:30:34.320 --> 0:30:37.240
<v Speaker 1>creates the show could be doling out and these hidden

0:30:37.240 --> 0:30:41.000
<v Speaker 1>messages the meaning of life itself that we're not paying

0:30:41.000 --> 0:30:46.640
<v Speaker 1>attention that was legit rad Eastern. Excellent work, excellent, excellent, Raaston,

0:30:46.760 --> 0:30:49.480
<v Speaker 1>thank you so much. And that's all I got. I mean,

0:30:49.520 --> 0:30:52.440
<v Speaker 1>that's it. That's that's why I wanted to come back

0:30:52.560 --> 0:30:56.520
<v Speaker 1>and reconvene. And no, we are way here for stoplight

0:30:56.600 --> 0:31:05.440
<v Speaker 1>symbolism and finding what was his name, Dennis spot Dennis.

0:31:07.440 --> 0:31:10.000
<v Speaker 1>It's like that Saturday Night Live, but back in the seventies.

0:31:10.000 --> 0:31:12.520
<v Speaker 1>Find the popes in the pizza. Find the pope in

0:31:12.520 --> 0:31:17.040
<v Speaker 1>the pizzas. Find the popes in the pizza. Oh, I've

0:31:17.080 --> 0:31:21.080
<v Speaker 1>been sent a message. Yeah, we have surprised for you.

0:31:21.160 --> 0:31:25.719
<v Speaker 1>We have someone surprising you from the bachelorette party. Are

0:31:25.760 --> 0:31:28.960
<v Speaker 1>you what are you talking about? Well, I mean there

0:31:29.040 --> 0:31:33.400
<v Speaker 1>was some there's some famous faces, as we say in

0:31:33.480 --> 0:31:37.120
<v Speaker 1>that in that bachelorette party. Bar. Would you call that

0:31:37.160 --> 0:31:40.560
<v Speaker 1>a bar? Club? I guess we're a club. I mean

0:31:40.600 --> 0:31:43.880
<v Speaker 1>it's a Yeah, it's a club. So do you want

0:31:43.880 --> 0:31:47.960
<v Speaker 1>to bring in our friend? Who is it? So? Straight

0:31:48.000 --> 0:31:54.640
<v Speaker 1>from the Bachelorette Party portraying Janet Jackson. The actress's name

0:31:54.800 --> 0:31:59.400
<v Speaker 1>is Jasmine. Have her here? Oh? Good god, relive the

0:31:59.440 --> 0:32:09.840
<v Speaker 1>bachelorett party memory, jas Many, Hi, Jasmine, Hello, how are

0:32:09.880 --> 0:32:14.000
<v Speaker 1>you doing I'm well, thank you. Nice to see you.

0:32:14.760 --> 0:32:17.200
<v Speaker 1>Get to see you as well. What a great episode.

0:32:18.400 --> 0:32:22.240
<v Speaker 1>Oh nice, it's a long time ago. That's twenty years ago.

0:32:23.000 --> 0:32:25.800
<v Speaker 1>It's a long time ago. Well, it's nice, it's nice

0:32:25.840 --> 0:32:28.720
<v Speaker 1>to meet you. Um. I just saw the episode for

0:32:28.760 --> 0:32:31.520
<v Speaker 1>the first time, and you played which character in the

0:32:31.600 --> 0:32:36.000
<v Speaker 1>in the club scene? I think I was like Janet Jackson, Jackson,

0:32:36.040 --> 0:32:40.400
<v Speaker 1>Janet Jackson. Um. Okay, so let's get into this. How

0:32:40.440 --> 0:32:45.520
<v Speaker 1>did you hear about this particular acting opportunity and howd

0:32:45.560 --> 0:32:51.000
<v Speaker 1>you heard of Gilmore Girls prior to filming it? Um?

0:32:51.040 --> 0:32:53.800
<v Speaker 1>I got the job through my management team at the time,

0:32:54.440 --> 0:32:58.160
<v Speaker 1>the Literarious Group and Mars and you know who was

0:32:58.240 --> 0:33:01.400
<v Speaker 1>with Yellow Rules. I think at that time this is

0:33:01.440 --> 0:33:05.400
<v Speaker 1>like two thousand correct, yes, well this would be two

0:33:05.400 --> 0:33:08.320
<v Speaker 1>thousand and one season two thousand and one. Yeah, I

0:33:08.400 --> 0:33:13.720
<v Speaker 1>was with that particular team of people, and I had

0:33:13.760 --> 0:33:16.040
<v Speaker 1>heard of it. I believe it was on kt LH

0:33:16.080 --> 0:33:20.480
<v Speaker 1>channel five, but I hadn't seen it, and so um,

0:33:20.600 --> 0:33:22.800
<v Speaker 1>when I went to the audition show, wasn't really familiar

0:33:22.840 --> 0:33:26.520
<v Speaker 1>with this show. But like a lot of times, you know,

0:33:26.640 --> 0:33:29.960
<v Speaker 1>actors are not familiar with every show they're appearing. So

0:33:30.200 --> 0:33:33.920
<v Speaker 1>when I was told that they wanted to see me.

0:33:33.960 --> 0:33:36.680
<v Speaker 1>I was like, awesome, but they wanted it a character.

0:33:36.760 --> 0:33:40.200
<v Speaker 1>They wanted like a Celebriting impersonation. And I think Janet

0:33:40.240 --> 0:33:43.640
<v Speaker 1>Jackson was popular at the time, really popular. So I

0:33:43.680 --> 0:33:47.320
<v Speaker 1>had my someone to call, my lover outfit and they

0:33:47.320 --> 0:33:52.760
<v Speaker 1>picked me and I got I got shows. That's exciting. Yeah,

0:33:52.760 --> 0:33:56.360
<v Speaker 1>it was, It really was. That's really exciting. Wow. Um,

0:33:56.400 --> 0:33:58.400
<v Speaker 1>But you knew did you know about the stature of

0:33:58.440 --> 0:34:00.160
<v Speaker 1>the show at that point? It had gotten so many

0:34:00.240 --> 0:34:02.960
<v Speaker 1>great reviews and it was kind of a little bit

0:34:03.000 --> 0:34:07.840
<v Speaker 1>on the radar of the entertainment business at that time. Yes,

0:34:08.320 --> 0:34:12.400
<v Speaker 1>it was really popular, yet it was Yeah, it happened fast.

0:34:12.920 --> 0:34:16.800
<v Speaker 1>Yeah yeah, wow, So that was exciting. To tell me

0:34:16.840 --> 0:34:18.799
<v Speaker 1>about the first day of filming. Did you did you

0:34:18.840 --> 0:34:22.000
<v Speaker 1>do a wardrobe session with Brenda and the whole thing

0:34:23.760 --> 0:34:26.520
<v Speaker 1>years ago? Twenty years ago, twenty years ago? Yeah, I

0:34:26.640 --> 0:34:33.200
<v Speaker 1>most definitely. M had to do, um um a custom

0:34:33.840 --> 0:34:37.719
<v Speaker 1>check to make sure that I wasn't wearing certain colors

0:34:38.080 --> 0:34:41.800
<v Speaker 1>and that it wouldn't clash with anybody else's right. Yeah. There,

0:34:41.800 --> 0:34:46.719
<v Speaker 1>it's very very specific. Yeah. So what was the Queen

0:34:46.800 --> 0:34:49.759
<v Speaker 1>Victoria's set like, uh, and What stood out to you

0:34:50.360 --> 0:34:52.000
<v Speaker 1>if you don't remember it was I think it was

0:34:52.000 --> 0:34:55.920
<v Speaker 1>a nightclub scene, all right, something like that. What I

0:34:56.000 --> 0:34:59.399
<v Speaker 1>remember the most about that wear took the episode because

0:34:59.560 --> 0:35:02.680
<v Speaker 1>I knew some of the other performers that were appearing,

0:35:03.480 --> 0:35:06.480
<v Speaker 1>Dolly Leave. I worked at the Queen Mary at the time.

0:35:07.239 --> 0:35:08.960
<v Speaker 1>I think I was still working at a club on

0:35:09.640 --> 0:35:12.719
<v Speaker 1>Sunda monicable of our tol Peanuts. I don't think it

0:35:12.760 --> 0:35:16.720
<v Speaker 1>exists anymore, but it was right um between Crescent Heights

0:35:16.760 --> 0:35:22.160
<v Speaker 1>and and Fair Facts, and I would appear there, and

0:35:22.200 --> 0:35:24.120
<v Speaker 1>I knew a couple of the other girls that appeared

0:35:24.120 --> 0:35:28.000
<v Speaker 1>and some of the other nightclubs and throughout Los Angeles,

0:35:27.840 --> 0:35:32.319
<v Speaker 1>and so that was very um but you knew each other. Yeah,

0:35:32.440 --> 0:35:34.840
<v Speaker 1>all right, well that makes for a fun day of shooting.

0:35:35.640 --> 0:35:40.080
<v Speaker 1>There's that iconic sort of moment where you're dancing. We're

0:35:40.120 --> 0:35:42.479
<v Speaker 1>pretty sure because that would it looked like Janet Jackson

0:35:43.000 --> 0:35:47.760
<v Speaker 1>with with the Uma Thurman was perfect from pulp Fiction

0:35:47.960 --> 0:35:50.040
<v Speaker 1>and then Michelle So that was a kind of a

0:35:50.040 --> 0:35:53.840
<v Speaker 1>cool moment to be dancing with them. No, it was

0:35:53.880 --> 0:35:59.960
<v Speaker 1>a really a great time for me. Um. Just in general,

0:36:00.520 --> 0:36:03.719
<v Speaker 1>I was I was working a lot at that time,

0:36:03.760 --> 0:36:06.520
<v Speaker 1>and when I got the job was a surprise. I

0:36:06.520 --> 0:36:08.640
<v Speaker 1>mean they all are at the end of the day,

0:36:08.120 --> 0:36:11.160
<v Speaker 1>but that particularly when they were like, oh they want you,

0:36:11.680 --> 0:36:14.160
<v Speaker 1>and I was like, oh, that's wonder phone. So you know,

0:36:14.200 --> 0:36:17.240
<v Speaker 1>I showed up and it was just really pleasant set.

0:36:17.320 --> 0:36:20.240
<v Speaker 1>That's what I remember the most. It was really pleasant,

0:36:20.360 --> 0:36:24.240
<v Speaker 1>easy set toward Yeah, it always was. It was nice

0:36:24.239 --> 0:36:28.480
<v Speaker 1>and easy. And so do you remember dancing with Johnny

0:36:28.520 --> 0:36:34.600
<v Speaker 1>Truesdale on stage? I don't know, yes, yeah, I think

0:36:34.640 --> 0:36:36.719
<v Speaker 1>you get up there and you're you're dancing around with

0:36:36.719 --> 0:36:39.319
<v Speaker 1>you unique and who all was in there? So it

0:36:39.360 --> 0:36:45.040
<v Speaker 1>was Janet Jackson and Luma Thurman, May West, Riley and Daniel.

0:36:45.120 --> 0:36:48.040
<v Speaker 1>Can you guys remember all the characters that were in

0:36:48.080 --> 0:36:55.480
<v Speaker 1>that club, Celine Dion and it was pretty like. The

0:36:55.520 --> 0:36:59.760
<v Speaker 1>thing I love about the scene is that all the

0:37:00.000 --> 0:37:02.440
<v Speaker 1>were a lie and her friends made total perfect sense

0:37:02.480 --> 0:37:04.879
<v Speaker 1>to be there. But having Emily Gilmore, who I don't

0:37:04.880 --> 0:37:06.880
<v Speaker 1>know if you've seen the show, but she plays loyalized

0:37:06.920 --> 0:37:10.200
<v Speaker 1>mother and she's very proper and very so she's in

0:37:10.280 --> 0:37:13.120
<v Speaker 1>that club and it's just like made it that much

0:37:13.200 --> 0:37:18.800
<v Speaker 1>better ordering her drinks from Maywest. Yeah, So you've played

0:37:19.239 --> 0:37:21.200
<v Speaker 1>a broad range of characters. Let me read off the

0:37:21.280 --> 0:37:24.760
<v Speaker 1>list of characters that you have played. It's very impressive.

0:37:24.840 --> 0:37:31.359
<v Speaker 1>Diana Ross, Tina Turner, Janet Jackson. Who's your favorite? Well,

0:37:31.360 --> 0:37:33.880
<v Speaker 1>I used to um, they're all my favorite because they

0:37:33.920 --> 0:37:36.759
<v Speaker 1>all bring, you know, different elements to the table. But

0:37:37.080 --> 0:37:38.960
<v Speaker 1>I used to work at a club on Las Ariannaga

0:37:39.239 --> 0:37:42.040
<v Speaker 1>when it used to be the restaurant row called the

0:37:42.120 --> 0:37:45.120
<v Speaker 1>Kaja Fall, and so that's where I really got to

0:37:45.200 --> 0:37:50.320
<v Speaker 1>exercise and learn exercise my craft and learn um uh

0:37:50.640 --> 0:37:55.400
<v Speaker 1>you know, how to create those uh wonderful the essence

0:37:55.440 --> 0:37:59.480
<v Speaker 1>of those wonderful people. And um, a lot of times

0:37:59.520 --> 0:38:02.399
<v Speaker 1>people she came to see me perform, Like I met

0:38:02.400 --> 0:38:07.200
<v Speaker 1>Grace Jones. She came to Lakaja Phone when I've performed there. Um,

0:38:07.320 --> 0:38:10.120
<v Speaker 1>oh my god, I met Grace. I met Grace Jones

0:38:10.160 --> 0:38:12.799
<v Speaker 1>a long time ago. Yeah, she actually came to see

0:38:12.840 --> 0:38:16.959
<v Speaker 1>the show. She's she's a she's a fantastic Yeah, she's

0:38:17.000 --> 0:38:22.719
<v Speaker 1>a great person to hang out with. And then um,

0:38:22.760 --> 0:38:25.600
<v Speaker 1>you know, after after, you know, while I was doing that,

0:38:25.640 --> 0:38:28.720
<v Speaker 1>I started auditioning for like TV shows. So my first

0:38:28.719 --> 0:38:32.239
<v Speaker 1>TV shows with John Larra kat So I did the

0:38:32.360 --> 0:38:36.719
<v Speaker 1>show for a few seasons and then the hits just

0:38:36.800 --> 0:38:42.800
<v Speaker 1>kept on coming. Shortly after I did um give those girls?

0:38:42.880 --> 0:38:46.480
<v Speaker 1>I did um? What was that movie for? Yo? Version

0:38:46.560 --> 0:38:50.359
<v Speaker 1>like a couple of years later, Steve Correll. Yeah, so

0:38:50.719 --> 0:38:53.200
<v Speaker 1>it's been a it's been funny. Can you sing? So

0:38:53.239 --> 0:38:56.640
<v Speaker 1>when you're portraying those Tina Turner, Janna Jackson, do you

0:38:56.719 --> 0:39:00.080
<v Speaker 1>sing as well? I think? But I live thinking and

0:39:00.120 --> 0:39:02.799
<v Speaker 1>I'm God and got when I'm doing my celebrity. Mine

0:39:02.880 --> 0:39:05.759
<v Speaker 1>is more the essence, right, It's the moves, It's it's

0:39:05.800 --> 0:39:10.960
<v Speaker 1>the persona right. You know some awesome artists that you

0:39:10.960 --> 0:39:16.280
<v Speaker 1>can actually see right and you know performance right right right? Um?

0:39:16.320 --> 0:39:19.719
<v Speaker 1>So wow, So you're so that takes acting skills for

0:39:19.760 --> 0:39:22.279
<v Speaker 1>you to to to really get into the skin of

0:39:22.320 --> 0:39:26.120
<v Speaker 1>another performer, another person and bring it to left. Yeah,

0:39:26.120 --> 0:39:29.279
<v Speaker 1>it's it's a whole process. Yeah, it's a total. Yeah.

0:39:29.400 --> 0:39:31.000
<v Speaker 1>You need to be you know, you know, you need

0:39:31.080 --> 0:39:34.000
<v Speaker 1>to learning mannerisms. You want to make sure you know

0:39:34.080 --> 0:39:38.960
<v Speaker 1>their music and your style history about right, you know,

0:39:39.400 --> 0:39:42.480
<v Speaker 1>you know, just um, you know you want to study

0:39:42.520 --> 0:39:46.040
<v Speaker 1>your character, study the character. So did you take acting

0:39:46.080 --> 0:39:50.000
<v Speaker 1>classes and I work with acting coaches. Yes, I've taken

0:39:50.040 --> 0:39:55.920
<v Speaker 1>some classes interesting oftentimes on various sets. They've been generous

0:39:55.960 --> 0:40:00.200
<v Speaker 1>and they would provide coaching for me. So I have

0:40:00.239 --> 0:40:04.920
<v Speaker 1>out a private coaching on different on different jobs. Who

0:40:05.120 --> 0:40:08.080
<v Speaker 1>who do you remember from the set, if anybody do

0:40:08.120 --> 0:40:11.080
<v Speaker 1>you remember? Do you remember Kelly Bishop or Lauren or

0:40:12.200 --> 0:40:15.120
<v Speaker 1>daughter and the main daughter and the main mother? Oh

0:40:15.239 --> 0:40:19.160
<v Speaker 1>so so so Emily and Rory so so, Alexis Bloodell

0:40:19.239 --> 0:40:22.960
<v Speaker 1>and Kelly Bishop. Yeah, yeah, the main mother because she

0:40:23.040 --> 0:40:26.680
<v Speaker 1>was like a single mother. Lauren, that's Lauren Graham. Yeah,

0:40:26.719 --> 0:40:30.200
<v Speaker 1>oh yeah, yeah, Laura Lai. Yeah, I remember the single

0:40:30.239 --> 0:40:34.520
<v Speaker 1>mother and the daughter. Right, all right? Interesting? Interesting? So

0:40:34.600 --> 0:40:39.600
<v Speaker 1>you did that gig and then after that gig, was

0:40:39.680 --> 0:40:42.440
<v Speaker 1>it easier for you to get work because you had

0:40:42.480 --> 0:40:44.920
<v Speaker 1>that on your resume and people took notice of and say, oh,

0:40:44.960 --> 0:40:46.960
<v Speaker 1>you were on Gilmore Girls. Will you know? I don't

0:40:47.000 --> 0:40:50.279
<v Speaker 1>even know, because to be honest, that particular show I

0:40:50.280 --> 0:40:51.560
<v Speaker 1>didn't have I don't even know if I had a

0:40:51.640 --> 0:40:55.560
<v Speaker 1>name or our lines on this show, like I was

0:40:55.600 --> 0:40:58.480
<v Speaker 1>a guest star or co star. It was more you

0:40:58.520 --> 0:41:03.160
<v Speaker 1>stood out because of who you were portraying. Yeah, I

0:41:03.239 --> 0:41:05.319
<v Speaker 1>had nothing to do what I said or did. Really,

0:41:05.640 --> 0:41:08.680
<v Speaker 1>I mean, most none of them had lines other than Maywest.

0:41:09.320 --> 0:41:12.080
<v Speaker 1>It was more the presence and that you were Janet

0:41:12.440 --> 0:41:18.919
<v Speaker 1>and dancing with the waiter headlines, the waiter headlines. Yeah, yeah,

0:41:18.920 --> 0:41:20.960
<v Speaker 1>so I wouldn't. I don't. I don't know if they

0:41:20.960 --> 0:41:23.000
<v Speaker 1>would have seen me. And oh my god, we gotta

0:41:23.120 --> 0:41:27.120
<v Speaker 1>we gotta have jacks from that particular show, right, But

0:41:27.200 --> 0:41:30.200
<v Speaker 1>I think it looks good on my resume. I was

0:41:30.960 --> 0:41:32.799
<v Speaker 1>even today when I say that people like you were

0:41:32.840 --> 0:41:35.160
<v Speaker 1>and I was like, well, I didn't have any lines

0:41:35.239 --> 0:41:37.560
<v Speaker 1>when I was on the show, embellish, Come on, you

0:41:37.560 --> 0:41:39.319
<v Speaker 1>had a speech, you got cut you know, I had

0:41:39.400 --> 0:41:43.239
<v Speaker 1>hold ten ten scenes I filmed with Luke and Laureline

0:41:43.239 --> 0:41:45.160
<v Speaker 1>and where you know, and they just you know, of

0:41:45.200 --> 0:41:47.960
<v Speaker 1>course sometimes these things happen in the business. They end

0:41:48.040 --> 0:41:51.520
<v Speaker 1>up on the cutting room floor. But it was gonna

0:41:51.560 --> 0:41:55.000
<v Speaker 1>be my big shot. It's gonna make a break. Yeah,

0:41:55.080 --> 0:41:58.040
<v Speaker 1>that's that's thing. And uh, you know, and they owe

0:41:58.120 --> 0:42:00.839
<v Speaker 1>me and I'm sure they'll call you anyway. Even when

0:42:00.920 --> 0:42:03.839
<v Speaker 1>I got the call, but that you know, you guys

0:42:03.840 --> 0:42:05.920
<v Speaker 1>were interested in him. I was like, what did I

0:42:05.920 --> 0:42:09.000
<v Speaker 1>actually do on the show? And I was thinking, how

0:42:09.120 --> 0:42:12.120
<v Speaker 1>sweet to want to remember me twenty years later for

0:42:12.239 --> 0:42:18.240
<v Speaker 1>basically for effortlessly doing very little right right, right, right right. Well, Jasmine,

0:42:18.280 --> 0:42:22.600
<v Speaker 1>it has been a blast talking to thanks for joining us. Um,

0:42:22.680 --> 0:42:26.720
<v Speaker 1>this was thoroughly enjoyable, and uh, you know, we loved

0:42:26.719 --> 0:42:29.640
<v Speaker 1>watching that episode and we particularly love watching that scene.

0:42:29.640 --> 0:42:31.520
<v Speaker 1>We're breaking it down right now, and it was it

0:42:31.600 --> 0:42:34.200
<v Speaker 1>was a lot of fun, uh to watch it. I

0:42:34.200 --> 0:42:36.960
<v Speaker 1>wish I was there filming it wasn't you know. I

0:42:37.000 --> 0:42:39.279
<v Speaker 1>wasn't in the scene, but at least I get to

0:42:39.320 --> 0:42:41.400
<v Speaker 1>see it. So thank you for your contribution to the show,

0:42:42.040 --> 0:42:45.040
<v Speaker 1>and thanks for coming on. We really appreciate it. Thank

0:42:45.040 --> 0:42:50.120
<v Speaker 1>you for having me. Okay, Jasmine, alright bye. I love

0:42:50.200 --> 0:42:55.480
<v Speaker 1>in that scene that Michelle was invited to the bachelorette park, Well,

0:42:55.520 --> 0:42:58.480
<v Speaker 1>of course, I mean, you know, he's he's got to

0:42:58.520 --> 0:43:01.520
<v Speaker 1>be there and been that Michelle. I mean, I know

0:43:01.560 --> 0:43:04.880
<v Speaker 1>we mentioned it, but that Michelle invites Emily like that

0:43:05.080 --> 0:43:10.360
<v Speaker 1>is so classic. But what a world that Jasmine occupies.

0:43:10.400 --> 0:43:13.520
<v Speaker 1>I mean, it's isn't it interesting how they the work

0:43:13.600 --> 0:43:17.160
<v Speaker 1>that they put into that to be so exacting with

0:43:17.320 --> 0:43:20.719
<v Speaker 1>every move and every you know, And she said, it's

0:43:20.760 --> 0:43:23.080
<v Speaker 1>like getting the essence of somebody. It's like character acting

0:43:23.480 --> 0:43:27.200
<v Speaker 1>and sane, didn't Janet Jackson wasn't as prominent, but the

0:43:27.360 --> 0:43:33.040
<v Speaker 1>Uma Thurman from Pulp Fiction literally had it down perfect,

0:43:33.360 --> 0:43:36.440
<v Speaker 1>just the whole, not just the dance to that, but

0:43:36.520 --> 0:43:41.280
<v Speaker 1>like the body language, and you're like, WHOA got is legit?

0:43:42.280 --> 0:43:46.600
<v Speaker 1>Fascinating subculture. It's a fascinating subculture. Well, she was fun.

0:43:48.200 --> 0:43:50.400
<v Speaker 1>That's a great scene and perfect that that's where they

0:43:50.440 --> 0:43:54.560
<v Speaker 1>had the bachelorette party. Um, what else do we need

0:43:54.600 --> 0:43:57.360
<v Speaker 1>to unpack here? Well? I love Emily that she says,

0:43:57.400 --> 0:43:59.080
<v Speaker 1>if you say you're going to have a party at

0:43:59.120 --> 0:44:03.480
<v Speaker 1>eight o'clock, we hear it moralized, Like I don't even

0:44:03.560 --> 0:44:08.440
<v Speaker 1>invite you. You gotta keep that tension. You gotta keep

0:44:08.480 --> 0:44:12.040
<v Speaker 1>that tension between mother and daughter. You gotta do it. Um.

0:44:12.080 --> 0:44:15.200
<v Speaker 1>I love the tailor stuff. I think it's it's it's

0:44:15.239 --> 0:44:18.560
<v Speaker 1>it's some of the first I mean, it's it's the

0:44:18.600 --> 0:44:20.480
<v Speaker 1>first time. Was it is it the first time that

0:44:20.600 --> 0:44:22.920
<v Speaker 1>Luke has really popped a tailor? It's not the first time,

0:44:23.200 --> 0:44:26.640
<v Speaker 1>the most noticeable really because I think there was that

0:44:26.719 --> 0:44:29.759
<v Speaker 1>time in the town meeting where you got you know

0:44:30.120 --> 0:44:33.239
<v Speaker 1>about the reenactor. Yeah alright, alright, but I really like

0:44:33.400 --> 0:44:36.479
<v Speaker 1>me watching the episode before we came on the air.

0:44:37.560 --> 0:44:40.200
<v Speaker 1>I really It was really felt so assaulted that a

0:44:40.239 --> 0:44:42.839
<v Speaker 1>traffic light was going up outside my diner because it's

0:44:42.840 --> 0:44:44.600
<v Speaker 1>such a sleepy little town. What do you need to

0:44:45.520 --> 0:44:51.480
<v Speaker 1>traffic It's so stupid. Right sign is giant yellow sign?

0:44:51.680 --> 0:44:54.759
<v Speaker 1>I mean it said everything about what's wrong with that

0:44:55.760 --> 0:45:00.880
<v Speaker 1>is like, and we have time to stop light the

0:45:00.960 --> 0:45:05.240
<v Speaker 1>oldest member of our our town to get across the street.

0:45:05.640 --> 0:45:09.160
<v Speaker 1>I mean, how Finn was that? That was a tough

0:45:09.239 --> 0:45:13.040
<v Speaker 1>scene too, because there's so much background and lower Lie

0:45:13.640 --> 0:45:18.200
<v Speaker 1>and uh Suki have their conversation going, and then you're

0:45:18.280 --> 0:45:21.400
<v Speaker 1>having your sort of going at Taylor all in the

0:45:21.440 --> 0:45:25.000
<v Speaker 1>same scene, and it's just like, oh my god, and

0:45:25.040 --> 0:45:28.560
<v Speaker 1>I think, Sukie, I think I'm sorry. Go ahead, now,

0:45:28.640 --> 0:45:31.200
<v Speaker 1>go ahead, Danielle, you were going to say something. I

0:45:31.239 --> 0:45:33.839
<v Speaker 1>was waiting for my chance to talk about Michelle after

0:45:33.880 --> 0:45:37.040
<v Speaker 1>The Bachelor at party because that was my favorite scene.

0:45:38.040 --> 0:45:41.120
<v Speaker 1>We can go out of order, go to it. So

0:45:41.160 --> 0:45:44.439
<v Speaker 1>afterwards when everyone's hungover and this is my favorite lines,

0:45:44.520 --> 0:45:47.480
<v Speaker 1>I'm saying it early, but he goes, I feel like

0:45:47.560 --> 0:45:50.799
<v Speaker 1>crap on toast and I literally belly laughed. I was like,

0:45:51.040 --> 0:45:54.680
<v Speaker 1>I love him so so do I I deeply love

0:45:54.760 --> 0:45:59.279
<v Speaker 1>that character. I just He's the He's the greatest. If

0:46:00.360 --> 0:46:03.920
<v Speaker 1>Max is waiting for you outside, if you don't slep

0:46:04.000 --> 0:46:09.319
<v Speaker 1>in like well, it really is like such the best

0:46:09.320 --> 0:46:11.799
<v Speaker 1>part of it, the best part of it. Oh my god,

0:46:11.800 --> 0:46:15.840
<v Speaker 1>we didn't talk about the huppa. Oh my god. Should

0:46:15.840 --> 0:46:18.680
<v Speaker 1>take a break. We gotta take a break, take a break. Yeah,

0:46:19.000 --> 0:46:20.719
<v Speaker 1>I gotta get my guitar too, because I gotta get

0:46:20.760 --> 0:46:26.280
<v Speaker 1>ready for I gotta bone up for Riley. Oh yeah,

0:46:26.640 --> 0:46:29.040
<v Speaker 1>because we're gonna you know, Riley, it's all different now,

0:46:29.080 --> 0:46:33.439
<v Speaker 1>we're gonna bombard pop culture. Were bombard, and I feel

0:46:33.480 --> 0:46:35.520
<v Speaker 1>that it's in the offing. It's it's like, right there,

0:46:35.880 --> 0:46:40.200
<v Speaker 1>it's breathing down our necks. We're not trying to throw

0:46:40.239 --> 0:46:42.520
<v Speaker 1>you off your game at all, not at all. We're

0:46:42.560 --> 0:46:45.600
<v Speaker 1>just we're just only a little bit, a little bit,

0:46:47.239 --> 0:46:54.520
<v Speaker 1>all right. I gotta get the guitar. Hang on, okay, everybody,

0:46:54.560 --> 0:46:57.680
<v Speaker 1>we're back and we're gonna get into a little bit

0:46:57.680 --> 0:47:00.960
<v Speaker 1>of huppa conversation here, like what, Oh my god, that

0:47:01.120 --> 0:47:04.239
<v Speaker 1>was shocking. I didn't realize it came that earlier, or

0:47:04.480 --> 0:47:08.400
<v Speaker 1>it was a very surprising appearance of of Luke with

0:47:08.440 --> 0:47:11.920
<v Speaker 1>a hippa and that you Luke put his sort of

0:47:11.960 --> 0:47:15.880
<v Speaker 1>like his own sort of angst sadness over the marriage

0:47:15.920 --> 0:47:20.640
<v Speaker 1>aside to make her that extraordinary gift that's hands down

0:47:20.640 --> 0:47:23.040
<v Speaker 1>going to be the best gift she's ever received. Right,

0:47:23.040 --> 0:47:25.160
<v Speaker 1>And he's so casual. But I saw a picture of it,

0:47:25.280 --> 0:47:28.120
<v Speaker 1>a carved that it's gotta go, you like goats. Yeah,

0:47:28.320 --> 0:47:30.200
<v Speaker 1>I'm not going, I'm gonna you gotta go, you know,

0:47:30.719 --> 0:47:34.000
<v Speaker 1>And didn't you think very intentional the scene of the

0:47:34.040 --> 0:47:38.680
<v Speaker 1>backs of you, your back and Lauren's back. So Luke

0:47:38.719 --> 0:47:43.360
<v Speaker 1>and lore Lye with the yeah, they're just they're basically

0:47:43.360 --> 0:47:45.360
<v Speaker 1>just hitting me in the face with it. You know.

0:47:47.600 --> 0:47:55.640
<v Speaker 1>It's not subtle. It's like the carved to goat, carved

0:47:55.680 --> 0:47:58.880
<v Speaker 1>to go. No big deal. Let's stand under the hoopa together,

0:47:59.400 --> 0:48:02.080
<v Speaker 1>Let's have our let's have our scene where we're talking

0:48:02.080 --> 0:48:06.040
<v Speaker 1>about the right wand and marriage and how it should

0:48:06.040 --> 0:48:08.960
<v Speaker 1>be you know a certain way and feel a certain way,

0:48:09.120 --> 0:48:13.399
<v Speaker 1>and yeah, it just changes you. But you know, let's

0:48:13.400 --> 0:48:15.440
<v Speaker 1>go back to the not to go away from the hope.

0:48:15.560 --> 0:48:17.200
<v Speaker 1>We're going to return to the hupet real quick. But

0:48:17.320 --> 0:48:19.879
<v Speaker 1>Suki got even with me a little bit, didn't she.

0:48:19.880 --> 0:48:24.239
<v Speaker 1>She shut me up. Well when I was ranting about marriage. Yeah,

0:48:24.320 --> 0:48:26.640
<v Speaker 1>when at the at the at the light Sarah stop

0:48:26.719 --> 0:48:30.440
<v Speaker 1>light ceremony, right, She's like, you called me crotchety man.

0:48:30.920 --> 0:48:33.839
<v Speaker 1>We're going away from you now, crotchety man. Right, So

0:48:33.880 --> 0:48:37.120
<v Speaker 1>she got she got even, she got even interesting sort

0:48:37.160 --> 0:48:40.719
<v Speaker 1>of that she kind of calls you out and she

0:48:40.800 --> 0:48:43.600
<v Speaker 1>sort of has been in always a loving way. I

0:48:43.600 --> 0:48:48.600
<v Speaker 1>think she genuinely likes Luke a lot, but she is like,

0:48:49.160 --> 0:48:52.000
<v Speaker 1>I'm not listen to because that's her girl. He's messing with,

0:48:52.040 --> 0:48:54.600
<v Speaker 1>he's getting in her head. You think Luke was doing

0:48:54.640 --> 0:48:57.600
<v Speaker 1>it on purpose? Do you think he was being manipulative? Well,

0:48:57.640 --> 0:49:00.560
<v Speaker 1>obviously you know her better than any one, and you

0:49:00.600 --> 0:49:03.319
<v Speaker 1>know she's not going to marry this dude, right. But

0:49:03.400 --> 0:49:07.080
<v Speaker 1>I think that was an unconscious attack on marriage. He

0:49:07.120 --> 0:49:11.080
<v Speaker 1>didn't even know why he was saying that. I mean exactly.

0:49:11.120 --> 0:49:14.040
<v Speaker 1>How about when Max comes into the diner and you're like, oh, hey,

0:49:14.080 --> 0:49:19.480
<v Speaker 1>they're good, buddy Brown, you do right? You just think

0:49:19.520 --> 0:49:21.359
<v Speaker 1>that holds things a joke and it's not gonna work

0:49:21.360 --> 0:49:25.520
<v Speaker 1>the lunch menu because we only a breakfast. You're just like,

0:49:26.160 --> 0:49:29.280
<v Speaker 1>get out of here. There, there's some insecurity there, because

0:49:29.520 --> 0:49:31.640
<v Speaker 1>why else would he go on a rand about marriage

0:49:31.680 --> 0:49:34.960
<v Speaker 1>at the ceremony at the supple, right, he sort of

0:49:35.040 --> 0:49:38.919
<v Speaker 1>flexes with Max. But then yeah, because I think he's

0:49:39.080 --> 0:49:41.840
<v Speaker 1>I think that's the first time we see him, not

0:49:41.920 --> 0:49:43.760
<v Speaker 1>the first time, it's the only time in that episode

0:49:43.760 --> 0:49:46.840
<v Speaker 1>where he's really irritated about it. He's not irritated in

0:49:46.920 --> 0:49:49.760
<v Speaker 1>front of her and the diner. He's not irritated the Max.

0:49:50.440 --> 0:49:53.960
<v Speaker 1>He's irritated in character as a as an owner who's

0:49:54.000 --> 0:49:57.520
<v Speaker 1>out of sync with how my two girls order and

0:49:58.160 --> 0:49:59.880
<v Speaker 1>eye rolls and like, are you kidding me with this?

0:50:00.040 --> 0:50:03.560
<v Speaker 1>I right, well, and yeah, I mean I totally agree

0:50:03.560 --> 0:50:05.040
<v Speaker 1>with you. And when she asked you if you're going

0:50:05.080 --> 0:50:07.759
<v Speaker 1>to come to the wedding, you blow it off. It's

0:50:07.760 --> 0:50:10.799
<v Speaker 1>in a stack of papers. That's why the hoopa was

0:50:10.880 --> 0:50:15.400
<v Speaker 1>so surprising, because you've made this beautiful gift that actually

0:50:15.440 --> 0:50:19.960
<v Speaker 1>acknowledges this wedding. That's a hell Mary. That's like I'm

0:50:20.000 --> 0:50:22.640
<v Speaker 1>throwing an eight yard bomb. I hope she catches it

0:50:22.680 --> 0:50:26.640
<v Speaker 1>for the touchdown for Team Luke. You know, it's like

0:50:26.719 --> 0:50:32.520
<v Speaker 1>he he really is, like it's unexpected how he I mean,

0:50:32.560 --> 0:50:36.360
<v Speaker 1>if he if it's conscious and he's manipulative um and

0:50:36.400 --> 0:50:39.360
<v Speaker 1>he's trying to get her off of Max, and and

0:50:39.400 --> 0:50:42.880
<v Speaker 1>it's not subconsciousness, not just coming out out of sheer frustration.

0:50:43.520 --> 0:50:45.799
<v Speaker 1>Doesn't even understand why he's saying these things. Then it's

0:50:46.600 --> 0:50:49.239
<v Speaker 1>you know, it's equally as interesting. But um, that hope

0:50:49.239 --> 0:50:52.319
<v Speaker 1>of thing. Wow, what a hail Mary, though, I mean,

0:50:52.360 --> 0:50:55.920
<v Speaker 1>how do you? How do you not love a person

0:50:56.400 --> 0:50:59.440
<v Speaker 1>that does some makes that kind of a gesture. Who's

0:50:59.480 --> 0:51:04.480
<v Speaker 1>got the most to lose? He's she knows how he feels, right,

0:51:04.560 --> 0:51:07.280
<v Speaker 1>She's not an idiot. She knows exactly how he feels.

0:51:07.760 --> 0:51:12.799
<v Speaker 1>And the like I said in previous UH episodes, his

0:51:13.000 --> 0:51:15.960
<v Speaker 1>only move, his only chance to get her is to

0:51:16.120 --> 0:51:20.359
<v Speaker 1>dismiss it. It's a foregone conclusion and act like he's

0:51:20.400 --> 0:51:26.720
<v Speaker 1>supportive and good luck. I don't think he you Luke

0:51:27.560 --> 0:51:33.200
<v Speaker 1>puts her first, so unlike Max, who's making it like

0:51:33.239 --> 0:51:36.280
<v Speaker 1>where's my keys? And what's my role? And I'm supposed

0:51:36.320 --> 0:51:40.960
<v Speaker 1>to parent? Rory you who she knows this is painful,

0:51:41.719 --> 0:51:44.600
<v Speaker 1>make her not just an amazing gift, but in a

0:51:44.760 --> 0:51:49.240
<v Speaker 1>gift for the wedding. Who's the better man? Yep, who's

0:51:49.239 --> 0:51:53.520
<v Speaker 1>the most selfless man? Exactly, which is why she bailed,

0:51:53.520 --> 0:51:56.919
<v Speaker 1>because she knows, not that Max sucks or anything, He's

0:51:56.920 --> 0:52:01.000
<v Speaker 1>just not right for her. He was justifiably set. I

0:52:01.040 --> 0:52:05.719
<v Speaker 1>don't blame him because it's like considerament. So he got

0:52:05.800 --> 0:52:10.080
<v Speaker 1>nervous because he may be figured she didn't love him

0:52:10.200 --> 0:52:15.279
<v Speaker 1>as the way he wanted to be loved, Like why

0:52:15.320 --> 0:52:17.440
<v Speaker 1>am I here asking for the keys? Like what is

0:52:17.480 --> 0:52:20.399
<v Speaker 1>going on? You know? And it's like he was justified

0:52:21.360 --> 0:52:24.520
<v Speaker 1>and he and he popped at her. So that really

0:52:24.560 --> 0:52:27.600
<v Speaker 1>just shows how hurt he was knowing that this thing

0:52:27.680 --> 0:52:30.200
<v Speaker 1>is going off the rails. It also just keeps making

0:52:30.200 --> 0:52:33.040
<v Speaker 1>me think about like when Richard was in the hospital

0:52:33.680 --> 0:52:36.920
<v Speaker 1>that Luke steps up, tells her to get in the

0:52:36.960 --> 0:52:41.560
<v Speaker 1>car handles, everything stays about. It's just Luke is. It's

0:52:41.640 --> 0:52:47.000
<v Speaker 1>so clear he's always going to do what's best for her,

0:52:47.440 --> 0:52:52.600
<v Speaker 1>whether she that, whether they're dating or whether they're just friends,

0:52:53.080 --> 0:52:58.040
<v Speaker 1>it doesn't matter to him. Yeah, so's I don't know

0:52:58.040 --> 0:53:00.680
<v Speaker 1>if he's a better man. I me take that back.

0:53:00.680 --> 0:53:02.160
<v Speaker 1>I don't want to say that I'm the better man

0:53:02.239 --> 0:53:04.640
<v Speaker 1>than Max, but I think maybe he's obviously, you know,

0:53:04.680 --> 0:53:08.640
<v Speaker 1>obviously the better man for her. Yeah, And it's like

0:53:08.680 --> 0:53:11.480
<v Speaker 1>they don't even try to make us wonder it's like,

0:53:12.400 --> 0:53:14.239
<v Speaker 1>now they're they're punching us in the face with it.

0:53:14.800 --> 0:53:19.640
<v Speaker 1>It's it's not subtle. Do you guys see me just spit?

0:53:19.800 --> 0:53:25.879
<v Speaker 1>Did you see the spit? Sorry, I'm sorry, perfect moment. Look,

0:53:26.000 --> 0:53:28.640
<v Speaker 1>we gotta keep it in the podcast we got that's yeah,

0:53:28.760 --> 0:53:30.719
<v Speaker 1>Oh yeah, you can keep the spinning. That might be

0:53:30.800 --> 0:53:35.040
<v Speaker 1>the first projectile that is visible. I actually think it was.

0:53:35.719 --> 0:53:40.880
<v Speaker 1>I don't remember. Anyone's spitting or sitting is so not cool. Well,

0:53:40.920 --> 0:53:44.920
<v Speaker 1>we're gonna have to help coronavirus. Yeah, no, that's very true. Sneezing,

0:53:45.000 --> 0:53:47.960
<v Speaker 1>coughing and spitting. What do you care how many houses

0:53:48.000 --> 0:53:49.880
<v Speaker 1>you have? You can contaminate one house and go to

0:53:49.880 --> 0:53:54.879
<v Speaker 1>the other one. Yeah, coughing went out. No, no, it's

0:53:54.880 --> 0:53:58.160
<v Speaker 1>not it's not in jogue anymore. We don't cough. We

0:53:58.160 --> 0:54:01.080
<v Speaker 1>don't sneeze. Remember when we've sneeze and you used to

0:54:01.080 --> 0:54:03.000
<v Speaker 1>say bless you and now pops knees and you're like,

0:54:03.200 --> 0:54:08.759
<v Speaker 1>I'm addie. You're like, don't do it, don't do it,

0:54:09.640 --> 0:54:11.200
<v Speaker 1>or you just throw a bag over their head and

0:54:11.239 --> 0:54:16.879
<v Speaker 1>contain it. Right, Oh my god, Riley, get your eye.

0:54:16.880 --> 0:54:20.640
<v Speaker 1>Am all in anti sneeze bag? Just use the hat

0:54:20.719 --> 0:54:29.879
<v Speaker 1>to fit over. Is it time for pop culture? With

0:54:30.000 --> 0:54:34.839
<v Speaker 1>Riley Pelusis it sure is? And speaking of spitting mut spit,

0:54:34.880 --> 0:54:42.839
<v Speaker 1>these facts throw it down all right? Here we go.

0:54:43.320 --> 0:54:45.040
<v Speaker 1>We might need to soften that a little bit, just

0:54:45.080 --> 0:54:47.120
<v Speaker 1>so I can hear Riley hell Man, I just want

0:54:47.120 --> 0:54:50.040
<v Speaker 1>to play my guitar. Everybody's always going down on me. Man,

0:54:51.520 --> 0:54:55.279
<v Speaker 1>I thought I was the show. Here we Go is

0:54:55.280 --> 0:54:58.520
<v Speaker 1>putting together wedding invitations, and Laura I says, okay, um,

0:54:58.520 --> 0:55:00.959
<v Speaker 1>what is love? Is it the morning in the evening star? Uh?

0:55:01.120 --> 0:55:04.719
<v Speaker 1>Roy says Sinclair Lewis. She reads another line and Roy

0:55:04.760 --> 0:55:08.040
<v Speaker 1>says Lord Byron Harry Sinclair Lewis was an American writer

0:55:08.080 --> 0:55:10.600
<v Speaker 1>and playwright. In he became the first American to win

0:55:10.640 --> 0:55:14.880
<v Speaker 1>the Nobel Prize in Literature. Byron was an American English poet,

0:55:15.719 --> 0:55:18.960
<v Speaker 1>pure politician, and leading figure in the Romantic movement. Byron

0:55:19.080 --> 0:55:21.879
<v Speaker 1>had a pet bear that he would walk around Cambridge's

0:55:21.920 --> 0:55:25.520
<v Speaker 1>campus on a leash. Laura LII follows up with Byron

0:55:25.560 --> 0:55:27.840
<v Speaker 1>and Lewis together again. This is a reference to the

0:55:27.880 --> 0:55:31.879
<v Speaker 1>comedy team of Dean Martin and Jerry Lewis. Yeah, Martin

0:55:31.960 --> 0:55:34.600
<v Speaker 1>was terrified of closed in spaces. He flat out refused

0:55:34.640 --> 0:55:37.120
<v Speaker 1>to ride an elevator and once he actually went out

0:55:37.120 --> 0:55:39.480
<v Speaker 1>of his way to walk eighteen flights of stairs instead.

0:55:39.760 --> 0:55:42.279
<v Speaker 1>Totally understand because I don't go in elevators here. They

0:55:42.320 --> 0:55:46.319
<v Speaker 1>were huge. Martin and Lewis were like rock stars. They

0:55:46.360 --> 0:55:51.040
<v Speaker 1>were huge. There were sex symbols. Both of them were Jerrenny.

0:55:51.719 --> 0:55:53.640
<v Speaker 1>People were trying to rip their clothes off. I'm not

0:55:53.680 --> 0:55:57.600
<v Speaker 1>kidding the Dean Martin was a babe, but not Yeah, no,

0:55:57.760 --> 0:55:59.959
<v Speaker 1>they loved him. He did all those wacky movies. Well

0:56:00.000 --> 0:56:04.279
<v Speaker 1>maybe that was Laura Leon Rory see Max sleeping on

0:56:04.280 --> 0:56:06.040
<v Speaker 1>the couch during the movie, and they've worn him out.

0:56:06.120 --> 0:56:08.719
<v Speaker 1>Laura Lie says, well, we are Electoral Woman and Dinah Girl.

0:56:09.320 --> 0:56:11.640
<v Speaker 1>Elector Woman and Dinah Girl is a live action science

0:56:11.680 --> 0:56:15.800
<v Speaker 1>fiction children's television series nineteen seventy six, Cyndi Lauper actually

0:56:15.800 --> 0:56:18.279
<v Speaker 1>saying the show's theme song, and although said to be

0:56:18.360 --> 0:56:22.080
<v Speaker 1>a teenager Judy Strangers, Dina Girl was only two years

0:56:22.120 --> 0:56:25.000
<v Speaker 1>younger than Electoral Woman Deetre Hall. A show I have

0:56:25.200 --> 0:56:30.640
<v Speaker 1>never heard of, like, never heard of any Yeah, I

0:56:30.680 --> 0:56:33.959
<v Speaker 1>had never heard of it. Max is in the Max

0:56:34.080 --> 0:56:36.680
<v Speaker 1>Another show, Max in the Hospital tending to his brother

0:56:36.840 --> 0:56:38.560
<v Speaker 1>when they asked why he decided to leap over the

0:56:38.560 --> 0:56:41.160
<v Speaker 1>parking meter, Max says he's the middle child. Laura Lie

0:56:41.200 --> 0:56:44.239
<v Speaker 1>says poor jan. Jan Brady was portrayed by Eve Plum

0:56:44.280 --> 0:56:46.440
<v Speaker 1>in the TV series as well as The Brady Girls

0:56:46.440 --> 0:56:49.239
<v Speaker 1>Get Married, The Brady Brides, A Very Brady Christmas, and

0:56:49.280 --> 0:56:52.120
<v Speaker 1>The Bradies. Jan, being the middle child of six, always

0:56:52.239 --> 0:56:55.320
<v Speaker 1>did her best to stand out and be her own person.

0:56:56.040 --> 0:57:01.360
<v Speaker 1>A few famous Jam quotes are Marcia Marsha Marsha Marsia

0:57:02.200 --> 0:57:04.960
<v Speaker 1>and she said, glasses, Oh no, Mom, not glasses, they'll

0:57:05.000 --> 0:57:09.320
<v Speaker 1>make me look absolutely positively goofy and the wig episode.

0:57:09.440 --> 0:57:12.719
<v Speaker 1>Don't be silly, it's a wig. Oh yeah, that's right.

0:57:12.840 --> 0:57:15.080
<v Speaker 1>She got the dark wig because she wanted to like

0:57:15.320 --> 0:57:19.800
<v Speaker 1>look different even though she was blonde, very black wig.

0:57:19.840 --> 0:57:23.160
<v Speaker 1>I love everything Brady Bunch, didn't I tell you guys

0:57:23.200 --> 0:57:25.240
<v Speaker 1>that I'm afraid I can't look Barry Williams in the eyes.

0:57:25.320 --> 0:57:27.160
<v Speaker 1>I mean, I don't want to. We won't bring that

0:57:27.240 --> 0:57:29.120
<v Speaker 1>up again. It was it was he is he dreaming

0:57:29.200 --> 0:57:34.440
<v Speaker 1>to you? Uh, like was dreaming, but he just isn't

0:57:34.440 --> 0:57:37.440
<v Speaker 1>Greg Brady anymore. So for me, it's like I can't,

0:57:37.520 --> 0:57:42.080
<v Speaker 1>I cannot I can't do it. In the Independence in kitchen,

0:57:42.160 --> 0:57:45.000
<v Speaker 1>Suki is describing her hangover like a baseball the size

0:57:45.000 --> 0:57:47.280
<v Speaker 1>of a candalope in your head. Laura Liz says, good one.

0:57:47.680 --> 0:57:50.560
<v Speaker 1>So he says what Lorrel says, because of baseball can

0:57:50.600 --> 0:57:53.120
<v Speaker 1>only be one size. So if you're Yogi Barra type thing.

0:57:53.760 --> 0:57:56.800
<v Speaker 1>So Lawrence Peter Yogi Barrow was an American professional baseball

0:57:56.880 --> 0:57:59.560
<v Speaker 1>catcher who later took on the roles of manager and coach.

0:58:00.280 --> 0:58:03.400
<v Speaker 1>Bara played in more World Series games than any player

0:58:03.440 --> 0:58:06.680
<v Speaker 1>in the Major League history. I think he's got eight

0:58:06.720 --> 0:58:11.600
<v Speaker 1>World Series rings. Eight that's crazy. Maybe more. Yeah, And

0:58:11.680 --> 0:58:18.600
<v Speaker 1>he's famous for malapros and there thank you that way.

0:58:19.280 --> 0:58:24.200
<v Speaker 1>That one right, his famous one of his famous baseball's

0:58:24.240 --> 0:58:32.960
<v Speaker 1>half mental are. Another one is when you come to

0:58:32.960 --> 0:58:37.560
<v Speaker 1>a fork in the road, take it. Oh my god,

0:58:37.600 --> 0:58:42.000
<v Speaker 1>I could read those all day. So Rory and Dean

0:58:42.080 --> 0:58:43.800
<v Speaker 1>are talking about what movie they're gonna watch, and Rri

0:58:43.960 --> 0:58:46.120
<v Speaker 1>says we can watch Holy Girl and tape again, and

0:58:46.240 --> 0:58:50.760
<v Speaker 1>Dean says Life of Brian. So Holy Girl. British comedy

0:58:50.760 --> 0:58:54.920
<v Speaker 1>star filming John Klice, Eric Idle and Graham Chapman, led Zeppelin,

0:58:54.960 --> 0:58:57.920
<v Speaker 1>Pink Floyd and Genesis all contributed to this movie's budget

0:58:58.240 --> 0:59:01.200
<v Speaker 1>and the clapping of coconuts, which is my favorite. The

0:59:01.240 --> 0:59:03.840
<v Speaker 1>clapping of coconuts together came from the fact that the

0:59:03.840 --> 0:59:05.840
<v Speaker 1>group did not have enough money in the budget to

0:59:05.880 --> 0:59:10.520
<v Speaker 1>afford actual horses. Life of Brian nineteen seventy nine British

0:59:10.520 --> 0:59:13.640
<v Speaker 1>comedy film, also starring and written by the comedy group

0:59:13.720 --> 0:59:17.040
<v Speaker 1>Monty Python. When Brian appears nude in front of the

0:59:17.080 --> 0:59:19.400
<v Speaker 1>huge crowd, Graham Chapman was actually nude in front of

0:59:19.400 --> 0:59:23.360
<v Speaker 1>two thousand people. Oh yeah, those those guys weren't shy.

0:59:23.680 --> 0:59:25.800
<v Speaker 1>They were not cheaking of food. We didn't even talk

0:59:25.800 --> 0:59:30.320
<v Speaker 1>about Kirk wanting to be the photographer and submitting the

0:59:30.400 --> 0:59:40.000
<v Speaker 1>nude shot. Anyway, keep going right, and he was wearing

0:59:40.000 --> 0:59:42.920
<v Speaker 1>a speedop so it's okay. Lorea l talks about how

0:59:42.920 --> 0:59:45.000
<v Speaker 1>different her night is with Max in her bed. Lorea

0:59:45.040 --> 0:59:47.200
<v Speaker 1>l I says, no, we're not dying, but the life

0:59:47.240 --> 0:59:49.400
<v Speaker 1>we had is going to morph into this like mutation

0:59:49.640 --> 0:59:52.440
<v Speaker 1>that we could never possibly have conceived. Roy says, like

0:59:52.520 --> 0:59:55.640
<v Speaker 1>giant ants and them. So Them is a nineteen form

0:59:55.800 --> 0:59:58.720
<v Speaker 1>and black and white science fiction monster film. The flamethrowers

0:59:58.880 --> 1:00:01.400
<v Speaker 1>used in the movie were entered World War Two weapons

1:00:01.400 --> 1:00:05.040
<v Speaker 1>and were loaned by the U. S. Army. The film

1:00:05.040 --> 1:00:08.640
<v Speaker 1>made the fineless villains come to life using combination of

1:00:08.640 --> 1:00:13.360
<v Speaker 1>animatronics and puppetry. Yeah, that's interrupting a heck of a

1:00:13.400 --> 1:00:18.520
<v Speaker 1>way to describe Max and Jesus, Like he's a plague.

1:00:18.840 --> 1:00:22.040
<v Speaker 1>There's a plague in the house. Basically, like if you

1:00:22.080 --> 1:00:26.720
<v Speaker 1>didn't know it was over by then, I mean, Jesus,

1:00:26.760 --> 1:00:30.200
<v Speaker 1>your battery powered right, Like what's going on? It's like,

1:00:30.320 --> 1:00:33.320
<v Speaker 1>what a way? I mean? Man, did that guy fall

1:00:33.520 --> 1:00:36.400
<v Speaker 1>from a lofty height? Didn't he? He fell from the

1:00:36.480 --> 1:00:41.320
<v Speaker 1>tops of Mount Olympus down into hades Man Max, Max,

1:00:43.280 --> 1:00:45.960
<v Speaker 1>Laura Leon Rory recite quotes from the movie Billy Jack

1:00:46.000 --> 1:00:48.520
<v Speaker 1>as they watched with Moss. Laura Lee says, how fast

1:00:48.560 --> 1:00:52.040
<v Speaker 1>do you learned? Billy Jack? Billy Jackson one Western and

1:00:52.160 --> 1:00:54.800
<v Speaker 1>second of four films centering on the character Billy Jack,

1:00:54.880 --> 1:00:58.240
<v Speaker 1>starring Tom Woughlin and Dolora's Taylor. Initially, the movie was

1:00:58.280 --> 1:01:01.160
<v Speaker 1>a dud at the box office, so Tom Laughlin set

1:01:01.240 --> 1:01:04.080
<v Speaker 1>up a rerelease in nineteen. This time it was an

1:01:04.160 --> 1:01:08.920
<v Speaker 1>enormous hit, and Quentin Tarantino and Brad Pitt Somebody's favorite

1:01:09.440 --> 1:01:14.200
<v Speaker 1>watch this movie, watched the watch this movie at Tarantino's

1:01:14.200 --> 1:01:16.600
<v Speaker 1>house to prepare for filming Once upon a Time in Hollywood,

1:01:16.640 --> 1:01:23.000
<v Speaker 1>which he got in hit. No problem, not Tarantino, I

1:01:23.000 --> 1:01:26.280
<v Speaker 1>mean if he has to be there at the Queen

1:01:26.360 --> 1:01:29.800
<v Speaker 1>Victoria Suki says you need to struck Tony Tony Manero

1:01:30.000 --> 1:01:32.400
<v Speaker 1>when she's taking about the show, which is a Saturday

1:01:32.440 --> 1:01:37.120
<v Speaker 1>Night Fever reference. So Saturday Night Fever is n American

1:01:37.200 --> 1:01:41.160
<v Speaker 1>dance film. Tony, played by John Travolta, ran two miles

1:01:41.200 --> 1:01:43.160
<v Speaker 1>a day and danced for three hours to get in

1:01:43.160 --> 1:01:45.240
<v Speaker 1>shape for this film, and the end he dropped twenty

1:01:45.320 --> 1:01:49.200
<v Speaker 1>pounds and filming was almost interrupted when a local mafia

1:01:49.240 --> 1:01:52.200
<v Speaker 1>group tried to extort protection from the crew. In fact,

1:01:52.480 --> 1:01:55.680
<v Speaker 1>the nightclub where they filmed was shot and hit with

1:01:55.720 --> 1:02:00.600
<v Speaker 1>a fall up small fireball. Right, can you do a

1:02:00.720 --> 1:02:04.960
<v Speaker 1>classic line from Saturday Night Weaver, He touched my hair.

1:02:06.000 --> 1:02:08.800
<v Speaker 1>Don't touch my hair. I worked on it for an hour.

1:02:09.240 --> 1:02:15.520
<v Speaker 1>Don't touch my hair. He hit my hair, MA, don't

1:02:15.600 --> 1:02:20.400
<v Speaker 1>hit my hair. And wait wait wait, and and and

1:02:20.440 --> 1:02:26.800
<v Speaker 1>the local mafia trying to extort money protection protection from

1:02:26.840 --> 1:02:29.800
<v Speaker 1>you know, people do that if you're shooting on location

1:02:30.560 --> 1:02:33.840
<v Speaker 1>and they know that they if they're knowledgeable, they know

1:02:33.920 --> 1:02:36.360
<v Speaker 1>that they can turn their you know, they've plugging their

1:02:36.400 --> 1:02:38.840
<v Speaker 1>electric guitars and start blasting away, knowing that they're going

1:02:38.880 --> 1:02:40.880
<v Speaker 1>to come over. The production is gonna come over and

1:02:40.880 --> 1:02:46.600
<v Speaker 1>pay him two or fifty to shut up. Constant happens constantly. Yeah, yeah,

1:02:46.760 --> 1:02:49.080
<v Speaker 1>music blaring? Could you turn it off? Well, you know,

1:02:49.160 --> 1:02:55.840
<v Speaker 1>I'm relaxing. Oh my god. Yeah, so somebody's shooting a

1:02:55.880 --> 1:02:57.720
<v Speaker 1>movie in your neighborhood. Just just make all kinds of

1:02:57.720 --> 1:03:00.000
<v Speaker 1>noise and you can make a couple of my neighbor

1:03:00.040 --> 1:03:03.120
<v Speaker 1>it all the time, Kirby, Your enthusiasm is like constantly,

1:03:03.200 --> 1:03:06.000
<v Speaker 1>yeah really, oh yeah, did you guys not watch the

1:03:06.040 --> 1:03:08.320
<v Speaker 1>first one? It's all the Brentwood Country Mark. Wait a minute,

1:03:08.440 --> 1:03:12.200
<v Speaker 1>oh one of your houses in Brentwood. Okay, it's a rental.

1:03:12.280 --> 1:03:15.520
<v Speaker 1>It's a rental guy doing very well. It's an apartment.

1:03:15.520 --> 1:03:19.959
<v Speaker 1>It's a rental apartment. Rank the music, and I would

1:03:20.000 --> 1:03:22.800
<v Speaker 1>never do that to Larry Larry David. No, I love

1:03:22.840 --> 1:03:28.160
<v Speaker 1>that theme song. No, okay. Max is worried about his

1:03:28.240 --> 1:03:31.440
<v Speaker 1>role in Rory's life the plague. Max Loralai says, oh, Max,

1:03:31.600 --> 1:03:34.320
<v Speaker 1>Roy's very low maintenance kind of like that robot kid

1:03:34.320 --> 1:03:39.120
<v Speaker 1>in AI, only way less Mother Obsessed so AI is

1:03:39.160 --> 1:03:41.680
<v Speaker 1>a two thousand one American science fiction drama film written

1:03:41.760 --> 1:03:44.919
<v Speaker 1>directed by Steven Spielberg. In order to further his non

1:03:44.960 --> 1:03:49.440
<v Speaker 1>human appearance, each day before filming, any exposed skin, face, arms, hands,

1:03:49.440 --> 1:03:52.640
<v Speaker 1>in et cetera was shaved and given more plastic look

1:03:53.160 --> 1:03:55.440
<v Speaker 1>in order to keep the film's PG thirteen rating. A

1:03:55.480 --> 1:04:00.640
<v Speaker 1>building resembling a male part was digitally moved from the

1:04:00.760 --> 1:04:04.520
<v Speaker 1>Rouge City set, and Drew Lost studied peacocks and my

1:04:04.680 --> 1:04:09.959
<v Speaker 1>movements for his role as Giggelo. Joe, Christopher and Laura

1:04:10.040 --> 1:04:12.120
<v Speaker 1>Lee are going back on fourth on the phone when

1:04:12.120 --> 1:04:16.439
<v Speaker 1>they're talking at Queen Victoria, and Christopher lists off all

1:04:16.480 --> 1:04:20.880
<v Speaker 1>the different music and artists that Max might have on

1:04:24.480 --> 1:04:28.320
<v Speaker 1>It was just Chriss, says Bono. Maybe Brian Ferry, a

1:04:28.400 --> 1:04:30.920
<v Speaker 1>young Tom Waits. Are we talking? A dozen soundtracks, a

1:04:30.960 --> 1:04:34.160
<v Speaker 1>few beatles of Bob Dylan, Atlanta's Morrisette, Dave Matthews, and

1:04:34.280 --> 1:04:37.480
<v Speaker 1>you have one of Vista Social Club. So some of

1:04:37.520 --> 1:04:40.320
<v Speaker 1>these hits going in that order of Vertico. In two

1:04:40.320 --> 1:04:43.800
<v Speaker 1>thousand four, Slave to Love Nive, I hope that I

1:04:43.800 --> 1:04:46.000
<v Speaker 1>don't fall in love with You nineteen seventy three, Here

1:04:46.000 --> 1:04:48.840
<v Speaker 1>Comes the Sun nineteen sixty nine, Knocking on Heaven's Door

1:04:48.960 --> 1:04:53.320
<v Speaker 1>nineteen nine, Ironic nine, Crash Into Me nineteen ninety six,

1:04:53.720 --> 1:05:05.400
<v Speaker 1>and Enya seven chan chan And that is your pop culture. Yeah, yeah,

1:05:08.800 --> 1:05:11.280
<v Speaker 1>so quickly before we run out of time. My quote.

1:05:11.920 --> 1:05:13.880
<v Speaker 1>I guess if you can find that one person you

1:05:13.920 --> 1:05:16.000
<v Speaker 1>know who's willing to put up with all your crap

1:05:16.200 --> 1:05:18.080
<v Speaker 1>and doesn't want to change you or dress you, or

1:05:18.120 --> 1:05:20.440
<v Speaker 1>you know, make you eat French food, then marriage can

1:05:20.440 --> 1:05:22.400
<v Speaker 1>be all right. But that's only if you find that

1:05:22.440 --> 1:05:28.160
<v Speaker 1>person that's you, Luke, that's your favorite line? Yeah, I

1:05:28.200 --> 1:05:31.240
<v Speaker 1>like that, the freaking mouthful and it's not even funny.

1:05:31.680 --> 1:05:35.240
<v Speaker 1>Well it doesn't have to be funny to be my favorite. Yeah,

1:05:35.280 --> 1:05:38.520
<v Speaker 1>you're right. It's called best lines. Jesus, it's like twenty lines.

1:05:38.680 --> 1:05:42.240
<v Speaker 1>That's not is that one line? It's one sentence? Well,

1:05:42.240 --> 1:05:49.560
<v Speaker 1>it's one read it again, favorite lines. I guess if

1:05:49.560 --> 1:05:51.800
<v Speaker 1>you can find that one person you know who's willing

1:05:51.840 --> 1:05:53.680
<v Speaker 1>to put up with all your crap and doesn't want

1:05:53.680 --> 1:05:56.040
<v Speaker 1>to change you or dress you, or you know, make

1:05:56.080 --> 1:05:58.280
<v Speaker 1>you eat French food, then marriage can be all right.

1:05:58.400 --> 1:06:00.600
<v Speaker 1>But that's only if you find that first, and I

1:06:00.680 --> 1:06:03.840
<v Speaker 1>also find that funny that line two sentences. I don't

1:06:03.840 --> 1:06:07.840
<v Speaker 1>know if they're quality. Let's listen where that's going to

1:06:07.920 --> 1:06:10.840
<v Speaker 1>be under review. That we respect that you submitted that,

1:06:10.880 --> 1:06:13.360
<v Speaker 1>but we're gonna put that under review. It's two sentences.

1:06:13.360 --> 1:06:15.640
<v Speaker 1>It's too it's too long. You can do that, all right,

1:06:15.800 --> 1:06:19.800
<v Speaker 1>all right, all right, Danielle. Okay, so I said my

1:06:19.880 --> 1:06:22.320
<v Speaker 1>Michelle line already, but I have another one from Suki.

1:06:22.880 --> 1:06:25.640
<v Speaker 1>And this is when they're going into the club and

1:06:25.760 --> 1:06:33.360
<v Speaker 1>Rory gets in and she goes dungish on cutie. You

1:06:33.440 --> 1:06:36.880
<v Speaker 1>gotta pay attention to to McCarthy man. She's quick with

1:06:36.920 --> 1:06:41.120
<v Speaker 1>the she's lightning. Mine comes from a bet when she

1:06:41.160 --> 1:06:43.480
<v Speaker 1>says she can't make the bachelor party, and she says, yeah,

1:06:43.600 --> 1:06:45.760
<v Speaker 1>we'll stick your hand down the front of some guys

1:06:45.760 --> 1:06:50.480
<v Speaker 1>pant for me, would you? And then she says and

1:06:50.520 --> 1:06:52.560
<v Speaker 1>then Laurel I says like a good looking guy or

1:06:52.560 --> 1:06:55.320
<v Speaker 1>a cute can she goes our stripper and she goes

1:06:55.760 --> 1:07:01.200
<v Speaker 1>whatever that makes me realize we have to announce our

1:07:01.280 --> 1:07:03.360
<v Speaker 1>next Hang on a second, what about me? I don't

1:07:03.360 --> 1:07:05.880
<v Speaker 1>get to do my favorite favorite line. Of course you do,

1:07:05.960 --> 1:07:10.000
<v Speaker 1>but this moment is perfect for announcing the Friends Giving guest.

1:07:11.040 --> 1:07:13.520
<v Speaker 1>Because somebody's sticking their hands down to pants of a stripper.

1:07:13.520 --> 1:07:15.640
<v Speaker 1>What are you talking about? How's that a perfect moment?

1:07:16.280 --> 1:07:24.640
<v Speaker 1>It's Sally Strother I forgot it's Sally. Sally is gonna

1:07:24.640 --> 1:07:31.760
<v Speaker 1>be joining us? November eleventh, Virtual Live podcast Friends Giving

1:07:31.840 --> 1:07:36.560
<v Speaker 1>November eleven, five pm Pacific, eight pm Eastern Sally Strothers,

1:07:36.640 --> 1:07:42.600
<v Speaker 1>Jackson Douglas, Grantly Phillips, and Emily Corona. Boy, it's getting

1:07:43.080 --> 1:07:45.880
<v Speaker 1>crowded hot in here, it's getting hot. It's getting crowded.

1:07:46.200 --> 1:07:50.280
<v Speaker 1>Looped live dot com, looped live dot com. That's where

1:07:50.280 --> 1:07:53.240
<v Speaker 1>you get the tickets. Looped live dot com, l O

1:07:53.240 --> 1:07:56.640
<v Speaker 1>O p e d live dot com. First I thought

1:07:56.720 --> 1:08:02.919
<v Speaker 1>Daniel said Luke Live. I was like, true, yeah Live.

1:08:03.400 --> 1:08:07.919
<v Speaker 1>Well it's it's again Michelle. It's Michelle. If you don't

1:08:07.920 --> 1:08:16.960
<v Speaker 1>slap him, I will bet he's the best. Next week,

1:08:17.280 --> 1:08:20.240
<v Speaker 1>the road trip to Harvard. That's right as that's where

1:08:20.280 --> 1:08:22.840
<v Speaker 1>they're going now that they jumped in the Oh my god,

1:08:23.280 --> 1:08:28.040
<v Speaker 1>she gets stopped at the stop, like perfect ending, And

1:08:28.080 --> 1:08:31.519
<v Speaker 1>that's sort of another iconic Gilmore image, like you on

1:08:31.560 --> 1:08:33.320
<v Speaker 1>the bench with the three girls then stuck at that

1:08:33.520 --> 1:08:37.760
<v Speaker 1>it's in the opening credits. I believe. Yeah, you know.

1:08:37.800 --> 1:08:40.439
<v Speaker 1>I counted how many cuts the girls got in the

1:08:40.439 --> 1:08:42.600
<v Speaker 1>open I watched the opening credits, so I analyze the

1:08:42.600 --> 1:08:46.360
<v Speaker 1>opening credits. So it's Laura, it's Lauren first, she has

1:08:46.439 --> 1:08:51.799
<v Speaker 1>six photos. She has six spliced edited photos to introduce

1:08:51.840 --> 1:08:55.320
<v Speaker 1>her character. Six and Rory's and all of them. And

1:08:55.360 --> 1:09:00.280
<v Speaker 1>then Rory is next, she has five and Laura and

1:09:00.360 --> 1:09:03.160
<v Speaker 1>Lauren is in all of those but one. So the

1:09:03.240 --> 1:09:06.280
<v Speaker 1>first so ten, the first ten out of eleven images

1:09:06.920 --> 1:09:11.879
<v Speaker 1>associated with that show those two dropping good knowledge, good knowledge.

1:09:11.920 --> 1:09:15.599
<v Speaker 1>I usually click skip it. And then and then Suki

1:09:15.680 --> 1:09:19.560
<v Speaker 1>gets one shot, and then I think Michelle gets on.

1:09:19.760 --> 1:09:23.120
<v Speaker 1>I get one shot with Lauren, and it's say she

1:09:23.160 --> 1:09:25.280
<v Speaker 1>comes up and says coffee, coffee, coffee, and the first

1:09:25.280 --> 1:09:28.479
<v Speaker 1>time they keep the same thing the whole seven years

1:09:28.760 --> 1:09:31.360
<v Speaker 1>they changed. I'm getting to that. And then and then

1:09:31.360 --> 1:09:33.439
<v Speaker 1>when we get to finally we get to the last two,

1:09:33.479 --> 1:09:35.840
<v Speaker 1>we get to Kelly, Bishop and Ed they each get

1:09:35.840 --> 1:09:40.320
<v Speaker 1>two shots. Oh yeah, but then they did change it, yes,

1:09:40.400 --> 1:09:48.920
<v Speaker 1>because um, people join, well yeah, people joined, and then um,

1:09:48.960 --> 1:09:51.400
<v Speaker 1>you know, cast numbers changed, like you got one too,

1:09:51.479 --> 1:09:55.360
<v Speaker 1>You get a cast number one main cast members whatever.

1:09:55.400 --> 1:09:57.320
<v Speaker 1>So those numbers changed. The one and the two don't

1:09:57.400 --> 1:10:00.519
<v Speaker 1>change the but the but the other. Some people get promoted,

1:10:00.560 --> 1:10:05.040
<v Speaker 1>other people get demotive people on the call sheet? Correct? Correct?

1:10:07.880 --> 1:10:11.000
<v Speaker 1>Where were you? I think? I think I started out

1:10:11.040 --> 1:10:14.679
<v Speaker 1>as six on the call sheet and then I became

1:10:15.640 --> 1:10:17.080
<v Speaker 1>Did you ever get up to number three? I was

1:10:17.160 --> 1:10:19.559
<v Speaker 1>number three? Yeah, I think for the last But what

1:10:19.560 --> 1:10:21.720
<v Speaker 1>do they do with ed Herman? Because he would be

1:10:21.800 --> 1:10:26.000
<v Speaker 1>like special or something. He would be tenth on the

1:10:26.040 --> 1:10:30.320
<v Speaker 1>call sheet. He's too special, I think, I don't know.

1:10:30.560 --> 1:10:32.720
<v Speaker 1>I'll look on I'll look on an old script. That's

1:10:32.760 --> 1:10:37.000
<v Speaker 1>sort of an interesting to look at the scripts I got.

1:10:37.040 --> 1:10:40.919
<v Speaker 1>I got all these, you know, I have thousands of scripts.

1:10:41.080 --> 1:10:45.720
<v Speaker 1>Try and get one for the virtual event for sure. Sorry,

1:10:45.720 --> 1:10:48.360
<v Speaker 1>it's just like it's I'll do it. I'll try, you

1:10:48.400 --> 1:10:50.120
<v Speaker 1>know what. Before we go, I do have one question.

1:10:50.840 --> 1:10:56.240
<v Speaker 1>Have you guys eaten all that gum come we're talking about?

1:10:56.280 --> 1:10:58.880
<v Speaker 1>Remember when you moved into your house and the owner

1:10:59.000 --> 1:11:04.280
<v Speaker 1>left gum behind the owner of my house, So you

1:11:04.320 --> 1:11:07.080
<v Speaker 1>bought your new house and you told us on the

1:11:07.080 --> 1:11:10.960
<v Speaker 1>air that the owner left like a huge Oh yeah,

1:11:11.040 --> 1:11:17.880
<v Speaker 1>we went through that. We went through that, I said,

1:11:17.920 --> 1:11:19.400
<v Speaker 1>I showed up at the gym or at the golf

1:11:19.439 --> 1:11:22.280
<v Speaker 1>course or something with a huge like wad and like cheek.

1:11:24.680 --> 1:11:26.800
<v Speaker 1>Did you choot gum when you played baseball? Or tobacco?

1:11:28.120 --> 1:11:30.599
<v Speaker 1>Not even allowed to choose. Of course everybody chewed tobacco.

1:11:31.600 --> 1:11:34.160
<v Speaker 1>Here's the reason you chew tobacco is in the beginning

1:11:34.160 --> 1:11:37.360
<v Speaker 1>of the season. It's cold. It is when you're playing.

1:11:37.360 --> 1:11:39.640
<v Speaker 1>It's not warm. It's very cold. And like if you

1:11:39.680 --> 1:11:41.439
<v Speaker 1>go to Syracuse and play at the beginning of the

1:11:41.479 --> 1:11:45.719
<v Speaker 1>season of Rochester's freezing, it can be snow. Yeah, gets

1:11:45.720 --> 1:11:49.000
<v Speaker 1>you kind of gets you high, it does. I'm surprised

1:11:49.040 --> 1:11:51.240
<v Speaker 1>they allow it. Seems like a drug. It's not good

1:11:51.280 --> 1:11:53.280
<v Speaker 1>for you. I mean you burn, I burn a hole

1:11:53.320 --> 1:11:56.439
<v Speaker 1>in my cheek. You can get like mouth camp. Yeah,

1:11:56.439 --> 1:11:58.400
<v Speaker 1>it's not good stuff. But we used to we used

1:11:58.439 --> 1:12:01.320
<v Speaker 1>to um, you know, we used to wrap it in

1:12:01.400 --> 1:12:12.559
<v Speaker 1>bubblegum to lessen the severity of it. Uh yeah, So

1:12:12.640 --> 1:12:16.280
<v Speaker 1>we're chewing and spitting, chilling and spitting, waiting for our

1:12:16.360 --> 1:12:20.680
<v Speaker 1>opportunity in the cold weather, wearing tight baseball suits. Thank you.

1:12:22.120 --> 1:12:25.800
<v Speaker 1>The hell of a way to make a living road

1:12:25.800 --> 1:12:28.960
<v Speaker 1>trip to Harvard a better way to make a living

1:12:30.280 --> 1:12:34.320
<v Speaker 1>there is. Thanks everybody. Uh we we really appreciate the

1:12:34.360 --> 1:12:37.519
<v Speaker 1>downloads and the attention, the emails keeping coming. We're having

1:12:37.520 --> 1:12:41.640
<v Speaker 1>a blast. Um. Thank you, Danielle Romo, Thank you, Riley Pelusis,

1:12:41.720 --> 1:12:45.920
<v Speaker 1>Thank you Amy Sugarman. Um the ball Club as I

1:12:46.000 --> 1:12:50.040
<v Speaker 1>refer to them, the Council, the style counsel. Oh yeah,

1:12:50.160 --> 1:12:54.320
<v Speaker 1>virtual Thanksgiving. Okay, let's uh, let's give a shout out

1:12:54.360 --> 1:12:57.640
<v Speaker 1>to Sally Struthers who's joining us, and Grantly Phillips and

1:12:57.880 --> 1:13:01.799
<v Speaker 1>Jackson Douglas and Emily Coroda No. Number eleven at looped

1:13:02.160 --> 1:13:06.080
<v Speaker 1>live dot com for tickets looped live dot com, l

1:13:06.120 --> 1:13:11.240
<v Speaker 1>O p E d Live dot com. We are having

1:13:11.280 --> 1:13:15.000
<v Speaker 1>a virtual event. Can I please give a shout out

1:13:15.080 --> 1:13:18.360
<v Speaker 1>to the awesome person on Instagram that wrote in the

1:13:18.400 --> 1:13:21.360
<v Speaker 1>comments I was today years old when I realized that

1:13:21.439 --> 1:13:29.000
<v Speaker 1>Jackson's real name is jack I love that person so anyway,

1:13:29.040 --> 1:13:32.600
<v Speaker 1>so get your tickets now at looped live dot com,

1:13:32.800 --> 1:13:36.680
<v Speaker 1>we have pretty awesome merch and I gotta tell you

1:13:37.080 --> 1:13:39.280
<v Speaker 1>I love drinking out of this cup. It's a very

1:13:39.320 --> 1:13:42.920
<v Speaker 1>attractive cup on any color table. By the way. Also,

1:13:43.120 --> 1:13:46.799
<v Speaker 1>November nine one, I'm gonna be down in Houston, Texas,

1:13:46.880 --> 1:13:50.160
<v Speaker 1>at the Bayous City Comic Con. So go to Biou

1:13:50.200 --> 1:13:54.240
<v Speaker 1>City Comic Con dot com and uh and get your

1:13:54.240 --> 1:13:56.920
<v Speaker 1>tickets there. I'd love to see everybody, and that's gonna

1:13:56.960 --> 1:13:59.400
<v Speaker 1>be a I am Scott Patterson and this is the

1:13:59.640 --> 1:14:03.440
<v Speaker 1>I Am All In Podcast. I Heart Radio one eleven productions.

1:14:04.080 --> 1:14:35.920
<v Speaker 1>Be safe. Everyone got one. Hey everybody, and don't forget

1:14:36.000 --> 1:14:40.080
<v Speaker 1>Follow us on Instagram at I Am all In Podcast

1:14:40.160 --> 1:14:45.080
<v Speaker 1>and Emailie at Gilmore at I heart radio dot com.

1:14:45.080 --> 1:14:46.680
<v Speaker 1>Oh you gil More fans. If you're looking for the

1:14:46.680 --> 1:14:48.840
<v Speaker 1>best cup of coffee in the world, go to my

1:14:49.240 --> 1:14:52.920
<v Speaker 1>website from my company scott ep dot com, s CEO T. T.

1:14:53.200 --> 1:14:56.240
<v Speaker 1>Y P dot com, scott ep dot com Grade one

1:14:56.600 --> 1:15:05.160
<v Speaker 1>Specialty Coffee