WEBVTT - Part One: How Lawrence of Arabia Invented Modern War

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<v Speaker 1>Also media, Oh, what's the Dodgers won the World Series?

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<v Speaker 1>The Daughters won the World Series?

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<v Speaker 2>Won the World Series? Not that's not the open is

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<v Speaker 2>dressed up as a Dodger.

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<v Speaker 1>I was dressed up as Kendle Roy.

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<v Speaker 3>This is Behind the Bastards, a podcast where Robert is

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<v Speaker 3>very disappointed because I had a whole bit planned to

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<v Speaker 3>do with my guest. Oh, Margaret kill Joy, do you

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<v Speaker 3>could think.

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<v Speaker 1>This is a four part or do it next time?

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<v Speaker 3>Margaret? Have you have you? How do you feel about

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<v Speaker 3>bringing back thylacine foxes which are extinct? That's the Tasmanian tiger.

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<v Speaker 3>But this company says they've got it figured out, they're

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<v Speaker 3>going to be able to clone them.

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<v Speaker 2>You know, land on that kind of stuff that I am,

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<v Speaker 2>but I'm a little bit on like bring on the dinosaurs.

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<v Speaker 2>Ca Yep, that's I've got.

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<v Speaker 3>I've got a plan for how we can how we

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<v Speaker 3>can make this work for the Democratic Party.

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<v Speaker 2>Well, Trump probably wants to bring back back the ore ox.

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<v Speaker 3>Yeah, I mean, I honestly, I don't mind bringing back

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<v Speaker 3>the ROX, but I would focus on the dinosaurs, and

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<v Speaker 3>I think what we do here. You know, obviously America

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<v Speaker 3>has a massive problem with gun violence. But we've already

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<v Speaker 3>seen from the last like twenty years it's basically impossible

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<v Speaker 3>to do much about it. You know, the Supreme Court

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<v Speaker 3>particularly has come down against any kind of like functional

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<v Speaker 3>laws on that regard. So let's work around the problem. Right,

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<v Speaker 3>people can't die of gun violence if every American is

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<v Speaker 3>dying early in a dinosaur park accident. And I honestly

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<v Speaker 3>think if we rejigger our entire economy around cloning dinosaurs,

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<v Speaker 3>putting them in parks, and then having those parks kill

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<v Speaker 3>everyone at the park, we could solve basically all of

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<v Speaker 3>our current domestic issues. Right, you know, nobody's going to

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<v Speaker 3>be you know, all of this shit the GOP is

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<v Speaker 3>going on about migrants, you know about trans people. If

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<v Speaker 3>everyone's just dying to dinosaurs, right, you know, there's no

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<v Speaker 3>more problems we do think every issue in American society.

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<v Speaker 2>I think it would be good for humanity to not

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<v Speaker 2>always be the top of the food chain. I think

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<v Speaker 2>that if as you were getting ready to go to work,

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<v Speaker 2>you opened the door, and like a rabbit exiting her burrow,

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<v Speaker 2>you had to look both ways for predators.

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<v Speaker 3>Because the Veloci raptors escaped from Disney World again, like

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<v Speaker 3>they do every day. Yeah, yeah, okay, I think this

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<v Speaker 3>is good. I think this solves all of our problems.

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<v Speaker 1>Anderson's dressed is Kendall Roy from Succession, and I'm very

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<v Speaker 1>proud of this costume.

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<v Speaker 2>Yeah, who is a baseball? If you're watching this and

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<v Speaker 2>you don't know what that is, h kender Roy is

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<v Speaker 2>a baseball with the Dodger and l to the old

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<v Speaker 2>He's the best.

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<v Speaker 3>He's the best linebacker in the New York Yankees the.

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<v Speaker 2>New York Lakers. Yeah, oh my god, I've got to

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<v Speaker 2>sit the New York Yankees. But yes, that that's even

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<v Speaker 2>better killing me, Margaret.

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<v Speaker 3>Speaking of the Yanks, you know, that's a team for

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<v Speaker 3>all of the rich assholes in America. But before we

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<v Speaker 3>had the New York Yankees, we had their political equivalent,

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<v Speaker 3>the British Empire. How do you feel about the British Empire, Magpie?

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<v Speaker 2>Primarily negative?

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<v Speaker 3>Primarily negative. Well, I guess that's pretty obvious because they're terrible. Yeah,

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<v Speaker 3>what do you know about probably like the most famous

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<v Speaker 3>hero of the British Empire of the twentieth century, Lawrence

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<v Speaker 3>of Arabia.

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<v Speaker 2>I know almost nothing about Lawrence of Arabia, but I'm

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<v Speaker 2>very excited about excellent. I've been recently really interested in

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<v Speaker 2>learning more about the Ottoman Empire. We'll be talking Ottomans.

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<v Speaker 2>Oh yeah, oh yeah, cool.

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<v Speaker 3>A lot of Ottoman shit is going to be going

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<v Speaker 3>down in this story. So this is, you know, maybe

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<v Speaker 3>a slightly different kind of behind the Bastards episode because

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<v Speaker 3>I think, like the title of this could be, was

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<v Speaker 3>Lawrence of Arabia a bastard? And that's a complicated question.

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<v Speaker 3>He is a guy who the appraisals of him have

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<v Speaker 3>gone kind of back and forth since his death in

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<v Speaker 3>nineteen thirty five, from like, oh, you know, he was

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<v Speaker 3>this hero of the empire and a hero of the

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<v Speaker 3>Arab people who like backed their liberation from ottom and tyranny,

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<v Speaker 3>to he was an agent of imperialism who like betrayed

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<v Speaker 3>and you know, manipulated these Arabs that he claimed to

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<v Speaker 3>care about, and has a lot to do with the

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<v Speaker 3>modern fucked up state of much of the Middle East

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<v Speaker 3>and the Muslim world, Like a lot of our current

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<v Speaker 3>lot of like what's going on in Gaza right now,

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<v Speaker 3>in fact, does have a lot of direct ties to

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<v Speaker 3>Lawrence of Arabia. And then you know to today where

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<v Speaker 3>I think there's another reappraisal going on, and you've even

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<v Speaker 3>got some like left wing scholars. You were saying, well, actually,

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<v Speaker 3>like the really critical views of this guy are not

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<v Speaker 3>entirely fair. So it's one of those things what kind

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<v Speaker 3>of will repeatedly revisit, Like where do we think this

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<v Speaker 3>guy's landing? Is this guy a bastard? Is he maybe

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<v Speaker 3>a cool person? Or is he kind of somewhere in

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<v Speaker 3>the middle.

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<v Speaker 2>Are you saying that historical people can be morally complex

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<v Speaker 2>and so yes, yeh wow, absolutely, that would destroy both

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<v Speaker 2>of our show's concepts if that were true.

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<v Speaker 3>And it's also he is particularly hard to judge because

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<v Speaker 3>he was a spook, right, he's a spy, you know,

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<v Speaker 3>he is an intelligence, and so he lies to everyone

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<v Speaker 3>constantly the entire life.

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<v Speaker 2>Often for good reasons.

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<v Speaker 3>A lot of his lies are like, well, I would

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<v Speaker 3>have tried to do the same thing in his situation, right,

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<v Speaker 3>And then a lot of his lies are like, oh,

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<v Speaker 3>well I can see why that, Like, the guilt from

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<v Speaker 3>doing this destroyed your entire life, Lawrence.

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<v Speaker 2>That was pretty fucked up.

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<v Speaker 3>So he's a guy I have always been interested in

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<v Speaker 3>him because it was my dad's favorite movie. And I'll

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<v Speaker 3>tell you right now. The I rewatched late last year

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<v Speaker 3>the Lawrence of Arabia movie from the sixties whenever it.

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<v Speaker 2>Was holds up.

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<v Speaker 3>If you haven't seen it, I really do recommend watching

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<v Speaker 3>it because it's fucking gorgeous. You know, it was made

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<v Speaker 3>in an era when if you were going to make

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<v Speaker 3>a movie about T. E. Lawrence, you sent a bunch

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<v Speaker 3>of dudes out to the desert and you blew up

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<v Speaker 3>trains with dynamite. There was no other way to get

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<v Speaker 3>those shots. And that's pretty cool. I think he's also

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<v Speaker 3>really relevant because one thing we all share as Americans,

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<v Speaker 3>you know, whether you're left or right or centrist, is

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<v Speaker 3>this very strange and somewhat incoherent love for insurgents, even

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<v Speaker 3>though we also find ourselves constantly fighting and losing wars

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<v Speaker 3>two insurgents and this all. You know, it has its

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<v Speaker 3>roots in the kind of mythic origin of our nation,

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<v Speaker 3>the Revolutionary War, but it also has its roots in

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<v Speaker 3>you know, I think at this stage we have to

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<v Speaker 3>acknowledge that George Lucas is as much a founding father

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<v Speaker 3>of this nation as George Washington, right, and so like,

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<v Speaker 3>you know, it's kind of impossible to separate the our

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<v Speaker 3>love of the you know, the the Founding fathers and

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<v Speaker 3>their insurgents struggle from like fucking rebel alliance, which we

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<v Speaker 3>all learned about at age like four.

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<v Speaker 1>You know.

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<v Speaker 3>Yeah, So we're going to talk about te Lawrence this week.

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<v Speaker 3>And when I brought Lawrence up in conversations, particularly with

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<v Speaker 3>friends who are on the left, I noticed that I

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<v Speaker 3>think the general, the general trend is for people to

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<v Speaker 3>write him off as like an orientalist and imperialist and

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<v Speaker 3>you know, the British Empire's equivalent of the CIA agents

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<v Speaker 3>who spent most of the twentieth century overthrowing democratically elected

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<v Speaker 3>governments around the world. And it's fair to view him

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<v Speaker 3>as all of those things. There's an extent to which

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<v Speaker 3>all of those are accurate descriptions of the man. But

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<v Speaker 3>he's also not someone you can ignore if you are

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<v Speaker 3>on the left, especially if you're if you're one of

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<v Speaker 3>these people who has ever sat around talking about like,

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<v Speaker 3>you know, revolution and like, could you know some sort

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<v Speaker 3>of like insurgent left wing movement, you know, take power,

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<v Speaker 3>you know, defeat the United if any of that is

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<v Speaker 3>shit that you care about, if you just care about

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<v Speaker 3>you know, what's happening over in Gaza. If you're interested

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<v Speaker 3>at all in how asymmetric warfare can topple powerful states, right,

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<v Speaker 3>you have to study Lawrence of Arabia, because in some

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<v Speaker 3>very important ways he invented like how warfare works in

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<v Speaker 3>the twenty first century. Like he is the guy who

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<v Speaker 3>created and codified our modern concept of how an insurgent

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<v Speaker 3>struggle works, right, you know, and that's people are going

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<v Speaker 3>to be like, well, that's ridiculous if you think of

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<v Speaker 3>an insurgent struggle as just like some dudes who aren't

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<v Speaker 3>regular soldiers, like ambushing imperial troops in the desert or whatever. Right,

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<v Speaker 3>Like that's been going on for for fucking ever. Right,

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<v Speaker 3>you know, that shit was happening when the Romans were around.

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<v Speaker 3>It happened to the Greeks, happened to a fucking Alexander

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<v Speaker 3>the Great Troops when they marched through Afghanistan.

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<v Speaker 2>Right.

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<v Speaker 3>But that's not what an act. That's not what modern

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<v Speaker 3>insurgent warfare means. Modern insurgent warfare is a much more

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<v Speaker 3>complicated thing that involves the use of insurgent troops alongside

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<v Speaker 3>regular national troops and a struggle between empire that takes

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<v Speaker 3>place over a wide geographical area, right, Like, you know,

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<v Speaker 3>when you look at how Vietnam won their war, it

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<v Speaker 3>wasn't that the viet Cong just outfought the Americans and

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<v Speaker 3>the Jungles. It was that the viet Cong participated in

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<v Speaker 3>a very complex struggle that also involved regular state forces

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<v Speaker 3>that had the backing of other empires. And you know,

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<v Speaker 3>that conflict took place not just as a conflict in Vietnam,

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<v Speaker 3>but as part of a broader conflict between the Soviet

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<v Speaker 3>Union and the United States. And the way that worked was,

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<v Speaker 3>you know, heavily informed by a lot of the theories

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<v Speaker 3>that Te Lawrence wrote out as a result of what

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<v Speaker 3>he's doing in the Arab Peninsula during World War One.

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<v Speaker 3>And to make that case, because I'm sure there's some

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<v Speaker 3>people being like, what the fuck are you talking about, Robert,

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<v Speaker 3>That's nonsense. I want to talk go a little bit

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<v Speaker 3>ahead of the story right before we actually talk about

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<v Speaker 3>Lawrence's life to something that happened about a decade after

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<v Speaker 3>he died in nineteen four. Now, this is a story

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<v Speaker 3>that relates to what would become the Vietnam War. But

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<v Speaker 3>in nineteen forty six, you know that the Vietnam War,

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<v Speaker 3>the Indo China conflict. It's not really an armed struggle

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<v Speaker 3>quite yet. It's still at this point a disagreement over

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<v Speaker 3>the region of Asia than known as French Indo China.

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<v Speaker 3>During the rule of Napoleon the Third, powerful interests in

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<v Speaker 3>the French Navy had succeeded in pushing from military control

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<v Speaker 3>in the region that had expanded across much of modern

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<v Speaker 3>Vietnam until their control. France's control was interrupted by Japan

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<v Speaker 3>during World War Two. Now, if you know anything about

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<v Speaker 3>Vietnamese history, the Vietnamese people had a long history of

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<v Speaker 3>identifying as like, we are Vietnamese and we are not

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<v Speaker 3>the people who are in charge of our land right now.

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<v Speaker 3>Right Vietnam's history has a lot of occupation by foreign powers,

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<v Speaker 3>and the end result of that is that when Japanese

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<v Speaker 3>occupiers took over, they met with spirited resistance. Now, one

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<v Speaker 3>of the leaders of that resistance was a man named

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<v Speaker 3>vo When Japp, who, by any stretch of the imagination,

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<v Speaker 3>deserves to go down as one of the great military

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<v Speaker 3>leaders of all time, and you could argue is probably

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<v Speaker 3>the greatest war leader of the twentieth century. During his

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<v Speaker 3>long and storied life which ended in twenty thirteen, I

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<v Speaker 3>had realized he made it so long. Japp led Vietnamese

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<v Speaker 3>forces to victories against the Empire of Japan, France, the

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<v Speaker 3>United States, and what you could either call a victory

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<v Speaker 3>or at least a solid draw against China, and like,

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<v Speaker 3>who else has that record? Who else could claim that shit?

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<v Speaker 3>That's amazing.

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<v Speaker 2>Yeah.

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<v Speaker 3>From nineteen forty one to nineteen seventy two, he was

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<v Speaker 3>the military commander of the Vietmen, and he orchestrated the

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<v Speaker 3>Battle of Dian Benfu, which forced an end to French

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<v Speaker 3>occupation of his land. Now, before Dan Binfu in nineteen

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<v Speaker 3>forty six, it was not necessarily a foregone conclusion that

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<v Speaker 3>Japan and France were going to fight, right, the Vietnamese

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<v Speaker 3>had helped to oust the Japanese occupier, and they were

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<v Speaker 3>kind of there were negotiations taking place between Vaux and

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<v Speaker 3>the Vietman and you know, the French political and military establishment,

0:12:08.000 --> 0:12:10.360
<v Speaker 3>and there was at least some hope that maybe a

0:12:10.520 --> 0:12:14.319
<v Speaker 3>conflict could be avoided. So Vo sits down in Hanoi

0:12:14.640 --> 0:12:17.439
<v Speaker 3>in nineteen forty six for a meeting with General Raoul

0:12:17.600 --> 0:12:19.760
<v Speaker 3>Salon to see if there was a way to work

0:12:19.760 --> 0:12:22.200
<v Speaker 3>things out peacefully in a manner, you know, Salon at

0:12:22.240 --> 0:12:24.240
<v Speaker 3>least is like in a manner that still leaves France

0:12:24.280 --> 0:12:27.400
<v Speaker 3>basically in charge, right, And obviously this was a doomed measure,

0:12:27.440 --> 0:12:30.079
<v Speaker 3>but they don't necessarily know that at the time. One

0:12:30.120 --> 0:12:32.640
<v Speaker 3>of my sources for these episodes is the excellent book

0:12:32.679 --> 0:12:36.560
<v Speaker 3>Guerrilla Leader by James Schneider, a professor of military theory

0:12:36.640 --> 0:12:39.920
<v Speaker 3>at the School for Advanced Military Studies at Fort Leavenworth.

0:12:40.120 --> 0:12:43.959
<v Speaker 3>Schneider opens his book with the story of Jopp and

0:12:44.080 --> 0:12:47.400
<v Speaker 3>Salon's meeting and describes it this way. Toward the end

0:12:47.400 --> 0:12:50.559
<v Speaker 3>of the meeting, discussion turned towards Jop's success in resisting

0:12:50.640 --> 0:12:54.560
<v Speaker 3>the Japanese occupation of Indochina since nineteen forty. Salon wanted

0:12:54.600 --> 0:12:58.319
<v Speaker 3>to know the source and inspiration of Jiop's success. Without hesitation,

0:12:58.520 --> 0:13:01.440
<v Speaker 3>Jiop reached behind his seat and withdrew from a shelf

0:13:01.520 --> 0:13:04.640
<v Speaker 3>a heavy book and laid it before Salon, who recognized

0:13:04.679 --> 0:13:08.240
<v Speaker 3>the author immediately. Jap gestured towards the book, saying, my

0:13:08.400 --> 0:13:12.080
<v Speaker 3>fighting gospel is T. E. Lawrence's Seven Pillars of Wisdom.

0:13:12.400 --> 0:13:13.640
<v Speaker 3>I am never without it.

0:13:14.559 --> 0:13:15.000
<v Speaker 2>That's cool.

0:13:15.520 --> 0:13:18.200
<v Speaker 3>Yeah, yeah, yeah, that is. I mean, that's that's high

0:13:18.200 --> 0:13:22.440
<v Speaker 3>praise for your book. Yeah. I hope that one day

0:13:22.520 --> 0:13:25.360
<v Speaker 3>My book A Brief History of Vice is the is

0:13:25.400 --> 0:13:28.880
<v Speaker 3>the bible of an insurgent leader destroying French tyranny over

0:13:28.920 --> 0:13:30.000
<v Speaker 3>their land, maybe.

0:13:29.760 --> 0:13:31.520
<v Speaker 2>In France, be destroying something.

0:13:31.960 --> 0:13:32.960
<v Speaker 1>Yeah. Yeah.

0:13:32.960 --> 0:13:34.640
<v Speaker 3>This has taught me to tell all, have all of

0:13:34.640 --> 0:13:37.520
<v Speaker 3>my troops mixed tobacco and their own urine together and

0:13:37.559 --> 0:13:40.559
<v Speaker 3>then make themselves vomit. I think the key part of

0:13:40.640 --> 0:13:42.400
<v Speaker 3>modern insurgent struggle.

0:13:42.360 --> 0:13:45.880
<v Speaker 2>One of the things that I kind of can when

0:13:45.880 --> 0:13:48.080
<v Speaker 2>you were saying earlier about how you know you think

0:13:48.120 --> 0:13:50.040
<v Speaker 2>of gorilla warfare as like, oh no, you just like

0:13:50.160 --> 0:13:52.000
<v Speaker 2>jump some people in the wood, just beat them up

0:13:52.000 --> 0:13:54.400
<v Speaker 2>in the in the forest. Yeah, yeah, and like because

0:13:54.400 --> 0:13:56.440
<v Speaker 2>that's the way that most movies are sort of representing

0:13:56.440 --> 0:13:58.760
<v Speaker 2>guerilla warfare, because you know, that's the sexy part of

0:13:58.800 --> 0:14:02.600
<v Speaker 2>a gorilla struggle over yeah right, yeah, And realizing that

0:14:02.640 --> 0:14:06.920
<v Speaker 2>there's this like lineage of development of how like, just

0:14:06.920 --> 0:14:11.280
<v Speaker 2>like how technology develops, so do tactics and organizational strategies.

0:14:11.320 --> 0:14:14.839
<v Speaker 2>Oh yeah, and yeah, So realizing that, like because you'll

0:14:14.880 --> 0:14:22.040
<v Speaker 2>read about the social democrat nihilist from Russia. Stepniak wrote

0:14:22.320 --> 0:14:25.200
<v Speaker 2>a book on guerrilla warfare from his time fighting I

0:14:25.200 --> 0:14:27.400
<v Speaker 2>actually think fighting the Ottoman Empire, but I can't remember,

0:14:27.840 --> 0:14:28.160
<v Speaker 2>you know, but.

0:14:28.120 --> 0:14:30.520
<v Speaker 3>That was they helped a lot of people figure that

0:14:30.560 --> 0:14:30.960
<v Speaker 3>one out.

0:14:31.040 --> 0:14:34.720
<v Speaker 2>Yeah yeah, and uh, you know, but it's like, but

0:14:34.760 --> 0:14:36.840
<v Speaker 2>then that's that's not the one that people are using.

0:14:36.880 --> 0:14:39.320
<v Speaker 2>And then you you know, you fast forward to after

0:14:39.360 --> 0:14:41.040
<v Speaker 2>World War Two. I know, a lot of people were

0:14:41.080 --> 0:14:45.440
<v Speaker 2>writing like, gee, how do partisans work? You know, and

0:14:45.520 --> 0:14:50.000
<v Speaker 2>so it just it really interests me that there's development

0:14:50.600 --> 0:14:53.440
<v Speaker 2>also of just like literally how do you organize this stuff?

0:14:53.640 --> 0:14:56.120
<v Speaker 3>Yeah? Yeah, yeah, I mean and because there had to be, right,

0:14:56.200 --> 0:14:59.800
<v Speaker 3>especially because the conflicts of the twentieth century are so

0:14:59.880 --> 0:15:03.640
<v Speaker 3>much much wider in scope and more complex and able

0:15:03.720 --> 0:15:06.240
<v Speaker 3>to be because of the level of development that exists. Right,

0:15:06.560 --> 0:15:10.720
<v Speaker 3>so you need new theories of how to actually wield

0:15:11.440 --> 0:15:13.840
<v Speaker 3>a modern the story of modern insurgent struggle and the

0:15:13.920 --> 0:15:15.960
<v Speaker 3>kind of stuff Japp was doing, because Jiapp is not

0:15:16.160 --> 0:15:19.240
<v Speaker 3>just a line level guy, right, he is thinking about

0:15:19.360 --> 0:15:24.120
<v Speaker 3>grander strategy is how do you wield insurgents as a

0:15:24.160 --> 0:15:28.520
<v Speaker 3>weapon in concert with the other weapons of a modern state? Right,

0:15:29.600 --> 0:15:32.000
<v Speaker 3>That's the question, and that's what Lawrence is kind of

0:15:32.440 --> 0:15:37.200
<v Speaker 3>a formative scholar on now at the point in nineteen

0:15:37.240 --> 0:15:39.640
<v Speaker 3>forty six, that Jiapp is showing off his copy of

0:15:39.640 --> 0:15:43.120
<v Speaker 3>Seven Pillars of Wisdom in this meeting. T E. Lawrence

0:15:43.160 --> 0:15:46.000
<v Speaker 3>is still very famous, right. He becomes a celebrity as

0:15:46.000 --> 0:15:47.440
<v Speaker 3>a result of what he does in the Middle least.

0:15:47.440 --> 0:15:50.120
<v Speaker 3>That's why there's a fucking movie about him, right, And

0:15:50.200 --> 0:15:52.160
<v Speaker 3>he was famous primarily as this guy who wo had

0:15:52.160 --> 0:15:55.440
<v Speaker 3>helped the Allies win crucial victories over the Ottomans by

0:15:55.920 --> 0:16:00.400
<v Speaker 3>welding these Arab bandits into an effective force. This is

0:16:00.440 --> 0:16:03.600
<v Speaker 3>as well, like partially an accurate description of his accomplishments.

0:16:03.600 --> 0:16:07.520
<v Speaker 3>But Jiapp understood better than Salon what Lawrence had really done,

0:16:08.000 --> 0:16:10.400
<v Speaker 3>and as a result, Lawrence is kind of puzzled when

0:16:10.400 --> 0:16:12.840
<v Speaker 3>he hears that Jiop has this copy of Lawrence's book,

0:16:12.840 --> 0:16:15.320
<v Speaker 3>because Celon is like, well, this is just a guy

0:16:15.320 --> 0:16:20.360
<v Speaker 3>who like taught some desert Arabs how to ambush trains. Right,

0:16:20.440 --> 0:16:23.560
<v Speaker 3>that has nothing to do with fighting the Japanese in Vietnam.

0:16:23.800 --> 0:16:25.880
<v Speaker 3>Why would you consider this relevant? And I'm going to

0:16:25.920 --> 0:16:30.000
<v Speaker 3>continue with another passage from Schneider's book, ah Giop replied,

0:16:30.320 --> 0:16:33.640
<v Speaker 3>is that your assessment of Lawrence Selon nodded a casual

0:16:33.680 --> 0:16:37.200
<v Speaker 3>affirmation of course, then you have missed the whole point

0:16:37.280 --> 0:16:40.160
<v Speaker 3>of Lawrence, said Jiap. He is less about fighting a

0:16:40.200 --> 0:16:44.680
<v Speaker 3>guerrilla war than leading one, and leadership, Giop emphasized, is

0:16:44.760 --> 0:16:49.200
<v Speaker 3>applicable in any context, desert or jungle, military or civil.

0:16:50.560 --> 0:16:53.200
<v Speaker 3>And so if you're someone who might be inclined to

0:16:53.200 --> 0:16:57.720
<v Speaker 3>ignore or dismiss Lawrence as just another like imperialist proto

0:16:57.880 --> 0:17:02.440
<v Speaker 3>cia guy appropriating a local culture, I would encourage you

0:17:02.480 --> 0:17:06.280
<v Speaker 3>to consider there's something worth finding in what Giops saw

0:17:06.359 --> 0:17:09.560
<v Speaker 3>in the man, right, Yeah, And it's worth studying anyone

0:17:09.640 --> 0:17:11.919
<v Speaker 3>whose work was a critical part of the strategy that

0:17:12.040 --> 0:17:14.840
<v Speaker 3>led Vietnam to victory over the United States because in

0:17:14.880 --> 0:17:18.120
<v Speaker 3>a lot of ways, that gave us the twenty first century. Right,

0:17:18.680 --> 0:17:20.920
<v Speaker 3>you kind of have to study a guy who can

0:17:20.960 --> 0:17:24.040
<v Speaker 3>do that. And I will say one of the through

0:17:24.080 --> 0:17:26.159
<v Speaker 3>lines of the story, we'll be reading some quotes from

0:17:26.200 --> 0:17:29.280
<v Speaker 3>separate pillars of wisdom. One of the things that makes

0:17:29.359 --> 0:17:32.440
<v Speaker 3>Lawrence a powerful insurgent leader, which is part of why

0:17:32.440 --> 0:17:34.840
<v Speaker 3>I like the story, is that he's an excellent writer.

0:17:35.320 --> 0:17:41.320
<v Speaker 3>He's just an actually incredibly talented, beautiful prose and that's

0:17:41.359 --> 0:17:44.960
<v Speaker 3>a big part of why he is an influential military theorist,

0:17:45.080 --> 0:17:47.679
<v Speaker 3>and I kind of like that.

0:17:47.680 --> 0:17:49.920
<v Speaker 2>That's cool. I'm want to read Seven Pillars now.

0:17:50.119 --> 0:17:53.240
<v Speaker 3>It's great, Yeah it is. It's actually very very good

0:17:54.080 --> 0:17:57.199
<v Speaker 3>and is now historians have gone back and forth on this,

0:17:57.320 --> 0:18:01.199
<v Speaker 3>but like modern historiography will agree, gen't really accurate. As

0:18:01.240 --> 0:18:03.439
<v Speaker 3>we'll talk about, there's a couple of areas where Lawrence

0:18:03.520 --> 0:18:07.639
<v Speaker 3>probably lied or at least may have lied, but generally

0:18:07.760 --> 0:18:11.119
<v Speaker 3>accurate to what happened. So Schneider's book makes a pretty

0:18:11.119 --> 0:18:14.200
<v Speaker 3>good case for Lawrence as like the father of modern

0:18:14.280 --> 0:18:17.399
<v Speaker 3>insurgent warfare. My main issue with his book is that

0:18:17.440 --> 0:18:19.879
<v Speaker 3>he focuses on like the how and a lot of

0:18:19.960 --> 0:18:23.640
<v Speaker 3>just kind of the military nuts and bolts, and as

0:18:23.680 --> 0:18:26.200
<v Speaker 3>a result, his story leaves out something that the nineteen

0:18:26.280 --> 0:18:29.159
<v Speaker 3>sixty two movie leaves out, which is, why would a

0:18:29.240 --> 0:18:32.919
<v Speaker 3>guy born into like the comfortable upper middle class of

0:18:32.960 --> 0:18:37.000
<v Speaker 3>life in the British Empire choose to become, you know,

0:18:37.240 --> 0:18:40.160
<v Speaker 3>a leader, not the leader of an Arab revolt against

0:18:40.200 --> 0:18:41.000
<v Speaker 3>Ottoman power?

0:18:41.200 --> 0:18:41.400
<v Speaker 2>Right?

0:18:41.960 --> 0:18:44.280
<v Speaker 3>How do we get there? And that's the story we're

0:18:44.320 --> 0:18:47.800
<v Speaker 3>going to tell today. Thomas Edward Lawrence was born on

0:18:47.880 --> 0:18:49.360
<v Speaker 3>August sixteenth.

0:18:49.000 --> 0:18:49.760
<v Speaker 2>Eighteen eighty eight.

0:18:50.400 --> 0:18:53.560
<v Speaker 3>Before this section, sure you know who else was born

0:18:54.000 --> 0:18:58.160
<v Speaker 3>on August sixteenth, eighteen eighty eight in the United Kingdom.

0:18:58.440 --> 0:19:02.840
<v Speaker 3>Probably not our sponsors. They're probably Donald Trump again. Oh god,

0:19:04.359 --> 0:19:05.600
<v Speaker 3>there's a good chance.

0:19:06.840 --> 0:19:10.920
<v Speaker 2>I missed the gambling ads. I miss them too, No Chumba,

0:19:11.040 --> 0:19:14.840
<v Speaker 2>Maybe not by the time this comes out. Yeah, we'll see,

0:19:15.080 --> 0:19:18.040
<v Speaker 2>no said, will be an ad for gorilla warfare. Yea

0:19:18.480 --> 0:19:19.400
<v Speaker 2>gerrilla warfare.

0:19:20.320 --> 0:19:23.200
<v Speaker 3>Disappointed about the election results, you know, one way or

0:19:23.200 --> 0:19:24.560
<v Speaker 3>the other, A lot of people are going to be

0:19:24.560 --> 0:19:27.159
<v Speaker 3>thinking about guerrilla warfare in the wake of this election

0:19:27.280 --> 0:19:29.440
<v Speaker 3>coming up in a couple of days. So that's part

0:19:29.440 --> 0:19:39.600
<v Speaker 3>of why I wrote these episodes. Uh, and we're back.

0:19:39.800 --> 0:19:43.919
<v Speaker 3>So Lawrence was born in maybe the most ridiculously named

0:19:43.960 --> 0:19:50.520
<v Speaker 3>region of Great Britain Trinidog trimid Dog, Carnovanshire, Wales, which

0:19:50.600 --> 0:19:53.200
<v Speaker 3>I know I've pronounced wrong. I don't like, fuck you people,

0:19:53.240 --> 0:19:55.720
<v Speaker 3>look at that trimid dog. What does that even mean?

0:19:56.320 --> 0:20:00.719
<v Speaker 3>That sounds like that sounds like medicine for fleas or

0:20:00.760 --> 0:20:03.600
<v Speaker 3>like if your dog's too fat, you give it trima dog. Right,

0:20:03.800 --> 0:20:07.080
<v Speaker 3>It's just like, excuse.

0:20:06.680 --> 0:20:09.359
<v Speaker 1>Me, I'm sure you're not body shamed dogs.

0:20:10.000 --> 0:20:11.080
<v Speaker 2>Excuse me, I'm.

0:20:10.960 --> 0:20:14.280
<v Speaker 3>Not I'm just saying, if you were selling that medicine,

0:20:14.520 --> 0:20:16.520
<v Speaker 3>like if you're selling dog o zimbic, you call it

0:20:16.600 --> 0:20:21.119
<v Speaker 3>trima dog dog o zimbi has to be a thing, right,

0:20:21.160 --> 0:20:22.399
<v Speaker 3>there's no way that's not coming.

0:20:24.040 --> 0:20:26.440
<v Speaker 2>I really hope not. But you're probably Oh no, there's

0:20:26.440 --> 0:20:26.720
<v Speaker 2>no way.

0:20:26.760 --> 0:20:28.520
<v Speaker 3>There's no way that's not gonna There's no way that

0:20:28.640 --> 0:20:31.320
<v Speaker 3>there's no way there aren't people who are already shooting

0:20:31.320 --> 0:20:35.760
<v Speaker 3>ozimbic into their cloned dogs. I love, that's definitely happening.

0:20:36.160 --> 0:20:40.720
<v Speaker 2>Drugs just go both directions real quick now, like horse

0:20:40.800 --> 0:20:41.800
<v Speaker 2>drugs for humans.

0:20:42.119 --> 0:20:46.080
<v Speaker 3>Yeah. Me, you came over the other day and we're

0:20:46.080 --> 0:20:48.720
<v Speaker 3>talking about how like rintros on trasa doone and hey,

0:20:48.840 --> 0:20:51.680
<v Speaker 3>so am iras a buddies.

0:20:51.920 --> 0:20:53.879
<v Speaker 2>No, it made it great when I was I was

0:20:53.920 --> 0:20:56.000
<v Speaker 2>in a place that was never mind, I want to

0:20:56.040 --> 0:20:57.320
<v Speaker 2>I don't want to tell you anything about how I

0:20:57.359 --> 0:21:01.000
<v Speaker 2>acquired some I've always gone through the problem channels to get.

0:21:01.600 --> 0:21:05.920
<v Speaker 3>I love the proper channels, Margaret, speaking of the proper channels.

0:21:06.320 --> 0:21:09.200
<v Speaker 3>Lawrence comes from a line of people who did things

0:21:09.240 --> 0:21:13.920
<v Speaker 3>through the proper channels. His father was not born a Lawrence.

0:21:14.359 --> 0:21:17.560
<v Speaker 3>He was instead born a member of the Landed nobility,

0:21:17.920 --> 0:21:23.359
<v Speaker 3>Sir Thomas Chapman. Now Lawrence's his family, like Lawrence's ancestors,

0:21:23.680 --> 0:21:27.760
<v Speaker 3>are the literal Irish landlords responsible for like so much

0:21:27.840 --> 0:21:30.560
<v Speaker 3>of that island's misery, Like when you read about like

0:21:30.600 --> 0:21:34.560
<v Speaker 3>those like absentee, Like, that's Lawrence's people, right, that's the

0:21:34.640 --> 0:21:39.120
<v Speaker 3>line he comes from. So Lawrence's dad's family, the Chapman's,

0:21:39.200 --> 0:21:42.919
<v Speaker 3>they send Sir Thomas Lawrence to Eton, where he is

0:21:42.960 --> 0:21:45.919
<v Speaker 3>abused and molested into being a proper young inheritor of

0:21:45.960 --> 0:21:48.479
<v Speaker 3>the empire. And he was, by all accounts a normal

0:21:48.560 --> 0:21:52.679
<v Speaker 3>boy of the landed nobility until he marries someone who

0:21:52.800 --> 0:21:55.520
<v Speaker 3>is like a bad match for him, which is not

0:21:55.640 --> 0:21:58.439
<v Speaker 3>unusual in his social class. But he is not capable

0:21:58.480 --> 0:22:02.560
<v Speaker 3>of being happy and like a loveless marriage. And also

0:22:03.320 --> 0:22:06.479
<v Speaker 3>you know, he's a romantic. He's a romantic, and his

0:22:06.520 --> 0:22:10.320
<v Speaker 3>bride only gives him daughters, right, so he's like also

0:22:10.400 --> 0:22:13.359
<v Speaker 3>not thrilled about that. So, like many men of his

0:22:13.480 --> 0:22:16.280
<v Speaker 3>social standing, he picks up a mistress and he brings

0:22:16.320 --> 0:22:19.200
<v Speaker 3>her to Dublin, where she gets pregnant with his child.

0:22:20.000 --> 0:22:22.200
<v Speaker 3>This child comes out of boy, which is what he

0:22:22.240 --> 0:22:26.000
<v Speaker 3>had wanted, and he makes the incredibly questionable decision to

0:22:26.160 --> 0:22:30.760
<v Speaker 3>give his bastard child his name. Right, Hell yeah, now

0:22:30.800 --> 0:22:33.199
<v Speaker 3>it's herd. That's not if you're trying to keep this

0:22:33.359 --> 0:22:36.760
<v Speaker 3>on the down low, which you're supposed to do, that's

0:22:36.800 --> 0:22:39.520
<v Speaker 3>a bad way to do it. This does not lead

0:22:39.560 --> 0:22:43.119
<v Speaker 3>to a sustainable situation with his other legal family, and

0:22:43.160 --> 0:22:46.119
<v Speaker 3>everything falls apart for Sir Thomas, and one of the

0:22:46.160 --> 0:22:49.080
<v Speaker 3>things like there's there's this fucked up old timey stuff.

0:22:49.200 --> 0:22:51.200
<v Speaker 2>This is dad.

0:22:51.400 --> 0:22:56.919
<v Speaker 3>Sir Thomas is Lawrence of Arabia's dad. Last Lawrence is

0:22:56.960 --> 0:23:01.199
<v Speaker 3>a bastard, right, So Sir Thomas, what's interesting about him

0:23:01.200 --> 0:23:02.919
<v Speaker 3>to me because up until this, like, oh, he's not

0:23:03.000 --> 0:23:06.439
<v Speaker 3>happy that his Mary, his legal wife, only gave him daughters.

0:23:06.440 --> 0:23:09.560
<v Speaker 3>So he has a mistress and a secret family. That's

0:23:09.600 --> 0:23:12.280
<v Speaker 3>not weird. What's weird is that when this gets exposed

0:23:12.320 --> 0:23:15.159
<v Speaker 3>and his life falls apart, he's just like, fuck it.

0:23:15.440 --> 0:23:17.639
<v Speaker 3>I don't want to be a nobleman anymore. I have

0:23:17.720 --> 0:23:20.679
<v Speaker 3>no attraction to this social circle. So he makes a

0:23:20.720 --> 0:23:23.320
<v Speaker 3>deal with his wife. You get all the land, you

0:23:23.359 --> 0:23:25.880
<v Speaker 3>get nearly all of the income. I'm going to keep

0:23:25.920 --> 0:23:27.639
<v Speaker 3>a small portion of the income so I don't have

0:23:27.680 --> 0:23:29.960
<v Speaker 3>to ever work a job. But you get like ninety

0:23:29.960 --> 0:23:33.520
<v Speaker 3>percent of everything right, and I'm just not going to

0:23:33.560 --> 0:23:36.840
<v Speaker 3>be a chapman anymore. I'm going to disappear and live

0:23:36.920 --> 0:23:39.959
<v Speaker 3>under a new name and raise my bastard son and

0:23:40.040 --> 0:23:42.480
<v Speaker 3>live with my mistress who I actually love. Is that

0:23:42.720 --> 0:23:47.240
<v Speaker 3>cool with you? And his wife is like sure, that's

0:23:47.280 --> 0:23:47.760
<v Speaker 3>a good deal.

0:23:48.000 --> 0:23:49.240
<v Speaker 2>Yeah, Now you don't have to have a husband.

0:23:49.280 --> 0:23:51.680
<v Speaker 3>It seems like a pretty good deal given that this

0:23:51.760 --> 0:23:57.800
<v Speaker 3>is the eighteen eighties. Yeah, so yeah, they do this,

0:23:57.960 --> 0:24:00.639
<v Speaker 3>and Sir John moves out of Ireland to Wales and

0:24:00.680 --> 0:24:03.520
<v Speaker 3>he takes up a new name with his still a mistress,

0:24:03.560 --> 0:24:06.880
<v Speaker 3>never legally a wife, and they become known as mister

0:24:06.960 --> 0:24:10.200
<v Speaker 3>and missus Thomas Lawrence, even though again they're never legally married.

0:24:10.359 --> 0:24:12.719
<v Speaker 3>So that's where Lawrence's name comes from. It's not his

0:24:12.800 --> 0:24:15.800
<v Speaker 3>real name, it's the name is Dad Picks after abandoning

0:24:15.800 --> 0:24:18.879
<v Speaker 3>his life as a member of the landed nobility to

0:24:18.920 --> 0:24:22.040
<v Speaker 3>go live with his mistress in Wales, as we all

0:24:22.160 --> 0:24:26.040
<v Speaker 3>hope to do one day. So t E Lawrence was

0:24:26.080 --> 0:24:30.080
<v Speaker 3>their second son. He was born in Trimidoc, not long

0:24:30.280 --> 0:24:34.280
<v Speaker 3>after Thomas's old life fell apart. Now his dad is

0:24:34.520 --> 0:24:37.440
<v Speaker 3>racked with guilt over what happened, right, he does seem

0:24:37.480 --> 0:24:40.600
<v Speaker 3>to feel bad about a lot of aspects of this.

0:24:42.160 --> 0:24:44.400
<v Speaker 2>Yeah, but their daughters aren't super excited about I.

0:24:44.320 --> 0:24:50.840
<v Speaker 3>Bet his daughters aren't thrilled. But Yeah. Lawrence's mother, Sarah Lawrence,

0:24:51.280 --> 0:24:54.560
<v Speaker 3>which is very funny that that's her name, was the

0:24:54.640 --> 0:24:58.080
<v Speaker 3>self herself the child of an unwed, illegitimate union. So

0:24:58.160 --> 0:25:00.199
<v Speaker 3>she actually doesn't feel bad about this at all, and

0:25:00.240 --> 0:25:04.359
<v Speaker 3>she is by far the domineering force in the relationship.

0:25:04.480 --> 0:25:07.119
<v Speaker 3>Like you get the feeling Lawrence's dad is kind of

0:25:07.119 --> 0:25:08.600
<v Speaker 3>a sad sack and his mom is like, shut the

0:25:08.640 --> 0:25:13.120
<v Speaker 3>fuck up, like you don't have to work, like good,

0:25:13.320 --> 0:25:15.760
<v Speaker 3>Like chill the fuck out. There's nothing wrong with the

0:25:15.800 --> 0:25:18.439
<v Speaker 3>fact that we were not married and having kids. Like

0:25:18.840 --> 0:25:22.480
<v Speaker 3>she's Irish or English. I think she's English. Her name

0:25:22.520 --> 0:25:25.120
<v Speaker 3>is Sarah Lawrence, which does sound like an English name.

0:25:26.480 --> 0:25:29.800
<v Speaker 3>Lawrence would later write that his mom saw their father

0:25:29.920 --> 0:25:34.360
<v Speaker 3>as quote her trophy of power. Lawrence has some mom issues,

0:25:34.359 --> 0:25:36.320
<v Speaker 3>but also I don't see any reason why this is

0:25:36.400 --> 0:25:40.920
<v Speaker 3>necessarily wrong. He describes her as a very controlling woman

0:25:41.000 --> 0:25:44.880
<v Speaker 3>and his father as like kind of a mild person. Now,

0:25:44.920 --> 0:25:48.120
<v Speaker 3>one of the things that's really unique about Lawrence's dad.

0:25:48.400 --> 0:25:50.320
<v Speaker 3>He is in a very i mean not just a

0:25:50.440 --> 0:25:53.320
<v Speaker 3>rarity for the age, but he's almost a singular figure

0:25:53.760 --> 0:25:58.080
<v Speaker 3>in that he is an attentive, full time father. Right.

0:25:58.480 --> 0:26:01.399
<v Speaker 3>He never has to work and he has no social

0:26:01.440 --> 0:26:03.840
<v Speaker 3>obligations to keep up, so he pours all of his

0:26:03.880 --> 0:26:06.600
<v Speaker 3>interest into being there all of the time to raise

0:26:06.600 --> 0:26:09.000
<v Speaker 3>his kids, which.

0:26:08.800 --> 0:26:13.879
<v Speaker 2>Like doesn't happen, no, but it's like certain people's dream yeah,

0:26:13.920 --> 0:26:18.080
<v Speaker 2>like stay at home dad. Like yeah, money's taken care

0:26:18.119 --> 0:26:20.200
<v Speaker 2>of by inheritance or whatever.

0:26:20.560 --> 0:26:22.399
<v Speaker 3>Yeah. Yeah, I mean, he is living a lot of

0:26:22.400 --> 0:26:24.560
<v Speaker 3>people's dreams. And it's just so interesting to me that,

0:26:24.640 --> 0:26:28.240
<v Speaker 3>like Lawrence is like the one guy in nineteen in

0:26:28.440 --> 0:26:34.239
<v Speaker 3>Victorian England who's raised by like a responsible dad, at

0:26:34.320 --> 0:26:37.959
<v Speaker 3>least responsible to his sons. In the wonderful book The

0:26:38.000 --> 0:26:41.879
<v Speaker 3>Young te Lawrence biographer Anthony Satin writes that Lawrence and

0:26:41.920 --> 0:26:45.359
<v Speaker 3>his four brothers never quote had an unhappy or even

0:26:45.400 --> 0:26:48.320
<v Speaker 3>an unsettled life. They moved more often in their first

0:26:48.359 --> 0:26:51.000
<v Speaker 3>few years than most families moved in a lifetime, but

0:26:51.040 --> 0:26:54.640
<v Speaker 3>they were close knit and well loved. Now from an

0:26:54.640 --> 0:26:57.720
<v Speaker 3>early age, their parents don't inform them of their actual

0:26:57.760 --> 0:27:01.000
<v Speaker 3>lineage of like all everything that went down with dad

0:27:01.080 --> 0:27:05.200
<v Speaker 3>before they became Lawrence's But from an early age, te

0:27:05.480 --> 0:27:08.399
<v Speaker 3>and his brother ned they're very smart kids, and they

0:27:08.760 --> 0:27:12.320
<v Speaker 3>have inklings that they might be bastards, although they think

0:27:12.359 --> 0:27:14.919
<v Speaker 3>for a very different reason. Right, they think that like

0:27:15.520 --> 0:27:18.680
<v Speaker 3>basically there was cheating going on within between their parents

0:27:18.760 --> 0:27:20.360
<v Speaker 3>as opposed to the real story.

0:27:20.600 --> 0:27:23.359
<v Speaker 2>Right, they think their dad isn't their dad.

0:27:23.640 --> 0:27:25.960
<v Speaker 3>Yeah, I think their dad isn't their dad. Now, this

0:27:26.680 --> 0:27:29.399
<v Speaker 3>is this is something that is a trauma to a

0:27:29.400 --> 0:27:32.720
<v Speaker 3>degree for young Thomas because he and his family they're

0:27:32.840 --> 0:27:37.199
<v Speaker 3>very religious. They're raised incredibly strictly in the church, and

0:27:37.320 --> 0:27:40.399
<v Speaker 3>sex out of wedlock is a big deal. The guilt

0:27:40.480 --> 0:27:43.320
<v Speaker 3>his father felt, which eventually compelled him to reveal the

0:27:43.359 --> 0:27:46.080
<v Speaker 3>truth to his sons in a deathbed letter, may have

0:27:46.160 --> 0:27:49.280
<v Speaker 3>bled over to them in some way. Whatever the truth,

0:27:49.480 --> 0:27:52.800
<v Speaker 3>Lawrence wrote himself about being dogged by a peculiar sense

0:27:52.840 --> 0:27:55.520
<v Speaker 3>of worthlessness his whole life. Right, this is the way

0:27:55.520 --> 0:27:57.960
<v Speaker 3>this manifest is he always kinds of things. I'm just

0:27:58.000 --> 0:28:00.920
<v Speaker 3>a piece of shit, Like I don't believe anywhere. I'm

0:28:00.920 --> 0:28:04.840
<v Speaker 3>a bad person. I come from nothing, you know, I

0:28:04.880 --> 0:28:08.360
<v Speaker 3>don't deserve anything. This is like he's he's got imposter

0:28:08.520 --> 0:28:11.399
<v Speaker 3>syndrome his whole life, despite the fact that he is

0:28:11.680 --> 0:28:14.120
<v Speaker 3>he is not just a smart kid. He is clearly

0:28:14.160 --> 0:28:18.000
<v Speaker 3>a genius. And when I say a genius, I mean

0:28:18.000 --> 0:28:21.480
<v Speaker 3>that as a small boy, he develops a scholarly fascination

0:28:21.640 --> 0:28:25.840
<v Speaker 3>and like a professional scholarly level of knowledge of medieval

0:28:25.960 --> 0:28:29.560
<v Speaker 3>art history. In order to indulge this knowledge, he would

0:28:29.640 --> 0:28:33.480
<v Speaker 3>travel around on foot and through bicycle to different historic sites,

0:28:33.800 --> 0:28:36.040
<v Speaker 3>either on his own or with a small group of

0:28:36.040 --> 0:28:39.360
<v Speaker 3>friends to His hobby is to make rubbings of brass

0:28:39.400 --> 0:28:42.920
<v Speaker 3>reliefs of crusaders and kings from various tombs and churches.

0:28:43.400 --> 0:28:45.000
<v Speaker 2>Right, a normal kid, like.

0:28:44.960 --> 0:28:49.560
<v Speaker 3>A normal kid. Yeah, just a normal kid. Now, this

0:28:49.800 --> 0:28:53.280
<v Speaker 3>is even for the day, a nerdy hobby, right, kids,

0:28:53.320 --> 0:28:55.720
<v Speaker 3>are you know reading fucking at least kids of this

0:28:55.880 --> 0:28:58.400
<v Speaker 3>level of wealth or reading like fucking the Iliad in

0:28:58.480 --> 0:29:01.520
<v Speaker 3>grade school? But this is nerd for that day. Right.

0:29:02.000 --> 0:29:04.080
<v Speaker 2>He started to do original research on the alien and

0:29:05.040 --> 0:29:09.959
<v Speaker 2>he's doing like original historiography, and Lawrence takes the nerdiness

0:29:10.080 --> 0:29:13.400
<v Speaker 2>up a notch by developing an obsession with fidelity and

0:29:13.480 --> 0:29:15.600
<v Speaker 2>completion that modern.

0:29:15.280 --> 0:29:18.719
<v Speaker 3>Day like nerd collectors will recognize, this is a kid

0:29:18.760 --> 0:29:21.480
<v Speaker 3>who in the modern era probably would have gotten way

0:29:21.480 --> 0:29:24.920
<v Speaker 3>too into like warhammer or something. Right, and I'm going

0:29:25.000 --> 0:29:28.560
<v Speaker 3>to put again from Anthony Sattin's biography, it was typical

0:29:28.560 --> 0:29:32.600
<v Speaker 3>of Lawrence that his interest should become obsessive. His principal collaborator,

0:29:32.680 --> 0:29:36.320
<v Speaker 3>his childhood friend, Cyril Beeson, known by his school nickname

0:29:36.360 --> 0:29:40.320
<v Speaker 3>of Scroggs, remembered that it was no collector's hobby. There

0:29:40.360 --> 0:29:43.080
<v Speaker 3>were experiments in the technique of rubbing with different grades

0:29:43.080 --> 0:29:45.840
<v Speaker 3>of heelball, a mix of lamp black and wax and paper,

0:29:46.120 --> 0:29:49.600
<v Speaker 3>assisted by friendly advice from shoemakers and paperhangers who shop

0:29:49.640 --> 0:29:53.120
<v Speaker 3>supplied our raw materials. Another school friend described the outings

0:29:53.160 --> 0:29:57.000
<v Speaker 3>as a ransacking. Nothing stood in Lawrence's way, So if

0:29:57.000 --> 0:30:01.120
<v Speaker 3>Brass's were hidden behind some pews, Lawrence, already ruthless, made

0:30:01.120 --> 0:30:03.680
<v Speaker 3>short work of the obstruction. And I still hear the

0:30:03.720 --> 0:30:06.880
<v Speaker 3>splintering woodwork, and his short laugh almost sinister to my

0:30:06.960 --> 0:30:11.000
<v Speaker 3>timorous ears. So he's he's both like he will destroy

0:30:11.200 --> 0:30:13.440
<v Speaker 3>any like you don't give a fuck about those pews.

0:30:13.480 --> 0:30:16.880
<v Speaker 3>He will break and damage church property to get to

0:30:16.960 --> 0:30:19.520
<v Speaker 3>these goddamn reliefs that he's going to do rubbing.

0:30:19.640 --> 0:30:23.680
<v Speaker 2>Zod this is such a perfect British orientalist yes style

0:30:23.800 --> 0:30:26.720
<v Speaker 2>thing to get into, like, I'm gonna find the history

0:30:26.760 --> 0:30:31.880
<v Speaker 2>even if I have to destroy everything between me and it. Yeah, yeah, exactly.

0:30:31.920 --> 0:30:36.440
<v Speaker 2>He is fucking child tomb raider. Yeah.

0:30:36.680 --> 0:30:40.160
<v Speaker 3>Now, Lawrence is despite his brilliance and uneven student when

0:30:40.160 --> 0:30:42.959
<v Speaker 3>he was interested in a type I think today there,

0:30:43.640 --> 0:30:46.080
<v Speaker 3>I don't know what kind of neurodivergent he would be

0:30:46.160 --> 0:30:49.160
<v Speaker 3>diagnosed as, but made probably all of them.

0:30:49.320 --> 0:30:49.520
<v Speaker 2>Right.

0:30:49.600 --> 0:30:51.600
<v Speaker 3>One thing that is written about him is that if

0:30:51.600 --> 0:30:54.480
<v Speaker 3>he was interested in a topic, he would be he

0:30:54.520 --> 0:30:57.000
<v Speaker 3>would be so far beyond every other student in the

0:30:57.040 --> 0:30:59.840
<v Speaker 3>class in that topic, you'd be like at the teachers level.

0:31:00.080 --> 0:31:00.240
<v Speaker 1>Right.

0:31:00.840 --> 0:31:03.400
<v Speaker 3>And if he wasn't interested in something, he couldn't do

0:31:03.440 --> 0:31:06.360
<v Speaker 3>the work at all. He was, he was completely non functional.

0:31:06.600 --> 0:31:09.560
<v Speaker 2>Right now, we can identify with this pretty hard.

0:31:09.880 --> 0:31:12.480
<v Speaker 3>You're going to identify very hard with the next thing

0:31:12.520 --> 0:31:15.000
<v Speaker 3>we talk about here, because he is the way to

0:31:15.000 --> 0:31:18.120
<v Speaker 3>look at him. He is an early iconoclastic example of

0:31:18.280 --> 0:31:22.120
<v Speaker 3>a nerd. Right. He is a proto geek. Right, and

0:31:22.160 --> 0:31:24.360
<v Speaker 3>he is I even wrote this in the script not

0:31:24.480 --> 0:31:27.320
<v Speaker 3>dissimilar in some ways to our guest for these episodes,

0:31:27.360 --> 0:31:31.600
<v Speaker 3>Margaret Killjoy and let me make that case now. At

0:31:31.640 --> 0:31:36.160
<v Speaker 3>age fifteen, Lawrence leads his friends on raids through Oxford's

0:31:36.160 --> 0:31:39.520
<v Speaker 3>libraries to learn the secrets of how to make chainmail

0:31:39.640 --> 0:31:42.120
<v Speaker 3>and other medieval arms and armor for themselves.

0:31:42.520 --> 0:31:47.040
<v Speaker 2>And he was doing when I was so our school

0:31:47.040 --> 0:31:48.760
<v Speaker 2>had to ban us for making chain mail.

0:31:49.680 --> 0:31:52.400
<v Speaker 3>Yeah, this is what Lawrence is doing as a kid.

0:31:52.440 --> 0:31:56.000
<v Speaker 3>He's like the very first generation of Western kid doing this.

0:31:56.200 --> 0:31:56.440
<v Speaker 2>Right.

0:31:56.640 --> 0:31:58.760
<v Speaker 3>They're making their own chain mail, their own weapon. They're

0:31:58.760 --> 0:32:02.719
<v Speaker 3>teaching themselves how to fight by reading medieval man manuals.

0:32:02.920 --> 0:32:06.160
<v Speaker 3>They learn how to speak appropriate old English and draw

0:32:06.240 --> 0:32:10.880
<v Speaker 3>heraldry from memory. Like this kid's soul is a wren

0:32:10.920 --> 0:32:15.800
<v Speaker 3>fair right, and Lawrence is one of those kids. His

0:32:16.120 --> 0:32:19.000
<v Speaker 3>interest in medieval history is always married with this deep

0:32:19.120 --> 0:32:22.680
<v Speaker 3>care for the fine details, for fidelity. One of his

0:32:22.760 --> 0:32:25.480
<v Speaker 3>hobbies he starts a hobby of like buying shards of

0:32:25.560 --> 0:32:28.680
<v Speaker 3>pottery from excavations in the city. Right, people will be

0:32:28.760 --> 0:32:30.880
<v Speaker 3>doing construction and they will they will turn up some

0:32:30.960 --> 0:32:33.560
<v Speaker 3>old pottery shards, and his hobby is like buy them

0:32:33.600 --> 0:32:36.680
<v Speaker 3>and meticulously glue them back together. And he is so

0:32:36.840 --> 0:32:40.120
<v Speaker 3>good at this as a teenage boy that local Oxford

0:32:40.200 --> 0:32:43.720
<v Speaker 3>museum still keep and display pieces that he rebuilt from

0:32:43.720 --> 0:32:46.960
<v Speaker 3>like the Roman era, Like he's that level of skill

0:32:47.080 --> 0:32:49.680
<v Speaker 3>that like even today his work as a child is

0:32:49.720 --> 0:32:50.880
<v Speaker 3>recognized as like pretty good.

0:32:51.480 --> 0:32:52.440
<v Speaker 2>He was pretty good at that.

0:32:55.360 --> 0:32:59.320
<v Speaker 3>So they made the case very bright kid, probably probably

0:32:59.360 --> 0:33:02.000
<v Speaker 3>fair to call a genius, the kind of.

0:33:02.000 --> 0:33:04.480
<v Speaker 2>Person who's going to do something really good or really terrible. Right,

0:33:04.520 --> 0:33:06.440
<v Speaker 2>as you've pointed out, somehow both.

0:33:06.480 --> 0:33:11.760
<v Speaker 3>Somehow, both certainly significant. Now for his own part, Lawrence

0:33:11.800 --> 0:33:15.120
<v Speaker 3>described his education at Oxford High School with the words

0:33:15.520 --> 0:33:18.920
<v Speaker 3>very little, very reluctantly, and very badly. Right. That's how

0:33:18.920 --> 0:33:22.000
<v Speaker 3>he talks about his like the end of his primary

0:33:22.040 --> 0:33:25.800
<v Speaker 3>school education. We can into it from some details that

0:33:25.840 --> 0:33:27.840
<v Speaker 3>we do have that he was the recipient of a

0:33:27.880 --> 0:33:30.320
<v Speaker 3>fair amount of bullying, as you would guess from a

0:33:30.400 --> 0:33:34.600
<v Speaker 3>child who is gluing together pottery sharks, like the.

0:33:34.520 --> 0:33:40.560
<v Speaker 2>Most infamous bully academy in history, the School for making psychopaths.

0:33:40.760 --> 0:33:46.200
<v Speaker 3>Yes, he develops as a child a hatred for bullies

0:33:46.200 --> 0:33:48.320
<v Speaker 3>that is going to be with him his entire life,

0:33:48.360 --> 0:33:52.000
<v Speaker 3>and that, at age sixteen spurs him into some disastrous action.

0:33:52.680 --> 0:33:55.080
<v Speaker 3>In this particularly notable incident, one of his friends is

0:33:55.120 --> 0:33:58.680
<v Speaker 3>being picked on by an older kid, and Lawrence intervenes,

0:33:59.000 --> 0:34:02.320
<v Speaker 3>but he is not a large boy, right, This other

0:34:02.440 --> 0:34:04.720
<v Speaker 3>kid is much bigger. Lawrence intervenes because it's the right

0:34:04.760 --> 0:34:07.360
<v Speaker 3>thing to do, and the fight goes so badly that

0:34:07.440 --> 0:34:10.040
<v Speaker 3>his leg is broken enough that he misses a semester

0:34:10.160 --> 0:34:13.360
<v Speaker 3>in school. Right like he has rendered an invalid for

0:34:13.480 --> 0:34:15.759
<v Speaker 3>months because of how badly this kid beats the shit

0:34:15.800 --> 0:34:18.120
<v Speaker 3>out of him. His mother is convinced that the injury

0:34:18.160 --> 0:34:20.360
<v Speaker 3>stops him from growing into what should have been his

0:34:20.640 --> 0:34:24.480
<v Speaker 3>full height, although that's probably just not biologically true. Yeah,

0:34:24.920 --> 0:34:27.440
<v Speaker 3>I'm going to quote again from Satin's book here. The

0:34:27.480 --> 0:34:31.960
<v Speaker 3>injury exacerbated Lawrence's reluctance to join in. His eldest brother, Bob,

0:34:32.000 --> 0:34:34.919
<v Speaker 3>remembered that he was good at gymnastics and took part

0:34:35.000 --> 0:34:38.080
<v Speaker 3>in games in the playground, but Ned admitted that I've

0:34:38.120 --> 0:34:40.520
<v Speaker 3>never since I was able to think, played any game

0:34:40.600 --> 0:34:43.040
<v Speaker 3>through to the end. At school, they used to stick

0:34:43.080 --> 0:34:45.360
<v Speaker 3>me in football are cricket teams, and I would always

0:34:45.400 --> 0:34:48.200
<v Speaker 3>trickle away from the field before the match ended. The

0:34:48.239 --> 0:34:51.120
<v Speaker 3>obvience reason might have been physical, but Lawrence later thought

0:34:51.160 --> 0:34:54.080
<v Speaker 3>there were other more complex issues behind his avoidance of

0:34:54.120 --> 0:34:57.720
<v Speaker 3>team sports. Because they were organized, because they had rules,

0:34:58.000 --> 0:35:01.160
<v Speaker 3>because they had results. I find that so interesting.

0:35:01.640 --> 0:35:02.600
<v Speaker 2>I identify with this.

0:35:03.040 --> 0:35:03.279
<v Speaker 1>Yeah.

0:35:03.680 --> 0:35:11.080
<v Speaker 2>So if yeah, it's hard not to Yeah. Yeah. So.

0:35:11.200 --> 0:35:13.759
<v Speaker 3>Schneider, who's not as detailed as Satin when it comes

0:35:13.800 --> 0:35:18.520
<v Speaker 3>to dissecting Lawrence's personality in life, posits that Lawrence's ditaste

0:35:18.560 --> 0:35:21.319
<v Speaker 3>for organized sports has something to do with the fact

0:35:21.360 --> 0:35:24.360
<v Speaker 3>that he preferred to lead rather than follow. Now, I

0:35:24.400 --> 0:35:27.200
<v Speaker 3>think that's probably him working backwards and maybe an error.

0:35:27.760 --> 0:35:30.239
<v Speaker 3>The quote from Lawrence that Satin presents is a more

0:35:30.280 --> 0:35:33.439
<v Speaker 3>interesting explanation. They're organized, they have rules, and those rules

0:35:33.480 --> 0:35:36.160
<v Speaker 3>aren't my rules, right. I don't understand why things are

0:35:36.160 --> 0:35:38.680
<v Speaker 3>doing this this way, and I don't like just saying, well,

0:35:38.719 --> 0:35:39.480
<v Speaker 3>this is the way.

0:35:39.320 --> 0:35:41.240
<v Speaker 2>Things are done. Yeah.

0:35:41.440 --> 0:35:43.960
<v Speaker 3>In the summer of nineteen oh five, Lawrence cycled to

0:35:44.040 --> 0:35:46.760
<v Speaker 3>France with his father. This was not his first taste

0:35:46.800 --> 0:35:49.840
<v Speaker 3>of freedom again. He traveled extensively across the UK on

0:35:49.920 --> 0:35:53.279
<v Speaker 3>foot and by bike, motivated partly by a desire to

0:35:53.320 --> 0:35:55.800
<v Speaker 3>get away from his mom. But the trip to France

0:35:55.920 --> 0:35:58.640
<v Speaker 3>awakens something in him, and for the next several years

0:35:58.640 --> 0:36:01.160
<v Speaker 3>he feels this obsession with like I need to get

0:36:01.160 --> 0:36:04.359
<v Speaker 3>out there, I need to travel. But unfortunately he's got

0:36:04.400 --> 0:36:07.760
<v Speaker 3>to go to college. He attends Jesus College at Oxford.

0:36:07.800 --> 0:36:10.319
<v Speaker 3>Oxford is people talk about it as Oxford, but it's

0:36:10.320 --> 0:36:13.360
<v Speaker 3>actually like five colleges, and Jesus is one of them, right.

0:36:14.000 --> 0:36:17.040
<v Speaker 2>And this is a college called Jesus. There's Jesus College.

0:36:17.160 --> 0:36:21.759
<v Speaker 3>Yeah, it just called Jesus. It just called Jesus. I

0:36:21.760 --> 0:36:23.799
<v Speaker 3>mean maybe they have a seminary degree, but that's not

0:36:23.840 --> 0:36:26.799
<v Speaker 3>what he's doing. He's getting an undergraduate degree. He's a

0:36:26.920 --> 0:36:29.759
<v Speaker 3>history dude, and he hates college. He hates it even

0:36:29.800 --> 0:36:33.080
<v Speaker 3>more than high school. He hates his undergraduate college. So

0:36:33.120 --> 0:36:35.960
<v Speaker 3>he has to find outside ways to stimulate himself. And

0:36:36.040 --> 0:36:39.160
<v Speaker 3>so in nineteen oh six, at age eighteen, he takes

0:36:39.239 --> 0:36:42.719
<v Speaker 3>himself alone on a twenty four hundred mile cycling trip

0:36:42.760 --> 0:36:46.919
<v Speaker 3>through France into the Greek coast. Now this is price

0:36:46.960 --> 0:36:49.680
<v Speaker 3>doesn't touch Greece. That's a long that's a.

0:36:49.760 --> 0:36:51.200
<v Speaker 2>Long bicycle trip.

0:36:52.719 --> 0:36:55.759
<v Speaker 3>And this is I think this is his equivalent of

0:36:55.840 --> 0:36:59.440
<v Speaker 3>if we're going back to the Margaret comparisons like being

0:36:59.480 --> 0:37:03.160
<v Speaker 3>a trained kid, right, because he takes this This is

0:37:03.160 --> 0:37:05.680
<v Speaker 3>not just about seeing, you know, France, It's not just

0:37:05.719 --> 0:37:09.759
<v Speaker 3>about cycling. It is an exercise in aestheticism. Lawrence wants

0:37:09.800 --> 0:37:12.200
<v Speaker 3>to see how tough he is. Part of the goal

0:37:12.239 --> 0:37:14.480
<v Speaker 3>is he eats as little as possible because he wants

0:37:14.560 --> 0:37:18.000
<v Speaker 3>to explore how little food can take me? Can I

0:37:18.040 --> 0:37:20.919
<v Speaker 3>live on while I going this distance? Right? And there's

0:37:20.920 --> 0:37:24.080
<v Speaker 3>also this intellectual dimension to it. He spends the entire visit,

0:37:24.320 --> 0:37:27.279
<v Speaker 3>he goes through every medieval church and castle on this

0:37:27.360 --> 0:37:30.680
<v Speaker 3>route through France to Greece, and he analyzes the architecture

0:37:30.719 --> 0:37:34.239
<v Speaker 3>in exhausting detail. And Schneider makes a supposition here that

0:37:34.280 --> 0:37:36.200
<v Speaker 3>I think is well founded, which is that he thinks

0:37:36.200 --> 0:37:39.560
<v Speaker 3>this journey is integral to Lawrence's growth into an insurgent

0:37:39.680 --> 0:37:43.920
<v Speaker 3>leader because it demanded and it cultured him in physical toughness.

0:37:44.239 --> 0:37:46.520
<v Speaker 3>And he's also pay it's training him how to pay

0:37:46.640 --> 0:37:50.440
<v Speaker 3>close surgical attention to his environment. And I have trouble

0:37:50.600 --> 0:37:53.120
<v Speaker 3>like arguing with that that contention here.

0:37:53.719 --> 0:37:56.680
<v Speaker 2>I mean, it's like it's it's a little bit reading backwards,

0:37:56.719 --> 0:37:57.399
<v Speaker 2>but it's also right.

0:37:57.880 --> 0:38:01.520
<v Speaker 3>Yeah, it's not necessarily wrong. Now, when you string too

0:38:01.560 --> 0:38:04.640
<v Speaker 3>many details together like that in a podcast, it can

0:38:04.680 --> 0:38:07.359
<v Speaker 3>make the man Lawrence seem kind of like an automaton

0:38:07.480 --> 0:38:10.400
<v Speaker 3>of history rather than a teenage boy. So one thing

0:38:10.440 --> 0:38:12.880
<v Speaker 3>I value Satin for is he includes details from this

0:38:12.960 --> 0:38:16.640
<v Speaker 3>trip like that, Lawrence, while he's you know, starving himself

0:38:16.640 --> 0:38:20.160
<v Speaker 3>and biking thousands of miles and taking meticulous historical notes

0:38:20.160 --> 0:38:23.160
<v Speaker 3>about all these castles and churches and stuff, he's writing

0:38:23.160 --> 0:38:25.839
<v Speaker 3>his mom letters constantly telling her that he's not going

0:38:25.880 --> 0:38:28.560
<v Speaker 3>to tell her any details about his journey. All I'm

0:38:28.560 --> 0:38:30.560
<v Speaker 3>going to tell you, mom, is descriptions of the buildings

0:38:30.560 --> 0:38:32.800
<v Speaker 3>that I've seen. And he does this so many times

0:38:32.800 --> 0:38:35.319
<v Speaker 3>that you have to conclude this is him kind of

0:38:35.640 --> 0:38:38.600
<v Speaker 3>sticking back at his mom because she's so controlling, Like,

0:38:38.640 --> 0:38:39.560
<v Speaker 3>fuck you, Mom.

0:38:39.440 --> 0:38:40.040
<v Speaker 2>You don't know me.

0:38:40.160 --> 0:38:41.879
<v Speaker 3>I'm not going to tell you anything about my trip.

0:38:41.920 --> 0:38:43.960
<v Speaker 3>I'm just going to describe these buildings to you, like

0:38:44.480 --> 0:38:45.160
<v Speaker 3>a little shit.

0:38:45.360 --> 0:38:47.839
<v Speaker 2>Yeah. He also probably like fell in love like three

0:38:47.880 --> 0:38:50.160
<v Speaker 2>separate times on that trip. Yes, yes you have.

0:38:50.320 --> 0:38:52.879
<v Speaker 3>Well maybe not, Margaret. We're going to talk about that.

0:38:53.480 --> 0:38:56.080
<v Speaker 3>This Lawrence of Arabia may low key be our first

0:38:56.080 --> 0:39:00.120
<v Speaker 3>behind the Bastard's Ace icon. Oh okay, yeah, well but

0:39:00.160 --> 0:39:04.600
<v Speaker 3>we're building to that. Or he's a pedophile one of

0:39:04.680 --> 0:39:06.520
<v Speaker 3>the two. Mark I, let's hope for ace.

0:39:07.960 --> 0:39:08.560
<v Speaker 2>Yeah.

0:39:08.719 --> 0:39:12.200
<v Speaker 3>So Lawrence's journey ends on the Greek coast with a

0:39:12.320 --> 0:39:16.160
<v Speaker 3>miserable case of malaria. He is also just sick constantly,

0:39:16.200 --> 0:39:18.320
<v Speaker 3>which I think is just unavoidable if you travel in

0:39:18.360 --> 0:39:21.160
<v Speaker 3>this period of time, Like if you are a world

0:39:21.200 --> 0:39:24.680
<v Speaker 3>traveler in the late Victorian era, you are dying of

0:39:24.840 --> 0:39:28.600
<v Speaker 3>fucking typhus or malaria or something eighty percent of your

0:39:28.640 --> 0:39:33.000
<v Speaker 3>waking hours. But while he's kind of trying to survive malaria,

0:39:33.239 --> 0:39:37.000
<v Speaker 3>he gets a view across the Aegean of distant Turkey

0:39:37.400 --> 0:39:40.600
<v Speaker 3>and this ignites something in him. Later he would write,

0:39:40.719 --> 0:39:42.959
<v Speaker 3>I felt that at last I had reached the way

0:39:43.000 --> 0:39:49.600
<v Speaker 3>to the South, and all the glorious East, Greece, Carthage, Egypt, Tears, Syria, Italy, Spain,

0:39:49.760 --> 0:39:53.000
<v Speaker 3>Sicily Crete, they were all there and all within reach

0:39:53.080 --> 0:39:56.000
<v Speaker 3>of me. I fancy I now know better than Keats

0:39:56.000 --> 0:40:00.120
<v Speaker 3>what Cortes felt like, silent upon a peak, and Darian, Oh,

0:40:00.200 --> 0:40:03.640
<v Speaker 3>I must get down here farther out again. Really, this

0:40:03.719 --> 0:40:06.600
<v Speaker 3>getting to the sea has almost overturned my mental balance.

0:40:06.800 --> 0:40:10.319
<v Speaker 3>I would accept a passage for Greece tomorrow. So he's

0:40:10.360 --> 0:40:12.040
<v Speaker 3>just the fact that he has to go back to school,

0:40:12.160 --> 0:40:16.160
<v Speaker 3>go back to England, so close to this this world

0:40:16.480 --> 0:40:19.000
<v Speaker 3>that he's just been reading about all of his classical

0:40:19.120 --> 0:40:22.680
<v Speaker 3>education and like the Crusades and whatnot. It's like a

0:40:22.800 --> 0:40:26.160
<v Speaker 3>wound in his soul that he can't just keep traveling.

0:40:26.840 --> 0:40:29.319
<v Speaker 2>It's like I think for I think for a lot

0:40:29.360 --> 0:40:32.520
<v Speaker 2>of the Victorian, especially English, it's kind of like reaching

0:40:32.640 --> 0:40:35.440
<v Speaker 2>the world of fairy Like. Yeah, in the orientalist's mind,

0:40:35.480 --> 0:40:37.839
<v Speaker 2>you're like, oh, I have discovered the place where none

0:40:37.880 --> 0:40:40.359
<v Speaker 2>of the rules make sense, and I don't belong in

0:40:40.400 --> 0:40:43.640
<v Speaker 2>this world. So here's this other world, you know, like

0:40:43.680 --> 0:40:46.880
<v Speaker 2>Byron and all those people were like obsessed with the

0:40:47.000 --> 0:40:48.600
<v Speaker 2>Near East for that reason, you know.

0:40:48.960 --> 0:40:51.200
<v Speaker 3>And if you were nerd in this period, there's not

0:40:52.160 --> 0:40:54.960
<v Speaker 3>Tolkien to fall into. They're certainly not like Star Wars,

0:40:55.239 --> 0:40:59.160
<v Speaker 3>but you have classic history and medieval history, right, And

0:40:59.239 --> 0:41:02.799
<v Speaker 3>so is for him like if someone today, if you

0:41:02.800 --> 0:41:05.480
<v Speaker 3>were to just stumble into Middle Earth, like right, like

0:41:05.880 --> 0:41:07.920
<v Speaker 3>that that's how he feels about it, and like that

0:41:08.080 --> 0:41:12.000
<v Speaker 3>is orientalism, right, Like that's a factor in orientalism. But

0:41:12.040 --> 0:41:14.239
<v Speaker 3>it's also when you think about it from the perspective

0:41:14.280 --> 0:41:16.399
<v Speaker 3>not of someone of power, but of this like boy

0:41:16.440 --> 0:41:20.160
<v Speaker 3>who's just been has this obsessive interest in the history

0:41:20.200 --> 0:41:23.560
<v Speaker 3>of this era area. There's a degree that you have

0:41:23.640 --> 0:41:25.879
<v Speaker 3>to be kind of sympathetic too at this stage where

0:41:25.880 --> 0:41:28.920
<v Speaker 3>it's like, well, yeah, of course he felt this way.

0:41:28.440 --> 0:41:31.120
<v Speaker 2>Because Orientalism is really complex because you have both of

0:41:31.160 --> 0:41:33.319
<v Speaker 2>the like Orientalists like, oh, we're going to go over

0:41:33.320 --> 0:41:35.839
<v Speaker 2>there and steal all your mummies and smoke them, and

0:41:35.880 --> 0:41:39.000
<v Speaker 2>that's like coming from like power, I would smoke a mummy.

0:41:39.040 --> 0:41:42.279
<v Speaker 2>I would smoke a mummy. Mar no fair. But there's

0:41:42.320 --> 0:41:46.960
<v Speaker 2>also just this like well that's there's this also kind

0:41:47.000 --> 0:41:49.360
<v Speaker 2>of putting on a pedestal, which is also not always great,

0:41:49.480 --> 0:41:50.600
<v Speaker 2>but there's like like there's a weed.

0:41:50.640 --> 0:41:53.200
<v Speaker 3>No, it's problematic too, but yeah, it's he and he's

0:41:53.239 --> 0:41:57.000
<v Speaker 3>from the web side of things right now. Once he

0:41:57.080 --> 0:41:59.919
<v Speaker 3>becomes a graduate student, his enjoyment of school improves mark

0:42:00.280 --> 0:42:04.080
<v Speaker 3>because the pedagogical style and that part of Oxford once

0:42:04.120 --> 0:42:06.759
<v Speaker 3>you hit your graduate era, instead of just being like

0:42:06.800 --> 0:42:09.040
<v Speaker 3>you have to learn and memorize these things we say,

0:42:09.080 --> 0:42:12.560
<v Speaker 3>which is just torture. For Lawrence, it's like, hey, what

0:42:12.640 --> 0:42:16.160
<v Speaker 3>are you interested in? Our job as your advisors is

0:42:16.239 --> 0:42:18.480
<v Speaker 3>to find the areas of interest you're in and like

0:42:18.560 --> 0:42:20.560
<v Speaker 3>figure out why working with you ways that you can

0:42:20.600 --> 0:42:23.759
<v Speaker 3>contribute to academia that you can move and like that

0:42:23.960 --> 0:42:27.279
<v Speaker 3>Lawrence excels in right once, that's what school is. He

0:42:27.360 --> 0:42:30.760
<v Speaker 3>does very well. So Lawrence and his advisor talk themselves

0:42:30.800 --> 0:42:33.200
<v Speaker 3>into an idea for how he might combine his desire

0:42:33.280 --> 0:42:35.960
<v Speaker 3>to travel further east, which had been sparked by his

0:42:36.000 --> 0:42:39.120
<v Speaker 3>first vision of the Greek shoreline, and his obsessive interest

0:42:39.160 --> 0:42:43.440
<v Speaker 3>in medieval architecture. A major debate at the time centered

0:42:43.440 --> 0:42:47.080
<v Speaker 3>around the presence of castles built by European crusaders in

0:42:47.160 --> 0:42:49.920
<v Speaker 3>the Middle East that had structures in common with some

0:42:49.960 --> 0:42:53.480
<v Speaker 3>of the structure scene in classical medieval European castles, and

0:42:53.520 --> 0:42:57.560
<v Speaker 3>the question was does this mean that Europeans introduced certain

0:42:57.680 --> 0:43:00.759
<v Speaker 3>architectural methods to the Arab world or was it the

0:43:00.800 --> 0:43:06.680
<v Speaker 3>reverse Crusaders learned local techniques from you know, local people

0:43:06.800 --> 0:43:10.000
<v Speaker 3>in you know, the Arab world during the crusades and

0:43:10.040 --> 0:43:13.560
<v Speaker 3>then took them home with them, right, And so medieval

0:43:13.680 --> 0:43:16.200
<v Speaker 3>castles are actually, in large part an example of knowledge

0:43:16.200 --> 0:43:21.000
<v Speaker 3>transfer from the Muslim world to the West, right, right,

0:43:21.040 --> 0:43:24.400
<v Speaker 3>which is I think largely true. It's agreed obviously, like

0:43:24.480 --> 0:43:26.719
<v Speaker 3>this is the kind of thing that's more complicated than

0:43:26.760 --> 0:43:30.680
<v Speaker 3>we're going to exhaustively like tease out an episode of

0:43:30.680 --> 0:43:33.480
<v Speaker 3>Behind the Bastards a podcast by two people who don't

0:43:33.520 --> 0:43:37.719
<v Speaker 3>know much about my medieval architecture. But Lawrence, I think

0:43:37.760 --> 0:43:40.480
<v Speaker 3>the agreement is that he was onto something here, right,

0:43:40.520 --> 0:43:42.800
<v Speaker 3>And obviously he's not the one who started this idea,

0:43:42.880 --> 0:43:45.000
<v Speaker 3>other people had proposed it. But he's going to actually

0:43:45.040 --> 0:43:51.200
<v Speaker 3>contribute significantly to like historia historological debate in this measure, right,

0:43:52.360 --> 0:43:54.960
<v Speaker 3>So Satin writes, quote, Lawrence decided to take a broader

0:43:55.000 --> 0:43:56.960
<v Speaker 3>view of the topic and to question whether the skill

0:43:57.000 --> 0:43:59.480
<v Speaker 3>to build a castle, not just a pointy arch, had

0:43:59.520 --> 0:44:02.319
<v Speaker 3>come from the East. The accepted view championed at that

0:44:02.400 --> 0:44:05.360
<v Speaker 3>time by Charles Ohmann, professor of history at Oxford, was

0:44:05.400 --> 0:44:08.680
<v Speaker 3>that the Europeans marched east with hardly any understanding of

0:44:08.719 --> 0:44:11.640
<v Speaker 3>fortifications and learned from the Byzantines how to build the

0:44:11.680 --> 0:44:14.920
<v Speaker 3>magnificent castles they have left in the levant. According to Aman,

0:44:15.080 --> 0:44:17.080
<v Speaker 3>much of what Lawrence had admired in France had its

0:44:17.120 --> 0:44:20.360
<v Speaker 3>origins elsewhere, but neither ormand Know any of the others,

0:44:20.440 --> 0:44:22.319
<v Speaker 3>nor any of the other scholars who had written about

0:44:22.360 --> 0:44:25.120
<v Speaker 3>this period had traveled to Syria and Palestine to see

0:44:25.120 --> 0:44:28.759
<v Speaker 3>the buildings, relying instead on historical documents for evidence to

0:44:28.760 --> 0:44:32.040
<v Speaker 3>support their theories. Now, this is something that's going to

0:44:32.040 --> 0:44:34.920
<v Speaker 3>be a thing for Lawrence's whole working life, which is

0:44:34.920 --> 0:44:37.680
<v Speaker 3>that he's willing to go places other people of his

0:44:37.719 --> 0:44:41.960
<v Speaker 3>status aren't. And he always prefers to do the most difficult,

0:44:42.200 --> 0:44:45.520
<v Speaker 3>dangerous version of any task set before him. Right. He

0:44:45.600 --> 0:44:49.320
<v Speaker 3>is not someone who is like comfortable making inferences or

0:44:49.360 --> 0:44:53.280
<v Speaker 3>assumptions without actually getting his hands dirty. So he decides,

0:44:53.600 --> 0:44:55.440
<v Speaker 3>I'm going to go to the Middle East to take

0:44:55.480 --> 0:44:58.919
<v Speaker 3>part specifically, I'm going to go to Turkey to take

0:44:58.960 --> 0:45:02.040
<v Speaker 3>part in, you know, a dig in some of these

0:45:02.080 --> 0:45:04.839
<v Speaker 3>classical ruins, and I'm going.

0:45:04.840 --> 0:45:05.319
<v Speaker 2>To start that.

0:45:05.400 --> 0:45:08.239
<v Speaker 3>Before I go over to Turkey, I'm gonna do a

0:45:08.320 --> 0:45:11.919
<v Speaker 3>walking tour of Syria. Now, he has warned ahead of time,

0:45:12.320 --> 0:45:15.880
<v Speaker 3>no one, no European does this, right, it's too hot,

0:45:16.320 --> 0:45:19.440
<v Speaker 3>it's too dangerous. You need a guide in servants to

0:45:19.440 --> 0:45:22.600
<v Speaker 3>carry your luggage and whatnot. And Lawrence is like, no,

0:45:22.760 --> 0:45:24.839
<v Speaker 3>I'm just going to walk on my own, right, I'm

0:45:24.840 --> 0:45:27.239
<v Speaker 3>gonna carry my own shit, and like I'm gonna I'm

0:45:27.239 --> 0:45:27.680
<v Speaker 3>going to.

0:45:27.680 --> 0:45:31.799
<v Speaker 2>Invent backpacking as a hobby. Yeah, yeah, So weirds are

0:45:31.880 --> 0:45:32.759
<v Speaker 2>we talking about here?

0:45:32.880 --> 0:45:36.840
<v Speaker 3>We are talking nineteen oh six, Okay, yeah, so he

0:45:37.160 --> 0:45:40.080
<v Speaker 3>says he's gonna do this, and his Yeah, his advisors

0:45:40.120 --> 0:45:43.040
<v Speaker 3>like Europeans don't walk in Syria, and Lawrence's response is,

0:45:43.280 --> 0:45:47.239
<v Speaker 3>well I do. Which hard not to like this guy,

0:45:47.440 --> 0:45:50.319
<v Speaker 3>I know. So he takes his first steps into the

0:45:50.320 --> 0:45:53.120
<v Speaker 3>Arab world during a fascinating time in relations between his

0:45:53.239 --> 0:45:55.359
<v Speaker 3>country and the end. Again, when I say the air world,

0:45:55.480 --> 0:45:58.600
<v Speaker 3>Syria is the Arab world. Obviously Turkey is not. Turks

0:45:58.600 --> 0:46:01.000
<v Speaker 3>are not Arabs, I want to be clear that I'm

0:46:01.000 --> 0:46:03.160
<v Speaker 3>not like conflating the two. I'm gonna be using a

0:46:03.160 --> 0:46:07.880
<v Speaker 3>lot of terms that like, because he travels extensively in

0:46:07.920 --> 0:46:10.360
<v Speaker 3>the Middle East. He travels extensively in the Near East,

0:46:10.440 --> 0:46:14.760
<v Speaker 3>which is more accurate to call Turkey. Yeah, and he travels.

0:46:14.760 --> 0:46:16.280
<v Speaker 3>He spends a lot of time both on the Arab

0:46:16.360 --> 0:46:20.040
<v Speaker 3>Peninsula and in modern day Syria and Iraq. Right, that's

0:46:20.080 --> 0:46:22.360
<v Speaker 3>all of his like stomping grounds. But at this stage

0:46:22.440 --> 0:46:25.760
<v Speaker 3>he's kind of walking through Syria, going through the Holy

0:46:25.880 --> 0:46:29.640
<v Speaker 3>Land and getting to like kind of the Ottoman heartland, right, Like,

0:46:29.680 --> 0:46:33.920
<v Speaker 3>that's the gist of this trip. And he takes this

0:46:34.000 --> 0:46:37.799
<v Speaker 3>during a fascinating time in relations between his country and

0:46:37.840 --> 0:46:40.640
<v Speaker 3>the Ottoman Empire, which was well in decline by the

0:46:40.640 --> 0:46:45.080
<v Speaker 3>mid eighteen hundreds, riven by unrest and constantly picked at

0:46:45.120 --> 0:46:49.600
<v Speaker 3>by expansionist csars and quarrelsome Serbs. By eighteen fifty four,

0:46:49.680 --> 0:46:52.319
<v Speaker 3>Great Britain had actually come into the Crimean War on

0:46:52.400 --> 0:46:55.560
<v Speaker 3>the side of the Ottomans, not because like, oh, they're

0:46:55.560 --> 0:46:58.440
<v Speaker 3>being picked on, but because, like, if the Ottomans fall

0:46:58.600 --> 0:47:03.120
<v Speaker 3>and Russia, you know, stins the Russian Empire across like

0:47:03.160 --> 0:47:06.960
<v Speaker 3>fucking Constantinople, then we don't have a bulwark against this

0:47:07.040 --> 0:47:09.640
<v Speaker 3>country that we see as a geopolitical rival. Right.

0:47:09.680 --> 0:47:12.359
<v Speaker 2>You're saying that the Western Powers need to have an

0:47:12.400 --> 0:47:13.359
<v Speaker 2>ally in the.

0:47:14.160 --> 0:47:17.880
<v Speaker 3>Yes, in the struggle against Russia. Yes, and in this

0:47:18.000 --> 0:47:21.880
<v Speaker 3>case it's the Ottomans. The British had another reason for

0:47:21.920 --> 0:47:24.840
<v Speaker 3>wanting good relations with the Ottomans that's even more selfish,

0:47:24.880 --> 0:47:27.360
<v Speaker 3>which is that the Sultan of the Empire, and again

0:47:27.400 --> 0:47:31.920
<v Speaker 3>this is a Turk is the Khalif of Islam. Right now,

0:47:32.080 --> 0:47:34.040
<v Speaker 3>this does not in fact make him. The way a

0:47:34.080 --> 0:47:36.359
<v Speaker 3>lot of Europeans take this is that like he's the

0:47:36.400 --> 0:47:40.640
<v Speaker 3>Pope of Islam, right, which is kind of the case,

0:47:40.680 --> 0:47:43.239
<v Speaker 3>but also really not the case in the hearts of

0:47:43.280 --> 0:47:47.680
<v Speaker 3>most Muslims. Because like a shitload of the Muslim population

0:47:47.840 --> 0:47:51.080
<v Speaker 3>or Arab right, and so they both are co religionists

0:47:51.200 --> 0:47:54.160
<v Speaker 3>with the Khalif and also are oppressed and ruled by

0:47:54.200 --> 0:47:56.919
<v Speaker 3>the Turks and not happy with it necessarily.

0:47:57.239 --> 0:47:58.719
<v Speaker 2>Right, starting to get kind of more of the rise

0:47:58.760 --> 0:48:01.000
<v Speaker 2>of Turkish nationalists. I'm during this period.

0:48:00.920 --> 0:48:06.279
<v Speaker 3>Turkish nationalism and Arab nationalism is starting. I meant to say, yes, well,

0:48:06.320 --> 0:48:08.640
<v Speaker 3>I mean Turkish nationalism is also a major factor.

0:48:08.680 --> 0:48:11.399
<v Speaker 2>And what's happening, yeah, right, but in like opposite directions, right, Yeah,

0:48:11.400 --> 0:48:14.319
<v Speaker 2>the Arab nationalism is it tenants against y.

0:48:14.719 --> 0:48:16.800
<v Speaker 3>And as we're talking about, we'll talk about the Turkish

0:48:16.880 --> 0:48:20.080
<v Speaker 3>nationalism is like everyone in this entire wide region of

0:48:20.120 --> 0:48:22.560
<v Speaker 3>the world are Turks. There are no Arabs, there are

0:48:22.560 --> 0:48:24.520
<v Speaker 3>no Kurds, You're just mountain Turks.

0:48:24.560 --> 0:48:25.279
<v Speaker 2>Have lost your.

0:48:25.239 --> 0:48:29.080
<v Speaker 3>Language, right, which a lot of Turkish people still still

0:48:29.160 --> 0:48:31.360
<v Speaker 3>argue for today. It's kind of a major factor in

0:48:31.400 --> 0:48:35.719
<v Speaker 3>what's happening in Rajava. So anyway, a lot of Europeans assume, oh,

0:48:35.719 --> 0:48:38.520
<v Speaker 3>this Khalif is like the king of Islam, and so

0:48:39.080 --> 0:48:41.840
<v Speaker 3>you know, we have India, the Gym and the crown

0:48:41.880 --> 0:48:44.799
<v Speaker 3>of the British Empire with this massive Muslim population, and

0:48:44.840 --> 0:48:48.240
<v Speaker 3>we have constant issues with uprisings, and if the Khalif

0:48:48.320 --> 0:48:51.120
<v Speaker 3>gets pissed at us, he might call for a jihad

0:48:51.160 --> 0:48:54.279
<v Speaker 3>from these Indian Muslims, and who knows what will happen then, right,

0:48:55.200 --> 0:48:58.680
<v Speaker 3>which is not like a complete non factor as a threat,

0:48:58.680 --> 0:49:02.040
<v Speaker 3>But they're also vastly stating the degree of influence the

0:49:02.080 --> 0:49:07.880
<v Speaker 3>caliph has right in fucking India. So this is the

0:49:07.880 --> 0:49:10.640
<v Speaker 3>status quo for a while, Like we're gonna, you know,

0:49:10.760 --> 0:49:14.280
<v Speaker 3>keep propping up the Ottoman Empire because of these reasons

0:49:14.320 --> 0:49:16.839
<v Speaker 3>that are useful for our own empire. But then things

0:49:16.840 --> 0:49:19.040
<v Speaker 3>start to change in eighteen sixty nine, which is when

0:49:19.080 --> 0:49:22.279
<v Speaker 3>the Suez Canal opens in Egypt. One reason that the

0:49:22.320 --> 0:49:26.960
<v Speaker 3>British Empire had needed the Ottomans to remain semi stable

0:49:27.400 --> 0:49:30.279
<v Speaker 3>was that we need them in order to provide us

0:49:30.320 --> 0:49:32.839
<v Speaker 3>with a way to quickly and easily take goods from

0:49:32.880 --> 0:49:34.359
<v Speaker 3>the East and the Europe and vice versa.

0:49:34.440 --> 0:49:37.319
<v Speaker 2>Right, do you say goods and services? Goods and services? Right?

0:49:37.360 --> 0:49:40.760
<v Speaker 3>Speaking of goods and services, you know who else takes

0:49:41.080 --> 0:49:44.200
<v Speaker 3>every product that sponsored on this show travels through the

0:49:44.200 --> 0:49:47.919
<v Speaker 3>Ottoman Empire, you know, including it's extremely expensive. Yeah, yeah,

0:49:47.960 --> 0:49:50.560
<v Speaker 3>it's ruining the time stream. We have time cup problems

0:49:50.600 --> 0:49:54.240
<v Speaker 3>every fucking week, always trying to bring various weight loss

0:49:54.239 --> 0:49:58.400
<v Speaker 3>pills and gambling apps through the Ottoman Empire. And you know,

0:49:58.920 --> 0:50:02.800
<v Speaker 3>how do Ottomans for the eighteen nineties feel about Chumba Casino.

0:50:02.840 --> 0:50:05.720
<v Speaker 3>They don't love it, Margaret, they don't love Chumpa Casino.

0:50:07.160 --> 0:50:13.399
<v Speaker 3>They're broadly positive about the Trump sneakers though. Anyway, here's

0:50:13.440 --> 0:50:23.440
<v Speaker 3>some ads, So we're back. So yeah, the British, you know,

0:50:23.480 --> 0:50:25.759
<v Speaker 3>get the sus Canal going, and suddenly they don't really

0:50:25.800 --> 0:50:28.680
<v Speaker 3>need the Ottoman Empire to be a stable in order

0:50:28.680 --> 0:50:32.200
<v Speaker 3>to like move goods and services, right, and they, you know,

0:50:32.400 --> 0:50:34.319
<v Speaker 3>they make a shitload of money off the canal, and

0:50:34.360 --> 0:50:36.680
<v Speaker 3>once they're kind of fatted on canal profits, they stop

0:50:36.719 --> 0:50:40.640
<v Speaker 3>really caring about the Sultan and like propping his bullshit up.

0:50:40.840 --> 0:50:42.919
<v Speaker 3>And as a result, the British kind of snooze through.

0:50:42.960 --> 0:50:46.640
<v Speaker 3>Another Russian invasion of Ottoman territory. Now this isn't the

0:50:46.640 --> 0:50:49.200
<v Speaker 3>ottomanive heartland. It's the Balkans, right, which you have to

0:50:49.200 --> 0:50:51.880
<v Speaker 3>remember much of the Balkans, you know, the territory that

0:50:51.960 --> 0:50:55.320
<v Speaker 3>becomes like Yugoslavia during the twenty the later twentieth century

0:50:55.840 --> 0:50:59.080
<v Speaker 3>is Ottoman territory in this period of time. And so

0:50:59.440 --> 0:51:03.560
<v Speaker 3>the Russians invade the Balkans and you know, eighteen eighty

0:51:03.560 --> 0:51:06.960
<v Speaker 3>two or the Russians invade the Balkans, and like, you know,

0:51:07.040 --> 0:51:09.120
<v Speaker 3>the Brits don't do anything. And then in eighteen eighty

0:51:09.160 --> 0:51:13.400
<v Speaker 3>two the British occupy Egypt. Near the end of the century,

0:51:13.680 --> 0:51:16.240
<v Speaker 3>Greece and the Ottomans go to war, and war spreads

0:51:16.320 --> 0:51:20.840
<v Speaker 3>quickly in this connected world. British colonial figures in India

0:51:20.880 --> 0:51:24.200
<v Speaker 3>are shocked and horrified when Indian Muslims start demonstrating in

0:51:24.280 --> 0:51:26.560
<v Speaker 3>support of the Ottoman side of the war, and they

0:51:26.600 --> 0:51:29.120
<v Speaker 3>take this as, oh, you know, the Khalif, their leader

0:51:29.160 --> 0:51:31.840
<v Speaker 3>has called them to action. I think what this actually

0:51:31.920 --> 0:51:35.239
<v Speaker 3>is is that like Muslims in India sympathized with their

0:51:35.280 --> 0:51:38.359
<v Speaker 3>co religionists in a very natural way in a war

0:51:38.400 --> 0:51:42.239
<v Speaker 3>against the West's right. I think that's more accurate than like, ah,

0:51:42.280 --> 0:51:44.799
<v Speaker 3>the Khalif ordered them and they have to follow him.

0:51:45.440 --> 0:51:47.320
<v Speaker 3>I want to quote now from a book called Setting

0:51:47.320 --> 0:51:50.239
<v Speaker 3>the Desert on a Fire by James Barr, and this

0:51:50.360 --> 0:51:54.000
<v Speaker 3>is talking about like European coverage of the war against Greece.

0:51:54.400 --> 0:51:57.479
<v Speaker 3>At the times, Valentine Chirol believed that the Sultan's power

0:51:57.520 --> 0:52:01.200
<v Speaker 3>as khalif gave him a disturbing and disruptive political influence worldwide.

0:52:01.520 --> 0:52:03.520
<v Speaker 3>He and others feared that the Sultan would use his

0:52:03.560 --> 0:52:08.160
<v Speaker 3>position to upset the stability of Britain's Eastern Empire. Now

0:52:08.440 --> 0:52:10.879
<v Speaker 3>this is not how things worse work out. And this

0:52:10.920 --> 0:52:13.359
<v Speaker 3>is probably we know, now probably fair to call this

0:52:13.360 --> 0:52:16.399
<v Speaker 3>a silly and racist assumption. But you know who else

0:52:16.480 --> 0:52:21.319
<v Speaker 3>is silly and racist, Margaret not our sponsors Germans. And

0:52:22.200 --> 0:52:23.920
<v Speaker 3>while the British are like, oh my god, what if

0:52:23.960 --> 0:52:26.839
<v Speaker 3>the Caliph incites a rebellion in India, the Germans are

0:52:26.880 --> 0:52:30.239
<v Speaker 3>also looking and seeing England as a geopolitical enemy and going,

0:52:30.280 --> 0:52:32.120
<v Speaker 3>oh my god, what if we could get the Sultan

0:52:32.160 --> 0:52:34.560
<v Speaker 3>to incite a rebellion in India? Or you know, that

0:52:34.640 --> 0:52:37.440
<v Speaker 3>could really help us with our British people problem. So

0:52:37.480 --> 0:52:40.920
<v Speaker 3>the Germans start increasingly sinking resources into making the Ottomans

0:52:40.920 --> 0:52:43.839
<v Speaker 3>their friends. They send engineers and metal workers to help

0:52:43.880 --> 0:52:47.000
<v Speaker 3>the Sultan build railways, and they send military officers to

0:52:47.080 --> 0:52:48.240
<v Speaker 3>modernize his army.

0:52:48.600 --> 0:52:52.040
<v Speaker 2>And this is you know that if tankies existed, then

0:52:52.320 --> 0:52:54.960
<v Speaker 2>they'd be supporting the Germans because they'd be like, well,

0:52:54.960 --> 0:52:56.720
<v Speaker 2>at least they're against the British.

0:52:56.320 --> 0:53:01.400
<v Speaker 3>Anti imperialist icons, the Kaiser's Germany. Yeah, yeah, there's no

0:53:01.480 --> 0:53:06.160
<v Speaker 3>genocide in Namibia. What are you talking about? No Armenians

0:53:06.200 --> 0:53:10.520
<v Speaker 3>were ever killed by the Turks now anti Western, anti

0:53:10.520 --> 0:53:12.760
<v Speaker 3>imperialist icons, the Turkish Empire.

0:53:13.560 --> 0:53:15.360
<v Speaker 2>I know a bit about how the Germans are going

0:53:15.440 --> 0:53:18.840
<v Speaker 2>to be involved in the Armenian genocide in a lastic Germans.

0:53:18.960 --> 0:53:20.880
<v Speaker 3>Yeah, and we're not gonna get We'll be talking a

0:53:20.920 --> 0:53:22.880
<v Speaker 3>little bit about that, not enough. But this isn't a

0:53:22.960 --> 0:53:25.799
<v Speaker 3>story primarily about that. But that is happening, right. This

0:53:25.920 --> 0:53:29.440
<v Speaker 3>is the situation in the Muslim world. When Te Lawrence

0:53:29.440 --> 0:53:32.200
<v Speaker 3>embarks on his first journey there in June of nineteen

0:53:32.239 --> 0:53:35.440
<v Speaker 3>oh nine, a steamership takes him to the port of

0:53:35.520 --> 0:53:39.680
<v Speaker 3>Jedda in modern days Saudi Arabia now Later, during the

0:53:39.719 --> 0:53:43.239
<v Speaker 3>second landing in Jedda in nineteen sixteen, Lawrence writes about

0:53:43.239 --> 0:53:46.759
<v Speaker 3>the experience of taking this steamership to Jetta, and this

0:53:46.800 --> 0:53:49.040
<v Speaker 3>is such a beautiful passage that I just have to

0:53:49.120 --> 0:53:52.000
<v Speaker 3>read it. When we at last anchored in the outer

0:53:52.120 --> 0:53:55.160
<v Speaker 3>harbor off the White Town, hung between the blazing sky

0:53:55.320 --> 0:53:58.280
<v Speaker 3>and its reflection in the mirage which swept and rolled

0:53:58.320 --> 0:54:01.279
<v Speaker 3>over the wide lagoon. Then the heat of Arabia came

0:54:01.280 --> 0:54:04.960
<v Speaker 3>out like a drawn sword and struck a speechless.

0:54:08.239 --> 0:54:11.960
<v Speaker 2>He clearly cares about living an esthetic life. Yes, that's

0:54:12.200 --> 0:54:15.680
<v Speaker 2>everything to him, but also, like you were talking about earlier,

0:54:15.719 --> 0:54:18.160
<v Speaker 2>how he still wants I'm sure he's going to fail

0:54:18.160 --> 0:54:20.000
<v Speaker 2>a whole bunch of times, but he wants to do

0:54:20.080 --> 0:54:23.120
<v Speaker 2>what's right in any given situation. Well at the same time, yeah,

0:54:23.160 --> 0:54:26.200
<v Speaker 2>trying to live up a beautiful life regardless of the

0:54:26.760 --> 0:54:30.400
<v Speaker 2>yes cost to his health. And that's that's fascinating.

0:54:30.600 --> 0:54:33.160
<v Speaker 3>Yeah, it is. And I can tell you just from

0:54:33.520 --> 0:54:36.920
<v Speaker 3>extensively traveling in this similar region, that description of like

0:54:37.000 --> 0:54:40.280
<v Speaker 3>the heat like a drawn sword striking you in the face,

0:54:40.560 --> 0:54:43.319
<v Speaker 3>I identify with quite a lot like that. Is That

0:54:43.440 --> 0:54:45.759
<v Speaker 3>is how it like, especially that first getting off the

0:54:45.800 --> 0:54:48.719
<v Speaker 3>plane in a rack and stepping outside, for it is

0:54:48.840 --> 0:54:51.640
<v Speaker 3>it does feel like you've been assaulted suddenly. It's like

0:54:51.680 --> 0:54:53.040
<v Speaker 3>a violent experience.

0:54:53.600 --> 0:54:58.320
<v Speaker 2>Is a dry a wet heat? It is a dry heat. Yes.

0:55:00.160 --> 0:55:03.520
<v Speaker 3>From Jetta, he covered more than eleven hundred miles, mostly

0:55:03.560 --> 0:55:06.400
<v Speaker 3>on foot in a ride up for the Guardian Laura

0:55:06.440 --> 0:55:10.839
<v Speaker 3>Feigel describes his journey. Lawrence wandered around Syria clad fastidiously

0:55:10.920 --> 0:55:14.160
<v Speaker 3>in a bespoke suit and hobnailed boots. He've amused the

0:55:14.280 --> 0:55:17.440
<v Speaker 3>natives with his insistence on walking, even when accompanied by

0:55:17.520 --> 0:55:20.880
<v Speaker 3>guides on horseback. He was especially English in his understated

0:55:20.920 --> 0:55:24.040
<v Speaker 3>response to hardship. I've had the delay of four attacks

0:55:24.080 --> 0:55:26.480
<v Speaker 3>of malaria when I had only reckoned on two. He

0:55:26.600 --> 0:55:29.680
<v Speaker 3>complained to his mother, informing her nonchalantly that he had

0:55:29.680 --> 0:55:32.480
<v Speaker 3>been robbed and rather snatched up by a group of

0:55:32.600 --> 0:55:37.239
<v Speaker 3>armed robbers just casually, like nearly died of malaria, got

0:55:37.280 --> 0:55:38.400
<v Speaker 3>beaten by bandits.

0:55:38.440 --> 0:55:42.320
<v Speaker 2>Anyway, how are you doing, mom? That is the one

0:55:42.600 --> 0:55:48.120
<v Speaker 2>the British characteristic that like endurates. It's pretty good. It's

0:55:48.160 --> 0:55:50.879
<v Speaker 2>pretty good. Not everyone should have it, but the keep

0:55:50.920 --> 0:55:53.719
<v Speaker 2>calm and carry on while you're being while you're literally

0:55:53.760 --> 0:55:58.320
<v Speaker 2>the only nache power of fighting the Nazis. Yeah, sometimes

0:55:58.400 --> 0:56:01.640
<v Speaker 2>you just need the like anxious, so stiff upper lip.

0:56:01.800 --> 0:56:04.120
<v Speaker 3>I mean, it's part of why I've spent most of

0:56:04.160 --> 0:56:07.919
<v Speaker 3>my career reporting alongside British journalists. When like you're really

0:56:07.960 --> 0:56:10.000
<v Speaker 3>in the shit, it's very helpful to have a brit

0:56:10.040 --> 0:56:16.560
<v Speaker 3>next to you, they're very good. Yea, yeah, they call

0:56:16.640 --> 0:56:18.680
<v Speaker 3>them a word that sounds like a slur, but it's not.

0:56:20.160 --> 0:56:20.279
<v Speaker 2>So.

0:56:20.719 --> 0:56:24.680
<v Speaker 3>His experience entered. His experience of this time where he's

0:56:24.680 --> 0:56:29.000
<v Speaker 3>like nearly dying while walking eleven hundred miles, is completely positive.

0:56:29.040 --> 0:56:32.600
<v Speaker 3>He is just he falls madly in love with the

0:56:32.719 --> 0:56:36.720
<v Speaker 3>local culture, with particularly like these Arabs that he's starting

0:56:36.719 --> 0:56:38.840
<v Speaker 3>to meet as he begins his journey through that portion

0:56:38.920 --> 0:56:42.359
<v Speaker 3>of the Ottoman Empire, and he's particularly taken by their

0:56:42.400 --> 0:56:44.560
<v Speaker 3>treatment of him as a guest. He writes home to

0:56:44.600 --> 0:56:47.759
<v Speaker 3>his father, this is a glorious country for wandering in,

0:56:47.840 --> 0:56:51.000
<v Speaker 3>for hospitality is something more than a name. Setting aside

0:56:51.000 --> 0:56:53.759
<v Speaker 3>the American and English missionaries who take care of me

0:56:53.800 --> 0:56:56.279
<v Speaker 3>in the most fatherly or motherly way, they have all

0:56:56.320 --> 0:56:58.640
<v Speaker 3>so far been as good as they can be. There

0:56:58.640 --> 0:57:01.239
<v Speaker 3>are the common people, each one ready to receive one

0:57:01.280 --> 0:57:04.000
<v Speaker 3>for a night and allow me to share in their meals,

0:57:04.160 --> 0:57:06.560
<v Speaker 3>and without a thought of payment from a traveler on foot.

0:57:06.800 --> 0:57:08.920
<v Speaker 3>It is so pleasant, for they have a very attractive

0:57:09.000 --> 0:57:12.560
<v Speaker 3>kind of native dignity, and there's a you know, there's

0:57:12.800 --> 0:57:15.640
<v Speaker 3>Orientalism going on in that passage. But this is also

0:57:15.719 --> 0:57:18.160
<v Speaker 3>something if you travel in this region of the world

0:57:18.160 --> 0:57:21.840
<v Speaker 3>today you will experience, which is the treatment of guests

0:57:22.760 --> 0:57:26.240
<v Speaker 3>is It's deeper than just Islam. It's something that goes

0:57:26.360 --> 0:57:29.200
<v Speaker 3>back very far in that region of the world, and

0:57:29.240 --> 0:57:30.560
<v Speaker 3>it is a profound experience.

0:57:30.560 --> 0:57:31.440
<v Speaker 2>I don't know how else to.

0:57:31.400 --> 0:57:35.440
<v Speaker 3>Describe it, but like the welcome you are in people's homes,

0:57:35.720 --> 0:57:38.360
<v Speaker 3>people like fighting over hosting you and putting you up

0:57:38.360 --> 0:57:43.520
<v Speaker 3>through the night. Like it's a very unique experience. And

0:57:43.680 --> 0:57:46.160
<v Speaker 3>I'm not surprised he's taken by it. I know exactly

0:57:46.160 --> 0:57:48.600
<v Speaker 3>how he feels here, and there is this feeling of

0:57:48.680 --> 0:57:52.360
<v Speaker 3>belonging that's totally different from like southern hospitality right where

0:57:52.360 --> 0:57:54.640
<v Speaker 3>people will offer you things, but it's kind of rude

0:57:54.760 --> 0:57:59.120
<v Speaker 3>generally to take them. It's more a matter of like,

0:57:59.120 --> 0:58:02.960
<v Speaker 3>like you all, it's almost sometimes a problem for you.

0:58:03.080 --> 0:58:05.280
<v Speaker 3>The degree to which people are offering you meals in

0:58:05.360 --> 0:58:07.880
<v Speaker 3>hospitality because like you have, you have a schedule to keep,

0:58:07.920 --> 0:58:09.320
<v Speaker 3>You've got to get places right.

0:58:11.040 --> 0:58:13.000
<v Speaker 2>And what he says, it goes beyond Islam. I know

0:58:13.040 --> 0:58:16.480
<v Speaker 2>that it's a fundamental concept in Islam is taking.

0:58:16.640 --> 0:58:19.200
<v Speaker 3>Yes, it's like but but it's a fundamental concept in

0:58:19.280 --> 0:58:21.920
<v Speaker 3>Islam because that was present in the cultures of the

0:58:22.000 --> 0:58:26.520
<v Speaker 3>region before Islam existed. Right, I'm not saying like Islam stolen.

0:58:26.560 --> 0:58:28.520
<v Speaker 3>I'm saying that like it is a part of Islam,

0:58:28.560 --> 0:58:30.120
<v Speaker 3>because it's been a part of the culture for.

0:58:30.240 --> 0:58:34.400
<v Speaker 2>Much The people who made Islam already had that going on, right, Right, that's.

0:58:36.080 --> 0:58:38.520
<v Speaker 3>Now Lawrence seems to have been drawn in part to

0:58:38.640 --> 0:58:41.320
<v Speaker 3>the feeling of belonging that he felt here because he'd

0:58:41.360 --> 0:58:43.479
<v Speaker 3>never felt like he belonged at home, in part because

0:58:43.480 --> 0:58:46.360
<v Speaker 3>he's haunted by his status as an illegitimate child, so

0:58:46.440 --> 0:58:48.560
<v Speaker 3>part of the people here everywhere he goes because he

0:58:48.600 --> 0:58:51.720
<v Speaker 3>glues pospet together. Right. He never he doesn't feel like

0:58:51.760 --> 0:58:54.600
<v Speaker 3>he belongs. He feels like a fraud and impostor, he's bullied,

0:58:54.640 --> 0:58:56.640
<v Speaker 3>and then he goes to this place where everyone's extremely

0:58:56.680 --> 0:58:58.600
<v Speaker 3>happy to see him and nice to him, and he

0:58:58.680 --> 0:59:02.600
<v Speaker 3>feels like he has a place to be. Right now,

0:59:02.640 --> 0:59:06.080
<v Speaker 3>there's also imperialist impulses right that are influenced by his

0:59:06.120 --> 0:59:09.720
<v Speaker 3>obsession with the Crusades. Schneider writes, quote, Lawrence began to

0:59:09.720 --> 0:59:11.919
<v Speaker 3>see the Arab world in a new way and would

0:59:12.000 --> 0:59:13.960
<v Speaker 3>soon come to believe that he could move and bind

0:59:14.000 --> 0:59:16.960
<v Speaker 3>it to his will, that his Crusader musings were more

0:59:17.000 --> 0:59:20.200
<v Speaker 3>than an adolescent fantasy. We're starting to see some of

0:59:20.320 --> 0:59:23.800
<v Speaker 3>like the darker side growing as he begins to understand,

0:59:23.880 --> 0:59:25.920
<v Speaker 3>he also starts to think about how I can manipulate

0:59:25.960 --> 0:59:29.360
<v Speaker 3>and change things here. So Lawrence has this first trip

0:59:29.400 --> 0:59:32.040
<v Speaker 3>and he has a wonderful time. He returns home with

0:59:32.120 --> 0:59:35.720
<v Speaker 3>his documentation of these different like structures he's seen from

0:59:35.760 --> 0:59:40.000
<v Speaker 3>the Crusades, and he graduates from Oxford. Right. He makes

0:59:40.000 --> 0:59:43.160
<v Speaker 3>several more trips to France to work for the Ashmolean Museum,

0:59:43.200 --> 0:59:47.480
<v Speaker 3>but he remains obsessed with the East. Right, and in

0:59:47.560 --> 0:59:50.800
<v Speaker 3>late nineteen ten, he succeeds in setting up an apprenticeship

0:59:50.840 --> 0:59:54.560
<v Speaker 3>and an archaeological dig in Turkey. To prepare, he traveled

0:59:54.560 --> 0:59:57.480
<v Speaker 3>to Beroot that Christmas and spent two months in Lebanon

0:59:57.600 --> 1:00:01.520
<v Speaker 3>being tutored in Arabic. Schneider writes that sixty years later,

1:00:01.800 --> 1:00:05.040
<v Speaker 3>his Arabic teacher recalled him as someone who quote lived

1:00:05.160 --> 1:00:08.280
<v Speaker 3>rather in the spirit than in the body. Right, that's

1:00:08.280 --> 1:00:11.880
<v Speaker 3>her description of Lawrence from meeting him. Okay, Now, many

1:00:11.920 --> 1:00:14.440
<v Speaker 3>descriptions of Lawrence paint this picture of him as almost

1:00:14.520 --> 1:00:18.000
<v Speaker 3>a monk, this severe aesthetic philosopher type I think some

1:00:18.080 --> 1:00:20.720
<v Speaker 3>of that is conscious because he admires these monks who

1:00:20.760 --> 1:00:23.920
<v Speaker 3>are like a major part of the transmission of the

1:00:23.960 --> 1:00:27.120
<v Speaker 3>medieval history. That is such an obsession to him. Right.

1:00:28.440 --> 1:00:30.720
<v Speaker 3>That said, he is not one of these guys who's

1:00:30.800 --> 1:00:34.200
<v Speaker 3>like this that almost gives you this picture of him

1:00:34.200 --> 1:00:37.280
<v Speaker 3>as someone who's like unknown and unknowable. That's not him

1:00:37.280 --> 1:00:40.240
<v Speaker 3>at all. In fact, he is incredibly popular with the

1:00:40.320 --> 1:00:43.760
<v Speaker 3>local Arab diggers that he meets in. You know, some

1:00:43.880 --> 1:00:46.960
<v Speaker 3>are Arabs, some are Turks, but like this is like

1:00:47.040 --> 1:00:52.400
<v Speaker 3>in a rural region of Anatolia, right, and a lot

1:00:52.440 --> 1:00:56.080
<v Speaker 3>of these guys, these very like dirt poor diggers, really

1:00:56.120 --> 1:01:00.160
<v Speaker 3>identify with Lawrence because he's not like the other europe

1:01:00.320 --> 1:01:02.480
<v Speaker 3>and that he doesn't just sit around and wait for

1:01:02.560 --> 1:01:05.080
<v Speaker 3>other people to do work for him. He digs as

1:01:05.080 --> 1:01:06.560
<v Speaker 3>hard as anyone else on the team.

1:01:06.720 --> 1:01:06.880
<v Speaker 1>Right.

1:01:06.920 --> 1:01:10.080
<v Speaker 3>He's actually useful and he's committed to not just like

1:01:10.200 --> 1:01:13.720
<v Speaker 3>sitting around while other people do shit. Snyder writes, quote.

1:01:13.920 --> 1:01:17.000
<v Speaker 3>A typical example of this aspect of Lawrence's leadership occurred

1:01:17.000 --> 1:01:20.480
<v Speaker 3>in June Today. I cured a man of compound scorpion

1:01:20.520 --> 1:01:23.000
<v Speaker 3>bite by a few drops of ammonia. For that, I

1:01:23.080 --> 1:01:26.200
<v Speaker 3>have a fame above Thompson's as hakim doctor and as

1:01:26.240 --> 1:01:29.400
<v Speaker 3>a magician who can conjure devils into water. His role

1:01:29.400 --> 1:01:31.800
<v Speaker 3>as camp position would be put to good use, for

1:01:31.840 --> 1:01:35.440
<v Speaker 3>in June of nineteen twelve, a severe outbreak of cholera

1:01:35.560 --> 1:01:38.640
<v Speaker 3>struck the Aleppo area, and saw Lawrence helping the local

1:01:38.680 --> 1:01:41.840
<v Speaker 3>population deal with the problem through the remainder of the summer.

1:01:43.360 --> 1:01:47.040
<v Speaker 3>Lawrence also adopted local garb, dressing in a Kurdish belt

1:01:47.080 --> 1:01:49.760
<v Speaker 3>and attiring himself like the diggers he'd gotten to know.

1:01:50.240 --> 1:01:52.760
<v Speaker 3>He found their clothing much more practical than what he

1:01:52.880 --> 1:01:56.080
<v Speaker 3>bought from Oxford, and he wrote of his Western colleagues,

1:01:56.360 --> 1:01:59.440
<v Speaker 3>the foreigners came out here always to teach, whereas they

1:01:59.440 --> 1:02:02.720
<v Speaker 3>had much better to learn. You can see why this

1:02:02.800 --> 1:02:07.200
<v Speaker 3>guy's well liked, you know now. In his books Setting

1:02:07.200 --> 1:02:10.480
<v Speaker 3>the Desert on Fire, Barr also gives a much again,

1:02:10.680 --> 1:02:12.440
<v Speaker 3>if you want a little bit less of the like

1:02:12.840 --> 1:02:15.960
<v Speaker 3>you know, agent of history moving nobly through time picture,

1:02:15.960 --> 1:02:18.840
<v Speaker 3>here's a much more fun account of Lawrence's behavior at

1:02:18.840 --> 1:02:22.840
<v Speaker 3>this time. He injected these excavations with an excitement not

1:02:22.960 --> 1:02:26.000
<v Speaker 3>usually associated with the world of archaeology by firing his

1:02:26.080 --> 1:02:29.040
<v Speaker 3>pistol in the air. Whatever an interesting find was unearthed.

1:02:29.520 --> 1:02:32.200
<v Speaker 3>This is also what makes him popular. He loves shooting

1:02:32.200 --> 1:02:33.680
<v Speaker 3>his gun in the air whenever he's.

1:02:33.560 --> 1:02:39.480
<v Speaker 2>In a good mood. In honorary American, honorary American.

1:02:39.640 --> 1:02:42.720
<v Speaker 3>Yeah you have, I am declaring you with citizen of

1:02:42.720 --> 1:02:46.720
<v Speaker 3>the State of Texas, Lawrence. Your tin gallon hat is

1:02:46.760 --> 1:02:50.040
<v Speaker 3>in the mail. Now. The digging season is not a

1:02:50.120 --> 1:02:52.920
<v Speaker 3>year round thing, yet Lawrence could always be counted to

1:02:52.960 --> 1:02:55.520
<v Speaker 3>hang around long after all the other foreigners had left.

1:02:55.560 --> 1:02:58.080
<v Speaker 3>He just doesn't want to leave when the digging is done.

1:02:58.440 --> 1:03:01.040
<v Speaker 3>One of his English colleagues later wrote, I never quite

1:03:01.040 --> 1:03:04.040
<v Speaker 3>fathomed why Lawrence was still at Carkemish when the digs

1:03:04.080 --> 1:03:06.240
<v Speaker 3>were closed down, but I gathered that it was partly

1:03:06.240 --> 1:03:08.800
<v Speaker 3>from choice and partly from economy. He used to spend

1:03:08.800 --> 1:03:11.960
<v Speaker 3>his time wandering around in Arab dress, sometimes for days

1:03:11.960 --> 1:03:14.960
<v Speaker 3>at a time, storing his phenomenal memory with scraps of

1:03:15.000 --> 1:03:18.000
<v Speaker 3>local knowledge, which came in very useful later on. When

1:03:18.000 --> 1:03:19.800
<v Speaker 3>he was not doing this, he was trying to puzzle

1:03:19.880 --> 1:03:22.640
<v Speaker 3>out the Hittite inscriptions or target shooting with a long

1:03:22.720 --> 1:03:25.960
<v Speaker 3>mouser pistol. I amused myself by competing with him at

1:03:25.960 --> 1:03:26.920
<v Speaker 3>both of these games.

1:03:27.960 --> 1:03:29.040
<v Speaker 2>So he's just a fun dude.

1:03:29.080 --> 1:03:32.880
<v Speaker 3>He likes shooting, he likes puzzling out Hittite inscriptions, you know.

1:03:33.080 --> 1:03:36.080
<v Speaker 2>Yeah, and he wants to dress like the locals and

1:03:36.080 --> 1:03:39.480
<v Speaker 2>he wants to see where he's because when he's walking

1:03:39.480 --> 1:03:42.200
<v Speaker 2>around in his like suit and hobnail shoes and the desert,

1:03:42.600 --> 1:03:44.960
<v Speaker 2>you're like, yeah, oh man, he's like one of those

1:03:44.960 --> 1:03:46.280
<v Speaker 2>like young Republican kids.

1:03:46.360 --> 1:03:50.520
<v Speaker 3>Yeah. No, he just didn't know a better way. And

1:03:50.600 --> 1:03:53.360
<v Speaker 3>like a big part of it is like it's just

1:03:53.480 --> 1:03:57.880
<v Speaker 3>much more reasonable to be dressed that way in the

1:03:58.160 --> 1:04:00.000
<v Speaker 3>in this part of the world like he is.

1:04:00.120 --> 1:04:00.880
<v Speaker 2>He is car chemist.

1:04:00.960 --> 1:04:04.600
<v Speaker 3>He's like right on the border of a you know,

1:04:04.680 --> 1:04:09.240
<v Speaker 3>modern day Turkey, like the far southern Turkey and Syria. Right,

1:04:10.720 --> 1:04:12.480
<v Speaker 3>So this is it's not far from like some of

1:04:12.520 --> 1:04:14.840
<v Speaker 3>the area. It's not it's like not far from well

1:04:14.880 --> 1:04:17.800
<v Speaker 3>actually no, sorry it is, but like yeah, it's far

1:04:17.840 --> 1:04:20.520
<v Speaker 3>from Haseka, but like yeah, he so he's right in

1:04:20.920 --> 1:04:22.840
<v Speaker 3>you know, this is like the Turks would say, part

1:04:22.840 --> 1:04:25.400
<v Speaker 3>of the Turkish heartland, but this is like the Arab world,

1:04:25.440 --> 1:04:27.680
<v Speaker 3>the Kurdish world. It's kind of like right in the

1:04:27.680 --> 1:04:30.280
<v Speaker 3>middle of all of that, and it's just not a

1:04:30.320 --> 1:04:33.040
<v Speaker 3>reasonable place to wear a three piece suit all summer.

1:04:33.960 --> 1:04:37.160
<v Speaker 3>The garb that the locals wear as much more comfortable,

1:04:37.240 --> 1:04:38.959
<v Speaker 3>especially if you're digging all day.

1:04:39.400 --> 1:04:41.600
<v Speaker 2>It's compared to the thing that was developed on a

1:04:41.760 --> 1:04:46.240
<v Speaker 2>terrible island where the sun never want an empire where

1:04:46.280 --> 1:04:48.640
<v Speaker 2>the sun never sets is yeah, live on an island

1:04:48.680 --> 1:04:49.360
<v Speaker 2>where it doesn't.

1:04:49.680 --> 1:04:53.080
<v Speaker 3>Yeah, exactly. So Lawrence was to spend the next three

1:04:53.160 --> 1:04:56.120
<v Speaker 3>years of his life in Turkey as much as possible.

1:04:56.400 --> 1:04:59.160
<v Speaker 3>This was, by every credible account, the happiest period of

1:04:59.200 --> 1:05:01.360
<v Speaker 3>his life. And it is also where we get the

1:05:01.480 --> 1:05:05.760
<v Speaker 3>first claims that he was a bastard, right specifically the

1:05:05.840 --> 1:05:08.680
<v Speaker 3>claim that he was a pedophile or some sort of groomer.

1:05:09.080 --> 1:05:12.000
<v Speaker 3>Right now, I'm gonna tell you right now, I don't

1:05:12.040 --> 1:05:14.720
<v Speaker 3>agree with this interpretation, but I'm I'm gonna make the

1:05:14.720 --> 1:05:16.439
<v Speaker 3>case for it. I'm going to explain to you why

1:05:16.520 --> 1:05:19.640
<v Speaker 3>people talk about this. So the gist of it is

1:05:19.680 --> 1:05:23.520
<v Speaker 3>that while Lawrence was participating in this dig a fourteen

1:05:23.600 --> 1:05:26.760
<v Speaker 3>year old boy named Salim Ahmed was hired on as

1:05:26.800 --> 1:05:30.240
<v Speaker 3>a donkey boy. In the parlance of the times, this

1:05:30.360 --> 1:05:34.440
<v Speaker 3>means he helped lead donkey trains of supplies to the diggers. Salim,

1:05:34.800 --> 1:05:38.200
<v Speaker 3>nicknamed Dahum or the little dark One by his fellows,

1:05:38.240 --> 1:05:41.439
<v Speaker 3>became fast friends with Lawrence. We don't know precisely why,

1:05:41.480 --> 1:05:45.360
<v Speaker 3>but their bond deepened when Lawrence caught dysentery later that year,

1:05:45.680 --> 1:05:48.720
<v Speaker 3>and Dome cared for him until he got better. The

1:05:48.760 --> 1:05:52.320
<v Speaker 3>two traveled to Aleppo together, and Lawrence began promoting his

1:05:52.360 --> 1:05:55.960
<v Speaker 3>young friend to higher positions and ultimately made Dahom his assistant.

1:05:56.360 --> 1:05:58.200
<v Speaker 3>While on the dig, the two lived in the same

1:05:58.240 --> 1:06:00.960
<v Speaker 3>house and seemed to take particular place you're in wearing

1:06:01.000 --> 1:06:03.240
<v Speaker 3>each other's clothes. This is something that everyone will say

1:06:03.240 --> 1:06:06.200
<v Speaker 3>about them, is like they would exchange outfits and dressed

1:06:06.320 --> 1:06:09.520
<v Speaker 3>like each other. They have pictures taken where they're dressed

1:06:09.560 --> 1:06:13.040
<v Speaker 3>in identical outfits, like dressed as each other, and by

1:06:13.040 --> 1:06:16.280
<v Speaker 3>all accounts they are inseparable. Right and again, this is like,

1:06:16.840 --> 1:06:19.920
<v Speaker 3>I think he's fourteen, you know, to sixteen during the

1:06:19.920 --> 1:06:22.280
<v Speaker 3>period where they're spending most of their time together, and

1:06:22.400 --> 1:06:25.919
<v Speaker 3>Lawrence is in his twenties, so this is potentially very problematic,

1:06:26.080 --> 1:06:30.960
<v Speaker 3>right Lawrence biographer Jeremy Wilson described Lawrence as having a

1:06:31.040 --> 1:06:34.440
<v Speaker 3>quote almost fatherly concern for the boy. One of his

1:06:34.520 --> 1:06:37.680
<v Speaker 3>colleagues at the dig. Leonard Woolley went much further after

1:06:37.760 --> 1:06:40.920
<v Speaker 3>Lawrence became famous. He made public allegations that Lawrence had

1:06:40.920 --> 1:06:43.920
<v Speaker 3>convinced quote Domed to live with him and got him

1:06:43.920 --> 1:06:46.520
<v Speaker 3>to pose as a model for a queer crouching figure,

1:06:46.720 --> 1:06:49.760
<v Speaker 3>which he carved in the soft local limestone. To make

1:06:49.800 --> 1:06:51.640
<v Speaker 3>an image was bad enough in this way, but to

1:06:51.680 --> 1:06:54.520
<v Speaker 3>portray a naked figure was proof to them the local

1:06:54.600 --> 1:06:57.920
<v Speaker 3>arabs of evil of another sort. The scandal about Lawrence

1:06:58.000 --> 1:07:01.560
<v Speaker 3>was widely spread and firmly believed. So Willie's allegation is

1:07:01.600 --> 1:07:06.200
<v Speaker 3>that these two were homosexual lovers and like the locals

1:07:06.200 --> 1:07:09.120
<v Speaker 3>found out about it because he was carving an image

1:07:09.240 --> 1:07:13.920
<v Speaker 3>of Dome in local naked and local limestone. Now again,

1:07:14.560 --> 1:07:17.680
<v Speaker 3>Dome would have been fifteen or sixteen, and at the

1:07:17.760 --> 1:07:22.160
<v Speaker 3>time that is not the same as fifteen or sixteen today. Again,

1:07:22.160 --> 1:07:25.800
<v Speaker 3>and like Germany, you're an adult at fourteen. But I

1:07:25.840 --> 1:07:28.680
<v Speaker 3>donuld say that to mitigate potential pedophilia, just to say

1:07:28.720 --> 1:07:32.120
<v Speaker 3>like that is why his countrymen who criticized him for

1:07:32.160 --> 1:07:35.640
<v Speaker 3>who like he was homosexual, they're not calling him pedophile

1:07:35.680 --> 1:07:37.680
<v Speaker 3>because that's not how they would have seen this, right,

1:07:37.680 --> 1:07:39.640
<v Speaker 3>they would have seen this as a gay relationship. That's

1:07:39.640 --> 1:07:41.960
<v Speaker 3>not how we see it. I don't think we're wrong

1:07:42.160 --> 1:07:44.880
<v Speaker 3>in seeing it differently. But he is not written about

1:07:44.920 --> 1:07:47.160
<v Speaker 3>by people who criticize him as his time as a pedophile.

1:07:47.160 --> 1:07:49.960
<v Speaker 3>He's written about as a homosexual, which is a severe

1:07:50.080 --> 1:07:53.280
<v Speaker 3>criminal offense in the UK at the time. Right, if

1:07:53.280 --> 1:07:55.360
<v Speaker 3>he had been convicted of this, he would have gone

1:07:55.360 --> 1:07:55.840
<v Speaker 3>to prison.

1:07:57.160 --> 1:08:01.800
<v Speaker 2>Well, it's interesting is because for centuries, yeah, gay men

1:08:02.080 --> 1:08:05.360
<v Speaker 2>and Britain would go to the Ottoman Empire because it

1:08:05.440 --> 1:08:09.520
<v Speaker 2>was like more accepted to be gay there and just

1:08:10.040 --> 1:08:13.920
<v Speaker 2>a friendlier place. But obviously I think that started to

1:08:13.960 --> 1:08:17.439
<v Speaker 2>fade around this time. Actually I've heard because of Western influence,

1:08:17.479 --> 1:08:19.759
<v Speaker 2>but I'm not I've been more certain about things.

1:08:19.920 --> 1:08:22.439
<v Speaker 3>It's a bit more. It's too complicated for us to

1:08:22.439 --> 1:08:24.680
<v Speaker 3>get into and detail. But one aspect of this that

1:08:25.000 --> 1:08:27.599
<v Speaker 3>I think was an aspect of why it was friendlier

1:08:27.640 --> 1:08:29.120
<v Speaker 3>in the autom An Empire, and it's an aspect of

1:08:29.200 --> 1:08:31.759
<v Speaker 3>how everyone looks at it and how like Lawrence is famous,

1:08:31.760 --> 1:08:35.000
<v Speaker 3>he's not homophobic, right, he has friends who are gay

1:08:35.120 --> 1:08:37.960
<v Speaker 3>that he knows are gay, and he does not seem

1:08:38.000 --> 1:08:40.800
<v Speaker 3>to have any issue with this. But also I don't

1:08:40.840 --> 1:08:42.760
<v Speaker 3>know that he would have I don't think he had

1:08:42.760 --> 1:08:45.479
<v Speaker 3>any kind of sexual relationship with Doom to like skip

1:08:45.479 --> 1:08:47.400
<v Speaker 3>ahead here. But I don't know that he would have

1:08:47.400 --> 1:08:49.640
<v Speaker 3>felt that was wrong, because he would have looked at

1:08:49.680 --> 1:08:52.880
<v Speaker 3>it in the way that like he saw and in

1:08:52.920 --> 1:08:56.920
<v Speaker 3>the way like ancient Greeks had these relationships between older

1:08:57.000 --> 1:09:00.880
<v Speaker 3>men and their younger wards. Right, that is probably how

1:09:00.920 --> 1:09:02.719
<v Speaker 3>he would have seen it, right, That.

1:09:02.600 --> 1:09:03.240
<v Speaker 2>Makes sense to me.

1:09:04.200 --> 1:09:06.840
<v Speaker 3>That's not what I think is going on here. Now.

1:09:06.840 --> 1:09:10.120
<v Speaker 3>There are allegations later in his career from adult colleagues

1:09:10.439 --> 1:09:12.840
<v Speaker 3>in the army who claimed that Lawrence asked them to

1:09:12.880 --> 1:09:15.320
<v Speaker 3>whip him, right, and so these have kind of been

1:09:15.360 --> 1:09:17.759
<v Speaker 3>merged in the public mind with some of these rumors

1:09:17.760 --> 1:09:20.519
<v Speaker 3>that he and Doom had a sexual relationship. And a

1:09:20.560 --> 1:09:23.240
<v Speaker 3>good example of how this comes down in casual.

1:09:22.920 --> 1:09:23.640
<v Speaker 2>History is a.

1:09:25.400 --> 1:09:28.400
<v Speaker 3>Quote from a very bad listical I found called great

1:09:28.439 --> 1:09:31.080
<v Speaker 3>People who were also perverts, which I found on this

1:09:31.200 --> 1:09:34.000
<v Speaker 3>terrible shitty we clickbait website called backloll.

1:09:34.360 --> 1:09:37.960
<v Speaker 2>The artic going to make a crack com joke. But no, no, no, no.

1:09:37.680 --> 1:09:40.400
<v Speaker 3>No no, I don't know. Maybe they stole this from us,

1:09:40.439 --> 1:09:43.800
<v Speaker 3>I don't know. Lawrence was very famous for playing Lawrence

1:09:43.800 --> 1:09:46.840
<v Speaker 3>of Arabia pictured here a great actor. Not many know

1:09:46.880 --> 1:09:48.920
<v Speaker 3>that he was also a great archaeologist. I think they're

1:09:48.920 --> 1:09:51.760
<v Speaker 3>confusing him with Peter O'Toole here, so I think we

1:09:51.800 --> 1:09:53.960
<v Speaker 3>would have caught that. At Cracked, it was said that

1:09:54.040 --> 1:09:57.519
<v Speaker 3>Lawrence didn't go much for relationships at all, then suddenly

1:09:57.560 --> 1:09:59.840
<v Speaker 3>he fell in love with a young boy who was underage.

1:10:00.040 --> 1:10:02.040
<v Speaker 3>He also loved to be whipped hard on his backside,

1:10:02.080 --> 1:10:05.600
<v Speaker 3>so definitely had strong leanings towards masochism. A pedophile at

1:10:05.600 --> 1:10:08.320
<v Speaker 3>a masochist is a far cry from the over glamorized,

1:10:08.680 --> 1:10:11.479
<v Speaker 3>glamorized image people have him as a great actor. Do

1:10:11.520 --> 1:10:13.760
<v Speaker 3>you not know Lawrence was a real prayer. He's not

1:10:13.840 --> 1:10:16.240
<v Speaker 3>Peter O'Toole. I don't think Peter O'Toole was a pedophile,

1:10:16.240 --> 1:10:21.799
<v Speaker 3>what like? Okay, Anyway, after that, this is a separate person.

1:10:22.280 --> 1:10:26.479
<v Speaker 3>You have some serious misconceptions about the history here.

1:10:26.960 --> 1:10:27.000
<v Speaker 1>No.

1:10:27.080 --> 1:10:29.920
<v Speaker 3>A different article I found on a better website, Cleohistory,

1:10:29.920 --> 1:10:32.320
<v Speaker 3>a dot of work, made the equally confusing decision to

1:10:32.400 --> 1:10:37.240
<v Speaker 3>ignore the particulars of Dohome's age and depict his relationship

1:10:37.280 --> 1:10:40.200
<v Speaker 3>with Lawrence as more of a thwarted gay love affair.

1:10:41.080 --> 1:10:41.519
<v Speaker 2>Quote.

1:10:41.680 --> 1:10:44.439
<v Speaker 3>While at Carchemish, he formed a particularly close bond with

1:10:44.479 --> 1:10:47.559
<v Speaker 3>a handsome young Arab water boy, whom Lawrence once took

1:10:47.600 --> 1:10:50.880
<v Speaker 3>on a long visit to Oxford. However, given the reticences

1:10:50.920 --> 1:10:53.360
<v Speaker 3>of the time, it seems impossible to finally get a

1:10:53.360 --> 1:10:55.400
<v Speaker 3>clear picture of Lawrence's romantic life.

1:10:56.160 --> 1:10:56.839
<v Speaker 2>Now I'm gonna.

1:10:56.640 --> 1:10:58.799
<v Speaker 3>Skip to the end here and say there's no evidence

1:10:58.880 --> 1:11:01.639
<v Speaker 3>that Lawrence had sex with Dahoum, or that he even

1:11:01.720 --> 1:11:05.479
<v Speaker 3>wanted to. There is, in fact, no evidence whatsoever that

1:11:05.560 --> 1:11:09.320
<v Speaker 3>Lawrence ever chose to engage in sexual activity with any

1:11:09.400 --> 1:11:13.519
<v Speaker 3>person over the course of his entire life. Anthony Satin writes,

1:11:13.800 --> 1:11:17.080
<v Speaker 3>Lawrence said he never had a sexual relationship, and most

1:11:17.120 --> 1:11:19.080
<v Speaker 3>people who knew him found that credible.

1:11:19.640 --> 1:11:21.600
<v Speaker 2>Yeah, if he's friends with gay folks, he would have

1:11:21.600 --> 1:11:24.200
<v Speaker 2>said it. If he was like nah, yes, sleeping boys.

1:11:23.800 --> 1:11:26.720
<v Speaker 3>And he does. He describes himself in a letter to

1:11:26.760 --> 1:11:28.600
<v Speaker 3>a friend of his who was gay and who he

1:11:28.640 --> 1:11:32.000
<v Speaker 3>knew was gay, as this is Lawrence describing himself funnily

1:11:32.120 --> 1:11:35.760
<v Speaker 3>made up sexually. And from the context we can see

1:11:35.760 --> 1:11:39.520
<v Speaker 3>two things. He was aware of homosexuality and not judgmental

1:11:39.560 --> 1:11:43.400
<v Speaker 3>of it, and he did not consider himself gay or straight,

1:11:44.040 --> 1:11:46.800
<v Speaker 3>and I think probably the best term that fits for

1:11:46.920 --> 1:11:50.120
<v Speaker 3>him is a sexual Right now, this is not an

1:11:50.120 --> 1:11:52.479
<v Speaker 3>orientation that is well understood even today, and we shouldn't

1:11:52.479 --> 1:11:54.519
<v Speaker 3>assume that he would have talked about his sexuality the

1:11:54.560 --> 1:11:56.960
<v Speaker 3>way modern day ace people talk about it, right, Right,

1:11:57.960 --> 1:12:01.759
<v Speaker 3>this is nineteen eleven, and in any sexuality is pretty

1:12:01.840 --> 1:12:04.599
<v Speaker 3>much non existent in the public consciousness, right, he probably

1:12:04.640 --> 1:12:06.439
<v Speaker 3>would have thought of his own sexuality more like he

1:12:06.439 --> 1:12:08.280
<v Speaker 3>thinks of like a monk, someone who has taken a

1:12:08.320 --> 1:12:11.080
<v Speaker 3>vow of celibacy, totally right, although he doesn't write about

1:12:11.080 --> 1:12:14.559
<v Speaker 3>having any particular sexual desires, and in fact, I m Forster,

1:12:14.760 --> 1:12:17.320
<v Speaker 3>the gay friend that he wrote to about his own sexuality,

1:12:17.600 --> 1:12:21.040
<v Speaker 3>seems to have interpreted Lawrence's feelings towards Dahome as an

1:12:21.200 --> 1:12:24.920
<v Speaker 3>unconsummated love affair. But I think that's Forster kind of

1:12:25.360 --> 1:12:28.719
<v Speaker 3>pushing some of his own sexuality onto Lawrence.

1:12:28.840 --> 1:12:29.600
<v Speaker 2>Right.

1:12:29.680 --> 1:12:34.400
<v Speaker 3>Lawrence describes himself as kind of celibate. He writes repeatedly

1:12:34.560 --> 1:12:37.400
<v Speaker 3>about his love for Dome, but in a manner more

1:12:37.439 --> 1:12:40.920
<v Speaker 3>complicated than just like fatherly affection, but also not in

1:12:40.920 --> 1:12:43.240
<v Speaker 3>a way that sounds like lust to me. And here's

1:12:43.280 --> 1:12:46.519
<v Speaker 3>Satin again. Ten years later, when Lawrence referred to his

1:12:46.560 --> 1:12:49.120
<v Speaker 3>friendship with Doome, he talked of it as one in

1:12:49.160 --> 1:12:52.680
<v Speaker 3>which there was such intimacy and mutual understanding that they

1:12:52.720 --> 1:12:55.240
<v Speaker 3>had said all two people could say to each other.

1:12:55.680 --> 1:12:58.439
<v Speaker 3>This freed them to work or rest together for hours

1:12:58.479 --> 1:13:02.360
<v Speaker 3>without speaking. Experienced that sense of calm and trust with

1:13:02.520 --> 1:13:05.160
<v Speaker 3>very few people in his life. It was not obvious

1:13:05.160 --> 1:13:07.680
<v Speaker 3>that one of them would be a donkey boy from Jerablas.

1:13:09.120 --> 1:13:11.559
<v Speaker 3>In the summer of nineteen thirteen, the two of them

1:13:11.600 --> 1:13:14.160
<v Speaker 3>spent most days and evenings together working at the dig,

1:13:14.280 --> 1:13:17.800
<v Speaker 3>swimming in the euphrates, cleaning and drawing, photographing and cataloging

1:13:17.840 --> 1:13:20.040
<v Speaker 3>the finds in the courtyard or a large sitting room

1:13:20.040 --> 1:13:22.599
<v Speaker 3>of the expedition house, even while Lawrence was busy writing

1:13:22.640 --> 1:13:26.519
<v Speaker 3>of his adventures in Seven Pillars of Islam. And you

1:13:26.520 --> 1:13:30.679
<v Speaker 3>know by this characterization, Yeah, they were two people who

1:13:30.800 --> 1:13:35.559
<v Speaker 3>had a profound bond, but not a sexual one. And like,

1:13:35.840 --> 1:13:39.080
<v Speaker 3>why did he carve that sculpture? Well, because he liked sculptures, right,

1:13:39.240 --> 1:13:43.519
<v Speaker 3>and he was raised on sculptures of the naked human

1:13:43.560 --> 1:13:46.120
<v Speaker 3>form that he didn't see as sexual. Because this is

1:13:46.160 --> 1:13:50.479
<v Speaker 3>not a guy who particularly had any sexual feeling probably right.

1:13:50.520 --> 1:13:53.599
<v Speaker 2>It's interesting because I was talking to my sister about

1:13:53.640 --> 1:13:54.960
<v Speaker 2>this one time, and we were talking about the whole

1:13:55.080 --> 1:13:57.760
<v Speaker 2>historically close friends thing and how like, you know, we

1:13:57.840 --> 1:14:00.000
<v Speaker 2>kind of we go back in time and say, like, oh,

1:14:00.120 --> 1:14:01.960
<v Speaker 2>all of these women were lesbians, like all the ones

1:14:02.000 --> 1:14:04.519
<v Speaker 2>who just had historically close friends that they lived with

1:14:04.520 --> 1:14:07.880
<v Speaker 2>a roommates. And it's hard because we just actually don't

1:14:07.920 --> 1:14:10.640
<v Speaker 2>know in most circumstances, like sometimes we do we have

1:14:10.720 --> 1:14:14.120
<v Speaker 2>like professions of sexual love between the two, but like

1:14:14.600 --> 1:14:17.760
<v Speaker 2>sometimes historically close friends were just historically close friends in

1:14:17.800 --> 1:14:21.560
<v Speaker 2>a way that also doesn't map to any current understanding

1:14:21.600 --> 1:14:24.719
<v Speaker 2>of sexuality that we know we operate with today.

1:14:25.320 --> 1:14:27.720
<v Speaker 3>And all I can say is, you know, for one thing,

1:14:27.760 --> 1:14:31.160
<v Speaker 3>that colleague who initially made the allegations that Lawrence was

1:14:31.200 --> 1:14:33.439
<v Speaker 3>gay later in life came to be like, actually, I

1:14:33.479 --> 1:14:36.120
<v Speaker 3>think it's probably likely that he never had any kind

1:14:36.160 --> 1:14:40.200
<v Speaker 3>of sexual feelings towards Dahom, and Lawrence in his own

1:14:40.280 --> 1:14:43.120
<v Speaker 3>letters to his friends with whom he could have been

1:14:43.160 --> 1:14:45.200
<v Speaker 3>open if he had what they would have seen as

1:14:45.240 --> 1:14:48.280
<v Speaker 3>a homosexual affair, was like, I've never had sex, and

1:14:48.320 --> 1:14:51.200
<v Speaker 3>I've never really wanted to. And that's how Lawrence talks

1:14:51.200 --> 1:14:55.120
<v Speaker 3>about it right now. Lawrence is not a perfectly reliable narrator,

1:14:55.160 --> 1:14:57.400
<v Speaker 3>but I just don't see any reason he would have

1:14:57.479 --> 1:15:01.080
<v Speaker 3>lied about this. I think he was probably if we're

1:15:01.200 --> 1:15:05.360
<v Speaker 3>characterizing him today, he's probably a sexual right And I

1:15:05.400 --> 1:15:08.400
<v Speaker 3>want to close with a quote by Satin about Lawrence

1:15:08.439 --> 1:15:11.639
<v Speaker 3>and Dome. It is impossible to know what Doom thought

1:15:11.680 --> 1:15:14.559
<v Speaker 3>of these changes to his life. He was obviously flattered

1:15:14.560 --> 1:15:16.559
<v Speaker 3>that Lawrence was taking an interest in him well. The

1:15:16.560 --> 1:15:18.880
<v Speaker 3>extra money and new status helped set him apart in

1:15:18.920 --> 1:15:21.840
<v Speaker 3>the village. A range of possibilities was opening through his

1:15:21.880 --> 1:15:25.040
<v Speaker 3>growing ability to read and write Arabic. But only occasionally

1:15:25.080 --> 1:15:28.240
<v Speaker 3>can we hear Doom's voice with any clarity. One moment

1:15:28.320 --> 1:15:31.320
<v Speaker 3>was at ibin Wardani, but the most persuasive was his

1:15:31.400 --> 1:15:34.000
<v Speaker 3>answer to Miss Farida's question in the summer of nineteen

1:15:34.040 --> 1:15:37.599
<v Speaker 3>twelve of why he loved Lawrence. He did so, he replied,

1:15:37.800 --> 1:15:41.160
<v Speaker 3>because Lawrence was brother, friend and leader, because he could

1:15:41.200 --> 1:15:44.519
<v Speaker 3>do things better than them, because he was courageous, playful, humorous,

1:15:44.520 --> 1:15:47.160
<v Speaker 3>and perhaps more important to them, because they knew he

1:15:47.240 --> 1:15:50.400
<v Speaker 3>cared for them. And I think that that if you're

1:15:50.400 --> 1:15:52.800
<v Speaker 3>looking for like is he apanas well, that's not what

1:15:52.880 --> 1:15:55.519
<v Speaker 3>Doom says. Doom says he was like a brother, and

1:15:55.600 --> 1:15:58.640
<v Speaker 3>I think that's probably a better much. That's probably the

1:15:58.720 --> 1:16:00.320
<v Speaker 3>right way to look at this relationship hip.

1:16:01.640 --> 1:16:05.120
<v Speaker 2>Wow, Okay, anyway, so far, the only way in which

1:16:05.120 --> 1:16:06.840
<v Speaker 2>he's a bastard is in a literal sense.

1:16:07.160 --> 1:16:08.920
<v Speaker 3>Yeah, he's a bastard literally a little bit of he

1:16:08.920 --> 1:16:12.120
<v Speaker 3>does some orientalizing right in. Oh yeah, absolutely, yeah, you know,

1:16:12.160 --> 1:16:14.120
<v Speaker 3>but like not in a way that would earn him

1:16:14.120 --> 1:16:18.360
<v Speaker 3>an episode here. He's probably not a pedophile kind of

1:16:18.400 --> 1:16:20.799
<v Speaker 3>maybe an ace icon Lawrence of Arabia.

1:16:20.920 --> 1:16:21.120
<v Speaker 2>Yeah.

1:16:21.400 --> 1:16:23.080
<v Speaker 3>I had always my dad had always told me when

1:16:23.080 --> 1:16:25.080
<v Speaker 3>we would watch the movie together, that he had been gay,

1:16:25.640 --> 1:16:27.360
<v Speaker 3>and I've come to find that, like there's not really

1:16:27.360 --> 1:16:31.040
<v Speaker 3>any evidence for that. Like he was cool with gay people,

1:16:31.120 --> 1:16:33.840
<v Speaker 3>but like there's not really any evidence that he was gay.

1:16:34.720 --> 1:16:36.479
<v Speaker 2>Do you think that was your dad like trying to

1:16:36.520 --> 1:16:38.840
<v Speaker 2>be chill about a gay person, because he sounds like

1:16:38.840 --> 1:16:40.280
<v Speaker 2>your dad liked Lawrence Ville.

1:16:40.320 --> 1:16:42.720
<v Speaker 3>Yeah, it may have been. It was also just like

1:16:42.760 --> 1:16:46.600
<v Speaker 3>that had that was the understanding, the common understanding, and

1:16:46.680 --> 1:16:48.559
<v Speaker 3>I think that still is. I think most people would

1:16:48.560 --> 1:16:50.160
<v Speaker 3>still say, oh, he was gay, right, Like I think

1:16:50.160 --> 1:16:53.200
<v Speaker 3>that is still how most people think of this, I

1:16:53.200 --> 1:16:53.920
<v Speaker 3>mean in a weird way.

1:16:53.960 --> 1:16:56.240
<v Speaker 2>Also, because I've been reading a whole bunch recently about

1:16:57.200 --> 1:17:00.880
<v Speaker 2>some of the early Protestant ideas around sexuality and and

1:17:01.720 --> 1:17:06.000
<v Speaker 2>not making kids and not getting married. Is all sort

1:17:06.000 --> 1:17:09.439
<v Speaker 2>of equally gay, yeah, to a certain degree. So like

1:17:09.880 --> 1:17:14.200
<v Speaker 2>monks and priests were sort of gay to the Protestants

1:17:14.240 --> 1:17:18.320
<v Speaker 2>because they like weren't having weren't getting married and having kids. Yeah,

1:17:18.360 --> 1:17:21.000
<v Speaker 2>you know, And so I could see I'm always saying this,

1:17:21.760 --> 1:17:27.679
<v Speaker 2>there's a version of you know, queerness whatever, that there's

1:17:27.680 --> 1:17:29.680
<v Speaker 2>a reason that Ace is in the queer umbrella now,

1:17:29.760 --> 1:17:29.920
<v Speaker 2>you know.

1:17:30.000 --> 1:17:39.080
<v Speaker 3>Yeah? Absolutely? All right, Well, so, uh that's it. That's

1:17:39.080 --> 1:17:39.720
<v Speaker 3>the episode.

1:17:40.320 --> 1:17:43.320
<v Speaker 2>All right, we did it, Joe mag Pie. Do you

1:17:43.320 --> 1:17:46.519
<v Speaker 2>have anything you want to plug? Well, if you like

1:17:46.680 --> 1:17:51.320
<v Speaker 2>history about complicated people who mostly aren't bad, then I

1:17:51.439 --> 1:17:53.439
<v Speaker 2>have a podcast called Cool People Who Did Cool Stuff,

1:17:53.439 --> 1:17:58.519
<v Speaker 2>which is on this little known network called cool Zone Media,

1:17:58.760 --> 1:18:02.040
<v Speaker 2>and you can listen to it. And it's probably too

1:18:02.120 --> 1:18:04.479
<v Speaker 2>late to catch me on tour when you're listening to this,

1:18:05.080 --> 1:18:09.200
<v Speaker 2>but maybe maybe it's not. Maybe I'll be on a

1:18:09.200 --> 1:18:12.800
<v Speaker 2>different tour by the time you hear this, And which case,

1:18:13.120 --> 1:18:14.840
<v Speaker 2>you can find me there. But just go listen to

1:18:14.880 --> 1:18:16.000
<v Speaker 2>the cool people did cool stuff.

1:18:16.560 --> 1:18:20.720
<v Speaker 3>Listen to cool people who did cool stuff, and you know, uh,

1:18:21.320 --> 1:18:24.120
<v Speaker 3>launch an insurgent war I don't care against two do

1:18:24.240 --> 1:18:25.559
<v Speaker 3>it somewhere. You know.

1:18:27.080 --> 1:18:29.280
<v Speaker 2>This is going to sound really weird depending on what

1:18:29.320 --> 1:18:30.280
<v Speaker 2>happens next week.

1:18:30.479 --> 1:18:33.559
<v Speaker 3>Yeah, that's my advice to you, no matter where you

1:18:33.600 --> 1:18:35.800
<v Speaker 3>are in the world, go start some shit you know

1:18:36.479 --> 1:18:39.360
<v Speaker 3>or don't or don't legally don't.

1:18:42.840 --> 1:18:45.559
<v Speaker 1>Behind the Bastards is a production of cool Zone Media.

1:18:45.920 --> 1:18:48.519
<v Speaker 1>For more from cool Zone Media, visit our website cool

1:18:48.600 --> 1:18:52.559
<v Speaker 1>Zonemedia dot com, or check us out on the iHeartRadio app,

1:18:52.640 --> 1:18:55.800
<v Speaker 1>Apple podcasts, or wherever you get your podcasts. Behind the

1:18:55.800 --> 1:18:59.880
<v Speaker 1>Bastards is now available on YouTube, new episodes every Wednesday

1:19:00.040 --> 1:19:03.639
<v Speaker 1>and Friday. Subscribe to our channel YouTube dot com slash

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<v Speaker 1>at Behind the Bastards