WEBVTT - 9 | Silence

0:00:00.840 --> 0:00:03.680
<v Speaker 1>Consumed as a production of iHeart Podcast and Grimm and

0:00:03.760 --> 0:01:01.280
<v Speaker 1>Mild from Aaron Maky Headphones Recommended Listener discretion advised.

0:01:04.360 --> 0:01:05.920
<v Speaker 2>I stick my.

0:01:06.000 --> 0:01:10.920
<v Speaker 3>Plus I think less be a clown there, kicks.

0:01:10.760 --> 0:01:29.960
<v Speaker 4>Mustiche Please pray remember me, Please pray remember me?

0:01:31.600 --> 0:01:33.280
<v Speaker 5>Look my God, please.

0:01:37.120 --> 0:03:04.679
<v Speaker 2>Please themselves. Patta Hi.

0:03:04.880 --> 0:03:07.359
<v Speaker 5>My name is Sarah Simmons. I pick up random phones

0:03:07.360 --> 0:03:10.160
<v Speaker 5>and decided to go on terrifying adventures no matter what.

0:03:10.720 --> 0:03:12.680
<v Speaker 5>Look at me if we make it out of here.

0:03:12.840 --> 0:03:14.840
<v Speaker 5>I promised to go see Man of La Mancha.

0:03:15.680 --> 0:03:18.720
<v Speaker 6>When not if? And that means we need to figure

0:03:18.720 --> 0:03:19.480
<v Speaker 6>out this tunnel shit.

0:03:19.840 --> 0:03:22.480
<v Speaker 5>We also need to figure out our level of crazy shit.

0:03:22.720 --> 0:03:25.240
<v Speaker 5>Because who hears a noise deep inside a dang tunnel

0:03:25.280 --> 0:03:28.560
<v Speaker 5>and says, hey, I'll follow you into the dark. It's

0:03:28.560 --> 0:03:31.560
<v Speaker 5>like we're CUTI trying to hail an actual death cap.

0:03:31.639 --> 0:03:34.880
<v Speaker 7>Whoever or whatever that was came in or out through here.

0:03:34.960 --> 0:03:37.360
<v Speaker 5>Correct, which is maybe why we shouldn't.

0:03:36.960 --> 0:03:38.480
<v Speaker 7>And it knew we were here.

0:03:38.680 --> 0:03:41.280
<v Speaker 5>Yes, and that also plays into my assessment. But it

0:03:41.280 --> 0:03:43.520
<v Speaker 5>didn't attack us yet.

0:03:43.960 --> 0:03:44.160
<v Speaker 7>Nah.

0:03:44.760 --> 0:03:46.920
<v Speaker 6>If this was the same thing that's been killing and

0:03:46.960 --> 0:03:49.120
<v Speaker 6>it had us cornered in a building, why wouldn't it

0:03:49.160 --> 0:03:49.960
<v Speaker 6>Hell us.

0:03:50.240 --> 0:03:50.680
<v Speaker 2>I don't know.

0:03:50.800 --> 0:03:52.960
<v Speaker 5>Maybe it wasn't that hungry. We're not its type.

0:03:53.000 --> 0:03:55.000
<v Speaker 7>I don't know where do these tunnels go?

0:03:56.040 --> 0:03:56.640
<v Speaker 5>What?

0:03:56.640 --> 0:03:59.440
<v Speaker 7>What's behind the church behind? Yeah, we're on a hill.

0:03:59.480 --> 0:04:01.560
<v Speaker 7>Where does it and what's on the other side?

0:04:02.320 --> 0:04:06.840
<v Speaker 5>I don't know. Actually, well then we're going in. Oh

0:04:06.920 --> 0:04:09.480
<v Speaker 5>a pham flashlight. Well that's definitely all we'll need.

0:04:09.840 --> 0:04:12.560
<v Speaker 6>Wow, Gordon, I'm sensing you don't think we should go

0:04:12.600 --> 0:04:13.040
<v Speaker 6>down there?

0:04:13.440 --> 0:04:16.840
<v Speaker 5>Whoa nos Domas would be proud? What gave it away?

0:04:17.120 --> 0:04:19.279
<v Speaker 5>Was it me saying hey, I don't think we should

0:04:19.279 --> 0:04:20.520
<v Speaker 5>go down there over and over again?

0:04:20.680 --> 0:04:23.200
<v Speaker 7>Or do you want the nightmares to stop? Yes?

0:04:23.320 --> 0:04:23.800
<v Speaker 5>Of course?

0:04:24.120 --> 0:04:25.320
<v Speaker 7>Do you want to figure this shit out?

0:04:25.640 --> 0:04:26.159
<v Speaker 5>Obviously?

0:04:26.800 --> 0:04:28.600
<v Speaker 7>The answer to the story is this way.

0:04:28.760 --> 0:04:30.480
<v Speaker 6>You can come with me, we can protect each other,

0:04:30.600 --> 0:04:32.880
<v Speaker 6>or you can turn around, go upstairs to your Quasimodo

0:04:32.960 --> 0:04:35.200
<v Speaker 6>loft and just look the other way while more shit

0:04:35.240 --> 0:04:37.760
<v Speaker 6>is bound to happen either way. And I mean this

0:04:37.839 --> 0:04:40.680
<v Speaker 6>in the nicest way possible. I need you to make

0:04:40.760 --> 0:04:41.760
<v Speaker 6>up your fucking mind.

0:04:42.080 --> 0:04:49.719
<v Speaker 5>Stat Okay, let's go fuck yeah. But to be clear,

0:04:50.000 --> 0:04:53.839
<v Speaker 5>you made like seven literary references in thirty seconds.

0:04:53.760 --> 0:04:55.800
<v Speaker 7>And that's kind of my thing.

0:04:59.600 --> 0:05:02.720
<v Speaker 8>Right, Albert Let's see how much you cocked this up.

0:05:03.880 --> 0:05:07.599
<v Speaker 9>Test one, Test one too. Hello, it's not gonna talk

0:05:07.640 --> 0:05:11.440
<v Speaker 9>back to you, Albert, just making sure fots lady wants

0:05:11.600 --> 0:05:12.680
<v Speaker 9>everything recorded.

0:05:13.040 --> 0:05:13.880
<v Speaker 7>Boss lady.

0:05:14.200 --> 0:05:16.800
<v Speaker 10>Good to see the pyrodynamic is gender specific?

0:05:17.600 --> 0:05:17.880
<v Speaker 1>Twit?

0:05:18.800 --> 0:05:20.880
<v Speaker 9>Okay, you can just sit here?

0:05:22.000 --> 0:05:27.960
<v Speaker 7>Fine, all right, let's see what else?

0:05:29.839 --> 0:05:33.920
<v Speaker 5>Hello? Huh hello, Albert.

0:05:34.600 --> 0:05:37.000
<v Speaker 9>Close the door so the tape can't hear me what

0:05:37.560 --> 0:05:38.520
<v Speaker 9>I don't understand?

0:05:38.800 --> 0:05:42.440
<v Speaker 7>What come on, you, bloody Anti.

0:05:42.839 --> 0:05:45.279
<v Speaker 9>Close the door so the tape can't hear me what

0:05:46.400 --> 0:05:56.080
<v Speaker 9>I don't understand? Just close it, avery, Go I'm supposed

0:05:56.080 --> 0:05:56.960
<v Speaker 9>to be locked up.

0:05:57.360 --> 0:05:58.280
<v Speaker 3>It's not safe.

0:05:58.800 --> 0:06:00.880
<v Speaker 5>It's not safe, Obert.

0:06:00.920 --> 0:06:02.120
<v Speaker 7>We're in a police station.

0:06:03.000 --> 0:06:04.080
<v Speaker 4>Where am I supposed to go?

0:06:04.680 --> 0:06:07.160
<v Speaker 2>Huh no? No, just.

0:06:13.839 --> 0:06:15.440
<v Speaker 7>What the hell was that?

0:06:16.120 --> 0:06:18.360
<v Speaker 9>Go to the old spot in the woods.

0:06:19.680 --> 0:06:23.720
<v Speaker 5>Okay, what if I don't want to Abrey, I'm wanting

0:06:23.760 --> 0:06:43.599
<v Speaker 5>you gad out O. Hold on, where's your plubbed in? Jesus,

0:06:48.960 --> 0:06:52.360
<v Speaker 5>I just realized something. What I don't know Will?

0:06:53.120 --> 0:06:53.760
<v Speaker 7>Why would you need?

0:06:54.279 --> 0:06:54.479
<v Speaker 6>Oh?

0:06:54.520 --> 0:06:58.400
<v Speaker 5>Come on, Gordon, I'm serious. We're twenty thousand leagues under

0:06:58.400 --> 0:07:00.960
<v Speaker 5>a sea of white people who we'll have no idea

0:07:01.000 --> 0:07:04.479
<v Speaker 5>what to do with my books? Nice or my clothing.

0:07:05.080 --> 0:07:07.360
<v Speaker 6>I'm sure everything will be donated to someone who will

0:07:07.400 --> 0:07:07.960
<v Speaker 6>appreciate it.

0:07:08.320 --> 0:07:09.880
<v Speaker 5>Oh my god, you're saying I'm gonna die.

0:07:10.280 --> 0:07:10.960
<v Speaker 7>We're fine.

0:07:11.080 --> 0:07:12.160
<v Speaker 5>What if your battery dies.

0:07:12.720 --> 0:07:13.560
<v Speaker 7>I'm a journalist.

0:07:13.600 --> 0:07:15.760
<v Speaker 6>If you don't think I have three backup batteries for

0:07:15.800 --> 0:07:16.760
<v Speaker 6>situations like this.

0:07:17.200 --> 0:07:25.920
<v Speaker 5>Wait is that light? Oh, sanctuary? I feel like we've

0:07:25.960 --> 0:07:27.400
<v Speaker 5>been trapped underground for days.

0:07:27.720 --> 0:07:30.360
<v Speaker 6>It was like fifteen minutes, yes, but it felt like

0:07:31.480 --> 0:07:32.920
<v Speaker 6>how fuck shit?

0:07:33.160 --> 0:07:33.520
<v Speaker 5>You okay?

0:07:34.120 --> 0:07:37.200
<v Speaker 7>Yet a little tweak? Oh?

0:07:37.240 --> 0:07:39.160
<v Speaker 5>What what the hell.

0:07:39.200 --> 0:07:42.040
<v Speaker 7>Is that wick? What's it doing down there?

0:07:42.640 --> 0:07:43.200
<v Speaker 2>Oh?

0:07:43.480 --> 0:07:46.360
<v Speaker 5>I see where we are? So this tunnel comes out

0:07:46.400 --> 0:07:49.200
<v Speaker 5>to the backside of Andersen Hill, hence the name of

0:07:49.240 --> 0:07:53.000
<v Speaker 5>the library in these woods. The Bruder for us, as

0:07:53.040 --> 0:07:56.520
<v Speaker 5>in Yep, the Bruders go way back, like Pilgrim back

0:07:57.040 --> 0:07:59.960
<v Speaker 5>or whatever. The Danville version of that is minus Plymouth rock,

0:08:00.240 --> 0:08:04.040
<v Speaker 5>but plus these bricks, which are oh what you see here?

0:08:04.240 --> 0:08:06.360
<v Speaker 5>And I can't believe they go so far up, but

0:08:06.440 --> 0:08:11.440
<v Speaker 5>it all makes sense. Sorry I'm rambling. So these these

0:08:11.720 --> 0:08:14.360
<v Speaker 5>are the lines from what we call a colonial drain,

0:08:14.800 --> 0:08:18.320
<v Speaker 5>and Danville historically has some of the oldest in the country.

0:08:18.320 --> 0:08:19.640
<v Speaker 7>Drain like sewer.

0:08:19.800 --> 0:08:22.440
<v Speaker 5>Oh sort of back in the day they build these

0:08:22.520 --> 0:08:26.920
<v Speaker 5>underground like think of brick rooms deep down near reservoirs

0:08:26.920 --> 0:08:30.280
<v Speaker 5>of water like wells and rivers, and then they'd connect

0:08:30.280 --> 0:08:32.880
<v Speaker 5>them so they can access fresh water as well as

0:08:32.960 --> 0:08:36.640
<v Speaker 5>catch rain water and check this romans be damned. They

0:08:36.679 --> 0:08:40.719
<v Speaker 5>even build systems to take wastewater away. Sorry, are you

0:08:40.760 --> 0:08:41.439
<v Speaker 5>asleep yet?

0:08:41.960 --> 0:08:44.360
<v Speaker 7>Almost plumbing? Got it?

0:08:44.480 --> 0:08:46.679
<v Speaker 5>I mean that's minimalization at its best.

0:08:46.880 --> 0:08:48.160
<v Speaker 7>Good welcome to being a woman.

0:08:48.760 --> 0:08:53.080
<v Speaker 5>Oh what? I will address that later. But look at

0:08:53.120 --> 0:08:54.400
<v Speaker 5>this up here.

0:08:54.640 --> 0:08:56.520
<v Speaker 7>Those huge rocks near the tunnel exit.

0:08:56.880 --> 0:08:59.720
<v Speaker 5>Yeah, looks like they sealed off the tunnel, closing it

0:08:59.760 --> 0:09:00.600
<v Speaker 5>off from the woods.

0:09:01.280 --> 0:09:01.679
<v Speaker 7>Massive.

0:09:02.520 --> 0:09:04.360
<v Speaker 6>You'd have to get a backo in here to move

0:09:04.400 --> 0:09:05.200
<v Speaker 6>that mm hmmm.

0:09:05.360 --> 0:09:08.000
<v Speaker 5>And there's literally no way anything could fit down here.

0:09:08.400 --> 0:09:10.600
<v Speaker 7>Not to mention, there aren't any machine tracks anywhere.

0:09:10.640 --> 0:09:13.400
<v Speaker 5>And also here's the fucked up part. Yeah, the rocks.

0:09:13.400 --> 0:09:17.480
<v Speaker 5>Who was broken from inside of the tunnel. Whoever or

0:09:17.559 --> 0:09:21.240
<v Speaker 5>whatever or whatever moved and broke these folders did so

0:09:21.360 --> 0:09:22.640
<v Speaker 5>from inside the tunnel.

0:09:23.679 --> 0:09:29.000
<v Speaker 6>That's fucked up, yes, but it doesn't necessarily mean something

0:09:29.080 --> 0:09:31.320
<v Speaker 6>was trapped inside a mountain and then decided to break

0:09:31.320 --> 0:09:32.439
<v Speaker 6>through and start killing people.

0:09:32.520 --> 0:09:35.040
<v Speaker 5>Necessarily, all good, fierce suage.

0:09:35.160 --> 0:09:37.760
<v Speaker 6>I'm just saying we found an entrance to those tunnels.

0:09:38.200 --> 0:09:40.079
<v Speaker 6>Whoever was inside the library.

0:09:39.720 --> 0:09:41.120
<v Speaker 5>Did as well, not helping.

0:09:41.840 --> 0:09:44.160
<v Speaker 6>What's to say there aren't other entrances and exits to

0:09:44.240 --> 0:09:44.680
<v Speaker 6>the library.

0:09:44.720 --> 0:09:47.840
<v Speaker 7>No, we got to figure out what the deaths have

0:09:47.880 --> 0:09:48.360
<v Speaker 7>in common?

0:09:48.559 --> 0:09:51.160
<v Speaker 5>Can we just keep walking? Maybe away from the tunnel entrance?

0:09:52.920 --> 0:09:55.600
<v Speaker 5>Thank you? So what do they have in common? They

0:09:55.679 --> 0:09:56.319
<v Speaker 5>all live and.

0:09:56.320 --> 0:09:59.880
<v Speaker 6>Beside that, I think they all live in Danville. Sure,

0:10:00.080 --> 0:10:02.360
<v Speaker 6>but if that was the case, then I'd buy some

0:10:02.400 --> 0:10:06.800
<v Speaker 6>connection between Aaron and Buster. But a Fonso, as you said,

0:10:06.840 --> 0:10:08.080
<v Speaker 6>just moved here a few years ago.

0:10:08.280 --> 0:10:11.440
<v Speaker 5>And it's not gender specific, it's not ah specific. Aaron

0:10:11.559 --> 0:10:15.960
<v Speaker 5>was eighteen, Afonso thirties and Buster was arp ish.

0:10:16.520 --> 0:10:17.080
<v Speaker 7>Wait what's that?

0:10:17.360 --> 0:10:19.960
<v Speaker 5>What's what? Don't touch it?

0:10:19.960 --> 0:10:22.120
<v Speaker 7>It's a backpack? What it's empty?

0:10:22.520 --> 0:10:24.280
<v Speaker 5>That's because this stuff was spilled out over here.

0:10:26.120 --> 0:10:26.320
<v Speaker 8>Ah.

0:10:26.640 --> 0:10:30.320
<v Speaker 5>Fuck another journal. It's soaked and all the incas run.

0:10:30.400 --> 0:10:32.240
<v Speaker 5>But look at the initials on the cover.

0:10:33.000 --> 0:10:35.600
<v Speaker 7>Abe Avery murder.

0:10:36.200 --> 0:10:36.480
<v Speaker 6>Fuck.

0:10:37.520 --> 0:10:39.960
<v Speaker 7>Okay, wait wait what does that mean?

0:10:40.040 --> 0:10:42.360
<v Speaker 5>It means we're about to find Avery's happy in body

0:10:42.720 --> 0:10:44.640
<v Speaker 5>just like the others, which means we're probably gonna be.

0:10:44.640 --> 0:10:47.720
<v Speaker 6>Oh no, hold on, it can mean that, sure, but

0:10:47.840 --> 0:10:50.200
<v Speaker 6>think about it. Maybe that was him in the library.

0:10:50.600 --> 0:10:53.680
<v Speaker 6>He could have found the entrance already opened, or heard

0:10:53.720 --> 0:10:57.199
<v Speaker 6>the phone. Maybe found the entrance into the library.

0:10:56.760 --> 0:10:58.680
<v Speaker 5>He knew about the phone erin.

0:10:59.600 --> 0:11:05.280
<v Speaker 6>Yeah, kids, crush, small town, look around, slim pickens.

0:11:05.280 --> 0:11:06.920
<v Speaker 5>Oh so we're all just kind of.

0:11:06.840 --> 0:11:10.160
<v Speaker 7>Slimming, Gordon. Focus, we have a story to get.

0:11:09.960 --> 0:11:12.920
<v Speaker 5>Here, all right, focus and focus, And.

0:11:12.960 --> 0:11:16.120
<v Speaker 6>Yes, there is the possibility that he could have been

0:11:16.200 --> 0:11:19.520
<v Speaker 6>abducted by something not human whatever awesome.

0:11:19.679 --> 0:11:23.600
<v Speaker 5>So options are one, fuck, that's weird. Two you thought

0:11:23.640 --> 0:11:26.880
<v Speaker 5>that was weird? And three run.

0:11:27.480 --> 0:11:28.480
<v Speaker 7>Yeah that's about right.

0:11:29.000 --> 0:11:35.920
<v Speaker 5>No, no, no, I mean run, what run? Who is

0:11:35.960 --> 0:11:38.280
<v Speaker 5>that or what? I have no idea, but it was

0:11:38.280 --> 0:11:39.800
<v Speaker 5>coming from the tunnel area.

0:11:41.040 --> 0:11:41.720
<v Speaker 7>Where are we going?

0:11:41.800 --> 0:11:46.360
<v Speaker 2>No, hold on, I'm coming.

0:11:47.880 --> 0:11:50.720
<v Speaker 7>Them, suck grab my hand hand, Yes you can't.

0:11:50.800 --> 0:11:52.960
<v Speaker 5>My leg is stuck in this fucking rot of tree.

0:11:53.200 --> 0:11:53.960
<v Speaker 2>Just go what.

0:11:54.360 --> 0:11:56.280
<v Speaker 7>No, you're crazy, I'm coming down there, stupid.

0:11:56.360 --> 0:11:58.040
<v Speaker 5>Just get back and find match. She'll at least keep

0:11:58.080 --> 0:11:59.280
<v Speaker 5>you safe.

0:11:59.600 --> 0:12:00.800
<v Speaker 2>She sure well.

0:12:00.920 --> 0:12:04.480
<v Speaker 5>Jesus, those sumax sneaking up on us.

0:12:04.760 --> 0:12:05.920
<v Speaker 2>I'm just doing my job.

0:12:05.960 --> 0:12:07.720
<v Speaker 7>What the hell are you two doing all the way

0:12:07.720 --> 0:12:08.120
<v Speaker 7>out here?

0:12:08.880 --> 0:12:09.840
<v Speaker 5>It's a long story.

0:12:10.360 --> 0:12:13.320
<v Speaker 7>You know I almost shot you a cab. Am I right,

0:12:13.920 --> 0:12:18.439
<v Speaker 7>easy there, Love, I'm on your side. She is sorry, No,

0:12:18.440 --> 0:12:19.120
<v Speaker 7>none taken.

0:12:20.280 --> 0:12:22.319
<v Speaker 10>I have a feeling that two of you being out

0:12:22.360 --> 0:12:23.040
<v Speaker 10>here has.

0:12:22.920 --> 0:12:25.839
<v Speaker 7>Something to do with Avery. How did she also looking

0:12:25.880 --> 0:12:26.520
<v Speaker 7>for him?

0:12:26.800 --> 0:12:28.520
<v Speaker 6>We found what we think is his bag and some

0:12:28.520 --> 0:12:31.960
<v Speaker 6>supplies back up there by the tunnel tunnel we can explain.

0:12:32.360 --> 0:12:34.480
<v Speaker 5>We can also help on witch Gordon. Who was those

0:12:34.520 --> 0:12:35.600
<v Speaker 5>stuck inside a tree?

0:12:35.800 --> 0:12:38.920
<v Speaker 10>Didn't I tell you both not to do anything stupid?

0:12:39.400 --> 0:12:39.800
<v Speaker 5>Garden?

0:12:39.880 --> 0:12:41.920
<v Speaker 10>You look very stupid right now?

0:12:42.200 --> 0:12:43.760
<v Speaker 7>Come on, give me your hand.

0:12:56.320 --> 0:12:58.040
<v Speaker 5>I feel like I just had a one night stand

0:12:58.120 --> 0:13:01.080
<v Speaker 5>with a five hundred year old tree. Oh, I feel gross.

0:13:01.200 --> 0:13:05.120
<v Speaker 5>I feel gross. Hey, thanks for the blanket, Max. Also,

0:13:05.800 --> 0:13:06.880
<v Speaker 5>why am I the only one in.

0:13:06.880 --> 0:13:09.760
<v Speaker 6>The backseat because the adults are talking in the front.

0:13:10.240 --> 0:13:11.400
<v Speaker 6>Relax and elevate that leg.

0:13:12.520 --> 0:13:14.120
<v Speaker 5>I see you two are getting along.

0:13:15.080 --> 0:13:18.520
<v Speaker 6>He's great when he's not talking, which seems to be

0:13:18.559 --> 0:13:19.360
<v Speaker 6>working right now.

0:13:19.520 --> 0:13:20.400
<v Speaker 7>What did you give him?

0:13:20.800 --> 0:13:23.000
<v Speaker 10>Just some pain meds for the stiffness he's bound to

0:13:23.040 --> 0:13:25.480
<v Speaker 10>have in a few hours? Did you need any I

0:13:25.520 --> 0:13:27.040
<v Speaker 10>notice you scraped your ankle up a bit.

0:13:27.160 --> 0:13:32.120
<v Speaker 7>Nah, I mean no, thank you? And about that acab business, earlier.

0:13:32.320 --> 0:13:34.880
<v Speaker 7>I'm sorry, I didn't mean to.

0:13:35.200 --> 0:13:38.520
<v Speaker 10>No offense taken and trust me, any American insult you

0:13:38.520 --> 0:13:41.840
<v Speaker 10>can think of, let's just say it feels in comparison

0:13:41.880 --> 0:13:43.280
<v Speaker 10>to what it went through coming up.

0:13:43.640 --> 0:13:43.880
<v Speaker 4>Yeah.

0:13:44.280 --> 0:13:46.760
<v Speaker 10>Yeah, the worst day I've had here in three years

0:13:47.280 --> 0:13:49.360
<v Speaker 10>was still not as bad as once I'd moved from

0:13:49.360 --> 0:13:50.760
<v Speaker 10>Scotland to Scotland Yard.

0:13:51.200 --> 0:13:52.559
<v Speaker 7>Ouch, what happened?

0:13:53.120 --> 0:13:54.960
<v Speaker 10>Career path obsession happened?

0:13:55.880 --> 0:13:56.960
<v Speaker 5>I was so close.

0:13:57.640 --> 0:14:01.320
<v Speaker 10>Scotland Yard loves to publicize every chance they have about

0:14:01.360 --> 0:14:04.120
<v Speaker 10>how their police force is almost seventy percent women.

0:14:04.520 --> 0:14:08.480
<v Speaker 11>We'll find the stats everywhere and Tuobe recruitment adverts in

0:14:08.520 --> 0:14:13.800
<v Speaker 11>the Mirror, online adverts, etc. Seventy percent impressive, right, But

0:14:13.840 --> 0:14:17.280
<v Speaker 11>what they don't tell you is that number includes all staff,

0:14:17.840 --> 0:14:21.280
<v Speaker 11>so they're including secretaries, volunteers and everything in between.

0:14:21.720 --> 0:14:24.920
<v Speaker 10>Oh and here's where it gets real ripe. The more

0:14:24.960 --> 0:14:28.480
<v Speaker 10>you climb up the ladder, the more almost impossible it

0:14:28.520 --> 0:14:32.880
<v Speaker 10>becomes to be a high ranking Scotland Yard employee, constable,

0:14:33.200 --> 0:14:37.960
<v Speaker 10>the lowest ranking police officer. That seventy percent female number

0:14:38.480 --> 0:14:39.560
<v Speaker 10>just became thirty.

0:14:40.040 --> 0:14:40.240
<v Speaker 4>Wow.

0:14:40.960 --> 0:14:44.840
<v Speaker 10>And let's keep going, sergeant about a quarter or female

0:14:45.120 --> 0:14:48.240
<v Speaker 10>and inspector, which is where I was supposed to be

0:14:49.800 --> 0:14:53.640
<v Speaker 10>out of almost thirteen hundred dyes in London, about two

0:14:53.760 --> 0:14:58.120
<v Speaker 10>hundred and sixty are women, so twenty percent a fire

0:14:58.160 --> 0:15:04.680
<v Speaker 10>cry from seventy love. What happened, Like I said, obsession

0:15:04.680 --> 0:15:08.320
<v Speaker 10>with wanting to prove I could climb, I had a

0:15:08.320 --> 0:15:13.200
<v Speaker 10>case and I went too far. But of course I'll

0:15:13.280 --> 0:15:17.000
<v Speaker 10>rationalize in my head. I went deep off the books

0:15:17.000 --> 0:15:22.920
<v Speaker 10>and did some things that I wish I could take back.

0:15:24.120 --> 0:15:26.520
<v Speaker 10>The press found out which should never have happened.

0:15:26.560 --> 0:15:28.920
<v Speaker 7>But these things seem to happen when.

0:15:28.840 --> 0:15:31.840
<v Speaker 10>You're trying to join an old boys club. Before you

0:15:31.920 --> 0:15:34.000
<v Speaker 10>know it, I was dismissed.

0:15:34.880 --> 0:15:36.360
<v Speaker 7>I'm doing your jam for.

0:15:36.400 --> 0:15:38.520
<v Speaker 10>Trying to do too many jobs, because that's the way

0:15:38.560 --> 0:15:41.240
<v Speaker 10>they set it up. Work too little and they shit

0:15:41.320 --> 0:15:42.480
<v Speaker 10>can you for being lazy.

0:15:42.800 --> 0:15:44.040
<v Speaker 7>Work too hard and.

0:15:43.960 --> 0:15:45.920
<v Speaker 10>They'll knock you down a peg so you don't make

0:15:45.960 --> 0:15:46.880
<v Speaker 10>them look lazy.

0:15:47.480 --> 0:15:48.360
<v Speaker 2>They lose, lose.

0:15:49.520 --> 0:15:55.080
<v Speaker 8>That's terrible, and I assume for you familiar My dad

0:15:55.120 --> 0:15:57.760
<v Speaker 8>was a copper and my granddad was a fence so

0:15:58.480 --> 0:16:01.000
<v Speaker 8>it was pretty binary in the choice, as I had.

0:16:01.320 --> 0:16:04.280
<v Speaker 7>No regrets, How did you end up here?

0:16:04.800 --> 0:16:08.040
<v Speaker 10>Temporary peace of mind thought, I get away in the

0:16:08.120 --> 0:16:11.400
<v Speaker 10>newer England would do me right. But as I'm sure

0:16:11.440 --> 0:16:15.800
<v Speaker 10>you know, that bug never really dies, does it, Which

0:16:15.800 --> 0:16:17.840
<v Speaker 10>is why I get it when, even though I've told

0:16:17.880 --> 0:16:20.240
<v Speaker 10>you not to try to get whatever the story is,

0:16:21.160 --> 0:16:23.360
<v Speaker 10>you just keep turning up.

0:16:25.040 --> 0:16:28.560
<v Speaker 7>And for the record, I'm not recording so off the record.

0:16:28.800 --> 0:16:33.800
<v Speaker 10>Technically, I appreciate that, and I appreciate you and Sleepy's

0:16:33.800 --> 0:16:36.600
<v Speaker 10>efforts here, but you're going to have to.

0:16:36.560 --> 0:16:37.840
<v Speaker 7>Be a bit more careful.

0:16:38.480 --> 0:16:42.200
<v Speaker 6>We keep trying but to be honest, and we have

0:16:42.200 --> 0:16:44.000
<v Speaker 6>no way of not sounding foolish here.

0:16:44.040 --> 0:16:46.800
<v Speaker 7>But there's something pretty fucked up.

0:16:46.720 --> 0:16:50.680
<v Speaker 6>Going on in Denville, and I don't know if it

0:16:50.680 --> 0:16:52.560
<v Speaker 6>can be explained by anything.

0:16:54.000 --> 0:16:54.400
<v Speaker 7>Earthly.

0:16:54.960 --> 0:16:59.560
<v Speaker 10>Earthly yeah, like aliens and killing people.

0:17:00.240 --> 0:17:03.359
<v Speaker 6>Maybe not little green men, aliens, ghosts.

0:17:03.600 --> 0:17:06.280
<v Speaker 7>Honestly, we're still trying to figure that out. We did

0:17:06.320 --> 0:17:12.119
<v Speaker 7>some research. No, what did you hear anything? I just said, what?

0:17:12.760 --> 0:17:17.240
<v Speaker 10>No more research, No more spooky ghost stories or alien abductions.

0:17:17.760 --> 0:17:21.159
<v Speaker 10>You're young, You've got everything ahead of you. It's not

0:17:21.280 --> 0:17:25.600
<v Speaker 10>the story. You're looking for something else, and ironically, until

0:17:25.640 --> 0:17:31.119
<v Speaker 10>you find it the story, it will eat you alive. Besides,

0:17:31.680 --> 0:17:33.960
<v Speaker 10>I have an officer I may have to rest, and

0:17:34.040 --> 0:17:37.120
<v Speaker 10>a fugitive to track down, so I don't have the time.

0:17:37.320 --> 0:17:43.440
<v Speaker 6>All right, sleepy up and Adam.

0:17:43.840 --> 0:17:45.240
<v Speaker 2>What I'm fine?

0:17:45.760 --> 0:17:47.600
<v Speaker 5>Just a little oh.

0:17:48.440 --> 0:17:51.560
<v Speaker 6>Okay, easy there, Banister Ald on the side.

0:17:51.359 --> 0:17:53.480
<v Speaker 5>Of the car, the gangly brit who broke the four

0:17:53.520 --> 0:17:56.640
<v Speaker 5>minute mile like seventy years ago, a Roger Banister joke.

0:17:56.760 --> 0:17:58.919
<v Speaker 5>Now in this economy.

0:17:58.760 --> 0:18:02.200
<v Speaker 10>All right, as much as I'm impressed with your Yuki

0:18:02.359 --> 0:18:06.520
<v Speaker 10>sports knowledge, let's get you in wrapped up and out

0:18:06.560 --> 0:18:06.880
<v Speaker 10>of here.

0:18:07.480 --> 0:18:11.440
<v Speaker 3>Thirty one years, Max. What we don't know if it's

0:18:11.480 --> 0:18:14.199
<v Speaker 3>aliens or ghosts or whatever the fuck you want to

0:18:14.200 --> 0:18:16.840
<v Speaker 3>call it, but we do know that people have been

0:18:16.880 --> 0:18:20.760
<v Speaker 3>disappearing from Danville every thirty one years for the last

0:18:20.800 --> 0:18:22.040
<v Speaker 3>four hundred years.

0:18:22.880 --> 0:18:23.520
<v Speaker 5>And guess what.

0:18:24.240 --> 0:18:28.320
<v Speaker 7>This year is your thirty one. It's happening again. What

0:18:28.440 --> 0:18:31.240
<v Speaker 7>did you say it's happening?

0:18:31.440 --> 0:18:32.399
<v Speaker 5>I've heard that before.

0:18:55.359 --> 0:19:00.600
<v Speaker 1>Consumed Episode nine Silence written by Carlos Folia, editing and

0:19:00.680 --> 0:19:06.120
<v Speaker 1>sound design by Jesse Funk, Starring Rachel Rosenbloom and Arturo Castro,

0:19:06.359 --> 0:19:12.359
<v Speaker 1>with Ruth Connell, Sam Rod, Genevieve Pedalaki, Benjamin Stockholm, Charlie

0:19:12.440 --> 0:19:18.400
<v Speaker 1>David Newell, Mike Korich, Anna East Fairweather, Junior, Alabby, Alma Martinez,

0:19:18.640 --> 0:19:24.440
<v Speaker 1>Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill. Directed

0:19:24.440 --> 0:19:29.240
<v Speaker 1>by Alexander Williams, Assistant director Trevor Young, Casting by Sunday

0:19:29.280 --> 0:19:34.680
<v Speaker 1>Bowling CSA and Meg Mormon CSA. Production Coordinator Wayna Calderon.

0:19:35.200 --> 0:19:39.480
<v Speaker 1>Music by Carlos Folion. Consumed The season one score available

0:19:39.480 --> 0:19:43.400
<v Speaker 1>now on Apple Music, Spotify, or wherever music is streamed.

0:19:43.720 --> 0:19:49.359
<v Speaker 1>Executive producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander Williams.

0:19:49.600 --> 0:19:54.480
<v Speaker 1>Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:19:54.680 --> 0:19:58.800
<v Speaker 1>Jesse Funk, and rima Ilkeli. Recorded at This Is Sound

0:19:58.840 --> 0:20:05.800
<v Speaker 1>Design Studios, Herbank, California, engineered by ross Errono, Eastside Studios, Austin, Texas.

0:20:06.000 --> 0:20:11.360
<v Speaker 1>Engineered by Austin Sisler and Aras Creative In Sound Ohi, California,

0:20:11.440 --> 0:20:16.120
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:20:16.160 --> 0:20:19.560
<v Speaker 1>inspired by the novel by Aaron Maykey. Consumed is the

0:20:19.600 --> 0:20:22.639
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:20:22.720 --> 0:20:27.240
<v Speaker 1>catch up, visit Grimandmild dot com Slash Bridgewater. Learn more

0:20:27.240 --> 0:20:31.119
<v Speaker 1>about consumed at grimandmil dot com. Slash Consumed and find

0:20:31.119 --> 0:20:35.840
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts,

0:20:35.920 --> 0:20:51.760
<v Speaker 1>or wherever you listen to your favorite shows.