1 00:00:00,840 --> 00:00:03,680 Speaker 1: Consumed as a production of iHeart Podcast and Grimm and 2 00:00:03,760 --> 00:01:01,280 Speaker 1: Mild from Aaron Maky Headphones Recommended Listener discretion advised. 3 00:01:04,360 --> 00:01:05,920 Speaker 2: I stick my. 4 00:01:06,000 --> 00:01:10,920 Speaker 3: Plus I think less be a clown there, kicks. 5 00:01:10,760 --> 00:01:29,960 Speaker 4: Mustiche Please pray remember me, Please pray remember me? 6 00:01:31,600 --> 00:01:33,280 Speaker 5: Look my God, please. 7 00:01:37,120 --> 00:03:04,679 Speaker 2: Please themselves. Patta Hi. 8 00:03:04,880 --> 00:03:07,359 Speaker 5: My name is Sarah Simmons. I pick up random phones 9 00:03:07,360 --> 00:03:10,160 Speaker 5: and decided to go on terrifying adventures no matter what. 10 00:03:10,720 --> 00:03:12,680 Speaker 5: Look at me if we make it out of here. 11 00:03:12,840 --> 00:03:14,840 Speaker 5: I promised to go see Man of La Mancha. 12 00:03:15,680 --> 00:03:18,720 Speaker 6: When not if? And that means we need to figure 13 00:03:18,720 --> 00:03:19,480 Speaker 6: out this tunnel shit. 14 00:03:19,840 --> 00:03:22,480 Speaker 5: We also need to figure out our level of crazy shit. 15 00:03:22,720 --> 00:03:25,240 Speaker 5: Because who hears a noise deep inside a dang tunnel 16 00:03:25,280 --> 00:03:28,560 Speaker 5: and says, hey, I'll follow you into the dark. It's 17 00:03:28,560 --> 00:03:31,560 Speaker 5: like we're CUTI trying to hail an actual death cap. 18 00:03:31,639 --> 00:03:34,880 Speaker 7: Whoever or whatever that was came in or out through here. 19 00:03:34,960 --> 00:03:37,360 Speaker 5: Correct, which is maybe why we shouldn't. 20 00:03:36,960 --> 00:03:38,480 Speaker 7: And it knew we were here. 21 00:03:38,680 --> 00:03:41,280 Speaker 5: Yes, and that also plays into my assessment. But it 22 00:03:41,280 --> 00:03:43,520 Speaker 5: didn't attack us yet. 23 00:03:43,960 --> 00:03:44,160 Speaker 7: Nah. 24 00:03:44,760 --> 00:03:46,920 Speaker 6: If this was the same thing that's been killing and 25 00:03:46,960 --> 00:03:49,120 Speaker 6: it had us cornered in a building, why wouldn't it 26 00:03:49,160 --> 00:03:49,960 Speaker 6: Hell us. 27 00:03:50,240 --> 00:03:50,680 Speaker 2: I don't know. 28 00:03:50,800 --> 00:03:52,960 Speaker 5: Maybe it wasn't that hungry. We're not its type. 29 00:03:53,000 --> 00:03:55,000 Speaker 7: I don't know where do these tunnels go? 30 00:03:56,040 --> 00:03:56,640 Speaker 5: What? 31 00:03:56,640 --> 00:03:59,440 Speaker 7: What's behind the church behind? Yeah, we're on a hill. 32 00:03:59,480 --> 00:04:01,560 Speaker 7: Where does it and what's on the other side? 33 00:04:02,320 --> 00:04:06,840 Speaker 5: I don't know. Actually, well then we're going in. Oh 34 00:04:06,920 --> 00:04:09,480 Speaker 5: a pham flashlight. Well that's definitely all we'll need. 35 00:04:09,840 --> 00:04:12,560 Speaker 6: Wow, Gordon, I'm sensing you don't think we should go 36 00:04:12,600 --> 00:04:13,040 Speaker 6: down there? 37 00:04:13,440 --> 00:04:16,840 Speaker 5: Whoa nos Domas would be proud? What gave it away? 38 00:04:17,120 --> 00:04:19,279 Speaker 5: Was it me saying hey, I don't think we should 39 00:04:19,279 --> 00:04:20,520 Speaker 5: go down there over and over again? 40 00:04:20,680 --> 00:04:23,200 Speaker 7: Or do you want the nightmares to stop? Yes? 41 00:04:23,320 --> 00:04:23,800 Speaker 5: Of course? 42 00:04:24,120 --> 00:04:25,320 Speaker 7: Do you want to figure this shit out? 43 00:04:25,640 --> 00:04:26,159 Speaker 5: Obviously? 44 00:04:26,800 --> 00:04:28,600 Speaker 7: The answer to the story is this way. 45 00:04:28,760 --> 00:04:30,480 Speaker 6: You can come with me, we can protect each other, 46 00:04:30,600 --> 00:04:32,880 Speaker 6: or you can turn around, go upstairs to your Quasimodo 47 00:04:32,960 --> 00:04:35,200 Speaker 6: loft and just look the other way while more shit 48 00:04:35,240 --> 00:04:37,760 Speaker 6: is bound to happen either way. And I mean this 49 00:04:37,839 --> 00:04:40,680 Speaker 6: in the nicest way possible. I need you to make 50 00:04:40,760 --> 00:04:41,760 Speaker 6: up your fucking mind. 51 00:04:42,080 --> 00:04:49,719 Speaker 5: Stat Okay, let's go fuck yeah. But to be clear, 52 00:04:50,000 --> 00:04:53,839 Speaker 5: you made like seven literary references in thirty seconds. 53 00:04:53,760 --> 00:04:55,800 Speaker 7: And that's kind of my thing. 54 00:04:59,600 --> 00:05:02,720 Speaker 8: Right, Albert Let's see how much you cocked this up. 55 00:05:03,880 --> 00:05:07,599 Speaker 9: Test one, Test one too. Hello, it's not gonna talk 56 00:05:07,640 --> 00:05:11,440 Speaker 9: back to you, Albert, just making sure fots lady wants 57 00:05:11,600 --> 00:05:12,680 Speaker 9: everything recorded. 58 00:05:13,040 --> 00:05:13,880 Speaker 7: Boss lady. 59 00:05:14,200 --> 00:05:16,800 Speaker 10: Good to see the pyrodynamic is gender specific? 60 00:05:17,600 --> 00:05:17,880 Speaker 1: Twit? 61 00:05:18,800 --> 00:05:20,880 Speaker 9: Okay, you can just sit here? 62 00:05:22,000 --> 00:05:27,960 Speaker 7: Fine, all right, let's see what else? 63 00:05:29,839 --> 00:05:33,920 Speaker 5: Hello? Huh hello, Albert. 64 00:05:34,600 --> 00:05:37,000 Speaker 9: Close the door so the tape can't hear me what 65 00:05:37,560 --> 00:05:38,520 Speaker 9: I don't understand? 66 00:05:38,800 --> 00:05:42,440 Speaker 7: What come on, you, bloody Anti. 67 00:05:42,839 --> 00:05:45,279 Speaker 9: Close the door so the tape can't hear me what 68 00:05:46,400 --> 00:05:56,080 Speaker 9: I don't understand? Just close it, avery, Go I'm supposed 69 00:05:56,080 --> 00:05:56,960 Speaker 9: to be locked up. 70 00:05:57,360 --> 00:05:58,280 Speaker 3: It's not safe. 71 00:05:58,800 --> 00:06:00,880 Speaker 5: It's not safe, Obert. 72 00:06:00,920 --> 00:06:02,120 Speaker 7: We're in a police station. 73 00:06:03,000 --> 00:06:04,080 Speaker 4: Where am I supposed to go? 74 00:06:04,680 --> 00:06:07,160 Speaker 2: Huh no? No, just. 75 00:06:13,839 --> 00:06:15,440 Speaker 7: What the hell was that? 76 00:06:16,120 --> 00:06:18,360 Speaker 9: Go to the old spot in the woods. 77 00:06:19,680 --> 00:06:23,720 Speaker 5: Okay, what if I don't want to Abrey, I'm wanting 78 00:06:23,760 --> 00:06:43,599 Speaker 5: you gad out O. Hold on, where's your plubbed in? Jesus, 79 00:06:48,960 --> 00:06:52,360 Speaker 5: I just realized something. What I don't know Will? 80 00:06:53,120 --> 00:06:53,760 Speaker 7: Why would you need? 81 00:06:54,279 --> 00:06:54,479 Speaker 6: Oh? 82 00:06:54,520 --> 00:06:58,400 Speaker 5: Come on, Gordon, I'm serious. We're twenty thousand leagues under 83 00:06:58,400 --> 00:07:00,960 Speaker 5: a sea of white people who we'll have no idea 84 00:07:01,000 --> 00:07:04,479 Speaker 5: what to do with my books? Nice or my clothing. 85 00:07:05,080 --> 00:07:07,360 Speaker 6: I'm sure everything will be donated to someone who will 86 00:07:07,400 --> 00:07:07,960 Speaker 6: appreciate it. 87 00:07:08,320 --> 00:07:09,880 Speaker 5: Oh my god, you're saying I'm gonna die. 88 00:07:10,280 --> 00:07:10,960 Speaker 7: We're fine. 89 00:07:11,080 --> 00:07:12,160 Speaker 5: What if your battery dies. 90 00:07:12,720 --> 00:07:13,560 Speaker 7: I'm a journalist. 91 00:07:13,600 --> 00:07:15,760 Speaker 6: If you don't think I have three backup batteries for 92 00:07:15,800 --> 00:07:16,760 Speaker 6: situations like this. 93 00:07:17,200 --> 00:07:25,920 Speaker 5: Wait is that light? Oh, sanctuary? I feel like we've 94 00:07:25,960 --> 00:07:27,400 Speaker 5: been trapped underground for days. 95 00:07:27,720 --> 00:07:30,360 Speaker 6: It was like fifteen minutes, yes, but it felt like 96 00:07:31,480 --> 00:07:32,920 Speaker 6: how fuck shit? 97 00:07:33,160 --> 00:07:33,520 Speaker 5: You okay? 98 00:07:34,120 --> 00:07:37,200 Speaker 7: Yet a little tweak? Oh? 99 00:07:37,240 --> 00:07:39,160 Speaker 5: What what the hell. 100 00:07:39,200 --> 00:07:42,040 Speaker 7: Is that wick? What's it doing down there? 101 00:07:42,640 --> 00:07:43,200 Speaker 2: Oh? 102 00:07:43,480 --> 00:07:46,360 Speaker 5: I see where we are? So this tunnel comes out 103 00:07:46,400 --> 00:07:49,200 Speaker 5: to the backside of Andersen Hill, hence the name of 104 00:07:49,240 --> 00:07:53,000 Speaker 5: the library in these woods. The Bruder for us, as 105 00:07:53,040 --> 00:07:56,520 Speaker 5: in Yep, the Bruders go way back, like Pilgrim back 106 00:07:57,040 --> 00:07:59,960 Speaker 5: or whatever. The Danville version of that is minus Plymouth rock, 107 00:08:00,240 --> 00:08:04,040 Speaker 5: but plus these bricks, which are oh what you see here? 108 00:08:04,240 --> 00:08:06,360 Speaker 5: And I can't believe they go so far up, but 109 00:08:06,440 --> 00:08:11,440 Speaker 5: it all makes sense. Sorry I'm rambling. So these these 110 00:08:11,720 --> 00:08:14,360 Speaker 5: are the lines from what we call a colonial drain, 111 00:08:14,800 --> 00:08:18,320 Speaker 5: and Danville historically has some of the oldest in the country. 112 00:08:18,320 --> 00:08:19,640 Speaker 7: Drain like sewer. 113 00:08:19,800 --> 00:08:22,440 Speaker 5: Oh sort of back in the day they build these 114 00:08:22,520 --> 00:08:26,920 Speaker 5: underground like think of brick rooms deep down near reservoirs 115 00:08:26,920 --> 00:08:30,280 Speaker 5: of water like wells and rivers, and then they'd connect 116 00:08:30,280 --> 00:08:32,880 Speaker 5: them so they can access fresh water as well as 117 00:08:32,960 --> 00:08:36,640 Speaker 5: catch rain water and check this romans be damned. They 118 00:08:36,679 --> 00:08:40,719 Speaker 5: even build systems to take wastewater away. Sorry, are you 119 00:08:40,760 --> 00:08:41,439 Speaker 5: asleep yet? 120 00:08:41,960 --> 00:08:44,360 Speaker 7: Almost plumbing? Got it? 121 00:08:44,480 --> 00:08:46,679 Speaker 5: I mean that's minimalization at its best. 122 00:08:46,880 --> 00:08:48,160 Speaker 7: Good welcome to being a woman. 123 00:08:48,760 --> 00:08:53,080 Speaker 5: Oh what? I will address that later. But look at 124 00:08:53,120 --> 00:08:54,400 Speaker 5: this up here. 125 00:08:54,640 --> 00:08:56,520 Speaker 7: Those huge rocks near the tunnel exit. 126 00:08:56,880 --> 00:08:59,720 Speaker 5: Yeah, looks like they sealed off the tunnel, closing it 127 00:08:59,760 --> 00:09:00,600 Speaker 5: off from the woods. 128 00:09:01,280 --> 00:09:01,679 Speaker 7: Massive. 129 00:09:02,520 --> 00:09:04,360 Speaker 6: You'd have to get a backo in here to move 130 00:09:04,400 --> 00:09:05,200 Speaker 6: that mm hmmm. 131 00:09:05,360 --> 00:09:08,000 Speaker 5: And there's literally no way anything could fit down here. 132 00:09:08,400 --> 00:09:10,600 Speaker 7: Not to mention, there aren't any machine tracks anywhere. 133 00:09:10,640 --> 00:09:13,400 Speaker 5: And also here's the fucked up part. Yeah, the rocks. 134 00:09:13,400 --> 00:09:17,480 Speaker 5: Who was broken from inside of the tunnel. Whoever or 135 00:09:17,559 --> 00:09:21,240 Speaker 5: whatever or whatever moved and broke these folders did so 136 00:09:21,360 --> 00:09:22,640 Speaker 5: from inside the tunnel. 137 00:09:23,679 --> 00:09:29,000 Speaker 6: That's fucked up, yes, but it doesn't necessarily mean something 138 00:09:29,080 --> 00:09:31,320 Speaker 6: was trapped inside a mountain and then decided to break 139 00:09:31,320 --> 00:09:32,439 Speaker 6: through and start killing people. 140 00:09:32,520 --> 00:09:35,040 Speaker 5: Necessarily, all good, fierce suage. 141 00:09:35,160 --> 00:09:37,760 Speaker 6: I'm just saying we found an entrance to those tunnels. 142 00:09:38,200 --> 00:09:40,079 Speaker 6: Whoever was inside the library. 143 00:09:39,720 --> 00:09:41,120 Speaker 5: Did as well, not helping. 144 00:09:41,840 --> 00:09:44,160 Speaker 6: What's to say there aren't other entrances and exits to 145 00:09:44,240 --> 00:09:44,680 Speaker 6: the library. 146 00:09:44,720 --> 00:09:47,840 Speaker 7: No, we got to figure out what the deaths have 147 00:09:47,880 --> 00:09:48,360 Speaker 7: in common? 148 00:09:48,559 --> 00:09:51,160 Speaker 5: Can we just keep walking? Maybe away from the tunnel entrance? 149 00:09:52,920 --> 00:09:55,600 Speaker 5: Thank you? So what do they have in common? They 150 00:09:55,679 --> 00:09:56,319 Speaker 5: all live and. 151 00:09:56,320 --> 00:09:59,880 Speaker 6: Beside that, I think they all live in Danville. Sure, 152 00:10:00,080 --> 00:10:02,360 Speaker 6: but if that was the case, then I'd buy some 153 00:10:02,400 --> 00:10:06,800 Speaker 6: connection between Aaron and Buster. But a Fonso, as you said, 154 00:10:06,840 --> 00:10:08,080 Speaker 6: just moved here a few years ago. 155 00:10:08,280 --> 00:10:11,440 Speaker 5: And it's not gender specific, it's not ah specific. Aaron 156 00:10:11,559 --> 00:10:15,960 Speaker 5: was eighteen, Afonso thirties and Buster was arp ish. 157 00:10:16,520 --> 00:10:17,080 Speaker 7: Wait what's that? 158 00:10:17,360 --> 00:10:19,960 Speaker 5: What's what? Don't touch it? 159 00:10:19,960 --> 00:10:22,120 Speaker 7: It's a backpack? What it's empty? 160 00:10:22,520 --> 00:10:24,280 Speaker 5: That's because this stuff was spilled out over here. 161 00:10:26,120 --> 00:10:26,320 Speaker 8: Ah. 162 00:10:26,640 --> 00:10:30,320 Speaker 5: Fuck another journal. It's soaked and all the incas run. 163 00:10:30,400 --> 00:10:32,240 Speaker 5: But look at the initials on the cover. 164 00:10:33,000 --> 00:10:35,600 Speaker 7: Abe Avery murder. 165 00:10:36,200 --> 00:10:36,480 Speaker 6: Fuck. 166 00:10:37,520 --> 00:10:39,960 Speaker 7: Okay, wait wait what does that mean? 167 00:10:40,040 --> 00:10:42,360 Speaker 5: It means we're about to find Avery's happy in body 168 00:10:42,720 --> 00:10:44,640 Speaker 5: just like the others, which means we're probably gonna be. 169 00:10:44,640 --> 00:10:47,720 Speaker 6: Oh no, hold on, it can mean that, sure, but 170 00:10:47,840 --> 00:10:50,200 Speaker 6: think about it. Maybe that was him in the library. 171 00:10:50,600 --> 00:10:53,680 Speaker 6: He could have found the entrance already opened, or heard 172 00:10:53,720 --> 00:10:57,199 Speaker 6: the phone. Maybe found the entrance into the library. 173 00:10:56,760 --> 00:10:58,680 Speaker 5: He knew about the phone erin. 174 00:10:59,600 --> 00:11:05,280 Speaker 6: Yeah, kids, crush, small town, look around, slim pickens. 175 00:11:05,280 --> 00:11:06,920 Speaker 5: Oh so we're all just kind of. 176 00:11:06,840 --> 00:11:10,160 Speaker 7: Slimming, Gordon. Focus, we have a story to get. 177 00:11:09,960 --> 00:11:12,920 Speaker 5: Here, all right, focus and focus, And. 178 00:11:12,960 --> 00:11:16,120 Speaker 6: Yes, there is the possibility that he could have been 179 00:11:16,200 --> 00:11:19,520 Speaker 6: abducted by something not human whatever awesome. 180 00:11:19,679 --> 00:11:23,600 Speaker 5: So options are one, fuck, that's weird. Two you thought 181 00:11:23,640 --> 00:11:26,880 Speaker 5: that was weird? And three run. 182 00:11:27,480 --> 00:11:28,480 Speaker 7: Yeah that's about right. 183 00:11:29,000 --> 00:11:35,920 Speaker 5: No, no, no, I mean run, what run? Who is 184 00:11:35,960 --> 00:11:38,280 Speaker 5: that or what? I have no idea, but it was 185 00:11:38,280 --> 00:11:39,800 Speaker 5: coming from the tunnel area. 186 00:11:41,040 --> 00:11:41,720 Speaker 7: Where are we going? 187 00:11:41,800 --> 00:11:46,360 Speaker 2: No, hold on, I'm coming. 188 00:11:47,880 --> 00:11:50,720 Speaker 7: Them, suck grab my hand hand, Yes you can't. 189 00:11:50,800 --> 00:11:52,960 Speaker 5: My leg is stuck in this fucking rot of tree. 190 00:11:53,200 --> 00:11:53,960 Speaker 2: Just go what. 191 00:11:54,360 --> 00:11:56,280 Speaker 7: No, you're crazy, I'm coming down there, stupid. 192 00:11:56,360 --> 00:11:58,040 Speaker 5: Just get back and find match. She'll at least keep 193 00:11:58,080 --> 00:11:59,280 Speaker 5: you safe. 194 00:11:59,600 --> 00:12:00,800 Speaker 2: She sure well. 195 00:12:00,920 --> 00:12:04,480 Speaker 5: Jesus, those sumax sneaking up on us. 196 00:12:04,760 --> 00:12:05,920 Speaker 2: I'm just doing my job. 197 00:12:05,960 --> 00:12:07,720 Speaker 7: What the hell are you two doing all the way 198 00:12:07,720 --> 00:12:08,120 Speaker 7: out here? 199 00:12:08,880 --> 00:12:09,840 Speaker 5: It's a long story. 200 00:12:10,360 --> 00:12:13,320 Speaker 7: You know I almost shot you a cab. Am I right, 201 00:12:13,920 --> 00:12:18,439 Speaker 7: easy there, Love, I'm on your side. She is sorry, No, 202 00:12:18,440 --> 00:12:19,120 Speaker 7: none taken. 203 00:12:20,280 --> 00:12:22,319 Speaker 10: I have a feeling that two of you being out 204 00:12:22,360 --> 00:12:23,040 Speaker 10: here has. 205 00:12:22,920 --> 00:12:25,839 Speaker 7: Something to do with Avery. How did she also looking 206 00:12:25,880 --> 00:12:26,520 Speaker 7: for him? 207 00:12:26,800 --> 00:12:28,520 Speaker 6: We found what we think is his bag and some 208 00:12:28,520 --> 00:12:31,960 Speaker 6: supplies back up there by the tunnel tunnel we can explain. 209 00:12:32,360 --> 00:12:34,480 Speaker 5: We can also help on witch Gordon. Who was those 210 00:12:34,520 --> 00:12:35,600 Speaker 5: stuck inside a tree? 211 00:12:35,800 --> 00:12:38,920 Speaker 10: Didn't I tell you both not to do anything stupid? 212 00:12:39,400 --> 00:12:39,800 Speaker 5: Garden? 213 00:12:39,880 --> 00:12:41,920 Speaker 10: You look very stupid right now? 214 00:12:42,200 --> 00:12:43,760 Speaker 7: Come on, give me your hand. 215 00:12:56,320 --> 00:12:58,040 Speaker 5: I feel like I just had a one night stand 216 00:12:58,120 --> 00:13:01,080 Speaker 5: with a five hundred year old tree. Oh, I feel gross. 217 00:13:01,200 --> 00:13:05,120 Speaker 5: I feel gross. Hey, thanks for the blanket, Max. Also, 218 00:13:05,800 --> 00:13:06,880 Speaker 5: why am I the only one in. 219 00:13:06,880 --> 00:13:09,760 Speaker 6: The backseat because the adults are talking in the front. 220 00:13:10,240 --> 00:13:11,400 Speaker 6: Relax and elevate that leg. 221 00:13:12,520 --> 00:13:14,120 Speaker 5: I see you two are getting along. 222 00:13:15,080 --> 00:13:18,520 Speaker 6: He's great when he's not talking, which seems to be 223 00:13:18,559 --> 00:13:19,360 Speaker 6: working right now. 224 00:13:19,520 --> 00:13:20,400 Speaker 7: What did you give him? 225 00:13:20,800 --> 00:13:23,000 Speaker 10: Just some pain meds for the stiffness he's bound to 226 00:13:23,040 --> 00:13:25,480 Speaker 10: have in a few hours? Did you need any I 227 00:13:25,520 --> 00:13:27,040 Speaker 10: notice you scraped your ankle up a bit. 228 00:13:27,160 --> 00:13:32,120 Speaker 7: Nah, I mean no, thank you? And about that acab business, earlier. 229 00:13:32,320 --> 00:13:34,880 Speaker 7: I'm sorry, I didn't mean to. 230 00:13:35,200 --> 00:13:38,520 Speaker 10: No offense taken and trust me, any American insult you 231 00:13:38,520 --> 00:13:41,840 Speaker 10: can think of, let's just say it feels in comparison 232 00:13:41,880 --> 00:13:43,280 Speaker 10: to what it went through coming up. 233 00:13:43,640 --> 00:13:43,880 Speaker 4: Yeah. 234 00:13:44,280 --> 00:13:46,760 Speaker 10: Yeah, the worst day I've had here in three years 235 00:13:47,280 --> 00:13:49,360 Speaker 10: was still not as bad as once I'd moved from 236 00:13:49,360 --> 00:13:50,760 Speaker 10: Scotland to Scotland Yard. 237 00:13:51,200 --> 00:13:52,559 Speaker 7: Ouch, what happened? 238 00:13:53,120 --> 00:13:54,960 Speaker 10: Career path obsession happened? 239 00:13:55,880 --> 00:13:56,960 Speaker 5: I was so close. 240 00:13:57,640 --> 00:14:01,320 Speaker 10: Scotland Yard loves to publicize every chance they have about 241 00:14:01,360 --> 00:14:04,120 Speaker 10: how their police force is almost seventy percent women. 242 00:14:04,520 --> 00:14:08,480 Speaker 11: We'll find the stats everywhere and Tuobe recruitment adverts in 243 00:14:08,520 --> 00:14:13,800 Speaker 11: the Mirror, online adverts, etc. Seventy percent impressive, right, But 244 00:14:13,840 --> 00:14:17,280 Speaker 11: what they don't tell you is that number includes all staff, 245 00:14:17,840 --> 00:14:21,280 Speaker 11: so they're including secretaries, volunteers and everything in between. 246 00:14:21,720 --> 00:14:24,920 Speaker 10: Oh and here's where it gets real ripe. The more 247 00:14:24,960 --> 00:14:28,480 Speaker 10: you climb up the ladder, the more almost impossible it 248 00:14:28,520 --> 00:14:32,880 Speaker 10: becomes to be a high ranking Scotland Yard employee, constable, 249 00:14:33,200 --> 00:14:37,960 Speaker 10: the lowest ranking police officer. That seventy percent female number 250 00:14:38,480 --> 00:14:39,560 Speaker 10: just became thirty. 251 00:14:40,040 --> 00:14:40,240 Speaker 4: Wow. 252 00:14:40,960 --> 00:14:44,840 Speaker 10: And let's keep going, sergeant about a quarter or female 253 00:14:45,120 --> 00:14:48,240 Speaker 10: and inspector, which is where I was supposed to be 254 00:14:49,800 --> 00:14:53,640 Speaker 10: out of almost thirteen hundred dyes in London, about two 255 00:14:53,760 --> 00:14:58,120 Speaker 10: hundred and sixty are women, so twenty percent a fire 256 00:14:58,160 --> 00:15:04,680 Speaker 10: cry from seventy love. What happened, Like I said, obsession 257 00:15:04,680 --> 00:15:08,320 Speaker 10: with wanting to prove I could climb, I had a 258 00:15:08,320 --> 00:15:13,200 Speaker 10: case and I went too far. But of course I'll 259 00:15:13,280 --> 00:15:17,000 Speaker 10: rationalize in my head. I went deep off the books 260 00:15:17,000 --> 00:15:22,920 Speaker 10: and did some things that I wish I could take back. 261 00:15:24,120 --> 00:15:26,520 Speaker 10: The press found out which should never have happened. 262 00:15:26,560 --> 00:15:28,920 Speaker 7: But these things seem to happen when. 263 00:15:28,840 --> 00:15:31,840 Speaker 10: You're trying to join an old boys club. Before you 264 00:15:31,920 --> 00:15:34,000 Speaker 10: know it, I was dismissed. 265 00:15:34,880 --> 00:15:36,360 Speaker 7: I'm doing your jam for. 266 00:15:36,400 --> 00:15:38,520 Speaker 10: Trying to do too many jobs, because that's the way 267 00:15:38,560 --> 00:15:41,240 Speaker 10: they set it up. Work too little and they shit 268 00:15:41,320 --> 00:15:42,480 Speaker 10: can you for being lazy. 269 00:15:42,800 --> 00:15:44,040 Speaker 7: Work too hard and. 270 00:15:43,960 --> 00:15:45,920 Speaker 10: They'll knock you down a peg so you don't make 271 00:15:45,960 --> 00:15:46,880 Speaker 10: them look lazy. 272 00:15:47,480 --> 00:15:48,360 Speaker 2: They lose, lose. 273 00:15:49,520 --> 00:15:55,080 Speaker 8: That's terrible, and I assume for you familiar My dad 274 00:15:55,120 --> 00:15:57,760 Speaker 8: was a copper and my granddad was a fence so 275 00:15:58,480 --> 00:16:01,000 Speaker 8: it was pretty binary in the choice, as I had. 276 00:16:01,320 --> 00:16:04,280 Speaker 7: No regrets, How did you end up here? 277 00:16:04,800 --> 00:16:08,040 Speaker 10: Temporary peace of mind thought, I get away in the 278 00:16:08,120 --> 00:16:11,400 Speaker 10: newer England would do me right. But as I'm sure 279 00:16:11,440 --> 00:16:15,800 Speaker 10: you know, that bug never really dies, does it, Which 280 00:16:15,800 --> 00:16:17,840 Speaker 10: is why I get it when, even though I've told 281 00:16:17,880 --> 00:16:20,240 Speaker 10: you not to try to get whatever the story is, 282 00:16:21,160 --> 00:16:23,360 Speaker 10: you just keep turning up. 283 00:16:25,040 --> 00:16:28,560 Speaker 7: And for the record, I'm not recording so off the record. 284 00:16:28,800 --> 00:16:33,800 Speaker 10: Technically, I appreciate that, and I appreciate you and Sleepy's 285 00:16:33,800 --> 00:16:36,600 Speaker 10: efforts here, but you're going to have to. 286 00:16:36,560 --> 00:16:37,840 Speaker 7: Be a bit more careful. 287 00:16:38,480 --> 00:16:42,200 Speaker 6: We keep trying but to be honest, and we have 288 00:16:42,200 --> 00:16:44,000 Speaker 6: no way of not sounding foolish here. 289 00:16:44,040 --> 00:16:46,800 Speaker 7: But there's something pretty fucked up. 290 00:16:46,720 --> 00:16:50,680 Speaker 6: Going on in Denville, and I don't know if it 291 00:16:50,680 --> 00:16:52,560 Speaker 6: can be explained by anything. 292 00:16:54,000 --> 00:16:54,400 Speaker 7: Earthly. 293 00:16:54,960 --> 00:16:59,560 Speaker 10: Earthly yeah, like aliens and killing people. 294 00:17:00,240 --> 00:17:03,359 Speaker 6: Maybe not little green men, aliens, ghosts. 295 00:17:03,600 --> 00:17:06,280 Speaker 7: Honestly, we're still trying to figure that out. We did 296 00:17:06,320 --> 00:17:12,119 Speaker 7: some research. No, what did you hear anything? I just said, what? 297 00:17:12,760 --> 00:17:17,240 Speaker 10: No more research, No more spooky ghost stories or alien abductions. 298 00:17:17,760 --> 00:17:21,159 Speaker 10: You're young, You've got everything ahead of you. It's not 299 00:17:21,280 --> 00:17:25,600 Speaker 10: the story. You're looking for something else, and ironically, until 300 00:17:25,640 --> 00:17:31,119 Speaker 10: you find it the story, it will eat you alive. Besides, 301 00:17:31,680 --> 00:17:33,960 Speaker 10: I have an officer I may have to rest, and 302 00:17:34,040 --> 00:17:37,120 Speaker 10: a fugitive to track down, so I don't have the time. 303 00:17:37,320 --> 00:17:43,440 Speaker 6: All right, sleepy up and Adam. 304 00:17:43,840 --> 00:17:45,240 Speaker 2: What I'm fine? 305 00:17:45,760 --> 00:17:47,600 Speaker 5: Just a little oh. 306 00:17:48,440 --> 00:17:51,560 Speaker 6: Okay, easy there, Banister Ald on the side. 307 00:17:51,359 --> 00:17:53,480 Speaker 5: Of the car, the gangly brit who broke the four 308 00:17:53,520 --> 00:17:56,640 Speaker 5: minute mile like seventy years ago, a Roger Banister joke. 309 00:17:56,760 --> 00:17:58,919 Speaker 5: Now in this economy. 310 00:17:58,760 --> 00:18:02,200 Speaker 10: All right, as much as I'm impressed with your Yuki 311 00:18:02,359 --> 00:18:06,520 Speaker 10: sports knowledge, let's get you in wrapped up and out 312 00:18:06,560 --> 00:18:06,880 Speaker 10: of here. 313 00:18:07,480 --> 00:18:11,440 Speaker 3: Thirty one years, Max. What we don't know if it's 314 00:18:11,480 --> 00:18:14,199 Speaker 3: aliens or ghosts or whatever the fuck you want to 315 00:18:14,200 --> 00:18:16,840 Speaker 3: call it, but we do know that people have been 316 00:18:16,880 --> 00:18:20,760 Speaker 3: disappearing from Danville every thirty one years for the last 317 00:18:20,800 --> 00:18:22,040 Speaker 3: four hundred years. 318 00:18:22,880 --> 00:18:23,520 Speaker 5: And guess what. 319 00:18:24,240 --> 00:18:28,320 Speaker 7: This year is your thirty one. It's happening again. What 320 00:18:28,440 --> 00:18:31,240 Speaker 7: did you say it's happening? 321 00:18:31,440 --> 00:18:32,399 Speaker 5: I've heard that before. 322 00:18:55,359 --> 00:19:00,600 Speaker 1: Consumed Episode nine Silence written by Carlos Folia, editing and 323 00:19:00,680 --> 00:19:06,120 Speaker 1: sound design by Jesse Funk, Starring Rachel Rosenbloom and Arturo Castro, 324 00:19:06,359 --> 00:19:12,359 Speaker 1: with Ruth Connell, Sam Rod, Genevieve Pedalaki, Benjamin Stockholm, Charlie 325 00:19:12,440 --> 00:19:18,400 Speaker 1: David Newell, Mike Korich, Anna East Fairweather, Junior, Alabby, Alma Martinez, 326 00:19:18,640 --> 00:19:24,440 Speaker 1: Tracy Martin, Laura Shine, George Vincent, and Rafael Corkill. Directed 327 00:19:24,440 --> 00:19:29,240 Speaker 1: by Alexander Williams, Assistant director Trevor Young, Casting by Sunday 328 00:19:29,280 --> 00:19:34,680 Speaker 1: Bowling CSA and Meg Mormon CSA. Production Coordinator Wayna Calderon. 329 00:19:35,200 --> 00:19:39,480 Speaker 1: Music by Carlos Folion. Consumed The season one score available 330 00:19:39,480 --> 00:19:43,400 Speaker 1: now on Apple Music, Spotify, or wherever music is streamed. 331 00:19:43,720 --> 00:19:49,359 Speaker 1: Executive producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander Williams. 332 00:19:49,600 --> 00:19:54,480 Speaker 1: Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin, 333 00:19:54,680 --> 00:19:58,800 Speaker 1: Jesse Funk, and rima Ilkeli. Recorded at This Is Sound 334 00:19:58,840 --> 00:20:05,800 Speaker 1: Design Studios, Herbank, California, engineered by ross Errono, Eastside Studios, Austin, Texas. 335 00:20:06,000 --> 00:20:11,360 Speaker 1: Engineered by Austin Sisler and Aras Creative In Sound Ohi, California, 336 00:20:11,440 --> 00:20:16,120 Speaker 1: engineered by Ken Aros. Consumed was created by Carlos Folia, 337 00:20:16,160 --> 00:20:19,560 Speaker 1: inspired by the novel by Aaron Maykey. Consumed is the 338 00:20:19,600 --> 00:20:22,639 Speaker 1: newest chapter in the Bridgewater universe. To learn more and 339 00:20:22,720 --> 00:20:27,240 Speaker 1: catch up, visit Grimandmild dot com Slash Bridgewater. Learn more 340 00:20:27,240 --> 00:20:31,119 Speaker 1: about consumed at grimandmil dot com. Slash Consumed and find 341 00:20:31,119 --> 00:20:35,840 Speaker 1: more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, 342 00:20:35,920 --> 00:20:51,760 Speaker 1: or wherever you listen to your favorite shows.