WEBVTT - TechStuff Classic: TechStuff Watches Independence Day

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<v Speaker 1>Welcome to text Stuff, a production from my Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio,

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<v Speaker 1>and I love all things tech and today we're going

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<v Speaker 1>to listen to another classic episode of tech Stuff. This

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<v Speaker 1>one's titled tech Stuff Watches Independence Day. It originally published

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<v Speaker 1>on July three, two thousand thirteen, seven years ago. Wow. So,

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<v Speaker 1>as the name suggests, we sat down and watched Independence

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<v Speaker 1>Day and then we had a discussion about the technology

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<v Speaker 1>in that film, and you know how it stacks up

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<v Speaker 1>against reality. I hope you guys enjoy. To start off,

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<v Speaker 1>we should probably give an overview of the film for

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<v Speaker 1>those of you who have not seen it. Now, this

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<v Speaker 1>movie came out in nine Now, there were a few

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<v Speaker 1>other things that were going on at that time. That

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<v Speaker 1>It's the year that DVDs launched in Japan. Yeah, so

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<v Speaker 1>when I actually asked my friends if anyone had a

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<v Speaker 1>copy of this, they all said they had it on

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<v Speaker 1>vhs and said, hs, we don't even remember that media.

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<v Speaker 1>I don't even know if I have anything that will

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<v Speaker 1>still play a tape. Uh. There were other things that

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<v Speaker 1>happened that year, in the world of technology, Internet Explorer

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<v Speaker 1>three launched. That was Microsoft's big browser, and of course

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<v Speaker 1>the three was one of the bigger ones of the

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<v Speaker 1>releases Windows in T four point it was released by

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<v Speaker 1>Microsoft as well. eBay got started. A little first person

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<v Speaker 1>shooter by the name of Duke NUKEAM three D launched

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<v Speaker 1>and that ended up, of course getting a lot of

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<v Speaker 1>people really excited. They enjoyed the game. I include was planned.

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<v Speaker 1>Y sequel was planned and would end up being vaporware

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<v Speaker 1>for more than a decade. Uh. There was a certain

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<v Speaker 1>animal that was born that year. Yeah, Dolly the cloned

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<v Speaker 1>sheep was born, first first cloned mammal. Yep, Dolly the Sheep,

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<v Speaker 1>first mammals successfully cloned. That's also the year that IBMS

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<v Speaker 1>Deep Blue defeated the chess champion, Gary Kasparov, so man

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<v Speaker 1>versus machine and machine wins. Yeah. It was also the

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<v Speaker 1>tele Communications Act of strangely enough, happened in UM and

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<v Speaker 1>and that basically allowed the Internet to sort of be

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<v Speaker 1>lumped in along with broadband signals, and UM allowed cable

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<v Speaker 1>companies to start offering Internet services. People were really excited

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<v Speaker 1>about this new megabit speeds that we're going to start

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<v Speaker 1>happening right right. We were finally getting away from the

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<v Speaker 1>kill a bit speeds that we were thinking of with

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<v Speaker 1>the old dial up modems. And you know, this is

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<v Speaker 1>this is back when the Internet is pretty young as

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<v Speaker 1>far as the general public is concerned. The Internet itself

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<v Speaker 1>had been around for a while, but really only research institutions, universities,

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<v Speaker 1>some government of facilities, military, that kind of stuff. Those

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<v Speaker 1>organizations had access to it, but anyone outside of that

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<v Speaker 1>really did not have a whole lot of access to

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<v Speaker 1>the Internet unless they just having to work someplace or

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<v Speaker 1>go to school someplace that had it. At this point

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<v Speaker 1>in ninety six, we've actually got the point where the

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<v Speaker 1>Worldwide Web is a thing, but still very early on

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<v Speaker 1>in the kind of the g c S era of

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<v Speaker 1>the Internet exactly. And and according to uh the people

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<v Speaker 1>history dot com that they say that in the twelve

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<v Speaker 1>months of the Internet, host computer number goes from about

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<v Speaker 1>one million computers to ten million computers, So obviously explosive

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<v Speaker 1>growth at this time, although it's still very much a

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<v Speaker 1>new thing, which kind of comes into play a little

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<v Speaker 1>bit in the film Independence Day. So Independence Day it

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<v Speaker 1>was a movie by Dean Devlin and Roland Yeah, and

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<v Speaker 1>Emerick is. Of course, he's become known as the guy

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<v Speaker 1>who likes to blow up the Earth. Uh. He's blown

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<v Speaker 1>up the earth in several movies and other projects, things

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<v Speaker 1>like everything from Godzilla to the Day After Tomorrow. Uh.

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<v Speaker 1>He's really big on worldwide destruction. And of course we

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<v Speaker 1>should mention that. Not too long ago, it was announced

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<v Speaker 1>that sequels to Independence Day had been planned two sequels UM,

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<v Speaker 1>with the first one coming out like I think, UM

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<v Speaker 1>and Independence Day stars some some folks that you might recognize,

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<v Speaker 1>like Will Smith would be the big name Bill Pullman,

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<v Speaker 1>who I always get mixed up with Bill Paxton. If

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<v Speaker 1>you put them side by side, I would not be

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<v Speaker 1>able to name one versus the other. And I have

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<v Speaker 1>you have you have this this problem pretty commonly UM.

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<v Speaker 1>Also also Jeff Goldbloom, who was very famous for being

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<v Speaker 1>UM wacky scientist at the time due to Jurassic Park. Right.

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<v Speaker 1>He's also known as Uh. He does this stuttering thing

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<v Speaker 1>where he I do too. I enjoy it. Randy Quaid

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<v Speaker 1>also in the movie as a as what you assume

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<v Speaker 1>is a delusional drunk, although apparently he was the truth. Yeah,

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<v Speaker 1>he's not delusional. UM. Adam Baldwin's in Tiny cheeby Adam Baldwin.

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<v Speaker 1>He's so young and adorable. It's very cute. Yeah, it's

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<v Speaker 1>it's definitely well before his firefly days. Yeah, Brent Brent

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<v Speaker 1>Spiner data data from Star Trek Next Generation, although he

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<v Speaker 1>does not play data from Star Trek Next Generation in

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<v Speaker 1>this movie. That would have been confusing. So to give

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<v Speaker 1>a brief rundown on what the film's all about in

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<v Speaker 1>case you have not seen it, there's gonna be a

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<v Speaker 1>lot of spoilers in this podcast, but essentially it's ninety six.

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<v Speaker 1>I think it's safety spoil at night. Yeah, I think

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<v Speaker 1>the statute of let me Yeah. So the movie is

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<v Speaker 1>all about how, uh, this alien invasion force comes into

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<v Speaker 1>two Earth's orbit and then lays waste to the major

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<v Speaker 1>cities on Earth in preparation for a full on invasion.

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<v Speaker 1>And it's about how Earth forces kind of mount up

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<v Speaker 1>a defense, a desperate defense, to fight off these alien invaders.

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<v Speaker 1>And this all happens, of course, on on from July

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<v Speaker 1>two to July four, which here in the United States

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<v Speaker 1>is kind of a celebration and of independence and hence

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<v Speaker 1>the term Independence Day. It's extremely um, what's it not

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<v Speaker 1>not ethnocentric, gendoistic, it's it's all right, let me put

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<v Speaker 1>it this way. It's about America. It's an American movie,

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<v Speaker 1>is um, there's quite a bit of there's quite a

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<v Speaker 1>bit of uh stuff about America. And then there's some

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<v Speaker 1>token mentions of other places around the world, where you

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<v Speaker 1>see a brief scene in Iraq with British forces saying

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<v Speaker 1>things like the Americans on the case, bloody hell like

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<v Speaker 1>that's you know, and then it goes to Japan and Russia,

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<v Speaker 1>and of course all the Russians are sitting around vodka

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<v Speaker 1>and listening to the radio. And I mean, it's just

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<v Speaker 1>let's just say that the the depiction of other cultures

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<v Speaker 1>is somewhat stereotypical within the context of this movie, but stilted.

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<v Speaker 1>Don't don't worry though. Everything is so it's it's not

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<v Speaker 1>just that we have a very very American centric film.

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<v Speaker 1>No one comes out of this looking too great. But

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<v Speaker 1>but that's that's more more commentary on the quality of

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<v Speaker 1>the film. Let's get down to some of the science,

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<v Speaker 1>because this film is filled with science and technology and

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<v Speaker 1>likely and some of the stuff. There's one thing in particular,

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<v Speaker 1>there's a couple of things that are really cool. Yeah,

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<v Speaker 1>that end up being something that that's similar to what

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<v Speaker 1>we use today. And I'm actually really impressed, and it

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<v Speaker 1>was a really cool idea that I don't know who

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<v Speaker 1>came up with it, but it was a really nifty thing.

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<v Speaker 1>But the movie opens with a shot of the Moon

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<v Speaker 1>and you're actually looking at one of the moon landing

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<v Speaker 1>sites where you see the you know, the footprints on

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<v Speaker 1>the regulus on the moon and the placard, yeah, and

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<v Speaker 1>the American flag, and then a shadow comes across the

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<v Speaker 1>Moon and you hear this terrible rumbling noise. Because in space,

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<v Speaker 1>everyone can hear you scream. Yeah. See, that's one of

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<v Speaker 1>the things that happens in this film is that sound

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<v Speaker 1>does travel in space in this movie, which I can

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<v Speaker 1>only assume that the ships themselves are miked, that somehow

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<v Speaker 1>they're they're pushing out an atmosphere where sound can actually travel. Um. Yeah,

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<v Speaker 1>because because there's a rumbling on the on the Moon,

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<v Speaker 1>which technically you would not be able to hear unless

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<v Speaker 1>you had your ear right up against the Moon's surface

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<v Speaker 1>because there's not any atmosphere on the Moon, so there's

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<v Speaker 1>no way for particles to travel. Remember, sound is a

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<v Speaker 1>physical uh, manifestation. It's actually particles that are banging together,

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<v Speaker 1>and there's no atmosphere for the particles to bang together.

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<v Speaker 1>You wouldn't be able to hear anything. Speaking of which

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<v Speaker 1>there there are really no I mean this. The ship

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<v Speaker 1>kicks up all kinds of moon dust and uh and yeah,

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<v Speaker 1>it shakes everything around a whole lot, which wouldn't really

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<v Speaker 1>be Yeah, that wouldn't happen either unless the propulsion system

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<v Speaker 1>for the ship is somehow something like gravity based, which

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<v Speaker 1>is possible. That's something we'll we'll give you that one, right, Yeah,

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<v Speaker 1>alien technology. We don't know how it works because we

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<v Speaker 1>are not we're not privy to that information. So it's

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<v Speaker 1>quite possible that they're using some sort of gravity draw

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<v Speaker 1>if which somehow can affect actual particles. Um, so we'll

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<v Speaker 1>give them the rumbling. We'll give at least the movement part.

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<v Speaker 1>The rumbling part is a little yeah, yeah, and multiple

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<v Speaker 1>talking again about the ships in just a minute. I

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<v Speaker 1>think we're kind of going in chronological order throughout the

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<v Speaker 1>movie because that's how we took our notes, exactly exactly.

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<v Speaker 1>And we should also say that lots of science fiction

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<v Speaker 1>films have sound in space, and it's a dramatic. Yeah,

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<v Speaker 1>you can't, although I do appreciate it when people don't

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<v Speaker 1>do that, right, like just wee firefly where you would

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<v Speaker 1>have a ship explode and you don't hear anything because

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<v Speaker 1>you wouldn't be able to Uh, that makes sense, But

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<v Speaker 1>I understand why they do it for dramatic effect. It

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<v Speaker 1>would not be as effective for an audience, So I

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<v Speaker 1>give them a pass on that because they're using a

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<v Speaker 1>common trope that's throughout all the science fiction films. Um.

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<v Speaker 1>We then get down to the surface of the planet

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<v Speaker 1>where where where Steady has suddenly realized and it is

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<v Speaker 1>it is pronounced study Steady, right, not s E t I,

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<v Speaker 1>because one of the characters in the film s t I.

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<v Speaker 1>What we just call it set search for Extraterrestrial Intelligence. Now,

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<v Speaker 1>this is a real organization and they use radio telescopes

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<v Speaker 1>to search out radio signals from other places in the

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<v Speaker 1>galaxy to see if there's anything broadcasting out there. But

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<v Speaker 1>by radio signals, we don't necessarily mean audio like audible. Yeah,

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<v Speaker 1>it might be. It might be well, just like just

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<v Speaker 1>like our WiFi is a kind of radio transmission. Uh,

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<v Speaker 1>it may be that it's just a series of frequencies

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<v Speaker 1>that we pick up that end up looking like it's

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<v Speaker 1>some form of communication. It wouldn't necessarily be like or

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<v Speaker 1>listening to nineteen fifties rock or anything. Um, you might

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<v Speaker 1>be able to translate that into some sort of audible sound,

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<v Speaker 1>but it wouldn't necessarily sound like anything. So yeah, yeah,

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<v Speaker 1>And which is interesting to me because in the seat

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<v Speaker 1>headquarters they do have a scientist who goes like, I'm

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<v Speaker 1>hearing beeps and boops, literal audio beeps and groups coming

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<v Speaker 1>through this headset, and that means some things, right, So,

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<v Speaker 1>so clearly, steady in this in this little fractured universe,

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<v Speaker 1>has UM translated all of their radio frequencies into an

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<v Speaker 1>audible signal that technicians can and and to be clear,

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<v Speaker 1>steady actually you know when they're looking for these radio signals,

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<v Speaker 1>one of the things you have to keep in mind

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<v Speaker 1>is there's a lot of stuff out there that can

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<v Speaker 1>create a radio signal that isn't intelligent. It's it's just

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<v Speaker 1>it's a natural phenomenon. Basically space, I mean objects within space,

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<v Speaker 1>anything with with with gravity or with light you can

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<v Speaker 1>have you can have the potential for that. You can

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<v Speaker 1>have anything like quasars, things like that that create these

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<v Speaker 1>radio signals. So what SETI has to do is not

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<v Speaker 1>only look for the presence of radio signals, but then

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<v Speaker 1>to actually, yeah, to make sure that that's some sort

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<v Speaker 1>of meaningful communication as opposed to just random noise. Well,

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<v Speaker 1>in this case, they figure out, hey, there's something up there,

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<v Speaker 1>and they see that there's a through through some form

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<v Speaker 1>of thermal imaging, they see a gigantic spaceship. Now, later

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<v Speaker 1>on the movie, we discover that radar does not work

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<v Speaker 1>on these spaceships. So radar, that's one that's I guess

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<v Speaker 1>the excuse of why the the spaceship was not detected

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<v Speaker 1>until after it was right there at the Moon already. Yeah,

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<v Speaker 1>But in Earth's orbit, the thermal imaging works. So in

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<v Speaker 1>other words, there's no cloaking device here. There's nothing that's

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<v Speaker 1>that's keeping it invisible to us from our Now we

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<v Speaker 1>can't get them by radar, but we could see them. Now.

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<v Speaker 1>This ship, the mother ship, because this is before it

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<v Speaker 1>has let out any other smaller ships, is huge. According

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<v Speaker 1>to the movie, it is five hundred and fifty kilometers

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<v Speaker 1>in diameter, which is about three two miles. That's just

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<v Speaker 1>under half the size of Texas at its widest point,

0:12:49.320 --> 0:12:51.120
<v Speaker 1>and and it says that it's about a quarter of

0:12:51.120 --> 0:12:54.719
<v Speaker 1>the mass of the Moon. All of this meaning it's

0:12:54.720 --> 0:12:56.400
<v Speaker 1>it's very, very big, and we would be able to

0:12:56.480 --> 0:12:59.440
<v Speaker 1>see it, if not, even without radar with our naked eye,

0:12:59.559 --> 0:13:02.600
<v Speaker 1>like looking up at the sky, we would go, oh what, Yeah,

0:13:02.679 --> 0:13:04.680
<v Speaker 1>you would at least be able to see the light

0:13:04.760 --> 0:13:07.120
<v Speaker 1>from this thing if nothing else, I mean, the sunlight

0:13:07.200 --> 0:13:10.280
<v Speaker 1>reflecting off of it. But with telescopes we'd be able

0:13:10.280 --> 0:13:14.000
<v Speaker 1>to see it even further away. And possibly you know,

0:13:14.360 --> 0:13:16.599
<v Speaker 1>maybe maybe the shields, because it is revealed that the

0:13:16.600 --> 0:13:20.240
<v Speaker 1>ship has some kind of shielding mechanism um which which

0:13:20.280 --> 0:13:25.560
<v Speaker 1>blocks you know, torpedoes, um. Yeah, but maybe maybe it

0:13:25.640 --> 0:13:29.400
<v Speaker 1>also blocks visual data. I don't know. I mean, then

0:13:29.440 --> 0:13:31.120
<v Speaker 1>it with the question would be why do they bother

0:13:31.240 --> 0:13:34.040
<v Speaker 1>to reveal themselves at all? Because of it? If a

0:13:34.200 --> 0:13:38.760
<v Speaker 1>dramatic effect, it's like all that only makes sense within

0:13:38.840 --> 0:13:41.960
<v Speaker 1>the context of a movie within when you step outside

0:13:41.960 --> 0:13:43.760
<v Speaker 1>of that and you look at cloud. If you were

0:13:43.760 --> 0:13:45.760
<v Speaker 1>going to destroy a planet, wouldn't you wouldn't you want

0:13:45.760 --> 0:13:47.839
<v Speaker 1>to have a dramatic entrant. I have learned my lesson.

0:13:47.920 --> 0:13:51.120
<v Speaker 1>I am no longer revealing my egomaniacal plans to the

0:13:51.160 --> 0:13:55.559
<v Speaker 1>hero before I set them in motion. You know, once

0:13:56.400 --> 0:13:58.760
<v Speaker 1>for me once, shame on you, full me four D

0:13:58.920 --> 0:14:01.520
<v Speaker 1>and seventy eight times shame on me. All right, not

0:14:01.640 --> 0:14:06.240
<v Speaker 1>again for seven nine. It's going down okay, But yeah,

0:14:06.280 --> 0:14:10.280
<v Speaker 1>the the it does not appear to be invisible. So

0:14:10.520 --> 0:14:12.800
<v Speaker 1>that's one. That's one thing we can point out as

0:14:12.840 --> 0:14:15.559
<v Speaker 1>being a problem that we would have seen this thing

0:14:15.640 --> 0:14:18.640
<v Speaker 1>coming towards the Earth even with no instrumentation. We would

0:14:18.640 --> 0:14:21.520
<v Speaker 1>have literally telescopes. Yet we would have seen it well

0:14:21.640 --> 0:14:24.720
<v Speaker 1>before it ever reached as far as the moon. That

0:14:24.800 --> 0:14:27.560
<v Speaker 1>being said, we also don't know if I assumed this

0:14:27.600 --> 0:14:31.960
<v Speaker 1>ship must have some sort of super fast propulsion system

0:14:32.120 --> 0:14:35.600
<v Speaker 1>for faster than or at least yeah, I mean it

0:14:35.600 --> 0:14:40.640
<v Speaker 1>would have to be because there are no nearby systems

0:14:40.680 --> 0:14:44.640
<v Speaker 1>that could support life, uh compared you know from our

0:14:44.680 --> 0:14:48.320
<v Speaker 1>position right there are no planets that are because we

0:14:48.400 --> 0:14:50.760
<v Speaker 1>do learn that these aliens share a lot in common

0:14:50.800 --> 0:14:53.640
<v Speaker 1>with us. They breathe oxygen, they have the same sort

0:14:53.680 --> 0:14:56.880
<v Speaker 1>of tolerances for heat and cold, and so they have

0:14:56.960 --> 0:14:59.640
<v Speaker 1>they have some kind of visual cortex that that allows

0:14:59.680 --> 0:15:04.400
<v Speaker 1>them to you use very similar computer displays to ours. Yeah,

0:15:04.400 --> 0:15:06.520
<v Speaker 1>that's a problem, but we'll get into that. But yeah,

0:15:06.520 --> 0:15:10.040
<v Speaker 1>they they they have a lot of similarities to humans,

0:15:10.040 --> 0:15:13.080
<v Speaker 1>which is already a huge coincidence. I mean, there's no

0:15:13.280 --> 0:15:16.280
<v Speaker 1>there's nothing that says that another intelligent kind of life

0:15:16.280 --> 0:15:18.200
<v Speaker 1>would have to be humanoid in shape. That's one that

0:15:18.240 --> 0:15:20.200
<v Speaker 1>I'm willing to give them though. That's that's that's one.

0:15:20.200 --> 0:15:22.120
<v Speaker 1>I mean, they're not quite you know, it's it's not

0:15:22.160 --> 0:15:25.600
<v Speaker 1>like clingons versus humans, and so it's not it's not

0:15:25.760 --> 0:15:28.720
<v Speaker 1>quite quite that close. But you still have you know, generally,

0:15:28.760 --> 0:15:31.320
<v Speaker 1>you know, limbs and that head and is a very

0:15:31.320 --> 0:15:33.200
<v Speaker 1>strange place, is all I'm saying. I'm that's one that

0:15:33.240 --> 0:15:36.520
<v Speaker 1>I'm willing to let slide. Well. For them to be

0:15:36.560 --> 0:15:39.840
<v Speaker 1>so similar to us and in multiple ways is a

0:15:39.960 --> 0:15:42.120
<v Speaker 1>huge coincidence when you think about all the variables out there,

0:15:42.120 --> 0:15:43.680
<v Speaker 1>I mean, when you when you really get down to it,

0:15:43.880 --> 0:15:47.440
<v Speaker 1>when you talk about our sample size for planets with

0:15:47.520 --> 0:15:50.560
<v Speaker 1>life on it, that's a one. As a sample size

0:15:50.600 --> 0:15:52.960
<v Speaker 1>of one, we have one planet that we know of

0:15:53.360 --> 0:15:56.400
<v Speaker 1>that supports life as we know it as we know it,

0:15:56.520 --> 0:16:00.320
<v Speaker 1>So that's an incredibly small sample size. So this is

0:16:00.320 --> 0:16:02.560
<v Speaker 1>a problem that's throughout science fiction. I'm not just picking

0:16:02.560 --> 0:16:05.600
<v Speaker 1>on independence, but but you know, we have to extrapolate

0:16:05.600 --> 0:16:08.040
<v Speaker 1>from what we know, so I mean, I understand that,

0:16:08.600 --> 0:16:11.440
<v Speaker 1>but for something to be this similar to us, it's

0:16:11.480 --> 0:16:16.280
<v Speaker 1>pretty phenomenal. Anyway. The fact that they're this similar means

0:16:16.360 --> 0:16:19.600
<v Speaker 1>that that the well draws a lot of of questions,

0:16:19.760 --> 0:16:21.880
<v Speaker 1>one of which is that why are they coming here?

0:16:21.880 --> 0:16:24.880
<v Speaker 1>And they eventually it's revealed that they're planning on invading

0:16:24.920 --> 0:16:26.760
<v Speaker 1>and taking over the planet. That what they do is

0:16:26.760 --> 0:16:29.560
<v Speaker 1>they go from planet to planet, they consent the resources,

0:16:29.600 --> 0:16:31.360
<v Speaker 1>and then move on to them. They're like, well, this

0:16:31.360 --> 0:16:34.680
<v Speaker 1>one's done, let's go on, which then raises another question,

0:16:34.680 --> 0:16:37.200
<v Speaker 1>which is that we assume there are a lot of

0:16:37.200 --> 0:16:40.280
<v Speaker 1>exo planets out there, lots we've we've already found to

0:16:40.360 --> 0:16:43.720
<v Speaker 1>found lots of exo planets. Uh, there are several that

0:16:43.800 --> 0:16:46.320
<v Speaker 1>we found that are what we within what we call

0:16:46.400 --> 0:16:50.200
<v Speaker 1>the Goldilocks zone, which is this zone within a distance

0:16:50.360 --> 0:16:53.720
<v Speaker 1>from the host star of that planet. If we were

0:16:53.720 --> 0:16:56.320
<v Speaker 1>in Star Trek, it would be called a Class M planet. Yeah, yeah,

0:16:56.440 --> 0:16:59.560
<v Speaker 1>meaning that if meaning that that it would at least

0:16:59.560 --> 0:17:02.680
<v Speaker 1>have the potential for supporting life as we know it

0:17:03.320 --> 0:17:05.880
<v Speaker 1>based upon its distance from the star. But that's all

0:17:05.880 --> 0:17:08.000
<v Speaker 1>the you know, and we might know something about the

0:17:08.000 --> 0:17:10.520
<v Speaker 1>composition of the planet itself, but we wouldn't know enough

0:17:10.560 --> 0:17:13.040
<v Speaker 1>about to say that whether there is or isn't life

0:17:13.040 --> 0:17:17.000
<v Speaker 1>on it. However, I'm sure that, just based upon the

0:17:17.040 --> 0:17:20.240
<v Speaker 1>huge number we've already started to see in our within

0:17:20.280 --> 0:17:25.520
<v Speaker 1>our own galaxy, there must be countless planets that fall

0:17:25.560 --> 0:17:28.240
<v Speaker 1>into this category, which makes you wonder, why would you

0:17:28.280 --> 0:17:33.560
<v Speaker 1>bother going to try and colonize one where the residents

0:17:33.680 --> 0:17:37.000
<v Speaker 1>of that planet might potentially fight back. Well, they it is,

0:17:37.040 --> 0:17:39.320
<v Speaker 1>I would say, I would argue that that these aliens

0:17:39.320 --> 0:17:41.399
<v Speaker 1>had to have been watching us long enough to to

0:17:41.560 --> 0:17:45.480
<v Speaker 1>understand our language, and understand our computer language, which we'll

0:17:45.520 --> 0:17:48.360
<v Speaker 1>get to in just a second, and and furthermore understand

0:17:48.359 --> 0:17:51.840
<v Speaker 1>our culture. Um, because when they do send out those

0:17:51.840 --> 0:17:55.119
<v Speaker 1>little spaceships, they send them not to the most populated

0:17:55.160 --> 0:17:58.080
<v Speaker 1>regions of the planet, but to the major cultural landmarks,

0:17:58.119 --> 0:18:00.840
<v Speaker 1>as though they are specifically trying to evoke emotional response

0:18:00.880 --> 0:18:05.280
<v Speaker 1>in us. Yeah, though they are the creators of the film. Yeah, yeah, exactly. Yeah. So, so,

0:18:05.440 --> 0:18:08.520
<v Speaker 1>if you're looking at it from a storyteller perspective, you

0:18:08.560 --> 0:18:12.280
<v Speaker 1>want your you want to park your your your spaceship

0:18:12.320 --> 0:18:15.400
<v Speaker 1>directly over the Empire, State State Building, or directly over

0:18:15.440 --> 0:18:20.680
<v Speaker 1>the White House or building as it was. Yeah, exactly,

0:18:20.840 --> 0:18:25.720
<v Speaker 1>you park it directly over some incredibly identifiable landmark, because

0:18:25.720 --> 0:18:29.880
<v Speaker 1>that's very it's a great visual effect if you are

0:18:29.960 --> 0:18:32.520
<v Speaker 1>an alien. The reason you do it is, I don't know,

0:18:34.119 --> 0:18:39.040
<v Speaker 1>you're already leveling cities. Um, so they we presume that

0:18:39.040 --> 0:18:40.760
<v Speaker 1>they have some sort of faster than light drive in

0:18:40.840 --> 0:18:42.840
<v Speaker 1>order for them to get to where they're going. We

0:18:42.960 --> 0:18:45.080
<v Speaker 1>don't know that. It's never revealed in the movie where

0:18:45.119 --> 0:18:47.959
<v Speaker 1>they came from or how they got here. Um, we

0:18:48.040 --> 0:18:52.240
<v Speaker 1>don't know. Uh. They talk about how the radio signal

0:18:52.640 --> 0:18:57.399
<v Speaker 1>um is originating from the moon. Uh you can't. I

0:18:57.440 --> 0:18:59.359
<v Speaker 1>don't know how they figure that out, Like how I

0:18:59.359 --> 0:19:01.960
<v Speaker 1>mean you could feel or other came from that direction.

0:19:02.640 --> 0:19:06.280
<v Speaker 1>Study say, say this radio signal is coming from the moon, right,

0:19:06.359 --> 0:19:08.800
<v Speaker 1>But you don't I mean, you could see what direction

0:19:08.800 --> 0:19:11.080
<v Speaker 1>it was coming from. If you were, you know, triangulating

0:19:11.119 --> 0:19:13.760
<v Speaker 1>from various radio stations and you saw how long it

0:19:13.800 --> 0:19:15.440
<v Speaker 1>took to get to each one, you could figure out

0:19:15.760 --> 0:19:18.760
<v Speaker 1>kind of where the origin point was. Distance is a

0:19:18.760 --> 0:19:21.880
<v Speaker 1>little weird, I mean, because radio signals can come from

0:19:21.880 --> 0:19:23.800
<v Speaker 1>really far away. Now, grant the strength of the signal

0:19:23.840 --> 0:19:29.680
<v Speaker 1>would give you an idea, but that that partly an equation.

0:19:29.680 --> 0:19:32.720
<v Speaker 1>That's a little bit on the fly. Um, they start

0:19:32.840 --> 0:19:36.879
<v Speaker 1>using our own satellites to communicate the aliens do the

0:19:37.320 --> 0:19:41.880
<v Speaker 1>mothership eventually has other ships split off from it. Oh

0:19:41.960 --> 0:19:43.400
<v Speaker 1>and one other thing I want to mention. You said

0:19:43.440 --> 0:19:44.960
<v Speaker 1>that had a quarter of the mass of the Moon.

0:19:45.320 --> 0:19:48.400
<v Speaker 1>In case you're curious, I did the math here. It's

0:19:48.880 --> 0:19:52.400
<v Speaker 1>so the moon has a massive seventy three grams, which

0:19:52.400 --> 0:19:54.960
<v Speaker 1>would be if you if you wrote down the number

0:19:55.080 --> 0:19:57.200
<v Speaker 1>seven and then the number three and then put twenty

0:19:57.240 --> 0:19:59.960
<v Speaker 1>one zeros after it. That's so many grams of math

0:20:00.040 --> 0:20:03.080
<v Speaker 1>us the moon has so this Uh, this spaceship has

0:20:03.160 --> 0:20:06.200
<v Speaker 1>one point eight grams of mass. Uh. And they talk

0:20:06.280 --> 0:20:08.159
<v Speaker 1>about the possibility of using an I C. B M

0:20:08.320 --> 0:20:10.840
<v Speaker 1>to bring this mother ship down before it starts to

0:20:10.880 --> 0:20:14.920
<v Speaker 1>split off and all the other ships come out from it. Uh.

0:20:15.119 --> 0:20:19.000
<v Speaker 1>There's no nuclear weapon that could destroy that much mass.

0:20:19.200 --> 0:20:22.480
<v Speaker 1>It just we have not created a nuclear weapon that

0:20:22.600 --> 0:20:27.440
<v Speaker 1>could do that much damage. Yeah, there's that's so massive,

0:20:27.560 --> 0:20:30.199
<v Speaker 1>and we don't not only why why would we? But

0:20:30.640 --> 0:20:33.960
<v Speaker 1>how could we? So? How how how do we know

0:20:34.160 --> 0:20:36.479
<v Speaker 1>how much mass this thing has? Yeah? I don't know.

0:20:37.640 --> 0:20:39.919
<v Speaker 1>I mean, because they're they're looking at it from a

0:20:40.000 --> 0:20:43.560
<v Speaker 1>thermal imaging perspective, which really just is a is a

0:20:43.560 --> 0:20:48.480
<v Speaker 1>gravitational pull and and unless it is um, unless they've

0:20:48.760 --> 0:20:52.760
<v Speaker 1>calculated the amount that it's offset the tides, or I

0:20:52.840 --> 0:20:55.640
<v Speaker 1>don't even even then, you wouldn't be able to calculate,

0:20:55.680 --> 0:20:57.760
<v Speaker 1>you know, figure out what the mass is. That that's

0:20:57.760 --> 0:20:59.600
<v Speaker 1>a good question. I think it was. I think the

0:20:59.640 --> 0:21:02.320
<v Speaker 1>answer is they wanted to make sure it looked like

0:21:02.359 --> 0:21:05.480
<v Speaker 1>it was big. This is from my sheet of increasingly

0:21:05.520 --> 0:21:11.280
<v Speaker 1>incredulous question. How is this possible? Well, the mother ship

0:21:11.359 --> 0:21:15.719
<v Speaker 1>has all these large city sized ships split off from it,

0:21:16.119 --> 0:21:18.560
<v Speaker 1>and the city size ships then come down and hover

0:21:18.680 --> 0:21:21.040
<v Speaker 1>over the various cities, including like directly over the Empire

0:21:21.119 --> 0:21:24.360
<v Speaker 1>State Building, directly over the Capitol Building, directly over part

0:21:24.400 --> 0:21:28.439
<v Speaker 1>of l At, etcetera. And they I think they say

0:21:28.480 --> 0:21:30.439
<v Speaker 1>at one point it's like ten to fifteen ships. So

0:21:30.480 --> 0:21:35.600
<v Speaker 1>apparently they never get an accurate account. Um. The ships

0:21:35.640 --> 0:21:39.560
<v Speaker 1>are using our satellite system to communicate with each other.

0:21:40.080 --> 0:21:43.600
<v Speaker 1>They're bouncing signals off of our satellites, which raises a question,

0:21:43.920 --> 0:21:47.480
<v Speaker 1>how do they get their technology to interact with ours?

0:21:47.480 --> 0:21:50.320
<v Speaker 1>So they they've clearly learned our our computer programming languages.

0:21:50.440 --> 0:21:53.399
<v Speaker 1>They must have, because how else, and they must have

0:21:53.440 --> 0:21:58.080
<v Speaker 1>been designed machines on their their ships that could then

0:21:58.119 --> 0:22:01.720
<v Speaker 1>interface with our machines, because otherwise, you know, yes, you

0:22:01.720 --> 0:22:05.199
<v Speaker 1>can see that they're broadcasting radio signals, but on a

0:22:05.240 --> 0:22:08.240
<v Speaker 1>technological level, you wouldn't be able to interact with that

0:22:08.400 --> 0:22:12.520
<v Speaker 1>unless yours were somehow um you know, had some sort

0:22:12.520 --> 0:22:15.720
<v Speaker 1>of adapter alien to Earth adapter or you could tap

0:22:15.760 --> 0:22:18.720
<v Speaker 1>into our technology. But they're using our satellite systems to

0:22:19.160 --> 0:22:22.359
<v Speaker 1>send out a message, which Jeff Goldblum figures out. He

0:22:22.440 --> 0:22:24.920
<v Speaker 1>does well because he's he's a really smart guy. Um.

0:22:24.960 --> 0:22:27.520
<v Speaker 1>And to be fair, though, this was one part of

0:22:27.560 --> 0:22:31.720
<v Speaker 1>the movie that I found very plausible. He discovers a

0:22:31.800 --> 0:22:36.240
<v Speaker 1>repeating pattern that's being broadcast over radio signals. Now you

0:22:36.280 --> 0:22:40.040
<v Speaker 1>don't have to know what that what that translates to,

0:22:40.200 --> 0:22:42.560
<v Speaker 1>in order to notice that there's that there's a pattern,

0:22:42.640 --> 0:22:44.960
<v Speaker 1>and he knows is that that it's that it's winding down,

0:22:45.200 --> 0:22:48.760
<v Speaker 1>it's reducing each time it repeats, it reduces. So he

0:22:48.880 --> 0:22:52.960
<v Speaker 1>then figures out that this is countdown, which is perfectly plausible.

0:22:53.280 --> 0:22:55.680
<v Speaker 1>No, no no, no, no, that's that's that's great fine science.

0:22:55.960 --> 0:22:57.840
<v Speaker 1>And that part I was like, I am all right

0:22:57.920 --> 0:22:59.679
<v Speaker 1>with this. This makes sense that you would have a

0:23:00.040 --> 0:23:03.879
<v Speaker 1>heating pattern that's getting slightly shorter each time. That sounds

0:23:03.880 --> 0:23:06.160
<v Speaker 1>like a countdown. Yeah. The issue that I've got here

0:23:06.200 --> 0:23:08.439
<v Speaker 1>is that is that it shows a couple of our

0:23:08.480 --> 0:23:12.520
<v Speaker 1>satellites crashing into the mothership. Um, which means that a

0:23:12.640 --> 0:23:15.240
<v Speaker 1>the mothership is significantly lower in orbit than the moon

0:23:16.040 --> 0:23:18.520
<v Speaker 1>or parts of it are anyway. Um and uh. And

0:23:18.520 --> 0:23:21.480
<v Speaker 1>and secondly, just the way that they talk about satellites

0:23:21.560 --> 0:23:24.480
<v Speaker 1>is not necessarily the way that satellites are talked about. UM.

0:23:25.600 --> 0:23:29.879
<v Speaker 1>Difficult Blue mentions transponder channels, which is like saying a

0:23:29.880 --> 0:23:31.960
<v Speaker 1>pizza pie like it's it's kind of the same word

0:23:32.000 --> 0:23:36.359
<v Speaker 1>over again. It transponders it. Yeah, it's really like, um,

0:23:36.400 --> 0:23:40.119
<v Speaker 1>you know, it's essentially the it's technobabble to try and

0:23:40.200 --> 0:23:43.080
<v Speaker 1>sound like he's doing something effective. There's another thing that

0:23:43.080 --> 0:23:45.440
<v Speaker 1>happens with the cable station in particular that just drive

0:23:45.600 --> 0:23:48.639
<v Speaker 1>me crazy because I was I I understand again that

0:23:48.720 --> 0:23:52.080
<v Speaker 1>was done for effect, but it made no sense bubble.

0:23:52.080 --> 0:23:54.560
<v Speaker 1>We'll get into that in a little bit. So you've

0:23:54.600 --> 0:23:57.600
<v Speaker 1>got all these spaceships splitting off, the satellite hits the

0:23:57.640 --> 0:24:00.840
<v Speaker 1>spaceship and there's no visible damage whatsoever. You also don't

0:24:00.840 --> 0:24:02.960
<v Speaker 1>see the force field, but you don't see the force

0:24:03.000 --> 0:24:04.960
<v Speaker 1>field at that point. You just see the satellite bang

0:24:05.000 --> 0:24:08.680
<v Speaker 1>into the spaceship and then go boom. Which does it?

0:24:08.760 --> 0:24:10.000
<v Speaker 1>Does it do it? I don't remember. Does it do

0:24:10.040 --> 0:24:12.400
<v Speaker 1>a green boom or an exploding I don't. I think

0:24:12.400 --> 0:24:14.679
<v Speaker 1>it's an exploding boom, as I recall now. Granted, I

0:24:14.720 --> 0:24:19.000
<v Speaker 1>should add this movie is two hours and twenty minutes

0:24:19.040 --> 0:24:23.280
<v Speaker 1>long something. Yes, So we took turns watching and then

0:24:23.320 --> 0:24:27.120
<v Speaker 1>taking breaks, and then watching, and then playing Borderlines too,

0:24:27.160 --> 0:24:31.280
<v Speaker 1>and then watching and then desperately trying to find something

0:24:31.320 --> 0:24:33.399
<v Speaker 1>else to do, and then watching. Um. I mean I

0:24:33.440 --> 0:24:35.240
<v Speaker 1>watched this movie all the way through in the theater

0:24:35.320 --> 0:24:37.880
<v Speaker 1>when it came out. I love this movie as a teenager.

0:24:38.800 --> 0:24:41.720
<v Speaker 1>We're gonna take a quick break from watching Independence Day

0:24:41.800 --> 0:24:53.320
<v Speaker 1>and then slagging on it to thank our sponsors. So uh,

0:24:53.720 --> 0:24:58.359
<v Speaker 1>we didn't have the various people in American government reacting

0:24:58.480 --> 0:25:00.199
<v Speaker 1>and trying to figure out what the heck is going on.

0:25:00.920 --> 0:25:02.879
<v Speaker 1>The Secretary Defense wants to blow it out of the

0:25:02.880 --> 0:25:05.119
<v Speaker 1>sky with an ice cub even though I've just said

0:25:05.200 --> 0:25:07.160
<v Speaker 1>that we do not have one that is that big,

0:25:07.440 --> 0:25:10.560
<v Speaker 1>even though maybe it's a secret government program. Now, the

0:25:10.600 --> 0:25:16.840
<v Speaker 1>city sized ships, once those split off, those could I

0:25:16.840 --> 0:25:18.720
<v Speaker 1>would if you're talking about the size of the city,

0:25:18.760 --> 0:25:21.120
<v Speaker 1>then you could take it down. Yeah, you're not doing

0:25:21.200 --> 0:25:23.199
<v Speaker 1>enough damage to it. You could do enough damage to

0:25:23.240 --> 0:25:26.040
<v Speaker 1>it where I seriously think it wouldn't be able to

0:25:26.119 --> 0:25:30.120
<v Speaker 1>maintain flight. I mean nuclear weapons are pending on your

0:25:30.160 --> 0:25:34.080
<v Speaker 1>your engine power source, which we still haven't determined, because

0:25:34.119 --> 0:25:36.240
<v Speaker 1>because these things are city sized and they are hovering

0:25:36.840 --> 0:25:40.439
<v Speaker 1>noiselessly and um and effortlessly like like like they are

0:25:40.440 --> 0:25:45.200
<v Speaker 1>not creating any um any kind of ripples in the

0:25:45.240 --> 0:25:48.000
<v Speaker 1>spacetime continuum as we know. It's right above these cities.

0:25:48.040 --> 0:25:51.720
<v Speaker 1>You've got you've got this ship that's parked over your city.

0:25:51.760 --> 0:25:54.840
<v Speaker 1>But it's not pushing down plane just hanging. Yeah, it's

0:25:54.840 --> 0:25:56.840
<v Speaker 1>not it's not pushing down in any way that would

0:25:56.920 --> 0:25:58.800
<v Speaker 1>make it like if you stepped outside, you wouldn't suddenly

0:25:58.880 --> 0:26:01.640
<v Speaker 1>feel like some weird are suppressing down on you. There's

0:26:01.640 --> 0:26:05.639
<v Speaker 1>no nothing, So we don't know how they're hanging in

0:26:05.640 --> 0:26:09.640
<v Speaker 1>the air like that alien technology. I'll give it to them. Yeah,

0:26:09.680 --> 0:26:12.359
<v Speaker 1>it might as well be magic. So we don't know

0:26:12.400 --> 0:26:15.320
<v Speaker 1>what's going on on that case. We've got the whole

0:26:15.760 --> 0:26:18.879
<v Speaker 1>um Oval Office reaction. One of my favorite little moments

0:26:18.880 --> 0:26:21.840
<v Speaker 1>in this is there's a point where a person brings

0:26:21.840 --> 0:26:25.880
<v Speaker 1>in a silver briefcase to show the president something, Oh yeah, yeah,

0:26:25.880 --> 0:26:27.640
<v Speaker 1>and opens it up and there's like a little it's

0:26:27.640 --> 0:26:30.399
<v Speaker 1>not even a laptop, it's just a screen. It's a

0:26:30.440 --> 0:26:36.040
<v Speaker 1>screen with I don't know. It's supposed to show a readout,

0:26:36.080 --> 0:26:37.960
<v Speaker 1>a radar readout of the ships. I don't know why

0:26:38.040 --> 0:26:41.240
<v Speaker 1>radar is working now. Um, there's no explanation for why

0:26:41.320 --> 0:26:44.480
<v Speaker 1>the radar readout works as opposed to because half the

0:26:44.480 --> 0:26:46.359
<v Speaker 1>time radar is not working and the other half the

0:26:46.400 --> 0:26:49.720
<v Speaker 1>time they talk about a radar readout. Don't know. Maybe

0:26:49.720 --> 0:26:51.639
<v Speaker 1>it's just that the aliens keep forgetting to turn the

0:26:51.680 --> 0:26:55.560
<v Speaker 1>stuff button on. UM. Because these ships are not designed.

0:26:56.080 --> 0:26:58.800
<v Speaker 1>If you've listened to our podcast about stealth technology, you

0:26:58.840 --> 0:27:01.160
<v Speaker 1>know that a part of the way stell technology works

0:27:01.240 --> 0:27:05.920
<v Speaker 1>is just based on the actual physical design of the vehicles.

0:27:05.960 --> 0:27:09.919
<v Speaker 1>They have these weird angular uh designs to them, and

0:27:09.960 --> 0:27:12.560
<v Speaker 1>that makes that makes stuff bounce off of them at

0:27:12.600 --> 0:27:15.720
<v Speaker 1>awkward angles so that you can't receive the signals exactly exactly.

0:27:15.720 --> 0:27:19.600
<v Speaker 1>But these ships are just gigantic flying saucers, so big

0:27:19.640 --> 0:27:22.280
<v Speaker 1>flat services that radar could easily bounce off off They

0:27:22.280 --> 0:27:25.400
<v Speaker 1>have to be able to if if we're talking about

0:27:25.400 --> 0:27:28.120
<v Speaker 1>those gravitational drives or something like that. I never knew

0:27:28.119 --> 0:27:32.159
<v Speaker 1>you were an alien. Apologies, um, but yeah, so so

0:27:32.359 --> 0:27:35.280
<v Speaker 1>I don't know why the radar sometimes works and sometimes doesn't,

0:27:35.280 --> 0:27:38.359
<v Speaker 1>but it's still kind of interesting here. Uh. There's also

0:27:38.600 --> 0:27:41.760
<v Speaker 1>when the ships are moving into position over the cities,

0:27:42.040 --> 0:27:45.439
<v Speaker 1>there's this weird sheath of fire that's all around them,

0:27:45.520 --> 0:27:47.480
<v Speaker 1>and I was wondering if that was supposed to be

0:27:48.160 --> 0:27:51.440
<v Speaker 1>the representation of these ships entering the Earth's atmosphere. That

0:27:51.680 --> 0:27:54.560
<v Speaker 1>I am, but they don't seem to be moving very quickly,

0:27:54.800 --> 0:27:57.640
<v Speaker 1>so it's almost like they have a very controlled descent

0:27:57.880 --> 0:28:01.040
<v Speaker 1>into Earth's atmosphere. So they wouldn't you know, the whole

0:28:01.359 --> 0:28:03.760
<v Speaker 1>heat and fire stuff would only make sense if they

0:28:03.760 --> 0:28:07.160
<v Speaker 1>were coming in at an incredible speed um, and they're

0:28:07.440 --> 0:28:10.040
<v Speaker 1>creating this amazing amount of pressure as they're coming in,

0:28:10.080 --> 0:28:12.399
<v Speaker 1>and that's what builds up all this heat. Maybe they

0:28:12.440 --> 0:28:16.159
<v Speaker 1>have a fine magnesium powder that's operating their shielding system.

0:28:16.280 --> 0:28:18.679
<v Speaker 1>That's just lighting on fire as they I don't know

0:28:18.720 --> 0:28:21.000
<v Speaker 1>if that's a science factor. Maybe this is just the

0:28:21.160 --> 0:28:26.240
<v Speaker 1>equivalent of painting flames on your hot rod. This is wicked. Cool, guys,

0:28:26.359 --> 0:28:31.240
<v Speaker 1>let's turn the flames on. You know, That's what I'm thinking. Well,

0:28:31.240 --> 0:28:33.320
<v Speaker 1>you know what. We got a lot more to say

0:28:33.359 --> 0:28:36.159
<v Speaker 1>about this movie, but before we do, let's take a

0:28:36.280 --> 0:28:39.760
<v Speaker 1>quick break to thank our sponsor, Audible. Audible dot com

0:28:39.880 --> 0:28:42.800
<v Speaker 1>is the leading provider of downloadable digital audio books and

0:28:42.840 --> 0:28:47.200
<v Speaker 1>spoken word entertainment. Audible has over one hundred thousand titles

0:28:47.200 --> 0:28:49.400
<v Speaker 1>to choose from to be downloaded to your iPod or

0:28:49.480 --> 0:28:52.600
<v Speaker 1>m P three player. Go to audible podcast dot com

0:28:52.680 --> 0:28:55.600
<v Speaker 1>slash tech stuff to get a free audio book download

0:28:55.600 --> 0:28:58.320
<v Speaker 1>of your choice when you sign up today. And since

0:28:58.360 --> 0:29:02.200
<v Speaker 1>we're talking about science fiction today, one good suggestion would

0:29:02.200 --> 0:29:05.000
<v Speaker 1>be War the Worlds. They have several different versions at Audible,

0:29:05.040 --> 0:29:09.360
<v Speaker 1>including one read by orson Freaking Wells. So go check

0:29:09.360 --> 0:29:13.280
<v Speaker 1>that out. Okay, So we've got the ships there over

0:29:13.320 --> 0:29:16.840
<v Speaker 1>the various cities. We've got the everyone's freaking out. No

0:29:16.880 --> 0:29:20.280
<v Speaker 1>one knows exactly what's going on. Yeah, Jeff Goldblum's discovered

0:29:20.320 --> 0:29:24.120
<v Speaker 1>the signal uh, and he figures out this probably some

0:29:24.120 --> 0:29:27.040
<v Speaker 1>sort of coordinated attack. This raises a question in my

0:29:27.120 --> 0:29:29.080
<v Speaker 1>mind that's more of a plot question and less of

0:29:29.080 --> 0:29:32.080
<v Speaker 1>a technology question, which is, I don't understand why the

0:29:32.120 --> 0:29:36.240
<v Speaker 1>attack needs to be incredibly coordinated, because, as is demonstrated

0:29:36.280 --> 0:29:40.240
<v Speaker 1>throughout the film, these aliens have amazing technology that our

0:29:40.280 --> 0:29:43.760
<v Speaker 1>technology just cannot stand up to. Like nothing we have

0:29:43.960 --> 0:29:46.200
<v Speaker 1>puts a denty, It doesn't it doesn't really matter if

0:29:46.240 --> 0:29:48.840
<v Speaker 1>they're going to blow us up simultaneously or at a

0:29:48.920 --> 0:29:53.360
<v Speaker 1>slight leg right right, Why why you even worry about

0:29:53.360 --> 0:29:56.280
<v Speaker 1>targeting the largest cities first, unless it's just to get

0:29:56.280 --> 0:29:59.000
<v Speaker 1>as many people dead as possible, which could just be

0:29:59.040 --> 0:30:01.560
<v Speaker 1>an efficiency thing, which case, all right, I can get

0:30:01.560 --> 0:30:03.960
<v Speaker 1>that they're trying to kill as many people and as

0:30:04.120 --> 0:30:07.280
<v Speaker 1>little time as possible because their ultimate goals to invade

0:30:07.280 --> 0:30:09.600
<v Speaker 1>the planet, and this way they'd wipe out, you know,

0:30:09.640 --> 0:30:12.320
<v Speaker 1>the major centers of population. They're clearly just just bond

0:30:12.400 --> 0:30:14.440
<v Speaker 1>villains really at heart. There again, they're doing it for

0:30:14.480 --> 0:30:16.800
<v Speaker 1>dramatic effect. I wanted to give one of our scientists

0:30:16.800 --> 0:30:20.240
<v Speaker 1>something to latch onto. Yeah, well, in order to make

0:30:20.320 --> 0:30:21.960
<v Speaker 1>us feel like we have a fighting chance. I think

0:30:22.000 --> 0:30:23.880
<v Speaker 1>I think the I think the wiping out as many

0:30:23.880 --> 0:30:26.280
<v Speaker 1>people as possible is as much sense as I can

0:30:26.400 --> 0:30:28.360
<v Speaker 1>make of it. But I mean it does make sense

0:30:28.360 --> 0:30:29.880
<v Speaker 1>in a way. If you're if you're talking about clearing

0:30:29.880 --> 0:30:32.040
<v Speaker 1>out an area so that you can then come in

0:30:32.080 --> 0:30:35.560
<v Speaker 1>and and and reap all the benefits, then I understand, like,

0:30:35.560 --> 0:30:37.920
<v Speaker 1>all right, well you wanted to do that. You need

0:30:37.960 --> 0:30:40.960
<v Speaker 1>to hit before everyone realizes what's up, because then they're

0:30:41.000 --> 0:30:43.200
<v Speaker 1>just going to scatter like like cockroaches, and then you

0:30:43.200 --> 0:30:46.160
<v Speaker 1>have to hunt them all down. Yeah. Yeah, this is

0:30:46.200 --> 0:30:49.560
<v Speaker 1>This is also about when when are our satellites, like

0:30:49.640 --> 0:30:52.479
<v Speaker 1>all of our satellite communications start kind of breaking up

0:30:52.480 --> 0:30:54.600
<v Speaker 1>a little bit, and this weird static pattern, which I'm

0:30:54.640 --> 0:30:58.480
<v Speaker 1>not sure is how satellites were satellites were, well they do.

0:30:58.800 --> 0:31:01.520
<v Speaker 1>Some are being destroyed and some of the some of

0:31:01.560 --> 0:31:04.960
<v Speaker 1>the capacity of the satellite was being used to transmit

0:31:05.000 --> 0:31:07.560
<v Speaker 1>this alien signal. I think that the signal would just

0:31:07.600 --> 0:31:09.560
<v Speaker 1>go out. I don't think it would be static anything

0:31:09.600 --> 0:31:11.960
<v Speaker 1>that was destroyed, obviously the signal would go out. The

0:31:12.160 --> 0:31:15.560
<v Speaker 1>uh there. You know, having this idea of an alien

0:31:15.600 --> 0:31:20.360
<v Speaker 1>signal underlying our own signals is interesting. Uh. Depending upon

0:31:20.400 --> 0:31:22.960
<v Speaker 1>the bandwidth of the satellite, I could actually see it

0:31:23.000 --> 0:31:25.160
<v Speaker 1>working in a way where it means that our signals

0:31:25.160 --> 0:31:27.239
<v Speaker 1>are actually weaker. But I don't think it would come

0:31:27.280 --> 0:31:30.160
<v Speaker 1>across exactly the way it did in the movie. There's

0:31:30.200 --> 0:31:34.480
<v Speaker 1>one point, you know, Jeff Goldblum's character, the brilliant scientist

0:31:34.480 --> 0:31:36.840
<v Speaker 1>guy who is now essentially just working for a cable company,

0:31:37.640 --> 0:31:40.880
<v Speaker 1>a cable provider. Uh, there's one point where he's talking

0:31:40.920 --> 0:31:44.560
<v Speaker 1>with his his comedic sidekick character who is later on

0:31:45.200 --> 0:31:51.560
<v Speaker 1>obliterated spoiler alert um, Harvey Fierstein, where he's chatting with him,

0:31:51.560 --> 0:31:55.760
<v Speaker 1>and then suddenly a white House announcement comes on the screens,

0:31:56.040 --> 0:31:58.200
<v Speaker 1>and and and this wall of screens that had previously

0:31:58.240 --> 0:32:01.360
<v Speaker 1>been picking up broadcasts from all different channels. Yeah. Yeah,

0:32:01.360 --> 0:32:03.040
<v Speaker 1>So you think of a like just a wall of

0:32:03.040 --> 0:32:06.120
<v Speaker 1>television screens, and each television screen is showing a different channel,

0:32:06.360 --> 0:32:08.080
<v Speaker 1>and now they're all showing the white House thing. But

0:32:08.160 --> 0:32:12.160
<v Speaker 1>some of them, like groups of nine screens, become one

0:32:12.320 --> 0:32:15.640
<v Speaker 1>big display, so you know, you're there the power Rangers

0:32:15.760 --> 0:32:19.520
<v Speaker 1>or something, and they're all just just building up together. Ultron,

0:32:19.680 --> 0:32:24.200
<v Speaker 1>Sorry that's era, but no. Yeah, this idea that you

0:32:24.240 --> 0:32:26.320
<v Speaker 1>know that if you have a block of nine screens,

0:32:26.360 --> 0:32:29.200
<v Speaker 1>the upper left screen is the upper left corner of

0:32:29.240 --> 0:32:32.760
<v Speaker 1>the full picture. How does that happen? Like, how would

0:32:32.800 --> 0:32:35.720
<v Speaker 1>you how would you would that mean? Like Channel thirty

0:32:35.720 --> 0:32:39.720
<v Speaker 1>two is only showing the upper left corner of the

0:32:39.760 --> 0:32:43.320
<v Speaker 1>alien the alien disruption in our in our communication signal

0:32:43.480 --> 0:32:46.640
<v Speaker 1>is causing our television is to start acting like Vultron again.

0:32:46.640 --> 0:32:52.360
<v Speaker 1>And I completely dismiss your your apologetic response. Yeah, this

0:32:52.400 --> 0:32:53.600
<v Speaker 1>is one of those things where I just thought it

0:32:53.640 --> 0:32:57.160
<v Speaker 1>was ridiculous where you have all these disconnected screens suddenly

0:32:57.200 --> 0:33:00.400
<v Speaker 1>showing a unified display. It just I mean, it was

0:33:00.440 --> 0:33:03.160
<v Speaker 1>clearly there for dramatic effect, but it doesn't make any sense.

0:33:03.160 --> 0:33:05.320
<v Speaker 1>The only way that works is if you have prerecorded

0:33:05.360 --> 0:33:07.920
<v Speaker 1>it and programmed out the screens to show exactly what

0:33:07.960 --> 0:33:10.600
<v Speaker 1>you want when you want it. It doesn't happen over

0:33:10.640 --> 0:33:14.719
<v Speaker 1>a live broadcast where suddenly nine screens gained sentience and

0:33:14.760 --> 0:33:20.160
<v Speaker 1>all work together to bring together the presence words the

0:33:20.280 --> 0:33:22.040
<v Speaker 1>Jeff Goldblum decides he has to go to d C

0:33:22.440 --> 0:33:25.160
<v Speaker 1>to find his ex wife, who now works at the

0:33:25.160 --> 0:33:28.840
<v Speaker 1>White House and also marginally helps save the planet. Right,

0:33:28.920 --> 0:33:32.080
<v Speaker 1>So yeah, that's in the process. So he goes with

0:33:32.120 --> 0:33:34.760
<v Speaker 1>his dad, uh, and he and his dad go down

0:33:34.840 --> 0:33:37.080
<v Speaker 1>to DC because Jeff Goldblin' Scaracter doesn't drive a car,

0:33:37.200 --> 0:33:39.600
<v Speaker 1>so he rides with his dad, who does drives very

0:33:39.600 --> 0:33:43.120
<v Speaker 1>slowly comedic effect, and they arrive at d C and

0:33:43.160 --> 0:33:47.000
<v Speaker 1>then he he quote triangulates the position of his wife

0:33:47.000 --> 0:33:50.320
<v Speaker 1>through her cell phone use, which is cell phones in

0:33:50.360 --> 0:33:52.760
<v Speaker 1>this period where Fox Molder's cell phone. I mean they

0:33:52.760 --> 0:33:55.360
<v Speaker 1>were bricks, they were rare to not everyone had them.

0:33:55.400 --> 0:33:58.480
<v Speaker 1>But but triangulating is probably not the right word here.

0:33:58.520 --> 0:34:02.800
<v Speaker 1>You could triangulate someone's issue using someone who's using a

0:34:02.840 --> 0:34:04.880
<v Speaker 1>cell phone. You could triangulate it, particularly if you're the

0:34:04.880 --> 0:34:07.800
<v Speaker 1>cell phone company, but more likely what he was doing

0:34:08.080 --> 0:34:11.080
<v Speaker 1>was at the time, didn't they didn't They kind of

0:34:11.080 --> 0:34:13.560
<v Speaker 1>purposefully scramble a lot of that where it couldn't you

0:34:13.640 --> 0:34:18.560
<v Speaker 1>not really use GPS I GPS GPS does that's not

0:34:18.640 --> 0:34:20.759
<v Speaker 1>even that's not even a thing, Okay, So, I mean

0:34:20.800 --> 0:34:25.680
<v Speaker 1>GPS is a thing, but not on any civilian cell phone.

0:34:26.280 --> 0:34:28.240
<v Speaker 1>So you could do it just by the cell phone signal,

0:34:28.320 --> 0:34:30.560
<v Speaker 1>you know, the cell phone sending out radio signals from

0:34:30.600 --> 0:34:32.200
<v Speaker 1>the phone, because she's on the phone at the time,

0:34:32.200 --> 0:34:33.960
<v Speaker 1>and the idea is that what he's doing is detecting

0:34:33.960 --> 0:34:36.480
<v Speaker 1>the radio signal from her phone and then figuring out

0:34:36.560 --> 0:34:39.600
<v Speaker 1>where she is within the context of the White House.

0:34:39.960 --> 0:34:42.359
<v Speaker 1>He couldn't really triangulate. I mean, to triangulate, you need

0:34:42.440 --> 0:34:45.000
<v Speaker 1>three points. That's kind of the whole idea of triangulation.

0:34:45.080 --> 0:34:46.759
<v Speaker 1>You need these three sides, and you have to be

0:34:46.800 --> 0:34:49.719
<v Speaker 1>able to know the different angles between you and a cup.

0:34:49.800 --> 0:34:51.759
<v Speaker 1>You need to note at least the distance between you

0:34:51.880 --> 0:34:54.160
<v Speaker 1>and one other point and at least the measurement of

0:34:54.200 --> 0:34:55.880
<v Speaker 1>two angles for you to be able to determine the

0:34:55.880 --> 0:34:59.399
<v Speaker 1>position of whatever is you're looking for. Yeah, and he

0:34:59.480 --> 0:35:02.239
<v Speaker 1>obviously doesn't have all that information. What he was really

0:35:02.239 --> 0:35:06.800
<v Speaker 1>doing was a kind of localization through multilateral radio signals,

0:35:06.840 --> 0:35:09.799
<v Speaker 1>which is possible but is not terribly precise. So in

0:35:09.800 --> 0:35:12.080
<v Speaker 1>other words, he'd be able to say she's in the

0:35:12.080 --> 0:35:19.480
<v Speaker 1>White House, which they already knew. But anyway, again, movie logic, Um,

0:35:19.560 --> 0:35:23.440
<v Speaker 1>we have the whole uh bit of where they're The

0:35:23.480 --> 0:35:26.719
<v Speaker 1>ships actually start to unleash their attack, so at this

0:35:26.760 --> 0:35:29.920
<v Speaker 1>point our various heroes have all started to make their

0:35:29.960 --> 0:35:34.080
<v Speaker 1>way out of the cities. Otherwise the movie over really quickly. Yeah,

0:35:34.800 --> 0:35:38.600
<v Speaker 1>and the spaceships start to beam down energy into the

0:35:38.600 --> 0:35:41.239
<v Speaker 1>cities to wipe them out. We don't know what kind

0:35:41.280 --> 0:35:43.160
<v Speaker 1>of energy it is, some kind of energy weapon. It's

0:35:43.160 --> 0:35:45.640
<v Speaker 1>it's kind of a green and glowing laser stuff that

0:35:45.719 --> 0:35:49.359
<v Speaker 1>moves slower than light speed. Right, So so it's kind

0:35:49.400 --> 0:35:52.680
<v Speaker 1>of like our podcast about plasma weapons, you know, it's

0:35:52.719 --> 0:35:55.160
<v Speaker 1>similar to that. But we figure all right, so the

0:35:55.200 --> 0:35:58.880
<v Speaker 1>slowing down obviously that's for again traumatic effect, because if

0:35:58.880 --> 0:36:00.799
<v Speaker 1>it was going at light speed, would to speak and

0:36:00.840 --> 0:36:04.640
<v Speaker 1>you're like, wow, um, this this was more you know,

0:36:05.360 --> 0:36:08.799
<v Speaker 1>intimidating and frightening. But so let's just assume it's some

0:36:08.840 --> 0:36:11.880
<v Speaker 1>form of laser. There could even be plasma ification going on,

0:36:11.920 --> 0:36:14.480
<v Speaker 1>because if the laser is powerful enough, it could actually

0:36:14.719 --> 0:36:18.520
<v Speaker 1>plasma atmosphere, the atmosphere around the laser. And then you

0:36:18.560 --> 0:36:22.480
<v Speaker 1>see this this explosion from the focal point moving outward

0:36:22.760 --> 0:36:26.719
<v Speaker 1>and it just keeps rolling out like effect pond. Yeah,

0:36:26.719 --> 0:36:28.319
<v Speaker 1>exactly like if you were to throw a rock into

0:36:28.320 --> 0:36:31.200
<v Speaker 1>a pond and you watch those ripples. That's exactly what

0:36:31.280 --> 0:36:33.560
<v Speaker 1>this looks like, except it's just the one ripple, right,

0:36:33.560 --> 0:36:36.239
<v Speaker 1>It's not like it's not like a six sequence of them.

0:36:36.280 --> 0:36:40.600
<v Speaker 1>So you see this one ripple moving outward of exclusiveness. Uh,

0:36:40.640 --> 0:36:44.160
<v Speaker 1>and it never seems to um to to disperse until

0:36:44.200 --> 0:36:46.319
<v Speaker 1>it gets to like the edge of the city. It

0:36:46.400 --> 0:36:50.680
<v Speaker 1>just keeps going outward, which uh, the blast only happens once,

0:36:50.760 --> 0:36:54.640
<v Speaker 1>like it shoots down once at whatever monument it happens

0:36:54.640 --> 0:36:57.160
<v Speaker 1>to be parked over, because we've already established that's what

0:36:57.200 --> 0:37:00.520
<v Speaker 1>they do. The aliens are kind of they're kind of jerks.

0:37:01.200 --> 0:37:02.799
<v Speaker 1>There are a bunch of jerk faces. Not only are

0:37:02.800 --> 0:37:05.560
<v Speaker 1>they destroying our cities, but they have to first hit whatever,

0:37:06.280 --> 0:37:11.360
<v Speaker 1>like uh iconic building or structure is there. They're not

0:37:11.400 --> 0:37:13.840
<v Speaker 1>only we're gonna kill you, we're gonna blow up your stuff,

0:37:14.400 --> 0:37:17.400
<v Speaker 1>like the stuff you like, the stuff that's on your postcards.

0:37:17.400 --> 0:37:20.240
<v Speaker 1>That's what we're blowing up, um because it makes really

0:37:20.280 --> 0:37:23.120
<v Speaker 1>good movie posters. They've been they've been watching watching our

0:37:23.440 --> 0:37:25.719
<v Speaker 1>communication signal and they probably actually had already seen em

0:37:25.800 --> 0:37:27.800
<v Speaker 1>riks future films before he had even made them, and

0:37:27.800 --> 0:37:30.759
<v Speaker 1>they said, that's a good idea. So U because I

0:37:30.760 --> 0:37:32.439
<v Speaker 1>mean it, they're going faster than light. That means they've

0:37:32.480 --> 0:37:35.360
<v Speaker 1>got some time travel stuff going on too. Anyway, this

0:37:35.360 --> 0:37:38.200
<v Speaker 1>this uh, this explosion that moves out where there's The

0:37:38.360 --> 0:37:41.520
<v Speaker 1>scientific problem I have with this is that the energy

0:37:41.560 --> 0:37:44.000
<v Speaker 1>doesn't seem to disperse, like they shoot the blast down

0:37:44.040 --> 0:37:46.000
<v Speaker 1>once and then the blast turns off and then you

0:37:46.080 --> 0:37:50.040
<v Speaker 1>just see the the spreading explosion and it never seems

0:37:50.080 --> 0:37:53.400
<v Speaker 1>to be losing energy. But in order for this to

0:37:53.440 --> 0:37:56.200
<v Speaker 1>really work, they'd have to constantly be pouring energy into it,

0:37:56.239 --> 0:37:59.400
<v Speaker 1>because you know, otherwise it would just disperse outward. Heat

0:37:59.440 --> 0:38:03.240
<v Speaker 1>does not stay in a ripple effect. Maybe maybe only

0:38:03.280 --> 0:38:06.799
<v Speaker 1>that initial blast is within the visible spectrum and the

0:38:06.840 --> 0:38:09.480
<v Speaker 1>rest is using some of that graviton technology that they

0:38:09.480 --> 0:38:13.080
<v Speaker 1>clearly have to create some kind of like like magnetic

0:38:13.320 --> 0:38:17.160
<v Speaker 1>gravitational rings, and they're they're using hands out. You know what,

0:38:17.440 --> 0:38:19.719
<v Speaker 1>if you're talking about plasma that works, I will I

0:38:19.760 --> 0:38:23.840
<v Speaker 1>will grant you that, because plasma will respond to magnetic fields.

0:38:23.880 --> 0:38:29.360
<v Speaker 1>So um, okay, I retract my objection. If that's possibly

0:38:29.360 --> 0:38:32.279
<v Speaker 1>what happened, then that's fine. So I did some math

0:38:32.400 --> 0:38:34.759
<v Speaker 1>here where I was trying to determine how many people

0:38:34.800 --> 0:38:38.560
<v Speaker 1>would have theoretically died as a result of these attacks. Right, So,

0:38:38.640 --> 0:38:41.480
<v Speaker 1>assuming that the ships were able to hit most of

0:38:41.520 --> 0:38:44.200
<v Speaker 1>the major cities in the world, and really at first

0:38:44.239 --> 0:38:46.879
<v Speaker 1>they're they're hitting like ten or fifteen of them, uh,

0:38:46.880 --> 0:38:49.719
<v Speaker 1>and then they move on to hit smaller cities like Atlanta.

0:38:49.880 --> 0:38:52.760
<v Speaker 1>Atlanta's in round two, so we don't get off scot

0:38:52.760 --> 0:38:57.080
<v Speaker 1>free in this one. Um. So, in nineteen six the

0:38:57.120 --> 0:39:01.120
<v Speaker 1>world had approximately five point eight billion people. We've got

0:39:01.200 --> 0:39:03.719
<v Speaker 1>quite a few more since then, but five point eight

0:39:03.719 --> 0:39:08.120
<v Speaker 1>billion people in So I assumed that about of the

0:39:08.120 --> 0:39:12.000
<v Speaker 1>world's population were in cities. Now that's a rough assumption.

0:39:12.080 --> 0:39:14.880
<v Speaker 1>In nineteen fifty it was around thirty percent, and I

0:39:14.880 --> 0:39:17.160
<v Speaker 1>think it was two thousand eight when we finally hit

0:39:17.520 --> 0:39:22.479
<v Speaker 1>fifty percent population in urban environments. So between nineteen fifty

0:39:22.480 --> 0:39:26.319
<v Speaker 1>and two thousand and eight, I'm saying, so of the

0:39:26.320 --> 0:39:29.560
<v Speaker 1>world's population in cities, that's about two point three billion

0:39:29.560 --> 0:39:33.960
<v Speaker 1>people total. And then I made a further assumption. I said, alright,

0:39:34.080 --> 0:39:37.399
<v Speaker 1>a lot of people try to evacuate, So let's say

0:39:37.400 --> 0:39:39.880
<v Speaker 1>that fifty percent of them got out of the city

0:39:40.160 --> 0:39:43.200
<v Speaker 1>and they're safe, and the other fifty percent are still

0:39:43.200 --> 0:39:46.840
<v Speaker 1>within the city when these attacks happen. That means that

0:39:46.880 --> 0:39:51.120
<v Speaker 1>you've got about one point one six billion people left

0:39:51.760 --> 0:39:53.640
<v Speaker 1>left behind those cities. So then I said, all right,

0:39:53.680 --> 0:39:57.160
<v Speaker 1>let's assume a seventy percent fatality rate, meaning that thirty

0:39:57.200 --> 0:39:59.560
<v Speaker 1>percent of the population is able to find some place

0:40:00.000 --> 0:40:02.360
<v Speaker 1>where they're able to hunker down and survive there in

0:40:02.440 --> 0:40:07.000
<v Speaker 1>a bomb shelter, or they're helpful alleyway, if you happen

0:40:07.040 --> 0:40:10.319
<v Speaker 1>to be Will Smith's love interest, thank goodness the dog

0:40:10.440 --> 0:40:13.680
<v Speaker 1>lives um. By the way, this movie not so subtle

0:40:13.719 --> 0:40:18.600
<v Speaker 1>with its emotional manipulation. They use everything children, uh, they

0:40:18.719 --> 0:40:23.040
<v Speaker 1>use dogs. They use the wonderful trope of character who

0:40:23.040 --> 0:40:25.359
<v Speaker 1>has been terribly injured, but not so badly that they

0:40:25.400 --> 0:40:29.839
<v Speaker 1>can't have that one last tender thank you, President Laura Man.

0:40:30.680 --> 0:40:32.960
<v Speaker 1>That's that's the scene I hate the most in this movie,

0:40:33.040 --> 0:40:37.080
<v Speaker 1>and that's saying something anyway, with a seventy percent fatality rate,

0:40:37.400 --> 0:40:39.880
<v Speaker 1>I figured that about that eight hundred and twelve million

0:40:39.960 --> 0:40:44.120
<v Speaker 1>people die as a result of the of this uh,

0:40:44.239 --> 0:40:48.359
<v Speaker 1>of this attack. That's a conservative estimate. Then we've got

0:40:48.360 --> 0:40:50.520
<v Speaker 1>the thing about the alien shields, which we assume are

0:40:50.560 --> 0:40:53.520
<v Speaker 1>probably some form of magnetic or maybe even gravity drive.

0:40:54.239 --> 0:40:55.960
<v Speaker 1>We don't really know that, we don't know about the

0:40:56.080 --> 0:40:59.040
<v Speaker 1>what the energy weapons really are, all right, So that

0:40:59.040 --> 0:41:02.640
<v Speaker 1>that brings us to this whole idea of the roswell

0:41:02.760 --> 0:41:06.799
<v Speaker 1>slash Area fifty one part of the movie, right right,

0:41:06.840 --> 0:41:09.600
<v Speaker 1>because because what happens is they you know, all the

0:41:09.640 --> 0:41:12.920
<v Speaker 1>city start start being blowed up, and uh and and

0:41:13.040 --> 0:41:16.560
<v Speaker 1>the president in a bunch of other military persona head

0:41:16.560 --> 0:41:20.239
<v Speaker 1>off to Area fifty one after the secret base after

0:41:20.320 --> 0:41:24.320
<v Speaker 1>just located underground, right, Jeff Goldblum's dad says, hey, you guys,

0:41:25.000 --> 0:41:27.600
<v Speaker 1>you knew about this ever since the thing in Roswell

0:41:27.719 --> 0:41:30.400
<v Speaker 1>and then you hit it an Area fifty one, and

0:41:30.440 --> 0:41:33.000
<v Speaker 1>the President says, no, no, no, no, no, no, no,

0:41:33.320 --> 0:41:38.279
<v Speaker 1>that's urban legend. It's not it's real. And then the

0:41:38.320 --> 0:41:42.160
<v Speaker 1>Secretary of Defense is like, well, actually cut to yeah,

0:41:42.200 --> 0:41:44.120
<v Speaker 1>but here's the thing. First of all, the president in

0:41:44.200 --> 0:41:47.080
<v Speaker 1>this in this sequence appears to be unaware of the

0:41:47.120 --> 0:41:50.440
<v Speaker 1>actual existence of Area fifty one, which is an actual base.

0:41:50.719 --> 0:41:55.040
<v Speaker 1>Is an actual base, although the military didn't really refer

0:41:55.120 --> 0:41:58.120
<v Speaker 1>to it as Area fifty one beyond PSALM designations on

0:41:58.120 --> 0:41:59.799
<v Speaker 1>a map. And the reason that it was called Area

0:41:59.800 --> 0:42:03.160
<v Speaker 1>fifty one is because of its proximity to Nuclear Testing

0:42:03.400 --> 0:42:07.880
<v Speaker 1>Range where they had divided up the range into different areas. Uh.

0:42:07.960 --> 0:42:10.600
<v Speaker 1>It was more known as Groom Lake, which was a

0:42:10.719 --> 0:42:14.279
<v Speaker 1>dry lake bed in Nevada, and it really is a

0:42:14.280 --> 0:42:18.000
<v Speaker 1>real place, but it was used to test experimental and

0:42:18.080 --> 0:42:23.040
<v Speaker 1>secret aircraft, so things like spy planes that were being

0:42:23.400 --> 0:42:26.440
<v Speaker 1>tested by the Air Force were that was the testing

0:42:26.480 --> 0:42:29.000
<v Speaker 1>ground and it was meant to be this secret area

0:42:29.080 --> 0:42:31.480
<v Speaker 1>so that they could do this test without revealing to

0:42:31.480 --> 0:42:34.520
<v Speaker 1>the world. Hey, this is what we're working on. UM.

0:42:34.560 --> 0:42:37.120
<v Speaker 1>But it doesn't actually have any connection to Roswell, And

0:42:37.160 --> 0:42:41.719
<v Speaker 1>in fact, Roswell, New Mexico, and Groomla, Nevada are not

0:42:41.920 --> 0:42:44.759
<v Speaker 1>close to each other, although there there are theorists who

0:42:44.880 --> 0:42:48.359
<v Speaker 1>have said that that that any potential crash landings at

0:42:48.440 --> 0:42:51.440
<v Speaker 1>Roswell were brought to a secret underground base at area,

0:42:51.880 --> 0:42:55.160
<v Speaker 1>essentially shipped across state lines to go to this secret

0:42:55.200 --> 0:42:59.759
<v Speaker 1>underground base. Uh. But you know the Roswell event. By

0:42:59.760 --> 0:43:02.400
<v Speaker 1>the way, in case you're not familiar with that, this

0:43:02.600 --> 0:43:06.000
<v Speaker 1>is an event that happened, uh in the I think

0:43:06.000 --> 0:43:09.759
<v Speaker 1>it was in the fifties where uh, a resident of

0:43:09.800 --> 0:43:14.520
<v Speaker 1>New Mexico, thank you. Yes, it's a little earlier than

0:43:14.560 --> 0:43:19.080
<v Speaker 1>I was thinking, son, a resident of essentially Roswell, New Mexico,

0:43:19.239 --> 0:43:22.440
<v Speaker 1>came across this weird stuff. It was a shiny stuff

0:43:22.480 --> 0:43:25.200
<v Speaker 1>that had UM. It was in a little pile on

0:43:25.239 --> 0:43:28.000
<v Speaker 1>the ground and for a while people were assuming that

0:43:28.000 --> 0:43:32.080
<v Speaker 1>it was some form of UFO from outer space that

0:43:32.200 --> 0:43:36.399
<v Speaker 1>had crashed landed on the Earth. Later on, much later on,

0:43:36.840 --> 0:43:40.200
<v Speaker 1>the military said that what this was was part of

0:43:40.360 --> 0:43:45.040
<v Speaker 1>Operation Mogul, which was a spy balloon initiative. It was

0:43:45.120 --> 0:43:50.120
<v Speaker 1>testing out using balloons as spy vehicles to to get

0:43:50.280 --> 0:43:55.200
<v Speaker 1>information and radioed back to some other place. And uh,

0:43:55.480 --> 0:43:57.840
<v Speaker 1>there are plenty of conspiracy theorist who don't accept that

0:43:57.880 --> 0:44:00.239
<v Speaker 1>and who would say that that's not that's not the

0:44:00.320 --> 0:44:03.120
<v Speaker 1>right answer. Although you know, the military for a while

0:44:03.280 --> 0:44:06.600
<v Speaker 1>was very much quiet about what this actually was, but

0:44:06.640 --> 0:44:09.600
<v Speaker 1>then it was because it was a spy program, so

0:44:09.680 --> 0:44:12.480
<v Speaker 1>you don't really want to let everyone know. Yeah, it

0:44:12.520 --> 0:44:14.040
<v Speaker 1>was during the Cold War, you know, people were trying

0:44:14.080 --> 0:44:16.000
<v Speaker 1>to keep things under wraps. So yeah, you know, we've

0:44:16.000 --> 0:44:21.040
<v Speaker 1>seen in recent events how people don't want spy information

0:44:21.080 --> 0:44:23.279
<v Speaker 1>to get out to the general public. But that's an

0:44:23.360 --> 0:44:26.520
<v Speaker 1>entirely different podcast that we do plan on recording, so

0:44:26.600 --> 0:44:28.200
<v Speaker 1>we want to have enough time to be able to

0:44:28.280 --> 0:44:30.640
<v Speaker 1>really cover that in great detail. If you don't know

0:44:30.680 --> 0:44:32.520
<v Speaker 1>what I'm talking about, just look up in Essay and

0:44:32.600 --> 0:44:35.200
<v Speaker 1>Prism and that will be this a little preview for

0:44:35.200 --> 0:44:39.040
<v Speaker 1>a future episode of Tech Stuff. Anyway, in this film,

0:44:39.239 --> 0:44:43.719
<v Speaker 1>they take the assumption that the space ship crash and

0:44:43.800 --> 0:44:46.279
<v Speaker 1>Roswell was in fact an alien spaceship. It was not

0:44:46.360 --> 0:44:50.239
<v Speaker 1>some balloon. It was in fact one of these aliens spaceships,

0:44:50.320 --> 0:44:53.279
<v Speaker 1>and it was. There are three levels of spaceship and

0:44:53.520 --> 0:44:56.000
<v Speaker 1>independent stay. There is the mother ship, which is the

0:44:56.920 --> 0:45:00.600
<v Speaker 1>kiometer diameter ship hanging out and by the moon. There

0:45:00.600 --> 0:45:04.440
<v Speaker 1>are the city sized ships that hover directly over city,

0:45:04.480 --> 0:45:06.279
<v Speaker 1>thus making it easy to tell how big they are

0:45:06.320 --> 0:45:07.879
<v Speaker 1>because you just look at and say, that's the size

0:45:07.880 --> 0:45:11.160
<v Speaker 1>of the city. Uh, not terribly precise, but you know,

0:45:11.320 --> 0:45:14.160
<v Speaker 1>gets the point across. Then you have the fighter ships.

0:45:14.200 --> 0:45:16.960
<v Speaker 1>These are like the tiny little ones that are kind

0:45:16.960 --> 0:45:20.399
<v Speaker 1>of a similar to jet fighters here on Earth. That's

0:45:20.480 --> 0:45:22.560
<v Speaker 1>kind of their purpose, at least in the film, that's

0:45:22.560 --> 0:45:25.360
<v Speaker 1>what it seems to be. So it was one of

0:45:25.360 --> 0:45:28.600
<v Speaker 1>those smaller ones that had apparently crashed in Roswell. And

0:45:28.600 --> 0:45:31.719
<v Speaker 1>then they move the ship and its inhabitants, who two

0:45:31.760 --> 0:45:33.480
<v Speaker 1>of whom are dead and the third one who dies

0:45:33.520 --> 0:45:36.359
<v Speaker 1>a few days later, back over to Area fifty one

0:45:36.360 --> 0:45:42.080
<v Speaker 1>in Nevada Underground. So the President is alerted that in fact,

0:45:42.080 --> 0:45:45.000
<v Speaker 1>all of this stuff actually did happen, and he says, well,

0:45:45.040 --> 0:45:48.920
<v Speaker 1>why wasn't I told, And they'd say plausible deniability, so

0:45:48.960 --> 0:45:52.839
<v Speaker 1>that if anyone asked you, you would honestly say that

0:45:53.160 --> 0:45:55.360
<v Speaker 1>it doesn't exist because as far as you know, it doesn't.

0:45:55.480 --> 0:45:57.640
<v Speaker 1>Although to be fair that the way that security clearance

0:45:57.719 --> 0:46:01.000
<v Speaker 1>is work. Just because someone has the highest possible security

0:46:01.000 --> 0:46:04.200
<v Speaker 1>clearance does that it's it's it's um, what's the word

0:46:04.200 --> 0:46:07.320
<v Speaker 1>I'm looking for. Compartmentalized. Yes, it is very much compartmentalized.

0:46:07.360 --> 0:46:10.440
<v Speaker 1>So just because someone has got the highest levels of

0:46:10.440 --> 0:46:13.760
<v Speaker 1>security clearance doesn't mean that they actually have all the information. Uh,

0:46:14.000 --> 0:46:15.880
<v Speaker 1>you still have to go through all the different channels

0:46:15.920 --> 0:46:19.480
<v Speaker 1>to get it anyway. Uh. So they go to Area

0:46:19.560 --> 0:46:22.440
<v Speaker 1>fifty one where they find a state of the art

0:46:22.520 --> 0:46:27.759
<v Speaker 1>scientific lab where people are top men are working on

0:46:28.000 --> 0:46:33.960
<v Speaker 1>determining nerds. BNT Spiner with long gray hair and glasses

0:46:34.520 --> 0:46:39.320
<v Speaker 1>uh and and coming across as like the the typical

0:46:40.000 --> 0:46:46.160
<v Speaker 1>science geek character with no or limited social So anyway,

0:46:46.200 --> 0:46:50.000
<v Speaker 1>he shows off the ship, which they said has suddenly

0:46:50.040 --> 0:46:53.880
<v Speaker 1>become active once the the other ships have come into

0:46:54.320 --> 0:46:57.200
<v Speaker 1>the proximity of Earth. And that's actually really cool. This

0:46:57.440 --> 0:47:00.359
<v Speaker 1>this concept of of the ships having some kind of

0:47:00.840 --> 0:47:03.719
<v Speaker 1>mesh network. Yeah, yeah, this this is one of those

0:47:03.760 --> 0:47:07.160
<v Speaker 1>things where I think Independence Day really got it right

0:47:07.280 --> 0:47:10.080
<v Speaker 1>to the point where this is a really cool idea.

0:47:10.160 --> 0:47:13.920
<v Speaker 1>It's this idea of this entire force, this this spaceship

0:47:14.000 --> 0:47:18.279
<v Speaker 1>force that is working on some form of what I

0:47:18.360 --> 0:47:22.200
<v Speaker 1>presume is radio frequency, where that they are communicating all

0:47:22.239 --> 0:47:24.000
<v Speaker 1>with each other so that there can be a truly

0:47:24.040 --> 0:47:28.320
<v Speaker 1>coordinated effort on the part of the entire force. So

0:47:28.880 --> 0:47:33.160
<v Speaker 1>this includes everything from power to communications. So when the

0:47:33.160 --> 0:47:36.839
<v Speaker 1>the fleet gets within the right range of Earth, this

0:47:36.960 --> 0:47:41.080
<v Speaker 1>ship starts to react and we have mesh networks. Now,

0:47:41.239 --> 0:47:44.319
<v Speaker 1>back we really didn't have mesh networks the way we

0:47:44.320 --> 0:47:47.160
<v Speaker 1>do now. But now we've got networks where you can

0:47:47.200 --> 0:47:51.880
<v Speaker 1>have elements of that network join and drop out, uh,

0:47:51.920 --> 0:47:56.560
<v Speaker 1>spontaneously throughout an entire you know, period of time, whatever

0:47:56.600 --> 0:47:59.239
<v Speaker 1>that period of time you want to be like, uh,

0:47:59.280 --> 0:48:01.560
<v Speaker 1>you know, you can think of a mesh network from

0:48:01.560 --> 0:48:04.080
<v Speaker 1>everything from a personal size mesh network, so you're talking

0:48:04.120 --> 0:48:07.400
<v Speaker 1>about like Bluetooth devices that can seamlessly link in and

0:48:07.440 --> 0:48:10.880
<v Speaker 1>link out of it to citywide mesh networks if you

0:48:10.920 --> 0:48:13.480
<v Speaker 1>really wanted to. We talk about smart cars and this

0:48:13.560 --> 0:48:16.200
<v Speaker 1>idea of a smart grid where the cars can kind

0:48:16.200 --> 0:48:20.279
<v Speaker 1>of maneuver through a city autonomously that's essentially a mesh

0:48:20.320 --> 0:48:22.520
<v Speaker 1>network where every single car is a part of it.

0:48:22.800 --> 0:48:24.880
<v Speaker 1>So this is actually an idea that I thought was

0:48:24.920 --> 0:48:29.279
<v Speaker 1>ahead of its time and made sense. Yeah, So, I mean,

0:48:29.360 --> 0:48:31.560
<v Speaker 1>kudos to them for coming up with us, because it

0:48:32.040 --> 0:48:35.160
<v Speaker 1>really was a cool idea that we're actually seeing put

0:48:35.200 --> 0:48:39.120
<v Speaker 1>into place in a different implementation. Obviously, we haven't invaded

0:48:39.160 --> 0:48:42.759
<v Speaker 1>any alien planets as far as I'm aware, but we

0:48:42.840 --> 0:48:46.160
<v Speaker 1>have started to use this kind of approach, right right. Yeah, Although,

0:48:46.160 --> 0:48:48.239
<v Speaker 1>while while we're on the topic of grids, I I

0:48:48.320 --> 0:48:50.080
<v Speaker 1>did want to kind of point out that no one

0:48:50.120 --> 0:48:51.960
<v Speaker 1>ever really talks about the fact that if you destroy

0:48:52.040 --> 0:48:55.200
<v Speaker 1>this many major metropolitan areas, that the electrical grid would

0:48:55.239 --> 0:48:59.160
<v Speaker 1>probably be not host not good. Yeah, that's true. We

0:48:59.200 --> 0:49:02.160
<v Speaker 1>don't know where every one's getting their power point. Yeah,

0:49:02.160 --> 0:49:04.920
<v Speaker 1>and you can assume that area have its own generators,

0:49:04.920 --> 0:49:07.799
<v Speaker 1>but right, right, right, yeah, And but and some of

0:49:07.840 --> 0:49:12.759
<v Speaker 1>these army bases I suppose have access to power from

0:49:12.840 --> 0:49:16.160
<v Speaker 1>other places. I mean, most most of these military bases

0:49:16.480 --> 0:49:19.720
<v Speaker 1>I suspect do not have their own power generating facilities.

0:49:20.200 --> 0:49:23.120
<v Speaker 1>We'll be right back talking more about Independence Day, but

0:49:23.200 --> 0:49:33.239
<v Speaker 1>first let's take another quick break. We also know that

0:49:33.280 --> 0:49:36.640
<v Speaker 1>global communications are down, so they get around that by

0:49:36.760 --> 0:49:40.400
<v Speaker 1>using telegraph wires Morse code, and they use Morse code. Uh.

0:49:40.719 --> 0:49:44.000
<v Speaker 1>I assume they're using Morse code simply because the telegraph

0:49:44.040 --> 0:49:48.600
<v Speaker 1>wires are the most reliable means of communicating, rather than

0:49:48.840 --> 0:49:53.200
<v Speaker 1>some way of masking the communication from aliens. How it

0:49:53.239 --> 0:49:55.440
<v Speaker 1>seems like a little bit of both, which confuses me.

0:49:55.600 --> 0:50:01.560
<v Speaker 1>On on a you're you're still conveying information electrically and transcontinentally.

0:50:01.840 --> 0:50:04.200
<v Speaker 1>Um is a really long I mean, I don't know.

0:50:04.239 --> 0:50:06.719
<v Speaker 1>I just I find it implausible that that wire would

0:50:06.719 --> 0:50:09.399
<v Speaker 1>have survived. It's well, if it's all underwater, if it's

0:50:09.480 --> 0:50:13.200
<v Speaker 1>under the ocean, then it is possible that the that

0:50:13.880 --> 0:50:17.440
<v Speaker 1>at least some of the telegraph wires have have managed

0:50:17.480 --> 0:50:20.520
<v Speaker 1>to survive, like at least some communication lines have survived,

0:50:20.520 --> 0:50:23.440
<v Speaker 1>the Transatlantic lines. Actually anything that is under the ocean.

0:50:23.520 --> 0:50:26.600
<v Speaker 1>I have no problem believing that that survived, whether it

0:50:26.719 --> 0:50:30.160
<v Speaker 1>survived enough nodes so that you could have a dedicated connection.

0:50:30.400 --> 0:50:32.120
<v Speaker 1>But that's one of the good things about the Internet,

0:50:32.320 --> 0:50:36.040
<v Speaker 1>and and it's something that I think we easily look over.

0:50:36.200 --> 0:50:39.840
<v Speaker 1>It's the idea that the way that the transmission protocols

0:50:39.840 --> 0:50:42.239
<v Speaker 1>were designed for the Internet. Means that if you were

0:50:42.280 --> 0:50:45.600
<v Speaker 1>to lose a large part of the Internet, information could

0:50:45.600 --> 0:50:50.920
<v Speaker 1>still because because it can, it can dynamically route across

0:50:51.200 --> 0:50:54.640
<v Speaker 1>different networks. Now telegraphs, So that's different, right, that's not

0:50:54.920 --> 0:50:57.560
<v Speaker 1>that's not divided up into packets of information like an

0:50:57.560 --> 0:51:02.000
<v Speaker 1>email is. It's sent as a direct sign all um.

0:51:02.040 --> 0:51:04.160
<v Speaker 1>But I assume that they weren't really trying to mask

0:51:04.239 --> 0:51:08.520
<v Speaker 1>their communications. But if they were, Morse code is not

0:51:08.760 --> 0:51:11.560
<v Speaker 1>that difficult to crack. Yeah, it's just a code. All

0:51:11.600 --> 0:51:16.120
<v Speaker 1>it is is replacing letters with particular uh, a particular

0:51:16.200 --> 0:51:19.600
<v Speaker 1>dash and dot combination. Certainly, if these aliens can can

0:51:19.600 --> 0:51:25.359
<v Speaker 1>crack art our satellite communication systems, then they could definitely code,

0:51:25.440 --> 0:51:28.879
<v Speaker 1>especially if if they've had any contact with humans where

0:51:28.920 --> 0:51:32.200
<v Speaker 1>they understand the concept. Because they do, they do give

0:51:32.239 --> 0:51:36.000
<v Speaker 1>you that that feeling that whenever an alien makes telepathic

0:51:36.440 --> 0:51:38.959
<v Speaker 1>contact with a human, which we see in this area

0:51:39.040 --> 0:51:43.480
<v Speaker 1>fifty one scene Brent Spiner, Uh, he gets his his

0:51:43.560 --> 0:51:46.200
<v Speaker 1>brain all taken over and the president does too. Briefly

0:51:46.960 --> 0:51:51.840
<v Speaker 1>by a telepathic alien, that knowledge is shared that the

0:51:51.840 --> 0:51:55.080
<v Speaker 1>the person who has the telepathic communication with the alien

0:51:55.200 --> 0:51:58.359
<v Speaker 1>learns things about the alien's brain, and the alien learns

0:51:58.400 --> 0:52:01.799
<v Speaker 1>things about the humans brain. So just that alone, I mean,

0:52:01.800 --> 0:52:03.840
<v Speaker 1>even if the even if the person that the control

0:52:03.880 --> 0:52:06.720
<v Speaker 1>doesn't understand Morse code, like they don't know Morse code,

0:52:06.960 --> 0:52:09.360
<v Speaker 1>they probably at least have heard what Morse code is,

0:52:09.920 --> 0:52:11.480
<v Speaker 1>which means the aliens will be like, all right, this

0:52:11.520 --> 0:52:13.880
<v Speaker 1>is a code where they've replaced letters with this, I

0:52:13.920 --> 0:52:15.759
<v Speaker 1>know what the letters are. Let's just figure this out.

0:52:15.800 --> 0:52:17.799
<v Speaker 1>And it wouldn't take you long at all. I mean,

0:52:17.840 --> 0:52:20.920
<v Speaker 1>once you know the basic rules of language, decoding something

0:52:20.960 --> 0:52:23.359
<v Speaker 1>that's a simple replacement cipher very easy. So that's why

0:52:23.400 --> 0:52:25.840
<v Speaker 1>I'm saying, I don't think it was meant to mask

0:52:26.200 --> 0:52:28.920
<v Speaker 1>the communications so much as just be a way of

0:52:29.320 --> 0:52:33.680
<v Speaker 1>people communicating across vast distances once the other lines had

0:52:33.680 --> 0:52:36.680
<v Speaker 1>been cut. I'm I'm wondering, I'm I'm wondering right now

0:52:36.719 --> 0:52:39.560
<v Speaker 1>how the psychic communication part happens, which is which is

0:52:39.600 --> 0:52:43.319
<v Speaker 1>straying a little bit from technology, I understand, but it

0:52:43.360 --> 0:52:44.960
<v Speaker 1>is it is science and and and that's you know,

0:52:45.040 --> 0:52:47.879
<v Speaker 1>because if if you can communicate more or less telepathically

0:52:48.000 --> 0:52:51.839
<v Speaker 1>and I'm assuming electrically, due to the way that that

0:52:51.960 --> 0:52:54.319
<v Speaker 1>that these aliens brains seem to have an effect on

0:52:54.880 --> 0:53:01.440
<v Speaker 1>um memory, muscle systems, and and furthermore, are electrical systems

0:53:01.440 --> 0:53:03.640
<v Speaker 1>in the nearby area. It's it's almost like they send

0:53:03.640 --> 0:53:05.400
<v Speaker 1>out kind of an e MP A couple of times,

0:53:05.800 --> 0:53:09.000
<v Speaker 1>and um, yeah they would. And well you would think

0:53:09.040 --> 0:53:12.279
<v Speaker 1>that anything that would require manipulation of thought would have

0:53:12.360 --> 0:53:14.839
<v Speaker 1>to work on an electrical basis, at least at some point,

0:53:14.880 --> 0:53:17.160
<v Speaker 1>because when you get down to the cellular level. Well,

0:53:17.160 --> 0:53:20.799
<v Speaker 1>and also Brent Spiner talks from the alien's point of view,

0:53:20.840 --> 0:53:25.959
<v Speaker 1>so it becomes a data puppet, right, we're actually making

0:53:26.000 --> 0:53:28.960
<v Speaker 1>puppet motions with your Yeah, no, no, no, it made

0:53:28.960 --> 0:53:34.400
<v Speaker 1>perfect sense. Yeah, and and yeah, at that point it's

0:53:34.440 --> 0:53:37.439
<v Speaker 1>your muscular systems are electrical, so yeah, so you don't

0:53:37.760 --> 0:53:41.560
<v Speaker 1>there's no explanation of how this telepathic, uh, and why

0:53:41.640 --> 0:53:44.560
<v Speaker 1>they need to use their satellites if they're telepathic, right, yeah,

0:53:44.800 --> 0:53:47.880
<v Speaker 1>if they are telepathy, unless it's the telepathy only works

0:53:47.880 --> 0:53:50.839
<v Speaker 1>over short distances. But this is all gravity drives must

0:53:50.840 --> 0:53:53.840
<v Speaker 1>get in the way, exactly the telepathetic signal. Sorry, guys,

0:53:53.880 --> 0:53:56.040
<v Speaker 1>get any communication you want all the way now, because

0:53:56.040 --> 0:53:57.799
<v Speaker 1>we're about to start moving and you know there's no

0:53:57.880 --> 0:54:01.120
<v Speaker 1>talking once we get moving um because they don't they

0:54:01.120 --> 0:54:03.520
<v Speaker 1>don't have any mouths, they cannot speak, but they do

0:54:03.680 --> 0:54:08.120
<v Speaker 1>communicate telepathically. We don't understand much of that. But then

0:54:08.280 --> 0:54:10.319
<v Speaker 1>the movie is told from the point of view of

0:54:10.360 --> 0:54:14.799
<v Speaker 1>the human protagonists, and the humans are a disadvantage because

0:54:14.800 --> 0:54:18.120
<v Speaker 1>they know very little in general about the aliens. So

0:54:19.040 --> 0:54:20.880
<v Speaker 1>I'm even willing to give them a bit of a

0:54:20.880 --> 0:54:24.400
<v Speaker 1>pass on this, saying that the alien physiology and the

0:54:24.480 --> 0:54:29.600
<v Speaker 1>telepathy are beyond our understanding, and we call it telepathy

0:54:29.640 --> 0:54:31.960
<v Speaker 1>because we don't have a word for whatever it is

0:54:32.000 --> 0:54:34.919
<v Speaker 1>they're using, um. But I agree with you and first

0:54:35.080 --> 0:54:38.439
<v Speaker 1>and also, assuming that there's going to be any kind

0:54:38.480 --> 0:54:42.839
<v Speaker 1>of of compatibility between alien physiology and human physiology where

0:54:42.880 --> 0:54:47.000
<v Speaker 1>this telepathy would work across species is a huge leap.

0:54:47.360 --> 0:54:49.439
<v Speaker 1>I mean, you know, these are two species that don't

0:54:49.480 --> 0:54:52.799
<v Speaker 1>have any connection to one another at all biologically as

0:54:52.800 --> 0:54:56.680
<v Speaker 1>far as we know, so the ability for telepathy to

0:54:56.719 --> 0:55:01.480
<v Speaker 1>work across species is a pretty big jump. I just

0:55:01.560 --> 0:55:03.719
<v Speaker 1>I just had the earnest I apologize for this. I

0:55:03.719 --> 0:55:06.200
<v Speaker 1>just had the earnest thought. Well, it worked really well

0:55:06.239 --> 0:55:10.960
<v Speaker 1>in Slither Moving Forward biomechanical suits, so these aliens are

0:55:10.960 --> 0:55:15.000
<v Speaker 1>actually the when you first see them, there are these big, giant,

0:55:15.200 --> 0:55:17.919
<v Speaker 1>nasty looking critters. But it turns out that the big giant,

0:55:18.000 --> 0:55:21.239
<v Speaker 1>nasty looking critter is actually a shell for a smaller

0:55:21.360 --> 0:55:24.839
<v Speaker 1>nasty looking critter inside of it, and that the shell

0:55:25.000 --> 0:55:27.359
<v Speaker 1>is a biomechanical suit. This is another thing I thought

0:55:27.400 --> 0:55:30.120
<v Speaker 1>was really super cool. Yeah, you know, we've got a

0:55:30.160 --> 0:55:34.120
<v Speaker 1>lot of work in exoskeletons here today on Earth. Now,

0:55:34.160 --> 0:55:39.080
<v Speaker 1>these exoskeletons are mechanical and electronic, they're not bio mechanical.

0:55:39.600 --> 0:55:44.520
<v Speaker 1>But then we're also seeing things like robotic limbs that

0:55:44.600 --> 0:55:48.839
<v Speaker 1>are designed to mimic the way our biological limb would work,

0:55:49.280 --> 0:55:52.000
<v Speaker 1>and that's really awesome. Again, still it's mechanical, it's not

0:55:52.080 --> 0:55:56.920
<v Speaker 1>bio mechanical, but we're slowly moving toward what could possibly

0:55:57.000 --> 0:56:01.680
<v Speaker 1>be a biomechanical future where perhaps uh, someone who has

0:56:01.760 --> 0:56:05.400
<v Speaker 1>to have a limb amputated receives something that's more akin

0:56:05.520 --> 0:56:08.239
<v Speaker 1>to a bio mechanical arm as opposed to just a

0:56:08.280 --> 0:56:12.839
<v Speaker 1>me mechanical one or electronic one. So I thought that

0:56:12.840 --> 0:56:14.800
<v Speaker 1>that was really neat. I did think that the design

0:56:14.880 --> 0:56:18.239
<v Speaker 1>was weird, specifically the feet, because they have they have

0:56:18.280 --> 0:56:20.680
<v Speaker 1>these tentacles that are kind of curled under like sloth toes,

0:56:20.840 --> 0:56:23.480
<v Speaker 1>and I think they look they look like they are

0:56:23.840 --> 0:56:27.000
<v Speaker 1>um like they're rigid to me. So to me, they

0:56:27.000 --> 0:56:29.480
<v Speaker 1>look like not like tentacles, but like these toes that

0:56:29.520 --> 0:56:31.680
<v Speaker 1>are curled around. I think that was a that was

0:56:31.719 --> 0:56:33.920
<v Speaker 1>a limitation of the puppet that was being used the

0:56:34.040 --> 0:56:36.600
<v Speaker 1>practical effects. I think I think that it was supposed

0:56:36.600 --> 0:56:38.759
<v Speaker 1>to be the same wiggly tentacle that we saw being

0:56:38.760 --> 0:56:41.959
<v Speaker 1>wiggly and pneumatic earlier. As totally sad that you guys

0:56:42.000 --> 0:56:47.000
<v Speaker 1>can't see this because when Lauren, when Lauren demonstrates wiggly tentacles,

0:56:47.000 --> 0:56:50.640
<v Speaker 1>she's she's looking a bit like a frantic muppet. Um

0:56:50.800 --> 0:56:53.200
<v Speaker 1>to be fairy usually look a bit like a frantic muppet.

0:56:53.239 --> 0:56:55.640
<v Speaker 1>I think we'll have to shoot the video version of

0:56:55.680 --> 0:56:57.480
<v Speaker 1>this podcast at some point so we can see that

0:56:57.640 --> 0:57:00.120
<v Speaker 1>the tentacles and we'll both do our own version, and

0:57:01.719 --> 0:57:03.960
<v Speaker 1>that is Google glasses coming. I'll be getting my my

0:57:04.040 --> 0:57:06.799
<v Speaker 1>parent a couple of days. Um. Yeah, But anyway, I

0:57:06.800 --> 0:57:08.480
<v Speaker 1>just thought that the feet were weird. But if they

0:57:08.480 --> 0:57:10.879
<v Speaker 1>were supposed to be tentacles that are actually flexible, that

0:57:10.960 --> 0:57:12.840
<v Speaker 1>makes more sense to me. But if they were supposed

0:57:12.840 --> 0:57:16.640
<v Speaker 1>to be these rigid, weird, curled backward toe things. That's

0:57:16.680 --> 0:57:22.360
<v Speaker 1>not the best foundation for your bipedal suit. Maybe on

0:57:22.600 --> 0:57:25.680
<v Speaker 1>their planet the gravity is different, so it's like that C. S.

0:57:25.760 --> 0:57:29.240
<v Speaker 1>Lewis C. S. Lewis novel. Maybe they just all hang

0:57:29.360 --> 0:57:31.919
<v Speaker 1>upside down from trees and they have to hook their

0:57:31.960 --> 0:57:34.439
<v Speaker 1>toes onto the tree limbs in order to be able

0:57:34.480 --> 0:57:38.160
<v Speaker 1>to move, and so they're not normally walking on ground.

0:57:39.360 --> 0:57:43.720
<v Speaker 1>I don't know. Um so, then the next note I

0:57:43.800 --> 0:57:47.280
<v Speaker 1>have actually involves a plot point in not not just

0:57:47.320 --> 0:57:50.960
<v Speaker 1>the same. Yeah, yes, the movie does have a plot,

0:57:51.760 --> 0:57:56.000
<v Speaker 1>but the president's wife is injured in a helicopter crash.

0:57:56.040 --> 0:57:58.160
<v Speaker 1>The President's wife, of course, being played by President Laura

0:57:58.200 --> 0:58:02.200
<v Speaker 1>Fro Battlestar Galactica. Right, so the president's wife is injured,

0:58:02.720 --> 0:58:07.400
<v Speaker 1>uh critically, but she has specifically yeah, yeah, there's it's

0:58:07.520 --> 0:58:11.160
<v Speaker 1>very vague. There's internal bleeding. That's all we know. She's

0:58:11.160 --> 0:58:14.480
<v Speaker 1>she's suffered the internal bleeding injury, and the duration of

0:58:14.520 --> 0:58:16.640
<v Speaker 1>which is it will let her live just long enough

0:58:16.680 --> 0:58:20.960
<v Speaker 1>for her to have with her husband just before passing away.

0:58:21.000 --> 0:58:23.400
<v Speaker 1>And then of course you get the little daughter saying

0:58:23.520 --> 0:58:26.120
<v Speaker 1>is mommy sleeping and the president saying yes, she is,

0:58:27.000 --> 0:58:30.160
<v Speaker 1>and then the sad moment, like again not a subtle

0:58:30.200 --> 0:58:34.160
<v Speaker 1>movie is Independence Day. Uh. They like to take emotion

0:58:34.280 --> 0:58:36.080
<v Speaker 1>and whack you right upside the head with it in

0:58:36.120 --> 0:58:39.240
<v Speaker 1>a very clumsy, ham fisted manner, kind of similar to

0:58:39.240 --> 0:58:43.560
<v Speaker 1>the way that they depict America and all of the world.

0:58:44.120 --> 0:58:46.560
<v Speaker 1>Like it's just a it's a it's a very simple,

0:58:46.800 --> 0:58:52.720
<v Speaker 1>simple representation of emotion and politics. Um. Now we get

0:58:52.760 --> 0:58:55.320
<v Speaker 1>into the part of the movie that everyone remembers whenever

0:58:55.360 --> 0:58:59.080
<v Speaker 1>anyone has a discussion about Independence Day and science and technology.

0:58:59.200 --> 0:59:02.800
<v Speaker 1>This is the part that everyone brings up right right,

0:59:02.800 --> 0:59:06.400
<v Speaker 1>because this the entire plot hinges upon Jeff gold Bloom's characters.

0:59:06.560 --> 0:59:09.919
<v Speaker 1>We keep saying Jeff Goldbloom as though he was actually there. Um,

0:59:10.080 --> 0:59:12.800
<v Speaker 1>I was not paying that much attention, I have to say. Um,

0:59:13.440 --> 0:59:16.320
<v Speaker 1>his his concept is Okay, so we can't destroy these

0:59:16.360 --> 0:59:21.240
<v Speaker 1>ships because they're shielded. Um, but I can program a

0:59:21.360 --> 0:59:24.800
<v Speaker 1>virus on my macy and if we can get that

0:59:24.920 --> 0:59:27.720
<v Speaker 1>virus into the ships, then we can take down the

0:59:27.720 --> 0:59:30.720
<v Speaker 1>shields and then blow the ships up. You know, this

0:59:30.800 --> 0:59:34.400
<v Speaker 1>is ah, this is just a mostly due to a

0:59:34.440 --> 0:59:39.440
<v Speaker 1>gross misunderstanding of what exactly a computer viruses. So in

0:59:39.480 --> 0:59:42.440
<v Speaker 1>this movie a computer we're using a word that it's

0:59:42.480 --> 0:59:44.480
<v Speaker 1>you keep using the word. I don't know if what

0:59:44.600 --> 0:59:46.840
<v Speaker 1>you think it means. Yeah, if we did an episode

0:59:46.840 --> 0:59:48.960
<v Speaker 1>about Princess bry to be much shorter, but it would

0:59:49.000 --> 0:59:51.240
<v Speaker 1>just be us quoting is all it would be. You

0:59:51.320 --> 0:59:53.040
<v Speaker 1>can do that with your friends. I do with my

0:59:53.080 --> 0:59:55.880
<v Speaker 1>friends all the time. But yeah, the the in this

0:59:55.920 --> 0:59:59.439
<v Speaker 1>film a computer virus is essentially saying, this will turn

0:59:59.480 --> 1:00:02.160
<v Speaker 1>the shields off. That's all this computer virus does. So

1:00:02.160 --> 1:00:05.440
<v Speaker 1>it's really more like a command, sending a command to

1:00:05.760 --> 1:00:08.560
<v Speaker 1>like the shield thing, switch that to the off position

1:00:08.600 --> 1:00:10.560
<v Speaker 1>and keep it off for as long as you possibly can.

1:00:11.120 --> 1:00:15.200
<v Speaker 1>But they call it a computer virus. Now, typically computer

1:00:15.280 --> 1:00:19.080
<v Speaker 1>viruses do one of a few things. You're very basic.

1:00:19.120 --> 1:00:22.600
<v Speaker 1>Computer worm, the the old style computer virus that was

1:00:22.640 --> 1:00:25.200
<v Speaker 1>really just meant to cause as much mischief as possible,

1:00:25.920 --> 1:00:29.000
<v Speaker 1>was a self replicating piece of code that if you

1:00:29.040 --> 1:00:32.040
<v Speaker 1>were to execute, it would start to copy itself and

1:00:32.240 --> 1:00:35.600
<v Speaker 1>to whatever medium you were using, so like a hard drive,

1:00:35.960 --> 1:00:38.000
<v Speaker 1>so it would copy itself to your hard drive, filling

1:00:38.080 --> 1:00:41.600
<v Speaker 1>up your hard drive space and making your computer essentially unusable.

1:00:41.600 --> 1:00:43.760
<v Speaker 1>Also your your computer's memory, so it just kind of

1:00:43.760 --> 1:00:47.000
<v Speaker 1>bricks your computer. Uh. Then there were the kinds that

1:00:47.040 --> 1:00:49.480
<v Speaker 1>would try to wipe all the data off, you know,

1:00:49.560 --> 1:00:52.240
<v Speaker 1>just essentially reform at your computer. Then there were the

1:00:52.320 --> 1:00:55.240
<v Speaker 1>kinds that were designed to to take advantage of a

1:00:55.280 --> 1:00:58.560
<v Speaker 1>vulnerability in whatever operating system you were using, so that

1:00:58.680 --> 1:01:02.160
<v Speaker 1>someone could get access to your machine administrative level access

1:01:02.200 --> 1:01:05.280
<v Speaker 1>to either lock you out and grant someone else access

1:01:05.400 --> 1:01:08.120
<v Speaker 1>or simply grant someone else. Right. Yeah, so the whole

1:01:08.120 --> 1:01:12.080
<v Speaker 1>back door access and thing where you can get access

1:01:12.080 --> 1:01:14.200
<v Speaker 1>to another person's machine. You might not you might not

1:01:14.320 --> 1:01:16.560
<v Speaker 1>lock them out at all, so that they seem to

1:01:16.600 --> 1:01:18.880
<v Speaker 1>think that everything is working fine. They don't. To them,

1:01:18.960 --> 1:01:21.200
<v Speaker 1>it doesn't seem to be any different. It might be

1:01:21.240 --> 1:01:25.200
<v Speaker 1>a visible parasite, but then someone else is running the

1:01:25.240 --> 1:01:29.280
<v Speaker 1>game and trying to use your computer to do various things. Um,

1:01:29.440 --> 1:01:31.800
<v Speaker 1>so that those are your basic types of malware. I

1:01:31.800 --> 1:01:33.960
<v Speaker 1>mean there are other kinds as well. They're phishing scams,

1:01:34.000 --> 1:01:36.400
<v Speaker 1>things that do key logging to try and figure out

1:01:36.480 --> 1:01:38.960
<v Speaker 1>what it is that you're typing. But that's kind of

1:01:39.080 --> 1:01:43.040
<v Speaker 1>the basics for computer viruses. They're not necessarily something that

1:01:43.120 --> 1:01:47.480
<v Speaker 1>you know does very specific functions. So here here are

1:01:47.480 --> 1:01:50.840
<v Speaker 1>the multiple problems I have here. One one is that

1:01:50.880 --> 1:01:54.560
<v Speaker 1>you have an alien computer system and a human computer

1:01:54.600 --> 1:01:57.560
<v Speaker 1>system that are at all compatible. Just as biology being

1:01:57.560 --> 1:02:02.320
<v Speaker 1>compatible is really implausible, computer systems is incredibly implausible. And

1:02:02.320 --> 1:02:04.360
<v Speaker 1>and again I'm almost willing to give him a pass

1:02:04.440 --> 1:02:07.240
<v Speaker 1>on the aliens studying us enough to have figured out

1:02:07.280 --> 1:02:10.880
<v Speaker 1>our satellite communication systems UM, because you know, I don't

1:02:10.920 --> 1:02:12.880
<v Speaker 1>know how long they've been studying us. That's that's sure,

1:02:12.880 --> 1:02:16.840
<v Speaker 1>And they're aliens, that's fine at least since right, But

1:02:16.880 --> 1:02:20.600
<v Speaker 1>if you're just watching Jeff Goldbloom, if it's just one

1:02:20.680 --> 1:02:23.240
<v Speaker 1>dude over the course of like a day, Yeah, And

1:02:23.240 --> 1:02:26.320
<v Speaker 1>and the idea, even if they've been studying the alien

1:02:26.360 --> 1:02:29.280
<v Speaker 1>technology aboard this ship, I doubt that they had had

1:02:29.280 --> 1:02:31.800
<v Speaker 1>any luck. And you know clearly they said that the

1:02:32.320 --> 1:02:35.120
<v Speaker 1>ship had not been operational at all until a couple

1:02:35.120 --> 1:02:40.160
<v Speaker 1>of days like since the right, so they didn't didn't

1:02:40.160 --> 1:02:42.080
<v Speaker 1>have any access to the computer system there. There's no

1:02:42.160 --> 1:02:44.520
<v Speaker 1>reason their computer systems would run on the same sort

1:02:44.560 --> 1:02:47.400
<v Speaker 1>of binary system that we use. Now. The fact that

1:02:47.440 --> 1:02:50.840
<v Speaker 1>our system uses this particular form of computer science is

1:02:50.920 --> 1:02:53.200
<v Speaker 1>because that's what was working for us. But there's no

1:02:53.320 --> 1:02:56.760
<v Speaker 1>guarantee that any other society would develop computers the same

1:02:56.760 --> 1:03:01.000
<v Speaker 1>way we did, so there's no and even if they did,

1:03:01.680 --> 1:03:03.680
<v Speaker 1>there's no guarantee that there would be an easy way

1:03:03.720 --> 1:03:06.560
<v Speaker 1>to interface one system with another. How do you connect

1:03:07.000 --> 1:03:10.960
<v Speaker 1>an Earth based computer so that you can actually send

1:03:11.720 --> 1:03:16.960
<v Speaker 1>a virus to a an alien technology? This is they

1:03:16.960 --> 1:03:20.320
<v Speaker 1>didn't even have Bluetooth. Yeah, yeah, they're they're not, They're

1:03:20.320 --> 1:03:23.280
<v Speaker 1>not like you know, it appears that you just have

1:03:23.360 --> 1:03:25.280
<v Speaker 1>to get close enough and you can magically do it.

1:03:25.320 --> 1:03:29.200
<v Speaker 1>But which would be like Bluetooth? But I don't know,

1:03:29.600 --> 1:03:32.080
<v Speaker 1>I don't you know, there's there's no explanation for that.

1:03:32.160 --> 1:03:34.840
<v Speaker 1>It's it's just it's simply this is a plot device

1:03:35.360 --> 1:03:40.800
<v Speaker 1>meant to let the heroes have their chance at overcoming odds. Yeah. Yeah,

1:03:40.920 --> 1:03:45.080
<v Speaker 1>And I understand it from a a story beat perspective,

1:03:45.160 --> 1:03:46.680
<v Speaker 1>like this is what we need to do in order

1:03:46.720 --> 1:03:48.840
<v Speaker 1>for there to be this heroic moment. I completely get that.

1:03:48.960 --> 1:03:53.040
<v Speaker 1>From an actual computer science perspective, it makes no sense. Um.

1:03:53.080 --> 1:03:54.680
<v Speaker 1>There are some people who say, wow, it makes no

1:03:54.720 --> 1:03:56.960
<v Speaker 1>sense that he's using a MAC. I want to address

1:03:57.040 --> 1:04:00.320
<v Speaker 1>that very quickly. So we think of max is being

1:04:00.440 --> 1:04:04.360
<v Speaker 1>largely virus proof, not so much as today, as much

1:04:04.360 --> 1:04:06.960
<v Speaker 1>as we used to. But I would argue that the

1:04:07.000 --> 1:04:10.440
<v Speaker 1>reason why Max were less likely to fall victim to

1:04:10.520 --> 1:04:13.600
<v Speaker 1>viruses is due to two things. One, Apple does lock

1:04:13.680 --> 1:04:17.640
<v Speaker 1>it system down really tightly, so that does help. The

1:04:17.680 --> 1:04:20.200
<v Speaker 1>fact that that that's so locked down meant that it

1:04:20.240 --> 1:04:22.400
<v Speaker 1>was not as accessible to people who wanted to write

1:04:22.440 --> 1:04:24.520
<v Speaker 1>code they could take advantage of it. Yeah, it was

1:04:24.560 --> 1:04:27.280
<v Speaker 1>more difficult, but also there were fewer Mac users for

1:04:27.320 --> 1:04:30.280
<v Speaker 1>a very long time, exactly, Lauren. That is that is

1:04:30.320 --> 1:04:33.280
<v Speaker 1>the key, right, there are fewer Max when you look

1:04:33.320 --> 1:04:35.440
<v Speaker 1>at and so if you're trying to cause havoc, then

1:04:35.640 --> 1:04:37.680
<v Speaker 1>really your your best bang for your buck is to

1:04:37.720 --> 1:04:41.680
<v Speaker 1>go after Window. Yeah, you want to go after PCs

1:04:41.800 --> 1:04:46.560
<v Speaker 1>because you certainly can't rule out alternate although I mean

1:04:46.600 --> 1:04:49.040
<v Speaker 1>Windows really was the thing you aimed for because Windows

1:04:49.040 --> 1:04:50.880
<v Speaker 1>had the majority of the share, So you want to

1:04:50.880 --> 1:04:54.600
<v Speaker 1>go for a target rich environment. Now you could say

1:04:54.600 --> 1:04:58.040
<v Speaker 1>that Windows was more had more vulnerabilities than Apple systems,

1:04:58.040 --> 1:05:00.600
<v Speaker 1>which I'm not going to argue that I think that's true.

1:05:01.000 --> 1:05:03.560
<v Speaker 1>But it's not that the Mac was immune to viruses.

1:05:03.640 --> 1:05:05.960
<v Speaker 1>It's that it had a lot working for it to

1:05:06.560 --> 1:05:10.080
<v Speaker 1>prevent people from even trying to write virus Because if

1:05:10.080 --> 1:05:12.040
<v Speaker 1>They're like, well, I could try and write a virus

1:05:12.080 --> 1:05:14.080
<v Speaker 1>for Mac and it might work, but I'm going to

1:05:14.200 --> 1:05:17.720
<v Speaker 1>hit five of the computer population when I could aim

1:05:17.760 --> 1:05:21.280
<v Speaker 1>for nine percent, which is going to get bigger results

1:05:21.280 --> 1:05:24.160
<v Speaker 1>for me. I might as well focus on that. Anyway.

1:05:24.360 --> 1:05:25.760
<v Speaker 1>I don't have a problem with the fact that he's

1:05:25.840 --> 1:05:28.480
<v Speaker 1>using a Mac to design this code. My problem is

1:05:29.040 --> 1:05:31.200
<v Speaker 1>it shouldn't work anyway. Whether it's a Mac or a

1:05:31.240 --> 1:05:34.200
<v Speaker 1>PC or a Linux machine, Unix doesn't matter because you're

1:05:34.240 --> 1:05:38.160
<v Speaker 1>talking about an alien your system and a human computer system,

1:05:38.200 --> 1:05:41.920
<v Speaker 1>so it doesn't matter which operating system you're using. Um.

1:05:41.960 --> 1:05:44.720
<v Speaker 1>But anyway, that's his idea, and he shows it off

1:05:44.760 --> 1:05:47.200
<v Speaker 1>an area fifty one. He's able to turn the shields

1:05:47.280 --> 1:05:51.680
<v Speaker 1>off and activate the ship's flight controls because apparently, once

1:05:51.720 --> 1:05:54.200
<v Speaker 1>you're able to connect to your computer to the alien computer,

1:05:54.360 --> 1:05:58.480
<v Speaker 1>you know what everything does. Like, think about all the

1:05:58.520 --> 1:06:01.880
<v Speaker 1>systems that would be required to make an alien ship work,

1:06:02.040 --> 1:06:05.840
<v Speaker 1>especially considering the fact that, uh, Jeff Goldblum's character David.

1:06:06.560 --> 1:06:08.920
<v Speaker 1>It is David because because when he boot boots up

1:06:08.960 --> 1:06:13.480
<v Speaker 1>his laptop, reference the two thousand one reference of Dave.

1:06:13.600 --> 1:06:19.760
<v Speaker 1>You know, uh, good morning day, don't reference better movies

1:06:19.800 --> 1:06:25.919
<v Speaker 1>in your movies, people, um, just reference worst movies, Grant.

1:06:25.920 --> 1:06:28.880
<v Speaker 1>It's hard to guess which movies are worse until you're done,

1:06:29.120 --> 1:06:31.800
<v Speaker 1>but you know, aim for really bad ones because then

1:06:31.840 --> 1:06:35.040
<v Speaker 1>the odds are in your favor. Anyway, he there's the

1:06:35.040 --> 1:06:37.000
<v Speaker 1>two thousand one reference. Good Morning Days. So he's David

1:06:37.040 --> 1:06:40.240
<v Speaker 1>and Steve is Will Smith's characters. So Steve and Dave

1:06:40.720 --> 1:06:44.400
<v Speaker 1>get into their alienship and blast off to go after

1:06:44.440 --> 1:06:47.080
<v Speaker 1>the mothership. Right, Well, think of all the systems that

1:06:47.080 --> 1:06:49.280
<v Speaker 1>are required to make that work. You have to have

1:06:49.880 --> 1:06:52.560
<v Speaker 1>the propulsion systems, the flight systems, you have to have

1:06:52.680 --> 1:06:55.880
<v Speaker 1>the life support systems. Thank goodness, these aliens breathe oxygen,

1:06:56.080 --> 1:06:58.240
<v Speaker 1>right because they're they're they're going to space. I mean

1:06:58.280 --> 1:07:01.240
<v Speaker 1>also just from a from a piloting standpoint, Will Smith's

1:07:01.360 --> 1:07:03.000
<v Speaker 1>character just gets in there and kind of does it

1:07:03.640 --> 1:07:06.600
<v Speaker 1>because he's seen how they fly so like as in

1:07:06.720 --> 1:07:09.440
<v Speaker 1>he's watched the ships go. Yeah, he's seen how they

1:07:09.520 --> 1:07:11.960
<v Speaker 1>move through an atmosphere. Therefore he knows how they fly

1:07:12.320 --> 1:07:15.200
<v Speaker 1>and in space too, because he's not space trained. People,

1:07:16.400 --> 1:07:19.560
<v Speaker 1>I've seen jets fly, I could not fly it. Yet.

1:07:20.880 --> 1:07:23.440
<v Speaker 1>I've seen helicopters fly. I could not fly a helicopter.

1:07:23.560 --> 1:07:26.880
<v Speaker 1>Just because I've seen how they move through a certain

1:07:26.960 --> 1:07:29.240
<v Speaker 1>area doesn't mean I can fly them. Well, I mean,

1:07:29.240 --> 1:07:33.200
<v Speaker 1>you know, he's a trained fighter pilot. Um. Maybe a

1:07:33.240 --> 1:07:35.720
<v Speaker 1>more apt description would be, you know, I've seen people

1:07:35.960 --> 1:07:38.320
<v Speaker 1>drive mac trucks, but I don't know how to drive

1:07:38.360 --> 1:07:42.760
<v Speaker 1>a diesel truck. Okay, how about this. I have piloted

1:07:42.960 --> 1:07:46.919
<v Speaker 1>a ship that was a sailing ship. I have never

1:07:47.000 --> 1:07:50.240
<v Speaker 1>driven a motor boat. But both of them do move

1:07:50.320 --> 1:07:54.120
<v Speaker 1>through the water. The propulsion systems are totally different. But

1:07:54.240 --> 1:07:56.400
<v Speaker 1>I see. That's what I'm saying is that being an

1:07:56.400 --> 1:07:58.320
<v Speaker 1>expert on one does not mean that you're an expert

1:07:58.360 --> 1:08:00.560
<v Speaker 1>on the other. However, for the purposes of magic effect,

1:08:01.200 --> 1:08:03.919
<v Speaker 1>let's let it go. We're giving this movie a lot

1:08:03.960 --> 1:08:06.840
<v Speaker 1>of passes right now. Um. Also, we know that this

1:08:06.880 --> 1:08:10.600
<v Speaker 1>episode has gone on really long, but so we've got that.

1:08:10.720 --> 1:08:12.640
<v Speaker 1>That's the big one. Everyone points out is this computer

1:08:12.800 --> 1:08:16.160
<v Speaker 1>virus that is designed to turn off the shields, and

1:08:16.160 --> 1:08:18.519
<v Speaker 1>of course their goal is they have to get aboard

1:08:18.560 --> 1:08:20.400
<v Speaker 1>the mothership in order for this to work. There's no

1:08:20.439 --> 1:08:23.360
<v Speaker 1>way for them to beam the code directly to the mothership.

1:08:24.680 --> 1:08:27.439
<v Speaker 1>They never explain how it is that by just getting

1:08:27.439 --> 1:08:29.400
<v Speaker 1>into the proximity of the ship, they're able to get

1:08:29.400 --> 1:08:33.200
<v Speaker 1>the code into the mothership. They don't explain that, so

1:08:33.600 --> 1:08:37.240
<v Speaker 1>apparently proximity is necessary, but we don't know why, Like

1:08:37.640 --> 1:08:40.640
<v Speaker 1>why do you have to be the mac into a

1:08:41.000 --> 1:08:44.240
<v Speaker 1>into a magnetic port within the ship and then through

1:08:44.280 --> 1:08:47.240
<v Speaker 1>the magnetic docking mechanism. That's it. Clearly they get aboard.

1:08:47.240 --> 1:08:49.840
<v Speaker 1>They get aboard the alienship and like, oh sweet, it's

1:08:49.840 --> 1:08:53.640
<v Speaker 1>got FireWire. We're good to go. Man, we would have

1:08:53.680 --> 1:08:56.360
<v Speaker 1>been so boned if we hadn't had FireWire in here.

1:08:57.200 --> 1:09:01.160
<v Speaker 1>It's clearly, it's clearly UM. And and also, like all

1:09:01.320 --> 1:09:05.280
<v Speaker 1>other programmers and hackers from the ninety nineties, he uses

1:09:05.400 --> 1:09:10.719
<v Speaker 1>a a animated skull Roger Jolly Roger in the symbol

1:09:10.720 --> 1:09:14.519
<v Speaker 1>the virus. Yeah, yeah, I have to do that. And

1:09:14.560 --> 1:09:17.639
<v Speaker 1>of course they deliver a nuclear bomb that has a

1:09:17.680 --> 1:09:21.479
<v Speaker 1>thirty second timer on it to UM to destroy the

1:09:21.479 --> 1:09:24.080
<v Speaker 1>mothership and then get out. There's no explanation as to

1:09:24.120 --> 1:09:26.639
<v Speaker 1>why they picked thirty seconds other than the fact again

1:09:26.960 --> 1:09:30.760
<v Speaker 1>dramatic effect. The idea big that this gives the heroes

1:09:31.280 --> 1:09:35.600
<v Speaker 1>and even Uh tougher challenge to escape the blast radius

1:09:35.680 --> 1:09:39.479
<v Speaker 1>of a nuclear bomb before they are affected by it

1:09:40.200 --> 1:09:42.760
<v Speaker 1>um and I haven't personally done the math on half

1:09:42.760 --> 1:09:45.200
<v Speaker 1>past to would have to fly in order to outfly

1:09:45.360 --> 1:09:47.960
<v Speaker 1>an explosion. But I'm I'm almost I mean, it's it's

1:09:47.960 --> 1:09:50.400
<v Speaker 1>at least not outrunning an explosion, so I'm kind of

1:09:50.680 --> 1:09:52.599
<v Speaker 1>it's a little better. It's a little better than having

1:09:52.640 --> 1:09:56.120
<v Speaker 1>to outrun an explosion. Now, there's plenty of outrunning explosions

1:09:56.120 --> 1:09:58.360
<v Speaker 1>in this movie too, especially in the parts where the

1:09:58.360 --> 1:10:00.880
<v Speaker 1>cities are being destroyed. But if y I don't try

1:10:01.320 --> 1:10:03.160
<v Speaker 1>not to ever put yourself in a position where you

1:10:03.200 --> 1:10:07.160
<v Speaker 1>need to outrun an explosion because you would die. Explosions

1:10:07.160 --> 1:10:09.880
<v Speaker 1>move faster than you can run. Yes, even you Usain

1:10:09.960 --> 1:10:15.400
<v Speaker 1>Bolt don't try it. So, yeah, it's the We're getting

1:10:15.439 --> 1:10:16.840
<v Speaker 1>towards the end of the movie here. So we got

1:10:16.880 --> 1:10:18.920
<v Speaker 1>the explosion of the mother Ship, which is really odd.

1:10:18.960 --> 1:10:21.760
<v Speaker 1>You pointed this out to Lauren that the explosion for

1:10:21.800 --> 1:10:24.720
<v Speaker 1>the mother Ship has this weird kind of disc explosion,

1:10:25.120 --> 1:10:29.280
<v Speaker 1>like it doesn't explode out in all directions explos Yeah,

1:10:29.280 --> 1:10:31.720
<v Speaker 1>it explodes out in a plane like a plane as

1:10:31.760 --> 1:10:34.360
<v Speaker 1>in a horizontal plane. It's like you think of a

1:10:34.880 --> 1:10:37.800
<v Speaker 1>plate that's been smashed into a thousand pieces, and there's

1:10:37.920 --> 1:10:41.439
<v Speaker 1>just spreads apart, like in a horizontal plane, it doesn't

1:10:41.479 --> 1:10:45.479
<v Speaker 1>go out in all directions. Explosion. Yeah, they're different. Maybe

1:10:45.479 --> 1:10:47.200
<v Speaker 1>it's just because the way the ship was built that's

1:10:47.240 --> 1:10:50.599
<v Speaker 1>just really really secure on the top and bottom, but

1:10:51.000 --> 1:10:56.680
<v Speaker 1>the outer edge is just just paper mache, just paper mache. Um.

1:10:56.840 --> 1:10:58.880
<v Speaker 1>We don't know what it is that really causes the

1:10:59.040 --> 1:11:02.639
<v Speaker 1>massive explosion within the the ship itself, I mean, apart

1:11:02.640 --> 1:11:05.000
<v Speaker 1>from a nuclear bomb going off. But again, one nuclear

1:11:05.040 --> 1:11:07.920
<v Speaker 1>bomb would not be enough to destroy a ship of

1:11:07.960 --> 1:11:11.720
<v Speaker 1>that mass. Found the gas tank, Yeah, we're thinking like

1:11:11.760 --> 1:11:15.439
<v Speaker 1>maybe there's fusion coils or something that were affected and

1:11:15.520 --> 1:11:18.200
<v Speaker 1>that created some sort of you know, I don't know,

1:11:18.280 --> 1:11:22.880
<v Speaker 1>maybe the nuclear bomb actually fell down a ventilation shaft

1:11:22.920 --> 1:11:26.360
<v Speaker 1>that led directly to the reactor core. And then Alderon

1:11:27.640 --> 1:11:31.400
<v Speaker 1>I might be thinking of a different movie. And then

1:11:31.800 --> 1:11:34.800
<v Speaker 1>the very end of the movie has Stephen Dave, who

1:11:34.960 --> 1:11:38.080
<v Speaker 1>you know, you don't know if they've survived, but surprised

1:11:38.120 --> 1:11:41.240
<v Speaker 1>they did, and they're they're walking down the desert and

1:11:41.240 --> 1:11:44.720
<v Speaker 1>they're greeted by their respective women folk and they are

1:11:45.000 --> 1:11:47.800
<v Speaker 1>and children folk and children folk and they are embraced

1:11:47.880 --> 1:11:51.880
<v Speaker 1>and everyone's happy. And then Uh. Steve will Smith's character

1:11:52.200 --> 1:11:56.280
<v Speaker 1>leans down to his uh, the little boy that would

1:11:56.400 --> 1:11:59.360
<v Speaker 1>would be his adopted son essentially or his stepson should

1:11:59.360 --> 1:12:01.280
<v Speaker 1>he always I guess he has a stepson now because

1:12:01.280 --> 1:12:04.439
<v Speaker 1>I forgot got married, because you have to have that

1:12:04.520 --> 1:12:08.519
<v Speaker 1>yet another emotionally manipulative moment um. So his stepson, he

1:12:08.720 --> 1:12:11.120
<v Speaker 1>says to his steps on, didn't I promise you fireworks?

1:12:11.120 --> 1:12:13.120
<v Speaker 1>That I thought? And only eight hundred and twelve million

1:12:13.160 --> 1:12:18.320
<v Speaker 1>people had to die for those fireworks to happen. And see,

1:12:21.240 --> 1:12:23.439
<v Speaker 1>there's so much more in this movie. There's the part

1:12:23.479 --> 1:12:28.280
<v Speaker 1>where where David the Jeff Goldblum character is writing to Washington,

1:12:28.400 --> 1:12:30.479
<v Speaker 1>d C. With his dad and he opens up his

1:12:30.560 --> 1:12:33.960
<v Speaker 1>laptop to pull up a while in the car in

1:12:34.000 --> 1:12:39.200
<v Speaker 1>ther WiFi. Essentially, Yeah, there's not he's not. I seriously

1:12:39.240 --> 1:12:41.759
<v Speaker 1>doubt that he was using any kind of really primitive

1:12:41.760 --> 1:12:45.640
<v Speaker 1>cellular data network to pull this information, especially since that

1:12:45.720 --> 1:12:49.960
<v Speaker 1>was represented by graphics. It must have been stored locally

1:12:50.040 --> 1:12:54.360
<v Speaker 1>on the computer. But he pulls up all um all

1:12:54.439 --> 1:12:56.200
<v Speaker 1>phone books in the United States in order to find

1:12:56.200 --> 1:12:59.400
<v Speaker 1>his ex wife's phone number, and uh, I just thought

1:12:59.400 --> 1:13:01.120
<v Speaker 1>it was funny that didn't just have the phone number

1:13:01.160 --> 1:13:03.680
<v Speaker 1>written down that This was obviously another one of those

1:13:03.680 --> 1:13:06.120
<v Speaker 1>moments which designed to show you that this guy is

1:13:06.120 --> 1:13:11.640
<v Speaker 1>good computers, computers that this guy are good friends. But

1:13:11.680 --> 1:13:14.320
<v Speaker 1>it is also funny to think that today anyone with

1:13:14.360 --> 1:13:18.680
<v Speaker 1>a phone can look up a phone book anywhere. Yeah,

1:13:18.680 --> 1:13:22.080
<v Speaker 1>the Internet and we do that now. Back in the

1:13:22.120 --> 1:13:24.280
<v Speaker 1>web was young, it did exist, but it wasn't as

1:13:24.360 --> 1:13:27.360
<v Speaker 1>robust as it is today. So I mean there was

1:13:27.400 --> 1:13:30.519
<v Speaker 1>no Google back in, so that would have made it

1:13:30.640 --> 1:13:35.320
<v Speaker 1>harder all by itself. Um, yeah, there's some there's some

1:13:35.400 --> 1:13:38.519
<v Speaker 1>really odd moments in this movie. Now, all that being said,

1:13:38.560 --> 1:13:40.000
<v Speaker 1>we do understand, like we said at the top of

1:13:40.000 --> 1:13:43.320
<v Speaker 1>the show, for entertainment, it is for entertainment purposes. And

1:13:43.320 --> 1:13:45.040
<v Speaker 1>and as much as Jonathan and I are kind of,

1:13:45.720 --> 1:13:49.800
<v Speaker 1>you know, viscerrating it a little bit right now, it

1:13:49.960 --> 1:13:52.200
<v Speaker 1>is I mean, there are parts of it that are

1:13:52.320 --> 1:13:55.240
<v Speaker 1>that are very entertaining and very funny, and and it's

1:13:55.280 --> 1:13:57.960
<v Speaker 1>it's designed it's designed to be a popcorn movie. Now

1:13:58.320 --> 1:14:02.320
<v Speaker 1>that gives it some somewhat of a pass. Uh. And

1:14:02.439 --> 1:14:04.920
<v Speaker 1>you know, if they had tried to make a movie

1:14:04.960 --> 1:14:08.439
<v Speaker 1>that was as scientifically and technically accurate as possible, it

1:14:08.479 --> 1:14:11.160
<v Speaker 1>probably would not have been as entertaining. Maybe they could

1:14:11.160 --> 1:14:15.040
<v Speaker 1>have avoided some of the more melodramatic, emotionally manipulative scenes,

1:14:15.080 --> 1:14:17.599
<v Speaker 1>which I find I don't know at the time. At

1:14:17.640 --> 1:14:20.439
<v Speaker 1>the time, I didn't find it as irritating, but I

1:14:20.479 --> 1:14:23.320
<v Speaker 1>was also dumber about as as an adult, you get

1:14:23.320 --> 1:14:24.680
<v Speaker 1>more aware of that kind of thing. I mean, I

1:14:24.720 --> 1:14:28.280
<v Speaker 1>don't know. I I certainly don't fault especially big blockbuster

1:14:28.360 --> 1:14:31.240
<v Speaker 1>movies like this on on being light on the science.

1:14:31.360 --> 1:14:34.720
<v Speaker 1>But but things that are just just blatantly not right

1:14:34.880 --> 1:14:37.280
<v Speaker 1>not science. Yeah, I'm kind of like, didn't I mean,

1:14:37.360 --> 1:14:39.840
<v Speaker 1>wasn't anyone. I mean, this this script had to have

1:14:39.920 --> 1:14:42.920
<v Speaker 1>gone through multiple, multiple treatments and all kinds of eyes,

1:14:42.960 --> 1:14:45.439
<v Speaker 1>and I mean studios like that are huge, you know,

1:14:45.560 --> 1:14:47.479
<v Speaker 1>it was enormous. I think I think what would be

1:14:47.520 --> 1:14:50.240
<v Speaker 1>fun to do, maybe in the future, is to come

1:14:50.320 --> 1:14:53.559
<v Speaker 1>up with our list of movies that have the the

1:14:53.760 --> 1:14:59.200
<v Speaker 1>worst portrayal of science and technology and not necessarily go

1:14:59.320 --> 1:15:01.679
<v Speaker 1>through it like the like that this was a special

1:15:01.720 --> 1:15:03.439
<v Speaker 1>thing that we did because I jokingly said that we

1:15:03.479 --> 1:15:07.439
<v Speaker 1>should do it, and then our so so this is

1:15:07.479 --> 1:15:09.519
<v Speaker 1>what you get. But maybe in the future will do

1:15:09.640 --> 1:15:11.240
<v Speaker 1>more of an episode where we just kind of talk

1:15:11.320 --> 1:15:16.880
<v Speaker 1>about some of the more ridiculous depictions of technology, like Hackers,

1:15:17.280 --> 1:15:21.240
<v Speaker 1>which has some really awful awful sequences, Like essentially anything

1:15:21.280 --> 1:15:24.720
<v Speaker 1>that has depicted hacking as some sort of video game.

1:15:25.920 --> 1:15:31.000
<v Speaker 1>The net is another great one. Anything anything we're hacking

1:15:31.200 --> 1:15:34.000
<v Speaker 1>is essentially like you are the plot. You are actually

1:15:34.040 --> 1:15:38.080
<v Speaker 1>making your way through a three dimensional castle and you

1:15:38.160 --> 1:15:42.120
<v Speaker 1>have to avoid skeletons, and this is actually the way

1:15:42.160 --> 1:15:44.320
<v Speaker 1>hacking works. And if you can get to the treasure room,

1:15:44.360 --> 1:15:47.160
<v Speaker 1>you get the files. There is a movie like that.

1:15:47.479 --> 1:15:49.800
<v Speaker 1>I can show you the video clip after this is done,

1:15:50.200 --> 1:15:52.040
<v Speaker 1>So maybe we'll do that at some point and just

1:15:52.120 --> 1:15:53.600
<v Speaker 1>kind of give you a rundown on some of the

1:15:53.640 --> 1:15:55.600
<v Speaker 1>movies that have maybe do a few that are that

1:15:55.640 --> 1:15:57.200
<v Speaker 1>are really good. Yeah, there are a few out there

1:15:57.240 --> 1:16:00.360
<v Speaker 1>that have done some great some great work and representing

1:16:00.439 --> 1:16:03.560
<v Speaker 1>what technology can actually do. And that wraps up this

1:16:03.760 --> 1:16:06.839
<v Speaker 1>classic episode. You know, we would occasionally do these episodes

1:16:06.880 --> 1:16:09.280
<v Speaker 1>where we would take a film that has a lot

1:16:09.320 --> 1:16:11.160
<v Speaker 1>of technology in it. We've done it with the James

1:16:11.240 --> 1:16:15.479
<v Speaker 1>Bond films, Star Wars, Independence Day obviously, and we would

1:16:15.560 --> 1:16:19.080
<v Speaker 1>go through and talk about how the technology was portrayed,

1:16:19.320 --> 1:16:23.720
<v Speaker 1>how realistic was it? Uh, did it set n realistic expectations.

1:16:23.880 --> 1:16:25.679
<v Speaker 1>If you guys would like us to do any more

1:16:25.760 --> 1:16:27.640
<v Speaker 1>of those, let us know, tell us some of the

1:16:27.680 --> 1:16:29.880
<v Speaker 1>movies that we should really take a look at and

1:16:30.000 --> 1:16:33.280
<v Speaker 1>kind of dissect. But if you have any other suggestions,

1:16:33.400 --> 1:16:36.000
<v Speaker 1>feel free to pop them my way. You can reach

1:16:36.040 --> 1:16:38.960
<v Speaker 1>out on Twitter or Facebook. The handle for both is

1:16:39.000 --> 1:16:42.080
<v Speaker 1>text stuff hs W and I'll talk to you again

1:16:42.720 --> 1:16:51.400
<v Speaker 1>really soon. Text Stuff is an I Heart Radio production.

1:16:51.640 --> 1:16:54.439
<v Speaker 1>For more podcasts from my Heart Radio, visit the i

1:16:54.560 --> 1:16:57.800
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

1:16:57.840 --> 1:17:00.960
<v Speaker 1>your favorite shows. Eight